In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: i 'm guessing -- and from the available evidence , it 's not a great guess -- that burn hollywood burn began life as an insider satire of hollywood excess , stupidity , ego and power - mongering .
if so , the film that ended up on the screen ranks as one of the most spectacularly ironic unintentional jokes in film history .
it has already been well - documented that the original title , an alan smithee film , became a problem when miserable test screenings forced re - cuts against the will of director arthur hiller , prompting hiller himself to opt for the directors ' guild - mandated pseudonym of alan smithee .
that left a film satire in the hands of writer joe eszterhas , as humorless a hack as ever put finger to word processor .
and you could just smell the disaster brewing .
if you 're unfortunate enough to sit through burn hollywood burn , you 'll still be smelling that disaster long after the lights come up .
ostensibly , it 's a pseudo - documentary account of a director named alan smithee ( eric idle ) who loses control of a big - budget action film called trio starring sylvester stallone , whoopi goldberg and jackie chan ( all of whom appear as themselves ) .
when the only recourse available to him is abandoning the project to be called " an alan smithee film " -- which , of course , it already is -- smithee steals the negative of the film and threatens to destroy it .
among the parties interviewed are the film 's producer james edmunds ( ryan o'neal ) and studio boss jerry glover ( richard jeni ) , who spend virtually the entire film narrating the story while painfully unfunny things go on around them .
it 's bad enough that burn hollywood burn has -- literally -- not a single laugh for its entire , blissfully brief 84 minutes .
what makes it even worse is eszterhas ' insistence upon telling every bad joke not once , but twice or even three times .
michael ovitz references , showgirls references , oral sex references , whoopi goldberg / ted danson references -- all show up multiple times with all the subtlety that is eszterhas ' stock - in - trade .
the reduncancy even manages to turn actively offensive with some frequency , notably with the hilarious use of the word " feminist " as an identifying caption for every single female character in the film .
by the time coolio and chuck d show up as black independent film - makers the brothers brothers ( cleverly identified as " bad a-- " and " badder a-- " , among other unprintable things ) , you may be ready to walk out of the theater with your coat over your head to avoid being identified .
those documentary captions , for all their leaden obviousness , allow the best insight into what 's so hideously wrong with burn hollywood burn .
not content to stick any hollywood type with only one jab from his rapier wit , eszterhas fills the screen with bullet points every time a new character appears .
the producer is a " liar " who " slept in the white house ; " the media are " maggots " and " leeches " working for publications like " the new york slimes " and " newsleak " ( with the camera zooming in on the altered title to make sure you do n't miss the joke ) .
it does n't even matter that eszterhas tags " penile implant " after his own name when he makes a cameo , because it seems like such a desperate attempt to feign self - deprecation .
this is a petulant schoolboy 's idea of satire -- pictures of hollywood insiders to which eszterhas has taken a pen to draw little moustaches and black out the teeth .
the last stomach - churning straw comes when burn hollywood burn closes with out - takes over the closing credits , the kind that show the audience how much fun everyone was having making the film that just sucked an hour and a half of your life away .
perhaps it was just a final , desperate attempt by eszterhas to convince himself
there was some purpose behind the film , or to convince everyone involved that a few blown lines warranted threatening to blow their whole career .
pity everyone involved with this excessive , ego - driven " satire " of excess and ego .
it 's too bad that only directors can remove their names from noxious material like this .
otherwise , you might have seen credits for burn hollywood burn overflowing with alan smithees .
Example Output: N

Example Input: in one of my many videos i have attained from the local library , casablanca was my third classic in some weeks .
the others being citizen kane and vertigo ( yes , i am trying to see as many of afi 's greatest movies ever made as i can ) .
but , casablanca stood out from the rest for me : it was actually watchable .
what most hail as the greatest american film ever , casablanca is n't so much a love story as a political frenzy with a love triangle thrown in .
it seems that star humphry bogart spend about 85 percent of the movie with various leaders of the nation instead of with ingred bergman .
that annoyed me , as did the ending .
why did n't the plan turn around ? ! ?
surprisingly , i enjoyed the film .
i liked bogart 's character and his acting
( not over the top as most actors in his era ) .
i once read about if you had a choice to be in a movie , which one would it be , and a women said casablanca .
at first i was thinking to myself " why ?
" then , as i watched the film again , i understood why .
the movie is very well done and the script top - notch , although i doubt i understood more than half of the political mumbo jumbo .
casablanca is , in my mind , no classic ( like solaris ) , but it is a good film and stylishly shot
.
hey , hollywood , how about this : a remake with harrison ford and anne heche ?
now that would be a classic .
Example Output: P

Example Input: another formula ' feel good ' quirky comedy from the british isles , much like " waking ned devine , " and a host of other popular low budget movies that turned a nifty profit off a thin story line .
it is filled with likable establishment types living in a quaint town , such as tolerant vicars and policemen , plenty of eccentrics , and of locals who stick together through thick and thin .
the strength of this film lies in its rational theme , that smoking pot should be legalized since it is even less dangerous than drinking alcohol .
the film is tolerable until after its first hour , it then falls completely apart , becoming just too absurd to consider as anything but
sitcom fluff gone completely bananas .
but its long overdue message of decriminalization for certain drugs is on target and allows the film to , at least , be viewed as containing a pertinent message .
its message is especially appropriate nowadays considering the ' war on drugs '
is about to be escalated into colombia .
the drug war has been a total failure so far and with no hope of it being won by law enforcement methods in the future , it has so far just ended up causing america 's jails to be overcrowded with non - violent drug prisoners and offers zero hope of curtailing america 's drug usage and drug supply .
billions of dollars have just been allocated by congress to get officially involved in the colombian civil war , by backing a corrupt government ( remember vietnam ! )
with the idea that military might could stop the cocaine and marijuana harvests in that country .
everything about this proposed action smacks of vietnam , with this scenario closer to home , so
what probably awaits such an effort is a more futile result than the other war .
the film 's mild theme of showing squares getting into the weed business and finding it acceptable by the public , something that should have been accepted some 40 years ago , is a theme long overdue for public acceptance , but one that is better received late than never .
there has to be some common sense in distinguishing what drugs should be legalized and how to educate the public on this , rather than making it a police matter altogether .
the film opens in a quaint cornish seaside village at the funeral of the husband of a middle - aged woman , grace ( brenda blethyn ) , who fell out of an airplane , evidently committing suicide .
the widow soon finds out her husband was a bigger bastard than she imagined .
he left her with a stack of enormous bills and put up , without her knowledge , their comfortable 300 year old house as collateral for a failed business venture by taking out a second mortgage .
the widow finds herself bankrupt and with no marketable skills to pay back her husband 's enormous debts and prevent her from losing the house and becoming homeless .
she also knows that he was having an affair with a sophisticated woman from london , honey ( quick ) .
what makes the affair doubly unsatisfying , is that when conferring with honey , she finds out that he was a tiger with her in bed but refrained from having sex with her .
even though the locals try to help the bankrupt widow out as best they can , the creditors swoop down on her like vultures .
her gardener and handyman , matthew ( ferguson ) , decides to stay on with her , despite his last check bouncing . since she is an expert amateur horticulturist , he convinces her to help him revive his hemp plants , which he grows for private use .
the two soon see this as a possibly big business opportunity , as grace works miracles with the plants which turn out to be high - quality stuff .
for grace , this is a way to save her house and get her out of debt ; for the scotsman , matthew , it offers a chance for him to continue to live in this beautiful village and earn enough money to marry his fisherman girlfriend nicky ( valerie ) .
the locals all let the illegal activities go on undisturbed :
the police sergeant ( campbell ) pretends not to notice what the bright lights in grace 's greenhouse is for , the friendly vicar ( phillips ) counsels about the wisdom of not taking action over something that you ca n't control , and the doctor ( clunes ) enjoys smoking the weed for recreation .
the story becomes incredulous when grace decides to go to london and score with a big - time drug dealer instead of having matthew go , because she finds out nicky is pregnant and does n't want matthew to end up in jail .
it is interesting to note , that no one thinks smoking grass is bad for you , only that one can go to jail .
the scene with grace on portobello road in the notting hill section of london , trying to find a drug dealer , while dressed out of place , in a white dress and hat one would wear to a tea party in cornwall but not on the streets of notting hill while looking to make a drug deal , was completely hokey and the film descended into a huge black hole , whereby it never recovered its dignity .
the film moves into the formula mode , whereas grace beats the odds against her failing to survive , as she meets an international drug dealer , a frenchman ( tcheky karyo ) , who is first seen threatening to cut off her fingers but later becomes her business partner and husband as she becomes a millionaire and writes a best selling fiction book about her experiences , thereby becoming a celebrity .
things work out in a ridiculous way , where there is a total breakdown in the character development of grace , where this matronly figure suddenly becomes merely a cartoon figure instead of live flesh and blood .
there are a lot of silly giggles that come forth and the film has just enough of an acting performance by brenda blethyn to breathe air into it before it comes to its belated finale , as it drones on with its transparently gratuitous upbeat tone , until it makes the audience feel good that the sweet old lady succeeded .
this ' unhip ' film leaves one with the impression that smoking and growing pot is silly , but should be tolerated as something
naughty middle - aged widows screwed by their terrible former husbands must do in order not to remain destitute .
ummm !
Example Output:
N