In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
studio expectations must not have been high for " great expectations " -- the film 's release date was pushed from late december to late january at what appeared to be the last minute , therefore putting any academy awards chances it has off until this time in 1999 .
it 's actually a smart move , because while this updated take on the charles dickens tale is n't quite oscar fodder , it * is * strong enough to be distinguished from the cinematic dumping ground that usually makes up the first five or six weeks of any given year .
" great expectations " also demonstrates how to modernize a classic story right , especially after the excruciatingly wretched excesses of baz luhrmann 's " william shakespeare 's romeo + juliet .
" " great expectations " opens somewhere in 1970s florida ( the original story is set in 19th - century england ) , as eight - year - old finn ( jeremy james kissner ) meets a trio of people who will have a profound effect on his life in the future .
there 's icy , 11-year - old estella ( raquel beaudene ) , a pseudo - playmate of finn 's ; ms .
dinsmoor ( anne bancroft ) , estella 's auntie who 's quite off - kilter over a past romance that never took off ; and a mysterious prisoner ( robert de niro ) whom finn saves the life of .
finn , who lives with his sister 's affable boyfriend ( lone star 's chris cooper ) , fancies himself an aspiring artist , and proves his prowess by whipping up an unusual portrait of estella using only ms .
dinsmoor 's lipstick , eyebrow pencil and the wallpaper from her dilapidating mansion .
flash forward into
the ' 90s ( after a brief stop in the ' 80s ) , and finn ( now played by ethan hawke ) , despondent over a strange hot - and - cold relationship with the elusive estella ( gwyneth paltrow ) , receives quite a bit of money from an unknown benefactor ; it 's enough cash to send him to new york to focus on a career in art .
there , finn seems to gain everything he could ever want -- wealth , prestige and a high place in the glamorous art world .
when estella resurfaces -- albeit with an aloof fianc ?
( hank azaria ) --
finn also sees the chance to renew their mutual attraction .
but she 's not the only ghost from finn 's past that 's going to be paying him a visit .
comparisons with the afore - mentioned " romeo + juliet " seem inevitable since these films are the only ones in recent memory to plop classic drama into a current setting .
" great expectations " is a much better venture , though , because it treats its source with even - handed respect , where " romeo " was never quite sure whether to be a spoof , a homage or both .
the movie is a visual banquet thanks to emmanuel lubezki 's sexy cinematography ; notably , he captures a revisited fountain kiss between the two leads with a luscious , erotic charge that 's steamier than the film 's ( surprisingly muted ) love scenes .
the eclectic rock soundtrack compliments the on - screen action beautifully , especially new songs by tori amos , mono and duncan sheik .
acting credits are first - rate , often hiding the screenplay 's occasional slip - ups .
hawke is sincere and solid as a leading man ( something we also learned from " gattaca " ) , and his finn is quite a likeable guy .
paltrow 's estella , on the other hand , is rather underdeveloped .
while the actress is at her icily seductive best , we 're not told very much about her character , and as a result , it 's often hard to understand why finn would appreciate her beyond a physical level ( but , oh , * what * a physical level ) ; sometimes , we root for finn although we do n't quite understand why she 's fueling his fire .
robert de niro is nice and sophisticated in the benevolent kind of role he rarely gets to play ; on the other end of the acting spectrum is bancroft , a macabre , throaty delight who mambos and sucks down cigarettes with an eerie enthusiasm that would make norma desmond jealous .
alfonso cuaron 's visually elegant direction helps to distract from the dry moments that pop up more frequently around the movie 's climax .
another problem is predictability ; you can guess your way through the plot even if you are n't familiar with the story .
despite its script flaws , though , " great expectations " is undeniably romantic without being corny or gloppy .
and frankly , it 's nice to see a film that embraces softened sensuality other than explicit sexuality .
perhaps that renovated release date , awfully close to valentine 's day , will end up helping " great expectations " ' seemingly average box office chances after all .

Ex Output:
P


Ex Input:
for many people , procrastination is n't a problem to overcome , it 's a high art .
we 'll do just about anything to put off a task .
when the deadline for this column nears , it 's the only time during the week dishes get washed and the bed made and laundry done and
plants watered and . . .
eventually , hopefully , sometimes , there 's a breakthrough
and we actually get down to work .
amazingly it 's almost always easier than we dreaded and
after finishing , that sense of oppressive apprehension melts away .
and then , the next time , we do it all again .
english professor grady tripp ( michael douglas ) is a master .
seven years ago , his first book was a hit .
he 's been working on his second -- a short 200-page piece -- since then .
fearful that he ca n't live up to the first , he ca n't bring himself to finish it .
no writer 's block , he 's nearing 3 , 000 pages with no end in sight .
now he 's having a particularly difficult day .
the college 's annual writers conference is bringing in accomplished novelists reminding tripp that other people are finishing _ their _ books .
during the first day , his wife has left him , his married girlfriend informs him
she 's pregnant and his agent is in town with a six - foot transvestite in tow .
by the evening , our besieged writer is driving though the snow - covered streets of pittsburgh with a suicidal student beside him , a stolen jacket that marilyn monroe wore on her wedding day in the back seat and a murdered blind dog stuffed in the trunk .
this could be a pivotal point in his mid - life crisis .
and then there 's the next morning .
there 's a lot to like about this movie .
there are no huge explosions , shattering glass or computer - generated dinosaurs to distract from the very real human issues .
grady is caught up in the curse of people who accomplish great things early in their career .
in the world of " what have you done for me lately ?
" , he knows his second book has to be better than his first . instead of finding out , he drifts , comfortable in the insular cocoon of academic peter panhood .
he does n't have much of a life and neither does his star pupil james leer ( tobey maguire ) .
james may be suicidal and psychotic .
certainly everything that comes out of his mouth is a lie .
he makes up a past of working clash anguish because the truth of wealth and comfort just is n't interesting enough .
as the weekend progresses , they are both forced to fully engage life .
that 's the question they must face : comfort or real experiences ?
the film takes some interesting chances .
non - traditional relationships are presented as matter - of - fact .
extra - marital , gay , interracial , professor - student : here they are n't judged , merely choices .
the actors are all first - rate .
douglas triumphs , playing against type as he spends most of his time disheveled , unshaven and clad in a pink women 's house robe .
maguire 's disengaged alienation works perfectly here .
robert downey jr .
as grady 's agent livens up his scenes .
director curtis hanson (
" l . a . confidential " ) makes a few missteps .
the women are underused .
frances mcdormand does a good job of her limited role of sara , grady 's married lover
but we never understand much of who she is .
the chemistry between the two of them is non - existent which makes some of the ending unconvincing .
katie holmes is a student with a major crush on the professor , but her character goes nowhere .
we never even see grady 's exiting wife .
this is very much a guy 's film .
the varied relationships between the men are much more convincing than any of the others .
grady 's alternating mentoring and rejection of james is the centerpoint of the film , not him and sara .
as the boomers age , expect to see more mid - life crisis films to catch the attention of that demographic .
eventually it 'll probably become cliche , but right now
we 've got a winner .
i 'll finish this in a second .
right now i have to grab some paint .
i noticed some trim in the other room that needs a little touch - up .
( michael redman has written this column for so long that he 's made mid - life crisis a career choice . )

Ex Output:
P


Ex Input:
this movie was one of the first american films done by director paul verhoeven .
he has done films since then such as basic instict and starship troopers .
all of his movies have one main thing in common-
they do n't skimp on the violence .
in a verhoeven movie a guy does n't get shot once in the chest- he gets shot many times all over the body .
robocop takes place in detroit in the future .
things are pretty bleak .
the company ocp rules the city with an iron fist and is moving in on running the police force .
peter weller plays a cop who goes on a mission with his partner , nancy allen .
peter weller goes in an empty room alone and gets killed .
meanwhile ocp has a failed demonstration of a ed-209 model robot crime fighter .
someone comes up with the idea of having a cyborg robocop so they use any parts worth scalvaging from peter weller and make him into the robocop the movie is titled after .
the plot of this movie generally runs at a decent pace .
it drags a bit towards the end with robocop wanting to finish everybody off , but plot twists keep it exciting .
the acting is bad from weller when he is human , but very good when he is robocop .
nancy allen does a decent job .
this movie does n't leave itself open for a sequel exactly .
but they made one anyway .
enter . . .
robocop 2 starring :
peter weller and nancy allen directed by : irvin kershner detroit is in a more bleak state than it was in the first film .
ocp is trying to develop an improved ' robocop 2 ' that will be more than a match for criminals .
most of the police force is on strike due to ocp taking it over , leaving robocop to be the police force in the city .
this film is pretty bizaare .
it has a 13 year - old drug - lord who curses as much as eddie murphy , even more violence than the original , and some more humor .
the plot of this movie is pretty large , almost too much so .
there are three or four plot lines weaving around that do n't really match up .
the effects are still decent though .
this sequel is n't more of the same really , just a darker version robocop dealing more with drugs than with armed criminals .
if you liked the first one , watch this .
but be dissapointed .
so later comes . . .
robocop 3 starring nancy allen and robert john burke ocp is now owned by a large japanese company .
robocop joins a band of rebels to counter - attack the evil empire ,
i mean ocp .
the japanese send a cyborg - ninja to deal with robocop . among other things . . .
this movie is easier to follow than the last one .
which means the plot is n't quite as crowded .
this movie is n't anything special though .
just more of robocop blasting things up in a more kid - friendly way .
really not reccomended .

Ex Output:

P