In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

[EX Q]: Undoubtedly the best heavy metal horror item made in the manically headbangin' 80's, which admittedly doesn't sound like much considering how utterly abysmal many other entries in this odd little fright film sub-genre like "Hard Rock Zombies," "Blood Tracks," "Terror on Tour," and the especially ungodly Jon-Mikl Thor-starring stinker "Rock'n'Roll Nightmare" tended to be. That aside, this one still deserves props for downplaying the excessive splatter and needlessly flashy special f/x razzle-dazzle in favor of focusing on adolescent high school characters who are depicted with greater acuity and plausibility than the norm for a mid-80's teen-targeted scarefest. Moreover, the film's pointed sardonic parodying of both ridiculously overblown 80's heavy metal stupidity and the nauseating self-righteousness of the uptight killjoy conservative stiffs who claimed it was the devil's music are very clever and on the money funny (famed Greed Decade heavy metal god Ozzy Osbourne has a hilarious bit as a smarmy anti-metal TV evangelist!).Marc Price (the hopelessly dweeby Skippy on "Family Ties") gives a surprisingly strong and winning performance as Eddie "Ragman" Weinbauer, a geeky, socially awkward and severely persecuted heavy metal aficionado who's constantly picked on by the stuck-up jerk preppie bullies who make up the majority of the student body at Lakeridge High School (the cruelty and mean-spiritedness of the high school kids is nailed with painfully credible accuracy). Eddie's life takes a turn for the worse when his rock star idol Sammi Curr (an impressively whacked-out portrayal by Tony Fields) perishes in a hotel fire. Hip local disc jockey Nuke (KISS front-man Gene Simmons in a cool cameo) hooks Eddie up with Sammi's final, unreleased album, which when played backwards resurrects Curr's malevolent spirit back from the dead. Sammi encourages Eddie to sic him on all the vile scumbags who make poor Eddie's life the proverbial living hell, only to have meek Eddie prove to be a most reluctant would-be accomplice. It's up to Eddie, assisted by token nice girl Leslie Graham (likeably essayed by the lovely Lisa Orgolini), to stop Sammi before things get too out of hand.Ably directed with commendable thoughtfulness and sensitivity by character actor Charles Martin Smith (who also briefly appears as a nerdy school teacher), smartly written by Michael S. Murphy, Joel Soisson, and Rhet Topham, and capably acted by a uniformly up-to-snuff cast, this surefire sleeper even comes complete with a handful of nifty "jump" moments (an outrageous attack in the back of a car by a grotesquely lecherous long-tongued mutant thingie rates as the definite highlight), a rousing "Carrie"-style high school dance slaughter sequence, a neatly utilized Halloween setting, revenge being correctly shown as a truly ugly business, and a solid central message that you shouldn't make a particular over-hyped person your hero strictly because of the calculated anti-establishment posturing said fellow does to qualify for that special status.
[EX A]: positive

[EX Q]: Being a fan of the manga and anime of Go Nagai (DEVIL MAN, DEVIL LADY, VIOLENCE JACK, etc.), I was looking forward to this one. I'd seen neither the manga nor the anime, so I had no preconceived notions going in. Good thing, too. What we have here is a series of silly softcore movies of the type that used to turn up with alarming regularity on cable channels late at night. While it's tame compared to what gets rammed down the throats of regular cable viewers (our hero's naughty bits are either tastefully tucked away behind a strategically glued-on scarf or emblazoned with a ridiculous sunburst effect), there are prolonged scenes of bondage and torture that lend the proceedings just enough smarminess to make it unsuitable for the kiddies. While I have nothing whatsoever against nude female heroes, I do dislike amateurishly made movies (there are at least four in this series). On the plus side, there's at least one stunningly beautiful actress in each of the four episodes I saw. It's no wonder Nagai's TESTICLE BOY never made it...
[EX A]: negative

[EX Q]: An excellent example of "cowboy noir", as it's been called, in which unemployed Michael (Nicolas Cage) loses out on a job because he insists on being honest (he's got a bum leg). With really nothing else he can do, he decides that for once he's going to lie. When he walks into a bar, and the owner Wayne (the late, great J.T. Walsh) mistakes him for a hit-man whom Wayne has hired to do in his sexy young wife Suzanne (Lara Flynn Boyle in fine form), Michael plays along and accepts Waynes' money. *Then* he goes to Suzanne and informs her of her husbands' intentions, and accepts *her* money to get rid of Wayne! If that didn't complicate things enough, the real hit-man, "Lyle from Dallas" (Dennis Hopper, in a perfect role for him) shows up and Michael is in even more trouble than before."Red Rock West" gets a lot out of the locations. Director John Dahl, who co-wrote the script with his brother Rick, was smart in realizing the potential of a story set in a truly isolated small town that may have seen better days and in which the residents could be involved in any manner of schemes. It's also an amusing idea of the kind of trouble an honest person could get into if they decided to abandon their principles and give in to any level of temptation. It's an appreciably dark and twist-laden story with an assortment of main characters that are if not corrupt, have at least been morally compromised like Michael. The lighting by cinematographer Marc Reshovsky is superb in its moodiness; even the climax set in a graveyard lends a nice morbid quality to the whole thing. Even if the writing isn't particularly "logical or credible", the film has a nice way of intriguing the viewer and just drawing them right in.Cage does a good job in the lead, but his co-stars have a grand old time sinking their teeth into their meaty and greed-motivated characters. Hopper, Boyle, and Walsh are all fun to watch in these parts. Timothy Carhart and Dan Shor are fine as Walshs' deputies (in one especially good twist, Walsh is also the local sheriff), and there's an entertaining cameo role for country & western star Dwight Yoakam, who also graces the film with an enjoyable end credits tune.It's quite a good little film worth checking out. It moves forward at an impressive pace, and if nothing else is certainly never boring.8/10
[EX A]:
positive