This task is about writing a correct answer for the reading comprehension task. Based on the information provided in a given passage, you should identify the shortest continuous text span from the passage that serves as an answer to the given question. Avoid answers that are incorrect or provides incomplete justification for the question.

Ex Input:
Passage: The inventor Nicéphore Niépce produced the first permanent photograph on a polished pewter plate in Paris in 1825, and then developed the process with Louis Daguerre. The work of Étienne-Jules Marey in the 1880s contributed considerably to the development of modern photography. Photography came to occupy a central role in Parisian Surrealist activity, in the works of Man Ray and Maurice Tabard. Numerous photographers achieved renown for their photography of Paris, including Eugène Atget, noted for his depictions of street scenes, Robert Doisneau, noted for his playful pictures of people and market scenes (among which Le baiser de l'hôtel de ville has became iconic of the romantic vision of Paris), Marcel Bovis, noted for his night scenes, and others such as Jacques-Henri Lartigue and Cartier-Bresson. Poster art also became an important art form in Paris in the late nineteenth century, through the work of Henri de Toulouse-Lautrec, Jules Chéret, Eugène Grasset, Adolphe Willette, Pierre Bonnard, Georges de Feure, Henri-Gabriel Ibels, Gavarni, and Alphonse Mucha. Question: Who was knows for photographing night scenes?

Ex Output:
Marcel Bovis


Ex Input:
Passage: In 1853 the Russian Empire on behalf of the Slavic Balkan states began to question the very existence of the Ottoman Empire. The result was the Crimean War, 1853–1856, in which the British Empire and the French Empire supported the Ottoman Empire in its struggle against the incursions of the Russian Empire. Eventually, the Ottoman Empire lost control of the Balkan region. Question: What was the Ottoman Empire's struggle against in the Crimean War?

Ex Output:
the incursions of the Russian Empire


Ex Input:
Passage: From his diagrams of a small number of particles interacting in spacetime, Feynman could then model all of physics in terms of the spins of those particles and the range of coupling of the fundamental forces. Feynman attempted an explanation of the strong interactions governing nucleons scattering called the parton model. The parton model emerged as a complement to the quark model developed by his Caltech colleague Murray Gell-Mann. The relationship between the two models was murky; Gell-Mann referred to Feynman's partons derisively as "put-ons". In the mid-1960s, physicists believed that quarks were just a bookkeeping device for symmetry numbers, not real particles, as the statistics of the Omega-minus particle, if it were interpreted as three identical strange quarks bound together, seemed impossible if quarks were real. The Stanford linear accelerator deep inelastic scattering experiments of the late 1960s showed, analogously to Ernest Rutherford's experiment of scattering alpha particles on gold nuclei in 1911, that nucleons (protons and neutrons) contained point-like particles that scattered electrons. It was natural to identify these with quarks, but Feynman's parton model attempted to interpret the experimental data in a way that did not introduce additional hypotheses. For example, the data showed that some 45% of the energy momentum was carried by electrically-neutral particles in the nucleon. These electrically-neutral particles are now seen to be the gluons that carry the forces between the quarks and carry also the three-valued color quantum number that solves the Omega-minus problem. Feynman did not dispute the quark model; for example, when the fifth quark was discovered in 1977, Feynman immediately pointed out to his students that the discovery implied the existence of a sixth quark, which was discovered in the decade after his death. Question: Quarks were thought of as what in the 1960s?

Ex Output:

not real particles