In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.

Passage: Long existing as a rural settlement, Neilston's economy was historically driven by farming, although a trade in handloom woven garments from the village's cottage industry also existed from very early times. Grain mills and watermills were operating in Neilston by 1667.Due to its supply of hydropower from the River Levern, Neilston, like neighbouring Barrhead, developed factories and cotton mills after the arrival of the Industrial Revolution. Neilston fostered a flourishing textile processing industry. At the peak of business, the River Levern was lined with bleachfields, cotton mills and calico printfields. Passing through the ownership of a series of successful companies, Crofthead Mill was once the biggest producer of spun cotton in Renfrewshire. Thread from Crofthead, and thus Neilston, was traded across the world. It is claimed that thread from Crofthead Mill held together the boots of the climbing team led by Chris Bonington on the British Everest Expedition in 1975.Neilston Agricultural Show is a cattle show, sheepdog trial and sports and arts festival held near the village on the first Saturday of every May with a tradition beginning in the early 19th century. It began as a result of a dispute between two farmers from the village. Each farmer had a prized bull that he said was better than the other's. In a bid to settle the argument, the farmers arranged a contest that would be judged by the other farmers in the area. It is not documented who had the better bull, but the contest grew into an annual event that has become a local custom which is celebrated each year at the end of the show with the burning of a 50ft tall wickerman.Although agriculture continues to a limited extent on the village's outskirts, Neilston's textile processing industry has diminished. Since deindustrialisation, Neilston is a commuter village with significant numbers of its inhabitants travelling to the major urban centres of Glasgow, Paisley and Barrhead for work. The village has retained a selection of amenities from local shops for local people, leisure facilities, and schooling however. The Barrhead News, a local newspaper published by Clyde and Forth Press, reports on Neilston, Barrhead, Nitshill and Darnley.
In 2005 the Clydesdale Bank closed its branch at Neilston, leaving it without a bank. In 2006 Neilston Development Trust utilised the Land Reform Act to purchase the bank building for community usage with the aid of a grant of £210,000 from the Big Lottery Fund. This was the first time this legislation had been successfully used in an urban area. The premises are used as a community café, a service information point, office space and meeting rooms. The trust has been involved in a community energy project, the Neilston Community Wind Farm, which installed four turbines with a capacity of 10MW in 2013. 
Question: What trust has been involved in a community energy project?
Neilston Development Trust.

Passage: During his time with Jikken Kōbō, Takemitsu came into contact with the experimental work of John Cage; but when the composer Toshi Ichiyanagi returned from his studies in America in 1961, he gave the first Japanese performance of Cage's Concert for Piano and Orchestra. This left a "deep impression" on Takemitsu: he recalled the impact of hearing the work when writing an obituary for Cage, 31 years later. This encouraged Takemitsu in his use of indeterminate procedures and graphic-score notation, for example in the graphic scores of Ring (1961), Corona for pianist(s) and Corona II for string(s) (both 1962). In these works each performer is presented with cards printed with coloured circular patterns which are freely arranged by the performer to create "the score".Although the immediate influence of Cage's procedures did not last in Takemitsu's music—Coral Island, for example for soprano and orchestra (1962) shows significant departures from indeterminate procedures partly as a result of Takemitsu's renewed interest in the music of Anton Webern—certain similarities between Cage's philosophies and Takemitsu's thought remained. For example, Cage's emphasis on timbres within individual sound-events, and his notion of silence "as plenum rather than vacuum", can be aligned with Takemitsu's interest in ma. Furthermore, Cage's interest in Zen practice (through his contact with Zen scholar Daisetz Teitaro Suzuki) seems to have resulted in a renewed interest in the East in general, and ultimately alerted Takemitsu to the potential for incorporating elements drawn from Japanese traditional music into his composition:
I must express my deep and sincere gratitude to John Cage. The reason for this is that in my own life, in my own development, for a long period I struggled to avoid being "Japanese", to avoid "Japanese" qualities. It was largely through my contact with John Cage that I came to recognize the value of my own tradition.
For Takemitsu, as he explained later in a lecture in 1988, one performance of Japanese traditional music stood out:
One day I chanced to see a performance of the Bunraku puppet theater and was very surprised by it. It was in the tone quality, the timbre, of the futazao shamisen, the wide-necked shamisen used in Bunraku, that I first recognized the splendor of traditional Japanese music. I was very moved by it and I wondered why my attention had never been captured before by this Japanese music. 
Question: What is the name of the person who, through his contact with Cage, came to recognize the value of his own tradition?
Takemitsu.

Passage: A young idealistic schoolteacher named Ruth Kirke is transporting a group of war orphans from South China to Calcutta when their steamship Tollare is torpedoed and sunk in the Pacific. Along with sailor Timothy Blake, they are the only passengers to survive the enemy attack. They are picked up by the steamship Westonia and taken to San Francisco, where immigration officials inform Ruth that the orphans will be held until a $500 bond is posted for each child.
With no money of their own, Ruth and Timothy go to the home of Commodore Thomas Spencer Holliday, the wealthy owner of their sunken cargo ship, who perished during the torpedo attack. When they appeal for financial assistance for the orphans, the commodore's family refuses. Desperate to help the children, Timothy tells the commodore's family that Ruth and the commodore were married aboard the Tollare before it was attacked. With the children's future at stake, Ruth reluctantly goes along with the deception.
Ruth, Timothy, and the eight orphans move into the Holliday mansion, where they soon meet the commodore's grandson, Thomas Spencer Holliday III. When a sceptical Tom questions Ruth about how she became his grandmother, Ruth explains that her Christian mission was destroyed in a Japanese bombing raid, and that she was sent south with eight European children, entrusted with their safety. Along the way, they encountered a dying Chinese woman, and Ruth agreed to care for her child as well. Moved by her personal story and her beautiful singing voice, Tom is soon smitten with the young woman. 
Question: Who pays the $500 bond for each of the children?

the commodore's family.