TASK DEFINITION: In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.
PROBLEM: The story revolves around Kaushik (Prosenjit Chatterjee) and Kaberi (Konkona Sen Sharma).A happy couple until a car accident takes away Mita, Kaushikâs mistress, and leaves Kaushik injured and grieving. Mita, the mother of a little boy and living with her husband, was Kaushikâs colleague. This revelation leaves Kaberi shattered. Kaushik successfully moves on with life leaving Mita behind and tries his best to repair the severely wounded relationship with his wife. Another couple in the film, Brinda (Pallavi Chatterjee) and Bobby (Parambrata Chatterjee), are also engaged in an extramarital relation. While Bobby is a bachelor, Brinda, quite older than Bobby, is unhappily married. They and Kaberi do group theatre together. Brinda-Bobby comes to a crossroads when Brinda becomes pregnant and Bobby is not sure whether the child is his or Brindaâs husbandâs. However, he does not turn back and stands by Brinda in sorting out her issues.Kaberi often threatens divorce but ultimately is overpowered by the wife in her and cannot resist fulfilling her duties towards her husband at the time of crisis.On the other hand, Kaushik is also caught in his own predicament. He has to not only come to terms with the loss of a loved one but is faced with the daunting task of winning back his wife's trust., Question: Who is Kaushik's mistress?

SOLUTION: Answer: Mita

PROBLEM: Mike Enslin (John Cusack) is a cynical, skeptical author who, after the death of his daughter Katie (Jasmine Jessica Anthony), writes books appraising supernatural events in which he has no belief. After his latest book, he receives an anonymous postcard depicting The Dolphin, a hotel on Lexington Avenue in New York City bearing the message, "Don't enter 1408." Viewing this as a challenge, Mike forces the hotel to allow him to book the room, referencing a law that any hotel room in New York can be requested as long as it meets safety standards. The hotel manager, Gerald Olin (Samuel L. Jackson) tries to dissuade Mike from checking into the room, explaining that 56 people have died in the room over the past 95 years, and that no one has lasted more than an hour inside it. Mike, who does not believe in the paranormal, insists on staying in the room, and asks Olin if he thinks it is haunted; Olin replies that it is "evil" rather than haunted.Once inside the room, Mike describes on his mini-cassette recorder the room's dull appearance and its unimpressive lack of supernatural phenomena. During his examination, the clock radio starts playing "We've Only Just Begun". Mike assumes that Olin is playing a trick to scare him. At 8:07, the song plays again and the clock's digital display changes to a countdown starting from "60:00". Mike experiences a series of supernatural events. A window sash slams down on his hand, the hotel operator calls about food he didn't order, and ghosts of the room's past victims and members of his family, particularly Katie, appear on the TV set. Mike's attempts to leave the room are in vain; the doorknob breaks off, climbing through the air ducts prompts an attack from the corpse of a former room victim, and climbing onto the window ledge reveals the windows of the other rooms have disappeared.Mike uses his laptop to contact his estranged wife, Lily (Mary McCormack), but the sprinkler system short circuits his laptop. The room temperature drops to subzero when the laptop suddenly begins to work again, and Lily tells him the police have entered 1408, but the room is empty. A doppelgÃ¤nger of Mike appears in a video chat window and urges Lily to come to the hotel herself; it gives Mike a wink. The room shakes violently and Mike breaks a picture of a ship in a storm. Water pours from the broken picture, flooding the room. He surfaces on a beach and relives a surfing accident seen earlier in the film. His life continues from this point, and he reconciles with Lily. Eventually he assumes his experience in 1408 was just a dream. Lily persuades him to write a book about it. When visiting the post office to send the manuscript to his publisher, he recognizes members of a construction crew as the Dolphin Hotel staff. They destroy the post office walls, revealing Mike is still trapped in 1408. A vision of Katie appears to Mike, and after some reluctance he embraces her; she crumbles to dust. The clock radio begins playing "We've Only Just Begun" again, and Mike looks for it in the rubble. It counts down the final seconds. When the countdown ends, the room is suddenly restored to normal, and the clock radio resets itself to 60:00.The "hotel operator" calls Mike again. When Mike asks why he hasn't just been killed already, she informs him that guests enjoy free will and that as such he can relive the hour over and over again, or use their "express checkout system". A hangman's noose appears and Mike has a vision of himself hanged, but he refuses to kill himself. Mike improvises a Molotov cocktail from a bottle of cognac given to him by Olin, and sets the room on fire. The fire alarm sounds, the hotel is evacuated, and Lily is prevented from entering. Mike breaks a window, causing a backdraft. Mike lies down upon the floor and laughs in victory upon destroying the room, eventually perishing in the flames., Question: what does the clock radio start playing?

SOLUTION: Answer: "We've Only Just Begun"

PROBLEM: The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: Who is carrying a bag of groceries?

SOLUTION:
Answer: Nikki