Given a document, find the main entity about whom the author is writing. Write the full name if mentioned in the text. Note that URLs in the text have been replaced with [Link].

Input: Consider Input: Vince Staples  Believes  He  Deserves All The Grammys  But  He  Isn't Holding  His  Breath
 Vince Staples  is impossible to categorize. A Southern Cali MC who prides himself on his Long Beach bona fides while eschewing the prototypical gangsta rap tag with which he's often mis-labled  he's a natural at bucking the status quo. Yet he also sees clear divisions between art and commerce that lead him to question how institutions choose to define â or fail to distinguish â the two.
So when  Staples  found himself the subject of a recent Grammy campaign â initiated by Uproxx hip-hop editor Aaron Williams  who likened the EDM sonics of  Staples ' 2017 LP Big Fish Theory to "a post-apocalyptic pinball machine" â he was less interested in discussing whether or not his album is Grammy-worthy than he was in questioning the very construct upon which the Recording Academy recognizes and rewards genre-bending artists of color.
But  Staples ' argument is bigger than hip-hop. It's a critique rooted in the racial dynamic that has kept black artists in the industry categorically separate and unequal since the inception of "race music."
In a sense   Staples  is the kind of artist the academy tends to clamor over â a major-label signee who subverts mainstream convention. While his peers chase after collaborations with bankable trap producers  his album credits are filled with left-field collaborators Kilo Kish and Zack Seckoff  a young unknown producer largely responsible for Big Fish Theory's industrial-driven electronics.
No doubt   Staples  prizes his creative idiosyncrasies: "Hitchcock in my modern day / Where the f*** is my VMA? / Where the f*** is my Grammy?" as he raps on Big Fish Theory's "Homage."
The message is the easiest part of this whole thing. The hard part of music is designing the product and marketing the product â figuring out what it looks like  what it sounds like  what it feels like    who to sell it to and how to get  them  to believe that it's more important than  themselves . When you've figured that out  that's when you become a star.
But  yeah  let's really talk about it. If we really want to have a Vince Staples Grammy campaign  someone tell me why I can't be in every genre that my music is kind of reminiscent of? Because the argument within hip-hop is that my music doesn't sound hip-hop enough.
My only request is that it be broadened  because it's no reason I shouldn't be nominated for everything we just spoke about. It's no reason I shouldn't be nominated for a packaging Grammy. It's no reason because the conceptual nature of my cover and the way that it looked is a great idea for a compact disc. Usually people go all out and put 50 pictures and give you a suitcase full of stuff to win a packaging Grammy. But it's not really about the design of it itself. It's no reason I shouldn't be nominated for that. It's no reason I shouldn't be nominated for electronic and alternative and Rap Album of the year  because if we're pushing creativity and we're doing it get to be creative and to create new things  I don't know what's newer than what Vince Staples is doing. And that's my only conversation.

Output: Vince Staples


Input: Consider Input: The department's narcotics division began the investigation when a source told them about the group  officials said. The buys were conducted by undercover officers who infiltrated the group  according to Anthony Riccio  chief of the department's organized crime division.
 Riccio  said there are “dozens and dozens of these secret groups  a lot of them used for illegal things  including trafficking the guns and firearms. It's dozens of them out there.”
 He  said many of the guns had defaced serial numbers  making them difficult to trace. “These are guns that are winding up in the South Side  West Side of the city being used in gang shootings ”  Riccio  said.
 He  said the Facebook group selling guns and drugs would not be found by searching and that someone had to vouch for anyone who wanted to join them.
“I absolutely think Facebook has a responsibility to monitor this and for this very reason ”  Riccio  said. “There’s other illegal activities — I want to point out this is phase one — there's other illegal activities going on on Facebook. We're looking at potentially human trafficking  things of that nature as well. There's a lot of tentacles going out here.

Output: Anthony Riccio


Input: Consider Input: Mark E. Smith  Was An Uncompromising And Essential Voice From Music's Fringe
It is safe to say that there was no one else like  Mark E. Smith . The irascible leader of the legendary Manchester post-punk group The Fall â who died yesterday at the age of 60 â was a true artist and eccentric. An acerbic British icon with working-class roots  his words were like cryptic incantations  layered with bone-dry wit and an interest in horror  fantasy and the surreal.  Smith  was a stubborn contrarian who broke new ground both sonically and lyrically with the band  he  founded  and then owned that territory for over 40 years and dozens of albums.
The Fall first formed in Prestwich  near Manchester  in 1976  taking its name from the title of a darkly philosophical novel by Albert Camus. The group bonded over a share interest in literature  bands like Can and the Velvet Underground and copious amounts of psychedelic drugs. ( Smith  even took acid before  his  high school O-level exams  according to an account by  his  friend Dave Haslam.)
 Smith 's unique skill as a lyricist was evident from the band's earliest days   his  stream-of-consciousness style laced with sideways references  quirky humor  sharply honed imagery and trenchant observations on British society  culture and politics. "It was like a poetry group at first " recalled Martin Bramah  The Fall's first guitarist  to the critic Simon Reynolds in the anthology Totally Wired. "We used to share our innermost feelings in words and play our favorite albums.  Mark  bought a guitar but couldn't play it. I was already singing in another band  so the first lineup of The Fall was me singing and  Mark  playing guitar. It quickly switched because  Mark  was writing these mad  well-observed lyrics. Our early stuff sounded American  but  Mark  picked up on how to make Manchester interesting."
Manchester occupies a legendary place in music lore; a huge number of bands were spawned within the city's grim industrial confines during that era. The scene surrounding Joy Division and Factory Records captured the public's imagination  but it was The Fall who held the crown as the strangest and most singular band to have ever come out of Manchester. The group's debut album  1979's Live at the Witch Trials  proved  it  to already be well on  its  way to developing a signature sound: a churning  propulsive rhythm section  an emphasis on extreme  almost trancelike repetition and pointed  cryptic lyrics that  Smith  scowled with a voice that sometimes sounded like  he  was gargling razorblades. With each successive album  The Fall honed its technique  with  Smith  reveling in all ideas that ran counter to social norms.
The Fall proudly showed off that flair for the bizarre and monstrous  titling its 1980 album Grotesque (After the Gramme.) By this time  the original founding members of The Fall â Bramah on guitar  Tony Friel on bass  Karl Burns on drums  Una Baines on keyboards and  Smith  on vocals â had dissolved  leaving  Smith  as the sole original member. It was a theme that would continue apace throughout  Smith 's long career in The Fall â the members of the group shifted constantly and erratically from album to album  or even from month to month  with  Smith  as the only constant presence. Nearly 70 people have been members of The Fall over the course of the past four decades â an eye-popping number. "If it's me and your granny on bongos  it's The Fall " Smith once famously quipped â less a joke than a statement of fact.
 Smith 's group garnered many prominent fans â the legendary British DJ John Peel was a constant champion â but The Fall never quite hit the mainstream in the United States. In the 1980s   Smith 's marriage and creative partnership with Brix Smith (now Brix Smith Start) helped lead to some of the catchiest  most upbeat music of their career â most notably on 1985's This Nation's Saving Grace â but the band remained oblique and abstruse  even in its poppiest days. "He never once compromised " Brix Smith Start wrote of  Smith  in a statement released after his death  "how many others can leave this life with such a singularity of vision?"
Mark E. Smith led The Fall through over 30 studio albums  along with a flood of EPs  singles  and collaborations  amounting to dizzying discography that could bewilder even the most die-hard record collector. Some of these records were absurdly brilliant â like Hex Enduction Hour (1982) and The Wonderful and Frightening World Of... (1984); others were a mixed bag  and a few were absolute failures. The same could be said for The Fall's live performances  which could be as transcendent as they were unhinged. It didn't help that  Smith  picked fights with band mates and girlfriends  or that  his  behavior could be prickly  to say the least.
 Smith  kept creating  and kept touring  up until almost the end. As the guiding force of The Fall â and the only member of The Fall who never quit the band â Smith and The Fall became synonymous with each other. And while many bands were inspired by The Fall â Pavement  Sonic Youth and the Pixies among them â no one sounded exactly like the group. Without  Smith   there can be no Fall  and the wonderful and frightening world of music  he  ferociously hurled forth is now a bit less wonderful and frightening as a result. "When I'm dead and gone / my vibrations will live on / In vibes on vinyl through the years "  he  howled on the song "Psykick Dancehall " released in 1979. The Fall's music will  indeed  live on.


Output: Mark E. Smith