In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

[Q]: The film can be seen as an allegory of post-World War II Eastern European political systems - told as a black-and-white cinematic poem with 39 long, single-camera takes. It examines the brutalization of a society, its political systems and ethics through the metaphor of a decaying circus whale and its star performer. It is set in a desolate, isolated small town in Hungary during Soviet times.The film starts with JÃ¡nos Valuska, a simple person, conducting a poem and dance with drunken bar patrons. The dance is of the total eclipse of the sun, which disturbs, then silences the animals. It finishes with the grand return of the warm sunlight.One of the significant reoccurring characters in this plot is the subtle transitions between light and darkness. The first appearance of this motif is a lamp in the bar, moving to a door into the darkness. The circus arrives like a Trojan Horse in the darkness of night. A window is opened as a glimmer of hope and dressed to shut out the world. The antagonist is only ever seen as a shadow.JÃ¡nos' uncle GyÃ¶rgy is a composer, and therefore one of the intelligentsia. GyÃ¶rgy observes the imperfection and compromise of the musical scale (as defined by Andreas Werckmeister a historical theorist). GyÃ¶rgy proposes changes to the scale to make it more harmonious. This utopian approach to music represents a flawed, naive idealism that never can be achieved; it is not developed any further in the film or the book. It is just a statement indicating that human governance will always be flawed.GyÃ¶rgy's estranged wife tries to leverage her political and social status by giving GyÃ¶rgy a list of names to recruit for the "clean up the town movement" (with the blessing of the police chief).However, a stuffed smelly circus whale and its star performer, Prince, come to town in the silence and darkness of night. This is a metaphor for a bloated political system and the unseen Prince who represents the power of politically inspired, emotive dogma.JÃ¡nos philosophizes about God and the beast.The post office workers are unsettled by the ominous signs of the circus' arrival and are disturbed by the cloud that settles over each town it visits, a reference to the spread of the externally imposed centralised monolithic government system onto all the Soviet buffer nations just after the war.GyÃ¶rgy's struggling cobbler brother gets the list and passes it on to the agitated throbbing masses in the town square who are unhappy at public services failing. GyÃ¶rgy's former wife sleeps with the drunk gun toting police chief.The presence of the whale and the Prince stir up the masses. JÃ¡nos overhears the circus master losing control of his faceless Prince, who is becoming drunk with his own voice of revolutionary dogma. The circus master disowns him. The Prince, now free, inflames the masses, and the people riot.The film is shot as a visual poem, and has been described as both beautiful and haunting. Lengthy single-shot scenes with a hypnotic and rhythmic pace build up to the peaceful observation of the thuggish destruction of the hospital and its patients. The rioters are brutal. Their inhumanity almost seems normal and natural. When the rioters finally come to beat a helpless old naked patient, they see their impotent, sad and powerless selves. The patients they are destroying in the hospital are themselves.After the riot, JÃ¡nos comes across the diary of a rioter. It explains that the rioters did not know what they were angry with; so they were angry at everything. Then it recounts the mobs horrendous rape of two working class post office girls.JÃ¡nos comes across his killed cobbler uncle who got naively involved in the riot. JÃ¡nos is told, by his cobbler uncle's wife, to leave town for his own safety.He is intercepted by a helicopter. He finds himself committed to a mental institution with caged beds (a tool of the time for dealing with political dissidents). JÃ¡nos appears drugged and broken.GyÃ¶rgy, his composer uncle, is evicted from their society house but gets to live in a shed in the garden whilst GyÃ¶rgy's former wife, with her new status as a collaborator, now occupies the big house with the police chief. The intelligentsia is displaced by political opportunism.GyÃ¶rgy tells a vacant JÃ¡nos, in the ward, that if he is released from the mental institution they can live contentedly together in the shed with his piano. GyÃ¶rgy also mentions that he has re-tuned the piano so that is now like any other, a personal capitulation apparently abandoning any present hopes of reform. JÃ¡nos just stares.It finishes with GyÃ¶rgy looking directly into the eye of the whale, then, walking away and looking back at the now sad and disheveled whale, destroyed by the rioters the night before, its rotting carcass slowly enveloped by the fog which gets whiter and brighter. Warm bright sunlight returns.
[A]: Question: Where is his composer uncle evicted from?, Answer: the society house


[Q]: Grace Stewart (Nicole Kidman) is a devout Roman Catholic mother who lives with her two young children in a remote country house in the British Crown Dependency of Jersey in the immediate aftermath of World War II. The children, Anne (Alakina Mann) and Nicholas (James Bentley), have an uncommon disease, characterized by photosensitivity, so their lives are structured around a series of complex rules to protect them from inadvertent exposure to sunlight. The arrival of three servants at the house â aging Mrs. Bertha Mills (Fionnula Flanagan), elderly gardener Edmund Tuttle (Eric Sykes), and a mute girl named Lydia (Elaine Cassidy) â coincides with a number of odd events, and Grace begins to fear there are unknown others in the house.Anne draws pictures of four people she has seen in the house numerous times: a man, woman, a boy called Victor, and an old woman. Grace finds a 19th-century "book of the dead", an album of mourning portrait photos of deceased family members from a previous generation, with some missing pages. She hears noises in the house. With the servants, she tries hunting down the intruders but cannot find them. She does not believe her daughter has seen the others until she hears the ghosts herself. Convinced that something unholy is in the house, she runs out in the fog in search of the local priest to bless the house. Meanwhile, Mr. Tuttle is covering gravestones under autumn leaves.Outside, Grace discovers her husband Charles (Christopher Eccleston), whom she thought had been killed in the war, and brings him back to the house. Charles is distant during the short time he spends there, and Mrs. Mills says, "I do not think he knows where he is." During this time, Grace attacks someone dressed up like her daughter; she is frightened by the face she sees underneath Anne's First Communion veil. However, she finds that she has actually attacked her daughter. Mrs. Mills tells a distraught Anne that she too has seen the unknown people in the house and that big changes are coming. Charles says he must leave for the front and Grace wakes to find him gone again.One morning, Grace hears the children's screams: all of the curtains in the house have disappeared or have been taken down by the intruders, as Anne had said they might. When Grace sees the servants are not alarmed by this, she accuses them of being involved and banishes them from the house. That night, Anne and Nicholas sneak outside to find their father. Anne discovers the graveyard, which the servants have uncovered, and realizes that these are the servants' graves. At the same time, Grace finds a photograph from the book of the dead and is horrified to see it is of the three servants. The servants appear and follow the children back to the house. Grace has the children hide upstairs, while Mrs. Mills reveals that the three servants died of tuberculosis more than 50 years before. Hearing the children scream, she tells Grace to go upstairs and talk to the intruders.Grace walks upstairs to the bedroom with her rosary beads. There, she discovers that the old woman whom Anne had described is acting as a medium in a sÃ©ance with Victor's parents, talking to Anne. The medium asks the children questions about how they died. The children begin to scream that they are not dead. In a frenzy of denial, Grace shakes the sÃ©ance table, and rips the papers on which the medium has been writing. Victor's family sees only the table shaking and the paper being ripped. In using this supernatural incident as proof that they are not welcome in the house and should leave, Victor's mother reveals that Grace had smothered her children then shot herself.As Grace and the children huddle together in shock in the darkened school room, her memories return to her: stricken with grief for her missing husband, isolated by the children's condition and the servants leaving her, Grace lost her mind and smothered her children with a pillow. Realizing what she had done, she shot herself. When she then "awoke" and heard her children's laughter, she assumed God had granted her family a second chance at life. Anne asks if they are in Limbo; Grace is no longer sure of her Catholic teachings.Mrs. Mills tells Grace that they will learn to get along with the intruders who periodically come to the house, that sometimes they will notice them and sometimes they will not. The children find they are no longer photosensitive (as they are no longer living), and for the first time, they can enjoy playing in the sunlight. Victor's family, unable to rid the house of its former occupants' spirits, drive away as Grace and the children watch. Although the property is again put up for sale, Grace and the children are firm that "this house is ours," and "no one can make us leave."
[A]: Question: How did Grace murder her children?, Answer: Smothered them


[Q]: Three college girls, Terry, Nancy and Gloria, leave for a music festival in Pinewood. A thunderstorm begins to appear, when Nancy, speeding down the road, runs over a log, plummeting the car into a steep ravine. Terry awakes to find her and her friends alive, but sheltered in an old mansion in the middle of nowhere, owned by the Penroses, Marion and her mother, and their groundskeeper/doctor friend, Norman. Gloria is the only one with serious injuries, so Marion suggests that they spend the night until Gloria is able to leave with them. Terry and Nancy are then invited to dinner, with Marion and her old, crippled mother. Mrs. Penrose then goes off on a tirade on how men are the worst things on earth, especially her ex-husband who cheated on her, and ruins dinner for everyone. The four then make their way to the living room, with Marion play the piano and Mrs. Penrose watching, while Nancy and Terry play dominoes. While outside, a dirtied, grubby man appears, roaming around and looking menacingly into the windows.That night, Terry and Nancy begin to discuss how weird the family is at the house, and Terry finds a tooth under her bed. Later that night, Terry awakes to hear a man breathing heavily upstairs, as though he's masturbating, and wakes Nancy, but the breathing stops. Nancy then decides that one of them should go through the woods into town and get help, and flips a coin, finding that she's the one who has to do it. The next morning, Terry and Nancy take a shower, while someone watches through a peep hole in the wall. Terry and Nancy tell Marion of their plan, and Marion says it's a good idea, telling Terry to go get firewood. Nancy then sets off through the woods, while Terry is frightened away from the shed out back by Marion, who tells her it's full of loose timbers. Nancy, makes it through the thick forest, only to be gorily slashed to death by a figure with a long scythe. That night, Terry finds that Nancy has not returned and becomes worried, but Mrs. Penrose and Marion assure she's probably okay. Their next dinner with Terry as the only guest, is ruined by Mrs. Penrose's views on men and her daughter. That night, Terry once again hears the breathing, and goes to see who it is, finding an abandoned little kids' room with black and white pictures of two little kids, and an old tool belt with a dusty gun and machete. She goes back downstairs, only to see the dirty, grubby man outside her window, and runs screaming down the stairs into Marion's arms. Marion then calms her down and tells her that the man is Carl, her brother who has the mind of a five-year-old, and who their mother abandoned when she gave up on men. She insists that he is harmless, and Terry goes back to bed.The next day, Terry is once again worried about where Nancy is, and Marion assures her that she's probably in town right then. Terry goes outside to talk to Norman, and asks if he's seen Nancy, telling him that she went through the woods, only to have Norman warn her about a couple of girls disappearing in the woods around there. Night comes, and Terry then goes up to see Gloria, who has become conscious now, and the two begin to discuss on ways to get out of the house, while the same person watches through another peep hole in the wall. Then, someone sneaks into Gloria's room and splits her head open with an axe. Terry goes upstairs and finds Gloria's room empty, and asks Marion where she is, Marion tells her she may have gone outside for a breath of fresh air, so Terry goes outside. She calls for Gloria, and is then chased by Carl. After hiding in the shed, Terry finds the dead bodies of her friends along with several other dismembered corpses. Carl breaks through the window and tries to grab her, but she fights back and runs back to the house. After running back to the house and upstairs into the kid's room she takes out the dusty gun and shoots Carl in the head, while Marion comes running up screaming. When Marion questions her frantically about killing her brother, Terry tells her to go look in the shed to which Marion tells her (in a deep, masculine voice) that Carl had nothing to do with what happened in the shed. Terry looks at Marion in shock as Marion pulls out the machete. She realizes that Marion is actually Mrs. Penrose's other son after glimpsing his chest hair. Marion brutally hacks a screaming Terry to death with the machete as he raves about having to pretend to be a girl, having to take care of Carl, and of how he had to kill all of the girls in the scary deep voice. Once Terry is dead, Mrs. Penrose calls for Marion downstairs asking if they had a man up there. Marion, covered in blood, denies being with a man in the feminine voice.
[A]:
Question: What spoiled dinner for everyone?, Answer: Mrs. Penrose talking about her cheating ex-husband