TASK DEFINITION: In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.
PROBLEM: Question: What record label released the album that Fleming was a guest artist on alongside the cellist Julian Lloyd Webber? Passage:Fleming has released a number of music recordings on the Decca label. In 2000 she was a guest artist alongside the cellist Julian Lloyd Webber and the violinist Gil Shaham on the album Two Worlds by Dave Grusin and Lee Ritenour. She recorded a jazz album in 2005 entitled Haunted Heart. She appears on the soundtrack of the 2003 film  in which she sings in the fictional language Sindarin. Renée Fleming recorded the duet "O soave fanciulla" with Michael Bolton. Her album Dark Hope, released in June 2010, features covers of songs by Leonard Cohen, Band of Horses, Jefferson Airplane and others. Fleming appears on the soundtrack of the 2011 Steven Spielberg animated film  as the singing voice of opera diva Bianca Castafiore, singing Juliette's waltz from Gounod's Romeo et Juliette. She recorded Alexandre Desplat's theme song "Still Dream" for the 2012 DreamWorks animated feature, Rise of the Guardians. Fleming features in the song "You'll Never Know" of the soundtrack of the 2017 film The Shape of Water. Fleming provided the singing voice of Roxann Coss, the American opera diva played by Julianne Moore, in the 2018 film Bel Canto (film).


SOLUTION: In 2000 she was a guest artist alongside the cellist Julian Lloyd Webber and the violinist Gil Shaham on the album Two Worlds by Dave Grusin and Lee Ritenour

PROBLEM: Question: Which of the rivers that Crevaux encountered was the longest? Passage:The interior of French Guiana was virtually unknown and Crevaux decided to lead an exploration into its depths. On July 8, 1877 Crevaux traveled up the Maroni River where he encountered the Galibi and the Bonis. He left the Maroni to follow a tributary, the Itany River, along the way he visited the Roucouyenne and then followed an Emerillon trail over the spine of the Tumuk Humak Mountains. He descended the other side of the mountains to the Jari River, a tributary of the Amazon. By December 1877 he had reached the Brazilian city of Belém. He was nearly naked and had lost or used most of his possessions, and was believed by the Brazilian inhabitants to be an escaped French prisoner and was refused any help. He was eventually aided by a fellow Frenchman who bought him passage on a ship back to France. Upon returning to France, Crevaux gave an account of his journey to the Société de Géographie and was made a "Knight" of the Légion d'honneur.


SOLUTION: On July 8, 1877 Crevaux traveled up the Maroni River where he encountered the Galibi and the Bonis

PROBLEM: Question: Is the film critic that said the film was "kind of sweet and kind of goofy" still alive? Passage:Film critic Roger Ebert wrote that the film was "kind of sweet and kind of goofy, and works because its heart is in the right place". Hal Hinson of The Washington Post said that the film "is hopelessly syrupy, preposterous and more than a little bit lame, but, still, somehow it got to me". Vincent Canby of The New York Times, said that the film "is to the mind what freshly discarded chewing gum is to the sole of a shoe: an irritant that slows movement without any real danger of stopping it". Entertainment Weekly gave the film a "B−" rating and Owen Gleiberman praised Tomei's performance: "With her flashing dark eyes and libidinous overbite, Tomei is adorable — she looks like a flirtatious bunny rabbit — but what's astonishing is the range of expression that passes over those delectable features". Rolling Stone magazine's Peter Travers wrote, "The Rain Man-Dying Young elements in Tom Sierchio's script are pitfalls that Slater dodges with a wonderfully appealing performance. His love scenes with the dazzling Tomei have an uncommon delicacy". In his review for The New Yorker, Anthony Lane praised Tomei for bringing "startling high spirits to a dullish role. She snatches moments of happiness out of the air and shares them out to anyone who’s around". Mike Clark, in his review for USA Today, wrote, "Director Tony Bill (My Bodyguard) is adept both in the yarn's meticulous buildup and in his handling of the actors".


SOLUTION:
Film critic Roger Ebert wrote that the film was "kind of sweet and kind of goofy, and works because its heart is in the right place"