In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Example Input: Context_1 : The Wings Over the World tour was a series of concerts in 1975 and 1976 by the British–American rock band Wings performed in Britain, Australia, Europe, the United States and Canada. The North American leg constituted band leader Paul McCartney's first live performances there since the Beatles' final tour, in 1966, and the only time that Wings played in the US and Canada. The world tour was well-attended and critically acclaimed, and resulted in a triple live album, "Wings Over America", which Capitol Records released in December 1976. In addition, the tour was documented in the television film "Wings Over the World" (1979) and a cinema release, "Rockshow" (1980). Context_2 : Born in Liverpool, Moore worked as a fork-lift truck driver and part-time musician. He first played drums with the Silver Beetles in May 1960, at the suggestion of Allan Williams, and later that month travelled to Scotland with John Lennon, Paul McCartney, George Harrison and Stuart Sutcliffe, when they acted as a backing band for singer Johnny Gentle. During the tour, he was injured and lost his front teeth when the band's van, driven by Johnny Gentle, had a minor accident. However, Lennon and the Scottish organiser of the tour took him out of hospital and insisted that he perform with the rest of the group. After they returned to Liverpool, Moore had already decided that he had 'had enough of Lennon'; When he didn't appear for a gig one night, the rest of the band went round to his flat, and were told by his girlfriend that he had gone back to his steady job at the bottle works. When they tried to persuade her otherwise, she apparently said 'you can all piss off!'. He undertook one further performance with the group, before they left for Germany with Pete Best as their drummer in August 1960. Context_3 : Some of the threats have been extended to members of Obama's family, including First Lady Michelle Obama. Obama and his officials have generally declined to discuss death threats against him since entering the presidential race. Some commentators have suggested the unusually high number of death threats surrounding Obama are at least partially tied to the use of racist imagery and words used by some of Obama's critics to describe the president. In 2009 journalist Ronald Kessler reported that Obama received 400 percent more death threats than his predecessor. Later that year, the Secret Service stated that the volume of threats against Obama was "comparable to that under George W. Bush and Bill Clinton." Context_4 : "More popular than Jesus" is a remark made by the Beatles' John Lennon in 1966. During an interview, he argued that Christianity was in decline and that it may be outlived by rock music, explaining "We're more popular than Jesus now; I don't know which will go first – rock 'n' roll or Christianity. Jesus was all right but his disciples were thick and ordinary. It's them twisting it that ruins it for me." The comment drew no controversy when originally published in the United Kingdom, but angry reactions flared up in Christian communities when it was republished in the United States five months later. Context_5 : The US Tour was Paul McCartney's third North American concert tour of the 21st century to promote his 2005's "Chaos and Creation in the Backyard" album. The tour began on 16 September 2005 in Miami, Florida and concluded on 30 November 2005 in Los Angeles, California. It was a commercial success grossing $77 million from 37 shows across North America and selling over 565,000 tickets. Rusty Anderson, Brian Ray, Paul "Wix" Wickens, and Abe Laboriel Jr. returned as the backing band, the first to fully remain intact for more than one solo McCartney tour, following the previous year's summer jaunt in the UK. McCartney's then-wife Heather Mills and their daughter, Beatrice, accompanied him on the tour and were in the audience every night. Context_6 : "Bad to Me" is a song credited to Lennon–McCartney. In late interviews, John Lennon said that he wrote it for Billy J. Kramer with The Dakotas while on holiday in Spain. However, in a 1964 interview he said that he and Paul McCartney wrote it in the back of a van, so Paul contributed to it. Billy J. Kramer with The Dakotas released their recording of the song in 1963 and it became their first number 1 in the UK Singles Chart. Paul McCartney was present during the recording session at Abbey Road Studios. The single would be released in the US the following year, and become a top-ten hit there, reaching number 9. It became one of the first occasions a Lennon–McCartney composition made the US Top 40 recorded by an artist other than the Beatles (the first being "A World Without Love" by Peter & Gordon; another being "Goodbye" by Mary Hopkin). Context_7 : "One After 909" (sometimes titled "The One After 909" in early recordings) is a song by the Beatles, written by John Lennon, with input from Paul McCartney (credited to Lennon–McCartney), and originally released in 1970 on the album "Let It Be". The album version is the live performance from the rooftop concert which took place on 30 January 1969. This performance is also included in the "Let It Be" film. The song was written no later than spring 1960 and perhaps as early as 1957, and is one of the first Lennon–McCartney compositions. "One After 909" is perhaps more reminiscent of early American rock 'n' roll than any of the other songs from the rooftop show, and as a joke for the rooftop chatter, Lennon sings a variant on the opening line of "Danny Boy" after the song is finished. Context_8 : Ivan Vaughan (18 June 1942 – 16 August 1993) was a boyhood friend of John Lennon, and later schoolmate of Paul McCartney at the Liverpool Institute, both commencing school there in September 1953. He was born on the same day as McCartney in Liverpool. He played bass part-time in Lennon's first band, The Quarrymen, and was responsible for introducing Lennon to McCartney at a community event (the Woolton village fête) on 6 July 1957, where The Quarrymen were performing. McCartney impressed Lennon, who invited McCartney to join the band, which he did a day later. This led to the formation of Lennon and McCartney's songwriting partnership, and later of The Beatles. Context_9 : The Beatles staged their third concert tour of America in August 1966, and it was the last commercial tour they would ever undertake. Lasting a total of 19 performances, with 17 shows in American venues and two in Toronto, Ontario, Canada, it was plagued with backlash regarding the controversy of John Lennon's remark about the band being "more popular than Jesus", death threats, and the band's own dissatisfaction with the noise levels and their ability to perform live. Although it was a commercial success, ticket sales had noticeably declined in number. After the tour, they would become a studio band and focused exclusively on record production. Context_10 : Dive! Dive! Live! is the first live video recorded by heavy metal singer Bruce Dickinson. It was filmed at the Wolf & Rismiller's Reseda Country Club on Sherman Way, Reseda, California, on 14 August 1990, while finishing the "Tattooed Millionaire" US tour leg. The video was produced by Paul Flattery and directed by Jim Yukich—who also worked on Iron Maiden's "Live After Death"—and the backing band was the same as on "Tattooed Millionaire", save drummer Dickie Fliszar, who replaced Fabio del Rio to perform during the tour. The set-list consisted practically of all the songs from the "Tattooed Millionaire" sessions, except for "Darkness Be My Friend" from "All The Young Dudes" single. It included "Bring Your Daughter... to the Slaughter" and some cover versions played throughout the tour, like Deep Purple's "Black Night", AC/DC's "Sin City". "Riding with the Angels" is a song composed while Dickinson still played with Samson. fact_1 : The Wings Over the World tour was a series of concerts in 1975 and 1976 by the British–American rock band Wings performed in Britain, Australia, Europe, the United States and Canada. fact_2 :  The North American leg constituted band leader Paul McCartney's first live performances there since the Beatles' final tour, in 1966, and the only time that Wings played in the US and Canada. fact_3 :  Lasting a total of 19 performances, with 17 shows in American venues and two in Toronto, Ontario, Canada, it was plagued with backlash regarding the controversy of John Lennon's remark about the band being "more popular than Jesus", death threats, and the band's own dissatisfaction with the noise levels and their ability to perform live. Answer: Wings Over the World tour
Example Output: What tour was Paul McCartneys first live performance since The Beatles 1966 US tour when the tour was plagued with backlash regarding the controversy of John Lennons remark about the band being more popular than Jesus, death threats, and the bands own dissatisfaction with the noise levels and their ability to perform live?

Example Input: Context_1 : Merri Jean Baptiste Franquin (b. 19 October 1848, Lançon, Bouches-du-Rhône, France, d. 1934) was a French trumpeter, cornetist, and flugelhornist who was professor of trumpet at the Paris Conservatory from 1894 until 1925. Franquin was a teacher of both Georges Mager (1885–1950) who was principal trumpet of the Boston Symphony Orchestra from 1919 until 1950, and Eugene Foveau (1886–1957) who became professor of cornet at the Paris Conservatory in 1925. His collaboration with Romanian composer Georges Enescu (1881–1955) led to the composition in 1906 of "Légende", one of the great twentieth-century works for solo trumpet and piano. Franquin's book, "Methode Complète de la Trompette Moderne de Cornet a Pistons et de Bugle", has been an influential teaching aid for many trumpet players, notably Maurice André. Franquin's most notable accomplishment while at the Paris Conservatory was his push for the C Trumpet to replace the low F trumpet as a more versatile orchestral instrument. A more modern form of this instrument was introduced to American symphony orchestras by Georges Mager, and it remains very much in popular use in the United States. Context_2 : Manuel de Falla y Matheu (] , 23 November 187614 November 1946) was a Spanish composer. Along with Isaac Albéniz and Enrique Granados, he was one of Spain's most important musicians of the first half of the 20th century. His image was on Spain's 1970 100-pesetas banknote. Context_3 : Félix Battanchon (9 April 1814 – 1893) was a French cellist, composer, and one of the venerated teachers at the Paris Conservatory. He studied at the Paris Conservatory with Olive Charlier Vaslin (1794-1889) and Louis Pierre Martin Norblin (1781-1854). In 1840 he entered the orchestra of the Grand Opéra. He applied for second teacher of cello in 1851. Little is known about his life until his death in Paris in 1893. Context_4 : This is a list of operas by Argentine composers. Argentina's first native born opera composer was Francisco Hargreaves (1849-1900) who composed "La gatta bianca" (1875) and "Los estudiantes de Bologna" (1897), followed by Zenón Rolón (1856-1902) who composed several operas as well as operettas and zarzuelas. The works of many of the composers from this generation were first performed outside Argentina. Native Argentine opera was to develop much more with the massive European (mainly Italian) immigration in the late 19th century and even more with the opening of the Teatro Colón in 1908 where most of the 20th century operas listed here had their world premieres. Some of the first operas to treat Argentine subjects or national themes were Arturo Berutti's "Pampa" (1897) based on the life of Juan Moreira and "Yupanki" (1899) based on the life of Inca warrior Manqu Inka Yupanki. Also notable in this genre were Felipe Boero's "Tucumán" (1918) set during the Battle of Tucumán and "El matrero" (1929). Considered by many to be the quintessential Argentine opera, "El matrero" had a libretto based on gaucho folk tradition and incorporated Argentine folk melodies and a traditional gaucho dance. The Spanish playwright Federico García Lorca was also the inspiration for several Argentine operas. His plays, "La zapatera prodigiosa" and "Bodas de sangre", were the basis of operas by Juan José Castro, while Osvaldo Golijov's 2003 opera "Ainadamar" is based on events in the playwright's life. Context_5 : Bruno Mantovani (born 8 October 1974) is a French composer. He has been awarded first prizes from the Paris Conservatory which he joined in 1993. His work has been commissioned by the French government as well as other organizations. In September 2010 he was appointed to the post of director of the Paris Conservatory. Context_6 : Aurora is an opera in three acts by the Argentine composer Héctor Panizza (also known as Ettore Panizza) set to an Italian libretto by Luigi Illica and Hector Quesada. Composed in 1907, "Aurora" became the second national opera of Argentina, after Felipe Boero's more popular "El Matrero". Although its plot is set in Argentina, "Aurora" is Italian in style. Panizza's score shows a strong influence of Giordano and Mascagni. Context_7 : Cornelius Gurlitt (10 February 1820 – 17 June 1901) was a German composer born in Altona, Schleswig-Holstein. He was a classmate of Carl Reinecke, whose father was head of the famous Leipzig Conservatory. Gurlitt studied with Reinecke's father for six years. His first public appearance at the age of seventeen was well received, and he decided to go to Copenhagen to continue his studies. There he studied organ, piano, and composition under Curlander and Weyse. While in Copenhagen he became acquainted with the Danish composer Niels Gade, and they remained friends until Gade's death. Context_8 : James David Christie is an American organist with an extensive performance career throughout the world and especially in Europe. He is Chair and Professor of Organ at the Oberlin Conservatory of Music, College Organist at Wellesley College and the Distinguished Artist in Residence at the College of the Holy Cross. He has made several recordings and is a highly sought-after performer and teacher. He has been the organist of the Boston Symphony Orchestra since 1978. Former employers: Boston Conservatory of Music, Massachusetts Institute of Technology, Harvard University, and Boston University. He has recorded extensively and won several prestigious prizes; he has given over 50 tours of Europe, Japan, Australia, Iceland and Russia, and has served on over 40 international competition juries. He has performed premiers of over 40 works. He serves regularly on the faculty of the McGill Summer Organ Academy in Montreal, Canada. Christie has been a guest professor at the Paris Conservatory, the Cracow Conservatory, the Royal Conservatory of Brussels, the Conservatory of Versailles, the Dom Bedos Organ Academy in Bordeaux, the International Summer Organ Academy in the Haarlem (Netherlands), etc. He has performed and recorded with symphony orchestras around the world including major orchestras in London, Stuttgart, Vienna, Koblentz, Boston, Philadelphia, San Francisco, Seattle, Baltimore, etc.; he performs a very large repertoire of organ concerti of all periods. He is in demand as an organ consultant and is responsible for major instruments in Paris, Wellesley Hills, Worcester, Kansas City, Oberlin, etc. Context_9 : Bernhard Cossmann (17 May 1822 – 7 May 1910) was a German cellist. Born in Dessau, he first studied under Theodore Muller. During his life, he worked for the Grand Opera in Paris and became acquainted with Franz Liszt, with whom he went to Weimar. In 1866, Cossmann was appointed professor of cello studies at the Moscow Conservatory. However, in 1878, Cossmann helped found the Hoch Conservatory in Frankfurt, where he occupied the post of teacher of cello. Context_10 : Felipe Boero (born Buenos Aires, January 1, 1884 - died there, August 9, 1958) was an Argentine composer and music educator. He is most famous for composing the opera "El Matrero", after a play by Yamandú Rodríguez, considered one of the national operas of Argentina; among his other works is the opera "Tucumán", on a libretto by Leopoldo Díaz, about the Battle of Tucumán. He also was interested in education policy. He began his studies with Pablo Beruti, later traveling to Paris to study at the Conservatory there; he worked with Paul Vidal, and while there became acquainted with the work of Gabriel Fauré, Camille Saint-Saëns, Claude Debussy, Maurice Ravel, and Manuel de Falla. fact_1 :  He began his studies with Pablo Beruti, later traveling to Paris to study at the Conservatory there; he worked with Paul Vidal, and while there became acquainted with the work of Gabriel Fauré, Camille Saint-Saëns, Claude Debussy, Maurice Ravel, and Manuel de Falla. fact_2 : Manuel de Falla y Matheu (] , 23 November 187614 November 1946) was a Spanish composer. Answer: Manuel de Falla y Matheu
Example Output: Felipe Boero became acquainted with the pieces of which Spanish composer while at the Paris Conservatory?

Example Input: Context_1 : The vielle à roue et à manche (called dulcigurdy by some luthiers) is a modern term for an early music instrument, of unknown original name, of the hurdy-gurdy family, but distinct in that the notes were changed by fingering the neck rather than pressing tangent keys. The instrument has several strings which are constantly bowed by a spinning wheel turned by a crank, producing unbroken musical notes. Context_2 : Carolina Eyck born on December 26, 1987, is a German musician specialising in playing the Theremin, an electronic instrument. Her performances around the world have helped to promote the unusual music instrument. Context_3 : The Pena, also known as "Bana", "Bena" or "Tingtelia", is a mono string instrument falling in the lute category, similar to some of the traditional Indian stringed musical instruments such as Ravanahatha, "Ubo" or the "Kenda", found in various parts of the country. It is the traditional music instrument of the Meitei community of Manipur, India and some parts of Bangladesh and is played either solo or in group, in folk music or as the accompanying musical instrument for Lai Haraoba festivals. Pena playing is becoming a dying art as only 145 active Pena players are reported in Manipur. The Center for Research on Traditional and Indigenous Art (Laihui), an organization headed by renowned Pena player, Khangembam Mangi Singh, has mandated vision to revive Pena music. Context_4 : Musical Instrument Factory of Riga (Latvian: "Rīgas mūzikas instrumentu fabrika" — "LMIF") was the largest Soviet electronic music instrument manufacturer. It was based in Riga (former USSR, now Latvia). RMIF synthesizers became very popular among rock and pop bands in Eastern Bloc. The plant also produced drum kits. After the dissolution of the USSR in 1991 RMIF went bankrupt. Context_5 : Gumrah (Hindi: गुमराह , English: "Astray" ) is a 1963 Hindi film produced and directed by B. R. Chopra. The film stars Sunil Dutt, Ashok Kumar, Mala Sinha, Nirupa Roy, Deven Verma and Shashikala. The music was composed by Ravi while the lyrics were by Sahir Ludhianvi. It was remade in Malayalam as "Vivahita" (1970), starring Padmini, Prem Nazir and Satyan. It was also a hit. It is really surprising that while Shashikala got Filmfare's award in 'Best Supporting Actress Category', Mala Sinha was totally ignored by Film Fare although her role was equally tough and difficult and she gave her one hundred percent share. Context_6 : The jal tarang (Hindi: जल तरंग, Urdu: ‎ , ] ), Tamil: ஜலதரங்கம் , jaltarang, jal-tarang, jal-yantra, jalatarangam or jalatharangam is an Indian melodic percussion instrument. It consists of a set of ceramic or metal bowls tuned with water. The bowls are played by striking the edge with beaters, one in each hand. Context_7 : Vidushi Shashikala Dani (Kannada: ಶಶಿಕಲಾ ದಾನಿ, ""  |Hindi: शशिकला दानी, "Shashikalā Dāni"  ) is an Indian Hindustani Classical Multi-Instrumentalist. She is one of the few artists and presently the only All India Radio graded female exponent of a unique Indian instrument, Jaltarang (Kannada: ಜಲ ತರಂಗ, ""  |Hindi: जल तरंग, ""  ). Context_8 : Gagar (Punjabi: ਗਾਗਰ , pronounced: gāger), a metal pitcher used to store water in earlier days, is also used as a musical instrument in number of Punjabi folk songs and dances. It is played with both hands with rings worn in fingers. It is closely associated with the other music instrument, Gharha, which is an earthen pitcher. Context_9 : Československé hudební nástroje, oborový podník (Czechoslovak Musical Instruments, specialized business) was — during the era of communist Czechoslovakia from 1948 to 1992 — a state owned music instrument manufacturing company headquartered in Hradec Králové. The company name was later amended — "Československé hudební nástroje, státní podník" — to reflect ownership by the government. In the 1970s, 50% of its musical instrument export products were supplied to the Soviet Union. Context_10 : "The cycleonium is a computer based music instrument. Every day objects like a bicycle and a bottle, and also a propeller are put in a new context and form the base of the sound design. They lose their conventional function consequently and have to be considered as indispensable parameters of this instrument." It was developed by Daniel Dominguez Teruel from 2007–2009 and built with the support of Chiron-Werke GmbH & Co. KG. fact_1 :  She is one of the few artists and presently the only All India Radio graded female exponent of a unique Indian instrument, Jaltarang (Kannada: ಜಲ ತರಂಗ, ""  |Hindi: जल तरंग, ""  ). fact_2 : The jal tarang (Hindi: जल तरंग, Urdu: ‎ , ] ), Tamil: ஜலதரங்கம் , jaltarang, jal-tarang, jal-yantra, jalatarangam or jalatharangam is an Indian melodic percussion instrument. fact_3 :  It consists of a set of ceramic or metal bowls tuned with water. Answer: percussion
Example Output:
What category of music instrument is Vidushi Shashikala Dani the only All India Radio an exponent of?