In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Q: Question: How many people live in the place Bill Hastings was born? Passage 1:Kanazawa was born in Iruma on July 9, 1976. After graduating from Kokushikan University, he joined J1 League club Júbilo Iwata in 1999. Although he could not become a regular player, he played many matches as left side midfielder from first season. The club won the champions 1999 and 2002 J1 League. In Asia, the club won the champions 1998–99 Asian Club Championship and the 2nd place 1999–00 and 2000–01 Asian Club Championship. In 2003, he moved to FC Tokyo. He became a regular player as left side back from first season. The club won the champions 2004 J.League Cup. Although he could hardly play in the match for injury in 2006, he came back and became a regular player again in 2007. From 2008, he lost regular position behind newcomer Yuto Nagatomo and he also played as defensive midfielder not only left side back. In August 2009, he moved to Júbilo Iwata for the first time in 7 years. He played as regular left side back in 2009 season. Although he could not play many matches from 2010, the club won the champions 2010 J.League Cup. His opportunity to play decreased from 2011 and he moved to J2 League club Thespakusatsu Gunma in 2014. He retired end of 2014 season at the age of 38.
 Passage 2:Born in Scarborough, Ontario, Canada in 1957, he attended Lord Roberts Public School, graduated from Midland Avenue Collegiate Institute, holds a BA from the University of Trinity College, University of Toronto, law degrees from Osgoode Hall Law School and the London School of Economics, and was a practising barrister. He moved to New Zealand in 1985. Before becoming Chief Censor, he was Deputy and Acting Chief Censor from December 1998 to October 1999, Senior Lecturer in Law (teaching Legal System and International Law), Deputy Dean of Law, and a member of the governing Council, at Victoria University of Wellington. He was also briefly the Video Recordings Authority in 1994, a member of the Indecent Publications Tribunal from 1990 to 1994 and Deputy President of the Film and Literature Board of Review from 1995 to 1998. In 2010 he stood down as Chief Censor when he became a District Court Judge and Chair of the Immigration and Protection Tribunal. He was succeeded by Andrew Jack.
 Passage 3:Most Deep Learning systems rely on training and verification data that is generated and/or annotated by humans. It has been argued in media philosophy that not only low-payed clickwork (e.g. on Amazon Mechanical Turk) is regularly deployed for this purpose, but also implicit forms of human microwork that are often not recognized as such. The philosopher Rainer Mühlhoff distinguishes five types of "machinic capture" of human microwork to generate training data: (1) gamification (the embedding of annotation or computation tasks in the flow of a game), (2) "trapping and tracking" (e.g. CAPTCHAs for image recognition or click-tracking on Google search results pages), (3) exploitation of social motivations (e.g. tagging faces on Facebook to obtain labeled facial images), (4) information mining (e.g. by leveraging quantified-self devices such as activity trackers) and (5) clickwork. Mühlhoff argues that in most commercial end-user applications of Deep Learning such as Facebook's face recognition system, the need for training data does not stop once an ANN is trained. Rather, there is a continued demand for human-generated verification data to constantly calibrate and update the ANN. For this purpose Facebook introduced the feature that once a user is automatically recognized in an image, they receive a notification. They can choose whether of not they like to be publicly labeled on the image, or tell Facebook that it is not them in the picture. This user interface is a mechanism to generate "a constant stream of  verification data" to further train the network in real-time. As Mühlhoff argues, involvement of human users to generate training and verification data is so typical for most commercial end-user applications of Deep Learning that such systems may be referred to as "human-aided artificial intelligence".  


A: 2
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Q: Question: When was the news organization established that hired Frank in 1932? Passage 1:Fukai was born in Fujikawa, Yamanashi on September 13, 1980. After graduating from Komazawa University, he joined J1 League club Kashima Antlers in 2003. He played many matches every season. Antlers won the 2nd place in 2003 and 2006 J.League Cup. In 2007, he moved to Albirex Niigata. In 2008, he moved to Nagoya Grampus. However he could not play many matches. In August 2008, he moved to JEF United Chiba. He played many matches as forward with Seiichiro Maki who was teammate at Komazawa University. However JEF United finished at the bottom place in 2009 season and was relegated to J2 League first time in the club history. Although he played many matches until 2012, he could not play many matches for injury in 2013 and resigned end of 2013 season. In July 2014, he joined J2 club V-Varen Nagasaki and played in 2 seasons. In 2016, he moved to J3 League club SC Sagamihara and played many matches. He retired end of 2016 season.
 Passage 2:"Hush" is the second single from LL Cool J's eleventh album, The DEFinition. It was released on February 15, 2005 for Def Jam Recordings, produced by Timbaland, LL Cool J and Eric "NY Nicks, featuring vocals by 7 Aurelius, and was the follow-up to "Headsprung". Though not as successful as "Headsprung" (in North America), "Hush" still managed to make a dent on the Billboard charts; peaking at #26 on the Billboard Hot 100, #11 on the Hot Rap Singles chart and #14 on the Hot R&B/Hip-Hop Songs chart. However, "Hush" saw top ten success in the United Kingdom, where it entered and peaked at #3 on the UK Singles Chart.
 Passage 3:Gervasi, was born in 1908 in Baltimore, Maryland. He graduated with a B.A. from the University of Pennsylvania. After school, he worked as reporter for The Philadelphia Record and in 1932, he went to work for the Associated Press. In 1934, he worked as a foreign correspondent in Spain where he covered the Spanish Civil War after which he was named the Rome bureau chief for Hearst International before joining Collier's Weekly immediately prior to World War II. He covered the fall of the Netherlands, Belgium, and France to the Nazis and then moved to North Africa with the British Eighth Army and then with the American forces in Southern France. After the war, he worked as a correspondent for the Washington Post, as a syndicated columnist, and as the chief of information for the Marshall Plan in Italy from 1950 to 1954.


A: 3
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Q: Question: What age was Donna Summer the year Saturday Night Fever was released? Passage 1:In 1938 Rudenko was signed up to the Ballet Russe de Monte Carlo, where, at 17, she was their youngest soloist. Her stage name was Lubov Roudenko, and she was also popularly known as "Spitfire Lu-Lu." She had a can-can sequence in the 1938 ballet Gaîté Parisienne choreographed specially for her by Léonide Massine. She would later reprise this role in the 1941 Oscar-nominated short film The Gay Parisian. Whilst with the Ballet Russes, Rudenko was the subject of several drawings by Henri Matisse in 1939. Four of his portrait sketches of her are now in the Fogg Museum. Matisse also made a drawing of Rudenko in the ballet  Rouge et Noir. While on tour with the Ballet Russe, Rudenko performed the role of the Cowgirl in the 1942 ballet Rodeo until the tour reached New York and Agnes de Mille, the original choreographer, reclaimed the role for herself. Disappointed by this, Rudenko quit the Ballet Russes, and took a better-paid job performing in a Broadway production of The Merry Widow. This production launched at the Majestic Theatre on 4 August 1943, with Rudenko and James Starbuck leading the character dances, including a comic polka and a can-can number. After this, Rudenko played Grisette in Nellie Bly, a short-lived 1946 musical based on the life of Nellie Bly, and then became lead dancer for the 1946-49 Broadway production of Annie Get Your Gun, but following a knee injury, decided to pursue a career in fashion design. She continued performing until 1951, appearing in the 1950-51 Olsen and Johnson revue Pardon our French.
 Passage 2:For many people, disco is the genre of music most readily associated with the 1970s. First appearing in dance clubs by the middle of the decade, (with such hits as "The Hustle" by Van McCoy), artist like Donna Summer, Gloria Gaynor popularized the genre and were described in subsequent decades as the "disco divas." The movie Saturday Night Fever was released in December 1977, starring John Travolta and featuring the music of the Bee Gees and several other artists. It had the effect of setting off disco mania in the United States. the Bee Gees' soundtrack to Saturday Night Fever became the one best selling album of all time. The Bee Gees and Donna Summer became the genres mega stars. The Bee Gees had 9 number 1 singles, and 12 top 10 hits on the Billboard Hot 100 Chart. Donna Summer had 4 number 1 singles, and 8 top 5 hits, 9 top 10s during the second half of the decade. Summer would be the first female artist of the modern era, to have the number one single and number album, simultaneously on the pop charts. She would accomplish this 3 times in 8 months. She was the first female artist to have 3 number one singles, and 5 top 10, and or; 5 top 5 singles in a calendar year (1979). The other prominent acts of the genre were KC and the Sunshine Band who scored 4 number one singles, The Village People, and Chic. KC and the Sunshine Band would enter the first week of the new decade (80s) with their fifth number one single, and Donna Summer would enter the new decade with her third number one double album.
 Passage 3:Bhutia has had limited opportunities in playing overseas. On 30 September 1999, he travelled overseas to play for Bury in Greater Manchester, England. He became only the second Indian footballer to play professionally in Europe after Mohammed Salim. By penning a three-year contract he also became the first Indian footballer to sign for a European club. This followed unsuccessful trials for Bhutia with Fulham, West Bromwich Albion and Aston Villa. He had difficulty obtaining a visa and could not make his debut, until 3 October 1999 against Cardiff City. In that match, he came on as a substitute for Ian Lawson and played a part in Bury's second goal, which was scored by Darren Bullock after Bhutia's volley was deflected into his path. On 15 April 2000, he scored his first goal in the English league in the game against Chesterfield. A recurring knee injury limited him to only three games in his final season at Bury, and he was released after the club was placed in administration. His final appearance was a 3–0 defeat to Swindon Town on 27 August 2001.


A:
2
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