Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.

[Q]: CONTEXT: Many reviews are calling this a black comedy or dark comedy, which is comedy that makes light of a serious subject or a comedy with gloomy or disturbing elements. If this film was just a drama, it would be a serious depiction of four girls going on spring break and the tragedy that unfolded when they got mixed up with a gangster. Instead, there are pink ski masks, bikinis in court, lots of sex, references to Britney Spears, the mere existence of a drug dealer named Alien who shows up to bail the girls out of jail... The basic premise is ridiculous, and the way that violence is interspersed with this ridiculousness sets up an uncomfortable edge that seems to keep audiences talking about this movie. Mostly the characters are flat and the story is not that gripping, but the edge that Harmony Korinne keeps the audience on - never knowing which direction it would go - seems to keep viewers engaged, whether they are engrossed or repelled.  <sep>  Q: How exactly is the movie a comedy? A: reviews are calling this a black comedy or dark comedy 
[A]: What is a dark comedy?


[Q]: CONTEXT: I think it was worded that way for pragmatic reasons. Peter Jackson didn't want to tell the story of Sméagol until after the character Gollum was established. In The Fellowship of the Ring, the viewer is intended to see Gollum as a sort of beast. In The Two Towers, he has a much larger role and seems sort of halfway between beast and person, but a viewer who has not read the books is still unlikely to guess that he is a corrupted hobbit. The Return of the King opens with the story of Sméagol and Déagol to shed new light on who Gollum is, where he came from, why the Ring means so much to him, and what kind of influence the Ring wields over him. It is a bit of a shocking scene; the shock would not be nearly as strong if the viewer already knew Gollum's origin. So, in the opening of The Fellowship of the Ring, that Gollum was once a hobbit named Sméagol is an extraneous detail. While "the Ring came to Gollum" is an oversimplification, it was a necessary one; it told the viewer what he needed to know at that point in the story and no more.  <sep>  Q: Why does the narrator say 'The ring came to the creature Gollum'? A: In The Fellowship of the Ring, the viewer is intended to see Gollum as a sort of beast 
[A]: What wass the reason for making him appear as the beast?


[Q]: CONTEXT: You can safely watch Season 5 of Agents of S.H.I.E.L.D. without worrying about spoiling the end of Infinity War. There are no spoilers made, and only some very vague references to the beginning of Infinity War, and none to the movie's climax. The references are slim and not relevant to the plot of the show, and are a lot less tied into the show than the Winter Soldier reveals to Season 1 (where they were essential to understanding the plot) or even the vague references to Thor 2 earlier in that season, where the agents come to play clean-up after the events of the movie. Go forth and watch safely.  <sep>  Q: Agents Of S.H.I.E.L.D Season 5 - does it spoil Avengers: Infinity War? A: You can safely watch Season 5 of Agents of S.H.I.E.L.D. without worrying about spoiling the end of Infinity War 
[A]:
Would you recommend I watch it?