In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[EX Q]: Question: How many years were there between the release of the Super Famicom and the beginning of Mother 3 development? Passage:Mother 3 was originally developed for the Super Famicom (Super Nintendo Entertainment System) beginning in 1994. Shigeru Miyamoto, head of Nintendo Entertainment Analysis & Development and Mother 3 producer, said that Mother 3 was "a commercial decision", since Mother 2 (EarthBound outside Japan) had sold well. By this point, Mother series creator Shigesato Itoi had worked on the series' earlier games and Itoi Shigesato no Bass Tsuri No. 1 and was experienced at pitching video games, so Miyamoto provided a team willingly. The Mother 2 development team carried over to the new game's development, though several people left and the team grew in size. They forewent the usual prototyping phase and went straight into development expecting to create something unprecedented. Itoi said he wanted to make the game like a Hollywood film. In September 1994, he predicted that Mother 3 development would end around 1996 with a release on Nintendo's then-upcoming console. The team was inspired by Super Mario 64 and felt that they too could creatively flourish by making a 3D world without restrictions. Their early technical specifications exceeded the capabilities and memory limits of the platform. About halfway through development, the team attempted to scale back its large scope and changed its development platform to the 64DD, a Nintendo 64 expansion peripheral. At E3 in June 1997, Miyamoto speculated that Mother 3 would be one of the four titles for the then-expected 1998 launch of the Japan-only peripheral, but the game was instead converted to a Nintendo 64 cartridge-only format upon the commercial failure of the repeatedly delayed 64DD.

[EX A]: b

[EX Q]: Question: What was New York's GDP the year Cohen died? Passage:Sarah Blacher Cohen (June 11, 1936 in Appleton, Wisconsin, – November 10, 2008 in Albany, New York) was a writer, scholar, and playwright, and a professor at SUNY Albany for 30 years. Her area of specialty was Jewish American fiction. Her published books include Comic Relief: Humor in Contemporary American Literature, Saul Bellow's Enigmatic Laughter (1974), and Cynthia Ozick's Comic Art: From Levity to Liturgy. She edited From Hester Street to Hollywood: The Jewish-American Stage and Screen (Jewish Literature and Culture Series), Making a Scene: The Contemporary Drama of Jewish-American Women, and Jewish Wry: Essays on Jewish Humor. Her plays include The Ladies Locker Room, and Molly Picon's Return Engagement, a biographical play with music on the star of Yiddish theater. She collaborated with Joanne Koch, starting in 1989 on Sophie, Totie, and Belle, a musical on performers Sophie Tucker, Totie Fields, and Belle Barth. 'She and Joanne Koch also co-authored the plays Danny Kaye: Supreme Court Jester, Soul Sisters, Henrietta Szold: Woman of Valor, an adaptation of Saul Bellow stories entitled Saul Bellow's Stories Onstage: The Old System and a Silver Dish, and the multicultural musical Soul Sisters. Cohen and Koch co-edited an anthology of ten plays Shared Stages: Ten American Dramas of Blacks and Jews, including Driving Miss Daisy, Fires in the Mirror, and Soul Sisters. She collaborated with Isaac Bashevis Singer on the off-Broadway play Schlemiel the First. Cohen also gave talks and delivered papers, including "The Unkosher Comediennes: From Sophie Tucker to Joan Rivers." She was married to Gary Cohen. She died of Charcot-Marie-Tooth disease on November 10, 2008 age 72.

[EX A]: b

[EX Q]: Question: In what state did Aronoff spend a summer at the school run by Juilliard School of Music? Passage:After attending Berkshire Country Day, Aronoff went to music school for one year at the University of Massachusetts Amherst and spent four more years at the Indiana University School of Music (presently known as Jacobs School of Music) as a performance major in classical music as well as spending a summer at the Aspen School of Music run by Juilliard School of Music. He also spent one summer at Tanglewood in the Fellowship program (now Tanglewood Music Center), which at that time was managed by the Boston Symphony Orchestra where he worked with conductors Leonard Bernstein, Aaron Copland and Arthur Fiedler. While studying at Indiana University from 1972 to 1976 Aronoff studied under timpanist George Gaber. He also studied privately with Vic Firth and Arthur Press, both formerly with The Boston Symphony Orchestra. After graduating in 1976 he was offered jobs with the Jerusalem Symphony Orchestra and Quito Ecuador Symphony Orchestra but decided to move to the East Coast to study in Boston with Alan Dawson, a teacher from Berklee College of Music, and with Gary Chester in New York where he began to concentrate on jazz and fusion music.

[EX A]:
b