You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Ex Input:
 The dialogue takes place in Socrates' prison cell, where he awaits execution. He is visited before dawn by his old friend Crito, who has made arrangements to smuggle Socrates out of prison to the safety of exile. Socrates seems quite willing to await his imminent execution, and so Crito presents as many arguments as he can to persuade Socrates to escape. On a practical level, Socrates' death will reflect badly on his friends--people will think they did nothing to try to save him. Also, Socrates should not worry about the risk or the financial cost to his friends; these they are willing to pay, and they have also arranged to find Socrates a pleasant life in exile. On a more ethical level, Crito presents two more pressing arguments: first, if he stayed, he would be aiding his enemies in wronging him unjustly, and would thus be acting unjustly himself; and second, that he would be abandoning his sons and leaving them without a father.
Socrates answers first that one should not worry about public opinion, but only listen to wise and expert advice. Crito should not worry about how his, Socrates', or others' reputations may fare in the general esteem: they should only concern themselves with behaving well. The only question at hand is whether or not it would be just for Socrates to attempt an escape. If it is just, he will go with Crito, if it is unjust, he must remain in prison and face death.
At this point, Socrates introduces the voice of the Laws of Athens, which speaks to him and proceeds to explain why it would be unjust for him to leave his cell. Since the Laws exist as one entity, to break one would be to break them all, and in doing so, Socrates would cause them great harm. The citizen is bound to the Laws like a child is bound to a parent, and so to go against the Laws would be like striking a parent. Rather than simply break the Laws and escape, Socrates should try to persuade the Laws to let him go. These Laws present the citizen's duty to them in the form of a kind of social contract. By choosing to live in Athens, a citizen is implicitly endorsing the Laws, and is willing to abide by them. Socrates, more than most, should be in accord with this contract, as he has lived a happy seventy years fully content with the Athenian way of life.
If Socrates were to break from prison now, having so consistently validated the social contract, he would be making himself an outlaw who would not be welcome in any other civilized state for the rest of his life. And when he dies, he will be harshly judged in the underworld for behaving unjustly toward his city's laws. Thus, Socrates convinces Crito that it would be better not to attempt an escape.

Ex Output:
In the story, where does the dialogue take place?


Ex Input:
 "The Runaway Skyscraper" concerns Arthur Chamberlain, an engineer who works in a midtown Manhattan office building called the Metropolitan Tower. When the sun suddenly begins moving backwards in the sky, setting rapidly in the east, he is the only one to realize what is actually happening: a flaw in the rock beneath the building has caused it to subside, but instead of moving in space, the building is falling backwards into the past. When the subsidence finally ends, the building is located several thousand years in the past, and its 2000-odd inhabitants find themselves stranded in pre-Columbian Manhattan.
Chamberlain also realizes that the same seismic forces that caused the building to drop back into the past can also be used to return it to the present, but that doing so will require several weeks of intensive work by the building's inhabitants, and in the meantime they must concentrate on feeding themselves. Chamberlain convinces the president of a bank on the first floor that he can return them to the present, and together they are able to organize the other inhabitants into hunting and fishing parties.
Two weeks later, Chamberlain is ready to implement his plan. He forces a jet of soapy water into an artesian well beneath the building, and this allows the pressure that has built up in the rock to be released. The building travels forward in time again, returning to the exact moment when it began to travel into the past.

Ex Output:
What was Artur Chamberlain job?


Ex Input:
 Rob Gordon (John Cusack) is a self-confessed music loving everyman with a poor understanding of women. After getting dumped by his latest girlfriend, Laura (Iben Hjejle), he decides to look up some of his old partners in an attempt to figure out where he keeps going wrong in his relationships.
He spends his days at his record store, Championship Vinyl, where he holds court over the customers that drift through. Helping Rob in his task of musical elitism are Dick (Todd Louiso) and Barry (Jack Black), the "musical moron twins," as he refers to them. Armed with an encyclopedic knowledge of all things musical, they compile "top five" lists for every conceivable occasion, openly mock the tastes of their customers, and, every so often, sell a few records.
Rob and the staff have a strong dislike for two shoplifting skateboarder teenagers, Vince (Chris Rehmann) and Justin (Ben Carr). One day, he listens to a recording that they made and offers them a record deal, starting his own label called Top 5 Records. During his off hours, he pines for Laura and does his best to win her back.
Rob soon hears that Laura's father, who liked Rob, has died, and attends his funeral with Laura. Shortly after the reception, Rob realizes he never committed to Laura and always had one foot out the door. This made him realize he neglected his own future in the process. Afterward, he and Laura move back in together again. Rob meets a music columnist whom he soon develops a crush on, but while making a mixtape for her, wonders if he'll always just be jumping rock to rock. Laura meets with Rob in a bar where he explains how other girls are just fantasies, and while Laura is a reality, he never gets tired of her. He then proposes marriage to her, and she thanks him for asking. Later, she organizes an evening where he has the opportunity to revisit a love of his youth: dee-jaying. It is also a celebration of the recently released single by the two delinquents, where Barry's band plays "Let's Get It On". Surprised that Barry's band is not a disaster, Rob holds Laura, and they both sway to the music. Rob makes a mixtape for Laura, feeling like he's finally learned how to make her happy.

Ex Output:

What did Rob Gordon have a poor understanding of?