In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: " spawn " may be somewhat of an older film .
in fact it will probably be on video before anyone who has n't seen it will finally get to see it ( that is , if they see it ) .
but i managed to catch it before it made it 's way out of theaters and into the world of rentals
and , god forbid , video cassette purchasing .
it was n't the worst film of year by any means .
it is n't even on the top 5 of the worst films of the year .
but it did manage to top the bottom five of the bottom ten , which , in simpler terms , means it comes in at number 6 on my " worst of 1997 " list .
the only reason it does n't come in lower is thanks to the special effects , which might actually have been some of the best of the year .
performances , however , were either wooden or , for the most part , unforgivingly campy .
in fact , this film shows no signs of attempting to avoid campiness !
even the editing seemed to boast a campy quality .
i do n't know how to explain that one ; it was n't exactly choppy , but something about it seemed . . .
well , annoyingly unprofessional .
john leguizamo almost makes it as clown , but not quite .
he is the only character who provides the audience with any laughs that can honestly be called intentional .
but the main problem i found with " spawn " , as with most films that wind up on my " worst of " lists , is that it was just plain boring
.
i would n't even say there was a climax to the film .
sure , it had the big battle scene at the end , but the only excitement felt
was that the movie might be nearing a conclusion .
never too soon , the movie did conclude in a very simple , disappointing way .
even though it 's one of the shorter movies i 've seen this year , it 's one that i would definitely not want to subject myself to sitting thru again .
like i said , the special effects are the only reason that this film should have any sense of pride , no matter how small .
i was impressed with the opening sequence , so long as i did n't allow the melodramatic voice - over and lobotomizing editing
to get to me .
and batman has nothing on the spectacular visuals spawn 's outfit created .
but even the effects got tiresome during the final scenes , which looked quite a bit like a modern video game .
who knows if " spawn : the video game " was n't part of the plan from the beginning ?
keeping in mind that the film was based on a comic book makes it somewhat more approachable , and in a very small amount , makes up for the cheeziness of it all .
but none of this movie 's saving graces can it make it something
i 'd recommend seeing , no matter what the price of admission .
this movie is definitely not for young children , which should n't really be a problem seeing as how only teenagers , if anyone , would likely find it appealing .
if you really want to catch a movie , there are many better ones out there ,
no matter what your tastes might be !
trust me !
" spawn
" has very little to offer even the most avid moviegoers !

Output: N


Input: Consider Input: in my review of there 's something about mary , i said something to the effect of " laughter is n't everything .
"
i now need to make a brief addendum to my postulate : laughter is n't everything , unless i 'm watching a jim abrahams film .
see , spoofs are easy with me .
i love movies , and i love movies that make fun of movies that i love .
sometimes i 'm the only one in the theater laughing .
sometimes i laugh so hard that i embarass myself because my laugh is so high - pitched in comparison to my speaking voice
( it cuts right through everyone else 's laughter ) .
sometimes i laugh so much that my cheekbones are sore by the end of the film .
abraham 's latest film , mafia !
, induced this kind of hysteria upon me .
it 's gotten some mediocre reviews , but , hey , i 'm the guy who laughs at everything .
there may be a lot of jokes that flop in this film , but there are far more that work , and i laughed so frequently that the failed jokes usually occurred as i was recovering from the previous bout of giddy madness .
i enjoy films like this because not one second of it is serious or thought - provoking .
most lighweight films that pose as comedies try to do other things , like develop characters , shape stories , and other such nonsense .
mafia !
has no pretentions about characters or story , and it exists for no other reason than to make people laugh .
the film begins on the perfect high note , with a mockery of the opening of casino .
our hero ( jay mohr ) is seen walking from a casino and getting into his car , which subsequently explodes and sends him flying through the air against a backdrop of flowing fire . to describe the story of mafia ! is absurd and pointless , but i will mention that it basically follows the framework of the godfather films , with a lot of casino references inserted throughout .
along the way , the parodies seem arbitrary , and rarely victimize mob films : pictures like the english patient , forrest gump , and jaws undergo severe and hilarious bashing .
movies like this rely on just a few things , but the most important element is direction .
abrahams has been down this path many times before ( hot shots ! , top secret ! , airplane ! , and any other film with an exclamation point in the title ) , and so i hold most of the success of mafia !
to his experience .
he takes just the right attitude in each scene , and manages to wring at least a bit laughter out of even the most oddly placed references ( one inexplicable moment seems like it wants to make fun of titanic , but it never develops ) .
the actors are all energetic , which helps a lot with the tone of the film .
mohr ( suicide kings , paulie ) , who is quickly becoming one of my favorite actors , is so good here .
he looks like he 's having so much fun that he 's containing his laughter in every scene ( watch his face in the sequence by the swimming pool ) .
he 's probably the only performer in the cast who manages to urge laughter without the help of the material .
lloyd bridges does a decent imitation of brando 's godfather , while pamela gidley is dead - on in a full - blown mockery of sharon stone .
the hard thing about writing reviews for comedies is that i 'm supposed to give examples of things and be specific .
unfortunately , i was so constantly blindsided by laughter during mafia ! that i ca n't remember a lot of what made me laugh .
but that 's a good sign : mafia !
is so funny that i was n't even given time to apply any of the scenes to memory .
i laughed so hard that it shut off my brain
.
i know that does n't sound particularly complimentary , but when watching a dumb comedy like this , the first thing i want to do is shut off my brain .
finally , a film that does this for me .

Output: P


Input: Consider Input: corey yuen 's latest film , " hero " is notable on two fronts .
first this is the film to bring back the shaw brothers studio back to the forefront of film production .
secondly , the film is the re - discovery of yuen biao .
the film opens around the end of the qin dynasty , when many immigrants were making their way to shanghai .
poverty and crime rule most of china .
a young man , ma wing jing and his brother enter the fabled city and become laborers at the pier .
tam see is the most powerful gangster in town , having control of the center of the city and having an alliance with the british army .
wing jing and see become friends during a confrontation .
their friendship grows as both men start to realize their dreams , wing jing 's to be a powerful and wealthy man , and see to settle down with a woman he can truly love .
wing jing meets the singer at the club ( jessica hester ) and falls in love with her , not realizing that she is the star attraction .
after stealing her picture from a display , wing jing and his brother plot to impress her .
first they rob two foreigner 's of their money and cloths , and set up a midnight rendezvous .
unfortunately , wing jing has run afoul of a rival gangster , yeung seung who has bribed the police in an effort to gain control of see 's night club .
the two bothers are arrested and held until they manage to escape just before dawn .
jessica , having waited outside in the cold with her manager all night , gives up and returns home .
see decides to retire , he gives the night club to wing jing , as repayment for saving his life during an attempted murder .
see arranges the trade and ask his lover ( valerie chow ) to take care of wing jing .
unfortunately , she has sided with yeung seung .
the performances in the film are all top notch , with fine turns by takeshi kaneshiro as ma wing jing and jessica hester and valerie chow .
the comic turn by yuen wah , previously known as the mad vietnamese in samo hung 's " eastern condors " , is a marvelous surprise .
his gift for comedy is marvelously understated and hilarious
. the stand - out is by yuen biao who returns to the screen after a string of disappointments , with a stellar performance .
his tam see is a triad boss who knows that his time is coming to an end but still has the cunning and craft to uphold his pride .
his gangster is almost non - violent , in that he only retaliates , never instigates violence .
but when the time comes to fight , yuen biao has never looked better .
corey yuen directs the film with a maturity and a sense of pacing that has been lacking in hong kong movies as of late .
the lighting , cinematography and staging of the film are beautiful to watch .
the action scenes do not disappoint
either .
this is the most aggressive and inventive martial art choreography i 've seen in some time , actually surpassing jackie chan 's work in both ' rumble in the bronx ' and ' first strike ' .
the special effects team deserves praise for a fantastic job of making the impossible look possible .
an early fight between takeshi kaneshiro and yuen biao on the back of a horse is to be seen to be believed .
also noteworthy is the score for the film , done in
a marvelously lush orchestral style , not representative of most hong kong fare .
i would dare to say it ranks as high as the scores for both " titanic " and " rosewood " as best of the year
.
all in all , " hero " marks a grand return to filmmaking for shaw brothers .
this is the film that gives us faith that hong kong cinema is alive and flourishing .


Output: P