You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Input: Consider Input:  In a brief scene in 1964, an aging, overweight Italian American, Jake LaMotta (Robert De Niro), practices a comedy routine. The rest of the film then occurs in flashback. In 1941, LaMotta is in a major boxing match against Jimmy Reeves, where he received his first loss. Jake's brother Joey LaMotta (Joe Pesci) discusses a potential shot for the middleweight title with one of his Mafia connections, Salvy Batts (Frank Vincent). Some time thereafter, Jake spots a 15-year-old girl named Vikki (Cathy Moriarty) at an open-air swimming pool in his Bronx neighborhood. He eventually pursues a relationship with her, even though he is already married. In 1943, Jake defeats Sugar Ray Robinson, and has a rematch three weeks later. Despite the fact that Jake dominates Robinson during the bout, the judges surprisingly rule in favor of Robinson and Joey feels Robinson won only because he was enlisting into the US Army the following week. By 1947, Jake marries Vikki.
Jake constantly worries about Vikki having feelings for other men, particularly when she makes an off-hand comment about Tony Janiro, Jake's opponent in his next fight. His jealousy is evident when he brutally defeats Janiro in front of the local Mob boss, Tommy Como (Nicholas Colasanto), and Vikki. As Joey discusses the victory with journalists at the Copacabana, he is distracted by seeing Vikki approach a table with Salvy and his crew. Joey speaks with Vikki, who says she is giving up on his brother. Blaming Salvy, Joey viciously attacks him in a fight that spills outside of the club. Como later orders them to apologize, and has Joey tell Jake that if he wants a chance at the championship title, which Como controls, he will have to take a dive first. In a match against Billy Fox, after briefly pummeling his opponent, Jake does not even bother to put up a fight. He is suspended shortly thereafter from the board on suspicion of throwing the fight, though he realizes the error of his judgment when it is too late. He is eventually reinstated, and in 1949, wins the middleweight championship title against Marcel Cerdan.
A year later, Jake asks Joey if he fought with Salvy at the Copacabana because of Vikki. Jake then asks if Joey had an affair with her; Joey refuses to answer, insults Jake, and leaves. Jake directly asks Vikki about the affair, and when she hides from him in the bathroom, he breaks down the door, prompting her to sarcastically state that she had sex with the entire neighborhood (including his brother, Salvy, and Tommy Como). Jake angrily walks to Joey's house, with Vikki following him, and assaults Joey in front of his wife and children. After defending his championship belt in a grueling fifteen round bout against Laurent Dauthuille in 1950, he makes a call to his brother after the fight, but when Joey assumes Salvy is on the other end and starts insulting and cursing at him, Jake says nothing and hangs up. Estranged from Joey, Jake's career begins to decline slowly and he eventually loses his title to Sugar Ray Robinson in their final encounter in 1951.
By 1956, Jake and his family have moved to Miami. After he stays out all night at his new nightclub there, Vikki tells him she wants a divorce (which she has been planning since his retirement) as well as full custody of their kids. She also threatens to call the cops if he comes anywhere near them. He is later arrested for introducing under-age girls to men in his club. He tries and fails to bribe his way out of his criminal case using the jewels from his championship belt instead of selling the belt itself. In 1957 he goes to jail where he pounds the walls, sorrowfully questioning his misfortune and crying in despair. Upon returning to New York City in 1958, he happens upon his estranged brother Joey, who forgives him but is elusive. Returning to the opening scene in 1964, Jake refers to the "I coulda been a contender" scene from the 1954 film On the Waterfront starring Marlon Brando, complaining that his brother should have been there for him but is also keen enough to give himself some slack. After a stagehand [played by director Martin Scorsese in a brief cameo] informs him that the auditorium where he is about to perform is crowded, Jake starts to chant "I'm the boss" while shadowboxing.
The film cuts to black with the following Biblical quote filling the screen:
So, for the second time, [the Pharisees] summoned the man who had been blind and said:

"Speak the truth before God. We know this fellow is a sinner."

"Whether or not he is a sinner, I do not know," the man replied.

"All I know is this: Once I was blind and now I can see."
John IX. 24 26, The New English Bible
The film subsequently ends with an on-screen dedication to Scorsese's New York University film professor, Haig P. Manoogian:
Remembering Haig P. Manoogian, teacher. May 23, 1916   May 26, 1980. With Love and resolution, Marty.

Output: What does Vikki threaten Jake with is she comes near him after asking for a divorce?


Input: Consider Input:  In the autumn of 1959, shy Todd Anderson begins his senior high school at Welton Academy, an all-male, elite prep boarding school. He is assigned one of Welton's most promising students, Neil Perry, as his roommate and is quickly accepted by Neil's friends: romantic Knox Overstreet, overachiever Richard Cameron, best friends Steven Meeks and Gerard Pitts, and mischievous beatnik Charlie Dalton.
On the first day of classes, they are surprised by the unorthodox teaching methods of new English teacher John Keating, a Welton alumnus who encourages his students to "make your lives extraordinary", a sentiment he summarizes with the Latin expression carpe diem ("seize the day"). Subsequent lessons include having them take turns standing on his desk to teach the boys how they must look at life in a different way, telling them to rip out the introduction of their poetry books which explains a mathematical formula used for rating poetry, and inviting them to make up their own style of walking in a courtyard to encourage them to be individuals. His methods attract the attention of strict headmaster Gale Nolan.
Upon learning that Keating was a member of the unsanctioned Dead Poets Society while he was at Welton, Neil restarts the club and he and his friends sneak off campus to a cave where they read poetry and verse, including their own compositions. As the school year progresses, Keating's lessons and their involvement with the club encourage them to live their lives on their own terms. Knox pursues Chris Noel, a girl who is dating a football player and whose family is friends with his. Neil discovers his love of acting and gets the lead in a local production of A Midsummer Night's Dream, despite the fact that his domineering father wants him to go to medical school. Keating helps Todd come out of his shell and realize his potential when he takes him through an exercise in self-expression, resulting in his composing a poem spontaneously in front of the class.
Charlie publishes an article in the school newspaper in the name of the Dead Poets Society demanding that girls be admitted to Welton. Nolan uses corporal punishment to coerce Charlie into revealing who else is in the Dead Poets Society, but he resists. Nolan also speaks with Keating, warning him that he should discourage his students from questioning authority.
Neil's father discovers Neil's involvement in the play and tells him to quit on the eve of the opening performance. Devastated, Neil goes to Keating, who advises him to stand his ground and prove to his father that his love of acting is something he takes seriously. Neil's father unexpectedly shows up at the performance. He takes Neil home and tells him he is forcing him into military school. Unable to find the courage to stand up to his father, a distraught Neil commits suicide.
Nolan investigates Neil's death at the request of the Perry family. Richard blames Neil's death on Keating to escape punishment for his own participation in the Dead Poets Society, and names the other members. Confronted by Charlie, Richard urges the rest of them to let Keating take the fall. Charlie punches Richard and is expelled. Each of the boys is called to Nolan's office to sign a letter attesting to the truth of Richard's allegations, even though they know they are false. When Todd's turn comes, he is reluctant to sign, but does so after seeing that the others have complied.
Keating is fired and Nolan takes over teaching the class. Keating interrupts the class to collect personal articles; before he leaves Todd shouts that all of them were forced to sign the letter that resulted in his dismissal and that Neil's death was not his fault. Todd stands on his desk and salutes Keating with the words "O Captain! My Captain!". Over half the rest of the class does the same, ignoring Nolan's orders to sit down. Keating is deeply touched by their gesture and realizes his teaching has made a lasting impact. He thanks the boys and departs.

Output: What unsanctioned club was Keating a part of while he attended Welton?


Input: Consider Input:  The story opens with Jimmie, at this point a young boy, trying by himself to fight a gang of boys from an opposing neighborhood. He is saved by his friend, Pete, and comes home to his sister Maggie, his toddling brother Tommie, his brutal and drunken father and mother, Mary Johnson. The parents terrify the children until they are shuddering in the corner.
Years pass, the father and Tommie die, and Jimmie hardens into a sneering, aggressive, cynical youth. He gets a job as a teamster, having no regard for anyone but firetrucks who would run him down. Maggie begins to work in a shirt factory, but her attempts to improve her life are undermined by her mother's drunken rages. Maggie begins to date Jimmie's friend Pete, who has a job as a bartender and seems a very fine fellow, convinced that he will help her escape the life she leads. He takes her to the theater and the museum. One night Jimmie and Mary accuse Maggie of "Goin to deh devil", essentially kicking her out of the tenement, throwing her lot in with Pete. Jimmie goes to Pete's bar and picks a fight with him (even though he himself has ruined other boys' sisters). As the neighbors continue to talk about Maggie, Jimmie and Mary decide to join them in badmouthing her instead of defending her.
Later, Nellie, a "woman of brilliance and audacity" convinces Pete to leave Maggie, whom she calls "a little pale thing with no spirit." Thus abandoned, Maggie tries to return home but is rejected by her mother and scorned by the entire tenement. In a later scene, a prostitute, implied to be Maggie, wanders the streets, moving into progressively worse neighborhoods until, reaching the river, she is followed by a grotesque and shabby man. The next scene shows Pete drinking in a saloon with six fashionable women "of brilliance and audacity." He passes out, whereupon one, possibly Nellie, takes his money. In the final chapter, Jimmie tells his mother that Maggie is dead. The mother exclaims, ironically, as the neighbors comfort her, "I'll forgive her!"


Output: Why don't Jimmie and Mary defend Maggie from the neighbors?