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In this task, you're given a passage, further information available on a particular linked term from the statement, and a question. Your job is to generate the answer to the question by using the information provided. If there is no clear answer obtainable, output 'none'.
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Passage: In 1971, Bob Shad, who had worked with her as producer at Mercury, asked her to record for his label, Mainstream, which he had founded after leaving Mercury. Breaking a four-year hiatus, Vaughan signed a contract with Mainstream and returned to the studio for A Time in My Life, a step away from jazz into pop music with songs by Bob Dylan, John Lennon, and Marvin Gaye arranged by Ernie Wilkins. She didn't complain about this eclectic change in direction, but she chose the material for her next album after admiring the work of Michel Legrand. He conducted an orchestra of over one hundred musicians for Sarah Vaughan with Michel Legrand, an album of compositions by Legrand with lyrics by Alan and Marilyn Bergman. The songs brought some of the musicians to tears during the sessions. But Shad wanted a hit, and the album yielded none. She sang a version of the pop hit "Rainy Days and Mondays" by the Carpenters for Feelin' Good. This was followed by Live in Japan, her first live album since 1963. Sarah Vaughan and the Jimmy Rowles Quintet (1974) was more experimental, containing free improvisation and some unconventional scatting.
 Link Information: Sarah Vaughan with Michel Legrand is a 1972 studio album by Sarah Vaughan, arranged by Michel Legrand Question: What year did Vaughan's second album with Mainstream come out?
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Answer: 1972


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Passage: Kiss Kiss Kill Kill is the third album by the Danish punk trio HorrorPops. The cover and songs convey a cinematic theme (particularly those with repressed female protagonists and escapist themes, the obvious example being the track "Thelma and Louise"). The album art mimics archetypical B-movie posters, promising "Twelve Tales About Love and Murder... Starring HorrorPops". Only "Boot to Boot" doesn't conform to the film formula. Inspired by the rioting in Copenhagen that followed the destruction of the Ungdomshuset(Youth House), an anarcho-punk squat and self-managed social centre, by police forces in 2007. Of the album's sound, lead singer Patricia Day stated in the Hellcat review of the album that the band was started "So that we could play all kinds of music [but]... We really wanted to get back to the classic new wave feel that we love. And I think our excitement about these songs has made a hell of difference."
 Link Information: Band founders Patricia Day and Kim Nekroman first met Question: Who are the original members of the band that recorded Kiss Kiss Kill Kill?
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Answer: Patricia Day


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Passage: The film was only a modest hit when first released. O'Connor won the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy, and Betty Comden and Adolph Green won the Writers Guild of America Award for their screenplay, while Jean Hagen was nominated for the Academy Award for Best Supporting Actress. However, it has since been accorded legendary status by contemporary critics, and is frequently regarded as the best film musical ever made, and the best film ever made in the "Freed Unit" at Metro-Goldwyn-Mayer. It topped the AFI's Greatest Movie Musicals list and is ranked as the fifth-greatest American motion picture of all time in its updated list of the greatest American films in 2007. In 1989, the United States Library of Congress selected the film for preservation in the National Film Registry. In 2005 the British Film Institute included it in its list of the 50 films to be seen by the age of 14. In Sight & Sound magazine's 2017 list of the 50 greatest films of all time, Singin' in the Rain placed 20th.
 Link Information: Their Hallelujah, Baby! score won a Tony Award. Question: How many awards did the female writer of the Singin' in the Rain screenplay win in her career?
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Answer: 1