In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
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Question: Review: What made the French Connection work so well was the relationship between Doyle (Hackman) and Russo (Scheider). In this catastrophe directed by Frankenheimer (who also brought us such gems as Raindeer Games and the Island of Dr. Moreau) the movie focuses on Doyle and his singular obsession of capturing Charnier (Rey). The fictitious idea that the NYPD would allow Doyle to travel to Marseilles to find Charnier with the help of the French local authorities is laugh out loud funny. Correct me if I'm wrong, but didn't Charnier skip town with 65 pounds of pure smack!!! A street value of 32 million but yeah, let's send Doyle to find this guy, it was his pinch after all. Please!!! The story was weak. The acting was terrible (with the lone exception of Hackman, who completely overplayed his part). The direction was all over the place. Even the cuts between scenes were terrible. Do yourself a favor and watch the first installment twice and skip this one. Question: is it a negative review?

Answer: yes


Question: Review: Most people who chase after movies featuring Audrey Tautou seem to not understand that Amelie was a character - it is not really Audrey Tautou's real life personality, hence, every movie she partakes in is not going to be Amelie part 2, part 3, etc.Now with that said, I too picked up this movie simply because Audrey was in it. Yes, it's true, there is a big gap after the first scene where she isn't seen at all for maybe 45 min, but I didn't even miss her because I was having so much fun with the other characters. The guy who lies about everything is too funny, the guy who justifies people who run out of his cafe and skip out on the bill by finding coupons and such which balance out the loss, actually.... getting into all the characters here could take quite a while, but this is one of the best movies I've seen in a while.Audrey Tautou's character Irene is not the overdone sugary girl that Amelie was. In fact, as Irene, her rudeness to a bum asking for change caught me off guard at first. In this film, Irene is a girl with good intentions, but over the course of a (very awful) day, her disposition becomes more and more sour and pessimistic.What makes this film completely great is you have all these really interesting stories and plots building... very entertaining to watch, great scenery and shots, very colorful and never too slow, and all of the characters can actually act. The best part of the movie comes with about 20 minutes left.... this is when all of the plots start to mesh together and the ride really picks up and everything ties together and makes sense, and the whole butterfly effect blossoms. I swear, it was the best 20 minutes of film I've seen in quite a while, and the ending.... It made me think "damn I really lucked out finding this movie". The ending to this movie is top notch. Whoever wrote the script for this is brilliant, because not only are there all these other subplots going on, but to somehow make them all tie in together (and in a sensible manner, which is the case here) but also to make each character feel human and come alive, not just some stale persona used as a crutch to build up this whole butterfly effect... very impressive.I highly suggest this movie as it's a great film to watch anytime, in any mood, with any company or alone. Question: is it a negative review?

Answer: no


Question: Review: Something about the 40 Year Old Virgin and the other comedy hit of the summer, Wedding Crashers, is similar, but they are two different films in some respects. Both are romantic comedies that have that kind of over-the-top, crazy sensibility that keeps the teens and guys in their 20's along with the usual dating crowd to go see the films. Both have some sort of formula to the stories as well. But by the end of the 40 Year Old Virgin, I think I found overall it was more satisfying than 'Crashers'. Although one can guess where the relationship story with Steve Carrell's character Andy and Catherine Keener's character Trish will go to, it isn't too basic for one to figure out like with Crashers, and the characters both leading and supporting are realistic, more rounded than most of the one-dimensional or unexplained people in the other. And, perhaps, it may also depend on how much you identify (or just find the lunacy) in both.The thing is some people may go into The 40 Year Old Virgin not knowing Steve Carrell as well as Owen Wilson or Vince Vaughn, as Carrell has built up his cult status on The Daily Show (one of my favorite shows on now) and in small but unforgettably riotous roles in Anchorman and Bruce Almighty. This is his first starring role, but it's not treated like some third rate vehicle. He and co-writer/director Judd Apatow treat the character of Andy with a certain level of sincerity that keeps the audience on his side all the way, even early on as he talks to his action figures while re-painting them. It's also a tricky line to walk on- in lessor hands this could be no more or less entertaining than the Lackluster 40 Days and 40 Nights with Josh Hartnett (also about sexual dysfunction). As the title suggests, Andy is the 40 year old who is like the nice guy friend with still a little Pee-Wee Herman in him (the opening over the credits of his his apartment is hilarious, a good sign).So, his friends (among them Paul Rudd, Romany Mancoy, Seth Rogen, all very good comic foils) try and devise different strategies and tips to finally break the sort of curse over Andy's head to pop his cherry, so to speak. He almost gets with a overly drunk woman, he almost gets with a freaky kind of girl, and almost with his own boss (Jane Lynch, also very funny in the mockumentaries) as a (explitive) buddy. But this soon all starts to fade as he gets into a meaningful relationship with Trish, who works across the street from him. As they build on a relationship not based at all on sex, one might worry that the plot gear of "how is he going to tell her such and such" might get in the way of the comedy. It doesn't. In fact, if anything, Carrell and the cast build on it to a very high degree. For practically an hour and a half of the film's two hour length, there was barely a moment I wasn't laughing, whether big or small.The big laughs though make up for not just any kind of formalities with the plot, or one or two little stray stories (the fellow co-workers have their own relationship problems as well, Rudd's being the funniest). The big laughs come through because of Carrell's reactions, and that the people around him can either back up with their own sort of humor/charm, or that its with some truth. Keener gives a very good performance and makes it so that there is a genuine spirit to their relationship (and, un-like 'Crashers', there isn't as much that doesn't make sense character wise). For someone like me who loves it when a comedian can get laughs just from the way he looks on his face, Carrell gets very high points here. And like with a Farrelly brothers movie, the more raunchy or outrageous scenes are done with total absurdity; the 'waxing' scene (which was done for real, by the way) and the sort of Aquarius musical number towards the very end of the film (the way it comes out at first is a total, uproarious surprise). But if you're willing not to get offended by it, there's more where that came from. This is one of the funniest films of the year. Question: is it a positive review?

Answer:
yes