Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

CONTEXT: I think it's deliberately ambiguous. If it's real, the inconsistencies are easily explained by Vidal's fascist belief system. These elements simply are not part of his world. If it's fantasy, then of course only Ofelia can see these thing because she imagined them. I think part of Del Toro's purpose in the film was to maintain the plausibility of both of these interpretations.  <sep>  Q: Is Ofelia just dreaming things to get herself in a fairy world? A: If it's fantasy, then of course only Ofelia can see these thing because she imagined them  Q: Are the things happening for real but visible only to Ofelia? A: If it's real, the inconsistencies are easily explained by Vidal's fascist belief system. These elements simply are not part of his world  <sep> FOLLOWUP_Q: In the end when Vidal follows Ofelia to the labyrinth is Ofelia talking to the faun?
No

CONTEXT: It seems to be mostly due to the convenience of the channel or network airing a series with a number of pre-recorded episodes or at least a batch of them. For example, when a network buys or syndicates a series that has, let's say, 10 episodes and start airing the episodes in december, if they air episodes 1 and 2 but the christmas episode of the series is the number 10, they will air the 10th episode as the 3rd one to coincide wih the holidays. Other scenario is when something happens in the real world and the series has an episode that deals with a similar theme. Take as an example the shootings that happened in France recently. Some networks will alter the airing order of episodes in a series to avoid a similar subject to avoid the sensationalism, other may try to cash on it and air sooner an episode that dealed with something similar. Also, a network can try to get people into watching their series and getting high ratings, airing the "best" episodes of a series first (i.e. the ones with the more action, or drama, or sex, etc.). Then, when the series go to DVD the numbering order is usually the scripted order and not the airing one, that's why both differ.  <sep>  Q: What is the reason that the air order and the DVD order of a tv show is different? A: It seems to be mostly due to the convenience  Q: Do you know of any examples where this happens? A: For example, when a network buys or syndicates a series that has, let's say, 10 episodes and start airing the episodes in december  <sep> FOLLOWUP_Q: What else is different between air order and DVD order, do you have any facts?
Yes

CONTEXT: You've misunderstood what's happening. The potion T'Challa drinks strips him of the Black Panther powers and reverts him to normal human levels. This is to allow the combat to be fair. If T'Challa had the Black Panther powers odds are good that he'd have won the fight. As it was, Killmonger won due to what appeared to be purely superior skill and strength.  <sep>  Q: How does Killmonger so easily defeat T'Challa in ritual combat? A: Killmonger won due to what appeared to be purely superior skill and strength  Q: How can a regular human soldier so easily overpower a hero with superhuman strength? A: The potion T'Challa drinks strips him of the Black Panther powers and reverts him to normal human levels  <sep> FOLLOWUP_Q: So, the potion didn't give him the same powers as the Black Panther?

Yes