In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
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Question: Review: I've read a lot of comments about the film and how it's so hard for people to believe that it is a sequel to Henry Fool, and even though it technically is, I think that Fay Grim needs to be looked at as an entirely different film. Just because it is the sequel doesn't mean that it has to be a direct continuation of the first, and I enjoyed that so much about it. The whole point of the film was to change direction from the first, which makes sense because the movie isn't called Henry Fool 2, it's Fay Grim. All that aside, the film, I thought, was so well made and thought out that it actually surprised me. I was expecting to rent another nearly-released-straight-to-video film and have to endure 2 hours of bad editing and an almost hard to follow story-line (aka parker's last direct to video feature the Oh in Ohio) but this was so surprisingly well focused that it almost doesn't seem so, which I absolutely loved. There are so many nuances in the film making and writing that I crave to see in films, but never do. The cinematography was brilliant due to it's simplicity and truly making the film seem 'Grim' throughout - in terms of setting. The writing was so well put together as well, whoever said this movie isn't as witty as Henry Fool needs to watch again and actually listen; I almost can't even begin to explain how actually hilarious it was, and pertinent. And well, Parker Posey, who could complain? The scene in which Fool and Jalal were talking in the dark was so captivating and emotional. And I thought the spy-ness throughout the film was just so hilarious and spot on (in hindsight because i do agree that at times during you kind of felt lost). The main thing that struck me so powerfully about the film, and i believe the point of the film, was Parker's love and naivety about Fool, which was so endearing and turned, yes very quickly, from denial to outright passion. The last five minutes of the film were perfect. Obviously there were things that weren't excellent, but nothing is perfect; some of the acting was poor, and at times I did think that some of the new back story and dialogue about terrorism got a little hard to follow and out of hand, but in the end you got it and didn't even mind that at the time it may have slipped from your comprehension. (This may also have to do with Goldblum's tendency to talk extremely fast) On the whole I would say that it was probably one of the best films I've seen this year; stylistically pleasing, clever and witty writing, performances that were so impressive I now have gained new respect for some of the actors, and a truly touching film, and don't forget, a complete departure from Fool. Which was the point. Question: is it a positive review?

Answer: yes


Question: Review: "Gandhi as a husband and father?" has always been discussed by people in India. 'Gandhi...my father' is a story that only a few would have known to such details. Surely an insight into Gandhi's personal life.Overall, I liked the movie for story and cinematography. Jariwala, Akshay Khanna, and Shefali Shah have all done a good job. Most scenes of the movie would be nice desktop wallpapers...commendable job. Traditional Indian folk music as background score during certain parts of the movie gives a good feel of the happenings.However, what I didn't quite like was the narration style. At several points, I found the tone over-dramatized.Overall, good work by Anil Kapoor Productions. I would recommend it as "must-watch-once". 8/10 Question: is it a positive review?

Answer: yes


Question: Review: Most horror movies are in fact horrible movies. They get to be same ol'-same ol'. Same ol' pack every minute with some cheap thrill (usually 'splatter') and nowadays they can pack every second with gaudy special effects. One of the goals of a really good horror flick is to suspend the sense of disbelief of the audience. For instance, I saw both of the recent Mummy movies and nearly got dizzy viewing ridiculous special effects every second. It probably costs a million dollars per second to make those movies and my sense of disbelief was never suspended, it grew roots.Subtlety can be more terrifying. Less is more. I first saw 'The Woman in Black' on the A&E channel. After flipping through the usual 987 channels of very bad television I stopped to watch it. This movie almost has the feel of a 'Masterpiece Theater' production. That was fine with me, I've always preferred British TV & movies anyway.Most viewers would find this to be too slowly paced. But the slow pacing helps give the story credibility. The special effects are few which lulls the viewer into thinking that this film is set in the real world thus making us a bit more uneasy. The makeup and costume for the ghost are kept simple and believable. Hollywood would have made her look like a she demon from hell with glowing eyes-fangs-claws etc. Hollywood would have done an overkill and turned this idea into a mediocrity.The woman only makes about five appearances in the film. Most of them are where she appears in the distance and even that creates a good fright. If she appeared too often, it could've cheapened the mood that gets set. However this movie is so well made that through much of the film we're led into sensing that she is there the whole time but not visible. The scene where she 'visits' Arthur Kidd late at night and we see her just a little too close is a masterpiece in horror.This is just an extraordinary film that I think should rate as one the finest horror films ever made. I have a copy of 'The Haunting', 'The Changling' and a zillion more. I haven't seen anything that tops 'The Woman in Black' yet although I'm still looking. This movie is so well made that it gives even the most hardened skeptic (like me) a moment where I almost had second thoughts about the non-existence of ghosts. I joke to people that I occasionally get brief fears that she could appear standing in the middle of the road or that I'd see her staring through my window, etc. Maybe she could be in a crowd at the mall glaring at me with her look of hate. This is how a really great horror film should be. Like a LaFanu novel, The Woman in Black very slowly pulls you in and wraps herself around your neck and before you realize it, she's squeezing the life out of you and then it's too late.Closest thing I have to a criticism is that this was made for the small screen... and it's a terrible shame that this is out of print. I just paid over $40 for my second copy of this movie. It's a major prize in my collection. Now I'm on a quest to find an even better horror movie that not only gives the chills but also qualifies a sound drama. Question: is it a negative review?

Answer:
no