In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[EX Q]: Question: What were the names of the parents of the musician Bolland particularly embraced? Passage 1:Due to the sales growth of IBM clones in the '90s, they became the industry standard for business and home use. This growth was augmented by the introduction of Microsoft's Windows 3.0 operating environment in 1990, and followed by Windows 3.1 in 1992 and the Windows 95 operating system in 1995. The Macintosh was sent into a period of decline by these developments coupled with Apple's own inability to come up with a successor to the Macintosh operating system, and by 1996 Apple was almost bankrupt. In December 1996 Apple bought NeXT and in what has been described as a "reverse takeover", Steve Jobs returned to Apple in 1997. The NeXT purchase and Jobs' return brought Apple back to profitability, first with the release of Mac OS 8, a major new version of the operating system for Macintosh computers, and then with the PowerMac G3 and iMac computers for the professional and home markets. The iMac was notable for its transparent bondi blue casing in an ergonomic shape, as well as its discarding of legacy devices such as a floppy drive and serial ports in favor of Ethernet and USB connectivity. The iMac sold several million units and a subsequent model using a different form factor remains in production as of August 2017. In 2001 Mac OS X, the long-awaited "next generation" Mac OS based on the NeXT technologies was finally introduced by Apple, cementing its comeback.
 Passage 2:The Japanese exhibition at the fair was the product of years of preparation. The empire had received its invitation in 1871, close on the heels of the Meiji Restoration, and a government bureau was established to produce an appropriate response. Shigenobu Okuma, Tsunetami Sano, and its other officials were keen to use the event to raise the international standing of Japanese manufactures and boost exports. 24 engineers were also sent with its delegation to study cutting-edge Western engineering at the fair for use in Japanese industry. Art and cultural relics at the exhibit were verified by the Jinshin Survey, a months-long inspection tour of various imperial, noble, and temple holdings around the country. The most important products of each province were listed and two specimens of each were collected, one for display in Vienna and the other for preservation and display within Japan. Large-scale preparatory exhibitions with this second set of objects were conducted within Japan at the Tokyo Kaisei School (today the University of Tokyo) in 1871 and at the capital's Confucian Temple in 1872; they eventually formed the core collection of the institution that became the Tokyo National Museum. 
 Passage 3:Growing up as "and only child in a house without culture," (Bolland says that his "mother and father had no use for art, literature or music"), he embraced the late 1960s pop culture explosion of "pirate radio stations, music (particularly Frank Zappa...), drug taking, psychedelia, "peace and love," "dropping out," the underground scene, Oz Magazine," and other aspects of hippy culture epitomised by underground comix such as Robert Crumb's Zap Comix. Having taken both O-Level and A-Level examinations in art, Bolland spent five years at art school (starting in 1969) learning graphic design and Art history. Learning to draw comics, however, was "more a self-taught thing," with Bolland eventually writing a 15,000-word dissertation in 1973 on Neal Adams – an "artist [his teachers] had never heard of." He would later recall:

[EX A]: 3

[EX Q]: Question: What year was Allmusic established? Passage 1:Jonathan Widran of AllMusic said "It's too early in her career to know whether this powerhouse singer/songwriter will ever reach the heights of Contemporary Christian Music's other Grant, but a bevy of top producers come on board this sparkling debut to launch Natalie Grant towards this goal. All of these studio wizards (Eric Foster White, Tommy Sims, and Michael Lloyd) are better-known for their secular pop music, and the variety of atmospheres they create poise Grant for crossover pop success. It also helps that the lyrics Grant sings are designed as inspirational, rather than preachy. Torchy tracks like 'I Am Not Alone' and rock-driven anthems like 'I Will Be' could definitely lead both teenagers looking for substance, and adult contemporary audiences, to a deeper examination of important spiritual issues. Grant's wide-ranging pipes (yes, think potential diva) would surely sound great without all the production energy, but nearly every up-tempo tune here is an irresistible mix of pop/rock and modern soul flavors. The title track is all thump and hook, and some of the vocal texturing will remind fans of Point of Grace. Another POG-like tune, 'Days Like These', is driven by jangly alternative pop guitars. A few tracks touch on simple exotica, most notably "Love Without Limits" with its swirling flamenco strings. Amidst the playful spirit is Grant's most heartfelt tune, a lush and teary, almost breathless tribute to her father, 'Always Be Your Baby' This tune alone indicates that we're dealing with a major new talent whose deeper life extends from the spiritual into the musical." Christianity Todays Russ Breimeier stated "In a relatively short time Natalie Grant has earned a reputation for three things rather unique to her five-year career. First, she's released every album on a different record label. Both Benson and Pamplin have since closed their doors—'the curse' will likely end with Curb, which is relatively secure under the wings of Warner Brothers' Christian Music Division. Second, the Seattle-born artist is well-known for her protestations about being labeled a 'pop diva'. There is typically a negative connotation to the 'd'-word that flies in the face of Natalie's humble servant attitude and her desire to focus her music on the goodness of God. Unfortunately for her, the diva label is an apt description of her musical styling, which leads into the third unique trait. Despite her diminutive size, Natalie has an impressively big voice with enough nuance to hold her own among any of the classic pop divas (Mariah Carey, Celine Dion, Whitney Houston, take your pick), earning her multiple Dove nominations for Female Vocalist of the Year. Undeterred by collapsing record labels and pop music stereotypes, Natalie admirably presses on with Deeper Life, her third effort, by stretching her own artistic skills. Her previous album, Stronger (released in 2001), featured her first attempts at songwriting by co-writing a handful of tracks. On Deeper Life, she co-writes nearly every song. Additionally, Natalie steps up as co-producer of this album, joining a slew of A-list pop producers and songwriters: Tommy Simms (CeCe Winans, Anointed), Eric Foster White (Jessica Simpson, Whitney Houston), Bryan Lenox (Michael W. Smith, Ronnie Freeman), Bernie Herms (Plus One), and Rob Graves (songwriter and guitarist on Joy Williams's By Surprise). The approach on this project was to create an album that relied less on programmed pop and more on live musicians, and the results are indeed stunning. I daresay this is Natalie's best-sounding album yet. But we must keep it in perspective. This is still R&B-flavored; adult contemporary pop a la Mariah Carey, Jaci Velasquez, Kelly Clarkson, Jessica Simpson, and many others. It is most certainly not (as suggested by the press bio) the classic rock sound of Sheryl Crow or the modern pop/rock of Avril Lavigne. Christian adult contemporary and inspirational pop speaks for itself—some find it meaningful and poignant, while others find it clichéd and boring. In that spirit, the songs of Deeper Life are best explored for what they are—you'll know by the titles, lyrics, and styles if this music matches or offends your tastes. Nevertheless, there's no getting around Natalie's vocal prowess or the superior production, which means you're bound to be impressed with Deeper Life if you enjoy first-rate pop." Heather Marsden of Cross Rhythms claimed "This is Natalie Grant's third album and is positive proof that her new home at Curb Records is working well for her. The album opens with the upbeat title track 'Deeper Life', a poppy feel good song that's easy to pick up and sing along. 'Days Like These' and 'I Will Be' are in a similar style without being repetitions of the first song. The songs 'That's When I Give Up (On Loving You)', 'Live for Today' and 'I Desire' have a more acoustic rock kind of sound—similar to that of Michelle Branch. The bonus track 'No Sign of It' has been featured in the new Gwyneth Paltrow film View from the Top. Deeper Life contains some of Grant's best work, it's a great record with a good message, sure to please her growing number of fans and draw in some new ones." JesusFreakHideout's Shaun Stevenson remarked "Things haven't always been easy for Natalie Grant. After changing record companies twice, Grant has finally found a home with Curb Records. And now, with the release of Deeper Life, Grant is sure headed in the right direction with a solid third album. Albums are always opening with something upbeat these days, and Deeper Life opens things off in the right direction. With plenty of signature Grant sounds, the song really reflects what this album is all about: seeking the deeper life in Jesus Christ. Natalie Grant sure has something going for her. With this newest album, containing some of her strongest work to date, she's really outdone herself. A solid record, a solid message, and a solid musical base, Deeper Life is sure to please fans of Grant's previous work, and it's also sure to bring in new listeners. Trouble has come to Natalie Grant in the past, but now, there's no sign of it, and her skies are definitely clear today."
 Passage 2:In 2000, they released the self-titled demo, Transistor Revolt. Tintari left the band in the fall of that year before the recording of their full-length album. He was later replaced by Brandon Barnes of "Pinhead Circus". The band then signed with independent record label Fat Wreck Chords in 2001. They then released their debut album The Unraveling and spent the rest of the year touring. In 2002, Mr. Precision left and was replaced by Todd Mohney. The band returned to the studio in December 2002 to work on their second full-length album, Revolutions per Minute in 2003 and toured for the 2003 Warped Tour, which gained the band some success. Rise Against then signed to Dreamworks Records in late 2003 to begin the recording of their third record, but Dreamworks was shortly absorbed by the Universal Music Group, and Rise Against found itself with Major label Geffen Records. Todd Mohney, the band's guitarist at the time, left and was replaced by Chris Chasse and began the recording of their new album Siren Song of the Counter Culture. Siren Song of the Counter Culture was released on August 10, 2004 peaking at number 136 on the Billboard 200 album charts, gaining the band major critical and commercial success with the singles "Give It All, "Swing Life Away", and "Life Less Frightening".
 Passage 3:On June 28, 2007, Fernández was taken 24th overall in the NBA draft by the Phoenix Suns, who subsequently traded his draft rights along with James Jones to the Portland Trail Blazers for cash. Rudy Fernández announced at a press conference on Friday, June 6, 2008, that he would leave DKV Joventut to join the Portland Trail Blazers for the 2008–09 NBA season, and he signed a contract with the Blazers on July 1. "They [Portland] have shown a lot of interest in getting me and have assured me that I will be an important part in the team", he said. Fernández joined the NBA team on September 22, 2008. He became the eighth Spaniard to play in the NBA. For the 2008–09 NBA season he joined several other fellow Spaniards in the league that included Pau and Marc Gasol, Jose Calderón, and Trail Blazers teammate Sergio Rodríguez. He entered the NBA following his participation with the Spain national team at the 2008 Olympic basketball tournament in Beijing, China.

[EX A]: 1

[EX Q]: Question: Who was the editor of the Daily Express the year Morris traveled to the West Indies? Passage 1:Between 1980 and 1988, the conflict intensified as the Iran–Iraq War commenced. One of the groups targeted in particular by Iraqi authorities were the Feyli Kurds, a community of Shi'ite Kurds settled in the southern area of the Zagros Mountains near Iraq's border with Iran. Saddam Hussein considered the group as 'Iranians' and began a campaign to drive the settlers out of the area as a part of his 'Arabization' policy in 1980., Saddam Hussein was severely critical of the Kurdistan Democratic Party (KDP) as they aligned forces with Iran in the conflict. In 1983, to avenge this liaison, he ordered the Army to abduct as many as 8,000 men and boys from Erbil province, where the clan of Barzani Kurds was based. Massoud Barzani, the leader of the clan and the KDP, himself lost 37 members of his family to the Iraqi troops. They were reported to having been sent to Nugra Salman prison in the southern deserts of Iraq, where they were tortured. Subsequently, the remains of 512 Barzani men were discovered in a mass grave. On March 16, 1988, Iraqi troops began shelling the Kurdish town of Halabja, in retaliation for an attack on Iraqi positions carried out by Iranian Revolutionary Guards and the aligned Peshmerga fighters. Subsequently, the town was attacked with a mix of chemical substances such as VX (nerve agent), sarin and mustard gas (see Halabja chemical attack). Over 5,000 people are believed to have been killed in the attack, which was considered to be a part of the Al-Anfal Campaign, directed against Kurds by the government under the command of Ali Hassan al-Majid, head of the Northern Bureau of the Ba'ath Party.
 Passage 2:From 1931, Hermes studied mathematics, physics, chemistry, biology and philosophy at the University of Freiburg. In 1937 he passed the state examination in Münster and was attending there in 1938 when the physicist Adolf Kratzer was present. After that he went on a scholarship to the University of Göttingen and then became an assistant at the University of Bonn. During World War II he was a soldier on the Channel Island of Jersey until 1943 and then on to the Chemical Physics Institute of the Navy in Kiel. At the end of the war he moved to Toplitzsee, where he was tasked with working on new encryption methods. In 1947, he became a lecturer at the University of Bonn where he took his habilitation, his thesis called Analytical manifolds in Riemannian areas. In 1949 he became a Professor at the University of Münster, where he turned back to the subject of mathematical logic.
 Passage 3:Leaving Collurian he worked as a porter at Penzance railway station for the Great Western Railway and with the free pass, that was part of his entitlement, he travelled to London to search for a post as a journalist. He landed his first job with The Dairy Farmer and later Farmers Weekly. He travelled to the West Indies in 1939 and Canada where he joined the Canadian Army at the outbreak of World War II, but was invalided out in 1941. Back in Britain, he started as a sub-editor on the Daily Express, and later as a personal assistant to Manny Shinwell, a Labour MP, writing speeches for members of the party. In 1949 he became political columnist for the Daily Mirror, and unsuccessfully standing as a Labour party candidate for Bristol West in 1950 and 1951.

[EX A]:
3