instruction:
You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.
question:
 Miss Jane Hathaway is an astute pillar of a quaint coastal community, where her house sets atop a hill. She has long overcome the scandal created by her elder sister s elopement, though the sister died without her forgiveness. She s also aware of a child, although she s never met her niece. When she receives a letter from Ruth Thorne, her 34-year-old niece, suggesting an invitation to visit, she accepts, but leaves before Ruth arrives.
At Miss Hathaway s house, Ruth is given a mysterious letter. The letter, from Aunt Jane, does not explain her sudden trip abroad, but instructs Ruth to light an oil lamp in the attic each night.
In the attic, Ruth stumbles upon some mementos and keepsakes in an old trunk. Among the items is her aunt s wedding dress, made long ago and never worn. There s also some newspaper clippings; an announcement of marriage between Mr. Charles G. Winfield, captain of the schooner Mary, and Miss Abigail Weatherby. Ruth imagines that perhaps he was the man to whom her aunt s wedding dress was intended. Later, she finds a death notice of Mrs. Abigail Winfield, aged 22. Ruth feels ashamed and puts everything back, forcing it from her mind.
In the village, Ruth notices a young man, but does not make his acquaintance. Instead, she visits her aunt s childhood friend, Mary Ainslie, whom the locals call "peculiar", because she never leaves her house. Ruth is immediately taken with Miss Ainslie s saintly demeanor and quickly forms a friendship with her.
Ruth, who has resisted the urge to pillage her aunt s love letters, unwittingly stumbles onto a partial letter, which states, "At Gibraltar for some time, keeping a shop, but will probably be found now in some small town on the coast of Italy. Very truly yours". The signature has been torn.
Ruth's solitude is broken by Carl Winfield, a fellow journalist, who is staying in town at the suggestion of their mutual boss. She recognizes him as the young man she noticed earlier and finds him roguishly young and handsome; a great match for her.
Mr. Winfield suffers from an ocular ailment and must abstain from reading and writing. He's lodging at the Pendletons', and confides to Ruth that Joseph Pendleton and Hepsey, her aunt s maid, are courting. He asks Ruth to read the newspapers to him, and she agrees. Their time is well spent and on one of their many walks, they fall in love.
Mr. Winfield is also curious about Miss Ainslie, though Ruth is uncertain to introduce them. She inquires first and, out of curiosity for his surname, Miss Ainslie agrees to meet him.
Carl Winfield is transformed by Miss Ainslie and confides that his own mother died when he was young. Although he does not remember her, he s been told awful stories about her vices, mainly alcoholism. Despite that Miss Ainslie is unmarried and has no children, he believes she s the vision of a perfect mother.
Mr. Winfield proposes to Ruth, and she accepts, although no date is set, then Joseph Pendleton proposes to Hepsey, and she accepts. With this much excitement, it's difficult to imagine the surprise when Aunt Jane returns, a married woman! Not trusting the "heathen laws" with which she was married, Aunt Jane rushes to put forth a Christian union with one priest and two witnesses, Ruth and Carl. The bridegroom, James Ball, is anything but thrilled. He has lived a long sailor s life and enjoyed his bachelor days no end. He also fancies younger women   like Ruth and Hepsey! To his credit, he is there upon his word, having proposed to Miss Hathaway 30 years ago! It turns out that he was the purpose of her trip to Italy.
When Aunt Jane, now Mrs. Ball, discovers her husband s roving eye, she fires Hepsey and sends Ruth away, using her honeymoon as an excuse. Hepsey's and Joe's wedding is immediately put forth. Ruth, on the other hand, isn t ready to rush into marriage. She heads for Miss Ainslie s house instead. There, she knows, she will be comfortable for the duration of her holiday. Linens, china, and furniture make up the wedding gifts.
While Ruth is staying with Miss Ainslie, the woman makes changes to her will, leaving everything to Ruth and Carl. Both insist they would rather have her, Carl especially. Strangely, Miss Ainslie and Carl share a dream about Carl's father. They confide it to Ruth, but she is unwilling to believe it is anything more than a coincidence. Nonetheless, it has changed Miss Ainslie and she has lost her will to live.
In the end, Ruth and Carl discover the truth: that Mary Ainslie was engaged to Charles G. Winfield, captain of the schooner Mary, but that he married Carl's mother, Abigail Weatherby, instead. After his wife died, he was too proud to come forward with his son, so he stayed away all those years. And all those years, Miss Ainslie was waiting for him. Her friend, Jane, knew this, but hadn't the heart to tell her. Instead, she lit the lamp in her attic for hers and Miss Ainslie's sailors to make their way back to them.
answer:
What happened to Carl Winfield's mother? 


question:
 Dorian Gray is the subject of a full-length portrait in oil by Basil Hallward, an artist who is impressed and infatuated by Dorian's beauty; he believes that Dorian s beauty is responsible for the new mode in his art as a painter. Through Basil, Dorian meets Lord Henry Wotton, and he soon is enthralled by the aristocrat's hedonistic worldview: that beauty and sensual fulfilment are the only things worth pursuing in life.
Newly understanding that his beauty will fade, Dorian expresses the desire to sell his soul, to ensure that the picture, rather than he, will age and fade. The wish is granted, and Dorian pursues a libertine life of varied and amoral experiences, while staying young and beautiful; all the while his portrait ages and records every bad sin.The Picture of Dorian Gray begins on a beautiful summer day in Victorian era England, where Lord Henry Wotton, an opinionated man, is observing the sensitive artist Basil Hallward painting the portrait of Dorian Gray, a handsome young man who is Basil's ultimate muse. While sitting for the painting, Dorian listens to Lord Henry espousing his hedonistic world view, and begins to think that beauty is the only aspect of life worth pursuing. This prompts Dorian to wish that the painted image of himself would age instead of himself .
Under the hedonist influence of Lord Henry, Dorian fully explores his sensuality. He discovers the actress Sibyl Vane, who performs Shakespeare plays in a dingy, working-class theatre. Dorian approaches and courts her, and soon proposes marriage. The enamoured Sibyl calls him "Prince Charming", and swoons with the happiness of being loved, but her protective brother, James warns that if "Prince Charming" harms her, he will murder Dorian Gray.
Dorian invites Basil and Lord Henry to see Sibyl perform in Romeo and Juliet. Sibyl, too enamoured with Dorian to act, performs poorly, which makes both Basil and Lord Henry think Dorian has fallen in love with Sibyl because of her beauty instead of her acting talent. Embarrassed, Dorian rejects Sibyl, telling her that acting was her beauty; without that, she no longer interests him. On returning home, Dorian notices that the portrait has changed; his wish has come true, and the man in the portrait bears a subtle sneer of cruelty.
Conscience-stricken and lonely, Dorian decides to reconcile with Sibyl, but he is too late, as Lord Henry informs him that Sibyl killed herself by swallowing prussic acid. Dorian then understands that, where his life is headed, lust and good looks shall suffice. Dorian locks the portrait up, and over the following eighteen years, he experiments with every vice, influenced by a morally poisonous French novel that Lord Henry Wotton gave him.
[The narrative does not reveal the title of the French novel, but, at trial, Wilde said that the novel Dorian Gray read was   Rebours ('Against Nature', 1884), by Joris-Karl Huysmans.]
One night, before leaving for Paris, Basil goes to Dorian's house to ask him about rumours of his self-indulgent sensualism. Dorian does not deny his debauchery, and takes Basil to see the portrait. The portrait has become so hideous that Basil is only able to identify it as his work by the signature he affixes to all his portraits. Basil is horrified, and beseeches Dorian to pray for salvation. In anger, Dorian blames his fate on Basil, and stabs him dead. Dorian then calmly blackmails an old friend, the scientist Alan Campbell, into using his knowledge of chemistry to destroy the body of Basil Hallward. Alan later kills himself over the deed.
To escape the guilt of his crime, Dorian goes to an opium den, where James Vane is unknowingly present. James had been seeking vengeance upon Dorian ever since Sibyl killed herself, but had no leads to pursue: the only thing he knew about Dorian was the name Sibyl called him by, "Prince Charming". In the opium den however he hears someone refer to Dorian as "Prince Charming", and he accosts Dorian. Dorian deceives James into believing that he is too young to have known Sibyl, who killed herself eighteen years earlier, as his face is still that of a young man. James relents and releases Dorian, but is then approached by a woman from the opium den who reproaches James for not killing Dorian. She confirms that the man was Dorian Gray and explains that he has not aged in eighteen years. James runs after Dorian, but he has gone.
James then begins to stalk Dorian, causing Dorian to fear for his life. However during a shooting party, one of the hunters accidentally kills James Vane who was lurking in a thicket. On returning to London, Dorian tells Lord Henry that he will be good from then on; his new probity begins with not breaking the heart of the na ve Hetty Merton, his current romantic interest. Dorian wonders if his new-found goodness has reverted the corruption in the picture, but when he looks he sees only an even uglier image of himself. From that, Dorian understands that his true motives for the self-sacrifice of moral reformation were the vanity and curiosity of his quest for new experiences.
Deciding that only full confession will absolve him of wrongdoing, Dorian decides to destroy the last vestige of his conscience, and the only piece of evidence remaining of his crimes the picture. In a rage, he takes the knife with which he murdered Basil Hallward, and stabs the picture. The servants of the house awaken on hearing a cry from the locked room; on the street, passers-by who also heard the cry fetch the police. On entering the locked room, the servants find an unknown old man, stabbed in the heart, his face and figure withered and decrepit. The servants identify the disfigured corpse by the rings on his fingers to belong to their master; beside him is the picture of Dorian Gray, restored to its original beauty.
answer:
How is James related to Sibyl?


question:
 A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves   specifically, the 400-year-old vampire Armand and his coven at the Th tre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality.
answer:

What does the boy who is interviewing Louis want?