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[EX Q]: Eva Schloss   stepsister of Anne Frank and a Holocaust survivor herself  sits for an interview at George Mason University on Feb. 7 in Fairfax  Va.  Schloss  has been the subject of a play and now a âvirtual realityâ hologram program meant to keep up awareness of genocide survivors years after they die. (Jahi Chikwendiu/The Washington Post)
A âdirty Jewâ refugee on the run for two years  a survivor of the Auschwitz concentration camp  and stepsister to Holocaust victim Anne Frank   Eva Schloss  had dramatic  amazing  horrifying stories to tell.  She  kept them locked inside  herself  for decades  but now the 88-year-old British grandmother is on a tear  diving into everything from cutting-edge hologram technology to controversies about Justin Bieber to keep people thinking about the lessons of the Holocaust.
 The well-coiffed  plain-spoken Schloss  has  her  own nightmarish tales from World War II Europe and the camps. And of overcoming postwar suicidal depression. And of  her  famous stepsister. But in  her  books  work with prisoners and public speaking around the world   she  talks just as much about what  she  sees as todayâs horrors: Syrian refugees on the run  ISIS torture of Christians  the immorality of drone and atomic warfare  environmental degradation  a slipping interest in public education. And what  she  calls the enduring need to pay attention.
âI talk about it and tell people  this is what Germany was. Not everybody was â by no means â anti-Semitic or supported Hitler. They had good Jewish friends  but they took the easy way out and looked the other way. It is the danger of the bystander â  Schloss  said in an interview Wednesday before an evening appearance at the Center for the Arts at George Mason University in Fairfax  Va. âThis is what we have to teach young people â not to be indifferent  but take part; if you see injustice being done  speak out.â
 Schloss  is on a U.S. speaking tour  with the first stop at George Mason  where she appeared for more than an hour.  Schloss  spoke in a matter-of-fact tone as she was interviewed by Eli Rosenbaum  a federal prosecutor who has investigated Nazi cases. The crowd of 1 200 filled two levels  and remained rapt and silent â except for a few standing ovations.
 Schloss  is among those outspoken on a controversial  complex topic: What are the best  most appropriate ways to keep the moral lessons of genocide alive? While for many the story of Frank  who died at 15 in a German concentration camp  is still a simple  tragic tale of a talented  precocious writer; the portrait of her life is increasingly becoming more nuanced and real over the decades as additional details come out.
 Schloss  has long spoken bluntly about Frank  a girl she met in an Amsterdam courtyard when both of their families were on the run. They never lived as sisters  and Schlossâs mother married Frankâs father after the war. During the war  many of their family members â and spouses â had been murdered. On Wednesday  in a Post interview and on stage   Schloss  said Frank was a âleader  outgoingâ â her nickname   Schloss  said  was âquack quackâ because she talked so much â but also sometimes ânaughtyâ and âbossy.â  Schloss  told The Post about the challenge and pressure of becoming part of the family of Otto Frank  who  Schloss  said became ânearly obsessedâ with the legacy of his dead youngest child. She later praised him for saving her with his positive perspective.
On Wednesday   Schloss  said itâs important ânot to put her on a pedestalâ and to consider that Frank â had she been a girl today â may well have been a belieber. Frank loved Deanna Durbin  a Canadian American musical film star in the 1930s and 1940s   Schloss  said. Frank âwould have lovedâ Bieber  she said  noting how positive it is that he visited the historic site.
 Schloss  is also part of a new project by the Steven Spielberg-founded Shoah Foundation  which has recorded nearly 52 000 interviews with Nazi-era survivors  and the Institute for Creative Technologies  both at the University of Southern California. Through detailed  prerecorded interviews with survivors â including  Schloss  â the exhibit creates life-size holograms that can âanswerâ questions that some may be afraid to ask in person. At a time when the number of Holocaust survivors is dwindling  the idea is to keep them alive. As time passes  different narratives become accepted until others rise. Some experts warn that the Holocaust not become a âgame â Friedberg said.
 Schloss  has written three books and been the subject of not only the documentary but also a play â much about Frank. But her own story is dramatic.
 Schloss  and her mother never saw the other two again. Her brother  a talented musician  became a painter as a teenager in hiding. After the war  dozens of his paintings and poems were discovered under a floorboard in Amsterdam.
[EX A]: Eva Schloss

[EX Q]: Vince Staples  Believes  He  Deserves All The Grammys  But  He  Isn't Holding  His  Breath
 Vince Staples  is impossible to categorize. A Southern Cali MC who prides himself on his Long Beach bona fides while eschewing the prototypical gangsta rap tag with which he's often mis-labled  he's a natural at bucking the status quo. Yet he also sees clear divisions between art and commerce that lead him to question how institutions choose to define â or fail to distinguish â the two.
So when  Staples  found himself the subject of a recent Grammy campaign â initiated by Uproxx hip-hop editor Aaron Williams  who likened the EDM sonics of  Staples ' 2017 LP Big Fish Theory to "a post-apocalyptic pinball machine" â he was less interested in discussing whether or not his album is Grammy-worthy than he was in questioning the very construct upon which the Recording Academy recognizes and rewards genre-bending artists of color.
But  Staples ' argument is bigger than hip-hop. It's a critique rooted in the racial dynamic that has kept black artists in the industry categorically separate and unequal since the inception of "race music."
In a sense   Staples  is the kind of artist the academy tends to clamor over â a major-label signee who subverts mainstream convention. While his peers chase after collaborations with bankable trap producers  his album credits are filled with left-field collaborators Kilo Kish and Zack Seckoff  a young unknown producer largely responsible for Big Fish Theory's industrial-driven electronics.
No doubt   Staples  prizes his creative idiosyncrasies: "Hitchcock in my modern day / Where the f*** is my VMA? / Where the f*** is my Grammy?" as he raps on Big Fish Theory's "Homage."
The message is the easiest part of this whole thing. The hard part of music is designing the product and marketing the product â figuring out what it looks like  what it sounds like  what it feels like    who to sell it to and how to get  them  to believe that it's more important than  themselves . When you've figured that out  that's when you become a star.
But  yeah  let's really talk about it. If we really want to have a Vince Staples Grammy campaign  someone tell me why I can't be in every genre that my music is kind of reminiscent of? Because the argument within hip-hop is that my music doesn't sound hip-hop enough.
My only request is that it be broadened  because it's no reason I shouldn't be nominated for everything we just spoke about. It's no reason I shouldn't be nominated for a packaging Grammy. It's no reason because the conceptual nature of my cover and the way that it looked is a great idea for a compact disc. Usually people go all out and put 50 pictures and give you a suitcase full of stuff to win a packaging Grammy. But it's not really about the design of it itself. It's no reason I shouldn't be nominated for that. It's no reason I shouldn't be nominated for electronic and alternative and Rap Album of the year  because if we're pushing creativity and we're doing it get to be creative and to create new things  I don't know what's newer than what Vince Staples is doing. And that's my only conversation.
[EX A]: Vince Staples

[EX Q]: The norovirus is also referred to as the âwinter vomiting bug " Lee-Ann Jaykus  the scientific director for NoroCORE  a food safety initiative thatâs funded through a $25 million grant from the USDA  told Fox News.
The norovirus  which has different strains  can spread easily -- especially in close spaces   Jaykus  said.
When an infected person vomits or defecates  âmassive amounts [of the virus] are excreted â  Jaykus  explained. âThere are millions to billions of particles in one just one gram.â
Food handlers who are sick and donât practice adequate hygiene can easily infect other people. Infected water can also spread the illness  though this more commonly occurs in developing countries   Jaykus  noted.
How do you prevent  it ?
âHand washing is hugely important. In fact  itâs the single most important thing for people attending Olympics." - Lee-Ann Jaykus
âHand washing is hugely important â  Jaykus  said. âIn fact  itâs the single most important thing for people attending Olympics â  she  said.
The norovirus is extremely hard to kill   Jaykus  warned. Inactivating the virus requires a high concentration of bleach. And while itâs easy enough to clean countertops and other similar surfaces with bleach  the same canât be said for carpet and furniture. Alcohol isnât strong enough to entirely kill the virus either   Jaykus  added.
âThe norovirus can be spread for weeks â said  Jaykus   who added that quarantining infected people can also be useful in preventing the spread of norovirus.
âThis is really scary for the athletes -- if you have norovirus you really are incapacitated â said  Jaykus   though no athletes have reported having symptoms of the virus.
[EX A]:
Lee-Ann Jaykus