In this task, you will be presented with a text and a pronoun. You should write an implausible answer to the question of what is the pronoun's reference. Even though there exist multiple wrong answers, we only need a single wrong answer. Position of the pronoun in the text is showed within two "_"s.

[EX Q]: Wilma also enjoyed volunteering for various charitable and women's organizations in Bedrock, shopping, and (occasionally) getting to meet the celebrities of their world, including ``Stony Curtis'', ``Rock Quarry'' and ``Cary Granite''. In the original series' third season, Wilma became pregnant, and gave birth to the couple's only child, Pebbles. When Pebbles was a teenager, Wilma (along with Betty) gained employment as a reporter for one of Bedrock's newspaper s, the Daily Granite (a spoof of the Daily Planet of Superman fame), under the editorial guidance of Lou Granite (a parody of The Mary Tyler Moore Show's Lou Grant). While employed there, _she_ shared various adventures with prehistoric superhero Captain Caveman, who (in a secret identity) also worked for the newspaper (a la Clark Kent). <sep>, Pronoun: she
[EX A]: Mary Tyler Moore Show

[EX Q]: While watching the fight, Kaname begins to learn of her Whispered abilities, instructing Sousuke how to precisely operate the machine. With Kaname's help, Sousuke manages to defeat Gauron and the Tuatha De Danaan rescues him and Kaname. When Mizuki Inaba's boyfriend, Shirai, asks Kaname out, a jealous Mizuki spreads vicious lies about _her_ around the school. <sep>, Pronoun: her
[EX A]: Mizuki Inaba

[EX Q]: The spurned and vengeful woman of Bresson's Dames au Bois de Boulogne (1946), the young suitor avenging the murder (by her lover) of the woman he has loved from a distance in Lacombe's Martin Roumagnac (1946), youth's revenge on being cheated by the war in Autant-Lara's Le Diable au corps (1946), the harrying of a Jew to _his_ death in Duvivier's Panique (1946) and a number of Simenon and Steeman thriller adaptations rife with violence and revenge--all of these films attest to a need to project the immediate past on to a different set of narratives that are removed from the immediate arena of guilt (although Panique comes uncomfortably close). <sep>, Pronoun: his
[EX A]:
Duvivier