Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.
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Question: CONTEXT: As a writing device, it's far funnier to let the viewers imagination run away with the wild descriptions that Howard gives. Additionally, by not showing Howards mother, the writers are able to characterize and describe her any way they like, without having to find an actor who lives up to that description. Howard repeatedly describes his mother as having no neck, facial-hair that needs to be removed, and at one point, it was mentioned that she wears a wig. Howards mother is essentially a charicature of an overbearing, overprotective, troubled but caring, single-parent. Now imagine if we were to actually see Mrs. Wolowitz's reactions when Howard yells at her. Perhaps we would start to feel uncomfortable witnessing this coddled, well-off guy in his 20's, yelling at this morbidly obese, lonely woman. By not showing his mother, the audience can separate the charicature of the woman from the far less funny "reality."  <sep>  Q: Why is Howard Wolowitz' mother not shown in The Big Bang Theory? A: As a writing device  Q: What Is a writing device? A: far funnier to let the viewers imagination run away with the wild descriptions that Howard gives  Q: Is that the only reason? A: Additionally, by not showing Howards mother, the writers are able to characterize and describe her any way they like, without having to find an actor who lives up to that description  Q: What does his mother look like? A: Howard repeatedly describes his mother as having no neck, facial-hair that needs to be removed, and at one point, it was mentioned that she wears a wig  Q: Why is she described this way? A: Howards mother is essentially a charicature of an overbearing, overprotective, troubled but caring, single-parent  <sep> FOLLOWUP_Q: Why can't we see her?

Answer: Yes


Question: CONTEXT: The source material is essentially a recollection of a life lived by an individual on his death bed. We are seeing these things through the lens of memory, so it is meant to be an almost first person account. There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality. That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story. I won't comment on whether it was successful. The closest thing I can think at this moment that has this sort of movement might be in Wes Anderson movies where suddenly the naturalistic feel is broken in favor of a staged play: the Zissou movie and "Moonrise Kingdom" both take similar but more obvious breaks from naturalism.  <sep>  Q: Why is the audience sliding around in this scene from Le Temps retrouvé? A: We are seeing these things through the lens of memory, so it is meant to be an almost first person account  Q: A first person account of what exactly? A: That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story  Q: Is this why we see the camera panning around a lot? A: There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality  Q: That's interesting, what else can you tell me about the production? A: The source material is essentially a recollection of a life lived by an individual on his death bed  <sep> FOLLOWUP_Q: Can you tell me anything more about the film or the director?

Answer: No


Question: CONTEXT: It's hard to say because we really don't know what he's been doing exactly or why. He could be waiting for winter as he needs a way around/through the wall and waiting for the ocean near Eastwatch to freeze would allow him to walk around the wall. Or now that he "marked" Bran he is going to be able to break the magic barrier of the wall the same way he broke the barrier around the 3 eyed raven's cave. But a likely explanation is that him and his army simply move at the speed of plot. So he hasn't made it there because it's not time for that in the story and it's just a plot hole.  <sep>  Q: How is the night king not at the wall yet?

Answer:
Yes