instruction:
In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.
question:
Recommended for insomniacs - but 5 stars for the title track . Sadly, one of the greatest rock songs of all time finds itself on one of the most boring rock albums of all time.  To add insult to injury, the notes on the CD cover proudly boast of 'a full eight months recording' time, which had been 'preceded by a year and a half of reflection and writing'.  We're talking 26 months here, surely time enough to produce a decent album.  Instead, they produced their only good song, which I'll say again, is an acknowledged classic, only hated by true Eagles fans, as most true fans hate the classics of their favourite bands.  If an unknown band had tried to get a record deal at that time on the basis of the rest of the filler, I seriously doubt they'd have been successful.  For good use of studio time see what can be done with just 30 HOURS of it on Led Zeppelin I
answer:
NEG


question:
RIDING THE REGGAE RAILS . HOME & AWAY: Norrisman has been around for quite a while, basically since the mid-nineties - enough time to put out a couple of albums as well as several bucketloads of singles - but never really made waves away from Jamaican shores until last year's appropriately titled HOME & AWAY. Ray Stephens' easy listening FLAMES rhythm provided the backdrop for this passionate, pleading love song (as well as Richie Spice's super EARTH ALERT, and Morgan Heritage's lush IN A GHETTO), which met with respectable international success, and now heads up this latest long player from the UK's Greensleeves label. Greensleeves are obviously giving the artist a well-deserved push here, with glossy packaging and great liner photos featuring Norrisman trodding the train yards with a guitar strapped across his back like a Jamaican Woody Guthrie, or something. It's a classy package for sure, and without a doubt, it's a classy record too. The familiar title track leads off, and is matched and even bettered by great cuts like SEH DEM BAD, I'M A FREE MAN, the ganja lover's HERBS TO YOUR NERVE, and the bubbling ARMAGEDDON ON. The reliable Lutan Fyah (another recent Greensleeves mover with his excellent PHANTOM WAR album) shows up for the decent combination tune, AFTER ALL, but other than that, it's all Norrisman all the way, and to his credit, he carries it off without so much as a misstep. Most of the production credit goes to Byron Murray and his In The Streetz outfit, and the backup is bright and lively throughout, with a very tangible - and very welcome -  old school one-drop vibe. The only real detour is the Delly Ranks-produced MOVE HARD on the RED BULL & GUINNESS rhythm, which just shows that Norrisman is as comfortable up at the edge of the bump as he is with the roots and lovers material. HOME & AWAY is a very strong release, and along with PHANTOM WAR, one of the best rootswise long players of the year so far.     Next up on the roots release schedule is Mr. Perfect's debut, GIDDIMANI. Look out for this one - it could be another contender!
answer:
POS


question:
Stadium Blow Out . For some Born in the USA is the greatest the Boss ever delivered, for others it's the start of a steady decline. Often mistaken for an overly patriotic statement this album found Bruce suddenly among the ranks of eighties superstars as Prince, Madonna and Michael Jackson. Born in the USA is the reason why some place the Boss in the same category as Jon Bon Jovi, Born in the USA sounds as a stadium blow-out. Yet lyrics as "Born down in a dead man's town, The first kick I took was when I hit the ground, You end up like a dog that's been beat too much, Till you spend half your life just covering up" could hardly be called patriotic or shallow.    Born in the USA was the follow-up for Nebraska, a sparse demo-like recording. A lot of the material here was culled from those sessions and had the E-Street bravura added to them. The title track was originally a one-man rockabilly outing but transformed in E-Street synth-rock. The same treatment songs as Dancing in the Dark, Glory Days or I'm on Fire got. It's that treatment that's ultimately the weakness of the record. Today Born in the USA sounds hopelessly dated at times. The listener is forced to listen beyond the production for its depth and meaning. At the time of its release it was no different. A lot of the lyrics meanings tend to get lost in the poppy production that made it so successful. It is also one of Springsteen least cohesive efforts. The styles on the album range from pop to rockabilly, from stadium rock to folk. For those who take the effort to dig deeper into the record there is a wealth in the songs that is rarely matched by other artists.    As never before Springsteen paints a picture of those of us who fail to be a part of the American Dream. There is the obvious post-Vietnam protest song of the title track, not allowing us to forget, and its attack on Reaganism. But there is more. In I'm on Fire the character bears his soul as Bruce sings, "At night I wake up with the sheets soaking wet, and a freight train running through the, middle of my head, Only you can cool my desire". Sex being the means through which the character forgets his angst for just a moment. Similar sentiments are found in Dancing in the Dark, Bruce's ultimate pop effort. "Man I'm just tired and bored with myself" screams the character, "Hey there baby, I could use just a little help", hardly a light and upbeat lyric. The people in Springsteen's songs seem to be stuck in their lives, unable to get ahead. The chances the American Dream offers us are accessible only to just some of us. The rest are left behind "just sitting back trying to recapture, a little of the glory of, well time slips away and leaves you with nothing mister but, boring stories of glory days"
answer:

POS