In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

May Dove Canady is an awkward, lonely young woman, who suffered from a rough childhood due to her lazy eye. She has very few social interactions, her only "true friend" being a glass-encased doll named Suzie made by her mother and given to May for her birthday with the adage "If you can't find a friend, make one." May works at a veterinary hospital, assisting with surgeries. Her optometrist fixes May's lazy eye, first with glasses, then with a special form of contact lens. As May attempts to be more social, she becomes friends with Adam, a local mechanic. She has a fixation on his hands, which she considers to be the most attractive part of him, and they start dating. Meanwhile, May's lesbian colleague Polly begins to flirt with May. One day while feeling especially low, May remarks that Polly has a beautiful neck. They become friends and Polly gives her pet cat Lupe to May, ostensibly because of her "bitch" landlord.One night May invites Adam to her apartment. Adam shows her a film he made for his university titled Jack and Jill. The film reveals a story of two young lovers who go on a picnic and end up eating each other. May becomes aroused by the cannibalism in the film. During an intense make-out session, she bites Adam on the lip and it bleeds profusely. Disturbed by May's strange behavior, Adam abruptly leaves. May shouts at Suzie and shoves her in the cupboard.May begins volunteering at a school for blind children. May gives in to Polly's wishes and starts a short affair. Adam stops calling her and May goes to his house, where she overhears him say that he's glad he could get rid of May. Heartbroken, May visits Polly, and finds her with another girl named Ambrosia. May returns home, miserable. When Lupe refuses to come near her, May becomes enraged. She throws a clay ashtray at Lupe, killing her. May becomes delusional and believes that Suzie is talking to her through the glass case.May takes Suzie to school and tells the blind children that Suzie is her best friend. The children struggle to take the doll out of the glass case, and the case falls and shatters. May and the children are cut by the broken glass. Scooping up the ruined, blood-stained doll, May returns home devastated.The following day, May meets a punk boy named Blank. He asks her if she wants to get some candy with him and she accepts. They go to her house afterward. May doesn't like him, but she likes the tattoo on his arm. When he opens the freezer to get ice, he finds the cat's corpse wrapped in plastic. He calls May a freak; she stabs him in the head with a pair of scissors.On Halloween night, May dresses in a homemade costume resembling Suzie and goes to Polly's house. She slits Polly's throat with scalpels from the animal hospital. When Ambrosia arrives, May admires her legs and stabs Ambrosia in the sides of the head with the scalpels. May goes to Adam's house and finds him with a new girlfriend, Hoop. May kills them both.At home, May designs her "new friend", Amy (an anagram of her own name), a life-sized patchwork doll made from Blank's arms, Polly's neck, Adam's hands, Ambrosia's legs, and Hoop's ears. She uses Lupe's fur for the hair. The head and torso are scraps of fabric stitched together and stuffed. May realizes that Amy has no eyes and can't "see" her, so May gouges out her lazy eye with the scissors, fatally injuring herself in the process. Crying in pain and bleeding, she puts her eye on Amy's head and begs the doll to look at her. She collapses dead on the bed beside the doll and caresses it. Her creation comes to life and brushes her face affectionately with Adam's hands.
Who gives in to Polly's wishes and starts a short affair?

In 1959, Michael Courtland (Cliff Robertson), a New Orleans real estate developer, has his life shattered when his wife Elizabeth (Geneviève Bujold) and young daughter Amy are kidnapped. The police strongly recommend that he provide the kidnappers with shredded blank paper instead of the demanded ransom, and he agrees to the plan. This leads to a bungled car chase in which both kidnappers and victims are killed in a spectacular explosion. Courtland blames himself for the deaths of his wife and daughter.15 Years later. Courtland is morbidly obsessed with his dead wife, and regularly visits a monument he has had built in her memory. The monument is a replica of the church (Basilica di San Miniato al Monte) where he and Elizabeth had met many years before in Florence, Italy. His real estate partner Robert LaSalle (John Lithgow) convinces Courtland to tag along on a business trip back to Florence. While there, Courtland revisits the church, and suddenly comes face to face with a young woman named Sandra (Bujold again in a dual role) who looks exactly like his late wife. The already slightly unhinged Courtland begins to court the young woman, and subtly attempts to transform her into a perfect mirror image of his dead wife.Courtland returns to New Orleans with Sandra so they can marry. On their wedding night, Sandra is kidnapped and a ransom note is left behind by her abductors. It is an exact replica of the kidnappers' message from fifteen years before. This time, Courtland decides to deliver the demanded cash. He withdraws massive quantities of money from his accounts and business holdings, financially ruining him and forcing him to sign over his interest in the real estate business to LaSalle. In the process, he discovers that his entire ordeal, including the original kidnapping, had been engineered by LaSalle as a way to gain sole control of Courtland's company share holdings. The now nearly insane Courtland stabs LaSalle to death.Knowing that Sandra must have been a willing accomplice in the plot against him, he goes to the airport to kill the escaping woman. On the plane, Sandra has a flashback to her part in the scheme; she is in fact Courtland's daughter, allowed by LaSalle to survive the explosive traffic "accident" from years before that had killed her mother. LaSalle had told her lies about Courtland over the years, convincing her that her father had not paid the ransom because he didn't love her. Sandra, who now loves Courtland, attempts suicide on the plane and is taken off the flight in a wheelchair. Courtland sees her and runs toward her, gun drawn. A security guard attempts to stop him but Courtland smashes the briefcase full of money against the guard's head, knocking him unconscious. The briefcase breaks open and all of the money flies out. Sandra, seeing the fluttering bills, stands up and shouts: "Daddy! You brought the money!" Courtland now realizes for the first time who Sandra really is, and father and daughter fall into a deep embrace.
Where was Courtland when he first met Sandra?

The quiet life of a Paris family is disturbed when they receive a series of surveillance tapes of the exterior of their residence from an anonymous source. Georges Laurent is the successful host of a French literary television program, living with his wife Anne, a book publisher, and their 12-year-old son Pierrot. Unmarked videocassettes arrive on their doorstep, tapes that show extended observation of their home's exterior from a static street camera that is never noticed. At first passive and harmless, but later accompanied by crude, disturbing crayon drawings, the tapes lead to questions about Georges' early life that disrupt both his work and marriage. But because the tapes do not contain an open threat, the police refuse to help the family.One videotape leads Georges to the modest HLM apartment of Majid, an Algerian man whose parents worked for Georges' family before they were killed in the Paris massacre of 1961. The orphaned Majid remained in the Laurent home, and the parents at one time intended to adopt him. Georges confronts Majid about the tapes, but he denies involvement. However, the encounter intensifies his guilty flashbacks and recurring nightmares of a young Majid spitting blood, cutting off a rooster's head, and menacing him.One day Pierrot does not come home from school and Anne cannot locate him. Georges and Anne suspect that he is kidnapped by Majid. They go to the police, who accompany Georges to Majid's apartment. There they find Majid's son, and father and son both deny knowledge of a kidnapping. The police arrest them but they are released the next morning. Pierrot returns home shortly afterwards; he had spent the night at a friend's house without telling anyone. When Anne scolds Pierrot, he accuses her of adultery because he had witnessed Anne permitting a few ambiguous caresses from a family friend.At Majid's invitation, Georges returns to the apartment, where, after stating that he had nothing to do with the surveillance, says he wanted Georges to be present for what follows: he kills himself by slashing his own throat. Now Anne insists Georges explain the whole story with Majid, and he tells her that they lived together in his parents' household. He was six years old when he tricked Majid into cutting off the head of the family's rooster, then told his parents that Majid did this to scare him. This sufficiently disturbed his parents that they sent Majid away to an orphanage.Majid's son comes to the television studio and finds Georges, who denies responsibility for Majid's unhappiness and death. The younger man denies knowledge of the tapes, saying he only wanted to know how Georges felt about being the cause of his father's death. Georges angrily departs for home, where he takes two sleeping pills and goes to bed.In what then appears to be Georges' dream or just a flashback, a man and woman arrive at Georges' childhood home in a 1960 Peugeot.[5] They enter the house, leave with an Arab boy who protests, who resists getting in the car, and runs away before he's finally caught and overcome by the man. He's forced into the back seat with the woman, and the man drives the car away.Under the credits, Pierrot and Majid's son meet in front of Pierrot's school, though their conversation cannot be heard. Majid's son leaves, as does Pierrot with a couple of his friends soon after.

What does Pierrot accuse Anne of?