In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
what would inspire someone who can not write or act to pen and star in a movie ?
a better question , what would inspire a studio to produce said movie ? if you have an answer , let me know .
foolish , the new movie written by and starring master p is a jaw - droppingly horrible film , one with no redeeming value
socially , cinematically or otherwise .
comedically it has some potential , but only in its stand - up comedy moments , which i can turn on comedy central for .
master p stars as fifty dollah '
( beat that ! )
as a mobster ( i think ) who is trying to start a comedy club / act with his little brother foolish ( eddie griffin ) .
but the two of them have to deal with an angry mob boss ( played by andrew dice clay , for the very first time entertaining ) , a stubborn club owner and family problems ( the latter in foolish is a perfect example of roger ebert 's " idiot plot ,
" if everyone here was n't an idiot , there would be no problem ) so what does foolish have to offer beside a bunch of idiotic character names ?
not a hell of a lot .
as i have mentioned , master p can not act or write
.
he acts like the rapper that he is .
the occasional despair that his script requires him to exhibit is excruciatingly forced , as are his warm and fuzzy scenes with his little bro .
as for his script -- well , i suppose he delivers what one would expect from a musical artist with no previous screenwriting experience .
if you have n't yet figured it out , that is not saying much .
co - star eddie griffin ( really the star of the show ) is quite a different story .
the fact of the matter is that griffin , whose most significant screen outing to date is probably the mildly successful tv show malcolm and eddie on the fledgling upn network , is an extremely talented comedian , stand - up and otherwise .
he has much in common with chris tucker ( rush hour , money talks ) in how quickly and effortlessly his speech flows from his lips .
he spouts profanity with impressive dexterity ( to the extent which that can be done ) , and
while i hope that does not become his trademark it works in a few scenes in this movie .
and indeed , i laughed at a few stand - up scenes here , but from a feature - length movie i expect more .
foolish provided me with no reason to care for these characters .
every scene which has any potential for dramatic impact is effectively diffused by either a stupid joke ( in a scene where tension escalates between the two brothers , foolish blurts out towards his jewelry - sporting sibling " you lay one hand on me and this cemetary is going to be a gold rush " ) or something even more idiotic such as foolish smashing his own car ( to which i said , a bit too loudly for the occasion
" huh ?
" ) after getting slightly upset with his wife . believe me when i say that there is nothing in foolish that warrants parting with your hard - earned $ 8 .
you 'll get more laughs from watching 30 minutes of comedy central or any virtually any sitcom if you do n't have cable .
eddie griffin fans may enjoy this derivative ( although offensive ) yarn , but everyone else should stay the hell away . & # 137 ;

Ex Output:
N


Ex Input:
much ado about nothing .
ah , how sweet the irony !
it 's accepted wisdom in some circles - among english literature nuts , mainly - that whenever a critic knocks shakespeare they are only doing so through ignorance .
he just does n't " understand " shakespeare , you will hear them say .
the bard 's work is apparently beyond criticism .
what a load of old cobblers .
if these arbiters of public taste think kenneth branaugh 's film of shakespeare 's " comedy " much ado about nothing is comedy in any modern sense of the word
, it 's time to get a life .
get monty python .
get woody allen .
get john waters .
whatever .
just get a real taste of some clever , witty , risky comedy . and banish this nonsense
to where it belongs .
drama and tragedy was shakespeare 's strength .
to my sensibilities - and i 'm no stick in the mud - much ado about nothing resonates with no spark whatsoever .
no kidding : this film ranks among the most embarrassing two hours i have ever spent in a cinema in my 20 years of movie going .
the only thing that stopped me walking out was loyalty to my lady friend , as this was our day out
and i had n't seen her in ages .
but boy , does she owe me one !
i wo n't spend too much time on the plot .
basically , we follow the trials and tribulations of two would - be couples - one young , the other older .
there 's some dark treachery amongst all this , but everyone is so awfully jolly that you 'd hardly know it .
mind you , there 's nothing wrong with the basic story .
good romantic comedies based on similar premises abound .
nothing wrong with most of the cast , either .
branaugh , emma thompson and denzel washington are all talented performers .
the problem is the script , or more accurately , shakespeare 's original text .
light comedy should n't be complex .
yet wrapped in elizabethan english , the dialogue becomes difficult to comprehend .
for this alone it will be a problem for modern audiences unschooled in shakespeare and in search of nothing more than a good , undemanding laugh .
the only laughs to escape my belly were brought on by the gloriously inept performance of keanu reeves , the actor once again miscast as a jealous half - brother or something .
but when dissected and understood , what it all boils down to is that this stuff is just so goddamn lame .
this is comedy so clean and nice and corny and so devoid of danger that it leaves this viewer
totally cold .
ho , ho ,
ho ,
boy likes girl !
ho ,
ho ,
ho , men are such klutzes !
ho ,
ho ,
ho ,
she 's so awfully clumsy !
oh please !
there 's wit in here somewhere , i 'm told .
i call it pretentious
.
something lightweight striving to be something sophisticated through clever wordplay .
in the end , it 's cringeworthy .
watching some of the cinema patrons around me collapse with laughter made much ado about nothing a very weird movie going experience .
comedy ?
bah , humbug !

Ex Output:
N


Ex Input:
nosferatu the vampyre ( germany 1979 )
a film review by mike watson copyright 1999
mike watson
this extraordinary re - telling of bram stoker 's " dracula " by german filmmaker werner herzog deserves the most prominent of places in cinematic vampire lore .
inspired by f .
w .
murnau 's 1922 silent film of the same name
, herzog 's film is a work of exquisite bleakness , an oddly touching tragedy with a beautiful and uniquely haunting quality that lingers long afterwards .
the original full - length english and german language versions of nosferatu have at last received a video release by u . s .
distributor anchor bay entertainment , and in gorgeous widescreen prints .
until now only a shortened english language version of the film was available on video , and only in europe .
both of these re - releases restore the film to its full length , but viewers should still be wary of the english version due to its often stilted dialogue .
apparently the english dialogue coach herzog had on the set during filming was incompetent , and some of the voices also seem to be dubbed .
the german version with english subtitles remains the definitive one .
everyone knows the story of dracula .
or do they ?
his story has been so bastardised on film over the years that a brief reminder of the basic plot certainly wo n't hurt .
jonathan harker is a young lawyer sent to the gloomy castle dracula in transylvania to do business with a creepy count ( played by klaus kinski ) who wants to buy a house in harker 's hometown .
upon seeing a photo of harker 's wife ( the radiant isabelle adjani ) he instantly falls in love with her .
locking harker up in his castle , he sets off on a long journey to meet this woman whose beauty so bewitches him . upon divining his identity as a vampire , adjani seduces the count and lures him to his death one morning as the sun rises .
that is a story familiar to millions , but herzog has elevated stoker 's tale into the realm of - and i use this term a tad reluctantly - cinematic art .
nosferatu is as much a meditation as it is a film , shot through blue - ish and white filters and peopled with characters who perform as if they were half hypnotised .
the film 's surreal , dream - like quality is utterly mesmerising .
there is much to enjoy , but i 'll limit my praise to a few key points .
holding the film together is kinski 's remarkable performance as count dracula .
past screen portrayals , including bela lugosi 's famous turn , have largely been one dimensional and tended towards camp .
but kinski . . .
oh boy
, this is something far more compelling .
aided by a startling make - up job , he portrays dracula 's vampirism not simply as pure evil
but as some sort of loathsome disease .
this man is dreadfully lonely .
he lives in utter solitude , shunned by the locals for his hideous appearance and reputation for bloodlust .
kinski 's portrayal of the count is both creepy and deeply affecting .
when he dies , you almost feel as if this man 's tortured soul has been freed at last .
then there 's the unforgettable soundtrack , largely composed by german group popul vuh .
it is so eerily beautiful and evocative
that it 's quite impossible to imagine the film without it .
popul vuh are longtime herzog collaborators and play an ancient - sounding kind of spacemusic using piano , chants , and exotic instruments .
when i first saw this film some years ago i was so impressed i tracked down and bought a number of their albums .
the one i still listen to the most is " tantric songs " , from which most of the music in nosferatu is taken .
it 's a testament to the music 's depth that it is as powerful without the pictures as it is with them .
the album is still available on the highly respected ambient and world music label celestial harmonies .
this is a timely re - release by anchor bay .
after francis ford coppola 's unscary and woefully overblown version of bram stoker 's tale in 1992 , it is a joy to go back to herzog 's film and see the amazing things he has done with what is now a century - old story .
to some aficionados , nosferatu is quite simply the greatest vampire film ever made .
without a doubt , it is an unmistakable classic of the genre .
do n't miss it .

Ex Output:

P