In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Input: Consider Input: The film can be seen as an allegory of post-World War II Eastern European political systems - told as a black-and-white cinematic poem with 39 long, single-camera takes. It examines the brutalization of a society, its political systems and ethics through the metaphor of a decaying circus whale and its star performer. It is set in a desolate, isolated small town in Hungary during Soviet times.The film starts with JÃ¡nos Valuska, a simple person, conducting a poem and dance with drunken bar patrons. The dance is of the total eclipse of the sun, which disturbs, then silences the animals. It finishes with the grand return of the warm sunlight.One of the significant reoccurring characters in this plot is the subtle transitions between light and darkness. The first appearance of this motif is a lamp in the bar, moving to a door into the darkness. The circus arrives like a Trojan Horse in the darkness of night. A window is opened as a glimmer of hope and dressed to shut out the world. The antagonist is only ever seen as a shadow.JÃ¡nos' uncle GyÃ¶rgy is a composer, and therefore one of the intelligentsia. GyÃ¶rgy observes the imperfection and compromise of the musical scale (as defined by Andreas Werckmeister a historical theorist). GyÃ¶rgy proposes changes to the scale to make it more harmonious. This utopian approach to music represents a flawed, naive idealism that never can be achieved; it is not developed any further in the film or the book. It is just a statement indicating that human governance will always be flawed.GyÃ¶rgy's estranged wife tries to leverage her political and social status by giving GyÃ¶rgy a list of names to recruit for the "clean up the town movement" (with the blessing of the police chief).However, a stuffed smelly circus whale and its star performer, Prince, come to town in the silence and darkness of night. This is a metaphor for a bloated political system and the unseen Prince who represents the power of politically inspired, emotive dogma.JÃ¡nos philosophizes about God and the beast.The post office workers are unsettled by the ominous signs of the circus' arrival and are disturbed by the cloud that settles over each town it visits, a reference to the spread of the externally imposed centralised monolithic government system onto all the Soviet buffer nations just after the war.GyÃ¶rgy's struggling cobbler brother gets the list and passes it on to the agitated throbbing masses in the town square who are unhappy at public services failing. GyÃ¶rgy's former wife sleeps with the drunk gun toting police chief.The presence of the whale and the Prince stir up the masses. JÃ¡nos overhears the circus master losing control of his faceless Prince, who is becoming drunk with his own voice of revolutionary dogma. The circus master disowns him. The Prince, now free, inflames the masses, and the people riot.The film is shot as a visual poem, and has been described as both beautiful and haunting. Lengthy single-shot scenes with a hypnotic and rhythmic pace build up to the peaceful observation of the thuggish destruction of the hospital and its patients. The rioters are brutal. Their inhumanity almost seems normal and natural. When the rioters finally come to beat a helpless old naked patient, they see their impotent, sad and powerless selves. The patients they are destroying in the hospital are themselves.After the riot, JÃ¡nos comes across the diary of a rioter. It explains that the rioters did not know what they were angry with; so they were angry at everything. Then it recounts the mobs horrendous rape of two working class post office girls.JÃ¡nos comes across his killed cobbler uncle who got naively involved in the riot. JÃ¡nos is told, by his cobbler uncle's wife, to leave town for his own safety.He is intercepted by a helicopter. He finds himself committed to a mental institution with caged beds (a tool of the time for dealing with political dissidents). JÃ¡nos appears drugged and broken.GyÃ¶rgy, his composer uncle, is evicted from their society house but gets to live in a shed in the garden whilst GyÃ¶rgy's former wife, with her new status as a collaborator, now occupies the big house with the police chief. The intelligentsia is displaced by political opportunism.GyÃ¶rgy tells a vacant JÃ¡nos, in the ward, that if he is released from the mental institution they can live contentedly together in the shed with his piano. GyÃ¶rgy also mentions that he has re-tuned the piano so that is now like any other, a personal capitulation apparently abandoning any present hopes of reform. JÃ¡nos just stares.It finishes with GyÃ¶rgy looking directly into the eye of the whale, then, walking away and looking back at the now sad and disheveled whale, destroyed by the rioters the night before, its rotting carcass slowly enveloped by the fog which gets whiter and brighter. Warm bright sunlight returns.

Output: Question: Where is his composer uncle evicted from?, Answer: the society house


Input: Consider Input: An armed gunman causes a hostage situation at a Los Angeles grocery store. When negotiations between him and the law fail, Marion Cobretti (codenamed "Cobra") (Sylvester Stallone), a member of an elite division of the Los Angeles Police Department known as the "Zombie Squad", is summoned to the scene. Cobretti infiltrates the store, locates, and negotiates with him. During the negotiation, the criminal speaks of the unknown "New Order", a group of social darwinist radicals that despise modern society and believe in killing the weak, leaving only the strongest and smartest to rule the world. Cobretti then kills the gunman by throwing a knife at his abdomen and firing shots at him.As the bodies are removed from the supermarket, Cobretti is admonished by Detective Monte (Andrew Robinson) for his seeming disregard for police procedures and protocols. Harassed by reporters, Cobretti admonishes them for failing to put the safety of potential victims first. Little does everyone realize at the time is that the supermarket hostage crisis is only one of a string of recent and seemingly unconnected acts of violence and murder that have broken loose in Los Angeles, perpetrated by the same supremacist group the supermarket gunman mentioned.After witnessing several individuals going on a spree killing, including the New Order leader, only identified as 'The Night Slasher' (Brian Thompson), model and businesswoman Ingrid Knudsen (Brigitte Nielsen) becomes the group's main target due to her being the only living witness to their crimes. After a failed attempt on her by the group, she is placed under the protective custody of Cobretti and his partner, Sergeant Tony Gonzales (Reni Santoni). Several more attempts are made on their lives by various people connected to the Order. Cobretti theorizes that there is an entire army of killers operating with the same modus operandi rather than a lone serial killer with some associates, but his suggestion is rebuffed by his superiors. However, the LAPD agrees with Cobretti that it will be safest if he and Knudsen relocate from the city.Cobretti becomes romantically involved with Ingrid shortly after venturing out into the countryside, but one of the Order's leaders, Nancy Stalk (Lee Garlington), a police officer escorting the Cobretti party, reveals the location of their whereabouts. Despite Cobretti's suspicions and mistrust of Nancy, he does nothing and stays the night in a motel. The Order moves in at dawn and besieges the small town. With barely enough time to react, the attackers storm Cobretti and Ingrid's motel, wounding Gonzales in the process. Killing several members but with more swarming into the town, Cobretti and Ingrid escape in a pickup truck. After the truck becomes severely damaged from the chase, the two travel on foot into a lemon grove and escape into a nearby derelict factory.Cobretti has defeated most of the Order by this point, with the few remaining members following them into the building. After eliminating every member except for the Night Slasher himself, he and Cobretti engage in a hand-to-hand fight inside the steel mill, ending with the Night Slasher being impaled in the back by a large roaming hook and burned alive by Cobretti.In the aftermath, Cobretti's department arrives and begins clean-up of the town, giving medical aid to Gonzales. Detective Monte (Andrew Robinson) appears apologetic but confronts Cobretti again about his lack of regard to police protocols, offering to discuss the issue over a long dinner. Cobretti punches Monte instead, and the ending credits begin as Cobretti and Ingrid climb onto one of the motorcycles left by the Order and ride away.

Output: Question: Where did Night Slasher and Cobretti engage in hand-to-hand combat?, Answer: Steel mill


Input: Consider Input: The memories of an unnamed elderly tailor form a parable from the distant year he worked as a village schoolteacher and met his fiancÃ©e Eva, a nanny. The setting is the fictitious Protestant village of Eichwald, Germany, from July 1913 to 9 August 1914, where the local pastor, the doctor and the baron rule the roost over the area's women, children and peasant farmers.The puritanical pastor leads confirmation classes and gives his pubescent children a guilty conscience over apparently small transgressions. He has them wear white ribbons as a reminder of the innocence and purity from which they have strayed. When his son confesses to impure touching, the pastor has the boyâs hands tied to his bed frame each night. The doctor, a widower, treats the village children kindly but humiliates his housekeeper (the local midwife) and is found with his teenage daughter at night. The baron, who is the lord of the manor, underwrites harvest festivities for the villagers, many of them his farm workers. He summarily dismisses Eva for no apparent reason yet defends the integrity of a farmer whose son has destroyed the baron's field of cabbages.The schoolteacher's friendship with Eva leads to an invitation to her family home during a Christmas break, and they receive permission from her parents to marry after a one-year engagement.Unexplained events occur. A wire is stretched between two trees causing the doctor a terrible fall from his horse. The farmer's wife dies at the sawmill when rotten floorboards give way; her grieving husband later hangs himself. The baronâs young son goes missing on the day of the harvest festival and is found the following morning in the sawmill, bound and badly caned. A barn at the manor burns down. The baroness tells her husband that she is in love with another man. The steward's daughter has a violent dream about the midwife's handicapped son, then the boy is attacked and almost blinded. Shortly after the pastor's daughter opens his parakeet's cage with scissors in hand, the pastor finds the bird cruelly impaled. The steward at the baron's estate thrashes his son for a petty theft.The midwife commandeers a bicycle from the schoolteacher to go into town, claiming that she has evidence for the police given to her by her son. She and her son are not seen again, and the doctor's family has also vacated the premises, leaving his practice closed. The schoolteacher's growing suspicions lead to a confrontation in the pastor's rectory, where he insinuates that the pastor's children had prior knowledge of the local troubles. Offended, the pastor threatens the schoolteacher, warning that he will face legal action if he repeats his accusations.The film ends at the time of the declaration of war on Serbia by AustriaâHungary, with the conclusion in church on the day of a visit from the narrator's prospective father-in-law. Disquiet remains in the village. The narrator left Eichwald, never to return.


Output: Question: What kills the farmer's wife?, Answer: Rotten floorboards in the sawmill