In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Review: Angels who got a little icky were banned from heaven and now reside in a British forest where they seduce and chop up teens. Talk about high concept. On the plus side this little mother gives us Tom Savini, but since his acting range is limited to two minutes screen-time, his five minute presence seems a tad long. The angels run around the forest naked for the most part of the movie, but though they might have the body of an angel, their faces sure look like Joan Rivers on a bad day. Mediocre acting and amateurish gore-effects don't help and the night scenes fatally recall Paris Hilton's most famous movie. So bad that it is REALLY bad. Question: is it a negative review?
yes

Review: "Voodoo Academy" features an "Academy" like no other, one that houses only six male students in one bedroom. These teenage guys are instructed in religion by a sinister young priest, who enjoys tormenting and comforting them simultaneously. The sole administrator of this "Academy" is a young and seductive headmistress, and she retains her handsome charges on a short leash, so to speak.Sexual overtones abound, and the director obviously has high regard for young male bodies. These young actors occasionally strip down to their designer underwear to sneak about the "Academy," and their sexuality is the entire focus of the movie. If you're not interested in the male form -- stay away!Burdened by weak and awkward dialogue, this low-budget exploitation piece just stumbles along with a few laughable special effects tossed in between the yawns. The mood is claustrophobic, with tediously long takes, a handful of cheap sets and few costume changes. These visual elements come interspersed with seemingly unending sequences of banal dialogue, intended as character and plot development. It gives one the feeling it was filmed in three days... Question: is it a positive review?
no

Review: Since my third or fourth viewing some time ago, I've abstained from La Maman et la putain while I wait for the DVD. In the meantime, I've read the french screenplay as well as Alain Philippon's monograph on Jean Eustache. The latter ends with a frustrating filmography, eleven films, fiction, doc, and in-between, impossible to see or, in the cases of Mes petites amoureuses and Le Père Noël..., re-see.A few questions that hit me this moment: Polish Véronika's French is plenty colloquial (un maximum d' "un maximum d'"). Even so, does she have an accent? I think I can tell she does. What does the absence of color add, especially at the single spot the fringe of the city is glimpsed? How does this fringe differ from the sleep and journey that separates worlds of The Tempest and The Winter's Tale? Ditto Alphaville. We may imagine the elapsed years since have done it, but does Eustache deliberately circumscribe the film's milieu? Is this an enchanted isle? Is Alexandre's a fairy tale? Alexandre's always choreographing himself, worrying about how or where to stand or walk, what to say when, announcing these decisions to who have to care less than he does what he does. Or is this his way of trying to choreograph others by doing it to himself? How different is he from Vertigo's Scottie? (I say, I think, very.) What's the difference, and is there one, between Eustache's Léaud, and Truffaut's, and Godard's? How different is the present Léaud? Isn't he still doing it, whatever it is, in recent roles, Irma Vep, Le Pornographe, whatever, approaching old age? Once I arrived early for one in a series of mostly Antoine Doinel (Léaud's character) Truffaut films. For a long while, every three or five minutes, down the aisle would come a twenty-something male in scarf, tweedy coat, Léaud hair, with a direction-seeking nose. I have no idea whether this was conscious or unconscious mimicry. I was that age, but have no idea what I myself looked like then. No scarf, at least. I do have a brother, though, who seems to have learned his carriage from Bresson. Question: is it a positive review?

yes