In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

Ex Input:
Question: How many different directors did Prada work with in 1976 and 1977? Passage:When Jaya Prada was a teenager, she performed a dance at her school's annual function. A film director in the audience offered her a three-minute dance number in the Telugu film Bhoomi Kosam. She was hesitant, but her family encouraged her to accept it. She was paid only 10 rupees for her work in the film, but the rushes of those three minutes of film were shown to the major figures of the Telugu film industry. Major filmmakers offered her starring roles in quality films, and she accepted them. She became a huge star in 1976 with major hit films. Director K. Balachander's black-and-white film Anthuleni Katha (1976) showcased her dramatic skills; K. Viswanath's color film Siri Siri Muvva (1976) showed her playing a mute girl with excellent dancing skills; and her title role as Sita in the big-budget mythological film Seetha Kalyanam confirmed her versatility. In 1977, she starred in Adavi Ramudu, which broke box office records and which permanently cemented her star status. The song "Aaresukoboyi Paresukunnanu" performed by Prada and co-star N.T. Rama Rao became a mass hit. Important filmmakers were casting her and repeating her in their films. Filmmaker Vijay introduced her to Kannada cinema in his 1977 super-hit movie Sanadi Appanna alongside Kannada matinee idol Raj Kumar. The movie is also known to be the only movie to feature shehnai rendition by Ustad Bismillah Khan. Jaya Prada repeated her successful pairing with Rajkumar in films such as Huliya Halina Mevu (1979), Kaviratna Kalidasa (1983) and Shabdavedhi (2000). In 1979, K. Balachander repeated her in the Tamil film Ninaithale Inikkum opposite Kamal Haasan and Rajinikanth in which she played a terminally-ill patient. She continued to act in more films in Telugu opposite actors such NTR, ANR, Krishna, Krishnam Raju and Sobhan Babu throughout the 70s and 80s. K. Viswanath remade Siri Siri Muvva (1976) in Hindi as Sargam, introducing Jayaprada to Bollywood in 1979. The film was successful and she became a star there as well. She earned her first Filmfare nomination as Best Actress but couldn't capitalize on her success since she couldn't speak Hindi.
 Links: a. Adavi Ramudu (1977 film) b. Filmfare c. Shehnai d. Anthuleni Katha

Ex Output:
d


Ex Input:
Question: Which reformist theologians who were influenced by the division between faith and reason was born first? Passage:In Europe, the espousal of atheistic views was rare during the Early Middle Ages and Middle Ages (see Medieval Inquisition); metaphysics and theology were the dominant interests pertaining to religion. There were, however, movements within this period that furthered heterodox conceptions of the Christian god, including differing views of the nature, transcendence, and knowability of God. Individuals and groups such as Johannes Scotus Eriugena, David of Dinant, Amalric of Bena, and the Brethren of the Free Spirit maintained Christian viewpoints with pantheistic tendencies. Nicholas of Cusa held to a form of fideism he called docta ignorantia ("learned ignorance"), asserting that God is beyond human categorization, and thus our knowledge of him is limited to conjecture. William of Ockham inspired anti-metaphysical tendencies with his nominalistic limitation of human knowledge to singular objects, and asserted that the divine essence could not be intuitively or rationally apprehended by human intellect. Followers of Ockham, such as John of Mirecourt and Nicholas of Autrecourt furthered this view. The resulting division between faith and reason influenced later radical and reformist theologians such as John Wycliffe, Jan Hus, and Martin Luther.
 Links: a. David of Dinant b. John of Mirecourt c. David of Dinant d. John Wycliffe

Ex Output:
d


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Question: Which act that randy Lewis compared the individual tracks to had sold the most records? Passage:The album has received generally positive reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 81, based on 13 reviews, which indicates "generally favorable reviews". MusicOMH's Max Raymond has praised the album as being "engrossing" due to the emotional depth of the lyrics as well as the warm and relaxed sound of the studio recording. Will Hermes of Rolling Stone gave the album a mixed review, praising the vocal harmonies. The diversity in sound was highlighted by AbsolutePunk's Gregory Robson, Jason Schneider of Exclaim! and The A.V. Club's Chris Martins, ranging from electric blues to psychedelia as well as the atypical lyrics from Guthrie—focusing on the city of Los Angeles rather than his communist-leaning politics and Dustbowl tragedy narratives. American Songwriters Evan Schlansky noted the same apolitical tone of the lyrics, but qualified that with Yames' delivery on "My Revolutionary Mind". He praised the album's diversity as a strength, allowing each vocalist an opportunity to display his unique talents. Writing for Los Angeles Times, Randy Lewis agrees that the songwriting diversity is a strength, comparing individual tracks with R.E.M., The Velvet Underground, Richard Thompson, and John Mellencamp. Graham Reid of The New Zealand Herald also notes similarities to R.E.M., fellow Guthrie admirer Bob Dylan, The Byrds, and Eagles. The PopMatters review by Jeff Strowe points out the blues influences in the album, adding to its emotional depth. About.com's Kim Ruehl has criticized the diversity and complexity of the album as contrary to the simplicity of Guthrie's actual recordings, concluding that "If this weren't presented so staunchly as being at least part 'Woody Guthrie album,' it might be a little easier to swallow." Doug Collette of All About Jazz also reviewed the deluxe edition bonus disc, comparing it favorably to the proper album as well as the previous Farrar–Parker collaboration Gob Iron. The album topped American publication Billboard's Heatseekers.
 Links: a. The Velvet Underground b. R.E.M. c. Dotdash d. R.E.M.

Ex Output:

b