In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

[EX Q]: Question: How old was Bill when his band began a ten year break? Passage:Flags is a 1985 album by the duo Moraz-Bruford. Unlike their prior effort Music for Piano and Drums, which featured only an acoustic drum kit and grand piano, this recording expanded their musical palette by including a Kurzweil 250 synthesizer and electronic percussion. Keyboardist Patrick Moraz and drummer Bill Bruford had both previously been members of the progressive rock band Yes (though at different points in time) and also appeared together on Chris Squire's first solo album Fish Out of Water. During the recording of this album, Moraz was a member of The Moody Blues, while Bruford's band King Crimson had just begun a hiatus that would last for ten years. Flags features ten instrumental works, including a drum solo based on Max Roach's "The Drum Also Waltzes".

[EX A]: During the recording of this album, Moraz was a member of The Moody Blues, while Bruford's band King Crimson had just begun a hiatus that would last for ten years

[EX Q]: Question: How old was the actor who played the Ninth Doctor at the end of his run? Passage:The regeneration of the Ninth Doctor into the Tenth at the end of "The Parting of the Ways" (2005) used computer effects to morph Christopher Eccleston into David Tennant. In the episode of Doctor Who Confidential accompanying the episode "Utopia" (2007), where the same effect is used for the Master's regeneration, it is stated that the production team decided that this would be a common effect for all future Time Lord regenerations, rather than each regeneration being designed uniquely at the whim of the individual director. This style of transition is seen again in "The Stolen Earth"/"Journey's End" (2008) both when the Doctor undergoes an aborted regeneration, and when his hand spawns a clone in the second part; in The End of Time (2010) during which Matt Smith took over the role as the Eleventh Doctor; in "The Impossible Astronaut" when the Doctor is shot twice and seemingly killed; in "Day of the Moon" when a young girl regenerates; and in "Let's Kill Hitler" when Mels (Nina Toussaint-White) is shot and regenerates into River Song (Alex Kingston). "The Night of the Doctor" and "The Day of the Doctor" subsequently use the effect to show the Eighth Doctor and War Doctor's regenerations respectively. The Eighth Doctor's regeneration into the War Doctor uses steady beams of light as opposed to the flame effect used for other revived series regenerations. In the Series 10 episode "The Lie of the Land", the Twelfth Doctor fakes a regeneration as part of a plan to test if Bill still has free will. The effect used is consistent with the one used in the modern series, with the Doctor's hands glowing and emitting regeneration energy before he enters full regeneration. However, as the regeneration was not real, it did not use up a regeneration and the Doctor did not change bodies.

[EX A]: The regeneration of the Ninth Doctor into the Tenth at the end of "The Parting of the Ways" (2005) used computer effects to morph Christopher Eccleston into David Tennant

[EX Q]: Question: How old would Beethoven have been if he could have watched Ezio perform with the NY Philharmonic Orchestra? Passage:Pinza sang once again under the baton of Toscanini in 1935, this time with the New York Philharmonic Orchestra, as the bass soloist in performances of Beethoven's Missa Solemnis. One of these performances was broadcast by CBS and preserved on transcription discs; this recording has been issued on LPs and CDs. He also sang in Toscanini's February 6, 1938, NBC Symphony Orchestra's broadcast performance of Beethoven's Ninth Symphony. These performances both took place in Carnegie Hall. In March 1942, Pinza was arrested at his home and unjustly detained 3 months on Ellis Island with hundreds of other Italian-Americans who were suspected of supporting the Axis. The incident was extremely traumatic for Pinza, and he suffered from severe depression for years afterward. In October 1947, he performed the role of Méphistophélès in Guonod's Faust opposite his daughter, soprano Claudia Pinza Bozzolla, as Marguerite at the San Francisco Opera.

[EX A]:
Pinza sang once again under the baton of Toscanini in 1935, this time with the New York Philharmonic Orchestra, as the bass soloist in performances of Beethoven's Missa Solemnis