instruction:
In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.
question:
Question: In what era did the architectural style of Ince Blundell Hall emerge?  Passage:Ince Blundell Hall is in Georgian style. It is constructed in brick with sandstone dressings, and has an L-shaped plan. The main block faces southeast; it is in two storeys with an attic, and has a front of nine bays. Richard Pollard and Nikolaus Pevsner describe the front as being in late English Baroque style, and consider that it was "evidently inspired" by the front of Buckingham Palace, London. Between the upper storey and the attic is an entablature with a cornice and a panelled parapet. The central three bays project forward, the lower storeys are flanked by pairs of giant pilasters, and at the sides of the central doorway are giant columns. There are more pilasters at the ends of the building, and in the central three bays of the attic. All the pilasters and columns are Corinthian in style. The windows are sashes and are surrounded by architraves. The ground floor windows in the central bays have segmental heads with keystones, and those in the outer bays have friezes and pediments carried on consoles. Below the upper floor windows are panelled aprons and consoles. The central doorway has a segmental head and a keystone carved with the Blundell arms. At the corners of the front are quoins.
 Links: a. Sash window b. Sandstone c. Nikolaus Pevsner d. Georgian architecture
answer:
d


question:
Question: Where was the Jesuit priest who was hanged after the 1584 Act against Jesuits born? Passage:More than 300 Roman Catholics were put to death by English governments between 1535 and 1681 for treason, thus for secular rather than religious offenses. In 1570, Pope Pius V issued his papal bull Regnans in Excelsis, which absolved Catholics from their obligations to the government. This dramatically worsened the situation of the Catholics in England. English governments continued to fear the fictitious Popish Plot. The 1584 Parliament of England, declared in "An Act against Jesuits, seminary priests, and such other like disobedient persons" that the purpose of Jesuit missionaries who had come to Britain was "to stir up and move sedition, rebellion and open hostility". Consequently, Jesuit priests like Saint John Ogilvie were hanged. This somehow contrasts with the image of the Elizabethan era as the time of William Shakespeare, but compared to the antecedent Marian Persecutions there is an important difference to consider. Mary I of England had been motivated by a religious zeal to purge heresy from her land, and during her short reign from 1553 to 1558 about 290 Protestants had been burned at the stake for heresy, whereas Elizabeth I of England "acted out of fear for the security of her realm."
 Links: a. List of Protestant martyrs of the English Reformation b. John Ogilvie (saint) c. Treason d. John Ogilvie (saint)
answer:
b


question:
Question: How old was Hans Keller when the journal Music Survey was founded? Passage:Mitchell was born in London, and educated at Brightlands Preparatory School and Dulwich College, London. In 1943 he registered as a conscientious objector and his war-time service was spent in the Non-Combatant Corps. After the war, he taught at Oakfield Preparatory School, London and in 1947 founded and edited the journal Music Survey; several issues appeared before he was joined in 1949 by Hans Keller and the journal was re-launched in the Music Survey's so-called 'New Series' (1949–52), whose uncompromising critical standards and pugnaciously pro-Britten and pro-Schoenberg stance brought it renown and notoriety in equal measure. Mitchell studied at Durham University 1949-50. In the 1950s he was a regular contributor to the journals Musical Times and Musical Opinion. In 1958 he became editor of Music Books at Faber and Faber and in the same year was appointed Editor of Boosey & Hawkes's music journal Tempo, until 1962. From 1963 to 1964 he was a special music adviser at Boosey & Hawkes with particular responsibility for contemporary music and the acquisition of contemporary composers. He was responsible for Peter Maxwell Davies and Nicholas Maw joining the publisher's list. In 1965, with the encouragement of Benjamin Britten he founded the music-publishing firm of Faber Music, and was its first Managing Director (vice-chairman, 1976, chairman, 1977, president, 1988–95). In 1972 he became the first Professor of Music at Sussex University (until 1976). Following the death of Benjamin Britten, Mitchell became a senior trustee of the Britten-Pears Foundation; in 1986 he became the Foundation's director and chairman of the Britten Estate Ltd. From 1989 to 1992 he was chairman of the Performing Right Society. He was appointed a CBE in the 2000 New Year Honours, and died on 28 September 2017.
 Links: a. Hans Keller b. Hans Keller c. Music Survey d. University of Sussex
answer:

a