instruction:
In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.
question:
Passage: The vocals were taped in Britannia Row and Protocol studios between May and June 1991, the first time vocalist Bilinda Butcher was involved in the recording. Shields and Butcher hung curtains on the window between the studio control room and the vocal booth, and only communicated with the engineers when they would acknowledge a good take by opening the curtain and waving. According to engineer Guy Fixsen, "We weren't allowed to listen while either of them were doing a vocal. You'd have to watch the meters on the tape machine to see if anyone was singing. If it stopped, you knew you had to stop the tape and take it back to the top." On most days, the couple arrived without having written the lyrics for the song they were to record. Dutt recalled: "Kevin would sing a track, and then Bilinda would get the tape and write down words she thought he might have sung".In July 1991, Creation agreed to relocate the production to Eastcote studio, following unexplained complaints from Shields. However, the cash-poor Creation Records was unable to pay the bill for their time at Britannia Row, and the studio refused to return the band's equipment. Dutt recalled, "I don't know what excuse Kevin gave them for leaving. He had to raise the money himself to get the gear out." Shields' unpredictable behaviour, the constant delays, and studio changes were having a material effect on Creation's finances and the health of their staff. Dutt later said he had been desperate to leave the project, while Creation's second-in-command Dick Green had a nervous breakdown. Green recalled, "It was two years into the album, and I phoned Shields up in tears. I was going 'You have to deliver me this record'."Shields and Butcher became afflicted with tinnitus, and had to delay recording for further weeks while they recovered. Concerned friends and band members suggested this was a result of the unusually loud volumes the group played at their shows, which Shields dismissed as "Ill-informed hysteria." Although Alan McGee was still positive about his investment, the 29-year-old Green, who by this time was opening the label's morning post "shaking with fear," became a concern to his co-workers. Publicist Laurence Verfaillie, aware of the label's inability to cover further studio bills, recalled Green's hair turning grey overnight, which she attributed to the album.With the vocal tracks completed, a final mix of the album was undertaken with engineers Dick Meaney (the Jesus and Mary Chain) and Darren Allison (Spiritualized) at the Church in Crouch End, the nineteenth studio in which Loveless had been worked on. The album was edited on an aged machine that had been used to cut together dialog for movies in the 1970s; its computer threw the entire album out of phase. Shields was able to put it back together from memory, but took thirteen days to master the album rather than the usual one, to Creation's dismay.As the previously prolific band were unusually quiet, the British music press began to speculate. Melody Maker calculated that the total recording cost had come close to £250,000; however, McGee, Green, and Shields dispute this. Shields argued that the estimated cost and Creation's near-bankruptcy were a myth exaggerated by McGee. According to Shields, "the amount we spent nobody knows because we never counted. But we worked it out ourselves just by working out how much the studios cost and how much all the engineers cost. 160 thousand pounds was the most we could come to as the actual money that was spent." In Green's opinion, the estimate made by Melody Maker was understated by £20,000, and that "once you'd even got it recorded and mixed, the very act of compiling, EQ-ing, etcetera took weeks on its own." In December 1991, Shields said that most of the money claimed to have been spent on the album was simply "money to live on" over three years, with the album itself only costing "a few thousand". He also claimed that the album represented only four months' work over two years. He said that most of the money spent came from the band's own funds, while "Creation probably spent fifteen to twenty thousand pounds of their own money on it, and that's it. They never showed us any accounts, and then they got bought out by Sony.". 
Question: What is the name of the album that was edited on an aged machine that had been used to cut together dialog for movies in the 1970s?
answer:
Loveless.


question:
Passage: The film begins in a parking lot in which a teenage filmmaker named Eric is attempting to document the faux-gangsta lifestyle enjoyed by Allison Lang and her boyfriend Toby's (Mike Vogel) gang of white upper-class teenagers living in the Pacific Palisades neighborhood. A brawl ensues between Toby's gang and another gang, which ends with both sides fleeing just before police arrive. Later that night, Toby's gang goes to a party at Eric's house, and Allison's relationship with Toby as well as her other friends Emily and Sam is further revealed. At the end of the party, Allison performs oral sex on her boyfriend.
The next day, Allison meets with her father, Stuart, at work to discuss family problems, the awkward conversation revealing the virtually non-existent relationship Allison has with her parents. Afterwards, she and her friends drive downtown into East LA, intent on buying marijuana, eventually encountering Mexican drug dealer Hector and his crew. Toby and Hector make a deal, but Toby believes that Hector did not sell him enough for what he paid, and attempts to confront Hector, who pulls a gun on him, humiliating him in front of his friends. Allison persuades Hector to leave Toby alone. 
Question: Where do the gangs have a brawl?
answer:
parking lot.


question:
Passage: During a Fitzroy Football Club benefit concert with other Neighbours cast members, Minogue performed "I Got You Babe" as a duet with actor John Waters, and "The Loco-Motion" as an encore. She was subsequently signed to a recording contract with Mushroom Records in 1987. Her first single, "The Locomotion", spent seven weeks at number one on the Australian singles charts and became the country's highest-selling single in the 1980s. She received the ARIA Award for the year's highest-selling single. Its success resulted in Minogue travelling to England with Mushroom Records executive Gary Ashley to work with producers Stock, Aitken & Waterman. They knew little of Minogue and had forgotten that she was arriving; as a result, they wrote "I Should Be So Lucky" while she waited outside the studio. The song reached number one in the United Kingdom, Australia, Germany, Finland, Switzerland, Israel and Hong Kong. Minogue won her second consecutive ARIA Award for the year's highest-selling single, and received a "Special Achievement Award". Minogue's debut album, Kylie was released in July 1988. The album was a collection of dance-oriented pop tunes and spent more than a year on the UK Albums Chart, including several weeks at number one. The album went gold in the United States, and the single, "The Locomotion", reached number three on the US Billboard Hot 100 chart, and number one on the Canadian Singles Chart. The single "Got to Be Certain" became her third consecutive number one single on the Australian music charts. Later in the year, she left Neighbours to focus on her music career. Minogue also collaborated with Jason Donovan for the song "Especially for You", which peaked at number-one in the United Kingdom and in December 2014 sold its one millionth copy in the UK. Minogue was sometimes referred to as "the Singing Budgie" by her detractors over the coming years. In a review of the album Kylie for AllMusic, Chris True described the tunes as "standard, late-80s ... bubblegum", but added, "her cuteness makes these rather vapid tracks bearable".Minogue's second album Enjoy Yourself was released in October 1989. The album was a success in the United Kingdom, Europe, New Zealand, Asia and Australia and spawned number one singles "Hand on Your Heart" and "Tears on My Pillow". However, it failed to sell well throughout North America and Minogue was dropped by her American record label Geffen Records. She then embarked on her first concert tour, the Enjoy Yourself Tour, in the United Kingdom, Europe, Asia and Australia in February 1990. She was also one of the featured vocalists on the remake of "Do They Know It's Christmas?". Minogue's debut film, The Delinquents was released in December 1989. The movie received mixed reviews by critics but proved popular with audiences. In the UK it grossed more than £200,000, and in Australia, it was the fourth-highest grossing local film of 1989 and the highest grossing local film of 1990. 
Question: What is the name of the movie that grossed more than £200,000 in the UK?
answer:

The Delinquents.