In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[Q]: when i initially set out to review this film , my tag line was going to be " you too can believe whales can fly " .
then it was going to be
" you too can believe pastel triangles can fly " .
then , it was going to be
" you too can believe wood sprites can fly " .
finally , i just gave up trying to come up with a tag line and decided to say .
..
there 's a lot of flying going on in this film !
as our first host steve martin tells us ,
the original concept behind fantasia was to bring it out every year with some old segments retained and some new segments added in .
well apparently that plan fell by the wayside for a while , because approximately sixty years have passed since the original classic was released .
part of this might have something to do with the cold reception the film got when it was first released in 1940 ( grossing somewhere close to $ 110 , 000 in its original month of release ) .
subsequent re - releases of the film have elevated the popularity of the film to the classic status it has finally achieved ( and rightfully deserved ) .
to celebrate the release of an updated version of fantasia , disney and imax teamed up to present the animated film in a fashion no one had seen before : six stories high .
in an exclusive four month engagement ( from january 1st to april 30th , 2000 ) , fantasia 2000 can be seen at many imax theaters across the us .
after the engagement is over , the film will be shown at regular theaters .
is the format effective for the film ?
with a few exceptions , yes .
the first segment we are presented with is set to beethoven 's fifth symphony .
it 's hard to describe exactly what this segment is about , but
it involves a bunch of brightly colored butterfly looking triangles flitting about happily .
everything seems to be going great for these little things until the ground erupts with swarms of evil , black bat - like triangles that attack and engulf their lighter counterparts .
eventually , shafts of light from above help drive away the evil bat - like things and peace returns to the butterfly things .
though this segment is n't very story driven , some of the images are very visually strong , especially the scene in which the dark cloud of bat things ( who are all outlined in blood red colors ) begin to overtake the skies .
the next segment is set to ottorino respighi 's " the pines of rome " .
in this segment , some humpback whales swim happily through the ocean and eventually emerge from the water and fly around the massive icebergs that pepper the oceanscape .
a whale calf gets into a scuffle with some nearby birds during the flight and ends up getting trapped in a giant iceberg he smashes into while trying to avoid the birds attack .
he is finally saved ( by another liberating shaft of light ) and he and his brethren take to the skies and fly into the upper atmosphere where they frolic in the " oceans " of clouds .
again , visuals are the key with this segment , especially where the whales are involved .
reportedly the whales , as viewed on an imax screen in certain sequences , are shown as actual size .
the cgi whales look incredibly life - like , except for some googly cartoon eyes drawn onto the images .
one especially striking image involves the giant shadow of one of the whales being cast through the wall of an iceberg as the whale calf tries to find a way out to its parent . absolutely beautiful stuff .
the third segment ( and the least of the eight segments ) is set to george gershwin 's " rhapsody in blue " .
this segment is designed as a tribute to acclaimed caricaturist al hirschfeld , and intertwines four different stories about sad souls living in depression era new york .
there 's a construction worker who dreams of being a jazz drummer , an out - of - work sad sack
that dreams of having a job ,
a young girl that dreams of spending time with her parents instead of being hustled off by a schoolmarm , and a nebbish who dreams of being free from his overbearing wife .
i wo n't go into how everything works out , but in fine disney tradition there is a happy ending .
unfortunately , the story drags quite a bit and the seems out of place within the hyper reality of the rest of the segments .
segment four is set to dmitri shostakovich 's " piano concerto no . 2
" and is an animated version of hans christian andersen 's " the steadfast tin soldier " .
a one legged toy tin soldier falls in love with a wind - up clock ballerina ( whom he assumes is also one legged because he ca n't see her other leg extended out behind her ) , much to the dismay of an evil jack - in - the - box jester .
the jester knocks the soldier out of a window and continues pursuing the ballerina .
little does the jester know , the soldier has been deposited in the sewer and has journeyed through the pipelines only to be swallowed by a fish that has been captured and sold to the owner of the set of tin soldiers that the one legged one comes from .
the soldier eventually saves the day and gets the girl .
although the ending has been altered from the andersen story , " the steadfast tin soldier " is decently told with in the framework of a seven minute short .
some children may find the jester to be a little frightening , but otherwise the segment is well made .
segment five is the funniest of the bunch .
set to camille saint - saens " the carnival of the animals " , this segment features a flamingo torturing his fellow flamingos with a yo - yo while they are trying to perform a choreographed dance number . while it is the shortest clip of the group and a throwback to the alligators and hippos dancing in the first fantasia
, it is still well accomplished and a welcome bit of comedy .
segment six is the only segment to be repeated from the original 1940 fantasia , and it 's the one that people remember most , " the sorcerer 's apprentice " .
the story is the most recognizable , so the draw here is seeing it on the enormous imax screen in remastered stereo .
unfortunately , the segment was n't made to be presented on large format film ( considering it was shot full frame ) and exhibits large amounts of grain .
there were at least two occasions where images were very hard to make out due to the excessive grain .
similar problems crop up on modern day releases when projected on screens too large for the image to be shown accurately
( but no one seems to notice for some strange reason ) , an anomaly common to many 18-plus screen theaters .
segment seven is set to sir edward elgar 's " pomp and circumstance march no .
1 "
and is the only other fantasia segment to feature a stock disney character .
donald duck " stars " as an assistant to noah , whose task is loading all of the animals onto the ark .
during the loading , donald and his wife lose sight of each other and both believe that the other one did n't make it on the boat .
they are constantly missing each other due to comic misadventures mainly involving donald being crushed by animals in various manners .
despite the slapstick style of comedy in this piece , it displays more emotion in its final scene than many of the tear - jerkers foisted on audiences these days .
powerful stuff .
segment eight brings a whole new meaning to the clich ?
" saving the best for last " .
set to igor stravinsky 's " the firebird " , an elk awakens a forest sprite that proceeds to change the wintery landscape into a beautiful springtime landscape .
trees bloom and flowers blossom and everything seems to be going well until the sprite becomes inquisitive about a large mountain housing a strange formation .
when the sprite examines the formation , it awakens and becomes the titular firebird .
in a stunning spectacle , the firebird rears back and unleashes and fire storm that destroys everything in its path , including everything that the sprite has worked to create .
some amazing animation is present here , and well worth the ten dollars a ticket alone
( although brush strokes are evident in one scene due to the enlargement of the film ) .
the host segments are largely ( no pun intended ) throwaways , although steve martin 's clip is pretty funny . be sure to stay through the credits for a little more humor from martin .
penn and teller are usually funny , but here their gags seem routine and therefore uninteresting .
the best segment comes from , of all people , bette midler , who gets to tell us about some of the abandoned segments that never made it off of the drawing board .
pieces like flight of the bumblebee , a take on the four horsemen set to wagner 's " ride of the valkyries " , and a strange segment prepared in the ' 40s by salvador dali that never was shown are all previewed here and teased that they may appear in future installments .
for fans of visual stimulation or classical music , fantasia 2000 is a perfect way to spend the afternoon .
the film is also decent family entertainment and contains little to no objectionable material .
as i mentioned earlier in the review , if ten dollars seems like too much for you to spend on this film , fear not because after its run in imax theaters it is going to be brought out in regular theaters .
i must stress that the best way to see this film is on an imax screen though .
then you too can believe that whales / triangle things / sprites can fly .
[ g ]
[A]: P


[Q]: " spice world " is just one long promotional film for the british girl band the spice girls .
sure there 's a hint of humor in there every once in a while .
actually , there 's a couple of pretty good jabs at the spice girls .
but overall , who cares ? not me .
if you do n't know by now , the spice girls sing songs of love and friendship and responsibility and girl power , yet dress like streetwalkers from a lower middle class neighborhood .
in " spice world " they ride around in their big tour bus , whining about having to do photo shoots and give interviews .
amazingly , all the talk they do about keeping commitments and upholding responsibilities only really applies to fun things , things they want to do , not things they are required to do to keep earning money .
and they keep babbling about " girl power " when they should really be talking about " cleavage power " .
i mean , if all it takes is girl power , then why are they
only one thread away from bursting out of their skimpy outfits ?
the film is pg , but really with only some very minor dialogue changes and scene extentions , you 'd have yourself one raunchy adult film .
by the way , there 's something in the opening credits which says " based on an idea by the spice girls " .
wow , they got idea credit !
i certainly wish that was a new trend in hollywood . . .
giving credit for simply having the thought " say girls , let 's make a movie !
"
the supporting cast fares well .
roger moore ( the real james bond ) mockingly plays the cliche - spewing " chief " of the spice girls , and darn it all , he 's fun to watch .
mark mckenney also is good as a screenwriter trying to pitch film ideas to the band 's manager ( richard e . grant ) .
one question though : george wendt ?
you 'd think that " spice world " would envoke one of two reactions in people .
if you like the spice girls , you 'll like them even more afterwards .
and if you ca n't stand them ( like me ) , then " spice world " will really make you sick .
oddly , the audience i saw the film with , roughly 50 twelve year - old girls , sat in silence for the entire film .
well , not the two who sat directly behind me .
they kept muttering " this is stupid " over and over again .
maybe there is hope for humanity after all .
[ pg ]
[A]: N


[Q]: would you believe -- in real life , i mean -- that if you were julia roberts , that you 'd be the ugly underdog to your sister , the creepy catherine zeta - jones ?
let me tell you what reality is .
reality is that you are megastar julia fricking roberts and your brother is eric roberts , and he picks up whatever crumbs of stardom fall off your coattails as you blaze across the sky in a golden chariot .
that 's reality .
america 's sweethearts is the opposite of reality , a train wreck that tries to sell julia as a scruffy also - ran , presumably because she wears horn - rimmed glasses and used to be overweight ( uh - huh ) .
the plot follows two married , mega - movie stars , gwen and eddie ( zeta - jones and poor , poor john cusack , whose material gets worse every year ) , on the eve of their new star vehicle 's release , a film called time over time .
the only problem : gwen and eddie have gone through a nasty separation , and the press and public have not been forgiving ( think meg and dennis ) .
gosh , and the director has vanished with the film , holding the only print hostage .
veteran pr agent lee ( billy crystal ) is called upon to clean up the mess , throwing a press junket in the nevada desert to woo them with the story of a possible reconciliation between the gwen and eddie , presumably distracting the stupid , stupid film critics into forgetting they have n't seen the movie at all .
( note to sony : any studio executive that thinks this plot is going to win points with the reviewing press needs to check into rehab . )
and did i mention gwen 's sister kiki ( roberts ) is along for the ride ?
and that she and eddie just might fall in love along the way ?
oh billy , you 're a scamp !
the script you 've co - written with peter tolan ( what planet are you from ? and bedazzled -- need i say more ?
) is a roast of hollywood and celebrity , sure , but
it 's not a funny one .
yes , crystal tells us , hollywood is lying to our faces ! if you are surprised by this , you might want to check on your subscription to people magazine .
it 's about to expire .
aside from a scant few zingers (
yeah , se ?
or winces rules ! )
, america 's sweethearts ' jokes are n't funny , its pace is choppy , and the whole affair comes off as a vanity project -- not for headlining star julia roberts -- but for billy crystal to deliver a bunch of lame punch lines that he wrote himself .
i did n't time it ( the movie 's not that bad ) , but it 's crystal who really has the most screen time and is the unequivocal focus of the film .
bad move , billy -- your jokes suck .
the crotch humor is outpaced only by the meanness of the movie 's gags -- and with unsubtle sexual innuendo dripping from every scene , how this movie earned a pg-13 rating is a mystery to me .
julia overcame a lot of spiteful writing and acting to make my best friend 's wedding into a winning film , but not even that 90-tooth smile can save her here .
obviously aware of the ugliness
before him , director joe roth turns to goofy supporting characters like hank azaria ( as a lisping spaniard ) , christopher walken ( the insane time over time director ) , and alan arkin ( a new age guru in a fright wig ) to crack wise .
none of the stereotypes is successful except for walken ; azaria comes off as a preening queen when he 's supposed to be macho .
as for roth , in case you do n't know , went from direcing revenge of the nerds ii to launching his own movie studio , revolution , which produced this work .
he 's back behind the camera for the first time in 11 years .
it 'll probably be another 11 before he 's back again .
i could drone on about how america 's sweethearts will only appeal to the mouth - breathing morons who talk on their cell phones during the movies , but that would get old .
instead , i 'll settle for discussing the movie 's worst sin : that sweethearts is painfully contrived and wholly unbelievable , not just in its plot but in its sentiment .
every single character in this film ( with the arguable exception of kiki ) is simply hateful , and putting them in a romantic comedy is a waste of a bunch of villains .
when you leave the theater , you 'll ask yourself , too : why would i want any of these jerks to be happy ?
[A]:
N