Given a document, find the main entity about whom the author is writing. Write the full name if mentioned in the text. Note that URLs in the text have been replaced with [Link].

Input: Consider Input: While “On Chesil Beach” deviated from the source material in effective ways  Mr McEwan seemed reluctant to do the same with “The Children Act”. Here  the internal narrative is simply layered onto a new medium. It doesn’t work (although Emma Thompson’s performance makes it watchable).  Fiona Maye (Ms Thompson)  is a well-respected judge  arrives at home to  her  husband Jack (Stanley Tucci) telling  her  that he would like to have an affair  and that Fiona  if  she  cares about him  will tolerate it. This leads to the film’s single flashback: as  she  lays awake at night   her  imagination reaches back to happier times and to a moment of pure joy when he surprised  her  with a new piano. Unlike in “On Chesil Beach”  the flashback here adds little to illuminate their predicament: the viewer is still left guessing as to how  she  ended up married to an American professor  or what their love was like at its peak.
The marriage crisis exacerbates another one  this time in  Fiona ’s working life.  She  specialises in extraordinarily hard cases involving children  often with a religious element.  Her  newest case is an urgent one: Adam  a 17-year-old Jehovah’s Witness with leukaemia  is refusing a blood transfusion that could save his life.  Fiona  must decide his corporeal and perhaps spiritual fate.  She  has been able to dispassionately dispatch such cases in the past  but since  her  husband’s disruption of their marriage   her  confidence is faltering.
 Her  interest in the boy then  so steadfast in his own faith  is both professional and personal.  Fiona  takes the unusual step of visiting him in the hospital  and under Richard Eyre’s thoughtful direction  the camera offers extreme close-ups of both characters  allowing the audience to search their eyes for meaning.  Fiona  is looking for cracks in Adam’s guarded wall of faith. The viewer is looking for the real motive behind  hers .
Unfortunately  it never quite appears.  Her  judicial ruling comes suddenly  ending its fascinating inquiry into the nature of faith and connection before it has even begun. Adam lives but becomes disillusioned with his faith and begins stalking Fiona  trading one obsession for another. Mr Eyre seems to be looking for some of the same notes that worked so well for him in “Notes of a Scandal” (2006)  but this is not a lurid tale  and efforts to make it one—with wistful glances and tense  longing strings on the soundtrack—seem out of place. For this conflict to have dramatic heft  the viewer needs to understand  Fiona  better.
Perhaps a screenwriter with more distance from the original material would have been willing to radically reshape the novel  offering more backstory or drawing  her  decision out for dramatic impact to make the story less reliant on  her  inner life. “On Chesil Beach” did not call for such revisions  but “The Children Act” does. It shows that every adaptation is a unique case  even two self-adapted novels from the same hand. Some cannot simply be transposed onto the screen. Most of all  however  it shows that the writer who knows the material best is not always the one best placed to make the hard choices that can turn a great novel into a great film.

Output: Fiona Maye


Input: Consider Input: Tanner Roark  will take the mound with the Nationals facing elimination in Game 4. (Jeff Roberson/AP)
CHICAGO —  Tanner Roark  was born and raised in Wilmington  Ill.  which is southwest of Chicago  which means  he  grew up closer to Comiskey Park than to Wrigley Field. But geography didn’t impact baseball team allegiances in the  Roark  household.  He  grew up a die-hard Cubs fan like  his  mother and siblings  diverging from  his  father’s loyalty to the White Sox and the Cardinals.
“Growing up  yeah  there was always some trash-talking in the house between us and my dad ”  Roark  said.
On Tuesday  barring rain   Roark  will find himself on the mound at Wrigley Field  the ballpark he visited countless times as a fan  to face the Cubs. It won’t be his first start there; he has four on his résumé and appeared in another game out of the bullpen. But none of the previous outings carried the same weight Tuesday’s will place on Roark’s right arm: Game 4 of the National League Division Series with his Nationals facing elimination.
“It’s pretty surreal to pitch in Wrigley  and just the history that they have here and everything ”  Roark  said. “It’s very exciting  and I’m anxious to get out there.”
 Roark  hasn’t pitched since the Nationals’ regular season finale on Oct. 1  when  he  allowed two runs in an inning of relief against the Pirates  and  he  hasn’t started a game since Sept. 27.  He  lasted 4 2/3 innings that day  surrendering six runs on seven hits to the Phillies. But  Roark  was significantly better before the poor finish;  he  had posted a 3.39 ERA in 57 innings over  his  previous nine starts to rebound from an inconsistent four months after  his  stint with Team USA at the World Baseball Classic made for an unusual spring training.
“ Tanner  didn’t have many innings coming out of spring training  and that kind of got  him  behind the eight-ball  so to speak  because you know   he  didn’t have the innings ” Nationals Manager Dusty Baker said. “ He  was with the WBC and  he  didn’t pitch very much. And so things get in your head when you’re used to getting guys out and all of a sudden you’re not getting them out. So it’s a new season now for Tanner  brand-new season  and this is what people are going to remember you by.”
“ Tanner   you know  is a guy that you would like on your side if you’re in an alley and you’re in a fight  because you know  Tanner    he  has that warrior mentality ” Baker said. “ He  doesn’t make any excuses or alibis.  He  just goes out and pitches  and  this guy  has not had an easy road  you know  from the beginning to get here. We feel very comfortable with  Tanner  on the mound because you know  he ’s going to fight tooth and nail and do everything  he  can to win the ballgame for you.”
 Roark  recalled 300 people from Wilmington congregated in a section in right center field for  his  Wrigley Field debut in 2013.  He  doesn’t expect that again Tuesday.  He  hasn’t been hounded for tickets. Five relatives   his  wife  and their two children will be in attendance to watch  his  biggest game of  his  career.
“They are good about getting their own tickets ”  Roark  said  laughing. “Which is very good on  me . It’s a lot less stress that I have to worry about.”

Output: Tanner Roark


Input: Consider Input: Chris Pratt  took to social media Monday to urge  his  followers to pray for Kevin Smith after the filmmaker suffered a serious heart attack Sunday night â only to be attacked by commenters who mocked the actor and questioned whether prayer was an effective way to respond to the health scare.
The 38-year-old Guardians of the Galaxy star and openly religious Christian wrote Monday on Twitter that though  he  hardly knew Smith   he  is a fan of  his  work and was praying for  him  to make a full recovery.
The comments were among several by users who slammed  Pratt  for his initial tweet.
Also joining in to defend  Pratt  was his Guardians of the Galaxy director James Gunn.
âIâm not tweeting this to defend  Chris  â heâs a big boy and can take care of himself â Gunn wrote in a series of nine tweets. âBut for me  personally  prayer and meditation are great boons to my life and help me navigate my way through this world  and I donât want to dissuade others who find those things useful.â
So I just read Chris Prattâs tweet to Kevin Smith saying he would pray for him & made the mistake of reading the comments  many of which go off on  Chris  for saying heâd pray. I think people misunderstand the backlash against âthoughts & prayers.â (thread) â James Gunn (@JamesGunn) February 26  2018


Output: Chris Pratt