instruction:
Given a document, find the main entity about whom the author is writing. Write the full name if mentioned in the text. Note that URLs in the text have been replaced with [Link].
question:
One of the reasons  Jimmy Vesey  didnât sign with  his  hometown Bruins when the Harvard product was a college free agent in 2016 was because  he  wanted to get out of  his  comfort zone.  He  sure looks comfortable playing against them.
 Vesey  scored twice in a 29-second span in the first period in the Rangersâ 4-2 home win Wednesday night against Boston  the Blueshirtsâ fifth straight win as they continue to distance themselves from their rough start to the year.
For Buchnevichâs fellow sophomore Vesey  Wednesday represented some progress in that he remained a contributor until the final horn. In three of the previous five games   Vesey  had either had limited third-period ice time or been benched altogether for the third.
 Jimmy Vesey  celebrates  his  first of two goals scored. (Bruce Bennett/Getty Images)
âMaybe he wasnât finishing on a lot  but  Jimmy  was working hard and  like you saw (Wednesday) early on  before he scored the goals  he made a couple real strong plays along the wall in our end that permitted us to get the puck out â Vigneault said. âSo thereâs more than just finishing.â
answer:
Jimmy Vesey


question:
While “On Chesil Beach” deviated from the source material in effective ways  Mr McEwan seemed reluctant to do the same with “The Children Act”. Here  the internal narrative is simply layered onto a new medium. It doesn’t work (although Emma Thompson’s performance makes it watchable).  Fiona Maye (Ms Thompson)  is a well-respected judge  arrives at home to  her  husband Jack (Stanley Tucci) telling  her  that he would like to have an affair  and that Fiona  if  she  cares about him  will tolerate it. This leads to the film’s single flashback: as  she  lays awake at night   her  imagination reaches back to happier times and to a moment of pure joy when he surprised  her  with a new piano. Unlike in “On Chesil Beach”  the flashback here adds little to illuminate their predicament: the viewer is still left guessing as to how  she  ended up married to an American professor  or what their love was like at its peak.
The marriage crisis exacerbates another one  this time in  Fiona ’s working life.  She  specialises in extraordinarily hard cases involving children  often with a religious element.  Her  newest case is an urgent one: Adam  a 17-year-old Jehovah’s Witness with leukaemia  is refusing a blood transfusion that could save his life.  Fiona  must decide his corporeal and perhaps spiritual fate.  She  has been able to dispassionately dispatch such cases in the past  but since  her  husband’s disruption of their marriage   her  confidence is faltering.
 Her  interest in the boy then  so steadfast in his own faith  is both professional and personal.  Fiona  takes the unusual step of visiting him in the hospital  and under Richard Eyre’s thoughtful direction  the camera offers extreme close-ups of both characters  allowing the audience to search their eyes for meaning.  Fiona  is looking for cracks in Adam’s guarded wall of faith. The viewer is looking for the real motive behind  hers .
Unfortunately  it never quite appears.  Her  judicial ruling comes suddenly  ending its fascinating inquiry into the nature of faith and connection before it has even begun. Adam lives but becomes disillusioned with his faith and begins stalking Fiona  trading one obsession for another. Mr Eyre seems to be looking for some of the same notes that worked so well for him in “Notes of a Scandal” (2006)  but this is not a lurid tale  and efforts to make it one—with wistful glances and tense  longing strings on the soundtrack—seem out of place. For this conflict to have dramatic heft  the viewer needs to understand  Fiona  better.
Perhaps a screenwriter with more distance from the original material would have been willing to radically reshape the novel  offering more backstory or drawing  her  decision out for dramatic impact to make the story less reliant on  her  inner life. “On Chesil Beach” did not call for such revisions  but “The Children Act” does. It shows that every adaptation is a unique case  even two self-adapted novels from the same hand. Some cannot simply be transposed onto the screen. Most of all  however  it shows that the writer who knows the material best is not always the one best placed to make the hard choices that can turn a great novel into a great film.
answer:
Fiona Maye


question:
Investigators say  Joseph Orbeso   22  shot and killed  his  girlfriend  Rachel Nguyen  20  and then turned the gun on  himself   according to a release Friday from the San Bernardino Sheriff’s Department Morongo Basin station.
 Orbeso  and Nguyen were reported missing July 28  after a bed-and-breakfast owner in the Morongo Basin told the Sheriff’s Department that they may have gone hiking in the park that morning.
 Rachel Nguyen and Joseph Orbeso  went missing July 28  and  their  bodies were found earlier this week. (National Park Serivce)
"Based on evidence located at the scene  detectives believe  Orbeso  shot Nguyen  then shot himself. The investigation into  Orbeso ’s actions remains under investigation " the statement said.
The sheriff’s update comes days after  Orbeso ’s father  Gilbert Orbeso  publicly identified the pair and authorities said they were found in an "embrace."
"I want  Joseph  to be remembered as a kind  caring and thoughtful person "  his  father told the Southern California News Group in an email. "The way  he  was found beside Rachel holding her as they were seeking shade under the brush says everything you need to know about  him  as a man and as a human being."
answer:

Joseph Orbeso