In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: it 's tough to be an aspiring superhero in champion city .
just ask mr .
furious ( ben stiller ) , the blue raja ( hank azaria ) , and the shoveler ( william h . macy ) .
they 're trying to break into the biz , but captain amazing ( greg kinnear ) , the city 's hero numero uno , hogs all the action .
the good captain has his own problems .
because he 's all but eliminated crime , amazing 's endorsement deals are falling through .
the public craves a major slugfest , so amazing engineers the parole of his one - time arch enemy casanova frankenstein ( geoffrey rush ) .
frankenstein succeeds beyond expectations ; he captures capt .
amazing before setting out on his scheme to destroy the city .
so , no one is left to save the day but our would - be superheroes , but their abilities are more " little league " than " justice league .
"
the raja hurls forks at foes , the shoveler hits them with a shovel , and mr .
furious just yells at people ( stiller is doing essentially the same character he played in a guest appearance on " friends " ) .
after a painful first strike , the guys hold auditions for teammates and add the bowler ( janeane garofalo ) , who carries her dead father 's skull in her bowling ball ; invisible boy ( kel mitchell ) , who can only use his powers when no one is looking at him ; the spleen ( paul reubens ) , who blows devastating winds from his rear ; and the sphinx ( wes studi ) , a mysterious figure who will teach them to fight .
" mystery men " boasts one of the most talented and eclectic casts ever assembled .
in addition to those already mentioned , the credits include lena olin as frankenstein 's evil shrink , comedian eddie izzard and the fugees ' prakazrel michel as disco - themed thugs , singer tom waits as an inventor of superhero weapons , artie lange ( from " mad tv " ) as another thug , claire forlani ( from " meet joe black " ) as a waitress mr .
furious is pursuing , louise lasser ( from " mary hartman , mary hartman " ) as the blue raja 's mother , and actor / magician ricky jay as capt .
amazing 's manager .
the cast includes four oscar - nominated actors !
when i saw the list of players early last year , i figured the result would be a can't - miss comedy .
yet , i must report disappointment .
the script is probably the worst of 1999 .
nearly every joke misfires .
the stabs at comic books are too obvious to be funny .
( for example , no one can recognize capt .
amazing in his secret identity because he 's wearing glasses . )
the fart jokes surrounding the spleen are surprisingly the only gags that work .
the cast tries hard , especially hank azaria , whose character adopts an effete british accent while in costume , but the script is just too lame to run .
Example Output: N

Example Input: in the opening shot of midnight cowboy , we see a close - up of a blank movie screen at a drive - in .
we hear in the soundtrack human cries and the stomping of horses ' hooves .
without an image projected onto the screen , the audience unerringly identifies the familiar sound of cowboys chasing indians and can spontaneously fill in the blank screen with images of old westerns in our mind 's eye .
even without having seen a cowboys and indians movie , somehow the cliched images of them seem to have found their way into our mental schema .
but do cowboys really exist , or
are they merely hollywood images personified by john wayne and gary cooper ?
exploring this theme , director john schlesinger uses the idea of the cowboy as a metaphor for the american dream , an equally cliched yet ambiguous concept .
is the ease at which salvation and success can be attained in america a hallmark of its experience or an urban legend ?
midnight cowboy suggests that the american dream , like image of the cowboy , is merely a myth .
as joe buck migrates from place to place , he finds neither redemption nor reward in his attempt to create a life for himself , only further degeneration .
during the opening credits , joe walks past an abandoned theater whose decrepit marquee reads ` john wayne : the alamo . '
as joe is on the bus listening to a radio talk show , a lady on the air describes her ideal man as ` gary cooper ?
but he 's dead . '
a troubled expression comes across joe 's face , as he wonders where have all the cowboys gone .
having adopted the image of a cowboy since youth , joe now finds himself deserted by the persona he tried to embody .
joe 's persistence in playing the act of the cowboy serves as an analogue to his american dream .
he romanticizes about making it in the big city , but his dreams will desert him as he is forced to compromise his ideals for sustenance .
by the end of midnight cowboy , joe buck loses everything and gains nothing .
just as the audience can picture cowboys chasing indians on a blank screen , we can also conjure up scenes from pretty woman as paradigms of american redemption and success .
but how realistic are these ideals ?
joe had raped and been raped in texas .
the scars of his troubled past prompt him to migrate to new york , but he does not know that his aspirations to be a cowboy hero will fail him there just as they had in texas .
alongside the dream of success is the dream of salvation .
the ability to pack up one 's belongings and start anew seems to be an exclusive american convention .
schlesinger provides us with strong hints as to joe 's abusive and abused past with flashbacks of improper relationships with crazy anne and granny .
we understand that joe adopts the fa ?
ade of a cowboy , a symbol of virility and gallantry , as an attempt to neutralize his shame .
he runs from his past only to be sexually defiled this time by his homosexual experiences in new york .
in the scene at the diner which foreshadows joe 's encounter with the gay student , joe buck spills ketchup on himself .
standing up , we see the ketchup has made a red stain running from the crotch of his pants down his thigh .
schlesinger visually depicts the degeneration of joe 's virility by eliciting an image of bleeding genitals , signifying emasculation .
beyond the symbol of castration , the scene may also connote the bleeding of a virgin 's first sexual encounter , a reference to joe 's first homosexual liaison .
the fact that the idea of a bleeding virgin is relegated only to females furthers the imagery of joe 's emasculation .
it is ironic that joe has trouble prospecting for female clients , but effortlessly attracts men .
joe believes his broncobuster getup is emblematic of his masculinity ; new yorkers see his ensemble as camp and ` faggot stuff . '
there are two predominant images of new york .
the first is that new york is the rich , cosmopolitan city where hope and opportunity are symbolized by the tall skyscrapers and the statue of liberty .
the other new york is travis bickle 's new york , a seedy , corruptive hell on earth .
joe envisions new york as the former , but is presented with the latter .
mirroring the irony in which joe envisions his cowboy attire as masculine , he mistakenly buys into the fable that new york is filled with lonely women neglected by gay men .
joe thinks he is performing a great service for new york , but the city rapes him of his pride and possessions .
the people steal joe 's money , the landlord confiscates his luggage , and the homosexuals rob him of his dignity .
what has become of joe 's american dream ?
schlesinger responds to this question with the scene at the party .
joe gets invited to a shindig of sorts and at the gathering is exposed to a dizzying array of food , drugs , and sex .
at the party , all of joe and ratzo 's desires are made flesh ; joe flirts successfully with women and ratzo loads up on free salami .
contrasting joe 's daily struggles , shots of warhol 's crew display wanton indulgence .
there is an irreverence in the partygoers ' attitude ; we see a shot of a woman kowtowing to nothing in particular , orgies breaking out in the periphery , and drugs passed around like party favors .
the party makes a mockery of joe ' s ideals .
joe believed that hard work and persistence were the elements for success in america ; scenes of the party and his rendezvous with shirley suggest that it is the idle who profit from joe 's toils .
the american dream , schlesinger suggests , is merely a proletarian fantasy , for those who are content no longer dream , but become indolent .
as joe heads to miami , all that was significant of the cowboy image has left him .
his masculinity is compromised and his morality is relinquished .
for joe , nothing is left of the cowboy hero and commensurately , he surrenders the identity .
tossing his boots into the garbage , he returns to the bus for the last leg of his journey to miami .
the final shot of midnight cowboy shows joe inside the bus , more introspective , taking only a few glances outside the window .
instead of the frequent pov shots of joe excitedly looking out of the bus on his way to new york , schlesinger sets up this final shot from the exterior of the bus looking in through the window at joe .
reflections of the palm trees ratzo so raved about run across the bus ' window with joe hardly taking notice .
the scenery of miami no longer exacts the same excitement from joe as before .
the world seems smaller to joe now ; the termination of his journey coincides with the termination of his american dream .
no longer does joe aspire to be the enterprising gigolo ; he resolves to return to a normal job and resign to basic means .
midnight cowboy presents two familiar incarnations of the american dream .
there is the frontier fantasy that if you are brave enough to repel a few indians , you can set up a ranch out west and raise a beautiful family .
then there is the jay gatsby dream that a man of humble stock , with perseverance , can make a fortune in the big city .
joe 's attempt to realize these dreams robs him of his innocence in texas and morality in new york .
during his search for an intangible paradise , joe ends up raping a girl and killing a man .
an allegory of chasing the promise of the american dream , joe
buck 's progressive
moral atrophy is a warning against the pursuit of illusory icons .
Example Output: P

Example Input: seen may 31 , 1999 on home video ( rented ) .
one of the best things about the movies is that they can make you really start to wonder and analyze things in your own , everyday life that you might not have thought much of otherwise .
with some films it might be just a secondary issue , but with ` dark city ' what we get is nearly an entire film committed to philosophizing and theorizing about human memory and how it defines who we are , which is a poignant theme made through an absolutely beautifully - constructed film with the kind of story and setting that could only happen in a movie .
there 's an old role - playing computer game called ` d ?
ja v ? '
wherein the player takes on the role of a man who ca n't remember who he is , where he is and how he got there .
the goal is to gather as many clues as possible to figure that out and along the way overcome a conflict .
the premise to this film is not unlike that game , only this time we do n't have control over the protagonist .
we begin by meeting a seemingly ordinary man living in an extremely dark and dirty city ( actually , it 's more than just the city
, it 's the whole reality ) that is n't just that neo - gothic look ( a la ` batman , ' ` blade runner , ' ) , but is so fully developed
it 's almost a different genre completely .
later he will learn that his name is john murdoch ( sewell ) , but for now he has no idea what 's going on other than the fact something is not right .
the fact there 's a dead body in the corner goes to enhance the feeling of paranoia and a mysterious , hurried call telling him to leave immediately is also very chilling .
this opening scene alone goes a long way to define the setting of the film and its bizarre , horrific tone .
the man does n't know who he is nor where he 's going
and it 's interesting to follow him since we the viewers have no idea either we can sympathize and identify with him .
in fact , this is the way all stories begin since it 's impossible to know the history of a character , their feelings , values , morals , etc .
until after we 've observed them for a while .
but in this case , the total feeling of amnesia is an excellent tool towards characterization , developing the mood and outlining the story .
eventually , some semblance of a plot begins to unfold as it appears that john is a serial killer wanted by the police .
we met inspector frank bumstead ( hurt ) , a quiet , unemotional , soft - spoken deadpan man who appears to have been on the trail of the killer for some time .
two other important characters are also introduced : dr .
daniel p .
schreber ( sutherland ) , a neurotic psychiatrist who claims to be john 's doctor ; and emma murdoch ( connelly ) , a jazz singer dolled up to look like a caraciture right out of the old dick tracy serials or any given leading lady of the old film - noir movies .
it was schreber who contacted john for reasons that are continually revealed throughout the course of the film .
he also contacts emma , which further helps the film reveal what is seemingly a complex , mysterious back story .
but absolutely nothing is as it appears to be in ` dark city , '
which is what makes it so fascinating throughout its continual scenes of confusion and vertigo .
everything the filmmakers want us to see has some significance - considering how intricate the detail is to every single shot , its lighting , art direction and overall production design , they do n't seem to be able to afford any gratuities .
however , that might also be what 's keeping it from reaching its maximum potential .
by continuing to follow john as he wanders around this strange place , so much unlike the real world we know , we come to realize that it 's all a hoax .
everyone in the city is the subject of an experiment being conducted by a race of aliens to understand what makes humans tick in their efforts to somehow save themselves from extinction .
but , as the film 's tagline says , ` last night , one of us went off . '
for reasons that are never clearly explained , it appears that john possesses telekinetic powers to can do pretty much whatever his mind can conceive ( a process known as ` tuning ' ) .
the aliens , which look like very old bald human men with pasty skin , also possess the power en masse and use it to change the city every night at midnight .
at the same time all the humans fall asleep and after the changes are made , they awake and either continue where they left off or begin a new life they have no idea they did not have until then .
this premise certainly is interesting and director and co - screenwriter alex proyas is able to keep the film consistently mysterious in this regard .
he does provide some explanations such as that
dr .
schreber is an assistant to ` the strangers ' because he somehow could synthesize memory into chemical form .
the aliens mix and match the memories of the city 's population to see who will change and who will not .
in the process this creates for a good deal of deep , thought - provoking philosophies that could be applied to the real world .
however , where the film errs is by not playing up the idea of memory versus the human heart as to what makes a person who he or she is .
the main characters are all closely intertwined within the seemingly complex murder mystery which never actually happened , yet when they start to go through some of the expected emotions it comes off as distant , static and cold ( mediocre performances by hurt and connelly do n't help either ) .
for example , john realizes emma is not and probably never was his wife so he does not feel an emotional bond to her , yet in some scenes crucial to the film 's plot , we are expected to believe they do have a genuine love for each other , which is also part of the film 's climax and ending .
and that 's what proyas seems to be inferring with the film , but never quite manages to convey in its fullest sense .
ironically , this is what made his first film ` the crow ' work so well , which had a similar theme of struggling to find hope and the human spirit within a nearly identical , dark twisted world . with ` dark city ' the messenger seems to be mistaken for the message .
still , the film is by no means bad and is consistently entertaining and enjoyable .
there 's a lot to like here , most notably the sheer visual look and style of it all which accounts for at least half the reasons the film is able to tell the story it does .
the story as a whole is one of the most original to come out of hollywood in years .
` dark city ' is what the movies are all about - the escape from the real world .
Example Output:
P