You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.
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Question:  "The Runaway Skyscraper" concerns Arthur Chamberlain, an engineer who works in a midtown Manhattan office building called the Metropolitan Tower. When the sun suddenly begins moving backwards in the sky, setting rapidly in the east, he is the only one to realize what is actually happening: a flaw in the rock beneath the building has caused it to subside, but instead of moving in space, the building is falling backwards into the past. When the subsidence finally ends, the building is located several thousand years in the past, and its 2000-odd inhabitants find themselves stranded in pre-Columbian Manhattan.
Chamberlain also realizes that the same seismic forces that caused the building to drop back into the past can also be used to return it to the present, but that doing so will require several weeks of intensive work by the building's inhabitants, and in the meantime they must concentrate on feeding themselves. Chamberlain convinces the president of a bank on the first floor that he can return them to the present, and together they are able to organize the other inhabitants into hunting and fishing parties.
Two weeks later, Chamberlain is ready to implement his plan. He forces a jet of soapy water into an artesian well beneath the building, and this allows the pressure that has built up in the rock to be released. The building travels forward in time again, returning to the exact moment when it began to travel into the past.

Answer: What was Artur Chamberlain job?


Question:  The play is set in Paris, and opens with two Frenchmen, the friends Dinant and Cleremont, discussing the ethics and manners of duelling. Dinant is disconsolate, because the woman he loves, Lamira, is marrying a rich old man named Champernell. Champernell won fame and fortune fighting at sea; but now he is crippled in an arm and a leg. Dinant and Cleremont confront the wedding party as they leave the church; the two mock and insult the new-made man and wife. Champernell tries to fight back, but his injuries prevent him; both groom and bride are reduced to tears of frustration (him) and embarrassment (her). They are not without defenders, however: afterward, Lamira's brother Beaupre and Champernell's nephew Verdone meet Dinant and Cleremont, and challenge them to meet on the "field of honor".
The challenge is spied upon, by Lamira's old Nurse; Lamira foresaw this event, and is terrified that her brother will be killed by Dinant. To avoid this, Lamira summons Dinant, and complains that her honor has been insulted. Dinant agrees to meet her slanderer and defend her, even though he will miss his appointment with Beaupre and Verdone. Cleremont makes that appointment in a cold dawn, and is distressed to find himself alone against two potential combatants. To avoid fighting both or yielding his sword, he must obtain a second. He solicits passers-by but finds no one, until he encounters a diminutive lawyer named La-Writ, who is poring over his court documents as he walks toward the city. Cleremont manages to bully, cajole, and persuade the attorney to second him in the duel, even though La-Writ has never drawn his sword in anger in his life. Through a stroke of beginner's luck, La-Writ manages to disarm Beaupre, and then rescue Cleremont by disarming Verdone too. The two losers have to return to the city without their swords, and a buoyant-spirited La-Writ resumes his way.
Meanwhile, Dinant has wasted two hours, waiting to encounter a person who does not exist. As he suspects he's been fooled, he meets a swaggering and wild-talking La-Writ, and believes he's found the man he means to fight. Before they can duel, Cleremont breaks in upon them, and informs Dinant that the little lawyer is the man who saved his honor by taking his place in the morning's duel. La-Writ is now so transported with exaltation that he neglects his law practice to devote his time to quarreling with the town bravos.
When Champernell learns that Verdone and Beaupre have been defeated, he is irate and disgusted. Verdone explains that Dinant did not appear that morning, but that his place was taken by "a Devil hir'd from some Magician,/ I'th' shape of an Attorney". Verdone accuses Dinant of cowardice   and Lamira surprises everyone by defending her former suitor's reputation. Champernell is distressed and angered by this; but Lamira takes the upper hand by threatening to run away if he doubts her virtue. Her husband backs down, and Lamira decides to teach Dinant a lesson for hoping to make her an adulteress.
Lamira summons Dinant to a tryst; Cleremont comes with him. To complete their tryst, Lamira tells Cleremont that he must take her place in bed with her husband: the old man has a habit of reaching out to feel if she's still in bed, and if he feels no one, he'll be alarmed. Cleremont is humiliated to be put in this position   but his friendship for Dinant leads him to agree. Dinant thinks that he will finally enjoy Lamira; but she talks loudly, lights the lights, and has music played, spoiling the secrecy of the moment. It turns out that Cleremont has been lying in bed not with the old man, but with his sixteen-year-old niece Anabel. Champernell, Beaupre, and Verdone laugh at the discomfiture of their two rivals.
La-Writ is now so passionate about quarreling that he fails to appear in court, and his cases are dismissed by the judge Vertaigne (who is also Lamira's father). La-Writ writes a challenge to the judge, and asks Cleremont to deliver it. This presents Cleremont with a dilemma: the code of duelling will not allow him to refuse to deliver the challenge   but delivering it to a judge will quickly land him in jail. He handles the matter by pretending that the challenge is a joke. Vertaigne takes it so, and sends his kinsman Sampson, another lawyer, to meet La-Writ in his place. When the two meet, their seconds, in pretending to observe the punctillios of the duelling code, deprive them of their swords and doublets   and then run off, leaving the two would-be duellists without swords, horses, or coats in the cold morning air.
Dinant and Cleremont plan to gain revenge on those who have embarrassed them. As Champernell, Vertaigne and their party are travelling to a country house, they are waylaid by a group of pretended bandits. Dinant and Cleremont appear to come to their rescue, and in the tumult and confusion the party is separated and the two old men are left alone in the woods. Champernell and Vertaigne soon stumble into La-Writ and Sampson. La-Writ is still talking big, full of his fictitious prowess; an irritated Champernell finally knocks him to the ground. Sampson is driven off, and Champernell beats La-Writ until the repentant attorney agrees to give up fighting and return to lawyering once again.
In the clutches of the feigned bandits, Lamira is frightened, but Anabel is determined to fight to preserve her honor. Cleremont, pretending to be a rescuer, absconds with Anabel to a waiting priest. Dinant confronts Lamira, who is repentant for tricking him, but still determined to preserve her virtue; and Dinant reconciles with her. At the end of the play, hard feelings are dispelled with a new understanding and tolerance, and a new couple in Cleremont and Anabel.

Answer: What is the name of Lamira's new husband?


Question:  Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically.

Answer:
What state were other scenes set?