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âThe option of simply widening the road is a lot more difficult than it would be in Fairfax and in some other areas. We are not even sure that it is possible â said  Martin Nohe   chairman of the NVTA and a Prince William County supervisor whose district includes the corridor.
âIf it is possible  it absolutely requires a huge amount of condemnation of commercial property  and it is crazy expensive â  Nohe  said. So the NVTA is studying various options to add capacity along a larger segment of the corridor.
âNo one will actually get to work faster if we donât first improve the interchange â  Nohe  said. From a morning commuterâs perspective   he  said  âimprovements in Prince William mean nothing if you donât first have improvements in Fairfax County. And the improvements to the road in Fairfax donât mean anything unless you have the improvements at the interchange. . . . The interchange is the center of gravity for the entire corridor.â
The NVTA has approved $30 million for the $69 million widening project south of the interstate  in Fairfax bordering Prince William   Nohe  said. The entire Route 28 corridor from Fauquier to Loudoun is looking at up to $1 billion in investments   he  said. A big chunk of that money would go toward fixing the Prince William section  which has been neglected long enough   Nohe  said.
âThe problem has been building for 20 years. For the last 10 years  everyone has complained every day â  Nohe  said. âWhatâs clear is that Route 28 is now our top priority in the county.â
A recent study commissioned by the NVTA has narrowed to four the options to lessen traffic congestion in the area from Bull Run on the Fairfax County line through Manassas  Manassas Park and Prince William. And this year  the authority is starting the federal environmental review process that could lead to improvements within the next decade. That study is expected to be completed in 18 months  with recommendations implemented by 2026   Nohe  said.
Nohe

Image copyright Getty Images Image caption  Lili Fini  Zanuck has directed a new documentary about rock legend Eric Clapton
 Lili Fini  Zanuck  who was only the second woman to ever win a best picture Oscar when  she  took the award for Driving Miss Daisy in 1990  also produced Cocoon and directed 1991's Rush.
"No  we haven't turned a corner "  she  says when asked whether the tumultuous events of 2017 meant the climate was changing for women in the entertainment industry.
Image copyright Getty Images Image caption  Zanuck  won a Critics' Choice TV Award for Bessie  starring Queen Latifah (second left)  in 2015
 Zanuck  also warns of "tokenism" rather than real change following the allegations of sexual assault and harassment made against prominent Hollywood figures in 2017  including producer Harvey Weinstein.
For part of her career   Lili Fini  Zanuck made films with  her  husband Richard D Zanuck  a producer on the original Jaws movie  who died in 2012. While he co-produced Driving Miss Daisy   she  was the force behind it.
The story of an elderly woman and  her  African American chauffeur  played by Morgan Freeman  started as an independent film and went on to win four Oscars  including for Miss Daisy  herself   Jessica Tandy. It was nominated for another five.
 Zanuck  says she didn't necessarily think she'd come back to directing  but her decades-long friendship with Clapton ( he  did the score for her movie Rush) meant that  he  approached her to make Life in 12 Bars.
" He  was asked to do the film and  he  said  he  would only participate if I directed it " she says. She wasn't surprised  she adds  that the 18-time Grammy winner hadn't been willing to put  his  name to a film about  his  career before now.
 Zanuck  says the "luxury" of directing only came after Driving Miss Daisy  adding that she used the Oscar "to grab my chance  but one doesn't necessarily lead into the other".
Eric Clapton: Life in 12 Bars is released in the UK on 12 January. A Q&A with Clapton and  Zanuck  will be broadcast live to cinemas around the UK with a preview screening of the film on 10 January.
Lili Fini Zanuck

The follow-up to developer MachineGames’ masterful 2014 Wolfenstein franchise reboot is as beautiful and brutal as the first but feels noticeably thinner.
Wolfenstein II: The New Colossus is the direct sequel to MachineGames’ blockbuster reboot of the franchise that birthed the first-person shooter genre. It is  in essence  that very same game from three years ago. A few bells and whistles have been added to the blood-soaked fray  but Colossus feels more like an expansion to  Wolfenstein : The New Order than a fully realized sequel.
Once again  we step into the weathered combat boots of one William J. Blazkowicz  a meaty slice of World War II-era Americana wrapped in alternate-history supersoldier technology and laden down with ludicrous lead dispensers of every stripe.  Wolfenstein  is arguably responsible for the existence of the first-person shooter genre  and  it  wears  its  legacy well. The modern incarnation trades mazes and keys for stealth and RPG elements  with varying levels of success. Still  the essential Nazi butcher shop experience is intact: acquire weapons  creatively discharge those weapons into the servants of the monstrous Führer  lather  rinse  repeat.
On the gameplay front  things are much simpler. Gunplay is tight  focused  and as satisfying as any shooter on the market. If there is one thing Wolfenstein knows  it’s how to make a spectacle of its slaughter. Upgradeable weapons and leveling perks mean that Blazkowicz is both actively and passively tuned to your gameplay style  with consistent and satisfying results. It may not be as utterly glorious as 2016’s DOOM revival  but it’s certainly close.
Still  at the end of the day  Wolfenstein II: The New Colossus is fun while it lasts. That’s a target all too many games in the current “games as a service” (to the publisher  courtesy of your wallet) climate have managed to miss. What is there is enjoyable  hampered only by its brevity. I think  given another year or so to expand on the game’s epic premise  we would have had another genre-defining title on our hands. As it stands  it’s merely “pretty good.”

Wolfenstein