In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: eric rohmer 's " pauline at the beach , " is one of those small , deliberately paced , but charming foreign films in which not much happens plot wise , but a lot happens to the characters emotionally .
the film takes place during a few weeks of august at the normandy coast , and centers on six different characters , primarily pauline ( amanda langlet ) , a wise beyond her years 15-year - old who has come to stay for the summer with her older cousin , marion ( arielle dombasle ) .
on the first day at the beach , marion runs into an old high school flame ( fedoore atkine ) , and although he wants to rekindle their relationship , she is more interested in an older , more seductive womanizer ( pascal greggory ) , who is also secretly having an affair with a candy vendor ( rosette ) .
while pauline watches as an outsider at what is happening between all of the adults , she forms a relationship of her own with a young teenage boy ( simon de la brosse ) .
" pauline at the beach , " is not a film in which big dramatic things occur , and there is not a clear - cut , tidy conclusion to the story .
instead , it is a picture that simply observes its characters in every day life , and the surprises come from little character details .
the film is quite talky and slow moving , and so it is pretty safe to say it is n't for those who are only a fan of action movies , but is a treat for those viewers who often like to venture outside of the big - budget genre and see a good art film .
this is the first film by acclaimed director eric rohmer ( 1969 's " my night at mauds , " and 1971 's " claire 's knee " ) that i have seen , but his direction is assured and intelligent , as is the screenplay , which he also wrote .
" pauline at the beach , " is a film worth seeing .
[EX A]: P

[EX Q]: robin hood :
men in tights is another mel - brooks - produced film in the classic tradition of movies like blazing saddles and young frankenstein .
mel brooks is well known for his comic look at regular life , his fast paced dialogue and sharp wit .
unfortunately , robin hood :
men in tights has none of the easy going humor of blazing saddles , none of the fun acting of young frankenstein , is devoid of the charm of spaceballs , and is even lacking the good , solid dialogue of history of the world .
it is , in short , one of the worst movies i have seen mel brooks , or anybody else , produce .
the plot borrows heavily from the well - received kevin costner movie of last year , robin hood : prince of thieves .
this is not surprising in and of itself , and could have been used to great comic effect , mainly by parodying scenes from the orginal movie .
mel brooks does not take advantage of this , however , and uses the film to launch several ideas into the air , none of which connect and none of which are explained later on .
the movie 's scenes could be shuffled around in any order and one would be hard pressed to notice .
cary elwes , of princess bride fame , plays robin of loxley , a man who was captured in the crusades , fighting with king richard .
he escapes and , joining with a man named achoo
( i am sure you can see the obvious joke ) , fights in england to reclaim his name and the throne for richard , which has been captured by evil prince john , played by funny comic richard lewis .
he also tries for the love of maid marian and attempts to overthrow the evil " sheriff of rottingham " .
a good adventure plot that is sadly unused .
elwes and lewis are both excellent comics , but the dialogue in the movie is simply excruciating .
neither actor has any good words to work with , and the lines simply are n't funny , nor believable .
perhaps the worst example of this is when the group of merry men encounter a man playing a macaulay culkin clone from the hit movie home alone .
this particular scene is so out of place and so badly acted , and followed by so many other scenes of equal miserable ideas , that i really felt like leaving the theatre .
much of the audience continued to look at their watches throughout , and some left the theatre .
chuckles were few and far between , and they mostly dealt with visual jokes ( such as an old , beaten up horse from " rent - a - wreck " ) then from any dialogue whatsoever .
scenes that could have been classics , such as the archery contest , are ruined by poor acting .
perhaps the largest problem with the movie is that it is simply offensive .
the basic plot , that robin has received a key that will unlock the chastity belt of maid marian , is not witty nor funny .
mel brooks as a circumcision - giving rabbi is also offensive to me and others in the audience ( not all jewish , either ) .
the movie simply tries to hard trying to be funny and by and large fails .
the addition of a blind man who stumbles around , falling off cliffs , walking into ledges and being a general buffoon could have had some humorous potential , but is also made terribly offensive .
the only reason to see this movie is the surprise actor at the end who plays king richard .
he is well worth waiting for , if you can stand an hour and half of unfunny dialogue , excruciating visual humor , old puns , ancient jokes and bad acting .
if you ca n't , do n't even bother watching this miserable film .
[EX A]: N

[EX Q]: "
when you get out of jail , you can kill him .
" starring ashley judd , tommy lee jones , bruce greenwood .
rated r. double jeopardy is a lurid , prepostrous thriller that 's also one of the year 's most enjoyable .
it 's an uncompromisingly brutal , cheerfully anarchic , hyperactive actioner
that has a mission and never diverts from it .
there is not a moment here when the events on screen do n't have a direct bearing on the plot ; once the film gets going it never stops .
it has been branded as the female version of the fugitive and that 's probably a correct assessment of the plot , but the film itself has little in common with the 1993 andrew davis / harrison ford collaboration besides the presence of star tommy lee jones .
not even bothering with character introduction , director bruce beresford floors the gas pedal from the get - go and never finds the brake .
we meet , rather hastily , libby and nick parsons ( ashley judd and bruce greenwood , respectively ) a seemingly happy married couple , with a son matty , age 4 .
they go out on a sailboat one night , and after a period of some rockin ' sex , they go to sleep .
libby hears a strange noise , wakes up and discovers that she is covered with blood .
she follows a red trail to the upper deck , where she finds a knife and , out of astonishment , picks it up .
at that convenient moment , the coast guard shows up and libby is arrested .
her lawyer , a friend , puts up a defense in court , but though we know she is innocent , the evidence against her is too compelling .
her friend adopts her son and she goes to prison .
once in prison , she makes a phone call to her friend .
her friend gives her son the phone .
nick walks in the room .
little matty screams " daddy !
"
the phone goes dead .
libby realizes that the man she is imprisoned for killing is n't even dead .
she gets some advice from a prisoner / former lawyer , who tells her that since the state already convicted her of killing her husband , they ca n't convict her of the same crime again , meaning that when she gets paroled she can kill him and they ca n't touch her .
after a weirdly short amount of time , she gets out of parole .
she is sent to live at a house with other recent parolees , under the command of parole officer travis lehman ( tommy lee jones ) .
she sets out on a mission to find her husband and get her son back , which turns out to be much more difficult than anticipated .
she winds up tracking him all the way to new orleans where she finds out that he has long killed his girlfriend and her son 's " adopter " .
double jeopardy is based on an assumption that is legally false .
the law stating that nobody can be convicted twice for the same crime assumes that it is the same crime : same time , same place , same circumstances .
it 's not like it matters .
this is a rollickingly good thriller ; intense , exciting , fast and furious .
it 's silly alright , but this is the kind of film you just do n't question .
in some films , plausibility is everything .
double jeopardy , however , is not concerned with making sense : its sole purpose is to entertain , and it does .
judd helps the film tremendously in a difficult role .
this is her breakout box - office performance , and she is terrific .
she brings some emotion to what could have been a one - dimensional role , giving the movie a little soul to go along with its effective chase scenes and action set pieces .
tommy lee jones basically just reprises the role for which he won an oscar in the fugitive , but the movie makes good use of his stone - faced wit .
thankfully , too , double jeopardy refrains from developing a romance between libby and travis ; a subplot which doubtlessly would have interfered with the film 's story .
this is one of those movies where cops are the bad guys , and i took a sort of sick pleasure in that .
the sheer anarchy of the proceedings was nothing short of wonderful , as ashley judd kicks the crap out of every authority figure in the book .
after all the idealistic hollywood features featuring hero cops , deft fbi agents and the virtues of the american legal system , it 's great to see a movie that does n't so much demonstrate their fallacy as it delights in their failure .
double jeopardy is really good , but it is n't the kind of good that is remembered or recognized with awards .
it 's one of those movies better viewed with the brain turned off , otherwise , your brain will be busy ruining your experience .
this is a thriller that is n't concerned with being smart or plausible .
instead it diverts all attention to the action , which , this year , is second to none .
[EX A]:
P