In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

Input: Consider Input: Question: Of the Wagner operas that Vogl had roles in, which was written first? Passage:He played the role of Loge in Richard Wagner's Das Rheingold at Munich Court Opera on September 22, 1869, with his wife, Therese Vogl, playing the role of Wellgunde. He also played the role of Siegmund in Wagner's Die Walküre, also at Munich, on June 26, 1870. Therese Vogl played the role of Siegmund's sister and lover Sieglinde in the same performance. His Munich debut was as Max in Weber's Der Freischütz. He sang at Bayreuth, Berlin, London and the Metropolitan Opera in New York City. At Bayreuth, he played the role of Loge in the first complete Ring cycle on August 13, 1876. His performance in the role caused fellow singer Lilli Lehmann to comment that he was born for the part and that his Loge had never been equalled. His debut at the Metropolitan Opera was in the title role of Lohengrin on January 1, 1890, and he also sang Loge, Siegmund, the title role of Tannhäuser, Tristan in Tristan und Isolde, and Siegfried in both Siegfried and Götterdämmerung at the Met. Heinrich Vogl was also the first performer to play the roles of Loge and Siegfried in London, which he did in the first Ring cycle in London at Her Majesty's Theatre, with Anton Seidl conducting and his wife playing the role of Brünnhilde.


Output: He played the role of Loge in Richard Wagner's Das Rheingold at Munich Court Opera on September 22, 1869, with his wife, Therese Vogl, playing the role of Wellgunde


Input: Consider Input: Question: Of Sluyter's interests, when did the event which led to America being populated by Europeans occur? Passage:Andrew Sluyter is an American social scientist who currently teaches as a professor in the Geography and Anthropology Department of the Louisiana State University in Baton Rouge. His interests are the environmental history and historical, cultural, and political ecology of the colonization of the Americas. He has made various contributions to the theorization of colonialism and landscape, the critique of neo-environmental determinism, to understanding pre-colonial and colonial agriculture and environmental change in Mexico, to revealing African contributions to establishing cattle ranching in the Americas, and to the historical geographies of Hispanics and Latinos in New Orleans. With the publication of Black Ranching Frontiers: African Cattle Herders of the Atlantic World, 1500–1900 (Yale University Press, 2012) and a 2012–13 Digital Innovation Fellowship from the American Council of Learned Societies, he has joined a growing number of scholars from multiple disciplines working from the perspective of Atlantic History and using the tools of the Digital Humanities. His latest book, Hispanic and Latino New Orleans: Immigration and Identity since the Eighteenth Century (LSU Press, 2015), co-authored with Case Watkins, James Chaney, and Annie M. Gibson, was awarded the 2015 John Brinckerhoff Jackson Book Prize by the American Association of Geographers.


Output: His interests are the environmental history and historical, cultural, and political ecology of the colonization of the Americas


Input: Consider Input: Question: The tv show that Ross and Bonnet were credited with ran for how many season? Passage:Ross and Bonnett were subsequently promoted at Disney, along with others from the Disney Channel, and credited for Hannah Montana’s broad reaching success across TV, music, and live tours, the model first proposed and put into motion by Roundhouse producers at Nickelodeon, but blocked by the network during the time Ross and Bonnett were there. That decision turned out to be shortsighted by Nickelodeon, and when proposed again to the then underutilized Disney Channel as a tie-in to the underperforming Hollywood Records (Disney Music Group), the concept proved inherently valuable enough that, as the complaint filed against Disney in 2007 in Los Angeles claimed, Rock and Roland was misappropriated by Disney and produced under the name Hannah Montana. For their key roles in bringing Hannah Montana to Disney, Rich Ross was elevated from the Disney Channel to Chairman of Walt Disney Studios in October 2009, forced to resign April 2012, and Adam Bonnett upped to Senior Vice President, Original Programming, Disney Channel.



Output: Ross and Bonnett were subsequently promoted at Disney, along with others from the Disney Channel, and credited for Hannah Montana’s broad reaching success across TV, music, and live tours, the model first proposed and put into motion by Roundhouse producers at Nickelodeon, but blocked by the network during the time Ross and Bonnett were there