In this task, you're given a passage, further information available on a particular linked term from the statement, and a question. Your job is to generate the answer to the question by using the information provided. If there is no clear answer obtainable, output 'none'.
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Question: Passage: Born the son of Colonel Arthur Hare Vincent and Elizabeth Rose Manson and educated at Wellington College and the Royal Military Academy, Woolwich, Vincent was commissioned into the Royal Artillery as a second lieutenant on 24 July 1891. He was promoted to lieutenant on 24 July 1894 and to captain on 13 February 1900. He served with the China Expeditionary Force in late 1900 and then in the Second Boer War in South Africa. Following the end of the war, Vincent left Point Natal for India on the SS Ionian in October 1902 with other officers and men of the J Battery Royal Horse Artillery, and after arrival in Bombay, was stationed in Meerut, Bengal Presidency. In 1903, Vincent was sent to Tokyo to learn Japanese: he served as British military attaché with the Japanese Army during the Russo-Japanese War and, from 1 March 1904, was attached to the 2nd Division of the First Japanese Army in Manchuria.
 Link Information: none Question: How many students did Wellington College have the year that Vincent was promoted to lieutenant?

Answer: Answer: none


Question: Passage: There is a great deal written in music history books about the period of artistic experimentalism after World War II in Europe and the United States. Much like the period in France after the Franco-Prussian War (Impressionism) and in the late 19th century, the pre/post World War I period of (Expressionism), the post World War I period of Modernism was no different with composers trying to 'write music for the sake of music' and not attaching it to a social meaning or meant for a social cause (see Darmstadt School). The LP City of Glass and the whole body of work from the Stan Kenton orchestra and Robert Graettinger (1947–1953) is a direct product of the experimental American music scene of the post World War II era. Though overshadowed historically by other compositional endeavours in jazz at the time attributed to George Russell, Neal Hefti or Lennie Tristano, Graettinger and City of Glass is important in the progress that was to be part of Third stream jazz.
 Link Information: After World War II, there was increased interest in specialty styles like country music, producing a few major pop stars Question: What types of music was popular in America after World War II?

Answer: Answer:  country music


Question: Passage: Following her international travels, Teer came to New York City, where she pursued a career as a professional dancer. She studied with Alwin Nikolais at the Henry Street Playhouse and Syvilla Fort (Katherine Dunham Technique). She toured with the Alvin Ailey Dance Company, Louis Johnson Dance Company and the Pearl Bailey Las Vegas Revue. In 1961, Teer made her Broadway debut as dance captain in the Tony award-winning musical Kwamina, which was choreographed by Agnes de Mille. Teer performed in the film version of Ossie Davis's stage play Purlie Victorious. After a knee injury in 1962, Teer switched her primary artistic focus from dance to theatre. She studied with acting luminaries including Sanford Meisner, Paul Mann, Lloyd Richards, and Phillip Burton. Teer crafted a lucrative and successful acting career, receiving numerous accolades, including a Drama Desk Award and several Obie Awards. Between 1961 and 1966, she continued to perform on and off-Broadway as well as in television and film.
 Link Information: none Question: How many awards did the choreographer of Kwamina win in her career?

Answer:
Answer: none