In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Sub-Par . This release is a great one.  However it does not compare with the original "Dear Diary, My Teenage Angst has a Bodycount"  It seem almost all of the tracks are filler tracks and the entire album must have been spit out at the last minute.  That being said the band From First To Last is still very talented both musicaly and lyricly.
POS

Should a comedy album feature pity laughter? . Do you remember the guy in high school or college who tried to be the class clown but failed miserably? Well, Eugene Mirman is less entertaining than that guy.    I'm not being sarcastic about the pity laughter... that's the most laughter here, and yes, this was recorded live. How the record company heard this and still felt comfortable releasing it is beyond me. Perhaps it's a tax write-off
NEG

Magical, if not uneven, Journey . 'Magical Mystery Tour' is the most uneven of all the Beatles' albums.  The familiar songs are magnificent, but while some of the originals are poor, they are always interesting.  The American record company did a cut-and-paste on all of the Beatles' albums up to 'Sgt. Pepper', and, while it was to their great detriment, their intervention here was a masterstroke.  Because EP's (extended plays, records with five to seven songs, like a half-album) are part and parcel of the UK and not the U.S., this c.d. contains a jackpot of the Beatles' accomplished singles of '67.  Without them there wouldn't be a full album as we know it. Significantly, it was the only time the British record company later complied to the US format.    To start, the title track is a fun, carnival anthem.  It is looser and less serious than 'Sgt. Pepper'.  Then, Paul, subjectively matches himself with the perceptive and beautiful "Fool on the Hill," with its admonitions from yet another memorable character, meant to look at the conventional world differently at the expense of alienation.  However, it is John's "I am the Walrus" that pours out surreal imagery (yet borrows a few references from Lewis Carroll) that is the album's highlight.  From there the original songs are interesting, but substandard.  "Flying" makes an interesting instrumental with vocals added without any discernible words, but it seems more like an exercise than a good song.  Much in this vein, "Your Mother Should Know," is a shadow of Paul's best vaudevillian efforts, including "When I'm Sixty Four" and "Honey Pie".  The echoing vocal effects don't do anything to contribute to the song, either.  Also, George contributes what may be his poorest Beatles' song, "Blue Jay Way".  While it is understandable that spiritual awakening is the heart of all major religions, this song is done with unremarkable lyrics and sung with effects that make it sound like he's a deep sea diver accompanied by drowzy cello patterns.    The remarkable second half almost needs no elaboration.  "Hello/Goodbye" heralds the second half with one of their catchiest songs.  "Penny Lane" and "Strawberry Fields Forever" made what many believe to be one of the best singles ever.  The former is glorious and the latter is Lennon at his philosophical best.  "All You Need Is Love" may seem somewhat dated, but it needs a revival (and not just in credit card commercials!)  It is still a remarkable and entertaining anthem and subjectively one of the Beatles' very best songs.  "Baby You're a Rich Man," the song's B-side is no throw-away, either.  Clever and funny, like Lennon, it is a catchy and mesmerizing piece.    Song for song, 'Magical Mystery Tour' is still essential.  It represents their most uneven effort, but retains some of their best music. Either way it always remains interesting.

POS