instruction:
In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.
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Following the events of Ring, the body of Ryji Takayama, former husband of Reiko Asakawa and father of Yichi Asakawa, is examined by his friend and rival, pathologist Mitsuo And. After he finds a cryptic note in Takayama's stomach, Reiko and Yichi also turn up dead. And soon learns of a mysterious cursed videotape, haunted by the spirit of a murdered young woman. Rumor has it that anyone who watches the video will die exactly one week later. Despondent over the death of his own child, and believing that he is being guided by his rival's ghost, And decides to see the video for himself. After watching the tape, strange things begin to happen around him, and he soon discovers that the tape's restless spirit has different plans in store for him.With the help of Takayama's student, Mai Takano, And finds out more about Ryji's past as well as the mysterious young woman, Sadako Yamamura. Searching for the truth about why Ryji and Yichi died from the virus while Reiko didn't leads him to her boss Yoshino. Yoshino lets And in on a secret: he has the wife's diary. She and Ryji had been researching the cursed videotape. While Reiko had broken the curse, Ryji died a week after watching the tape. Reiko believed that creating a copy would break the curse but Yichi died a week after watching the tape, just as his father had. Yoshino shows And both the tape and the diary.When And tells Mai Takano what he's done, she is shocked and can't understand why, since she felt from the start that it was the video that killed Takayama and his family. As they are talking, Yoshino calls And. He admits that he wishes he'd never been involved in Reiko's business. And believes that Yoshino had watched the video, but he denies it saying that he was too scared to. However, Yoshino still dies.And decides to destroy the videotapes and make sure that he will be the video's last victim. He then confides in Mai about his son's death, and they end up sleeping together. And asks Mai if she'll be there with him when he dies, but Mai tells him she's too scared. He understands and decides to try to find out more about the virus that killed Takayama and his son. He discovers that the virus that killed Yoshino was different from the one that killed the father and son. And asks for tests to be run on him.Meanwhile, Mai Takano goes missing and And apparently survives the curse. He starts to feel that the story was just a myth and he's relieved when Mai turns up. However, he is shocked to find out that she has been found dead, having given birth with no sign of a baby. And goes back to work and sees "Mai" there. This woman claims to be Mai's sister but after a date and a night of intimacy, And finds out that she is none other than Sadako Yamamura, reborn and claiming to be "perfectly dual-gendered". He then learns that Takayama wasn't helping And stop Sadako instead, he and his family were helping her. Yoshino, Miyashita (And's friend) and many others weren't killed by a virus or the video but rather Ryji's wife's diary.In the end, And clones both Takayama and his son back to life with help from Sadako. Just as Ryji leaves, he tells And "Many years will pass before our world will be at peace.", Question: Who went missing?
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Answer: Mai Takano


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Corbett stars as Matt Andrews, a geologist who is asked to investigate why there have been two large sinkholes affecting the city of New Orleans. Jessica Steen plays his girlfriend Allison Beauchamp, assistant to the Mayor, who has to decide whether the problems with the sinkholes will spread far enough to require that the remainder of Mardi Gras be cancelled, which would be an economic disaster to the city.Matt has a number of personal issues because of a disaster which happened at a mine he was advising on its operations. Although cleared of responsibility for the accident, he still blames himself, which may be causing him to be overcautious. Matt admits the potential problem of the sinkholes becoming so serious as to endanger the city could occur next week, or not for three hundred years. Based on the lack of real evidence of immediate danger, and because some evidence that she should have received has been destroyed by the mayor's political flack, Allison has decided not to close the festival, only to have the disaster metastasize, like a cancer devouring the city's underground.The only answer is to obtain a binary liquid which when combined produces a foam that will fill the huge sinkhole cavern. The foam will expand to hundreds of times its size, and becomes as hard as concrete. Due to an emergency, while Matt is underground inspecting the caverns, he becomes partially trapped, and has to ask to have the foam started (which will kill him if he can't find an escape) because if they don't start the flow of the liquid immediately, the ground underneath downtown New Orleans will collapse similar to the effects of soil liquefaction and thousands to tens of thousands of people will be injured or killed. The last few minutes of the film become a race against time as Matt attempts to find an exit before the foam overwhelms him.The film points to an event that would happen five years after the movie was made. Matt points out the sinkholes, if they do fail and open up, could be as serious a disaster to the city as if its levees collapsed, an event that did happen as a result of Hurricane Katrina in 2005., Question: Name the real-world storm that caused the levees to fail, as mentioned in the movie.?
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Answer: Hurricane Katrina


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The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: What type of animal is present at Nikki's house at the end of the movie, accompanying Niko, the woman with the blond wig?
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Answer: A monkey