instruction:
In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.
question:
Question: Why did Edward VI order the destruction of 'Popish Superstition'? Passage:Until 1548 the interior of the building would have resembled the interior of any medieval church, with a rood screen separating the chancel from the nave (projections to support the screen can still be seen on the piers either side of the nave on the west side of the crossing). It is not known if there were ever wall paintings, but successive generations of plaster and whitewash over the last five centuries will have long concealed any which may have existed. In 1548 Edward VI ordered the destruction of all aspects of ‘Popish Superstition’ within the churches of his realm. The Jerseymen, strongly influenced by Huguenot immigrants fleeing persecution in France, carried out the King's orders with zeal, and all altars, fonts, holy water stoups and piscinas were removed, the rood screen was dismantled, the stained glass smashed and all but one bell was taken from the tower. A huge triple-decker pulpit was erected in the crossing and pews were arranged around it. Seven galleries were built, including one reserved for smokers. In spite of the return of Anglican worship in the 17th century, the church continued in this state until the 1860s, by which time it had fallen into considerable disrepair. A major project of restoration was undertaken to repair and re-order the building after the conventions of the Church of England. The pulpit was replaced by a much more modest affair at the north west corner of the crossing, the galleries were broken up, the pews were taken out and replaced by a new set facing the restored altar at the east end. The original font, left in the churchyard, was given to Grouville Parish Church and a new font installed. An extension was made to the west end of the Nave, and a new gallery was installed there and in the South Transept. New choir stalls were erected in the chancel. In 1930 these were replaced by another new set as a memorial to Charles George Renouf, a Jurat of the Royal Court (the stalls they replaced were given to St Andrew's Church). At the same time the level of the Chancel floor was raised. The South Chapel was re-ordered in 1952 as a memorial to Matthew le Marinel, Rector of St Helier and Dean of Jersey during the German Occupation (1940–45), and again in 2004 to make it more ‘user-friendly’. In 1997 a glass screen was erected to separate the nave extension from the rest of the church to create a narthex (reception area), new glass doors were installed at the west end and the font was moved from the west end to its original position by the North Door.

answer:
a


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Question: Was the league where Thomas won an award in 1985 founded before the one where he played junior hockey? Passage:Thomas went undrafted after his junior career but signed as a Free Agent with the Toronto Maple Leafs. He began his NHL career in the 1984–85 season. Thomas was born in Stockport, England but was raised in Markham, Ontario, Canada where he attended Markham District High School. As he often coasted in school on his hockey skills, he once had a teacher tell him to "smarten up, Steve; hockey can only take you so far". He played junior hockey for the Toronto Marlboros of the OHL (he was the last original Toronto Marlboro to make it to the Maple Leafs of the NHL). Prior to playing in the NHL, Thomas won the Dudley "Red" Garrett Memorial Award in 1985 as the top rookie in the American Hockey League, while playing for the St. Catharines Saints.

answer:
b


question:
Question: When was the person born who directed Triumph of the Will? Passage:Triumph of the Will () is a 1935 Nazi propaganda film directed, produced, edited, and co-written by Leni Riefenstahl. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. The film contains excerpts from speeches given by Nazi leaders at the Congress, including Adolf Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. The film's overriding theme is the return of Germany as a great power, with Hitler as the leader who will bring glory to the nation. Because the film was made after the 1934 Night of the Long Knives (on 30 June), many prominent Sturmabteilung (SA) members are absent—they were murdered in that Party purge, organised and orchestrated by Hitler to replace the SA with the Schutzstaffel (SS) as his main paramilitary force.

answer:

b