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In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.
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Question: How old was Conrad Susa when The Dangerous Liaisons first premiered? Passage:The Dangerous Liaisons is an opera in two acts and eight scenes, with music by Conrad Susa to an English libretto by Philip Littell. It is based on the novel Les Liaisons dangereuses by Pierre Choderlos de Laclos. The opera has set numbers with recitative and spoken dialog. It is set in France in the 18th century. The opera received its first performance by the San Francisco Opera on 10 September 1994, with stage direction by Colin Graham and Donald Runnicles as the conductor. The world-premiere cast included Thomas Hampson as Valmont, Frederica von Stade as Merteuil, David Hobson as Chevalier de Danceny, Renée Fleming as Tourvel and Mary Mills as Cécile de Volanges. The opera was performed at Washington Opera in March 1998. It was also aired on the American PBS television network's Great Performances, a video recording of which was also made. Albany Records released an audio recording of a performance by Manhattan School of Music Opera Theater in 2016.

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The opera received its first performance by the San Francisco Opera on 10 September 1994, with stage direction by Colin Graham and Donald Runnicles as the conductor


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Question: In which venue was the wild card game played in 2014? Passage:Despite having claimed the Wild Card spot on the final day of the regular season, the Giants were able to tab ace Madison Bumgarner for the Wild Card game start. Bumgarner had an excellent regular season for the Giants, finishing with a career-low in ERA and a career-high in strikeouts, finishing fourth in the National League in both categories. On the hill for the New York Mets was Noah Syndergaard, who himself finished 3rd in the NL in ERA and 9th in strikeouts. The pitching matchup didn't disappoint, it took until the bottom of the third inning for the game's first hit and baserunner, with Syndergaard striking out four straight batters on two occasions. The closest either side came to scoring was in the top of the 6th when, after Denard Span singled and stole second base with two outs, Brandon Belt hit a long fly ball to center field which was caught on the dead run by Curtis Granderson, smashing into the wall and holding on. Syndergaard exited after 7 innings, having struck out 10. Crucially as it turned out, the Giants had forced Syndergaard out of the game with Bumgarner still going strong. Another golden opportunity was squandered by the Giants in the top of the 8th inning, when Addison Reed struck out Hunter Pence to end the inning with the bases loaded. After Bumgarner left a runner in scoring position in the bottom of the 8th, the game moved to the 9th with the Mets bringing in closer Jeurys Familia. Brandon Crawford led the inning off with a double to left-center, but Ángel Pagán couldn't lay down the sacrifice bunt and then struck out. Joe Panik worked a walk and Conor Gillaspie stepped up to the plate to launch a three-run home run to right field. Gillaspie had only started the game because Eduardo Núñez was still dealing with a hamstring injury and had to be left off the roster. Bumgarner then got the final three outs, completing the shutout just as he had done in the 2014 Wild Card Game. Bumgarner made 119 pitches, allowed just 6 total baserunners, striking out 6 and setting an MLB record of 23 consecutive scoreless innings pitched in postseason elimination games. With the win, the Giants equalled the Major League record for consecutive postseason series wins with 11, also extending their streak of postseason elimination game wins to 9.

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Bumgarner then got the final three outs, completing the shutout just as he had done in the 2014 Wild Card Game


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Question: Of the two leaders focused on in the documentary, which one lived longer? Passage:The documentary starts by quoting Lenin from The Right of Nations to Self-Determination. A sketch of Lenin appears at the beginning, and then a series of long and mid shots delineate a peaceful country life. But soon gunshots and turbulence replaces the tranquility. The next few shots portray the plunder, fire, wreckage, killings committed by Pakistan Army. The preamble of the United Nations Charter is mentioned several times. A series of still photos create some of the sequences that show the bombing of US Air force in Vietnam and its aftermath. The Dateline shows Saigon of 20 July. Bomber B-52 and a burnt Vietnamese child are seen. The focus switches from Saigon to Bongaon, India. Processions of refugees make a few sequences. A picture of struggling, distressing life of homeless, helpless, frightened refugees follows. Some of the refugees are seen looking for shelter in refugee camps while not an inch of any camp can accommodate them. Next appears a series of long shots taken from pictures of raped women, destroyed buildings and heaps of dead bodies. Alternating appearances of Hitler, pictures of Nazis, the massacre by Nazis, piles of dead bodies nearby German prison camps, refugee camps in India, heaps of dead bodies in the streets of Bangladesh, fire, wreckage in towns and villages makes the next few scenes. Numerous corpses are seen in rivers, streets, paddy fields, under the trees and on green, long grass. Shots after shots illustrate the sufferings of refugees. An old woman talks to an inquirer. The camera focuses a group of armed guerrilla returning from an operation. Soon they disappear in the woods. Camps of freedom fighters and the camp commandant appear. The commandant gives an interview. He talks about the war, the reason behind the war, the moral strength and confidence they own. The documentary ends with the word STOP occupying full frame.

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Alternating appearances of Hitler, pictures of Nazis, the massacre by Nazis, piles of dead bodies nearby German prison camps, refugee camps in India, heaps of dead bodies in the streets of Bangladesh, fire, wreckage in towns and villages makes the next few scenes