In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

Q: The plot closely follows the original Israeli film Eskimo Limon (Lemon Popsicle), and revolves around protagonist Gary (Lawrence Monoson), a typical high school student in early 1980s Los Angeles, and his friends Rick (Steve Antin), the slick ladies' man, and David (Joe Rubbo).Most of the plot involves their numerous attempts to have sex, which are usually successful for Rick and David, but rarely for Gary. Early in the film the three boys pick up three girls with the promise of cocaine (instead they use Sweet'n Low). They go over to Gary's house where he gets stuck with the homely and overweight Millie, a friend of the other two more attractive girls. But their party is interrupted when Gary's parents return home and pandemonium ensues.A love triangle develops between Gary, Rick and Karen (Diane Franklin). Karen is a beautiful transfer student to their school who is a virgin that Rick is determined to deflower.One day Gary delivers pizza to Carmela (Louisa Moritz), a sexy Latina woman whose sailor boyfriend is never home, and she tells him she wants more than just pizza. Being too afraid to follow up on it, he goes away and convinces his friends to go along with him. They drop by her home using the pretext they were nearby on a pizza delivery and decided to bring her over some extra pizzas. She lets them in, puts on music and performs a sexy dance routine, to the delight of the boys. She promptly fornicates with Rick and David, but her boyfriend Paco returns home just as Gary is about to have his turn, prompting them to flee.Eventually, Rick gets Karen pregnant after they have sex only once, and he leaves her. Gary decides to help Karen pay for her abortion by selling most of his possessions and borrowing money from his boss. After the abortion, Gary and Karen spend the remainder of the weekend alone together in Gary's grandmother's house. Whilst nursing her back to health, Gary tells Karen that he sincerely loves her. Karen appears to reciprocate and they both share a tender kiss. Karen invites Gary to her 18th birthday party the following week. Gary scrapes up a few more dollars and buys Karen a gold locket for her birthday.When Gary arrives at the party, his dreams of a lasting romance with Karen are shattered when he sees Karen making out with Rick. Despite what Rick had put Karen through, she apparently decided to take him back. Gary angrily leaves the party without saying a word to either of them, taking Karen's gift with him. The film ends with the end credits rolling over a close-up of tears streaming down Gary's face as he drives home alone, emotionally broken and defeated., Question: Who is pregnant?

A: Answer: Karen.
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Q: The Archangel Michael (Bettany) falls to Earth in Los Angeles, cuts off his wings, and raids a police arsenal for a cache of automatic weapons. Confronted by two LAPD officers, one becomes possessed and kills the other. Michael kills the possessed cop and steals his car.The remainder of the story takes place in a small roadside diner and garage in the middle of the New Mexico desert. Its semi-permanent residents are the diner's owner, Bob Hanson (Quaid), his son Jeep (Black), the short-order cook Percy (Charles S. Dutton) and the waitress, Charlie (Palicki). Charlie is pregnant with an absentee father's child, and Jeep has always loved her, though he is afraid to say so. Also present are a single father on his way to L.A., Kyle (Tyrese Gibson), and an urban married couple, Howard and Sandra Anderson (Jon Tenney and Kate Walsh), and their rebellious teenaged daughter, Audrey (Willa Holland), who have been temporarily stranded at the diner after their car has broken down. An elderly woman named Gladys (Jeanette Miller) comes in and starts acting strangely, telling Charlie that her baby "is going to burn." When she insults Sandra as well, Howard gets up to demand an apology, and Gladys attacks him, biting a hole in his throat, and then crawls up the wall like a spider. She taunts Jeep, before she is fatally shot by Kyle. Kyle and Sandra try to drive Howard to the nearest hospital, but are forced to turn back by a cloud of flies darkening the sky.With the phones and radio down, the diner is cut off from the outside world. Michael arrives and begins issuing guns to the bewildered inhabitants. He explains that God has lost faith in mankind, and ordered his angels to carry out the Apocalypse. He has disobeyed God's orders, and has come to protect mankind's only hope: Charlie's baby, who is fated to be the world's savior. For that very reason, the angels will soon be laying siege to the diner, trying to kill Charlie and her baby (Gladys was a "scout", a human possessed by another angel). As night falls, a wave of possessed humans attacks the barricaded diner. Michael and the others hold them off, but the wounded Howard is dragged outside and disappears.The next day, Sandra hears her husband's voice calling to her, and looks outside to see him being Crucified upside down, his body covered with boils and sores. Michael warns her that it is a trap, but she runs outside, where "Howard" bursts full of acid. Percy shields Sandra from the acid, but is killed himself. On the second night, Kyle is killed in the second attack, duped by an angel masquerading as a child in danger. As the second wave is repelled, Charlie goes into labor, and delivers her baby, a boy. Michael warns them that this is both good and bad: good because the boy acts as a shield against the other angels; bad because God is now likely to send another being like himself, who can get close to the child: the Archangel Gabriel. Sandra, losing the last of her sanity, snatches the baby and prepares to give it up in exchange for their lives. As she nears the door, Michael shoots her and Jeep snatches the baby back. Gabriel arrives and wounds Bob with his sharp steel like angel wings. Michael tells Jeep, Charlie and Audrey to get the baby away, while he holds off Gabriel. The three walk the baby through the crowd of possessed persons, who clear a path for them, and speed away in a car.Gabriel and Michael fight, and Gabriel wins, stabbing Michael through the heart with his mace. Then he sees the dying Bob, who lights a flame to the diner's gas main, blowing up the diner and destroying the remaining possessed. However, Gabriel survives, and swoops down on the fleeing car. As he tries to reach Charlie, Jeep slams on the brakes, sending the car into a crash that pitches Gabriel out, but kills Audrey. Gabriel finally corners Jeep, Charlie and her baby in the mountains. He is about to kill them, when Michael appears, fully angelic again. His refusal to give up on mankind, including sacrificing his own life, has convinced God to change His mind and give humanity a second chance. Gabriel and Michael fly away, before which Michael tells Jeep and Charlie to take care of the baby. Jeep and Charlie, now a couple, are last seen driving down the road, with Charlie nursing her baby, and Michael's arsenal of guns in their backseat.The film begins and ends with the same monologue by Charlie: telling how her mother's view of God changed while Charlie was a child, from a loving and merciful God to a stern and unforgiving one. When the young Charlie asked why He had changed, her mother said, "I don't know. Maybe He was just tired of all the bullshit.", Question: Who is fated to be the world's savior?

A: Answer: Charlie's baby
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Q: The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: what is marked on the door in the alley?

A:
Answer: Axxon N.
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