In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Example Input: Harman and Isings 'Old Mill Pond' is a true masterpiece of the art of animation. The consummate skill and artistry that characterise this duos work is nowhere more in evidence than in this cartoon. It is a shame that so many people can see only offence in what is, and was always intended to be, a light hearted piece of entertainment that in no way sought to denigrate black people. If anything it is a tribute to the infectious humour and musicality of the black race. I have not been able to view this confection for many years as the 'race commissars' in England have deemed it too offensive to be shown in multi racial Britain. If anyone knows where I can obtain a copy I would dearly love to view this masterpiece again. I think those who routinely look for messages and intent that were never intended in these cartoons, which are, after all, sixty years old, should try to lighten up and remember that the world is a very different place today, but that does not mean that anyone has the right to censor what is viewable from the past.
Example Output: positive

Example Input: Greta Garbo's American film debut is an analogy of how our lives can be swept off course by fate and our actions, as in a torrent, causing us to lose a part of ourselves along the way.Greta plays Leonora, a poor peasant girl in love with Ricardo Cortez's character Don Rafael, a landowner. Ricardo is in love with her too, but is too easily influenced by his domineering mother. Leonora ends up homeless and travels to Paris, where she becomes a famous opera singer and develops the reputation for being a loose woman. In reality, part of her attitude is bitterness over Rafael's abandonment.She returns to her home to visit her family and eventually confronts Rafael. Surprisingly, no one knows that she's the famous La Brunna, and Garbo acts up her role as the diva she truly was and re prised with such cool haughtiness in her later portrayals.Ricardo Cortez reminds one a lot of Valentino in looks in this part, and he was groomed to be a Valentino clone by MGM, though he never thought he could be in reality and he was right. He is believable in an unsympathetic part as a weak willed Mama's boy, and allows himself to age realistically but comically at the end of the movie. He fails to win Leonora when she returns home, and later when he follows her, his courage is undermined.This movie is beautifully shot, with brilliant storm sequences and the sets depicting Spain at the time are authentic looking. There are also some fine secondary performances by old timers Lucien Littlefield, Tully Marshall, and Mack Swain.Although this is a story of lost love and missed chances, I don't think Leonora and Rafael would have been happy together, as he needed a more traditional wife and she was very much a career woman, and I don't think would have been happy in a small village. The ending is true to life and pulls no punches.See this one as Garbo's American film debut and a precursor of things to come
Example Output: positive

Example Input: Horror fans (I'm speaking to the over 12's, although if you're under 12 I apologise for what you might deem an insult): In short, if you appreciate having your imagination disturbed by well written, original storytelling, punctuated by unpredictable well planted scares, and delivered via convincing performances, then I can heartily recommend - AVOIDING THESE STEAMERS - made by directors who have apparently long since past their sell by date. It's no accident that almost every episode feels as if it were made in the 1980's. Not to put blame squarely on the shoulders of some of these old boys (or indeed the 80's) because where would we be without certain movies from the likes of Argento, Carpenter, Landis, Dante and Barker (Actually Clive, WTF are you doing in there?! Glad to see Romero had the good sense to give it a miss as I'm sure he was asked to partake...). More perhaps we should point the finger at creator Mick Garris whose credentials include the logic defying and depressingly ill-advised TV remake of Stanley Kubrick's masterpiece 'The Shining'.Perhaps it is an indication of the state of television today. Are we so starved of good TV horror that we applaud any old sloppy schlock that the networks excrete onto our sets? Sadly, maybe so.Normally I wouldn't see the point of adding a comment that doesn't argue the faults and merits of a production, I'd just rate it accordingly. However, as this series is woefully lacking in any merit (with perhaps the sole exception of the theme tune) I write this as more of a warning than a review: DON'T WASTE YOUR TIME AND MONEY. If you disagree with me then it's more than likely that you haven't seen enough decent horror. Perhaps the earlier films of some of these directors would be a much better place to start, but if these 'Masters' of Horror were being assessed on these works alone, they'd never have been allowed to graduate with even their Bachelor's degree. Unless of course they were studying for a degree from the University Of S**t.
Example Output:
negative