Given a document, an entity and its sentiment towards the entity, verify if it is the correct sentiment towards the entity. Answer should be yes or no. Note that URLs in the text have been replaced with [Link].

Verify if the sentiment of the following document towards the entity Eminem is Negative . Eminem  "Revival" (Interscope)
The A-List collaborators on  Eminem 's new album scream "I want a radio hit " with Beyonce  Ed Sheeran  Pink and Alicia Keys co-starring on the songs.
It wouldn't be hard to believe  especially since  Eminem 's last major hits have relied heavily on Rihanna  from "Love the Way You Lie" to "The Monster." But thankfully on " Revival " Eminem  returns as the star of  his  show.
Beyonce sounds beautiful on opener "Walk On Water " but Em's words are even better  as  he  delivers honest lyrics that sound  and feel  true to  him .
"Every album song I was spazzin' the (eff) out on/And now I'm gettin' clowned and frowned on "  he  raps.
 Eminem  is no longer hip-hop's most prized wordsmith and the adjustment is tough for any performer once known as one of music's most celebrated acts.
But on "Revival "  his  ninth studio album   Eminem  makes  himself  relevant with  his  smart rhymes  which is refreshing in the age of "mumble rap." The album artwork is of the American flag  with race and President Donald Trump recurring topics throughout the 19 tracks.
"So  hands in the air  let's hear it for the start of a brand new America without him  and be proud of where we're from " Eminem raps on "Like Home " featuring a stellar-sounding Keys.
Eminem co-produced some of the songs  also getting help from Rick Rubin  Dr. Dre  Alex Da Kid  Mr. Porter and Skylar Grey  the singer  songwriter and originator of "Love the Way You Lie."
no

Verify if the sentiment of the following document towards the entity Paul Haggis is Positive . âI havenât seen that  no â the stunned Swank told Fox News at an FX event in Pasadena  Calif. of the report released just minutes earlier about  Paul Haggis   who won consecutive Oscars for screenwriting the Swank-starring "Million Dollar Baby" and writing and directing "Crash."
 Haggis  was named in a civil lawsuit on December 15  2017 by publicist Haleigh Breest  who claimed the married  64-year-old filmmaker raped her on Jan. 31  2013 in a New York City apartment.
The lawsuit spurred three more women to claim sexual assault and harassment by  Haggis .
According to the Associated Press  one of the accusers claimed  Haggis  made  her  perform non-consensual oral sex and then raped  her .
Another accuser said  Haggis  told  her  âI need to be inside  you .â  She  said  she  was able to escape.
They all said  Haggis  first tried to kiss them. In two of the cases  they said  when they fought back   Haggis  escalated  his  aggression.
The new rape accuser said she was a 28-year-old publicist working on a television show being produced by  Haggis  in 1996 when he called to ask to review photos from the show that night in her office.
When  Haggis  arrived  she said  everyone else had left the office for the night and  he  insisted they speak in a back office. She said  Haggis  began kissing her as soon as they walked into the room.
"I just pulled away.  He  was just glaring at me and came at me again. I was really resisting.  He  said to me  'Do you really want to continue working?'" the woman said. "And then  he  really forced  himself  on me. I was just numb. I didn't know what to do."
 Haggis â lawyer told the AP his client is denying the new accusations  saying  âHe didnât rape anybody.â
 Haggis  has also denied Breest's initial rape allegation in a counter-complaint to the lawsuit  and said the accuser and her lawyer had demanded a $9 million payment to avoid legal action  which he characterized as extortion.
Fox News reached out to  Haggis  and Breest but did not receive comment.
 Haggis  is also well-known for being an outspoken critic of Scientology  which  he  left in 2009.  He  is listed as currently directing the film "Lead and Copper."
no

Verify if the sentiment of the following document towards the entity Barry Lyndon is Negative . Every time I watch  Barry Lyndon   my eye is immediately drawn to the candles. Theyâre in dozens of scenes in Stanley Kubrickâs 1975 classic historical drama  sometimes as the only form of lightâa miraculous achievement of cinematography that required special camera lenses borrowed from NASA. With any Kubrick work  thereâs a magisterial sense of control and overreach present in every frame  an approach that helped make him the (sometimes clichÃ©d) embodiment of the auteur filmmaker. In  Barry Lyndon   that attention to extravagant detail lies in those candles  which can make the most epic manse feel chillingly intimate.
The behind-the-scenes features on the Criterion Collectionâs remastered release of  Barry Lyndon   out this month  make it clear just what a struggle it was to light scenes with tiny flames. Capturing even a still image with so little illumination is a challenge; using a film camera was much harder  necessitating the use of gigantic lenses developed for NASAâs moon landings. Beyond that  candles themselves are ill-suited to the hermetic environment of a movie set. â[They] would burn down very quickly  people had to refuel every time â¦ and they give off an enormous amount of smoke â the focus puller Douglas Milsome recalls in a documentary included on the Criterion disc. âYou would open all the windows  put the [fans] on  extract all the dirt and dust and the smell  because it eats up oxygen.â
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Barry Lyndon  is the kind of film that deserves to be seen on the biggest screen possible. Thereâs a good reason itâs revived with some frequency at major repertory cinemas  sometimes with a live orchestra to replicate its memorable score (which consists entirely of classical pieces  especially Handelâs âSarabandeâ from his Keyboard suite in D minor). But the Criterion effort to replicate Barry Lyndonâs cinematic impact is impressive. The Blu-ray has a similarly hypnotic impact at home as it does in the theater  drawing the audienceâs focus to the surprising details in the background of each long  stately shot. Itâs a movie that actually makes the past look otherworldly  unlike many period pieces  which strive to make history seem easy to slip into.
Based on the novel The Luck of  Barry Lyndon  by William Makepeace Thackeray  Kubrickâs film chronicles the rise and fall of an opportunistic 18th-century Irishman who ascends  through a mixture of luck and ambition  to success and nobility and then experiences a similarly dramatic decline. Barry (Ryan OâNeal) is a frustrating  foolish  and often unknowable protagonist  prone to hot-headed and cowardly behavior  capable of both great empathy and callousness for those closest to him.

no