In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: arriving in a barrage of hype , the blair witch project is one of the biggest box office success of the year .
however , like the golden child , although blair witch has made a lot of money , it 's not very good .
donahue , williams and leonard play themselves as three students who set out to make a documentary about the blair witch myth .
the film is made up of the camcorder footage they recorded , which means grainy footage and woozy camera angles .
although events start of normal , they get weird pretty quickly , while the threesome argue more and more as the journey goes on .
although an interesting premise , the blair witch project amounts to nothing more than a missed opportunity .
the biggest mistake the film makes is to let three mediocre actors the chance to improvise .
most of the dialogue is ad - libbed , and still manages to sound like a poor b - movie .
the ' script ' eventually degenerates into shouting matches , with the f - word included a lot to sound like students .
there are breaks in these arguments where some creepy events occur , but then it 's back to the shouting and swearing , which gets very tiresome very quickly .
if i wanted to see three people get lost in the woods , shout a lot and swear , i 'd go on scout camp .
but no , the audience is meant to get some entertainment factor out of this , but i 'm not quite sure how .
the supernatural parts of the film are actually interesting , especially if close attention is paid to the story developing first twenty minutes .
with no music and no budget to work with , the film has to depend on natural , psychological scares , which are sometimes well delivered , sometimes not .
i never really felt truly scared during any part of the film , although there is a small sense of fear underlying throughout the film .
however , because the actors are so irritating , the scares are lost when it eventually reverts back to heather saying ' what the f * ck is that ? '
a lot , and mike giggling like a loony .
there 's also the niggling fact that these student filmmakers do some really stupid things .
the main problem is the fact that even though these hapless bunch could be killed at any moment , and are hopelessly lost , heather still insists on filming it all .
the film gives a half hearted reason why she should want to do this , but it is n't very convincing .
also , the students have no idea how to survive in the woods , such as following a large river flowing through the woods to civilisation .
there are also some parts where the ' amateur ' camcorder footage is obviously staged , heather 's apology being a major one .
the blair witch project , in the end , just fails to deliver .
i suppose if you 've been lost camping before , the film may deliver some chills , but this is no use for the other 99 % of the paying audience who have n't been lost in the woods .
apart from the final minutes , the film is mind boggingly unscary , and the shouting matches get hideously dull .
the spook scenes are short and far between , and any other horror movie could probably achieve the same amount of fear that these scenes provide .
although a good idea ,
it 's not executed well enough to be a fun , scary cinema experience .
it 's a worrying fact when the website ( http : //www . blairwitch .
com ) is better than the film .
[EX A]: N

[EX Q]: i wish i could have been in the pitch meeting for this ridiculous notion of a sports film .
i bet it was some hotshot warner brothers agent with an dark armani suit and manicured fingernails saying , " it would be a very light comedic version of any given sunday , and we could throw in the hoosiers angle with the casting of gene hackman as the tough but determined coach .
throw in that hunk of a guy keanu reeves and a cast of wacky characters and poof !
we 'll have a hit on our hands !
" the replacements is a hokey mistake of a football film , a mishmash collage of one - dimensional characters , rampant stereotypes of cultures and races , cliched emotional statements of purpose , and keanu reeves wishing for the matrix sequel to start principal photography .
the story is loosely based around the pro football players ' strike in 1987 and a rag - tag team of replacement football players taking up the reins of professional play for a variety of teams with names like the washington sentinels .
keanu reeves stars as shane falco , a has - been football college player looking for redemption .
gene hackman dons a fedora like tom landry and speaks with gusto like a certain coach in hoosiers .
rounding out the cast includes swingers ' jon favreau , 7-up pitchman orlando jones , gruff owner jack warden , and cast of wacky and unknown actors who do amazing jobs of portraying perfectly stereotyped characters : the drunken welshman , the overweight sumo wrestler , the black convict , the violent cop , and the dumb , dumb cheerleaders .
this bunch of nobodies try to make something of themselves by taking the team to the season playoffs with unbelievable football plays , gene hackman yelling and asking himself where the hell dennis hopper is , keanu reeves looking for his body double making him look good on the football field , and cheerleaders hired from the local strip club making the girls from coyote ugly look like waitresses from denny 's .
the usual things happen like clockwork .
the hero rises from the ashes of failure , the team comes together in unity , the hero falls in love with a conventional love interest , the football games are won with enough schlock value to make the most ignorant of audiences cheer and clap , and the cheerleaders make you want to go home and watch late night movies on cinemax .
it 's also a shame when decent directors with good movies under their belts go to seed and become television and sequel hacks .
howard deutch , who was behind the camera for two of the best films of ' 80s - pretty in pink and some kind of wonderful , has since been doing grumpier old men and caroline in the city episodes .
obviously the problem is that without a good script , any director will fail in the end .
sports films are strong vehicles for cinematic glory , gritty tales involving the honor of men and the valiant efforts taken for the ultimate goal of victory in the face of insurmountable odds , the rise and fall of gallant heroes , and stories of dramatic gusto painted with blood and sweat on the battlefield of life .
the replacements offers none of this .
[EX A]: N

[EX Q]: the swirling sick feeling hit me just a few minutes into " heartbreakers .
" ray liotta 's character was making out with his secretary when his new wife knocked on the door of his office .
while scrambling to collect himself , he frantically shouted to her , " just wait a sex ?
er , i mean sec !
" i was struck by a wave of revulsion , thinking , " geez , did n't lines like
that die when ' three 's company ' was canceled ?
" over the next few minutes , as the barely double entendres and lingering cleavage shots grew more numerous , i realized that the mindset behind " heartbreakers " predated " three 's company .
"
suddenly , i had an out - of - body experience as my internal way - back machine swept me to the mid-1960s .
all across america , the counter - culture was growing like wildfire , but there was scant evidence of it on tv .
while young people were challenging traditional values on the streets , frustrated teenagers like me were stuck at home , sulking while our parents enjoyed the latest bob hope special .
women in skimpy bathing suits would prance onscreen while hope made growling noises and leered at their breasts .
on another channel , dean martin made wisecracks about " booze and broads " and peter lawford , decked out in love beads and a nehru jacket , purred suggestive one - liners as he ogled the go - go dancers .
the adults laughed and laughed .
" heartbreakers " reeks of that stagnant mentality , from its lingering shots of jennifer love hewitt 's vah - vah - voom breasts to its leaden screenplay , which paints women as haughty schemers and men as drooling buffoons too sex - obsessed to realize they are being manipulated .
in addition to liotta and hewitt , the cast includes sigourney weaver , gene hackman , jason lee , nora dunn and anne bancroft .
i ca n't imagine what drew performers of their caliber to this project .
perhaps they thought it was a parody of the sniggering sex comedies of the ' 60s .
if so , they were sadly mistaken .
the story revolves around a mother - daughter con - team .
it opens with the marriage of max ( weaver ) to dean ( liotta ) , a new jersey chop shop operator .
having withheld sex until the honeymoon , max pretends to pass out on their wedding night .
the next morning , she feigns illness , sending a very horny dean off to the office , where he ends up in the arms of his new secretary .
just as the two are about to get overtly physical , max bursts into the room and catches them .
the " horrified " bride dissolves the union , garnering a healthy cash settlement along the way .
of course , the secretary was really her daughter page ( hewitt ) and
the whole thing was a set - up .
the women move on , but an irs agent ( bancroft ) catches up with them and demands a huge amount of money to cover unpaid taxes .
in desperate need of funds , max and page head for palm beach to replay the scam .
their mark this time is william b .
tensy ( hackman , in hideous make - up ) , a decrepit tobacco tycoon obsessed with the joys of smoking .
max starts to put the game into action , but page is so repelled by the old man ( and angry with her mom ) that she slips off to enact her own score , targeting jack , a laid back young beach bar owner who is worth a fortune .
complications arise when page realizes that good - natured jack is stirring actual emotions in her steely little heart .
as if that was n't enough , dean reappears on the scene with revenge on his mind .
the attempt to weld a romance onto a caper comedy served only to remind me of the infinitely superior " a fish called wanda .
"
i wo n't bother to compare the two .
suffice to say that everything done right in " wanda " is done wrong here .
" heartbreakers " is soulless , inept and , at 123 minutes , at least a half - hour too long .
sigourney weaver and jennifer love hewitt throw themselves into their parts , but have nowhere to go with the metallic characters .
gene hackman is utterly wasted in a one - note , one - joke part
that has him doing nothing but smoking , coughing and waxing rhapsodic about smoking and sex .
poor jason lee is stuck in
the ingenue role and the normally charismatic actor comes off as merely bland .
ray liotta manages to squeeze a tiny bit of humanity and humor into his walking clich ? , but only a bit .
the low point in the film has weaver employing a russian accent bad enough to make boris and natasha wince , while doing half - assed slapstick with a broken off penis from a statue .
bear in mind , though , that this is merely the worst segment of a movie made up of nothing but low points .
if you remember bob hope specials with fondness , this might be your cup of tea .
as for me , i 'm going to watch " a fish called wanda " now and try to forget i ever saw " heartbreakers .
"
[EX A]:
N