You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Q:  Marius, a sensitive only child of a patrician family, growing up near Luna in rural Etruria, is impressed by the traditions and rituals of the ancestral religion of the Lares, by his natural surroundings, and by a boyhood visit to a sanctuary of Aesculapius. His childhood ends with the death of his mother (he had early lost his father) and with his departure for boarding school in Pisae. As a youth he is befriended by and falls under the influence of a brilliant, hedonistic older boy, Flavianus, who awakens in him a love of literature (the two read with delight the story of Cupid and Psyche in Apuleius, and Pater in due course makes Flavian, who is "an ardent student of words, of the literary art", the author of the Pervigilium Veneris). Flavian falls ill during the Festival of Isis and Marius tends him during his long death-agony (end of 'Part the First'). Grown to manhood, Marius now embraces the philosophy of the 'flux' of Heraclitus and the Epicureanism (or Cyrenaicism) of Aristippus. He journeys to Rome (166 AD), encountering by chance on the way a blithesome young knight, Cornelius, who becomes a friend. Marius explores Rome in awe, and, "as a youth of great attainments in Greek letters and philosophy", is appointed amanuensis to the Emperor Marcus Aurelius. Aurelius's Meditations on Stoicism and on Plato, and the public lectures of the rhetorician Fronto, open Marius' eyes to the narrowness of Epicureanism. Aurelius's indifference, however, to the cruelty to animals in the amphitheatre, and later to the torments inflicted on people there, causes Marius to question the values of Stoicism (end of 'Part the Second'). Disillusioned with Rome and the imperial court which seem "like some stifling forest of bronze-work, transformed as if by malign enchantment out of the living trees", puzzled by the source of Cornelius's serenity, still Epicurean by temperament but seeking a more satisfying life-philosophy, Marius makes repeated visits alone to the Campagna and Alban Hills, on one occasion experiencing in the Sabine Hills a sort of spiritual "epiphany" on a perfect day of peace and beauty (end of 'Part the Third'). Later he is taken by Cornelius to a household in the Campagna centred on a charismatic young widow, Cecilia, where prevails an atmosphere of peace and love, gradually revealing itself as a new religion with liturgy and rituals that appeal aesthetically and emotionally to Marius. The sense of purposeful community there, set against the persecution of Christians by the authorities and the competing philosophical systems in Rome, contributes to Marius' mood of isolation and emotional failure. Overshadowed by thoughts of mortality he revisits home and pays his respects to the family dead, burying their funerary urns, and sets out again for Rome in Cornelius's company. On the way the two are arrested as part of a sweep of suspected Christians. It emerges that only one of the young men is of this sect, and Marius, unbeknown to Cornelius, makes their captors believe it is he. Cornelius is set free, deceived into thinking that Marius will follow shortly. The latter endures hardship and exhaustion as he journeys captive towards Rome, falls ill, and dying is abandoned by his captors. "Had there been one to listen just then," Pater comments, "there would have come, from the very depth of his desolation, an eloquent utterance at last, on the irony of men's fates, on the singular accidents of life and death."  Marius is tended in his last days by some poor country people, secret believers who take him to be one of their own. Though he has shown little interest in the doctrines of the new faith and dies more or less in ignorance of them, he is nevertheless, Pater implies, "a soul naturally Christian" (anima naturaliter christiana ) and he finds peace in his final hours as he reviews his life: "He would try to fix his mind on all the persons he had loved in life, dead or living, grateful for his love or not. In the bare sense of having loved he seemed to find that on which his soul might 'assuredly rest and depend'. ... And again, as of old, the sense of gratitude seemed to bring with it the sense also of a living person at his side" (end of 'Part the Fourth').

A: Who makes Marius love literature?
****
Q:  Child Christopher and Goldilind the Fair, set in the forested land of Oakenrealm, was Morris' reimagining and recasting of the medieval Lay of Havelock the Dane, with his displaced royal heirs Christopher and Goldilind standing in for the original story's Havelock and Goldborough.
In contrast to his source, Morris emphasizes the romantic aspect of the story, giving a prominent place to the heroine's misfortunes and bringing to the forefront the love story between her and the hero; the warfare by which the hero regains his heritage is relegated to a secondary role. Also unlike both the source and most of Morris's other fantasies, there is little or no supernatural element in this version of the story.
Christopher is portrayed as initially ignorant of his true identity, leading to an emotional conflict between the protagonists to reconcile their mutual love and attraction with what they believe to be the profound disparity in their social status and shame of their forced marriage. This situation is resolved when the two fall in with Jack of the Tofts, who gives refuge to Christopher after his sons rescue the hero from an assassination attempt by a servant of the usurper Earl Rolf.
Jack informs Christopher of his true station and gathers together an army to help him challenge the usurper. When the hosts meet, the commander of Rolf's forces, Baron Gandolf of Brimside, challenges Jack to single combat, but Christopher claims the honor from Jack and proves his worth by defeating the opposing champion.

A: Who fights in silngle combat with Baron Gandolf?
****
Q:  During the worst recorded rainstorm in the history of the Midwestern United States, armored truck drivers Tom (Christian Slater) and his uncle Charlie (Edward Asner) are collecting the money from the local banks affected by the rising flood waters. In the small town of Huntingburg, Indiana, which has been evacuated, Tom and Charlie drive into a ditch and become stuck, and Charlie calls dispatch to alert the National Guard. They are then ambushed by Jim (Morgan Freeman) and his gang of armed robbers, Kenny (Michael Goorjian), Mr Mehlor (Dann Florek) and Ray (Ricky Harris). Kenny accidentally shoots Charlie dead, as Tom gets away with the $3 million in cash and hides it in a cemetery.
After being chased through the local Middle School by the gang now travelling with a boat and jet skis, Tom takes refuge in a nearby church. He is knocked out and wakes up in a cell at the local Sheriff's office. Tom tells the Sheriff (Randy Quaid) about the gang and the area he hid the money, although he keeps him locked up. He and his Deputy Wayne (Mark Rolston) then leave to investigate, whilst another officer Phil (Peter Murnik) is ordered to take Karen (Minnie Driver), the woman who knocked Tom out and is currently restoring the church, out of town. In protest, she pushes Phil out of the boat so she will be able to fill the water pumps at her church.
The town's dam continues to experience huge pressure from the rain and the operator Hank (Wayne Duvall) is forced to open another levee. This causes another huge burst of water to stream through the town, resulting in even worse flooding, especially at the church. Tom wakes in his cell, trapped as the Sheriff's building slowly fills up with water. After filling the pumps at the church, Karen returns and saves him by opening the light fitting on the roof for him to escape. They are then spotted by the gang, and hide before having to get out of the water because a nearby transformer is going to blow. Kenny grabs Tom and they both fall in the water, but Tom fights him off before Kenny is electrocuted and later dies. Tom and Karen enter a nearby house, only to discover locals Doreen (Betty White) and Henry Sears (Richard Dysart) who believe they are looters. After explaining their story, Henry decides to give Tom their boat so he can return to the armored truck. When he resurfaces from the now submerged truck, he finds Jim and the gang holding the elderly couple hostage. Tom forces Jim to let them go so he'll show them where the money is.
On the way to the cemetery, Jim reveals to Tom that the National Guard were never coming because Charlie was actually calling the gang, and was in an alliance with them. He was only killed because Kenny was never told Charlie was on their side. Jim then sends Tom to retrieve the money but finds it has gone. When the gang are about to shoot him in anger, they are all ambushed by the Sheriff and his Deputies, who have now found Karen. The Sheriff now doesn't care any more about justice and intends to keep the money for himself, Wayne, Phil and Hank, who has now joined them from the dam. Mr Mehlor and Ray are killed in the shoot out, and Jim and Tom escape in a boat, finding sanctuary in the church. Wayne takes Karen back to her house, with an intention of raping her. The others try to force Tom and Jim out by throwing petrol bombs on the roof, but instead are forced to drive through the stained glassed windows. At Karen's house, Karen manages to stab Wayne with her penknife, killing him. In the church, a shoot out occurs where at one point Tom and Phil come face to face, but Phil cannot bring himself to shoot him. Hank then shoots Phil, thinking he's a coward. The alarm from the dam saying it is overflowed suddenly sounds. Offering a deal, the Sheriff says Tom and Jim should let Hank and him go with a couple of the moneybags. Tom agrees, yet Jim does not. Instead, Tom then leaves to try and save Karen, before the Sheriff shoots Jim with a revolver he was hiding, although he isn't badly hurt. The Sheriff and Hank escape in a boat and, when they are forced to go faster to avoid the wave engulfing the town, the Sheriff pushes Hank out of the boat. He then dies after being caught in a gas explosion.
Tom arrives at Karen's house, to find her handcuffed to the banister. He first tries to free her with a saw, but then uses Wayne's gun. The water is so high now they have to get onto the roof and are then caught by the Sheriff. Jim, who managed to escape from the church, comes from behind them in a boat. The Sheriff shoots at him, disabling the steering, forcing him to go over the roof. As he does so, the engine breaks off and collides with the Sheriff, knocking him into the water. However, he is not dead and tries to shoot Karen as he grabs a moneybag, but Tom and Jim manage to shoot him dead. Tom tells Jim he should leave, just as the State Police arrive. Jim picks up the Sheriff's moneybag and rows away, as Tom tells Karen the fire damage to her church wasn't too bad, and "was probably why they felt safe enough to drive their boats through the stained glass windows".

A:
How much cash does Tom get away with after the truck becomes stuck in the ditch?
****