In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

[Q]: Catch it if you can . It is not always wise to revisit old loves, because nostalgia can be treacherous.  But not this time.  As an adolescent in the 60s, I, like many of my peers, fell in love with Dusty Springfield.  Forty years later, I listened to this collection, and I am in love with her all over again, only more so.  Her voice was very special.  From the country-style folk of The Springfields, through the romantic standards, to soulful R&B, she could do it all, and all exquisitely.    There are nuances to her singing and a depth of emotion to her voice that I missed first time round.  Listen to the unique phrasing on The Son of a Preacher Man, a song that she made her own, and the delicious seductiveness of Breakfast in Bed (which I heard for the first time on this CD) and you will see what I mean.    Her life had tragedy in it.  In many ways, the sixties were not as permissive as you might think and the British tabloid press were vicious when they caught the rumor that Dusty was a lesbian.  This helped destroy her UK career and after that she spent most of her time in the US and the Netherlands.  By nature insecure, she could not come to terms with her relative loss of celebrity and resorted to drug and alcohol abuse and even a suicide attempt.  Just when she was making a comeback following her collaboration with The Pet Shop Boys and an appearance on the Jools Holland TV show (what a hero that man is; when are we going to have his show highlights on DVD?) she was diagnosed with breast cancer, which ultimately killed her.    Among the divas of twentieth century British popular music, she is supreme, and was one of the very few to achieve real success in the US also.    It was good to hear The Look of Love on the Catch Me If You Can soundtrack.  It will help keep her voice alive for a new generation.  That track is on this CD and is just one gem among many.  They repay close listening.
[A]: POS


[Q]: Sad... . I'm a metal head but I'm not a fan of this type of metal but the quality is good and these guys are somewhat from my area, but I'm just not a fan of the Rah, Rah, Rah, Blah, Blah screaming mess. I love the guitars and the band itself just NO vocals and melody. It's very one dimensional, but different strokes for different folks. If you like war hooting and demon squealing Death Metal then you'll love this. Sorry guys not a fan of it (just an opinion though, don't get bent over it)
[A]: NEG


[Q]: A True Contender For Best Album of the Nineties . With Stanley Road Paul Weller has managed to prove to his fans and his critics that he is still an important musician even in his solo days. He hasn't written 12 good songs, instead, he's written one great album. A factor in any great album is the overall feel that perpetuates each song, making them all feel as though they deserve their place and complimenting the songs that come before and after them.    A mostly guitar driven album, Weller fuses good solos and riffs with his usual effective lyrics, often ending a song with a long instrumental that gently ushers in the next song, which gladly and competently carries the album along. However, there is the occasional song that primarily uses the piano evoking another great feel. Though these songs are quite different from the guitar based ones, they seem to come at just the right points in the album so that, not only are they a nice change of direction, but also they effortlessly fit in.    Stand-out songs are 'you do something to me', 'broken stones', 'the changing man', 'I walk on gilded splinters' and of course the title track. To truly appreciate this fine album start at the beginning and just let it play on to the end. It far outweighs the sum of its parts, and as these parts are so good, you're in for a great journey.
[A]:
POS