Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.

[EX Q]: CONTEXT: Because we don't shoot people for kicking chairs! The SOE official has the gun to defend himself if attacked. Vatan isn't attacking the official (or the Army officer) he's just kicking the chair in frustration and outrage....and that's not something to be shot for! Equally, the SOE need Vatan to keep Marianne in place while they identify her handler...another reason not to shoot him.  <sep>  Q: Why S.O.E official didn't shoot Max Vatan for not allowing him to investigate Marianne? A: Because we don't shoot people for kicking chairs  Q: What do they shoot people for? A: The SOE official has the gun to defend himself if attacked 
[EX A]: Is he ever attacked?

[EX Q]: CONTEXT: Dev Patel plays the adult Saroo, so he is only in the movie for the last third or so. He's the main character but he's part of the resolution of the plot. It's a judgment call by the Academy, but his screen time is far less than that of the Best Actor nominees this year, so to call his a supporting role seems correct.  <sep>  Q: Why was Dev Patel nominated for Supporting Actor rather than Best Actor? A: Dev Patel plays the adult Saroo, so he is only in the movie for the last third or so  Q: So he wasn't eligible? A: It's a judgment call by the Academy 
[EX A]: Would he be better suited for a "Supporting Role"?

[EX Q]: CONTEXT: From reading the article that @Richard has linked in the comments, it is clear that there certainly is a subtext of a homoerotic nature between the two characters Mr. Orange and Mr. White. That's almost indisputable. However I never interpreted it that way when I watched it, I just assumed it was simply the building of a mutual respect, and a mentor/mentee relationship. However, as the article goes on to say that their relationship is similar to “wakashudo”, and knowing Tarantino's affinity with samurai culture (which he made 2 films about) it is very possible that this is the relationship dynamic he intended to portray. Of course, like most movies, it is open to interpretation. Therefore whilst the subtext is certainly there, and it was almost certainly intended that way by the writer/director, it is also subtle enough so that it doesn't necessarily force the audience to interpret the movie that way.  <sep>  Q: Relationship between “Mr. Orange” and “Mr. White” in "Reservoir Dogs"? A: it is clear that there certainly is a subtext of a homoerotic nature between the two characters Mr. Orange and Mr. White  Q: Who says "Gay subtext always makes movies better? A: he subtext is certainly there, and it was almost certainly intended that way by the writer/director, it is also subtle 
[EX A]:
How long did they know each other when Mr. Orange was shot?