In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: i think maybe it 's time for the batman series to be put to rest .
not only has the first two films ' unsettling insight into what it would really take for someone to make himself into a " superhero " been abandoned , but this one throws any lingering realism out the window and goes for all - out camp with few traces of the self - mocking restraint of the relatively light - hearted third installment .
let me give you an example : in the first scene of the movie , batman ( george clooney ) and robin ( chris o'donnell ) are summoned to a museum that has been literally turned to ice by mr .
freeze ( arnold schwarzenegger ) in an attempt to steal a diamond .
mr .
freeze 's thugs are armed with none other than hockey sticks , but this is no problem for our heroes : automatic skates shoot out of their shoes , at which point robin manages to get hold of a hockey stick , grabs the diamond , and stick - handles it through the museum .
i might have expected this from an airplane - style farce , but i do n't think that 's what this movie is supposed to be . after all , the previous three batman movies were actually fairly realistic by the standards of the superhero / action genre and kept the corny death - defying stunts to a minimum , while playing the obligatory cheesiness with at least some amount of irony .
not any more ; the list goes on and on in this one .
robin holds onto the outside of a flying rocket ship 30 , 000 feet high in the atmosphere , climbing in the door to save batman .
mr . freeze and poison ivy ( uma thurman ) leap from a skyscraper and survive by landing in a small pond .
a world dominating mad scientist lives in a fortress that seems to have been stolen from the old he - man cartoons .
my very favorite example is the scene in which batgirl ( alicia silverstone ) gets in a race with motorcycle thugs , during which they come up with the clever notion of dousing the road with gasoline and setting it on fire to distract her .
not bad , but would n't the police ( or maybe batman ? )
notice if the road was on fire ?
i knew gotham city was this crazy anarchic place ,
but . . . . it also seems that the creators of the batman movies are obeying some unwritten rule that there have to be more main characters and plot lines in each successive installment .
as if three protagonists and two villains were n't enough , batman and robin
further weighs itself down with an underdeveloped side story of the failing health of bruce wayne 's butler alfred ( michael gough ) , which might have seemed poignant if it was n't surrounded by so much silliness , as well as several scenes with elle macpherson as bruce 's girlfriend which serve no purpose other than to remind us that she is in the movie .
all this might be semi - excusable if the story were interesting and entertaining , but it is n't . in fact ,
it 's kind of boring
.
mr . freeze and poison ivy pale in comparison as villains to past baddies such as jack nicholson 's joker and danny devito 's penguin .
their evil plot is as predictable ( schwarzenegger actually pronounces the words , " today gotham city , tomorrow the world ! " ) as it is lame - brained
( did n't it ever occur to poison ivy that freezing the entire world would kill her precious plants too ? ) .
and robin 's constant challenging of batman
mostly just makes him look bull - headed and stupid and makes us wonder why batman ever would have taken him on as a partner in the first place .
strip away the stars , the fancy set design , and the status as a " batman movie , " and all you have here is another barely passable summer action flick .

Output: N


Input: Consider Input: phew , what a mess ! for his fifth collaboration with director
rich- ard donner ( lethal weapon i - iii , maverick )
, mel gibson plays a motormouth , maybe mentally ill new york city cabbie , jerry , whose wild conspiracy theories are all but ignored by alice ( julia roberts , acting all serious ) , the justice department employee that he has a crush on .
she not interested , but another person is : a cia psychiatrist ( patrick stewart ) who promptly kidnaps him .
is one of jerry 's conjectures correct ?
* is * the metal strip in the new $ 100 bill being used to track your movements ?
is oliver stone still alive , because he cut a deal with george bush to spread * dis * information ?
is this movie really about
* any * of the crazed cabbie 's theories ?
no , no ,
and no . as it turns out
, there 's some other nonsense going on here , involving and revolving around jerry 's background .
( hint : pay attention to an early scene where jerry blacks out and flashes back , in quick succession , to images of an interrogation room , hypodermic needles , and ms .
roberts herself . )
the * initial * premise is pretty good and is played , for a while , at a delightfully dizzying clip .
mel is wider - open that we 've ever seen him and , if his character 's relationship with roberts ' initially strains credibility , their combined star power is blissfully intoxicating .
( the highest wattage of the summer , perhaps ? )
even when the plot contrivances begin to intrude , the two remain a randy dandy screen pair .
there 's a great scene in jerry 's fortress , er , apartment , with alice trying to act casual as her hyperactive host tries to remember the combination to a locked coffee bean container .
( which he stores in another locked con- tainer , his fridge . )
other hilarious moments , of which there are many , include a trio of memorable convention - breakers , where alice ditches a tail , jerry cold - cocks someone , and , later , eludes a foot pursuit , each in a uproariously unexpected fashion .
( that 's donner 's own ladyhawke playing in the theater , btw . )
let 's see , other pleasures include .
. .
a brilliant title sequence , a jazzy score from carter burwell , and the worth - paying - to - see sight of roberts pumping lead into one bad guy and slamming another 's head into a wall .
oh , pretty woman !
getting to the latter , however , requires slogging through an increasingly overburdened and ultimately unappealing story .
the last hour of conspiracy theory devolves from tolerable to torturous to almost unwatchable .
more stuff happens of the stupid shit variety than is worth mentioning here , except , perhaps , for a late sequence that has alice locating jerry in an abandoned wing of a mental hospital by hearing his voice carrying through the air ducts .
and here i thought it was wabbit season .
good god , who rewrites these movies ? and
do they arrive in nondescript black vehicles ?

Output: N


Input: Consider Input: " soldier " , by director paul anderson , is a film in which any presence of originality is fleeting .
the best moments of the film are in the opning scenes where kurt russel 's character todd is shown growing up under strict military supervision .
brutality through the eyes of the innocent and stripped of it every single day growing up is something that has a lot of emotional potential power behind it , and the opening scenes tap into it a little .
then it goes nowhere with that idea .
there is perhaps one rather fleeting scene afterwards that deals with the potential trauma of this dehumanization , and the rest of the film is just some of the biggest action movie cliches
i 've ever seen .
the whole idea of the inhuman , soldier - type character gaining some degree of humanity by defending a potential female love interest and family from his evil counterpart out to kill her is done , and it 's been done much better .
i was able to predict the plot of the _ whole _ story , which would n't be so bad if other aspect of the film somewhat interesting .
between the action sequences , it tries to deal with the aforementioned issues of humanity through the performance of mr .
russel in the film and the tiny little window to his soul that is his eyes , since
his dialog is extremely limited .
his performance in that way is n't all that bad , but certainly is not enough to carry this film .
other performances in this film are really not worth much mention at all , and they generally are about as weak as their characters .
but enough of this stuff about plot and character , right ? is n't the most important part of an action film , well , the action ?
even in this aspect the film is a disappointment .
in mortal kombat ( 1995 ) , director paul anderson proved that truly engaging use and choreography of action in a film can override problems with plot and produce something entertaining . however ,
he fails to repeat that in this film .
the combat scenes , particularly the big one at the end , is incredibly unimaginatve .
fighting and combat scenes are supposed to bring about thrills in this type of movie , a point which even an otherwise unimpressive film like starship troopers seemed to realize .
but instead of reaching for something truly interesting to end the film with , it goes for the old , shoot - em up , one guy vs .
an army type of cinema
that i thought died with the military action films of the 80s .
if the film went with some of the ideas it opened up with the introduction more seriously , it could have been a rather engaging science fiction film . however ,
it utterly failed to go in any new directions after that , making the film a big disappointment .


Output: N