In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

Q: Question: Were the two anarchists that Oerter met in New York born outside of United States? Passage:By the early 1890s he had moved away from Bavaria and, with his brother, was working in Duisburg. Together the brothers smuggled subversive anarchist literature into Germany from the Netherlands. Coming under increasing police pressure, and taking his queue from a number of other anarchist comrades in a similar predicament, early in 1892 he fled to the United States of America. On his arrival at New York he met up with the circle around Emma Goldman, Alexander Berkman, and politically like-minded comrades from Germany. Sepp Orter discovered in himself a talent for activism, turning out to have a flair for public speaking. During 1892 he was also the editor of the New York version of , published by the "Radical Workers' Association" ("Radikaler Arbeiter Bund") and the "Autonomy" group which also numbered among its members Josef Peukert. The stay in America was cut short, however. The authorities suspected that Oerter had somehow been involved in Alexander Berkman's attempt to assassinate a wealthy businessman called Henry Clay Frick. Those suspicions appear not to have been entirely unfounded. With financial assistance from Emma Goldman, Sepp Oerter returned to Germany. He travelled via London where he arrived in October, and where the editorial group publishing "Autonomy" gave him a mission to take printed material across Belgium to the German frontier in order to effect a clandestine introduction of the anarchist propaganda to Germany. Sepp Oerter was able to complete his mission with the help of his brother Fritz who had stayed behind when Sepp had escaped to America.
 Links: a. New York City b. Duisburg c. Emma Goldman d. New York City

A: c
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Q: Question: What year did the first Honda Civic tour take place? Passage:The Honda Civic tour was the biggest production the band had had so far. The stage was constructed of 3 ramps up to a platform behind the drum set, and 6 large video screens behind that. The show began with a large black curtain concealing the stage while the band played an instrumental intro, with spotlights revealing the silhouettes of the band. As the intro ended, they begin playing "Ignorance" as the curtain simultaneously dropped, the video screens flashing the band's logo during the intro, as the intro progressed the video screen changed to images of light bulbs (similar to the song's music video) during the intro, light bulbs also swung down from the top of the stage, continuing to swing throughout the song. The band then played "Feeling Sorry" as the video screens each showed a live feed of each member of the band performing during the choruses, at the end of the bridge the band would stop playing and Hayley would greet the crowd and welcome them to the tour. After playing "That's What You Get" and "Emergency" the band played "Playing God" as the video screens showed images of picture frames, the same picture frames on the back of Brand New Eyes and the song's single cover. After that they played Careful, as images of the Brand New Eyes butterfly flashed during the chorus, they then continued with their hit-single "Decode" as the video screen showed the band running through the forest with fireworks and flares, the video has been described as a part-two to the songs music video. After that Hayley Williams and Josh Farro moved to stage left and performed an acoustic cover of Loretta Lynn's "You Ain't Women Enough." After that, a red couch (similar to the one on the cover of All We Know is Falling) and a small lamp were brought out and the band performed a three song acoustic set, during this the light bulbs from Ignorance were brought down again to illuminate the stage. After that the band returned with "Let the Flames Begin" while the video screens showed images of open hands during the 'Oh Father' outro. They then performed "Crushcrushcrush" and "Pressure " stopping in the bridge during "Pressure" for Hayley to introduce all the band members, and for Josh to introduce Hayley. They then performed "Looking Up" while each of the video screens showed lyrics to the song and each of the band members daily lives, at the end of the song all the members came together to ride bikes as the split-screens faded away. They then ended their main set with their biggest hit "The Only Exception" as pyrotechnics were used during the last chorus of the song. The band then exited and come back for an encore, starting with "Brick By Boring Brick" while the video screens showed various images, including deserts, snakes, the Brand New Eyes butterfly, and hot air balloons. After "Brick" the band concluded their set with their breakthrough song "Misery Business" as flashing images of the "Riot!" logo filled the video screens, during the bridge Williams would let one, or sometimes various fans on stage to sing the rest of the song or sometimes play guitar, and as the last chorus came in confetti cannons were shot towards the crowd. The set concluded with the video screen showing Paramore's logo and the band bowing then leaving the stage. They used the same production for their Oceania and UK tours.
 Links: a. Decode (song) b. Misery Business c. Honda Civic Tour d. All We Know Is Falling

A: c
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Q: Question: Was Richter or Kentridge born first? Passage:Goodman has stated that she believes a dealer should be committed to working with an artist for fifteen to twenty years. The gallery represents leading foreign artists, including William Kentridge, the painter Gerhard Richter, the photographer Thomas Struth, the sculptor Thomas Schütte, and the mixed-media documenter Lothar Baumgarten, of Germany; the sculptors Tony Cragg and Richard Deacon and the video and filmmakers Eija-Liisa Ahtila, of Finland, Steve McQueen and Tacita Dean, of England; the installation-makers Christian Boltanski and Annette Messager, the filmmaker Chantal Ackerman, the site-specific painter Niele Toroni, and the digital animator Pierre Huyghe, of France; the Mexican aesthetic gamesman Gabriel Orozco; the sculptor and provocateur Maurizio Cattelan and the arte povera notables Giuseppe Penone and Giovanni Anselmo, of Italy; the Canadian creator of staged light-box photographs Jeff Wall; the Irish maker of gnomic slide shows James Coleman; the Dutch photographer Rineke Dijkstra; the Vietnamese born Danish poetic installation and performance artist who is living and working in Berlin Danh Vo; the Ethiopian creator of densely layered abstract paintings Julie Mehretu; and the South African film animator and puppeteer William Kentridge. Goodman also represents American artists Dan Graham, Lawrence Weiner and John Baldessari. Kentridge, Struth and Orozco, like most of Goodman's artists, joined her relatively early in their careers. One exception is Richter, who had three exhibitions with Sperone Westwater before deciding to show simultaneously there and with Goodman. After several years of this joint arrangement, he dropped the original gallery.
 Links: a. Tony Cragg b. Tony Cragg c. Gerhard Richter d. Pierre Huyghe

A:
c
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