instruction:
In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.
question:
Another review likened this troupe to a cross between Monty Python and Twin Peaks, also aptly. Yet another review expounded on the differences between the comedy we enjoy non-critically and black comedy, also well worth consideration.Watch the whole thing, all three series. At the end, all the characters are tied up and the puzzle pieces fall into place just as well as a Douglas Adams novel. The detail and intricacies are staggering. Thoroughly post-modern. Wickedly funny, and startlingly tragic. Not for kids. Not for those with thin skins or who lack objectivity. Thought-provoking. At once literal, figurative, and surreal in disturbing ways. The blackest comedy I can recall.And very possibly the most wonderful thing I will ever see.
answer:
positive


question:
This is one of those movies that I've seen so many times that I can quote most of it. Some of the lines in this movie are just unbeatable. I particularly enjoy watching him stumble and fall while drunk, go out to the fancy restaurant drunk and the part with the moose.I don't know how many times I have seen this sequence but it's funny every time. From the moment Arthur gets to Susan's Dad's place to the bit with the moose, you pretty much laugh the whole time. I remember watching the out-takes regarding the bit with the moose. It went down just like I'd imagined it'd be like. They were all laughing so hard it was difficult for them to film it.The late Sir John Gielgud was a wonderful addition to this. His demeanor, his one-liners and the way he handled Arthur were all equally hilarious. It's always a funny moment when he whacks him over the head with his hat or tells him he's a spoiled little ____. I laugh every time I listen to the "I'm going to have a bath" and the lines that follow.
answer:
positive


question:
Some people loved "The Aristocrats" and others hated it, frequently walking out in the middle. Reactions to Eddie Izzard aren't likely to be that extreme -- if you can handle a transvestite comedian (who says he likes girls) and has a vocabulary that makes, shall we say, enough use of the "f" word that his program would be one long beep if presented on network television. Many of Izzard's fans are so devoted that they see no flaws whatsoever in his performances. On the other hand, I thought this show was occasionally flatter than Izzard's chest but also more often than not funny and, in spots, absolutely hilarious. He has a way of connecting references from routines early in the show to his later routines. He's not a story teller. He's not a joke maker. He's not a frenetic fantasist like Robin Williams. He plays around with ideas, some of which work and some of which -- a routine with the San Francisco cable car and Alcatraz, for instance -- are completely unfunny. He has a way, however, of moving gracefully past the flopped routines and extending the ones that connect. I gave this performance a 7 and might be persuaded to raise it to an 8. But a 10? No way.
answer:

positive