In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: ever feel you 're spending your whole life on the net ( ouch ! ) , eating , breathing and excreting web sites ? that your most meaningful relationships are being formed on the net ? that you get your best sex on the net ?
if first - time director hal salwen could shoot an entire movie of characters typing at their computers , he would .
as it is , he settles for characters talking on the phone .
denise calls up is a movie for and about the electronic generation , where characters are too caught up with their work and insecurities prefer to live out their relationships and fantasies on the phone .
it 's a satire - and
a sometimes funny one - about how we let handphones , call - waiting and answering machines run our lives .
the problem : denise calls up is a movie about an idea .
a darn good one , but still an 80 minute - long idea .
and despite salwen 's attempt at plots and sub - plots , despite some genuinely funny moments , you can predict the movie 's outcome within the first fifteen minutes .
you get the drift after a series of shots of characters explaining over the phone why they all could n't make it for a party - nobody is going to be meeting anybody in this film , they would rather be talking on the phone .
here 's salwen 's plot
: while all the characters are in a dysfunctional , telefixated limbo , loud quirky stranger denise calls up martin to announce that she is pregnant with his child , courtesy of the sperm he donated to the local bank . as martin progresses from slamming the phone on her to long phone conversations over the baby 's name , his friends - and his friends ' friends - get involved , courtesy of call - waiting and double - lines .
in the tigher and more tantalizing sub - plot , barbara and jerry are set up on a blind date that neither turns up for .
both profess to have too complicated schedules to ever meet , but they get it going over the phone .
with repeated phone sex comes a glitch ; what if the other person is simply faking it ?
denise calls up scores with some inspired moments .
mousy barbara metamorphoses into a vamp over her cordless , everyone shares the excitement of denise 's delivery through a conference call to her handphone , and barbara 's best friend gale is killed in a car accident while taling animatedly into another friend 's answering machine .
( as gale 's overly - chatty aunt recounts , her cordless was knicked into her ear and lodged in her brain . )
but these moments are not enough to sustain the movie .
the pace sags , the dialogue drags and not much acting appears to be required of the telephone - touters .
and the ending is literally a non - event as expected , everyone is too chicken to turn up for the party frank throws in gale 's memory despite promising over the phone that they will .
we get the point .
the movie appears to be intent on flogging its terribly-'90s statement until they have it coming out of your ears .
pun intended .
there 's even a on the movie 's web site where you can win cellular phones ( as if we have n't had enough of these things already ) .
watch the movie only if you find it philosophy
compelling enough for a earful .
the flying inkpot 's rating system :
* wait for the video .
*
* a little creaky , but still better than staying at home with gotcha !
*
* * pretty good , bring a friend .
*
*
* * amazing , potent stuff .
*
*
*
* * perfection . see it twice .
[EX A]: N

[EX Q]: america 's favorite homicidal plaything takes a wicked wife in " bride of chucky , " and their unholy matrimony is something old , nothing new .
the burning question on the minds of most moviegoers , however , has nothing to do with nuptial specifics or even how the movie stacks up , but rather whether or not the duo gets down and dirty on their blood - soaked honeymoon .
the answer is a sick - and - twisted yes - and viewers are treated to a shadowy glimpse of some hot - enough - to - melt - rubber ( or at least singe it )
lovin' .
guess they 're anatomically correct .
chucky ( again voiced by brad dourif )
, of course , is the star of the " child 's play " series , a my buddy - type doll possessed by the spirit of a slain serial killer .
in " bride , " the plot ( heh )
picks up with his girlfriend tiffany ( jennifer tilly ) resurrecting chucky 's remains ( he was blown up at the end of " child 's play 3 " ) with the help of a black arts manual called " voodoo for dummies . " silly mortal .
before long , she 's also been reduced to shin - high figurine status , and the plastic incarnations of these one - time lunatic lovebirds hit the road to scope out some potential new human bodies .
the rest of this rocky horror puppet show plays out as tiff and the chuckster stalk a young couple ( nick stabile and katherine heigl ) with conjugal plans of their own , leading them towards a new jersey grave where a magical , soul - transferring amulet allegedly lies in wait . along the way , our murderous barbie and ken go through post - marriage motions similar to any given pair of newlyweds - bicker , argue , kiss and make up .
but when they squabble over who 's going to do the dishes , watch out .
hey , even faux people have got to work through their problems .
director ronny yu keeps the mayhem flashy and stages an inventive scene or two , but not even visual flair can make up for the fact that these creepy kewpies are neither scary nor menacing .
when one of them charges , it 's nothing a good forward punt could n't take care of .
and when a climactic chase scene is needed , one of the dim - bulb protagonists must _ pick_chucky_up _
so the demonic toy can force his hostage to run at gunpoint .
throw in some silly casualties and a ridiculous ending
( will " son of chucky " be next ? ) and this is a bizarrely bad 89-minutes at the movies .
as is the thing to do in post- " scream
" slasher cinema , don mancini 's screenplay slathers on the in - jokes and genre - parody . but
little of the humor succeeds , proving self - reference can be completely worthless when it lacks bite . to be fair , though , most of " bride of chucky " is on auto - pilot , so it 's not quite right to single out one misfired aspect of the film .
similarly shaky , the acting ranges from screeching camp to boring bland , the effects are n't that special and
the story is one big groaner .
here 's hoping chucky and his entire clan - past , present and future - rest in peace .
[EX A]: N

[EX Q]: the real blonde ( r ) a woman 's face , an arm , some pumped - up pectorals , blond hair , a man 's sad face , slender legs , a random hand here and there .
as the opening credits of tom dicillo 's the real blonde unfold , these scattered , fractured glimpses eventually come together to form the image of a bikini brief - clad man on his knees clinging to a nurturing woman , his head concealing her unclothed breasts .
if only the rest of this formless , aimless ensemble comedy assembled so coherently .
joe ( matthew modine ) is a waiter / struggling actor too proud to take gigs in commercials or soap operas .
he 's feeling somewhat dissatisfied with his relationship with his live - in love , mary ( catherine keener ) , who holds some subconscious hostility toward the male gender .
mary , a makeup artist , regularly works on model sahara ( bridgette wilson ) , who is obsessed with the underlying messages in disney 's the little mermaid .
the bottle blonde has a turbulent on - again , off - again relationship with bob ( maxwell caulfield ) , a soap actor who yearns for the taste of a real blonde , which he finds in co - star kelly ( daryl hannah ) . as the film unspools , a variety of other characters pass through : fashion photographer blair ( marlo thomas ) ; mary 's shrink ( buck henry ) and self - defense instructor ( denis leary ) ; joe 's casting agent ( kathleen turner ) and hardass boss ( christopher lloyd ) ; and a mystery woman ( elizabeth berkley ) who keeps on crossing joe 's path .
where exactly does all this go ?
that 's a question best posed to writer - director dicillo , who does n't appear to have the slightest clue himself .
his meandering , largely unfunny script and direction are like hopelessly lost drivers , turning into dead - end narrative streets only to reverse course and hit another creative cul - de - sac . and another .
and another .
at one point bob , frustrated with the soap scripts , complains to the head writer ( jim fyfe ) that his and kelly 's characters keep on going in circles , with no hint of development or growth .
that is most certainly the case here .
joe gets a job and ultimately botches things ; he and mary bicker ; they make up , only to have the pattern repeat itself .
unhappy with his bottle blonde , bob gets his real blonde but is unsatisfied ; he returns to the faux and is still unsatisfied .
if there is a point to all of this , dicillo dances around it , spending his time on apparent digressions that , as it turns out , are n't digressions at all .
the real blonde is not without some amusements .
it does have the occasional funny line and situation ; leary , henry , lloyd , steve buscemi , and dave chappelle shine in their small roles ; keener is a likable , refreshingly earthy lead ; berkley 's appearance is mercifully brief ( she receives outrageously prominent billing and ad placement for a ten - minute role ) ; and there is the irony of having caulfield play a wildly popular soap star who makes the ratings skyrocket (
last year , the actor was fired from the daytime drama all my children after a scant six months -- due to lack of viewer interest ) .
but on the whole , the real blonde is a frustrating sit that lives up to the stereotypes of its title -- it may be glossy on the surface , but there 's nothing going on inside .
( opens february 27 )
[EX A]:
N