Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

[Q]: CONTEXT: The answer to that question is; no one will ever know. David Lynch knew he was onto something ethereal, so he prohibited any promotional photos of the baby and forced his SE crew to sign a release saying they could never talk about it. Lynch, himself, has always been elusive at best. All anyone will ever have is speculation, until Lynch decides to spill the beans. I want to add that the idea that the baby was living tissue has 2 main roadblocks; decomposition and Rigor Mortis. It is highly unlikely the baby was actually living tissue, though it may have been modeled on such. I have seen mention that it somewhat resembles a sheep fetus, so that may have been the vision Lynch worked from. Lynch would have needed several such fetuses for multiple days of filming, which just doesn't seem plausable.  <sep>  Q: What is the Eraserhead baby? A: The answer to that question is; no one will ever know  Q: Where was the baby born? A: It is highly unlikely the baby was actually living tissue  Q: How was the baby created? A: it somewhat resembles a sheep fetus, so that may have been the vision Lynch worked from  Q: What else could the baby of been ? A: All anyone will ever have is speculation, until Lynch decides to spill the beans  <sep> FOLLOWUP_Q: What parts on the baby moved?
[A]: No


[Q]: CONTEXT: Her ability to levitate herself comes out of nowhere in the movie, I assume to enhance her dramatic entrance in the final scene. So there's no real explanation for why she doesn't ever try to do it earlier. In particular, there were times when levitating herself would have been very useful, such as when she needed Vision to fly her out of the train car as Slokovia fell. However, Wanda's major character development during the course of the movie is that she starts out, under Ultron's guidance, as a misguided villain, until her time spend with the rest of the Avengers eventually redeems her. You will notice that, during the first half of the movie, she almost exclusively uses her mental manipulation power. It's only after she starts spending time with people like Captain America and Hawkeye that she starts to embrace her other powers, like stopping the train, or using hex-bolts on Ultron clones. It seems likely that the Avengers have been helping her explore her abilities, and become better at using them. It may be as simple as her not knowing she could levitate until someone else convinced her to try.  <sep>  Q: Hello, if Scarlet Witch of MCU has the ability to fly, why didn't she attempt to fly earlier?
[A]: Yes


[Q]: CONTEXT: Bran is believed to be dead. When Robb marches to war, Theon Greyjoy betrays the Starks and takes Winterfell. Bran and Rickon escape. Theon eventually has two boys slain at a farm and says that they were Bran and Rickon. As far as the greater world knows, all the Stark men are dead, which leaves Sansa (the oldest girl) as the heir to Winterfell. Whoever marries her will become Lord of that region.  <sep>  Q: Why is Sansa Stark so important? A: As far as the greater world knows, all the Stark men are dead, which leaves Sansa (the oldest girl) as the heir to Winterfell  Q: What does she do after all the Stark men die? A: Whoever marries her will become Lord of that region  Q: What is the significance of Bran at this point, is he still alive? A: Bran is believed to be dead  <sep> FOLLOWUP_Q: What else can you tell me about Sansa?
[A]:
Yes