Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.

Q: CONTEXT: Maybe it's because with origami you can go from a simple non living material such as a simple sheet of paper and mold it into something that is a representation of a living thing. Although this might never get a true answer I like to think it has something to do with the artificial creation of something representing life or dreams. When thinking further along these lines it strikes me that indeed the origami are all artificial representations of something living, yet a unicorn can never be really alive which can then be some sort of an origami analogy for Deckard = Replicant.  <sep>  Q: What does the origami represent in Blade Runner? A: the origami are all artificial representations of something living 

A: What types of origami does he make?
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Q: CONTEXT: I believe the moral of the story is "Don't judge book by its cover". The whole movie is against stereotypes. The bunny should be a carrot farmer, because that's what bunnies do, the predators are bullies an deep down everyone feels that way, because when assumption is made that only predators are going feral, everyone accepts it as truth. You can see that even the fox is bullied for being a predator because he is perceived as one.  <sep>  Q: What is the moral of Zootopia? A: I believe the moral of the story is "Don't judge book by its cover 

A: Is the story about taking risks?
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Q: CONTEXT: To a strong movie fan, no, it cannot hurt - ever. An alternate (possibly revisionist) version of a movie cannot detract from the original viewing experience, it can only add an additional positive (or negative) experience. In the case of Ridley and Blade Runner, I have every version, and his “Final Cut” is my favorite, and I am pleased-giddy that he was able to get yet another version released. It is my opinion that, given 4+ versions, you have the luxury of choosing the one you enjoy most. You have nothing but upside! Any downside is for pessimists, or people who have undue hatred for capitalist who play their little games – while we are still free to play ours. In the case of his refusal to agree to a Director's Cut of Prometheus – that is cool too. I enjoy the fact that as an artist Ridley Scott wraps his arms fully around the meta concept of additional releases, and indeed incorporates that into the overall art – like Claude Monet's Water Lilies, or Haystacks – as long as HE is making the decisions. (You might argue the opposite for 99% of all other director/studio combos.)  <sep>  Q: Does Ridley Scott's Director's Cut releases hurt his movies? A: To a strong movie fan, no, it cannot hurt - ever 

A:
Why is Scott called "the father" of the director's cut?
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