In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: Which of the lines that uses the A-series trains began first? Passage 1:NSB Class 73 () is a class of 22 electric multiple units built by Adtranz for the Norwegian State Railways. The four-car trains were modifications of Class 71, which was again based on the Swedish X2. The A-series consists of 16 intercity trains; they were delivered in 1999 and 2000 and are used on the Bergen, Dovre and Sørland Lines. The intercity service was branded as Signatur until 2003. The B-series consists of six regional trains delivered in 2002 and used on the Østfold Line. The regional trains were originally part of the Agenda concept. The trains have a power output of and a maximum speed of . They have an overall length of and have a capacity for 208 seated passengers in the A-series and 250 in the B-series. The trains have a tilting mechanism allowing for faster travel through curves.
 Passage 2:Sculptures of Tubman have been placed in several American cities. A 1993 Underground Railroad memorial fashioned by Ed Dwight in Battle Creek, Michigan features Tubman leading a group of slaves to freedom. In 1995, sculptor Jane DeDecker created a statue of Tubman leading a child, which was placed in Mesa, Arizona. Copies of DeDecker's statue were subsequently installed in several other cities, including one at Brenau University in Gainesville, Georgia. It was the first statue honoring Tubman at an institution in the Old South. The city of Boston commissioned Step on Board, a 10-foot-tall bronze sculpture by artist Fern Cunningham placed at the entrance to Harriet Tubman Park in 1999. It was the first memorial to a woman on city-owned land. Swing Low, a 13-foot statue of Tubman by Alison Saar, was erected in Manhattan in 2008. In 2009, Salisbury University in Salisbury, Maryland unveiled a statue created by James Hill, an arts professor at the university. It was the first sculpture of Tubman placed in the region where she was born.
 Passage 3:Creditsafe was founded in 1997 in Oslo, Norway with the idea of using the then emerging technology of the internet to supply business information to a market of smaller and medium-sized businesses by selling over the telephone and delivering reports over the internet. Following the Norwegian launch Creditsafe established an office in Gothenburg Sweden in 1998 before moving to the UK in 2000. Creditsafe re-located the UK sales operation to Caerphilly in South Wales in 2002. In 2006 Creditsafe France was launched in Roubaix near Lille. Additional entities were later launched in Dublin in Ireland in 2007, The Hague in the Netherlands in 2008, Berlin, Germany in 2010, Brussels, Belgium in 2011 and Turin in Italy in 2013. Creditsafe moved outside Europe in 2012 with the founding of Creditsafe United States in Allentown, Pennsylvania. Since launching in the USA, Creditsafe have now increased its US workforce by opening a new office in Tempe, Arizona Creditsafe established a shared service centre in Cardiff Bay, Wales in 2006 which has grown to support the sales operations around the world. In September 2016, Creditsafe set up its own operation in Japan. has its offices in Fukuoka and Tokyo

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Question: In what state did the Joshua Light Show first perform? Passage 1:The Mets went on to sweep the Atlanta Braves in the 1969 National League Championship Series, but were heavy underdogs heading into the 1969 World Series against the Baltimore Orioles. Following a 4-1 loss in the series opener with Cy Young award winner Seaver on the mound, it seemed as if the Mets had little chance against the Orioles. However, the Mets bounced back, winning the next four games to capture their first world championship. Besides catching every inning in the post-season, Grote contributed offensively with a single in Game Two to keep a ninth inning rally alive and Al Weis followed with the game-winning hit. With Game Four tied, Grote doubled to start the tenth inning, then pinch runner Rod Gaspar scored the winning run when an errant throw hit J.C. Martin on the wrist. With Grote calling the pitches, the Mets pitching staff held the Orioles hitters to a .146 batting average during the series.
 Passage 2:Born in Brescia, Italy, he began music lessons at the age of three, initially with the violin, but quickly switched to the piano. At eleven he entered the Milan Conservatory, graduating three years later at fourteen. In 1938, at the age of eighteen, he began his international career by entering the Ysaÿe International Festival in Brussels, Belgium, where he was placed seventh. A brief account of this competition, at which Emil Gilels took first prize and Moura Lympany second, is given by Arthur Rubinstein, who was one of the judges. According to Rubinstein, Benedetti Michelangeli gave "an unsatisfactory performance, but already showed his impeccable technique." A year later he earned first prize in the Geneva International Competition, where he was acclaimed as "a new Liszt" by pianist Alfred Cortot, a member of the judging panel, which was presided over by Ignacy Jan Paderewski.
 Passage 3:In 2002, White met the cartoonist and painter Gary Panter, better known as the designer of The Pee-wee Herman Show. They began collaborating on light shows, beginning the third incarnation of the Joshua Light Show, which continues to perform. Beginning with a series of performances at the Anthology Film Archives in 2004, the Joshua Light Show performs at festivals, museums and venues such as the Skirball Center, Abrons Art Center, the Museum of Contemporary Art Detroit, the Hayden Planetarium, the Barbican Centre, UC Davis, and the San Francisco Exploratorium. In 2007, the light show formed a relationship with composer and curator Nick Hallett. The Joshua Light Show has also been featured in museum exhibitions such as "Visual Music" at the Hirshhorn Museum in Washington DC and "The Summer of Love", originating at the Tate Liverpool, then travelling to Frankfurt, Vienna and the Whitney Museum in 2008. The Joshua Light Show's "Liquid Loops" was recently included in the exhibition "60-'69” at the Museum of Modern Art and was acquired by the museum for their permanent collection. In 2014 White collaborated with the artist Guy Richards Smit to create the video/installation/performance project "The Grossmalerman Show."

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Question: How old was Bishop Francisco Marroquin when he recalled Bartolome de las Casas? Passage 1:On his second visit to Guatemala, in 1537, friar Bartolome de las Casas, O.P. wanted to employ his new method of conversion based on two principles: 1) to preach the Gospel to all men and treat them as equals, and 2) to assert that conversion must be voluntary and based on knowledge and understanding of the Faith. It was important for Las Casas that this method be tested without meddling from secular colonists, so he chose a territory in the heart of Guatemala where there were no previous colonies and where the natives were considered fierce and war-like. Because of the fact that the land had not been possible to conquer by military means, the governor of Guatemala, Alonso de Maldonado, agreed to sign a contract promising that if the venture was successful he would not establish any new encomiendas in the area. Las Casas's group of friars established a Dominican presence in Rabinal, Sacapulas and Cobán, reaching as far as Chahal and including Cubulco. Through the efforts of Las Casas' missionaries the so-called "Land of War" came to be called "Verapaz", "True Peace". Las Casas's strategy was to teach Christian songs to merchant Indian Christians who then ventured into the area. In this way he was successful in converting several native chiefs, among them those of Atitlán and Chichicastenango, and in building several churches in the territory named Alta Verapaz. These congregated a group of Christian Indians in the location of what is now the town of Rabinal. In 1538 Las Casas was recalled from his mission by Bishop Francisco Marroquin who wanted him to go to Mexico and then on to Spain in order to seek more Dominicans to assist in the mission.
 Passage 2:Born on the New Year's Day of 1966 at Khargapur in the Indian state of Madhya Pradesh, Sangita Mukhopadhyay completed her MSc with a gold medal and did her doctoral studies at the Regional Medical Research Center, Bhubaneswar which fetched her a Phd from Utkal University in 1998 for her thesis on immunoregulation in filariasis. Subsequently, she did the post-doctoral work at the National Institute of Immunology and, later, in U.S.A. at the University of Texas Health Science Center at Houston. On her return to India, she joined the Central Drug Research Institute in 1999 and after a short stint, moved to the Centre for DNA Fingerprinting and Diagnostics (CDFD). She later became the head of the Molecular Biology Group at the Laboratory of Molecular and Cellular Biology of the institute and holds the position of a Grade IV staff scientist. At her laboratory, she hosts many research scholars who are involved in the studies in the disciplines of cell signaling and signal transduction, immunity, macrophage biology and tuberculosis.
 Passage 3:In English, ottava rima first appeared in Elizabethan translations of Tasso and Ariosto. The form also became popular for original works, such as Michael Drayton's The Barons' Wars, Thomas Heywood's Troia Britannica, or Aemilia Lanyer's Salve Deus Rex Judaeorum. William Browne's Britannia's Pastorals also contains passages in ottava rima. The first English poet to write mock-heroic ottava rima was John Hookham Frere, whose 1817-8 poem Prospectus and Specimen of an Intended National Work used the form to considerable effect. Lord Byron read Frere's work and saw the potential of the form. He quickly produced Beppo, his first poem to use the form. Shortly after this, Byron began working on his Don Juan (1819–1824), probably the best-known English poem in ottava rima. Byron also used the form for The Vision of Judgment (1822). Shelley translated the Homeric Hymns into English in ottava rima. In the 20th century, William Butler Yeats used the form in several of his best later poems, including "Sailing to Byzantium" and "Among School Children". So did Kenneth Koch for instance in his autobiographical poem "Seasons on Earth" of 1987. In America Emma Lazarus wrote the poem An Epistle that consists of thirty four ottava rimas. Earlier Richard Henry Wilde used the stanza in his long poem Hesperia.


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