In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: plot : a young man who loves heavy metal music and especially the band steel dragon , to whom he 's devoted a tribute band in which he sings , gets launched into stardom when the real group get rid of their lead singer and call on him to take his place .
critique : i 'm a sucker for movies like this .
a young man with a humble background and lofty dreams , works hard , devotes the time , the energy and the patience , and ultimately hits it big - time .
in the case of this film , our boy loves a certain heavy metal band and as luck would have it ( yup , luck always finds its way into these types of equations , although generally tied very closely to hard work ) , they need a new singer .
his entry and adaptation to the whole " rock ' n roll " lifestyle fills the rest of the film and is really fun to watch .
although i will preface this by saying that one thing that would definitely enhance your appreciation for this film is your own love ( or past love ) of heavy metal music and the whole scene around it .
metal was one of my first loves as a teen and even though the genre of music is n't that prominent anymore , i still check out my motley crue , twisted sister and anthrax cds every now and again .
that 's not to say that you wo n't like this film if you do n't like the music , but the music and live performances from the band , play a big part in the movie , and i for one , had a blast watching and listening to it all .
but the even greater draw in this film is the standout performance given here by mark wahlberg .
wow , hand this fella some major props , as he totally becomes this heavy metal geek / god ( incidentally , metal god was the film 's original title , and a much better one if you ask me ) .
he is this movie and
i was quite taken by his character pretty much the whole way through .
he came off like a regular guy with extremely passionate goals and work ethic , who was willing to do anything in order to fulfill his dreams .
aniston was also surprisingly good as the girlfriend ( and the romance angle between them was sweet ) , but she did n't pull me in hard enough during their emotional scenes .
i was also impressed by some of the " real " musicians who played in the film ( zakk wylde from ozzy osbourne , jeff pilson from dokken , stephan jenkins from third eye blind , blas elias from slaughter ) , but actor dominic west as kirk cuddy made the biggest impression among the band members .
it 's to note that this film was based on a real - life tale of a young man who used to sing in a judas priest cover band and then went on to become their actual singer ( their original singer also admitted to being gay , as in this film ) .
just for the record , i 'm certainly not recommending this film for its originality or surprise elements , since most of this stuff has already been covered in some way or another in other movies , but because it 's a fun , uplifting , well - paced movie with a solid central showing by wahlberg and energetic live performances .
oh yeah ,
and for those who dig the " heavier " side of music , the soundtrack also rocks ! !
you see . . .
dreams can come true .
. .
where 's joblo coming from ? almost famous ( 8/10 ) - blow ( 8/10 ) - boogie nights ( 9/10 ) - detroit rock city ( 8/10 ) - girlfight ( 6/10 ) - goodfellas ( 10/10 )

Output: P


Input: Consider Input: not too many people know who james whale is , but it 's a safe bet that a good chunk of them have seen his movies .
if we are to believe the semi- biographical gods and monsters , whale would have wanted it to be that way .
this is an insightful , haunting exploration of the last days of the frankenstein and bride of frankenstein director , and it is notable for introducing one of the first complicated gay characters in a hollywood movie .
gods and monsters has no interest in being a biopic of whale 's life because it tracks only the final few days of his life , and it 's probably a better movie for it .
it 's focus is on whale 's ( ian mckellen ) untraditional and deceptive lust for heterosexual gardener clayton boone ( brendan fraser ) .
it begins with whale ( a fairly talented artist , aside from being a director ) asking boone to " sit for him ,
" ( pose for a portrait ) .
at first , boone does n't realize that whale is gay and grows fascinated with the old man .
when he does discover whale 's sexual orientation from his dedicated and protective maid ( lynn redgrave ) , he is frightened , refusing to sit for the guy .
but he comes back , only to storm out again , disgusted with whale 's " locker room talk .
" boone returns yet another time , after whale promises to tone down the aforementioned " locker room talk , " and finds their platonic relationship to be strengthening .
meanwhile , jimmy himself is suffering from hallucinations and mental attacks as a result of his stroke not long ago .
his ailment leads to desperation and depression , which build to the point where he is forced to ask boone for an incredulously big favor .
what is perhaps most sensational about gods and monsters is brendan fraser 's bravura performance ; up until seeing this film i intensely disliked the young actor because of his tendency to ruin the movies he is in ( blast from the past , for example ) .
i was surprised how expressive an actor he proved himself to be here .
this is impressive because his character 's dialogue is minimal , with mckellan doing most of the talking .
that requires fraser to act through body language ; a difficult skill to master , but something he proves capable of doing well .
this is not to ignore mckellan 's oscar nominated turn .
he earned that nomination with his touching performance here ( although , at the risk of sounding like a philistine , i would have chosen his performance as the nazi in apt pupil for the nomination ) ; an understated , compelling gem .
whale dreaded being remembered solely for his work in the hollywood horror genre , and he thought hollywood to be the equivalent of a battlefield .
he rejoiced in being free from it , only reluctantly going to receptions with fellow movie people .
in the end , perhaps , it is what killed him : the memories of hollywood and war blending together to form a living nightmare . ?
1999 eugene novikov&#137 ;

Output: P


Input: Consider Input: veteran actor clint eastwood has never looked as grizzled as he does in true crime , his latest directorial effort .
when steve everett ( his newest character ) gets angry at someone , he glares them down with those famous dirty harry eyes , furrows his brow and frowns like a grizzly bear who 's just lost his cubs .
eastwood has played some particularly despicable characters in his time , but everett could just take the cake .
he gets my vote , at least , partly because ` ev ' is a drunken affair - a - week womanizer who has many relationship problems , very few of which are with his wife ( diane venora ) .
when his colleague at the oakland tribune is in an ugly car wreck and dies , everett must take over for her at a vital interview session .
the interview is with frank beacham ( isaiah washington ) , a death - row inmate set to die at midnight for the murder of a pregnant convenience store clerk .
eastwood furrows his brow .
as everett gradually finds information , he realizes that beacham could very well be innocent .
he interviews a key witness ( michael jeter ) , who claims that he burst in the door at pocum 's foods because his car had overheated , only to see beacham standing over the dead woman 's body , blood on his suspenders , gun in hand .
but everett protests
: how could he have seen the gun , which was lowered by his side , with the potato chip rack in front of him ?
jeter does n't know what he 's talking about .
eastwood furrows his brow .
crinkled expressions and all
, clint is the centre of energy of true crime .
the film is by no means a standard action / suspense yarn , but a thoughtful human story in which the characters come before the shoot - outs .
isaiah washington has a break - out performance as frank beacham , and scenes with him and his weary wife ( lisa gay hamilton ) are truly heartfelt moments .
but the best scenes are ones that feature eastwood duking it out with those in authority over him .
denis leary , as everett 's editor and boss , has more than a few memorable moments of restrained anger ( you see , ev is sleeping with his wife ) .
but hands down ,
the most enjoyable segments of the film are when james woods is on camera .
playing the big boss alan mann , woods and eastwood create amusing chemistry and laugh - out - loud punchlines .
when true crime opts for a high - speed chase to the governer 's house at the finale , the quality of film - making takes an abrupt nosedive .
eastwood was so successful with colorful character portraits that he did n't need to switch lanes .
true crime is a tension - building , intriguing drama showcase for the talented director and star .
this is a road block he could have easily dismissed ( i furrow my brow ) . . . . . . . . . . . . . . . . . . . . . . . . . . . .


Output: P