In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

A First For John & Yoko . Well, unless you are a hardcore collector like myself (had it originally on vinyl all those years ago), stay clear of this album. If you want to hear noise that you & your wife/girlfriend/boyfriend could do yourself, then forget this album & make your own noise. The best track on the album is the bonus track. That tells you that this album has nothing to do with Beatles music. I give it one star for being terrible & one star for the packaging ;-).    Search Judemac Forever" on msn
NEG

Magical, if not uneven, Journey . 'Magical Mystery Tour' is the most uneven of all the Beatles' albums.  The familiar songs are magnificent, but while some of the originals are poor, they are always interesting.  The American record company did a cut-and-paste on all of the Beatles' albums up to 'Sgt. Pepper', and, while it was to their great detriment, their intervention here was a masterstroke.  Because EP's (extended plays, records with five to seven songs, like a half-album) are part and parcel of the UK and not the U.S., this c.d. contains a jackpot of the Beatles' accomplished singles of '67.  Without them there wouldn't be a full album as we know it. Significantly, it was the only time the British record company later complied to the US format.    To start, the title track is a fun, carnival anthem.  It is looser and less serious than 'Sgt. Pepper'.  Then, Paul, subjectively matches himself with the perceptive and beautiful "Fool on the Hill," with its admonitions from yet another memorable character, meant to look at the conventional world differently at the expense of alienation.  However, it is John's "I am the Walrus" that pours out surreal imagery (yet borrows a few references from Lewis Carroll) that is the album's highlight.  From there the original songs are interesting, but substandard.  "Flying" makes an interesting instrumental with vocals added without any discernible words, but it seems more like an exercise than a good song.  Much in this vein, "Your Mother Should Know," is a shadow of Paul's best vaudevillian efforts, including "When I'm Sixty Four" and "Honey Pie".  The echoing vocal effects don't do anything to contribute to the song, either.  Also, George contributes what may be his poorest Beatles' song, "Blue Jay Way".  While it is understandable that spiritual awakening is the heart of all major religions, this song is done with unremarkable lyrics and sung with effects that make it sound like he's a deep sea diver accompanied by drowzy cello patterns.    The remarkable second half almost needs no elaboration.  "Hello/Goodbye" heralds the second half with one of their catchiest songs.  "Penny Lane" and "Strawberry Fields Forever" made what many believe to be one of the best singles ever.  The former is glorious and the latter is Lennon at his philosophical best.  "All You Need Is Love" may seem somewhat dated, but it needs a revival (and not just in credit card commercials!)  It is still a remarkable and entertaining anthem and subjectively one of the Beatles' very best songs.  "Baby You're a Rich Man," the song's B-side is no throw-away, either.  Clever and funny, like Lennon, it is a catchy and mesmerizing piece.    Song for song, 'Magical Mystery Tour' is still essential.  It represents their most uneven effort, but retains some of their best music. Either way it always remains interesting.
POS

Amps are hot, recording is warm . The songs on this album are outstanding, the writing is direct, the themes are the same ones Neil has always sung about, making relationships last over time, country living, the road.  But the way this album was recorded is probably the main reason I keep coming back.  Obviously the guitars are all melting and the amps are overdriven and the songs are free-form, but the vocals are right where I want them, and the guitars are so warm that the album never agitates me (and believe me, I've listened to some agitating music - Teengenerate anyone?).  I guess the fifth star is gained by the fact that the songs and the band are still more important than the medium, this album isn't noteworthy for its use of feedback and hot guitars, but because everything fits, in a smooth and soulful way.  Never gimmick.  Always authentic.  Neil transcends the genre again

POS