In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[Q]: Review: This picks up about a year after the events in "Basic Instinct". Catherine Tramell (Sharon Stone) is now in London. While having sex with a soccer player while speeding about in a car going at 110 miles/hour (don't ask) she goes off the road and ends up in the Thames. She survives--he doesn't. The police hire psychiatrist Michael Glass (David Morrissey) to see if she's mentally competent to stand trial. Naturally she starts playing with his mind instead and plenty of murders and sex follow.This movie was doomed before it even opened. It took forever to get a cast and director, script problems were constant and the cast was not happy (Morrissey complained about the movie often). Still it's not too bad. It's a lot like the first--there's a lush music score, beautiful locations, plenty of sex and nudity (this had to be edited for an R), a nicely convoluted plot and good acting--but there's no impact. It feels like a retread of the first. People are being killed here with a choker leash (I believe)...just like people were being killed by an ice pick in the first. In one cute moment Stone picks up an ice pick and looks at it longingly. She's also playing mind games with a man and might be getting him implicated in murders. The similarities are too apparent.This is also VERY R rated--there's plenty of explicit sex talk, male nudity (Morrissey looks a lot better nude than Michael Douglas), female nudity (Stone still looks great) and some bloody murders. The acting is good across the board. Stone is just fantastic here; Morrissey looks miserable but is OK; Charlotte Rampling and David Thewlis are good in supporting roles.So--this isn't at all bad but feels like a remake of the first. Still I recommend it. People just attacked this because Stone is not well liked and they thought it was stupid to do a sequel to "Basic..." 14 years after it was made. Question: is it a negative review?
[A]: no


[Q]: Review: Leonard Maltin must've been watching some other movie. (Though I find his Guide to be quite a valuable resource, please disregard his comments on this one.) He states "starts off well then fizzles" when it's really the reverse - "starts off tepid then catches fire". The plot is about as simple as it gets. Happy Mom, Happy Dad and Happy Son take a vacation at an isolated beach, Dad incapacitated in accident, Mom runs off to get help, meets up with dangerous escaped convict. Mom tries to trick convict into helping while Dad waits and hangs on for dear life.Good white-knuckler given an electric jolt by Ralph Meeker, appearing suddenly (the director, John Sturges, films it in a clever way that will make you gasp) around halfway through as the cunning, desperate criminal. Meeker is an unusually flippant, reckless actor (at least here and in the classic "Kiss Me Deadly") and he happily snatches the keys to the film's narrative and speeds off with the top down. His character has a habit of grinning childishly and saying "Pretty neat, huh?" when he's especially pleased with his misdeeds. There is a funny break in the action when they get a flat tire and he tersely instructs his hostage, Barbara Stanwyck, "Don't go away". She fires back "Where would I go?" (they're in the middle of nowhere) and he realizes sitcom-ishly "Yeah, that's right". The friction between them is a hoot.There are flaws, somewhat ridiculous ones. There's one scene where the police, who have been chasing after Meeker for some time, stop Stanwyck's car and to evade detection Meeker rests his head on her shoulder like a loving husband supposedly would, and pretends to be asleep as she's being questioned. A. He looks conspicuously un-masculine in this pose and B. I think it's safe to say that any adult who appears to be asleep during an encounter with law enforcement would certainly arouse suspicion.Still a sturdy thriller which builds to an exciting and edifying conclusion. Question: is it a positive review?
[A]: yes


[Q]: Review: There are many different versions of this one floating around, so make sure you can locate one of the unrated copies, otherwise some gore and one scene of nudity might be missing. Some versions also omit most of the opening sequence and other bits here and there. The cut I saw has the on-screen title WITCHCRAFT: EVIL ENCOUNTERS and was released by Shriek Show, who maintain the original US release title WITCHERY for the DVD release. It's a nice-looking print and seems to have all of the footage, but has some cropping/aspect ratio issues. In Italy, it was released as LA CASA 4 (WITCHCRAFT). The first two LA CASA releases were actually the first two EVIL DEAD films (retitled) and the third LA CASA was another film by the same production company (Filmirage), which is best known here in America as GHOSTHOUSE. To make matters even more confusing, WITCHERY was also released elsewhere as GHOSTHOUSE 2. Except in Germany, where GHOSTHOUSE 2 is actually THE OGRE: DEMONS 3. OK, I better just shut up now. I'm starting to confuse myself!Regardless of the title, this is a very hit-or-miss horror effort. Some of it is good, some of it isn't. I actually was into this film for the first half or so, but toward the end it became a senseless mess. A large, vacant hotel located on an island about 50 miles from Boston is the setting, as various people get picked off one-by-one by a German- speaking witch (Hildegard Knef). Photographer Gary (David Hasselhoff), who wants to capture "Witch Light," and his virginal writer girlfriend (Leslie Cumming), who is studying witchcraft, are shacking up at the hotel without permission. Along comes real estate agent Jerry (Rick Farnsworth), who's showing off the property to potential buyers Rose (Annie Ross) and Freddie (Robert Champagne) Brooks. Also tagging along are their children; pregnant grown daughter Jane (Linda Blair) and very young son Tommy (Michael Manchester), as well as oversexed architect Linda Sullivan (Catherine Hickland - Hasselhoff's wife at the time). Once everyone is inside, their boat driver is killed (hung) and the boat disappears, so they find themselves trapped and basically at the mercy of the "Lady in Black."So what can you expect to find here? Plenty of unpleasantries! One of the characters has their lips sewn shut and is then hung upside down in the fireplace and accidentally slow-roasted by the rest of the cast. There's also a crucifixion, witches eating a dead baby, a swordfish through the head, someone set on fire, a possession, a Sesame Street tape recorder, the virgin getting raped by some demon, a guys veins bulging and exploding thanks to voodoo doll pokes and some other stuff. From a technical standpoint, it's a nice-looking film with pretty good cinematography, a decent score and good gore effects. The hotel/island setting is also pretty nice. Blair (particularly at the end) and Ross both seem like they're having fun and Knef is great as the evil witch. Even though people like to ridicule Hasselhoff these days, he's not bad in his role, either.On the down side, despite all the gore, the film seems somewhat dull and it gets monotonous after about an hour. The supernatural themes are muddled and confusing, too. When characters are being swept into the witches lair to be tortured and killed, the filmmakers unwisely decided to superimpose the screaming actors over some silly looking red spiral vortex effect that looks supremely cheesy. And the witch lair itself is vacant and cheaply designed with unfinished lumber. And while most of the cast is at least decent, a few of the performances (particularly the "actress" who plays Hasselhoff's girlfriend and the kid) are so bad they're constantly distracting. Question: is it a negative review?
[A]:
yes