In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: go 's is a gloriously slick hip machine .
director liman ( who also photographed go ) and screenwriter august celebrate the drug / rave scene in l .
a .
, preferring to take ( comedic ) snapshots of troubled youth rather than critique them .
after more than ninety minutes of pill - popping , tantric sex , car chases , and attempted murder , go even has a happy ending .
this is the sort of film that gives members of the dove foundation splitting headaches ; as go wound down , i anticipated an anti - pill - popping - casual - tantric - sex - car - chase - attempted - murder sermon that ( blessedly ) did n't arrive .
a la tarantino 's pulp fiction , go is comprised of three separate but related stories .
the basics are as follows :
ronna ( polley ) is a bitter grocery store clerk facing eviction who turns to drug dealing for extra dough .
her co - worker , simon ( the improbably named askew ) , is a clubber from britain ecstatic about his first trip to vegas .
zack ( mohr ) and adam ( wolf ) are soap opera stars escaping a career - threatening conviction by assisting a peculiar cop ( fichtner ) in a drug bust .
perhaps because the innovative structure of tarantino 's non - linear masterwork is by now old hat , the id - fueled go delighted me but rarely surprised me ( with the exception of that mind - reading cat ! ) ; pulp fiction zigzagged down roads unforeseen , but we see go 's wheels turning from its first flash frame to the last .
torontonian polley ( of the sweet hereafter ) refused to do publicity for this picture on the basis that she was " not pleased with " her turn as the ill - fated cashier .
in go , she delivers , hands - down , her best performance to date .
here 's an ( overrated ) actress who agreed to appear on the poster , but not support her team at the junket or in interviews ; this sort of arrogance is commonplace for ms .
polley , as anyone who has read of her political agenda in the canadian press will tell you .
if she does n't want to be the ingenue of the moment , she should have said " no , " not go .
but i digress .
go is a fun film , so chipperly depraved one ca n't help but turn off his moral judgment for its duration and enjoy the ride .
in that sense , it 's a departure from liman 's last film , swingers , which at least lectured against self - absorption in the form of vince vaughan 's trent and his subtle comeuppance in the story 's clever epilogue ( which has been aped by mcdonald 's for their latest commercial ) .
i wish i cared more about go 's characters : like the techno music they listen to , the bands of anarchists on display here are at once absorbing and vacuous .
when the lights came up and stung my eyes , it was difficult to recall what about it entertained me . yet
entertain me it did
.
go is light and frothy , featuring compelling if not endearing work by polley , timothy olyphant ( scream 2 ) , and especially fichtner , whose homoerotic behavior is milked for effective laughs .
fichtner is a character actor best known for playing backstabbers ( in heat , armageddon , and others ) ; his previously untapped comic abilities shine in go .
unlike much of the film , fichtner is unpredictable .

Output: P


Input: Consider Input: notice : this is a review and analysis of exotica .
the first part of this piece is the review , the second part contains some analysis of the movie which might be construed as spoilers . if you have not seen the movie and after reading the first part you intend to do so , then save the second part for the discussion afterwards .
starring : bruce greenwood , mia kirshner , elias kosteas , don mckellar , arsinee khanijian , sarah polley director : atom egoyan screenplay : atom egoyan exotica is a film that grows on retrospection .
exotica keeps the viewer guessing about the relationship between the various characters in the film .
all of the people know each other , but apart from that , there seems to be no other reason why to select such set and follow them in this fictional account .
the director hints for possible solutions , using a multi - line plot , so popular with critics in mystery train , and used to good advantage by quentin tarantino in pulp fiction .
exotica reaches a whole new dimension using this technique .
at the end it is surprising to see how well the pieces of the puzzle fit together , in spite their apparent unconnectedness and even misleading features .
the out - of - chronological - order technique has become ever so popular ,
perhaps even de rigueur , for biographical films .
similarly , we can now expect to see more movies in the future which will use , to varying extent , converging multiplots .
on a first glance , once the multi - plot puzzle in exotica is solved , there seems to be little left to look at . but perceptive minds which take the time to dig further will be rewarded with interesting views on life or rather , commentaries on views of life .
exotica is very much worth seeing .
it opened to critic 's praise worldwide ( i first saw it in mexico city , last december ) .
in canada , it broke records for a movie of its kind , which prompted the american distributor to go for a wide release .
apart from a strong plot , acting is very convincing , and the soundtrack seems as if made for the movie .
the spoon - fed - entertainment crowd may not appreciate this movie , and thus it might last little on screen .
but if you want to try a movie a cut above the crowd , with an originality that is ever so rare , by all means see exotica .
analysis
( * * spoilers
*
* ahead ) what is behind the complex plot in exotica ?
first , a common theme of the quest for gratification by monetary means .
the lone tax - auditor , the repressed homosexual pet shop owner , the pregnant woman which runs the nightclub , the rich man which has the club remodeled , the audience at the movie theatre , all use personal wealth to buy palliative relief for the penuries of the soul .
.. .
then we have the quest for gratification through visual means by most of the same people , including those who sit watching exotica .
.. . in that regard exotica stands for onlookers at a nightclub , for the rich man looking through silver mirrors , and poor - rich people looking at other 's people lives through a silver screen .
exotica also stands for unwanted society attention into the lives of other people , such as the tax auditor and the pet shop owner .
exotica is the customer agent looking at the pet shop owner , which in turn is looking at the core of the problems between the strip dancer and the tax auditor through the detached eye of a gay person ( no attraction to the strip dancer ) , and only interested on avoiding jail ( no personal relationship with the tax auditor ) .
in exotica everybody is watching , and what is worse , everybody knows .
second , exotica is about isolated people holding back their feelings ; about people which by voluntary or involuntary means transfer their view of reality to other characters .
the strip dancer becomes the proverbial daughter , the dj becomes the proverbial killer by means of breaking the relationship between the father and the proverbial daughter .
the niece becomes the baby sitter , the baby sitter becomes the dancer , and the dancer becomes the proverbial daughter .
the pet shop owner becomes the proverbial dj , by finding the proverbial daughter .
a chain made of real and imagined links coming around full circle , just as everything comes around to a fitting whole at the end of the movie .

Output: P


Input: Consider Input: " come on , silent bob !
we 're going to hollywood .
" starring jason mewes , kevin smith , will ferrell , shannon elizabeth , seann william scott , chris rock , jason lee , ben affleck .
directed by kevin smith .
rated r .
jay and silent bob strike back is a dumb movie disguised in a smarmy interior .
kevin smith , coming off the wonderful , challenging dogma
, fills it with sub - road trip gross - out jokes and expects us to buy it because he 's just oh - so - ironic .
but when a movie is so self - aware
it becomes about nothing but itself , we can hardly be expected to pay for admission .
jay and silent bob , two new jersey stoners who hang out at the doorstep of convenience store selling pot , have appeared in almost all of smith 's movies but , if i 'm not mistaken , have not starred in one until now .
they find out that there is a movie based on the comic book that is based on them being made in hollywood .
this presents two problems : a ) they have n't received a penny in royalties and b ) nerds on the internet ( " what 's the internet ? " )
are talking trash about them .
what is there to do except go to hollywood and stop this movie from being made ?
on the way -- they 're hitchhiking , because who knew you needed tickets to take a bus ?
-- they run into a group of hotties who pretend to be with an animal - rights group , but are really jewel thiefs who parade around in charlie 's angels - style outfits .
of course , they set jay and silent
bob up to look like the thieves , so that there is a massive manhunt going on during the second half of the film .
will ferrell , who again proves himself incapable of doing anything but sketch comedy , shows up as the wildlife marshal inspector who thinks the two have stolen a monkey .
the movie will probably please only smith 's die - hard , undiscerning fans ; everyone else will be critical of this mind - bogglingly stupid effort following some the sophisticated cinema that he churned out in years past .
any appeal the movie has will come from the " in " jokes , most of which i think i understood , but the movie is " in " to the point of absurdity .
there needs to be something holding it together other than its own smugness .
once jay and silent bob get to hollywood , the movie
abruptly switches gears from gross - out comedy to ridiculously broad hollywood satire . countless " hot " movie stars and personalities make an appearance , from smith veterans matt damon and ben affleck to wes craven , but jay and silent bob strike back resorts to such low - brow gags as another scream sequel with a monkey as the killer .
get it ?
they 're so desperate for another movie , they ran out of ideas and used a monkey !
a monkey !
as often happens with writers who are working below what they are actually capable of , most of the really good lines are throwaways , while the big , painstaking gags mostly fall flat .
one of the funniest lines in the movie flies by : when asked to comment on the clitoris ( do n't ask ) , jay responds :
" the female clitoris ?
"
kevin smith is a talented writer ( though i agree that his films would be better off if he 'd let a real director take the helm ) , and jay and silent bob strike back holds true to his promise to make a more facetious film .
unfortunately , it 's also shapeless , pointless and largely unfunny .
smith 's " verbal trampoline , " as ben affleck once called his distinctive dialogue , takes a back seat to his dubious instincts as a populist filmmaker .
this was supposed to be the movie that did n't offend anyone , but it 's offensive because it 's terrible .


Output: N