You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Ex Input:
 Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Ex Output:
Why is she afraid to marry him?


Ex Input:
 After a stirring opening on the eve of the coup d' tat, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon-Macquart cycle, committing himself to what would become the next twenty-two years of his life's work. The fictional town of Plassans (loosely based on the real city of Aix-en-Provence, where Zola grew up) is established as the setting for the novel and described in intimate detail, and then we are introduced to the eccentric heroine Adelaide Fouque, later known as "Tante Dide", who becomes the common ancestor for both the Rougon and Macquart families. Her legitimate son from her short marriage to her late husband, a labourer named Rougon who worked on Dide's land, is forced to grow up alongside two illegitimate children   a boy and a girl   from Dide's later romance with the smuggler, poacher and alcoholic Macquart, while the ageing Dide slides further and further into a state of mental illness and borderline senile dementia. From this premise, the next nineteen novels all get their central protagonists and to a certain extent their themes.
The narrative continues along double lines, following both "branches" of the family. We see Pierre Rougon (the legitimate son) in his attempts to disinherit his Macquart half-siblings, his marriage to Felicit  Puech, the voraciously ambitious daughter of a local merchant, and their continued failure to establish the fortune, fame and renown they seek, despite their greed and relatively comfortable lifestyles. Approaching old age, the Rougon couple finally admit defeat and settle, crushed, into their lower middle class destinies, until by a remarkable stroke of luck their eldest son Eug ne reports from Paris that he has some news that they might find interesting. Eug ne has become one of the closest allies of the future Emperor Napoleon III and informs his parents that a coup is imminent. Having been effectively given insider information about which side to back in the coming revolution, the Rougons then make a series of seemingly bold moves to show their loyal and steadfast support for Napoleon III, winning the admiration of the most influential people in the town, mostly royalists who are themselves afraid of showing too much commitment for fear of backing the "wrong horse" and losing their standing and fortune.
The narrative then switches over to the Macquart side of the family, whose grim working-class struggles to survive are juxtaposed keenly with the Rougons' seemingly trivial quest for greater wealth and influence in genteel drawing-room society. Descended from a drunken ne'er-do-well and a madwoman, Zola effectively predestines the Macquarts to lives of toil and misery. Zola's theories of heredity, laid out in the original preface to this novel, were a cornerstone of his entire philosophy and a major reason for his embarking on the mammoth Rougon-Macquart project in the first place in order to illustrate them. Largely discredited nowadays, the theories are largely "present but unseen" in most of the novels in the Rougon-Macquart cycle, allowing those books to be enjoyed without the overshadowing effect of Zola's somewhat suspect scientific ideas. Due to the original story nature of La Fortune des Rougon, the theories are placed much more to the fore, and can appear somewhat heavy-handed as a result.
A third branch of the family, the Mourets, descended from Macquart and Dide's daughter, are then introduced before the novel's focus is brought back to the "present", the night of the coup, via a quite brilliantly told love story. The idealistic but na ve Silv re Mouret falls madly in love with the innocent Miette Chantegreil, and after a long courtship they decide to join up with the republicans to fight the coup. The rest of the novel then picks up from where the opening chapter left off, and from then on is basically a dual narrative telling the story of the old Rougon couple and their increasingly Machiavellian machinations to get themselves into a position of fortune and respect in Plassans, juxtaposed with Silv re and Miette's continuing love story and the doomed republican militia's disastrous attempt to take the town back. Eventually, the Rougons exploit their half-brother Antoine Macquart into inadvertently helping crush the republican threat, and they achieve their life's ambition, fortune and favour. For Silv re and Miette, who committed themselves so completely to a doomed cause, there can be no such happy ending and Zola wisely leaves their half of the story at a bleak dead end..

Ex Output:
What happens to Silvere and Miette?


Ex Input:
 King Beli of Sogn (a traditional district in Western Norway) had two sons and a daughter named Ingeborg. Helgi was his first son, and Halfdan his second. On the other side of the fjord, lived the king's friend Thorstein ( orsteinn V kingsson) whose son Frithjof (Fri j fr) was called the bold (hinn fr kni). Frithiof was the tallest, strongest and he was the bravest among men.
When the king's children were but young their mother died. A goodman of Sogn named Hilding (Hildingr), prayed to have the king's daughter to foster. Frithjof was the foster-brother to the king's daughter as he was also raised together with Ingeborg (Ingibj rg) by their foster-father Hilding.
Both Beli and  orsteinn died in war whereupon Helgi and Halfdan took over the kingdom. The two kings were jealous of Frithjof's excellent qualities and so they denied him Ingeborg's hand. They took her to Baldr's sacred enclosure Baldrshagi where no one dared hurt another and where no woman and man had intercourse. Still Frithjof visited Ingeborg and they continued to love each other. This caused Helgi and Halfdan to send Frithjof away to Orkney to take tribute and while he was away they burnt down his homestead and married Ingeborg to King Ring, the aged king of Ringerike.
When Frithjof returned with the tribute, he burnt down Baldr's temple in Baldrshagi and went away to live as a viking. After three years, he came to King Ring and spent the winter with him. Just before the old king died, Frithjof's identity was apparent to everybody and so the dying king appointed Frithjof earl and made him the care-taker of Ring's and Ingeborg's child.
When Ring had died, Frithjof and Ingeborg married and he became the king of Ringerike. Then he declared war on Ingeborg's brothers, killed one of them and made the second one his vassal.

Ex Output:

What is Baldr's sacred enclosure named?