In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[EX Q]: Review: Journey to the Center of the Earth is the story of some tourists of Hawaii, three of them siblings, and one of them a young British nanny babysitting a dog. When the siblings accidentally drive off in their jeep with the basket of dog biscuits, the nanny follows them (it might've just been safer to purchase more) all the way to the cave the siblings intended to explore (I guess). For some reason, they actually go in the cave and then, when the place starts caving in, they try to get out to no avail, except for the six-year-old sister who they tell to go get help. Meanwhile, the more they move around in the cave, the more they continue to plummet further and further towards the earths cavernous core. And behold, it is here where they find the City of Atlantis and its bizarre alien habitants who are living under the oppressive rule of one alien that doesn't want them asking to many questions about the worlds external to their own.I see that Rusty Lemorande, the named director of the film has provided comments on this film, in which he explains that part of latter half of this film is actually the sequel to Alien in L.A. Well, whatever it was, it was an amazingly cheap movie that I would rank only slightly higher than City Limits (a 1988 sci-fi film also made on a non-existent budget) because at the least ending of this dreadful piece of mostly incoherent film-making that cuts corners where it can aims for some humor and amusement in the last 20 minutes when we finally see what life is like in the alien world at the center of the Earth. I also give it a two star rating rather than one because it was at times, funny, even if only in its subtleties. For example, the aliens asks the British girl if she's an alien and she explains that the Ministry should be sending her work visa shortly. Or when the alien girl finds Bryan and explains that he is in the city of Altantis and he mistakes this for Atlantic City, New Jersey. Little things like that make the idiocy of the first hour or so tolerable. Imagine how great the film could've been though if they had 1) actually intended to make it, and 2) actually had money to make it.I do like how in the end, no one wonders what happened to the little sister who was sent away in the beginning to get help. She'd just be wandering around the Hawaiian caves and not too far from the erupting volcano, mind you. Question: is it a negative review?
[EX A]: yes

[EX Q]: Review: ...and I love it. Lots of special effects, and for a movie that's not made on mega budget, this movie really does great job of creating a fantasy masterpiece. I'm one of the guys who didn't understand the story at all, but this was still a great flick to watch. It's definitely up there in standards surpassing Bored of the Rings, and on par with movies like Harry Potter. Which is saying a lot for a movie again, made on a fraction of the budget of these international hits.One thing I really love about this movie is that it so stretches the envelope of adventure movie to come out of Hong Kong. The topic is exotic and original. Production quality is unlike anything seen coming out of HK for fantasy action movie, and acting is great.One of the best movies to come out of Hong Kong, this is the Infernal Affairs of Hong Kong fantasy movie, and I hope they'll continue working in this area, until they surpass Hollywood adventure movies.Just fantastic. Question: is it a positive review?
[EX A]: yes

[EX Q]: Review: It seems a shame that Greta Garbo ended her illustrious career at the age of 36 with this ridiculous mistaken-identity marital romp. Coming off the success of her first romantic comedy, Ernst Lubitsch's masterful "Ninotchka" (1939), where she was ideally cast as an austere Russian envoy, Garbo is reunited with her leading man Melvyn Douglas for a sitcom-level story that has her playing Karin Borg, a plain-Jane ski instructor who impulsively marries publishing executive Larry Blake when he becomes smitten with her. Once he makes clear that work is his priority, Karin inadvertently decides to masquerade as her high-living twin sister Katherine to test her husband's fidelity when he is back in Manhattan.It's surprising that this infamous 1941 misfire was directed by George Cukor, who led Garbo to her greatest dramatic performance in 1937's "Camille", because this is as unflattering a vehicle as one could imagine for the screen legend. Only someone with Carole Lombard's natural sense of ease and mischief could have gotten away with the shenanigans presented in the by-the-numbers script by S.N. Behrman, Salka Viertel and George Oppenheimer. MGM's intent behind this comedy was to contemporize and Americanize Garbo's image for wartime audiences whom the studio heads felt were not interested in the tragic period characters she favored in the thirties.However, Garbo appears ill-at-ease mostly as the bogus party girl Katherine and especially compared to expert farceurs like Douglas and Constance Bennett as romantic rival Griselda. Photographed unflatteringly by Joseph Ruttenberg, Garbo looks tired in many scenes and downright hideous in her teased hairdo for the "chica-choca" dance sequence. The story ends conventionally but with the addition of a lengthy physical sequence where Larry tries to maneuver his skis on a series of mountain cliffs that unfortunately reminds me of Sonny Bono's death. Roland Young and Ruth Gordon (in a rare appearance at this point of her career) show up in comic supporting roles as Douglas' associates. This movie is not yet on DVD, and I wouldn't consider it priority for transfer as it represents a curio in Garbo's otherwise legendary career. She was reportedly quite unhappy during the filming. I can see why. Question: is it a positive review?
[EX A]:
no