In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

[EX Q]: Upon arriving in Concord, New Hampshire in January 1986 to cover the hometown hooplah for the looming Space Shuttle Challenger launch where Concord teacher Christa McAuliffe is among the mission's crew, reporter Campbell Babbitt (Steve Coogan) decides to call an old college friend, only to discover an apparent suicide. Babbitt, who has his own ethical baggage, gravitates toward his friend's high-school students in hopes of finding an unsung hero story about a teacher who made a permanent impact on the social misfits of the school. Instead, he discovers a group of dysfunctional students, outcasts led by a narcissistic seductress (Hilary Duff), a repressed voyeur (Josh Peck), and a scheming pregnant teen (Olivia Thirlby). In a gradual reversal of roles, Babbitt soon finds himself learning from this unusual group of kids.[5]
[EX A]: Question: What is the name of the Concord, New Hampshire, teacher who is among the Space Shuttle Challenger's mission crew?, Answer: Christa McAuliffe

[EX Q]: The film can be seen as an allegory of post-World War II Eastern European political systems - told as a black-and-white cinematic poem with 39 long, single-camera takes. It examines the brutalization of a society, its political systems and ethics through the metaphor of a decaying circus whale and its star performer. It is set in a desolate, isolated small town in Hungary during Soviet times.The film starts with JÃ¡nos Valuska, a simple person, conducting a poem and dance with drunken bar patrons. The dance is of the total eclipse of the sun, which disturbs, then silences the animals. It finishes with the grand return of the warm sunlight.One of the significant reoccurring characters in this plot is the subtle transitions between light and darkness. The first appearance of this motif is a lamp in the bar, moving to a door into the darkness. The circus arrives like a Trojan Horse in the darkness of night. A window is opened as a glimmer of hope and dressed to shut out the world. The antagonist is only ever seen as a shadow.JÃ¡nos' uncle GyÃ¶rgy is a composer, and therefore one of the intelligentsia. GyÃ¶rgy observes the imperfection and compromise of the musical scale (as defined by Andreas Werckmeister a historical theorist). GyÃ¶rgy proposes changes to the scale to make it more harmonious. This utopian approach to music represents a flawed, naive idealism that never can be achieved; it is not developed any further in the film or the book. It is just a statement indicating that human governance will always be flawed.GyÃ¶rgy's estranged wife tries to leverage her political and social status by giving GyÃ¶rgy a list of names to recruit for the "clean up the town movement" (with the blessing of the police chief).However, a stuffed smelly circus whale and its star performer, Prince, come to town in the silence and darkness of night. This is a metaphor for a bloated political system and the unseen Prince who represents the power of politically inspired, emotive dogma.JÃ¡nos philosophizes about God and the beast.The post office workers are unsettled by the ominous signs of the circus' arrival and are disturbed by the cloud that settles over each town it visits, a reference to the spread of the externally imposed centralised monolithic government system onto all the Soviet buffer nations just after the war.GyÃ¶rgy's struggling cobbler brother gets the list and passes it on to the agitated throbbing masses in the town square who are unhappy at public services failing. GyÃ¶rgy's former wife sleeps with the drunk gun toting police chief.The presence of the whale and the Prince stir up the masses. JÃ¡nos overhears the circus master losing control of his faceless Prince, who is becoming drunk with his own voice of revolutionary dogma. The circus master disowns him. The Prince, now free, inflames the masses, and the people riot.The film is shot as a visual poem, and has been described as both beautiful and haunting. Lengthy single-shot scenes with a hypnotic and rhythmic pace build up to the peaceful observation of the thuggish destruction of the hospital and its patients. The rioters are brutal. Their inhumanity almost seems normal and natural. When the rioters finally come to beat a helpless old naked patient, they see their impotent, sad and powerless selves. The patients they are destroying in the hospital are themselves.After the riot, JÃ¡nos comes across the diary of a rioter. It explains that the rioters did not know what they were angry with; so they were angry at everything. Then it recounts the mobs horrendous rape of two working class post office girls.JÃ¡nos comes across his killed cobbler uncle who got naively involved in the riot. JÃ¡nos is told, by his cobbler uncle's wife, to leave town for his own safety.He is intercepted by a helicopter. He finds himself committed to a mental institution with caged beds (a tool of the time for dealing with political dissidents). JÃ¡nos appears drugged and broken.GyÃ¶rgy, his composer uncle, is evicted from their society house but gets to live in a shed in the garden whilst GyÃ¶rgy's former wife, with her new status as a collaborator, now occupies the big house with the police chief. The intelligentsia is displaced by political opportunism.GyÃ¶rgy tells a vacant JÃ¡nos, in the ward, that if he is released from the mental institution they can live contentedly together in the shed with his piano. GyÃ¶rgy also mentions that he has re-tuned the piano so that is now like any other, a personal capitulation apparently abandoning any present hopes of reform. JÃ¡nos just stares.It finishes with GyÃ¶rgy looking directly into the eye of the whale, then, walking away and looking back at the now sad and disheveled whale, destroyed by the rioters the night before, its rotting carcass slowly enveloped by the fog which gets whiter and brighter. Warm bright sunlight returns.
[EX A]: Question: Where is his composer uncle evicted from?, Answer: the society house

[EX Q]: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (July 2016) (Learn how and when to remove this template message)The story follows music composer/singer Winslow Leach, seen by satanic record producer Swan during his performance as a back-up to the 1950s-style nostalgia band The Juicy Fruits, which Swan produces. Swan believes Winslow's music perfect to open "The Paradise" â Swan's highly anticipated new concert hall â and has his right-hand man Arnold Philbin steal it. One month later Winslow goes to Swan's Death Records to inquire about his music but he is thrown out. He sneaks into Swan's private mansion, and observes several women rehearsing his music for an audition. One is Phoenix, an aspiring singer, whom Winslow deems perfect for his music and the two quickly fall for one another. Winslow realizes Swan's plan to open the Paradise with his music. Winslow sneaks in and Swan orders his minions to beat up Winslow and frame him for drug dealing.Winslow is given a life sentence in Sing Sing Prison. Winslow's teeth are extracted and replaced with shiny metal ones as part of an experimental prisoner program funded by the Swan Foundation. Six months later, Winslow hears that The Juicy Fruits, whom he hates, have made an anticipated hit record of his music with Swan's backing. Winslow escapes prison in a delivery box and breaks into the Death Records building where he destroys a record press. A guard catches him, and the record press crushes and burns his face and destroys his vocal cords. With his face severely mutilated, a disoriented Winslow sneaks into the Paradise costume department and dons a long, black cape and a silver, owl-like mask, becoming the Phantom of the Paradise. He then terrorizes Swan and his musicians and nearly kills The Beach Bums (the former The Juicy Fruits, who have traded doo-wop for surf music). The Phantom confronts Swan who recognizes him as Winslow. Swan offers the composer a chance to have his music produced his way. In a recording studio, Swan provides the Phantom with an electronic voice-box, enabling him to speak. Swan asks the Phantom to rewrite his cantata for Phoenix, who agrees if Phoenix is the lead singer and he signs a contract in blood. But the tapes plays Swan's voice as ragged. While the Phantom remains in the recording studio rewriting his cantata, Swan breaks the deal by telling Philbin that he resents Phoenix's "perfection" for the lead role.The Phantom completes Faust, but Swan replaces Phoenix with a pill-popping male glam rock Prima donna named "Beef" in the lead of Winslow's Faust with Phoenix as backup singer. Swan steals the completed cantata and seals the Phantom inside the recording studio. The Phantom escapes and confronts Beef (a comic allusion to the shower scene in Psycho) and threatens to kill him if he performs. Beef tries to flee, but plays with the band The Undeads (the former Juicy Fruits and Beach Bums) a glam/Goth act who all resemble Cesare the Somnambulist from The Cabinet of Dr. Caligari. As Beef performs, the Phantom, hidden in the rafters, strikes and electrocutes Beef (to the delight of the crowd). Horrified, Philbin orders Phoenix onstage and Phoenix is an immediate sensation. Swan seduces Phoenix in her dressing room and promises her stardom. As she leaves, she is suddenly captured by the Phantom. On the roof, the Phantom tells Phoenix his true identity and implores her to leave the Paradise so Swan won't destroy her. But Phoenix doesn't recognize or believe him and flees. At the Swan's mansion, the Phantom observes Swan and Phoenix in a tight embrace. Heartbroken, he stabs himself through the heart with a bowie knife. However, Swan tells the Phantom that he cannot die until Swan himself has died. The Phantom attempts to stab Swan, but Swan is unharmed. Looking down at Winslow, Swan hisses in an almost reptilian voice, "I'm under contract, too."Rolling Stone announces the wedding between Swan and Phoenix during Faust's finale. The Phantom learns that Swan made a pact with the devil over 20 years ago: Swan will remain youthful forever unless the videotaped recording of his contract is destroyed, and photos age and fester in his place (an allusion to Oscar Wilde's novel The Picture of Dorian Gray). The tape reveals footage of Winslow signing his contract with Swan and a new one Swan made with Phoenix. On a live TV camera, the Phantom realizes Swan is planning to have Phoenix assassinated during the ceremony. The Phantom destroys all the recordings and heads off to the wedding. During the wedding, the Phantom stops the assassin from hitting Phoenix, who instead shoots and kills Philbin. The Phantom swings onto the stage and rips off Swan's mask, exposing him as a monster on live television. A crazed Swan gropes for Phoenix but the Phantom intervenes and stabs Swan repeatedly. In doing so, the Phantom's own stab wound reopens and he starts bleeding. As he is dying, Swan is carried around by the audience, who join in stabbing him. The dying Winslow removes his mask to reveal his own face and holds out a hand to Phoenix. Swan dies, allowing Winslow to die of his own wound. As Winslow collapses, Phoenix finally recognizes him as the kind man she met in life and embraces him in death.
[EX A]:
Question: Who replaces Phoenix?, Answer: Swan.