instruction:
In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
question:
go 's is a gloriously slick hip machine .
director liman ( who also photographed go ) and screenwriter august celebrate the drug / rave scene in l .
a .
, preferring to take ( comedic ) snapshots of troubled youth rather than critique them .
after more than ninety minutes of pill - popping , tantric sex , car chases , and attempted murder , go even has a happy ending .
this is the sort of film that gives members of the dove foundation splitting headaches ; as go wound down , i anticipated an anti - pill - popping - casual - tantric - sex - car - chase - attempted - murder sermon that ( blessedly ) did n't arrive .
a la tarantino 's pulp fiction , go is comprised of three separate but related stories .
the basics are as follows :
ronna ( polley ) is a bitter grocery store clerk facing eviction who turns to drug dealing for extra dough .
her co - worker , simon ( the improbably named askew ) , is a clubber from britain ecstatic about his first trip to vegas .
zack ( mohr ) and adam ( wolf ) are soap opera stars escaping a career - threatening conviction by assisting a peculiar cop ( fichtner ) in a drug bust .
perhaps because the innovative structure of tarantino 's non - linear masterwork is by now old hat , the id - fueled go delighted me but rarely surprised me ( with the exception of that mind - reading cat ! ) ; pulp fiction zigzagged down roads unforeseen , but we see go 's wheels turning from its first flash frame to the last .
torontonian polley ( of the sweet hereafter ) refused to do publicity for this picture on the basis that she was " not pleased with " her turn as the ill - fated cashier .
in go , she delivers , hands - down , her best performance to date .
here 's an ( overrated ) actress who agreed to appear on the poster , but not support her team at the junket or in interviews ; this sort of arrogance is commonplace for ms .
polley , as anyone who has read of her political agenda in the canadian press will tell you .
if she does n't want to be the ingenue of the moment , she should have said " no , " not go .
but i digress .
go is a fun film , so chipperly depraved one ca n't help but turn off his moral judgment for its duration and enjoy the ride .
in that sense , it 's a departure from liman 's last film , swingers , which at least lectured against self - absorption in the form of vince vaughan 's trent and his subtle comeuppance in the story 's clever epilogue ( which has been aped by mcdonald 's for their latest commercial ) .
i wish i cared more about go 's characters : like the techno music they listen to , the bands of anarchists on display here are at once absorbing and vacuous .
when the lights came up and stung my eyes , it was difficult to recall what about it entertained me . yet
entertain me it did
.
go is light and frothy , featuring compelling if not endearing work by polley , timothy olyphant ( scream 2 ) , and especially fichtner , whose homoerotic behavior is milked for effective laughs .
fichtner is a character actor best known for playing backstabbers ( in heat , armageddon , and others ) ; his previously untapped comic abilities shine in go .
unlike much of the film , fichtner is unpredictable .
answer:
P


question:
not too many people know who james whale is , but it 's a safe bet that a good chunk of them have seen his movies .
if we are to believe the semi- biographical gods and monsters , whale would have wanted it to be that way .
this is an insightful , haunting exploration of the last days of the frankenstein and bride of frankenstein director , and it is notable for introducing one of the first complicated gay characters in a hollywood movie .
gods and monsters has no interest in being a biopic of whale 's life because it tracks only the final few days of his life , and it 's probably a better movie for it .
it 's focus is on whale 's ( ian mckellen ) untraditional and deceptive lust for heterosexual gardener clayton boone ( brendan fraser ) .
it begins with whale ( a fairly talented artist , aside from being a director ) asking boone to " sit for him ,
" ( pose for a portrait ) .
at first , boone does n't realize that whale is gay and grows fascinated with the old man .
when he does discover whale 's sexual orientation from his dedicated and protective maid ( lynn redgrave ) , he is frightened , refusing to sit for the guy .
but he comes back , only to storm out again , disgusted with whale 's " locker room talk .
" boone returns yet another time , after whale promises to tone down the aforementioned " locker room talk , " and finds their platonic relationship to be strengthening .
meanwhile , jimmy himself is suffering from hallucinations and mental attacks as a result of his stroke not long ago .
his ailment leads to desperation and depression , which build to the point where he is forced to ask boone for an incredulously big favor .
what is perhaps most sensational about gods and monsters is brendan fraser 's bravura performance ; up until seeing this film i intensely disliked the young actor because of his tendency to ruin the movies he is in ( blast from the past , for example ) .
i was surprised how expressive an actor he proved himself to be here .
this is impressive because his character 's dialogue is minimal , with mckellan doing most of the talking .
that requires fraser to act through body language ; a difficult skill to master , but something he proves capable of doing well .
this is not to ignore mckellan 's oscar nominated turn .
he earned that nomination with his touching performance here ( although , at the risk of sounding like a philistine , i would have chosen his performance as the nazi in apt pupil for the nomination ) ; an understated , compelling gem .
whale dreaded being remembered solely for his work in the hollywood horror genre , and he thought hollywood to be the equivalent of a battlefield .
he rejoiced in being free from it , only reluctantly going to receptions with fellow movie people .
in the end , perhaps , it is what killed him : the memories of hollywood and war blending together to form a living nightmare . ?
1999 eugene novikov&#137 ;
answer:
P


question:
i guess that if a very wild bachelor party had gone really bad , there would be broken furniture , traces of smack and cocaine on the floor , and a dead prostitute in the bathroom .
i guess that if a movie had also gone really bad , there might be the same elements present .
coincidence ?
poor kyle ( a meek looking jon favreau ) . . .
he is about to marry his radiant fiancee , laura ( cameron diaz ) .
but before he exchanges his vows , he embarks to las vegas with his friends for one last blowout .
but this bachelor party has gone about as bad as it could possibly get .
the prostitute has met a horrible , though accidental death , and drugs are everywhere .
the five friends agree that there is enough bad evidence here that will send them to jail for a very long time .
a surprisingly calm robert boyd ( christian slater ) , who looks like he was groomed to make nefarious decisions , ponders their dilemma for a few minutes before deciding that the best thing to do is to bury the body in the desert where she 'll never be found .
although they stomach the gruesome deed of getting rid of the body ( which also disturbingly involves dismantling the body using power saws in order to stuff it into suitcases ) , when they return from their trip , guilt and paranoia begins to set in which slowly consumes some of the five friends .
one is adam ( daniel stern ) he grows increasingly agitated .
whenever people look at his van or whenever a cop glances his way , his blood pressure increases .
or that just may be because of his dysfunctional family .
another is michael , who was actually responsible for her death .
he tries to bury his feelings , but the burden of guilt begins to affect his judgment as well .
boyd is the ?
doer ' of the group .
seemingly suffering from a long psychosis , when he feels as if his secret is about to be exposed , he is apt to take extreme measures to cover up his tracks .
kyle just hopes that his wedding will live up to laura 's demanding expectations .
then , there 's moore ( leland orser ) who speaks 5 lines and walks around with a puzzled look on his face .
the problem with this reprehensible movie is that it wants to be a cruel comedy , but it presents things in a manner that just are n't funny .
drugs , mutilation , and killing your own friends is n't something to be laughed at .
as a straight psychological drama , i could see how it might have worked , as each one tried to maneuver and overcome the weight of their own guilt in their own sometimes - sick ways .
but this movie insults us by assuming that we could simply discard our values for 2 hours .
if you do like this movie , i do n't think that i want to know you .
i did find slater a convincing leader who sways his friends to choose not the right thing
but the ? smart play . '
and diaz adds some brightness to this film as a wedding - needing fiancee .
but
her talents are essentially wasted here .
it 's obvious that the film maker is trying to strike a certain tone .
but the way that he chooses to do it is tasteless .
do not make a very bad decision by seeing this film .
answer:

N