In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
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Question: set in the wild west , this carry on centres around the arrival of the rumpo kid ( sidney james ) and his cronies in stodge city .
his dodgy dealings and summary shootings aggravate judge burke ( kenneth williams ) so much that he asks sheriff albert earp ( jon pertwee ) to drive rumpo out of town .
instead , the rumpo kid shoots the sheriff dead .
therefore , judge burke sends for a law marshall to come in and clean up the city .
due to a misunderstanding , an english sanitary engineer called marshall p .
knutt ( jim dale ) is assigned , without knowing it , as the law marshall for stodge city .
he arrives at the same time as annie oakley ( angela douglas ) who is seeking revenge for her father , the sheriff 's murder .
when marshall arrives at stodge city , he soon becomes aware of the misunderstanding and due to his rather limited intellect , he is manipulated by the rumpo kid and always ends up getting things wrong .
in the end , there is a head - to - head between rumpo and marshall .
with the rumpo 's past experience , it would seem that marshall is out of his depth , but using his sanitary skills and learning the ways of the west from annie oakley , he at least stands some chance !
sid james , with an american accent , is perfect as the rumpo kid , a part which suits him down to the ground .
jim dale provides one of his best carry on performances as the stupid sanitary engineer , and angela douglas is very effective in her role as the revengeful daughter .
other regulars that appear in this movie include charles hawtrey and bernard bresslaw ( in his debut ) as big heap and little heap respectively .
big heap is the local indian leader and the crazy casting of hawtrey for this part is very amusing , as is his performance : - he steals every scene he is in even though he does not enter the film until thirty minutes past .
joan sims provides useful and amusing support as belle , the local bar owner who takes a fancy to the rumpo kid .
however , the part of doc played by peter butterworth and sheriff albert earp played by jon pertwee are not really necessary , and pertwee 's performance is rather poor .
kenneth williams uses a new voice but struggles with the weak part of the ' judge ' .
even so , this carry on
was sid james and kenneth williams ' favourite .
a very different carry on film , in that it is played more seriously by the actors and possesses more realism than any other carry on .
the death count is the highest of any carry on film .
sets , costumes and action sequences are all very commendable .
the songs that are included in the movie ( the title song and annie 's song ) are very impressive .
a strange but therefore very interesting carry on film .
not the best of its kind
but it is certainly the most distinctive film of the series .

Answer: P


Question: the " fab 4 " of ronald reagan high are four stuck - up girls , played by rose mcgowan , rebecca gayheart , julie benz and charlotte roldan , who overdress like 4 posh spice wannabes .
their daily ritual is to parade up and down the school halls like royalty , and their constant reflex action is to grab their compacts so they can check their make - up and powder their cheeks .
under no circumstances will they ever let themselves be seen eating in public .
in writer and director darren stein 's jawbreaker , it is n't as funny as it sounds .
in fact , it is n't funny at all .
stein has taken the black comedy of a teen movie like heathers and stripped it of any intelligence , wit or charm .
his actresses toss off their lines so fast that they do n't have time to add any emotion .
and all of his female characters have considerably more lipstick than brains .
the setup for the movie has one of the fab 4 , liz , who is referred to as " the princess di of reagan high , " be killed when a prank by the other 3 goes wrong .
the princess di reference is in bad taste , as is much of the movie .
granted , bad taste can sometimes be funny , but the mere presence of bad taste does n't guarantee it .
liz 's girlfriends stick a jawbreaker that is literally larger than a golf ball in her mouth , tape her mouth shut , and stick her bound body in the trunk of a car .
when they open the trunk later , liz is dead .
they eventually put her blue and bruised body into a sexual position and make it look like liz was the victim of a brutal rape .
these realistic and disgusting scenes of a dead , seminude teen have a pornographic feeling that is hard to forget and will likely turn the stomach of many a viewer .
the film 's dialog
not only is n't funny , it 's trite .
one nerdy young girl introduces herself with " my name is fern mayo , as in hold the mayo .
"
when fern discovers what has happened , the fab 3 make her an offer she ca n't refuse -- make - up !
they cake it on her and welcome her to the clan .
the parents in the movie brag about learning parenting skills from watching oprah .
the teachers fare no better , especially in the ridiculous lines they are given .
" miss shayne , please cover your bosom , " one young teacher , who has been made up to look old and ugly , says without any conviction .
"
this is a learning institution , not a brothel .
" besides the obvious question of why this movie was ever made , there is one other question that i 'd like to ask the director .
why do you have a phone number start with 555 if you going to cover the rest of the number anyway ?
in a cameo , pam grier plays detective vera cruz , who investigates liz 's murder .
as she interrogates the other people , she stares at them like they are all idiots , proving that she is the only one that gets it .
i am sure that if the hard nosed detective cruz were to see this movie , she 'd walk out after about 5 minutes , and you 'd be well advised to do the same if you should happen to find yourself in a theater showing it .
jawbreaker runs 1 : 27 .
it is rated r for violence , gore , profanity and sex .
i would advise everyone to avoid it , but if teenagers go they should be older and mature .

Answer: N


Question: do n't get me wrong -- i tend to appreciate besson 's naive , unashamedly romantic worldview , an artsy european sensibility gone thoroughly hollywood .
his 1994 leon is exciting and absurdly moving , thanks mainly to the interplay between jean reno and a young natalie portman , and 1997 's the fifth element is a goofy paean to love , l - u - v
, that 's even more of a hoot on repeated viewings .
but his joan of arc is a mess , despite some stirring battle scenes and the mostly knockout presence of a close - cropped milla jovovich as the maiden herself .
jovovich , besson 's own personal muse through the making of his last two films ( though they 've since separated ) , is magnetic and energetic enough to play a credible joan ( as long as you believe joan was not just a warrior , but also a fabulous , supermodel - level babe ) .
and besson remains a servicable action film director , though not an especially facile one . leading her army against the seemingly impenetrable fortresses of the english , joan 's struggle against great odds is undeniably stirring , and besson helps you understand how the french could believe , fervently , that god is on her side .
besson 's big mistake
, i think , is trying to dramatize the interior life of his subject .
yes , joan had visions -- but i guarantee that whatever image a sympathetic audience conjures in its collective mind will be more compelling than the blue - eyed christ figure on display in besson 's hallucinatory dream sequences .
the whole conceit turns into a disaster
right about the time dustin hoffman ( billed as " the conscience " ) shows up , spouting platitudes and sending poor milla running around her cell , babbling like ally mcbeal .
that 's kind of a shame , since she does quite well up to that point , charging into battle with a banshee wail that suggests the eruption of a sublimated bloodthirstiness .
that darkly attractive aspect of her character -- that she 's as likely a charismatic madwoman as the vessel of the lord -- is more or less betrayed by the final reels , in which the conscience browbeats her over the killing
she 's overseen and joan
starts to look like little more than a very confused young lady who 's about to take a fall .
as the story winds down , with joan condemned to a horrible death by fire , besson is aiming for tragedy and psychological significance .
trouble is , he 's chosen a lurid , often jokey tone for the balance of the picture -- including some blithe cgi bloodshed in the battle scenes -- and it 's impossible to shake the feeling that this particular vision of the middle ages is , to a great extent ,
nothing more than a put - on .
this glib , pre - fab version of such a great story makes me all the more grateful for dreyer 's the passion of joan of arc ( 1928 ) , a film whose dialogue is drawn from the actual transcripts of joan 's trial , and which stands as one of the most harrowing experiences in all of cinema .
compared to that film , the messenger plays as a crime against history .
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directed by luc besson written by besson and andrew birkin cinematography by thierry arbogast music by eric serra starring milla jovovich france / usa , 1999 theatrical aspect ratio :
2 .
35
: 1 --------------------------------------------------------------

Answer:
N