In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[EX Q]: Question: What was the most famous song by the person who also had covered Dixon's song? Passage:A mixture of songs that inspired his own musical development, together with some of his own compositions, allied to a backing band and orchestra (The Caledonia Soul Orchestra) and several performances (as noted in the album's liner notes) that were recorded in concerts at The Troubadour in Los Angeles, California (24–27 May 1973), the Santa Monica Civic Auditorium (29 June 1973) and The Rainbow (23–24 July 1973) in London. These performance result in what Myles Palmer of the Times reviewed as demolishing "all barriers between the soul, blues, jazz and rock genres". The songs chosen went back to his days with Them with versions of "Gloria" and "Here Comes the Night". His first solo hit "Brown Eyed Girl" was performed but not included on the album until the reissue in 2008. M. Mark called the album "an intelligent selection of songs that draws on six of Morrison's records and five of the musicians he learned from." These musicians were Bobby Bland ("Ain't Nothing You Can Do"), Ray Charles ("I Believe to My Soul"), Sam Cooke ("Bring It On Home to Me"), two songs by Sonny Boy Williamson II ("Help Me" and "Take Your Hands Out of My Pocket") and a cover of a Willie Dixon song, "I Just Want to Make Love to You", which was popularized by Muddy Waters.

[EX A]: b

[EX Q]: Question: How old was Christabel Pankhurst when she lost her election? Passage:The United Kingdom's Representation of the People Act 1918 gave near-universal suffrage to men, and suffrage to women over 30. The Representation of the People Act 1928 extended equal suffrage to both men and women. It also shifted the socioeconomic makeup of the electorate towards the working class, favouring the Labour Party, which was more sympathetic to women's issues. The 1918 election gave Labour the most seats in the house to date. The electoral reforms also allowed women to run for Parliament. Specifically, the Parliament (Qualification of Women) Act 1918 gave women over 21 the right to stand for election as an MP. Christabel Pankhurst narrowly failed to win a seat in 1918, but in 1919 and 1920, both Lady Astor and Margaret Wintringham won seats for the Conservatives and Liberals respectively by succeeding their husband's seats. Labour swept to power in 1924. Constance Markievicz (Sinn Féin) was the first woman elected in Ireland in 1918, but as an Irish nationalist, refused to take her seat. Astor's proposal to form a women's party in 1929 was unsuccessful. Women gained considerable electoral experience over the next few years as a series of minority governments ensured almost annual elections, but there were 12 women in Parliament by 1940. Close affiliation with Labour also proved to be a problem for the National Union of Societies for Equal Citizenship (NUSEC), which had little support in the Conservative party. However, their persistence with Conservative Prime Minister Stanley Baldwin was rewarded with the passage of the Representation of the People (Equal Franchise) Act 1928.

[EX A]: b

[EX Q]: Question: How long had Columbia pictures been in existence when the movie screenwritten by Oscar Saul came out? Passage:In 1965, Columbia Pictures acquired the film rights to eight Matt Helm novels. A five-film parody or spoof spy movie series was planned and four were made, debuting with The Silencers (from Hamilton's novels The Silencers and Death of a Citizen, adapted by acclaimed A Streetcar Named Desire screenwriter Oscar Saul). They were made to star Dean Martin, who co-produced with his Meadway-Claude Production company and received a partnership in the films. The series was produced by Irving Allen, who had once been the partner of James Bond film producer Albert R. "Cubby" Broccoli—the same man who had told Ian Fleming that his 007 novels were not "good enough for television," a point of contention between the two producers from 1958-1960 when they dissolved Warwick Films and went their separate ways.

[EX A]:
b