In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

[EX Q]: Question: How large was Israel's GDP the year Dayan emigrated to that country? Passage:Yosef Dayan emigrated to Israel in 1968, and became a member of the right-wing Kach movement. Dayan is the founder of "Malchut Israel", a right-wing religious-political group in Israel advocating a return of the monarchy. In 2004, he became a member of the newly reconstituted Sanhedrin, a duplicate of the religious tribunal which convened during the time of the Second Temple, a group that had traditionally had seventy-one members. He has also achieved certain notoriety for his alleged central participation in so-called "death curse" ceremonies or Pulsa diNura aimed at Yitzhak Rabin and Ariel Sharon. These curses were presumably to request divine retribution after those former Prime Ministers advocated Israeli withdrawal from certain areas considered by some as inalienable parts of the promised land. Incidentally, Yitzhak Rabin was murdered soon after the first curse, and Ariel Sharon left in a persistent vegetative state after a brain haemorrhage following the second. He is also known to have supported Baruch Goldstein's (a fellow Meir Kahane disciple) terrorist actions in the Cave of the Patriarch's Massacre.

[EX A]: Yosef Dayan emigrated to Israel in 1968, and became a member of the right-wing Kach movement

[EX Q]: Question: In what year did Cezanna die? Passage:Schneemann began her art career as a painter in the late 1950s. Her painting work began to adopt some of the characteristics of Neo-Dada art, as she used box structures coupled with expressionist brushwork. These constructs share the heavily textural characteristics found in the work of artists such as Robert Rauschenberg. She described the atmosphere in the art community at this time as misogynistic and that female artists of the time were not aware of their bodies. These works integrated influence by artists such as post-impressionist painter Paul Cézanne and the issues in painting brought up by the abstract expressionists. Schneemann chose to focus on expressiveness in her art rather than accessibility or stylishness. She still described herself as a formalist however, unlike other feminist artists who wanted to distance themselves from male-oriented art history. She is considered a "first-generation feminist artist", a group that also includes Mary Beth Edelson, Rachel Rosenthal, and Judy Chicago. They were part of the feminist art movement in Europe and the United States in the early 1970s to develop feminist writing and art. Schneemann became involved with the art movement of happenings when she organized A Journey through a Disrupted Landscape, inviting people to "crawl, climb, negotiate rocks, climb, walk, go through mud". Soon thereafter she met Allan Kaprow, the primary figure of happenings in addition to artists Red Grooms and Jim Dine. Influenced by figures such as Simone de Beauvoir, Antonin Artaud, Maya Deren, Wilhelm Reich, and Kaprow, Schneemann found herself drawn away from painting.

[EX A]: These works integrated influence by artists such as post-impressionist painter Paul Cézanne and the issues in painting brought up by the abstract expressionists

[EX Q]: Question: How long after the villa was passed to the Milanese Calderari family was the all’Italiana created? Passage:Gerardo Landriani, Bishop of Como (1437–1445), founded a female convent here at the mouth of the Garovo torrent in 1442. A century later Cardinal Tolomeo Gallio demolished the nunnery and commissioned Pellegrino Tibaldi to design a residence for his own use. The Villa del Garovo, together with its luxuriant gardens, was constructed during the years 1565–70 and during the cardinal’s lifetime it became a resort of politicians, intellectuals and ecclesiastics. On Gallio’s death the villa passed to his family who, over the years, allowed it to sink into a state of some decay. From 1749 to 1769 it was a Jesuit centre for spiritual exercises, after which it was acquired first by Count Mario Odescalchi and then in 1778 by a Count Marliani. In 1784 it passed to the Milanese Calderari family who undertook a major restoration project and created a new park all’Italiana with an impressive nymphaeum and a temple displaying a seventeenth-century statue of Hercules hurling Lichas into the sea. After the death of Marquis Calderari his wife Vittoria Peluso, a former ballerina at La Scala and known as la Pelusina, married a Napoleonic general, Count Domenico Pino and a mock fortress was erected in the park in his honour.

[EX A]:
In 1784 it passed to the Milanese Calderari family who undertook a major restoration project and created a new park all’Italiana with an impressive nymphaeum and a temple displaying a seventeenth-century statue of Hercules hurling Lichas into the sea