In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: before even seeing a single frame of the film , it would be easy to snicker at deep impact , in which a comet on a collision course with earth threatens the existence of all life on the planet .
it is the latest entry in this decade 's dubious revival of the ' 70s disaster film , and the first of two " the sky is falling " flicks to hit screens this year ( the other being this coming july 's armageddon , in which a meteor is the threat ) .
its tagline , " oceans rise .
cities fall .
hope survives " is not as cornball as that of the utterly ridiculous collapsing tunnel thriller daylight ( " they came in alone . . .
the only way out .
.
. is together " ) , but it 's every bit as treacly .
the opening moments of deep impact offer more to snicker at .
the cheesiness is not confined to the disaster movie conventions , such as the usual opening " roll call , " in which all the major characters and their personal problems are introduced .
the most prominent of the " personal " stories is that of ambitious tv news reporter jenny lerner ( tea leoni ) , who is distraught that her father ( maximilian schell ) left her mother ( vanessa redgrave ) for a younger woman ( rya kihlstedt ) .
what is just as snicker - worthy is how this co - venture between paramount and dreamworks skg aggressively pushes another high - profile corporate collaboration , microsoft and nbc 's cable news network msnbc , which employs jenny , who is the film 's ostensible main character .
in the vision of america presented here , msnbc is the television news source of choice in every home , when in reality it only reaches a fraction of the country .
the initial signs point toward something along the lines of a volcano or dante 's peak , but there 's one thing about deep impact i underestimated : the skills of director mimi leder .
she won an emmy for her helming work on nbc 's smash er , which is essentially a weekly disaster movie , each episode featuring a new set of guest stars with their own personal and medical crises .
the challenge presented by this format to the director is twofold : ( 1 ) to make the audience care for these guest characters , regardless of how briefly seen or thinly written they are , and ( 2 ) powerfully tug at the emotions without being heavy - handed or overly melodramatic .
having passed the " er challenge " in numerous episodes and showed a flair for creating suspense in the peacemaker , leder could not be a better fit to bring michael tolkin and bruce joel rubin 's rather formulaic disaster screenplay to screen .
as the countdown to impact progresses , the ominous feeling of doom is palpable , leading the final act to take on a surprisingly convincing and affecting emotional dimension .
there 's nothing here that will profoundly move anyone , but the fact that anything manages to touch the heart is high achievement in a genre generally more concerned with effects .
situations that initially feel contrived , such as jenny 's familial crisis and the teenage romance between sarah hotchner ( leelee sobieski ) and comet discoverer leo biederman ( elijah wood ) , achieve some poignance ; and even the more vaguely drawn characters , including u . s .
president tom beck ( morgan freeman ) , astronaut spurgeon " fish " tanner ( robert duvall ) , and his rather faceless crew ( ron eldard , jon favreau , mary mccormack , blair underwood , and alexander baluyev ) aboard the comet - bombing spacecraft messiah , have their share of touching moments .
the latter fact owes a debt to the actors , who all do a solid job and are well - cast , with the possible exception of leoni ; she delivers a decent performance , but her trademark unconventional speech rhythms and line delivery make her somewhat hard to buy as a star news broadcaster .
although its catastrophic theme and impressive special effects work
( the giant ocean waves are particularly spectacular ) place deep impact in the same category as the likes of twister , it is the first of the ' 90s disaster films to successfully marry the advanced film technology with emotions that ring true -- a film that makes a genuine impact , even if it is n't as deep as hoped .

Output: P


Input: Consider Input: " take a number , fill out a form , and wait your turn .
"
starring kati outinen , kari v ? ?
n ?
nen , sakari kuosmanen , elina salo ; written & directed by aki kaurism ?
ki
; cinematography by timo salminen it might be possible to call drifting clouds a satire or a black comedy , but that would imply a sense of anger , of vitriol , of energy ; drifting clouds is what you get when the rage and vitality are gone .
it is the sad , slow story of lauri and ilona , a married couple caught between the wheels of capitalism as it grinds inexorably onward .
he loses his job as a tram driver , because everyone drives cars nowadays .
within a couple of months , she loses her position as a head waiter , when her restaurant is bought out by a chain and the entire staff replaced .
a conversation early in the film reveals a lot about their situation .
lauri has surprised ilona by buying her a tv , which she greets with little enthusiasm .
she notes that they have n't finished paying for the bookshelves or the couch yet .
he says that in four years the payments will be done and then they can buy some books for the shelves .
it would pass as deadpan humour if it was n't spoken with such resigned weariness .
this sets the tone for the rest of the movie .
there is humour and idiosyncracy at the periphery , but at the centre there is frustration and futility , and sorrow for the ways in which the logic of profit reduces people , until their worth is equated solely with their earning capacity .
there is an element of political commentary in this critique of the mechanisms of capitalism and the stultifying social environment it creates , but in drifting clouds the political is subsumed by the personal : the movie is about two people and what happens to them , and nothing else matters .
lauri and ilona live lives starved for friendship , respect , culture , passion .
they go to the movies , and walk out past old posters for l'atalante and l'argent , but the movie they have just seen is a pointless , violent , unfunny comedy .
their house and workplaces are uniformly unpleasant , painted and upholstered in lifeless colours ( ugly greens , dull reds , insipid blues ) , full of inelegantly functional objects and appliances .
the art design is impeccable in its tawdriness , and director aki kaurism ?
ki often matches the colour of characters ' clothes with the background colour and/or lighting , so that it seems as if they are almost physically fading into the environment .
there is no suggestion of sexuality in the relationship ; ilona and lauri sleep in separate beds and their gestures of affection lack the heat of desire ; their lives are now bound by something more complex and desperate than love .
their downward , downsized , downtrodden lives have a momentum that is almost comic , as one setback succeeds another , bottoming out when lauri stakes all their remaining money on the spin of a roulette wheel .
it must have been tempting to play the story for more laughs , more farce , more deadpan wit , but the film 's great strength
is the sober , empathic manner in which it observes lauri and ilona 's misfortunes .
irony would be an injustice .
situations and settings are broad and exaggerated -- this is not realism -- but they are not distorted .
the emotions are authentic .
if it is difficult to laugh at anything that happens , despite the droll performances , the laconic humour , that 's because kaurism ?
ki brings such compassion and understanding to the manifold indignities that are suffered .
he shows us how humiliating it must be for a woman of thirty - eight , who has worked long and hard to win a respectable position , to be forced to accept a job as a dishwasher in a two - bit restaurant ; how humiliating it must be for a man nearing 50 to confront his wife 's former employer , demanding the rest of her wages , only to have the crap beaten out of him , unable to land a single punch , when the employer and his cronies refuse to give him the money .
all this is observed keenly , with great economy : every cut , every line of dialogue , is judicious .
if most films are novelistic in their telling , this one brings the focus and concentration of a short story to bear .
but what is gained in nuance and acumen is rather undermined by the sense that the material barely accommodates the 96-minute running length .
i have seen many movies far less profound , less humane , less necessary than drifting clouds , but they filled me with an urge to watch them again , and this one did not .
it does not need to be seen twice : its every detail and implication can be absorbed in one viewing .
it is not a movie that will be seen by a large audience , because it can not be pitched to one .
there is no selling point .
it is all understatement , restraint , melancholy .
the characters are unremarkable , their best years behind them , their dreams dissipated ; it takes all the effort they can muster just to pay the bills .
this does not make them less fascinating , merely less marketable , which is a shame , because this is a movie which should be seen , precisely because it pays attention to people and emotions that most movies prefer to ignore .
it engages us and touches us and resolves -- surprisingly , and movingly -- into something resembling a happy ending .
the only thing greater than the ill - luck that governs the characters ' lives is their refusal to give in to despair .
their persistence is rewarded with what might be called a " feel - good " ending elsewhere , but not here , because this ending differs in kind from most such endings : this one has truly been earned .

Output: P


Input: Consider Input: synopsis : shrek ( myers ) is an ogre living in contented solitude deep in the heart of a forest , until his home is invaded by fairy tale creatures fleeing the rule of the evil lord farquaad ( john lithgow ) .
farquaad agrees to relocate the pests , on the condition that shrek rescues princess fiona ( diaz ) -- whom farquaad desires to we d -- from a far - off castle .
grudgingly , shrek sets out , joined in his quest by an unwanted companion , donkey ( murphy ) .
review :
one memorable aspect of disney 's " aladdin " was that it finally gave robin williams a character -- the genie -- to best take advantage of his comic talents .
" shrek " does the same for eddie murphy ; ironically , though , murphy 's ideal vessel turns out to be an ass .
all the same , " shrek " does represent murphy 's best comic outing in years , and as donkey he steals all the best lines .
for instance , after getting belted with pixie dust while trying to conceal his nature as a magical creature , donkey soars into the air and scoffs , " now i 'm a flying talking donkey ! " and despite its many contributors , the script for " shrek " is full of such comic gems .
myers is delightful in more of a straight man role , and lithgow also gets some great moments
( watch for a hilarious repartee with the gingerbread man ) .
" shrek " takes great pleasure in lampooning fairy tales and nursery rhymes of all sorts , and reserves a few delightful knocks at disney in the bargain
.
things do go somewhat astray during the film 's middle segment , which concentrates too much on the main characters at the expense of some of the terrific fairy tale satire which is the movie 's greatest strength .
but even then , one can always sit back and enjoy the beautiful computer animation , whose remarkable use here represents yet another dazzling leap forward for the technology .


Output: P