In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[EX Q]: Question: How old was the writer who gave the band a cryptical review in the Village Voice? Passage:While in London performing at The Rainbow Theatre, Dingwall's, and trendy Cabaret Futura, the Bongos recorded their early singles and their well-received debut EP Time and the River for UK-based Fetish Records. Cover designs for their Fetish releases were created by influential graphic artist Neville Brody, who was soon to become the designer of The Face magazine. The group's love of avant-garde performers brought them in touch with artists such as Throbbing Gristle and Clock DVA who performed with them live in London, and on their recordings. Their debut U.S. album, Drums Along the Hudson, compiled from the band's British singles, was released in 1982 to widely favorable reviews on both sides of the Atlantic. While Trouser Press suggested that the group "may trade a certain amount of substance for easy appeal," it added that "there's no better musical equivalent of whipped cream anywhere." Writing in the Village Voice, Robert Christgau dryly commented that "for all their jumpy originality [the songs are] still slight, and Richard Barone's lyrics are so oblique you have to wonder what his angle is." In 2007 however, Jim DeRegotis wrote in the Chicago Sun-Times: "The initial impression of naiveté is offset by deceptively simple lyrics that actually hint at deep, dark mysteries and unfathomed mystical enigmas." The group's cover of T. Rex's "Mambo Sun" reached No. 22 on the Billboard Dance Chart. A thriving Hoboken pop scene emerged, triggered by the Bongos and Maxwell's, which gained national media attention, and drew many bands and fans to the city. An August 1, 1982 article in the New York Times Real Estate section hinted at the scene's popularity as an influence on increasing rents and property values.

[EX A]: b

[EX Q]: Question: What country is the island of Samothrace in now? Passage:The sculptor is unknown, although Paul MacKendrick suggests that Pythokritos of Lindos is responsible. When first discovered on the island of Samothrace (then part of the Ottoman Empire and called Semadirek) and published in 1863, it was suggested that the Victory was erected by the Macedonian general Demetrius Poliorcetes after his naval victory at Cyprus, between 295 and 289 BC. The Archaeological Museum of Samothrace continues to follow these originally established provenance and dates. Ceramic evidence discovered in recent excavations has revealed that the pedestal was set up about 200 BC, though some scholars still date it as early as 250 BC or as late as 180. Certainly, the parallels with figures and drapery from the Pergamon Altar (dated about 170 BC) seem strong. The evidence for a Rhodian commission of the statue has been questioned, however, and the closest artistic parallel to the Nike of Samothrace are figures depicted on Macedonian coins. Samothrace was an important sanctuary for the Hellenistic Macedonian kings. The most likely battle commemorated by this monument is, perhaps, the Battle of Cos in 255 BC, in which Antigonus II Gonatas of Macedonia won over the fleet of Ptolemy II of Egypt.

[EX A]: b

[EX Q]: Question: Which members of the band left between the fifith and sixth ablum? Passage:Self-titled debut album WarCry was released on April 17, 2002. Guitarists Pablo García and Fernando Mon appeared only as guest musicians on the debut album, but became full-time members on 2002 along with keyboardist Manuel Ramil and bassist Alvaro Jardón. Second album El Sello De Los Tiempos was released on December 1, 2002. At the end of 2003, Jardón left the band due to musical and personal issues. On January 1, 2004 was released the third album Alea Jacta Est striking all the music stores around Spain. On the first concert of the tour supporting the album, the band presented Roberto García, formerly of Avalanch, as Jardón's replacement. Their fourth studio album, ¿Dónde Está La Luz?, was released on February 1, 2005, considered by critics "their heaviest album to date". They embarked on a supporting tour throughout Spain. WarCry played a sold-concert in Madrid. That performance was released on February 27, 2006 as a live album, named Directo A La Luz and soon was certified gold. La Quinta Esencia was their fifth album, released on September 18, 2006 with a great acceptance by the fans and the press, taking them to the highest positions on the Spanish charts. Sixth album was set to be released on May/June, 2008, but after the lineup changes they pushed it back to September, 2008. Víctor García stated that "this album will express much duality in human beings — good and evil."

[EX A]:
b