In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

[EX Q]: Ho hum . Keller Williams is a fine FINE acoustic guitar player.  I can't deny him that.  However, after seeing him live, I can't say I will ever see him again.  Too much looping, too much cheese and not enough grit.  Light and fluffy.  Maybe you could call it bubble gum music.    I'm not turned off to the jamband scene.  That's not it at all.  I was a Phish fan for many years...going back to the late eighties.  I really enjoy improvisation.  My musical life revolves around it, whether I'm playing or listening, whether its jazz, free or jamming.  I love it all.  I just find Keller Williams and a lot of the bands (not that he's a band really) that are in the "jam" scene to be pretty boring.  At least Keller doesn't go on twenty minute quasi-bluegrass noodle jams
[EX A]: NEG

[EX Q]: Lennon crafts a thoroughly enjoyable Beatle's sounding record . This has always been my favorite John Lennon album because the production is fantastic and the songwriting is ecclectic and creative...    I also believe that this is probably the most consistent post solo-Beatle release because of all fab four post solo recordings, the album's production is flawless...    In 1973, Lennon told Rolling Stone that he had really enjoyed Paul's Band on the Run because he felt it was conceptual... thus, I've entertained the possibility that this album is in part, a response to Band on the Run because it displays conceptualism  and ecclectisism.     Like Band on the Run, Walls and Bridges displays The Beatles' unique ability to go from beautiful lush ballads to rocking rockers... at times, I feel like I'm listening to the White Album....the pentatonic 'Going Down on Love' tracks to the up-tempo, brisk, jazzy 'Whatever Gets You Thru The Night'... then, there's the soft Harry Nilson assisted number 'Old Dirt Road'... then John immidiately answers this mellow country song with 'What You Got' (which feels kind of like 'Everybody's Got Something To Hide Except For Me and My Monkey') and so on ... it has been suggested that John's '#9 Dream' was a subconscious tribute to George... I love this album because I feel that John is in harmony with his other Beatle compatriots  and that he's no longer bitter with his past like he was on Plastic Ono Band..  'Surprise Surprise' with Elton John even has a quotation from a Beatle's song... see if you can guess what it is...!!!    This is the first post Beatles album that really really sounds like something the Beatles would have been truly worthy of producing (unlike Band on the Run that although was a milestone for Paul only sustained mediocre production!!!)    This is also a fun album and along with All Things Must Pass and Tug of War, it stands as the best produced post Beatles recording.. If you're a Beatle's fan but think that there wasn't any good solo Beatle's album.... sit down on a quiet Sunday evening with a friend or two in front of a fire with some hot cocoa, sit back, and enjoy a great album!!
[EX A]: POS

[EX Q]: Because the Night . Great song. I love Patti Smith's version but this one's even better. That song alone is worth however much you pay for this album. Plus you get other rare gems (and great Bruce songs) such as Fire, Seeds and Paradise by the "C" (great title!), not to mention killer versions of Bruce classics such as Rosalita, Born to Run, Thunder Road, Badlands, Darkness on the Edge of Town, The River, Independence Day, etc. Whether you're a completist or a huge fan of The Boss (I fall in the latter camp), you really should pick this up.
[EX A]:
POS