instruction:
In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.
question:
Boring . The show rocks, the soundtrack sucks. I didn't recognize any of the songs from the show, that alone tells you how memorable this soundtrack is. Dismal and dissapointing :
answer:
NEG


question:
Crazy S@#*! . This is a perfect example of modern heavy metal. After realeasing their first album in 1998 and gaining a small cult following, System of a Down broke through to the mainstream with Toxicity, an album even crazier than it's predecessor, with tricky time-changes, funky drum patterns, fast guitar riffs with odd tunings, and politcal lyrics sung in such a way that it almost makes light of the world's problems. Where their first album is heavier, this one is more complex. You can find yourself in a groove, only to have it change, and seconds later have it change again. There are lots of mosh-worthy moments, and parts that sound almost middle-eastern due to Daron's style and unique tuning.    This album takes a while to get used to, it changes quickly and frequently. John is an amazing drummer and I feel he is too overlooked and doesn't get the recognition he deserves.    The lyrics have a purpose, at times they will make you think, and at times they will make you laugh. These guys are serious, but don't take themselves too seriously.    In my opinion this is their best work and is a must-own for any Sytem fan or metalhead in general, though it may be a little too crazy for some people.    System of a Down on this album is:    Serj Tankian - Lead Vocals, Keyboards, String Arrangements  Daron Malakian - Guitars, Backup Vocals  Shavo Odadjian - Bass, Vocals  John Dolmayan - Drum
answer:
POS


question:
Fans of Paul or Gerry or sax in jazz will enjoy this reissue . &quot;Two of a Mind&quot; is a studio-only project from the summer of 1962. Desmond had done a record led by Gerry several years prior, and it was Mulligan's turn to play with Paul on a project he would control. Because of heavy workloads, the two principals collaborated in three separate sessions during June, July and August in New York. Also due to scheduling difficulties, the rhythm section changed at each session. On the six tunes which made the original LP, there are three different bassists and two different drummers. Also on the six LP selections, Desmond did a little studio trickery: some of the improvised solos were put together from different sessions, and on one tune he overdubbed a third saxophone for one verse. If you didn't know this, however, you'd never guess it. The counterpoint improvs of Gerry on baritone and Paul on alto are consistently interesting. Overall the disc is more uptempo than Desmond's other work as a leader. The product lacks that special magic which can often be found on a good recording by a quartet which plays live together and often, but it is a subtle loss. This reissue adds five bonus tracks, including two with guitarist Jim Hall which did not make Desmond's final list for LP inclusion, but which are quite nice. The two leads are highly skilled, and they seemed to like each other a lot and to bring out good things for one another. Not Desmond's best work by a long shot, nor Mulligan's, but worth owning if you are partial to either man. I'm glad BMG is doing these Bluebird First Edition releases from the RCA vaults. The booklets are usually quite good. They come in cardboard cases instead of jewel cases, and I'm not sure if I like that or not yet. Maybe they  could knock a dollar or two off the price and be an even better value, but if, like me, you enjoy the classic jazz of the 1946-'66 generation, you should buy some of these reissues to encourage the company to keep them coming
answer:

POS