In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Ex Input:
Review: This is one of those films that I could only sit through once. Charlotte Henry is fine -- in fact, all the actors were fine. The problem was in the script, the dialog, the direction, the editing, the sets and the special effects. Granted, this was 1933, but it really creaked. Part of the problem is that actors like Richard Arlen, Gary Cooper, W.C. Fields and Cary Grant are not recognizable (there faces cried for a recognition that was not forthcoming). The movie just clumped along with no cohesion. Much of Lewis Carrols spirit, humor and continuity are missing. What a pity! It's such a great book. I would recommend Disney's 1951 version. Question: is it a negative review?

Ex Output:
yes


Ex Input:
Review: That's what the title should be, anyway.This movie combines guns, explosives, and mindless killing to make one flop of an "action" movie. Let me make my point in a series of questions: answers type deal.What happens in the movie? People die.Is that it? Yes.What is the plot about? What plot?What is the point the movie is trying to make? Killing is the only solution.What are the characters like? Extremely flawed and contradictive toward their own personalities.Is there anything good about this movie? Yes. I'm sure they used some nice Panavision cameras in filming it.If you like constant killing and greed, then watch the movie. If you happen to be repulsed by such low-standard "entertainment", then "Made Men" is not for you.To sum it up, the plotline stinks, the characters aren't worth their while, the storyline is completely resistable, and nothing fits together.This proves one thing: the actors, directors, and whoever helped make this movie certainly aren't "Made". Question: is it a positive review?

Ex Output:
no


Ex Input:
Review: Very low-budget police procedural film about homicide detectives trying to solve the murder of a woman whose body turns up in a stolen car in Central Park, and their only clue is a tattoo on her arm. Although released by RKO, this has the look of an independent production that was picked up by the studio for distribution. The cast and crew, with a few exceptions--among them a young and uncredited Jack Lord, director Edward Montagne and cameraman William Steiner--are comprised of complete unknowns, and it shows. The performances are universally sub-par and wouldn't pass muster in a high school training film, the direction is stodgy and choppy and, as mentioned previously, there's no chemistry whatsoever between the lead actors. However, despite the film's many shortcomings, it does have a few good points. The location shooting in New York City, and the film's ultra-low budget, gives it a gritty authenticity much like that of the far superior "The Naked City", a shootout in a dark basement is decently handled, and some of the investigating procedures are clever. Otherwise, it's not much to write home about. It is worth a look, however, for a glimpse at the seamier sections of New York City in the early 1950s, and old-car buffs will be ecstatic to see the legions of '30s and '40s cars in the streets.. Question: is it a negative review?

Ex Output:

yes