In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: there 's no reason to doubt that donnie brasco is based , as its opening credits proclaim , on a true story .
but if it 's an accurate picture of life on america 's mean streets , than cinematic depictions of organised crime have had a much stronger basis in reality than i would have previously thought .
for from the film 's outset , when a group of hoods jocularly trade differing opinions on the merits of various automobiles ( not unlike a number of movie lowlifes who recently gave a madonna song a close reading ) donnie brasco resembles more than passingly a few gangster flicks once believed to be works of fiction .
our eponymous hero ( johnny depp ) is not the cheap crook he first appears to be .
brasco is joseph pistone , an undercover fbi agent who has the task of chumming - up to lefty ( al pacino ) , a seasoned hood who tutors pistone in the art of being a " wiseguy " .
regrettably , pistone learns his lessons all too well .
his concern for lefty , who is burdened with a heroin addicted son , exacerbates his own family troubles : his children resent his lengthy absences and his wife fears that her husband 's gangster persona is becoming a little too convincing .
true , the focus on pistone 's family life does deviate from the typical gangster - flick formula , but this subplot never rises above its television drama origins .
the unhappy couple trade predictable lines and engage in drawn - out domestic squabbles ? including an ill - advised marriage guidance routine ?
that slow the film down unnecessarily . the biggest problem with donnie brasco , however , is that its wiseguy attitude and style lacks the flair of its many predecessors .
the awkward use of an occasional disco tune momentarily reminds us its the 70 's , but not with the consistent and blindingly tacky style ?
i loved those fluoro coloured suits ? of scorces ' costume drama casino .
more importantly , pacino 's presence triggers memories of his earlier movie triumphs in which similar territory was covered far more effectively .
donnie brasco 's take on american values , for instance , is feeble and obvious .
lefty rambles out dreams of material betterment to the accompaniment of grating inspirational music .
inexplicably , lefty 's horatio alger inspired gush is supposed to move us .
it does n't any more than his family troubles do , which are dealt in the same saccharine and obvious manner as pistone 's .
just think a minute on how these themes were explored in the godfather movies and scarface .
in these pictures pacino 's dedication to a peculiar and bloody hyper - capitalism was twisted and confronting , while his dogged application of macho wiseguy procedure meant that his relations to friends and family was intriguingly dark ?
neither were spared bloody retribution for breaching wiseguy regulations .
donnie brasco 's tawdry little crime , therefore is n't so much its repetition of familiar gangster themes , but
the shameless way in which it sanitises them .
( oh and by the way , i forgot to mention that the script also sports a startling subplot : pipstone 's superiors are obstructive incompetents who are infuriated by his constant insubordination ?
is that a " damn you mcbain !
" i hear from springfield way ? )
so
the movie is cliched .
big deal
, what do you expect from a gangster - flick ?
well you expect quality action sequences and bravado performances in abundance if its going to be a decent example of the genre .
donnie brasco fails on both counts .
the action scenes never rise above the ordinary and depp 's woeful performance tends to smother the good - work of his comrades .
admittedly , pacino does nothing new and michael madsen ( sonny ) simply smirks his way through the picture like a slightly subdued mr .
white , but both possess an unmistakable sly charm .
depp usually exhibits a bit of class himself , but regrettably , being in the presence of one of his betters must have left him star - struck , for he is completely hell - bent on mimicking pacino 's well - earned high style .
the consequences are painful to watch .
its no exaggeration to say that the film 's credibility is seriously strained by the sight of the pistone family 's uncanny ability to keep a straight face in front of their breadwinner 's phony brooklyn accent .
perhaps we should take pity on the makers of donnie brasco .
maybe a scrupulous adherence to pinpoint accuracy demanded tiered dialogue and scenarios weakly reminiscent of classic gangster flicks .
if this is indeed the case , surely the makers of donnie brasco could have explored the fascinating possibility that america 's underworld is committed to emulating , albeit in heavily attenuated form , their movie namesakes .
depp could have poignantly played a simple cop who becomes a hideous parody once he is forced to mimic big - screen gangster greats .
who knows what insights into the criminal psyche could have arisen ?
but then again , perhaps donnie brasco is n't so true after all .
Example Output: N

Example Input: toward the bottom of the ' 80s action movie barrel lies action jackson , the only movie in hollywood history to show sharon stone and vanity topless within a span of ten minutes .
this carl " apollo creed
" weathers vehicle features the traditional cop vs .
evil establishment crook , and relies on all the ' 80s trappings , from the token heroin addict who needs a fix to the shouting superior officer .
somewhere in between come the explosions and boobs , although there is a curious lack of exploding boobs .
weathers is action jackson , a detroit cop known for all sorts of crazy vigilante techniques .
speaking of one past criminal apprehension , jackson 's superior yells , " you tore his arm off !
" jackson replies , " he had a spare .
"
jackson has been busted down to a desk job because of past problems with auto manufacturer dellaplane ( craig t . nelson ) and now has to act as department liaison to a dinner honoring nelson .
after hearing what jackson thinks of him , stone says , " i take it
you 're not one of dellaplane 's friends . "
" not unless they changed the definition , " jackson glowers .
and of course it turns out stone is mrs .
dellaplane .
faux pas , jackson . .
.
not everything is happy in motown ; people are being killed and dellaplane has evil plans for the awa .
it 's all up to jackson to stop it , and his only lead lies in vanity ( not his own ) .
wherever she left off with prince in terms of exchanging sexual favors for career advancement she picks up in action jackson .
she plays the heroin addict and chanteuse in dellaplane 's nightclub .
after singing one particularly sultry number for him , she saunters over and complains , " i expected a standing ovation .
"
he responds , " you 're getting one , " and it 's damn clever because he 's sitting down at the time .
prince would n't even let out an innuendo that lame
and he 's the king of the horndogs .
. .
or at least the prince .
it 's a testament to the ' 80s that sharon stone is killed off within the first 30 minutes but vanity survives the whole movie .
action jackson is another variation on the " unlikely partners " buddy action flick , with jackson lugging junkie vanity around .
this leads to some of the worst paired acting of the me decade , and with the dialogue they 're given , there 's not much room for improvement .
my favorite is when vanity , feeling the effects of drug withdrawal , says , " i feel like my teeth are hollow , my gums are made of dry rubber and someone 's trying to start a bonfire in the back of my bloody head .
"
jackson 's response is , " i think i felt that way once .
they called it love .
"
you 'll understand when i say watch this at your own risk . serving the world for nearly 1/25th of a century !
Example Output: N

Example Input: for a movie about disco - era excess , " 54 " comes up surprisingly short on the sleazy happenings at the titular late 1970s and early 1980s manhattan dance club .
think of it as a sort of " boogie nights " -lite - where that similarly - structured and -set portrayal of the porn industry was loaded with salacious goings - on and skidded on a destructive midpoint tone shift , " 54 " leaves the kinkier details to your imagination .
it never needlessly revels in its seedy subject matter , but it thankfully never resorts to preaching , either .
in fact , were it not for the rampant drug use and the intermittent dark moment , " 54 " would be about as feathery as the time period 's popular female hairstyle .
studio 54 was a haven for the rich , famous and generally good - looking before it closed its doors forever in 1986 .
inside , anything went and , we are told , everything did .
the film 's fictional main character is shane o'shea ( ryan phillippe , the jerky jock from
" i know what you did last summer " ) , a fresh - faced 19-year - old who dreams of venturing beyond the club 's velvet rope and coming face - to - face with the wild decadence he can only read about in magazines .
his wish comes true when studio 54 owner steve rubell ( mike myers ) spots him amongst a crowd of gawkers one night in ' 79 and permits him passage - but not before he doffs his hideous shirt , of course .
once inside , shane becomes seduced by the club 's dizzying vortex of sex and drugs .
he has such a good time that he does n't want to leave , so he seeks employment as a busboy .
he quickly becomes friends with greg ( breckin meyer ) and anita ( salma hayek ) , a married couple who work along side of him ; greg 's a fellow busboy with aspirations to make the big money as a studio 54 bartender , while anita checks coats but desires a recording contract to call her own .
after rubbing elbows ( among other things ) with a renowned socialite ( sela ward ) and gaining the personal interest of rubell , shane begins to ascend to the upper echelons of 54 .
but fame does n't come without a price .
"
54 " 's major shortcomings lie within its handling of the supporting players - at a slim hour - and - a - half , the film is too short to take on such a multi - character focus , and more than a few balls are dropped in the resulting juggling act .
alleged last - minute edits and reshoots are more than likely to blame for the occasionally rushed development and ambiguous interaction , since " 54 " sometimes feels like it 's missing a scene here or there .
nowhere is this more apparent than in shane 's relationship with soap opera actress julie black ( neve campbell ) , a frequent studio 54 patron whom he 's long admired from afar .
the romance is prodded along before it has a chance to transform into something special .
that " 54 " works despite these limitations , then , is largely due to the competence and energy with which it 's assembled
.
sure , it 's shallow , slick , sanitized portrait of a bygone age , and sure , we 've seen the rags - to - riches story gazillions of times , but debut director and screenwriter mark christopher keeps things moving with lively snapshots of the studio 54 hustle and bustle and an even livelier cast to inhabit his bouncy vision .
the film boasts some fine comic creativity , the pinnacle of which is disco dottie ( " the wedding singer
" 's ellen dow ) , an elderly dancing queen who plays the loving grandmother in public , but slides up to shane behind 54 's closed doors and asks for a " funky little treat .
"
the solid , sexy cast smooths out - if only while you 're caught up in the film - any rough spots belonging to their alter - egos or the plot .
newcomer phillippe has the charisma and joisey accent down pat ; he and campbell , as fetching as ever , look so good together
it 's a shame their subplot goes nowhere .
meyer exhibits the congenial appeal that made him a delight to watch in " clueless
" ( he was the stoner with the joker - smile ) , while hayek simply sizzles , especially when leading a dance class with the mantra , " one , two , three , attitude !
" sherry stringfield , unidentifiable under big ' 70s hair , takes on her first big - screen gig since she left " er " as rubell 's accountant , but she 's criminally underused .
as the droopy - eyed , drug - addled steve rubell , myers is worth the price of admission alone .
when he 's not playing the life of the party , the ex- " saturday night live " comedian strips away all of rubell 's confidence and swagger to show a man desperately trying to fill his empty , unhappy life with exorbitance ; it 's a moment worthy of pity when , while lounging on a bed of money and vomiting from a particularly heavy evening , he attempts to seduce one of his employees .
and while his performance is largely serious , myers mixes the empathy with a delicate " austin powers " -esque wink , thus keeping consistent with " 54 " 's overall feel - gaudy , larger - than - life and satisfyingly ornamental , not unlike a giant disco ball .
Example Output:
P