In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: so many students strive to get into schools such as harvard of princeton , but they just do n't get the good grades .
so many students would do anything to reach their goal of getting into this schools .
legend has it that if your roommate commits suicide , the remaining roommates will get an automatic 4 . 0 .
chris ( michael vartan ) and
tim ( matthew lillard ) are two guys who really want the 4 . 0 to get into harvard .
how far will they go to get their 4 . 0 ?
chris and tim are also roommates with rand , played by randall batinkoff .
the two scheme to murder rand , make it look like a suicide , so they can supposedly get their 4 . 0 .
they have heard this rumor many places , and they are willing to take the chance to find out .
rand is a very , very mean person .
he treats his girlfriend natalie , played by tamara craig thomas , like she does n't matter at all .
she is very afraid of him , and she especially afraid now that she must tell him she is pregnant .
she does tell him , and he becomes enraged .
that night would be the last night of rand 's life .
tim and chris give rand a bottle of rat poison , making him think that it is beer .
rand drinks down the poison , and then dies .
now , tim pushes him off of a mountain with a suicide note near the site to make it look like he killed himself .
it does not take long until the suicide note is found , but the body is n't found .
the police question chris and tim about rand to try and find any information .
feeling extreme guilt , chris is having a very hard time , especially with his girlfriend , emma , played by keri russell .
she wants to know more , but he will not even speak with her .
will he give in ?
will tim turn chris in ?
will chris turn tim in ?
will they turn themselves in ?
all of these questions were running through my mind while watching this slick suspense film .
the events in the curve are very surprising , original , and fun .
the plot sounds much like dead man on campus , but that is not the deal with this film .
this film is a very serious one , with not many laughs .
there are many twists and turns that make this film different from most films .
the ending in particular is completely unpredictable and satisfying .
it is a terrific , suspenseful ending that i could never predict would happen . hands down to dan rosen who wrote this wild ride .
the sound really stood out in the film .
it is quite eerie and it really adds to the feel of the film .
the way the movie is filmed is also great .
all of the technical aspects , as well as the acting and directing aspects are very well done .
the performances in the curve are very good .
matthew lillard gets to play another creepy role , just like in 1996 's scream .
( a+ )
he is very strange in this film as well .
i like him in this sort of role , rather than the roles he has been playing in comedies such as senseless
and she 's all that .
michael vartan is fantastic as chris , who has extremely mixed emotions about the entire murder and the 4 . 0 . michael vartan was also superb in never been kissed , where he co - starred with drew barrymore as a teacher who fell in love with his student .
keri russell also gives a great performance .
she should be a good actress in the horror department of the film .
tamara craig thomas is also realistic , especially coping with the death of her boyfriend .
some very strong supporting performances came from smaller roles , such as bo dietl and anthony griffith who play two detectives investigating the case .
the bottom line-
i might just have to curve that a- into an a .
* note-
the curve premiered at the sundance film festival in early 1998 .
it was decided the film would not be released widely .
it is now available at blockbuster video only , and for rent only .
see you at the video store !
Example Output: P

Example Input: ok , i admit it -- i find camp amusement with the spice girls .
yes , the same spice girls of the gimmicky individual " identities , " they of the annoyingly infectious bubblegum pop hooks and cheesy unifying mantra of " girl power .
"
but not even their guilty pleasure appeal is n't enough to carry their big screen debut , a junky mess which would be more aptly named shite world than spice world .
the film begins amusingly enough , with a cheeky 007-esque title sequence in which the british quintet-- " scary " ( melanie brown ) , " baby " ( emma bunton ) , " sporty " ( melanie chisolm ) , " ginger " ( geri halliwell ) , and " posh " ( victoria adams )
--are introduced one by one ( to , much to my surprise , excited and only slightly mocking cheers from the press audience ) as they croon the silky ballad " too much " ( a tune that would sound right at home in an actual james bond film ) .
a few minutes and an elton john cameo later comes an introductory tour of the numerous plotlines that run through the film : ( 1 ) the spicy ones go on a european publicity tour leading up to their first live concert at london 's royal albert hall ; ( 2 ) a film producer ( george wendt ) and a screenwriter ( mark mckinney ) pitch various film ideas to the girls ' manager , clifford ( richard e . grant ) ; ( 3 ) a documentary film crew follows the girls ; ( 4 ) a pregnant " mate " ( naoki mori ) of the group rapidly approaches her due date ; and ( 5 ) a tabloid publisher ( barry humphries ) attempts to destroy the group with the help of a sneaky shutterbug ( richard o'brien ) .
capped off by a live rendition of the girls ' bouncy hit " say you 'll be there , " a wealth of laughs and merriment is sure to follow , right ? wrong .
it 's all downhill from there as spice world collapses into a series of misfired comedy sketches .
i must give the girls credit for their refreshing willingness to make fun of themselves , but writer kim fuller and director
bob spiers can barely come up with a funny joke between them , much less a organized framework for all the " wacky " goings - on .
spice world jumps from vignette to vignette , subplot to subplot with no direction and little sense , at one minute having the girls meet with aliens ( no joke ) and at another having them stage a daring rescue of two young fans who fall into the water during a boat ride .
while a decent joke slips through the cracks here and there -- during a " dance bootcamp " scene , the girls sing the lyric
" we know how we got this far / strength and courage and a wonderbra
" --much of the material is not even funny on the chuckle level .
some gags are just plain pointless , such as roger moore 's recurring role as the mysterious chief , who dispenses cryptic , metaphor - heavy advice to clifford .
the only reason why i can think anyone would find that funny is the fact that moore once played james bond .
ha ha .
as weak as the script is , i think there 's one insurmountable problem
with even attempting to make a spice girls movie , and that is the girls themselves .
the point is not that they ca n't act ( and , for the record , they really _ ca n't _ ) but that their individual personas , which works as a gimmick over the span of a four - minute music video , are too thin to survive outside of the truncated , video bite mtv world .
posh ( who garnered the most enthusiastic cheers during the introductions ) comes off best by default because her persona ( rich bitch ) most easily translates into character in a film .
baby 's persona ( young innocent ) , to a lesser extent , also works , but the remaining girls ' identities are a little harder to flesh out .
there really is n't much to do with sporty besides having her exercise every so often ( which is _ exactly _ what fuller and spiers do ) , and , after all , what exactly entails being " ginger " or " scary " ?
apparently , just their wardrobes .
spice world manages to pick up some steam in the late going following a flashback performance of the spices ' signature hit , " wannabe .
" the song is as grating as ever , but the energy of the number gives the proceedings a much - needed shot in the arm , setting the stage for a wave of self - referential humor stemmed from the screenwriters ' film ideas ( the film almost mirrors robert altman 's the player in the way the film snails into itself ) .
this section of the film , involving all manner of derring - do involving a speeding bus , is perhaps its most effective , but it also points up how all the other storylines ( the publisher , the documentary crew ) lack a satisfactory payoff .
spice world is harmless entertainment suitable for the entire family , and it will please the spice faithful .
but this sloppy enterprise surely wo n't win them any new fans , which is what the group sorely needs to bolster its rapidly waning girl power in the states .
once the hype disappears , spice world will likely serve as the the spices ' final hurrah in america .
Example Output: N

Example Input: " tina ! ! !
fetch me the axe ! ! !
"
a favourite book of mine called the golden turkey awards relates the story that when mommie dearest was unleashed upon unsuspecting audiences back in 1981 , paramount soon realised they had a problem on their hands .
it was n't just the film 's disappointing box office performance .
indeed , in the coming years some people would be going back to see it two , three , even six times .
no , the main problem was that what was intended as a serious biopic of screen queen joan crawford was turning into the laugh riot of the year .
in a desperate attempt to capitalise on this unexpected turn of events , some publicity hacks dreamed up outrageous print advertisements screaming : " mommie dearest : the biggest mommie of them all ! " .
executives at paramount were appalled and soon had the ads withdrawn , but it was all too late .
mommie dearest was already cementing its place in camp cinema history .
unfortunately , faye dunaway 's energetic , at times ridiculously over - the - top performance is about the film 's only redeeming feature .
based on daughter christina crawford 's trashy biography , mommie dearest chronicles a series of mainly private events in the life of her moviestar mother .
if you believe this movie , it was a life was racked by obsession , lonliness , child abuse and rampant egomania .
the film begins with crawford adopting two children , and concludes in the office of her lawyer where her now grown - up daughter and son find out they have been left out of their mother 's will .
joan always wanted her kids to be able to fend for themselves , you see .
but that 's about the only thread in the narrative that manages to survive to the film 's end .
the script - laboured over by four writers , a bad sign in itself - is a poorly connected series of episodes that builds little dramatic momentum .
frank perry 's direction is no more than competent , and
dunaway 's bitchy lines aside ,
the dialogue is flat and uninvolving .
in fairness , the film 's second half ditches some of the cartoon hysterics and does develop a degree empathy for its characters .
when the adult christina moves out of home into her own modest dwelling , joan visits and keeps in touch , not helping her financially but encouraging christina 's own acting and career ambitions .
crawford does seem to care about her daughter , but you can sense the emotional distance and feel some of their pain .
you also get glimpses of what the film could have been in the hands of better writers .
ah , but there is dunaway 's performance . and what a delicious piece of campery
it often is . having just been sacked by her studio after a run of box office duds , crawford storms home late at night and proceeds to go ballistic in the garden .
she has the maid drag the kids out of bed to come down and clean up the mess she 's making .
spotting a young tree she does n't like the look of , she turns to the trembling christina and utters the immortal line " tina ! !
fetch me the axe ! !
" with which she proceeds to enthusiastically dismember the poor sapling .
in the film 's most outrageous scene , joan realises that some of her daughter 's clothes are hanging on wire coat hangers .
oh dear ! sounds like the perfect excuse for another temper tantrum , does n't it ?
this time she gives her daughter a horrible beating while delivering another classic outburst : " no . . .
wire . . .
hangers .
. . . ever ! ! ! !
" .
and later , when the board of her late husband 's company pepsi cola tries to divest her of her directorship
, she displays a superb grasp of business etiquette by jumping to her feet and roaring : " do n't fuck with me , fellas ! ! " .
oh joy !
something of a camp classic , then , but
if that 's not you 're
cup of tea then mommie dearest
does n't have too much to recommend it .
better you see the real crawford in the women ( 1939 ) , mildred pierce ( 1945 ) or whatever happened to baby jane ( 1962 ) .
great films distinguished by great performances , and a far more eloquent testament to this great woman than frank perry 's shrieking piece of tabloid froth .
Example Output:
N