In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: jamaica is a hot vacation spot .
the exchange rate encourages delusions of wealth ( approximately 30 jamaican dollars to one american ) , the sea is a brilliant blue , the air is warm but lacks humidity .
and as tourism is unfortunately jamaica 's biggest trade , foreigners enter and leave with a sense of relaxation .
life and debt takes a brassy look at life inside this impoverished country .
while normal documentaries take the sally struthers approach of underlying scenes of starving children with tearful music , this film guides the viewer with a sarcastic voiceover that brings the troubles home without begging tears to the surface .
the voiceover is written by acclaimed author jamaica kincaid .
it guides the audience along a tourist 's journey and the story of the native inhabitants .
instead of telling you what you are already seeing on screen , it quips , " you do n't see what happens after you flush the toilet .
" this engages a viewer to see and think about devastation instead of merely being told it is there .
this strong , sparse storytelling approach runs throughout the film .
stephanie black is also intelligent in how she chooses to disclose the problems faced by the locals .
this is n't just another talking head show of people moaning about their horrible lot in life .
people are interviewed from all sectors of occupation , from field to factory , as well as social theorists and the banking organizations that continue to invest in the country .
the variety of discussion perpetuates a compelling internal dialogue with any viewer , whether they are seeing jamaica for the first time or not .
of course , as can be expected , the united states is slammed , owing to its involvement with the international monetary fund and the world bank .
officials look moronic as they explain why their plans for jamaica 's economy will help the country back on its feet , but only if they are willing to follow the advice word for word .
the next moment we see why and how each of these initiatives has failed , usually due to imports being cheaper than local labor or whether or not the soil is appropriate for the next agricultural trend the u . s . is forcing on the citizens .
admittedly , some of the back and forth between the business - minded organizations and the failures they produce gets repetitive , but it also drives home the impact ignorance can have on both sides of an international argument .
but jamaica is n't against the united states , and this documentary does not accuse the u . s .
of being the sole perpetrator of its grief .
if anything , it begs for a better understanding of the nature of jamaican society before stepping in to change it based on foreign regulations .
Example Output: P

Example Input: sandra bullock in high heels and wielding a chainsaw ?
yup , it 's got ta be summer .
just when you thought the pointless sequel had gone the way of franchise films and direct - to - video releases , into port slams speed 2 : cruise control , the gloriously godawful follow - up to the 1994 sleeper about a bus rigged to explode if it slowed below a certain speed .
the gimmick , this time , is an ocean liner rigged to , well , crash into stuff .
sound exciting ?
dennis hopper 's disgruntled bomb squader , the villain of the first film , has given way to willem dafoe 's disgruntled computer programmer , a maniac whose main beef has something to do with having to use live leeches , i kid you not , as a self - treatment for copper
poison- ing .
( and said poisoning induced by prolonged exposure to electro- magnetic fields , no less !
calling dean edell . . . )
so , he overrides the boat 's computer , convinces the crew to abandon ship , and sends the remaining passengers , those who could n't evacuate in time , on a col- lision course with destiny .
( oddly , no one thinks to just . . .
jump off the back of the boat . )
with keanu reeves electing not to return--
perhaps he read the script ?
-- the job of john mcclane goes to jason patric ( sleepers ) , as the * second * la cop and swat team member that that bus drivin ' babe annie ( bullock ) has dated .
( what are the odds ? )
they 're on this caribbean cruise for pleasure , as are a handful of requisite stock characters , including a deaf teenager
( ! ) who has a crush on the hero
( ! ! ) who also knows how to sign
( ! ! ! ) .
( and you thought the raptor slam was a cool summer movie move ?
wait till you see the feats that * this * little girl can do , when stuck on a shipboard elevator ! )
bullock is her pesky , perky self , though she ends up with far less screen time than her top billing suggests .
( those paying attention to her bikini-
and tank- tops probably wo n't complain , however ) patric is the main man in motion and that 's damn good , 'cause when he stops to talk , he 's only slightly less monotone than his predecessor .
( his first lol line is to ms .
bullock :
" i 'd like to boogie with you .
" ) of course , nobody in front of the camera embarrasses themselves quite the way that returning director jan de bont does .
he also produced this mess , which is insulting even by the most lax summer standards .
( con air , buddy , father 's day , romy and michelle 's high school reunion , murder at 1600 , 8 heads in a duffle bag , anaconda , vegas vacation , meet wally sparks , metro , bevery hills ninja , the relic , all is forgiven ) .
worse , he 's spent a hundred mil on a premise that does n't even live up to its title !
there 's no sweat - inducing motion of the ocean here-- just two hours of shaky handheld camera work and a handful of cross - cut exteriors , all leading up to the big slam , when the love boat sideswipes an oil tanker and then plows into a harbor town .
( oh , how far we 've come in twenty years .
remember the simple fun of seeing a locomotive smash into railway station in the silver streak ? )
admittedly , either of the aforementioned sequences is worth the price of admission .
it 's just the rest of the movie-- the other hundred or so minutes-- that 's pure nonsense .
and wonderful nonsense at that .
i know he did n't intend to , but de bont has done one thing right : he 's created the hands - down funniest film of the year .
so , now , allow to present a few more things that made me laugh :
o a box with a big label :
" fiber optic converter " o plain english , whole - sentence computer instructions o an entire sequence devoted to opening a fire door o jason patric 's character walks onto the bridge and immediately understands everything that 's happening o a ships ' navigator who speaks in a scottish accent and actually gets to say " i canna override it !
"
o willem dafoe 's amazing arm - mounted keyboard o two living , breathing adults ( bullock 's character and the first mate ) who have to be told , step by step , how to disconnect a trip wire from the pin of a hand grenade .
duh
o " no wait !
"
screams
the ship 's intercom o
yet another damn dog in peril
o fishing reel .
pontoon plane .
memories of weekend at bernie 's
Example Output: N

Example Input: for more than a decade , anjelica huston has been one of america 's finest actresses .
in her directorial debut , bastard out of carolina , based upon dorothy allison 's largely autobiographical book on child abuse and poverty in the south , huston displays impressive proficiency behind the camera as well .
the film tells the story of ruth anne boatwright , nicknamed bone by one of her uncles at birth , in post - world war ii south carolina .
through voice - over ( narration done by laura dern ) , we find that she nearly did n't survive birth , as her single mother anney , played by jennifer jason leigh , was thrown through the windshield during an automobile accident .
that 's just the beginning of her troubles .
bone is deemed illegitimate on her birth certificate , a social stigma which her mother and her large poor family obsesses over for years to come .
anney meets and weds lyle , a kind man and good stepfather whom gives bone a baby sister before dying in an automobile accident .
anney 's brother earle , played by michael rooker , introduces her to glen , played by ron eldard , a co - worker at the mill .
glen , the black sheep of a wealthy family ( " when are you gon na make your daddy proud ?
i 'll tell you when - never !
"
he 's told ) and filled with bitterness , courts anney and eventually wins her , despite warnings of a violent temper .
when anney miscarries with his much - prized baby boy , glen loses his capability to supress his violent outbursts and begins to direct them at bone , beating and abusing her , while the love - dependent anney tries to turn a blind eye and justify his behaviour .
things turn for the worse when glen loses his job and the family of four sink into impoverishment .
while set several decades ago , this story remains completely relevant in today 's society , where abused wives return to their husbands , and abuse committed against children by one spouse is routinely overlooked by the other .
the real star of this domestic drama is not top - billed jennifer jason leigh , but child actress jena malone , who plays bone in a wrenching and wholly impressive debut performance .
her work is of award - calibre , and in this age in which a preponderence of superb child performers have emerged ( kirsten dunst , tina majorino , anna paquin , natalie portman , christina ricci , elijah wood ) , malone 's performance stands up well .
leigh 's performance in bastard out of carolina is fine , although she 's not really given much to do , and ron eldard work is very solid , skillfully manouvering his character 's moods in and out of explosive rage .
one can always sense that underneath his glen is a pressure - cooker ticking away .
of the supporting cast , special note must be made of the criminally underrated michael rooker 's performance .
there 's a bit too much generic formulaism in the screenplay for my taste , from the various characters spouting off country bumpkinisms , to the familiar sight of a dried - up uptight wise old granny ( played by grace zabriskie ) sitting on the porch rocking chair , to impassioned soliloquies better suited for a stage performance .
still , it can not be denied that anne meredith 's screenplay contains a wallop of emotional power .
huston 's direction of the film is surehanded and impressive , giving the film good pacing and eliciting good performances from her cast , particularly the young malone .
her sequences of child abuse are shot in a hard - hitting emotional , rather than graphic , manner , and are very effective .
huston 's talent with camera positioning is wonderful , from a visually striking shot done through a fan , to an extended sequence in the front seat of an automobile .
the film has the toned - down feel of a television production ; bastard out of carolina was originally composed and cut for broadcast on the tnt cable station , who ended up declining the film due to sentiments that scenes of abuse and rape in the film were too disturbingly realistic for their audience .
perhaps some sequences of the film may be unpleasant , but as a whole bastard out of carolina adds up to a powerful viewer experience worth seeing .
Example Output:
P