In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[EX Q]: Question: What year did Vaughn's producer form hiw own label after leaving Mercury? Passage:In 1971, Bob Shad, who had worked with her as producer at Mercury, asked her to record for his label, Mainstream, which he had founded after leaving Mercury. Breaking a four-year hiatus, Vaughan signed a contract with Mainstream and returned to the studio for A Time in My Life, a step away from jazz into pop music with songs by Bob Dylan, John Lennon, and Marvin Gaye arranged by Ernie Wilkins. She didn't complain about this eclectic change in direction, but she chose the material for her next album after admiring the work of Michel Legrand. He conducted an orchestra of over one hundred musicians for Sarah Vaughan with Michel Legrand, an album of compositions by Legrand with lyrics by Alan and Marilyn Bergman. The songs brought some of the musicians to tears during the sessions. But Shad wanted a hit, and the album yielded none. She sang a version of the pop hit "Rainy Days and Mondays" by the Carpenters for Feelin' Good. This was followed by Live in Japan, her first live album since 1963. Sarah Vaughan and the Jimmy Rowles Quintet (1974) was more experimental, containing free improvisation and some unconventional scatting.

[EX A]: b

[EX Q]: Question: Which of the two rock musicians that appeared in "The Secret Policeman's Ball" recorded an album first? Passage:Ball co-founder Cleese and Jones had an involvement (as performer, writer or director) in all four Amnesty benefit shows, Palin in three, Chapman in two, and Gilliam in one. Idle did not participate in the Amnesty shows. Notwithstanding Idle's lack of participation, the other five members (together with "Associate Pythons" Carol Cleveland and Neil Innes) all appeared together in the first Secret Policeman's Ball benefit—the 1976 A Poke in the Eye held at Her Majesty's Theatre in London's West End—where they performed several Python sketches. In this first show, they were collectively billed as Monty Python. Peter Cook deputised for the errant Idle in a courtroom sketch. In the next three shows, the participating Python members performed many Python sketches, but were billed under their individual names rather than under the collective Python banner. The second show featured newcomer Rowan Atkinson and Scottish comedian Billy Connolly. The Secret Policeman's Ball were the first stage shows in the UK to present comedic performers (such as Monty Python and Rowan Atkinson) in the same setting and shows as their contemporaries in rock music (which included Eric Clapton, Sting and Phil Collins). After a six-year break, Amnesty resumed producing Secret Policeman's Ball benefit shows which were held at the London Palladium in 1987 (sometimes with, and sometimes without, variants of the iconic title) and by 2006 had presented a total of 12 such shows. The shows since 1987 have featured newer generations of British comedic performers, such as Stephen Fry, Hugh Laurie, and puppets from the satirical TV show Spitting Image, with many attributing their participation in the show to their desire to emulate the Python's pioneering work for Amnesty. Cleese and Palin made a brief cameo appearance in the 1989 Amnesty show; apart from that, the Pythons have not appeared in shows after the first four."

[EX A]: b

[EX Q]: Question: Which Ford film starring George O'Brien had a bigger box office? Passage:John Ford (1894–1973) was an American film director whose career spanned from 1913 to 1971. During this time he directed more than 140 films. Born in Maine, Ford entered the filmmaking industry shortly after graduating from high school with the help of his older brother, Francis Ford, who had established himself as a leading man and director for Universal Studios. After working as an actor, assistant director, stuntman, and prop man – often for his brother – Universal gave Ford the opportunity to direct in 1917. Initially working in short films, he quickly moved into features, largely with Harry Carey as his star. In 1920 Ford left Universal and began working for the Fox Film Corporation. During the next ten years he directed more than 30 films, including the westerns The Iron Horse (1924) and 3 Bad Men (1926), both starring George O'Brien, the war drama Four Sons and the Irish romantic drama Hangman's House (both 1928 and both starring Victor McLaglen). In the same year of these last two films, Ford directed his first all-talking film, the short Napoleon's Barber. The following year he directed his first all-talking feature, The Black Watch.

[EX A]:
a