Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.

Input: Consider Input: CONTEXT: It is a common fact on TV that combat and injuries are stylized to make it look good rather than realistic. Have a look at pretty much any film fight where someone knows a martial art and compare that to someone who knows a martial art fighting for real. They are worlds apart. Even if you look at American Wrestling and BJJ you can see the difference. Knocking someone out with one punch is extremely difficult, especially if they are used to combat. I have taken an unpulled hit from a quarter staff on the top of my head which caused me to blackout later but I still didn't go down at the time. After almost 20 years of martial arts and living in rough areas I have only been knocked unconscious with one punch once, when I was 17 by the European Kickboxing champion. I was punched to the ground by a bouncer in Portsmouth when I was 20 but was still conscious until he stamped on my head. Most of the people in the Walking Dead would have starved or succumb to injuries by now if they were suffering this scenario for real. Not to mention being struck down by illness. It is just a convention of the media that people are routinely knocked out in one hit and recover completely when the plot demands it and don't when the plot demands that instead.  <sep>  Q: Are there a lot of head injuries in the Walking Dead? A: It is just a convention of the media that people are routinely knocked out in one hit and recover completely when the plot demands it and don't when the plot demands that instead 

Output: Who is one of the characters that has a lot of head injuries?


Input: Consider Input: CONTEXT: You think that a large deployment of troops would somehow be immune from the black market abundance of illicit material? Even in real life, drugs, alcohol, and illicit materials are abundant in field ops. It would not be unheard of or even unexpected for soldiers to have access to alcohol. Most of the soldiers at the base would be there voluntarily, and would not be patted down or strip searched. Put it this way, J Squads direct drill Sargent was against poker or card games and J Squad had a poker game going. Alcohol is just as easy to bring. That said, Cage had plenty of opportunities to find illicit stashes of alcohol or drugs, both on base and off. From his various loops, he obviously didn't sleep that night between waking up at the DS kicks and the moving out, and he could have found alcohol on base or off. He would have been back before deployment if he wanted. It was N+x day, where N is the number of interactions we have seen and X is the number we haven't. Cage has seen many iterations not shown in the film.  <sep>  Q: Where could Cage get alcohol on base? A: Even in real life, drugs, alcohol, and illicit materials are abundant in field ops. It would not be unheard of or even unexpected for soldiers to have access to alcohol  Q: Where could he have gotten it? A: From his various loops, he obviously didn't sleep that night between waking up at the DS kicks and the moving out, and he could have found alcohol on base or off  Q: Will he get in trouble? A: It would not be unheard of or even unexpected for soldiers to have access to alcohol 

Output: what would happen if he was drunk during combat?


Input: Consider Input: CONTEXT: It's the same for professional as well as amateur actors - I've known some pros that have a hard time reaching the crying point. One technique includes allowing the actor to focus on the saddest memory they have, in solitude, then pull them out for the take. I recall seeing a documentary that showed Gary Oldman looking through a book of photos of his family (he had just split from Uma Thurman) on the set of Dracula that got him to the point of sorrow that Coppola wanted. I have worked with some amazing amateur actors that would work themselves up into a state before filming. One actress imagined something terrible happening to her sister, and she delivered a very powerful performance (that got the crew all choked up). If all else fails, the vapors from an onion can induce tears (but also cause redness), or a few drops of glycerin in the corners of the eyes can be released - but nothing beats real tears. I have also heard of directors bullying/belittling actors to the point of melt-down, just to get the shot they want. But that's a pretty extreme way to go about it.  <sep>  Q: What techniques are used by directors to make an actor cry? A: One technique includes allowing the actor to focus on the saddest memory they have, in solitude, then pull them out for the take  Q: Is crying in a movie scene something that can be learned by practice or only talented people can perform? A: It's the same for professional as well as amateur actors - I've known some pros that have a hard time reaching the crying point  Q: What techniques are used to help younger actors cry in a movie scene? A: I have worked with some amazing amateur actors that would work themselves up into a state before filming  Q: Can anyone get good at crying for a movie scene? A: If all else fails, the vapors from an onion can induce tears (but also cause redness  Q: How often are onions used to make actors cry? A: a few drops of glycerin in the corners of the eyes can be released - but nothing beats real tears 


Output: Is it hard for actors to focus during a crying scene?