In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: in some regards , making a movie is like trying to stretch a rubber band as far as you can without breaking it .
try too hard , and it snaps ; but too much reservation means someone else will come along and pull it farther .
in simon birch , director mark steven johnson shows us just how to master the technique
: he takes advantage of caution and poise , but also risks his movie with a few bold steps .
in the end , he 's not only holding an unbroken band , but
he makes the audience appreciate the lengths he went to direct such a fine feature .
there 's no doubt about it : the film that johnson has crafted is rich .
he chooses for his setting the quaint town of gravestown , maine - leaves turn bright orange in the fall , the grass is a lush green , pure white snow falls in the winter , and the sky goes on forever .
the characters continue that turn : our two leads are simon birch ( ian michael smith ) and joe wenteworth ( joseph mazzello ) .
simon is the smallest baby ever born within the records of the local hospital , and by age twelve he 's only two feet tall .
joe is the bastard son of rebecca ( ashley judd ) , and by age twelve he 's ready to know who is father
is .
naturally , the two outcasts become good friends and share many adventures together , from disrupting sunday school to doing community service to playing little league baseball .
in a wonderfully executed performance by ian michael smith , simon birch is convinced that he 's god 's instrument , and there must be a reason he 's so small .
joe does n't quite buy it , but he sticks by simon ; the two tough it out through the worst of times and are each other 's only true friends .
early on , the two meet up with ben goodrich ( oliver platt ) , rebecca 's new boyfriend , and although the bond is n't immediate , ben and the two boys develop a liking for each other . both platt and judd give solid performances that lend their characters a deep likeability
.
the audience cares about them as much as they do about joe and simon , a testament to the acting jobs of both .
finally , jim carrey gives a cameo as the adult joe in the present day , and his few minutes here are relatively more impressive than his entire performance in the truman show .
mark steven johnson 's sense of drama and writing is fantastic
.
the script is loosely based on john irving 's novel , a prayer for owen meany , but it 's so far off the source material that irving actually requested the credits be changed from ' based on ' to ' suggested by . ' along those same lines , it 's almost unfitting to compare the two ; johnson uses tension , humor , atmosphere , and suspense to create an original drama of forrest gumpian proportions .
by no means has he developed a project of similar popularity - gump made over 300 million dollars while birch ought to pass out of sight in a few weeks - but the winning idea remains the same .
simon birch is a different look at a different life , and one that will most likely be studied in film school classes in decades to come
.
in the present , however , it 's an enjoyable little picture that everyone ought to take a look at .

Output: P


Input: Consider Input: the spy game is up .
you can thank charlie 's angels -- the movie -- for that .
when did banality and pandering become okay ?
just steal from hong kong , the matrix , and a kitschy tv show from the mid-1970s and that 's a movie ?
charlie 's angels is one of the worst examples of action film homogeneity and shameless duplicity in any film i 've seen in ages .
charlie 's angels is dumb .
just plain dumb .
as we all know , three of the hottest females on the planet -- drew barrymore , cameron diaz , and lucy liu -- are three super - agents working for the mysterious millionaire named charlie .
they all drive fast cars , look oh - so - fabulous even in the morning , and do n't seem to get a scratch even when fighting armed men , having buildings explode ten feet in front of them , or flying through the air in matrix slow - motion . and while the entourage spends 90 minutes romping around in cleavage - busting wetsuits , cleavage - busting waitress uniforms , and cleavage - busting wet t - shirts , they scarcely succeed in resembling so much as a group of annoying , drunk sorority girls , the kind who hit on everybody at a party .
the actual plot revolves around the ridiculous story of a millionaire computer engineer -- the great sam rockwell -- who gets kidnapped by a mysterious rival computer company .
of course , the rival wants control of his new personal identification system , which involves such latter - day buzzwords as gps , cellular tracking , and even mainframe .
the amazing crispin glover lends his acting chops as a crazed henchmen involved in all the nasty things that happen to the angels -- like battling each of them in many round - robin matrix rip - off ( again ) fight sequences and harboring a strange attraction to sliced - off locks of the angels ' hair .
the coup de grace is bill murray as bosley , serving as charlie 's manservant , or , more to the point , the angels ' pimp .
the rest of the movie comprises a revenge arc , enough costume changes to fill three productions of les miserables , carbon - copy fight sequences
that would lend credible evidence to a jackie chan and the wachowski brothers lawsuit for intellectual property theft , and the strange transformation of sam rockwell into mickey rourke 's long - lost brother .
charlie 's angels starts off with a bang and ends up being a soggy burrito left out overnight
.
nothing is difficult , plausible , or believable in any of the angels ' actions .
it feels like the matrix , mission : impossible 2 , and cleopatra jones and the casino of gold all rolled into one .
diaz is a knucklehead .
barrymore is the " dangerous one , " mean and tough and about as believable as katie holmes in the role .
liu is just . . .
lucy liu , looking good in a skin - tight black leather suit .
the list of movies from which charlie 's angels is directly lifted is equally astonishing .
the writers apparently ran the copier all night stealing scenes from armageddon , lethal weapon ii , all of jackie chan 's movies , the great escape , saturday night fever , revenge of the nerds , payback , darkman , dr .
no , the matrix ( as mentioned ) , and even tv 's friends .
it 's a shame , too , because one of the many screenwriters , john august , was at the helm of last year 's favorite , go .
then again , what can you expect from a director known solely as " mcg .
" there is no camp value in the film , no interesting main characters , no invigorating action scenes , no reason at all to waste your time
except to ogle the hot chicks and enjoy the performances of a few supporting players .
note to hollywood :
next time , let 's leave the tv shows on the tv .

Output: N


Input: Consider Input: this summer , one of the most racially charged novels in john grisham 's series , a time to kill , was made into a major motion picture .
on january 3 of this year , director rob reiner basically re - released the film under the title of ghosts of mississippi .
based on the true story of 1963 civil rights leader medgar evars ' assassination , ghosts of mississippi revolves around the 25-year legal battle faced by myrlie evars ( whoopi goldberg , sister act ) and her quest to have her husband 's obvious assassin and racist byron
de la beckwith ( james woods , casino ) jailed .
so she turns to assistant district attorney and prosecutor bobby delaughter ( alec baldwin , heaven 's prisoners ) to imprison the former kkk member .
ghosts sets its tone with an opening montage of images from african - american history , from slave - ship miseries to life in the racist south of the 1960 's .
but all too soon , the white folks take over , intoning lines like " what 's america got to do with anything ?
this is mississippi !
" as beckwith , james woods , with his head larded with latex most of the time as an old man , teeters between portraying evil and its character .
meanwhile , goldberg turns in a very serious and weepy performance as the wife who would n't let her husband 's death rest until she got the conviction .
both deserve serious oscar - consideration .
this brings us to the dull performance of baldwin .
let 's face it , trying to match matthew mcconaughey 's wonderful acting in a time to kill is basically impossible .
and baldwin is living proof of this , as no emotions could be felt .
it seemed as if he actually had to struggle to shed a single tear .
either poor acting or poor directing , but something definitely went wrong .
another strange mishap was the fact that goldberg 's facial features did n't change , as she looked the same in the courtroom as she did holding her husband 's dead body 25-years earlier .
yet woods ' was plastered with enough make up to make him look like goldberg 's father .
at least the make - up was realistic .
with some emotional moments in the poorly written script , ghosts of mississippi lacked in heart , when its predecessor , a time to kill , brought tears to everyone 's eyes .
do n't get me wrong , the movie was n't all that bad , but if you 've seen grisham 's masterpiece , then do n't expect this one to be an excellent film . ,


Output: P