In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

[EX Q]: Stick To The Movie, THAT was a treat! . Get's one star in appreciation of the technicians who had to record the cd. What a mess! Never should have been made. Even Julie is way past the point of playing this onstage. She half talks her way through her songs, her voice clearly not what it was when she made the film. Sorry Julie, should have left it alone.    The rest of the cast is not on a par with the film. Tony Roberts in place of Robert Preston...not on his best day. Leslie Ann Warren was riotuosly original in the film, Rachel York trying to copy her, is not. And Michael Nouri? Dismal.  The songs added to the score for the stage.......forget it.  Not even worth mentioning any more. Goes into the WHAT WERE THEY THINKING? file.  As for Julie refusing her Tony nomination because the rest of the show was overlooked? C'mon Julie, there was a reason for that, the show SUCKED!
[EX A]: NEG

[EX Q]: Magical, if not uneven, Journey . 'Magical Mystery Tour' is the most uneven of all the Beatles' albums.  The familiar songs are magnificent, but while some of the originals are poor, they are always interesting.  The American record company did a cut-and-paste on all of the Beatles' albums up to 'Sgt. Pepper', and, while it was to their great detriment, their intervention here was a masterstroke.  Because EP's (extended plays, records with five to seven songs, like a half-album) are part and parcel of the UK and not the U.S., this c.d. contains a jackpot of the Beatles' accomplished singles of '67.  Without them there wouldn't be a full album as we know it. Significantly, it was the only time the British record company later complied to the US format.    To start, the title track is a fun, carnival anthem.  It is looser and less serious than 'Sgt. Pepper'.  Then, Paul, subjectively matches himself with the perceptive and beautiful "Fool on the Hill," with its admonitions from yet another memorable character, meant to look at the conventional world differently at the expense of alienation.  However, it is John's "I am the Walrus" that pours out surreal imagery (yet borrows a few references from Lewis Carroll) that is the album's highlight.  From there the original songs are interesting, but substandard.  "Flying" makes an interesting instrumental with vocals added without any discernible words, but it seems more like an exercise than a good song.  Much in this vein, "Your Mother Should Know," is a shadow of Paul's best vaudevillian efforts, including "When I'm Sixty Four" and "Honey Pie".  The echoing vocal effects don't do anything to contribute to the song, either.  Also, George contributes what may be his poorest Beatles' song, "Blue Jay Way".  While it is understandable that spiritual awakening is the heart of all major religions, this song is done with unremarkable lyrics and sung with effects that make it sound like he's a deep sea diver accompanied by drowzy cello patterns.    The remarkable second half almost needs no elaboration.  "Hello/Goodbye" heralds the second half with one of their catchiest songs.  "Penny Lane" and "Strawberry Fields Forever" made what many believe to be one of the best singles ever.  The former is glorious and the latter is Lennon at his philosophical best.  "All You Need Is Love" may seem somewhat dated, but it needs a revival (and not just in credit card commercials!)  It is still a remarkable and entertaining anthem and subjectively one of the Beatles' very best songs.  "Baby You're a Rich Man," the song's B-side is no throw-away, either.  Clever and funny, like Lennon, it is a catchy and mesmerizing piece.    Song for song, 'Magical Mystery Tour' is still essential.  It represents their most uneven effort, but retains some of their best music. Either way it always remains interesting.
[EX A]: POS

[EX Q]: funny like haha . this review is pretty funny you have to admit.....  "This band has the most retarded lyrics I've ever heard - "Sometimes the sun goes down, sometimes it goes back up, I'm wondering which one you are watching now." Huh?? Forget about the singer's gross melodramatic voice or the band's boring decision to steal riffs from the Strokes - just check out those lyrics!! The sun doesn't 'sometimes' go up and down, it ALWAYS goes up and down - ALWAYS - you morons. "I'm wondering which one you are watching now." Which one? Excuse me, last time I checked, we have only ONE sun, not two. Whatever. Maybe these hipsters should've spent more time in school and less time working on their hair. Their first record was trying to sound like Weezer and now they're trying to sound like Hot Hot Heat. How lame is that? And why are these guys trying so hard to look like the Strokes? They even have that token dude with the caucasion 'fro. I was suckered into seeing these guys at Spaceland last month and overheard the singer "pep-talking" his band. So embarassing. "Okay, guys, have fun tonight but make it look natural. You never know who might be in the audience. And don't forget, those fat girls in the front row bought some merch so pretend to be nice to them and we'll make fun of them later." Cool guys."
[EX A]:
NEG