In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Q: countries and legal systems that take the rule of law principle seriously , had forbidden judges and juries to make judgements in all matters that could involve them personally .
luckily , movie reviewers are n't burdened with such legislation .
otherwise , small pool of very special movies would be forever ignored by this reviewer .
in case of star wars , 1977 science fiction epic by george lucas , the consequences would be even more severe , because that film is very special for tens of millions , if not hundreds of millions of fans .
in any case , objectivity is something seldom seen in star wars reviews , because undisputed majority of reviewers rate it as one of the best , if not the best film of all times .
those who do n't usually have some difficulties in hiding their artistic snobbery .
the author of this review must also concede his inability to use cold , objective standards in reviewing this film .
like so many previous reviewers , i must note that i watched star wars for the first time twenty years ago , and that i remained enchanted by the experience ever since .
perhaps it was childlike fascination with , until then unimaginable , wonders that happened long time ago , in a galaxy far away .
or perhaps it was the rush i felt minutes before the opening shots , with my expectations already pumped up by serialised comic books and novelisation i had read before .
anyway , watching of star wars was one of the most important movie going experiences of my life .
and it was also unmatched for many years to come , because very few movies managed to have such a strong impact on me like george lucas ' epic .
star wars was n't just important movie for me ( or the millions of fans who probably share the same sentiment ) .
it was the defining moment in the history of modern cinema .
until than , american motion picture industry was in a limbo ; social turmoil in 1960s practically destroyed the old hollywood , and new authors filled the void , mostly by using hollywood 's financial and technical resources to create serious , " personal " or " artsy " movies . as a result , audience , traumatised of dark reality of vietnam and watergate , did n't want to see the same dark and serious content on the silver screen .
george lucas with its science fiction epic was among the first to come into rescue .
the audience responded with unprecedented enthusiasm , and huge financial success of the movie , later backed by supplement industry of toys , books , comics , role playing games and other merchandise , slowly began to change the face of hollywood . serious , adult movies with artistic ambitions faded into oblivion , and were replaced by industrial products of " blockbuster " philosophy .
one of the biggest casualties of that trend was the science fiction movie genre .
until 1977 , science fiction movies were mostly in b - production domain .
in late 1960s , bigger budgets for science fiction did n't look so strange anymore , thanks to the great success of 2001 : a space odyssey .
but the same success coincided with the surge of pesimism , and hollywood science fiction was as bleak as the rest of its production - mostly dark , dystopic movies .
however , in 1977 star wars showed once and for all that this genre can be inspiration for popular movies , even among the audience that usually does n't like it .
as a result , seriousness in cinematic science fiction began fading away , although some good , dark and cult quality sf and continued to be filmed until early 1980s .
after that , science fiction continued to be considered a synonym for family entertainment .
ironically , the man responsible for star wars was in its time considered to be member of " new hollywood " generation of young movie authors who made " artsy " and " personal " films in early 1970s .
george lucas established himself with the dystopic sf movie thx 1138 , and nostalgic drama american graffiti .
both movies were considered " personal " in its time , despite latter one becoming very popular .
in a sense , star wars is an also very " personal " film , and the thorny way to the final production shows that commercial considerations were against it , not for it .
but unlike many " personal " movies of the era , its " personality " was in line with the wishes of the general audience .
the plot , set " a long time ago , in a galaxy far away " , begins in a time of civil war .
the evil empire is threatened by rebels who want to restore the old republic .
in order to quash any opposition , the empire had built death star , superweapon powerful enough to destroy whole planets .
the information about death star , acquired by rebel intelligence , is being transported by princess leia organa ( carrie fisher ) when her ship gets intercepted by imperial cruiser .
princess is arrested by imperial warlord darth vader ( played by david prowse and voice by james earl jones ) , but the information is being sent to nearby desert planet of tatooine via two humanoid robots - c3po ( anthony daniels ) and r2d2 ( kenny baker ) .
those two robots are sold to the family of luke skywalker ( mark hamill ) , young restless man who wants to leave his farm and become space pilot .
his adventure begins when r2d2 escapes , because the information must reach mysterious local hermit obi wan kenobi ( alec guiness ) .
old man is actually the last surviving jedi knight , member of the ancient order that defended republic through the use of mystical force .
after some hesitation , luke agrees to join obi wan in his mission to save the princess , while the old man would teach him the ways of the force .
their small band comes to the colourful spaceport of moss eisely , where they hire the spaceship owned by rogue pilot han solo ( harrison ford ) and his furry sidekick chewbacca ( peter mayhew ) .
critics who do n't like the movie , especially those who ca n't forgive lucas for his contribution to the quashing of " new hollywood " , are prone to point the lack of originality .
on the surface , they might be right ; lucas himself admits that he found a lot of inspiration in the lore of old hollywood - westerns , wwii aviation movies , old sf cliffhanger serials of the 1930s and 1940s ; yet the most obvious element would be akira kurosawa 's samurai classic the hidden fortress .
on the other hand , those who had spent last two decades studying the movie to death would say that the inspiration for star wars went even further - into collective subconscious of western civilisation ( hinted by some mild tolkien references ) .
the others would find the author 's element within the story - star wars could be seen as an anti- establishment film ; young , long - haired , easy going , nature - loving heroes are fighting against old , uptight and oppressive forces who use supertechnology in most demonic purposes .
even out of its historical or social context , star wars is an impressive as a strictly technical piece of the seven art .
george lucas ' direction is very good , with the clever editing and a well - paced segments between action and dramatic buildup .
characters are well - drawn and deliver all the necessary ingredients , both for the space opera and hollywood blockbuster .
we have a " coming - of - age " hero , damsel - in - distress ( somewhat toned down due to the popular feminist trends of the time ) , reluctant helper , benevolent mentor , diabolical villain and , finally , comic relief in form of two non - human characters .
some of the actors are very good - alec guiness in his most famous role to date , james earl jones whose voice is enough to cause unease , peter cushing as an incarnation of pure evil in human form .
unfortunately , the same ca n't be said for the main leads - among the main trio of mark hamill , carrie fisher and harrison ford
, only the last one had the character three - dimensional enough to launch his further acting career .
the thing that looked like the most important segment of star wars phenomena during its initial release was the new level of special effects technology .
often comparisons with 2001 : space odyssey , another ground - breaking sf film , were citing the sheer number of effects as a proof of the lucas ' superiority over kubrick . however , the special effects by john dykstra and john stears are indeed impressive , even after two decades ( although 1997 special edition did improve them significantly ) , yet they are n't the most remembered trademark of the movie .
that honour should definitely go to the " oscar " -winning soundtrack by john williams , whose work on star wars is probably the brightest gem in his brilliant career
.
newer generations of viewers might be somewhat deprived of the enchantment that still holds those lucky enough to witness star wars original release .
yet , even if they are immune to the george lucas ' magic
they should watch this film nevertheless , perhaps only to become familiar with something that is essential part of contemporary culture .

A: P
****
Q: ok , i admit it -- i find camp amusement with the spice girls .
yes , the same spice girls of the gimmicky individual " identities , " they of the annoyingly infectious bubblegum pop hooks and cheesy unifying mantra of " girl power .
"
but not even their guilty pleasure appeal is n't enough to carry their big screen debut , a junky mess which would be more aptly named shite world than spice world .
the film begins amusingly enough , with a cheeky 007-esque title sequence in which the british quintet-- " scary " ( melanie brown ) , " baby " ( emma bunton ) , " sporty " ( melanie chisolm ) , " ginger " ( geri halliwell ) , and " posh " ( victoria adams )
--are introduced one by one ( to , much to my surprise , excited and only slightly mocking cheers from the press audience ) as they croon the silky ballad " too much " ( a tune that would sound right at home in an actual james bond film ) .
a few minutes and an elton john cameo later comes an introductory tour of the numerous plotlines that run through the film : ( 1 ) the spicy ones go on a european publicity tour leading up to their first live concert at london 's royal albert hall ; ( 2 ) a film producer ( george wendt ) and a screenwriter ( mark mckinney ) pitch various film ideas to the girls ' manager , clifford ( richard e . grant ) ; ( 3 ) a documentary film crew follows the girls ; ( 4 ) a pregnant " mate " ( naoki mori ) of the group rapidly approaches her due date ; and ( 5 ) a tabloid publisher ( barry humphries ) attempts to destroy the group with the help of a sneaky shutterbug ( richard o'brien ) .
capped off by a live rendition of the girls ' bouncy hit " say you 'll be there , " a wealth of laughs and merriment is sure to follow , right ? wrong .
it 's all downhill from there as spice world collapses into a series of misfired comedy sketches .
i must give the girls credit for their refreshing willingness to make fun of themselves , but writer kim fuller and director
bob spiers can barely come up with a funny joke between them , much less a organized framework for all the " wacky " goings - on .
spice world jumps from vignette to vignette , subplot to subplot with no direction and little sense , at one minute having the girls meet with aliens ( no joke ) and at another having them stage a daring rescue of two young fans who fall into the water during a boat ride .
while a decent joke slips through the cracks here and there -- during a " dance bootcamp " scene , the girls sing the lyric
" we know how we got this far / strength and courage and a wonderbra
" --much of the material is not even funny on the chuckle level .
some gags are just plain pointless , such as roger moore 's recurring role as the mysterious chief , who dispenses cryptic , metaphor - heavy advice to clifford .
the only reason why i can think anyone would find that funny is the fact that moore once played james bond .
ha ha .
as weak as the script is , i think there 's one insurmountable problem
with even attempting to make a spice girls movie , and that is the girls themselves .
the point is not that they ca n't act ( and , for the record , they really _ ca n't _ ) but that their individual personas , which works as a gimmick over the span of a four - minute music video , are too thin to survive outside of the truncated , video bite mtv world .
posh ( who garnered the most enthusiastic cheers during the introductions ) comes off best by default because her persona ( rich bitch ) most easily translates into character in a film .
baby 's persona ( young innocent ) , to a lesser extent , also works , but the remaining girls ' identities are a little harder to flesh out .
there really is n't much to do with sporty besides having her exercise every so often ( which is _ exactly _ what fuller and spiers do ) , and , after all , what exactly entails being " ginger " or " scary " ?
apparently , just their wardrobes .
spice world manages to pick up some steam in the late going following a flashback performance of the spices ' signature hit , " wannabe .
" the song is as grating as ever , but the energy of the number gives the proceedings a much - needed shot in the arm , setting the stage for a wave of self - referential humor stemmed from the screenwriters ' film ideas ( the film almost mirrors robert altman 's the player in the way the film snails into itself ) .
this section of the film , involving all manner of derring - do involving a speeding bus , is perhaps its most effective , but it also points up how all the other storylines ( the publisher , the documentary crew ) lack a satisfactory payoff .
spice world is harmless entertainment suitable for the entire family , and it will please the spice faithful .
but this sloppy enterprise surely wo n't win them any new fans , which is what the group sorely needs to bolster its rapidly waning girl power in the states .
once the hype disappears , spice world will likely serve as the the spices ' final hurrah in america .

A: N
****
Q: any movie that kills emilio estevez off in the first fifteen minutes has something going for it .
unfortunately , this and the familiar theme music are the only worthwhile things about mission impossible , directed by brian depalma .
the first problem is that this film has absolutely no connection with the tv show whatsoever , aside from the music .
the tv show was about an impossible mission force whose deft teamwork , orchestrated by jim phelps , allowed them to counfound evil dictators of mythic banana republics from inflicting their sordid schemes upon the world .
teamwork was the key .
this film is set up as a cross between james bond and depalma 's " blow out , " where the john travolta character was the victim of real and imagined conspiracies from all directions .
it was travolta 's vulnerability that made that film so exciting and claustrophobic .
in this film , tom cruise is basically omniscient
( believe that ? ) and so
there 's no fun going on here whatsoever .
the story is about as contrived as contrived gets , and is full of holes .
there are basically two memorable sequences : one involves breaking into a kubrickesque computer room -- a task that could have been made much easier had the characters a whit of common sense ( suffice it to say that the alarm system is disengaged when the computer operator is in the room ) ; the second involves a high - speed train , a helicopter , and the chunnel and does not have to be seen to be disbelieved .
the actors are all miscast , especially emannuelle beart as jim phelps wife , who can not act , and ving rhames as a computer hacker ( ! ) , who looks lost and embarrased to be in this movie .
tom cruise is no james bond , and jon voight looks more like bobby " the brain " heenan than jim phelps .
brian depalma 's career has been bafflingly erratic .
at his best , he beats hitchcock at his own game (
" blow out , " " carrie , " " body double " ) but this is not his best .
the screenplay was partly written by robert towne , who wrote the best scenario of the seventies in " chinatown , " but
this script is perfunctory at best , and terrrible at worst .
the cinematography has a comic book red / blue emphasis , which is nice to look at , but the suspense sequences are all telegraphed and this movie even features the old " killer who talks too much before shooting thus giving the victim time to think of an escape " trick .
please do n't spend your money on this
; it 'll only encourage hollywood to make more .

A:
N
****