In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Question: Did Sætren study at multiple institutions within the same country between 1862 and 1865? Passage:Sætren studied at Lillehammer Latin- og Realskole, at Qvams skole in Christiania and at the Swiss Federal Institute of Technology Zurich from 1862 to 1865. In 1866 he started working as a draftsman for Kanalvæsenet, the body for exploitation of Norwegian water resources, and held various positions at Kanalvæsenet over a period of 41 years. He ended his career as manager for the Bandak-Norsjø Canal from 1891 to 1907. The boat locks of the Bandak-Norsjø Canal could lift boats with a length of up to 100 feet. The canal became an important water transport system, and also a tourist destination. Sætren was a counsellor for industrialist Sam Eyde, the founder and first mangager of Norsk Hydro, who acquired rights for exploiting waterfalls for hydroelectric power. Sætren published maps and overviews of water resources in Norway, such as his map  from 1904. He was the first editor of the magazine Norsk Teknisk Tidsskrift, which he edited from 1883 to 1886. He was also a proponent for the construction of the Holmenkoll Line, and chaired the board of directors for ten years from 1896. He was decorated Knight of the Royal Norwegian Order of St. Olav in 1893.

b

Question: Which North American city hall building that used Superblocks was completed first? Passage:Superblocks are also used when functional units such as rail yards or shipyards, inherited from the 19th and early 20th centuries, are too big to fit in an average city block. A contemporary function which reflects ancient practices that also requires larger than typical blocks is the sports stadium or arena. Just as the Colosseum in ancient Rome, sports complexes require superblocks. The Providence Park stadium in Portland, for example, takes up four normal city blocks as does the equally large Greensboro Coliseum in North Carolina. Other contemporary institutions, establishments or functions that use superblocks are: city halls like Government Center, Boston and Toronto City Hall; regional general hospitals or specialized medical centres; convention and exhibition centers, such as Exhibition Place in Toronto and the Boston Convention and Exhibition Center; and downtown enclosed Shopping Malls such as Eaton Centre in Toronto, echoing the large gallerias of the 19th century. Cultural complexes, such as the Lincoln Center in New York City, often occupy a superblock achieved through the consolidation of regular city blocks. A recent superblock user is the merchandise distribution centre, which can range in area from one to ten city blocks.

a

Question: Which of the actual locations for which replica sets were built on the same backlot for Angels and Demons was constructed first?  Passage:The Saint Peter's Square and the Piazza Navona sets were built on the same backlot; after completion of scenes at the former, six weeks were spent converting the set, knocking down the Basilica side and excavating of tarmac to build the fountain. As there had been filming at the real Piazza Navona, the transition between it and the replica had to be seamless. To present the Santa Maria del Popolo undergoing renovation, a police station in Rome opposite the real church was used for the exterior; the scaffolding would hide that it was not the church. Cameron built the interior of Santa Maria del Popolo on the same set as the recreated Santa Maria della Vittoria to save money; the scaffolding also disguised this. The film's version of Santa Maria della Vittoria was larger than the real one, so it would accommodate the cranes used to film the scene. To film the Pantheon's interior, two aediculae and the tomb of Raphael were rebuilt to scale at a height of , while the rest was greenscreen. Because of the building's symmetrical layout, the filmmakers were able to shoot the whole scene over two days and redress the real side to pretend it was another. The second unit took photographs of the Large Hadron Collider and pasted these in scenes set at CERN.


b