In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Q: ***One Out of Ten Stars*** Because if it was, it gets an F. Holy Mother Mary of God was this bad. I mean, I gave it every reasonable accommodation considering it was a straight to video film, but it let me down at every turn. Like so many other B movies, the basic storyline was decent and the filmmakers seemed to have a reasonable level of resources, but the execution was ridiculous. It's a shame they attached the good name of Halloween to this fiasco.The basic premise surrounds some frat douche bags hosting their annual Halloween haunted house fund raiser, when a satanic spell book shows up out of nowhere and hurls the frat boys into a living hell. Well that's the idea anyway, but instead most of the film is devoted to displaying these frat boy's relationship escapades, abound with an outrageous lesbian subplot. Very little of the actual story is devoted to Halloween or the mysterious spell book. It actually makes me mad that the film makers thought they could get away with making such dribble. The film is essentially about frat boy relationships. This IS NOT what the movie is billed as. I'm tempted to track down the producers and at the very least threaten them with bodily harm. The acting is about as bad as it gets, it's atrocious! The script is unintentionally funny. The cinematography is just plain lazy. The whole film is amateur night. This movie actually makes the SyFy channel movie productions look like masterpieces.The last half hour of the film felt like the film makers realized they weren't producing a soap opera and had to throw in some sort of horror sequences. The evil spell book finally comes into play and turns everyone in the haunted house into the character their dressed up as. I almost feel like crying as I write this review. Wow! I mean wow! This thing was an undecipherable chopped up disaster.

A: negative
****
Q: If you don't mind having your emotions toyed with, then you won't mind this movie. On the other hand, if you enjoy British crime mysteries, following clues and seeing how they all logically fall into place at the end, you'll be very disappointed.Here are some of the logical inconsistencies that lead to that disappointment: * While the police utilize the CCTV cameras early on to gather clues about the mystery, the huge truck that stopped and blocked the children's view just before her disappearance doesn't get caught on camera. This is a critical piece of the mystery. It's inconsistent to have the car the children were in caught on camera and not the big truck that is so critical to the mystery.* The movie goes to great lengths to show the sophistication of the equipment in tracking down the children's movements but misses the opportunity to utilize the same sophisticated equipment is tracking down vehicles that may have entered the crime scene from camera-visible locations adjacent to the crime scene as part of developing clues.* In England, driving is on the left. The director goes out of his way to have the car at the crime scene park on the right, several meters away from the flower kiosk, when it could have easily parked immediately behind, or even on the side; as the huge truck did.* The police forensics team is so meticulous as to find a discarded cell phone in a sewer drain several miles from the scene of the crime, but can't find any blood evidence from the head injury right at the crime scene, even though they secured the scene just hours after the disappearance and with no intervening rainfall.* Search dogs were not used at all to find the missing children; this from the country that is well known for developing the hound dog for search and hunting.* It is illogical that such a highly publicized news story would not turn up the presumably innocent truck driver that stopped at the flower kiosk.* It is illogical that the mother would go to such extremes and expend so much effort to leave carpet fiber clues under her fingernails for her eventual murder investigators even coaxing her daughter to do the same-- while she simply could not have crawled out of the unguarded mobile home. If she had enough sense about her to ask her daughter to get carpet fibers under her nails, she could of just as easily asked her daughter to call out for help or even leave the mobile home that was in a crowded residential park.* The suspect that abducted the little girl was portrayed as mentally slow/dimwitted --justifying his unknowingly drowning of the mother but, he was smart enough not to cooperate with the police and also fully exercise his rights not to self-incriminate.There are more inconsistencies like this that will lead to a true sleuth aficionado's disappointment. 'Five Days' is a very weak British crime story.

A: negative
****
Q: Spoilers.First off, nothing really happened in this movie, other than a woman bleeding inexplicably. Second, it wasn't scary. Third, it had the worst soundtrack of any movie ever. Let me elaborate. The sound was edited by either Beavis or Butthead  I'm not sure which, so let's just go with Beavis. The movie gradually gets more and more quiet and the people mumble and mutter, forcing you to turn up the volume (I watched this at home). Then Beavis blasts some really loud sounds with supposedly scary/shocking images, forcing you to quickly lower the volume again. This occurs many times until, mercifully, the movie ends. I can picture Beavis laughing vulgarly from behind the two-way mirror while watching the test group franticly reaching for the remote each time. If you have children and prefer to watch scary movies after they fall asleep, this one is a big mistake. But then it's a big mistake anyway. Here's a thought  if you're going to make a horror movie, at least add a gratuitous beheading, a 19-year-old blond girl who screams at the top of her lungs just before she can take off her sweater, the shadow on the wall of someone being eaten alive just out of the camera range, a cat being thrown at the camera to scare the audience, some drifty weirdo with a maniacal laugh, or a monster who looks like a stage hand covered in aluminum foil (a la TV's Lost in Space). These people didn't even try to scare me. They just wanted to hurt my ears.

A:
negative
****