instruction:
In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.
question:
Question: In what city is the school that Porter attended from 1969-1973? Passage:Claire Porter was born in New Britain, Connecticut, where, as a child, she was a star athlete and danced in a local studio. After she earned her BA in Mathematics from the College of New Rochelle in New York, she became a computer programmer for G.E. Analytical Engineering in Schenectady, New York. Porter returned to her dancing roots after witnessing a performance by Maria Tallchief. She then attended Sonoma State University in California from 1969-1973. At Sonoma State, she studied dance, taught Family Dance, Exercise, and Children’s Dance, and directed a dance company of 12 members. Porter eventually moved from California to Ohio to study dance at Ohio State University. It was there that Porter discovered Laban Movement Analysis and began exploring gestures, acting, writing, and voice. She later received her certification for Laban Movement Analysis at the Laban/Bartenieff Institute of Movement Studies NYC. She earned her MA in Dance from Ohio State and has continued the exploration of gestural movement as a teacher, choreographer and performer.

answer:
b


question:
Question: Which major French city near Aurillac has a larger population? Passage:Aurillac is at above sea level and located at the foot of the Cantal mountains in a small Sedimentary basin. The city is built on the banks of the Jordanne, a tributary of the Cère. It is south of Paris and north of Toulouse. Aurillac was part of a former Auvergne province called Haute-Auvergne and is only away from the heart of the Auvergne Volcano Park. Access to the commune is by numerous roads including the D922 from Naucelles in the north, the D17 from Saint-Simon in the north-east, Route nationale N122 from Polminhac in the east which continues to Sansac-de-Marmiesse in the south-west, the D920 to Arpajon-sur-Cère in the south-east, and the D18 to Ytrac in the west. The Figeac-Arvant railway passes through the commune with a station in the centre of town but there is no TGV service. About 50% of the commune is urbanised with farmland to the east and west of the urban area.

answer:
b


question:
Question: How old was Jovan Rajić when he became a priest in Kovilj? Passage:The present, stone church, was built from 1741 to 1749 by the neimars (builders) Teodor Kosta and Nikola Krapić. It was built in the Morava architectural school style of Serbo-Byzantine architecture and patterned after Manasija and Ravanica. In 1758, Empress Maria Theresa issued a document which set the monastery's estate. By the imperial privilege, the land was strictly divided between the monastery and the nearby settlement of Koviljski Šanac. The establishment of the Šajkaš Battalion in 1763, Serbian settlements surrounding the monastery were repopulated and preserved, which also influenced the prosperity of the monastery. Forerunner of the modern Serbian historiography, Jovan Rajić, became a priest in Kovilj and was appointed the archimandrite of the monastery in 1772, where he died in 1801. During the Hungarian Revolution of 1848, the rebels used the monastery as their base in 1849 which forced the monks to move across the Danube, into the Syrmia region. When they returned after the collapse of the rebellion, the monastery was looted and burned, and many historical treasures have been lost. The new church damaged inside while the old one was almost completely ruined, so it was demolished in 1850. Since 1850, the monks began to collect funds for the restoration. Some of it was secured by the Austrian state, some by the donations of the population and some was help from Russia. Young painter Aksentije Marodić has painted the new iconostas in the 1880s, including the scenes from the life of Christ and replicas of the most famous paintings from that period which Marodić copied from the galleries in Vienna, Munich, Paris, Rome, Venice, and Naples. The walls themselves are not painted. Woodworks and carvings are work of Jovan Kisner, while the gold plating and marble work were done by Ludvig Tauš. The work on the interior turned out to be quite lengthy, as it lasted until 1891/92.

answer:

b