In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Q: Question: How many artists had won the gold medal from the Royal British Society of Sculptors before Montford did? Passage:Montford was president of the Victorian Artists Society 1930–32. His generally good work as president was occasionally marred by a certain lack of tact. Some of Montford's best work about this period included the bronzes, "Water Nymph" and "Peter Pan", now in the Queen Victoria Gardens, Melbourne, and "The Court Favourite" in the Flagstaff Gardens, Melbourne. Other work includes relief portraits of eight Australian statesmen in the King's Hall, Parliament House, Canberra, and the war memorial for the Australian Club, Sydney. He was greatly encouraged and pleased on learning in 1934, that his statue of Adam Lindsay Gordon at Melbourne had been awarded the gold medal of the Royal British Society of Sculptors for the best piece of sculpture of the year. Another excellent piece of work is his vigorous statue of John Wesley in front of Wesley Church, Melbourne. His George Higinbotham near the treasury is less successful. Other examples of Montford's work are the memorials to Carlo Catani (St Kilda), William Benjamin Chaffey (Mildura), Sir Ross Macpherson Smith (Adelaide), and 'Pioneer Women' (Sydney). Montford is represented in the National Gallery of Victoria in Melbourne by "Atalanta", the "Spirit of Anzac", and two busts, and he is also represented in the Art Gallery of South Australia in Adelaide. He provided a model from which a portrait bust of Socrates was carved for the University of Western Australia by Victor Wager in 1932.


A: b
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Q: Question: What was the capital of the Republic of Rawanda? Passage:In 1962, the Belgian mandate of Ruanda-Urundi received independence, creating the Republic of Rwanda and the Kingdom of Burundi. Both states had traditionally had monarchies dominated by the Tutsi ethnic group over a Hutu ethnic majority but Rwanda's monarchy was abolished by a political revolution in 1959-61. In the first years of independence, Burundi seemed to have achieved a balance between ethnic groups which brought members of the different ethnic groups into government, moderated in part by the mwami (king) Mwambutsa IV who was popular with all groups but was himself Tutsi. Both Tutsi, Hutu and Ganwa were part of the dominant political party, the Union for National Progress (Union pour le Progrès national, UPRONA). In October 1961, shortly before the date scheduled for independence, the Burundian Prime Minister Prince Louis Rwagasore was assassinated, raising ethnic tensions in the country. After a period of rule by Tutsi prime ministers, Mwambutsa appointed Burundi's first Hutu leader, Pierre Ngendandumwe, but Ngendandumwe was assassinated in January 1965 by a Rwandan Tutsi. Elections held in May 1965 took place in an atmosphere of strong ethnic tension. Hutu candidates gained a majority, but Mwambutsa deposed the Hutu Prime Minister Joseph Bamina and instead installed a Tutsi candidate, Léopold Biha, in October 1965.


A: b
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Q: Question: In which state did Belanger receive his Masters and Doctorates degrees? Passage:Born in 1941, Belanger attended public schools in Bristol, Connecticut. He has degrees from Haverford College (A.B., 1963) and from Columbia University (M.A., 1964; Ph.D., 1970), where he studied under James L. Clifford, Allen T. Hazen, and John H. Middendorf. Between 1966 and 1971, while working on his dissertation on aspects of the 18th-century London book trade, he taught advanced prose composition courses at the Columbia University School of General Studies, an activity leading to the 1972 publication of The Art of Persuasion, a writing manual co-authored with J. Steward LaCasce. While in England on a Columbia traveling fellowship in 1968–69, he revised the book production sections of the 18th-century volume of the New Cambridge Bibliography of English Literature (NCBEL), working with Graham Pollard, who had compiled the original sections for the first edition of CBEL, published in 1940. With Jane Marla Robbins, he co-authored and co-directed a one-character play starring Robbins called Dear Nobody, based on the life of the 18th-century diarist and novelist, Fanny Burney. The play ran Off-Off-Broadway in 1968; it later had a five-months' Off-Broadway run at the Cherry Lane Theatre in 1974.


A:
b
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