In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Review: At first glance, it would seem natural to compare Where the Sidewalk Ends with Laura. Both have noirish qualities, both were directed by Otto Preminger, and both star Dana Andrews and Gene Tierney. But that's where most of the comparisons end. Laura dealt with posh, sophisticated people with means who just happen to find themselves mixed-up in a murder. Where the Sidewalk Ends is set in a completely different strata. These are people with barely two nickels to rub together who are more accustomed to seeing the underbelly of society than going to fancy dress parties. Where the Sidewalk ends is a gritty film filled with desperate people who solve their problems with their fists or some other weapon. Small-time hoods are a dime-a-dozen and cops routinely beat confessions out of the crooks. Getting caught-up in a murder investigation seems as natural as breathing.While I haven't seen his entire body of work, based on what I have seen, Dana Andrews gives one of his best performances as the beat-down cop, Det. Sgt. Mark Dixon. He's the kind of cop who is used to roughing up the local hoods if it gets him information or a confession. One night, he goes too far and accidentally kills a man. He does his best to cover it up. But things get complicated when he falls for the dead man's wife, Morgan Taylor (Tierney), whose father becomes suspect number one in the murder case. As Morgan's father means the world to her, Dixon's got to do what he can to clear the old man without implicating himself.Technically, Where the Sidewalk Ends is outstanding. Besides the terrific performance from Andrews, the movie features the always delightful Tierney. She has a quality that can make even the bleakest of moments seem brighter. The rest of the cast is just as solid with Tom Tully as the wrongly accused father being a real standout. Beyond the acting, the direction, sets, lighting, and cinematography are all top-notch. Overall, it's an amazingly well made film.If I have one complaint (and admittedly it's a very, very minor quibble) it's that Tierney is almost too perfect for the role and her surroundings. It's a little difficult to believe that a woman like that could find herself mixed-up with some of these unsavory characters. It's not really her fault, it's just the way Tierney comes across. She seems a little too beautiful, polished, and delicate for the part. But, her gentle, kind, trusting nature add a sense of needed realism to her portrayal. Question: is it a negative review?
no

Review: My spouse & I found this movie to be very schlocky. It started out good, but quickly got unbelievable & ridiculous. Most of the acting was poor, with the exception of the little girl, Abbie, who really was terrific. In addition, the dialog was predictable & lame - especially Gideon, the Angel's. Also, without giving away anything, when one of the characters has a tragedy, she almost appears nonchalant. At first we thought it was 'shock', but then we realized that it was just a terrible script. We love almost all of the Hallmark movies & their heart-warming stories, but this movie doesn't rise to the occasion of being one. There are so many great ones - don't waste your time with this horrible movie. Question: is it a positive review?
no

Review: I saw most of the episodes of RMFTM as a teenager on "Cliffhanger Theater" running after midnight on a local station some years ago, and then again when Mystery Science Theatre riffed on it in the early 90's. Time has not been kind to it. I can certainly make allowances for the special effects, which were quite impressive for a low budget 50's serial (IMO Commando Cody's flying scenes were better than George Reeves/Superman's in his TV show). And I can also make allowances for the ahem, "acting", and fight choreography -. except for the guy who plays the ruler of the Moon Men. He is incredibly miscast. He looks and acts like the fellow who comes to fix your plumbing, not the despotic ruler of an alien race. Even the corny dialog works all right - everyone rattles off their lines like strings of firecrackers, with no wasted time or pauses for things like "thought" or "introspection". Since everyone does this, the viewer finds it immersive after awhile, and even to my modern sensibilities, it doesn't bother much. What really irritates me is the writing and the plotting. I'm not talking about the sunny weather on the moon, or baking soda powered rocket ships, or a flying suit that has controls labeled "up/down" and "fast/slow". I'm not even bothered by the cheesiness of the resolutions to the cliffhangers that end each chapter. I'm talking about the fact that our supposed heroes are dumber than fence posts and have no cumulative memory. And by the fact that although that the dialog clips along like an express train, the plot goes through the same motions again and again. Dig it: Commando Cody and his pal are the spearhead of a top secret hi tech science lab charged with protecting Earth (or at least the USA) against an insidious alien invasion. But his office has no guards or security checkpoints. They don't even have locks on the front doors. So the bad guys walk RIGHT IN and beat the crap out of the Cody and his staff ...not once (perhaps understandable) but SEVERAL times. They even kidnap his female assistant on the second try. And they never get any smarter. To further prove my point, allow me to point out the way that Cody jumps in his flying suit and flies around getting into trouble and never actually seems to succeed in catching anyone. He does this over and over and over. Cody also flies his ship to the Moon (the woman assistant comes along to cook), stays for about 30 seconds and immediately turns around and comes back. Cody captures one of the Atomic Ray guns...and immediately loses it again to the bad guys because he couldn't be bothered to lock it up. And so on.And you would think that if Cody's efforts were so vital to saving the USA from the Moon Men, that he might ask for a few soldiers with carbines, a few helicopters and a tank or two to back him up, instead of just working with the local police all the time. This was supposed to be a military operation, but they act like it's another episode of "Gangbusters". It's all rather hard to stomach. I appreciate that the creators were severely limited in the scope of their story by budget and time constraints...and I appreciate that Cody is actually a reasonably tough hombre (even though he loses half of his fistfights). But I just can't help yelling "DOOR! LOCK THE DOOOOR!!" when the gangsters simply walk into his lab, or try to blow up the ship and there are NO security measures at the landing site in place...not even a fence (!). Still, it's OK. Of the three Republic serials I've watched, "Phantom Creeps" had a better plot, and "Undersea Kingdom" had more atmosphere (hah!) and a better hero than "Radar Men", but it's an OK time-waster. BTW...why "Radar" men? They didn't use radar, they used Atomic Ray Guns. Shouldn't the title have been "Atomic Ray Gun Men From The Moon?" Question: is it a negative review?

yes