In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Passage: The populace of the lethargic small town Fate, TX gathers for the grand opening of Consumart, a glossy new one-stop-shopping box store. The enthusiastic patrons merrily dispense into the store as the doors open at sunset.  Before the unsuspecting shoppers have time to question the fact that the store is stocked with coffins, terror erupts and the store explodes into a bloodbath. A few weeks later, three unmindful, egocentric twenty somethings, Carrie, Sam, and Bone, embark on a road trip to Mr. Fire, a festival which shares eerie similarities to Burning Man, and accidentally wander into Fate, unaware of its population's ill-fated transformation... into vampires.  Carrie, a superficial, aggressive scenester is dating Sam's wallet.  Sam is a shrill, immature, hypochondriac, well-to-do young man. Bone, an uncaring badass with a malicious speech pattern, is still nurturing a yearning for Carrie predicated upon a drunken, frolicsome one night stand.
After a confrontation with two blood-thirsty convenience store clerks in which Sam is repeatedly bitten and attacked, Bone is forced to butcher them. Now the protagonists begin to wonder if something strange might be going on in the town.  Luckily, but only in the sense that they didn't get murdered, the three stumble upon the only surviving humans in town: Byron Von Jones, a trigger-happy, conspiracy theorist, militia member; Lynette Von Jones, a worn, white-trash hussy; and Roy Jackson, a spineless, deceitful frat boy in his early 20s. The group is forced to band together and take shelter in Roy's ranch house, surrounded by hundreds of vampires intending to torch the property before sunrise.  The group must now try to last throughout the night with their bloodthirsty pursuers on their tail.
Who begins to wonder if something strange might be going on in the town?

Passage: From the age of six and for the rest of his life Saint-Saëns composed mélodies, writing more than 140. He regarded his songs as thoroughly and typically French, denying any influence from Schubert or other German composers of Lieder. Unlike his protégé Fauré, or his rival Massenet, he was not drawn to the song cycle, writing only two during his long career – Mélodies persanes ("Persian Songs", 1870) and Le Cendre rouge ("The Red Ash Tree", 1914, dedicated to Fauré). The poet whose works he set most often was Victor Hugo; others included Alphonse de Lamartine, Pierre Corneille, Amable Tastu, and, in eight songs, Saint-Saëns himself: among his many non-musical talents he was an amateur poet. He was highly sensitive to word setting, and told the young composer Lili Boulanger that to write songs effectively musical talent was not enough: "you must study the French language in depth; it is indispensable." Most of the mélodies are written for piano accompaniment, but a few, including "Le lever du soleil sur le Nil" ("Sunrise over the Nile", 1898) and "Hymne à la paix" ("Hymn to Peace", 1919), are for voice and orchestra. His settings, and chosen verses, are generally traditional in form, contrasting with the free verse and less structured forms of a later generation of French composers, including Debussy.Saint-Saëns composed more than sixty sacred vocal works, ranging from motets to masses and oratorios. Among the larger-scale compositions are the Requiem (1878) and the oratorios Le déluge (1875) and The Promised Land (1913) with an English text by Herman Klein. He was proud of his connection with British choirs, commenting, "One likes to be appreciated in the home, par excellence, of oratorio." He wrote a smaller number of secular choral works, some for unaccompanied choir, some with piano accompaniment and some with full orchestra. In his choral works, Saint-Saëns drew heavily on tradition, feeling that his models should be Handel, Mendelssohn and other earlier masters of the genre. In Klein's view, this approach was old-fashioned, and the familiarity of Saint-Saëns's treatment of the oratorio form impeded his success in it.
What were the names of the two people, who unlike Saint-Saëns, were drawn to the song cycle?

Passage: Chadderton F.C. is an association football club formed in 1947 under the name Millbrow Football Club, later changing to North Chadderton Amateurs, before adopting its present name in 1957. It plays in the North West Counties Football League First Division. Past players have included former England national football team captain David Platt, former Leeds United A.F.C. and Crystal Palace F.C. player John Pemberton and Northern Ireland national football team player Steve Jones. Mark Owen of pop group Take That briefly played for the club. Chaddertonians A.F.C. were formed in 1937 and currently play in the Lancashire Amateur League. Chadderton Park F.C. is an amateur football club founded in 1977. Oldham Borough F.C., formerly Oldham Dew and Oldham Town, were a Chadderton-based North West Counties League football club formed in 1964. They played at Nordens Road, Chadderton before moving to the Whitebank Stadium in Oldham in the early 1990s.
An earlier but short-lived version of Chadderton F.C. briefly played in the Manchester Football League in the early part of the 20th century. Joining the league in the 1905-06 season the club ran into serious difficulties and were unable to complete the season. The club’s record for the season was expunged.The Art Nouveau Chadderton Baths was a public swimming facility opened in 1937. Henry Taylor, the British Olympic freestyle swimming triple gold medallist and champion was an attendant at Chadderton Baths where many of his awards were displayed. Chadderton Baths were closed indefinitely in 2006 after a structural survey found faults which could have put the public at risk. Chadderton Sports Centre, built onto the Baths, was closed and replaced by the Chadderton Wellbeing Centre in January 2010. An application to demolish the Baths was made in March 2011, but is now in private ownership with conversion work due soon. The Wellbeing Centre is a multi-purpose facility with a swimming pool, dance studio, library, gym, meeting rooms, and café.

What's the present name of the club that Mark Owen briefly played for?