In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[EX Q]: Question: What is the faculty size of the school where adjunct professor of playwriting, acting and directing in the Department of Theatre and Dance? Passage:Harold Athol Lanigan Fugard OIS (born 11 June 1932) is a South African playwright, novelist, actor, and director who writes in South African English. He is best known for his political plays opposing the system of apartheid and for the 2005 Academy Award-winning film of his novel Tsotsi, directed by Gavin Hood. Fugard was an adjunct professor of playwriting, acting and directing in the Department of Theatre and Dance at the University of California, San Diego. For the academic year 2000–2001, he was the IU Class of 1963 Wells Scholar Professor at Indiana University, in Bloomington, Indiana. He is the recipient of many awards, honours, and honorary degrees, including the 2005 Order of Ikhamanga in Silver "for his excellent contribution and achievements in the theatre" from the government of South Africa. He is also an Honorary Fellow of the Royal Society of Literature.

[EX A]: a

[EX Q]: Question: Was Hirohito an adult when the San Francisco Peace Treaty was signed? Passage:The Allied occupation of Japan at the end of World War II was led by General Douglas MacArthur, the Supreme Commander of the Allied Powers, with support from the British Commonwealth. Unlike in the occupation of Germany, the Soviet Union was allowed little to no influence over Japan. This foreign presence marks the only time in Japan's history that it has been occupied by a foreign power. At MacArthur's insistence, Emperor Hirohito remained on the imperial throne. The wartime cabinet was replaced with a cabinet acceptable to the Allies and committed to implementing the terms of the Potsdam Declaration, which among other things called for the country to become a parliamentary democracy. Under MacArthur's guidance, the Japanese government introduced sweeping social reforms and implemented economic reforms that recalled American "New Deal" priorities of the 1930s under President Roosevelt. The Japanese constitution was comprehensively overhauled and the Emperor's theoretically-vast powers, which for many centuries had been constrained by conventions that had evolved over time, became strictly limited by law. The occupation, codenamed Operation Blacklist, was ended by the San Francisco Peace Treaty, signed on September 8, 1951, and effective from April 28, 1952, after which Japan's sovereigntywith the exception, until 1972, of the Ryukyu Islands was fully restored.

[EX A]: b

[EX Q]: Question: Who were the other animators of the movie where Wolfgang animated an alley dog fight and a fight with a rat? Passage:Reitherman was hired at Walt Disney Productions on May 21, 1933, and his first project was working as an animator on the Silly Symphonies cartoon, Funny Little Bunnies. Reitherman continued to work on a number of Disney shorts, including The Band Concert, Music Land, and Elmer Elephant. He animated the Slave in the Magic Mirror in Snow White and the Seven Dwarfs (1937). His next assignments was animating Monstro in Pinocchio (1940), the climactic dinosaur fight in Igor Stravinsky's The Rite of Spring in Fantasia (1940), and several scenes of Timothy Q. Mouse in Dumbo (1941). Starting in 1942, Reitherman had left Disney to serve in World War II for the United States Air Force, earning the Distinguished Flying Cross after serving in Africa, China, India and the South Pacific. He was discharged in February 1946 having earned the rank of Major. Reitherman rejoined Disney in April 1947, where he animated the Headless Horseman chase in "The Legend of Sleepy Hollow" section in The Adventures of Ichabod and Mr. Toad (1949). Around this same time, he had claimed he was instrumental in helping Walt Disney commit to producing Cinderella (1950). Reitherman recalled, "I just went in his office which I rarely did, and I said, 'Gee, that looks great. We ought to do do it.' It might have been a little nudge to say, 'Hey, let's get going again and let's do a feature'." On Cinderella, he was the directing animator of the sequence in which Jaq and Gus laboriously push and pull the key up the stairs to Cinderella. On Alice in Wonderland (1951), he animated the scene in which the White Rabbit's home is destroyed by an enlarged Alice. On Peter Pan (1953), he animated the scene of Captain Hook attempting to escape the crocodile. For Lady and the Tramp (1955), Reitherman animated the alley dog fight sequence and Tramp's fight with the rat in the nursery room. 

[EX A]:
b