In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Review: Antonio Margheriti's "Danza Macabra" aka. "Castle Of Blood" of 1964 is a beautiful and incredibly haunting masterpiece of Italian Gothic Horror, and after Mario Bava's "La Maschera Del Demonio" (aka. "Black Sunday") of 1960 and Roger Corman's "Pit And The Pendulum" of 1961 (starring the great Vincent Price) another must-see that earned the wonderful Barbara Steele her more than deserved fame as the most important female Horror icon in the history of motion pictures. But not only is the beautiful and brilliant Barbara Steele one of my favorite actresses of all-time, the screenplay to "Danza Macabra" was co-written by no one less than the cinematic genius Sergio Corbucci, who directed such ingenious Spaghetti Western milestones as "Django" (1966) and "The Great Silence" (1968). Italy's number 2 in the field (right after Mario Bava), Director Antonio Margheriti is one of the all-time masters of Gothic Horror, and "Castle of Blood" is doubtlessly his greatest achievement. Hardly another film works so brilliantly in creating an incredibly haunting, yet beautiful atmosphere as it is the case with this creepy masterpiece. When he encounters the famous writer of brilliant macabre stories, Edgar Allen Poe, in a gloomy London tavern, young journalist Alan Foster (Georges Rivière) accepts a bet from a nobleman, that he can not spend a night in his haunted castle in the night of all souls' eve. As soon as Foster enters the eerie castle, mysterious things start to happen. After a little while, however, he encounters an enchanting resident of the castle, the stunningly beautiful Elisabeth Blackwood (Barbara Steele). The mysterious events so far, however, have only been forebodings of the terrors the castle bears, however...The eerie castle setting alone would be sufficient to create a gloomy mood, the excellent black and white cinematography and a great score by Riz Ortolani create an incredibly haunting atmosphere that is eerie beyond comparison. The wonderful Barbara Steele is fantastic as always, I simply can not find enough words to praise this wonderful actress. No other actress has ever been capable of uniting ravishing beauty with the uncanny as it is the case with Steele, and no actress ever will. Besides Steele, the movie's cast contains another stunning beauty, Margarete Robsahm, and she also delivers a great performance. George Rivière's performance as Alan Foster is great, and the rest of the performances are also very good. "Castle of Blood" is outstanding in many departments: Barbara Steele Delivers one of her best performances, the cinematography and locations are beautifully haunting beyond comparison, the atmosphere is incredibly eerie... The film simply is a perfect whole of atmosphere, Gothic beauty and the art of terror. In short: "Castle of Blood" is one of the most atmospheric and greatest Gothic Horror films ever made, and must not be missed by anyone interested in the genre! 10/10 Question: is it a positive review?
yes

Review: This movie is a ripoff of James Cain's novel, THE POSTMAN ALWAYS RINGS TWICE. Apparently, the director and producer never bothered to pay for rights to this story--perhaps the fact that we were in the middle of fighting the Italians in WWII might account for their forgetting to consider royalties! Despite this, the movie isn't really just an Italian version of the Hollywood movie. In some ways it's a lot better and in other ways, it is definitely not.The three central characters in this movie are really pretty ugly people. In fact, the male and female lovers are a bit icky-looking. The male lead is pretty ordinary except for his profuse body hair (particularly on the back and shoulders) and his lady love is, to put it frankly, unattractive. They are a very, very far cry from Lana Turner and John Garfield in the Hollywood version. And the ill-fated husband is really, really obese and loves to walk around shirtless--and his counterpart in the American film, Cecil Kellaway is definitely better looking (and probably better looking than the other two Italian leads, actually). And this unattractiveness is generally a reason I actually preferred the Italian film--since I just could NOT imagine a finely coiffed "dish" like Lana Turner in the middle of nowhere married to Kellaway--I am 100% sure she would have had dozens of better offers! Whereas, the Italian wife frankly might NOT have been able to do much better and this made the marriage actually believable.Part of the Italian film's believability comes from the blunt way it handles sex. The sanitized American film tries to make you believe that although Turner and Garfield kill Kellaway, they never actually get around to sex! This is pretty silly and totally unrealistic. In addition to the casual sexuality of the film, it's also pretty casual in showing the seamy side of life--with lots of sweaty people, a fly strip hanging over the kitchen table and everyone appeared to need a bath.The movie is also pretty fast-paced compared to the over-long American film. And what you get due to brevity isn't all good. The film lacks a lot of the style and polish of the American film--with grainier footage, relatively poor orchestration and sets. It sure ain't a pretty film, but the Neo-Realistic-like style makes the film seem more realistic. But it cannot make up for the short-cuts in the plot. Many of the plot elements in the later American version are either missing entirely or glossed over. And the ending seems a lot less interesting than the American film--and misses the entire human nature dilemma when Turner and Garfield turn on each other like rats (the best part of the American film).So which is the better film? Well, a lot of this probably depends on you. As for me, the Warner Brothers film was simply too polished and too unrealistic (though many like this style and may dislike watching films with subtitles)--but it packed a great ending. And the Italian film was much, much more realistic--until the crappy ending that seemed too rushed. So neither film is exactly great, but I'd give my nod to the Italian one being a bit better. It's too bad they couldn't have combined the best elements of both films into one exceptional film. Question: is it a positive review?
yes

Review: I think I've seen this sort of thing before: college graduates not realizing they have it pretty damn good, all the while, complaining that their lives suck.This movie is highly derivative of The Big Chill and Reality Bites from what I can make of it: they practically have the same plot.If anything good came out of this snore-fest, it was the music. That was it.As far as I'm concerned, I'm not impressed... but then again, I never expected anything less. This movie was directed by the same person that directed Batman and Robin; another movie that should only be viewed with a blindfold in tow.Now for the verdict: it's a 1 out of 10. Question: is it a positive review?

no