Given a document, find the main entity about whom the author is writing. Write the full name if mentioned in the text. Note that URLs in the text have been replaced with [Link].

Input: Consider Input: After 50 prolific years spent producing masterful black-and-white photographs   Roger Ballen  is ready to take  his  place as a master of the medium.
The past few years have seen major moves from the American-born  South African–based artist.  He  earned  his  own wing of Cape Town's Zeitz Museum of Contemporary African Art  after the Roger Ballen Foundation contributed the largest financial donation from a foundation the brand-new institution has seen yet. Outside of photography   he 's gone from directing Die Antwoord music videos to  his  own short films. With a new retrospective monograph  Ballenesque  out October 10 from Thames & Hudson  Ballen declares for all the world to hear that  he  is an icon.
Ballenesque opens with an essay by historian and cultural critic Robert J.C. Young. In it  Young begins to define the mesmerizing  "instantly recognizable" quality of Ballen's images  which he variously calls "prehensile portraits " "aleatory assemblages " "windowless walls " and "dark junctures of disjunction." When Young introduces these cornerstones of  Ballen 's style  he writes  "We isolate four; you  the viewer of the photograph  may add a fifth to complete the secret."
The rest of the book is a guided tour through  Ballen 's work  complemented by 50 pages of the artist's own anecdotes  autobiography  thoughts on technique  and philosophy. It all starts with blurry family portraits  Ballen  shot with a Mamiya camera  he  bought at 13 years old.  He  shares the first photo  his  that  he  really liked  a picture of a dead cat on the side of the road.
As  he  got older   he  became a documentarian of 60s and 70s counterculture  from grimacing Vietnam War protesters to carefree nudists at Woodstock. Many photos from this period in  his  career are shown for the first time within the pages of Ballenesque. By 1979   Ballen  had begun to travel the world  collecting snapshots of kids from New York to Indonesia that would be collected into a series called Boyhood.
When he moved to South Africa   Ballen  became fixated on the human toll of apartheid.  He  traveled the impoverished South African countryside as a geologist  but photographed the people and places  he  saw along the way.  He  collected these images into the two series that made  him  famous  Platteland and Outland.
Also debuting in the new monograph are Ballen's paintings from the 1970s  which informed  his  abstract photography in Asylum of the Birds and The Theater of Apparitions. "It was exciting to put those paintings in the book "  he  said. Many of the paintings were lost when  his  father cleaned them out of their childhood home  but the ones that survive have been documented for Ballenesque. "I didn't paint for 30 years  but in a way these set the foundation for my later work."
By the end of the text   Ballen 's work seems to exist  like one of his paintings  largely within his own mind. "From about 2002 onward  you rarely see a human face in the photos "  Ballen  said.  His  current project  teased in the final pages  is called Ah Rats. Now the vermin that have infested the edges of  his  work for years are at its center. In January   Ballen  art directed Die Antwoord's video for "Tommy Can't Sleep " which is full of the rats that are on his brain.
 Ballen  still walks Johannesburg looking for places to take pictures for around five hours a day.  He  spends the rest of  his  time with  his  family  administrating the Roger Ballen Foundation  and tending  his  collection of more than 100 pets. "There's rats  snakes  chickens  ducks  lizards  rabbits  spiders  doves  pigeons  crows  mice "  he  rattles off. Around 10 percent have names  including a bird named Icarus and a rat named Stoffel.
Icarus  Stoffel  and  Ballen 's Johannesburg home are far from the roiling American political scene  but  Ballen  has some advice for young artists trying to distinguish themselves in a photographic era he describes as "amorphous" compared to when he cut his teeth.
Ballen is quick to clarify that he doesn't mean photographers should risk physical harm by "jumping the White House fence" to get a unique photograph. "It's years and years and hours and hours later that you're developing an approach. My pictures are powerful because they access the subconscious mind. 'On the line' can mean psychological  as well as physical." Years spent paying attention to places and people others would rather ignore are how  Ballen  put  himself  on the line. As a result   his  photographs of outsiders help the rest of us look inward.

Output: Roger Ballen's


Input: Consider Input: Ikea is known for its flat-pack kitchen tables  islands  and cabinets. Now the home furnishings retailer is experimenting with products that allow people to harvest food at home. Space10  Ikea's innovation lab  has designed a prototype of a mini-farm that can grow greens and herbs indoors. Called  Lokal    it  uses a hydroponic farming system — allowing crops to grow on trays under LEDs in a climate-controlled box. Space10 debuted the device in September at the London Design Festival in Shoreditch. Check it out below. View As: One Page Slides
The Lokal farm lets anyone harvest greens indoors.
Space10 gave 2 000 free samples of Lokal microgreens to London Design Week attendees.
Michael La Cour  Managing Director of IKEA Food Services  said in a statement that  Lokal  still needs to be developed further before  the company  decides whether to sell  it  in stores.

Output: Lokal


Input: Consider Input: But  President Donald J. Trump  hardly looked like a grand wizard a week ago today. On January 8   he  hosted Alveda King  the niece of Dr. Martin Luther King Jr.; Isaac Newton Farris Jr.  Dr. King’s nephew  and Bruce Levell of the National Diversity Coalition for  Trump . All three of  Trump ’s guests are black.
“I did about 200 cataract surgeries with a group of surgeons in Haiti and the same in Central America ” Senator Paul  an ophthalmologist  said on NBC’s Meet the Press yesterday. “And when we asked  Donald J. Trump  as a private citizen to support those trips   he  was a large financial backer of both medical mission trips.” Paul continued: “I think it’s unfair then to sort of all of a sudden paint him  ‘Oh well   he ’s a racist ’ when I know  for a fact  that  he  cares very deeply about the people in Haiti because  he  helped finance a trip where we were able to get vision back for 200 people in Haiti.”
Whatever  Trump  said or didn’t say  the reaction has been beyond incendiary  with the words “racist” and “racism” erupting like volcanos around the Pacific Ring of Fire.
 Trump’s  alleged language  if uttered  was unfortunate  vulgar  and unpresidential  although  he  hardly would have been the first chief executive to use profanity in office.  His  supposed words apparently were aimed at sh**hole nations  rather than sh**hole people. The latter would have been inexcusable.
It is widely understood that certain nations are garden spots  and others are not. It is fair to say that Haiti  El Salvador  and a tragically high number of African countries are non-garden spots. It also is perfectly appropriate to ask whether America would be better off with immigrants from such impoverished and embattled places or from prosperous nations  such as Norway  which  Trump  reportedly mentioned. It likely was top of mind  given Norwegian prime minister Erna Solberg’s visit and joint press conference with him on Wednesday.
Whatever he stated or didn’t   President Trump  should learn these lessons from this experience  and repeat them to  himself  daily:
“Every word I say matters.” This is true in public  in private  and around the clock  until  he  leaves the White House and begins work on the Donald J. Trump Presidential Library.
 Trump  should think of  himself  as Jim Carrey in the 1998 film The Truman Show. Except when  he  is in bed   Trump  should behave as if every breath  he  takes were being broadcast live around the globe.
 Trump  needs to remember that Democrats are not  his  pals. They almost universally crave  his  failure  resist  his  program  and want to yank  him  from office — never mind the 304 votes  he  legitimately won in the Electoral College. Anything  he  says in front of Democrats (and even some Never  Trump  Republicans  alas) can and will be used against  him  in the court of public opinion.  Senator Durbin  should be condemned for publicizing (or distorting)  his  private conversation with  Trump   thus sabotaging efforts to reach a DACA deal. But this should be no more shocking than if  somewhere in Illinois  a rooster crowed at dawn.
 Trump  needs to remember that Democrats are not  his  pals.
Ned Ryun of American Majority has an excellent idea: Whenever  President Trump  meets with Democrats   he  should summon news cameras and let them stay until Democrats leave. Trump displayed his leadership skills to almost universal applause when he allowed the media to broadcast live for 55 minutes from the Cabinet Room  as he negotiated immigration and border security last Tuesday. Doing this regularly when Democrats are around will prevent them from offering journalists an alternative version of events. With cameras present  Trump should be on his best behavior. And the American people will benefit from Senate-floor-like transparency inside the White House. This would be unprecedented and gain Trump considerable respect for opening a virtual sunroof atop the West Wing.
Trump’s job is to recall at all times  with the relentlessness of a bloodhound chasing an escaped Death Row inmate  that he must not give free knives and anvils to people who hate his guts and literally would cheer if he woke up dead tomorrow morning . (And the Left need not bother to deny this. Everyone knows this is true  as evidenced by the Left’s repeated fantasies about Trump being shot  stabbed  and decapitated.) These people would call  Trump  a racist for ordering vanilla ice cream.  He  should remember this without fail and act accordingly.
If  Trump  becomes blurry about this fact   he  should remember the very first fake-news story to emerge on  his  watch. On January 20  during  his  very first day as president  Time magazine’s Zeke Miller reported that Trump removed a bust of Dr. Martin Luther King from the Oval Office. This confirmed that  Trump  was a racist who couldn’t wait to evict that troublemaking black from  his  new office.


Output: Donald J. Trump