instruction:
Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.
question:
CONTEXT: I always looked at it as Rose giving her heart to Jack, symbolically. Also, she knew the value of it and knew that in an extreme moment of poverty she could sell it, but she was now at the end of her life and knew she no longer needed that "chip" to cash in. Also, recall that it was somewhat "stolen", so passing it on to her heirs would come with some risk she probably wasn't willing to impart on them.  <sep>  Q: Why did Rose throw the diamond necklace overboard? A: I always looked at it as Rose giving her heart to Jack, symbolically  <sep> FOLLOWUP_Q: What 0ship was Rose on?
answer:
No


question:
CONTEXT: Oskar does not become a vampire in the book. It is Håkan who becomes a vampire in the book. Also in the book, it is disclosed that Eli is a boy who was castrated years ago when he was converted to a vampire. In the movie, neither Håkan becomes a vampire nor is Eli disclosed to be a boy. Oskar and Eli flee. And as atm mentions in the comment, Oskar will grow old just like Håkan.  <sep>  Q: What happened to Eli and Oskar in Let the right one in?
answer:
Yes


question:
CONTEXT: The annoying phone ring in the Once Upon a Time in America scene you quoted, is there not for the purpose of annoying the viewer (which I admit id does a bit), but is there to share with the viewer and impress in the audience the feeling experienced by Noodles (De Niro). In order to reach the desidered effect, it has to be long and certainly not pleasant. The phone ring is not real, it's just in Noodles head and expresses the metaphorical ring of his guilty conscience, which is stirred in the opium den by the newspaper's headlines hovering over the photos of Max, Patsy and Cockeye that read "Bootleggers trapped by Feds; Three Slain". Noodles tries once again to obliterate the painful memory of his betrayal triggered by the newspaper by sucking greedily on the opium pipe, bu to no avail. The scene is also beautifully edited in reverse, thus the audience does really understand the meaning of the ringing phone only at the end of the sequence, when we see Noodles picking up the phone and calling the desk of Sergeant Halloran (we are only shown the nametag on his desk). When Halloran (or one of his agents) picks up, the ringing stops and is replaced by a deafening, high-pitched noise that forces Noodles to stand up, no matter the amount of opium smoked. Here's the phone ring scene from Youtube:  <sep>  Q: What is the significance of annoying phone ring? A: The annoying phone ring in the Once Upon a Time in America scene you quoted, is there not for the purpose of annoying the viewer (which I admit id does a bit  Q: What is the purpose for it if not for annoying the viewer? A: is there to share with the viewer and impress in the audience the feeling experienced by Noodles (De Niro  Q: What feeling is Noodles experiencing? A: The phone ring is not real, it's just in Noodles head and expresses the metaphorical ring of his guilty conscience  <sep> FOLLOWUP_Q: What was Noodles feeling guilty about?
answer:

Yes