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In this task, you're given a passage, further information available on a particular linked term from the statement, and a question. Your job is to generate the answer to the question by using the information provided. If there is no clear answer obtainable, output 'none'.
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Passage: Azurite is unstable in air, however it was used as a blue pigment in antiquity. Azurite is naturally occurring in Sinai and the Eastern Desert of Egypt. It was reported by F. C. J. Spurrell (1895) in the following examples; a shell used as a pallet in a Fourth Dynasty (2613 to 2494 BCE) context in Meidum, a cloth over the face of a Fifth Dynasty (2494 to 2345 BCE) mummy also at Meidum and a number of Eighteenth Dynasty (1543–1292 BCE) wall paintings. Depending on the degree of fineness to which it was ground, and its basic content of copper carbonate, it gave a wide range of blues. It has been known as mountain blue or Armenian stone, in addition it was formerly known as Azurro Della Magna (from Italian). When mixed with oil it turns slightly green. When mixed with egg yolk it turns green-grey. It is also known by the names blue bice and blue verditer, though verditer usually refers to a pigment made by chemical process. Older examples of azurite pigment may show a more greenish tint due to weathering into malachite. Much azurite was mislabeled lapis lazuli, a term applied to many blue pigments. As chemical analysis of paintings from the Middle Ages improves, azurite is being recognized as a major source of the blues used by medieval painters. Lapis lazuli (the pigment ultramarine) was chiefly supplied from Afghanistan during the Middle Ages, whereas azurite was a common mineral in Europe at the time. Sizable deposits were found near Lyons, France. It was mined since the 12th century in Saxony, in the silver mines located there.
 Link Information: Saxony ( ; ; ; ), officially the Free State of Saxony (German: , Upper Sorbian: ), is a landlocked federal state of Germany Question: What country was azurite mined in during the 12th century?
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Answer: Germany


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Passage: Culberson was signed by the Dodgers in November 2015 and invited to spring training, where he impressed new Dodgers manager Dave Roberts. After an injury to Howie Kendrick opened a spot for him, Culberson made the Dodgers 2016 Opening Day roster. He was designated for assignment in July and optioned to the Oklahoma City Dodgers, then recalled a month later. Culberson ended the big club's final home game of the season with a walk-off home run against former Rockies teammate Boone Logan, clinching the Dodgers' fourth consecutive National League West division title. He played in 34 games for Los Angeles, hitting .284 and in 70 games for Oklahoma City, hitting .260. He had no hits in seven at-bats with two strikeouts in the 2016 National League Division Series. He was outrighted to the minors and removed from the 40-man roster on December 9, 2016. He was assigned to Oklahoma City to begin the season. He remained in the minors for the conclusion of the AAA season, hitting .250 in 108 games and returned to the majors with the Dodgers on September 4. In 15 games for the Dodgers, he hit .154 with two hits in 13 at-bats. When starting shortstop Corey Seager was left off of the 2017 NLCS roster because of a back injury, Culberson was added to the post-season roster. He appeared in all five games of the series, with five hits in 11 at-bats for a .455 average. In the 2017 World Series, Culberson had three hits in five at-bats, including his first career post-season home run, which he hit off Chris Devenski of the Houston Astros in the 11th inning of Game Two.
 Link Information: The Los Angeles Angels of Anaheim selected Kendrick in the tenth round of the 2002 Major League Baseball draft. Question: Who had been playing professional ball longer by the year Culberson was signed by the Dodgers, Corey Seager or Howie Kendrick?
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Answer: Howie Kendrick


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Passage: The platform featured an oak ticket booth and an oak-cased clock from the Self Winding Clock Company. Evidence of the now-demolished ticket booth is a Beaux Arts design engraved on the ceiling. The platform also features station tiling by Heins & LaFarge, who designed the station plaque in a sans-serif font. The walls are made of small white rectangular tiles, except for the bottom , which is marble. There are also fifteen ceramic plaques toward the top of the platform wall, all of which depict a sloop in the New York Harbor to signify the station's location and use. The top of the wall also includes festooned garlands and station monograms, in addition to ceramic trim where the wall intersects the ceiling. The station artwork on the original exit's landing is a 1990 mural, "South Sails", by former MTA Arts & Design director Sandra Bloodworth. During the 2004 Finding Of No Significant Impact for the station, it was determined that the station was eligible for National Register of Historic Places status.
 Link Information: The platform featured an oak ticket booth and an oak-cased clock from the Self Winding Clock Company. Question: Who founded the company that made the oak-cased clock at the station?
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Answer: Chester Henry Pond