In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

Ex Input:
Question: How old was the conqueror of Thanjavur in 1764? Passage:Thanjavur was successfully conquered in 1674 by Ekoji I (1675–84), the Maratha feudatory of the sultan of Bijapur and half-brother of Shivaji (1627/30-80) of the Bhonsle dynasty. Ekoji founded the Thanjavur Maratha kingdom which ruled Thanjavur till 1855. The Marathas exercised their sovereignty over Thanjavur throughout the last quarter of the 17th and the whole of the 18th century. The Maratha rulers patronized Carnatic music. In 1787, Amar Singh, the regent of Thanjavur, deposed the minor Raja, his nephew Serfoji II (1787–93) and captured the throne. Serfoji II was restored in 1799 with the assistance of the British, who induced him to relinquish the administration of the kingdom and left him in charge of Thanjavur fort and surrounding areas. The kingdom was eventually absorbed into British India in 1855 by the Doctrine of Lapse when Shivaji II (1832–55), the last Thanjavur Maratha ruler, died without a legitimate male heir. The British referred to the city as Tanjore in their records. Five years after its annexation, the British replaced Negapatam (modern-day Nagapattinam) with Thanjavur as the seat of the district administration. Under the British, Thanjavur emerged as an important regional centre. The 1871 India census recorded a population of 52,171, making Thanjavur the third largest city in the Madras Presidency. After India's independence, Thanjavur continued as the district headquarters.
 Links: a. Shivaji b. Ekoji I c. Doctrine of lapse d. Shivaji II

Ex Output:
b


Ex Input:
Question: Who is the current leader of the clan that ruled the Choshu domain? Passage:The area around present-day Atsugi city has been inhabited for thousands of years. Archaeologists have found ceramic shards from the Jōmon period at numerous locations in the area. By the Kamakura period, this area part of the Mōri shōen, part of the holdings of Ōe no Hiromoto. His descendants, the Mōri clan later ruled Chōshū domain. During the Kamakura period, the area was also known for its foundry industry for the production of bells for Buddhist temples. The area came under the control of the Ashikaga clan in the early Muromachi period and was later part of the territories of the Later Hōjō clan from Odawara. With the start of the Edo period, the area was tenryō territory controlled directly by the Tokugawa shogunate, but administered through various hatamoto, as well as exclaves under the control of Odawara Domain, Sakura Domain, Mutsuura Domain, Ogino-Yamanaka Domain and Karasuyama Domain. After the Meiji Restoration, the area was consolidated into Aikō District of Kanagawa Prefecture by 1876. Atsugi town was created on April 1, 1889 through merger of several small hamlets. Atsugi was elevated to city status on February 1, 1955 through merger with neighboring Mutsuai Village, Koaiyu Village, Tamagawa Village and Minamimori Village. The city expanded on July 8, 1958 through merger with neighboring Echi Village, and with Aikawa Village from Naka District. On September 30, 1956, Ogino Village joined with Atsugi. In April 2000, Atsugi exceeded 200,000 in population and was proclaimed a special city with increased autonomy from the central government.
 Links: a. Meiji Restoration b. Mōri clan c. Shōen d. Karasuyama Domain

Ex Output:
b


Ex Input:
Question: What instrument did George Russell play? Passage:There is a great deal written in music history books about the period of artistic experimentalism after World War II in Europe and the United States. Much like the period in France after the Franco-Prussian War (Impressionism) and in the late 19th century, the pre/post World War I period of (Expressionism), the post World War I period of Modernism was no different with composers trying to 'write music for the sake of music' and not attaching it to a social meaning or meant for a social cause (see Darmstadt School). The LP City of Glass and the whole body of work from the Stan Kenton orchestra and Robert Graettinger (1947–1953) is a direct product of the experimental American music scene of the post World War II era. Though overshadowed historically by other compositional endeavours in jazz at the time attributed to George Russell, Neal Hefti or Lennie Tristano, Graettinger and City of Glass is important in the progress that was to be part of Third stream jazz.
 Links: a. Europe b. Expressionism c. Expressionism d. George Russell (composer)

Ex Output:

d