Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

CONTEXT: Because characters from different games can and do significantly interact with each other routinely. This is so common that there is Game Central Station – a place where characters quickly “commute” between games. They have inter-game therapy sessions with each other: We also see the ability of game characters to change the original game code of a game. Game characters can permanently move to another game: Turbo/King Candy did so when he left his original game to take up residence in Sugar Rush. On the whole, Wreck-It Ralph is a world where almost anything is possible with games.  <sep>  Q: How does Sugar Rush understand outside weapons?
Yes

CONTEXT: This is a case of two extremes. Remy Danton gets pulled over for speeding but doesn't have his license or registration on him. He asks the cop for a break but becomes a victim of racial profiling and is slammed on the hood of the car. After he tells the officers to "google" him to verify his identity, we see the opposite extreme and he is given special treatment due to his position by being let off the hook. He doesn't want to be judged or given particular treatment be it good or bad. He simply wants to be treated like a normal person like everyone else. Note this is my own analysis of the scene, I don't have any sources indicating that was the intended purpose of the scene but I think it was simply there for character arc development.  <sep>  Q: Why did Remy demand the speeding ticket?
Yes

CONTEXT: I will preface this by saying that I haven't seen the film yet. However, in the novel Jack's father is Old Nick - the man who was holding Ma and Jack captive. Ma's father would not look at Jack because doing so would make the father think of Old Nick - thus leading to anger, etc at the the kidnapping of his daughter.  <sep>  Q: In the film Room, why was the Grandfather Unable to Look at Grandson? A: I will preface this by saying that I haven't seen the film yet  <sep> FOLLOWUP_Q: DId the grandfather make eye contact with the son?

Yes