In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Q: Review: "Voodoo Academy" features an "Academy" like no other, one that houses only six male students in one bedroom. These teenage guys are instructed in religion by a sinister young priest, who enjoys tormenting and comforting them simultaneously. The sole administrator of this "Academy" is a young and seductive headmistress, and she retains her handsome charges on a short leash, so to speak.Sexual overtones abound, and the director obviously has high regard for young male bodies. These young actors occasionally strip down to their designer underwear to sneak about the "Academy," and their sexuality is the entire focus of the movie. If you're not interested in the male form -- stay away!Burdened by weak and awkward dialogue, this low-budget exploitation piece just stumbles along with a few laughable special effects tossed in between the yawns. The mood is claustrophobic, with tediously long takes, a handful of cheap sets and few costume changes. These visual elements come interspersed with seemingly unending sequences of banal dialogue, intended as character and plot development. It gives one the feeling it was filmed in three days... Question: is it a positive review?

A: no
****
Q: Review: "Night of the Living Homeless" was a fairly strong finish to the first half of Season 11. Obviously a parody of various zombie movies, most notably Dawn of the Dead, this episode parallels the homeless with the living dead, as creatures who feed and thrive off of spare change rather than brains.Kyle is blamed for the sudden mass outbreak of homeless people when he, out of the goodness of his heart, gives a $20 to a homeless man in front of his house. More homeless people begin to infiltrate South Park, until the town is completely overrun with them. This is a very strong Randy Marsh episode, as he assumes the role of the shotgun-wielding leader of the adults who take refuge on the roof of the Park County Community Center. But before Randy makes it to the community center, he is accosted by hundreds of homeless people while hilariously screaming "I don't have any change!!" Unfortunately, the refugees end up losing Gerald Broflofski to the homeless, when he tries to escape by catching a bus out of town, and unwittingly tosses away all his change for the bus to distract the homeless people. Then he becomes one of them, asking everyone for change.The boys attempt to find out why there are so many homeless people in South Park, and find a man who is a director of homeless studies. They find out that the nearby city of Evergreen used to have a similar problem with the homeless, so they escape to Evergreen to find out what they did to solve the problem. Unfortunately, homeless people break into the man's house, and he attempts to take the easy way out by shooting himself. However, he fails several times, as he shoots himself in the jaw, in the eye, in the chest, in the neck, in the shoulder, screaming horribly until he finally dies. This scene may have been funnier had a similar scene not happened in "Fantastic Easter Special" two weeks ago.Meanwhile, a member of the refugees discovers that due to the homeless problem, the property values have nosedived, thus the bank has foreclosed on his house, making him homeless. Randy immediately turns on him, holding the gun to the man's head. When the man finally begs the others for a few bucks to help him out, Randy pulls the trigger.In Evergreen, the boys find out that the citizens of the town sent the homeless to South Park, and that the passing of homeless from town to town happens all over the country. The boys modify a bus that leads the homeless out of South Park and takes them all the way to Santa Monica, California.The zombie movie parallels and the great Randy Marsh lines make this one definitely re-watchable. 8/10 Question: is it a positive review?

A: yes
****
Q: Review: Last year's remake of 'The Hills Have Eyes' was one of the better attempts to update the vaguely exploitational horror flicks of the 1970s for a new audience. Alexandre Aja allowed for an admirable degree of character development and when the violence started it was mean and savage and all carried out in a landscape of impeccable photography and production design. I was one of the few people who actually thought that it was better than the original and looked forward to a second visit to the particularly dark and cruel world of the savage desert mutants.'The Hills have Eyes 2', released just a year after the original, seems a rushed and ill-conceived attempt to cash in on the franchise with little thought to quality. Jonathan Craven's screenplay could have been written in a weekend, and given the speed with which this movie made it into cinemas, probably was. It falls back on every hackneyed genre cliché in the book while offering absolutely nothing new to the desert mutant mythology. I always let out a groan of disappointment when a sequel replaces civilian characters with the military. Soldiers are always so lazily written and never fail to thoroughly bore with crude caricatures of strutting macho bullshit. In my mind, 'Aliens' was the only movie to successfully make such a transition, due to James Cameron's talent, not simply for directing the best action sequences around, but never forgetting that an audience has to care about the people being butchered. He was also ably assisted by some genuinely talented actors. With 'The Hills have Eyes 2', it's clear that video director Martin Weisz is no James Cameron, and the cast of television bit-parters haven't the talent or even the inclination to turn their cardboard cutout characters into anything approaching living, breathing human beings.Needless to say, every character is a broad and generic cliché. They act in dumb and illogical ways, making dumb and illogical decisions that lead them to predictably dumb and illogical deaths. The latter half of the movie becomes just another tedious chased-through-dark-corridors scenario. 'The Descent' (on which Sam McCurdy, coincidentally, also worked as cinematography) proved that even this most derivative of sequences can still be carried out with genuine originality and suspense, but we see no such innovation here.'The Hills Have Eyes 2' is just a very lazy movie, devoid of any suspense, tension, or surprise, with not a single individual involved remotely interested in producing anything of quality. It's a tame and tired excuse for a sequel and deserves to spend the rest of its life in a Blockbuster's bargain bin. Question: is it a negative review?

A:
yes
****