Coba jelasin Sebagian filmografi dari Anna May Wong dong

The Red Lantern (1919) debut – tak disebutkan

The Toll of the Sea (1922) sebagai Lotus Flower

The Thief of Bagdad (1924) sebagai seorang Budak Mongol

A Trip to Chinatown (1926) sebagai Ohati

Elstree Calling (1930) sebagai Diri sendiri

The Flame of Love (1930) sebagai Hai Tang

The Road to Dishonour (1930) sebagai Hai Tang

Hai-Tang (1930) sebagai Hai Tang

Daughter of the Dragon (1931) sebagai Putri Ling Moy

Shanghai Express (1932) sebagai Hui Fei

A Study in Scarlet (1933)

Limehouse Blues (1934) sebagai Tu Tuan

Dangerous to Know (1938) sebagai Lan Ying

King of Chinatown (1939) sebagai Dr. Mary Ling

Island of Lost Men (1939) sebagai Kim Ling

Bombs Over Burma (1942) sebagai Lin Ying

Lady from Chungking (1942) sebagai Kwan Mei

Impact (1949) sebagai Su Lin

Portrait in Black (1960) sebagai Tawny

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Camhi, Leslie. "Film: A Dragon Lady and a Quiet Cultural Warrior". The New York Times, January 11, 2004.

Chan, Anthony B. Perpetually Cool: The Many Lives of Anna May Wong (1905–1961). Lanham, Maryland: The Scarecrow Press, 2003. .

Chung, Hye-seung. Hollywood Asian: Philip Ahn and the Politics of Cross-ethnic Performance. Philadelphia: Temple University Press, 2006. .

Corliss, Richard. "Anna May Wong Did It Right."  Time, January 29, 2005. Retrieved: March 20, 2008.

Corliss, Richard. "That Old Feeling: Anna May Win."  Time, February 3, 2005. Retrieved: March 24, 2008.

Crisler, B.R. Daughter of Shanghai (film review). The New York Times, December 24, 1937.

Crowther, Bosley. Dangerous to Know (film review). The New York Times, March 11, 1938.

"Film reveals real-life struggles of an onscreen 'Dragon Lady'." UCLA Today Online, January 3, 2008. Retrieved: May 27, 2008.

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Lim, Shirley Jennifer. "I Protest: Anna May Wong and the Performance of Modernity, (Chapter title)"A Feeling of Belonging: Asian American Women's Public Culture, 1930–1960. New York: New York University Press, 2005, pp. 104–175. .

Liu, Cynthia W. "When Dragon Ladies Die, Do They Come Back as Butterflies? Re-imagining Anna May Wong." Countervisions: Asian American Film Criticism. Hamamoto, Darrel and Sandra Liu, (editors). Philadelphia: Temple University Press, 2000, pp. 23–39. .

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Nugent, Frank. King of Chinatown (film review). The New York Times, March 16, 1939.

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Piccadilly (film review). Variety, July 24, 1929.

Rollins, Peter C., ed. The Columbia Companion to American History on Film: How the Movies Have Portrayed the American Past. New York: Columbia University Press, 2003. .

Song (film review). The New York Times, August 22, 1928.

Sweet, Matthew. "Snakes, Slaves and Seduction; Anna May Wong." The Guardian, February 6, 2008. Retrieved: March 20, 2008.

The Toll of the Sea (film review). The New York Times, November 27, 1922.

The Toll of the Sea (film review). Variety, December 1, 1922.

Wang, Yiman and Catherine Russell, ed.. "The Art of Screen Passing: Anna May Wong's Yellow Yellowface Performance in the Art Deco Era." Camera Obscura 60: New Women of the Silent Screen: China, Japan, Hollywood. Durham, North Carolina: Duke University Press, 2005, pp. 159–191. .

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