In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Input: Consider Input: Poseur . Kid "Rock" is to rock-and-roll what Twinkies are to gourmet cooking.  He's a poseur and a pretender, who tries to mimick the attitude and style of those who went before him -- Bob Seeger, Rolling Stones -- while hoping that no one will notice that he has none of their talent.  Why listen to a pale imitation when the music of the true greats is still available?

Output: NEG


Input: Consider Input: The best of all . I have heard several Bohemes in my time - my favorites being the versions with Pav and Freni; Tebaldi and Bergonzi; and this one. Neither of the first two can match this recording in overall effect. Karajan with Pav/Freni, while firmly in possession of his own wonder, misses by a hair Beecham's sensuous conducting logic. Also Pav is not the best Rodolfo: he sings too opulently to convey a blue, starving poet. The Tebaldi/Bergonzi set is a sure contender, and might have stood right with this one if its sound weren't so bad.         Now as for this set itself - three words say it: Bjoerling with Beecham. These were two of the finest artists of the last century, and it is a blessing to have this record of their collaboration. Jussi, while perhaps not as romantic as Bergonzi, was a Rodolfo for all time. That ringing golden tenor truly could build castles in air. And hell, he was romantic enough for comfort. Add Beecham, and, if you please, you've got glory. His pacing is perfect. Just listen to about midway through "che gelida manina," where Bjoerling soars and Beecham expands the tempo to let Jussi's voice raise the rafters and burn deep. And I tell you what, Jussi could burn. The quantity of air that man had was astonishing at the least, and he didn't waste it: his phrases are easy, well-drawn, and thrilling.        I have no important complaints about anyone else in the cast. I actually prefer de Los Angeles's Mimi, though I think she sometimes doesn't support high notes with enough air. As for the orchestra, there are a few mishaps where accurate entrances with the singers are concerned, but that is hardly surprising - the ensemble was assembled in roughly two days and its memebers had barely played with one another or with Beecham. The sound of the set isn't as good as one might expect from the Great Recordings series, but it is acceptable, and a well-informed ear can fill in any lacking overtones.    Buy it. You'll love it for many years, and then pass down through your family

Output: POS


Input: Consider Input: Please Keep Talking, Joan . Joan Rivers is an American original and this CD captures her at her peak.  Clever, brilliant, brash, outrageous, controversial, Joan was ahead of her time but stays timelessly hilarious on this CD.  If you like Joan, you absolutely must get this - I am so grateful to have found it on Amazon.com!  I originally heard this &quot;album&quot; when it came out in the early '80s and have loved it ever since.  Joan rules!


Output: POS