In this task, you are given news articles and you need to generate a highlight, i.e., a short summary, with a maximum length of 10 lines.
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Question: (CNN) -- The first clue was a boat floating in the ocean with no one on board. So teams of rescuers took off, unsure of they were looking for when one crew saw the unmistakeable second clue. There on a sandbar were three huge letters -- S.O.S. And there on a nearby rocky island were five people on a rocky outcrop off the northeastern coast of Australia, happy to see a helicopter after eight hours of waiting. The incident occurred Monday when five people were snorkeling in the Pacific Ocean. They anchored their boat near the sandbar, the Courier-Mail newspaper of Brisbane reported, but the boat drifted away after its anchor broke. They stamped out a large distress signal in the sand, but they knew it was only a matter of time before the tide claimed the signal. The rocks were high enough, but the group had no phones or food, which floated away with the boat. "We were a bit (sun)burned and it would have been fairly cold (if they had to stay out through the night)," Lyn Forbes-Smith told The Courier-Mail. She said they had gone diving at 8 a.m. and were picked up about 4 p.m. A helicopter rescue crew from Central Queensland took off and after an hour spotted the SOS. "We did two sweeps and then when we came across some guys on the rocks and we saw SOS written in the sand so we knew it was them straight away," crew member Damien Kross told Seven Network. "It was actually quite good because we knew we found them." By the time the helicopter got there, the water level had made it impossible to send a boat in for a rescue attempt. The crew used a winch and basket to bring the three men and two women into the helicopter. Kross said the five were in good spirits despite being a little dehydrated.

Answer: Five people were snorkeling off northeastern coast of Australia when boat got away .
They made a giant SOS on a sandbar and retreated to a rocky outcrop .
Worried tide would wash away their message, helicopter crew finds them .
They were lifted up to the helicopter in a basket rescue .


Question: LONDON, England (CNN) -- I have a confession. As a music style, heavy metal has completely passed me by. I don't understand it. I'm not even sure I want to. "Bring your daughter to the slaughter," bellows Iron Maiden's Bruce Dickinson. Why would I want to do that? Why would I want to listen to anyone even suggesting I do that? Outside The Crobar in London's Soho our intrepid reporter tries out her rock moves. While the thought of spending the evening head banging leaves me longing for an expensive glass of merlot, slightly fruity, and perhaps a long sit down, I can't escape the feeling that I'm somehow missing out. As a child of the 70s, how could I have missed the birth of a wildly popular new music genre right in the next decade? Even at the end of the 80s, when Iron Maiden was releasing its "First Ten Years" compilation of greatest hits, I would have been sixteen (or thereabouts), the perfect age to fall for the charms of a long-haired, rebellious rocker in tight leather pants. You'd think. There's only one thing for it -- a crash course in all things metal with the man who knows, self-confessed metalhead Malcolm Dome, who also presents the chart show for 24-hour UK rock and metal radio station TotalRock. I meet him at the TotalRock studios in Central London. The stairs are scuffed. It smells of stale sweat. I'm pleased to see Malcolm is wearing the traditional heavy metal attire of black T-shirt and black jeans. Obviously I'm going to have to go and buy a T-shirt, perhaps one with a skull on it. "You can wear anything you want," Malcolm assures me. "You'd probably be surprised how many heavy metal fans there are who have very high-powered business jobs -- even members of parliament who are into metal. They can't go around dressed as I'm necessarily dressed now all the time because it doesn't fit into their jobs." Fortunately for Malcolm, his job as heavy metal journalist and broadcaster almost requires him to look the part. He's been involved in the scene since the late 1960s, when he fell for a young heavy metal group called Black Sabbath. His main allegiance later shifted to Led Zeppelin, but when it comes to music styles he's not fussy. "I've got eclectic tastes," he says. "I'm happy to listen to Frank Sinatra, listen to AC-DC, to all sorts." Finally, we've found some common ground. If there's anyone who can convince me of the joys of heavy metal, it's someone who also appreciates the soothing, melodic tones of Sinatra. I've heard someone compare heavy metal to pantomime, I say. Surely that can't be true? "It's absolutely panto," Malcolm enthuses, adding "Sammy Goldwyn said that any film should start with a climax and build it from there. And that's what metal does. It starts with a big, big stage show and builds it from there. Of course it's panto. It's 'he's behind you', it's the whole larger than life character, it's circus, it's frivolity." He hastens to add that a lot of time and effort goes into staging the shows, and from that perspective, it's completely serious. The problem with heavy metal, Malcolm says, is that the mainstream media misrepresented it for years. "Every time the mainstream media used to cover it in the 70s and 80s, it was done from the point of view that 'this is weird, we don't understand it, we're going to go away not understanding it but we're going to present it to you anyway,'" he says. Heavy metal was painted as the dark preserve of working class men who wore denim and leather and were, for the most part, sexist. That's even before you take into account accusations of devil worship and Satanism leveled at the genre by Christian activists in the 80s. "You can understand people actually seeing what was being presented to them thinking 'I don't get it and I don't want to get it,'" Malcolm says. Now many more people "get it." Some 30,000 people listen to TotalRock each week, many of them women. "It's ended up being I think a music that attracts if not fifty percent female fans then certainly a very big minority. The fact is metal has never tried to exclude women." So what of lyrics like "bring your daughter to the slaughter"? "'Bring Your Daughter To The Slaughter' was actually written for a movie," Malcolm explains, "One of the Nightmare on Elm Street movies. However, it is not about killing people. Slaughter was a metaphor for the party. So it was actually a fun representation. Metal has never openly espoused violence towards anybody." It should be stated here that there are varying degrees of heavy metal, from the hair metal of carefully-coifured Jon Bon Jovi to the black art of New York doom metal band Unearthly Trance. "What makes Unearthly Trance so heavy is that they literally make your bowels rumble," Malcolm says. "They are so intense. But it's also hypnotic. And strangely soothing," he adds. Dozens of sub-categories of metal have evolved to include black metal, stoner metal, thrash metal, power metal, goth metal, death metal and grind core, to name a few. What binds them all is a fierce dedication to the style of music and an admirable loyalty to their chosen bands. There seems to be none of the fickleness associated with the pop world where young performers are routinely thrown on the scrapheap after a few hits -- or flops. As Malcolm says, it's not unusual for bands to have a career that spans decades. Iron Maiden has been going for almost 30 years. Black Sabbath for even longer. So is there any age when heavy metal fans should retire gracefully from the scene? "Absolutely not, no, no, no," Malcolm says, looking slightly shocked. "If you love it and enjoy it why should you have give it up because you reach a certain age? Definitely not. Metal is ageless." It's not too late for me then. What a relief.

Answer: Malcolm Dome of TotalRock conveys the joys of metal to the unconverted .
Heavy metal concerts likened to panto, "it's circus, it's frivolity," Dome says .
Metal 'uniform' of black t-shirt, jeans and leather apparently unnecessary .
Metalheads display fierce loyalty to their bands, unlike fickle world of pop .


Question: Tianjin, China (Financial Times) -- Wen Jiabao, China's premier, has promised Beijing will do more to boost flagging growth in the Chinese economy in the coming months as he delivered a spirited defence of his economic legacy and his decade in power. His speech at the World Economic Forum in the eastern Chinese city of Tianjin on Tuesday is likely to be his last high-profile appearance on the global stage before he is replaced as the third-most-senior cadre in the Chinese Communist party next month. He is scheduled to step down as premier in March next year. Mr Wen acknowledged the downturn that has gathered pace in China in recent months. But he insisted his government still had the ability and the will to stabilise the economy, albeit at lower levels than the annual average 10.7 per cent growth seen throughout his time in office. "Even though our government revenues slowed significantly in the past two months, by the end of July we still had about Rmb1tn [$158bn] in surplus on our government balance sheet and we have set aside around Rmb100bn as our stability and adjustment fund which we will not hesitate to use," Mr Wen said. He outlined a number of steps the government had taken this year to prop up the Chinese economy, including tax cuts, interest rate cuts, steady growth in the money supply and stepped up infrastructure investment. But he stressed that the government had not yet taken any extraordinary measures beyond the budget published at the start of the year and pledged that China would meet its target of expanding the economy by 7.5 per cent this year. The economy grew 7.8 per cent in the first half of the year and has deteriorated since then, putting it on track to grow by its lowest annual rate in 13 years. © The Financial Times Limited 2012 .

Answer:
Wen Jiabao acknowledged the downturn that has gathered pace in China .
China would meet its target of expanding the economy by 7.5 per cent this year .
He insisted his government still had the ability and the will to stabilise the economy .