Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Q: CONTEXT: It's in Parry's mind. At the start of the scene, people in Grand Central Station are just walking, making noise, chaotic. Parry is looking for Lydia, whom he is in love with. When Parry sees Lydia, classical music starts, and the chaotic crowd is now in sync (in Parry's mind). They begin waltzing around him. Parry has a smile on his face. He follows Lydia through the sweetly dancing couples, all the way across Grand Central Station, and the universe is in harmony, for him. When he finally loses sight of Lydia on the other side, the couples go back to being a crowd, and the music stops and is replaced with the dissonant noises of the throng. Here is the scene: EDIT I also found an interview with director Terry Gilliam (below) regarding that particular scene. In the video, at 2:10, he says, "I just love the idea of Perry being so in love that, you know, the world changes to whatever dreams he has."  <sep>  Q: Why people were dancing at the subway? A: When Parry sees Lydia, classical music starts, and the chaotic crowd is now in sync (in Parry's mind). They begin waltzing around him  Q: What makes the crowd so chaotic? A: At the start of the scene, people in Grand Central Station are just walking, making noise, chaotic  Q: Is there anything you can tell me about the Subway the movie was filmed in? A: Grand Central Station  <sep> FOLLOWUP_Q: How many people were involved in the dance scene at the subway?

A: Yes
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Q: CONTEXT: It is a common fact on TV that combat and injuries are stylized to make it look good rather than realistic. Have a look at pretty much any film fight where someone knows a martial art and compare that to someone who knows a martial art fighting for real. They are worlds apart. Even if you look at American Wrestling and BJJ you can see the difference. Knocking someone out with one punch is extremely difficult, especially if they are used to combat. I have taken an unpulled hit from a quarter staff on the top of my head which caused me to blackout later but I still didn't go down at the time. After almost 20 years of martial arts and living in rough areas I have only been knocked unconscious with one punch once, when I was 17 by the European Kickboxing champion. I was punched to the ground by a bouncer in Portsmouth when I was 20 but was still conscious until he stamped on my head. Most of the people in the Walking Dead would have starved or succumb to injuries by now if they were suffering this scenario for real. Not to mention being struck down by illness. It is just a convention of the media that people are routinely knocked out in one hit and recover completely when the plot demands it and don't when the plot demands that instead.  <sep>  Q: Are there a lot of head injuries in the Walking Dead? A: It is just a convention of the media that people are routinely knocked out in one hit and recover completely when the plot demands it and don't when the plot demands that instead  <sep> FOLLOWUP_Q: Who is one of the characters that has a lot of head injuries?

A: No
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Q: CONTEXT: It's the same for professional as well as amateur actors - I've known some pros that have a hard time reaching the crying point. One technique includes allowing the actor to focus on the saddest memory they have, in solitude, then pull them out for the take. I recall seeing a documentary that showed Gary Oldman looking through a book of photos of his family (he had just split from Uma Thurman) on the set of Dracula that got him to the point of sorrow that Coppola wanted. I have worked with some amazing amateur actors that would work themselves up into a state before filming. One actress imagined something terrible happening to her sister, and she delivered a very powerful performance (that got the crew all choked up). If all else fails, the vapors from an onion can induce tears (but also cause redness), or a few drops of glycerin in the corners of the eyes can be released - but nothing beats real tears. I have also heard of directors bullying/belittling actors to the point of melt-down, just to get the shot they want. But that's a pretty extreme way to go about it.  <sep>  Q: What techniques are used by directors to make an actor cry? A: One technique includes allowing the actor to focus on the saddest memory they have, in solitude, then pull them out for the take  Q: Is crying in a movie scene something that can be learned by practice or only talented people can perform? A: It's the same for professional as well as amateur actors - I've known some pros that have a hard time reaching the crying point  <sep> FOLLOWUP_Q: What techniques are used to help younger actors cry in a movie scene?

A:
Yes
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