In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Example Input: WASTED MY MONEY . What a total hack.  Do people really think this guy has talent?  He is ruining the genre!  Stupid me bought the CD because it seemed to be everywhere...big mistake.  AVOID
Example Output: NEG

Example Input: MA-AN!  Too much talent for the spoiled youth to bear... . I have good instincts, folks.  Just like all of you who've already givin' this a glowing review.  I checked this out from the library a few days ago and was immediately FLOORED.  So much so that I'm thinking about not reteurning it; telling them I lost it an' just paying for it.  I'm amazed at the gracefulness that comes across when you put together two so distinct an' so DIFFERENT voices.  Louis' scratchy, gruff, yet likeable an' melodic croon an' Ella's smooth-as-silk, soothing an' intoxicating voice incredibly, to me, go PERFECTLY on these duets here.  From that first opener 'Let's Call the Whole Thing off', done so sly an' flirtatious on both parts, to 'Gee, Baby, Ain't I Good to You' to the ever-engaging 'Autumn in New York' and 'Stars Fell on Alabama' one of the GREATEST standards EVER written ("And in the center just you and me, My heart beat like a hammer, My arms wound around you tight, And stars fell on Alabama last night").  THAT is what romance is, kiddies!  Oh, an' I can't forget 'Summertime'.  Ahhh, yes, 'Summertime', with that opening trumpet that tugs at your heart strings and makes you wish for days of love, happiness, sunlights an' flowers; a world of beauty that should never be taken for granted.  Yeah, I know what you're thinkin'; "there he goes, layin' it on thick again."  Well, I can't help it.  In a time filled with the most repugnant excuses for music I've ever heard in all my soon-to-be twenty-five years, it is a shining gift that this music has been preserved for us who TRULY appreciate talent and genius.  There's no show-boating here, no bone-headed braggadocio, no studio gimmicks.  THIS is what music is.
Example Output: POS

Example Input: A fantastic set of music . This is a hard swinging Blue Note session from the late 50's. It features a classic line up of Clark on piano, John Coltrane on tenor, Curtis Fuller on trombone, Donald Byrd on trumpet, Paul Chambers on bass, and Art Taylor  on drums. All of the artists are comfortable in the session and no one  musician dominates the set. The selections are arranged as to give everyone  room to stretch and explore the collection of standards and Clark  originals. Sonny's light, nimble touch is on display throughout the  session. His solos are well worth listening to several times and swing on  each track. Curtis Fuller has a warm, tender solo on the standard Come Rain  Or Come Shine, and Coltrane shines on Speak Low. Everyone gets room to blow  on the uptempo opening track, With a Song in My Heart, with Byrd's bright  brassy trumpet leading the way. Finally, Clark's compositional skills shine  thru on the classic that closes the set, News For Lulu. This is another  great Blue Note &quot;Connoisseur&quot; reissue of a &quot;lost  classic&quot;, it gets one star automatically for putting all of the  alternates at the end of the album instead of stringing them behind the  master takes. I recommend this set as a classic straight ahead swinging  hard bop date, especially to fans of the &quot;Blue Note sound&quot
Example Output:
POS