In this task, you're given a passage, further information available on a particular linked term from the statement, and a question. Your job is to generate the answer to the question by using the information provided. If there is no clear answer obtainable, output 'none'.

Passage: Pinza sang once again under the baton of Toscanini in 1935, this time with the New York Philharmonic Orchestra, as the bass soloist in performances of Beethoven's Missa Solemnis. One of these performances was broadcast by CBS and preserved on transcription discs; this recording has been issued on LPs and CDs. He also sang in Toscanini's February 6, 1938, NBC Symphony Orchestra's broadcast performance of Beethoven's Ninth Symphony. These performances both took place in Carnegie Hall. In March 1942, Pinza was arrested at his home and unjustly detained 3 months on Ellis Island with hundreds of other Italian-Americans who were suspected of supporting the Axis. The incident was extremely traumatic for Pinza, and he suffered from severe depression for years afterward. In October 1947, he performed the role of Méphistophélès in Guonod's Faust opposite his daughter, soprano Claudia Pinza Bozzolla, as Marguerite at the San Francisco Opera.
 Link Information: none Question: How many pieces had Beethoven composed before the one Pinza performed in 1935?
Answer: none

Passage: On the mound, the Reds relied on left-handers Don Gullett and Fred Norman to pacify the Yankee hitters in Games 1 and 2, respectively. Gullett had come back from a mid-season injury to start Game 1 but had to leave the game in the eighth inning due to a twisted ankle while Norman out-pitched ace Hunter in Game 2. Game 3 in New York pitted effective 1976 NL Rookie of the Year Pat Zachry for the Reds against newly acquired Yankee, Dock Ellis. Ellis only lasted innings, exiting in the fourth after a home run by Driessen. Game 4 was delayed a day due to rain, but the Reds were ready for the sweep. Bench's two-run home run gave the Reds a 3–1 lead. In the bottom of the eighth, a frustrated Billy Martin threw a baseball from the dugout onto the field towards home plate umpire Bill Deegan, causing his ejection from the game. In the ninth, Bench's second home run followed by back-to-back doubles by César Gerónimo and Dave Concepción made the score 7–2 and essentially blew the game open. The Cincinnati Reds outscored the New York Yankees, 22–8, and became the first NL team to repeat as World Champions since the 1921–1922 New York Giants. The Reds did not make a single offensive or defensive substitution (save pitching changes) during the entire series. Bench would claim the MVP of the series hitting .533 with two home runs and six runs batted in. His catching counterpart, Thurman Munson, had nine hits, all singles, and a .529 batting average.
 Link Information: The Cincinnati Reds outscored the New York Yankees, 22–8 Question: What is the home stadium of the team that the Cincinnati Reds outscored 22-8?
Answer: Yankee Stadium

Passage: Mitchell was born in London, and educated at Brightlands Preparatory School and Dulwich College, London. In 1943 he registered as a conscientious objector and his war-time service was spent in the Non-Combatant Corps. After the war, he taught at Oakfield Preparatory School, London and in 1947 founded and edited the journal Music Survey; several issues appeared before he was joined in 1949 by Hans Keller and the journal was re-launched in the Music Survey's so-called 'New Series' (1949–52), whose uncompromising critical standards and pugnaciously pro-Britten and pro-Schoenberg stance brought it renown and notoriety in equal measure. Mitchell studied at Durham University 1949-50. In the 1950s he was a regular contributor to the journals Musical Times and Musical Opinion. In 1958 he became editor of Music Books at Faber and Faber and in the same year was appointed Editor of Boosey & Hawkes's music journal Tempo, until 1962. From 1963 to 1964 he was a special music adviser at Boosey & Hawkes with particular responsibility for contemporary music and the acquisition of contemporary composers. He was responsible for Peter Maxwell Davies and Nicholas Maw joining the publisher's list. In 1965, with the encouragement of Benjamin Britten he founded the music-publishing firm of Faber Music, and was its first Managing Director (vice-chairman, 1976, chairman, 1977, president, 1988–95). In 1972 he became the first Professor of Music at Sussex University (until 1976). Following the death of Benjamin Britten, Mitchell became a senior trustee of the Britten-Pears Foundation; in 1986 he became the Foundation's director and chairman of the Britten Estate Ltd. From 1989 to 1992 he was chairman of the Performing Right Society. He was appointed a CBE in the 2000 New Year Honours, and died on 28 September 2017.
 Link Information: none Question: How many students were enrolled at Sussex University the year Mitchell became the first Professor of Music there?

Answer: none