Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

[EX Q]: CONTEXT: "She'll find out eventually" isn't good enough. Earth is in trouble right now. Captain Marvel needs to find out right now. It's unclear how much time has passed between the snap and her arrival back on Earth in Captain Marvel's post-credits scene, but she didn't get there immediately, so the sooner she found out, the sooner she would arrive. As for the 50% chance, I don't think Fury knew exactly what was happening. He doesn't appear in Infinity War until the post-credits scene, and IIRC, there's no indication he knew about Thanos or his plan to wipe out half the universe. All he knew was that, across the planet, people had started disintegrating. He had no way of knowing that Captain Marvel herself could potentially have been affected.  <sep>  Q: Was the pager message from Nick Fury to Captain Marvel unnecessary? A: I don't think Fury knew exactly what was happening  <sep> FOLLOWUP_Q: Did Captain Marvel care about Earthlings?
[EX A]: Yes

[EX Q]: CONTEXT: The film depends heavily on the events of X-Men 3: The Last Stand. In that film, Wolverine does something he regrets heavily, and it is the basis for his character arc in The Wolverine. So to fully appreciate this film, you should watch X-Men 3. But to fully appreciate X-Men 3, you should see X-Men and X-Men 2, since it's a sequel to those, and a continuation of those stories. You can skip X-Men: First Class, as it has no bearing on The Wolverine. And you should skip X-Men Origins: Wolverine for the many reasons critics described back when it was released (it also doesn't have much bearing on The Wolverine). Alternatively, if you're familiar with the X-Men from the comics, and are aware of some of the key storylines that occurred there, you can read this spoiler to get up to speed: In X-Men 3, Jean Grey is taken over by the Phoenix. She goes on a rampage, allies with Magneto and begins a mutant vs. human war. Wolverine is forced to kill her because she's completely out of control.  <sep>  Q: Can The Wolverine be viewed as a stand-alone film? A: to fully appreciate X-Men 3, you should see X-Men and X-Men 2, since it's a sequel to those, and a continuation of those stories  Q: Will I miss anything if I skip the first movie? A: you should see X-Men and X-Men 2, since it's a sequel to those, and a continuation of those stories  Q: Who are the main actors in this film? A: Wolverine  Q: What should I look for in the second movie? A: a continuation of those stories  <sep> FOLLOWUP_Q: Are there any sequels?
[EX A]: Yes

[EX Q]: CONTEXT: Let us assume that the love that Persephone once enjoyed was with Merovingian. Merovingian and Persephone have slightly more human traits than other programs, they enjoy fine food, wine, languages. While Persephone talks of love, Merovingian displays lust ("The lipstick that is not on Merovingian's face"). Merovingian is shown to cheat on Persephone. Surprisingly, he uses a special code to trigger sexual reactions in a woman and gets serviced by her! Persephone's envy leads her to give Neo and gang the Key Maker's location. The Oracle mentions Merovingian to be the oldest of them, a powerful program. No program other than the Oracle has the purpose to be human like. The fact that Merovingian and Persephone turn human-like is them exhibiting programmatic roguishness. Their initial purpose is not mentioned, but the period of love that Persephone mentions is when they went rogue. Merovingian controls the virtual afterlife through the train-man program. This is where exiled programs seek refuge. Though this is the current operation, perhaps in the beginning, Merovingian was created with the purpose of Programmatic Garbage Collection. Once a program has served its purpose it needs to be de-allocated from the computing resource pool. (Eg: JVM provided by Java has a Garbage Collector which does a clean up periodically). The program Persephone was perhaps a supporting function to this Programmatic Garbage Collection, which is how they met.  <sep>  Q: What were the origins of Persephone in The Matrix: Reloaded? A: Though this is the current operation, perhaps in the beginning, Merovingian was created with the purpose of Programmatic Garbage Collection  Q: Why would they create a program with no use? A: No program other than the Oracle has the purpose to be human like. The fact that Merovingian and Persephone turn human-like is them exhibiting programmatic roguishness  Q: Are there any other characters in the matrix that are similar? A: Persephone turn human-like is them exhibiting programmatic roguishness  <sep> FOLLOWUP_Q: When did the movie The matrix: reloaded come out
[EX A]:
No