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As Americans mourned the death of  the Rev. Billy Graham  on Wednesday  most remembered  him  as a pastor with the ability to lead thousands to Jesus  take presidents under his wing and console a nation after the Sept. 11 terrorist attacks.
But it was in the suburbs of Chicago where  he  learned how to amplify  his  voice as a preacher.
It didnât take long for  Graham  and the congregation of Western Springs Baptist Church   his  first pulpit after graduation from Wheaton College  to conclude  he  was better suited to preach in stadiums than sanctuaries.
âThis is where  he  got a taste of glory  a taste of fame and the gratification that comes from speaking to huge crowds â said Grant Wacker  author of âAmericaâs Pastor:  Billy Graham  and the Shaping of a Nation â a biography of the national icon. âAnd  he  got the response  he  was looking for.â
Indeed   Graham âs first revivals and rallies in downtown Chicagoâs Orchestra Hall and Soldier Field â forerunners to  his  later international crusades â launched the evangelist into the spotlight for decades to come and steered legions of people to church.  His  pioneering use of mass media including radio  television  magazines and motion pictures only broadened  his  reach.
 Graham  died Wednesday at 99 at  his  home in Montreat  N.C. Wheatonâs president  the Rev. Philip Ryken  said commemorating  Graham âs significant contributions to Christian ministry for the many generations born after  his  heyday would remain a long-term commitment of the flagship evangelical institution.
âI think  Billy Graham  will be regarded as one of the greatest Christian leaders of the 20th century â Ryken said  âand that legacy will last a very long time. â
Graham  a native of North Carolina   was already an ordained Southern Baptist pastor and graduate of Florida Bible Institute (now Trinity College of Florida) when  he  sought a liberal arts education and bachelorâs degree at west suburban Wheaton College in 1940.
 Chicago Tribune historical photo Evangelist Billy Graham  class of 1943   speaks at the commencement exercises at Wheaton College on June 11  1951.  Evangelist Billy Graham  class of 1943   speaks at the commencement exercises at Wheaton College on June 11  1951. (Chicago Tribune historical photo) (Chicago Tribune historical photo)
After hearing the 21-year-old Graham preach in Florida  two members of the Wheaton College board  including the brother of its incoming president  hired  Graham  as their caddy on a golf course and offered to pay  his  first year of tuition if  he  attended the college.
 He  studied anthropology  which some say expanded  his  horizons beyond the biblical theology training  he  already had received.
âIt did make  him  aware in new ways of how societies work  how cultural values are shaped  things  he  could draw upon  especially as  he  traveled the world â said Edith Blumhofer  a professor of history at Wheaton College.
But even more important than the college curriculum were the people  he  met and walked alongside for decades to come  she said  including  his  future wife  Ruth Bell  a fellow student and daughter of Presbyterian missionaries.
It wasnât until 1941  that  Graham   then a 23-year-old college sophomore  took his place before a congregation. The Wheaton College president at the time  V. Raymond Edman  recommended that Graham replace him in the pulpit of Wheatonâs United Gospel Tabernacle.
âIt was where he acquired managerial skills for inspiring and leading organizations and expressing his ministry  not only by preaching but through other people â said  Robert Shuster  who oversees the Billy Graham Center Archives  housed at Wheaton.
âHe was not preaching what a pastor would normally preach to a church audience â said one of Grahamâs former classmates  the late Glyn Evans  in an interview with  Shuster  for the archive several years ago.
Billy Graham

What happens when the one and only Bill Murray recites American literature and flexes his pipes on songs from the great American songbook  backed by three accomplished classical musicians at a packed Orchestra Hall?
âNew Worlds:  Bill Murray   Jan Vogler and Friendsâ was the name of the show the famed Wilmette-raised actor and comedian  along with cellist Jan Vogler  violinist Mira Wang and pianist Vanessa Perez  brought to Symphony Center on Tuesday night as part of a national tour in support of their new Decca Gold album of the same name.
 Murray  sang a little  danced a little  cracked a couple of jokes. The inveterate Cubs fan traded his tuxedo jacket for a Cubs windbreaker at the end  prompting a roar from audience members  one of whom had draped a Wrigley victory flag over the side of the platform that was put up on stage to accommodate extra seats.
The tone shifted from light to serious and back again.  Murray  sometimes recited over musical accompaniment; sometimes  his  recitations stood on their own. One selection merged into the next in a seamless  two-hour flow of spoken word  song and instrumental music. Like all highly skilled actors   Murray  is a virtuoso of tone and timing.  His  typically laid-back manner fools no one  for thereâs always a finely honed theatrical sensibility and command of craft peeking through.
Who could resist James Fenimore Cooperâs evocation of a pristine early 19th-century American woodland (from âThe Deerslayerâ)  as recited with all due wonderment by  Murray  over a movement from a Schubert piano trio?
Or  Murray âs thoughtful rendition  half-sung  half-spoken  of âJeanie with the Light-Brown Hair â a nostalgic slice of early America I have never heard so poignantly done as here?  Murray  may not have classically trained vocal technique  but  his  baritone is pleasant and musical and absolutely true to the words and the deep emotions they convey  and that was all that mattered.
There was so much else to savor all evening long. You havenât heard âIt Ainât Necessarily Soâ until youâve heard  Murray âs sassy  jazzy transformation of that beloved Gershwin classic. Nor are you likely to forget the gutsy intensity of feeling he brought to Van Morrisonâs soul standard âWhen Will I Ever Learn to Live in God.â
After that number   Murray  flung long-stemmed roses to the fans  who were up on their feet  loudly cheering the hometown favorite. âThanks for coming â itâs nice to be home â he told them  as he  Vogler  Wang and Perez waved their goodbyes.
If this is what it takes to sell light classical music and renew interest in neglected classics of American literature to a mass concert public  maybe  Murray  and friends are on to something. Long may their team flourish.
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Bill Murray

MOSCOW -- Russia's Culture Ministry banned a satirical film about Soviet leader Josef Stalin's death from movie theaters Tuesday following criticism from communists and others that the British-French production made a mockery of Russia's history. The Culture Ministry declared it was rescinding the permit that would have allowed Scottish writer-director Armando Iannucci's "The Death of  Stalin " to be shown in Russian theaters.
The ministry's move reflects an admiration many in Russia still have for  Stalin  despite the dictator's brutal purges that killed millions  as well as the government's nervousness about the country's history.
Many Russians have been dismayed in recent years by government-sponsored school textbooks that painted  Stalin  in a largely positive light. Old Soviet national anthem lyrics praising  Stalin  were restored during a Moscow subway station's reconstruction.
Last fall  the Russian Military-Historical Society  an organization founded by Putin and led by his culture minister  unveiled a bust of  Stalin  as part of an "alley of rulers" in a park outside its Moscow offices.
Kremlin critics have denounced such actions as attempts to whitewash  Stalin 's image and part of Putin's rollback on democracy.

Josef Stalin