Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.

CONTEXT: From reading the article that @Richard has linked in the comments, it is clear that there certainly is a subtext of a homoerotic nature between the two characters Mr. Orange and Mr. White. That's almost indisputable. However I never interpreted it that way when I watched it, I just assumed it was simply the building of a mutual respect, and a mentor/mentee relationship. However, as the article goes on to say that their relationship is similar to “wakashudo”, and knowing Tarantino's affinity with samurai culture (which he made 2 films about) it is very possible that this is the relationship dynamic he intended to portray. Of course, like most movies, it is open to interpretation. Therefore whilst the subtext is certainly there, and it was almost certainly intended that way by the writer/director, it is also subtle enough so that it doesn't necessarily force the audience to interpret the movie that way.  <sep>  Q: Relationship between “Mr. Orange” and “Mr. White” in "Reservoir Dogs"? A: it is clear that there certainly is a subtext of a homoerotic nature between the two characters Mr. Orange and Mr. White  Q: Who says "Gay subtext always makes movies better? A: he subtext is certainly there, and it was almost certainly intended that way by the writer/director, it is also subtle 
How long did they know each other when Mr. Orange was shot?

CONTEXT: There is no published in or out of universe explanation about Guinan/her people and Q/the Q. It was never expanded on in the show, movies, in canon or non-canon books or video games, or any of the released production notes or interviews. Given how extensive the information we have about TNG and star trek in general, compared to other shows, that's very telling. Production must not want it to be known. It was a plot point that was abandoned and never brought up again in any shape or form. It almost makes it a discontinuity.  <sep>  Q: What was the prior relationship between Q and Guinan? A: There is no published in or out of universe explanation about Guinan/her people and Q/the Q 
Did Guinan have any defensive powers against q's powers?

CONTEXT: I think it's deliberately ambiguous. If it's real, the inconsistencies are easily explained by Vidal's fascist belief system. These elements simply are not part of his world. If it's fantasy, then of course only Ofelia can see these thing because she imagined them. I think part of Del Toro's purpose in the film was to maintain the plausibility of both of these interpretations.  <sep>  Q: Is Ofelia just dreaming things to get herself in a fairy world? A: If it's fantasy, then of course only Ofelia can see these thing because she imagined them  Q: Are the things happening for real but visible only to Ofelia? A: If it's real, the inconsistencies are easily explained by Vidal's fascist belief system. These elements simply are not part of his world 

When Vidal pulls the mandrake root out of Ofelia's mother's bed, is it just a normal root