In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.
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Question: A fireball streaks across the desert sky and crashes. We see an aerial view of Sand Rock, Arizona in the late evening in the early spring. Inside an isolated ranch house outside of town we meet John Putnam (Richard Carlson) and his girlfriend Ellen Fields (Barbara Rush). He is an amateur astronomer, she the local school teacher. They sit in front of a fire in his partially completed home enjoying a cup of coffee. They walk outside to take in the night air when they spot the "meteor" from the opening shot.From inside the crater, by the old Excelsior Mine, we see a sphere partially exposed that looks like a soccer ball. A hexagonal shaped "door" opens and we see some weird machinery and in shadow one of the occupants--a single eyed blob of a creature. It exits the ship and explores the desert leaving in its wake a shimmery trail.John and Ellen charter Pete Davis (Dave Willock) to take them to the crater in his helicopter. They circle the crater and land near the rim. The three climb to the top and peer inside. John walks down to the floor of the newly formed crater insisting that Ellen and Pete stay up on the rim. John sees the ship partially buried in the side of the mine, and also notices the shimmery substance near the exit of the ship. He stretches his hand out to touch the glowing material, but hesitates when he notices something inside the ship and stands up to face it. The door closes and slams shut triggering an avalanche of loose debris, burying the ship and almost killing John. John climbs back out of the crater and explains what he saw, but Ellen and Pete do not believe him.Two cars approach the crater. Pete and Ellen beg John not to discuss what he saw--they think he was imagining it. Sheriff Matt Warren (Charles Drake) and Dave Loring (Alan Dexter), who runs the local newspaper, arrive on the scene. John starts to relay his story and the disbelief and ridicule starts. Three more cars arrive at the crater. John, Ellen, and Pete fly back to the airport. John and Ellen drive back to his house. Along the way they are being observed. They encounter the creature on the highway as it appears to block their path on the road. John pulls to the side of the road thinking they hit it. Finding nothing they continue down the road.The next morning the crater is a buzz of activity. A KLTV television news van pulls up. The Sheriff's office has set up a cordon around the crater admitting only authorized personnel. The military has sent a small group out to explore. John and Ellen arrive only to be hounded by the press. John is there to meet with Dr. Snell. Dugan (Robert Carson) from American Press, and Lober (Dick Pinner) from Press Dispatch want to question John about the Sand Rock Star newspaper headline, "Star Gazer Sees Martians". They get no answers and turn their attention to Ellen, who is equally reluctant to talk to the press. John walks down into the crater to talk to Dr. Snell (George Eldredge). His assistant, Bob (Bradford Jackson) is taking radioactivity measurements, but finds none. Snell is convinced it was just a meteor, and refuses Johns request to dig it out. As John heads back to his car, where Ellen was patiently waiting, he is confronted by Matt. He has known Ellen a long time and is concerned about her involvement with John. He is jealous. John and Ellen drive off.As they are driving the see the county telephone linemen, George (Russell Johnson), and his boss, Frank (Joe Sawyer). John asks them if they've seen anything. Frank tells them he's hearing something very strange on the wires. Frank and George head down the road and encounter the creature. As he exits the truck, George is attacked and "globbed" or absorbed. John and Ellen suspect something is wrong and turn around and head back in the same direction that George and Frank took. They find the empty telephone truck on the side of the road. John retrieves his gun from the car and they begin their search, starting with the truck. John notices blood on the truck door and the shimmery trail, a telltale sign of the xenomorph. George appears to them, but is behaving very strangely. John notices Frank's arm on the ground, unmoving, the rest of his body is hidden behind a boulder. John and Ellen head back to town to get the Sheriff. John states his conclusion that Frank is dead, and it appears that George was the perpetrator. The xenomorph, now masquerading as George explains things to the human George and Frank.The Sheriff reluctantly agrees to accompany John and Ellen back out to where they encountered George and Frank, but when they arrive the truck and any evidence is gone. The three drive back to town. The Sheriff returns to his office, but John notices George and Frank walking through town. John follows and confronts them. They warn John not to interfere.Back at the Excelsior Mine, miners Sam (Edgar Dearing) and Toby (Warren MacGregor) are building a fire just outside the mine opening. They are waiting for Tom (George Selk) to return with food. Tom and his mule are just about back to the mine when the mule is spooked, and runs off. Tom turns around and is confronted by the xenomorph and is "globbed" or absorbed. Sam and Toby think they hear something in the mine and enter it. As they exit the mine they are met by the creature and are also a globbed.John and Ellen are summoned to see the Sheriff that evening. Frank's wife (Virginia Mullen) and George's girlfriend Jane Dean (Kathleen Hughes) have reported them acting strangely and now missing. Their clothes are also missing. The sheriff questions John because he appears to be the last one to have spoken to either of them. Ellen takes Mrs. Daylon and Jane home in John's car. John stays with Matt to discuss the situation; he tells Matt that Frank and George are in fact the creatures from the space craft stuck in the crater. The sheriff tells John that electrical equipment has been stolen from the hardware store and that Dr. Snell and his assistant, Bob, have been reported missing. John and Matt go out to the crater and find Dr. Snell's car, but no trace of Snell or Bob.Ellen is driving alone on the highway when she encounters Frank standing in the middle of the highway. She stops and he gets into the car. Frank instructs Ellen to take him to the mine. Back at the Sheriff's office, the phone rings. It is for John, and he is informed that the xenomorphs have Ellen. The Sheriff and John drive out into the desert. John exits the car and searches for Ellen. He sees what appears to be Ellen on a ridgeline in a cocktail dress. He follows her. She leads him to the opening to the mine shaft. A voice from inside the mine tells John that they are repairing their ship and will be leaving that night. The missing townsfolk are being held hostage. John begs to see the creature as it really is. It shows itself and John is horrified and repelled. He returns to see Matt who has been waiting by the car. Matt drops John off at his house. John notices the door unlocked and a shimmering trail leading back to an empty closed. All of his clothes are missing.The Sheriff gives orders to clear everyone away from the crater. John tells Matt that he got a visit and his clothes are missing. Frank appears in town just outside the Sheriff's office. Matt is spoiling for a confrontation with the creature impersonating the lineman, but John restrains him. They fight. Frank drives off in his telephone truck. The Sheriff forms an impromptu posse as John steals his police car and heads off to the crater. The Sheriff intends to confront Frank on the highway. Taking a shortcut through the desert, he forms a vehicle barricade across the highway. As Frank approaches, the posse opens fire. The truck careens off the highway and hits a boulder and bursts into flame. Meanwhile John arrives at the mine entrance and enters. He finds alien Ellen. She tells John they only need a few more hours. She then attacks him with a wand that emits a beam that cuts through rock, but misses. He shoots her with his gun and she falls into a lake below and dissolves. The posse arrives outside as John continues his exploration of the old mine. He hears machinery and finds the aliens in their human form making repairs to their ship. The head xenomorph has assumed John's identity. He explains their mission and the equipment's power. John demands Ellen's release as a sign of good faith. Alien John reciprocates by ordering all the hostages released. As they depart the mine, alien John resumes his alien form. John seals the mine entrance with dynamite to keep the posse away from the aliens. The ground begins to rumble and the ship departs, streaking across the sky.

Answer: Question: Who are they protecting the aliens from?, Answer: From the sheriff


Question: The film can be seen as an allegory of post-World War II Eastern European political systems - told as a black-and-white cinematic poem with 39 long, single-camera takes. It examines the brutalization of a society, its political systems and ethics through the metaphor of a decaying circus whale and its star performer. It is set in a desolate, isolated small town in Hungary during Soviet times.The film starts with JÃ¡nos Valuska, a simple person, conducting a poem and dance with drunken bar patrons. The dance is of the total eclipse of the sun, which disturbs, then silences the animals. It finishes with the grand return of the warm sunlight.One of the significant reoccurring characters in this plot is the subtle transitions between light and darkness. The first appearance of this motif is a lamp in the bar, moving to a door into the darkness. The circus arrives like a Trojan Horse in the darkness of night. A window is opened as a glimmer of hope and dressed to shut out the world. The antagonist is only ever seen as a shadow.JÃ¡nos' uncle GyÃ¶rgy is a composer, and therefore one of the intelligentsia. GyÃ¶rgy observes the imperfection and compromise of the musical scale (as defined by Andreas Werckmeister a historical theorist). GyÃ¶rgy proposes changes to the scale to make it more harmonious. This utopian approach to music represents a flawed, naive idealism that never can be achieved; it is not developed any further in the film or the book. It is just a statement indicating that human governance will always be flawed.GyÃ¶rgy's estranged wife tries to leverage her political and social status by giving GyÃ¶rgy a list of names to recruit for the "clean up the town movement" (with the blessing of the police chief).However, a stuffed smelly circus whale and its star performer, Prince, come to town in the silence and darkness of night. This is a metaphor for a bloated political system and the unseen Prince who represents the power of politically inspired, emotive dogma.JÃ¡nos philosophizes about God and the beast.The post office workers are unsettled by the ominous signs of the circus' arrival and are disturbed by the cloud that settles over each town it visits, a reference to the spread of the externally imposed centralised monolithic government system onto all the Soviet buffer nations just after the war.GyÃ¶rgy's struggling cobbler brother gets the list and passes it on to the agitated throbbing masses in the town square who are unhappy at public services failing. GyÃ¶rgy's former wife sleeps with the drunk gun toting police chief.The presence of the whale and the Prince stir up the masses. JÃ¡nos overhears the circus master losing control of his faceless Prince, who is becoming drunk with his own voice of revolutionary dogma. The circus master disowns him. The Prince, now free, inflames the masses, and the people riot.The film is shot as a visual poem, and has been described as both beautiful and haunting. Lengthy single-shot scenes with a hypnotic and rhythmic pace build up to the peaceful observation of the thuggish destruction of the hospital and its patients. The rioters are brutal. Their inhumanity almost seems normal and natural. When the rioters finally come to beat a helpless old naked patient, they see their impotent, sad and powerless selves. The patients they are destroying in the hospital are themselves.After the riot, JÃ¡nos comes across the diary of a rioter. It explains that the rioters did not know what they were angry with; so they were angry at everything. Then it recounts the mobs horrendous rape of two working class post office girls.JÃ¡nos comes across his killed cobbler uncle who got naively involved in the riot. JÃ¡nos is told, by his cobbler uncle's wife, to leave town for his own safety.He is intercepted by a helicopter. He finds himself committed to a mental institution with caged beds (a tool of the time for dealing with political dissidents). JÃ¡nos appears drugged and broken.GyÃ¶rgy, his composer uncle, is evicted from their society house but gets to live in a shed in the garden whilst GyÃ¶rgy's former wife, with her new status as a collaborator, now occupies the big house with the police chief. The intelligentsia is displaced by political opportunism.GyÃ¶rgy tells a vacant JÃ¡nos, in the ward, that if he is released from the mental institution they can live contentedly together in the shed with his piano. GyÃ¶rgy also mentions that he has re-tuned the piano so that is now like any other, a personal capitulation apparently abandoning any present hopes of reform. JÃ¡nos just stares.It finishes with GyÃ¶rgy looking directly into the eye of the whale, then, walking away and looking back at the now sad and disheveled whale, destroyed by the rioters the night before, its rotting carcass slowly enveloped by the fog which gets whiter and brighter. Warm bright sunlight returns.

Answer: Question: Where is his composer uncle evicted from?, Answer: the society house


Question: A group of travelling players peregrinates through Greece attempting to perform the popular erotic drama Golfo The Shepherdess. In a first level the film focuses on the historical events between 1939 and 1952 as they are experienced by the travelling players and as they affect the villages which they visit: The last year of Metaxas' fascist dictatorship, the war against the Italians, the Nazi occupation, the liberation, the civil war between left and right wingers, the British and American interventionism in the Greek politics. In a second level the characters live their own drama of jealousy and betrayal, with its roots in the ancient myth of the House of Atreus. Agamemnon, a Greek refugee from Asia Minor, goes to war against the Italians in 1940, joins the resistance against the Germans, and is executed by them after being betrayed by Clytemnestra and Aegisthos. Aegisthos, Clytemnestra's lover, is an informer and collaborator working with the German occupiers. Orestes, son of Agamemnon and Clytemnestra, fights on the side of the leftists, avenges his father's death by killing his mother and Aegisthos. He is arrested in 1949 for his guerrilla activities and is executed in prison in 1951. Electra, his sister, helps the leftists and aids her brother in avenging the treachery of their mother and Aegisthos. After the death of Orestes she continues the work of the troupe and her relationship with Pylades. Chrysotheme, Electra's younger sister, collaborates with the Germans, prostitutes herself during the occupation, sides with the British during liberation, and later marries an American. Pylades, close friend of Orestes, is a Communist who is exiled by the Metaxas regime, joins the guerrillas and is arrested and exiled again. Finally he is forced to sign a written denunciation of the left after torture by the right wing and he is released from prison in 1950.

Answer:
Question: Pylades is exiled by which regime?, Answer: Metaxas