In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Q: i love this movie , and i 've just seen for the umptenth time .
unfortunately , it is also completly unknown and very few have seen it .
it 's my mission in life to spread the word : see this movie ! fred , george , doug and howie are reaching middleage .
three of them have a wife , kids and a house in the suburb with a mortgage to pay .
only fred is still a bachelor .
together they take the local train every morning to work in town .
on one of their organized thursday evenings at a bar , fred tells them of his boss and the arrangements he has made to keep a mistress .
he has gotten an apartment in downtown where he can meet her but has told his wife that he needs the apartment to spend the night after staff meetings every thursday night . since they always split everything four ways , they decide that they should get an apartment with a young woman as well , kathy .
however , kathy is n't completly honest to them .
in fact , she is a sociology student writing a thesis about the sex life of the suburban male .
with these four species she believes that she will make a very good paper .
ok , have one thing clear though .
the romantic rendezvous ' between kathy and each of the men are completly innocent .
the script stays above the waist - or to be precise , above the neck .
noboyd claims that kathy is their mistress
, the four guys call her their ' companion ' .
the censorship board here in sweden considered it to be suitable only for people above 15 years , but that only shows how long ago 1962 was .
small children could watch this without being corrupted .
kim novak is as lovely as always in this movie , even if she seems to be a bit too old for a student .
james garner is the playboy just like in many other movies .
i liked howard morris the best as howard the accountant who has to diet to support his wife .
tony randall is funny as always
.
1962 was more than 35 years ago .
how many accountants , copywriters or investment bankers can today afford to live in a house in the suburb with a lot of kids and a wife who does not work ?
this is the white middle class , i ca n't remember that i saw any blacks on the commuter train they use .
these are the people who can count on their kids to live an even better life than themselves .
perhaps this should also be a subject for a thesis in movie sociology ?

A: P
****
Q: "
some houses are born bad , " goes the haunting 's tag line , to which i must add , " some movies , too .
"
nothing short of hiring a new cast , a more literate screenwriter , and a new director could have saved this tragically misguided adaptation of jackson 's meritorious novel .
the haunting is late entry summer dreck too slick to be creepy , and its seemingly endless stream of digital trickery and spooky ooky sound effects do n't frighten so much as numb the audience into submission
- the film is like a rube goldberg contraption rigged to shout " boo .
" fragile nell ( taylor ) , bisexual theo ( zeta - jones ) , and smiley luke ( wilson ) are three insomniacs who gather at the reputedly possessed hill house for an extended study on sleep disorders , hosted by professor marrow ( neeson ) .
marrow 's secretly gathering data on their respective paranoid responses to his recount of hill house 's bleak history .
he 's not prepared for the very real apparitions that terrorize the crew , nell especially , who has some ancestral connection to the manor 's previous inhabitants .
taylor is thoroughly insufferable in her first big - budget lead .
for starters , her consistently dour expression sucks the life out of even the early scenes , when we 're introduced to the mansion and all its fun - house trappings .
her character is supposed to be depressed , having tended to an unloving mother for too many years , but taylor plays nell as supernaturally lame , alternately grouchy , mopey , wiggy and pathetic , and i kept wondering why the other characters did n't just ditch this bitch
.
as for the obscenely photogenic zeta - jones , she breezes through her scenes with a wink and a smile and takes the scenery with her .
unfortunately , she 's saddled with some of the most unlikely dialogue the screenplay has to offer .
theo 's assessment of the house ?
"
i love it !
sort of charles foster kane meets the munsters .
" who on earth would say that in place of " citizen kane meets the munsters " ?
( furthermore , would you gladly spend a single night in a house befitting that description ? )
both actresses fare better than neeson , who looks embarrassed to be a part of this ensemble ( and for good reason ) , and his character is the most bland .
as luke puts it , dr .
marrow pulls the old " academic bait and switch " on his subjects , but he breaks down and confesses to this the second he 's accused .
later , he risks his life by climbing a crumbling stairwell to save nell ( it 's amusing to hear neeson shout " nell " repeatedly , given his starring role in the 1994 jodie foster vehicle of the same name ) .
why was this nice , helpful , and redemptive researcher so absent of ethics at the start ?
the haunting was well designed by eugenio zanetti .
his sets are obsessively detailed , and even before the cgi kicks in , they seem alive , never quite still .
i do have one beef with this aspect of the production :
the real life mansion used in exterior shots , nottinghamshire 's harlaxton manor , is so vast that one has trouble believing that nell and company , no matter how much running away they do from ghosts and goblins , always finish up in locations that were established in act one , as if all the action has been confined to one wing of hill house .
eighty million dollars was spent on the haunting , and despite a powerhouse box office debut ,
i doubt it will recoup its costs ( including marketing ) domestically .
thank jan de bont for that : proving for the third time that speed was a fluke , in that it was actually enjoyable , de bont has served up another ride , sans thrill .
his images , well - lit though they are , have an unmistakable been there - done that quality
; in fact , whole sequences , not to mention the cloaked , airy ghoul who owns the climax , feel lifted from a much smarter and infinitely more enjoyable spectacle from three summers back , peter jackson 's the frighteners .
i do n't mean to suggest de bont is a plagiarist , i mean to suggest that he 's a hack , having found no new ways to give us chills .

A: N
****
Q: like the great musical pieces of mozart himself , amadeus is a true work of art .
it is one of those few movies of the 80 's that will be known for its class , its style , and its intelligence .
why is this such a good film ?
there are almost too many reasons to explain .
the story : court composer salieri ( f. murray abraham ) feels waves of different emotions going through his head as wolfgang amadeus mozart ( tom hulce ) comes into his life as the young genius composer .
salieri feels envy , and jealousy , but at the same time is fascinated with mozart 's brilliance and ingenious .
we travel through mozart 's life as a composer , through his struggles , his triumphs , and ultimately , his demise .
the acting : abraham is magnificient as salieri ; his acting range enables him to focus on each individual emotion and express it through his speech and body language .
this performance earned him a well deserved oscar .
tom hulce is interesting as well as mozart , a quirky , annoying bratty kid with an annoying laugh .
he 's strong , but weak at the same time , and must be aided by his wife ( elizabeth berridge ) , who is good in her role , but lacks dramatic depth .
jeffrey jones , in a smaller , more dignified role than such roles in stay tuned and
mom and dad save the world , is cast perfectly because of his noble charm .
the movie : every element of this movie works .
the costumes and makeup are very memorable , as well as its stunning art direction , and unforgettable scores ( adapted from mozart 's original music ) .
while wolfgang amadeus mozart was a genius at music , milos forman proves with his film that he is a genius of filmmaking .
this movie is a classic that will be remembered for years to come .
ad2am "
i almost lost my nose .
..
and i like it .
i like breathing through it .
"
-jack nicholson , chinatown

A:
P
****