Given a paragraph about movies, and a set of conversational question answers about the paragraph, answer a follow-up question from the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Example Input: CONTEXT: He usually runs unopposed. The only time he did run against anyone he lost but that was to Sideshow Bob. Quimby was re-instated when Bob is found guilty of fraud and imprisoned. He also survives a recall election, with no candidate in the race against him garnering the five percent necessary to force a recall  <sep>  Q: Why is Mayor Quimby still mayor? A: He usually runs unopposed  <sep> FOLLOWUP_Q: Has it ever been addressed on the show?
Example Output: Sideshow Bob. Qu

Example Input: CONTEXT: You're kind of focusing on the wrong end of the sentiment. It's not so much that they did what Freddie wanted, it's that they never stood up to him or offered any critiques. What Freddie's trying to concede here is that he did his best work when Brian, Roger, and John were giving their input. The Munich guys were either unable or unwilling to stand up to Freddie's creativity, and so his work wasn't as good. In short, Freddie found out he is not the perfect musical force he believed he was before he went to Munich, he recognizes that he needs the rest of the band, and he's explaining why he was wrong in abandoning Queen.  <sep>  Q: Why is it a problem for Freddie if the guys from Munich did what he wanted? A: You're kind of focusing on the wrong end of the sentiment. It's not so much that they did what Freddie wanted  Q: Why is their pushback that it was done? A: it's that they never stood up to him or offered any critiques  Q: Why is that a problem if it got done? A: What Freddie's trying to concede here is that he did his best work when Brian, Roger, and John were giving their input  Q: Then why didn't they give their input? A: The Munich guys were either unable or unwilling to stand up to Freddie's creativity, and so his work wasn't as good  Q: How do they fix this? A: In short, Freddie found out he is not the perfect musical force he believed he was before he went to Munich  <sep> FOLLOWUP_Q: How is Freddie able to get back to being a good musician?
Example Output: he recognizes that he needs the rest of the band, and he's explaining why he was wrong in abandoning Queen

Example Input: CONTEXT: Of course this changes from country to country, but generally speaking it's not illegal to film on the streets, since it's a public area. Most car scenes are recorded with chroma just for pratical reasons. In a professional production you look for "quality" and you can achieve it only if you have control. It's all about control. With a studio setting you get full control of the lights, the movements, etc. in one word, the scene. And of course, you minimize the hitches that can occurs in the real world (also safety concers). However you should film outdoor shots to enrich and give credibility to your scene.  <sep>  Q: Why are most scenes in a car recorded with chroma? A: Most car scenes are recorded with chroma just for pratical reasons  Q: What reasons are those? A: In a professional production you look for "quality" and you can achieve it only if you have control. It's all about control  Q: Is it illegal to film while driving in a public place? A: Of course this changes from country to country, but generally speaking it's not illegal to film on the streets, since it's a public area  Q: Are there any safety concerns when filming? A: you minimize the hitches that can occurs in the real world (also safety concers  <sep> FOLLOWUP_Q: Is there anything else you can tell me on this subject?
Example Output:
you should film outdoor shots to enrich and give credibility to your scene