In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

[EX Q]: Context_1 : Kamarinskaya (Russian: камаринская ) is a Russian traditional folk dance, which is mostly known today as the Russian composer Mikhail Glinka's composition of the same name. Glinka's "Kamarinskaya", written in 1848, was the first orchestral work based entirely on Russian folk song and to use the compositional principles of that genre to dictate the form of the music. It became a touchstone for the following generation of Russian composers ranging from the Western-oriented Pyotr Ilyich Tchaikovsky to the group of nationalists known collectively as The Five and was also lauded abroad, most notably by French composer Hector Berlioz. Context_2 : Épicure ("Epicurus") is an opera in three acts with music by the composers Étienne Méhul and Luigi Cherubini. The libretto is by Charles-Albert Demoustier. It was first performed at the Opéra-Comique, Paris on 14 March 1800. It was a complete failure, enjoying only three performances. For the third and final performance on 20 March the opera was reduced from three acts to two. Cherubini wrote the overture, the first act and half of the third; Méhul the second act and the rest of the third. Context_3 : Nestor Vasilievich Kukolnik (Russian: Нестор Васильевич Кукольник ) (1809–1868) was a Russian playwright and prose writer of Carpatho-Rusyn origin. Immensely popular during the early part of his career, his works were subsequently dismissed as sententious and sentimental. Today, he is best remembered for having contributed to the libretto of the first Russian opera, "A Life for the Tsar" by Mikhail Glinka. Glinka also set many of his lyrics to music. Context_4 : The Overture in G major by Luigi Cherubini (1760-1842) is an orchestral work written for concert use in early 1815. It is unusual among Cherubini's overtures in that his other, better known overtures (such as those to "Anacreon", "Médée", "Les deux journées" and "Ali Baba"), were intended to introduce stage works. Although born in Italy Cherubini had been living in France since 1784, and had earned world fame through a series of operas composed for the Paris stage. In the first decade of the nineteenth century the vogue for his dramatic works began to wane, and he turned increasingly to sacred music. Context_5 : Mikhail Ivanovich Glinka (Russian: Михаи́л Ива́нович Гли́нка ; 1 June [O.S. 20 May] 1804 15 February [O.S. 3 February] 1857 ) was the first Russian composer to gain wide recognition within his own country, and is often regarded as the fountainhead of Russian classical music. Glinka's compositions were an important influence on future Russian composers, notably the members of The Five, who took Glinka's lead and produced a distinctive Russian style of music. Context_6 : Luigi Cherubini (] ; 8 or 14 September 1760 – 15 March 1842) was an Italian composer who spent most of his working life in France. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest of his contemporaries. Context_7 : Pauline Duchambge née de Montet (1778 – 23 April 1858) was a French Creole pianist, singer, and composer. Duchambdge (Montet) was born in Martinique, West Indies and was the daughter of a noble family. She was taken to Paris, where she received a convent education and studied the piano from composer and author Jean Baptiste Desormery, son of the famous comic opera actor and composer Léopold-Bastien Desormery. Pauline composed and performed as a singer and a pianist. She studied harmony and composition with Daniel Auber and with Luigi Cherubini, who wrote several compositions for her. She also studied piano and composition with Jan Ladislav Dussek. Pauline left the convent in 1792 and married Baron Duchambge in 1796. In 1798 at the age of 20, she lost both her parents and with them the family fortune. Soon afterwards she was later divorced. It was after these events that Duchamge musical education began in earnest. She studied church music with Jan Dussek, Luigi Cherubini and D.F.E Auber. In 1815, Duchambge met the French poet and novelist, Marceline Desbordes-Valmore beginning a lifelong friendship and collaboration. Their friendship is documented by a lengthy correspondence and a number of songs by Duchambge on Debordes-Valmore’s texts including L’adieu tout bas, La fiancée del marin, Je pense à lui, La jeune Châtelaine, Rêve du mousse, La sincère and La valse et l’automne. Duchambge also composed music to texts and romances of other female authors such as Mme Amble Tastu and Mme Emile De Girardin. Pauline Duchambge wrote over three hundred romances, a very popular genre in the nineteenth century. Auber deposited three hundred of Duchambge’s songs in the Bibliothèque du Conservatoire in Paris. Eleven of Duchambge's individual songs and albums of songs were published between 1827 and 1841 by some of the leading Parisian publishers: Jean Antoine Meissonnier, Jacques-Joseph Frey, A. Petibon, and Ignace Pleyel. Her works reached a German audience through the Berlin publisher Maurice Schlesinger and the Schott firm in Mainz. In addition to songs, Duchambge wrote a few piano pieces. Duchambge had a difficult life, struggling with poverty, delicate health, and the disenchantments of love; her music expresses her emotions. She commented: "Love, it is life! but a life full of troubles, illusions, deceptions, repentance, discouragements…. " Context_8 : Le calife de Bagdad ("The Caliph of Baghdad") is an "opéra comique" in one act by the French composer François-Adrien Boieldieu with a libretto by Claude Godard d'Aucourt de Saint-Just. It was first performed at the Opéra-Comique, Paris on 16 September 1800 and soon became highly popular throughout Europe. It was Boieldieu's first major triumph. One member of the audience who was less impressed was the noted composer Luigi Cherubini who reproached Boieldieu, "Aren't you ashamed of such a great success, and doing so little to deserve it?" Boieldieu immediately applied to Cherubini for lessons in compositional techniques. Context_9 : The Great Glinka (Russian: Глинка , "Glinka " ) is a 1946 Soviet biopic film directed by Lev Arnshtam. The film is about Mikhail Glinka, a Russian composer of the 19th century. The film was awarded the Stalin Prize of II degree (1947) and it was entered into the 1946 Cannes Film Festival. Context_10 : Lodoïska is an opera by Luigi Cherubini to a French libretto by Claude-François Fillette-Loraux after an episode from Jean-Baptiste Louvet de Couvrai’s novel, "Les amours du chevalier de Faublas". It takes the form of a "comédie héroïque" (a type of "opéra comique") in three acts, and was a founding work of rescue opera. It has also been called one of the first Romantic operas, though Cherubini's work was basically classical. fact_1 : Luigi Cherubini (] ; 8 or 14 September 1760 – 15 March 1842) was an Italian composer who spent most of his working life in France. fact_2 : Mikhail Ivanovich Glinka (Russian: Михаи́л Ива́нович Гли́нка ; 1 June [O.S. 20 May] 1804 15 February [O.S. 3 February] 1857 ) was the first Russian composer to gain wide recognition within his own country, and is often regarded as the fountainhead of Russian classical music. Question: Which composer was born first  Luigi Cherubini or Mikhail Glinka?
[EX A]: Luigi Cherubini

[EX Q]: Context_1 : The Donations of Alexandria (Autumn 34 BC) were a political act by Cleopatra VII and Mark Antony in which they distributed lands held by Rome and Parthia amongst Cleopatra's children, and granted them many titles, especially for Caesarion, son of Julius Caesar. These were the second of two such donations; a similar donations ceremony was held 2 years earlier in Antioch in 36 BC, at which time the donations enjoyed Octavian's full approval of the Antonian strategy to rule the East making use of Cleopatra's unique royal Seleucid lineage in the regions donated. Ultimately, the Donations (of 34 BC) caused a fatal breach in Antony's relations with Rome and were amongst the causes of the Final War of the Roman Republic. Context_2 : The Caesareum of Alexandria is an ancient temple in Alexandria, Egypt. It was conceived by Cleopatra VII of the Ptolemaic kingdom, the last pharaoh of Ancient Egypt, to honour her dead lover Marc Antony. The edifice was finished by the Roman Emperor Augustus, after he defeated Mark Antony and Cleopatra. He destroyed all traces of Antony in Alexandria, and apparently dedicated the temple to his own cult. Context_3 : Iullus Antonius (45 BC – 2 BC), also known as Iulus, Julus or Jullus, was a personage in Ancient Rome. He was the second son of Roman general Mark Antony and Antony's third wife Fulvia. He is best known for being the famous lover of Julia the Elder. He was the full brother of Marcus Antonius Antyllus, half-brother of Clodia Pulchra (the first wife of Augustus) through his mother's first marriage, half-brother of Antonia Major and Antonia Minor through his father's marriage to Octavia Minor, and half-brother of Alexander Helios, Cleopatra Selene II and Ptolemy Philadelphus through his father's marriage to Cleopatra VII. His stepsiblings were Marcellus, Claudia Marcella Major (later his wife), Caesarion and Claudia Marcella Minor. He was also stepson to Octavia Minor (sister of Augustus) and Cleopatra VII. Context_4 : The death of Cleopatra, the last reigning ruler of Ptolemaic Egypt, occurred on August 12, 30 BC in Alexandria, when she was 39 years old. According to a popular belief, introduced by Plutarch, Cleopatra committed suicide by an asp bite. In other versions Cleopatra either poisoned herself by a toxic ointment or was murdered. The exact date of Cleopatra's death was unknown for a long time, since there is no surviving record of even the approximate date. Theodore Cressy Skeat deduced that her death occurred on August 12, 30 BC on the basis of contemporary records of fixed events. Cleopatra's death effectively ended the war between Octavian and Mark Antony, where Cleopatra aligned herself with Antony. Context_5 : Cleopatra Selene II (Greek: Κλεοπάτρα Σελήνη; late 40 BC – c. 6 BC), also known as Cleopatra VIII of Egypt or Cleopatra VIII, was a Ptolemaic Princess and was the only daughter to Greek Ptolemaic queen Cleopatra VII of Egypt and Roman triumvir Mark Antony. She was the fraternal twin of Ptolemaic prince Alexander Helios. Her second name in ancient and modern Greek means moon, also meaning the Titaness-Goddess of the Moon Selene, being the counterpart of her twin brother‘s second name Helios, meaning sun and the Titan-God of the Sun Helios. She was of Greek and Roman heritage. Cleopatra was born, raised and educated in Alexandria, Egypt. In 36 BC in the Donations of Antioch and in late 34 BC during the Donations of Alexandria, she was made ruler of Cyrenaica and Libya. Context_6 : Cleopatra is a 1999 miniseries adaptation of Margaret George's 1997 historical fiction novel "The Memoirs of Cleopatra". Produced by Hallmark Entertainment, it stars Leonor Varela as the Egyptian queen Cleopatra, Timothy Dalton as Julius Caesar, Billy Zane as Mark Antony, Rupert Graves as Octavius, Sean Pertwee as Brutus and Bruce Payne as Cassius. "Cleopatra" was shown first on the ABC television network in two parts on two consecutive evenings in May 1999 and then released on videotape and DVD. Context_7 : The Final War of the Roman Republic, also known as Antony's Civil War or The War between Antony and Octavian, was the last of the Roman civil wars of the republic, fought between Mark Antony (assisted by Cleopatra) and Octavian. After the Roman Senate declared war on the Egyptian queen Cleopatra, Antony, her lover and ally, betrayed the Roman government and joined the war on Cleopatra’s side. After the decisive victory for Octavian at the Battle of Actium, Cleopatra and Antony withdrew to Alexandria, where Octavian besieged the city until both Antony and Cleopatra committed suicide. Context_8 : Arch of the Sergii is an Ancient Roman triumphal arch located in Pula, Croatia. The arch commemorates three brothers of the Sergii family, specifically Lucius Sergius Lepidus, a tribune serving in the twenty-ninth legion that participated in the Battle of Actium and disbanded in 27 BC . This suggests an approximate date of construction: 29-27 BC. The arch stood behind the original naval gate of the early Roman colony. The Sergii were a powerful family of officials in the colony and retained their power for centuries. Context_9 : Cleopatra (1917) was an American silent historical drama film based on H. Rider Haggard's 1889 novel "Cleopatra" and the plays "Cleopatre" by Émile Moreau and Victorien Sardou and "Antony and Cleopatra" by William Shakespeare. The film starred Theda Bara in the title role, Fritz Leiber, Sr. as Julius Caesar, and Thurston Hall as Mark Antony. The film is now considered lost, with only fragments surviving. Context_10 : The Battle of Actium was the decisive confrontation of the Final War of the Roman Republic, a naval engagement between Octavian and the combined forces of Mark Antony and Cleopatra on 2 September 31 BC, on the Ionian Sea near the promontory of Actium, in the Roman province of Epirus Vetus in Greece. Octavian's fleet was commanded by Marcus Vipsanius Agrippa, while Antony's fleet was supported by the power of Queen Cleopatra of Ptolemaic Egypt. fact_1 :  The arch commemorates three brothers of the Sergii family, specifically Lucius Sergius Lepidus, a tribune serving in the twenty-ninth legion that participated in the Battle of Actium and disbanded in 27 BC . fact_2 : The Battle of Actium was the decisive confrontation of the Final War of the Roman Republic, a naval engagement between Octavian and the combined forces of Mark Antony and Cleopatra on 2 September 31 BC, on the Ionian Sea near the promontory of Actium, in the Roman province of Epirus Vetus in Greece. Question: Mark Antony and Cleopatra and the Sergii family brothers participated in what battle?
[EX A]: Battle of Actium

[EX Q]: Context_1 : The Umbrellas of Cherbourg (French: Les Parapluies de Cherbourg ) is a 1964 French-German romantic musical film directed by Jacques Demy, starring Catherine Deneuve and Nino Castelnuovo. The music was written by Michel Legrand. The film dialogue is all sung as recitative, including casual conversation (similar in style to an opera). Context_2 : Roger David Edward Nichols (born 6 April 1939) is an English music scholar, critic, translator and author. After an early career as a university lecturer he became a full-time freelance writer in 1980. He is particularly known for his works on French music, including books about Claude Debussy, Maurice Ravel and the Parisian musical scene of the years after the First World War. Among his translations is the English version of the standard biography of Gabriel Fauré by Jean-Michel Nectoux. Nichols was decorated by the French authorities in 2006 for his contribution to French musical studies. Context_3 : Nazim Khaled born in Marseille, France is a French songwriter and composer. He grew up in Saint-Étienne and studied at Conservatoire de Saint-Étienne before moving to Paris. He composed a great number of hits, particularly on the French SNEP charts through his cooperation with Amir Haddad, Chimene Badi, Kendji Girac, Yannick Noah and Sindy amongst others. He co-wrote and co-produced "J'ai cherché", the French entry to Eurovision Song Contest 2016 performed by Amir, and "Requiem", the French entry to the Eurovision Song Contest 2017 performed by Alma. He also composed for the French musical "La Légende du roi Arthur" (full title "La Légende du roi Arthur: Quand l'amour change le cours de l'histoire") in 2015. Context_4 : Belles belles belles is a French musical based on songs of Claude François, with music by Claude François, Jean-Pierre Bourtayre and Carolin Petit and lyrics by Claude François and Daniel Moyne. It premiered at Olympia in Paris on November 21, 2003. The production was directed and choreographed by Redha, with costumes by Vanessa Coquet and Cécilia Sebaoun and settings by Dominique Lebourges. The producers were Gérard Louvin, GLEM productions and Claude François junior. It's the first French jukebox musical. Context_5 : Étienne-Joseph Floquet (23 November 174810 May 1785) was a French composer, mainly of operas. He was born in Aix-en-Provence and began his career by writing church music, before moving to Paris in 1767. There, Floquet made a name for himself with the requiem he wrote for the funeral of the composer Jean-Joseph de Mondonville in 1772. Floquet's first work for the Paris Opéra, the "ballet héroïque" "L'union de l'amour et les arts," was a triumph, enjoying 60 performances between its premiere in September 1773 and January 1774. The audience at the premiere was so enthusiastic that the performance had to be stopped several times because of the applause and, at the final curtain, Floquet was presented on stage, the first composer in the history of the Paris Opéra to enjoy such an honour. However, the arrival of the German composer Christoph Willibald Gluck in Paris later that year changed French musical taste and Floquet's style became unfashionable. After the failure of his next opera, "Azolan", Floquet decided to travel to Italy to perfect his musical education. There he studied composition under Nicola Sala in Naples and counterpoint under Padre Martini in Bologna, where he turned momentarily back to church music composing a "Te deum". Context_6 : "I Will Wait for You" is the English version of "Je ne pourrai jamais vivre sans toi", a song from the French musical "The Umbrellas of Cherbourg" ("Les Parapluies de Cherbourg", 1964). Its music was composed by Michel Legrand and the original lyrics written by Jacques Demy. It was performed in the film by Catherine Deneuve, whose voice was dubbed by Danielle Licari. The English lyrics of the song were written by Norman Gimbel. This version was nominated for the Academy Award for Best Song at the 38th Academy Awards held in 1966. Context_7 : Pierre Estève (born February 11, 1961 in Cahors, in the French Pyrenees, is an eclectic singer-songwriter and composer with a wide range of styles, a musician, a contemporary artist acclaimed for his digital installations and sound sculptures, as well as a researcher and a journalist writing for the French musical press. After benefiting from a classical music and orchestra conducting training within the French Conservatoire de Musique institution), he is a specialist of virtual symphonic orchestras and world instruments. He is especially well-known of the public for composing the music for the soundtrack to a lot of video games, ads, documentaries and films. A multi-instrumentalist, he collects instruments from the five continents but also all kinds of natural and sonorous materials. Besides, he creates installations based on interactions between the public with the natural acoustic materials and technologies, and makes use of materials which he creates himself. Context_8 : "Ippolito ed Aricia" was commissioned in 1759 by Guillaume du Tillot, a minister for Philip, Duke of Parma, on behalf of the duke and his wife, Princess Louise Élisabeth of France. At that time, both France and Spain thought of Parma as a strategic point of interest and subsidized the court heavily. The duke and his wife were particularly fond of French opera and Tillot promoted all forms of French musical theater at the court. However, Tillot decided that he wanted to commission an opera for the court that would merge Italian musical idioms, such as beautiful melodies and virtuosic coloratura display, with French dramatic forms like choruses, ballet, and supernatural elements. He approached Carlo Innocenzo Frugoni, court poet of Parma, with the idea of creating such an opera using the Italian text of Rameau's "Hippolyte et Aricie". He agreed, and Tillot proceeded to recruit Tommaso Traetta to compose the music and Count Francesco Algarotti to assist Frugoni with the libretto. Context_9 : Arthur Pougin (] 6 August 1834 – 8 August 1921) was a French musical and dramatic critic and writer. He was born at Châteauroux (Indre) and studied music at the Paris Conservatory under Alard (violin) and Reber (harmony). In 1855 he became conductor at the Théâtre Beaumarchais, and afterward leader at Musard's concerts, subconductor at the Folies-Nouvelles, and from 1860 to 1863 he was first violin at the Opéra-Comique. He was in turn "feuilletoniste" to "Le Soir, La Tribune, L'Événement" and "Le Journal Officiel", besides being a frequent contributor to all the important French musical periodicals. His work in connection with Fétis's "Biographie universelle", for which he prepared a supplement (two volumes, 1878–80), has, however, been found to be lacking in thoroughness. He edited the new edition of Clément and Larousse's "Dictionnaire lyrique". Context_10 : Michel Legrand (born 24 February 1932) is a French musical composer, arranger, conductor, and jazz pianist. Legrand is a prolific composer, having written over 200 film and television scores, in addition to many memorable songs. He is best known for his often haunting, jazz-tinged film music. His celebrated scores for the films of French New Wave director Jacques Demy, "The Umbrellas of Cherbourg" (1964) and "The Young Girls of Rochefort" (1967), earned Legrand his first Academy Award nominations. For "The Thomas Crown Affair" (1968) and its title song, "The Windmills of Your Mind", Legrand won his first Oscar. fact_1 : "I Will Wait for You" is the English version of "Je ne pourrai jamais vivre sans toi", a song from the French musical "The Umbrellas of Cherbourg" ("Les Parapluies de Cherbourg", 1964). fact_2 :  The music was written by Michel Legrand. Question: Who wrote the music for the French musical that the song I Will Wait for You is from?
[EX A]:
Michel Legrand