In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
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Question: Review: If you like occasional nudity with junior high school level slap stick comedy, then look no further.Starting at about the halfway point, the beautiful and erotic Arielle Dombasle starts disrobing at every opportunity. That is the only thing that made this movie worth watching.The story is both lame and preposterous, the humor is corny, and character development is basically non-existent. Question: is it a positive review?

Answer: no


Question: Review: This film is a portrait of the half-spastic teenage boy Benjamin who has to visit a boarding school because of his lousy marks in Math. He didn't make the best experiences in life before and got serious self-esteem issues. After a rough start at his new school, he starts making friends, falls in love with a girl and does some American Pieish teenage stuff.Beside some comedy elements, the film is told in a very serious way, focussing on Benjamin and his problems.If you already don't like this story outline, save your time and watch something else. If you do, please be aware of the following:1) Benjamin is a total loser. Whatever he does, he does it terribly wrong and then he goes for self-pity all the time. For me he wasn't that kind of "charming loser" who you can feel sympathy for and laugh with. Instead he and his behavior really annoyed me and with my own teenage years not so far behind I could barely stand watching.2) The film hardly tries to be realistic and the story seems to be but from my experience the characters just aren't (except for Janosch maybe). And yes, I know this film is based on an auto-biography written by a 17-year old - but having some experiences with German schools and German youth myself, I don't believe him.3) Showing the sexual awakening really is an important thing for a film with this subject. But I doubt that teenage boys do an "Ejaculate on the cookie"-contest where everyone has to hit a cookie with his sperm during mass-masturbation in the woods and the loser has to eat the sperm-wet cookie afterwards. Although it kinda amused me in a contemptible way, it's nor funny neither underlining the serious attempts of this film.4) There's a sub-plot about Benjamin's family and his father betraying his wife - still, I don't know why it's there and where to put it. It just bored me.Well, I personally hated this film for having the character of Benjamin, being without a message, concept, scheme, whatever and it's failing attempts to be dramatic and serious. However, I can image that some people may find it sensible and touching. If you liked "The Other Sister" you'll probably like this one, too. I hated both.17-year old boys shouldn't write an autobiography and if they do, it doesn't seem to be the best idea to make a film out of it.2 out of 10. Question: is it a positive review?

Answer: no


Question: Review: After his classic film noir homage Chinatown Roman Polanski returned to the themes that had given him his greatest hits in the 60s with this creepy psychological horror which, like Repulsion and Rosemary's Baby, deals with the paranoia and claustrophobia generated by apartment living.Claustrophobic environments are the ones which Polanski is best at creating, and this has to be the most suffocating and confined picture he ever created. The emphasis on side walls and distant vanishing points is greater than ever, and even in the small number of exterior scenes the sky is rarely glimpsed. But The Tenant is not just confined spatially, but also in the intensity with which it focuses on its protagonist. Trelkovsky, played by Polanski himself is not only in every scene, he is in virtually every shot. When he is not on screen more often than not the camera becomes Trelkovsky's point of view. And of course almost everywhere he looks he sees his own reflection staring back at him in a mirror.I can't think of any film that is more about the internalisation and solitude of one character. Some psychological thrillers, like M or Peeping Tom, manipulate us into feeling sorry for the mentally ill protagonist. Others, like Psycho, attempt in-depth scientific analysis of his mental condition. The Tenant fits into neither of these categories  it simply immerses us completely inside Trelkovsky's experience without demanding we actually understand or appreciate what is going on inside his head. We feel his paranoia and obsession even though it is constantly revealed to us that they are irrational.Polanski was also a master of the slowly unfolding horror film. Often in his horrors there is an ambiguity as to whether there is actually anything sinister going on, but they are among the most effective at frightening audiences. Why? Precisely because they unfold so slowly and invest so much time in painstakingly setting up situations that they immerse the viewer in paranoia. A much later Polanski horror, The Ninth Gate is a bit of a mess plot-wise but at least it still manages to achieve that creeping sense of dread.This is a rare chance to see Polanski himself in a major role. His talent in front of the camera was as good as behind it, and he is absolutely perfect as the meek Trelkovsky. Another standout performance is that of the all-too-often overlooked Shelley Winters as the concierge. In actual fact it is rather a stellar cast, although many of the familiar faces look out of place in this strange, Gothic European movie. Also sadly many of the French actors in supporting roles are atrociously dubbed in the English language version.The Tenant is more polished and less pretentious than Repulsion, but it lacks the suspense and the character that make Rosemary's Baby so engrossing and entertaining. The Tenant is good, with no major flaws, and Polanski was really on top form as a director, but it's not among his most gripping works. Question: is it a negative review?

Answer:
no