In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

[Q]: The plot focuses on a field trip by Professor Ernst Prell to investigate Yeti sightings, along with four graduate students: Keith Henshaw, Karen Hunter, Tom Nash and Lynn Kelly.The night before the trip, the professor invites Keith to dinner at a restaurant, where he samples an exotic dish named "gin sung." The rest of Dr. Prell's students attend an off-campus party where they encounter a former student, turned alcoholic groundskeeper, named Spencer St. Clair, who is there with his wife April. St. Clair proceeds to tell everyone within earshot the story of Prell's last Yeti-seeking field trip, which only he and the professor survived.After the party, Spencer continues to drink, and upon returning home fights with his wife and cuts her throat with an electric carving knife. Afterwards, he climbs into the bathtub fully clothed. He is killed by his not quite dead wife, who drags a toaster into the bathroom and dumps it into the bath, electrocuting him.In the morning, the professor travels by van with his students to Boot Island, where his friend Dr. Karl Werner lives. Werner has recently seen the Yeti on his island, and conjectures that he was marooned there by melting winter ice. He introduces the others to a mute Native American manservant named Laughing Crow. The group have dinner, which is again "gin sung," then go to sleep after one of the students, Tom, sings a song about the Yeti.The next day, the professor and his students begin their search in the woods of the island. Tom sneaks off to go hunting and is killed by the Yeti, a shaggy creature whose loud heartbeat is clearly audible. The rest of the group look for Tom the next morning. Karen finds only his rifle and his severed leg. Meanwhile, Lynn goes into Dr. Werner's greenhouse and sees something that frightens her; she runs into the woods and is also killed by the Yeti.At the house, the remaining students find that the phone is out of order. The professor decides to use Tom's leg as bait to lure the Yeti into a trap. The plan fails, however, as Prell returns to the house claiming he was knocked down by the monster, who escapes with the leg in its jaws. Prell then decides to try again, using Lynn's body as bait. Karen tries to hide the body in the greenhouse, where she discovers the rest of Tom's body, and passes out. When she awakes, Dr. Prell tells her it must have been a dream as she was asleep for quite some time. Karen doesn't believe him leading them all back to the greenhouse where they uncover Lynn's body. "I guess this proves its not Tom," Prell said.Disgusted that Dr. Prell is going to use their friends body as bait, Karen reluctantly agrees to help out by taking photos, under the condition that they leave Boot Island if they succeed or fail. Both Dr. Prell and Keith agree. Karl wishes them good luck.The professor ties Lynn's body to a tree and the trap is set. The Yeti appears and Keith chases it into the woods. He tracks it by the sound of its heartbeat, but makes the discovery that the sound is actually coming from a speaker attached to a tree. Someone knocks him out with a branch.Back at the house, Laughing Crow is shown listening to an LP record of the Yeti's heartbeat. It turns out that Dr. Prell and Werner are cannibals, using the Yeti scam as a way to lure victims, and that the Yeti is actually Dr. Werner in disguise. While Karen is asleep upstairs, Keith returns to the house and discovers Dr. Prell and Dr. Werner discussing what to do with her. Werner thinks they should just kill her, but Prell says that the code calls for no body bruises and that she must be frightened to death. Keith pulls out a rifle and orders both men to put their hands up. They ignore him. He shoots at them, finding out that the shells are blanks. He is then knocked unconscious by Laughing Crow. Still asleep upstairs, Karen wakes to a growling noise. She looks out the window and finds the Yeti running full speed at the house. Karen flees through the house and ends up trapped in a bathroom. She opens a cabinet to find Laughing Crow holding a knife, and dies of fear. While setting up for their big breakfast, Keith wakes up and manages to sneak away. He tries to escape in the van,but it gets stuck in the mud while trying to hide from the party guests funeral procession. Keith then hoofs it down to the bridge where he manages to flag down a cop who takes him back to the house. At the breakfast, Prell and Werner salute the party guests and hosts, toasting the previous schemes which have provided victims. Keith returns with a local policeman, only to find out that he too is a cannibal. Prell and Werener explain that the "gin sung" Keith has eaten is actually human flesh, and they invite him to join their cannibalistic society. They bring in Karen's body, and Laughing Crow, brandishing an electric carving knife, speaks for the first time, saying "Mr. Henshaw â white meat or dark?" Keith drools. The film ends., Question: Who knocks Keith unconscious?
[A]: Answer: Laughing Crow


[Q]: The commercial spacecraft Nostromo is on a return trip to Earth with a seven-member crew in stasis: Captain Dallas, Executive Officer Kane, Navigator Lambert, Science Officer Ash, Warrant Officer Ripley, and Engineers Parker and Brett. Detecting a mysterious transmission, possibly a distress signal, from a nearby planetoid, the ship's computer, Mother, awakens the crew. Following standard company policy for such situations, the Nostromo lands on the planetoid and Dallas, Kane, and Lambert head out to investigate, damaging their ship upon landing in dust. They discover the signal is coming from a derelict alien spacecraft. Inside, they find the remains of a large alien creature whose ribcage appears to have exploded from the inside.On the Nostromo, Ripley determines that the transmission is not a distress signal but a warning. In the alien ship, Kane discovers a chamber containing hundreds of eggs. As he inspects one, a creature springs out, spits acid through his space helmet and attaches itself to his face. Dallas and Lambert carry the unconscious Kane back to the Nostromo. As acting senior officer, Ripley refuses to let them aboard, citing quarantine regulations, but Ash violates protocol by overriding Ripley's lock and letting them in. The crew are unable to remove the creature from Kane's face, as its grip is strong and its blood is an extremely corrosive acid. It eventually lets go, crawls away, and dies.The crew repair the ship and lift off. Kane awakens and seems healthy, but during the crew's final meal before re-entering stasis, he chokes and convulses in pain before a small alien creature bursts from his chest, killing him, and escapes into the depths of the ship to molt. Since attacking the creature with conventional weapons could result in its corrosive blood breaching the ship's hull, the crew attempts to locate and capture it with motion trackers, nets, electric prods, and flamethrowers.Brett is sent to look for the crew's cat, Jones, and the now fully grown alien attacks him and disappears with his body into the air shafts. After a heated discussion, the group devises a plan to jettison the creature out of the ship. Dallas enters the Nostromo's labyrinthine ventilation shafts, intending to force the alien into an airlock, but it ambushes him. Lambert, realizing the alien is killing the crew one by one, implores the others to escape in the ship's shuttle. Now in command, Ripley explains that the shuttle will not support four people, and recommends that they continue with Dallas' plan of flushing the alien out.Accessing Mother, Ripley discovers that Ash has secretly been ordered to return the alien to the crew's employers, who consider the crew expendable. When Ripley confronts Ash, he tries to choke her to death. Parker intervenes and knocks off Ash's head, revealing him to be an android. Parker reanimates Ash's head, and Ripley interrogates him. They learn he was assigned to the Nostromo to convince the crew to capture the creature and return it for analysis, even at the expense of the human personnel. Ash taunts them about their chances of survival against the "perfect organism." Parker turns a flamethrower on Ash.Ripley, Lambert and Parker agree to set the Nostromo to self-destruct and escape in the shuttle. However, Parker and Lambert are ambushed and killed by the alien while gathering life-support supplies. Ripley initiates the self-destruct sequence and heads for the shuttle with Jones, but the alien blocks her path. She retreats and unsuccessfully attempts to abort the self-destruct sequence, then returns to retrieve Jones, finding the alien gone. She narrowly escapes in the shuttle as the Nostromo explodes.As she prepares to enter stasis, Ripley discovers the Alien is aboard the shuttle. She dons a spacesuit and opens the shuttle's airlock, causing explosive decompression which forces the Alien into the shuttle's open doorway. She propels it into space by shooting it with a grappling hook, but the gun catches in the closing door, tethering the alien to the shuttle. Ripley activates the engines, blasting the alien into space. After recording the ship's final log entry, she places herself and Jones into stasis for the voyage home., Question: What happens to Kane after inspecting an egg?
[A]: Answer: a creature springs out, spits acid on Kane's helmet and attaches to his face.


[Q]: The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: What is the title of the German feature being remade?
[A]:
Answer: 47