In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

Q: David (Maguire) and his twin sister Jennifer (Witherspoon) lead different high-school social lives. Jennifer is shallow and extroverted; David is introverted and spends most of his time watching television. One evening while their mother, Sherry (Jane Kaczmarek), is away, they fight over the TV. Jennifer wants to watch a concert on MTV, but David wants to watch a marathon of Pleasantville, a black and white 1950s sitcom about the idyllic Parker family, who live in the squeaky-clean suburb of Pleasantville, Iowa. During the fight, the remote control breaks, and the TV cannot be turned on manually.A mysterious TV repairman (Knotts) shows up, quizzes David about Pleasantville, then gives him a strange remote control. The repairman leaves, and David and Jennifer resume fighting. However, they are then transported by the remote into the Parkers' black and white Pleasantville living room in 1958. David tries to reason with the repairman (with whom he communicates through the Parkers' television), but he succeeds only in chasing him away. With the remote no longer functioning, David and Jennifer must now pretend they are Bud and Mary Sue Parker, the son and daughter on the show.David and Jennifer witness the wholesome nature of the town, such as a group of firemen who only rescue cats stuck in trees, as there are no fires to fight. David tells Jennifer they must stay in character and not disrupt the lives of the town's citizens, who do not notice any difference between Bud and Mary Sue, and David and Jennifer. To keep the show's plot Jennifer dates a boy from high school, but, due to her impatience, Jennifer skips all forms of storybook romance and has sex with himâa concept unknown to him and everyone else in town.Slowly, Pleasantville begins changing from black and white to color, including flowers and the faces of people who have experienced bursts of emotion and personal transformation (usually through sex). Though against Jennifer's disruption at first, David eventually joins in when he begins to see the shows characters as real people and not just avatars. David introduces Mr. Johnson (Daniels), owner of the cheeseburger joint/soda shop where Bud works, to colorful modern art via a book from the library, sparking in him an interest in painting. Johnson and Betty Parker (Allen) fall in love, causing her to leave home, throwing George Parker (Macy), Bud and Mary Sue's father, into confusion. The only people who remain unchanged are the town's fathers, led by the mayor, Big Bob (Walsh in his final performance), who sees the changes eating at the values of Pleasantville. They resolve to do something about their increasingly independent wives and rebellious children.As the townsfolk become more colorful, a ban on "colored" people is initiated in public venues. Eventually, a riot is touched off by a nude painting of Betty (painted by Johnson) on the window of Mr. Johnson's soda shop. The soda shop is destroyed, books are burned, and people who are "colored" are harassed in the street. As a reaction, the town fathers announce rules preventing people from visiting the library, playing loud music, or using paint other than black, white, or gray. In protest, David and Mr. Johnson paint a colorful mural on a brick wall, depicting their world, prompting their arrest. Brought to trial in front of the town, David and Mr. Johnson defend their actions, and their passion begins to influence the non-colored members of the population into becoming colored. David also eventually arouses enough anger and indignation in Big Bob that the mayor becomes colored as well. The mayor runs off, effectively ending the segregation.With Pleasantville and its populace now in full color, Jennifer and David both reflect on how their actions in changing Pleasantville have changed their own views on how they perceive the real world and their place in it, noting that it had been far more difficult for them to become colorful as opposed to the other townsfolk, and the circumstances that eventually allowed them to. Jennifer stays to finish her education, citing that her poor academic record in the real world would not allow for college. David uses the remote control, now working again, to return to the real world, and surprises his mother with his newfound maturity. The mysterious TV repairman, who had been outside the house in his truck the whole time, smiles as he drives away., Question: What is the concept the town does not know about?

A: Answer: sex
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Q: Howard Roark (Gary Cooper) is an individualistic architect who follows a new artistic path in the face of conformity and vulgar mediocrity.Ellsworth Toohey (Robert Douglas), an architecture critic for The Banner newspaper, opposes Roark's individualism and volunteers to crusade in print against him. The wealthy and influential publisher, Gail Wynand (Raymond Massey), pays little attention, but approves the idea and gives Toohey a free hand.Dominique Francon (Patricia Neal), a glamorous socialite who writes a Banner column, admires Roark's work, and opposes the newspaper's campaign against him. She is engaged to be married to an architect herself, the unimaginative Peter Keating (Kent Smith). She has never met or seen Roark, but she believes that he is doomed in a world that abhors individualism. Wynand falls in love with Francon and exposes Keating as someone who values a big opportunity more than her.In the meantime, Roark is unable to find a client willing to build according to his vision. He walks away from opportunities that involve any compromise of his standards. Broke, he takes a job as a laborer in a quarry. The quarry belongs to Francon's father and is near their summer home. The vacationing Francon visits the quarry on a whim. As Roark drills into the stone, Francon spots him and watches him work. When he sees her they openly and repeatedly stare at each other.Francon contrives to have Roark repair the fireplace in her bedroom. Roark mocks the pretense, and after the first visit, sends someone else to complete the repair. Expecting Roark, Francon is enraged and returns to the quarry on horseback. She finds Roark walking nearby. He again mocks her and she strikes him with her horsewhip. In the evening he invades her bedroom, forcefully embracing and kissing her as the film fades to black, implying sexual intercourse.Back in his small room, Roark finds a letter offering him a new project. He packs up and leaves. Francon goes to the quarry and learns that he quit. The boss offers to find out where he went, but she declines. She has no idea that he is Howard Roark, the brilliant architect.Wynand offers to marry Francon, even though he is aware that she is not in love with him. Francon defers the offer until she feels a great need to punish herself. She learns Roark's true identity when they are introduced at the party opening the new building that Roark has designed which The Banner has campaigned against. Francon goes to Roark's apartment and offers to marry him if he gives up architecture to save himself from a hopeless struggle. Roark rejects her fears and says that they face many years apart until she overcomes the error of her thinking.Francon finds Wynand and accepts his previous marriage proposal. Wynand agrees regardless of her true feelings or motives. Wynand discovers Roark as an architect and hires him to build Francon a secluded country home. Wynand and Roark become friends which drives Francon to jealousy over Roark.Keating has been employed to create an enormous housing project. It is beyond his skill, so he requests Roark's help. Roark says that if Keating promises to build it exactly as designed, Roark will design the project while permitting Keating to take all the credit. With prodding from the envious Toohey, the firm backing the project decides to alter the design presented by Keating. Roark decides, with Francon's secret help, to rig explosives to the project and destroy it. Roark is arrested at the building site. In order to demonstrate Roark's guilt, Toohey pressures Keating into privately confessing that Roark designed the project.Roark goes on trial. He is painted as a public enemy by every newspaper apart from The Banner, where, breaking with previous policy, Wynand campaigns publicly on Roark's behalf. However, Toohey has permeated The Banner with men loyal to him. Toohey has them quit and uses his clout to keep others out. He leads a campaign against The Banner's new policy that all but kills the paper. Faced with losing the enterprise, Wynand saves The Banner by bringing back Toohey's gang to join the rest of the public in condemning Roark.Calling no witnesses, Roark addresses the court on his own behalf. He makes a long and eloquent speech defending his right to offer his own work on his own terms. He is found innocent of the charges against him. A guilt-stricken Wynand summons the architect to his office. He presents him with a contract to design the Wynand Building, to be the greatest structure of all, with complete freedom to build it however Roark sees fit. As soon as Roark leaves the room, Wynand commits suicide.In the final scene, Francon enters the construction site of the Wynand Building, and identifies herself as Mrs. Roark. She rides the elevator towards Roark, awaiting her atop his magnificent new building., Question: What does Wynand hire Roark to build?

A: Answer: A secluded country home
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Q: Mike Enslin (John Cusack) is a cynical, skeptical author who, after the death of his daughter Katie (Jasmine Jessica Anthony), writes books appraising supernatural events in which he has no belief. After his latest book, he receives an anonymous postcard depicting The Dolphin, a hotel on Lexington Avenue in New York City bearing the message, "Don't enter 1408." Viewing this as a challenge, Mike forces the hotel to allow him to book the room, referencing a law that any hotel room in New York can be requested as long as it meets safety standards. The hotel manager, Gerald Olin (Samuel L. Jackson) tries to dissuade Mike from checking into the room, explaining that 56 people have died in the room over the past 95 years, and that no one has lasted more than an hour inside it. Mike, who does not believe in the paranormal, insists on staying in the room, and asks Olin if he thinks it is haunted; Olin replies that it is "evil" rather than haunted.Once inside the room, Mike describes on his mini-cassette recorder the room's dull appearance and its unimpressive lack of supernatural phenomena. During his examination, the clock radio starts playing "We've Only Just Begun". Mike assumes that Olin is playing a trick to scare him. At 8:07, the song plays again and the clock's digital display changes to a countdown starting from "60:00". Mike experiences a series of supernatural events. A window sash slams down on his hand, the hotel operator calls about food he didn't order, and ghosts of the room's past victims and members of his family, particularly Katie, appear on the TV set. Mike's attempts to leave the room are in vain; the doorknob breaks off, climbing through the air ducts prompts an attack from the corpse of a former room victim, and climbing onto the window ledge reveals the windows of the other rooms have disappeared.Mike uses his laptop to contact his estranged wife, Lily (Mary McCormack), but the sprinkler system short circuits his laptop. The room temperature drops to subzero when the laptop suddenly begins to work again, and Lily tells him the police have entered 1408, but the room is empty. A doppelgÃ¤nger of Mike appears in a video chat window and urges Lily to come to the hotel herself; it gives Mike a wink. The room shakes violently and Mike breaks a picture of a ship in a storm. Water pours from the broken picture, flooding the room. He surfaces on a beach and relives a surfing accident seen earlier in the film. His life continues from this point, and he reconciles with Lily. Eventually he assumes his experience in 1408 was just a dream. Lily persuades him to write a book about it. When visiting the post office to send the manuscript to his publisher, he recognizes members of a construction crew as the Dolphin Hotel staff. They destroy the post office walls, revealing Mike is still trapped in 1408. A vision of Katie appears to Mike, and after some reluctance he embraces her; she crumbles to dust. The clock radio begins playing "We've Only Just Begun" again, and Mike looks for it in the rubble. It counts down the final seconds. When the countdown ends, the room is suddenly restored to normal, and the clock radio resets itself to 60:00.The "hotel operator" calls Mike again. When Mike asks why he hasn't just been killed already, she informs him that guests enjoy free will and that as such he can relive the hour over and over again, or use their "express checkout system". A hangman's noose appears and Mike has a vision of himself hanged, but he refuses to kill himself. Mike improvises a Molotov cocktail from a bottle of cognac given to him by Olin, and sets the room on fire. The fire alarm sounds, the hotel is evacuated, and Lily is prevented from entering. Mike breaks a window, causing a backdraft. Mike lies down upon the floor and laughs in victory upon destroying the room, eventually perishing in the flames., Question: What does Mike break a picture of?

A:
Answer: Ship in a storm
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