In this task, you are given the abstract of a research paper. Your task is to generate a summary of this abstract. Your summary should not be very short, but it's better if it's not more than 30 words.
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Question: We present Line-Storm, an interactive computer system for creative performance. The context we investigated was writing on paper using Line-Storm. We used self-report questionnaires as part of research involving human participants, to evaluate Line-Storm. Line-Storm consisted of a writing stylus and writing pad, augmented with electronics. The writing pad was connected to a contact microphone, and the writing stylus had a small micro-controller board and peripherals attached to it. The signals from these electronic augmentations were fed into the audio-synthesis environment Max/MSP to produce an interactive soundscape. We attempted to discover whether Line-Storm enhanced a self-reported sense of being present and engaged during a writing task, and we compared Line-Storm to a non-interactive control condition. After performing statistical analysis in SPSS, we were unable to support our research hypothesis, that presence and engagement were enhanced by Line-Storm. Participants reported they were, on average, no more present and engaged during the experimental condition than during the control condition. As creativity is subtle, and varies with person, time, context,  space and so many other factors, this result was somewhat expected by us. A statistically significant result of our study is that some participants responded to Line-Storm more positively than others. These Preservers of Line-Storm were a group, distinct from other participants, who reported greater presence and engagement and who wrote more words with Line-Storm and during the control condition. We discuss the results of our research and place Line-Storm in an artistic-technological context, drawing upon writings by Martin Heidegger when considering the nature of Line-Storm. Future work includes modifying interactive components, improving aesthetics and using more miniaturized electronics, experimenting with a drawing task instead of a writing task, and collaborating with a composer of electronic music to make a more interesting, immersive, and engaging interactive soundscape for writing or drawing performance.

Answer: Interactive stylus based sound incorporating writing system


Question: We study the behavior of weight-tied multilayer vanilla autoencoders under the assumption of random weights. Via an exact characterization in the limit of large dimensions, our analysis reveals interesting phase transition phenomena when the depth becomes large. This, in particular, provides quantitative answers and insights to three questions that were yet fully understood in the literature. Firstly, we provide a precise answer on how the random deep weight-tied autoencoder model performs “approximate inference” as posed by Scellier et al. (2018), and its connection to reversibility considered by several theoretical studies. Secondly, we show that deep autoencoders display a higher degree of sensitivity to perturbations in the parameters, distinct from the shallow counterparts. Thirdly, we obtain insights on pitfalls in training initialization practice, and demonstrate experimentally that it is possible to train a deep autoencoder, even with the tanh activation and a depth as large as 200 layers, without resorting to techniques such as layer-wise pre-training or batch normalization. Our analysis is not specific to any depths or any Lipschitz activations, and our analytical techniques may have broader applicability.

Answer: We study the behavior of weight-tied multilayer vanilla autoencoders under the assumption of random weights. Via an exact characterization in the limit of large dimensions, our analysis reveals interesting phase transition phenomena.


Question: Vanilla RNN with ReLU activation have a simple structure that is amenable to systematic dynamical systems analysis and interpretation, but they suffer from the exploding vs. vanishing gradients problem. Recent attempts to retain this simplicity while alleviating the gradient problem are based on proper initialization schemes or orthogonality/unitary constraints on the RNN’s recurrency matrix, which, however, comes with limitations to its expressive power with regards to dynamical systems phenomena like chaos or multi-stability. Here, we instead suggest a regularization scheme that pushes part of the RNN’s latent subspace toward a line attractor configuration that enables long short-term memory and arbitrarily slow time scales. We show that our approach excels on a number of benchmarks like the sequential MNIST or multiplication problems, and enables reconstruction of dynamical systems which harbor widely different time scales.

Answer:
We develop a new optimization approach for vanilla ReLU-based RNN that enables long short-term memory and identification of arbitrary nonlinear dynamical systems with widely differing time scales.