In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

[Q]: Question: Who are the members of the group who collaborated with other singers multiple times for Bob Wills is Still the King? Passage:And in any case, people in Texas came to identify with the song. The work of the Austin-based group Asleep at the Wheel helped to keep popular knowledge of Wills going, and they collaborated with Clint Black on a new version of "Bob Wills Is Still the King" on a 1999 tribute album Ride With Bob. Another recording of the song by Asleep at the Wheel, this time in collaboration with Waylon's son Shooter Jennings together with Randy Rogers and Reckless Kelly, appeared on the 2015 effort . The song itself is collected on several Jennings live sets, compilations, and box sets, including RCA Country Legends (2001 compilation, includes studio version),  Live from Austin, TX (recorded 1989, released 2006), and Nashville Rebel (2006 box set including studio version). Perhaps the most unexpected appearance was a performance by The Rolling Stones in Austin in 2006 during their A Bigger Bang Tour. Their arrangement featuring Ronnie Wood playing pedal steel guitar was captured on their 2007 The Biggest Bang concert DVD release.
 Links: a. Reckless Kelly b. Asleep at the Wheel c. Asleep at the Wheel d. Randy Rogers Band
[A]: b


[Q]: Question: Where did the Occupy movement begin? Passage:Occupy Melbourne was a social movement which took place from late 2011 to mid 2012 in Melbourne, Australia as part of the global Occupy movement. Participants expressed grievances concerning economic inequality, social injustice, corruption in the financial sector, corporate greed and the influence of companies and lobbyists on government. Protests began on 15 October 2011 in City Square with a 6-day-long protest encampment, from which people were forcibly evicted by Victoria Police at the request of the City of Melbourne CEO on 21 October 2011. From 2 November 2011, Occupy set up camp in Treasury Gardens before being moved on from that location in December. A significantly diminished number of protesters set up camp at Father Bob's church at his invitation until his retirement in January 2012. Physical manifestations of the movement had largely dissipated by mid-2012 though it adopted a strategy of decentralisation and became influential in the creation of new community networks, affinity groups and collectives.
 Links: a. Lobbying b. Occupy movement c. Bob Maguire d. City of Melbourne
[A]: b


[Q]: Question: Was the critic who described the film as "kind of sweet" born in the same country as the man who praised Tomei's performance? Passage:Film critic Roger Ebert wrote that the film was "kind of sweet and kind of goofy, and works because its heart is in the right place". Hal Hinson of The Washington Post said that the film "is hopelessly syrupy, preposterous and more than a little bit lame, but, still, somehow it got to me". Vincent Canby of The New York Times, said that the film "is to the mind what freshly discarded chewing gum is to the sole of a shoe: an irritant that slows movement without any real danger of stopping it". Entertainment Weekly gave the film a "B−" rating and Owen Gleiberman praised Tomei's performance: "With her flashing dark eyes and libidinous overbite, Tomei is adorable — she looks like a flirtatious bunny rabbit — but what's astonishing is the range of expression that passes over those delectable features". Rolling Stone magazine's Peter Travers wrote, "The Rain Man-Dying Young elements in Tom Sierchio's script are pitfalls that Slater dodges with a wonderfully appealing performance. His love scenes with the dazzling Tomei have an uncommon delicacy". In his review for The New Yorker, Anthony Lane praised Tomei for bringing "startling high spirits to a dullish role. She snatches moments of happiness out of the air and shares them out to anyone who’s around". Mike Clark, in his review for USA Today, wrote, "Director Tony Bill (My Bodyguard) is adept both in the yarn's meticulous buildup and in his handling of the actors".
 Links: a. Peter Travers b. Roger Ebert c. Roger Ebert d. The Washington Post
[A]:
b