In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: there 's no reason to doubt that donnie brasco is based , as its opening credits proclaim , on a true story .
but if it 's an accurate picture of life on america 's mean streets , than cinematic depictions of organised crime have had a much stronger basis in reality than i would have previously thought .
for from the film 's outset , when a group of hoods jocularly trade differing opinions on the merits of various automobiles ( not unlike a number of movie lowlifes who recently gave a madonna song a close reading ) donnie brasco resembles more than passingly a few gangster flicks once believed to be works of fiction .
our eponymous hero ( johnny depp ) is not the cheap crook he first appears to be .
brasco is joseph pistone , an undercover fbi agent who has the task of chumming - up to lefty ( al pacino ) , a seasoned hood who tutors pistone in the art of being a " wiseguy " .
regrettably , pistone learns his lessons all too well .
his concern for lefty , who is burdened with a heroin addicted son , exacerbates his own family troubles : his children resent his lengthy absences and his wife fears that her husband 's gangster persona is becoming a little too convincing .
true , the focus on pistone 's family life does deviate from the typical gangster - flick formula , but this subplot never rises above its television drama origins .
the unhappy couple trade predictable lines and engage in drawn - out domestic squabbles ? including an ill - advised marriage guidance routine ?
that slow the film down unnecessarily . the biggest problem with donnie brasco , however , is that its wiseguy attitude and style lacks the flair of its many predecessors .
the awkward use of an occasional disco tune momentarily reminds us its the 70 's , but not with the consistent and blindingly tacky style ?
i loved those fluoro coloured suits ? of scorces ' costume drama casino .
more importantly , pacino 's presence triggers memories of his earlier movie triumphs in which similar territory was covered far more effectively .
donnie brasco 's take on american values , for instance , is feeble and obvious .
lefty rambles out dreams of material betterment to the accompaniment of grating inspirational music .
inexplicably , lefty 's horatio alger inspired gush is supposed to move us .
it does n't any more than his family troubles do , which are dealt in the same saccharine and obvious manner as pistone 's .
just think a minute on how these themes were explored in the godfather movies and scarface .
in these pictures pacino 's dedication to a peculiar and bloody hyper - capitalism was twisted and confronting , while his dogged application of macho wiseguy procedure meant that his relations to friends and family was intriguingly dark ?
neither were spared bloody retribution for breaching wiseguy regulations .
donnie brasco 's tawdry little crime , therefore is n't so much its repetition of familiar gangster themes , but
the shameless way in which it sanitises them .
( oh and by the way , i forgot to mention that the script also sports a startling subplot : pipstone 's superiors are obstructive incompetents who are infuriated by his constant insubordination ?
is that a " damn you mcbain !
" i hear from springfield way ? )
so
the movie is cliched .
big deal
, what do you expect from a gangster - flick ?
well you expect quality action sequences and bravado performances in abundance if its going to be a decent example of the genre .
donnie brasco fails on both counts .
the action scenes never rise above the ordinary and depp 's woeful performance tends to smother the good - work of his comrades .
admittedly , pacino does nothing new and michael madsen ( sonny ) simply smirks his way through the picture like a slightly subdued mr .
white , but both possess an unmistakable sly charm .
depp usually exhibits a bit of class himself , but regrettably , being in the presence of one of his betters must have left him star - struck , for he is completely hell - bent on mimicking pacino 's well - earned high style .
the consequences are painful to watch .
its no exaggeration to say that the film 's credibility is seriously strained by the sight of the pistone family 's uncanny ability to keep a straight face in front of their breadwinner 's phony brooklyn accent .
perhaps we should take pity on the makers of donnie brasco .
maybe a scrupulous adherence to pinpoint accuracy demanded tiered dialogue and scenarios weakly reminiscent of classic gangster flicks .
if this is indeed the case , surely the makers of donnie brasco could have explored the fascinating possibility that america 's underworld is committed to emulating , albeit in heavily attenuated form , their movie namesakes .
depp could have poignantly played a simple cop who becomes a hideous parody once he is forced to mimic big - screen gangster greats .
who knows what insights into the criminal psyche could have arisen ?
but then again , perhaps donnie brasco is n't so true after all .

Output: N


Input: Consider Input: america 's favorite homicidal plaything takes a wicked wife in " bride of chucky , " and their unholy matrimony is something old , nothing new .
the burning question on the minds of most moviegoers , however , has nothing to do with nuptial specifics or even how the movie stacks up , but rather whether or not the duo gets down and dirty on their blood - soaked honeymoon .
the answer is a sick - and - twisted yes - and viewers are treated to a shadowy glimpse of some hot - enough - to - melt - rubber ( or at least singe it )
lovin' .
guess they 're anatomically correct .
chucky ( again voiced by brad dourif )
, of course , is the star of the " child 's play " series , a my buddy - type doll possessed by the spirit of a slain serial killer .
in " bride , " the plot ( heh )
picks up with his girlfriend tiffany ( jennifer tilly ) resurrecting chucky 's remains ( he was blown up at the end of " child 's play 3 " ) with the help of a black arts manual called " voodoo for dummies . " silly mortal .
before long , she 's also been reduced to shin - high figurine status , and the plastic incarnations of these one - time lunatic lovebirds hit the road to scope out some potential new human bodies .
the rest of this rocky horror puppet show plays out as tiff and the chuckster stalk a young couple ( nick stabile and katherine heigl ) with conjugal plans of their own , leading them towards a new jersey grave where a magical , soul - transferring amulet allegedly lies in wait . along the way , our murderous barbie and ken go through post - marriage motions similar to any given pair of newlyweds - bicker , argue , kiss and make up .
but when they squabble over who 's going to do the dishes , watch out .
hey , even faux people have got to work through their problems .
director ronny yu keeps the mayhem flashy and stages an inventive scene or two , but not even visual flair can make up for the fact that these creepy kewpies are neither scary nor menacing .
when one of them charges , it 's nothing a good forward punt could n't take care of .
and when a climactic chase scene is needed , one of the dim - bulb protagonists must _ pick_chucky_up _
so the demonic toy can force his hostage to run at gunpoint .
throw in some silly casualties and a ridiculous ending
( will " son of chucky " be next ? ) and this is a bizarrely bad 89-minutes at the movies .
as is the thing to do in post- " scream
" slasher cinema , don mancini 's screenplay slathers on the in - jokes and genre - parody . but
little of the humor succeeds , proving self - reference can be completely worthless when it lacks bite . to be fair , though , most of " bride of chucky " is on auto - pilot , so it 's not quite right to single out one misfired aspect of the film .
similarly shaky , the acting ranges from screeching camp to boring bland , the effects are n't that special and
the story is one big groaner .
here 's hoping chucky and his entire clan - past , present and future - rest in peace .

Output: N


Input: Consider Input: there 's something about ben stiller that makes him a popular choice among casting directors these days .
stiller currently has three projects in circulation , and what other actor can lay claim to that ?
he 's in
" there 's something about mary , " which i * still * have n't seen .
and he 's in the acerbic " your friends & neighbors , " playing a talkative , sexually - frustrated drama coach called jerri .
now there 's " permanent midnight , " in which stiller plays another jerry , this one a heroin - addicted television writer , last name stahl .
there 's also something about this industry that pushes bankable stars like stiller into doing drug - addiction pictures the minute they 've proved themselves commercially .
ewan mcgregor springs to mind who , after successful turns in " emma " and " brassed off , " received greater respect and admiration for his mind - blowing realization as renton in danny boyle 's transatlantic junk - fest , " trainspotting .
"
the philosophy appears to be a simple one : if you want 'em to be taken seriously , make 'em do drugs .
" permanent midnight " is based on the true life experiences of jerry stahl , a successful hollywood writer who , in the mid - eighties , had a $ 5 , 000-a - week job churning out plotlines for disposable tv sitcoms and a $ 6 , 000-a - week heroin habit .
a habit , in stahl 's own words , " the size of utah .
" as stahl , stiller contributes a commanding performance .
unlike " trainspotting , " which was successful in having it both ways by chronicling both the highs and the lows of heroin abuse , " permanent midnight " instead focuses on the concept of drug addiction as maintenance .
one of the earliest observations in the film is a casual reference to " naked lunch " author william s . burroughs who , when asked why he shoots up first thing in the morning responds , " so i can shave .
" stahl rarely appears to be puncturing veins for the thrill of it all in " permanent midnight " ; it 's so he can talk to his mother on the phone , show up for work on time , even pay his bills .
while the film itself occasionally wobbles around along with stahl , the writing ( adapted from stahl 's autobiography by director david veloz ) is controlled and pointed .
" permanent midnight " shows how stahl moved from new york to l . a . to -- again in the author 's words-- " escape the drug scene " (
yeah , right ) ; why he entered into a convenient marriage with a british tv exec ( elizabeth hurley , so impossibly polite you 'd swear her single profanity was dubbed ) ; and that he conceived a child in between his random hirings and firings .
stahl narrates all this in a motel bedroom to a sympathetic lover called kitty ( norristown 's own maria bello ) with whom he spent some rehab time .
janeane garofalo is wasted -- and miscast -- as a heavily - bespectacled hollywood talent agent who fails to get her hooks into the doped - up wordsmith , and that 's stahl himself playing a jaded clinic counselor .
stiller , unshaven ( burroughs take note ) and with lots of mascara around the eyes , has stahl stumble through the film looking like a train wreck but , to his credit , never once pushes his pill - popping , needle - jabbing performance over the top .
the ubiquitous stiller is the reason to see " permanent midnight " ; a dark , comic , and strangely absorbing study of assisted living .


Output: P