In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[Q]: Question: What company did Diane von Fürstenberg work with Erdem Moralıoğlu at in New York? Passage:Erdem Moralioglu is a Canadian and Turkish fashion designer. He was born in Montreal, Quebec, Canada to a Turkish father and an English mother (Nee Jeavons) and grew up between Montreal and Birmingham, England. A graduate of Marianopolis College, he earned a B.A. in fashion from Ryerson University in Toronto, Ontario, Canada and then worked as an intern for Vivienne Westwood. Erdem moved to London in 2000 to study fashion at the Royal College of Art on a Chevening Scholarship. Upon receiving his master's degree in 2003, he went on to close the 2003 RCA show with his graduate collection. He then moved to New York where he worked alongside Diane von Fürstenberg before relocating back to London to launch his own label, ERDEM, in 2005.

[A]: b


[Q]: Question: Did the production of La fille du regiment have more shows at the Royal Opera House or at the Vienna State Opera? Passage:The year 2007 saw Dessay premiering Laurent Pelly's production of La fille du régiment at the London Royal Opera House in January and the Vienna State Opera in April. She performed the title role in Manon at the Liceu in Barcelona in June/July and opened the season at the Metropolitan Opera in the new Mary Zimmerman production of Lucia di Lammermoor. She returned in the same season to sing Lucia again and subsequently reprised in Pelly's production of La fille du régiment. She went on performing Lucia at the San Francisco Opera and a joint concert with tenor Jonas Kaufmann at Le Corum in Montpellier as part of the Festival de Radio France et Montpellier. In October, she sang Manon at the Lyric Opera of Chicago.

[A]: a


[Q]: Question: Was the publication that employed Peter Travers in operation before 1965? Passage:Film critic Roger Ebert wrote that the film was "kind of sweet and kind of goofy, and works because its heart is in the right place". Hal Hinson of The Washington Post said that the film "is hopelessly syrupy, preposterous and more than a little bit lame, but, still, somehow it got to me". Vincent Canby of The New York Times, said that the film "is to the mind what freshly discarded chewing gum is to the sole of a shoe: an irritant that slows movement without any real danger of stopping it". Entertainment Weekly gave the film a "B−" rating and Owen Gleiberman praised Tomei's performance: "With her flashing dark eyes and libidinous overbite, Tomei is adorable — she looks like a flirtatious bunny rabbit — but what's astonishing is the range of expression that passes over those delectable features". Rolling Stone magazine's Peter Travers wrote, "The Rain Man-Dying Young elements in Tom Sierchio's script are pitfalls that Slater dodges with a wonderfully appealing performance. His love scenes with the dazzling Tomei have an uncommon delicacy". In his review for The New Yorker, Anthony Lane praised Tomei for bringing "startling high spirits to a dullish role. She snatches moments of happiness out of the air and shares them out to anyone who’s around". Mike Clark, in his review for USA Today, wrote, "Director Tony Bill (My Bodyguard) is adept both in the yarn's meticulous buildup and in his handling of the actors".

[A]:
b