TASK DEFINITION: In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
PROBLEM: Review: One of, if not the worst film to come out of Britain in the 80s. This tawdry tale of a middle aged lecher who 'seduces' two teenage scrubbers who babysit for him and his faux-posh wife has nothing to redeem it.In turns gratuitous, puerile, uncouth and unrealistic, this film plumbs the depths as it fails miserably in its attempts to be funny, provocative, intellectual and controversial. Perhaps the worst thing about this film is the way the strong cast of George Costigan, Michelle Holmes and Siobhan Finneran are completely stitched by such a lame script. It's no surprise that this was the late Andrea Dunbar's only work to make it onto the screen. Complete and utter rubbish on every level. Question: is it a negative review?

SOLUTION: yes

PROBLEM: Review: Most book adaptations are bad but this film left out key parts of the storyline and changed the description and some characters. They rewired the storyline and combined scenes and changed the order. They added ridiculous things into it that never happened in the book and would never happen.If i hadn't read the book beforehand it would have been an incredibly dull film, it didn't make you care about the characters, like them or dislike them. It turns the characters into jokes.Awful.Ridiculous.Waste of two hours of my life. Question: is it a negative review?

SOLUTION: yes

PROBLEM: Review: OK, here it is: "Nazi mountaineer befriends the Dalai Lama." What we do is, first we get a major star with no idea whatsoever how to do a Germanic accent, and we let him flounder around between French, German, American, and British for over 2 hours. Then we concoct a series of wildly improbable events and space them apart very widely, so that the plot inches along almost imperceptibly. But just to make sure the viewer doesn´t fall asleep, we throw in details which are shockingly absurd, such as our hero smoking a cigarette at an altitude of 22,000 feet. Naturally, we must also remember that our target audience does not want to read too many subtitles, so we have every character, even the lowliest peasant in the forbidden closed-off city of Lhasa in 1943, speak perfect English, also with dubious accents. Of course, the trickiest part is how to handle the spiritual and political aspects of the story, so what we do is this: we have the Dalai Lama befriend the now-reformed Nazi because the latter is so good at fiddling with film projectors, radios, antique cars, and any other devices with represent the freedom of the capitalist west. In return, our hero learns from his young protegé a kind of vague, undefined Buddhism which is never really brought out or treated in a serious fashion. We also have lots of scenes with the hero flaunting all the marks of respects and protocol which the rest of the Tibetan society accords the Dalai Lama, even as we pretend that the hero has deep and profound reverence for these people and their spiritual leader. In other words, we just expect the audience to believe that this guy is now a Buddhist, sort of, in his own way, even though we ourselves don´t seem to know what his transformation entails or how far we want it to go. And last but not least, we hang a statistic onto the end of the film about how appallingly the Chinese have treated the Tibetans (which is certainly true), thus opening ourselves up to charges that we have made a "political" movie, even though it is nothing of the sort. So, zat ist my idea. Vat do you zink? Can ve make zis movie? Question: is it a positive review?

SOLUTION:
no