In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Review: Released in December of 1957, Sayonara went on to earn 8 Oscar nominations and would pull in 4 wins. Red Buttons won the Oscar for Best Supporting Actor in his role as airman Joe Kelly who falls in love with a Japanese woman while stationed in Kobe during the Korean War. Oscar nominated for Best Leading Actor, Marlon Brando plays Major Lloyd Gruver, a Korean War flying ace reassigned to Japan, who staunchly supports the military's opposition to marriages between American troops and Japanese women and tries without any success to talk his friend Joe Kelly out of getting married. Ironically Marlon Brandos character soon finds love of his own in a woman of Japanese descent. This movie highlights the prejudices and cultural differences of that time. Filmed in beautiful color and with stunning backgrounds I found this movie to be well worth watching just for these effects alone. Good movie, gimme more...GimmeClassics Question: is it a positive review?
yes

Review: If Edward Woodward was the the flicks watching this film then that's what he would scream out in horror. I'm sorry folks but enough's enough. We had Get Carter, The Italian Job, Alfie and now this. What's the similarities? No. It's not exactly a coincidence that three of the originals star Maurice Micklewhite and the other stars another great British actor. The main common ingredient in those originals IS the britishness of the films. They weren't made to impress Hollywood. They were quirky English films with a unique charm/atmosphere that just cannot be replicated in the USA. The word is CULT and what better way to destroy a cult film than to bastardise it with a remake or even a sequel. Wicker 06 had a tough task before it even hit the road. Wicker 73 is even more enigmatic that other said cult films; it defies genre, intelligent scripts, A-grade actors, the music score, set-pieces that defy description and all the stories surrounding the film.So here comes a remake. Don't worry. No originals were harmed in the making of this remake. Some major aspects of the story needed to be reworked for the modern USA - communications, paganism, virgins. But that's just about the whole premise. So we give the cop a Nam style trauma past complete with shock music flashbacks for the cheap scares. Then with no mobile phone mast on the island that sorts the communication out - but in the real world this wouldn't happen. Cops just don't go missing. Give him a blood link for motivation rather than the clash of beliefs and you have the remake. Wafer thin though, isn't it?It's just that it was all laid on with a trowel. The name alterations were simply hammy, almost Carry On, there was no sense of community on the island, no centre of town to catch your bearings, just a few houses dotted about a forest and that was it. Willow was just annoying by not giving out any info at all and Cage was useless to let her get away with it. When he went into the well you just knew he would get locked it. The screenplay was signposted all the way to the end - and you just wanted it to hurry up and end. The epilogue was absolutely hilarious and didn't know when to stop. That ending is probably the best way to summarise the difference between the two. One ends in the most beautiful sunset after the most horrific day. The other ends with a post-production explain-it-all-to-the-thickies type conclusion.I loved the original but went to the cinema with an open mind and was excited to see the film. I left thankful in the knowledge that this film will probably end up beneath a highway somewhere only this time mercifully forgotten forever. Question: is it a positive review?
no

Review: While returning from a Christmas Eve shopping trip, an abused suburban housewife (Basinger) finds herself in a fight for survival after a disagreement with a group of delinquent youths takes a violent turn.Suffering the indignity of a straight to DVD release here in the U.K., Susan Montford's directorial debut will perhaps not be given the recognition it deserves. This is a shame, as the standard of the writing, directing and acting is very good indeed, and certainly surpasses the quality of your average straight to DVD flick.Kim Basinger gives her best performance in some time as the downtrodden wife of an abusive husband (Craig Sheffer). While Sheffer is not really given anything more to do than be a threatening presence, it is in their brief scenes together that Basinger connects - showing painful vulnerability yet hinting at the rage that will eventually boil over in her confrontations with the youths. It's a truly great, understated performance, her transformation from victim to aggressor is seamlessly played.Lukas Haas I initially thought was miscast, as he (along with the other three youths) just did not seem much of a threat. However, had all four youths been more physically imposing, the later scenes in which Basinger turns the tables against them would not have worked at all. The fact that these are four average men, albeit slightly unhinged, is the key to why the film works as well as it does.Apart from a few pacing issues during the latter half of the movie and a couple of cheesy lines here and there, what we have here is a great thriller that actually leaves the viewer with something to think about when the film is over. Some may be put off by the slow - burn nature of the opening scenes, or the abrupt ending. Others by the at times brutal violence. I say give it a chance, it's certainly more deserving of your time than Saw V. Question: is it a negative review?

no