In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

oh well . I never write reviews for the cds I buy, but felt the need for this one.  NFG seemed to be maturing with Catalyst, but sadly went back to writing the same thing they always wrote.  I tried listening to the cd a lot to get hooked, but it's weaker than their self-titled.  They grew for the next two albums into something bigger and better, and then lost it all.  This album is super poppy, which is ok, but the lyrics are some of their worst.  I know some might disagree, and that's fine.  I just wanted to warn people, if you liked the direction they were going in catalyst, then you'll probably see this one as a step backwards.  Sorry NFG!  I still love you!  In a manly hitting each other sort of way
NEG

maiden keeps on churning out the greatness . once again maiden brings it all and creates another masterpiece. aces high is no doubt one of the greatest opening tracks ever, followed by the live favorite 2 minutes to midnight another solid rocker. the middle of the cd is filled with solid songs, that are all pretty much straight forward rockers. then comes powerslave which has one of my favorite solo portions. then it ends with rhynme of the ancient mariner, the second best epic they have. this would be a good introductory album for people new to maiden.  UP THE IRONS!!
POS

Please enter a title for your review: . I'm going to avoid focusing on the politics involved here and focus on the music. go to the moveon.org and musicforamerica.com sites and judge for yourself whether they're causes worth giving money to. If so, read on, if not, browse for something else.     Though primarily focused on "indie" acts, this album is still pretty diverse, which can be both a good and bad thing (whose idea was it to follow up a typically jazz-pop-rap track by Will.i.am from the Black-eyed Peas with They Might Be Giants' cover of William Henry Harrison's 1840's campaign song?). Highlights include the aforementioned TMBG song, OKGO's surprisingly subtle cover of The Zombies "This Will Be Our Year", former Soul Coughing vocalist Mike Doughty's "Move On",  Laura Cantrell's haunting rendition of country classic "Sam Stone", and the late Elliott Smith's "A Distorted Reality...", soon to be available on his posthumous album From The Basement On The Hill. The problem lies in too many live/alternate versions of things; the "acoustic" rendition of Fountains Of Wayne's "Everything's Ruined" improves on the far too muted original from their debut album, but the Blink 182 remix is barely different from the original (which isn't a good song to begin with), the Bright Eyes live track is gratingly drawn out, and the Yeah Yeah Yeahs live version of "Date With The Night" is too murky to really capture their manic live shows. As a compilation, this album has a few flaws, and is a bit overstuffed with alternate versions and live material, but overall it's got enough good material to warrant purchase if you like at least a handful of the bands involved, and again, you believe in the cause.

POS