In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

[Q]: An encounter in the bar of the Mexico City branch of the Camino Real Hotels, between tired businessman Danny Wright (Greg Kinnear), hoping to land a life-saving contract in Mexico, and jaded, falling-apart-at-the-seams assassin Julian Noble (Pierce Brosnan), leads both men into an awkward friendship. Julian is confronting the immorality of his profession and experiencing a mid-life crisis that causes him to freeze on a job; Danny is fearing that a vitally important deal will fall through and cost him his job. After an uncomfortable-at-times conversation, Danny leaves the bar. Julian apologizes and invites him to see a bullfight. During the spectacle, Julian reveals the kind of work he truly does, and when Danny is skeptical, takes Danny through the steps of murdering a portly spectator in the arena bathroom. Danny is shocked at how easily Julian can get within inches of the man, even though Julian ends the "tutorial" without going through with the murder.Later, while at an outdoor cafe, Julian asks Danny to assist him in "facilitating a fatality"; Danny flatly refuses and Julian leaves. On leaving the idea seems to be that Julian has had enough of Danny and their friendship has just ended. That evening Julian appears at Danny's hotel room, knocking on the door, pleading to be let in; Julian wants to apologize for attempting to involve Danny in his work. Danny sits within looking undecided, and the scene fades to black without revealing what happened next. There is the sound of glass breaking once the screen goes dark.The film picks up again six months later, during the Christmas season. Danny and his wife, Bean (Hope Davis) are relaxing at their home when Julian arrives, looking for a place to stay. Danny and Bean have reservations about the situation, but decide to let him in. The grateful Julian notices that Danny has framed the ticket from the bullfight, an act that affects Julian profoundly. That night, he shares the real reason for his visit: he needs help with one last job. Julian convinces Danny to go along with the plan because, he tells Danny, "you owe me." After much internal struggle and with Danny talking him through it, Julian completes the task at a Tucson horse race track.On the plane back from Tucson, Julian reveals that the man he just killed was his boss. Killing the boss means now Julian can retire and spend the rest of his life in Greece. Danny is surprised, then amused at Julian's craftiness, but is reminded of Julian's lethal personality when he lightly punches Julian in the shoulder and is sternly warned by Julian, "Don't ever hit me again." Danny remembers his friend is still a killer and immediately apologizes. A split flashback sequence during the flight home (memories triggered by a statement Danny makes), shows what took place a year prior when Danny let Julian into his hotel room: Julian talked Danny out of commissioning a hit on a rival to win the Mexico City business deal.Later, Danny and Bean are shown at the grave of their son, something they do together every year. Julian watches respectfully from a distance, places plane tickets for Greece (his intended place of retirement) on their car windshield, then slips away., Question: Who was Danny and Bean with at the grave?
[A]: Answer: their son


[Q]: The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: What writing does Nikki notice on the door?
[A]: Answer: Axxon N


[Q]: In 1926, Machinist's Mate First Class Jake Holman transfers to the Yangtze River Patrol gunboat USS San Pablo. The ship is nicknamed the "Sand Pebble" and its sailors "Sand Pebbles".The officers have hired coolies to do most of the work, leaving the sailors free for military drills. Because he takes an interest in mechanical work, Holman involves himself directly in the operation and maintenance of the ship's engine. As a result, the chief engine room coolie, Chien, is insulted. Holman also earns the antipathy of most of his fellow sailors. He does become close friends with one seasoned, sensitive seaman, Frenchy.Holman eventually discovers a serious problem with a crank bearing that the superstitious coolies, believing the engine is haunted, have not fixed. Holman informs the captain, Lieutenant Collins, who declines to repair it. Only after the executive officer declares an emergency does the angry Collins acquiesce. Chien insists on taking Holman's place to make the repair and is accidentally killed. The chief coolie, Lop-eye Shing, blames Holman, believing that the "ghost in the machine" killed Chien. As a replacement for Chien, Holman selects Po-Han, and trains him. In time, the two become friends.Po-Han is harassed by a large, heavy-drinking, bullying sailor named Stawski, leading to a boxing match on which the crewmen place bets. Holman is in the corner of his friend Po-Han, who ends up winning. His victory leads to more friction between Holman and the rest of the crew.An (off screen) incident involving British gunboats leads to Collins ordering the crew not to fire on, or return fire from, the Chinese, to avoid a diplomatic incident or providing fuel for xenophobic propaganda, especially by the Communists. The boat is quickly prepared and disembarks. As revenge for the death of Chien and what he viewed as Holman's usurpation of his power, Lop-eye Shing had sent Po-Han ashore, where he is chased down the beach, captured, and tortured by a mob of Chinese in full view of the crew. Collins attempts to buy Po-Han's release, but without success. Po-Han begs for someone to kill him. Holman disobeys orders and ends Po-Han's torture with a rifle shot.The San Pablo is moored on the Xiang River at Changsha, due to low water levels, during the winter of 1926â27. It must deal with increasingly hostile crowds surrounding it in numerous smaller boats. Lt. Collins also fears a possible mutiny.Frenchy has saved an educated Chinese woman, Maily, from prostitution by paying her debts. He marries her and regularly swims to shore to visit her, but he dies of pneumonia one night. Holman finds Maily sitting by Frenchy's corpse. Kuomintang (Chinese Nationalist Party) militia burst in, beat Holman, and drag Maily away. The next day, several Chinese demand Holman be turned over to them as the "murderer" of Maily and her unborn baby. When the demand is rejected, the Chinese blockade the gunboat. The crew fear for their safety and demand that Holman surrender to the Chinese. Order is not restored until Collins fires a Lewis gun across the bow of one of the Chinese sampans.With spring's arrival, Collins orders preparations to restart their river patrols, but soon receives word of the Nanking Incident, with orders to return to the Yangtze River and the coast. On his own, he chooses to disobey orders and decides to first travel upstream of Dongting Lake to evacuate idealistic, anti-imperialist missionary Jameson and his school-teacher assistant, Shirley Eckert, from their remote China Light Mission. Holman had met Eckert in Hangkow months earlier, and the two had romantic feelings for each other that did not have time to develop.To reach the missionaries, the San Pablo must fight past a boom made up of junks carrying a massive bamboo rope blocking the river. A boarding party is sent to cut the rope. Fighting breaks out in which about a dozen sailors and many Chinese are killed. Holman cuts the rope while under fire. He kills a Chinese attacker, a friend of Jameson and Eckert. The ship then proceeds upriver.Collins leads three sailors, including Holman, ashore. Jameson resists being rescued, claiming that Eckert and he have renounced their U.S. citizenship. Collins orders Holman to forcibly remove Eckert and Jameson, but as Holman declares he is going to stay with them, Nationalist soldiers suddenly attack the mission. They kill Jameson, despite his attempt to assure them he has no sympathy with the San Pablo rescue mission. Collins orders the patrol to return to the ship with Eckert, and remains behind to provide covering fire. Collins is killed, ironically leaving the normally rebellious Holman in command. Holman and Eckert have a tearful parting, finally making clear their love for each other. Eckert only leaves after Holman assures her he will be along shortly. Holman kills several soldiers before he himself is fatally shot just when he is about to rejoin the others. His last bewildered words are: "I was home...what happened...what the hell happened?" Eckert and the remaining sailors reach the ship, and the San Pablo sails away., Question: What sails away?
[A]:
Answer: The San Pablo