In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

Italian fisherman Franco and his father (both played by Franco Franchi) are fishing off the coast of Egypt when they see an American Air Force bomber crash in the water that was carrying nuclear weapons. Franco's father and the rest of the crew flees in a lifeboat, stranding Franco in the boat off the coast which soon beaches. When Franco swims ashore, he is kidnapped by Agent 87 (Ciccio Ingrassia) a member of an international criminal organisation, called SPECTRALES, in order to locate the nuclear weapon. SPECTRALIS is led by a shadowy man named Pasqualino (aka: Number One), who sends a local Egyptian scientist and SPECTRALIS employee, named Dr. Yes (Youssef Wahby) (a parody of Dr. No), who wishes to use the atomic weapon to reanimate Egyptian mummies.Ciccio is unable to extract information from the buffoonish fisherman for the atomic bomb's location. His attempt to threaten Franco with torture on a mechanical butt-kicking device backfires when Ciccio lets himself be talked into demonstrating the necessary posture himself.Franco escapes and arrives at a local train station. Too dim-witted to understand that he's in Egypt, he attempts to purchase a railway ticket back to his home in Palermo, but the language barrier is an obstacle as Franco cannot speak any Arabic. However, an Italian priest in line at the window helps him out by explaining where he is, and Franco treats the man to a cappuccino at the station bar. As Franco explains his predicament in detail to the bewildered priest, his hollering voice attracts the attention of a beautiful woman, named Cinzia (Julie Menard) who joins in on the conversation.Back at the SPECTRALLIS base in Egypt, Ciccio is attacked by three persistent but inept spies named James Bomb (Adel Adham), Modesty Bluff (Eugenia Litrel) and Derek Flit (Franco Bonvicini). Fortunately for Ciccio, they are so fixated on depriving each other of the catch then let him escape unnoticed while they brawl it out.Meanwhile, Cinzia has lured Franco back to her hotel room with the promise of an erotic liaison. Unknown to Franco, she is an agent for Dr. Yes. While her back is turned, however, Bomb, Bluff, and Flit break into the room and attempt to abduct Franco, with the same hilarious results as before. Then Ciccio arrives, grabs his prisoner back, and spirits him away to the base. This time Ciccio uses a lie detector to probe Franco's mind by asking him questions about the atomic bomb. Seeing that Franco knows nothing, Ciccio confides in him that his superiors will have him killed for failure to find the missing atomic bomb. Franco talks Ciccio into teaming up in hatching a plot to plant a fake atomic bomb where it can be found.Franco and Ciccio make contact with Cinzia who believes their claims that they have found the missing bomb. She tricks them into a meeting with Dr. Yes at his underground headquarters at a large villa outside Cairo. Franco and Ciccio learn that Dr. Yes is attempting to revive an Egyptian mummy of Nabuco Sonor, the Queen of the Dead. He requires the atomic bomb's radiation to achieve her reanimation. His experiment appear to be successful when he achieves a twitch of the thumb from a specimen. Franco and Ciccio deliver the fake bomb, only to be told that they will be sacrificed to the Queen of the Dead on her revival. The duo laugh, knowing that the bomb is not real. But their hilarity turns to terror when the mummy stands up and advances towards them. But Dr. Yes' plans are thwarted when the "mummy" is revealed to be Derek Flit in disguise. With the aid of Bomb and Bluff, Flit attack and beats up all of Dr. Yes' men, and then abduct Franco and Ciccio.Back out in the desert, the three inept spies fall out again over who will get the credit for turning them over to their superiors. They stop fighting each other when a live report on their car radio announces that the nations involved have given up the search for America has claimed that there was no nuclear bomb actually on board the plane that crashed. Franco takes the disgraced Ciccio aboard his fishing boat still beached on the shore to sail back to Italy. When they pull up the fishing nets to cast off, they discover the real atomic bomb which has been tangled in the boat's fishing nets this entire time.In the final scene set a few weeks later, Franco and Ciccio are aboard a yacht living in the life of luxury, with the atomic bomb pointed across the sea as they are blackmailing world leaders for untold riches by telephone to avert nuclear destruction., Question: The leader of SPECTRALES is a shadowy man called what?
Answer: Pasqualino

Cris Johnson (Nicolas Cage) can see into his future. He can only see two minutes ahead, with the exception of a vision he once had of a woman walking into a diner. Knowing no details other than the time, he goes to the diner twice each day at 8:09 to await her arrival. He works as a small-time magician in Las Vegas, where he supplements his income with gambling, using his powers to win against the house.Cris draws the attention of FBI agent Callie Ferris (Julianne Moore), who has figured out his ability and wants to stop terrorists from detonating a nuclear weapon. Before she can approach Cris, his gambling draws the attention of casino security. He stops an imminent robbery, yet is chased by security agents. Using his ability to forecast the actions of his pursuers, he eludes them and the Las Vegas police, meanwhile foiling an attempted murder at the casino cash desk. Ferris tracks Cris to his home, but he escapes after foreseeing her arrival. Later that night, the casino's security chief is approached by two of the terrorists, is interrogated about Johnson and is then killed.The following morning, Cris is at the diner again when he sees Liz Cooper (Jessica Biel), the woman from his vision. It turns out that not only can Cris see the future, but he can also see how his actions can affect that future. After envisioning different approachesâall of which fall flatâhe intervenes when Liz's ex-boyfriend arrives. Knowing that she is heading for Flagstaff, Arizona, Cris charms her into giving him a ride. Ferris follows, while the terrorists decide to kill him. A washed-out road forces Cris and Liz to spend the night in a motel. With the weapon tracked to Los Angeles, Ferris convinces her superiors to let her bring Cris in. The terrorists follow in the hope that the agents will lead them to Cris.Ferris confronts Liz near the hotel. Claiming Cris is a dangerous sociopath, Ferris asks Liz to drug Cris so that they can bring him in peacefully. Instead, Liz warns Cris, who tells her his secret. When she asks why he will not help the FBI stop the terrorists, he explains his limitations, noting the exception for events involving her. Asking for Liz to wait for him, he tries to escape from the FBI agents but is captured after saving Ferris from logs tumbling down the side of a mountain. Unable to kill Cris, the terrorists kidnap Liz instead.In custody, Cris is strapped to a chair with his eyes held open and forced to watch television until he has a vision that can help the FBI. They expect him to see a report about the detonation of the bomb, but instead he envisions a broadcast from several hours in the future in which Liz is killed by a small bomb while strapped to a wheelchair as bait for him. Cris escapes from captivity and races to the parking garage where she will be killed. Pursuing him to the garage, Ferris promises to help save her as long as Cris will help stop the bomb; she also sets up a plan to draw out the terrorists.Using his ability, Cris helps the FBI track the terrorists to the port where they are based. When they arrive, Cris is able to walk right up to the terrorist leader and avoid being hit, by seeing where the bullets will go and dodging them. After killing the terrorists and saving Liz, they find that the bomb has already been moved. Ferris shows Cris a seismograph, hoping that he will see any tremors caused by explosions before they happen. As he stares at the screen he realizes that he has made a mistake and that he was too late: the bomb detonates out at sea and completely destroys the port, as well as the rest of the city.The timeline reverts to Cris and Liz in bed at the hotel in Arizona, before Liz goes outside to be confronted by Ferris. Because of Liz's involvement in events, Cris has been able to envision everything that could happen leading to the nuclear explosion. "Every time you look into the future, it changes."Cris calls Ferris and offers to help prevent the nuclear disaster, then asks Liz to wait for him., Question: Who accompanied Cris?
Answer: Ferris

The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: What song is the gramophone playing?

Answer: Axxon N