In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Example Input: Tensions between the Hutu and Tutsi peoples lead to a civil war, in a country where corruption and bribes are routine. Paul Rusesabagina (Don Cheadle), the manager of Sabena Hôtel des Mille Collines, is Hutu but his wife, Tatiana (Sophie Okonedo), is Tutsi. His marriage is a source of friction with Hutu extremists, most prominently George Rutaganda, a friendly supplier to the hotel who also is the local leader of Interahamwe, a brutal anti-Tutsi militia.As the political situation in the country deteriorates, Paul and his family observe neighbors being dragged from their homes and openly beaten in the streets. Paul curries favor with people of influence, bribing them with money and alcohol, seeking to maintain sufficient influence to keep his family safe. When civil war erupts and a Rwandan Army officer threatens Paul and his neighbors, Paul barely negotiates their safety, and brings everyone to the hotel. More refugees come to the hotel from the overburdened United Nations camp, the Red Cross, and orphanages. Paul must divert the Hutu soldiers, care for the refugees, be a source of strength to his family, and maintain the appearance of a functioning high-class hotel, as the situation becomes more and more violent, with mobs in the streets just outside the gates.The UN Peacekeeping forces, led by Colonel Oliver (Nick Nolte), are unable to take assertive action against the Interhamwe since they are forbidden to intervene in the genocide. The foreign nationals are evacuated, but the Rwandans are left behind. When the UN forces attempt to evacuate a group of refugees, including Paul's family, they are ambushed and must turn back. In a last-ditch effort to save the refugees, Paul speaks to the Rwandan Army General, Augustin Bizimungu (Fana Mokoena) and when the bribes no longer work, he blackmails him with threats of being tried as a war criminal. The family and the hotel refugees finally leave the besieged hotel in a UN convoy, and they travel through retreating masses of refugees and militia to reach safety behind Tutsi rebel lines.limited details only
Example Output: Who is the UN Peacekeeping Forces led by?

Example Input: The widowed, retired Austrian naval officer, Captain Von Trapp (Christopher Plummer) has made his Austrian home one of overly restrictive and harshly enforced discipline, one that, most unintentionally, causes his seven children to be underfed when it comes to joy and love. Being a nun living in a convent is similarly restrictive and unfulfilling for Maria (Julie Andrews), who breaks rules to try to change it. The reverend mother (Peggy Wood) decides that Maria, who is not cutting it as a nun, should leave and take on a job as governess at the nearby Von Trapp household in Salzburg.Through music and various outings, Maria gives the children a taste of a more fulfilling, joyous, life than they have ever known, and they come to love her very dearly. The Captain grows closer to his children, too, coming to understand the value and beauty of the freedoms that Maria has given them. Ironically, the freedom of all Austrians to live their lives to the fullest is in danger, for it is 1938, and Germany is marching into Austria. The Captain is a patriot, passionate about the fulfilling life that Austria has always offered its citizens.In his personal life, the Captain is having a romance with a wealthy, cultivated, and lovely Baroness (Eleanor Parker), but he is becoming more and more captivated by Maria, and is falling in love with her, and she, too, feels growing affection for him. She is a nun, however, and unschooled in dealing with the situaiton. Frightened by the developments, Maria runs back to the convent, where the reverend mother convinces her that she must face, rather than run from, the situation, causing Maria to return to the Captain's home. It seems, though, that she is too late, learning that the Captain and the Baroness have become engaged.The Captain, who had surely concluded that he could never have Maria for a wife, confides to the Baroness that he loves Maria, but the Baroness admits she had sensed it long ago, and the engagement is called off. The Captain and Maria marry, but an ugly situation befronts them upon return from their honeymoon -- the Captain has been summoned, in a telegram, by the Third Reich to serve in its navy.Due to the Captain 's unwillingness to serve the Third Reich, the Captain and Maria resolve to leave Austria, and, after escaping the pursuit of some Nazi officers, they set out, with the children, for the mountains of Switzerland on foot.
Example Output: Who does Maria marry?

Example Input: The prologue has Criswell rising from a coffin, leaving unclear if the "metaphysical" narrator is awaking from a a normal sleep, or whether he is actually a corpse returning to life. The latter implication can be seen as foreshadowing the final scenes of the film.One of the opening scenes features a montage of seemingly unrelated events, which seem to feature Ed Wood's view of the post-war era and its social problems. Juvenile delinquency, street fighting, and driving under the influence. A memorable sequence has a car driving off a cliff and crashing. The sequence ends with the bloody corpse of the drunk driver staring blankly at the camera. According to Crisell's narration, this is a rather typical end to "a drunken holiday weekend".The narrative properly begins with a teenaged couple kissing in a convertible convertible, parked at night in what is probably a lovers' lane. When the boy gets too aggressive, the girl ends the embrace with a slap and exits the car. At this point the narrative introduces the Black Ghost which lurks in the woods near them. In short order, first the girl and then the boy are attacked by the undead creature and die. According to Criswell's narration, the two murders received press attention but were thought to be the work of a maniac.In a police station in East Los Angeles, Inspector Robbins is waiting for Detective Bradford at his office. Bradford soon arrives, dressed in a top hat and formal evening wear. He was called to work while on his way to the opera, and he protests the idea of working an unexpected assignment. But Robbins informs him that the case involves the "old house on Willows lake", which played a part in an earlier case investigated by Bradford. (This is a reference to the events of Bride of the Monster). The house was destroyed by lightning, but someone rebuilt it. A flashback scene establishes that the elderly Edwards couple had a terrifying encounter with the White Ghost by this house. Having heard the story, Bradford accepts the assignment to investigate the old house. Robbins assigns Officer Kelton (Paul Marco) to escort the Detective, despite the protests of the man that "Monsters! Space people! Mad doctors! They didn't teach me about such things in the police academy! And yet that's all I've been assigned to since I became on active duty". The line is used to recall Kelton's experiences in Bride of the Monster and Plan 9 from Outer Space, and to explicitly connect this film to its predecessors.Bradford drives a Pontiac Bonneville to the house and enters through an open door, to be confronted by the Dr. Acula (Kenne Duncan). Dressed in a turban and cryptically mentioning that there many already in the house, both living dead, Acula is a rather strange figure. But Bradford convinces Acula that he is just another prospective client, so his entrance is accepted. The narrator soon establishes that one of "the many" in the house is a remnant of its past, Lobo. A character from Bride, Lobo is depicted as disfigured from the flames which once destroyed this house. Outside the house, Kelton arrives late and has brief encounters with both the Black and the White Ghost. The scene shifts to a strange séance, where Acula and his clients share the table with human skeletons.A subsequent scene both confirms that Dr. Acula is a fake psychic by the name of "Karl", as Bradford suspected earlier, and reveals that the White Ghost is an actress by the name of "Sheila". Her role is to scare away intruders. She is concerned by the presence of the Black Ghost which is not part of their hoax, though the cynical Acula dismisses her fears. He doesn't believe in the supernatural.Both Bradford and Kelton have strange and sometimes violent confrontations within the house, and are eventually joined by reinforcements. As their accomplishes fall to the police, Karl and Sheila attempt to escape through a mortuary room. There they are confronted by a group of undead men, including one played by Criswell. The latter is only one of them who speaks, explaining to Karl that the supposedly "fake" psychic does have genuine powers and his necromantic efforts actually worked. These dead men were restored to life, id only for a few hours. But they intent to take Karl with them in their return to the grave.As Karl dies, Sheila escapes the house to meet her own fate. The Black Ghost, genuinely undead, takes control of the impostor and tells her that it is time to join "the others" at the grave. As the police try to understand what happened to the deceased Karl, the narrative ends with a shot of an undead Sheila. Now truly a White Ghost.As brief epilogue which also closes the frame story, the narrator returns to his coffin. Claiming that it is time for both the old dead and the new to return to their graves. Reminding the viewer that he/she too can soon join them in death.
Example Output:
What's detective Bradford wearing when he arrives at the office?