In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Input: Consider Input: Question: When was the critic who coined the term "rockumentaries" born? Passage 1:Payton's big break came when she was cast as Harriet Winslow, the elevator operator on the ABC sitcom 'Perfect Strangers in 1987. Her performance was so well received by audiences that she was given her own sitcom, Family Matters, in 1989. Continuing her character Harriette Winslow from Perfect Strangers, she played a mother in an African-American middle-class family living in Chicago, Illinois. Payton left Family Matters partway through its final season, appearing for the last time on December 19, 1997. Payton's character was played by Judyann Elder in the show's remaining eight episodes. In 2002, Payton appeared on the "TV Moms" episode of the Anne Robinson version of The Weakest Link, and was the third one voted off. In 2003, Payton and her daughter appeared on a Mother's Day episode of Lingo, playing against fellow TV mom Meredith Baxter and her daughter. Baxter and her daughter won. In 2005, Jo Marie Payton provided the voice of Suga Mama in The Proud Family Movie. Her other television credits include Desperate Housewives, Reba, Girlfriends, Wanda at Large, Judging Amy, The Parkers, Will & Grace, The Hughleys, 7th Heaven, Moesha, The Jamie Foxx Show, 227, Silver Spoons, Small Wonder and The New Odd Couple. She also appeared in the Canadian TV mini series The Rev as Mama. In 2005, Payton co-hosted the 15th Annual NAACP Theatre Awards with Glynn Turman. In August 2009, Payton appeared on Meet the Browns as Shirley Van Owen. Payton recently hosted her own show on the Hometeam Network, Second Chance with Jomarie Payton. In 2012, Payton was in the GMC TV movie special From This Day Forward.
 Passage 2:In 1543, Europeans reached Japan for the first time when a junk belonging to the Chinese wokou pirate lord Wang Zhi carrying Portuguese traders shipwrecked on Tanegashima. The Portuguese introduced the arquebus to the Japanese during this chance encounter, which gave the Japanese, undergoing the bloody Sengoku period at the time, a powerful weapon with which they conducted their internecine wars. The discovery of Japan was attractive to Portuguese merchants and missionaries alike, for it gave the merchants a new market to trade their goods, and the Jesuit missionaries eyed Japan for new converts into Christianity. The warlords of Kyushu vied to get the Portuguese carrack (called the black ship by the Japanese) into their harbours, since the ship also brought considerable wealth to their fiefdoms in addition to the guns.
 Passage 3:Roger Ebert of the Chicago Sun-Times gave the film three stars out of four and wrote that "the musical scenes are the best rock coverage since 'Woodstock.' The sound is first rate, for one thing, and director Pierre Adidge has some idea of why Cocker electrifies a crowd." Vincent Canby of The New York Times called the film a "most satisfying, record-album of a movie" which "patronizes neither its audience nor its stars ... It is uncluttered, one of the best concert films so far." A review in Variety said, "Considerable technical expertise has gone into this production, and though the objective may be clear, it just hasn't turned out to be another 'Woodstock,' possibly because Joe Cocker's personality isn't all that endearing." Gene Siskel of the Chicago Tribune rated the film three stars out of four and wrote, "'Mad Dogs' is distinguishable from other 'rockumentaries' because it deals almost exclusively with the musician and his music. There are few side trips to cultural comments." Robert Hilburn of the Los Angeles Times stated, "As a film, 'Mad Dogs and Englishmen' is a good concert. For much of the picture's 114 minutes, the camera is on Joe Cocker, by most standards the best and most exciting singer in rock music ... But 'Mad Dogs and Englishmen,' unfortunately, fails in the end to rise above this interesting, but clearly limited historical summary of the Cocker tour. As a film, it doesn't establish its own importance." A negative review by Tom Zito of The Washington Post advised readers to "Forget the film and try the record," explaining, "What emerges from all this is roughly two hours of footage that looks terrible on the screen and sounds almost as bad. The film is projected in an annoying square format, except for the moments when the screen area is broken up into some poorly coordinated split-screen effects. The camerawork is often sloppy ... the whole thing winds up looking and sounding like a cheap, imitation (indoor) 'Woodstock.'" James D. White of The Monthly Film Bulletin declared that "The music itself is excellent," but "The film's information content is minimal; and one's heart sinks as the screen is split into a double image for the first number and as the mandatory shots—of excited fans, of joint-rolling in a hotel bedroom, of an interview with a vacuous groupie—are inevitably wheeled out."


Output: 3


Input: Consider Input: Question: How many teams were in Ligue 1 when Lucau made his first team debut with Paris Saint-Germain FC? Passage 1:"Look Out Cleveland" is the title of the Robbie Robertson-written song on The Band's self-titled album, also known as The Brown Album. The song begins with a boogie-woogie blues riff by pianist Richard Manuel followed by lead singer Rick Danko warning -- "Look out Cleveland, storm is coming through, And it’s runnin’ right up on you". However the Cleveland referenced in the song is not Cleveland, Ohio but likely Cleveland, Texas, a suburb of Houston which is also mentioned in the chorus -- "Look out, Houston, there’ll be thunder on the hill...". "Look Out Cleveland" differs from most of the songs on The Band's first two albums in that is more influenced by urban blues music than by rural music. According to music critic Nick DeRiso, Elton John's early song "Take Me to the Pilot" appears to be influenced by this song.
 Passage 2:Ferrell's biography follows the course of Truman's life from his birth in 1884 in Lamar, Missouri to his 1972 death and burial at the Truman Library in Independence. The first five chapters examine his service as a captain in World War I, his pre-politics careers in banking, farming, and a failed run as a haberdasher which ended in bankruptcy, and marriage to Bess Truman in 1919. Chapters six to eight look at his early political career, launched by Kansas City boss Tom Pendergast, beginning with his election as a county judge in 1922, then senator in 1934, and in 1944, vice president to Franklin Roosevelt, in a behind-the-scenes compromise Ferrell calls "the most extraordinary political arrangement of the present century"—Democratic Party leaders could see that the extremely ill Roosevelt was unlikely to survive his fourth term in office, and had to convince him to drop then-VP Henry Wallace in favor of Truman, who was felt to be a more "reliable" man. Truman ascended to the presidency upon Roosevelt's death in 1945, and this period in Truman's life is covered in chapters nine to 17—the majority of the book—including Truman's decision to detonate atomic weapons on Hiroshima and Nagasaki to force an end to World War Two, his unexpectedly successful reelection in 1948, his civil-rights initiatives, and his administration's handling of foreign-policy issues, most prominently the Korean War.
 Passage 3:He began his 1997 career with Levallois SC and joined in summer 1999 to PSG. In January 2003 was promoted to Paris Saint-Germain and played in his first professional season 3 games in the Ligue 1. After his first senior year with PSG left Lucau his club and signed for Le Mans. He played for Le Mans Union Club 72 64 games in the Ligue 1 and Ligue 2 before signed for CS Sedan Ardennes in summer 2007. Lucau joined than on 1 January 2009 on a six month loan from his club CS Sedan to LB Châteauroux. He played in the second half of the 2008/2009 season only four games for LB Châteauroux in the Ligue 2 and returned to CS Sedan Ardennes. After his return played for his club CS Sedan Ardennes just 3 games and was in summer 2010 released from his club. On 28 October 2010 after three months as Free agent signed a one year contract with SR Colmar.


Output: 3


Input: Consider Input: Question: Did the singer that Fowley publicized in the mid-1960s ever get married? Passage 1:During the mid-1960s, Fowley publicized/consulted singer P.J. Proby and relocated for a time to London, England. Fowley wrote the lyrics for the song "Portobello Road", the B-side of Cat Stevens' first single, "I Love My Dog". He produced a Them spin-off band led by two ex-Them members, brothers Pat and Jackie McAuley (who were only allowed to use the band name Other Them in the UK, but called themselves Them on the European continent, releasing an album called Them Belfast Gypsies and a single "Let's Freak Out" under the name Freaks of Nature); an early incarnation of Slade known as the N'Betweens; Soft Machine (he produced "Love Makes Sweet Music", their first single); and the Lancasters, an instrumental rock group featuring a young Ritchie Blackmore. He worked with an up-and-coming band, the Farinas, and renamed them "Family". 
 Passage 2:The song ranked in music charts even before its official release. The song peaked at #52 on the Billboard US Hot 100 and #54 on the Billboard Pop 100. Although the song is the band's first charting single on Modern Rock Tracks to not reach the #1 spot since "Pts.Of.Athrty" in 2002 stalled at #29, it did however hold the #2 spot on the chart for nine consecutive weeks then got replaced by Three Days Grace's Never Too Late at the #2 spot, being held off from the #1 spot by Foo Fighters' "The Pretender". It also reached #3 on the Mainstream Rock Tracks charts. In the UK, it debuted and peaked at #29. It made the top thirty in Australia, Canada, Poland and Israel. To date, it has been less successful than its predecessor "What I've Done" that debuted at #1 on the Modern Rock Tracks chart and the following single "Shadow of the Day" where both singles charted higher. However, it has peaked higher than "What I've Done" in the New Zealand Singles Chart (#7) and Belgian Singles Chart (#22). Additionally, it was more successful on the Mainstream Rock Tracks and the Modern Rock Tracks chart than the other singles from Minutes to Midnight staying at 36 weeks on the Modern Rock Tracks chart making it their third most successful single behind In The End (44 weeks) and Faint (37 weeks) on the rock charts.
 Passage 3:He was born in Sunbury to grazier William John Clarke and Janet Marion Snodgrass. His grandfather William John Turner Clarke had been an early member of the Victorian Parliament, while his father Sir William Clarke had also served in the parliament. His brothers Sir Rupert Clarke and Russell Clarke and nephew Michael Clarke were also MPs. Frank Clarke attended Scotch College, the University of Melbourne, and Oxford University, becoming a grazier with widespread properties. On 24 July 1901 he married Nina Ellis Cotton, with whom he had six children. In 1913 he was elected to the Victorian Legislative Council as a non-Labor member for Northern Province. He was Minister of Lands from 1917 to 1919, Minister of Water Supply from 1917 to 1921, and Minister of Public Works from 1919 to 1923. In 1923 he left the ministry and was elected President of the Victorian Legislative Council, a position he held for the next twenty years. During this time he changed provinces twice, to Melbourne South in 1925 and Monash in 1937. During his time in parliament he was a member of the Nationalist, United Australia, Liberal and Liberal and Country parties. He was knighted in 1926. Clarke died at South Yarra in 1955.



Output: 1