In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.

Passage: World was published by Magnet Records label, distributed by Warner Music major, and managed by FXU Management (some songs being published by EMI Publishing and Pumphouse Songs Inc.), and reached Number five in the UK Albums Chart. The album was mostly written, arranged, played and produced by lead singer Peter Cunnah, with the collaboration of some other musicians and vocalists. In particular, the album features TJ Davis on background vocals on all tracks (besides co-lead vocals on "The Power (Of All the Love in the World)"), as well as Simon Ellis and Nick Beggs from Ellis, Beggs & Howard. Ellis plays additional keyboards on "You've Saved My World" and "Heart of Gold", while Beggs plays bass guitar and chapman stick on "Hold Me Now". Three singles were taken from the album; "Shoot Me with Your Love" (UK #7), "Party Up the World" (UK #20) and "The Power (Of All the Love in the World)" (UK #40). 
 Link Information: Peter Cunnah (born 30 August 1966 Answer: 1966 
What year was the lead singer, writer, and arranger of the album World born?

Passage: Inside the church are galleries on the north, west, and south sides. These are carried on Tuscan columns, which rise to the ceiling as wooden quasi-Tuscan columns. At the east end of the church are paintings by Jacob Thompson of Penrith dated 1845 depicting the Angel and the Shepherds, and the Agony in the Garden. The communion table dates from 1722, and was lengthened in 1951. The brass chandeliers were given to the church in 1746 by the 2nd Duke of Portland in recognition of the part the town played in the defence against the Young Pretender in 1745. The pulpit consists of the top section of a former three—decker. At the back of the gallery are royal arms dated 1723 by Mathias Read. The font consists of a simple octagonal bowl, and is dated 1661 which is the date it was brought back into use after the Restoration of King Charles II. The stained glass in the east window of 1870 is by Hardman, and that in the north aisle, dating from 1889, is by Burlison and Grylls. Elsewhere are windows by Clayton and Bell, Powell's, G.J.Baguley, and by Cox, Sons and Buckley. The monuments include two coffin lids inscribed with foliated crosses, one dating from the 14th century, the other possibly from the 12th century. There are also two worn stone effigies from the 17th century.
 Link Information: He began to exhibit in 1824, when he had in the first exhibition of the Society of British Artists a "View in Cumberland," but he did not send a picture to the Royal Academy until 1832, in which year appeared "The Druids cutting down the Mistletoe." This was followed in 1833 by a picture containing full-length portraits of the daughters of the Hon. Colonel Lowther. His next exhibit was "Harvest Home in the Fourteenth Century," which appeared at the British Institution in 1837, and was presented by the artist to his patron, the Earl of Lonsdale. After this date he painted portraits, views of mansions, &c., but he did not exhibit again until 1847, when he sent to Westminster Hall "The Highland Ferry-Boat," which was engraved in line by James Tibbits Willmore. "The Proposal" appeared at the Royal Academy in 1848; "The Highland Bride," likewise engraved by Willmore, in 1851; "Going to Church: Scene in the Highlands," in 1852; "The Hope Beyond," in 1853; "The Course of true Love never did run smooth," in 1854; "The Mountain Ramblers," in 1855; "Sunny Hours of Childhood" and "Looking out for the Homeward Bound," in 1856; and "The Pet Lamb," in 1857. He painted in 1858 "Crossing a Highland Loch," which was engraved by Charles Mottram; but he did not again exhibit until 1860, when he sent to the Royal Academy "The Signal," which was engraved by Charles Cousen for the Art Journal of 1862. In 1864 he had at the academy "The Height of Ambition," engraved by Charles Cousen for the Art Journal, as was likewise by J. C. Armytage "Drawing the Net at Hawes Water," painted in 1867 for Lord Esher, but never exhibited. "Rush Bearing" and a view of Rydal Mount are among his best works.

In his later years Thompson devoted himself chiefly to landscape subjects with figures, the themes of which were for the most part drawn from the mountains and lakes of Cumberland and Westmoreland, but occasionally from Scotland. His range, however, was limited, and his work was lacking in poetic sympathy. His attempts at classical and scriptural subjects, such as "Acis and Galatea," exhibited at the Royal Academy in 1849, and "Proserpine," were not a success. His last work was "Eldmuir, or Solitude." Answer: View in Cumberland,
What other paintings has Jacob Thompson created?

Passage: Elizabeth II was the first reigning monarch of Australia to set foot on Australian soil, coming ashore at Farm Cove, Sydney, on 3 February 1954. She had two years earlier been en route to Australia when her father died while she was on a private visit to Kenya, forcing her to return to the United Kingdom. Once finally in Australia, with her husband the Duke of Edinburgh, she undertook a journey through the Australian Capital Territory, New South Wales, Tasmania, Victoria, Queensland, South Australia and Western Australia, including greeting 70,000 ex-servicemen and women at the Melbourne Cricket Ground and opening the Australian Parliament in Canberra. In all, the Queen travelled 10,000 miles by air, making approximately 33 flights, 2000 miles by road (130 hours in cars in 207 trips), visiting all capitals except Darwin and 70 country towns, many by special "royal trains". On one such train trip they visited Leuralla, at Leura, in the Blue Mountains. Twenty-seven years earlier, Harry Andreas of Leuralla had acted as a fishing guide for The Queen's parents, whilst the young Princess "Lillibet" was left at home with her grandparents, King George V and Queen Mary. This extensive travel allowed some 75 per cent of the Australian population to see the Queen at least once during the tour. At the conclusion of the tour the Prime Minister, Robert Menzies, stated in an article published in the Sydney Morning Herald:
 Link Information: none Answer: none

When did Elizabeth II die?