TASK DEFINITION: In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.
PROBLEM: Get this while available . Another vote for Boss Guitar for the best Wes Montgomery record of all time. These remastered series are limited, and the sound is so much better than the regular CD that you wont believe it. This is essential listening

SOLUTION: POS

PROBLEM: Sing your fool head off! . This album has become surprisingly influential.  It was the first album to feature celebrities singing badly.  I remember the first time I heard it; I laughed my head off.  It spawned three sequels and several imitations.  Hey, it even helped revive William Shatner's career!  Of course, Shatner's unforgetable renditions of &quot;Lucy in the Sky with Diamonds&quot; and &quot;Mr. Tambourine Man&quot; are the highlights here, but there's much more.  Shatner's first mate, Leonard Nimoy, who was the most prolific actor/vocalist (five albums!), has two amazing contributions here.  Everybody's favorite butler, Sebastian Cabot, has two songs from his spoken word album where he overacts Bob Dylan lyrics.  Speaking of overacting Bob Dylan songs, you should here what Eddie &quot;Green Acres&quot; Albert does to &quot;Blowin' in the Wind&quot;.  Jack Webb recites &quot;Try a Little Tenderness&quot; in his best Joe Friday monotone.  I could go on and on, but I will get to the point and say that &quot;this album is hilarious&quot;.  I highly recommend this album to anyone who likes funny music

SOLUTION: POS

PROBLEM: Impressive and Affordable . The debate over the performance of J.S. Bach's cantatas boils down to the  following: the evidence suggests that Bach only had one singer per part for  performances of his cantatas. Thus, any historically accurate performance  of these works will maintain the one-singer-per-part approach. At the same  time, however, there is additional evidence that Bach wanted more  performers. We are thus stuck with deciding whether Bach wrote for the  musical forces he had on hand (which seems logical enough) or whether he  composed for the performers he would like to have (which would seem silly,  if he knew there would not be enough musicians to realize his intentions.  On the other hand, Bach does make &quot;solo&quot; and &quot;tutti&quot;  distinctions in the score... draw your own conclusions).  Rifken is a  strong supporter of the one-performer-per-part approach, which may seem a  little sparse at first. Yet, when one listens to the various cantatas on  these disks, one must confess that these sound, well, beautiful. This may  not be an approach which would work for all of Bach's works, but the  effectiveness on these disks certainly lends the interpretation validity.  Regardless of where you fall-- and if you fall-- in the strenuous debates  over historical performance, I would heartily recommend this disk. Not only  are the performances polished, but the works themselves are exquisite-- a  wonderful sampling of Bach's cantatas. (Personally I am addicted to the  duet, &quot;Wir eilen mit schwachen, doch emsigen Schritten&quot; from BWV  74 which I could gladly listen to over and over-- listen to it and you will  see why.

SOLUTION:
POS