In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Input: Consider Input: At a Sunset Boulevard mansion, the body of Joe Gillis floats in the swimming pool. In a flashback, Joe relates the events leading to his death.Six months earlier, down-on-his-luck screenwriter Joe tries selling Paramount Pictures producer Sheldrake on a story he submitted. Script reader Betty Schaefer harshly critiques it in Joe's presence, unaware that he is the author. Later, while fleeing from repossession men seeking his car, Joe turns into the driveway of a seemingly deserted mansion. After concealing the car, he hears a woman calling him, apparently mistaking him for someone else. Ushered in by Max, her butler, Joe recognizes the woman as long-forgotten silent film star Norma Desmond. Learning he is a writer, she asks his opinion of a script she has written for a film about Salome. She plans to play the role herself in a comeback. Joe finds her script abysmal, but flatters her into hiring him as a script doctor.Moved into Norma's mansion at her insistence, Joe resents but gradually accepts his dependent situation. He sees that Norma refuses to face the fact that her fame has evaporated and learns the fan letters she still receives are secretly written by Max, who tells him Norma is subject to depression and has made suicide attempts.Norma lavishes attention on Joe and buys him expensive clothes. At her New Year's Eve party, he discovers he is the only guest and realizes she has fallen in love with him. He tries to let her down gently, but she slaps him and retreats to her room. Joe visits his friend Artie Green to ask about staying at his place. At Artie's party, he again meets Betty, who he learns is Artie's girl. Betty thinks a scene in one of Joe's scripts has potential, but Joe is uninterested. When Joe phones Max to have him pack his things, Max tells him Norma cut her wrists with his razor. Joe returns to Norma.Norma has Max deliver the edited Salome script to her former director, Cecil B. DeMille, at Paramount. She starts getting calls from Paramount executive Gordon Cole, but petulantly refuses to speak to anyone except DeMille. Eventually, she has Max drive her and Joe to Paramount in her 1929 Isotta Fraschini.[4] The older studio employees warmly greet her. DeMille receives her affectionately and treats her with great respect, tactfully evading her questions about Salome. Meanwhile, Max learns that Cole merely wants to rent her unusual car for a film.Preparing for her imagined comeback, Norma undergoes rigorous beauty treatments. Joe secretly works nights at Betty's Paramount office, collaborating on an original screenplay. His moonlighting is found out by Max, who reveals that he was once a respected film director. He discovered Norma as a teenage girl, made her a star and was her first husband. After she divorced him, he found life without her unbearable and abandoned his career to become her servant.Although Betty is engaged to Artie, she and Joe fall in love. Norma discovers a manuscript with Joe's and Betty's names on it. She phones Betty and insinuates what sort of man Joe really is. Joe, overhearing, invites Betty to come see for herself. When she arrives, he pretends he is satisfied being a kept man, but after she tearfully leaves, he packs to return to his old Ohio newspaper job. He disregards Norma's threat to kill herself and the gun she shows him to back it up. He bluntly tells her the public has forgotten her, there will be no comeback, and the fan letters are from Max. As Joe walks away, Norma shoots him three times. He falls into the pool.The flashback ends. The house is filled with police and reporters. Norma, having lost touch with reality, believes the newsreel cameras are there to film Salome. Max and the police play along. Max sets up a scene for her and calls "Action!" As the cameras roll, Norma dramatically descends her grand staircase. She pauses and makes an impromptu speech about how happy she is to be making a film again, ending with: "All right, Mr. DeMille, I'm ready for my close-up."[5]

Output: Question: Who calls action?, Answer: Max


Input: Consider Input: In a bohemian café in the low rent area of San Francisco as many artists, beat poets, and musicians hang around bus boy and waiter Walter Paisley (Dick Miller) wipes up the tables and longs to be part of the world of the bohemian arts in part because he has a crush on Carla (Barboura Morris) an artist who is friendly with the waiter. The cafe is also a place where undercover drug detectives prowl and uptown folks like to rub shoulders with the artists. Walter has no friends and spends his nights alone trying to sculpt in clay with no success until one night he accidentally kills his neighbors cat and in a demented moment of morbid inspiration he covers the cat in clay and takes it to the café where the beat crowd and especially Carla admire his new-found artistic verve and hail him as a new talent. Walter is beset on by his new-found public to create new real pieces and is dumbfounded as to where to start until Lou Raby (Bert Convy) tries to arrest him for possession of Heroin and Walter uses a cooking skillet to initiate a new piece that he covers in clay and takes to the café where his fans hail the piece as fabulous. Walter discovers that he needs to repeat his method of creativity over and again resorting to dispatching an average workman from the lumber yard, and then a young attractive model. When a showing of his art at the café results in the accidental uncovering of the true source of Walters art, he becomes a fugitive pursued by the artists who praised him, and he seeks refuge someplace where no one can follow.

Output: Question: What city does the movie take place in?, Answer: San Francisco


Input: Consider Input: TRIUMPH OF THE WILLThis is a documentary of a three day gathering of the Nazi Party faithful in Nuremberg, Germany, in 1934. The film can be subdivided into a number of sequences documenting arrivals, parades, preparations and speeches. Only one scenethe review of the German cavalryactually involved the German military. Characteristic of all the sequences are beautifully composed shots of Nazi flags and symbols, and of faces of enraptured people. Except during the speeches, there is martial music playing by a military band.[1] An airplane is flying through beautiful clouds, then over the city of Nuremberg, and lands at the airport. Nazi party bigwigs descend, finally Adolf Hitler, and there is a welcoming ceremony.[2] Adolf Hitler enters the city, standing in an open four door Mercedes Benz in a motorcade. Adoring crowds wave and give the Nazi salute, including children, women, uniformed soldiers. A woman hands him a bouquet of flowers while holding up a small child in her other arm. Flags with swastikas are flying or hanging on every street.[3] At a rally in a large indoor venue, the party faithful members hear speeches by a dozen party bigwigs. Only a couple of sound bytes from each are shown, ending with a brief speech by Hitler.[4] Night falls on the city of Nuremberg. There are parades through the old streets by small groups carrying torches. Patriotic songs are sung.[5] Dawn over the city. Aerial views of the quiet streets.[6] At an enormous campground of tents, young adult men are getting up, washing in communal basins. Breakfast is being prepared in enormous vats. They eat and sing and play good natured games, with lots of smiles all around.[7] At the enormous stadium built by the Nazis in Nuremberg, the crowds march in and sit and wait for a speech by Hitler.[8] There is a youth rally at another enormous venue, with another speech by Hitler.[9] Military parades follow. In fields outside the city, motorized and cavalry troups display their equipment in marches and advances. Then various military groups each in a different uniform march through the old part of the city, past the Cathedral. In a square next to the Cathedral Hitler reviews the marching groups.[10] Speech by Hitler to military groups.[11] Night falls again, there are fireworks and parades by torch bearing groups.[12] In another motorcade, Hitler is hailed by the populace. Many observe from windows opening onto the motorcade route. Others hail him after having climbed onto any high place, even up lamp posts.[13] In the same venue of the first speeches, Hitler gives a speech closing the proceedings. This speech, just like all the others documented, have no programs or explanations but are designed to create enthusiasm for a new Germany, united, that can do extraordinary things, that can solve problems and build for a better future, where the ordinary worker is treated with dignity, and all are motivated by patriotic love for the German nation.


Output: Question: What political group is focused on?, Answer: Nazis