TASK DEFINITION: In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.
PROBLEM: NOT WHAT I  EXPECTED . I was thinking along the lines of the daughter father duo of Nat King Cole and  daughter. This was some what not up to what I was looking for. Skip it

SOLUTION: NEG

PROBLEM: Uh.  haha. . Well, this album is pretty terrible, but I like it anyway.     If you're looking for an album to get you into Modest Mouse, then this definitely isn't it.      Anyone else who would want it probably already has it.

SOLUTION: POS

PROBLEM: Underappreciated and deserving reevaluation. . Queensryche was never a band to sit still-- from their early metal roots on their first couple releases, the band began blending elements of progressive rock and other influences into their sound until "Promised Land".  In many ways a pinnacle acheivement in the band's history, it would have been extremely difficult to equal.  The album was well constructed, an acheivement of arranging and sound, and while it was unpopular with a number of the band's fans (who would have preferred a straight metal sound), it was certainly a unique statement.  Many bands would have been tempted to try for a sequel in sound and feel, others would have tried to get even more over the top, still even more would be likely to retreat backwards, to rejoin the metal sounds of their youth.  Queensryche did something quite different.    "Hear in the Now Frontier" is a stripped done, bare record.  Gone are the swirling arrangements, the extra instruments, keyboards, synths, samples, layered vocal harmonies, etc.  Instead, straightforward riffing, blistering leads, and a looseness bleed forth, as though the band had been listening to what the other locals in Seattle were doing.  When I first heard the record, I hated it (even as a fan of the grunge movement that in many ways inspired it), but there was enough decent material to keep me coming back to it.    These days I love it.  In truth, I think it represents guitarist Chris DeGarmo's waning interest in metal-- he exited the band shortly after and ended up playing guitar with Jerry Cantrell for a while, and his stamp is all over this-- 12 of the 13 cuts on the record were written or cowritten by him, and the best material (that which looks back as little as possible) was soley from his voice.  From opener "Sign of the Times", with its sludgy rhythm guitars and wobbly lead, its clear this is something different.  The best material on the record tends to be the less heavy work-- from the laid back ballad "Some People Fly" to swirling love song "You" to the brilliant and soporific "Hero".  DeGarmo even takes the mic from vocalist Geoff Tate on great love song "All I Want", and while some of the heavier and more abstract material also works well ("Saved", the bizarre fan-favorite "sp00L"), its really an album that excels in the midtempo pieces.    The remaster is further augmented with b-side "Chasing Blue Sky" (a relatively uninteresting piece) and three recordings from the MTV unplugged show several years beforehand-- "Silent Lucidity" and "I Will Remember" get decent readings, but its really "The Killing Words" that is noteworthy-- its a fantastic and delicate performance of a great song.    It doesn't sound like old Queensryche, but that's what I love about the band.  They'd reach higher heights, but there's an awful lot of great material on here that deserves listening.  Careful and patient listening will yield rewards

SOLUTION:
POS