TASK DEFINITION: Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.
PROBLEM: CONTEXT: The short answer, which is probably the best answer, is that he was an experienced hunter and wanted to hunt "the most dangerous game"; a combat soldier. You'll note that he never kills unarmed humans (which is why Anna got sent to the chopper unarmed), and at the conclusion he decided to engage in hand-to-hand combat against Dutch, whom he deemed to be a worthy opponent.  <sep>  Q: Why did the first Predator come to Earth? A: The short answer, which is probably the best answer, is that he was an experienced hunter and wanted to hunt "the most dangerous game"; a combat soldier  Q: Was he already an established hunter? A: he was an experienced hunter  Q: Was he just hunting for more trophies? A: wanted to hunt "the most dangerous game"; a combat soldier. You'll note that he never kills unarmed humans  <sep> FOLLOWUP_Q: I see. So he would only attack armed humans. Got it

SOLUTION: Yes

PROBLEM: CONTEXT: Though it was never fully explained (and likely left on the cuttingroom floor), I thought the obvious answer is that he was taking out frustration while getting sedated with wine. It was my impression, though not explicitly stated in the movie, that Murray's character was a victim of physical abuse. As such, it would make sense that he would need to vent on some other physical object, namely the tree.  <sep>  Q: Why does Bill Murray's character try to chop down the tree? A: It was my impression, though not explicitly stated in the movie, that Murray's character was a victim of physical abuse. As such, it would make  <sep> FOLLOWUP_Q: Did he hope the tree would fall?

SOLUTION: Yes

PROBLEM: CONTEXT: I'm sure scenes like this have been shot differently in different movies, but I have noticed that mostly the shots are faked. One option is to have the helicopter on the ground, with the engine off and the propellers stationary. The actors are inside. The camera operator moves around outside the helicopter to make it look like it's up in the air. Often, the camera is tilted upwards, shooting the actors slightly from underneath, to give a sensation of them being above the camera / viewer. The grounded helicopter may also be mounted on a moving platform to tip, raise and lower the helicopter to give the actors inside the actual sensation of movement, so their bodies shift believably. This can be shot outdoors, with actual sky in the background, or in front of a green screen, where fake sky and terrain is put in afterwards, along with a CGI propeller and reflections on the glass windshield. Another approach would be to shoot the helicopter actually in flight, and overdub the actors' dialog afterwards. In most cases, this would be more difficult and expensive.  <sep>  Q: How are helicopter scenes shot in TV/Film? A: One option is to have the helicopter on the ground, with the engine off and the propellers stationary  Q: How are scenes wherein the characters have a dialogue inside a helicopter as well as interact with the environment outside it, shot? A: The actors are inside. The camera operator moves around outside the helicopter to make it look like it's up in the air  Q: Do they use drones for this? A: Often, the camera is tilted upwards, shooting the actors slightly from underneath, to give a sensation of them being above the camera / viewer  Q: Does it show the ground? A: The grounded helicopter may also be mounted on a moving platform to tip, raise and lower the helicopter to give the actors inside the actual sensation of movement  Q: Is the dialogue shot separately on the ground and the rest of it shot midair with overhanging cameras? A: Another approach would be to shoot the helicopter actually in flight, and overdub the actors' dialog afterwards  <sep> FOLLOWUP_Q: Any more you can tell me?

SOLUTION:
Yes