In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

Totally Underrated!! . This is a fabulous &quot;feel good&quot; movie.  I've watched it a dozen times and it's still a favorite to pop in the VCR when company comes calling.  This movie never got the publicity it deserved so it's pretty much a surprise when I play it for guests.  Then, everyone wants a copy.  I probably would never have heard of it myself if my mom hadn't been an extra in it.  It was filmed in Winchester Bay, Oregon where my mom had a gift shop
POS

Pushing the boundaries of traditional documentaries! . Ron Mann is a Canadian filmmaker who specializes in documentaries about alternative culture; be it comic books with Comic Book Confidential, a famous dance craze with Twist or marijuana culture with Grass. His latest film, Tales of the Rat Fink, playfully profiles Ed "Big Daddy" Roth who helped popularize the customization of cars in the 1950s. Roth saw automobiles as much more than just modes of transportation but rather blank canvasses just waiting to be adorned with his stylish artwork or to be rebuilt from the ground up in his own unique way.    Mann does a fantastic job of taking us back to the `50s with period music and plenty of archival footage. However, his documentary is far from traditional as he has Roth narrate his own life but voiced by actor John Goodman. Mann also gives several classic cars their own voice as they tell their own story and how they contributed to hot rod car culture. It's an unusual move that takes a little getting used to but for those who have seen Mann's other documentaries it is merely a natural progression of his idiosyncratic style - kind of like Roth himself.    Mann animates still photographs and instead of having someone drone on about the different kinds of paint jobs, shows it through stylized animation techniques and footage of cars being customized. Throughout it all, he has Roth's most famous creation, Rat Fink (his answer to Mickey Mouse - a bright green mutant rat - whom he had grown tired of and created a symbol of everything that was cool and dangerous about the hot rod culture), bridges each segment via animated interludes and accompanied by the surf music of the Sadies. Tales of the Rat Fink does an excellent job immersing us in the custom car culture, how it came to be and its distinctive characteristics. This documentary takes a nostalgic look back at a time when cars had their own distinctive look; they were works of art - something that is missing today in our current homogenous culture. Its unorthodox approach may put off some but it does mirror the gonzo the look of Roth's artwork and takes it away from the stuffy confines of traditional documentaries.    "Big Daddy Lives!" is a rare, archival interview with Roth who talks about how he designs cars and the criteria he used to do this. This extra provides fascinating insight into the man and his work.    "Ratfink Reunion." To celebrate the 20th anniversary of Rat Fink, Roth and Von Dutch did a customized paint job on a car together. It's great to see these two artists doing what they do best.    "Big Daddy's Garage" features galleries of his rough sketches for t-shirt designs, stills from the 2006 Detroit Autorama that featured a collection of many of Roth's classic cars, samples from the Rat Fink comic strip, and other artists' interpretation of Rat Fink.    "Interview with director Ron Mann." A friend turned him onto Roth's work in the 1990s and in 2000 he decided to make a film about the man but when he died suddenly in 2001 Mann shelved the project. A few years later, he got the idea to tell Roth's story from the point-of-view of his cars.    "Deleted Scene" is a brief clip that shows the Rat Fink merchandise explosion with model kits, t-shirts, hats, etc.    Also included is the theatrical trailer.    Finally, there is a music video for the Sadies who provided the music for the documentary. It's animated and features Rat Fink with members of the band
POS

Ken Park how not to make a movie . Larry Clark reminds me of a lot     Let's take a look at his pathetic resume shall we:    *Kids-Yes another soft porn film involving Kids.    *Bully- This movie should be when "White Trash attacks".  Bully featured mundane acting, the most UNLIKABLE characters  ever to put on screen, stupid characters, a "twist" that  aint really a twist, awful camera shots and angle and  a "gay bull". Nuff said.    *Teenage Caveman-Subpar sci-film.    Now we get to Ken Park, probably the most revolting   story of Clark's kids trilogy if you will.    These kids special? Please give me a break. I don't  call killing your neighbors or grandparents, special.    Doing drugs makes you special? Funny I thought that made  you a druggie and a loser.    There is no smoothness or observation or anaylsis of  the kids from any sort of rhetorical view. Anyone who  who seeks to compare this to classic shows like Family  Ties, or My So Called Life isn't fooling anyone.    One key difference, the kids in so called life, knew they  were troubled, lost and asked for help. The teens in "Ken Park"  could give a crap if they live or die, their days are spent  on drug binges, fornicating with the friends and in some  cases, their friend's mother.      Really it doesn't get anymore revoling that Larry Clark.    None of the characters in the movie can be considered,  weak, inept, pathetic, loony comes to mind but far  from being strong.    Softcore and hardcore pornograpy seem to be what the filmmaking  is echoing nothing else, the other reviews even the most  positive ones can ignore that.    There is no reality with these kids, they live in their  violent world and heaven forbid if you try to take them  out of it.    Clark is not anybody's master of art, if you're art is  hardcore pornography, mixed in with convulted storyline  , with no rolemodels, no point and weak characters then  people need to pick up a dictionary or read actual  definitions of art.    The movie is nothing more than tour de force of obscene garbage  that should be flushed down the toilet.    Seeing at the reception Clark has received over the year,  it's great that fans are starting to see what he really  is just a perverted old man , nothing else.    Even then his movies make him look even more pathetic.

NEG