In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: big courtroom thrillers have always captivated america .
o .
j . simpson , tom capano , the menendez brothers .
all these names are synonymous to americans and courtrooms .
and , of course , courtroom dramas are not a new topic to hollywood . whether it be john grisham 's thrilling novels or television 's famous dramas , the courtroom has always provided big bucks .
so when i rented a civil action , i was expecting the film to be like the rainmaker , a brilliant law film that kept viewers on the edge of their seat .
however , what i saw in a civil action was far different from what i expected , a major surprise , but
fortunately , a pleasant one .
john travolta always seems to come up big when you least expect it .
no one expected him to light up the screen in grease , nor in saturday night fever .
but , whenever he gets knocked down , he always seems to come back fighting .
a civil action is not john 's best performance , but a strong one that could rival any performance in 1998 .
travolta proves that a normal and believable performance can vault a film into oscar nominations .
his performance is not flashy , nor memorable , just solid . if he delivered the only solid performance , this film would still be average .
luckily , he has a strong supporting cast .
william h .
macy is probably one of the most underrated actors in hollywood .
he continues to deliver great performances one after the other , but he is still regarded as a secondary actor .
in a civil action , he delivers yet another great performance
as travolta 's paranoid and greedy accountant .
he is not a lovable character , but a character who stands out in your mind whenever you think of the film .
he is not one of the big time lawyers , just a measly accountant .
but , he delivers one of the best supporting roles of 1998 , but there is actually someone better in a civil action .
robert duvall is also an underrated actor .
he gets many leading roles , but is never heard when you hear of big box office draws like tom hanks , brad pitt and jim carrey .
duvall has a supporting role in this as a lawyer of the co - defendant .
duvall is magical in this role .
he is the wise teacher , who not only battles it out in the courtroom , but also manages to teach every major player a lesson , in his own twisted way .
in many non - comedic films , directors are always trying to find a way to implement a touch of comedy , to keep the audience on their toes .
unfortunately , they usually just key in on one character whose main objective is to be funny ( jar - jar binks , anyone ? ) .
however , this usually backfires because the character is never fully developed .
this is not the case in a civil action .
they have comedy coming from all sides . whether it be duvall 's inane questions or macy 's sharp anger , the laughs come in a steady pace .
granted , it 's not roll in the aisle funny , but it provides a nice addition to the film .
the plot is terrific- somewhat .
the setup is nice with the film actually starting with a victory in the courtroom .
then the case that will make or break jan ( travolta ) 's career rears its ugly head .
they find out the goldmine involved with the case and wind up taking it .
however , budgets soon flounder and jan finds himself in deep debt .
i will not spoil the rest , although i must speak of the one downside to the film .
the courtroom debates are great , but the actual problem they are fighting for is never fully explored .
it left me somewhat confused , although the rest of the film is terrific .
all in all , john travolta is back yet again in this great film .
his supporting cast , consisting of macy and duvall , turn in tremendous performances , which ease the load on travolta .
the film is smart , witty and thought provoking .
not only does it gauge in - court battles , but also the various tolls it can take on the major players .
a civil action provides everything a drama lover craves .
Example Output: P

Example Input: " psycho meets the exorcist with no holds barred " .
a blurb like that sounds like desperate publicity for some low budget , third rate rip - off .
but no , this tacky plug comes from the poster for suspiria , perhaps italian horror director dario argento 's most consistently successful film .
what impresses most in re - watching this surrealistic , supernatural thriller is that argento 's directorial flair and stylish visuals are matched by a near - fully coherent narrative .
screenplays have always been his achilles heel ; confusing subplots , gaping holes , totally illogical incidents and reactions .
no question : argento has always been a better director than a writer .
fortunately , he gets the plotting pretty well right with suspiria , taking his cue from a book by thomas de quincey called " suspiria de profundis " .
the film 's storyline suffers from no major lapses in logic , provided one can accept the premise of a ballet school being a front for a coven of witches .
jessica harper plays an american who travels to germany to further her studies in dance .
arriving at the school late at night in driving rain , she sees a girl leave and run into the storm in a clearly distressed state .
what happens next - and i do n't make the comparison lightly - is a murder sequence that for intensity , shock value and sheer directorial flair ranks alongside alfred hitchcock 's infamous shower scene in psycho .
it 's quite possibly a homage to hitchcock , but with its baroque sets , graphic gore and brilliantly chaotic musical accompaniment by the gothic rock group goblin , this stunning sequence remains very much argento 's own .
though nothing else quite equals the intensity of suspiria 's opening 15 minutes , the film continues to be never anything less than engrossing as harper begins her own investigations and slowly comes to realise this is no ordinary ballet school .
we meet an assortment of slightly sinister characters , most notably the head ballet teacher played by alida valli in another one of those delicious sour - old - matriarch - from - hell roles she does so well .
several more violent murders ensue , including a startling scene in a deserted square where a blind man is . . .
well , i would n't want to spoil things now , would i ?
and the film 's climax , staged amid secret corridors and hidden rooms , has a gothic ghoulishness
that 's most impressive .
the english language versions of most argento movies usually suffer trimming , and not just for the violence - deep red and phenomena , for example , have been appallingly hacked about .
fortunately , the cuts to suspiria ( about 7 minutes in this version ) have not adversely affected the film .
the dubbing of the italian actors into english is quite competently done , too , excepting one appalling and unintentionally hilarious effort with a conversation between harper and a professor about the history of witchcraft in the region .
and the soundtrack ?
it is interesting to imagine what power the film would have lost if it had been scored by someone else .
as it stands , the use of goblin 's music in suspiria is outstanding .
apparently , argento played the soundtrack on location while filming so the actors could hear the music as they acted out their parts .
a stereo video player adds greatly to the viewer 's overall experience .
even better , see suspiria in a cinema , where you 'll get the added bonus of widescreen .
and the colours !
deep reds , eerie blues , a superb use of shadow and contrast .
the cinematography of luciano tovoli , whose more recent credits include reversal of fortune and single white female , is uniformly superb .
a nod also must go to production designer giuseppe bassan for his wonderful baroque interiors .
these kinds of settings are crucial to the atmosphere of argento 's more surreal excursions , the other most notable example being inferno ( 1980 ) on which bassan also worked .
suspiria is the film that broke dario argento into the major league of european directors , and it is fully deserving of its cult status .
the gore is at times a little excessive and overstated - that 's always been one of argento 's shortcomings - but overall
this is a fascinating , compelling example of italian horror .
Example Output: P

Example Input: director andrew davis reworks his fugitive formula and the results are about as exciting as his last film-- the dreadful comedy steal big , steal little-- was funny .
keanu
" i 'd rather play music than play another action hero " reeves
is the grad student on the run , who , along with his superfluous sidekick ( rachel weisz ) , has been framed for a sabotaged science experiment that vaporized eight chicago city blocks .
( the mushroom - cloud explosion is a knock - out and easily the best part of the movie .
or , as one audience member succinctly summed it up :
" whoa . " ) false information implicates their involvement and boy and girl are soon on the run , fleeing over open drawbridges , across icy lakes , and through the corridors of power at a top - secret , underground energy facility .
aiding and abetting is the team 's shady mentor , played in an excellent - but - so-
what performance by morgan freeman .
( brit brian cox is also about , as the behind - the - scenes bad guy .
he has some fun fiddling with a southern accent . ) unfunny , overscored , and without a single shred of suspense , chain reaction is * the * summer movie to walk out on . if you make it to the end , a mess of cross - cutting involving another imminent explosion , you 'll hear somebody say " i guess it 's time to go .
" heed that warning .
Example Output:
N