In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

[Q]: MA-AN!  Too much talent for the spoiled youth to bear... . I have good instincts, folks.  Just like all of you who've already givin' this a glowing review.  I checked this out from the library a few days ago and was immediately FLOORED.  So much so that I'm thinking about not reteurning it; telling them I lost it an' just paying for it.  I'm amazed at the gracefulness that comes across when you put together two so distinct an' so DIFFERENT voices.  Louis' scratchy, gruff, yet likeable an' melodic croon an' Ella's smooth-as-silk, soothing an' intoxicating voice incredibly, to me, go PERFECTLY on these duets here.  From that first opener 'Let's Call the Whole Thing off', done so sly an' flirtatious on both parts, to 'Gee, Baby, Ain't I Good to You' to the ever-engaging 'Autumn in New York' and 'Stars Fell on Alabama' one of the GREATEST standards EVER written ("And in the center just you and me, My heart beat like a hammer, My arms wound around you tight, And stars fell on Alabama last night").  THAT is what romance is, kiddies!  Oh, an' I can't forget 'Summertime'.  Ahhh, yes, 'Summertime', with that opening trumpet that tugs at your heart strings and makes you wish for days of love, happiness, sunlights an' flowers; a world of beauty that should never be taken for granted.  Yeah, I know what you're thinkin'; "there he goes, layin' it on thick again."  Well, I can't help it.  In a time filled with the most repugnant excuses for music I've ever heard in all my soon-to-be twenty-five years, it is a shining gift that this music has been preserved for us who TRULY appreciate talent and genius.  There's no show-boating here, no bone-headed braggadocio, no studio gimmicks.  THIS is what music is.
[A]: POS


[Q]: And The Hits Just Keep On Comin' . Just by saying this has been quite a year for the veteran crooner would be an understatement in itself. Barry Manilow began 2006 with the predecessor to this time capsule by debuting at #1 last February with The Greatest Songs Of The Fifties. In between that album release and this, he has continued to sell out his Las Vegas extravaganza, Music and Passion, five nights a week. The show is so successful that the Las Vegas Hilton recently extended Manilow's contract through 2008. He picked up his second Emmy Award this past August for the live on tape broadcast of that event, and with the release of this album, he has his highest-selling tally in a debut week than he has for any other album of his 32 year recording career. Barry also holds the distinction of being the only artist of 2006 to have two Top two records in Billboard in one calendar year. When it came to recording his follow-up to the "Fifties," juggernaut, it didn't take a rocket scientist to figure out what the concept would be. All it took was Clive Davis to help sort out the material and all systems were go. For the critics who have tarred and feathered Manilow since he hit #1 with his very first single, "Mandy" over three decades ago, you'd think by this time they'd cut him some slack. No dice. Manilow has even admitted he wouldn't know how to react if he heard a kind word from a critic, the Brooklyn-born writer, arranger, producer and crooner has always depended on the devotion of his fanbase. And it's not just any fanbase. These people are hardcore fans, dubbed "Fanilows." On this CD, we are treated to thirteen chestnuts that made the 60's one of the best eras in pop music history. The pop songs run the gamut of that decade offering everything from Bacharach to the Beatles and in between honest and original covers that include a sensational retooling of Frankie Valli's "Can't Take My Eyes Off Of You," which kicks the disc off into high gear. Other highlights among highlights include a duet with 60's supergroup, The Association, on their staples "Cherish" and "Windy" that Barry cleverly arranged as a medley. Elvis' gorgeous 1962 ballad "Can't Help Falling In Love" is lusciously delivered as is The Righteous Brothers 1965 anthem "You've Lost That Lovin' Feelin'." Even the somewhat hokey #1 Dean Martin single "Everybody Loves Somebody" from 1964 fits in divinely as Manilow gives it as much warmth as Dino did over forty years ago. Sinatra's smash hit from 1966, "Strangers In The Night" is so effective, Franks' daughter, Tina, gave Manilow a thumbs-up for a sensational interpretation. Other pop staples included are the Herman's Hermits "There's A Kind Of Hush," Bacahrach's gorgeous song from '68 "This Guy's In Love With You,  as well as his '69 Oscar-winner "Raindrops Keep Falling On My Head." The Beatles shimmering 1964 ballad "And I Love Her" and Bobby Vinton's 1963 "Blue Velvet" is just as haunting as the original while the mood on the 1962 love anthem "When I Fall In Love" originally a hit for The Lettermen is optimistically heart-wrenching. The album ends on a positive note (pun intended) with the 1965 anthem for hope "What The World Needs Now Is Love." Never was that sentiment so true - never was a Manilow album this gratifying. Everything from song selections to Manilow's masterful arrangements to his honest readings, this record is easily ranked as one of the best of his storied career. Look for The Greatest Songs Of The Seventies inside a year. It doesn't take a fortune teller to figure that one out
[A]: POS


[Q]: Consumer warning - critical flaw in mastering . The charming 1977 musical is not the subject of this note.  The show is great and the liner notes are superb.  However, consumers should note that there is a critical flaw in the mastering (at least on the disc version that I obtained).  It is very unfortunate that the manufacturers did not pull this mis-mastered version from the market.  As noted elsewhere (and absolutely correct), an entire track of sound is lost and can only be heard distantly in the background.    If the problem is corrected and later discs are OK, it just compounds the problem with no way to know if you have a flawed disc or an OK disc.  A most unfortunate problem for what should be a joyous recording
[A]:
NEG