Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Example Input: CONTEXT: The source material is essentially a recollection of a life lived by an individual on his death bed. We are seeing these things through the lens of memory, so it is meant to be an almost first person account. There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality. That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story. I won't comment on whether it was successful. The closest thing I can think at this moment that has this sort of movement might be in Wes Anderson movies where suddenly the naturalistic feel is broken in favor of a staged play: the Zissou movie and "Moonrise Kingdom" both take similar but more obvious breaks from naturalism.  <sep>  Q: Why is the audience sliding around in this scene from Le Temps retrouvé? A: We are seeing these things through the lens of memory, so it is meant to be an almost first person account  Q: A first person account of what exactly? A: That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story  <sep> FOLLOWUP_Q: Is this why we see the camera panning around a lot?
Example Output: Yes

Example Input: CONTEXT: The plot by MI 6 and the CIA is to give Le Chiffre no choice but to turn himself in. They had no legal right to arrest him, lack of evidence and all. Once he lost the money, both organizations hoped the pressure by the real criminal contacts would force Chiffre to turn evidence over, instead of being killed. Both organizations are playing a long game in this. There was no expected immediate payout in the plan. If they arrest him, they would reveal their hand in the events and blow the operation. Additionally, Leiter was playing this by ear. The only reason the CIA could arrange this was because MI-6 decided it got too expensive and Bond was willing to work with them. It was a field decision that wasn't part of the actual CIA plan (Leiter was expected to win).  <sep>  Q: Why didn't Felix Leiter catch Le Chiffre after the game was done? A: Leiter was playing this by ear  <sep> FOLLOWUP_Q: What happened at the end of the game?
Example Output: Yes

Example Input: CONTEXT: Usually these kinds of stunts are done by some trained stunt men (dupe for the hero), they wear protective gear like lunatic vests. Mostly, you can see car drag scenes on a flat surface, off-road (where the friction is gonna' be less compared to rubberised roads) as it can be easiy performed with necessary protective gear and by a trained stunt man. But when it comes to on-road, they get the help of Computer Graphics.  <sep>  Q: How are car drag scenes filmed without hurting anyone?
Example Output:
Yes