In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Input: Consider Input: There was not one single redeeming factor in this movie. The girlfriend and I both love action films. Especially fight scenes (Bloodsport and Kickboxer was awesome), but this movie was not entertaining. Five minutes of action followed twenty minutes of talking and "angry" facial expressions. The main hero is a troubled character who has seen battle and thus is forced to look seriously constipated at all times. The Army has disrupted his bowel movements on top of perfecting his fighting technique. The music isn't good either. They fight to the rap and hip-hop style of the streets, 'cause these guys are thugs. The rest of the soundtrack is the usual background noise to low-budget dramas.Everything about this movie is classic B-style. The actors deliver their lines as if reading them from cue cards and the lines themselves should be set on fire and left burning in some rotten Hollywood alleyway. The film is called "Honor," but there was no honor in making this film. It was simply a waste of money, and spending wisely is something I consider to be honorable.Go see Felon instead. The fight scenes and situations are more real.

Output: negative


Input: Consider Input: This is a gem of a movie not just for people who like fun and quirky premises, but who love the history and traditions of Sci-Fi and Classic Hollywood movies. Each alien of the Martian crew is the embodiment of a classic Sci-Fi character or member of Hollywood royalty and it's pure pleasure watching them bounce of each other and the residents of Big Bean.

Output: positive


Input: Consider Input: Alan Curtis has a loud, violent sounding argument with his wife, slams out of his apartment, has a night of drinking with a mysterious lady with a large hat in a bar (run by Andrew Tombes, in a nice villainous part for a change), and returns to find his wife dead and the police, led by Thomas Gomez waiting for him. His attempts to prove his alibi - that he was with that mysterious lady - fall because everyone that he can think of (Tombes, Elisha Cook) claims there was never any such person. He ends up with no alibi, although his secretary (who secretly loves him) Ellen Raines believes him. Convicted after a trial, he is awaiting his death sentence. Raines starts going out after the truth, discovering that Gomez has some doubts of his own. She also finds an ally in a friend of Curtis, Franchot Tone, who was apparently out of town the night of the crime. Will she clear Curtis in time? THE PHANTOM LADY is based on a novel by William Irish (the great noir writer Cornell Woolrich). As movie fans know from other works by Woolrich (LEOPARD MAN, THE NIGHT HAS A THOUSAND EYES, REAR WINDOW, NO MAN OF HER OWN) one cannot assume what is true on the surface anywhere. The missing wife of a salesman may not actually be upstate, sending him messages that she arrived, if he still has her jewelry. The mentalist may really be able to predict tragedy - or was he plotting the murder of his old partner, now an oil millionaire? Did a leopard kill the young women, or is the wealthy recluse in town actually hiding some guilty knowledge? Is the young woman, claiming to be the wife of a brother killed in a train wreck, actually an impostor? Here it is Raines and Gomez (with an assist by Tone) trying to prove Curtis did see a woman nobody will admit seeing - and if he did see her, why is nobody else able to recall seeing her? The problem with the story really is Curtis's personality - he gives in too easily when found guilty of the crime he did not commit. In reality anyone who is innocent would be screaming it to the moment they are executed. However, in defense of Curtis's collapse, it also happens to other people in various films: Gary Cooper, in MR. DEEDS GOES TO TOWN, gets so disgusted about the framing he gets as delusional and mad by Douglas Dumbrille and his minions that he does not defend himself at first, until the people who would depend on his help cry out their fears in the courtroom and reawaken his sense of responsibility. But Curtis just seems to give up. In normal circumstances Raines, Gomez, and everyone else would not care if Curtis didn't.But the film survives this weakness. The slow unraveling of lies by witnesses bribed by the real killer allows two set pieces for Raines with Tombes on a deserted elevated platform and Elisha Cook at a jazz session. Gomez turns out to be more perceptive than the villain expects in double checking his alibi again. And the villain manages to keep slightly ahead of Raines and Gomez until the concluding minutes of the film. If it is not as great a film as DOUBLE INDEMNITY or THE POSTMAN ALWAYS RINGS TWICE or THE MALTESE FALCON, it holds up pretty well until the moment Curtis and Raines are reunited at the end.


Output: positive