Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

[Q]: CONTEXT: There are two main "themes" in the book; Sex and Revenge. When you're in prison, those are about the only two things you think about. I was incarcerated for 5 years (well, just short of that, actually), and when you're not busy watching your back you're pretty much daydreaming of those two things. I can't say either of them were the most popular book in the library, but I can see where that dialogue came from.  <sep>  Q: What is the obvious reason "The Other Side of Midnight" is a popular book in prison? A: two main "themes" in the book; Sex and Revenge. When you're in prison, those are about the only two things you think about  <sep> FOLLOWUP_Q: How does it make sense since seemingly the lesson of TOSoM is to not make a plea deal because you can't trust that there actually is a deal
[A]: No


[Q]: CONTEXT: In addition to Faizan's answer of giving them as sacrifices to be spared by the White Walkers, you also have to consider that Craster was sleeping with his own daughters, likely for his enjoyment (and less for theirs) and they were also doing all their work for him. So new daughters simply mean more workers and more "company", while a son is not really of use to him. And it is clear that Craster isn't really a man to shed tears for his dying kin. Rather on the contrary, a son could actually be a danger to him if he grows up and decides to revolt against his father's cruelty to his sisters. Craster has conditioned his daughters into obedience to him (and even more so in a medieval world where women were even less likely to revolt against their patriarch, even if they actually would have been able to do so in unison). A son might be harder to keep "under control" and as said, wouldn't have any use for Craster, since he doesn't really need a fighter, due to his arrangement with the Crows. It would merely mean a disruptance to the nice little life he's built himself there. So I think even without the White Walkers a son probably wouldn't have a long life at Craster's Keep.  <sep>  Q: Why does Craster give those sacrifices to the White Walkers? A: you also have to consider that Craster was sleeping with his own daughters  <sep> FOLLOWUP_Q: Why are the newborn babies needed?
[A]: Yes


[Q]: CONTEXT: I think you've pretty much answered your own question. The film is based on the idea of a fictional character crossing over into the real lives of the real actors who acted in the earlier films in the franchise. That Wes is writing the dialogue in a script that exactly matches the dialogue the characters have just said totally fits the crossover world being created in this film.  <sep>  Q: Is the script Wes Craven is writing on his computer the movie itself? A: Wes is writing the dialogue in a script that exactly matches the dialogue the characters have just said totally fits the crossover world being created in this film  Q: What can you tell me about the franchise? A: The film is based on the idea of a fictional character crossing over into the real lives of the real actors who acted in the earlier films in the franchise  <sep> FOLLOWUP_Q: How many movies were there?
[A]:
No