In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

[Q]: When Vince is paroled for five years for a heist gone wrong, his dangerous and controlling former boss, Kranski, forces him back into a life of crime. Working for Kranski as a car thief, Vince finds solace in welding sculptures out of metal and old car parts in Kranskis chop shop. When Vinces raw and evocative sculptures are discovered by the calculating art dealer, Belinda, his chance for a new life as an artist emerges, as well as romantic complications with Belindas gallery assistant, Kristen. Caught between the pressure from Kranski and the demands of the art world, Vince has to cleverly manoeuvre his way out to become his own man and his own artist.
[A]: Question: What does Vince use to make sculptures?, Answer: Car parts


[Q]: Three young people are seen ice skating in Gorky Park. Three days later, Soviet militsiya officer Arkady Renko (William Hurt) investigates the discovery of their bodies a short distance from the skating rink. All have been shot in the chest and mouth; their faces and fingerprints have been completely removed. Renko is left anxious and paranoid when the KGB refuse to take over the investigation. Renko enlists the help of Professor Andreev (Ian McDiarmid) to reconstruct their faces.At a weekend getaway at the dacha of Chief Prosecutor Iamskoy (Ian Bannen), Renko makes the acquaintance of the American sable importer Jack Osborne (Lee Marvin) and his girlfriend Irina Asanova (Joanna PacuÅa). During his investigation, Renko crosses paths with William Kirwill (Brian Dennehy), a New York detective who is in the Soviet Union investigating the disappearance of his brother James.Renko is eventually able to piece together the victims' identities: James Kirwill, and two young Russians who were friends of Irina. He discovers that the three were busy constructing a chest for Osborne. Renko's suspicion of Osborne mounts over time, during their polite but tense conversations in social settings. When Irina is attacked by a KGB officer who attempts to inject her with a fatal overdose, Renko saves her. Nursing her back to health in his apartment, they begin an affair.Kirwill finally locates the barn where the three victims were building Osborne's chest. It was designed to smuggle six sables out of the country and to break the Soviet monopoly on their fur, potentially earning Osborne millions. Irina stubbornly continues to believe that her friends are alive. Osborne had promised to smuggle them out of Soviet Union in return for their work; he tells Irina that they were successfully freed.Renko confronts her with Prof. Andreev's reconstructed head of one of her friends, forcing her to realize that they have been murdered by Osborne. She confesses the full details of the plot to him and then runs away. Renko and Kirwill go to Andreev's to retrieve the second reconstructed head, but a KGB agent emerges with it in a box. They follow him, and Renko is crushed to find they are back at Iamskoy's dacha. They watch from a distance as Osborne and Iamskoy supervise the destruction of the head by the KGB agent. To Kirwill's horror, it is his brother's head.Renko confronts Iamskoy in a bath house. Iamskoy cordially admits that he kept Renko on the case because Osborne was unwilling to pay a high enough price to smuggle out the sables. Renko's investigation was intended to frighten Osborne into paying more. He offers to cut Renko in on Osborne's kickback. Renko reveals that he has recorded the conversation, and Iamskoy jumps up and wrestles Renko for the gun. In the ensuing struggle, Renko's gun goes off and kills Iamskoy.Osborne flees to Stockholm. The KGB allows Renko to supervise an exchange. He is to receive the sables from Osborne, whereupon everyone will be allowed to walk away. Renko is shown into a bedroom where Irina is waiting for him. She confesses that she fled to Osborne, who has worked her freedom into the deal for the sables. She promises Renko that his freedom can also be part of the deal. Disgusted by her treachery, Renko tells Irina she has blood on her hands. He meets with Kirwill and the two assume that as soon as the exchange is complete, the KGB will kill Irina, Renko and Osborne all at once.The next morning, at a remote farm, Renko and the KGB approach Osborne. They come across the corpse of Kirwill; tied to a tree with his intestines hanging out. Renko is devastated; Osborne then loudly announces that he gutted Kirwill after he killed his dogs. Osborne throws six dead sables onto the field and asks the men to lower their weapons. Renko realizes that neither side will let the other live. When Osborne shoots a man, Renko grabs Irina and runs for cover in the woods. Pribluda then kills the other man before Osborne kills Pribluda in a standoff.Osborne tries to shoot Renko in the woods. Renko finds more live sables in their cages. Irina emerges from the woods and Osborne threatens to kill her if Renko does not surrender. When Renko emerges to give up, Irina shoots Osborne. Renko, too, shoots Osborne before Irina fires multiple rounds, killing him. She asks Renko to go away with her, but Renko reveals he agreed to do the hit on Osborne in return for Irina's safety and freedom from Soviet Union, and that she'd be hunted down and killed if Renko did not return.Renko frees all of the sables, which run off into the woods as we hear Irina's voice repeat Renko's promise that they will meet again one day.
[A]: Question: Renko is shown in to a bedrooom where who is waiting for him?, Answer: Irina.


[Q]: At a Sunset Boulevard mansion, the body of Joe Gillis floats in the swimming pool. In a flashback, Joe relates the events leading to his death.Six months earlier, down-on-his-luck screenwriter Joe tries selling Paramount Pictures producer Sheldrake on a story he submitted. Script reader Betty Schaefer harshly critiques it in Joe's presence, unaware that he is the author. Later, while fleeing from repossession men seeking his car, Joe turns into the driveway of a seemingly deserted mansion. After concealing the car, he hears a woman calling him, apparently mistaking him for someone else. Ushered in by Max, her butler, Joe recognizes the woman as long-forgotten silent film star Norma Desmond. Learning he is a writer, she asks his opinion of a script she has written for a film about Salome. She plans to play the role herself in a comeback. Joe finds her script abysmal, but flatters her into hiring him as a script doctor.Moved into Norma's mansion at her insistence, Joe resents but gradually accepts his dependent situation. He sees that Norma refuses to face the fact that her fame has evaporated and learns the fan letters she still receives are secretly written by Max, who tells him Norma is subject to depression and has made suicide attempts.Norma lavishes attention on Joe and buys him expensive clothes. At her New Year's Eve party, he discovers he is the only guest and realizes she has fallen in love with him. He tries to let her down gently, but she slaps him and retreats to her room. Joe visits his friend Artie Green to ask about staying at his place. At Artie's party, he again meets Betty, who he learns is Artie's girl. Betty thinks a scene in one of Joe's scripts has potential, but Joe is uninterested. When Joe phones Max to have him pack his things, Max tells him Norma cut her wrists with his razor. Joe returns to Norma.Norma has Max deliver the edited Salome script to her former director, Cecil B. DeMille, at Paramount. She starts getting calls from Paramount executive Gordon Cole, but petulantly refuses to speak to anyone except DeMille. Eventually, she has Max drive her and Joe to Paramount in her 1929 Isotta Fraschini.[4] The older studio employees warmly greet her. DeMille receives her affectionately and treats her with great respect, tactfully evading her questions about Salome. Meanwhile, Max learns that Cole merely wants to rent her unusual car for a film.Preparing for her imagined comeback, Norma undergoes rigorous beauty treatments. Joe secretly works nights at Betty's Paramount office, collaborating on an original screenplay. His moonlighting is found out by Max, who reveals that he was once a respected film director. He discovered Norma as a teenage girl, made her a star and was her first husband. After she divorced him, he found life without her unbearable and abandoned his career to become her servant.Although Betty is engaged to Artie, she and Joe fall in love. Norma discovers a manuscript with Joe's and Betty's names on it. She phones Betty and insinuates what sort of man Joe really is. Joe, overhearing, invites Betty to come see for herself. When she arrives, he pretends he is satisfied being a kept man, but after she tearfully leaves, he packs to return to his old Ohio newspaper job. He disregards Norma's threat to kill herself and the gun she shows him to back it up. He bluntly tells her the public has forgotten her, there will be no comeback, and the fan letters are from Max. As Joe walks away, Norma shoots him three times. He falls into the pool.The flashback ends. The house is filled with police and reporters. Norma, having lost touch with reality, believes the newsreel cameras are there to film Salome. Max and the police play along. Max sets up a scene for her and calls "Action!" As the cameras roll, Norma dramatically descends her grand staircase. She pauses and makes an impromptu speech about how happy she is to be making a film again, ending with: "All right, Mr. DeMille, I'm ready for my close-up."[5]
[A]:
Question: Who calls action?, Answer: Max