In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Ex Input:
Review: No spoilers here but I have been a fan since Waking the Dead started but the last series, of which only 3 have been on so far is awful. The stories bear no resemblance to the original idea of the series. I found these 3 in the last series jaw droppingly ludicrous. As a BBC licence payer, after the show I rang BBC complaints to pass on my disappointment. I'm amazed that actors of the calibre of Trevor Eve and Sue Johnstone didn't object to the story lines. These actors have been with these characters for 8 seasons, surly they can see it's lost all direction. It's a good job it is the last series or the next series may start with the team investigating the death of Father Christmas!Paul Bentley, West Yorkshire, England. Question: is it a positive review?

Ex Output:
no


Ex Input:
Review: After seeing this film at the SF Independent Film Festival, I couldn't wait to hear about how to get a copy. Jim McKay gave a talk (Q&A) about the film afterward which presented his ironic situation: how to get distribution for a film which portrays minorities (women, non-whites) working on resolving controversial issues (teen pregnancy, teen motherhood, racial identity, single-mother households), and how to write a faithful script on all of these topics being a mid-thirties white male. The multi-racial, multi-gendered audience of mostly-adults raved about the film's fantastic storyline, detailed characters, and fantastic portrayal of "real teen life." Most of the teens, however, had left the building--leading me to think this is a film best seen by adults with kids, as a starting point for discussion rather than, as many adults there felt, "a film teens should see because it's about them." Hence, distribution questions--how do we get our hands on it? The Internet (retail) would be a great path--this is a film that will be buried, like "Pups" or other radical modern teen films--and McKay seemed responsive. As for his credits as a writer/director, McKay was _extremeley_ sensitive and detailed in his work--allying himself to the Crown Heights neighborhood in which the film is set, working with actors to portray characters in their own vision of what they think should be--with the results being disarmingly realistic. Question: is it a negative review?

Ex Output:
no


Ex Input:
Review: Evidently lots of people really like this, but I found it infantilising and reasonably offensive codswallop, saved from oblivion by Jane Russell and a couple of memorable musical numbers, especially the opener (but there's a marked dip in invention later on). I don't get on with Monroe - she's supposed to be playing a dumb blonde who ain't that dumb, but she just comes over as dumb. Russell can't quite convince when she claims never to have been in a gymnasium, but is otherwise rather wonderful. The men are staggeringly uninteresting, as is the plot. By no means atrocious, but so patchy that, if this is a classic, God help us all. Question: is it a negative review?

Ex Output:

yes