In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

[Q]: The story begins some time in the 1940s. Xu Fugui (Ge You) is a local rich man's son and compulsive gambler, who loses his family property to a man named Long'er. His behaviour also causes his long-suffering wife Jiazhen (Gong Li) to leave him, along with their daughter, Fengxia and their unborn son, Youqing.After he loses his entire family fortune, Fugui eventually reunites with his wife and children, but is forced to start a shadow puppet troupe with a partner named Chunsheng to support his family. The Chinese Civil War is occurring at the time, and both Fugui and Chunsheng are forcibly enlisted into the Kuomintang during a performance. After a heavy battle, Fugui and Chunsheng are captured by the forces of the Communist Party of China, where they quickly become entertainers for the troops. Eventually Fugui is able to return home and finds out that Fengxia has become dumb and lost most of her hearing due to a fever.After the CCP's victory, Fugui attends a local public trial where the new communist authority convicts Long'er of sabotaging the revolution. Long'er recognises Fugui, and tries to break free from the executioners, but he is brought back and shot. It turns out that Long'er did not want to donate any of his wealth to the "people's government", and when they tried to pressure him to do so, they only enraged him further so that he decided to burn all of his property instead of giving it away. No one helped to extinguish the fire due to Long'er's bad reputation, and he was designated a reactionary.The story moves forward a decade into the future, to the time of the Great Leap Forward. The local town chief enlists Fugui and Jiazhen to donate all scrap iron in their possession to the national drive to produce steel and make weaponry for invading Taiwan. As an entertainer, Fugui performs for the entire town, which has been devoted entirely to producing steel. Later, the district head, who turns out to be Chunsheng, inadvertently crushes and kills Youqing. At the gravesite of the boy, his mother leaves for him a lunchbox of 20 stale dumplings, which were intended as his lunch for school that day, plus 20 newly made dumplings. Chunsheng arrives at the grave, but his attempts to apologize and compensate the family are rebuffed.The story moves forward again another decade, to the Cultural Revolution. The village chief advises Fugui's family to burn their shadow puppet drama props, which have been deemed as counter-revolutionary as they are traditional cultural elements. Fengxia is now grown up. Her family arranges for her to meet Wan Erxi, a local leader of the Red Guards. They fall in love and marry.It is then revealed that Chunsheng, the district chief, has been branded a reactionary. He arrives late at night to inform Fugui and Jiazhen that his wife has committed suicide and he plans to do so also. Chunsheng wanted to give all of his money to Fugui's family as a form of his final apology and wished that they accept the money before his death. Jiazhen, who up to that point refused to talk to Chunsheng, tells him to keep living, because "you still owe us a life!"During Fengxia's childbirth, her parents and husband accompany her to the county hospital, where they find out that nurses are in charge as all doctors have been sent to do hard labor for being "reactionary academic authorities". The nurses tell the family that both the child and mother will be fine, but the family is skeptical, and manages to retrieve a doctor from confinement to oversee the birth. As the doctor has not eaten for several days, Fugui purchases seven steamed buns (mantou) for him and the family decides to name the son Mantou, after the buns. However, Fengxia begins to hemorrhage, and the nurses panic, admitting that they do not know what to do. The family and nurses seek the advice of the doctor, but find that he has overeaten and is semiconscious. The family is helpless, and Fengxia dies from hypovolemia. The point is made that the doctor ate 7 buns, but that by drinking too much water at the same time, each bun expanded to the size of 7 buns: therefore Fengxia's death is a result of the doctor's having the equivalent of 49 buns in his belly. (1949 was the year that the Chinese Communist Party cemented its hold on modern China.)The movie ends several years later, with the family now consisting of Fugui, Jiazhen, their son-in-law Erxi, and grandson Mantou. The family visits the graves of Youqing and Fengxia, where Jiazhen, as per tradition, leaves dumplings for her son. Erxi buys a box full of young chicks for his son, which they decide to keep in the chest formerly used for the shadow puppet props. When Mantou inquires how long it will take for the chicks to grow up, Fugui's response is a more tempered version of something he said earlier in the film, which shows that he no longer possesses the blind faith in communism he once had. However, in spite of all of his personal hardships, he expresses optimism for his grandson's future, and the film ends with his statement, "and life will get better and better" as the whole family sits down to eat.
[A]: Question: What does Fengxia die of?, Answer: hypovolemia


[Q]: Maxi (Javier CÃ¡mara) is the chef and owner of a restaurant, Xantarella, who aspires to win a Michelin Star but is having financial difficulties. He helps Ãlex (Lola DueÃ±as), a maÃ®tre dâ who is desperately looking for a boyfriend. It has been a while since Maxi has come out of the closet and declared his homosexuality. Since then, he left behind his wife and his two children whom he hasnât seen in the last seven years. His wifeâs death leads him to have to take care of his two estranged kids. Meanwhile, an Argentinian soccer player, Horacio (BenjamÃ­n VicuÃ±a), comes into Maxi and Alexâs lives and passes himself off as heterosexual when in reality heâs homosexual. The film develops from the love triangle formed between Maxi, Ãlex, and Horacio, Maxiâs responsibility to his kids, and the future of the restaurant.
[A]: Question: For how long he has not seen his wife and two children?, Answer: Seven years.


[Q]: The film is structured as a largely non-linear series of key events from the life of Ãdith Piaf. [note 3] The film begins with elements from her childhood, and at the end with the events prior to and surrounding her death, poignantly juxtaposed by a performance of her song, "Non, je ne regrette rien".The film opens with Ãdith as a small child in 1918, crying after being teased by other children. Her mother stands across the alley singing, busking for change. Ãdith's mother writes to her child's father, the acrobat, who is fighting in the trenches of World War I battlefields, informing him that she is leaving Ãdith with her mother so she can pursue the life of the artist. Her father returns to Paris and scoops up a sick Ãdith, then in turn leaves the child with his own mother, who is a madam of a bordello in Normandy. Now living as a child in a brothel, surrounded by the often brutal and demeaning business of prostitution, Ãdith is taken under the wing of the women there, especially Titine, a young troubled redhead who becomes emotionally attached to the little girl. Titine sings to, plays with, and tenderly cares for Ãdith through travails including an episode of keratitis-induced blindness.Years later, Ãdith's father returns for her. Despite anguished protests from both Titine and Ãdith, he takes the child away to join him as he works as a circus acrobat. As Ãdith is outside cleaning up after dinner one night, she watches a fire eater practicing, and in the flames sees an apparition of St ThÃ©rÃ¨se, who assures her that she will always be with herâa belief that she carries with her for the rest of her life.When Ãdith is nine years old, her father leaves the circus after an argument with the manager and begins performing on the streets of Paris. During a lackluster performance of her father's contortionist skills while Ãdith holds a hat for coins, a passerby asks if Ãdith is part of the show and, with prompting by her father to "do something" so the half-interested audience doesn't leave, she spontaneously sings "La Marseillaise" with raw emotion, mesmerizing the street crowd.Years later, a nightclub owner named Louis LeplÃ©e approaches Ãdith while she sings (and drinks) on the streets of Montmartre for supper money with her friend MÃ´mone. He invites her to his club for an informal audition. Impressed, he hires her, after creating for diminutive Ãdith (1.47m in height) a stage surname of Piaf, a colloquialism for sparrow.Soon, LeplÃ©e is shot dead, suspected by the police to be due to Ãdith's connections to the mafia through the pimp who has demanded a large portion of her street singing earnings. When Ãdith next attempts a show at a low grade cabaret, she is jeered and shouted off the stage by a hostile crowd. Things go from bad to worse when MÃ´mone is forcibly taken away to a convent for girls on orders from her mother. Desperate, Ãdith turns to Raymond Asso, a songwriter and accompanist. Through harsh means, he enlivens her performances by teaching her to gesture with her "great hands" while singing, and works with her on enunciation and other aspects of stage presence, including how to battle her initial fierce bouts of stage fright that almost prevent her from taking the stage for her first music hall performance.While performing in New York City, Ãdith meets Marcel Cerdan, a fellow French national who is a boxer competing for the World Champion title. Though she quickly learns from him that he has a wife, who runs their pig farm while he's away, Ãdith tells MÃ´mone that she is falling in love with Marcel. The affair that ensues (it begins shortly after he beats Tony Zale and becomes World Middleweight Champion), while supposedly secret, results in "La Vie En Rose" being played for Marcel wherever he goes. The morning after Ãdith has persuaded Marcel to fly from Paris and join her in New York, she wakes up to his kiss. She joyfully hurries to get him coffee and her gift to him of a watch, while she mocks and exasperatedly shouts at her oddly subdued entourage as they listlessly stand around her apartment. They finally break the news to her that Marcel's plane crashed. Ãdith hysterically searches for the ghost of Marcel that was lounging on her bed just a few moments before, crying out the name of her lost lover.The narrative bookends these scenes from Ãdith's middle life with repeated vignettes of an aged-looking Ãdith with frizzy red hair, being nursed and tended to. She spends much of her time sitting in a chair by the lakeside, and when she stands, she has the stooped posture and slowness of a much older person. Another set of fractured memories shows Ãdith with short curly hair, plastered to her face as though she is feverish, singing on stage and collapsing while she tries to sing, a moment when Ãdith herself realizes that her body is betraying her, when she is hosting a party at a Parisian bistro, and topples a bottle of champagne because of her developing arthritis, and to the morphine addiction that ultimately plays a large role in her demise, as she injects the drug with a young lover in her bedroom.After her husband, Jacques Pills, persuades her to enter rehabilitation for her addiction, she travels to California with him, and the audience sees the sober but manic-by-nature Ãdith being driven around in a convertible, laughing, joking, teasing her compatriots and generally being the life of the party, until she takes the wheel and promptly drives into a Joshua tree. The hilarity is uninterrupted as Ãdith gets out and pretends to hitchhikeâthe whole episode appearing to be a metaphor for her lifelong frantic efforts to be happy and distracted by entertaining others, through all manner of disasters.Years later, Piaf, now frail and hunched, squabbles with her entourage about whether or not she will be able to perform at the Olympia. No one but Ãdith thinks that she will be ready to attempt the feat, but she ultimately faces this reality herself. Then, a new songwriter and arranger shows up with a song, "Non, je ne regrette rien", and Ãdith exclaims: "You're marvelous! Exactly what I've been waiting for. It's incredible. It's me! That's my life, it's me." She announces that she will indeed perform it at the Olympia.Memories from prior to and during her last performance, when she collapses onstage, are interwoven through the film, foreshadowing the tragic end to a stellar but prematurely ended stage life. The memories appear to almost haunt Piaf. In one series, prior to what turns out to be her last performance, Ãdith is finally ready to go onstage after a series of delays, when she asks for the cross necklace that she always wears. As her staff rush away to get it, she sits and, in her quiet solitude, experiences more memories of her past, and after Ãdith puts on the retrieved cross and shuffles out onto the stage, the film presents more flashbacks as she is singing one of her signature songs, "Je ne regrette rien."She relives a sunny day on a beach with her knitting, when an older Ãdith with an obvious stoop graciously answers the simple and polite questions of an interviewer: what is her favorite color? (blue), her favorite food? (pot roast), and then more poignant questions that she also answers without hesitation, again showing the longings of her life. If you were to give advice to a woman, what would it be? "Love." To a young girl? "Love." To a child? "Love."As though he is carrying a swaddled infant, Louis easily carries Ãdith, tiny and wasted away at the age of 47, into her bedroom and tucks her into bed, while the subtitle removes any illusions that this is other than the last day of her life. She is afraid. She says she cannot remember things, but has a disjointed series of memories of the kind of small moments that somehow define all our lives more than the "big moments" doâscrambled and fragmentary as a dying person might experienceâher mother commenting on her "wild eyes," her father giving her a gift of a doll, and thoughts of her own dead child, Marcelle.The film ends with Ãdith performing "Non, je ne regrette rien" at the Olympia.
[A]:
Question: Why was Edith crying?, Answer: He was crying after being teased by other children.