Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Example Input: CONTEXT: There was no movie rating system in place back in the 1940's, and movies were greatly censored by the US government. In the 1920's the Supreme Court ruled that free speech did not apply to movies, and a control board was arranged where by all film studios had to submit their scripts for censorship. Movie studios were given guide lines by which they had to follow. So it's not so much that profanity is now widespread, as much as it was strictly forbidden back in the 1940's. This system of governed film making slowly started to collapse over the years and gave birth to the Motion Picture film rating system. Where the film ratings and censorship is controlled by the film industry and not by a single controlling person or government. Now that we have the rating system, films can be classified by their rating. Today's ratings are, at least by idea, implemented by our peers. So as society changes so do those who review and rate films. That is why we see more profanity in PG rated films, as parents who rate the films accept the fact that children in this age group use these profane words or acknowledge that the film works the way the script was written. New ratings were introduced including PG-13. To address the need for films that target a segment of the population that are pre-adult but seek adult style films. Still, I have to wonder who these people are that rate these films.  <sep>  Q: Era of profanity in movie scripts? A: There was no movie rating system in place back in the 1940's, and movies were greatly censored by the US government  Q: How did that start? A: In the 1920's the Supreme Court ruled that free speech did not apply to movies, and a control board was arranged where by all film studios had to submit their scripts for censorship  <sep> FOLLOWUP_Q: The quote "Frankly , my dear I don't give a damn" from Gone with the Wind was famous largely because of early use of profanity in the script
Example Output: Yes

Example Input: CONTEXT: The Animatrix has both prequel stories, as well as concurrent stories to the Matrix. One of the stories even becomes explicitly canon when the protagonist of it becomes a minor but important character in Revolutions. Kid from Kid's Story shows up in Reloaded, but becomes important in Revolutions, when he helps save people during the Battle of Zion. The story itself takes place between The Matrix and Reloaded. There is no spoilers for Reloaded or Revolutions in any of the 9 short films.  <sep>  Q: How does Animatrix fit into the Matrix movies world? A: The Animatrix has both prequel stories, as well as concurrent stories to the Matrix  Q: What else does it add to the main storyline? A: One of the stories even becomes explicitly canon when the protagonist of it becomes a minor but important character in Revolutions  Q: Do they cover parts of the main storyline too or is it all new plot content? A: There is no spoilers for Reloaded or Revolutions in any of the 9 short films  Q: Ok so can you tell me anything else about the animatrix? A: Kid from Kid's Story shows up in Reloaded, but becomes important in Revolutions, when he helps save people during the Battle of Zion  <sep> FOLLOWUP_Q: Ok great. Any final comments to make make?
Example Output: Yes

Example Input: CONTEXT: A properly executed plot twist often causes opposite reactions of what you've just described. People want to watch the movie again because the ending was so unexpected that they need to review the whole thing to get all the puzzle pieces together. "Fight Club" is a great example, in my opinion. There's a lot of dialogue (especially the lines from Helena Bonham Carter) that doesn't make any sense if you don't know the ending. You will enjoy and understand Fight Club much better after a second view. There are many ingredients that define the quality and longevity of a movie. Directors should not be afraid to use a plot twist, but relying only on this trick - especially if it is predictable - may ruin the whole experience.  <sep>  Q: Is there any evidence of "Big Twist" movies having poor post-cinema sales? A: Directors should not be afraid to use a plot twist, but relying only on this trick - especially if it is predictable - may ruin the whole experience  Q: Do you think this is a common reaction though? A: A properly executed plot twist often causes opposite reactions of what you've just described  Q: So, for up ad coming directors, is this the type of movie to stay away from A: Directors should not be afraid to use a plot twist, but relying only on this trick - especially if it is predictable - may ruin the whole experience  Q: Is there evidence to suggest that this type of film have relatively poor post-cinema sales? A: People want to watch the movie again because the ending was so unexpected that they need to review the whole thing to get all the puzzle pieces together  Q: Oh I see, don't you think it could spoil the enjoyment of the viewing? A: There are many ingredients that define the quality and longevity of a movie  <sep> FOLLOWUP_Q: What about the ratio between box-ofice and DVD/BlueRay sales?
Example Output:
No