In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.
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Question: Question: On what album was the Gerry Rafferty song from that is referenced in the show? Passage:While telling Bart and Lisa about 1990, Homer says, "Tracey Ullman was entertaining America with [...] crudely drawn filler material." This is a reference to The Simpsonss debut as "bumpers" airing before and after commercials on The Tracey Ullman Show. The song "Those Were the Days" parodies the opening credits of the television show All in the Family. One of the people who run over the saxophone is a man on a tricycle, who promptly falls over. This is a reference to the show Rowan & Martin's Laugh-In. At the beginning of the flashback, the song "Don't Worry, Be Happy" by Bobby McFerrin can be heard. In the flashback, Dr. Hibbert fashioned his hair and attire like Mr. T in The A-Team. Homer can be seen watching Twin Peaks and The Giant is then shown waltzing with the White Horse. In King Toot's music store, when Homer buys Lisa her first saxophone, there is a guitar in the background that is similar to Eddie Van Halen's "Frankenstrat" guitar. The photo beside Kent Brockman on the news has him modeled after the Coppertone Girl. At the end of the episode, Lisa performs a brief, cruder rendition of the hook of "Baker Street" by Gerry Rafferty on her new saxophone before the music segues into the original song.


Answer: b


Question: Question: How many years passed between the First Carlist War and the  war that mostly in Catalonia? Passage:The Basque Country was one of the main sites of battles during the First Carlist War, a civil war between supporters of the Spanish regent Maria Christina, known as liberals, and those of the late king's brother Carlos of Borbón, known as Carlists. The Carlists were particularly focused on capturing Bilbao, a liberal and economic bastion in northern Spain. The Carlist general Tomás de Zumalacárregui tried to take the city during the Siege of Bilbao of 1835, but he was wounded during a battle near Begoña and died some time after in the town of Zegama. The next year, the city resisted a second siege during which the liberal general Baldomero Espartero defeated the Carlists in the Battle of Luchana. The city was untouched by the Second Carlist War, which took place mostly in Catalonia, but was again an important scenario during the Third Carlist War; in April 1874 the city suffered a third siege which lasted two months.


Answer: b


Question: Question: Are any of his outside consultants American when Tzonis was doing advanced research in analytical design methods? Passage:His grandfather was architect Alexandros Tzonis who designed many buildings in Thessaloniki during the Interwar period. Tzonis studied architecture at the National Technical University of Athens (1956 -1961). During the period of his university studies, he was instructed privately in mathematics (Pandelis Rokos) and art (Spyros Papaloukas) meeting regularly with the architect Dimitris Pikionis who was by then retired from teaching. He worked professionally as a stage designer in the theatre and art director in the cinema. (Never on Sunday, 1960 directed by Jules Dassin). In 1961 he moved to the United States as a Ford Fellow, where he pursued his studies at Yale University, briefly in the Drama School and soon after in the School of Art and Architecture under Paul Rudolph, Shadrach Woods, Robert Venturi, and Serge Chermayeff. In 1965, with sponsorship from the Twentieth Century Fund he was appointed fellow at Yale where he carried out pioneering research on Planning and Design Methodology in collaboration with Chermayeff with whom he co-authored The Shape of Community (1972). In 1968 he was invited to teach at the Graduate School of Design at Harvard University by Jerzy Soltan and Josep Lluis Sert appointed assistant professor. There he taught and did advanced research in analytical design methods in association with Walter Isard and Ovadia Salama, receiving outside advice from Anatol Rapaport and Seymour Papert. In collaboration with Ovadia Salama, introducing the newly developed method ELECTRE he worked out a new method for multi-criteria evaluation of architectural projects (1975). In collaboration with Michael Freeman, Etienne de Cointet, and his undergraduate student Robert Berwick, who became later professor of computational linguistics at MIT, he developed a method for design discourse analysis applied to the case of 17th and 18th century texts of French architectural theory, a project funded by the French Government carried out at Harvard and in France (1975).


Answer:
b