Given a document, find the main entity about whom the author is writing. Write the full name if mentioned in the text. Note that URLs in the text have been replaced with [Link].

Input: Consider Input: The book begins in an unnamed Syrian city with  a teenage boy  Tareq  surrounded by his bustling  tight-knit family . It details  Tareq 's excruciating journey  leaving behind people and places  he  loves  almost from the very moment a bomb hits  his  family's home.
On the day that  Tareq 's home is struck by a bomb 
Tareq  was having a normal day with  his  family.  His  mom was cooking in the kitchen   his  grandmother was enjoying a small glass of tea   his  little brothers and sisters were playing and watching TV — just the typical day in their lives. And that typical day is destroyed by an airstrike.  He 's sent to the hospital where  he  does get some good news that  his  little sister is alive. But then a doctor takes  him  to a room and  he  sees  his  two 6-month-old little brothers dead on a gurney. And it seems very dark  but it's a situation that happens all the time  and really it's based on real characters  including those twins. I've seen pictures of the twins laying on the gurney  and it's the sad truth.
And for  Tareq   the character in my book   he  goes to Turkey.  He 's a second-class citizen there.  He 's going to go to Europe.  He 's going to be a second-class citizen there. There are people who don't want  him . There are people who fear  him   despite  him  being the one who's really afraid.

Output: Tareq


Input: Consider Input: In 1979   Lukasz Niec  43   was brought to the United States from Poland by  his  parents to escape an increasingly authoritarian government but now sits in a Calhoun County jail cell after three ICE officers came to  his  home last Tuesday and put  him  in handcuffs.
 He  had been spending the day off with  his  daughters.
" He  cannot go back to Poland  a country  he  doesn't know   he  has no family at " Iwona Niec-Villaire   his  sister and a corporate lawyer  told WOOD.
 Lukasz Niec  with  his  wife and two daughters (Facebook)
"Both our parents passed away in the United States.  He  doesn't know anyone   he  wouldn't know where to go."
She added  " He  doesn't even speak Polish."
 Niec  pled guilty to the charges and under the Holmes Youthful Trainee Act   he  got to avoid having a criminal record since  he  was a young  first-time offender.
"Until this gets heard  which could be up to six months   he  could be stuck in a prison cell and not helping and being with  his  family " said Niec-Villaire.
 Niec 's arrest comes as the Trump administration continues its war on illegal immigrants.
ICE hasn't commented on what caused the agency to look into  Niec 's case  but a spokesman for the ICE Detroit Field Office told MLive.com he was looking into it.

Output: Lukasz Niec


Input: Consider Input: Campillo  and  his  co-writer Philippe Mangeot were both involved with ACT UP Paris in the early 1990s  when the film is set  and they drew on their experiences in scripting the movie. That authenticity shines through constantlyâthis is a film that operates on a granular level and finds real tension in debates over the meaning and manner of dissent. As an ode to the gay community  Beats Per Minute is necessarily insular and sometimes claustrophobic  a reminder of a time not long ago when the AIDS crisis was both roundly ignored and deeply stigmatized.
All of the most riveting human drama in Robin Campilloâs Beats Per Minute takes place in a cramped lecture hall somewhere in Paris  at the site of a weekly meeting of the cityâs chapter of the HIV-AIDS advocacy group ACT UP. This is an epic period film about that small room  filled with dozens of activists who helped shape a global conversation  and their story is heartbreakingly relevant to the ways people think about protest to this day. Beats Per Minute is 140 minutes long  and the majority of that running time is devoted to those crowded discussionsâbut every second is full of life.
The first meeting in the film starts with the ACT UP member Eva (AloÃ¯se Sauvage) giving a straightforward eulogy for a founding member of the chapter who recently died of AIDS-related complications. Her tone is not without emotion  nor is it resigned  but you get the impression itâs the sort of speech sheâs had to give many times before. That hint of realism turns even mundane  clerical exchanges into something riveting. Rather than simply using these organizing meetings to deliver blank expositional dialogue   Campillo  lets them run on and on  forcing viewers to engage with the nitty-gritty of the issue rather than concentrate on its lurid aspects.
Not that the director shies away from more sensational moments. The scenes of direct action are surprising  enervating  and occasionally shocking as the group finds what lines theyâre willing to push up against and others theyâre prepared to fully cross.  Campillo  also shows  his  heroes dancing at clubs  marching in pride parades  and falling in love with each other. But whether  he âs focusing on the political or the personal   he  never zooms out  giving an impression of just how isolated the gay-rights activist community might have felt in the early â90s.


Output: Robin Campillo