Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Q: CONTEXT: By this point in the narrative, Jules had already decided that he was going to change his life - he no longer wanted to be a killer for hire. The affair with the bullets missing him in Marvin's apartment had convinced him that God had a higher purpose for him, and by allowing Ringo to take what he needed, Jules was ensuring that he wouldn't have to kill him for attempting to rob him. This was the first step towards Jules' new life. He was not only buying/saving Ringo's life, but also his own.  <sep>  Q: What should I know about the scene?

A: Yes
****
Q: CONTEXT: Sinestro, was the leader of the Green Lantern Corps at the time and regarded to be one of the greatest Green Lanterns ever. He also had a very big ego and believed that he could accomplish what Parallax had failed to do: control the yellow essence of fear without losing himself to it. He also believed that the green essence of will power was no match for the yellow, and that if he wanted to defeat Parallax he would have to use the same power, which is why he asked for a yellow ring to be constructed. Had Sinestro's plan prevailed, he would've worn the yellow ring into battle with Parallax. The latter wouldn't be able to siphon fear from Sinestro's ring because the yellow ring didn't emit fear, it absorbed it, the same way Parallax does.  <sep>  Q: Why does Sinestro have The Guardians create a ring of fear?

A: Yes
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Q: CONTEXT: I think it's deliberately ambiguous. If it's real, the inconsistencies are easily explained by Vidal's fascist belief system. These elements simply are not part of his world. If it's fantasy, then of course only Ofelia can see these thing because she imagined them. I think part of Del Toro's purpose in the film was to maintain the plausibility of both of these interpretations.  <sep>  Q: Is Ofelia just dreaming things to get herself in a fairy world? A: If it's fantasy, then of course only Ofelia can see these thing because she imagined them  Q: Are the things happening for real but visible only to Ofelia? A: If it's real, the inconsistencies are easily explained by Vidal's fascist belief system. These elements simply are not part of his world  <sep> FOLLOWUP_Q: In the end when Vidal follows Ofelia to the labyrinth is Ofelia talking to the faun?

A:
No
****