Given a document and an entity the task is to select the author's sentiment towards the entity. Sentiments can be Positive, Neutral and Negative. Select Positive if the article expresses a positive view towards the given entity or praises its quality or skills. Select Neutral if the document expresses no clear view towards the entity or has equal amounts of positive and negative statements or expressing some fact/quote by someone else. Select Negative if the article expresses a negative view towards like harsh remarks, criticizing entities action/decision etc. Note that URLs in the text have been replaced with [Link].

[Q]: What is the sentiment of the following document towards the entity Django Reinhardt ? The leader of the band is Django Reinhardt  the incomparably gifted Romani jazz guitarist  soulfully embodied by the French-Algerian actor Reda Kateb. He's biding his time in the French Alps during German occupation  hoping for stealth passage across Lake Geneva into Switzerland. One of the men throwing punches is a Nazi solider  which means the inevitable: a lineup  a lockup and the sternest of warnings.  Reinhardt  is no good  it would seem  at laying low.
 Django  isn't really a biopic  despite the implication of its title: There are no misty flashbacks to  Reinhardt 's childhood stealing chickens in the French countryside  and no scene depicting the caravan fire that badly damaged  his  left hand (though  his  two mangled fingers do come up for inspection). The film is more of a fraught character study  a portrait of the artist under pressure. Comar  best known as a writer and producer of the 2010 film Of Gods and Men  brings admirable restraint to his directorial debut  keeping the stakes high and the focus taut.
 Reinhardt  is a laconic and reluctant hero: "This isn't my war "  he  growls  citing allegiance not to a flag but to a Romani's coldly pragmatic ambivalence.  Django  charts  his  awakening to the horrors of the war â notably for  his  people  whose mass extermination imbues the film with a self-righteous  lugubrious air. Comar is more effective with uneasy proximities and grim capitulations  showing how complicity can form through a series of slippages.
But the film's story â loosely adapted from Alexis Salatko's novel Folles de Django â manages to feel at once oversimplified  underfed and overburdened.  Reinhardt 's personal evolution is clumsily tracked in dialogue with a former mistress who has suffered unnamed violations at the hands of the occupiers: "You're the only person this war hasn't changed " she says bitterly to  Reinhardt . (She later rescinds the charge.) A climactic set piece at a Nazi banquet feels pat.
It's not inherently a problem that Comar does less with plot than he does with imagery: There's vivid poignancy in his depiction of the mass evacuation  and in  Reinhardt 's desperate flight through the snow. But by all accounts â the most authoritative being Michael Dregni's excellent biography Django: The Life and Music of a Gypsy Legend â Reinhardt was even more conflicted during the occupation than this film makes him out to be.
And what's meant to be a wrenching coda â the post-armistice premiere of an organ mass called "Requiem for Gypsy Brothers" â is marred by the wan pathos of the music itself  composed by Warren Ellis. As the piece plays   Reinhardt  stands dumbstruck  overcome. But if we're supposed to believe this piece represents the peak of  Reinhardt 's emotional expression  the point is discredited by earlier musical evidence. In a film that's so often about taking sides   Django  can feel at war with  itself .
[A]: Positive


[Q]: What is the sentiment of the following document towards the entity Bill Gates ? Bill Gates  and Richard Branson have some big goals.
Branson wants to go to space and send hyperloop pods shooting through underground tunnels at the speed of airplanes.  Gates  wants to rid the world of Polio and Alzheimer's disease  as well as implement the Bill & Melinda Gates Foundation's extensive list of other moonshots. Both the Microsoft founder and Virgin Group founder backed a start-up that grows meat in a lab and hopes to reduce the environmental impact of raising livestock.
And while some challenges seem insurmountable â even for a pair of the world's most powerful people â Branson and  Gates  agree it's crucial to chase big ideas  even if success isn't immediate.
" Bill  and I spoke about the importance backing long-shot projects " Branson writes on his blog about a meeting the billionaires had Tuesday. The two met in Paris for a summit focused on one such challenge  climate change.
"I've learned so much from  Bill .  He  built a formidable company and decided to put  his  vast wealth into solving the problems of the world " Branson writes.
For Branson himself  dreaming big has also been key to  his  success.
[A]: Positive


[Q]: What is the sentiment of the following document towards the entity James Cameron ? Legendary director James Cameron  is standing by  his  comments about the hit film "Wonder Woman " adding that  he  doesn't think the way actress Gal Gadot portrayed the superhero is "breaking ground."
"Iâll stand by that ... She was wearing a kind of bustier costume that was very form-fitting "  he  told the Hollywood Reporter. "Sheâs absolutely drop-dead gorgeous. To me  thatâs not breaking ground. They had Raquel Welch doing stuff like that in the â60s."
 Cameron 's comments echo  his  remarks to The Guardian last month when  he  said Gadot's "Wonder Woman" was "an objectified icon."
In contrast   he  said  he  believes the character of the heroine  Sarah Connor   he  helped to create in the original "Terminator" franchise was more modern and unique.
"It was all in a context of talking about why Sarah Connor â what [actress Linda Hamilton] created in 1991 â was  if not ahead of its time  at least a breakthrough in its time "  he  added in the new interview with the Hollywood Reporter. "I donât think it was really ahead of its time because weâre still not [giving women these types of roles]."
"Wonder Woman" director Patty Jenkins fired back on social media in August after the original slight from the "Titanic" director  saying  "James Cameron's inability to understand what 'Wonder Woman' is  or stands for  to women all over the world is unsurprising as  though he is a great filmmaker  he is not a woman. I believe women can and should be EVERYTHING just like male lead characters should be."
[A]:
Neutral