In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Input: Consider Input: Question: What was the record of Shinnik Yaroslavl the year that Karlsons joined the team? Passage 1:As a youth player Karlsons played for his local club FK Liepājas Metalurgs, being taken to the first team in 1998, at the age of 17. He spent the next six seasons with the club, becoming the second top scorer of the Latvian Higher League in 2003 with 26 goals, completing two hat-tricks during the season. All in all he played 96 matches for his local club, scoring 40 goals. After these bright appearances he had impressed clubs abroad, and in January 2004 Karlsons went on a month-long trial with the Russian Premier League club Shinnik Yaroslavl. Afterwards he signed a three-year contract with them. However, his spell there wasn't as successful as expected and was very short. After just one season, during which he played only 8 league matches without scoring goals, Karlsons returned to the Latvian Higher League, signing with the newly promoted, ambitious club Venta Kuldiga in 2005. However, the club struggled financially and after just five matches had to let some of their players go, including Karlsons, who returned to his hometown club, Liepājas Metalurgs later that year. He spent the next three seasons there, once again showing great performance. He scored a hat-trick in the 2005 season, and he also scored in the Latvian Cup final on 25 September 2005, which Metalurgs lost 2–1 to Venta Kuldīga. Another hat-trick came in the 2006 season, which Karlsons finished as the second top scorer with 14 goals under his belt. In the Latvian Cup he scored a hat-trick in the 6–1 semi-final victory over Dižvanagi Rēzekne and then scored in the final, which the club won 2–1 over Skonto Riga. In December 2006 Karlsons was named the runner-up of the Latvian Player of the Year Award by the Latvian Football Federation behind the winner Aleksandrs Koļinko, who that time was the first-choice keeper for Rubin Kazan in the Russian Premier League. His contract with Metalurgs expired in July 2007 and it was not renewed. Player was then linked with the English Championship club Bristol City, before going on trial with Southampton. In January 2008 he had a two-day trial with Wolverhampton Wanderers. Karlsons then had trials in the Netherlands with Zwolle and De Graafschap,
 Passage 2:Prior to their formation, David Jones, the main songwriter in Enemy You, recorded several releases with his pop punk band After School Special on Mutant Pop Records. The group never toured or played a show, but still had a small dedicated following. In 1997, Enemy You was formed and began rehearsing together. They were heavily inspired by Bad Religion and other melodic punk acts. After Enemy You began writing tunes together as a band they received interest from Ben Weasel and his fledgling label, Panic Button Records. Ben would often call Fat Wreck Chords, and heard about the band through Chris, who was the bassist for Enemy You, and an employee at Fat Wreck Chords. This led to their debut appearance on the four-way split dubbed Four On The Floor alongside Screeching Weasel, Teen Idols and Moral Crux. This was followed by their debut album Where No One Knows My Name in 1999. Based on the album's success the band was asked to open for a number of notable punk bands including Bouncing Souls, Lagwagon, Bad Religion, T.S.O.L., Mad Caddies, and NOFX. The band released a 7-inch on the Fat Club series on Fat Wreck Chords. They followed that with an 80's-themed seven inch EP that came out on Geykido Comet Records, titled "Video to Radio." Geykido Comet Records re-released the EP in 2017, with all the proceeds going to suicide prevention. Around this time, guitarist, Ken Yamazaki, started to play guitar for the Hardcore punk band, Western Addiction. He still stayed with Enemy You, though. In 2005 the band released their second album, "Stories Never Told" on Red Scare Industries. David was friends with label owner, Toby Jeg, and the label also eventually re-released Where No One Knows My Name. Enemy You then signed with Nitro Records. Their third studio album, Fade Away was released as an iTunes Store exclusive on December 2, 2008, after being shelved for a few years. Vocalist David Jones committed suicide in March of 2015.
 Passage 3:Vives i Sicília was born in 1949 in Barcelona as the third son of Francesc Vives i Pons and of Cornèlia Sicília Ibáñez, who were small retailers. He entered the Seminary in 1965 and studied Humanities, Philosophy and Theology. In 1974, Vives was ordained a priest in his native parish Santa Maria del Taulat de Barcelona. Father Vives i Sicília was later nominated as Auxiliary Bishop of Barcelona (and Titular Bishop of Nona) in 1993, and consecrated to the episcopacy and automatically became a member of the Spanish Episcopal Conference. Pope John Paul II nominated him as Coadjutor Bishop of Urgell in 2001. After two years, on the retirement of his predecessor Joan Martí Alanis in 2003, he succeeded him as Bishop of Urgell on 12 May 2003, and hence therefore as Co-Prince of Andorra in the Principality of Andorra located in the heights of the Pyrenees Mountains. On 10 July 2003, he carried out the Constitutional Oath as the new Co-Prince of Andorra at "Casa de la Vall", Andorra la Vella. Vives i Sicília was later elevated to the dignity of an Archbishop as a personal title by Pope Benedict XVI in March 2010.


Output: 1


Input: Consider Input: Question: Which ruler died first? Passage 1:Finn's first commission was as project manager for the Rice Hotel, under contract with the firm of Mauran, Russell & Crowell. The owner of the new hotel, Jesse H. Jones, soon after established a collaboration with Finn which would change the face of Downtown Houston. Finn designed two buildings for Jones across the way from the Rice Hotel: the Foster Building, aka the Houston Chronicle Building, in 1914, and the Rusk Building in 1916. The corner of Texas and Travis was dominated by buildings built by Finn and Jones. In 1926, Finn designed a new seventeen-story wing for the Rice Hotel on behalf of Jones. Finn did architectural work for other commercial clients in the 1920s. He completed State National Bank Building (NHRP-listed) at 412 Main Street in 1923. Jones contracted with Finn to build the Lamar Hotel, where Jones established his new residence. The Jones apartment consumed the whole top floor, though he hired John F. Staub for the interior design. Jones also promised a venue for the 1928 Democratic National Convention without consulting the city of Houston, pledging $200,000 of his own capital. He engaged Finn and Kenneth Franzheim to design and erect the Sam Houston Hall in just four months. The Sam Houston Hall, ostensibly built to be a temporary structure, was larger than Madison Square Garden, and equipped with heavy-duty fans and apertures between the roof and the walls to facilitate air flow. Jones contracted with Finn on another project in downtown Houston, this time with in collaboration with Franzheim and J.E.R. Carpenter, to finish the 37-story, art deco Gulf Building in 1929 at that time the tallest building in Texas.
 Passage 2:In the spring of 1902, Bulgaria, an Ottoman vassal state which was interested in acquiring Macedonia, signed a military convention with Russia. Late in the fall, Russia, supported by the United Kingdom and France, proposed to the Ottomans political reforms for the Macedonian vilayets. On 8 December, the Ottoman sultan, Abdul Hamid II, signed a decree implementing most of the reforms. In February 1903, the new Russian foreign minister, Vladimir Lamsdorf, visited Vienna and signed the so-called "Vienna Program" on Macedonian reforms. The program was substantially the same as the Ottoman decree of December. The immediate provocation of a new agreement at Mürzsteg was the Ilinden–Preobrazhenie Uprising that broke out on 2 August. With its quick suppression, the Vienna Program lay dead. In September Tsar Nicholas II of Russia visited the Emperor Francis Joseph of Austria-Hungary at the latter's castle in Mürzsteg, Austria. The two rulers put their signatures to a new memorandum, substantially identical to the Vienna Program, which called for the appointment of one Russian and one Austro-Hungarian civil agent to oversee the reform of the administration, judiciary and local gendarmerie in the Macedonian vilayets. In all these institutions Christians were to take part. After Abdul Hamid accepted the proposal in November, Russia appointed one N. Demerik as its agent, and Austria chose one G. Müller. They began their work under Hüseyin Hilmi Pasha, the Inspector-General of Macedonia, in early 1904. Under the Mürzsteg program, each Great Power appointed an advisory official to the Ottoman official in charge of reforming the gendarmerie in each province. Austria-Hungary appointed an advisor to the sanjak of Üsküp, Russia to the sanjak of Thessaloniki, France to the sanjak of Siroz and Britain to the sanjak of Drama.
 Passage 3:Crimea: The Last Crusade is a panoramic history of the Crimean War of 1853–56. Drawing extensively from Russian, French and Ottoman as well as British archives, it combines military, diplomatic, political and cultural history, examining how the war left a lasting mark on the national consciousness of Britain, France, Russia and Turkey. Figes sets the war in the context of the Eastern Question, the diplomatic and political problems caused by the decay of the Ottoman Empire. In particular, he emphasises the importance of the religious struggle between Russia as the defender of the Orthodox and France as the protector of the Catholics in the Ottoman Empire. He frames the war within a longer history of religious conflict between Christians and Muslims in the Balkans, southern Russia and the Caucasus that continues to this day. Figes stresses the religious motive of the Tsar Nicholas I in his bold decision to go to war, arguing that Nicholas was swayed by the ideas of the Pan-Slavs to invade Moldavia and Wallachia and encourage Slav revolts against the Ottomans, despite his earlier adherence to the Legitimist principles of the Holy Alliance. He also shows how France and Britain were drawn into the war by popular ideas of Russophobia that swept across Europe in the wake of the Revolutions of 1830 and 1848. As one reviewer wrote, Figes shows "how the cold war of the Soviet era froze over fundamental fault lines that had opened up in the 19th century."


Output: 2


Input: Consider Input: Question: How many years after the Hanshi Festival's creation did it take for the Qingming Festival to be created? Passage 1:Gooch earned her BS in Computer Engineering in 1996 and her MS in Computer Science in 1998 from the University of Utah. While working on her master's degree, she explored interactive non-photorealistic technical illustration as a new rendering paradigm and developed Gooch shading, which she presented at the 1998 SIGGRAPH conference. Following her masters, she worked at the University of Utah as a research scientist for five years. During this time, she co-taught a course at the 1999 SIGGRAPH conference on non-photorealistic rendering and co-authored the first textbook in the field, Non-Photorealistic Rendering, with her husband Bruce Gooch. In 2004, she began her PhD in computer science at Northwestern University and graduated in 2006. Following her PhD, she joined the faculty at the University of Victoria in British Columbia as an assistant professor of computer science. In 2013, she joined the Scientific Computing and Imaging Institute to help develop the ViSUS software core into a product. In 2014, she became an adjunct professor of computer science at Texas A&M University.
 Passage 2:The festival originated from the Cold Food or Hanshi Festival which remembered Jie Zitui, a nobleman of the state of Jin (modern Shanxi) during the Spring and Autumn Period. Amid the Li Ji Unrest, he followed his master Prince Chong'er in 655 to exile among the Di tribes and around China. Supposedly, he once even cut meat from his own thigh to provide his lord with soup. In 636, Duke Mu of Qin invaded Jin and enthroned Chong'er as its duke, where he was generous in rewarding those who had helped him in his time of need. Owing either to his own high-mindedness or to the duke's neglect, however, Jie was long passed over. He finally retired to the forest around Mount Mian with his elderly mother. The duke went to the forest in but could not find them. He then ordered his men to set fire to the forest in order to force Jie out. When Jie and his mother were killed instead, the duke was overcome with remorse and erected a temple in his honor. The people of Shanxi subsequently revered Jie as an immortal and avoided lighting fires for as long as a month in the depths of winter, a practice so injurious to children and the elderly that the area's rulers unsuccessfully attempted to ban it for centuries. A compromise finally developed where it was restricted to 3 days around the Qingming solar term in mid-spring.
 Passage 3:The Honda Civic tour was the biggest production the band had had so far. The stage was constructed of 3 ramps up to a platform behind the drum set, and 6 large video screens behind that. The show began with a large black curtain concealing the stage while the band played an instrumental intro, with spotlights revealing the silhouettes of the band. As the intro ended, they begin playing "Ignorance" as the curtain simultaneously dropped, the video screens flashing the band's logo during the intro, as the intro progressed the video screen changed to images of light bulbs (similar to the song's music video) during the intro, light bulbs also swung down from the top of the stage, continuing to swing throughout the song. The band then played "Feeling Sorry" as the video screens each showed a live feed of each member of the band performing during the choruses, at the end of the bridge the band would stop playing and Hayley would greet the crowd and welcome them to the tour. After playing "That's What You Get" and "Emergency" the band played "Playing God" as the video screens showed images of picture frames, the same picture frames on the back of Brand New Eyes and the song's single cover. After that they played Careful, as images of the Brand New Eyes butterfly flashed during the chorus, they then continued with their hit-single "Decode" as the video screen showed the band running through the forest with fireworks and flares, the video has been described as a part-two to the songs music video. After that Hayley Williams and Josh Farro moved to stage left and performed an acoustic cover of Loretta Lynn's "You Ain't Women Enough." After that, a red couch (similar to the one on the cover of All We Know is Falling) and a small lamp were brought out and the band performed a three song acoustic set, during this the light bulbs from Ignorance were brought down again to illuminate the stage. After that the band returned with "Let the Flames Begin" while the video screens showed images of open hands during the 'Oh Father' outro. They then performed "Crushcrushcrush" and "Pressure " stopping in the bridge during "Pressure" for Hayley to introduce all the band members, and for Josh to introduce Hayley. They then performed "Looking Up" while each of the video screens showed lyrics to the song and each of the band members daily lives, at the end of the song all the members came together to ride bikes as the split-screens faded away. They then ended their main set with their biggest hit "The Only Exception" as pyrotechnics were used during the last chorus of the song. The band then exited and come back for an encore, starting with "Brick By Boring Brick" while the video screens showed various images, including deserts, snakes, the Brand New Eyes butterfly, and hot air balloons. After "Brick" the band concluded their set with their breakthrough song "Misery Business" as flashing images of the "Riot!" logo filled the video screens, during the bridge Williams would let one, or sometimes various fans on stage to sing the rest of the song or sometimes play guitar, and as the last chorus came in confetti cannons were shot towards the crowd. The set concluded with the video screen showing Paramore's logo and the band bowing then leaving the stage. They used the same production for their Oceania and UK tours.



Output: 2