In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[EX Q]: Question: Was Leon Friend still active as a teacher the year Gorelick graduated from Brooklyn College? Passage:Born Shirley Fishman in Brooklyn, New York, she attended Abraham Lincoln High School. Her teacher, Leon Friend, arranged for guest lectures by commercial and fine artists. Shirley Fishman had the opportunity to study with three of them: Chaim Gross, Moses Soyer, and Raphael Soyer. Gross influenced her early sculptural work, which features squat figures with thick limbs. While attending Brooklyn College, where she earned her B.A. in 1944, she met Leonard Gorelick (1922–2011), a fellow student. They married in 1944 and shared an enthusiasm for art and culture. Leonard Gorelick was an orthodontist and later a collector of cylinder seals. He combined his interests by investigating the authenticity of cylinder seals through the use of dental technology, especially electronmicroscopy. Shirley Gorelick earned an M.A. at Teachers College, Columbia University in 1947. That year, she studied for several weeks with Hans Hofmann in Provincetown. For a short time in the late 1950s, she was a student of the painter Betty Holliday and, in the early 1960s, learned printmaking in the Long Island studio of Ruth Leaf.

[EX A]: a

[EX Q]: Question: Who came second behind Diminuendo at The Oaks? Passage:In 1988 Melodist was ridden in all four of her races by Walter Swinburn. She did not run as a three-year-old until 22 May when she was sent to Italy for the Oaks d'Italia over 2400 metres on soft ground at the San Siro racecourse in Milan. The finish of the race was dominated by overseas challengers as Melodist won by one and a half lengths from her fellow British raider Asl (previously second in the Musidora Stakes) with the French-trained Summer Trip a neck away in third. On 9 July Melodist was one of nine runners to contest the Irish Oaks over one and a half miles at the Curragh and started at odds of 11/1. The 2/9 favourite for the race was Diminuendo, ridden by Steve Cauthen, who had won The Oaks by four lengths. Both Melodist and Diminuendo were owned by Sheikh Mohammed and based at Newmarket, but whereas Melodist was trained by Stoute, the favourite was trained by Henry Cecil at Warren Place. The other fancied runners were Dancing Goddess (second in the Irish 1000 Guineas), Miss Boniface (Ribblesdale Stakes) and Silver Lane (Prix de la Grotte). Melodist tracked the leaders before overtaking Miss Boniface before going to the front a furlong and a half from the finish. She faced a strong late challenge from Diminuendo and after a sustained struggle the two fillies crossed the line together with the judge declaring a dead heat.

[EX A]: b

[EX Q]: Question: Which historical figures did John Cranch paint for the British Institution? Passage:John Cranch (1751–1821), painter, born at Kingsbridge, Devonshire, 12 Oct. 1751, taught himself as a boy drawing, writing, and music, and while a clerk at Axminster also received instruction from a Roman Catholic priest. Inheriting some money, he came to London and painted portraits and historical pictures. He failed, however, to get a place on the walls of the Royal Academy, but was more successful at the Society of Artists, to which he contributed Burning of the Albion Mills, and at the British Institution, to which he contributed eight pictures in 1808. His best picture was The Death of Chatterton, now in the possession of Sir James Winter Lake, bart., who also owns a portrait of Cranch, which was engraved by John Thomas Smith. He is said to have excelled in "poker-pictures", and to have been befriended by Sir Joshua Reynolds. Reynolds in his youth had received valuable assistance from a Mr. and Mrs. Cranch of Plympton, Devonshire, who were doubtless relatives of John Cranch. He was elected a Foreign Honorary Member of the American Academy of Arts and Sciences in 1797 and a member of the American Antiquarian Society in 1818. After residing many years at Bath, Cranch died there in his seventieth year in February 1821. He published two works—On the Economy of Testaments (1794), and Inducements to promote the Fine Arts of Great Britain by exciting Native Genius to independent Effort and original Design (1811). There is a picture by him in the South Kensington Museum.

[EX A]:
a