In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
--------
Question: if beavis and butthead had a favorite movie , from dusk till dawn would probably be it . scripted by quentin tarantino and directed by robert rodriguez ( desperado ) , the movie panders to the very worst in sex and violence -- and is incredibly fun to watch .
it starts off as a pulp fiction - type crime story , with criminal brothers george clooney and tarantino robbing a convenience store .
because this is a tarantino movie , however , it 's not just a case of pull the gun and take the loot , it 's a case of a hole being shot through someone 's hand , a man on fire jumping out behind the counter and the entire store blowing up as they drive away .
the opening scene sets the tone for the rest of the movie -- everything overdone and nothing as it seems .
clooney and tarantino bring a hostage to the motel and then hijack an rv with a family in it .
harvey keitel plays the backslidden ex - preacher and juliette lewis his daughter , whom registered sex - pervert tarantino eyes endlessly .
you know you 're mentally unbalanced when you find lewis the least bit attractive , although she 's not nearly as obnoxious as usual in from dusk till dawn .
the first half of the movie has the criminals and hostages trying to get to and through the mexico border , clooney 's strategy involving hiding in the rv shower while lewis is on the toilet .
it does its trick ; the border guard takes one look at lewis relieving herself and immediately goes blind , never noticing clooney or tarantino .
once they get to mexico , it 's time to wait at the rendezvous point ,
a topless bar called titty twister where we 're once again reminded tarantino wrote the movie as he drinks champagne off the foot of a stripper .
finally , after about ten minutes of intercut boob shots and clooney forcing keitel and lewis to drink with him , the stripper turns into a vampire .
soon half the people in the bar are vampires and the other half fall or fight back .
that 's right
, we 've come all this way to see a vampire movie .
but like everything else , tarantino takes this age - old genre and twists it to his own ends to produce over - the - top entertainment .
so we get holy water condom balloons , heads rolling , quadruple impalement on an overturned table and keitel getting bitten by a vampire and announcing he only has a few minutes left before he becomes " a lap dog of satan .
"
the from dusk till dawn dialogue is 100 % tarantino , hovering between absurd and disgusting ( as when they 're entering the nightclub and cheech marin announces the main attractions of the titty twister ) , but always entertaining , and is a huge reason the movie is so much fun to watch instead of being one more second - rate gorefest .
clooney , keitel and especially tarantino are so over - the - top with their delivery that the dialogue is that much more hilarious , ensuring not one second of from dusk till dawn is taken the least bit seriously .
stuff like this would be terrible in any other movie , but tarantino and rodriguez know exactly what to do to entertain people , even if there 's absolutely no message or meaning to from dusk till dawn .
pulp fiction had the vulgarity and violence for a reason , but this movie just throws it out for cheap entertainment .
from dusk till dawn is n't the classic of modern cinema that pf is , but is does prove you can do a good job making a really bad movie .

Answer: P


Question: mugshot ( director / writer / cinematographer / editor : matt mahurin
; cast : belinda becker ( stella ) , michael williams ( rumor ) , robert knepper ( joe / chris ) , robert walker ( random ) , willie lassic ( young brother of rumor ) , maxine joiner ( rumor 's mother ) ; runtime : 87 ; mortal films ; 1995 ) reviewed by dennis schwartz a bleak indie film about a stolen identity .
there 's not much more to this visually stylish film than what meets the eye , as it relies on shock to tell its story of a prolonged vicious mugging .
it falls into the category of being a pretentious art - house film , leaving a bitter taste in one 's mouth as it stereotypes its characters and unintentionally further inflames the racial issues .
it tries to make a heavy - handed point about disenfranchised black youths trapped by their environment , with their only way out being crime .
but the story is so filled with violence and its nyc setting looks like hell , that it 's hard to enjoy this film and to follow what the logic in the story is supposed to mean .
the relationship between the black mugger and his white victim is a cloudy one , which the film never determines what it wants to say about it .
matt mahurin is virtual one - man crew in putting this film together ( director / writer /cinematographer / editor ) , who is a still photographer in his day job .
the film works best as a visually challenging piece , as each shot looks like a photograph carefully telling the story unfolding .
a white photographer ( robert knepper ) is mugged by a black gang while he 's on a freelance assignment to take a photo shoot of harlem at night .
he becomes a victim of amnesia and his head is bloodied as he 's left in a deserted harlem building , as the gang leaves him for dead ; but , one of the muggers , rumor ( michael williams ) , comes back and pretends to help him .
he 's a would - be photographer , who keeps a scrapbook entitled mugshots in the project apartment he shares with his mother and younger brother .
keeping his victim in the dark about who he is by calling him joe and not telling him what 's happening , he becomes the photographer for a few days .
he enters the photographer 's stylish greenwich village apartment and steals his expensive camera , and decides to hold the mugging vic for ransom when he finds out he has a black girlfriend , stella ( belinda becker ) .
she 's the only one in the film who could act .
the film is stuck with a clumsy dialogue and an overuse of symbolism , as it ends with nothing more to tell after the shock and the violent situation it created except to beat it into the ground .
it could only be commended for how appealing the film looks , as if it 's a scrapbook of still photos put together to celebrate a mugging .

Answer: N


Question: if i were to plot a graph of year against movie - plot - ridiculity for = hollywood movies , you 'll probably see a line with constant gradient .
= now , if i were to plot that same graph for the movies that the michael = bay / jerry bruckheimer has made over the last 4 years , that line would be = exponential in growth .
the team started out with the will smith vehicle = bad boys which was no more than a 2hr long action - music - video , = nevertheless entertaining .
then came the rock , where audiences flocked = to see nicholas cage team up with sean connery against some terrorizing = general fighting over some stupid cause .
con - air was ridiculousy dumb in = its premise
but it did have fun moments , and who can forget the nursery
= rhyme sang by that psycho killer played by steve buscemi .
while these = movies worked because there was something better to cover - up the dirt , = armageddon
does not .
very much like deep impact , a meteor is heading towards earth and they = did n't realize it until 18 days from impact .
deep impact settled with = the modest meteor size as large as the city of new york but armageddon = just had to be bigger . . . .
well about the size of texas ( that kinda meteor = whould probably knock earth out of its orbit ! ) .
the panic of this =
sighting spurs the idea of landing people on the meteor , drill it then
= nuke it ( sounds familiar ) and who better to do such a job than harry = stamper ( bruce willis ) , your very own oil - driller extraordinaire and
= his team of macho - misfits , nursing the tagline ` there ai n't nothin' on = this planet that harry ca n't drill ! '
.
in that 18 days , harry 's group was = split into 2 teams , trained for deep - space flight and finally blasted = into space in with special drilling vehicles on 2 new space shuttles .
the main relationship drama of armageddon is formed within the = relationship of harry , a .
j . and grace .
to give you an idea , a .
j .
works = for harry , and loves grace , harry 's daughter .
the problem is , harry = hates to see his daughter hanging around some scruffy grunt like himself = for the rest of her life .
so while a .
j .
and harry struts it out , grace = is place in a position where she is unable to take sides , so she remains = seated in the nasa control tower , crying over both of them in about 80 % = of the movie .
the human elements this movie tries to inject proves to be nothing more = than just an excuse for more slow - mo 's and gold - tinted photography .
the = anguish of the world is potrayed with scenes of people praying , running = for their lives or just sitting still staring at the sky , sounds fine = right ?
i know ,
but it looks too out of place on screen , too staged .
if = you were to ask yourself , ` what 's the difference between armageddon and = a r&b music video ?
"
you 'd probably just said ` the music .
" .
not = surprising since michael bay is a child of that industry and has = actually managed to transpose his mtv skills to screen successfully .
his = foray into armageddon just proves that he does n't when to stop .
well there 's really nothing much to sum up here .
the = stock - aitken - waterman of hollywood movies have projected their art - form = into ridiculity , beyond the plane believability , where people still = accept even if they did n't believe .
deep impact was ridiculous in most = aspects and i believe the makers know this .
the thing is , they decided = to shroud myth and fantasy with a purely believable human tale of = suffering and coming in terms with ones problems , which ultimately = brought it above the ashes which it had initially put itself in .
= armageddon , is an overcrowded , loud , messy , preposterously manipulative = waste of money and deserves to remain in that same pile of ash . .
= 20 if you have planned to watched this over deep impact because of liv = tyler , bruce willis or the tagline " from the makers of ` the rock ' ! !
" . = please catch deep impact before it finishes its run , it may be the only = meteor worth watching in long - long time . if you have to see it , please = bring ear - plugs and some aspirins ( for the vertigo ) .
expect armageddon =
ld 's to retail at s$19 .
90 at carrefour come release time .
gee . . . .
. .
even = that 's not worth it !

Answer:
N