TASK DEFINITION: In this task, five ordered key facts are given. All the given facts are expressed in natural language. Your job is to generate a story 100 to 1000 words long, that includes all the facts given as input in their order of appearance while expanding upon them to produce a broader, yet coherent, narrative.
PROBLEM: Fact1: Bruce Keene works in advertising department of Beyers and Company, Fact2: advertising department of Beyers and Company produces cereal among other things, Fact3: Penny Wilton works in advertising department, Fact4: Willy Beyers agrees to concept, Fact5: Wilton fears for fiance 's future hires small-time hood to feign Keene 's kidnaping

SOLUTION: Bruce Keene works in the advertising department of Beyers and Company, which produces cereal, among other things. His heavy drinking conflicts with his work output. He and his fiance, Penny Wilton, who also works in the advertising department, believe that a boost in the sales of Beyers cereal can come about if Keene draws a series of pictograms to be printed on the cereal boxes over a 30week period. Customers who solve all 30 pictograms will be eligible to compete for a 100,000 prize. Willy Beyers, the company president, agrees to the concept, and the contest is launched. The contest is very successful, but Keene tires of creating a new pictogram in the waning weeks of the contest. He resumes his heavy drinking in bars. Wilton fears for her fiances future, hires a smalltime hood, Softy Blane, to feign Keenes kidnaping so that while in the countryside he will finish the series of pictograms. Blane works for Steve Devers, a gangster who has taken an interest in manipulating the contest in order to win the 100,000. Blane doublecrosses Wilton, and really kidnaps Keene, taking him to Devers hideout. Keene works in captivity to expose his kidnappers by drawing pictograms that tell of his situation that are sent to Beyers. Wilton understands the clues, and uses them to puzzle out where Keene is being held. She leads the police to the hideout, and after a shootout, Keene is rescued. Reunited with his fiance, he promises to reform his drinking ways and marries Wilton.

PROBLEM: Fact1: Madras in 1970s ’s boss is shot by unknown man, Fact2: blame falls on Pasupathy, Fact3: Shankar falls in love without knowing background, Fact4: Pasupathy manages to find Parvati and soon Suresh, Fact5: Suresh threatens to kill Shankar

SOLUTION: Madras city in 1970s... Pasupathy Major Sundarrajan’s boss B.R.Pandhulu is shot by an unknown man, but the blame falls on Pasupathy. The surviving boss sends away his wife Parvati Ammal M. V. Rajamma and son Shankar MGR into hiding fearing his familys fate. But before breathing his last, the boss learns the truth and entrusts in Pasupathy the task of finding Parvati and Shankar and hand them their rightful family assets. Several years later Shankar MGR now a grown up youth, learns of the injustice committed to his father B.R.Pandhulu, and heads out to Chennai in search of his father’s murderer. Shankar meets Pasupathy’s daughter, Uma Jayalalitha and falls in love with her, without knowing her background. Pasupathy finally manages to find Parvati, and soon Suresh S. A. Ashokan, a notorious smuggler imprisons Shankar, and impersonates him, for his wealth. Parvati is forced to play along, as Suresh threatens to kill Shankar. The rest of story unveils who won in the end, Shankar or the evil forces.

PROBLEM: Fact1: arousal is heightened by discussing intimate details of extramarital sex, Fact2: driver While trapped in exposes breast wreckage, Fact3: Vaughan are aroused by car wreck, Fact4: car crash killed James Dean with authentic cars and stunt drivers, Fact5: film 's sexual couplings in cars are not restricted to heterosexual experiences

SOLUTION:
Film producer James Ballard James Spader and his wife, Catherine Deborah Kara Unger, are in an open marriage. The couple engage in various infidelities but, between them, have unenthusiastic sex. Their arousal is heightened by discussing the intimate details of their extramarital sex. While driving home from work late one night, Ballards car collides headon with another, killing its male passenger. While trapped in the fused wreckage, the driver, Dr. Helen Remington Holly Hunter, wife of the dead passenger, exposes a breast to Ballard when she pulls off the shoulder harness of her seat belt. While recovering, Ballard meets Remington again, as well as a man named Vaughan Elias Koteas, who takes a keen interest in the brace holding Ballards shattered leg together and photographs it. While leaving the hospital, Remington and Ballard begin an affair, one primarily fueled by their shared experience of the car crash not only do all of their sexual assignations take place in cars, all of Remingtons offscreen sexual encounters take place in cars as well. In an attempt to make some sense of why they are so aroused by their car wreck, they go to see one of Vaughans cult meetingsperformance pieces, a recreation of the car crash that killed James Dean with authentic cars and stunt drivers. When Department of Transport officials break up the event, Ballard flees with Remington and Vaughan. Ballard becomes one of Vaughans followers who fetishize car crashes, obsessively watching car safety test videos and photographing traffic collisions. Ballard drives Vaughans Lincoln convertible around the city while Vaughan picks up and uses street prostitutes and, later, Ballards wife. In turn, Ballard has a dalliance with one of the other group members, Gabrielle Rosanna Arquette, a beautiful woman whose legs are clad in restrictive steel braces and who has a vulvalike scar on the back of one of her thighs, which is used as a substitute for a vagina by Ballard. The films sexual couplings in or involving cars are not restricted to heterosexual experiences. While watching videos of car crashes, Remington becomes extremely aroused and gropes the crotches of both Ballard and Gabrielle, suggesting an imminent menage a trois. Later, Vaughan and Ballard eventually turn towards each other and have sex while, also later, Gabrielle and Remington have sex with each other. Though Vaughan claims at first that he is interested in the reshaping of the human body by modern technology, in fact his project is to live out the philosophy that the car crash is a fertilizing rather than a destructive event, mediating the sexuality of those who have died with an intensity thats impossible in any other form. The films climax begins with Vaughans death and ends with Ballard being involved in another semideliberate car crash, this one involving his wife. Their fetish for car crashes has, ironically enough, had an unusual bonding effect on the Ballards marriage. As he caresses her bruised body on the grass median near the crash, Ballard and his wife display affection for each other, ending with Ballard saying, Maybe the next one, possibly implying that the logical end result of their extreme fetish is death.