In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Input: Consider Input: Original.....HA.....what a joke! . NOTE: I bought this CD a while ago, the tunes were mediocre. Then again I'm probably biased because I don't really like rap a whole lot.     Buuuut, what made me throw away this album you ask?    The guy is a racist, who uses this record as a soap box to talk about how evil white people are, and how they're out to screw him over at every turn. Seriously, listen closely, and I counted at least the first 4 to five tracks are sprinkled with racist lyrics. I despise bigots who may have had one or two bad experiences and then turn around and see fit to spit rhymes about how white people are keeping everyone down. I don't care what race you are, don't be hating on races just because you have a selfish, racist streak in you.       In "Jesus Walks" he talks about how we need to defeat racism...well he keeps harking on it. But he won't stop whining. I agree with him, racism does exist and it is a very real problem. However people like him play victim and make millions of dollars off it. I shouldn't have to listen to an album and feel bad about being white, or black, or any other race. Such themes litter the album and take away from its supposed originality.     Additionally, why does he even think that he is worthy to call upon Jesus? The track following "Jesus Walks" he talks about getting falacio (I'm trying to be PC, not that it matters). I'm no prude...most of the music i listen is laden with "foul language". The guy is a hypocrite to an insane degree.     He raps about the same stuff. And its not different then most other rappers out there. He's really not original at all. Over and over and over again: Look at me I'm important, feel sorry for me. Its like the emo of rap, the Linkin Park of rap.       The guy is a megalomaniac, narcissist, self absorbed racist, and I won't be buying anymore of his music.      SUMMARY: Musically its ok, nothing really orignial. Just Ok if you like rap (a genre I'm still trying to get into). The guy is talented I'll give him that.     Lyrically its a joke. He's a fake. If that stuff matters to you. But if it dosn't, then ignore this review....or ignore it because you don't like my opinion.

Output: NEG


Input: Consider Input: what are these official reviewers thinking? . this not a terrible album, but it is not that good either, and this, when  coupled with the fact that there are many other bands doing very similar  things much better than knapsack, means that it probably isn't worth the  investment. i have never heard any of their other albums, but this one had  neither wonderful guitar work nor intriguing vocals, and the lyrics (which  have been called brilliant by one of the official reviewers) leave  something to be desired. the first time you hear this album, you will  probably like it, but after three or four more times all the way through, i  think you will probably be either skipping half the songs, taking the album  out after three songs, or running to your local used cd store to get some  of your poorly invested money back. it just doesn't have that lasting  quality that a great album has; this album does not leave you wanting more,  as a brilliant album would do. in short, not a terrible album but not worth  paying full price for, especially when there are so many bands out their  which are doing the whole emo-punk-pop thing much better

Output: NEG


Input: Consider Input: The Jacksons: Re-Invented, or Re-Controlled? . In 1975, Joe Jackson was tired of Motown Records controlling his childrens' careers. So he moved them over to Epic Records. The newly Christened "Jacksons" had to prove themselves to not only CBS Records, but to the world that they could produce, write, and perform their own records with plausible credibility.So instead of being controlled by Henry Cosby, Hal Davis, and to a lesser extent, Berry Gordy at Motown, their direction was handed over by Epic to Philidelphia Phunk-Meisters Kenneth Gamble, and Leon Huff. They had a tremendous string of success, with Teddy Pendergrass, MFSB, Harold Melvin, and The Blue Notes, and McFadden and Whitehead to name just a few.  They took the Jacksons' original songs, brought them into the studio, worked their Philly majik, and out came one of the greatest Soul records ever cut on wax. From Start to finish, "The Jacksons" takes you from one Phunkified Phunk Phest top the next, starting with "Enjoy Yourself" and Culminating in the Phunkadelic "Style Of Life". When I was a child I heard this record, and originally thought that "Good Times" was the Jackson's remake of the theme from that TV show. But it was pure slow Phunk. Phunk-da-fied-, Phunkalicious, or just just plain Phantastic, The Jackson's Epic Debut is Phat


Output: POS