Given a document, an entity and its sentiment towards the entity, verify if it is the correct sentiment towards the entity. Answer should be yes or no. Note that URLs in the text have been replaced with [Link].

[Q]: Verify if the sentiment of the following document towards the entity Harry Leslie Smith is Neutral . Harry Leslie Smith is a World War II RAF veteran who will turn 95 in February 2018.
He is also an activist who's written several books on the Great Depression  which he experienced in Britain  the war and the rise of Neo-liberalism in the West. Recently   Smith  has been vocal in advocating for refugee rights  visiting the Calais "jungle" and tweeting his passionate political opinions (he's a Labour supporter).
But there's still a challenge  Smith  wants to complete: travelling to refugee camps across the world. For this reason he's launched a crowdfunding campaign on GoFundMe to help him fund his tour.
I'm almost a 100  so I know my time left on earth is short that's why I'm making it count for something.  [Link] … #Labour — Harry Leslie Smith (@Harryslaststand) October 19  2017
 As  he  notes   his  Twitter feed has over 123 000 followers and people of all ages are inspired by  his  voice.
[A]: no


[Q]: Verify if the sentiment of the following document towards the entity Ron Brown is Negative . "I can't teach the book right now " says Shaka Greene  algebra teacher at Ron Brown College Preparatory High School. "Because my students are still learning to add 49 plus 17."
So begins Part 3 — the conclusion of our podcast series: Raising Kings: A Year of Love and Struggle at Ron Brown College Prep.
For Greene  this is the last straw. He announces that he won't be returning for  Ron Brown's  second year because of  his  frustration over "egregiously" low academic expectations.
Curtis and Principal Williams insist that academic progress will come in this dramatically different school  but that no one should expect it so soon  after what is still Ron Brown's first year.
While Greene is the only teacher who says he won't be coming back because of these district policies  every member of the Ron Brown faculty agrees with his opposition.
This debate is not unique to Ron Brown. It has roiled teachers' lounges and principals' offices across the country.
The difficult truth for the passionate educators of Ron Brown is that both sides are right.
This is the last installment of our yearlong reporting project  "Raising Kings  A Year Of Love And Struggle At Ron Brown College Prep."
[A]: yes


[Q]: Verify if the sentiment of the following document towards the entity Philip K. Dick is Negative . Lately  weâve been seeing a boom in TV dystopias. Two of the most successful premieres in the past few years have been HBOâs Westworld and Huluâs The Handmaidâs Tale: the former a solemn  plodding update of Michael Crichtonâs 1973 film  in which subjugated androids revolt and take over a theme park; the latter a stylish and compelling adaptation of Margaret Atwoodâs 1985 novel  in which the United States becomes a patriarchal theocracy. Other recent examples include Amazonâs The Man in the High Castle (based on Philip K. Dickâs 1962 novel about an alternate reality in which the Axis powers have won World War II)  HBOâs The Leftovers (about a world in which 2 percent of the population has mysteriously disappeared)  and Netflixâs new Altered Carbon (a cyberpunk gorefest based on a 2002 novel by Richard K. Morgan). Stretching the criteria a bit  one could perhaps include the long-running zombie odyssey The Walking Dead and its spin-off  Fear the Walking Dead  and sitcoms that play with dystopic elements  like The Good Place and The Last Man on Earth.
The success of Black Mirror is the proximate cause for the existence of  Philip K. Dickâs  Electric Dreams  also produced by Channel 4 and available here on Amazon. Dick  of course  is one of the past masters of the dystopia genre: His 1968 novel Do Androids Dream of Electric Sheep? was the basis for the seminal Ridley Scott film Blade Runner  and his work has been mined by Hollywood countless times ever since.  Electric Dreams  adapts 10 of  Dickâs  short stories  including âThe Hood Makerâ (which imagines a class war between telepaths and normal citizens  who resent their mindsâ being invaded) and âThe Father Thingâ (in which a childâs father is replaced by a sinister alien doppelgÃ¤nger).
 Electric Dreams  is slickly made and intermittently effective  but despite some half-hearted attempts to reimagine or update the material (the boy in âThe Father Thing â upon uncovering the alien conspiracy  posts a video on the Internet with the hashtag â#RESISTâ)  it doesnât really feel of our moment. Part of the problem is that Dickâs work has been adapted for film so many times already that itâs hard to watch a given episode of Electric Dreams  however well executed  and not compare it unfavorably  if unfairly  with Blade Runner  or Paul Verhoevenâs Total Recall  or Steven Spielberg âs  Minority Report.  Dickâs  sensibility is idiosyncratic and sui generis  but at this point it feels more like a piece of intellectual property than the amphetamine-fueled gnostic vision it once was. Is anybody âs  mind really blown by the is-our-world-real-or-just-a-simulation conundrum posed by âReal Life â for example  after weâve seen not only Total Recall but The Matrix and Westworld and a hundred other iterations of it?
The problem  however  isnât just overfamiliarity. Dystopias draw their power from an analysis of the present  and  Dick âs once-radical vision of the future is now as far in the past as H.G. Wellsâs was for  Dick  when  he  began writing. This is what Black Mirror  for all its flaws  has over Electric Dreams: The series feels like itâs about things that Brooker is genuinely worried about  not a dutiful tribute to what someone was worried about in the 1960s; itâs the future as seen from the 21st century  not the 20th. This problem is endemic to many of the recent dystopian shows. The fact that Westworld is based on a movie from 1973  and The Handmaidâs Tale on a novel from 1985  doesnât invalidate their value as entertainments or as cultural commentaries. But it does introduce concerns alien to the dystopiaâs imperative to take the worst of the present day and amplify it.
[A]:
no