In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Input: Consider Input: Another Williams masterpiece . If you watch--and listen to--enough movies, you can almost name the composer of certain scores, they're so similar.  John Barry's scores to &quot;Dances with Wolves,&quot; &quot;Out of Africa,&quot; and  &quot;Somewhere in Time&quot; (except for the Rachmaninoff), are like that.   James Horner's scores are a little better differentiated.  But the two  best, able to write evocative scores that capture the essence of the film's  story and make us FEEL it--without leaving us thinking we've heard this  before--are Jerry Goldsmith (e.g., &quot;The Sandpebbles&quot;) and John  Williams.  Here, like Goldsmith's score to &quot;The Wind and the  Lion,&quot; Williams is able to take a truly exotic motif--the musical  forms of West Africa--and mix it with truly American, if a little  Copland-esqe-sounding, music.  And that's the whole idea.  People were  violently ripped from their homes and transported to, for them, a place no  less alien and bizarre than Africa was to white Europeans and Americans.   And yet the United States was a place that declared &quot;All men are  created equal.&quot;  The contemplative, high-principle-sounding music to  &quot;Mr. Adams Takes the Case,&quot; is as stirring as the exotic  &quot;Dry Your Tears, Afrika,&quot; but in a completely different way. That  John Williams is able to do that in score after score is what makes him one  of the all-time greatest in a genre that hasn't been around all that long.   My only wish is that film score composers would more often produce true,  symphonic suites from their film scores that can be played by orchestras as  stand-alone, concert pieces.  I hope this music becomes such a suite.  Like  the subject matter of the movie--the eternal human quest for freedom and  equality--it would become timeless

Output: POS


Input: Consider Input: Slim Gaillard is a musical genius . When you're young, it's quite fashionable to bemoan the lack of authentic individuals. When you grow older, you learn that you were correct. My Cherokee ancestors believe that adulthood begins at 51, and as I get closer to that age, I realize how right they are. Well, here's an individual for you. Slim Gaillard.     I have a four-CD set called LAUGHING IN RHYTHM. 1937 through 1952 from one of the great innovators in jazz. Musically creative, technically skillful, always soulful, lyrically hilarious, and perhaps an example of somebody under age 51 achieving adulthood. I can't stop listening to it. At home, in my MP3 player on the buses of China... Lemme get nuts here. If you ignore every other review I've ever written, note these three words. "Buy this one." It's like that, folks. Slim is da bomb.

Output: POS


Input: Consider Input: Great CD/DVD . I keep seeing all over the reviews that this is intended for kids.  I am 40 and the owner of a studio.  I have been involved in music production since 1985 and I have got to say that the music this duo is putting out is phenomenal.  Not only is the music fantastic, but the production is flawless.  My daughter watches Disney channel which is where I was first exposed to Aly and AJ's music.  I was blown away when I first heard "Rush" and when "Chemicals React" came out, I was convinced that "Rush" wasn't a fluke and decided to buy the CD/DVD.    With the exception of the two cover tunes at the end of the CD, this disk is awesome.  Don't get me wrong, they have done a great job on the cover tunes, I just don't know why they put the covers on it; their stuff blows the covers away.  This CD is definitely not one with just a couple of good songs; they are all good. I'd recommend this CD for anyone who likes modern rock.


Output: POS