This task is about creating an unanswerable question based on a given passage. Construct a question that looks relevant to the given context but is unanswerable. Following are a few suggestions about how to create unanswerable questions:
(i) create questions which require satisfying a constraint that is not mentioned in the passage
(ii) create questions which require information beyond what is provided in the passage in order to answer
(iii) replace an existing entity, number, date mentioned in the passage with other entity, number, date and use it in the question
(iv) create a question which is answerable from the passage and then replace one or two words by their antonyms or insert/remove negation words to make it unanswerable.

Input: Consider Input: Passage: Hirsch held the opinion that Judaism demands an application of Torah thought to the entire realm of human experience, including the secular disciplines. His approach was termed the Torah im Derech Eretz approach, or "neo-Orthodoxy". While insisting on strict adherence to Jewish beliefs and practices, he held that Jews should attempt to engage and influence the modern world, and encouraged those secular studies compatible with Torah thought. This pattern of religious and secular involvement has been evident at many times in Jewish history. Scholars[who?] believe it was characteristic of the Jews in Babylon during the Amoraic and Geonic periods, and likewise in early medieval Spain, shown by their engagement with both Muslim and Christian society. It appeared as the traditional response to cultural and scientific innovation.

Output: Who held that Judaism demands an application of the bible through human experience?


Input: Consider Input: Passage: Cubism and modern European art was introduced into the United States at the now legendary 1913 Armory Show in New York City, which then traveled to Chicago and Boston. In the Armory show Pablo Picasso exhibited La Femme au pot de moutarde (1910), the sculpture Head of a Woman (Fernande) (1909–10), Les Arbres (1907) amongst other cubist works. Jacques Villon exhibited seven important and large drypoints, his brother Marcel Duchamp shocked the American public with his painting Nude Descending a Staircase, No. 2 (1912). Francis Picabia exhibited his abstractions La Danse à la source and La Procession, Seville (both of 1912). Albert Gleizes exhibited La Femme aux phlox (1910) and L'Homme au balcon (1912), two highly stylized and faceted cubist works. Georges Braque, Fernand Léger, Raymond Duchamp-Villon, Roger de La Fresnaye and Alexander Archipenko also contributed examples of their cubist works.

Output: What was the name of the show that introduced Cubism to China?


Input: Consider Input: Passage: The Amoy dialect (Xiamen) is a hybrid of the Quanzhou and Zhangzhou dialects. Taiwanese is also a hybrid of these two dialects. Taiwanese in northern Taiwan tends to be based on the Quanzhou variety, whereas the Taiwanese spoken in southern Taiwan tends to be based on Zhangzhou speech. There are minor variations in pronunciation and vocabulary between Quanzhou and Zhangzhou dialects. The grammar is generally the same. Additionally, extensive contact with the Japanese language has left a legacy of Japanese loanwords in Taiwanese Hokkien. On the other hand, the variants spoken in Singapore and Malaysia have a substantial number of loanwords from Malay and to a lesser extent, from English and other Chinese varieties, such as the closely related Teochew and some Cantonese.


Output: What is the Malay dialect a hybrid of?