Coba jelasin Karya lainnya dari Joseph Wright dong

Thomas Borrow dan Anne Borrow (1762-63) Museum dan Galeri Seni Derby

A Philosopher Lecturing on the Orrery (1766) Museum dan Galeri Seni Derby

Filsuf dengan Cahaya lampu (1769) Museum dan Galeri Seni Derby

Grotto by the Seaside in the Kingdom of Naples with Banditti, Sunset (1778) Museum Seni Rupa, Boston

Ahli Alkimia Menemukan Fosfor (1771) Museum dan Galeri Seni Derby

Bengkel Pandai Besi (1771) Museum dan Galeri Seni Derby

Miravan (1772) Museum dan Galeri Seni Derby

Raja Tawanan (1772) Museum dan Galeri Seni Derby

Earthstopper (1773) Museum dan Galeri Seni Derby

Tawanan Sterne (1774) Galeri Seni Vancouver

Tawanan (1778) Museum dan Galeri Seni Derby

Makam Virgil (tiga versi, 1779 sampai 1785)

Romeo dan Juliet: Adegan Makam (1790) Museum dan Galeri Seni Derby

Richard Arkwright (1790) Museum dan Galeri Seni Derby

Nyonya Francis Boott (1790-93) Museum Seni Rupa, Boston

Museum dan Galeri Seni Derby

Joseph Wright of Derby: painter of light, 2 vols, B. Nicolson, (1968)

The life and works of Joseph Wright, commonly called ‘Wright of Derby’, W. Bemrose, (1885)

Wright in Italy, D. Fraser, (1987)

Joseph Wright of Derby, J. Wallis, (1997)

‘Wright of Derby: Gothick realist’ in Art News [USA], R. Rosenblum,, 59/1 (March 1960), 24–7, 54

‘Addenda to Wright of Derby’, B. Nicolson, Apollo, 88 (1968), suppl. Notes on British art, 12, pp. 1–4

‘Wright of Derby: addenda and corrigenda’, B. Nicolson, Burlington Magazine, 130 (1988), 745–58

Joseph Wright of Derby: Das Experiment mit der Luftpumpe: eine heilige Allianz zwischen Wissenschaft und Religion, W. Busch, (Frankfurt am Main, 1986)

Painting for money: the visual arts and the public sphere in eighteenth-century England, D. H. Solkin, 214–46 (1993)

Andrew Graciano, “‘The Book of Nature is Open to All Men’: Geology, Mining and History in Joseph Wright’s Derbyshire Landscapes” The Huntington Library Quarterly (68: 4, 2005), 583-600.

Andrew Graciano, “Shedding New Botanical Light on Joseph Wright’s Portrait of Brooke Boothby: Rousseauian Pleasure versus Medicinal Utility” Zeitschrift für Kunstgeschichte (3:2004), 365-380.