In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Q: A Frank Capra WONDERS OF LIFE film.Keeping the blood pumping through our veins is the responsibility of hardworking HEMO THE Magnificent.In the mid-1950's, AT&T and Bell Science teamed with famed Hollywood director Frank Capra to produce a series of CBS television science films to educate the public about the Universe around them. A far cry from the dreary black & white fodder so often foisted off on young scholars, the Capra films would both instruct and entertain with lively scripts and eye-catching visuals shown in Technicolor. The four films - OUR MR. SUN (1956), THE STRANGE CASE OF THE COSMIC RAYS (1957), HEMO THE MAGNIFICENT (1957), THE UNCHAINED GODDESS (1958) - quickly became schoolhouse favorites, where they were endlessly shown in 16mm format.The star of the series was Dr. Frank C. Baxter (1896-1982), an affable English professor at the University of Southern California. This avuncular pedagogue proved to be the perfect film instructor, genially imparting to his audience the sometimes complex facts in a manner which never made them seem dull or boring. Dr. Baxter, who won a Peabody Award for his achievements, continued making high quality instructional films after the Capra quartet were concluded.HEMO THE Magnificent, which was produced, written & directed by Capra, relates the story of the human heart and blood circulation system, using animation and gentle humor. Film star Richard Carlson appears as the Fiction Writer, energetically helping Dr. Baxter tell Hemo's tale.Movie mavens will recognize Sterling Holloway as part of the TV production crew, and the voices of Marvin Miller, Mel Blanc, June Foray & Pinto Colvig as various cartoon characters, all uncredited.The devotional Scripture which begins the film is completely in tune with the tenor & tone of the production.

A: positive
****
Q: This is one strange hacked together film, you get the feeling that the bond company had to come in on this one, I'm not surprised there's no credits on it, who would want to be associated with this film. The Acting of all involved is terribly stilted and the plot jumps around all over, it all makes very little sense. As I said before it looks like the bond company had to come in because it seems like there was alot of footage that wasn't shot that needed to be, and all the music was very ill-fitting library music (cheap I guess). Very, very odd. I might actually buy a DVD of it though, if it could let me in on what the hell was going on, and what happened to this movie.

A: negative
****
Q: 'The Shop Around the Corner (1940)' is a pleasant romantic comedy, not the sort that I will hold dear to me until the end of my days, but nonetheless a film thoroughly deserving of its reputation. By 1940, director Ernst Lubitsch had long ago taken Hollywood by storm, and his famed "Lubitsch touch" had become a sparkling commercial trademark. This film was planned for a 1939 release, but scheduling conflicts meant that James Stewart and Margaret Sullavan were unavailable for filming. Rather than substituting either of his main stars, Lubitsch decided to postpone production, in the meantime directing Greta Garbo in 'Ninotchka (1939).' When it was finally completed, 'The Shop Around the Corner' appears to have been met with relative indifference, receiving zero Oscar nominations despite an excellent screenplay by Samson Raphaelson and fine performances from its two leads and Frank Morgan in a supporting role. Time, nevertheless, has betrayed the film's massive and enduring influence, with high-profile remakes including 'In the Good Old Summertime (1949)' and 'You've Got Mail (1998).'At its surface, one might assume 'The Shop Around the Corner' to simply be the story of two lovers, Klara Novak (Sullavan) and Alfred Kralik (Stewart), who love each other without knowing it. However, Lubitsch's film runs much deeper than that. It's the story of Matuschek and Company, a stylish gift shop in Budapest, and the various human relationships that make the store such a close-knit family. When store-owner Hugo Matuschek (Frank Morgan) begins to suspect his oldest employee of having an affair with his wife, we witness the breakdown of two families, both at home and at work. There's absolutely no reason why the story should not have been set in the United States  perhaps in the blustery streets of New York  but Lubitsch was deliberately recreating the passions and memories of his former years in Europe, the quaintness of love and life before war brought terror and bloodshed to every doorstep. This subtle subtext brings a more meaningful, personal touch to the film  in fact, even as I write this review, I'm beginning to appreciate the story even more.Sullavan and Stewart are both lovely in their respective roles, but I think that it's the supporting cast that really make the film. Each character brings a distinctive personality to the mix, and their interactions are always believable and enjoyable. I especially liked how Lubitsch knowingly directed much of our sympathy towards Hugo Matuschek, who, in any other film, would have been restricted to an underdeveloped, two-dimensional portrayal. Matuschek may have lost the love of his family, but he recaptures it in the affection of his employees, and you feel a heartwarming glow when, in the bitter cold of a Christmas Eve snowstorm, he finds companionship in a freckle-faced young errand-boy (Charles Smith). This genuine warmth towards a supporting character strikes me as being similar to several of Billy Wilder's later creations, for example, Boom Boom Jackson in 'The Fortune Cookie (1966)' or Carlo Carlucci in 'Avanti! (1972).' Of course, it doesn't really need saying, but Billy Wilder learned from the best.

A:
positive
****