In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

[Q]: Question: What side was the Austro-Hungarian army on? Passage:Antoni Chruściel was born on 16 July 1895 in the village of Gniewczyna Łańcucka halfway between Łańcut and Przeworsk, to Andrzej Chruściel, a local farmer and the vogt of that village. In 1909, while still a student at a local gymnasium in Jarosław, Chruściel joined the secret scouting troop; he was also active in the Zarzewie movement. In 1914, after the outbreak of the First World War he moved to Lwów, where he joined the Eastern Legion. Soon afterwards, as a citizen of Austria-Hungary, he was drafted into the Austro-Hungarian Army. After graduating from an NCO school in May 1915 he served at various posts, including his service as a commanding officer of a company of the 90th Infantry Regiment. After the dissolution of Austria-Hungary and the chaos at the eastern front, Chruściel's regiment was the only unit in the entire Austro-Hungarian Army to return to the barracks as an organized entity and with arms. Few weeks later Chruściel, together with most of his unit, joined the newly formed Polish Army.

[A]: Soon afterwards, as a citizen of Austria-Hungary, he was drafted into the Austro-Hungarian Army


[Q]: Question: When was the director of Yojimbo born? Passage:While the first game imitated popular Spaghetti Western film soundtracks, the second game aimed to become more unique. Jackson estimated that he changed the music about four times throughout development, from extreme experimentation to classic Western sounds, ultimately blending to make "something different". Pavlovich felt that in order to find an effective result, they had to "push it almost until you break it, and then you swing back". To avoid imitating the bell used in Spaghetti Western soundtracks, Jackson instead used a mandolin used by the Wrecking Crew. The music team found reference points in Willie Nelson's album Teatro (1998) and the soundtrack for the 1971 film The Hired Hand. Session guitarist Matt Sweeney took inspiration from segments of other music—such as the insistent drums in the work of Ennio Morricone—without being derivative. While researching for the game's score, Jackson found that Morricone's work—particularly on Sergio Leone's Dollars Trilogy—was already a departure from typical Western music of the time, instead featuring sounds popular at the time such as "psychedelic guitars, lots of noises", so Jackson felt that he could also take such creative liberties with Red Dead Redemption 2. Similarly, he was even more influenced by Masaru Sato's score on Akira Kurosawa's film Yojimbo (1961), which he felt focused on emotion rather than trying to replicate the sound of feudal Japan, the film's setting.

[A]: Similarly, he was even more influenced by Masaru Sato's score on Akira Kurosawa's film Yojimbo (1961), which he felt focused on emotion rather than trying to replicate the sound of feudal Japan, the film's setting


[Q]: Question: How old was Bishop Francisco Marroquin when he recalled Bartolome de las Casas? Passage:On his second visit to Guatemala, in 1537, friar Bartolome de las Casas, O.P. wanted to employ his new method of conversion based on two principles: 1) to preach the Gospel to all men and treat them as equals, and 2) to assert that conversion must be voluntary and based on knowledge and understanding of the Faith. It was important for Las Casas that this method be tested without meddling from secular colonists, so he chose a territory in the heart of Guatemala where there were no previous colonies and where the natives were considered fierce and war-like. Because of the fact that the land had not been possible to conquer by military means, the governor of Guatemala, Alonso de Maldonado, agreed to sign a contract promising that if the venture was successful he would not establish any new encomiendas in the area. Las Casas's group of friars established a Dominican presence in Rabinal, Sacapulas and Cobán, reaching as far as Chahal and including Cubulco. Through the efforts of Las Casas' missionaries the so-called "Land of War" came to be called "Verapaz", "True Peace". Las Casas's strategy was to teach Christian songs to merchant Indian Christians who then ventured into the area. In this way he was successful in converting several native chiefs, among them those of Atitlán and Chichicastenango, and in building several churches in the territory named Alta Verapaz. These congregated a group of Christian Indians in the location of what is now the town of Rabinal. In 1538 Las Casas was recalled from his mission by Bishop Francisco Marroquin who wanted him to go to Mexico and then on to Spain in order to seek more Dominicans to assist in the mission.

[A]:
In 1538 Las Casas was recalled from his mission by Bishop Francisco Marroquin who wanted him to go to Mexico and then on to Spain in order to seek more Dominicans to assist in the mission