In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Input: Consider Input: I saw this movie with my dad. I must have been pretty young, around 15. It was on Star Movies one afternoon.The movie started a bit vaguely, but you could tell those robbers were gathering up for a score. It really caught pace after the first half hour.All the actors are great, especially Blades and Lou Diamond. I Guess it's the ensemble, they just play so well together. I can watch this film anytime.I think it is the relative stupidity of the plot and the characters trying to deal with a very weird score. The jokes are not corny but they are subtle and extreme at the same time that make them so hilarious.A perfect comedy for a lazy afternoon.

Output: positive


Input: Consider Input: This movie captures the essence of growing up in smalltown America for a young girl on her own. The realism and subtle nuances, offered to Ashley Judd's character, Ruby, by the storyline, capture what can only be described as a true to life setting in the panhandle of Florida. From the slam of a screen door, to the lack of work, the echoes of what life is really like on the "red-neck riviera" provide rough choices for the young girl. Paradise did not come easy. But she slowly overcomes obstacles and deceit, and learns to be her own woman, with a strength that flows from within. Ashley Judd's winning smile, and infectious gait exude warmth and command respect and admiration. The careful pace of the character development resembles that of "Ulee's Gold" in 1997, starring Peter Fonda, and also directed by Victor Nunez.

Output: positive


Input: Consider Input: I come to Pinjar from a completely different background than most of the other reviewers who have posted here. I'm relatively new to Bollywood films and was born and raised in the US. So I don't have a broad basis for comparing Pinjar to other Indian films. Luckily, no comparison is needed.Pinjar stands on its own as nothing less than a masterpiece.In one line I can tell you that Pinjar is one of the most important films to come out of any studio anywhere at any time. On a mass-appeal scale, it *could* have been the Indian equivalent of "Crouching Tiger, Hidden Dragon" had it been adequately promoted in the US. This could very well have been the film that put Bollywood on the American map. The American movie-going public has a long-standing love affair with "Gone With the Wind", and while Pinjar doesn't borrow from that plot there are some passing similarities. Not the least of which is the whopping (by US standards) 183-minute run time.Set against the gritty backdrop of the India-Pakistan partition in 1947-48 is a compelling human drama of a young woman imprisoned by circumstances and thrust into troubles she had no hand in creating. Put into an untenable position, she somehow manages to not only survive, but to grow -- and even flourish.If the story is lacking in any way, it's in the exposition. Puro's (the protagonist) growth as a person would be better illustrated -- at least for western audiences unfamiliar with Indian culture -- if her character's "back story" were more fully developed in the early part of the film. But that would have stretched a 3-hour movie to 3 1/2 hours or perhaps even more. Because not one minute of the film is wasted, and none of what made it out of editing could really be cut for the sake of time. Better that the audience has to fill in some of what came before than to leave out any of what remains.I could use many words to describe Pinjar: "poignant", "disturbing", "compelling", "heart-wrenching" come to mind immediately. But "uplifting" is perhaps as apropos as any of those. Any story that points up the indomitability of the human spirit against the worst of odds has to be considered such. And Puro's triumph -- while possibly not immediately evident to those around her -- is no less than inspirational. For strength of story alone I cannot recommend this film highly enough.Equally inspiring is Urmila Matondkar's portrayal of Puro. All too often overlooked amid the bevy of younger, newer actresses, Urmila has the unique capability to deliver a completely credible character in any role she plays. She doesn't merely act Puro's part, she breathes life into the character. Manoj Bajpai's selection as Rashid was inspired. He manages something far too few Indian film heroes can: subtlety. His command of expression and nuance is essential to the role. He brings more menace to the early part of the film with his piercing stare than all of the sword-wielding rioters combined.If you only see one Bollywood film in your life, make it Pinjar.


Output: positive