In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.
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Question: Passage: Presley's rise to national attention in 1956 transformed the field of popular music and had a huge effect on the broader scope of popular culture. As the catalyst for the cultural revolution that was rock and roll, he was central not only to defining it as a musical genre but in making it a touchstone of youth culture and rebellious attitude. With its racially mixed origins—repeatedly affirmed by Presley—rock and roll's occupation of a central position in mainstream American culture facilitated a new acceptance and appreciation of black culture. In this regard, Little Richard said of Presley, "He was an integrator. Elvis was a blessing. They wouldn't let black music through. He opened the door for black music." Al Green agreed: "He broke the ice for all of us." President Jimmy Carter remarked on his legacy in 1977: "His music and his personality, fusing the styles of white country and black rhythm and blues, permanently changed the face of American popular culture. His following was immense, and he was a symbol to people the world over of the vitality, rebelliousness, and good humor of his country." Presley also heralded the vastly expanded reach of celebrity in the era of mass communication: at the age of 21, within a year of his first appearance on American network television, he was one of the most famous people in the world.Presley's name, image, and voice are instantly recognizable around the globe. He has inspired a legion of impersonators. In polls and surveys, he is recognized as one of the most important popular music artists and influential Americans. "Elvis Presley is the greatest cultural force in the twentieth century", said composer and conductor Leonard Bernstein. "He introduced the beat to everything and he changed everything—music, language, clothes. It's a whole new social revolution—the sixties came from it." In the words of John Lennon, "Nothing really affected me until Elvis." Bob Dylan described the sensation of first hearing Presley as "like busting out of jail".
On the 25th anniversary of Presley's death, The New York Times asserted, "All the talentless impersonators and appalling black velvet paintings on display can make him seem little more than a perverse and distant memory. But before Elvis was camp, he was its opposite: a genuine cultural force. ... Elvis' breakthroughs are underappreciated because in this rock-and-roll age, his hard-rocking music and sultry style have triumphed so completely." Not only Presley's achievements, but his failings as well, are seen by some cultural observers as adding to the power of his legacy, as in this description by Greil Marcus:.

Answer: What is the last name of the person who said listening to music by the man who rose to national attention in 1956 was "like busting out of jail"?


Question: Passage: Speedy and his friend Miguel visit a ghost town in the desert, followed by Daffy. There, Speedy unveils what appears to be gold and a map to the location of the mine where more can be found. Daffy notices, and attempts to take the map; he is foiled by getting caught in the piano tape.
Daffy's next attempt involves setting up a phone with explosives. Speedy answers it when it rings, but quickly hands it to Daffy, saying he has a call; his plan backfires as he is blown up. Speedy teases him, "What's the matter, epa loco? You got the wrong number?" He takes off, Daffy in hot pursuit. Daffy finds him in a barrel, and throws a grenade in; however, he accidentally throws the pin, and not the actual grenade.
He then sticks his head through a hole in the fence, catching Speedy by the tail, but Miguel drops a horseshoe on him. Further antics ensue, including Daffy having a taxidermy bull head fall on him like a mask and Speedy (taking advantage of Daffy's appearance) acting as a matador, and Speedy hiding behind different-shaped bottles, only to get catsup in his eye on the last. Speedy and Miguel head to the mine, where Daffy repeatedly tries to throw dynamite in, to blow them up; it eventually blows up right next to him.
Daffy then demands that Speedy give up the cart, which he does. However, it is not gold, but cheese! Daffy then really does go crazy, bouncing away and laughing hysterically. When Miguel asks "Gee whiz, Speedy, what's the matter with the loco duck?", Speedy shrugs, "I dunno. I guess maybe he don't like cheese.".

Answer: Where does Speedy unveil a map?


Question: Passage: The "State Anthem of the Russian Federation" (Russian: Госуда́рственный гимн Росси́йской Федера́ции, tr. Gosudarstvennyj gimn Rossijskoj Federacii, IPA: [ɡəsʊˈdarstvʲɪnɨj ˈɡʲimn rɐˈsʲijskəj fʲɪdʲɪˈratsɨj])  is the name of the official national anthem of Russia. It uses the same music as the "State Anthem of the Soviet Union", composed by Alexander Alexandrov, and new lyrics by Sergey Mikhalkov, who had collaborated with Gabriel El-Registan on the original anthem.  From 1944, that earliest version replaced "The Internationale", as a new, more Soviet-centric, and Russia-centric Soviet anthem.  The same melody, but without lyrics mentioning dead Stalin by name, was used after 1956. A second version of the lyrics was written by Mikhalkov in 1970 and adopted in 1977, placing less emphasis on World War II and more on the victory of communism.
The Russian SFSR was the only constituent republic of the Soviet Union without its own regional anthem. The lyric-free "Patrioticheskaya Pesnya", composed by Mikhail Glinka, was officially adopted in 1990 by the Supreme Soviet of Russia and confirmed in 1993, after the dissolution of the Soviet Union, by the President of the Russian Federation, Boris Yeltsin. This anthem proved to be unpopular with the Russian public and with many politicians and public figures, because of its tune and lack of lyrics, and consequently its inability to inspire Russian athletes during international competitions. The government sponsored contests to create lyrics for the unpopular anthem, but none of the entries were adopted.
Glinka's anthem was replaced soon after Yeltsin's successor as President of the Russian Federation, Vladimir Putin, first took office on 7 May 2000. The federal legislature established and approved the music of the National Anthem of the Soviet Union, with newly written lyrics, in December 2000, and it became the second anthem used by Russia after the dissolution of the Soviet Union. The government sponsored a contest to find lyrics, eventually settling upon a new composition by Mikhalkov; according to the government, the lyrics were selected to evoke and eulogize the history and traditions of Russia. Yeltsin criticized Putin for supporting the reintroduction of the Soviet-era national anthem even though opinion polls showed that many Russians favored this decision.Public perception of the anthem is mixed among Russians. A 2009 poll showed that 56% of respondents felt proud when hearing the national anthem, and that 25% liked it.

Answer:
What is the full name of the person who criticized Putin for supporting the reintroduction of the Soviet-era national anthem?