In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

This movie strikes me as one of the most successful attempts ever at coming up with plausible answers for some of the nagging questions that have cropped up in recent scholarship concerning the "Passion" (suffering and death of Christ) accounts in the New Testament. (What motivated Judas if money was not the issue? What could bring the Sanhedrin to meet on a high holy day? Why did Pilate waffle?) It is a movie for the serious, thinking Christian: fans of "The Passion of the Christ" will no doubt be disappointed by the lack of gory spectacle and arch characterization. As for myself, I find the portrait painted here--of the willingness of ordinary people to so blithely sacrifice common decency when their own self-interest is at stake--far more realistic and deeply unsettling. (The disinterested, "just doing my job" look on the face of the man who drives the first nail in Christ's wrist is as chilling as any moment in film.) The film makes no claim to "authenticity", but the settings and costuming invariably feel more "right" than many more highly acclaimed efforts. It is a slow film but, if you accept its self-imposed limits (it is, after all, "The Death"--not the Life--"of Christ"), ultimately a very rewarding one.
positive

Canadian filmmaker Mary Harron is a cultural gadfly whose previous films laid bare some the artistic excess of the Sixties and the hollow avaricious Eighties. With "The Notorious Bettie Page" she points her unswerving eye at Fifties America, an era cloaked in the moral righteousness of Joe McCarthy, while experiencing the beginnings of a sexual awakening that would result in the free love of the next decade. Harron and her co-writer Guinevere Turner, are clearly not interested in the standard biopic of a sex symbol. This is a film about the underground icon of an era and how her pure unashamed sexuality revealed both the predatory instincts and impure thoughts of a culture untouched by the beauty of a nude body. If the details of Bettie's life were all the film was concerned about, then why end it before her most tragic period was about to begin. Clearly, Harron is more interested in America's attitudes towards sexual imagery then and now. Together with a fearless lead performance by Gretchen Mol and the stunningly atmospheric cinematography of W.Mott Hupfel III, she accomplishes this goal admirably, holding up a mirror to the past while making the audience examine their own "enlightened" 21st Century attitudes towards so-called pornography. As America suffocates under a new conservatism, this is a film needed more than ever.
positive

We know from other movies that the actors are good but they cannot save the movie. A waste of time. The premise was not too bad. But one workable idea (interaction between real bussinessmen and Russian mafia) is not followed by an intelligent script

negative