Given a document, an entity and its sentiment towards the entity, verify if it is the correct sentiment towards the entity. Answer should be yes or no. Note that URLs in the text have been replaced with [Link].
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Question: Verify if the sentiment of the following document towards the entity Joanne is Positive . But Gaga has spent the past three years deconstructing her previous project  which is its own kind of performance. Elaborate dance pop ceded ground to jazz standards  showtunes  and country rock. Tentacle gowns went into the closet; jeans and a pink cowboy hat came out. The director Chris Moukarbel shot Five Foot Two largely on handheld—maybe even smartphone—cameras. You see Gaga cooking  recording  planning  crying  bonding. In one scene  she’s topless as she chats with her team by the poolside. The implication: This is Gaga  au naturel. Yet she never seems to forget the camera. Five Foot Two documents last year’s release of her album Joanne  and makes clear how much Gaga’s public reboot relied on demonstrating that she  like everyone else  suffers. Gaga has increasingly mined the traumas of her own life  with songs and philanthropic efforts growing out of her rape at age 19. The dissolution of her engagement to the actor Taylor Kinney  mournfully referenced a few times in the documentary  seemed to inform the breakup-themed Joanne singles “Perfect Illusion” and “Million Reasons.” But there was a deeper source of anguish on  Joanne   too. The album is named for  her  aunt  an aspiring artist who died of lupus at age 19 in 1974. “Seeing what that did to [my father] and my family was the most powerful thing I experienced growing up ” Gaga tells the journalist Darryl Pinckney in the film. “I am Joanne. I am my father’s daughter. That is what this record is about.”
The most memorable scene of the documentary comes when she first plays the album’s delicate  acoustic title track for her grandmother   Joanne’s  mom. The moment verges on uncomfortable  and not only because Gaga’s father   Joanne’s  brother  gets up and leaves the room in apparent distress midway through. Gaga herself seems hungry to have her telling of an ordeal she did not personally experience validated by those who did. “Did I get it right?” she asks her grandmother  mid-hug. “Yes you did ” her grandmother responds. But she has a warning for Gaga  too: “Don’t become maudlin over all this.” For now  Gaga is asking not for applause but understanding. It’s never explicitly stated  but Gaga seems to connect to  Joanne ’s story in part because of  her  own medical situation. Iconography about hospitals and crutches and wheelchairs over the years hinted that the seemingly bionic pop star faced problems of the flesh off-stage. In 2010   she  told Larry King  she  tested “borderline positive” for lupus.  She ’s still feeling the effects of the injury  she  sustained in 2013  as seen in a Five Foot Two moment when  she  pauses rehearsals for  her  Super Bowl halftime show because of hip tightness.  Fibromyalgia  appears to make that problem worse  and being a pop star in chronic pain certainly doesn’t seem easy. One scene shows  her  having  her  makeup done for a performance while sitting in a doctor’s examination room.
Gaga’s particular ailment is an almost-literal rendering of Jamison’s “pain without a cause”—which is  as  she  notes  “pain which can’t be trusted.” A poorly understood but widespread disorder that seems to inordinately affect women  fibromyalgia is sometimes assumed to be psychosomatic. “Drug Approved. Is Disease Real?” read a 2008 New York Times headline about the first FDA-sanctioned drug to treat it. Gaga has said that she wants to help raise awareness and research dollars. During one excruciating flare-up shown in Five Foot Two  she sympathizes with less-privileged sufferers of the disorder: “Like  I don’t know what I’d fuckin’ do if I didn’t have everybody here to help me.” A few moments later  she’s looking straight into the camera. “Do I look pathetic?” she asks  tear-streaked  lying on a couch  a therapist massaging her. “I’m so embarrassed.” It’s a powerful moment because the stigma of pain is clearly part of the pain itself. But it’s also aesthetically striking. To answer Gaga’s question  she actually looks like she did in parts of the “Bad Romance” video—crying  stripped down  and oddly luminous. It’s a sign of fame’s power on the viewer: Whatever lengths she might go to put person over persona  the persona remains. * * * Pop music has firmly moved on from the phase of gleeful  Technicolor artifice that Gaga stood for at her peak. Contemporaries in wildness like Kesha and Miley Cyrus have done much what Gaga has done and traded Alexander McQueen creations for cowboy boots. They have also made a diaristic turn  harmonizing their music with their angsty  tabloid sagas.
Usually this means trading on the spectacle of suffering to sell pop’s ultimate commodity—inspiration. Beyoncé’s Lemonade is the signal example  taking the sting of infidelity to spin a tale of hurt and overcoming. Kesha’s alleged abuse by her mentor and producer Dr. Luke was addressed and transcended on this year’s Rainbow. Katy Perry marketed her latest album with an on-camera therapy session in which she cried about her “real” self wanting to be known. Taylor Swift seems on the verge of unveiling a more acidic survival story. “Victim to victory” songs are always in fashion  but the latest boom relies  more than pop usually does  on the feeling of authenticity. Adult listeners of drive-time radio typically know they’re in the realm of fantasy and commerce  yet fully enjoying the confessional-pop performance means buying into the non-musical narratives surrounding them. Beyoncé rolled her own child and husband into the Lemonade visual experience. “I write this shit  baby ” Kesha insisted on a recent single. You’re explicitly asked to believe that the gap between performer and person is negligible.  Joanne  already fit into this triumphant-confessional class  with Gaga singing about family members and friends by name and roaring  “I might not be flawless but you know I’ve got a diamond heart.” The meta-text  all along  was Gaga’s own career arc—a sense that  she ’d come down from the heights  she ’d reached from 2008 to 2013  stumbled with  her  third album  and might never recover. Glimmers of past traumas and family tragedy contributed to the pathos.  Her  medical troubles would seem to retroactively add in a new layer  though it’s unclear when  she  received  her  fibromyalgia diagnosis  and little on the album can be heard as an explicit reference to illness. Certainly the lyrics about healing through love on  her  post- Joanne  single  “The Cure ” now seem a lot less generic.

Answer: yes


Question: Verify if the sentiment of the following document towards the entity Michael Moore is Neutral . President Donald Trump took on one his most vocal celebrity critics Saturday in a message posted to his Twitter account   calling filmmaker Michael Moore’s  anti-Trump summer Broadway show a “total bomb” that was “forced to close.”
“While not at all presidential I must point out that  the Sloppy Michael Moore Show on Broadway  was a TOTAL BOMB and was forced to close. Sad!” Trump tweeted Saturday evening about  Moore’s  show.
While not at all presidential I must point out that  the Sloppy Michael Moore Show on Broadway  was a TOTAL BOMB and was forced to close. Sad! — Donald J. Trump (@realDonaldTrump) October 28  2017
Trump was  of course  referring to  Moore ’s Broadway show The Terms of My Surrender  a play in which the filmmaker took aim at Trump and his policies and often brought out celebrity guests to help bash the president. The play opened in late summer and ran for twelve weeks at New York City’s Belasco Theater.
The show was also mostly panned by critics  with one Los Angeles Times reviewer calling it a “support group for disheartened Democrats ” and one in which  Moore  casts  himself  both as a “victim of the right” and a “champion of all mankind.”
 Moore  fired back at the president Saturday in a series of tweets  explaining that the show had always been intended to play as a limited engagement and saying at least one senior member of Trump’s White House was a fan of the filmmaker’s.
“You must have my smash hit of a Broadway show confused with your presidency- which IS a total bomb and WILL indeed close early. NOT SAD ”  Moore  wrote in the first of eleven messages.
 Moore  also suggested that Trump was using the play as  his  “latest distraction” from  his  “crimes ” and called the president a “loser.”
“For now  at least  I know I still have one fan in the White House (thx for your unwavering support Jared!)”  he  concluded  his  tweets.
10) On Broadway  Donald  they call it a "LIMITED ENGAGEMENT" — just like we’re planning on making your presidency. — Michael Moore (@MMFlint) October 29  2017
11) For now  at least  I know I still have one fan in the White House (thx for your unwavering support  Jared!) pic.twitter.com/mTwLxW4KgR — Michael Moore (@MMFlint) October 29  2017
During one August performance   Moore  took the audience that had come to see him that night on a pair of double-decker buses to a protest outside Trump Tower  where he was joined by celebrities including Mark Ruffalo and Olivia Wilde.
 Moore  told the audience at the protest that the group was there to perform a “citizen’s arrest.”

Answer: yes


Question: Verify if the sentiment of the following document towards the entity Tracee Ellis Ross is Positive . Stars gathered Sunday at the Microsoft Theater in Los Angeles for the 45th annual American Music Awards  hosted by  Tracee Ellis Ross . Jamie Foxx and his daughter opened  the show  by talking about the tragic events of the year  including shootings  hate crimes and natural disasters.
 "Black-ish" star Tracee Ellis Ross  took the stage in a larger-than-life bronze gown.  She  said it was a particularly special night for  her   explaining  " My mother   the extraordinary  Diana Ross  is getting a lifetime achievement award."
"We are the first ever mother and daughter who have ever hosted  the American Music Awards " Ross  pointed out. " She  did it twice  but there's always next year."
 She  also talked about how the night would celebrate Kelly Clarkson  and  she  paused to sing "A Moment Like This." Then  she  announced that the show would also be honoring the 25th anniversary of the film "The Bodyguard " starring Whitney Houston.
 Ross  admitted  she  was worried about hosting the AMAs because  she  doesn't have an entourage  a stage name or a feud with another star.
 Ross  said the show would especially celebrate women and cracked  "There's going to be some men singing too."  She  said the show would be full of "women who take up space  trailblaze and blaze trails  women with expansive and powerful voices."  She  introduced Demi Lovato's performance.
 Lovato  got up from the audience as the AMAs stage showed hateful tweets directed at  Lovato .  She  walked up to the stage to join  her  dancers and sang "Sorry Not Sorry" against a light-up sign that flashed "Sorry Not Sorry."
 Tracee Ellis Ross  introduced Viola Davis to the stage. Davis talked about Whitney Houston and her movie "The Bodyguard" and said  "The movie has become iconic  thanks to its soundtrack  the best-selling movie soundtrack of all time. What a voice Whitney had  what an artist."
 Ross  returned to joke that the next season of "black-ish" would be filmed on the side of the J.W. Marriott.
Following that  former President Obama and former first lady Michelle Obama sent in a congratulatory video message to  Diana Ross .
" Her  artistry resonates with everyone ad today  her  voice is still as pure   her  beauty is undeniable and  her  showmanship is on point " said Mrs. Obama.
 Singer Evan Ross  kicked off a tribute to  his  mother   Diana Ross .
"What do you get when you cross a chart-topping singer  trailblazing style icon  record-breaking pioneer international superstar and an all-around boss? Everybody you get my mom   Miss Diana Ross  "  Evan  said.
A video montage of  Diana Ross 's life played which included childhood and early career photos before playing a throwback clip from Oprah's daytime television show telling  Ross   she  inspired  her  and that  she  grew up wanting to be just like the singer. The video continued with  Ross  voicing over the highlights of  her  career and life: "Through it all  there has always been music " said  her  voiceover before the projection screen lifted and  Ross  launched into  her  song  "I'm Coming Out." Then  Ross  sang "Take Me Higher" and "Ease on Down the Road." The 73-year-old continued  her  medley of hits and sang "The Best Years of My Life" and "Ain't No Mountain High Enough" and brought  her  grandchildren onstage with  her . Then  she  asked  her  children to join  her  onstage: "Come on up "  she  called out to  her  family members.  She  also called on Smokey Robinson and Berry Gordy to take the stage.
 Diana Ross  accepted the award and said  "This is all about love. This says it all. This is my family. And I'm sending love out there to all of you each and every one of you  our global family â¦ I feel so humbled by this. I love you so very much." Her grandson  Raif-Henok Emmanuel Kendrick  told her he loved her as the show came to a close just as 11 p.m. ET rolled around.

Answer:
yes