Given a document, find the main entity about whom the author is writing. Write the full name if mentioned in the text. Note that URLs in the text have been replaced with [Link].
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Question: Bill Polian   Hall of Fame executive.  His  status as a prognosticator is less solid. (NFL Network)
 Bill Polianâs  track record is undeniable. As general manager of the Buffalo Bills   he  cobbled together the lineups that advanced to four straight Super Bowls. With  Polian  at the personnel helm  the expansion Carolina Panthers advanced to the NFC championship game in just their second year of existence.  Polian  then concluded  his  career by shaping the Indianapolis Colts into a Super Bowl winner.
 He âs in  the Hall of Fame  and deserves to be  even if  his  post-football career as an ESPN analyst has been  shall we say  slightly less successful in the prediction department.
 Polian âs latest forecast involves Louisville quarterback Lamar Jackson  who  he  says is too short â at 6-foot-3 â and not accurate enough to be a successful NFL quarterback.
âI think wide receiver â  he  said  when asked about what NFL position Jackson should play Monday on ESPNâs âGolic and Wingo.â âExceptional athlete  exceptional ability to make you miss  exceptional acceleration  exceptional instinct with the ball in his hand  and that âs  rare for wide receivers. That âs  [Steelers wideout Antonio Brown] and who else  name me another one whoâs like that  right? Julio [Jones] is not like that. This guy is incredible in the open field and [has] a great ability to separate and  again  heâs short and a little bit slight and clearly  clearly not the thrower that the other guys are. His accuracy isnât there  so I would say  donât wait to make that change  donât be like the kid from Ohio State [Terrelle Pryor] and be 29 when you make the change.â
Anyway  it wouldnât be the first time  Polian  has been wrong.
 Polian  on Johnny Manziel
 Bill Polian : Johnny Manziel has magic. If you're in the Browns draft room  you owe it to the fans to consider taking him at 4. #SXMNFL â SiriusXM NFL Radio (@SiriusXMNFL) April 30  2014
 Polian  on Deshaun Watson
 Polian  on Robert Griffin III
 Polian  on Kirk Cousins and the Redskins

Answer: Bill Polian


Question: What is known for sure about  American military scientist Frank Olson  is that on November 28  1953  the bacteriologist and father of three plunged to  his  death from the thirteenth floor of the Statler hotel in New York City  not long after  he  was secretly drugged with LSD on the orders of  his  CIA superior. Whether  Olson  was pushed  or jumped  or was nudged into committing suicide remains unclear. But indeterminacy with a generous side of conspiracy is catnip to director Errol Morris  who has made either a 241-minute film or a six-part television series depending on where and how you plan to watch it  about the tragedy's long reach into  Olson 's family and America's secretive political culture.
 Olson 's death  and the murk surrounding its cause  cast a defining shadow over the life of his son Eric  whose endless quest to find out what happened that night has pre-empted all other endeavors. The blight spread around his family. His mother became an alcoholic with  the film implies  the active encouragement of one of her husband's colleagues. But Eric  now in his sixties  has arguably been completely derailed by the tragedy. He is the central focus of Wormwood  a hybrid blend of documentary and Cold War thriller that makes The B-Side  Morris's loving portrait of radical photographer Elsa Dorfman earlier this year  look almost straightforward.
Moving back and forth between the 1953 events and 1975  when a Rockefeller commission confirmed that an army scientist had been purposefully drugged with hallucinogens   Wormwood carries us from secret meetings at Deer Lake through the long tail of misery and obfuscation left by  Frank 's death  to Eric's pursuit of the truth all the way to the corridors of power.
In hushed and menacing re-enactments  Peter Sarsgaard  whose mild manner lends itself to all kinds of tonal nuance  charts the decline and fall of  Olson   a patriotic team player whose growing unease about his agency's secretive involvement in biological warfare overseas first worries his boss (a reptilian Tim Blake Nelson) and then moves him to seize the day and use his hapless employee as a guinea pig. By the time  Frank  arrives at the hotel flanked by ambiguously supportive colleagues  he's rapidly unraveling into a gibbering wreck.
Wormwood's breathless  hopped-up style harks back to Morris's 1988 The Thin Blue Line  which called into question a murder verdict and resulted in the release of a wrongly convicted suspect from Death Row. Here the noir markers are writ so large as to verge now and then on self-parody. Morris keeps returning the action to the hotel to act out different angles and competing versions of what happened to  Olson  that night. The hypothetical range between possible perps â  Frank 's boss  his friends  two wordless thugs in fedoras  a CIA allergist played by a sinister Bob Balaban â is narrow enough to make these scenes a touch repetitive if you're watching in one sitting. Certainly they underscore Morris's standing as a lifelong participant observer of American paranoia. For which  it must be said  there is undeniable fodder in the manner of Olsen's going  the secrecy surrounding his death  the ambivalent admissions the Rockefeller Commission along with a dwindling financial settlement that looks suspiciously like hush money to  Olson  and to Morris  and the merrily chuckling presence in old footage of two well-known knowns  Donald Rumsfeld and Dick Cheney.
For all the formal beauty of the re-enactments  the most compelling scenes in Wormwood are the unembellished interviews that Morris â ordinarily an off-screen interlocutor with an appetite for the subtly leading question â is seen conducting across a table with Eric Olson  who waves his arms around with the befuddled intensity of a superannuated schoolboy as he tells his story. Articulate and charming  Eric is a talented collage artist who seems to have sacrificed career and significant relationships to his endless search for justice and truth  even after the case was officially closed and after he contacts investigative reporter Seymour Hersh  who first reported the drugging of  Olson  in The New York Times. Grandiose as always  Hersh insists that  he knows who murdered Frank Olson   but won't say for fear of compromising an anonymous source. We can't tell whether  he 's fibbing either.
A romantic view â and I wouldn't entirely put this past Morris â is that  Olson  is  like  his  interlocutor  an artist with a magnificent obsession that sustains  him  even when it's doomed to failure. But in Wormwood  he  emerges with enormous poignancy as a tragic figure  perpetually stuck in limbo like the father we see tumbling  over and over  to  his  fate.

Answer: Frank Olson


Question: Thereâs one question we know the liberal sports media never would have asked if  Trevor Bauer  had beaten the Yankees in Game 4 of the ALDS  and thatâs: did  Trevor Bauerâs  support for Trump help the Indians win the ALDS? Though  because the Indians lost the ALDS  we now get the question of whether  Bauer âs support for Trump cost them the ALDS?
Clearly   Bauer  played poorly in Game 4. The California-born pitcher allowed four hits after an error  four unearned runs  a pair of walks  and took the loss on Monday. Indians Manager Terry Francona then pulled him after only two innings.The Yankees went on to clean  Clevelandâs  clock 7-3.
However  according to Deadspin   Bauer  had other things on  his  mind last Monday evening because after  he  was pulled   he  went on a Twitter blocking spree against a Deadspin writer who began taunting  him  over  his  support of President Trump.
Deadspin writer Barry Petchesky admits to needling  Bauer  about his support of Trump during the game  and after the pitcher was yanked off the mound  he apparently noticed the writerâs taunts and blocked him on Twitter.
âI can confirm that at least some of these blocks came during the game  rather than before it  because I am one of those people â I checked my phone immediately upon the gameâs final out  and I was blocked â Petchesky wrote on Tuesday morning. âI deserved it because I am an asshole: Every time  Bauer  gave up a hit I retweeted one of  his  many  many pro-Trump or MAGA tweets.â
ah. So now you hate me for having different views. Hate. Which is exactly why you don't like trump. Hypocrite.  â Trevor Bauer (@BauerOutage)  November 10  2016
690% of them are trump supporters.  â Trevor Bauer (@BauerOutage)  February 10  2017
look man. I'm a duke fan for life too. Why are we going down this path?  â Trevor Bauer (@BauerOutage)  February 12  2017
In another tweet that really upset  Petchesky  Bauer  insisted that many of  his  teammates also support the president:
almost all of my teammates  support trump sooooo â Trevor Bauer (@BauerOutage)  February 10  2017
Despite Petcheskyâs bloviating  though  Newsweek columnist Teddy Cutler assures baseball fans that the Twitter imbroglio had nothing to do with  Bauer âs poor performance in game 4.
 âBauer  apparently started blocking after  he  was pulled from the game â Cutler wrote in his October 12 post. âThe Indians lost because  he  pitched badly  not because  he  likes Trump. â

Answer:
Trevor Bauer