In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Ex Input:
Question: What role did Dick Van Dyke play in Mary Poppins? Passage 1:Viewtiful Joe is a 2.5D side-scrolling action-platformer, released on June 26, 2003. The title character is a parody of tokusatsu superheroes and is trying to save his girlfriend, who has been trapped in "Movieland" by a group of supervillains known as Jadow. To complete his quest, Joe must use his Viewtiful Effects Powers, which are based on camera tricks and special effects used in films. These include "Slow", which simulates bullet time; "Mach Speed", allowing Joe to attack all enemies with his afterimages; and "Zoom In", which triggers a camera close-up and unlocks special attacks. Internally, Capcom treated the game as a "staff-focused project" with the goal of increasing the skills of director Hideki Kamiya. The game achieved a Metacritic score of 93 and won GameCube Game of the Year awards from numerous publications including IGN, GMR, and USA Today. The game sold out its initial shipment of 100,000 to achieve a lifetime total of 275,000 units. Producer Atsushi Inaba considered the game a success, achieving his goals of training staff, keeping a small budget, and selling well. However, these numbers were lower than Capcom expected, prompting the publisher to port Viewtiful Joe to PlayStation 2 in 2004, with expanded features. This version sold 46,000 copies with a slightly lower Metacritic score of 90 owing to the lack of progressive scan and frame rate slowdown generated by the porting process.
 Passage 2:Fioretti, who wanted to sound less Italian, started to use the name Feury, and began to be artistic in many ways. Although Dyslexic, he authored several screenplays, began painting for the first time in 1966, and began producing tightly budgeted B-Movies in the early 1970s. Since the 1980s, he was the home producer of the feature film productions of his wife Lee Grant. With the 1986 published and by Grant staged documentation on homelessness in the US under President Ronald Reagan, Down and Out in America, for which Feury and with his co-producer Milton Justice received an Academy Award for Best Documentary Feature the following year. Going on to produce a number of documentary films as well as TV Movies based on the documentaries. The socially engaged documentary film project: his production  Baghdad ER  took a look at the activities of US military surgeons in the Iraq war zone. Baghdad ER, produced in conjunction with DCTV, HBO, and his longtime collaborators Roberta Morris Purdee and wife Lee Grant. The film went on to win four Emmys, a Peabody, and the Dupont-Columbia. 
 Passage 3:Walt Disney engaged O'Malley to provide voices for animated films such as the Cockney coster in the "Supercalifragilisticexpialidocious" sequence in Mary Poppins (1964); Cyril Proudbottom, Winkie, and a policeman in The Adventures of Ichabod and Mr. Toad (1949); and the role of Colonel Hathi and the vulture Buzzie in The Jungle Book (1967). His voice can be heard in Alice in Wonderland (1951), in which he performs all the character voices in "The Walrus and the Carpenter" segment (besides Alice), including Tweedledum and Tweedledee, the Walrus, the Carpenter, and Mother Oyster. O'Malley also provided the voice of Br'er Fox in Song of the South (1946) when James Baskett was unavailable. Actor Dick Van Dyke has said that O'Malley was his dialect coach on Mary Poppins, attributing his infamous Cockney accent in that film to O'Malley.


Ex Output:
3


Ex Input:
Question: When was the team that produced Sin Piedad founded? Passage 1:In 1962, the Belgian mandate of Ruanda-Urundi received independence, creating the Republic of Rwanda and the Kingdom of Burundi. Both states had traditionally had monarchies dominated by the Tutsi ethnic group over a Hutu ethnic majority but Rwanda's monarchy was abolished by a political revolution in 1959-61. In the first years of independence, Burundi seemed to have achieved a balance between ethnic groups which brought members of the different ethnic groups into government, moderated in part by the mwami (king) Mwambutsa IV who was popular with all groups but was himself Tutsi. Both Tutsi, Hutu and Ganwa were part of the dominant political party, the Union for National Progress (Union pour le Progrès national, UPRONA). In October 1961, shortly before the date scheduled for independence, the Burundian Prime Minister Prince Louis Rwagasore was assassinated, raising ethnic tensions in the country. After a period of rule by Tutsi prime ministers, Mwambutsa appointed Burundi's first Hutu leader, Pierre Ngendandumwe, but Ngendandumwe was assassinated in January 1965 by a Rwandan Tutsi. Elections held in May 1965 took place in an atmosphere of strong ethnic tension. Hutu candidates gained a majority, but Mwambutsa deposed the Hutu Prime Minister Joseph Bamina and instead installed a Tutsi candidate, Léopold Biha, in October 1965.
 Passage 2:Sin Piedad (2007) (Spanish for "No Mercy") was a professional wrestling pay-per-view (PPV) produced by Consejo Mundial de Lucha Libre (CMLL), which took place on December 7, 2007 in Arena México, Mexico City, Mexico. The 2007 Sin Piedad was the sixth event under that name that CMLL promoted as their last major show of the year, always held in December. The main event of Sin Piedad was originally supposed to be a tag team Lucha de Apuesta, hair vs. hair match between the teams of Shocker and Rey Bucanero and Black Warrior teaming with Lizmark Jr. but in the week before the show the partners were switched around to a relevos increíbles match where a Tecnico ("fan favorite") teams up with a "villain" so that Shocker teamed with Lizmark Jr. and Rey Bucanero teamed with Black Warrior. In the end Shocker forced Black Warrior to submit while Lizmark Jr. pinned Rey Bucanero to win the match. Following the match Rey Bucanero and Black Warrior were both shaved bald. The undercard featured a very intense singles match between L.A. Park and Perro Aguayo Jr. that had begun when L.A. Park returned to CMLL some months earlier and involved Aguayo Jr.'s group Los Perros del Mal. Los Perros ended up costing their leader the match as they attacked LA Park during the third and final match, causing a disqualification. The featured four additional matches, all Six-man "Lucha Libre rules" tag team matches with no major storyline build to it.
 Passage 3:After leaving the Academy, German continued to teach at Wimbledon School and to play the violin in orchestras at various London theatres, including the Savoy. In 1888, an introduction by conductor Alberto Randegger to theatre manager Richard Mansfield led to German's appointment as conductor and musical director at the Globe Theatre in London. There he improved the orchestra and began providing incidental music for the theatre's lavish productions, starting with Richard III in 1889. This music was well received (The Times called for a concert suite to be arranged), and the overture soon became popular in concert halls. This eventually led to other incidental music commissions that gained success. In 1892, German composed music for a production of Henry Irving's version of Henry VIII at the Lyceum Theatre, London, where he incorporated elements of traditional old English dance. Within a year, sheet music of the dance numbers from the play's score had sold 30,000 copies. German was by then in great demand to write music for plays. His commissions included Henry Arthur Jones's The Tempter in 1893, Johnston Forbes-Robertson's Romeo and Juliet at the Lyceum in 1895, Herbert Beerbohm Tree's productions of As You Like It (1896) and Much Ado about Nothing (1898), and Anthony Hope's English Nell (later known as Nell Gwynn) in 1900, starring Marie Tempest.


Ex Output:
2


Ex Input:
Question: What other comics did Joey Cavalieri write for? Passage 1:After his school-leaving examination (Abitur) at the secondary school Antonianum in Vechta Ludger Gerdes studied at the Academy of Arts in Münster with Timm Ulrichs and Lothar Baumgarten from 1975 to 1977, and from 1977 to 1982 at the Düsseldorf Academy of Arts with Gerhard Richter. At the beginning of the 1980s Gerdes stood out in exhibitions and actions with his criticism of the link between modern art, the museum and the temporary exhibition. At this time he exhibited among others along with Thomas Schütte. He pleaded for works of art as a means for the organization of public space and as a medium of communication. The English landscape garden was a particularly important historical model of this to him. At this time he was regarded as the intellectual head of the artist-group of Düsseldorf pattern makers (Düsseldorfer Modellbauer). In 1982 he was included in the documenta 7 in Kassel. He became known to a larger public in 1987 with his land art project A Ship for Münster (Ein Schiff für Münster) for the show "Skulptur.Projekte" in Münster. From 1990 to 1992 he taught at the Städelschule, Frankfurt; from 1998 to 2004 he was professor for painting and multimedia at the art academy in Karlsruhe; since 2005 he was professor for painting at the Muthesius Art Academy in Kiel. Parallel to his professorship he lived and worked as an artist in Munich and Düsseldorf.
 Passage 2:Kavanagh was a Marvel Comics editor from 1985 to 1997. Titles he edited during that time included Marvel Comics Presents and Nick Fury, Agent of S.H.I.E.L.D. Writer/artist Alan Davis, who Kavanagh edited on Excalibur, said "Terry Kavanagh spoiled me, gave me near total freedom, and encouraged me to experiment." In 1987, he began to write for Marvel with his first published story "Cry Vengeance!" appearing in Kickers, Inc. #4 (Feb. 1987). He later wrote such titles as Marc Spector: Moon Knight, Avengers: Timeslide, X-Man and X-Universe. In Web of Spider-Man #100 (May 1993), Kavanagh and artist Alex Saviuk gave the lead character "Spider-Armor". He wrote the Spider-Man/Punisher/Sabretooth: Designer Genes one-shot the following month. Kavanagh was one of the writers on the "Maximum Carnage" storyline which ran through the various Spider-Man titles in 1993. The first Black Cat limited series was co-written by Kavanagh and Joey Cavalieri in 1994. Kavanagh pitched a storyline involving the return of Spider-Man's clone, which then formed the basis of the "Clone Saga" which began in Web of Spider-Man #117 (Oct. 1994). Kavanagh's last new comics project was the Before the Fantastic Four: The Storms limited series in 2000–2001.
 Passage 3:Born in Eccleshall, Staffordshire, Hibbert started his career at League One Port Vale, rising through the ranks from the age nine years old. He made three starts and seven substitute appearances in first season with Vale; and his promising maiden season was restricted only by a head injury sustained at Milton Keynes Dons. His two goals for the club both came in his second starting appearance in a 3–1 win over Luton Town on 26 February 2005. In June 2005 Championship side Preston North End signed him to a contract. As Hibbert was under the age of 23, the fee was decided by a tribunal according to UEFA regulations. Preston were ordered to pay Port Vale £35,000 up front with add ons of £10,000 for each 10 of his first 50 appearances for Preston (Vale would only receive the first of these due to him only making 13 appearances in total for Preston); a £280,000 bonus if Preston achieved promotion to the Premiership; plus a 25% sell-on clause if Hibbert was sold on. Vale chairman Bill Bratt was highly disappointed with the news and stated: "I believe he has potential, and he is worth a lot more than we have ended up with." Meanwhile, Preston manager Billy Davies stated that: "We are very fortunate to get this young lad because there were several clubs interested. We think his finishing is very good and – like David Nugent – he is very quick, but to be honest I think he is quite a way from first-team action."


Ex Output:

2