In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Q: Passage: In a forest, a group of friends are participating in a LARP when their activities are brought to an end by abusive local police. Their friend Joe, a slacker and a fan of metal music, is dumped by his girlfriend Beth. Joe's friends Eric and Hung bring him unwillingly to a fantasy LARP event to cheer him up. Game master Ronnie, who was once humiliated by Joe as a result of an embarrassing Dungeons & Dragons incident, demands that Eric cast an advanced regeneration spell to allow Joe into the game. Eric recites a random passage from a grimoire he ordered online to allow Joe into the game, and unknowingly summons a succubus which resembles Beth.
Hung teaches Joe the rules of LARP combat, and Joe begins bonding with a female LARPer named Gwen. She is accompanied by her brutish cousin Gunther, who believes that the LARP event is an actual fantasy world and that he is an actual warrior. After the LARP event begins, the succubus begins murdering LARPers, including Hung and their friend Lando, with Ronnie narrowly escaping. Joe, Eric, Gwen, and Gunther discover the aftermath of the killings, and Ronnie informs Eric that the spell he recited was a genuine Enochian spell that can summon demons. They are confronted by the succubus, and Eric recites a different spell to mortally wound the succubus, but instead causes it to transform into a large monster.

A: What did the woman who looks like the succubus do to the slacker?
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Q: Passage: Mark Bradley is a radio commentator whose pilot, Joe Walker, is flying him across the South Pacific to a conference in Australia. 
Engine trouble develops, and Walker must make a forced landing on the beach of a small, uncharted island inhabited by Dr. Paul Lujan. On the island with Lujan are his three naive daughters, who have never known another man except their father. 
Lujan, unfriendly to the point of hostility, orders the intruders to leave his island, but one of their aircraft's two engines is too badly damaged for them to be able to comply without first making repairs. He grants them a couple days in order to do so. In the meantime he grudgingly introduces Bradley and Walker to his trio of young, beautiful daughters, Venus, Urana, and Mercuria. The two men soon learn that Dr. Lujan was an atomic scientist who fled the civilized world with his family because he fears the havoc being caused by the discovery of nuclear energy.
To the doctor's disapproval, his two older daughters easily fall in love with the two attractive strangers and try to help them, while the third, 16 and jealous of her sisters, tries to foil their plans. This forces them to make a choice between staying on the island with their father or returning with the two men to a civilization they have only experienced via short wave radio broadcasts. When Bradley mentions that he plans on doing a radio broadcast about Lujan and his island location after he returns to civilization, the Dr. begins to scheme a way to keep the men and his daughters on the island.

A: What is the full name of the person being flown across the South Pacific?
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Q: Passage: Caspar David Friedrich (5 September 1774 – 7 May 1840) was a 19th-century German Romantic landscape painter, generally considered the most important German artist of his generation. He is best known for his mid-period allegorical landscapes which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic or megalithic ruins. His primary interest as an artist was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey a subjective, emotional response to the natural world. Friedrich's paintings characteristically set a human presence in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs "the viewer's gaze towards their metaphysical dimension".Friedrich was born in the town of Greifswald on the Baltic Sea in what was at the time Swedish Pomerania. He studied in Copenhagen until 1798, before settling in Dresden. He came of age during a period when, across Europe, a growing disillusionment with materialistic society was giving rise to a new appreciation of spirituality. This shift in ideals was often expressed through a reevaluation of the natural world, as artists such as Friedrich, J. M. W. Turner and John Constable sought to depict nature as a "divine creation, to be set against the artifice of human civilization".Friedrich's work brought him renown early in his career, and contemporaries such as the French sculptor David d'Angers spoke of him as a man who had discovered "the tragedy of landscape". Nevertheless, his work fell from favour during his later years, and he died in obscurity. As Germany moved towards modernisation in the late 19th century, a new sense of urgency characterised its art, and Friedrich's contemplative depictions of stillness came to be seen as the products of a bygone age. The early 20th century brought a renewed appreciation of his work, beginning in 1906 with an exhibition of thirty-two of his paintings in Berlin. By the 1920s his paintings had been discovered by the Expressionists, and in the 1930s and early 1940s Surrealists and Existentialists frequently drew ideas from his work. The rise of Nazism in the early 1930s again saw a resurgence in Friedrich's popularity, but this was followed by a sharp decline as his paintings were, by association with the Nazi movement, interpreted as having a nationalistic aspect. It was not until the late 1970s that Friedrich regained his reputation as an icon of the German Romantic movement and a painter of international importance.

A:
What is the last name of the person who is best known for his mid-period allegorical landscapes?
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