In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

[EX Q]: This compilation is so wrong . I loved the 90's. Some great things happened to me in the 90's and I have tons of great memories, none of which are associated with anything about this compilation. To be fair, I'm OK with 3, maybe 4 of the songs. Tubthumping and Shine I can deal with. The former was kind of good but severely overplayed for and by the worst kind of people. The latter is not a good song but somehow it has grown on me, plus I think it's funny that the guitar part is stolen directly from the Kinks' &quot;Lola&quot;. I've always thought I'm Too Sexy was funny, bad but funny. And the En Vogue song is actually kind of good, but don't tell anyone I said that. The rest of the album? Crap of the crappiest crap caliber. The Macarena? Mambo no. 5? Whoomp there it is? Those songs should never have even seen the light of day. And O.P.P. was possibly the worst thing about the 90's. Plus does anybody really need to OWN the theme from friends? Why why WHY????!!!!! The only attrocity this CD is missing is that awful Choo Choo Train song. Please make this one go away quickly
[EX A]: NEG

[EX Q]: The best of all . I have heard several Bohemes in my time - my favorites being the versions with Pav and Freni; Tebaldi and Bergonzi; and this one. Neither of the first two can match this recording in overall effect. Karajan with Pav/Freni, while firmly in possession of his own wonder, misses by a hair Beecham's sensuous conducting logic. Also Pav is not the best Rodolfo: he sings too opulently to convey a blue, starving poet. The Tebaldi/Bergonzi set is a sure contender, and might have stood right with this one if its sound weren't so bad.         Now as for this set itself - three words say it: Bjoerling with Beecham. These were two of the finest artists of the last century, and it is a blessing to have this record of their collaboration. Jussi, while perhaps not as romantic as Bergonzi, was a Rodolfo for all time. That ringing golden tenor truly could build castles in air. And hell, he was romantic enough for comfort. Add Beecham, and, if you please, you've got glory. His pacing is perfect. Just listen to about midway through "che gelida manina," where Bjoerling soars and Beecham expands the tempo to let Jussi's voice raise the rafters and burn deep. And I tell you what, Jussi could burn. The quantity of air that man had was astonishing at the least, and he didn't waste it: his phrases are easy, well-drawn, and thrilling.        I have no important complaints about anyone else in the cast. I actually prefer de Los Angeles's Mimi, though I think she sometimes doesn't support high notes with enough air. As for the orchestra, there are a few mishaps where accurate entrances with the singers are concerned, but that is hardly surprising - the ensemble was assembled in roughly two days and its memebers had barely played with one another or with Beecham. The sound of the set isn't as good as one might expect from the Great Recordings series, but it is acceptable, and a well-informed ear can fill in any lacking overtones.    Buy it. You'll love it for many years, and then pass down through your family
[EX A]: POS

[EX Q]: Technicial Blunder . I cannot imagine what Sony or their sad, sad technicians were thinking - or NOT thinking when they "remastered" this great musical.  I HOPE - and one can only hope - whomever it was that "remastered" this music (and I can't imagine why they would call it re-MASTERED) that they got FIRED afterwards or went back to basic recording school.  MASTERING a musical CD means that you check your levels and balance - something they either forgot to do or were too busy talking while they should have been listening to what they were doing.  Did Sony imagine they'd be able to sell this on it's own merits...that being an attractive, well known, sell-able music CD of a charming musical - while duping the buying public (sadly ME included) that it would be something worth having for any Broadway music collection??  Well I was most assuredly fooled.  Even with my cheap (Sony by the way) 2 track tape deck could have come up with better than this rendition.  I just cannot abide that some highly technical "master" of recording equipment couldn't fix this before the thing was committed to a glass cd master to be cut in quantity, offered and distributed as a "remastered" version that SHOULD have been BETTER than the original but sadly isn't even close.  I thankfully, still have a cassette tape version of this musical from when it was first released many years ago and prefer that to this impossible display of cd "mastering" I have EVER heard - and I've heard a lot of quality remastered CD's - but this isn't one of them.  THE ONLY saving grace of this CD is some of the extras that have been included.  But not at full price..if you ask me.  Think twice or at least understand at the outset what you're getting....a very poorly "rekindled - NOT remastered" CD that has some singers sounding as if the "technicians" forgot to bring up the volume on those tracks.  Pretty sad, pretty sad.  Disappointing.  Love the musical - HATE the lousy CD
[EX A]:
NEG