In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Example Input: Passage: The opening melody is played by a solo bassoon in a very high register, which renders the instrument almost unidentifiable; gradually other woodwind instruments are sounded and are eventually joined by strings. The sound builds up before stopping suddenly, Hill says, "just as it is bursting ecstatically into bloom". There is then a reiteration of the opening bassoon solo, now played a semitone lower.
The first dance, "Augurs of Spring", is characterised by a repetitive stamping chord in the horns and strings, based on E♭ dominant 7 superimposed on a triad of E, G♯ and B. White suggests that this bitonal combination, which Stravinsky considered the focal point of the entire work, was devised on the piano, since the constituent chords are comfortable fits for the hands on a keyboard. The rhythm of the stamping is disturbed by Stravinsky's constant shifting of the accent, on and off the beat, before the dance ends in a collapse, as if from exhaustion. Alex Ross has summed up the pattern as follows:
According to Roger Nichols (1978, p7) “At first sight there seems no pattern in the distribution of accents to the stamping chords.  Taking the initial quaver of bar 1 as a natural accent we have for the first outburst the following groups of quavers: 9, 2, 6, 3, 4, 5, 3. However, these apparently random numbers make sense when split into two groups:
Clearly the top line is decreasing, the bottom line increasing, and by respectively decreasing and increasing amounts …Whether Stravinsky worked them out like this we shall probably never know.  But the way two different rhythmic ‘orders’ interfere with each other to produced apparent chaos is… a typically Stravinskyan notion." The "Ritual of Abduction" which follows is described by Hill as "the most terrifying of musical hunts". It concludes in a series of flute trills that usher in the "Spring Rounds", in which a slow and laborious theme gradually rises to a dissonant fortissimo, a "ghastly caricature" of the episode's main tune.
Brass and percussion predominate as the "Ritual of the Rival Tribes" begins. A tune emerges on tenor and bass tubas, leading after much repetition to the entry of the Sage's procession. The music then comes to a virtual halt, "bleached free of colour" (Hill), as the Sage blesses the earth. The "Dance of the Earth" then begins, bringing Part I to a close in a series of phrases of the utmost vigour which are abruptly terminated in what Hill describes as a "blunt, brutal amputation".
Example Output: What concludes in a series of flute trills that usher in the "Spring Rounds"?

Example Input: Passage: In Eagles Nest, Western Australia, a wealthy motel proprietor Jack Taylor believes his wife Alice to be having an affair. After a violent argument, Jack hires Charlie Wolfe, a private investigator and contract killer. When Charlie returns with video proof Alice is having sex with Dylan Smith, Jack orders Charlie to kill her.  Alice makes an appointment with dentist Nathan Webb to work on her tooth, which Jack chipped when he hit her. Jack tells Charlie about Alice's dentist appointment. Before she leaves, Alice sneaks into Jack's office and robs his safe.
Charlie is amused to see Nathan and his receptionist wife Lucy drug Alice, kidnap her, and eventually, after several mishaps, send her over a cliff in a flaming car. Charlie takes incriminating pictures of the acts. Lucy finds Jack's stolen money in Alice's bag and takes it before trying to kill her. Unknown to all involved, Alice wakes up in time to escape the car before it crashes and explodes. Satisfied that Alice is dead, Charlie returns to Jack for payment, not telling him that the hit was carried out by other people. When Jack finds his safe empty, he immediately suspects Alice and Dylan. He reassures Charlie he has more money in the bank, and Charlie says he will return the next day.
Meanwhile, Nathan and Lucy initiate their insurance fraud scheme by exchanging Lucy's dental records with Alice's, hoping to fool people into believing that Lucy died in the fiery car crash. Bruce Jones, a corrupt cop, immediately recognizes the fraud, and while impressed that Nathan is able to murder to his own wife, demands half the payout to stay quiet. At the same time, Charlie anonymously blackmails Nathan with pictures of Alice's kidnapping and assumed death. Lucy pushes Nathan to pay the blackmailer and be done with it, and he reluctantly sets up a meeting.
Example Output: Who did Jack Taylor hit and chip their tooth?

Example Input: Passage: The music video for "The World Is Not Enough" was directed by Philipp Stölzl for Oil Factory Films and filmed on a London sound stage on September 23–24, 1999. Manson's android shots (the laboratory, kissing and driving scenes) were filmed on the first day, with the pyrotechnic scenes shot on the second. For her "death", Manson kissed a lookalike model. The University of London's Senate House was the exterior for the fictional New Globe Theatre. Post-production and editing were completed two weeks later.In the video (set in 1964) terrorists build an android replica of Shirley Manson, who can kill her targets with a kiss, on an unnamed Pacific island. The android is fitted with a bomb, primed before it leaves on its mission. The android makes its way to Chicago's New Globe Theater and lets itself into Shirley Manson's dressing room, killing Manson and assuming her identity to perform the coda of a song on a large steel globe. As the android and the band receive a standing ovation from the audience, the bomb counts down. Smiling, the android Manson thrusts its arms in the air; the screen blacks out as the timer reaches zero, and an explosion is heard.
 Stölzl (chosen by Garbage) drew up a treatment liked by the band, but MGM and Eon (who commissioned the video) did not consider it "Bond enough". Stölzl's reworked storyboard featured Manson as an android clone who kills her human counterpart, a concept the band also liked. He provided a special-effects company with sketches of the android, and a replica was constructed with aircraft and missile parts, tubing, metal and plastic. The android was combined with Manson in post-production to show its mechanical interior. "It reminds me of The Man Who Knew Too Much. Some of the shots look like Stanley Kubrick", recalled Vig. "For us it was just important that the music video was also a Garbage video." "[It's] like a mini-Bond action-packed film, where an android removes evil from the world and sacrifices herself in the process like a kamikaze warrior. That's as close as we'll ever get [to being in a Bond movie]," Manson later said.The video's filming was documented by a Making the Video camera crew, and premiered on MTV after the program on October 20, 1999; it debuted in the United Kingdom and on Total Request Live the following day. A version of the video featuring footage from the film was shown in some countries; to preserve the video's narrative, the film footage appeared on a split screen. "The World Is Not Enough" video was included on the film's 2000 DVD release and Garbage's 2007 greatest-hits DVD compilation, Absolute Garbage.
Example Output:
What is the full name of the band that performed The World is Not Enough?