In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Ex Input:
Review: What was there about 1939 that helped produce so many excellent Hollywood films? Well, whatever it was, the magic may also be found in this Columbia picture. It's a long forgotten screwball comedy that Turner Classic Movies has begun to show. (Maltin's movie book does not contain it.) In nearly every department, Amazing Mr. Williams is a jewel.It's the story of a first-rate police detective who can never find the time to marry his intended. As the wedding bells are about to ring, he gets called to the scene of a murder. The lady in question has to learn the hard way not only to enjoy the pursuit of criminals but to belong to the police force. There are a lot of laughs in the process.Melvyn Douglas proved again that he had few peers in light comedy. Joan Blondell was at the peak of her career and is a delight. Edward Brophy and Donald McBride are hilarious.The film goes on a bit too long, but who cares? The screwball comedies are always able to entertain, and this film belongs right in there with the best. Question: is it a positive review?

Ex Output:
yes


Ex Input:
Review: Like A Streetcar Named Desire (also directed by Gadg both on stage and screen) Panic In The Streets depicts a New Orleans in which its major claim to fame - the birthplace of Jazz - doesn't even rate a mention. It was Richard Widmark's seventh film and arguably went a long way to establishing him as the fine actor he really was rather than merely a psychotic killer. Gadg himself appears in an uncredited small role as a morgue attendant but the film is rich in talent beginning with Jack Palance (still being billed as Walter Jack Palance)as the local Mr 'Big' followed side-kick Zero Mostel, Barbara Bel Geddes, Emile Meyer, Tommy Rettig plus the rock-solid ever reliable Paul Douglas as the cop who comes round to doc Widmark's point of view. It's a very rewarding movie more so for being little seen. Catch it if you can. Question: is it a positive review?

Ex Output:
yes


Ex Input:
Review: I had high hopes for this film, because I thought CLEAN, SHAVEN (Kerrigan's first feature) was absolutely terrific, the most assuredly cinematic low budget film I'd ever seen.But much of CLAIRE DOLAN is utterly pointless and flat. Scene after scene seems randomly tossed into the mix, without much thought for narrative or character.Is Claire trying to escape being a prostitute or not? Hard to tell. Why does she pick up the trick at the airport if she wants to escape that life? Why does she then not pick up tricks when she needs money in Seattle? Why do we have to see her dye her hair to what is virtually the exact same color? Why does Claire accept some johns and not others? The filmmaker doesn't seem to know.It feels as if everything is improvised (though I understand this wasn't the case) and the filmmakers just held a camera on it as if they were making a verite documentary.After the screening I saw, Kerrigan defended his lack of narrative choices by condemning film narrative as politically conservative. It sounded like learned rhetoric. I think it was a cop-out.I am saddened that the maker of a film as exciting as CLEAN, SHAVEN would go on to make such a lame film as this one and then defend it with tired old "political" cliches. Question: is it a negative review?

Ex Output:

yes