In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.

[Q]: Passage: Sacred Ground, the band's second album, came out in 1992. This album was McBride & the Ride's most successful, with all three of its singles reaching Top 5 on the country charts: "Sacred Ground" at number 2, followed by "Going Out of My Mind" (which McBride co-wrote with Kostas) and "Just One Night," both at number 5. "Sacred Ground" was co-written by Kix Brooks, who had previously released the song in 1989 from his self-titled debut album for Capitol Records before joining Ronnie Dunn to form Brooks & Dunn in 1991. In 1992, McBride & the Ride received a Best New Vocal Group or Duo nomination from the Country Music Association and Vocal Group of the Year nomination from the Academy of Country Music. More than four years after its release, Sacred Ground was certified gold by the Recording Industry Association of America for shipping 500,000 copies. Despite these sales, McBride remarked that the band still nearly lost its recording contract, due to other artists on the label selling even more strongly.
 Link Information: In 1992, McBride & the Ride received a Best New Vocal Group or Duo nomination from the Country Music Association and Vocal Group of the Year nomination from the Academy of Country Music.  Answer: Country Music Association
[A]: Which organization that nominated the duo for awards in 1992 was older?


[Q]: Passage: Inside the church are galleries on the north, west, and south sides. These are carried on Tuscan columns, which rise to the ceiling as wooden quasi-Tuscan columns. At the east end of the church are paintings by Jacob Thompson of Penrith dated 1845 depicting the Angel and the Shepherds, and the Agony in the Garden. The communion table dates from 1722, and was lengthened in 1951. The brass chandeliers were given to the church in 1746 by the 2nd Duke of Portland in recognition of the part the town played in the defence against the Young Pretender in 1745. The pulpit consists of the top section of a former three—decker. At the back of the gallery are royal arms dated 1723 by Mathias Read. The font consists of a simple octagonal bowl, and is dated 1661 which is the date it was brought back into use after the Restoration of King Charles II. The stained glass in the east window of 1870 is by Hardman, and that in the north aisle, dating from 1889, is by Burlison and Grylls. Elsewhere are windows by Clayton and Bell, Powell's, G.J.Baguley, and by Cox, Sons and Buckley. The monuments include two coffin lids inscribed with foliated crosses, one dating from the 14th century, the other possibly from the 12th century. There are also two worn stone effigies from the 17th century.
 Link Information: He began to exhibit in 1824, when he had in the first exhibition of the Society of British Artists a "View in Cumberland," but he did not send a picture to the Royal Academy until 1832, in which year appeared "The Druids cutting down the Mistletoe." This was followed in 1833 by a picture containing full-length portraits of the daughters of the Hon. Colonel Lowther. His next exhibit was "Harvest Home in the Fourteenth Century," which appeared at the British Institution in 1837, and was presented by the artist to his patron, the Earl of Lonsdale. After this date he painted portraits, views of mansions, &c., but he did not exhibit again until 1847, when he sent to Westminster Hall "The Highland Ferry-Boat," which was engraved in line by James Tibbits Willmore. "The Proposal" appeared at the Royal Academy in 1848; "The Highland Bride," likewise engraved by Willmore, in 1851; "Going to Church: Scene in the Highlands," in 1852; "The Hope Beyond," in 1853; "The Course of true Love never did run smooth," in 1854; "The Mountain Ramblers," in 1855; "Sunny Hours of Childhood" and "Looking out for the Homeward Bound," in 1856; and "The Pet Lamb," in 1857. He painted in 1858 "Crossing a Highland Loch," which was engraved by Charles Mottram; but he did not again exhibit until 1860, when he sent to the Royal Academy "The Signal," which was engraved by Charles Cousen for the Art Journal of 1862. In 1864 he had at the academy "The Height of Ambition," engraved by Charles Cousen for the Art Journal, as was likewise by J. C. Armytage "Drawing the Net at Hawes Water," painted in 1867 for Lord Esher, but never exhibited. "Rush Bearing" and a view of Rydal Mount are among his best works.

In his later years Thompson devoted himself chiefly to landscape subjects with figures, the themes of which were for the most part drawn from the mountains and lakes of Cumberland and Westmoreland, but occasionally from Scotland. His range, however, was limited, and his work was lacking in poetic sympathy. His attempts at classical and scriptural subjects, such as "Acis and Galatea," exhibited at the Royal Academy in 1849, and "Proserpine," were not a success. His last work was "Eldmuir, or Solitude." Answer: View in Cumberland,
[A]: What other paintings has Jacob Thompson created?


[Q]: Passage: Askey was a youth-team player at Port Vale, the club where his father, Colin Askey, made over 200 appearances in the 1950s. Despite winning the club's Young Player of the Year award in 1982, he was never handed a first-team debut at Vale Park. After leaving the club he spent a year working as a laborer for a pottery firm in Tunstall, before entering the insurance industry. He first joined Macclesfield Town from Milton United in 1984, alongside his brother Bob, to fill a gap when the club were short of players. He scored on his debut during the 1984–85 season, coming on as a substitute away at Morecambe on 29 December. He went on to score one goal in three appearances as the "Silkmen" finished as runners-up to Stafford Rangers in the Northern Premier League. He featured 13 times in the 1985–86 campaign, before scoring seven goals in 17 appearances as Macclesfield won the Northern Premier League title in 1986–87. Macclesfield went on to secure a treble after winning the Northern Premier League President's Cup and beating Burton Albion 2–0 in the Northern Premier League Challenge Cup final at Maine Road.
 Link Information: Colin Askey (born 3 October 1932) is an English former footballer who played on the right wing. He made a total of 341 league and cup appearances in a 15-year career in the English Football League, scoring 40 goals. Answer: 23
[A]:
How many goals did Colin Askey score over his 200 appearances with the Port Vale club?