In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: beware of movies with the director 's name in the title .
take " john carpenter 's ghosts of mars " ( please ) .
if the carpenter brand name was n't superglued to the title , this embarrassment would surely have bypassed theaters entirely and gone straight to its proper home on the usa network .
and i would have been spared a headache .
the latest from the director of " starman , " " halloween " and " escape from new york " is a lousy western all gussied up to look like a futuristic horror flick .
the production is set on mars in 2176 , where humanity looks for relief from the overpopulation strangling their home world .
six hundred and forty thousand people in a matriarchal society live and work at outposts all over the red planet , terra - forming to make it more hospitable for future generations .
a matriarchal society .
terra - forming . sounds pretty intriguing , eh ?
well , do n't get your hopes up .

Output: N


Input: Consider Input: suicide is pointless , everyone should know that .
so what 's this movie like ?
you guessed it . .
. pointless .
the virgin suicides focuses on the lives of the five lisbon sisters , from the perspective of the teenage boys who are fascinated by them .
when the youngest lisbon sister commits suicide , it sets in motion a series of events that will change the lives of many people forever .
that 's what the press materials for the film probably say .
now here 's what i say : the virgin suicides is a huge waste of time . boring , arty , pretentious junk
that is about as entertaining as .
. .
well as committing suicide .
the movie lost me early on , immediately following the scene where the younger daughter jumps to her death from her bedroom window .
the girl 's father ( james woods ) holds her lifeless body in his arms as their horrified family looks on .
then , as the scene ends , the lawn sprinklers come on .
is that a joke ?
is that supposed to be amusing in some way ?
from then on , the movie failed to draw me back in .
performances are the only saving grace of the virgin suicides .
woods plays the only character who would actually interest me when he came onscreen , but the performance of kirsten dunst as the next youngest daughter lux is worth mentioning as well .
dunst has the potential to be a big star , if she chooses her projects well .
and while
this film is awful , she manages to come away from it virtually unscathed .
there are also a few cameos in the film here and there , which only frustrate the audience as they leave you wanting more . as a result , they all seem rather pointless
( although there 's a brief role given to michael pare from eddie and the cruisers which turns out to be his best role since . . . well since eddie and the cruisers ) . perhaps the virgin suicides would have worked had the story not been told from the point of view of people who had very little access to the main characters .
we never get any significant insight into the girls and why they might be feeling what they 're feeling .
all we really know is that mrs .
lisbon ( kathleen turner ) is strict and keeps them on a short leash .
what mother does n't ?
it 's certainly no reason to commit suicide .
with the godfather part iii , sofia coppola proved that she had no business being in front of the camera .
with the virgin suicides ,
she proves she has no business behind it either .
having family connections does n't entitle you to be allowed to make movies .
so attention film directors . .
. stop letting your daughters pout their way into the industry .
just because they share your dna does n't mean they share your talent .
[ r ]

Output: N


Input: Consider Input: tibet has entered the american consciousness slowly during the past few years and burst into the forefront recently .
the dalai lama has made speaking tours , tibetan designs and artifacts are showing up in shops , the plight of the people has captured the imagination of major actors and artists and now there are two big budget films within as many months .
" kundun " ( " presence " , a name the monks call the young dalai lama )
opens in 1937 with the search for the 14th incarnation of the tibetan leader .
a group of monks enters a village and a two - year - old child catches their attention .
the young boy proves himself by identifying possessions of the previous holy man as " mine " .
he and his family are then moved to a monastery in lhassa where he is to be prepared to take his position as the religious and political leader of the country .
he is forced into difficult decisions when china invades the country in 1950 .
the peaceful and isolated country is ill - equipped to fight off the intruders and diplomatic attempts over the next years yield no results .
eventually he must make the painful choice to flee to neighboring india .
comparisons to " seven years in tibet " are inevitable .
both films cover much of the same ground although the earlier movie does so from a westerner 's point of view and features boxoffice draw brad pitt .
" kundun " features only native actors and is more of an insider 's story .
in some ways , this makes this film a superior concept , but it lacks the movement and spark that made " seven years " such an audience - pleaser .
the actors contribute to the realistic feel of the movie ( filmed in morocco for obvious reasons ) .
the only disappointment is chairman mao who looks like a wax dummy and moves as if he were a computer - generated character .
on an intellectual level , it is interesting to see how two different approaches handle the same facts .
some events are depicted differently and pitt 's austrian mountain - climber who was portrayed as a pivotal influence in the dalai lama 's life is n't even mentioned here .
glossed over in " seven years " , the problems with the tibetan political system is hinted at here as the dalai lama muses " we were just about to change things " after the chinese attack .
the film is magnificently beautiful thanks primarily to the cinematography of roger deakins .
his lingering camera shows the exotic tibetan culture with luscious detail .
especially striking is an extreme moving close up of a sand mandala grain by grain .
the visual treats more than make up for the movie 's faults creating a poetic meditation for the audience .
walking out of the theater you feel like you have awakened from a transcendental experience .
martin scorsese , known for his dark tales of the underworld ( " goodfellas " , " taxi driver " , " casino " ) has shifted gears .
something of a thematic follow - up to his " the last temptation of christ "
, this is his slowest film yet .
oddly enough for a director with a history of graphic violence presenting a history filled with atrocities by the chinese , most of these events take place off - screen .
his decision to not over - explain rituals is commendable .
the stumbling oracle who spits out his prophecies while in a trance state is much more effective as a mystery
than if we were spoon - fed interpretations .
philip glass 's score is impressive although at times it is too overwhelming and distracting .
i talked to a tibetan i met outside the theater who had just seen the film and was walking back in to see it again .
hearing his description of how he escaped from tibet at the age of seven and how his father was one of the soldiers accompanying the dalai lama during his trip to india , i was struck by what was missing in the movie .
as grand as it looks and as historically accurate as it is , there is a distance between the audience and the movie .
the film is more concerned with visuals and history and less so with human beings .
with the exception of a few scenes , involvement with the characters is slight .
one of those exceptions is the portrayal of the young dalai lama , shown as a mischievous boy who ca n't resist being a kid sometimes .
an encounter with his older brother thubten
j. norbu ( a retired indiana university professor ) who tells the young leader the chinese have ordered him to persuade him to accept communist rule or kill him is an outstanding moment , but there are n't many of these .
even with its problems , the " kundun " experience is phenomenal , but one that i fear most will miss .
many people who saw " seven years in tibet " will have a " been there , done that " attitude .
it 's likely that the film will miss a wide - spread appeal and public response will be the sound of one hand clapping .


Output: P