In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[Q]: Review: This film is a portrait of the half-spastic teenage boy Benjamin who has to visit a boarding school because of his lousy marks in Math. He didn't make the best experiences in life before and got serious self-esteem issues. After a rough start at his new school, he starts making friends, falls in love with a girl and does some American Pieish teenage stuff.Beside some comedy elements, the film is told in a very serious way, focussing on Benjamin and his problems.If you already don't like this story outline, save your time and watch something else. If you do, please be aware of the following:1) Benjamin is a total loser. Whatever he does, he does it terribly wrong and then he goes for self-pity all the time. For me he wasn't that kind of "charming loser" who you can feel sympathy for and laugh with. Instead he and his behavior really annoyed me and with my own teenage years not so far behind I could barely stand watching.2) The film hardly tries to be realistic and the story seems to be but from my experience the characters just aren't (except for Janosch maybe). And yes, I know this film is based on an auto-biography written by a 17-year old - but having some experiences with German schools and German youth myself, I don't believe him.3) Showing the sexual awakening really is an important thing for a film with this subject. But I doubt that teenage boys do an "Ejaculate on the cookie"-contest where everyone has to hit a cookie with his sperm during mass-masturbation in the woods and the loser has to eat the sperm-wet cookie afterwards. Although it kinda amused me in a contemptible way, it's nor funny neither underlining the serious attempts of this film.4) There's a sub-plot about Benjamin's family and his father betraying his wife - still, I don't know why it's there and where to put it. It just bored me.Well, I personally hated this film for having the character of Benjamin, being without a message, concept, scheme, whatever and it's failing attempts to be dramatic and serious. However, I can image that some people may find it sensible and touching. If you liked "The Other Sister" you'll probably like this one, too. I hated both.17-year old boys shouldn't write an autobiography and if they do, it doesn't seem to be the best idea to make a film out of it.2 out of 10. Question: is it a positive review?
[A]: no


[Q]: Review: I tried. I really did. I thought that maybe, if I gave Joao Pedro Rodrigues another chance, I could enjoy his movie. I know that after seeing O FANTASMA I felt ill and nearly disgusted to the core, but some of the reviews were quite good and in favor, so I was like, "What the hell. At least you didn't pay 10 dollars at the Quad. Give it a shot."Sometimes it's better to go to your dentist and ask for a root canal without any previous anesthetic to alleviate the horror of so much pain. I often wonder if it wouldn't be better to go back to my childhood and demand my former bullies to really let me have it. On other occasions, I often think that the world is really flat and that if I sail away far enough, I will not only get away from it all, but fall clear over, and that some evil, Lovecraftian thing will snatch me with its 9000 tentacles and squeeze the life -- and some french fries from 1995, still lingering inside my esophagus -- out of me.Is there a reason for Odete? I'd say not at all... just that maybe her Creator thought that writing a story centered on her madness (one that makes Alex Forrest look like Strawberry Shortcake) look not only creepy, but flat-out sick to the bone. She first of all decides to leave her present boyfriend (in shrieking hysterics) because she wants a child and he believes they're too young. She later crashes a funeral of a gay man, and -- get this -- in order to get closer to him, she feigns being pregnant while insinuating herself into the lives of the dead man's mother and lover in the sickest of ways. Oh, of course, she shrieks like a banshee and throws herself not one, but a good three times on his grave. And there's this ridiculous business that she progressively becomes "Pedro" which sums up some weak-as-bad-tea explanation that love knows no gender. Or something.I'd say she's as nuts as a can of cashews, unsalted. But then again, so's the director. And me, for taking a chance on this. At least the men look good. Other than that... not much else to see here. Question: is it a negative review?
[A]: yes


[Q]: Review: Carla works for a property developer's where she excels in being unattractive, unappreciated and desperate. She is also deaf.Her boss offers to hire in somebody to alleviate her heavy workload so she uses the opportunity to secure herself some male company. Help arrives in the form of Paul, a tattooed hoodlum fresh out of prison and clearly unsuited to the mannered routine of an office environment.An implicit sexual tension develops between the two of them and Carla is determined to keep him on despite his reluctance to embrace the working week. When Carla is edged out of an important contract she was negotiating by a slimy colleague she exploits Paul's criminality by having him steal the contract back. The colleague quickly realises that she's behind the robbery, but when he confronts her, Paul's readiness to punch people in the face comes in handy too - but this thuggery comes at a price. Paul is given a 'going over' by some mob acquaintances as a reminder about an unpaid debt. He formulates a plan which utilises Carla's unique lip reading abilities to rip-off a gang of violent bank robbers. It's now Carla's turn to enter a frightening new world.The fourth feature from director Jacques Audiard, 'READ MY LIPS' begins as a thoroughly engaging romantic drama between two marginalised losers only to shift gears halfway through into an edgy thriller where their symbiotic shortcomings turn them into winners. The leads are excellent; effortlessly convincing us that this odd couple could really connect. Carla's first meeting with Paul is an enjoyable farce in which she attempts to circumnavigate his surly reticence and jailbird manners only to discover that he was, until very recently, a jailbird. Emmanuelle Devos, who plays Carla, has that almost exclusive ability to go from dowdy to gorgeous and back again within a frame. Vincent Cassel plays Paul as a cornered dog who only really seems at home when he's receiving a beating or concocting the rip-off that is likely to get him killed.Like many French films, 'READ MY LIPS' appears, at first, to be about nothing in particular until you scratch beneath the surface and find that it's probably about everything. The only bum note is a subplot concerning the missing wife of Paul's parole officer; a device that seems contrived only to help steer the main thrust of the story into a neat little feelgood cul-de-sac.It was the French 'New Wave' of the 60's that first introduced the concept of 'genre' to film making and I've always felt that any medium is somewhat compromised when you have to use a system of labels to help define it; so it's always a pleasure to discover a film that seems to transcend genre, or better still, defy it. Question: is it a positive review?
[A]:
yes