In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.

Passage: Perhaps the reason for the appeal of Turner’s work outside the art world is that it pushes the boundaries of both film and politics. Perestroika has been noted by academics and critical thinkers for both its artistic form and commentary on environmental and social issues, most notably featuring in the essay volumes Performing Authorship: Self inscription and corporeality in the cinema and Screening Nature: Cinema Beyond the Human. For Cecilia Sayad, the film’s importance lies in its structures: its function in highlighting the act of authorship as performance, and how the film’s structural devices serve to emphasise the fictionality of narration, how the retelling, even of truth or fact, always and necessarily involves an element of creation and thus fiction. Sayad comments that whilst Perestroika ostensibly interweaves footage of a 2007–08 reconstruction of a train journey across Siberia that Turner took in 1987–88 with that from the original journey in what was then the USSR, it is as much about the workings of memory and filmmaking itself. But Sophie Mayer has commented on how the work uses the idea of pollution as a function of retention, and weaves it through both the social/cultural and natural worlds. Mayer goes further in exploring the contextual importance of the work, comparing Perestroika with works of the filmmakers Lucrecia Martel and Apichatpong Weerasethakul, commenting that each offers a ‘utopian possibility of a post-capitalist, post-industrial, postcolonial moment’. In a booklet of essays written to accompany the publication of Perestroika and perestroika:reconstructed in 2014, another academic, Paul Newland writes ‘the artist explores the nature of representation and its problematical relationship to our experience of reality. By doing this the film travels the branch lines between cinematography, photography, and everyday life.’ 
 Link Information: none Answer: none
Of the two filmakers whose works are compared with Perestroika, who began their career at a younger age?

Passage: In 2010, she joined Jorge Elbrecht of Brooklyn-based Violens to record a "sgin" of Justin Bieber's "Never Let You Go": "We went on YouTube to find a video among the highest ranks of hits, and came across 'Never Let You Go'. We went on to make what we call a 'sgin' (anagram of the word 'sing')—an original song written specifically to synch into someone else's video on mute". Caroline shot and directed video for Violens' "It Couldn't Be Perceived". Polachek and Elbrecht collaborated again in 2014 on two singles, "I.V. Aided Dreams (feat. Caroline Polachek)" and "Full Mental Erase (feat. Caroline Polachek)". In 2012, she sang with Ice Choir (solo project of Kurt Feldman of The Pains of Being Pure at Heart) on the song "Everything Is Spoilt by Use" and directed/edited its official video. Caroline contributed vocals to Blood Orange's "Chamakay" (2013), collaborating with Blood Orange again on "Holy Will" (2018). In late 2013, Polachek wrote and produced "No Angel", which was featured on Beyoncé's critically acclaimed fifth studio album, Beyoncé. Thanks to this song, at the 57th Annual Grammy Awards, she received a Grammy Award nomination for Album of the Year. Polachek then collaborated with PC Music's, Danny L Harle in early 2016 on the single "Ashes of Love". Polachek collaborated with felicita throughout his album "Hej!" (PC Music 2018) including an arrangement of the Polish traditional song "Byl Sobie Krol" (released under the title "Marzipan"), and with Charli XCX on Pop 2 (2017) on tracks "Tears (feat. Caroline Polachek)" and "Delicious (feat. Tommy Cash).
 Link Information: Devonté Hynes (born David Joseph Michael Hynes, 23 December 1985), also known as Blood Orange Answer: Devonté Hynes
What band(s) the artist whose song "Chamakay" Polachek contributed vocals belong to?

Passage: In 1851, she met Elizabeth Cady Stanton, who became her lifelong friend and co-worker in social reform activities, primarily in the field of women's rights. In 1852, they founded the New York Women's State Temperance Society after Anthony was prevented from speaking at a temperance conference because she was female. In 1863, they founded the Women's Loyal National League, which conducted the largest petition drive in United States history up to that time, collecting nearly 400,000 signatures in support of the abolition of slavery. In 1866, they initiated the American Equal Rights Association, which campaigned for equal rights for both women and African Americans. In 1868, they began publishing a women's rights newspaper called The Revolution. In 1869, they founded the National Woman Suffrage Association as part of a split in the women's movement. In 1890, the split was formally healed when their organization merged with the rival American Woman Suffrage Association to form the National American Woman Suffrage Association, with Anthony as its key force. In 1876, Anthony and Stanton began working with Matilda Joslyn Gage on what eventually grew into the six-volume History of Woman Suffrage. The interests of Anthony and Stanton diverged somewhat in later years, but the two remained close friends.
 Link Information: Elizabeth Cady Stanton (November 12, 1815 – October 26, 1902 Answer: 36

How old was the woman Susan B. Anthony met in 1851 when she met her?