In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Q: Passage: The opening melody is played by a solo bassoon in a very high register, which renders the instrument almost unidentifiable; gradually other woodwind instruments are sounded and are eventually joined by strings. The sound builds up before stopping suddenly, Hill says, "just as it is bursting ecstatically into bloom". There is then a reiteration of the opening bassoon solo, now played a semitone lower.
The first dance, "Augurs of Spring", is characterised by a repetitive stamping chord in the horns and strings, based on E♭ dominant 7 superimposed on a triad of E, G♯ and B. White suggests that this bitonal combination, which Stravinsky considered the focal point of the entire work, was devised on the piano, since the constituent chords are comfortable fits for the hands on a keyboard. The rhythm of the stamping is disturbed by Stravinsky's constant shifting of the accent, on and off the beat, before the dance ends in a collapse, as if from exhaustion. Alex Ross has summed up the pattern as follows:
According to Roger Nichols (1978, p7) “At first sight there seems no pattern in the distribution of accents to the stamping chords.  Taking the initial quaver of bar 1 as a natural accent we have for the first outburst the following groups of quavers: 9, 2, 6, 3, 4, 5, 3. However, these apparently random numbers make sense when split into two groups:
Clearly the top line is decreasing, the bottom line increasing, and by respectively decreasing and increasing amounts …Whether Stravinsky worked them out like this we shall probably never know.  But the way two different rhythmic ‘orders’ interfere with each other to produced apparent chaos is… a typically Stravinskyan notion." The "Ritual of Abduction" which follows is described by Hill as "the most terrifying of musical hunts". It concludes in a series of flute trills that usher in the "Spring Rounds", in which a slow and laborious theme gradually rises to a dissonant fortissimo, a "ghastly caricature" of the episode's main tune.
Brass and percussion predominate as the "Ritual of the Rival Tribes" begins. A tune emerges on tenor and bass tubas, leading after much repetition to the entry of the Sage's procession. The music then comes to a virtual halt, "bleached free of colour" (Hill), as the Sage blesses the earth. The "Dance of the Earth" then begins, bringing Part I to a close in a series of phrases of the utmost vigour which are abruptly terminated in what Hill describes as a "blunt, brutal amputation".

A: What concludes in a series of flute trills that usher in the "Spring Rounds"?
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Q: Passage: Three neighborhood teens and childhood friends, Alex, Tuck, and Munch, are upset by the fact that their neighborhood, Mulberry Woods, Nevada, is going to be demolished, allegedly for a new highway construction project, and they all have to move away because of it.
While at Tuck's house, their phones start to glitch out, displaying seemingly random graphical patterns. They soon find out, through Munch, that the patterns are actually a map to a spot in the desert 17.6 miles away. They decide to go to the desert on their bikes and disguise it as a sleepover, recording the experience on various cameras because it's their last night together.
Tuck, Alex, and Munch eventually make it to the desert, and they follow the map to a dusty, rusted object under an electrical tower. Tuck, confused, decides to abruptly call it off when the object starts to copy Alex's ringtone, and they follow another map to a barn. There the object telekinetically starts to repair itself, and the boys find it contains an alien that can answer questions with "Yes" or "No" answers, from which they learn it is from outer space, has crash landed after being shot down by an unknown force, and is seriously injured.
They follow another map to a pawn shop, where the object further repairs itself, allowing the alien to reveal itself, using Alex's phone camera to "see" and befriend the three. While in an alley, they decide to name the alien "Echo." Looking for more parts to repair Echo, they again follow another map to a house where Emma, a girl who goes to their high school, lives and finds out about Echo. Emma soon joins the team, as they go to a bar, then an arcade, and she finds out the object Echo is in is a key to a spaceship hidden in Mulberry Woods.

A: Who names the alien?
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Q: Passage: Thomas Harley, an ex-convict who served time in prison eight years ago, is wrongfully arrested for a bank robbery he didn't commit. The police have found fingerprints on the crime scene, incriminating Harley, even though he was present at the Carey Theatrical Warehouse at the time of the crime.
The policemen do not believe Harley's explanation, partly because he claims to have been called to the warehouse by a note from an old cell mate by the name of Dave Wyatt, a man that has been dead for eight years. Subsequently, Harley is sentenced to death for the robbery. He goes off to prison to wait for his execution.
Harley's daughter June asks private investigator Charlie Chan for help to prove her father's innocence. Hearing about the suspicious circumstances, Chan immediately agrees to take the case.
With only 9 days before Harley's execution, Chan starts investigating the suspicious note to Harley, and find out that it was written on a typewriter belonging to Mrs. Foss, Harley's landlady, who often rents to ex-cons. He talks to the other tenants in the building: the poor Miss Petrie, bookkeeper Mr. Johnson, salesman Mr. Danvers and showgirl Emily Evans, whose work costume was found in warehouse near the crime scene. 
Curiously enough, both Danvers and Evans had been in other cities at the time of bank robberies there. When Chan, his son Tommy and the chauffeur Birmingham goes to the prison to see Harley, they are shot at. This makes Chan sure that they are on the right track and believes that the fingerprints on the crime scene must have been placed there by someone else.
When Chan looks into the other robberies he finds that the modus operandi was always the same, and the perpetrators ended up in the same prison. It also turns out the quiet Miss Petrie is married to a convict who works in the prison's fingerprint department.

A:
What is the first name of the person the police do not believe?
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