In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.

[Q]: Passage: Bishop continued to act on film, TV and radio, usually in British and other European productions, and was a frequent guest at science fiction conventions. Bishop and fellow Anderson actor Shane Rimmer (a Canadian actor who often worked in the UK) often joked about how often their professional paths crossed and termed themselves "Rent-a-yank". They appeared together as NASA operatives in the opening of You Only Live Twice and as United States Navy sailors in The Bedford Incident, as well as the 1983 film of the Harold Robbins novel The Lonely Lady. In 1989, Bishop was reunited with Rimmer and another Anderson actor, Matt Zimmerman, in the BBC Radio 4 adaptation of Sir Arthur Conan Doyle's A Study In Scarlet. Bishop and Rimmer also toured together in theatre shows including Death of a Salesman in the 1990s and also appeared in the BBC drama-documentary Hiroshima (2005), one of Bishop's last TV projects.
 Link Information: none Answer: none
[A]: Which of the three films that the "Ren-a-yank" duo worked on had the highest box office?


[Q]: Passage: Inside the church are galleries on the north, west, and south sides. These are carried on Tuscan columns, which rise to the ceiling as wooden quasi-Tuscan columns. At the east end of the church are paintings by Jacob Thompson of Penrith dated 1845 depicting the Angel and the Shepherds, and the Agony in the Garden. The communion table dates from 1722, and was lengthened in 1951. The brass chandeliers were given to the church in 1746 by the 2nd Duke of Portland in recognition of the part the town played in the defence against the Young Pretender in 1745. The pulpit consists of the top section of a former three—decker. At the back of the gallery are royal arms dated 1723 by Mathias Read. The font consists of a simple octagonal bowl, and is dated 1661 which is the date it was brought back into use after the Restoration of King Charles II. The stained glass in the east window of 1870 is by Hardman, and that in the north aisle, dating from 1889, is by Burlison and Grylls. Elsewhere are windows by Clayton and Bell, Powell's, G.J.Baguley, and by Cox, Sons and Buckley. The monuments include two coffin lids inscribed with foliated crosses, one dating from the 14th century, the other possibly from the 12th century. There are also two worn stone effigies from the 17th century.
 Link Information: He began to exhibit in 1824, when he had in the first exhibition of the Society of British Artists a "View in Cumberland," but he did not send a picture to the Royal Academy until 1832, in which year appeared "The Druids cutting down the Mistletoe." This was followed in 1833 by a picture containing full-length portraits of the daughters of the Hon. Colonel Lowther. His next exhibit was "Harvest Home in the Fourteenth Century," which appeared at the British Institution in 1837, and was presented by the artist to his patron, the Earl of Lonsdale. After this date he painted portraits, views of mansions, &c., but he did not exhibit again until 1847, when he sent to Westminster Hall "The Highland Ferry-Boat," which was engraved in line by James Tibbits Willmore. "The Proposal" appeared at the Royal Academy in 1848; "The Highland Bride," likewise engraved by Willmore, in 1851; "Going to Church: Scene in the Highlands," in 1852; "The Hope Beyond," in 1853; "The Course of true Love never did run smooth," in 1854; "The Mountain Ramblers," in 1855; "Sunny Hours of Childhood" and "Looking out for the Homeward Bound," in 1856; and "The Pet Lamb," in 1857. He painted in 1858 "Crossing a Highland Loch," which was engraved by Charles Mottram; but he did not again exhibit until 1860, when he sent to the Royal Academy "The Signal," which was engraved by Charles Cousen for the Art Journal of 1862. In 1864 he had at the academy "The Height of Ambition," engraved by Charles Cousen for the Art Journal, as was likewise by J. C. Armytage "Drawing the Net at Hawes Water," painted in 1867 for Lord Esher, but never exhibited. "Rush Bearing" and a view of Rydal Mount are among his best works.

In his later years Thompson devoted himself chiefly to landscape subjects with figures, the themes of which were for the most part drawn from the mountains and lakes of Cumberland and Westmoreland, but occasionally from Scotland. His range, however, was limited, and his work was lacking in poetic sympathy. His attempts at classical and scriptural subjects, such as "Acis and Galatea," exhibited at the Royal Academy in 1849, and "Proserpine," were not a success. His last work was "Eldmuir, or Solitude." Answer: View in Cumberland,
[A]: What other paintings has Jacob Thompson created?


[Q]: Passage: Crystal Palace started their second season in a new division, having gained promotion from the Southern League Division Two the previous season. There were a number of personnel changes this season, with Archie Grant and captain Ted Birnie moving to Chelsea and George Walker going to New Brompton. Palace's hat-trick hero in their FA Cup exploits of last season, Walter Watkins, also moved on to Northampton Town. In their places Palace brought in a number of new faces. Charles Ryan joined from Nunhead, Thomas Wills from Newcastle, Bill Forster from Sheffield United and Bill Ledger from Pryhope Villa. Wilf Innerd was made captain and played in all but one of the club's League and Cup matches. The club struggled to find their feet on the new division, and failed to score in 13 of their matches, finishing the season in 19th position, one place off the bottom. This was enough to ensure safety though, as for this season there was no relegation. Palace again called on a number of amateurs from the local area and beyond, including Henry Littlewort. Littlewort, who made his only appearance for the club this season, would go on to win a gold medal with the British Football team in the 1912 Olympics.
 Link Information: competed in the 1912 Summer Olympics Answer: 30
[A]:
How old was Littlewort when he won an Olympic gold medal?