In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.

Ex Input:
Passage: Inside the church are galleries on the north, west, and south sides. These are carried on Tuscan columns, which rise to the ceiling as wooden quasi-Tuscan columns. At the east end of the church are paintings by Jacob Thompson of Penrith dated 1845 depicting the Angel and the Shepherds, and the Agony in the Garden. The communion table dates from 1722, and was lengthened in 1951. The brass chandeliers were given to the church in 1746 by the 2nd Duke of Portland in recognition of the part the town played in the defence against the Young Pretender in 1745. The pulpit consists of the top section of a former three—decker. At the back of the gallery are royal arms dated 1723 by Mathias Read. The font consists of a simple octagonal bowl, and is dated 1661 which is the date it was brought back into use after the Restoration of King Charles II. The stained glass in the east window of 1870 is by Hardman, and that in the north aisle, dating from 1889, is by Burlison and Grylls. Elsewhere are windows by Clayton and Bell, Powell's, G.J.Baguley, and by Cox, Sons and Buckley. The monuments include two coffin lids inscribed with foliated crosses, one dating from the 14th century, the other possibly from the 12th century. There are also two worn stone effigies from the 17th century.
 Link Information: He began to exhibit in 1824, when he had in the first exhibition of the Society of British Artists a "View in Cumberland," but he did not send a picture to the Royal Academy until 1832, in which year appeared "The Druids cutting down the Mistletoe." This was followed in 1833 by a picture containing full-length portraits of the daughters of the Hon. Colonel Lowther. His next exhibit was "Harvest Home in the Fourteenth Century," which appeared at the British Institution in 1837, and was presented by the artist to his patron, the Earl of Lonsdale. After this date he painted portraits, views of mansions, &c., but he did not exhibit again until 1847, when he sent to Westminster Hall "The Highland Ferry-Boat," which was engraved in line by James Tibbits Willmore. "The Proposal" appeared at the Royal Academy in 1848; "The Highland Bride," likewise engraved by Willmore, in 1851; "Going to Church: Scene in the Highlands," in 1852; "The Hope Beyond," in 1853; "The Course of true Love never did run smooth," in 1854; "The Mountain Ramblers," in 1855; "Sunny Hours of Childhood" and "Looking out for the Homeward Bound," in 1856; and "The Pet Lamb," in 1857. He painted in 1858 "Crossing a Highland Loch," which was engraved by Charles Mottram; but he did not again exhibit until 1860, when he sent to the Royal Academy "The Signal," which was engraved by Charles Cousen for the Art Journal of 1862. In 1864 he had at the academy "The Height of Ambition," engraved by Charles Cousen for the Art Journal, as was likewise by J. C. Armytage "Drawing the Net at Hawes Water," painted in 1867 for Lord Esher, but never exhibited. "Rush Bearing" and a view of Rydal Mount are among his best works.

In his later years Thompson devoted himself chiefly to landscape subjects with figures, the themes of which were for the most part drawn from the mountains and lakes of Cumberland and Westmoreland, but occasionally from Scotland. His range, however, was limited, and his work was lacking in poetic sympathy. His attempts at classical and scriptural subjects, such as "Acis and Galatea," exhibited at the Royal Academy in 1849, and "Proserpine," were not a success. His last work was "Eldmuir, or Solitude." Answer: View in Cumberland,

Ex Output:
What other paintings has Jacob Thompson created?


Ex Input:
Passage: 1973–74 was a big season for Newcastle United. The new attacking team put together by Harvey was being tipped to take one of the major honours come the season's end. By November Newcastle were second in the league, but they fell away to finish 15th, and in the League Cup they were knocked out in the third round. It was down to the FA Cup. Hendon were first up in the third round and a shock 2–2 draw at home meant that Newcastle had to go through a replay at Vicarage Road to see off the non-league side 3–0. Scunthorpe United were next up in the fourth round, and another shock 1–1 draw at St James' meant another replay against lower league opposition. Macdonald scored twice in the replay to crush Scunthorpe's hopes in a 3–0 win. The fifth round saw a difficult away draw to West Bromwich Albion, on a quagmire of a pitch and in front of the TV cameras. Newcastle were majestic, winning 3–0 with Macdonald scoring again. Newcastle faced Burnley at Hillsborough in the semi final. Macdonald scored two and Newcastle won 2–0; Harvey would sign Burnley defender Geoff Nulty for the next season after impressing in this game. Newcastle United were through to their first FA Cup final since 1955, where they would play Bill Shankly's Liverpool. Newcastle had a poor build up to final with preparations not going to plan: the tracksuit tops the players were meant to be wearing did not turn up, and they had to wear an unkind-looking purple outfit as they walked out at Wembley Stadium. Macdonald was the key man for Newcastle, having scored in every round for a total of eight goals in the competition. Liverpool played well and coasted to a 3–0 win with Kevin Keegan scoring twice. It was the end of an era for Harvey; the next season he signed Micky Burns and paid Sheffield Wednesday a club record £200,000 for Tommy Craig, but Newcastle could only finish a low 15th, despite getting some revenge on Liverpool, beating them 4–1 at St James' Park.
 Link Information: United were through to their first FA Cup final since 1955, where they would play Bill Shankly's Liverpool. Answer:  John W. Henry

Ex Output:
Who owns the football club that Newcastle faced in the FA Cup final?


Ex Input:
Passage: Due to a double election of François Louis, Prince of Conti and the Frederick Augustus I, Elector of Saxony (elected King of Poland as Augustus II) in 1697, the two claimants to the Polish throne had serious troubles with obtaining approval of the nobility for their coronation. The most difficult situation was of Elector of Saxony, who had no support of the primate Michał Stefan Radziejowski and most of the senators holding the custody of the Wawel Castle Crown Treasury. Therefore, expecting obstacles in obtaining the royal insignia, he ordered to prepare replacements before his arrival to Kraków. On the eve of the ceremony, some of the gathered decided to find a way to obtain the original regalia. Two monks Aleksander Wyhowski, prior of Czerwińsk and Mikołaj Wyżycki, prior of the Holy Cross made a hole in the castle's wall and got to the vault from which they stole the crown, scepter, sword and orb. The Dresden regalia become unnecessary, Augustus II the Strong, however, treated them as a private insignia.
 Link Information: François Louis de Bourbon, le Grand Conti (30 April 1664 – 9 February 1709) Answer: 6

Ex Output:

What was the age difference to the two people claiming the Polish throne?