In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Question: Who did Richard Brody write reviews for? Passage:Roger Ebert rated the film three-and-a-half stars, praising the creation of an island world that "might as well be ruled by Prospero". A devoted fan of Anderson, Richard Brody hailed Moonrise Kingdom as "a leap ahead, artistically and personally" for the director, for its "expressly transcendent theme" and its spiritual references to Noah's Ark. Peter Bradshaw of The Guardian gave the film four stars out of five, calling it "another sprightly confection of oddities, attractively eccentric, witty and strangely clothed". The New York Timess Manohla Dargis reviewed Anderson and Coppola's screenplay as a "beautifully coordinated admixture of droll humor, deadpan and slapstick". Peter Travers positively reviewed the actors' performances, calling Norton engaging, Balaban "delightful" and Willis agreeable. Travers also credited cinematographer Yeoman for "a poet's eye" and composer Alexandre Desplat for his contributions. As novice actors, Jared Gilman and Kara Hayward also received praise. The Daily Telegraphs review stated it was "exhilarating" to see different elements combined, such as the music of Britten and Hank Williams. It called the end result "an extraordinarily affected piece of filmmaking". The Hollywood Reporters review by Todd McCarthy described the film as an "eccentric, pubescent love story", "impeccably made". For Empire, Nev Pierce declared it "a delightful film of innocence lost and regained". Christopher Orr of The Atlantic wrote that Moonrise Kingdom was "Anderson's best live-action feature" and that it "captures the texture of childhood summers, the sense of having a limited amount of time in which to do unlimited things". Kristen M. Jones of Film Comment wrote that the film "has a spontaneity and yearning that lend an easy comic rhythm", but it also has a "rapt quality, as if we are viewing the events through Suzy's binoculars or reading the story under the covers by a flashlight".

b

Question: When was the theatre below where Simon did freelance work built? Passage:There, Simon took a room at the boarding house Haddon Hall, in the Morningside Heights neighborhood of Manhattan, near Columbia University. At the suggestion of the art director of the New York Journal American, he sought and found freelance work at Paramount Pictures, working above the Paramount Theatre on Broadway, retouching the movie studio's publicity photos. He also found freelance work at Macfadden Publications, doing illustrations for True Story and other magazines. Sometime afterward, his boss, art director Harlan Crandall, recommended Simon to Lloyd Jacquet, head of Funnies, Inc., one of that era's comic-book "packagers" that supplied comics content on demand to publishers testing the new medium. That day, Simon received his first comics assignment, a seven-page Western.

a

Question: What grades attend the school where William was educated until he was thirteen? Passage:Briggs was born at Norwich, for which city his father, Augustine Briggs, was four times MP. Following schooling at Norwich School he was entered at Corpus Christi, Cambridge at age thirteen, under Thomas Tenison. He became a fellow of his college in 1668, and graduated M.A. in 1670. After some years spent in tuition and in studying medicine, he went to France and attended the lectures of Raymond Vieussens at Montpellier, under the patronage of Ralph Montagu (afterwards Duke of Montagu), then British ambassador to France. To him Briggs dedicated his Ophthalmographia, an anatomical description of the eye, published at Cambridge in 1676, on his return from France. He proceeded M.D. at Cambridge in 1677, and was elected a fellow of the London College of Physicians in 1682. In the latter year the first part of his Theory of Vision was published by Robert Hooke (Philosophical Collections, No. 6, p. 167); the second part was published in the Philosophical Transactions in 1683. The Theory of Vision was translated into Latin, and published in 1685 by desire of Sir Isaac Newton, who wrote a commendatory preface to it, acknowledging the benefit he had derived from Briggs's anatomical skill and knowledge. A second edition of the Ophthalmographia was published in 1687. Several points in Briggs's account of the eye are noteworthy, one being his recognition of the retina as an expansion in which the fibres of the optic nerve are spread out ; another, his laying emphasis upon the hypothesis of vibrations as an explanation of the phenomena of nervous action. Briggs practised with great success in London, especially in diseases of the eye ; was physician to St. Thomas's Hospital 1682-9, physician in ordinary to William III of England from 1696, and censor of the College of Physicians in 1685, 1686, 1692. In 1689, according to a curious memorial on one sheet preserved in the British Museum, Dr. Briggs was at great expense in vindicating the title of the crown to St. Thomas's Hospital, but was himself dismissed from his post, owing, as he states, to the machinations of a rival physician. From the same sheet we learn that, although he attended the royal household with great zeal for five years, he could get no pay ; and notwithstanding that in 1698 William III promised that he should be considered, this was of no avail. In consequence of these circumstances, apparently early in Anne's reign, he begs for consideration in regard to the hospital appointment. He died on 4 September 1704, at Town Malling in Kent. His son, Henry Briggs, chaplain to George II, and rector of Holt, Norfolk, erected a cenotaph to his father's memory in Holt church in 1737. The inscription is quoted by Munk.


b