In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Ex Input:
Context_1 : "When We Was Fab" is a song by English musician George Harrison, which he released on his 1987 album "Cloud Nine". It was also issued as the second single from the album, in January 1988. The lyrics serve as a nostalgic reflection by Harrison on the days of Beatlemania during the 1960s, when the Beatles were first referred to as "the Fab Four". Harrison co-wrote the song with Jeff Lynne, who also co-produced the track. The recording references the psychedelic sound that the Beatles had helped popularise in 1967, through its use of sitar, cello, and backwards-relayed effects. Harrison's former Beatles bandmate Ringo Starr is among the other musicians on the track. The single was accompanied by an innovative music video, directed by the partnership of Kevin Godley and Lol Creme. One of Harrison's most popular songs, "When We Was Fab" has appeared on the compilations "Best of Dark Horse 1976–1989" (1989) and "" (2009). Context_2 : "Piggies" is a song by the English rock group the Beatles from their 1968 album "The Beatles" (also known as "the White Album"). Written by George Harrison as a social commentary, the song serves as an Orwellian satire on greed and consumerism. Among several elements it incorporates from classical music, the track features harpsichord and orchestral strings in the baroque pop style, which are contrasted by Harrison's acerbic lyrics and the sound of grunting pigs. Although credited to George Martin, the recording was largely produced by Chris Thomas, who also contributed the harpsichord part. Context_3 : "Within You Without You" is a song written by George Harrison and released on the Beatles' 1967 album "Sgt. Pepper's Lonely Hearts Club Band". It was Harrison's second composition in the Indian classical style, after "Love You To", and was inspired by his six-week stay in India with his mentor and sitar teacher, Ravi Shankar, over September–October 1966. Recorded in London without the other Beatles, the song features Indian instrumentation such as sitar, dilruba and tabla, and was performed by Harrison and members of the Asian Music Circle. The recording marked a significant departure from the Beatles' previous work; musically, it evokes the Indian devotional tradition, while the overtly spiritual quality of the lyrics reflects Harrison's absorption in Hindu philosophy and the teachings of the Vedas. Although the song was his only composition on "Sgt. Pepper", Harrison's endorsement of Indian culture was further reflected in the inclusion of yogis such as Paramahansa Yogananda among the crowd depicted on the album cover. Context_4 : "Run of the Mill" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass". Harrison wrote the song shortly after the Beatles' troubled "Get Back" sessions in early 1969, during a period when his growth as a songwriter had inadvertently contributed to the dysfunction within the Beatles' group dynamic. The lyrics reflect the toll that running their company Apple Corps had taken on relationships within the band, especially between Paul McCartney and the other three Beatles, as well as Harrison's dismay at John Lennon's emotional withdrawal from the band. Commentators recognise "Run of the Mill" as one of several Harrison compositions that provide an insight into events behind the Beatles' break-up, particularly the difficulties surrounding Apple. Context_5 : "Old Brown Shoe" is a song by the English rock band the Beatles. Written by George Harrison, the group's lead guitarist, it was released on a non-album single in May 1969, as the B-side to "The Ballad of John and Yoko". The song was subsequently included on the Beatles' compilation albums "Hey Jude", "1967–1970" and "Past Masters, Volume Two". At the Concert for George tribute in November 2002, a year after Harrison's death, the song was performed by Gary Brooker. Several music critics have recognised "Old Brown Shoe" as one of Harrison's best compositions from the Beatles era. A demo version of the song, recorded by Harrison in February 1969, was released on the 1996 compilation "Anthology 3". Context_6 : "Not Guilty" is a song by English musician George Harrison released on his 1979 album "George Harrison". He wrote the song in 1968 following the Beatles' Transcendental Meditation course in India with Maharishi Mahesh Yogi, and its lyrics refer to Harrison's relationship with his bandmates John Lennon and Paul McCartney as a result of that experience. The Beatles recorded the song for "The Beatles" (the "White Album") in August 1968 but abandoned the track after several days' work, logging 99 takes. This last take appeared on the "Anthology 3" compilation in 1996, as "Take 102". Context_7 : George Harrison is the eighth studio album by English musician George Harrison, released in February 1979. It was written and recorded through much of 1978, a period of domestic contentment for Harrison, during which he married Olivia Trinidad Arias and became a father for the first time, to son Dhani. Harrison wrote several of the songs in Hawaii, while the track "Faster" reflected his year away from music-making, when he and Arias attended many of the races in the 1977 Formula 1 World Championship. The album also includes the hit single "Blow Away" and "Not Guilty", a song that Harrison originally recorded in 1968 for the Beatles' White Album. Context_8 : Somewhere in England is the ninth studio album by George Harrison, released in 1981. The album was recorded as Harrison was becoming increasingly frustrated with the music industry. The album's making was a long one, during which conflicts with Warner Bros. Records arose. "Somewhere in England" was the first Harrison album to be released after the death of his former Beatles bandmate John Lennon; the lyrics of its first single, "All Those Years Ago", pay tribute to Lennon. Context_9 : "The Heart Gently Weeps" is the first single from the 2007 album "8 Diagrams" by the Wu-Tang Clan. The song features a sample of The Beatles' song "While My Guitar Gently Weeps". It features guest appearances from three other musicians: R&B singer Erykah Badu sings the song's chorus; Dhani Harrison, son of Beatles member George Harrison, plays acoustic guitar; and John Frusciante of the Red Hot Chili Peppers is featured on lead guitar. This song was made using a cover version of the George Harrison song played by the blues guitarist Jimmy Ponder. Context_10 : The Beatles, also known as the White Album, is the ninth studio album by English rock group the Beatles, released on 22 November 1968. A double album, its plain white sleeve has no graphics or text other than the band's name embossed, which was intended as a direct contrast to the vivid cover artwork of the band's earlier "Sgt. Pepper's Lonely Hearts Club Band". Although no singles were issued from "The Beatles" in Britain and the United States, the songs "Hey Jude" and "Revolution" originated from the same recording sessions and were issued on a single in August 1968. The album's songs range in style from British blues and ska to tracks influenced by Chuck Berry and by Karlheinz Stockhausen. fact_1 : "Piggies" is a song by the English rock group the Beatles from their 1968 album "The Beatles" (also known as "the White Album"). fact_2 :  Written by George Harrison as a social commentary, the song serves as an Orwellian satire on greed and consumerism. fact_3 : The Beatles, also known as the White Album, is the ninth studio album by English rock group the Beatles, released on 22 November 1968. Answer: "Piggies"

Ex Output:
What song from the Beatles ninth studio album was written by George Harrison?


Ex Input:
Context_1 : Mini Office II, published by Database Software in 1986, was an office suite available for several home computers, among which were the Amstrad CPC, the Atari 8-bit family, the BBC Micro, the Commodore 64, and others. The software package could be purchased on cassette tape or floppy disk. Mini Office II was originally written for the BBC Micro Computer (in 6502 assembler) and was also available in EPROM format. Context_2 : The Micro User (titled BBC Micro User in the first three issues) was a British specialist magazine catering to users of the BBC Microcomputer series, Acorn Electron, Acorn Archimedes and, to a limited extent, the Cambridge Z88. It had a comprehensive mix of reviews of games, application software, and the latest Acorn computers; type-in programs (duplicated on a "cover disk" which was available separately), a correspondence page offering help with computer problems, and approachable technical articles on programming and the BBC Micro's internals. Context_3 : Gauntlet is a clone of "Defender" written by Chris Terran published in the UK by Micro Power. It was released on the Acorn Electron and BBC Micro in 1984 and on the Amstrad CPC in 1985. Context_4 : Spy Snatcher is a floppy disk-based text adventure released by Topologika Software in 1991 . It was the last professional text adventure to be released on the BBC Micro and Acorn Electron. It was also released for ZX Spectrum (+3 disk only), RISC OS, PC, Amstrad CPC, Amstrad PCW, Atari ST and Nimbus. Context_5 : DK'Tronics Ltd (stylised as dk'tronics) was a British software and hardware company active during the 1980s. It primarily made peripherals for the ZX Spectrum and Amstrad CPC but also released video games for the Spectrum, Commodore 64, Commodore Vic 20, BBC Micro, Memotech, MSX and Amstrad platforms. Context_6 : The BBC Microcomputer System, or BBC Micro, is a series of microcomputers and associated peripherals designed and built by the Acorn Computer company for the "BBC Computer Literacy Project", operated by the British Broadcasting Corporation. Designed with an emphasis on education, it was notable for its ruggedness, expandability, and the quality of its operating system. An accompanying 1982 television series ""The Computer Programme"" featuring Chris Serle learning to use the machine was also broadcast on BBC 2. Context_7 : Ghouls is an 8-bit computer game written by David Hoskins and published in the UK by Micro Power. It was released on the Acorn Electron, BBC Micro, Commodore 64 and Amstrad CPC in 1984. Context_8 : Amstrad is a British electronics company. s of 2006 , Amstrad's main business is manufacturing Sky UK interactive boxes. Context_9 : Doctor Who and the Mines of Terror is a game for the Amstrad CPC, BBC Micro and Commodore 64. It was first released by Micro Power on the BBC Micro in 1985, and on the Amstrad CPC & C64 in 1986. Context_10 : Match Day is a football computer game, published by Ocean Software in 1984, originally on the ZX Spectrum and then later released on the Amstrad CPC, BBC Micro, & Commodore 64 systems. It is the first game in the "Match Day" series, and the title and opening music are references to "Match of the Day". It was the creation of programmer Jon Ritman. The BBC Micro version was ported by Chris Roberts. fact_1 : Amstrad is a British electronics company. fact_2 : The BBC Microcomputer System, or BBC Micro, is a series of microcomputers and associated peripherals designed and built by the Acorn Computer company for the "BBC Computer Literacy Project", operated by the British Broadcasting Corporation. Answer: company

Ex Output:
What kind of group does Amstrad and BBC Micro have in common?


Ex Input:
Context_1 : Gintaras Beresnevičius (July 8, 1961 in Kaunas – August 6, 2006 in Vilnius) was a Lithuanian historian of religions specializing in Baltic mythology. He together with Norbertas Vėlius is considered to be the best specialist in Lithuanian mythology. Context_2 : Pepromene is a goddess and being of fate/destiny in Greek mythology (a being of "the destined share", which implies a person's true calling and fate; in short, the idea that every man is tied to a destiny). The ancient perception of her being gives the name as belonging within other Greek ideas (or "seeings") for destiny and fate (such as Aesa, Moira, Moros, Ananke, Adrasteia and Heimarmene). Context_3 : The list of Lithuanian gods is reconstructed based on scarce written sources and late folklore. Lithuania converted to Christianity in 1387, but elements of Lithuanian mythology survived into the 19th century. The earliest written sources, authored by foreigners and Christians, only briefly mention the Lithuanian gods. Beginning in the 16th century, the pagan religion received more attention from authors, but often their accounts were confused, contradictory, and heavily influenced by various religious agendas. Collection and recording of folklore began in the 19th century, by which time the pagan mythology had become fragmented and mixed with Christian traditions. The cults of old deities transformed into folklore (individual tales, myths, songs, etc.) without associated rituals. Because of such difficulties obtaining data, there is no accepted list of Lithuanian gods. Different authors present wildly contradictory reconstructions of the Lithuanian pantheon. Context_4 : Dalia is the goddess of fate in the Lithuanian mythology. She is the giver and taker of goods and property. Dalia is often confused with and hard to distinguish from Laima, another goddess of fate. Sometimes Dalia is thought of as a different manifestation of Laima. However, Laima is more involved in predicting the length of a person's life while Dalia is more concerned with material wealth a person would earn during the lifetime – allotting a proper share (Lithuanian: "dalis") to everyone. According to myths, just as a father divides his estate among the children, so Dievas Senelis (manifestation of supreme god Dievas) allots each newborn with a proper share. Dalia is seen more as an enforcer of Dievas' will rather than a decision maker. She can appear as a woman, lamb, dog, swan, or duck. Context_5 : Ašvieniai are divine twins in the Lithuanian mythology, identical to Latvian Dieva deli and the Baltic counterparts of Vedic Ashvins. Both names derive from the same Proto-Indo-European root for the horse – *"ek'w-". Old Lithuanian "ašva" and Sanskrit "ashva" mean "horse". Ašvieniai are represented as pulling a carriage of Saulė (the Sun) through the sky. Ašvieniai, depicted as "žirgeliai" or little horses, are common motifs on Lithuanian rooftops, placed for protection of the house. Similar motifs can also be found on beehives, harnesses, bed frames, and other household objects. Ašvieniai are related to Lithuanian Ūsinis and Latvian Ūsiņš (cf. Vedic Ushas), gods of horses. Context_6 : Laima is a Baltic goddess of fate. She was associated with childbirth, marriage, and death; she was also the patron of pregnant women. Laima and her functions are similar to the Hindu goddess Lakshmi. Context_7 : In the Ugric mythology, Kaltes-Ekwa (Khanty, Kaltes Ankw) was the mother of the hero Mir-Susne-Hum and the wife of the god Num-Torum, who defeated her in heaven. She was also a goddess of the moon associated with the month April; a birth giving goddess (she is called upon by women in child-birth); goddess of fate; goddess of dawn and a shape-shifter, often shown manifested as a hare. Context_8 : Milda, in Lithuanian mythology, is the goddess of love. However, her authenticity is debated by scholars. Despite the uncertainty, Milda became a popular female given name in Lithuania. Neo-pagan societies and communities, including Romuva, organize various events in honor of goddess Milda in May. The Milda Mons, a mountain on Venus, is named after her. The female figure at the top of the Freedom Monument in Riga is affectionately called Milda. Context_9 : Mamitu, also known as Mammetun, Mammetum, or Mammitu was the ancient Akkadian goddess of fate and destiny. She was believed to reside in Irkalla and decree the fates of all human beings based on arbitrary whims. Nonetheless, whatever decrees she issued were irrevocable. She was also worshipped as goddess of the oath, later a chthonic goddess of fate and a judge in the underworld, similar to the Anunnaki. She is occasionally regarded as a consort of Nergal. In some passages, she is also known as a demon of irrevocable curses. Context_10 : The Attukal Bhagavathy Temple is a Hindu religious shrine at Attukal, Trivandrum in Kerala, India. Goddess Bhadrakali (Kannaki), mounted over 'vethala', is the main deity in this temple. Bhadrakali, a form of Mahakali, who killed the demon king Daruka, believed to be born from the third eye of lord Shiva. 'Bhadra' means good and 'Kali' means goddess of time. So Bhadrakali is considered as the goddess of prosperity and salvation. Goddess 'Attukal devi', itself is the supreme mother 'Bhaadrkali devi',)(in soumya aspect) the goddess of power and courage. She is often referred as Kannaki, the heroin of Ilanko Adikal's 'Silapathikaaram'. The temple is renowned for the annual "Attukal Pongala" festival, in which over three million women participate. A festival that has figured in the Guinness Book of World Records for being the single largest gathering of women for a religious activity, the Attukal Pongala continues to draw millions of women with each passing year. According to the Attukal Temple Trust, around 4.5 million devotees are expected to attend the pongala in 2016. Attukal Temple is situated near the heart of the city, 2 kilometres away from Sree Padmanabhaswamy Temple, East Fort in Thiruvananthapuram. Devotees believe that all of their wishes will be fulfilled by the goddess, provide prosperity and can attain salvation. Attukal devi is often worshipped in 3 forms such as Maha Saraswati (goddess of knowledge), Maha Lakshmi (goddess of wealth) and Mahakali/ Durga/ Parvathy (goddess of power). fact_1 : Dalia is the goddess of fate in the Lithuanian mythology. fact_2 :  Dalia is often confused with and hard to distinguish from Laima, another goddess of fate. fact_3 : Laima is a Baltic goddess of fate. Answer: Laima

Ex Output:

Who is the Baltic goddess of fate often confused with the goddess of fate in the Lithuanian mythology?