In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
in may of 1977 , just 2 years after steven spielberg 's success with jaws and 3 years after francis coppolas ' the godfather , a risky , ambitious young director named george lucas went for the same unpredictable box office success .
little did he know that star wars would become the greatest science fiction epic in the history of film .
in january of this year , lucas re - released star wars on its 20th anniversary .
in this new , remastered version , the added effects , which range from leathery desert beasts inserted into already existing shots to an awkward new scene in which hans solo bargains his way out of a jam with a computer - generated jabba the hutt , do n't do much but call attention to themselves .
other than these , the film is exactly the same .
why pay to see it in the theaters , you might ask ? simply because when this movie was released , most of us were a few years short of being born .
we should all get up and go to the movies for the experience , especially if you have n't seen it .
the plot is basic but in the same way , complex .
it has many themes , but the one rotates around luke skywalker ( mark hamill ) and his quest to become a jedi knight .
his mission begins when a droid named r2-d2 plays back a secret message recorded by the beautiful princess leia ( carrie fisher ) , which tells him to contact the mysterious obi - wan kanoby ( alec guiness ) .
he and kanoby then , joined by two inter - galactic renegades , hans solo ( harrison ford ) and chewbacca , and skywalker 's two droids d2 and c3po
( the voice of anthony edwards ) , wage war upon the corrupt empire , commanded by an evil general ( peter cushing ) and the traitorous darth vader ( the voice of james earl jones ) .
skywalker defeats the evil empire by rising out of himself to embrace something larger : the force .
the film is obviously quite star - studded .
but how was lucas to know that ford would become one of the most sought after men in hollywood and jones ' voice would appear so many more times in the future ?
it just happened to work out for him .
the magic of star wars lies in the way that skywalker 's triumph is symbolized by the audience 's sense of becoming something larger than life itself - a universe of fans , young and old , recreating a movie atmosphere that will impress generations forever . ,

Ex Output:
P


Ex Input:
you 'd think that after awhile hollywood would stop trying to make movies out of video games .
it has n't worked so far .
" street fighter ? "
" super mario brothers ?
" " wing commander ?
" " mortal kombat ? " not a watchable film in the bunch .
still i held out some hope for " tomb raider .
"
after all , the game 's premise is heavily influenced by the indiana jones trilogy and all the mummy movies , so there are cinematic elements imbedded in the concept .
however , despite the potential of the project , " tomb raider " proves to be yet another bomb .
the plot is a convoluted accumulation of nonsense probably borrowed from a dozen bad movies .
there 's a once - ever-5000-years alignment of planets coming up , and the illuminati have to find both halves of an ancient triangle that controls time in order to take over the world .
of course , the ancient folks who divided the triangle buried the halves in tombs on opposite sides of the world .
our heroine , lady lara croft ( angelina jolie ) , finds the key that opens the tombs in relics that her dead father ( jon voight ) dug up .
she figures that if she gets the triangle , she can bring her dad back from the dead .
of course , no one was expecting much of a plot from this movie anyway .
in both video games and action movies , the plot is just an excuse for the action sequences .
however , the action in " tomb raider " shows little style or originality .
there 's lots of shooting and some kung fu fightin ' , but none of it progresses beyond the level of a cheap direct - to - cable flick .
the other goofy archeologist flick of the summer
, " the mummy returns , " was much better ; it had its flaws , but its action was creative and large - scale .
since winning her academy award for " girl , interrupted , " jolie has n't taken any projects that would display her acting talents .
"
tomb raider " seems to be more interested in displaying her breasts ; so much attention is drawn to them that it 's a shame
there 's no oscar for best performance by a wonderbra .
while we do n't see much of her acting ability
( with the exception of a wonderful upper - crust british accent ) , we do get a hint of jolie 's less savory side .
considering the rumors of incest that hang over jolie and her supposed obsession with death , having lara be obsessed with resurrecting her dead father ( and uninterested in any of the living males around her ) seems a poor choice .
having jolie 's real life father jon voight play the dead dad makes it even creepier
.
i have n't decided what to make of director simon west yet .
his first feature was the star - studded disaster " con air , " but my opinion of him improved with " the general 's daughter , " which was thick with sultry atmosphere .
now this train wreck .
i hope he improves again because his next project is the big screen version of the cult tv series " the prisoner .
"
hollywood has already screwed up " the avengers , " and " the prisoner " represents a chance for redemption .
( by the way , speaking of british tv , " red dwarf " fans should look for chris " rimmer " barrie in his first major film role ) .

Ex Output:
N


Ex Input:
i rented " brokedown palace " last night blind , having heard nothing about it beforehand , and i enjoyed it immensely despite some flaws .
for anyone wishing to have the same experience i would suggest reserving judgement of the movie until viewing it in its entirety .
that is no easy task .
superficially , it bears an unfortunate ( and not necessarily unintended ) resemblance to several other movies , notably " return to paradise " and " midnight express .
" as a result nearly every review of " brokedown palace " i subsequently read became hopelessly entangled in making the obvious comparisons .
the consequence was nearly universal condemnation , which is a shame as
this is a fine film .
for those who have yet to view the movie , let me say that it is not an attempt to portray the nightmarish reality of the third world criminal justice system ( as was " midnight express " ) nor completely the moral dilemma and examination of the meaning of friendship and humanity that was the heart of " return to paradise .
" in my view , if this film is to be compared to any other source it would have to be joseph conrad 's acclaimed novel , " lord jim .
"
problematically , the basic storyline seems more than familiar : two american teenage girls on vacation are sentenced to spend most of their lives in a thai prison for drug smuggling in an obvious set - up involving a suave con - man , a shadowy criminal conspiracy and a corrupt third world " justice " system .
the girls are alice ( claire danes ) and darlene ( kate beckinsale ) .
they 're life - long buddies who planned a high - school graduation trip to hawaii , and then secretly changed their destination to the more exotic thailand without telling their parents .
once there , they find a $ 6 hotel and go sight - seeing , which includes sneaking into a luxury hotel to sip expensive drinks poolside .
they get caught trying to charge the bill to the wrong room , a minor transgression which will later come back to haunt them , but they are saved from hotel security by a charming , friendly australian , nick ( daniel lapaine ) , who takes care of the bill with a more polished execution of the girl 's scam .
he then proceeds to separate the girls and make smooth moves , first toward alice , then toward darlene .
by now alarm bells are going off among viewers .
the ever - present nick is too slick and his stories do n't add up ( to us ) --the girls , of course , are too naive to notice .
long before it happens , we 're anticipating the inevitable disappearance of the fast - talking smuggler and the arrest of our teenaged sitting - ducks at the airport en route to hong kong caught holding the bag ( literally ) containing heroin .
just as predictably , the thai police and courts do their part in meting out injustice and our trusting tourists are prison - bound for a long stretch .
left unanswered is the red herring issue of whether one or the other of the girls was a willing accomplice .
for those in need of a ready answer , might i suggest closer scrutiny of the bell hop at the girl 's fleabag hotel .
as one door after another to their comfortable former life is closed , the girls and their families turn in desperation to the noiresque expatriate lawyer / fixer " yankee hank " ( bill pullam ) and his thai - born partner - wife .
a recurring element of the movie is the tension between appearance and reality as expressed in one of the film 's tag lines , " who do you trust ? , " and hank is no exception although seasoned movie- goers and those familiar with pullman 's oeuvre will find few surprises .
much of the remainder of the movie is a smorgasbord of intriguing themes incompletely explored in short - hand fashion .
lou diamond phillips , for instance , plays a delightfully sinister and callous dea agent who , while appearing to be casually accommodating to hank , withholds vital information at crucial moments .
is he part of a wider conspiracy ? with an inherently powerful , if somewhat tired premise , the film offers by parts a riveting courtroom drama , a prison story , and a potential character study of american teens , their relationship , and what constitutes friendship between them .
the result is reasonably engaging and suspenseful , with the girls ' interaction , hank 's investigation , and the various trials and hearings , offering hope for their release , delivering tension -- as does the foredoomed possibility of their escape .
if " brokedown palace " has a major flaw , it is its creators ' tendency , like time - constrained tourists , to take frequent side trips down fascinating alleys only to reverse direction half - way down and return to the story 's main avenue .
and , if that were all there was to " brokedown palace , " it would n't be a very good movie .
but i believe the writers and director were after bigger game and , in this , they succeeded .
for the main theme of the movie , like the proffered name of its location , is freedom -- in all its permutations .
ultimately , the other sub - themes may be considered window dressing .
young and pretty , alice ( danes ) is an old soul ; a wild , streetwise teenager with a thirst for freedom and adventure .
presented as a perfect blend of yin and yang , dark and light , is her cautious best friend , darlene ( beckinsale ) .
clear - eyed and straightforward , alice is more complex than her friend .
she comes from a poorer background , has a reputation for getting into trouble and has lost the trust of everyone ( including her own father ) .
whereas darlene 's life is " on - track , " aimed at college , marriage , kids , a career , a suburban home , middle age and " fulfillment , " alice 's is uncertain , unfocused , and yearning .
one poignant scene in the film shows darlene shouting across an open moat to visitors -- friends and relatives from home , whose lives continue while hers is in limbo .
tellingly , alice is present but not included .
just as revealing of their different personalities , when alice and dar first come to thailand , the openness and delight on alice 's face does n't read as simple naivet ?
; the way she stands up and stretches as she and her friend ride along in a small boat , reaching toward the sun , she really is drinking in what she believes to be freedom , while " dar " remains seated in the shade .
"
brokedown palace " begins with an admission by alice of her guilt in a tape recording sent to hank .
however unintentional , it 's all alice 's fault .
she 's responsible for persuading her friend to lie to her parents , to sneak away from the safety of hawaii to the perils of thailand , to try the petty scam which places them in the clutches of the evil nick .
( in case one misses this point in the inevitable confusion of a film 's beginning , darlene obligingly reminds alice of her culpability in prison . )
dar , of course , is the willing dupe which , in her view , confers innocence .
never mind that it was her coercion of a reluctant alice to accompany her to hong kong which placed them in police custody in the first place or that her naive confession sealed their fate .
dar is innocent .
it does n't matter .
alice is the subject of this movie .
she and her journey toward personal freedom .
along the way we are treated to an unsympathetic portrait of the shallow american culture which created these girls with their half - baked sensibilities and materialistic goals .
in the end , that culture , like its representatives , " yankee " hank and dar 's father ( a " man who knows how to grease the wheels " ) , proves as impotent as its government in the face of the girl 's tragedy .
thailand 's culture , contrary to most opinion , comes off much better by comparison .
it amazes me that reviewers argued this point at both extremes .
i believe the filmmaker 's view was that thai culture is vastly different from the american but not necessarily inferior .
the thai ( with the sole exceptions of a corrupt official and a spiteful prison spy ) were uniformly consistent in their behavior and true to their principles .
the girls were shown to be treated no better but certainly no worse than the native - born .
their prison ( in stark contrast to the probable reality ) was no hellhole , being relatively clean and sunlit .
the prison authorities demanded good hygiene , provided medical care when needed , and " hard manual labor " consisted of picking grass !
the thai guards were authoritarian ( what else ? )
but certainly not routinely sadistic .
as for the thai justice system , the reasoning of the thai judges , during both an appeal hearing and in the film 's penultimate scene was devastating in its logic and morality .
' freedom ' has many faces and " brokedown palace " explores many of them .
in the extreme , we have freedom of the body and freedom of the spirit .
some settle for the former alone while others remain imprisoned with an entire nation to roam without the latter .
but freedom seldom comes without a price .
which is why the movie 's other tag lines are : " what is your dream ?
" and " how far would you go ?
"
i believe i could make a good case for the interpretation that the person who attains freedom , incarcerated or not , by film 's end is alice .
she finds redemption and salvation through the acceptance of personal responsibility .
i think the light bathing only her figure among the assembled prisoners in the final scene visually signals that fact .
kate beckinsale 's character might more properly be likened to the " released " temple bird referred to twice during the film , " trained to fly back to its cage .
" as the thai magistrate observed in the film 's climactic scene , the issue was always one of " character ; " and the jamaican prisoner made it clear that " freedom " is achieved within oneself . if one thinks back over the movie , which character was transformed by their experiences ?
increasingly , the cinema landscape seems to have become littered with endless permutations of ' kung fu woman'--female characters virtually indistinguishable from male action figures .
here , at last , is the story of a modern heroine .
in reading the many user 's comments , i was struck by what seems an unusual phenomenon : whether or not a person liked the movie ,
almost everyone praised the actors .
think about that .
when was the last time you came away from a motion picture possibly hating it , but raving about all the performances in it ?
do yourself a favor : rent " brokedown palace " and watch it with a open mind .
there 's more there than meets the eye .

Ex Output:

P