In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Question: How many years did the king rule that made Wemyss an Earl? Passage:John Wemyss was knighted in 1618 and created a Baronet of Nova Scotia in 1625. This included a charter to the barony of New Wemyss in that province of Canada. He was later advanced to the title of Earl of Wemyss and the patent was presented to him at Dunfermline personally by Charles I of England. John Wemyss was also a Privy Councillor, High Commissioner to the General Assembly of the Church of Scotland, and one of the Committee of the Estates. John Wemyss died in 1649 and was succeeded by his only son, David Wemyss, 2nd Earl of Wemyss. David Wemyss, the second earl spent a lifetime nurturing the resources of his estate, in particular his salt and coal mines. He also built a large harbour at Methil, Fife and greatly extended Wemyss Castle where he entertained Charles II of England in 1650 and 1651. He died in 1679 and was predeceased by his son so the estates fell to his daughter, Margaret Wemyss, 3rd Countess of Wemyss. Margaret married her cousin, James Wemyss, Lord Burntisland. Their son was David Wemyss, 4th Earl of Wemyss who succeeded his mother in 1705.

b

Question: How many artists had won the gold medal from the Royal British Society of Sculptors before Montford did? Passage:Montford was president of the Victorian Artists Society 1930–32. His generally good work as president was occasionally marred by a certain lack of tact. Some of Montford's best work about this period included the bronzes, "Water Nymph" and "Peter Pan", now in the Queen Victoria Gardens, Melbourne, and "The Court Favourite" in the Flagstaff Gardens, Melbourne. Other work includes relief portraits of eight Australian statesmen in the King's Hall, Parliament House, Canberra, and the war memorial for the Australian Club, Sydney. He was greatly encouraged and pleased on learning in 1934, that his statue of Adam Lindsay Gordon at Melbourne had been awarded the gold medal of the Royal British Society of Sculptors for the best piece of sculpture of the year. Another excellent piece of work is his vigorous statue of John Wesley in front of Wesley Church, Melbourne. His George Higinbotham near the treasury is less successful. Other examples of Montford's work are the memorials to Carlo Catani (St Kilda), William Benjamin Chaffey (Mildura), Sir Ross Macpherson Smith (Adelaide), and 'Pioneer Women' (Sydney). Montford is represented in the National Gallery of Victoria in Melbourne by "Atalanta", the "Spirit of Anzac", and two busts, and he is also represented in the Art Gallery of South Australia in Adelaide. He provided a model from which a portrait bust of Socrates was carved for the University of Western Australia by Victor Wager in 1932.

b

Question: At what age did Bergstrom move to Los Angeles? Passage:Edwin Bergstrom studied architecture at the Massachusetts Institute of Technology and at Yale University. He began his architectural practice in New York City in 1899 and then moved to Los Angeles in 1903. He partnered with John Parkinson soon after arriving in Los Angeles. After leaving the partnership with Parkinson, Bergstrom oversaw a successful solo practice. In the 1920s and 1930s, Bergstrom was associated with the Pasadena architectural firm of Bennett and Haskell. He won a design competition in 1923 to design the City of Pasadena Civic Auditorium, which anchors the south end of the city's civic center. In the late 1920s, Bergstrom was one of five prominent Los Angeles architects, organized as the Allied Architects of Los Angeles, involved in designing the Los Angeles County/USC Medical Center General Hospital (1933), an architectural monument in East Los Angeles. Bergstrom was commissioned as the chief consulting architect for the United States War Department in 1941. In this capacity, he served as the chief architect for the Pentagon in Washington, D.C. (1941–43). Bergstrom was also actively involved in the American Institute of Architects (AIA), serving as the national organization's treasurer for over 40 years and as president in 1939 and 1940. During their partnership, Parkinson & Bergstrom became the dominant architectural firm hired to design major buildings in Los Angeles. This prominent partnership designed over 25 buildings in the 10 years of their collaboration, with the majority located in the city's burgeoning downtown. Besides the Metropolitan Building, there are four other Parkinson & Bergstrom buildings located within the boundaries of the Broadway Commercial and Entertainment Historic District. As is evidenced in the Metropolitan Building, Parkinson & Bergstrom commercial buildings typically reflect influences of the Beaux Arts or Classical Revival styles popular at the turn of the century with exterior use of glazed terra cotta, decorative spandrel panels, low relief sculptural ornamentation, and large projecting cornices.


b