In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[EX Q]: Review: I have never commented on a film before. I watched this movie with my girlfriend last night. I've read comments saying this movie stays with you. It does. It's been almost 24 hours and I am still completely affected. This movie left me questioning my own self. How can I possibly compare myself to a character such as Ben who is totally selfless. I loved this movie. I love movies that keep me guessing and wondering until the end. I feel two emotions predominantly, happiness and sadness. An amazing feel good movie and a very sad one too. I so wanted Ben and Emily to be together, but in the end, they were, forever. If you haven't seen this movie, get it and watch it. Just make sure you have no distractions. You'll want to see every nuance in this picture. One for my library. Question: is it a negative review?
[EX A]: no

[EX Q]: Review: Coming shortly before the imposition of a morality code darkened the spirits of writers, directors and actors, the first film adaptation of W. Somerset Maugham's "Of Human Bondage" titillated countless moviegoers. It has no shock value today, just fine acting.While the cast is excellent, this is Bette Davis's first great role and one of Leslie Howard's best performances. Howard is English wannabe Parisian artist Philip Carey who is gently and firmly told that he lacks any talent and that his dedication is no substitute for true genius. Taking the lesson to heart he returns to London and enrolls in a medical college (one, by the way, that seems to have no female students-at that time there would have been at least a few. Perhaps author/physician Maugham didn't care for distaff medicos).Having tea one day Carey is entranced by a waitress, Mildred Rogers, Bette Davis in a role as a morally loose and basically wicked farrago. Her Cockney accent is as sharp as Eliza Doolittle's. His repeated attempts to date her are greeted with the less than enthusiastic reply, "I don't mind," a sure sign for any man with his head screwed on straight that he's plumbing the depths. Maugham's Mildred supplemented her waitress tips with a bit of old fashioned street-walking, something not clearly brought out here.Carey's besotted prostration serves Rogers' avaricious need for support of the financial kind. He is desperately in love with her-she plays him as a Sunday church organist effortlessly plies her instrument. No sex here. Recognizing that he is getting nowhere, he begins a chaste relationship with Norah, a woman who adores him. Re-enter Mildred, replete with a baby, and in her usual need of being taken care of. Exit heartbroken Norah. Another separation from Mildred and Carey begins a long-term friendship with Sally, abetted enthusiastically by her dad who seems to view eventual marriage as both a good thing for the two young people and a chance to be relieved of one of his nine offspring.The movie reasonably but not entirely follows Maugham's excellent novel. Howard's Carey is naive and vulnerable and for much of the movie his sad eyes remind one of a doe facing a double-barreled shotgun. Mildred is unrestrainedly wicked, a user of the worst kind, her sole preoccupation with her own needs barely disguised when she tries to wheedle Carey with a thin patina of affectionate words (and offers-at one point she promises she'll do "anything [he] wants," a daring statement for the times and one I'm sure audiences fully understood.Pre-Code it may be but Mildred's quick-march dissolution would have satisfied the League of Catholic Decency. The ending is conventional-sin loses, principled behavior triumphs.Director John Cromwell wrought excellent performances from his two main stars, one well-established, the other established largely because of this film. The atmosphere is 1930s London and the trip back in time is worth taking.Available on DVD.9/10 (for Davis's and Howard's performances) Question: is it a positive review?
[EX A]: yes

[EX Q]: Review: This is a truly abysmal `LOCK STOCK' clone with a stellar cast and a terrible script. I have no idea why so many top British actors signed up to this junk, they must have been bribed. A miss match of a storyline goes on forever and ever and ever and if I hadn't have paid good money for it I'd have turned it off after 10 minutes. Not the worst film ive ever seen, that honour goes to the truly pathetic used bogroll of a movie' (I use the term loosely) `GUMMO' (I feel like suing that so called `director' for the lost hour and a half of my life) but this trash is nearly right down there with it. Definitely one of the worst 5 films I have ever seen. Stuff like this reminds Hollywood that they don't have a monopoly on truly awful films. Question: is it a negative review?
[EX A]:
yes