Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

CONTEXT: I think it is done not because he can't reach us through the story, but because he wants to amplify the moment, emotion and feeling you get as a viewer. As you said story itself is good enough to make you feel those emotions but he wants you to feel them with higher intensity so he's using that music and buzz to make those moments and feelings even stronger.  <sep>  Q: Why does Nolan fill his recent hits with permanent noise/music? A: I think it is done not because he can't reach us through the story, but because he wants to amplify the moment, emotion and feeling you get as a viewer  Q: Why would he not be able to reach us just through the story alone? A: he wants you to feel them with higher intensity so he's using that music and buzz to make those moments and feelings even stronger  <sep> FOLLOWUP_Q: Can you tell me anything else about Dunkirk?
No

CONTEXT: To the first question: He realized he killed his sister (and lover). He had imagined that she did kill herself, after the bad mouth from the others (including Oh Dae-su, that's why the revenge). But in the process, he (I can't remember his name) is reminded that he couldn't stand the rumors, so he killed her. As this falls into place in his mind, he kills himself out of guilt. For the second question, I didn't get that Oh was hypnotized again at the end, to forget that about Mi-do. I thought he cut out the tongue so that the antagonist would not tell Mi-do. If that's so with hypnosis again (I don't own the DVD, can't check), I think it should be open to interpretation for the viewer what Oh knows at the end.  <sep>  Q: I am wondering why the antagonist kills himself at the end of "Old Boy'? A: he kills himself out of guilt  <sep> FOLLOWUP_Q: So did the final hypnosis work on the protagonist?
Yes

CONTEXT: I think it comes down to one point - can one mind actively dream two or more states simultaneously. For the dream within a dream thing to work .... the dreamer in level 1 (Yusuf) has to dream the Pasiv (sleep) machine into existence, in order to allow people to go down to the next level (the hotel dream of Arthur). For someone to simultaneously be maintaining level 1 and be able to go to 'sleep' and maintain level 2 seems unlikely - you'd essentially have to be 'awake' in each dream state. So it appears for the dream within a dream thing to work, you need as many people to dream as levels you wish to descend. This appears to be why Cobb wants Yusuf to 'go into the field', as he needs 3 dream levels (Yusuf, Arthur, Eames) - and he does not want to be a dreamer himself (for obvious reasons), and Ariadne was a late addition to the team.  <sep>  Q: Was it impossible to go into same person's dream each level down, or did it serve a purpose? A: I think it comes down to one point - can one mind actively dream two or more states simultaneously  <sep> FOLLOWUP_Q: Why did they have to choose a different person each time they went one level deeper in Inception?

Yes