In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
eric rohmer 's " pauline at the beach , " is one of those small , deliberately paced , but charming foreign films in which not much happens plot wise , but a lot happens to the characters emotionally .
the film takes place during a few weeks of august at the normandy coast , and centers on six different characters , primarily pauline ( amanda langlet ) , a wise beyond her years 15-year - old who has come to stay for the summer with her older cousin , marion ( arielle dombasle ) .
on the first day at the beach , marion runs into an old high school flame ( fedoore atkine ) , and although he wants to rekindle their relationship , she is more interested in an older , more seductive womanizer ( pascal greggory ) , who is also secretly having an affair with a candy vendor ( rosette ) .
while pauline watches as an outsider at what is happening between all of the adults , she forms a relationship of her own with a young teenage boy ( simon de la brosse ) .
" pauline at the beach , " is not a film in which big dramatic things occur , and there is not a clear - cut , tidy conclusion to the story .
instead , it is a picture that simply observes its characters in every day life , and the surprises come from little character details .
the film is quite talky and slow moving , and so it is pretty safe to say it is n't for those who are only a fan of action movies , but is a treat for those viewers who often like to venture outside of the big - budget genre and see a good art film .
this is the first film by acclaimed director eric rohmer ( 1969 's " my night at mauds , " and 1971 's " claire 's knee " ) that i have seen , but his direction is assured and intelligent , as is the screenplay , which he also wrote .
" pauline at the beach , " is a film worth seeing .

Ex Output:
P


Ex Input:
it 's a shame
the execution of this concept falls very short of its premise .
the movie is lacking and most unsatisfying .
osmosis jones is crude , gross , disgusting , and was directed by the farrelly brothers - the twisted siblings behind there 's something about mary , me , myself and irene and a couple of other movies in which the humor is mostly targeted below the belt .
not that there 's anything wrong with scatology .
i bet even cavemen appreciated bathroom humor - such as it was .
it 's merely that with osmosis jones , the farrellys humor is too juvenile , too predictable .
you can almost foresee the puns just by viewing the part of the inner anatomy a sequence is drawn .
osmosis jones looks like one of those old health class movies gone psycho .
the trouble is , the animation may please the very young , but the jokes may be over their heads , while the teen - age audience may find it too tame for their tastes .
adults ?
well , let 's just say most will find it unappetizing
.
osmosis jones plays like a 100-minute infomercial for the eat healthy foods lobby .
the live action sequences revolve around frank ( bill murray ) , who seems to be the grungiest human being in the universe .
he continually looks as if he needs a shave and a shower .
frank , much to the consternation of his daughter , is a fast - food addict , eating anything - and everything - that can kill you .
he works at a zoo where the animals look cleaner - and presumably smell better - than he does .
frank 's body is invaded by thrax , a lethal virus , after frank eats a hard - boiled egg that had fallen to the ground .
it 's not gross enough that frank picks the egg up from the dirt and plops it into his mouth .
nope , the farrellys pile it on by first having frank wrestle a chimp for the egg , wresting it from the primate 's mouth .
like i said , the gross meter tips the scales on this one .
after ingesting the egg , the movie begins its animated sequences .
here , osmosis jones ( voiced by chris rock ) , a renegade white blood cell is teamed with drix ( voiced by frasier 's david hyde pierce ) , a 12-hour , painkiller cold capsule to battle thrax ( smoothly voiced by laurence fishburne ) .
basically , what we have is a cliched cop - buddy movie , rife with all the clich ?
s of that genre .
and this is why osmosis jones does n't click .
it merely falls back on tired , familiar conventions instead of creating new and exciting situations .
the jokes and puns are lame
: osmosis searches out a snitch , a former flu virus .
after pumping him for information , drix tells osmosis , " funny , he does n't look fluish .
"
and the jokes do n't rise above that level .
the live action scenes are no better .
frank is such a slob , so unappealing that it is difficult to fathom how he ever married or even sired a child .
he 's almost a bigger cartoon than the animated characters .
osmosis jones is a movie that may be too violent for young children as thrax burns and dissolves blood cells right and left .
the animation is rather two - dimensional and flat .
it lacks scope and depth .
it is an unappealing movie that will leave you scratching your head , and maybe leaning toward a shower after you walk out of the theater .

Ex Output:
N


Ex Input:
if the current trends of hollywood filmmaking continue , we are probably five or six years away from the moment when the 1980s would become the next golden age of movie nostalgia .
although some hollywood products already use the last decade as a background for their stories ( mostly in ironic way , like grosse pointe blank and romy & michelle 's high school reunion ) , some time should pass before the good memories of that era overcome the bad ones .
until that happens , 1980s would be remembered as the decade of greed , when the revolutionary ideals of 1960s turned into its cruel , materialistic opposite and the money became the only thing that matters .
contemporary movies are good in illustrating what was bad for the people who had to live in those times .
one of such movies , one that probably brings the essence of 1980s to the screen , is william friedkin 's to live and die in l .
a .
the money is n't just the symbolic motive in the film , it is the major elements of the plot .
rick masters ( willem dafoe ) is an ex - convict who used his artistic abilities in order to become one of the best counterfeiters in l . a . being too intelligent to fall into police traps , and ruthless enough to eliminate anybody or anything that could jeopardise his career
, masters managed to elude law for years and became well- connected .
richard chance ( william l .
petersen ) is a secret service agent , adrenaline junkie whose life gets new meaning after his partner got killed by masters .
however , his plans of bringing the counterfeiter down meet one obstacle after another .
finally he sets up a final sting , but his superiors deny him the necessary money . being frustrated , and against the reluctance of his new partner john vukovich ( bill pankow ) , he decides to get the money by robbing underworld courier .
their plan backfires with almost tragic consequences when their target turns out to be undercover fbi agent , but chance decides to carry out his scheme anyway .
like french connection , one of his previous masterpieces , this friedkin 's movie was inspired by real life .
gerrald petievich , author of the novel that later served as basis for his screenplay , spent many years working as a secret service agent .
that turned to be useful for the portrayal of that law enforcement agency , not much utilised by hollywood .
secret service millieu was also cleverly used in order to bring the viewer into the decade of greed ; the beginning scene where the movie 's hero works as a part of presidential security detail is a nice opportunity to hear reagan 's speech that could illustrate the political and economical notions of those times .
ultramaterialistic and egotistical view of the world is shared by almost any character in the movie .
willem dafoe
brilliantly portrays dangerous and intelligent psychopath , whose ruthlessness and lack of any moral fibber does n't seem like affliction in the reagan years ; on the contrary , those qualities actually makes masters socially acceptable .
compared with him , and all the other side characters that want their " piece of the action " , two heroes on the side of law seem like losers .
instead of being a classical good guy , secret service agent richard chance ( portrayed by william petersen in his most impressive role so far ) is nothing more than a lunatic whose adrenaline addiction and madness work against his better judgement ; his sidekick , who should serve as those " better judgement " is a weakling and sentimental fool that gets suckered in the end .
in such surroundings of moral decay , the not so happy , yet surprising ending does n't seem out of line ( although the very last shot leaves too much questions unanswered ) .
the dark atmosphere of l . a . - city of glamour and moral decay - is nicely captured by william friedkin 's directing skills .
the tight and realistic scripts with memorable characters ( portrayed by such capable actors like john turturro , dean stockwell , debra feuer , darlanne fleugel and steve james ) gave opportunity for friedkin to use another gimmick that made him famous in his 1971 masterpiece - great car chase .
that scene alone , with lot of realism , thrills and surprise twists , is worth seeing the rest of the film .
the soundtrack , provided by now almost forgotten band " wang chung " , is also one of the more memorable of that decade .
in every case , to live and die in l .
a .
is one of the rare movies in which hollywood actually tries to tell some unflattering truths about the world and succeeds in it .

Ex Output:

P