In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Ex Input:
Question: What team did Tracy Porter play for after the Saints? Passage 1:Robinson entered the regular season as the Saints starting cornerback, opposite Jabari Greer, after Tracy Porter left via free agency. He started the Saints' season opener against the Washington Redskins and made three solo tackles and a pass deflection in a 40-32 loss. On September 23, 2012, he recorded a season-high eight combined tackles and three pass deflections in a 27-24 overtime loss to the Kansas City Chiefs. The next game, Robinson made two solo tackles, three pass deflections, and intercepted Aaron Rodgers in a 28-27 loss to the Green Bay Packers. On November 5, 2012, Robinson intercepted a pass from Michael Vick of the Philadelphia Eagles and returned it 99 yards for a touchdown, tying a Saints franchise record set by former Saints safety Darren Sharper. During a Week 16 matchup against the Dallas Cowboys, Robinson racked up a season-high seven solo tackles and an assisted tackle in a 34-31 loss.
 Passage 2:The band was formed in November 1977 by former Džentlmeni, Fleš and Dah member Zlatimir Zlatko Manojlović. The band's first lineup consisted of Zlatko Manojlović (guitar, vocals), Zlatko's brother Goran Manojlović (a former Dah and Land member, keyboards), Stevan Milutinović Steva (a former Dogovor iz 1804, Moira and Dah member, drums) and Dragan Janković (a former Buket Mojih Prijatelja member, bass guitar). After Zdenko Pomper (a former Dah member) replaced Janković on bass guitar, the band released its debut album Čovek (A Man) in 1978, through ZKP RTLJ. Album featured song "Misli" ("Thoughts"), which was previously released on the B-side of the single "Žeđ" ("Thirst"), the last single released by Manojlović's previous band Dah. The album was progressive rock-influenced and in an interview for Rock Express Zlatko Manojlović described the band's sound as "psychedelic". Soon after the album release, Pomper was replaced by Slobodan Svrdlan, and Gordi released their second studio album Gordi 2. the album was released in 1979 through PGP-RTB. While the band's first album was mainly progressive rock-oriented, Gordi 2 featured more hard rock elements. In 1980 Zlatko Manojlović released his first solo album Zlatko i njegove gitare, and in 1981 the band released their third studio album Gordi 3 through PGP-RTB. Although progressive/hard rock-oriented, Gordi 3 also featured pop music elements. The same year, Gordi performed as the opening band on Ian Gillan Band concert in Belgrade Pionir Hall.
 Passage 3:The Ibicaba Farm (in Portuguese: Fazenda Ibicaba) is one of the most known farms of Brazil. Established in 1817 by senator Nicolau Vergueiro, it was widely known as one of the most macabre symbols of the slavery in the state of São Paulo. Afterwards, it has become the pioneer in the replacement of the African enslaved by the European immigrants' labour and in the use of the steam engine, cart and plough. The Ibicaba has also served as a military headquarters during the War of the Triple Alliance, receiving the Emperor Dom Pedro II, the princess Isabel and the count Gaston of Eu. In the 19th century, it was the stage to the revolt of the European immigrants, led by Thomaz Davatz, who achieved to show the European authorities the conditions in which their former citizens lived in Brazil. By 1882, the Italian immigration to Brazil grew significantly, encouraging the aftermost massive immigrations of Italians to the whole state of São Paulo, including its capital. In 1890, the farm was bought by the Levy family, and then reduced thanks to the allotment and inheritance conditions. Since the 1990s, it's being used as a museum and tourist site.


Ex Output:
1


Ex Input:
Question: How long had Manchester United been a club when Duncan Edwards died? Passage 1:Critic Janet Maslin, writing in The New York Times, said of director Kasdan, "he creates the film's most satisfying moments by communicating his own sheer enjoyment in revitalizing scenes and images that are so well-loved." Impressed, she exclaimed, "Silverado is a sweeping, glorious-looking western that's at least a full generation removed from the classic films it brings to mind." Roger Ebert in the Chicago Sun-Times called it "sophisticated" while remarking, "This is a story, you will agree, that has been told before. What distinguishes Kasdan's telling of it is the style and energy he brings to the project." In the San Francisco Chronicle, Peter Stack wrote that the film "delivers elaborate gun-fighting scenes, legions of galloping horses, stampeding cattle, a box canyon, covered wagons, tons of creaking leather and even a High Noonish duel." He openly mused, "How it manages to run the gamut of cowboy movie elements without getting smart-alecky is intriguing." In a mixed review, Gene Siskel of the Chicago Tribune, said the film was "a completely successful physical attempt at reviving the western, but its script would need a complete rewrite for it to become more than just a small step in a full-scale western revival." Another ambivalent review came from Jay Carr of The Boston Globe. He noted that Silverado "plays like a big-budget regurgitation of old Westerns. What keeps it going is the generosity that flows between Kasdan and his actors. It's got benevolent energies, but not the more primal kind needed to renew the standard Western images and archetypes." In an entirely negative critique, film critic Jay Scott of The Globe and Mail said the all too familiar "manipulative Star Wars-style score is the only novelty on tap in Silverado, which has a plot too drearily complicated and arid to summarize". Left equally unimpressed was Dave Kehr of the Chicago Reader. Commenting on director Kasdan's style, he said his "considerable skills as a plot carpenter seem to desert him as soon as the story moves to the town of the title." As far as the supporting cast was concerned, he dryly noted, "none of them assumes enough authority to carry the moral and dramatic center of the film." Giving Silverado 4 out of 5 stars, author Ian Freer of Empire, thought the film was the "kind of picture that makes you want to play cowboys the moment it is over." He exclaimed, "Whereas many of the westerns from the ‘70s try a revisionist take on the genre, Silverado offers a wholehearted embracing of western traditions."
 Passage 2:The most famous former resident of the Priory Estate is Duncan Edwards, who was born two miles away at Holly Hall but moved to 31 Elm Road as a small child and went on to play 18 times for England as well as winning two Football League championships with Manchester United before he died in 1958 at the age of 21 from injuries sustained in the Munich air disaster. As a child, he had attended Priory Primary School and then Wolverhampton Street School. The school is most famous for being the former school (1941 to 1948) of the late Duncan Edwards, the former Manchester United and England footballer. He died aged 21 as a result of the Munich air disaster in 1958. After his death, a stained glass window was dedicated to Edwards at St Francis parish church at the junction of Laurel Road and Poplar Crescent. The church was founded during 1931 and originally based at Priory Hall before the church building on the newly developed housing estate was opened on 10 May 1932.
 Passage 3:The Yasui procedure is a pediatric heart operation used to bypass the left ventricular outflow tract (LVOT) that combines the aortic repair of the Norwood procedure and a shunt similar to that used in the Rastelli procedure in a single operation. It is used to repair defects that result in the physiology of hypoplastic left heart syndrome even though both ventricles are functioning normally. These defects are common in DiGeorge syndrome and include interrupted aortic arch and LVOT obstruction (IAA/LVOTO); aortic atresia-severe stenosis with ventricular septal defect (AA/VSD); and aortic atresia with interrupted aortic arch and aortopulmonary window. This procedure allows the surgeon to keep the left ventricle connected to the systemic circulation while using the pulmonary valve as its outflow valve, by connecting them through the ventricular septal defect. The Yasui procedure includes a modified Damus–Kaye–Stansel procedure to connect the aortic and pulmonary roots, allowing the coronary arteries to remain perfused. It was first described in 1987.


Ex Output:
2


Ex Input:
Question: During what years was "Joliet" Jake Blues in prison? Passage 1:His colour field paintings show the influence of Rothko and North-American Post-painterly abstraction, especially Barnett Newman, Kenneth Noland and Frank Stella. He reached a post-Bauhaus geometric synthesis rooted in theories concerning visual perception, demonstrating an indebtedness to the geometry and colour of Johannes Itten, Rudolf Arnheim, and Josef Albers. In Paris he became acquainted with a Bauhaus pupil of Paul Klee, Mordecai Ardon, while in Chicago he met Gyorgy Kepes who, together with Moholy-Nagy, founded the New Bauhaus (today the IIT Institute of Design in Illinois). Further encounters with Ola Okuniewska (Ola Wolpe) and Clement Greenberg also impacted his work. His passion for geometry continued throughout his career, right up until the present day. During the mid-70s he started teaching in London. His extensive knowledge of the techniques of painting led to him giving a series of demonstrations at the National Gallery and at several art colleges. In London he founded the Essendine Art Centre, where he taught advanced printmaking, life drawing and techniques of painting to young art college graduates. One of the specialized courses focused on 'The Technique of Icon Painting.' The success of the course led to the commission of a book on this subject, published by Search Press Ltd. It has been translated into seven languages.
 Passage 2:Born in Hartford, Connecticut, Wiltsie graduated in the United States Naval Academy class of 1921. He then served at sea in a succession of ships, including Arizona (BB-39), Wyoming (BB-32), Raleigh (CL-7), and Cleveland (CL-21). Next he underwent flight instruction at NAS Pensacola, Florida, from 1925 to 1927 and was designated as a Naval Aviator. He subsequently served in seaplane aviation units embarked aboard Milwaukee (CL-5), Memphis (CL-13), and Texas (BB-35) before he returned to NAS Pensacola as an instructor. After another tour of sea duty—in Louisville (CA-28)—Wiltsie commanded the Naval Reserve Aviation Base at Minneapolis, Minnesota, from 29 June 1935 to 4 June 1937. He later commanded the bombing squadrons attached to Saratoga (CV-3) from June 1937 to June 1939, before he served at the Naval Air Station San Diego, California. He subsequently joined Yorktown (CV-5) as navigator on 27 June 1941 and received a promotion to commander on 1 July.
 Passage 3:Blues vocalist and petty criminal "Joliet" Jake Blues is paroled on good behavior grounds from Joliet Correctional Center after serving three years of a five-year sentence, and is picked up by his blood brother Elwood in his Bluesmobile, a battered, decommissioned police car. Elwood demonstrates its capabilities by jumping an open drawbridge. The brothers visit the Roman Catholic orphanage where they were raised, and learn from Sister Mary "the Penguin" Stigmata and old friend Curtis that it will be closed unless $5,000 in property taxes is collected. Jake offers to steal the money, but Sister Mary is offended. During a sermon by the Reverend Cleophus James at the Triple Rock Baptist Church, Jake has another idea: they can re-form their band, the Blues Brothers, which disbanded while Jake was in prison, and raise the money to save the orphanage.


Ex Output:

3