In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

[EX Q]: Outstanding production . This is an outstanding production that I seriously recommend. Saint Sains wrote many operas that are totally neglected today. Many of them had historical themes and were completelly out of fashion when Wagners "fantasy operas" ruled the opera world. Lets hope we will heare more of this brilliant composers neglected operas
[EX A]: POS

[EX Q]: "To my liberation from the class enemy!" . Rita Vogt (Bibiana Beglau) is one of a group of West German terrorists who spring fellow terrorist, Andrea (Harald Schrott) from jail. Several people are shot during the jailbreak, and the group goes on the lam to Paris. While in Paris, Rita kills a policeman, and the terrorists are once again on the run--this time they slip into East Germany with the help of Stasi officer Erwin Hull (Martin Wuttke) who befriended Rita when she was recognized upon entering East Berlin before. Since the heat is on the group, Erwin makes an offer--the terrorists can accept a new life--with new identities in East Germany, or they can be flown out to Beirut. While everyone else elects Beirut, Rita decides to stay in East Germany.     Rita assumes a new identity in East Germany, and her adjustment to her environment is at the heart of "The Legend of Rita" from director Volker Schlondorff. The plot places Rita in some interesting situations. Her first job, for example, is in a factory where she befriends Tatjana (Nadja Uhl). Tatjana loathes East Germany, and would love to live in the West. She can't understand why Rita (now living under an assumed name) would give up Western freedoms and chose to live under Communist rule. In the meantime, Rita's former rebelliousness against the state has simply disappeared, and she's become a drone--speaking the party line and accepting whatever she's told to do. When Rita's new identity is threatened, she has little choice but to move on--leaving Tatjana and their budding lesbian affair.     The film fails to fulfill its promise, however, on several layers. Rita becomes a pawn for the Stasi--every move she makes is watched, and every conversation she has is taped. The film could have chosen to tackle some fascinating complex arguments--Rita's ideology, for example, and the challenge she faces in either rejecting her beliefs or sticking to them in the face of such nauseating, and threatening Orwellian bureaucracy. The plot shows Rita as mindlessly accepting what she is told to do--she doesn't question her freedoms, and by making Rita a drone, she is a far less interesting character. Instead, the film concentrates on Rita's two love interests. Also, if you are expecting to discover something about the Red Army Faction (RAF) here, keep looking. This is not a film about the RAF. There is an excellent book by Stefan Aust on the subject, but it's rare to find a copy in English. I recommend "How It All Began" By Bommi Baumann and "Televisionaries: The Red Army Faction Story 1963-1993" by Tom Vague. "The Legend of Rita" is worth watching for all fans of German film out there. Overall, the film's message argues strongly against aligning oneself with any political ideals. In German with English subtitles--displacedhuma
[EX A]: POS

[EX Q]: Unforgettable story . This is the true story of Teena Brandon (Hillary Swank), a lonely teenage girl living as a man, "Brandon Teena."  She's been in trouble with the law and has no roots.  When she comes to a new town, she is befriended by a "family" of perpetually drunk low-lifes, and is especially attracted to Lana (Chloe Sevigny), who dreams of going to Memphis and being a karaoke singer.  Brandon and Chloe fall in love, angering two men who begin to suspect Brandon's true identity.    Swank's performance as Brandon/Teena is simply remarkable.    She conveys the heartbreak and misery of an outsider, a misfit, and the need for love that is universal; she won the Oscar in 1999 for this role.  Sevigny is convincing as the girl who falls in love with both Brandon and Teena.  Despite its low-budget (Swank earned only $3,000), this is an extremely well-made, thought-provoking, and deeply moving for adults.  (There are sexual and extremely violent scenes.)  A riveting, shocking, and very sad story with sensitive acting and direction
[EX A]:
POS