instruction:
In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.
question:
Question: How many features did Brecht and Dudow work on together? Passage:Dudow was born in Zaribrod, Bulgaria (today Dimitrovgrad, Serbia). In 1922, he emigrated to Berlin with the intention of becoming an architect. He gave up this plan and began studying theatre in 1923, first under Emmanuel Reicher, and then, from 1925 to 1926, as a theatre studies student under Max Herrmann at the university. He worked with Leopold Jessner and Jürgen Fehling, served as a chorus member under Erwin Piscator, and was a director's assistant to Fritz Lang on the production of Metropolis. During this time, Dudow also ran a bookstore with his wife and worked as a foreign correspondent for a Bulgarian newspaper. In 1929, he visited the Soviet Union, where he met Vladimir Mayakovsky and Sergei Eisenstein in Moscow and eventually, Bertolt Brecht. After his return from the USSR, Dudow directed Brecht's theatrical piece, The Decision (Die Massnahme), and began his film directing career. He was commissioned by the left-wing, Soviet-German production company Prometheus-Film to direct a short film, Wie der Berliner Arbeiter wohnt (1929), as part of the documentary series Wie lebt der Berliner Arbeiter? Dudow's first feature, Kuhle Wampe (To Whom Does the World Belong?, 1932) was a collaboration with Brecht (who provided the script and helped finance the project), Hanns Eisler, and Ernst Ottwalt. It was banned because it was perceived as being politically subversive. 

answer:
a


question:
Question: How old was Christabel Pankhurst when she lost her election? Passage:The United Kingdom's Representation of the People Act 1918 gave near-universal suffrage to men, and suffrage to women over 30. The Representation of the People Act 1928 extended equal suffrage to both men and women. It also shifted the socioeconomic makeup of the electorate towards the working class, favouring the Labour Party, which was more sympathetic to women's issues. The 1918 election gave Labour the most seats in the house to date. The electoral reforms also allowed women to run for Parliament. Specifically, the Parliament (Qualification of Women) Act 1918 gave women over 21 the right to stand for election as an MP. Christabel Pankhurst narrowly failed to win a seat in 1918, but in 1919 and 1920, both Lady Astor and Margaret Wintringham won seats for the Conservatives and Liberals respectively by succeeding their husband's seats. Labour swept to power in 1924. Constance Markievicz (Sinn Féin) was the first woman elected in Ireland in 1918, but as an Irish nationalist, refused to take her seat. Astor's proposal to form a women's party in 1929 was unsuccessful. Women gained considerable electoral experience over the next few years as a series of minority governments ensured almost annual elections, but there were 12 women in Parliament by 1940. Close affiliation with Labour also proved to be a problem for the National Union of Societies for Equal Citizenship (NUSEC), which had little support in the Conservative party. However, their persistence with Conservative Prime Minister Stanley Baldwin was rewarded with the passage of the Representation of the People (Equal Franchise) Act 1928.

answer:
b


question:
Question: What year was the play "The Last Yankee" written? Passage:In 1977, Gregorio returned to Broadway after an eight-year hiatus in the original production of Michael Cristofer's The Shadow Box as Agnes; she garnered nominations for the Tony Award for Best Performance by a Featured Actress in a Play and the Drama Desk Award for Outstanding Featured Actress in a Play. Since then her theatre appearances have been sporadic. She appeared as Laurie in the Off-Broadway production of David Blomquist's Weekends Like Other People, at the Marymount Manhattan Theatre in 1982. The following year she returned to Broadway as Beatrice in the original production of A View from the Bridge at the Ambassador Theatre, and again in 1988 as Helga in the original production of M. Butterfly at the Eugene O'Neill Theatre. In 1993 she appeared as Karen Frick in the Manhattan Theatre Club's production of Arthur Miller's The Last Yankee and in 2000 she portrayed the roles of Lena and Sandra in Beth Henley's Family Week at the Century Center for the Performing Arts.

answer:

b