In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.
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Question: Dreadful Senesino . First of all,Decca engineers insist on to differentiate "their" Scholl's voice from that more sweet,resounding previous Harmonia Mundi cd's like Bach Cantatas Solo,English Folksongs and so on where it was a pleasure to hear this singer.Even orchestra Bizantina could be better recorded;maybe Milano Auditorium hasn't fine acoustics.However,the same happens on "Heroes" and "Banquett".In this Senesino combo just here,Scholl's voice sounds rough and unpleasant,the top of his range excessive and satured.Second of all,in my opinion,opera isn't his confort zone for good.I believe that as a chorister boy,he grew up in that german musical territory singing sacred music by Buxtehude,Bach,where he did his best on recording.In this cd,I heard his worse;a rugged vocalization plentiful in ha-ha-ha,absolutely abusive that seems dreadful to me("Al lampo dell'armi" for instance),his vocal colours sounding like croacks sometimes,incongruous and dramatically unfruitful attempt to perform repertoire previously recorded by himself like it was a new,fresh one("Dove sei","Aure,deh,...").I'm sorry;I know Scholl fans are very zealous on their idol but I have heard much better Senesinos by Derek Lee Ragin,Daniels,Minter,Gall and so on.

Answer: NEG


Question: WOW!!!!!!!! . TERMINAL HEAVEN'S ROCK IS A GREAT SONG! Sick Vibration and OVER AMP are pretty good too. OVER AMP has usual weird english lyrics. "She lives by fake slide away".    I highly recomend you get this. It's 12 minutes, 8 seconds a pure good songs. You will listen to them at least three times each time you pop it into your CD player

Answer: POS


Question: Love the band, not the record. . Gotta go with the folks who are DBT fans but think they missed a step on this one. Yeah, "February 14" and "Gravity's Gone" are good tracks, but other than that it's pretty forgettable. I'm especially bummed by Jason Isbell's tunes - what the heck happened? The tracks he wrote for "Dirty South" and "Decoration Day" were far and away the best songs on amazing records. Now he sounds like a Doobie Brother or something equally silly.     C'mon guys, get it together!

Answer:
NEG