Given a document, find the main entity about whom the author is writing. Write the full name if mentioned in the text. Note that URLs in the text have been replaced with [Link].

[Q]: Vince Staples  Believes  He  Deserves All The Grammys  But  He  Isn't Holding  His  Breath
 Vince Staples  is impossible to categorize. A Southern Cali MC who prides himself on his Long Beach bona fides while eschewing the prototypical gangsta rap tag with which he's often mis-labled  he's a natural at bucking the status quo. Yet he also sees clear divisions between art and commerce that lead him to question how institutions choose to define â or fail to distinguish â the two.
So when  Staples  found himself the subject of a recent Grammy campaign â initiated by Uproxx hip-hop editor Aaron Williams  who likened the EDM sonics of  Staples ' 2017 LP Big Fish Theory to "a post-apocalyptic pinball machine" â he was less interested in discussing whether or not his album is Grammy-worthy than he was in questioning the very construct upon which the Recording Academy recognizes and rewards genre-bending artists of color.
But  Staples ' argument is bigger than hip-hop. It's a critique rooted in the racial dynamic that has kept black artists in the industry categorically separate and unequal since the inception of "race music."
In a sense   Staples  is the kind of artist the academy tends to clamor over â a major-label signee who subverts mainstream convention. While his peers chase after collaborations with bankable trap producers  his album credits are filled with left-field collaborators Kilo Kish and Zack Seckoff  a young unknown producer largely responsible for Big Fish Theory's industrial-driven electronics.
No doubt   Staples  prizes his creative idiosyncrasies: "Hitchcock in my modern day / Where the f*** is my VMA? / Where the f*** is my Grammy?" as he raps on Big Fish Theory's "Homage."
The message is the easiest part of this whole thing. The hard part of music is designing the product and marketing the product â figuring out what it looks like  what it sounds like  what it feels like    who to sell it to and how to get  them  to believe that it's more important than  themselves . When you've figured that out  that's when you become a star.
But  yeah  let's really talk about it. If we really want to have a Vince Staples Grammy campaign  someone tell me why I can't be in every genre that my music is kind of reminiscent of? Because the argument within hip-hop is that my music doesn't sound hip-hop enough.
My only request is that it be broadened  because it's no reason I shouldn't be nominated for everything we just spoke about. It's no reason I shouldn't be nominated for a packaging Grammy. It's no reason because the conceptual nature of my cover and the way that it looked is a great idea for a compact disc. Usually people go all out and put 50 pictures and give you a suitcase full of stuff to win a packaging Grammy. But it's not really about the design of it itself. It's no reason I shouldn't be nominated for that. It's no reason I shouldn't be nominated for electronic and alternative and Rap Album of the year  because if we're pushing creativity and we're doing it get to be creative and to create new things  I don't know what's newer than what Vince Staples is doing. And that's my only conversation.
[A]: Vince Staples


[Q]: Eric Gultney  38  initially made contact with the girl as she walked home from school in Chicago on Oct. 24  giving the girl a $50 bill with his phone number written on it.
The girl blocked  Gultney âs phone number after he requested to meet her that night  prosecutors said. On Nov. 2   Gultney  went to the girlâs school and approached her as she was leaving  giving her $20 even though she âremained dismissiveâ of him  according to prosecutors.
Chicago police were notified by the girlâs father when he discovered the text messages on his daughterâs phone. Prosecutors said  Gultney  admitted to detectives that he sent a sexually explicit photo to the girl.
He was charged with indecent solicitation of a child  a Class Two felony. Judge Sophia Atcherson ordered  Gultney  held on $10 000 bail and kept on electronic monitoring/
[A]: Eric Gultney


[Q]: On Sunday  a U.S. Marine stationed in Okinawa  Japan  drunkenly crashed his truck into another vehicle  killing the driver. NPR's Elise Hu talks with Anna Fifield  Tokyo Bureau Chief for The Washington Post about what the incident means for the American military presence in Okinawa.
The collision is the latest in a string of incidents over the years involving U.S. personnel on the island. They include helicopter crashes and the rape and murder of a local woman last year. Joining us now is  Anna Fifield   the Tokyo bureau chief for The Washington Post.
 ANNA FIFIELD : Hi  Elise.
HU: And we're sure you'll be keeping an eye on it.  Anna Fifield  is the Tokyo bureau chief for The Washington Post  and  she  joined us via Skype.
 FIFIELD : Thanks for having me  Elise.
[A]:
Anna Fifield