In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Input: Consider Input: Matthew Quigley (Tom Selleck) is an American cowboy and sharpshooter with a specially modified rifle with which he can shoot accurately at extraordinary distances. He answers a newspaper advertisement that asks for a man with a special talent in long-distance shooting, using just four words, "M. Quigley 900 yards," written on a copy of the advertisement that is punctured by several closely spaced bullet holes.When he arrives in Australia, he gets into a fight with employees of the man who hired him, who are trying to force "Crazy Cora" (Laura San Giacomo) onto their wagon. After he identifies himself, he is taken to the station of Elliot Marston (Alan Rickman), who informs Quigley his sharpshooting skills will be used to eradicate the increasingly elusive Aborigines. Quigley turns down the offer and throws Marston out of his house.The aborigine manservant knocks Quigley over the head and Marston's men beat him and Cora unconscious and dump them in the outback with no water and little chance of survival. However, they are rescued by Aborigines. Cora now reveals that she comes from Texas. When her home was attacked by Comanches, she hid in the cellar and accidentally suffocated her child while trying to prevent him from crying. Her husband had then put her alone on a ship to Australia. Now Cora consistently calls Quigley by her husbandâs name (Roy), much to his annoyance.When Marston's men attack the Aborigines who helped them, Quigley kills three. Escaping on a single horse, they encounter more of the men driving Aborigines over a cliff. Quigley drives them off with his deadly shooting and Cora rescues an orphaned baby she finds among the dead Aborigines. Leaving Cora and the infant in the desert with food and water, Quigley rides alone to a nearby town. There he obtains new ammunition from a local German gunsmith, who hates Marston for his murdering ways. Quigley also learns that he has become a legendary hero among the Aborigines.Marston's men are also in town and recognize Quigley's horse. When they attack, cornering him in a burning building, he escapes through a skylight and kills all but one of them. The injured survivor is sent back to say he will be following. First Quigley returns to Cora and the baby, which she has just saved from an attack by dingoes. At first she had tried to stop it crying, but then told it to make as much noise as it liked as she gunned the animals down. Back in town, she gives the baby to Aborigines who have arrived to meet up with them after Quigley tells her that the child has 'a right to happiness'.The next morning, Quigley rides away to confront Marston at his station. At first he shoots the defenders from his location in the hills but is eventually shot in the leg and captured by Marston's last two men. Marston, who has noticed that Quigley only ever carries a rifle, decides to give him a lesson in the "quick-draw" style of gunfighting. As the two face off, Marston makes the first move, but is beaten to the draw by Quigley, who shoots the two remaining men as well. As Marston lies dying, Quigley refers to an earlier conversation, telling him, "I said I never had much use for a revolver; I never said I didn't know how to use it."Marston's servant comes out of the house and gives Quigley his rifle back, then walks away from the ranch, stripping off his western-style clothing as he goes as the other two Aborigine servants also leave. Some time later, an army troop arrives to arrest Quigley for murder until they notice the surrounding hills are lined with Aborigines, having been gathered by the former manservant, and decide to withdraw. Later he and Cora book a passage back to America in the name of Roy Cobb, Coraâs husband, since Quigley is still wanted. On the wharf she reminds him that he once told her that she had to say two words before he would make love to her. Smiling broadly, she calls him "Matthew Quigley" and the two embrace for the first time.

Output: What distance does Matthew Quigley indicated he can shoot?


Input: Consider Input: A 1970s New York City setting finds Indian-born immigrant Ram Patel trying to establish himself in the turbulent city-life where he encounters various hurdles that prevent him from obtaining his goals of becoming successful and wealthy. The pursuit of the American dream becomes littered with pot-holes for the earnest protagonist Ram Patel. Arriving from the airport to stay with a family friend, he finds himself instantly disliked by an African-American landlord (Floyd) that attempts to make Ram miserable.Pounding the pavement for a job, Ram is taken-on by a CPA firm run by a strict, former military crew-cut martinet who hires other Indian men like Ram to do countless hours of accounting grunt-work in a hot-box dingy office. With no money to save, he begins to borrow heavily and digs himself into insurmountable debt. In the midst of this self-inducedmisery, he sends for his wife and daughter from India and continues his âfaÃ§adeâ of a successful appearance to his newly arrived wife by going into even further debt on more newly printed credit cards and âlatched-ontoâ friends.These friends and co-workers begin to get irritated by his lack of commitment to payback, and this leads the protagonist being pressed into self-doubt and constant searching for both âa way outâ and purposeful meaning in his life. Proclaiming to push ahead through his frustration and predicament is based more on stubbornness than enlightenment, where a âdonÊ¼t quitâ mind-set becomes âfuel- to-the-fireâ for his out-of-control situation. Ram has his car stolen, and he becomes enslaved to his increasing debt status, which makes his wife question his responsibility as a husband, father and a man. RAMÊ¼s wife RANI becomes pregnant again, and he must reluctantly send her back to India to deliver their new child due to a lack of medical insurance in the USA. Rani protests, but Ram mentions âfinancial suicideâ as to their status, and Rani goes back to India for the birth of their second daughter.Into the life of Ram Patel comes an eccentric array of characters who swirl his life into confusion. A colleagueÊ¼s mother offers her connection to a spiritual Holy-man known as âDADA BHAGWAN,â whose followers revere him as mentor and benevolent wise master, professing the release of ego for enlightenment. Ram passes up this spiritual growth opportunity, instead trying to make his way on a fortune-seeking venture in a new business with a puffed-up, egotistical entrepreneur named âADESH.âRam continues âspinning-his-wheelsâ and finally tries an introductory session with the eminent Dada Bhagwan. Confronting himself is an intensely difficult proposition, but awareness comes suddenly like lightning and Ram turns over a ânew leafâ as the situation begins to eventually swing in Ram PatelÊ¼s favor. This compelling story addresses the overall-immigrant experience of the midâtolate 20th Century, where âculture-clashâ and âmaking it in Americaâ are the pillars under which many lives are built, or crushed by. The filmÊ¼s ultimate message and Ram PatelÊ¼s plight and subsequent transformation by Dada Bhagwan become the hook whereby any individual can absorb the bracing impact of undeniable fate that results in a firmly entrenched ânever-give-upâ attitude.

Output: Whose car get stolen?


Input: Consider Input: Towelhead follows the dark, vulnerable, and shocking story of Jasira, a 13-year-old Arab-American girl, as she navigates the confusing and frightening path of adolescence and her own sexual awakening.When Jasira's mother sends her to Houston to live with her strict Lebanese father, she quickly learns that her new neighbors find her and her father a curiosity. In addition, her budding womanhood makes her traditional and hot-tempered father uncomfortable, confusing her more. Lonely in this new environment, Jasira seeks friendship and acceptance from her neighbors. Mr. Vuoso, an Army reservist; and Melina, a liberal expectant mother who reaches out to Jasira.Thrown into an unfamiliar suburban world, Jasira must confront racism and hypocrisy both at home and at school, and at the same time struggle to make sense of her raging hormones and newfound sexuality. While her boyfriend, Thomas, provides some comfort, even that relationship causes problems when her father discovers that Thomas is black. Surrounded by adults who are as lost as she, Jasira yearns for understanding, even amidst often brutal acts.


Output: Where does Jasira's father live?