Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.
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Question: CONTEXT: Finally found time to scan through the book. In it, Robert Highland is not an Inspector but rather a Sergeant. He is the #2 Scotland Yard officer working with the Sean Miller investigation after Commander Owens, although Owens thought he had a good mind for investigations and would make a fine Inspector some day. In the book version of events, Highland did not know about the schedule or route - they were picked by Commander Owens. Highland also did not have the conversation with Miller, and he survived the rescue despite being shot, remaining in critical condition with the bullet lodged near his spine. He then spent several months learning to walk again with a cane and leg braces. There is no indication in the book that Robert Highland was allied, or even sympathetic to, Kevin O'Donnell or his group of terrorists.  <sep>  Q: Was Inspector Highland the inside man? A: There is no indication in the book that Robert Highland was allied, or even sympathetic to, Kevin O'Donnell or his group of terrorists 

Answer: When did the officers not seem to know what was going on?


Question: CONTEXT: Elgar's Enigma variations - and Nimrod, in particular - have long been a part of the British consciousness. Interestingly, Elgar ended up writing 14 variations (Nimrod being number 9). Zimmer is trying to instil the patriotism that the variations have done for the British over the past century. Calling his own composition Variation 15 implies a continuation of Elgar's original works.  <sep>  Q: What is the significance of Nimrod to Dunkirk's original score? A: Elgar's Enigma variations - and Nimrod, in particular - have long been a part of the British consciousness  Q: What do you mean by part of British conciousness? A: Zimmer is trying to instil the patriotism that the variations have done for the British over the past century  Q: Oh I see, isn't is unusually long for a soundtrack? A: Interestingly, Elgar ended up writing 14 variations (Nimrod being number 9 

Answer: That is very interesting...do you know why he'd do so many variations?


Question: CONTEXT: The implication is that the inmates are potentially violent and presumably the biggest danger from unarmed but psychotic patients is biting/scratching/gouging at the face and eyes. Clearly the protection is deliberately crude and underlines the primitive and brutal conditions in that setting in a way that more refined protection might not. You could also speculate that the head cages reflect the appearance of the barred cells and by placing them on the guard's heads it is a metaphor for the idea that the inmates are prisoners of their own madness. Equally by obscuring the guards faces with a crude and claustrophobic cage they are somewhat dehumanised and more like automata than medical staff. Indeed the whole visual style of the film uses a lot of elements which evoke stylized dreamlike of hallucinogenic states which confuse individual sense of identity and many of the characters are driven by some sort of obsession and it is implied that Dr Seward is as much a prisoner of his work as the peopel he treats (or at least studies).  <sep>  Q: Why are the asylum guards wearing cages on their heads? A: The implication is that the inmates are potentially violent and presumably the biggest danger from unarmed but psychotic patients is biting/scratching/gouging at the face and eyes 

Answer:
was there any other types of protection?