instruction:
In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.
question:
Question: Which country is the the famous long fish tank of the Fondation Maeght located in? Passage:Guardigli was born in Ravenna. At 18 he enrolled in and attended the School of Fine Arts of Ravenna. During World War II he was drafted and served from 1943 until 1946 in the Regia Marina (Italian Royal Navy) at La Spezia). After the war he returned to the School of Fine Arts, receiving his diploma in 1948. He enrolled in the School of Painting and Mosaics, also in Ravenna, graduating in 1951. From 1951 to 1955 he worked with the Gruppo mosaicisti of Ravenna and restored many mosaics. Also in 1951, at the end of November, he arrived in Paris to teach at the Ecole d'Art Italien (School of Italian Art) as an assistant to the painter Gino Severini, founder and director of the school. Together with another mosaicist, his fellow Ravennan Lino Melano, he executed mosaic works for artists including Fernand Léger, Georges Braque, Marc Chagall, Jean Bazaine, and Raoul Ubac. He collaborated also on the mosaic for the façade of the Musée national Fernand Léger in Biot (Alpes-Maritimes). In 1960 he executed, at the Colombe d'Or of Saint-Paul-de-Vence, a mosaic by the painter Georges Braque. From 1961 he had a studio in the artists' residence La Ruche at 2, passage de Dantzing in Paris, the place described by Lorenzo Viani in the book Parigi 1925 (Paris 1925), published by Fratelli Treves. In 1962, in another collaboration with Braque, he created the famous long fish tank of the Fondation Maeght in St Paul de Vence. His collaborations with many illustrious artists continued; the last was Jean-Michel Folon. Many of his personal works in painting and mosaics are in prominent private and public collections. The latter portion of his life was spent in an old people's rest home in Paris, where he died in 2008.
 Links: a. Georges Braque b. Raoul Ubac c. Fondation Maeght d. Regia Marina
answer:
c


question:
Question: What city did Empire Nightingale arrive in on July 1? Passage:Empire Nightingale would appear to have crossed the Atlantic Ocean from the United States independently, as she does not appear as a member of a convoy until 27 June, when she departed Middlesbrough, Yorkshire as a member of Convoy EC 31. The convoy had departed from Southend, Essex the previous day and arrived at the Clyde on 1 July. She left the convoy at Oban, Argyllshire, departing on 3 July for Baltimore, Maryland, United States, which was reached on 22 July. Empire Nightingale departed Baltimore on 10 August for Halifax, Nova Scotia, Canada, arriving five days later. Carrying a cargo of steel, she departed on 21 August with Convoy HX 146, which arrived at Liverpool, Lancashire on 6 September. She left the convoy at Loch Ewe to join Convoy WN 177, which departed from Oban on 5 September and arrived at Methil, Fife on 8 September. Empire Nightingale then joined Convoy FS 589, which departed that day and arrived at Southend on 10 September. She left the convoy at Hull, Yorkshire on 10 September.
 Links: a. Halifax, Nova Scotia b. River Clyde c. Southend-on-Sea d. Southend-on-Sea
answer:
b


question:
Question: How many scenes are there in Sullivan's successful ballet performed in 1897? Passage:When the Gilbert and Sullivan partnership collapsed after the production of The Gondoliers in 1889, their producer Richard D'Oyly Carte struggled to find successful new works to show at the Savoy Theatre. Carte produced Sullivan's grand opera, Ivanhoe at another theatre, and afterwards, he turned to Sullivan to create more comic operas for the Savoy. With Sydney Grundy, Sullivan wrote the nostalgic and sentimental Haddon Hall (1892) then, reunited with W. S. Gilbert, he produced Utopia, Limited (1893). He next returned, with his earlier collaborator F. C. Burnand, with The Chieftain (1894) and collaborated for the last time with Gilbert on The Grand Duke (1896). None of these had proved to be more than modestly successful, and Carte's other new pieces for the Savoy in the 1890s had done no better. Following the success of Sullivan's ballet Victoria and Merrie England in 1897, Carte asked Sullivan to work on another new opera for the Savoy.
 Links: a. Gilbert and Sullivan b. The Gondoliers c. Victoria and Merrie England d. Richard D'Oyly Carte
answer:

c