Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

CONTEXT: To a strong movie fan, no, it cannot hurt - ever. An alternate (possibly revisionist) version of a movie cannot detract from the original viewing experience, it can only add an additional positive (or negative) experience. In the case of Ridley and Blade Runner, I have every version, and his “Final Cut” is my favorite, and I am pleased-giddy that he was able to get yet another version released. It is my opinion that, given 4+ versions, you have the luxury of choosing the one you enjoy most. You have nothing but upside! Any downside is for pessimists, or people who have undue hatred for capitalist who play their little games – while we are still free to play ours. In the case of his refusal to agree to a Director's Cut of Prometheus – that is cool too. I enjoy the fact that as an artist Ridley Scott wraps his arms fully around the meta concept of additional releases, and indeed incorporates that into the overall art – like Claude Monet's Water Lilies, or Haystacks – as long as HE is making the decisions. (You might argue the opposite for 99% of all other director/studio combos.)  <sep>  Q: Does Ridley Scott's Director's Cut releases hurt his movies? A: To a strong movie fan, no, it cannot hurt - ever  <sep> FOLLOWUP_Q: What was his first director's cut?
No

CONTEXT: Because this is the most natural and comfortable way of reading a vertical list of credits. While the major credited actors/film crew can enjoy fancy transforms on their listings, it would become exhausting to see the names of rest of the bazillion film crew members to be similarly displayed. Horizontal scrolling won't really work because someone's name/role will invariably scroll off one side before you have a chance to read it (especially when there's a full screen-full of names). Generally, producers want you to see the full list as quickly as reasonably possible (especially as all of these people worked hard for you to enjoy that movie).  <sep>  Q: Why do movie credits scroll from the bottom to the top of the screen? A: Because this is the most natural and comfortable way of reading a vertical list of credits  <sep> FOLLOWUP_Q: Couldn't they be scrolled from left to right?
Yes

CONTEXT: It appears to be a stylistic decision on the part of Andy Serkis and Steven Spielberg, and is in keeping with Hollywood's fascination for Scottish accents (see the Vikings in How to Train Your Dragon, Shrek, the lack of a Welsh Smurf). Naturally, fans are up in arms about this, especially those who think he should have an English accent (specifically Cornish), but this is also wrong as Herge wrote him as a Belgian, like his young friend, Tintin. Haddock is thought to be descended from the Chevalier François de Hadoque , a French sea captain.  <sep>  Q: Is Captain Haddock Scottish?

Yes