This task involves annotating the answer type to a given question that involve some kind of complex reasoning (including numerical reasoning). Note that the questions require looking at more than one part of the passage to answer. There are 3 possible answer types (i) spans, (ii) numbers and (iii) dates. If the answer can be found in the passage, label it as "span". If the answer is a number, label as "number". Similarly, label "date" if you think the answer to the given question is a date.

Q: Passage: The English Civil War had left resentment among some of the population about the monarchy and the penalties which had been imposed on the supporters of the Commonwealth. The South West of England contained several towns where opposition remained strong. Fears of a potential Catholic monarch persisted, intensified by the failure of Charles II and his wife to produce any children. A defrocked Anglican clergyman, Titus Oates, spoke of a "Popish Plot" to kill Charles and to put the Duke of York on the throne. The Earl of Shaftesbury, a former government minister and a leading opponent of Catholicism, attempted to have James excluded from the line of succession. Some members of Parliament even proposed that the crown go to Charles's illegitimate son, James Scott, who became the Duke of Monmouth. In 1679, with the Exclusion Bill - which would exclude the King's brother and heir presumptive, James, Duke of York, from the line of succession - in danger of passing, Charles II dissolved Parliament. Two further Parliaments were elected in 1680 and 1681, but were dissolved for the same reason. After the Rye House Plot of 1683, an attempt to assassinate both Charles and James, Monmouth went into self-imposed exile in the Netherlands, and gathered supporters in The Hague. Monmouth was a Protestant and had toured the South West of England in 1680, where he had been greeted amicably by crowds in towns such as Chard and Taunton. So long as Charles II remained on the throne, Monmouth was content to live a life of pleasure in Holland, while still hoping to accede peaceably to the throne. The accession of James II and coronation at Westminster Abbey on 23 April 1685 put an end to these hopes.
Question: when was the coronation of James 2

A: date
****
Q: Passage: Coming off their road win over the Rams, the Bills flew to the University of Phoenix Stadium for a Week 5 interconference game with the Arizona Cardinals.  In the first quarter, Buffalo trailed early as Cardinals QB Kurt Warner completed a 2-yard TD pass to WR Larry Fitzgerald.  In the second quarter, Arizona increased its lead as RB Tim Hightower got a 17-yard TD run.  The Bills responded as QB J.P. Losman completing an 87-yard TD pass to WR Lee Evans, yet the Cardinals replied with RB Edgerrin James getting a 1-yard TD run.  Buffalo answered with Losman's 1-yard TD run, yet Arizona closed out the half with kicker Neil Rackers getting a 47-yard field goal. In the third quarter, the Bills tried to catch up as kicker Rian Lindell got a 48-yard field goal, but the Cardinals answered with Warner completing a 2-yard TD pass to Fitzgerald.  In the fourth quarter, Arizona pulled away as Rackers nailed a 38-yard field goal, along with Hightower getting a 2-yard TD run, With the loss, Buffalo went into their bye week at 4-1. QB Trent Edwards (3/3 for 18 yards), who originally started, was knocked out the game on the Bills' third offensive play by Cardinals safety Adrian Wilson with a concussion.
Question: How long was James touchdown run?

A: span
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Q: Passage: Beginning from the early 1920s composers of both contemporary and popular music wrote for the musical saw. Probably the first was Dmitri Shostakovich.  He included the musical saw, e.g., in the film music for The New Babylon (1929), in The Nose (opera) (1928), and in Lady Macbeth of the Mtsensk District (opera) (1934). Shostakovich and other composers of his time used the term "Flexaton" to mark the musical saw. "Flexaton" just means "to flex a tone"—the saw is flexed to change the pitch. Unfortunately, there exists another instrument called Flexatone, so there has been confusion for a long time. Aram Khachaturian, who knew Shostakovichs music included the musical saw in his Piano Concerto (Khachaturian) (1936) in the second movement. Another composer was the Swiss Arthur Honegger, who included the saw in his opera Antigone (Honegger) in 1924 . The Romanian composer George Enescu used the musical saw at the end of the second act of his opera Œdipe (opera) (1931) to show in an extensive glissando—which begins with the mezzo-soprano and is continued by the saw—the death and ascension of the sphinx killed by Oedipus. The Italian composer Giacinto Scelsi wrote a part for the saw in his quarter-tone piece Quattro pezzi per orchestra (1959). German composer Hans Werner Henze took the saw to characterize the mean hero of his tragical opera Elegy for young lovers (1961). Other composers were Krysztof Penderecki with Fluorescences (1961), De natura sonoris Nr. 2 (1971) and the opera Ubu Rex (1990), Bernd Alois Zimmermann with Stille und Umkehr (1970), George Crumb with Ancient voices of children (1970), John Corigliano with The Mannheim Rocket (2001). Chaya Czernowin used the saw in her opera "PNIMA...Ins Innere" (2000) to represent the character of the grandfather, who is traumatized by the Holocaust. There are Further Leif Segerstam, Hans Zender (orchestration of "5 préludes" by Claude Debussy), Franz Schreker (opera Christophorus) and Oscar Strasnoy (opera Le bal). Russian composer Lera Auerbach wrote for the saw in her ballet The Little Mermaid (2005), in her symphonic poem Dreams and Whispers of Poseidon (2005), in her oratorio "Requiem Dresden – Ode to Peace" (2012), in her Piano Concerto No.1 (2015), in her comic oratorio The Infant Minstrel and His Peculiar Menagerie (2016) and in her violin concerto Nr.4 "NyX – Fractured dreams" (2017).
Question: What was the last year that the saw was used in something?

A:
date
****