In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: pollock starring ed harris , marcia gay harden , tom bower , jennifer connelly screenplay by barbara turner and susan j .
emshwiller , based on the book " jackson pollock : an american saga " by steven naifeh and gregory white smith directed by ed harris
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" how do you know when you 're finished making love ?
"
-jackson pollock to a life magazine reporter on recognizing when you 've completed a painting jackson pollock 's " making love
" quote is famous , but in practically the same breath , he said a more constructive thing , " it 's like looking at a bed of flowers -- tear your hair out over what it means .
"
it took him sixteen words to do as whole dissertations have tried and failed : equate god and abstract art and offer a kind of backhanded comfort to those confused to the point of resentment by the concept .
the biopic _ pollock _ , actor ed harris ' directorial debut
, reflects the second soundbite in how it accepts pollock 's creations as part of the order of things , and should similarly disarm haters of fine art .
arguably more than any other living actor , harris , who also plays _ pollock _ , embodies the archetypal working stiff , and his blue - collar demystification of pollock 's labour - intensive art , both as performer and director , makes for unpretentious cinema .
( from what i know of harris , he , like pollock , was not born gifted or lucky ; instead , a strong work ethic is the seed of his success . )
granted , it 's possible that _ pollock _ will alienate those same viewers perplexed by the imponderable " purpose " of pollock 's splatter series : the common thread between them is a lack of editorializing .
the movie _ pollock
_ is all purposeful gazes and silent exchanges dotted by tantrums , but the motivations are left to our own perceptions .
and it is a sympathetic yet not altogether forgiving film , as illustrated by a disheartening conclusion .
_ pollock
_ encapsulates the period in which he fought a losing battle against personal demons ( alcoholism , depression , and the general attendant miseries of an artist ) while finding a place of subconscious expression .
a brief introduction to pollock 's raging drunk side segues into his getting accosted by a fellow new york artist , lee krasner ( marcia gay harden ,
awarded a best supporting actress oscar for this brilliant portrayal ) , who works from the outside - in , pre - intellectualizing every stroke of her brush .
in a scene after they have moved in together and established adjoining studios , she asks what he hopes to achieve on his latest canvas , grilling him about the interplay of cubism and surrealism until he says , " you paint the fucking thing , " and leaves in a huff .
by the time they we d , she has become his de facto manager ; it is form marrying function and chaos marrying discipline , a most harmonious collision .
( krasner denies him a baby , indicating that it would upset the balance . )
such a union is destined to implode , and i hope i 'm not ruining the _ pollock _ experience by saying that it does .
while it is never depicted as a very romantic matrimony to start -- pollock and wife channel their passions elsewhere -- their symbiosis leaves each other picked dry after several years , and it comes down to krasner suffering one of pollock 's conniptions too many : " you are killing me !
you are killing me !
you are killing me ! "
( aside : harris ' own wife , amy madigan , is unrecognizable and exceptional as gallery diva peggy guggenheim . )
pollock himself moves on to dalliances with younger women like ruth klingman ( the scorching jennifer connelly ) , hoping , one supposes , to catch the revitalizing whiff of youth .
i love jackson pollock 's stuff and
i am enamoured of harris ' _ pollock _ as well .
it 's scrappy and observant ; no coincidence that its minor failings are the occasional invasive flourish , such as jeff beal 's hummable but no less lamentable score -- i ca n't imagine that pollock , or anyone , would paint to this music , which puts filling soundtrack voids ahead of complementing the images .
one of my favourite sequences is an eerily quiet re - enactment of hans namuth shooting that famous pollock footage in east hampton , long island ; the mounting tension is almost comic , as namuth keeps interrupting pollock 's process to reload his camera or take a dinner break .
a more seasoned director might 've been too arrogant to admit that not all artists or mediums are created equal .

Output: P


Input: Consider Input: jonathan demme 's _ beloved _ , based on the book toni morrison , is a study in skillful literary adaptation .
on the one hand , the film manages to recreate key moments from the novel , evoking morrison 's pragmatic narrative style without using her authorial voice .
on the other hand , beloved omits the some of the finer details of the book , favoring an ambiguously defined back story upon which to build the story 's main events .
this choice is a smartly made one , for it creates an open space in which the story 's wide range of emotions can gestate and grow
.
indeed , the impact of the film is so protracted that much of it can not be felt until long after the end credits have rolled .
_ beloved _ takes place in the second half of the 19th century , during the so - called reconstruction era after the civil war .
for newly - freed slaves , it is a time of confusion and turmoil .
oprah winfrey is sethe , a slave who escaped a kentucky plantation and took her children to an ohio farmhouse , where she hoped the terror would end .
what she did not know was that it would follow her there , and remain with her long after the physical threat had vanished .
_ beloved _ ultimately tells the story of sethe 's search for forgiveness , one long - hampered by an unforgettable sin .
the film starts off on a dreary day ten years after sethe 's escape , as a violent , unseen energy rocks her dilapidated farmhouse .
invisible hands terrorize her family , flinging objects across rooms , shaking tables , rattling floorboards .
sethe 's sons run away , perhaps for good , leaving sethe and her daughter denver to fend for themselves .
demme 's matter - of - fact handling of this supernatural element is just one of _ beloved _ 's intriguing aspects .
all of the characters take for granted that ghosts are real .
when paul d ( danny glover ) -- a former slave who escaped kentucky along with sethe -- arrives at the house eight years later and is confronted with the ghost 's hellish visions , he does n't run in terror .
instead , he asks who the ghost is .
as in morrison 's novel , demme quickly establishes that the horror of the story will not come from the fact of the ghost itself , but from the terrifying past in which the ghost was created .
sethe is the one being haunted , but the ghost in the house is the least of her fears .
in fact , the ghost is one of the reasons she chooses to stay .
the story takes an bizarre turn with the appearance of beloved ( thandie newton ) , a young black - clad woman who appears on sethe 's front lawn , leaned christ - like against a tree stump .
sethe and denver immediately take to the rasping woman and try to nurse her to health .
they know not who she is , but that does n't matter .
only paul d is suspicious of the stranger .
little does the family know that beloved will bring about many changes , and force sethe to release a guilt she has held onto so urgently for eighteen years .
winfrey is arguably beloved 's greatest asset .
she inhabits the role of sethe
so convincingly it is hard to believe this is the same woman who shines brightly on a tv talk show .
lisa gay hamilton does an impressive job in the emotionally demanding role
as the younger sethe , whose appalling actions make her the disturbed woman we see eighteen years later .
danny glover is affable
as the sympathetic paul d , as is kimberly elise as denver , sethe 's wanderlusting daughter .
as sethe 's sage - like mother - in - law old baby suggs , beah richards
authoritatively commands every scene in which she appears .
the film 's least palatable choice of casting is unfortunately that of the role of beloved herself .
thandie newton plays the glassy - eyed girl with a demented fervor which is endearing at first , but which becomes off - putting and unintentionally laughable by the end .
departing from the honed aesthetic he used in such films as _ the silence of the lambs
_ and _ melvin & howard
_
, director demme has used a bit of dramatic overstatement to get across the vivid descriptions in morrison 's novel .
totemic camera shots and color - saturated scenery are decidedly uncommon in demme 's films , but the few he uses here work to the film 's benefit .
_ beloved _ 's most memorable scenes are those of baby suggs ' gatherings in a forest clearing , where the bright yellow - greens of nature entrance the viewer as much as suggs ' words do .
for the most part , though , demme maintains his trademark directorial neutrality .
this , combined with morrison 's equally frugal method of storytelling , may make _ beloved _ somewhat of a challenge to watch , even to those familiar with the book .
though the film compliments the book extraordinarily well
, it falls short in allowing the sort of accessibility one usually expects from a film .
nothing is spoon - fed to the viewer .
morrison 's novel is just as enigmatic , but unlike a movie , a book can be put down to allow the various undercurrents and themes to churn and absorb .
the movie begins like _ poltergeist _ , and ends like _ the color purple _ , with shades of _ the scarlet letter _ and _ little women
_ somewhere in the middle .
taken as a whole
, beloved is a disquieting , one - of - a - kind experience , one to be viewed with guards down and spirits in abeyance .

Output: P


Input: Consider Input: i wish i could accurately describe the theme music for part 3 .
the best way i can put it is that it 's funky .
i know this is an odd question , but remember the opening music of " police academy 4 : citizens on patrol " , when steve guttenberg and michael winslow perform the title song " citizens on patrol " during the opening credits ?
it 's just like that .
anyway , part 3 takes place a day after the events of part 2 ( so technically still 1985 ) .
this time , a group of horny teens ( who also bring along two aging hippie potheads for some reason ) head up to a cabin on crystal lake for a weekend of sex and weed .
it turns out that one of the teens had been attacked by jason earlier in her life ( which must have been between parts 1 and 2 ) so why she has returned to crystal lake one day after a new batch of murders is beyond me
.
she 's the lone survivor this time .
part 3 was originally shown in theaters in 3-d , and from what i can tell from the video , it looks as though they may have been fairly decent effects .
jason had long , wild hair when he was unmasked in part 2 .
now , one day later he 's completely bald .
also , it being one day later
, it ca n't be friday the 13th now can it ?
oh well .
steve miner is the only director who helmed more than one film in the series .
[ r ]


Output: N