In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Q: Passage: After almost three years of touring to promote Metallica, including a headlining performance at Woodstock '94, Metallica returned to the studio to write and record its sixth studio album. The band went on a brief hiatus in the summer of 1995 and played a short tour, Escape from the Studio '95, comprising three outdoor shows, including a headline show at Donington Park supported by Slayer, Skid Row, Slash's Snakepit, Therapy?, and Corrosion of Conformity. The band spent about a year writing and recording new songs, resulting in the release of Load in 1996. Load debuted at number one on the Billboard 200 and ARIA Charts; it was the band's second number-one album. The cover art, Blood and Semen III, was created by Andres Serrano, who pressed a mixture of his own semen and blood between sheets of plexiglass. The release marked a change in the band's musical direction and a new image; the bandmembers' hair was cut. Metallica headlined the alternative rock festival Lollapalooza festival in mid-1996.
During early production of the album, the band had recorded enough material to fill a double album. It was decided that half of the songs were to be released; the band would continue to work on the remaining songs and release them the following year. This resulted in follow-up album titled Reload. The cover art was again created by Serrano, this time using a mixture of blood and urine. Reload debuted at number one on the Billboard 200 and reached number two on the Top Canadian Album chart. Hetfield said in the 2004 documentary film Some Kind of Monster that the band initially thought some of the songs on these albums were of average quality; these were "polished and reworked" until judged releasable. To promote Reload, Metallica performed "Fuel" and "The Memory Remains" with Marianne Faithfull on NBC's Saturday Night Live in December 1997.In 1998, Metallica compiled a double album of cover songs, Garage Inc. The first disc contained newly recorded covers of songs by Diamond Head, Killing Joke, the Misfits, Thin Lizzy, Mercyful Fate, Black Sabbath, and others. The second disc featured the original version of The $5.98 E.P.: Garage Days Re-Revisited, which had become a scarce collectors' item. The album entered the Billboard 200 at number two.On April 21 and 22, 1999, Metallica recorded two performances with the San Francisco Symphony conducted by Michael Kamen, who had previously worked with producer Rock on "Nothing Else Matters". Kamen approached Metallica in 1991 with the idea of pairing the band's music with a symphony orchestra. Kamen and his staff of over 100 composed additional orchestral material for Metallica songs. Metallica wrote two new Kamen-scored songs for the event, "No Leaf Clover" and "-Human". The audio recording and concert footage were released in 1999 as the album and concert film S&M. It entered the Billboard 200 at number two and the Australian ARIA charts and Top Internet Albums chart at number one.

A: What three bodily fluids did Serrano use for the album cover art for Reload and Load?
****
Q: Passage: The boar was an important symbol in prehistoric Europe, where, according to the archaeologist Jennifer Foster, it was "venerated, eulogised, hunted and eaten ... for millennia, until its virtual extinction in recent historical time." Anglo-Saxon boar symbols follow a thousand years of similar iconography, coming after La Tène examples in the fourth century BC, Gaulish specimens three centuries later, and Roman boars in the fourth century AD. They likely represent a fused tradition of European and Mediterranean cultures. The boar is said to have been sacred to a mother goddess figure among linguistically Celtic communities in Iron Age Europe, while the Roman historian Tacitus, writing around the first century AD, suggested that the Baltic Aesti wore boar symbols in battle to invoke her protection. Boar-crested helmets are depicted on the turn-of-the-millennium Gundestrup cauldron, discovered in Denmark, and on a Torslunda plate from Sweden, made some five hundred years later. Though the Romans also included the boar in their stable of symbols—four legions, including the twentieth, adopted it as their emblem—it was only one among many. The boar nonetheless persisted in continental Germanic tradition during the nearly 400 years of Roman rule in Britain, such as in association with the Scandinavian gods Freyja and Freyr. Its return to prominence in the Anglo-Saxon period, as represented by the boars from Benty Grange, Wollaston, Guilden Morden, and Horncastle, may therefore suggest the post-Roman reintroduction of a Germanic tradition from Europe, rather than the continuation of a tradition in Britain through 400 years of Roman rule. Whatever its precise symbolism, the Anglo-Saxon boar appears to have been associated with protection; the Beowulf poet makes this clear, writing that boar symbols on helmets kept watch over the warriors wearing them.

A: What represents a fused tradition of European and Mediterranean cultures?
****
Q: Passage: The western end of the Mendip Hills has, since 1972, been designated an Area of Outstanding Natural Beauty (AONB) under the National Parks and Access to the Countryside Act 1949. The Mendip Society, which was formed in 1965, helps to raise awareness of this designation and protect the area. The society now has 700 members and runs a programme of guided walks and educational presentations. The society also has a small grants fund to assist communities with the conservation and enhancement of the landscape and to encourage its enjoyment and celebration.As their landscapes have similar scenic qualities, AONBs may be compared to the national parks of England and Wales. AONBs are created under the same legislation as the national parks, the National Parks and Access to the Countryside Act 1949. In contrast to national parks, which have their own authorities and legal power to prevent unsympathetic development, very few statutory duties are imposed on the local authorities within an AONB. However, further regulation and protection of AONBs was added by the Countryside and Rights of Way Act 2000.In 2009 proposals were being prepared by the Mendip AONB in an attempt to get the Mendips designated as a Geopark, which is defined by the United Nations Educational, Scientific and Cultural Organization (UNESCO) in its UNESCO Geoparks International Network of Geoparks programme as "A territory encompassing one or more sites of scientific importance, not only for geological reasons but also by virtue of its archaeological, ecological or cultural value."The Mendip Hills Partnership, which performs an administrative role, includes the five local authorities that cover the AONB, statutory bodies such as the Countryside Agency and English Nature, together with parish councils and other organisations and groups that have an interest in the conservation and care of the area. The Mendip Hills AONB staff unit of the partnership is based at the Charterhouse Centre in the heart of the AONB. The AONB Unit consists of four staff: a manager, project officer, support officer and part-time planning officer. They are supported by 20 volunteer rangers. In 2005 a proposal was submitted to the Countryside Agency to extend the Area of Outstanding Natural Beauty to Steep Holm and Brean Down in the west and towards Frome in the east.Many of the villages on the Mendips have their own parish councils, which have some responsibility for local issues. Local people also elect councillors to district councils or to unitary authorities. The 198 km2 (76 sq mi) of the AONB are split across four districts: Mendip District Council 87.67 km2 (33.8 sq mi),
Sedgemoor District Council 34.03 km2 (13.1 sq mi),
Bath and North East Somerset Council 36.95 km2 (14.3 sq mi), and
North Somerset Council 39.35 km2 (15.2 sq mi).

A:
What is the name of the unit that is supported by 20 volunteer rangers?
****