In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
it is always refreshing to see a superstar actor who gets paid more than enough to forget about working for a living to want to take a chance and play a less - than - savoury character as mel gibson does in payback .
of course , if i was being paid $ 25 million for one month 's work , i 'd probably be willing to take risks as well , but that 's neither here nor there .
payback is based on a novel by richard stark ( apparently actually donald e. westlake , author of the grifters , itself a fine crime film ) which was also filmed in the 1960s as point blank starring one of the toughest of tough guys , lee marvin .
the film opens with gibson having recovered from being shot several times in the back , by whom we do n't know yet .
all we know is that gibson , as porter , is n't a happy chappy and is hellbent on getting the money stolen from him back , and getting even in the process , no matter what the consequences .
it turns out that the man he 's after is val ( gregg henry ) , his sometime partner with whom he stole a briefcase full of cash from a gang of chinese mobsters .
obviously not having much of a crisis of the soul , val figures porter is dead and goes about using his share of the money to pay off a debt to his employers .
porter , however , is the sort of man who holds a grudge and once on his feet , goes about exacting revenge on the double - crossing val .
gibson gives a terrific performance in the sort of role which he was born to play , that of a slightly unhinged guy who does n't mind beating up or shooting people to get what he wants .
you probably would n't see other actors in his salary range take such an offbeat , out - of - character role such as porter ( jim carrey wo n't be doing anything like this in a hurry after what happened the last time he tried - the cable guy , anyone ? ) .
harrison ford 's idea of playing an unsympathetic character is presumed innocent ; the last time schwarzenegger played a villain was batman and robin , which we wo n't mention further ; and has stallone ever really played a villain at all ?
this is not to say that porter is a villain , per se .
while he is n't the sort of character you would n't want to get on the wrong side of , he 's nothing compared to some of the ones we are forced to watch in countless bad thrillers and action films where they kill innocent people in the blink of an eye or execute their right - hand men just to prove how mean they are .
porter is only trying to get back what is not - so - rightfully his , which in a way is almost understandable .
payback is an enjoyable dramatic black comedy - thriller which wo n't be remembered as being among gibson 's most important work , but is still one of the finer films he 's done .
the only real problem with it is that , while everything seems to work out in the end , i was left feeling something was lacking ; was that all ?
the ending looks as if it was tacked on at the last minute , and the final voice - over does n't ring true , even though it was used to good effect elsewhere in the film - noir style the rest of the film embodies .
the film just ends far too suddenly , after a huge build - up in the penultimate scenes .
a fine film , even though it needs just a little something more to be the kind of a film that can be recommended without hesitation .
just be ready for a possible letdown of an ending .

Ex Output:
P


Ex Input:
what hath kevin williamson wrought ?
while the horror movie revival spurred on by his _ scream _ has yielded a few decent entries in the genre--_i_know_what_you_did_last_summer _ ,
_ halloween :
_ h20 _ , and
_
scream_2
_ --it must be noted that williamson himself had a hand in the writing of those films .
those williamson - less post-_scream _ efforts , among them _ wishmaster _ and the recent _ disturbing_behavior _ , have been frightening all right --
frighteningly , insultingly _ bad _
. add to that list
_ urban_legend _ , which takes a promising premise and runs it through a predictable meat grinder of idiocy .
the influence of williamson on screenwriter silvio horta is clear in two key areas .
first , the opening sequence , like that of _ scream _ , is an extended set piece detailing the singular murder that gets the proverbial ball rolling .
this sequence , in which pendleton college coed michelle mancini ( natasha gregson wagner ) is decapitated while driving , also reveals the other obviously williamson - esque touch : the killer 's look .
dressed in a large hooded parka , wielding an axe , the killer bears more than a passing resemblance to the _ i_know . . .
_ fisherman , sans the hook .
one thing horta does not borrow from williamson , however , is the intriguing premise .
students at pendleton are being killed by way of urban legends -- those contemporary bits of " mythology " passed from person to person , group to group , year to year that become so embedded in the social consciousness .
it hardly matters if they are true or not , such as the tall tale that mikey from the life cereal commercials died from a fatal combination of pop rocks and pepsi ( he did n't ) .
michelle , slain by the " killer lurking in the backseat " of lore , is but
the first to fall prey to an urban legend come true ; as the body count rises , fellow pendleton student natalie ( alicia witt ) suspects not only a link between the murders , but a personal link to her past as well .
the setup shows promise , but the story never takes off , due in large part to horta and the director , the aptly named jamie blanks , who fires round afer round of his namesake in terms of suspense and scares .
too many of the would - be shocks are fakeouts reliant on bombastic music cues , and the film 's chase scenes are riddled with the cliches that _ scream
_ tried to subvert , like screaming damsels knowingly running themselves into dead ends when they should -- and could -- run out the front door .
but that is just the tip of the iceberg when it comes to cliches ; there 's also the climactic villain confession , in which a contrived and way - too - convenient motive is revealed , not to mention the credit card opening up the locked door trick , which is a cliche in any film genre .
banks and horta 's ( intentional ) attempts at humor are also lame ;
the fact that the best gags are lazy , in - jokey references to the other credits of co - stars joshua jackson and rebecca gayheart says a lot about the imagination of their humor .
some laughs are also had when the rather predictable identity of the killer is revealed , but i 'm not so sure if some of the more hilarious things about it were meant to be so .
the filmmakers do n't get much help from their onscreen talent .
i was far from a fan of bland _ i_know . . .
_ starlet jennifer love hewitt , but i 'd talke her
any day ove the dreadfully stiff and uncharismatic witt , whose inept attempts at emoting were often met with laughter
; witt has a pefect foil in her equally pesence - challenged leading man , jared leto .
_ dawson's_creek _ star jackson mugs his way thorugh a glorified cameo ; gayheart displays all the depth and range of , well , a noxzema spokeswoman ; and robert englund lends the film little more than his freddy krueger pedigree as a folklore professor .
granted , the cast is hampered by their material .
loretta devine , who has done some fine work in films such as _
waiting_to_exhale _ , is saddled with the ridiculous role of a pam grier - worshiping campus security guard .
the recently resuscitated horror genre can not rely on the efforts one man -- namely , kevin williamson -- to stay alive . if other filmmakers continue to make such shoddy product as _ urban_legend _ , the genre looks to once again go the way of screen slashers ' many victims .

Ex Output:
N


Ex Input:
sam ( matthew broderick ) is an astronomer in a small american town and engaged to teacher linda ( kelly preston ) .
he is head over heels in love and lindas sudden departure to new york city to live with her new lover anton ( tch ? ky karyo ) comes as a complete surprise to him .
but as we all know love is blind and so sam leaves for new york as well to win her back .
he moves into an abandoned house across the street from anton 's apartment and installs a camera obscura to watch them .
suddenly anton 's ex maggie shows up , but she does not want her former lover back .
on the contrary , all she wants to do is vaporize him .
she may say that she does n't want to kill him , but the possibility does n't bother her too much either .
after all , people die every day .
in spite of their different motives the two team up and fall for each other as things move on .
the story sounds like something we all have seen a million times .
but we have n't .
griffin dunne brings us the most charming comedy
since " while you where sleeping " .
the camera obscura adds a " special something " to the movie and makes it an exceptional romantic comedy .
everything about the movie is perfect , from set design to casting .
the dialogues are inspired and the touches of black humor add a certain bite .
meg ryan , known from " when harry met sally " or " sleepless in seattle " , surprises in a role that may finally help her get rid of her sweet little girl image .
she impresses the viewer as a maneating biker girl .
even more surprising is the fact that the viewer believes her , much more so than in last years " courage under fire " where she played a gulf war pilot .
matthew broderick is the goodnatured and somewhat naive sam who has trouble accepting reality .
the viewer can tell that he does n't only watch the stars but also tries to reach out for them .
he has trouble keeping in touch with reality .
after all , who would leave everything behind to chase a lost love ?
his naivet ? that we do n't question for a minute throughout the movie clashes with maggies exaggerated wish for revenge .
she would do anything to harm anton .
she does n't hesitate to use sam for her plan and makes him understand right from the beginning that nothing will happen between the two of them .
that makes the scenes when they innocently share a bed , have potatoe chips and watch the action across the street like a saturday night show on tv even funnier .
tch ?
ky karyo is perfect as anton .
he is , well , repulsive .
that 's all there is to say about him .
you ca n't really manage to pity him , even after all his mishaps .
he not only took sam 's bride away from him , he is also a french chef .
worlds collide , i .
e .
the usa and france .
this can only go wrong .
even if maggies revenge schemes are at times shocking , you just ca n't sympathize with a man who plays " je t'aime . . .
moi non plus " on his tape deck .
not everyone is captured by the french charme that linda and even maggie fell for .
sam certainly is n't . too bad for anton .
for him things take a turn to the worse .
" addicted to love " is one of this year 's most pleasant surprises .

Ex Output:

P