In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

[Q]: Question: How long had Fenway Art School been operating the year Vassos moved to Boston? Passage:Vassos moved to Boston, Massachusetts in 1919, where he attended the Fenway Art School at night. He studied alongside American artist John Singer Sargent and worked as an assistant for Joseph Urban. In 1924 he moved to New York, where he attended the Art Students League of New York, studying under George Bridgman, John Sloan, and others. He opened his own studio creating window displays for department stores, like Wanamakers, murals, and advertisements for Saks Fifth Avenue, Bonwit Teller, and Packard Motor Cars in his unique black and white illustrated style. At the same time, he illustrated a series of books by Oscar Wilde for E.P. Dutton followed by others including Phobia on which he based his life-long design focus on psychology, his area of expertise as noted by Fortune Magazine's list of top designers in the country. He entered the emergent field of industrial design and was hired by rapidly-growing RCA Victor, under the leadership of David Sarnoff, who discovered Vassos while painting murals at the WCAU skyscraper in Philadelphia. The company had recently acquired Victor Phonograph, built Radio City, and owned NBC Broadcasting, but needed to amplify and modernize their radio manufacturing business. By hiring Vassos, an up-and-coming industrial designer who created their first Styling department, launched Vassos on a four-decade relationship with the company for whom he designed hundreds of items, while also consulting for numerous other clients like Coca-Cola, Waterman, Universal Artists, Remington, and the United States Government. Vassos's work as an interior designer included the Chrysler Building apartment of photographer Margaret Bourke-White, Nedick's Hot Dog stands, displays for RCA in department stores and the World's Fair,and many others for which he employed modular furniture. He eschewed trendy styles like the extreme-streamlined look, popular in the 1930s, and favored the clean, modern look unadorned with unnecessary elements. He expressed his design philosophy for magazines like Pencil Points and in lectures on modern design and art. Although he was hailed as a top designer in the United States during the 1930s, he slipped away from the spotlight of his industrial design peers like Raymond Loewy, Henry Dreyfuss, and Norman Bel Geddes, largely because he did not open a large firm. Unique among the industrial designers of the 20th century, his work was focused on the intersections between interior decorating, furniture design, and the shapes of phonographs, radios and televisions. His contributions include creating a futuristic living room including television, the slide rule dial on radios, emphasis on the haptic experience of media (knobs and buttons), and the "user experience," years before this term was coined.
 Links: a. Art Students League of New York b. Colleges of the Fenway c. Norman Bel Geddes d. Bonwit Teller
[A]: b


[Q]: Question: When was the Bronze age? Passage:It was first studied by Lorraine Copeland and Peter Wescombe in 1965–1966. A wide variety of materials were recovered from the site and its immediate area that are now held in the Saint Joseph University in Beirut. Stone tools from the surface included numerous short, wide, sickle blades with fine denticulation or nibbling along with tanged arrowheads, scrapers, chisels, axes, burins, obsidian and a small green stone axe. Pottery resembled middle periods at Byblos and coloured similar to at Ard Tlaili with red or black washes. Both fine and coarse shards were found of jars with a variety of collared and flared necks and flat bases along with bow rims such as those found at Jericho. Vessels were decorated with stabbed and incised designs, finger pressed around the rim and smoothed by hand or with straw. A painted lattice pattern was detected on at least one piece. Comparisons were made with middle and late Neolithic periods at Byblos showing inhabitation from several phases. The site was also used in Bronze Age and Classical times and material from these phases has been found over a wide area around the site.
 Links: a. Neolithic b. Byblos c. Bronze Age d. Jericho
[A]: c


[Q]: Question: Which of the first two clubs Dennis Coughlin played for had the better record? Passage:Coughlin began his career at Shiney Row St Oswald's, before moving on to Durham City. In 1957, Coughlin signed for Football League club Barnsley. Over the course of three years, Coughlin failed to make an appearance for Barnsley and moved to Yeovil Town. In March 1963, Coughlin moved back to the Football League, signing for Bournemouth & Boscombe Athletic. Coughlin made 88 appearances for the club, scoring 40 times. In August 1966, Coughlin signed for Swansea Town, in a deal that saw Ken Pound go the other way to Bournemouth. In March 1968, after ten goals in 40 league games for Swansea, Coughlin signed for Exeter City on loan. Coughlin scored two goals in 13 appearances for Exeter, returning to Non-League football with Chelmsford City ahead of the 1968–69 season. Coughlin later played for King's Lynn and Bedford Town, before returning to his native Tyne and Wear to play for South Shields.
 Links: a. Yeovil Town F.C. b. Durham City A.F.C. c. Durham City A.F.C. d. Ken Pound
[A]:
b