Given a document, an entity and its sentiment towards the entity, verify if it is the correct sentiment towards the entity. Answer should be yes or no. Note that URLs in the text have been replaced with [Link].

[EX Q]: Verify if the sentiment of the following document towards the entity Jeremy Hodges is Positive . Warren County Regional Jail
Kentucky State Police Master Trooper Jeremy Hodges  said  he  could not release details of the assault because of security issues.  Hodges  did say that Boucher is an acquaintance of Paul. CBS affiliate WNKY reports the Boucher is a neighbor of Paul's.
 Hodges  said Boucher would have faced more serious charges if had  he  used a weapon or if Paul had been injured seriously.
"If  he  was using any type of a dangerous instrument  then it would have been a felony charge "  Hodges  said by telephone Saturday.
[EX A]: yes

[EX Q]: Verify if the sentiment of the following document towards the entity Vitaly Mutko is Positive . A new generation of young  talented and  above all  clean Russian athletes will compete at next month's Pyeongchang Olympics  according to  Deputy Prime Minister Vitaly Mutko .
Those bans  which include 14 medalists  have helped clear the way for younger talent in Russia   Mutko  said. While there would usually be about 40 percent changeover in the Russian team between Olympics   he  said  this time 80 percent of athletes will not have competed in Sochi.
"In practically every event it's an absolutely new  young team  " Mutko  said in an interview Saturday in a VIP box at the European figure skating championships in Moscow.
Although  Mutko  is no longer sports minister  he is still in overall charge of sports policy and the government's preparations for soccer's World Cup.
[EX A]: yes

[EX Q]: Verify if the sentiment of the following document towards the entity Sam Smith is Negative . Sam Smith’s “The Thrill of It All”
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Sam Smith  follows up  his  2014 debut  “In the Lonely Hour ” with  his  sophomore effort  “The Thrill of it All.” Much like its predecessor  this album finds its core in soft ballads.  Smith’s  emotive voice can be a real asset  somewhat flexibly conveying feeling.
The hit “Too Good at Goodbyes” and the second track “Say it First” seem to indicate that  Smith  is setting out to be a male counterpart to Adele.  His  voice is dynamic in the way it bends. While  his  singing is not as boomingly confident as Adele’s   his  voice is able to zig and zag  even as it maneuvers into an occasionally whisper-y falsetto.
In addition to aiming for Adele’s turf   Smith  is going for a classic R&B and gospel vibe. That can be heard on both “One Last Song” and “Midnight Train ” the latter of which sounds like a soulful answer to Radiohead’s “Creep.”
 Smith  gets more righteous on “HIM” and gets softly groovy on “Baby  You Make Me Crazy.” Sometimes  Smith ’s higher register can be a tad grating. However   he  can somehow slightly irritate and entertain simultaneously.  He  duets successfully with up-and-coming singer Yebba on “No Peace ” and hits a sweet spot with the slow-burning “Palace.”
This record feels more lived-in and fully realized than  his  debut. Each of the songs on its own is decent  but you get the feeling once you finish with the closer (and second single) “Pray ” that  Smith  is taking the easy route.  He  should stretch beyond the ballads  as  he 's capable of more. This feels like a sequel to  his  first record almost in a retreading kind of way.
“The Thrill of it All ” while a fitting showcase for  Smith’s  skill  lacks an extra spark. It’s good  but it could be better.
“Too Good at Goodbyes”  Smith ’s songs often seem at first a tad innocuous but on repeat listens they begin to pack power. This one is a real winner.
“Midnight Train” Radiohead comparisons aside  this song has some real momentum  showcasing  Smith  at  his  most vocally butter-soaked. The doo-wop style backing vocals are also a nice touch.
“Baby You Make Me Crazy” This has some potent swagger. This song’s little boost makes you wonder what  Smith  would do if  he  was pushed a notch or two further.
[EX A]:
no