Given a document and an entity the task is to select the author's sentiment towards the entity. Sentiments can be Positive, Neutral and Negative. Select Positive if the article expresses a positive view towards the given entity or praises its quality or skills. Select Neutral if the document expresses no clear view towards the entity or has equal amounts of positive and negative statements or expressing some fact/quote by someone else. Select Negative if the article expresses a negative view towards like harsh remarks, criticizing entities action/decision etc. Note that URLs in the text have been replaced with [Link].

Ex Input:
What is the sentiment of the following document towards the entity Jason Farago ? Ai Weiwei ' s latest exhibition in New York   titled " Good Fences Make Good Neighbors  " can be spotted in areas throughout the five boroughs to bring attention of the refugees across the world   The New York Times reported . Ai   a renowned Chinese artist and human rights activist   created the pieces that are presented by the Public Art Fund   according to its website . The pieces   which went up Thursday   will remain on display throughout the city until Feb . 11 . " Inspired by the international migration crisis and current global geopolitical landscape   the exhibition transforms the security fence into a powerful social and artistic symbol with interventions across the city  " said a statement on the Public Arts Fund site . Some of the places the images   that often includes bars and various designs   can be found are the Doris C . Freedman Plaza at Central Park   the Washington Square Arch in Greenwich Village   and the Unisphere at Flushing Meadows Corona Park in Queens . The fund said the images are joined by site - specific interventions on top of and in between private buildings located at 48 East 7th Street   189 Chrystie Street   248 Bowery   and The Cooper Union for the Advancement of Science and Art at Astor Place . The artwork also includes a series of new flagpole - mounted works for the New York City Economic Development Corporation - managed Essex Street Market   and sculptural interventions around 10 JCDecaux bus shelters in partnership with the New York City Department of Transportation . " Like his hero Duchamp   Mr . Ai has wholly erased any border between his art and his life — and there are some emergencies   among them the displacement of more human beings than any time since World War II   that this artist can only address with bluntness  "  New York Times art critic Jason Farago    wrote Thursday . " Step back   though   and look at the project in aggregate   and ' Good Fences Make Good Neighbors ' displays all the confidence and moral passion of his most important later projects  "  Farago  continued . The Public Arts Fund statement said that Ai has traveled with refugee camps around the world to gain inspiration for his project . " Ai Weiwei is unique in having combined the roles of preeminent contemporary artist   political dissident   and human rights activist in such a prominent and powerful way  " Nicholas Baume   the Public Art Fund ' s director and chief curator   said in its statement . " In many ways   ' Good Fences Make Good Neighbors ' is the culmination of his work to date . It grows out of his personal experience of ' otherness  ' his distinguished practice as both artist and architect   as well as his intensive research on the international refugee crisis and global rise of nationalism ."

Ex Output:
Neutral


Ex Input:
What is the sentiment of the following document towards the entity Django Reinhardt ? The leader of the band is Django Reinhardt  the incomparably gifted Romani jazz guitarist  soulfully embodied by the French-Algerian actor Reda Kateb. He's biding his time in the French Alps during German occupation  hoping for stealth passage across Lake Geneva into Switzerland. One of the men throwing punches is a Nazi solider  which means the inevitable: a lineup  a lockup and the sternest of warnings.  Reinhardt  is no good  it would seem  at laying low.
 Django  isn't really a biopic  despite the implication of its title: There are no misty flashbacks to  Reinhardt 's childhood stealing chickens in the French countryside  and no scene depicting the caravan fire that badly damaged  his  left hand (though  his  two mangled fingers do come up for inspection). The film is more of a fraught character study  a portrait of the artist under pressure. Comar  best known as a writer and producer of the 2010 film Of Gods and Men  brings admirable restraint to his directorial debut  keeping the stakes high and the focus taut.
 Reinhardt  is a laconic and reluctant hero: "This isn't my war "  he  growls  citing allegiance not to a flag but to a Romani's coldly pragmatic ambivalence.  Django  charts  his  awakening to the horrors of the war â notably for  his  people  whose mass extermination imbues the film with a self-righteous  lugubrious air. Comar is more effective with uneasy proximities and grim capitulations  showing how complicity can form through a series of slippages.
But the film's story â loosely adapted from Alexis Salatko's novel Folles de Django â manages to feel at once oversimplified  underfed and overburdened.  Reinhardt 's personal evolution is clumsily tracked in dialogue with a former mistress who has suffered unnamed violations at the hands of the occupiers: "You're the only person this war hasn't changed " she says bitterly to  Reinhardt . (She later rescinds the charge.) A climactic set piece at a Nazi banquet feels pat.
It's not inherently a problem that Comar does less with plot than he does with imagery: There's vivid poignancy in his depiction of the mass evacuation  and in  Reinhardt 's desperate flight through the snow. But by all accounts â the most authoritative being Michael Dregni's excellent biography Django: The Life and Music of a Gypsy Legend â Reinhardt was even more conflicted during the occupation than this film makes him out to be.
And what's meant to be a wrenching coda â the post-armistice premiere of an organ mass called "Requiem for Gypsy Brothers" â is marred by the wan pathos of the music itself  composed by Warren Ellis. As the piece plays   Reinhardt  stands dumbstruck  overcome. But if we're supposed to believe this piece represents the peak of  Reinhardt 's emotional expression  the point is discredited by earlier musical evidence. In a film that's so often about taking sides   Django  can feel at war with  itself .

Ex Output:
Positive


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What is the sentiment of the following document towards the entity Figaro ? PARIS (Reuters) - Tom Enders  has told the French Presidency  he  will not seek a third mandate as chief executive of European planemaker Airbus (AIR.PA)  Le Figaro daily reports on its website.
 FILE PHOTO - Airbus Group Chief Executive Tom Enders  speaks during a news conference on the aerospace group's annual results  in London  Britain February 24  2016. REUTERS/Hannah McKay
“According to our information  the last board meeting of 2017  this Thursday  should ratify the non-renewal of  Tom Enders  at the helm of the group following the expiry of  his  mandate in May 2019 ”  the Figaro  said  without citing  its  sources.
“Tom informed the Elysee very recently he would not seek a third mandate ” a source cited by  Le Figaro  said.

Ex Output:

Positive