Given a document, generate a short title of the document. The title should convey the main idea/event/topic about which the document is being written. Note that URLs in the text have been replaced with [Link].

Input: Consider Input: âHe said  âYou should not run for this office ââ said  Jesse Sbaih  an immigrant from Jordan who is now a trial lawyer . This race for the House  in a district that includes a swath of suburban Las Vegas  is his first run for political office.
 Sbaih  said it happened after  he  had entered the House race.  He  met with Reid in August in a meeting room at the Paris Las Vegas Hotel.
 Sbaih  said  he  had sought the meeting in order to win Reidâs support â a key factor in Nevada  where Reid is the unquestioned power broker of Democratic politics. But Reid would not give it   Sbaih  said  and cited Sbaihâs religion as one reason why.
âI did not feel that this was an issue. They made it an issue. My campaign is about me being an American â  Sbaih  said.  He  said  he  had not faced this kind of opposition based on  his  religion before: âI just turned 40. Been in this country for 29 years. And itâs just absolutely shocking that this occurred.â
âSenator Reid did not say that â said Kristen Orthman  a spokeswoman in Reidâs Senate office. â Jesse Sbaih  is a liar and thatâs why  he  is going to lose.â
 Sbaih âs assertion could shake up one of the most competitive House races in the country â a race made possible  in a way  by Reid himself.
On the Republican side  several plausible candidates have already filed to run. On the Democratic side  however  the race was slow to start: late in the summer   Sbaih  was the best-funded and best-known candidate who had declared.
 Sbaih  is an ally of Sen. Bernie Sanders (Vt.)  who is running  in part  on  his  own remarkable life story.  Sbaih âs parents immigrated from Jordan to Virginia when  he  was 11  and  he  helped support the family by washing dishes in an Italian restaurant as a teen.
Now   Sbaih  said   his  run for office is a way to repay the country for the way it welcomed  his  family.
âIâve always felt: The more America gave me  the more I wanted to give back â  Sbaih  said in an interview with The Washington Post.
But   Sbaih  said   he  was rebuffed when  he  sought to gain Reidâs support.
First   he  said   he  met with a political consultant connected to Reid  Rebecca Lambe. At a coffee shop   Sbaih  said  Lambe brought up his religion and his Arab heritage: âShe said  basically  youâre gonna have a problem winning  as a Muslim  as an Arab.â
 Sbaih  said  he  did not record that meeting with Lambe  or the one  he  had with Reid a few weeks later.
To bolster  his  account   Sbaih  supplied both emails and text messages from the time  in which  he  tells another Reid ally that  he  is âprofoundly disheartened and saddened that the Democratic Party is refusing to accept a candidate like  me  because of my religion and ethnicity.â
In the exchanges of text message and emails provided by Sbaih  however  Reidâs allies do not say explicitly that  Sbaih âs race or religion is a hindrance  nor do they confirm that Reid himself had said so.
Orthman  Reidâs spokeswoman  said that Reid had told  Sbaih   he  should run for another office â instead of jumping straight into a highly competitive House race.

Output: Nev. candidate says Reid urged him to quit because âa Muslim cannot win this race.â


Input: Consider Input: CNN's Chris Cuomo and White House adviser  Kellyanne Conway  have a history of heated exchanges . Thursday's interview following President Trump's visit to Las Vegas was perhaps the most contentious.
Cuomo asked  Conway  why now was not the appropriate time to have a gun control debate.  Conway  said the victims of the shooting have been the president's focus  before  she  started railing against Democrats for politicizing the issue.
âThis conversation wasnât being had until tragedies like this strike by those who try to be the loudest voices â  Conway  said. âYou see Hillary Clinton talking about herself  not talking about this. You see her rushing to judgement the other day on Twitter  while people are still looking through the rubble  searching the hospital for their missing loved ones  trying to politicize it.â
 Conway  again insisted that the president was too busy caring for the survivors to bring up control.

Output: Watch Chris Cuomo nail Kellyanne Conway for trying to blame lack of gun control on Hillary Clinton


Input: Consider Input: Lately  weâve been seeing a boom in TV dystopias. Two of the most successful premieres in the past few years have been HBOâs Westworld and Huluâs The Handmaidâs Tale: the former a solemn  plodding update of Michael Crichtonâs 1973 film  in which subjugated androids revolt and take over a theme park; the latter a stylish and compelling adaptation of Margaret Atwoodâs 1985 novel  in which the United States becomes a patriarchal theocracy. Other recent examples include Amazonâs The Man in the High Castle (based on Philip K. Dickâs 1962 novel about an alternate reality in which the Axis powers have won World War II)  HBOâs The Leftovers (about a world in which 2 percent of the population has mysteriously disappeared)  and Netflixâs new Altered Carbon (a cyberpunk gorefest based on a 2002 novel by Richard K. Morgan). Stretching the criteria a bit  one could perhaps include the long-running zombie odyssey The Walking Dead and its spin-off  Fear the Walking Dead  and sitcoms that play with dystopic elements  like The Good Place and The Last Man on Earth.
The success of Black Mirror is the proximate cause for the existence of  Philip K. Dickâs  Electric Dreams  also produced by Channel 4 and available here on Amazon. Dick  of course  is one of the past masters of the dystopia genre: His 1968 novel Do Androids Dream of Electric Sheep? was the basis for the seminal Ridley Scott film Blade Runner  and his work has been mined by Hollywood countless times ever since.  Electric Dreams  adapts 10 of  Dickâs  short stories  including âThe Hood Makerâ (which imagines a class war between telepaths and normal citizens  who resent their mindsâ being invaded) and âThe Father Thingâ (in which a childâs father is replaced by a sinister alien doppelgÃ¤nger).
 Electric Dreams  is slickly made and intermittently effective  but despite some half-hearted attempts to reimagine or update the material (the boy in âThe Father Thing â upon uncovering the alien conspiracy  posts a video on the Internet with the hashtag â#RESISTâ)  it doesnât really feel of our moment. Part of the problem is that Dickâs work has been adapted for film so many times already that itâs hard to watch a given episode of Electric Dreams  however well executed  and not compare it unfavorably  if unfairly  with Blade Runner  or Paul Verhoevenâs Total Recall  or Steven Spielberg âs  Minority Report.  Dickâs  sensibility is idiosyncratic and sui generis  but at this point it feels more like a piece of intellectual property than the amphetamine-fueled gnostic vision it once was. Is anybody âs  mind really blown by the is-our-world-real-or-just-a-simulation conundrum posed by âReal Life â for example  after weâve seen not only Total Recall but The Matrix and Westworld and a hundred other iterations of it?
The problem  however  isnât just overfamiliarity. Dystopias draw their power from an analysis of the present  and  Dick âs once-radical vision of the future is now as far in the past as H.G. Wellsâs was for  Dick  when  he  began writing. This is what Black Mirror  for all its flaws  has over Electric Dreams: The series feels like itâs about things that Brooker is genuinely worried about  not a dutiful tribute to what someone was worried about in the 1960s; itâs the future as seen from the 21st century  not the 20th. This problem is endemic to many of the recent dystopian shows. The fact that Westworld is based on a movie from 1973  and The Handmaidâs Tale on a novel from 1985  doesnât invalidate their value as entertainments or as cultural commentaries. But it does introduce concerns alien to the dystopiaâs imperative to take the worst of the present day and amplify it.


Output: TVâs Dystopia Boom