In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
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Question: probably the most popular and praised film of all time , turned out to be a primitive and predictable costume drama with a dose of social criticism .
everyone knows about the greatest and most famous shipping disaster of all time .
and the actual catastrophe is masterfully crafted by director james cameron , combining visual -and sound effects , he re - creates the frightening atmosphere of the sinking ship in the middle of nowhere .
i liked very much
the emotional and brutal contrast between the first and the third classes .
while their cabin is slowly filling up with water , a mother is telling her children a fairytail -- " .
.
and they lived happily ever after . .
"
.
and then the ship goes down
and the few survivors are left alone under the stars and the chilling air .
however , the actual disaster is happening almost at the end of the movie , while the first two hours are just beautiful sets and bad dialogues .
in the present day , the rms titanic is explored by brock lovett ( bill paxton ) , a treasure seeker looking for the coeur de la mer diamond , lost during the sinking .
somewhere inside the ship , lovett 's crew discover a sketchbook of an artist long dead .
here , in the shape of a nude young lady , is a window into the distant age of 1912 .
lovett is extremely surprised when he get 's a phone call from rose dawson , claiming that she is a model .
she is immediately helicoptered onto the vessel , and she gets the first glimpse of the fated ship in 80 years .
as the memories come flooding back , she once again becomes rose dewitt buketer ( kate winslet ) , the fianc ?
e of wealthy cal hockley ( billy zane ) and daughter of ruth dewitt bukater ( frances fisher ) .
on board there are rich and poor , everyone trust in the ship 's designer ( jonathan hyde ) and her master , captain e .
j .
smith ( bernard hill ) .
on board the ship , rose , unhappy and restless meets jack ( leonardo dicaprio ) - a young american artist , poor , brave and attractive .
a love story slowly emerges and the two lovers must not only experience the difference between the social classes , but also face the greatest power on earth - death .
cameron could as well have called his picture " the never ending love " or " love at first sight " , as he concentrates all his energy on the young couple , and not on the disaster itself .
the plot is anything but original and the dialogues sometimes resemble a television soap - opera .
the director does n't even try to overcome his empty script . because of its primitive and predictable plot , titanic is totally depending on the visuals that truly are breathtaking .
russel carpenter 's rich , majestic and incredibly detailed cinematography is certainly award - worthy .
everything from art direction to visual and sound effects are a top notch .
but it does n't help much when the costumes are more convincing than the actors who wear them .
the actors are not to blame , because their characters are more like caricatures , in other words - fake .
jack is a man with many talents : he is a talented artist , handsome , brave , honest , strong , funny . . .
you name it .
he does n't have any dark side , he does n't make any mistakes , that for a second would make him human .
jack is perfect , but he is - poor .
on the other hand we have cal .
he is a bastard that treats rose as an odalisque and not as his wife - to - be .
he lacks everything jack possesses , but he is -- rich .
this childish contrast between the social classes is one of those things that makes titanic nothing more than a mediocre picture .
cameron knows precisely what we want to see .
his film therefore contains certain minimums to draw an audience - attractive actors , a " tragic love story " , beautiful visuals ( including expensive special effects ) , a dose of social criticism , a fascinating historical event ( we love true stories ) and last , but not least - an incredible media support , which proclaimed an average picture the " greatest film of all time " .
on the outside titanic looks perfect , but behind that sparkling curtain of incredible visuals - is emptiness - nothing to think about .
the main weakness of this film , which ironically became its success , is simplicity .
cameron enables our basic and if you wish - primitive emotions : love , hate , fear and helplessness .
everyone understands the power of love and the threat to our beautiful couple is likewise imaginable - a sinking ship .
titanic is a typical hollywood production , totally and completely dependent on visual perfection to hide its primitive plot .
it 's a good picture , but absolutely not a masterpiece .
it 's among hundreds and thousands good films released every year , not better or worse than the average american film .

Answer: P


Question: stendhal 's syndrome : a condition where , in the presence of art , a person becomes engulfed in a painting and hallucinates and may afterwards suffer symptoms such as depression , suicidal behaviour and personality disorder .
grim stuff , to be sure , but the subject of a remarkable film from italy 's master of the horror thriller dario argento . boasting an unforgettable soundtrack from the grandfather of film music ennio morricone
, the stendhal syndrome is a quite magnificent return to form for argento .
it follows his disappointing american debut trauma ( 1992 ) , the patchy opera ( 1987 ) and several mediocre films he produced for young italian director michele soavi in the late 1980 's .
based on the novel by graziella magherini , the film stars argento 's daughter asia as young roman police inspector anna manni in pursuit of a brutal rapist - killer .
visiting florence to follow up several leads , she is lured by the killer alfredo ( thomas kretschmann ) to an art gallery , a favourite haunt where he hopes to identify exactly who is on his tail .
at the gallery anna is overwhelmed by a painting and faints .
posing as a bystander , alfredo briefly comes to her aid and having now identified his pursuer , a strange game of cat and mouse begins .
a gripping story evolves , and a coherent one , too , which may surprise those familiar with argento 's often lumpy narratives .
the stendhal syndrome is not a simple cop - hunting - killer scenario .
it is a disturbing and often compelling study of the central character 's psychological disintegration .
the script explores its psycho - sexual themes with intelligence and candour , perhaps too much so for more sensitive viewers .
but as dark as its themes are , the stendhal syndrome emerges as one of the most artful and effective european thrillers of the last ten years .
argento is once again working in his native italy , and he fully exploits the opportunities to use art and architecture for both symbolic statements and as departure points for several brilliant hallucinogenic sequences . effects whiz sergio stivaletti serves his director well here , and the cinematography by giuseppe rotunno is consistently excellent .
the film 's opening 20 minutes segues between hallucination , flashback and real - time with tremendous style .
proof that , at his most inspired , argento remains one of the world 's most exhilarating filmmakers .
the cast is generally good , though marred at times by dubbing into english that renders speech all but emotionless .
asia argento 's performance is by turns risky , awkward and fascinating .
it 's a difficult role , and given her relative inexperience on screen
she deserves applause for her efforts .
thomas kretschmann is chillingly effective as alfredo , and marco leonardi ( of cinema paradiso , and possibly the most gorgeous looking man in italy ) does okay as anna 's work colleague and increasingly confused love interest .
but perhaps the stendhal syndrome 's single most striking element is ennio morricone 's soundtrack .
active since the 1960 's
, morricone has scored over 100 films in his career and this must rate as one of his finest efforts .
it 's mostly a variation on the one theme : a slow circular melody for strings and wordless female vocal possessed with an extraordinary , haunting beauty that lingers long afterwards .
it 's been three decades since argento and morricone worked together .
this is a long welcome reunion .
if the film has a fault , it is that the last half hour drags a little and the film does n't quite reach a completely satisfying climax .
but by the closing scenes , the stendhal syndrome has already offered us enough to qualify as one of the very best films of dario argento 's career .
* note : see the uncut print from japanese laserdisc if you can .
dubs of this version are available from various video dealers on the world wide web .

Answer: P


Question: roger ebert asks in his review of sexy beast , " who would have guessed that the most savage mad - dog frothing gangster in recent movies would be played by . . .
ben kingsley ?
"
my response would be that anyone who has seen alan arkin in wait until dark , henry fonda in once upon a time in the west , or anthony hopkins in the silence of the lambs should have guessed it .
they should know that the way for a film to create a really creepy sociopath is cast someone who generally plays mild , sympathetic , or even ineffectual character roles .
the same characteristics that make an actor seem gentle in most of his roles can work in his favor when a role calls for him to be fierce and vicious .
that is the principle that works for kingsley in sexy beast .
gary " gal " dove ( played by ray winstone ) has retired from a london career of crime and is living on a luxurious villa in spain .
life has become a routine of sunning himself and relaxing .
but his paradise is about to be shattered by a one - two - punch .
the first punch is a boulder that comes rolling down the hill next to the villa .
the second punch comes from gal 's past .
back in london
gang boss teddy bass
( ian mcshane , tv 's lovejoy ) is planning to break into a safety deposit room in a bank and he wants gal .
he sends his most rabid henchman don logan ( ben kingsley ) to fetch gal .
don will accept any decision gal makes from " yes " to " certainly .
" however , if gal says " no " don will do whatever it takes to turn it into a yes including threatening guy 's ex - porn- star wife deedee ( amanda redman ) . in the meantime don knows just how to get under everybody 's skin .
kingsley makes don a compact package of fury and nastiness .
there are some serious problems in louis mellis 's and david scinto 's script that should have been caught before filming .
when we see the actual crime we have no idea why gal was so important to its success .
beyond an ability to use skin - diving gear , no special talents are required of him .
any local hood could have done what gal is needed for .
additionally the crime involves digging from a swimming pool to the bank vault , flooding the vault .
no only
could they have let the water out of the pool and avoided the complication altogether , but there is by far too much water to be accounted for by what was in the pool .
in spite of the provocative title , the story is cliched and overly familiar .
i know i have seen all the plot elements of sexy beast in old westerns like the law and jake wade .
the story is usually of the reformed outlaw , a robert taylor type , who has hung up his guns and is trying for a life of peaceful respectability .
the old gang , however , wants to do one more job with their old buddy and sends a rabid richard widmark type to go and git ?
i m .
it is not a great plot .
in sexy beast even the plot twists have gray beards .
perhaps the film has a little more respectability because it was made not as a western but as a stylish british gangster film .
it is an old plot dressed up to look new .
if the plot is old , at least the style is creative .
this is director jonathan glazer 's first film , but he has reputedly done some notable tv ads for guinness stout .
his style does have some unexpected touches including some very odd dream sequences .
cinematographer ivan bird uses a lot of half lit scenes .
we see one side of a person 's faces .
but the other side fades into the darkness , a sort of metaphor for the half - world these characters in - habit .
half of everything that is happening is also kept hidden .
us yanks will have a hard time with some of the dialog .
at least in my theater it was difficult to make out the words with the quiet speaking , the heavy accents , and the cockney language .
sexy beast is a very and familiar minor plot lent respectability in the us by being done in what is here a still somewhat novel genre , the london crime film .
the plot may be new to british crime films , but it would be overly familiar as a western .
further respectability comes from ben kingsley 's high - powered performance .
i give it a 4 on the 0 to 10 scale and a 0 on the -4 to +4 scale .

Answer:
N