In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: with more and more television shows having gay characters , and even the infamous " ellen " sitcom being centered on the life of a lesbian , the movie industry too seems to be gaining more and more homosexual based plot lines .
the birdcage was critically acclaimed , as was this years chasing amy .
then along came in & out , and all three of these films are on my top ten list for the years in which they were released .
it 's also noticeable that this " alternative lifestyle " becomes less and less taboo as the years go by , and it seems that using comedy as a medium is proving a worthwhile effort .
while it 's a very serious issue to many , it is the comedies that people are flocking to see and that are gaining notoriety .
but the way we 're using comedy to present homosexuality is also changing quite dramatically .
while the gay community was once very stereotyped and used to laugh * at * , it is more and more becoming something we laugh * with * , and when a movie like in & out comes along , it is something that both heterosexuals and homosexuals should be able to thoroughly enjoy .
it does n't poke fun at the lifestyle , it simply uses it to all
it 's comedic capacity , just as love , sex , marriage , birth , death , and anything else has been .
the idea for in & out was born the day tom hanks won his oscar for portraying an aids - afflicted gay man in philadelphia .
if you remember , during his acceptance speech , hanks gave a highly emotional tribute to the gay community , and even sighted a former gay teacher of his as a major inspiration in his life .
it 's a serious and touchy subject , but producer scott rudin viewed it as the setting for a potentially hilarious comedy , and pitched it to screenwriter paul rudnick .
it 's true that if this same film had been written by a heterosexual , it may have been more controversial , but because it was written by an openly gay writer , the prerogative was set .
kevin kline , who only seems to become more and more acclaimed , stars as howard brackett , a high school english teacher in the small , picturesque town of greenleaf , indiana .
after a three - year engagement to fellow teacher emily montgomery ( joan cusack ) , a wedding date has been set , and the hubbub surrounding it is almost as big as that
surrounding another huge story - greenleaf high graduate cameron drake ( matt dillon ) is up for a best actor oscar .
the small town eagerly awaits both events , and both seem quite astronomical , but little does anyone know how much one will affect the other .
when cameron drake is announced the winner , the excitement is heightened as he pays tribute to his high school english teacher , mr .
brackett .
everyone is cheering back in greenleaf - that is until cameron tacks on those three calamitous words , " and he 's gay .
"
the town becomes silent as the entire population joins in a simultaneous jaw drop .
the thing is , nobody , including howard , can understand how cameron came to that conclusion , and such wild and unexpected news can only wreak havoc in such a conservative american haven such as greenleaf .
naturally the questions pour from howard 's fiancee , parents ( debbie reynolds & wilford brimley ) , students , and the high school 's principal , tom halliwell ( bob newhart ) , and the evidence starts to become more and more obvious : howard is clean , neat , honest , sincere , a romantic , and perhaps the most incriminating fact , he loves barbara streisand .
the frenzy is n't helped any when camera crews from every conceivable news magazine and " entertainment tonight " wannabe show up at greenleaf high the very next morning .
one particular reporter is peter malloy ( tom selleck ) of " inside entertainment " , who unlike the collage of other reporters , wants to spend a whole week in the life of howard brackett , including coverage of his wedding .
the intrusion is all but welcome by howard , who is going more and more out of his mind with each passing minute .
it seems that no matter where he turns , a camera is being shoved in his face and questions regarding homosexuality are being tossed to him like frisbees .
the dominoes begin to tumble as howard 's closest friends begin acting different and principal halliwell hints at a possible termination of employment should howard indeed be gay .
it all sounds very devastating , and it would be if it were n't presented with near - perfection by one of this year 's most delightful ensemble casts
.
kline seems only to improve with age , and he is downright perfect here .
the great thing about this film is that every single character has a moment to shine , and they use it wonderfully .
every single actor turns in one of their best performances ever .
dillon has never been so likeable , cusack
has never seemed so perfect for a role , and brimley , reynolds , and newhart
all provide huge laughs when they 're up to bat .
rudnick 's script is heavily laced with wit and humor , and you 'll likely find yourself laughing out loud for a solid ninety minutes .
while in & out does n't carry enough to give it four stars , it remains one of the best done films of the year , all - around .
the script is exuberant , the actors are absolutely top- notch , and we 're allowed just the perfect blend of heart - tugging so as not to bog down the laughs .
it remains a solid comedy throughout its entirety , yet we 're still allowed a sappily touching ending .
despite it 's subject matter , and one scene that comes almost too close for comfort on explaining gay sex , this is a movie that everyone could , and should , enjoy .
frank oz , best known as a voice talent for muppets
, directs this film quite delightfully , using all the potential rudnick 's script has to offer , which turns out to be quite a bit . check this one out .
you 'll have a gay old time .

Output: P


Input: Consider Input: eyes wide shut is n't the masterpiece many were hoping to see in stanley kubrick 's final film , but it is an impressive achievement ; a mesmerizing , haunting , adult psychodrama about marriage , fidelity and sex .
it 's a stanley kubrick film from beginning to end , consistently exhibiting the auteur 's trademark penchant for long , continuous takes , his unparalleled deftness behind the camera and his uncanny ability to extract gorgeous performances from his exhausted cast ( indeed , eyes wide shut attained infamy even before its release for its notoriously laborious shoot : kubrick , a renowned perfectionist , reportedly held his cast " hostage " on the set for nearly a year ) .
in an uncharacteristic maneuver , kubrick cast two big - name stars in the lead roles , namely real - life husband and wife tom cruise and nicole kidman .
they play bill and alice harford , a volatile couple who , during the course of a couple nights , ponder the validity of the idea that a husband and a wife must be faithful to each other .
he is an m .
d .
, she 's unemployed and we are introduced to them as they are getting ready to go to a fancy party .
at the affair , they are both propositioned and both nearly succumb to the temptation to play around with someone else .
when they return to their lavish new york apartment kidman ( after smoking a dash of weed ) inquires whether her husband had sex with two models who approached him during the night .
he ( truthfully ) says that he did not and asks what happened with that hungarian guy she was dancing with .
they proceed to argue until alice tells her spouse a lustful story : evidently some time ago , she had a thing for a young naval officer .
she admits that she was ready to give up her whole future with bill and their young daughter if this guy wanted her even for one night .
bill is jolted by alice 's story and we anticipate his reaction , but at that moment he gets a phone call and has to go " show his face " at the house of a just - deceased patient .
this turns out to be the beginning of a long and eventful night on the town .
the daughter of the dead patient hits on him
but he wisely turns her down .
he almost does the dirty deed with a kindly hooker who approaches him on the street .
then , through a series of coincidences , he winds up at a gothic mansion where a ritualistic ( and frankly , creepy ) orgy takes place , with costumed people performing various public sex acts on each other .
erotic dread mounts as cruise ( who 's not supposed to be there ) wonders the spacious halls watching the " action " until he is discovered to be an outsider .
much hoopla has been raised over the fact that warner bros .
digitally edited the orgy scene .
with the help of a computer , they put in cloaked figures to block some of the actual sex acts ( they can still be seen , just not in all their glory ) in order to avoid the dreaded nc-17 rating .
european viewers will see the film as kubrick envisioned it .
roger ebert calls the american version the " austin powers version , " and many others have bashed the alterations .
i am of the potentially controversial opinion that the figures only supplement the scene 's mystical atmosphere .
the first thing one notices about eyes wide shut is how it looks .
this is an artful , distinctively gorgeous production , shot in dark , moody hues and featuring some elaborate , beautiful scenery .
from the giant mansion used in the film 's centerpiece to the decor at the christmas party to the harford 's apartment , this film is always a pleasure to look at .
to boot , a great soundtrack makes it more atmospheric still .
at the core , behind the graphic , controversial content and unappealing mood , this is a good - natured movie that emphasizes the importance of fidelity .
it looks at sex as almost perfunctory by portraying it as unnerving rather than erotic .
it 's something superficial and yet something necessary to achieve a deeper relationship .
at the end , it seems , bill 's eyes are wide open to the special kind of love he and his wife have for each other , more meaningful than anything he could ever hope to find on the streets of new york .
kubrick
elicits wonderful performances from both cruise and kidman .
tom is completely convincing as dr .
harford , a man who seems guided solely by destiny , with no control of the course his life will take .
nicole projects a quiet intensity as the jittery yet aggressive wife and her performance is stunningly effective
: she 's headed for an oscar nod .
the movie has some help from a similarly strong supporting cast , at the head of which is director - cum - thespian sidney pollock , enigmatic and articulate as harford 's mysterious friend .
eyes wide shut is not perfect : the last hour could have used a slightly more scissor - happy editor and both cruise and kidman are too good- looking for me to believe that either would have a very strong temptation to philander .
still , this is an important work from a great director , and while it may not be on par with some of stanley kubrick 's best it is a worthy final film , a complex exploration of jealousy and faithfulness . ?
1999 eugene novikov&#137 ;

Output: P


Input: Consider Input: written by david j . schow and john shirley , based on the comic book series and comic book strip by james o'barr .
cast brandon lee , ernie hudson , michael wincott , david patrick kelly , rochelle davis , and jon polito .
mpaa rating " r " ( presumably for rape , language , and violence ) running time 100 minutes " looks like he zigged when he should 've zagged .
" - ernie hudson , as a police officer commenting on a suspicious death .
comic book translations are notorious tricky-- anyone up for a double - bill of the punisher and captain america ?
-- and the crow proves no exception .
despite a gross of good intentions , brandon lee 's final film does n't fly very high .
the story opens on halloween eve , better known as devil 's night .
wilmington - as - detroit is in flames and the police are tending to at least * one * murder : young rock - musician - turned - pavement - artist eric draven ( lee ) , found on a sidewalk six - stories below the apartment he was thrown from .
the cops are also upstairs , administering aid to his fiance who was assaulted and raped and not necessarily in that order .
she dies , the perps .
escape , and , exactly one year later , draven rises from the grave to wreak revenge .
sound familiar ?
unlike charles bronson , whose only known superpower involves an inability to refrain from filming death wish sequels , lee 's character has supernatural strength and amazing agility and can even reheal from gunshot wounds faster than robert patrick in terminator 2 .
by his side is his crow , the presumable source of his powers as related in the narration .
wearing what appears to be alice cooper 's leftover make - up , lee is plopped into an underlit urban landscape that was obviously modeled after batman and blade runner .
but no number of red - lit , rain - soaked streets can compensate for
cheap fx
that make the crow seem closer to darkman than batman .
( the glaring miniatures should show better on video , though .
: ) a nod to darkman is an insult to sam raimi , though , because alex proyas ca n't film a decent action scene to save his life .
his two " best " set - pieces-- some banzai board - room butchery and a cool church- roof sword fight-- are also undercut by the awful editing of dov hoenig and scott smith .
blame said editors for the film 's frightful flashbacks , as well .
but the pace is quick , thank god , and every good - idea - turned - bad is over before it begins .
the cast is better than it should be .
ernie hudson is a good choice as a friendly policeman and he gets off most of the film 's funnier lines .
newcomer rochelle davis does well as both the narrator and draven 's scrappy ward .
jon polito has a small , succulent role as pungent pawnbroker .
and michael wincott makes a distinct impression as a long - haired mr .
big whose collection of ancient - swords makes him seem like he walked into the film from the trailer to highlander iii .
there can be only one .
finally , there 's brandon lee , son of bruce lee , and a 28-year - old rising - star who was fatally shot during shooting .
lee had four films to his name-- kung fu : the movie , laser mission , showdown in little toyko , and rapid fire-- and the crow
would 've been a nice feather in his belt and that 's about it .
there 's nothing great from him here-- just a good performance that owes as much to presence as ability .
when the echo of that gunshot finally fades , watching the crow should prove an even * less * remarkable experience .
despite a healthy dose of humor and some surprising sincerity , the crow is still just a couple notches above its straight - to - video brethren .
for now , maybe it 's an appropriate eulogy to an actor who could only get better .


Output: N