In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.

Q: Passage: In 1982, Toronto bank employee Dan Mahowny is given access to bigger and bigger accounts with his promotion to assistant branch manager. His boss trusts him, but is unaware that Mahowny is a compulsive gambler. Mahowny is soon skimming larger and larger amounts for his own use and making weekly trips to Atlantic City, where he is treated like a king by a competent casino manager. Mahowny's girlfriend, fellow bank employee Belinda, cannot understand what is happening. Mahowny's criminal acts come to light when Toronto police begin to investigate his longtime bookie Frank.
The movie's focus is on Mahowny as a character—how his compulsion drives him and all the domino effects it has on the rest of his life. The love story between Mahowny and Belinda and the inclusion of other finely drawn characters such as hapless casino employee Bernie put the emphasis squarely on the gambling addiction, not on the flash and sizzle of big casinos or multimillion-dollar frauds. 
Question: What is the first name of the person who has a bookie?

A: Dan.
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Q: Passage: Between 1847 and 1850, when Blore was building the new east wing, the Brighton Pavilion was once again plundered of its fittings. As a result, many of the rooms in the new wing have a distinctly oriental atmosphere. The red and blue Chinese Luncheon Room is made up from parts of the Brighton Banqueting and Music Rooms with a large oriental chimney piece designed by Robert Jones and sculpted by Richard Westmacott. It was formerly in the Music Room at the Brighton Pavilion. The ornate clock, known as the Kylin Clock, was made in Jingdezhen, Jiangxi Province, China, in the second half of the 18th century; it has a later movement by Benjamin Vulliamy circa 1820. The Yellow Drawing Room has wallpaper supplied in 1817 for the Brighton Saloon, and a chimney piece which is a European vision of how the Chinese chimney piece may appear. It has nodding mandarins in niches and fearsome winged dragons, designed by Robert Jones.At the centre of this wing is the famous balcony with the Centre Room behind its glass doors. This is a Chinese-style saloon enhanced by Queen Mary, who, working with the designer Sir Charles Allom, created a more "binding" Chinese theme in the late 1920s, although the lacquer doors were brought from Brighton in 1873. Running the length of the piano nobile of the east wing is the great gallery, modestly known as the Principal Corridor, which runs the length of the eastern side of the quadrangle. It has mirrored doors, and mirrored cross walls reflecting porcelain pagodas and other oriental furniture from Brighton. The Chinese Luncheon Room and Yellow Drawing Room are situated at each end of this gallery, with the Centre Room obviously placed in the centre.The original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long. King Edward VII oversaw a partial redecoration in a Belle époque cream and gold colour scheme.When paying a state visit to Britain, foreign heads of state are usually entertained by the Queen at Buckingham Palace. They are allocated a large suite of rooms known as the Belgian Suite, situated at the foot of the Minister's Staircase, on the ground floor of the north-facing Garden Wing. The rooms of the suite are linked by narrow corridors, one of them is given extra height and perspective by saucer domes designed by Nash in the style of Soane. A second corridor in the suite has Gothic-influenced cross-over vaulting. The Belgian Rooms themselves were decorated in their present style and named after Prince Albert's uncle Léopold I, first King of the Belgians. In 1936, the suite briefly became the private apartments of the palace when they were occupied by King Edward VIII. 
Question: What has nodding mandarins in niches and fearsome winged dragons?

A: a chimney piece.
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Q: Passage: Handsome, young Chance Wayne returns to his hometown of St. Cloud, Florida, accompanied by a considerably older film star, Alexandra Del Lago. She is needy and depressed, particularly about a film she has just finished making, and speaks of retiring from the acting world forever.
Chance had gone to Hollywood to seek fame and fortune at the behest of St. Cloud's most powerful and influential citizen, "Boss" Finley, either too naive or unwilling to appreciate that Finley merely wants Chance, a waiter from the country club, to keep away from his beautiful daughter, Heavenly.
A political kingpin, Finley enjoys putting Heavenly on display as a model of purity and chastity. His ruthless son, Tom Jr., aids his father's ambitions in any way he can. He, too, is unhappy to have Chance Wayne back in town.
Desperate to have Alexandra further his fantasy of becoming a star, Chance has become her lover. He goes so far as to blackmail her with a tape recording, on which she speaks openly of a dependence on drugs. Alexandra defies him, becoming irate at the realization that Chance's romantic interests in Heavenly are more important to him than her own needs.
Just when Alexandra is at her most vulnerable, a call comes from Hollywood to notify her that the new movie she's just made appears to be a certain success, reviving her career. In a scene with Finley, Chance is shown being muscled off the screen by Finley's henchmen for purposes of either being roughed up or castrated. Meanwhile, Finley's discarded mistress, Miss Lucy, exposes Finley's underhanded tactics to the government authorities. Chance, with nowhere else to turn and still on his own two feet, persuades Heavenly to leave town with him. Able now to face the truth about himself, Chance and Heavenly reconcile and leave town together, leaving her father to face indictment. 
Question: What is "Boss" facing when his daughter and Chance leave town?

A:
indictment.
****