In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[EX Q]: Review: I think this is almost all I need to say. I feel obliged to explain my actions though. I've basically never seen such an armateur production, and I mean that in all senses of the word. Although the physical camera work, boom MIC operation and other technical aspects of this film are laughable, unfortunately its not the only areas.Unlike some classic independent films that have been saved by their scripts great characterization and plot, this unfortunately has an awful script, awful acting and worst of all, awful annoying characters.It's a crime that for the every independent film that gets, distribution like Haiku Tunnel, there's a 101 other indie films that died silent deaths. I don't know who the Kornbluth brothers know at Sony, but that can be my only explanation as to how this amateur family production ever got distribution. I'm quite bemused as to why they picked this up.The ONLY part of this film that holds out any intrigue is its title. However, the reason for that is even a let down. I hope this review will save a few people that may be intrigued by this films title from going to watch it. I've seen a lot of films in my time, and I'm very forgiving when in the cinema, but this was too much. I'll never forget 'tunnel', for marking an important point in my life experience of cinema. Shame it's such a low point. Question: is it a positive review?
[EX A]: no

[EX Q]: Review: When converting a book to film, it is generally a good idea to keep at least some of the author's intended tone or conveyed concepts, rather than ignoring the author altogether. While it is clear that the director had access to and went on the advice of Elinore Stewart's children, it is key to note that the children believed their mother to be a complete liar in regards to the good, enriching, strengthening experiences of homesteading her land. The book details her life on her and her husband's adjoining homesteads in the vast Wyoming frontier; she chronicles daily adventures with her numerous friends and acquaintances, though they lived dozens of miles apart. The film, however, takes a standard stance for the time it was made, portraying this woman's experience as harsh, unforgiving, and nearly pointless. Perhaps the director was bringing some of his Vietnam War experiences with him to this movie (as some film aficionados have said), but it seems to be a lousy excuse for taking all the joy and beauty of the book and twisting it into a bleak, odious landscape devoid of friends or hope. Don't waste your time with this movie; read the book instead. Question: is it a positive review?
[EX A]: no

[EX Q]: Review: Before writing this review, I went back and reread the reviews of others. This movie was a particular disappointment to me, since it features two of my favorite dancers, Gene Kelly and George Chakiris, boasts a score by the often wonderous Michel LeGrand ("Wuthering Heights," "Ice Station Zebra," "The Thomas Crowne Affair"). The dancing was stilted, unmotivated and unoriginal, the songs forgettable, the story a joke. Even the costuming was not particularly flattering. Only the photography correctly captured the proper mood and spirit. I'm glad other people enjoyed "The Young Girls of Rochefort," though I most certainly did not. Question: is it a negative review?
[EX A]:
yes