Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

[EX Q]: CONTEXT: Having seen the movie several times, I don't think anything was "dragging" the girl (Carina, possibly?) towards the Infinity Stone other than her own desire. She had just finished listening to Tanleer explain how powerful the stone is, and earlier in the movie we had seen how he verbally abuses her and forces her to do very menial and back-breaking work. She saw the stone as a possibility to escape. What you're interpreting as her being pulled toward the stone, I think, is actually her being very hesitant to touch it. Her own internal conflict between the need to escape her situation vs. her fear of the stone is what makes her take so long to try and grab it, but obviously, her desire to be free wins out.  <sep>  Q: What dragged the Collector's servant towards the Infinity Stone? A: She saw the stone as a possibility to escape  Q: Why was she in a trance like state? A: Her own internal conflict between the need to escape her situation vs. her fear of the stone is  <sep> FOLLOWUP_Q: Did it maybe have some sort of unnatural attraction emerging from the stone itself?
[EX A]: Yes

[EX Q]: CONTEXT: No, it does not mean that all dialog is sung, have a look at Phantom of the Opera, Wicked, West Side Story, etc. The reason that the movie has all dialog rhyming etc. (known as 'sung through') is because the West End musical that it is based on is sung through (although there are versions where Valjean speaks a normal line to Javert when he gives him his address but this is less usual). How much of the musical is sung and how much is spoken is down to the taste of the director and his colleagues. Usually the main scenes and emotive moments are conveyed via song (like in Rock of Ages or the Phantom of the Opera) but sometimes everything is in song (like in Les Mis).  <sep>  Q: Why is the whole movie Les Miserables sung? A: The reason that the movie has all dialog rhyming etc. (known as 'sung through') is because the West End musical that it is based on is sung through  <sep> FOLLOWUP_Q: What language is it generally sung in?
[EX A]: No

[EX Q]: CONTEXT: The movie has altered the plot of One Shot in many significant ways. The setting, for example, is a large city not a medium sized town, which makes it more cinematic but less coherent or credible (though this is a common trade-off in movies). The plot is simpler with fewer characters. The overall tone is not too far from the books, but the opportunity for cinematic additions has been taken. The slapstick scene is pure cinema invention (I'm not even sure you can do slapstick like that in prose writing). Some of the humorous dialogue, though, is true to Reacher's character in the book. I recall some inventive insults in the bar scene, for example, which are the sort of things he does say in the books as a result of his unshakeable confidence in dealing with people he has to fight. He really doesn't mind getting physical as he know he will win, so insulting his adversaries and goading them is a typical strategy. Overall the movie captures the spirit of the books reasonably well, but the slapstick scene sticks out as an anomaly.  <sep>  Q: Are the comedic elements in the film Jack Reacher evident in the novels on which it was based? A: The movie has altered the plot of One Shot in many significant ways  Q: How has the movie altered the plot? A: The setting, for example, is a large city not a medium sized town, which makes it more cinematic but less coherent or credible  Q: Why was this done if it makes the movie less credible? A: this is a common trade-off in movies  Q: Why does the film have so much humour? A: The slapstick scene is pure cinema invention (I'm not even sure you can do slapstick like that in prose writing  Q: Why do films feel like they need to add humorous elements that are not true to the book? A: Some of the humorous dialogue, though, is true to Reacher's character in the book  <sep> FOLLOWUP_Q: Did the director choose to change anything else about the books?
[EX A]:
Yes