In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
" take a number , fill out a form , and wait your turn .
"
starring kati outinen , kari v ? ?
n ?
nen , sakari kuosmanen , elina salo ; written & directed by aki kaurism ?
ki
; cinematography by timo salminen it might be possible to call drifting clouds a satire or a black comedy , but that would imply a sense of anger , of vitriol , of energy ; drifting clouds is what you get when the rage and vitality are gone .
it is the sad , slow story of lauri and ilona , a married couple caught between the wheels of capitalism as it grinds inexorably onward .
he loses his job as a tram driver , because everyone drives cars nowadays .
within a couple of months , she loses her position as a head waiter , when her restaurant is bought out by a chain and the entire staff replaced .
a conversation early in the film reveals a lot about their situation .
lauri has surprised ilona by buying her a tv , which she greets with little enthusiasm .
she notes that they have n't finished paying for the bookshelves or the couch yet .
he says that in four years the payments will be done and then they can buy some books for the shelves .
it would pass as deadpan humour if it was n't spoken with such resigned weariness .
this sets the tone for the rest of the movie .
there is humour and idiosyncracy at the periphery , but at the centre there is frustration and futility , and sorrow for the ways in which the logic of profit reduces people , until their worth is equated solely with their earning capacity .
there is an element of political commentary in this critique of the mechanisms of capitalism and the stultifying social environment it creates , but in drifting clouds the political is subsumed by the personal : the movie is about two people and what happens to them , and nothing else matters .
lauri and ilona live lives starved for friendship , respect , culture , passion .
they go to the movies , and walk out past old posters for l'atalante and l'argent , but the movie they have just seen is a pointless , violent , unfunny comedy .
their house and workplaces are uniformly unpleasant , painted and upholstered in lifeless colours ( ugly greens , dull reds , insipid blues ) , full of inelegantly functional objects and appliances .
the art design is impeccable in its tawdriness , and director aki kaurism ?
ki often matches the colour of characters ' clothes with the background colour and/or lighting , so that it seems as if they are almost physically fading into the environment .
there is no suggestion of sexuality in the relationship ; ilona and lauri sleep in separate beds and their gestures of affection lack the heat of desire ; their lives are now bound by something more complex and desperate than love .
their downward , downsized , downtrodden lives have a momentum that is almost comic , as one setback succeeds another , bottoming out when lauri stakes all their remaining money on the spin of a roulette wheel .
it must have been tempting to play the story for more laughs , more farce , more deadpan wit , but the film 's great strength
is the sober , empathic manner in which it observes lauri and ilona 's misfortunes .
irony would be an injustice .
situations and settings are broad and exaggerated -- this is not realism -- but they are not distorted .
the emotions are authentic .
if it is difficult to laugh at anything that happens , despite the droll performances , the laconic humour , that 's because kaurism ?
ki brings such compassion and understanding to the manifold indignities that are suffered .
he shows us how humiliating it must be for a woman of thirty - eight , who has worked long and hard to win a respectable position , to be forced to accept a job as a dishwasher in a two - bit restaurant ; how humiliating it must be for a man nearing 50 to confront his wife 's former employer , demanding the rest of her wages , only to have the crap beaten out of him , unable to land a single punch , when the employer and his cronies refuse to give him the money .
all this is observed keenly , with great economy : every cut , every line of dialogue , is judicious .
if most films are novelistic in their telling , this one brings the focus and concentration of a short story to bear .
but what is gained in nuance and acumen is rather undermined by the sense that the material barely accommodates the 96-minute running length .
i have seen many movies far less profound , less humane , less necessary than drifting clouds , but they filled me with an urge to watch them again , and this one did not .
it does not need to be seen twice : its every detail and implication can be absorbed in one viewing .
it is not a movie that will be seen by a large audience , because it can not be pitched to one .
there is no selling point .
it is all understatement , restraint , melancholy .
the characters are unremarkable , their best years behind them , their dreams dissipated ; it takes all the effort they can muster just to pay the bills .
this does not make them less fascinating , merely less marketable , which is a shame , because this is a movie which should be seen , precisely because it pays attention to people and emotions that most movies prefer to ignore .
it engages us and touches us and resolves -- surprisingly , and movingly -- into something resembling a happy ending .
the only thing greater than the ill - luck that governs the characters ' lives is their refusal to give in to despair .
their persistence is rewarded with what might be called a " feel - good " ending elsewhere , but not here , because this ending differs in kind from most such endings : this one has truly been earned .

Ex Output:
P


Ex Input:
plot : this movie takes place over one day .
it 's a rookie cop 's narcotics training alongside a seasoned police veteran .
the rookie does n't know much about " street justice " , so the older cop teaches him about the way things work in the " real world " .
how even cops like themselves have to " bend the rules " and " break the law " every now and then , in order to catch the really bad guys .
critique : a pretty intense little movie with solid acting across the board , some ups , some downs and a thrilling ending , despite a couple of small flaws .
i really enjoyed this movie because it followed two extreme characters and put them in situations which had me wondering about what i would do if i were in their place .
the film gets right into the " dirty " side of , well .
..
the dirt on the streets , and proceeds to teach the rookie cop ( and us , the audience ) how things really work down there .
of course , we 're receiving this lesson from a man who has put away a lot of scum in his time , but the things he seems to be doing are n't exactly on the up - and - up either . and therein , lies the fun of the film .
do you agree that you yourself would need to break a few small laws in order to put away the people who break the really big ones ?
well , as the film moves along , we 're given two points of view in respect to this predicament , and to me , both sides made sense at some point or another . and
you got ta give a lot of credit to the screenplay for that , the director , who builds the film up wonderfully ( with the darkness of the day leading to the darkness in the script ) and the two actors who deliver their parts in spades .
hawke , first off , because he rarely plays these " commercial " roles but does so perfectly here , with a vulnerable side which has you feeling for the bastard right off the top .
and denzel , well , what can you say about mr .
washington that has n't already been said before ?
he comes through as per his usual high - level style here , and gives the audience a completely different side to his talent , of which , i personally would like to see more .
he 's nice
, he 's not so nice , he 's smart , he 's not so smart , he 's caring
and he 's a dog all the way .
the few problems that i did have with this film included the redundant nature of the whole thing at some point ( okay , we get it .
..
you have to be nasty in order to deal with these nasty people .
.. move on ) and this one really major " coincidence " which involved a bathtub , that saved the day for one character , but seemed a little too " convenient " for my taste .
i also never really understood how washington 's character got out of a certain dire predicament , only to be seen driving his car in the very next scene .
but obviously these small flaws did n't taint my overall enjoyment of this tense drama , a film that gets you right into the streets , into the nooks and the crannies , and into the moral dilemma which lies between the justice system and the day - to - day drug busts .
see it if you want to wrestle with some of these issues yourself
, see it if you want to see denzel and ethan strike up a palpable chemistry on - screen , and see it if you like holding on to your seat - handles real tight during a movie .
in fact , see it for the scene in which ethan hawke plays cards with a host of gang - bangers alone .
..
dang
, now that 's intense !
where 's joblo coming from ?
the corruptor ( 7/10 ) - crimson tide ( 9/10 ) - l. a.
confidential ( /10 )
- lethal weapon ( 8/10 ) - requiem for a dream ( 8/10 ) - seven ( 10/10 ) - shaft ( 7/10 ) - traffic ( 8/10 )

Ex Output:
P


Ex Input:
david schwimmer ( from the television series " friends " ) stars as a sensitive ( and slightly neurotic ) single guy who gets more than he expected from the grieving mother ( barbara hershey ) of a classmate he ca n't remember .
hello mrs .
robinson !
though quite cute as a romantic comedy , the pallbearer is paced like a funeral march .
the characters act , react , and interact at half - speed , making for one * excruciatingly * long sit .
( and what 's with the dreary lighting ? )
co - writer / director matt reeves brings some snap to the story 's midsection ; the film briefly comes to life when our hero attempts to resolve his feelings for * another * classmate ( a very appealing gwyneth paltrow ) .
by this time , though
, most viewers will have either fled or fallen asleep .
those tough souls who stay with it can marvel at the sleepy - eyed schwimmer , a hound dog with a head cold , who can go for over an hour without ever changing his expression .

Ex Output:

N