In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[EX Q]: Question: Who served as the Governor of Georgia immediately before Bullock took office? Passage 1:Bullock served as the 46th Governor of Georgia from 1868 to 1871 during Reconstruction and was the first Republican governor of Georgia. After Georgia ratified the Fourteenth Amendment to the Constitution, the Omnibus Act declared that states were entitled to representation in Congress as one of the states of the Union. Georgia again lost the right to representation in Congress because the General Assembly expelled twenty-eight black members and prevented blacks from voting in the 1868 presidential election (see Original 33). In response to an appeal from Bullock, Georgia was again placed under military rule as part of the Georgia Act of December 22, 1869. This made Bullock a hated political figure. After various allegations of scandal and ridicule, in 1871 he was obliged by the Ku Klux Klan to resign the governorship, and felt it prudent to leave the state. He was succeeded by Republican State Senate president Benjamin Conley, who served as Governor for the two remaining months of the term to which Bullock had been elected. Conley was succeeded by James M. Smith, a Democrat, and no Republican would serve as governor of Georgia again until Sonny Perdue in 2003.
 Passage 2:While the first game imitated popular Spaghetti Western film soundtracks, the second game aimed to become more unique. Jackson estimated that he changed the music about four times throughout development, from extreme experimentation to classic Western sounds, ultimately blending to make "something different". Pavlovich felt that in order to find an effective result, they had to "push it almost until you break it, and then you swing back". To avoid imitating the bell used in Spaghetti Western soundtracks, Jackson instead used a mandolin used by the Wrecking Crew. The music team found reference points in Willie Nelson's album Teatro (1998) and the soundtrack for the 1971 film The Hired Hand. Session guitarist Matt Sweeney took inspiration from segments of other music—such as the insistent drums in the work of Ennio Morricone—without being derivative. While researching for the game's score, Jackson found that Morricone's work—particularly on Sergio Leone's Dollars Trilogy—was already a departure from typical Western music of the time, instead featuring sounds popular at the time such as "psychedelic guitars, lots of noises", so Jackson felt that he could also take such creative liberties with Red Dead Redemption 2. Similarly, he was even more influenced by Masaru Sato's score on Akira Kurosawa's film Yojimbo (1961), which he felt focused on emotion rather than trying to replicate the sound of feudal Japan, the film's setting.
 Passage 3:Christ Church was built between 1855 and 1857 to a design by the London architect Henry Martin. It was built as a chapel for Lancaster Grammar School and the local workhouse. The church was paid for and endowed by Samuel Gregson, a local industrialist and MP. In 1889 a south aisle was added, designed by the local architects Paley and Austin. It provided 152 seats, and cost about £1,000. In 1894–95 a west baptistry was added by the same practice, then known as Paley, Austin and Paley. The same practice (by now Austin and Paley) converted the organ chamber into the Storey chapel, the organ having been moved into the south transept. In 1919 a war memorial was installed in the churchyard. It was in Derbyshire stone, high, and cost £400. This was designed by Henry Paley, then trading as Austin, Paley and Austin.

[EX A]: 1

[EX Q]: Question: In what country is Zurich? Passage 1:The poet colleagues shared a sense of Sturm und Drang and empathy, calling it the "Bündner Nachtigall" (Graubünden nightingale). Salis-Seewis returned to Switzerland in 1791, living in Chur and marrying there, on 26 December 1793, the 22-year-old Ursina v. Pestalozzi (Chur 29 September 1771 - Malans 27 June 1835). They had two sons; Johann-Ulrich Dietegan (Comte) v. Salis-Seewis (1794–1844) and Johann-Jakob (Freiherr) v. Salis-Seewis (1800–1881). He had a lively involvement in the political changes in his homeland over the next years lively involved, endorsed the alliance of the Three Leagues of Switzerland to the new France, and the proclaimed Helvetic Republic. After the area was occupied by Austria in the following year, Salis-Seewis and his family had to flee to Zurich. There, he was appointed inspector general of the Helvetican troops. This activity brought him the nickname "poet general". He later went to Bern and received a place on the Court of cassation. When the Act of Mediation was issued by Napoleon Bonaparte in 1803, it became possible for Salis-Seewis to return to Graubünden. There he held several public offices until 1817, then he withdrew as Swiss federal colonel. His father had died two years before.
 Passage 2:The fighters discuss their bouts against Muhammad Ali as well as their own lives and careers; Ali's fights against other opponents; his conversion to Islam and the assumption of the name Muhammad Ali; his relationship with the Nation of Islam organization (frequently referred to as the "black Muslims"), its leader, Elijah Muhammad (who bestowed Ali with his new name after he was briefly called Cassius X), and the Nation of Islam's most prominent minister, Malcolm X; Ali's refusal to be inducted into the United States Army to serve in the ongoing Vietnam War in 1967 on moral and religious grounds; the decision by the New York State Athletic Commission to strip him of his championship; his legal case and his reinstatement after the favorable June 28, 1970 decision by the Supreme Court of the United States. The Justices decided 8–0 (with Thurgood Marshall abstaining), that "... for the reasons stated, that the Department [of Justice] was simply wrong as a matter of law in advising that the petitioner's beliefs were not religiously based and were not sincerely held".
 Passage 3:Surahs in the Qur'an are not arranged in the chronological order of revelation because order of wahy or chronological order of revelation is not a part of Quran but according to Aisha: "Muhammed always recited the Quran in Chronological order even in prayer" and there are many verses on arrangement of Quran e.g. Surah Furqhan Verse 32 "...we have repeated it in perfect arrangement" . Also other imaams tell that Ali was ordered by Muhammed to arrange the Quran in Chronological Order. According to Israr Ahmed: Muhammed told his followers the placement (sahaba) in Quranic order of every Wahy revealed along with the original text of Quran, Israr Ahmed's word on this cannot be taken as the only truth or the only view on this subject. Wm Theodore de Bary, an East Asian studies expert, describes that "The final process of collection and codification of the Quran text was guided by one over-arching principle: God's words must not in any way be distorted or sullied by human intervention. For this reason, no serious attempt, apparently, was made to edit the numerous revelations, organize them into thematic units, or present them in chronological order...". Surat Al-Qalam is a Meccan sura and meccan suras are chronologically earlier suras that were revealed to Muhammad at Mecca before the hijrah to Medina in 622 CE. They are typically shorter, with relatively short ayat, and mostly come near the end of the Qur'an's 114 surahs. Most of the surahs containing muqatta'at are Meccan. Henceforth apart from traditions, this surah qualifies to be Meccan typically. According to some classical traditions, commentaries and tafsirs the proposed order is 2nd in place right after Muhammad's first revelation. The supporting argument of this surah being the second revelation is that Arabs were unaware of angels in the time of Jahiliyyah and news of Muhammad's first revelation made them curious about the sanity of Muhammad, thus to refute this idea God revealed the first seven ayaat of Surah Qalam.

[EX A]: 1

[EX Q]: Question: How many features did Brecht and Dudow work on together? Passage 1:Boulding maintained his links with football and trained with Doncaster Rovers, and in 1998 he joined non-league Hallam near his home in Sheffield. His form at Hallam attracted the interest of a number of league clubs, and Boulding was offered a trial by Mansfield Town. He was given a contract by the Division Three side and turned professional in 1999, which brought an end to his tennis career. He made his debut with Mansfield in a League Cup game against Nottingham Forest on 11 August 1999 as a late substitute for Gary Tallon, before his first league game came three days later against Cheltenham Town. He had to wait until his 12th game as a professional to register his first goal when he scored in a 2–1 victory over Shrewsbury Town on 23 October. He eventually finished his first season with six goals with Mansfield coming 17th but 17 points above Carlisle United, the only side to be relegated out of The Football League.
 Passage 2:Jones was selected by the Dallas Cowboys in the first round (24th overall) of the 1992 NFL Draft, becoming the first player from East Carolina University to be drafted that high. The team moved Ken Norton Jr. to outside linebacker, allowing him to become the second rookie (Eugene Lockhart) in Cowboys history to start at middle linebacker, and the second rookie (Lee Roy Jordan) linebacker in franchise history to start in a season-opener. He helped the Cowboys establish the top defense in the league in 1992, was named NFC rookie of the year and was selected to the NFL All-rookie team. He started 13 out of 15 games, posting 108 tackles (second on the team), one sack, 2 tackles for loss, 4 quarterback pressures, one pass defensed and one fumble recovery. He had 16 tackles against both the Philadelphia Eagles and Kansas City Chiefs.
 Passage 3:Dudow was born in Zaribrod, Bulgaria (today Dimitrovgrad, Serbia). In 1922, he emigrated to Berlin with the intention of becoming an architect. He gave up this plan and began studying theatre in 1923, first under Emmanuel Reicher, and then, from 1925 to 1926, as a theatre studies student under Max Herrmann at the university. He worked with Leopold Jessner and Jürgen Fehling, served as a chorus member under Erwin Piscator, and was a director's assistant to Fritz Lang on the production of Metropolis. During this time, Dudow also ran a bookstore with his wife and worked as a foreign correspondent for a Bulgarian newspaper. In 1929, he visited the Soviet Union, where he met Vladimir Mayakovsky and Sergei Eisenstein in Moscow and eventually, Bertolt Brecht. After his return from the USSR, Dudow directed Brecht's theatrical piece, The Decision (Die Massnahme), and began his film directing career. He was commissioned by the left-wing, Soviet-German production company Prometheus-Film to direct a short film, Wie der Berliner Arbeiter wohnt (1929), as part of the documentary series Wie lebt der Berliner Arbeiter? Dudow's first feature, Kuhle Wampe (To Whom Does the World Belong?, 1932) was a collaboration with Brecht (who provided the script and helped finance the project), Hanns Eisler, and Ernst Ottwalt. It was banned because it was perceived as being politically subversive. 

[EX A]:
3