You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Ex Input:
 Mark Lewis meets Dora, a prostitute, covertly filming her with a camera hidden under his coat. Shown from the point of view of the camera viewfinder, tension builds as he follows the woman into her home, murders her and later watches the film in his den as the credits roll on the screen.
Lewis is a member of a film crew who aspires to become a filmmaker himself. He also works part-time photographing soft-porn pin-up pictures of women, sold under the counter. He is a shy, reclusive young man who hardly ever socialises outside of his workplace. He lives in the house of his late father, renting most of it via an agent, while posing as a tenant himself. Helen, a sweet-natured young woman who lives with her blind mother in the flat below his, befriends him out of curiosity after he has been discovered spying on her on her 21st birthday party.
Mark reveals to Helen through home movies taken by his father that, as a child, he was used as a guinea pig for his father's psychological experiments on fear and the nervous system. Mark's father would study his son's reaction to various stimuli, such as lizards he put on his bed and would film the boy in all sorts of situations, even going as far as recording his son's reactions as he sat with his mother on her deathbed. He kept his son under constant watch and even wired all the rooms so that he could spy on him. Mark's father's studies enhanced his reputation as a renowned psychologist.
Mark arranges with Vivian, a stand-in at the studio, to make a film after the set is closed; he then kills her and stuffs her into a prop trunk. The body is discovered later during shooting by a female cast member who has already antagonised the director by fainting for real at points which are not in the script. The police link the two murders and notice that each victim died with a look of utter terror on her face. They interview everyone on the set, including Mark, who always keeps his camera running, claiming that he is making a documentary.
Helen goes out to dinner with Mark, even persuading him to leave his camera behind for once. Her mother finds his behaviour peculiar, aware how often Mark looks through Helen's window. Mrs. Stephens is waiting inside Mark's flat after his evening out with her daughter. She senses how emotionally disturbed he is and threatens to move, but Mark reassures her that he will never photograph or film Helen.
A psychiatrist is called to the set to console the upset star of the movie. He chats with Mark and is familiar with Mark's father's work. The psychiatrist relates the details of the conversation to the police, noting that Mark has "his father's eyes." Mark is tailed by the police who follow him to the newsagents where he takes photographs of the pin-up model Milly (two versions of this scene were shot; the more risqu  version is credited as being the first female nude scene in a major British feature, although even on the racier version, Milly only exposes one breast for a few seconds). Slightly later, it emerges that Mark must have killed Milly before returning home.
Helen, who is curious about Mark's films, finally runs one of them. She becomes visibly upset and then frightened when he catches her. Mark reveals that he makes the movies so that he can capture the fear of his victims. He has mounted a round mirror atop his camera, so that he can capture the reactions of his victims as they see their impending deaths. He points the tripod's knife towards Helen's throat, but refuses to kill her.
The police arrive and Mark realises he is cornered. As he had planned from the very beginning, he impales himself on the knife with the camera running, providing the finale for his documentary. The last shot shows Helen crying over Mark's dead body as the police enter the room.

Ex Output:
Who says Mark has his father's eyes?


Ex Input:
 Prologue (1599): Auriol Darcy is surprised attempting to remove the heads of two traitors from the Southwark Gateway of Old London Bridge. He is injured by the warder, Baldred, and carried to the house of Dr Lamb, an alchemist and Auriol Darcy's grandfather, who is assisted by his faithful dwarf Flapdragon. Lamb, on the point of discovering the elixir of life, has a seizure and dies as his ungrateful grandson consumes the draught.
Book the first 'Ebba' (1830): Two varmints, Tinker and Sandman, waylay a gentleman in a fantastical ruined house in the Vauxhall Bridge Road in London, but they are surprised and he is carried unconscious to the house of Mr Thorneycroft, a scrap-iron dealer. While he convalesces and falls in love with Ebba, the iron-dealer's daughter, Tinker and Sandman and their associate Ginger (a 'dog-fancier' who steals dogs and resells them) discover in the gentleman's pocket-book the private diary of a man who has lived for over two hundred years, and has committed nameless crimes. Auriol (for it is he) seeks to dissuade Ebba from her love, for he bears an awful doom. A tall sinister stranger has Auriol in his power, and employs a dwarf (who is Flapdragon) to recover the pocket-book. The stranger confronts Auriol and informs his that Ebba must be surrendered to him according to their contract. Auriol refuses, but Ebba is snatched from him, and he is imprisoned, during a nocturnal assignation at a picturesque ruin near Millbank Street. Tinker, Sandman and Ginger offer their services to Mr Thorneycroft to attempt her rescue. Ebba is conveyed to a mysterious darkened chamber where the stranger demands that she sign a scroll surrendering herself body and soul to him. She calls to heaven for protection: in the darkness a tomb is revealed and opened by menacing cowled figures, and Auriol is brought forth. Ebba hurls herself into the tomb to precede him and save him, but then re-emerges silent and cowled to sign the scroll.
Intermean (1800): Cyprian Rougemont visits a deserted mansion at Stepney Green, where he finds the portrait of his ancestor (of the same name), a Rosicrucian brother of the 16th century, one of the Illuminati. Satan has appeared to him in a dream and promised him an ancestral treasure, the price for which is his own soul, or that of Auriol Darcy. Cyprian strikes the portrait and a plaque falls away, revealing the access to the ancestral tomb. There in a seven-sided vault lit by the ever-burning lamp and painted with kabbalistic symbols he finds the uncorrupt body with a book of mysteries, a vial of infernal potion, and a series of chests filled with gold, silver and jewels. With use of the potion, he lures Auriol into a compact whereby he is given a magnificent mansion in St James's Square and  120,000, in exchange for a female victim whenever Rougemont requires one from him. Thus Auriol can win the woman he loves, Elizabeth Talbot; but Rougemont, once the contract is signed, demands Elizabeth Talbot as his first victim, in a week's time. Auriol seeks to defy him and to marry her within the week, but he is thwarted and Elizabeth is abducted on the seventh night.
Book the Second, 'Cyprian Rougemont' (1830): Thorneycroft, Sandman and Tinker (with Ginger) continue their pursuit led by another, who is the brother of Rougemont's second victim, Clara Paston. They enter a mysterious mansion, and becoming trapped in a chamber and locked into enchanted or mechanically-contrived chairs three of them are muffled by bell-masks which descend from the ceiling, and then plunged through traps in the floor. Flapdragon appears and attempts to help them find Ebba, while Paston, Ginger and Thorneycroft find Rougemont and confront him with pistols, but Rougemont is impervious to the bullets. Thorneycroft, Tinker and Sandman are trapped in a pit over which an iron roof closes by a giant mechanical contrivance, and Ebba is never found again. Auriol, meanwhile, awakes to find himself in Elizabethan costume, chained in a vaulted dungeon. The voice of Rougemont addresses him, telling him that he has been mad, but that he has given him a potion to heal him, and is his keeper. James I is now the King of England. Old Dr Lamb is still living, and his dwarf Flapdragon, and Auriol is taken to him, where they begin to hope that Auriol's cure has been effected. He becomes convinced that he has lived centuries in a few nights and has awakened from a delusion... but even in the last sentence, addressing Dr Lamb, the author relates what he says to his supposed grandsire.

Ex Output:
When does Auriol's grandfather die?


Ex Input:
 The play adapts the story of Chitr ngad  and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king of Manipur and has been raised like a boy as her father had no male heir. She is a great warrior and hero despite being born as a woman, but has never had the chance to truly live as a woman or learn how to use "feminine wiles". Chitra explains that she had met the warrior hero Arjuna after seeing him in the forest while she was hunting for game. Despite knowing that he had pledged several vows including one for twelve years of celibacy, Chitra fell instantly in love with him. The following day she tried to approach him and plead her case, but Arjuna turned her away due to his vows. Chitra begs with the two gods to give her a day of perfect beauty so she can win over Arjuna and have just one night of love with him. Moved by her pleas, the two gods give her not just one day but an entire year to spend with Arjuna.
The next scene opens with Arjuna marveling over the perfect beauty he has seen. Chitra, the beauty of which he mentions, enters and Arjuna immediately strikes up a conversation with her. He requests to know what she is searching for, to which Chitra coyly replies that she is seeking the man of her desires. The two go back and forth until Chitra admits that she is looking for him, which prompts Arjuna to say that he will no longer hold to his vows of chastity. Chitra finds that rather than make her happy, hearing this makes her extremely unhappy since he is not falling for her true self and tells him not to offer his heart to an illusion.
Later the next day, Chitra admits to Madana and Vasanta that she had spurned Arjuna due to him falling for what she saw as a false image of herself. The two gods scold her as they had only given her what she had asked of them. Chitra replies that despite their gift, she sees the perfect beauty as a being separate from herself and that even if she had slept with Arjuna, it would not be the true her that he loved- only her beauty. Vasanta advises Chitra to go to Arjuna and spend the year with him and that at the year's end Arjuna will be able to embrace the true Chitra once the spell of perfect beauty is gone. Chitra does so, but throughout their year together she assumes that Arjuna will not love her once the year is up. After much time has passed, Arjuna begins to grow restless and longs to hunt once again. He also begins to ask Chitra questions about her past, wondering if she has anyone at home that is missing her. Chitra remarks that she has no past and that she's as transient as a drop of dew, which upsets Arjuna. With the year approaching its end, Chitra asks that the two gods make her last night her most beautiful, which they do.
However around the same time Arjuna hears tales of the warrior Princess Chitra and begins to wonder what she might be like. Never having told him her name, Chitra assures Arjuna that he would never have noticed Chitra if he had passed by her and tries to coax him into bed. Arjuna declines, saying that some villagers have informed him that Maripur is under attack. Chitra assures him that the city is well protected, but to no avail. Arjuna's mind is occupied with thoughts of the princess, to which Chitra bitterly asks if he would love her more if she were like the Princess Chitra he admires. Arjuna replies that since she has always kept her true self a secret, he has never truly grown to love her as much as he could and that his love is "incomplete". Noticing that this upsets her, Arjuna tries to console his companion.
The play ends with Chitra finally admitting to Arjuna that she is the princess of which he spoke of and that she begged for beauty in order to win him over. She admits that she is not a perfect beauty, but that if he would accept her then she would remain with him forever. Chitra also admits that she is pregnant with his son. Arjuna meets this news with joy and states that his life is truly full.

Ex Output:

What does Vasanta tell Chitra to do after she tells the gods about how Arjuna fell for her beauty?