instruction:
In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.
question:
Twelve black men, with nothing in common, except their race and destination, board a Spotted Owl Bus in Los Angeles headed for the Million Man March in Washington DC.The African American men are:George (Charles S. Dutton), the trip organizer;Jeremiah aka "Pop" (Ossie Davis), a downsized 80-year-old senior citizen who is an expert on African-American history;Evan & Evan Jr. aka "Smooth" (Thomas Jefferson Byrd and De'Aundre Bonds), an estranged father and teenage son who are court ordered to be shackled together for 72 hours after Junior's arrest for petty theft;Kyle & Randall (Isaiah Washington and Harry J. Lennix), a gay couple in the midst of breaking up;Flip (Andre Braugher), a narcissistic and racist Hollywood actor;Gary (Roger Guenveur Smith), a LAPD officer who is half black and half white;Xavier (Hill Harper), a UCLA Film School student who is making a documentary;Jamal (Gabriel Casseus), a former gangster turned Muslim seeking redemption;Jay (Bernie Mac), a bubble gum company owner;Mike (Steve White), a conspiracy theorist who thinks the march is a plot to gather one million black men in one place for mass extermination.And then there is Craig (Albert Hall), the bus driver who is dealing with his teenage daughter's pregnancy.Note: three additional bus passengers are shown observing the action. They are credited but are not introduced nor are they given dialogue. They are Ja-Dee (Jadi McCurdy), a young man with dreadlocks; Doc (Hosea Brown III), a medical doctor; and Kahlid (Guy Margo), a member of the Nation of Islam.Along the way, the men get to know each other and discuss various topics including their personal lives, their political beliefs and even the recent O.J. Simpson murder case. In one of the few things that all of them have in common is their belief that even if Simpson was indeed guilty of killing his "white ex-wife and a Jewish white man" (which they continue to maintain that he didn't), it was right of him to be acquitted as "payback" for social racism against black people in America.The elderly Jeremiah (whom the men nickname "Pop") later reveals that after he lost his job, he became an alcoholic and eventually lost his family. He hopes the March will revitalize him and inspire him to turn his life around.Evan Jr., who fancies himself as a gangster rap artist named 'Smooth', manages to escape from his father at one point. Evan Sr. finds Junior and realizes that Junior's criminal behavior was an attempt to gain his attention after he became neglectful. He expresses regret and promises to make a sincere effort to be there for Junior.Xavier, who refers to himself as "X", begins interviewing the passengers with his video camera, a narrative device which allows each of the passengers to reveal information about their lives and how they perceive themselves and the March. Xavier captures as much as he can on his camcorder but the group often dismisses the earnest amateur filmmaker as "Spike Lee Jr."Tensions rise after Xavier's interview with Flip, who spends most of his time bragging about his own sexual prowess, and who seems more concerned with getting a film role opposite Denzel Washington than the purpose of the March. Flip reveals himself to be a bigot, homophobic and racist, provoking the gay couple Kyle and Randall for being homosexuals and Gary for being biracial. This leads to further conflict when Gary reveals that he is a police officer working a beat in South Central Los Angeles, two things for which he has faced criticism and ostracism from other African Americans his entire life. Gary proudly recalls his father, a black policeman who was gunned down in the line of duty by black street gang members; an incident that Gary credits with his decision to become a police officer.Gary's revelations about his life and career spur Jamal to reveal that he is an ex-Crip gang member who converted to Islam and began work with a community outreach program that works with children to discourage them from becoming involved in gang activity. In a tense conversation, the two debate over the causes of gang violence and the limits of repentance and forgiveness: Jamal confesses that, while he was a Crip, he committed murder and rape, crimes for which he was never arrested or punished. Following Jamal's confession, Gary informs him that he will be arrested upon their return to California.Next, Kyle reveals that he is a 1991 Gulf War veteran who was purposely shot by his own platoon because of his race and sexual orientation. Being gay, African-American and Republican, he feels persecution from all sides, which has made him bitter. Although they are having problems in their relationship, Randall, tries to comfort his lover but makes a point of outing Kyle when he refuses to talk. Kyle is harassed further by the homophobic Flip who mocks him claiming "Oh my God, a gay black Republican, now I have seen everything!" with additional homophobic statements rants. Flip also picks on Randall for his effete gay mannerisms following Kyle's outing. A heated argument between Flip and Kyle turns violent when Flip punches Kyle. In the resulting fistfight, Kyle is victorious and Flip is embarrassed.During the trip the bus breaks down and the group boards a new bus. Craig runs off to return to Los Angeles after being contacted by his daughter who has gone into labor. The new bus driver is Rick (Richard Belzer), a white man who is ethnically Jewish. Eventually, he feels the need to speak out against Louis Farrakhan's Anti-Semitic statements that Jews are a "gutter" people and that not all Jewish people are white. Rick talks about his parents' and other Jews' participation in the 1960s Civil Rights Movement, but George, along with some members of the group fight back using Jewish stereotypes.At a rest stop, Rick quits the trip in protest telling George: "I wouldn't expect you to drive the bus to a Ku Klux Klan meeting!" George becomes confrontational and angrily accuses Rick of being a racist for not supporting the march in spite of Farrakhan's own racist remarks against both white and Jewish people (while at the same time refusing to acknowledge that Farrakhan ever made them). Although Rick maintains that he is not a racist, George refuses to accept this. George begrudgingly agrees to disagree with Rick and lets him depart, although he refuses to look at Rick when Rick wants to shake his hand before he leaves. George drives the bus for the rest of the trip, with help from Evan Sr. who, while not licensed a bus driver, has experience driving trucks.The group meet various people at rest stops including fellow travelers, White American Southerners (who, to the group's surprise, are friendly) and women (both black and white with whom Flip tries to flirt). At a diner, the group meets Wendell (Wendell Pierce), a Lexus car salesman who bribes his way onto the bus despite pleas from George to travel to the March on his own, since taking on board a passenger without a ticket could potentially jeopardize his job.On the route, Wendell reveals that he too is a Republican and his reason for going to the March is to sell cars. He decries liberal blacks such as Jesse Jackson who believe that it is the government's responsibility to make their lives better, using successful and conservative blacks such as Colin Powell as examples that black men can "make it" in society. His rhetoric quickly comes to be accused as racist from the others, even Kyle however, as he disparages several people on the bus as being "niggers," after which the other passengers literally throw him out of the bus.While driving through Knoxville, Tennessee, the bus is pulled over by Tennessee state troopers (one of whom is played by Randy Quaid in an uncredited cameo). They are stopped on suspicion of drug trafficking and searched with drug-sniffing dogs despite the pleas of Gary who shows his LAPD badge to the troopers. The troopers ignore Gary and continue with the search, however they do not find anything illegal and permit the bus to continue on its way.As the bus approaches Washington, D.C., Xavier discovers Jeremiah slumped over and unconscious in his seat. They rush him to a hospital and watch the beginning of March on television as they await word on Jeremiah. A doctor later informs the group that Jeremiah has died of heart disease. The men are shocked and saddened by Jeremiah's death. They end up watching the rest of the March from the hospital... never making it to Washington to partake in the March. George tells the men that the March should be seen as merely the beginning of a larger movement.In the final scene, in front of the Lincoln Memorial, George leads the men in a prayer that Jeremiah wrote before his death.
answer:
Question: Who conducts interviews?, Answer: Xavier


question:
In an aircraft hangar, against a gleaming plane, Catherine Ballard is seen having sex with a swarthy guy who takes her from behind. At the same time in a film set camera room, producer James Ballard is having sex with a camera girl over a table. Later that evening in the Ballards' high-rise apartment, they calmly discuss the respective trysts as part of their open marriage. When he tells her that he didn't come, she distantly replies, "Poor darling. Maybe next one, maybe next one...." Ballard takes Catherine and has rough sex with her from behind as she leans over the balcony of their apartment, set against the tiny Toronto freeway traffic below.Another evening later, as Ballard drives and riffles through papers, he loses control of his car, which jumps carriageways and smashes into another car head-on. The driver of the other car is killed as he plunges through his car's windshield and through Ballard's windshield; his hand bears the imprint of the bonnet insignia. The female passenger of the car fumbles with her seat belt, exposing her left breast. She and Ballard stare at each other in shock.Ballard is seen shuffling along a hospital corridor, his broken leg encased in steel pins and scaffolding. The female passenger, Dr. Helen Remington, gives him a withering look as she walks stiffly by with her own injuries. A man in white overalls, holding photographs of auto crash wounds, examines Ballard's injuries with great interest. In the isolated ward, Ballard and Catherine indulge in a spot of mutual masturbation as she describes the shattered wreck of his car.After going home, he scans traffic through his binoculars. Ballard says that there seems to be more traffic since the accident. Getting behind the wheel again of a rental car, Ballard drives to examine his car at a local impound lot. Helen Remington is also there. Ballard drives her to the airport, where she tells him her name and that she works in immigration. They almost get into another car accident when a car cuts in front of them. She suggests going to the airport garage, where they have frantic sex against a plane. After going home, Ballard then has sex with Catherine, which is getting more urgent as he takes her from behind again.Another few nights later, Helen meets with Ballard again where she takes him to an event staged by the enigmatic Vaughan: a reconstruction of James Dean's fatal 1955 crash in his racing Porsche, Little Bastard. Ballard recognizes Vaughan as the man from the hospital several weeks ago. The accident is restaged without safety gear for Vaughan or his two stunt drivers, Seagrave and Trask. Watched by a small crowd, the two cars impact head on at speed. Trask is okay. Vaughan struggles painfully from the wrecked Porsche, but Seagrave, who was driving him, is only semi-conscious. Over the PA speakers, Vaughan announces, "James Dean died of a broken neck and became immortal." Just then, police sirens are heard as the crowd scatters in all directions. Ballard and Helen run with Vaughan through the nearby woods, where they reach Vaughan's battered black Lincoln convertible. As he drives away from the scene, Vaughan fingers Helen while Ballard watches with curiosity.A short time later, Vaughan, Helen, and Ballard arrive at an unkempt communal house. Vera Seagrave attends to her husband's injuries while callipered crash victim Gabrielle offers everyone joints to smoke. Everyone is soon wasted on the pot. Vaughan talks to the concussed Seagrave about recreating Jane Mansfield's fatal crash. Producing an album of crashed photographs, he describes his project about re-enacting fatal auto crashes as the reshaping of the human body by modern technology.Another day later, Ballard and Catherine drive in separate cars. At an intersection, Vaughan draws up behind Catherine's silver sports car and follows aggressively before she pulls off the road. When Ballard takes her from the rear once more, she incorporates Vaughan into the act, asking if Ballard would like to sodomize him in his big car. Ballard backs away with slight disgust.At the airport garage, Ballard and Helen meet where they again have sex. Discussing her sexual exploits in cars, Helen admits to a fantasy of Vaughan photographing them as if they were in traffic accidents. Later, back at the commune house, Vaughan and his group smoke more joints and watch crash-test videos. They are all sexually turned on by the violence of the crashes on the screen.Driving around airport perimeter roads, Ballard connects Vaughan's Lincoln convertible with the 1963 JFK assassination. Vaughan tells him, "The car crash is a fertilizing rather than a destructive event--a liberation of sexual energy of those who have died, with an intensity that is impossible in any other form." It is clear that this Vaughan's real desire: the ultimate existential experience. He picks up an airport hooker and has sex with her in the back seat while Ballard drives and watches in the mirror.As Catherine and Ballard leave the studio for the day as he tells her more about Vaughan's underground sub-culture of crash victims, Vaughan arrives to pick them up when he is questioned by the police about the death of a pedestrian near the airport. He is shaken as Ballard drives his car.On the local freeway, Vaughan, Ballard, and Catherine encounter a multi-vehicle accident. Vaughan takes crash photographs, then stages more using Catherine as a model. The EMTs working on the wrecks are too busy to care. In the front wreck, Vaughan finds the dead Seagrave, dressed as Jayne Mansfield, complete with a scalped blond wig and a dead dog in the back seat. Vaughan is amazed that Seagrave went through and reenacted the fatal crash on his own.After Ballard finds blood on Vaughan's car, they go to a car wash. In the back seat, Vaughan has brutal sex with Catherine in the back seat under the gaze of an entranced Ballard, who later examines his bruises and scars on his healed leg in silence.In an auto showroom at a local car dealership, Gabrielle is helped into a Mercedes by an embarrassed salesman as Ballard looks on, amused by Gabrielle fondling the car, and saying how it turns her on. A little later at the airport garage, Ballard arranges Gabrielle's broken and scared body in order to access a healed crash-wound in her rear thigh.Vaughan phones Ballard to meet with him to witness his prophetic medical tattoo: a steering-column indentation on his torso. He encourages Ballard to have a small insignia on his thigh. Later, in a junkyard, Ballard and Vaughan finally have gay sex in the back seat of the Lincoln. Afterward, as Ballard sits behind the wheel of a wrecked car, Vaughan slams into it. The next day, Catherine's silver sports car has also been rammed.As Ballard drives around the airport perimeter, Vaughan's car launches out of nowhere; he is in a delirium as he toys with Ballard's sports car, ramming into it playfully before he accidentally swerves over a parapet and landing on a coach below. Ballard stops and surveys the carnage as Vaughan lies dead among the wreck.The next morning in the impound lot, Gabrielle and Helen arrive to look at Vaughan's wrecked Lincoln, where they begin making out with each other and they have lesbian sex in the back seat of the late Vaughan's car.Ballard decides to go to the pound to reclaim Vaughan's car. On the open road, he drives the Lincoln as recklessly as Vaughan, overtaking several vehicles in pursuit of Catherine whom is driving her car on the road ahead. He rams into her car, running it off the road and down an embankment. Ballard stumbles out of the Lincoln and painfully stumbles down the embankment. Catherine is lying on the ground, having been thrown from her car, alive but seriously wounded, with her skirt around her waist. Ballard lies down next to her, caresses her bloodied body, and when she says she's all right, he takes her from behind again, having sex with her on the grass embankment. He tells the semi-conscious Catherine as he climaxes: "Maybe the next one...."
answer:
Question: Who is Hansen?, Answer: One of the police officers


question:
The title scene is a battle between Pai Mei and a master of the Shaolin temple in an empty red backdrop (this type of opening is a trademark of director Lau Kar-leung). Here we get the first display of Pai Mei's mastery of internal kung-fu techniques that allow him to retract his privates into his groin. After using his body protection techniques to ward off a clawing attack to the face, he traps a kick to the groin from Master Zhishan and delivers his own coup de grÃ¢ce.Master Zhishan's vision blurs as the scene changes to a more realistic scene of the aftermath of the temple's destruction. Pai Mei's protÃ©gÃ©, area governor Kao Tsin-chung (Kong Do) and his army, chase the fleeing ex-students of Shao Lin. Tung Chin-chin, (Gordon Liu) after watching waves of other students fall to the pursuing army's arrows, makes a heroic last stand to divert their attention. He falls to a hail of arrows, crushing the throats of the soldiers he is closest to. It is left to Hung Hsi-Kuan to lead the remaining students to safety.They join an itinerant opera group which travels from town to town on iconic red junks as a front for anti-Qing forces. Along the way he encounters the comely Ying Chun, herself a master of the Crane style. Together, they have a son, whom both of them train. When area governor and student of Pai Mei, orders the destruction of the red junks, the couple retreat to a modest home where they raise their son (Wen-Ding) and Hong begins mastering the Tiger style of kung fu in preparation for challenging Pai Mei. In the meantime, Wen-Ding seems to develop a taste for piggybacking on his father after training sessions...After a decade of training, Hsi-Kuan goes to face Pai Mei, defeating several of his henchmen before retreating from his temple stronghold. Along the way, he discovers Pai Mei's weakness: he's vulnerable between one and three o' clock. Hung trains with renewed zeal on a sophisticated life-size bronze dummy fitted with grooves representing acupuncture meridians along its surface. By releasing a vessel in the head, metal balls cascade along these grooves so that he can snatch them to train his speed and accuracy. Still, he refuses to integrate his wife's Crane style, to his ultimate detriment.In the final act, Hung goes to confront Pai Mei at his temple once again. He uses his training in vital point striking to catch Pai Mei off-guard. But again, he gets his foot trapped in Pai Mei's groin. Pai Mei tells Hung that he moves his vulnerable point up and down at will. After incapacitating Hung, Pai Mei tells the governor to keep him alive, only for Hung to kill the governor as he comes near. Pai Mei kills him with a swift but powerful blow.Wen-Ding returns to avenge his father's death having been forced to synthesize his father's Tiger style with the crane style his mother taught him. Once again, he too lands in battle with Pai Mei, getting his foot trapped in Pai Mei's groin. But when Pai Mei goes to break Wen-Ding's leg, he jumps on Pai Mei's shoulders piggyback-style. Wen-Ding rips off Pai Mei's topknot, smashes him on the now unprotected crown of his head and, as his eyes are startled open, blinds him with a brutal dual jab in the eyes. They both tumble down the temple steps as the ending explains, "A combination of Tiger and Crane styles is what finally defeated Pai Mei."
answer:

Question: Which style did Hsi-Kuan refuse to integrate with his ultimate detriment?, Answer: His wife's Crane style.