TASK DEFINITION: In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.
PROBLEM: Shhhh. Listen . Miles always let the music do the talking, so my advice is just listen to this album. Nevertheless, I will bang on about it a bit, just like the others.  This is a CD I put on after I come back from the pub, or club at night when I've had a few drinks or whatever. Somehow it just calls out to me "Luke... Luke... PLAY ME" and I do. It never fails to move me (and sometimes physically). It is a strange, dark brew of textured piano and electric piano riffs and some minimal rythmical work by Williams and Holland, with Miles gliding over it like only he can and John McLaughlin creating great atmosphere with some wonderful guitar work. It is raw, like most Miles Davis stuff, but also very smooth and peaceful - with a kind of dark streak running through the middle. Quite unlike any music you will hear these days, bar perhaps Aphex Twin.  When I first got this album I thought it was incredible and powerful and was even quite scared of it for a while - it seemed to possess some kind of quiet voodoo power. There is magic in this music, definitely. But, over the years I have listened to it regularly and it continues to give me warm pleasures. Every listen becomes a rich, rewarding experience. It is a real grower, and calmer than most of Miles' other fusion work. It is a good companion to "A Tribute To Jack Johnson" (Mainly because of the presence of McLaughlin on guitar), although this album is far less aggressive, and more gentle and mysterious. The album will take you on a pleasant little journey down a bubbling creek, in the middle of the night...

SOLUTION: POS

PROBLEM: New Age Supertramp Anyone? . OK I can't myself here, but this guy really listened to a lot Supertramp growing up or something.  I liked to album, but I can hear hints of Supertramp's style in about half the songs here in different degrees.  "Bad Day" probably the most notable of the bunch really sounds like something that came of the "Breakfast in America" album to me.  Still the album is enjoyable though, especially if you did like Supertramp.  I get the Leo Sayer hook, but I think it's off a bit.  Leo never used that many keyboards

SOLUTION: POS

PROBLEM: sonny's back!! . i haven't finished listening to this cd, it's playing as i type now. much that i've heard lacking in a lot of recordings from the late 70s when mr rollins seemed to be exploring a more popular sound for younger audiences has been recaptured and reshaped, that tone and timbre, his big, full sound, the wonderful improvisation, the sly americana references, the calypso blends, it's all here.    and my best regards to the group, bob cranshaw on bass, steve jordan on drums, bobby broom-guitar, kimati dinizulu-percussionist, and to clifton anderson on trombone, who really knows what it's all about

SOLUTION:
POS