In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.

[Q]: Passage: Eschewing the art-music world, Harnell sought work in pop and jazz, working as a for-hire pianist after returning to New York City in 1950. He played in Lester Lanin's band at this time and found work as an accompanist for singers such as Judy Garland, Maurice Chevalier, and Marlene Dietrich. From 1958 to 1961, he was Peggy Lee's full-time accompanist and arranger for the albums Anything Goes:Cole Porter and Peggy Lee & the George Shearing Quartet. In 1962, he was hurt in a car crash, and while he recovered, Kapp Records asked him to work on writing potential hits in the then-hot genre of bossa nova. Harnell's biggest success was with his arrangement of "Fly Me to the Moon", which was a hit in the US in 1963 (number 14 Pop, number 4 AC) and which won a Grammy Award for Best Pop Instrumental Performance. The song also peaked at number 6 in Harnell's hometown, on WMCA in New York, on January 16, 1963. The album from which it was taken went to number 3 on the Billboard 200. Harnell would go on to release nearly 20 easy listening albums, on Kapp, Columbia, and Motown among others.
 Link Information: Harnell's biggest success was with his arrangement of "Fly Me to the Moon", which was a hit in the US in 1963 (number 14 Pop, number 4 AC) and which won a Grammy Award for Best Pop Instrumental Performance. Answer: Fly Me to the Moon and the Bossa Nova Pops
[A]: Which of Joe Harnell's albums reached 3 in the Billboard charts?


[Q]: Passage: Evan Weiss grew up in Cherry Hill, New Jersey. His first exposure to the genre of emo was hearing the band Sunny Day Real Estate in the seventh grade while browsing a record shop. He continued his interest in music through buying Jade Tree and Polyvinyl records and going to local shows in Philadelphia. In the "fourth or fifth grade", Weiss started, with school friends, the band J.A.R., which eventually became The Progress, garnering modest local success. He was unable to convince his bandmates to play in the band full-time, and after their breakup in 2008 he started a solo project under the moniker Into It Over It. He first released music through two unorthodox concept projects: 52 Weeks, entailing the writing, recording and release of one song each week for a year (later released as a compilation record); and Twelve Towns, a twelve song project initially released over six separate splits with several different bands and each song being named after a town. In May 2011, the band made an appearance at Bled Fest. A month later, Weiss released Into It Over It's first studio album, Proper on No Sleep Records, produced by Ed Rose. In the last two months of the year, Into It Over It supported The Swellers on their tour of the UK and Europe. In March and April the next year, Into It Over It supported The Wonder Years on the Glamour Kills Spring 2012 tour in the US. To promote the tour, a compilation showcasing the bands covering each others' songs with released. Into It Over It's contribution was a cover of The Wonder Years's track "Don't Let Me Cave In". This was followed up in 2013 with Intersections, released on Triple Crown Records and on Big Scary Monsters in UK/Europe.
 Link Information: In 1992, guitarist Dan Hoerner and bassist Nate Mendel met when they became housemates at the University of Washington. After jam sessions, they decided to form a band Answer: 1992
[A]: The band that exposed Weiss to the emo genre was formed in what year?


[Q]: Passage: Highton made his debut for the Lancashire Second XI against the Warwickshire Second XI in the 1949 Minor Counties Championship. He made 27 further appearances for the Lancashire Second XI in the Minor Counties Championship, the last of which came against Cheshire in 1952. Playing minor counties cricket for the Lancashire Second XI allowed him to be selected for a combined Minor Counties cricket team in 1950, making his first-class debut for the team against the Marylebone Cricket Club at Lord's in 1950. Batting first, the Marylebone Cricket Club were dismissed for 127, with Highton taking the wickets of Maurice Crouch and Adam Powell to finish with figures of 2/26 from thirteen overs. The Minor Counties were then dismissed for 172, with Highton scoring 2 runs before he was dismissed by Fred Titmus. Responding in their second-innings, the Marylebone Cricket Club made 229 all out, with Highton taking figures of 4/87 from 25 overs. Chasing 185 for victory, the Minor Counties were dismissed for 129, with Highton last man out when he was dismissed by Francis Appleyard. The following season, he made his only first-class appearance for Lancashire against Essex at Castle Park Cricket Ground, Colchester, in the County Championship. Essex won the toss and elected to bat first, making 384/8 declared in their first-innings, with Highton taking a single wicket, that of Sonny Avery to finish with figures of 1/49 from ten overs. Lancashire were then dismissed for 286 in their second-innings, with Highton scoring 6 runs before he was dismissed by Bill Greensmith. Essex then reached 40/2 declared in their second-innings, at which point the match was declared a draw.
 Link Information: Adam Powell (17 August 1912 – 7 June 1982) was an English cricketer. He played for Essex between 1932 and 1957. Answer: 17
[A]:
How long had Adam Powell been playing cricket for the year Highton made his debut?