In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: america 's favorite homicidal plaything takes a wicked wife in " bride of chucky , " and their unholy matrimony is something old , nothing new .
the burning question on the minds of most moviegoers , however , has nothing to do with nuptial specifics or even how the movie stacks up , but rather whether or not the duo gets down and dirty on their blood - soaked honeymoon .
the answer is a sick - and - twisted yes - and viewers are treated to a shadowy glimpse of some hot - enough - to - melt - rubber ( or at least singe it )
lovin' .
guess they 're anatomically correct .
chucky ( again voiced by brad dourif )
, of course , is the star of the " child 's play " series , a my buddy - type doll possessed by the spirit of a slain serial killer .
in " bride , " the plot ( heh )
picks up with his girlfriend tiffany ( jennifer tilly ) resurrecting chucky 's remains ( he was blown up at the end of " child 's play 3 " ) with the help of a black arts manual called " voodoo for dummies . " silly mortal .
before long , she 's also been reduced to shin - high figurine status , and the plastic incarnations of these one - time lunatic lovebirds hit the road to scope out some potential new human bodies .
the rest of this rocky horror puppet show plays out as tiff and the chuckster stalk a young couple ( nick stabile and katherine heigl ) with conjugal plans of their own , leading them towards a new jersey grave where a magical , soul - transferring amulet allegedly lies in wait . along the way , our murderous barbie and ken go through post - marriage motions similar to any given pair of newlyweds - bicker , argue , kiss and make up .
but when they squabble over who 's going to do the dishes , watch out .
hey , even faux people have got to work through their problems .
director ronny yu keeps the mayhem flashy and stages an inventive scene or two , but not even visual flair can make up for the fact that these creepy kewpies are neither scary nor menacing .
when one of them charges , it 's nothing a good forward punt could n't take care of .
and when a climactic chase scene is needed , one of the dim - bulb protagonists must _ pick_chucky_up _
so the demonic toy can force his hostage to run at gunpoint .
throw in some silly casualties and a ridiculous ending
( will " son of chucky " be next ? ) and this is a bizarrely bad 89-minutes at the movies .
as is the thing to do in post- " scream
" slasher cinema , don mancini 's screenplay slathers on the in - jokes and genre - parody . but
little of the humor succeeds , proving self - reference can be completely worthless when it lacks bite . to be fair , though , most of " bride of chucky " is on auto - pilot , so it 's not quite right to single out one misfired aspect of the film .
similarly shaky , the acting ranges from screeching camp to boring bland , the effects are n't that special and
the story is one big groaner .
here 's hoping chucky and his entire clan - past , present and future - rest in peace .

Output: N


Input: Consider Input: " living out loud , " is the type of motion picture we do n't often see : it is a film about mature , intelligent adults , instead of the usual american film , in which children basically dress up in grown - up clothing and parade around acting like immature seven - year - olds .
judith ( holly hunter ) , a fortysomething living in new york city , has been having a difficult time with life lately .
she is extremely depressed about her recent divorce to her husband ( martin donovan ) , who had been cheating on her .
she can not sleep , haunted by terrible memories , often imagines off - the - wall things to try and make the world seem like a better place , and
the only place she can really go to feel happy is to hear one of her favorite singers , liz bailey ( queen latifah ) , perform at a local club .
judith 's life does start to brighten a little when , one night when she gets home to her apartment late , strikes up a conversation with the elevator operator , pat ( danny devito ) , a lonely man in his fifties whom has lost his daughter recently .
both of them create a sort of emotional connection with each other , seeking comfort with the other person , but while pat starts to form a deep love for her , judith only wants to remain friends . " living out loud , " which was written by richard lagravenese ( " the bridges of madison county " ) , who is also making his directing debut here , is a wonderful film from beginning to end , one that is honest , genuinely funny , and poignant .
the three central characters , that of judith , pat , and liz , are all written to be free - thinking , complex human beings , and are all likable , but flawed , people who are constantly interesting , as is the film itself .
one highly original element of the film is that judith occasionally imagines things occuring in her mind in the way she wishes they would happen .
sometimes it results in comedy , and sometimes it turns out to be subtle and truly touching .
one sequence that stands out is when judith is at a restaurant by herself , reading a novel .
an older woman comes over to her , mentions that that is a great book she is reading , and then goes over to join her own friends .
as the woman sits down , she looks over to see judith by herself , and motions for her to come join them .
instantly , we realize this was simply in judith 's mind , as we see the same woman just sit down at the table and begin talking to her friends .
holly hunter and danny devito
both give the performances of their careers here .
hunter , of course , was brilliant in 1993 's " the piano , " for which she won an academy award , but in this film she is even better
, i think .
she finds the right note for each scene and holds it . and devito has never had such a humanistic role before , which i was surprised about
.
usually he is used as the butt of a joke , or as a caricature , but in this film , has a living - and - breathing , sympathetic person to play .
topping it all off is latifah , also a singer , who is quickly turning into a respectable actress herself , and has a juicy , natural supporting role
as , in some ways , judith 's role model .
another joy of the film is that it does not somehow form a contrived , " happy " ending , but , in staying with its realistic tone , manages to be upbeat , but truthful .
the last shot is an especially powerful image .
nothing is said , but just the image of someone walking down a sidewalk says it all .
the relationship that results between judith and pat is true - to - life and sincere .
as we watch these two people talk , and get to know each other , all that we wish for them both is to be happy , even if that does not include for them to become romantically involved .
and as , " living out loud , " which is one of the best films of the year , proves ,
sometimes a friendship is the strongest bond anyone could possibly ask for .

Output: P


Input: Consider Input: i 'll be the first to admit it .
when you mention the book great expectations , i immediately begin experiencing flashbacks to junior high english class , where i was confronted with a torturously boring book filled with people with such nonsensical names as pip and magwitch .
yes , it 's a classic of literature , but it was a rather dry one , shoved down my young throat like a spoonful of bitter medicine .
certainly , the experience was n't truly that bad , but , to quote ethan hawke in the latest movie adaptation of said book , " i 'm not going to tell the story the way it happened . . .
i 'll gon na tell it the way i remember it .
"
anyway , to return from nostalgia lane , and get back to the present , hollywood , in it 's trendy attempt to modernize the classics , now presents an updated film version of great expectations .
instead of pip , this time the central character is named finn ( played as a boy by jeremy kissner , and by ethan hawke as an adult ) .
finn is an orphan being raised by his unfaithful sister maggie , or should that be mrs .
joe , ( kim dickens ) , and her boorish fisherman husband , joe ( chris cooper ) .
the setting is the florida coast during the mid-70s .
finn is a blooming artist , and spends his time running around the beach drawing fish ( one of his two favorite subjects ) .
during one of these escapades , he literally stumbles upon an escaped criminal ( robert deniro ) .
borrowing a page from the superhuman max cady , deniro 's criminal has a seemingly limitless lung capacity , and favors hiding on the ocean floor .
ok .
. .
maybe that 's an exaggeration , but he certainly beats any of houdini 's records in the opening scenes of the film .
and that 's nothing next to the fuel efficiency of finn 's motorboat , but i digress .
anyway , finn does the convict a good deed , just to show that he 's a really swell guy .
and then the plot moves on .
enter miss havisham . . .
or ms .
dinsmoor here ( anne bancroft ) .
abandoned at the altar some 26 years ago , ms .
dinsmoor is the epitome of the crazy rich old maid .
with bizarre clothing , eccentric mannerisms and a few pounds of makeup , anne bancroft seriously overacts in this role .
although
she ends up nowhere near a believable character
, she does add some humor to the film .
joe is hired to help with the gardening at her unkempt manner , but the insane ms .
dinsmoor soon hires finn to be a plaything for her niece , estella ( raquel beaudene as a young girl , gwyneth paltrow as an adult ) .
for no apparent reason , other than to provide the main plot of the film , finn is instantly stricken for the estella .
perhaps it 's her snooty attitude or her utter disdain for his person , or maybe finn has simply never met a girl before .
in any case , neither as children nor adults , chemistry simply does n't exist between the two , and yet finn spends the remainder of the film pining for her .
even when , as an adult , finn arrives in new york at the behest of a mysterious benefactor , reacquaints himself with estella , and draws her portrait in the nude , there 's nothing .
in fact , there is more sexual tension between helen hunt and greg kinnear 's gay artist during a similar scene in as good as it gets .
at this point , the audience has grown as cold and detached as estella 's character , and could n't care less about the two characters .
the bulk of the blame here falls upon gwyneth paltrow .
she fails to imbue estella , a remote character in the book , with even the vaguest traces of humanity .
there 's obviously something wrong
when , watching the film , you 're more interested with how big her nose looks in silhouette than you are about her character .
without a strong estella , finn 's obsession seems baseless .
you wish he would just stop whining , let estella marry his rival , walter plane ( an oddly subdued hank azaria ) , and just get on with his life .
in fact , the two relationships that work in the film are purely tangential to the main plot .
finn 's relationship with his brother - in - law , joe , is interesting , if a bit stereotypical .
what 's more fascinating are his interactions with deniro .
although it 's only a bit part , it goes to show how much vitality a strong actor can create .
it is apparent that director alfonso cuarsn put a lot of work in creating the imagery of the film .
some of the shots work , but others are too obviously staged ( for example , both of the water fountain scenes ) to have any impact .
finn 's art ( actually the creations of italian painter , francesco clemente ) is used throughout the film , but it mostly fails to have the intended effect .
we never see why finn would generate this style of art , which is simultaneously crude and insightful .
as a result , it ends up as distant as the rest of the film .
modernizing the classics is currently in vogue ( just see william shakespeare 's romeo+juliet ) .
simply update the action to a modern setting , and apply plenty of modern rock .
but such adornments do little to perk up great expectations . as much as i dreaded the novel when i first read it ,
you 'd probably be better off suffering though a reading than watching this romanceless film .


Output: N