In this task, you are given a question and a context passage. You have to answer the question based on the given passage.

Which city did the Sea Wolves play for before Hartford?, Context: While some teams have enjoyed considerable on-field and even financial success, many teams in the history of the league have enjoyed little success either on or off of the field of play. There are a number of franchises which existed in the form of a number of largely-unrelated teams under numerous management groups until they folded (an example is the New York CityHawks whose owners transferred the team from New York to Hartford to become the New England Sea Wolves after two seasons, then after another two seasons were sold and became the Toronto Phantoms, who lasted another two seasons until folding). There are a number of reasons why these teams failed, including financially weak ownership groups, lack of deep financial support from some owners otherwise capable of providing it, lack of media exposure, and the host city's evident lack of interest in its team or the sport as a whole.
New York

What is the upper bound on the amount of people that die each year from asthma?, Context: As of 2011, 235–330 million people worldwide are affected by asthma, and approximately 250,000–345,000 people die per year from the disease. Rates vary between countries with prevalences between 1 and 18%. It is more common in developed than developing countries. One thus sees lower rates in Asia, Eastern Europe and Africa. Within developed countries it is more common in those who are economically disadvantaged while in contrast in developing countries it is more common in the affluent. The reason for these differences is not well known. Low and middle income countries make up more than 80% of the mortality.
345,000

Who started making films later, Salah Ahmed or Abdisalam Aato?, Context: Growing out of the Somali people's rich storytelling tradition, the first few feature-length Somali films and cinematic festivals emerged in the early 1960s, immediately after independence. Following the creation of the Somali Film Agency (SFA) regulatory body in 1975, the local film scene began to expand rapidly. The Somali filmmaker Ali Said Hassan concurrently served as the SFA's representative in Rome. In the 1970s and early 1980s, popular musicals known as riwaayado were the main driving force behind the Somali movie industry. Epic and period films as well as international co-productions followed suit, facilitated by the proliferation of video technology and national television networks. Said Salah Ahmed during this period directed his first feature film, The Somali Darwish (The Somalia Dervishes), devoted to the Dervish State. In the 1990s and 2000s, a new wave of more entertainment-oriented movies emerged. Referred to as Somaliwood, this upstart, youth-based cinematic movement has energized the Somali film industry and in the process introduced innovative storylines, marketing strategies and production techniques. The young directors Abdisalam Aato of Olol Films and Abdi Malik Isak are at the forefront of this quiet revolution.

Abdisalam Aato