In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

Input: Consider Input: David (Maguire) and his twin sister Jennifer (Witherspoon) lead different high-school social lives. Jennifer is shallow and extroverted; David is introverted and spends most of his time watching television. One evening while their mother, Sherry (Jane Kaczmarek), is away, they fight over the TV. Jennifer wants to watch a concert on MTV, but David wants to watch a marathon of Pleasantville, a black and white 1950s sitcom about the idyllic Parker family, who live in the squeaky-clean suburb of Pleasantville, Iowa. During the fight, the remote control breaks, and the TV cannot be turned on manually.A mysterious TV repairman (Knotts) shows up, quizzes David about Pleasantville, then gives him a strange remote control. The repairman leaves, and David and Jennifer resume fighting. However, they are then transported by the remote into the Parkers' black and white Pleasantville living room in 1958. David tries to reason with the repairman (with whom he communicates through the Parkers' television), but he succeeds only in chasing him away. With the remote no longer functioning, David and Jennifer must now pretend they are Bud and Mary Sue Parker, the son and daughter on the show.David and Jennifer witness the wholesome nature of the town, such as a group of firemen who only rescue cats stuck in trees, as there are no fires to fight. David tells Jennifer they must stay in character and not disrupt the lives of the town's citizens, who do not notice any difference between Bud and Mary Sue, and David and Jennifer. To keep the show's plot Jennifer dates a boy from high school, but, due to her impatience, Jennifer skips all forms of storybook romance and has sex with himâa concept unknown to him and everyone else in town.Slowly, Pleasantville begins changing from black and white to color, including flowers and the faces of people who have experienced bursts of emotion and personal transformation (usually through sex). Though against Jennifer's disruption at first, David eventually joins in when he begins to see the shows characters as real people and not just avatars. David introduces Mr. Johnson (Daniels), owner of the cheeseburger joint/soda shop where Bud works, to colorful modern art via a book from the library, sparking in him an interest in painting. Johnson and Betty Parker (Allen) fall in love, causing her to leave home, throwing George Parker (Macy), Bud and Mary Sue's father, into confusion. The only people who remain unchanged are the town's fathers, led by the mayor, Big Bob (Walsh in his final performance), who sees the changes eating at the values of Pleasantville. They resolve to do something about their increasingly independent wives and rebellious children.As the townsfolk become more colorful, a ban on "colored" people is initiated in public venues. Eventually, a riot is touched off by a nude painting of Betty (painted by Johnson) on the window of Mr. Johnson's soda shop. The soda shop is destroyed, books are burned, and people who are "colored" are harassed in the street. As a reaction, the town fathers announce rules preventing people from visiting the library, playing loud music, or using paint other than black, white, or gray. In protest, David and Mr. Johnson paint a colorful mural on a brick wall, depicting their world, prompting their arrest. Brought to trial in front of the town, David and Mr. Johnson defend their actions, and their passion begins to influence the non-colored members of the population into becoming colored. David also eventually arouses enough anger and indignation in Big Bob that the mayor becomes colored as well. The mayor runs off, effectively ending the segregation.With Pleasantville and its populace now in full color, Jennifer and David both reflect on how their actions in changing Pleasantville have changed their own views on how they perceive the real world and their place in it, noting that it had been far more difficult for them to become colorful as opposed to the other townsfolk, and the circumstances that eventually allowed them to. Jennifer stays to finish her education, citing that her poor academic record in the real world would not allow for college. David uses the remote control, now working again, to return to the real world, and surprises his mother with his newfound maturity. The mysterious TV repairman, who had been outside the house in his truck the whole time, smiles as he drives away., Question: What is the name of the town that is now in full color?

Output: Answer: Pleasantville


Input: Consider Input: In 1935, murderer Mattie Appleyard (James Stewart), bank robber Lee Cottrill (Strother Martin), and young Johnny Jesus (Kurt Russell) are released from the West Virginia State Penitentiary, located in the fictional town of Glory. Appleyard is issued a check for $25,452.32 for his 40 years of prison work, an enormous amount in the Great Depression.All three men are escorted by prison Captain "Doc" Council (George Kennedy) to the train station, ensuring they leave town. However once on the train, Appleyard realizes that his check is only redeemable in person at the local bank in Glory, requiring his return. In the meantime, Council is in league with banker Homer Grindstaff (David Huddleston) to ensure Appleyard will not cash the check. He and his accomplices, Steve Mystic (Mike Kellin) and Junior Kilfong (Morgan Paull), travel to another stop down the line in order to kill Appleyard. Informed of the plot by guilt-ridden conductor Willis Hubbard (Robert Donner), the three former prisoners thwart the plan. Kilfong ends up shooting an innocent passenger, mining supply salesman Roy K. Sizemore (William Windom). Council kills the wounded Sizemore and places the blame on Appleyard, who escapes with Sizemore's supply of dynamite.The next day, Council informs Grindstaff of the previous events at the bank. As they talk, Appleyard walks in with dynamite strapped to his chest and a suitcase with the remainder, "60 more pounds." Appleyard threatens to blow them all up "and half this city block" if the banker doesn't cash his check. Grindstaff reluctantly complies.Appleyard and his friends, who followed him back to Glory, split up with the plan to meet again later. While waiting at the rendezvous, Cottrill is talked into boarding a houseboat owned by a down-on-her-luck prostitute named Cleo (Anne Baxter) for a drink of whiskey. Also aboard is Chanty (Katherine Cannon), a sixteen-year-old virgin whom Cleo has taken in, hoping to receive $100 from any customer in exchange for her virginity.Appleyard and Johnny show up, only to be tracked down by Council and his bloodhound. The three friends get away in a skiff, leaving the suitcase of dynamite with Cleo. Johnny is worried about what Council will do to Chanty, so they turn around and go back after Council leaves.Before Council left, he told Cleo about Appleyard's money. Held at gunpoint, Appleyard gives her the suitcase that she believes contains the money in exchange for Chanty. After they leave, Cleo tries to shoot the locked suitcase open with disastrously fatal, yet comedic results.The fugitives are later trapped on a boxcar by Council. The train is a "fools' parade" as described by Appleyard, going nowhere beyond the local train yard. Luckily for them, guilt-ridden train conductor Willis Hubbard returns and helps them escape. However, he is too afraid of Council to tell the police what he knows.Council, Mystic, and Kilfong (Morgan Paull) track them to an abandoned house. Council decides he doesn't want to share the loot, so he kills his two confederates. He then shoots a window out, wounding Appleyard. Johnny throws a stick of the remaining dynamite at Council, but Council's bloodhound comically returns it. Appleyard hastily throws it back out the window, killing Council.The men are arrested and Appleyard's money confiscated, but Hubbard has mustered up enough courage to confess the truth. Ultimately, Grindstaff is arrested. Appleyard and his friends are exonerated, and Appleyard is allowed to cash his check., Question: What position does "Doc" Council hold at the prison?

Output: Answer: Captain


Input: Consider Input: The American Ruling Class, the worlds first dramatic-documentary-musical, explores our countrys most taboo topic: class, power and privilege in our nominally democratic republic. This feature-length satire stars Lewis Lapham, the renowned essayist and author, and a heavy-weight ensemble cast that includes former cabinet secretaries, corporate mandarins, media magnates, and at least one journalist working as a waitress. The film follows Lapham and two recent Yale graduates as they make the rounds of Pentagon briefings, the World Economic Forum, philanthropic foundations, law firms, corporations banks, and New York society dinners as they attempt to answer the question, Who rules America?The narrative portion of the film, interwoven throughout, tells the story of two representative graduates, one rich and one poor as they seek direction in their lives. Does America have a ruling class? If so, of what is it made, and how does it co-exist with our democracy? How does one join it: should one even want to? The real life luminaries become characters in a story about power and its responsibilities, and by the films end, the young men must decide: do they wish to rule the worldor save it?Appearing in the film are a range of leaders from across the political spectrum, among them: Robert B. Altman, James A. Baker III, Bill Bradley, Harold Brown, Hodding Carter III, William T. Coleman, Jr., Walter Cronkite, Barbara Ehrenreich, Martin Garbus, Vartan Gregorian, Mike Medavoy, Joseph S. Nye, Jr., Samuel Peabody, Peter G. Peterson, Pete Seeger, Lawrence H. Summers, Arthur O. Sulzberger, Jr., William Howard Taft IV and Kurt Vonnegut.As we watch these two real-life graduates wend their way through what is only a slight fictionalizing of their actual lives and choices, as we meet former Secretaries of State and Defense, directors of the Trilateral Commission and the Council on Foreign Relations, the publisher of The New York Times, and a host of others, we must ask (along with Mr. Lapham): "To what end, the genius of the Wall Street banks and the force of the Pentagon's colossal weapons? Where does America discover the wisdom to play with its wonderful toys?" The possible answers move beyond the hollow category of party affiliation and into the heart of American Oligarchy itself., Question: What are Lewis Lepham's other professions?


Output: Answer: Essayist and Author