In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

[EX Q]: Question: Which reformist theologians who were influenced by the division between faith and reason was born first? Passage:In Europe, the espousal of atheistic views was rare during the Early Middle Ages and Middle Ages (see Medieval Inquisition); metaphysics and theology were the dominant interests pertaining to religion. There were, however, movements within this period that furthered heterodox conceptions of the Christian god, including differing views of the nature, transcendence, and knowability of God. Individuals and groups such as Johannes Scotus Eriugena, David of Dinant, Amalric of Bena, and the Brethren of the Free Spirit maintained Christian viewpoints with pantheistic tendencies. Nicholas of Cusa held to a form of fideism he called docta ignorantia ("learned ignorance"), asserting that God is beyond human categorization, and thus our knowledge of him is limited to conjecture. William of Ockham inspired anti-metaphysical tendencies with his nominalistic limitation of human knowledge to singular objects, and asserted that the divine essence could not be intuitively or rationally apprehended by human intellect. Followers of Ockham, such as John of Mirecourt and Nicholas of Autrecourt furthered this view. The resulting division between faith and reason influenced later radical and reformist theologians such as John Wycliffe, Jan Hus, and Martin Luther.
 Links: a. David of Dinant b. John of Mirecourt c. David of Dinant d. John Wycliffe
[EX A]: d

[EX Q]: Question: How old was Arrigo Sacchi when Carbone moved to Milan? Passage:Carbone had a much travelled career, playing for ten different clubs. He began his youth career with Bari, making his professional debut with the club in Serie B during the 1988–89 season, earning promotion to Serie A. During his first season in Serie A, he broke into the starting line-up, making 26 appearances and scoring a goal against Inter at the San Siro stadium. In 1990, he moved to Milan at the request of manager Arrigo Sacchi. During his first season with the club, he made 21 appearances in Serie A, making his club debut on 9 September 1990, in a 1–0 home win over Genoa in Serie A. He also made his UEFA Champions League debut, scoring a goal against Club Bruges, and he started in Milan's European Supercup and Intercontinental Cup victories in 1990.
 Links: a. Genoa C.F.C. b. Arrigo Sacchi c. A.C. Milan d. Genoa C.F.C.
[EX A]: b

[EX Q]: Question: How long had Los Gatos been making music by the year La balsa was released? Passage:"La balsa" (; Spanish for "the raft") is the debut single by the Argentine band Los Gatos, released on July 3, 1967 on Vik, a subsidiary of RCA Victor. Formed in 1967 after the disbandment of Los Gatos Salvajes, Los Gatos were the house band of the bar La Cueva, which became a popular meeting place for rock enthusiasts and the birthplace of Argentine rock—known locally as rock nacional (Spanish for "national rock"). During the mid-to-late 1960s, Buenos Aires was experiencing a cultural blossoming characterized by innovations in modern art, literature and cinema, largely driven by a burgeoning youth subculture that adhered to the countercultural phenomenon of the decade. The underground had its center in La Cueva, Plaza Francia and the Torcuato di Tella Institute, and identified with British Invasion music and the sexual revolution. "La balsa" was written by Litto Nebbia—lead vocalist of the band—and Tanguito (credited as Ramsés) on May 2, 1967, in the men's toilet of La Perla de Once, another bar frequented by the group. At the time, Argentina was under a military dictatorship led by Juan Carlos Onganía, which regularly imprisoned and persecuted these young bohemians.
 Links: a. Counterculture of the 1960s b. Los Gatos (band) c. RCA Records d. Los Gatos Salvajes (band)
[EX A]:
b