In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[EX Q]: Question: When was the team that produced Sin Piedad founded? Passage 1:In 1962, the Belgian mandate of Ruanda-Urundi received independence, creating the Republic of Rwanda and the Kingdom of Burundi. Both states had traditionally had monarchies dominated by the Tutsi ethnic group over a Hutu ethnic majority but Rwanda's monarchy was abolished by a political revolution in 1959-61. In the first years of independence, Burundi seemed to have achieved a balance between ethnic groups which brought members of the different ethnic groups into government, moderated in part by the mwami (king) Mwambutsa IV who was popular with all groups but was himself Tutsi. Both Tutsi, Hutu and Ganwa were part of the dominant political party, the Union for National Progress (Union pour le Progrès national, UPRONA). In October 1961, shortly before the date scheduled for independence, the Burundian Prime Minister Prince Louis Rwagasore was assassinated, raising ethnic tensions in the country. After a period of rule by Tutsi prime ministers, Mwambutsa appointed Burundi's first Hutu leader, Pierre Ngendandumwe, but Ngendandumwe was assassinated in January 1965 by a Rwandan Tutsi. Elections held in May 1965 took place in an atmosphere of strong ethnic tension. Hutu candidates gained a majority, but Mwambutsa deposed the Hutu Prime Minister Joseph Bamina and instead installed a Tutsi candidate, Léopold Biha, in October 1965.
 Passage 2:Sin Piedad (2007) (Spanish for "No Mercy") was a professional wrestling pay-per-view (PPV) produced by Consejo Mundial de Lucha Libre (CMLL), which took place on December 7, 2007 in Arena México, Mexico City, Mexico. The 2007 Sin Piedad was the sixth event under that name that CMLL promoted as their last major show of the year, always held in December. The main event of Sin Piedad was originally supposed to be a tag team Lucha de Apuesta, hair vs. hair match between the teams of Shocker and Rey Bucanero and Black Warrior teaming with Lizmark Jr. but in the week before the show the partners were switched around to a relevos increíbles match where a Tecnico ("fan favorite") teams up with a "villain" so that Shocker teamed with Lizmark Jr. and Rey Bucanero teamed with Black Warrior. In the end Shocker forced Black Warrior to submit while Lizmark Jr. pinned Rey Bucanero to win the match. Following the match Rey Bucanero and Black Warrior were both shaved bald. The undercard featured a very intense singles match between L.A. Park and Perro Aguayo Jr. that had begun when L.A. Park returned to CMLL some months earlier and involved Aguayo Jr.'s group Los Perros del Mal. Los Perros ended up costing their leader the match as they attacked LA Park during the third and final match, causing a disqualification. The featured four additional matches, all Six-man "Lucha Libre rules" tag team matches with no major storyline build to it.
 Passage 3:After leaving the Academy, German continued to teach at Wimbledon School and to play the violin in orchestras at various London theatres, including the Savoy. In 1888, an introduction by conductor Alberto Randegger to theatre manager Richard Mansfield led to German's appointment as conductor and musical director at the Globe Theatre in London. There he improved the orchestra and began providing incidental music for the theatre's lavish productions, starting with Richard III in 1889. This music was well received (The Times called for a concert suite to be arranged), and the overture soon became popular in concert halls. This eventually led to other incidental music commissions that gained success. In 1892, German composed music for a production of Henry Irving's version of Henry VIII at the Lyceum Theatre, London, where he incorporated elements of traditional old English dance. Within a year, sheet music of the dance numbers from the play's score had sold 30,000 copies. German was by then in great demand to write music for plays. His commissions included Henry Arthur Jones's The Tempter in 1893, Johnston Forbes-Robertson's Romeo and Juliet at the Lyceum in 1895, Herbert Beerbohm Tree's productions of As You Like It (1896) and Much Ado about Nothing (1898), and Anthony Hope's English Nell (later known as Nell Gwynn) in 1900, starring Marie Tempest.

[EX A]: 2

[EX Q]: Question: What types of planes did the Australian Flying Corps use the year Holden volunteered for them? Passage 1:"Where the Dream Takes You" is a "tender" pop power ballad with contemporary R&B, soul and lite rock influences, performed in an urban contemporary style. According to the song's official sheet music, published by Walt Disney Music Publishing on Musicnotes.com, "Where the Dream Takes You" is set in signature common time and performed at a moderate tempo of 88 beats per minute in the key of C major. The Disney Song Encyclopedia author Thomas S. Hischak believes that the song's lyrics are "about following your heart to find your true self", which begin "They'll try to hold you back, they will say you're wrong, but they will never understand, no, the journey that you're on." A writer for Barnes & Noble agreed that, thematically, the single "correlates to the film's tale of an inexperienced young adventurer", Milo Thatch, and its diverse cast of supporting characters, all of whom long to follow various dreams of their own as they search for Atlantis. One of its verses reads, "There's something in your soul/That won't be denied/It's the faith to dream that keeps the dream alive/So you still believe and you know you must go", encouraging listeners to follow their dreams despite others' opinions. Lasting a duration of four minutes, AllMusic cites the song's mood as both "earnest" and "mellow"; Mýa performs it using a "sweet vocal", which spans two octaves from G3 to D♭5. Based on a melody heard only briefly during the film, "Where the Dream Takes You" encompasses "soft, contemporary beats" combined with the singer's "dulcet tones" that recall music played in a piano lounge, contrasting with the time period in which the film itself is set. Its production, which has been described as "polished", was handled by Jay Selvester, Robbie Buchanan and Ron Fair.
 Passage 2:The ruins of the Norman Canterbury Castle and St Augustine's Abbey are both open to the public. The medieval St Margaret's Church now houses "The Canterbury Tales", in which life-sized character models reconstruct Geoffrey Chaucer's stories. The Westgate is now a museum relating to its history as a jail. The medieval church of St Alphege became redundant in 1982 but had a new lease of life as the Canterbury Urban Studies Centre, later renamed the Canterbury Environment Centre; the building is used by the King's School. The Old Synagogue, now the King's School Music Room, is one of only two Egyptian Revival synagogues still standing. The city centre contains many timber-framed 16th and 17th century houses, however there are far fewer than there were before the Second World War, as many were damaged during the Baedeker Blitz. Many are still standing, including the "Old Weaver's House" used by the Huguenots. St Martin's Mill is the only surviving mill out of the six known to have stood in Canterbury. It was built in 1817 and worked until 1890; it is now a house conversion. St Thomas of Canterbury Church is the only Roman Catholic church in the city and contains relics of Thomas Becket.
 Passage 3:Holden enlisted in the Australian Imperial Force on 26 May 1915, and was posted to the 4th Light Horse Brigade as a private. He departed for Egypt aboard the transport A29 Suevic on 13 June. Serving as a driver first in the Middle East and then on the Western Front, his mechanical ability and sense of adventure led him to volunteer for the Australian Flying Corps (AFC) in December 1916. After qualifying as a pilot in England, he was commissioned a lieutenant and posted to No. 2 Squadron. Commanded by Major Oswald Watt, No. 2 Squadron's personnel included many former Lighthorsemen, as well as mechanics from the AFC's first combat formation, the Mesopotamian Half Flight. The force trained extensively in England commencing in January 1917, before deploying to the Western Front that September. Holden was involved in the AFC's first day of combat in France; just after noon on 2 October, in the vicinity of Saint-Quentin, he and his wingman engaged a German two-seater that managed to escape.

[EX A]: 3

[EX Q]: Question: Where was the singer of Ngarra Burra Ferra born? Passage 1:Jacques Rivette (; 1 March 1928 – 29 January 2016) was a French film director, screenwriter and film critic. He wrote and directed twenty feature films, including the two-part Joan the Maiden, eight short films and a three-part television documentary. He also acted in small roles and participated in documentaries. After making his first short film, Aux quatre coins, in his hometown of Rouen, Rivette moved to Paris in 1949 to pursue a career in filmmaking. While attending film screenings at Henri Langlois' Cinémathèque Française and other ciné-clubs he gradually befriended many future members of the French New Wave, including François Truffaut, Jean-Luc Godard, Éric Rohmer and Claude Chabrol. Rivette's association with this group of young cinephiles led to the start of both his filmmaking career and his work in film criticism. In collaboration with his new friends, Rivette made two more short films and worked as a cinematographer and editor on films by Rohmer and Truffaut. He also worked in small roles and as an assistant director to Jean Renoir on French Cancan and Jacques Becker on Ali Baba and the Forty Thieves. During this period he began writing film criticism for the magazine Gazette du Cinéma and later Cahiers du Cinéma, and was one of the most respected writers by his peers.
 Passage 2:Asche was born on June 30, 1990 in St. Charles, Missouri to Todd and Julie Asche; he has a brother named Tyler. He grew up playing baseball, which he started playing with his father and brother in the yard around age five, and football, but he quit playing football in his freshman year of high school. He attended Fort Zumwalt West High School in O'Fallon, Missouri. Playing for the school's baseball team, he had a .425 batting average across his career and batted .512 in his senior season. He then enrolled at the University of Nebraska, where he played college baseball for the Nebraska Cornhuskers. In 2011, Asche's junior year, he had a .327 batting average. His 12 home runs led the Big 12 Conference, while his 56 runs batted in (RBIs) placed him second in the conference. He was named a second-team All-American. While at Nebraska, he majored in economics and maintained a grade point average (GPA) of 3.407. Because of his strong grades, he earned placement on the Big 12 Conference Commissioner's Honor Roll, a distinction bestowed upon student-athletes that achieve a GPA of 3.0 or greater, for five of his college semesters.
 Passage 3:The track "Ngarra Burra Ferra" sung by indigenous artist Jessica Mauboy from the 2012 hit film The Sapphires is a song based on the traditional Aboriginal hymn "Bura Fera." The song is in the Yorta Yorta language and speaks of the Lord God's help in decimating a Pharaoh's armies. The chorus, Ngara burra ferra yumini yala yala, translates into English as "The Lord God drowned all Pharaoh's armies, hallelujah!" These lyrics are based on an ancient song in Jewish tradition known as the “Song of the Sea” or “Miriam’s Song”, as it was composed and sung by Miriam, older sister of the prophet Moses. It can be found in Exodus 15, especially verse 4, “Pharaoh’s chariots and his host hath he cast into the sea: his chosen captains also are drowned in the Red sea." Aboriginal communities of Victoria and southern New South Wales may be the only people in the world who still sing the piece (in Yorta Yorta).

[EX A]:
3