In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
long ago , films were constructed of strong dialogue , original characters , memorable plot points , and solid acting .
one of the best examples that hollywood now completely ignore these qualities is found in the new film where the heart is .
this opus about the power of love and the redemption of family follows the tragic , and i mean tragic , life of novalee nation ( natalie portman ) .
hitting the road with her hick , guitar - playing boyfriend in a rusted - out gm , novalee dreams of the blue skies of bakersfield and sipping chocolate milk beneath a plastic umbrella with her unborn baby , due in a month .
stopping off at a nearby wal - mart for a quick rest , novalee 's boyfriend decides to take off and leaves her there .
novalee then decides to secretly hole up in the wal - mart ( because she 's not the brightest bulb in the stagelights ) .
a wacky librarian ( keith david ) comes to her rescue when she goes into labor one night while she is camped in the outdoors section of the store .
then the she moves in with a family , befriends everyone in town -- including ashley judd 's character ( who has five kids and still can work part - time as a nurse )
-- fights off religious freaks , survives a tornado , breaks the heart of the wacky librarian that saved her , receives an inheritance , builds a martha stewart - esque house , becomes an award - winning photographer , and manages to always look like she stepped out of a cosmo shoot , all while not once doing anything with her kid .
this film is terrible .
the directing is awful : it seems director matt williams had an index card with six angles written on it and used every one of them , over and over and over again .
we get pathetic and ugly acting by natalie portman , who can do good work .
a disjointed pacing of key scenes and a time structure so confusing that it would throw steve prefontaine off .
a subplot that actually validates the actions of the boyfriend who abandoned novalee in the wal - mart parking lot .
an embarrassing display of emotions by the characters , making the audience ill .
taking two great comedic screenwriters , babaloo mandel and lowell ganz , and forcing them to write drama on par with oprah 's book club .
altogether , it has the feeling of being trapped at home , watching a very bad television mini - series and wishing it to end , only the remote is broken .
however , the main problem with the film is that it never answers the most poignant question brought up : where is the heart ?
no one ever seems to find it in this piece of junk .

Ex Output:
N


Ex Input:
synopsis : al simmons , top - notch assasin with a guilty conscience , dies in a fiery explosion and goes to hell .
making a pact with malebolgia , a chief demon there , simmons returns to earth 5 years later reborn as spawn , a general in hell 's army donning a necroplasmic costume replete with knives , chains , and a morphing cape .
sullen , wise cogliostro and flatulating , wisecracking violator vy for spawn 's attention .
comments : when todd mcfarlane left marvel comics ( where he had made a name for himself as a first - rate comic book penciller on the " spider - man " titles ) to join the newly - formed , creator - owned image comics , a new comic book legend was born : spawn .
mcfarlane 's " spawn " immediately became a commercial and critical success and a defining comic book series of the 1990s .
mcfarlane created a hero who was not only original but visually intricate , allowing mcfarlane to utilize his knack for artistic detail to the max .
the early " spawn " issues brilliantly capture mcfarlane 's genius at illustration and show his early attempts at writing .
with the popularity of " spawn " and the success of the current warner bros . 's batman film franchise , a movie version of some sort seemed inevitable for spawn .
in the summer of 1997 , hence , new line cinema released spawn , a live - action film based on the groundbreaking series .
this topheavy exercise in violence and special effects
unfortunately topples quickly and leaves fans of the comic book , like me , numbed by how much spawn misses the mark .
what happened ?
why is spawn so bad ?
todd mcfarlane himself
executive produced this disappointing misfire and even appears in a cameo .
i do n't think , however , that his presence necessarily hurt ( or helped )
the film .
i place the blame , in part , on the recent hollywood trend , fueled by public demand apparently , for special effects blow - out movies utilizing the latest computer technology .
these films focus upon the effects at the expense of everything else : character , plot , dialogue , etc .
spawn , reflecting this trend , shows the audience one gratuitous scene after another populated with morphing characters and filled with unnecessary pyrotechnics .
hardly a minute goes by in this film without fires , explosions , knives and chains appearing out of nowhere , glowing eyes , or constantly transforming demons .
a lot of it is visually interesting and technically solid , do n't get me wrong , but , because the script and cast are n't engaging , spawn ultimately comes across like overwrought wallpaper ( the surface may capture the eye , but nothing exists underneath ) .
spawn 's translation of the comic book suffers the most at the storyline level .
mcfarlane 's spawn was a tortured hero .
a mercenary by trade , al simmons was nonetheless a warm man in love with the beautiful wanda .
having died and journeyed to hell , he made a pact to return to earth to be with wanda .
simmons , however , discovers that his memories are fragmented , his body a creepy mess , and his wife married .
despite his sometimes violent nature , readers could n't help but feel sympathetic toward his plight as the spawn of the underworld .
spawn attempts to show all of this but does not spend nearly the time it should to do so .
when the characters are developed , they seem absurd rather than touching .
the cartoonish dialogue and implausible subplot
( a general possesses the antidote to a supervirus called heat-16 which he wishes to unleash to enslave the world ) do not help matters .
spawn , in an apparent attempt to duplicate the success of batman , also unwisely spends too much time on a villain , the violator ( batman favored the joker over batman ) .
john leguizamo , like jack nicholson in batman , receives top billing in the cast as the violator ; michael jai white ( al simmons / spawn ) is second .
i ordinarily find leguizamo an intensely annoying presence in films which seems to make him a perfect candidate for the violator .
the film , however , spends so much time on the violator 's offensive antics that they grate on the nerves .
apparently meant to be the comic relief in the film ( as nicholson was in batman ) , especially when contrasted with the sullen spawn , the violator 's lines are oftentimes grotesque and unfunny , leaving the audience wishing he would leave .
leguizamo does a satisfactory job in the role , but he is seen far too often in the film .
michael jai white , a relative newcomer to theatrical releases , seems to be an appealing actor , and he handles his role adequately , but we see little of him without various masks on .
more time needed to be spent on white 's character before he became spawn for the movie to pull at the heartstrings .
a special note should be made about martin sheen as the over - the - top , obnoxious , evil general wynn .
easily the hammiest performance in the movie , it 's hard to imagine how sheen mucked up his role so much ; after all , he played a vietnam assasin brilliantly in the great apocalypse now .
sheen 's excessive demeanor do not help the audience accept him as a mastermind villain and comes as a surprise considering his extensive career in film .
many other elements conspire with the disappointing script and abundant special effects to drag spawn down
.
mtv - style , jerky , in - your - face editing is one of them .
flames , for example , roll across the screen sometimes to announce a shift in setting .
cogliostro , unlikely wannabe guide for spawn , serves as a poor narrator for the film .
he goofily tells the audience , at one point , that " how much of [ spawn 's ] humanity is left remains to be seen , " as if the audience really cares as one violent sequence leads to another .
the music , finally , assaults the audience as much as the manic violence and offensive dialogue .
loud and obnoxious hard rock fused with drum loops dominate some scenes .
to be fair , however , marilyn manson 's " long hard road out of hell
" effectively compliments spawn 's return to earth , while filter and the crystal method 's
" ( ca n't you ) trip like i do " proves a surprisingly fitting theme song .
for as good a comic book as it is , " spawn " did not spawn a good movie .
spawn , instead , suffers from too much pomp and circumstance , and too little plot and character development
.
it receives two stars for its technically well - done special effects .
many other films , though , have equal , if not superior , special effects and are much better .
rated pg-13 , spawn seems more violent than many r - rated movies and probably would n't be appropriate for the very young .

Ex Output:
N


Ex Input:
one of the sweetest tales to ever be made , it 's a wonderful life is n't perfect , but its good natured charm and beautiful performances light up the screen with glorious results .
probably the greatest " feel - good " film of all time , it 's a wonderful life aims for the heart , and strikes with a golden arrow . on christmas eve , george bailey ( stewart ) is being prayed for by many in the small town of bedford falls .
you see , george is in trouble , and he has always helped others who needed it .
this one time , however , god answers his prayers , and sends down the lovable guardian angel clarence ( travers ) to try and save george .
clarence has got his own problems , however .
clarence is an angel without his wings , and each time the bell rings , the wings pass him by .
the bailey case is a way for him to earn those magical wings and become a true angel .
but before clarence can save george , he first has to go through a cliffs
notes version of george bailey 's life .
we see george sacrificing his hearing to save his brother 's life , sacrificing his college education to save the family business , sacrificing his dream of living far away to support his brother , and even sacrificing his life to make sure his brother is happy working somewhere else .
when the bank his family owns is in trouble , george gives away his honeymoon money to make sure the bank is n't sold to the evil mr .
potter ( barrymore ) , who wants nothing less than to get the baileys out of bedford falls .
one christmas , potter gets his chance .
uncle billy bailey ( mitchell ) loses $ 8 , 000 of the bank 's money .
without the money , the bank must close down .
george is stuck in a tremendous bind , and contemplates suicide .
clarence , the faithful servant , is there just to pick him up , and to show him what bedford would be like without george .
this is all a lead - in to the very famous last scene , where george finally sees what true happiness is about .
it 's a wonderful life does have its faults .
the movie is beginning to feel dated in the details , especially in the treatment of women and men .
the sex roles in the film are weirdly out of place in the 90 's , like something out of a revisionist look .
all the men drink too much and slap their wives too much during some portions of the film .
there are , however ,
endearing moments in all of this .
capra puts in just enough humor mocking the sex roles of the 50 's to make the movie remarkably enjoyable .
the story is hackneyed , and the ending feels , well , a little too sugarish .
there 's this uneasy feeling of sugar over everything , especially the sequences where george is either in trouble , or helping somebody .
it 's a little too nice for my liking , at times .
there is , however , enough humor , enough wit , and enough of jimmy stewart to get the movie through the middle part , which would be the most difficult .
but watching it 's a wonderful life is never boring or difficult : it 's always interesting , right until the finale , which , for all its sugar , makes delightful sense and is beautifully done
.
capra does have his monumental cliches , but the actors relish them and overplay everything to perfection .
donna reed is perfect
as the loving , obeidient wife , and lionel barrymore is gloriously grump as mr .
potter .
everyone else is magnificent , including bert and ernie ( ward bond and frank faylen ) .
there is a general sense of goodness , as if everyone in the film knows that they are making a great film , and they relish that .
stewart , however , is the king of all of this .
he is sometimes awkward , especially when saying " merry christmas " to all objects , animate or inanimate .
but he is james stewart , and he 's lovably delightful throughout the film .
have i complained ?
i should n't have .
this is a really good movie .
no , this is a great movie .
better yet , this is a phenomenal movie .
there is a reason classics are invented : to make sure that people will always have great movies to aid them in their quest for living life .
this is one of those films .
it is a " feel - good " movie , something people complain a little too much about .
but capra 's reworking of " a christmas carol " is the greatest christmas movie of all time .
there , i 've said it .
i have to admit , the first time i saw this
, i saw it with my family , including my 11 year old kid sister .
they all loved it .
they loved george , his wife , his troubles , and the beautiful ending .
is it a little too sugar - coated ?
maybe .
no matter .
this is a film that should be watched time and time again , with families around a coffee table , and eggnog on the plate .
it is a film that just makes you feel good about life , family , and hope .
it is the perfect christmas film , flaws and all .
it is frank capra 's greatest acheivement , and that really does say a lot .
for about 121 out of 129 minutes , this movie is flawless .
the rest can be excused : no film is perfectly flawless .
i ca n't get over how much i love this movie , and how much you will , after watching it , digesting it , and sitting with your family , appreciating how special life really is .

Ex Output:

P