Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Example Input: CONTEXT: Adaline ran away from Ellis at the end for the same reason she ran away from William. She knows she doesn't age and that is her secret. First, she doesn't want anyone to know and second, what kind of life would it be to watch your spouse, the person you love dearly, fade away with age while you remain static in time. She has already done that with her daughter. Keep in mind while William did reveal that he knew it was her, Ellis still did not know. Throughout the movie it was clear that Adaline avoided personal relationships, especially love interests. She was falling in love with Ellis and she knew it. When she realized who William was, she was reminded of what would happen and also realized that she was letting herself get too attached to Ellis, thus breaking her own rules.  <sep>  Q: Why did Adaline run away? A: Adaline ran away from Ellis at the end for the same reason she ran away from William. She knows she doesn't age and that is her secret  Q: Are you refering to the scene at the end of the movie? A: e realized who William was, she was reminded of what would happen and also reali  Q: Okay, so why did William expose her and admitted to her that he knows? A: Keep in mind while William did reveal that he knew it was her, Ellis still did not know. Throughout the movie it was clear that Adaline avoided personal relationships, especially love interests  <sep> FOLLOWUP_Q: Interesting, so when did Ellis find out?
Example Output: Yes

Example Input: CONTEXT: Luke had discovered that his father was a Jedi and that he had some skill with the force from his time with Obi-Wan. He was advised by Ghost Obi-Wan to seek out Yoda to further his training. So he seeks out Yoda for training. Leia on the other hand does not know of her parentage, had not experimented with any Force training and had no time with Obi-Wan at all. She does not even really understand the Force, never mind seeking out a master for her training. I think it is also clear that Leia is not as inherently strong with the force as Luke. Vader has her in captivity, even tortures her and doesn't seem to sense her latent abilities. Luke, despite very brief training on the flight to Alderaan, is quickly identified by Vader as being strong, even when he is just another pilot in the battle over the Death Star. I think Yoda and Obi-Wan view Leia as a backup, to be used if Luke failed, and that to keep her parentage secret from her, Vader and the Emperor was the best way to keep her safe.  <sep>  Q: Why didn't Yoda train Princess Leia as a Jedi? A: Leia on the other hand does not know of her parentage  Q: Didn't he say that the force was strong with her as well? A: I think it is also clear that Leia is not as inherently strong with the force as Luke  Q: Why is it not as strong with her? A: Vader has her in captivity, even tortures he  <sep> FOLLOWUP_Q: How does Leia feel about this?
Example Output: No

Example Input: CONTEXT: I'm sure scenes like this have been shot differently in different movies, but I have noticed that mostly the shots are faked. One option is to have the helicopter on the ground, with the engine off and the propellers stationary. The actors are inside. The camera operator moves around outside the helicopter to make it look like it's up in the air. Often, the camera is tilted upwards, shooting the actors slightly from underneath, to give a sensation of them being above the camera / viewer. The grounded helicopter may also be mounted on a moving platform to tip, raise and lower the helicopter to give the actors inside the actual sensation of movement, so their bodies shift believably. This can be shot outdoors, with actual sky in the background, or in front of a green screen, where fake sky and terrain is put in afterwards, along with a CGI propeller and reflections on the glass windshield. Another approach would be to shoot the helicopter actually in flight, and overdub the actors' dialog afterwards. In most cases, this would be more difficult and expensive.  <sep>  Q: How are helicopter scenes shot in TV/Film?
Example Output:
Yes