In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

[Q]: The film opens with a voice-over narration from Anne Welles (Barbara Parkins). She reveals how she started a journey toward success by leaving her small New England town for New York City. When she gets to the city, she takes a work assignment with a talent agency, and immediately she starts to discover the harsh realities of show business. The agency sends her to a local theater to deliver contracts to renowned performer Helen Lawson (Susan Hayward). Helen's agent warns Anne not to let her guard down around Helen, and Helen's abrasiveness shocks Anne, who was expecting Helen to be true to her glamorous image. Instead, Helen is tough talking, uses vulgar language, and Anne's idle chatter with Helen sparks a terrible reaction and she sees first hand the evil and selfish woman that Helen really is. When Anne comments that a young woman singing down the hall is very good, Helen agrees, and immediately decides to have the girl fired from the show because the egotistical Helen fears being upstaged. Helen sends Anne back to the office with the contracts in shreds, threatening to leave the agency if Anne's boss doesn't get rid of the competition.The young girl that Helen sees as her rival is Neely O'Hara (Patty Duke), a talented up-and-coming singer. She is distraught when she finds out that her musical number has been cut from the show. Since all that remains for her is just a few lines of dialogue, she decides to leave the show all together. Also part of the show is a lovely showgirl named Jennifer North (Sharon Tate), who sympathizes with Neely when she's cut from the show.When Anne returns to the office to give the news about Helen (whom Anne now refers to as an "evil queen bitch"), she instead finds the agency's younger partner, Lyon Burke (Paul Burke). Burke and Anne are immediately attracted to one another, and when Anne tells Lyon that she wants to leave the agency after her frightening brush with the mean-spirited Helen, Lyon persuades her to stay. Pulling some strings for Anne's new friend, Lyon sets up Neely to appear on a popular telethon, where she is immediately noticed. Neely and her boyfriend, Mel (Martin Milner), live in a humble apartment in New York, but after her career takes off they are married. Neely's popularity skyrockets and her demanding schedule for concerts and singing gigs leads her to start taking pills. Neely first takes caffeine pills to wake her up in the morning as well as amphetamines keep her going during the day, then takes downers to help get to sleep at night.Anne and Lyon embark on a tenuous affair. Anne seems shy about spending the night with Lyon, and she brings up the idea of marriage. Lyon firmly declares himself a bachelor, however, and does not approve of the idea of marriage. When Anne's mother dies, she goes back to her home town to mourn, and Lyon joins her there later. They have a moment of reckoning; Anne makes it clear that she feels cheap for being sexually involved with Lyon knowing that he will never marry her. Lyon leaves a farewell letter for Anne the next day, telling her that he can no longer see her. Simultaneously, Anne gets a sudden opportunity to model for a cosmetics company, and she becomes a nationally known figure. Anne's face now appears on TV commercials, billboards, newspaper and magazine advertisements.Meanwhile, Jennifer begins an affair with Tony Polar (Tony Scotti), a lounge singer whose career is also mounting. Tony's sister, Miriam (Lee Grant), manages every aspect of Tony's life, and reacts to the relationship with icy disapproval. A little later, Jennifer and Tony get married secretly, and Miriam is despondent.Elsewhere, Neely's fame eventually proves to be too much for her. Her Broadway stardom leads to a career in the movies as she relocates to Hollywood, but her addiction to pills (which she refers to as 'dolls') sabotages her life. She loses Mel when he becomes weary of her vicious and unpredictable behavior, as well as her rumored affair with a Hollywood designer named Ted Casablanca (Alexander Davion). When Mel leaves Neely after filing for divorce, she becomes associated with Ted and ultimately marries him.Jennifer's married life with Tony seems happy enough, although Miriam lives with them and obviously imposes on their marriage. After moving to Los Angeles, Jennifer and Tony settle in a house while Jennifer's modeling career flourishes, Tony's career has peaked, having made the crossover into motion pictures without the same drug-induced success as Neely. One evening, Tony begins to lose control of his motor functions, and Miriam finally reveals to Jennifer why she never wanted Tony to marry: Tony suffers from a rare motor-reutron disease called Hunington's Disease, (similar to A.L.S.) that will ultimately render him senseless and eventually kill him. The disease is genetic and was passed down to Tony from his father who died from the disease several years ago. Jennifer is mortified, because she has just discovered she is pregnant.Some months later, Anne and Lyon rekindle their affair after her modeling success, with Anne leaving behind another beau to reunite with Lyon and relocate to Los Angeles (as well as keep in close touch with both Neely and Jennifer), but she still seethes inside over the knowledge that Lyon isn't interested in marrying her. Neely shows up at her house one night while Lyon is on a business trip, and she tells Anne that Jennifer called her wanting to know where she could get an abortion. Neely also offers Anne some of her pills to help her get through her lonely period with Lyon gone, but Anne bitterly refuses. Neely's conversation with Anne sparks something in her; when she confides in Anne that her marriage with Ted is on the rocks, Anne encourages her to try and renew the spark in their relationship. Neely returns home to her home in the Hollywood Hills only to find Ted frolicking in their backyard swimming pool with another woman. They have a bitter fight and Ted walks out on her.Sinking further into alcohol and pills, Neely is thrown off of the current film project she is working on due to her drunkeness and verbal fights with the crew. When Lyon attempts to get her to a sanitarium to dry out, she sneaks off to San Francisco and spends a few days wandering while drunk and stoned. After she is robbed by a strange man, she is finally picked up and taken to a clinic in L.A. by Lyon and Anne. While there, she goes through some horrible withdrawal symptoms and has some bizarre run-ins with the other residents in the sanitarium. However, she is inspired when she discovers that Jennifer's husband, Tony, is also in the same hospital, now almost completely debilitated. Neely and Tony sing a song together in the hospital recreation room before he lapses back into senselessness. This incident prompts Neely to struggle back to sobriety.Jennifer, meanwhile, is struggling with her own demons. She also begins taking pills and booze to help her cope with Tony's absence as well as an escape for her loneliness. Consistently told by her selfish and manipulative mother that she has no real talent and is only known for her beautiful body, Jennifer turns to making "art" films with a French director to make money. She feels her integrity is compromised by doing this, as she is still loyal to Tony and did most of her sexually provocative work before she was married to him. The high cost of Tony's hospital and sanitarium bills forces Jennifer to do the work, and the situation is made worse when she finds herself locked into an oppressive contract with the director which makes Jennifer slide into taking more pills and booze to suppress her emotions. She continues making softcore and hardcore "art films" while completely numb of feelings.Emerging from the sanitarium with what seems to be a fresh outlook, Neely makes a cryptic statement to Anne about "stealing her man". When Lyon takes Neely to New York to prepare for her comeback to the stage, the two of them share a hotel room, and it becomes clear to Anne that they are involved on a physical level. This is made more hurtful when Anne sees her name in the gossip column, the columnist commenting about how she is a "big loser" due to Neely and Lyon flaunting their affair all over New York. Anne finally succumbs to the lure of the "dolls", at first taking Neely's old pills and then getting a prescription of her own.In New York City, Lyon gives Neely strict orders to stay out of sight until the debut of her new Broadway show, but when he goes to a party in honor of Helen Lawson's new show, Neely makes an uninvited appearance. The photographers and reporters present give her a huge welcome, much to Helen's chagrin, and she slips off to the ladies room to avoid the ruckus. Neely, however, goes after her, and the two of them have a cat-fight in the ladies lounge. When the fight turns really ugly, Neely winds up tearing off Helen's wig, revealing her unflattering grey hair color underneath. Throwing Helen's wig in the toilet, Neely renders her unwilling to step back out into the party. Helen momentarily considers slipping out the back, until she resolves to face the party again with her hair wrapped in a colorful scarf.Back in Los Angeles, Jennifer's story comes to a sudden and sad close when she is diagnosed with breast cancer. She learns that she must have a mastectomy and checks herself into a hospital to have it done. But this is the final blow for her, as she feels that now she won't be able to support herself without her lovely body to rely on. After coming home from the hospital and following a friendly visit by Annie, Jennifer commits suicide by taking an overdose on pills. Her body is discovered the next day.Alone one day and devastated over Jennifer's death as well as the loss of Lyon to Neely, the drunk and stoned Anne wonders down the beach beside her house and after passing out in the surf, she returns to her house and smashes several furniture to pieces. She then decides to leave it all behind and a few days later, she returns to her snowy New England hometown where she is welcomed back by her aunt.In New York, Neely blows her big chance for her Broadway comeback when she gets into an argument with Lyon beforehand. She disregards him by saying "Who needs you? You're just an agent!" Lyon abandons her, no longer able to tolerate her egoistical behavior, and in response, Neely turns to a secret stash of pills. When it comes time for her stage entrance, Neely is completely disoriented and unable to perform, giving her understudy the chance to perform on opening night. Neely spends the night getting drunk in a nearby tavern, ultimately finding herself alone and disoriented in a deserted downtown alley.The next morning, Helen Lawson has a candid conversation with Lyon. She predicts that Neely will come back yet again from her latest blunder, simply because she has true talent, but that ultimately she'll destroy herself. She also warns Lyon that he should stop being so careless with his love life and settle down with Anne, before it's too late.Lyon seems to take this advice to heart and he travels upstate to Anne's snowy hometown where he proposes marriage to Anne, but it is indeed too late for them. Anne admits that she has waited so long for Lyon to propose that she now feels nothing when the offer's been made. Having emerged from her brief drug episode with a fresh outlook, Anne seems to be the only one among the three ladies who has learned from her experience. After pouring all her liquor bottles and pills down a sink, she walks off alone into the snowy landscape of her home town and ponders her next move alone and without the need for drugs or alcohol.
[A]: Question: where does anne return to?, Answer: New England


[Q]: The film can be seen as an allegory of post-World War II Eastern European political systems - told as a black-and-white cinematic poem with 39 long, single-camera takes. It examines the brutalization of a society, its political systems and ethics through the metaphor of a decaying circus whale and its star performer. It is set in a desolate, isolated small town in Hungary during Soviet times.The film starts with JÃ¡nos Valuska, a simple person, conducting a poem and dance with drunken bar patrons. The dance is of the total eclipse of the sun, which disturbs, then silences the animals. It finishes with the grand return of the warm sunlight.One of the significant reoccurring characters in this plot is the subtle transitions between light and darkness. The first appearance of this motif is a lamp in the bar, moving to a door into the darkness. The circus arrives like a Trojan Horse in the darkness of night. A window is opened as a glimmer of hope and dressed to shut out the world. The antagonist is only ever seen as a shadow.JÃ¡nos' uncle GyÃ¶rgy is a composer, and therefore one of the intelligentsia. GyÃ¶rgy observes the imperfection and compromise of the musical scale (as defined by Andreas Werckmeister a historical theorist). GyÃ¶rgy proposes changes to the scale to make it more harmonious. This utopian approach to music represents a flawed, naive idealism that never can be achieved; it is not developed any further in the film or the book. It is just a statement indicating that human governance will always be flawed.GyÃ¶rgy's estranged wife tries to leverage her political and social status by giving GyÃ¶rgy a list of names to recruit for the "clean up the town movement" (with the blessing of the police chief).However, a stuffed smelly circus whale and its star performer, Prince, come to town in the silence and darkness of night. This is a metaphor for a bloated political system and the unseen Prince who represents the power of politically inspired, emotive dogma.JÃ¡nos philosophizes about God and the beast.The post office workers are unsettled by the ominous signs of the circus' arrival and are disturbed by the cloud that settles over each town it visits, a reference to the spread of the externally imposed centralised monolithic government system onto all the Soviet buffer nations just after the war.GyÃ¶rgy's struggling cobbler brother gets the list and passes it on to the agitated throbbing masses in the town square who are unhappy at public services failing. GyÃ¶rgy's former wife sleeps with the drunk gun toting police chief.The presence of the whale and the Prince stir up the masses. JÃ¡nos overhears the circus master losing control of his faceless Prince, who is becoming drunk with his own voice of revolutionary dogma. The circus master disowns him. The Prince, now free, inflames the masses, and the people riot.The film is shot as a visual poem, and has been described as both beautiful and haunting. Lengthy single-shot scenes with a hypnotic and rhythmic pace build up to the peaceful observation of the thuggish destruction of the hospital and its patients. The rioters are brutal. Their inhumanity almost seems normal and natural. When the rioters finally come to beat a helpless old naked patient, they see their impotent, sad and powerless selves. The patients they are destroying in the hospital are themselves.After the riot, JÃ¡nos comes across the diary of a rioter. It explains that the rioters did not know what they were angry with; so they were angry at everything. Then it recounts the mobs horrendous rape of two working class post office girls.JÃ¡nos comes across his killed cobbler uncle who got naively involved in the riot. JÃ¡nos is told, by his cobbler uncle's wife, to leave town for his own safety.He is intercepted by a helicopter. He finds himself committed to a mental institution with caged beds (a tool of the time for dealing with political dissidents). JÃ¡nos appears drugged and broken.GyÃ¶rgy, his composer uncle, is evicted from their society house but gets to live in a shed in the garden whilst GyÃ¶rgy's former wife, with her new status as a collaborator, now occupies the big house with the police chief. The intelligentsia is displaced by political opportunism.GyÃ¶rgy tells a vacant JÃ¡nos, in the ward, that if he is released from the mental institution they can live contentedly together in the shed with his piano. GyÃ¶rgy also mentions that he has re-tuned the piano so that is now like any other, a personal capitulation apparently abandoning any present hopes of reform. JÃ¡nos just stares.It finishes with GyÃ¶rgy looking directly into the eye of the whale, then, walking away and looking back at the now sad and disheveled whale, destroyed by the rioters the night before, its rotting carcass slowly enveloped by the fog which gets whiter and brighter. Warm bright sunlight returns.
[A]: Question: Where is his composer uncle evicted from?, Answer: the society house


[Q]: Several people are being interviewed in a police station, including a high school student, Sue Snell (Kandyse McClure) and gym teacher Miss Desjarden (Rena Sofer). Detective John Mulcahey (David Keith) is investigating the disappearance of high school student Carrie White (Angela Bettis). These interviews are interspersed with flashbacks to previous events.The film then features a flashback to two weeks before the prom at Ewen High School. Carrie is a shy and withdrawn girl tormented by the popular girls; Christine "Chris" Hargensen (Emilie De Ravin) and Tina Blake (Katharine Isabelle) are especially vicious. After gym class, Carrie has her first period in the shower, and she panics. The other girls swarm the shower and taunt her. Hearing the commotion, Ms. Desjarden comes into the shower, and comforts Carrie as a light bulb shatters above them. Later, Principal Morton (Laurie Murdoch) decides to send Carrie home, but calls Carrie the wrong name. Carrie corrects him repeatedly, finally yelling as his desk suddenly moves several inches. As Carrie gathers her belongings to leave, she is the victim of a practical joke at her locker. On her way home, Carrie is accosted by a boy on a bicycle, whose joke goes wrong when he seemingly flies off his bike and crashes into a tree. When she reaches home, Carrie has a flashback to her own childhood before entering the house. Carrie's fanatically religious mother, Margaret White (Patricia Clarkson), who considers menstruation a sign of sexual sin, locks Carrie in her "prayer closet" as punishment.The next day, Ms. Desjarden gives the girls a week's detention for their bullying. If they skip the detention, they face suspension and refusal of their prom tickets. Chris storms out in protest. After Chris' father John Hargensen, a lawyer, unsuccessfully attempts to get her prom ban rescinded, Chris enlists her boyfriend Billy Nolan to get revenge on Carrie. Meanwhile, Carrie discovers she has telekinesis, the ability to move or control objects with her mind. Carrie has a telekinetic episode in class and, when she goes home, practices her rediscovered talent. Sue, trying to atone for tormenting Carrie, asks her boyfriend, Tommy Ross (Tobias Mehler), to take Carrie to the prom. After some hesitation, Carrie agrees. When Carrie tells her mother about the prom invitation, Margaret forbids her to go; Carrie uses her powers to finally confront her mother, and Margaret seemingly gives in.As prom night approaches, Chris and Billy prepare their revenge on Carrie when they find out that Carrie is on the Prom Queen ballot. On the day of the prom, Tina switches the ballots, and Carrie and Tommy are declared the Prom King and Queen winners. As Tommy and Carrie take their place onstage, Chris, who has been hiding with Billy in the rafters, pulls a rope to tip a bucket, sending a wave of blood onto Carrie. Chris and Billy run; when Chris releases the rope, the bucket falls on Tommy's head, knocking him out. Carrie goes into a shock-induced trance and telekinetic mayhem ensues. She locks everyone inside the gym and sets fire to it. She kills Tina by crushing her, and then electrocutes most of the remaining students, including Roy and Helen, killing everyone except for a few students, including Norma, who escape through a vent with Ms. Desjarden. Carrie then leaves the burning gym, unleashing a wave of destruction in town. Chris and Billy see her walking in the road. Billy tries to run her down but Carrie tosses their truck into a pole, thus killing them.When Carrie arrives home, she gets into a bathtub, where she finally snaps back to herself but cannot remember what happened. Margaret comes into the bathroom and drowns Carrie in the tub. With her last ounce of strength Carrie stops her mother's heart. Sue finds Carrie near death and manages to revive Carrie with artificial respiration. At Sue's suggestion, Carrie fakes her death and Sue sneaks Carrie out of town to Florida. As the two drive off, Carrie has a nightmarish vision of her mother. When Carrie wakes, she looks at Sue and hallucinates Chris lunging at her. Noticing this, Sue asks her if she wants to stop for a moment. Carrie sighs and Sue keeps driving.
[A]:
Question: Who was the main girl who taunted her?, Answer: Chris Hargensen