In this task, you are given a question and a context passage. You have to answer the question based on the given passage.

Input: Consider Input: what is the last section of a city mentioned?, Context: Philadelphia's central city was created in the 17th century following the plan by William Penn's surveyor Thomas Holme. Center City is structured with long straight streets running east-west and north-south forming a grid pattern. The original city plan was designed to allow for easy travel and to keep residences separated by open space that would help prevent the spread of fire. The Delaware River and Schuylkill Rivers served as early boundaries between which the city's early street plan was kept within. In addition, Penn planned the creation of five public parks in the city which were renamed in 1824 (in parenthesis): Centre Square, North East Publick Square (Franklin Square), Northwest Square (Logan Square), Southwest Square (Rittenhouse Square), and Southeast Square (Washington Square). Center City has grown into the second-most populated downtown area in the United States, after Midtown Manhattan in New York City, with an estimated 183,240 residents in 2015.

Output: Midtown Manhattan


Input: Consider Input: Where do you run Windows 8?, Context: Retail versions of Windows 8 are only able to install these apps through Windows Store—a namesake distribution platform which offers both apps, and listings for desktop programs certified for comparability with Windows 8. A method to sideload apps from outside Windows Store is available to devices running Windows 8 Enterprise and joined to a domain; Windows 8 Pro and Windows RT devices that are not part of a domain can also sideload apps, but only after special product keys are obtained through volume licensing.

Output: devices


Input: Consider Input: Who's works were so different that they defy attempts to place them in a single category?, Context: The most extreme forms of Cubism were not those practiced by Picasso and Braque, who resisted total abstraction. Other Cubists, by contrast, especially František Kupka, and those considered Orphists by Apollinaire (Delaunay, Léger, Picabia and Duchamp), accepted abstraction by removing visible subject matter entirely. Kupka’s two entries at the 1912 Salon d'Automne, Amorpha-Fugue à deux couleurs and Amorpha chromatique chaude, were highly abstract (or nonrepresentational) and metaphysical in orientation. Both Duchamp in 1912 and Picabia from 1912 to 1914 developed an expressive and allusive abstraction dedicated to complex emotional and sexual themes. Beginning in 1912 Delaunay painted a series of paintings entitled Simultaneous Windows, followed by a series entitled Formes Circulaires, in which he combined planar structures with bright prismatic hues; based on the optical characteristics of juxtaposed colors his departure from reality in the depiction of imagery was quasi-complete. In 1913–14 Léger produced a series entitled Contrasts of Forms, giving a similar stress to color, line and form. His Cubism, despite its abstract qualities, was associated with themes of mechanization and modern life. Apollinaire supported these early developments of abstract Cubism in Les Peintres cubistes (1913), writing of a new "pure" painting in which the subject was vacated. But in spite of his use of the term Orphism these works were so different that they defy attempts to place them in a single category.


Output: Apollinaire