In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Q: Former private eye-turned-security guard ditches his latest droning job and is immediately offered a chance to return to his previous profession. His assignment: to tail a mysterious French woman newly arrived in California...and apparently wanted by suit-and-tie racketeers. Unsuccessful attempt to update the film noir genre, without enough sting or wit (or involving plot dynamics) in the screenplay. Director and co-scenarist Paul Magwood (who later claimed the picture was edited without his involvement) doesn't give off the impression of having high regard for the '40s films his "Chandler" was borne from; his nostalgia is appropriately rumpled, but also bitter-tinged and somewhat indifferent. The handling is curiously, commendably low-keyed, and Warren Oates is well-cast as this '70s variant on the 'private dick' archetype, but the movie doesn't have any snap. Nice to see Leslie Caron and Gloria Grahame in the cast--though neither has much to do, and Caron's hot-and-cold running character is exasperating throughout. Vivid cinematography by Alan Stensvold, nice location shooting, but it fails to come to any kind of a boil. *1/2 from ****

A: negative
****
Q: ...that the Bette Davis version of this film was better than the Kim Novak version.Despite all of the other comments written here, I really prefer the Bette Davis version, even though the Novak version has a more coherent story line.However: Davis' Mildred's raw emotions seem to me to be more apt to a sluttish girl who seems easily to become a prostitute.And it is those raw emotions that constitute *part* of what the poor doctor falls in love with. He has emotions of despair, of failure, of "otherness" - strong emotions that he represses. Davis' Mildred, on the other hand, displays her emotions immediately and without censure. She has no feelings of despair, or of failure, or of "otherness"; rather, she is merely surviving as a poor Cockney woman in the Victorian era.Novak's portrayal was a more vulnerable Mildred than was Davis', almost through the the whole movie. Davis' Mildred was **never** vulnerable until she actually had to go to the doctor and beg for assistance. And when he reviles her - for her method of keeping body and soul together, and for continually taking advantage of his love for her - she unleashes arguably the most passionate repudiation of snobbish holier than thou attitude ever seen on screen: "I wiped my mouth! I WIPED MY MOUTH!!" Novak's vulnerability was excellent. Davis' realism was monumental.IMDb votes concur!

A: positive
****
Q: First-time director Tom Kiesche turns in a winning film in the spirit of cutting, dark comedy. Shot on a shoestring budget, yet had the flavor of the early Coen brother's film Blood Simple ... and throw in some Monty Python flavorings to boot! Needs to seen more than once to appreciate all the elements that carry one scene to the next. Expect more good things to come from this writer-director-actor.

A:
positive
****