Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Input: Consider Input: CONTEXT: He's talking about the stress of the job. It's a common "joke" (though not really funny when you consider recent suicide rates) that is based on either suicide or stress. "I'm not sure what's going to kill me first, the stress from these people or the stress from this job" "I'm not sure what's going to make me kill myself first, dealing with these people or dealing with this job" Sam is essentially saying, "I always knew somehow this train would be the death of me." It's not really clear whether he was saying it in jest or if he truly believed it, but that's essentially what that quote means.  <sep>  Q: What is the meaning of Sam's words?

Output: Yes


Input: Consider Input: CONTEXT: For a perfect clone, down to the quantum level, both would be the real Angier. That is the essence of his fear. The real Angier will be killed every time. When you download a movie what you are doing is actually making a perfect copy of the movie. Which is the real movie? They all are. This is very different from making copies of film reels where only the original have the quality of the original (each copy adds a little imperfection). Now, the question The Prestige asks is what if you can make a perfect clone of a person the way you can perfectly copy digital data? In one sense, if we don't want to get too uncomfortable we can always say the remaining copy is now the real data and the deleted copy is not real anymore. But if you really think about it and get out of your comfort zone you will realize that both people are real and what you have done is murdered yourself. In The Prestige this point is much more clearly made as the old copied Angier becomes the one who is killed. Not the newly created clone. Every time the clone will have only the memory of the surviving Angier. But every time Angier experiences death, only the Angier that experienced death has no way of passing that memory to the surviving Angier so the survivor can never know what dying feels like.  <sep>  Q: How does it work that the clones are sentient paradox?

Output: Yes


Input: Consider Input: CONTEXT: I will preface this by saying that I haven't seen the film yet. However, in the novel Jack's father is Old Nick - the man who was holding Ma and Jack captive. Ma's father would not look at Jack because doing so would make the father think of Old Nick - thus leading to anger, etc at the the kidnapping of his daughter.  <sep>  Q: In the film Room, why was the Grandfather Unable to Look at Grandson?


Output: Yes