You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

[EX Q]:  The novel opens with Rebecca's journey to Riverboro, to live with her two aunts, Miranda and Jane Sawyer. Until this time, she has lived on the family farm. Rebecca is the second eldest of seven children. Most of the children have fanciful names, such as Marquis and Jenny Lind, influenced by their father's artistic background (Rebecca is named after both the heroines in Ivanhoe). The family is quite poor, due to the number of children, Mr. Randall's inability to stick to a job, and the farm being mortgaged. At the beginning of the novel, he has been dead for three years and the family is barely scraping by. Rebecca's stay with her aunt is a chance to improve her opportunities in life and to ease the strain on her family's budget, with one less mouth to feed. Despite her impoverished background, Rebecca is imaginative and charming. She often composes little poems and songs to express her feelings or to amuse her younger brothers and sisters. It is she who named their farm "Sunnybrook".
Miranda and Jane had wanted Hannah, the eldest sister, due to her pragmatic nature and household skills, but her mother needs her at home for the same reason. She sends Rebecca instead. Miranda is unimpressed by Rebecca's imagination and sallow complexion and says she's the image of her shiftless father, Lorenzo DeMedici Randall. Miranda determines to do her duty and train Rebecca to be a proper young lady, so she will not shame the Sawyer name. Jane takes on the role of Rebecca's protector and acts as a buffer between her niece and her sister. Jane teaches Rebecca to sew, cook and manage a household. Rebecca's liveliness and curiosity brighten Jane's life and refresh her spirit. Although Rebecca strives to win Miranda's approval she finds it hard to live up to Miranda's rigid standards. Rebecca is up against Miranda's view of her as "all Randall and no Sawyer".
The middle of the novel is for the most part a description of life at Riverboro and its inhabitants. Important characters are Jeremiah Cobb and his wife Sarah, who first encounter Rebecca's charm; Rebecca's schoolfellow and best friend, Emma Jane Perkins; and Adam Ladd, a young businessman who takes an interest in Rebecca's education. Adam meets Rebecca when she and Emma Jane are selling soap to help a poor family receive a lamp as a premium. Rebecca nicknames him "Mr. Aladdin".
Rebecca proves to be a good student, especially in English, and goes on to attend high school in Wareham. In the last section of the book Rebecca has become a young lady with the same high spirit and a talent for writing. She applies for a teaching place in Augusta, but her mother falls ill and Rebecca must return to care for her and the farm. While Rebecca is away from Riverboro, Miranda dies and leaves the Sawyer house and land to Rebecca. A railway company will buy Sunnybrook Farm for construction purposes and this gives the Randall family a sufficient living. Thanks to Miranda's will, Rebecca now has enough money to become an independent woman and help her siblings. The novel ends with her exclaiming, "God bless Aunt Miranda! God bless the brick house that was! God bless the brick house that is to be!"
[EX A]: Who died and left the Sawyer house and land to Rebecca?

[EX Q]:  Pierre Delacroix (whose real name is Peerless Dothan), is an uptight, Harvard University-educated black man, working for the television network CNS. At work, he has to endure torment from his boss Thomas Dunwitty, a tactless, boorish white man. Not only does Dunwitty use AAVE, and use the word "nigger" repeatedly in conversations, he also proudly proclaims that he is more black than Delacroix and that he can use nigger since he is married to a black woman and has two mixed-race children. Dunwitty frequently rejects Delacroix's scripts for television series that portray black people in positive, intelligent scenarios, dismissing them as "Cosby clones".
In an effort to escape his contract through being fired, Delacroix develops a minstrel show with the help of his personal assistant Sloane Hopkins. Mantan: The New Millennium Minstrel Show features black actors in blackface, extremely racist jokes and puns, and offensively stereotyped CGI-animated cartoons that caricature the leading stars of the new show. Delacroix and Hopkins recruit two impoverished street performers   Manray, named after American artist Man Ray, and Womack   to star in the show. While Womack is horrified when Delacroix tells him details about the show, Manray sees it as his big chance to become rich and famous for his tap-dancing skills.
To Delacroix's horror, not only does Dunwitty enthusiastically endorse the show, it also becomes hugely successful. As soon as the show premieres, Manray and Womack become big stars, while Delacroix, contrary to his original stated intent, defends the show as being satirical. Delacroix quickly embraces the show, his newfound fame and awards while Hopkins becomes horrified at the racist nightmare she has helped to unleash. Meanwhile, an underground, militant rap group called the Mau Maus, led by Hopkins' older brother Julius, becomes increasingly angry at the content of the show. Though they had earlier unsuccessfully auditioned for the program's live band position, the group plans to bring the show down using violence.
Eventually, Womack quits, fed up with the show and Manray's increasing ego. Manray and Hopkins grow closer, which angers Delacroix. When he attempts to sabotage their relationship, they only grow closer. Delacroix confronts Hopkins, and when she lashes back at him, he fires her. Then she shows him a videotape she created of racist footage culled from assorted media to shame Delacroix into stopping production of the show, but he refuses to watch it. After an argument with Delacroix, Manray realizes he is being exploited and defiantly announces that he will no longer wear blackface. He appears in front of the studio audience, who are all in blackface, during a TV taping and does his dance number in his regular clothing. The network executives immediately turn against Manray, and Dunwitty (who is also wearing blackface) fires him.
The Mau Maus kidnap Manray and announce his public execution via live webcast. The authorities work feverishly to track down the source of the internet feed, but Manray is nevertheless assassinated while doing his famous tap dancing. At his office, Delacroix (now in blackface make-up himself, mourning Manray's death) fantasizes that the various coon-themed antique collectibles in his office are staring him down and coming to life; in a rage, he destroys many of the racist collectibles. The police kill all the members of The Mau Maus except for a white member known as "One-Sixteenth Black", who tearfully proclaims that he is "black" and demands to die with the rest of his group.
Furious, Hopkins confronts Delacroix at gunpoint with her brother's revolver and demands that he play her tape. As the tape plays, Hopkins reminds him of the lives that were ruined because of his actions. Then Delacroix tries to get the gun from her, but is shot in the stomach. Hopkins, horrified, flees while proclaiming that it was Delacroix's own fault that he got shot. Delacroix, holding the gun in his hands to make his gunshot wound appear self-inflicted, watches the tape as he lies dying on the floor. The film concludes with a long montage of racially insensitive and demeaning clips of black characters from Hollywood films of the first half of the 20th century. After the montage, as the cameras point to Delacroix's dead body on the floor, the camera then shows Manray doing his last Mantan sequence on stage.
[EX A]: Why does Manray refuse to wear blackface?

[EX Q]:  As children, Sammy and Terry Prescott lost their parents to a car accident. Years later, Sammy (Laura Linney), a single mother and lending officer at a bank, still lives in her childhood home in Scottsville, New York, while Terry (Mark Ruffalo) has drifted around the country, scraping by and getting in and out of trouble.
After months of no communication with his sister, Terry is desperate for money, so he comes to visit her and her son Rudy (Rory Culkin) who are excited about reuniting with him. Sammy lends him the money, which he mails back to his girlfriend. After the girlfriend attempts suicide, he decides to extend his stay with his sister, which she welcomes.
For a school writing assignment, Rudy imagines his absent father as a fantastic hero. Sammy only gives him vague descriptions of the truth while Terry lets his feelings be known about Rudy Sr.'s abandonment. Sammy rekindles a relationship with an old boyfriend, but is surprised when he proposes to her after a short time. She needs time to consider it.
At the bank, the new manager, Brian (Matthew Broderick), tries to make his mark with unusual demands about computer color schemes and daily timesheets. He is particularly tough on Sammy, requesting that she make arrangements for someone else to pick up her son from the school bus rather than leaving work. After some minor arguments, they end up having an affair, despite Brian's wife's being six months pregnant.
Terry grows close to Rudy during their time together. Yet he pushes the limits of Sammy's parental control during a late-night game of pool at a bar. She turns to her minister (Kenneth Lonergan) to counsel Terry about his outlook on life. While Terry resists his sister's advice, he stays on good terms with his nephew. Realizing her own questionable decisions, Sammy turns down her boyfriend's marriage proposal and breaks off her relationship with Brian.
After a day of fishing, Terry and Rudy decide to visit Rudy Sr. in the town of Auburn. Confronted by his past, Rudy Sr. (Josh Lucas) is incensed, leading Terry to assault him and get arrested.
Sammy brings her brother and son home and asks Terry to move out, which he does the next day. He plans to go back to Alaska and scoffs at Sammy's suggestion to remain in town and get his life back on track. While at first it appears the separation will be another heartache, they reconcile before Terry leaves, coming to terms with their respective lifestyles.
[EX A]:
Where is the Prescott's childhood home?