In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

Question: What band(s) the artist whose song "Chamakay" Polachek contributed vocals belong to? Passage:In 2010, she joined Jorge Elbrecht of Brooklyn-based Violens to record a "sgin" of Justin Bieber's "Never Let You Go": "We went on YouTube to find a video among the highest ranks of hits, and came across 'Never Let You Go'. We went on to make what we call a 'sgin' (anagram of the word 'sing')—an original song written specifically to synch into someone else's video on mute". Caroline shot and directed video for Violens' "It Couldn't Be Perceived". Polachek and Elbrecht collaborated again in 2014 on two singles, "I.V. Aided Dreams (feat. Caroline Polachek)" and "Full Mental Erase (feat. Caroline Polachek)". In 2012, she sang with Ice Choir (solo project of Kurt Feldman of The Pains of Being Pure at Heart) on the song "Everything Is Spoilt by Use" and directed/edited its official video. Caroline contributed vocals to Blood Orange's "Chamakay" (2013), collaborating with Blood Orange again on "Holy Will" (2018). In late 2013, Polachek wrote and produced "No Angel", which was featured on Beyoncé's critically acclaimed fifth studio album, Beyoncé. Thanks to this song, at the 57th Annual Grammy Awards, she received a Grammy Award nomination for Album of the Year. Polachek then collaborated with PC Music's, Danny L Harle in early 2016 on the single "Ashes of Love". Polachek collaborated with felicita throughout his album "Hej!" (PC Music 2018) including an arrangement of the Polish traditional song "Byl Sobie Krol" (released under the title "Marzipan"), and with Charli XCX on Pop 2 (2017) on tracks "Tears (feat. Caroline Polachek)" and "Delicious (feat. Tommy Cash).
 Links: a. Danny L Harle b. Dev Hynes c. Beyoncé (album) d. Charli XCX
b

Question: How long was Ron Hughes Commander? Passage:Dunstan was then posted to the 1st Battalion, Royal Australian Regiment (1 RAR) as second-in-command in 1953. He then saw service in Korea including a period as Military Assistant to the Commander in Chief of the British Commonwealth Forces Korea, and was appointed a Member of the Order of the British Empire in the 1954 New Year Honours. Between May 1964 and February 1965, Dunstan commanded 1 RAR, before later holding an appointment at the 1st Recruit Training Battalion. Having reached the rank of colonel, in early 1968 he was deployed to Vietnam as deputy commander of the 1st Australian Task Force (1 ATF). He took over from Brigadier Ron Hughes as Commander of the 1 ATF on 21 May 1968 during the Battle of Coral–Balmoral. For his services during this battle, he was appointed a Commander of the Order of the British Empire in 1969.
 Links: a. 1st Battalion, Royal Australian Regiment b. Order of the British Empire c. Brigadier d. 1954 New Year Honours
b

Question: Which work was awarded the Pulitzer Prize for Music the year before Whitman's poem garnered the prize? Passage:Whitman's poem appears in the Broadway musical Street Scene (1946) which was the collaboration of composer Kurt Weill, poet and lyricist Langston Hughes, and playwright Elmer Rice. Rice adapted his 1929 Pulitzer prize-winning play of the same name for the musical. In the play, which premiered in New York City in January 1947, the poem's third stanza is recited, followed by duet, "Don't Forget The Lilac Bush", inspired by Whitman's verse. Weill received the first Tony Award for Best Original Score for this work African-American composer George T. Walker, Jr. (born 1922) set Whitman's poem in his composition Lilacs for voice and orchestra which was awarded the 1996 Pulitzer Prize for Music. The work, described as "passionate, and very American," with "a beautiful and evocative lyrical quality" using Whitman's words, was premiered by the Boston Symphony Orchestra on February 1, 1996. Composer George Crumb (born 1929) set the Death Carol in his 1979 work Apparition (1979), an eight-part song cycle for soprano and amplified piano.
 Links: a. Pulitzer Prize for Music b. Song cycle c. Langston Hughes d. Elmer Rice

a