In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Example Input: Kym (Anne Hathaway) is released from rehab for a few days so she can go home to attend the wedding of her sister Rachel (Rosemarie DeWitt) in her Connecticut home town. She is picked up from the clinic by her father and his new wife. Upon arrival at Rachel's house where the wedding is to be held, the atmosphere is strained between Kym and her family members as they struggle to reconcile themselves with her past and present. Kym's father shows intense concern for her well-being and whereabouts, which Kym interprets as mistrust. She also resents her sister's choice of her best friend Emma (Anisa George), rather than Kym, to be her maid of honor. Rachel, for her part, resents the attention her sister's drug addiction is drawing away from her wedding, a resentment that comes to a head at the rehearsal dinner, where Kym, amid toasts from friends and family, takes the microphone to offer an apology for her past actions, as part of her twelve-step program.Underlying the family's dynamic is a tragedy that occurred many years previously, which Kym retells at a Narcotics Anonymous meeting. As a teenager, Kym was responsible for the death of her young brother Ethan, who was left in her care one day; driving home from a nearby park, an intoxicated Kym had lost control of the car, driving over a bridge and into a lake, where her brother drowned. Kym and the whole family apparently never recovered from the shock.The day before the wedding, as Rachel, Kym, and the other bridesmaids are getting their hair done, Kym is approached by a man who she knew in an earlier stint in rehab. He thanks her for the strength she gave him through a story that Kym told out loud in rehab about having been molested by an uncle and having cared for her sister, who was anorexic. Rachel, hearing this, storms out of the salon. The story, it turns out, was all a lie an apparent attempt by Kym to evade responsibility for her addiction.The sisters' fight comes to a head later that night at their father's house, when Kym comes home. As it turns out, Rachel still blames her for Ethan's death. This causes her to leave, after eventually admitting to being high while she was a teen and heads to their mother's house, hoping to find solace with her. However, a fight breaks out there, too. Kym confronts her mother, Abby, about it and demands to know why she left Ethan in her care while she was under the influence and not Rachel's. She soon realizes that her mother is denying any responsibility that Kym has for his death, by trying to tell her that she was good to him and that her sister is wrong in her accusation. Kym tells her mother that she was also responsible for the boy's death, and Abby slaps her in the face. Kym hits her mother back and runs off again in her father's car. While driving away, she is seen crying because, while she started to accept responsibility for what she has done, her mother has failed to do the same. This time, she intentionally crashes her father's car into a giant rock, and spends the night in the wreck.The next morning, the day of the wedding, Kym is awoken by police. After passing a sobriety test, she gets a ride home. She makes her way to Rachel's room, as Rachel prepares for the wedding. Seeing Kym's bruised face from a fight she had with their mother, the anger of the previous night vanishes, and Rachel tenderly bathes and dresses her sister.Amid a festive Indian theme, Rachel and her fiancé are wed. Kym is the maid of honor, and is overcome with emotion as the couple exchange their vows. Kym tries to enjoy herself throughout the wedding reception but continues to feel out of place and is nagged by the unresolved dispute with her mother. Ultimately, her mother leaves the party early, despite Rachel's effort to bring the two together, and the riff between Kym and her mother is left unreconciled.The next morning, Kym must return to rehab. As she is leaving to go to the bus station to catch her bus back to the city, Rachel runs out of the house to hug and kiss her goodbye. Kym agrees to stay in touch.
Example Output: Question: Kym leaves rehab to attend who's wedding?, Answer: Her sister Rachel's.

Example Input: Grace Stewart (Nicole Kidman) is a devout Roman Catholic mother who lives with her two young children in a remote country house in the British Crown Dependency of Jersey in the immediate aftermath of World War II. The children, Anne (Alakina Mann) and Nicholas (James Bentley), have an uncommon disease, characterized by photosensitivity, so their lives are structured around a series of complex rules to protect them from inadvertent exposure to sunlight. The arrival of three servants at the house â aging Mrs. Bertha Mills (Fionnula Flanagan), elderly gardener Edmund Tuttle (Eric Sykes), and a mute girl named Lydia (Elaine Cassidy) â coincides with a number of odd events, and Grace begins to fear there are unknown others in the house.Anne draws pictures of four people she has seen in the house numerous times: a man, woman, a boy called Victor, and an old woman. Grace finds a 19th-century "book of the dead", an album of mourning portrait photos of deceased family members from a previous generation, with some missing pages. She hears noises in the house. With the servants, she tries hunting down the intruders but cannot find them. She does not believe her daughter has seen the others until she hears the ghosts herself. Convinced that something unholy is in the house, she runs out in the fog in search of the local priest to bless the house. Meanwhile, Mr. Tuttle is covering gravestones under autumn leaves.Outside, Grace discovers her husband Charles (Christopher Eccleston), whom she thought had been killed in the war, and brings him back to the house. Charles is distant during the short time he spends there, and Mrs. Mills says, "I do not think he knows where he is." During this time, Grace attacks someone dressed up like her daughter; she is frightened by the face she sees underneath Anne's First Communion veil. However, she finds that she has actually attacked her daughter. Mrs. Mills tells a distraught Anne that she too has seen the unknown people in the house and that big changes are coming. Charles says he must leave for the front and Grace wakes to find him gone again.One morning, Grace hears the children's screams: all of the curtains in the house have disappeared or have been taken down by the intruders, as Anne had said they might. When Grace sees the servants are not alarmed by this, she accuses them of being involved and banishes them from the house. That night, Anne and Nicholas sneak outside to find their father. Anne discovers the graveyard, which the servants have uncovered, and realizes that these are the servants' graves. At the same time, Grace finds a photograph from the book of the dead and is horrified to see it is of the three servants. The servants appear and follow the children back to the house. Grace has the children hide upstairs, while Mrs. Mills reveals that the three servants died of tuberculosis more than 50 years before. Hearing the children scream, she tells Grace to go upstairs and talk to the intruders.Grace walks upstairs to the bedroom with her rosary beads. There, she discovers that the old woman whom Anne had described is acting as a medium in a sÃ©ance with Victor's parents, talking to Anne. The medium asks the children questions about how they died. The children begin to scream that they are not dead. In a frenzy of denial, Grace shakes the sÃ©ance table, and rips the papers on which the medium has been writing. Victor's family sees only the table shaking and the paper being ripped. In using this supernatural incident as proof that they are not welcome in the house and should leave, Victor's mother reveals that Grace had smothered her children then shot herself.As Grace and the children huddle together in shock in the darkened school room, her memories return to her: stricken with grief for her missing husband, isolated by the children's condition and the servants leaving her, Grace lost her mind and smothered her children with a pillow. Realizing what she had done, she shot herself. When she then "awoke" and heard her children's laughter, she assumed God had granted her family a second chance at life. Anne asks if they are in Limbo; Grace is no longer sure of her Catholic teachings.Mrs. Mills tells Grace that they will learn to get along with the intruders who periodically come to the house, that sometimes they will notice them and sometimes they will not. The children find they are no longer photosensitive (as they are no longer living), and for the first time, they can enjoy playing in the sunlight. Victor's family, unable to rid the house of its former occupants' spirits, drive away as Grace and the children watch. Although the property is again put up for sale, Grace and the children are firm that "this house is ours," and "no one can make us leave."
Example Output: Question: How did Grace murder her children?, Answer: Smothered them

Example Input: Dr. Lucio Fulci (more or less playing himself) is a former medical doctor-turned director of gory horror films. He wraps up shooting for the day on his latest film 'Touch of Death' with Brett Halsey playing the human monster/cannibal of women. Fulci leaves the Cincettia Studios for a local restaurant down the street. The young friendly waiter recognizes him and suggests his typical meal: a fillet of steak, or steak tarter. Fulci cannot look at the sample plates of meat without having flashbacks to the cannibalistic scene hed been filming earlier. Shaken, he leaves the restaurant without ordering a meal. The following day, while checking an effects shot from another movie, Fulci irritably snaps at a technician to get a plate of animal eyeballs out of his sight.Returning home to his fancy row house in an old suburb of Rome, the troubled director tries to sleep, but the noise of a handyman's chainsaw outside keeps him awake with recollections of his own recently shot chainsaw mayhem. In a rage, Fulci storms outside and smashes a hachet into cans of paint belonging to the handyman. The spilled red paint reminds Fulci of the acid/blood scene in 'The Beyond'. Fulci walks a few yards from his home and discovers that one of his neighbors in a psychiatricst. Meanwhile, Professor Egon Swharz (David L. Thompson) is arguing with his wife Katya (Melissa Lang). Their bitter routine row is interrupted by the intercom buzzing where his secretary Nurse Lilly (Judy Morrow) informing him of this latest walk-in. Professor Swharz walks in and accepts Fulci into his books for a session. After walking out of the reception area, Nurse Lilly immediately phones a friend saying "guess who just walked in as a patient!" Swhartz discusses Fulcis recent problems and suggests that he's "breaking down the barrier, the boundary between what you film and whats real."The next day at Cinecitta, Fulci's producer Filippo (Shilett Angel) tells him that the pace has to be stepped up on filming. Fulci is revealed to making two films at the same time: 'The Touch of Death', and 'Ghosts of Sodom'. Robert Egon, the young actor playing the Nazi seducer in the later film, approaches Fulci in a corridor to discuss his role. "Your presence should make a deadly impression", says Fulci. "You are after all a symbol of death. And you've also the whole horror of the Nazis. Get me?" Fulci talks the actors through the seduction scene in 'Ghost of Sodom'. When the filming is done, Fulci staggers out into a corridor muttering, "Sadism, Nazism; is there any point any more?"No sooner has Fulci left the set when his producer steers him into a studio suite for an interview with a Munich news crew. The sight of the tall, blond, German lady reporter's long legs triggers a vision of sexual abandon in Nazi Germany (from the film 'Ghosts of Sodom') When Fulci recovers from his vision, he finds himself outside again with his producer saying, "Lucio, you must stop! Stop, in the name of God!" Filippo informs the confused director that he has just run amuck, smashed the TV crews camera and tried to rip the interviewer's clothes off.Professor Swharz calls Fulci for another consultation after he had watched all of his films. He suggests using hypnosis. Once Fulci is under, the Professor's true colors are revealed to us. He switches on a buzzer device and describes a mad scheme: "You'll do everything I tell you when you hear this sound. Your mind will make you live scenes you think are real. You will slowly be possessed by madness. You'll think youve committed terrible crimes." Swharz also intends to transmit his thoughts to Fulci, although how is never quite explained. After the session is over, Fulci leaves unable to remember anything. Swharz then embarks on a killing spree, starting with the murder of a local prostitute that evening. Fulci arrives on the scene after the police show up and thinks he committed the murder. Rushing away, his car breaks down en route to a film location shoot. When he arrives at a cemetery where a nighttime Gothic scene is to be filmed, he finds that his assistant director, and Filippo his producer, have started filming without him.Back home the following morning, Fulci tries to relax, but with each simple action, he is plagued by memories and visions of screen violence from his movies. Fleeing his house, he goes for a drive. But Swharz follows him and commits three more murders, first a couple in a remote boathouse, and the groundskeeper who witnesses him. Fulci arrives on the scene forcing Swharz to hide, and again Fulci thinks he committed the murders. Getting back into his car for a drive down a long country road, Fulci hallucinates about running over a tramp (from the movie 'Touch of Death'). After returning home, the exhausted auteur phones the police station to speak to his friend Inspector Gabrielli (Jeoffrey Kennedy) intending to make a "confession." But he learns that Gabrielli is on vacation.After another visit to the nasty Professor Swharz is of little help to cure him of his waking nightmares, Fulci decides to drive over to Inspector Gabrielli's house in the hope of speaking to him. Swharz follows him there with the buzzer device. Fulci lets himself into his friend's house, and immediately suffers from visions of Gabrielle's family being stabbed, chainsawed, and decapitated. Fulci staggers outside to be greeted by the returning policeman, who reassures the flaky director that his family are safely on holiday in Sardinia. When Fulci expresses his visions to Gabrielli and that he may have killed some people, the cheerful police detective responds, "If you're trying to create a sensation like you do in your films, this time you've goofed."Meanwhile, Professor Swharz can stand no more of his wife's bland contempt for him and his practice. So, the insane psychiatrist strangles her to death by ripping out a wire from his wife's piano and nearly decapitates her with it. Swharz then heads out again to tail Fulci, who under the influence of hynosis again, suffers through one more blast of violent imagery and faints in the middle of a field. He comes round the next morning to discover a cat digging up the loosely buried remains of another Swharz victim. As Fulci scrapes soil from the dead features, Inspector Gabrielli appears behind him. Before Fulci can protest his innocence, Gabrielli informs him that Swharz has been shot dead by his men who were tailing Fulci which he ordered after their conversation the previous day, who caught the mad psychiatrist in the act.Several months later. Fulci and the beautiful Nurse Lilly sail on his sailboat, 'Preversion' (named from his first thriller movie). Fulci looks furtively around and follows the young woman into the cabin-quarters. Suddenly, the sound of a chainsaw revs up, followed by her terrified screams. Fulci emerges from the cabin a minute later with a basket of her body parts and attaches the severed fingers onto fishing hooks which he casually casts into the water. Is Fulci really a mad killer after all? No, of course not. It's the last shot of his newest film, 'Nightmare Concert', captured by a film crew sailing alongside. Bidding goodbye to his colleagues, Fulci happily sails out of the harbor with his very-much alive leading lady.
Example Output:
Question: What does Fulci attach to the fish hooks?, Answer: severed fingers