In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Input: Consider Input: The film can be seen as an allegory of post-World War II Eastern European political systems - told as a black-and-white cinematic poem with 39 long, single-camera takes. It examines the brutalization of a society, its political systems and ethics through the metaphor of a decaying circus whale and its star performer. It is set in a desolate, isolated small town in Hungary during Soviet times.The film starts with JÃ¡nos Valuska, a simple person, conducting a poem and dance with drunken bar patrons. The dance is of the total eclipse of the sun, which disturbs, then silences the animals. It finishes with the grand return of the warm sunlight.One of the significant reoccurring characters in this plot is the subtle transitions between light and darkness. The first appearance of this motif is a lamp in the bar, moving to a door into the darkness. The circus arrives like a Trojan Horse in the darkness of night. A window is opened as a glimmer of hope and dressed to shut out the world. The antagonist is only ever seen as a shadow.JÃ¡nos' uncle GyÃ¶rgy is a composer, and therefore one of the intelligentsia. GyÃ¶rgy observes the imperfection and compromise of the musical scale (as defined by Andreas Werckmeister a historical theorist). GyÃ¶rgy proposes changes to the scale to make it more harmonious. This utopian approach to music represents a flawed, naive idealism that never can be achieved; it is not developed any further in the film or the book. It is just a statement indicating that human governance will always be flawed.GyÃ¶rgy's estranged wife tries to leverage her political and social status by giving GyÃ¶rgy a list of names to recruit for the "clean up the town movement" (with the blessing of the police chief).However, a stuffed smelly circus whale and its star performer, Prince, come to town in the silence and darkness of night. This is a metaphor for a bloated political system and the unseen Prince who represents the power of politically inspired, emotive dogma.JÃ¡nos philosophizes about God and the beast.The post office workers are unsettled by the ominous signs of the circus' arrival and are disturbed by the cloud that settles over each town it visits, a reference to the spread of the externally imposed centralised monolithic government system onto all the Soviet buffer nations just after the war.GyÃ¶rgy's struggling cobbler brother gets the list and passes it on to the agitated throbbing masses in the town square who are unhappy at public services failing. GyÃ¶rgy's former wife sleeps with the drunk gun toting police chief.The presence of the whale and the Prince stir up the masses. JÃ¡nos overhears the circus master losing control of his faceless Prince, who is becoming drunk with his own voice of revolutionary dogma. The circus master disowns him. The Prince, now free, inflames the masses, and the people riot.The film is shot as a visual poem, and has been described as both beautiful and haunting. Lengthy single-shot scenes with a hypnotic and rhythmic pace build up to the peaceful observation of the thuggish destruction of the hospital and its patients. The rioters are brutal. Their inhumanity almost seems normal and natural. When the rioters finally come to beat a helpless old naked patient, they see their impotent, sad and powerless selves. The patients they are destroying in the hospital are themselves.After the riot, JÃ¡nos comes across the diary of a rioter. It explains that the rioters did not know what they were angry with; so they were angry at everything. Then it recounts the mobs horrendous rape of two working class post office girls.JÃ¡nos comes across his killed cobbler uncle who got naively involved in the riot. JÃ¡nos is told, by his cobbler uncle's wife, to leave town for his own safety.He is intercepted by a helicopter. He finds himself committed to a mental institution with caged beds (a tool of the time for dealing with political dissidents). JÃ¡nos appears drugged and broken.GyÃ¶rgy, his composer uncle, is evicted from their society house but gets to live in a shed in the garden whilst GyÃ¶rgy's former wife, with her new status as a collaborator, now occupies the big house with the police chief. The intelligentsia is displaced by political opportunism.GyÃ¶rgy tells a vacant JÃ¡nos, in the ward, that if he is released from the mental institution they can live contentedly together in the shed with his piano. GyÃ¶rgy also mentions that he has re-tuned the piano so that is now like any other, a personal capitulation apparently abandoning any present hopes of reform. JÃ¡nos just stares.It finishes with GyÃ¶rgy looking directly into the eye of the whale, then, walking away and looking back at the now sad and disheveled whale, destroyed by the rioters the night before, its rotting carcass slowly enveloped by the fog which gets whiter and brighter. Warm bright sunlight returns.

Output: What does the circus and cloud mean?


Input: Consider Input: All but abandoned by her family in a London retirement hotel, Mrs Palfrey (Joan Plowright) strikes up a curious friendship with a young writer, Ludovic Meyer (Rupert Friend). Fate brings them together after she has an accident outside his basement flat. The two newly found friends discover they have a lot more in common with each other than they do with other people their own age. Ludovic inadvertently leads Mrs. Palfrey through her past; Mrs. Palfrey inadvertently leads Ludovic to his future where her life flashes before her eyes followed by a stroke resulting in the death of her illustrious life.

Output: What is the name of the retirement home?


Input: Consider Input: In the small town of Pontypool, Ontario, former shock jock turned radio announcer Grant Mazzy drives through a blizzard on his way to work. When poor visibility forces him to stop his car, an underdressed woman appears on the road, startling him. Grant calls out to her, but she disappears into the storm, ominously repeating his words and visibly disturbing him. Grant eventually arrives at the radio station, where he works with technical assistant Laurel-Ann Drummond and station manager Sydney Briar.As the morning proceeds, Grant's on-air persona irritates Sydney. They get a report from their helicopter reporter Ken Loney (which Sydney reveals to Grant is a man on a hill with sound effects mimicking a helicopter) about a possible riot at the office of a Dr. Mendez. He describes a scene of chaos and carnage that results in numerous deaths. After Ken is unexpectedly cut off, the group tries to confirm his report, but their witnesses are disconnected before they can put them on the airwaves. Ken calls back and reports that he has found the "infected" son of a well-known citizen nearby, who is mumbling to himself. Before Ken can hear what the son is saying, the call is again cut off, this time by a startling transmission of garbled French.The transmission is an instruction to remain indoors, not to use terms of endearment, phrases that conflict, or the English language. Pontypool is declared to be under quarantine. Ken then manages to call back, this time close enough for Grant and the women to hear the infected son's mumbling, which is nothing but "Mommy" in a child's voice. In confusion and disbelief, Grant tries to leave the station, but a horde of people attack, and Grant, Sydney, and Laurel-Ann lock themselves in. Meanwhile, Laurel-Ann begins demonstrating erratic behavior. She fixates on the word "missing," repeating it over and over, then imitates the sound of a boiling kettle. Dr. Mendez enters the studio and Grant, Sydney, and Mendez lock themselves in Grant's soundproof booth.Mendez explains his theory: somehow a virus has found its way into human language, infecting certain words, and only certain words infect certain people. Once these infected words are said and understood, the virus takes hold of the host. As he explains, Laurel-Ann repeatedly slams against the sound booth's window, chewing off her lower lip and splattering blood with each attack. Ken calls in again and, while on the air, he also succumbs to the apparent virus, repeating the word "sample."Outside the booth, Laurel-Ann opens her mouth and vomits a large amount of blood and gore before falling down, dead. Mendez suspects this has happened since Laurel-Ann failed to pass the infection on to a new host. The horde then breaks into the radio station, attacking the sound booth. Sydney records a loop of Grant saying "Sydney Briar is alive" and plays it over the station's outdoor loudspeaker as a diversion to lead the mob away. Dr. Mendez begins to repeat the word "breathe" but immediately begins speaking in Armenian, which stifles, but not eliminates, the symptoms. Mendez surmises that it is only the English language that was affected by the virus. Grant and Sydney, speaking in French, leave him alone in the booth. They are nearly killed when the recording fails and the mob returns, but Mendez successfully lures them away from the studio.Feeling guilty for killing an infected young girl, Sydney begins to succumb to the word "kill". Grant then attempts to "disinfect" Sydney by convincing her that the word "kill" now means "kiss". He urges her to repeat "Kill is kiss" over and over again, and her symptoms subside. She tells Grant to "kill" her; he then proceeds to kiss her. Armed with knowledge on how to stop the virus, the pair go on the air, spouting a series of non-contradicting and confusing phrases to help their infected listeners, ignoring warnings from the authorities who are trying to get them off the air. While an amplified voice from outside counts down from ten, Sydney joins Grant in the booth and they kiss once again. As the countdown finishes, the screen goes dark and the credits roll.Audio vox pops and broadcasts play over the credits, reporting further outbreaks of the virus, suggesting that the quarantine failed. After the credits, the scene shifts to a radically different view: a stylized black-and-white version of Grant and Sydney in what looks like a far-eastern atmosphere. As Grant describes his plan to "get out of here", the picture gradually shifts into color.


Output: Dr. Mendez speaks what non-English language?