In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
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Question: Question: When was the university that Doe got his Bachelor of Arts from founded? Passage 1:"Born This Way" was written by Gaga and Jeppe Laursen (formerly of the band Junior Senior), and produced with Paul Blair (a.k.a. DJ White Shadow) and Fernando Garibay, while it was mixed at Abbey Road Studios in London and Germano Studios in New York. The electropop song begins with Gaga's voice uttering the line "It doesn't matter if you love him or capital H-I-M" on a loop, backed by a rumbling synth sound and a humming bass. As the synths change into a beat, Gaga belts out the song's first verse, followed by the bass dropping off and the percussion-backed chorus, "I'm beautiful in my way, 'cause God makes no mistakes; I'm on the right track, baby, I was born this way", which Jocelyn Vena from MTV likened as being "meant to be heard in a big space. It's fast and hard-hitting." After the chorus she chants the line "Don't be a drag, Just be a queen" a number of times on top of handclaps, before moving to the second verse. After the second chorus an interlude follows, where Gaga chants the names of various communities. Sal Cinquemani from Slant Magazine felt that the interlude is a mixture of the music from American television show, Glee, and the song "There But For the Grace of God Go I" by Machine. The music fades out for a moment as Gaga continues to sing, before the addition of an organ and Gaga closes the song. According to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing, "Born This Way" is written in the time signature of common time, with a moderate dance beat tempo of 124 beats per minute. It is composed in the key of B major (in the F Mixolydian mode) as Gaga's voice spans the tonal nodes of F to C. "Born This Way" follows a chord progression of F–F–E–B–F in the chorus.
 Passage 2:He progressed through the youth system at Plymouth Argyle to make his first team debut in November 1979 against Colchester United. Having established himself as a regular on the left side of midfield, he scored his first of 18 goals for the club in January 1981 against Millwall. Cooper became one of the youngest players to captain a side in the Football League, at the age of 22, when he was given the armband by Johnny Hore, the club's manager and a former Argyle player. He helped the club reach the semi-finals of the FA Cup in 1984, leading the side out against Watford at Villa Park, but his stray pass led to the winning goal for their opponents. He lost his place in the side the following year before being converted into a full back, and he was a key member of Dave Smith's team that gained promotion to the Second Division in 1986.
 Passage 3:Doe grew up on the Highfield Council Estate in Pennington, Hants, and attended Brockenhurst Grammar School. He went on to Durham University (Bachelor of Arts {BA(Hons)}). After studying at Ripon Hall, Oxford, he was ordained priest in 1973. He was a curate on the St Helier Estate in South London, after which he was Youth Secretary of the British Council of Churches. He moved to Oxford in 1981 to be Priest Missioner in the Blackbird Leys Ecumenical Partnership, and also served as Rural Dean of Cowley from 1987-1989. During this time he co-presented the weekly religious affairs programme on BBC Radio Oxford: "Spirit Level". He was then Social Responsibility Advisor to the Diocese of Portsmouth and a canon residentiary at Portsmouth Cathedral, before his ordination to the episcopate as suffragan bishop of Swindon in the Diocese of Bristol in 1994. After ten years in this post when he was appointed, in 2004, the General Secretary of the mission agency United Society for the Propagation of the Gospel On retirement in 2011 he became Preacher to Gray's Inn, one of the four Inns of Court in London. He is an Assistant Bishop in the Diocese of Southwark, and chaired the Ecumenical Council for Corporate Responsibility from 2012 to 2015. In 2002 he was awarded an honorary doctorate from the University of Bath. His publications include "Seeking the Truth in Love - the Church and Homosexuality" (DLT 2000), "Today!" (USPG 2009), and "Saving Power - the Mission of God and the Anglican Communion" (SPCK 2011).


Answer: 3


Question: Question: Was the replacement bassist who worked on Talaash born before his predecessor?  Passage 1:Pioneers of Sufi rock with an original sound, they achieved success during the early 1990s. Its members were signed to major record label EMI Records and afterwards released their self-titled debut album Junoon in 1991. After two years, the band recorded their second album Talaash (1993) with their new bassist Brian O'Connell after Nusrat Hussain left the band. The release of their second album began to create a cult following for the band. In 1996, Junoon released their third album Inquilaab, and it was only then that Junoon developed a nationwide fan following, with blending rock guitars and bluesy vocals with Eastern elements like the use of tablas, raga-inspired melodies, traditional Pakistani folk music, and Eastern-inspired poetry. The following year, the band recorded the critically acclaimed Azadi (1997), being the band's first international record deal, and making it Junoon's debut album in neighbouring India. The band went on to record and release Parvaaz in 1999. The band found renewed success and popularity starting with 2001's Andaz and through 2003's Dewaar and their supporting tours. Junoon celebrated their 25th anniversary by releasing their eighth studio album titled Door in 2016.
 Passage 2:Also in 1764, while Uthman was leading the annual Hajj pilgrimage, he had a violent confrontation with Ali Bey al-Kabir, an influential mamluk from Egypt. When Ali Bey was exiled by the governor of Egypt to Gaza (part of Damascus Eyalet) in 1766, Uthman attempted to drive him out. Uthman managed to have his son, Darwish Pasha, appointed as the governor of Sidon in November 1770 and sometime prior to that, had his other son, Muhammad Pasha, appointed as governor of Tripoli. In 1771, Ali Bey, by now the rebellious governor of Egypt, had dispatched an army under commanders Abu al-Dahab and Ismail Bey to subdue Damascus. Together with Zahir, the combined armies of Egypt and Palestine defeated Uthman's army outside of Damascus and Uthman fled north to the city of Homs. The city fell shortly thereafter, although they did not capture the Citadel of Damascus, which was subsequently besieged. However, Abu al-Dahab suddenly withdrew from the area, citing his fears of violating Islamic principles since seizing an Ottoman province was in effect a direct challenge to the authority of the Ottoman sultan, who held the highest religious honor as the caliph of Islam.
 Passage 3:John Michael Drew (17 October 1865 – 17 July 1947) was an Australian politician who served as a member of the Western Australian Legislative Council for 41 years in two separate terms between 1900 and his death in 1947. Born at Wanerenooka, Northampton, Western Australia, Drew established and edited several newspapers circulating in the Geraldton region before entering politics. A strong opponent of federation, he was elected to the Legislative Council in 1900. Nominally independent, Drew aligned himself with the Labor Party, and served in several Labor ministries during the early 1900s, in positions such as Minister for Agriculture, Minister for Lands, and Colonial Secretary. He officially joined the party in 1911, having been admitted to caucus sittings the previous year. During World War I, Drew supported conscription, but this issue, coupled with the ineffectual Scaddan Ministry, led to him losing his seat at the 1918 election. He regained his seat at the 1924 election, and subsequently served as chief secretary of the party, as well as Minister for Education, Health, and the North-West. Drew died of cancer in 1947, and was buried at Karrakatta Cemetery.


Answer: 1


Question: Question: What was the population of the Principality of Samtskhe while Sargis II Jaqeli was the ruler? Passage 1:Sargis II Jaqeli () (1271 – 1334) was a Georgian prince (mtavari) and ruler of Principality of Samtskhe from 1306 to 1334. He was a son of Prince Beka I Jaqeli. During his father's reign Sargis participated in many campaigns. In 1290s Azat Mousa, leader of the Anatolian Turkoman tribes, attacked Samtskhe. Beka Jaqeli appointed Sargis as a commander of army and ordered him to stop Turks near village Vashlovani. Around 1303, Sargis defeated Turkoman tribes and expelled them from Meskhetian lands. In 1306, after his father's death, Sargis ascended the Atabeg's throne. He was made Amirspasalar by his nephew, King George V "the Brilliant". After Sargis II's death, his son Qvarqvare became a new Prince of Meskheti, also the vassal of Georgian kingdom.
 Passage 2:Ito was born in Osaka Prefecture on May 28, 1978. After graduating from high school, he joined Regional Leagues club Nagoya SC in 1997. In 1999, he moved to newly was promoted to J2 League club, Ventforet Kofu. Although he could not play at all in the match behind Takehisa Sakamoto, he became a regular goalkeeper from late 1999. However the club finished at bottom place for 2 years in a row (1999-2000). In 2001, he moved to J2 club Shonan Bellmare. However he could hardly play in the match behind Yuji Ito and Masahito Suzuki. In 2003, he moved to J1 club Cerezo Osaka. However he could not play at all in the match behind Seigo Shimokawa and Daisuke Tada in 2003. In 2004, he played many matches as regular goalkeeper. However he could hardly play in the match behind new member Motohiro Yoshida in 2005. In 2006, he moved to J2 club Shonan Bellmare for the first time in 4 years. Although he played many matches as regular goalkeeper in 2006, he could not play at all in the match behind newcomer Kim Yeong-gi from 2007 and retired end of 2009 season. However he came back as player in 2010 because many goalkeeper got hurt. However he did not play the match and retired end of 2010 season.
 Passage 3:Among intellectuals, critiques of Japanese cinema grew in the 1910s and eventually developed into a movement that transformed Japanese film. Film criticism began with early film magazines such as Katsudō shashinkai (begun in 1909) and a full-length book written by Yasunosuke Gonda in 1914, but many early film critics often focused on chastising the work of studios like Nikkatsu and Tenkatsu for being too theatrical (using, for instance, elements from kabuki and shinpa such as onnagata) and for not utilizing what were considered more cinematic techniques to tell stories, instead relying on benshi. In what was later named the Pure Film Movement, writers in magazines such as Kinema Record called for a broader use of such cinematic techniques. Some of these critics, such as Norimasa Kaeriyama, went on to put their ideas into practice by directing such films as The Glow of Life (1918), which was one of the first films to use actresses (in this case, Harumi Hanayagi). There were parallel efforts elsewhere in the film industry. In his 1917 film The Captain's Daughter, Masao Inoue started using techniques new to the silent film era, such as the close-up and cut back. The Pure Film Movement was central in the development of the gendaigeki and scriptwriting.


Answer:
1