In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Question: When was the organization where Ingold was made an officer in 1995 founded? Passage:He was born to Sir Christopher Ingold and Dr. Hilda Usherwood, and studied for a BSc in Chemistry at the University of London, completing his degree in 1949. He continued his higher education with a PhD in chemistry at Oxford University, which he completed in 1951. Soon after graduation he moved to Canada to begin work with the National Research Council, followed by two years of post-doctoral research at the University of British Columbia. He returned to work for the NRC in 1955 as a research officer, followed by a promotion to head of the Free Radical Chemistry Section. He was awarded the 1968 Petroleum Chemistry Award, the 1988 Linus Pauling Award, and both the Davy Medal and Royal Medal of the Royal Society, the latter for "elucidating the mechanism of reactions involving free radicals". In 1995 he was made an officer of the Order of Canada. He has received honorary degrees from the universities of Guelph, Mount Allison, St Andrews, Carleton, McMaster and Dalhousie.

b

Question: How old was Christabel Pankhurst when she lost her election? Passage:The United Kingdom's Representation of the People Act 1918 gave near-universal suffrage to men, and suffrage to women over 30. The Representation of the People Act 1928 extended equal suffrage to both men and women. It also shifted the socioeconomic makeup of the electorate towards the working class, favouring the Labour Party, which was more sympathetic to women's issues. The 1918 election gave Labour the most seats in the house to date. The electoral reforms also allowed women to run for Parliament. Specifically, the Parliament (Qualification of Women) Act 1918 gave women over 21 the right to stand for election as an MP. Christabel Pankhurst narrowly failed to win a seat in 1918, but in 1919 and 1920, both Lady Astor and Margaret Wintringham won seats for the Conservatives and Liberals respectively by succeeding their husband's seats. Labour swept to power in 1924. Constance Markievicz (Sinn Féin) was the first woman elected in Ireland in 1918, but as an Irish nationalist, refused to take her seat. Astor's proposal to form a women's party in 1929 was unsuccessful. Women gained considerable electoral experience over the next few years as a series of minority governments ensured almost annual elections, but there were 12 women in Parliament by 1940. Close affiliation with Labour also proved to be a problem for the National Union of Societies for Equal Citizenship (NUSEC), which had little support in the Conservative party. However, their persistence with Conservative Prime Minister Stanley Baldwin was rewarded with the passage of the Representation of the People (Equal Franchise) Act 1928.

b

Question: In what city did the group of artists painting in Bamboccio's  manner operate? Passage:Pieter van Laer (1599 – c. 1642) was a Dutch Golden Age painter of genre scenes, active for over a decade in Rome, where his nickname was Il Bamboccio. Artists working in his style, who often painted just such scenes of everyday life as Pliny lists, became known as the Bamboccianti, painters in Bamboccio's manner. Peiraikos is often mentioned in the controversies over the Bamboccianti, for example by Salvator Rosa in his Satires, and later by the Dutch biographer of artists, Samuel Dirksz van Hoogstraten in his Inleyding tot de Hooge Schoole der Schilderkonst (Introduction to the Academy of Painting), Rotterdam 1678. As genre painting became an important element of Dutch Golden Age painting, Peiraikos was used to provide classical precedent for such work, in the relatively few discussions of the appropriateness of such art by Karel van Mander in his Schilder-boeck (1604) and Arnold Houbraken in his The Great Theatre of Dutch Painters (1718–1719). Having originally been often rather cheap, by the late 17th century the best Dutch genre scenes became sought after by collectors across Europe at very high prices, a development following Pliny's account of Peiraikos that was bemoaned by Lessing in his Laocoon (1763), mentioning Dutch painting specifically. 


b