Given a document and an entity the task is to select the author's sentiment towards the entity. Sentiments can be Positive, Neutral and Negative. Select Positive if the article expresses a positive view towards the given entity or praises its quality or skills. Select Neutral if the document expresses no clear view towards the entity or has equal amounts of positive and negative statements or expressing some fact/quote by someone else. Select Negative if the article expresses a negative view towards like harsh remarks, criticizing entities action/decision etc. Note that URLs in the text have been replaced with [Link].

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What is the sentiment of the following document towards the entity Django Reinhardt ? The leader of the band is Django Reinhardt  the incomparably gifted Romani jazz guitarist  soulfully embodied by the French-Algerian actor Reda Kateb. He's biding his time in the French Alps during German occupation  hoping for stealth passage across Lake Geneva into Switzerland. One of the men throwing punches is a Nazi solider  which means the inevitable: a lineup  a lockup and the sternest of warnings.  Reinhardt  is no good  it would seem  at laying low.
 Django  isn't really a biopic  despite the implication of its title: There are no misty flashbacks to  Reinhardt 's childhood stealing chickens in the French countryside  and no scene depicting the caravan fire that badly damaged  his  left hand (though  his  two mangled fingers do come up for inspection). The film is more of a fraught character study  a portrait of the artist under pressure. Comar  best known as a writer and producer of the 2010 film Of Gods and Men  brings admirable restraint to his directorial debut  keeping the stakes high and the focus taut.
 Reinhardt  is a laconic and reluctant hero: "This isn't my war "  he  growls  citing allegiance not to a flag but to a Romani's coldly pragmatic ambivalence.  Django  charts  his  awakening to the horrors of the war â notably for  his  people  whose mass extermination imbues the film with a self-righteous  lugubrious air. Comar is more effective with uneasy proximities and grim capitulations  showing how complicity can form through a series of slippages.
But the film's story â loosely adapted from Alexis Salatko's novel Folles de Django â manages to feel at once oversimplified  underfed and overburdened.  Reinhardt 's personal evolution is clumsily tracked in dialogue with a former mistress who has suffered unnamed violations at the hands of the occupiers: "You're the only person this war hasn't changed " she says bitterly to  Reinhardt . (She later rescinds the charge.) A climactic set piece at a Nazi banquet feels pat.
It's not inherently a problem that Comar does less with plot than he does with imagery: There's vivid poignancy in his depiction of the mass evacuation  and in  Reinhardt 's desperate flight through the snow. But by all accounts â the most authoritative being Michael Dregni's excellent biography Django: The Life and Music of a Gypsy Legend â Reinhardt was even more conflicted during the occupation than this film makes him out to be.
And what's meant to be a wrenching coda â the post-armistice premiere of an organ mass called "Requiem for Gypsy Brothers" â is marred by the wan pathos of the music itself  composed by Warren Ellis. As the piece plays   Reinhardt  stands dumbstruck  overcome. But if we're supposed to believe this piece represents the peak of  Reinhardt 's emotional expression  the point is discredited by earlier musical evidence. In a film that's so often about taking sides   Django  can feel at war with  itself .

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Positive


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What is the sentiment of the following document towards the entity Donald J. Trump ? Trump . (AP /Carolyn Kaster)
So much for the metaphysics of dynamic growth.  The Trump team  late last year argued the tax package would unleash so much economic activity that the Treasury wouldn’t notice a permanent  40 percent reduction in the corporate rate (the real reduction turned out to be 14 percent). The contention didn't survive the winter.
— Plan shifts burden to state and private money. NYT's Patricia Cohen and Alan Rappeport: " Trump ’s $200 billion plan to rebuild America upends the criteria that have long been used to pick ambitious federal projects  putting little emphasis on how much an infrastructure proposal benefits the public and more on finding private investors and other outside sources of money. Unveiled on Monday  the infrastructure program that  Mr. Trump  has championed since the campaign is intended to attract a huge amount of additional money from states  localities and private investors. The goal is to generate a total pot of $1.5 trillion to upgrade the country’s highways  airports and railroads. Those financial priorities are crystallized in the new guidelines established by the White House. The ability to find sources of funding outside the federal government will be the most important yardstick  accounting for 70 percent of the formula for choosing infrastructure projects. How “the project will spur economic and social returns on investment” ranks at the bottom  at just 5 percent."
Dems say  Trump  wants to cuts more than  he  spends. The Post's John Wagner: "Besides unveiling  his  infrastructure plan   Trump  also released  his  2019 budget blueprint Monday. Combing through it  the office of Senate Minority Leader Charles E. Schumer (D-N.Y.) identified more than $240 billion in proposed cuts over the coming decade to an array of existing infrastructure programs — a higher number than what  Trump  is proposing in 'new' spending."
 Trump  weighed in this morning:
Our infrastructure plan has been put forward and has received great reviews by everyone except  of course  the Democrats. After many years we have taken care of our Military  now we have to fix our roads  bridges  tunnels  airports and more. Bipartisan  make deal Dems? — Donald J. Trump (@realDonaldTrump) February 13  2018
(The SEC and CFTC requests earned a rare nod of approval for the  Trump  administration from the watchdog group Better Markets  which called them "an important recognition that the cops on the Wall Street beat don’t have the funding they need to do their jobs protecting the American people.")
— Spending plans. Politico's Sarah Ferris: "Alongside its original budget request  the  Trump  administration Monday also released the details of what it would recommend doing with the extra money for domestic programs included in Congress' spending deal enacted last week. That includes an increase to the State Department  which the administration’s original document proposed to slash by 30 percent this coming fiscal year. The extra cash would go into the budget for the United Nations  humanitarian aid and global AIDS programs. Each of those efforts would have been cut under  Trump ’s original plan."
The Department of Rosy Scenario is doing a lot of work in  Trump 's budget. — Steven Dennis (@StevenTDennis) February 13  2018
— BAT redux. Politico's Doug Palmer: " Trump  on Monday said  he  wants to impose a "reciprocal tax" on imports from countries that have higher tariffs than the U.S. 'We are going to charge countries outside of our country — countries that take advantage of  the United States ' Trump  said at a White House meeting with state and local government officials about the administration's infrastructure plan...  Trump  seemed to be complaining about the U.S.' relatively low duty structure when compared with those of some other countries."
It surprised  his  aides  "who warned that no formal plans have been prepared " per WSJ's Michael Bender.
Dollar Stores Hammered by Trump Proposal to Abandon Food Stamps A  Trump  administration proposal to reduce food-stamp benefits is casting a cloud over U.S. dollar-store chains. Bloomberg
What did  Trump  propose cutting in  his  2019 budget? Check out this great graphic from the Post staff:
 President Trump  said the decline in U.S. infrastructure and increase in the deficit was caused by "laziness" after World War II:

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Positive


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What is the sentiment of the following document towards the entity Mirai Nagasu ? But the most magical and pivotal contribution came from  Mirai Nagasu   and it was over in an instant. In the span of one glorious eyeblink  Nagasu  who had been snubbed by U.S. skating officials for a spot on the 2014 Olympic team  poured all she had worked toward these past four years into the opening jump of her free skate on the final day of the team competition.
And when she landed solidly on one foot  after making 3Â½ rotations in the air   Nagasu  made history  becoming the first American women to land the high-risk triple axel in Olympic competition.
âYou did it  girl!â screamed her teammate  pairs skater Alexa Scimeca-Knierim  from the U.S. teamâs rinkside seats  loud enough for  Nagasu  to hear as she went into her final jump. She giggled to herself  which made her smile even broader.
âItâs historical and something no one can take away from me â  Nagasu  said afterward. âI wanted to make America proud.â
The womenâs skate represented the moment  Nagasu  had waited for since  her  fourth-place finish at the 2010 Vancouver Games.
 She  awoke at 4 a.m.  nervous about shouldering such a responsibility for  her  teammates and  her  country. But  she  didnât give a thought to omitting the risky triple axel. That jump â and the prospect of becoming the first American and just the third woman in history to land it at the Olympics  after Japanâs Midori Ito and Mao Asada â was the sole reason  she  kept training after being passed over for the 2014 Olympic team. Even before  she  could do the triple axel   she  dreamed  she  could.  She  dreamed of landing it so much  in fact  that  she  thinks  she  may have taught it to  herself  subliminally.
The falls  the bruises and aches over the years attest otherwise. But Monday was  her  moment. It was  her  vindication.
âMidori Ito  Mao Asada and now  Mirai Nagasu  â all Japanese heritage â  Nagasu  said afterward  with a proud smile. âBut I am fortunate that I am American  so Iâll be the first U.S. lady to have landed the triple axel [in Olympic competition]. So today is a day of accomplishment for me.â

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Positive