In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Input: Consider Input: Mean-spirited, ugly, nasty retro-action thriller, about a bodyguard who is determined to find (and destroy!), the killers of the girl he was supposed to protect. This film is almost an anachronism in today's politically correct atmosphere. Director Scott doesn't have any desire to apologize for the inherently immorality behind the film's dramatic structure. Scott is either not aware or doesn't care for 30 years of social advances. I really don't think we will see a more violent film any time soon, so you better go and see this one while you can. Despite its relentless grimness, I think the movie is a powerful example of cinema at its most sinister, exploitative, and effective. Scott has a tough thing to sell, but I think I'm a buyer. The extraordinary technical aspects of this film are just too effective for me to ignore. Scott's directorial choices are simply astonishing, and he pulls a great performance out of Denzel Washington. Sensitive souls need to stay away from this one, but I recommended it to those viewers looking for a great, action-filled movie.

Output: positive


Input: Consider Input: Sequel to "The Kingdom" is bloodier and even more twisted. I only saw half (I was exhausted and couldn't sit through all 5 1/2 hours) but I loved what I saw. Ghosts, blood, murder, poisoning, mutated babies, voodoo...this has it all! If you have a strong stomach and like weird movies this is for you.Also, you don't have to see Part 1 to understand this...you'll figure it out!Does anyone know if Kingdom 1 and 2 are available on DVD? Sitting through these marathon movies in a theatre is tiring. Sadly, there probably won't be a "Kingdom 3"--Ernst-Hugo Jaregard (Sig) died a year after this was filmed. But you never know!

Output: positive


Input: Consider Input: For real film people, this film is a must, since it works as a perfect little allegory for the movies themselves. Janos Rukh/Boris Karloff's science has to do with capturing and projecting light from cosmic phenomena. This light can do harm, or it can be harnessed to do good. On the one hand it blinds his mother, on the other it is used to cure blindness ("I can see!" shouts a young girl on whose eyes this light is projected). When Rukh/Karloff is himself poisoned by the uncanny power of this light, we see him actually emitting a ghostly glow on his hands and face like a badly developed negative, drawing attention to the fact that the man we are watching is a projection, an entity viewed on film (only visible, as in a movie theater, when the lights are out).There is a wonderful passage near the beginning where Karloff/Rukh explains his research as being informed by the fact that everything that happens is captured in light which rolls through space for millions of years, as the light from Andromeda was emitted from that Galaxy at a time when the earth was still molten rock. There are passages in the film when this new science is juxtaposed to older cultural vehicles: that of the writer, in the persona of Beulah Bondi/Arabella Stevens; and religion, emblemized in the sculptural figures on the local cathedral Karloff blasts with his projector/ray gun. One has to wonder here if this film was meant to glance at what was going on in Germany at the time, and particularly at Riefenstall's use of film the year before to promote a regime that certainly would go on to do a lot of harm:Triumph of the Will. Happily in the end, Mother (Violet Kemble Cooper) intervenes, reminding Janos Rukh of the first rule of science. If only more movies made you want to stand up in the theater and shout: "I can see!"


Output: positive