In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: What venue was the ice cream truck at? Passage 1:LCD Soundsystem released "Call the Police" and "American Dream" together as a digital double-A-side single on May 5, 2017, acting as the lead single from the album. The two songs were made available for listening once midnight was reached in one's time zone. The band promoted the songs by performing both during the May 6 episode of the 42nd season of Saturday Night Live. On August 4, the band rolled out an ice cream truck outside of the Lollapalooza festival in Chicago promoting the album. The truck played songs from the album in the form of ice cream jingles through its speaker. A Twitter account for the truck was also launched to provide updates on where its current location was. On August 16, "Tonite" was premiered on Zane Lowe's radio show on Beats 1. Along with the premiere was the release of a music video for the track, directed by Joel Kefali. It was also subsequently made available for streaming on Spotify. A virtual reality experience made to accompany the song, titled "Dance Tonite", was released to the public on August 22, though first previewed privately in June. Available to use in an Internet browser, the experience allowed people with room scale virtual reality kits, such as the Oculus Rift, to dance along to the track. Those with more simpler VR headsets, like the Daydream View, could view the experience as well the dance performances done by others. The band teamed up with the Puckney and Moniker design studios from Amsterdam for the project, alongside Google's data arts team. On August 31, the band released a 14-minute instrumental track called "Pulse (v.1)" as a free download. On Facebook, Murphy wrote that the track was "not precisely part of the record," but instead thought of it as an "addendum" meant to be played after the album's closing track, "Black Screen". It was originally left off of American Dream due to it not being able to fit on the vinyl format of the album. A music video for "Oh Baby", directed by Rian Johnson, was released on September 20, 2018. The video depicts an elderly couple, portrayed by Sissy Spacek and David Strathairn, who build a teleporter in their garage.
 Passage 2:Asante began his senior career in England with Birmingham City. He made his first-team debut in the Europa League play-off round second leg against C.D. Nacional in August 2011, and made his debut in the Football League while on loan at Northampton Town in January 2012. He had spells on loan at Shrewsbury Town in both 2012–13 and 2013–14, but injury disrupted his progress, and he left Birmingham when his contract expired. Without a club while recovering from injury, he spent the latter part of the 2014–15 season with Kidderminster Harriers before moving on to Solihull Moors, with whom he won the National League North title. Asante signed for Grimsby Town in January 2017, after missing the first couple of months of 2017–18 recovering from injury, he went on loan to Solihull Moors, however, he left Grimsby by mutual consent in February 2018. He completed the season with Tamworth, and after a short spell on loan at Chester, he joined them permanently in January 2019.
 Passage 3:In 2000 Liao made his debut at the Washington National Opera as the Count di Luna in Verdi's Il trovatore at the Kennedy Center with Plácido Domingo conducting. In 2001 he portrayed Enzo in Attila with the Opera Orchestra of New York (OONY) at Carnegie Hall, and was heard again with that ensemble the following year as Captain Israele in Gaetano Donizetti's Marino Faliero. In 2002 he sang the role of Méphistophélès in Berlioz's La damnation de Faust with the China Philharmonic Orchestra. In 2003 he made his debut at the Dutch National Opera as the Japanese Prince in Tan Dun's . That same year he made his debut with the Michigan Opera Theater as the Count di Luna, and was also seen with that company as Renato in Un ballo in maschera. In 2004 he sang the role of Pasha Seid in Verdi's Il corsaro with the OONY under Eve Queler at Carnegie Hall.

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Question: How long after the Battle of Princeton did the war during which Fort Mercer was built end? Passage 1:The Calgary Flames selected him in the eighth round, 182nd overall at the 1981 NHL Entry Draft, and he began his professional career in 1983–84 with a 30-point season for the Colorado Flames of the Central Hockey League (CHL). He then spent the majority of three seasons in the American Hockey League (AHL) with the Moncton Golden Flames. He was named to the AHL second All-Star Team in 1984–85, and served as captain of the Golden Flames in 1985–86. DeGray appeared in one NHL game that season, making his NHL debut with Calgary on March 6, 1986, against the New York Rangers. He played a part-time role in Calgary in 1986–87; in 27 games with the Flames, DeGray scored six goals and seven assists.
 Passage 2:Mušicki was stationed in Slavonski Brod at the time of the Axis invasion of Yugoslavia in April 1941 and served as the Royal Yugoslav Army commander responsible for the railroad between Belgrade and Zagreb in the rank of colonel. He demonstrated his support for the Germans by helping their forces during the invasion. Yugoslavia was quickly conquered by the Axis powers and Mušicki remained in Slavonski Brod for several months after the conquest. He attempted to join the Ustaše Militia there, but was rejected. He went to Belgrade in mid-August, where he was received by Zbor leader Dimitrije Ljotić. On 6 October, Milan Nedić, the Prime Minister of the Axis-installed puppet Government of National Salvation, appointed Mušicki to lead the Serbian Volunteer Command (, SDK). Mušicki was involved in executing Serb civilians in the town of Čačak in December 1941. He and Milan Aćimović contacted Chetnik leader Draža Mihailović on 5 December, possibly in an effort to warn him in advance of the assault the Germans had planned, codenamed Operation Mihailovic. This action prompted the Germans to question Mušicki's loyalty. He was removed from command at the end of 1941 and imprisoned by the Germans, but was later freed at Nedić's intervention.
 Passage 3:Fort Mercer was a fort on the Delaware River in New Jersey constructed by the Continental Army during the American Revolutionary War. Built by Polish engineer Thaddeus Kosciuszko under the command of George Washington, Fort Mercer was built in 1777 to block the approach to Philadelphia, Pennsylvania in concert with Fort Mifflin on the Pennsylvania side. Fort Mercer was located in an area called Red Bank, in what is now the borough of National Park, Gloucester County, New Jersey. The fort was named in honor of Brigadier General Hugh Mercer who had died earlier that year at the Battle of Princeton. The fort's site is now part of Red Bank Battlefield Historical Park, which includes a monument and museum. Several cannons attributed to British warships lost supporting the attack on the fort, and others found buried at the fort itself, are in the park.

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Question: How old was Sir Edward Hughes when Cooke was promoted to Lieutenant? Passage 1:Harwood was born in Barton Seagrave, a suburb of Kettering, but grew up in Yorkshire. She attended Skipton Girls' High School. Her parents were both musical, and her mother, a professional soprano, taught her singing. Harwood later said of her childhood, "My mother sang under the name Constance Read, and she did quite a bit of early broadcasting from Birmingham. When she had her children – there were three of us – she did local singing and took up her teaching. My father, in the Methodist Chapel tradition, did a good deal of conducting". Harwood continued her studies at the Royal Manchester College of Music from 1956. In 1957, for the Buxton Opera Group, she sang Michaela in Passion Flower, an adaptation of Carmen. In a student production of Massenet's Werther in 1958, she won praise as Sophie. At the age of 21, she won the Kathleen Ferrier Memorial Scholarship and spent a year in Milan studying with Lina Pagliughi. She was later a joint winner of the international Verdi competition in Busseto.
 Passage 2:John Cooke was baptised on 5 March 1762 at St. Mary, Whitechapel, the second son of Francis Cooke, an Admiralty clerk, and his wife Margaret. John Cooke first went to sea at the age of eleven aboard the cutter under Lieutenant John Bazely, before going ashore to spend time at Mr Braken's naval academy at Greenwich. He was entered onto the books of one of the royal yachts by Sir Alexander Hood, who would become an enduring patron of Cooke's. In 1776 he obtained a position as a midshipman on the ship of the line , aged thirteen. Cooke served aboard Eagle, the flagship of the North American Station, during the next three years, seeing extensive action along the eastern seaboard. Notable among these actions were the naval operations around the Battle of Rhode Island in 1778, when Eagle was closely engaged with American units ashore. He distinguished himself in the assault, causing Admiral Lord Howe to remark "Why, young man, you wish to become a Lieutenant before you are of sufficient age." On 21 January 1779, Cooke was promoted to lieutenant and joined in the East Indies under Sir Edward Hughes, but was forced to take a leave of absence due to ill-health.
 Passage 3:Welcome to Hell influenced several later bands. Venom's music helped shape the development of many thrash metal bands, specifically the "Big Four of Thrash" (who in turn were highly influential): Metallica, Slayer, Anthrax, and Megadeth (Metallica opened for Venom on an early 1980s tour, and Venom opened for Metallica and Slayer on the Ride the Lightning tour, and Slayer played with them and Exodus on the Combat Tour in 1985). Venom would also be of extreme importance to the black metal scene and even the early death metal scene, with numerous bands copying styles, themes, and imagery from the band, such as the Swiss band Hellhammer (later to become Celtic Frost), whom also helped pioneer the genres. Music critic Bradley Torreano wrote that Venom "caught the attention of both metalheads and punks, the band was emulated by the former and turned into camp icons by the latter." Henry Rollins once compared the band to Spinal Tap.


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