In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

Ex Input:
Question: How old was Walt Disney the year Snow White and the Seven Dwarfs was released? Passage:After the success of Walt Disney Productions' first feature-length animated film Snow White and the Seven Dwarfs (1937), filmmaker Walt Disney himself made several attempts to adapt the fairy tale "Beauty and the Beast" by Jeanne-Marie Leprince de Beaumont into one of the studio's earliest animated feature films during the 1930s and 1950s. However, the project was continuously abandoned due to the fairy tale's "static" plot and main characters. The filmmaker was also concerned about the "unnecessary intensity" required to depict Belle's imprisonment. Inspired by the unprecedented success of The Little Mermaid (1989), Walt Disney Studios chairman Jeffrey Katzenberg green-lit another attempt at adapting "Beauty and the Beast" under the direction of Richard Purdum. However, Katzenberg did not approve of Purdum's dark, somber version of the fairy tale, and ultimately ordered that it be restarted from scratch in favor of creating a Broadway-style musical film starring a strong heroine, more similar to The Little Mermaid. Opting instead for a "feminist twist" on the original story, largely in response to critics' negative reception to Ariel regarding her pursuit of Eric being her overall character, Katzenberg hired television writer Linda Woolverton, who had never written an animated film before, to write the film's screenplay.
 Links: a. Musical film b. Walt Disney c. Linda Woolverton d. Beauty and the Beast

Ex Output:
b


Ex Input:
Question: Who other than Woldenga has been awarded the Knights cross of the Iron Cross? Passage:Woldenga's career started as a captain in the merchant marine. He started his flight training in 1928 and worked as chief pilot for the FVK Warnemünde. He transferred to the newly emerging Luftwaffe, taking command as Gruppenkommandeur of the I./Jagdgeschwader 131 (JG 131) — later renamed to I./Jagdgeschwader 1 (JG 1) — on 1 April 1937. With this unit he participated in the invasion of Poland in 1939. He surrender command of the Gruppe on 1 February 1940 and was transferred to the Reichsluftfahrtministerium. He briefly led Jagdgeschwader 27 (JG 27) on the Channel Front from 11 October to 22 October 1940 before he was made Geschwaderkommodore of Jagdgeschwader 77 (JG 77). Under this command, JG 77 participated in the Balkans Campaign and invasion of Crete. JG 77 claimed 50 aerial victories. Woldenga received the Knight's Cross of the Iron Cross. He commanded of JG 27 on 21 June 1941 during the invasion of the Soviet Union and claimed 4 aerial victories. He relocated the Geschwaderstab to North Africa in December 1941. He was appointed Fliegerführer Balkan on 10 June 1942. His last service position of the war was commander of the Luftkriegschule 10 in Fürstenwalde near Berlin. He is credited with three aerial victories of which two were claimed on the Eastern Front.
 Links: a. Knight's Cross of the Iron Cross b. Fürstenwalde c. Fürstenwalde d. Jagdgeschwader 77

Ex Output:
a


Ex Input:
Question: Did Phil Brown engineer the album The Colour of Spring? Passage:In 1986, Talk Talk, then a three-piece band consisting of leader and singer Mark Hollis alongside drummer Lee Harris and bassist Paul Webb, released their third album The Colour of Spring, which saw the band shift from their earlier, synthpop-oriented sound and featured a more organic art rock sound, where musicians improvised with their instruments for many hours, then Hollis and producer Tim Friese-Greene edited and arranged the performances to get the sound they wanted. A total of sixteen musicians appeared on the album. It became their most successful album, selling over two million copies and prompting a major world tour. Nonetheless, for their next album Spirit of Eden (1988), the band chose to work towards an even more unconventional and uncommercial direction. The album was compiled from a lengthy recording process at London's Wessex Studios between 1987 and 1988 where the band worked again with Friese-Greene and engineer Phill Brown. Often working in darkness, the band recorded many hours of improvised performances which were heavily edited and re-arranged into the final album.
 Links: a. Paul Webb b. Phill Brown c. Spirit of Eden d. Art rock

Ex Output:

b