In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
" virus " is a monster movie without a monster .
any movie with a hurdle that large to overcome had better be pretty damn good
otherwise .
sadly , " virus " does not deliver , on any level .
the movie opens with the russian space station mir about to transmit something ( we never find out what ) to a big boat with lots of satellites on it .
sudddenly , a wave of colorful lightning comes flying through space , and winds up destroying mir and using it to transmit itself to the aforementioned big boat .
cut to seven days later , we meet donald sutherland and his band of seafaring vultures .
see , they spend all their time sailing around looking for dead - in - the - water ships to rescue , and then collect the reward money .
at least , i * think
* that 's what they do .
along with many other things in the film , their reason for being out in the middle of the ocean is n't really explained .
so , they stumble upon this big boat with lots of satellites on it , and decide to haul it back to russian waters .
the only problem is , the crew starts disappearing one - by - one and turning into borg .
yes , borg .
complete with the red laser beam in place of an eye .
apparently , this alien lifeform can only survive if inside something electrical .
so , it creates make - shift machines and uses humans for " spare parts " .
blah , blah , blah .
i could go on forever describing the ludicrous so - called plot , but i wo n't .
suffice it to say the most original thing about this movie is having donald sutherland play an irish man ( !
) . everything else in this movie has been taken from other ( better ) movies .
for example , many of the machines resemble those found in the little - seen japanese movie , " tetsuo - the iron man " .
and the plot is right out of " aliens " .
the funny thing is , i was actually expecting to enjoy this movie .
i have a soft spot for cheesy monster movies , like last years under - appreciated " deep rising " .
but " virus " , as i mentioned earlier , does n't even have a monster .
it just has a big pile of circuits and wires and expects the audience to fear this ridiculous looking contraption .
" virus " is the type of movie that really makes you wonder what the screenwriter was thinking about when he wrote it .
besides the lame " monster " , it 's chock full of dialogue that no real person would ever say , and situations that no real person would ever allow themselves to get into .
for example , there is a scene late in the movie in which one of the characters actually attempts to * negotiate * with the alien !
now , i do n't know about you , but if i came upon a lifeform that viewed mankind as a virus to be eliminated , i doubt that i would attempt to reason with it .
that makes about as much sense as a baby squirrel calmly asking a fierce predator to spare his life .
finally , " virus " is n't scary .
the least the filmmakers could have done was to make the movie just a little scary .
as it is , it 's about as frightening as a box of cookies .
skip " virus " .
if it 's a cool monster movie you want , rent the far superior ( and the granddaddy of this genre ) " aliens " .

Ex Output:
N


Ex Input:
i must admit that i was a tad skeptical of " good will hunting " , based both on the previews and the first fifteen minutes of the film , in which the main character will hunting ( matt damon ) , an mit janitor in his early twenties , is discovered to be an einstein - level closet genius when he solves two extraordinarily difficult math problems overnight .
the only problem is that will is a tough street kid who 's had his share of run - ins with the law , and before long he 's being hauled in for assault after a parking lot fight .
professor lambeau ( stellan skarsgard ) , who had brought up the math problems in his lectures , tracks him down and strikes a deal with the police : will is to be released , provided he works with lambeau on his math research regularly and attends therapy sessions .
this sounds like the formula for mildly charming fluff , but " good will hunting " rises above its fairly mundane premise to deliver a poignant and clever drama .
a conflict gradually emerges between lambeau and will 's therapist sean mcguire ( robin williams ) - lambeau wants to get will to use his brain , while sean wants him to listen to his heart , both of which he has been largely neglecting .
will finds that the former is much easier than the latter , so much so , in fact , that he gets bored with it and grows increasingly resistant to lambeau 's attempts to recruit him into the academic lifestyle .
he also has his share of problems with his girlfriend skylar ( minnie driver ) , an mit student who is moving to california at the end of the school year and would like a reluctant will to come with her .
what makes " good will hunting " work so well , aside from the strong performances ( especially from damon and williams ) , is the depth of characterization and the representation of the conflicts in will 's life .
the script 's sympathies seem to lie more with sean mcguire than with lambeau , but neither of them is presented as completely right or wrong .
lambeau , while he may seem a little cold at times , is still written well enough that we like him as a character even when we 're not sure if we like what he has to say .
and sean , for all his warm - heartedness , has , as lambeau and later will point out , not lived up to his full intellectual potential either ; the therapy sessions turn out to be just as revelatory for sean as they do for will .
will 's reaction to this situation , and the way in which he slowly becomes more receptive to skylar and to sean , is presented in a believable fashion and in a way that forces the audience to consider all the characters ' opinions , rather than setting up an obvious " right " and " wrong " side and beating them over the head with it .
for a film with such an extraordinary character , " good will hunting " presents itself as remarkably ordinary ; it achieves the difficult task of making the next albert einstein into an everyman , a character to whom the audience can easily relate and who must make choices similar to those that almost everyone faces at one time or another .
this film gives us real drama when it so easily could have given us merely melodrama , by having the government kidnap will to use him in covert spy missions or introducing some other equally far - fetched situation .
"
good will hunting
" also has its share of fun humor , such as when will , in an early therapy session , pretends to be hypnotized and smoothly parodies the alien abduction scenarios that have become so well known in popular culture .
and in the one scene in which government agents do in fact appear , will blows them off with a hilariously scathing accusation of human rights violations in africa .
will 's relationship with his friends , most notably chucky ( ben affleck ) , is usually rather amusing , if somewhat crude ( the film has 100 +
uses of the ' f ' word , which was most likely the reason for its r - rating ) , and lends itself well to the development of will 's character .
add all this to the fact that " good will hunting " even manages to pull off an uplifting happy ending without getting excessively sentimental , and you might be wondering why i have n't given this film four stars .
well , for one thing , no matter how well damon and affleck , who wrote the screenplay , and director gus van sant pull it off , the story is still rather contrived and not particularly original .
there are also a few scenes that did feel a bit formulaic , including one that was supposed to be emotional but really just seemed like the obligatory crying scene for any movie involving therapy sessions .
still , " good will hunting " takes its premise a lot farther than i thought it would , and is definitely one of the better personal dramas
i have seen in the last few years , and as of right now it stands as one of the top five on my list of ' 97 films .

Ex Output:
P


Ex Input:
in this re - make of the 1954 japanese monster film , godzilla is transformed into a " jurassic park " copy who swims from the south pacific to new york for no real reason and trashes the town .
although some of the destruction is entertaining for a while ,
it gets old fast .
the film often makes no sense ( a several - hundred foot tall beast hides in subway tunnels ) , sports second - rate effects ( the baby godzillas seem to be one computer effect multiplied on the screen ) , lame jokes
( mayor ebert and his assistant gene are never funny )
, horrendous acting
( even matthew broderick is dull ) and an unbelievable love story ( why would anyone want to get back together with maria pitillo 's character ? ) .
there are other elements of the film that fall flat , but going on would just be a waste of good words .
only for die - hard creature feature fans , this might be fun if you could check your brain at the door .
i could n't .
( michael redman has written this column for 23 years and has seldom had a more disorienting cinematic experience than seeing both " fear and loathing " and " godzilla " in the same evening . )

Ex Output:

N