In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
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Question: susan granger 's review of " big eden " ( jour de fete )
it 's utopia , this tiny town tucked away in the timberland of northwestern montana , where old codgers lounge on the porch of the general store to pass the time away and the local matchmakers ( nan martin , louise fletcher ) eagerly pair off the young people , regardless of sexual preference .
there 's nary a homophobe or bigot around , much to the surprise of henry hart ( arye gross ) , a successful but lonely manhattan artist who returns home to care for sam ( george coe ) , the ailing grandfather who raised him .
and with the simultaneous re - appearance of his best - friend from high - school and object of his unrequited love ( tim dekay ) , now divorced with two young sons , the fact of his homosexuality must be faced .
to complete the triangle , there 's
the tall , taciturn native american ( eric schweig ) who owns the general store and lovingly yet secretly prepares gourmet meals for henry and sam .
this fable about home and family is a major debut for first - time film - maker thomas bezucha ( a former designer for coach and polo / ralph lauren ) who is meticulous about minding details , using ballads like " welcome to my world " and " achin ' , breakin ' heart " to set up the concept of our universal longing to find a place in which we can love and be loved .
in the paradise of big eden , what you are does n't matter as much as generosity of spirit , respect and kindness .
sure , the plot 's implausible but it 's a good - natured fantasy
so allowances should be made .
and rob sweeney 's photography of glacier national park is spectacular !
on the granger movie gauge of 1 to 10 , " big eden " is a charming , quirky , off - beat
7 .
it 's a heart - warming romantic comedy about a gay man who does n't die of aids or wind up alone at the end .

Answer: P


Question: be warned . .
brit love story in the offing .
effeminate , mild - mannered karl is about to take a beatng from a bunch of ruffians at school as he bathes himself under a shower , his genitals tucked between his legs in the manner of a posing transvestite .
he is only just saved by prentice , who appears in all respects barring his protective attitude towards karl to be your average street - wise punk - in - the - making .
the ensuing scene ends up with both boys being ridiculed and then unfairly expelled from the school .
they do not see each other for another eighteen yeas .
in that time , prentice has matured into a somewhat loveable , if brash and bull - heaed goon who screws up his jobs and relationships while gamely clinging onto perennial adolescence via lether jackets , motorcycles and punk rock music .
karl
, on the other hand , has grown up to become kim , a drabby , insecure woman who works as a verse writer for a greeting card company .
chance brings the two together , and love , such as will inevitably blossom in your quirky british romantic comedy , is what this skewed little story is largely about .
if at this point you think you 're going to get any cheap laughs with that gender - bending theme ( see the birdcage , to wong foo .
. .
, priscilla queen of the desert ) ,
you can just go home and brood on your own maladjusted sexuality you low - life deadbeat .
kim is a post - operative transsexual , thank you very much . . .
a new - born woman for all purposes , with confusions and sensitivities that deserve treatment with a touch of delicacy .
personally , give me those cheap laughs any day .
i 'd rather enjoy obvious camp than endure the shallow exploration of a soft- hearted transsexual love story .
different for girls comes up with a promising enough proposition , but does nothing that surpasses the merely workmanlike with it .
by refusing to make the audience really uncomfortable with the notion of kim and prentice 's relation- ship , or at the very least feel uncomfortable for them ( prentice for example , does n't seem to give hiself all that much grief when he becomes attracted to kim despite being a fight - picking , beer - drinking , macho kind of guy , and kim , for all her insecurities and fears is always saved any truly disturbing victimisation in the film ) , and instead drawing them into a basically wimpy love story , the film manages to lobotomise itself .
lightweight comedy as it 's doomed to be , it could 've still have hacked it with the requisitive endearing couple .
but this does n't either , since even mrs doubtfire is sexier than steven mackintosh 's kim foyle , and as either sex , he 's just plainly a simpering wanker
nobody should like .
prentice does though , and that 's never explained .
but then rupert graves gives us so heroic performance as prentice , the guy who never grew up ( and
if there is a bafta prize for most convincing portrayal of a rabid fan at a buzzcocks ' concert , he should win that too ) that i guess there 's no reason to explain why he 's so screwed up .
if oddly enough you grow to like this show
, you 'll be wanting your happy ending , and the film wo n't fail you there either .
snide underling at kim 's office gets her come - uppance .
misogynistic police officer who beats up prentice gets his come - uppance .
the couple prevail against a disagreeable society and come together in kim 's apartment .
kim 's sister and her impotent sarge - type husband kiss and make up after a tiff ( tv movie sub - plot with incidental juxtaposition ) .
and best of all , kim sheds her insecurities and learns how to ride the motorcycle and wear leathers , making prentice ride pilion .
awwww .
terrific closure .
happy ending .
but just what is it that 's differnt for girls
anyway ?
if you figure that one out , let me know .
the flying inkpot rating system :
* wait for the tv2 broadcast .
*
* a little creaky , but still better than staying at home with gotcha !
*
* * pretty good , bring a friend .
*
*
* * amazing , potent stuff .
*
*
*
* * perfection . see it twice .

Answer: N


Question: the " italian hitchcock " and acknowledged master of the giallo murder - mystery dario argento again offers us a fascinating turn on the formula in pheneomena .
this time the twist comes in the form of jennifer corvino ( jennifer connelly ) , a bright teenager with gift for telepathically communicating with insects .
sent to a girls boarding school in switzerland , she soon learns of a series of bizarre disappearances and at least one murder that has the school 's population terrified .
a chance meeting with a brilliant entomologist ( donald pleasance ) leads the two of them to team up and solve the mystery with the aid of her remarkable gift .
phenomena is an imaginative , original thriller .
writer / director argento creates several sequences of surreal , haunting beauty here , including a masterfully shot sleepwalking episode and a striking scene when a swarm of flying insects descends on the school at jennifer 's beckoning .
the plot takes some wonderfully bizarre turns and the killer 's identity is genuinely shocking and surprising .
the director took a big gamble with a soundtrack that mixes elements as diverse as heavy metal band iron maiden , ex - rolling stone bill wyman , and argento 's favourite gothic / electronic outfit goblin .
but
it gels surprisingly well .
the film 's opening music reccurs several times , an eerie and evocative score that perfectly sets the overall tone .
argento fans beware : the film was released outside europe in a terribly butchered form re - titled as creepers .
this deleted nearly half an hour of footage , mainly of key dialogue scenes .

Answer:
P