In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[Q]: Review: Cradle of FearThis isn't a movie where intricate delicate little narrative nuances occupy our attention. This is not a film where the special effects are supposed to leave us slack-jacked uttering that sense of whoa. What it is though is a slice of lo-fi goth horror which leaves little to the imagination, created in the eyes of the director, Alex Chandon, as "a throwback to sleazy '70s and '80s horror".This is a very visceral experience for 2 hours, where four plot lines are connected through lots of watery blood, reams of dismembered body parts and innards, tied by an intestinal thread of revenge. The purveyor of such horrific violence is Dani Filth, lead-singer of the metal band Cradle of Filth, executing a role he was destined to play. As other's have said, there is nothing new about wanting to carryout occultist revenge. In this particular context a convicted sexual predator and murderer, Kemper, the father of our devilish avenging-angel, compels his son to exact retribution on those who are some how connected to convicting him to purgatory within an insane asylum.What this provides for the Chandon, who should be congratulated on also penning and editing this piece, is the opportunity to let his sick mind run free. He seems to take delight in the idea of splattering blood into the orifices of those on screen, and into every nook and cranny that can be reached. We are also treated to close-ups of skull's being crushed, demonic rape, and other assorted imagery to engage those who relish getting up close and personal to their horror. And for some of those who closely follow these type of films, there is the odd sequence which may have you thinking, "Did I just see what I thought I did", because of course Pretty Woman this 'aint. It reminds me of some of the gore-fests created out of Italian horror some 20 to 30 years ago, and a number of other works where disgusting images have left their mark but not the context in which they were viewed.Story 4 of the set is particularly intriguing where the idea of ones obsession can ultimately lead to death in the pursuit of internet violence through the "Sick Room", where the user is in control of how a life can be snuffed out. Further acknowledgements should also go out to a pounding soundtrack that allows Filth to exercise his daytime talent, and an effective use of drum and bass, often overlooked in film-making as a viable form of supporting visuals. Using the city of London as a backdrop with real people as opposed to movie stand-ins also adds support to the commando feel of the film. OK, classic it may not be, but blood, guts, intestines, occult and demons in a slightly perverse unproblematic way it is. Question: is it a negative review?
[A]: yes


[Q]: Review: I've read a lot of comments about the film and how it's so hard for people to believe that it is a sequel to Henry Fool, and even though it technically is, I think that Fay Grim needs to be looked at as an entirely different film. Just because it is the sequel doesn't mean that it has to be a direct continuation of the first, and I enjoyed that so much about it. The whole point of the film was to change direction from the first, which makes sense because the movie isn't called Henry Fool 2, it's Fay Grim. All that aside, the film, I thought, was so well made and thought out that it actually surprised me. I was expecting to rent another nearly-released-straight-to-video film and have to endure 2 hours of bad editing and an almost hard to follow story-line (aka parker's last direct to video feature the Oh in Ohio) but this was so surprisingly well focused that it almost doesn't seem so, which I absolutely loved. There are so many nuances in the film making and writing that I crave to see in films, but never do. The cinematography was brilliant due to it's simplicity and truly making the film seem 'Grim' throughout - in terms of setting. The writing was so well put together as well, whoever said this movie isn't as witty as Henry Fool needs to watch again and actually listen; I almost can't even begin to explain how actually hilarious it was, and pertinent. And well, Parker Posey, who could complain? The scene in which Fool and Jalal were talking in the dark was so captivating and emotional. And I thought the spy-ness throughout the film was just so hilarious and spot on (in hindsight because i do agree that at times during you kind of felt lost). The main thing that struck me so powerfully about the film, and i believe the point of the film, was Parker's love and naivety about Fool, which was so endearing and turned, yes very quickly, from denial to outright passion. The last five minutes of the film were perfect. Obviously there were things that weren't excellent, but nothing is perfect; some of the acting was poor, and at times I did think that some of the new back story and dialogue about terrorism got a little hard to follow and out of hand, but in the end you got it and didn't even mind that at the time it may have slipped from your comprehension. (This may also have to do with Goldblum's tendency to talk extremely fast) On the whole I would say that it was probably one of the best films I've seen this year; stylistically pleasing, clever and witty writing, performances that were so impressive I now have gained new respect for some of the actors, and a truly touching film, and don't forget, a complete departure from Fool. Which was the point. Question: is it a positive review?
[A]: yes


[Q]: Review: Curiously, Season 6 of the Columbo series contained only three episodes and there is very little evidence of quality in at least two of the scripts, based on this outing for the "man-in-the-mac" and also "Fade into Murder".Furthermore, it is not a coincidence that Peter S. Feibleman penned both the aforementioned scripts (incidentally he plays the part of the murdered security guard here).This adventure is very rarely compelling and many of the performers just look disinterested with the material. The story is rather weakly developed with some protracted periods of boring conversation.Columbo is also shadowed by a colleague here(similar to "Last Salute to the Commodore") but the entertainment value is minimal. To add to this, Celeste's Holm characterisation, which is intended to provide comedy, induces embarrassment rather than laughs.The script wavers off to deal with the family history and the murderess does enough to gift Columbo the case, though there is never a credible discussion relating to the motives of her crime.Ironically, what turns out to be, arguably, Columbo's worst adventure produces the funniest moment in the series. He quizzes a male hairdresser and has a haircut/manicure at the same time. The next 5 minutes are hilarious - it's just that Columbo's hair is so perfectly groomed, then he can't afford to pay the bill and then, when he makes enquiries at a jewellers he keeps glancing in the mirror to admire his hairstyle!Sadly, this is the only decent moment from a script that looks like it has been cobbled together in ten minutes. For Columbo completionists only. Question: is it a positive review?
[A]:
no