In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: of all the films i 've come to see this year ( 1997 ) , i think only chasing amy had as many " laugh - out - loud " moments
.
i 'm not saying that i was hysterically rolling on the floor while watching waiting for guffman , but my mouth burst open with at least a delighted guffaw at least every couple of minutes .
and i think i 'm the kind of person that laughs least at movies , even when i find them funny .
usually all you can get out of me is a warm smile , so to get me laughing out loud , and so frequently , is a really good sign .
waiting for guffman is the story of blaine , missouri , a town celebrating
it 's 150th anniversary , and the musical that is being put on for the big event .
the play is being directed by corky st .
clair ( christopher guest , who also wrote and directed this " mockumentary " as well as co - writing several original musical numbers ) , the effeminate broadway hopeful determined to make this production a smashing success .
teaming up with st .
clair are a handful of blaine residents : allan pearl ( eugene levy ) , a jewish dentist who spent his youth not as the class clown , but sitting right next to him and studying him , ron and sheila albertson ( fred willard and catherine o'hara respectively ) , a married couple setting their sights on hollywood , libby mae brown ( parker posey ) , the dense but fun queen of the dairy queen , and a few others .
everybody in this movie is brilliant , absolutely so , but levy particularly stands out .
these characters are portrayed with such saddening realism that you ca n't help but love them , as pathetic as they really are .
although levy stands out , guest , willard , o'hara , and posey are all wonderful and definitely should be commended for their performances ! if there was an oscar for an ensemble performance , this is the group that should sweep it .
some humor was a tad uneven from the rest of the film and , even after starting very humorously , they nearly lost me with the tad - too - long intros . as delightful as it was , it began to get monotonous .
thankfully , just as your about to say " ok , maybe i should run to the bathroom " , they finally get past the intros and onto the rehearsal scenes .
like a play , this film gives a very three - act feel , the intros ( funny , but almost too long ) , the rehearsals ( even funnier ) , and finally , the actual performance of the play ( excellent ! ) .
like i said , each character really shines , even when done with a subtle approach .
you ca n't really watch these people and not think they 're real people !
even they way they talk , with awkward pauses and stumbles that do n't feel staged at all , you feel like you 're watching a real , albeit funny , documentary .
and even with silly lyrics , the original songs when the play is finally put on , are absolutely wonderful !
as a word of note , despite it 's " r " rating , waiting for guffman is really quite clean .
this rating came from a brief , very brief use of the grand - daddy of all swear words .
even if that really bothers you , let me say that it 's not presented in a vulgar , cheap - laugh way .
it 's actually quite humorous and tastefully done !
it might be hard knowing what to expect with waiting for guffman .
it 's silly humor , but it 's also so dry , subtle , and intelligently done that you 're not insulted by it .
it 's always really nice to see a comedy that is n't all slapstick and vulgarity , and this film is one of the better ones of the better ones !
i 'd recommend seeing it !
Example Output: P

Example Input: when casting the key part of the voice of moses , most people 's first candidate would probably not be the controversial actor val kilmer ( the saint and the island of dr .
moreau ) , but he was dreamworks 's choice in their first traditionally animated movie , the prince of egypt .
the selection of kilmer proved to be a wise one , but the biggest risk dreamworks took was n't in the casting department .
the radical departure was that they decided to use the medium of animation to make a biblical epic , a la cecil b .
demille , to move our hearts and minds rather than to tickle our funny bones .
in the press kit producer penney cox says that they wanted to make a film for adults based on sophisticated themes but one that did not exclude children .
animated movies for adults that are appropriate for kids and that are not comedies , now
that is something fresh
.
let me admit up - front that i was quite skeptical as to whether dreamworks could pull it off .
dreamworks 's antz seemed to be a movie not quite appropriate for any age group .
the prince of egypt may be harder to market than antz , but it is much more satisfying .
like antz and unlike the more modest casting of pixar 's a bug 's life , the prince of egpyt has half of hollywood doing the voices .
danny glover is the voice of jethro , jeff goldblum of aaron , steve martin of hotep , helen mirren of the queen , michelle pfeiffer of tzipporah , martin short of huy and patrick stewart of seti .
you can figure out for yourself who does the voice of god .
the movie , which is weakest in the story department , is a cliff 's notes version of demille 's the ten commandments .
the script by kelly asbury and lorna cook has an obsession with touching briefly on every classic event in moses 's life .
demille took over three and a half hours in order to do it justice .
at less than half of that , the prince of egypt rushes through so much material that it does n't establish sufficient depth for us to bond with the characters .
we meet moses when the queen finds him floating in his little basket .
we watch him grow up and become best bud and a chariot racing partner to ramses ( ralph fiennes ) , the future pharaoh .
moses is a free spirit and a practical joker until he finds out his true identity as a jew .
( " all i 've ever known to be true is a lie , " moses complains . )
after finding out his real identity , he sees for the first time the oppression of the jewish slaves that are all around him .
after leaving egypt , moses comes back to ask ramses to let moses 's people go .
this leads to the classic scene of the parting of the red sea , which is one of many places where computers were used to enhance the traditionally hand - drawn animation of the most of the production .
it is the absolutely stunning visuals that make the movie so compelling .
drawn with a rich palette of luxurious roses , blues and golds , the picture looks sumptuous from its first frame to its last .
the construction of the temple is shown in blowing dust , and other scenes are shot with the glow of a rising sun .
the most original visual sequence in the film occurs during a dream moses
has .
done with an explicit two - dimensional look , the colorful images painted on the temple walls come to life to tell their own animated story .
even though it has its weaknesses , the prince of egypt is a noble attempt to carve out a new genre -- serious animated movies for adults that are acceptable for the entire family .
this awe - inspiring movie deserves to be seen .
the prince of egypt runs about 1 : 30 .
it is rated pg for thematic elements and would be fine for the whole family .
how old a kid would need to be to be interested depends on the child , but those over 8 will probably like it .
Example Output: P

Example Input: brian depalma needs a hit * really * badly .
since scoring big with the untouchables in 1987 , depalma has seen casualties of war , raising cain and particularly the disastrous bonfire of the vanities go down in flames .
consequently , it would be easy enough to consider carlito 's way a shrewd commercial choice for depalma , reteaming with al pacino ( scarface ) and returning to the gangland ground which has yielded his two greatest box office successes .
it does n't hurt any that
he has latched on to a solid story and brought out dynamite performances from pacino and sean penn .
carlito 's way , while hampered by depalma 's characteristic excesses and stylistic cannibalism , is a truly tense and engrossing drama .
carlito brigante ( pacino ) is a life - long criminal who finds himself unexpectedly given a second chance .
in 1975 , carlito is released from prison after serving only five years of a thirty year sentence when his conviction is overturned on a technicality .
he declares himself reformed , tired of life on the streets and determined to fulfill his simple dream of buying into a rental car business in the bahamas .
among those who find this conversion hard to believe are david kleinfeld ( penn ) , carlito 's crooked attorney and childhood friend , and bodyguard pachanga ( luis guzman ) .
carlito rediscovers old flame gail ( penelope ann miller ) , and seems ready to retire in peace .
old ways die hard , though , and old associates pull carlito step by step back into a life he ca n't seem to shake .
carlito 's way will probably make the strongest impression with the two outstanding set pieces which bracket the film .
in the first , carlito accompanies his young cousin on a drug buy which will have anyone with a pulse on the edge of their seat ; the film closes with an equally thrilling chase through the new york subway and grand central station .
both highlight depalma 's gift for choreographed mayhem , and these are not the only occasions when the stage blood flows freely .
yet for all the viscera , i found the character study even more compelling .
carlito brigante has a lot of michael corleone in him , an aging gangster trying unsuccessfully to go legit .
but where the culmination of the godfather saga played like opera , there 's more of an immediacy to carlito 's way , an ever - present sense of doom launched by the title sequence which sets the flashback story in motion .
you sense that there 's no way , after so many years , that carlito can stay out of trouble .
indeed , he observes that his attempt at the straight life is more a function of time than a change of heart : " you do n't get reformed ; you just run out of wind .
" pacino captures carlito 's dilemma with surprising subtlety and the cautious observation borne of years of experience watching every corner for an enemy .
sean penn is even better , turning in his best performance to date as kleinfeld .
a jew in the world of puerto rican and italian wiseguys , kleinfeld is an outsider with a huge chip on his shoulder .
he could have been simply pathetic , a heavy drinker and cocaine addict playing tough with guys way out of his league , but penn invests kleinfeld with tremendous nervous energy and an overwhelming survival instinct .
he shows a man moving steadily towards the brink , making the moment he goes over quite jolting . as compelling as the narrative is , viewers may experience a profound sense of deja vu .
depalma continues to steal shamelessly from other directors , this time adding scorsese to his repertoire with a point of view tracking shot and a copacabana scene with more than passing resemblances to goodfellas .
he even recycles some of his own previous plagiarisms , like a 360 degree swing around a kiss ( vertigo via body double ) and the climactic shootout which will strike many as far too reminiscent of the train station sequence from the untouchables .
from a story standpoint , there 's an obligatory love story with a cliche'd long - suffering girlfriend character .
penelope ann miller
is a good but limited actor who does n't do anything new with the role , and eventually she becomes just a distraction , never integrated fully enough into the story .
still , it 's easier to be forgiving of superficial flaws when the backbone is so solid .
the two principle characters held an iron grip on my attention , one
all the cinematic thievery in the world could n't break .
carlito 's way plays like a tragic novel : deliberate , confident and powerful .
those willing to grant depalma his tendencies towards the extreme should find themselves well- rewarded .
Example Output:
P