In this task, you're given a passage, further information available on a particular linked term from the statement, and a question. Your job is to generate the answer to the question by using the information provided. If there is no clear answer obtainable, output 'none'.

[Q]: Passage: There is a great deal written in music history books about the period of artistic experimentalism after World War II in Europe and the United States. Much like the period in France after the Franco-Prussian War (Impressionism) and in the late 19th century, the pre/post World War I period of (Expressionism), the post World War I period of Modernism was no different with composers trying to 'write music for the sake of music' and not attaching it to a social meaning or meant for a social cause (see Darmstadt School). The LP City of Glass and the whole body of work from the Stan Kenton orchestra and Robert Graettinger (1947–1953) is a direct product of the experimental American music scene of the post World War II era. Though overshadowed historically by other compositional endeavours in jazz at the time attributed to George Russell, Neal Hefti or Lennie Tristano, Graettinger and City of Glass is important in the progress that was to be part of Third stream jazz.
 Link Information: After World War II, there was increased interest in specialty styles like country music, producing a few major pop stars Question: What types of music was popular in America after World War II?
[A]: Answer:  country music


[Q]: Passage: After the political changes in 2000, Croatian cinema proved it could work in a completely free environment for the first time. As a result, at the beginning of this decade Croatian cinema flourishes again, and many critics write about "third golden era" (after the 1950s and 1960s). One of the most popular authors in the contemporary Croatian cinema is Vinko Brešan whose comedies Kako je počeo rat na mom otoku (How the War Started on My Island, 1997), and Maršal (Marshal Tito's Spirit, 1999) mix grotesque humor and political provocation. Brešan's war drama Svjedoci (Witnesses, based on a novel by Jurica Pavičić) was the first feature film from countries of former Yugoslavia which discussed the war crimes committed by "our guys", not the enemy. Film was screened in competition at the Berlin Film Festival in 2003. A Wonderful Night in Split (Ta divna splitska noć, 2004) by Arsen A. Ostojić received a nomination for the European Discovery EFA award, and Tu (Here, 2003) by Zrinko Ogresta was awarded at the Karlovy Vary Film Festival. Among other distinguished contemporary directors, internationally most recognized is Ognjen Sviličić, whose two films premiered at the Berlin Film Festival - Oprosti za kung fu (Sorry about Kung Fu, 2004) and Armin (2006). Armin was also Croatia's submission for the 2008 Academy Award, and although it didn't earn a nomination in the Best Foreign Language Film category, it did nevertheless receive the prestigious Best Foreign Film of 2007 Award given by the International Federation of Film Critics.
 Link Information: 

Vinko Brešan (; born 3 February 1964) Question: What is the age difference between the author of the novel Witnesses and the person who adapted it for the screen?
[A]: Answer: 21


[Q]: Passage: By the late 1960s, the Chinese restaurants and shops around Gerrard Street, Lisle Street, and Little Newport Street had evolved into "Tong Yan Kai", otherwise known as Chinatown. The general public developed a taste for Chinese food during the postwar restaurant boom. In 1963, the Zhongshan Workers' Club opened in the West End, showing films and running classes. The first Chinese New Year celebrations were held in Gerrard Street. The Overseas Chinese Service opened the first specialised agency to assist the Chinese in dealing with the host society by offering a translation and interpreting service. In the 1970s and 1980s, many ethnic Chinese who had settled in Vietnam for generations were forced to leave as "boat people" following the Vietnam War. Many settled in Lewisham, Lambeth, and Hackney, as well as elsewhere in the UK. The 1980s and 1990s saw a migration of academics and professionals from Chinatown to the suburbs of Croydon and Colindale. Since the 1980s, London's Chinatown has been transformed by Westminster City Council to become a major tourist attraction and a cultural focal point of the Chinese community in London. Today over 100,000 Chinese people live in London, and are more evenly dispersed throughout the city and its boroughs. Roughly a quarter of the Chinese population of the United Kingdom now live in London, mainly in the boroughs of Barnet, Haringey, Waltham Forest, Hackney, Southwark and Westminster. Mare Street in Hackney is the hub of a small Vietnamese community. The principal languages of the London Chinese community are Cantonese and Hakka (from the New Territories, Hong Kong, and Vietnam). There are also some speakers of Hokkien, Teochew and Hainanese. The Chinese from the People's Republic of China, Taiwan, and Singapore tend to speak Mandarin (or Putonghua). A large network of Chinese schools and community centres offers support and a means of passing on cultural identity from one generation to the next.
 Link Information: 384,774 inhabitants Question: Which of the boroughs of London that about a quarter of the Chinese population living in the UK has the highest total population?
[A]:
Answer: Barnet