You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Q:  Clarence and Emmeline Mumford are a middle-class couple, living in suburban Sutton on the outskirts of London with their two-year-old son. Reading the newspaper, they become aware of a young woman seeking a place as a "paying guest", or lodger. To supplement their income they respond to the advertisement and meet the prospective tenant, named Louise Derrick, who is in need of a place to live due to disagreements with her immediate family. Louise, who is poorly educated and bad-tempered, is being romantically pursued by two men: Mr Bowling, who is courting Louise's stepsister Cecily, and Tom Cobb.
The Mumfords do not get on well with their "paying guest", and attempt to persuade her to leave. This does not happen, and a series of events further disrupts the Mumfords' lives, including a private meeting between Louise and Clarence Mumford, which makes Clarence's wife jealous. Louise briefly and half heartedly seems to encourage Bowling's wooing of her, now that his courtship of Cecily is over, but Cobb makes a surprise trip to the Mumfords' home to pursue Louise. Louise, tripping on a chair Cobb had knocked over during the confrontation, accidentally starts a fire in the drawing room of the property, injuring Louise, who is then confined to bed for several weeks.
Eventually, Louise's time as the Mumfords' "paying guest" comes to an end, and she marries Cobb.

A: WHO WAS THE MUMFOR'D'S PAYING GUEST?
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Q:  In 1858 Texas, the Speck brothers, Ace and Dicky, drive a group of black slaves on foot. Among the shackled slaves is Django (Jamie Foxx), sold off and separated from his wife, Broomhilda von Shaft (Kerry Washington). The Speck brothers are stopped by Dr. King Schultz (Christoph Waltz), a German dentist-turned-bounty hunter from D sseldorf, who asks to buy one of the slaves. He questions Django about his knowledge of the Brittle brothers, a group of outlaws for whom Schultz is carrying a warrant. Schultz, a superior gunslinger, immediately kills Ace with a Fast draw. King insists on honorably paying Dicky a fair price for Django before leaving him at the mercy of the newly-freed slaves, who kill him and follow the North Star to freedom. As Django can identify the Brittle brothers, Schultz offers him his freedom in exchange for help tracking them down. After tracking and killing the Brittles, the liberated Django partners with Schultz through the winter and becomes his apprentice. Schultz explains that he feels responsible for Django since Django is the first person he has ever freed, and felt morally obliged to help Django reunite with Broomhilda. Now fully trained, Django collects his first bounty, keeping the handbill for good luck.
In 1859, Django and Schultz travel to Mississippi, where they learn the identity of Broomhilda's owner: Calvin J. Candie (Leonardo DiCaprio), the charming but cruel owner of the Candyland plantation, where slaves are forced to fight to the death in brutal wrestling matches called Mandingo fights. Schultz and Django meet Candie at his gentleman's club in Greenville and submit their offer to buy one of his best fighters. Intrigued, Candie invites them to his ranch at Candyland. After secretly briefing the German-speaking Broomhilda, Schultz claims to be charmed by her and offers to buy her as well. During dinner, Candie's staunchly loyal house slave Stephen (Samuel L. Jackson) becomes suspicious of Schultz and Django's motives. Deducing that Django and Broomhilda know each other and that the sale of the Mandingo fighter is a ruse, Stephen alerts Candie and admonishes him for his greed. Candie offers an alteration of the original deal, with Broomhilda taking the Mandingo fighter's place at the same price, and threatens her death should the deal be rejected. Schultz agrees, and the papers for her freedom are drawn up and signed. Candie smugly insists that the deal be sealed through a handshake, which Schultz initially refuses. When Candie threatens again to kill Broomhilda, Schultz snaps and kills Candie with a concealed derringer. Candie's bodyguard Butch Pooch kills Schultz and Django kills him in turn, and an extensive gunfight begins. Django guns down a great number of his opponents, but surrenders when Broomhilda is taken hostage.
The next morning, Stephen tells Django that he will be sold to a mine and worked to death. En route to the mine, Django proves to his escorts that he is a bounty hunter by showing them the handbill that Schultz said was good luck from his first kill. He convinces them that there is a large bounty for criminals hiding at Candyland, and promises that they would receive the majority of the money if they free him. The escorts release him and give him a pistol, which he uses to kill them before stealing a horse and returning to Candyland with a bag of dynamite.
At the plantation, Django kills more of Candie's henchmen, takes Broomhilda's freedom papers from the dead Schultz's pocket, bids goodbye to his late friend and frees his wife from a nearby cabin. When Candie's mourners return from his burial, Django kills the remaining henchmen and Candie's sister Lara Lee Candie-Fitzwilly, releases the two remaining house slaves, and kneecaps Stephen. Django then ignites the dynamite that he has planted throughout the mansion, and he and Broomhilda watch from a distance as the mansion explodes with the incapacitated Stephen inside, before riding off together.

A: After escaping being sent to the mines, what did Django need to retrieve from the Candyland plantation along with Broomhilde?
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Q:  In his Translator's Introduction to Schopenhauer's The World as Will and Representation, E. F. J. Payne concisely summarized the Fourfold Root.
Our knowing consciousness...is divisible solely into subject and object. To be object for the subject and to be our representation or mental picture are one and the same. All our representations are objects for the subject, and all objects of the subject are our representations. These stand to one another in a regulated connection which in form is determinable a priori, and by virtue of this connection nothing existing by itself and independent, nothing single and detached, can become an object for us. ...The first aspect of this principle is that of becoming, where it appears as the law of causality and is applicable only to changes. Thus if the cause is given, the effect must of necessity follow. The second aspect deals with concepts or abstract representations, which are themselves drawn from representations of intuitive perception, and here the principle of sufficient reason states that, if certain premises are given, the conclusion must follow. The third aspect of the principle is concerned with being in space and time, and shows that the existence of one relation inevitably implies the other, thus that the equality of the angles of a triangle necessarily implies the equality of its sides and vice versa. Finally, the fourth aspect deals with actions, and the principle appears as the law of motivation, which states that a definite course of action inevitably ensues on a given character and motive.

A:
What inevitable ensues on a given motive?
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