In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.
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Question: Passage: The 1995–96 NBA season was the 76ers 47th season in the National Basketball Association, and 33rd season in Philadelphia. During the offseason, the Sixers signed free agent Vernon Maxwell, then later on signed second-year guard Trevor Ruffin in December. Top draft pick Jerry Stackhouse and Clarence Weatherspoon both provided a nice young nucleus from which to build. However, finding talent to surround them was often difficult, as the Sixers suffered an 11-game losing streak after a 2–2 start. Early into the season, Shawn Bradley was traded to the New Jersey Nets for Derrick Coleman, who only played in just eleven games due to an irregular heartbeat. At midseason, second-year forward Sharone Wright was dealt to the expansion Toronto Raptors as Jeff Malone was released to free agency. The Sixers had their worst season since the infamous 73-loss 1972–73 season, finishing last place in the Atlantic Division with an 18–64 record. 
 Link Information: He was selected first overall in the 1990 NBA draft  Answer: 1990 

Answer: When was the player that Shawn Bradley was traded to the New Jersey for drafted into the NBA?


Question: Passage: Inside the church are galleries on the north, west, and south sides. These are carried on Tuscan columns, which rise to the ceiling as wooden quasi-Tuscan columns. At the east end of the church are paintings by Jacob Thompson of Penrith dated 1845 depicting the Angel and the Shepherds, and the Agony in the Garden. The communion table dates from 1722, and was lengthened in 1951. The brass chandeliers were given to the church in 1746 by the 2nd Duke of Portland in recognition of the part the town played in the defence against the Young Pretender in 1745. The pulpit consists of the top section of a former three—decker. At the back of the gallery are royal arms dated 1723 by Mathias Read. The font consists of a simple octagonal bowl, and is dated 1661 which is the date it was brought back into use after the Restoration of King Charles II. The stained glass in the east window of 1870 is by Hardman, and that in the north aisle, dating from 1889, is by Burlison and Grylls. Elsewhere are windows by Clayton and Bell, Powell's, G.J.Baguley, and by Cox, Sons and Buckley. The monuments include two coffin lids inscribed with foliated crosses, one dating from the 14th century, the other possibly from the 12th century. There are also two worn stone effigies from the 17th century.
 Link Information: He began to exhibit in 1824, when he had in the first exhibition of the Society of British Artists a "View in Cumberland," but he did not send a picture to the Royal Academy until 1832, in which year appeared "The Druids cutting down the Mistletoe." This was followed in 1833 by a picture containing full-length portraits of the daughters of the Hon. Colonel Lowther. His next exhibit was "Harvest Home in the Fourteenth Century," which appeared at the British Institution in 1837, and was presented by the artist to his patron, the Earl of Lonsdale. After this date he painted portraits, views of mansions, &c., but he did not exhibit again until 1847, when he sent to Westminster Hall "The Highland Ferry-Boat," which was engraved in line by James Tibbits Willmore. "The Proposal" appeared at the Royal Academy in 1848; "The Highland Bride," likewise engraved by Willmore, in 1851; "Going to Church: Scene in the Highlands," in 1852; "The Hope Beyond," in 1853; "The Course of true Love never did run smooth," in 1854; "The Mountain Ramblers," in 1855; "Sunny Hours of Childhood" and "Looking out for the Homeward Bound," in 1856; and "The Pet Lamb," in 1857. He painted in 1858 "Crossing a Highland Loch," which was engraved by Charles Mottram; but he did not again exhibit until 1860, when he sent to the Royal Academy "The Signal," which was engraved by Charles Cousen for the Art Journal of 1862. In 1864 he had at the academy "The Height of Ambition," engraved by Charles Cousen for the Art Journal, as was likewise by J. C. Armytage "Drawing the Net at Hawes Water," painted in 1867 for Lord Esher, but never exhibited. "Rush Bearing" and a view of Rydal Mount are among his best works.

In his later years Thompson devoted himself chiefly to landscape subjects with figures, the themes of which were for the most part drawn from the mountains and lakes of Cumberland and Westmoreland, but occasionally from Scotland. His range, however, was limited, and his work was lacking in poetic sympathy. His attempts at classical and scriptural subjects, such as "Acis and Galatea," exhibited at the Royal Academy in 1849, and "Proserpine," were not a success. His last work was "Eldmuir, or Solitude." Answer: View in Cumberland,

Answer: What other paintings has Jacob Thompson created?


Question: Passage: Several archaeological finds on the territory of Woluwe-Saint-Lambert show traces of human activity during the Bronze Age. The first historical mention of the village, however, dates from the 11th century, when some of the forested land near the Woluwe River was cleared for farming. A church was built and dedicated to Saint Lambert, the 7th-century bishop of Maastricht who was martyred in Liège. At the end of the 12th century, the rights to the parish of Saint Lambert were given to the canons of the chapter of St. Michael and Gudula in Brussels. Various charitable organizations and hospitals then started acquiring land in this area. Throughout the Middle Ages, Woluwe was part of the Duchy of Brabant, governed under the usual feudal arrangement of those times. Among the Dukes' vassals were some powerful local lords and landowners. Some of Woluwe's territory also belonged to the powerful Forest Abbey (Vorst in Dutch) and Park Abbey.
 Link Information: The four capitals were Leuven, Brussels, Antwerp and 's-Hertogenbosch. Answer: Leuven

Answer:
Who else was part of the Duchy of Brabant with Woluwe?