In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

2.8/10.0 . I can't fathom why anyone would enjoy this album. The lyrics must have come out of a Dadaist poetry circle, and (most of) the guitar work is completely without personality.   What is the criterion of a good rock album? By any standards it must be a joy to play it. 6teen Stone misses the mark by such dimensions one must assume it was intentional. But it doesn't so much incite anger than it does disdain for Bush's attempts to emulate Nirvana. Where Nirvana has clearly enunciated guitar riffs and minimalist, evocative lyrics, Bush has dull, throbbing guitar drones that project nothing to the listener but a kind of malaise-inspired anger.   There's not much more to say about 6teen Stone. I could tell you about the embarrassment of listening to the lyrics on songs like "Swim": Thinning ice / 14 Hairdryers / Swimming to you / Flame on earth desire." Or the artistic suicide of the last track, "X-Girlfriend", a song composed of a little guitar-wailing and a non-stop chorus that's about six words long.   That's about all I can tell you. Mostly I figure I've done enough warning to let you make your own choice. If you do attempt this though, you ought to be told the little good news that there is: there are about 5 minutes of good music are contained on the album, split between "Machinehead" and "Glycerine." The first is an energetic, well-constructed song about control (you might have seen the music video for it about 11 years ago on Total Request Live), the second a serenade featuring over-dubbed guitars, a trembling cello, and a surprisingly coherent Rossdale. They hold the album; about as well as a couple of floor joists can hold a crumbling building.
NEG

Well, At Least It's Better Than Brave New World!!! . When I listened to this CD I actually expected to hear Gloria Estafan singing on some of these songs.  Some of them seem like they were written for her.  Wild Card has a few good songs on it.  The title track is okay.  Moonlight and King Of Hearts are better.  The last good CD by the Rippington's was Weekend In Monaco.  Changes in personnel, locations, and labels haven't proved to be too good for Russ's music.  He's made his money and can experiment with various ideas.  Wild Card is loser in my opinion, but at least it's better than Brave New World
NEG

I lied, this is definately a 4 star album . Authors note: For some reason I rated this album a 2 out of 5 stars, although I thought I had rated a bit higher, and since I can't change that "star-rating" now, I will say this:    This album is good, borderline great at times, and shows at a lot of promise. It's hyper and rough around the edges, but a lot of fun. It contains a handful good songs, and few great ones, here are a few of the standouts:    "Bicycle, Bicycle, You Are My Bicycle", and "Adventure", are both good...Although I feel that "We Will Vacation, You Can Be My Parasol" is a better song, and had they played around with it a bit more in the studio, it could have "the single", but it's a great song either way.    The next portion I would like to direct to members BYOP:    Whatever muse you guys followed to come up with "October, First Account", keep following it, and if need be, hold it hostage at gunpoint. That song is "the single" of the entire album, and if you can recapture that same mojo a bit more on the next album, the skies the limit.

NEG