In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

[Q]: In 1947, the movie's narrator, Stingo (Peter MacNicol), a young writer from the American South, travels to post-WW II Brooklyn. He is befriended by Sophie Zawistowski (Meryl Streep), a beautiful Polish immigrant, and her lover, Nathan Landau (Kevin Kline). It is clear to Stingo from the serial number tattooed into Sophie's forearm that she is no stranger to pain, as she is a Holocaust survivor.One evening, Stingo talks with Sophie and learns some more about her past: that she was married but her husband and her father were killed in a German work camp. When Stingo notices scars on Sophie's wrists, Sophie explains that after being rescued from Auschwitz she was taken to a refugee camp in Sweden, but whilst there she went to a church, broke a glass, and cut her wrists. Sophie goes into another room where Nathan spends a lot of his time and finds another wine bottle. The walls are covered in images of the Holocaust, prompting Sophie to explain that it is Nathan's obsession.Sophie and Nathan's relationship is endangered both by Sophie's ghosts and Nathan's obsession with the Holocaust, as well as his violent temper and increasingly apparent mental illness. When Stingo visits a man who knew Sophie's father, he discovers she's been lying to him. He learns that Sophie's father, a Polish college professor, hated Jews. Later, when Stingo talks to Sophie about this, she explains, with more about her past emerging through a series of harrowing flashbacks.Something makes Sophie go to the Jewish ghetto, where she looks at all the people her father has condemned to death. She suddenly remembers that her father is waiting for his speech and hurries home to finish the typing. In her haste, Sophie makes a lot of mistakes and hurries to the university. Her father (Ivica Pajer) reads the speech in front of a large crowd of people and becomes very angry.Later, Sophie has a lover, Józef (Nedim Prohic), who lives with his half-sister, Wanda (Katharina Thalbach), a leader in the Resistance. Wanda tries to convince Sophie to translate some stolen Gestapo documents, but fearing she may endanger her children (Jennifer Lawn & Adrian Kalitka), she declines. Two weeks later, Józef is murdered by the Gestapo, and a short time later Sophie is arrested and sent to Auschwitz with her children. Upon arrival, the Germans decide who will live and who will die. Jan, Sophie's son, is sent to the children's camp, and her daughter, Eva, is sent to her death in Crematorium Two.Sophie later learns of an epidemic in the children's camp, and becomes concerned for her son's well-being. She convinces the Commandant to let him into the Lebensborn programme. He relents and tells Sophie she will see him the next day. However, the Commandant breaks his promise about letting Sophie see her son. She never finds out what happened to him.Back in the present, Nathan asks Sophie to marry him and she accepts. Stingo feels betrayed, as he is falling in love with Sophie, but agrees to be Nathan's best man. When Nathan goes into another of his violent moods, Sophie runs to Stingo. At this point, Nathan makes a threatening phone-call which ends with the sound of a gun firing, and Nathan making more threats.Stingo and Sophie flee and check into a hotel. Stingo insists that they start a family, but Sophie has yet to tell him her final secret - her choice. She recounts the night she arrived at Auschwitz with her children, and of how a Nazi officer forced her to choose life for one child, and death for the other.Despite her plea of "Don't make me choose. I can't choose", Sophie's words fall on deaf ears. When a young Nazi is told to take both children away, she releases her daughter, shouting "Take my little girl!". Sophie can only watch as the screaming little girl is carried away to die, her guilt and despair all too clear. Once she has told him, Sophie asks Stingo not to talk about marriage and children.They sleep together that night, but Stingo wakes up alone. Sophie has left him a note, saying she has gone back to Nathan, but that Stingo is a great lover. Stingo later goes back to the building where he met Sophie and Nathan, only to find everybody in a state of shock. Stingo is led up to Sophie and Nathan's room where he finds they have committed suicide. Picking up Nathan's book of Emily Dickinson poems, Stingo recites "Ample Make This Bed", as if he were delivering a eulogy at a funeral.The film ends with Stingo leaving Brooklyn, the screen going misty, and an image of Sophie's face fading into view.
[A]: Question: Which child would be chosen to be sent to their death?, Answer: Eva


[Q]: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (August 2015) (Learn how and when to remove this template message)Norman Bates (Anthony Perkins) is released from a mental institution after spending 22 years in confinement. Lila Loomis (Vera Miles), sister of Marion Crane, vehemently protests with a petition that she has been circulating with signatures of 743 people, including the relatives of the seven people Norman killed prior to his incarceration, but her plea is dismissed. Norman is taken to his old home behind the Bates Motel by Dr. Bill Raymond (Robert Loggia), who assures him everything will be fine.Norman is introduced to the motel's new manager, Warren Toomey (Dennis Franz). The following day, Norman reports to a prearranged job as a dishwasher and busboy at a nearby diner, run by a kindly old lady named Emma Spool (Claudia Bryar). One of his co-workers there is Mary Samuels (Meg Tilly), a young waitress. After work, Mary claims she has been thrown out of her boyfriend's place and needs a place to stay. Norman offers to let her stay at the motel, then extends the offer to his home when he discovers that Toomey has turned what had been a shabby but respectable motel into a sleazy adult one.Norman's adjustment back into society appears to be going along well until "Mother" begins to make her presence known. Norman gets mysterious notes from "Mother" at the house and diner. Phone calls come from someone claiming to be Norman's mother. The next day, a drunk Toomey picks a fight at the diner after Norman fires him. Later, a figure in a black dress stabs Toomey to death with a kitchen knife as he is packing to leave the motel. As Norman begins to reconstruct his motel, he begins to doubt his sanity when he begins hearing voices in the house. He enters his mother's bedroom to find it looks exactly as it did 22 years ago. A sound lures him to the attic, where he is locked in.At the same time, a teenage couple, believing the house to be abandoned, sneaks in through the cellar window. They notice a female figure pacing in the next room. As they try to climb out, the boy is stabbed to death. The girl escapes and alerts the police. Mary eventually finds Norman in the attic. Minutes later, the sheriff arrives and questions them about the boy's murder. He finds the cellar neat and orderly. Norman is about to admit that something suspicious is going on, but Mary claims that she has cleaned up the basement herself. After the sheriff leaves, Norman asks Mary why she lied. She explains that she had to save him from being arrested. Norman collapses into the chair with his head in his hands and moans, "It's starting again!" Norman is aware that he is slipping into insanity again.That evening, Mary is startled when she discovers someone looking at her through a peephole in the bathroom wall. She calls out to Norman, who is downstairs and out of reach. The two are horrified to find a bloody cloth that has been stuffed down the toilet. Norman appears confused and believes he may have committed another murder. Mary goes down to check the motel. In the parlor she is surprised by Lila, who reveals herself to be Mary's mother. She has been calling Norman, claiming to be his mother, even going so far as to dress up as her and allowing him to see her in the window. Mary has been helping her. She was responsible for restoring Mother's room at the house and locking Norman in the attic. All of this was an attempt to drive Norman insane again and have him recommitted. Mary's growing feelings for Norman, however, have been preying on her conscience leaving her to reconsider her actions. Meanwhile, Dr. Raymond discovers Mary's identity as Lila's daughter and informs Norman. He also orders the corpse of Norma Bates (which was buried in a proper grave after the events of the original film) to be exhumed, to prove that Norman is not being haunted by his mother. Mary admits to Norman that she has been part of Lila's ruse, and that while she now refuses to continue, Lila will not stop. Mary goes to Lila's hotel and their argument is overheard by a desk clerk. Later, Lila drives over to Norman's house, unaware that Dr. Raymond is watching her from the Bates Motel as she sneaks into the cellar.While Lila is removing her "Mother" costume from a loose stone in the floor, another figure dressed as "Mother" steps out of the shadows and murders her. Dr. Raymond runs up to the house. Lila's body is not in the cellar and the "Mother" figure is gone. Meanwhile, Mary discovers that a car has been retrieved from the swamp, with Toomey's body in the trunk. Realizing the police will shortly arrive to arrest Norman, Mary returns to warn him. The phone rings in the house, Norman answers, and starts speaking to his "Mother". Mary listens in and discovers that nobody is on the line with Norman. Terrified that Norman has slipped back into insanity, Mary runs downstairs into the cellar and quickly dresses up as Mother to confront Norman and arms herself with a butcher knife. Someone grabs her from behind as she is on the stairs and plunges the butcher knife into Dr. Raymond's heart, who has sneaked back into the house, killing him instantly. A stunned Mary runs downstairs and is confronted by a completely deranged Norman, who promises to cover up for "Mother." Mary tries to keep him away, but she repeatedly keeps stabbing him in the hands and chest, none of which stop Norman. He backs Mary into the fruit cellar to hide and slips on a pile of coal, which avalanches away from the wall, revealing Lila's dead body hidden behind it. Mary is now convinced that Norman has been committing the murders. Norman denies doing any of the killings and thinks "Mother" committed them. She raises her knife to stab him but is shot dead by the incoming police deputy. The sheriff inaccurately believes Mary committed all the murders.That evening, a woman walks up the steps to the Bates' mansion. Bandaged from his injuries, Norman has set a place for dinner when he hears a knock at the door. It is Emma Spool, the kindly woman from the diner. Norman gives her a cup of tea, brewed from a poisoned batch which was kept in a beaten floral-print tin; this was the tea he used to kill Mrs. Bates, his "Mother," when he was a child. Ms. Spool tells him that she is his real mother, that Mrs. Bates was her sister, who adopted Norman as an infant while Ms. Spool was institutionalized. She further reveals that she was the murderer, having killed anybody who tried to harm her son. As she begins dying after sipping the tea, Norman strikes her with a sudden blow to the head with a shovel, now driven completely insane again. He carries Ms. Spool's body upstairs to Mother's room and we hear Mother's voice warn Norman not to play with "filthy girls" and telling him nobody loves him like his mother. Norman reopens the Bates Motel and stands in front of the house, waiting for new customers as Mother watches from the window upstairs.
[A]: Question: What did they find in the toilet?, Answer: A bloody cloth.


[Q]: Physicist Lionel Barrett is enlisted by an eccentric millionaire, Mr. Deutsch, to make an investigation into "survival after death" in "the one place where it has yet to be refuted". This is the Belasco House, the "Mount Everest of haunted houses", originally owned by the notorious "Roaring Giant" Emeric Belasco, a six-foot-five perverted millionaire and supposed murderer, who disappeared soon after a massacre at his home. The house is believed to be haunted by numerous spirits, the victims of Belasco's twisted and sadistic desires.Accompanying Barrett are his wife, Ann, as well as two mediums: a mental medium and Spiritualist minister, Florence Tanner, and a physical medium, Ben Fischer, who is the only survivor of an investigation 20 years previously. The rationalist Barrett is rudely sceptical of Tanner's belief in "surviving personalities", spirits which haunt the physical world, and he asserts that there is nothing but unfocused electromagnetic energy in the house. Barrett brings a machine he has developed, which he believes will rid the house of this energy.Though not a physical medium, Tanner begins to manifest physical phenomena inside the house. When, after a quarrel with Tanner, Barrett is attacked by invisible forces, he suspects that Tanner may be using the house's energy against him. Meanwhile, Fischer remains aloof, with his mind closed to the house's influence, and is only there to collect the generous paycheck.Ann Barrett is subjected to erotic visions late at night, which seem linked to her lackluster sex life. She goes downstairs and, in an apparent trance, disrobes and demands sex from Fischer. He strikes her, snapping her out of the trance, and she returns to herself, horrified and ashamed. A second incident occurs a day or so later; this time, she is awake but uninhibited due to alcohol. Her husband arrives a moment later to witness her advances to Fischer. He is resentful, and spurns Fischer's psychic ability, claiming that "Mr. Deutsch is wasting one-third of his money!" Stricken by the accusation, Fischer drops his psychic shields but is immediately attacked.Tanner is convinced that one of the "surviving personalities" is Belasco's tormented son, Daniel, and she is determined to prove it at all costs. She finds a human skeleton chained behind a wall. Believing it to be Daniel, Tanner and Fischer bury the body outside the house and Tanner performs a funeral. Nevertheless, Daniel's "personality" continues to haunt Tanner; she is scratched violently by a possessed cat. Barrett suspects that Tanner is mutilating herself. In an attempt to put Daniel to rest, Tanner gives herself to the entity sexually, but the entity brutalizes her.Barrett's machine is assembled. Tanner attempts to destroy it, thinking that it will harm the spirits in the house, but Barrett prevents her from doing damage. She enters the chapel, "the unholy heart" of the house, in an attempt to warn the spirits, but she is crushed by a falling crucifix. As she dies, she leaves a symbol written in her own blood. Barrett activates his machine, which seems to be effective. Fischer wanders the house afterwards, attempting to sense psychic energy; he declares the place "completely clear!" in astonishment. Violent psychic activity soon resumes and Barrett is killed.Fischer decides to confront the house, and Ann accompanies him despite her misgivings. Decyphering Tanner's dying clue, Fischer deduces that Belasco is the sole entity haunting the house, masquerading as many. He taunts Belasco, declaring him a "son of a whore", and that he was no "roaring giant", but likely a "funny little dried-up bastard" who fooled everyone about his alleged height. Even as objects begin to hurl themselves at Fischer, he continues to defy the entity, until all becomes still. A stained glass partition in the chapel shatters, revealing a hidden door.Fischer and Ann discover a lead-lined room, containing Belasco's preserved body seated in a chair. Pulling out a pocketknife, Fischer rips open Belasco's trouser leg, discovering his final secret: a pair of prosthetic legs. Fischer realises Belasco had had his own stunted legs amputated, and used the prosthetics in a grotesque attempt to appear imposing. Belasco had the specially built room lined with lead, presaging the discovery of the electromagnetic nature of life after death.With the room now open, Fischer activates Barrett's machine a second time, and he and Ann leave the house, hoping that Barrett and Tanner will guide Belasco to the afterlife without fear.
[A]:
Question: What did the erotic visions seemed linked to?, Answer: her lackluster sex life