In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

[Q]: Question: What director offered Prada a role in the film Bhoomi Kosam? Passage:When Jaya Prada was a teenager, she performed a dance at her school's annual function. A film director in the audience offered her a three-minute dance number in the Telugu film Bhoomi Kosam. She was hesitant, but her family encouraged her to accept it. She was paid only 10 rupees for her work in the film, but the rushes of those three minutes of film were shown to the major figures of the Telugu film industry. Major filmmakers offered her starring roles in quality films, and she accepted them. She became a huge star in 1976 with major hit films. Director K. Balachander's black-and-white film Anthuleni Katha (1976) showcased her dramatic skills; K. Viswanath's color film Siri Siri Muvva (1976) showed her playing a mute girl with excellent dancing skills; and her title role as Sita in the big-budget mythological film Seetha Kalyanam confirmed her versatility. In 1977, she starred in Adavi Ramudu, which broke box office records and which permanently cemented her star status. The song "Aaresukoboyi Paresukunnanu" performed by Prada and co-star N.T. Rama Rao became a mass hit. Important filmmakers were casting her and repeating her in their films. Filmmaker Vijay introduced her to Kannada cinema in his 1977 super-hit movie Sanadi Appanna alongside Kannada matinee idol Raj Kumar. The movie is also known to be the only movie to feature shehnai rendition by Ustad Bismillah Khan. Jaya Prada repeated her successful pairing with Rajkumar in films such as Huliya Halina Mevu (1979), Kaviratna Kalidasa (1983) and Shabdavedhi (2000). In 1979, K. Balachander repeated her in the Tamil film Ninaithale Inikkum opposite Kamal Haasan and Rajinikanth in which she played a terminally-ill patient. She continued to act in more films in Telugu opposite actors such NTR, ANR, Krishna, Krishnam Raju and Sobhan Babu throughout the 70s and 80s. K. Viswanath remade Siri Siri Muvva (1976) in Hindi as Sargam, introducing Jayaprada to Bollywood in 1979. The film was successful and she became a star there as well. She earned her first Filmfare nomination as Best Actress but couldn't capitalize on her success since she couldn't speak Hindi.

[A]: A film director in the audience offered her a three-minute dance number in the Telugu film Bhoomi Kosam


[Q]: Question: What was the name of Telfer's maternal grandfather? Passage:The son of Margaret Mellis and Adrian Stokes, he was born in St Ives and studied at the Slade School of Fine Art. He pursued postgraduate studies at the Brooklyn Museum Art School after being awarded a Beckmann Fellowship. He taught at Reading Art School and the Bath Academy in Corsham and exhibited his paintings in London, including a show at the Serpentine Gallery. In 1971, Stokes founded publishing firm Weproductions, which produced artist's books; from 1974, he operated in partnership with Helen Douglas. In 2002, Stokes moved to East Anglia to care for his mother. He redirected his focus to sculpture, which he exhibited at the Kettle's Yard open house in 2008 and at shows in various galleries.

[A]: The son of Margaret Mellis and Adrian Stokes, he was born in St Ives and studied at the Slade School of Fine Art


[Q]: Question: Of the organizations Benny has chaired, which one is older? Passage:Benny Moldovanu earned a BSc and MSc in mathematics from the Hebrew University of Jerusalem in 1986 and 1989, respectively, the latter under the supervision of Bezalel Peleg. He then obtained a PhD in economics from the University of Bonn, with future Nobel Memorial Prize winner Reinhard Selten as advisor, in 1991 and habilitated there in 1995. Having worked as assistant professor of economics at the University of Bonn after his PhD (1991–95), he then became full professor at the University of Mannheim (1995–2002) before returning to the University of Bonn in 2002, where he has worked ever since. At Bonn, he has been the Co-Director and later Academic Director of the Bonn Graduate School of Economics (2006–13) as well as Co-Director of the Hausdorff Center for Mathematics (2006–13), where he today leads the research area on mechanism design and game theory.. Moreover, at Bonn, Moldovanu is currently Director of the Institute of Microeconomics (since 2012) as well as of the Reinhard Selten Institute for Research in Economics (since 2017). Throughout his professional career, Moldovanu has held visiting appointments at the University of Michigan, Ann Arbor, Northwestern University, University College London, Yale University, Tel Aviv University, and the Hebrew University of Jerusalem. In terms of professional activities, he has been a member of the Councils of the European Economic Association and Game Theory Society, is a research fellow at the Centre for Economic Policy Research (CEPR), and has chaired the Scientific Committees of the Econometric Society and German Economic Association. Finally, he has performed editorial duties for Econometrica, Journal of the European Economic Association, Games and Economic Behavior, Journal of Economic Theory, and Economic Policy.

[A]:
In terms of professional activities, he has been a member of the Councils of the European Economic Association and Game Theory Society, is a research fellow at the Centre for Economic Policy Research (CEPR), and has chaired the Scientific Committees of the Econometric Society and German Economic Association