In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.
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Question: Om Prakash Makhija (Shah Rukh Khan) is a junior artist in the 1970s Hindi film industry, in love with film star Shanti Priya (Deepika Padukone). One evening, Om views the premiere of Shanti's film Dream Girl, posing as Manoj Kumar. Later that night, Om becomes drunk and describes his vision of himself as a famous, wealthy film star winning the Filmfare Award for Best Actor to his friend Pappu (Shreyas Talpade) and some local children. At the shooting of a later film, Om rescues Shanti from a fire scene where the fire has escaped control, and they become friends. One day, after following Shanti, he overhears her and producer Mukesh Mehra's (Arjun Rampal) conversation, that Mukesh and Shanti have married in secret and Shanti is pregnant and expects a traditional wedding. Mukesh pretends to be happy with the news, and invites Shanti at the set of their soon-to-be-made film Om Shanti Om. Mukesh promises to cancel the film, reveal their marriage to the public, and have a grand wedding on the set; but instead traps Shanti on the set and sets it on fire to prevent a financial loss and to protect his career. Shanti tearfully begs Mukesh to release her but he leaves anyway.Om, who happens to be at the same location that night, attempts to rescue Shanti, but is attacked by Mukesh's guards. After the guards leave, he again attempts to rescue Shanti and enters the set. He finds Shanti but he is thrown from the building by an explosion. The building explodes after he is thrown from it and Shanti appears to have died.Outside, Om is hit by a car owned by Rajesh Kapoor (Javed Sheikh), a well-known actor taking his wife Lovely to the hospital to give birth. At the hospital, Om remembers his moments with Shanti as he dies due to these injuries while Lovely gives birth to a son, also named Om.Om reincarnates as Om Kapoor and sets out to avenge Shanti's death. He is nicknamed "O.K.", and lives the luxurious life imagined by Om Prakash, but experiences pyrophobia and subconsciously inherits Om Prakash's memories. In acceptance of an award, O.K. unexpectedly delivers Om Prakash's drunken speech to the assembly. Pappu hears this on television. At a celebration of his award, O.K. is introduced by his father to Mukesh Mehra, and remembers the events that happened in his past life thereupon completely recovering Om Prakash's memories. He later reunites with Om's mother Bela (Kirron Kher) and Pappu and conspires to avenge Shanti's death by making Mukesh confess his crime.To that end, O.K. convinces Mukesh to restart Om Shanti Om, while scheming to convince Mukesh that Shanti's spirit is haunting him. To impersonate Shanti, O.K. finds Sandhya, a.k.a. Sandy, a doppelgÃ¤nger of Shanti. Throughout the film's shooting, O.K. and his friends arrange incidents to remind Mukesh of his crime. During the music launch of the film, O.K. taunts Mukesh by revealing, through a song, the extent to which he knows the story of Shanti's death. But when Mukesh runs after Sandy thinking she is a ghost of Shanti, Sandy accidentally cuts her arm and bleeds. Seeing this, Mukesh realises that she is not Shanti's ghost. But when he is about to confront O.K, he is suddenly hit by the set's chandelier.After Mukesh wakes up, O.K. confronts Mukesh but is shocked when Mukesh reveals that he knows who Sandy is. During the quarrel, Sandy shows up. O.K. tries to send Sandy back. Sandy reveals that Mukesh, after the fire ceased to burn, found that Shanti survived the fire, but he buried her alive below the chandelier. O.K. is confused about how Sandy knows this. Mukesh attempts to shoot Sandy, shocked by the extent to which she knows about the murder, but Mukesh and O.K. fight, which results in yet another fire. Just when O.K. is about to kill Mukesh, Sandy stops him, says that Mukesh will not die by his hand, and the chandelier drops on Mukesh, killing him instantly. Pappu and Sandy join O.K. O.K. is shocked when he sees the real Sandy and realises the person he assumed Sandy was actually Shanti's soul. The soul smiles warmly towards Om and tearfully bids him goodbye . The film ends with Shanti's soul leaving the scene and disappearing into the light.

Answer: Question: What is Rajesh Kapoor's profession?, Answer: Actor


Question: The film can be seen as an allegory of post-World War II Eastern European political systems - told as a black-and-white cinematic poem with 39 long, single-camera takes. It examines the brutalization of a society, its political systems and ethics through the metaphor of a decaying circus whale and its star performer. It is set in a desolate, isolated small town in Hungary during Soviet times.The film starts with JÃ¡nos Valuska, a simple person, conducting a poem and dance with drunken bar patrons. The dance is of the total eclipse of the sun, which disturbs, then silences the animals. It finishes with the grand return of the warm sunlight.One of the significant reoccurring characters in this plot is the subtle transitions between light and darkness. The first appearance of this motif is a lamp in the bar, moving to a door into the darkness. The circus arrives like a Trojan Horse in the darkness of night. A window is opened as a glimmer of hope and dressed to shut out the world. The antagonist is only ever seen as a shadow.JÃ¡nos' uncle GyÃ¶rgy is a composer, and therefore one of the intelligentsia. GyÃ¶rgy observes the imperfection and compromise of the musical scale (as defined by Andreas Werckmeister a historical theorist). GyÃ¶rgy proposes changes to the scale to make it more harmonious. This utopian approach to music represents a flawed, naive idealism that never can be achieved; it is not developed any further in the film or the book. It is just a statement indicating that human governance will always be flawed.GyÃ¶rgy's estranged wife tries to leverage her political and social status by giving GyÃ¶rgy a list of names to recruit for the "clean up the town movement" (with the blessing of the police chief).However, a stuffed smelly circus whale and its star performer, Prince, come to town in the silence and darkness of night. This is a metaphor for a bloated political system and the unseen Prince who represents the power of politically inspired, emotive dogma.JÃ¡nos philosophizes about God and the beast.The post office workers are unsettled by the ominous signs of the circus' arrival and are disturbed by the cloud that settles over each town it visits, a reference to the spread of the externally imposed centralised monolithic government system onto all the Soviet buffer nations just after the war.GyÃ¶rgy's struggling cobbler brother gets the list and passes it on to the agitated throbbing masses in the town square who are unhappy at public services failing. GyÃ¶rgy's former wife sleeps with the drunk gun toting police chief.The presence of the whale and the Prince stir up the masses. JÃ¡nos overhears the circus master losing control of his faceless Prince, who is becoming drunk with his own voice of revolutionary dogma. The circus master disowns him. The Prince, now free, inflames the masses, and the people riot.The film is shot as a visual poem, and has been described as both beautiful and haunting. Lengthy single-shot scenes with a hypnotic and rhythmic pace build up to the peaceful observation of the thuggish destruction of the hospital and its patients. The rioters are brutal. Their inhumanity almost seems normal and natural. When the rioters finally come to beat a helpless old naked patient, they see their impotent, sad and powerless selves. The patients they are destroying in the hospital are themselves.After the riot, JÃ¡nos comes across the diary of a rioter. It explains that the rioters did not know what they were angry with; so they were angry at everything. Then it recounts the mobs horrendous rape of two working class post office girls.JÃ¡nos comes across his killed cobbler uncle who got naively involved in the riot. JÃ¡nos is told, by his cobbler uncle's wife, to leave town for his own safety.He is intercepted by a helicopter. He finds himself committed to a mental institution with caged beds (a tool of the time for dealing with political dissidents). JÃ¡nos appears drugged and broken.GyÃ¶rgy, his composer uncle, is evicted from their society house but gets to live in a shed in the garden whilst GyÃ¶rgy's former wife, with her new status as a collaborator, now occupies the big house with the police chief. The intelligentsia is displaced by political opportunism.GyÃ¶rgy tells a vacant JÃ¡nos, in the ward, that if he is released from the mental institution they can live contentedly together in the shed with his piano. GyÃ¶rgy also mentions that he has re-tuned the piano so that is now like any other, a personal capitulation apparently abandoning any present hopes of reform. JÃ¡nos just stares.It finishes with GyÃ¶rgy looking directly into the eye of the whale, then, walking away and looking back at the now sad and disheveled whale, destroyed by the rioters the night before, its rotting carcass slowly enveloped by the fog which gets whiter and brighter. Warm bright sunlight returns.

Answer: Question: Where is his composer uncle evicted from?, Answer: the society house


Question: Doug and Helen Stilwin (Barry Sullivan and Barbara Stanwyck) along with their son Bobby (Lee Aaker) embark on a vacation into desolate Baja California in Mexico to a remote, deserted fishing spot along the coast that her father used to frequent with his old military buddies. At a roadside barricade heading into the Baja outback, they are inspected by police but are not told about an American killer who has escaped from prison and is at large in the area.Upon arrival at the secret fishing spot, young Bobby goes exploring out onto a precarious, rotting jetty high above the water. His foot gets stuck in a crack between boards, and when Doug gets him out, the jetty collapses and a wooden piling falls on Doug's leg and traps him on the beach just as the tide is coming in. Helen nearly succeeds in lifting the piling with their car jack, until the jack breaks. They quickly determine that if Doug is not freed within a few hours, he will drown in the rising surf.Helen leaves with the family car in an attempt to find help. She comes across a family of Mexican ranchers, but the language barrier prevents them from realizing that she is looking for rope until she is far gone. Helen then comes across a small house and finds rope, but seemingly out of nowhere, a man (Ralph Meeker) appears. Helen asks for help and the man gets in the car, but around the corner of the house, it is revealed that the man just killed a worker, and is the fugitive, Lawson, the police are looking for. He takes her hostage, and threatens to kill her if she reveals to the police that he is the fugitive.Meanwhile, the rising tide back at the jetty causes Doug to have a heart-to-heart with Bobby, telling him he is proud of his son and hopes he will face the challenges ahead with strength. A boat passes close to their location, and shouts are exchanged, but thinking the family is just tourists on a beach outing, the boat crew does not stop.Lawson runs through a police roadblock, and eventually blows out a tire. As he attempts to change the tire, Helen tries to hit Lawson and flee, but he catches her. Another police car catches up with them, but Lawson's driving forces the police off the road and the police car flips and kills the officers. Lawson hides out in an abandoned house to wait for the police to pass. While there, in an act of desperation and steely resolve, Helen offers to consummate with Lawson and go with him if that means saving her husband. Lawson, having just escaped from prison, takes her up on the offer, and the two show up to help Doug just as the tide is rising over Doug. Lawson latches the fallen piling to the family car bumper and tries to pull the piling loose, but this tactic is unsuccessful. Ultimately, Lawson uses a plank to wedge the piling off Doug, saving his life.Helen offers to hold up her end of the bargain and leave with Lawson â thus giving him a pretext to escape as a couple â but he sees the goodness in her and escapes in the car alone. However, he turns back when he hears police sirens, and Lawson and Helen share an understanding handshake as he escapes on foot down the rocky coastline.

Answer:
Question: Who is the man Helen comes across?, Answer: The fugitive, Lawson