Given a document, an entity and its sentiment towards the entity, verify if it is the correct sentiment towards the entity. Answer should be yes or no. Note that URLs in the text have been replaced with [Link].

Verify if the sentiment of the following document towards the entity Joanne is Positive . But Gaga has spent the past three years deconstructing her previous project  which is its own kind of performance. Elaborate dance pop ceded ground to jazz standards  showtunes  and country rock. Tentacle gowns went into the closet; jeans and a pink cowboy hat came out. The director Chris Moukarbel shot Five Foot Two largely on handheld—maybe even smartphone—cameras. You see Gaga cooking  recording  planning  crying  bonding. In one scene  she’s topless as she chats with her team by the poolside. The implication: This is Gaga  au naturel. Yet she never seems to forget the camera. Five Foot Two documents last year’s release of her album Joanne  and makes clear how much Gaga’s public reboot relied on demonstrating that she  like everyone else  suffers. Gaga has increasingly mined the traumas of her own life  with songs and philanthropic efforts growing out of her rape at age 19. The dissolution of her engagement to the actor Taylor Kinney  mournfully referenced a few times in the documentary  seemed to inform the breakup-themed Joanne singles “Perfect Illusion” and “Million Reasons.” But there was a deeper source of anguish on  Joanne   too. The album is named for  her  aunt  an aspiring artist who died of lupus at age 19 in 1974. “Seeing what that did to [my father] and my family was the most powerful thing I experienced growing up ” Gaga tells the journalist Darryl Pinckney in the film. “I am Joanne. I am my father’s daughter. That is what this record is about.”
The most memorable scene of the documentary comes when she first plays the album’s delicate  acoustic title track for her grandmother   Joanne’s  mom. The moment verges on uncomfortable  and not only because Gaga’s father   Joanne’s  brother  gets up and leaves the room in apparent distress midway through. Gaga herself seems hungry to have her telling of an ordeal she did not personally experience validated by those who did. “Did I get it right?” she asks her grandmother  mid-hug. “Yes you did ” her grandmother responds. But she has a warning for Gaga  too: “Don’t become maudlin over all this.” For now  Gaga is asking not for applause but understanding. It’s never explicitly stated  but Gaga seems to connect to  Joanne ’s story in part because of  her  own medical situation. Iconography about hospitals and crutches and wheelchairs over the years hinted that the seemingly bionic pop star faced problems of the flesh off-stage. In 2010   she  told Larry King  she  tested “borderline positive” for lupus.  She ’s still feeling the effects of the injury  she  sustained in 2013  as seen in a Five Foot Two moment when  she  pauses rehearsals for  her  Super Bowl halftime show because of hip tightness.  Fibromyalgia  appears to make that problem worse  and being a pop star in chronic pain certainly doesn’t seem easy. One scene shows  her  having  her  makeup done for a performance while sitting in a doctor’s examination room.
Gaga’s particular ailment is an almost-literal rendering of Jamison’s “pain without a cause”—which is  as  she  notes  “pain which can’t be trusted.” A poorly understood but widespread disorder that seems to inordinately affect women  fibromyalgia is sometimes assumed to be psychosomatic. “Drug Approved. Is Disease Real?” read a 2008 New York Times headline about the first FDA-sanctioned drug to treat it. Gaga has said that she wants to help raise awareness and research dollars. During one excruciating flare-up shown in Five Foot Two  she sympathizes with less-privileged sufferers of the disorder: “Like  I don’t know what I’d fuckin’ do if I didn’t have everybody here to help me.” A few moments later  she’s looking straight into the camera. “Do I look pathetic?” she asks  tear-streaked  lying on a couch  a therapist massaging her. “I’m so embarrassed.” It’s a powerful moment because the stigma of pain is clearly part of the pain itself. But it’s also aesthetically striking. To answer Gaga’s question  she actually looks like she did in parts of the “Bad Romance” video—crying  stripped down  and oddly luminous. It’s a sign of fame’s power on the viewer: Whatever lengths she might go to put person over persona  the persona remains. * * * Pop music has firmly moved on from the phase of gleeful  Technicolor artifice that Gaga stood for at her peak. Contemporaries in wildness like Kesha and Miley Cyrus have done much what Gaga has done and traded Alexander McQueen creations for cowboy boots. They have also made a diaristic turn  harmonizing their music with their angsty  tabloid sagas.
Usually this means trading on the spectacle of suffering to sell pop’s ultimate commodity—inspiration. Beyoncé’s Lemonade is the signal example  taking the sting of infidelity to spin a tale of hurt and overcoming. Kesha’s alleged abuse by her mentor and producer Dr. Luke was addressed and transcended on this year’s Rainbow. Katy Perry marketed her latest album with an on-camera therapy session in which she cried about her “real” self wanting to be known. Taylor Swift seems on the verge of unveiling a more acidic survival story. “Victim to victory” songs are always in fashion  but the latest boom relies  more than pop usually does  on the feeling of authenticity. Adult listeners of drive-time radio typically know they’re in the realm of fantasy and commerce  yet fully enjoying the confessional-pop performance means buying into the non-musical narratives surrounding them. Beyoncé rolled her own child and husband into the Lemonade visual experience. “I write this shit  baby ” Kesha insisted on a recent single. You’re explicitly asked to believe that the gap between performer and person is negligible.  Joanne  already fit into this triumphant-confessional class  with Gaga singing about family members and friends by name and roaring  “I might not be flawless but you know I’ve got a diamond heart.” The meta-text  all along  was Gaga’s own career arc—a sense that  she ’d come down from the heights  she ’d reached from 2008 to 2013  stumbled with  her  third album  and might never recover. Glimmers of past traumas and family tragedy contributed to the pathos.  Her  medical troubles would seem to retroactively add in a new layer  though it’s unclear when  she  received  her  fibromyalgia diagnosis  and little on the album can be heard as an explicit reference to illness. Certainly the lyrics about healing through love on  her  post- Joanne  single  “The Cure ” now seem a lot less generic.
yes

Verify if the sentiment of the following document towards the entity George W Bush is Positive . Because of Bush 's decisions , America has not had a successful foreign terrorist attack since 911 . 
Ronald Kessler reporting from Washington , D.C. -- In the sweep of history , George W. Bush will be seen as one of our greatest presidents because of the decisions he made to keep us safe after 911 . 
Since 911 , the courts and Congress have allowed all of the Bush programs for uncovering terrorists to continue . 
But Bush 's proclamation just after the terrorist attack that any country harboring a terrorist will be considered a terrorist country alone meant that Arab countries began cooperating in the war on terror , turning over thousands of terrorists and leads . 
As with President Bush , the media portrayed Ronald Reagan as a bellicose fool . 
Bush 's USA Patriot Act tore down the so-called wall imposed by Attorney General Janet Reno , a wall that prevented FBI agents from sharing information with each other and with the CIA . 
Two days after the attack , FBI Director Robert S. Mueller III and Attorney General John Ashcroft began to brief Bush . 
"They talked about how the terrorists got plane tickets , got on planes , moved from one airport to another , and then attacked our citizens ," Andy Card , Bush 's chief of staff , told me for my book "The Secrets of the FBI ." 
By tripling the number of drones on order , Bush made it possible for President Obama to take out dozens of key al-Qaida leaders . 
And as Leon Panetta said when he was CIA director , Bush 's coercive interrogation techniques , including waterboarding , provided clues that helped lead to Osama bin Laden 's compound in Pakistan . 
Over time , Bush will be seen in the same light , recognized for keeping us safe and winning the war on terror . 
In 2005 , Bush established the National Counterterrorism Center in McLean , Va. , where 200 analysts from the CIA and FBI sit side by side analyzing threats 24 hours a day . 
Instead of hailing the efforts to connect the dots , the media demonize Bush and those who are trying to protect us , portraying the tools that uncover clues to plots as "spying on innocent Americans ." 
The National Security Agency -LRB- NSA -RRB- intercepts ordered by Bush opened for the FBI a window on terrorist activity within the U.S. . 
Many in the media could not bear to hear that Bush might have been at least partially right about Saddam , and few newspapers reported the story .
yes

Verify if the sentiment of the following document towards the entity Martin Luther is Positive . Itâs always the anniversary of something or other. In November  we have the Russian Revolution and the Balfour Declaration  and this week marks the 500th year since  Martin Luther  challenged the Catholic Church with  his  95 theses. Given the loopy Zeitgeist of our times  I should rush into the street and mark the occasion by defacing Protestant churches with the customary red paint of protest. Luther  after all  was more than the creator of Protestantism. He was also a rotten anti-Semite.
But does  Luther  also deserve a splash of red? The evidence is pretty shocking  not to mention definitive. In 1543   he  published âOn the Jews and Their Lies â in which  he  called my ancestors âbase and whoring peopleâ full of the âdevilâs feces . . . they wallow in like swine.â
 He  had all sorts of ideas for what to do with the Jews  including the wholesale liquidation of their synagogues  even homes  and a ban on the teaching of their rabbis âon pain of loss of life and limb.â
To be sure  Lutherâs Jew-hatred was typical for the time  but  Luther himself  was hardly typical.  He  was a powerful  colloquial writer  and  his  words surely had some effect.  He  was the founder of a church  or a movement  that now numbers nearly 1 billion.
But more pertinently   he  provided a religious imprimatur to German anti-Semitism  which culminated in the Holocaust.  Luther  was often cited by the Nazis  but it would be wrong to blame  him  alone for the murder of 6 million souls.
As far as Iâm concerned   Luther  is a flawed figure. I can appreciate â even applaud â  his  reforms  but they mean little to  me . Nevertheless  I spare  him  the red paint because I know  his  Jew-hatred is hugely negligible compared with the Reformation  he  initiated and  not insignificantly  the role  he  played in encouraging literacy.  He  wrote in German  not Latin  and like the Hebrews  he  so despised   he  interposed no one between man and God. One had to read the Bible.
I pick and choose  my symbolic can of red paint always at the ready. But when it comes to those Confederate generals  they unambiguously stand for slavery  racism and the vile nostalgia for the so-called Lost Cause that prompted the erection of so many memorials. I cherish my Bach  feel bully about T.R. and acknowledge the immense importance of Martin Luther. He did more good than bad.

no