Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

CONTEXT: Dev Patel plays the adult Saroo, so he is only in the movie for the last third or so. He's the main character but he's part of the resolution of the plot. It's a judgment call by the Academy, but his screen time is far less than that of the Best Actor nominees this year, so to call his a supporting role seems correct.  <sep>  Q: Why was Dev Patel nominated for Supporting Actor rather than Best Actor? A: Dev Patel plays the adult Saroo, so he is only in the movie for the last third or so  Q: So he wasn't eligible? A: It's a judgment call by the Academy  Q: Would he be better suited for a "Supporting Role"? A: his screen time is far less than that of the Best Actor nominees this year, so to call his a supporting role seems correct  Q: Is he the main character or the protagonist for the movie Lion? A: He's the main character but he's part of the resolution of the plot  Q: Who is the main character? A: Saroo  <sep> FOLLOWUP_Q: When did the movie Lion come out?
No

CONTEXT: For a perfect clone, down to the quantum level, both would be the real Angier. That is the essence of his fear. The real Angier will be killed every time. When you download a movie what you are doing is actually making a perfect copy of the movie. Which is the real movie? They all are. This is very different from making copies of film reels where only the original have the quality of the original (each copy adds a little imperfection). Now, the question The Prestige asks is what if you can make a perfect clone of a person the way you can perfectly copy digital data? In one sense, if we don't want to get too uncomfortable we can always say the remaining copy is now the real data and the deleted copy is not real anymore. But if you really think about it and get out of your comfort zone you will realize that both people are real and what you have done is murdered yourself. In The Prestige this point is much more clearly made as the old copied Angier becomes the one who is killed. Not the newly created clone. Every time the clone will have only the memory of the surviving Angier. But every time Angier experiences death, only the Angier that experienced death has no way of passing that memory to the surviving Angier so the survivor can never know what dying feels like.  <sep>  Q: How does it work that the clones are sentient paradox?
Yes

CONTEXT: Regarding whether "it's all editing", the answer is yes, and that's not just this splice. All of what you see when you see a finished movie in a theater is the result of editing. In his Masterclass, David Mamet repeated a maxim regarding movies: "You make a movie three times. Once when you write it, once when you film it, and once when you edit it." To actually answer the question, the frames that were spliced in were filmed at some point, and likely many frames or even feet were filmed. Then, during editing, a few frames were selected for each splice and edited into the desired spot in the film. In terms of how he filmed it, they just picked a set and had Brad Pitt in costume and makeup and filmed some footage. They also could have easily spliced in footage filmed for totally different scenes. When Fight Club was made, digital film editing using tools such as Avid was quite popular, and Fight Club was almost certainly edited digitally. This makes adding frames much easier than editing by cutting film. But splicing frames by actually cutting film isn't super difficult. Fight Club shows Tyler doing this in his spare time while working as a projectionist.  <sep>  Q: How did David Fincher splice Brad Pitt into multiple frames? A: ny fram  Q: In Flight Club, you can actually see Tyler Durden in a few frames before we ever meet him. How did Dacid Fincher film those momentary appearances? A: When Fight Club was made, digital film editing using tools such as Avid was quite popular, and Fight Club was almost certainly edited digitally  Q: So it was editing? A: Regarding whether "it's all editing", the answer is yes, and that's not just this splice. All of what you see when you see a finished movie in a theater is the result of editing  <sep> FOLLOWUP_Q: I am interested to know how he actually filmed these sequenced and positioned Brad Pitt accordingly

Yes