In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

[Q]: This Thang Is A Superb Groove.... . But I never understood why they didn't catch on. They had a bona fide producer in Kay Gee (Naughty by Nature), incredible vocal chemistry, heavy-duty promotion, and catchy singles. This resulted in an impressive debut. So why the snub? I guess that will always be a mystery. Anywho, along with Blackstreet and Age Ain't Nuthin' But A Number, Pronounced Jah-Nay ranks as one of the top five BEST hip-hop/soul debuts of 1994. And here's why.    It was a very cohesive record, consisting of FIVE R&B entries, with "Hey Mr. D.J.", "Groove Thang", and "Sending My Love" making the top five. You think that's the story? NOT!. The story is how good the REST of the album is. In fact, I will say (like other VERY strong debuts) that the album tracks are BETTER than the singles. And that's saying a lot, given there are only a handful of hip-hop/swing albums worthy of such praise in the 1990's. Those tracks are: "Sweet Taste of Love", "Changes", "La La La", "For A Reason" and "Hey Mr. D.J. Remix". That's eight cuts that should get played everytime it's in the CD player. It doesn't get much better than that.    In sum, Zhane turned out an impressive debut amongst an incredible year of hip-hop soul records. However, their fame didn't last long. They would go on to suffer the dreaded sophomore slump three years later and never release another set. But their debut will never be forgotten. It's hip-hop/soul at its peak when it was still relatively fresh. And that's what makes it irresistibly catchy. A hip-hop fan definitely needs to obtain this one, but a casual listener should as well.    Grade: A
[A]: POS


[Q]: Ronald & Ernie you don't need R. Kelly! Get rid of him! . I've been a huge fan of the Isleys for over 30 years, and stuck by them through the early Motown soul and their golden groove-funk period of the 1970s, through to the later stuff right up to the excellent Mission To Please album. But that's when they should have dumped R. Kelly, because it's the last album that had any really decent hook to it. And when you have a blistering guitarist like Ernie Isley, why bury him so far in the mix that his licks sound like they're being played through cotton wool?      R. Kelly's plodding grooves just grind from one indistinguishable track to another, which is pretty much the case on the even more disappointing follow-up to this, Body Kiss. The only track that kicks any ass here is the opener, Move Your Body, which fools you into thinking this might be a return to former glories for our heroes. Sadly, the leaden funk of R. Kelly then comes crashing in like a tidal wave of sludge and we get a whole turgid mess of leaden walking-pace 'grooves' that might sound all right in the background when you're getting it on with the partner of your dreams, but as listening music just gets you all exasperated and reaching for the 3+3 album again.      Come on, Isleys, dump the Kelly glop and get back to what you can do best
[A]: NEG


[Q]: BIG Disappointment . I am at a loss to hear what people appreciate about this CD.  We were barely able to make it through one listening.  This is a classic example of a CD that NEVER would have been produced had the artist (using the term very loosely) not already been famous for something besides music.  The lack of talent and originality on this CD is apalling.  It only gets a star because that's the lowest rating.  I want my money back
[A]:
NEG