In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

[Q]: What a soundtrack. Too bad the movie couldn't keep up. . This movie is one of cinema history's seminal examples of a soundtrack carrying a movie to success. "Saturday Night Fever" from a few years before is another example, but that movie could actually stand on its own. Jennifer Beales' torn neck sweater and table dancing routine aside, I don't think this one could.    I understand this movie is near and dear to the hearts of a lot of 80's children, and I will agree this is one of the all-time great soundtracks of cinema. The problem is, the movie's plot is a slow-moving, wasted opportunity.    Physically, Beales is sexy enough to keep your attention, and her portrayal of working-class girl in a man's job striving to express herself was a pretty novel idea when this movie was made. But her unsympathetic personality and mediocre acting undermine her character. Come to think of it, the acting all around is a bit weak.    But that's not the problem. The movie suffers from two fatal let-downs. The first is the plot itself. Feminism-affirming depictions aside, it's pretty simplistic, unimaginative stuff, even for a dance movie. What's worse is how slow it all moves. The drama sequences in-between dances drag on, straining your patience and sympathy for the character's plights.    The other more tragic flaw, since it is a movie about dance, is the cinematography. While it's certainly not the worst cinematography ever, (check out "the Limey" next time you want a headache.) the dance sequences look like they've been salvaged from scraps on the cutting room floor. We're supposed to be moved by Beales' character's natural talent, but for most of the movie we never get to see her do much except walk and pose in a crazy mashup of bad edits. By the time the final dance scene finally comes along, the drama of her audition performance is ruined by drawn-out, bad editing. It almost seems the judges let her into Juliard simply because she was able to stay in the air for longer than a minute.    Perhaps I'm a purist for asking for good dancing onscreen to consist of more than rapid-fire editing. But if it's a movie about dancing, one would think the least they could do is show dancing. Many movies before and after Flashdance managed to get this right ("Saturday Night Fever" certainly did, to its great success), but maybe nobody told this movie's director. It's a shame
[A]: NEG


[Q]: Best yet . I have season one thru season 4 and season 4 is the best of the series.  The cast has matured and so has the episodes.  Even though I had heard Johnny Depp did not really want to be there he does a great job with his character.
[A]: POS


[Q]: This is an artful piece of direction. . I'm not very familiar with the books of Daniel Handler (Lemony Snicket) but, even by judging this film alone, I'm going to say that his work appeals to me a lot more than Harry Potter. The kids enjoyed it a lot and after watching it they wanted a second round.     The story centers on three adorable and gifted children who're abruptly orphaned when their parents die in a mysterious fire. Their search for a new home and well-meaning new guardians is constantly interfered by the malicious Count Orlaf (Jim Carrey) who hunts after the Bauedelaires' family fortune. The main reason why this film is so genuinely unsettling is because the story relentlessly uncovers the deepest fear of every child, namely the death of parents and the large risk of ending up with ill-natured new guardians. Most fairy-tale don't even dare to bring up this nightmarish idea, but "Lemony Snicket..." entirely revolves around it. Equally effective are, of course, the ghoulish landscapes, the dark scenery and the amazingly eccentric characters. Most of the time, it feels like you're watching a typical Tim Burton film and that's a giant compliment, since his style is practically unique (sinister, witty and heart-warming all at once!).     There's a lot of CGI here but not to the point to annoy you, since all these exaggeratedly fake special effects (the leeches, Aunt Josephine's seaside-house) contribute to the morbid atmosphere. The cast is terrific as well, with Jim Carrey as Count Orlaf in one most memorable performance to date. I have to admit I initially feared that Carrey's performance would be far over-the-top, but he's surprisingly mature and convincing. The Bauedelaire-children are very well cast as well and so are Billy Connolly and Meryl Streep in the most important supportive roles. The great cast is completed with respectable names (Luiz Guzmï¿½n, Catherine O'Hara, Jennifer Coolidge, Cedric the Entertainer...) in small roles. Sublime film.    It's funny, it's interesting, it's creative! I recommend taking a chance on this one- if you like art, if you like Jim Carrey, and if you like unique plots, highly recommended for all type of audiences!
[A]:
POS