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And yet , as just about everyone with internet access is now aware , Texas Sen. Ted Cruz , a Republican presidential candidate in 2016 , appeared to have liked a pornographic video on Twitter overnight . 
We do n't know for sure it was Cruz himself who did the "liking" -- as the senator explained this morning , "There are a number of people on the team that have access to the account and it appears that someone inadvertently hit the like button ." 
Below Cruz discusses the scene -LRB- that is , the one inside the court -RRB- with CNN 's Jake Tapper . 
JUST WATCHED Ted Cruz on watching porn with Justice O'Connor Replay More Videos ... MUST WATCH Ted Cruz on watching porn with Justice O'Connor 01:38 . 
But that conversation , and others surrounding his book , did n't come close to being the first time Cruz happily discussed pornography on camera . 
In February 2016 , during the Republican primary season , the Cruz campaign posted a web video featuring an actress who had appeared in erotic films . 
Asked by some unknown interviewer about his life 's ambitions , the young Cruz pauses for effect , then announces : "Well my aspiration is to , oh I do n't know , be in a teen tit film like that guy who played Horatio . 
-LRB- Politico guessed Cruz was referencing 1986 's The Malibu Bikini Shop . -RRB- 
"It happened that one of the actresses who was there had a more colorful film history than we were aware ," Cruz told reporters on the trail . 
Cruz 's talents would send him in other directions . 
Cruz did not appear in the scrubbed campaign clip , but he has spoken -- and written -- at some length about another unlikely run-in with the adult film industry . 
This was years ago , when Cruz was a clerk on the high court for the late Chief Justice William Rehnquist . 
As Cruz recalled it in his memoir , O'Connor , Rehnquist , and their respective clerks gathered for an exhibition -- as it related to a case they were considering on the regulation of online porn -- in a small room .
Ted Cruz

DENPASAR  Indonesia (Reuters) - Indonesia raised its warning for  Baliâs Mount Agung volcano  to the top level four alert on Monday  closed the holiday islandâs airport and told residents around the mountain to immediately evacuate  warning of an âimminentâ risk of a larger eruption.
A Balinese man sits as Mount Agung volcano erupts at Lempuyang Temple in Karangasem  Bali  Indonesia November 27  2017. REUTERS/Johannes P. Christo
Baliâs airport was closed for 24 hours from Monday morning  disrupting 445 flights and some 59 000 passengers  due to the eruption and the presence of volcanic ash from  Agung   but local officials said the closure could be extended.
âThe potential for a larger eruption is imminent â it said  referring to the visible glow of magma at Agungâs peak overnight.
Residents were warned to âimmediately evacuateâ a danger zone that circles Agung in a radius of 8-10 km (5-6 miles).
 Agung  rises majestically over eastern Bali to a height of just over 3 000 metres (9 800 feet). Eastern Bali is relatively undeveloped  with traditional rice paddies doting the landscape and the occasional budget resort  unlike the heavily populated southern tourist hub of Kuta-Seminyak-Nusa Dua.
 Agung âs last eruption in 1963 left more than 1 000 people dead and razed several villages.
Analysis suggested the threat should not be as great this time because âenergy at  Mount Agungâs  magma chamber is not as bigâ and with the ash column only around a quarter as high so far as the 20 km (12 miles) reached in 1963  said Sutopo.
Tourism business has slumped in Bali since September when  Agung âs volcanic tremors began to increase.
 Mount Agung volcano  is seen erupting from Lempuyang Temple in Karangasem  Bali  Indonesia November 27  2017. REUTERS/Johannes P. Christo
According to the Volcanic Ash Advisory Centre in nearby Darwin  Australia  there is âash confirmed on the ground at Denpasar Airportâ as well as ash at FL300 (which refers to flight level at 30 000 feet) in the vicinity of  the volcano .
Baliâs I Gusti Ngurah Rai airport  which is about 60 km (40 miles) from  the volcano   will be closed for 24 hours  according to its operator. A total of 445 flights - 196 international and 249 domestic - and 59 000 passengers had been affected.
Farmers tend their crops as Mount Agung erupts in the background in Amed  Karangasem Regency  Bali  Indonesia  November 27  2017. REUTERS/Nyimas Laula
The alert level on  Agung  had been raised to the maximum in September  but was lowered in October when seismic activity calmed. However  volcanologists now say the volcano has entered a new phase with magma now visible at  Agung âs peak  meaning a greater risk of a larger eruption.
Agung

The drum beat that opened  Taylor Swift âs 1989 made a slow  simple  statement: â1 â¦ 2 â¦ 3 â¦ and 4!â at a pace roughly appropriate for lurching along in a grocery line  with a regularity that even the most drunken campfire-side clapper couldnât mess up. The song  âWelcome to New York â kicked off her supposed first âofficial pop albumâ with a portrait of glorious naivety.  Swift  was the country girl just arrived in the big city  amazed by all  she  saw: the lights  the sounds  the homosexuals.  Her  gait was accordingly untroubled  steady  optimistic: âItâs a new soundtrack / I could dance to this beat forevermore.â
The album that followed largely stayed in that shiny  straightforward mode.  She  was open-hearted yet unflappable  whether brushing off criticism (âShake It Offâ)  lightly dressing the wounds of breakups (âAll You Had to Do Was Stayâ)  or memorializing the thrill of a new relationship (âOut of the Woodsâ). Slabs of synth and driving  steady beats cast a movie-trailer glow of enchantment. Reviewers noted that this mode actually broke from recent pop trends  spurning the influence of hip-hop and R&B  as well as some of the grim moodiness creeping onto the charts. The video for âShake It Offâ even poked fun at the idea that  Swift  might start imitating Nicki Minaj like some of her contemporaries.
Two songs didnât quite fit that pattern  though. One was âBlank Space â a masterwork of hip-hop-adjacent sarcasm. The legendary pop producers Max Martin and Shellback threaded together a high  whistling harmony and kick-drum/snare pattern over which  Swift  sneered rapid clusters of syllables about being a man-eater. âBad Blood â too  waged war in what sounded like a personal feud over modern jock-jam thump. It got an extra layer of syncopation for the Kendrick Lamar remix that  like âBlank Space â enjoyed a run at No. 1 on the Hot 100.
The rumors about the recording sessions for  Swift âs forthcoming album Reputation were that theyâd see her  finally  diving into hip-hop and R&B. Those reports drew immediate skepticism  as it was hard to imagine how such a change might work for  Swift  without  her  seeming ridiculous. But it now appears the rumors were true  though the question of ridiculousness hasnât quite gone away. Where 1989 was sleek and stiff and retro  Reputationâs songs so far have been busier  choppier  and decidedly modernâwhich is to say  rap-influenced. They also  perhaps not coincidentally  spotlight a persona thatâs the opposite of the one in âWelcome to New York.â  This Taylor Swift  is jaded rather than inexperienced. And  she âs aggressive.

Taylor Swift