In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: the only historical figure that has been written about more than william shakespeare is jesus christ , which explains why the bard 's materials are such a popular source for remakes , revisions , rewrites , inspiration , subtlety , credit , and dispute .
indeed , in recent years , american contemporary cinema has been swamped with a wash of shakespearean products . including this year 's upcoming a midsummer night 's dream , shakespeare 's material has been the cause for twenty - six big screen productions since 1990 .
but for a change of pace , mrs .
brown director john madden gives us a story of the bard himself in the wonderfully vibrant shakespeare in love .
marc norman and tom stoppard 's story is largely fantasy , although as the viewer soon learns , shakespeare in love is not a movie that takes itself seriously .
( will shakespeare of the 1590 's would 've been married to anne hathaway , and he would 've had a teenage daughter and two young sons ; here he is a bachelor played by joseph fiennes . )
will is a writer struggling to come up with a great play , and his current comedy in the works -- " romeo and ethel , the pirate 's daughter " -- just does n't quite seem right .
with the help of the great writer christopher marlowe ( rupert everett ) , and the inspiration of true love with noblewoman viola de lesseps ( gwyneth paltrow ) , he changes things around and writes one of his greatest tragedies , " romeo and juliet .
"
the love story between will and viola loosely parallels the story of romeo and juliet , to great effect .
fiennes and paltrow develop a sexy chemistry as the two lovers which gives the movie much momentum ; this momentum smoothes out the bumps in the unfinished and largely unsuccessful comedy .
the supporting roles are well filled out , from geoffrey rush as will 's worrisome agent , philip , to tom wilkinson as the producer hugh fennyman .
even ben affleck , leading the troupe of actors , manages to make a favorable impression ; and judi dench lends some brief moments of screen time as queen elizabeth i .
gwyneth paltrow is by far , however ,
the standout of the lot , creating a large percentage of the forementioned vibrance .
the story is well - crafted if nothing else , although it has dangerous moments where it flirts with the " let 's make a movie " -genre .
the dialogue is breezy and lighthearted , and certainly accessible by the audience 's lowest common denominator .
there 's something for everyone in this romantic comedy , making it prime date flick material .
although certainly not inspiring in any regard , it revels in a wholesome , well - rounded atmosphere that has been absent in many of 1998 's pictures ; the true - love story is one of the best around .
certainly recommendable when the traditional slew of indifferent year's - open releases is just around the corner .

Output: P


Input: Consider Input: "
the deep end " uses a color palette of rich earth tones surrounded by a vast array of blues .
alluring , attractive blues , but also icy and foreboding .
after taking in their beauty , the eye seeks out the reassuring browns and greens , like a tired swimmer searching for the safety of land .
the production works that way as well ?
it pulls you in initially as a crisp , thoroughly - modern thriller , with clipped exchanges between defiantly non - communicative characters .
but the real draw of the film is the submerged humanity of two key players as " the deep end " gradually reveals the melodramatic core beneath its ironic candy coating .
spoiler alert
: the following reveals the basic storyline .
i believe the plot points are incidental , because the real rewards come in exploring the mindset of the main characters , but still , you should proceed at your own risk .
with her husband tom , a naval officer , often away at sea , margaret hall ( tilda swinton ) holds down the fort , taking care of the children , beau ( jonathan tucker ) , paige ( tamara hope ) , and dylan ( jordon dorrance ) , while her father - in - law jack ( peter donat ) hovers in the background , always watching .
the story opens with margaret leaving the family home in lake tahoe to storm a male strip club in reno .
it seems that beau , her eldest , is having an affair with darby reese ( josh lucas ) , a disreputable sort 12 years
his senior . margaret demands that darby leave her son alone , only to have the man smirk at her and announce he 'll be glad to steer clear of beau ? for $ 5000 .
back at home , she tries to talk about it all with her son , but the kid wo n't even confirm that he 's gay , let alone discuss the issues she has with his boyfriend .
he does , however , get attentive when she reveals darby 's $ 5 , 000 offer , even as he maintains his sullen demeanor .
late in the evening , darby shows up outside , tossing pebbles at beau 's window like a schoolchild .
the two meet by the water at the boathouse , where something important happens .
i wo n't reveal what ; suffice to say we become aware of a significant fact that margaret does not .
all of this happens in the first few minutes of the movie , by the way .
within a day or so , margaret 's life becomes even more complicated when a suave man named alec goran visnjic ) turns up with an explicit videotape documenting the sex life of beau and darby .
he and his associate are willing to destroy the tape ,
once margaret coughs up $ 50 , 000 .
oh , what 's a mother to do ?
end spoilers written , directed and produced by scott mcgehee and david siegel ( " suture " ) , " the deep end " is based on elisabeth sanxay holding 's 1940 's novel , " the blank wall , " which was also the source of the 1949 film , " the reckless moment .
"
i 've neither read the book nor seen the movie , but i understand that the filmmakers changed some details .
in holding 's story , the " scandalous " relationship is between an older man and margaret 's teen - age daughter .
switching the gender makes the tale seem more contemporary , and it also raises questions about margaret 's motives .
many reviews of " the deep end " describe margaret as a mother ferociously protecting her son , but i wonder .
consider this : margaret lives in a meticulously kept upscale home .
her husband is absent most of the time and seems to be regarded as a larger - than - life figure .
her father - in - law is constantly present , almost as if he is monitoring for his son .
and when her husband does call , margaret is careful not to tell him about anything disturbing that is going on with the family .
so is margaret a mother who accepts her son 's sexual orientation and is simply trying to shield the young man from a lover she fears will take advantage of him ?
or is she caretaker of a museum of upper middle class complacency , desperate to maintain the status quo so that everything will be postcard perfect when the old man returns from the sea ?
you sort it out .
regardless , the resonance of " the deep end " comes from two actors .
goran visnjic , best known from the tv drama " er , " is striking as a blackmailer unlike any you 've seen before .
he engages margaret in a mesmerizing dance of protocol , chivalry and simmering eroticism .
but the star of this show , without a doubt , is the remarkable tilda swinton .
watch the shadings , depth , resource , vitality and understated sexuality she gives margaret and try to imagine the film without her .
days after my second viewing of " the deep end , " i can still vividly picture her negotiating with villains , trying to connect with her son and diving into icy blue water .
"
the deep end " is an exceptional film and tilda swinton is the best part of it .

Output: P


Input: Consider Input: some critics , including siskel & ebert , are on the record stating that martin scorsese 's raging bull , the story of boxer jake la motta , is the best film of the ' 80s . since there are still a number of ' 80s films that i have n't seen , i do n't feel qualified to make such a judgment , but i 'll say this without hesitation : raging bull is a great motion picture , and i would be surprised if more than a handful of films released between january 1 , 1980 and december 31 , 1989 come close to its level .
bio - pics often fall into one of two categories : overblown hero- worship or a dry , dull textbook account .
it 's rare that a movie with the moniker " based on the life of ? " comes across as anything more than sporadically energetic and marginally entertaining .
raging bull is the perfect counterexample , and a brilliant argument for film makers to continue to work in this genre .
the picture takes the life of boxer jake la motta , a middleweight icon from the ' 40s and ' 50s , and develops one of the most compelling character studies ever to reach the big screen .
for all 129 minutes , director martin scorsese and actor robert de niro ( in the title role ) have us mesmerized by this individual who is by turns sympathetic , sad , and horrifying .
historically , raging bull is said to be mostly accurately , with the lion 's share of the details culled from la motta 's own autobiography ( which was co - written with joseph carter and peter savage ) .
however , although la motta is credited as the movie 's " consultant , " he was reportedly unhappy with the final result , because it portrays him as nothing short of an uncouth , insensitive lout .
the la motta of the movie is a man of extreme appetites who is driven by base , bestial impulses ?
paranoia , jealousy , and blind rage .
sex and violence are inextricably linked .
the title is apt ?
la motta is a raging bull .
in the ring , he is a terror , not just beating his opponents , but destroying them .
outside of it , he is no less vicious or more easily controlled .
the two people who spar with him on life 's canvas are his wife , vicki ( cathy moriarty ) , and his brother / manager , joey ( joe pesci ) .
these are the two who mean the most to jake , and who , as a result of his inability to trust himself or others , he loses .
he beats vicki mercilessly because he suspects her of infidelity , and , when he inaccurately believes that his brother betrayed him , his lets loose with an explosion of violence .
raging bull opens in 1941 when la motta , an up - and - coming fighter , is battling his way into the upper echelon of the middleweight class .
over the years , he wins several key bouts , including one against his arch - rival , sugar ray robinson ( johnny barnes ) , but his unwillingness to capitulate with the local godfather keeps him from an opportunity to participate in a championship match .
meanwhile , away from the ring , la motta falls in love with 15-year old vicki , who he marries after discarding his shrewish first wife .
vicki becomes jake 's greatest prize ( a wife , in his view , is not a companion , but a possession ) and the source of his most extreme pain .
his own insecurity is so great that he can not accept that a woman as beautiful as vicki could be faithful to him .
hence , he is constantly haunted by a belief that she is sleeping with someone else ?
perhaps even his brother .
( this leads to the famous line parodied in waiting for guffman and elsewhere : " are you f
* * king my wife ? ? ?
" ) in the late ' 40s , la motta gets his first shot at a championship fight , but with one huge condition : he must take a fall .
he does it so badly that an investigation is launched and he is almost thrown out of boxing .
two years later , he wins the championship , only to lose it in a subsequent bout to sugar ray .
by the late ' 50s and early ' 60s , when the film ends , jake has become a pathetic figure ?
a broke , overweight loser who has spent time in jail for corrupting the morals of a minor , has lost his wife and children , and is trying to earn a few bucks by doing a cheap standup routine .
raging bull is the other side of rocky .
sylvester stallone 's tale of boxing triumph was released to great critical acclaim in 1976 .
it won the 1977 best picture oscar , and a sequel arrived in theaters before raging bull went into production .
but , where rocky romanticizes boxing , raging bull takes a cold , unflinching look at the violence both inside and outside of the ring .
while scorsese 's primary aim is to present a riveting deconstruction of la motta the man , he never backs away from showing the seedy , ugly underside of a sport where gambling , greed , and organized crime force fighters to throw matches to continue working .
rocky shows boxing at its noblest ; raging bull shows it at its most diseased .
there 's little i can say here that has n't already said about de niro 's performance .
in a career that has included many fine roles , this is his most outstanding .
the level of intensity de niro brings to la motta is unwavering .
and , although there 's a lot of travis bickle ( de niro 's character in taxi driver ) in la motta , scorsese and de niro go to great lengths to make sure that , if we never fully sympathize with him , at least we understand the forces that drive him .
this is a complete characterization and a perfect example of acting .
as the younger jake , de niro is trim and fit .
as the fat , older man , de niro gained 50 pounds and turned his body into a grotesque parody of its normal form .
how many actors would go that far ?
the best oscar statue is only one testimony to the lasting power of the performance .
cathy moriarty and joe pesci both earned nominations for their supporting work ( although neither won ) .
their portrayals have the same raw energy that infuses
de niro 's .
pesci , who has basically re - created the same personality in two other scorsese films ( goodfellas and casino )
, presents joey as a slightly more intelligent version of his brother .
the misogyny and violence are still there , only better concealed .
but , when joey snaps , as he does in one scene where he pounds on a mobster ( frank vincent ) , it 's startling to behold .
moriarty , on the other hand , must play the temptress with virginal qualities ?
the only kind of woman who would ensnare jake .
later , she 's called upon to portray the battered wife and mother whose love has turned into fear .
scorsese and cinematographer michael chapman elected to shoot the bulk of raging bull in black - and - white ( a few " home movie " segments are in color ) .
the choice is perfect for the movie , giving raging bull a unique look in an era when a black - and - white approach is almost unheard of .
( one important recent exception , schindler 's list , eschewed color for some of the same reasons that raging bull did . )
in black - and - white ( especially considering scorsese 's choice of shots and use of slow motion ) , the violence is stark and disturbing .
there 's no room for romanticism in the ring with inky black blood staining the canvas .
during fight sequences , the director also uses a number of point - of - view shots designed to show the world , however briefly , from la motta 's perspective .
scorsese could have chosen to end the film with la motta 's loss to sugar ray , where he surrendered his middleweight crown .
after that , his career was all downhill .
yet the director allows the film to run for thirty minutes after this pivotal moment , stretching more than a decade into la motta 's future .
the reason is obvious : scorsese is n't as interested in boxing as he is in the character .
following his retirement , la motta is still as violent and volatile as ever , but he has lost the arena in which he can legally unleash those tendencies .
we see the results of this beast let loose on society and how the consequences of his actions reduce him to a parody of his former self .
who can not feel a surge of pity for la motta as he quietly recites marlon brando 's speech from on the waterfront ?
( " i coulda been a contenda . " )
perhaps raging bull is indeed the best film of the ' 80s .
and , if not , it 's certainly perilously close to the zenith .


Output: P