In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: What was one of the poems that François' poet descendant wrote? Passage 1:François Paul Étienne Azéma (born 15 January 1778, and died 28 August 1851 in Saint-Denis, Réunion, on the island of Réunion) was a French poet, playwright, and writer of fables. He was a magistrate, delegated to the island by the Ministre de la Marine, and as a writer was well known for his play Médée. He was a descendant of Jean-Baptiste Azéma, a former governor of the island; he was the father of Georges Azéma, a historian, and Mazaé Azéma, a doctor. His grandson was the doctor Henri Azéma; other descendants include the poet Jean-Henri Azéma and the historian Jean-Pierre Azéma. He was made Chevalier of the Legion of Honour in 1850.
 Passage 2:The Danish People's Party (DPP) (, DF) is a political party in Denmark that is generally described as right-wing populist by academics and far-right by international media. It has also been described in academia and the media as a nativist and anti-immigrant party. The party was founded in 1995 by Pia Kjærsgaard, who was the leader of the party until 2012, when she passed the leadership on to Kristian Thulesen Dahl. The DPP lent its support to the Liberal-Conservative government that ruled from the general election of 2001 until the 2011 election defeat. While not part of the cabinet, DPP cooperated closely with the governing coalition on most issues and received support for key political stances in return, to the point that the government was commonly referred to as the "VKO-government" (O being DPP's election symbol). It also provided parliamentary support to Lars Løkke Rasmussen's cabinets from 2016-2019, again without participating in it.
 Passage 3:In the preface, Fisher considers some general points, including that there must be an understanding of natural selection distinct from that of evolution, and that the then-recent advances in the field of genetics (see history of genetics) now allowed this. In the first chapter, Fisher considers the nature of inheritance, rejecting blending inheritance, because it would eliminate genetic variance, in favour of particulate inheritance. The second chapter introduces Fisher's fundamental theorem of natural selection. The third considers the evolution of dominance, which Fisher believed was strongly influenced by modifiers. Other chapters discuss parental investment, Fisher's geometric model, concerning how spontaneous mutations affect biological fitness, Fisher's principle which explains why the sex ratio between males and females is almost always 1:1, reproductive value, examining the demography of having girl children. Using his knowledge of statistics, the Fisherian runaway, which explores how sexual selection can lead to a positive feedback runaway loop, producing features such as the peacock's plumage. He also wrote about the evolution of dominance, which explores genetic dominance. The last five chapters (8-12) include Fisher's more idiosyncratic views on eugenics.

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Question: Did either of the teams Duke City lost to in the 2008 Western Regional go on to win the championship? Passage 1:Duke City's all-star travel team, the Mueñcas Muertas, represented the league at the first WFTDA Championships in 2006, where they finished 19th out of 20 teams. At the 2007 WFTDA Western Regional Tournament Duke City won their opening game 110-82 over the Rocky Mountain Rollergirls, but then lost to Tucson Roller Derby in the quarterfinals, 166-41. At the 2008 Western Regional, Duke City opened with a victory over Pikes Peak Derby Dames and then upset the defending WFTDA Champion Kansas City Roller Warriors 132-117, automatically qualifying for Championships. Duke City then lost to Bay Area in the semifinals and Rat City Rollergirls in the third place game to finish Westerns in fourth place. At Championships in Portland, Duke City lost their opening round game to Gotham Girls Roller Derby 182-25. At the 2009 Western Regional, Duke City lost the fifth place game to Bay Area 105-103 to finish in sixth place. As the eighth seed at the 2009 Western Playoff, Duke City lost their opening games to Tucson and Denver, before falling to Sacred City Derby Girls to finish in tenth place.
 Passage 2:When Joseph left Girton, the First World War was at a critical state; the Battle of the Somme had begun on 1 July 1916. Joseph wanted to assist the war effort, and after considering work on the land or in a munitions factory, took up part-time welfare work in Islington. In the autumn of 1916 she began teaching at Eothen, a small private school for girls in Caterham, founded and run by the Misses Catharine and Winifred Pye. In 1917 Holst's ten-year-old daughter Imogen started at the school; soon, under Joseph's guidance the young pupil was composing her own music. Joseph extended her own musical activities by joining the orchestra at Morley College, where Holst was the director of music and where her brother Edwin had played the cello before the war. At first she played the double-bass, but later took French horn lessons, possibly from Adolph Borsdorf; later still, at very short notice, she taught herself the timpani part for a summer concert. By 1918 she was a member of the Morley committee that on 9 March organised and produced an opera burlesque, English Opera as She is Wrote, in which English, Italian, German, French and Russian opera styles were parodied in successive scenes. The performance was a great success and was repeated at several venues. It may have inspired Holst to use parody in his own opera, The Perfect Fool, which he began composing in 1918. In her spare time Joseph founded and ran a choir for Kensington nannies, which took part in local singing contests as the "Linden Singers".
 Passage 3:He was principal investigator on the REFLECT trial for flosequinan which ran from 1987-1989 and the following PROFILE trial from 1991-1994. He was PI on a study of amlodipine that ran from 1987-1989 and the following PRAISE trial from 1992-1995 and PRAISE 2 from 1996-1999; the PROMISE trial for milrinone 1988-1990; the ATLAS trial for lisinopril from 1993-1997; the PRECISE trial for carvedilol from 1993-1995 and the following COPERNICUS trial from 1997-2002; the ENABLE trial (1999-2001) and REACH-1 trial (1997-2003) for bosentan; the OVERTURE trial (1999-2002) for omapatrilat; REVIVE I and II (2001-2006) for levosimendan; and the TRUE-AHF trial of ularitide that started in 2013. He also chaired the steering committee for the RADIANCE trial from 1989-1992 which studied the use of digoxin in people who were also treated with ACE inhibitors and chaired the steering committee for the RENEWAL trial (1999-2002) for etanercept. He was also the co-PI of the PARADIGM-HF trial that led to the approval of valsartan/sacubitril.

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Question: Was the group that The Orb drew particular influence from based in England? Passage 1:The ambient house movement began in the late 1980s largely due to the demand for post-rave "come-down" music. It was founded mainly by The Orb members Alex Paterson and Jimmy Cauty. They drew from various influences, particularly Yellow Magic Orchestra (active since the late 1970s), an electronic music group frequently cited as a pioneer of ambient house music, in addition to influences from Steve Reich, Brian Eno, reggae music, and 1970s psychedelic rock, including Pink Floyd. Inspired by the house music played by DJs such as Larry "Mr. Fingers" Heard, Paterson and Cauty began DJ-ing and composing experimental music. The Orb established the genre in 1989 as DJs during night-club events called The Land of Oz, based at the night-club Heaven. After a recording session with John Peel later that year, The Orb released the twenty-minute "A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld", which featured "bright, translucent sounds" and "tinkl[ing]" keyboards, as well as heavily sampling Minnie Riperton's "Lovin' You". Out of Paterson and Cauty's sessions at Trancentral studio, came Cauty and Bill Drummond's KLF album Chill Out (which featured no credit to Paterson). As one of the first ambient house albums, The Grove Dictionary of Music describes it as "a 1980s pop culture version of musique concrète". After splitting from The Orb, Cauty finished work on his own album Space, and Paterson's Orb went on to create the single "Little Fluffy Clouds" – both important works of ambient house. In 1991, The Orb released the album The Orb's Adventures Beyond the Ultraworld, featuring both of their previous singles. Combining Moog synthesizers with religious chorales and audio clips of the Apollo 11 rocket launch, The Orb popularized the "spacy" sound of ambient house.
 Passage 2:Kamei went to the Soviet Union in 1928 to study filmmaking, but had to return home because of an illness. He eventually began working at Photo Chemical Laboratories (PCL), one of the precursors to Toho, where he made a name for himself making documentaries - or "culture films" (bunka eiga) as they were called at the time - that were strongly influenced by Soviet montage theory. Many were propaganda films about Japan's war in China, such as Shanghai and Peking, but his Fighting Soldiers (Tatakau heitai) was criticized by authorities as a potentially anti-war film, one police official in fact protesting that "These aren't fighting soldiers, they're tired soldiers!" The release of the film was blocked, but Fighting Soldiers was later celebrated as one of the masterpieces of Japanese documentary. After making a film about the poet Kobayashi Issa, Kamei was the only Japanese film director arrested for violation of the Peace Preservation Law and became the first filmmaker to lose his license to direct under the 1939 Film Law. After World War II, he resumed filmmaking with The Japanese Tragedy (Nihon no higeki), a film produced at Nichiei by Akira Iwasaki, which charged Japanese leaders with responsibility for pursuing a disastrous war. The film, however, was eventually banned by Occupation authorities in particular for its critical depiction of Emperor Hirohito. Kamei thus had films banned by both the Japanese government and the American Occupation forces. Kamei also made fiction films such as War and Peace (Sensō to heiwa), co-directed with Satsuo Yamamoto, but he primarily continued to produce independent documentaries protesting such issues as American bases in Japan, the nuclear bomb, discrimination against burakumin in Japan, and environmental destruction.
 Passage 3:After losing to Undertaker, Shamrock, Big Show, Mankind and Test formed The Union, a stable of wrestlers in opposition to the Corporate Ministry. The Union dissolved soon after defeating the Corporate Ministry at Over the Edge in May. Shamrock briefly feuded with Jeff Jarrett before beginning a rivalry with martial artist Steve Blackman that saw he and Blackman fight one another in a series of unorthodox matches. The feud ended at SummerSlam, where Shamrock defeated Blackman in a "Lion's Den weapons match". He went on to feud with the newly debuted Chris Jericho until departing the WWF in late 1999 in order to resume his mixed martial arts career. His departure was attributed on screen to an injury inflicted by Jericho's bodyguard, Mr. Hughes. Ken Shamrock has since appeared in the video games WWF SmackDown!,  (in Royal Rumble matches only), WWF No Mercy, WWE '13 and WWE 2K16.


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