In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Q: Passage: Conversely, another rock genre, Britpop, emerged in part as a reaction against the dominance of grunge in the United Kingdom. In contrast to the dourness of grunge, Britpop was defined by "youthful exuberance and desire for recognition". The leading Britpop bands, "Blur and Oasis[,] exist[ed] as reactionary forces to [grunge's] eternal downcast glare."  Britpop artists' new approach was inspired by Blur's tour of the United States in the spring of 1992. Justine Frischmann, formerly of Suede and leader of Elastica (and at the time in a relationship with Damon Albarn) explained, "Damon and I felt like we were in the thick of it at that point ... it occurred to us that Nirvana were out there, and people were very interested in American music, and there should be some sort of manifesto for the return of Britishness."Britpop artists were vocal about their disdain for grunge. In a 1993 NME interview, Damon Albarn of Britpop band Blur agreed with interviewer John Harris' assertion that Blur was an "anti-grunge band", and said, "Well, that's good. If punk was about getting rid of hippies, then I'm getting rid of grunge" (ironically Kurt Cobain once cited Blur as his favorite band). Noel Gallagher of Oasis, while a fan of Nirvana, wrote music that refuted the pessimistic nature of grunge. Gallagher noted in 2006 that the 1994 Oasis single "Live Forever" "was written in the middle of grunge and all that, and I remember Nirvana had a tune called 'I Hate Myself and I Want to Die,' and I was like ... 'Well, I'm not fucking having that.' As much as I fucking like him [Cobain] and all that shit, I'm not having that. I can't have people like that coming over here, on smack [heroin], fucking saying that they hate themselves and they wanna die. That's fucking rubbish.".

A: What was the full name of the person that said "there should be some sort of manifesto for the return of Britishness"?
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Q: Passage: The first eruptions of Nevado del Ruiz occurred about 1.8 million years ago at the beginning of the Pleistocene epoch. Three primary eruption periods in the history of the massif have been identified: ancestral, older and present. During the ancestral period between one million to two million years ago, a complex of large stratovolcanoes was created. Between 1.0 million and 0.8 million years ago, they partially collapsed, forming large (5–10 km wide) calderas. During the older period, which lasted from 0.8 million to 0.2 million years ago, a new complex of large stratovolcanoes developed (including Older Ruiz, Tolima, Quindio, and Santa Isabel). Once again explosive summit calderas formed from 0.2 million to 0.15 million years ago.The present period began about 150,000 years ago and involved the development of the present volcanic edifice through the emplacement of lava domes made of andesite and dacite (igneous rocks) inside older calderas. During the past 11,000 years, Nevado del Ruiz passed through at least 12 eruption stages, which included multiple slope failures (rock avalanches), pyroclastic flows and lahars leading to partial destruction of the summit domes. During the past several thousand years, eruptions of the volcanoes in the Ruiz–Tolima massif have mostly been small, and the pyroclastic flow deposits have been much less voluminous than during the Pleistocene. Since the volcano's earlier eruptions are not recorded, volcanologists have used tephrochronology to date them.During recorded history, eruptions have consisted primarily of a central vent eruption (in the caldera) followed by an explosive eruption, then lahars. Ruiz's earliest identified Holocene eruption was about 6660 BC, and further eruptions occurred in 1245 BC ± 150 years (dated through radiocarbon dating), about 850 BC, 200 BC ± 100 years, 350 AD ± 300 years, 675 AD ± 50 years, in 1350, 1541 (perhaps), 1570, 1595, 1623, 1805, 1826, 1828 (perhaps),[b] 1829, 1831, 1833 (perhaps),[b] 1845, 1916, December 1984 – March 1985, September 1985 – July 1991, and possibly in April 1994.[b] Many of these eruptions involved a central vent eruption, a flank vent eruption, and a phreatic (steam) explosion. Ruiz is the second-most active volcano in Colombia after Galeras.

A: What partially collapsed, forming large (5–10 km wide) calderas?
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Q: Passage: After it became clear that Boult would have to leave the BBC, Thomas Russell, the managing director of the London Philharmonic Orchestra (LPO), offered him the post of principal conductor of the LPO in succession to Eduard van Beinum.  In the 1930s the LPO had flourished, but since Beecham's departure in 1940, it had struggled to survive. Boult was well known to the orchestra, having been among the musicians who came to its aid in 1940. He took over as chief conductor of the LPO in June 1950, immediately after leaving the BBC, and threw himself into the task of rebuilding it. In the early years of his conductorship, the finances of the LPO were perilous, and Boult subsidised the orchestra from his own funds for some time. The need to earn money obliged the orchestra to play many more concerts than its rivals. In the 1949–50 season, the LPO gave 248 concerts, compared with 55 by the BBC Symphony Orchestra, 103 by the London Symphony Orchestra, and 32 apiece by the Philharmonia and Royal Philharmonic orchestras.
Although he had worked extensively in the studio for the BBC, Boult had, up to this point, recorded only a part of his large repertoire for the gramophone.  With the LPO he began a series of commercial recordings that continued at a varying rate for the rest of his working life. Their first recordings together were Elgar's Falstaff, Mahler's Lieder eines fahrenden Gesellen with the mezzo Blanche Thebom, and Beethoven's First Symphony. The work of the new team was greeted with approval by the reviewers. Of the Elgar, The Gramophone wrote, "I have heard no other conductor approach [Boult's] performance. ... His newly adopted orchestra responds admirably". In The Manchester Guardian, Neville Cardus wrote, "Nobody is better able than Sir Adrian Boult to expound the subtly mingled contents of this master work."In January 1951 Boult and the LPO made a tour of Germany, described by Kennedy as "gruelling", with 12 concerts on 12 successive days. The symphonies they played were Beethoven's Seventh, Haydn's London, No 104, Brahms's First, Schumann's Fourth and Schubert's Great C major. The other works were Elgar's Introduction and Allegro, Holst's The Perfect Fool ballet music, Richard Strauss's Don Juan, and Stravinsky's Firebird.

A:
What is the last name of the person who was offered a post in the London Philharmonic Orchestra?
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