In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: Which of the two devices that Project Dream was considered for release on sold more units? Passage 1:Project Dream was the codename of a role-playing video game (RPG) that served as the basis for the 1998 game Banjo-Kazooie. Developed by Rare, it was aimed for release on the Super Nintendo Entertainment System (SNES), and later the Nintendo 64 (N64). The plot revolved around a young boy, Edson, who caused trouble with pirates. The SNES version of Dream used an isometric perspective and had a fairy tale-like theme. After transitioning to the N64, the project became a more complex 3D RPG that had a greater emphasis on the pirate theme. Eventually, Dream was scaled back to a linear platform game in the vein of Donkey Kong Country (1994) that starred Banjo the bear, who became the protagonist of Banjo-Kazooie.
 Passage 2:He was appointed High Sheriff of Queen's County in 1876. He served in the Life Guards and fought in Egypt in 1882. He also sat as Member of Parliament for Portarlington from 1880 to 1883, when he succeeded his father in the barony and entered the House of Lords. He served as lieutenant colonel in command of the 4th (Militia) Battalion of the Leinster Regiment (Queen's County Militia) from October 1899, and was the first to outfit them with Irish bagpipers. In February 1900 he left for South Africa, where he was posted on special service during the Second Boer War. In recognition of services during the war, he was appointed a Companion of the Order of St Michael and St George (CMG) in the South African Honours list published on 26 June 1902.
 Passage 3:Ortenberg was born to a Jewish family on August 8, 1960, in Briarcliff Manor, New York, Ortenberg attended Penn State University and graduated in 1982. At Penn State, Ortenberg recognized his passion for film, showing recent theatrical movies on campus to raise money for non-profit student organizations. Moving to San Francisco he began his film career with Columbia Pictures in 1985 as a clerk, and joined Hemdale Film Corporation in 1989, where he served as President of Distribution and Marketing after the company filed for bankruptcy and laid off the C level officers of the company before joining Lionsgate Films as their president of theatrical films, where he was the first employee in its Los Angeles office. Ortenberg led Lionsgate's film division as it quickly grew into one of Hollywood's premiere movie studios. In 2009, he left Lionsgate to join the Weinstein company as President of Theatrical Films. In 2011 it was announced that Ortenberg would be CEO of Open Road Films a newly formed movie studio owned by theatre chains AMC Theatres and Regal Entertainment Group. In 2016, he endorsed Bernie Sanders for President of the United States. Ortenberg left Open Road in 2017 after it was acquired by Tang Media Partners. Ortenberg then started Briarcliff Entertainment, a distribution company.

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Question: How old was the king when he conferred a title on Viscount Netterville? Passage 1:Unclassified discussions open to the public at UNHQ occur once or twice a year and an RSVP is regularly announced on Twitter. An event held on December 10, 2015 looked at The Economic Cost of LGBT Exclusion and offered fiscal effects from exclusionary practices from the World Bank who estimated it to be 5% of GDP and included the companion video released by the UN's Free & Equal campaign. International concerns of the UN such as extreme hunger or clean water supplies could be remedied if this 5% of GDP was reallocated. At that meeting, the UNDP announced the launch of their LGBTI Inclusions Index, a global collection of data which they hope will help sway minds and move countries toward a brighter future for LGBTQ+ citizens. Another topic speaker on that day was the CEO of Out & Equal who recounted her 20-year efforts working with Fortune 500 and 1000 companies watching them move from 5% inclusion in 1995 to 90% inclusion by 2015. On September 20, 2017, the Group held an event entitled Ending Violence and Discrimination against LGBTI Persons. This included firsthand reports of Human Rights violations. For May 17, 2018 on International Day Against Homophobia, Transphobia and Biphobia, the UN LGBTI Core Group Special Event Celebrating our Allies opened with remarks by the UK Ambassador.
 Passage 2:Viscount Netterville was a title in the Peerage of Ireland. It was created in 1622 for Nicholas Netterville, 1st Viscount Netterville (1581–1654), son of John Netterville of Dowth, County Meath. He was a favorite of King James I of England who in 1622 conferred the title on him "in consideration of his many good qualities". He suffered considerable financial hardship during the English Civil War when the English Parliament, after the failure of the Royalist cause, sequestered his estates, along with those of his eldest son, John, the 2nd Viscount. During the Irish Rebellion of 1641 John, who was adhered to Roman Catholicism, was accused of favouring the rebels, and it does not seem that either side to the conflict fully trusted him. Possibly for this reason his son Nicholas, the 3rd Viscount, had some difficulty after the Restoration of Charles II in recovering the family estates. Because of Nicholas's loyalty to James II the estates were again forfeited after the Glorious Revolution of 1688, but were later restored to his son John, the 4th Viscount. 
 Passage 3:Kretzschmaria deusta, commonly known as brittle cinder, is a fungus and plant pathogen found in temperate regions of the Northern Hemisphere. It is common on a wide range of broadleaved trees including beech (Fagus), oak (Quercus), lime (Tilia), Horse Chestnut and maple (Acer). It also causes serious damage in the base of rubber, tea, coffee and palms. It causes a soft rot, initially and preferentially degrading cellulose and ultimately breaking down both cellulose and lignin, and colonises the lower stem and/or roots of living trees through injuries or by root contact with infected trees. It can result in sudden breakage in otherwise apparently healthy trees. The fungus continues to decay wood after the host tree has died, making K. deusta a facultative parasite. The resulting brittle fracture can exhibit a ceramic-like fracture surface. Black zone lines can often be seen in cross-sections of wood infected with K. deusta.

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Question: What other countries did Loring fight with while he supported the United nations command ground troops? Passage 1:In July 1952, Loring transferred to the 36th Fighter-Bomber Squadron full-time, where he served as operations officer. In this role he returned to combat duty, this time as a jet aircraft fighter pilot operating the F-80 Shooting Star. Missions for this unit primarily concerned close air support, air strikes and interdiction missions supporting United Nations Command ground troops in the country. In this role, Loring's unit primarily fought North Korean and Chinese ground targets. By November 22, 1952, Loring had completed 50 combat missions. At that time the ground battle in Korea had developed into a stalemate, with the two sides firmly entrenched along the 38th Parallel. Throughout November, the UN forces had been launching Operation Showdown against two targets: Triangle Hill and Sniper Ridge, northwest of Kunwha, north of the 38th Parallel. During the battle, the Chinese managed to amass 133 large caliber guns, 24 BM-13 rocket launchers and 47 anti-aircraft guns in the largest Chinese artillery operation during the Korean War, and it posed a serious threat to ground troops of the ROK 2nd Infantry Division operating in the area. The artillery was heavily guarded, forcing the UN forces to use airpower to combat them.
 Passage 2:"Something" received the Ivor Novello Award for the "Best Song Musically and Lyrically" of 1969. Harrison subsequently performed the song at his Concert for Bangladesh shows in 1971 and throughout the two tours he made as a solo artist. Up to the late 1970s, it had been covered by over 150 artists, making it the second-most covered Beatles composition after "Yesterday". Shirley Bassey had a top-five UK hit with her 1970 recording, while Frank Sinatra regularly performed the song. Other artists who have covered "Something" include Elvis Presley, Ray Charles, Peggy Lee, James Brown, Tony Bennett, Andy Williams, Smokey Robinson and Ike & Tina Turner. In 1999, Broadcast Music Incorporated named "Something" as the 17th-most performed song of the twentieth century, with 5 million performances. In 2004, it was ranked at number 278 on Rolling Stones list of "The 500 Greatest Songs of All Time", while two years later, Mojo placed it at number 7 in the magazine's list of the Beatles' best songs. A year after Harrison's death in November 2001, McCartney and Eric Clapton performed it at the Concert for George tribute at London's Royal Albert Hall.
 Passage 3:From the mid-1970s, DJs in early discothèques were performing similar tricks with disco songs (using loops and tape edits) to get dancers on the floor and keep them there. One noteworthy figure was Tom Moulton who invented the dance remix as we now know it. Though not a DJ (a popular misconception), Moulton had begun his career by making a homemade mix tape for a Fire Island dance club in the late 1960s. His tapes eventually became popular and he came to the attention of the music industry in New York City. At first Moulton was simply called upon to improve the aesthetics of dance-oriented recordings before release ("I didn't do the remix, I did the mix"—Tom Moulton). Eventually, he moved from being a "fix it" man on pop records to specializing in remixes for the dance floor. Along the way, he invented the breakdown section and the 12-inch single vinyl format. Walter Gibbons provided the dance version of the first commercial 12-inch single ("Ten Percent", by Double Exposure). Contrary to popular belief, Gibbons did not mix the record. In fact his version was a re-edit of the original mix. Moulton, Gibbons and their contemporaries (Jim Burgess, Tee Scott, and later Larry Levan and Shep Pettibone) at Salsoul Records proved to be the most influential group of remixers for the disco era. The Salsoul catalog is seen (especially in the UK and Europe) as being the "canon" for the disco mixer's art form. Pettibone is among a very small number of remixers whose work successfully transitioned from the disco to the House era. (He is certainly the most high-profile remixer to do so.) His contemporaries included Arthur Baker and François Kevorkian.


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