Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.

CONTEXT: The source material is essentially a recollection of a life lived by an individual on his death bed. We are seeing these things through the lens of memory, so it is meant to be an almost first person account. There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality. That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story. I won't comment on whether it was successful. The closest thing I can think at this moment that has this sort of movement might be in Wes Anderson movies where suddenly the naturalistic feel is broken in favor of a staged play: the Zissou movie and "Moonrise Kingdom" both take similar but more obvious breaks from naturalism.  <sep>  Q: Why is the audience sliding around in this scene from Le Temps retrouvé? A: We are seeing these things through the lens of memory, so it is meant to be an almost first person account 
A first person account of what exactly?

CONTEXT: She was a fighter, giving in and commiting suicide was not in her nature. Have a look at her in Aliens, insisting on being taught how to use the grenade launcher, returning the loader to fight the queen etc. The alien moved around the ship and although it was blocking her way out at the moment it would probably move, it was just a matter of her not getting caught. If nothing else she might be able to hold it off with the flame thrower until she got out, there were several options other than just giving up. I am guessing that at that point she was going to turn off the self destruct, get in the pod and blast off and then just broadcast a warning about the ship's contents.  <sep>  Q: Why did Ripley try to deactivate the self-destruct sequence at the end of Alien? A: I am guessing that at that point she was going to turn off the self destruct, get in the pod and blast off and then just broadcast a warning about the ship's contents 
Why would she want to do that though if he was dead anyway?

CONTEXT: Abaddon was a Knight Of Hell, thus a "Hired Gun" for Lucifer, since Lucifer was locked in "the Cage" in Hell, unable to walk the earth until the 2000s, when Sam was coerced into unlocking the seals. So in 1958 Abaddon was working for Lucifer and killed all the "Men of Letters".  <sep>  Q: Who hired Abaddon? A: Abaddon was a Knight Of Hell, thus a "Hired Gun" for Lucifer  Q: Why did Lucifer hire Abbadon in the first place? A: Lucifer was locked in "the Cage" in Hell, unable to walk the earth until the 2000s  Q: What happened in the 2000s? A: Sam was coerced into unlocking the seals 

What is the significance of the seals and what happens if they are unblocked?