In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.
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Question: What can I say??? This movie was so Dumb & Stupid I thought it was a Psychotic DRAG Comedy - They should rename it "Bitching Pregnant Cat Fight!" What a stupid waste of time , if you want to see(DIE DIE!!! "I WANT YOUR BABY DRAG QUEEN) Jennifer Tilly being her Freaky self then just rent out one Of the "Chucky" movie, oh ya , "The Bride Of Chucky." It's more fun watching the Two Ugly Plastic dolls (one of them Jennifer Tilly turned into the UGLY Female version of Chucky) having Squeaky plastic rubber sex then watching Daryl Hannah being pregnant , Dumb & stupid; & Jennifer Tilly Grinding up her Husbang in a Food Processor reminded me of my Mother trying to do House Work! OK it's just BAD!!!

Answer: negative


Question: This is possibly one of the worst giant killer animal movies I have ever seen. It follows the typical premise of a laboratory experiment gone wrong and a giant crocodile with a rapid growth chemical in it escapes. The monster looks way to much like a dinosaur, having big Tyranosaurous-like hind legs, when it should just look like an over-sized crocodile. Everything about this movie is unoriginal and it constantly oozes "cliche", minute after minute. Why are there always two drunken redneck hunters out after dark who separate? Plus, there's always a guy and girl who share a lame, obvious love interest while they are in life threatening situations. To much has already been said by me and I feel as if I'm wasting my time writing this...

Answer: negative


Question: Sometimes it takes a film-making master like Kubrick to bring that extra little something, that unique, untractable and elusive ingredient that transforms a great movie or a great script into a masterpiece, one for the ages.It's not just that Stephen King's story has enough meat and potatoes making it difficult for even the most workmanlike of directors to miss. Heck, even King himself didn't fare so bad. It's how Kubrick perceives King's universe, how he transforms the page into screen time, that renders THE SHINING both a visual feast and a compacted masterclass in directing.Kubrick's miss-en-scene is, as usually, terrific. The movie progresses with a brisk, sharp, lively pace, even though it's neither fast nor heavily edited and it clocks at no less than 160 minutes. The camera prowls through the lavish corridors of the Overlook Hotel like it is some kind of mystic labyrinth rife for exploration, linear tracking shots exposing the impeccably decorated interiors in all their grandeur. There's a symmetry and geometrical approach in how Kubrick perceives space that reminds me very much of how Japanese directors worked in the sixties. As if what is depicted is inconsequential to how all the different elements are balanced inside the frame.Certain images definitely stand out. The first shot of Jack's typewriter, accompanied off screen from the thumps of a ball, like drums of doom coming from some other floor or produced by the typewriter itself as though it is an instrument of doom all by itself, later on proving to be nothing short of just that. A red river flowing through the hotel's elevators in slow motion. Jack hitting the door with the axe, the camera moving along with him, tracking the action as it happens instead of remaining static, as though it's the camera piercing through the door and not the axe. The ultra fast zoom in the kid's face thrusting us inside his head before we see the two dead girls from his POV. And of course, the bathroom scene.Much has been said of Jack Nicholson's obtrusive overacting. His mad is not entirely successful, because, well, he's Jack Nicholson. The guy looks half-mad anyway. Playing mad turns him into an exaggerated caricature of himself. Shelley Duvall on the other hand is one of the most inspired casting choices Kubrick ever had. Coming from a streak of fantastic performances for Robert Altman in the seventies (3 WOMEN, THIEVES LIKE US, NASHVILLE), she brings to her character the right amounts of fragility and emotional distress. A terrific and very underrated actress.

Answer:
positive