In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Example Input: At a Sunset Boulevard mansion, the body of Joe Gillis floats in the swimming pool. In a flashback, Joe relates the events leading to his death.Six months earlier, down-on-his-luck screenwriter Joe tries selling Paramount Pictures producer Sheldrake on a story he submitted. Script reader Betty Schaefer harshly critiques it in Joe's presence, unaware that he is the author. Later, while fleeing from repossession men seeking his car, Joe turns into the driveway of a seemingly deserted mansion. After concealing the car, he hears a woman calling him, apparently mistaking him for someone else. Ushered in by Max, her butler, Joe recognizes the woman as long-forgotten silent film star Norma Desmond. Learning he is a writer, she asks his opinion of a script she has written for a film about Salome. She plans to play the role herself in a comeback. Joe finds her script abysmal, but flatters her into hiring him as a script doctor.Moved into Norma's mansion at her insistence, Joe resents but gradually accepts his dependent situation. He sees that Norma refuses to face the fact that her fame has evaporated and learns the fan letters she still receives are secretly written by Max, who tells him Norma is subject to depression and has made suicide attempts.Norma lavishes attention on Joe and buys him expensive clothes. At her New Year's Eve party, he discovers he is the only guest and realizes she has fallen in love with him. He tries to let her down gently, but she slaps him and retreats to her room. Joe visits his friend Artie Green to ask about staying at his place. At Artie's party, he again meets Betty, who he learns is Artie's girl. Betty thinks a scene in one of Joe's scripts has potential, but Joe is uninterested. When Joe phones Max to have him pack his things, Max tells him Norma cut her wrists with his razor. Joe returns to Norma.Norma has Max deliver the edited Salome script to her former director, Cecil B. DeMille, at Paramount. She starts getting calls from Paramount executive Gordon Cole, but petulantly refuses to speak to anyone except DeMille. Eventually, she has Max drive her and Joe to Paramount in her 1929 Isotta Fraschini.[4] The older studio employees warmly greet her. DeMille receives her affectionately and treats her with great respect, tactfully evading her questions about Salome. Meanwhile, Max learns that Cole merely wants to rent her unusual car for a film.Preparing for her imagined comeback, Norma undergoes rigorous beauty treatments. Joe secretly works nights at Betty's Paramount office, collaborating on an original screenplay. His moonlighting is found out by Max, who reveals that he was once a respected film director. He discovered Norma as a teenage girl, made her a star and was her first husband. After she divorced him, he found life without her unbearable and abandoned his career to become her servant.Although Betty is engaged to Artie, she and Joe fall in love. Norma discovers a manuscript with Joe's and Betty's names on it. She phones Betty and insinuates what sort of man Joe really is. Joe, overhearing, invites Betty to come see for herself. When she arrives, he pretends he is satisfied being a kept man, but after she tearfully leaves, he packs to return to his old Ohio newspaper job. He disregards Norma's threat to kill herself and the gun she shows him to back it up. He bluntly tells her the public has forgotten her, there will be no comeback, and the fan letters are from Max. As Joe walks away, Norma shoots him three times. He falls into the pool.The flashback ends. The house is filled with police and reporters. Norma, having lost touch with reality, believes the newsreel cameras are there to film Salome. Max and the police play along. Max sets up a scene for her and calls "Action!" As the cameras roll, Norma dramatically descends her grand staircase. She pauses and makes an impromptu speech about how happy she is to be making a film again, ending with: "All right, Mr. DeMille, I'm ready for my close-up."[5]
Example Output: Question: Who calls action?, Answer: Max

Example Input: The film tells the story of Antonio Ricci, an unemployed man in the depressed post-World War II economy of Italy. With no money and a wife and two children to support, he is desperate for work. He is delighted to at last get a good job hanging up posters, but on the sole condition that he has a bicycle which must be used for work. He is told unequivocally: "No bicycle, no job." His wife Maria pawns their bedsheets in order to get money to redeem his bicycle from the pawnbroker.Early on in the film, Ricci's coveted bicycle is stolen by a bold young thief who snatches it when he is hanging up a poster.Antonio thinks that the police will take the theft very seriously, but they are not really interested in the petty theft of a bike. The only option is for Antonio and his friends to walk the streets of Rome themselves, looking for the bicycle. After trying for hours with no luck, they finally give up and leave.Desperate for leads and with his better judgement clouded, Antonio even visits the dubious backstreet fortune teller that he had earlier mocked, in the hope that she may be able to shed light upon the bike's whereabouts. However, she merely doles out to him one of the truisms that form her stock in trade: "you'll find the bike quickly, or not at all." Feeling cheated, a crestfallen Antonio hands over to her some of the last money that they have. After a rare treat of a meal in a restaurant, Antonio admits to his son that if he isn't able to work, they will simply starve.Antonio finally manages to locate the thief (who, it seems, had already sold the bicycle) and Bruno slips off to summon the police to the apartment. Antonio meanwhile, angrily accuses the thief of stealing his bike but the boy denies all knowledge of the crime. When the policeman arrives, he sees the accused boy lying on the floor feigning a seizure and surrounded by irate neighbours who blame Antonio's accusations for causing the "innocent" boy's fit.The policeman tells Antonio that although he may have seen the boy stealing the bike, he did not catch the thief red-handed, nor has he any witnesses and that Antonio making an accusation is not good enough. With no proof and with the thief's neighbours willing to give him a false alibi, he abandons his cause. Antonio walks away from the house in despair, as the thief's neighbours follow, jeering at him about his lost bicycle.At the end of the film in one of the most resonant scenes, Antonio is sitting on the curb outside the packed football stadium. He looks at the hundreds and hundreds of bicycles that are parked outside the stadium and as he cradles his head in despair, a fleet of bicycles mockingly speeds past him.After vacillating for some time about whether to steal one for himself, he decides he has no other option but to snatch one that he spots outside an apartment. Unluckily, he is seen taking the bike and caught by a crowd of angry men who slap and humiliate him in front of his son. Ironically, this time with an army of witnesses who catch him, he is frogmarched off to the police station but after seeing how upset Bruno is, the owner of the bicycle declines to press charges.The film ends with the man and his son, sad and let down from what has just happened, they walk along in a crowd, leaving us with a dim outlook for the two. Holding hands, they are both reduced to tears.
Example Output: Question: Who was the film based on?, Answer: Antonio Ricci

Example Input: In the early 1900s, Kaushalya (Smita Jaykar) hears that her younger son, Devdas (Shah Rukh Khan), is to return home after he had left at age 10 for law school in England. Kaushalya tells her neighbor Sumitra (Kirron Kher), who is overjoyed. Sumitra's daughter, "Paro" Parvati Chakraborty (Aishwarya Rai) and Devdas have shared a deep friendship since childhood. When Devdas went to England, Paro had lit an oil lamp to prompt his early return and never allows it to extinguish.When Devdas returns, the friendship between him and Paro becomes love. Everyone believes that Devdas and Paro will get married, but Devdas' scheming sister-in-law Kumud (Ananya Khare) reminds Kaushalya of Paro's maternal lineage of nautch girls and nautanki performers, inappropriate for the Mukherjee family. Sumitra publicly announces her desire for Devdas and Paro to marry, and Kaushalya rejects and humiliates her in public by saying that she is from a lower class in society. Devastated, Sumitra hastily arranges Paro's marriage to a man from a wealthier family than the Mukherjees: Thakur Bhuvan Chaudhry (Vijayendra Ghatge), a forty-year-old widowed aristocrat with three grown children.When Devdas' father also rejects Paro, Devdas leaves his parents' house and takes refuge at a brothel. He leaves a letter for Paro, falsely stating that love had never existed between them. At the brothel, he meets a good-hearted tawaif (courtesan) named Chandramukhi (Madhuri Dixit), who falls in love with him. Soon, Devdas realizes his mistake in abandoning Paro. He returns to her during her wedding and asks her to elope but Paro refuses, reminding him of the way he had discarded her so easily.Paro learns from her new husband that he has married her only to be mother to his children and lady of the estate, but that his love is only for his late first wife. She dutifully fulfills her responsibilities, while Devdas, heartbroken at having lost Paro, permanently moves to Chandramukhi's brothel and becomes an alcoholic. When Devdas' father is on his deathbed, he asks to see his son Devdas, but Devdas arrives later, at his father's funeral, drunk.Eventually, Devdas becomes so ill that the slightest dose of alcohol could kill him. He returns to the family home to heal, and discovers that his sister-in-law has stolen his mother's keys to the family safe. He confronts her but Kumud tells his mother that Devdas had stolen the keys. His mother believes her and Devdas leaves, banished. Paro arrives at Chandramukhi's brothel, accusing her of driving Devdas to drink, but soon realizes that Chandramukhi loves Devdas. Paro urges Devdas to stop drinking, but Devdas remains stubborn. He promises Paro that before he dies, he will come to her doorstep one last time.Paro invites Chandramukhi to a celebration of Durga Puja at her husband's home and introduces her to her in-laws without revealing Chandramukhi's profession. However, Bhuvan's ill-natured son-in-law Kalibabu (Milind Gunaji), a frequent visitor to the brothel, reveals Chandramukhi's background and humiliates her in front of the guests. He also tells Bhuvan of Paro's relationship with Devdas. As a result, Bhuvan permanently forbids Paro from leaving the mansion. Devdas tells Chandramukhi that she must let him go, and decides to travel the country; on a train, he meets his old college friend Chunnibabu, who urges him to drink in the name of friendship. Devdas drinks, knowing full well it will be fatal.On the verge of death, Devdas travels to Paro's house to honor his promise, collapsing under a tree in front of the main gate. Paro runs through the mansion, attempting to reach him. Bhuvan sees this and orders the servants to shut the gates. Devdas sees a blurred image of Paro running towards him, but the gates close just before she can reach him, leaving her sobbing inside. Devdas dies, whispering Paro's name with his last breath. At the same time, the lamp that Paro had lit for him flickers out forever for all eternity.
Example Output:
Question: Who does Paro marry ?, Answer: Paro marries Thakur Bhuvan Chaudhry a wealthy widower.