In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Q: Question: Of the two groups that focus on the Greco-Hellenistic heritage of the region, which has a larger congregation? Passage 1:The Lebanese Christians are some of the oldest Christians in the world, preceded only by the oriental Orthodox of Armenia and Copts of Egypt. The Maronite Christians, belong to the West Syriac Rite. Their Liturgical language is the Syriac-Aramaic language. The Melkite Greek Catholics and the Greek Orthodox, tend to focus more on the Greco-Hellenistic heritage of the region from the days of the Byzantine Empire, and the fact that Greek was maintained as a liturgical language until very recently. Some Lebanese even claim partial descent from Crusader knights who ruled Lebanon for a couple of centuries during the Middle Ages, also backed by recent genetic studies which confirmed this among Lebanese people, especially in the north of the country that was under the Crusader County of Tripoli. This identification with non-Arab civilizations also exists in other religious communities, albeit not to the same extent.
 Passage 2:Former Black Sabbath members vocalist Ronnie James Dio and drummer Vinny Appice formed Dio in October 1982 in the United States with bassist Jimmy Bain and guitarist Vivian Campbell. The band released their debut album, Holy Diver in May 1983. Since Ronnie James Dio and Jimmy Bain had played keyboards on the record, they recruited keyboardist Claude Schnell for live shows in 1983 and the following Holy Diver tour. Claude Schnell would later become a full member of Dio, and the band's first recorded effort as a quintet would be 1984's The Last in Line. The band proceeded to release Sacred Heart in 1985 and The Dio E.P. in 1986 before Campbell was fired from the band. The remaining members were joined by guitarist Craig Goldy to release Dream Evil in 1987 before the departure of Bain, Appice and Schnell. They would not play in Dio together again, however Appice would return to the band between 1993 and 1998 as well as Bain between 1999 and 2004.
 Passage 3:The establishment of Decoration Day as an official government holiday (by proclamation, not by law) swiftly occurred, and the holiday was almost immediately a popular one. At Arlington cemetery, the number of people attending the annual event swiftly overwhelmed the limited facilities. The first Decoration Day event was held in front of Arlington House. James A. Garfield, a former Major General in the Union Army (and future President of the United States), addressed a "large crowd" from the mansion's back steps. The following year, President Ulysses S. Grant closed the federal government for the holiday, and most businesses followed, which greatly contributed to attendance at the cemetery. A dais seating 400 people was erected in what remained of "the Grove" at the rear of Arlington House to accommodate speakers and dignitaries—which, for the first time, included President Grant. The Civil War Unknowns Monument, which was located south-southwest of Arlington House, was covered by a canopy. Several American flags hung from the canopy, red-white-and-blue bunting was draped along the monument's top, and numerous floral tributes were laid against it. An estimated 25,000 people attended the event throughout the day. Two sites for ceremonies were used in 1870. A very large speakers' dais was erected near the Sheridan Gate and McClellan Gate on the cemetery's east side, and used for speeches throughout the day. For the more important speakers, a second dais seating 200 was erected at the rear of Arlington House (although not with "the Grove"). A stand, permitting the seating of 500, was built nearby for a grand chorus (which sang for the crowd). Again, the Civil War Unknowns Monument was canopied and decorated. About 20,000 people attended the event that year, with rain keeping the numbers low. In 1871, the speakers' dais moved back to "the Grove" and expanded to accommodate 300 people. Frederick Douglass, the former African American slave and abolitionist, was the featured speaker that year. "Hundreds" of people attended his address, including President Grant. The dais moved again in 1872, this time to a location a few yards to the south of the Civil War Unknowns Monument. The dais was slightly reduced in size so that it only sat 200, but it now included a thrust on which stood a speaker's podium. More than 5,000 people attended the 1872 event.


A: 1
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Q: Question: Who were the intial anchors for the KTLA Morning News? Passage 1:The film opens before the declaration of the Indo-Pakistani War of 1971. At a forward operating airbase, Indian Air Force Wing Commander Anand "Andy" Bajwa (Jackie Shroff), setting his stopwatch, waits for the air raid siren to go. As the siren goes, he sprints towards his MiG-21, armed, fuelled and ready for takeoff. Bajwa and his air force wingmen soon take off to an unknown airbase in Rajasthan. Once there, he is briefed by his superiors that he and his squadron are assigned to the Jaisalmer sector and have to fly the outdated and day fighter Hawker Hunter Ground attack planes (with no night vision capabilities) to support the Indian Army. He is soon joined by his brother-in-arms army Major Kuldip Singh Chandpuri (Sunny Deol) as they meet on a courier flight and speak about the possibility of the opening of the Western front in light of the East Pakistan conflict. Kuldip takes up command of a company of the 23rd Battalion Punjab Regiment, arguing the light defence being assigned to the military post of Longewala. He meets his second-in-command 2nd Lieutenant Dharamveer Bhan (Akshaye Khanna) (who happens to be the son of a 1965 Indo-Pakistani War veteran who was killed during that war) and the Company JCO Naib Subedar Mathura Das (Sudesh Berry). The company moves to a remote outpost in the deserts of Rajasthan and begin to expand the rudimentary Border Security Force (BSF) post and does the observation of the area up to the international border with Pakistan. They meet the post's BSF Assistant Commandant Bhairon Singh (Sunil Shetty), a deeply patriotic man who expresses his love for the desert.
 Passage 2:In 1944, Argentia served as one of the two stopover bases for the refuelling, maintenance, and crew changes of the six United States Navy (USN) K-class blimps that made the first transatlantic crossings of non-rigid airships. Blimps K-123 and K-130 from USN Blimp Squadron 14 (also known as ZP-14, Blimpron 14, or "The Africa Squadron") left South Weymouth Naval Air Station in Massachusetts on 28 May 1944 and landed at Argentia about 16 hours later. The two K-ships then flew for approximately 22 hours to Lages Field on Terceira Island in the Azores, the second stopover base for the transatlantic flights. The last leg was a ~20-hour flight to the squadron's final destination with Fleet Air Wing (FAW) 15 at Port Lyautey, French Morocco (now Kenitra, Morocco). Blimps K-123 and K-130 were followed by K-109 and K-134 then K-112 and K-101 which left South Weymouth on 11 and 27 June, respectively, in 1944. These six blimps initially conducted nighttime anti-submarine warfare operations to complement the daytime missions flown by FAW-15 aircraft (PBYs and PB4Y-2) using magnetic anomaly detection to locate U-boats in the relatively shallow waters around the Strait of Gibraltar. Later, ZP-14 K-ships conducted minespotting and minesweeping operations in key Mediterranean ports and various escort missions including that of the convoy carrying Franklin Roosevelt and Winston Churchill to the Yalta Conference in early 1945. In late April 1945, K-89 and K-114 left NAS Weeksville (now Coast Guard Air Station Elizabeth City) in North Carolina and flew a southern route to NAS Bermuda, the Azores, and Port Lyautey, where they arrived on 1 May 1945.
 Passage 3:In March 1991, KTLA was the first station to air the infamous video of Rodney King's beating by three Los Angeles police officers, whose eventual acquittal sparked rioting within the city in 1992. In July 1991, KTLA debuted the Los Angeles market's first live, local morning two-hour newscast, the KTLA Morning News, to compete with the network morning shows on KABC-TV (channel 7), KCBS-TV (channel 2) and KNBC (which each started at 7:00 a.m., as KTLA's program initially did). The program suffered from low ratings at first; however, the ability to cover breaking news live (as opposed to the network morning programs, which were aired on a three-hour tape delay) attracted more viewers to the program. As time went on, the Morning News has enjoyed great ratings success, generally ranking number one in its main 7:00–9:00 a.m. time period. The program's success spawned rival KTTV to launch its own morning newscast, Good Day L.A., in 1993. From 1994 to 1995, the station aired gavel to gavel coverage of the O.J. Simpson trial anchored by Marta Waller (this coverage was rebroadcast by other stations such as Portland, Oregon WB affiliate [and future Tribune sister station] KWBP (now KRCW-TV)).


A: 3
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Q: Question: Which of the two film scores released in the 1990s had better sales? Passage 1:Yvan Muller started his BTCC career in 1998 replacing Audi Vice Champion Frank Biela that in the while came back in STW. Muller thanks to his major experience with front wheel Audi A4 got three podium and finished 7th in the 1998 championship while his teammate John Bintcliffe finished just 15th. After Audi withdraw at the end of 1998 BTCC, Yvan moved to the Vauxhall Motorsport team run by Triple Eight Race Engineering for 1999 alongside John Cleland using the Vauxhall Vectra. He would win his first BTCC race at round 7 Brands Hatch, he would eventually finish 6th in the championship while teammate John Cleland finished 13th. 2000 was the last year for the Super Tourers in the BTCC. Muller drove for Vauxhall again while Jason Plato and Vincent Radermecker joined after leaving Renault and Volvo who pulled out at the end of 1999. The Frenchman finished as the top driver for Vauxhall in 4th in the championship behind all three Ford drivers (Alain Menu, Anthony Reid and Rickard Rydell).
 Passage 2:In 1985, he founded his own recording studio—the wonder station. Their collaboration has invited comparisons to the collaborations of Steven Spielberg and John Williams. This big break led to Hisaishi's overwhelming success as a composer of film scores. In 1986, , would be the first feature to appear under the Studio Ghibli banner, and its gentle, faintly melancholic tone would become a familiar trademark of much of the studio's later output. And later, in the 1990s, Porco Rosso and Princess Mononoke were released. As Hisaishi strengthened his reputation as one of the budding anime industry's top musical contributors, his compositions (including eight theatrical films and one OAV) would proceed to become some of the very hallmarks of early anime in the 1980s and 1990s. Hisaishi also composed for such TV and movie hits as Sasuga no Sarutobi, Two Down Full Base, Tonde Mon Pe and the anime Tekuno porisu 21C (all 1982), Sasuraiger (1983), Futari Taka (1984), (1985) and Oz no mahôtsukai (1986). He also scored the sci-fi adventure series Mospeada (1983), which was later reworked (without his music) into the third segment of Carl Macek's compilation, Robotech. Other films he scored included Mobile Suit Gundam Movie II: Soldiers of Sorrow (1981), Mobile Suit Gundam Movie III: Encounters in Space, (1982), Birth (Bâsu) (1984), Arion (1986), Robot Carnival (1987), Totoro (1988), Crest of the Royal Family and Maison Ikkoku – Apartment Fantasy (both 1988), Venus Wars (1989), Kiki's Delivery Service (1989), Porco Rosso (1992) and Ocean Heaven (2010). He also did theme song arrangements and composed other anime opening, closing, and insert title theme songs such as Mahō Shōjo Lalabel (1980), Hello! Sandybell (1981), Meiken Jolie (1981), Voltron (1981), Ai Shite Knight (1983), Creamy Mami, the Magic Angel: Curtain Call (1986), and  (1988).
 Passage 3:Cat Mazza has a BFA from Carnegie Mellon University and received her master's degree from Rensselaer Polytechnic Institute. Her work has been featured in exhibitions nationally and internationally including the exhibitions Radical Lace & Subversive Knitting at the Museum of Arts and Design in New York City, Disobedient Objects at the Victoria and Albert Museum in London, Craft Futures: 40 Under 40 at the Smithsonian American Art Museum and in "She Will Always Be Younger Than Us" at the Textile Museum of Canada and the Art Gallery of Calgary, along with work from Orly Cogan, Wednesday Lupypciw, Gillian Strong, and Ginger Brooks Takahashi in connection to the "When Women Rule The World: Judy Chicago in Thread" exhibit also at the Textile Museum of Canada. Mazza has received many prestigious grants from institutions including Creative Capital, the Experimental Television Center, the Rockefeller Foundation in Media Arts, MacDowell Colony and the Craft Research Fund. She received a Creative Capital grant in 2012 for her project Knit for Defense and was a presenter at the 2011 conference The Influencers. Mazza has additionally served as an Eyebeam staff member.


A:
2
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