In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Review: Belmondo is a tough cop. He goes after a big-time drug dealer (played by Henry Silva, normally a great villain - see "Sharky's Machine"; but here he is clearly dubbed, and because of that he lacks his usual charisma). He goes to the scuzziest places of Paris and Marseilles, asks for some names, beats up some people, gets the names, goes to more scuzzy places, asks for more names, beats up more people, etc. The whole movie is punch after punch after punch. It seems that the people who made it had no other ambition than to create the French equivalent of "Dirty Harry". Belmondo, who was 50 here, does perform some good stunts at the beginning; apart from those, "Le Marginal" is a violent, episodic, trite, shallow and forgettable cop movie. (*1/2) Question: is it a negative review?
yes

Review: I like my Ronald Colman dashing and debonair, the fellow you see in such films as If I Were King and Kismet. I like him as the epitome of civilization as in The Lost Horrizon and Random Harvest. A brooding Colman isn't a favorite of mine.But in A Double Life precisely because his part as actor Anthony John is so offbeat for him, Colman was recognized with a Best Actor Oscar for 1947. It became his best known part.Colman is an actor who really does take the Method quite seriously. He's just finished a successful run in a comedy of manners and he's quite the jovial fellow. For a change of pace now that that play has concluded its Broadway run, Colman is bringing a revival of Othello to New York. About as opposite a part as you can get.His leading lady in both is his former wife Signe Hasso who loves him dearly, but can't take his change of moods when he's at work. Colman loves her dearly as well and wants her back. But he's heading for a mental breakdown when he starts confusing himself with the jealous Moor Othello and Hasso with her role as Desdemona.Unfortunately Shelley Winters as a poor waitress who a depressed Colman picks up gets in the way of his madness and she winds up like poor Desdemona in the play. Killed in the same manner and now it's a matter for homicide cop Joe Sawyer.Colman's performance is so good that one does kind of wonder is this an occupational hazard with actors? I'd shudder to think so, were there any unsolved homicides in or around Laurence Olivier and Orson Welles then they essayed Othello. I could never quite buy the story for that reason, but I certainly do applaud Ronald Colman and what he did with the part. I'm sure there was a tinge of regret in him winning the Oscar though because one of the other nominees was his good friend William Powell for Life With Father. Others in the running that year were Gregory Peck for Gentlemen's Agreement, John Garfield for Body and Soul, and Michael Redgrave for Mourning Becomes Electra.Colman gets able support from the rest of the cast including Edmond O'Brien who finds himself in the unwanted part of Cassio in Colman's jealous fantasy. Still you will find no Iago equivalent in A Double Life, no one prodding the jealousy, it's all in his own mind.And that from one of the most cultivated and civilized minds of the last century. Question: is it a positive review?
yes

Review: I went into this with my hopes up, by twenty minutes into the movie I couldn't have been more let down. Despite thinking that this would be another horribly bad remake, I kept my hopes high that maybe...just maybe someone would get it right this time around. Sadly, Prom Night is about on the same quality level as the recent April Fools Day remake, bad script, bad direction, cheesy overdone acting and generally bad horror.From beginning to end it's boring, repetitive and worthy of about a dozen eye rolls. We've seen it all before and we've seen it done a million times better then this. If you go to see Prom Night in the theater (I'd say wait for the DVD or PPV), get ready for the audience to laugh, because laugh they will. The laughs aren't at points in the movie that are supposed to be funny, they are in response to key "thrilling" moments in the film that are so poorly done you feel as if your watching the newest installment of Scary Movie. Seriously, was this supposed to be a remake or a spoof? The film makers missed the mark so badly here, that a large number of the audience in the theater I attended walked out about halfway through the movie. Which in retrospect, I wish I had done. Not me though, I had to torture myself and stick with it hoping it would get better. Needless to say It didn't. The "horror" scenes are a joke, not even so much because of the acting but because of the direction, the script, the "special effects" and the camera work. The movie manages to look as if they spent a fortune to produce it, but still came out of it with a micro budget movie. I halfway expected to see dollar store tags on some of the props and kept thinking I would spot a porn star in the cast somewhere. This movies scary alright, if this is the future of big budget horror then the horror genre is doomed. Question: is it a positive review?

no