instruction:
Given a paragraph about movies, and a set of conversational question answers about the paragraph, answer a follow-up question from the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.
question:
CONTEXT: I believe that being raised as a wight requires active work on the part of the Walkers; I don't believe anyone killed by a wight will resurrect themselves automatically. Beyond that, I don't think we know all of the details about how that process works, what's required, etc. The only time, as far as I can remember, that we've seen it at work is the huge battle near the end of Season 5, where the Night King personally raised an army of dead wildlings as wights. It's also pretty clear that the characters in-universe don't understand it either. The Night's Watch is hyper-aware of the possibility of their dead coming back to life. They have burned the corpses of dead Night's Watchmen before. In fact, I believe in the Saason 6 trailer we've seen them trying to burn Jon's body as well, despite there being little chance of a Walker getting near it.  <sep>  Q: Requirements to join the Wights (The Army of the Dead) A: I believe that being raised as a wight requires active work on the part of the Walkers  Q: What is the process? A: Beyond that, I don't think we know all of the details about how that process works, what's required, etc  <sep> FOLLOWUP_Q: Do you have any examples?
answer:
The only time, as far as I can remember, that we've seen it at work is the huge battle near the end of Season 5


question:
CONTEXT: The movie is an adaptation of Peter Shaffer's play of the same name, which suffers from the same criticism of historical accuracy. I can't find any references to hand, but I imagine that Shaffer was using the historical setting to stage a story of artistic genius and professional rivalry that makes such a good story, and that accuracy was somewhat secondary. It is true that Salieri and Mozart were professional rivals, and that Mozart fairly obviously was the more successful - but it is also clear that their rivalry did not descend into hatred nor that Salieri had any part in Mozart's death, despite rumors. On a positive front the movie makes it very clear that Salieri admires and respects Mozart's abilities, and you could argue that the movie is less about professional rivalry, than about Salieri's argument with God about his somewhat less stellar skills.  <sep>  Q: Why is the Salieri-Mozart relationship projected falsely in the movie Amadeus? A: you could argue that the movie is less about professional rivalry, than about Salieri's argument with God about his somewhat less stellar skills  <sep> FOLLOWUP_Q: So, are you saying it wasn't based on factual events?
answer:
It is true that Salieri and Mozart were professional rivals


question:
CONTEXT: What he wants was to have a normal life, because a normal life was the way to be in a relationship with MJ. Being Spider-Man moves him further and further way from his own life (family, friends, college, work and, most importantly, Mary Jane). He subconsciously wants to stop being Spider-Man. After the talk with the doctor he realizes he has a choice, and we can see the confrontation of this yearning of a simple life with MJ against his guilt of not using his powers for good, which is represented by Uncle Ben in the car scene: MJ gets abducted because of her relationship to Peter (not Spider-Man), so in spite of his choice of not being with her to spare her from being used against Spider-Man, they get to her anyway, and the only way to save her is to be Spider-Man. Here both goals become aligned: wanting MJ and wanting to be Spider-Man are now the same thing. So to use his powers again and go have her, he needs to focus on what he wants now: be Spider-Man to save Mary Jane.  <sep>  Q: What does Peter Parker want in Spider-Man 2 (2004)? A: What he wants was to have a normal life  Q: What else does he want? A: to be in a relationship with MJ  Q: Anything else? A: He subconsciously wants to stop being Spider-Man  Q: Why would he want to do that? A: After the talk with the doctor he realizes he has a choice, and we can see the confrontation of this yearning of a simple life with MJ  <sep> FOLLOWUP_Q: Can you tell me more about that?
answer:

his guilt of not using his powers for good, which is represented by Uncle Ben in the car scene