In this task, you will be presented with a text and a pronoun. You should write the name that the pronoun refers to. Position of the pronoun in the text is showed within two "_"s.

She first changed into a Crusader in Izlude Island and saves Roan and convinces him to become a Crusader. Then she changes into an Archer in Payon to teach him the true path that power isn't everything and finally a Monk when Roan is trapped in a cave near Comodo, teaching _him_ not to use the sword arrogantly and that pure strength is not enough. <sep>, Pronoun: him
Roan

From 1916-1920 she was committed to the Chicago Opera Association (COA) where she performed Aline in Xavier Leroux 's Le chemineau , Clotilde in Vincenzo Bellini 's Norma Ermyntrude in Pietro Mascagni 's Isabeau , Marguerite in Charles Gounod 's Faust Mica*la in Bizet's Carmen, Meg Page in Giuseppe Verdi 's Falstaff, Sophie in Jules Massenet 's Werther, and Urbain in Giacomo Meyerbeer 's Les Huguenots. In January 1916 she created the role of Sylvia in the world premiere of Simon Bucharoff 's The Lover's Knot for the COA. In 1919 Sharlow was heard at Ravinia Park with the Chicago Symphony Orchestra as all four soprano heroines in The Tales of Hoffmann and as Musetta to the Mimi of Florence Easton. After a three year absence from the Chicago stage, _she_ performed the roles of Brang*ne in Richard Wagner 's Tristan und Isolde and Brunnhilde in Wagner's Siegfried with the Chicago Civic Opera in 1923. <sep>, Pronoun: she
Sharlow

Madonna reciprocated the feelings saying that she liked Solveig's way of working: ``He's very organised and methodical in his thinking so I like his work process''. The singer also stated that she was able to disapprove something which she did not like without hurting his feelings. Regarding having Minaj feature as a guest vocalist, Madonna explained that _she_ wanted to collaborate with female singers she believed had a ``strong sense of themselves''. <sep>, Pronoun: she

Madonna