In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: synopsis : a mentally unstable man undergoing psychotherapy saves a boy from a potentially fatal accident and then falls in love with the boy 's mother , a fledgling restauranteur .
unsuccessfully attempting to gain the woman 's favor , he takes pictures of her and kills a number of people in his way .
comments : stalked is yet another in a seemingly endless string of spurned - psychos - getting - their - revenge type movies which are a stable category in the 1990s film industry , both theatrical and direct - to - video .
their proliferation may be due in part to the fact that they 're typically inexpensive to produce ( no special effects , no big name stars ) and serve as vehicles to flash nudity ( allowing them to frequent late - night cable television ) .
stalked wavers slightly from the norm in one respect : the psycho never actually has an affair ; on the contrary , he 's rejected rather quickly ( the psycho typically is an ex - lover , ex - wife , or ex - husband ) .
other than that , stalked is just another redundant entry doomed to collect dust on video shelves and viewed after midnight on cable .
stalked does not provide much suspense , though that is what it sets out to do .
interspersed throughout the opening credits , for instance , a serious - sounding narrator spouts statistics about stalkers and ponders what may cause a man to stalk ( it 's implicitly implied that all stalkers are men ) while pictures of a boy are shown on the screen .
after these credits , a snapshot of actor jay underwood appears .
the narrator states that " this is the story of daryl gleason " and tells the audience that he is the stalker .
of course , really , this is the story of restauranteur brooke daniels .
if the movie was meant to be about daryl , then it should have been called stalker not stalked .
okay .
so we know who the stalker is even before the movie starts ; no guesswork required .
stalked proceeds , then , as it begins : obvious , obvious , obvious .
the opening sequence , contrived quite a bit , brings daryl and brooke ( the victim ) together .
daryl obsesses over brooke , follows her around , and tries to woo her .
ultimately rejected by her , his plans become more and more desperate and elaborate .
these plans include the all - time , psycho - in - love , cliche : the murdered pet .
for some reason , this genre 's films require a dead pet to be found by the victim stalked .
stalked is no exception ( it 's a cat this time -- found in the shower ) .
events like these lead to the inevitable showdown between stalker and stalked , where only one survives ( guess who it invariably always is and you 'll guess the conclusion to this turkey ) .
stalked 's cast is uniformly adequate : not anything to write home about but also not all that bad either .
jay underwood , as the stalker , turns toward melodrama a bit too much .
he overdoes it , in other words , but he still manages to be creepy enough to pass as the type of stalker the story demands .
maryam d'abo , about the only actor close to being a star here
( she played the bond chick in the living daylights ) , is equally adequate as the " stalked " of the title , even though she seems too ditzy at times to be a strong , independent business - owner .
brooke ( d'abo ) needs to be ditzy , however , for the plot to proceed .
toward the end , for example , brooke has her suspicions about daryl .
to ensure he wo n't use it as another excuse to see her , brooke decides to return a toolbox he had left at her place to his house .
does she just leave the toolbox at the door when no one answers ?
of course not .
she tries the door , opens it , and wanders around the house .
when daryl returns , he enters the house , of course , so our heroine is in danger .
somehow , even though her car is parked at the front of the house , right by the front door , daryl is oblivious to her presence inside .
the whole episode places an incredible strain on the audience 's suspension of disbelief and questions the validity of either character 's intelligence .
stalked receives two stars because , even though
it is highly derivative and somewhat boring
, it is not so bad that it can not be watched .
rated r mostly for several murder scenes and brief nudity in a strip bar , it is not as offensive as many other thrillers in this genre are .
if you 're in the mood for a good suspense film , though , stake out something else .
Example Output: N

Example Input: you know , i never really wondered what the tarzan films would have been like had tarzan been an old man .
while watching instinct , i could n't help but acknowledge the way the film carelessly rehashes the well - explored themes of those earlier movies .
even beside the tarzan comparison , instinct just is n't a very good film .
it 's painfully idealistic , manipulative , and silly .
i did n't hate it -- it 's simply impossible for me to hate any film starring anthony hopkins ; furthermore , most of the acting is quite good .
but i can recognize instinct for what it is beyond my subjective admiration for the actors involved .
i can also recognize reasons for wanting to make instinct , and it 's pretty clear that this could have been a good film with a massive script overhaul and a director less interested in imitating movies like patch adams .
things start off in the predictable way , as director jon turtletaub introduces us to our hero , theo caulder ( cuba gooding , jr . ) , an ambitious , young psychiatrist under the supervision of an experienced , old psychiatrist ( donald sutherland ) .
caulder soon finds himself involved in the case of his life , the one he thinks will make him famous .
the subject is ethan powell ( hopkins ) , an anthropologist who has been living among gorillas in africa for the past two years .
powell has been charged with the brutal murders of several men in africa , and it 's now caulder 's job to find out of he 's mentally competent enough to stand trial .
through a series of short sessions , caulder tries to put together the complex psyche of powell .
even though it really is an old man version of tarzan , much of this central idea is rather interesting .
as i said , hopkins is captivating for every second he 's on screen ; he has a way of convincing us that he 's not acting , that he 's actually a man who has just spent two years of his life living with a family of wild gorillas .
the character himself is n't very interesting -- he 's just an anthropologist who really likes gorillas -- but hopkins makes him interesting with subtleties both in speech and action .
gooding jr .
does strong work opposite hopkins , playing caulder as an intelligent and flawed individual .
the screenplay , written by gerald di pego and " suggested by " a novel by daniel quinn , gives us no background information on caulder , but that seems to be the point
( he has no time for friends because he 's obsessed with his work ) .
nonetheless , these two actors are essentially the entire list of things that are good about instinct .
unfortunately , filmmaking this inept can mangle the effect of even the best acting .
turtletaub and di pego are both guilty of instinct 's artistic failure , for they work together to make the dumbest , most cliche - ridden environment in which their characters are to live , and they do so by means of brainless subplots .
first , we have the prison warden subplot .
the prison warden is evil and wants to stop caulder 's progress at any cost ; if this means taking caulder off the powell case , then that 's fine .
there 's also the prison guard subplot .
the prison guard is played by john ashton ; the prison guard seems to enjoy mercilessly beating upon the psychotics under his supervision , and he 's instrumental in helping the story along to its obvious conclusion .
then there 's the daughter subplot , in which maura tierney ( playing the daughter ) must look very upset a lot of the time ; after all , she is the daughter of a deranged man .
if some of this stuff sounds familiar , that 's because they 're all devices that have been used and reused in countless other films .
the evil doctor in patch adams is not unlike the evil warden here .
the offensive caricatures of mental patients lack the depth that the similar portrayals in one flew over the cuckoo 's nest had .
ashton 's evil prison guard pales in comparison to clancy brown 's in the shawshank redemption .
hopkins ' performance will undoubtedly remind audiences of his turn in the silence of the lambs .
and then there 's the whole tarzan thing , which is more than a little bit obvious through the entire film .
perhaps what irritates me most about instinct is the half - hearted attempt at philosophical depth .
the message powell brings back from the wild is not a subtle one : he thinks that humans are " takers , " that they expand and kill and that we should all just live like gorillas .
i can sympathize with that , but only when it 's in a compelling film .
this is the kind of stupid movie -- just like patch adams -- in which a big group of characters ( psychotic inmates , in this case ) rise against the evil forces oppressing them by tearing up playing cards .
what does any of this have to do with a man who has just spent two years of his life with gorillas ?
if all the subplots of instinct had been left on the cutting room floor , we would have had a thirty - minute movie far superior to the two - hour one that i watched today .
if the central idea had been developed beyond the old man tarzan premise , then we would really have had something interesting -- a movie that does n't rely on the strength of its actors .
Example Output: N

Example Input: ` we run tings .
tings do n't run we . '
-sound advice from capone ( paul campbell ) to his squaddie ( or partner ) , floyd ( winston bell ) .
jamaican film , shot entirely on video , featuring a standard cop movie plot mixed with a dash of john woo - styled brotherhood morals ( and a little gunplay ) .
capone , a tough as nails super cop , gets a transfer back to his hometown of kingston after successfully taking down some gangsters that have broken into his home ( while he was with his lady ) and killed his partner in front of him .
when he arrives , he discovers that the ghetto where he grew up has gotten worse , thanks mainly to the crime boss wonie ( jamaican film veteran carl bradshaw ) , so named because his left hand has been amputated and replaced by a grasping hook ) .
capone discovers that wonie has been smuggling guns inside shipments of charity supplies for the area churches and , much to his disappointment , also finds out his childhood friend ratty ( mark danvers ) has been helping him .
torn between doing his job and protecting his best friend , capone must make some hard decisions in order to make things right again . directed deftly by first time jamaican filmmaker chris browne ( assistant director for such american films as how stella got her groove back and instinct ) , one hardly notices the film was shot on video after a while .
shots are handled so efficiently that they quickly take on the nuances of the aforementioned john woo films , although the action is n't as hyperkinetic as most of woo 's films are .
the action scenes are handled with a kind of flair though , and eventually begin to take on a life of their own
( beyond the hong kong films that they are obviously patterned after ) .
the make - up effects are particularly good in these scenes as well , with flawless squib work on display from the effects team .
the cast is superb and listening to their dialogue , spoken with thick jamaican accents ( half of which have to be subtitled because of their extensive use of slang ) ,
just adds to the interest .
paul campbell , as the ` loose cannon ' capone
, essays his role perfectly , displaying the right amount of menace and compassion at the right times .
mark danvers evokes sympathy
as ratty , the part - time gun smuggler who is also trying to help the community by building football fields and organizing block parties to bring people together .
unfortunately , carl bradshaw is given the least to do and his character as the crime boss seems ineffective ( largely because his underlings seem to run all over him ) , but then again , that could be the way his character was intended to be portrayed .
the music in the film is composed of all reggae songs , and the soundtrack was produced by grammy award winning artists , sly and robbie ( who have worked with the likes of the rolling stones , maxi priest , bob dylan , james brown , grace jones , herbie hancock , bootsy collins , and carly simon among others ) .
the end credit song , ` we run tings ' , by the group red dragon , is pretty decent and carries on the theme of the movie established early on by the quote that opens this review .
oddly enough , desmond ballentine ( who plays the character deportee ) is well known as a pioneer in the realm of ` gangsta ' reggae as the performer ninjaman , and he does n't contribute a single song to the film ( that i could see ) , which is virtually unheard of here in the us .
at the time of this writing , third world cop has been put into limited theatrical release in the us , coming off of a six - month box - office breaking run in jamaica , where it holds the position as highest grossing film of all time ( bringing in $ 21 million in jamaica , which is roughly $ 500 , 000 us ) .
palm pictures ( the company that released the offbeat , but entertaining six - string samurai ) is the company releasing the film and considering that their main focus is the dvd market , i can imagine that a disc will be available once the film has left theaters .
chris blackwell , founder of palm pictures , was also involved in the production of another jamaican box - office smash in 1981 entitled countryman , so
i 'd say he has a pretty good track record .
overall , third world cop is a pretty entertaining homage to the films of john woo , ringo lam , tsui hark , and many other action films by directors from hong kong .
if action films are your thing and you do n't mind intermittent subtitles , then
you ca n't go wrong with this film .
the performances and the story are solid
( if only a little cliched ) and the action is tight .
i 'm not sure what the other jamaican films released in that country are like , but apparently third world cop 's honors are well deserved .
Example Output:
P