In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: ( warning to those who have not seen seven : this review contains some spoiler information . )
seven is a powerful , fully - realized film on the level of the silence of the lambs .
it is a disturbing film that accomplishes its biggest of goals -- it occupies the viewers mind long after the closing credits have rolled .
while this film is not for the squeamish , there is no denying that seven demands attention , for it is a film that transcends its genre in both style and substance .
for starters , classifying seven as a " thriller " would not be an altogether complete classification of this film .
while i was genuinely thrilled throughout , i would rather call seven an " intense drama , " because that is what it delivers -- meaningful scenes with a relentlessness that does not readily let up .
part of director david finchers accomplishment is in style .
he seems to have a knack for knowing exactly how the average person fears something as " simple " as a corpse .
and visually , fincher shows us the remains of murder victims in all - too - realistic and graphic terms ( courtesy of rob bottin 's always - grisly special effects ) .
throw in the appropriate but not - to - be - underestimated effects of lighting and a foreboding score and the result is a technical masterpiece of the murder scene .
these scenes alone are quite impressive ; as fascinating as they are harrowing .
yet , seven is more than just a technical accomplishment .
in addition to style , fincher supplies substance .
seven has compelling characters that it wants us to know and understand , and fincher ties them all together in a completely pessimistic view of society .
detective william somerset ( morgan freeman ) is a man who has nearly given up on the world .
its easy to see why .
the world does n't make sense .
( somerset drives this point home with a rather ghastly story of a robbery victim who was attacked just blocks from the police precinct .
after knocked down and robbed of his wallet , the attacker stabbed the helpless man in both eyes . )
why should somerset believe that by following this murder investigation and " picking up the pieces " he will be able to catch the killer ?
somersets new partner , david mills ( brad pitt ) has not given up on the world , perhaps because he is still young ( and perhaps by having this optimism he 's naive in
this films portrayal of the world ) .
he completely disagrees with somersets abandonment of hope .
however , david 's wife ( gwyneth paltrow ) has so much fear of her urban surroundings , she is n't even sure if she wants to * tell * her husband about her recent pregnancy , let alone carry it until birth and attempt to raise it in this environment .
these three characters are all performed with skill and authenticity
that makes them feel like real people and not the typical hollywood characters a lesser film might have offered .
and in addition to making clear how each of these characters sees the world , fincher gives us support for
* why * they feel the way they do .
but if there 's one character that underlines the message seven is trying to convey , it has to be the killer , john doe ( kevin spacey ) .
seven 's payoff lies in its ability to allow us to see how the killer views the world and what drives him to do what he does .
one important thing to remember about doe is how easy it is to simply dismiss him as a " psycho , " with no motives behind his slayings .
this is exactly the mistake mills makes .
in the extremely intense and superbly performed closing scenes , were allowed to see that doe is , in his mind , merely a product of society .
he 's a killer who kills those who are bringing society down .
in his mind he did n't kill " innocent " people , and , perhaps , they were not completely innocent ( but , then again , who is ? ) .
he s absolutely infuriated that mills believes that the murder victims were innocent .
really , seven does n't just comment on the superficial obviousness of how screwed - up john doe is .
seven makes larger statements about how screwed - up society is , hinting that society 's degradation is simply conducive of creating more john does .
besides the stylistic and larger - issue arguments for seeing this film , i recommend seven because it is , after all , also a very slick and well - made thriller .
it features exciting plot developments , commanding performances , lots of suspense , and a conclusion that is chilling , riveting , and quite unfair .
but then again , its a cruel world .

Output: P


Input: Consider Input: one of the 90s ' most unwelcome thriller trends returns from the grave : it 's the " _ _ _ from hell " movie !
starting in the early nineties , we were subjected to nearly every conceivable combination of relationships - from - hell !
there were boyfriends from hell , friendly neighborhood cops from hell , nannies from hell , and even secretaries from hell .
but hush has found an old standby that somehow was forgotten in the rush : the mother - in - law from hell ! ! ! ! !
the mother - in - law in question is martha , played by jessica lange .
she has been single - handedly running the family horse farm , kilronan .
her son , jackson ( johnathon schaech ) and his girlfriend , helen ( gwyneth paltrow ) , live in new york , and have no intention to move back down south to the rural kilronan .
but those intentions are about to change .
you see , martha lives by manipulation .
she has used it in years past to breed many championship horses .
now , she believes she can use it to breed herself a grandson .
though at first , helen finds martha charming , soon she is caught in the domineering martha 's web of deception .
it 's hard to understand why nobody ever wises up to martha ' schemes .
as written , most of the characters in the film must be very slow witted .
but then , the film even treats the audience like idiots .
it tries to get away with things ( like leaving a critical piece of evidence in a rather unlikely place ) without even batting an eye .
then again an audience which accepts characters as shallow as these is n't one that 's likely to question details .
jessica lange 's martha is the only semi - developed character in the film , and she applies her talents to redeem it as much as she can .
a character that could have been simply awful is merely groan - worthy .
gwyneth paltrow does n't have much to build upon , as helen 's only character trait seems to be " daughter - in - law " .
still , she fares better than johnathon schaech , whose character is so nonexistent , he 's inexplicably missing for much of the film .
still , there have been much worse
" _ _ _
_ from hell " films .
even with its paper - thin characters and ludicrous setups , hush manages to create a few thrills in a color - by - numbers fashion .
you know what 's coming , but occasionally the film will deliver a shock or two .
the old formulas are around for a reason , but that does n't mean they taste fresh .

Output: N


Input: Consider Input: modern audiences are more likely to be familiar with les misirables from the pop - broadway musical rather than victor hugo 's original tome .
adapted several times for the cinema , this latest effort
does a superb job of translating the characters , story , and heart of the novel to the screen .
liam neeson stars as jean valjean .
as a young man , valjean stole some bread to satisfy his hunger . . .
and he was sentenced to 19 years of hard labor for his crimes .
prison hardened him , and on his release he seems doomed to a life of crime and squalor .
however , an unexpected act of compassion changes his outlook on life , and he vows to become a better man .
however , he runs up against one man who does n't believe in reform .
inspector javert ( geoffrey rush ) is an obsessive law abider .
he has no tolerance for anyone who breaks the rules , even with benign intentions .
he once served as a guard at the labor camp where valjean served , and after valjean breaks his parole , javert devotes himself to bringing him to justice .
two women also get caught up in the struggle .
fantine ( uma thurman ) is an unwed mother suffocating in an unforgiving society .
her daughter , cosette ( mimi newman , and later , claire danes ) , is her life , yet she can not afford to raise her .
instead , cosette is sent to live with a cruel foster family which extorts money from fantine , and forces cosette into a life little better than a slave .
director bille august manages to create a faithful adaptation of victor hugo 's novel , which , though omitting some of the political undertones , remains true to the overall story and tone of the book .
hopefully you wo n't , as some clueless members of the audience did , wonder where all the songs went .
the movie manages to be completely engrossing without the andrew lloyd webber flourishes .
the experience is bolstered by strong performances throughout , though neeson and rush deservedly take center stage with their core roles .
neeson
in particular deserves kudos for his portrayal of a man trying to do good , but continually haunted by his past .
the supporting cast is also extraordinary .
the only actor who dims in comparison is hans matheson , playing the revolutionary , marius .
the film slightly loses its luster during his brief love affair , but it is transitory , and truly only distracting when contrasted with the rest of the film .
the novel les misirables is , by any account , an epic , both in its scope and in its length .
while it would be nearly impossible to cram everything from its pages into a two hour movie ,
this latest attempt does an admirable job at the translation .
it , too , is an epic . . .
and one worth seeing .


Output: P