In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Q: After the mayor of the fictional village San Pedro de los Saguaros is lynched by angry villagers, a petty PRI party member named Juan Vargas (DamiÃ¡n AlcÃ¡zar) is appointed temporary mayor by the state governor. At first, the new mayor attempts to do good, but a lack of funds, the fact that the majority of the villagers don't speak Spanish, and the opposition of both the local doctor (an obstreperous PAN mayoral candidate) and DoÃ±a Lupe (the brothel owner) cripple his efforts. Seeking help from his superior, LÃ³pez, the secretary to the PRI governor, he is given a copy of the constitution of Mexico and a revolver and is told that the only law is Herod's law: literally translated: "either you get screwed or you get fucked" ("o te chingas o te jodes"). On his way back, he meets a gringo on the road when his car breaks down; the gringo looks under the hood, reconnects a wire and then asks Vargas for hundreds of dollars. He says that he is the mayor of San Pedro and that he is good for the money, then laughing it off as he drives away. Returning to the town, a bribe from DoÃ±a Lupe sets him on the path to corruption.When Vargas thus has become the executive, legislature and judiciary of the village all in one person he soon becomes corrupt, first accepting the bribes from DoÃ±a Lupe (which he extends into paying free visits to the brothel's girls), and soon moving on to extort the local store owner and all of the villagers for even the smallest infractions. When questioned, he declares that he is funding a new project to bring electricity to the village with the help of an American engineer (in reality, the gringo he met earlier, having shown up in San Pedro wanting his money)âa farce which is obvious when only one utility pole is raised; still, the villagers are oblivious to this, except for the doctor. Vargas becomes progressively more corrupt, and when DoÃ±a Lupe's new bodyguard severely beats him after she resists his authoritarianism, he kills them both in retaliation. He incriminates FilemÃ³n, the local drunk, for the crime, and on the way to deliver him to the state's authorities he kills FilemÃ³n in the middle of the road. When he returns to the town, he discovers that his wife (not blind about his visits to the brothel) and the gringo have an affair, and the gringo flees. Meanwhile, Vargas levies false accusations against the local doctor, assigning him the role of intellectual author in DoÃ±a Lupe's murder; nonetheless, it is also revealed that the doctor has been sexually abusing the teenage girl that serves as his maid, and Vargas uses this to blackmail him into leaving the town or face incarceration. Having gotten rid of his enemies, Vargas becomes obsessed with power to the point where the whole town despises him, leving absurd taxes for everything, incarcerating those who refuse to pay, seizing their possessions (including animals), and rewritting several laws to his own absurd and tyrannical whims.It is in the middle of this that LÃ³pez and his henchman, TiburÃ³n, arrive to San Pedro, on the run after LÃ³pez's men tried to shoot his rival for the governorship of the state, who is also president AlemÃ¡n's nephew. Seeing that the town had riches after all, LÃ³pez demands all the money Vargas has extorted from the villagers. Discovering that his wife has escaped with the gringo, taking all of the fortune with them, Vargas becomes mad and kills both LÃ³pez and TiburÃ³n. Then, Vargas seems to meet his demise when he is surrounded by a crowd of torch-wielding villagers, but unlike the previous mayor, he avoids this fate by climbing up the sole pole he raised, and is saved when several police cars arrive, hot on the trail of LÃ³pez. Vargas reappears at the very end of the film delivering a speech to the Mexican National Congress, a spot he earned as prize for killing LÃ³pez. As Vargas says in his speech that the PRI must stay in power forever, the film cuts to the scene of a new mayor coming to San Pedro de los Saguaros in exactly the same way that Vargas did at the beginning.

A: Question: what is stands for PAN?, Answer: president Alemán's nephew
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Q: In an aircraft hangar, against a gleaming plane, Catherine Ballard is seen having sex with a swarthy guy who takes her from behind. At the same time in a film set camera room, producer James Ballard is having sex with a camera girl over a table. Later that evening in the Ballards' high-rise apartment, they calmly discuss the respective trysts as part of their open marriage. When he tells her that he didn't come, she distantly replies, "Poor darling. Maybe next one, maybe next one...." Ballard takes Catherine and has rough sex with her from behind as she leans over the balcony of their apartment, set against the tiny Toronto freeway traffic below.Another evening later, as Ballard drives and riffles through papers, he loses control of his car, which jumps carriageways and smashes into another car head-on. The driver of the other car is killed as he plunges through his car's windshield and through Ballard's windshield; his hand bears the imprint of the bonnet insignia. The female passenger of the car fumbles with her seat belt, exposing her left breast. She and Ballard stare at each other in shock.Ballard is seen shuffling along a hospital corridor, his broken leg encased in steel pins and scaffolding. The female passenger, Dr. Helen Remington, gives him a withering look as she walks stiffly by with her own injuries. A man in white overalls, holding photographs of auto crash wounds, examines Ballard's injuries with great interest. In the isolated ward, Ballard and Catherine indulge in a spot of mutual masturbation as she describes the shattered wreck of his car.After going home, he scans traffic through his binoculars. Ballard says that there seems to be more traffic since the accident. Getting behind the wheel again of a rental car, Ballard drives to examine his car at a local impound lot. Helen Remington is also there. Ballard drives her to the airport, where she tells him her name and that she works in immigration. They almost get into another car accident when a car cuts in front of them. She suggests going to the airport garage, where they have frantic sex against a plane. After going home, Ballard then has sex with Catherine, which is getting more urgent as he takes her from behind again.Another few nights later, Helen meets with Ballard again where she takes him to an event staged by the enigmatic Vaughan: a reconstruction of James Dean's fatal 1955 crash in his racing Porsche, Little Bastard. Ballard recognizes Vaughan as the man from the hospital several weeks ago. The accident is restaged without safety gear for Vaughan or his two stunt drivers, Seagrave and Trask. Watched by a small crowd, the two cars impact head on at speed. Trask is okay. Vaughan struggles painfully from the wrecked Porsche, but Seagrave, who was driving him, is only semi-conscious. Over the PA speakers, Vaughan announces, "James Dean died of a broken neck and became immortal." Just then, police sirens are heard as the crowd scatters in all directions. Ballard and Helen run with Vaughan through the nearby woods, where they reach Vaughan's battered black Lincoln convertible. As he drives away from the scene, Vaughan fingers Helen while Ballard watches with curiosity.A short time later, Vaughan, Helen, and Ballard arrive at an unkempt communal house. Vera Seagrave attends to her husband's injuries while callipered crash victim Gabrielle offers everyone joints to smoke. Everyone is soon wasted on the pot. Vaughan talks to the concussed Seagrave about recreating Jane Mansfield's fatal crash. Producing an album of crashed photographs, he describes his project about re-enacting fatal auto crashes as the reshaping of the human body by modern technology.Another day later, Ballard and Catherine drive in separate cars. At an intersection, Vaughan draws up behind Catherine's silver sports car and follows aggressively before she pulls off the road. When Ballard takes her from the rear once more, she incorporates Vaughan into the act, asking if Ballard would like to sodomize him in his big car. Ballard backs away with slight disgust.At the airport garage, Ballard and Helen meet where they again have sex. Discussing her sexual exploits in cars, Helen admits to a fantasy of Vaughan photographing them as if they were in traffic accidents. Later, back at the commune house, Vaughan and his group smoke more joints and watch crash-test videos. They are all sexually turned on by the violence of the crashes on the screen.Driving around airport perimeter roads, Ballard connects Vaughan's Lincoln convertible with the 1963 JFK assassination. Vaughan tells him, "The car crash is a fertilizing rather than a destructive event--a liberation of sexual energy of those who have died, with an intensity that is impossible in any other form." It is clear that this Vaughan's real desire: the ultimate existential experience. He picks up an airport hooker and has sex with her in the back seat while Ballard drives and watches in the mirror.As Catherine and Ballard leave the studio for the day as he tells her more about Vaughan's underground sub-culture of crash victims, Vaughan arrives to pick them up when he is questioned by the police about the death of a pedestrian near the airport. He is shaken as Ballard drives his car.On the local freeway, Vaughan, Ballard, and Catherine encounter a multi-vehicle accident. Vaughan takes crash photographs, then stages more using Catherine as a model. The EMTs working on the wrecks are too busy to care. In the front wreck, Vaughan finds the dead Seagrave, dressed as Jayne Mansfield, complete with a scalped blond wig and a dead dog in the back seat. Vaughan is amazed that Seagrave went through and reenacted the fatal crash on his own.After Ballard finds blood on Vaughan's car, they go to a car wash. In the back seat, Vaughan has brutal sex with Catherine in the back seat under the gaze of an entranced Ballard, who later examines his bruises and scars on his healed leg in silence.In an auto showroom at a local car dealership, Gabrielle is helped into a Mercedes by an embarrassed salesman as Ballard looks on, amused by Gabrielle fondling the car, and saying how it turns her on. A little later at the airport garage, Ballard arranges Gabrielle's broken and scared body in order to access a healed crash-wound in her rear thigh.Vaughan phones Ballard to meet with him to witness his prophetic medical tattoo: a steering-column indentation on his torso. He encourages Ballard to have a small insignia on his thigh. Later, in a junkyard, Ballard and Vaughan finally have gay sex in the back seat of the Lincoln. Afterward, as Ballard sits behind the wheel of a wrecked car, Vaughan slams into it. The next day, Catherine's silver sports car has also been rammed.As Ballard drives around the airport perimeter, Vaughan's car launches out of nowhere; he is in a delirium as he toys with Ballard's sports car, ramming into it playfully before he accidentally swerves over a parapet and landing on a coach below. Ballard stops and surveys the carnage as Vaughan lies dead among the wreck.The next morning in the impound lot, Gabrielle and Helen arrive to look at Vaughan's wrecked Lincoln, where they begin making out with each other and they have lesbian sex in the back seat of the late Vaughan's car.Ballard decides to go to the pound to reclaim Vaughan's car. On the open road, he drives the Lincoln as recklessly as Vaughan, overtaking several vehicles in pursuit of Catherine whom is driving her car on the road ahead. He rams into her car, running it off the road and down an embankment. Ballard stumbles out of the Lincoln and painfully stumbles down the embankment. Catherine is lying on the ground, having been thrown from her car, alive but seriously wounded, with her skirt around her waist. Ballard lies down next to her, caresses her bloodied body, and when she says she's all right, he takes her from behind again, having sex with her on the grass embankment. He tells the semi-conscious Catherine as he climaxes: "Maybe the next one...."

A: Question: Who is Hansen?, Answer: One of the police officers
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Q: Act I[edit]By What Means Redmond Barry Acquired the Style and Title of Barry LyndonAn omniscient (though possibly unreliable)[7] narrator relates that in 1750s Ireland, the father of Redmond Barry is killed in a duel over a sale of some horses. The widow, disdaining offers of marriage, devotes herself to her only son.As a despondent young man, Barry becomes infatuated with his older cousin, Nora Brady. Though she charms him during a card game, she later shows interest in a well-off British Army captain, John Quin, much to Barry's dismay. Nora and her family plan to leverage their finances through marriage, while Barry holds Quin in contempt and escalates the situation until a fateful duel beside a river. In the aftermath, Barry is urged to flee from incoming police and head through the countryside towards Dublin, but along the way he is robbed of purse, pistol, and horse by Captain Feeney, an infamous highwayman.Dejected, Barry carries on to the next town, where he hears a promotional spiel to join the British Army, offering the chance at fame and glory (and a lifelong pension) in return for good service. Barry enlists. Some time after joining the regiment, Barry encounters Captain Grogan, a warm-hearted family friend. Grogan informs him that Barry did not in fact kill Quin, his dueling pistol having only been loaded with tow. The duel was staged by Nora's family to be rid of Barry so that their finances would be secured through a lucrative marriage.Barryâs regiment is sent to Germany to fight in the Seven Years' War, where Captain Grogan is fatally wounded by the French in a skirmish at the Battle of Minden. Barry deserts the army, stealing an officer courier's uniform, horse, and identification papers. En route to neutral Holland he encounters the Prussian Captain Potzdorf, who, seeing through his disguise, offers him the choice of being turned back over to the British where he will be shot as a deserter, or enlisting in the Prussian Army. Barry enlists in his second army and later receives a special commendation from Frederick the Great for saving Potzdorf's life in a battle.After the war ends in 1763, Barry is employed by Captain Potzdorf's uncle in the Prussian Ministry of Police to become the servant of the Chevalier de Balibari, a professional gambler. The Prussians suspect he is a spy and send Barry as an undercover agent to verify this. Barry reveals himself to the Chevalier right away and they become confederates at the card table, where Barry and his fine eyesight relay information to his partner. After he and the Chevalier cheat the Prince of TÃ¼bingen at the card table, the Prince accuses the Chevalier (without proof) and refuses to pay his debt and demands satisfaction. When Barry relays this to his Prussian handlers, they (still suspecting that the Chevalier is a spy) are wary of allowing another meeting between the Chevalier and the Prince. So, the Prussians arrange for the Chevalier to be expelled from the country. Barry conveys this plan to the Chevalier, who flees in the night. The next morning, Barry, under disguise as the Chevalier, is escorted from Prussian territory by Prussian officers.For the next few years, Barry and the Chevalier travel the spas and parlors of Europe, profiting from their gambling with Barry forcing payment from reluctant debtors with duels. Seeing that his life is going nowhere, Barry decides to marry into wealth. At a gambling table in Spa, Belgium, he encounters the beautiful and wealthy Countess of Lyndon (Marisa Berenson). He seduces and later marries her after the death of her elderly husband, Sir Charles Lyndon (Frank Middlemass).Act II[edit]Barry's first meeting with the Countess.Containing an Account of the Misfortunes and Disasters Which Befell Barry LyndonIn 1773, Barry takes the Countess' last name in marriage and settles in England to enjoy her wealth, still with no money of his own. Lord Bullingdon, Lady Lyndon's ten-year-old son by Sir Charles, does not approve of the marriage and quickly comes to despise Barry, calling him a 'common opportunist' who does not truly love his mother. Barry retaliates by subjecting Bullingdon to systematic physical abuse.The Countess bears Barry a son, Bryan Patrick, but the marriage is unhappy: Barry is openly unfaithful and enjoys spending his wife's money on self-indulgent luxuries, while keeping his wife in seclusion.Some years later, Barry's mother comes to live with him at the Lyndon estate. She warns her son that if Lady Lyndon were to die, all her wealth would go to her first-born son Lord Bullingdon, leaving Barry and Bryan penniless. Barry's mother advises him to obtain a noble title to protect himself. To further this goal, he cultivates the acquaintance of the influential Lord Wendover and begins to expend even larger sums of money to ingratiate himself to high society. All this effort is wasted, however, during a birthday party for Lady Lyndon. A now young adult Lord Bullingdon publicly enumerates the reasons that he detests his stepfather so dearly, declaring it his intent to leave the family estate for as long as Barry remains. Seething with hatred, Barry savagely assaults Bullingdon until he is pulled off by the guests. This loses Barry all the powerful friends he has worked so hard to entreat and he is cast out of polite society. Bullingdon leaves the estate and England itself for parts unknown.In contrast to his mistreatment of his stepson, Barry proves an overindulgent and doting father to Bryan, with whom he spends all his time after Bullingdon's departure. He cannot refuse his son anything, and succumbs to Bryan's insistence on receiving a full-grown horse for his ninth birthday. The spoiled Bryan disobeys his parents' direct instructions that Bryan ride the horse only in the presence of his father, is thrown by the horse, is paralyzed, and dies a few days later from his injuries.The grief-stricken Barry turns to alcohol, while Lady Lyndon seeks solace in religion, assisted by the Reverend Samuel Runt, who had been tutor first to Lord Bullingdon and then to Bryan. Left in charge of the families' affairs while Barry and Lady Lyndon grieve, Barry's mother dismisses the Reverend, both because the family no longer needs (nor can afford, due to Barry's spending debts) a tutor and for fear that his influence worsens Lady Lyndon's condition. Plunging even deeper into grief, Lady Lyndon later attempts suicide (though she ingests only enough poison to make herself ill). The Reverend and the family's accountant and emissary Graham then seek out Lord Bullingdon. Upon hearing of these events, Lord Bullingdon returns to England where he finds Barry drunk in a gentlemen's club, mourning the loss of his son rather than being with Lady Lyndon. Bullingdon demands satisfaction for Barry's public assault, challenging him to a duel.The duel with pistols is held in a tithe barn.[8] A coin-toss gives Bullingdon the right of first fire, but he nervously misfires his pistol as he prepares to shoot. Barry, reluctant to shoot Bullingdon, magnanimously fires into the ground, but the unmoved Bullingdon refuses to let the duel end, claiming he has not received "satisfaction". In the second round, Bullingdon shoots Barry in his left leg. At a nearby inn, a surgeon informs Barry that the leg will need to be amputated below the knee if he is to survive.While Barry is recovering, Bullingdon takes control of the estate. He sends a very nervous Graham to the inn with a proposition: Lord Bullingdon will grant Barry an annuity of five hundred guineas a year on the condition that he leave England, with payments ending the moment of his return. Otherwise, with his credit and bank accounts exhausted, Barry's creditors and bill collectors will assuredly see that he is jailed. Defeated, Barry accepts.The narrator states that Barry went first to Ireland with his mother, then to the European continent to resume his former profession of gambler (though without his former success) and that he never saw Lady Lyndon again. The final scene (set in December 1789) shows a middle-aged Lady Lyndon signing Barry's annuity cheque as her son looks on.Epilogue[edit]It was in the reign of George III that the aforesaid personages lived and quarrelled; good or bad, handsome or ugly, rich or poor, they are all equal now.

A:
Question: What other name does Redmond Barry go by?, Answer: Barry Lyndon
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