In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Q: Question: How well rated was the episode where the ninth doctor morphed into the tenth? Passage 1:In 1902 Vice President Theodore Roosevelt requested that Marshall Bond assist Roosevelt's cousin Leila's husband Edward Reeve Merritt, a Bond friend, to help a group of Boer refugees purchase ranchland and establish a colony in Mexico. Judge Hiram Bond's cattle dealing at Villa Park Ranch near Denver had included some previous experience with purchases from and sales to ranchers in Mexico. After Marshall Bond and Edward Reeve Merritt met and negotiated with José Yves Limantour and other federal officials in Mexico City and visited various potential sites, they bought a large ranch Hacienda Humboldt from Governor Luis Terrazas on the Rio Conchos in the municipality of Julimes near Delicias, Chihuahua. For more, see Creel-Terrazas Family. The Boers managed to farm there for about fifteen years, until they were displaced as farmers and managers by native Mexicans who were supported by populist labor agitators.
 Passage 2:The regeneration of the Ninth Doctor into the Tenth at the end of "The Parting of the Ways" (2005) used computer effects to morph Christopher Eccleston into David Tennant. In the episode of Doctor Who Confidential accompanying the episode "Utopia" (2007), where the same effect is used for the Master's regeneration, it is stated that the production team decided that this would be a common effect for all future Time Lord regenerations, rather than each regeneration being designed uniquely at the whim of the individual director. This style of transition is seen again in "The Stolen Earth"/"Journey's End" (2008) both when the Doctor undergoes an aborted regeneration, and when his hand spawns a clone in the second part; in The End of Time (2010) during which Matt Smith took over the role as the Eleventh Doctor; in "The Impossible Astronaut" when the Doctor is shot twice and seemingly killed; in "Day of the Moon" when a young girl regenerates; and in "Let's Kill Hitler" when Mels (Nina Toussaint-White) is shot and regenerates into River Song (Alex Kingston). "The Night of the Doctor" and "The Day of the Doctor" subsequently use the effect to show the Eighth Doctor and War Doctor's regenerations respectively. The Eighth Doctor's regeneration into the War Doctor uses steady beams of light as opposed to the flame effect used for other revived series regenerations. In the Series 10 episode "The Lie of the Land", the Twelfth Doctor fakes a regeneration as part of a plan to test if Bill still has free will. The effect used is consistent with the one used in the modern series, with the Doctor's hands glowing and emitting regeneration energy before he enters full regeneration. However, as the regeneration was not real, it did not use up a regeneration and the Doctor did not change bodies.
 Passage 3:Cross began his career at Walsall, who finished 12th in the Third Division in 1966–67 under the stewardship of Ray Shaw. New boss Ron Lewin then took the "Saddlers" to a seventh-place finish in 1967–68. After a 13th-place finish in 1968–69, Bill Moore returned to lead Walsall to 12th place in 1969–70. Cross played just 12 league games in his four years at Fellows Park. He joined Gordon Lee's Port Vale in July 1970. He made his debut on 5 September, in a 1–0 win over Preston North End at Vale Park. He played 42 Third Division games in the 1970–71 season, and scored his first goal in the Football League on 2 January, in a 2–1 win over Doncaster Rovers at Belle Vue. He was an ever-present in the 1971–72 season, playing all 46 league and five cup games. He made 40 appearances in the 1972–73 season, and ended a series of 134 consecutive appearances from his debut in March 1973 when he wrenched his left knee. He recovered from this injury to play just two games in the 1973–74 campaign, but then he injured his knee ligaments in October 1973 and was out of action for 17 months. He managed to play just two games in the 1974–75 season, and was handed a free transfer in May 1975 by new manager Roy Sproson. He went on to play for Southern League side Nuneaton Borough. Upon his retirement as a player, he became a School of Excellence coach at Stoke City. He later went on to become a teacher for 25 years.


A: 2
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Q: Question: How old is the person who succeeded Hastings? Passage 1:Kanazawa was born in Iruma on July 9, 1976. After graduating from Kokushikan University, he joined J1 League club Júbilo Iwata in 1999. Although he could not become a regular player, he played many matches as left side midfielder from first season. The club won the champions 1999 and 2002 J1 League. In Asia, the club won the champions 1998–99 Asian Club Championship and the 2nd place 1999–00 and 2000–01 Asian Club Championship. In 2003, he moved to FC Tokyo. He became a regular player as left side back from first season. The club won the champions 2004 J.League Cup. Although he could hardly play in the match for injury in 2006, he came back and became a regular player again in 2007. From 2008, he lost regular position behind newcomer Yuto Nagatomo and he also played as defensive midfielder not only left side back. In August 2009, he moved to Júbilo Iwata for the first time in 7 years. He played as regular left side back in 2009 season. Although he could not play many matches from 2010, the club won the champions 2010 J.League Cup. His opportunity to play decreased from 2011 and he moved to J2 League club Thespakusatsu Gunma in 2014. He retired end of 2014 season at the age of 38.
 Passage 2:Born in Scarborough, Ontario, Canada in 1957, he attended Lord Roberts Public School, graduated from Midland Avenue Collegiate Institute, holds a BA from the University of Trinity College, University of Toronto, law degrees from Osgoode Hall Law School and the London School of Economics, and was a practising barrister. He moved to New Zealand in 1985. Before becoming Chief Censor, he was Deputy and Acting Chief Censor from December 1998 to October 1999, Senior Lecturer in Law (teaching Legal System and International Law), Deputy Dean of Law, and a member of the governing Council, at Victoria University of Wellington. He was also briefly the Video Recordings Authority in 1994, a member of the Indecent Publications Tribunal from 1990 to 1994 and Deputy President of the Film and Literature Board of Review from 1995 to 1998. In 2010 he stood down as Chief Censor when he became a District Court Judge and Chair of the Immigration and Protection Tribunal. He was succeeded by Andrew Jack.
 Passage 3:Most Deep Learning systems rely on training and verification data that is generated and/or annotated by humans. It has been argued in media philosophy that not only low-payed clickwork (e.g. on Amazon Mechanical Turk) is regularly deployed for this purpose, but also implicit forms of human microwork that are often not recognized as such. The philosopher Rainer Mühlhoff distinguishes five types of "machinic capture" of human microwork to generate training data: (1) gamification (the embedding of annotation or computation tasks in the flow of a game), (2) "trapping and tracking" (e.g. CAPTCHAs for image recognition or click-tracking on Google search results pages), (3) exploitation of social motivations (e.g. tagging faces on Facebook to obtain labeled facial images), (4) information mining (e.g. by leveraging quantified-self devices such as activity trackers) and (5) clickwork. Mühlhoff argues that in most commercial end-user applications of Deep Learning such as Facebook's face recognition system, the need for training data does not stop once an ANN is trained. Rather, there is a continued demand for human-generated verification data to constantly calibrate and update the ANN. For this purpose Facebook introduced the feature that once a user is automatically recognized in an image, they receive a notification. They can choose whether of not they like to be publicly labeled on the image, or tell Facebook that it is not them in the picture. This user interface is a mechanism to generate "a constant stream of  verification data" to further train the network in real-time. As Mühlhoff argues, involvement of human users to generate training and verification data is so typical for most commercial end-user applications of Deep Learning that such systems may be referred to as "human-aided artificial intelligence".  


A: 2
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Q: Question: Does the town where Mootz was a boy's choir member have more people living in it than the town where he was born? Passage 1:Following his donation of Ochre Court in 1947, he purchased a home known as Champ Soleil, designed by Polhemus & Coffin and located at 601 Bellevue Avenue in Newport. He served on the boards of Bailey's Beach and the Newport Country Club, both of which were co-founded by his uncle, and which he was one of the largest shareholders. In New York, he was a member of the Knickerbocker Club, the Harvard Club, Turf Club, the St. Nicholas Society, the Piping Rock Club, and the Tuxedo Club. He also owned a plantation near Charleston, South Carolina, and was the builder of Glenmere mansion, his estate on the Hudson River built in 1911 and designed by Carrère and Hastings, where he entertained Babe Ruth and the Duke and Duchess of Windsor. Glenmere was a 62-room manor house in the style of an Italian villa set on 1,322 acres.
 Passage 2:The ambient house movement began in the late 1980s largely due to the demand for post-rave "come-down" music. It was founded mainly by The Orb members Alex Paterson and Jimmy Cauty. They drew from various influences, particularly Yellow Magic Orchestra (active since the late 1970s), an electronic music group frequently cited as a pioneer of ambient house music, in addition to influences from Steve Reich, Brian Eno, reggae music, and 1970s psychedelic rock, including Pink Floyd. Inspired by the house music played by DJs such as Larry "Mr. Fingers" Heard, Paterson and Cauty began DJ-ing and composing experimental music. The Orb established the genre in 1989 as DJs during night-club events called The Land of Oz, based at the night-club Heaven. After a recording session with John Peel later that year, The Orb released the twenty-minute "A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld", which featured "bright, translucent sounds" and "tinkl[ing]" keyboards, as well as heavily sampling Minnie Riperton's "Lovin' You". Out of Paterson and Cauty's sessions at Trancentral studio, came Cauty and Bill Drummond's KLF album Chill Out (which featured no credit to Paterson). As one of the first ambient house albums, The Grove Dictionary of Music describes it as "a 1980s pop culture version of musique concrète". After splitting from The Orb, Cauty finished work on his own album Space, and Paterson's Orb went on to create the single "Little Fluffy Clouds" – both important works of ambient house. In 1991, The Orb released the album The Orb's Adventures Beyond the Ultraworld, featuring both of their previous singles. Combining Moog synthesizers with religious chorales and audio clips of the Apollo 11 rocket launch, The Orb popularized the "spacy" sound of ambient house.
 Passage 3:Born August 18, 1976 in Wetzlar, Germany, Mootz served an apprenticeship in classical music and was a member of the boy's choir of Windsbach. After studying music engineering at the SAE Institute, Mootz worked with the experimental hip hop/illbient label Chrome, an offshoot of Force Inc Music Works. Over the course of several drum and bass albums and many singles, and as A&R manager for Chrome, later renamed Position Chrome, Panacea became known for pushing the bounds of the drum and bass genre into industrial and hardcore territory, and for energetic DJ sets which fused these genres in a live setting. With his side project m, he explored a more minimal side of electronic music, first in the realm of clicks 'n' cuts, and later in the dark ambient territory pioneered by the likes of Lustmord. Mootz lives and produces in Sommerhausen, a countryside town near Würzburg.


A:
3
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