In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Example Input: Question: Which of the central powers had been around longer when the First World War began? Passage 1:Remix culture, sometimes read-write culture, is a society that allows and encourages derivative works by combining or editing existing materials to produce a new creative work or product. A remix culture would be, by default, permissive of efforts to improve upon, change, integrate, or otherwise remix the work of copyright holders. While a common practice of artists of all domains throughout human history, the growth of exclusive copyright restrictions in the last several decades limits this practice more and more by the legal chilling effect. In reaction, Harvard law professor Lawrence Lessig who considers remixing a desirable concept for human creativity has worked since the early 2000s on a transfer of the remixing concept into the digital age. Lessig founded the Creative Commons in 2001 which released Licenses as tools to enable remix culture again, as remixing is legally prevented by the default exclusive copyright regime applied currently on intellectual property. The remix culture for cultural works is related to and inspired by the earlier Free and open-source software for software movement, which encourages the reuse and remixing of software works.
 Passage 2:At the beginning of the First World War in 1914, Great Britain used its powerful navy and its geographical location to dictate the movement of the world's commercial shipping. Britain dominated the North Sea, the Atlantic Ocean, the Mediterranean Sea and, due to its control of the Suez Canal with France, access into and out of the Indian Ocean for the allied ships, while their enemies were forced to go around Africa. The Ministry of Blockade published a comprehensive list of items that neutral commercial ships were not to transport to the Central Powers (Germany, Austria-Hungary, and the Ottoman Empire). This included food, weapons, gold and silver, flax, paper, silk, copra, minerals such as iron ore and animal hides used in the manufacture of shoes and boots. Because Britain and France together controlled 15 of the 20 refuelling points along the main shipping routes, they were able to threaten those who refused to comply, by the withdrawal of their bunker fuel control facilities.
 Passage 3:Promoted lieutenant-colonel in 1852, and colonel (and commanding officer of the 5th Uhlans) in 1853, Manteuffel was sent on important diplomatic missions to Vienna and St Petersburg. In 1857 he was promoted to major-general and chief of the Prussian Military Cabinet (the King's military advisers). He gave strong support to the Prince Regent's plans for the reorganization of the army. In 1861 he was violently attacked in a pamphlet by Karl Twesten (1820–1870), a Liberal leader, whom he had wounded in a duel, for which Manteuffel insisted on being briefly imprisoned. He was promoted to lieutenant-general for the coronation of William I on 18 October 1861 and saw active service in that rank in the Danish War of 1864, then at its conclusion was appointed civil and military governor of Schleswig. In the Austrian War of 1866 he first occupied Holstein and afterwards commanded a division under Vogel von Falkenstein in the Hanoverian campaign, then in July succeeded Vogel in command of the Army of the Main.

Example Output: 2

Example Input: Question: In what year was the order of monks that was in opposition to the Scythian monks who brought their case before Emperor Justin I founded? Passage 1:Canadian singer-songwriter, producer and pianist Chantal Kreviazuk has written, produced and performed on albums and tracks for a wide range recording artists, spanning from adult contemporary, pop, rock, to indie and hip-hop music. Initially, she began writing her own pop songs, especially after a 1994 motorcycle accident in Italy left her immobile for several months, and was signed by Sony Canada, where she released her debut album in June 1997. Chantal later released another album in 1999, before being featured in a range of soundtracks to films and TV series. Chantal began writing for other artists in 2001, where she co-wrote the song "Always and Forever" for Eleanor McCain. However, it was only in 2004 that Chantal started writing for more artists and received recognition as a songwriter. In the summer of 2003, Chantal met Canadian singer-songwriter Avril Lavigne, they formed a relationship of mutual respect and sisterhood, and eventually became songwriting partners. They co-wrote six songs for Lavigne's sophomore album, Under My Skin (2004): "Slipped Away," "Forgotten," "Together," "How Does It Feel," "He Wasn't" and "Who Knows." Kreviazuk described "He Wasn't" as "a super-fun, punk, screw-you-to-boys song," while "Forgotten" is a driving rock song inspired by similarly vibed music Lavigne was consumed with at the time. Also in 2004, Chantal co-wrote "Rich Girl", for Gwen Stefani's solo debut album, "Love. Angel. Music. Baby.", along with Dr. Dre, Jerry Bock, Mark Batson, Kara DioGuardi, Mike Elizondo, Sheldon Harnick and Eve. The song became a chart success, reaching the top-ten in over fifteen countries. Chantal also wrote for Kelly Clarkson's breakthrough album "Breakaway" in the end of 2004, sharing writing credits for the tracks "Where is Your Heart" and "Walk Away". In 2005, Chantal's co-writing song "He Wasn't" was released as Lavigne's final single from "Under My Skin", receiving a moderate impact on the charts and reaching only the top-forty in some countries. While in 2006, Clarkson's "Walk Away" was released as "Breakaway"'s final single, reaching the top-twenty in some countries.
 Passage 2:The monks initially won the support of Vitalian, an East Roman general who was the magister militum of Thrace and the leader of a powerful pro-Chalcedonian rebellion against Emperor Anastasius I, who was a convinced Monophysite. Vitalian was a native of Scythia Minor and one of the Scythian monks was a relative of his. The rebellion started in 512, when a nearly identical formula to that of the Scythian monks, added to the Trisagion in the liturgy of Hagia Sophia, was removed by Emperor Anastasius II. The rebellion continued until 515, when Vitalian was defeated and forced to go into hiding. By the reign of Anastasius' successor, Justin I, orthodoxy extended even to the army: soldiers were ordered to subscribe to the creed of Chalcedon or be deprived of their rations. At the beginning of the year 519, a delegation of Scythian monks traveled to Constantinople under the leadership of John Maxentius to bring their case before Emperor Justin I, proposing a new solution by arguing in favor of their formula. They were fiercely opposed by legates from Rome and by the Sleepless Monks (so-called for their around-the-clock prayer in eight-hour shifts) ironically, in trying to combat the Eutychian tendencies of the Scythian monks, the Sleepless Monks themselves shifted into Nestorianism, and were excommunicated by Pope John II for this). Faced with this opposition, the Scythian monks' view was that although the Chalcedonian definition (strongly supported by Rome) was indeed an orthodox expression of the faith, it was susceptible to a Nestorian misinterpretation which would in effect split Christ into two persons despite the verbal acknowledgment that Christ has only one person. The Scythian monks' proposal was not well received, mainly because of the timing: the monks arrived in Constantinople just as the emperor Justin I was negotiating an end to the Acacian schism. This split between Rome and Constantinople originated in 484 when Pope Felix III excommunicated Acacius, the Patriarch of Constantinople, for attempting to evade the council of Chalcedon in his attempt to bring the Monophysites back under control. Acacius had advised Emperor Zeno to issue a statement, the Henotikon (the "act of union"; 482), which was an attempt to reconcile the differences between the supporters of Orthodoxy and of Monophysitism. But the Henotikon failed to insist upon Chalcedon as the standard of orthodoxy, and the Council of Chalcedon, because of its endorsement of the Tome of Pope Leo I, had become a mark of the prestige of the Roman See. Acacius's apparent attempt to ignore Chalcedon was seen as an insult against Rome's claim to be the gold standard of orthodoxy. By the time the monks arrived in Constantinople, the political landscape changed and Emperor Justin's policies were directed more to the west than to the east where the Monophysites were dominant. This policy led him, in 519, to accede to Rome's demand that Chalcedon be the official christological confession of the empire. He received the emissaries from Rome in triumphal procession, and Patriarch John of Constantinople signed documents ending the thirty-five-year-old schism. Thus, when the Scythian monks arrived on the scene urging that the resolutions of Chalcedon needed to be supplemented with their Theopaschite formula, no one was willing to listen. The Scythian monks' views were interpreted as an attack on the Council of Chalcedon and thus a threat to the newly established reunion between Rome and Constantinople. A bishop from North Africa named Possessor, who was in Constantinople at the same time as the Scythian monks, also opposed their christological position by citing Faustus of Riez, whom the Scythian monks accused of the Pelagian heresy.
 Passage 3:A.F.K. Organski was born in Rome, Italy. As a youth, he attended the Ginnasio Liceo Torquato Tasso. He went to the United States fleeing the anti-Jewish laws of the Benito Mussolini regime and later served with the American armed forces in the Pacific theater from 1943 to 1945. After World War II, he settled in New York City, where he became an American citizen in 1944 and earned his B.A. (1947), M.A. (1948), and Ph.D. (1951) degrees from New York University. In 1952 he started teaching at the Brooklyn College, moving in 1964 to the University of Michigan, where he became professor of political science and senior research scientist in the Institute for Social Research. He co-founded Decision Insights, a consulting firm focused on introducing scientific rigor to the execution of policy and decision making in government and business.

Example Output: 2

Example Input: Question: What was the first film directed by the director of Shorff's film debut? Passage 1:Jovan Đorđević was born in Senta, a town on the bank of the Tisa river in the region which eventually became Serbian Vojvodina, on 13 November 1826 (Julian Calendar) to merchant Filip and Ana (née Malešević) Đorđević. Jovan was baptized on 17 November of that year in the Serbian Orthodox Church of Archangel Michael, officiated by Very Reverend Georgije-Đuka Popović, one of the most erudite clerics of his day in that region of Potisje, and author of Put u raj (The Road to Heaven), a book in praise of moral principles. The acting bug bit hard when he first appeared as a teenager in Hungarian and Serbian amateur theatricals in his hometown of Senta. He started his schooling in Senta, Novi Sad, Szeged, Temisvar, and Pest, where he was a Tekelijanum scholar (having received a stipend from the Sava Tekelija Endowment). Throughout high school (gymnasium) and university he pursued his chosen career as a professional actor and manager, appearing in hundreds of plays he himself organized in which he received a reputation of high versatility and originality. The 1848 Revolution interrupted his university education and he left Pest for Sombor where Grand Zupan Isidor Nikolić Dzaver (1806–1862) of Bačka first appointed him secretary of the town's municipal court house, and then a position of judicial clerk at Lugos. In 1852 he was appointed professor of a high school in Novi Sad. There Đorđević came to loggerheads with the school's administrators, who were against Vuk Karadžić's language reforms, and left his teaching post to become secretary of the Matica Srpska and editor of the learned society's magazine Letopis Matice Srpske in 1857. Two years later (1859), Danilo Medaković appointed Đorđević to position of co-editor (with Đorđe Popović) of Srpski Dnevnik. He eventually relinquished his position to Svetozar Miletić in 1861 and joined Dr. Jovan Andrejević Joles on their long, overdue project – the construction of the Serbian National Theatre in Novi Sad. With the new theatre Đorđević showed his interest in Serbian drama through the productions of plays by Đorđe Maletić, Jovan Sterija Popović, Matija Ban, Joakim Vujić, and others. In 1868 he founded the Serbian National Theatre in Belgrade, where he offered increasingly elaborate contemporary productions of Serbian and foreign playwrights and dramatists, like Stevan Sremac, Milorad Popović Šapčanin, Milovan Glišić, Svetislav Vulović, Kosta Trifković, Branislav Nušić, Imre Madách, József Katona, György Bessenyei, Schiller, Henrik Ibsen, Oscar Wilde, Émile Augier, Jules Sandeau, Eugène Marin Labiche, Victorien Sardou, Ivan Turgenev, Gogol, Maksim Gorky and other.
 Passage 2:Benke was born on May 5, 1946 in Milwaukee, Wisconsin as the first child of Raymond and Dorothea Benke. He attended Lutheran schools in Milwaukee and earned an Associate of Arts degree from Concordia College, Milwaukee (now Concordia University Wisconsin) in 1966. He earned a Bachelor of Arts degree with honors from Concordia Senior College in Fort Wayne, Indiana. On August 17, 1968, he married Judith Platt, a teacher who graduated from the University of Wisconsin–Madison. Benke earned his Masters of Divinity degree from Concordia Seminary and was ordained a pastor at his boyhood church in Milwaukee on June 15, 1972. His career as an ordained pastor included time as an assistant pastor at Zion Lutheran Church in St. Louis and a religion teacher at Martin Luther High School in New York City. He became pastor of St. Peter's Lutheran Church in Brooklyn, and he served as pastor there from 1975–1991 and from 1998–present. While at St. Peter's, Benke earned his Doctor of Ministry degree from the New York Theological Seminary in May 1983.
 Passage 3:In June 2012, Shroff was signed by producer Sajid Nadiadwala to make his film debut with Sabbir Khan's action romantic comedy Heropanti, which was produced under Nadiadwala's banner Nadiadwala Grandson Entertainment. In preparation for the role, he underwent flexibility training under Ziley Mawai. Released in 2014, Heropanti garnered unfavourable reactions from critics but emerged as a commercial success with earnings of worldwide. For his performance, Shroff received mainly mixed to positive reviews, with critics primarily praising dancing skills and ability to perform onerous stunts. Taran Adarsh of Bollywood Hungama appreciated his performance, saying "Tiger registers an impact in several sequences" and that he "scores brownie points in action and stunts". Adarsh also added that "for a first-timer, he exudes supreme confidence", whereas Subhash K. Jha praised him for his versatility, saying "he emotes, he dances and yes, he can fight". However, Sweta Kaushal of Hindustan Times disagreed, calling his "dialogues forced" and said "his expressions do nothing in a given situation". In spite of terming his performance "a little unconvincing", Kaushal called his action sequences "admirable" and said he's a "great dancer". Furthermore, Anupama Chopra, though noting that he has star-like qualities and "very solid screen presence", called his dialogue delivery "off". Shroff's portrayal fetched him the Screen Award for Best Male Debut and the IIFA Award for Star Debut of the Year – Male in addition to a Best Male Debut nomination at the 60th Filmfare Awards.

Example Output:
3