In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: jackie brown entered theaters with little fanfare and a lot of expectation .
even though advance publicity on this one was fairly limited , the audiences waited for the showings with heightened anticipation .
this is , after all , the first movie quentin tarantino has directed since the highly touted pulp fiction .
to say he has been inactive in between would be to tell a falsehood , since he has been involved in such projects as destiny turns on the radio , desperado , four rooms , and from dusk ' til dawn .
he was also called in at the last minute to help punch up the screenplay for crimson tide .
( i 'm willing to wager the debate over which silver surfer is the only true silver surfer was penned by him . )
tarantino contributed on and off screen to these films , but never took the director 's helm .
nearly four years since gaining notoriety on the hollywood scene and making john travolta a star once more , tarantino returns with a film he can call his own .
the film opens up with an homage to the graduate , with jackie brown ( pam grier ) on one of those airport people movers as the credits are displayed in front of her .
jackie is a flight attendant for air cabo , which flies back and fourth between los angeles and cabo san lucas .
this makes jackie a convenient cash courier for gun dealer ordell robbi
( samuel l . jackson ) who is currently keeping his money stashed in mexico .
however , while bringing fifty thousand dollars back into the u . s .
for ordell , jackie is apprehended by fbi agent mark dargus ( michael bowen ) and atf agent ray nicolet ( michael keaton ) , who catch her not only with the money , but with a bonus of a couple of ounces of illicit drugs .
jackie did n't know they were in the package with the cash , but that 's of no consequence to the authorities , who threaten jackie with a couple of years hard time if convicted .
of course , dargus and nicolet are just using the sentence to get jackie to turn over the big fish , ordell .
ordell uses honest bail bondsman max cherry ( robert forster ) to get jackie out of jail , but while max is immediately attracted to her , jackie is more concerned about her immediate safety , since ordell killed the last one of his operatives who got picked up by the police .
sure enough , ordell shows up at jackie 's apartment that evening and tries to silence jackie for good , but she " borrows " max 's pistol and manages to turn the tables on ordell .
instead of closing the irony circle and relocating a bullet from the pistol 's chamber to ordell 's head , jackie proposes a deal .
since ordell wants to get his money out of mexico , jackie will get back up to her old tricks and be a courier for him once more , but this time for a more substantial fee : fifteen percent of ordell 's half million dollars .
with a gun in his face , how can ordell not agree ?
by itself , this premise might have been interesting enough to carry the film .
however , we are also introduced to a number of double crosses which make us pay attention and think .
jackie claims to be bringing the money in for ordell , but she 's also making a deal with the feds as well as with max .
the film throws us off every once in a while by leading us to believe the deal we thought was authentic is actually a sham , but it is in no way done to the extent that we feel jerked around .
instead , it 's actually a nice departure from the predictability which is prevalent in so many of today 's movies .
at least this film has a little imagination .
most of the performances in jackie brown are above par .
pam grier , of whom i had never taken notice before , plays jackie with a mix of confidence and vulnerability which makes her character believable .
samuel l .
jackson has a kind of mesmerizing quality about him as he handles himself in situations where you know he is in total control .
robert forster is thoroughly likable because he comes across as such an honest guy , trying to do his best . .
never mind that he belongs to a profession where sneaking into a guy 's apartment to zap him with a stun gun is simply a matter of course .
he 's just so down - to - earth , the nature of his job really does n't occur to us , even when we 're shown him bringing a handcuffed woman to prison , or when we see the tools of his trade .
in supporting roles are robert de niro as louis gara , a recently paroled friend of ordell 's , and bridget fonda as melanie , one of the girls ordell keeps around town .
unfortunately , de niro is basically wasted as his lines are few and far between , and then they are mostly clipped sentences .
in this film , he 's not really de niro , but stereotypical de niro , uttering things like , " little bit , " and " pretty much .
"
fonda , on the other hand , plays the slightly spaced - out melanie with satisfactory relish and cuteness , such that even when she is annoying louis , we are taking her side .
as is characteristic of any film in which tarantino has had a hand ,
the dialog is quick and snappy .
it grabs our attention and is actually interesting , and in many respects , this makes jackie brown a film which needs few visuals ; the lines are a form of art in and amongst themselves .
do n't count tarantino out when it comes to using the camera , however .
there 's a scene where max is unwittingly watching a dry run of a money exchange , and he 's not really sure what 's happening , but by composing the scene just so , his realization of what 's going on is felt simultaneously by the audience .
we look at the screen and think , " gee , that 's clever , " and then think the same thing about how the film induced us into that wonderful feeling of catching on .
although tarantino is n't afraid to drag out a shot for dramatic effect , it unfortunately works to varying degrees in this film .
there are shots where a character is simply driving , and we watch this person and somehow get an idea of what is going on in his or her head .
this is a tribute to both direction and acting .
however , there is at least one other scene where we follow jackie through a mall , and she is looking for something ; desperately looking for something .
we get the idea of the frantic nature of her search , but we follow her for so long that we end up not really caring about what she 's looking for , but instead hoping she 'll just stop .
overall , viewing jackie brown is time spent well .
some flap has already been made about the language used in the film , but it 's really not much worse than many of the other movies out there today .
in fact , one might even be able to say that the way in which these " offensive " words are employed almost cause them to parody themselves and therefore transcend their own offensiveness .
go see the film and see what i mean .

Output: P


Input: Consider Input: susan granger 's review of " legally blonde " ( m. g. m. )
it 's a " pretty in pink " / " clueless " coming - of - age story for the new millennium
as elle woods ( reese witherspoon ) , a perky southern california sorority queen , switches from fashion to law in order to win back her yuppy boyfriend
( matthew davis ) .
the girl - power story begins as this sweetheart of delta nu is unceremoniously dumped by a bonehead who says : " if i 'm going to be a senator by the time i 'm 30 .
..
i need to marry a jackie , not a marilyn .
" determined to prove she 's as smart a snobby brunette ( selma blair ) from country - club connecticut ,
elle not only applies to harvard law school but gets in , much to the amazement of family , friends and faculty .
once there , this flaxen - haired fish - out - of - water not only survives but tenaciously thrives , befriending a local manicurist ( jennifer coolidge ) , dazzling a professor ( victor garber ) and rescuing a defendant ( ali larter ) in a celebrated boston murder trial , plus finding a more worthy beau ( luke wilson ) .
in the tradition of teen - comedy film - maker john hughes and his disciple amy heckerling , there 's wit , cheerfulness , a fidelity of observation and a penchant for problem - solving .
first - time feature director robert luketic is blessed with reese witherspoon who 's joyously incandescent in this utterly formulaic light comedy written by karen mccullah lutz and kirsten smith , based on a soon - to - be - published novel by amanda brown .
the supporting cast is terrific , particularly raquel welch and holland taylor - and i particularly got a kick out of the gag of elle distributing scented resumes in pink ,
her signature color on the granger movie gauge of 1 to 10 , " legally blonde " is a frivolous , funny , feel - good 8 . filled with ditzy blonde ambition , it 's a movie for high - school kids that their parents would be happy to have them see .

Output: P


Input: Consider Input: no film in recent has left me with such conflicted feelings as neil jordan 's harrowing , humorous , horrifying adaptation of patrick mccabe 's novel about young lad francie brady 's ( eamonn owens ) descent into madness in 1960s ireland .
on one hand , it was difficult for me to become invested in francie 's story because he is such an unsavory character , unjustifyably venting his rage at his nosy but otherwise harmless neighbor mrs .
nugent ( fiona shaw ) .
on another hand , i found it difficult to laugh at some of francie 's darkly comic shenanigans because he obviously is such a sick , needy child , having been raised by a drunken father ( stephen rea ) and a suicidal mother ( aisling o'sullivan ) .
on yet another hand , i also found it difficult to completely sympathize with francie during his more emotional scenes because some of his , for lack of a better word , " bad " deeds are so incredibly shocking in their brutality and the malicious glee in which he performs them .
however , the butcher boy 's power is undeniable , and the film as a whole is unforgettable -- perhaps because it is so disturbing .
what makes it so unsettling is the francie 's overall wink - wink yet matter - of - fact attitude about everything , expressed in a cheeky voiceover narration delivered by the adult francie ( rea again ) .
think heavenly creatures played largely for laughs , and you 'll sort of understand .
anchoring the whole film is the astonishing debut performance of owens ; love francie or hate him , you can not take your eyes off of owens .
the butcher boy truly is a twisted , unusual film that is bound to make just about anyone uncomfortable .
in the lobby after the screening , i overheard one man raving about how great yet disturbing it was ; i also heard one particularly offended woman say with disgust , " that movie was so unfunny ! "
" i did n't know what to expect .
it 's like something you chase for so long , but then you do n't know how to react when you get it .
i still do n't know how to react .
"
--michael
jordan , on winning his first nba championship in 1991 . . .
or , my thoughts after meeting him on november 21 , 1997


Output: P