Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.
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Question: CONTEXT: My guess is that it was relevant only at that particular moment. It was an expression of humans' attitude towards Clark. Just like criminals who are not accepted as 'normal' members of a society and stay behind bars in prisons or lines in this particular case, and treated differently from the rest of the society, Clark was also a stranger, an alien whose intentions or nature wasn't fully understood, so seeing 'behind the line' phrase behind Clark bears that symbolism in my opinion. So you can guess that he would be handed over to Zod. Also note - if we continue our analogy with criminals - that he hasn't been tried/appeared before a judge yet. People see him later in action, and he is judged by his actions, and afterwards accepted as an ally i.e. acquitted. And the reason it was painted over maybe because the rest of the phrase was irrelevant, and also if it said detainees - he is not really a detainee, wasn't detained, he surrendered. Or maybe because they couldn't really detain him, he ripped handcuffs off with ease.  <sep>  Q: What is the full phrase painted over on the ground and its purpose? A: My guess is that it was relevant only at that particular moment  Q: What do you think the full phrase is? A: It was an expression of humans' attitude towards Clark  Q: What did they feel towards Clark? A: Just like criminals who are not accepted as 'normal' members of a society and stay behind bars in prisons or lines in this particular case, and treated differently from the rest of the society  <sep> FOLLOWUP_Q: How did Clark treat them differently?

Answer: No


Question: CONTEXT: It is not explained, but we can theorize. We don't know when he rented those books. He might have done so before buying his own (to ensure he indeed should buy them), or because the books weren't easy (or cheap) to purchase. Also remember that instead of renting books on a subject he is well versed in, he probably became well versed on the subject thanks to renting those books. Finally, despite those books in his apartment, IIRC we are never told what those books are about. They might have had nothing to do with the seven deadly sins (John Doe wanted to avoid having incriminating evidence on his home, perhaps?), and thus all of his knowledge came from renting the books in the library. The books in his house might have been educational on a ton of other subjects or philosophies. Also keep in mind, the Internet still wasn't a thing back then. And books such as the ones mentioned (on bondage, homicide, or by Italian Dominican friars) might have not been easily found in your regular old book store. Finally, you can also claim that he rented them to make the plot move along, as this was their main lead.  <sep>  Q: Why did John Doe need to check out books at a public library? A: It is not explained, but we can theorize  Q: What is your theory? A: Internet still wasn't a thing back then  <sep> FOLLOWUP_Q: John Doe knew a lot about the Seven Deadly Sins already, didn't he?

Answer: Yes


Question: CONTEXT: I don't know this for sure, but here is my educated guess. In this featurette they're using the word "hero" to identify the "real world" Nina. There are 2 Nina's in those shots. One is the "hero" (main character of the film, whom the audience identifies with and empathizes with) and then there's the evil reflective Nina (in one shot called the "reflective element"). There's also the green-screen element. Put all of those together, and you get the final comp (comp = composite shot, which is a shot made up of multiple elements).  <sep>  Q: What is a "hero plate"? A: hero" to identify the "real world" Nina  Q: What is the purpose of it in film? A: One is the "hero" (main character of the film, whom the audience identifies with and empathizes with) and then there's the evil reflective Nina  <sep> FOLLOWUP_Q: When did a hero plate start in film?

Answer:
No