Given a document, find the main entity about whom the author is writing. Write the full name if mentioned in the text. Note that URLs in the text have been replaced with [Link].

Input: Consider Input: Lately  weâve been seeing a boom in TV dystopias. Two of the most successful premieres in the past few years have been HBOâs Westworld and Huluâs The Handmaidâs Tale: the former a solemn  plodding update of Michael Crichtonâs 1973 film  in which subjugated androids revolt and take over a theme park; the latter a stylish and compelling adaptation of Margaret Atwoodâs 1985 novel  in which the United States becomes a patriarchal theocracy. Other recent examples include Amazonâs The Man in the High Castle (based on Philip K. Dickâs 1962 novel about an alternate reality in which the Axis powers have won World War II)  HBOâs The Leftovers (about a world in which 2 percent of the population has mysteriously disappeared)  and Netflixâs new Altered Carbon (a cyberpunk gorefest based on a 2002 novel by Richard K. Morgan). Stretching the criteria a bit  one could perhaps include the long-running zombie odyssey The Walking Dead and its spin-off  Fear the Walking Dead  and sitcoms that play with dystopic elements  like The Good Place and The Last Man on Earth.
The success of Black Mirror is the proximate cause for the existence of  Philip K. Dickâs  Electric Dreams  also produced by Channel 4 and available here on Amazon. Dick  of course  is one of the past masters of the dystopia genre: His 1968 novel Do Androids Dream of Electric Sheep? was the basis for the seminal Ridley Scott film Blade Runner  and his work has been mined by Hollywood countless times ever since.  Electric Dreams  adapts 10 of  Dickâs  short stories  including âThe Hood Makerâ (which imagines a class war between telepaths and normal citizens  who resent their mindsâ being invaded) and âThe Father Thingâ (in which a childâs father is replaced by a sinister alien doppelgÃ¤nger).
 Electric Dreams  is slickly made and intermittently effective  but despite some half-hearted attempts to reimagine or update the material (the boy in âThe Father Thing â upon uncovering the alien conspiracy  posts a video on the Internet with the hashtag â#RESISTâ)  it doesnât really feel of our moment. Part of the problem is that Dickâs work has been adapted for film so many times already that itâs hard to watch a given episode of Electric Dreams  however well executed  and not compare it unfavorably  if unfairly  with Blade Runner  or Paul Verhoevenâs Total Recall  or Steven Spielberg âs  Minority Report.  Dickâs  sensibility is idiosyncratic and sui generis  but at this point it feels more like a piece of intellectual property than the amphetamine-fueled gnostic vision it once was. Is anybody âs  mind really blown by the is-our-world-real-or-just-a-simulation conundrum posed by âReal Life â for example  after weâve seen not only Total Recall but The Matrix and Westworld and a hundred other iterations of it?
The problem  however  isnât just overfamiliarity. Dystopias draw their power from an analysis of the present  and  Dick âs once-radical vision of the future is now as far in the past as H.G. Wellsâs was for  Dick  when  he  began writing. This is what Black Mirror  for all its flaws  has over Electric Dreams: The series feels like itâs about things that Brooker is genuinely worried about  not a dutiful tribute to what someone was worried about in the 1960s; itâs the future as seen from the 21st century  not the 20th. This problem is endemic to many of the recent dystopian shows. The fact that Westworld is based on a movie from 1973  and The Handmaidâs Tale on a novel from 1985  doesnât invalidate their value as entertainments or as cultural commentaries. But it does introduce concerns alien to the dystopiaâs imperative to take the worst of the present day and amplify it.

Output: Philip K. Dick


Input: Consider Input: The newspaper quoted Ma as saying: "Whether there will be reunification as expected by the mainland side depends very much on what is going to unfold in the next decade."
 Although the Presidential Office quickly produced a recording showing that Ma actually said "decades  " the issue is not about "decade" or "decades."
 Ma's major fault lies in his ignorance of Taiwan's independent sovereign status. There is no such issue as unification of the two sides of the Taiwan Strait. The term "unification" is just a term coined by China to camouflage its attempt to annex Taiwan.
 Ma's other mistake is his failure to recognize that only the 23 million people of Taiwan have the right to decide Taiwan's future. Since Taiwan and China are two different countries  China's 1.3 billion people should have no say in determining Taiwan's destiny. It is wrong to say that Taiwan's future would be jointly decided by people on both sides of the strait.
 Most threatening  is that Ma thinks  Taiwan  has resisted unification because "conditions are not ripe...We don't even know each other that well."
 Ma must remember that as a popularly elected president  he is obligated to defend Taiwan's national security and sovereignty. If he fails in his duty and lets the people down  he would be a traitor.

Output: Ma Ying-jeou


Input: Consider Input: Henda Ayari  a 39-year-old French Muslim author   says  she  was emboldened by all the French women outing and denouncing their sexual aggressors.
"I thought  these women are no different from  me  " said  Ayari  in an interview with Le Parisian. "I also have to denounce what he did to  me ."
So this week  five years after the alleged incident   she  did just that.
 Her  alleged aggressor is Tariq Ramadan  a top scholar of Islam. The 55-year-old theologian's bona fides include being professor of contemporary Islamic studies at Oxford University.
 Ayari  says Ramadan assaulted and raped  her  when  she  turned up for a meeting with  him  in a hotel suite in Paris in 2012.  She  says  he  slapped  her  in the face when  she  resisted.
" He  told me I came for that  and I deserved what I got. That I didn't wear the veil  so I was a prostitute " she told Le Parisian.
 Ayari  says  it  never entered  her  mind that  she  was in any danger when  she  went to  his  room. "I considered  him  like a father figure "  she  said.


Output: Henda Ayari