You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Input: Consider Input:  The story is told in three main arcs, with most of it occurring during a 24-month period beginning and ending at Thanksgiving parties hosted by Hannah (Mia Farrow) and her husband, Elliot (Michael Caine). Hannah serves as the stalwart hub of the narrative; most of the events of the film connect to her.
Elliot becomes infatuated with one of Hannah's sisters, Lee (Barbara Hershey), and eventually begins an affair with her. Elliot attributes his behavior to his discontent with his wife's self-sufficiency and resentment of her emotional strength. Lee has lived for five years with a reclusive artist, Frederick (Max Von Sydow), who is much older. She finds her relationship with Frederick no longer intellectually or sexually stimulating, in spite of (or maybe because of) Frederick's professed interest in continuing to teach her. She leaves Frederick after he discovers her affair with Elliot. For the remainder of the year between the first and second Thanksgiving gatherings, Elliot and Lee carry on their affair despite Elliot's inability to end his marriage to Hannah. Lee finally ends the affair during the second Thanksgiving, explaining that she is finished waiting for him to commit and that she has started dating someone else.
Hannah's ex-husband Mickey (Woody Allen), a television writer, is present mostly in scenes outside of the primary story. Flashbacks reveal that his marriage to Hannah fell apart after they were unable to have children because of his infertility. However, they had twins who are not biologically his, before divorcing. He also went on a disastrous date with Hannah's sister Holly (Dianne Wiest) when they were set up after the divorce. A hypochondriac, he goes to his doctor complaining of hearing loss, and is frightened by the possibility that it might be a brain tumor. When tests prove that he is perfectly healthy, he is initially overjoyed, but then despairs that his life is meaningless. His existential crisis leads to unsatisfying experiments with religious conversion to Catholicism and an interest in Krishna Consciousness. Ultimately, an unsuccessful suicide attempt leads him to find meaning in his life after unexpectedly viewing the Marx Brothers' Duck Soup in a movie theater. The revelation that life should be enjoyed, rather than understood, helps to prepare him for a second date with Holly, which this time blossoms into love.
Holly's story is the film's third main arc. A former cocaine addict, she is an unsuccessful actress who cannot settle on a career. After borrowing money from Hannah, she starts a catering business with April (Carrie Fisher), a friend and fellow actress. Holly and April end up as rivals in auditions for parts in Broadway musicals, as well as for the affections of an architect (Sam Waterston). Holly abandons the catering business after the romance with the architect fails and decides to try her hand at writing. The career change forces her once again to borrow money from Hannah, a dependency that Holly resents. She writes a script inspired by Hannah and Elliot, which greatly upsets Hannah. It is suggested that much of the script involved personal details of Hannah and Elliot's marriage that had been conveyed to Holly through Lee (having been transmitted first from Elliot). Although this threatens to expose the affair between Elliot and Lee, Elliot soon disavows disclosing any such details. Holly sets aside her script, and instead writes a story inspired by her own life, which Mickey reads and admires greatly, vowing to help her get it produced and leading to their second date.
A minor arc in the film tells part of the story of Norma (Maureen O'Sullivan) and Evan (Lloyd Nolan). They are the parents of Hannah and her two sisters, and still have acting careers of their own. Their own tumultuous marriage revolves around Norma's alcoholism and alleged affairs, but the long-term bond between them is evident in Evan's flirtatious anecdotes about Norma while playing piano at the Thanksgiving gatherings.
By the time of the film's third Thanksgiving, Lee has married someone she met while taking classes at Columbia, while Hannah and Elliot have reconciled their marriage. The film's final shot reveals that Holly is married to Mickey and that she is pregnant.

Output: Who becomes infatuated by Lee?


Input: Consider Input:  The three-character play is set in the drawing room of a flat located on Cromwell Road in London. Shaw describes Henry Apjohn as "a very beautiful youth, moving as in a dream, walking as on air," while Aurora Bompas has "an air of being a young and beautiful woman but as a matter of hard fact, she is, dress and pretensions apart, a very ordinary South Kensington female of about 37, hopelessly inferior in physical and spiritual distinction to the beautiful youth." The third character is Aurora's husband Teddy, "a robust, thicknecked, well groomed city man, with a strong chin but a blithering eye and credulous mouth."
Aurora is distressed because she has misplaced some poems, in which she is identified by name, written for her with declarations of love by the impetuous Henry. She suspects her sister-in-law Georgina stole them from her workbox and is concerned she will read them to Aurora's husband Teddy.
Henry suggests they confront Teddy with the truth, "quietly, hand in hand" and depart - "without concealment and subterfuge, freely and honestly, in full honor and self-respect" - for their planned evening at the theatre. (Henry has purchased tickets for Candida - the popular Shaw comedy which Henry and Aurora's situation closely resembles - because Lohengrin was sold out.) The two engage in a discussion about the merits of revealing their affair until Teddy arrives and confronts Henry with his poetry.
The young man tries to convince him they were inspired by Aurora, the goddess of dawn, rather than his wife, and assures him he has no interest in the woman Teddy married . . . which the cuckolded man finds so insulting he demands Henry admit how desirable Aurora is. Henry finally confesses his love for Aurora, which pleases Teddy so much he proposes he have the poems published on "the finest paper, sumptuous binding, everything first class" as a tribute to his wife. "What shall we call the volume?," Teddy asks. "To Aurora, or something like that, eh?," to which Henry replies, "I should call it How He Lied to Her Husband."

Output: Why is Aurora distressed?


Input: Consider Input:  The mariner's tale begins with his ship departing on its journey. Despite initial good fortune, the ship is driven south by a storm and eventually reaches Antarctic waters. An albatross appears and leads them out of the ice jam where they are stuck, but even as the albatross is praised by the ship's crew, the mariner shoots the bird:
With my cross-bow,

I shot the albatross.
The crew is angry with the mariner, believing the albatross brought the south wind that led them out of the Antarctic. However, the sailors change their minds when the weather becomes warmer and the mist appears:
'Twas right, said they, such birds to slay,

That bring the fog and mist.
They soon find that they made a grave mistake in supporting this crime, as it arouses the wrath of spirits who then pursue the ship "from the land of mist and snow"; the south wind that had initially led them from the land of ice now sends the ship into uncharted waters near the equator, where it is becalmed.
Day after day, day after day,

We stuck, nor breath nor motion;

As idle as a painted ship

Upon a painted ocean.

Water, water, every where,

And all the boards did shrink;

Water, water, every where,

Nor any drop to drink.

The very deep did rot   Oh Christ!

That ever this should be.

Yea, slimy things did crawl with legs,

Upon the slimy sea.
The sailors change their minds again and blame the mariner for the torment of their thirst. In anger, the crew forces the mariner to wear the dead albatross about his neck, perhaps to illustrate the burden he must suffer from killing it, or perhaps as a sign of regret:
Ah! Well a-day! What evil looks

Had I from old and young!

Instead of the cross, the albatross

About my neck was hung.
Eventually, the ship encounters a ghostly hulk. On board are Death (a skeleton) and the "Night-mare Life-in-Death", a deathly-pale woman, who are playing dice for the souls of the crew. With a roll of the dice, Death wins the lives of the crew members and Life-in-Death the life of the mariner, a prize she considers more valuable. Her name is a clue to the mariner's fate: he will endure a fate worse than death as punishment for his killing of the albatross.
One by one, all of the crew members die, but the mariner lives on, seeing for seven days and nights the curse in the eyes of the crew's corpses, whose last expressions remain upon their faces. Eventually, this stage of the mariner's curse is lifted after he appreciates the sea creatures swimming in the water. Despite his cursing them as "slimy things" earlier in the poem, he suddenly sees their true beauty and blesses them ("a spring of love gush'd from my heart, and I bless'd them unaware"); suddenly, as he manages to pray, the albatross falls from his neck and his guilt is partially expiated. The bodies of the crew, possessed by good spirits, rise again and help steer the ship. In a trance, the mariner hears two spirits discussing his voyage and penance, and learns that the ship is being powered preternaturally:
The air is cut away before,

And closes from behind.
Finally the mariner comes in sight of his homeland, but is initially uncertain as to whether or not he is hallucinating.
Oh! Dream of joy! Is this indeed

The light-house top I see?

Is this the hill? Is this the kirk?

Is this mine own countree?

We drifted o'er the harbour-bar,

And I with sobs did pray 

O let me be awake, my God!

Or let me sleep alway.
The rotten remains of the ship sink in a whirlpool, leaving only the mariner behind. A hermit on the mainland had seen the approaching ship and had come to meet it with a pilot and his boy, in a boat. When they pull him from the water, they think he is dead, but when he opens his mouth, the pilot has a fit. The hermit prays, and the mariner picks up the oars to row. The pilot's boy goes crazy and laughs, thinking the mariner is the devil, and cries, "The Devil knows how to row". As penance for shooting the albatross, the mariner, driven by guilt, is forced to wander the earth, telling his story over and over, and teaching a lesson to those he meets:
He prayeth best, who loveth best

All things both great and small;

For the dear God who loveth us,

He made and loveth all.
After relaying the story, the mariner leaves, and the wedding guest returns home, and wakes the next morning "a sadder and a wiser man".
The poem received mixed reviews from critics, and Coleridge was once told by the publisher that most of the book's sales were to sailors who thought it was a naval songbook. Coleridge made several modifications to the poem over the years. In the second edition of Lyrical Ballads, published in 1800, he replaced many of the archaic words.


Output: What does the crew force the mariner to do as punishment for killing the albatross?