In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
godzilla is the ultimate culmination of the " who cares about plot " summer movie .
a loose remake of the 1954 " classic " japanese monster movie , godzilla , king of the monsters ( which is itself pretty thin in the story department ) , roland emmerich and dean devlin 's big - budget lizard - stomps - manhattan disaster flick has been written with the brain dead in mind .
the script is n't just " dumbed down , " it 's lobotomized .
godzilla lives and dies on special effects alone .
presumably , the primary target group for this film is teenage boys , the demographic most likely to shell out $ 7 repeatedly to see the same images of monster - instigated carnage .
that 's not to say that females and other age groups are immune to the special effects seduction ; they 're just not as readily susceptible .
this is the third straight movie in a row where emmerich and devlin have demonstrated that a mastery of computer - generated visuals is far more important for making money than the ability to write and direct for actors .
stargate was a financial success .
independence day was a runaway hit .
and , with godzilla already drowning in hype and merchandising tie - ins before it even opens , it 's virtually guaranteed at least $ 100 million .
nice numbers for a film that could have been penned by a not - too - precocious grade school kid .
godzilla is n't completely without merit , although it is close .
there 's a certain visceral thrill inherent in watching the giant lizard rip his way through manhattan ,
but it wears off quickly .
frankly
, while the special effects are competent , they 're not all that stunning .
there 's nothing new here
; it 's jurassic park meets aliens , with a little independence day thrown in for bad measure .
maybe it will require george lucas and his new star wars movie to take computer - generated visuals to the next level .
godzilla never really pushes the envelope , preferring to remain within a comfort zone .
the imagination of monster movies like king kong has been replaced by a crass , formulaic approach which disallows creativity .
( how disturbing is it to know that godzilla has been chosen to close the 51st cannes film festival ? ) worst of all , godzilla is n't even exciting .
with the possible exception of a mildly enjoyable car chase near the end , there is n't a sequence in this film that raises the pulse .
even the scenes with dozens of aircraft attacking the monster are so devoid of tension and suspense that they are yawn - provoking .
independence day may have been dumb , but it was full of " adrenaline moments " capable of getting the audience involved in the action .
in this aspect of its production , as in so many others , godzilla is lacking .
actually , part of the problem is that we 're never sure who we 're supposed to be rooting for : the green monster with an attitude or the paper - thin humans trying to stop him .
the plot , such as it is , can be summed up rather simply .
after sinking a few ships and leaving some footprints on tropical islands , godzilla shows up in the big apple .
he does some of the usual tourist things :
stops by madison square garden , visits the chrysler building , goes on a walk through central park , and takes the subway .
in the process , he knocks over a few buildings and steps on countless cabs , but he never has trouble with traffic jams .
on hand to stop him is an elite u.
s. army unit , led by a slightly less - arrogant - than - usual military man ( kevin dunn ) and a biologist named nick tatopoulos , who has a theory about godzilla .
in his opinion , the big guy is actually a lizard grown to enormous proportions as a result of the radiation given off by french atomic bomb tests in the south pacific .
in nick 's words , godzilla is " a mutated aberration ?
an incipient creature ?
the first of its kind .
"
as luck would have it , nick 's old girlfriend , audrey ( maria pitillo ) , is a reporter based at a new york tv station .
along with her cameraman friend , animal ( hank azaria ) , she decides to follow nick around as he trails godzilla .
then , just when the military has rejected nick 's theory about why godzilla is in new york , a member of the french secret service ( jean reno ) recruits him for a special assignment .
instead of stomping around tokyo this time , godzilla has chosen new york city .
unfortunately , manhattan has been destroyed so many times in recent disaster movies ( independence day , deep impact , armageddon ) that it 's becoming boring .
the whole tradition of monsters roaming around the city started with king kong , but the big ape was only about 30 feet tall .
he could climb the empire state building .
at ten times that height , godzilla would be more likely to knock it over .
godzilla contains a few lame attempts at humor .
there 's an ongoing feud between animal and his wife that plays like sit - com material , an unfunny and repetitive gag about how no one can pronounce nick 's last name properly , and a rather tame attack on film critics roger ebert and gene siskel .
both of the popular personalities have alter egos in the film : " ebert , " the mayor of new york , is played by michael lerner , and " gene " ( lorry goldman ) is his campaign manager .
ebert 's re - election slogan is , not surprisingly , " thumbs up for new york .
" the siskel / ebert stuff is amusing the first time it 's used , but , after a while , it grows tiresome .
and , although the " characters " do n't serve any real purpose , they keep popping up .
godzilla is saddled with an unimpressive cast .
this is largely because emmerich does n't want to risk a human performance upstaging his lizard .
that 's not to say that matthew broderick and jean reno are n't capable of good performances ( both have done their share of solid acting in the past ) , but they are n't a - list names .
then again , considering the quality of the writing , even pacino and deniro would have been hard- pressed to shine .
maria
pitillo ( dear god ) plays the love interest and hank azaria ( great expectations ) is on hand to present what is supposed to be comic relief .
ultimately , it does n't really matter what i ( or any other critic , for that matter ) have to say about the movie .
tristar has assumed that godzilla , like all self - proclaimed summer event motion pictures , is pretty much critic - proof .
it may also be word - of - mouth - proof .
those who want to see the movie will see it no matter what i write or their friends say .
so , when i go on record to assert that godzilla is one of the most idiotic blockbuster movies of all time , it 's like spitting into the wind .
emmerich and devlin are master illusionists , waving their wands and mesmerizing audiences with their smoke and mirrors .
it 's probably too much to hope that some day , movie - goers will wake up and realize that they 've been had .

Ex Output:
N


Ex Input:
it shows that america remains ambivalent over the nature of its political system .
no major surprise , when j .
s .
mill in his victorian classic on liberty could not make up his mind over liberal democracy either .
the americans are wrought by the archetypal paradox under which they exist , the supreme contradiction between the right of the one and the right of the majority .
small wonder that hollywood 's most compelling movies have oft been on the struggle of the individual - underdog against some larger collective oppressive - witness braveheart , born on the fourth of july , rocky , first blood , clear and present danger , jfk
, the list goes on .
there 's little of that in singapore - we are barred access to playboy and penthouse both on and off line , though the government 's been long worried about the younger people getting " americanised " and advocating individual rights and parliamentary opposition .
the people vs .
larry flynt locates the political debate within the greatest social taboo in america - sex .
does pornography have a right to exist and circulate ?
larry flynt , the publisher of hustler magazine , thinks so , and obviously so too the u . s . congress which last month threw out a bill to curb pornography on the net .
but even with such actions , americans remain undecided .
the oscars apparently shunned the movie because it was an embarrassing and sensitive livewire .
what they have ignored is actually a great picture .
woody harrelson as the lead character reprises his role as a to - hell - with - morality , to - hell - with - the - law , and to - hell - with - the - system anti - christ that we last saw in natural born killers .
and he is outrageous and convincing as a nihilistic atheist who nonetheless loves his ex - stripper wife dearly .
the latter is played with abandon , conviction and sensitivity all at once by courtney love , who is the real star of the show and really snubbed of an academy award best actress nomination , if not of the award itself
.
edward norton plays their jerky lawyer .
the relationship between harrelson and love brings out another great paradox - superficially they are immoral outcasts who 've had it coming ; woody gets shot and becomes paralysed from the waist down , and courtney dies of aids .
god 's damnation .
but in the powerful love they have for each other , each standing by the other in turn , the two leads highlight the question how much is the nihilist still a moralist and ( in the american context ) a christian , if they can love and care , and feel just like anyone else on a personal level .
friedrich nietzsche once talked about how the atheist must uncover for himself the full consequences of atheism by ridding himself of all moral - christian influences .
to go beyond good and evil .
this is a great picture , no doubt , and i love it personally .
because it is moving , funny
, ends with open american optimism blah blah .
but i like it and admire it because it comes from a fine american tradition that dares to raise difficult questions , and call into doubt ideas and doctrines that otherwise are used as catchphrases .
there are times when movies go beyond the story they tell and reflect something of hidden realities .
this movie is not so much about larry flynt , but about americans and american society .

Ex Output:
P


Ex Input:
reflecting on " bedazzled , " a lively comedy about the devil who seeks to possess the soul of a pathetic loser , one sinful thought remains in my mind .
if hell means having to spend an eternity with elizabeth hurley ( who portrays the fiery demon ) , then use that pitchfork and point me the way . with her pouty lips , irresistible british accent , and wild display of haute couture , hurley crackles with naughtiness and fills your mind with temptation .
it 's practically impossible to turn this beelzu - babe down .
her next target is elliot ( brendan fraser ) , a tech support geek who is clumsy , awkward , and just too eager to please .
to aptly picture him , you would have to remember a saturday night live skit featuring " steve the copy guy " who effortlessly irritated his co - workers with his unpolished social skills .
eugene , thus , is loathed and feared by his co - workers , who do their best to stay out of his way .
yet , beyond his annoying mannerisms , he 's a lovable oaf .
he wishes that he could get closer to allison ( frances o'connor ) , a co - worker with whom he is infatuated but who has never taken notice of him .
however , the odds of him getting together with her are about the same as a snowball 's chance in hell .
"
dear god , " he prays .
"
i would give anything to have that girl in my life .
" guess who then shows up ?
she makes an offer that is too hard to refuse .
"
seven utterly fabulous wishes for one piddling little soul .
"
there 's even an escape clause .
if elliot 's wish does n't go exactly the way he likes , he need only ' beep ' her ( one guess as to what the three - digit number is ) and he gets to start over .
the remainder of the film consists of elliot 's various fantasies that incorporate his personal desire to have enormous amounts of wealth , power , fame and allison 's love .
but when he makes sweeping statements such as " i want to be very , very powerful and very , very rich and married to allison "
, he 'll soon learn that the devil is in the details .
for example , ( and we 've seen this several times in the trailers ) , he is granted his wish , but finds out that he 's a columbian drug lord and that allison , while married to him , has her eyes on someone else .
apparently , the devil is just as eager to skew his fantasies as she is to possess his soul .
his other wishes also end up with some strange but funny twist that short - circuits his new life .
soon , elliot wishes that he had never made that deal .
given the mischievous nature of the devil , " bedazzled " has many amusing moments .
a lot of the credit goes to fraser who turns in a great comic performance .
he ably assumes various personas .
his funniest segment is when he wishes that he could be the most sensitive man in the world .
allison becomes so frustrated with him that she practically urges him to take advantage of her .
hurley also heightens the humor quotient , especially in the transitional scenes when fraser waits to start his next wish after bailing out of the previous one .
it 's clear that she 's having a good time with it all .
yet , while the filmmakers work hard at creating funny scenes , they conspicuously avoid developing the allegorical underpinnings between good and evil that could have added more heft to this story .
but that would be playing with fire .
what they 've got works
, so you can easily accept it for the pleasant little comedy that it is .

Ex Output:

P