TASK DEFINITION: In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
PROBLEM: Review: I actually saw China O'Brien II before I ever saw the original China O'Brien. And I have to say that the first incarnation is actually worse. But: worse = funnier! And funnier = better. If you're a bad movie fan like I am, this is great material. If, however, you are looking for any sort of meaningful plot, acting ability, or movie-making skill, this is best avoided. The best part is how they filmed all the fighting sequences in stuttering fast-forward. Hilariously bad. See it for a laugh, see it for mindless entertainment, but whatever you do, see it for free on TV. Question: is it a negative review?

SOLUTION: yes

PROBLEM: Review: Halfway through Lajos Koltai's "Evening," a woman on her deathbed asks a figure appearing in her hallucination: "Can you tell me where my life went?" The line could be embarrassingly theatrical, but the woman speaking it is Vanessa Redgrave, delivering it with utter simplicity, and the question tears your heart out.Time and again, the film based on Susan Minot's novel skirts sentimentality and ordinariness, it holds attention, offers admirable performances, and engenders emotional involvement as few recent movies have. With only six months of the year gone, there are now two memorable, meaningful, worthwhile films in theaters, the other, of course, being Sara Polley's "Away from Her." Hollywood might have turned "Evening" into a slick celebrity vehicle with its two pairs of real-life mothers and daughters - Vanessa Redgrave and Natasha Richardson, and Meryl Streep and Mamie Gummer. Richardson is Redgrave's daughter in the film (with a sister played by Tony Collette), and Gummer plays Streep's younger self, while Redgrave's youthful incarnation is Claire Danes.Add Glenn Close, Eileen Atkins, Hugh Dancy, Patrick Wilson, and a large cast - yes, it could have turned into a multiple star platform. Instead, Koltai - the brilliant Hungarian cinematographer of "Mephisto," and director of "Fateless" - created a subtle ensemble work with a "Continental feel," the story taking place in a high-society Newport environment, in the days leading up to a wedding that is fraught with trouble.Missed connections, wrong choices, and dutiful compliance with social and family pressures present quite a soap opera, but the quality of the writing, Koltai's direction, and selfless acting raise "Evening" way above that level, into the the rarified air of English, French (and a few American) family sagas from a century before its contemporary setting.Complex relationships between mothers and daughters, between friends and lovers, with the addition of a difficult triangle all come across clearly, understandably, captivatingly. Individual tunes are woven into a symphony.And yet, with the all the foregoing emphasis on ensemble and selfless performances, the stars of "Evening" still shine through, Redgrave, Richardson, Gummer (an exciting new discovery, looking vaguely like her mother, but a very different actress), Danes carrying most of the load - until Streep shows up in the final moments and, of course, steals the show. Dancy and Wilson are well worth the price of admission too.As with "Away from Her," "Evening" stays with you at length, inviting a re-thinking its story and characters, and re-experiencing the emotions it raises. At two hours, the film runs a bit long, but the way it stays with you thereafter is welcome among the many movies that go cold long before your popcorn. Question: is it a negative review?

SOLUTION: no

PROBLEM: Review: We all have seen some unending epics in our times, but this one really tops them all! The movie is so long and so slow, that, just to put things in perspective, i felt a lot older when i left movie hall, than I entered it. At almost 4 hours length, it could have rather been made into a tele-serial.What starts as a promising comedy slowly loses its pace. Nikhil advani has woven the plot around 6 love stories and he cant make justice to any one of them... There is no interconnection between them to start with, and links shown in last 20 minutes just seem to be forced to connect the story.Situation is made worse by Silly dialogues (most of them repeated in Hindi cinema over years)and stupid cinematography.Priyanka doesn't realise that she actually needs to play her role rather than just looking glam on screen... An utter waste of beauty without acting skills.And then there is loud-is-humorous Govinda & my-face-twists-better-than-jim-carrey Akshay Khanna who keep belching at the top of their lungs to irritate already tired viewers.Only good part in movie is John & Vidya's love story & nice acting/comedy by sohail & Isha. But they are so good at their roles that just these two couples could have justified the movie without jumbling it with other bunch of characters. Their brilliance gets lost in the midst of other substandard plot lines.My guess - Director was making two separate movies(may be more!) and some beginner assistant mixed up all the records, beyond a point of sorting them out, so director was left with no choice to show it all as a single movie...Watch it only if you want to test your patience!!! Question: is it a positive review?

SOLUTION:
no