In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.

Input: Consider Input: Passage: Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860) married Albert de Broglie on 18 June 1845, and they had five sons together. Although not high royalty, on the occasion of their marriage, they styled themselves Prince and Princesse respectively. Pauline was a highly intelligent and religious woman, who was well read and wrote a number of texts in her lifetime. Her shyness was well known; she was widely considered strikingly beautiful and charming, but those around her would often avoid eye contact so as not to embarrass her. Albert was devoted to his wife, and commissioned the painting after being impressed by Ingres' 1845 portrait of his sister, the Comtesse d'Haussonville.
Albert approached Ingres around 1850 to undertake the portrait. Ingres dined with the de Broglie family in January 1850, and according to one eye witness, "seemed to be very happy with his model."Although Ingres' main source of income came from portraiture, it distracted from his main interest in history painting, which early in his career, was far less lucrative. He found acclaim in the 1840s, when he became successful enough to no longer depend on commissions. This painting was Ingres' second-last female portrait, and final society portrait.Influenced by the working methods of Jacques-Louis David, Ingres began with a number of nude preparatory sketches, for which he employed professional models. He built up a picture of the sitter's underlying anatomical structure, as seen in the Musée Bonnat study, before deciding on how to build the lavish costume and accessories. Although there is no surviving record of the commissions, and the exact sequence of events is uncertain, the sketches can be dated from 1850, the year the style of her evening dress came into fashion. Ingres signed and dated the final picture at the left center "J. INGRES. pit 1853".Pauline died in 1860 aged 35 from tuberculosis. After her death, Albert published three volumes of her essays on religious history. Albert (who in 1873 became the 28th Prime Minister of France) lived until 1901, but was heartbroken and did not remarry. He kept her portrait for the remainder of his life draped in fabric and hidden behind a velvet curtain, only lending it to select exhibitions. After his own death, the painting passed within the family until 1958 when it was sold to the Metropolitan Museum of Art via the banker and art collector Robert Lehman, and is today held in the Lehman Wing. The family kept most of the jewelry and accessories seen in the painting, although the marabou feathers were sold to the Costume Institute of the Metropolitan Museum. 
Question: What is the full name of the person who bought the portrait of the wife of the man who was heartbroken and did not remarry?

Output: Robert Lehman.


Input: Consider Input: Passage: The film starts off with a scene from the novel Moby Dick, with a whaler on a stormy sea in the 19th century, chasing "the white whale". It turns out that the scene comes from the imagination of Dot, while she is sitting with the book. She goes out to play with Nelson the dolphin in his pool, and he teaches her how to stay underwater for long periods of time and to communicate underwater, as well as the history and evolution of sea creatures.
While they play together, Nelson hears the wail of a beached whale named "Tonga" from the local coast, and jumps out of his pool, over the cliff beside, and dives into the ocean on the other side, to check what is going on, with Dot coming along. Dot walks up on land to talk with Tonga, but becomes upset as two boys, Alex and Owen, stand and throw sand on the whale. The boys say that they only want to push the whale back to the sea. Together, they try to push Tonga back to the water, but fail. They decide to gather as many kids as possible, in order to help the whale as much as they can.
While Alex and Owen start to gather help, Dot sits beside Tonga, trying to converse. Tonga explains that her family has been killed by whalers, and she is the only survivor, but has lost the will to live. Dot explains that she and others want to help Tonga, and tries to by having Tonga placed in the same pool as Nelson to let her recover. Dot then realizes that they do not have a transport facility for a whale. Meanwhile, a crooked fishmonger becomes interested in Tonga as a possible "Fish" source. 
Question: What is the first name of the character who learns about the history and evolution of sea creatures?

Output: Dot.


Input: Consider Input: Passage: The album appeared in numerous publication's lists of best albums of 2000. It appeared at number nine on Kerrang!'s list of albums of the year, and went on to rate it the 11th best album of the 2000–2009 decade, while NME ranked it at number 34 in their critic's pick of the 50 best albums of 2000 in their "Decade in Music" series. German magazine Musik Express/Sounds listed the album at number 30 in their critics' top 50, and at number nine in the popular poll of their "Albums of 2000" list. The French edition of British magazine Rock Sound ranked Holy Wood 15th in their Le choix de la rédaction (editors choice) and 5th in Le choix des lecteurs (readers choice) of their 2000 Albums de l'année (albums of the year). Record Collector also included it on their "Best of 2000" list. It went on to win the "Best Album" accolade at the 2001 Kerrang! Awards.Retrospective commentary on the album has been highly positive. In November 2010, Kerrang! published a tenth-anniversary commemorative issue dedicated to Holy Wood titled Screaming For Vengeance, calling it "Manson's finest hour". In 2014, Metal Hammer identified the album as a modern classic, calling it the band's "creative zenith". Manson said in a June 2015 Reddit AMA that he considered the record to be his best work, and, that same month, NME referred to it as the band's best album. A 2016 feature in Houston Press called Holy Wood "the album that really cemented the band as more than just shock-rockers, but true musical mavericks with an intelligent perspective on social issues." Metal Hammer referred to the record as "perfect", saying: "Manson has yet to better Holy Wood and that's fine—nobody's really bettered it. The flow of the record, the delivery of its concept, the clarity with which it strikes its opponents. A gargantuan artistic feat that will go down in history as Manson's defining statement.". 
Question: What is the last name of the artist who recorded the album?


Output: Manson.