instruction:
This task is about reading the given passage and construct a question about the information present in the passage. Construct a question in such a way that (i) it is unambiguous, (ii) it is answerable from the passage, (iii) its answer is unique (iv) its answer is a continuous text span from the paragraph. Avoid creating questions that (i) can be answered correctly without actually understanding the paragraph and (ii) uses same words or phrases given in the passage.
question:
Honors and tributes flowed to Bell in increasing numbers as his most famous invention became ubiquitous and his personal fame grew. Bell received numerous honorary degrees from colleges and universities, to the point that the requests almost became burdensome. During his life he also received dozens of major awards, medals and other tributes. These included statuary monuments to both him and the new form of communication his telephone created, notably the Bell Telephone Memorial erected in his honor in Alexander Graham Bell Gardens in Brantford, Ontario, in 1917.
answer:
What did Bell receive from many centers of post-secondary education?


question:
Miami is also considered a "hot spot" for dance music, Freestyle, a style of dance music popular in the 80's and 90's heavily influenced by Electro, hip-hop, and disco. Many popular Freestyle acts such as Pretty Tony, Debbie Deb, Stevie B, and Exposé, originated in Miami. Indie/folk acts Cat Power and Iron & Wine are based in the city, while alternative hip hop artist Sage Francis, electro artist Uffie, and the electroclash duo Avenue D were born in Miami, but musically based elsewhere. Also, ska punk band Against All Authority is from Miami, and rock/metal bands Nonpoint and Marilyn Manson each formed in neighboring Fort Lauderdale. Cuban American female recording artist, Ana Cristina, was born in Miami in 1985.
answer:
Along with Electro and disco, what genre of music influenced Freestyle?


question:
Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associations to the listener; the names by which many of his pieces are known were invented by others. There is no evidence to suggest that the Revolutionary Étude was written with the failed Polish uprising against Russia in mind; it merely appeared at that time. The Funeral March, the third movement of his Sonata No. 2 (Op. 35), the one case where he did give a title, was written before the rest of the sonata, but no specific event or death is known to have inspired it.
answer:

What is another title Op. 10, No. 12 has garnered?