In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.
--------
Question: Khushi (Rani Mukerji) is a careless worker always conning her boss and making excuses to not do her duty. She meets Ranbir Malhotra (Ajay Devgan) and learns that the home he plans to build for his love is now a dream unfulfilled. After being dismissed from her job, she locates the bungalow and moves in, informing everyone that she is Ranbir's fiancÃ©e. There she meets Ranbir's family and Pooja (Sonali Bendre), Ranbir's love. When Ranbir returns, at first he is outraged at Khushi's intrusion in his life but then decides to play along with her to make Pooja jealous and fall in love with him. Khushi and Ranbir end up falling in love. However, Khushi's close encounter with reality and Ranbir's old commitments hold them back for a long time before they finally listen to their hearts.

Answer: Do Khushi and Ranbir end up falling in love?


Question: 20,000 Leagues Under the Sea is a film by Richard Fleischer based on the famous Jules Verne novel written in the 19th century.The film begins with the first page of the book, talking about rumors of a mysterious sea monster that prowled the South Seas in 1868. The camera switches to an old-fashioned ship sailing through apparently calm seas. A long, dark object with glowing lights like eyes at its head appears a short distance away from the ship. It drives straight toward the ship, making a loud whirring noise of a motor. It collides head-on with the ship, sinking it, and sails off.A man standing before a crowd in San Francisco offers a bonus to any man who will ship with an expedition to hunt the mysterious "monster". Another man interrupts him, warning the crowd not to sign; they will never make it back to collect their pay. He brings up an elderly seaman who tells a dramatic story of how the "monster" sunk the ship he was on, and proceeds to give a vivid description of the monster. A young sailor, Ned Land, challenges the old sailor's claim and makes fun of the way his breath smells. His companion, Casey, hits him over the head with the sailor's cane and a fight breaks out. The police arrive and drag Ned Land away.Farther down the street, French professor Pierre Aronnax and his apprentice, Conseil, are trying to find a ship that will take them to Saigon, but are told that no one will sail through the South Seas. Three reporters ask for a statement from the professor about the monster, but he gives them an ambiguous answer. Back at their apartments, Aronnax reads the paper and sees that the reporters wildly misquoted him, claiming that he believes in a huge seamonster.Apologies, this is incomplete, I will finish it later...

Answer: Where is Aronnax trying to go?


Question: Not Quite Hollywood documents the revival of Australian cinema during the Australian New Wave of the 1970s and '80s through B-movies including Alvin Purple, Barry McKenzie Holds His Own, Dead-End Drive In, Long Weekend, Mad Max, The Man from Hong Kong, Patrick, Razorback, Road Games, Stork and Turkey Shoot. From 1971 through to the late 1980s, Australian directors began to take advantage of the newly introduced R-rating which allowed more on-screen nudity, sex and violence for audiences restricted to age 18 and over.[1] "Ozploitation"âwriter-director Mark Hartley's own portmanteau of "Australian exploitation"âwas a subgenre of the New Wave which accounted for the critically panned "gross-out comedies, sex romps, action and road movies, teen films, westerns, thrillers and horror films" of the era, commonly overlooked in Australia's "official film history".[2] The film addresses three main categories of "Ozploitation" films: sex, horror and action.[3]

Answer:
What did the newly introduced R-rating allow?