In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Ex Input:
Review: I get to the cinema every week or so, and regularly check out this site, but never before have I felt compelled to comment on a film.To my all time list of shockingly bad films - Last Man Standing, Spawn, The Bone Collector - I can now add the drivel that was 'Hollow Man'.From the awful opening titles - a ridiculously over-long run through of cast and crew put together with alphabetti spaghetti - through to the insulting finale - a world record number of cliches and some of the most absurd dialogue and acting to have ever made it to cinema - this film is dismal, and only the impressive computer graphics keep you from walking out long before the end.This isn't just my opinion - it was that of my friends, and everyone around us. When large sections of an audience are laughing and groaning during and after a serious thriller, its clear that the film is hopeless.Not only that, it was sick too. The director took the action beyond the bounds of realistic fare for a violent film, and into the realms of an over the top blood soaked B-movie. It's difficult not to imagine the director as some sort of dirty old man, because the extent of the invisible man's forays out of the lab and into the outside world extended only to two attempts at having a feel of some breasts. Perhaps sex could well be the first thing on a bloke's mind if made invisible, but aside from the aesthetic pleasures of the ladies involved, it hardly makes entertaining cinema.[spoilers follow]Get past the films sick exterior, and things are even worse. Whilst Kevin Bacon does a good job of acting increasingly twisted as 'hollow man', the rest of them - perhaps handicapped by a dire script - do an even better job of being hollow cast. One long time member of the team is found strangled in a locker by the invisible man, "He's finally snapped" shrugs one colleague without a hint of emotion. This is par for the course, and the lab team swing between sheer terror and complete indifference with such speed that you wonder how they got into acting. They pad their way through the lab corridors terrified, guns poised, but then seconds later one of the crew skips happily off back down the corridor to get blood for a hurt colleague. The lead female treats the invisible man with courtesy and good humour even after he's insulted and abused her, and there seems to be little reaction to his breakouts, even after he drowns the Pentagon chief, "He drowned in his pool last night" reports the same female, spectacularly failing to put two and two together.The script is littered with this kind of badly acted pedestrian dialogue, and the rest is just an A-Z of film cliches, which get laid on thicker and faster as the film progresses to the point of complete disbelief and amusement at the end.The 'eureka' moment at the computer, the female undressing at the window, the looped security video - the list really is endless - the predictable disregard for strength in numbers, the decision not to kill the two main stars but just put them in a place of probable impending death and leave them to their own devices, the almost-dead good guy appearing out of nothing to save the woman, the bomb and ubiquitous countdown timer, the fireball explosion which just burns up before reaching the heroes, the falling lift which just stops before hitting them, and more than anything else, the immortality of the bad guy.The invisible man is burnt to a shred with a makeshift flame-thrower, electrocuted, whacked round the head with a bar which had just sliced straight through one of the lesser actors, and then having apparently survived the explosion, fireball and total destruction of the labs, has more than enough life left to climb up through the fireball for one last pop at the films heroes - by which stage the disbelieving audience are cringing and looking at their watches.That this exceptionally bad film actually made it to the cinema is astounding. Even the name of the film is as hopeless as the movie itself, and not even impressive special effects come anywhere near saving this one, which should be avoided at all costs. Question: is it a positive review?

Ex Output:
no


Ex Input:
Review: I suppose I always felt that Hotel du Nord was studio-bound, the movement of people cars and camera were just too effortlessly smooth and stagey to have been filmed on location. But no problem - it's still a much underrated lovely composition from Marcel Carne. The plot seems a bit choppy at times, as if they were making it up as they went along, but because it is unpredictable holds the attention to the bitter end. The money shots when the 2 lovers are alone in their room are saddled with some rather stilted dialogue, but it's all so lovely to fall into any inanity can be accepted. Are these 2 young people symbols of a cancerous hopelessness in pre-War France or simply idiots? Suicide pacts are fairly common; if the suicidees are young and healthy with their lives before them untrammelled would you think anything other than that they were just misguided fools?Arletty played the part of prostitute well - she kept that zipper on her dress busy throughout anyway! I've only seen a few films with Jouvet - he is the most impressive invention as pimp in HDN - my trouble is shallow: every time I see his face I think of Sonnie Hale in Evergreen!A remarkably atmospheric, well acted and photographed film with so much happening it needs a few viewings to get it all in place. Annabella and Aumont made an exceptionally beautiful couple; Francois (Heurtebise) Perier in his 2nd film had a small amusing part as a gay man. All in all: wonderful. Question: is it a negative review?

Ex Output:
no


Ex Input:
Review: An average TV movie quality, totally formula story of religious fanatic (Ron Perlman, who gives good "I'm not just the President of 'Psychos R Us,' I'm also a client.") who gets control of a biochemical virus (think the virus from the movie "The Rock"). Too bad for him that he also gets stuck in a bank building during an earthquake with bank robbers and the government agents trying to stop him (led by the impressively physiqued, mildly entertaining Wolf Larson, backed by Fred Dryer) along with the standard "in the wrong place at the wrong time" spunky female (the forever bland Erika Eleniak) and "lived as a wimp but died as a hero at the last minute" male (Brandon Karrer). Has the standard background story to give sympathy to the religious fanatic (wife and son killed in a police raid a few years previous). Basically a decent rainy day movie.Favorite line, spoken by Ron Perlman after he finds the vial of the virus hidden in Erika Eleniak's cleavage: "A woman and her mystery."Worth a rent. Question: is it a positive review?

Ex Output:

no