In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Input: Consider Input: Sorry, this is weak. . I first heard Nadia Ali on a few tracks from Global Underground 29 - Sharam/Dubai (which I seriously recommend) which immediately made her my new favorite singer - so I bought this with great expectations, only to be really dissapointed. I can't imagine why she's working with this guy - sorry, he's a hack - these tracks sound like leftovers from Kylie Minogue's trash, and yes, I could do better. Avoid this at all costs & hope Nadia finds somebody with talent to work with ... yawn

Output: NEG


Input: Consider Input: Catch it if you can . It is not always wise to revisit old loves, because nostalgia can be treacherous.  But not this time.  As an adolescent in the 60s, I, like many of my peers, fell in love with Dusty Springfield.  Forty years later, I listened to this collection, and I am in love with her all over again, only more so.  Her voice was very special.  From the country-style folk of The Springfields, through the romantic standards, to soulful R&B, she could do it all, and all exquisitely.    There are nuances to her singing and a depth of emotion to her voice that I missed first time round.  Listen to the unique phrasing on The Son of a Preacher Man, a song that she made her own, and the delicious seductiveness of Breakfast in Bed (which I heard for the first time on this CD) and you will see what I mean.    Her life had tragedy in it.  In many ways, the sixties were not as permissive as you might think and the British tabloid press were vicious when they caught the rumor that Dusty was a lesbian.  This helped destroy her UK career and after that she spent most of her time in the US and the Netherlands.  By nature insecure, she could not come to terms with her relative loss of celebrity and resorted to drug and alcohol abuse and even a suicide attempt.  Just when she was making a comeback following her collaboration with The Pet Shop Boys and an appearance on the Jools Holland TV show (what a hero that man is; when are we going to have his show highlights on DVD?) she was diagnosed with breast cancer, which ultimately killed her.    Among the divas of twentieth century British popular music, she is supreme, and was one of the very few to achieve real success in the US also.    It was good to hear The Look of Love on the Catch Me If You Can soundtrack.  It will help keep her voice alive for a new generation.  That track is on this CD and is just one gem among many.  They repay close listening.

Output: POS


Input: Consider Input: Merritt creates an alternate universe, where, the real world doesn't matter. . When it comes to "pop," people are use to hearing the crap played on the popular radio stations. Brittany Spears, and terribly horrid music like that. I want people to know the true meaning of "pop" music. Here it is in the dictionary:    "a bland watered-down version of rock'n'roll with more rhythm and harmony and an emphasis on romantic love"    Now, before anyone bashes me, I don't agree with the "bland" and "watered-down" words, expecially in the case of Stephin Merrit, but it's true of the music played today. There's magic in this album. It's so full of life, and dare I say, the bliss of happiness. It's truly amazing how "Wasps' Nests" can completely change my perceptions. It puts me in a state of mind. Maybe I'm just a hopeless romantic, but this album happens to be the soundtrack to my life, as cheesy as that sounds. And no matter how cheesy the lyrics may be, You'll find yourself in love with them, almost as much as the luscious sound that is, "The 6ths." A masterpiece


Output: POS