TASK DEFINITION: In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.
PROBLEM: Jamie Rellis (Mila Kunis) is an executive recruiter for a leading job agency in New York City, and Dylan Harper (Justin Timberlake) works as an art director for a small internet company in Los Angeles. Jamie has the task of trying to recruit Dylan to interview for a job with GQ and begin working in New York City. Dylan comes to New York and after interviewing for the position learns from Jamie that he has been given an offer to work for GQ. At first Dylan is hesitant to accept the job and move from Los Angeles to New York. But after a fun night exploring the city with Jamie, Dylan agrees to accept the position.The following day, Jamie presents Dylan with the contract to sign so she can land her commission for recruiting him. Not knowing anyone else in the city, he and Jamie quickly develop a strong platonic friendship. One night, they get on the topic of sex and relationships. They come to the conclusion that sex should not come with so many emotional attachments. As they both feel the need for a physical connection, they agree to have sex without emotion or commitment. After several trysts together, Jamie comes to the realization that this is not really what she wants and she would like to start dating again. She tells Dylan that they need to stop.Jamie meets Parker, an oncologist, and they begin dating. After five dates, they consummate their relationship, only to break up the next morning. Trying to be sympathetic and to console her, Dylan suggests she travels with him to California over the Fourth of July weekend, while he visits his family. Initially hesitant, Jamie agrees after much persistence from Dylan. They fly to Los Angeles, where Jamie meets his sister Annie, nephew Sammy, and father, who suffers from the early stages of Alzheimer's disease. While in California, they begin to develop strong emotional romantic feelings for each other, and share a passionate kiss, which leads to a night of close intimacy unlike any other they had shared before. However, the next day, Jamie overhears a conversation between Annie and Dylan, where Dylan admits to having no real feelings for Jamie. Hurt, she flies back to New York. A few days later, Dylan returns to New York, trying to reconcile his friendship with Jamie and find out why she has been ignoring him. He finally finds Jamie, and she informs him she overheard everything he said and has no interest in maintaining any kind of a friendship with him.Soon after this, Jamie discovers that Dylan may be leaving the GQ position for another job before the year elapses on his contract, which would affect her commission. She confronts Dylan about this, which leads to another argument. Both begin to do some soul searching trying to come to terms with their feelings about their relationship. Jamie spends time with her mother, Lorna, while Dylan discusses it with Annie over the phone. His sister informs him that their father will be flying to Newark and he needs to be picked up at the airport. While at the airport, his father, in a moment of Alzheimer's-induced confusion, incorrectly recognizes a passer-by as a woman from his past. Dylan asks him about the woman, and his father, upon regaining his lucidity, says that she was a woman he met in the Navy, that she was the love of his life, and he regrets decisions he made in his youth to let her go. He tells Dylan not to do the same thing, and to go after the woman he loves, if there is any chance of saving the relationship.Dylan realizes how he really feels about Jamie after talking with his father, and decides to go after her. He calls Jamieâs mother to set up an excuse to get Jamie to go to Grand Central Station thinking she will be picking up her mother. He arranges to have a flash mob dance to "Closing Time" set up to surprise Jamie at the station. When the moment comes, he catches up with Jamie and tells her how he really feels. Surprised and happy by this turn of events, Jamie tells him to kiss her. After sharing a passionate kiss, Dylan suggests it is time they go on their first real date. They go across the street to the Pershing Square cafÃ© and although they attempt to keep the date casual and relaxed, the film ends with them in a sensual embrace and passionate kiss., Question: Who does Dylan discuss this with?

SOLUTION: Answer: His sister Annie

PROBLEM: The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: What is Sue stabbed in the stomach with?

SOLUTION: Answer: screwdriver

PROBLEM: Rick Penning lives life just like he plays rugby; fast, hard-hitting and intense. When life on the edge lands him in jail, prison ward Marcus Tate offers him a chance to get back in the game by playing for his rival, Highland Rugby. Reluctantly Rick joins the team where he must adopt the grueling training schedule and unique code of conduct that Coach Gelwix enforces, or finish out the season behind bars. Egos clash as bitter competitors struggle to become a team. An unlikely brotherhood is formed with his Highland teammates, just as Rick is released from jail and sent back home to rejoin his former team, coached by his overbearing father. Heading into a faceoff with Highland at the National Championship, Rick is forced to choose where his loyalty lies. [D-Man2010], Question: Who is the prison ward?

SOLUTION:
Answer: Marcus Tate