In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Q: This movie is S-L-O-W. Spent most of the movie actually waiting for it to 'begin'.The setting was bleak, the script was bleak, the cinematography was bleak, the plot was bleak, the budget was low (not that all low budget movies are bad, but this one had no redeeming features).The plot was more consumed with a vengeful, slightly deranged hunter than the actual Wendigo which made a very brief appearance toward the end of the movie. This in itself was disappointing as this 'Wendigo' was just a bizarre mix of a tree and a stag. Everything about the movie was uninspiring.The parents of the little boy appeared to be rather aloof and at times seemed completely detached from their son. Whether this was down to bad acting or a bad script I'm not sure, but it only heightened my disappointment and boredom levels.There was no food for thought, nothing to pique an interest. With no real intrigue or chill factor, this movie creaked along so painfully, you just couldn't care less what happened by the end.Wendigo's ambiance reminds me of the dull movie shown at the awards ceremony toward the end of 'Mr Bean's Holiday': a movie which is artistic and nonsensical, trying too hard to to be deep and meaningful, but coming across as pretentious and boring.I would never want to watch this again. I only watched it to the end in the vain hope that something interesting might happen ... but it didn't.

A: negative
****
Q: This dumb comedy really does a good job of wasting comedic talent. In particular, Dan Aykroyd and Howard Hesseman are misused badly here. I might have chuckled once or twice during this film, but in general, it's a boring movie, with a little bit of stupidity thrown in for good measure. The premise, although routine, still wasn't bad, but once the plot was set, the film went nowhere. Don't waste your time with this misfire.

A: negative
****
Q: Steven Vasquez directed and co-wrote with James Townsend, the star, this strange little drama cum horror flick with evidently very good ideas and intentions: make a gay film that takes a different storyline than the usual fare and make a drama that wants to be judged on its merits as a thriller. So why doesn't it work? For starters the film loses direction from the opening frame and wanders rather aimlessly throughout the film, dead set on making a suspense thriller but getting sidetracked into satisfying an audience who wants to see nude encounters. Not that that is a bad thing: it can certainly enhance some films that have been Hollywood successes. The film also tries to talk about coming out experiences in young men and women, relationships, disturbed parenting, the club scene with all the wild antics that accompany such events - and murder. It is all a bit much to cram into a 96-minute film.Devon (James Townsend) by all appearances is a successful kid with a kind girlfriend Jenna (Sarah Kelly) but he has an eye for boys and visits a bar where he meets Brian (Alex Wilson) who has been down the same path and can offer Devon assistance on every level. They bond, Devon comes out, and the mysteries begin: boys are missing in the neighborhood, Devon's stepfather psychologist Dr. Kirk Tyler (Dan Swett) is not at all what he appears to be and despite Devon's consoling mother Donna (Sonja Fisher) Devon is cast into the streets because of his new relationship. It seems Dr Tyler is in a dark business with hunky Detective Cunningham (Earl McDougle) who apparently is investigating the missing boys... Devon gathers his resources from his understanding girlfriend Jenna and her cronies and together the group unveils the dark doings of Dr. Tyler and his detective sidekick. And through it all Donna radiates warmth and understanding as the perfect mother of a gay boy, etc.Some of the actors are pleasing to the eye (and there is very little the eye doesn't examine frequently!) but the degree of acting is at an all time low. The only thing that makes us forgive that (and in some cases it is just too poor to forgive) is the feeling of commitment on the part of everyone involved. Yes, this is a low budget movie and yes, the director needs time to learn his trade. But in the end there is something to be said for the involved people to try to take a gay film to a different level. Maybe their next one will be more polished. Grady Harp

A:
negative
****