In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

[Q]: Typical Greatest Hits (Not) . As with most Greatest Hits collections, the record company leaves off just enough hits to make you wonder &quot;What they were thinking?&quot; They also put on a few tracks that make you wonder &quot;What were they  thinking?&quot; Here, there are some obscure tracks that clearly are  &quot;filler&quot; while omitting some of his best tracks from rock radio  and even Top 40 Hits? Where is I Found Somebody? (Oops, that was only his  first Top 40 &quot;hit&quot;) Where is &quot;Partytown&quot;? (Probably his  best party song and a big hit on AOR radio in the early 80's). &quot;Don't  Give Up&quot; was also a rock radio track and a great song from his first  album. I would title this album &quot;Some Hits, Some Mediocre Stuff, Some  Stuff Sorely Missing, Sorry.&quot; Now, where is that Eagles box set we  have been waiting 20 years for
[A]: NEG


[Q]: Very smooth . Although I usually preffer more energetic D&B this album really caught me by surprise. The beats are so precise and well executed. I really enjoyed the amount of control that Photek had over the music. Don't go in thinking this will be dieselboy or DJ DB because it's not. It's an entirely different beast. It's a bit more along the lines of Polygon Window mixed with Amon Tobin's walls of sound. It's a really great album to relax and read to. Some of the tracks can be a bit stale but most of them are pretty great, especially track one (it's my fav)
[A]: POS


[Q]: Catch it if you can . It is not always wise to revisit old loves, because nostalgia can be treacherous.  But not this time.  As an adolescent in the 60s, I, like many of my peers, fell in love with Dusty Springfield.  Forty years later, I listened to this collection, and I am in love with her all over again, only more so.  Her voice was very special.  From the country-style folk of The Springfields, through the romantic standards, to soulful R&B, she could do it all, and all exquisitely.    There are nuances to her singing and a depth of emotion to her voice that I missed first time round.  Listen to the unique phrasing on The Son of a Preacher Man, a song that she made her own, and the delicious seductiveness of Breakfast in Bed (which I heard for the first time on this CD) and you will see what I mean.    Her life had tragedy in it.  In many ways, the sixties were not as permissive as you might think and the British tabloid press were vicious when they caught the rumor that Dusty was a lesbian.  This helped destroy her UK career and after that she spent most of her time in the US and the Netherlands.  By nature insecure, she could not come to terms with her relative loss of celebrity and resorted to drug and alcohol abuse and even a suicide attempt.  Just when she was making a comeback following her collaboration with The Pet Shop Boys and an appearance on the Jools Holland TV show (what a hero that man is; when are we going to have his show highlights on DVD?) she was diagnosed with breast cancer, which ultimately killed her.    Among the divas of twentieth century British popular music, she is supreme, and was one of the very few to achieve real success in the US also.    It was good to hear The Look of Love on the Catch Me If You Can soundtrack.  It will help keep her voice alive for a new generation.  That track is on this CD and is just one gem among many.  They repay close listening.
[A]:
POS