In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[Q]: notting hill 's trailer is awful : a laughless , schmaltzy montage .
the movie was desperately marketed to the anti - phantom menace crowd , the same lovelorn females who ignored the love letter .
and it apparently worked .
perhaps the presence of julia roberts - whose allure beyond those perfect teeth still escapes me - had a lot to do with notting hill 's opening weekend success , but the film 's staying power is based on word of mouth . allow me to spread some more good buzz for notting hill .
grant stars as william thacker , a travel - bookstore owner who works and resides in a tiny english district called notting hill .
into his shop one day wanders famous actress anna scott ( roberts ) .
a common thief , some spilled orange juice , and
some stilted conversation leads to their first , highly impetuous ( or is that improbable ? ) , kiss .
days later , william sneaks into her hotel suite under the guise of a magazine journalist , and so begins a passionate , albeit surreptitious , affair .
( aside : notting hill 's portrayal of press junkets is deadly accurate . )
only anna 's celebrity - or william 's lack thereof - threatens to drive a wedge between them .
richard curtis has tapped into fantasy we all have considered , and for at least its first half - hour the picture 's " beauty and the beast " -like scenario is ( romantic ) escapism of the highest order .
as with groundhog day or pleasantville , while watching the high - concept comedy notting hill one constantly imagines him / herself in the lead ; it 's william 's ordinaryness that entices the spoiled and bored anna .
curtis ( who previously penned four weddings and a funeral ) is also smart enough to know that the unlikely couple 's situation is not enough to fuel two hours ' worth of entertainment , so
some of notting hill 's finest moments revolve around william 's eccentric friends and family .
by now , dear reader , you 've probably heard a lot about rhys ifans ' performance as william 's imbecilic welsh flatmate .
yes , he 's a crowd pleaser , a walking sight gag , but his character is not nearly as involving as the wheelchair - bound ( and appropriately named ) bella ( mckee , the anguished waitress of naked ) or max ( tom mcinnerny ) , her lousy chef of a husband .
in the movie 's best sequence , william , anna , and company sit around bloated from max 's latest concoction and hold a contest : the last brownie on the table goes to the diner with the saddest life .
the scene ends only as a british writer would end it .
if anything , fantastic bits like these dull the main plot 's dramatic impact .
roberts and grant , especially , are appealing , but their relationship is convolutedly interrupted too many times ( four weddings ' suffered similar flaws ) , and william and anna ultimately only have one thing in common
: they 're lonely .
( worth noting in roberts ' and grant 's favour : the ubiquitous " i 'm just a girl , standing across from a boy , asking him to love her " episode is not nearly so syrupy as it appears in clips , and it features some of the best emoting either actor has ever done . )
notting hill is nonetheless enjoyable
; on the visual side of things , i especially appreciated michell 's playful changing - of - the - seasons number . if only ( and this is a surprisinly minor gripe ) he had lopped off the egregious epilogue ; for a story that thrives on what we bring to it , the filmmakers work too hard to tidy things up , leaving our imaginations in the lurch .
[A]: P


[Q]: ` run lola run ' , a german import that gained a stellar reputation at the sundance film festival , is a dazzling and kinetic film that deals with the subjects of fate and chance .
for a berserk and retroactive 81 minutes of non - stop movement , we follow a fiery - haired heroine named lola ( franka potente ) as she sprints to save her boyfriend from the clutches of drug dealers .
lola has roughly twenty minutes to somehow retrieve 100 , 000 marks in time to save manni ( moritz bleibtreu ) from being killed by the dealer .
but , in something of a pseudo- ` groundhog day ' approach , director tom tykwer gives lola three separate chances to best navigate her way toward the goal .
in these trio of episodes , we gradually learn the unique effects of fate , for even if tiny changes are made in lola 's journey , the future can be seriously altered .
` run lola run ' is an experience like ` fight club ' or ` the matrix ' , in that each film takes you through a super - charged wormhole of bending reality in surreal and exciting ways .
in addition , all three movies have a visual style that separates them from the rest of the pack .
` lola ' is no exception , with stylish quick - flash camera work and cinematography that serves as scintillating eye candy from the get - go .
tykwer 's world is a landscape of mood and color , with brilliant shades of red and pink ( including lola 's fiery hair ) used as effective symbolism throughout .
with it 's visual style and mind - blowing pace , ` run lola run '
is one of the more invigorating movies of the year .
even more so when considering the fact it 's all stuffed rather nonchalantly into an 81-minute time period .
as a heroine , potente does little more than run wildly through the streets ( as the title suggests ) , but
she has a certain flair and charisma .
her exemplary running form made me wonder if she is actually a track star .
meanwhile , bleibtreu does an equally fantastic job of bringing the dopey but passionate manni to life .
both actors perform beyond the call of duty .
the dazzling fun comes from predicting what each episode holds in store for lola , and the outcome is ultimately rewarding - several twists and turns are unique and unexpected .
the other characters lola runs into ( both purposely and inadvertently ) include her banker father ( herbert kraup ) and a friendly security guard ( armin rohde ) , but aside from the two leads , no one has more than a few minutes of screen time .
additional stars that could n't possibly be ignored are cinematographer frank griebe and editor mathilde bonnefroy , who are both responsible for the film 's eye - catching visual elegance .
` run lola run ' is subtitled , so be prepared to meet the challenge of reading the lightning - fast dialogue - occasional sections of it are especially fast .
this is only one of the minor chores involved in watching .
the other is the sense that we never get to really recognize who the real people are in this hyperactive situation .
most are just chess pieces in tykwer 's elaborate game of visual presentation , and he never really makes a significant move with any .
but , the average viewer is likely to be
so absorbed in the action that few will realize the lack of potency in a few elements of the screenplay .
a few petty gripes aside , this film is a wild , exhilarating ride that turns maniacally on its wheel of originality .
most people believe foreign films are mainly boring , talky character studies .
perhaps ` run lola run ' will recharge their batteries .
not only does this film offer insight into some intriguing questions of fate and destiny , it also delivers a white - knuckle visual rollercoaster ride of overwhelming audacity .
like how the experience must have been for the persistent title character , ` run lola run ' is exhausting .
[A]: P


[Q]: the crown jewel of 1970 's irwin allen disaster movies , the poseidon adventure features an all - star cast including gene hackman and ernest borgnine spouting some of the most laughable dramatic dialogue in movie history while trapped on a cruise ship .
the story begins on the u. s.
s.
poseidon 's big new year 's cruise , where we are introduced to the ensemble of people who will soon be the only passengers left alive .
let 's see , there 's the new age preacher ( hackman ) who advises people to " pray to that part of god within yourself .
"
there 's the ex - cop ( borgnine ) who busted a hooker ( stella stevens ) six times -- then married her .
there 's the hippie singer ( " there 's got to be a morning after . .. " )
who turns to the company of a lonely man ( red buttons ) once her brother is killed .
and to round out the group : the elderly couple ( jack albertson and shelley winters ) who live aboard the ship , the beautiful teenage girl and her brother who are sailing alone and adventurous scotsman roddy mcdowall .
we get to know these people a little too well in the first thirty minutes of the poseidon adventure , before straight- faced ship captain leslie nielson looks in horror at the giant tidal wave headed right for the ship .
everyone 's in the giant ballroom at the time , shortly past midnight of the new year , when the ship turns first on its side , then completely upside down .
the second- in - command wants everyone to wait in the ballroom until help arrives , but rebel hackman leads his small band of followers on a quest to the top of the ship .
in this case , because the ship is overturned , the top is the bottom .
or is the bottom the top ?
either way , we get to see a lot of bottoms because the two beautiful women in the crew are both conveniently wearing hot pants during the scenes where the camera shoots upwards while they climb up ladders and -- in the ballroom scene -- christmas trees .
thus begins an hour or more of hushed trips down long corridors , through burning rooms , etc . while the ship slowly fills with water behind
them .
it 's a race against the clock which is only mildly interesting .
the poseidon adventure works more as a bad movie to laugh at , with all the melodrama that comes in - between the non - thrilling action scenes .
the one note in borgnine 's one - note performance is to be a cranky old man that argues with hackman every step of the way while buttons and the hippie fall in love ( although since there is n't a sex scene , we never find out if his buttons really are red ) and albertson and winters wonder if they 'll live to see their grandson 's birth .
shelley winters provides the most hilarious scene in the movie in a scene toward the end , where water has flooded the next two rooms of the ship and hackman is preparing to dive under with a rope for the rest of them to pull along .
winters , who has been the whiny fat woman throughout the movie ( stevens even not - so- affectionately calls her " fatass " in one scene ) , finally finds her purpose .
"
i was the underwater swimming champ of new york three years running when i was seventeen , " she brags , and before hackman can even ask her how she could be seventeen for three years , she 's swimming through the water , her skirt billowing up around her hips , showing off her cellulite ( or do you call it shellulite ? )
ridden thighs .
it 's not so much funny as innately disgusting , which pretty much sums up the poseidon adventure as a whole .
[A]:
N