In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: the most popular trend of the last couple of years has been the twist ending .
watching one of these movies , everything seems to make sense until suddenly you are blown away by an unexpected surprise .
when the film ends , there is a moment of confusion , then recollection , then some more confusion , then possibly a second viewing for clarification .
this is a description of an ideal twist that perfects everything it sets out to do and more .
good surprises make movies fun to watch .
then there are the bad twists .
you either know what is going to happen ten minutes into the movie ( i 'm talking about you reindeer games ) or you did not guess the ending because it is so outrageously stupid
.
screwed perfectly suits the latter description .
what starts out as a dumb guilty pleasure which should be fun to mock with a group of friends ends with a complex finale with way too much going on .
by the writers of man on the moon and the people vs .
larry flynt , scott alexander and larry karaszewski leave milos forman behind and take a stab at film directing .
whoops .
screwed is an inane christmas carol gone berserk with few genuine laughs and many acting embarrassments
.
norm macdonald stars as willard filmore , a hard working chauffeur who just wants a little respect from his rich , old , insidious boss , miss crock ( elaine stritch ) .
when he overhears her plans to fire him on christmas day , willard is convinced by his best friend rusty ( dave chapelle ) to kidnap crock 's beloved dog and hold it for a ransom of one million dollars .
too excited to pay any attention , the hapless losers ' plan goes awry when the dog escapes and returns home .
now crock thinks willard has been kidnapped and the two friends , realizing they can make even more money , decide to stage the fake kidnapping .
of course , everything that could go wrong does .
the first forty - five minutes of screwed is harmless entertainment - a guilty pleasure that should be enjoyably bad .
but the convoluted script eventually builds into a disaster that is impossible to bear .
the more idiotic these characters get , the more reckless the script becomes
.
at one point , i wanted to get out of my seat and yell at these characters : " no , you idiot !
"
i 'm not just talking about willard and rusty , who were extremely annoying
, i 'm also talking about the cops in this film .
a monkey could have solved this case within an hour but these guys ( headed by murder one 's daniel benzali ) were just too clueless to forgive .
they give real cops bad names .
also poor danny devito apparently does not know how to turn down a role these days . looking almost identical to his penguin in batman : returns ,
every time he appeared on the screen i had to shake my head in disbelief .
he just did n't belong in this movie .
macdonald and chapelle are veterans at these kinds of movies but devito made the film much worse than it already was , gross out humor is certainly not his forte .
if you 're a fan of norm macdonald 's other chaotic comedy , dirty work , you might actually love this near - sequel .
otherwise , do n't get screwed out of your hard - earned money .

Output: N


Input: Consider Input: sam ( matthew broderick ) is an astronomer in a small american town and engaged to teacher linda ( kelly preston ) .
he is head over heels in love and lindas sudden departure to new york city to live with her new lover anton ( tch ? ky karyo ) comes as a complete surprise to him .
but as we all know love is blind and so sam leaves for new york as well to win her back .
he moves into an abandoned house across the street from anton 's apartment and installs a camera obscura to watch them .
suddenly anton 's ex maggie shows up , but she does not want her former lover back .
on the contrary , all she wants to do is vaporize him .
she may say that she does n't want to kill him , but the possibility does n't bother her too much either .
after all , people die every day .
in spite of their different motives the two team up and fall for each other as things move on .
the story sounds like something we all have seen a million times .
but we have n't .
griffin dunne brings us the most charming comedy
since " while you where sleeping " .
the camera obscura adds a " special something " to the movie and makes it an exceptional romantic comedy .
everything about the movie is perfect , from set design to casting .
the dialogues are inspired and the touches of black humor add a certain bite .
meg ryan , known from " when harry met sally " or " sleepless in seattle " , surprises in a role that may finally help her get rid of her sweet little girl image .
she impresses the viewer as a maneating biker girl .
even more surprising is the fact that the viewer believes her , much more so than in last years " courage under fire " where she played a gulf war pilot .
matthew broderick is the goodnatured and somewhat naive sam who has trouble accepting reality .
the viewer can tell that he does n't only watch the stars but also tries to reach out for them .
he has trouble keeping in touch with reality .
after all , who would leave everything behind to chase a lost love ?
his naivet ? that we do n't question for a minute throughout the movie clashes with maggies exaggerated wish for revenge .
she would do anything to harm anton .
she does n't hesitate to use sam for her plan and makes him understand right from the beginning that nothing will happen between the two of them .
that makes the scenes when they innocently share a bed , have potatoe chips and watch the action across the street like a saturday night show on tv even funnier .
tch ?
ky karyo is perfect as anton .
he is , well , repulsive .
that 's all there is to say about him .
you ca n't really manage to pity him , even after all his mishaps .
he not only took sam 's bride away from him , he is also a french chef .
worlds collide , i .
e .
the usa and france .
this can only go wrong .
even if maggies revenge schemes are at times shocking , you just ca n't sympathize with a man who plays " je t'aime . . .
moi non plus " on his tape deck .
not everyone is captured by the french charme that linda and even maggie fell for .
sam certainly is n't . too bad for anton .
for him things take a turn to the worse .
" addicted to love " is one of this year 's most pleasant surprises .

Output: P


Input: Consider Input: in some regards , making a movie is like trying to stretch a rubber band as far as you can without breaking it .
try too hard , and it snaps ; but too much reservation means someone else will come along and pull it farther .
in simon birch , director mark steven johnson shows us just how to master the technique
: he takes advantage of caution and poise , but also risks his movie with a few bold steps .
in the end , he 's not only holding an unbroken band , but
he makes the audience appreciate the lengths he went to direct such a fine feature .
there 's no doubt about it : the film that johnson has crafted is rich .
he chooses for his setting the quaint town of gravestown , maine - leaves turn bright orange in the fall , the grass is a lush green , pure white snow falls in the winter , and the sky goes on forever .
the characters continue that turn : our two leads are simon birch ( ian michael smith ) and joe wenteworth ( joseph mazzello ) .
simon is the smallest baby ever born within the records of the local hospital , and by age twelve he 's only two feet tall .
joe is the bastard son of rebecca ( ashley judd ) , and by age twelve he 's ready to know who is father
is .
naturally , the two outcasts become good friends and share many adventures together , from disrupting sunday school to doing community service to playing little league baseball .
in a wonderfully executed performance by ian michael smith , simon birch is convinced that he 's god 's instrument , and there must be a reason he 's so small .
joe does n't quite buy it , but he sticks by simon ; the two tough it out through the worst of times and are each other 's only true friends .
early on , the two meet up with ben goodrich ( oliver platt ) , rebecca 's new boyfriend , and although the bond is n't immediate , ben and the two boys develop a liking for each other . both platt and judd give solid performances that lend their characters a deep likeability
.
the audience cares about them as much as they do about joe and simon , a testament to the acting jobs of both .
finally , jim carrey gives a cameo as the adult joe in the present day , and his few minutes here are relatively more impressive than his entire performance in the truman show .
mark steven johnson 's sense of drama and writing is fantastic
.
the script is loosely based on john irving 's novel , a prayer for owen meany , but it 's so far off the source material that irving actually requested the credits be changed from ' based on ' to ' suggested by . ' along those same lines , it 's almost unfitting to compare the two ; johnson uses tension , humor , atmosphere , and suspense to create an original drama of forrest gumpian proportions .
by no means has he developed a project of similar popularity - gump made over 300 million dollars while birch ought to pass out of sight in a few weeks - but the winning idea remains the same .
simon birch is a different look at a different life , and one that will most likely be studied in film school classes in decades to come
.
in the present , however , it 's an enjoyable little picture that everyone ought to take a look at .


Output: P