In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Q: Review: Featuring a few of Hammer's all-stars, this highly effective slice of British horror revolves around a house and the fates of it's previous tenants, whose stories are all told to a Scotland yard detective, in search of a missing actor.Story number one, which is probably the least impressive of the four, deals with a writer and his wife who've just moved in the house and plan to stay just for a short time so that he may write one of his horror novels. He creates a demented character named Dominic, who's a very creepy looking strangler, and soon finds himself going mad as he starts to seeing this beastly looking man everywhere he goes. After his wife convinces him to seek psychiatric help, a sub-plot is introduced which frankly, didn't really work for me. I won't spoil it for you.The next story (the best in my opinion) stars the wonderful Peter Cushing as Philip Grayson, a man who's moved into the home for his retirement years and soon makes his way to a nearby wax museum(that deals in the macabre) where he's very startled to find a wax figure that looks exactly like a woman from his past. Soon thereafter, an old friend(who also has a history with this woman) is in town for business and drops by to see him. The two men are in for a rude awakening as they soon discover that there was more to this woman than meets the eye.Story three stars one of my very favorites...Christopher Lee, who plays John Reid. After moving into the home with his peculiar daughter Jane, the nanny that he hires becomes awfully suspicious as to the way Reid suppresses his daughter. Well come to find out...if she knew what Lee did, she would have certainly understood.The final story is a rather light-hearted vampire tale that stars John Pertwee and Ingrid Pitt. After buying a cloak from a mysterious merchant, actor Paul Henderson finds himself turning into the very creature that he's portrayed several times in his career.Overall, the pacing and direction were very good, as was the most of the performances. There were nice Gothic touches here and there and an effective score to complement the ambiance. This one's a keeper, and comes highly recommended. Question: is it a negative review?

A: no
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Q: Review: Criticism of the film EVENING, based on the novel by Susan Minot and adapted for the screen by Minot and Michael Cunningham, has been harsh, so harsh that it may have discouraged many viewers from giving the film a try. The primary criticism has centered on the fact that very little happens in this film about a dying woman's fretting over a mistake she made one summer in her youth, that famous actors were given very minor roles, that the entire production was over-hyped, etc. For this viewer, seeing the film on a DVD in the quiet of the home, a very different reaction occurred.Ann Grant Lord (Vanessa Redgrave) is dying in her home by the ocean and her medication and memories allow her to share a man's name - 'Harris' - with her two grown daughters Nina (Toni Colette) and Constance (Natasha Richardson). As her daughters sit at her bedside Ann relives a particular summer when she was a bridesmaid for her best friend Lila (Mamie Gummer) - a marriage both Ann (Claire Danes as the youthful Ann) and Lila's alcoholic brother Buddy (Hugh Dancy) objected to, feeling that Lila was simply marrying a man of her class instead of the boy she had loved - Harris Arden (Patrick Wilson), her housekeeper's son who had become a physician. Harris, Buddy, Lila, and Ann are woven together in a series of infatuations and romances that have been kept secret until now, 50 years later, as Ann is dying. The older Lila (Meryl Streep) visits Ann at the end and the secrets are revealed: 'there are no such things as mistakes - life just goes on.' The film is a delicate mood piece and the script by Minot and Cunningham is rich in atmosphere and subtle life lessons. Yes, there are gaps in the story that could have used more explanation, but in order to maintain the aura of nostalgia of a dying lady's words, such 'holes' are understandable. The film is graced by the presence of not only Redgrave, Richardson (Redgrave's true daughter), Collette, Gummer (Streep's true daughter), Meryl Streep, Claire Danes, Eileen Atkins, Glenn Close, Hugh Dancy and Patrick Wilson, but also with an ensemble cast of brief but very solid performances. The setting is gorgeous (cinematography by Gyula Pados) and the musical score is by the inimitable Jan A.P. Kaczmarek. Lajos Koltai ("Being Julia') directs. Judge this film on your own.... Grady Harp Question: is it a positive review?

A: yes
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Q: Review: If I could go back, even as an adult and relive the days of my Summer's spent at camp...I would be there so fast. The Camps I went to weren't even this great. They were in Texas where the mosquitoes actually carry people off but we had horses and fishing. The movie cinematography was astounding, the characters funny and believable especially Perkins, Pollack and Arkin. Sam Raimi's character and sub-antics were priceless. So who ever thought this movie was lame...I have deep pity for because they can't suspend their disbelief long enough to imagine camp life again as an adult or they never went as kids. The whole point was that these people had an opportunity to regress and become juvenile again and so they did at every opportunity. I wish I could. It was funny, intelligent, beautifully scripted, brilliantly cast and the artistry takes me back so I want to watch it over and over just for the scenery even. Sorta like Dances with Wolves and LadyHawk...good movies but the wilderness becomes a character as much as the actors. Rent it, see it, buy it and watch it over and over and over...never gets old. ;0) Question: is it a negative review?

A:
no
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