In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Input: Consider Input: Question: Does the supreme deity have any siblings? Passage:Traditional African religions like the Serer religion (A ƭat Roog) are adhered to by devout worshippers of Roog – the supreme deity in Serer religion. The Serer ethnic group who adhere to the tenets of Serer religion (including those Senegalese who syncretize) honour the Serer pangool and have ancient rituals and festivals devoted to them. The religious affairs of Serer religion devotees are usually headed by the Saltigue (the Serer priestly class) which in ancient times was the preoccupation of the Serer lamanic class. Some of these religious festivals or ceremonies include the Ndut (rite of passage), Xooy (divination festival once a year in Fatick), and the Raan festival. Senegalese hold several ancient beliefs, such as small efforts of 'thanks' or demands, such as protection from water. They also place great importance on the Baobab tree, which is known as the "House of the Spirits." The baobab tree along with other sacred trees figure prominently in the Serer creation narrative. Among the Jola people, some religious festivals include the Samay, Kumpo and the Niasse.


Output: b


Input: Consider Input: Question: How old was John Sargent the year Vassos moved to Boston? Passage:Vassos moved to Boston, Massachusetts in 1919, where he attended the Fenway Art School at night. He studied alongside American artist John Singer Sargent and worked as an assistant for Joseph Urban. In 1924 he moved to New York, where he attended the Art Students League of New York, studying under George Bridgman, John Sloan, and others. He opened his own studio creating window displays for department stores, like Wanamakers, murals, and advertisements for Saks Fifth Avenue, Bonwit Teller, and Packard Motor Cars in his unique black and white illustrated style. At the same time, he illustrated a series of books by Oscar Wilde for E.P. Dutton followed by others including Phobia on which he based his life-long design focus on psychology, his area of expertise as noted by Fortune Magazine's list of top designers in the country. He entered the emergent field of industrial design and was hired by rapidly-growing RCA Victor, under the leadership of David Sarnoff, who discovered Vassos while painting murals at the WCAU skyscraper in Philadelphia. The company had recently acquired Victor Phonograph, built Radio City, and owned NBC Broadcasting, but needed to amplify and modernize their radio manufacturing business. By hiring Vassos, an up-and-coming industrial designer who created their first Styling department, launched Vassos on a four-decade relationship with the company for whom he designed hundreds of items, while also consulting for numerous other clients like Coca-Cola, Waterman, Universal Artists, Remington, and the United States Government. Vassos's work as an interior designer included the Chrysler Building apartment of photographer Margaret Bourke-White, Nedick's Hot Dog stands, displays for RCA in department stores and the World's Fair,and many others for which he employed modular furniture. He eschewed trendy styles like the extreme-streamlined look, popular in the 1930s, and favored the clean, modern look unadorned with unnecessary elements. He expressed his design philosophy for magazines like Pencil Points and in lectures on modern design and art. Although he was hailed as a top designer in the United States during the 1930s, he slipped away from the spotlight of his industrial design peers like Raymond Loewy, Henry Dreyfuss, and Norman Bel Geddes, largely because he did not open a large firm. Unique among the industrial designers of the 20th century, his work was focused on the intersections between interior decorating, furniture design, and the shapes of phonographs, radios and televisions. His contributions include creating a futuristic living room including television, the slide rule dial on radios, emphasis on the haptic experience of media (knobs and buttons), and the "user experience," years before this term was coined.


Output: b


Input: Consider Input: Question: How many season did the HBO show that forced Dean Winters to leave Law & Order last? Passage:For the lead roles, Christopher Meloni was cast as Detective Elliot Stabler and Mariska Hargitay was cast as Detective Olivia Benson after they auditioned together. Hargitay, who had to move from Los Angeles to New York when she got the role, said she was able to do this on short notice because she was already planning on moving to New York to pursue a Broadway career. The squad commander role was filled by Dann Florek, who had portrayed Captain Don Cragen for the first three seasons on the original Law & Order and later reprised his role in . He joined the cast on the condition that he not be asked to audition. Richard Belzer was cast as Detective John Munch, continuing his role from the series . In Belzer's words, he was cast because "Dick Wolf and Tom Fontana got drunk at a party". Halfway through the season, Richard Belzer reprised his role of Munch in , which briefly shows his character out on a case in his SVU context in New York. At Belzer's insistence, his character was partnered with Brian Cassidy, who was portrayed by Dean Winters. However, Winters' contractual obligation to the HBO series Oz forced him to leave halfway through the season. Michelle Hurd, who portrayed Detective Monique Jeffries, filled Winters' void for the remainder of the season, and was at that point added to the main credits.



Output: b