TASK DEFINITION: In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
PROBLEM: Review: Cradle of FearThis isn't a movie where intricate delicate little narrative nuances occupy our attention. This is not a film where the special effects are supposed to leave us slack-jacked uttering that sense of whoa. What it is though is a slice of lo-fi goth horror which leaves little to the imagination, created in the eyes of the director, Alex Chandon, as "a throwback to sleazy '70s and '80s horror".This is a very visceral experience for 2 hours, where four plot lines are connected through lots of watery blood, reams of dismembered body parts and innards, tied by an intestinal thread of revenge. The purveyor of such horrific violence is Dani Filth, lead-singer of the metal band Cradle of Filth, executing a role he was destined to play. As other's have said, there is nothing new about wanting to carryout occultist revenge. In this particular context a convicted sexual predator and murderer, Kemper, the father of our devilish avenging-angel, compels his son to exact retribution on those who are some how connected to convicting him to purgatory within an insane asylum.What this provides for the Chandon, who should be congratulated on also penning and editing this piece, is the opportunity to let his sick mind run free. He seems to take delight in the idea of splattering blood into the orifices of those on screen, and into every nook and cranny that can be reached. We are also treated to close-ups of skull's being crushed, demonic rape, and other assorted imagery to engage those who relish getting up close and personal to their horror. And for some of those who closely follow these type of films, there is the odd sequence which may have you thinking, "Did I just see what I thought I did", because of course Pretty Woman this 'aint. It reminds me of some of the gore-fests created out of Italian horror some 20 to 30 years ago, and a number of other works where disgusting images have left their mark but not the context in which they were viewed.Story 4 of the set is particularly intriguing where the idea of ones obsession can ultimately lead to death in the pursuit of internet violence through the "Sick Room", where the user is in control of how a life can be snuffed out. Further acknowledgements should also go out to a pounding soundtrack that allows Filth to exercise his daytime talent, and an effective use of drum and bass, often overlooked in film-making as a viable form of supporting visuals. Using the city of London as a backdrop with real people as opposed to movie stand-ins also adds support to the commando feel of the film. OK, classic it may not be, but blood, guts, intestines, occult and demons in a slightly perverse unproblematic way it is. Question: is it a negative review?

SOLUTION: yes

PROBLEM: Review: THE CHOKE (aka AXE in the UK) is a slasher produced supposedly as a straight-to-DVD movie. I say "supposedly" because the title of the movie does not have the "V" in brackets to indicate that it was a made for DVD movie (even though it does have the appearance of one).The plot is simple  a band is holding a gig in a former meatpacking factory and they are killed one by one.I think most would agree that the movie was never going to be a masterpiece, but this does not excuse the faults here. Even straight-to-DVD movies such as BACHELOR PARTY MASSACRE (which has a very low IMDb rating) have a lot of redeeming qualities and sometimes come off as being one of the so-called "so bad, they're good" movies. However, THE CHOKE falls far short of being either a serious slasher (such as HALLOWEEN) or being a "so bad it's good" movie (such as THE NAIL GUN MASSACRE).The movie does start off good with a character killed using a drill. The blood effects were very cheesy but understandable given the very low budget. But, from there onwards, it's downhill all the way.There are so many faults in THE CHOKE that I could spend all day talking about them. But, a few obvious ones stand out and I'll go into them.The aforementioned gig that the band holds seems to start off with around 50 people present but after the music stops, there seems to be only around 8 people left (and yet they're all meant to be locked in!).The characters in this movie are not likable at all. Most of the band members are aggressive foul-mouthed morons or just downright weird. No one really cares about what happens to them, and even their supposed friends forget about them when they've been dispatched. The highlight of the movie is the presence of a homeless man who seems to regard the meatpacking factory as some kind of church (seriously!). He spouts some really funny lines for no apparent reason. But sadly, even his presence can't save the movie.There are too many scenes of people walking around and talking without any characterisation. Around 65 minutes of the film is spent watching characters walk around talking. Characters disappear for long periods of time without explanation. As in other straight-to-DVD movies such as CROCODILE and GRIM WEEKEND, the characters spend a lot of time swearing at each other aggressively without any provocation at all. There are plenty of over-the-top outbursts (mainly from the male characters) and one nearly results in a full-blown fight. In fact, the format could be said to go as follows: characters walk around--murder takes place--characters walk around--murder takes place. You get the idea.The dialogue is terrible and it seems that few lines are spoken without the f-word being used. Perhaps this was meant to be funny, but it just comes off as sad. And more to the point, we have all seen this done a thousand times before (usually to much greater effect).The movie is totally devoid of any suspense at all. The dead bodies serve to provide the only indication that the characters are in danger. A maniac is running around loose and yet the characters just behave like total morons. They make little attempt to get out of the factory or find a weapon with which to protect themselves. And much of the time, they don't even pretend to be scared.In the same vein as DRIVE-IN MASSACRE, the killer is not seen at the time the murders are being committed (with the exception of the final murder when the killer's identity is revealed). A random weapon appears out of nowhere to kill the victim in question. There is no one seen stalking the characters at any time. In DRIVE-IN MASSACRE, this served to make the film funny (unintentionally of course), but here it is not funny at all.And, as another reviewer has pointed out, the soundtrack includes music that is very bad, even for those who like punk rock. The extras look uncomfortable dancing to it. The score (at the end, there is no music at the beginning!) consists of a band of Sugarbabe wannabes singing some very bad song that is completely unrelated to the movie.Don't misunderstand the points made in this review. This reviewer likes bad movies (such as THE NAIL GUN MASSACRE and BACHELOR PARTY MASSACRE) as much as the classics (such as HALLOWEEN and Friday THE 13TH). But, it seems that THE CHOKE tried too hard to fit into one of those categories without fitting into either. And even as straight-to-DVD movies go, this is a poor effort.On a positive note, the film does contain some fairly good gory murder scenes. But, when the surviving characters do not take the situation seriously, these scenes lose their importance quickly as the intensity they provide disappears into oblivion.Fans of the traditional 1980s B-movie slashers should take steps to avoid this movie. And fans of the classics such as HALLOWEEN and Friday THE 13TH should do everything in their power to avoid it! Question: is it a positive review?

SOLUTION: no

PROBLEM: Review: If I had realized John Wayne was in this movie, I would not have watched it. It's demeaning to the Japanese, unfortunate for Hollywood and embarrassing to any thinking person. But then, most John Wayne movies are like that. Hollywood in the fifties still believed that everybody in the world loved Americans when the truth was (and still is) somewhat different. The movie deals with the nineteenth century isolationism of Japan. Maybe it's Hollywood that should be isolated.To put it as succinctly as possible, this film is appalling jingoistic claptrap.(Sort of a Madama Butterfly with bad music.) Question: is it a negative review?

SOLUTION:
yes