In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Ex Input:
Question: Of the cities Budi and his family lived in while he was growing up, which one is oldest? Passage:Budi Darma, BA, MA, Prof. Emeritus (born April 25, 1937 in Rembang, Central Java, Indonesia) is often described as one of Indonesia's most influential writers. He is the fourth of six children, all male. During his childhood and teens, Budi and his family lived in a number of different cities in Java, including Yogyakarta, Bandung and Semarang, due to the nature of his father's position in the postal service. His schooling reflected his family's nomadic existence. Budi's attended elementary school in Kudus, junior high in Salatiga, and high school in Semarang, graduating from there in 1957. He then studied at the English Literature Department, Faculy of Letters, University of Gadjah Mada. After graduating in 1963, Budi moved to Iowa for the International Writing Program at the University of Iowa. In 1970, he received a scholarship from the East-West Center to study humanities at the University of Hawaii, before graduating with an MA from Indiana University Bloomington in 1976. Four years later, in 1980, he earned his Ph.D for his dissertation on "Character and Moral Judgment in Jane Austen's Novels", from the same university. His return to Indonesia was followed by a succession of notable appointments: between the years 1984-1987 he was appointed Dean of the English Department of the State University of Surabaya (formerly IKIP Surabaya), became a member of the Arts Council, and Rector of the Surabaya Teachers' Training College. Budi Darma continued lecturing at the English Department of the State University of Surabaya until his retirement, at the age of 70, in 2007.


Ex Output:
a


Ex Input:
Question: What age is the person who plays Ernst Stavro Blofeld? Passage:The story sees Bond pitted against the global criminal organisation Spectre and their leader Ernst Stavro Blofeld (Christoph Waltz). Bond attempts to thwart Blofeld's plan to launch a global surveillance network, and discovers Spectre and Blofeld were behind the events of the previous three films. The film marks Spectre and Blofeld's first appearance in an Eon Productions film since 1971's Diamonds Are Forever; a character resembling Blofeld had previously appeared in the 1981 film, For Your Eyes Only, but, because of the Thunderball controversy, he is not named, nor is his face shown. Several James Bond characters, including M, Q and Eve Moneypenny return, with new additions Léa Seydoux as Dr. Madeleine Swann, Dave Bautista as Mr. Hinx, Andrew Scott as Max Denbigh and Monica Bellucci as Lucia Sciarra.


Ex Output:
b


Ex Input:
Question: Which cut made the band who wrote the song that Greil Marcus rated as one of three masterpieces more money, "A Man I'll Never Be" or "More Than a Feeling"? Passage:Billboard Magazine rated the song one of the best cuts on Don't Look Back. Greil Marcus rated the song as one of three masterpieces on Don't Look Back, along with "A Man I'll Never Be" and "Used to Bad News." Allmusic critic Tim Sendra described its riff as "killer," saying that it was similar to that in "More Than a Feeling." The New Rolling Stone Album Guide critic Paul Evans felt that "Don't Look Back" was the one song on its album that could "hold its own" on Boston's first album. Ultimate Classic Rock critic Eduardo Rivadavia similarly stated that it "met every expectation set by Boston’s nearly perfect debut." Ultimate Classic Rock critic Michael Gallucci rated it the band's 4th all time best song. AXS contributor Bill Craig similarly rated it Boston's 3rd greatest song, describing it as an "arena rock style sonic blast." Philip Booth of the Lakeland Ledger called it one "of the most-played-by-garage-band rockers of the '70s." Pete Prown and Harvey P. Newquist praised the "layers of guitar harmonies" as well as Barry Goudreau's slide guitar playing and rideout guitar solo. Ottawa Journal critic Mike Voslin rated the song as a live performance highlight.


Ex Output:

a