In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[Q]: you know , i never really wondered what the tarzan films would have been like had tarzan been an old man .
while watching instinct , i could n't help but acknowledge the way the film carelessly rehashes the well - explored themes of those earlier movies .
even beside the tarzan comparison , instinct just is n't a very good film .
it 's painfully idealistic , manipulative , and silly .
i did n't hate it -- it 's simply impossible for me to hate any film starring anthony hopkins ; furthermore , most of the acting is quite good .
but i can recognize instinct for what it is beyond my subjective admiration for the actors involved .
i can also recognize reasons for wanting to make instinct , and it 's pretty clear that this could have been a good film with a massive script overhaul and a director less interested in imitating movies like patch adams .
things start off in the predictable way , as director jon turtletaub introduces us to our hero , theo caulder ( cuba gooding , jr . ) , an ambitious , young psychiatrist under the supervision of an experienced , old psychiatrist ( donald sutherland ) .
caulder soon finds himself involved in the case of his life , the one he thinks will make him famous .
the subject is ethan powell ( hopkins ) , an anthropologist who has been living among gorillas in africa for the past two years .
powell has been charged with the brutal murders of several men in africa , and it 's now caulder 's job to find out of he 's mentally competent enough to stand trial .
through a series of short sessions , caulder tries to put together the complex psyche of powell .
even though it really is an old man version of tarzan , much of this central idea is rather interesting .
as i said , hopkins is captivating for every second he 's on screen ; he has a way of convincing us that he 's not acting , that he 's actually a man who has just spent two years of his life living with a family of wild gorillas .
the character himself is n't very interesting -- he 's just an anthropologist who really likes gorillas -- but hopkins makes him interesting with subtleties both in speech and action .
gooding jr .
does strong work opposite hopkins , playing caulder as an intelligent and flawed individual .
the screenplay , written by gerald di pego and " suggested by " a novel by daniel quinn , gives us no background information on caulder , but that seems to be the point
( he has no time for friends because he 's obsessed with his work ) .
nonetheless , these two actors are essentially the entire list of things that are good about instinct .
unfortunately , filmmaking this inept can mangle the effect of even the best acting .
turtletaub and di pego are both guilty of instinct 's artistic failure , for they work together to make the dumbest , most cliche - ridden environment in which their characters are to live , and they do so by means of brainless subplots .
first , we have the prison warden subplot .
the prison warden is evil and wants to stop caulder 's progress at any cost ; if this means taking caulder off the powell case , then that 's fine .
there 's also the prison guard subplot .
the prison guard is played by john ashton ; the prison guard seems to enjoy mercilessly beating upon the psychotics under his supervision , and he 's instrumental in helping the story along to its obvious conclusion .
then there 's the daughter subplot , in which maura tierney ( playing the daughter ) must look very upset a lot of the time ; after all , she is the daughter of a deranged man .
if some of this stuff sounds familiar , that 's because they 're all devices that have been used and reused in countless other films .
the evil doctor in patch adams is not unlike the evil warden here .
the offensive caricatures of mental patients lack the depth that the similar portrayals in one flew over the cuckoo 's nest had .
ashton 's evil prison guard pales in comparison to clancy brown 's in the shawshank redemption .
hopkins ' performance will undoubtedly remind audiences of his turn in the silence of the lambs .
and then there 's the whole tarzan thing , which is more than a little bit obvious through the entire film .
perhaps what irritates me most about instinct is the half - hearted attempt at philosophical depth .
the message powell brings back from the wild is not a subtle one : he thinks that humans are " takers , " that they expand and kill and that we should all just live like gorillas .
i can sympathize with that , but only when it 's in a compelling film .
this is the kind of stupid movie -- just like patch adams -- in which a big group of characters ( psychotic inmates , in this case ) rise against the evil forces oppressing them by tearing up playing cards .
what does any of this have to do with a man who has just spent two years of his life with gorillas ?
if all the subplots of instinct had been left on the cutting room floor , we would have had a thirty - minute movie far superior to the two - hour one that i watched today .
if the central idea had been developed beyond the old man tarzan premise , then we would really have had something interesting -- a movie that does n't rely on the strength of its actors .
[A]: N


[Q]: porter stoddard ( warren beatty ) is a successful architect married to successful fabric designer ellie ( diane keaton ) for twenty - five years .
they and best friends mona ( goldie hawn ) and griffin ( garry shandling ) are about to face marital crises in a film most well known for its torturous path to the screen , " town and country .
" " town and country " has a pedigree befitting it 's title with an all star cast photographed by oscar nominated cinematographer william fraker and mouthing the words of screenwriter buck henry ( " the graduate " ) under the direction of peter chelsom ( " funny bones " ) .
after years of reports of budget overruns and reshoots and the racking up twelve different release dates , the media has been prepped for beatty 's next " ishtar .
"
so , is it that bad ?
the answer is no .
but it 's not very good either .
the major problem with " town and country " is that it 's unstructured and random .
stoddard is immediately established as a philanderer , having just bedded a flaky cellist ( nastassja kinski ) .
next scene finds him and ellie celebrating their anniversary in paris with mona and griffin .
then mona spies griffin hustling a redhead into a motel and begins divorce proceedings ( buck henry cameos as both couples ' divorce lawyer ) .
ellie thinks she 's overeacting , but sends porter to support mona on a trip to check out her family 's mississippi manse .
the two childhood friends end up in bed together , making us wonder why they 'd never become a couple to begin with . back home , their second coupling is interrupted by ellie bursting in to tell mona
she thinks porter 's cheating on her .
porter goes off on a trip with griffin to sun valley , idaho to have more comic misadventures with wacky women as griffin attempts to tell him that he 's gay .
the four friends , along with every woman porter 's dallied with , all end up back in new york city somewhat happily ever after .
although the film begins promisingly , resembling a woody allen take on new york city wasps , too many strands drift off into nowhere .
the stoddard household is huge , containing two adult children ( josh hartnett , " the virgin suicides " and tricia vessey , " kiss the girls " ) , their colorful bedmates and a maid who 's just imported her shirtless boyfriend from the rainforest back home .
after an amusing early scene that has porter overhearing three bouts of lovemaking while in search of a nocturnal snack , the six supporting players are dropped except for an out - of - nowhere appearance by the formerly forgotten son .
porter 's romantic misadventures with women ( other than mona ) are equally mishandled .
once the marital discord begins , the film seems as if it was editted with a machete , stopping and starting , never regaining its rhythm .
while beatty gets off a few tart observations , his character is mostly passive and bemused .
maybe we 're supposed to feel sympathy for an adulterer who does n't initiate his own sex romps ?
keaton 's ellie has a trusting nature that 's a result of her own self involvement resulting in an unlikeable character .
hawn smartly recycles her mature sex kitten wives of " the out of towners " and " the first wives ' club " while shandling 's relegated to true second banana status .
kinski is bland and unmotivated .
andie macdowell takes a weirdly unappealing role and does what she can with the screenplay 's most bizarre subplot , which finds charlton heston as her rifle toting , billionaire daddy and marian seldes as her alcoholic , wheelchair - bound , foul - mouthed mother .
heston and seldes are fun , as is jenna elfman as a sun valley bait and tackle salesgirl who brings porter and griffin to a halloween party .
oscar nominatored cinematographer william fraker gives the film a nice look , but director chelsom shows none of the quirkily and blackly humorous depth
he brought to films like " hear my song " and " funny bones .
"
the script is this film 's weakest link - it 's telling that most of the ( few ) laughs come from old - fashioned physical slapstick and the sight of beatty in a bear suit .
while " town and country " is n't exactly painful to sit through , it mostly just lays there .
[A]: N


[Q]: an 18-foot - high , 43-foot - long dragon is the computer - generated co- star of this strictly - by - the - numbers sword ' n ' sorcery flick .
as voiced by sean connery , " draco " is a surprisingly expressive creation who is well - deserving of his 23 minutes of screen time .
he walks , talks , flies , fries , and even fakes his own death , all with the help of 96 computer - aided animators . too bad that ilm ( industrial light and magic ) could n't spare some special effects for dragonheart 's * human * co - stars .
a bearded black hole exists where dennis quaid should be .
he 's a near - total loss as he growls glumly through his role of a disillusioned knight .
david thewlis ' evil king has a high hiss factor ( hf ) , though he 's more of a mumbling oddity than anything else .
oh , and there 's some redhead in a ' 90 's wig , who runs around either screaming or scowling , depending upon if the particular scene has her playing the woman in peril or the put upon peasant .
the fringe flourishes include pete postlethwaite as a wandering monk with literary ambitions , julie christie ( ! )
as the good queen mother , a band of mercenaries that appear dressed for ye olde heavy - metal concert , and , believe or it not , the speaking spirit of king arthur . bring out your dead !
unfortunately , when we add it all together ( draco + fringe bits - quaid - thewlis ) , the sum total amounts to zero
.
dragonheart is , well , too much of too little .
director rob cohen
( dragon : the bruce lee story ) has made a big , expensive movie that , while ambitiously plotted , is both murky and predictable .
and overscored . and self - important .
and the list goes on .
( i must ask : did screenwriter charles edward pogue intend that * every * character be stabbed , lanced , or sliced at least once ?
keep that man away from the knife drawer ! )
the last five minutes of this movie are the worst , with some silly celestial nonsense that would be laughed out of any planetarium light show , much less a summer movie .
save your money .
[A]:
N