In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Input: Consider Input: Question: Which network was broadcasting first, the one Sam & Mark hosted Saturday morning children's shows on, or the network they made their debut on? Passage 1:The episode was written by Nell Scovell and directed by Wes Archer. In the episode, Bart and Lisa sneak into the sushi bar's karaoke room and sing the theme song to the 1971 film Shaft, "Theme from Shaft". The Fox network censors originally did not want the staff to use the song because they thought the lyrics were too obscene for television. In order to prove the censors wrong and show that it could appear on television, the staff dug up footage from an old Academy Awards ceremony at which the song was performed by Isaac Hayes. When the chef at the sushi bar finds out Homer has been poisoned, he yells at his apprentices in Japanese. The staff wanted the language they spoke to be actual Japanese, so they hired a Japanese actor who translated the lines for them. The episode introduced the character Akira, who has appeared many times later on the show. American actor George Takei provided the voice of Akira, although the character was voiced in later episodes by Hank Azaria. The episode featured many other guest appearances; Larry King as himself; Sab Shimono as the sushi bar chef; Joey Miyashima as Toshiro, the apprentice chef who slices up the fugu; and Diane Tanaka as hostess of the bar. King's role was first offered to American singer Bruce Springsteen, but he turned it down. According to showrunner Sam Simon, actor William Shatner also rejected the part.
 Passage 2:Robert Hues (1553 – 24 May 1632) was an English mathematician and geographer. He attended St. Mary Hall at Oxford, and graduated in 1578. Hues became interested in geography and mathematics, and studied navigation at a school set up by Walter Raleigh. During a trip to Newfoundland, he made observations which caused him to doubt the accepted published values for variations of the compass. Between 1586 and 1588, Hues travelled with Thomas Cavendish on a circumnavigation of the globe, performing astronomical observations and taking the latitudes of places they visited. Beginning in August 1591, Hues and Cavendish again set out on another circumnavigation of the globe. During the voyage, Hues made astronomical observations in the South Atlantic, and continued his observations of the variation of the compass at various latitudes and at the Equator. Cavendish died on the journey in 1592, and Hues returned to England the following year.
 Passage 3:Despite this reversal, the two have managed to carve a successful television career for themselves, hosting various programmes on the BBC, most notably Saturday morning children's shows TMi and Top of the Pops Reloaded. They made their national television debut on ITV1. Sam & Mark hosted CBBC's weekday morning breakfast show, Level Up for four months from 3 April 2006 to 1 September 2006. On 16 September 2006, they hosted the first episode of TMi, a new Saturday morning TV show for the BBC on BBC Two and the CBBC Channel, alongside presenter Caroline Flack. The third series of the show ended in December 2008 and the BBC have confirmed a fourth series of the Saturday morning series for CBBC. In 2007, Sam & Mark presented a show on CBBC called Do Something Different. Beginning on 3 January 2009, Sam and Mark's Who Wants to be a Superhero? began to air where children had to compete to be a new superhero for Stan Lee. They were also asked to perform on Children in Need 2007.


Output: 3


Input: Consider Input: Question: What year was Allmusic established? Passage 1:Jonathan Widran of AllMusic said "It's too early in her career to know whether this powerhouse singer/songwriter will ever reach the heights of Contemporary Christian Music's other Grant, but a bevy of top producers come on board this sparkling debut to launch Natalie Grant towards this goal. All of these studio wizards (Eric Foster White, Tommy Sims, and Michael Lloyd) are better-known for their secular pop music, and the variety of atmospheres they create poise Grant for crossover pop success. It also helps that the lyrics Grant sings are designed as inspirational, rather than preachy. Torchy tracks like 'I Am Not Alone' and rock-driven anthems like 'I Will Be' could definitely lead both teenagers looking for substance, and adult contemporary audiences, to a deeper examination of important spiritual issues. Grant's wide-ranging pipes (yes, think potential diva) would surely sound great without all the production energy, but nearly every up-tempo tune here is an irresistible mix of pop/rock and modern soul flavors. The title track is all thump and hook, and some of the vocal texturing will remind fans of Point of Grace. Another POG-like tune, 'Days Like These', is driven by jangly alternative pop guitars. A few tracks touch on simple exotica, most notably "Love Without Limits" with its swirling flamenco strings. Amidst the playful spirit is Grant's most heartfelt tune, a lush and teary, almost breathless tribute to her father, 'Always Be Your Baby' This tune alone indicates that we're dealing with a major new talent whose deeper life extends from the spiritual into the musical." Christianity Todays Russ Breimeier stated "In a relatively short time Natalie Grant has earned a reputation for three things rather unique to her five-year career. First, she's released every album on a different record label. Both Benson and Pamplin have since closed their doors—'the curse' will likely end with Curb, which is relatively secure under the wings of Warner Brothers' Christian Music Division. Second, the Seattle-born artist is well-known for her protestations about being labeled a 'pop diva'. There is typically a negative connotation to the 'd'-word that flies in the face of Natalie's humble servant attitude and her desire to focus her music on the goodness of God. Unfortunately for her, the diva label is an apt description of her musical styling, which leads into the third unique trait. Despite her diminutive size, Natalie has an impressively big voice with enough nuance to hold her own among any of the classic pop divas (Mariah Carey, Celine Dion, Whitney Houston, take your pick), earning her multiple Dove nominations for Female Vocalist of the Year. Undeterred by collapsing record labels and pop music stereotypes, Natalie admirably presses on with Deeper Life, her third effort, by stretching her own artistic skills. Her previous album, Stronger (released in 2001), featured her first attempts at songwriting by co-writing a handful of tracks. On Deeper Life, she co-writes nearly every song. Additionally, Natalie steps up as co-producer of this album, joining a slew of A-list pop producers and songwriters: Tommy Simms (CeCe Winans, Anointed), Eric Foster White (Jessica Simpson, Whitney Houston), Bryan Lenox (Michael W. Smith, Ronnie Freeman), Bernie Herms (Plus One), and Rob Graves (songwriter and guitarist on Joy Williams's By Surprise). The approach on this project was to create an album that relied less on programmed pop and more on live musicians, and the results are indeed stunning. I daresay this is Natalie's best-sounding album yet. But we must keep it in perspective. This is still R&B-flavored; adult contemporary pop a la Mariah Carey, Jaci Velasquez, Kelly Clarkson, Jessica Simpson, and many others. It is most certainly not (as suggested by the press bio) the classic rock sound of Sheryl Crow or the modern pop/rock of Avril Lavigne. Christian adult contemporary and inspirational pop speaks for itself—some find it meaningful and poignant, while others find it clichéd and boring. In that spirit, the songs of Deeper Life are best explored for what they are—you'll know by the titles, lyrics, and styles if this music matches or offends your tastes. Nevertheless, there's no getting around Natalie's vocal prowess or the superior production, which means you're bound to be impressed with Deeper Life if you enjoy first-rate pop." Heather Marsden of Cross Rhythms claimed "This is Natalie Grant's third album and is positive proof that her new home at Curb Records is working well for her. The album opens with the upbeat title track 'Deeper Life', a poppy feel good song that's easy to pick up and sing along. 'Days Like These' and 'I Will Be' are in a similar style without being repetitions of the first song. The songs 'That's When I Give Up (On Loving You)', 'Live for Today' and 'I Desire' have a more acoustic rock kind of sound—similar to that of Michelle Branch. The bonus track 'No Sign of It' has been featured in the new Gwyneth Paltrow film View from the Top. Deeper Life contains some of Grant's best work, it's a great record with a good message, sure to please her growing number of fans and draw in some new ones." JesusFreakHideout's Shaun Stevenson remarked "Things haven't always been easy for Natalie Grant. After changing record companies twice, Grant has finally found a home with Curb Records. And now, with the release of Deeper Life, Grant is sure headed in the right direction with a solid third album. Albums are always opening with something upbeat these days, and Deeper Life opens things off in the right direction. With plenty of signature Grant sounds, the song really reflects what this album is all about: seeking the deeper life in Jesus Christ. Natalie Grant sure has something going for her. With this newest album, containing some of her strongest work to date, she's really outdone herself. A solid record, a solid message, and a solid musical base, Deeper Life is sure to please fans of Grant's previous work, and it's also sure to bring in new listeners. Trouble has come to Natalie Grant in the past, but now, there's no sign of it, and her skies are definitely clear today."
 Passage 2:In 2000, they released the self-titled demo, Transistor Revolt. Tintari left the band in the fall of that year before the recording of their full-length album. He was later replaced by Brandon Barnes of "Pinhead Circus". The band then signed with independent record label Fat Wreck Chords in 2001. They then released their debut album The Unraveling and spent the rest of the year touring. In 2002, Mr. Precision left and was replaced by Todd Mohney. The band returned to the studio in December 2002 to work on their second full-length album, Revolutions per Minute in 2003 and toured for the 2003 Warped Tour, which gained the band some success. Rise Against then signed to Dreamworks Records in late 2003 to begin the recording of their third record, but Dreamworks was shortly absorbed by the Universal Music Group, and Rise Against found itself with Major label Geffen Records. Todd Mohney, the band's guitarist at the time, left and was replaced by Chris Chasse and began the recording of their new album Siren Song of the Counter Culture. Siren Song of the Counter Culture was released on August 10, 2004 peaking at number 136 on the Billboard 200 album charts, gaining the band major critical and commercial success with the singles "Give It All, "Swing Life Away", and "Life Less Frightening".
 Passage 3:On June 28, 2007, Fernández was taken 24th overall in the NBA draft by the Phoenix Suns, who subsequently traded his draft rights along with James Jones to the Portland Trail Blazers for cash. Rudy Fernández announced at a press conference on Friday, June 6, 2008, that he would leave DKV Joventut to join the Portland Trail Blazers for the 2008–09 NBA season, and he signed a contract with the Blazers on July 1. "They [Portland] have shown a lot of interest in getting me and have assured me that I will be an important part in the team", he said. Fernández joined the NBA team on September 22, 2008. He became the eighth Spaniard to play in the NBA. For the 2008–09 NBA season he joined several other fellow Spaniards in the league that included Pau and Marc Gasol, Jose Calderón, and Trail Blazers teammate Sergio Rodríguez. He entered the NBA following his participation with the Spain national team at the 2008 Olympic basketball tournament in Beijing, China.


Output: 1


Input: Consider Input: Question: Was Johan's maternal grandfather still alive when he was born? Passage 1:Manmohan is a 1936 Indian Urdu/Hindi-language romantic tragedy film directed by Mehboob Khan. This was Khan's third film for Sagar Movietone after Al Hilal (1935) and Deccan Queen (1936). The cinematographer was Faredoon Irani who, starting from Mehboob Khan's Al Hilal (Judjement of Allah) (1935) went on to establish a long working relationship with him lasting till Khan's last film Son of India (1962). The music was composed by Ashok Ghosh assisted by Anil Biswas. The story writer was Zia Sarhadi who also wrote the lyrics, screenplay and dialogue in addition to acting in the film. Though he had started his writing career on Khan's backing for Deccan Queen (1936), it was with Manmohan that he achieved success. The film was inspired by Devdas, (1935), which was a big hit at the box office. Surendra was chosen as the singing star to rival K. L. Saigal from New Theatres Calcutta, whose songs from Devdas had mesmerised the nation. Though Manmohan was referred to as the "poor man's Devdas" it went on to do well and the songs became very popular. The film starred Bibbo, Surendra, Yakub, Kayam Ali, Bhudo Advani and Mehdi Raza.
 Passage 2:He was born on November 2, 1662, in Alatskivi Castle, then called Unanitz, in Swedish Livonia. He was the son of Joakim Cronman (1638–1703) and Lunetta Makeléer (1639–1693). Lunetta was the daughter of John Hans Makeléer who was a merchant and banker who had emigrated from Scotland to Sweden. Johan joined the military and was commissioned as a lieutenant with the Narva garrison, and second captain with the Närke and Värmland regiments in 1687. He was promoted to captain with the Zurlauben regiment in 1699, and was made a lieutenant-colonel in 1701. He was promoted to colonel of the Kronoberg Regiment in 1706. On July 11, 1709, he was at surrender at Perevolochna and held prisoner in Siberia until 1722. Johan returned to Sweden after his release and was promoted to lieutenant-general of the infantry in 1722. He was made a baron in 1727, and named the Governor of Malmö and commandant of Malmö Castle, both in 1727. Through his life, he fought in 13 battles, but was never wounded. He spoke 8 languages: Swedish, Latin, German, Estonian, Polish, Russian, French and Dutch. He died on July 26, 1737, at age 75. He had never married or had children.
 Passage 3:The season featured nine tropical cyclones, of which eight further intensified into tropical storms and six further intensified into hurricanes (including two major hurricanes). Impact throughout the year was widespread. In early July, Hurricane Arthur moved ashore near Cape Lookout, North Carolina, resulting in minor damage and one indirect death. In August, hurricanes Bertha and Cristobal moved across the southwestern Atlantic, causing minimal damage and several fatalities. In September, Tropical Storm Dolly moved ashore the coastline of eastern Mexico, killing one and inflicting unsubstantial damage, while Hurricane Edouard created large swells that impacted the East Coast of the United States and killed two people. In October, hurricanes Fay and Gonzalo moved ashore Bermuda, marking the first time more than one tropical cyclone made landfall on the island in a single season on record. Hanna impacted Central America later that month but caused no damage.



Output: 2