Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Q: CONTEXT: According to the narrative of the program, it seems that Walter White is dead. However, if one looks at how he was wounded it is conceivable that he wouldn't have died from the wound that he received and that he simply became unconscious at the end of the episode. While an M-60 fires a 7.62 (.30 cal) round, its bullets are copper jacket military rounds. These rounds don't expand and often inflict non-fatal wounds if they don't strike major organs or blood vessels. As demonstrated in the episode "Felina", the series denouement, Walter isn't struck directly by a rounds but is hit by a ricochet. This could cause a serious injury and perhaps an incapacitating one; however death seems to be a stretch. Assuming that Walt's injury (on his lower right side) could have struck his liver or his renal artery and thus caused him to bleed out internally. Unfortunately, such a wound would have made it impossible for him to have walked out of the neo-Nazi's hideout and around for what would have been at least ten minutes. Given that the police shown to have arrived within seconds of Walt's collapse, he could have easily been saved if paramedics had been called. The series states that Walter White is dead. The injury that he received could have been easily survivable.  <sep>  Q: Is Walter White dead?

A: Yes
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Q: CONTEXT: I imagine that Jacob is referring to some aspect of himself. It could either be his 'past self' - i.e. Jacob before he learned to be a stylish womanizer, perhaps - or it could be the nice and sentimental part of him that still exists in his character. (We know that some part of him like that exists because he falls in love with Cal's daughter.) I imagine it is some combination of the two.  <sep>  Q: Who did Cal Weaver remind Jacob of in Crazy Stupid Love? A: I imagine that Jacob is referring to some aspect of himself. It could either be his 'past self  <sep> FOLLOWUP_Q: I am talking about when the first meet...is that what you are referring to?

A: Yes
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Q: CONTEXT: I think it comes down to one point - can one mind actively dream two or more states simultaneously. For the dream within a dream thing to work .... the dreamer in level 1 (Yusuf) has to dream the Pasiv (sleep) machine into existence, in order to allow people to go down to the next level (the hotel dream of Arthur). For someone to simultaneously be maintaining level 1 and be able to go to 'sleep' and maintain level 2 seems unlikely - you'd essentially have to be 'awake' in each dream state. So it appears for the dream within a dream thing to work, you need as many people to dream as levels you wish to descend. This appears to be why Cobb wants Yusuf to 'go into the field', as he needs 3 dream levels (Yusuf, Arthur, Eames) - and he does not want to be a dreamer himself (for obvious reasons), and Ariadne was a late addition to the team.  <sep>  Q: Was it impossible to go into same person's dream each level down, or did it serve a purpose? A: I think it comes down to one point - can one mind actively dream two or more states simultaneously  Q: Why did they have to choose a different person each time they went one level deeper in Inception? A: For the dream within a dream thing to work .... the dreamer in level 1 (Yusuf) has to dream the Pasiv (sleep) machine into existence  Q: Couldn't they have kept going into Yusuf's dream all the way down? A: This appears to be why Cobb wants Yusuf to 'go into the field', as he needs 3 dream levels (Yusuf, Arthur, Eames  <sep> FOLLOWUP_Q: How many dream levels are there?

A:
Yes
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