Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Ex Input:
CONTEXT: It seems to be mostly due to the convenience of the channel or network airing a series with a number of pre-recorded episodes or at least a batch of them. For example, when a network buys or syndicates a series that has, let's say, 10 episodes and start airing the episodes in december, if they air episodes 1 and 2 but the christmas episode of the series is the number 10, they will air the 10th episode as the 3rd one to coincide wih the holidays. Other scenario is when something happens in the real world and the series has an episode that deals with a similar theme. Take as an example the shootings that happened in France recently. Some networks will alter the airing order of episodes in a series to avoid a similar subject to avoid the sensationalism, other may try to cash on it and air sooner an episode that dealed with something similar. Also, a network can try to get people into watching their series and getting high ratings, airing the "best" episodes of a series first (i.e. the ones with the more action, or drama, or sex, etc.). Then, when the series go to DVD the numbering order is usually the scripted order and not the airing one, that's why both differ.  <sep>  Q: What is the reason that the air order and the DVD order of a tv show is different? A: It seems to be mostly due to the convenience  <sep> FOLLOWUP_Q: I don't see the reason for it, does this mean one way is out of sequence?

Ex Output:
No


Ex Input:
CONTEXT: We don't know. We can't say specifically how time travel works in that universe. But we do know that the Jumanji game itself basically has magical powers and a certain control over reality. So, since it's not deemed important enough to mention in the movie, my best guess is that the magical game made it so everything happened as it happened. Basically the Back to the Future-school of time manipulation where it can affect very specific people in a very specific way.  <sep>  Q: What happens to the Jumanji game module between 1997 and 2017 in this new timeline?? A: So, since it's not deemed important enough to mention in the movie, my best guess is that the magical game made it so everything happened as it happened  Q: The four players join the game 20 years later. However who they are how they joined the game is not mentioned in the movie. A: We can't say specifically how time travel works in that universe. But we do know that the Jumanji game itself basically has magical powers and a certain control over reality  <sep> FOLLOWUP_Q: How would he know where to put the module?

Ex Output:
Yes


Ex Input:
CONTEXT: I thought the film's use of the theme was much more politicized than the book's. In the book, when Kenny says that he and George are invisible, I wasn't quite sure what he meant. In the movie, invisibility has been threaded throughout much more explicitly: in the classroom scene George clearly describes “invisible minorities” to his class. I took this as the filmmaker's attempt to make the historical particularities of George's situation clear. In the book, however, Kenny's comment sort of complicates George's understanding of his own minority position. Throughout the book, George believes his pain is invisible to others because society has refused to acknowledge his relationship. He thinks this is a somewhat unique situation, because of his position as a gay man in a homophobic society. Kenny's comment, however, suggests that invisibility is more inclusive than that. Perhaps Kenny means that they're invisible because they're out when no one expects them to be out, or because their homosocial behavior isn't understood by society, or because they're powerless to stop the Cuban Missile Crisis. Or, perhaps Kenny knows that George is gay and is trying to have an experience by sharing the evening with him. I don't know and I don't think we're supposed to know. One of the fantastic things about this novel for me is the way it explodes the idea that we grow closer to others by understanding them better. Caring, closeness, and love in the novel aren't degraded by failures of understanding.  <sep>  Q: What is the meaning of Kenny's words in this scene? A: I don't know and I don't think we're supposed to know  <sep> FOLLOWUP_Q: What makes them invisible?

Ex Output:

Yes