In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Input: Consider Input: I didn't expect a movie as good as "In The Line of Fire" or an episode of "24", but it looked like this movie was made for TV and did a mediocre job at best. The (good) cast couldn't disguise the fact that the plot was all too predictable and actors had to struggle (they really try their best I think) through their lines of bad script, giving their rather flat characters any extras. When I watched the movie I got the feeling that I had seen most of this in other (better) movies. In it you had car chases, big shootouts, romance, plot twists etc. etc; This movie has none.** Spoiler** As soon as you see another woman talking into the phone to Cuba's character, you know who's behind all this and all the hints you're being given ("you stand too close to the president, see it from my perspective.." ) sound silly. If it were up to me (and maybe it's a good thing that it isn't) I would rewrite the plot like this:First lady orders the murder of her husband because she is sick and tired of writing checks to Cuba all the time.

Output: negative


Input: Consider Input: Johnathan Frakes is a good actor and, when he's not directing a family film, a fine director. But, he really shouldn't have directed this movie, and the screenplay should've been rejected. The director and writers must understand what the original TV show was really about, as well as who the characters were and how they worked. The original series had many episodes with razor-sharp writing using good dialogue and with situations that American producers would never consider using in children's programming, much less a movie, which made the original series so well received by adults. I mean, the Tracys were college graduates and some of them did even drank alcohol and smoked tobacco! And, there were characters who did get killed, although most were bad guys. If they had written it the way that it was originally done, which isn't dumbing things down with poor dialogue, kindergarten humor, and a weak plot, this Universal/Studio Canal joint venture wouldn't have such bad reviews. This motion picture is almost pure blasphemy. If you've seen the original Supermarionation series, then you'll know what I'm talking about! The first thing that was out of place and annoying were the constant references to Ford Motor Company, even going so far that Lady Penelope was riding around in a disfigured Ford Thunderbird made up to look like FAB-1 instead of using what would've been more appropriate considering Ms. Penelope's station (not to mention being more faithful to the original), a ROLLS-ROYCE FAB-1. She's supposed to be a distinguished member of British society, hence the preference for England's finest make of motorcars in the original series. One other reviewer here indicated that Penelope wouldn't be caught dead in a Ford. He's pretty much right in the context that the idea of her riding in a Ford doesn't work. At least they could have had Penelope ride in a Jaguar made up like FAB 1 since Jaguar is a British car make that is owned by Ford, but NO! They had to use a straight FORD! But the Ford product placement doesn't end there. EVERY single car you may see is a Ford! Even the news flash that is shown on the TV sets in the movie were sponsored by Ford! Ford, Ford, FORD! The predominance of Ford vehicles makes this movie an obvious marketing vehicle for Ford. The original series had a design that was futuristic for the 1960s and still remains ahead of its time even today. But, the futuristic design in the original series worked because there was an effort to make the design look practical and functional. This kind of treatment didn't exist in the movie, where everything is stylized to excess, defeating the sense of functionality and practicality. A lot of things that were done in the design of the movie were done strictly for style, many times with no sense of function to give that style a sense of reason.The original series relied on good acting performances of the voice talent to overcome the limited expressions in the puppets, bringing them to life in the episodes. The brilliant and lively music score by Barry Gray helped even further to connect the audience with the story, the characters, and how everything came together to help achieve the super objective (a little bit of Stanislavski talk). The movie, on the other hand, had some overly grating performances. Anthony Edwards overplayed Brains to a fault, Bill Paxton as Jeff Tracy just didn't work despite decent acting (one of few), there were better choices for the Hood than Ben Kingsley, and many others that I don't care to mention (it would take too long). Quite simply, the puppets were more believable! Second was the overly generic and underwhelming music score by Hans Zimmer, sounding more like a mix between "Days of Thunder" and "Apollo 13." And, of course, the Hood. The Hood in the original series had an ability to communicate with Kyrano through a statue of Kyrano as an outlet for ESP contact. But, that was where his extraordinary capability ended. He's a master of disguise and deception, which allows him to sneak around undetected (for the most part, anyways) to gather information of the Thunderbirds vehicles for his own means. He also uses weapons for his own defense, including pistols, and generally collects information using a film camera, although he tried to steal Thudnerbirds 1 and 2 in the 1960s United Artists release of "Thunderbird 6" (which was the last Thunderbirds show filmed in Supermarionation and was the second Thunderbirds theatrical release). But, while he is a nemesis of International Rescue, the Hood isn't the villain in every Thunderbirds episode and he tends to avoid direct confrontation with International Rescue. In the movie, he's obviously the main villain, but he and his cohorts seem to act more like morons, along with the Hood having extended mind control ability, including the ability to move objects and move himself into flight for brief periods of time. This totally deviates from the Hood as a character in the original series with one that may leave kids laughing and people familiar with the series scratching their heads in confusion or leaving the theater in disgust.There are more criticisms, but the 1000 word limit for IMDb reviews will not allow me to list all of them. So, I will close with the point being made that I didn't enjoy this movie. As a matter of fact, I think it sucks! Having seen the original series and Supermarionation movies (Thunderbirds Are Go, Thunderbird 6), I was hoping for something a lot better than this.The original Supermarionation was a lot more sophisticated and elegant than this live action farce. (And that's saying it nicely.) - Kip Wells

Output: negative


Input: Consider Input: There's some very clever humour in this film, which is both a parody of and a tribute to actors. However, after a while it just seems an exercise in style (notwithstanding great gags such as Balasko continuing the part of Dussolier, and very good acting by all involved) and I was wondering why Blier made this film. All is revealed in the ending, when Blier, directing Claude Brasseur, gets a phone call from his dad (Bernard Blier) - from heaven, and gets the chance to say how much he misses him. An effective emotional capper and obviously heartfelt. But there isn't really sufficient dramatic tension or emotional involvement to keep the rest of the film interesting throughout it's entire running time. Some really nice scenes and sequences, however, and anyone who likes these 'mosntres sacrés' of the French cinema should get a fair amount of enjoyment out of this film.


Output: positive