In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

[Q]: Passage: Dmitri Dmitriyevich Shostakovich (Russian: Дми́трий Дми́триевич Шостако́вич , tr. Dmitriy Dmitrievich Shostakovich, pronounced [ˈdmʲitrʲɪj ˈdmʲitrʲɪjɪvʲɪtɕ ʂəstɐˈkovʲɪtɕ]; 25 September [O.S. 12 September] 1906 – 9 August 1975) was a Russian composer and pianist. He is regarded as one of the major composers of the 20th century.Shostakovich achieved fame in the Soviet Union under the patronage of Soviet chief of staff Mikhail Tukhachevsky, but later had a complex and difficult relationship with the government. Nevertheless, he received accolades and state awards and served in the Supreme Soviet of the RSFSR (1947) and the Supreme Soviet of the Soviet Union (from 1962 until his death).
A polystylist, Shostakovich developed a hybrid voice, combining a variety of different musical techniques into his works. His music is characterized by sharp contrasts, elements of the grotesque, and ambivalent tonality; the composer was also heavily influenced by the neo-classical style pioneered by Igor Stravinsky, and (especially in his symphonies) by the late Romanticism of Gustav Mahler.
Shostakovich's orchestral works include 15 symphonies and six concerti. His chamber output includes 15 string quartets, a piano quintet, two piano trios, and two pieces for string octet. His solo piano works include two sonatas, an early set of preludes, and a later set of 24 preludes and fugues. Other works include three operas, several song cycles, ballets, and a substantial quantity of film music; especially well known is The Second Waltz, Op. 99, music to the film The First Echelon (1955–1956), as well as the suites of music composed for The Gadfly.
[A]: What is the last name of the person who had a complex and difficult relationship with the government?


[Q]: Passage: Worlds End State Park is a 780-acre (316 ha) Pennsylvania state park in Sullivan County, Pennsylvania, in the United States. The park, nearly surrounded by Loyalsock State Forest, is in the Loyalsock Creek valley on Pennsylvania Route 154, in Forks and Shrewsbury Townships southeast of the borough of Forksville. The name Worlds End has been used since at least 1872, but its origins are uncertain. Although it was founded as Worlds End State Forest Park by Governor Gifford Pinchot in 1932, the park was officially known as Whirls End State Forest Park from 1936 to 1943.The park's land was once home to Native Americans, followed by settlers who cleared the forests for subsistence farming and later built sawmills. The second growth forests in and surrounding Worlds End State Park are partially a result of the efforts of the young men of the Civilian Conservation Corps during the Great Depression. They helped overcome the clearcutting of the early 20th century, and built many of the park's facilities, including the cabins that earned it a place on the National Register of Historic Places.
A wide variety of wildlife is found in the park, which is also part of an Important Bird Area. Located in the Endless Mountains region of the dissected Allegheny Plateau, Worlds End has a continental climate and rocks and fossils from the Carboniferous period. It is one of "Twenty Must-See Pennsylvania State Parks" named by the Pennsylvania Department of Conservation and Natural Resources, which describes it as "[v]irtually in a class by itself, this wild, rugged and rustic area seems almost untamed". The park offers year-round recreational opportunities, including environmental education, hiking, camping in tents and cabins, whitewater rafting, swimming, cross-country skiing, snowmobiling, hunting, and fishing.
[A]: What is the precise modern-day name of the park whose land was once home to Native Americans, followed by settlers who cleared the forests for subsistence farming and later built sawmills?


[Q]: Passage: The focal point of the scene is the "Tree-Man", whose cavernous torso is supported by what could be contorted arms or rotting tree trunks. His head supports a disk populated by demons and victims parading around a huge set of bagpipes—often used as a dual sexual symbol—reminiscent of human scrotum and penis. The tree-man's torso is formed from a broken eggshell, and the supporting trunk has thorn-like branches which pierce the fragile body. A grey figure in a hood bearing an arrow jammed between his buttocks climbs a ladder into the tree-man's central cavity, where nude men sit in a tavern-like setting. The tree-man gazes outwards beyond the viewer, his conspiratorial expression a mix of wistfulness and resignation. Belting wondered if the tree-man's face is a self-portrait, citing the figure's "expression of irony and the slightly sideways gaze [which would] then constitute the signature of an artist who claimed a bizarre pictorial world for his own personal imagination".Many elements in the panel incorporate earlier iconographical conventions depicting hell. However, Bosch is innovative in that he describes hell not as a fantastical space, but as a realistic world containing many elements from day-to-day human life.
Animals are shown punishing humans, subjecting them to nightmarish torments that may symbolise the seven deadly sins, matching the torment to the sin. Sitting on an object that may be a toilet or a throne, the panel's centerpiece is a gigantic bird-headed monster feasting on human corpses, which he excretes through a cavity below him, into the transparent chamber pot on which he sits. The monster is sometimes referred to as the "Prince of Hell", a name derived from the cauldron he wears on his head, perhaps representing a debased crown. To his feet a female has her face reflected on the buttocks of a demon. Further to the left, next to a hare-headed demon, a group of naked persons around a toppled gambling table are being massacred with swords and knives. Other brutal violence is shown by a knight torn down and eaten up by a pack of wolves to the right of the tree-man.
[A]:
What has thorn-like branches which pierce the fragile body?