Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Q: CONTEXT: The source material is essentially a recollection of a life lived by an individual on his death bed. We are seeing these things through the lens of memory, so it is meant to be an almost first person account. There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality. That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story. I won't comment on whether it was successful. The closest thing I can think at this moment that has this sort of movement might be in Wes Anderson movies where suddenly the naturalistic feel is broken in favor of a staged play: the Zissou movie and "Moonrise Kingdom" both take similar but more obvious breaks from naturalism.  <sep>  Q: Why is the audience sliding around in this scene from Le Temps retrouvé? A: We are seeing these things through the lens of memory, so it is meant to be an almost first person account  Q: A first person account of what exactly? A: That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story  Q: Is this why we see the camera panning around a lot? A: There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality  Q: That's interesting, what else can you tell me about the production? A: The source material is essentially a recollection of a life lived by an individual on his death bed  <sep> FOLLOWUP_Q: Can you tell me anything more about the film or the director?

A: No
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Q: CONTEXT: Eloise Hawking was one of the Others. As such, she had been communicating with the MIB (at least during Ben Linus' reign as leader of the Others). The 'loophole' was part of MIB's years in the making plan to escape the island, and as such MIB would have provided Eloise/The Others with pieces of the plan that they needed to contribute to. The Others have reliable ways of communicating and traveling to/from the Island. That's the (admittedly off-camera, and not fully explained in the show) way that she would know of the need to have Locke on the plane. However, she was also responsible for getting Desmond onto the Island originally. In the final season it was revealed that Desmond was part of a plot that Widmore and Hawking enacted to kill the MIB. Desmond's ability to survive exposure to large amounts of electromagnetism was used to get him to the heart of the Island, where he temporarily disabled the MIB's immortality. So presumably Eloise took orders from the MIB. But also, at some point (likely after realizing she'd shot her own time-traveling son), she started enacting a plan to kill the MIB. Widmore worked with her on this, although he likely started contributing later, as he was working to dethrone Linus until pretty late in the show.  <sep>  Q: Eloise Hawking's connection to MIB and the loophole A: The 'loophole' was part of MIB's years in the making plan to escape the island  <sep> FOLLOWUP_Q: When Locke leaves the island what is he told by Christian Shephard?

A: No
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Q: CONTEXT: There were multiple Smiths that had assimilated on the other entities inside the matrix, both software and human. The primary difference in the end was that Neo was hardwired to the source and not jacked in from a regular pod or an illegal back door entry. When Smith assimilated on Neo, the machines get a hold of Smith's replication programming. This enables them to target and destroy the Smith program which causes the replication to be undone across the Matrix. In short, Smith had turned into a replicating worm which the machines couldn't get a lock on until the replication occurred on an entity (Neo) connected directly from the source.  <sep>  Q: How did they kill Agent Smith? A: There were multiple Smiths that had assimilated on the other entities inside the matrix, both software and human  Q: how did the first one die? A: When Smith assimilated on Neo, the machines get a hold of Smith's replication programming. This enables them to target and destroy the Smith program which causes the replication to be  Q: when Agent Smith turned Neo into his copy. How did the main computer realize that? A: Smith had turned into a replicating worm which the machines couldn't get a lock on until the replication occurred on an entity (Neo) connected directly from the source  Q: what is the name of this movie again? A: matrix  <sep> FOLLOWUP_Q: did the main computer realize they were copies

A:
Yes
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