In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Ex Input:
The film tells the story of Antonio Ricci, an unemployed man in the depressed post-World War II economy of Italy. With no money and a wife and two children to support, he is desperate for work. He is delighted to at last get a good job hanging up posters, but on the sole condition that he has a bicycle which must be used for work. He is told unequivocally: "No bicycle, no job." His wife Maria pawns their bedsheets in order to get money to redeem his bicycle from the pawnbroker.Early on in the film, Ricci's coveted bicycle is stolen by a bold young thief who snatches it when he is hanging up a poster.Antonio thinks that the police will take the theft very seriously, but they are not really interested in the petty theft of a bike. The only option is for Antonio and his friends to walk the streets of Rome themselves, looking for the bicycle. After trying for hours with no luck, they finally give up and leave.Desperate for leads and with his better judgement clouded, Antonio even visits the dubious backstreet fortune teller that he had earlier mocked, in the hope that she may be able to shed light upon the bike's whereabouts. However, she merely doles out to him one of the truisms that form her stock in trade: "you'll find the bike quickly, or not at all." Feeling cheated, a crestfallen Antonio hands over to her some of the last money that they have. After a rare treat of a meal in a restaurant, Antonio admits to his son that if he isn't able to work, they will simply starve.Antonio finally manages to locate the thief (who, it seems, had already sold the bicycle) and Bruno slips off to summon the police to the apartment. Antonio meanwhile, angrily accuses the thief of stealing his bike but the boy denies all knowledge of the crime. When the policeman arrives, he sees the accused boy lying on the floor feigning a seizure and surrounded by irate neighbours who blame Antonio's accusations for causing the "innocent" boy's fit.The policeman tells Antonio that although he may have seen the boy stealing the bike, he did not catch the thief red-handed, nor has he any witnesses and that Antonio making an accusation is not good enough. With no proof and with the thief's neighbours willing to give him a false alibi, he abandons his cause. Antonio walks away from the house in despair, as the thief's neighbours follow, jeering at him about his lost bicycle.At the end of the film in one of the most resonant scenes, Antonio is sitting on the curb outside the packed football stadium. He looks at the hundreds and hundreds of bicycles that are parked outside the stadium and as he cradles his head in despair, a fleet of bicycles mockingly speeds past him.After vacillating for some time about whether to steal one for himself, he decides he has no other option but to snatch one that he spots outside an apartment. Unluckily, he is seen taking the bike and caught by a crowd of angry men who slap and humiliate him in front of his son. Ironically, this time with an army of witnesses who catch him, he is frogmarched off to the police station but after seeing how upset Bruno is, the owner of the bicycle declines to press charges.The film ends with the man and his son, sad and let down from what has just happened, they walk along in a crowd, leaving us with a dim outlook for the two. Holding hands, they are both reduced to tears.

Ex Output:
Question: Who was the film based on?, Answer: Antonio Ricci


Ex Input:
Bobby Grady (John Laughlin) is an ordinary middle-class electronics store owner who occasionally moonlights doing surveillance work. He attends a group therapy session because his wife, Amy (Annie Potts), has lost interest in sex and he fears their marriage is in trouble.Grady is soon approached by the owner of a fashion design house to spy on an employee, Joanna Crane (Kathleen Turner), who is suspected of selling clothing patterns to his competitors. Grady discovers the accusations are unfounded, but also finds out that Joanna is moonlighting as a prostitute using the name China Blue, and shedding her business attire for provocative clothing and a platinum wig.Grady keeps quiet about Joanna's double life. After having an erotic encounter with her in her China Blue persona, Grady begins seeing her on a regular basis, first professionally, then romantically. However, their involvement is complicated by his guilt and her intimacy issues â not to mention her clientele of regular patrons and their bizarre sexual fetishes.Among them is the "Reverend" Peter Shayne (Anthony Perkins), who alternately spends his time delivering soapbox sermons on the street, visiting peep shows while sniffing amyl nitrite, and patronizing prostitutes. Shayne has been seeing China Blue as a customer and declares a misguided need to "save" her. (When he says, "Save your soul, whore!", she replies, "Save your money, shithead.") Underscoring Shayne's contradictory nature is the cache of sex toys he carries in a small doctor's bag with his Bible.Grady admits he may leave his wife and children, but Joanna feels put-upon and depressed. She seeks solace in turning tricks because the encounters are not fraught with emotional entanglements. She dominates a young policeman in an S&amp;M session, penetrating him with his nightstick, and endures a botched three-way in a limousine. A session with a dying man whose wife wants China Blue to give him sexual gratification one last time inspires Joanna to reveal her real first name, suggesting for the first time that she is the proverbial "hooker with a heart of gold."Shayne grows increasingly psychotic: he carries a sharpened metallic vibrator he nicknames "Superman" and starts stalking Joanna. He moves into a seedy motel next door to her nighttime place of business and watches her activities through a peephole. He also sets up a shrine with candles and numerous photos of her. Sensing that he is mentally unhinged, Joanna no longer wishes to see him, but Shayne follows her home to her actual apartment. Once there, he begs her to kill him.Grady comes there to tell Joanna that he has left home. He hears shouting from her apartment, breaks down her door and finds someone he assumes is Joanna, cowering in terror, not realizing it is actually Shayne in her China Blue disguise. Joanna, now wearing Shayne's clothing, leaps from the shadows and stabs Shayne with the "Superman" vibrator before he can attack Grady with a large pair of scissors. Shayne dies, convinced that his sacrifice has "saved" them both.The film ends with Grady addressing his group therapist about his new relationship with a woman named Joanna.

Ex Output:
Question: Who does Anthony Perkins portray in the film?, Answer: Peter Shayne


Ex Input:
Dracula [George Hamilton] and Renfield [Arte Johnson] come to Manhatten (his Translyvanian castle having been sold for back taxes) in search of fashion model Cindy Sondheim {Susan Saint James], whom Dracula believes to be the reincarnation of his lover Mina Harker. But NY isn't easy for vampires. There's nowhere for him to get "a bite to drink", and Cindy is impossible to get near until Renfield manages to secure the address of the club she patronizes. Dracula finally meets Cindy and they go to her house, where he bites her once. All he must do is bite her twice more, and she will become his. But Cindy doesn't want commitment, just sex, and she consults her friend and shrink Jeffrey Rosenberg [Richard Benjamin], grandson of Fritz Van Helsing of vampire fame. Rosenberg discovers Dracula is a vampire and tries to end the relationship between him and Cindy. Too late. Cindy's in love, too. When things get too hot, Dracula and Cindy decide to go to England, but they encounter trouble at the airport, and Rosenberg is on their heels. Will Cindy consent to the third bite so she and Dracula can fly out together? Cindy could never get her "s**t" together before 7 pm anyway. Being vampire can't be that bad.

Ex Output:

Question: Where does Dracula bite Cindy?, Answer: Her house.