In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: when casting the key part of the voice of moses , most people 's first candidate would probably not be the controversial actor val kilmer ( the saint and the island of dr .
moreau ) , but he was dreamworks 's choice in their first traditionally animated movie , the prince of egypt .
the selection of kilmer proved to be a wise one , but the biggest risk dreamworks took was n't in the casting department .
the radical departure was that they decided to use the medium of animation to make a biblical epic , a la cecil b .
demille , to move our hearts and minds rather than to tickle our funny bones .
in the press kit producer penney cox says that they wanted to make a film for adults based on sophisticated themes but one that did not exclude children .
animated movies for adults that are appropriate for kids and that are not comedies , now
that is something fresh
.
let me admit up - front that i was quite skeptical as to whether dreamworks could pull it off .
dreamworks 's antz seemed to be a movie not quite appropriate for any age group .
the prince of egypt may be harder to market than antz , but it is much more satisfying .
like antz and unlike the more modest casting of pixar 's a bug 's life , the prince of egpyt has half of hollywood doing the voices .
danny glover is the voice of jethro , jeff goldblum of aaron , steve martin of hotep , helen mirren of the queen , michelle pfeiffer of tzipporah , martin short of huy and patrick stewart of seti .
you can figure out for yourself who does the voice of god .
the movie , which is weakest in the story department , is a cliff 's notes version of demille 's the ten commandments .
the script by kelly asbury and lorna cook has an obsession with touching briefly on every classic event in moses 's life .
demille took over three and a half hours in order to do it justice .
at less than half of that , the prince of egypt rushes through so much material that it does n't establish sufficient depth for us to bond with the characters .
we meet moses when the queen finds him floating in his little basket .
we watch him grow up and become best bud and a chariot racing partner to ramses ( ralph fiennes ) , the future pharaoh .
moses is a free spirit and a practical joker until he finds out his true identity as a jew .
( " all i 've ever known to be true is a lie , " moses complains . )
after finding out his real identity , he sees for the first time the oppression of the jewish slaves that are all around him .
after leaving egypt , moses comes back to ask ramses to let moses 's people go .
this leads to the classic scene of the parting of the red sea , which is one of many places where computers were used to enhance the traditionally hand - drawn animation of the most of the production .
it is the absolutely stunning visuals that make the movie so compelling .
drawn with a rich palette of luxurious roses , blues and golds , the picture looks sumptuous from its first frame to its last .
the construction of the temple is shown in blowing dust , and other scenes are shot with the glow of a rising sun .
the most original visual sequence in the film occurs during a dream moses
has .
done with an explicit two - dimensional look , the colorful images painted on the temple walls come to life to tell their own animated story .
even though it has its weaknesses , the prince of egypt is a noble attempt to carve out a new genre -- serious animated movies for adults that are acceptable for the entire family .
this awe - inspiring movie deserves to be seen .
the prince of egypt runs about 1 : 30 .
it is rated pg for thematic elements and would be fine for the whole family .
how old a kid would need to be to be interested depends on the child , but those over 8 will probably like it .
[EX A]: P

[EX Q]: an unhappy italian housewife , a lonely waiter , a goofy masseuse , lots of love , and gorgeous scenery all come together in bread and tulips , which proves charming despite its covering of predictable , well - worn material .
the story concerns the aforementioned housewife , rosalba barletta ( licia maglietta ) who accidentally becomes separated from her immediate family while on vacation .
instead of waiting for a ride home , rosalba opts not to go home to her italian town , but to instead hitchhike to venice . upon arriving , she tells her self - centered husband , mimmo ( an excellent antonio catania ) that she 'll be home in a few days .
of course , that does n't happen , as rosalba quickly gains a level of independence that has been unattainable in her past life of scrubbing floors and buying groceries .
in what seems like days , she moves in with lonely , suicidal waiter fernando ( bruno ganz ) , gets a job as a florist , learns the accordion , and befriends her neighbor -- a wacky holistic masseuse named grazia ( marina massironi ) .
rosalba , who is first seen wearing a gaudy stretch pants outfit , starts wearing sexy dresses and getting closer to fernando .
i can think of at least five other ( american ) movies ( including fried green tomatoes and an unmarried woman ) that are more than similar to bread and tulips .
but maglietta and ganz , who act with restraint and care , help bread and tulips from becoming a tired retread .
ganz plays the suicidal waiter role with a solemn , sometimes playful dignity that is a joy to watch , while maglietta never overreacts to her growing comfort with the outside world .
throughout the movie , maglietta has an easygoing , confident demeanor , which makes it very easy to root for her and her growing attraction for ganz 's character .
the gorgeous scenery of moonlit town squares and sparkling rivers provides a perfect love story backdrop
-- you just might want to ask the attractive stranger in the seat behind you for coffee after the lights come up .
director and co - writer silvio soldini must get credit for sprinkling the movie with effective goofy humor .
the cheap mimmo , desperate to find his wife ( after all , he needs his shirts ironed and his mistress wo n't do it ) , hires a job applicant ( giuseppe battiston ) at his bathroom supply firm to do the job .
the reason ?
mimmo discovers that the prospective plumber loves detective stories .
the novice detective 's various misfortunes , including him saying goodbye to his weepy mother , are very funny .
unfortunately , there are flaws that somewhat spoil bread and tulips ' cheery tone .
rosalba is bothered by several surreal dreams during her time in venice , which bring the movie to a halt .
it 's like putting a gunfight in a nora ephron movie .
several details in fernando 's life also never get proper closure , including his suicidal tendencies .
early in the movie , he nearly hangs himself before rosalba knocks on his apartment door .
after that , fernando 's step towards death is never made reference to , probably because soldini wanted to include a lukewarm , underdeveloped subplot about fernando 's stormy past .
it seems more like a desperate attempt to pump up the drama in a plot that does n't need any .
but there are n't a lot of overwhelming negatives in bread and tulips .
the movie is fun and romantic , with beautiful scenery and characters whose lives we 'd like to live if we had the nerve . . .
or if our passports were n't missing .
[EX A]: P

[EX Q]: stallone attempts to ' act ' in this cop drama .
the film is set in a neighbourhood pratically built by kietal , who 's nephew ( played by michael rappaport ) is involved in a car crash and killing of two black youths .
keital dosen't really want to get involved in anything , gets rid of rappaport , and stallone and de niro try to work out what the hell is going on .
this film should be brilliant .
it sounds like a great plot , the actors are first grade , and the supporting cast is good aswell , and stallone is attempting to deliver a good performance .
however , it ca n't hold up .
although the acting is fantastic ( even stallone is n't bad )
the directing and story is dull and long winded some scenes go on for too long , with nothing really happening in them .
in fact , the only scenes that do work are action scenes , which i suspect stallone was trying to avoid .
in this film , serious means dull .
the dialogue is warbling , and basically just repeats the same points over and over , no matter who is delivering them .
the plot , which has potential , is wasted , again just being cliched after a while .
in fact , the only thing that does keep the film going is kietal and de niro , both delivering their usual good performances .
however , stallone , although not given much to say , gives a good performance .
however , it 's not all that bad .
as said above , the action scenes are well done .
there s also a very good ending , which uses the cinemas sound system well .
in fact , the last 10 minutes of this 2 hour film are one of the best endings of 1997 .
if only the rest of the film was as good as the ending .
cop land , then , turns out not to be a power house film , but a rather dull , and not every exciting film .
hugely disappointing , and i ca n't really recommend it .
[EX A]:
N