Given a document, an entity and its sentiment towards the entity, verify if it is the correct sentiment towards the entity. Answer should be yes or no. Note that URLs in the text have been replaced with [Link].

[Q]: Verify if the sentiment of the following document towards the entity Joanne is Positive . But Gaga has spent the past three years deconstructing her previous project  which is its own kind of performance. Elaborate dance pop ceded ground to jazz standards  showtunes  and country rock. Tentacle gowns went into the closet; jeans and a pink cowboy hat came out. The director Chris Moukarbel shot Five Foot Two largely on handheld—maybe even smartphone—cameras. You see Gaga cooking  recording  planning  crying  bonding. In one scene  she’s topless as she chats with her team by the poolside. The implication: This is Gaga  au naturel. Yet she never seems to forget the camera. Five Foot Two documents last year’s release of her album Joanne  and makes clear how much Gaga’s public reboot relied on demonstrating that she  like everyone else  suffers. Gaga has increasingly mined the traumas of her own life  with songs and philanthropic efforts growing out of her rape at age 19. The dissolution of her engagement to the actor Taylor Kinney  mournfully referenced a few times in the documentary  seemed to inform the breakup-themed Joanne singles “Perfect Illusion” and “Million Reasons.” But there was a deeper source of anguish on  Joanne   too. The album is named for  her  aunt  an aspiring artist who died of lupus at age 19 in 1974. “Seeing what that did to [my father] and my family was the most powerful thing I experienced growing up ” Gaga tells the journalist Darryl Pinckney in the film. “I am Joanne. I am my father’s daughter. That is what this record is about.”
The most memorable scene of the documentary comes when she first plays the album’s delicate  acoustic title track for her grandmother   Joanne’s  mom. The moment verges on uncomfortable  and not only because Gaga’s father   Joanne’s  brother  gets up and leaves the room in apparent distress midway through. Gaga herself seems hungry to have her telling of an ordeal she did not personally experience validated by those who did. “Did I get it right?” she asks her grandmother  mid-hug. “Yes you did ” her grandmother responds. But she has a warning for Gaga  too: “Don’t become maudlin over all this.” For now  Gaga is asking not for applause but understanding. It’s never explicitly stated  but Gaga seems to connect to  Joanne ’s story in part because of  her  own medical situation. Iconography about hospitals and crutches and wheelchairs over the years hinted that the seemingly bionic pop star faced problems of the flesh off-stage. In 2010   she  told Larry King  she  tested “borderline positive” for lupus.  She ’s still feeling the effects of the injury  she  sustained in 2013  as seen in a Five Foot Two moment when  she  pauses rehearsals for  her  Super Bowl halftime show because of hip tightness.  Fibromyalgia  appears to make that problem worse  and being a pop star in chronic pain certainly doesn’t seem easy. One scene shows  her  having  her  makeup done for a performance while sitting in a doctor’s examination room.
Gaga’s particular ailment is an almost-literal rendering of Jamison’s “pain without a cause”—which is  as  she  notes  “pain which can’t be trusted.” A poorly understood but widespread disorder that seems to inordinately affect women  fibromyalgia is sometimes assumed to be psychosomatic. “Drug Approved. Is Disease Real?” read a 2008 New York Times headline about the first FDA-sanctioned drug to treat it. Gaga has said that she wants to help raise awareness and research dollars. During one excruciating flare-up shown in Five Foot Two  she sympathizes with less-privileged sufferers of the disorder: “Like  I don’t know what I’d fuckin’ do if I didn’t have everybody here to help me.” A few moments later  she’s looking straight into the camera. “Do I look pathetic?” she asks  tear-streaked  lying on a couch  a therapist massaging her. “I’m so embarrassed.” It’s a powerful moment because the stigma of pain is clearly part of the pain itself. But it’s also aesthetically striking. To answer Gaga’s question  she actually looks like she did in parts of the “Bad Romance” video—crying  stripped down  and oddly luminous. It’s a sign of fame’s power on the viewer: Whatever lengths she might go to put person over persona  the persona remains. * * * Pop music has firmly moved on from the phase of gleeful  Technicolor artifice that Gaga stood for at her peak. Contemporaries in wildness like Kesha and Miley Cyrus have done much what Gaga has done and traded Alexander McQueen creations for cowboy boots. They have also made a diaristic turn  harmonizing their music with their angsty  tabloid sagas.
Usually this means trading on the spectacle of suffering to sell pop’s ultimate commodity—inspiration. Beyoncé’s Lemonade is the signal example  taking the sting of infidelity to spin a tale of hurt and overcoming. Kesha’s alleged abuse by her mentor and producer Dr. Luke was addressed and transcended on this year’s Rainbow. Katy Perry marketed her latest album with an on-camera therapy session in which she cried about her “real” self wanting to be known. Taylor Swift seems on the verge of unveiling a more acidic survival story. “Victim to victory” songs are always in fashion  but the latest boom relies  more than pop usually does  on the feeling of authenticity. Adult listeners of drive-time radio typically know they’re in the realm of fantasy and commerce  yet fully enjoying the confessional-pop performance means buying into the non-musical narratives surrounding them. Beyoncé rolled her own child and husband into the Lemonade visual experience. “I write this shit  baby ” Kesha insisted on a recent single. You’re explicitly asked to believe that the gap between performer and person is negligible.  Joanne  already fit into this triumphant-confessional class  with Gaga singing about family members and friends by name and roaring  “I might not be flawless but you know I’ve got a diamond heart.” The meta-text  all along  was Gaga’s own career arc—a sense that  she ’d come down from the heights  she ’d reached from 2008 to 2013  stumbled with  her  third album  and might never recover. Glimmers of past traumas and family tragedy contributed to the pathos.  Her  medical troubles would seem to retroactively add in a new layer  though it’s unclear when  she  received  her  fibromyalgia diagnosis  and little on the album can be heard as an explicit reference to illness. Certainly the lyrics about healing through love on  her  post- Joanne  single  “The Cure ” now seem a lot less generic.
[A]: yes


[Q]: Verify if the sentiment of the following document towards the entity Clinton is Positive . Rep. Mark Meadows (R-NC) said a meeting revealed in the House Intelligence Committee memo released Friday shows that  the Clinton campaign and the Democratic National Committee  likely knew about the dossier  despite  their  denials.
The memo revealed that the law firm representing the  Clinton  campaign and the DNC  Perkins Coie  hosted âat least oneâ meeting in Washington  D.C. in 2016 with dossier author Christopher Steele  Fusion GPS  and media outlets  in which the dossierâs research was discussed.
According to Meadows  Perkins Coie could likely not have hosted the meeting without getting its clientâs permission â in this case  the  Clinton  campaign and the DNC â due to attorney-client privilege. Attorney-client privilege would give the  Clinton  campaign and the DNC control over what Perkins Coie could share with other parties â especially the media.
âI canât imagine that a law firm would set that up and bring in the media without knowledge of some individual within the DNC or the  Hillary Clinton  campaign directing them to do so  because it would break an attorney-client privilege to bring in the media and allow that to be exposed without that happening â Meadows said during a conference call with reporters about the memo on Friday.
The  Clinton  campaign paid Perkins Coie $5.6 million from June 2015  and the DNC paid Fusion GPS $3.65 million beginning in November 2015  according to the Washington Post. Obama for America also paid Fusion GPS $972 000 since April 2016  according to The Federalist.
Even after that   Clinton    her  top campaign and DNC officials denied knowing they were paying for the dossier.  Former Clinton campaign manager Robby Mook  told CNN that  he  was unaware that the  Clinton  campaign was paying Fusion GPS.
âI didnât know that we were paying the contractor that created that document â  Mook  told CNN on November 3  2017.
 Former Clinton Campaign Chairman John Podesta  also told Senate Intelligence Committee investigators last year that  he  did not know they were paying for the dossier  according to CNN.
[A]: yes


[Q]: Verify if the sentiment of the following document towards the entity Shinzo Abe is Neutral . In an interview with NHK after polls closed   Abe  said  he  would push for an amendment.
“The ruling parties have been granted a majority ”  he  said. “I think it was the people’s voice telling us to make progress in politics and bring results with a stable political base.”
For a leader touting stability  the election had been a gamble.  Abe  had called the vote more than a year early  justifying it by saying that  he  needed a new mandate to deal with the threat posed by North Korea and to work through the details of a consumption-tax increase.
Many analysts said  Abe ’s motive was more opportunistic  however  with the prime minister taking advantage of the disarray of the Democratic Party  Japan’s main opposition party  and a small bump in  his  approval ratings after a number of scandals earlier this year.
The LDP has long dominated postwar Japanese politics. For many Japanese voters   Abe ’s leadership represents stability after years of short-lived governments before  he  returned to the prime minister’s office in 2012.
Some analysts suggest  however  that the weakness of the opposition may mask discontent with  Abe  and a lack of support for many of  his  policies. One exit poll cited by Kyodo showed 51 percent of voters saying they don’t trust  Abe   while 44.1 percent said they do.
Koichi Nakano  a professor of political science at Sophia University  said that the election exposed a lack of widespread support for  Abe ’s policies.  Abe  did not win “because people enthusiastically support  him  ” Nakano said. “People are disaffected and the opposition is divided.”
The bad weather may have also helped  Abe . The approaching Typhoon Lan left voters battling strong winds and heavy rain to make it to polling stations. On Monday  Kyodo estimated the final turnout at 53.69 percent  only marginally above a record low in the 2014 election.
Despite the rain  a number of voters could be found exiting a polling station in Tokyo’s cosmopolitan Roppongi neighborhood Sunday morning. Nobue Koizumi  a 67-year-old retired translator  said she had felt compelled to vote because of fears about  Abe ’s security policies.
“I don’t particularly support  Abe   but I do support” the LDP  said Hiroki Shinohara  a 54-year-old wholesaler at the Tsukiji fish market. “I feel it’s doing what’s right for Japan  and Japan needs it.”
[A]:
yes