instruction:
Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.
question:
CONTEXT: The implication is that the inmates are potentially violent and presumably the biggest danger from unarmed but psychotic patients is biting/scratching/gouging at the face and eyes. Clearly the protection is deliberately crude and underlines the primitive and brutal conditions in that setting in a way that more refined protection might not. You could also speculate that the head cages reflect the appearance of the barred cells and by placing them on the guard's heads it is a metaphor for the idea that the inmates are prisoners of their own madness. Equally by obscuring the guards faces with a crude and claustrophobic cage they are somewhat dehumanised and more like automata than medical staff. Indeed the whole visual style of the film uses a lot of elements which evoke stylized dreamlike of hallucinogenic states which confuse individual sense of identity and many of the characters are driven by some sort of obsession and it is implied that Dr Seward is as much a prisoner of his work as the peopel he treats (or at least studies).  <sep>  Q: Why are the asylum guards wearing cages on their heads? A: The implication is that the inmates are potentially violent and presumably the biggest danger from unarmed but psychotic patients is biting/scratching/gouging at the face and eyes 
answer:
was there any other types of protection?


question:
CONTEXT: The source material is essentially a recollection of a life lived by an individual on his death bed. We are seeing these things through the lens of memory, so it is meant to be an almost first person account. There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality. That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story. I won't comment on whether it was successful. The closest thing I can think at this moment that has this sort of movement might be in Wes Anderson movies where suddenly the naturalistic feel is broken in favor of a staged play: the Zissou movie and "Moonrise Kingdom" both take similar but more obvious breaks from naturalism.  <sep>  Q: Why is the audience sliding around in this scene from Le Temps retrouvé? A: We are seeing these things through the lens of memory, so it is meant to be an almost first person account 
answer:
A first person account of what exactly?


question:
CONTEXT: Because it provides a point of empathy and connection to the victims for the audience If we get to know them, even a little, before they become victims, it adds to the tragedy of the story. These are ordinary people, just going about their day, each, in the examples you gave, with reasons to celebrate or just be happy with their lives. Without that connection to the audience, they just become, if you will, just random victims...and the impact of the event would be lessened. Also, remember these are real people being portrayed and we do see their final stories at the end of the movie...another point of connection.  <sep>  Q: What is the significance of showing victims even before the attacks? A: Because it provides a point of empathy and connection to the victims for the audience 
answer:

What movies does this occur in?