In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Ex Input:
Ali (Salem), is a Moroccan Gastarbeiter (guest worker) in his late thirties, and Emmi (Mira), is a 60-year-old widowed cleaning woman. They meet when Emmi ducks inside a bar, driven by the rain and drawn by the exotic Arabic music (Al Asfouryeh by Sabah) she says she has heard so often on her walk home from work. A woman in the bar (Katharina Herberg) who is part of Ali's Arabic-speaking cohort tauntingly suggests Ali ask Emmi ("the old woman") to dance, and Emmi accepts. A strange and unlikely friendship develops, then a romance and soon they are living together in Emmi's flat. Out of a professed sense of responsibility but also hopefulness, Emmi first confides in her newfound love when she goes to visit her daughter Krista (Irm Hermann) and her tyrannical son-in-law Eugen (Fassbinder himself) and announces that she is in love with Ali; Eugen thinks she is screwy and Krista as well can only think that her mother - who has been a widow for years - is fantasizing.The first real threat to their relationship comes with a visit by the landlord's son, who has been sent on the assumption that Emmi has taken in a lodger to point out to her that sub-letting is against Emmi's tenancy agreement, and that Ali must leave within a day. Impulsively, and fearful of losing this new joy in her life, Emmi claims that she and Ali are planning to marry to alleviate this little difficulty. This changes everything for the landlord's son, the only character in the film who consistently accepts their relationship as unproblematic. After he has apologized for the misapprehension and departed, Emmi speaks to Ali with embarrassment of her having invented the idea of their marrying but, to her surprise and delight, Ali concurs that it is an excellent idea, and we next see them emerging from the civil court, married.What follows is a bitter and noxious reaction over their relationship, revealing every character in their lives, especially every German in Emmi's former life, as being mired in prejudice against foreign workers as dirty and now castigating Emmi as a "whore." Gossipy neighbors and shop vendors treat them with contempt, fellow tenants complaining that their (already noticeably dilapidated) tenement building has now become filthy. Emmi is shunned by her coworkers, and Ali faces discrimination at every turn. When Emmi, whose first husband was a Polish worker whom she married against her Hitler-loving father's wishes, invites her three grown children and son-in-law to meet her husband, they openly reject him. One of her sons smashes in her TV set in anger, her other son declares she must have lost her sanity, and her daughter and son-in-law follow them in making a rude and hasty exit, Emmi's daughter now calling her mother's apartment a "pigsty" and her mother a "whore."Emmi's tearful despair at this ultimate rejection washes away as her bright optimist resurfaces and concludes that she and Ali should take a long vacation together to escape the discrimination, convinced that upon return, they will have been missed and will be welcomed back. After their return, they suddenly face the prospect of social acceptance but, as we quickly see, only because neighboring tenants and shopkeepers see the utility for them in keeping Emmi in their good graces, not because they have changed their prejudices, thus we witness them hypocritically masking the latter out of self-interest.Out of longing to hang on to this resumption of her old friends' apparent renewed respect, Emmi begins to neglect Ali or to adopt some of their attitudes toward him. She becomes very "German" - more readily ordering him to do things. When co-workers visit and remark on how surprisingly clean he is and comment on his muscles, she shows him off as if he were an object. This is the trigger for Ali to exit, with our sympathy as viewers, and to seek comfort in the arms of the female bartender Barbara (Barbara Valentin), with whom he has apparently had dalliances prior to meeting Emmi. When he leaves Emmi to her friends, she attributes it to his "mood swings," and notes that it must be his "foreigner mentality", adopting the xenophobic attitudes of her friends in order to fit in. Some days later, Emmi would not cook Ali couscous or go out with him to eat couscous somewhere either, symbolizing her re-Germanification and her own new wall built up against the sensitivity to foreigners she displayed at the outset, she insists she wants him to eat German food, and generally become more German so they would fit in. We see Ali not stand up to Emmi because of the insecurities he faces as a hybrid. He has accepted the German society's mentality that he is the "lesser" man. He then turns back to the bartender, who used to cook for him, and spends the night with her. Emmi grows desperate at his being out all night and visits him at work, where he pretends he doesn't know her as his workmates make fun of her age, calling her Ali's "Moroccan grandmother."Just when it seems as if the relationship is beyond repair, Emmi goes back to the bar to meet with Ali and has the bartender put the same song on the jukebox that led to their first-ever dance. He responds to the implicit call for reconciliation from Emmi and asks her to dance again. While dancing, Emmi emphasizes that she knows she is old and that he is free to come and go, but urges him to see that the only thing thatâs important is that when they are together, they must be nice to each other. He agrees and they declare their love for each other. In this moment, Ali collapses in Emmi's arms from what turns out to be a burst stomach ulcer. We last see Emmi with Ali in the hospital, where the doctor tells her the illness is common among foreign workers because of the stress they face in everyday life; the doctor adds that Ali will have surgery to remove the ulcer, but will probably be back in 6 months with another ulcer. Emmi declares that she will do everything in her power to prevent this and, as the film ends, she is at his bedside, holding Ali's hand.

Ex Output:
Question: Who is the female bartender?, Answer: Barbara


Ex Input:
Off the coast of a small Italian fishing village, Sperlonga (in the province of Latina), not Sicily as it is erroneously mentioned, two fishermen watch in amazement as a spaceship pierces the skies and crashes into the sea. The men, Mondello (Don Orlando) and Verrico (George Khoury), row out to the site and pull two space travelers from the capsized craft before it shudders and sinks into the sea. Meanwhile, in Washington, D.C., Major General A. D. McIntosh (Thomas Browne Henry) discovers that the government's missing spacecraft, piloted by Colonel Bob Calder (William Hopper), has been located off the coast of Italy. As McIntosh flies to Italy, Pepe (Bart Braverman), a little boy who lives in the fishing village of Gerra, finds a metal capsule that has washed up on the beach. Upon opening the capsule, he finds a jelly-like glob inside and sells it to Dr. Leonardo (Frank Puglia), a visiting zoologist who is studying sea creatures. Meanwhile, Leonardo's medical-student granddaughter Marisa (Joan Taylor) is summoned to town to take care of the injured Calder and his companion, Dr. Sharman. When Calder regains consciousness, he finds Sharman in the last throes of the fatal disease that decimated his crew.That night, after Marisa returns home to the trailer that she shares with her grandfather, a small creature hatches from the glob and Leonardo locks it in a cage. By morning, the creature has tripled in size, and McIntosh arrives in Gerra, accompanied by government scientist Dr. Justin Uhl, and meets with Calder and Signore Contino, a representative of the Italian government. As Leonardo and Marisa hitch up the trailer containing the creature to their truck and head for Rome with their discovery, McIntosh informs the astonished Contini that Calder has just returned from Venus. Calder's spacecraft, crippled by a meteor, carried a sealed metal container bearing an unborn species of animal life from the planet. As police divers begin to search for the capsule, McIntosh offers a reward for its recovery, prompting Pepe to come forward and lead them to the empty container. When Pepe tells them that he sold its contents to Leonardo, who is currently on his way to Rome, McIntosh and Calder pursue him.That night, when Leonardo stops the trailer, he discovers that the creature has grown to the size of an adult human. Soon after the creature breaks out of his cage and flees, Calder and the others arrive. Confused, the beast blunders onto a nearby farm, terrorizing the animals. It is revealed that the creature, known as the Ymir, eats sulfur as it rips open several bags. While it is feeding, the Ymir encounters the farmer's dog and kills it, alerting the farmer. The farmer is about to attack it when Calder and the others reach the barn. After trapping the Ymir in the barn, Calder explains that the Ymir is not dangerous unless provoked. However, the Ymir proves virtually impossible to prod into a cage, and kills the farmer when he stabs it with a pitchfork as it tries to escape. When the creature breaks out of the barn and disappears into the countryside, the commissario of police insists that it be destroyed, but Calder pleads with him to reconsider.After the Italian government grants Calder permission to track and capture the creature, he devises a plan to subdue it by ensnaring it in a giant electric net dropped from a helicopter. The Italian police, meanwhile, conduct their own pursuit, shooting at the creature with flamethrower guns. Aware that sulfur is the creature's food of choice, Calder uses the mineral as bait, luring it to a secluded site and then subduing it with an electric jolt from the net. Later, at the American Embassy in Rome, McIntosh briefs the press corps on the situation and allows three reporters to view the creature, which is incarcerated at the Rome zoo. There, Calder explains to the reporters that the Ymir has been incapacitated by a strong anesthetic, thus allowing the scientists to study it. Marisa, who is there aiding her uncle, begins to flirt with Calder. Suddenly, the electrical equipment shorts out, releasing the creature from its stupor.Now in gargantuan size, the Ymir breaks free and enters into combat with an elephant, sending the panicked zoo visitors scurrying for their lives. As the rampaging beasts go into the streets of Rome, they destroy cars and inflict massive damage to the city. The Ymir eventually defeats the elephant and continues to rampage through the city. Calder tracks the creature to the River Tiber, where it submerges. When the military lobs bombs at the submerged creature, the Ymir surfaces, bursts through a bridge and heads for the Colosseum. It destroys an ancient temple, in which pieces rain down and kill many soldiers. As the Ymir disappears into the vast cavern of the Colosseum, Calder charges it with a group of bazooka-firing soldiers, driving it to the top of the ruins. It tears down a few pieces of brickwork at the soldiers but Calder scores a direct hit with his own bazooka. After Calder fires a second time and scores another critical hit, the creature tumbles to its death on the ground below, after which a relieved Marisa runs into Calder's arms.

Ex Output:
Question: What is Dr. Uhl's profession?, Answer: Scientist


Ex Input:
The film begins with a voice-over narration by Rolfe Whitehouse, announcing the story of his brother Wade's "strange criminal behavior" and subsequent disappearance.Wade Whitehouse is a small-town policeman in New Hampshire. On Halloween night, Wade meets his daughter Jill from his divorced marriage, but he is late and the evening is overshadowed by disharmony. Jill eventually calls her mother to come and pick her up. When his ex-wife finally arrives, Wade shoves her lover against their car and watches them drive away with Jill. Wade vows to get a lawyer to help gain custody of his daughter.The next day, Wade rushes to the scene of a crime. A hunting guide named Jack claims that the man with whom he was hunting accidentally shot and killed himself. The police believe Jack, but Wade grows suspicious, believing that the man's death was no accident. When he is informed that the victim was scheduled to testify in a lawsuit, his suspicion slowly turns into conviction.A while later, Wade and his girlfriend Margie Fogg arrive at the house of Wade's father, Glen Whitehouse, whose abusive treatment of Wade and Rolfe as children is seen in flashbacks throughout the film. Wade finds his mother lying dead in her bed from hypothermia. Glen Whitehouse reacts to her death with little surprise. At the funeral wake, the father gets drunk and loudly exclaims, "Not one of you is worth one hair on that woman's head!", resulting in a confrontation between Wade and him.Rolfe, who has come home for the funeral, suggests at first that Wade's murder theory could be correct, but later renounces himself of this presumption. Nonetheless, Wade becomes obsessed with his conviction. When Wade learns that town Selectman Gordon Lariviere is buying up property all over town with the help from a wealthy land developer, he makes the solving of these incidents his personal mission. Suffering from a painful toothache and becoming increasingly socially detached, he behaves more and more unpredictably. He follows Jack, convinced that Jack is running away from something and is involved in a conspiracy. After a car chase, a nervous Jack finally pulls over, threatens Wade with a rifle, shoots out his tires, and drives off.Finally, Wade is fired from his police job both for his constant harassment of Jack and his trashing of Lariviere's office. He collects Jill from her mother's house, where his ex-wife furiously castigates his plans to sue for full custody. At the local restaurant, he attacks the bartender in front of his daughter after he jokingly insults Wade. Then Wade takes Jill home to find Margie leaving him. Wade grabs Margie and begs her to stay with him, but Jill rushes up and tries to push Wade away. In response, Wade pushes Jill, causing her nose to bleed. She and Margie drive off. Wade is then approached by his father Glen, who congratulates him for finally acting as a "real man". The latent aggression between the men culminates in a fight in which Wade accidentally kills his father. He burns the corpse in the barn, sits down at the kitchen table and starts drinking, while the barn can be seen burning down through a window.Rolfe's narration reveals that Wade eventually murdered Jack and left town (possibly to Canada, where Jack's truck was found three days later), never to return. Rolfe relates that the town later became part of a huge ski resort partly organized by Gordon Lariviere. He concludes that someday a vagrant resembling Wade might be found frozen to death, and that will be the end of the story.

Ex Output:

Question: Who murdered Jack?, Answer: Wade murdered Jack.