In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Example Input: HORRENDOUS! Avoid like the plague. I would rate this in the top 10 worst movies ever. Special effects, acting, mood, sound, etc. appear to be done by day care students...wait, I have seen programs better than this. Opens like a soft porn show with a blurred nude female doing a shower scene then goes bad from there. Good nude scenes, but that is it. Sound and light problems were persistent throughout the movie. At times I would swear I could hear the roaring of the camera motors. YIKES! I would like to see another movie on this story, but done by different people. This batch of actors and crew need more acting and movie making lessons. Voted 1 out of 10.
Example Output: negative

Example Input: They're not jawing journalists Cary Grant and Rosalind Russell from "His Girl Friday" or witty detective William Powell and sassy lady Myrna Loy from Thin Man, but Woody Allen and Scarlett Johansson are surprisingly charming as amateur sleuths in Scoop. Their screwball repartee is more postmodern than post Depression, Allen's writing filled with ironic self deprecation and plain old New York angst. Shades of the old wit occur rarely, such as when he, as Sid, the Great Splendini magician, responds about his background: "I was born into the Hebrew persuasion, but when I got older I converted to narcissism." Johansson, fresh from Allen's Match Point as a bad girl, here gets to be a relatively good, sometimes ditsy journalism student caught in a murder mystery suitable for London: a serial killer. The plot is a reworking of his recent London-based thriller Match Point, right down to the upper-class sins and the "American Tragedy"/Place in the Sun boating "accident." As a matter of fact, Allen is reworking Manhattan Murder Mystery and Purple Rose of Cairo to name just a couple of other examples. I care not if he reworks; I would like the new material to be at least the equal of the originals, and, alas, it is just a reflection of his younger greatness.Allen as director and actor can't hide his love for the actress, as he couldn't for Diane Keaton, and therefore takes a middling comedy into an appropriate place down the Allen canon, not great but amusing, at times brilliantly satirical: About the suspected upper-class murderer, Sid (Allen) quips, "I'd be very surprised if he killed one person." This is vintage Allen humor. While there are barely any bright literary allusions as in most of his film, he lards Scoop with music from Grieg, Tchaikovsky, and Strauss to let us know the Woodman has not lost his touch of class.
Example Output: positive

Example Input: As a great admirer of Marlene Dietrich, I had to (finally) watch this very, very dull picture. It is Miss Dietrich's first color film, and the world's most beautiful blond is a redhead! Bad start. The story is a tremendous bore, involving a subject which itself bores bores me stiff: religious guilt. (Who needs it???) Suffice it to say, perhaps, that of all Dietrich's films (and I have seen most, including "Pittsburgh") this is the only one where even her performance is barely worth watching. The color photography is OK (this is a very early Technicolor release), but to no purpose. Ridiculous casting: C. Aubrey Smith, Basil Rathbone (enough said?). The only thing of any interest at all is John Carradine's outlandish caricature of a performance as "The Sand Diviner," who foretells all that will happen. The supposed "happy ending" is one of the most depressing ever conceived. Yet another example of David O. Selznick's highly inflated reputation (did he ever make a really good film? -- other than That One?) And, for one final annoyance, the soundtrack of the MGM DVD is a mess, with volume levels seemingly randomized. Highly unrecommended.
Example Output:
negative