TASK DEFINITION: In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.
PROBLEM: Passage: Inside the church are galleries on the north, west, and south sides. These are carried on Tuscan columns, which rise to the ceiling as wooden quasi-Tuscan columns. At the east end of the church are paintings by Jacob Thompson of Penrith dated 1845 depicting the Angel and the Shepherds, and the Agony in the Garden. The communion table dates from 1722, and was lengthened in 1951. The brass chandeliers were given to the church in 1746 by the 2nd Duke of Portland in recognition of the part the town played in the defence against the Young Pretender in 1745. The pulpit consists of the top section of a former three—decker. At the back of the gallery are royal arms dated 1723 by Mathias Read. The font consists of a simple octagonal bowl, and is dated 1661 which is the date it was brought back into use after the Restoration of King Charles II. The stained glass in the east window of 1870 is by Hardman, and that in the north aisle, dating from 1889, is by Burlison and Grylls. Elsewhere are windows by Clayton and Bell, Powell's, G.J.Baguley, and by Cox, Sons and Buckley. The monuments include two coffin lids inscribed with foliated crosses, one dating from the 14th century, the other possibly from the 12th century. There are also two worn stone effigies from the 17th century.
 Link Information: He began to exhibit in 1824, when he had in the first exhibition of the Society of British Artists a "View in Cumberland," but he did not send a picture to the Royal Academy until 1832, in which year appeared "The Druids cutting down the Mistletoe." This was followed in 1833 by a picture containing full-length portraits of the daughters of the Hon. Colonel Lowther. His next exhibit was "Harvest Home in the Fourteenth Century," which appeared at the British Institution in 1837, and was presented by the artist to his patron, the Earl of Lonsdale. After this date he painted portraits, views of mansions, &c., but he did not exhibit again until 1847, when he sent to Westminster Hall "The Highland Ferry-Boat," which was engraved in line by James Tibbits Willmore. "The Proposal" appeared at the Royal Academy in 1848; "The Highland Bride," likewise engraved by Willmore, in 1851; "Going to Church: Scene in the Highlands," in 1852; "The Hope Beyond," in 1853; "The Course of true Love never did run smooth," in 1854; "The Mountain Ramblers," in 1855; "Sunny Hours of Childhood" and "Looking out for the Homeward Bound," in 1856; and "The Pet Lamb," in 1857. He painted in 1858 "Crossing a Highland Loch," which was engraved by Charles Mottram; but he did not again exhibit until 1860, when he sent to the Royal Academy "The Signal," which was engraved by Charles Cousen for the Art Journal of 1862. In 1864 he had at the academy "The Height of Ambition," engraved by Charles Cousen for the Art Journal, as was likewise by J. C. Armytage "Drawing the Net at Hawes Water," painted in 1867 for Lord Esher, but never exhibited. "Rush Bearing" and a view of Rydal Mount are among his best works.

In his later years Thompson devoted himself chiefly to landscape subjects with figures, the themes of which were for the most part drawn from the mountains and lakes of Cumberland and Westmoreland, but occasionally from Scotland. His range, however, was limited, and his work was lacking in poetic sympathy. His attempts at classical and scriptural subjects, such as "Acis and Galatea," exhibited at the Royal Academy in 1849, and "Proserpine," were not a success. His last work was "Eldmuir, or Solitude." Answer: View in Cumberland,

SOLUTION: What other paintings has Jacob Thompson created?

PROBLEM: Passage: On 4 May 1918, in the aftermath of the Finnish Civil War, Silatch arrived secretly in Kotka, Finland, to evacuate remaining members of the Finnish Red Guard. However, she was confiscated by the Finns and joined the Finnish icebreaker fleet as Ilmarinen, after the legendary hero from Kalevala. In December 1919 she was sent to Koivisto to assist three Finnish torpedo boats, C1, C2 and C3 that had been surrounded by ice some thick. The 150-ton torpedo boats had participated in the British campaign in the Baltic, and Admiral Walter Cowan had demanded that the Finnish squadron patrolling the area had to stay until the British forces had withdrawn. Despite the efforts of Ilmarinen, the weak-hulled torpedo boats were crushed by the ice, and the newly founded Finnish Navy lost one fifth of its ships. After the winter of 1919 Ilmarinen was laid up until she was returned to the Soviet Union according to the Treaty of Tartu. In turn the Soviets gave back the Finnish icebreaker Avance. The name Ilmarinen was later given to a Finnish coastal defence ship launched in 1931.
 Link Information: The treaty confirmed that the Finnish-Soviet border would follow the old border between the autonomous Grand Duchy of Finland and Imperial Russia.  Answer: Russia

SOLUTION: WHich countries participated in the Treaty that returned Silatch to the Soviet Union?

PROBLEM: Passage: Finley's early recordings featured her ranting provocative monologues over disco beats (and she would often perform her songs late night at Danceteria, where she worked). These recordings include the singles "Tales of Taboo" from 1986 and "Lick It" from 1988 (both produced by Madonna collaborator Mark Kamins) plus the 1988 album The Truth Is Hard to Swallow. She collaborated with Sinéad O'Connor on a remix of O'Connor's song "Jump in the River," and was prominently sampled by S'Express on the classic dance floor cut-up, "Theme from S-Express" (her vocal - sampled from "Tales of Taboo" - exclaimed, "Drop that ghettoblaster!"). She was notably one of the NEA Four, four performance artists whose grants from the National Endowment for the Arts were vetoed in 1990 by John Frohnmayer after the process was condemned by Senator Jesse Helms under "decency" issues. In 1991, she created the Memento Mori installation in Newcastle upon Tyne, as part of the Burning the Flag? festival examining American live art and censorship. Finley also played Tom Hanks' character's doctor in the movie Philadelphia at the invitation of Director Jonathan Demme.
 Link Information: Her second album – 1990's I Do Not Want What I Haven't Got – gained considerable attention Answer: 1990

SOLUTION:
In what year did Karen Finley collabate with Sinead O'Connor?