In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: plot : a rich guy who does n't believe in love , orders a mail - order bride for himself .
that very evening , the couple is married and fall madly in love soon thereafter .
but what 's this ?
one of them might not be the person they are pretending to be ?
wow . . .
a sin , indeed .
critique : easily
one of the worst movies that i 've seen all year .
too long , too boring , too predictable and too ridiculous for anyone interested in watching a good movie .
what the hell were they thinking when they made this thing ?
( it 's no wonder that the film has been sitting on the racks for about a year ) this felt like a really bad tv movie of the week , with some nudity stuffed in from time to time , just to wake up the audience .
have you ever switched channels and fallen upon one of those ridiculously melodramatic tv movies , one that you just could n't help but switch back to from time to time , just to make sure that it was n't part of some sick joke ?
well , this movie is exactly like that , only it is n't a joke , it is n't on tv
and you are asked to pay money to see it ! !
i say again . . .
what the shite were they thinking ?
okay , so where do i start ?
first of all , the trailer of this film gives away the movie 's main plot twist , the betrayal .
so for the first half hour of the film , you 're basically just sitting there , watching these two " lovers " go through the motions until the " betrayal " occurs .
whoopee , big surprise .
second of all , angelina jolie is horribly miscast in this part .
why ?
well , it 's like this : not for one second
do you ever believe that she is not a nasty backstabbing woman !
i mean , it 's like all of those people who complained about jack nicholson being psycho from the start of the shining , well , the same goes here .
every look in jolie 's eyes screams " psycho " !
then of course , you have the case of the " patsy " husband , a man who just ca n't seem to figure out anything in time .
i mean . . .
how boring is that for the audience ?
you 're watching this guy screw up time after time after time , and somehow , we 're supposed to feel sorry or care about this dude .
no , thanks !
and if we do n't care about him , and we really do n't care about her ( she 's a beeyatch and as confused as we are about her actual motivations in the film ) , who the hell are we supposed to care about in this film ?
well , i 'll tell you .
the only thing that i was worrying about the whole way through this picture was whether or not i 'd actually fall asleep before the end credits rolled .
no suspense , no chemistry between the leads , no real love or passion , no sense of surprise , plenty of plot holes for everyone and an extra moronic ending
.
so why am i even giving this film a rating of three points ?
well , it 's actually pretty simple .
i liked the locations in the movie and the groovy score , but my primary reason for slipping three notches onto this bedpost is for the gratuitous shots of jolie 's boobies ( that 's two points right there ! )
and another one for antonio 's ass ( hairless , just for the record ) .
everything else in this movie was pointless , boring and just plain stupid .
try imagining a soft - porn movie .
. .
but without the plot !
that 's pretty much what you 've got here .
a low point in the careers of both stars .
oops , i almost forgot to mention the crappy dialogue . .
.
god
oh mighty . .
. make it stop ! !
where 's joblo coming from ?
american psycho ( 9/10 ) - cruel intentions ( 8/10 ) - eyes wide shut ( 6/10 ) - fatal attraction ( 8/10 ) -
playing by heart ( 7/10 ) - under suspicion ( 7/10 ) - what lies beneath ( 8/10 ) - what women want ( 4/10 ) - whipped ( 7/10 )

Output: N


Input: Consider Input: the coen brothers are back again , this time with homer 's " odyssey " as the backdrop in their tale of three fugitives from a mississippi chain gang who trek across the south to find a secret treasure in " o brother , where art thou ?
" right for the beginning of " o brother " the coens grab your attention with a chain gang of prison inmates breaking rocks along the road in unison to a work song .
the camera flows around the hard toiling men , giving a visually exciting symmetry to the scene that ends with our three heroes - ulysses everett mcgill ( george clooney ) , delmar ( tim blake nelson ) and pete ( john turturro ) - escaping across a cotton field .
it is the beginning of a journey that takes on different meanings and urgencies to each member of the trio .
a strong suite , as always with the coen brothers , is the depth of character of the folks they create in their films .
their characters are goofy and comical , like nicolas cage in " raising arizona " ; or , dramatic , as albert finney and john turturro in " miller 's crossing " ; and , even a mix of the two with frances mcdormand in " fargo .
" in all cases , and in " o brother , " too , the characters populating their films are three - dimensional people .
ulysses everett is a handsome , hair - obsessed petty criminal with a silver tongue and not a lot in the brains department .
but , he seems like a genius when compared to the simple , sweet delmar and the maladjusted pete , who follow their self appointed leader to a promised treasure of $ 1 . 2 million .
their odyssey takes on the mystical proportions of homer 's original material as they meet all manner of people along the way , including those dangerous sirens who beckon them onto symbolically rocky shoals and a cyclops who beats them and takes all their money .
there is magic , too , when delmar believes that pete was turned into a horny toad by the sirens .
the story meanders through the different vignettes of the boys ' adventures , giving the flick a choppy , episodic feel that disrupts the overall flow .
some of the interludes are an epiphany , though .
the trio becomes a quartet when they pick up guitar - playing tommy johnson ( chris thomas king ) and visit a radio station in the middle of nowhere , run by its blind owner ( stephen root ) .
they become the soggy bottom boys for the sightless radio station man and , without their knowledge , are recorded as they sing the traditional tune , " i am a man of constant sorrow .
"
it is a wonderful moment of moviemaking and gives us , in my mind , the best movie song of the year
.
contrasting this and other wonderful moments
( the sexy seduction by the sirens comes to mind ) are some pretentious bits that detract from the overall quality of " o brother .
" in particular , near the end , is a scene where ulysses , delmar and pete crash a ku klux klan rally to save tommy from being lynched .
the scene is overblown and flashy and reeks of " the wizard of oz .
"
they do n't say " lions and tigers and bears , oh my !
" and there 's no dorothy , but it is the land of oz we 're seeing here .
the highs and lows of the story flow are tempered by fine acting on several levels .
george clooney is funny , charming , a little dumb and one of the handsomest actors in the business today .
he has the charm of a 30 's movie idol and is able to put himself into silly situations with dignity .
ulysses has an ongoing obsession with his hair , risking life and limb to get a particular brand of pomade and a supply of hairnets .
his vanity will come to plague him as it would any mystical hero - wanderer .
while clooney is the name draw for " o brother , " the show stealer is tim blake nelson as delmar .
the heretofore unknown nelson is terrific as the simple convict who , at one point , hears the word of the lord and joins members of a church congregation in their mass baptism .
delmar is saved and dedicates his life to doing good and provides a richness to his simple character that makes him shine .
the taciturn pete , as played by longtime coen collaborator turturro , is the sullen member of the trio and gives them the necessary angst .
all together , the tuneful triumvirate is a mix of the three stooges and the three musketeers as they prove to be buffoons , albeit brave ones .
the colorful supporting cast is rampant with homerian characters to meet and get to know along the way of the boys ' odyssey .
charles durning appears as incumbent governor pappy o'daniel , who keeps crossing paths with them in his bid for re - election .
john goodman is wicked as the one - eyed bible salesman and con artist , big dan teague .
michael badalucco is manic and outrageous as outlaw and bank robber extraordinary
, george " babyface " nelson .
stephen root is amusing as the blind dj , rep'ing one of the many references to the sightless that abound in the film in mystical ways .
holly hunter is wasted in the small role as ulysses ' estranged wife , penny ( and the real reason for this adventure , not secret treasure ) .
techs are , as expected in a coen brothers venture ,
first class .
cinematographer roger deakins , who has worked on five previous coen films , captures the sultry atmosphere of the south .
the photography complements the lush period production and costume provided by dennis gassner and mary zophres , respectively .
once again , roderick jaynes - the alter ego of ethan and joel coen - is on board as editor .
the high points outweigh the low through most of " o brother , where art thou ?
" with particular praise for the wonderful selection of period and traditional music .
i give it a b .

Output: P


Input: Consider Input: all through its production and into the early days of its initial , aborted pre - release publicity , hard rain bore the appropriate moniker of the flood .
ultimately , however , paramount pictures , nervous that this movie would be confused with 1996 's other , underperforming disaster films ( dante 's peak , volcano ) , changed the title and shifted the release date by nearly a year .
but , to paraphrase the bard , swill , by any other name , would smell as rank .
no number of name changes can help this picture .
it 's not just about a disaster , it is a disaster .
hard rain is the case of a movie that gets progressively worse with every passing minute .
the best shot occurs during the opening credits , as the camera pans over the streets and byways of huntingburg , indiana as the water level slowly rises .
the community , protected by an overworked dam , is being evacuated as the rain continues to pour relentlessly from the cloud - choked skies .
from that moment on , it 's all downhill .
whatever initial entertainment value the film possesses has long since drained away by the halfway point .
it takes forever to get to the end credits -- this is one of the longest - seeming 95-minute motion pictures i have recently endured .
basically , hard rain is one extended , dull chase sequence punctuated by occasional shoot - outs .
there 's a lot of water , broken glass , gunfire , and explosions .
it 's all very routine and uninteresting
because there are n't any real characters and the plot only occasionally makes sense .
the film 's conclusion is so preposterous that it 's almost worth watching for the sheer masochistic enjoyment of seeing the monumentally idiotic way that the film makers decide to resolve the myriad subplots that are floating around .
action films are supposed to become progressively more invigorating as they rush towards a conclusion .
graham yost , the writer of both speed and hard rain , surely understands that principle .
unfortunately , neither he , nor cinematographer - turned - director mikael salomon ( a far off place ) , applies it .
the action in hard rain grows tedious through repetition .
we see the same kinds of things -- speedboat chases , flood damage , shoot - outs , etc .
-- over and over again .
the movie constantly recycles about twenty minutes worth of material to pad the running time out to an acceptable movie length .
the storyline gives us a number of paper - thin characters in contrived circumstances .
there 's tom ( christian slater ) , the one- dimensional action hero who works as a security guard driving an armored car full of cash .
he and his partner , charlie ( edward asner , tv 's " lou grant " ) , get stuck on a street that 's rapidly turning into a river .
a group of men , led by jimmy ( morgan freeman ) , arrive on the scene not as rescuers but as robbers .
after charlie is killed in a shoot - out , tom hides the money , then runs .
as he swims and boats his way through huntingburg 's roads , he encounters some of the locals : karen ( minnie driver ) , a would - be love interest ; a bickering old couple ( richard dysart and betty white ) , who are on hand to provide comic relief ; and the easily - corrupted sheriff ( randy quaid ) , whose seeming helpfulness hides sinister ulterior motives .
there is n't any real acting in this film .
christian slater utters a few lame one - liners and does a lot of mugging for the camera .
tom is easily one of the most lifeless characters the actor has brought to the screen .
randy quaid sneers a lot , and is totally unconvincing .
morgan freeman and minnie driver both attempt to give legitimate performances , but they are defeated by the script .
freeman , one of the best cinematic thespians working today , looks suitably embarrassed to be here , but i suppose everyone needs a good paycheck from time - to - time .
following in the wake of twister , this is yet another natural disaster movie that does n't trust nature 's fury as the chief engine of conflict .
as a result , we are saddled with an idiotic good guys / bad guys story that effectively ruins any potential that the flood tale could have had .
titanic proved that there can be a wealth of drama in a movie where everything goes under water .
hard rain successfully demonstrates that the opposite is equally possible .
thus far this year , hollywood has already subjected us to its unique brand of moronic mayhem by fire ( firestorm ) and water ( hard rain ) .
fortunately , there are only two elements left .


Output: N