In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

Ex Input:
Question: What's an instrument strongly associated with the traditional music found in the album's sixth track? Passage:It opens with two club-driven tracks: an interlude titled "Bridge to the Sky", and the promotional titular song. "Disco-munication" is the second interlude on the album, blending "sophisticated" electric guitars with electronic music. "Energize" is another electronic track, and is one of the only numbers on the album that include English phases ("Put your hands up together, keep your heads up forever, let me sing forever,"). The fifth track "Sparkle" was noted as a club song with an electronic arrangement, similar to the follow-up song "Rollin'". Both tracks feature autotune and vocoder pro-tools, a first for Hamasaki. The album's sixth track, "Green", shows a departure from the album's earlier electronic style; it focuses more on older traditional Japanese sound, alongside instrumentation of electric guitars and drums. The album's third interlude, "Load of the Shugyo", was described as an "atmospheric" number with heavy rock instruments in its composition. Rock music is then influenced on the following tracks "Identity"—a song that discusses about self-confidence—the single "Rule", and the tune "Love 'n' Hate", which talks about the effects of lust. The album's fourth and final interlude "Pieces of Seven" was noted for its "atmospheric" sounds of an ocean, until the second half of the track diverges into a harder rock style. "Days" is the album's first pop ballad, and is described as a love song. It closes with the ballad "Curtain Call", which features a choir and piano riffs throughout its composition.


Ex Output:
The album's sixth track, "Green", shows a departure from the album's earlier electronic style; it focuses more on older traditional Japanese sound, alongside instrumentation of electric guitars and drums


Ex Input:
Question: How long had the show the most notable animation that moved over to WACY from WGBA been on at the time? Passage:By August 1995, the station – which would change its call sign that month to WACY-TV – benefited from WGBA's affiliation switch to NBC (due to WLUK-TV, channel 11, joining Fox). With WGBA now committed to NBC and its programming lineup, programs that WGBA no longer had room to broadcast were moved over to WACY, including some syndicated programming (most notably reruns of The Simpsons) and daytime children's programming. With this move, WACY adopted the "WACkY 32" branding for its kids' lineup (running roughly 6-11 a.m. and 1-5 p.m.), which over the years would include Garfield and Friends, Scooby-Doo, Dennis the Menace, Pokémon, Sailor Moon and Adventures of Sonic the Hedgehog; programs from the UPN Kids and The Disney Afternoon blocks (as well as from Kids' WB as the Green Bay television market did not have a full-time WB affiliate); and educational and informational-compliant programs like The New Zoo Revue. The live character "Cuddles the Clown" provided host continuity for "WACkY 32" programming. The station's children's lineup would dwindle over the years, thanks in part to increased cable competition from cable channels such as Cartoon Network and Nickelodeon and the decreased financial justification of airing a more-than-necessary amount of children's programming, although it would continue to air UPN's Disney's One Too until the network discontinued its daily children's block in 2003. After that, WACY would rely on general syndicated entertainment and infomercials for its daytime lineup.


Ex Output:
By August 1995, the station – which would change its call sign that month to WACY-TV – benefited from WGBA's affiliation switch to NBC (due to WLUK-TV, channel 11, joining Fox)


Ex Input:
Question: What were the names of the members of the group that sang "West End Girls"? Passage:The singing is done in soft British Received Pronunciation-style accents in the style of the Pet Shop Boys and their song "West End Girls", with Samberg additionally comparing the beat to the works of producer Timbaland. The video opens with Samberg in a night club singing as he is about to hit on a girl (Molly Sims). They head to her apartment, share a kiss in the hallway outside her door, but once she says that "she wants some more" (i.e. sex), he "jizzes" prematurely. He refuses to apologize, saying it would be "absurd" and blames the girl for overstimulating him by rubbing his "butt", before he goes home "and change[s]". Taccone is then shown in a grocery store (where Justin Timberlake makes a cameo appearance as a janitor) conversing with a check-out girl (Jamie-Lynn Sigler), but jizzes in his pants as well when she asks, "cash or credit?" After explaining that the way she bags cans got him "bothered and hot", he tells her that he will pay by check.


Ex Output:

The singing is done in soft British Received Pronunciation-style accents in the style of the Pet Shop Boys and their song "West End Girls", with Samberg additionally comparing the beat to the works of producer Timbaland