In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.
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Question: Question: How old was John Sargent the year Vassos moved to Boston? Passage:Vassos moved to Boston, Massachusetts in 1919, where he attended the Fenway Art School at night. He studied alongside American artist John Singer Sargent and worked as an assistant for Joseph Urban. In 1924 he moved to New York, where he attended the Art Students League of New York, studying under George Bridgman, John Sloan, and others. He opened his own studio creating window displays for department stores, like Wanamakers, murals, and advertisements for Saks Fifth Avenue, Bonwit Teller, and Packard Motor Cars in his unique black and white illustrated style. At the same time, he illustrated a series of books by Oscar Wilde for E.P. Dutton followed by others including Phobia on which he based his life-long design focus on psychology, his area of expertise as noted by Fortune Magazine's list of top designers in the country. He entered the emergent field of industrial design and was hired by rapidly-growing RCA Victor, under the leadership of David Sarnoff, who discovered Vassos while painting murals at the WCAU skyscraper in Philadelphia. The company had recently acquired Victor Phonograph, built Radio City, and owned NBC Broadcasting, but needed to amplify and modernize their radio manufacturing business. By hiring Vassos, an up-and-coming industrial designer who created their first Styling department, launched Vassos on a four-decade relationship with the company for whom he designed hundreds of items, while also consulting for numerous other clients like Coca-Cola, Waterman, Universal Artists, Remington, and the United States Government. Vassos's work as an interior designer included the Chrysler Building apartment of photographer Margaret Bourke-White, Nedick's Hot Dog stands, displays for RCA in department stores and the World's Fair,and many others for which he employed modular furniture. He eschewed trendy styles like the extreme-streamlined look, popular in the 1930s, and favored the clean, modern look unadorned with unnecessary elements. He expressed his design philosophy for magazines like Pencil Points and in lectures on modern design and art. Although he was hailed as a top designer in the United States during the 1930s, he slipped away from the spotlight of his industrial design peers like Raymond Loewy, Henry Dreyfuss, and Norman Bel Geddes, largely because he did not open a large firm. Unique among the industrial designers of the 20th century, his work was focused on the intersections between interior decorating, furniture design, and the shapes of phonographs, radios and televisions. His contributions include creating a futuristic living room including television, the slide rule dial on radios, emphasis on the haptic experience of media (knobs and buttons), and the "user experience," years before this term was coined.


Answer: b


Question: Question: What is the age difference between the royal architect and the person he worked for? Passage:Hans van Steenwinckel, the royal architect, designed and built the original pavilion and parterre garden in 1587, for King Frederick II of Denmark. The royal estate was then purchased in 1758 by Count Adam Gottlob Moltke, who completely changed the original pavilion and garden with the help of French architect Nicolas-Henri Jardin between 1759 and 1763. The additions led to its present-day architectural structure and façade. Jardin also redesigned the original parterre gardens, changing them to a larger, more modern garden à la française design, with symmetrical hedges, avenues, fountains and mirror ponds. Within the castle wall boundaries, these elegant garden grounds remain to a large extent intact, but outside, much of the garden has been lost, including the most renowned romantic landscape garden in Denmark, designed by Johan Ludvig Mansa in the 1790s. This was mostly due to the sale of much of the original property by the Helsingør municipality which had purchased the entire Marienlyst estate at auction in 1851. One of the lot purchasers was J.S. Nathanson, who in 1859 built Hotel Marienlyst, the first luxury hotel in Helsingør, named after the castle.


Answer: a


Question: Question: Are the writers that Horiguchi studied while in Belgium both French? Passage:In 1911, Horiguchi left school to accompany his father on overseas postings and during the next 14 years overseas he became fluent in French (assisted by his Belgian stepmother) and interested in French literature, particularly the novels and poetry of the Symbolist movement. He first spent over a year in Mexico, where he was diagnosed with tuberculosis, causing Horiguchi to abandon his father's hope that he become a diplomat, and he devoted his time to writing verse and translation of French works instead. He was in Mexico during the Mexican Revolution, and it was also during this time that he was drawn to Parnassianism as a style of verse. In 1913, the family relocated to Belgium, via Siberia. While in Belgium, he studied the works of Paul Verlaine and the works of the Symbolist movement, including the works of Remy de Gourmont. He subsequently lived for brief periods in Spain, Paris, Brazil and Romania and maintained correspondence with Marie Laurencin and Thomas Mann, whose works he also translated while recuperating at a sanatorium in Switzerland.


Answer:
a