This task is about creating an unanswerable question based on a given passage. Construct a question that looks relevant to the given context but is unanswerable. Following are a few suggestions about how to create unanswerable questions:
(i) create questions which require satisfying a constraint that is not mentioned in the passage
(ii) create questions which require information beyond what is provided in the passage in order to answer
(iii) replace an existing entity, number, date mentioned in the passage with other entity, number, date and use it in the question
(iv) create a question which is answerable from the passage and then replace one or two words by their antonyms or insert/remove negation words to make it unanswerable.

Q: Passage: At the 1912 Salon d'Automne an architectural installation was exhibited that quickly became known as Maison Cubiste (Cubist House), signed Raymond Duchamp-Villon and André Mare along with a group of collaborators. Metzinger and Gleizes in Du "Cubisme", written during the assemblage of the "Maison Cubiste", wrote about the autonomous nature of art, stressing the point that decorative considerations should not govern the spirit of art. Decorative work, to them, was the "antithesis of the picture". "The true picture" wrote Metzinger and Gleizes, "bears its raison d'être within itself. It can be moved from a church to a drawing-room, from a museum to a study. Essentially independent, necessarily complete, it need not immediately satisfy the mind: on the contrary, it should lead it, little by little, towards the fictitious depths in which the coordinative light resides. It does not harmonize with this or that ensemble; it harmonizes with things in general, with the universe: it is an organism...". "Mare's ensembles were accepted as frames for Cubist works because they allowed paintings and sculptures their independence", writes Christopher Green, "creating a play of contrasts, hence the involvement not only of Gleizes and Metzinger themselves, but of Marie Laurencin, the Duchamp brothers (Raymond Duchamp-Villon designed the facade) and Mare's old friends Léger and Roger La Fresnaye". La Maison Cubiste was a fully furnished house, with a staircase, wrought iron banisters, a living room—the Salon Bourgeois, where paintings by Marcel Duchamp, Metzinger (Woman with a Fan), Gleizes, Laurencin and Léger were hung—and a bedroom. It was an example of L'art décoratif, a home within which Cubist art could be displayed in the comfort and style of modern, bourgeois life. Spectators at the Salon d'Automne passed through the full-scale 10-by-3-meter plaster model of the ground floor of the facade, designed by Duchamp-Villon. This architectural installation was subsequently exhibited at the 1913 Armory Show, New York, Chicago and Boston, listed in the catalogue of the New York exhibit as Raymond Duchamp-Villon, number 609, and entitled "Facade architectural, plaster" (Façade architecturale).

A: What type of boat was La Maison Cubist?
****
Q: Passage: In February 2012, Capello resigned from his role as England manager, following a disagreement with the FA over their request to remove John Terry from team captaincy after accusations of racial abuse concerning the player. Following this, there was media speculation that Harry Redknapp would take the job. However, on 1 May 2012, Roy Hodgson was announced as the new manager, just six weeks before UEFA Euro 2012. England managed to finish top of their group, winning two and drawing one of their fixtures, but exited the Championships in the quarter-finals via a penalty shoot-out, this time to Italy.

A: In what year was Capello made England's manager?
****
Q: Passage: Sicily fell under the control of the Holy Roman Empire in 1194. Palermo was the preferred city of the Emperor Frederick II. Muslims of Palermo emigrated or were expelled during Holy Roman rule. After an interval of Angevin rule (1266–1282), Sicily came under control of the Aragon and Barcelona dynasties. By 1330, Palermo's population had declined to 51,000. From 1479 until 1713 Palermo was ruled by the Kingdom of Spain, and again between 1717 and 1718. Palermo was also under Savoy control between 1713 and 1717 and 1718–1720 as a result of the Treaty of Utrecht. It was also ruled by Austria between 1720 and 1734.

A:
Who controlled Sicily in the 11th century?
****