TASK DEFINITION: In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).
PROBLEM: Evil Has Many Faces! . After the death of his mother, Elijah Wood is left with his uncle's family while dad David Morse takes off for two weeks to settle their future. Uncle has two children: a little girl and an older boy Wood's age: Macaulay Culkin. Behind Culkin's angelic visage, naturally, lurks the soul of a devil. Wood suspects the evil, but no one will believe him, and so he is left alone to try to stop the increasingly deadly games his cousin is playing.    Director Joseph P. Ruben made something of a career of telling tales of domestic horror, what with this, The Stepfather and Sleeping with the Enemy. He claims, in the featurette, to want to reverse our expectations about Culkin's character, which is, of course, nonsense: we know going in that he's bad. And familiar as Evil Child territory is (think The Bad Seed, The Other, The Omen, etc., etc., etc.), this is still an effective example of the genre, benefiting from an admirably economical narrative.    The menu is basic, as are the extras: the theatrical trailer, and the usual featurette. Nuthin' special.    Very much a catalogue-filler release, with no real value-added on this disc. Sound and picture are acceptable, and the movie is a decent 86 minutes

SOLUTION: POS

PROBLEM: Why waste the cash . This is a poor excuse of a movie. The actors are less than right for these rolls. I will be selling this movie used if anyone wants to waste the cash...

SOLUTION: NEG

PROBLEM: Bizarre Entertainment . The greatest crime you can commit whilst watching a David Lynch film is to NOT watch it in one-sitting; a reason as to why Mr. Lynch did not condone the insertion of chapter breaks in the original 'Mulholland Drive' DVD&#8212;it happens to be the incentive for the viewer to sit through the whole film in unremitting concentration, a sort of meditation. It would also explain his infatuation with 'Transcendental Meditation', which he claims to have been practicing for a number of years, and his desire to instill that peace into his cult following. So, if by any chance you want to unravel this smorgasbord of haunting sexuality, bloody violence, and the mystical bizarreness which is 'Lost Highway' then it is wise to stray away from the conviction of a linear plot. It is much more lucrative to compare the chief theme of each his films rather than trying to put together the scattered images of one film&#8212;let&#8217;s say, as an example, the 'Mystery Man' (Played by Robert Blake in this particular film) and the 'Cowboy' from 'Mulholland Drive'; you can draw the correspondence at once by comparing their facial elements: mainly the shaved eyebrows. Therewith, one can surmise what Lynch tried to personify by those two characters&#8230;a singularly obscure despot&#8212;evil&#8212;like the devil, and also the gateway into the supernatural. Indeed, in a recent interview, director Lynch confessed that Lost Highway and Twin Peaks take place in the same world&#8212;which is more than enough evidence for us to navigate all his films since 1977&#8217;s 'Eraserhead' and search for cohesion on the whole rather than through one individual film. All this aside, 'Lost Highway' is certainly a worthy experience; it is singularly intriguing, interspersed with bizarre sexual liaisons and a chilling soundtrack&#8212;a mix of hard-edged techno-industrial, slightly spooky jazz, and orchestral compositions from Angelo Badalamenti. Patricia Arquette & Bill Pullman pull off memorable performances as the husband and wife whose marriage is on the rocks, Balthazar Getty is thoroughly convincing as the 'reincarnation' of Fred Madison (Bill Pullman&#8217;s character in the story) and Robert Loggia playing the sinister mob boss with insidious perversions. 'Lost Highway' may at times frustrate you with its non-linear narrative or it just might not be on-par with your taste, yet you don&#8217;t have to be genius to figure out that during our brief span of consciousness David Lynch certainly knows how to screw our nerves.

SOLUTION:
POS