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While “On Chesil Beach” deviated from the source material in effective ways  Mr McEwan seemed reluctant to do the same with “The Children Act”. Here  the internal narrative is simply layered onto a new medium. It doesn’t work (although Emma Thompson’s performance makes it watchable).  Fiona Maye (Ms Thompson)  is a well-respected judge  arrives at home to  her  husband Jack (Stanley Tucci) telling  her  that he would like to have an affair  and that Fiona  if  she  cares about him  will tolerate it. This leads to the film’s single flashback: as  she  lays awake at night   her  imagination reaches back to happier times and to a moment of pure joy when he surprised  her  with a new piano. Unlike in “On Chesil Beach”  the flashback here adds little to illuminate their predicament: the viewer is still left guessing as to how  she  ended up married to an American professor  or what their love was like at its peak.
The marriage crisis exacerbates another one  this time in  Fiona ’s working life.  She  specialises in extraordinarily hard cases involving children  often with a religious element.  Her  newest case is an urgent one: Adam  a 17-year-old Jehovah’s Witness with leukaemia  is refusing a blood transfusion that could save his life.  Fiona  must decide his corporeal and perhaps spiritual fate.  She  has been able to dispassionately dispatch such cases in the past  but since  her  husband’s disruption of their marriage   her  confidence is faltering.
 Her  interest in the boy then  so steadfast in his own faith  is both professional and personal.  Fiona  takes the unusual step of visiting him in the hospital  and under Richard Eyre’s thoughtful direction  the camera offers extreme close-ups of both characters  allowing the audience to search their eyes for meaning.  Fiona  is looking for cracks in Adam’s guarded wall of faith. The viewer is looking for the real motive behind  hers .
Unfortunately  it never quite appears.  Her  judicial ruling comes suddenly  ending its fascinating inquiry into the nature of faith and connection before it has even begun. Adam lives but becomes disillusioned with his faith and begins stalking Fiona  trading one obsession for another. Mr Eyre seems to be looking for some of the same notes that worked so well for him in “Notes of a Scandal” (2006)  but this is not a lurid tale  and efforts to make it one—with wistful glances and tense  longing strings on the soundtrack—seem out of place. For this conflict to have dramatic heft  the viewer needs to understand  Fiona  better.
Perhaps a screenwriter with more distance from the original material would have been willing to radically reshape the novel  offering more backstory or drawing  her  decision out for dramatic impact to make the story less reliant on  her  inner life. “On Chesil Beach” did not call for such revisions  but “The Children Act” does. It shows that every adaptation is a unique case  even two self-adapted novels from the same hand. Some cannot simply be transposed onto the screen. Most of all  however  it shows that the writer who knows the material best is not always the one best placed to make the hard choices that can turn a great novel into a great film.
Fiona Maye

Now that the three basketball players are out of China and saved from years in jail  LaVar Ball  the father of LiAngelo  is unaccepting of what I did for his son and that shoplifting is no big deal. I should have left them in jail! â  Donald J. Trump (@realDonaldTrump) November 19  2017
Shoplifting is a very big deal in China  as it should be (5-10 years in jail)  but not to father LaVar. Should have gotten his son out during my next trip to China instead. China told them why they were released. Very ungrateful! â  Donald J. Trump (@realDonaldTrump) November 19  2017
 Last week   Trump  made sure everyone knew that  he  personally intervened in the matter after the playersâ arrest  asking that they thank  him  for pleading their case to Chinese President Xi Jinping while on his Asia trip:
Do you think the three UCLA Basketball Players will say thank you  President Trump ? They were headed for 10 years in jail! â Donald J. Trump (@realDonaldTrump) November 15  2017
By midweek  Ball  Jalen Hill and Cody Riley lauded for  the presidentâs  efforts in their remarks after returning to the U.S. and  he  seemed appreciative  telling them to âHAVE A GREAT LIFE!â on Twitter and warning them to be careful because âthere are many pitfalls on the long and winding road of life!â
To the three UCLA basketball players I say: You're welcome  go out and give a big Thank You to President Xi Jinping of China who madeâ¦.. â Donald J. Trump (@realDonaldTrump) November 16  2017
â¦.your release possible and  HAVE A GREAT LIFE! Be careful  there are many pitfalls on the long and winding road of life! â Donald J. Trump (@realDonaldTrump) November 16  2017
 Trump  was piqued because  he  has pointed to  his  record of freeing Americans held overseas as evidence of  his  dealmaking prowess and as a contrast with predecessor Barack Obama. Before the three basketball players  the  Trump  administration had successfully negotiated releases including American student Otto Warmbier from North Korea and charity worker Aya Hijazi from Egypt. Although those efforts earned bipartisan welcome  the apparent grievance that  he  has not gotten more credit or thanks in the UCLA case drew criticism.
Donald J. Trump

Henry Cavill  is alive and well  despite what the Internet says.
The âJustice Leagueâ actor  who is known to play Superman in recent DC Comics movies  debunked rumors that  he  died on Monday by posting a selfie on Instagram with a split of the fake death date listed on Wikipedia. A quick search for Cavillâs name on Google shows the actor died on March 3  2018.
 Cavill âs âdeath dateâ was taken down by 2 p.m. Monday. It's unclear when the entry was made.
 Cavill  isnât the only actor who had to fight off death rumors. Sylvester Stallone shut down rumors in mid-February after reports claimed the 71-year-old actor died.

Henry Cavill