In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Review: The Williams family live on a ranch located in the middle of the remote desert. They find themselves in considerable peril when the place is suddenly thrust into a time vortex where the past, present and future collide in a wildly chaotic and unpredictable manner. Director John "Bud" Cardos begins the film on a compellingly mysterious note and gradually allows things to get stranger, crazier and more exciting as the loopy story unfolds. Moreover, Cardos fills the screen with plenty of dazzling visuals and does a nice job of creating a genuine sense of awe and wonder. The admirably sincere acting from a game cast qualifies as another major plus: Jim Davis as hearty patriarch Grant Williams, Dorothy Malone as his cheery wife Ana, Christopher Mitchum as the concerned Richard, Marcy Lafferty as his lovely wife Beth, Natasha Ryan as sweet little girl Jenny, and Scott C. Kolden as the gutsy Steve. The funky special effects offer an inspired combo of gnarly miniatures, neat stop-motion animation monsters (said creatures include a tiny spindly hairless guy, a big, lumpy, fanged beast, and a scrawny lizard dude), and nifty matte paintings. Richard Band's rousing full-bore orchestral score really hits the stirring spot. John Arthur Morrill's crisp, sunny cinematography likewise does the trick. A fun flick. Question: is it a negative review?
no

Review: I never understood why some people dislike Bollywood films: they've got charismatic actors, great dance numbers, and heightened emotion--what's not to like? What I didn't realize was that I had only seen the upper-crust of Bollywood. Then I watched "Garam Masala". I could tell from the first scene that this was not a movie I was going to like (the film opens with a montage of the two leads driving around a city and apparently happening serendipitously on a series of photo setups populated with gyrating models), but I kept hoping things would improve. Sadly, they didn't. The main problem is that the two protagonists, Mac & Sam, are completely unsympathetic. They spend the entire movie lying to women--and lying brutally- -in order to get them into bed, and the audience is supposed to find this funny, and be charmed. The boys are unscrupulous and inept, and not in a lovable way. Mac even goes so far as to have one of the women drugged in order to keep her from discovering his cheating. The script is extremely poor, with repetitive scenes, setups that never lead to anything, and illogical actions and statements by the characters. In fact, the characters are never really developed at all. The males are boorish, greedy jerks, and the women merely interchangeably beautiful. If you go by this movie, you would think that "air hostesses" are pretty easy to pass from man to man. In reality, betrayal is not so humorous. The only bright spots I found in the movie were one dance number that had brilliant sets, and a few slapsticky moments involving the French-farce, door-slamming aspects of the story. But Bollywood dancing is better enjoyed in movies choreographed by Farah Khan, and for slapstick you might as well just go straight to the silent comedies of Buster Keaton and Harold Lloyd, who seem to have influenced writer/director Priyadarshan not a little. Priyadarshan also takes false credit for inventing the story: the basic premise of the plot is stolen from the 1960 play "Boeing Boeing." The original author of that work, Marc Camoletti, is credited nowhere. At least Priyadarshan changed the title for this remake, rather than brazenly using the original without giving credit, as he did in his 1985 version of this same tale. (According to IMDb's credits list.) Question: is it a positive review?
no

Review: 'Before the devil knows you're dead' is one of the best movies I've seen in along time. The acting fromthe excellent ensemble cast is incredible. Philip Seymour Hoffman putting in an outstanding performance and is electrifying every time he's on screen. Ethan Hawke matches him scene for scene and Albert Finney simply chews up the screen. Marisa Tomei is, however,criminally underused, but looks amazing for her 42 years. The script is excellent, the story-line non-linear but easy enough to follow. Sidney Lumet, although not known for his blockbusters, has turned out a gem with this one! Question: is it a negative review?

no