Given scene/plot descriptions from movies or TV shows, and given a specific question about the scene, summarize the question into a title

Input: Consider Input: In Patriots Day, Dun Meng is video calling to his parents about his new vehicle. (This happens at the beginning of the movie).      The terrorist hijack his vehicle later.  The next victim, this cute couple appeared on screen even before the attacks.    After the attacks, this couples lost their legs in the terrorist attacks.  What is the significance of showing the victims even before the attacks?

Output: What is the significance of showing victims even before the attacks?


Input: Consider Input: This is what Angier says to Borden when the latter asks him "What do you know about sacrifice?":  "It takes courage to walk into the machine... Not knowing if I'd be the Prestige or the man in the box."  My interpretation is that the machine makes a clone and his consciousness ends up in one and he doesn't know which one. This means some days he dies.  Can somebody clear this up for me? Because there is something wrong with this explanation: The clones in The Prestige are sentient.    So how does that work? Which clone is real Angier? Is his consciousness split among the various clones and he feels both dying and being the Prestige?

Output: The clones are sentient paradox


Input: Consider Input: In Raúl Ruiz's Le Temps retrouvé, a crowd in chairs listens to a chamber music performance.       At times, while the camera pans around the audience, rows of people slide left & right. For examples, in the clip linked just above:   at 0:33, the front row slides to left; at 1:37, the second row slides to the left; at 1:47, the second row slides to the right; at 1:54, the second, third, and fourth rows all slide; at 2:07, the front row slides to the right; and at 2:24, both rows slides to the right.   Why does the crowd slide around like that?


Output: Why is the audience sliding around in this scene from Le Temps retrouvé?