In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Input: Consider Input: The film begins with an introductory sequence involving the main characters and images from space and introducing many of the film's visual leitmotifs. These are virtually still images revealing the key elements of the film: Justine (Kirsten Dunst) the bride in deep melancholy with birds falling behind her; of a lawn with trees and a sundial with two different shadows; Pieter Breughel's Hunters in the Snow (often used as interpretation of an idealised nostalgia) the non existent 19th hole (limbo) and the Black Horse collapsing catastrophically in slow motion (id/ego battle); Justine as a bride being swept along by a river; and her being held back by her wedding dress; and finally Justine and her nephew building their magic cave before the earth crashes into Melancholia becoming one.The film continues in two parts.Part One: "Justine" is of an ideal and perfect wedding that sweeps bride Justine along and which clashes with Justines fragile world.This act begins with an clumsy, oversized wedding vehicle unable to negotiate a curve in the road.Newlyweds Justine and Michael (Alexander Skarsgård) arrive two hours late to their own reception at the family estate where Justine's sister Claire and her husband John reside. Justine happens to notice a particularly bright red star in the twilight sky which John identifies as Antares.During the course of the wedding we realise that each of the characters represent a metaphor. These metaphors are developed during the night of the wedding reception.Her brother-in-law, John, represents sacrifice (cost of the wedding) and social conformity.Her dad is hedonistic and selfish therefore unable to connect at a meaningful level with Justine. Her mother ,Gaby (honesty) is brutally; ruthlessly and pathologically honest which gets her thrown out of the wedding. However Justines sister ,Claire, who represents order urges Justine to dishonestly hide her debilitating melancholy from her bland, gormless, doting husband, Michael, (This is highlighted by his wedding speech) and anyway who would be incapable of handling such honesty.Her boss represents ruthless greed and gluttony during the most personal part of the wedding speech he is hustling her to promote a vacuous spiritually empty campaign based on a modern facsimile of Bruegels The Land of Cockaigne (mythical land of excess) she later opens a book at this picture.During the critical part of the wedding, cake cutting, Justine and her mother independently escape to have bath, to cleanse themselves of the social deception of the wedding.Later again Justine escapes the wedding and whist watching Melancholias approach to earth squats and urinates on the 18th hole (ultimate success).Her bosses nephew (ambition) is given the opportunity to exploit the opportunity to get the tag line at all costs, to promote his career, a similar task to what Justine was previously so successful at. He is later fired for his failure at absolute ruthlessness. Justine recognising her complicity aggressively resigns. She cannot consummate her wedding with her gormless husband and goes out on a sand trap and copulates with her bosss nephew, a professional kindred spirit. He later suggests due to their similarity they form a business together, Justine curtly declines. Her gormless husband leaves.At dawn the next day, Justine reluctantly goes horseback riding with her sister Claire when she notices that the bright red star has disappeared.Part Two: "Claire" deals with Justines relationship with her sister, Claire It also follows Justines mental decay and reawakening as the inevitable Melancholia collision approaches.During Justine deepest almost catatonic depression her sister is unable to cleanse her in the bath, expressive of her inability to submit to any more social deception. Justine is so numb that even her favourite dish tastes of ash.Before the reception Justine proudly claims to be only one to ride the Black Horse(id); her brother-in-law under his breath says that he the horse is also loyal to him.As Justine decays her connection to the Black Horse (id) becomes more remote and frustrated. on two occasions the horse refuses to cross a bridge over a river possibly to the non existent 19th hole (limbo) as Justine disintegrates she get more brutal with her frustration with the horses refusal, finally, mercilessly whipping it to the ground.John explains that the reason for Antares' disappearance was the rogue planet Melancholia blocking the star from view. Melancholia, a large blue planet that had formerly been hidden behind the sun, becomes visible in the sky as it approaches ever closer to Earth. John is excited about the planet and looks forward to the "fly-by" predicted by scientists.Melancholia's first approach and final collision with Earth, as described (and shown briefly in a similar diagram) in the filmClaire becomes very fearful that the end of the world is imminent in spite of her husband's reassurances that everyone will be safe. She searches the Internet and finds an article predicting that the movements of Melancholia around the Earth will bring the two planets into a full-on collision soon afterward.Justine tells her sister that she has the ability to predict with certainty events such as the number of beans in a bottle and she confident that Melancholia will meet with Earth, this being a good thing as life itself is evil, which from her tortured battle would be valid.The certainty that Melancholia is making its terminal rotation back to earth is at odds with the certainty of a safe fly-by her brother-in law has had, a fact that always been a reality for Justine.On realising his fallibility Justines brother-in-law the only other person to ride the horse fatally poisons himself in the Black Horses stable the horse calms down. His wife on finding him dead releases the horse to be free.In this adversity Justine becomes the spiritually the strongest person. She has a bath stating that she is now all clean.The sister tries to escape the golf course but the golf cart shuts down on the same bridge frustrating her. She returns to the lodge as the world begins its demiseHer young nephew being scared is reassured by Justine who says that they can be safe in a magic cave something she has promised several times in the film to make.The three sit in the magic cave (a wood tepee) Justine is stoic and strong at the as the world beautifully comes to a catastrophic end, and at one with Melancholia

Output: Question: Where does Justine say they will be safe?, Answer: In the magic cave


Input: Consider Input: Shortly after moving to Los Angeles with his parents, 17-year-old Jim Stark (James Dean) enrolls at Dawson High School. In the opening scene, Jim is brought into the police station for public drunkenness. When his mother, father and grandmother arrive at the police station to retrieve him, conflicts in Jim's family situation are introduced as he explains to the arresting officer. His parents are often fighting. His weak-willed father (Jim Backus) often tries to defend Jim, but Jim's picky and domineering mother always wins the arguments for his father cannot find the courage to stand up to his wife. Jim feels betrayed both by this fighting and his father's lack of moral strength, causing feelings of unrest and displacement. This shows up later in the film when he repeatedly asks his father, "What do you do when you have to be a man?"The next day, while trying to conform with fellow students at the school, he becomes involved in a dispute with a local bully named Buzz Gunderson (Corey Allen). While Jim tries to deal with Buzz, he becomes friends with a shy 15-year-old boy, John, who is nicknamed Plato (Sal Mineo), who was also at the police station the night of the opening scene for shooting and killing puppies. Plato idolizes Jim as a father-figure much to Jim's concern. Plato tells Jim that his parents divorced several years ago and are never in Los Angeles. His mother lives away in her hometown and never visits, calls or writes, while his father (a wealthy business executive) is always traveling and avoids comming home, leaving only his housekeeper to look after Plato. Plato experiences many of the same problems as Jim, such as searching for meaning in life and dealing with his absent and selfish parents who "don't understand."In the school hallway, Jim meets Judy (Natalie Wood), whom he also recognizes from the police station the previous night, where she was brought in for being out alone after dark, who originally acts unimpressed by Jim, saying in a sarcastic tone, "I bet you're a real yo-yo." She is apparently the property of Buzz. Judy too has an unhappy homelife when it shows her before going to school when she deals with her unattenative and sexist father who gives all his attention to Judy's younger brother as well as ignors both Judy and his wife for he feels that women are ment only to serve him, and nothing more.That afternoon, Jim goes on a field trip with his science class to the Griffith Observatory. At the Planetarium, he watches a dramatic presentation of the violent death of the universe. After the show, he watches Buzz and his thugs slash a tire of his car for no reason, and then Buzz challenges him to a knife fight, while the gang taunts Jim as a "chicken." Jim reluctantly takes part in the fight and wins, subduing Buzz by holding his switchblade up to his neck before discarding both knifes off a railing. Both Jim and Buzz get slight injuries during the knife fight. Not to be outdone, Buzz and his thugs challenge Jim to a "Chickie Run" with Buzz and Jim racing stolen cars towards an abyss. The one who first jumps out of the car loses and is deemed a "chicken" (coward).That evening, the "game" is held with Judy and several students in attendance to watch. But the race ends in tragedy for Buzz when a strap on the sleeve of his leather jacket becomes looped over a handle on the car door, preventing him from jumping out before the car goes over the cliff.Jim runs home and tries to tell his parents what happened, but quickly becomes frustrated by their failure to understand him and storms out of the house. Jim goes to the police to find the sergeant who took his statement the previous night to tell him about the accident involving Buzz's death, but learns that the police officer is not there. Jim refuses to speak to any policeman and will speak only to the sergeant and he leaves. But Jim is spotted leaving the station by three of Buzz's friends, Crunch (Frank Mazzola), Goon (Dennis Hopper), and another one of Buzz's gang members whom is not named. Mistakenly thinking that Jim told the police about the "Chickie Run", they decide to hunt Jim down to "silence him"... permenently.Jim meets up with Judy and they go to an abandoned mansion to hide out. Plato finds them there (he was the one who told Jim about the house). There they act out a "fantasy family," with Jim as father, Judy as mother and Plato as child. However, Crunch, Goon, and the other boy soon discover them, and terrorize Plato who finally brandishes his mother's handgun that he took from the house, shooting Crunch, and at Jim, and a police officer who investigates, in a clearly unstable state.Plato runs and hides in the Observatory, which is soon besieged by the police. Jim and Judy follow him inside, and Jim convinces Plato to lend him the gun, from which he silently removes the ammunition magazine. When Plato steps out of the observatory, he becomes agitated again at the sight of the police and charges forward, brandishing his weapon. He is fatally shot by a police officer as Jim yells to the police, too late, that he had already removed the bullets. Plato was wearing Jim's jacket at the time, and as a result, Jim's parents (brought to the scene by police) think at first that Jim was shot. Mr. Stark then runs to comfort Jim, who is distraught by Plato's death. Mr. Stark promises to be a stronger father, one that his son can depend on. Thus reconciled, Jim introduces Judy to his parents and they drive off together as dawn starts to break.

Output: Question: Where does Jim go on a field trip to?, Answer: Griffith Observatory


Input: Consider Input: The film's primary protagonists are Roy Knable (John Ritter), a couch potato, struggling Seattle plumbing salesman, and former fencing athlete, and his neglected wife Helen (Pam Dawber), a vitamin product senior manager. After a fight (which involved Helen smashing the family television screen with one of Roy's fencing trophies as a wake-up call to reality), Mr. Spike (Jeffrey Jones) appears at the couples' door, offering him a new high-tech satellite dish system filled with 666 channels of programs one cannot view on the four big networks (CBS, NBC, ABC, and Fox). What Roy does not know is that Spike (later referred to as "Mephistopheles of the Cathode Ray") is an emissary from hell who wants to boost the influx of souls by arranging for TV junkies to be killed in the most gruesome and ironic situations imaginable. The 'candidates' are sucked into a hellish television world, called Hell Vision, and put through a gauntlet where they must survive a number of satirical versions of sitcoms and movies. If they can survive for 24 hours, they are free to go, but if they get killed, then their souls will become the property of Satan (the latter usually happens).The dish eventually sucks Roy and Helen into this warped world. They are pursued by Spike, who enters some shows, along with the Knables, to halt their advance. Roy and Spike continue to fight throughout several shows, even in a cloak-and-dagger scenario where Roy displays his long-buried talent as a fencer. Through tenacity and sheer luck, the Knables keep surviving, and their young son Darryl (David Tom) recognizes his parents fighting for their lives on the TV set. His older sister Diane (Heather McComb) and he are able to provide important assistance from the real world. This infuriates Spike to the point that he makes good on Roy's contract, releasing him, but not Helen, as she was not in the system under contract.Roy re-enters the system to save Helen, bringing his own remote control with him, allowing them to control their journey. After being pursued by Spike through several more channels, Roy finally confronts his enemy in a Salt-N-Pepa music video, manages to get a hold of Spike's remote, and uses it to save Helen from being run over by a train in a Western movie. By pressing the "off" button on the remote, they are evicted from the TV set moments before it sucks their neighbor's abusive Rottweiler into the TV and it destroys itself. In the end, Spike gets eliminated by the Rottweiler on the command of Crowley (Eugene Levy), a vengeful employee he banished to the system earlier, and is then succeeded in his executive position by Pierce (Erik King), a younger upstart employee. Roy, who has learned a valuable lesson after his adventure, has dramatically cut back on his TV viewing, quit his job as a plumbing salesman, and opened his own fencing school and advised one of his students that watching too much TV can get you into trouble.


Output: Question: Who gets sucked into the TV?, Answer: An abusive Rottweiler gets sucked into the TV.