Given a document and an entity the task is to select the author's sentiment towards the entity. Sentiments can be Positive, Neutral and Negative. Select Positive if the article expresses a positive view towards the given entity or praises its quality or skills. Select Neutral if the document expresses no clear view towards the entity or has equal amounts of positive and negative statements or expressing some fact/quote by someone else. Select Negative if the article expresses a negative view towards like harsh remarks, criticizing entities action/decision etc. Note that URLs in the text have been replaced with [Link].

Ex Input:
What is the sentiment of the following document towards the entity Graig Kreindler ? Banjo   Batboy Eddie Bennett (2010) ( Graig Kreindler)
Graig Kreindler  sweats  the details   as a researcher no less than as an artist.
‘I believe the lights were on ” wrote Bobby Thomson to Graig Kreindler  who was researching the Shot Heard Round the World  the storied walk-off home run that sent the New York Giants to the World Series five decades earlier.  Kreindler  knew that the sun was low in the sky behind first base and dimmed by dark clouds when Thomson came to bat a few minutes before 4 p.m. on October 3  1951  at the Polo Grounds in Upper Manhattan.
Was it hard to see the ball? Or did the Giants turn the lights on  if only for the primitive TV cameras  there to capture the deciding game of the first baseball series ever broadcast live to a national audience? From the grainy black-and-white film and photos   Kreindler  couldn’t tell  and newspaper accounts were silent on the question. So he asked Thomson  half-expecting either no response or an autographed souvenir from a retired player trained by experience to assume that a personal letter from a stranger must be fan mail.
Even if Thomson hadn’t hedged his answer   Kreindler  would have counted it for what it was: a datum  good to have but not dispositive. He reasoned that the slugger was “in a tight situation”: the tying run on second  the National League pennant on the line  half a city’s hopes pinned on his shoulders. “Does he even notice the lights? I mean  why would he?” After weighing the probabilities  Kreindler  an artist who paints old-time baseball  went ahead and made the banks of rooftop lights glaring  adjusting the shades and shadows on the canvas accordingly.
Ballparks are treated to the same loving scrutiny. Did Bobby Doerr by any chance remember the colors of an ad  for Gem razor blades  on the left-field wall at Fenway Park in 1939  his third of 14 seasons with the Boston Red Sox? He did not  he regretted to report  on the back of a three-by-five-inch index card 70 years later  when he was in his 90s.  Kreindler  realizes that the strangers from whom he seeks information about light or color at the ballpark during a particular hour or season in baseball antiquity are liable to find his questions bizarre. Do they think he’s nuts? A few might; not all reply. He asks anyway.
Peter Fiore  his former teacher and enduring mentor and friend  was taught by an artist who was taught by . . .  Kreindler  traces  his  professional lineage back to the father of American illustration  Howard Pyle (1853–1911). The seriousness of  Kreindler ’s artistry is easy to miss because of  his  subject matter and manifest love for it. Prize committees may have a bias for the brazen or edgy  but to convey warmth and uplift the viewer is no less an achievement  a marriage of vision and discipline.
“Art critics might scoff at what we do and consider it kitschy ”  Kreindler  acknowledges  referring to the small fraternity of baseball artists  several of whom  he  touts and cites as helpful influences  including “obviously Norman Rockwell ” although you won’t always find a conspicuous resemblance between their work and  his . “I like to think I bring something different to this ”  he  says. “I don’t expect my work ever to hang in major museums  but it could  in theory.”
Forty years after his death  Rockwell  mocked and dismissed by the cognoscenti in his lifetime  is revered as an American master by connoisseurs and critics in and out of the academy. The Guggenheim and the Museum of Fine Arts  Boston  have exhibited his work. If the tastemakers ever likewise catch up with  Kreindler   the baseball historians and fans who got there first will rise from their catbird seats behind home plate and make room for them  under the lights.

Ex Output:
Positive


Ex Input:
What is the sentiment of the following document towards the entity Paul Nehlen ? Twitter has banned  Paul Nehlen   a Republican challenging House Speaker Paul Ryan for a congressional seat  for a racist tweet targeting American actress Meghan Markle  the fiancÃ©e of Prince Harry.
This week  the Natural History Museum in London released images of Cheddar Man  a dark-skinned Mesolithic man believed to be one of the oldest modern humans in Britain.  Nehlen  posted the couple's official engagement photo with Cheddar Man's face superimposed on Markle's  who is biracial.  He  captioned the tweet  "Honey does this tie make my face look pale?"
The tweet is hardly  Nehlen 's first instance of controversy. The politician has made waves for racist and anti-Semitic tweets in the past and proclaimed that "Jews control the media" on former KKK Grand Wizard David Duke's podcast last month.
 Nehlen  "has spent months curating an image of a sometimes ironic  but most certainly sincere  white nationalist willing to say things intended to push populist nationalism into the discourse " writes the Southern Poverty Law Center.
Twitter  which does not normally comment on individual accounts  confirmed to NPR that  Nehlen  was permanently suspended for repeated violations of  its  terms of service.

Ex Output:
Neutral


Ex Input:
What is the sentiment of the following document towards the entity Michael Simon ? On a whim  Michael Simon sprinted off to Hungary after finishing business school in St. Louis. Twenty years later  he has carved out an unusual niche as perhaps Hungary's most successful software entrepreneur.
 Simon's latest creation to bubble out of Budapest is LogMeIn  a 400-worker outfit that makes software that allows one computing device to take control of another. Using this technology  a person can tap into a home or office PC while on the road with a laptop. Customer support technicians also use LogMeIn's products to take control of people's machines and fix their PC problems.
 Simon's Hungarian tale started in 1992 after he finished business school at Washington University. While pursuing an internship  an opportunity popped up in Budapest.
 "I bought the Lonely Planet guide to Eastern Europe on a shoestring " Simon recalled. "It described Budapest as the Paris of Eastern Europe  and I thought  'That sounds good."'
 In Budapest  Simon discovered a wealth of smart engineers fresh out of school and hungry for opportunities -- for relatively modest wages.
 He ended up running a software firm that contracted with companies outsourcing their engineering work. Then in 1995 he founded Uproar  a software company that built Web versions of games like Family Feud and bingo.
 Simon kept in touch with the engineering team that had managed to make the most of limited computing power and turned to them again when Marton Anka  a Hungarian software engineer  approached him with the remote access software he had been selling out of his apartment.
 A closely held piece of technology  nicknamed Gravity  lets the company handle all these connections at a lower cost than other companies can  Simon said.
 "You can think of Gravity as sort of a connectomatic " he said. "We can serve hundreds of millions of devices from an extraordinarily small number of computers."

Ex Output:

Positive