Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Input: Consider Input: CONTEXT: The message of American History X is quite simple: violence begets violence. The whole film is a series of escalations based on revenge; Derek and Danny lose their father and hate consumes them. They win a basketball game against the black gang (and their turf in the process) and the gang try and steal their fathers' truck as revenge, Derek kills them over it. But then Derek's arrest interrupts this pattern, he goes off to prison and with the help of Dr. Sweeney he realises the pattern of behaviour and does what he can to prevent it from going any further. Derek has his catharsis and becomes a different person, and tries to help Danny do the same. But the problem is the same hasn't happened to those that he's wronged; there are still people out there from the black gang who have lost friends and blame them both for it, and in the end Danny pays the price. It is much more poignant and reflective of real life in this way, after years of fighting it's not so simple to drop everything and get the happy ending Hollywood has taught us is waiting.  <sep>  Q: Why did American History X end so unexpectedly? A: The message of American History X is quite simple: violence begets violence  Q: But why did the movie end in such an unexpected way? A: there are still people out there from the black gang who have lost friends and blame them both for it  Q: What was the central theme of the movie? A: The whole film is a series of escalations based on revenge  Q: Does the movie portray revenge as a justified action? A: Derek's arrest interrupts this pattern, he goes off to prison and with the help of Dr. Sweeney he realises  Q: What does he realize? A: the pattern of behaviour and does what he can to prevent it from going any further  <sep> FOLLOWUP_Q: Is he successful at preventing it given the younger brother's death?

Output: Yes


Input: Consider Input: CONTEXT: When you get a gift and keep it, you have to put it somewhere and then you have to remember where you put it. Each time you move to a new home, you have to pack the gift, then unpack it and put it in a new place that will also have to be remembered. Maude's action of throwing away the gift at the moment she got it meant she'll always remember exactly where it is, even though she will no longer have it. The movie Harold & Maude is all about how age affects your perceptions of the world and of others. Young Harold sees a situation from one angle, but the elderly Maude looks at the same situation and has a totally different perception. Maude has reached the age where possessions are not that important any more, but memories are. She's lived in many different places and has had many different things, and now realizes how ephemeral places and things are. But memories last as long as you do.  <sep>  Q: What is the meaning of Maude words to Harold after throwing the gift? A: Maude's action of throwing away the gift at the moment she got it meant she'll always remember exactly where it is, even though she will no longer have it  <sep> FOLLOWUP_Q: Why does Maude choose this way to remember the gift?

Output: Yes


Input: Consider Input: CONTEXT: The source material is essentially a recollection of a life lived by an individual on his death bed. We are seeing these things through the lens of memory, so it is meant to be an almost first person account. There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality. That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story. I won't comment on whether it was successful. The closest thing I can think at this moment that has this sort of movement might be in Wes Anderson movies where suddenly the naturalistic feel is broken in favor of a staged play: the Zissou movie and "Moonrise Kingdom" both take similar but more obvious breaks from naturalism.  <sep>  Q: Why is the audience sliding around in this scene from Le Temps retrouvé?


Output: Yes