In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Example Input: This is an awful film. Yea the girls are pretty but its not very good. The plot having a cowboy get involved with an Indian maiden would be interesting if the sex didn't get in the way. Well, okay it might be interesting, but its not, because its so badly paced and and only partly acted. I can only imagine what the close ups of the dancing tushes looked like on a big screen, probably more laughable then they do on TV. (I won't even mention the topless knife fight between two women who are tied together and spend the whole thing chest to chest. Never read about that in the old west) This is a film that requires liberal use of fast forward.I like schlock films but this is ridiculous. There is a reason that I don't go for this sort of films and that they tend not be very good, the plot taking a back seat to breasts. The original nudie cuties as they are called were originally nudist films or films where there was no touching but as the adult industry began to grow the film makers either tried to be clever or tried to exploit something else in order to put butts in seats. The clever ones were very few which only left hacks who were of limited talent. The comedies often came off best with the humor approaching the first grade level, infantile but harmlessly fun. Something that could rarely be said about any other genre cross dressed as a nudie.The Ramrodder looks good and has a couple of nice pieces but its done in by being neither western nor sex film.I need not watch this again.Of interest to probably no one, the rapist and killer in the film was played by Bobby Beausoleil, a member of the Manson family who was arrested for murdering a school teacher not long after filming wrapped.Obviously these sort of things will ruin some peoples lives.
Example Output: negative

Example Input: A trio of buddies, sergeants all in the British Army, carouse & brawl their way across Imperial India. Intensely loyal to each other, they meet their greatest & most deadly challenge when they encounter the resurgence of a hideous cult & its demented, implacable guru. Now they must rely on the lowliest servant of the regiment, the water carrier GUNGA DIN, to save scores of the Queen's soldiers from certain massacre.Based more on The Three Musketeers than Kipling's classic poem, this is a wonderful adventure epic - a worthy entry in Hollywood's Golden Year of 1939. Filled with suspense & humor, while keeping the romantic interludes to the barest minimum, it grips the interest of the viewer and holds it right up to the (sentimental) conclusion.It is practically fruitless to discuss the performance nuances of the three stars, Cary Grant, Victor McLaglen & Douglas Fairbanks Jr., as they are really all thirds of a single organism - inseparable and, to all intents & purposes, indistinguishable. However, this diminishes nothing of the great fun in simply watching them have a glorious time.(It's interesting to note, parenthetically, that McLaglen boasted of a distinguished World War One military career; Fairbanks would have a sterling record in World War Two - mostly in clandestine affairs & earning himself no fewer than 4 honorary knighthoods after the conflict; while Grant reportedly worked undercover for British Intelligence, keeping an eye on Hollywood Nazi sympathizers.)The real acting laurels here should go to Sam Jaffe, heartbreaking in the title role. He infuses the humble man with radiant dignity & enormous courage, making the last line of Kipling's poem ring true. He is unforgettable.Montague Love is properly stalwart as the regimental major, whilst Eduardo Ciannelli is Evil Incarnate as the Thuggee guru. The rest of the cast, Joan Fontaine, Robert Coote, Lumsden Hare, are effective but have little to do. Movie mavens will recognize Cecil Kellaway in the tiny role of Miss Fontaine's father.The film picks its villains well. The demonic Thuggee cult, worshipers of the hideous, blood-soaked Kali, Hindu goddess of destruction, was the bane of Indian life for 6 centuries, ritualistically strangling up to 30,000 victims a year. In 1840 the British military, in cooperation with a number of princely states, succeeded in ultimately suppressing the religion. Henceforth it would remain the stuff of novels & nightmares.
Example Output: positive

Example Input: Tim Krabbe is the praised author of 'Het Gouden Ei', a novel that was put on the screen twice ('Spoorloos' and 'The Vanishing'). One of the Dutch writer's more recent works is 'De Grot', a psychological thriller about two totally different men, Egon and Axel, who meet at a youth camp and, surprising enough, become friends for dear life. Egon is a quiet, somewhat dull person, who spends his time studying and writing geography books. Axel, on the other hand, is a charismatic 'party-animal', a heavy drinking criminal whose everyday's concern is to get a woman into his bedroom. From the moment they meet, Axel has a strong influence on Egon, while the latter envies him because he has a good life without really doing anything (such as reading thick books like Egon); ultimately, Egon is even dragged by Egon into illegal practices himself, which leads to a fatal drug transport in a distant Asian country.After having read the book last year, I was surprised the critics were quite positive about it. In my opinion, the book suffers especially from the complex structure. While Krabbe presents the story as an absorbing portrait of an uncommon relationship between two people, the plot becomes more of a puzzle: the many episodes are not presented chronologically, so that two successive scenes are seldom in the same episode. Because of this, the story feels surprisingly remote: you often need to know a character's background to really care for him or her. Another complaint was the fact that the main characters, Egon and Axel, are a little stereotypical. Egon IS 'the' dull intellectual, while Axel IS his exact opposite. In real life, such one-dimensional people rarely exist; in books and films, they always seem to be there, taking away a lot of credibility.Despite all this, the film was a pleasant surprise, being much better than the book. The adaptation excels in its beautiful cinematography, humour and acting: Fedja van Huet (Egon) is one of the few Dutch actors who can make you forget he IS acting (which is, in my opinion, the highest an actor can achieve). The drawbacks of the film, however, are the same as the book's: mainly because the characters are one-dimensional, they are so predictable that it becomes annoying. Guess who wrote the script? Indeed, Krabbe himself. It is obvious that this talented director (that's what the movie makes clear anyway) is hampered by a deficient screenplay. Perhaps Koolhoven should just have chosen a better book.7/10
Example Output:
positive