In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Offensive, and hilarious . I recently saw this guy live even though I was only familiar with "What If That Guy From Smashing Pumpkins Lost His Car Keys". Unless you are easily offended, go see him live. You won't regret it, he interacts with the audience a lot. I picked up this CD at the merch table after his show. Lynch's combination of acoustic guitar and innocently wicked lyrics will leave you in pain from laughing so hard. I like the fact that this was recorded before a live audience, because it captures the experience of seeing him at a show. That's what led me to buy this instead of "A Little Bit Special". The audience reaction to the songs on "Superhero" adds so much to the album. My personal favorites are:    Dr. Stephen - I love the way you expect him to say a certain word, then he says something completely innocent instead. You have to listen to know what I'm talking about.    Superhero - This song is a good example of the audience interaction at his shows. I like the audience-chosen superheroes, but I probably can't repeat the names here.    What If That Guy From Smashing Pumpkins Lost His Car Keys - Catchy title for a catchy song. Whether you like the Smashing Pumpkins or not (I do), you will find this short song hilarious. It's a really great impression of Billy Corgan.    Mother's Day - Also very short, but such an unexpected ending.    Taxi Driver - Oh man, I almost p*ssed myself the first time I heard this song! It starts out as a folk song until you hear what the taxi driver said. Totally politically incorrect, but so funny! This is my current favorite track.    Best Friends Song - This duet with Mark Teich starts out friendly and quickly becomes a song about how the one friend wants to nail  the other friend's little sister. Another one you have to hear to appreciate.    I also like the bonus track at the end which contains "Lullaby (live)" and "Special Olympics (live)". Lullaby is great, and explains to his daughter "why Mommy left us". This album is a good place to start if you like dark offensive humor
POS

Save your money!!! . I wish amazon allowed giving "zero" stars to an album.    I bought my first John & Yoko album in 1969 ("Life with the Lions.") I got "ripped off," although I should have know better..  I was smart enough not to buy "Two Virgins" because of the bad reviews.  I bought "Life with the Lions" without reading any reviews, but I was young, naive, and a big Lennon fan.  Oh well!    The John & Yoko albums released before the breakup of the Beatles were all pretty much the same.  The chief instigator of these albums seems to be Yoko.  Her background in the "avant garde" and "conceptual art" is apparent in these albums.  The basic premise is: take a "concept" and run with it.  Keep running with it for as long as possible.  Let's hear John & Yoko call each other by their first names for a half-hour.  Let's produce feedback and screaming longer than one can normally tolerate.  After all, the big joke is that John Lennon's name is on this album... so even if the "concepts" are questionable and/or idiotic- lots of people will BUY this piece of vinyl because a Beatle has his name on the cover!!!    "The Wedding Album" was the BIGGEST rip-off I ever experienced as a Beatles fan and purchaser of all things Beatle.  When this album came out in 1969 it was priced HIGHER than a regular album because it was a big box!  The graphics for this product HAD to cost more than the recording costs.  The recording part of this project was interminable and amateurish.  Feel like hearing John & Yoko calling each other by their first names for a half hour?  Feel like hearing "home audio" of every inane bit of their "bed-in for peace?"  I sometimes think the most "conceptual" thing John & Yoko could've done with this project would have been giving the customer an EMPTY box!  It probably would've sounded better.      Buying the CD version of "The Wedding Album" seems bizarre.  The product was designed for vinyl and you lose so much graphic presentation in the CD format.  The only blessing in the CD version is the inclusion of three actual SONGS.  However, the three actual songs are Yoko's.  So maybe it's not that big a blessing after all.  All three tunes were B-sides to Plastic Ono Band singles.      I don't recommend buying ANY of John & Yoko's "conceptual" albums.  Do yourself a favor and make one of your own!!
NEG

It takes a few listens to fully appreciate, but it's worth it! . Being a fan of The Divine Comedy since they released Casanova in 1996, I was really looking forward to their latest album. Much like a lot of previous releases by The DC, this album takes a few listens to fully appreciate it. When I first listened to it, I was disappointed with most of the early tracks and didn't listen beyond track 7. However, repeated listens have definitely added a great deal to my enjoyment of this collection. Track-by-track:    1. To Die A Virgin - Amusing lyrics, but the melody doesn't do anything for me. Opinion seems to be very divided on most of the tracks here, this being no exception. It sounds a bit flat to me.    2. Mother Dear - An unusual country track with a catchy melody, but a far too repetitive chorus. Musically it's great, but the constant repetition of "Mother Dear" quickly becomes tiresome.    3. Diva Lady - Not bad, but hardly the strongest of melodies penned by Neil Hannon. Annoyingly it sticks in your head - I'd rather it didn't!    4. A Lady Of A Certain Age - Beautiful melodies, wonderful instrumentation, and moving lyrics. I've always liked Hannon's voice, but this is the kind of track his singing is best suited to. Stunning.    5. The Light Of Day - A bright, upbeat melody, again with some beautiful instrumentation - strings and harpsichord really add to the classical rock style that the DC have always done so well.    6. Threesome - A charming 1 minute piano instrumental that provides a good break in the middle of the album.    7. Party Fears Two - Elsewhere I've hear people calling The Plough pompous; if any track sounds pompous, it is this one. I haven't heard the original but the strings are overdone for a riff that isn't all that special. The chorus is better than the verse, but this just sounds out of place here.    8. Arthur C. Clarke's Mysterious World - This one's quite odd. I didn't expect to like it at all but it really grows on you. Great lyrics, a very enjoyable melody and plenty of decoration around the various melodies. Very well composed indeed.    9. The Plough - As I mentioned earlier, I couldn't disagree more with the notion that this track sounds pompous. It's an absolute masterpiece. A wonderful build-up in each verse and throughout the track. A similar feel to The Certainty of Chance or Freedom Road, this is one of the best tracks I have ever heard from the DC.    10. Count Grassi's Passage Over Piedmont - The opening melody links well from The Plough. Great melodies throughout, an unusual mix of spoken/sung lyrics, not dissimilar to The Booklovers - but much easier to hear more than a few times over. Very special, and unique!    11. Snowball In Negative - Yet again, the orchestral arrangements are superb. Interesting contrast between the vocal sections and the piano solos, showing that Threesome wasn't such an anomaly after all. The ending is a little unexpected and slightly drawn out, but this track wraps up the album well.    Apart from the first few tracks, this is possibly the best DC album I've ever heard. It's right up there with Promenade and Fin De Siecle and is a welcome reminder that Hannon is highly unlikely to lose his touch anytime soon. Beautiful

POS