You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

 The Spraggs, a family of midwesterners from the fictional city of Apex who have made money through somewhat shady financial dealings, arrive in New York City at the prompting of their beautiful, ambitious, but socially-naive daughter, Undine. She marries Ralph Marvell, a member of an old New York family that no longer enjoys significant wealth. Before her wedding, Undine encounters an acquaintance from Apex named Elmer Moffatt, a character with "a genuine disdain for religious piety and social cant", as the scholar Elaine Showalter observes. Undine begs him not to do anything that will endanger her wedding to Ralph. Elmer agrees.
Although Ralph dotes on Undine, his finances do not permit the extravagant lifestyle Undine desires, and she feels that her in-laws scorn her. When she becomes pregnant, she is disconsolate; and she neglects her son, Paul, after he is born. Alone in Europe, Undine begins an affair with the nouveau riche Peter Van Degen, who is married to Ralph's cousin, Clare. She then divorces Ralph in the hope of marrying Peter, but this does not work out: Peter seems to want nothing more to do with Undine, and Clare will not grant him a divorce anyway. As a divorcee, Undine loses her high position in society, and spends a few years living in North Dakota, New York, and Paris, scheming to scramble up the social ladder again.
In Paris, a French count, Raymond de Chelles, falls in love with Undine. They desire to get married, but, as a Catholic, Raymond cannot marry a divorc e. To procure enough money to bribe the Pope to annul Undine's previous marriage, Undine blackmails Ralph. Having been awarded custody of their son, but allowing him to live with Ralph (it was inconvenient for her to raise him in Europe), she demands that the boy be sent to her. It is clear that she will let him remain with Ralph only if he sends her a large sum of money. Ralph does not have sufficient funds of his own, so he borrows money from friends and family and invests it in one of Elmer Moffatt's business deals. The deal does not go through in time to meet Undine's deadline, and Moffat also informs Ralph that he had once eloped with Undine and then was divorced from her the secret she feared that New York society would discover. Shocked, and also distraught at the thought of losing his son, Ralph commits suicide. Undine is able to marry Raymond as a widow, though this would not be possible if Raymond knew of her first marriage to Moffat.
Undine is soon dissatisfied with Raymond, too. The de Chelles are hidebound aristocrats, their wealth tied up in land and art and antiques that they will not consider selling, and Undine cannot adjust to the staid customs of upper-class French society. She also resents having to spend most of her time in the country because her husband cannot pay for expensive stays, entertainment, and shopping trips in Paris. Ultimately, she divorces Raymond in order to remarry Elmer Moffatt, who by now has made a fortune. Now, married to the crass midwestern businessman who was best suited to her in the first place, Undine finally has everything she ever desired. Still, it is clear that she wants even more: in the last paragraph of the novel, she imagines what it would be like to be an ambassador's wife   a position closed to her owing to her divorces.
What can Raymond not do as a Catholic?

 (From Conan The Warrior, ISBN 0-441-11465-2)
The foreword to the story tells of his travels to Punt with Muriela, refers to a scam perpetrated against worshippers of an ivory goddess and then on to Zembabwei, where he joins a trading caravan on its way to Shem. Around 40 now, Conan visits his homeland and finds his old friends are fathers. Bored, Conan sets off for the Bossonian Marches and becomes a Scout at Fort Tuscelan on the Black River. Naturally, there is a war going on...
A young settler named Balthus encounters Conan in the forests slaying a forest devil. Accompanying the young man back to the Fort, Conan finds the body of a merchant ensorcelled by a Pictish wizard named Zogar Sag and slain by a swamp demon.
The Fort Tuscelan Commander, Valannus, is a desperate man and asks Conan to slay Zogar Sag before he raises the Picts against the whole borderlands. Taking a hand picked team of scouts and Balthus, Conan sets off stealthily in canoes. Balthus is captured and most of Conan's men slaughtered in an ambush.
Balthus and one of the Scouts are tied to stakes and the scout is sacrificed by Zogar Sag to one of his jungle creatures. Before Balthus can meet a similar fate, Conan sets the Pictish village on fire and the two flee into the woods. Conan tells Balthus of the cult of Jhebbal Sag, now forgotten by most. Once all living things worshipped him when men and beasts spoke the same language. Over time men and most beasts forgot his worship. Zogar Sag has not, however, and can control those few animals and creatures who also remember. And they are on Conan's trail now.
Conan is able to neutralize them using a symbol he once noticed, and the pair hurry to return to the Fort to warn them of the impending Pictish assault, but they are too late. The Picts already are all around the fort, and furious fighting is going on. The number of Picts ensures that eventually the fort will be overwhelmed and the defenders slaughtered. The only thing left to do is warn the settlers to flee while the Picts are busy with the fort - otherwise they will be slaughtered, too.
Conan and Balthus go to warn the settlers that the Picts have crossed the river and are raiding. They are joined by Slasher, a feral dog formerly owned by a settler who had been slain by the Picts. Balthus is sent on to warn settlers of the coming Pict raid, and Conan parts from him to warn a group of settler who had gone to gather salt. Balthus warns women and children to leave their huts and flee. When a band of Picts arrives, who move quicker and might overtake the women, Balthus stays behind to cover their escape. Accompanied by Slasher he makes a stand against the coming Pict raiders, first shooting arrows from concealment and then in a furious face to face battle. The man and dog's sacrifice delays the Picts and gives the settlers time to reach safety. Conan manages to warn the salt-gathering party in time, but finds he has been marked for death by the gods of darkness for misusing the symbol of Jhebbal Sag. In the end Conan triumphs, but the fort is lost, and so is the entire province.
The story ends in a tavern. A survivor tells Conan about the courageous act of Balthus and Slasher, and how their final stand had delayed the Picts just barely long enough for the settlers to reach safety. Upon hearing of the fight, Conan vowed to take the heads of ten Picts to pay for Balthus' sacrifice, along with seven heads for the dog, who was "a better warrior than many a man."
Who goes to warn the salt gatherers?

 Nordau begins his work with a "medical" and social interpretation of what has created this Degeneration in society. Nordau divides his study into five books. In the first book, Nordau identifies the phenomenon of fin de si cle in Europe. He sees this as first being recognised, though not originating, in France, describing this phenomenon as "a contempt for the traditional views of custom and morality". He sees it as a sort of decadence, a world-weariness, and the wilful rejection of the moral boundaries governing the world. He uses examples from French periodicals and books in French to show how it has affected all elements of society. Nordau accuses also society of becoming more and more inclined to imitate what they see in art. He sees in the fashionable society of Paris and London that "[e]very single figure strives visibly by some singularity in outline, set, cut or colour, to startle attention violently, and imperiously to detain it. Each one wishes to create a strong nervous excitement, no matter whether agreeably or disagreeably".
Nordau establishes the cultural phenomenon of fin de si cle in the opening pages, but he quickly moves to the viewpoint of a physician and identifies what he sees as an illness:
In the fin-de-si cle disposition, in the tendencies of contemporary art and poetry, in the life and conduct of men who write mystic, symbolic and 'decadent' works and the attitude taken by their admirers in the tastes and aesthetic instincts of fashionable society, the confluence of two well-defined conditions of disease, with which he [the physician] is quite familiar, viz. degeneration and hysteria, of which the minor stages are designated as neurasthenia.
The book deals with numerous case studies of various artists, writers and thinkers (Oscar Wilde, Henrik Ibsen, Richard Wagner and Friedrich Nietzsche to name a few), but its basic premise remains that society and human beings themselves are degenerating, and this degeneration is both reflected in and influenced by art. Hannah Arendt, in her book The Origins of Totalitarianism, refers to late 19th Century French society as embracing unusual or exotic types or individuals, such as criminals, Gypsies and Turks, and certain others formerly not seen as socially acceptable, so Nordau's position is not novel or isolated as social criticism.
The original article's text comports quite closely to Howard Fertig, NY 1960. During the time of Nordau's writing, physical, physiognomic, or mechanical factors were still being regarded as causative in mental aberrations and malfunctions. The symbolic or mythic approached later implemented by Freud and Jung made no part of Nordau's understanding of the human psyche.

Nordau believes that society is sick, what phrase describes its symptoms?