In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Ex Input:
Worthy sophomore effort . Out of Exile, like the debut, rocks out of the blocks riding a rolling riff that once again confirms that these guys are actually steeped in classic hard rock folklore. Again we see Rick Rubin twiddling the knobs for a fine selection of mature hard rock. Chris Cornell is again in full possession of a voice capable of putting all sorts of feeling into his lyrics. Indeed the fact that Cornell writes all the lyrics is interesting - the fact that this band has had to work out how to operate after their still talked about former bands was another hurdle these dudes had to get over. Lucky for us that they did.    This second instalment of the Audioslave story sounds much like the first which is no bad thing. The riffs are so smooth - who let the 70's back in? - and the band show full well the way to alternate rockers with mellower stuff. This album does fell a little mellower overall. Not sure if that's why the album flopped to a certain extent in certain territories but the band have corrected the slight problem of too many tracks that affected the debut.    This ablum probably shut some of the naysayers up. Sure it's sales weren't up there with the debut but it's as consistent as the first album and it's showed that this band were a serious proposition and not just a one off project and that's a good thing as hard rock needs such gimmick free bands in the mix as a foil to some of the more hysterical bands out there. In the final analysis this is a four star release for those who like their hard rock from talented players and full off rollicking riffs for the melodies to ride along.    Token non musical gripe - why the dull/crap cover

Ex Output:
POS


Ex Input:
by the might of horris you shall kneel beef or us . Beef is an excellent source of protei

Ex Output:
NEG


Ex Input:
The best Supertramp live album even 25 years later . Supertramp's seventh album entitled Paris was released in October of 1980.   The album was recorded in November of 1979 in Paris, France at the Pavillion on the final night of the band's Breakfast in America European tour. Paris is a wonderful live set, capturing the band at the peak of their popularity when co-leader/guitarist/vocalist/keyboardist Roger Hodgson was still with the group. When you consider that the possibility of Hodgson returning to Supertramp these days very doubtful, Paris becomes a more important live document of the band, indeed.   Many great Supertramp classics are included in this live two disc set, such as most of 1974's grand breakthrough Crime of the Century(the spirited opener School, Bloody Well Right, Hide in Your Shell, Asylum, Dreamer, Rudy and the closing Crime of the Century which closes this live album), three songs from 1975's highly underrated followup Crisis? What Crisis? (Ain't Nobody But Me, A Soapbox Opera and Two of Us), two from 1977's Gold selling US breakthrough Even in the Quietest Moments(From Now On and Fool's Overture), and three from the #1 Multi-Platinum selling Breakfast in America(the monster hit The Logical Song, the title cut and the Top 20 smash Take The Long Way Home) plus one exclusive song called You Started Laughing which was not found anywhere else save the B-side to a song called Lady from Crisis? What Crisis?.   Hodgson and co-leader/keyboardist/vocalist Rick Davies sing their hearts out and play their respective keyboards with great passion, and Hodgson also serves up some incredible fretwork on the guitar. Co-horts John Helliwell on saxophones/clarinets/occasional keyboards, additional backing vocals and band MC(he does the stage bantering here, especially his humorous intro to Breakfast in America), drummer Bob C. Benberg and bass player Dougie Thomson have terrific interplay with Hodgson and Davies, helping to bring the band's great melodic music to life in tremendous fashion.   Just like on their studio albums, the band totally cook live in concert, too. The songs on here rival their studio counterparts, especially on Rudy which is played at a faster speed than the studio version on the Roger/Rick vocal duel section.   Paris did well peaking at #8 on the album charts(going Gold right away) and is one of my Top 10 favorite live rock albums ever, especially with the remastering on this album.   Highly recommended!

Ex Output:

POS