In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Ex Input:
The larger-than-life figures of Wyatt Earp and Bat Masterson, and the specters of George Armstrong Custer and Sitting Bull, loom over director Anthony Mann's hugely entertaining first western with James Stewart. Although Stewart's quest to avenge his father's murder is the primary story, Winchester '73 is really an ensemble piece, with the eponymous, one-in-a-thousand firearm passing through the hands of many colorful owners, including a wry trader (John McIntire, especially great) and outlaw Dan Duryea, who's even more despicable than usual. The film's conflation of fiction and history produces a breezy pace and an ambivalent tone brilliantly in step with Mann's pared-down, compositionally rigorous film-making. His themes of psychological unrest and past dictating present faintly underlie this tall tale of good and bad men chasing after a fabled gun, but they starkly emerge in a vignette about a husband's cowardice and failed attempt at atonement, and are defined in Stewart's conversations with sidekick Millard Mitchell. Mann's use of environment is what sets him apart from other filmmakers of westerns. Instead of gazing at vistas from afar, he incorporates them into the drama as characters that redirect, complicate, or evoke the human characters' goals. Just as mountains, caves, and rapids had to be accounted for in The Naked Spur, here a gunfight occurs amidst the loose rocks and boulders of a small mountain, a physical obstruction that fatalistically determines the roles of victor and victim between two equally skilled sharpshooters. (I would be remiss in not recognizing cinematographer William H. Daniels's contribution, particularly his superlative day-for-night, open-range photography.) Not merely an adept outdoorsman, Mann presents an equally vivid picture of Wyatt Earp-patrolled Dodge City, primarily through scaled, multiple-plane staging. The shooting contest does not depend on brisk camera shifts or twitchy cuts for effect because Mann instinctively knows where to place the camera and how to move it to display the greatest density of information in a given shot. Nor does he care to spell out the plot in dialogue, relying on the actors' eyes or a well-chosen image to convey the stakes. One scene in particular serves to explain his attitude: Mitchell's telling of Stewart's motivation to Shelley Winters, which is interrupted by the climactic gunfight that soon enough reveals all. Light without feeling insubstantial, intense without being overbearing, Winchester '73 seems more modern than its contemporaries and is a joy to behold.

Ex Output:
positive


Ex Input:
Unbelievably awful film. I watched part of this on T.V. recently. My jaw dropped as I watched a horrendously conceived plot and listened to mind-numbing drivel. Not a single line from the master of one-liners could come close to producing anything resembling a chuckle. It was so bad it made me want to exhume Rodney Dangerfield's body, slap him around and scream, "How could you?" I know many films are done in haste, hoping to cash in on the popularity of a given actor or theme. But please, Hollywood, show a little respect for your audience. It's sad and scary that people were expected to pay to see such tripe. The bottom of the cesspool, even by Sunday afternoon television standards.

Ex Output:
negative


Ex Input:
Without doubt the best of the novels of John Le Carre, exquisitely transformed into a classic film. Performances by Peter Egan (Magnus Pym, The Perfect Spy), Rudiger Weigang (Axel, real name Alexander Hampel, Magnus' Czech Intelligence controller), Ray McAnally (Magnus' con-man father) and Alan Howard (Jack Brotherhood, Magnus' mentor, believer and British controller), together with the rest of the characters, are so perfect and natural, the person responsible for casting them should have been given an award. Even the small parts, such as Major Membury, are performed to perfection. It says a lot for the power of the performances, and the strength of the characters in the novel that, despite the duplicity of Magnus, one cannot help but feel closer to Magnus and Axel than to Jack Brotherhood and the slimy Grant Lederer of U.S. Intelligence. I have read the book at least a dozen times, and watched the movie almost as many times, and continue to be mesmerized by both. If I had one book to take on a desert island, A Perfect Spy would be the choice above all others.

Ex Output:

positive