TASK DEFINITION: In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.
PROBLEM: Question: When was the library who now own the detailed estates survey drawn by J W Poundley first open? Passage:In the Middle Ages Cilthriew was one of the townships in Kerry. The township is also referred to as Kilroith or Kilroyth. Richard Williams makes the claim that Cilthriew and the neighbouring house of Brynllywarch (which was also a township) were in the ownership of the Pugh (ap Hugh) family from at least 1500. A William Pugh of Kilroith is mentioned in 1632, when he purchased from Ann Foxe, widow of Somerset Foxe lands in Kilroith including Maes y Deynant William Pugh of ‘‘Kilthrew’’ was the Sheriff of Montgomeryshire in 1767 and his son William, who was also Sheriff of Montgomeryshire in 1813, became a very successful attorney and purchased the Caer Howell estate in Montgomery. His son was the notable William Pugh, an entrepreneur, who did much to develop trade and infrastructure in the Montgomeryshire Severn valley. He paid for the final extension of the Montgomery Canal from Berriew to Newtown, and for various road building schemes including a road from Abermule along the Mule valley. In Newtown he encouraged the growth of the textile industry and was responsible for the Flannel exchange, designed by Thomas Penson. In 1828 he sold the Caer Howell estate, using the proceeds to develop Brynllywarch. For this work he may have employed T G Newnham and J W Poundley as his architects and surveyors. His schemes were over ambitious and in June 1835 he fled to Caen in Normandy to escape his creditors. This resulted in the Brynllywarch and Cilthriew estates, which then consisted of 27 farms, being sold in 1839 to Richard Leyland (Bullin), a very wealthy banker from Liverpool. Leyland was to give these estates, together with the Leighton Hall Estates to his nephew John Naylor in 1846. The very detailed survey of the estates purchased by Leyland and later John Naylor, drawn up by J W Poundley, is now in the National Library of Wales. John Naylor died on13th July 1889 and the estates continued in the Naylor family ownership until about 1930, when the various farms including Cilthriew were sold.


SOLUTION: b

PROBLEM: Question: Who is the oldest person recruited to join Demon Hunter? Passage:In 2003 they took a short break, during which McCaddon decided to leave Society's Finest, and went on to join Demon Hunter. After leaving Society's Finest and Embodyment, Ryan Clark and Don Clark, formerly of Training for Utopia, recruited him, Jesse Sprinkle, formerly of Poor Old Lu, and Jon Dunn (Who would later join Soul Embraced) to join their project, Demon Hunter. Demon Hunter already had an album before he joined. On this album McCaddon had contributed by photography. On his Demon Hunter debut, Summer of Darkness, was great success. In 2005, Ethan Luck, formerly of The O.C. Supertones and Project 86, replaced McCaddon. In 2006, former Embodyment members, Mark Garza (drums) and Andrew Godwin (guitar), contacted McCaddon and said they wanted to play metal again. McCaddon contacted former Society's Finest member, Nick Nowell (bass) and asked him to join their new project, The Famine. Though McCaddon knew people would compare the Famine to Embodyment, he stated that "We started The Famine because we wanted to get away from the stuff we were playing with Embodyment...".


SOLUTION: a

PROBLEM: Question: When was the periodical that hailed Phrenology as a "masterpiece" first published? Passage:Phrenology received widespread acclaim from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 87, based on 23 reviews. Mojo magazine hailed it as a "masterpiece", while Rolling Stone writer Pat Blashill said it has "a startling array of hip-hop reinventions". Dave Heaton from PopMatters called Phrenology "an impressive, ambitious work" that shows the Roots "filling their sound out and pushing it in a variety of directions", with a form of "tight soul/funk" that "sounds even more exact, funkier and edgier" than on Things Fall Apart. In the Chicago Sun-Times, critic Jim DeRogatis gave the record four out of four stars and called it "a near-classic right out of the gate, an urgent, raucous and thought-provoking 70 minutes that mine the musical territory between hard hip-hop and smoother Philly soul". Blenders RJ Smith called it "a celebration of self-determination, a nonstop joyride through some very complicated brains". Jeremy Gladstone from Kludge felt the Roots had combined "complicated beats" with "complex lyrics" to produce a "shockingly honest sound". In The Guardian, Alexis Petridis found the group "exclusively capable of absorbing other genres", while the "more straightforward hip-hop" is "idiosyncratic and hugely enjoyable". Slant Magazines Sal Cinquemani called the album "subtly progressive" and felt the lyrics "challenge the commodification and subsequent destruction of hip-hop culture".


SOLUTION:
b