In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: synopsis : in " sooner than you think " america , the future of law enforcement resides in blade squad , a ragtag group of culturally diverse rollerblading cops with jetpacks strapped on their backs .
a dangerous criminal , however , attempts to destroy blade squad after his brother dies while being chased by them .
comments : so , what do an ex - gangbanger turned insubordinate traffic cop , a former prostitute with a substance abuse problem , and a junkie turned dennis rodman wannabe turned cop who crashed four police cruisers all have in common ?
why , they 're all members of blade squad , an elite new crimefighting unit wearing black uniforms , rollerblades , and jetpacks !
they also carry video cameras so they can communicate with one another
a la
the marines in james cameron 's aliens .
yes , it 's blade squad , the fox network 's wednesday night movie of the week .
this " movie , " marking its dubious world premiere today , curiously has a number of guest stars .
"
how can a movie have guest stars ?
"
you may ask .
well , blade squad is not really a movie so to speak but a 2 hour pilot for a possible tv series packaged as a movie .
blade squad is dumb .
blade squad is loud .
blade squad is obnoxious .
blade squad will probably be a ratings hit and spawn a long - lived tv series .
why not ?
after all , television has given its audience crimefighters with talking cars ( " knight rider " ) , fast helicopters ( " airwolf " ) , and super fast motorcycles ( " street hawk " ) , and viewers have eaten it up in the past .
so , why not crimefighters with jet - powered roller blades ?
to be honest , as a made - for - tv presentation , blade squad is at least watchable .
the film has a relatively large cast of characters , a surprisingly intelligible albeit predictable script , and enough action sequences to keep one half - interested .
i 'd imagine adolescent males , probably the target audience of this turkey , would get a kick out of it .
i tried to keep that in mind when i watched blade squad .
i can remember liking " airwolf " and " street hawk " when i was 10 or 11 .
and , although this is n't saying much , blade squad is leaps and bounds better than the last fox network movie i had the displeasure of wasting time on : the insipidly awful generation x ( a huge disappointment considering the comic book 's terrific two - year beginning ) .
but , i digress .
despite its limited appeal , blade squad has a lot of kinks to work out if the movie is to become a tv series .
one , it suffers from mtv syndrome : a lot of quick shots and weird angles continuously jar the viewer 's senses while a near nonstop generic rock soundtrack blares incessantly in the background .
oh yeah ,
dylan 's " knockin ' on heaven 's door " and bowie 's
" i 'm afraid of americans " are used here ,
in rather poor taste .
two , blade squad needs a new crew for the sound .
the substandard sound editing irritated me to no end .
characters ' dialogue , at times , sounded choppy and unintelligible .
during one important scene , a song played loudly in the background . when a character spoke , the song 's volume dropped but did not disappear . as soon as that character finished speaking , the song 's volume immediately returned to its original level until the next character spoke .
this sounds trivial , i 'm sure , but it distracted me immensely .
finally , this is commercial television .
foul language is not allowed , typically , on commercial television .
thus , do n't use foul language in a made - for - tv production because that foul language has to be censored in some manner .
in an early scene of the film , for example , the lead good guy and bad guy have a minor confrontation in the streets .
when the good guy spouts out a bad word , a driver conveniently honks his car 's horn off - screen to muffle the word out .
in a " seinfeld " episode , this technique proved funny ; here ,
it seemed goofy and cut the dramatic tension considerably .
perhaps future writers , if a show is spun out of the movie , could take a cue from marvel comics ' 2099 series of comics .
make up a bunch of new bad words for the future .
this way , you do n't need a bunch of honking horns or other silly devices to cover up foul language .
compared to the usual crap broadcast tv networks have to offer in terms of movies , blade squad is a suitable exercise in camp .
when compared to , say , a movie studio film , blade squad has a lot in common with a term which shares its initials : bs .
( review written august 12 , 1998 )

Output: N


Input: Consider Input: capsule : earthy , experimental , difficult , shockingly frank ( even for 1997 ! ) , and ultimately refreshing story of a black man on the run from the cops .
the first few minutes of sweet sweetback 's baad asssss song ( yes , i checked --
that 's the correct number of ss )
are without dialogue , just eerie montages of sounds .
a young boy , obviously malnourished , is taken in and fed up by several loving mother - surrogate figures .
then one of them takes the boy to bed for a sexual initation ( underneath the title credits ) that 's far more confrontatory and shocking than any ten basic instincts -- probably because it has the directness and clumsiness of real life , something we 're not used to seeing on screen .
this is one tough movie to swallow , no matter who you are , but that probably reflects more on how pallid and unchallenging movies have gotten lately .
( i suspect the sex scenes in movies like el topo and salo would probably melt the synapses of most modern audiences . )
the plot is simple but not simpleminded .
sweetback , hassled by two white cops who are apparently just looking for an excuse to beat up on a black man , breaks his bonds and runs like hell .
along the way he moves through a good many of the kinds of environments that we are only just now being seen in a more serious light in the movies -- or at all , for that matter : the slums , the missions , the ghetto .
in other , lesser , movies , sweetback would be machine - gunning everything in sight and the end credits would roll over a pile of bodies ; in this one , we get taken on a kind of a tour of the depressing and anarchic world that sweetback takes for granted .
ssbas first appeared in 1971 and was promptly rated x ( " by an all - white jury " , as director melvin van peebles crowed in his legendary ad campaigns ) , and it 's hardly surprising why .
there 's a good deal of sex in the movie , but it 's handled in a way that 's unsettlingly frank -- a frankness that spills over into the rest of the movie .
in one scene , sweetback visits a friend 's house in the hope of getting sanctuary there , and the other man chats him up while on the toilet .
we 're not used to coming this close to people in real life , let alone in the movies -- especially not people who are not made out to be glamorous .
the movie is also full of experimental stylistics that are relatively unused today , but probably because of that seem curiously fresh and new in van peebles ' hands .
one scene , in which a man is interrogated by the cops , is loaded full of menacing energy as they fire off a gun inches from his ears , and suggest his deafness through a cleverly edited soundtrack .
another note : ssbas is not so much anti - white ( that would be too easy ) as anti - authority , and as the movie goes on to demonstrate , authority exists in many forms -- governments , churches , and even the paranoid inside of one 's own mind .
ssbas is ultimately about thirsting for freedom -- and it looks like we could use a little more of that in our movie diet , god knows .

Output: P


Input: Consider Input: years ago , robin williams made _ jumanji _ , a brilliant achievement in special effects , but a travesty on nearly every other level .
the same can be said for _ what dreams may come _ , a boring , illogical , weepie - wannabe that left my senses numb
.
do n't get me wrong : i love breathtaking special effects and pulse - pounding imagery .
_ brazil
_ is on my personal top ten .
_ the city of lost children
_ is a great film because of its outlandish scenarios .
i even love
_ 2001
_
and _ last year at marienbad _ , being in the minority amidst my friends .
_ what dreams may come _ , imagery aside , has little daring thought to complement its imagery .
the daring thought it _ does _ have is never fully realized .
it 's idea of a plot is so lukewarm , that it insults the bigger questions it raises
.
it would have been better if the filmmakers rid the film of the live action sequences , put on an electronica soundtrack , and sell it as one of those popular _ mind 's eye _ videos .
robin williams plays chris nielsen , who dies too prematurely -- not only in the story , but before we have a chance to really know and care for him .
the director , vincent ward , and the screenwriter ronald bass , have chosen to tell his life story in flashbacks while having the foreground story focus on his experience with the afterlife . big mistake .
it would have been far better to take the half - hour or so needed to tell his life story first ( ala
_
it 's a wonderful life _ ) , so that i can build up respect for him , so i could know and possibly care for him , his children , and his long - suffering wife ( played superbly by annabella sciorra ) .
instead , the filmmakers insult my intelligence by rushing into the story , expecting that the film to grow in depth as it progresses .
it does n't .
so in the afterlife , chris learns that ( a ) people still do n't meet god , ( b ) that our thoughts are reality , and ( c ) time does not exist there .
hmm . . .
i+ll grant one of those silly giant ideas for the sake of the narrative .
( the " not meeting god " part still irks at me , but perhaps there was no possible way to film it and give it due respect ) .
that said , this alternate reality still makes no possible sense
.
read on .
. .
chris ' wife commits suicide .
since suicides go to hell , chris would be separated from his wife forever .
the important question is , is heaven really heaven if you are separated from the one you love ?
good question .
and i like good thought - provoking questions .
i
don+t like it when the filmmakers deviate from the question .
i
_
loathe
_
it when the filmmakers deviate from the question so that the film becomes a popular rescue film , especially a rescue film which does not take its underlying premise seriously .
i
_ really
_ loathe it when it+s story is no longer run by logic , but by special effects .
hey chris
: did you forget ?
your thoughts are _ real _ .
they are more _ real _ than the physical world , according to the new - age screenplay .
so , why don+t you conjure up positive thoughts of annie , and let that run wild ?
and then she would appear before you , and you two would live in happy bliss for eternity ? because there would be no movie , that+s why . and albert the angel ( played by miscast cuba gooding , jr . )
says bluntly :
" that+s fantasy .
"
umm . . .
if your thoughts are more real than the physical , then fantasy is not fantasy , but real .
surely some eastern meditation specialist would be able to tell you that .
and if you happen to think that you are an unimaginative person , and that your thoughts are n't big enough to sustain you for eternity , well , in all due respect , that 's why i do n't subscribe to this theology .
all due respect .
another idea , based on " time , ( pause ) , does not exist here !
" so chris , spend your eternity with annie , as she is on earth , reliving your favorite memories , or hang out with her when she was growing up .
you+ve got eternity : perhaps you can hang around long enough and learn not to freak her out . and forcing her to write " i still exist " in her diary , imo , is just too tacky .
there are many other ideas , all of which are a hundred times better than what+s unraveled in the plot .
the great aforementioned question is sidetracked into gimmicky subplots that have been done before , and just come out stale .
most insulting is the subplot where important people in chris+ life appear in heaven differently than he expects , so when they finally show themselves , he realizes they were with him all along .
and when this happens , the film runs in slow motion , as if to build emotion .
_ gag me with a spoon _
.
so the only things for me to like are sciorra+s effective performance , who rises far above this mundane material , and the special effects .
please note that while i enjoyed some of the visuals , i did not enjoy _ all _ of them
: some of the images looked like sandy duncan universe , everybody floating up and down in invisible strings .
it sounds like a joke , but it+s really true : i really tried to block out the dialogue , and figure out what music would best work as an alternative soundtrack .
my vote goes to a rare cd called " never say die " ( 1981 ) from petra , a christian rock group .
it+s pretty good , and they have a song about annie , who commits suicide .
( it+s too late for annie
/ she+s gone away for good /
there+s
so much we 'd have told her / and now we wish we could / but it+s too late . . . ) .
melancholic , yes . depressing , yes .
but far more entertaining .
. .
so , in case you don+t know , let me be straight .
suicide -- bad .
_
don+t do it
_ .
no .
no .
no .
( got it ?
--you shouldn+t have to pay $ 7 .
50 to hear this in
an awful robin williams schmaltzfest . )


Output: N