In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Q: Review: I would almost give it 10 out of 10. However, there are some confusing parts as well as sections that are miss-leading which hurt the flow/continuity of the film. The story line is great and well composed; you will definitely want to watch this quietly to fully understand it. The characters are complicated and so is the story line, expect to be given only enough information to stop scratching your head, it's a film where all is explained in the end. The animation is great and the combination of femme fatal and film noir result in a great film that is unlike anything else I've seen in animation. It is a black and white film and its quiet dark in a few scenes so it's worth watching it on a good T.V, or plasma. The character voices do save this film in its English version, but it would have been more convincing if there were some French accents to emphasize that its happening Paris, I enjoyed it more in French with English subtitles. One the whole its well worth buying on DVD or BlueRay if they have it! And personally if you enjoyed this film you might also like; Waking Life & Ghost in a Shell 2 Innocence, this is just a personal suggestion. Question: is it a negative review?

A: no
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Q: Review: Halfway through Lajos Koltai's "Evening," a woman on her deathbed asks a figure appearing in her hallucination: "Can you tell me where my life went?" The line could be embarrassingly theatrical, but the woman speaking it is Vanessa Redgrave, delivering it with utter simplicity, and the question tears your heart out.Time and again, the film based on Susan Minot's novel skirts sentimentality and ordinariness, it holds attention, offers admirable performances, and engenders emotional involvement as few recent movies have. With only six months of the year gone, there are now two memorable, meaningful, worthwhile films in theaters, the other, of course, being Sara Polley's "Away from Her." Hollywood might have turned "Evening" into a slick celebrity vehicle with its two pairs of real-life mothers and daughters - Vanessa Redgrave and Natasha Richardson, and Meryl Streep and Mamie Gummer. Richardson is Redgrave's daughter in the film (with a sister played by Tony Collette), and Gummer plays Streep's younger self, while Redgrave's youthful incarnation is Claire Danes.Add Glenn Close, Eileen Atkins, Hugh Dancy, Patrick Wilson, and a large cast - yes, it could have turned into a multiple star platform. Instead, Koltai - the brilliant Hungarian cinematographer of "Mephisto," and director of "Fateless" - created a subtle ensemble work with a "Continental feel," the story taking place in a high-society Newport environment, in the days leading up to a wedding that is fraught with trouble.Missed connections, wrong choices, and dutiful compliance with social and family pressures present quite a soap opera, but the quality of the writing, Koltai's direction, and selfless acting raise "Evening" way above that level, into the the rarified air of English, French (and a few American) family sagas from a century before its contemporary setting.Complex relationships between mothers and daughters, between friends and lovers, with the addition of a difficult triangle all come across clearly, understandably, captivatingly. Individual tunes are woven into a symphony.And yet, with the all the foregoing emphasis on ensemble and selfless performances, the stars of "Evening" still shine through, Redgrave, Richardson, Gummer (an exciting new discovery, looking vaguely like her mother, but a very different actress), Danes carrying most of the load - until Streep shows up in the final moments and, of course, steals the show. Dancy and Wilson are well worth the price of admission too.As with "Away from Her," "Evening" stays with you at length, inviting a re-thinking its story and characters, and re-experiencing the emotions it raises. At two hours, the film runs a bit long, but the way it stays with you thereafter is welcome among the many movies that go cold long before your popcorn. Question: is it a negative review?

A: no
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Q: Review: If, like me, you like your films to be unique, and unlike the majority of other movies, then I wholly recommend that you check out The Beast. The film is a grotesque, erotic, fantasy fairytale that centres around a mythological 'Beast' that is rumoured to wander the grounds of a French mansion and lusts after women. The film is very daring with it's subject material, and that is something to give it credit for. The theme of bestiality is a definite taboo, and for good reason, I might add; but the film conveys it; straight and to the point. Like other films that handle a taboo subject at their centre, The Beast could have gone around it, and made us use our imagination to fill in the gaps, but Borowczyk didn't do that, and he is brave in that respect, especially as making a film like this will leave him open to all kinds of criticisms, but the fact that he went ahead with it, in my view, means a big thumbs up for the guy.The film starts off with a sequence that sees a randy male horse mount a female. This opener puts an exclamation mark on the film and prepares the audience, in some ways, for the incredible, tour de force of eroticism that they are about to see. The scenes which see the beast mate with the woman are gratuitous and shocking, and are bound to offend many people (hence the reason it was banned for over 20 years), but these scenes are not merely an excuse for Borowczyk to shock the viewer; this film has a defining point. As said during the film; the only difference between man and beast is intelligence. Both man and beast have instincts, only man knows how to control them. The Beast explores this difference between man and beast through sexuality; the fantasy sequence in which the beast appears epitomises the control of human desire, and it is only when the central female character lets go of her control that she can see the beast. The film has strong themes of the age-old story of 'beauty and beast' weaved into it, and overall this is a shockingly morbid tale of lust, but not without a moral.Many criticise the scenes around the film's shocking sex sequences for being boring, but these scenes are important to the film's story. Without these scenes, we wouldn't get to know the characters or the story of the beast, and, most importantly; the story of 'beauty and the beast' would not be able to have it's horrifying conclusion dealt to the audience, and as that is one of the key elements of the film; it would be a real shame. Besides that, Borowczyk keeps his audience entertained through these scenes, not with shocks, but with dialogue and the upper class persona of the family, along with the beautiful shots of the mansion's ground would not be seen, and therefore the stark contrast between that and the events later on in the film would not exist either.Overall, The Beast is a shocking film. It's portrayal of a taboo subject and the shocking way it is portrayed will ensure that this film is not for everyone. However, if you can get over the film's shock, and embrace The Beast; what awaits is a skilful and beautiful piece of art that should not be missed by anyone that is willing to give this film a chance. Question: is it a positive review?

A:
yes
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