instruction:
In this task, you're given a context passage, followed by a question that needs to be answered. Based on the paragraph, you must write unambiguous answers to the questions and your answer must refer to a specific phrase from the paragraph. If multiple answers seem to exist, write the answer that is the most plausible.
question:
Looking deeper into the closet, Kai found another pair of pants to wear to the concert. 
Question: What will Kai want to do next?
answer:
put on the pants


question:
Interest in Monteverdi revived in the late 18th and early 19th centuries among music scholars in Germany and Italy, although he was still regarded as essentially a historical curiosity. Wider interest in the music itself began in 1881, when Robert Eitner published a shortened version of the Orfeo score. Around this time Kurt Vogel scored the madrigals from the original manuscripts, but more critical interest was shown in the operas, following the discovery of the L'incoronazione manuscript in 1888 and that of Il ritorno in 1904. Largely through the efforts of Vincent d'Indy, all three operas were staged in one form or other, during the first quarter of the 20th century: L'Orfeo in May 1911, L'incoronazione in February 1913 and Il ritorno in May 1925.The Italian nationalist poet Gabriele D'Annunzio lauded Monteverdi and in his novel Il fuoco (1900) wrote of "il divino Claudio ... what a heroic soul, purely Italian in its essence!" His vision of Monteverdi as the true founder of Italian musical lyricism was adopted by musicians who worked with the regime of Benito Mussolini (1922–1945), including Francesco Malipiero, Luigi Dallapiccola, and Mario Labroca, who contrasted Monteverdi with the decadence of the music of Richard Strauss, Claude Debussy and Igor Stravinsky.In the years after the Second World War the operas began to be performed in the major opera houses, and eventually were established in the general repertory. The resuscitation of Monteverdi's sacred music took longer; he did not benefit from the Catholic Church's 19th-century revival of Renaissance music in the way that Palestrina did, perhaps, as Carter suggests, because Monteverdi was viewed chiefly as a secular composer. It was not until 1932 that the 1610 Vespers were published in a modern edition, followed by Redlich's revision two years later. Modern editions of the Selva morales and Missa e Salmi volumes were published respectively in 1940 and 1942. 
Question: What is the last name of the person whose operas began to be performed in the major opera houses after World War II?
answer:
Monteverdi


question:
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives—Oscar Wilde's The Importance of Being Earnest—and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities. 12—whose title is often mistakenly derived from the number of years it took to create the film (10 actually)—is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film. 
Question: Filmore is accompanied by what kind of siblin in his journey?
answer:

His half sister Marie