In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: it was a crazy time in france , what with the french revolution right around the corner .
king louis xv would soon die , and his son would become king louis xvi .
such is the setting for beaumarchais : the scoundrel about the controversial playwright , spy and playboy pierre - augustin caron de beaumarchais .
beaumarchais was the author of the plays , " the barber of seville " and " the marriage of figaro .
"
today people think of them as quaint and harmless operas , but , back in 1773 when the movie takes place , they were so scandalous that beaumarchais was thrown into prison more than once .
the movie beaumarchais : the scoundrel takes a light - hearted approach to its subject , resulting in an inviting motion picture .
one of france 's most expensive productions ever , the movie was a huge hit when it opened there last year .
now in theatrical release in the united states , it eschews the seriousness of most art house films with a romping good story .
the secret of the film 's success , other than the lavishness of sylvie de segonzac 's costumes , has to be the performance by fabrice luchini as beaumarchais .
with his glistening eyes and his infectious smile , he mesmerizes the camera and the audience .
his wry little lips seem always to hint at some unspoken deviousness he is planning .
in a land where court intrigue determines one 's destiny , constant scheming was a way of life for the aristocracy .
as our story starts , we learn that beaumarchais has bought himself a judgeship .
into his court comes a member of the nobility demanding an immediate sword fight .
beaumarchais , who has been having an affair with the man 's wife , makes him wait until the current case on the docket is decided .
that over with , the fight is on .
with luchini 's charisma , it is hard to root for anyone other than him .
audiences may remember him from the marvelous colonel chabert , in which he played the attorney .
although he does not have half of the good looks of his assistant gudin , played by manuel blanc , he dazzles the women and the viewers with his grace and style .
michael epp 's
warm and intimate cinematography provides a nice accompaniment to jean - marc kerdelhue 's lush but realistic looking sets .
jean - claude petit 's music , especially the hauntingly lovely flute solos , make for an enchanting time at the movies .
director jean - claude brisville , who wrote the script along with edouard molinaro , fleshed out a play by sacha guitry which , according to the press notes , was just a series of historic vignettes .
the disorganization of the play still comes through at some points in the movie , but the actors smooth it over with their good - hearted style .
typical of the scenes that come out of nowhere is the one in which a rotund benjamin franklin appears in a large pot of hot water , taking his bath .
one episode has beaumarchais working with a renegade spy who may or may not be a man .
another has beaumarchais using his personal fortune to aid the american revolution .
all of this may sound like a dull historical drama , but it is anything
but .
the story plays more like theater of the absurd than a movie based on historical facts .
the radiantly lovely sandrine kiberlain plays marie - therese , the real love of beaumarchais 's life .
but he is so likable that members of the audience may want to compete with her for him .
still , with his beguiling smile , one can never quite be sure if you should trust him .
the movie , on the other hand , can be trusted to deliver a high old time .
beaumarchais : the scoundrel runs 1 : 41 .
it is in french with english subtitles .
the film is not rated but would be an r for some nudity and sex , and should be fine for most teenagers .
Example Output: P

Example Input: long ago , films were constructed of strong dialogue , original characters , memorable plot points , and solid acting .
one of the best examples that hollywood now completely ignore these qualities is found in the new film where the heart is .
this opus about the power of love and the redemption of family follows the tragic , and i mean tragic , life of novalee nation ( natalie portman ) .
hitting the road with her hick , guitar - playing boyfriend in a rusted - out gm , novalee dreams of the blue skies of bakersfield and sipping chocolate milk beneath a plastic umbrella with her unborn baby , due in a month .
stopping off at a nearby wal - mart for a quick rest , novalee 's boyfriend decides to take off and leaves her there .
novalee then decides to secretly hole up in the wal - mart ( because she 's not the brightest bulb in the stagelights ) .
a wacky librarian ( keith david ) comes to her rescue when she goes into labor one night while she is camped in the outdoors section of the store .
then the she moves in with a family , befriends everyone in town -- including ashley judd 's character ( who has five kids and still can work part - time as a nurse )
-- fights off religious freaks , survives a tornado , breaks the heart of the wacky librarian that saved her , receives an inheritance , builds a martha stewart - esque house , becomes an award - winning photographer , and manages to always look like she stepped out of a cosmo shoot , all while not once doing anything with her kid .
this film is terrible .
the directing is awful : it seems director matt williams had an index card with six angles written on it and used every one of them , over and over and over again .
we get pathetic and ugly acting by natalie portman , who can do good work .
a disjointed pacing of key scenes and a time structure so confusing that it would throw steve prefontaine off .
a subplot that actually validates the actions of the boyfriend who abandoned novalee in the wal - mart parking lot .
an embarrassing display of emotions by the characters , making the audience ill .
taking two great comedic screenwriters , babaloo mandel and lowell ganz , and forcing them to write drama on par with oprah 's book club .
altogether , it has the feeling of being trapped at home , watching a very bad television mini - series and wishing it to end , only the remote is broken .
however , the main problem with the film is that it never answers the most poignant question brought up : where is the heart ?
no one ever seems to find it in this piece of junk .
Example Output: N

Example Input: after watching the first ten minutes of this japanese film , you will never eat a bowl of ramen the same way again .
there is a scene where an old man is teaching a young one how to eat the soupy bowl of noodles , as a master would teach an eager apprentice .
"
you caress the noodles with the chopsticks , " he says , " then put the roast pork on the side of the bowl and apologize to it by saying , ' see you soon . '
" of course , it 's meant to be a parody , but there is an earnestness underneath the silliness that makes you take it with a certain degree of sobriety .
you begin to appreciate the food as not merely something you eat , not something you like , not something you enjoy , but rather something you experience .
experiencing it is a process which engages all of the senses , fulfilling each one on its own terms and weaving them so that the total is a pleasure that is more than the sum of its parts .
trust me , you really want to go find a noodle shop at this point .
juzo itami 's tampopo brings the same sense of the serious parody of food to the forefront by making the story follow the pattern of an american western , set in modern day japan .
a stranger , goro ( tsutomu yamazaki ) , comes into town and finds tampopo ( nobuko miyamoto ) , the proprietor of a small , hole - in - the - wall noodle shop , trying to fend off the insults of the local strongman , pisken ( rikiya yasuoka ) .
goro , to defend the honor of this woman and her noodles , gets into a fight with the ringleader and his henchmen , emerging bloodied , but victorious .
goro finds that tampopo 's ambition is to have a shop that people would flock to from far away , just to eat a bowl of her ramen .
the problem is , her fare is something less than popular , and less than appetizing .
however , goro agrees to help tampopo in her quest , and in the process they seek the wisdom of an elderly noodle expert , enlist the aid of a wealthy patron , and make friends with the former enemy .
this film is filled with many little scenes which are absolute gems .
take , for example , when tampopo tries to buy the recipe for a delicious soup from another shop owner .
the price is too high , but the owner of the store next door will secretly sell it to her for a more affordable sum .
tampopo meets him at his store late at night , and he leads her to a back room .
she protests , thinking that perhaps this man has ulterior motives , but he insists .
just when she is about to bolt for the exit , he shows her a small gap in the wall adjoining his store with the noodle shop next door .
she peers through and takes notes as she watches the cook make the soup for the next day , her face filled with a joy that can be felt by the audience .
this scene , while comical , is very effective at filling the viewer with a sense of trepidation , then of relief and discovery .
there 's also an interesting scene where goro introduces tampopo and her son to a bunch of street people who , despite their economic trappings , are all gourmets and master sommeliers .
we even watch as one of them sneaks into the kitchen of a restaurant and expertly prepares a french omelet .
the scene is meant to bring a laugh , but it also says that no matter whether people are rich or poor , food is something which everyone has in common , and the enjoyment of food is an experience shared by all .
there are also a number of unrelated vignettes appearing throughout the film , which help to illustrate and accentuate the role of food in people 's lives .
a particularly effective one involves a wife and mother being tended to in her home by a doctor .
surrounded by her children , she is obviously in her last hours of life .
her husband comes home , and seeing her worsened condition , demands that she get up and make dinner .
the viewer knows the husband 's intention is not to be mean ; he is desperate for the normalcy of which he and his family has obviously been deprived , and the wife making dinner is an essential part of this .
in a near miracle , the wife drags herself to the kitchen and prepares a quick meal , then brings it to her awaiting family .
as the family eats , she looks on them and smiles . preparing food for her family is a joy and a comfort to her , and for a brief moment , she too enjoys the normalcy .
then she falls over , dead .
for a moment , the family is stunned , but then the father yells at the children , " keep eating !
this is the last meal your mother ever made !
" crying as they do so , the family finishes the meal .
the scene is comical , awkward , moving , and beautiful .
by including the vignettes , itami ran the risk of creating a disjointed film , but surprisingly , they do not interrupt the pacing of the main storyline .
instead , they even help contribute to the idea that tampopo 's goal of being able to serve exceptional food is worthy and even noble .
because the film parodies a western , the construction of the plot is fairly predictable , but is still enjoyable as we watch the familiar way in which the " good guys " come together for the final showdown .
in this case , the showdown is against the ramen .
if they eat tampopo 's ramen , soup and all , tampopo knows she has succeeded .
it 's pretty obvious what the outcome will be , but when a film changes your whole perspective on something you consume every day of your life , you can afford to cut it a little slack .
Example Output:
P