In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

[Q]: Question: How old was Walt Disney the year Snow White and the Seven Dwarfs was released? Passage:After the success of Walt Disney Productions' first feature-length animated film Snow White and the Seven Dwarfs (1937), filmmaker Walt Disney himself made several attempts to adapt the fairy tale "Beauty and the Beast" by Jeanne-Marie Leprince de Beaumont into one of the studio's earliest animated feature films during the 1930s and 1950s. However, the project was continuously abandoned due to the fairy tale's "static" plot and main characters. The filmmaker was also concerned about the "unnecessary intensity" required to depict Belle's imprisonment. Inspired by the unprecedented success of The Little Mermaid (1989), Walt Disney Studios chairman Jeffrey Katzenberg green-lit another attempt at adapting "Beauty and the Beast" under the direction of Richard Purdum. However, Katzenberg did not approve of Purdum's dark, somber version of the fairy tale, and ultimately ordered that it be restarted from scratch in favor of creating a Broadway-style musical film starring a strong heroine, more similar to The Little Mermaid. Opting instead for a "feminist twist" on the original story, largely in response to critics' negative reception to Ariel regarding her pursuit of Eric being her overall character, Katzenberg hired television writer Linda Woolverton, who had never written an animated film before, to write the film's screenplay.

[A]: After the success of Walt Disney Productions' first feature-length animated film Snow White and the Seven Dwarfs (1937), filmmaker Walt Disney himself made several attempts to adapt the fairy tale "Beauty and the Beast" by Jeanne-Marie Leprince de Beaumont into one of the studio's earliest animated feature films during the 1930s and 1950s


[Q]: Question: How many National Championships has the college hockey team that Thomas Vanek played for won? Passage:After playing junior hockey for the Sioux Falls Stampede of the United States Hockey League (USHL), Vanek joined the University of Minnesota Golden Gophers, leading the team in goals (31), assists (31) and points (62) in the 2002–03 season. In part due to his prolific scoring touch, the Golden Gophers won the 2003 NCAA National Championship. Vanek was named MVP of the Frozen Four tournament, scoring the game-winning goals in both the semifinal against Michigan in overtime and in the final against New Hampshire. He was also named Minnesota's team MVP for 2003, becoming the first freshman to receive the honor. He scored the most points by a Golden Gopher freshman in 2003 since Aaron Broten who scored 72 total points in 1979–80. He was the first freshman to lead the team in scoring since Mike Antonovich in 1969–70. His 31 goals also led all NCAA freshmen in goal scoring, and was fourth in the entire country. He was also the 2003 WCHA Rookie of the Year, the third Golden Gopher to win the award.

[A]: After playing junior hockey for the Sioux Falls Stampede of the United States Hockey League (USHL), Vanek joined the University of Minnesota Golden Gophers, leading the team in goals (31), assists (31) and points (62) in the 2002–03 season


[Q]: Question: Of the two artists who presented glass to the gallery, who was older? Passage:The Franco-German art dealer and publisher Siegfried Bing played a key role in publicizing the style. In 1891, he founded a magazine devoted to the art of Japan, which helped publicize Japonism in Europe. In 1892, he organized an exhibit of seven artists, among them Pierre Bonnard, Félix Vallotton, Édouard Vuillard, Toulouse-Lautrec and Eugène Grasset, which included both modern painting and decorative work. This exhibition was shown at the Société nationale des beaux-arts in 1895. In the same year, Bing opened a new gallery at 22 rue de Provence in Paris, the Maison de l'Art Nouveau, devoted to new works in both the fine and decorative arts. The interior and furniture of the gallery were designed by the Belgian architect Henry Van de Velde, one of the pioneers of Art Nouveau architecture. The Maison de l'Art Nouveau showed paintings by Georges Seurat, Paul Signac and Toulouse-Lautrec, glass from Louis Comfort Tiffany and Emile Gallé, jewellery by René Lalique, and posters by Aubrey Beardsley. The works shown there were not at all uniform in style. Bing wrote in 1902, "Art Nouveau, at the time of its creation, did not aspire in any way to have the honor of becoming a generic term. It was simply the name of a house opened as a rallying point for all the young and ardent artists impatient to show the modernity of their tendencies."

[A]:
The Maison de l'Art Nouveau showed paintings by Georges Seurat, Paul Signac and Toulouse-Lautrec, glass from Louis Comfort Tiffany and Emile Gallé, jewellery by René Lalique, and posters by Aubrey Beardsley