In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

Example Input: Character Study . Allen's September (1987) suffered from highly dismissive reviews which remains consistent with the public's view that Allen should produce comedies. Allen's willingness to risk, whether he fails or not, should be a clear invitation to consider this piece if just for the purpose of contrasting his present work with earlier films that defined him as a professional funny man.     The discerning viewer might enjoy this character study about six people if he or she wants a piece that demands a bit more reflection. As other reviewers wisely point out, Allen borrows from Chekov, particularly Uncle Vanya, in September and shows us how selfishness and thoughtlessness have their repercussions on innocent bystanders.     But the plot unfolds carefully as Lane (Mia Farrow) struggles to deal with unrequited love for a struggling writer (Sam Waterston)and an unwelcome guest in her mother (Elaine Stritch). I tend to favor the scenes which take place in candlelight. Lane's best friend, Stephanie, (Dianne Wiest) plays the piano as various characters reveal their fears and desires in carefully constructed monologues and dialogues. We learn a great deal about how professional concerns do not always eclipse the existential questions people face or the reality that people can go on living while harboring painful regrets.     Eventually, a particular truth surfaces which sends the characters reeling but Allen gives us a reprieve by offering an ending that is fair albeit unnerving.     Allen fans who enjoy his comdies should switch gears to view this film. Like his more sober films, September offers viewers the pleasure of character development as the fuel which moves the film forward.
Example Output: POS

Example Input: If You Enjoyed "Ju-On: The Grudge" . . . . . . . then this film may be for you!    Like "Ju-On: The Grudge," "Ju-On 2" presents a series of interconnected vignettes. Though the non-linear presentation can sometimes confuse the viewer, it takes only a moment to realize the correlation between the last portrait and the next. So, be patient;)    This film has a bit of a postmodern spin (which many horror-film scholars may enjoy).  One of the main characters, Kyoko Harase, plays an actress known as "The Queen of Horror." She is taken to the infamous Saeki home to give a television interview about her own experience as a horror actress. It is there that she is marked with the curse (in a fairly unpredictable way!!) And, there that true horror enters her own life.    To the joy of many viewers, Toshio figures prominently into "Ju-On 2." Though the make-up on Toshio is a little flat (unlike "Ju-On The Grudge") his acting is still pitch-perfect. Nonetheless, it is interesting to note that Yuya Ozeki (who play Toshio Saeki) did not understand the part he was playing in earlier films (simply as a result of his tender age). He has now refused to watch his own films and his parents go to the premieres alone:) (You can discover this information on the American version of "The Grudge" in Takashi Shimizu's commentary).      Some reviewers seem hyper-critical of this work. Yes, the film has some missteps, but they are easily overlooked. If you watched and enjoyed "Ju-On: The Grudge" then try "Ju-on 2" . . . you might be pleasantly surprised!
Example Output: POS

Example Input: Come Back To The 5 and Dime, Pauline Kael, Pauline Kael . For you young'uns, Pauline Kael was a powerful, maverick movie critic who, aside from being a brilliantly entertaining writer, often went against the grain of your Rex Reeds and Roger Eberts and viewed and wrote about movies with a depth and clarity that seemed super-human. And smart as hell.    This movie has fooled many into thinking it is somehow clever, beautiful and enlightening.  I could not find one less-than-amazed review at Rottentomatoes.com from writers that shoud know better. But friend, think about it just a little bit, how this movies titillates mentally-restful viewers by using the cheapest of devices; by baring the breasts of doe-eyed 15 year olds -  friggin' kiddie porn in 2 scenes no less!   And the protagonist's spiritual awakening consists of smoking pot, working at a fast food joint (with a cliched smiley face logo), driving a hot cherry-red Pontiac and having sex with a 15 year old (which is a crime in the US, ja? no?).    Kevin Spacey's original and complex-toned smart-assiness is entertaining and the young girl players are fascinating and beautiful.  Annette Bening, given a straw woman stereotype role that begs to be burned, in the course of 6 seconds still manages to move us in the finale.      Another Amazon reviewer cited Ray Lawrence's Austrailian film from 1987, BLISS as the misinterpreted and maladapted source material for American Beauty.  Having seen BLISS several times, and being a huge fan of that movie, I think he is correct.  Written by Alan Ball, a TV sitcom writer, this film pushes a screwed-up message.  It entertains, that is if your brain is on stand-by.  I wish Pauline was still alive to help sharpen our movie vision
Example Output:
NEG