In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Q: Review: Following the success of the (awful) Gilligan's Island TV movie reruns, a number of TV movies were made in the 1980's reuniting casts from classic shows. Most of these movies completely missed the boat as far as recapturing the humor that made the shows so special. THE MUNSTERS REVENGE is among the most disappointing because it goes for a Laurel and Hardy-type comedy style that really wasn't in the original series. Yvonne De Carlo, a wonderful comedienne and essential to the series, is completely wasted - she has less time here in this 90 minute movie than she did in any single 30 minute episode. And since the roles of "Eddie" and "Marilyn" in this movie are nothing more than cameos, what was the point of making them younger and recasting them? With very little rewriting, they could have used Butch Patrick and Pat Priest. Although seeing some of the Munsters spooky relatives was a nice touch, I didn't enjoy Sid Caesar as the hammy mad scientist mainly because there's too much of him and not enough of the underused Munsters (ironically that very year, 1981, Caesar's old partner in comedy, Imogene Coca, was also inappropriately cast in a major part in a TV movie reunion RETURN OF THE BEVERLY HILLBILLIES). Another strange inexplicable bit at the beginning of the film has the Munster family represented as wax figures at a local horror wax museum. Why would they be in there when they are supposed to be a "typical" (if strange) American family, not famous monsters? This was the last Munsters project featuring the original cast in their roles, there was an awful revival of the series in the late 1980's with a completely new cast and a 1990's TV movie which featured DeCarlo, Lewis, Priest, and Patrick in cameo roles as a family dining. Question: is it a positive review?

A: no
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Q: Review: So, not being a poet myself, I have no real way to convey the beauty and simplicity of this documentary. The effortless motion of Goldsworthy, as he molds natures beauty into his own work is captivating. Watch him stick reeds together in a web hanging from a tree in a close up for a few minutes while he speaks of his work, and then receive the payoff when the camera cuts to the wide shot. Be amazed by the ease with which he operates and then realize the futility when a slight breeze knocks down the entire web.The genius of Goldsworthy seemingly knows no bounds as his inspiration is nature itself. It is in the essential change of nature where his work, though complete in its own sphere, is made whole. Question: is it a positive review?

A: yes
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Q: Review: What a loss the passing of director Emile Ardolino was! He could take a light script and, with the right casting and editing, put a twinkle in it and make it shine like a star. This particular star may not be the brightest in the sky as great romances go, but it is definitely one that keeps you tuned in to the end. You really want to know how things are going to work out.The script is perfect for Cybill Shepherd, who at the time needed to capitalize on her "Moonlighting" success for the new generation who was (fortunately for her) probably unaware of how many big screen major duds she had after a very promising start. In this film she's every bit back in form as a still-pining widow living vicariously through her daughter (Mary Stuart Masterson on the cusp of stardom which would peak with "Fried Green Tomatoes" two years later). She may have looked too young for the role, but that works well for the way the story unfolds. This is her film, but she doesn't overstep her bounds as a lead.SHepherd graciously allows Robert Downey Jr. to carry much of the film and shows a more mature comic flair than he had in his previous films to that point. And there's ample support from Ryan O'Neal (in his best role in years) and Christopher MacDonald. Masterson's natural charm pretty much coasts on its own, either that or she has a way of making her character seem like a breath of fresh air with every word.Ardolino makes good use of his cast's sex appeal the same way he did with "Dirty Dancing", but this film is not quite as sizzling so you could still watch it with your parents if they happened to be in the room. (Use your best judgment, they're your parents after all.) I give this film a high mark because it is very user friendly, romantic comedy enthusiasts will find it sublime, and those who are just watching along with them should find plenty of humor to enjoy as well.Again, credit goes to Emile Ardolino for making the most of a charming script by Randy and Perry Howze. (Where are they now?) Ardolino's next film would be the phoned-in sequel to "Three Men and A Baby" but his final theatrical release (Sister Act) would finally give him the nine-figure-grossing smash hit he deserved. Mr. Ardolino, your cinematic touch IS missed! Question: is it a positive review?

A:
yes
****