In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

tone alone can not sustain a film , but it can go a long way .
if i can find myself lost in the time and place of a story , it scores immediate style points .
when that tone is backed up by an outstanding story and great acting , the effect can be described best by an adjective i do not use lightly : " literary .
"
what 's eating gilbert grape ? is such a film .
it 's a rich , memorable and stunningly acted story of desire colliding with responsibility , staged in a manner which many viewers might find too prosaic , but which insinuated itself into my imagination with its confidence .
gilbert grape ( johnny depp ) is a young man living in rural endora , iowa , facing incredible responsibilities .
as the man of the house since his father 's suicide , gilbert must support the family by working at the local grocery store .
he also must watch over his mentally handicapped brother arnie ( leonardo dicaprio ) and help care for his extremely overweight mother ( darlene cates ) .
gilbert seems destined to spend the rest of his life in the small town until the arrival in endora of becky ( juliette lewis ) , a free spirit passing through with her grandmother when their truck breaks down .
as he spends time with becky , gilbert begins to think about all the things he is missing .
slowly his resentment builds , until he realizes that he can no longer live his entire life for other people .
director lasse hallstrom ( my life as a dog ) and
legendary cinematographer sven nykvist create a magnificent visual backdrop for peter hedges ' screenplay , based on his own novel .
endora is a town on the edge of the world represented by the giant foodmart , a tiny insular community where everyone knows everyone else .
the midwestern sunsets and sprawling fields are beautifully photographed , and the atmosphere of the town is intensely real .
minor characters , like crispin glover as the town 's mortician , are vividly realized , and there are echoes of the last picture show in mary steenburgen 's desperately unhappy housewife .
one of the most perfectly realized scenes focuses on the grand opening of a burger franchise , attended by the entire town and accompanied by the off - key high school band .
not a single note in the depiction of endora rang false .
the same can be said of the character of gilbert .
it 's testimony to the precision involved in his creation that he came together completely with one perfectly placed line , when becky responds to gilbert 's description of his father with , " i knew someone like that once .
"
gilbert is a man harboring an ever - growing bitterness about where he finds himself in life , a bitterness which reveals itself in moments of surprising cruelty .
in one scene , he allows local children to look at his mother through their window , displaying her like a side show attraction .
his entire life seems to be mocked by arnie 's repeated chants of , " we 're not going anywhere , " but instead of expressing his dissatisfaction he lets his anger simmer , and it becomes clear that he is following in his father 's footsteps in this regard .
johnny depp expertly demonstrates the tension central to gilbert by playing everything below the surface , but he never gives in to one - dimensional blankness or simply regurgitates his naif roles in benny & joon and edward scissorhands .
depp 's performance is overshadowed , however , by leonardo dicaprio 's astonishing oscar - nominated supporting work as arnie .
he puts to shame such big name actors as john malkovich and dustin hoffman , whose mentally challenged characters never seemed completely real .
dicaprio is perfect to the last twitch and squeal , and anyone who has ever spent time with mentally challenged kids will be hard - pressed to spot a flaw .
darlene cates , a first - time actor , brings real pain to her scenes as gilbert 's tortured mother , and laura harrington and mary kate schellhardt are solid as gilbert 's sisters .
only juliette lewis does n't quite click , playing a critical role with her now familiar dopey drone and too little genuine spark .
gilbert grape does seem to drift into its conclusion , but it never lost me .
thanks to a lovingly created setting and a marvelous cast , this 1993 release proves well worth the wait .
P

pitch black is a sheep in wolf 's clothing .
it is full of darkness , danger and violence and if you buy into the marketing hype , an unsettling and scary film going experience .
do n't be fooled .
pitch black is a morality play masquerading as a scare - fest .
it starts off with blistering intensity .
a cargo spaceship crash lands on a planet apparently leeched of life by the scorching heat of three suns .
among the survivors is fry ( mitchell ) , the ship 's pilot , who spends the film wrestling with the fact that she tried to jettison the other passengers in her effort to land the craft safely .
there is imam ( david ) , an islamic leader whose faith in his god is tested repeatedly throughout the film .
there is a law enforcement officer in the form of johns ( hauser ) , who attacks every situation with square jawed authoritarian zeal .
and there is riddick ( diesel ) , a menacing , muscle - bound convicted murderer who 's being brought back to justice by johns .
the group quickly sizes up the situation and each other .
confident in their assessment of matters , a plan is set in motion to escape their hellish environment .
those plans are shredded by the appearance of one of the planet 's wildlife , a predatory , sometimes winged , species that enjoys the taste of blood and flesh .
fortunately , the creatures are light sensitive and are forced to live in networks of catacombs under the planet 's surface .
unfortunately , the group has managed to land on the planet moments before an eclipse is about to occur , taking away their one protection from the monsters .
the group 's savior comes in the form of johns , whose decisive leadership looks to deliver them from purgatory .
or does it ?
pitch black deviates from the standard sci - fi fare by avoiding some of the stock " escape the boogieman " conflicts the genre typically serves up .
just as the planet gave a false facade of lifelessness , first appearances given by the survivors proves to be just as false .
the excitement of the film comes not from the danger posed by the creatures , but rather from watching the shifting allegiances and emotional growth of the characters as the planet serves as a deus ex machina of sorts to catalyze emotional growth .
a recurrent theme runs throughout the movie of faith , whether it be religious or in a person , and how that powers their motivations .
i found it telling that an accidental death occurs early on due to the misperception of a self professed atheist .
conversely , imam constantly contributes any good fortune to allah .
one by one , his perceived heaven sent blessings are taken away and crushed .
imam is forced to reassess his faith .
another character expresses belief in god , along with a life long hate .
yet another character makes a decision that echoes the sentiments of christ about selflessness and has lasting repercussions for several of group .
it is a fascinating character study hiding under the guise of a scare flick .
special mention should be made of vin diesel , who intriguingly conveys feral menace combined with a truly mesmerizing presence .
his character could have easily slipped into a parody of the baddass killing machine , but twohy and diesel add surprising depth to riddick .
they can be excused for the two or three shwarzenegger - like catch phrases that growl their way out of diesel 's mouth .
the movie has its flaws that can be nitpicked .
the creatures do look derivative of the ones in alien .
the dialogue is n't the freshest at times , reminiscent of a bad comic book .
yes , the appearance of riddick 's vision skills are more than a little timely considering the situation .
these trappings are on the periphery of the story twohy is really trying to tell .
twohy may have lured you in under the pretense of scaring you with film fabricated boogieman , but he shows the real boogieman to be the prejudices and beliefs we use to direct decisions in our lives .
P

i rented this movie with very high hopes .
this movie got praise as one of the best films of 1998 , and unfortunately , was not as good as i hoped , but was still very intriguing and thought provoking .
first of all , the casting for this film is great .
tobey maguire and reese witherspoon are the future of hollywood .
they play their roles as the parker brother and sister perfectly .
with a plot as unbelievable as this film , you need chemistry and honest acting from your cast .
tobey and reese ( bud and mary sue parker ) play their roles perfectly and display their characters with honesty and believability .
william h. macy , an actor i have grown to love over the past year , turns in another great performance as the tv dad who is torn over his wife , a " colored " person and his friends , the " non - colored " ones .
he also displays believability and must display a certain lack of chemistry with his wife .
he does this perfectly and yet again shows why he should be one of the top actors in hollywood .
joan allen is equally great as betty parker ,
the ideal tv mom .
her character is the most ambitious .
she is very na ?
ve , and must display this well to make her character believable
and she does just that .
her lack of chemistry with macy , which the role calls for , and her developed chemistry with jeff daniels is terrific , and if daniels would have been as stellar as the rest of the cast , then this film would even been even better .
as said before , jeff daniels gives a bad performance .
his character displays the change going on throughout the town , yet he does not display it with enough conviction .
his character is very confusing and he is not very believable .
this film could have been elevated to a whole new level had daniels been able to give a better performance .
the movie is very provocative .
it challenges the issues of racism that existed in the past and that still exist today .
i really was not expecting all of the elements they brought up ,
but they pulled them off with such flair that it was mind blowing .
they demonstrate the racism issue without a hitch , but do it in a slow pace .
the only major flaw in the film besides the performance by daniels is length .
some films are not meant to be that long .
pleasantville is one of those films .
this film could have been so much better had they not moved so slowly to it .
first , they are amazed by the implementation of color .
then they want to have it .
then they do not want to .
then the war ensues between the colored and non - colored .
this is all strung out over two hours , which was way too long .
some movies need a lot of time .
saving private ryan was a little bit under three hours long and i thought it could have used more time .
this film is only two hours long , and seems much longer .
length is everything in films .
if you can nail down the perfect timing and pace , you can win half the battle .
pleasantville can move at a good pace at times , but it is not consistent enough .
overall
, pleasantville is a very pleasant and provocative departure from the predictability of most films these days .
i went in expecting a light - hearted film about change .
i left learning an important lesson about racism and the way things change .
luckily
, pleasantville teaches this lesson in such a way to make it appeal to all audiences .
only if it could have done in a shorter amount of time .

P