In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

[EX Q]: LucÃ­a (Paz Vega), a waitress, is talking on the phone with her depressed writer boyfriend Lorenzo (TristÃ¡n Ulloa) after they had a nasty argument, where, afterward, she walked out. Since he's been in a 'funk' for a while, she's worried, and goes home to console him. Finding an empty apartment, LucÃ­a is frantic. She receives a phone call from the police while finding a suicide note, and is so afraid of bad news that she hangs up, assuming the worst. They call back, but she ignores the ringing phone, packs a bag, and flees. Looking for a new beginning, LucÃ­a travels to the mysterious Balearic Islands that Lorenzo had always talked of, but had recently been very negative about.The plot breaks to six years earlier: Lorenzo is having casual sex in the ocean, on a bright moon-lit night, with a beautiful married woman he just met named Elena. They part ways, expecting to never see each other again. She discovers she is pregnant with his child, and attempts to find him, but, not knowing much about him, is unable to.Later, as Lorenzo talks with his literary agent at a restaurant, discussing his writer's block, LucÃ­a catches his attention as he gets up from his table to get cigarettes. She asks to speak to him and he joins her. She brazenly tells him that ever since she read his latest book, she has been following him and has fallen passionately in love with him. A smitten Lorenzo immediately engages the sexy, passionate LucÃ­a and she moves into Lorenzo's apartment.The film then interweaves the past and present, of the characters in the film, and the characters in Lorenzo's novel.Lorenzo repeatedly stalls for time on his new book with his editor, while his relationship with LucÃ­a deepens. About six years pass. Lorenzo learns he has a daughter as a result of his encounter with Elena and begins to visit the child at her school, meeting her babysitter BelÃ©n. BelÃ©n tells Lorenzo her mother is a recently retired porn actress with a new hot boyfriend, and virtually seduces Lorenzo with chatter of sexual context and banter about her fantasies. Lorenzo uses these encounters and his fantasies about BelÃ©n and her mother as content for his book, and LucÃ­a reads about it, thinking it fiction. Meanwhile, he does not disclose his fatherhood to LucÃ­a or the child, nor even attempt to contact Elena.BelÃ©n flirts with Lorenzo and eventually invites him over to Elena's house while she babysits his daughter, Luna. Lorenzo tells Luna a bedtime story, and after she falls asleep, he and BelÃ©n begin to have sex. They are interrupted as Luna knocks at the bedroom door, and they watch in horror as the family dog, a large Rotweiler in 'protect mode' kills Luna. BelÃ©n is stunned. Lorenzo runs away and falls into a deep depression.Lorenzo's writing turns dark, towards depraved sex and death. He anonymously contacts Elena, who has moved to the island to find solace and recall better days, and provides her a nice story about a beautiful child that loves to swim in the sea, to cheer her spirits. But his now guilt-ridden and uncommunicative relationship with LucÃ­a begins to collapse.Back in the present, LucÃ­a meets a scuba diver on the island, Carlos, and through him, Elena, who runs an inn on the island. LucÃ­a rents a room, and the women bond as friends, not knowing their intimate connection. But when LucÃ­a mentions Lorenzo by name, and his past visit to the island long ago, Elena deduces the connection. LucÃ­a sees a picture of Luna (looking remarkably like her father and remembering the name from Lorenzo's novel) and she makes the connection too.Lorenzo's editor visits Lorenzo in the hospital, where he was taken after being in an 'accident', spending several weeks in recovery. When Lorenzo asks about LucÃ­a, the editor tells Lorenzo he thinks LucÃ­a thinks he is dead. Lorenzo guesses LucÃ­a is on the island and has the editor take him there. After both women discover that Lorenzo isn't dead, the three characters cope with and finally understand the entanglements of their interwoven relationships., Question: What did Elena retire as?
[EX A]: Answer: A porn actress

[EX Q]: Oro Plata Mata traces the changing fortunes of two aristocratic families in Negros during World War II. The Ojeda family is celebrating Maggie Ojedas (Andolong) debut. In the garden, Trining (Gil) receives her first kiss from Miguel Lorenzo (Torre), her childhood sweetheart. Don Claudio Ojeda (Ojeda) and his fellow landowners talk about war. The youngest guests mock Miguels refusal to join the army and brand him mamas boy. The celebration is cut short by news of the fall of the Corregidor. As war nears the city, the Ojedas accept the invitation extended by the Lorenzos, their old family friends, to stay with them in their provincial hacienda. Nena Ojeda (Lorena) and Inday Lorenzo (Asensio) try to deny the realities of war by preserving their pre-war lifestyle. Pining for her fiancé, Maggie goes through bouts of melancholy. Miguel and Trining turn from naughty children into impetuous adults.Two more family friends a doctor, Jo Russell (Valdez), guerillas and Viring (Villanueva) join them. As the enemy advance, the families move to the Lorenzos forest lodge. A group of weary guerillas arrive and Jo tends to their injuries. The guerillas leave Hermes Mercurio (Lazaro) behind. Miguel endures more comments of the same kind when he fails to take action against a Japanese soldier who came upon the girls bathing in the river. It is Mercurio who kills the Japanese. Maggie comforts Miguel, who decides to learn how to shoot from Mercurio. Meanwhile, Virings jewelry is stolen by Melchor (de la Cruz), the trusted foreman. He justifies his action as a reward for his services. He tries his to break the other servants loyalty, but they force Melchor to leave. Later, Melchor and his band of thieves return. They raid the food supplies, rape Inday and chop off Virays fingers when she does not take off her ring. Trining goes with the bandits, despite all the crimes they have committed against her family. These experiences committed Maggie and Miguel closer together. Miguel urges the survivors to resume their mahjong games to help them cope. Miguel is determined to hunts the bandits down and bring Trining back. He catches them, but his courage is replaced with bloodlust, driving him to a killing spree. An epilogue follows the violent climax. The Americans have liberated the Philippines from Japan. A party is held in the Ojeda home to announce Maggie and Miguels betrothal. The survivors attempt to reclaim their previous lifestyle, but the war has changed the world, just as it has forever marked each of them, Question: Which family is celebrating Maggie Ojedas debut?
[EX A]: Answer: The Ojeda family

[EX Q]: The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: What color is Niko's wig?
[EX A]:
Answer: Blonde