In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: the most interesting part of
"
ca n't hardly wait " just happens to be not only the most human , but
for many of us , the one part that many of us can easily relate to .
that is the character of denise ( lauren ambrose ) , the film 's sole sarcastic member who mocks everything that goes on in the film , and at one point sits down on a couch and looks totally bored .
the film wisely holds over this moment , nicely showing her alienation in the midst of a large high school party .
.. almost too nicely .
for some members of the audience ( read : me ) , this is basically a mirror of what 's going on with them watching this film .
we sit there wondering why we 've even bothered to see a film about a long high school party we probably never felt the desire to go to in the first place .
i would actually highly recommend this film if it satirized all of this .
after all , this film is filled with a bunch of pathetic stereotypes much of which i went to high school with .
everyone 's here :
the jock , the homecoming queen , the nerd ( and his dominions of trekkies and x - philes ) , the alienated wannabe writer , the school spirit girl , the pothead ( s ) , the wigger , etc , etc , etc , and weirdly enough this film shows them as superficial , lame , and basically as a bunch of losers . except for denise , who rolls her eyes at everything , and easily becomes the most likable character even before she speaks ( her yearbook entry , something which is done for each main character , quotes oscar wilde - definite pointers there ) .
unfortunately , the writers and directors take several major misteps on the way to making this into an admirable and even likable film .
the film , as i said , portrays most of its characters as superficial and just totally ignorant to everything .
however , instead of sticking with this , perhaps even going a bit further with it , they let this lie , and actually make these characters into our heroes .
we follow several of them , all a bunch of moronic stereotypes with only a shread of humanity and realism , and tries to tell boring and overly melodramatic tales about them as if we actually cared and/or identified with them .
and if we did , we certainly do n't want to revisit that state of being .
here 's a quick low - down : it 's graduation , and we follow a bunch of seniors on the last night , otherwise known as the " american grafitti " or , to a lesser extent , the " dazed and confused " cliche .
the formal just followed them as they drove aimlessly ; the latter did a little bit of that and featured a big outdoor keg party .
"
ca n't hardly wait " just opts for a big indoor keg party , and a little bit of aimless driving , albeit of the i'm - whining - because - i - can't - get - a - girl - i - want brand .
we follow many people around , but mostly we trail preston ( ethan embry , of " that thing you do ! " ) , the alienated writer , who 's been pining over the homcoming queen , amanda ( the totally overrated jennifer love hewitt ) , for the entirety of high school because he thinks they shared a moment their freshman year over a freaking pop tart .
now that she 's broken up with her football player boyfriend , mike ( peter facinelli ) , he decides to go to the party with a note he 's written declaring his " love " for her in the hopes he 'll build up the guts to give it to her .
.. even though he 's leaving for a multi - week intensive writing program hosted by none other than kurt vonnegut
( okay :
the ingenius vonnegut or some icky noxema spokesperson ? ) .
since that plot is incredibly lame and a track record of what goes on with it would n't be able to carry a commercial let alone a feature film , and because it 's a party , there are some more main characters , such as : william ( charlie korsmo , finally surfacing after " dick tracy " ) , the nerd ( and his dominions ) who has come up with a ridiculous plan to publically sabotage mike , who 's humiliated him for years , but gets too caught up in drinking to do it ; kenny ( seth green ) , the wigger , who has decided that this party will be where he will finally get laid ( uh huh ) ; and denise , the only exceptional character , who unfortunately gets stuck in a bathroom ( do n't ask ) with kenny where the two characters let down their characters and are allowed to follow the laws of plot cliches from point a to point b with nary a bit of characterization involved after awhile . ugh .
the main comparison this film is getting to another film is actually not " american grafitti " or " dazed and confused , " two films that embraced and ultimately made humans out of many of its high schoolers ( not to mention were extremely entertaining ) , but to john hughes films of the 80s , most notably " sixteen candles .
"
the big difference in the two is that that film managed to not only embrace but even satirize its main characters , and did so equally and in an entertaining fashion .
this film forgets to satirize its characters , and ultimately tells a story about a bunch of uninteresting stereotypes .
..
and then says that it 's all okay .
we ca n't take this film seriously , nor can we take this as fun , so really what good is it ?
but i will tell you some things i did
like
: i liked the direction , except for a couple too - over - the - top features , like way - too - glossy jump cuts
( it 's like an oxymoron ) and other obscurities .
generally , though , elfont and kaplan do have graceful camera movement , and even manage to capture
an altman - esque feel to their film from time to time ( a thing with a note , though , is too hokey to really be admirable ) .
i actually did like seth green , for once in about a decade ( when he played a very young woody allen in " radio days " ) - his desintegration of his wigger character was almost believable .
.. almost .
and , of course , lauren ambrose is wonderful as denise , the one character we could have used some more of , even though it would have changed the entirety of the film .
however , the character of denise really does n't work with the film , when really thought about .
she 's far too witty and realized ( at least for the first half ) to belong in this film , and whenever she appears , she automatically gives everything a delightfully satirical tone .
she 's not just the cynic or the intellectual ; she 's just a very interesting character who provides entertainment even if it further damages other already damaged characters .
she may ruin the film more , but at least when she 's on screen we can sit up and think to ourselves " well , at least we 'll be entertained .
"
a couple other things that just do n't work : mike 's character , who suffers an epiphany throughout the film but in the end acts as though he has forgotten everything : too much the sacrificial lamb for the film in general ;
the aimless , bitchy driving by preston to try and get over his inability to shack up with amanda - give me a break ; and
perhaps the one thing that just does n't work at all : jenna eflman 's uncredited cameo as an angel - just did n't work , but nice try .
basically the worst thing about this film , the real reason i 'm giving this such a low rating , is because it refuses to give us any fully realized characters and then insists we follow around complete stereotypes from other movies doing things that are inane and unlike anything we 'd do .
we do n't feel for these characters because for most of us , we are n't stereotypes going through the motions to worn subplots .
the acid test for high school movies is : does it at all capture the feel of what it 's portraying ?
the answer for this film is no .
nice try , though .

Output: N


Input: Consider Input: movies can do the two big es very well : educate and entertain .
in the best of all possible worlds , they accomplish both .
on the red planet , they fail entirely .
in the near future , a manned mission is sent to mars to observe primitive plant growth .
this film does a remarkable job of demonstrating exactly how exciting watching algae grow would be .
after some mumbo - jumbo about an ecological disaster on earth and an interminable wait to reach the fourth planet , the ship falls apart almost as fast as the movie does .
the ground crew of people
you could n't care less about
is trapped on the surface without food , water or air and stalked by a deadly rogue cyberdog .
the one potentially interesting character ( carrie - anne moss ) spends her time alone in the orbiting ship talking to a computer .
attempting to graft " 2001 " esque space mysticism with " terminator " robot horror , first time director antony hoffman ca n't seem to figure out what 's going on .
neither
can we .
did n't he have anyone who could step back from the shooting and make sure there was a coherent story ?
could n't he have used the money saved by only having to pay half a dozen actors to hire a scriptwriter ?
there are so many mis - steps .
every opportunity to create dynamic tension is thwarted by plot holes and lackluster direction .
why introduce the theme of faith vs .
science if the crewman who could comment on it disappears early only to die
_
offscreen _ ?
the audience begins the film waiting for something to happen .
two hours later , they 're still waiting .
despite our greatest hopes , there is no life on the red planet .

Output: N


Input: Consider Input: near the end of frank capra 's holiday classic , its a wonderful life , george bailey ( jimmy stewart ) is feeling down .
he has devoted his life to others , and never fulfilled his dream of leaving his small supburb town , bedford falls . standing upon a bridge above stormy waters , he looks down , contemplating suicide .
he has potential he has n't fulfilled -- yet , he has done so much for others .
as a young chap , his ambition was to leave his hometown of bedford falls .
but times and ambitions change .
things happen , and he 's stuck .
his guardian angel is there , and shows him that . . .
it 's a wonderful life .
in a whirlwind tour of the town , george sees what life would be like without him .
he learns the moral lesson , that to live is a gift .
his earthly problems are solved .
the climatic scene is a marvel .
frank capra 's film is a centenial classic -- watched and re - experienced by every generation .
wonderful life is one of the few pictures of times gone by that seems as fresh , maybe fresher , then it did when it was first released .
many films of the thirties through seventies have aged poorly .
but this one is a near flawless example of how well a perfect script and timing can mesh with first - rate acting , wit and suspense , glorious music , and terrific set peices .
the only even slightly dated scenes are those at the begining in which god has a long chat with clarence , george 's guardian angel .
they are n't all that bad , but they remain corny and a little out of place .
nevertheless , this is one film that deserves its place in time , cinema history , and our hearts .
it can be equally appreciated by anyone of any age .
here is one genuine masterpeice , a classic that reaches heights and ambitions near perfection .
this crackling good mixture results in a film which is at once funny , exciting , moving and uplifting .
the film itself is almost a reversal of the life of george bailey -- there is n't too much to it , but capra and the gang ( various screenwriters , composers , actors ) plumet the material to its fullest potential .
the result is a film -- though not at first intended to be pigeon - holed as a holiday film -- that will always be remembered , celebrated , and loved .


Output: P