In this task, you're given a passage, further information available on a particular linked term from the statement, and a question. Your job is to generate the answer to the question by using the information provided. If there is no clear answer obtainable, output 'none'.

Passage: There is a great deal written in music history books about the period of artistic experimentalism after World War II in Europe and the United States. Much like the period in France after the Franco-Prussian War (Impressionism) and in the late 19th century, the pre/post World War I period of (Expressionism), the post World War I period of Modernism was no different with composers trying to 'write music for the sake of music' and not attaching it to a social meaning or meant for a social cause (see Darmstadt School). The LP City of Glass and the whole body of work from the Stan Kenton orchestra and Robert Graettinger (1947–1953) is a direct product of the experimental American music scene of the post World War II era. Though overshadowed historically by other compositional endeavours in jazz at the time attributed to George Russell, Neal Hefti or Lennie Tristano, Graettinger and City of Glass is important in the progress that was to be part of Third stream jazz.
 Link Information: After World War II, there was increased interest in specialty styles like country music, producing a few major pop stars Question: What types of music was popular in America after World War II?
Answer:  country music

Passage: The NASL first staged an indoor tournament in 1971 at the St. Louis Arena with a $2,800 purse. After a couple of years of experimenting, including a three-city tour by the Red Army team from Moscow in 1974, the league again staged tournaments in 1975 and 1976. For many years Tampa Bay owner George W. Strawbridge, Jr. lobbied his fellow owners to start up a winter indoor season, but was always stone-walled. For several years, his Rowdies and several other teams used winter indoor "friendlies" as part of their training and build-up to the outdoor season. In the meantime, pressed by the rival Major Indoor Soccer League (MISL), which inaugurated play in 1978, two-day mini-tournaments like the Skelly Invitational and the NASL Budweiser Invitational were held with varying degrees of success. The NASL finally started a full indoor league schedule, a 12-game season with 10 teams, in 1979–80. For the 1980–81 season, the number of teams playing indoor soccer increased to 19 and the schedule grew to 18 games. The schedule remained at 18 games, but the teams participating decreased to 13 for the 1981–82 season. The league canceled the 1982–83 indoor season and three teams (Chicago, Golden Bay, and San Diego) played in the MISL for that season. Four other teams (Fort Lauderdale, Montreal, Tampa Bay and Tulsa) competed in a short NASL Grand Prix of Indoor Soccer Tournament in early 1983. The NASL indoor season returned for 1983–84 with only seven teams but a 32-game schedule.
 Link Information: the Dallas Tornado were crowned the NASL's professional hoc-soc champions. Question: Who won the $2,800 at the 1971 NASL tournament?
Answer: Dallas and Rochester

Passage: When the Gilbert and Sullivan partnership collapsed after the production of The Gondoliers in 1889, their producer Richard D'Oyly Carte struggled to find successful new works to show at the Savoy Theatre. Carte produced Sullivan's grand opera, Ivanhoe at another theatre, and afterwards, he turned to Sullivan to create more comic operas for the Savoy. With Sydney Grundy, Sullivan wrote the nostalgic and sentimental Haddon Hall (1892) then, reunited with W. S. Gilbert, he produced Utopia, Limited (1893). He next returned, with his earlier collaborator F. C. Burnand, with The Chieftain (1894) and collaborated for the last time with Gilbert on The Grand Duke (1896). None of these had proved to be more than modestly successful, and Carte's other new pieces for the Savoy in the 1890s had done no better. Following the success of Sullivan's ballet Victoria and Merrie England in 1897, Carte asked Sullivan to work on another new opera for the Savoy.
 Link Information: reunited with W. S. Gilbert Question: How old was Gilbert when collaborated for the last time with Sullivan in 1896?

Answer: 58