Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

[Q]: CONTEXT: The film depends heavily on the events of X-Men 3: The Last Stand. In that film, Wolverine does something he regrets heavily, and it is the basis for his character arc in The Wolverine. So to fully appreciate this film, you should watch X-Men 3. But to fully appreciate X-Men 3, you should see X-Men and X-Men 2, since it's a sequel to those, and a continuation of those stories. You can skip X-Men: First Class, as it has no bearing on The Wolverine. And you should skip X-Men Origins: Wolverine for the many reasons critics described back when it was released (it also doesn't have much bearing on The Wolverine). Alternatively, if you're familiar with the X-Men from the comics, and are aware of some of the key storylines that occurred there, you can read this spoiler to get up to speed: In X-Men 3, Jean Grey is taken over by the Phoenix. She goes on a rampage, allies with Magneto and begins a mutant vs. human war. Wolverine is forced to kill her because she's completely out of control.  <sep>  Q: Can The Wolverine be viewed as a stand-alone film? A: to fully appreciate X-Men 3, you should see X-Men and X-Men 2, since it's a sequel to those, and a continuation of those stories  Q: Will I miss anything if I skip the first movie? A: you should see X-Men and X-Men 2, since it's a sequel to those, and a continuation of those stories  Q: Who are the main actors in this film? A: Wolverine  Q: What should I look for in the second movie? A: a continuation of those stories  <sep> FOLLOWUP_Q: Are there any sequels?
[A]: Yes


[Q]: CONTEXT: I don't have official source or script to draw from. However, my read on that scene is that they were waiting for the humans. The whole nest seems to be in a sort of button-up-and-fortify mode. The most the Vikings sniff of a dragon is the tail that gets whisked out of sight. This is more than likely intentional - note that the eerie sound that continues while the Vikings land and fortify continues right up until they punch the hole. It's a very similar sound to the sound the other Alpha dragons make in the second movie, while exerting dominance or control. The Alpha is holding it's nest on tight guard, possibly to pounce once it feels right. That all seems to go out the window when Stoick signals a fireball launched in. Whether that was just an agressive surprise, or read as some kind of direct challenge, I couldn't say for sure. The dragons in the tunnel though, didn't move until that moment, and it mostly seems to be an action of I'm-getting-the-heck-out-of-the-way as that Alpha decides to muscle out and deal with this personally.  <sep>  Q: Why didn't the dragons leave their lair earlier? A: The Alpha is holding it's nest on tight guard  Q: What is the Alpha and how is it different to the other dragons? A: exerting dominance or control  Q: How do the Alpha dragons exert dominance or control? A: The Alpha is holding it's nest on tight guard, possibly to pounce once it feels right  Q: What else can you tell me about the dragons or their lair? A: The dragons in the tunnel though, didn't move until that moment, and it mostly seems to be an action of I'm-getting-the-heck-out-of-the-way  <sep> FOLLOWUP_Q: I was wondering if the dragons lost their friends?
[A]: Yes


[Q]: CONTEXT: Of course this changes from country to country, but generally speaking it's not illegal to film on the streets, since it's a public area. Most car scenes are recorded with chroma just for pratical reasons. In a professional production you look for "quality" and you can achieve it only if you have control. It's all about control. With a studio setting you get full control of the lights, the movements, etc. in one word, the scene. And of course, you minimize the hitches that can occurs in the real world (also safety concers). However you should film outdoor shots to enrich and give credibility to your scene.  <sep>  Q: Why are most scenes in a car recorded with chroma? A: Most car scenes are recorded with chroma just for pratical reasons  Q: What reasons are those? A: In a professional production you look for "quality" and you can achieve it only if you have control. It's all about control  Q: Is it illegal to film while driving in a public place? A: Of course this changes from country to country, but generally speaking it's not illegal to film on the streets, since it's a public area  <sep> FOLLOWUP_Q: Are there any safety concerns when filming?
[A]:
Yes