In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Input: Consider Input: Review: Legendary movie producer Walt Disney brought three of the world's greatest fairy tales to the screen. They remain among the most popular animated films of all time. The first was his groundbreaking classic "Snow White and the Seven Dwarfs" released in 1937. The last was the then-under appreciated "Sleeping Beauty" which made it's debut in 1959. In between these two was perhaps his most satisfying adaptation of a classic fairy tale: "Cinderella" (1950). Of the three films, "Cinderella" is the one most faithful to its origins. Ironically, unlike "Snow White", which for better or worse, became for many the definitive version of the story. "Cinderella" did not follow the same path. Although it was a hit and, like "Snow White", was responsible for restoring the dwindling Disney fortunes, it never achieved the same audience recognition which it certainly deserved. Disney, for once, did himself proud, electing not to tamper with a classic, instead elaborating and adding substance to the tale, rather than rewriting it for the screen. The result was enchanting. A combination of superb animation (in beautifully soft Technicolor) and the perfect voice talents brought the story to life with a radiance that endures to this day. Ilene Woods, who was a radio performer, recorded demonstration discs of the songs as a favor to the authors of the material, Al Hoffman, Mack David, and Jerry Livingston. When Disney heard them, he knew he had found his Cinderella. And indeed he had. Woods heartfelt renditions of "A Dream Is A Wish Your Heart Makes", "So This Is Love" and "Oh Sing Sweet Nightingale" are perfect. Eleanor Audley, who would go on to voice Maleficent in "Sleeping Beauty", masterfully captured the icy cruelty of the stepmother, while Rhoda Williams and Lucille Bliss were convincingly nasty stepsisters. Luis Van Rooten admirably performed as both the King and the Grand Duke, and James Macdonald was endearing as both Jaq and Gus, Cinderella's devoted mice. William Phipps has little dialog as the prince (future talk show host Mike Douglas provided his singing voice) but film (and Disney) veteran, Verna Felton was born to play the fairy godmother, and she made the best number, (the Oscar-nominated "Bibbidi-Bobbidi-Boo") her own show-stopper. Among the artists responsible for the "look" of the film, was Mary Blair, whose inspired use of color was greatly admired by Disney. Her elegant French-period backgrounds add tremendously to the quality of the movie. But, most important of all' are the believable characters--from Cinderella, right down to Lucifer, the stepmother's deliciously evil cat. They bring both life and vibrancy to the often told story, something very difficult to create in an animated film.In conjunction with the film's 55-year anniversary, (and, not so coincidentally, the coming holiday season) "Cinderella" has just been released on a special edition DVD. It simply has never looked better. The fully restored film must be seen to be appreciated--suffice it to say, it looks wonderful. An enhanced stereo soundtrack has been added, and serves the music well. The DVD extras, now a standard part of Disney Platinum Editions, are too numerous to list here, but as usual, some are directed towards children, some are slanted to adults, and the rest fall somewhere in between. But real fans will want to get the Deluxe Gift Set, because, along with an actual cell from the film and eight character sketches, it includes a 160-page hardback book, which not only incorporates most of the material found in the book with the 1995 special edition home video release, but much more as well. As usual for Disney, "Cinderella" will only be available for a limited time. So, if like me, you are a "Cinderella" lover, get it NOW! This edition is truly a "Dream Come True." Question: is it a negative review?

Output: no


Input: Consider Input: Review: Coming shortly before the imposition of a morality code darkened the spirits of writers, directors and actors, the first film adaptation of W. Somerset Maugham's "Of Human Bondage" titillated countless moviegoers. It has no shock value today, just fine acting.While the cast is excellent, this is Bette Davis's first great role and one of Leslie Howard's best performances. Howard is English wannabe Parisian artist Philip Carey who is gently and firmly told that he lacks any talent and that his dedication is no substitute for true genius. Taking the lesson to heart he returns to London and enrolls in a medical college (one, by the way, that seems to have no female students-at that time there would have been at least a few. Perhaps author/physician Maugham didn't care for distaff medicos).Having tea one day Carey is entranced by a waitress, Mildred Rogers, Bette Davis in a role as a morally loose and basically wicked farrago. Her Cockney accent is as sharp as Eliza Doolittle's. His repeated attempts to date her are greeted with the less than enthusiastic reply, "I don't mind," a sure sign for any man with his head screwed on straight that he's plumbing the depths. Maugham's Mildred supplemented her waitress tips with a bit of old fashioned street-walking, something not clearly brought out here.Carey's besotted prostration serves Rogers' avaricious need for support of the financial kind. He is desperately in love with her-she plays him as a Sunday church organist effortlessly plies her instrument. No sex here. Recognizing that he is getting nowhere, he begins a chaste relationship with Norah, a woman who adores him. Re-enter Mildred, replete with a baby, and in her usual need of being taken care of. Exit heartbroken Norah. Another separation from Mildred and Carey begins a long-term friendship with Sally, abetted enthusiastically by her dad who seems to view eventual marriage as both a good thing for the two young people and a chance to be relieved of one of his nine offspring.The movie reasonably but not entirely follows Maugham's excellent novel. Howard's Carey is naive and vulnerable and for much of the movie his sad eyes remind one of a doe facing a double-barreled shotgun. Mildred is unrestrainedly wicked, a user of the worst kind, her sole preoccupation with her own needs barely disguised when she tries to wheedle Carey with a thin patina of affectionate words (and offers-at one point she promises she'll do "anything [he] wants," a daring statement for the times and one I'm sure audiences fully understood.Pre-Code it may be but Mildred's quick-march dissolution would have satisfied the League of Catholic Decency. The ending is conventional-sin loses, principled behavior triumphs.Director John Cromwell wrought excellent performances from his two main stars, one well-established, the other established largely because of this film. The atmosphere is 1930s London and the trip back in time is worth taking.Available on DVD.9/10 (for Davis's and Howard's performances) Question: is it a positive review?

Output: yes


Input: Consider Input: Review: Be careful with this one. Once you get yer mitts on it, it'll change the way you look at kung-fu flicks. You will be yearning a plot from all of the kung-fu films now, you will be wanting character depth and development, you will be craving mystery and unpredictability, you will demand dynamic camera work and incredible backdrops. Sadly, you won't find all of these aspects together in one kung-fu movie, EXCEPT for Five Deadly Venoms!Easily the best kung-fu movie of all-time, Venoms blends a rich plot, full of twists and turns, with colourful (and developed) characters, along with some of the best camerawork to come out of the 70s. The success of someone liking the film depends on the viewers ability to decipher which character is which, and who specializes in what venom. One is the Centipede, two is the Snake, three is the Scorpion, four is the Lizard, and five is the Toad. Each character has different traits, characteristics, strengths, and weaknesses. Therein lies the hook, we learn along with the student character, finding out who these different men turn out to be. We are in his shoes (so to speak), and we have to pick who we trust, and who we don't, just like he does. We learn along with him.Not only is the plot, the characters, and the camerawork great, it's also fun to watch, which in my book makes it more valuable than almost any other movie of it's kind. It's worth quite a few watches to pick up on everything that's going on. Venoms is a lesson on what kung-fu can really do...just don't expect many other kung-fu films to live up to it's gauntlet. Question: is it a negative review?


Output: no