You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Input: Consider Input:  A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment   take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well   they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).

Output: What is the cure for all Shropshire lads?


Input: Consider Input:  The Prince of Parthia is written to be a Neo-Classical tragedy. It mostly follows the unities of time (happens in a short amount of time, usually 24 hours), place (happens in one place) and plot (one or few plot lines). It also has a five-act structure, and most of the characters follow decorum. However, with verisimilitude (or, the appearance of truth), the play is lacking. The idea that the entire plot line could happen within 24 to 48 hours is astonishing.
In the first act, Phraates, an officer at court, and Gotarzes, a prince, discuss Prince Arsaces  triumphal return from foreign wars. But, there is trouble at home. Vardanes, Arsaces  brother, is jealous of his marital successes, and Thermusa, Arsaces  stepmother and the Queen of Parthia wants to avenge her son Vonones who was killed by Arsaces for treason. Vardanes and his officer, Lysias, decide to use Thermusa s vengeance to destroy Arsaces. Meanwhile, Evanthe, whose dad, King Bethas, has been imprisoned, is in love with Arsaces. But Artabanus, the King of Parthia, has illicit feelings for Evanthe. The plot then moves into Act Two; when Vardanes and Lysias hear Arsaces tell Bethas that he loves Evanthe, they decide to tell King Artabanus that Arsaces is a traitor for sympathizing with Parthian enemies. And that is all; like most plays with a five-act structure, there are usually one or two acts that are just one scene. This keeps the five-act structure, but does not mess with the believability of the plot.
By the time the plot reaches Act Three, Thermusa is very angry because she knows King Artabanus is lusting after someone else. She tells this to Vardanes, who decides to use this to destroy Arsaces and take the throne of Parthia for himself. Arsaces asks for Evanthe s hand in marriage in front of King Artabanus. Artabanus decides to let Arsaces have Evanthe because he promised Arsaces anything he wanted for being such an awesome child. Evanthe tells Arsaces that King Artabanus loves her, to which he replies that he loves her more. Vardanes then tells King Artabanus that Arsaces is a traitor.
Act Four takes a sharp plot turn, which causes some incongruities. Phraates tells Gotarzes that he overheard Vardanes and Lysias talking about how they killed King Artabanus in his sleep. Vardanes and Lysias plan on blaming Arsaces, while Phraates and Gotarzes plan on telling the general Barzaphernes about who actually killed the king. Arsaces has been accused of the regicide and thrown in prison along with Bethas. They bond over their fear for Evanthe s safety. Thermusa enters the prison to kill Arsaces, but she sees a bloody ghost of King Artabanus, which causes her to  brain  herself against the wall, committing suicide. Barzaphernes appears and releases Arsaces. Together, they plan to get Vardanes and make Parthia right once more.
In the exciting conclusion of Act Five, Vardanes comes on to Evanthe, but she does not like it. Before Vardanes can hurt Evanthe, Lysias runs in and tells Vardanes that Arsaces has escaped and knows of Vardanes  plot. Then, a huge battle occurs, pitting Vardanes, Lysias and all of their followers against Arsaces, Barzaphernes, Phraates, Gotarzes and their men. Cleone, Evanthe s maid, watches the battle from a window. Cleone believes Arsaces was killed in the battle by Vardanes, but it was really Phraates. Cleone tells this to Evanthe, who drinks a vial of poison. When Arsaces, who has taken down Vardanes, hears of Evanthe s death, he impales himself on Barzaphernes  sword. In the end, only Barzaphernes and Gotarzes live.

Output: Who is Evanthe in love with?


Input: Consider Input:  Matthew Bramble, his family and servants are traveling through England and Scotland. Although the primary motivation for the expedition is to restore the health of the gouty Matthew Bramble, each member of the family uses the excursion to achieve their ends. Leaving from Bramble's estate, Brambleton Hall, in the south-western corner of England, the family passes through many cities, making extended or significant stops at Gloucester, Bath, London, Harrogate, Scarborough and Edinburgh.
The splenetic patriarch, Matthew Bramble, visits various natural spas to alleviate his health problems, and he corresponds primarily with his physician, Dr. Lewis. Through his letters and those of Jeremy, it is revealed that Bramble is misanthropic and something of a hypochondriac. Despite his frequent complaints, he is generally reasonable and extremely charitable to the people he meets on his travels as well as to his servants and wards back at home. His letters introduce and ridicule significant eighteenth century concerns such as medicine, the growth of urban life, class, the growth of the periodical press and the public sphere. His growing disillusionment at the changing moral and social landscape of England, embodies his traditionalist perspective and reveals the absurdities of contemporary culture.
His sister, Tabitha Bramble, is a foolish and cantankerous spinster who uses the expedition as an excuse to search for a husband. Through her correspondence with Mrs. Gwyllim, the house-keeper at Brambleton Hall, Tabitha reveals her selfishness and lack of generosity towards servants and the impoverished. Her social pretensions are rendered all the more comical by her frequent misunderstandings, misuse of common idioms and atrocious spelling.
Tabitha's servant, Winifred or Win Jenkins, also corresponds with the servants at Brambleton Hall. As the only correspondent not related to Matthew Bramble, Ms. Jenkins offers a sympathetic and humorous perspective on the family and their travels. As a comic foil to Tabitha Bramble, Win Jenkins shares many of her misspellings and malapropisms but demonstrates considerably more common sense and intuition in her observation of the family. At London, she becomes infatuated with Humphry Clinker and Methodism both.
Bramble's nephew, Jeremy Melford, is a young man looking for amusement. Corresponding primarily with Sir Watkin Phillips of Jesus College Oxford, Jery also reflects upon issues of city life, class, and the growing public sphere, but often with a more progressive perspective than that of his rather traditional uncle. Despite his generously democratic views and his astute perceptions of the hypocrisy and absurdity of others, he is as revealed through Bramble's letters "hot-headed" and prone to rash anger and impulsive defenses of perceived slights to his family honor, especially when it relates to his sister's interest in a stage actor below her status. His introduction into society as a young gentleman often occurs during his socializing at the coffeehouse, a burgeoning social institution, especially in eighteenth century London. His study of the places and people of his journey includes the members of his family, whom he comically sketches for the readers. His accounts help provide insight into Matthew Bramble's character.
Bramble's niece, Lydia Melford, is trying to recover from an unfortunate romantic entanglement with a stage actor named Wilson, who is later revealed to be a gentleman named George Dennison. Her letters to Miss Letitia Willis at Gloucester reveal her struggles between familial duty and her affection for Wilson. She describes her secret communications with him, as well as her surprise encounter with the disguised Wilson in Bath. Lydia also reflects upon the wonders of city life, with astonishment and excitement. Having spent most of her life at a boarding school for young women, the expedition serves for Lydia as a debut into society (an important cultural phenomenon with a long literary tradition).
The titular character, Humphry Clinker, is an ostler, a stableman at an inn, who does not make his first appearance until about a quarter of the way through the story. He is taken on by Matthew Bramble and family, while they are traveling toward London, after offending Tabitha and amusing Matthew Bramble. Humphry Clinker is a primarily foolish character whose good-natured earnestness earns him the esteem of Matthew Bramble. He is largely described through the letters of Matthew Bramble and Jeremy Melford and, despite his frequent misunderstandings, is presented as a talented worker and gifted orator, attracting a devoted following of parishioners during a brief oratorical stint in London. After various romantic interludes, Humphry suffers false imprisonment due to accusations of being a highway robber, though he retains the confident support of Matthew Bramble and his family. He is rescued and returned to his sweetheart, the maid Winifred Jenkins. Eventually, it is discovered that Humphry is Mr. Bramble's illegitimate son from a relationship with a barmaid, during his wilder university days. The book ends in a series of weddings.


Output: When Matthew Bramble and his family travel, what 2 countries do they travel through?