In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

[Q]: Another Williams masterpiece . If you watch--and listen to--enough movies, you can almost name the composer of certain scores, they're so similar.  John Barry's scores to &quot;Dances with Wolves,&quot; &quot;Out of Africa,&quot; and  &quot;Somewhere in Time&quot; (except for the Rachmaninoff), are like that.   James Horner's scores are a little better differentiated.  But the two  best, able to write evocative scores that capture the essence of the film's  story and make us FEEL it--without leaving us thinking we've heard this  before--are Jerry Goldsmith (e.g., &quot;The Sandpebbles&quot;) and John  Williams.  Here, like Goldsmith's score to &quot;The Wind and the  Lion,&quot; Williams is able to take a truly exotic motif--the musical  forms of West Africa--and mix it with truly American, if a little  Copland-esqe-sounding, music.  And that's the whole idea.  People were  violently ripped from their homes and transported to, for them, a place no  less alien and bizarre than Africa was to white Europeans and Americans.   And yet the United States was a place that declared &quot;All men are  created equal.&quot;  The contemplative, high-principle-sounding music to  &quot;Mr. Adams Takes the Case,&quot; is as stirring as the exotic  &quot;Dry Your Tears, Afrika,&quot; but in a completely different way. That  John Williams is able to do that in score after score is what makes him one  of the all-time greatest in a genre that hasn't been around all that long.   My only wish is that film score composers would more often produce true,  symphonic suites from their film scores that can be played by orchestras as  stand-alone, concert pieces.  I hope this music becomes such a suite.  Like  the subject matter of the movie--the eternal human quest for freedom and  equality--it would become timeless
[A]: POS


[Q]: I wanted the music on CD -- not the movie on CD . I really enjoy the great synthesizer sound (usually this phrase would be an oxymoron) of this film.  John Carpenter is definitely a multi-talented artist (writer, director, composer).  So, I am not in any way criticizing the music itself.    My gripe is against this particular CD release.  I was expecting to receive a CD with only the music.  Unfortunately, very few of these tracks are music only.  Most of them are music accompanied by dialogue from the movie.  If this only happened once or twice, I wouldn't mind so much.  But it's nearly every single track.  Would you buy the STAR WARS soundtrack if it had a whole bunch of dialogue on the tracks?  How about THE GODFATHER, LORD OF THE RINGS, GLADIATOR, or any other great motion picture soundtrack?  If people want the dialogue, then they will surely buy the DVD.  But most people buy a soundtrack for the sole purpose of having the music only
[A]: NEG


[Q]: Looks like Sting is loosing his touch . Wow, I sampled the songs on this new CD and I really am surprised at the drop in quality and uniqueness Sting used to bring to the music.  Like DeNiro and Pacino.  Where are they now?  Doing comedy and bland movies.  Not like the movies of yester-year when they were top notch.  Stings voice is still among the best in the world, just the music behind him is what makes his CDs bland and uninteresting.  I mean, Techno and Rap.  It's like a mundane chant, much like the Sting of the past used to sing out about.  It looks like the music industry of today is not only responsible for some of the most uninteresting music and groups it's also consuming those that used to be the best.  It's really a shame to see an artist like Sting decline in his work.  Brand New Day was the start.  Although it wasn't all bad, but you got the sense that he was lost or beginning to lose his way and his style.  Oh, well, albums like "Ten Summoner's Tale", "Nothing Like the Sun", "Soul Cages", and "Dream of the Blue Turtles" were the best of his solo career.  Now, he's just earning a paycheck.    Farewell Sting.  It was nice knowing you
[A]:
NEG