Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Input: Consider Input: CONTEXT: Well no. The Genie was freed. Therefore he had no more obligation to grant the wishes, regardless of whether Aladdin had any wishes left. If we are going to count the wishes though, the movie does count the saving from drowning as the second wish making freeing the Genie the third. This would have made the Nile wish pointless either way, since either the Genie was free to deny the wish as he was free, or he was free to deny it because it would have been the fourth wish.  <sep>  Q: Does the Genie trick Aladdin with the third wish? A: Well no. The Genie was freed  Q: Does the Genie trick Aladdin into using his real last wish? A: he had no more obligation to grant the wishes, regardless of whether Aladdin had any wishes left  Q: How many wishes did Aladin receive? A: If we are going to count the wishes though, the movie does count the saving from drowning as the second wish making freeing the Genie the third  <sep> FOLLOWUP_Q: What about when Alladin tricks the Genie into getting him and Abu out of the cave where they are trapped?

Output: Yes


Input: Consider Input: CONTEXT: Recall how Marcelle does the final preparations for setting the theater on fire - he blocks the auditorium doors with a crowbar and then proceeds to behind the screen and starts waiting for Shoshanna's "message" to appear on the screen. Before he does so the two men from the Basterds leave the auditorium and proceed to some side corridors to get to the side balcony and attack Hitler. Some time after they leave the auditorium Marcelle comes to the doors and blocks them. The balcony where Hitler sits with Himmler has a separate door guarded by two German soldiers. The two Basterds kill the guards, rush into the balcony and shoot Hitler. Right after that the "message" appears and Marcelle sets the pile of films behind the screen on fire. So the balcony doors are not blocked - Hitler likely can escape the theater or at least gain some time and space and have better chances to have been resqued. He definitely has much better chances than those people who are in the auditorium - those are blocked between the locked doors and bursting flames - but he is at least not in the auditorium and so less exposed to the dangers and has a chance to use the side corridors to escape. The two Basterds shooting him on the balcony make that totally impossible.  <sep>  Q: Would Hitler have died in the fire anyway if the Basterds hadn't shot him? A: the balcony doors are not blocked - Hitler likely can escape the theater or at least gain some time and space and have better chances to have been resqued  <sep> FOLLOWUP_Q: What did the basterds do?

Output: Yes


Input: Consider Input: CONTEXT: There's no overarching right answer to this. I think there are a few reasons for it: For starters, it's fun. You've mentioned lots of directors in your question who have done it and it's likely they all got a pretty good kick out of it. Think Hitchcock's many roles or Tarantino in Reservoir Dogs, or Pulp Fiction. There's also a tradition argument. Stan Lee, for example, has done it for so long now that it's expected and many fans get enjoyment out of spotting him in each of his roles. The same applies to Hitchcock. After the fun and tradition reasons, it's certainly plausible to suggest because they can. Many directors don't have the fame or recognition for a cameo role to be significant. But if someone like Tarantino, Scorcese or Peter Jackson does it, it's instantly recognisable given their fame. This can be compared to other, less famous, directors who wouldn't be recognised. Therefore, it certainly carries that making cameos gives them airtime and keeps them recognisable in the public eye. These are just a few of the reasons. I'm sure other arguments could be made, such as the fact it saves money (such as in the case of a longer role, e.g. Tarantino in Django), but it seems to be mostly about a mixture of fun and tradition.  <sep>  Q: Why do directors make cameo appearances in their movies? A: There's no overarching right answer to this. I think there are a few reasons for it: For starters, it's fun  <sep> FOLLOWUP_Q: What other reason would their be?


Output: Yes