In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Composed, elegant Carol (marvelously played by the beautiful Rebecca Brooke), her nice husband Eddie (likable David Houseman), Carol's wacky, constantly eating best gal pal Anna (delightfully essayed with infectious comic zeal by the adorable Chris Jordan), and Anna's hunky, amorous husband Pete (a typically fine Eric Edwards) are a quartet of liberated swingers who enjoy having frequent group sex with each other. Their usual routine gets disrupted when Carol's lonely, repressed, but still alluring widow mother Jennifer (a superbly moving performance by the lovely Jennifer Welles) drops by for a visit. Pretty soon Jennifer loosens up and becomes a willing participant in the swingers' blithely pleasurable and uninhibited carnal lifestyle, with everyone except Carol eager to seduce her. Writer/director Joe Sarno concocts a sharp, engrossing and perceptive examination of suburban angst and the limitations of the whole wild'n'easy 70's sexual revolution; Sarno turns traditional middle class mores on their heads and further spices things up with a bold and provocative mother/daughter incest subplot. Moreover, Sarno elicits uniformly first-rate acting from the bang-up cast: Welles and Brooke are both exceptional, with excellent support from Edwards, Jordan, Houseman, Arlana Blue as flaky New Age sex therapist Shandara, and Erica Eaton as saucy neighbor Mrs. Fields. Better still, all the women are extremely hot and enticing; Welles in particular seriously steams up the screen with her exquisitely voluptuous figure and smoldering erotic presence. The sex scenes are really sizzling and fairly explicit, but never raunchy or tedious. Stephen Colwell's bright, polished cinematography and Jack Justis' bouncy, melodic acoustic folk score are both on the money solid and effective. Recommended viewing for Sarno fans.
positive

This movie has no plot and no focus. Yes, it's supposed to be a slap-stick, stupid comedy, but the screen-writers have no idea what the movie was about. Even the title doesn't go along with the movie. It should have been called "Cool Ethan" or "Cheaters Never Win" or something like that. The characters are not developed and no one cares what happens to them! The girl roommate character (from That 70's Show) was the only person worth watching. She was hilarious and stole every scene she was in. The others need to make sure that their own college diplomas are in the works since they'll need a career other than acting.
negative

Let's start this review out on a positive note -- I am very glad they didn't decide to wimp out with Tony being shot and do a retrospective season like some people were rumoring. Actually, creator and writer of this episode David Chase did quite the opposite. We don't actually know if Tony will live or die. He's in a coma and his chances of recovering are very slim to none. This episode seemed to move very slow, and the coma induced dream Tony was in involving mistaken identity and robed Asian monks slapping the sh*t out of him was absolutely, flat-out weird. After 45-minutes I got a little sick of everyone grieving, but that shouldn' t be a reason to slam this episode. It was a weird and unpredictable episode, but it was still well-written and intense. Edie Falco gave an astounding career-defining performance in this episode as the conflicted wife having to face with her husband's could-be demise. I also found it interesting AJ dropped out of school and swore a vendetta against Junior, which AJ most likely won't have the balls to pull off. Silvio is now acting-boss which opens numerous doors to problems in later episodes. There were a lot of great quips in this episode, also, and I think Vito 'Pole-Smoker' Spadafore may meet his demise if he keeps being a greedy S.O.B.This wasn't a great episode and disappointed only because even though Tony kills people, we as an audience adore him and feel he is our hero of the show. This was a necessary episode for the series, even though it was a little snore inducing towards the conclusion. Kudos to Edie Falco's performance, and David Chase and the writers for creating this wholly original and unpredictable plot twist. This is the only season of 'The Sopranos' where I haven't a f*cking clue where it is going to go. I can't wait for next week's episode. My Rating: 7.5/10 Best Line of the Episode: (Paulie to AJ): "Let's go, Van Helsing!"

positive