instruction:
In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
question:
Question: Which of the central powers had been around longer when the First World War began? Passage 1:Remix culture, sometimes read-write culture, is a society that allows and encourages derivative works by combining or editing existing materials to produce a new creative work or product. A remix culture would be, by default, permissive of efforts to improve upon, change, integrate, or otherwise remix the work of copyright holders. While a common practice of artists of all domains throughout human history, the growth of exclusive copyright restrictions in the last several decades limits this practice more and more by the legal chilling effect. In reaction, Harvard law professor Lawrence Lessig who considers remixing a desirable concept for human creativity has worked since the early 2000s on a transfer of the remixing concept into the digital age. Lessig founded the Creative Commons in 2001 which released Licenses as tools to enable remix culture again, as remixing is legally prevented by the default exclusive copyright regime applied currently on intellectual property. The remix culture for cultural works is related to and inspired by the earlier Free and open-source software for software movement, which encourages the reuse and remixing of software works.
 Passage 2:At the beginning of the First World War in 1914, Great Britain used its powerful navy and its geographical location to dictate the movement of the world's commercial shipping. Britain dominated the North Sea, the Atlantic Ocean, the Mediterranean Sea and, due to its control of the Suez Canal with France, access into and out of the Indian Ocean for the allied ships, while their enemies were forced to go around Africa. The Ministry of Blockade published a comprehensive list of items that neutral commercial ships were not to transport to the Central Powers (Germany, Austria-Hungary, and the Ottoman Empire). This included food, weapons, gold and silver, flax, paper, silk, copra, minerals such as iron ore and animal hides used in the manufacture of shoes and boots. Because Britain and France together controlled 15 of the 20 refuelling points along the main shipping routes, they were able to threaten those who refused to comply, by the withdrawal of their bunker fuel control facilities.
 Passage 3:Promoted lieutenant-colonel in 1852, and colonel (and commanding officer of the 5th Uhlans) in 1853, Manteuffel was sent on important diplomatic missions to Vienna and St Petersburg. In 1857 he was promoted to major-general and chief of the Prussian Military Cabinet (the King's military advisers). He gave strong support to the Prince Regent's plans for the reorganization of the army. In 1861 he was violently attacked in a pamphlet by Karl Twesten (1820–1870), a Liberal leader, whom he had wounded in a duel, for which Manteuffel insisted on being briefly imprisoned. He was promoted to lieutenant-general for the coronation of William I on 18 October 1861 and saw active service in that rank in the Danish War of 1864, then at its conclusion was appointed civil and military governor of Schleswig. In the Austrian War of 1866 he first occupied Holstein and afterwards commanded a division under Vogel von Falkenstein in the Hanoverian campaign, then in July succeeded Vogel in command of the Army of the Main.

answer:
2


question:
Question: Which of the men that Wight broke off from was born first? Passage 1:"I Miss You" is a pop music song with a length of three minutes and fifty-eight seconds. It is a ballad that maintains low-key with an acoustic styling. "I Miss You" is influenced by elements of the country music genre; nevertheless, it has a rock music-based musical arrangement, relying prominently on a gentle strumming guitar for instrumentation. Written in the key of B♭ major but will transpose at the key of C major at the end of the bridge, "I Miss You" is set in common time with a tempo of 85 beats per minute. Cyrus' low and throaty vocals span a one octave, ranging from G to B. The song has the following chord progression, B–Gm–F–F–Fsus.
 Passage 2:Lyman Wight (May 9, 1796 – March 31, 1858) was an early leader in the Latter Day Saint movement. He was the leader of the Latter Day Saints in Daviess County, Missouri, in 1838. In 1841, he was ordained a member of the Quorum of the Twelve Apostles. After the death of Joseph Smith resulted in a succession crisis, Wight led his own break-off group of Latter Day Saints to Texas, where they created a settlement. While in Texas, Wight broke with the main body of the group led by Brigham Young. Wight was ordained president of his own church, but he later sided with the claims of William Smith, and eventually of Joseph Smith III. After his death, most of the "Wightites" (as members of this church were called) joined with the Reorganized Church of Jesus Christ of Latter Day Saints.
 Passage 3:However, before the season began, Gresham suffered a season-ending injury. During the season opener against BYU, Bradford suffered an injury to his shoulder that forced him to sit out the next several games. The Sooners would go on to lose that game and their fourth game against Miami. Bradford returned for game number five against Baylor, but reinjured his shoulder the next week against Texas, ending his season and giving the Sooners their third loss of the season. The Sooners would continue to suffer many injuries throughout the remainder of the season including losing offensive linemen Jarvis Jones and Brody Eldridge, and defensive players Tom Wort, DeMarcus Granger and Auston English for the season. With freshman Landry Jones now leading the offense, the Sooners would go on win every home game from that point forward, including a season-ending win over in-state rival Oklahoma State, extending their NCAA-leading home winning streak to 30 games. However, the Sooners would also lose all but one of their away games. Oklahoma ended the regular season with seven wins and five losses (5–3 in the Big 12). The game marked Oklahoma's third appearance in the Sun Bowl. They were a perfect 2-0 in their previous games. In 1981, they defeated Houston 40–14, and in 1993, they defeated Texas Tech 41–10.

answer:
2


question:
Question: How old was the Academy in 1977? Passage 1:Born in Eccleshall, Staffordshire, Hibbert started his career at League One Port Vale, rising through the ranks from the age nine years old. He made three starts and seven substitute appearances in first season with Vale; and his promising maiden season was restricted only by a head injury sustained at Milton Keynes Dons. His two goals for the club both came in his second starting appearance in a 3–1 win over Luton Town on 26 February 2005. In June 2005 Championship side Preston North End signed him to a contract. As Hibbert was under the age of 23, the fee was decided by a tribunal according to UEFA regulations. Preston were ordered to pay Port Vale £35,000 up front with add ons of £10,000 for each 10 of his first 50 appearances for Preston (Vale would only receive the first of these due to him only making 13 appearances in total for Preston); a £280,000 bonus if Preston achieved promotion to the Premiership; plus a 25% sell-on clause if Hibbert was sold on. Vale chairman Bill Bratt was highly disappointed with the news and stated: "I believe he has potential, and he is worth a lot more than we have ended up with." Meanwhile, Preston manager Billy Davies stated that: "We are very fortunate to get this young lad because there were several clubs interested. We think his finishing is very good and – like David Nugent – he is very quick, but to be honest I think he is quite a way from first-team action."
 Passage 2:After his school-leaving examination (Abitur) at the secondary school Antonianum in Vechta Ludger Gerdes studied at the Academy of Arts in Münster with Timm Ulrichs and Lothar Baumgarten from 1975 to 1977, and from 1977 to 1982 at the Düsseldorf Academy of Arts with Gerhard Richter. At the beginning of the 1980s Gerdes stood out in exhibitions and actions with his criticism of the link between modern art, the museum and the temporary exhibition. At this time he exhibited among others along with Thomas Schütte. He pleaded for works of art as a means for the organization of public space and as a medium of communication. The English landscape garden was a particularly important historical model of this to him. At this time he was regarded as the intellectual head of the artist-group of Düsseldorf pattern makers (Düsseldorfer Modellbauer). In 1982 he was included in the documenta 7 in Kassel. He became known to a larger public in 1987 with his land art project A Ship for Münster (Ein Schiff für Münster) for the show "Skulptur.Projekte" in Münster. From 1990 to 1992 he taught at the Städelschule, Frankfurt; from 1998 to 2004 he was professor for painting and multimedia at the art academy in Karlsruhe; since 2005 he was professor for painting at the Muthesius Art Academy in Kiel. Parallel to his professorship he lived and worked as an artist in Munich and Düsseldorf.
 Passage 3:On March 1, 2015, Madonna performed the song for the first time on Italian TV show, Che tempo che fa, along with "Ghosttown", the album's second single. An episode featuring her appearance was aired on March 8. For the performance of "Devil Pray", Madonna wore "an extravagant black robe and various rosaries." A writer for Yahoo! noticed that both performances were warmly received by the audience, while Lionel Nicaise appreciated that Madonna put more emphasis on the melodies and her vocals during the performance, rather than costumes and stage props. Bianca Grace of Idolator noted that the performance "will have you repenting your weekend sins, as the singer emotionally sings the tune." "Devil Pray" was performed on Madonna's 2015–16 Rebel Heart Tour. Following the Last Supper-themed mashup performance of "Holy Water" and "Vogue", Madonna climbed down to the center stage to perform "Devil Pray"; during the performance she straddled one of her male dancers, who was dressed as a priest, and engaged in a dance-off with other dancers. Jordan Zivitz from the Montreal Gazette said that she found the performance to be "challenging". Previous to this the song was also used for promotional videos related to the tour's rehearsals and dancer interviews. The performance of "Devil Pray" at the March 19–20, 2016 shows in Sydney's Allphones Arena was recorded and released in Madonna's fifth live album, Rebel Heart Tour.

answer:

2