In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

one of the 90s ' most unwelcome thriller trends returns from the grave : it 's the " _ _ _ from hell " movie !
starting in the early nineties , we were subjected to nearly every conceivable combination of relationships - from - hell !
there were boyfriends from hell , friendly neighborhood cops from hell , nannies from hell , and even secretaries from hell .
but hush has found an old standby that somehow was forgotten in the rush : the mother - in - law from hell ! ! ! ! !
the mother - in - law in question is martha , played by jessica lange .
she has been single - handedly running the family horse farm , kilronan .
her son , jackson ( johnathon schaech ) and his girlfriend , helen ( gwyneth paltrow ) , live in new york , and have no intention to move back down south to the rural kilronan .
but those intentions are about to change .
you see , martha lives by manipulation .
she has used it in years past to breed many championship horses .
now , she believes she can use it to breed herself a grandson .
though at first , helen finds martha charming , soon she is caught in the domineering martha 's web of deception .
it 's hard to understand why nobody ever wises up to martha ' schemes .
as written , most of the characters in the film must be very slow witted .
but then , the film even treats the audience like idiots .
it tries to get away with things ( like leaving a critical piece of evidence in a rather unlikely place ) without even batting an eye .
then again an audience which accepts characters as shallow as these is n't one that 's likely to question details .
jessica lange 's martha is the only semi - developed character in the film , and she applies her talents to redeem it as much as she can .
a character that could have been simply awful is merely groan - worthy .
gwyneth paltrow does n't have much to build upon , as helen 's only character trait seems to be " daughter - in - law " .
still , she fares better than johnathon schaech , whose character is so nonexistent , he 's inexplicably missing for much of the film .
still , there have been much worse
" _ _ _
_ from hell " films .
even with its paper - thin characters and ludicrous setups , hush manages to create a few thrills in a color - by - numbers fashion .
you know what 's coming , but occasionally the film will deliver a shock or two .
the old formulas are around for a reason , but that does n't mean they taste fresh .
N

when i initially set out to review this film , my tag line was going to be " you too can believe whales can fly " .
then it was going to be
" you too can believe pastel triangles can fly " .
then , it was going to be
" you too can believe wood sprites can fly " .
finally , i just gave up trying to come up with a tag line and decided to say .
..
there 's a lot of flying going on in this film !
as our first host steve martin tells us ,
the original concept behind fantasia was to bring it out every year with some old segments retained and some new segments added in .
well apparently that plan fell by the wayside for a while , because approximately sixty years have passed since the original classic was released .
part of this might have something to do with the cold reception the film got when it was first released in 1940 ( grossing somewhere close to $ 110 , 000 in its original month of release ) .
subsequent re - releases of the film have elevated the popularity of the film to the classic status it has finally achieved ( and rightfully deserved ) .
to celebrate the release of an updated version of fantasia , disney and imax teamed up to present the animated film in a fashion no one had seen before : six stories high .
in an exclusive four month engagement ( from january 1st to april 30th , 2000 ) , fantasia 2000 can be seen at many imax theaters across the us .
after the engagement is over , the film will be shown at regular theaters .
is the format effective for the film ?
with a few exceptions , yes .
the first segment we are presented with is set to beethoven 's fifth symphony .
it 's hard to describe exactly what this segment is about , but
it involves a bunch of brightly colored butterfly looking triangles flitting about happily .
everything seems to be going great for these little things until the ground erupts with swarms of evil , black bat - like triangles that attack and engulf their lighter counterparts .
eventually , shafts of light from above help drive away the evil bat - like things and peace returns to the butterfly things .
though this segment is n't very story driven , some of the images are very visually strong , especially the scene in which the dark cloud of bat things ( who are all outlined in blood red colors ) begin to overtake the skies .
the next segment is set to ottorino respighi 's " the pines of rome " .
in this segment , some humpback whales swim happily through the ocean and eventually emerge from the water and fly around the massive icebergs that pepper the oceanscape .
a whale calf gets into a scuffle with some nearby birds during the flight and ends up getting trapped in a giant iceberg he smashes into while trying to avoid the birds attack .
he is finally saved ( by another liberating shaft of light ) and he and his brethren take to the skies and fly into the upper atmosphere where they frolic in the " oceans " of clouds .
again , visuals are the key with this segment , especially where the whales are involved .
reportedly the whales , as viewed on an imax screen in certain sequences , are shown as actual size .
the cgi whales look incredibly life - like , except for some googly cartoon eyes drawn onto the images .
one especially striking image involves the giant shadow of one of the whales being cast through the wall of an iceberg as the whale calf tries to find a way out to its parent . absolutely beautiful stuff .
the third segment ( and the least of the eight segments ) is set to george gershwin 's " rhapsody in blue " .
this segment is designed as a tribute to acclaimed caricaturist al hirschfeld , and intertwines four different stories about sad souls living in depression era new york .
there 's a construction worker who dreams of being a jazz drummer , an out - of - work sad sack
that dreams of having a job ,
a young girl that dreams of spending time with her parents instead of being hustled off by a schoolmarm , and a nebbish who dreams of being free from his overbearing wife .
i wo n't go into how everything works out , but in fine disney tradition there is a happy ending .
unfortunately , the story drags quite a bit and the seems out of place within the hyper reality of the rest of the segments .
segment four is set to dmitri shostakovich 's " piano concerto no . 2
" and is an animated version of hans christian andersen 's " the steadfast tin soldier " .
a one legged toy tin soldier falls in love with a wind - up clock ballerina ( whom he assumes is also one legged because he ca n't see her other leg extended out behind her ) , much to the dismay of an evil jack - in - the - box jester .
the jester knocks the soldier out of a window and continues pursuing the ballerina .
little does the jester know , the soldier has been deposited in the sewer and has journeyed through the pipelines only to be swallowed by a fish that has been captured and sold to the owner of the set of tin soldiers that the one legged one comes from .
the soldier eventually saves the day and gets the girl .
although the ending has been altered from the andersen story , " the steadfast tin soldier " is decently told with in the framework of a seven minute short .
some children may find the jester to be a little frightening , but otherwise the segment is well made .
segment five is the funniest of the bunch .
set to camille saint - saens " the carnival of the animals " , this segment features a flamingo torturing his fellow flamingos with a yo - yo while they are trying to perform a choreographed dance number . while it is the shortest clip of the group and a throwback to the alligators and hippos dancing in the first fantasia
, it is still well accomplished and a welcome bit of comedy .
segment six is the only segment to be repeated from the original 1940 fantasia , and it 's the one that people remember most , " the sorcerer 's apprentice " .
the story is the most recognizable , so the draw here is seeing it on the enormous imax screen in remastered stereo .
unfortunately , the segment was n't made to be presented on large format film ( considering it was shot full frame ) and exhibits large amounts of grain .
there were at least two occasions where images were very hard to make out due to the excessive grain .
similar problems crop up on modern day releases when projected on screens too large for the image to be shown accurately
( but no one seems to notice for some strange reason ) , an anomaly common to many 18-plus screen theaters .
segment seven is set to sir edward elgar 's " pomp and circumstance march no .
1 "
and is the only other fantasia segment to feature a stock disney character .
donald duck " stars " as an assistant to noah , whose task is loading all of the animals onto the ark .
during the loading , donald and his wife lose sight of each other and both believe that the other one did n't make it on the boat .
they are constantly missing each other due to comic misadventures mainly involving donald being crushed by animals in various manners .
despite the slapstick style of comedy in this piece , it displays more emotion in its final scene than many of the tear - jerkers foisted on audiences these days .
powerful stuff .
segment eight brings a whole new meaning to the clich ?
" saving the best for last " .
set to igor stravinsky 's " the firebird " , an elk awakens a forest sprite that proceeds to change the wintery landscape into a beautiful springtime landscape .
trees bloom and flowers blossom and everything seems to be going well until the sprite becomes inquisitive about a large mountain housing a strange formation .
when the sprite examines the formation , it awakens and becomes the titular firebird .
in a stunning spectacle , the firebird rears back and unleashes and fire storm that destroys everything in its path , including everything that the sprite has worked to create .
some amazing animation is present here , and well worth the ten dollars a ticket alone
( although brush strokes are evident in one scene due to the enlargement of the film ) .
the host segments are largely ( no pun intended ) throwaways , although steve martin 's clip is pretty funny . be sure to stay through the credits for a little more humor from martin .
penn and teller are usually funny , but here their gags seem routine and therefore uninteresting .
the best segment comes from , of all people , bette midler , who gets to tell us about some of the abandoned segments that never made it off of the drawing board .
pieces like flight of the bumblebee , a take on the four horsemen set to wagner 's " ride of the valkyries " , and a strange segment prepared in the ' 40s by salvador dali that never was shown are all previewed here and teased that they may appear in future installments .
for fans of visual stimulation or classical music , fantasia 2000 is a perfect way to spend the afternoon .
the film is also decent family entertainment and contains little to no objectionable material .
as i mentioned earlier in the review , if ten dollars seems like too much for you to spend on this film , fear not because after its run in imax theaters it is going to be brought out in regular theaters .
i must stress that the best way to see this film is on an imax screen though .
then you too can believe that whales / triangle things / sprites can fly .
[ g ]
P

battlefield
long , boring and just plain stupid battlefield earth a film review by michael redman copyright 2000 by michael redman in my mid - teen years , i had a horrendous re - occurring nightmare .
behind the wheel of a car , i was driving down a straight road in the middle of a desert .
no scenery except the horizon line and the converging parallel lines of the highway .
no matter what i did , the view did n't change : travelling but not getting anywhere .
each time i awoke in a sweat , terrified .
you do n't have to be carl jung to understand that dream .
powerless to make changes , trapped in a boring situation with no hope of rescue
, this is the stuff of nightmares whether we are asleep or awake .
this is exactly how you will feel 15 minutes after " battlefield earth " begins .
for all of its flash and style , l . ron hubbard 's science fiction epic is the earliest and best entry for the dullest summer film of 2000 . dull " and " stupid
.
in the year 3000 , the psychlo aliens have ruled our planet for 1 , 000 years .
humans either work as slave labor in mining operations or live as barbarians .
there 's no hope .
the future is bleak .
then the psychlo make a mistake and capture feisty jonnie goodboy tyler ( barry pepper ) who organizes a revolution against chief of security terl ( john travolta ) and the alien race .
it 's an archetypal post - apocalyptic plot full of promise .
considering some of the talent involved and all the millions thrown at the screen , it 's difficult to see how it could have failed so miserably .
but it does .
the story is so full of holes that it falls apart within minutes of the opening credits .
are we really supposed to believe that after a millennium of looking for gold , the psychlo never discovered fort knox ? or that fighter planes are still in pristine condition after all that time -- and gassed up ? or that the cavemen become such expert pilots in seven days that they can easily down the advanced alien ships ? or that the psychlo spy cameras somehow do n't notice that their slaves are missing for days ?
travolta prances across the screen hamming it up for all he 's worth and is almost entertaining .
almost .
the rest of the actors are wooden mannequins trying not to laugh while delivering lines that no person -- " man - animal " or not -- would ever utter .
some of the film
_ looks
_ good , but it also looks so familiar .
a race of large hulking ape - like creatures has taken over the world while our cities lie in ruin .
sound like something charlton heston might be in ?
the psychlo look like overweight klingons in gear from " dune " .
the final air battle between the air force fighters and the psychlo ships in their high - tech city is something george lucas might have been associated with .
it 's too loud .
it 's too oppressive .
it 's too slow .
it 's too long .
. .
far too long .
and on it goes .
the list of the problems with " battlefield earth " is endless .
it 's difficult to find anything in the film that does work .
oh yeah .
the color scheme is nice .
the real question is how this movie ever got made .
could it have something to do with the fact that l . ron hubbard was the founder of scientology ?
and that john travolta is a member of the church .
that might explain why travolta bought the rights to the novel years ago .
but it does n't give us a clue as to why first - time screenwriter corey mandell 's atrocious script was used .
or why the high - profile project was entrusted with roger christian who had never before directed a major film .
or why no one looked at this thing before it was released and realized there might be problems .
the one bright spot is that no longer will kevin costner 's " the postman " ( which i begrudgingly admit as a guilty pleasure ) be " the " big budget science fiction failure .
" battlefield earth " has the honor sewed up .
often reviewers will recommend that you skip mediocre films and wait for the video .
that 's not the case here .
you can act now and make the decision to not see it on the big screen or on the small one .
do n't hesitate .
strike now while the iron is cold .

N