In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
the long kiss goodnight ( r ) meryl streep tried it and failed .
even pamela anderson lee made an attempt but fell flat on her well - bared assets .
however , geena davis could very well become the first bankable american female action star
with the long kiss goodnight ,
a preposterous but incredibly fun action thriller directed by her husband , renny harlin .
davis plays samantha caine , a mousy suburban school teacher and mother whose memories only go back eight years .
with the help of ethically questionable private detective mitch hennessey ( samuel l . jackson ) , she slowly remembers -- and reclaims -- her past as charly baltimore , tough - as - nails cia operative .
needless to say , with the reappearance of samantha / charly comes the appearance of an assortment of no - goodniks out to erase more than her memory .
shane black netted a cool $ 4 mil for his script ; i 'm not so sure if his prose is truly deserving of such a hefty price tag , but for what it 's worth ,
it delivers the goods .
like black 's previous work , such as lethal weapon and the last boy scout ,
the script juggles some impressive action scenes with funny , quirky dialogue .
the humor especially works well in this case , for the story is so preposterous that the laughs help to keep things from taking things too seriously .
but there 's no argument that the more unbelievable sequences are original and entertaining as hell : who can resist the sight of davis tossing her daughter from a hole in her house into the nearby treehouse or chasing after a car .
. .
while ice skating ? jackson and davis make a good team
.
jackson is funny as ever as ever
; in fact , his spirited line deliveries , especially when he first appears , are more than reminiscent of his work as jules in pulp fiction .
as good as he is , the one who should benefit the most from this project is davis , who shows much promise as an action heroine .
what makes her so effective and why she should succeed where streep and lee failed is that she does n't take herself too seriously .
she is obviously in on the joke , slyly taking jabs at herself and at the situation .
this is not to say that she does n't need work -- sometimes she lays on the " toughness " a bit too thick and comes off too much as a caricature .
but should the public embrace the film and , in turn , the notion of a kick - ass female , davis could have found her special niche .
it seems as if davis and harlin 's first collaboration , the middling pirate epic cutthroat island , was just a dress rehearsal ( albeit a very costly one ) for long kiss , in which the wife - husband team hit their action stride .
anyone simply looking for a fun , escapist entertainment that requires little - to - no thinking will find this film to be a more - than - welcome kiss .

Ex Output:
P


Ex Input:
you know , i never really wondered what the tarzan films would have been like had tarzan been an old man .
while watching instinct , i could n't help but acknowledge the way the film carelessly rehashes the well - explored themes of those earlier movies .
even beside the tarzan comparison , instinct just is n't a very good film .
it 's painfully idealistic , manipulative , and silly .
i did n't hate it -- it 's simply impossible for me to hate any film starring anthony hopkins ; furthermore , most of the acting is quite good .
but i can recognize instinct for what it is beyond my subjective admiration for the actors involved .
i can also recognize reasons for wanting to make instinct , and it 's pretty clear that this could have been a good film with a massive script overhaul and a director less interested in imitating movies like patch adams .
things start off in the predictable way , as director jon turtletaub introduces us to our hero , theo caulder ( cuba gooding , jr . ) , an ambitious , young psychiatrist under the supervision of an experienced , old psychiatrist ( donald sutherland ) .
caulder soon finds himself involved in the case of his life , the one he thinks will make him famous .
the subject is ethan powell ( hopkins ) , an anthropologist who has been living among gorillas in africa for the past two years .
powell has been charged with the brutal murders of several men in africa , and it 's now caulder 's job to find out of he 's mentally competent enough to stand trial .
through a series of short sessions , caulder tries to put together the complex psyche of powell .
even though it really is an old man version of tarzan , much of this central idea is rather interesting .
as i said , hopkins is captivating for every second he 's on screen ; he has a way of convincing us that he 's not acting , that he 's actually a man who has just spent two years of his life living with a family of wild gorillas .
the character himself is n't very interesting -- he 's just an anthropologist who really likes gorillas -- but hopkins makes him interesting with subtleties both in speech and action .
gooding jr .
does strong work opposite hopkins , playing caulder as an intelligent and flawed individual .
the screenplay , written by gerald di pego and " suggested by " a novel by daniel quinn , gives us no background information on caulder , but that seems to be the point
( he has no time for friends because he 's obsessed with his work ) .
nonetheless , these two actors are essentially the entire list of things that are good about instinct .
unfortunately , filmmaking this inept can mangle the effect of even the best acting .
turtletaub and di pego are both guilty of instinct 's artistic failure , for they work together to make the dumbest , most cliche - ridden environment in which their characters are to live , and they do so by means of brainless subplots .
first , we have the prison warden subplot .
the prison warden is evil and wants to stop caulder 's progress at any cost ; if this means taking caulder off the powell case , then that 's fine .
there 's also the prison guard subplot .
the prison guard is played by john ashton ; the prison guard seems to enjoy mercilessly beating upon the psychotics under his supervision , and he 's instrumental in helping the story along to its obvious conclusion .
then there 's the daughter subplot , in which maura tierney ( playing the daughter ) must look very upset a lot of the time ; after all , she is the daughter of a deranged man .
if some of this stuff sounds familiar , that 's because they 're all devices that have been used and reused in countless other films .
the evil doctor in patch adams is not unlike the evil warden here .
the offensive caricatures of mental patients lack the depth that the similar portrayals in one flew over the cuckoo 's nest had .
ashton 's evil prison guard pales in comparison to clancy brown 's in the shawshank redemption .
hopkins ' performance will undoubtedly remind audiences of his turn in the silence of the lambs .
and then there 's the whole tarzan thing , which is more than a little bit obvious through the entire film .
perhaps what irritates me most about instinct is the half - hearted attempt at philosophical depth .
the message powell brings back from the wild is not a subtle one : he thinks that humans are " takers , " that they expand and kill and that we should all just live like gorillas .
i can sympathize with that , but only when it 's in a compelling film .
this is the kind of stupid movie -- just like patch adams -- in which a big group of characters ( psychotic inmates , in this case ) rise against the evil forces oppressing them by tearing up playing cards .
what does any of this have to do with a man who has just spent two years of his life with gorillas ?
if all the subplots of instinct had been left on the cutting room floor , we would have had a thirty - minute movie far superior to the two - hour one that i watched today .
if the central idea had been developed beyond the old man tarzan premise , then we would really have had something interesting -- a movie that does n't rely on the strength of its actors .

Ex Output:
N


Ex Input:
by starring in amy heckerling 's " clueless " two summers ago , alicia silverstone proved she was n't just another pretty , pouty ingenue , showing a buoyant comedic craftiness that blew all previous jobs -- namely a stint as the aerosmith girl and a silly turn as the lethal lolita of " the crush " -- out of the water .
her only work since that 1995 gem has been in june 's " batman & robin , " where she overcame the underwritten role of batgirl .
now , she 's the star and producer of " excess baggage , " a hopelessly phony film that demonstrates how an ill - composed story can drag an otherwise solid performer down to its level .
silverstone 's emily t .
hope is stuck with a billionaire father ( jack thompson ) who neglects her emotionally .
in an outlandish plan to gain his affection , she fakes her own kidnapping -- emily uses an electronically disguised voice to call her dad and set a pricey ransom , ties her legs together and mouth shut with duct tape and locks herself in the trunk of her bmw .
but before the police can " rescue " her , professional auto thief vincent roche ( benicio del toro ) jimmies the locks , hot - wires the engine and makes off with both the car and emily , who 's still trapped in the back .
when vincent discovers emily , the two do n't exactly hit it off -- she annoys him , he annoys her , and at the advice of his slimy car salesman partner ( harry connick , jr . ) , he decides to drive her out to the middle of nowhere and leave her there .
along the way , of course , they get into a whole heap of trouble , and come to realize that being together is the only way to get out of their sticky , felony - studded situation .
it does n't help matters that emily and vincent are being trailed by cops , crooks and even her shady uncle ray ( christopher walken ) , who 's wise to his niece 's ploys for attention and has mafia connections .
for at least a half - hour , " excess baggage " bounces along fast and efficiently .
during this time , emily and vincent sport engaging personalities as well as a nice role - reversal twist -- she 's an awfully aggressive , combative victim and he 's quite the aloof , seemingly vulnerable captor .
but once it 's past its set - up , the situation suddenly becomes uninvolving as the story tries to be too many things at once .
a road movie , a teen comedy , a mob thriller , a drama about family relationships --
you name the cliche and " excess baggage " likely covers its territory .
of course a romance develops between the two leads , but it all seems forced , and thus characterization is manipulated to cause the finally happy outcome .
"
do you like my tummy ?
" emily coos to vincent at one point in the film .
huh ?
did i miss something ?
the hard - edged , foul - mouthed grrrl is suddenly gone and replaced with a pair of batting goo - goo eyes .
then again , " excess baggage " becomes so weak in so many areas that the personality transplant is not a complete surprise . a supporting cast attempts to do what they can with colorful but empty secondary roles , but the movie is n't game enough to use them all and
therefore seems overcrowded .
motivations keep shifting , resulting in an often confusing narrative .
scant existing story background confuses matters even worse and adds to the growing list of unanswered questions .
" excess baggage " has too many characters , too much plot and juggles with one arm behind its back and a remaining shaky hand .
i loved silverstone 's turn in " clueless " as an aloof , pampered beverly hills matchmaker inspired by jane austen 's " emma .
" looking back at the skill she displayed for comedy there , it 's simple to justify any high expectation or enthusiasm that i had mustered for " excess baggage .
"
sadly , however , " excess baggage " is no " clueless .
"
but , on the other hand , it is clueless .

Ex Output:

N