In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

I just saw a press screening of this film and I was pleasantly surprised. Not often is it that I get to see all of my favorite actors in one film at one time.I really enjoyed the pick pocket scene and it was good to see Rachael Bilson and Hayden back together. I think their chemistry on camera is a direct result of their time together off camera. My favorite scene was by far (surprisingly so) Bret Ratner's piece... Without giving too much away, I'll just say that there is a surprise that leaves you hanging...The old couple were really good together and you actually got the impression that they had spent a lifetime together. Both the Chris Cooper and the Ethan Hawke segments packed a punch with surprises that seem realistic and similar to experiences that I've had in the big apple. Over all the film is a great place to take a date... especially if you're already fond of the city itself.I can't wait for the next in the Cities of Love.
positive

Interesting to read comments by viewers regarding Omega Code... many of the overwhelmingly positive comments were lifted almost word for word from TBN broadcasts... the movie looks as if it were made to go directly to video, to be stocked besides the three-part rapture series that was done by some other religious group in the 70s.. dont remember it? You wont remember this one either in a year or two. This is the first movie I have ever seen where it was implied that it was your religious duty to go to it and buy as many tickets as possible to save souls... very shameful... this just goes to show that if you are a televangelist's son, you too can play high-roller Hollywood producer with lil ole ladies tithe money...
negative

Undoubtedly the best heavy metal horror item made in the manically headbangin' 80's, which admittedly doesn't sound like much considering how utterly abysmal many other entries in this odd little fright film sub-genre like "Hard Rock Zombies," "Blood Tracks," "Terror on Tour," and the especially ungodly Jon-Mikl Thor-starring stinker "Rock'n'Roll Nightmare" tended to be. That aside, this one still deserves props for downplaying the excessive splatter and needlessly flashy special f/x razzle-dazzle in favor of focusing on adolescent high school characters who are depicted with greater acuity and plausibility than the norm for a mid-80's teen-targeted scarefest. Moreover, the film's pointed sardonic parodying of both ridiculously overblown 80's heavy metal stupidity and the nauseating self-righteousness of the uptight killjoy conservative stiffs who claimed it was the devil's music are very clever and on the money funny (famed Greed Decade heavy metal god Ozzy Osbourne has a hilarious bit as a smarmy anti-metal TV evangelist!).Marc Price (the hopelessly dweeby Skippy on "Family Ties") gives a surprisingly strong and winning performance as Eddie "Ragman" Weinbauer, a geeky, socially awkward and severely persecuted heavy metal aficionado who's constantly picked on by the stuck-up jerk preppie bullies who make up the majority of the student body at Lakeridge High School (the cruelty and mean-spiritedness of the high school kids is nailed with painfully credible accuracy). Eddie's life takes a turn for the worse when his rock star idol Sammi Curr (an impressively whacked-out portrayal by Tony Fields) perishes in a hotel fire. Hip local disc jockey Nuke (KISS front-man Gene Simmons in a cool cameo) hooks Eddie up with Sammi's final, unreleased album, which when played backwards resurrects Curr's malevolent spirit back from the dead. Sammi encourages Eddie to sic him on all the vile scumbags who make poor Eddie's life the proverbial living hell, only to have meek Eddie prove to be a most reluctant would-be accomplice. It's up to Eddie, assisted by token nice girl Leslie Graham (likeably essayed by the lovely Lisa Orgolini), to stop Sammi before things get too out of hand.Ably directed with commendable thoughtfulness and sensitivity by character actor Charles Martin Smith (who also briefly appears as a nerdy school teacher), smartly written by Michael S. Murphy, Joel Soisson, and Rhet Topham, and capably acted by a uniformly up-to-snuff cast, this surefire sleeper even comes complete with a handful of nifty "jump" moments (an outrageous attack in the back of a car by a grotesquely lecherous long-tongued mutant thingie rates as the definite highlight), a rousing "Carrie"-style high school dance slaughter sequence, a neatly utilized Halloween setting, revenge being correctly shown as a truly ugly business, and a solid central message that you shouldn't make a particular over-hyped person your hero strictly because of the calculated anti-establishment posturing said fellow does to qualify for that special status.

positive