In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Input: Consider Input: A psychological thriller following a successful young married couple on their way to visit family. After a blowout on a desolate stretch of highway in Nevada, they head to the next town only to discover it long abandoned. Here they meet a mysterious stranger who seems to know decidedly more than he is sharing. In aiding their survival, he gradually undermines some of their most comfortable assumptions, playing wife off against husband. As they struggle to co-operate with this plain-speaking itinerant without compromising their own trusted partnership, his behaviour becomes more bizarre and accusatory. Surface reality starts to fragment, dark secrets threaten to emerge, and their secure lives start to unravel..."A simmering study of Old Testament style sin and retribution, Blood River plays like a slow burning Faulkner by way of Deliverance." (Todd Brown)

Output: How does the stranger undermine their relationship?


Input: Consider Input: Richie Twat and Eddie Ndingumbaba are running the nastiest, smelliest, most squalid hotel in the world and things aren't going to plan. They aren't making any money. The illigal immigrant Chef's has eaten all the food and most of the guests have left without paying!But things seem better when the Nice family arrives. Mum, Dad and kids are hoping for a peaceful fun holiday but get more than they bargained for! Things start to hot up when Richie finds some exotic underwear and gets trapped in an oven! And then the arrival of sexy Italian movie star Gina Crabonara soon has them planning how to win her heart!Sadly for the guys, Gina's jilted and slightly psychotic fiancee is in hot persuit! Can they persuade Gina he's not right for her? There's also something decidedly iffy about the fish Richie finds on the road to serve to the guests for tea!With guests vomiting and violent Gino coming after them, Richie and Eddie are going to need a miracle to escape in one piece!

Output: What does Richie find on the road to serve the guests?


Input: Consider Input: Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum.The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter.Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. He then leaves.The next day, Erika takes a kitchen knife to the concert where she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with his family. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street.


Output: What is the audience gradually shown truths about?