In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[Q]: Review: SPOILERS (ALTHOUGH NONE THAT AREN'T REVEALED IN THE FIRST TWO MINUTES OF THE MOVIE)Robin Williams is actually quite good in this as the friendly, lonely, emotionally stunted loser Sy. He makes a very human, even sympathetic psycho, and really disappears into the character--no small feat for such a recognizable performer. Too bad the rest of the movie is such a waste. The supporting performances (and performers) wouldn't look out of place in a soft-core porno (it doesn't help that every character but Sy is made of 100% cardboard). At times, the director actually seems to be trying to frustrate suspense: we know from the very first moments a) that Sy is a complete whack-job, b) that he survives, and c) that he gets nabbed by the cops at the end. So all we're left to ponder is the hows and the whys, and the answers provided aren't all that interesting.The plot is plodding and contrived, and features some nonsensical moments (for instance, the husband berates his wife for her expensive tastes, even though she seems to spend all her free time at the local discount superstore). About two thirds of the way through, Sy does something so irredeemably stupid that it makes one wonder how much he actually cares about his grand revenge scheme. And the final clichéd explanation of his psychosis, right out of `Peeping Tom,' is a terrible copout.The dialogue is of the absolute worst sort. It's not overwritten, or awkward, or unbelievable, or bad in any other way that could be considered fun, even for bad-movie lovers. Instead, every line is purely, hideously functional--it's as if the director handed a plot outline to a newspaper copywriter and said, `Hey, I need a workable script on this--in an hour.' It made me want to scream, honestly.This movie seems to be a throwback to the suburban beware-the-help thrillers of the eighties and nineties (`The Hand That Rocks the Cradle,' e.g.), and while it's certainly unpleasant, it's never really scary. Sy's fetishism occasionally makes you feel uncomfortable, but on its own that's not enough to make the film work. In the end, lack of craftsmanship from everyone involved, except Robin Williams, sinks this one. 3 out of 10. Question: is it a positive review?
[A]: no


[Q]: Review: This movie is a prime example of squandering great resources in a film. You've got future SNL and SCTV stars in their prime, such as John Candy, Chevy Chase, Laraine Newman, Al Franken,Tom Davis and Joe Flaherty essentially making 70 minutes of coarse, uninspired fart and racist jokes. The concept of a network from the future subverting society could have really been taken to some interesting extremes, but instead right out the gate, makes a lame, juvenile proctology joke and stays in that vein of humor the whole way.Seek out the earlier and much more subversive and witty Groove Tube or the later, hilarious Kentucky Fried Movie. This movie is only for those who want to see a time capsule of bad 70's sketch comedy movies. Question: is it a negative review?
[A]: yes


[Q]: Review: (David H. Steinberg)'s script seemed initially having some real smart points that could've made good romantic comedy, BUT BUT BUT, oh dear ! What did ever happen in the way ???!!!! I'll tell you what happened. Originally it's (Animal House - 1978) and (Porky's - 1982). Although that was long time ago, but those are the pioneers, the godfathers of the new genre : the crude teen comedy. Then the 1990s came. After important instances that became smash hits (repulsive ones am I add) such as (Problem Child - 1990), (Dumb and Dumber - 1994), (The Nutty Professor - 1996), and (There's Something About Mary - 1998) which I think slackers is affected by, there was the top of the era and the prophet of the next era, the one and only : (American Pie - 1999) which's undoubtedly and incomparably a genre's icon. After that I think every comedy of that kind got to be that highly filthy, cum laude nasty, to be admired by the youth otherwise it might be out of fashion !I believe that (Slackers) had a smart plot first as a script, then its makers got to add some real big amount of : rudeness, filthiness, strangely shameless sex to be made - at those days - as easy as pie ! Like they had to fill every scene with freely elements such as : masturbation, oral sex, urination.. etc just to look a la' mode. They're wholly unnecessary elements to the story but surely THEY ARE so necessary to make the profits, and to catch the latest vogue in making teen comedies. The problem is in how all of that has replaced already any possible comedy in it.Some of its moments looked literally horrible, and that as you see is the point. It's all in (Jason Schwartzman)'s looks and performance; memorably disgusting to the utmost. So the ambition transformed from being that romantic comedy into making what wasn't done before of pure skinning images. To be more like a horror where you're asking all the time; what nastier would happen ? (vomiting, farting,.. etc); these are the easiest combination to create a comedy nowadays.Though even if you hated it you've got to love something (mostly for being bold), for me it was only Gina Gershon cameo's scene. Anyhow they designed it as a whole to achieve being outrages-for-outrageousness, like an adolescent's naughty dream. Though the majority of it was near to anybody's nightmare.What made me sad is that this one at its core was a real potential work, and not another cheap, another stupid comedy as it eventually managed to be. Remember well the details of stealing the exam (the first 2 minutes), so the movie's main plot (weirdo trying to reach a girl by blackmailing cool guys) through the pattern of (boy loves girl, and girl loves another boy) because save that, it's nothing but a candidly schlock. It dealt with its material the tacky way bunch of dirty college boys, who got nothing to do but making mawkish quip out of anything, would do. It ended up as being, and I'm sorry to say it, a smiling sh*t !At its end it said something (can you imagine !) about how it's the time and the place too for the impostor or the slack to win, totally like this comedy itself. It sounds good ending yet for totally another better movie; which could assure my opinion about this one as smart one.. Once ! And it doesn't need much to understand that this movie's makers were the real slackers ! Maybe being stupid is a way to be smart in Hollywood, but even if.. The final result here wasn't at least witty by any sense of the word. P.S : Its scriptwriter (David H. Steinberg), who wrote the story of (American Pie 2) as well, has a main page at the IMDb where you'll find under the "Additional Details" his usual "Plot Keywords" which are : Sex / Vulgarity / Crude Humor /... They just forgot to write Urineing while Showering or Baring 70 Year Old Women ! Question: is it a negative review?
[A]:
yes