Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.
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Question: CONTEXT: Keeping in mind what we now know (that the monster is The Man In Black), we can only speculate at what John actually saw. Each person who saw the smoke monster presumably saw more than just a large cloud of smoke - they saw some kind of vision in the monster (if memory serves, this is what happened with Mr. Eko for example). What John saw probably affected him in a way that he wanted to keep whatever vision he saw to himself.  <sep>  Q: Why didn't Locke say he saw the monster? A: What John saw probably affected him in a way that he wanted to keep whatever vision he saw to himself  Q: Why do you think John wanted to do this? A: we can only speculate at what John actually saw  Q: Can you shed any other light on his motives or his background? A: Each person who saw the smoke monster presumably saw more than just a large cloud of smoke - they saw some kind of vision in the monster  <sep> FOLLOWUP_Q: What about the monster, is there some deeper meaning there?

Answer: Yes


Question: CONTEXT: I'd guess the movie's motive for not introducing the McKee subplot is because that was only a minor subplot of the book. And re-telling a book story in movie form, when you've got to get all the key details on screen in just 2 or 3 hours, means you have to omit many minor details. The core story of The Great Gatsby is about Gatsby and the world he lived in, not about Nick or Nick's potential attraction to Gatsby. In book form, there is plenty of room for the subplot suggestion that Nick is gay -- and the author Fitzgerald introduced the suggestion so subtly that most readers miss it. In the movie, however, throwing "Nick might be gay" at viewers along with everything else, in just 2 or 3 hours, could overwhelm them and/or distract from the core story -- and I'm not sure how it could be done as subtly on-screen as Fitzgerald pulled it off in the prose.  <sep>  Q: Why did the Great Gasby (2013) movie erase the hints of Nick Carraway's homosexuality?

Answer: Yes


Question: CONTEXT: Carol had no problem understanding the guard. And the guard had no problem understanding her. The issue that Carol thought she had, was caused by pure confusion on the guards side, as the guard just witnessed some pretty freaky stuff and was still shocked by it. The guard simply didn't respond in a timely manner (actually not really at all), which made Carol think that the guard didn't understand her.  <sep>  Q: Why is Carol unable to understand English? A: Carol had no problem understanding  <sep> FOLLOWUP_Q: Is her "universal translator" working?

Answer:
Yes