In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.

[Q]: Passage: In 1971, Bob Shad, who had worked with her as producer at Mercury, asked her to record for his label, Mainstream, which he had founded after leaving Mercury. Breaking a four-year hiatus, Vaughan signed a contract with Mainstream and returned to the studio for A Time in My Life, a step away from jazz into pop music with songs by Bob Dylan, John Lennon, and Marvin Gaye arranged by Ernie Wilkins. She didn't complain about this eclectic change in direction, but she chose the material for her next album after admiring the work of Michel Legrand. He conducted an orchestra of over one hundred musicians for Sarah Vaughan with Michel Legrand, an album of compositions by Legrand with lyrics by Alan and Marilyn Bergman. The songs brought some of the musicians to tears during the sessions. But Shad wanted a hit, and the album yielded none. She sang a version of the pop hit "Rainy Days and Mondays" by the Carpenters for Feelin' Good. This was followed by Live in Japan, her first live album since 1963. Sarah Vaughan and the Jimmy Rowles Quintet (1974) was more experimental, containing free improvisation and some unconventional scatting.
 Link Information: Mainstream Records was an American record company and independent record label founded by music producer Bob Shad in 1964. Answer: 1964
[A]: What year did Vaughn's producer form hiw own label after leaving Mercury?


[Q]: Passage: In 1180, Ingvar Yaroslavich joined Ryurik Rostislavich in his struggle against Sviatoslav Vsevolodovich of Chernihiv. According to the Tale of Igor's Campaign, Ingvar was a brave man, however, he never wanted to irritate his powerful neighbors. In 1183, for instance, Ingvar refused to accommodate Vladimir II Yaroslavich in Dorogobuzh, who had been banished from Halych. It appears that Ingvar was wary of Yaroslav Osmomysl, Vladimir Yaroslavich's father. Soon after this, Ingvar took the place of his older brother Vsevolod Yaroslavich as the ruler of Lutsk. In 1202, Ingvar was appointed ruler of Kiev instead of the ousted Ryurik Rostislavich in accordance with a deal between Roman Mstislavich of Halych and Vsevolod the Big Nest, Grand Prince of Vladimir. Ryurik, however, would regain Kiev that same year with the help of the Olgovichs and polovtsy. In 1204, Ingvar took part in capturing the city of Volodymyr-Volyns'kyi together with Alexander of Belz. He was appointed ruler of the city on the spot, but was soon replaced by Alexander due to boyars' discontent. In 1208–1211, Ingvar sent his son to assist Daniil Romanovich in his struggle against the sons of Igor Sviatoslavich of Novhorod-Siverskyi. In 1212, Ingvar and Mstislav Romanovich attacked Vsevolod Sviatoslavich and captured Kiev. After a battle near Belgorod Ingvar voluntarily ceded Kiev to Mstislav Romanovich and left for Lutsk. 
 Link Information: Ingvar Yaroslavich Answer: 150
[A]: How many years after Vsevolod Yaroslavich was Ingvar Yaroslavich born?


[Q]: Passage: When Bundgaard arrived in Copenhagen, he undertook a variety of odd jobs until his artistic talents were discovered by Emil Blichfeldt who encouraged him to attend the Technical School in 1884 and later the Danish Academy. It was there that he was introduced to French Naturalism by Stephan Sinding, giving his works with a rather dramatic touch. A stay in Paris also provided him with inspiration from Jules Dalou, Alexandre Falguière and Auguste Rodin. In addition, his father's interest in mythology and folk tales reinforced his imaginative approach which can be seen in his robust, Naturalistic works, often made of granite. His interest in ecclesiastical art from the Middle Ages is also apparent. Bundgaard undertook several major decorative projects including sculptures for the recently built Copenhagen City Hall (1894–99) and for Christiansborg Palace (1907–28) where his four majestic figures stand over the entrance to the parliamentary chamber. Bundgaard's works often exhibit a mythological, nationalistic slant as can be seen in two of his masterpieces, the Gefion Fountain (1908) on Copenhagen's waterfront and the Cimbrian Bull (1937) in Aalborg. He also completed a number of monuments in commemoration of the volunteers from 1848 and 1864 as well as the Reunification Monument in Randers. Many of Bundgaard's original plaster models can be seen in the Thingbæk Kalkminer Museum, a former mine near the Rebild National Park.
 Link Information: When Bundgaard arrived in Copenhagen, he undertook a variety of odd jobs until his artistic talents were discovered by Emil Blichfeldt Answer: Ferdinand Meldahl
[A]:
Where did the man who discovered Bundgaard's artistic talents work?