In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Input: Consider Input: The film can be seen as an allegory of post-World War II Eastern European political systems - told as a black-and-white cinematic poem with 39 long, single-camera takes. It examines the brutalization of a society, its political systems and ethics through the metaphor of a decaying circus whale and its star performer. It is set in a desolate, isolated small town in Hungary during Soviet times.The film starts with JÃ¡nos Valuska, a simple person, conducting a poem and dance with drunken bar patrons. The dance is of the total eclipse of the sun, which disturbs, then silences the animals. It finishes with the grand return of the warm sunlight.One of the significant reoccurring characters in this plot is the subtle transitions between light and darkness. The first appearance of this motif is a lamp in the bar, moving to a door into the darkness. The circus arrives like a Trojan Horse in the darkness of night. A window is opened as a glimmer of hope and dressed to shut out the world. The antagonist is only ever seen as a shadow.JÃ¡nos' uncle GyÃ¶rgy is a composer, and therefore one of the intelligentsia. GyÃ¶rgy observes the imperfection and compromise of the musical scale (as defined by Andreas Werckmeister a historical theorist). GyÃ¶rgy proposes changes to the scale to make it more harmonious. This utopian approach to music represents a flawed, naive idealism that never can be achieved; it is not developed any further in the film or the book. It is just a statement indicating that human governance will always be flawed.GyÃ¶rgy's estranged wife tries to leverage her political and social status by giving GyÃ¶rgy a list of names to recruit for the "clean up the town movement" (with the blessing of the police chief).However, a stuffed smelly circus whale and its star performer, Prince, come to town in the silence and darkness of night. This is a metaphor for a bloated political system and the unseen Prince who represents the power of politically inspired, emotive dogma.JÃ¡nos philosophizes about God and the beast.The post office workers are unsettled by the ominous signs of the circus' arrival and are disturbed by the cloud that settles over each town it visits, a reference to the spread of the externally imposed centralised monolithic government system onto all the Soviet buffer nations just after the war.GyÃ¶rgy's struggling cobbler brother gets the list and passes it on to the agitated throbbing masses in the town square who are unhappy at public services failing. GyÃ¶rgy's former wife sleeps with the drunk gun toting police chief.The presence of the whale and the Prince stir up the masses. JÃ¡nos overhears the circus master losing control of his faceless Prince, who is becoming drunk with his own voice of revolutionary dogma. The circus master disowns him. The Prince, now free, inflames the masses, and the people riot.The film is shot as a visual poem, and has been described as both beautiful and haunting. Lengthy single-shot scenes with a hypnotic and rhythmic pace build up to the peaceful observation of the thuggish destruction of the hospital and its patients. The rioters are brutal. Their inhumanity almost seems normal and natural. When the rioters finally come to beat a helpless old naked patient, they see their impotent, sad and powerless selves. The patients they are destroying in the hospital are themselves.After the riot, JÃ¡nos comes across the diary of a rioter. It explains that the rioters did not know what they were angry with; so they were angry at everything. Then it recounts the mobs horrendous rape of two working class post office girls.JÃ¡nos comes across his killed cobbler uncle who got naively involved in the riot. JÃ¡nos is told, by his cobbler uncle's wife, to leave town for his own safety.He is intercepted by a helicopter. He finds himself committed to a mental institution with caged beds (a tool of the time for dealing with political dissidents). JÃ¡nos appears drugged and broken.GyÃ¶rgy, his composer uncle, is evicted from their society house but gets to live in a shed in the garden whilst GyÃ¶rgy's former wife, with her new status as a collaborator, now occupies the big house with the police chief. The intelligentsia is displaced by political opportunism.GyÃ¶rgy tells a vacant JÃ¡nos, in the ward, that if he is released from the mental institution they can live contentedly together in the shed with his piano. GyÃ¶rgy also mentions that he has re-tuned the piano so that is now like any other, a personal capitulation apparently abandoning any present hopes of reform. JÃ¡nos just stares.It finishes with GyÃ¶rgy looking directly into the eye of the whale, then, walking away and looking back at the now sad and disheveled whale, destroyed by the rioters the night before, its rotting carcass slowly enveloped by the fog which gets whiter and brighter. Warm bright sunlight returns.

Output: What does the circus and cloud mean?


Input: Consider Input: The film starts with Jesse meeting Céline on a train from Budapest and striking up a conversation with her. Jesse is going to Vienna to catch a flight back to the United States, whereas Céline is returning to university in Paris after visiting her grandmother.When they reach Vienna, Jesse convinces Céline to disembark with him, saying that 10 or 20 years down the road, she might not be happy with her marriage and might wonder how her life would have been different if she had picked another guy, and this is a chance to realize that he himself is not that different from the rest; in his words, he is "the same boring, unmotivated guy." Jesse has to catch a flight early in the morning and does not have enough money to rent a room for the night, so they decide to roam around in Vienna.After visiting a few landmarks in Vienna, they share a kiss at the top of the Riesenrad ferris wheel at sunset and start to feel a romantic connection. As they continue to roam around the city, they begin to talk more openly with each other, with conversations ranging from topics about love, life, religion, and their observations of the city.Céline tells Jesse that her last boyfriend broke up with her six months ago, claiming that she "loved him too much". When questioned, Jesse reveals he had initially come to Europe to spend time with his girlfriend who was studying in Madrid, but they had broken up when she was avoiding him while he was there. He decided to take a cheap flight out of Europe, out of Vienna, but it didn't leave for two weeks so he bought a Eurail pass and traveled around Europe.When they are walking alongside a canal they are approached by a man who, instead of begging, offers to write them a poem with a word of their choice in it. Jesse and Céline decide on the word "milkshake", and are soon presented with the poem Delusion Angel (written for the film by the poet David Jewell).In a cafe, Jesse and Céline stage fake phone conversations with each other, playing each others' friends they pretend to call. Céline reveals that she was ready to get off the train with Jesse before he convinced her. Jesse reveals that after he broke up with his girlfriend, he bought a flight that really wasn't much cheaper, and all he really wanted was an escape from his life.They admit their attraction to each other and how the night has made them feel, though they understand that they probably won't see each other again when they leave. They simply decide to make the best of what time they have left, ending the night with the implication of a sexual encounter between them. At that point, Jesse explains that if given the choice, he'd marry her instead of never seeing her again. The film ends the next day at the train station, where the two hastily agree to meet together at the same place in six months as the train is about to leave.

Output: Who does Jesse meet on a train?


Input: Consider Input: Pamela Drury (Rachel Griffiths) is single and works as a serious journalist. She is unsatisfied and looking for a man in her life, but keeps thinking of Robert Dickson (David Roberts), to whom she said no 13 years ago. She then meets an interesting man, Ben (Sandy Winton) and follows him home, only to see him in a family situation through the window. Later she is hit by a car.The woman who drove the car is Pamela Dickson (Rachel Griffiths) - herself in another possible life, married to Robert. She takes her home, and the two of them talk in the kitchen. Suddenly the kids come home and Pamela Dickson disappears, leaving 'our' Pam in a house she has never seen before with three children she does not know! The children assume she is their mother, although they do not quite recognize her sometimes.She soon finds out that her alter ego Pamela Dickson lives in a dull marriage, and writes lightweight articles for a mainstream ladies magazine. She happens to meet Ben again, who in this time-line is a widower. She also manages to wake up Robert's interest and possibly enliven her marriage, but at the end of the movie the two women are switched back to their fomer lives. Pamela Drury is single again, but goes toward a happy end, when she meets Ben again, and finds out he is divorced (and that he seems to have dated the other Pamela for a while!).


Output: Who is Pamela married to in another life?