In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
i must admit that i was a tad skeptical of " good will hunting " , based both on the previews and the first fifteen minutes of the film , in which the main character will hunting ( matt damon ) , an mit janitor in his early twenties , is discovered to be an einstein - level closet genius when he solves two extraordinarily difficult math problems overnight .
the only problem is that will is a tough street kid who 's had his share of run - ins with the law , and before long he 's being hauled in for assault after a parking lot fight .
professor lambeau ( stellan skarsgard ) , who had brought up the math problems in his lectures , tracks him down and strikes a deal with the police : will is to be released , provided he works with lambeau on his math research regularly and attends therapy sessions .
this sounds like the formula for mildly charming fluff , but " good will hunting " rises above its fairly mundane premise to deliver a poignant and clever drama .
a conflict gradually emerges between lambeau and will 's therapist sean mcguire ( robin williams ) - lambeau wants to get will to use his brain , while sean wants him to listen to his heart , both of which he has been largely neglecting .
will finds that the former is much easier than the latter , so much so , in fact , that he gets bored with it and grows increasingly resistant to lambeau 's attempts to recruit him into the academic lifestyle .
he also has his share of problems with his girlfriend skylar ( minnie driver ) , an mit student who is moving to california at the end of the school year and would like a reluctant will to come with her .
what makes " good will hunting " work so well , aside from the strong performances ( especially from damon and williams ) , is the depth of characterization and the representation of the conflicts in will 's life .
the script 's sympathies seem to lie more with sean mcguire than with lambeau , but neither of them is presented as completely right or wrong .
lambeau , while he may seem a little cold at times , is still written well enough that we like him as a character even when we 're not sure if we like what he has to say .
and sean , for all his warm - heartedness , has , as lambeau and later will point out , not lived up to his full intellectual potential either ; the therapy sessions turn out to be just as revelatory for sean as they do for will .
will 's reaction to this situation , and the way in which he slowly becomes more receptive to skylar and to sean , is presented in a believable fashion and in a way that forces the audience to consider all the characters ' opinions , rather than setting up an obvious " right " and " wrong " side and beating them over the head with it .
for a film with such an extraordinary character , " good will hunting " presents itself as remarkably ordinary ; it achieves the difficult task of making the next albert einstein into an everyman , a character to whom the audience can easily relate and who must make choices similar to those that almost everyone faces at one time or another .
this film gives us real drama when it so easily could have given us merely melodrama , by having the government kidnap will to use him in covert spy missions or introducing some other equally far - fetched situation .
"
good will hunting
" also has its share of fun humor , such as when will , in an early therapy session , pretends to be hypnotized and smoothly parodies the alien abduction scenarios that have become so well known in popular culture .
and in the one scene in which government agents do in fact appear , will blows them off with a hilariously scathing accusation of human rights violations in africa .
will 's relationship with his friends , most notably chucky ( ben affleck ) , is usually rather amusing , if somewhat crude ( the film has 100 +
uses of the ' f ' word , which was most likely the reason for its r - rating ) , and lends itself well to the development of will 's character .
add all this to the fact that " good will hunting " even manages to pull off an uplifting happy ending without getting excessively sentimental , and you might be wondering why i have n't given this film four stars .
well , for one thing , no matter how well damon and affleck , who wrote the screenplay , and director gus van sant pull it off , the story is still rather contrived and not particularly original .
there are also a few scenes that did feel a bit formulaic , including one that was supposed to be emotional but really just seemed like the obligatory crying scene for any movie involving therapy sessions .
still , " good will hunting " takes its premise a lot farther than i thought it would , and is definitely one of the better personal dramas
i have seen in the last few years , and as of right now it stands as one of the top five on my list of ' 97 films .

Ex Output:
P


Ex Input:
has it really been two decades since walter matthau coached the bad news bears ?
nineteen years and two mighty ducks later , the formula is still going strong .
police academy graduate steve guttenberg stars as a small - town deputy sheriff corralled into co - coaching the school 's hastily formed soccer team .
his partner - in - crime is the new british " exchange teacher " ( olivia d'abo ) , a lively lass who has obviously seen dangerous minds and knows that the best way to gain the respect of a disinterested , outer - city audience is to teach them something neat .
like soccer .
most of the good - natured gags are of the fast - motion variety , such as runaway cows and out - of - control lawnmowers .
kids will laugh at the occasional belching bit , while their parents peacefully doze beside them .
other than letting a supporting character named newt go unscathed , what 's missing from the big green is a better integration of music and comedy .
instead of a peppy pop score , which would arguably work to better effect , most of the action is set to a bombastic orchestral score that belongs somewhere else .
comedy needs music .
just watch any old bugs bunny short .
the marx brothers knew it .
mel brooks knows it .
unfortunately , the current trend is to " overscore .
" lush strings and booming brass in every scene , at every moment .
remember the simple strains of bizet 's " habanera " in the original bad news bears ?
these days , it 's usually a bellowing fanfare that threatens to smother every scene in its path .
much like adding frosting to already frosted cake .

Ex Output:
N


Ex Input:
the plot of big momma 's house is martin lawrence in a fat suit and a dress .
that 's not just the high - concept premise ; it 's the fully - realized , all - encompassing plot .
such an emphasis is not unheard - of in the world of hollywood summer entertainment .
one need merely look back to last summer , when the plot of big daddy was adam sandler being an incompetent surrogate parent .
the trap inherent in such an approach is that the high - concept plot idea better be pretty well - realized , or rest on the shoulders of an extremely talented performer , because you can bet there will be nothing else worth a second of your time -- not a developed character , not a provocative theme , not a witty twist .
you will get 90-plus minutes of martin lawrence in a fat suit and a dress -- nothing more , nothing less .
those who find martin lawrence more than an occasionally amusing screen presence
may have a shot at enjoying the one - note dud that is big momma 's house .
others will simply stare , mouth agape , at its sheer unapologetic laziness .
lawrence plays fbi agent malcolm turner , an undercover expert on a stakeout assignment with his partner john ( paul giamatti ) .
dangerous convicted bank robber and murderer lester vesco (
terrence howard ) has escaped from prison , and the feds think he 's headed for his former girlfriend and presumed - but - never - proved accomplice sherry ( nia long ) .
sherry , however , has fled with her son trent ( jascha washington ) , possibly to visit her grandmother hattie mae ( ella mitchell ) , better known as big momma .
indeed , sherry appears to be on her way , but big momma is headed out of town without knowing sherry is coming .
that leaves master of disguise malcolm to go under very heavy cover as big momma and find out what sherry knows .
big momma 's house 's bloodlines are certainly traceable to mrs .
doubtfire -- director raja gosnell edited that film , and the makeup effects were similarly created by greg cannom -- but there 's just as strong a whiff of tootsie in the main character 's attempt to use his alternate identity to get closer to a woman .
unfortunately , big momma 's house makes a ridiculous decision neither of those other films made : instead of having the protagonist pose as a completely manufactured character unfamiliar to anyone elses , it places malcolm in the position of playing a friend and family member to several other characters .
suspension of disbelief in big momma 's house requires you to believe every other person in the film is blind and/or stupid , since no one notices that one big momma looks or sounds absolutely nothing like the other .
of course , laughs trumps logic every time , and big momma 's house probably still would have worked in spite of its utter disdain for common sense if it had just managed to be funny .
and it misses its best possible opportunity for some great farce by ignoring the simple fact that the real big momma is set up as a foul - tempered beast , while malcolm has to be nurturing in order to get the information he wants out of sherry .
unfortunately , no one involved appears to have the faintest idea how to deal with the comic gold mine involved in one real person pretending to be another , very different real person , so
they fall back on an endless parade of sight gags :
malcolm reacting violently to big momma 's explosive diarrhea attack ; malcolm - as - momma schooling a pair of cocky teens in basketball ; malcolm trying to avoid detection as various prostheses give way at inopportune moments ; malcolm delivering a baby because big momma is the town midwife ( one of the few sequences that works ) .
martin lawrence can be likeable enough at times ,
but there 's no reason to care a whit about his budding romance with sherry because malcolm is never an independently significant character .
he 's just big momma without the makeup on .
i wo n't waste time commenting on how ineptly the set - up of the escaped convict is employed , since it was clearly a waste of time to the film - makers .
there are a few token scenes of lester looming as a threatening figure ,
but he 's ultimately a distraction in a film that 's really about its central visual incongruity
( and the accompanying lascivious glances at nia long 's posterior ) .
i 'm never prepared to underestimate how appealing that idea may be to other people -- several million of them apparently found adam sandler as an incompetent surrogate parent appealing -- but i know that when a film - maker tries to throw a concept at me and pretend that it 's an entire film , i duck out of the way .
the gross implausibility of big momma 's house might have been tolerable if it was seasoned with more big , cleverly - constructed laughs .
its lack of big laughs might have been tolerable if its characters were at all relevant .
big momma 's house is ridiculous _
and _ not funny .
it 's just a sad exercise in the jaded presumption that any scene should be considered wacky and hilarious if it involves martin lawrence in a fat suit and a dress .

Ex Output:

N