In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

Ex Input:
Question: How many years of professional experience did Andy Seminick have when Mack Burk pitch-ran for the catcher? Passage:Burk stood tall, weighed and threw and batted right-handed. He attended the University of Texas at Austin and signed a $40,000 bonus contract with the Phillies in September 1955. Under the rules of the day, a "bonus baby" such as Burk was compelled to spend his first two years as a professional baseball player on a Major League roster. In his pro debut, on May 25, 1956, Burk pinch-ran for catcher Andy Seminick. In his third game, on June 5, he pinch hit for pitcher Curt Simmons in the fifth inning and singled off left-hander Joe Nuxhall of the Cincinnati Redlegs. He came around to score his first big-league run that inning on a sacrifice fly by Stan Lopata. He scored two more runs during the 1956 season, both as a pinch runner. In his lone appearance in the field, Burk caught one inning, the bottom of the eighth, in relief of Lopata on July 25 against the Cardinals, and handled one chance flawlessly.
 Links: a. Stan Lopata b. Run (baseball) c. Curt Simmons d. Andy Seminick

Ex Output:
d


Ex Input:
Question: In what country is the publication based that Patrick French writes for? Passage:Jasanoff's 2017 book, The Dawn Watch: Joseph Conrad in a Global World, published by Penguin Press and in the UK by William Collins centers on the life and times of novelist Joseph Conrad. The Times lauded the book as the "Conrad for our time," and The Spectator called her an "enviably gifted writer...her historian's eye can untie knots that might baffle the pure critic," noting that she "steers us securely and stylishly through those latitudes where Conrad witnessed the future scupper the past." In the judgment of the Financial Times: "This is an unobtrusively skilful, subtle, clear-eyed book, beautifully narrated," while the Literary Review observes: "Written with a novelist's flair for vivid detail and a scholar's attention to texts, The Dawn Watch is by any standard a major contribution to our understanding of Conrad and his time." Reviewing the book in The Guardian, Patrick French began: "The Dawn Watch will win prizes, and if it doesn't, there is something wrong with the prizes." In The Hindu, Sudipta Datta wrote that Jasanoff's approach to Conrad makes for a "remarkable retelling of Joseph Conrad's life and work and its resonance with the present dysfunctional world." In The Guardian, William Dalrymple named the book to his list of best holiday reads of 2017. According to the Wall Street Journal's reviewer, "'The Dawn Watch' is the most vivid and suggestive biography of Conrad ever written." In The New York Times, Ngugi wa Thiong'O applauded the book as "masterful." Thiong'O wrote that Jasanoff succeeded where "An Image of Africa: Racism in Joseph Conrad's Heart of Darkness," Chinua Achebe's classic Conrad essay, had failed, specifically in bringing into clear relief "Conrad's ability to capture the hypocrisy of the 'civilizing mission' and the material interests that drove capitalist empires, crushing the human spirit." "'The Dawn Watch,' Thiong'O wrote, "will become a creative companion to all students of his work. It has made me want to re-establish connections with the Conrad whose written sentences once inspired in me the same joy as a musical phrase."
 Links: a. Financial Times b. The Guardian c. The Hindu d. Joseph Conrad

Ex Output:
b


Ex Input:
Question: How old was Walt Disney the year Snow White and the Seven Dwarfs was released? Passage:After the success of Walt Disney Productions' first feature-length animated film Snow White and the Seven Dwarfs (1937), filmmaker Walt Disney himself made several attempts to adapt the fairy tale "Beauty and the Beast" by Jeanne-Marie Leprince de Beaumont into one of the studio's earliest animated feature films during the 1930s and 1950s. However, the project was continuously abandoned due to the fairy tale's "static" plot and main characters. The filmmaker was also concerned about the "unnecessary intensity" required to depict Belle's imprisonment. Inspired by the unprecedented success of The Little Mermaid (1989), Walt Disney Studios chairman Jeffrey Katzenberg green-lit another attempt at adapting "Beauty and the Beast" under the direction of Richard Purdum. However, Katzenberg did not approve of Purdum's dark, somber version of the fairy tale, and ultimately ordered that it be restarted from scratch in favor of creating a Broadway-style musical film starring a strong heroine, more similar to The Little Mermaid. Opting instead for a "feminist twist" on the original story, largely in response to critics' negative reception to Ariel regarding her pursuit of Eric being her overall character, Katzenberg hired television writer Linda Woolverton, who had never written an animated film before, to write the film's screenplay.
 Links: a. Musical film b. Walt Disney c. Linda Woolverton d. Beauty and the Beast

Ex Output:

b