In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Ex Input:
The people who are praising this film are the real disappointments -- I am hoping at least that Leonard will see some good $$ out of this, as his life savings were embezzled away by a manager a couple of years ago and he's over 70 now. But this film is simply terrible. At the beginning Leonard himself says he is not sentimental about his past, and then for the next hour and a half the film emphasizes all the worst sentimental elements of Leonard's songs. It is so bloody PRECIOUS with its endless close-ups of over emoting singers. Cohen's interview is all done in lo-fi video closeups and I so wanted to see a medium or a long shot of his whole body! I couldn't care less about the comments of the performers, especially those overblown ego boys Edge and Bono. None of the performers in this film have done even one song as good as Leonard's own music and if you are thinking about seeing this and you have any doubts at all, heed them. This would be an acceptable PBS special, maybe, for a one time showing. But I will even hesitate at getting a DVD of this. When the film finally shows Leonard semi-performing "Tower of Song" it's ruined by Bono taking a verse. Even the occasional good performances (Antony, Rufus' first number, Martha's The Traitor) are spoiled by the context of the rest of this turgid blabla. Forget this one, and go buy Leonard's most recent album if you want to pay tribute to him.

Ex Output:
negative


Ex Input:
Same old same old about Che. It completely ignored the really interesting facts of Che's true character. Sodeberg redid the same boring narrative of Che. The silly seductive tale of an Argentinean rich-boy who was so shocked by poverty he became a Robin Hood fighting alongside the poor, until eventually he was murdered by the CIA. Yeah, yeah, heard it all before, BORING AND UNTRUE!. The reality of Che Guevara is very different and far more explosive! The facts show that he was a totalitarian with a messiah streak, who openly wanted to impose Maoist tyranny on the world. He was so fanatical that at the hottest moment in the Cold War, he even begged the Soviet Union to nuke New York, Washington or Los Angeles and bring about the end of the world. CHe urged Khrushchev to launch a nuclear strike against US cities. For the rest of his life, he declared that if his finger had been on the button, he would have pushed it. When Khrushchev backed down and literally saved the world, Che was furious at the "betrayal". If Che's recommendations had been followed, you would not be reading this review now. How a homicidal maniac became a pop icon would have made a much more interesting film. Incredible that no filmmaker has been daring enough to show the real side of Che and his posthumous media transformation. THAT WOULD MAKE AN Oscar WINNING FILM! I thought making independent film meant taking REAL RISKS and being GROUNDBRAKING! They only stick to "safe counterculture themes", to wit, "Che cool", "Wall Street bad", "Republican= Nazi", "Bush ex Hitler", "NRA is worse than KGB", "Christians are fanatics and stupid", etc...ad nauseum. Oooh, how daring, how mind blowing. Tres anti-mainstream and edgy. I wish they would have some real cojones and tackle the Independent Film Oligarchy! That would be truly daring!

Ex Output:
negative


Ex Input:
First, this was a BRAVE film. I've seen Irreversible and can understand the comparisons. However, I cannot begin to understand the people who've trashed this film. I can see how the end may have come off extreme but I'd be lying if I didn't say I wished that every guy who's ever forced a woman into sex deserved exactly what Jared got. Conversely, it didn't solve anything or make anything better and the fact that the film doesn't pretend to is what made me appreciate it.The comment prior to this one called the film pathetic and claimed no adult would stick with. I certainly did and intently. I'm 24 years old. The way the film drags made it realistic to me. People have become so used to eye candy and fast paced plots on screen that if you ask them to concentrate too long on one brick in the foundation of a film, not only do they lose interest, they demolish whatever has been built, and call it rubbish. When in actuality it's their lack of patience and comprehension that needs fine tuning and not the product of a creative mind such as Talia Lugacy's.Rosario Dawson displayed the numbness of self-destruction flawlessly. I think she portrayed Maya pre and post assault with great ease and the transition between the two is an act I rarely ever see done well. Often times, much like the films "aimed at teens" mentioned in the prior comment, the effects of rape are displayed as either extremely manic and impulsive or terribly depressed, isolated and lifeless. Dawson, in my opinion, manages to perform the balancing act so many survivors fall prey to: drone-like existence in the waking hours, working some dead end job to survive (and distract) and then overindulging in vices in order to lose themselves in the haze of substance abuse rather than face what sobriety brings.I thought this film told the truth and I appreciated it for finally showing people a different side of rape. So many people let the end of this film devour the middle and the beginning...I believe that Maya's face during the act was the end...not the act itself...not the vengeance or the meaning behind it...just her face...thank you

Ex Output:

positive