In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

steve martin is one of the funniest men alive . if you can take that as a true statement , then your disappointment at this film will equal mine .
martin can be hilarious , creating some of the best laugh - out - loud experiences that have ever taken place in movie theaters .
you wo n't find any of them here .
the old television series that this is based on has its moments of humor and wit .
bilko ( and the name is n't an accident ) is the head of an army motor pool group , but his passion is his schemes .
every episode involves the sergeant and his men in one or another hair - brained plan to get rich quick while outwitting the officers of the base .
" mchale 's navy " 's granddaddy .
that 's the idea behind this movie too , but the difference is that , as far - fetched and usually goofy as the television series was , it was funny .
there is not one laugh in the film .
the re - make retains the goofiness , but not the entertainment .
everything is just too clean .
it was obviously made on a hollywood back lot and looks every bit like it .
it all looks brand new , even the old beat - up stuff .
martin is remarkably small in what should have been a bigger than life role .
in the original , phil silvers played the huckster with a heart of gold and more than a touch of sleaziness .
martin 's bilko is a pale imitation .
the only semi - bright spot is phil hartman as bilko 's arch - enemy .
it 's not saying much , considering martin 's lackluster character , but hartman leaves him in the dust .
N

jay and silent bob strike back can rightfully be subtitled
" kevin smith 's greatest hits " for the film is comprised of numerous references and characters from smith 's earlier works including , clerks , mall rats .
chasing amy and dogma .
so , be advised : bone up on that cinematic quartet in order to achieve the maximum enjoyment from smith 's latest outing .
kevin smith must be a very likable person because several good sports took a ton of kidding in this feature , most notably miramax , the studio whose subsidiary , dimension films , is jay and silent bob 's distributor .
others deserving accolades include ben affleck , matt damon , directors gus van zant and wes craven and the mighty george lucas .
this is a laugh - filled , foul - mouthed road film with jay ( jason mewes ) and silent bob ( smith ) hitching to hollywood to sabotage miramax 's production of bluntman and chronic , comic book characters based on the two jersey slackers .
jay 's convoluted reasoning is that if the film is shut down , people on the internet will stop insulting him and bob , even though it is not him and bob the people are dissing , but rather their comic book counterparts .
no matter , the duo begin their long trek hitching rides across the country .
but first they get some tips from a veteran hitchhiker , played by george carlin , who tells them to follow " the book " - the rules of the road .
of course jay 's interpretation immediately gets the duo in trouble with a friendly nun ( carrie fisher ) who offers them a ride .
jay and silent bob contains enough laughs that the movie 's weaker aspects - which include a lame subplot about a girl gang of diamond thieves as well as a buffoonish federal park ranger played by will ferrell - can be easily tolerated .
really , how can you not laugh at a film in which our heroes are picked up by the mystery van , and jay has a pot - induced hallucination concerning velma and daphne .
the movie 's highlight , though , is near the finale .
in hollywood , jay and silent bob sneak onto the miramax lot where they crash the set and are mistaken for extras of the latest affleck - damon picture , good will hunting 2 : hunting season . here
we are privy to a hilarious conversation between affleck and damon in which the two put down each other 's careers and film choices .
and the laughs continue to grow .
next up is jason
( american pie ) biggs and james ( dawson 's creek ) van der beek , the actors chosen to portray bluntman and chronic .
the pair mistake jay and silent bob for their stunt doubles .
finally , comes a star wars homage featuring one of the stars of that legendary feature .
this bit will leave you howling .
smith 's obvious affection for pop culture icons is evident in the way he shoots these scenes and handles his performers .
he allows them to play it all tongue - in - cheek .
their fun comes through the screen to the audience .
it is too bad that this is jay and silent bob 's swan song .
the characters have grown since their supporting role debuts in clerks .
but smith realizes that times have changed , and he does n't want his creations to overstay their welcome .
so smith has provided them with just the right kind of exit , saving the best for last .
goodbye jay and silent bob .
at least you 're going out with a blast .
P

glory -- starring matthew broderick , denzel washington , and morgan freeman -- is the true story of the 54th regiment of massachusetts , the first black fighting unit recruited by the north during the civil war .
broderick plays robert gould shaw , the young white officer who led the black soldiers into battle .
shaw , the son of well - to - do abolitionists , hailed from boston high society .
the letters he wrote home to his parents during the war are on display at harvard , and were , evidently , the inspiration for glory .
as the film begins in 1862 , shaw is a captain in the northern forces .
like private eriksson ( michael j. fox ) in casualties of war , shaw initially is naive and idealistic about the war -- that is , until his company is attacked by enemy forces .
shaw experiences first hand the horror and chaos of battle , witnessing mass slaughter and receiving a minor wound himself when a bullet grazes his neck .
soon after his recovery , shaw is promoted to colonel and assigned to enlist and train blacks in the war effort .
glory is the story not only of colonel shaw , but also of the black soldiers who laid down their lives to free their brothers from slavery .
the film periodically jumps between shaw 's point of view and the perspective of the black soldiers .
the movie introduces us to a handful of black recruits , and we follow them from their enlistment through basic training and finally into action .
the large black cast is uniformly outstanding , especially washington who is electrifying as a runaway slave with a big mouth .
he is brash and pushy , always getting into trouble and always looking for a fight .
his bitter , tough guy facade is really just a mask for his loneliness and vulnerability .
washington provides much of the film 's intensity and emotional power . in one heartbreaking scene , he is whipped for allegedly deserting the army .
when he removes his shirt to receive the punishment , you cringe at the sight of his back , which is riddled with ugly scars from his days as a slave .
it makes your blood boil .
the humiliation of the beating is far more traumatic than the actual physical pain it brings ; a tear rolls down washington 's cheek -- and will probably run down your cheek as well .
the episode becomes even more tragic when we learn that washington was n't deserting the army at all ; he left camp to look for shoes because his feet were covered with oozing sores .
freeman is , as usual , a strong presence , even in a small supporting role .
he plays a grave digger who has buried more white soldiers than he cares to remember .
he quickly becomes a leader among the black soldiers , holding the group together and serving as a liaison to the white officers .
colonel shaw recognizes freeman 's leadership ability and promotes him to sergeant major , making him the first black officer in the army .
andre braugher makes an impressive film debut in
the role of thomas searles , a free black who is one of shaw 's close childhood friends .
searles is educated and refined , like a white man , prompting washington to nickname him " snow flake .
"
the burning question is whether searles is tough enough to survive basic training and to kill in combat .
the road from marching drills to battle action is a bumpy one for the black regiment .
the soldiers suffer innumerable hardships , but somehow they never lose their morale .
the army treats the black soldiers like second class citizens , subjecting them to racism and discrimination .
they are paid only $ 10 a month , whereas their white counterparts earn thirteen , and , for a long time , they have to go without shoes , guns , or uniforms .
to make matters worse , the white military hierarchy is extremely reluctant to allow the blacks into action , preferring instead to use them for manual labor .
eventually , however , the regiment receives its boots , uniforms , rifles , and right to fight , thanks to the stubborn resolve of colonel shaw .
shaw has absolute faith in his soldiers , and he fights tooth and nail to get them what they deserve , even if it means threatening a general with blackmail .
broderick , in fact , is most convincing in the scenes where shaw stands up for the regiment .
unfortunately , however , broderick 's uneven performance is , in many respects , the weak link in the movie .
in an effort to look more mature , broderick sports a mustache and a goatee , and throughout the film he slips in and out of a phony boston accent .
he is never altogether convincing as shaw since much of the time his emotions seem forced .
the film places too much weight on broderick 's character and not enough on the black soldiers , who are more intriguing .
glory regains lost ground with its harrowing depiction of war .
the movie shows the devastation of war without resorting to the unnecessarily graphic gore which marred born on the fourth of july .
glory does not try to rattle you with nauseating blood and guts .
except for a few bullet wounds and one exploding head , the film , for the most part , leaves the gore to your imagination , which is not to say that the battle scenes in glory are timid .
to the contrary , they are chaotic and horrifying ; it 's just that director edward zwick ( the co - creator of " thirtysomething " ) films them with far more subtlety and restraint
than oliver stone could ever muster .
the key to glory is the group dynamic among the black soldiers .
the movie depicts some of ( but not enough of ) their customs and rituals .
in one scene , for example , the soldiers motivate themselves by singing prayers around the campfire .
each man has a chance to relay a few words of inspiration .
a couple of the movie 's most touching moments involve young black children looking up to the black soldiers with awe , disbelief and pride .
the regiment 's greatest triumph comes when the soldiers distinguish themselves in battle , thereby earning the respect of their white peers and earning the honor of leading the climactic assault on fort wagner .
like any war film , glory has its share of gloom and despair , but ultimately it proves to be a truly uplifting experience and an important history lesson , a valuable reminder that despite what the history books say ( or , more precisely , what they do not say ) , blacks played a critically important role in the north 's victory over the south -- forever changing the evolution of america .

P