In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Ex Input:
Question: How old was Madonna when she released her second studio album? Passage:American entertainer Madonna has worked in twenty-six feature films (twenty-one as an actress), ten short films, three theatrical plays, ten television episodes, and appeared in sixteen commercials. at age 16, she auditioned in a high-school short movie called "the egg" where she played a teenage sunbather relaxing at a patio eating raw eggs. In 1979, she made her acting debut in the low-budget feature A Certain Sacrifice. Its commercial release in 1985 coincided with the success of her second studio album, Like a Virgin. That same year, she made a cameo appearance as a club singer in the film Vision Quest; she also garnered commercial and critical success for the title role in Susan Seidelman's Desperately Seeking Susan. Madonna followed it with a leading role in the adventure drama Shanghai Surprise (1986), with her then-husband, actor Sean Penn. The film was panned by critics, and Madonna received her first Golden Raspberry Award for Worst Actress. Her next films such as Who's That Girl (1987) and Bloodhounds of Broadway (1989) were critical and commercial failures. In 1986, she made her theatrical debut in David Rabe's Goose and Tom-Tom and her first commercial for Mitsubishi in Japan. She starred in the 1989 commercial for Pepsi-Cola alongside her song "Like a Prayer". Due to the controversy surrounding the song's music video, the commercial was revoked and her contract with Pepsi-Cola was cancelled.


Ex Output:
b


Ex Input:
Question: Who did Richard Brody write reviews for? Passage:Roger Ebert rated the film three-and-a-half stars, praising the creation of an island world that "might as well be ruled by Prospero". A devoted fan of Anderson, Richard Brody hailed Moonrise Kingdom as "a leap ahead, artistically and personally" for the director, for its "expressly transcendent theme" and its spiritual references to Noah's Ark. Peter Bradshaw of The Guardian gave the film four stars out of five, calling it "another sprightly confection of oddities, attractively eccentric, witty and strangely clothed". The New York Timess Manohla Dargis reviewed Anderson and Coppola's screenplay as a "beautifully coordinated admixture of droll humor, deadpan and slapstick". Peter Travers positively reviewed the actors' performances, calling Norton engaging, Balaban "delightful" and Willis agreeable. Travers also credited cinematographer Yeoman for "a poet's eye" and composer Alexandre Desplat for his contributions. As novice actors, Jared Gilman and Kara Hayward also received praise. The Daily Telegraphs review stated it was "exhilarating" to see different elements combined, such as the music of Britten and Hank Williams. It called the end result "an extraordinarily affected piece of filmmaking". The Hollywood Reporters review by Todd McCarthy described the film as an "eccentric, pubescent love story", "impeccably made". For Empire, Nev Pierce declared it "a delightful film of innocence lost and regained". Christopher Orr of The Atlantic wrote that Moonrise Kingdom was "Anderson's best live-action feature" and that it "captures the texture of childhood summers, the sense of having a limited amount of time in which to do unlimited things". Kristen M. Jones of Film Comment wrote that the film "has a spontaneity and yearning that lend an easy comic rhythm", but it also has a "rapt quality, as if we are viewing the events through Suzy's binoculars or reading the story under the covers by a flashlight".


Ex Output:
b


Ex Input:
Question: Who is the oldest of Hardy's childhood inspirations to wrestle? Passage:Hardy cites Sting, The Ultimate Warrior, and Shawn Michaels as his childhood inspirations to wrestle. He started on World Wrestling Federation (WWF) television as a jobber—a wrestler who consistently loses to make his opponents look stronger. His first WWF match was against Razor Ramon on May 23, 1994 in Youngstown, Ohio, with Randy Savage mentioning on commentary, "Welcome to the big time". His ringname that night, Keith Davis, was the name of Razor's scheduled jobber, who backed out on short notice. Gary Sabaugh, who had brought Hardy in a group along with Davis, suggested him to agent Tony Garea, who agreed after Hardy claimed he was 18 (he was in fact, only 16). The next day, he wrestled under his real name against The 1–2–3 Kid, and the match aired on the June 25 episode of Superstars. He occasionally wrestled as a jobber as late as 1997 (including a match against Rob Van Dam during the ECW "invasion" storyline that had Hardy billed as being from Virginia instead of Cameron, North Carolina) before beginning his first major run in 1998.


Ex Output:

b