In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: moviemaking is a lot like being the general manager of an nfl team in the post - salary cap era -- you 've got to know how to allocate your resources .
every dollar spent on a free - agent defensive tackle is one less dollar than you can spend on linebackers or safeties or centers .
in the nfl , this leads to teams like the detroit lions , who boast a superstar running back with a huge contract , but can only field five guys named herb to block for him .
in the movies , you end up with films like " spawn " , with a huge special - effects budget but not enough money to hire any recognizable actors .
jackie chan is the barry sanders of moviemaking .
he spins and darts across the screen like sanders cutting back through the defensive line .
watching jackie in operation condor as he drives his motorcycle through the crowded streets of madrid , fleeing an armada of pursuers in identical black compact cars , is reminiscent of sanders running for daylight with the chicago bears in hot pursuit , except that sanders does n't have to worry about rescuing runaway baby carriages .
but like the lions star , jackie does n't have anybody to block for him .
almost every cent that 's invested in a jackie chan movie goes for stunts , and as chan does his own stunts , the rest of the money goes to pay his hospital bills .
this leaves about 75 cents to pay for things like directors ( chan directs ) , scripts and dubbing and supporting characters , not to mention the hideous title sequence .
this also explains why the movie was shot in odd places like morocco and spain .
( chan 's first release in this country , " rumble in the bronx " , was supposedly set in new york , but was filmed in vancouver , and in the chase scenes the canadian rockies are clearly visible . )
heck , jackie does n't even have enough money for a haircut , looks like , much less a personal hairstylist .
in condor , chan plays the same character he 's always played , himself ,
a mixture of bruce lee and tim allen , a master of both kung - fu and slapstick - fu .
jackie is sent by the un to retrieve a cache of lost nazi gold in the north african desert , and is chased by a horde of neo - nazi sympathizers and two stereotypical arabs ( one of the things i like about jackie chan movies : no political correctness ) .
he is joined by three women , who have little to do except scream , " jackie , save us ! " , and misuse firearms .
the villain is an old nazi whose legs were broken in the secret base so that he has to be carried everywhere , and he 's more pathetic than evil .
en route , we have an extended motorcycle chase scene , a hilarious fight in the moroccan version of motel 6 with the neo - nazis , and two confrontations with savage natives .
once at the secret desert base , there is a long chop - socky sequence , followed by the film 's centerpiece , a wind - tunnel fight that 's even better than the one in face / off .
this is where the money was spent , on well - choreographed kung - fu sequences , on giant kevlar hamster balls , on smashed - up crates of bananas , and on scorpions .
ignore the gaping holes in the plot ( how , exactly , if the villain 's legs were broken , did he escape from the secret nazi base , and why did n't he take the key with him ? ) .
do n't worry about the production values , or what , exactly , the japanese girl was doing hitchhiking across the sahara .
just go see the movie .
operation condor has pretentions of being a " raiders of the lost ark " knockoff , but one wonders what jackie could do with the raiders franchise blocking for him -- with a lawrence kazdan screenplay , a john williams score , spielberg directing and george lucas producing , condor might be an a+ movie .
however , you 've got to go with what you 've got , and what you 've got in jackie chan is something special -- a talent that mainstream hollywood should , could , and ought to utilize .

Output: P


Input: Consider Input: "
when you get out of jail , you can kill him .
" starring ashley judd , tommy lee jones , bruce greenwood .
rated r. double jeopardy is a lurid , prepostrous thriller that 's also one of the year 's most enjoyable .
it 's an uncompromisingly brutal , cheerfully anarchic , hyperactive actioner
that has a mission and never diverts from it .
there is not a moment here when the events on screen do n't have a direct bearing on the plot ; once the film gets going it never stops .
it has been branded as the female version of the fugitive and that 's probably a correct assessment of the plot , but the film itself has little in common with the 1993 andrew davis / harrison ford collaboration besides the presence of star tommy lee jones .
not even bothering with character introduction , director bruce beresford floors the gas pedal from the get - go and never finds the brake .
we meet , rather hastily , libby and nick parsons ( ashley judd and bruce greenwood , respectively ) a seemingly happy married couple , with a son matty , age 4 .
they go out on a sailboat one night , and after a period of some rockin ' sex , they go to sleep .
libby hears a strange noise , wakes up and discovers that she is covered with blood .
she follows a red trail to the upper deck , where she finds a knife and , out of astonishment , picks it up .
at that convenient moment , the coast guard shows up and libby is arrested .
her lawyer , a friend , puts up a defense in court , but though we know she is innocent , the evidence against her is too compelling .
her friend adopts her son and she goes to prison .
once in prison , she makes a phone call to her friend .
her friend gives her son the phone .
nick walks in the room .
little matty screams " daddy !
"
the phone goes dead .
libby realizes that the man she is imprisoned for killing is n't even dead .
she gets some advice from a prisoner / former lawyer , who tells her that since the state already convicted her of killing her husband , they ca n't convict her of the same crime again , meaning that when she gets paroled she can kill him and they ca n't touch her .
after a weirdly short amount of time , she gets out of parole .
she is sent to live at a house with other recent parolees , under the command of parole officer travis lehman ( tommy lee jones ) .
she sets out on a mission to find her husband and get her son back , which turns out to be much more difficult than anticipated .
she winds up tracking him all the way to new orleans where she finds out that he has long killed his girlfriend and her son 's " adopter " .
double jeopardy is based on an assumption that is legally false .
the law stating that nobody can be convicted twice for the same crime assumes that it is the same crime : same time , same place , same circumstances .
it 's not like it matters .
this is a rollickingly good thriller ; intense , exciting , fast and furious .
it 's silly alright , but this is the kind of film you just do n't question .
in some films , plausibility is everything .
double jeopardy , however , is not concerned with making sense : its sole purpose is to entertain , and it does .
judd helps the film tremendously in a difficult role .
this is her breakout box - office performance , and she is terrific .
she brings some emotion to what could have been a one - dimensional role , giving the movie a little soul to go along with its effective chase scenes and action set pieces .
tommy lee jones basically just reprises the role for which he won an oscar in the fugitive , but the movie makes good use of his stone - faced wit .
thankfully , too , double jeopardy refrains from developing a romance between libby and travis ; a subplot which doubtlessly would have interfered with the film 's story .
this is one of those movies where cops are the bad guys , and i took a sort of sick pleasure in that .
the sheer anarchy of the proceedings was nothing short of wonderful , as ashley judd kicks the crap out of every authority figure in the book .
after all the idealistic hollywood features featuring hero cops , deft fbi agents and the virtues of the american legal system , it 's great to see a movie that does n't so much demonstrate their fallacy as it delights in their failure .
double jeopardy is really good , but it is n't the kind of good that is remembered or recognized with awards .
it 's one of those movies better viewed with the brain turned off , otherwise , your brain will be busy ruining your experience .
this is a thriller that is n't concerned with being smart or plausible .
instead it diverts all attention to the action , which , this year , is second to none .

Output: P


Input: Consider Input: one of my favorite songs by the stranglers includes the lyric , " you 'd better watch out for the skin deep .
"
i 'd like to extend the same warning : watch out for skin deep , but whatever you do do n't watch skin deep .
skin deep is a tedious and uneven comedy written and directed by blake edwards .
john ritter stars as zach , a dried up writer and insatiable womanizer with a big - time drinking problem .
i never saw edwards ' comedy the man who loved women , but i have to wonder whether skin deep is a remake .
you see , to put it mildly , zach goes to bed with just about each and every woman he meets .
as the movie opens , zach 's wife , alex , catches him with not only his mistress but also his mistress ' hairdresser .
like any sensible wife , alex kicks zach out of the house and divorces him .
in response , zach goes on a spiritual journey of drinking , womanizing , psychotherapy , and self - discovery .
if you 're turned on by the idea of watching ritter drink , get arrested , have sex , drink , crash his mercedes , have more sex , drink , get arrested again , drink , and sing horrendously at the piano , then skin deep should be right up your alley .
skin deep makes the fatal mistake of inflicting on us unbelievable and unsympathetic characters .
zach is a rich , ' 80s l . a . version of ritter 's jack tripper character from " three 's company .
"
like jack , zach is clumsy and inept ; he 's the type of guy whose bad aim makes him accidently squirt breath freshener into his eye .
zach is supposed to be charming and charismatic , but i failed to see even one redeeming virtue in him .
consequently , i never felt the least bit of sympathy or pity for the philandering alcoholic during his moments of crisis .
in fact , when zach crashes his ex - wife 's wedding in a desperate attempt to stop her from remarrying , i actually rooted for her to go through with the ceremony .
to add insult to injury
, edwards gives his large supporting cast nothing but stereotypes with which to work .
for instance , vincent gardenia 's talents are wasted in his role as the fatherly bartender .
of all the women in the film -- and there are many -- alyson reed , alone , stands out as zach 's wife ; reed brings intelligence and sensitivity to the role .
because we do n't care the slightest bit about anyone in skin deep
, the film 's few feeble attempts at drama inevitably fail .
the comedy in skin deep does n't fare much better .
most of the jokes are dumb , predictable , and sitcomish .
about every ten minutes , however , edwards does manage to come up with a good line or a novel sight - gag , the most effective of which involves a pair of " dueling " condoms .
overall , the laughs in skin deep are just too infrequent and
the characters just too shallow for the film to stay afloat .
my final criticism of the film lies in its glamorous depiction of alcohol and alcoholism .
zach 's excessive drinking is clearly ruining his life , but nevertheless it seems to give him more pleasure than pain .
zach 's drinking binges never have any truly serious or lasting consequences .
if he crashes his mercedes , he gets a new one .
if he gets arrested , his lawyer bails him out of jail .
if his wife leaves him , she will eventually decide to give him a second chance if he 'll clean up his act .
the tone in skin deep is all wrong ; edwards treats a very serious issue far too lightly , making a joke out of a problem that is no joking matter .
perhaps edwards should have studied dudley moore in arthur or , better yet , michael keaton in clean and sober before making skin deep .


Output: N