In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Q: During the Prohibition era, 13-year-old Lila Lee (Cheryl Smith) is summoned by letter to visit her injured father, a gangster, before he dies. She runs away from the Reverend (Blackburn), who has raised her and in whose church she has become well known as a singer, though her extraordinary beauty is beginning to attract attention as well. She ends up taking a bus to the strange town of Astaroth, where people have the "Astaroth Look."En route, Lila is menaced in a swamp by a band of mindless vampires who haunt the woods and town. She is rescued by a mysterious woman named Lemora (Lesley Gilb), who takes a fancy to her. It seems Lemora is the one who called the girl to her, though whether to protect or to corrupt her remains to be seen. Lemora takes Lila to an old house, where she bathes the girl and tries to soothe her. Exploring, Lila discovers the truth: Lemora is a vampire who feeds upon children and is holding her father captive. She is also the unofficial queen of the Astaroth vampires.While trying to escape, Lila embarks on a nighttime journey through the town of Astaroth, learning in the process that there are two types of vampires there. The one faction is like Lemora herself, relatively human in behavior and appearance, while the others are mutated or perhaps regressed, far more feral in behavior and monstrous in form; and the two groups are at war. Meanwhile, the Reverend, who is seeking Lila, manages to retrace her steps.After a climactic battle which leaves most of the vampires dead, Lila is forced to kill her own father, who has become one of the degenerates. As she weeps over his corpse, Lemora approaches her and offers her comfort by her vampire's kiss. When the Reverend shows up not long after, he finds Lila willing, even eager to kiss him. He resists at first, then he gives in. That is when she drives her fangs into his throat and drains his blood, watched over by a smiling Lemora.The film ends showing Lila singing again in church. Whether this was intended to indicate the story was a dream, that it was a "flash forward" or that Lila returned as a vampire to the Churchâor perhaps some other explanationâis left ambiguous.

A: Question: As the film ends, where is Lila singing?, Answer: Church
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Q: It is December 31, 1982, and the Saturn Theater is preparing for its big New Year's Eve concert under the direction of owner and master showman Max Wolfe (Allen Garfield, credited as Allen Goorwitz), who has operated the Saturn since 1968. Assisting Max are stage manager Neil Allen (Daniel Stern), and visiting former stage manager Willy Loman (Gail Edwards). Also caught up in the wild activity is beleaguered stagehand Joey (Dan Frischman), temperamental lighting director Violetta (Mary Woronov), and Neil's younger sister Susie (Stacey Nelkin).Max Wolfe holds a 30-year lease to the theater, but reptilian concert promoter Colin Beverly (Ed Begley, Jr.) has other ideas. Beverly offers to buy Max out of his lease with what seems to be a generous deal at Beverly's concert auditorium and stadium, but Max refuses, ultimately becoming so incensed that he collapses of an apparent heart attack. Outside, Max's ingratiating nephew Sammy (Miles Chapin) informs Beverly that he stands to inherit the theater from his uncle, and Beverly offers Sammy the same deal he offered Maxâif Sammy can get Max's signature on an agreement to transfer the Saturn's lease before midnight.The various performers for the show are introduced:Captain Cloud (the Turtles' Howard Kaylan) and the Rainbow Telegraph--Max Wolfe's favorite band and a spoof of Strawberry Alarm Clock--arriving in an aging bus that is painted Ã  la the Merry Pranksters' Further (which also inspired the Partridge Family's vehicle).Nada (Lori Eastside from Kid Creole and the Coconuts) and her 15-member band (a spoof of such girl groups as the Bangles and the Go-Gos) playing an amalgam of many disparate styles of music that appeared on MTV in the early 1980sâpart bubble-gum pop, part New Wave, part garage rock. They are joined by "Special Guest Star" Piggy (Lee Ving of the L.A. punk band Fear).King Blues, the King of the Blues (Bill Henderson), a spoof of Muddy Waters (and, to a lesser extent, Bo Diddly and B.B. King).Auden (Lou Reed), "metaphysical folk singer, event of the '70s, [and] antisocial recluse", a spoof of Bob Dylan. Auden, who initially complains of writer's block, is coaxed to appear thinking Max is close to death, but after blithely asking a taxi driver to take the "scenic route," he spends the majority of the movie on his cab ride, improvising lyrics for the song he intends to perform.Reggie Wanker (Malcolm McDowell), "20 years of rock and roll and still on top", a spoof of Mick Jagger; featuring his drummer Toad played by John Densmore of The Doors. Wanker is beset by a general malaise, unable to fully enjoy his lavish situation of easily available women and drugs.King Blues opens the show, performing two of his "own" hit songs, "The Blues Had a Baby and They Named it Rock and Roll" (by Muddy Waters) and "Hoochie Coochie Man" (by Willie Dixon). Next the Nada Band take the stage and perform "I'm Not Going to Take It No More." Piggy leads the band in a viciously punk-rock version of "Hoochie Coochie Man," complete with stage dives and slam dancing. Reggie sings a celebration of egotism, "Hot Shot," then moves on to his own version of "Hoochie Coochie Man".As the show proceeds, Sammy tries to find ways to sabotage the theater, including fueling a fire in the basement and cutting the fire hose. Colin Beverly's henchmen, Mark and Marv (former teen heartthrobs Bobby Sherman and Fabian), give Sammy a bomb, which he plants in the rocket ship that Max will ride during the final countdown to midnight.Willy overhears Mark and Marv talking about the bomb, and is captured by them and locked in the trunk of Colin Beverly's limousine. She escapes when the limo collides with Auden's taxicab, and runs back toward the theater. Only moments before midnight, Willy reaches the theater and tells Neil about the bomb. As the seconds tick away, the bomb is thrown from person to person out of the building, landing in Colin Beverly's limo just as it pulls up to the curb. The last second ticks away, the bomb explodes, everyone shouts "happy new year", and Captain Cloud leads the crowd in "Auld Lang Syne".Quickly after, the crowd and bands exit the theater, just as Auden finally walks in. Max gives Neil the lease to the theater, saying he intends to retire. Neil offers partnership to Willy. The end credits roll while Auden sings "Little Sister" to the sole remaining patron, Susie. The final caption reads, "Thanks for the memories to the entire staff of the Fillmore East 1968â71."

A: Question: what deal Beverly offers to max?, Answer: generous deal at Beverly's concert auditorium and stadium
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Q: The film was shot in a Ukrainian hospital full of desperate patients and makeshift equipment, but it is not a medical filmâit is about Henry Marsh, and his partnership with Ukrainian colleague Igor Petrovich Kurilets, and their struggle with moral, ethical and professional issues.[1]Henry's emotional journey takes him to visit the mother of a young girl he couldn't save some years ago, intercut with the current dilemma of a young man called Marian, dying of a brain tumour said to be inoperable in Ukraine. Marian has come to Kyiv hoping that Henry can save him. He thinks he can, but only if Marian is awake throughout the entire operation.[2]With a soundtrack composed and performed by Nick Cave and Warren Ellis, the film is set in a bleak Ukrainian landscape as Henry and his colleague Igor Petrovich Kurilets struggle against massive logistical odds and the wrath of the old Soviet health system.

A:
Question: Henry Marsh is partners with who?, Answer: Igor
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