In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.

Example Input: Passage: The panel has at various times been attributed to van der Goes and van Eyck, but was recognized as by Memling as early as the time of the seminal 1902 exhibition Exposition des primitifs flamands à Bruges in Bruges, when it was lent by Léopold Goldschmidt of Paris. In 1916 Max J. Friedländer described it as "without doubt" by Memling, and c. 1475. The art historian Catheline Périer-d'Ieteren, while noting that Memling's portrait faces were rarely underdrawn, wrote that this panel contains "thin yet confident incised lines" which may be preliminary drawings for Maria's face, perhaps made from life.
The triptych was recorded in an inventory of Tommaso's holdings upon his death. The New York panels passed through Tommaso's son Francesco. The central panel was described in his 1544 will as "a small tabernacle with three movable wings, in which is depicted the glorious Virgin Mary and the father and mother of the donor" (unum tabernaculettum que clauditur con tribus sportellis, in qua est depicta imago Gloriossime virginis Marie et patris et matris dicti testatoris). Francesco bequeathed the triptych to the convent of the hospital of Santa Maria Nuova in Florence. Records indicate a small intact winged altarpiece which stayed in the hospital's possession until around the time of the Napoleonic occupation, when it was probably broken up.Maria's panel was sold as a Dieric Bouts for 6,000 francs in 1870. It later passed through several private collections before arriving in the possession of Elia Volpi of Rome, who briefly returned it to Florence. Thereafter the panels were in London from 1901, from where they were sold to Villeroy Goldschmidt of Paris by for $426,500 in 1910. They were purchased, also in 1910, by the collector Benjamin Altman of New York on the advice of Max Friedländer, along with works by Albrecht Dürer, Gerard David and Hans Holbein the Younger – paintings whose "grave austerity seems to have been most in tune with his own taste". Altman bequeathed his holdings to the Metropolitan on his death in 1913. 
Question: What was probably broken up around the time of the Napoleonic occupation?
Example Output: winged altarpiece.

Example Input: Passage: Robert and Cathy Wilson (Robert Donat and Deborah Kerr) are a timid married couple in 1940 London. He is a bookkeeper, she a bored housewife. However, their tedium-filled lives are drastically changed by the war. He enlists in the Royal Navy, while she (against his wishes) joins the Wrens. During the three years the couple are apart, they are transformed, each becoming much more self-confident.
Cathy's assertive new friend, Dizzy Clayton, helps her break out of her shell. She begins going out with Dizzy's cousin, naval architect Richard, who falls in love with her. However, she remains faithful (if unenthusiastically) to her husband.
Meanwhile, Robert toughens up on sea duty and in time becomes a petty officer. His hands are badly burned when his ship is sunk, but he stoically rows in the lifeboat for five days without complaint. He recuperates in a hospital, tended by Elena, a beautiful nurse. On the last night of his stay, he asks her out to dinner. He is attracted to her, but she informs him that she lost her beloved husband only six months earlier, kisses him, and leaves.
Robert and Cathy both receive ten-day leaves, but each dreads being reunited with the dowdy spouse each remembers and being forced back into the dreary life they shared. 
Question: What is the first name of the cousin of the person who falls in love with the bored housewife?
Example Output: Dizzy.

Example Input: Passage: Music writers opine that Ride the Lightning exhibited greater musical maturity, with sonically broader songs than Kill 'Em All, which was noted for its one-dimensional sound. This was partially because of bassist Cliff Burton's knowledge of music theory. He showed Hetfield how to augment core notes with complementary counter-melodies and how basic guitar harmony worked, which reflected on the song compositions. Hetfield developed more socially aware lyrics, as well as ominous and semi-philosophical references. Ulrich explained that Metallica opted not to rely strictly on fast tempos as on the previous album, but to explore other musical approaches that sounded powerful and heavy. Grinder magazine's Kevin Fisher summarized the album as "ultimate thrash, destruction and total blur" that reminded him of the speed and power of Kill 'Em All. Music journalist Martin Popoff observed that Ride the Lightning offered "sophistication and brutality in equal measure" and was seen as something new at the time of its release. Discussing the album's lyrical content, philosopher William Irwin wrote: "After Kill 'Em All, the rebellion and aggression became much more focused as the enemy became more clearly defined. Metallica was deeply concerned about various domains in which the common man was wrongfully yet ingeniously deceived. More precisely, they were highly critical of those in power".
The major-key acoustic introduction to "Fight Fire with Fire" displayed Metallica's evolution towards a more harmonically complex style of songwriting. The fastest Metallica song in terms of picking speed, it is driven by nimbly tremolo-picked riffs in the verses and chorus. The extended solo at the end dissolves in a sound effect of a vast nuclear explosion. The main riff was taped during the Kill 'Em All Tour and the acoustic intro was something Burton was playing on acoustic guitar at the time. The song discouraged the "eye for an eye" approach, and its lyrical themes focused on nuclear warfare and Armageddon. "Ride the Lightning" was Metallica's first song to emphasize the misery of the criminal justice system. The lyrics were written from the perspective of someone who is anticipating execution by the electric chair. The song, one of the two album tracks that credited Mustaine, begins in a mid-tempo which gradually accelerates as the song progress. It features an instrumental middle section highlighted by Hammett's soloing. According to Hetfield, the song was not a criticism of capital punishment, but a tale of a man sentenced to death for a crime he did not commit, as in the opening lyrics: "Guilty as charged/But Damn it/It ain't right". 
Question: What is the last name of the person that was credited with the song that was about the misery of the criminal justice system?
Example Output:
Mustaine.