In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: one of these days , i 'll make good on my promise never to rent another abel ferrara movie .
king of new york and body snatchers notwithstanding ( and
bad lieutenant is only fit for a single , emotive viewing ) ,
his exploitation flicks have fallen into a rut of hoary art - house trappings .
it 's a perfume - drenched , coke - addled visit to the seedy pornography shop , where beautiful models ( no , hookers -- no , courtesans ) usher you through the silk curtains .
ferrara 's only consistently smart move has been casting
christopher walken over and over again , since walken can make a good movie great and a loathsome movie durable whenever he 's onscreen .
his 8-minute scene in the addiction is the saving grace of that otherwise abysmal , unwatchable , and pretentious failure .
when he starts talking about his vampiric bowel movements , or questions whether lili taylor has ever read naked lunch , there 's a much - needed dose of humor in an otherwise terminally unfunny affair .
you know those gothic club kids who are too cool to smile and let you know they 're actually having fun ?
the addiction is that movie .
walken , sadly , does not appear in the blackout .
the central role of matty , a junkie film star whose lightning paced hollywood life among the beautiful people is inevitably leading to his destruction , is played by matthew modine ( who takes what he can get after cutthroat island ) .
much like the protagonists of michelangelo antonioni 's terminally bored cultural elite , matty is involved in a bitter pill " relationship " with high fashioned model annie ( at least i think she 's a model . )
matty 's lady is played by french actress b ? atrice dalle , arrested twice for cocaine possession during filming of the blackout -- not that you needed to know that , but it lends credence to the idea that ferrara 's entire oeuvre has been filmed in a fucking blackout .
no kidding .
requiem for a dream has nothing on the junkie presentations seen in ferrara 's movies and his controversial urban lifestyle .
matty and annie struggle over her decision to have an abortion without consulting him .
no doubt , he was off chasing the dragon .
in his despair , matty indulges in a chemical induced weekend of debauchery , tooling around the streets of miami with video filmmaker mickey wayne ( dennis hopper , in full " dirty ol' man " mold smacking models on the ass and telling them to spread their legs .
wider ! )
toward the end of the night , they pick up a teenage waitress also named annie ( sarah lassez ) , start shooting a hastily improvised sexual scene , then matty thankfully blacks out .
something happened that night which haunts him throughout the rest of the movie , and it 's exactly what you think it was .
suffice to say , there 's some confusion over whether he killed annie one or annie two , or anyone at all .
the blackout is typical ferrara :
no plot to speak of , plenty of raunch , and horribly vogue images of matthew modine downing a bottle of jack daniels and a beer while wrapping himself in a see - through curtain in his hotel room by the sea , by the sea , by the beautiful sea .
cinematographer ken kelsch finds inconsistent glory in alternating gorgeous painterly sunsets with docu - style sleaze ( and we 're back to dennis hopper leering at girls in bathing suits .
"
yeah ! ! !
yeah ! ! !
arrrghhh ! " says mr .
hopper .
dirty old sod . )
it 's compulsive viewing in a tacky sort of way , leading to a ridiculous climax where modine seizes control of his destiny .
how 's that for cryptic ?
never fear -- ferrara finds time for some female full frontal nudity to remind us what he 's all about .
i can picture it now .
" take off yer clothes , kid -- it 's essential to depict the inner maelstrom of my central protagonist , and you 're his visual
i
d .
you 're the soul , the heart , the bloodstream of the picture .
take it off !
take it all off ! ! !
ha ha ha !
" friggin ' vampire .
yeah , you , ferrara .
a final word about matthew modine : he 's actually a fine actor when properly cast , but there 's something too squeaky - clean in his demeanor .
he 's ideally suited for sarcastic men in tightly controlled situations , such as his private joker in full metal jacket or the time - bomb nebbish in short cuts ( who is every bit as superb as julianne moore in that famous scene , though no one seems to notice him ) .
[ he was in that scene ?
-ed . ]
here , he 's asked to let it all hang out , sporting a three - day stubble and oily bangs .
he throws around furniture like stanley kowalski , but it 's somehow lacking .
modine lacks the feral intensity of brando , entirely miscast in ferrara 's flesh fair .
better luck next time
, matt .
someday , you 'll be forgiven for cutthroat island , which was n't really your fault in the first place .
maybe atom egoyan will find a place for you somewhere , and all will once again be well in your world .
[EX A]: N

[EX Q]: big courtroom thrillers have always captivated america .
o .
j . simpson , tom capano , the menendez brothers .
all these names are synonymous to americans and courtrooms .
and , of course , courtroom dramas are not a new topic to hollywood . whether it be john grisham 's thrilling novels or television 's famous dramas , the courtroom has always provided big bucks .
so when i rented a civil action , i was expecting the film to be like the rainmaker , a brilliant law film that kept viewers on the edge of their seat .
however , what i saw in a civil action was far different from what i expected , a major surprise , but
fortunately , a pleasant one .
john travolta always seems to come up big when you least expect it .
no one expected him to light up the screen in grease , nor in saturday night fever .
but , whenever he gets knocked down , he always seems to come back fighting .
a civil action is not john 's best performance , but a strong one that could rival any performance in 1998 .
travolta proves that a normal and believable performance can vault a film into oscar nominations .
his performance is not flashy , nor memorable , just solid . if he delivered the only solid performance , this film would still be average .
luckily , he has a strong supporting cast .
william h .
macy is probably one of the most underrated actors in hollywood .
he continues to deliver great performances one after the other , but he is still regarded as a secondary actor .
in a civil action , he delivers yet another great performance
as travolta 's paranoid and greedy accountant .
he is not a lovable character , but a character who stands out in your mind whenever you think of the film .
he is not one of the big time lawyers , just a measly accountant .
but , he delivers one of the best supporting roles of 1998 , but there is actually someone better in a civil action .
robert duvall is also an underrated actor .
he gets many leading roles , but is never heard when you hear of big box office draws like tom hanks , brad pitt and jim carrey .
duvall has a supporting role in this as a lawyer of the co - defendant .
duvall is magical in this role .
he is the wise teacher , who not only battles it out in the courtroom , but also manages to teach every major player a lesson , in his own twisted way .
in many non - comedic films , directors are always trying to find a way to implement a touch of comedy , to keep the audience on their toes .
unfortunately , they usually just key in on one character whose main objective is to be funny ( jar - jar binks , anyone ? ) .
however , this usually backfires because the character is never fully developed .
this is not the case in a civil action .
they have comedy coming from all sides . whether it be duvall 's inane questions or macy 's sharp anger , the laughs come in a steady pace .
granted , it 's not roll in the aisle funny , but it provides a nice addition to the film .
the plot is terrific- somewhat .
the setup is nice with the film actually starting with a victory in the courtroom .
then the case that will make or break jan ( travolta ) 's career rears its ugly head .
they find out the goldmine involved with the case and wind up taking it .
however , budgets soon flounder and jan finds himself in deep debt .
i will not spoil the rest , although i must speak of the one downside to the film .
the courtroom debates are great , but the actual problem they are fighting for is never fully explored .
it left me somewhat confused , although the rest of the film is terrific .
all in all , john travolta is back yet again in this great film .
his supporting cast , consisting of macy and duvall , turn in tremendous performances , which ease the load on travolta .
the film is smart , witty and thought provoking .
not only does it gauge in - court battles , but also the various tolls it can take on the major players .
a civil action provides everything a drama lover craves .
[EX A]: P

[EX Q]: being that it is a foreign language film with no known names with a select number theaters showing it , " shall we dance " wo n't be seen by that many people .
and that 's a shame
- this is a funny , enchanting , and goofy movie full of laughs , surprises , and wonderful dance sequences .
the surprising thing about " shall we dance " is the universal appeal of the story .
a us version is in the works , and it 's no wonder -
it 's not really all that culture specific .
although there is a narrated set - up that adds some extra resonance to the proceedings ( about the view the japanese culture has about ballroom dancing ) , the movie is so rich in character and appeal that this added layer is n't at all necessary to understand or enjoy the film .
the only important unexplained japanese - specific reference that may leave some a bit puzzled is that 1000 yen is roughly $ 10 ( when you see the film - and you should see this film - you 'll know why ) . a middle aged company man realizes that achieving all the goals he set for himself in life ( a house , a child , and good marriage ) still does n't translate into a fulfilled life .
after glimpsing a melancholy beauty looking out from a dance studio window while on the train home from work , sugiyana ( koji yakusho ) decides after some trepidation to take up ballroom dance lessons in order to meet the woman who has stirred something in himself .
after finding the weekly fees for private lessons from the elegant and beautiful mai ( tamiyo kusakari ) too rich for his blood , sugiyama opts for groups lessons simply to be near her .
we then meet the players in this gem of a movie , who all have their own reasons for joining the class .
later on , we meet aoki at the dance studio ( naoto takenaka ) , a co - worker and all out weirdo and one of the laugh riot highlights of the film .
the story , laughs , and touching scenes evolve as the movie goes along .
it 's a pleasure to watch such a wonderful film that is propelled almost solely by the characters and performances .
it 's difficult to explain the charms of the film without revealing too much - the movie abounds with little revelations that subtly shape the characters , and in the end , each one is that much fuller and more understood by the time you leave the theater .
it 's one of those movies that only the french seem to make anymore - no big plot , no special effects , no gunplay , no tragic consequences , no forced examinations of the nature of love , and no insights into the nature of evil .
just a warm , funny , endearing film that will charm the pants off of you .
when was the last time you left a theater feeling all warm and fuzzy inside ?
" shall we dance " will do that to you without any treacly aftertaste .
[EX A]:
P