In this task, five ordered key facts are given. All the given facts are expressed in natural language. Your job is to generate a story 100 to 1000 words long, that includes all the facts given as input in their order of appearance while expanding upon them to produce a broader, yet coherent, narrative.

Input: Consider Input: Fact1: Norstrand comes to room document, Fact2: Millicent is missing heiress planning to elope with fiance, Fact3: Peter forces her to spend in cabin to inform on whereabouts, Fact4: sheriff and deputies are mistaken by Peter, Fact5: lawmen respond with machine guns and gas

Output: Two cases of mistaken identity complicate matters when a woman he believes to be a process server comes across a man she believes to be a criminal. A warrant out on him, Peter Norstrand flees his New York City home and heads north. Hiding out, he is spotted by lodge guest Millicent Kendall, who grips a document when she comes to a room. Peter pulls a gun on her and makes her burn it, unaware that it is actually a marriage license. Millicent is a missing heiress, planning to elope with her fiance. Peter forces her to spend the night in his cabin so as not to inform on his whereabouts. When she attempts to escape in the snow, he takes away one of her shoes. A sheriff and his deputies begin a search for an actual fugitive, Dutch Nelson, and are mistaken for trappers by Peter, who fires a gun to scare them away. The lawmen respond with machine guns and tear gas. Peter reveals to Millicent that the warrant is just to force him to testify in a friends divorce. As she falls in love with him, the real Dutch turns up.


Input: Consider Input: Fact1: father has travelled to America to seek fortune, Fact2: Fegele is crowded onto boat headed for Britain with only photo of father and coin given to her by grandmother, Fact3: English official places her with foster parents, Fact4: teacher at school teaches her to sing and speak in English, Fact5: Dante is rifling through Suzie 's things after dalliance with Lola in apartment

Output: Fegele Abramovich Christina Ricci, a Russian Jew is separated from her father Oleg Yankovsky as a child in 1927. Her father has travelled to America to seek his fortune and plans to send for Fegele and her grandmother. Before leaving, he sings Je Crois Entendre Encore from the Bizet opera Les pecheurs de perles to her. After her father leaves, the village is attacked and burned in a pogrom. Fegele escapes with the help of neighbours; after overcoming many obstacles, she is crowded onto a boat headed for Britain, with only a photo of her father and a coin given to her by her grandmother. Upon arrival, an English official renames her Susan and places her with foster parents. English students at school taunt her by calling her a gypsy, but she does not yet understand English. A teacher at the school overhears her singing Je Crois Entendre Encore in Yiddish, and teaches her to sing and speak in English. Time passes, and Suzie auditions for a singing dance troupe heading for Paris. There, she meets an older Russian dancer named Lola Cate Blanchett, and they share an apartment as friends. At a formal party, both women perform as dancers alongside a mysterious performing horseman, Cesar Johnny Depp, a Romani to whom Suzie is attracted. After their performance outside, they overhear a tenor inside singing Je Crois Entendre Encore; the voice belongs to Dante John Turturro, an Italian opera singer who immediately catches Lolas eye. Lola works her way into his good graces and falls for his charms, enticed by his wealth and success. Dante, Lola, Suzie, and Cesar all work for an opera company directed by Felix Perlman Harry Dean Stanton. Dante is an imperious follower of Mussolini; this alienates him from Suzie even as he becomes Lolas lover. Meanwhile, Cesar introduces Suzie to his family essentially his entire tribe, and they fall in love. One day, Dante is rifling through Suzies things after a dalliance with Lola in the apartment, and deduces her Jewish heritage after finding her fathers photo. An elderly Jewish neighbour downstairs, Madame Goldstein Miriam Karlin, also knows that Suzie is Jewish and has warned her of the dangers on the horizon as the Germans invade Poland. The following year, as the Germans invade France and approach Paris, an exodus begins of Jews and other people threatened by Nazism. Crowds for the operatic show dwindle, and eventually the only cast members left are Dante and Suzie. When Dante attempts to seduce Suzie, she rebuffs him. He lashes out at her for her heritage and her relationship with Cesar, whose heritage he also scorns. Perlman comes to her defence; he reminds Dante that as an Italian in Paris at that time, should Mussolini align with the Nazis, Dantes own position in Paris would be precarious. Perlman closes down the show; the Nazis enter Paris the following morning. Dante reluctantly returns to his earlier role as minstrel. After another rebuff from Suzie, Dante reveals to a German officer that Suzie is a Jew. Lola overhears this and informs Suzie that she is in danger and must leave Paris. Lola has also decided to leave Dante and has purchased tickets for Suzie and herself on an ocean liner headed for America. The same night of the party, the Nazis attack the Romani village and kill a child. When Cesar comes to her apartment to say goodbye, Suzie expresses her desire to stay and help Cesar fight the Nazis for his family, but he tells her she must flee and find her father. They share a tender last evening together. Suzie searches for her father and discovers that he changed his name, gave up singing, and moved west after hearing about the attack on his home village, which he assumed killed all the members of his family. Suzie goes to Hollywood, where her father was a studio head, and discovers he has a new family and that he is dying. She goes to the hospital, walks past his new wife and children who are waiting outside the door to his room, and is reunited with her father. He recognises her and expresses joy at her appearance. She sits on the side of his bed and sings Je Crois Entendre Encore to him in Yiddish as tears roll down her face.


Input: Consider Input: Fact1: group of cameramen and journalists are discussing ethical responsibilities within profession, Fact2: film is juggling documentary footage with feature film image, Fact3: Wexler uses footage from military training camps in Illinois for military troops preparing for planned demonstrations by students and anti-war activists during Democratic National Convention later summer, Fact4: Cassellis is concerned with personal life and pursuing audience-grabbing stories, Fact5: news station has been providing stories and information gathered by cameramen and news journalists to FBI


Output: John Cassellis is a television news cameraman. In one of the opening scenes, a group of cameramen and journalists are discussing the ethical responsibilities within their profession: when should filming a gruesome scene end and human responsibility to try to save a life begin? As viewers we are presented with issues such as violence as spectacle, political and social discontent, extreme racism, and class divisions. The film is constantly juggling documentary footage with feature film image. Among his sources, Wexler uses footage from military training camps in Illinois for military troops preparing for planned demonstrations by students and antiwar activists during the Democratic National Convention later that summer. Cassellis is seemingly hardened to ethical and social issues; he is more concerned with his personal life and pursuing audiencegrabbing stories. Yet once Cassellis finds out that his news station has been providing the stories and information gathered by the cameramen and news journalists to the FBI, he becomes enraged. The news station creates an excuse to fire him, and Cassellis is let go. But he soon finds another job freelancing at the Convention. In the course of his television job Cassellis meets Eileen and her son, Harold, who had moved from West Virginia to Chicago. Eileen is a single mother whose husband according to their son is in Vietnam. Eileen tells Cassellis that her husband is dead, but it is unclear whether she really knows that to be the case. While unemployed, Cassellis spends a lot of time with them and grows fond of them both. The film climaxes with a scene in which Eileen is walking through rioting crowds, based on Wexlers footage of students in Chicago demonstrating during the Democratic National Convention in the summer of 1968. Her son has gone missing and she is desperately seeking Cassellis for help, but he is filming the convention. As a result, the fictional story and reallife brutality merge. The director explained that he planned his principal filming schedule to coincide with the convention, expecting that a riot would occur. The 1968 Democratic National Convention protest activity resulted in a riot. A study team of the Presidents National Advisory Commission on Civil Disorders concluded in its report Rights in Conflict that the events can only be called a police riot based on massive evidence that some policemen lost control of themselves under exceedingly provocative circumstances. Following this, Casselliss and Eileens paths converge in the middle of a protest, and Cassellis escorts Eileen to his car. As they drive to an undisclosed location, unaware that Harold has returned home, Cassellis accidentally crashes the car into a tree, killing Eileen and critically injuring himself. The final scene, echoing the first, is of a passing driver stopping to photograph the accident, after which he leaves the heavily damaged car behind.