In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

[EX Q]: Context_1 : The Union of Evangelical Congregational Churches in Brazil is an association of churches of Congregational origin in Brazil. It was founded by a couple namely Robert Reid Kalley and Sarah Poulton Kalley, who arrived in Rio de Janeiro in May 1855 to begin mission work. The work developed. The first believer was baptised in November, 1857. In 1858 the first church was organised. The evangelists and the Kalley's work spread to the North-eastern part of Brasil, specially in Recife and Pernambuco state. Robert and Sarah Kalley returned to Scotland in 1876. In 1913 thirteen church formed the United Independent Evangelical Churches. Robert died in 1888 but Sarah continued to raise funds for Brazil. She died in 1907. In 1942 Congregational churches united to form the Evangelical Christian Churches in Brazil. Later it become the Union of Evangelical Congregational Churches in Brazil. Context_2 : Needed Truth is a Christian, Plymouth Brethren magazine that first appeared in 1888 in Scotland. The magazine discussed whether reception was to the Lord's Table, or if reception was to the assembly itself. This distinction had implications whether a believer from other evangelical churches could occasionally meet with the saints in a New Testament assembly. The publication of the magazine crystallised the two sides of the argument to such an extent that within five years they ceased to be in intercommunion. Context_3 : Medieval women's mysticism was "a succession of insights and revelations about God that gradually transformed the recipient" according to historian Elizabeth Petroff of Oxford University in her 1994 book, "Body and Soul." The word "mysticism" has its origin in ancient Greece where individuals called the "mystae" participated in mystery religions. The life of a medieval woman mystic was spent seeking unity with God in a series of stages. The mystical life of a medieval woman began with a purge of the spirit in which she released herself from earthly indulgences and attachments. In a state of contrition the medieval woman mystic faced suffering because of her past sins, and the mercy of God was revealed to her through penitence. Mystics sought to imitate the suffering of Christ in order to gain an understanding through experience. During the compassion stage of suffering, the pain experienced by the medieval woman mystic "revealed the believer's love of Christ, fostered unity with Christ and the world, and began to draw the believer beyond the physical Jesus who suffered on the Cross to understand the immensity of the love that motivated Christ in the world to suffer on humanity's behalf". Medieval women mystics experienced visions during what medieval historians refer to as the Illuminative stage of their lives that contained instructions from God and would communicate their revelations in written form. Context_4 : Inclusivism, one of several approaches to understanding the relationship between religions, asserts that while one set of beliefs is absolutely true, other sets of beliefs are at least partially true. It stands in contrast to exclusivism, which asserts that only one way is true and all others are in error. It is a particular form of religious pluralism, though that term may also assert that all beliefs are equally valid within a believer's particular context. Context_5 : Silence (沈黙 , "Chinmoku" ) is a 1966 novel of historical fiction by Japanese author Shūsaku Endō, published in English by Peter Owen Publishers. It is the story of a Jesuit missionary sent to 17th century Japan, who endures persecution in the time of Kakure Kirishitan ("Hidden Christians") that followed the defeat of the Shimabara Rebellion. The recipient of the 1966 Tanizaki Prize, it has been called "Endo's supreme achievement" and "one of the twentieth century's finest novels". Written partly in the form of a letter by its central character, the theme of a silent God who accompanies a believer in adversity was greatly influenced by the Catholic Endō's experience of religious discrimination in Japan, racism in France, and a debilitating bout with tuberculosis. Context_6 : Nevin is a surname of Irish (Gallowglass) origin. Two etymologies are given. It may originate from Cnamhín, derived from Cnamh, "a bone", possibly a nickname in reference to the first chief of the clan who was a bony or large-boned man. Secondly, it may be an Anglicisation of the Irish Gaelic form MacCnaimhín / Ó Cnaimhín / MacCnaomhín / Ó Cnaomhín or Ní Chnáimhín / Ní Chnáomhín (female), meaning "Little Saint" or "Saintly" / "Believer in Saints" / "Religious". Context_7 : The Believer is a bi-monthly magazine of interviews, essays, and reviews. Founded by the writers Heidi Julavits, Vendela Vida, and Ed Park in 2003, the magazine is a five-time finalist for the National Magazine Award, with contributors ranging from literary luminaries such as Hilton Als, Anne Carson, Nick Hornby, Susan Straight, and William T. Vollmann to emerging talents for whom the magazine has been a proving ground, including Eula Biss, Gideon Lewis-Kraus, Leslie Jamison, Rachel Kaadzi Ghansah, Kent Russell, and Rivka Galchen. Context_8 : Edmond Edouard Ernest Victor Toupet des Vignes (5 September 1816 – 21 June 1882) was a French politician who sat in the legislature during the French Second Republic and the French Third Republic, and then became a senator. He was a firm believer in the republican form of government, and sat with the center left, but on topics such as religion held conservative views. Context_9 : Baba Faqir Chand, (18 November 1886 – 11 September 1981) was an Indian master of Surat Shabd Yoga, or consciously controlled near death experience. He was one of the first saints or gurus of Sant Mat tradition to openly speak and write against the deceptive and harmful practices of modern guruism and religious intolerance. As a highly pragmatic individual, Faqir also strove to explain the various practices and principles of Sant Mat based on his own experiences and in the context of modern science and psychology. He was also the first Sant Mat guru to talk about the phenomena consisting of a believer experiencing a subjective projection of a sacred or holy form of a guru or idol without the conscious knowledge of the person at the center of the experience, i.e., the guru. This was termed the 'Chandian Effect', and described by researcher David C. Lane. Faqir Chand claimed that he had no knowledge of his form manifesting before a person and helping them with their worldly or spiritual problems. He fervently expressed that in his experience, the real helper is one's own true self and faith.Mark Juergensmeyer, another researcher on new religious movements (including Radha Soami Mat), intrigued by the uniqueness of Faqir Chand's experiences, also interviewed him. This insightful interview was included in Faqir's autobiography. Context_10 : YM was an American teen magazine that began in 1932. The magazine ceased publication in 2004. fact_1 : YM was an American teen magazine that began in 1932. fact_2 : The Believer is a bi-monthly magazine of interviews, essays, and reviews. Question: YM and The Believer, are which form of publication?
[EX A]: magazine

[EX Q]: Context_1 : Carly Brook Schroeder (born October 18, 1990) is an American film and television actress. She is best known for playing Serena Baldwin, the daughter of Scotty Baldwin and Lucy Coe in the "General Hospital" spin-off "Port Charles". She also had a recurring role on the Disney Channel's "Lizzie McGuire". In 2007, she played the lead in "Gracie", a film inspired by a real-life tragedy during the childhood of actors Elisabeth Shue and Andrew Shue. Context_2 : Amy & Isabelle is a 2001 made-for-television movie produced through Oprah Winfrey's Harpo Films as part of her "Oprah Winfrey Presents" film line. It was directed by Lloyd Kramer, who had previously directed another film under the "Oprah Winfrey Presents" banner, "". The book is based on the 1998 Elizabeth Strout book "Amy and Isabelle" and stars Elisabeth Shue and Hanna Hall as Isabelle and her daughter Amy. Context_3 : Cocktail is a 1988 American romantic comedy-drama film directed by Roger Donaldson and written by Heywood Gould, whose screenplay was based on his book of the same name. The film tells the story of a young New York City business student, Brian Flanagan, who takes up bartending in order to make ends meet. Context_4 : Piranha 3D is a 2010 American 3D horror comedy film that serves as a loose remake of the 1978 horror film "Piranha". It was directed by Alexandre Aja and has an ensemble cast featuring Elisabeth Shue, Adam Scott, Jerry O'Connell, Ving Rhames, Steven R. McQueen, Jessica Szohr, Christopher Lloyd, Richard Dreyfuss, Dina Meyer, Kelly Brook, Riley Steele, and Eli Roth. Context_5 : Leaving Las Vegas is a 1995 romantic drama film written and directed by Mike Figgis and based on the semi-autobiographical novel "Leaving Las Vegas" by John O'Brien. Nicolas Cage stars as a suicidal alcoholic who has ended his personal and professional life to drink himself to death in Las Vegas. While there, he develops a relationship with a hardened prostitute played by Elisabeth Shue, which forms the center of the film. O'Brien committed suicide two weeks after principal photography of the film began. Context_6 : Dreamer is a 2005 American sports drama film written and directed by John Gatins in his directorial debut. The film stars Kurt Russell, Kris Kristofferson, Elisabeth Shue and Dakota Fanning. It is inspired by the true story of an injured Thoroughbred racehorse named Mariah's Storm. The film premiered at the Toronto International Film Festival on September 10, 2005 and was theatrically released on October 21, 2005 by DreamWorks Pictures. The film received mixed to positive reviews from critics, and earned $38 million on a $32 million budget. It also received a Critics Choice Award nomination for Best Family Film. Context_7 : Gracie is a 2007 American historical sports drama film directed by Davis Guggenheim. It stars Carly Schroeder as Gracie Bowen, Dermot Mulroney as Bryan Bowen, Elisabeth Shue as Lindsay Bowen, Jesse Lee Soffer as Johnny Bowen, and Andrew Shue as Coach Owen Clark. Context_8 : House at the End of the Street is a 2012 American psychological thriller film directed by Mark Tonderai that stars Jennifer Lawrence, Max Thieriot, Gil Bellows, and Elisabeth Shue. The film's plot revolves around a teenaged girl named Elissa, who along with her newly divorced mother Sarah, moves to a new neighborhood, only to discover that the house at the end of the street was the site of a gruesome double murder committed by a girl named Carrie-Ann who disappeared without a trace. Elissa then starts a relationship with Carrie Anne's brother Ryan, who now lives in the same house. Context_9 : The Karate Kid is a 1984 American martial arts drama film produced by Jerry Weintraub, directed by John G. Avildsen, written by Robert Mark Kamen, and stars Ralph Macchio, Pat Morita and Elisabeth Shue. It is an underdog story in the mold of a previous success with "Rocky" (1976), which Avildsen also directed. The film features the Gōjū-ryū style of karate. "The Karate Kid" was a commercial success upon release and garnered critical acclaim, earning Morita an Academy Award nomination for Best Supporting Actor. The film became the first installment in an ongoing film series, spawning three sequels, a 2010 remake and an upcoming follow-up television series. Context_10 : Elisabeth Judson Shue (born October 6, 1963) is an American actress, known for her roles in the films "The Karate Kid" (1984), "Adventures in Babysitting" (1987), "Cocktail" (1988), "Back to the Future Part II" (1989), "Back to the Future Part III" (1990), "Soapdish" (1991), "Leaving Las Vegas" (1995), "The Saint" (1997), and "Hollow Man" (2000). She has won several acting awards and has been nominated for an Academy Award, a Golden Globe and a BAFTA. She starred as Julie Finlay in the CBS police drama "" from 2012 to 2015. fact_1 : Elisabeth Judson Shue (born October 6, 1963) is an American actress, known for her roles in the films "The Karate Kid" (1984), "Adventures in Babysitting" (1987), "Cocktail" (1988), "Back to the Future Part II" (1989), "Back to the Future Part III" (1990), "Soapdish" (1991), "Leaving Las Vegas" (1995), "The Saint" (1997), and "Hollow Man" (2000). fact_2 : Cocktail is a 1988 American romantic comedy-drama film directed by Roger Donaldson and written by Heywood Gould, whose screenplay was based on his book of the same name. Question: What 1988 American film is directed by Roger Donaldson and casts Elisabeth Shue?
[EX A]: Cocktail

[EX Q]: Context_1 : Dido and Aeneas (Z. 626) is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The dates of the composition and first performance of the opera are uncertain. It was composed no later than July 1688, and had been performed at Josias Priest's girls' school in London by the end of 1689. Some scholars argue for a date of composition as early as 1683. The story is based on Book IV of Virgil's "Aeneid". It recounts the love of Dido, Queen of Carthage, for the Trojan hero Aeneas, and her despair when he abandons her. A monumental work in Baroque opera, "Dido and Aeneas" is remembered as one of Purcell's foremost theatrical works. It was also Purcell's only true opera, as well as his only all-sung dramatic work. One of the earliest known English operas, it owes much to John Blow's "Venus and Adonis", both in structure and in overall effect. The influence of Cavalli's opera "Didone" is also apparent. Context_2 : Venus and Adonis, a classical myth, was a common subject for art during the Renaissance and Baroque eras. Some works which have been titled "Venus and Adonis" are: Context_3 : A composition of Venus and Adonis by the Venetian Renaissance artist Titian has been painted a number of times, by Titian himself, by his studio assistants and by others. In all there are some thirty versions that may date from the 16th century, the nudity of Venus undoubtedly accounting for this popularity. It is unclear which of the surviving versions, if any, is the original or prime version, and a matter of debate how much involvement Titian himself had with surviving versions. There is a precise date for only one version, that in the Prado in Madrid, which is documented in correspondence between Titian and Philip II of Spain in 1554. However, this appears to be a later repetition of a composition first painted a considerable time earlier, possibly as early as the 1520s. Context_4 : Vénus et Adonis is an opera ("tragédie en musique") in a prologue and 5 acts composed by Henri Desmarets to a libretto by Jean-Baptiste Rousseau. Based on the story of Venus and Adonis in Book X of Ovid's "Metamorphoses", it was first performed by the Académie Royale de Musique at the Théâtre du Palais-Royal in Paris on 28 July 1697 with Marie Le Rochois and Louis Gaulard Dumesny in the title roles. Desmarets staged a major revival of the work with a new prologue at the court of Leopold, Duke of Lorraine in 1707. During the composer's lifetime, it was performed in Germany, Belgium, and France, but then fell into obscurity. Its first staging in modern times took place at the Opéra de Nancy on 28 April 2006. Context_5 : Herzog Blaubarts Burg ("Duke Bluebeard's Castle") (1963) is a film of the opera "Bluebeard's Castle" by the Hungarian composer Béla Bartók, written in 1911 to a symbolist libretto by the poet and later film theorist Béla Balázs. The film was made for West German television, Süddeutscher Rundfunk, and was produced by Norman Foster, who also performs the lead role. The designer was Hein Heckroth who brought in his old friend Michael Powell, for whom he had designed a number of films, to direct it. The film, which was shot at Dürer Film Ateliers in Salzburg, Austria, was out of circulation for decades because of legal problems. Context_6 : Venus and Adonis is an opera in three acts and a prologue by the English Baroque composer John Blow, composed in about 1683. It was written for the court of King Charles II at either London or Windsor. It is considered by some to be either a semi-opera or a masque, but "The New Grove" names it as the earliest known English opera. Context_7 : Barbe-bleue (en. "Bluebeard") (ru. «Синяя борода», "Sinjaja boroda") is a "ballet-féerie" in three acts and seven scenes, originally choreographed by Marius Petipa to the music of Pyotr Schenk. The libretto was created by the author and dramatist Countess Lydia Pashkova from the fairy tale "Bluebeard" by Charles Perrault. The ballet was first presented by the Imperial Ballet on December 20 [O.S. December 8] 1896 at the Imperial Mariinsky Theatre in St. Petersburg, Russia, the first performance being a benefit in honor of Marius Petipa's fiftieth anniversary in service to the St. Petersburg Imperial Theatres. Context_8 : Bluebeard's Castle (Hungarian: A kékszakállú herceg vára ; literally: "The Blue-Bearded Duke's Castle") is a one-act opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer, and is written in Hungarian, based on the French literary tale "La Barbe bleue" by Charles Perrault. The opera lasts only a little over an hour and there are only two singing characters onstage: Bluebeard ("Kékszakállú "), and his new wife Judith ("Judit " ); the two have just eloped and Judith is coming home to Bluebeard's castle for the first time. Context_9 : The Death of Adonis is a c.1614 painting by Peter Paul Rubens, now in the Israel Museum in Jerusalem. It shows the dead Adonis being mourned by Venus, Cupid and the Three Graces Context_10 : The history of opera in Latin America dates back to at least the early 18th century. Opera arrived in Latin America as a consequence of European colonization. On October 19, 1701, "La púrpura de la rosa" premiered in Lima in the Viceroyalty of Peru, the first opera known to be composed and performed in the Americas. It is an opera in one act by Spanish composer Tomás de Torrejón y Velasco with a libretto by Pedro Calderón de la Barca, and is the only surviving opera by Torrejón y Velasco. It tells the myth of the love of Venus and Adonis, which provoked Mars's jealousy and his desire for vengeance. fact_1 : Venus and Adonis is an opera in three acts and a prologue by the English Baroque composer John Blow, composed in about 1683. fact_2 : Bluebeard's Castle (Hungarian: A kékszakállú herceg vára ; literally: "The Blue-Bearded Duke's Castle") is a one-act opera by Hungarian composer Béla Bartók. Question: Which opera, if any,  Venus and Adonis or Bluebeard's Castle has more acts ?
[EX A]:
Venus and Adonis