TASK DEFINITION: Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.
PROBLEM: CONTEXT: Having seen the movie several times, I don't think anything was "dragging" the girl (Carina, possibly?) towards the Infinity Stone other than her own desire. She had just finished listening to Tanleer explain how powerful the stone is, and earlier in the movie we had seen how he verbally abuses her and forces her to do very menial and back-breaking work. She saw the stone as a possibility to escape. What you're interpreting as her being pulled toward the stone, I think, is actually her being very hesitant to touch it. Her own internal conflict between the need to escape her situation vs. her fear of the stone is what makes her take so long to try and grab it, but obviously, her desire to be free wins out.  <sep>  Q: What dragged the Collector's servant towards the Infinity Stone? A: She saw the stone as a possibility to escape  Q: Why was she in a trance like state? A: Her own internal conflict between the need to escape her situation vs. her fear of the stone is  <sep> FOLLOWUP_Q: Did it maybe have some sort of unnatural attraction emerging from the stone itself?

SOLUTION: Yes

PROBLEM: CONTEXT: Elgar's Enigma variations - and Nimrod, in particular - have long been a part of the British consciousness. Interestingly, Elgar ended up writing 14 variations (Nimrod being number 9). Zimmer is trying to instil the patriotism that the variations have done for the British over the past century. Calling his own composition Variation 15 implies a continuation of Elgar's original works.  <sep>  Q: What is the significance of Nimrod to Dunkirk's original score? A: Elgar's Enigma variations - and Nimrod, in particular - have long been a part of the British consciousness  <sep> FOLLOWUP_Q: What do you mean by part of British conciousness?

SOLUTION: Yes

PROBLEM: CONTEXT: I bet it had something to do with her consciousness never really disappearing. My interpretation is that, in the movie, bodies are mortal. They die. But a person's consciousness, their awareness and ability to interact with the physical universe, is timeless and is not tied to the mortal body they inhabit for a while. (That's just my guess. The movie was pretty trippy and didn't explain everything fully.)  <sep>  Q: What did Lucy mean by "We never really die"? A: I bet it had something to do with her consciousness never really disappearing  Q: Did Lucy become immortal? A: a person's consciousness, their awareness and ability to interact with the physical universe, is timeless and is not tied to the mortal body they inhabit for a while  <sep> FOLLOWUP_Q: So is that what happened when Lucy's brain usability got to 100% or something?

SOLUTION:
Yes