In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Q: ( warning to those who have not seen seven : this review contains some spoiler information . )
seven is a powerful , fully - realized film on the level of the silence of the lambs .
it is a disturbing film that accomplishes its biggest of goals -- it occupies the viewers mind long after the closing credits have rolled .
while this film is not for the squeamish , there is no denying that seven demands attention , for it is a film that transcends its genre in both style and substance .
for starters , classifying seven as a " thriller " would not be an altogether complete classification of this film .
while i was genuinely thrilled throughout , i would rather call seven an " intense drama , " because that is what it delivers -- meaningful scenes with a relentlessness that does not readily let up .
part of director david finchers accomplishment is in style .
he seems to have a knack for knowing exactly how the average person fears something as " simple " as a corpse .
and visually , fincher shows us the remains of murder victims in all - too - realistic and graphic terms ( courtesy of rob bottin 's always - grisly special effects ) .
throw in the appropriate but not - to - be - underestimated effects of lighting and a foreboding score and the result is a technical masterpiece of the murder scene .
these scenes alone are quite impressive ; as fascinating as they are harrowing .
yet , seven is more than just a technical accomplishment .
in addition to style , fincher supplies substance .
seven has compelling characters that it wants us to know and understand , and fincher ties them all together in a completely pessimistic view of society .
detective william somerset ( morgan freeman ) is a man who has nearly given up on the world .
its easy to see why .
the world does n't make sense .
( somerset drives this point home with a rather ghastly story of a robbery victim who was attacked just blocks from the police precinct .
after knocked down and robbed of his wallet , the attacker stabbed the helpless man in both eyes . )
why should somerset believe that by following this murder investigation and " picking up the pieces " he will be able to catch the killer ?
somersets new partner , david mills ( brad pitt ) has not given up on the world , perhaps because he is still young ( and perhaps by having this optimism he 's naive in
this films portrayal of the world ) .
he completely disagrees with somersets abandonment of hope .
however , david 's wife ( gwyneth paltrow ) has so much fear of her urban surroundings , she is n't even sure if she wants to * tell * her husband about her recent pregnancy , let alone carry it until birth and attempt to raise it in this environment .
these three characters are all performed with skill and authenticity
that makes them feel like real people and not the typical hollywood characters a lesser film might have offered .
and in addition to making clear how each of these characters sees the world , fincher gives us support for
* why * they feel the way they do .
but if there 's one character that underlines the message seven is trying to convey , it has to be the killer , john doe ( kevin spacey ) .
seven 's payoff lies in its ability to allow us to see how the killer views the world and what drives him to do what he does .
one important thing to remember about doe is how easy it is to simply dismiss him as a " psycho , " with no motives behind his slayings .
this is exactly the mistake mills makes .
in the extremely intense and superbly performed closing scenes , were allowed to see that doe is , in his mind , merely a product of society .
he 's a killer who kills those who are bringing society down .
in his mind he did n't kill " innocent " people , and , perhaps , they were not completely innocent ( but , then again , who is ? ) .
he s absolutely infuriated that mills believes that the murder victims were innocent .
really , seven does n't just comment on the superficial obviousness of how screwed - up john doe is .
seven makes larger statements about how screwed - up society is , hinting that society 's degradation is simply conducive of creating more john does .
besides the stylistic and larger - issue arguments for seeing this film , i recommend seven because it is , after all , also a very slick and well - made thriller .
it features exciting plot developments , commanding performances , lots of suspense , and a conclusion that is chilling , riveting , and quite unfair .
but then again , its a cruel world .

A: P
****
Q: humanities quest for knowledge never ends .
so a team of scientists and film - makers travel to the amazon to search for a legendary indian tribe .
the party consists of anthropologist steven cale ( eric stoltz ) and the camera team consisting of terri flores ( jennifer lopez ) , danny rich ( ice cube ) , gary dixon ( owen wilson ) , denise kahlberg ( kari wuhrer ) and warren westridge ( jonathan hyde ) .
early on their journey they meet paul sarone ( jon voight ) whose boat is stuck on the shore .
they agree to give him a ride to the next village .
he claims to know the area well and can be useful locating the native tribe .
very soon their friendliness backfires on the group because sarone turns out to be a snake hunter without scruples who only wants to catch a giant anaconda and sell it to a zoo .
we do n't have to wait too long for the giant snake .
she just had a panther hors d'oevre and now is looking for the main course .
our heroes paddle around in the amazonas as if it were the pool in their own backyard .
no wonder giant animals mistake their splashing for a dinner bell .
our anaconda is a polite one and swallows the first victim in one big gulp .
enjoy !
so much for the first attempt to catch her .
but who would want to catch a giant snake with a fishing pole ?
our villain sarone shows his soft side when he stops terri from shooting the snake . too bad that anaconda is just about to strangle another member of the expedition .
one by one she goes after the others .
eric stoltz is stung by a giant wasp right in the beginning and is mercifully unconcious for the rest of the adventure .
the rest of the crew keeps entertaining the viewer although not the way the makers of the movie had planned .
however the scenes without the anaconda are rather boring .
whenever the leading lady shows up we 're in for a laugh .
the snake reminds us of a favorite character of a famous animated movie even if she should be an awe - inspiring monster .
her attacks always follow the same plan : one last hypnotic look - she 's looking at you , kid - then she speedily wraps herself around her victim and starts to gush it down .
mostly we do n't see the act of devouring .
but she looks nice when she wiggles away with her bulging middle part . whoever did the special effects on this movie may have wanted to go to a zoo first and study some real snakes .
maybe then the anaconda model would have looked more real .
the animatronics are somewhat more believable .
but that did n't work for the strangling scenes .
do n't go see the movie for the f / x .
they are everything but up - to - date .
the viewer who likes to watch the end credits will see to his / her surprise that a snake expert was a consultant for the team .
we may doubt though that he has ever seen the final result of his work .
a well known american science magazine is also mentioned in the credits , but i will refrain from naming it here to avoid further damage to its reputation .
the majority of viewer will have left the theater as soon as the credits start rolling , anyway .
what kind of audience is the target group for this movie ?
hard to say .
this ca n't be a serious horror movie , or can it ? see for yourself .

A: N
****
Q: this is the last carry on film with its almost intact regular cast and it is the swansong of hattie jacques and sid james .
dick turpin ( sid james ) and his gang which includes harriett / harry ( barbara windsor ) and tom " doc " scholl ( peter butterworth ) , terrorise the countryside by staging highway robberies : " stand and deliver !
"
owing to the increased occurrence of turpin 's robberies , captain desmond fancey of the bow street runners ( kenneth williams ) and his sidekick sergeant jock strapp ( jack douglas ) visit turpin 's area of influence to bring him to justice .
they are under the express orders of sir roger daley ( bernard bresslaw ) .
their intellect does not count for much and when they increasingly become suspicious of reverend flasher aka dick turpin ( sid james ) , whom they confided in earlier , they still can not believe that the rector has any part in these robberies .
however , once they catch harriett and put her in jail , and sir roger daley takes complete charge , it seems that there is no hope for dick turpin .
then again , sir roger has assigned the dimwits fancey and jock strapp aswell as the old dithering constable ( kenneth connor ) to keep an eye on their prisoner !
there is no doubt that this is a ' sid james ' carry on movie .
he excels in double roles ( as in ' carry on- do n't lose your head ' ) and his performance as flasher and turpin is hilarious .
barbara windsor is also funny as harriett the sex mad housemaid and member of the gang , and hattie jacques ' small but effective role as the rector 's housekeeper martha hoggett is played to perfection .
jack douglas plays a milder version of his excruciatingly annoying on - screen persona and kenneth williams is given a rather mundane part .
peter butterworth is not allowed to shine in his boring performance as tom , and bernard bresslaw 's character appears only briefly in the film .
the only notable performance from the support cast comes from joan sims as madame desiree , who is travelling around the country escorting her starlets the ' birds of paradise ' and sporting a fake french accent .
when her girls and her are robbed by turpin , she is determined to catch him and helps the reverend to find the culprit !
a carry on by the numbers , this movie is only notable for the great performance by sid james in his last carry on movie .
the jokes are bluer , the script is poorer
( it is the last script written by talbot rothwell ) , but the music is a marked improvement .
although nearly all the regulars appear , they seem to be just going through the motions .
none of the high spirits of the earlier films are apparent here .
just a selection of crude jokes and repititive double - entendres .

A:
N
****