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BIRMINGHAM  Ala. (AP) — A batch of letters handwritten by "To Kill a Mockingbird" author  Harper Lee  to a friend has sold for more than $12 000.
"On this Inauguration Day I count my blessings ... I'm also thinking of another friend  Greg Peck  who was a good friend of LBJ. Greg said to him  'Do you suppose we will live to see a black President?' LBJ said  'No  but I wish her well '"  Lee  wrote.
The letters track years of correspondence between  Lee  and Itzkoff  a New York resident whom the author referred to as "Clipper " short for "Yankee Clipper." Itzkoff died in 2011.
In a Christmas card from 2009   Lee  wrote: "Most-loved Clipper: Don't know if you celebrate Christmas  but it makes not a jot of difference to  me . I am at heart a heathen."
Other letters talked about  Lee 's Southern heritage and  her  father A.C. Lee  the model for Finch.
 Lee  died in  her  hometown of Monroeville  Alabama  in February 2016 about seven months after publishing "Go Set a Watchman " a companion book to  her  Pulitzer Prize-winning novel.
Letters from Harper Lee to friend sell for $12 500

Laura Moser  a candidate in a Democratic congressional primary in Texas . (Michael Stravato for The Washington Post)
The Democratic Congressional Campaign Committee is taking fire from the left after months of relative peace  thanks to a document put online the night of Feb. 22 â a collection of opposition research on  Laura Moser   a progressive candidate in Texasâs competitive 7th Congressional District.
As  Moser  was attending a campaign event  the DCCC posted a short but brutal collection of hits on  Moser  that would be likely used against  her  if  she  won the Democratic nomination. The 7th District is one of 23 where Hillary Clinton outpolled Donald Trump in 2016  while voters sent a Republican congressman to Washington.
âDemocratic voters need to hear that  Laura Moser  is not going to change Washington â the committee wrote. â She  is a Washington insider  who begrudgingly moved to Houston to run for Congress.â
 Moser  responded later Thursday night  saying in a statement that the DCCCâs tactics represented âwhy people hate politicsâ and hurt the effort to take Congress back from Republicans.
âWeâre used to tough talk here in Texas  but itâs disappointing to hear it from Washington operatives â  she  said.
 Moser  did relocate to  her  native Houston last year and began running for Congress  with  her  move back home â after launching Daily Action  a campaign tool for progressives frustrated by Trump â as part of the story. The DCCC  which has seen plenty of candidates brought down by residence issues  came to view  her  as unelectable.
âVoters in Houston have organized for over a year to hold [Republican Rep. John Abney] Culberson accountable and win this Clinton district â said DCCC communications director Meredith Kelly. âUnfortunately   Laura Moserâs  outright disgust for life in Texas disqualifies  her  as a general election candidate and would rob voters of their opportunity to flip Texasâs 7th in November.â
The DCCCâs memo hit  Moser  for paying Revolution Messaging  the firm where  her  husband  Arun Chaudhary  had worked since 2012  to produce  her  TV ads. But its main attack lines were backed up by an article  Moser  wrote for Washingtonian in 2014  where  she  joked that  she âd âsooner have my teeth pulled out without anesthesiaâ than move to  her  grandparentsâ home in Paris  Tex. Paris is a small city more than 300 miles from the 7th District; the DCCC warned that voters would not process the nuance.
Both  Moser âs campaign and the DCCC saw  her  in a strong position to win one of two runoff slots in the March 6 Democratic primary. With early voting underway  and Democratic turnout in Houstonâs Harris County undergoing a historic surge  the DCCC pounced.
But the way it did so  advertising what Republicans might use to beat  Moser   sparked outrage across the left. At Daily Kos  a popular group blog that crowdfunds for Democratic candidates  a diarist wondered whether the move against  Moser  âmay have something to do with the candidate selection role the Blue Dog Coalition is playing at the DCCC.â The People for Bernie Sanders  a progressive group organized to support the Vermont senatorâs 2016 presidential campaign  called âfor the DCCC board to investigate how the decision was reached and publish the findings publicly.â There was an additional factor: Revolution Messaging had worked for Sanders  and Chaudhary had worked as the campaignâs photographer.
 Moser  is not the only progressive candidate in the district primary  and several of  her  rivals back universal Medicare  which has become a litmus test on the left. But  her  race has attracted national attention as an example of progressive candidates bristling as well-established Democratic organizations backed their rivals. On Thursday morning  the Intercept  which has been publishing articles on how the DCCC works  highlighted  Moser âs race and the involvement of Emilyâs List with party donor Lizzie Pannill Fletcher.
Progressives rage at DCCC after it attacks Texas candidate for âbegrudginglyâ moving to Houston

NPR's Ari Shapiro talks with director Paul Thomas Anderson about his new film  Phantom Thread. The film is about a fastidious British dressmaker named Reynolds Woodcock  played by Daniel Day Lewis  whose life becomes upended when he finds a new muse  who begins to challenge him.
This is a movie season where films compete to be bigger  louder and flashier. Right now you can choose to spend a couple of hours in a dark theater with jedis  monsters or singing circus impresarios. In the middle of all this comes a quiet  intimate movie. It's called "Phantom Thread " and it's about  a British dressmaker named Reynolds Woodcock played by Daniel Day-Lewis .
DANIEL DAY-LEWIS: (As Reynolds Woodcock) Chic - oh  don't you start using that filthy  little word  chic. Whoever invented that ought to be spanked in public. I don't even know what that word means.
SHAPIRO:  He  runs a fashion house with  his  sister  Cyril  played by Lesley Manville. Woodcock's fastidious life is upended when a woman named Alma becomes  his  muse and begins to challenge  him . She is played by the actress Vicky Krieps of Luxembourg.
SHAPIRO: Tell us about the main character played by Daniel Day-Lewis.  Reynolds Woodcock  is a man in a world of women  and  he  is a very particular person.
ANDERSON:  He  is.  He 's a very demanding  very particular person. There's a lot of rules. There's a lot of superstitions  which implies something peculiar about a character. And that's  him . There's no changing  him .  He 's very clear about what  he  will do and will not do.
DAY-LEWIS: (As Reynolds Woodcock) As I think you know  Alma  I prefer my asparagus with oil and salt. Knowing this  you have prepared the asparagus with butter. Right now I'm just admiring my own gallantry for eating it the way you've prepared it.
ANDERSON: Well  you know  it's funny. If I showed you the screenplay  you are exactly right. It would look very  very thin  you know  to say   Reynolds  looks at Alma; Alma looks at  Reynolds ; cut to the next scene  you know? But hopefully the accumulation of events leads you to understand just what that might mean and just the weight that those looks might carry.
SHAPIRO: Reynolds Woodcock sews things into linings of clothing that presumably no one will ever see. Where did that idea come from - photographs or messages?
ANDERSON: Well  the path is usually you kind of put a best-of up on the wall. But then you have to look at it from a different angle. Well  what is  Reynolds Woodcock ? Who is  he ?  He 's English. And so we - the designs started becoming English. So building it up from what Reynolds would be interested in  you realize just how deeply English he is and that all the influence in his life is that. You know  what are the fabrics that he gravitates towards? And so that becomes a three-way collaboration between Daniel and Mark and myself. And to be honest  I have the least patience of the three of us.
DAY-LEWIS: (As Reynolds Woodcock) What happened to make you behave like this? Is it because you think I don't need you?
DAY-LEWIS: (As Reynolds Woodcock) I don't.

With 'Phantom Thread ' Director Paul Thomas Anderson Offers Audiences An Intimate Film : NPR