In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

Ex Input:
Question: Has the rapper who Martin collaborated with on the album Kingdom Come won a Grammy?  Passage:Martin's fascination with hip hop was shown in mid-2006 when he collaborated with rapper Jay-Z for the rapper's comeback album Kingdom Come after the two met earlier in the year. Martin put some chords together for a song known as "Beach Chair" and sent them to Jay-Z who enlisted the help of hip-hop producer Dr. Dre to mix it. Coldplay producer Rik Simpson conceived and performed the drum beats. The song was performed on 27 September 2006 by the two during Jay-Z's European tour at Royal Albert Hall. Martin has also worked on a solo collaboration with Kanye West, with whom he shared an impromptu jam session during a 2006 concert at Abbey Road Studios. He performed the chorus of "Homecoming", from Kanye West's album Graduation.


Ex Output:
Martin's fascination with hip hop was shown in mid-2006 when he collaborated with rapper Jay-Z for the rapper's comeback album Kingdom Come after the two met earlier in the year


Ex Input:
Question: What year was the university that Herz attended founded? Passage:Born in Berlin to very poor parents, Herz was destined for a mercantile career, and in 1762 went to Königsberg, East Prussia. He soon gave up his position as clerk and attended the University of Königsberg, becoming a pupil of Immanuel Kant, but was obliged to discontinue his studies for want of means. He thereupon became secretary to the wealthy Russian Ephraim, traveling with him through the Baltic Provinces. On August 21, 1770, he traveled from Berlin and acted as respondent when Kant presented his Inaugural dissertation at the University of Königsberg for the post of ordinary professor. In 1770 he had returned to Germany and studied medicine in Halle, where he became an MD in 1774, in which year he established himself in Berlin, being appointed physician at the Jewish hospital. Beginning in 1777, he delivered public lectures on medicine and philosophy, which were well attended by the students and the principal personages of the Prussian capital. At some of them even members of the royal family were present.


Ex Output:
He soon gave up his position as clerk and attended the University of Königsberg, becoming a pupil of Immanuel Kant, but was obliged to discontinue his studies for want of means


Ex Input:
Question: Where was the philosopher born that wrote that the artist "thinks up" his works? Passage:All this changed in modern times. Renaissance men had a sense of their own independence, freedom and creativity, and sought to give voice to this sense of independence and creativity. The philosopher Marsilio Ficino wrote that the artist "thinks up" ("excogitatio") his works; the theoretician of architecture and painting, Leon Battista Alberti, that he "preordains" ("preordinazione"); Raphael, that he shapes a painting according to his idea; Leonardo da Vinci, that he employs "shapes that do not exist in nature"; Michelangelo, that the artist realizes his vision rather than imitating nature; Giorgio Vasari, that "nature is conquered by art"; the Venetian art theoretician, Paolo Pino, that painting is "inventing what is not"; Paolo Veronese, that painters avail themselves of the same liberties as do poets and madmen; Federico Zuccari (1542–1609), that the artist shapes "a new world, new paradises"; Cesare Cesariano (1483–1541), that architects are "demi-gods." Among musicians, the Flemish composer and musicologist Johannes Tinctoris (1446–1511) demanded novelty in what a composer did, and defined a composer as "one who produces new songs."


Ex Output:

The philosopher Marsilio Ficino wrote that the artist "thinks up" ("excogitatio") his works; the theoretician of architecture and painting, Leon Battista Alberti, that he "preordains" ("preordinazione"); Raphael, that he shapes a painting according to his idea; Leonardo da Vinci, that he employs "shapes that do not exist in nature"; Michelangelo, that the artist realizes his vision rather than imitating nature; Giorgio Vasari, that "nature is conquered by art"; the Venetian art theoretician, Paolo Pino, that painting is "inventing what is not"; Paolo Veronese, that painters avail themselves of the same liberties as do poets and madmen; Federico Zuccari (1542–1609), that the artist shapes "a new world, new paradises"; Cesare Cesariano (1483–1541), that architects are "demi-gods