In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: it 's probably inevitable that the popular virtual reality genre ( " the matrix , " " existenz " ) would collide with the even more popular serial - killer genre ( " kiss the girls , " " se7en " ) .
the result should have been more interesting than " the cell .
"
as the movie opens , therapist catharine deane ( jennifer lopez ) treats a catatonic boy ( colton james ) by entering his mind through some sort of virtual reality technique that 's never fully explained .
after months of therapy sessions in a surreal desert , catharine has no success to report .
meanwhile , killer carl stargher ( vincent d'onofrio ) has claimed another victim .
his particular hobby is to kidnap young women , keep them in a glass cell overnight , and drown them .
he takes the corpse and soaks it in bleach , then suspends himself over the body and jerks off while watching a video tape of the drowning .
although carl 's been doing this for awhile , he 's recently become sloppy , and fbi agent peter novak ( vince vaughn ) is closing in fast .
not fast enough , though , to keep carl from sticking another woman ( tara subkoff ) in the cell or to catch him before he suffers a schizophrenic attack that leaves him in a coma .
from the videos in carl 's house , peter can see that the drowning cell is automated and will fill with water forty hours after the abduction .
to save the kidnapped girl , peter has to find the cell before the end of the day , and comatose carl 's not talking .
so off they go to catharine in the hope that she can go inside carl 's mind and find out where the cell is in time .
the focus of " the cell " in on the ornate interior of carl 's mind , but the universe director tarsem singh creates seems more an exercise in computer - generated spectacle than an exploration of the psychotic personality .
for the most part , it 's style without substance .
in his own mind , carl is a decadent emperor in flowing robes , ming the merciless , as well as a frightened boy ( jake thomas ) abused by his father .
all in all , the mind of a psycho killer turns out to be a strangely dull place , and i kept wishing i could fast - forward to the next development .
singh is best known for directing music videos , particularly rem 's " losing my religion , " and " the cell " seems very much like a really long , really slow mtv video with the sound deleted .
singer lopez seems to think she 's in a video as well ; she devotes more time to posing in elaborate costumes than she does to acting .
the premise had great promise .
the computer - generated world within carl 's mind could have been a bizarre , surreal universe governed by insanity and symbolism rather than logic .
the first room catharine enters in carl 's head shows this promise .
she finds a horse standing in center of the room ; suddenly , sheets of sharp - edged glass fall into the horse , dividing it into segments .
the panes of glass separate , pulling apart the pieces of the still - living horse .
this scene is twisted , disturbing , and thought - provoking , because the psychological importance of the horse and its fate is left to the viewer to ponder .
another element that should have been developed is the effect on catharine of merging with the mind of a psychopath .
their minds begin to bleed together at one point in the movie , and this should have provided an opportunity to discover the dark corners of catharine 's own psyche .
like sidney lumet 's " the offence " or michael mann 's " manhunter , " " the cell " could have explored how the madness of the killer brings out a repressed darkness in the investigator .
however , catharine 's character is hardly developed at all , and lopez has no depth to offer the role .
bottom line : do n't get trapped in this one .

Output: N


Input: Consider Input: kevin smith is like a big kid .
his humor is that of a sophisticated juvenile 's .
he grew up idolizing star wars and loves comic books , having also written a few .
he also has a cult following , mostly composed of teenagers , college students , and smith 's own fellow adolescent - minded grownups .
smith is hilarious in person and in writing , but when he tries to be earnest and moralize , that is when he goes wrong .
kevin smith is a better writer than director , and he 'll be the first to tell you that .
that might also be part of the reason why his moralizing comes across as so heavy - handed .
great directors show us their theses instead of having the characters sermonize them .
this was true in the overrated chasing amy , and it is true for dogma as well .
that is not to say smith 's message is a bad one .
in dogma , smith tells us that problems arise when people believe beyond any doubt that their insight into god and god 's desires is superior to anyone else 's .
basically , dogmatism is bad .
changing the minds of the dogmatic is virtually impossible , and since the dogmatic believe that they have special insight , they also know what is best for you , whether you like it or not .
this is not exactly a new message in movies ( see inherit the wind ) , but i have no problems with recycling old ones , particularly since dogma 's protesters are proving smith 's point .
smith 's own problem with delivering this message is that he beats us over the head with it like we are reading a dogma for dummies book .
but this is smith 's personality , and his simplistic views neglect such adult issues as how does one interpret the bible ( or koran , etc . ) correctly ( or if there even is a correctly ) and how one settles disputes of heretofore dogmatic concerns .
the story concerns abortion clinic worker bethany ( linda fiorentino ) being chosen by voice of god , metatron ( alan rickman ) , to prevent the destruction of the universe by two fallen angels , bartleby ( ben affleck ) and angel of death , loki ( matt damon ) .
along the way , forgotten thirteenth apostle , rufus ( chris rock ) , stripper muse serendipity ( salma hayek ) , and slacker duo jay and silent bob ( jason mewes and kevin
smith himself ) come to bethany 's aid .
fallen muse , azrael ( jason lee ) , proves to be the behind - the - scenes manipulator for all the chicanery .
the logical but convoluted plot only exists as an excuse for the jokes and to make smith 's points , and in itself , has little dramatic momentum .
among the supposedly outrageous claims made by the film is that god is a woman , jesus was black , and the bible was written by a bunch of racist , misogynistic white men .
of course , kevin smith does not necessarily subscribe to these ideas himself .
they are a metaphor for the fears and insecurities of the dogmatic .
smith says as much in his amusing disclaimer that precedes the movie .
when harvey weinstein asked smith to put it into the film before cannes , smith thought it might give validation to protesters ' claims that the film was sacrilegious , but then he rethought it and turned the disclaimer into a joke .
the film 's humor is uneven .
some parts are very funny
as when bethany goes for a fire extinguisher when metatron makes a burning - bush kind of entrance .
but many of the film 's jokes just bomb , as in virtually anything involving salma hayek 's serendipity .
also , some of the jokes can be seen coming from a mile away .
still , smith keeps the zingers coming at a sufficiently rapid pace . among the actors , fiorentino and rickman stand out by far .
fiorentino virtually by herself gives the film emotional weight .
damon and affleck are fairly lackluster .
rock and hayek exist in the film pretty much only as comic relief as are mews and smith .
but the latter duo fare much better because jay and silent bob , who recur in all of smith 's movies , are much more in line with smith 's brand of humor .
bud cort , george carlin , janeane garofalo , guinevere turner , and alanis morissette all make cameo appearances .

Output: P


Input: Consider Input: a cop with a troubled personal life .
a ruthless villain .
a friend of the cop .
a _ dead _ friend of the cop .
a quest for vengeance .
a new partner .
a romantic interest .
a chase scene .
a chase scene
_ in san francisco _ .
a woman in peril .
a confrontation .
an explosion .
the end . yawn .
yawn .
yawn .
the preceding has been the plot of approximately twelve thousand and six action films ; this one just happens to be called metro .
i have learned to expect little from films like metro , and consequently i am bored by them more often than i am genuinely disappointed . with eddie murphy on board , however , you hope for something extra , some kind of spark .
when a film makes watching eddie murphy a tedious experience , you know it is doing something terribly wrong .
murphy stars as scott roper , a hostage negotiator for the san francisco police department who is exceedingly good at his job .
with his personal life , he is considerably less successful , facing an unhappy ex - girlfriend named veronica ( carmen ejogo ) , a gambling problem and a mountain of debt .
then his professional life gets a jolt as well when a friend and colleague ( art evans ) is murdered while investigating suspected jewel thief michael korda ( michael wincott ) .
finding korda becomes very personal to scott , and he joins with new partner kevin mccall ( michael rappaport ) to foil korda during an attempted heist .
but all is not well even with korda in jail , as scott , veronica and kevin all continue to face life - threatening danger .
metro ( the title , in case you are wondering , means absolutely nothing ) is so badly put together that even the most casual viewer may notice the miserable pacing and stray plot threads .
in the first place , korda 's rage over being discovered before he can make his big score is rendered completely pointless when he proceeds to hit the target anyway ( and , incidentally , to screw it up ) .
a reference to payoffs in the police department , followed by a conspicuous decision to keep scott off the korda case and a couple of pointed glances , is dropped abruptly with no resolution after about forty - five minutes ; even the relationship between scott and new partner kevin is so perfunctory , with kevin disappearing entirely after taking a bullet for scott , that you may yearn for bickering buddies .
worst of all is a plot structure which places the main villain ( the always menacing michael wincott ) behind bars for far too long , leaving a lot of time to kill with the tedious reconciliation of scott and veronica .
you ca n't blame murphy for being unable to muster any enthusiasm for the scenes with his bland leading lady , but he should have known better than to take this role at all .
scott roper exists in an uncomfortable middle ground between the kind of street - wise fast - talker murphy has built a career on and an actual three - dimensional character , and murphy is never able to reconcile the two .
the script seems to have been doctored for him , with a gambling problem turned into a bit of character color and his supposed inability to form relationships turned into a cause for gags rather than actual conflict , yet there is still too little comedy for murphy to work with .
for much of the film , he walks around with an intense frown , and it is over 90 minutes into metro before you hear that trademark laugh for the first time .
murphy is stranded with too few solid punch lines , and nearly all of the ones he does have bounce of ejogo and fall to the ground limply
.
i suppose i should give director thomas carter credit for taking the obligatory san francisco car chase ( how much do you want to bet on the likelihood of seeing a car soar over a hill ? )
and doing a few interesting things with it .
as vehicles are sent flying and passengers sent sprawling by a runaway cable car , it is possible at least for a moment to take some pleasure in a goofy spin on a familiar situation .
carter does an even better job by taking that old suspense stand - by -- the medicine cabinet mirror which will close to reveal a killer standing behind someone -- and using it to defuse tension not once , but
_ twice _ .
the fact that carter was able to demonstrate even that much recognition of cliches , and a willingness to subvert them , makes his involvement in the rest of the disaster
that is metro all the more puzzling .
an action film like this plods so relentlessly and obviously from point a to point b to point c that you might find yourself shouting out " point c ! " while they 're still getting to point b , or getting up with the rest of the audience after the big explosion which signals that nothing else of any consequence is going to happen .


Output: N