In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Input: Consider Input: Question: Which country was Bracton born in? Passage:Plucknett describes Bracton in this way: "Two generations after Ranulf de Glanvill we come to the flower and crown of English jurisprudence – Bracton." Bracton was born around 1210 in Devon and had a great deal of preferment in the Church. He either derived from Bratton Fleming or Bratton Clovelly. Both villages are in Devon. It was only after his death that the family name appears as Bracton; during his life, he was known as Bratton, or Bretton. This originally may have been Bradton, meaning "Broad Town". Bracton first appeared as a justice in 1245. From 1248 until his death in 1268 he was steadily employed as a justice of the assize in the southwestern counties, especially Somerset, Devon and Cornwall. He was a member of the coram rege, also called the coram ipso rege, later to become the King's Court. He retired from this in 1257, shortly before the meeting of the Mad Parliament in 1258 at Oxford. It is unknown whether his retirement was related to politics. His leaving coincided with the onset of the notorious Second Barons' War in 1264. At that time Bracton was ordered to restore to the Treasury the large store of plea rolls (case records from previous trials) that had been in his possession. He was also forced to surrender the large number of rolls from his predecessors Martin Pateshull and William Raleigh, also known as William de Raley. It cannot be determined whether he disgraced the King or the barons in this affair, but it is speculated that some kind of political intrigue was involved. The practical result was that his major work, De Legibus et Consuetudinibus Angliae ("The Laws and Customs of England"), was left unfinished. Even so, it exists in four large volumes today. He continued to follow the assizes in the southwest until 1267. In the last year of his life he filled another prominent role, as member of a commission of prelates, magnates and justices appointed to hear the complaints of the "disinherited" – those who had sided with Simon de Montfort, 6th Earl of Leicester.


Output: b


Input: Consider Input: Question: Which co-creator of The New Adeventures of Pinocchio is the oldest? Passage:The New Adventures of Pinocchio is a syndicated stop motion animated television series produced by Rankin/Bass Productions in the United States and made by Dentsu Studios in Japan. Created by Arthur Rankin, Jr. and his partner Jules Bass, it was based on the book The Adventures of Pinocchio written by Italian author, Carlo Collodi. The series was Rankin/Bass' first production to be made in "Animagic", a stop motion puppet technique which, in association with the company, was done by Tadahito Mochinaga's MOM Productions (before Mochinaga leaves for China after the finished animation for Mad Monster Party?). A total of 130 five-minute "chapters" were produced in 1960–61. These segments made up a series of five-chapter, 25-minute episodes. During 1963–64, the series was also aired in Japan on Fuji TV as part of another stop motion TV series, Prince Ciscorn (シスコン王子, lit. Ciscorn Ōji), based on the manga by Fujiko Fujio and also produced by Tadahito Mochinaga for Studio KAI and Dentsu.


Output: a


Input: Consider Input: Question: Who won the other two first prizes at he 1989 Geneva International Music Competition? Passage:Michele Crider is a graduate of Quincy Senior High School in Quincy, IL. She studied voice at Culver-Stockton College and then at the University of Iowa, where she performed her first opera role in Madama Butterfly and came to the attention of University of Iowa alumnus Simon Estes. She won the District Metropolitan Opera Auditions twice. Afterwards she left Iowa and went to Zurich where she continued her studies at the studio of the Zurich Opera House. In 1988 she was the finalist of the Luciano Pavarotti competition. In 1989 she won one of the three first prizes at the Geneva International Music Competition. This prize directly led to her engagement as Leonora in Il trovatore in Dortmund and to her participation in the International Grand Prix, which she then won. Crider has recorded Amelia in Un ballo in maschera for Teldec under Carlo Rizzi, Elena and Margherita in Mefistofele under the baton of Riccardo Muti for BMG Classics, Verdi's Requiem under Richard Hickox with the London Symphony Orchestra for Chandos Records and the role of Gerhilde in Die Walküre on Decca under Christoph von Dohnanyi.



Output: b