Given a document, find the main entity about whom the author is writing. Write the full name if mentioned in the text. Note that URLs in the text have been replaced with [Link].

Example Input: Getty Images  has announced that beginning Oct. 1  the agency will no longer accept photos of models' body shapes that have been retouched.
Changes to hair color  nose shape and retouching of skin or blemishes are still acceptable and are "outside the scope of this new law " according to  Getty 's website.
 Getty Images 
The law will go into effect on Oct. 1 in France  the same day  Getty  will stop accepting content that shows models' figures that have been altered.
 The company  added in  its  statement that "any content submitted where this type of retouching has been carried out will be a breach of  our  submission requirements."
Example Output: Getty

Example Input: Kamila Shamsie  didnât have to stretch to fit the plot to the times when  she  decided to adapt the Greek tragedy Antigone into a contemporary novel about terrorism.
The gripping novel explores how western responses to terrorism show the limits of our ideals and laws. In an interview over Skype   Shamsie  told me  her  initial imperative with the novel was to explore the question of citizenship  to delve into what it means to begin stripping people of citizenship for certain crimes.
âRepeatedly people in [Theresa Mayâs] government have said  âcitizenship is a privilege not a right ââ  Shamsie  said. âAnd thatâs simply legally untrue  but increasingly they want to be able to take away citizenship for people who they think are unworthy. And they get to decide.â
 She  added: âItâs your own citizens and youâre saying that for all that we have our judicial system and prison system and probation and all of that  this is the one crime that we donât know how to deal with  so weâre just going to leave you out of the country. It should be seen as a real failing of a state  to say that our judicial system is incapable of knowing how to respond to this criminal act.â
And  as in the United States  the notion of terror is racialized and associated with Muslims (President Trump entertaining the idea of sending Sayfullo Saipov  the man who killed eight people when he drove a truck down a bike path in Manhattan on Halloween  to GuantÃ¡namo  is at this point to be expected.) While stripping citizenship might initially be justified only in terrorism cases   Shamsie  noted Theresa Mayâs attempts to revoke the passports of a group of British-Pakistani men convicted of sex crimes â âthereâs no way of saying itâs not about Islamophobia and racism  because no one is making those suggestions about anyone who is white and committing similar crimes.â
In the narratives that she read of radicalization  of youth attempting to join ISIS   Shamsie  saw only demonization and one-dimensional narratives: â It âs almost an inevitability now. If youâre young  Muslim and male  and angry  then youâre going to strap a bomb onto yourself.â But she dug into research on ISIS propaganda and youth who were convinced by it  and found that the reality  for many teenage would-be fighters  was complex.
âOne of the things I was interested in was the lure being something other than violence  and all the other ways that this world that we know to be nihilistic and brutal could also be seductive â  Shamsie  said.
âThere is this link between masculinity and violence that should be inescapable  it should be part of every conversation on violence â said  Shamsie . âInstead we compartmentalize violence: Thereâs the violence of gun shooters in America  thereâs the violence of suicide bombers in Iraq  thereâs domestic violence everywhere  there are men in Pakistan who are committing honor killings â and we donât draw the line between all of them and say what is it with men  what is it with masculinity  what is it that young men do to prove to themselves or to someone else that they are a man in the right kind of way?â
All of these complexities are missing from most media narratives of radicalization  and so also is the possibility of empathy   Shamsie  believes. In  her  research   she  found little compassion for the families whose children had gone to Syria  âfamilies facing the most horrendous thing â your child or your sibling who is very young or very stupid or angry â has gone to a place from where you know they will probably never return. And these families are treated as though they are guilty  rather than as if they are mourning.â
The novel gave  Shamsie  the space to create that empathy.
Example Output: Kamila Shamsie

Example Input: Mavis Staples  was just eight years old when  one evening in 1948   her  father  Roebuck "Pops" Staples  sat  her  and  her  siblings down on the floor of their South Side Chicago apartment  and taught them their first-ever song: the country-gospel traditional "Will the Circle Be Unbroken."
Seventy years later  and little more than 10 miles north of that same childhood home  Mavis Staples was in  Jeff Tweedy's  loft recording studio listening to some new songs  he  had written when  Tweedy  began strumming a plaintive folk number called "Peaceful Dream."
As soon as  he  began to play the song  Staples was immediately reminded of her first experience as a singer.
 Tweedy  was overjoyed; that's exactly what  he  had intended.
"Mavis "  he  responded  "I'm even playing a couple of Pops' guitar licks in there."
"Peaceful Dream" forms the backbone of Staples' latest album  If All I Was Was Black  her third collaboration with  Tweedy  since 2010. It is the latest release in an incredibly prolific period of work from Staples  during which she has toured nearly constantly  appeared at several high-profile tribute concerts in her honor  and found time to team up with M. Ward for her rootsy 2016 record Livin' on a High Note.
But unlike her first two cheery  largely apolitical records with  Tweedy   including  their  Grammy-winning 2010 collaborative debut You Are Not Alone  Staples' new album â out November 17th â is a pointed piece of social commentary that directly recalls the social-justice anthems Mavis once sang with the Staple Singers alongside Dr. Martin Luther King in the Sixties.
"Mavis was really surprisingly OK with sounding angry  " Tweedy  says of their new album. "It's the first time since we started working together where there's been a righteous anger that she's been comfortable with."
"Mavis and I talked about how sadly  the time isn't right to put out another happy  feel-good record " Tweedy explains. "It's time to remind people that the songs that she sings from the time with her father and the Staple Singers  back when they were embedded in the civil-rights movement  those songs aren't nostalgic. I think people can sometimes take them that way when she does her shows. I thought it would be great if we could make a record that was all about now and that really hammered home the point that this is not a struggle that's over. In a lot of ways it's not a struggle that  we 've even begun the types of conversations that we need to have."
"I've never taken 'Freedom Highway' out of my set  because I knew  we  weren't finished  my work wasn't finished " says Staples. "But I never thought I'd have to go this far."
"Jeff Tweedy and I knew  we  had to get back together " she continues. "I had to get back to the master  back to the downright poet. Me and Jeff Tweedy   we 've been there  I more so than Tweedy has  and  we  know what  we 're talking about   we  know what needs to be heard."
One song that Staples specifically played a large part in writing was the title track. In its earliest stage   Tweedy  was hesitant about even singing the song himself  asking Staples if  she  thought it was OK for  him  to show  her  an early version of the song. "There's a demo version of me singing 'If All I Was Was Black '"  Tweedy  says with nervous laughter. "I don't know if that should ever see the light of day."
When  her  record label was testing out various ideas for the album cover  Mavis Staples insisted on a stark  side-profile photograph of the singer that covered most of her face in dark shadows.
"They were trying out some different ideas and I said no  'Just put me on the cover  black as I can be '"  she  says. "It's beautiful."
Staples was inspired to record  her  new album  in part  by a recent slew of young singers  she 's seen carry on  her  tradition of socially minded freedom songs. In the past year alone  Rhiannon Giddens named  her  most recent album Freedom Highway (and covered the Staple Singer original)  while artists like Gorillaz and Benjamin Booker have enlisted Staples to sing on 2017 anthems like "Let Me Out" and "Witness."
When Staples first heard the latter  written by Booker   she  thought  "Lord  thank you Jesus  we got some help. Me and  Tweedy  got some help."
Example Output:
Jeff Tweedy