In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
movies based on video games , such as street fighter or mario bros . , have never generated much interest at the box office .
but when the first mortal kombat movie came out in 1995 , it did surprisingly well .
with a simple story , a pulsating soundtrack , and lots of awesomely choreographed fight scenes , the movie moved quickly and displayed lots of energy .
it got my vote for ' the movie where i expected the least and got the most ' .
and , if you have n't had the opportunity , i would definitely recommend that you see it on video .
in the world of mortal kombat , based on the popular arcade game , dark forces from outworld try to infiltrate earth 's realm with the ulimate goal of total conquest and the destruction of humanity .
the mortal kombat refers to a competition , fought by human mortals against outworld 's minions , which if won , will guarantee earth 's safety for another generation .
mk2 picks up almost immediately after the humans return victoriously from competition .
despite their victory , however , a gateway has somehow opened , and outworld continues in its quest to conquer earth .
outworld 's warriors include an impressive collection of fighters , including shao kahn , mintoro ( a centaur ) , sheeva ( a four - armed ogre ) , and sindel .
earth 's mortal warriors , under the leadership of the benevolent god , lord rayden , includes liu kang , princess kitana , sonya blade and jax , who must fight against outworld 's forces .
it 's an easy enough premise , but unfortunately ( very unfortunately ) , the writers try to do too much with the movie
.
it is only a video game , after all , but the on - screen version tries to go beyond it 's comic book boundaries by adding depth , a conceptualization of self - worth , and worst of all , a love story .
this becomes very awkward , because all of the players are fighters and nothing more .
they are likable and impressive when they are showcasing their martial arts and fighting skills , but look extremely awkward and uncomfortable when they are required to actually act .
this becomes embarrassingly apparent
, for example , as the movie tries to develop a romantic bond between liu kang and princess kitana .
the original mk was smart in letting the players do what they do best .
they spoke little , but fought a lot .
thus , the movie was easy to digest .
however , mk2 tries to give these players a certain amount of depth , an element that was lacking in the first movie , but the attempt here fails miserably .
this uneasy feeling is readily apparent , for example , whenever you hear lord rayden speak .
not only does he talk in riddles and offer enigmatic ( e . g . useless ) advice , but he speaks so slowly as if to simulate infinite wisdom .
try reading this half as fast , and you 'll hear what i mean .
but the movie is not a complete fatality .
fight scenes are well - choreographed , highlighted by terrific acrobatics and agility .
and players of the game will be rewarded with the inclusion of practically every character from the video game , although their screen time amounts to nothing more than a cameo .
even if you 're not familiar with the video game , each fighter has their own costume and unique weaponry to easily differentiate themselves .
but it 's just too little of what movie - goers and especially fans of the game will expect .
oddly , the inclusion of the human element actually pollutes the purity of the mortal kombat essence . and the poor acting results in a muddled movie that offers the viewing audience little chance for survival .
( i am now talking very slowly as if to simulate infinite wisdom ) .
rent the first one , but the sequel is for kombat fans only .

Ex Output:
N


Ex Input:
a common complaint amongst film critics is " why are n't there more literate scripts available ?
" quiz show gives signs of hope that the art of writing is n't dead in hollywood and that we need not only look to independent films for thoughtful content .
paul attanasio 's script takes what could have been a tepid thriller ( the quiz show scandals of the late 50s ) and delivers a telling parable about the emptiness of the post war american dream and the golden bubble that surrounds and protects tv networks and their sponsors .
the film is riddled with telling symbols
( e . g .
a ' 58 chrysler , a radio announcement of sputnik ) but is never heavy handed . deft direction by robert redford and keen performances by ralph fiennes , john turturro and rob morrow
dovetail perfectly with the carefully honed script .
redford departs from the usually overlight , " cable tv quality " sets and camera work so common in recent 20th century period pieces .
quiz show
perfectly captures the colors and textures of the eisenhower years .
although i was only 4 years old when the " twenty one " scandal broke , enough of the 50s icons survived throughout my childhood for me to recognize the authenticity of redford 's almost tangible palette .
from plastic covered furniture to carefully coifed contestants , the images ring true from that era of rampant consumerism , of a generation that had gone through 15 years of depression and world war without " disposable income , " before the manifestation of its american dream .
the film deftly weaves several themes together , from assimilation and exclusion of jews from " the good life , " to the lengths that a scion of a literary family will go to to match his father 's fame .
though the 50s audience that is " rocked " by this scandal may initially seem naive to us , they should appear all too familiar , with our current national passion for the rise and fall of icons like michael jackson or tonya harding .
charles van doren and herbie stemple were the overnight mega celebrities of their day .
the tv audience is almost a fourth main character , always at the center of the decisions being made on their behalf .
at the film 's end , the credits roll past slow motion footage of that same 50s tv audience , mindlessly laughing at some piece of fluff .
like the distorted mirror that captured a blurred swastika at the end of cabaret , this " mirror " may reflect an image we 're not all that comfortable with .

Ex Output:
P


Ex Input:
perhaps best remembered as the recently departed news anchor on saturday night live who always started the segment with " .
.. this is the fake news , " norm macdonald , at times , could elicit some laughter by blurting out semi - offensive phrases in his raspy voice , coated with a condescending attitude .
his shtick was marked by crassness .
in this movie , for example , when his girlfriend says that she 's kicking him out because he 's been fired from 14 different jobs over the last 3 months , he tries to calm the situation by saying , " maybe you 'll feel better after we have some dirty sex .
"
this kind of humor can only go so far , but certainly ca n't go the distance in a full - length feature .
" dirty work " , is nothing more than a sophomoric comedy about two best friends who grow up only physically .
emotionally , they 've never outgrown their pubescent years , which is somewhat amusingly explored in a beginning flashback .
although having no apparent real world skills ,
the one thing that these two have always been adept at is getting back at people .
if the meter maid was unjust in giving you a ticket , then dump a bunch of unpopped kernels of corn onto the engine block and watch the car burst apart .
mitch ( norm macdonald ) and sam (
artie lange ) need to come up with $ 50 , 000 in a period of two weeks so that sam 's dad ( jack warden ) can have a heart operation .
their idea is to start a revenge - for - hire business where they 'll do your dirty work .
in the funniest scene ( and possibly the only funny scene ) of the movie , they take advantage of a live television shoot at a nearby used car lot .
their presence is established , but when a less - than - honorable real estate developer hires them and then reneges on the payment , the two go to work to exact their sordid brand of revenge .
by default , dirty work should treat us to some outrageous revenge plots , but it delivers jerky boys level material .
except for the bit at the used car lot ( and possibly another episode that involves frat brothers ) , the dirty work is uninspired and becomes about as funny as a prank phone call .
already weak on material , it further spirals itself towards the video store by having jack warden constantly blurt out that he has an unsatisfied libido and needs ' broads ' and
also includes a very unfunny chevy chase as a bumbling doctor with a gambling addiction .
but what 's really painfully evident is that norm macdonald has no versatility as an actor .
relying on his trademark of speaking into his personal recorder and saying " note to self " ( " note to self : learn to fight , " he says after getting beat up ; " note to self : there 's always beer , " he says after hitting rock bottom ; etc . )
, we feel like we 're just watching an elongated rehash of his not - so - glorious days on saturday night live .
much like the television show , for 90 minutes we get one or two funny bits .
the rest of the story is just dead space .

Ex Output:

N