In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
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Question: Context_1 : "I Love It" is a song by Australian hip hop band, Hilltop Hoods, featuring Sia. The single was released on 25 November 2011 and its radio debut occurred on 21 November 2011 on Australian youth radio station, Triple J. "I Love It" was the first single from the album, "Drinking From the Sun" (released on 9 March 2012), and three different music videos were produced for the single. The single is the Hilltop Hoods' second highest-charting and biggest-selling single for the entirety of the group's career. Context_2 : The Calling Live is the first DVD to be released by the Australian Hip Hop group Hilltop Hoods. It was released in 2005, two years after their breakthrough album "The Calling" was released. The DVD sees the Hilltop Hoods performing these songs live at a concert the group gave in their hometown of Adelaide, at Thebarton Theatre on 20 November 2004. Along with the concert, the DVD also includes interviews with the group as well as rare footage. As with their albums, the DVD was distributed by Obese Records. Context_3 : The Thebarton Theatre (sometimes known as Thebbie Theatre or just Thebbie), is an entertainment venue located in the inner-western Adelaide suburb of Torrensville, South Australia. Constructed in 1926, it is one of the most popular medium size venues in Australia. With a capacity of 2000, it is often used by newly formed bands and established international artists. Its small size is not only a more intimate experience with the audience, but is cheaper to rent when compared to the fees involved with renting a whole stadium. Context_4 : "Dumb Enough" is a song by Australian hip hop group Hilltop Hoods from their 2003 album, "The Calling". The song was the second song lifted from the album in 2004. "Dumb Enough" reached #44 on the Triple J Hottest 100, 2003. The hook contains a vocal sample of KRS-One's "Build Ya Skillz". Context_5 : Matthew David Lambert (born 6 May 1977), better known by his stage name Suffa, is one of the MCs of the Adelaide, Australia, hip hop group Hilltop Hoods. Suffa is also a producer and has produced tracks for other artists, such as Funkoars and Kate Miller-Heidke, in addition to his work with the Hilltop Hoods. Lambert has been an active artist for over 15 years since the release of the debut Hilltop Hoods album. Context_6 : "Cosby Sweater" is a song by Australian hip hop group, Hilltop Hoods. It was released as the third single from the group's seventh studio album, "Walking Under Stars" (2014). In Australia, "Cosby Sweater" peaked at No. 4 on the Australian ARIA Singles Chart, becoming Hilltop Hoods' highest charting single to date and their third top ten hit overall. The song was rated number three in Triple J's Hottest 100 2014. The song's accompanying music video was released on 3 October 2014 via the Australian iTunes Store. Context_7 : Drinking from the Sun is the sixth studio album by Australian hip hop group the Hilltop Hoods. The album was released on 9 March 2012. The album's first single, "I Love It", was released on 25 November 2011, and features vocals from fellow South Australian and Adelaide-born singer-songwriter Sia Furler. The album debuted at number one on the Australian Albums Chart reaching gold status on its first day, making it Hilltop Hood's third consecutive chart-topping album. The album is certified double platinum in Australia. Context_8 : The City of Light is the second DVD released by Australian hip-hop band Hilltop Hoods. It was released in December 2007 by Obese Records. "The City Of Light", documents the making of the platinum certified "The Hard Road" and the 2007 ARIA award winning "" albums and the touring undertaken by the group in promoting these albums, allowing an insight into the creative dynamic of the group. "The City Of Light" incorporates two hours of exclusive interviews and music videos, including extensive live and behind the scenes footage from the "The Hard Road: Restrung" album launch. This performance saw the Hilltop Hoods perform alongside the 31 piece Adelaide Symphony Orchestra to a full house at the Adelaide Entertainment Centre. Context_9 : "Clown Prince" is a single released by Australian hip-hop band, the Hilltop Hoods. The single, the first from the 2006 album, "The Hard Road", reached #30 in the ARIA charts, becoming the first Hilltop Hoods song to appear on the ARIA Singles Chart. The song also charted at #23 on the Triple J Hottest 100, 2006 list. Context_10 : "Won't Let You Down" is a song by Australian hip hop group Hilltop Hoods from their seventh studio album "Walking Under Stars". It was released as the first single from the album on 27 June 2014. The song features Irish-English singer-songwriter Maverick Sabre. The song peaked at No. 17 on the Australian Singles Chart, making it Hilltop Hoods' fifth top 40 single. fact_1 :  The DVD sees the Hilltop Hoods performing these songs live at a concert the group gave in their hometown of Adelaide, at Thebarton Theatre on 20 November 2004. fact_2 :  Constructed in 1926, it is one of the most popular medium size venues in Australia. Question: Which theatre constructed in 1926 did the Hilltop Hoods perform at in 2004?

Answer: Thebarton


Question: Context_1 : Can Live Music (Live 1971–1977) is a double live album by the band Can, released in 1999 and recorded in the UK and West Germany between 1972 and 1977 (despite the title referencing 1971). It originally came as an item in the now out of print Can box set. Context_2 : Zips (also Siggies or Geeps) is a slang term often used as a derogatory slur by Italian American and Sicilian American mobsters in reference to newer immigrant Sicilian and Italian mafiosi. The name is said to have originated from mobsters' inability to understand the faster-speaking Sicilian dialects, which appeared to "zip" by. Other theories include pejorative uses such as Sicilians' preference for silent, homemade zip guns. According to still another theory, the term is a contraction of the Sicilian slang term for "hicks" or "primitives." The older Sicilian mafiosi of pre-Prohibition known as "Mustache Petes" (who eventually were deposed by American-born mobsters during the Castellammarese War) were also referred to as zips. Context_3 : Shiv (possibly from the Romani word "chivomengro", "knife"), also "chiv", is a slang term for any sharp or pointed implement used as a knife-like weapon. The "Oxford English Dictionary" suggests "shive", a razor, documented in 1915, as the root word. In the 1920s, "shiv" was also a common slang term for a bladed weapon, mostly a knife. In the United States, an improvised prison knife is also often called a shank. Context_4 : Shmohawk or schmohawk is a slang term that might have derived from "schmo", a slang term meaning "fool". The HBO television show "Curb Your Enthusiasm" gave the word recent notoriety, and HBO even sells a "Curb Your Enthusiasm" schmohawk mug. Earlier uses of the word can be found in the "Crusader Rabbit" animated cartoon "Crusader and the Schmohawk Indians", released in 1950 and in Saul Bellow's 1958 novel "Henderson the Rain King". Context_5 : Ghosts is a 2006 drama film directed by Nick Broomfield, based on the 2004 Morecambe Bay cockling disaster. The title is a reference to the Cantonese slang term "Gweilo" (鬼佬), meaning "ghost man", used for white people. Context_6 : Dongo may refer to: The mix between a dingo and any other dog is referred to as a "Dongo" and also is a slang term for male genitalia. Dongo is also reported to be, but is not widely used, as a slang term in Australia as a substitute for the color orange. Context_7 : Nose, Iranian Style is a 2005 Iranian documentary film directed by Mehrdad Oskouei. It is about nose jobs (rhinoplasty) in Iran, which statistically has the most of any country. The documentary employs a semi-comedic tone, with the title referencing the earlier film "Divorce, Iranian Style". "Nose, Iranian Style" relates the trend to politics, with it and the 2007 documentary "" connecting it to the importance of appearance, given the taboo of men and women directly and socially interacting. However, Oskouei said the film was truly a critique of excessive consumerism. Context_8 : Gweilo or gwailou (, pronounced ] ) is a common Cantonese slang term for Westerners. In its unmodified form, it applies only to European ethnicities and has a history of racially deprecatory use. Cantonese speakers frequently use "gwailou" to refer to Westerners in general use, in a non-derogatory context, although whether this type of usage is offensive is disputed by both Cantonese and Westerners alike. Context_9 : Beard is a slang term describing a person who is used, knowingly or unknowingly, as a date, romantic partner (boyfriend or girlfriend), or spouse either to conceal infidelity or to conceal one's sexual orientation. The American slang term originally referred to anyone who acted on behalf of another, in any transaction, to conceal a person's true identity. The term can be used in heterosexual and homosexual contexts, but is especially used within LGBT culture. References to beards are seen in mainstream television and films, and other entertainment. Context_10 : "Ducking" is a prison slang term for a technique through which prisoners modify the behavior of correctional officers and other prison staff members using manipulation and coercion. The prison slang term for a prison staff member that has been manipulated is a "duck". fact_1 :  The title is a reference to the Cantonese slang term "Gweilo" (鬼佬), meaning "ghost man", used for white people. fact_2 : Gweilo or gwailou (, pronounced ] ) is a common Cantonese slang term for Westerners. Question: Ghosts is a film with the title referencing to a slang term for what?

Answer: Westerners


Question: Context_1 : "Un bel dì vedremo " ("One fine day we’ll see") is a soprano aria from the opera "Madama Butterfly" (1904) by Giacomo Puccini to a libretto by Luigi Illica and Giuseppe Giacosa. It is sung by Cio-Cio San/Madama Butterfly (on stage with Suzuki), when she imagines and performs the return of Pinkerton on a white ship, signalled by a thread of smoke on the far horizon. Context_2 : Acis et Galatée ("Acis and Galatea") is an opera by Jean-Baptiste Lully. Unlike most of his operas, which are designated "tragédies en musique", Lully called this work a "pastorale-héroïque", because it was on a pastoral theme and had only three acts (plus a prologue) compared to the usual five. Otherwise, there is little musically or dramatically to distinguish it from Lully's "tragédies". Context_3 : Emilio Venturini (1878 - 1952) was an Italian operatic lyric tenor known for his portrayal of character roles. He made his professional opera debut in 1900 in Italy where he remained for the next several years. In 1901 he sang the role of Brighella in Mascagni's "Le maschere" at the Teatro Regio in Turin. He made his La Scala debut in 1903 as Froh in Wagner's "Das Rheingold" and sang in the premiere of Umberto Giordano's "Siberia". In 1904, he originated the role of Prince Yamadori in Puccini's "Madama Butterfly" at La Scala. In 1905, Venturini joined the roster of the Opéra National de Paris. In 1907 he moved to London to sing with Royal Opera at Covent Garden. In 1910, Venturini became a member of the Chicago Opera Association where he performed roles until the summer of 1917. While in Chicago he sang mostly character parts but did sing some major roles like Turiddu in "Cavalleria rusticana", Edgardo in "Lucia di Lammermoor" and the Pinkerton in "Madama Butterfly". In 1911 he sang the roles of Cassio in Verdi's "Otello" and Spoletta in Puccini's "Tosca" at the Metropolitan Opera. Venturini also returned to Italy for brief periods in 1910, 1911, and 1916 to perform roles with the Teatro Massimo in Palermo. In 1921, Venturini joined the roster at La Scala and sang roles with that opera house until 1948. He notably originated the roles of Il Tempiere in Boito's "Nerone" in 1924 and Pang in Puccini's "Turandot" in 1926. and was the first to record the role of Nereo in Boito's "Mefistofele" in the 1931 La Scala recording. Context_4 : "The Dancing Girl" (舞姫 , Maihime ) was the first published short story by the Japanese writer Mori Ōgai. The story first appeared in "Kokumin no Tomo" (People's Friend, 国民之友) in 1890, and is based on Mori's own experiences as a medical student in Germany. In some ways, this tale foreshadows Puccini's "Madama Butterfly", which deals with a similar theme but with a slight role reversal: in "Madama Butterfly", a Western man abandons a Japanese woman, while in "The Dancing Girl" a Japanese man leaves a Western woman. Context_5 : Madame Butterfly (Italian: Madama Butterfly ) is a 1954 Italian-Japanese musical film directed by Carmine Gallone and starring Kaoru Yachigusa, Nicola Filacuridi and Michiko Tanaka. It is based on the opera "Madama Butterfly" by Giacomo Puccini. Context_6 : Zheng Cao (July 9, 1966February 21, 2013) was a Chinese-born, American operatic mezzo-soprano known for her signature role of Suzuki in "Madama Butterfly". She performed this role with opera companies such as San Francisco Opera, Grand Théâtre de Genève, Pittsburgh Opera, Vancouver Opera, Washington National Opera, San Diego Opera, and under the baton of Seiji Ozawa with the Boston Symphony Orchestra. Her portrayal of the role of Cherubino in "The Marriage of Figaro" also earned her recognition at several American opera companies, including San Francisco Opera, Pittsburgh Opera, and Houston Grand Opera. She died from lung cancer in San Francisco, California in 2013. Context_7 : Madama Butterfly (] ; "Madam Butterfly") is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. Context_8 : The story of the love of Acis and the sea-nymph Galatea appears in Ovid's "Metamorphoses". There the jealous Cyclops Polyphemus, who also loves Galatea, comes upon them embracing and crushes his rival with a boulder. His destructive passion comes to nothing when Galatea changes Acis into a river spirit as immortal as herself. The episode was made the subject of poems, operas, paintings and statues in the Renaissance and after. Context_9 : Madame Butterfly: A Tragedy of Japan is a play in one act by David Belasco adapted from John Luther Long's 1898 short story "Madame Butterfly". It premiered on March 5, 1900, at the Herald Square Theatre in New York City and became one of Belasco's most famous works. The play and Long's short story served as the basis for the libretto of Puccini's 1904 opera, "Madama Butterfly". The title role was originally played in New York and London by Blanche Bates; in 1900–01 in New York by Valerie Bergere; and in 1913 by Clara Blandick. Context_10 : Acis and Galatea (HWV 49) is a musical work by George Frideric Handel with an English text by John Gay. The work has been variously described as a serenata, a masque, a pastoral or pastoral opera, a "little opera" (in a letter by the composer while it was being written), an entertainment and in the New Grove Dictionary of Music an oratorio. The work was originally devised as a one-act masque which premiered in 1718. fact_1 :  The work was originally devised as a one-act masque which premiered in 1718. fact_2 : Madama Butterfly (] ; "Madam Butterfly") is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. Question: Which opera originally consisted of more acts, Acis and Galatea or Madama Butterfly?

Answer:
Madama Butterfly