In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: it was with a huge lack of something to do that i decided to watch this on good old upn on sunday afternoon , when the only good things on tv are the second - rate movies they show ( some are good : they showed " total recall " before this one ) . if you know me , i think seagal is probably the most boring action star to ever live .
and this includes keanu reeves .
what do i hate about seagal ?
i hate how he uses one facial expression for every single threatening and non - threatening situation ( the squint ) .
i hate those scenes in every movie where he goes around , bullying people up , saying stupid lines with a brooklyn accent more fake than burt reynold 's hairpiece in " boogie nights .
" i despise how he never gets a bruise
in any of his fights .
i hate how every single plot twist leads to just a melodramatic fight between he and the chief villain .
i hate his non - satirical messages ( in the beginning of this one , he slaps on a quote from arthur miller , which has nothing to do with the film , except it 's about brooklyn where this film takes place ) .
and i hate how he 's so narcissistic that he thinks that he can actually fucking sing
( during the end credits , he has a good old hill billy rock tune sung and penned by him ) .
sure , the guy 's probably a nice guy in person
( i actually found him very non - threatening when he was on letterman not too long ago ) .
but the guy makes worse films than reagan did .
so what 's the plot of this shit - terpiece ?
well .
. .
something about him trying to catch a stupid - ass crook ( william forsythe ) who shot and killed his partner in broad daylight .
i could n't believe how bad this scene was - the guy was conveniently with his family so we get the maximum emotional effect ( ahem ! ) .
and forsythe even said some stupid lines to him before he took off .
i 'm sorry , did anyone ever hear of concealing one 's self ?
so in comes ex - brooklynite seagal , who dedicates his life to catching this guy .
and i just wished he had caught him in the beginning , then ended the film .
but noooo ,
this drags on , as he bullies forsythe 's family members ( including a stupid bar - owner , and none other than gina gershon as his other bar - owner sister ) .
and forsythe more than once threatens his family .
at one point , he actually comes to their house and stalks them like a non - threatening nicholson in " the shining " ( complete with them all hiding in the bathroom , but with an added bonus of one girl conveniently loosing her cool and screaming to give them away ) .
seagal paints himself as a lovable person , with a son , and a fiancee .
he even shows him hanging with his son , checking up on his homework , and then about to take him out for a bit of " catch , " when he 's conveniently called away on assignment .
i dunno about you , but playing " catch " with seagal was one of my childhood nightmares .
he also shows him as that bad - ass he wants to be , with scenes of him bullying crooks around , and taking out people who are stupid enough to attack him even after he 's unarmed a chinese guy swinging bats with a pool cue .
serves them right .
this film , as some of his do , has an interesting supporting cast of actors who are actually talented , but do n't appear to be in this film .
i already mentioned gina gershon ( who 's pretty horrible in this one ) , as well as william forsythe , who over - acts terribly .
i know this guy can act : he was awesome in " raising arizona " as goodman 's partner in crime .
but he 's just awful here .
jerry orbach gives the only credible performance in the film as the police chief who checks up on segal after things have gone down .
why is he the only one who gives a good performance ?
well , because his role is small enough and sporadic enough to not tarnish his credibility .
he seems to be in here just to give it a cool " law and order " feeling ( even if it 's not a " cool " feeling ) .
and in cameos are b - rated erotic - thriller - cinemax - style stars , shannon whirry ( as " terry malloy , " which is more of a bad joke than a clever one ) and athena massey .
oh !
and " er " 's
julliana margiulles has two scenes .
" out for justice " just proves once again that american action films just suck .
i know that there 's such a good thing as good action - he 's called john woo .
but if you 're in the mood for some good old no - brainer , fun - yet - dumb action , do n't bother watching this .
it 's so stupid that it 's boring .

Output: N


Input: Consider Input: after a rather disappointing " mary railly " , stephen frears is now officially back in business with a comeback worthy of praise .
this is one of the best surprises of this season -- a sweet , small budget comedy with a big heart
.
in fact it 's not even a comedy .
it 's a drama or even more precise -- a clever satire on human relationships and needs .
based on a 1995 critically acclaimed novel by british author nick hornby , ` ` high fidelity ' ' is a wry and likable story about a man 's quest for fulfillment and happiness .
rob gordon was a dj .
it seems that he could make everything spin -- except his own life .
now he owns championship vinyl , a little musical store , somewhere in new york .
when he suddenly gets dumped by his girlfriend , a gorgeous blond attorney , life suddenly looses every purpose .
decimated , humiliated and on the verge of a mental ( and emotional ) breakdown , he starts meditating over his life and the way it could have been -- about what 's right and what 's important .
he starts " categorizing " life , dividing it into " top 5 lists " .
and the most important is the " top 5 list " over the most painful breakups of his life , starting with 5th grade , when he found his young girlfriend with another boy .
though you might think that people change , grow more mature with age , it just does n't seem that way and all rob 's relationships were different versions of that first .
where did he go wrong ?
was it he that screwed up ?
or maybe life just stinks ?
while he is lost in his own self - pity , he must think of the " top 5 list " over his needs for the future , find the right elements and mix his life together .
with clever parallels to the cult of celebrity , music and with incredibly direct narration , it addresses the average audience member , in other words -- people like you and me .
although a lot of this honor should be addressed to the screenwriter
_
_
_ _
_ _ and frears , the director , the acting is equally important as the written word .
and here john cusack should absolutely be mentioned .
he is simply superb .
it is as much his movie as it is frears ' .
the film would not be the same without him .
cusack -- whose character is sadder , wiser and 35 -- brings intelligence and warmth to post- mod irony .
most of his dialogue is delivered directly to the camera -- not an easy task -- but cusack pulls it off .
his interpretation feels so emotionally right , so incredibly realistic and precise
that frears ' message simply ca n't be ignored or overseen .
the other members of the cast do an equally remarkable job .
both
_
_
_ _ _
_ and jack black are fabulous .
even catherine zeta jones appears in a role where she actually acts , not just looks beautiful .
however , the most unexpected pleasant surprises is provided by todd louiso who delivers a spectacular comic performance as rob 's co - worker and friend dick .
this is such an impressive achievement that it 's almost worth
a oscar - nomination .
he is simply a joy to behold .
otherwise , everyone are in their place , and at the right time -- all part of frears ' colorful blend .
pretty much like edward norton 's " keeping the faith " , this film does n't follow any formula or belong to any genre
-- it 's dramatic , tragic , sarcastic , comic and even cynical , but never bitter or angry .
it 's a little bit of everything , pretty much like life itself .
nothing seems unreal or staged .
it reflects reality as a mirror .
as you watch it , you go through the same emotional problems as the main character .
you feel and think and reflect .
this effect has become a rarity nowadays .
although it 's primarily about the perils of love , ` ` high fidelity ' ' is secondarily about pop music .
rob owns championship vinyl and his employees , timid dick ( todd louiso ) and overbearing barry ( jack black ) , are fellow music snobs .
music is the language in their lives , the measure by which they define themselves and mark the significant events of their lives .
and so does the movie .
it is as much a musical film as anything else , as rob 's journey is wonderfully portrayed through carefully inserted musical fragments .
in the end , you have gained something while watching it .
it 's not the film of the century or even of the year .
it 's not an special effects extravaganza .
it does n't require big explosions or digital creatures to succeed .
it 's a small movie about the big things .
and even though it does not contain heavy philosophy , you feel as if you have experienced something of significance , and you will experience that nice warm feeling for quite some time .

Output: P


Input: Consider Input: let 's get this one over with as quickly as possible .
if there was a possibility to receive a refund , this review would not be forthcoming .
but as it is , " godzilla " is without a doubt the loudest , longest , and ultimately most amateurishly written film ever released through a major studio .
producer dean devlin and director roland emmerich should be ashamed of themselves , and as penance be forced to return to film school to watch " last year at merienbad " until they can grasp the idea of content and plot .
no amount of hype , no amount of money can hide the fact that these filmmakers are the 90s equivalent to william beaudine ( billy the kid vs .
dracula ) .
" godzilla " opens with stock footage of the bikini atoll nuclear tests interspersed with footage of iguanas playfully swimming and nuzzling their eggs .
we are then introduced to the crew of a japanese fish canning ship ( a questionable enterprise considering that tuna processing is supposed to be supervised to eliminate the netting of dolphins ) .
well , the ship is attacked and sunk by an unseen creature .
later , a group of frenchmen led by philippe roache ( jean reno ) interview the sole survivor .
in a state of shock , the only thing the man can utter is the word " gojira " ( the japanese name of the famed beast ) .
we are then introduced to dr .
nick tatopoulos ( matthew broderick , with a moniker obviously taken from the effects designer of the film ) .
he is currently studying the effects that the chernobyl disaster has had on the local earthworm population .
he is immediately drafted by the u . s .
military and taken to panama where he is shown the huge footprints of a creature .
in a short amount of time , another fishing boat ( loaded with canned tuna from the u . s . and korea for some reason ) is found grounded in jamaica .
well , it seems that whatever is eating these ships is headed for new york .
when the beast finally appears , he tears up one building , stomps a couple of trucks and makes life hell for the incumbent mayor ebert ( thumbs up for new york ) .
the military , with dr .
tatopoulos 's help , have two tons of fresh fish dumped in the middle of new york to lure the beast out of its hiding place in the new york subway system .
it finally comes crashing through the city streets and has a cute face to face with dr .
tatopoulos who snaps the beast 's picture .
the monster eats the fish , the military starts shooting , and the chase is on , with the army causing 90 % of the ensuing damage .
working from a hunch as to why godzilla has decided to come to the big apple , dr .
totopoulos buys a few home pregnancy kits from a local drugstore that has chosen to remain open ( even though new york has been evacuated ) .
well the test proves that the monster is a hermaphrodite and is pregnant .
needless to say , no one believes the good doctor about his discovery , so he must join up with the renegade french secret service agents and find the monster 's nesting site and destroy the eggs before the mayor starts letting the populous back into the city ( even though the monster is n't dead yet ) .
i sincerely hope that i 've completely spoiled any interest anyone might have of seeing this film .
i gave away the relevant plot so that i could spare those of you courageous ( or foolish ) enough to drop down an hour 's wage on this tripe .
everything about " godzilla " reeks almost as bad as the piles of rotting fish used to trap the beast .
the script ( and let 's be clear here ) by devlin and emmerich is so full of plot holes and non characters as to be sure to be the recipient of next years " razzie " award .
the dialogue between maria pitillo ( as audrey timmonds , dr .
tatopoulos ' estranged girlfriend ) and mr .
broderick is so adolescent
, it makes teenagers giggle in disbelief ( as happened during the screening i witnessed ) .
the film could be enjoyably campy if it did n't take itself so damn seriously .
but to what end , as there is no commentary on humanities foibles against nature , nor is there any reference about godzilla being some sort of retaliation against mankind .
no .
godzilla is just a big dummy that got knocked up by some french immigrants and decided to let the state of new york pay for it .
the film is bleak and ugly looking . taking place at night during a rain storm , the movie has little or no depth .
everything is ugly and dark .
new york has never looked so inhospitable since " death wish " .
in an attempt to give the film some color , audrey timmonds carries a bright red umbrella which is unique in that everyone else in the film carries the standard gray issue .
the only moment of composition and color is during the brief scenes on jamaica , where dr .
tatopoulos finds himself standing in a giant footprint .
the scene is nicely photographed but poorly set up .
you know from the outset that nick is standing in a footprint .
for a scientist , this is very poor observation .
let 's look at some of the more interesting plot holes in the film ( this activity , is becoming almost as popular as the kevin bacon game )
: 1 . )
why does the french nuclear tests only affect one clutch of iguana eggs , and how do those eggs fuse into one beast ?
2 . )
why would a cold blooded creature choose a cold climate ( such as new york ) to nest ?
i do n't think iguana 's have a habit of migrating .
3 . )
how can godzilla crawl through the new york subway system , slice a submarine in half , yet be unable to extricate himself from some thin ( in comparison ) steel cable on the brooklyn bridge ?
4 . )
the brooklyn bridge is the only suspension bridge in existence that does not need it 's suspension cables .
5 .
) did godzilla carry all two hundred eggs in her belly ?
if so , then radioactive mutations surely are wondrous creatures .
( note : each egg is 10 feet tall and almost as wide .
godzilla would have to be over 1 , 000 feet tall to carry them all ) .
6 . )
godzilla can crush ships and eat helicopters , but new york cabs are made of stronger steel .
7 . )
godzilla can out maneuver helicopters , bullets , torpedoes and missiles , but ca n't catch you on foot .
8 . )
taxis can out maneuver godzilla .
9 . )
godzilla can burrow through the subway system but ca n't tear through the park avenue tunnel .
10 . )
why was nothing else mutated by the nuclear test as quickly as godzilla ?
maybe a giant hermit crab in the sequel .
11 . )
galapagos iguana 's actually live in the french polynesian islands ?
12 . )
why was dr .
tatopoulos brought in by the military if they were not going to listen to him anyway ?
13 . )
how did they evacuate new york island in less than a day , and how did they convince those new yorkers to go to new jersey ?
14 . )
new york television stations use vhs tape for both filming and broadcasting .
new yorkers hate beta cam .
i could go on and on , but that would only serve to make the film seem more enjoyable than it is .
do n't be fooled , this film has less gray matter than any episode of " america 's funniest home videos " .
the performances in the film are singularly bland .
not one performance belays any awe or fear in the face of this two hundred foot tall terror .
the characters , in the midst of the onslaught , have time to stop and discuss the lack of good coffee , failed relationships , career choices .
the only common occurrence that does n't take place here is having one of the characters have a bowel movement , but then that would have made them believable .
godzilla for the most part is okay .
the design of the beast is funky , if not very memorable .
one thing that comes to mind-- the major redirection of godzilla in this film is to remove his most familiar trademark , namely his atomic breath .
now , i for one ca n't quite fathom how you can call this monster godzilla without that little trait .
a good comparison would be to make a superman film and eliminate his ability to fly .
there is so much wrong with this film that i ca n't really recall anything recently that has left me this cold hearted ( except for my divorce ) .
any film that can have a two ton lizard slipping on gum balls has got to be envisioned under the influence of prozac .
the addition of the baby raptors ( ah , i meant godzillas ) , are nothing but a direct rip off of ' jurassic park " , but with none of that film 's suspense or tension .
suffice to say that , " godzilla " is without a doubt the most brain dead motion picture of the decade
.
this is a film that needed the hype .
with the current level of writing and directing , nothing else about the film succeeds .
if you 've seen the trailers , you 've seen the best parts .
my only suggestion for mr .
d and mr .
e . is that they could always go back to selling shoes . .
this film could be the next " rocky horror " .
only it 's not funny !


Output: N