In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[Q]: Question: How old was the architect who designed part of the Marienlyst Castle when it was built? Passage:Hans van Steenwinckel, the royal architect, designed and built the original pavilion and parterre garden in 1587, for King Frederick II of Denmark. The royal estate was then purchased in 1758 by Count Adam Gottlob Moltke, who completely changed the original pavilion and garden with the help of French architect Nicolas-Henri Jardin between 1759 and 1763. The additions led to its present-day architectural structure and façade. Jardin also redesigned the original parterre gardens, changing them to a larger, more modern garden à la française design, with symmetrical hedges, avenues, fountains and mirror ponds. Within the castle wall boundaries, these elegant garden grounds remain to a large extent intact, but outside, much of the garden has been lost, including the most renowned romantic landscape garden in Denmark, designed by Johan Ludvig Mansa in the 1790s. This was mostly due to the sale of much of the original property by the Helsingør municipality which had purchased the entire Marienlyst estate at auction in 1851. One of the lot purchasers was J.S. Nathanson, who in 1859 built Hotel Marienlyst, the first luxury hotel in Helsingør, named after the castle.

[A]: b


[Q]: Question: How old was John Sargent the year Vassos moved to Boston? Passage:Vassos moved to Boston, Massachusetts in 1919, where he attended the Fenway Art School at night. He studied alongside American artist John Singer Sargent and worked as an assistant for Joseph Urban. In 1924 he moved to New York, where he attended the Art Students League of New York, studying under George Bridgman, John Sloan, and others. He opened his own studio creating window displays for department stores, like Wanamakers, murals, and advertisements for Saks Fifth Avenue, Bonwit Teller, and Packard Motor Cars in his unique black and white illustrated style. At the same time, he illustrated a series of books by Oscar Wilde for E.P. Dutton followed by others including Phobia on which he based his life-long design focus on psychology, his area of expertise as noted by Fortune Magazine's list of top designers in the country. He entered the emergent field of industrial design and was hired by rapidly-growing RCA Victor, under the leadership of David Sarnoff, who discovered Vassos while painting murals at the WCAU skyscraper in Philadelphia. The company had recently acquired Victor Phonograph, built Radio City, and owned NBC Broadcasting, but needed to amplify and modernize their radio manufacturing business. By hiring Vassos, an up-and-coming industrial designer who created their first Styling department, launched Vassos on a four-decade relationship with the company for whom he designed hundreds of items, while also consulting for numerous other clients like Coca-Cola, Waterman, Universal Artists, Remington, and the United States Government. Vassos's work as an interior designer included the Chrysler Building apartment of photographer Margaret Bourke-White, Nedick's Hot Dog stands, displays for RCA in department stores and the World's Fair,and many others for which he employed modular furniture. He eschewed trendy styles like the extreme-streamlined look, popular in the 1930s, and favored the clean, modern look unadorned with unnecessary elements. He expressed his design philosophy for magazines like Pencil Points and in lectures on modern design and art. Although he was hailed as a top designer in the United States during the 1930s, he slipped away from the spotlight of his industrial design peers like Raymond Loewy, Henry Dreyfuss, and Norman Bel Geddes, largely because he did not open a large firm. Unique among the industrial designers of the 20th century, his work was focused on the intersections between interior decorating, furniture design, and the shapes of phonographs, radios and televisions. His contributions include creating a futuristic living room including television, the slide rule dial on radios, emphasis on the haptic experience of media (knobs and buttons), and the "user experience," years before this term was coined.

[A]: b


[Q]: Question: What date did the event that was broadcast from Seattle by Telstar 1 begin?  Passage:Telstar 1 relayed its first, and non-public, television pictures—a flag outside Andover Earth Station—to Pleumeur-Bodou on July 11, 1962. Almost two weeks later, on July 23, at 3:00 p.m. EDT, it relayed the first publicly available live transatlantic television signal. The broadcast was shown in Europe by Eurovision and in North America by NBC, CBS, ABC, and the CBC. The first public broadcast featured CBS's Walter Cronkite and NBC's Chet Huntley in New York, and the BBC's Richard Dimbleby in Brussels. The first pictures were the Statue of Liberty in New York and the Eiffel Tower in Paris. The first broadcast was to have been remarks by President John F. Kennedy, but the signal was acquired before the president was ready, so engineers filled the lead-in time with a short segment of a televised game between the Philadelphia Phillies and the Chicago Cubs at Wrigley Field. The batter, Tony Taylor, was seen hitting a ball pitched by Cal Koonce to the right fielder George Altman. From there, the video switched first to Washington, DC; then to Cape Canaveral, Florida; to the Seattle World's Fair; then to Quebec and finally to Stratford, Ontario. The Washington segment included remarks by President Kennedy, talking about the price of the American dollar, which was causing concern in Europe. When Kennedy denied that the United States would devalue the dollar it immediately strengthened on world markets; Cronkite later said that "we all glimpsed something of the true power of the instrument we had wrought."

[A]:
b