Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Q: CONTEXT: What he wants was to have a normal life, because a normal life was the way to be in a relationship with MJ. Being Spider-Man moves him further and further way from his own life (family, friends, college, work and, most importantly, Mary Jane). He subconsciously wants to stop being Spider-Man. After the talk with the doctor he realizes he has a choice, and we can see the confrontation of this yearning of a simple life with MJ against his guilt of not using his powers for good, which is represented by Uncle Ben in the car scene: MJ gets abducted because of her relationship to Peter (not Spider-Man), so in spite of his choice of not being with her to spare her from being used against Spider-Man, they get to her anyway, and the only way to save her is to be Spider-Man. Here both goals become aligned: wanting MJ and wanting to be Spider-Man are now the same thing. So to use his powers again and go have her, he needs to focus on what he wants now: be Spider-Man to save Mary Jane.  <sep>  Q: What does Peter Parker want in Spider-Man 2 (2004)? A: What he wants was to have a normal life  <sep> FOLLOWUP_Q: What else does he want?

A: Yes
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Q: CONTEXT: By this point in the narrative, Jules had already decided that he was going to change his life - he no longer wanted to be a killer for hire. The affair with the bullets missing him in Marvin's apartment had convinced him that God had a higher purpose for him, and by allowing Ringo to take what he needed, Jules was ensuring that he wouldn't have to kill him for attempting to rob him. This was the first step towards Jules' new life. He was not only buying/saving Ringo's life, but also his own.  <sep>  Q: What should I know about the scene?

A: Yes
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Q: CONTEXT: The Transformers aren't very well explored in the Michael Bay movies, so we'll have to judge according to the other (better explored) continuities. While the process of switching alternate modes in the movie seemed effortless, it might not have been. In other continuities the switch is either energy consuming or a major physical operation. So just changing to another vehicle might be a very expensive step that one does not take lightly. Also, the alt-mode seems to be a very personal aspect for each Transformer, which serve a similar function as clothes do to humans. They are a reflection of the owner, and once it is chosen it tends to stay the same. Transformers have been known to keep the same alt mode for thousands of years, which isn't really that long when you remember that their life span can stretch into the millions of years.  <sep>  Q: Why do the Transformers always transform into the same cars? A: just changing to another vehicle might be a very expensive step that one does not take lightly  Q: Why is changing into another vehicle so difficult? A: the alt-mode seems to be a very personal aspect for each Transformer, which serve a similar function as clothes do to humans  Q: What is the alt-mode and why is it significant? A: a very personal aspect for each Transformer, which serve a similar function as clothes do to humans. They are a reflection of the owner  Q: How do the vehicles reflect the personality of the transformers? A: a similar function as clothes do to humans  Q: What else can you tell me about the transformers? A: Transformers have been known to keep the same alt mode for thousands of years  <sep> FOLLOWUP_Q: Why don't transformers change into a ship or plane and then back into a car?

A:
Yes
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