You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

[EX Q]:  The screenplay of Gandhi is available as a published book. The film opens with a statement from the filmmakers explaining their approach to the problem of filming Gandhi's complex life story:
No man's life can be encompassed in one telling. There is no way to give each year its allotted weight, to include each event, each person who helped to shape a lifetime. What can be done is to be faithful in spirit to the record and to try to find one's way to the heart of the man...
The film begins on the day of Gandhi's assassination on 30 January 1948. After an evening prayer, an elderly Gandhi is helped out for his evening walk to meet a large number of greeters and admirers. One of these visitors, Nathuram Godse, shoots him point blank in the chest. Gandhi exclaims, "Oh, God!" ("H  Ram!" historically), and then falls dead. The film then cuts to a huge procession at his funeral, which is attended by dignitaries from around the world.
The early life of Gandhi is not depicted in the film. Instead, the story flashes back 55 years to a life-changing event: in 1893, the 23-year-old Gandhi is thrown off a South African train for being an Indian sitting in a first-class compartment despite having a first-class ticket. Realising the laws are biased against Indians, he then decides to start a nonviolent protest campaign for the rights of all Indians in South Africa. After numerous arrests and unwelcome international attention, the government finally relents by recognising some rights for Indians.
After this victory, Gandhi is invited back to India, where he is now considered something of a national hero. He is urged to take up the fight for India's independence, (Swaraj, Quit India) from the British Empire. Gandhi agrees, and mounts a nonviolent non-cooperation campaign of unprecedented scale, coordinating millions of Indians nationwide. There are some setbacks, such as violence against the protesters and Gandhi's occasional imprisonment. The Jallianwala Bagh massacre is also depicted in the film.
Nevertheless, the campaign generates great attention, and Britain faces intense public pressure. After World War II, Britain finally grants Indian independence. Indians celebrate this victory, but their troubles are far from over. The country is subsequently divided by religion. It is decided that the northwest area and the eastern part of India (current-day Bangladesh), both places where Muslims are in the majority, will become a new country called Pakistan. It is hoped that by encouraging the Muslims to live in a separate country, violence will abate. Gandhi is opposed to the idea, and is even willing to allow Muhammad Ali Jinnah to become the first prime minister of India, but the Partition of India is carried out nevertheless. Religious tensions between Hindus and Muslims erupt into nationwide violence. Horrified, Gandhi declares a hunger strike, saying he will not eat until the fighting stops. The fighting does stop eventually.
Gandhi spends his last days trying to bring about peace between both nations. He thereby angers many dissidents on both sides, one of whom (Godse) is involved in a conspiracy to assassinate him.
As Godse shoots Gandhi in a scene recalling the opening, the film cuts to black and Gandhi is heard in a voiceover, saying "Oh, God!" The audience then sees Gandhi's cremation; the film ending with a scene of Gandhi's ashes being scattered on the holy Ganga. As this happens, viewers hear Gandhi in another voiceover from earlier in the film:
 When I despair, I remember that all through history the way of truth and love has always won. There have been tyrants, and murderers, and for a time they can seem invincible, but in the end they always fall. Think of it. Always. 
As the list of actors is seen at the end, the hymns "Vaishnava Jana To" and "Raghupati Raghava Raja Ram" are heard.
[EX A]: Who is disparaging Indian's in India?

[EX Q]:  Several residents of a Paris boarding-house write letters to their friends and family back home; their primary subject is their reaction to each other. The main character is Miranda Hope, an angular but likeable Yankee Miss from Bangor, Maine who, quite bravely for a young woman of that era, is traveling in Europe alone. In her letters, she chatters to her mother about seeing the sights in Europe but doesn't like the Old World's treatment of its women, "and that is a point, you know, on which I feel very strongly." Her expressions of petulance with William Platt, who we realize must have been a suitor of hers back in Maine, are so offhand as to be amusing. Although she is in general the least affected and most sympathetic character in the story, her unawareness of the disdain in which most of the characters hold each other (including herself) makes her seem somewhat naive.
Meanwhile, society girl Violet Ray of New York writes to a friend that Miranda, who she sees as provincial, is "really too horrible." Another boarder, wannabe aesthete Louis Leverett (quite possibly a self-satire by James) gushes in his letter that "the great thing is to live, you know," amid much precious verbiage about the good, the true and the bee-a-u-tiful. An English boarder, Evelyn Vane, pens a scoffing note that Louis is always talking about the color of the sky, but she doubts if he's ever seen it except through a window-pane; and the German sees Leverett's "decadence" as further evidence that the English-speaking world is weak and ripe for takeover.
The Frenchman Leon Verdier almost drools in his letter about the charms of ces demoiselles among the boarders, and focuses primarily on their appearance. The rather threatening German professor is the only character both cynical and intelligent enough to realize how disdainful all the English speakers are of each other. However, he's also the least sympathetic character in the story. (James disliked Germany and its culture.) While the other characters despise each other mostly on personal grounds, or from cultural misunderstanding, Herr Professor despises them all based on their national traits and general sub-human status (he calls the Frenchman "simian"). In a letter to his German friend, he simultaneously brags of his erudition and predicts that the weakness of these other nationalities augurs a bright future "for the deep-lunged children of the Fatherland!"
[EX A]: Where is the boarding-house located?

[EX Q]:  The tale begins in a farmyard which is home to a duck called Jemima Puddle-duck. She wants to hatch her own eggs, but the farmer's wife believes ducks make poor sitters and routinely confiscates their eggs to allow the hens to incubate them. Jemima tries to hide her eggs, but they are always found and carried away. She sets off along the road in poke bonnet and shawl to find a safe place away from the farm to lay her eggs.
At the top of a hill, she spies a distant wood, flies to it, and waddles about until she discovers an appropriate nesting place among the foxgloves. However, a charming gentleman with "black prick ears and sandy-coloured whiskers" persuades her to nest in a shed at his home. Jemima is led to his "tumble-down shed" (which is curiously filled with feathers), and makes herself a nest with little ado.
Jemima lays her eggs, and the fox suggests a dinner party to mark the event. He asks her to collect the traditional herbs used in stuffing a duck, telling her the seasonings will be used for an omelette. Jemima sets about her errand, but the farm collie, Kep, meets her as she carries onions from the farm kitchen and asks her what she is doing and where she keeps going. She reveals her errand, Kep sees through the fox's plan at once, and finds out from Jemima where the fox lives.
With the help of two fox-hound puppies who are out at walk at the farm, Kep rescues Jemima and the "foxy-whiskered gentleman" (Mr. Tod) is chased away and seen again in The Tale of Mr. Tod. However, the hungry fox-hounds eat Jemima's eggs. Jemima is escorted back to the farm in tears over her lost eggs, but, in time, lays more eggs and successfully hatches four ducklings.
[EX A]:
How many ducklings does Jemima eventually hatch successfully?