In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.
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Question: Passage: Haskell was born in Palmyra, Maine in 1843 to Aretas Haskell and Sophia Hathorn (Haskell). He attended Bates College's Nichols Latin School/Maine Central Institute. Haskell was a great-nephew of Seth Hathorn who donated Bates' first building. After serving in the American Civil War with the first Maine Cavalry (including at Gettysburg) and being wounded, Haskell returned to his father's farm in Maine, and then moved to Marysville, California where he read law and was admitted to the bar in 1875. Eventually he moved back to Pittsfield, Maine for a period and then to Glendive, Montana where served as a district attorney. He was elected as a member of Montana Territorial House of Representatives in 1888 and served as a delegate to Montana state constitutional convention in 1889. In 1889 Haskell was elected as the first Montana state attorney general and served until 1897 as a Republican. Haskell was an active Freemason. In the election he defeated Ella Knowles Haskell, whom he later married and then divorced in 1897. Henri Haskell died in 1921.
 Link Information: Seth Hathorn (1780-1856) was a Maine philanthropist who made large donations to the founding of Bates College, Maine Central Institute, and the University of Maine.

Seth Hathorn was born in Woolwich, Maine (then part of Massachusetts) to John and Tabitha Gowing Hathorne. Hathorn was a grandson of Lieutenant John Hathorne and Esther Wyman Hathorne. He married Mary Hathorne  Answer: Mary Hathorne

Answer: What was the name of Henri's great aunt?


Question: Passage: Inside the church are galleries on the north, west, and south sides. These are carried on Tuscan columns, which rise to the ceiling as wooden quasi-Tuscan columns. At the east end of the church are paintings by Jacob Thompson of Penrith dated 1845 depicting the Angel and the Shepherds, and the Agony in the Garden. The communion table dates from 1722, and was lengthened in 1951. The brass chandeliers were given to the church in 1746 by the 2nd Duke of Portland in recognition of the part the town played in the defence against the Young Pretender in 1745. The pulpit consists of the top section of a former three—decker. At the back of the gallery are royal arms dated 1723 by Mathias Read. The font consists of a simple octagonal bowl, and is dated 1661 which is the date it was brought back into use after the Restoration of King Charles II. The stained glass in the east window of 1870 is by Hardman, and that in the north aisle, dating from 1889, is by Burlison and Grylls. Elsewhere are windows by Clayton and Bell, Powell's, G.J.Baguley, and by Cox, Sons and Buckley. The monuments include two coffin lids inscribed with foliated crosses, one dating from the 14th century, the other possibly from the 12th century. There are also two worn stone effigies from the 17th century.
 Link Information: He began to exhibit in 1824, when he had in the first exhibition of the Society of British Artists a "View in Cumberland," but he did not send a picture to the Royal Academy until 1832, in which year appeared "The Druids cutting down the Mistletoe." This was followed in 1833 by a picture containing full-length portraits of the daughters of the Hon. Colonel Lowther. His next exhibit was "Harvest Home in the Fourteenth Century," which appeared at the British Institution in 1837, and was presented by the artist to his patron, the Earl of Lonsdale. After this date he painted portraits, views of mansions, &c., but he did not exhibit again until 1847, when he sent to Westminster Hall "The Highland Ferry-Boat," which was engraved in line by James Tibbits Willmore. "The Proposal" appeared at the Royal Academy in 1848; "The Highland Bride," likewise engraved by Willmore, in 1851; "Going to Church: Scene in the Highlands," in 1852; "The Hope Beyond," in 1853; "The Course of true Love never did run smooth," in 1854; "The Mountain Ramblers," in 1855; "Sunny Hours of Childhood" and "Looking out for the Homeward Bound," in 1856; and "The Pet Lamb," in 1857. He painted in 1858 "Crossing a Highland Loch," which was engraved by Charles Mottram; but he did not again exhibit until 1860, when he sent to the Royal Academy "The Signal," which was engraved by Charles Cousen for the Art Journal of 1862. In 1864 he had at the academy "The Height of Ambition," engraved by Charles Cousen for the Art Journal, as was likewise by J. C. Armytage "Drawing the Net at Hawes Water," painted in 1867 for Lord Esher, but never exhibited. "Rush Bearing" and a view of Rydal Mount are among his best works.

In his later years Thompson devoted himself chiefly to landscape subjects with figures, the themes of which were for the most part drawn from the mountains and lakes of Cumberland and Westmoreland, but occasionally from Scotland. His range, however, was limited, and his work was lacking in poetic sympathy. His attempts at classical and scriptural subjects, such as "Acis and Galatea," exhibited at the Royal Academy in 1849, and "Proserpine," were not a success. His last work was "Eldmuir, or Solitude." Answer: View in Cumberland,

Answer: What other paintings has Jacob Thompson created?


Question: Passage: After a short stint in Scranton to start 1991, Morandini returned to the major leagues for the remainder of his career. He amassed four triples and thirteen stolen bases in his first full season, highlighting his speed. The following season produced one of the most memorable moments of Morandini's career. In a game against the Pittsburgh Pirates on September 20, 1992, he turned an unassisted triple play. In the sixth inning, Morandini caught a line drive off of the bat of Jeff King, touched second base to put out Andy Van Slyke, and tagged out Barry Bonds coming from first base; the Pirates went on to win the game, 3–2, in extra innings. It was the first unassisted triple play since 1968, and the first in the National League since 1927. Morandini was also the first second baseman in National League history, and the first in the regular season, to turn an unassisted triple play; all previous occurrences were made by first basemen or shortstops. The only other second baseman to achieve the feat prior was Bill Wambsganss, who turned a triple play in the 1920 World Series.
 Link Information:  King was the Royals regular first baseman  Answer: first baseman

Answer:
What position did Jeff King play in 1992?