In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
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Question: Question: When was the critic who coined the term "rockumentaries" born? Passage 1:Payton's big break came when she was cast as Harriet Winslow, the elevator operator on the ABC sitcom 'Perfect Strangers in 1987. Her performance was so well received by audiences that she was given her own sitcom, Family Matters, in 1989. Continuing her character Harriette Winslow from Perfect Strangers, she played a mother in an African-American middle-class family living in Chicago, Illinois. Payton left Family Matters partway through its final season, appearing for the last time on December 19, 1997. Payton's character was played by Judyann Elder in the show's remaining eight episodes. In 2002, Payton appeared on the "TV Moms" episode of the Anne Robinson version of The Weakest Link, and was the third one voted off. In 2003, Payton and her daughter appeared on a Mother's Day episode of Lingo, playing against fellow TV mom Meredith Baxter and her daughter. Baxter and her daughter won. In 2005, Jo Marie Payton provided the voice of Suga Mama in The Proud Family Movie. Her other television credits include Desperate Housewives, Reba, Girlfriends, Wanda at Large, Judging Amy, The Parkers, Will & Grace, The Hughleys, 7th Heaven, Moesha, The Jamie Foxx Show, 227, Silver Spoons, Small Wonder and The New Odd Couple. She also appeared in the Canadian TV mini series The Rev as Mama. In 2005, Payton co-hosted the 15th Annual NAACP Theatre Awards with Glynn Turman. In August 2009, Payton appeared on Meet the Browns as Shirley Van Owen. Payton recently hosted her own show on the Hometeam Network, Second Chance with Jomarie Payton. In 2012, Payton was in the GMC TV movie special From This Day Forward.
 Passage 2:In 1543, Europeans reached Japan for the first time when a junk belonging to the Chinese wokou pirate lord Wang Zhi carrying Portuguese traders shipwrecked on Tanegashima. The Portuguese introduced the arquebus to the Japanese during this chance encounter, which gave the Japanese, undergoing the bloody Sengoku period at the time, a powerful weapon with which they conducted their internecine wars. The discovery of Japan was attractive to Portuguese merchants and missionaries alike, for it gave the merchants a new market to trade their goods, and the Jesuit missionaries eyed Japan for new converts into Christianity. The warlords of Kyushu vied to get the Portuguese carrack (called the black ship by the Japanese) into their harbours, since the ship also brought considerable wealth to their fiefdoms in addition to the guns.
 Passage 3:Roger Ebert of the Chicago Sun-Times gave the film three stars out of four and wrote that "the musical scenes are the best rock coverage since 'Woodstock.' The sound is first rate, for one thing, and director Pierre Adidge has some idea of why Cocker electrifies a crowd." Vincent Canby of The New York Times called the film a "most satisfying, record-album of a movie" which "patronizes neither its audience nor its stars ... It is uncluttered, one of the best concert films so far." A review in Variety said, "Considerable technical expertise has gone into this production, and though the objective may be clear, it just hasn't turned out to be another 'Woodstock,' possibly because Joe Cocker's personality isn't all that endearing." Gene Siskel of the Chicago Tribune rated the film three stars out of four and wrote, "'Mad Dogs' is distinguishable from other 'rockumentaries' because it deals almost exclusively with the musician and his music. There are few side trips to cultural comments." Robert Hilburn of the Los Angeles Times stated, "As a film, 'Mad Dogs and Englishmen' is a good concert. For much of the picture's 114 minutes, the camera is on Joe Cocker, by most standards the best and most exciting singer in rock music ... But 'Mad Dogs and Englishmen,' unfortunately, fails in the end to rise above this interesting, but clearly limited historical summary of the Cocker tour. As a film, it doesn't establish its own importance." A negative review by Tom Zito of The Washington Post advised readers to "Forget the film and try the record," explaining, "What emerges from all this is roughly two hours of footage that looks terrible on the screen and sounds almost as bad. The film is projected in an annoying square format, except for the moments when the screen area is broken up into some poorly coordinated split-screen effects. The camerawork is often sloppy ... the whole thing winds up looking and sounding like a cheap, imitation (indoor) 'Woodstock.'" James D. White of The Monthly Film Bulletin declared that "The music itself is excellent," but "The film's information content is minimal; and one's heart sinks as the screen is split into a double image for the first number and as the mandatory shots—of excited fans, of joint-rolling in a hotel bedroom, of an interview with a vacuous groupie—are inevitably wheeled out."


Answer: 3


Question: Question: What year was the university Lawrence Lessig taught at founded? Passage 1:Promoted lieutenant-colonel in 1852, and colonel (and commanding officer of the 5th Uhlans) in 1853, Manteuffel was sent on important diplomatic missions to Vienna and St Petersburg. In 1857 he was promoted to major-general and chief of the Prussian Military Cabinet (the King's military advisers). He gave strong support to the Prince Regent's plans for the reorganization of the army. In 1861 he was violently attacked in a pamphlet by Karl Twesten (1820–1870), a Liberal leader, whom he had wounded in a duel, for which Manteuffel insisted on being briefly imprisoned. He was promoted to lieutenant-general for the coronation of William I on 18 October 1861 and saw active service in that rank in the Danish War of 1864, then at its conclusion was appointed civil and military governor of Schleswig. In the Austrian War of 1866 he first occupied Holstein and afterwards commanded a division under Vogel von Falkenstein in the Hanoverian campaign, then in July succeeded Vogel in command of the Army of the Main.
 Passage 2:Remix culture, sometimes read-write culture, is a society that allows and encourages derivative works by combining or editing existing materials to produce a new creative work or product. A remix culture would be, by default, permissive of efforts to improve upon, change, integrate, or otherwise remix the work of copyright holders. While a common practice of artists of all domains throughout human history, the growth of exclusive copyright restrictions in the last several decades limits this practice more and more by the legal chilling effect. In reaction, Harvard law professor Lawrence Lessig who considers remixing a desirable concept for human creativity has worked since the early 2000s on a transfer of the remixing concept into the digital age. Lessig founded the Creative Commons in 2001 which released Licenses as tools to enable remix culture again, as remixing is legally prevented by the default exclusive copyright regime applied currently on intellectual property. The remix culture for cultural works is related to and inspired by the earlier Free and open-source software for software movement, which encourages the reuse and remixing of software works.
 Passage 3:Sabita Devi (1914–1965) was a Hindi film actress in Indian cinema. She is stated to be one of the "prominent" leading ladies of the "pioneering era" of Indian cinema along with Mehtab, Bibbo, Durga Khote, Gohar, Devika Rani and Seeta Devi. A Jewess by birth, she changed her name to find acceptability in Hindi cinema like the other Anglo-Indian and Jewish actresses of her time, Sulochana (Ruby Myers), Seeta Devi (Renee Smith), Madhuri (Beryl Claessen), and Manorama (Erin Daniels). After initially working with British Dominion Films Ltd., Calcutta, she shifted to Bombay and performed mainly in films produced by Sagar Movietone with her co-star in most films being Motilal. Some of the popular films with Motilal were Dr. Madhurika (1935) and Kulvadhu (1937) directed by Sarvottam Badami. Their first film together was Shaher Ka Jadoo (1934), which was also Motilal's debut film, and then Lagna Bandhan (1936) both directed by Kaliprasad Ghosh. She acted in Silver King (1935) with Motilal. It was an action film directed by C. M. Luhar, which became a "huge success".


Answer: 2


Question: Question: Which of the wrestlers that Virus and his teammate defeated in the first round of  the Torneo Gran Alternativa is older? Passage 1:The International Queer Film Festival Merlinka or Merlinka Festival is an annual LGBT-themed film festival which is annually organized in Belgrade (since 2009), Sarajevo (since 2013) and Podgorica (since 2014). The Belgrade edition is organized in the Belgrade Youth Center during the second week of December, and it lasts for five days. The Sarajevo and Podgorica editions are organized in January and February of each year, with the former being organized in the Art Cinema Kriterion, and the latter being organized in the PR Centre. The festival was founded in 2009 by the Gay Lesbian Info Centre and Belgrade Youth Center. It screens feature, documentary and short films from all over the world that deal with gay, lesbian, bisexual, transgender, transsexual, intersex and queer issues. The festival was named after Vjeran Miladinović Merlinka, a transgender sex worker and actress who was murdered in 2003. She is best known for her role in the Teddy award winning film Marble Ass directed by Želimir Žilnik. The festival was established to promote LGBT art and culture. In 2014, the festival produced a theater play about Vjeran's life, Merlinka's confession, directed by Stevan Bodroža. Merlinka is the only active film festival to be annually organized in several countries.
 Passage 2:On August 21, 2001 Virus participated in his first major CMLL tournament, the Torneo Gran Alternativa ("Great Alternative Tournament") where he was teamed up with Blue Panther. In the first round they defeated the team of Alan Stone and Mr. Niebla but lost to Olímpico and Sicodelico Jr., who would go on to win the entire tournament. After having been a Rudo (a Heel, or bad guy) his entire career Virus was turned Tecnico (Face or good guy) in 2002. In 2003 he took part in a series of matches between CMLL tecnicos, himself, Ricky Marvin and Volador, Jr., and a group called "the Havana Brothers" based out of southern California that consisted of Rocky Romero, Ricky Reyes and T.J. Perkins). The well received series of matches between the six led CMLL to create the CMLL World Super Lightweight Championship. Rocky Romero became the first champion but lost the title to Virus on November 14, 2003. Virus held the title for 392 days before losing it back to Rocky Romero. In 2005 Virus was turned Rudo once more and generally used to help young, high-flying tecnicos get more experience. Over the summer of 2006 Virus represented CMLL in All Japan Pro Wrestling's Junior Heavyweight League tournament. He ended up winning only one match, defeating MAZADA but lost to Katsuhiko Nakajima and Katsushi Takemura, failing to advance in the tournament. On October 2, 2007 Virus won CMLL's recurring Reyes del Aire ("Kings of the Air") tournament outlasting 11 other competitors in a torneo cibernetico, lastly eliminating Valiente to win the match.
 Passage 3:Live was released to keep Usher's fans satisfied during the four-year break between My Way (1997) and 8701, his second and third studio albums, respectively. During that time, Usher was busy pursuing an acting career in films The Faculty (1998), Light It Up (1999) and Texas Rangers (2001). The album was recorded at two free concerts Usher performed in his hometown of Chattanooga, Tennessee on October 15 and 16, 1998. Usher stated his reasons for releasing a live album in an interview with MTV, "I really like the sound of a band, that's one, just for myself, but there were so many people who didn't get a chance to see the concert, so I came out with a live version of most of the songs on my album, and I came out with a home video for all the people who didn't get a chance to see the performance, and a little bio of me as well." Seven of the songs included on Live are from Usher's self-titled debut album (1994) and My Way. A medley of songs originally performed by Bobby Brown—"Don't Be Cruel", "Every Little Step", "Rock Wit'cha" and "Roni"—is also featured on the album, along with covers of Force MDs' "Tender Love" and LL Cool J's "I Need Love".


Answer:
2