Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Ex Input:
CONTEXT: I have a friend who owns a (very) small theater... so some of this probably isn't "official" (I know they bend the rules a bit at times). Also, they operate only on film, I'm not for sure about digital Anyway, one thing a lot of people don't realize is that film is usually shipped on 6 or so small reels. The movie theater then tapes together these reels into usually 1 or 2 big reels(depending on what's capable of the projector and the size of the movie). During this time, they add on small preview reels. From what I can tell, usually 2 or 3 previews are shipped with a particular movie. It's not mandatory that theaters put them on, but they are usually the latest, so it gives theaters a good incentive. Unlike movie reels which must be returned, preview reels can be kept by the movie theater. So the movie theater can of course add on more previews if they wish as well. I believe it's allowed for them to add no previews on as well. Of course, with digital there is much less choice. I believe the previews with digital movies are completely fixed.. So, it's completely up to the studios.. As for how they select which previews are shipped with blockbuster movies, see the other answers  <sep>  Q: What factors go into determining what trailers are played before movies? A: one thing a lot of people don't realize is that film is usually shipped on 6 or so small reels  Q: What do the 6 or so small reels have to do with trailers? A: The movie theater then tapes together these reels into usually 1 or 2 big reels(depending on what's capable of the projector and the size of the movie  <sep> FOLLOWUP_Q: What happens after the reels are taped together?

Ex Output:
Yes


Ex Input:
CONTEXT: In the cab, the joke is that the car is so old and/or cheaply built that Bob expected the radio to be AM only. With Tina, the joke is not about the availability of FM but about the content. FM is dominated by recently-recorded popular music, and AM stations are more likely to play oldies and news and call-in advice programs - the kind of stuff kids don't want to listen to, execpt maybe Tina because she's weird. Zeke's comment means he's bored by the entertainment being provided by Tina, and wants something more exciting.  <sep>  Q: Is that some kind of inside joke to the show or the area the show is supposed to take place in? A: In the cab, the joke is that the car is so old and/or cheaply built that Bob expected the radio to be AM only  Q: Is there anything else you can tell me? A: With Tina, the joke is not about the availability of FM but about the content  Q: Oh I see, what was the joke exactly? It don't really seem too funny to me. A: FM is dominated by recently-recorded popular music, and AM stations are more likely to play oldies and news and call-in advice programs  <sep> FOLLOWUP_Q: What is the difference of FM and AM other than what they play?

Ex Output:
Yes


Ex Input:
CONTEXT: I think it comes down to one point - can one mind actively dream two or more states simultaneously. For the dream within a dream thing to work .... the dreamer in level 1 (Yusuf) has to dream the Pasiv (sleep) machine into existence, in order to allow people to go down to the next level (the hotel dream of Arthur). For someone to simultaneously be maintaining level 1 and be able to go to 'sleep' and maintain level 2 seems unlikely - you'd essentially have to be 'awake' in each dream state. So it appears for the dream within a dream thing to work, you need as many people to dream as levels you wish to descend. This appears to be why Cobb wants Yusuf to 'go into the field', as he needs 3 dream levels (Yusuf, Arthur, Eames) - and he does not want to be a dreamer himself (for obvious reasons), and Ariadne was a late addition to the team.  <sep>  Q: Was it impossible to go into same person's dream each level down, or did it serve a purpose? A: I think it comes down to one point - can one mind actively dream two or more states simultaneously  Q: Why did they have to choose a different person each time they went one level deeper in Inception? A: For the dream within a dream thing to work .... the dreamer in level 1 (Yusuf) has to dream the Pasiv (sleep) machine into existence  Q: Couldn't they have kept going into Yusuf's dream all the way down? A: This appears to be why Cobb wants Yusuf to 'go into the field', as he needs 3 dream levels (Yusuf, Arthur, Eames  Q: How many dream levels are there? A: he needs 3 dream levels  <sep> FOLLOWUP_Q: Is it possible to go further than 3?

Ex Output:

No