TASK DEFINITION: In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.
PROBLEM: Passage: When Matt moved to Hollywood he made a pact with himself that if he wasn't a working actor in exactly seven years he'd quit the business and move back to Washington, DC. As the film opens Matt finds himself seven days shy of his self-prescribed deadline, and he's just as anonymous as the day he arrived into town. After an afternoon of soul searching in the mountains he decides to honor his deadline, and plans to spend his final week in Hollywood visiting friends to tell them he's leaving for good and that he'll have a going away party to cap it all off.
With a couple days left before his going away party and tension mounting, Matt visits his eclectic mix of friends and people who have affected him over the years. Despite intending to tell them he's quitting the business, he chickens out, not quite being able to bring himself to tell them. 
On the night of the going away party he starts to think he's been stood up by everyone he thought he cared about and thought cared about him. But finally Dylan shows, then Robert, Amanda, JR - even Mylo, which means a great deal to Matt - and before long all the people he's visited over the past week are at the party. Amid drinks and music each friend stands up and gives their "goodbye Matt" speeches, making it clear that even though Matt's leaving he'll never be forgotten; he may be giving up on his dreams but he's been a good friend and helped a lot of people. In the middle of Matt's going away speech Sara pops in, looking beautiful, and Matt becomes so shocked and tongue-tied that he has to cut his speech short and take Sara out back alone. It is here that Matt asks her bluntly: "If I stay in Hollywood would you be with me?" She shakes her head. This is the final straw. There's officially nothing keeping him in Los Angeles. Matt is emasculated, and now more inspired than ever to leave Los Angeles in his rear view mirror. He heads back into the party to say his final goodbyes. 
Question: Who is the going away party for?

SOLUTION: Matt.

PROBLEM: Passage: Anne is in Cannes with her husband Michael, a prominent movie producer. As the festival ends she learns that the vacation she and her husband were supposed to go on in Paris will be slightly delayed as they need to go to Budapest first. They plan to fly to Paris, but the pilot suggests Anne not fly due to an ear infection. Michael's producing partner Jacques offers to drive Anne to Paris himself.
What is supposed to be a short car ride quickly devolves into a pleasant leisurely trip as Jacques, a French foodie, can't resist taking any opportunity he can to stop every hour or so to sample new food. He is also openly flirtatious with Anne but she begins to question his intentions when he repeatedly uses her credit card to foot the bill for the gourmet meals they are sampling. They visit a church where Anne grieves the baby she lost, and tells Jacques she wears her locket necklace in his honor.  They share a romantic dinner together where Jacques admires Anne's photography, and asks why she doesn't share it with her husband.
Later, on the road, Jacques confides that only he knows his brother's death was a suicide, and he carries that burden so his nephew doesn't have to know.  They finally reach the place where Anne is staying and almost kiss, but the elevator doors close in on them.  Anne sees Jacques has driven away, but he returns to kiss her passionately and ask her to a rendez-vous with him later in San Francisco.
Days later, she receives a package from Jacques with chocolate roses and the money she had lent him on the trip.  It includes a note that reminds her of the restaurant they will be meeting at, and she smiles at the camera suggestively. 
Question: In whose honor does Anne wear a locket?

SOLUTION: the baby she lost.

PROBLEM: Passage: Stanford wrote of Bennett: He maintained his British characteristics throughout his life ...The English take a kind of pride in concealing their feelings and emotions, and this is reflected in their folk-song. The Thames has no rapids and no falls; it winds along under its woods in a gentle stream, never dry and never halting; it is the type of the spirit of English folkmusic ... England is as remote from Keltic fire and agony, as the Thames is from the Spey. Bennett was a typical specimen of this English characteristic. He was a poet, but of the school of Wordsworth rather than of Byron and Shelley.
W. B. Squire wrote in 1885: His sense of form was so strong, and his refined nature so abhorred any mere seeking after effect, that his music sometimes gives the impression of being produced under restraint. He seldom, if ever, gave rein to his unbridled fancy; everything is justly proportioned, clearly defined, and kept within the limits which the conscientiousness of his self-criticism would not let him overstep. It is this which makes him, as has been said, so peculiarly a musician's composer: the broad effects and bold contrasts which an uneducated public admires are absent; it takes an educated audience to appreciate to the full the exquisitely refined and delicate nature of his genius.
Temperley suggests that, despite his reverence for Mendelssohn, Bennett took Mozart as his model. Geoffrey Bush agrees that "[h]is best work, like his piano playing, was full of passion none the less powerful for being Mozartian (that is to say, perfectly controlled)", and characterizes him as "essentially a composer for the piano, a composer of the range (not necessarily the stature) of Chopin". 
Question: What is the name of the person who Geoffery Bush characterizes as "essentially a composer for the piano, a composer of the range (not necessarily the stature) of Chopin"?

SOLUTION:
Bennett.