In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
miramax " disinvited " on - line media from press screenings of scream 3 .
they ostensibly feared that folks like me would write spoiler - filled reviews and post them prior to the film 's february 4th release date - unsound reasoning .
you see , ' net critics established enough to be on any sort of vip list are
professionals - miramax surely knows the difference between a member of the on - line film critics society ( ofcs ) and the type of fanboy who posts spy reports at ai n't it cool news .
no , the ? mini major ' was afraid we 'd let a bigger cat out of the bag than whodunit , that scream 3 is a dismal conclusion to the beloved ( by this writer , at least ) franchise .
something smells rotten in the state of california right from the get - go
:
cotton weary ( liev schrieber ) , the former lover and would - be killer of maureen prescott , sidney 's mother , is juggling phone calls in his luxury car .
( once considered a danger to society , weary now hosts his own talk show , " 100 % cotton " , a clever , if dated , jab at american pop culture . )
of course , a new ghostface dials him up , and , with memories of scream 's unbearably suspenseful prologue in mind , we immediately wonder , where is the killer ?
the backseat ?
the next car ?
thrilling prospects , to be sure , but actually , ghostface is at the weary residence , waiting for cotton 's girlfriend ( kelly rutheford ) to finishing showering .
what 's missing from this sequence , and indeed scream 3 's remaining frights ( most disappointingly , the moment when an ingenue is forced to hide in a wardrobe room filled with ghostface costumes , one of which might spring to life ) , is an elaborate and attenuated payoff .
our other surviving regulars have become estranged .
sidney ( campbell ) is living a paranoid existence of electronic gates and password - protected locks , while dewey ( arquette ) acts as technical advisor on the second sequel to scream 2 's movie - within - a - movie , " stab 3 " , and gale weathers ( cox arquette ) headlines a gossipy news program .
murder reunites them , as knife - wielding ghostface stalks the set of " stab 3 " , imitating its sadistic screenplay - and his / her / their own personal draft climaxes with sidney 's death .
the appeal of ghostface 's villainy is that he /
she
/ they could be your boyfriend , your classmate , your next door neighbour . . . or a combination of people .
scream was the first of its kind : a slasher mystery , with the guessing game not only entailing who will be next , but also who is /
are the perpetrator ( s ) and
what is / are his / her / their motive .
ironic self - reflection aside
, parts one and two stand out in a crowd that includes umpteen friday the 13th and halloween flicks because there 's at last articulate human beings behind the iconic costume .
with scream 3 , the novelty of ghostface 's ever - mutating identity has worn off some , but the character remains conceptually potent .
conceptually .
the execution of ghostface 's master plan this time around is creaky , because screenwriter ehren kruger has invented a new mythology for the world of sidney prescott far afield from what we 'd come to understand in scream and scream 2 .
the movie gets in the silly habit of saying " all bets are off ! " in reference to the " rules " of a trilogy 's third act , but there 's a difference between rule breaking and cheating .
with the departure of kevin williamson , who authored the previous screams as well as a tidy outline for scream 3 ( that , for reasons incomprehensible to me , was ignored , save the notion of " stab 3 " ) , kruger needed to be reined in tighter , and by wes craven .
craven 's direction of scream 3 is lazy in most respects .
how else to explain the jay and silent bob cameo ( the slacker duo of kevin smith movies ) , akin to seeing mickey mouse pop up in mulan and more distracting than funny .
it pains me to write this , but scream 3 's comedy is generally laughless , with the exception of well - timed performances by josh pais ( as a police detective possessed of the same personality he had as a persnickety teacher in craven 's music of the heart ) , jamie kennedy ( resurrecting film geek randy for the sendoff he was denied in scream 2 ) , and parker posey ( through sheer force of will as a b - actress ) .
the visuals are much weaker in part three , as well - the occasional sweeping gesture of peter deming 's camera is a pale imitation of the stalking steadicam craven gave us twice before .
( aside : in the wake of columbine , craven toned down the violence significantly for scream 3-why the sanctimony , when scream and scream 2 are still readily available on video store shelves ? )
finally , marco beltrami 's music cues the suspense too blatantly
- do you recall the tense chase at the college radio station in scream 2 ?
it 's mostly silent .
sting notes are a whole lot more effective if they spring from nowhere ; here ,
they act as the crescendos of an incessantly nerve - jangling score .
i look at scream 3 as coming from an alternative universe , the same place that birthed the godfather part iii and superman
iii - woefully out of synch with its prequels , scream 3 is a nightmare instead of nightmarish , and will likely put the horror genre back in mothballs .
the film unintentionally follows the unspoken rule of a trilogy to a t : ?
part three must disappoint ' .

Ex Output:
N


Ex Input:
an unhappy italian housewife , a lonely waiter , a goofy masseuse , lots of love , and gorgeous scenery all come together in bread and tulips , which proves charming despite its covering of predictable , well - worn material .
the story concerns the aforementioned housewife , rosalba barletta ( licia maglietta ) who accidentally becomes separated from her immediate family while on vacation .
instead of waiting for a ride home , rosalba opts not to go home to her italian town , but to instead hitchhike to venice . upon arriving , she tells her self - centered husband , mimmo ( an excellent antonio catania ) that she 'll be home in a few days .
of course , that does n't happen , as rosalba quickly gains a level of independence that has been unattainable in her past life of scrubbing floors and buying groceries .
in what seems like days , she moves in with lonely , suicidal waiter fernando ( bruno ganz ) , gets a job as a florist , learns the accordion , and befriends her neighbor -- a wacky holistic masseuse named grazia ( marina massironi ) .
rosalba , who is first seen wearing a gaudy stretch pants outfit , starts wearing sexy dresses and getting closer to fernando .
i can think of at least five other ( american ) movies ( including fried green tomatoes and an unmarried woman ) that are more than similar to bread and tulips .
but maglietta and ganz , who act with restraint and care , help bread and tulips from becoming a tired retread .
ganz plays the suicidal waiter role with a solemn , sometimes playful dignity that is a joy to watch , while maglietta never overreacts to her growing comfort with the outside world .
throughout the movie , maglietta has an easygoing , confident demeanor , which makes it very easy to root for her and her growing attraction for ganz 's character .
the gorgeous scenery of moonlit town squares and sparkling rivers provides a perfect love story backdrop
-- you just might want to ask the attractive stranger in the seat behind you for coffee after the lights come up .
director and co - writer silvio soldini must get credit for sprinkling the movie with effective goofy humor .
the cheap mimmo , desperate to find his wife ( after all , he needs his shirts ironed and his mistress wo n't do it ) , hires a job applicant ( giuseppe battiston ) at his bathroom supply firm to do the job .
the reason ?
mimmo discovers that the prospective plumber loves detective stories .
the novice detective 's various misfortunes , including him saying goodbye to his weepy mother , are very funny .
unfortunately , there are flaws that somewhat spoil bread and tulips ' cheery tone .
rosalba is bothered by several surreal dreams during her time in venice , which bring the movie to a halt .
it 's like putting a gunfight in a nora ephron movie .
several details in fernando 's life also never get proper closure , including his suicidal tendencies .
early in the movie , he nearly hangs himself before rosalba knocks on his apartment door .
after that , fernando 's step towards death is never made reference to , probably because soldini wanted to include a lukewarm , underdeveloped subplot about fernando 's stormy past .
it seems more like a desperate attempt to pump up the drama in a plot that does n't need any .
but there are n't a lot of overwhelming negatives in bread and tulips .
the movie is fun and romantic , with beautiful scenery and characters whose lives we 'd like to live if we had the nerve . . .
or if our passports were n't missing .

Ex Output:
P


Ex Input:
this feature is like a double header , two sets of clich ?
s for the price of one .
not only do we get the usual tired sports chestnuts , but the banal rich girl - poor boy love story is tossed in for good measure .
an original moment in this loser is as rare
as a chicago cubs world series appearance .
the screenplay by kevin falls and john gatins , based on a story by falls , merely lobs
its plotline at the audience .
this is a story that needed sent down for seasoning and more coaching .
summer catch centers around ryan dunne ( freddie prinze jr . ) , a cape cod youth chosen to participate in the prestigious cape cod baseball league , supposedly a showcase for the best young amateur and college players in the country .
ryan is a blue - collar kind of guy .
he works with his dad taking care of the lawns of cape cod 's rich and famous .
he also , as we are informed early , his own worst enemy .
he has the potential and the talent , but always seems to self - destruct at the crucial moment .
so , ryan tries to remained focused on baseball .
then he meets tenley parrish ( jessica biel ) , daughter of one of the blue bloods whose lawn he manicures .
tenley , a name only a hack screenwriter could invent , is unlike her snobbish counterparts and falls for ryan . if you ca n't figure out where all this nonsense leads , then you need a remedial course in film viewing .
as always prinze is pretty to look at , but his performance mainly consists of facial expressions : puppy dog love , heartbreak , frustration , self - loathing or determination .
biel cries a lot , while bruce davison merely acts smarmy as her class - conscious father .
the only beacon is matthew lillard 's fun - loving billy brubaker , the team 's catcher .
summer catch borrows situations and stylings from other baseball movies , such as bull durham and the natural .
no curve balls here , no sliders .
every pitch is predictable . a blind umpire could call this movie .
summer catch is strictly rookie league moviemaking .
it has as much chance of making the movie hall of fame as the dodgers have of moving back to brooklyn .

Ex Output:

N