In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Example Input: Review: This film is wonderful in every way that modern action adventures are not. Take some time. Relax, enjoy. Think. People who see this movie as slow or plodding or dull really need to take a week off and watch it several times until their short attention span mind comes to grips with the possibility of being involved with a cause or even beautiful story in a beautiful place for no other reason than because it isn't hurrying to make the points you so emphatically need it to make in the short time alloted. At first I was apprehensive of Brosnan playing a native American. Given the story line though, I think it was apt casting. Now, back to my hermiting. -Jahfre Question: is it a negative review?
Example Output: no

Example Input: Review: Once again Jet Li brings his charismatic presence to the movie screen in the film Black Mask. In this film Li plays Tsui, an escapee from a super soldier program who seeks to regain the humanity that the program had taken away from him. To do this Tsui decides to become a librarian in order to live a normal and peaceful life, but fate demands that he clean up problems from his past before he can continue to seek peace. Other members of the super soldier program had escaped at the same time as Tsui, but they want to get even with the world rather than find inner peace. Thus Tsui becomes the only thing that can prevent his former team mates from releasing information that could cost many innocent people their lives. This film screams across the screen at a frantic pace and never lets its audience go. The martial arts is amazing, but because it uses wires it may not be appreciated as much as it deserves by American audiences. If you like action movies that have an interesting story and demand good acting performances because they deal with psychological as well as physical conflicts, then Black Mask is for you. I am glad to see that some of Jet Li's movies are finally getting main stream release in the United States and look forward to seeing how the changes that that release will require (things like dubbing and soundtrack) will affect the film. This is one of Li's best films, go out and see it on May 14 when it is released in America. Question: is it a negative review?
Example Output: no

Example Input: Review: This could be well have been THE definitive film noir of all time, had not the Columbia Studios cut so much of Orson Welles's original. What we are left with is a flawed, yet brilliant film that showcases the overwhelming talent of Welles as an actor/director and Rita Hayworth as a serious dramatic talent.'The Lady From Shanghai' is film noir at it's most sizzling and confusing. Welles, with an uneven accent, portrays Michael O'Hara, a journeyman Irishman, who, after a fateful encounter with the seductive, dangerous Elsa Bannister (Hayworth, in a GREAT performance)finds himself virtually coerced into accepting a job as a crewman on her and her crippled husband's (Everett Sloane) yacht. Elsa, or 'Rosalie' as Michael likes to call her, plays the innocent, helpless doll very well, ensnaring O'Hara in her web. As the lovers conduct a not-so-secret affair at sea, Arthur Bannister's partner in his law firm, George Grisby (Glenn Anders)comes aboard. He is a weird, untrustworthy figure who offers Michael a unique proposal: He will get $5000 to assist Grisby in the faking of Grisby's death, so it looks murder. The plan is for Michael to get off a technicality, and run off into the sun with Elsa. But things do not go to plan.Hayworth delivers us one of the best femme fatales of all time in a very ambiguous portrayal. At times she seems genuinely vulnerable and child-like, at others brutal, world-weary and hard. Always she is brilliantly beautiful, whether he situation calls for her to be dripping wet in a swimsuit or dressed in black, brandishing a gun. Hayworth is beautifully photographed here, and she is a far-cry from her famous 'Gilda' role. Her then-husband Orson Welles cut off her trademark auburn locks for a dyed blonde crop (angering Columbia boss Harry Cohn). It was a terrific marketing ploy, and he change suits her changed attitude wonderfully. She is not the sympathetic femme fatale that 'Gilda' is, here- instead she is a predatory, black-hearted dame who sees murder as a very useful option.The Welles and Hayworth pairing came at a time when the couple were having extreme difficulties in their marriage. They would divorce after the film was made, so this is also a curiosity for providing some view into the complicated relationship. They are hateful, not romantic, lovers in this, so it's hard to gauge whether or not they had real chemistry on screen. Certainly every encounter is potent and filled with raw sexuality, with Welles as the 'fall guy' (he even admits it himself in the film!) and Rita as the double-crossing babe.Welles character is the typical noir 'drifter' with not much sense. As Welles voice-over proves to use, O'Hara indeed does not use his brain very much 'expect to be thinking of her (Elsa)'. Welles usually played intelligent, charismatic fellows, so his turn here as the dim-witted Michael is unusual and very interesting. Indeed, Welles was an actor of fine talent and he pulls off it well.Everett Sloane is suitably slimy as Hayworth's crippled husband. One wonders why he hires Michael. It is obvious that his wife is interested in him romantically, so why does he invite a 'threat' on board? One interpretation could be that Michael provides the 'service' to his wife that Bannister cannot in his crippled state. There is definitely something to that theory, with a lot of implications toward Elsa's behaviour before she met her husband (was she some sort of prostitute?)and Grisby's knowledge of Bannister's most intimate secrets being hinted at in several scenes.This is a jumbled, convoluted film with a plot that is ultimately flawed. We are more interested in the love triangle than the murder plot, as with most noirs. Welles provides us with many of his usual brilliant cinematic touches, including the justifiably famous 'hall of mirrors' climax. It's a terrific scene, one ending that can almost obliterate the faults earlier on in the movie and lift it into greatness. This fun house scene is visually stunning, with a Dali-like feel to the painted sets (apparently Orson painted them himself). Subtle visual imagery utilized throughout the film by Welles enhances the plot and makes this a thought-provoking experience.The dialogue is scorching and confusing, delivered superbly by Rita's alternately breathy low voice and helpless, high-pitched little-girl voice. Hayworth proves her acting capabilities in this one, and proves that SHE is the ultimate femme fatale of 'noir'. It's a pity (only a slight one , as Rita was a brilliant dancer) that she did so many delightful yet frothy and often forgettable musicals for Columbia in the 40's instead of darkly-themed noir like this. She was a brilliant actress when given the chance to show off her talent.9/10. Question: is it a negative review?
Example Output:
no