instruction:
Given a paragraph about movies, and a set of conversational question answers about the paragraph, answer a follow-up question from the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.
question:
CONTEXT: Of course this changes from country to country, but generally speaking it's not illegal to film on the streets, since it's a public area. Most car scenes are recorded with chroma just for pratical reasons. In a professional production you look for "quality" and you can achieve it only if you have control. It's all about control. With a studio setting you get full control of the lights, the movements, etc. in one word, the scene. And of course, you minimize the hitches that can occurs in the real world (also safety concers). However you should film outdoor shots to enrich and give credibility to your scene.  <sep>  Q: Why are most scenes in a car recorded with chroma? A: Most car scenes are recorded with chroma just for pratical reasons  Q: What reasons are those? A: In a professional production you look for "quality" and you can achieve it only if you have control. It's all about control  Q: Is it illegal to film while driving in a public place? A: Of course this changes from country to country, but generally speaking it's not illegal to film on the streets, since it's a public area  Q: Are there any safety concerns when filming? A: you minimize the hitches that can occurs in the real world (also safety concers  <sep> FOLLOWUP_Q: Is there anything else you can tell me on this subject?
answer:
you should film outdoor shots to enrich and give credibility to your scene


question:
CONTEXT: It's in Parry's mind. At the start of the scene, people in Grand Central Station are just walking, making noise, chaotic. Parry is looking for Lydia, whom he is in love with. When Parry sees Lydia, classical music starts, and the chaotic crowd is now in sync (in Parry's mind). They begin waltzing around him. Parry has a smile on his face. He follows Lydia through the sweetly dancing couples, all the way across Grand Central Station, and the universe is in harmony, for him. When he finally loses sight of Lydia on the other side, the couples go back to being a crowd, and the music stops and is replaced with the dissonant noises of the throng. Here is the scene: EDIT I also found an interview with director Terry Gilliam (below) regarding that particular scene. In the video, at 2:10, he says, "I just love the idea of Perry being so in love that, you know, the world changes to whatever dreams he has."  <sep>  Q: Why people were dancing at the subway? A: When Parry sees Lydia, classical music starts, and the chaotic crowd is now in sync (in Parry's mind). They begin waltzing around him  <sep> FOLLOWUP_Q: What makes the crowd so chaotic?
answer:
At the start of the scene, people in Grand Central Station are just walking, making noise, chaotic


question:
CONTEXT: The movie is an adaptation of Peter Shaffer's play of the same name, which suffers from the same criticism of historical accuracy. I can't find any references to hand, but I imagine that Shaffer was using the historical setting to stage a story of artistic genius and professional rivalry that makes such a good story, and that accuracy was somewhat secondary. It is true that Salieri and Mozart were professional rivals, and that Mozart fairly obviously was the more successful - but it is also clear that their rivalry did not descend into hatred nor that Salieri had any part in Mozart's death, despite rumors. On a positive front the movie makes it very clear that Salieri admires and respects Mozart's abilities, and you could argue that the movie is less about professional rivalry, than about Salieri's argument with God about his somewhat less stellar skills.  <sep>  Q: Why is the Salieri-Mozart relationship projected falsely in the movie Amadeus? A: you could argue that the movie is less about professional rivalry, than about Salieri's argument with God about his somewhat less stellar skills  <sep> FOLLOWUP_Q: So, are you saying it wasn't based on factual events?
answer:

It is true that Salieri and Mozart were professional rivals