You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Input: Consider Input:  The book tells us the story of peasant Demetrio Mac as, who becomes the enemy of a local cacique (leader, or important person) in his town, and so has to abandon his family when the government soldiers (Federales) come looking for him. He escapes to the mountains, and forms a group of rebels who support the Mexican Revolution.
Some of them are prototypes of the sort of people that would be attracted by a revolution, like Luis Cervantes, who is an educated man mistreated by the Federales and therefore turning on them, or G ero Margarito, a cruel man who finds justification for his deeds in the tumultuousness of the times. Also Camila, a young peasant who is in love with Cervantes, who cheats her into becoming Mac as' lover, and whose kind and stoic nature gives her a tragic uniqueness among the rest.
With a concise, unsympathetic tone, Azuela takes us along with this band of outcasts as they move along the hills of the country, seemingly struggling for a cause whose leader changes from day to night. The rebels, not very certain of what or whom they are fighting for, practice themselves the abuse and injustice they used to suffer in the hands of the old leaders. So the Mexican people, as the title of the book hints, are always the  ones below , no matter who runs the country.
In the end, Mac as has lost his lover and most of his men, and reunites with his family with no real desire or hope for redemption or peace. He has forebodings of his destiny, and the last scene of the book leaves him firing his rifle with deathly accuracy, alone and extremely outnumbered by his enemies.

Output: Why aren't the rebels better leaders than the current government?


Input: Consider Input:  The artist Th odore de Sommervieux falls in love with Augustine Guillaume, the daughter of a conservative cloth merchant, whose house of business on the Rue Saint-Denis in Paris is known by sign of the Cat and Racket. Th odore, a winner of the Prix de Rome and a knight of the Legion of Honor, is famous for his interiors and chiaroscuro effects in imitation of the Dutch School. He makes an excellent reproduction of the interior of the Cat and Racket, which is exhibited at the Salon alongside a strikingly modern portrait of Augustine. The affair blossoms with the help of Madame Guillaume's younger cousin Madame Roguin, who is already acquainted with Th odore. The lovers become engaged, somewhat against the best wishes of Augustine's parents, who had originally intended her to marry Monsieur Guillaume's clerk Joseph Lebas. In 1808 Augustine marries Th odore at the local church of Saint-Leu; on the same day her elder sister Virginie marries Lebas.
The marriage is not a happy one. Augustine adores Sommervieux but is incapable of understanding him as an artist. Although she is more refined than her parents, her education and social standing leave her too far below the level of her husband to allow a meeting of minds to take place. Th odore's passion for her cools and she is treated with disdain by his fellow artists. Th odore instead finds a kindred soul in the Duchesse de Carigliano, to whom he gives the famous portrait of Augustine and to whom he becomes hopelessly attached, neglecting his rooms on the Rue des Trois-Fr res (now a part of the Rue Taitbout).
Realizing after three years of unhappiness that her marriage is falling apart and having been informed by a malicious gossip of Th odore's attachment to the duchess, Augustine visits Madame de Carigliano not to ask her to give her back her husband's heart but to learn the arts by which it has been captured. The duchess warns her against trying to conquer a man's heart through love, which will only allow the husband to tyrannize over the wife; instead a woman must use all the arts of coquetry that nature puts at her disposal. Augustine is shocked to learn that Madame de Carigliano sees marriage as a form of warfare. The duchess then returns to Augustine her own portrait, telling her that if she cannot conquer her husband with this weapon, she is not a woman.
Augustine, however, does not understand how to turn such a weapon against her husband. She hangs the portrait in her bedroom and dresses herself exactly as she appears in it, believing that Th odore will see her once again as the young woman he fell in love with at the sign of the Cat and Racket. But when the artist sees the portrait hanging in her bedroom and asks how it came to be there, she foolishly reveals that it was returned to her by the Duchesse de Carigliano. "You demanded it from her?" he asks. "I did not know that she had it", replies Augustine. Th odore realizes that his wife is incapable of seeing the painting as he sees it - a consummate work of art. Instead of falling in love with its subject, he regards its return as a slap in the face from his mistress. His vanity wounded, he throws a fit and destroys the portrait, vowing vengeance upon the duchess.
By morning Augustine has become resigned to her fate. Her loveless marriage comes to an end shortly thereafter when she dies of a broken heart at the age of twenty-seven.

Output: Why does Augustine go to visit the Duchesse de Carigliano?


Input: Consider Input:  Lothair, a wealthy young orphaned Scottish nobleman (loosely based on the 3rd Marquess of Bute) has been brought up in the legal guardianship of his Presbyterian uncle Lord Culloden and of a Catholic convert, Cardinal Grandison (based on H. E. Manning). When he comes of age Lothair finds himself the centre of attention of three fascinating women, Lady Corisande, Clare Arundel, and Theodora Campion, representing the Church of England, the Roman Catholic Church, and the Radical cause respectively. Wavering in his allegiances, he unsuccessfully proposes marriage to Lady Corisande, almost joins the Catholic Church, and finally joins Theodora in Italy as a volunteer in the army of Garibaldi, which is fighting to take the Papal States for Italy. Theodora is killed at Viterbo, and Lothair is seriously wounded at the Battle of Mentana, but is nursed back to health by Clare Arundel, who tries to persuade him that he was saved by an apparition of the Virgin Mary. He takes refuge with the bohemian dandy Mr. Phoebus (a thinly disguised Frederic Leighton), who takes him to Syria, which, as the cradle of Christianity, seems the ideal place to reflect on the roots of the Faith. In Jerusalem he meets Paraclete, a mystic who teaches him that there is truth in many religions. Lothair decides in favour of the Church of England, resisting the attempts of Cardinal Grandison and other prelates, including Mgr Catesby (a thinly disguised Thomas Capel) to convert him to Catholicism, and returns to England where he marries Lady Corisande.


Output: Where is Lothair badly wounded?