You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Example Input:  The action is set during World War I. While John Clayton, Lord Greystoke (Tarzan) is away from his plantation home in British East Africa, it is destroyed by invading German troops from Tanganyika. On his return he discovers among many burned bodies one that appears to be the corpse of his wife, Jane Porter Clayton. Another fatality is the Waziri warrior Wasimbu, left crucified by the Germans. (Wasimbu's father Muviro, first mentioned in this story, goes on to play a prominent role in later Tarzan novels.)
Maddened, the ape-man seeks revenge not only on the perpetrators of the tragedy but all Germans, and sets out for the battle front of the war in east Africa. On the way he has a run-in with a lion (or Numa, as it is called by the apes among whom Tarzan was raised), which he traps in a gulch by blocking the entrance. At the front he infiltrates the German headquarters and seizes Major Schneider, the officer he believes led the raid on his estate. Returning to the gulch, he throws his captive to the lion. Tarzan goes on to help the British in the battle in various ways, including setting the lion loose in the enemy trenches, and kills von Goss, another German officer involved in the attack on the Greystoke estate.
He then becomes embroiled in the affairs of Bertha Kircher, a woman he has seen in both the German and British camps, and believes to be a German spy, particularly after he learns she possesses his mother's locket, which he had given as a gift to Jane. His efforts to retrieve it lead him to a rendezvous between Kircher and Captain Fritz Schneider, brother of the major Tarzan threw to the lion previously, and the actual commander of the force that burned the estate. Killing Schneider, Tarzan believes his vengeance complete. Abandoning his vendetta against the Germans he departs for the jungle, swearing off all company with mankind.
Seeking a band of Mangani, the apes among whom he had been raised, Tarzan crosses a desert, undergoing great privations. Indeed, the desert is almost his undoing. He only survives by feigning death to lure a vulture (Ska in the ape language) following him into his reach; he then catches and devours the vulture, which gives him the strength to go on. The scene is a powerful one, a highlight both of the novel and of the Tarzan series as a whole.
On the other side of the desert Tarzan locates the ape band. While with them he once again encounters Bertha Kircher, who has just escaped from Sergeant Usanga, leader a troop of native deserters from the German army, by whom she had been taken captive. Despite his suspicion of Bertha, Tarzan's natural chivalry leads him to grant her shelter and protection among the apes. Later he himself falls captive to the tribe of cannibals the deserters have sheltered among, along with Harold Percy Smith-Oldwick, a British aviator who has been forced down in the jungle. Learning of Tarzan's plight, Bertha heroically leads the apes against the natives and frees them both.
Smith-Oldwick becomes infatuated with Bertha, and they search for his downed plane. They find it, but are captured again by Usanga, who attempts to fly off in it with Bertha. Tarzan arrives in time to board the plane as it takes off and throw Usanga from the plane. Smith-Oldwick and Bertha Kircher then try to pilot it back across the desert to civilization, but fail to make it. Seeing the plane go down, Tarzan once more sets out to rescue them. On the way he encounters another Numa, this one an unusual black lion caught in a pit trap, and frees it.
He, the two lovers and the lion are soon reunited, but attacked by warriors from the lost city of Xuja, hidden in a secret desert valley. Tarzan is left for dead and Bertha and Smith-Oldwick taken prisoner. The Xujans are masters of the local lions and worshippers of parrots and monkeys. They are also completely insane as a consequence of long inbreeding. Recovering, Tarzan once more comes to the rescue of his companions, aided by the lion he had saved earlier. But the Xujans pursue them and they turn at bay to make one last stand. The day is saved by a search party from Smith-Oldwick's unit, who turn the tide.
Afterward, Tarzan and Smith-Oldwick find out that Bertha is a double agent who has actually been working for the British. Tarzan also learns from the diary of the deceased Fritz Schneider that Jane might still be alive.
Example Output: Who destroys Lord Greystroke's home?

Example Input:  In 1959, Alfred Hitchcock opens his latest film, North by Northwest, to considerable success, but is troubled by a reporter's insinuation that it is time to retire. Seeking to reclaim the artistic daring of his youth, Hitchcock turns down film proposals like adapting Casino Royale in favor of a horror novel called Psycho by Robert Bloch, which is based on the crimes of murderer Ed Gein. Gein appears in sequences throughout the film in which he seems to prompt Hitchcock's imagination regarding the Psycho story, or act as some function of Hitchcock's subconscious mind (for instance, drawing Hitchcock's attention to sand on his bathroom floor, the quantity of which reveals how much time his wife Alma has been spending at the beachhouse with Whitfield Cook).
Hitchcock's wife and artistic collaborator, Alma, is no more enthusiastic about the idea than his colleagues, especially since she is being lobbied by their writer friend, Whitfield Cook, to look at his own screenplay. However, she warms to Hitchcock's proposal, suggesting the innovative plot turn of killing the female lead early in the film. The studio heads at Paramount prove more difficult to persuade, forcing Hitchcock to finance the film personally and use his Alfred Hitchcock Presents television crew (over at competitor Revue/Universal) to produce the film. (As this film completed his contract with Paramount, all subsequent films were made at Universal.)
However, the pressures of the production, such as dealing with Geoffrey Shurlock of the Motion Picture Production Code, and Hitchcock's lecherous habits, such as when they confer with the female lead, Janet Leigh, annoy Alma. She begins a personal writing collaboration with Whitfield Cook on his screenplay at his beach house without Hitchcock's knowledge. Hitchcock eventually discovers what she has been doing and suspects her of having an affair. This concern affects Hitchcock's work on Psycho. Hitchcock eventually confronts Alma and asks her if she is having an affair. Alma angrily denies it.
Alma temporarily takes over production of the film when Hitchcock is bedridden after collapsing from overwork, but this sequence, which included a complicated process shot showing Arbogast's demise, with Alma's specification of a 35mm lens, instead of the 50mm lens preferred by Hitchcock for this film, proved to be the least effective in the film.
Meanwhile, Hitchcock expresses his disappointment to Vera Miles at how she didn't follow through on his plan to make her the next biggest star after Grace Kelly; but Miles says she is happy with her family life.
Hitchcock's cut of Psycho is poorly received by the studio executives, while Alma discovers Whitfield having sex with a younger woman at his beach house. Hitchcock and Alma reconcile and set to work on improving the film. Their renewed collaboration yields results, culminating in Alma convincing Hitchcock to accept their composer's suggestion for adding Bernard Herrmann's harsh strings score to the shower scene.
After maneuvering Shurlock into leaving the film's content largely intact, Hitchcock learns the studio is only going to exhibit the film in two theaters. Hitchcock arranges for special theater instructions to pique the public's interest such as forbidding admittance after the film begins. At the film's premiere, Hitchcock first views the audience from the projection booth, looking out through its small window at the audience (a scene which recalls his spying on his leading actresses undressing earlier in the film by looking through a hole cut in the dressing room wall which itself is a voyeuristic motif included in the film of Psycho). Hitchcock then waits in the lobby for the audience's reaction, conducting slashing motions to their reactions as they scream on cue. The film is rewarded with an enthusiastic reception.
With the film's screening being so well received, Hitchcock publicly thanks his wife afterward for helping make it possible and they affirm their love. At the conclusion at his home, Hitchcock addresses the audience noting Psycho proved a major high point of his career and he is currently pondering his next project. A raven lands on his shoulder as a reference to The Birds, before turning to meet with his wife.
The final title cards say that Hitchcock directed six more films after Psycho, none of which would eclipse its commercial success, and although he never won an Oscar, the American Film Institute awarded him its Life Achievement Award in 1979 - an award he claimed he shared, as he had his life, with his wife, Alma.
Example Output: How many pictures did Hitchcock direct after Psycho?

Example Input:  Foreword
The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections.
Volume One
The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views.
Volume Two
Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England.
Volume Three
With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks.
Volume Four
In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy.
Volume Five
Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected.
Volume Six
Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless.
Volume Seven
Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate.
Volume Eight
The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
Example Output:
What country is Carver Hall in according to the story?