In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

[Q]: I've seen so far the first three episodes . I love the X-files, I was in my Grad school at the time it came out so I missed the first three- four years. This was a great way to see them all. I'm a Si-Fi kinda guy so this was easy to buy. I hated when it got cancelled. It's great to see the beginning and to now understand what's going on and the history behind Foxes obsession. The products I recieved are great and nice to know I can recieved them with an APO address. thank
[A]: POS


[Q]: Did we see the same movie?? . Okay, the script is not the most imaginative I've ever seen, but I like the actors (especially Ben's best man) so I was friendly with this movie for the most part.  I didn't even mind the obvious holes in the plot, such as...why do these characters not have credit cards or cell phones? Or at least, why don't they use them?  Oh no, much more plausible that Ben will have to strip dance in a gay bar for $150 to buy a car to drive to NC.  I didn't even mind the fact that the whole "We're married and my husband's a doctor." charade was so predictable. Oh Gee, he's pretending to be a doctor and he's on a tour bus with a bunch of elderly people. D'ya think someone might have a heart attack and "Dr. Holmes" might have to step up?  And uh, they're pretending to be married and Oh! surprise there's the best man and maid of honor! D'ya think they're gonna get busted?    What killed it for me was that ridiculous ending.  It was obviously supposed to be a surprise (and it was) but there seemed to be no other reason for it than to pull a fast one on the audience.  I felt cheated. I spent the entire movie getting emotionally involved with the relationship between Sarah and Ben, and I really cared about how they would handle things with the fiance and Sarah's little boy and all that.  I cheerfully became disengaged from the relationship between Ben and Bridget, I totally believed neither one of them was ready to get married or right for each other.  The film spent an inordinate amount of time showing me they're not right for each other and that this wedding was not meant to happen.  RIGHT UP TO THE LAST MOMENT, we think he's breaking it off with Bridget. Instead, what the heck let's just go ahead and get married after all.    Huh?  He left Sarah sitting out there waiting for him in a HURRICANE!!! after making her promise that she would still be there when he got back.  This man obviously doesn't have a clue what he wants in life, and I'm expected to believe they lived happily ever after?    Not only that, but what does it teach us about taking this commitment seriously?  It teaches us that if our instinct is telling us "don't do it!" and our genitals are yearning for someone else and even Mother Nature seems to be working hard to prevent this marriage, aw heck go on ahead and do it anyway.  It's just marriage. It's romantic! You could get lucky and live happily ever after!    It's been my experience, when things aren't feeling just right as you approach that wedding, turn and run. The last thing you should do is close your eyes, grab your balls and take the leap
[A]: NEG


[Q]: Ah, to be twentysomething in Seattle in the early 1990s! . This film genuinely surprised me when I first saw it in theaters in 1992.  For me, Bridget Fonda was the main draw at the time, as she received top billing and was on the movie posters with Matt Dillion.  It felt like a bait and switch, because the film focuses more on Campbell Scott and Kyra Sedgwick's relationship, even though they aren't featured on the poster.  That's no biggie, because I enjoyed their storyline much more than Bridget and Matt's...but I bet Campbell and Kyra weren't happy to be excluded on the poster/DVD cover.    This film has it all...great music suitable to the period (grunge/alternative), fantastic use of place (Seattle in a starring role), interesting and quirky characters, and true to life portrayal of young people in their twenties negotiating through life as they find their true passions.  I especially loved Campbell Scott's performance and he is the true star of this film.  His job is working on creating a "Super Train" to get Seattlites out of their cars and onboard for their commute, because he believes that "if you give them great coffee and great music, they'll ride."  His girlfriend, played by Kyra Sedgwick, has her pulse on the masses, by telling him, "I still love my car, though."  She's an environmentalist who drives an old gass guzzling clunker of an automobile, which Campbell pokes fun at after a lunch date.  Its a joy to watch their relationship grow from initial doubts to lover games about how soon after a date one should call to other challenges that crop up.  I especially love the scene when Linda (Sedgwick) peruses Steve's (Campbell Scott) record albums and gets nostalgic about her college days.  That scene epitomizes the exciting "getting to know you" stage of dating and rings absolutely true.  The choice of music in that scene, and throughout the entire movie really enhances the scenes overall.    Probably the only thing I didn't like about the film, which is just a tiny critique, was Janet's (Fonda) almost groupie-like infatuation with Cliff (Dillon), who didn't seem all that interested in her (until she moves on with her life).  They are a mismatched pair if there ever was one...Janet with her ambitions for Grad School to pursue architecture, and Cliff the stereotypical Gen X slacker working menial jobs to support his rock band career that probably wouldn't have gone anywhere.  Janet should have hooked up with the plastic surgeon who doesn't know how to have fun!    This dvd would be made even better with a director's commentary track.  Cameron Crowe could divulge a lot of interesting information and insite jokes that the average filmwatcher might not catch (like when the mime says, "wooo woooo woooo" in response to a guy who says he works for Boeing, or when a reporter asks Cliff what the song "Touch Me, I'm Dick" is about--which is an inside joke on the actual song "Touch Me, I'm Sick").  This film is so ingrained into the grunge culture of Seattle of the early 1990s, that future audiences could use a lot of background info a director's commentary would provide.  At any rate, this film is a joy to watch, and cheaply priced that it's worth having in one's collection.  And buy the soundtrack while you're at it
[A]:
POS