In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Example Input: Not great, not bad . I listened to cd and I dont know how to explain this cd. I cant really explain to well I guess, but i'll try. The problem I had was the swearing. I usually dont have a problem with swearing, but the way this band did it ruined the cd. It seemed like every other word in the songs are F$%*. It sounded like they tried to damn hard to impress the youth by doing this. The cd held nothing speical at all, not what I really wanted to hear in a metal cd. If you want really inspiring music go and listen to a Hatebreed cd. This cd is alright, but the swearing was so stupid and out of place. HA! Thats what I meant to say, the swearing just seemed random and out of place. Thats what the problem with the cd was. Just add it here and there, not every other word. Probably would have been a better cd that way. To fans fo Throwdown, please do complain. Everyone has an opinion and that is mine.
Example Output: NEG

Example Input: A must for those who love lyrics . This containes some of Greg Brown's finest writing, it is however different from his most of his other recordings. This is a dark look at American culture without being melodramatic. I purchased this one after adding one of his finest efforts &quot;The Poet Game&quot; to my collection, and I find lyrically to be amongst his best work. Highlights include 3 unique tracks &quot;The Monkey&quot;, &quot;One Cool Remove&quot;, and &quot;America Will Eat You&quot;. Other Greg Brown albums that I purchased after this one (quite a few) although they were great, did not quite rate as high on my list
Example Output: POS

Example Input: Inconsistent. . Following up a critically acclaimed debut is probably one of the hardest things that an artist can do, and more often than not, the album falls well short of expectations, because they're so highly elevated.  "Whip-Smart" is a decent, albeit somewhat inconsistent album, but its pales in comparison to "Exile in Guyville", and that unfortunately is how it will always be thought.    Probably the most important thing about "Whip-Smart" is that its not Exile Part 2, while some songs maintain that sort of lo-fi sound/overt lyric gig that the previous record got so much mileage from ("X-Ray Man", "Crater Lake"), the album actually does best when it drifts further away from the territory of Exile-- from the noise guitar over the familiar melody of "Chopsticks" to the haunting, moody, "Shane', where the tension is almost palpable to the brilliant, chugging "Jealousy".  Like Exile, it excels when the tension is at its highest, unlike Exile, its a lot brighter sounding.    Still, for all the good stuff on here, it sounds like Phair wasn't quite ready to issue a followup.  Several experiments in different veins sound incomplete ("Alice Springs"), fall apart ("Support System", "Go West") or are plain irritating ("Cinco de Mayo", "May Queen").    Its got its moments, but "Whip-Smart" is largely disposable-- start with Phair's debut, "Exile in Guyville", its everything its regarded as
Example Output:
NEG