Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Input: Consider Input: CONTEXT: For a perfect clone, down to the quantum level, both would be the real Angier. That is the essence of his fear. The real Angier will be killed every time. When you download a movie what you are doing is actually making a perfect copy of the movie. Which is the real movie? They all are. This is very different from making copies of film reels where only the original have the quality of the original (each copy adds a little imperfection). Now, the question The Prestige asks is what if you can make a perfect clone of a person the way you can perfectly copy digital data? In one sense, if we don't want to get too uncomfortable we can always say the remaining copy is now the real data and the deleted copy is not real anymore. But if you really think about it and get out of your comfort zone you will realize that both people are real and what you have done is murdered yourself. In The Prestige this point is much more clearly made as the old copied Angier becomes the one who is killed. Not the newly created clone. Every time the clone will have only the memory of the surviving Angier. But every time Angier experiences death, only the Angier that experienced death has no way of passing that memory to the surviving Angier so the survivor can never know what dying feels like.  <sep>  Q: How does it work that the clones are sentient paradox?

Output: Yes


Input: Consider Input: CONTEXT: It's not a case of Hank possibly watching Walt, it's more that the launderette was on his radar and known to him as a potential target. If he'd been watching it over any space of time, he'd start to notice who goes there regularly. If that person was someone he knew to have links to drugs, and also was a completely different race from the other employees there, then that's going to set further alarm bells of in Hank's head and confirm his suspicions that something illicit is going on (rightly or wrongly). By having Walt and Jesse come in the back of a laundry truck, it looks like a regular drop off and doesn't raise any flags with anyone.  <sep>  Q: Why do Walter and Jesse no longer come in cars to the laundry A: It's not a case of Hank possibly watching Walt, it's more that the launderette was on his radar and known to him as a potential target  <sep> FOLLOWUP_Q: At some point Walter and Jesse have to come in laundry trucks leaving their cars away. I understand Hank may watch Walter, but why Jesse?

Output: Yes


Input: Consider Input: CONTEXT: It could be that their accents are meant as indicators to their personality and class. In the examples you give: Thénardier adopts a 'fake' french accent, to attempt to pass himself off as more sophisticated than he is. The fact the accent is French is unimportant, it's the act of pretense by Thénardier that is being portrayed. Gavroche is an urchin, perhaps the bottom rung of the lowest class in society. His accent is thick cockney, which is analogous to being common and uneducated in British culture. In disparity to this: Jean Valjean (whilst imitating someone of nobler birth) has correct enunciation and a statesmanlike presence. This is indicative of education, and a higher class citizen.  <sep>  Q: Why are there accents in Les Misérables? A: their accents are meant as indicators to their personality and class  Q: How is this expressed in the film? A: Thénardier adopts a 'fake' french accent, to attempt to pass himself off as more sophisticated than he is  <sep> FOLLOWUP_Q: What about the other accents that can be found in the film?


Output: Yes