In this task, you will be given a passage to read. A fill in the blank question will be given to you.  Your answer should fit the blank appropriately.
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Question:  The first stage of building of the tower , as recorded by Leo XIII in his motu proprio Ut mysticam of 1891 , is credited to Pope Gregory XIII , Pope from 1572 to 1585 . The directive was to build a tower at a suitable location in the Vatican and equip it with the . The design was effected after a series of meetings of the experts who had been appointed to reform the Julian calendar , in use since 45 BC , to verify their proposed reforms . Fr . Christoph Clavius , a Jesuit mathematician from the Roman College , was the expert on the committee who suggested the new system for the observations . The 73 metres ( 240 ft ) tower was then built above the museum and library , flanked by the Belvedere and della Pigna courtyards . The instrumentation for the observation of the sun rays falling over it consisted of a meridian line designed by Ignazio Danti of Perugia . It was in the form of a circular marble plate in the centre , embellished with scientific designs . The tower still remains today , but has undergone improvements over the centuries . fill in the blank  : The first stage of building of the tower , as recorded by Leo XIII in his motu __________________ Ut mysticam of 1891 , is credited to Pope Gregory XIII , Pope from 1572 to 1585 . 

Answer:  proprio 


Question:  Barker worked principally in watercolor with pen @-@ and @-@ ink , but she was equally competent in black @-@ and @-@ white , in oils , and in pastels . She carried a sketchbook with her for capturing interesting children . She once indicated ,Kate Greenaway was a childhood favorite and an influence on her art . Barker 's child subjects wear nostalgic clothing as Greenaway 's children do , though Barker 's children are less melancholy and less flat in appearance , due perhaps to advances in printing technology . Barker studied flowers with an analytical eye and was friend to children 's illustrator , Margaret Tarrant . Along with Greenaway , illustrator Alice B. Woodward also influenced Barker 's work . fill in the blank  :  Barker worked principally in watercolor with pen @-@ and @-@ ink , but she was __________________ competent in black @-@ and @-@ white , in oils , and in pastels . 

Answer:  equally 


Question:  Official religious practices , which maintained maat for the benefit of all Egypt , were related to , but distinct from , the religious practices of ordinary people , who sought the gods ' help for their personal problems . Official religion involved a variety of rituals , based in temples . Some rites were performed every day , whereas others were festivals , taking place at longer intervals and often limited to a particular temple or deity . The gods received their offerings in daily ceremonies , in which their statues were clothed , anointed , and presented with food as hymns were recited in their honor . These offerings , in addition to maintaining maat for the gods , celebrated deities ' life @-@ giving generosity and encouraged them to remain benevolent rather than vengeful . Festivals often involved a ceremonial procession in which a cult image was carried out of the temple in a barque @-@ shaped shrine . These processions served various purposes . In Roman times , when local deities of all kinds were believed to have power over the Nile inundation , processions in many communities carried temple images to the riverbanks so the gods could invoke a large and fruitful flood . Processions also traveled between temples , as when the image of Hathor from Dendera Temple visited her consort Horus at the Temple of Edfu . Rituals for a god were often based in that deity 's mythology . Such rituals were meant to be repetitions of the events of the mythic past , renewing the beneficial effects of the original events . In the Khoiak festival in honor of Osiris , his death and resurrection were ritually reenacted at a time when crops were beginning to sprout . The returning greenery symbolized the renewal of the god 's own life .Personal interaction with the gods took many forms . People who wanted information or advice consulted oracles , run by temples , that were supposed to convey gods ' answers to questions . Amulets and other images of protective deities were used to ward off the demons that might threaten human well @-@ being or to impart the god 's positive characteristics to the wearer . Private rituals invoked the gods ' power to accomplish personal goals , from healing sickness to cursing enemies . These practices used heka , the same force of magic that the gods used , which the creator was said to have given to humans so they could fend off misfortune . The performer of a private rite often took on the role of a god in a myth , or even threatened a deity , to involve the gods in accomplishing the goal . Such rituals coexisted with private offerings and prayers , and all three were accepted means of obtaining divine help . Prayer and private offerings are generally called personal piety  : acts that reflect a close relationship between an individual and a god . Evidence of personal piety is scant before the New Kingdom . Votive offerings and personal names , many of which are theophoric , suggest that commoners felt some connection between themselves and their gods . But firm evidence of devotion to deities became visible only in the New Kingdom , reaching a peak late in that era . Scholars disagree about the meaning of this change — whether direct interaction with the gods was a new development or an outgrowth of older traditions . Egyptians now expressed their devotion through a new variety of activities in and around temples . They recorded their prayers and their thanks for divine help on stelae . They gave offerings of figurines that represented the gods they were praying to , or that symbolized the result they desired ; thus a relief image of Hathor and a statuette of a woman could both represent a prayer for fertility . Occasionally , a person took a particular god as a patron , dedicating his or her property or labor to the god 's cult . These practices continued into the latest periods of Egyptian history . These later eras saw more religious innovations , including the practice of giving animal mummies as offerings to deities depicted in animal form , such as the cat mummies given to the feline goddess Bastet . Some of the major deities from myth and official religion were rarely invoked in popular worship , but many of the great state gods were important in popular tradition . The worship of some Egyptian gods spread to neighboring lands , especially to Canaan and Nubia during the New Kingdom , when those regions were under pharaonic control . In Canaan , the exported deities , including Hathor , Amun , and Set , were often syncretized with native gods , who in turn spread to Egypt . The Egyptian deities may not have had permanent temples in Canaan , and their importance there waned after Egypt lost control of the region . In contrast , many temples to the major Egyptian gods and deified pharaohs were built in Nubia . After the end of Egyptian rule there , the imported gods , particularly Amun and Isis , were syncretized with local deities and remained part of the religion of Nubia 's independent Kingdom of Kush . These gods were incorporated into the Nubian ideology of kingship much as they were in Egypt , so that Amun was considered the divine father of the king and Isis and other goddesses were linked with the Nubian queen , the kandake . Some deities reached farther . Taweret became a goddess in Minoan Crete , and Amun 's oracle at Siwa Oasis was known to and consulted by people across the Mediterranean region . Under the Greek Ptolemaic Dynasty and then Roman rule , Greeks and Romans introduced their own deities to Egypt . These newcomers equated the Egyptian gods with their own , as part of the Greco @-@ Roman tradition of interpretatio graeca . But the worship of the native gods was not swallowed up by that of foreign ones . Instead , Greek and Roman gods were adopted as manifestations of Egyptian ones . Egyptian cults sometimes incorporated Greek language , philosophy , iconography , and even temple architecture . Meanwhile , the cults of several Egyptian deities — particularly Isis , Osiris , Anubis , the form of Horus named Harpocrates , and the fused Greco @-@ Egyptian god Serapis — were adopted into Roman religion and spread across the Roman Empire . Roman emperors , like Ptolemaic kings before them , invoked Isis and Serapis to endorse their authority , inside and outside Egypt . In the empire 's complex mix of religious traditions , Thoth was transmuted into the legendary esoteric teacher Hermes Trismegistus , and Isis , who was venerated from Britain to Mesopotamia , became the focus of a Greek @-@ style mystery cult . Isis and Hermes Trismegistus were both prominent in the Western esoteric tradition that grew from the Roman religious world . Temples and cults in Egypt itself declined as the Roman economy deteriorated in the third century AD , and beginning in the fourth century , Christians suppressed the veneration of Egyptian deities . The last formal cults , at Philae , died out in the fifth or sixth century . Most beliefs surrounding the gods themselves disappeared within a few hundred years , remaining in magical texts into the seventh and eighth centuries . But many of the practices involved in their worship , such as processions and oracles , were adapted to fit Christian ideology and persisted as part of the Coptic Church . Given the great changes and diverse influences in Egyptian culture since that time , scholars disagree about whether any modern Coptic practices are descended from those of pharaonic religion . But many festivals and other traditions of modern Egyptians , both Christian and Muslim , resemble the worship of their ancestors ' gods .South of Heaven  South of Heaven is the fourth studio album by American thrash metal band Slayer . Released on July 5 , 1988 , the album was the band 's second collaboration with record producer Rick Rubin , whose production skills on Slayer 's previous album Reign in Blood had helped the band 's sound evolve . South of Heaven was Slayer 's second album to enter the Billboard 200 , and its last to be released by Def Jam Recordings , although the album became an American Recordings album after Rick Rubin ended his partnership with Russell Simmons . It was one of only two Def Jam titles to be distributed by Geffen Records through Warner Bros. Records because of original distributor Columbia Records ' refusal to release work by the band . The release peaked at number 57 and in 1992 was awarded a gold certification by the Recording Industry Association of America . In order to offset the pace of the group 's previous album , Slayer deliberately slowed down the album 's tempo . In contrast to their previous albums , the band utilized undistorted guitars and toned @-@ down vocals . While some critics praised this musical change , others — more accustomed to the style of earlier releases — were disappointed . The songs Mandatory Suicide  and the title track , however , have become permanent features of the band 's live setlist . fill in the blank  :   Official religious practices , which __________________ maat for the benefit of all Egypt , were related to , but distinct from , the religious practices of ordinary people , who sought the gods ' help for their personal problems . 

Answer:
 maintained