In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: post - chasing amy , a slew of love - triangle movies :
this month we have kissing a fool , co - starring amy 's own lee , and april brings us the object of my affection , which may as well be titled chasing allan , for it is the story of a woman who falls in love with her gay roommate .
( to be absolutely six degrees of kevin bacon about it , that film stars schwimmer 's friend jennifer aniston . ) if only kevin smith could write them all .
..
schwimmer stars as womanizing chicago sportscaster max , who falls in love with his best friend jay ( lee ) 's book editor samantha ( avital ) a mere twenty - four hours after meeting her .
they are soon engaged , and max , because of his own raging libido , grows suspicious of samantha 's fidelity .
he convinces jay to flirt with samantha during the development of his book , to " test her " .
the trouble is , jay might be secretly in love with her . to stretch this flat , sitcom premise to feature length , the plot is framed by a climactic wedding , at which bonnie hunt recounts the triangular tale -- the events leading up to the nuptials -- to an annoying fat man and his silly girlfriend .
hunt has the best comic timing of anyone in the film ; schwimmer can spin bad dialogue into mildly humorous dialogue ; and lee , poor lee , is miscast .
so hysterically funny in chasing amy , here he is forced to repress his comic instincts : to swear , to yell , to talk about oral sex .
.. the script 's idea of a character trait is to stress that jay is a " sensitive man
" , and then show him drinking pepto bismol when he 's stewing over his girl trouble .
as for avital , an israeli actress , she is warm and sweet ,
but we do n't know anything about her character
other than that it takes her an incredibly long time to realize the most obvious things .
she also too closely resembles the stunningly beautiful kari wuhrer , who plays schwimmer 's assistant and personal temptress , turning that particular subplot into an unintentional riff on vertigo .
there are a handful , a smattering , of good scenes in kissing a fool .
i enjoyed a moment in a comedy club , during which jay gets up and asks " has anyone here ever hated their girlfriend so much you wanted to kill her ?
" over and over until he 's booted off stage .
there are also a few obviously improvised lines that are fresher than anything that 's on the page .
kissing a fool is never as clever as the thursday night joke - machine friends that spawned schwimmer 's movie career , so save yourself eight dollars and watch three episodes of that series back to back .
[EX A]: N

[EX Q]: go 's is a gloriously slick hip machine .
director liman ( who also photographed go ) and screenwriter august celebrate the drug / rave scene in l .
a .
, preferring to take ( comedic ) snapshots of troubled youth rather than critique them .
after more than ninety minutes of pill - popping , tantric sex , car chases , and attempted murder , go even has a happy ending .
this is the sort of film that gives members of the dove foundation splitting headaches ; as go wound down , i anticipated an anti - pill - popping - casual - tantric - sex - car - chase - attempted - murder sermon that ( blessedly ) did n't arrive .
a la tarantino 's pulp fiction , go is comprised of three separate but related stories .
the basics are as follows :
ronna ( polley ) is a bitter grocery store clerk facing eviction who turns to drug dealing for extra dough .
her co - worker , simon ( the improbably named askew ) , is a clubber from britain ecstatic about his first trip to vegas .
zack ( mohr ) and adam ( wolf ) are soap opera stars escaping a career - threatening conviction by assisting a peculiar cop ( fichtner ) in a drug bust .
perhaps because the innovative structure of tarantino 's non - linear masterwork is by now old hat , the id - fueled go delighted me but rarely surprised me ( with the exception of that mind - reading cat ! ) ; pulp fiction zigzagged down roads unforeseen , but we see go 's wheels turning from its first flash frame to the last .
torontonian polley ( of the sweet hereafter ) refused to do publicity for this picture on the basis that she was " not pleased with " her turn as the ill - fated cashier .
in go , she delivers , hands - down , her best performance to date .
here 's an ( overrated ) actress who agreed to appear on the poster , but not support her team at the junket or in interviews ; this sort of arrogance is commonplace for ms .
polley , as anyone who has read of her political agenda in the canadian press will tell you .
if she does n't want to be the ingenue of the moment , she should have said " no , " not go .
but i digress .
go is a fun film , so chipperly depraved one ca n't help but turn off his moral judgment for its duration and enjoy the ride .
in that sense , it 's a departure from liman 's last film , swingers , which at least lectured against self - absorption in the form of vince vaughan 's trent and his subtle comeuppance in the story 's clever epilogue ( which has been aped by mcdonald 's for their latest commercial ) .
i wish i cared more about go 's characters : like the techno music they listen to , the bands of anarchists on display here are at once absorbing and vacuous .
when the lights came up and stung my eyes , it was difficult to recall what about it entertained me . yet
entertain me it did
.
go is light and frothy , featuring compelling if not endearing work by polley , timothy olyphant ( scream 2 ) , and especially fichtner , whose homoerotic behavior is milked for effective laughs .
fichtner is a character actor best known for playing backstabbers ( in heat , armageddon , and others ) ; his previously untapped comic abilities shine in go .
unlike much of the film , fichtner is unpredictable .
[EX A]: P

[EX Q]: when robert forster found himself famous again after appearing in " jackie brown " , he immediately signed up for a little film called " american perfekt " .
this was almost two years ago .
i waited patiently for the film to be released , but it never was .
finally , i forgot about it .
the other day , though , while i was perusing the selection of the local video store , i stumbled upon , you guessed it , " american perfekt " .
i immediately rented it and with a certain amount of glee , rushed home to view it .
having now seen the film , i understand why it never saw theatrical release .
" american perfekt " is a jumbled mess .
the storyline is non - existent .
it took me half the movie just to figure out what was going on
.
and at that point , the only thing i really knew for sure was that the movie was * never * going to introduce a plot of some sort .
it wants to get by on quirkyness and so - called charm alone , and it just does n't work .
robert forster plays a psychiatrist who picks up amanda plummer , and they head off on the road together .
along the way to no discernable destination , they run into all sorts of kooky and wacky characters .
i suppose this free - wheeling , no plot style is supposed to give the film an element of danger and excitment , but all it did was make me sleepy .
i 'm all for trying new things within the realm of film , but not at the expense of coherence .
nothing in this movie makes sense .
the actions of the characters go unexplained , even when they 're truly bizarre .
i 'll give you an example , without giving too much away .
david thewlis has a part as a drifting con - man .
at one point , mid - way through the movie , he runs forster and plummer off the road with his car .
as he passes them , we see that his face is covered in blood .
do you think we would get an explanation as to what happened to him ?
you would think so , would n't you .
" american perfekt " is a waste of time .
nothing is gained from watching this movie , except maybe a migraine .
and if you do rent it , do n't bother trying to figure out what 's going on in the hopes that everything will be resolved by the end .
this does n't happen .
and no explanation is given for the misspelling of " perfect " , either .
[EX A]:
N