In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Example Input: Arthur (Russell Brand) is a drunken playboy who revels in party and drinking. On the way to a dress party, he and Bitterman (Luis Guzman) dress as Batman and Robin, get arrested, then bail out everyone from jail.The next day, Hobson (Helen Mirren) cleans up after Arthur and kicks out various hookers. Hobson nannies Arthur, trying to keep him sober. She takes him to see his mother Vivienne (Geraldine James), who tells him he must marry Susan Johnson (Jennifer Garner) to stabilize the family business. Arthur proceeds to spend money as fast as possible, then bumps into Naomi (Greta Gerwig). They share a moment, and Arthur asks to see her again, but he still has to marry Susan.He goes to ask Susan's father Burt (Nick Nolte) for her hand in marriage. Burt approves, only because he thinks Susan will straighten him out. Arthur goes to dinner with Susan, and she begins to manipulate him. Arthur refuses to abide by the decision, and he clears out Grand Central Station to have dinner with Naomi (Pez). She's impressed by his wealth, but prefers simple fun. She takes him to her house to have dinner - canned pasta - and they bond. Atrhur enourages Naomi to write the story she's been working on. Susan finds out and works to destroy the relationship with Naomi. Naomi also tries to make friends with Hobson.Arthur decides to get a job, and goes to an AA meeting. Hobson stands up and describes Arthur's life at the meeting, embarassing him. Arthur explains his situation to Naomi, and she throws him out.Arthur prepares for the wedding, but Hobson begins to see how miserable he is. She goes to Vivienne to plead for Arthur, then goes to Naomi and tells her Arthur loves her. Hobson falls ill, and Arthur and Naomi share concern over her. Naomi tells Arthur that her book was bought, but Susan intrudes and tells her that Arthur coerced the purchase; she gets angry and leaves.Arthur starts to care for Hobson, feeding her canned pasta at first, but gradually improving, remaining sober. He finds out that Hobson has made sacrifices for him, and she passes away. Arthur is devastated, and starts drinking again.The wedding day arrives. Arthur finds a note from Hobson, telling him to go to Naomi. Arthur refuses to get married, and Susan yells that she needs to marry him to take control of the company. Arthur renounces his wealth and leaves the chapel, stripping nearly naked. He visits Naomi, but she spurns him. He goes to church and stops drinking. He finds Naomi's new book and sees it was dedicated to him. He visits her and apologizes for his behavior. They kiss, and he tells her his mother has forgiven him and they leave together - in the Batmobile.
Example Output: Question: How did Naomi and Arthur leave together?, Answer: In the Batmobile

Example Input: The film opens with helicopter pilot and guide Don Stober (Andrew Prine) flying individuals above the trees of a vast National Park. He states that the woods are untouched and remain much as they did during the time when the Native American lived there.Two female hikers are breaking camp when one of them is attacked and killed by a bear. The second woman finds apparent safety within a nearby cabin until the bear tears down a wall to reach her. The National Park's Chief Ranger Michael Kelly (Christopher George) and photographer Allison Corwin (Joan McCall), daughter of the park's restaurant owner, decide to follow a Ranger to the primitive campsite to find the two female hikers. They discover the woman's mangled body inside the destroyed cabin. Allison stumbles across the remains of the first woman while photographing the search.At the hospital, a doctor tells Kelly that the women were killed by a bear. The Park Supervisor Charley Kittridge (Joe Dorsey) blames Kelly, saying the bears were supposed to have been moved from the park by he and Naturalist Arthur Scott (Richard Jaeckel) before the tourist season began. Kelly and Kittridge argue over closing the park, and decide to move all hikers off the park's mountain while allowing campers to remain in the lowlands. Kelly calls Scott, who says all bears are accounted for and this specific bear must be unknown to the forest.While searching the mountain, a female Ranger decides to go swimming near a waterfall where she is attacked and killed by the bear. Kelly recruits the helicopter pilot Stober to assist in the search. Flying above the forest, they see what they believe to be an animal, only to discover the Naturalist Scott adorned in an animal skin while tracking the bear. He informs them the animal they are looking for is a prehistoric grizzly bear and at least 15 feet tall. Kelly and Stober scoff at the notion.At the busy lowland campground, the grizzly tears down a tent and kills a woman. Kelly once again insists on closing the park, but Kittridge refuses. The attacks are becoming a national news story and to counteract this, Kittridge allows amateur hunters into the forest. Kelly, Stober and Scott, now a team, are disgusted by this development. Later, a lone hunter is chased by the bear but he evades the animal on foot, falling into a river and floating to safety. A Ranger at a fire lookout tower on the mountain is attacked by the grizzly, the animal tearing down the structure and killing the Ranger.Kelly and Kittridge continue to argue over closing the park. Frustrated by the politics of the situation, Scott sneaks away to track the grizzly on his own. On the outskirts of the National Park, a mother and child living in a cabin are attacked by the grizzly. The mother is killed and the child survives, but is severely mutilated. Stunned by this development, Kittridge finally allows Kelly to close the park and ban all hunters.Stober and Kelly now go after the elusive grizzly alone, setting up a trap by hanging a deer carcass from a tree. The grizzly goes for the bait and the men chase the animal through the woods. When they return, they discover the grizzly has tricked them and taken the deer carcass. Tracking on horseback, Scott finds the remains of the carcass and calls Stober and Kelly on the radio. He is going to drag the deer behind his horse and create a trap by leading the grizzly towards them. The grizzly surprises Scott, killing his horse and knocking him unconscious. Scott awakens to find himself alive, but half-buried in the ground. The grizzly immediately returns and kills him.Kelly and Stober discover Scott's body and in despair, decide to return to the helicopter to find the grizzly from the air. They immediately spot the bear in a clearing and quickly land. The grizzly attacks the helicopter, swiping the craft causing Stober to be thrown clear. The grizzly kills Stober and then turns on Kelly, who frantically pulls a bazooka from the helicopter. Before the bear can reach him, Kelly fires the bazooka at the grizzly, killing the animal instantly. For several seconds, Kelly sadly stares at the burning remains of the grizzly and then walks towards Stober's body.
Example Output: Question: What does Kelly use to kill the grizzly?, Answer: A bazooka

Example Input: In an aircraft hangar, against a gleaming plane, Catherine Ballard is seen having sex with a swarthy guy who takes her from behind. At the same time in a film set camera room, producer James Ballard is having sex with a camera girl over a table. Later that evening in the Ballards' high-rise apartment, they calmly discuss the respective trysts as part of their open marriage. When he tells her that he didn't come, she distantly replies, "Poor darling. Maybe next one, maybe next one...." Ballard takes Catherine and has rough sex with her from behind as she leans over the balcony of their apartment, set against the tiny Toronto freeway traffic below.Another evening later, as Ballard drives and riffles through papers, he loses control of his car, which jumps carriageways and smashes into another car head-on. The driver of the other car is killed as he plunges through his car's windshield and through Ballard's windshield; his hand bears the imprint of the bonnet insignia. The female passenger of the car fumbles with her seat belt, exposing her left breast. She and Ballard stare at each other in shock.Ballard is seen shuffling along a hospital corridor, his broken leg encased in steel pins and scaffolding. The female passenger, Dr. Helen Remington, gives him a withering look as she walks stiffly by with her own injuries. A man in white overalls, holding photographs of auto crash wounds, examines Ballard's injuries with great interest. In the isolated ward, Ballard and Catherine indulge in a spot of mutual masturbation as she describes the shattered wreck of his car.After going home, he scans traffic through his binoculars. Ballard says that there seems to be more traffic since the accident. Getting behind the wheel again of a rental car, Ballard drives to examine his car at a local impound lot. Helen Remington is also there. Ballard drives her to the airport, where she tells him her name and that she works in immigration. They almost get into another car accident when a car cuts in front of them. She suggests going to the airport garage, where they have frantic sex against a plane. After going home, Ballard then has sex with Catherine, which is getting more urgent as he takes her from behind again.Another few nights later, Helen meets with Ballard again where she takes him to an event staged by the enigmatic Vaughan: a reconstruction of James Dean's fatal 1955 crash in his racing Porsche, Little Bastard. Ballard recognizes Vaughan as the man from the hospital several weeks ago. The accident is restaged without safety gear for Vaughan or his two stunt drivers, Seagrave and Trask. Watched by a small crowd, the two cars impact head on at speed. Trask is okay. Vaughan struggles painfully from the wrecked Porsche, but Seagrave, who was driving him, is only semi-conscious. Over the PA speakers, Vaughan announces, "James Dean died of a broken neck and became immortal." Just then, police sirens are heard as the crowd scatters in all directions. Ballard and Helen run with Vaughan through the nearby woods, where they reach Vaughan's battered black Lincoln convertible. As he drives away from the scene, Vaughan fingers Helen while Ballard watches with curiosity.A short time later, Vaughan, Helen, and Ballard arrive at an unkempt communal house. Vera Seagrave attends to her husband's injuries while callipered crash victim Gabrielle offers everyone joints to smoke. Everyone is soon wasted on the pot. Vaughan talks to the concussed Seagrave about recreating Jane Mansfield's fatal crash. Producing an album of crashed photographs, he describes his project about re-enacting fatal auto crashes as the reshaping of the human body by modern technology.Another day later, Ballard and Catherine drive in separate cars. At an intersection, Vaughan draws up behind Catherine's silver sports car and follows aggressively before she pulls off the road. When Ballard takes her from the rear once more, she incorporates Vaughan into the act, asking if Ballard would like to sodomize him in his big car. Ballard backs away with slight disgust.At the airport garage, Ballard and Helen meet where they again have sex. Discussing her sexual exploits in cars, Helen admits to a fantasy of Vaughan photographing them as if they were in traffic accidents. Later, back at the commune house, Vaughan and his group smoke more joints and watch crash-test videos. They are all sexually turned on by the violence of the crashes on the screen.Driving around airport perimeter roads, Ballard connects Vaughan's Lincoln convertible with the 1963 JFK assassination. Vaughan tells him, "The car crash is a fertilizing rather than a destructive event--a liberation of sexual energy of those who have died, with an intensity that is impossible in any other form." It is clear that this Vaughan's real desire: the ultimate existential experience. He picks up an airport hooker and has sex with her in the back seat while Ballard drives and watches in the mirror.As Catherine and Ballard leave the studio for the day as he tells her more about Vaughan's underground sub-culture of crash victims, Vaughan arrives to pick them up when he is questioned by the police about the death of a pedestrian near the airport. He is shaken as Ballard drives his car.On the local freeway, Vaughan, Ballard, and Catherine encounter a multi-vehicle accident. Vaughan takes crash photographs, then stages more using Catherine as a model. The EMTs working on the wrecks are too busy to care. In the front wreck, Vaughan finds the dead Seagrave, dressed as Jayne Mansfield, complete with a scalped blond wig and a dead dog in the back seat. Vaughan is amazed that Seagrave went through and reenacted the fatal crash on his own.After Ballard finds blood on Vaughan's car, they go to a car wash. In the back seat, Vaughan has brutal sex with Catherine in the back seat under the gaze of an entranced Ballard, who later examines his bruises and scars on his healed leg in silence.In an auto showroom at a local car dealership, Gabrielle is helped into a Mercedes by an embarrassed salesman as Ballard looks on, amused by Gabrielle fondling the car, and saying how it turns her on. A little later at the airport garage, Ballard arranges Gabrielle's broken and scared body in order to access a healed crash-wound in her rear thigh.Vaughan phones Ballard to meet with him to witness his prophetic medical tattoo: a steering-column indentation on his torso. He encourages Ballard to have a small insignia on his thigh. Later, in a junkyard, Ballard and Vaughan finally have gay sex in the back seat of the Lincoln. Afterward, as Ballard sits behind the wheel of a wrecked car, Vaughan slams into it. The next day, Catherine's silver sports car has also been rammed.As Ballard drives around the airport perimeter, Vaughan's car launches out of nowhere; he is in a delirium as he toys with Ballard's sports car, ramming into it playfully before he accidentally swerves over a parapet and landing on a coach below. Ballard stops and surveys the carnage as Vaughan lies dead among the wreck.The next morning in the impound lot, Gabrielle and Helen arrive to look at Vaughan's wrecked Lincoln, where they begin making out with each other and they have lesbian sex in the back seat of the late Vaughan's car.Ballard decides to go to the pound to reclaim Vaughan's car. On the open road, he drives the Lincoln as recklessly as Vaughan, overtaking several vehicles in pursuit of Catherine whom is driving her car on the road ahead. He rams into her car, running it off the road and down an embankment. Ballard stumbles out of the Lincoln and painfully stumbles down the embankment. Catherine is lying on the ground, having been thrown from her car, alive but seriously wounded, with her skirt around her waist. Ballard lies down next to her, caresses her bloodied body, and when she says she's all right, he takes her from behind again, having sex with her on the grass embankment. He tells the semi-conscious Catherine as he climaxes: "Maybe the next one...."
Example Output:
Question: Who is Hansen?, Answer: One of the police officers