You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Q:  Mark Lewis meets Dora, a prostitute, covertly filming her with a camera hidden under his coat. Shown from the point of view of the camera viewfinder, tension builds as he follows the woman into her home, murders her and later watches the film in his den as the credits roll on the screen.
Lewis is a member of a film crew who aspires to become a filmmaker himself. He also works part-time photographing soft-porn pin-up pictures of women, sold under the counter. He is a shy, reclusive young man who hardly ever socialises outside of his workplace. He lives in the house of his late father, renting most of it via an agent, while posing as a tenant himself. Helen, a sweet-natured young woman who lives with her blind mother in the flat below his, befriends him out of curiosity after he has been discovered spying on her on her 21st birthday party.
Mark reveals to Helen through home movies taken by his father that, as a child, he was used as a guinea pig for his father's psychological experiments on fear and the nervous system. Mark's father would study his son's reaction to various stimuli, such as lizards he put on his bed and would film the boy in all sorts of situations, even going as far as recording his son's reactions as he sat with his mother on her deathbed. He kept his son under constant watch and even wired all the rooms so that he could spy on him. Mark's father's studies enhanced his reputation as a renowned psychologist.
Mark arranges with Vivian, a stand-in at the studio, to make a film after the set is closed; he then kills her and stuffs her into a prop trunk. The body is discovered later during shooting by a female cast member who has already antagonised the director by fainting for real at points which are not in the script. The police link the two murders and notice that each victim died with a look of utter terror on her face. They interview everyone on the set, including Mark, who always keeps his camera running, claiming that he is making a documentary.
Helen goes out to dinner with Mark, even persuading him to leave his camera behind for once. Her mother finds his behaviour peculiar, aware how often Mark looks through Helen's window. Mrs. Stephens is waiting inside Mark's flat after his evening out with her daughter. She senses how emotionally disturbed he is and threatens to move, but Mark reassures her that he will never photograph or film Helen.
A psychiatrist is called to the set to console the upset star of the movie. He chats with Mark and is familiar with Mark's father's work. The psychiatrist relates the details of the conversation to the police, noting that Mark has "his father's eyes." Mark is tailed by the police who follow him to the newsagents where he takes photographs of the pin-up model Milly (two versions of this scene were shot; the more risqu  version is credited as being the first female nude scene in a major British feature, although even on the racier version, Milly only exposes one breast for a few seconds). Slightly later, it emerges that Mark must have killed Milly before returning home.
Helen, who is curious about Mark's films, finally runs one of them. She becomes visibly upset and then frightened when he catches her. Mark reveals that he makes the movies so that he can capture the fear of his victims. He has mounted a round mirror atop his camera, so that he can capture the reactions of his victims as they see their impending deaths. He points the tripod's knife towards Helen's throat, but refuses to kill her.
The police arrive and Mark realises he is cornered. As he had planned from the very beginning, he impales himself on the knife with the camera running, providing the finale for his documentary. The last shot shows Helen crying over Mark's dead body as the police enter the room.

A: Who says Mark has his father's eyes?
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Q:  In 1952, Ed Wood is struggling to join the film industry. Upon hearing of an announcement in Variety magazine that producer George Weiss is trying to purchase Christine Jorgensen's life story, Ed wants to meet Weiss. Weiss explains that Variety's announcement was a news leak, and it is impossible to purchase Jorgensen's rights. The producer decides to fictionalize the film, titled I Changed My Sex!. Ed tries to convince Weiss that he is perfect to direct the film because he is a transvestite, but is unsuccessful since Weiss wants a director with experience. Ed meets his longtime idol Bela Lugosi and the two become friends. Wood persuades Weiss to let him direct the film by convincing him that having a star in the film would sell tickets, and they could sign Bela for a low price.
Ed and Weiss argue over the film's title and subject matter: Weiss has the poster printed, which Ed changes to Glen or Glenda and writes the film about a transvestite rather than a sex change. Weiss allows Ed to shoot whatever he wants as long as the film meets the required length. Ed takes to film production with an unusual approach; shooting only one take per scene, giving actors very little direction and using stock footage to fill in gaps. The movie is released to critical and commercial failure. Because of this, Ed is unsuccessful in getting a job at Screen Classics, but Ed's girlfriend, Dolores Fuller, tells him that he should try financing his next film independently. Ed is unsuccessful in finding money for Bride of the Atom, but is introduced to the psychic The Amazing Criswell who gives him advice on how to sell himself better.
Ed meets Loretta King, who he thinks has enough money to fund Bride of the Atom and ends up casting her as the lead instead of Dolores as planned. Filming begins, but is halted when it is revealed that Loretta is actually poor, and Ed has no money to continue production. Ed convinces meat packing industry tycoon Don McCoy to take over funding the film, who agrees as long as the film stars his son Tony as the leading man and the film ends with an explosion. The filming finishes with the title being changed to Bride of the Monster, but Dolores breaks up with Ed after the wrap party because of his circle of friends, his work, and transvestism. Bela attempts to conduct a double suicide with Ed after the government cuts off his unemployment, but is talked out of it. Bela checks himself into rehab, and Ed meets Kathy O'Hara, who is visiting her father there. Ed takes her on a date and reveals to her his transvestism, which she accepts.
Ed shoots a film with Bela outside his home. When Ed and company attend the premiere for Bride of the Monster, an angry mob chases them out of the theater. Bela passes away, leaving Ed without a star. Ed convinces a church leader named Reynolds that funding Ed's script for Grave Robbers from Outer Space would result in a box office success, and generate enough money for Reynolds' dream project. Dr. Tom Mason, Kathy's chiropractor, is chosen to be Bela's stand-in for resembling Lugosi. Ed and the Baptists have conflicts over the title and content of the script which they want to have changed to Plan 9 from Outer Space, along with Ed's B movie directing style, his casting decisions and his transvestism. Ed leaves the set to go to the nearest bar, where he encounters his idol, Orson Welles. Filming for Plan 9 finishes with Ed taking action against his producers. Plan 9 is premiered and Ed and Kathy go to Las Vegas to get married.

A: Why does Dolores break up with Ed?
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Q:  In December 1995, Chuck Noland (Tom Hanks) is a time-obsessed systems engineer, who travels worldwide resolving productivity problems at FedEx depots. He is in a long-term relationship with Kelly Frears (Helen Hunt), with whom he lives in Memphis, Tennessee. Although the couple wants to get married, Chuck's busy schedule interferes with their relationship. A Christmas with relatives is interrupted when Chuck is summoned to resolve a problem in Malaysia. While flying through a violent storm, his plane crashes into the Pacific Ocean. Chuck escapes the sinking plane and is saved by an inflatable life-raft but loses the raft's emergency locator transmitter. He clings to the life-raft, loses consciousness, and floats all night before being washed up on an island. After he awakens, he explores the island and soon discovers that it is uninhabited.
Several FedEx packages from the crashed plane wash up on the shore, as well as the corpse of one of the pilots, which he buries. He initially tries to signal for rescue and makes an escape attempt with the remnants of his life-raft but cannot pass the powerful surf and the coral reefs surrounding the island. He searches for food, water, shelter, and opens the packages, finding a number of potentially useful items. He leaves one package, with a pair of angel wings stenciled on it, unopened. During a first attempt to make fire, Chuck receives a deep wound to his hand. In anger and pain, he throws several objects, including a Wilson volleyball from one of the packages. A short time later he draws a face in the bloody hand print on the ball, names it Wilson, and begins talking to it. One night, Chuck calculates that in order for the rescue workers to find the site of the plane crash, they'll have to search an area twice the size of Texas, making him doubtful he will ever be found.
Four years later, Chuck is dramatically thinner, bearded, with longer hair, and wearing a loincloth. He has become adept at spearing fish and making fires. He also has regular conversations and arguments with Wilson, his volleyball friend which has become his only means of socialization. A large section from a portable toilet washes up on the island; Chuck uses it as a sail in the construction of a raft. After spending some time building and stocking the raft and deciding when the weather conditions will be optimal (using an analemma he has created in his cave to monitor the time of year), he launches, using the sail to overcome the powerful surf. After some time on the ocean, a storm nearly tears his raft apart. The following day, Wilson falls from the raft and is cast away into the ocean, leaving Chuck crying and overwhelmed by loneliness. Later, a passing cargo ship finds him, drifting.
Upon returning to civilization, Chuck learns that he has long been given up for dead; his family and acquaintances have held a funeral, and Kelly has since married Chuck's one-time endodontist and has a daughter. After reuniting with Kelly, the pair profess their love for each other but, realizing they can't be together because of her commitment to her new family (and also remembering that Chuck wasn't there for her last time), they sadly part. Kelly gives Chuck the keys to the car they once shared.
Sometime later, after buying a new volleyball, Chuck travels to Canadian, Texas to return the unopened FedEx package with the angel wings to its sender, a woman named Bettina Peterson. The house at the address is empty, so he leaves the package at the door with a note saying that the package saved his life. He departs and stops at a remote crossroads. A friendly woman (Lari White) passing by in a pickup truck stops to explain where each road leads. As she drives away, Chuck notices the angel wings on the back of her truck is identical to the one on the parcel. As Chuck is left standing at the crossroads he looks down each road, then smiles faintly as he looks in the direction of the woman's truck.

A:
How does Chuck end up on an island?
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