In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.

Q: Passage: It opens with two club-driven tracks: an interlude titled "Bridge to the Sky", and the promotional titular song. "Disco-munication" is the second interlude on the album, blending "sophisticated" electric guitars with electronic music. "Energize" is another electronic track, and is one of the only numbers on the album that include English phases ("Put your hands up together, keep your heads up forever, let me sing forever,"). The fifth track "Sparkle" was noted as a club song with an electronic arrangement, similar to the follow-up song "Rollin'". Both tracks feature autotune and vocoder pro-tools, a first for Hamasaki. The album's sixth track, "Green", shows a departure from the album's earlier electronic style; it focuses more on older traditional Japanese sound, alongside instrumentation of electric guitars and drums. The album's third interlude, "Load of the Shugyo", was described as an "atmospheric" number with heavy rock instruments in its composition. Rock music is then influenced on the following tracks "Identity"—a song that discusses about self-confidence—the single "Rule", and the tune "Love 'n' Hate", which talks about the effects of lust. The album's fourth and final interlude "Pieces of Seven" was noted for its "atmospheric" sounds of an ocean, until the second half of the track diverges into a harder rock style. "Days" is the album's first pop ballad, and is described as a love song. It closes with the ballad "Curtain Call", which features a choir and piano riffs throughout its composition.
 Link Information: traditional Japanese sound, Answer: bamboo flute

A: What's an instrument strongly associated with the traditional music found in the album's sixth track?
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Q: Passage: Patrick Kevin Day of the Los Angeles Times praised Michael Giacchino's musical score, writing that "I'm reminded of the heights of emotion this series can evoke." Jarett Wieselman of the New York Post thought that the finale's split and two-week break was "not cool", but asked "how brilliant was Sun's smackdown on her bad daddy?". Alan Sepinwall of The Star-Ledger wrote that "when Lost is at its best … it manages to balance revelations … with great character moments. I don't know that I'd put this one in the pantheon (again, a lot of it was set-up for … [Parts 2 & 3]), but it was definitely in the spirit of what I love about the show." Kristin dos Santos of E! praised the chemistry between Naveen Andrews and Andrea Gabriel, who play Sayid and Nadia, respectively. Chris Carabott of IGN gave Part 1 of the three-hour finale a 7.9. He commended the music and called it "a good opening to what should be an exciting season finale"; however, the lack of suspense in favor of set-up was cited as the reason for the modest rating. However, Carabott gave Parts 2 & 3 a perfect 10 review, tying with other perfect-10 episodes such as "The Constant" and "Through the Looking Glass". He stated that "Not a moment is wasted in this brilliantly paced and well-executed conclusion to what has been a fantastic season." Dan Compora of SyFy Portal called "Part 1" "an excellent setup episode [with] fast pace, important revelations, and nearly a full utilization of the cast". Compora decided that "certain characters work much better in very small doses … a little bit of [Hurley] goes a long way [and] it was nice to see Jack featured without completely dominating an episode." Oscar Dahl of BuddyTV summed up Part 1 as "very good", but said that the opening flashforward in which the Oceanic Six are reunited with their families was anticlimactic and "although each flashforward scene had minor and major revelations, it felt patched together and a little sloppy, like Lindelof and Cuse had all this ground to cover in their quest to link all the action up to the final scene of season 3 … That said, the flashforward scenes all played out exceedingly well." Daniel of TMZ welcomed the return of Richard (on the island) and gave the episode an "A", saying that it had "more than a few fantastic scenes. All the flashforward scenes tonight were right on the money as far as I was concerned." Jay Glatfelter of The Huffington Post "really liked this episode" and concluded that it "definitely showcased the new breath of life the fourth season gave to the show."
 Link Information: he Los Angeles Times (sometimes abbreviated as LA Times or L.A. Times) is a daily newspaper which has been published in Los Angeles, California, since 1881 Answer: 1881

A: When was the paper of the critic who praised Michael Giacchino's musical score first published?
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Q: Passage: Rodrigo studied music under Francisco Antich in Valencia and under Paul Dukas at the École Normale de Musique in Paris. After briefly returning to Spain, he went to Paris again to study musicology, first under Maurice Emmanuel and then under André Pirro. His first published compositions date from 1923. In 1943 he received Spain's National Prize for Orchestra for Cinco piezas infantiles ("Five Children's Pieces"), based on his earlier composition of the same piece for two pianos, premiered by Ricardo Viñes. From 1947 Rodrigo was a professor of music history, holding the Manuel de Falla Chair of Music in the Faculty of Philosophy and Letters, at Complutense University of Madrid. Notable students include Yüksel Koptagel, Turkish composer and pianist.
 Link Information: Paul Abraham Dukas (; 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man, of retiring personality, he was intensely self-critical, and he abandoned and destroyed many of his compositions. His best known work is the orchestral piece The Sorcerer's Apprentice (L'apprenti sorcier) Answer: The Sorcerer's Apprentice (L'apprenti sorcier)

A:
What work is Paul Dukas best known for?
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