In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

[EX Q]: Between "Heaven" and Hell . The brilliant director of "Run Lola Run" and "The Princess and the Warrior", Tom Tykwer, has directed another visually stunning, thought provoking and mystical film exploring the relationship of a man and a woman from different backgrounds who find each other and realize that a strong and potent connection exists between the two of them. As in "The Princess and the Warrior," Tykwer combines the real and the surreal to dazzling effect.    The main characters, whose names are "Phillipa" and "Fillipo" represent opposite or opposing forces who finally become merged into one. "Phillipa" the female character, circumvents and subverts society's ineffectual system of laws by taking the law into her own hands, and plans to kill a drug dealer who is in cahoots with the the police. "Fillipo", the male character, is in direct contradistinction to Phillipa in that he is a member of the police system that Phillipa feels has failed her, her husband, and her students (she is a teacher). After she is captured, the two find a powerful spiritual connection that transforms and bonds them forever. The roles that were established for the characters blur as Fillipo breaks the laws his job symbolizes and helps Phillipa escape; and Phillipa, racked with guilt over the the inncoent deaths at her hands, is ready to submit to the very same laws that failed her and set all the events in motion. The film, as it progresses, reconciles these opposing forces, and the characters' identities and ideals literally (they begin to look alike) and symbollically (they begin to both believe that there is no real justice in the world) merge into one.    The film, in addition, grows more surreal as it progresses and the bond between the two is cemented both physically and spiritually. Some critics have expressed that the ending is disappointing in the way it leaves the moral aspects of the film unresolved (Phillipa escapes punishment for her crimes). I think they have missed the point in that the main focus of the film, as in most of Tykwer's films, is on the mystical connection of the characters. The last scene, a breathtaking piece of cinema, establishes this connection in a surreal way. Phillipa herself admits that she deserves punishment for her crimes, but in a world that makes no sense, where justice and law rarely live up to their ideals, their last escape makes perfect sense
[EX A]: POS

[EX Q]: MASH as great as ever . MASH matured each season, adding more depth to both the performances and script. There has never been as good a TV series, and continues to gain significance as the years pass
[EX A]: POS

[EX Q]: music maker's magic . Pick up most any hit record beginning in the late 1940s, especially any recording done with Atlantic Records, and you will likely see that one Tom Dowd was the producer or recording engineer. In this loving tribute to Dowd, who died October 27, 2002 before the film was finished, those inside the guild honor the memory of one whom they universally acknowledge was a legendary genius and wonderful human being. In his younger years Dowd was a physics student at Columbia, and even worked on the atom bomb project (he was present at the Bikini Atoll tests), but his mother was an opera singer and perhaps he was destined for music. Dowd was a master technical innovator, musical aesthete, coach, father figure, and psychologist. He himself narrates most of the film, but we are also treated to original concert footage (Otis Redding, Aretha Franklin, etc.) and retrospective interviews with a number of the stars whose sounds he perfected, including Ray Charles, Eric Clapton, and Greg Allman. The five minutes or so when Dowd sits at a console and walks us through the thirty-year-old master copy of "Layla," starting with only the guitars and then adding the various parts until they pulse with that incredibly evocative sound that defined an era, interspersed with poignant reflections by Clapton, are worth the entire film. One disappoint in this otherwise fascinating glimpse of the history of music recording since the late 1940s is that we learn nothing at all personal about Dowd, and nothing at all about any weaknesses, failures, misjudgments, and the like, that would have made this entirely likable person even more richly human
[EX A]:
POS