In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

[EX Q]: Question: How long had Fenway Art School been operating the year Vassos moved to Boston? Passage:Vassos moved to Boston, Massachusetts in 1919, where he attended the Fenway Art School at night. He studied alongside American artist John Singer Sargent and worked as an assistant for Joseph Urban. In 1924 he moved to New York, where he attended the Art Students League of New York, studying under George Bridgman, John Sloan, and others. He opened his own studio creating window displays for department stores, like Wanamakers, murals, and advertisements for Saks Fifth Avenue, Bonwit Teller, and Packard Motor Cars in his unique black and white illustrated style. At the same time, he illustrated a series of books by Oscar Wilde for E.P. Dutton followed by others including Phobia on which he based his life-long design focus on psychology, his area of expertise as noted by Fortune Magazine's list of top designers in the country. He entered the emergent field of industrial design and was hired by rapidly-growing RCA Victor, under the leadership of David Sarnoff, who discovered Vassos while painting murals at the WCAU skyscraper in Philadelphia. The company had recently acquired Victor Phonograph, built Radio City, and owned NBC Broadcasting, but needed to amplify and modernize their radio manufacturing business. By hiring Vassos, an up-and-coming industrial designer who created their first Styling department, launched Vassos on a four-decade relationship with the company for whom he designed hundreds of items, while also consulting for numerous other clients like Coca-Cola, Waterman, Universal Artists, Remington, and the United States Government. Vassos's work as an interior designer included the Chrysler Building apartment of photographer Margaret Bourke-White, Nedick's Hot Dog stands, displays for RCA in department stores and the World's Fair,and many others for which he employed modular furniture. He eschewed trendy styles like the extreme-streamlined look, popular in the 1930s, and favored the clean, modern look unadorned with unnecessary elements. He expressed his design philosophy for magazines like Pencil Points and in lectures on modern design and art. Although he was hailed as a top designer in the United States during the 1930s, he slipped away from the spotlight of his industrial design peers like Raymond Loewy, Henry Dreyfuss, and Norman Bel Geddes, largely because he did not open a large firm. Unique among the industrial designers of the 20th century, his work was focused on the intersections between interior decorating, furniture design, and the shapes of phonographs, radios and televisions. His contributions include creating a futuristic living room including television, the slide rule dial on radios, emphasis on the haptic experience of media (knobs and buttons), and the "user experience," years before this term was coined.
 Links: a. Art Students League of New York b. Colleges of the Fenway c. Norman Bel Geddes d. Bonwit Teller
[EX A]: b

[EX Q]: Question: What was the Garland Fund used for? Passage:Vann stirred up controversy and 10,000 new readers by hiring George Schuyler in 1925, whose editorials and opinions made him famous as the "black H.L. Mencken" (who was a Courier subscriber). Under Vann, the Courier also worked as a tool for social progress. Most significantly, the paper extensively covered the injustices on African Americans perpetrated by the Pullman Company and supported the Brotherhood of Sleeping Car Porters. Vann wrote to gain support for causes such as improved housing conditions in the Hill District, better education for black students, and equal employment and union opportunities. However, Vann often used his Courier editorials to publicly fight with the National Association for the Advancement of Colored People (NAACP) and W. E. B. Du Bois over issues such as President Calvin Coolidge's grants of clemency to black soldiers involved in the Houston Riot and Vann's allegations that James Weldon Johnson embezzled money for personal use from the NAACP and the Garland Fund. This disharmony was resolved in 1929 by published apologies by Vann, Du Bois, and Johnson, and within the decade, Du Bois became a regular Courier contributor. But in 1938, Vann's Courier ended up at odds with the NAACP once again. Vann, through national campaigns and contact with President Franklin D. Roosevelt pursued inclusion of African-American units in the United States Armed Forces. Vann saw this as an achievable step on the path to integration of the military, but the NAACP leadership, primarily Walter White, publicly disagreed with this half-measure, despite the protests of Thurgood Marshall. As a result of the Courier′s influence and Vann's political clout, New York Congressman Fish successfully added an amendment prohibiting racial discrimination in selection and training of men drafted to the Selective Training and Service Act of 1940.
 Links: a. H. L. Mencken b. Hamilton Fish III c. Garland Fund d. United States Armed Forces
[EX A]: c

[EX Q]: Question: In what year did the Ford Mustang appear as a race car in the United States? Passage:Beechey began racing at the age of 22 in a Ford Customline V8. He came to prominence only a year later when he won the Olympic Touring Car Race at Albert Park, a support event at the Australian Grand Prix meeting which was held in conjunction with the 1956 Melbourne Olympic Games. As the expense of running this and two subsequent Customline V8s proved too prohibitive he reverted to a Holden 48-215 in 1959. After becoming part of David McKay’s Scuderia Veloce team he again returned to V8s, developing a Chevrolet Impala with which he won the New South Wales Touring Car Championship at Catalina Park. He progressed to a Ford Galaxie owned by Len Lukey and was then instrumental in forming the Neptune Racing Team in 1964. He raced a Holden EH S4 as part of that team alongside Jim McKeown’s Lotus Cortina and Peter Manton’s Morris Cooper S. He subsequently developed and raced a series of V8 powered Touring Cars with which he contested the Australian Touring Car Championship and other events. The first Ford Mustang to race in Australia was followed by a Chevrolet Chevy II Nova, a Chevrolet Camaro, a Holden Monaro GTS 327 and a Holden Monaro GTS 350.
 Links: a. Lotus Cortina b. Holden Monaro c. Ford Mustang (first generation) d. 1956 Summer Olympics
[EX A]:
c