In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
in the company of men made a splash at the sundance film festival because , in a year plagued by brothers mcmullen - style , earnestly shallow gen - x angst pictures , it seemed to be actually about something .
it angered people , started arguments outside the theater , riled things up .
it ignited a spark of excitement in what otherwise has been a disappointing year for independent film .
having endured my share of the hype , i waited calmly for men to reach the hinterlands wherein i reside , and then checked in to see what all the fuss was about .
does men live up to its press ?
well , yes it does .
and it may make you think twice before you consider dating anyone your office .
for the uninitiated , newcomers aaron eckhart and matt malloy play chad and howard , two corporate drones who are dispatched by their nameless company to a remote branch office for a six week assignment .
chad and howard are archetypes , examples of which you can no doubt find in your own place of business .
chad is the blond golden boy , genetically engineered for success , the natural charmer who seems to glide effortlessly up the corporate ladder .
howard is chad 's boss , but he is weaker of will , the clumsy practitioner of office politics who has achieved his position through dogged persistence rather than raw talent .
we first meet them awaiting their flight in a drab airport lounge .
there chad suggests a scheme worthy of a shakespearean villain : he and howard will find a vulnerable single woman at the branch office , woo her simultaneously , win her love , and then dump her .
the reason ?
both men have recently been dumped themselves , and chad sees an easy route to revenge against the fairer sex .
"
it 'll restore a little dignity to our lives , " he says .
howard , helpless against the force of chad 's will , agrees to the plan .
they quickly spot their prey in the form of christine ( stacy edwards ) , a fragile deaf woman working as a temp .
chad moves in for the kill , flashing his golden boy smile , plying christine with lunch , then flowers , then dinner .
howard follows suit , though his efforts are in contrast ham - handed and desperate .
flattered to have the attention of two eligible men , christine dates them both .
you can guess which one she falls for .
soon a tragic lovers ' triangle develops : christine loves chad , chad loves himself , and howard loves christine on the grounds that , since she 's handicapped and shy , she just might be wretched and lonely enough to settle for him .
adult social interaction never really progresses beyond the level of junior high , does it ?
in chad , writer / director labute and actor eckhart have created one of the most chilling monsters ever committed to film - hannibal lector may eat human flesh , but chad is an eater of souls .
his evil is as subtle as a viper 's , and as easy as his smile .
we watch in stunned disbelief as he back - stabs coworkers , humiliates his subordinates , and works his deadly venom into christine 's heart .
his character would be a joke if he was n't so chillingly real-
all of us have worked with a chad , and some of us may be him .
he 's the guy who takes your job and then laughs at you for your weakness .
if one of his co - workers should happen to go postal and walk into the office with a bag full of handguns , he had best have his escape route clearly in mind .
politics is his game , and the modern cubicle - filled office is his playground .
men wears the guise of a black comedy , but it functions best as allegory .
the most controversial moment in the film happens when chad humiliates a black temp by asking him how badly he wants to succeed in the company , then forces him to prove it in a manner i wo n't describe .
the scene is charged with racism and fraught with peril .
could it happen in the real world ?
probably not .
taken as allegory , however , it is representative of the treatment of the meek by the powerful in all facets of society .
maybe it 's just the english major in me , but chad , in his motiveless cruelty towards christine and his careful manipulation of howard , can be seen as a symbol of unbridled capitalism , of greed without conscience .
the entire film is a metaphor for social darwinism- only the strong will survive .
the marvel of labute 's multi - layered script is that it can disturb each member of its audience in an entirely different way .
but does the film work as entertainment ?
its darned funny in spots , particularly in the men 's room scenes , which demonstrate the lengths to which guys will go to hold a conversation while engaged in the most basic of bodily functions .
it works less well as drama , since by necessity the characters in an allegory tend to be flat ciphers .
stacy edwards gives a measured dignity to christine , and succeeds in making us care for her
, but by the end of the film we still know nothing about her .
likewise , chad and howard are simply the sum of their actions .
by the end of the film you 'll feel as if you 've met a genuine monster in chad ; perhaps we can also classify men as a horror film .
certainly those expecting a conventional hollywood resolution to the story will walk away disappointed . but the picture is often mesmerizing , and the script is a work of fine craftsmanship , which makes it well worth your time .
like all good films , it offers a myriad of parallels to the outside world .
while watching chad in his moment of triumph , i could n't help but think that bill gates must have felt the same sort of cold , merciless satisfaction when he finally stuck it to steve jobs .
there may be a little bit of chad in all of us , but some of us have taken chad - ness to the level of art .

Ex Output:
P


Ex Input:
when i initially set out to review this film , my tag line was going to be " you too can believe whales can fly " .
then it was going to be
" you too can believe pastel triangles can fly " .
then , it was going to be
" you too can believe wood sprites can fly " .
finally , i just gave up trying to come up with a tag line and decided to say .
..
there 's a lot of flying going on in this film !
as our first host steve martin tells us ,
the original concept behind fantasia was to bring it out every year with some old segments retained and some new segments added in .
well apparently that plan fell by the wayside for a while , because approximately sixty years have passed since the original classic was released .
part of this might have something to do with the cold reception the film got when it was first released in 1940 ( grossing somewhere close to $ 110 , 000 in its original month of release ) .
subsequent re - releases of the film have elevated the popularity of the film to the classic status it has finally achieved ( and rightfully deserved ) .
to celebrate the release of an updated version of fantasia , disney and imax teamed up to present the animated film in a fashion no one had seen before : six stories high .
in an exclusive four month engagement ( from january 1st to april 30th , 2000 ) , fantasia 2000 can be seen at many imax theaters across the us .
after the engagement is over , the film will be shown at regular theaters .
is the format effective for the film ?
with a few exceptions , yes .
the first segment we are presented with is set to beethoven 's fifth symphony .
it 's hard to describe exactly what this segment is about , but
it involves a bunch of brightly colored butterfly looking triangles flitting about happily .
everything seems to be going great for these little things until the ground erupts with swarms of evil , black bat - like triangles that attack and engulf their lighter counterparts .
eventually , shafts of light from above help drive away the evil bat - like things and peace returns to the butterfly things .
though this segment is n't very story driven , some of the images are very visually strong , especially the scene in which the dark cloud of bat things ( who are all outlined in blood red colors ) begin to overtake the skies .
the next segment is set to ottorino respighi 's " the pines of rome " .
in this segment , some humpback whales swim happily through the ocean and eventually emerge from the water and fly around the massive icebergs that pepper the oceanscape .
a whale calf gets into a scuffle with some nearby birds during the flight and ends up getting trapped in a giant iceberg he smashes into while trying to avoid the birds attack .
he is finally saved ( by another liberating shaft of light ) and he and his brethren take to the skies and fly into the upper atmosphere where they frolic in the " oceans " of clouds .
again , visuals are the key with this segment , especially where the whales are involved .
reportedly the whales , as viewed on an imax screen in certain sequences , are shown as actual size .
the cgi whales look incredibly life - like , except for some googly cartoon eyes drawn onto the images .
one especially striking image involves the giant shadow of one of the whales being cast through the wall of an iceberg as the whale calf tries to find a way out to its parent . absolutely beautiful stuff .
the third segment ( and the least of the eight segments ) is set to george gershwin 's " rhapsody in blue " .
this segment is designed as a tribute to acclaimed caricaturist al hirschfeld , and intertwines four different stories about sad souls living in depression era new york .
there 's a construction worker who dreams of being a jazz drummer , an out - of - work sad sack
that dreams of having a job ,
a young girl that dreams of spending time with her parents instead of being hustled off by a schoolmarm , and a nebbish who dreams of being free from his overbearing wife .
i wo n't go into how everything works out , but in fine disney tradition there is a happy ending .
unfortunately , the story drags quite a bit and the seems out of place within the hyper reality of the rest of the segments .
segment four is set to dmitri shostakovich 's " piano concerto no . 2
" and is an animated version of hans christian andersen 's " the steadfast tin soldier " .
a one legged toy tin soldier falls in love with a wind - up clock ballerina ( whom he assumes is also one legged because he ca n't see her other leg extended out behind her ) , much to the dismay of an evil jack - in - the - box jester .
the jester knocks the soldier out of a window and continues pursuing the ballerina .
little does the jester know , the soldier has been deposited in the sewer and has journeyed through the pipelines only to be swallowed by a fish that has been captured and sold to the owner of the set of tin soldiers that the one legged one comes from .
the soldier eventually saves the day and gets the girl .
although the ending has been altered from the andersen story , " the steadfast tin soldier " is decently told with in the framework of a seven minute short .
some children may find the jester to be a little frightening , but otherwise the segment is well made .
segment five is the funniest of the bunch .
set to camille saint - saens " the carnival of the animals " , this segment features a flamingo torturing his fellow flamingos with a yo - yo while they are trying to perform a choreographed dance number . while it is the shortest clip of the group and a throwback to the alligators and hippos dancing in the first fantasia
, it is still well accomplished and a welcome bit of comedy .
segment six is the only segment to be repeated from the original 1940 fantasia , and it 's the one that people remember most , " the sorcerer 's apprentice " .
the story is the most recognizable , so the draw here is seeing it on the enormous imax screen in remastered stereo .
unfortunately , the segment was n't made to be presented on large format film ( considering it was shot full frame ) and exhibits large amounts of grain .
there were at least two occasions where images were very hard to make out due to the excessive grain .
similar problems crop up on modern day releases when projected on screens too large for the image to be shown accurately
( but no one seems to notice for some strange reason ) , an anomaly common to many 18-plus screen theaters .
segment seven is set to sir edward elgar 's " pomp and circumstance march no .
1 "
and is the only other fantasia segment to feature a stock disney character .
donald duck " stars " as an assistant to noah , whose task is loading all of the animals onto the ark .
during the loading , donald and his wife lose sight of each other and both believe that the other one did n't make it on the boat .
they are constantly missing each other due to comic misadventures mainly involving donald being crushed by animals in various manners .
despite the slapstick style of comedy in this piece , it displays more emotion in its final scene than many of the tear - jerkers foisted on audiences these days .
powerful stuff .
segment eight brings a whole new meaning to the clich ?
" saving the best for last " .
set to igor stravinsky 's " the firebird " , an elk awakens a forest sprite that proceeds to change the wintery landscape into a beautiful springtime landscape .
trees bloom and flowers blossom and everything seems to be going well until the sprite becomes inquisitive about a large mountain housing a strange formation .
when the sprite examines the formation , it awakens and becomes the titular firebird .
in a stunning spectacle , the firebird rears back and unleashes and fire storm that destroys everything in its path , including everything that the sprite has worked to create .
some amazing animation is present here , and well worth the ten dollars a ticket alone
( although brush strokes are evident in one scene due to the enlargement of the film ) .
the host segments are largely ( no pun intended ) throwaways , although steve martin 's clip is pretty funny . be sure to stay through the credits for a little more humor from martin .
penn and teller are usually funny , but here their gags seem routine and therefore uninteresting .
the best segment comes from , of all people , bette midler , who gets to tell us about some of the abandoned segments that never made it off of the drawing board .
pieces like flight of the bumblebee , a take on the four horsemen set to wagner 's " ride of the valkyries " , and a strange segment prepared in the ' 40s by salvador dali that never was shown are all previewed here and teased that they may appear in future installments .
for fans of visual stimulation or classical music , fantasia 2000 is a perfect way to spend the afternoon .
the film is also decent family entertainment and contains little to no objectionable material .
as i mentioned earlier in the review , if ten dollars seems like too much for you to spend on this film , fear not because after its run in imax theaters it is going to be brought out in regular theaters .
i must stress that the best way to see this film is on an imax screen though .
then you too can believe that whales / triangle things / sprites can fly .
[ g ]

Ex Output:
P


Ex Input:
in the series of the erotic thrillers that flooded the videoshelves in the early 1990s came this french - canadian co - production by max fischer .
the movie is set in paris where its hero , struggling american author david mirkine ( judd nelson , at the time specialised in playing losers and people at the edge of sanity ) suffers a terrible writers bloc .
he manages to overcome crisis after beginning romantic relationship with beautiful model anabelle
( laurence treill ) .
unfortunately , she hangs out in jet set circles , which gradually makes mirkine pathologically jealous .
her connection with powerful david caravan ( pierce brosnan ) would make mirkine step the line between reason and sanity and put in motion whole series of violent and tragic events .
although few pseudoerotic scenes and some elements of the plot do indeed make this film an erotic thriller , drama would probably be more appropriate genre label .
pacing of the film is simply too slow to thrill the viewers , and those patient enough to sit through its entirety have to wait a long time between any interesting or significant developments .
low budget also becomes painfully visible , and physical attributes of laurence
treill are the only thing worth watching in this film .
unfortunately , this film has too little of those supposedly erotic scenes , so those who wanted to watch erotic thriller have all the reasons to feel disappointed .
instead , they would have to settle with pointless , slow scenes involving nelson , brosnan and laurence treill 's attempts of serious acting .
all of those definitely not worth spending hour and half of someone 's precious time .

Ex Output:

N