In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Question: How many episodes were made of the show that Lange returned to television for in 1966? Passage:Lange returned to television for a 1966 role on the series The Fugitive (1963). She starred from 1968 to 1970 on the television series, The Ghost & Mrs. Muir for which she earned two Emmy Awards and a Golden Globe Award nomination. This success was followed by three seasons on The New Dick Van Dyke Show as Dick Van Dyke's wife, Jenny Preston, from 1971 to 1974, after which she declined to return for a fourth season of the show. She also appeared in twelve television movies, one being Crowhaven Farm where she played the role of a witch. In 1977, she returned to the Broadway stage where her acting career had originally begun. She also played the murdered wife of Charles Bronson's vigilante character in Death Wish (1974). In 1985, she appeared in , and in 1986, she took a role as Laura Dern's mother in David Lynch's Blue Velvet. She took a Broadway role in Same Time, Next Year and then made appearances in the television movie based on Danielle Steel's Message from Nam and in Clear and Present Danger (1994).

b

Question: How many people could Stamford Bridge seat the year York joined Aston Villa? Passage:York started his career with Handsworth Royal, Birchfield Rangers and the Royal Air Force, and also guested for Chelsea during World War I. In March 1915 he joined Aston Villa as an amateur, signing professional forms in August 1919. He scored one goal in 17 games in 1919–20, but did not feature in the 1920 FA Cup Final, which ended in a 1–0 victory over Huddersfield Town at Stamford Bridge. He appeared just 11 times in 1920–21, before going on to make 47 appearances in the 1921–22 campaign, as the "Villans" finished fifth in the First Division. He scored nine goals in 37 games in 1922–23 and five goals in 43 games in 1923–24. He also appeared at Wembley in the 1924 FA Cup Final, in a 2–0 defeat to Newcastle United. He scored seven goals in 34 matches in 1924–25, before hitting 20 goals in 44 appearances in 1925–26. He bagged 13 goals in 43 games in 1926–27, before being limited to just four goals in 30 appearances in 1927–28. He rediscovered his scoring form with 18 strikes in 48 matches in 1928–29, before hitting seven goals in 32 games in 1929–30. However he played just four times in the 1930–31 campaign, as Villa finished second in the league with an English record of 128 top-flight league goals scored.

a

Question: Was the Lord Sewer at the 1509 coronation of an English king older than his king? Passage:During the Middle Ages, Europeans who could afford it employed seamstresses and tailors. The vital importance of sewing was indicated by the honorific position of "Lord Sewer" at many European coronations from the Middle Ages. An example was Robert Radcliffe, 1st Earl of Sussex who was appointed Lord Sewer at the coronation of Henry VIII of England in 1509. Sewing for the most part was a woman's occupation, and most sewing before the 19th century was practical. Clothing was an expensive investment for most people, and women had an important role in extending the longevity of items of clothing. Sewing was used for mending. Clothing that was faded would be turned inside-out so that it could continue to be worn, and sometimes had to be taken apart and reassembled in order to suit this purpose. Once clothing became worn or torn, it would be taken apart and the reusable cloth sewn together into new items of clothing, made into quilts, or otherwise put to practical use. The many steps involved in making clothing from scratch (weaving, pattern making, cutting, alterations, and so forth) meant that women often bartered their expertise in a particular skill with one another. Decorative needlework such as embroidery was a valued skill, and young women with the time and means would practise to build their skill in this area. From the Middle Ages to the 17th century, sewing tools such as needles, pins and pincushions were included in the trousseaus of many European brides.


b