In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: Who started the brand whose female character the photo beside Kent Brockman on the news has him modeled after? Passage 1:Roberts played youth football for Cessnock before joining APIA Leichhardt in the New South Wales State League. He played at APIA in 1964 and 1965. In 1966, he travelled to England to trial with Football League Division One team Chelsea. After the unsuccessful trial he was signed by Blackburn Rovers in April 1966. Roberts played three times for Blackburn in the 1965–66 season, returning then to APIA where he played the remainder of the 1966 season. He was sent out on loan in August 1967 to Chesterfield in the Football League Fourth Division, where he played 46 matches during the 1967–1968 season. In 1968, he was signed by Bradford City; there he made 44 appearances between 1968 and 1970, and played in the team that won promotion from the Fourth Division to the Third Division in 1969. In early 1971 he transferred to Southend United, and at the end of the 1971–1972 season moved to Northampton Town, staying there for one season and playing 13 times.
 Passage 2:The first domestic title PAOK won, was the 1971–72 Greek Cup. PAOK eliminated Pierikos, Aias Salamina, local rivals Aris in the quarter-finals with a 2–1 victory at Kleanthis Vikelidis Stadium and progressed to the final with their semi-final victory over Lamia. This time PAOK would face league champions Panathinaikos who also reached the 1971 European Cup Final. The final was played once again in Athens at Georgios Karaiskakis Stadium. PAOK players had 10,000 fans on their side and they vowed that it was about time to return with the trophy at Thessaloniki. It was the sixth final for the Double-Headed Eagle of the North and the fifth time that they traveled to Athens for the trophy match. PAOK won the game 2–1 with Koudas scoring both goals. In the second half, a magnificent bicycle kick of Matzourakis found the net, but the goal was surprisingly disallowed by referee Michas. PAOK triumph and 1st Greek Cup title was widely celebrated by the fans at Thessaloniki.
 Passage 3:While telling Bart and Lisa about 1990, Homer says, "Tracey Ullman was entertaining America with [...] crudely drawn filler material." This is a reference to The Simpsonss debut as "bumpers" airing before and after commercials on The Tracey Ullman Show. The song "Those Were the Days" parodies the opening credits of the television show All in the Family. One of the people who run over the saxophone is a man on a tricycle, who promptly falls over. This is a reference to the show Rowan & Martin's Laugh-In. At the beginning of the flashback, the song "Don't Worry, Be Happy" by Bobby McFerrin can be heard. In the flashback, Dr. Hibbert fashioned his hair and attire like Mr. T in The A-Team. Homer can be seen watching Twin Peaks and The Giant is then shown waltzing with the White Horse. In King Toot's music store, when Homer buys Lisa her first saxophone, there is a guitar in the background that is similar to Eddie Van Halen's "Frankenstrat" guitar. The photo beside Kent Brockman on the news has him modeled after the Coppertone Girl. At the end of the episode, Lisa performs a brief, cruder rendition of the hook of "Baker Street" by Gerry Rafferty on her new saxophone before the music segues into the original song.

3

Question: What age was the cartoonist and painter that White met in 2002? Passage 1:The Mets went on to sweep the Atlanta Braves in the 1969 National League Championship Series, but were heavy underdogs heading into the 1969 World Series against the Baltimore Orioles. Following a 4-1 loss in the series opener with Cy Young award winner Seaver on the mound, it seemed as if the Mets had little chance against the Orioles. However, the Mets bounced back, winning the next four games to capture their first world championship. Besides catching every inning in the post-season, Grote contributed offensively with a single in Game Two to keep a ninth inning rally alive and Al Weis followed with the game-winning hit. With Game Four tied, Grote doubled to start the tenth inning, then pinch runner Rod Gaspar scored the winning run when an errant throw hit J.C. Martin on the wrist. With Grote calling the pitches, the Mets pitching staff held the Orioles hitters to a .146 batting average during the series.
 Passage 2:In 2002, White met the cartoonist and painter Gary Panter, better known as the designer of The Pee-wee Herman Show. They began collaborating on light shows, beginning the third incarnation of the Joshua Light Show, which continues to perform. Beginning with a series of performances at the Anthology Film Archives in 2004, the Joshua Light Show performs at festivals, museums and venues such as the Skirball Center, Abrons Art Center, the Museum of Contemporary Art Detroit, the Hayden Planetarium, the Barbican Centre, UC Davis, and the San Francisco Exploratorium. In 2007, the light show formed a relationship with composer and curator Nick Hallett. The Joshua Light Show has also been featured in museum exhibitions such as "Visual Music" at the Hirshhorn Museum in Washington DC and "The Summer of Love", originating at the Tate Liverpool, then travelling to Frankfurt, Vienna and the Whitney Museum in 2008. The Joshua Light Show's "Liquid Loops" was recently included in the exhibition "60-'69” at the Museum of Modern Art and was acquired by the museum for their permanent collection. In 2014 White collaborated with the artist Guy Richards Smit to create the video/installation/performance project "The Grossmalerman Show."
 Passage 3:Born in Brescia, Italy, he began music lessons at the age of three, initially with the violin, but quickly switched to the piano. At eleven he entered the Milan Conservatory, graduating three years later at fourteen. In 1938, at the age of eighteen, he began his international career by entering the Ysaÿe International Festival in Brussels, Belgium, where he was placed seventh. A brief account of this competition, at which Emil Gilels took first prize and Moura Lympany second, is given by Arthur Rubinstein, who was one of the judges. According to Rubinstein, Benedetti Michelangeli gave "an unsatisfactory performance, but already showed his impeccable technique." A year later he earned first prize in the Geneva International Competition, where he was acclaimed as "a new Liszt" by pianist Alfred Cortot, a member of the judging panel, which was presided over by Ignacy Jan Paderewski.

2

Question: Where was the philosopher born that wrote that the artist "thinks up" his works? Passage 1:All this changed in modern times. Renaissance men had a sense of their own independence, freedom and creativity, and sought to give voice to this sense of independence and creativity. The philosopher Marsilio Ficino wrote that the artist "thinks up" ("excogitatio") his works; the theoretician of architecture and painting, Leon Battista Alberti, that he "preordains" ("preordinazione"); Raphael, that he shapes a painting according to his idea; Leonardo da Vinci, that he employs "shapes that do not exist in nature"; Michelangelo, that the artist realizes his vision rather than imitating nature; Giorgio Vasari, that "nature is conquered by art"; the Venetian art theoretician, Paolo Pino, that painting is "inventing what is not"; Paolo Veronese, that painters avail themselves of the same liberties as do poets and madmen; Federico Zuccari (1542–1609), that the artist shapes "a new world, new paradises"; Cesare Cesariano (1483–1541), that architects are "demi-gods." Among musicians, the Flemish composer and musicologist Johannes Tinctoris (1446–1511) demanded novelty in what a composer did, and defined a composer as "one who produces new songs."
 Passage 2:No Cities to Love was met with widespread critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, it received an average score of 90, based on 39 reviews. Los Angeles Times critic Randall Roberts said "the work commands attention", while Jon Pareles from The New York Times said it was "the first great album of 2015", full of "hurtling, bristling, densely packed, white-knuckled songs that are all taut construction and raw nerve". Robert Christgau gave the record an "A" and felt it may be Sleater-Kinney's best record, while writing in Cuepoint: "Honed back down to punky three-minute songs because the leisure to stretch out is a luxury they can’t presently afford, the music carries the seed of tumult to come, the sense that something or everything could explode without notice just the way this album did." In The Observer, Kitty Empire said the band had executed "pretty much the most perfect comeback of recent years" and sounded "exactly as taut and emotive as they used to." Writing with high praise for Exclaim!, Chris Bilton called the record "a thoroughly raging collection of post-punk anthems that nudges up the powerful perfection of 2005's The Woods at least another notch." Music journalist Graham Reid said it had "all the stabbing energy of Gang of Four, the blazing passion of Siouxsie Sioux and the drama of Hole at their (rare) best". In an interview for Rolling Stone, musician St. Vincent said it was her favorite Sleater-Kinney record so far and "a crowning jewel in their legacy".
 Passage 3:Glutinous rice is the main rice eaten in Laos (see Lao cuisine), the Lao eat more sticky rice than any other people in the world. Sticky rice is considered the essence of what it means to be Lao. It has been said that no matter where they are in the world, sticky rice will always be the glue that holds the Lao communities together, connecting them to their culture and to Laos. Often the Lao will refer to themselves as "luk khao niao", which can be translated as "children or descendants of sticky rice". Sticky rice is known as khao niao (Lao:ເຂົ້າໜຽວ): "khao" means rice, and "niao" means sticky. It is cooked by soaking for several hours and then steaming in a bamboo basket or houat (Lao: ຫວດ). After that, it should be turned out on a clean surface and kneaded with a wooden paddle to release the steam; this results in rice balls that will stick to themselves but not to fingers. The large rice ball is kept in a small basket made of bamboo or thip khao (Lao:ຕິບເຂົ້າ). The rice is sticky but dry, rather than wet and gummy like non-glutinous varieties. Laotians consume glutinous rice as part of their main diet; they also use toasted glutinous rice khao khoua (Lao:ເຂົ້າຄົ່ວ) to add a nut-like flavor to many dishes. A popular Lao meal is a combination of Larb (Lao:ລາບ), Lao grilled chicken ping gai (Lao:ປີ້ງໄກ່), spicy green papaya salad dish known as tam mak hoong (Lao:ຕຳໝາກຫູ່ງ), and sticky rice (khao niao).


1