In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

[EX Q]: Johnathan Frakes is a good actor and, when he's not directing a family film, a fine director. But, he really shouldn't have directed this movie, and the screenplay should've been rejected. The director and writers must understand what the original TV show was really about, as well as who the characters were and how they worked. The original series had many episodes with razor-sharp writing using good dialogue and with situations that American producers would never consider using in children's programming, much less a movie, which made the original series so well received by adults. I mean, the Tracys were college graduates and some of them did even drank alcohol and smoked tobacco! And, there were characters who did get killed, although most were bad guys. If they had written it the way that it was originally done, which isn't dumbing things down with poor dialogue, kindergarten humor, and a weak plot, this Universal/Studio Canal joint venture wouldn't have such bad reviews. This motion picture is almost pure blasphemy. If you've seen the original Supermarionation series, then you'll know what I'm talking about! The first thing that was out of place and annoying were the constant references to Ford Motor Company, even going so far that Lady Penelope was riding around in a disfigured Ford Thunderbird made up to look like FAB-1 instead of using what would've been more appropriate considering Ms. Penelope's station (not to mention being more faithful to the original), a ROLLS-ROYCE FAB-1. She's supposed to be a distinguished member of British society, hence the preference for England's finest make of motorcars in the original series. One other reviewer here indicated that Penelope wouldn't be caught dead in a Ford. He's pretty much right in the context that the idea of her riding in a Ford doesn't work. At least they could have had Penelope ride in a Jaguar made up like FAB 1 since Jaguar is a British car make that is owned by Ford, but NO! They had to use a straight FORD! But the Ford product placement doesn't end there. EVERY single car you may see is a Ford! Even the news flash that is shown on the TV sets in the movie were sponsored by Ford! Ford, Ford, FORD! The predominance of Ford vehicles makes this movie an obvious marketing vehicle for Ford. The original series had a design that was futuristic for the 1960s and still remains ahead of its time even today. But, the futuristic design in the original series worked because there was an effort to make the design look practical and functional. This kind of treatment didn't exist in the movie, where everything is stylized to excess, defeating the sense of functionality and practicality. A lot of things that were done in the design of the movie were done strictly for style, many times with no sense of function to give that style a sense of reason.The original series relied on good acting performances of the voice talent to overcome the limited expressions in the puppets, bringing them to life in the episodes. The brilliant and lively music score by Barry Gray helped even further to connect the audience with the story, the characters, and how everything came together to help achieve the super objective (a little bit of Stanislavski talk). The movie, on the other hand, had some overly grating performances. Anthony Edwards overplayed Brains to a fault, Bill Paxton as Jeff Tracy just didn't work despite decent acting (one of few), there were better choices for the Hood than Ben Kingsley, and many others that I don't care to mention (it would take too long). Quite simply, the puppets were more believable! Second was the overly generic and underwhelming music score by Hans Zimmer, sounding more like a mix between "Days of Thunder" and "Apollo 13." And, of course, the Hood. The Hood in the original series had an ability to communicate with Kyrano through a statue of Kyrano as an outlet for ESP contact. But, that was where his extraordinary capability ended. He's a master of disguise and deception, which allows him to sneak around undetected (for the most part, anyways) to gather information of the Thunderbirds vehicles for his own means. He also uses weapons for his own defense, including pistols, and generally collects information using a film camera, although he tried to steal Thudnerbirds 1 and 2 in the 1960s United Artists release of "Thunderbird 6" (which was the last Thunderbirds show filmed in Supermarionation and was the second Thunderbirds theatrical release). But, while he is a nemesis of International Rescue, the Hood isn't the villain in every Thunderbirds episode and he tends to avoid direct confrontation with International Rescue. In the movie, he's obviously the main villain, but he and his cohorts seem to act more like morons, along with the Hood having extended mind control ability, including the ability to move objects and move himself into flight for brief periods of time. This totally deviates from the Hood as a character in the original series with one that may leave kids laughing and people familiar with the series scratching their heads in confusion or leaving the theater in disgust.There are more criticisms, but the 1000 word limit for IMDb reviews will not allow me to list all of them. So, I will close with the point being made that I didn't enjoy this movie. As a matter of fact, I think it sucks! Having seen the original series and Supermarionation movies (Thunderbirds Are Go, Thunderbird 6), I was hoping for something a lot better than this.The original Supermarionation was a lot more sophisticated and elegant than this live action farce. (And that's saying it nicely.) - Kip Wells
[EX A]: negative

[EX Q]: I watched this movie when I was almost quite a kid, and, naturally, was moved to tears by this story of a fox family. The fantastic scenery at Hokkaidô, the excellent storytelling and last not least the wonderful soundtrack provide a rare intimacy with the protagonists. I am still searching for some copy of the gorgeous soundtrack. To German viewers it might be useful to know that the DEFA-dubbing is the only one worth listening to. I taped both (DEFA and BR) but I keep viewing the first one only.
[EX A]: positive

[EX Q]: As good an advert for republicanism as you're ever likely to see,"Mayerling"is an everyday story of royal folk in late nineteenth century Austria.Set during one of Europe's seemingly incessant internal turmoils it concerns itself with the Emperor Franz Joseph (Mr James Mason),his rebellious son,the Crown Prince Rudolf (Mr Omar Sharif)the Empress(Miss Ava Gardner) and various mistresses,secret policemen,spies,extravagantly-uniformed popinjays,gypsies,dancers,wives, soldiers,swans,horses and the bizarre inbred web of European royalty at the time of Franz Joseph's Austro-Hungarian Empire. Filmed in what the old movie posters used to call "A Riot of Color" it resembles nothing more than an expensively-dressed but intellectually-challenged production of "The Student Prince" .Mr James Mason,wearing a very natty little white number,utilises his all-purpose mittel-European accent whenever he remembers.I am a great admirer of his and I sincerely hope the remuneration was comensurate with the distaste he clearly felt for the character he was playing. Mr Omar Sharif,who built a career largely founded on looking directly at the camera with his big brown eyes and looking soulful,gives a stupefyingly monotonous performance as his son the Crown Prince.He is utterly unconvincing as a man who -in the movie at least-cut a swathe through the distaff side of the Austrian aristocracy.With his well-buttered locks firmly in place he preens and poses in ever more unlikely uniforms.As a rebel he talks the talk but conspicuously fails to walk the walk,leaving a bottom button undone on one of his tunics is about as far as his defiance goes.Unhappily married,he falls in love with a commoner."Forbidden Love" is one of the movie's come-ons.As she is played by the most uncommon Miss Catherine Deneuve he is scarcely pushing the envelope there.Miss Deneuve has a profile to die for and we see rather a lot of it,particularly in the sequence set at the ballet. Now I love ballet as much as the next man,but this sequence does seem to go on for an excessive amount of time,a more cynical critic might consider it to be "padding". Rudolf's mother,the Empress is played by Miss Ava Gardner.She gives the part some good old American oooomph,making her a bit like "Auntie Mame",but it's done with undeniable style.Rudolf is certainly very fond of his mother - I'll put it no more strongly than that. The only performance worth watching is that of Mr James Robertson Justice as Sir Lancelot Spratt - sorry,Edward,Prince of Wales.He is so wonderfully unconcerned about everything going on around him it's a joy to behold.I waited vainly for him to ask Rudolf the immortal question "What's the bleeding time?". I am not qualified to dispute "Mayerling" 's historical accuracy,but,in my opinion,everything else about it is risible. It is a Ruritanian Opera Buffa without the tunes to send you home from the theatre whistling.
[EX A]:
negative