In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Q: Question: How old was Jovan Rajić when he became a priest in Kovilj? Passage:The present, stone church, was built from 1741 to 1749 by the neimars (builders) Teodor Kosta and Nikola Krapić. It was built in the Morava architectural school style of Serbo-Byzantine architecture and patterned after Manasija and Ravanica. In 1758, Empress Maria Theresa issued a document which set the monastery's estate. By the imperial privilege, the land was strictly divided between the monastery and the nearby settlement of Koviljski Šanac. The establishment of the Šajkaš Battalion in 1763, Serbian settlements surrounding the monastery were repopulated and preserved, which also influenced the prosperity of the monastery. Forerunner of the modern Serbian historiography, Jovan Rajić, became a priest in Kovilj and was appointed the archimandrite of the monastery in 1772, where he died in 1801. During the Hungarian Revolution of 1848, the rebels used the monastery as their base in 1849 which forced the monks to move across the Danube, into the Syrmia region. When they returned after the collapse of the rebellion, the monastery was looted and burned, and many historical treasures have been lost. The new church damaged inside while the old one was almost completely ruined, so it was demolished in 1850. Since 1850, the monks began to collect funds for the restoration. Some of it was secured by the Austrian state, some by the donations of the population and some was help from Russia. Young painter Aksentije Marodić has painted the new iconostas in the 1880s, including the scenes from the life of Christ and replicas of the most famous paintings from that period which Marodić copied from the galleries in Vienna, Munich, Paris, Rome, Venice, and Naples. The walls themselves are not painted. Woodworks and carvings are work of Jovan Kisner, while the gold plating and marble work were done by Ludvig Tauš. The work on the interior turned out to be quite lengthy, as it lasted until 1891/92.


A: b
****
Q: Question: Why did Edward VI order the destruction of 'Popish Superstition'? Passage:Until 1548 the interior of the building would have resembled the interior of any medieval church, with a rood screen separating the chancel from the nave (projections to support the screen can still be seen on the piers either side of the nave on the west side of the crossing). It is not known if there were ever wall paintings, but successive generations of plaster and whitewash over the last five centuries will have long concealed any which may have existed. In 1548 Edward VI ordered the destruction of all aspects of ‘Popish Superstition’ within the churches of his realm. The Jerseymen, strongly influenced by Huguenot immigrants fleeing persecution in France, carried out the King's orders with zeal, and all altars, fonts, holy water stoups and piscinas were removed, the rood screen was dismantled, the stained glass smashed and all but one bell was taken from the tower. A huge triple-decker pulpit was erected in the crossing and pews were arranged around it. Seven galleries were built, including one reserved for smokers. In spite of the return of Anglican worship in the 17th century, the church continued in this state until the 1860s, by which time it had fallen into considerable disrepair. A major project of restoration was undertaken to repair and re-order the building after the conventions of the Church of England. The pulpit was replaced by a much more modest affair at the north west corner of the crossing, the galleries were broken up, the pews were taken out and replaced by a new set facing the restored altar at the east end. The original font, left in the churchyard, was given to Grouville Parish Church and a new font installed. An extension was made to the west end of the Nave, and a new gallery was installed there and in the South Transept. New choir stalls were erected in the chancel. In 1930 these were replaced by another new set as a memorial to Charles George Renouf, a Jurat of the Royal Court (the stalls they replaced were given to St Andrew's Church). At the same time the level of the Chancel floor was raised. The South Chapel was re-ordered in 1952 as a memorial to Matthew le Marinel, Rector of St Helier and Dean of Jersey during the German Occupation (1940–45), and again in 2004 to make it more ‘user-friendly’. In 1997 a glass screen was erected to separate the nave extension from the rest of the church to create a narthex (reception area), new glass doors were installed at the west end and the font was moved from the west end to its original position by the North Door.


A: a
****
Q: Question: When was the place founded where Harry McShane scored 6 goals in 93 league games? Passage:Walter Rowley's "Trotters" finished in 17th place in 1947–48, 14th place in 1948–49, and 16th place in 1949–50. He scored six goals in 93 league games during his spell at Burnden Park. McShane joined Manchester United in exchange for defender John Ball and £5,000 in September 1950. He was signed to replace the departing Charlie Mitten. He scored seven goals in 31 appearances in the 1950–51 season, as the "Red Devils" finished second in the league. His first goal at Old Trafford came on 7 October 1950, in a 3–1 win over Sheffield Wednesday. He was part of the United side that won the First Division title in 1951–52, scoring one goal in 12 league games that season. His goal was an important one, as it came against rivals Manchester City in a 2–1 win at Maine Road on 15 September. He then struggled with a cartilage injury, and appeared just five times in the 1952–53 campaign, as Matt Busby's side dropped to eighth place.


A:
b
****