Given a document and an entity the task is to select the author's sentiment towards the entity. Sentiments can be Positive, Neutral and Negative. Select Positive if the article expresses a positive view towards the given entity or praises its quality or skills. Select Neutral if the document expresses no clear view towards the entity or has equal amounts of positive and negative statements or expressing some fact/quote by someone else. Select Negative if the article expresses a negative view towards like harsh remarks, criticizing entities action/decision etc. Note that URLs in the text have been replaced with [Link].

Input: Consider Input: What is the sentiment of the following document towards the entity Warren Buffett ? Warren Buffett  and Bill Gates have both founded highly profitable companies  so it's safe to say that  they 've made quite a few smart business decisions. In a 1998 panel discussion with students at the University of Washington's business school  the two billionaires pinpointed the best business decisions they ever made.
 Buffett  said  his  best business decision was simply starting a career in investing because  he  enjoys what  he  does. Luckily  said  Buffett   this has worked out well for  him .
"You'll see plenty of times when you get chances to do things that just shout at you "  he  said. "When that happens  you have to take a big swing."
Alluding to  his  own experiences as an investor   Buffett  said that when these opportunities arise  you must act quickly. There's no time to be "reading a book on the theory of diversification "  he  said.

Output: Neutral


Input: Consider Input: What is the sentiment of the following document towards the entity Reynolds Woodcock ? NPR's Ari Shapiro talks with director Paul Thomas Anderson about his new film  Phantom Thread. The film is about a fastidious British dressmaker named Reynolds Woodcock  played by Daniel Day Lewis  whose life becomes upended when he finds a new muse  who begins to challenge him.
This is a movie season where films compete to be bigger  louder and flashier. Right now you can choose to spend a couple of hours in a dark theater with jedis  monsters or singing circus impresarios. In the middle of all this comes a quiet  intimate movie. It's called "Phantom Thread " and it's about  a British dressmaker named Reynolds Woodcock played by Daniel Day-Lewis .
DANIEL DAY-LEWIS: (As Reynolds Woodcock) Chic - oh  don't you start using that filthy  little word  chic. Whoever invented that ought to be spanked in public. I don't even know what that word means.
SHAPIRO:  He  runs a fashion house with  his  sister  Cyril  played by Lesley Manville. Woodcock's fastidious life is upended when a woman named Alma becomes  his  muse and begins to challenge  him . She is played by the actress Vicky Krieps of Luxembourg.
SHAPIRO: Tell us about the main character played by Daniel Day-Lewis.  Reynolds Woodcock  is a man in a world of women  and  he  is a very particular person.
ANDERSON:  He  is.  He 's a very demanding  very particular person. There's a lot of rules. There's a lot of superstitions  which implies something peculiar about a character. And that's  him . There's no changing  him .  He 's very clear about what  he  will do and will not do.
DAY-LEWIS: (As Reynolds Woodcock) As I think you know  Alma  I prefer my asparagus with oil and salt. Knowing this  you have prepared the asparagus with butter. Right now I'm just admiring my own gallantry for eating it the way you've prepared it.
ANDERSON: Well  you know  it's funny. If I showed you the screenplay  you are exactly right. It would look very  very thin  you know  to say   Reynolds  looks at Alma; Alma looks at  Reynolds ; cut to the next scene  you know? But hopefully the accumulation of events leads you to understand just what that might mean and just the weight that those looks might carry.
SHAPIRO: Reynolds Woodcock sews things into linings of clothing that presumably no one will ever see. Where did that idea come from - photographs or messages?
ANDERSON: Well  the path is usually you kind of put a best-of up on the wall. But then you have to look at it from a different angle. Well  what is  Reynolds Woodcock ? Who is  he ?  He 's English. And so we - the designs started becoming English. So building it up from what Reynolds would be interested in  you realize just how deeply English he is and that all the influence in his life is that. You know  what are the fabrics that he gravitates towards? And so that becomes a three-way collaboration between Daniel and Mark and myself. And to be honest  I have the least patience of the three of us.
DAY-LEWIS: (As Reynolds Woodcock) What happened to make you behave like this? Is it because you think I don't need you?
DAY-LEWIS: (As Reynolds Woodcock) I don't.

Output: Positive


Input: Consider Input: What is the sentiment of the following document towards the entity Kerry Emanuel ? There are other factors at work besides warming. A global weather pattern called El Niño was absent this year  and that often means a stormier Atlantic Ocean. One reason is that high-altitude "shear winds" in the Atlantic that often nip the tops off budding hurricanes were absent  as well. 
Atmospheric scientist Kerry Emanuel at MIT  notes that there's also a rather mysterious cycle for Atlantic hurricanes. It seems to repeat about every decade. "We don't really understand it  [but] it's there "  he  says  and it also influences when and how often hurricanes arise. Sure enough  it was 12 years ago  in 2005  when the Atlantic saw such a similarly huge hurricane year.
 Emanuel  says scientists aren't clear whether hurricanes are becoming more common; reliable records for hurricanes go back only about 50 years in the Atlantic  so it's difficult to detect a long-term trend  and data for the Pacific are even scarcer. Theoretically   he  says  some aspects of warming could actually decrease the frequency of hurricanes by drying out parts of the atmosphere. But those that do arise are likely to be nastier. "Insofar as the storms are intense and produce a lot of rain "  he  says  "they're a window into our long-term future."
And it's a costly future   Emanuel  says. "We're just going to get more and more destruction "  he  predicts  "because we just encourage people to live and build in dangerous places" like low-lying coastlines — a fact independent of climate change.


Output: Neutral