In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.
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Question: The film opens with Tom and Sarah in the airport, then flashes back from the moment they met up to the present. Working-class Tom Leezak and upper-class Sarah McNerney meet up when Tom accidentally hits Sarah with a football. A few months later, despite opposition from Sarah's rich family, they get married. They have kept a secret from each other: Tom doesn't tell Sarah that he accidentally killed her dog and Sarah doesn't tell Tom that she slept with Peter Prentiss, an old boyfriend and her family's friend, after she and Tom started dating.Flying to Europe for their honeymoon, they attempt to consumate their marriage by joining the mile high club, but fail rather publicly. They arrive at their classy hotel at the foot of the Alps to find that Peter has sent them a bottle of cognac "with love", while Tom's friend Kyle has sent them a Thunderstick A-200 sex toy. Tom tries to force the toy's American plug into the European outlet and he shuts down the entire village's electricity. The newlyweds leave the hotel after Tom has a heated argument with the hotel owner and pays a large bill to repair the power. While trying to find another hotel they crash their undersized car into a snowbank, stuck until daylight and once again unable to consumate their marriage.They make their way to Venice, staying at a pensione recommended by Tom's father. The pensione turns out to be a wreck, and they soon check out after a cockroach crawls over Tom when they tried to have sex.The couple secure a nice Venetian hotel with the grudging financial help of Sarah's father. They go sightseeing, but Tom quickly gets bored and abandons Sarah so he can watch sports in a bar. Sarah runs into Peter, who is staying at their hotel on business. This prompts her to initiate a conversation with Tom in which he reveals that he accidentally killed her dog and she reveals she slept with Peter. The couple storm out of the hotel and each go their separate ways: Tom going back to the bar, where he meets American tourist Wendy, and Sarah going sightseeing, where Peter follows her. Wendy flirts and dances with Tom, who escapes through a bathroom window when he realizes she wants to have sex with him. He returns to the hotel, only to learn from the maÃ®tre d' that Sarah has gone out with Peter for the evening. Tom returns to the bar, only to be acosted by Wendy again. Tom tries to think of a clever way to get out of his situation, and finds himself tricked into walking her to his hotel room, where the girl rips off her top before Tom blurts out that he's on his honeymoon, upon which the girl finally leaves.Sarah gets drunk so Peter takes her back to the hotel. When he kisses her at the entrance, she slaps him and reminds him that she's on her honeymoon. Tom sees the kiss from the balcony but not the slap. When Tom confronts her in their room, Sarah finds Wendy's bra. Peter bursts in to ask Sarah to run away with him to Seattle, leading to a fight that lands Tom and Sarah in jail â still without consumating their marriage. Peter bails them out and the couple angrily decide to go home to Los Angeles, returning to the opening moments of the film.Sarah has moved out and Tom wants to get back with her. Upon receiving advice from his father, Tom attempts to see Sarah at her family's estate, but gives up after unsuccessfully trying to ram the gate. However, Sarah opens the gate herself after seeing Tom make a romantic speech to the camera and the two rush out to proclaim their love for each other. Sarah's family finally accepts Tom and Sarah's relationship.

Answer: Question: Where does Tom go when he abandons Sarah?, Answer: A bar


Question: A small town somewhere in India is poised to become the next Shanghai. Billions of dollars are being poured into an upcoming International Business Park.On the eve of its launch a drunk truck driver mows down a prominent social activist. A lone girl believes it to be a murder, supported by a porn film maker who claims to have the proof that will bring the government down.A high ranking bureaucrat is brought in to investigate the accident.Shanghai, a political thriller, follows the journey of these unlikely heroes as they come together to find justice in the labyrinth of Indian democracy.

Answer: Question: Who is brought in to investigate the accident?, Answer: A high ranking bureaucrat.


Question: Providence (no spoilers)CLIVE Langham (played by John Gielguld) is an old writer with health problems who still enjoys the gifts of life, as his gusto of his daily white wine. He is a storyteller and he tells us of his family, especially of his sons. He has two sons: one is CLAUDE Langham, the official one, a successful lawyer (played by Dirk Bogarde), the other KEVIN Langham or Kevin Woodford (played by David Warner) his illegitimate son, remembrance of some past relationship he is not sure of.But the way CLIVE, the author, changes several times in his storytelling the behaviors of his siblings makes us gradually suspect they are only characters in his story, the creatures of his writer's imagination, products of his writer's block, his hopes, his hesitations or angst, and finally tells us of the joys, humor and suffering of the whole creating process in writing a novel. Nevertheless CLIVE has to comply to one of the very few rules of dramatic writing which states there is no story without conflicts, and therefore feels compelled to give his characters antagonism, some educated aggressiveness, and the more often than sometimes sex-obsessed image of cynical people entangled in their neurotic denials with uneven bravados on the surface, the whole being spiced with insistence and English humor. In his storytelling, CLIVE acts as master of the world, but when his characters resist his demiurgic wanton caprices and vagaries, he complains they give him a hectic time and he rants it's them who build up his anger against them, so he is the one who has to change them.This is how, sometimes, after being told once, a scene turns out to be only a draft and has to be replayed. So we see it again, as CLIVE finds other behaviors and other dialogs over the same characters predicaments and commitments, that would fit his scheme and his pleasure. The same can happen to a background, a door, a passing extra. They can be altered, displaced, transformed, appear or disappear on sight, as the mood of the characters or of the scene changes, or as CLIVE's whims meddle in.As CLIVE's point of view is preeminent in the storytelling, Alain RESNAIS brilliantly stages CLIVE's complex behavior by using different parts of the house in a different way. The BEDROOM from which CLIVE speaks can be said to be his SELF with both CLIVE's doubts and certainties over his work. The back of the house, its BACK TERRACE, where most of the strange changes occur, is undoubtly his SUBCONSCIOUS, his backstage, subject to CLIVEs fantasy, to his fancies and whims, and logic uncommon. But the FRONT of the house will be back to REALITY and will cloture the story.Other different sets occur as backgrounds but they are inside the story being told and can be modified at will by CLIVE.But then, IN REALITY, his family finally arrives for his birthday, and CLIVE welcomes them on the FRONT lawn for lunch. They are perfectly normal and even quite sympathetic people, getting along with each other, and not the embittered, devious players CLIVE described earlier in his story. Peace at last.After all, this is a secret comedy about life, all in the way it is told - and John Gielguld's best experience as he stated it.-------------Watch this wonderful movie!-------------

Answer:
Question: who invites Claude, Sonia and Kevin for an idyllic birthday lunch?, Answer: Clive