In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: When did the Boroadway show that Reeves performed in first premiered? Passage 1:The 13th stage saw a big change in the general classification due to crosswinds leading to the formation of echelons. A 15 man group led by Alberto Contador's Team Saxo Bank, with the help of eventual stage winner Mark Cavendish's Omega Pharma-Quick Step and Bauke Mollema's Belkin Pro Cycling used the crosswinds to make a gap with other General Classification riders 31 kilometers from the finish to form the echelons. Then again This helped Contador gain 1'09" on - among others - Chris Froome, Nairo Quintana and Joaquim Rodriguez. The biggest victim however was the number 2 in the General Classification at that point: Alejandro Valverde. He lost 9'54" after having a puncture at a critical point in the race. The stage saw escapees Bauke Mollema move to second, Alberto Contador to third, Roman Kreuziger to fourth, Laurens ten Dam to fifth and Jakob Fuglsang to sixth in the General Classification. Chris Froome retained the yellow jersey, while Alejandro Valverde dropped to 16th.
 Passage 2:Walter Ehrengott Trautzsch was born at Lengefeld, a small industrial town in the mining region south of Chemnitz, and close to the frontier with Bohemia. His parents worked in the weaving trade. His father is also described as a building worker in at least one source. Walter was the sixth of his parents' seven recorded children. On leaving school, Walter Trautzch successfully completed an apprenticeship in industrial metal forming (als "Metalldrücker"), which was the trade from which he would earn his living, working in various German towns and cities, till 1929. He joined the recently formed Communist Party in June 1923, and participated in the Hamburg Uprising in October of that year. That led to his imprisonment, but he was released in December 1923. He spent six months in Switzerland, but then in 1926 found work closer to home, in Chemnitz. In 1929 his period as an itinerant labourer came to an end when he returned to Lengefeld. A period of unemployment followed, as Germany was badly impacted the backwash from the Wall Street Crash.
 Passage 3:Having moved to Los Angeles, Reeves took acting classes at the Lee Strasberg Institute, and appeared in the movie Fairy Tales, and on the television series Quincy, ME. Reeves also appeared on game shows such as Hollywood Squares. In 1977, with the help of former Motown producer Frank Wilson, Reeves became a born-again Christian, joining the Mt. Zion Missionary Baptist Church, pastored by Rev. EV Hill. She released one album on Arista, working with Clive Davis, the Chairmen of the Board's General Johnson and others, and two albums on the Fantasy label, working with other former Motown colleagues Hank Cosby and Holland, Dozier and Holland. In 1983, she performed solo on the famed Motown 25 special. She then performed in a Broadway production of Ain't Misbehavin' and reunited with original members of the Vandellas in 1989 both on record (recording for the London-based Motorcity Records that year issuing the single "Step into My Shoes") and on tour. In 1995, Reeves and the Vandellas were inducted to the Rock & Roll Hall of Fame and were inducted to the Vocal Group Hall of Fame in 2003. Martha performed as part of the halftime show of Super Bowl XXXII in 1998, with her sisters, and current Vandellas, Lois and Delphine Reeves. In 2004, Reeves released her first album in 24 years, Home to You, with songs she wrote and produced herself except for a Billie Holiday cover and an updated version of her big hit, "Jimmy Mack". Between leaving the Vandellas and her solo career, Martha served as an early contributor to the music newspaper, Soul, for which she was honored for by the Black Women in Publishing organization. She was also honored for her best-selling 1995 autobiography, Dancing in the Street.

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Question: Are the two types of stone the church was constructed in formed by the same geological process? Passage 1:St Jude's is constructed in yellow sandstone ashlar with a slate roof. Its plan is rectangular and consists of a nave and chancel in one cell with no division between them, a vestry attached to the east end of the chancel, and a bellcote on the gable at the west end. Above the bellcote is a canopy decorated with crockets. The west front contains a double door, above which is a triple lancet window with a circular window over it. At the corners are square turrets which become octagonal as they rise, and each is surmounted by a spire. On each side of the church are five pairs of lancet windows, each pair being separated by a buttress. Above the vestry at the east end is another triple lancet window, over which is a cricketed gable.
 Passage 2:In 2010, Deveron Projects commissioned Hamish Fulton to create a new walking work for Huntly. The resulting piece 21 Days in the Cairngorms (2010) featured two group slow-walks, as well as a group of walkers to see Fulton off on the first day of his twenty-day journey, and new and unusual experience for Fulton. This project inspired the development of the Walking Institute and a further focus on walking as an artistic medium. In 2012 Ethiopian artist Mihret Kebede developed Slow Marathon, an artistic project in response to her inability to walk from her hometown of Addis Ababa to Huntly. The project consisted of an accumulative marathon that included miles donated remotely by international participants, as well as two twenty-six mile walks in Huntly and Addis Ababa. Ultimately, over five-hundred individuals participated in the project and donated 14172.4 miles, a total of 540 marathons. The project has since become an annual event, created in conjunction with artists working with Devon Projects The 2013 Slow Marathon, Cabrach to Huntly, was held on John Muir Day and served as the official launch of the Institute. The 2014 event started at the Glenkindie on the edge of the Cairngorms National Park. Other Walking Institute projects have included: In the Footsteps of Nan Shepherd: a long distance walk looking by Simone Kenyon at issues, plights and pleasures of women walking in wilderness; Huntly Perambulator, a series of walks by Clare Qualmann looking at walking with prams; Hielan’ Ways, a programme that included poetry (Alec Finlay), music (Paul Anderson) and art (Simone Kenyon, Gillian Russel). Hielan’ Ways explored the old drover routes that cross north-east Scotland and culminated in a symposium with contributions from mountaineer Doug Scott , Turner Prize-winning artist Richard Long and the Cloud Appreciation Society. In 2015 Anthony Schrag completed The Lure of the Lost: A Contemporary Pilgrimage, a 2500 km walk from Huntly to the Venice Biennale in Italy.
 Passage 3:In January 2005, Daems signed for German club Borussia Mönchengladbach, penning a contract till June 2008. In his first season with the club, he played 11 times without scoring a goal. He would play the first match of the 2005–06 season against Schalke 04 in single goal draw. He would end the season featuring 22 times for the German club. However, he spent the 2006–07 season with the reserves, Borussia Mönchengladbach II, in the Regionalliga Nord, the then third tier of German football. For the 2007–08 season, the club played in 2. Bundesliga and Daems even scored a goal against 1. FC Köln. Mönchengladbach won the second tier and gained promotion to the 2008–09 Bundesliga. During that season, he scored two goals, one against Eintracht Frankfurt and one against Bayern Munich. In the 2009–10 season, he played 18 times scoring one goal. The goal was scored against TSG 1899 Hoffenheim, where he scored a 31st-minute penalty. In the 2010–11 season, he played the whole ninety minutes of each of the thirty-four league matches. Daems also scored four times against Schalke 04, VfL Wolfsburg, Hoffenheim and Köln.

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Question: Which university where Robinson enrolled was established the earliest? Passage 1:Classical and Opera venues in San Francisco include the San Francisco Symphony, the San Francisco Opera and the San Francisco Ballet. They all perform at the San Francisco War Memorial and Performing Arts Center. San Francisco's Ballet and Opera are some of the oldest continuing performing arts companies in the United States. San Francisco is the birthplace and home city of the vocal ensemble Chanticleer. The city is also home to the American Conservatory Theater, also known as A.C.T., which has been routinely staging original productions since its arrival in San Francisco in 1967. Additionally, the New Conservatory Theatre Center (NCTC) is known for being an intimate theater that routinely stages original productions by the local, national, and international LGBT community. Hundreds of smaller, alternative theatres also attract a significant portion of the audience given their historical role in the San Francisco performing arts culture. The oldest of these are Intersection for the Arts, founded in 1965, and the Magic Theatre, founded in 1967. A major player in the promotion of theater in the Bay Area is Theatre Bay Area (or TBA). A non profit organization, Theatre Bay Area has members from more than 365 Bay Area theatre and dance companies, is the publisher of Callboard Magazine, and runs San Francisco's Half-Priced Ticket Booth.
 Passage 2:Latinos, particularly Puerto Ricans, were at the forefront of the hip hop movement, however; they have often been forgotten in conversation. Nonetheless, we can see the presence and influence of Latinos in hip hop when we think about artist like: Africa Bambaataa & the members of the Zulu Nation (1960s), Latino DJ, DJ Disco Wiz (aka first Latino DJ in hip hop) & DJ Grandmaster Caz came together to form the Mighty Force (1974), DJ Charlie Chase of the Cold Crush Brothers (1975), Lee Quiñones & Lady Pink (1970s), and various others have allowed for Latinos to have a part in hip hop culture and hip hop history. Latina's also had a huge role in hip hop, women who were not on the hip hop stage take part in: the influence and making of music and hip hop performance, dancing of music, and graffiti art. Today we see Latinas like: La Caballota aka Ivy Queen (1995), Ana Bijoux (1995), Angie Martinez: "The Voice of New York" (1996), Hurricane G aka Gloria Rodriguez (1997), Mala Rodríguez (1990s), Lisa M: "The Queen of Spanish Rap" (1988), Nina Dioz (2009), Snow Tha Product aka Claudia Feliciano (2011), Mélony Redondo: MelyMel (2018) have been women who have all taken the stage and made their mark as Latina and Afro-Latina rappers/artist in the hip hop world.
 Passage 3:Robinson was born in Manchester to James Arthur Robinson and Ann (née Lamplugh) in 1919. She went to a private school and later the Manchester Girls' High School. After the divorce of her parents in 1938 she went to the University of Hamburg for premedical studies but this was interrupted by the war. Returning to England, she worked at the British Woollen Industries Research Association in Leeds where she attended evening lectures in Paleontology at Leeds University by Dorothy Rayner, which captured her interest. She worked from 1942 to 1945 at the Royal Ordnance factory at Thorp Arch, West Yorkshire. She worked for about two years as a librarian at the Geological Society in London before enrolling for geology at the University College London in 1947. She was influenced at university by J. B. S. Haldane, Walter Georg Kühne and D. M. S. Watson. Graduating in 1951 with first-class honours, he continued post-graduate research and became an assistant lecturer in zoology. She received a Ph.D. in 1957 for her studies on the gliding lizard Kuehneosaurus but she also studied the stratigraphy and fossils of the Mendip Hills in Gloucestershire. She published on the Late Triassic fauna of the Bristol Channel. She was invited through the influence of Haldane to the Indian Statistical Institute at Calcutta by Prasanta Chandra Mahalanobis and helped establish a geology department there. She mentored and influenced Indian researchers and created a program for the study of the paleontology of the Gondwana strata as well as the Maleri Formation in the Deccan region. A symposium on Gondwana Stratigraphy was held in 1967.


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