In this task, you will use your knowledge about language (and common sense) to determine what element the marked number refers to. The numbers are marked with two underlines around them, like: _ number _. There are several possible answers, you'll need to choose the proper one. Carefully read the given text, pay special attention to the marked number, think about what (unwritten) information the marked number holds inside, choose the most adequate word(s) from the optional answers. If none of them seems right to you, there's also an option for other. If your answer is "REFERENCE", also write the reference entity, otherwise write the implicit option name. Options to choose from are:
REFERENCE: Some object which is being mentioned in the text before or after the target number. The reference answer has a higher priority than any other. If both Reference and another answer are possible, prioritize the Reference.
YEAR: Describing a calendric year
AGE: Describing someone's age
CURRENCY: Reference to some monetary value e.g dollar, euro etc.
PEOPLE: Describing a single/plural persons
TIME: Describing a time of the day. Usually you can add the word o'clock after those numbers.
OTHER: Some other option, which isn't listed here.

Ex Input:
Boxman:  Preflight , kid : money ?
Razor: Yeah , I got some .
Boxman: Prophylactics ?
Razor: I got _ two _ !
Boxman: Oh yeah ? I always carry twenty - six myself . That 's not a joke !

Ex Output:
REFERENCE Prophylactics


Ex Input:
The Doctor:  Never eat pears . They 're too squishy and they always make your chin wet . That _ one _ 's quite important , write it down .

Ex Output:
OTHER


Ex Input:
E.B. Farnum:  Antemeridian constitutional , Mr. Russell ? Or will we roll the bones again ?
Otis Russell: It must cost you sleep . The guests you drive off , the chances of thievin ' and bilkin ' you lose , needing to rub against your betters .
Seth Bullock: You and I are gon na talk .
Otis Russell: You do n't account for my preferences , Mr. Bullock ?
Seth Bullock: I will beat you here in the street .
Otis Russell: First - rate thinking . My daughter 's agent beats her father in the street . How better to condemn Alma to deepened suspicion as to her role in her husband 's violent death , and widen suspicion to include yourself ? Shoot craps , Mr. Bullock ?
E.B. Farnum: I know what 's in the till .
Otis Russell: Were you bullied , Mr. Bullock , when young and incapable ? And now you see wrongs everywhere and bullying you feel called to remedy ? Ten , lay due .
Eddie Sawyer: New shooter , comin ' out .
Otis Russell: The bully who oppressed your youth is n't at the table with us . Perhaps he 's long dead .
Eddie Sawyer: Eight , point is eight .
Otis Russell: If you would view the present with more clarity , perhaps you 'd recognize that I 'm not victimizing my daughter but merely asking for a small portion of the ample proceeds from her vein .
Eddie Sawyer: _ Seven _ out .
Otis Russell: Alma is hurt only in your particular view of things . Ten again , lay due . And while I 'll sign no guarantee not to return , or against any future claim on her compassion , realize I do hate it here . And if you inhale and expel pure righteousness , my olfactories are keen to the smell of shit .
Eddie Sawyer: Six , the point is six .
Otis Russell: Having heard all that , and knowing , as you must , the injudiciousness of making an enemy of a man who could testify truthfully that five minutes before her marriage , he heard his daughter wish her prospective husband dead , and who wo n't shrink from lying as to what she admitted to him on his arrival in this cesspool as to her complicity in her husband 's murder ... I suppose you 'd best take your swing .
Eddie Sawyer: Gentlemen , watch the felt .
Sol Star: Seth ! Seth ! Seth !
Seth Bullock: All right . Leave this this camp , and draw a map for anyone who wants to believe your fuckin ' lies . Anyone who wants to put your daughter or her holdings in jeopardy , you show 'em how to get here . And you tell 'em I 'll be waiting .

Ex Output:

REFERENCE point