In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[Q]: Question: The architectural style of which the church was built was a popular architectural style in the region for how many years? Passage 1:The church is constructed in punch-dressed sandstone ashlar, and has slate roofs with inserted skylight windows. Its architectural style is Early English. The plan consists of a four-bay nave without aisles, a two-bay chancel with a north chapel and a south vestry, and a west tower. The tower is in three stages, with clasping buttresses, and contains paired west doorways, a clock face in a diamond-shaped surround, and pairs of louvred bell openings. At the top of the tower is an embattled parapet with octagonal corner pinnacles, and there are more pinnacles at the angles of the nave. The bays of the nave are separated by buttresses, and each bay contains a corbel-table and a pair of lancet windows. The sides of the chancel also contain paired lancet windows, and the east window consists of a triple stepped lancet in a blank arch. The north chapel is gabled, and contains a wheel window. The interior has been remodelled, but originally it contained a three-sided gallery on cast iron columns.
 Passage 2:Robert Riabhach ("Grizzled") Duncanson, 4th Chief of Clann Dhònnchaidh, was a strong supporter of King James I (1406–1437) and was incensed by his murder at the Blackfriars Dominican Friary in Perth. He tracked down and captured two of the regicides, Sir Robert Graham and the King's uncle Walter Stewart, Earl of Atholl, as they hid above Invervack in Atholl, and turned them over to the Crown. They were tortured to death in the Grassmarket in Edinburgh on the orders of the Regent, James I's widow, Joan Beaufort (d. 1445). The Collins Scottish Clan & Family Encyclopedia states that they were put to death with considerable savagery. The Robertson crest badge of a right hand upholding an imperial crown was awarded by James II (1437–60) to the 4th chief on 15 August 1451 as a reward for capturing his father's assassins. The highly unusual third supporter (below the shield) on the Robertson coat of arms, of a "savage man in chains" is in reference to the capture of Graham. It is in honour of Robert Riabhach that his descendants took the name Robertson. James II also erected the clan lands into the Barony of Struan, which formerly took in extensive lands in Highland Perthshire, notably in Glen Errochty, the north and south banks of Loch Tay and the area surrounding Loch Rannoch. None of these lands are any longer in the possession of the clan.
 Passage 3:The rest of the matches for the show were announced on September 25, the day after Destruction in Kobe. Added were title matches for both of NJPW's junior heavyweight titles. In the IWGP Junior Heavyweight Championship match, Kushida would defend the title against Will Ospreay. After successfully defending the title against El Desperado on September 16 at Destruction in Hiroshima, Kushida was approached by Ospreay, who stated that he was being defined as the man who could not beat Kushida and wanting to change that perception, challenged him to a title match. This was followed by Hiromu Takahashi entering the ring, but before he could make his own challenge, he was knocked out by Ospreay. Ospreay had been defeated by Kushida in all four of their previous matches against each other, including the finals of the 2017 Best of the Super Juniors and What Culture Pro Wrestling's 2017 Pro Wrestling World Cup tournaments, as well as two IWGP Junior Heavyweight Championship matches, which took place on April 10, 2016, at Invasion Attack 2016 and June 19, 2016, at Dominion 6.19 in Osaka-jo Hall. In the IWGP Junior Heavyweight Tag Team Championship match, Funky Future (Ricochet and Ryusuke Taguchi) were set to defend the title against the mystery team known only as "Roppongi 3K". After dissolving his Roppongi Vice tag team with Beretta on September 16, Rocky Romero approached Ricochet and Taguchi after they had successfully defended the IWGP Junior Heavyweight Tag Team Championship against Taichi and Yoshinobu Kanemaru and announced he was bringing in a new team to challenge them for the title. Heading into the title match, the identities of Roppongi 3K were kept secret.

[A]: 1


[Q]: Question: When was the critic who coined the term "rockumentaries" born? Passage 1:Payton's big break came when she was cast as Harriet Winslow, the elevator operator on the ABC sitcom 'Perfect Strangers in 1987. Her performance was so well received by audiences that she was given her own sitcom, Family Matters, in 1989. Continuing her character Harriette Winslow from Perfect Strangers, she played a mother in an African-American middle-class family living in Chicago, Illinois. Payton left Family Matters partway through its final season, appearing for the last time on December 19, 1997. Payton's character was played by Judyann Elder in the show's remaining eight episodes. In 2002, Payton appeared on the "TV Moms" episode of the Anne Robinson version of The Weakest Link, and was the third one voted off. In 2003, Payton and her daughter appeared on a Mother's Day episode of Lingo, playing against fellow TV mom Meredith Baxter and her daughter. Baxter and her daughter won. In 2005, Jo Marie Payton provided the voice of Suga Mama in The Proud Family Movie. Her other television credits include Desperate Housewives, Reba, Girlfriends, Wanda at Large, Judging Amy, The Parkers, Will & Grace, The Hughleys, 7th Heaven, Moesha, The Jamie Foxx Show, 227, Silver Spoons, Small Wonder and The New Odd Couple. She also appeared in the Canadian TV mini series The Rev as Mama. In 2005, Payton co-hosted the 15th Annual NAACP Theatre Awards with Glynn Turman. In August 2009, Payton appeared on Meet the Browns as Shirley Van Owen. Payton recently hosted her own show on the Hometeam Network, Second Chance with Jomarie Payton. In 2012, Payton was in the GMC TV movie special From This Day Forward.
 Passage 2:In 1543, Europeans reached Japan for the first time when a junk belonging to the Chinese wokou pirate lord Wang Zhi carrying Portuguese traders shipwrecked on Tanegashima. The Portuguese introduced the arquebus to the Japanese during this chance encounter, which gave the Japanese, undergoing the bloody Sengoku period at the time, a powerful weapon with which they conducted their internecine wars. The discovery of Japan was attractive to Portuguese merchants and missionaries alike, for it gave the merchants a new market to trade their goods, and the Jesuit missionaries eyed Japan for new converts into Christianity. The warlords of Kyushu vied to get the Portuguese carrack (called the black ship by the Japanese) into their harbours, since the ship also brought considerable wealth to their fiefdoms in addition to the guns.
 Passage 3:Roger Ebert of the Chicago Sun-Times gave the film three stars out of four and wrote that "the musical scenes are the best rock coverage since 'Woodstock.' The sound is first rate, for one thing, and director Pierre Adidge has some idea of why Cocker electrifies a crowd." Vincent Canby of The New York Times called the film a "most satisfying, record-album of a movie" which "patronizes neither its audience nor its stars ... It is uncluttered, one of the best concert films so far." A review in Variety said, "Considerable technical expertise has gone into this production, and though the objective may be clear, it just hasn't turned out to be another 'Woodstock,' possibly because Joe Cocker's personality isn't all that endearing." Gene Siskel of the Chicago Tribune rated the film three stars out of four and wrote, "'Mad Dogs' is distinguishable from other 'rockumentaries' because it deals almost exclusively with the musician and his music. There are few side trips to cultural comments." Robert Hilburn of the Los Angeles Times stated, "As a film, 'Mad Dogs and Englishmen' is a good concert. For much of the picture's 114 minutes, the camera is on Joe Cocker, by most standards the best and most exciting singer in rock music ... But 'Mad Dogs and Englishmen,' unfortunately, fails in the end to rise above this interesting, but clearly limited historical summary of the Cocker tour. As a film, it doesn't establish its own importance." A negative review by Tom Zito of The Washington Post advised readers to "Forget the film and try the record," explaining, "What emerges from all this is roughly two hours of footage that looks terrible on the screen and sounds almost as bad. The film is projected in an annoying square format, except for the moments when the screen area is broken up into some poorly coordinated split-screen effects. The camerawork is often sloppy ... the whole thing winds up looking and sounding like a cheap, imitation (indoor) 'Woodstock.'" James D. White of The Monthly Film Bulletin declared that "The music itself is excellent," but "The film's information content is minimal; and one's heart sinks as the screen is split into a double image for the first number and as the mandatory shots—of excited fans, of joint-rolling in a hotel bedroom, of an interview with a vacuous groupie—are inevitably wheeled out."

[A]: 3


[Q]: Question: How many sales did What's New make? Passage 1:After three months at the Fleet Airborne Electronics Training School in San Diego, California, Carpenter went to a Lockheed P-2 Neptune transitional training unit at Whidbey Island, Washington, after which he was assigned to Patrol Squadron 6 (VP-6), based at Naval Air Station Barbers Point, Hawaii, in November 1951. On his first deployment, Carpenter flew on reconnaissance and anti-submarine warfare missions from Naval Air Station Atsugi in Japan during the Korean War. On his second deployment, forward-based at Naval Air Facility Adak, Alaska, he flew surveillance missions along the Russian and Chinese coasts. For his third and final deployment, he was based on Guam, flying missions off the coast of China. He was designated as patrol plane commander, the only one in VP-6 with the rank of lieutenant (junior grade)—all the rest held higher rank. 
 Passage 2:In 1983 Linda Ronstadt took a break from recording contemporary music in order to make an album of standards with conductor Nelson Riddle, and their collaboration, What's New went triple Platinum. Barbra Streisand's 1985 release The Broadway Album reached number one and went on to quadruple Platinum certification, so a renewed interest in what came to be known as traditional pop was evident. Mathis had not tried a studio album without current hits or new songs since the ill-fated Broadway project in 1965, so his choice to collaborate with Henry Mancini in 1986 for The Hollywood Musicals, which had a lineup of classics that were mostly from the 1940s, was quite a change of pace. And while he has done some albums of contemporary pop songs since then, the category in which he has received four Grammy nominations since 1992 has been Best Traditional Pop Vocal Album, and the industry has recognized his past work as well. Three of his recordings have been inducted into the Grammy Hall of Fame ("Chances Are" in 1998, "Misty" in 2002, and "It's Not for Me to Say" in 2008), and in 2003 he was given the Grammy Lifetime Achievement Award.
 Passage 3:Zaïre was soon translated into English by Aaron Hill as Zara: A Tragedy. Following its successful run at London's Drury Lane Theatre in 1736, Zara became the most frequently staged English adaptation of a Voltaire play. Famous English actresses who have played the title role include Susannah Maria Cibber, who made her stage debut in the 1736 Drury Lane production, Sarah Siddons, and Elizabeth Younge. The first known professional performance of the play in the American Colonies was in Philadelphia on 26 December 1768, performed by the Hallam Company using the Aaron Hill version. The company took the play to New York City in 1769 and after the end of the Revolutionary War sporadically revived it there and in Philadelphia. The first professional performances after the hostilities ended were given in Baltimore in April 1782 by the Thomas Wall Company. Although the professional theatres were closed during the War, the play proved popular with the British Army. General Burgoyne, himself a playwright, produced Zara with military actors in British-occupied Boston in 1775 and four times in occupied New York between 1780 and 1781.

[A]:
2