Tolong jelaskan mengenai Filmografi dari Dziga Vertov

1919 Кинонеделя (Kino Nedelya, Cinema Week)

1919 Годовщина революции (Anniversary of the Revolution)

1922 История гражданской войны (History of the Civil War)

1924 Советские игрушки (Soviet Toys)

1924 Кино-глаз (Kino Glaz, Cinema Eye)

1926 Шестая часть мира (A Sixth of the World/The Sixth Part of the World)

1929 Человек с киноаппаратом (Man with the Movie Camera)

1934 Три песни о Ленине (Three Songs about Lenin)

1937 Памяти Серго Орджоникидзе (Memories of Sergo Ordzhonikidze)

1938 Три героини (Three Heroines)

1942 Казахстан — фронту! (Kazakhstan for the Front!)

1944 В горах Ала-Тау (In the Mountains of Ala-Tau)

1954 Новости дня (News of the Day)

Cook, Simon. "Our Eyes, Spinning Like Propellers: Wheel of Life, Curve of Velocities, and Dziga Vertov's Theory of the Interval." October, 2007,pages 79–91.

Jack C. Ellis. The Documentary Idea: A Critical History of English-Language Documentary Film and Video. Prentice Hall, 1989.

Seth Feldman. "'Peace between Man and Machine': Dziga Vertov's The Man with a Movie Camera." in Barry Keith Grant, and Jeannette Sloniowski, eds.Documenting the Documentary: Close Readings of Documentary Film and Video. Wayne State University Press, 1998. pp. 40–53.

Feldman, Seth. "Evolution of style in the early work of Dziga Vertov." 1977, Arno Press, New York.

Graffy, Julian; Deriabin, Aleksandr ;Sarkisova, Oksana ; Keller, Sarah ; Scandiffio, Theresa . "Lines of resistance: Dziga Vertov and the twenties / edited and with an introduction by Yuri Tsivian." Le Giornate del cinema muto, Gemona, Udine

Jeremy Hicks. Dziga Vertov: Defining Documentary Film. London & New York: IB Tauris, 2007.

Christie,Ian. "Rushes: Pordenone Retrospective: Gazing into the Future."Sight and Sound. 2005, 15, 1, 4-5, British Film Institute

Malcolm Le Grice. Abstract Film and Beyond. Studio Vista, 1977.

John MacKay. "Allegory and Accommodation: Vertov's Three Songs of Lenin (1934) as a Stalinist Film." In Film History: An International Journal 18.4 (2006) 376-391.

John MacKay. "Disorganized Noise: Enthusiasm and the Ear of the Collective." Available at [www.kinokultura.com/articles/jan05-mackay.html].

John MacKay. "Film Energy: Process and Metanarrative in Dziga Vertov's The Eleventh Year (1928)." October 121 (Summer 2007): 41-78.

John MacKay. "The 'Spinning Top' Takes Another Turn: Vertov Today." Available at [www.kinokultura.com/articles/apr05-mackay.html].

Annette Michelson and Malcolm Turvey eds. "New Vertov Studies." Special Issue of October, (October 121 (Summer 2007)).

Graham Roberts. The Man with the Movie Camera. I.B.Tauris, 2001. ISBN 1-86064-394-9

Ben Singer. "Connoisseurs of Chaos: Whitman, Vertov and the 'Poetic Survey,'" Literature/Film Quarterly 15:4 (Fall 1987): 247-258.

Thomas Tode, Barbara Wurm, Austrian Film Museum eds.Dziga Vertov. The Vertov Collection at the Austrian Film Museum, Bilingual (German-English). (Paperback - May 2006), FilmmuseumSynemaPublikationen, available at [www.filmmuseum.at].

Yuri Tsivian, ed. Lines of Resistance: Dziga Vertov and the Twenties. La Giornate del Cinema Muto, 2004. ISBN 88-86155-15-8

Dziga Vertov. On Kinopravda. 1924, and The Man with the Movie Camera. 1928, in Annette Michelson ed. Kevin O'Brien tr. Kino-Eye: The Writings of Dziga Vertov, University of California Press, 1995.

Dziga Vertov. We. A Version of a Manifesto. 1922, in Ian Christie, Richard Taylor eds. The Film Factory: Russian and Soviet Cinema in Documents, 1896-1939 Routledge, 1994. ISBN 0-415-05298-X

Charles Warren ed. Beyond Document: Essays on Nonfiction Film. Wesleyan University Press, 1996.