In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.
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Question: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (August 2014) (Learn how and when to remove this template message)In 1792, Spain reels amid the turmoil and upheaval of the French Revolution. Francisco Goya (Stellan SkarsgÃ¥rd) is a renowned painter, who, among others, does portraits for the royal family as the Official Court Painter to the King and Queen.The Spanish Inquisition is disturbed by part of Goya's work. Brother Lorenzo Casamares (Javier Bardem) is hiring Goya to paint a portrait and defends him, saying that his works are not evil, they just show evil. He recommends the Church step up the fight against anti-Catholic practices. He requests and is put in charge of intensifying the Inquisition.When posing in Goya's studio, Lorenzo asks Goya about a young model he uses, InÃ©s (Natalie Portman), daughter of a rich merchant, TomÃ¡s BilbatÃºa (JosÃ© Luis GÃ³mez) who also has a son named Ãngel (Unax Ugalde). InÃ©s is spotted by Inquisition spies (trained by Lorenzo) declining a dish of pork in a tavern. The Holy Office of the Inquisition orders InÃ©s to come to the office. There she is arrested and accused of "judaizing", i.e. spreading Jewish rituals, because she did not eat pork the other evening. She is stripped naked and tortured by strappado ("put to The Question"), confesses, and is imprisoned. Naturally, the Inquisition's archives had already revealed that one of her father's ancestors had converted from Judaism to Christianity in 1624 upon arrival in Spain from Amsterdam.TomÃ¡s begs Goya for help, who in turn asks Lorenzo to find out about InÃ©s's situation. Lorenzo visits InÃ©s in prison telling her that he is going to help her and will pass a message to her family if she wishes. He offers to pray with InÃ©s, but is clearly struggling with his desire to rape her as she prays in the nude with him at his request. At a dinner in TomÃ¡s's home, where he and Goya are guests, Lorenzo defends "The Question" (and brings up the subject of the father's Jewish ancestor): he argues that if the accused is really innocent, God will give him or her the strength to deny guilt, so a person who confesses must be guilty. TomÃ¡s does not agree: he argues that people will confess to anything under torture, and Goya agrees. To prove this TomÃ¡s draws up a statement which says that Lorenzo confesses to being a monkey, and, with the help of his sons, does not let Lorenzo leave unless he agrees to sign it. Goya pleads for Lorenzo without success, and is escorted away and pushed out of the home. TomÃ¡s, his sons and servants torture with a makeshift strappado (ropes strung on the chandelier), causing Lorenzo to break down and sign. TomÃ¡s promises to destroy the document after InÃ©s is released. He gives Lorenzo a large amount of gold for the Church, hoping it will persuade the Holy Office to consider leniency.Lorenzo pleads for InÃ©s, but the Inquisitor General Father Gregorio, while accepting the money, refuses, since InÃ©s has confessed. Lorenzo again visits InÃ©s in prison and, offering to pray with her, instead he rapes her. TomÃ¡s brings the document to the king, Charles IV (Randy Quaid) who is highly amused at seeing it, and promises to assist InÃ©s. Lorenzo is now an embarrassment to the Spanish Church and they come to arrest him. He flees. Lorenzo's portrait is confiscated by the Church, and is set on fire in public, to burn him in effigy.Fifteen years pass, and Goya is at the height of his creativity, but has grown deaf. The French army under Napoleon invades Spain, abolishes the Inquisition and sets the prisoners free. Lorenzo had fled to France, where he was introduced to the ideas of the French Revolution and became a fanatical adherent of them. He is now Napoleon's chief special prosecutor against his former Spanish colleagues in the Inquisition. (This twist in Lorenzo's allegiance might have been inspired by the career of Juan Antonio Llorente.) A French court presides over the show trial, conviction and sentencing to death of the Inquisitor General. InÃ©s, who was said to be tried, has actually been left to languish in the dungeons until now. She had given birth to a daughter in prison, who was taken away from her immediately after birth. Upon visiting her old home and finding her family killed, InÃ©s turns to Goya for help in finding her child. Lorenzo is the father, which is embarrassing for him, and he sends InÃ©s, whose sanity has suffered in prison, to an insane asylum. Lorenzo questions the condemned Inquisitor General, sparing him for information about what would happen to a child born in the Inquisition prison. The Inquisitor General tells him the child would be placed in an orphanage. Lorenzo tracks it down, and he learns from the nuns who run it that his daughter's name is Alicia. She had run away several years before.In Garden Park, Goya finds a prostitute named Alicia (also played by Natalie Portman) who looks identical to InÃ©s. He goes to Lorenzo asking for InÃ©s in order to reunite her with her daughter. Lorenzo takes the initiative and secretly goes to see Alicia, offering to pay for her passage to America if she will agree to leave Spain. However she refuses the offer and jumps out of his carriage declaring him insane. In the meantime, Goya travels out into the countryside, where InÃ©s has been kept in an asylum. Goya pays the director a bribe to release her, and then tries to bring InÃ©s to see Alicia. Unfortunately, as Goya tries to persuade Alicia to see her mother, a group of soldiers, under orders from Lorenzo, burst into the tavern and forcibly arrest all the prostitutes. Goya discovers Lorenzo's intention to sell the women off to America where they will be treated as slaves. InÃ©s, waiting outside to meet Alicia, wonders off into the tavern and finds the abandoned baby Alicia left under a table when she was seized by the raid. In her delusion InÃ©s thinks the baby, who might be her granddaughter (although Alicia denies it's hers when Goya questions her about the baby), to be her own lost daughter; she is delighted and wanders off with the child.The British invade Spain from Portugal, defeating the French troops with the help of the Spanish population. The wagons in which the prostitutes are being transported are abandoned by the French cavalry guarding them when the British attack, with Alicia catching the eye of a British officer. Lorenzo is arrested as he is fleeing. The Spanish reinstate the Inquisition, which now tries and sentences Lorenzo to death, the Inquisitor General condemning him in much the same words as in Lorenzo's speech at his trial. They are willing to spare him if he repents, and they urge Lorenzo to do so until the last moment at the site of the execution in the city center, to which he is led in the auto da fe wearing a sanbenito with painted flames indicating he is sentenced to die. On the scaffold, Lorenzo spots his daughter Alicia, on the arm of the British officer, scoffing at him. He also notices Goya sitting at a distance sketching the entire ordeal. InÃ©s is also present in the crowd and calls to Lorenzo enthusiastically to show him the baby she believes is their daughter. Refusing to repent, despite pleas from his former colleagues the monks, Lorenzo is garrotted. The film ends with a cart taking Lorenzo's body away, escorted by InÃ©s still carrying the child, as she holds the hand of the dead Lorenzo, children prancing about singing songs, and with Goya following closely behind her calling for her. She merely glances back with a smile, but is content to instead accompany Lorenzo as she kisses his hand.

Answer: What is Lorenzo's daughter's name?


Question: The film can be seen as an allegory of post-World War II Eastern European political systems - told as a black-and-white cinematic poem with 39 long, single-camera takes. It examines the brutalization of a society, its political systems and ethics through the metaphor of a decaying circus whale and its star performer. It is set in a desolate, isolated small town in Hungary during Soviet times.The film starts with JÃ¡nos Valuska, a simple person, conducting a poem and dance with drunken bar patrons. The dance is of the total eclipse of the sun, which disturbs, then silences the animals. It finishes with the grand return of the warm sunlight.One of the significant reoccurring characters in this plot is the subtle transitions between light and darkness. The first appearance of this motif is a lamp in the bar, moving to a door into the darkness. The circus arrives like a Trojan Horse in the darkness of night. A window is opened as a glimmer of hope and dressed to shut out the world. The antagonist is only ever seen as a shadow.JÃ¡nos' uncle GyÃ¶rgy is a composer, and therefore one of the intelligentsia. GyÃ¶rgy observes the imperfection and compromise of the musical scale (as defined by Andreas Werckmeister a historical theorist). GyÃ¶rgy proposes changes to the scale to make it more harmonious. This utopian approach to music represents a flawed, naive idealism that never can be achieved; it is not developed any further in the film or the book. It is just a statement indicating that human governance will always be flawed.GyÃ¶rgy's estranged wife tries to leverage her political and social status by giving GyÃ¶rgy a list of names to recruit for the "clean up the town movement" (with the blessing of the police chief).However, a stuffed smelly circus whale and its star performer, Prince, come to town in the silence and darkness of night. This is a metaphor for a bloated political system and the unseen Prince who represents the power of politically inspired, emotive dogma.JÃ¡nos philosophizes about God and the beast.The post office workers are unsettled by the ominous signs of the circus' arrival and are disturbed by the cloud that settles over each town it visits, a reference to the spread of the externally imposed centralised monolithic government system onto all the Soviet buffer nations just after the war.GyÃ¶rgy's struggling cobbler brother gets the list and passes it on to the agitated throbbing masses in the town square who are unhappy at public services failing. GyÃ¶rgy's former wife sleeps with the drunk gun toting police chief.The presence of the whale and the Prince stir up the masses. JÃ¡nos overhears the circus master losing control of his faceless Prince, who is becoming drunk with his own voice of revolutionary dogma. The circus master disowns him. The Prince, now free, inflames the masses, and the people riot.The film is shot as a visual poem, and has been described as both beautiful and haunting. Lengthy single-shot scenes with a hypnotic and rhythmic pace build up to the peaceful observation of the thuggish destruction of the hospital and its patients. The rioters are brutal. Their inhumanity almost seems normal and natural. When the rioters finally come to beat a helpless old naked patient, they see their impotent, sad and powerless selves. The patients they are destroying in the hospital are themselves.After the riot, JÃ¡nos comes across the diary of a rioter. It explains that the rioters did not know what they were angry with; so they were angry at everything. Then it recounts the mobs horrendous rape of two working class post office girls.JÃ¡nos comes across his killed cobbler uncle who got naively involved in the riot. JÃ¡nos is told, by his cobbler uncle's wife, to leave town for his own safety.He is intercepted by a helicopter. He finds himself committed to a mental institution with caged beds (a tool of the time for dealing with political dissidents). JÃ¡nos appears drugged and broken.GyÃ¶rgy, his composer uncle, is evicted from their society house but gets to live in a shed in the garden whilst GyÃ¶rgy's former wife, with her new status as a collaborator, now occupies the big house with the police chief. The intelligentsia is displaced by political opportunism.GyÃ¶rgy tells a vacant JÃ¡nos, in the ward, that if he is released from the mental institution they can live contentedly together in the shed with his piano. GyÃ¶rgy also mentions that he has re-tuned the piano so that is now like any other, a personal capitulation apparently abandoning any present hopes of reform. JÃ¡nos just stares.It finishes with GyÃ¶rgy looking directly into the eye of the whale, then, walking away and looking back at the now sad and disheveled whale, destroyed by the rioters the night before, its rotting carcass slowly enveloped by the fog which gets whiter and brighter. Warm bright sunlight returns.

Answer: What does the circus and cloud mean?


Question: Philippe Douvier (Robert Webber), a major businessman and secretly the head of the French Connection, is suspected by his New York Mafia drug trading partners of weak leadership and improperly conducting his criminal affairs. To demonstrate otherwise, Douvier's aide Guy Algo (Tony Beckley) suggests a show of force with the murder of the famous Chief Inspector Jacques Clouseau (Peter Sellers). Unfortunately for Douvier, his first attempt at bombing Clouseau fails, and the subsequent attempt by Chinese martial artist 'Mr. Chong' (an uncredited appearance by the founder of American Kenpo, Ed Parker) is thwarted when Clouseau successfully fights him off (believing him to be Clouseau's valet Cato (Burt Kwouk), who has orders to keep his employer alert with random attacks). Douvier tries again by posing as an informant to lure Clouseau into a trap, but the Chief Inspector's car and clothes are stolen by transvestite criminal Claude Russo (Sue Lloyd), who is unknowingly killed by Douvier's men instead. Subsequently, Douvier and the French public believe Clouseau is dead; as a result of this assumption, Clouseau's ex-boss, former Chief Inspector Charles Dreyfus (Herbert Lom), is restored to sanity and is released from the lunatic asylum to perform the investigation (though he was seemingly disintegrated in the previous film).In Russo's clothes and insisting on his true identity, Clouseau is taken to the asylum himself but escapes into Dreyfus' room, who faints from the shock of seeing Clouseau alive. Clouseau manages to disguise himself as Dreyfus and is driven home by FranÃ§ois (AndrÃ© Maranne). At home, Clouseau finds Cato, who, despite having turned Clouseau's apartment into a Chinese-themed brothel, is relieved to see he survived and the two plan revenge on the sponsor of Clouseau's assassination. Meanwhile, Dreyfus is assigned to read an elegy at Clouseau's funeral by the police chief's wife, on pain of his own discharge. During his recital, Dreyfus is barely able to control his incredulity and laughter at the praise of Clouseau, but his reaction is disguised by his tears and muffled laughter. At the cemetery, Clouseau attends the burial disguised as a priest and then surreptitiously reveals himself to Dreyfus, who recognizes him, faints, and falls into the grave. Clouseau escapes.Meanwhile, due to his unfaithfulness, Douvier's wife threatens him with divorce. Needing her respectability, Douvier tells his secretary and paramour Simone LeGree (Dyan Cannon) that their relationship is over, to which Simone reacts angrily. Fearing that she will reveal his crimes, Douvier gives orders to have Simone killed at her nightclub, but having been told by an informant (Alfie Bass) of the possibility of trouble there, Clouseau and Cato inadvertently manage to save her. At Simone's flat, Clouseau reveals his identity, prompting her to reveal that Douvier ordered Clouseau's assassination. Attacked by more hit men, Clouseau and Simone escape into a nearby flat, which coincidentally happens to be Dreyfus'. Dreyfus overhears Simone telling Clouseau of Douvier's plan to meet the New York Mafia godfather Julio Scallini (Paul Stewart) in Hong Kong, but again faints when he sees him.After evading their pursuers, Clouseau, Cato, and Simone follow Douvier to Hong Kong in disguise, unaware that the now suspicious Dreyfus has followed them. There, Clouseau impersonates Scallini while Simone distracts the real one, but the plan goes awry when one of Scallini's men spots Douvier leaving their hotel with a stranger and Clouseau exposes his own disguise. A car chase begins, ending in a crash at the Hong Kong docks, where Dreyfus finds Clouseau, goes berserk and pursues him into a firework warehouse. Inside, Dreyfus mistakenly sets the fireworks off and the resulting explosions sow chaos among all the participants, which eventually leads to the arrests of Douvier and Scallini. Clouseau is awarded for their arrest by the President of France, and he and Simone spend an evening together.

Answer:
Where did the car chase end?