In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Ex Input:
A story of amazing disinterest kills "The Psychic" over and over again. The characters and plot are completely uninteresting (as is Fulci's mad camera work, which is usually a redeeming factor in his films), and any grasp of suspense is nowhere to be found. It's padded out to an insufferable degree--by the end, you won't be clamoring with excitement but stricken with boredom (and, like me, maybe an uncontrollable urge to fall asleep). Jennifer O'Neill's performance deserves occupancy in a better movie. Fulci gorehounds beware--there's just not much going on in "The Psychic."3/10

Ex Output:
negative


Ex Input:
I'm sure this was one of those "WOAH!" attractions in 1982 when Epcot opened, but now it's just silly. The film's message is cliché. The Circle-Vision is disorienting. And that awful song at the end is grating. And I really wish they'd install seats. After so much walking, all you want to do is sit down for a few minutes. And when you hear there's a film to see it sounds pretty glamorous! You get entertained while sitting down, right? WRONG! You're standing there for 18+ minutes leaning against a short little railing. Disney should make a newer Maelstrom like attraction to liven things up and replace this dull, lackluster film. NOT FUN. Skip it. In fact, skip Canada altogether unless you're eating there. Move directly to the United Kingdom.

Ex Output:
negative


Ex Input:
Watched this as a late TV movie last night purely by chance. The blurb for the film said something to the effect of mother stays with daughter and goes on romantic journey, as I tuned in there's the carpenter hard at work on a new conservatory - played by Daniel Craig no less - so the plot was immediately apparent.It turns out that eponymous mother's carpenter love interest is also the daughter's boyfriend, so there's trouble brewing and not too many surprises. But I'd been caught by Anne Reid's compelling performance and I was hooked. The direction allows her plenty of space for staring into mirrors and adjusting scarves, when she exudes sadness.The sex scenes were fascinating and taboo-breaking. Shouldn't older women's bodies remain covered up? Not here and we're treated to a delicious reawakening in the Mother's sexuality. Even more startling are the drawings she's made that (SPOILER!) once discovered confirm her daughter's suspicion that something's going on here.Cathryn Bradshaw as the daughter didn't convince me quite as much as the rest of the cast, but that could be me. With her waves of pre-Raph locks I kept expecting to see Julia Sawahla, whose more intense face would have suited the confrontations better to my mind. Bradshaw has a rounder happier face that didn't carry the anger that emerges as the film progresses.The ending is weak. If the goodbyes for Mother as she leaves in disgrace are so indifferent then perhaps we could see some close-ups of those waving goodbye and see something of their individual reasons. Whatever she's done, she's a recently bereaved widow leaving for the lonely home she shared with her husband for 30 years, and I found the lack of sympathy jarring. For a film so full of emotion (and be warned it's like opening champagne, you'll never get the lid back on) the ending is a cold contradiction.

Ex Output:

positive