In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

[Q]: Istanbul is another one of those expatriate films that Errol Flynn was making in the last decade of his life trying to support his family and stay out of trouble with the IRS. It's a remake of the Fred MacMurray- Ava Gardner film Singapore from a decade ago.Unlike that studio product, Istanbul has the advantage of that great location cinematography right at the sight of the Golden Horn. But Errol Flynn, who was aging exponentially before the camera in every film, was way too old to be playing these action/adventure types any longer. His scenes with Cornell Borchers really do lack conviction.As for Cornell, she plays Errol's former sweetheart who through the trauma of being saved from a fire now has amnesia. She both doesn't remember Errol and is now married to Torin Thatcher. But Errol's got some nasty people led by Martin Benson and Werner Klemperer who are after some diamonds which have come into his possession. Got to deal with them too.Best reason to see Istanbul is to hear Nat King Cole sing and play the piano. Most people today don't realize that Cole was an accomplished jazz pianist, they only think of him as a singer. Actually he was a pianist first, the singing was an afterthought.Istanbul is a routine action/adventure film for those who are fans of that type of movie.
[A]: negative


[Q]: I'm easily entertained. I enjoyed "Hot Shots" and "The Naked Gun" and their many sequels, even when most people found them unbearable. I've even managed to enjoy most Pauly Shore movies. There is only one movie that I've seen that I can honestly say was bad...and this was it. It's been a while since I've seen it, but I do remember sitting in the theater thinking, "This is a dumb movie. Why did I see this?" It's honestly the only movie that I cannot recommend.
[A]: negative


[Q]: I believe that war films should try to convey the terror of war, avoid idealism and respect some rudimentary military principles. Zvezda barely does the first. Zvezda being a Russian war film, I was expecting patriotism, sentimentality, beautiful poetic pictures, a lush score, Slavic cheekbones and cruel Germans. What I didn't need was the naive love non-affair, the unrealistically silly war scenes and the abuse of the syrupy soundtrack in a film which avoided carefully all historical or political references (Stalinism, Nazism, Holocaust) only to end on a passing but nonetheless insulting to our sense of history endnote about "liberating Poland". A missed opportunity as a film but not as propaganda apparently.
[A]:
negative