In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

[EX Q]: The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: What news does Nikki get by her agent on the phone?
[EX A]: Answer: she got the role

[EX Q]: In the Spanish countryside, a middle-aged man named HÃ©ctor (Karra Elejalde) and his wife (Candela FernÃ¡ndez) live in a home that they are renovating. HÃ©ctor scans the forest behind their house with binoculars and sees a young woman take off her t-shirt, exposing her breasts. When his wife goes shopping, he investigates and finds the woman on the ground, naked and unconscious. He is then stabbed in the arm by a mysterious man with pink bandages on his face. Fleeing and breaking into a mysterious nearby building, HÃ©ctor contacts a scientist (Nacho Vigalondo) by walkie-talkie, who warns him of the bandaged man and guides him to his location, promising safety. The scientist convinces HÃ©ctor to hide from the bandaged man, who is just outside, in a large mechanical device. However, when he leaves the machine, HÃ©ctor discovers that he has traveled approximately an hour back in time.The scientist explains that the machine is an experimental time travel device, and refers to HÃ©ctor as "HÃ©ctor 2". The scientist tells him that they need to stay where they are and let events unfold. Despite the scientist's warning, HÃ©ctor 2 drives off in a car, passing a cyclist, only to be run off the road by a van, cutting his head, which he wraps using the bandage from his arm wound. The bandage turns pink from absorbing the blood. The cyclist approaches to see if he is all right - it is the woman he earlier saw in the forest. He proceeds to replicate events by making her undress in view of HÃ©ctor 1. When she runs away, he catches her, inadvertently knocking her out. He lays her out naked on the ground and then stabs Hector 1 in the arm when he arrives. The woman escapes. HÃ©ctor 2 returns to his home, where he hears a scream and chases a woman through his house and onto the roof. When he attempts to grab her, she slips and falls to her death. Seeing the body from the roof, HÃ©ctor 2 is horrified, believing he has killed his own wife.HÃ©ctor then contacts the scientist over a walkie-talkie and convinces him to lure HÃ©ctor's past self to the lab with warnings that he is being pursued. Driving to the lab, HÃ©ctor 2 insists that he must travel back one more time, despite the scientist revealing that there is a HÃ©ctor 3, who told him he must stop HÃ©ctor 2 from doing just that.After removing his bandages, Hector 3 convinces the scientist to send him back several seconds before HÃ©ctor 2 appears. He finds a van and runs HÃ©ctor 2 off the road, but crashes as well, knocking himself out. Upon waking, he informs the scientist he has failed and to stop HÃ©ctor 2 by any means. He encounters the woman again, startling her into screaming, though she does not recognize him as her assailant. Since HÃ©ctor 2 has heard her scream, HÃ©ctor 3 and the woman flee to HÃ©ctor's house. They become separated. HÃ©ctor 3 finds and hides his wife, then realizes what has to happen / will happen / has already happened. He finds the woman, cuts her ponytail off, gives her his wife's coat, and tells her to hide upstairs. HÃ©ctor 2 chases her onto the roof. HÃ©ctor 3 sits on his lawn with his wife, as HÃ©ctor 2 accidentally kills the woman, then drives off. Emergency vehicles are heard approaching in the distance., Question: How many Hctors are mentioned here?
[EX A]: Answer: 3

[EX Q]: Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.Robert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.Jimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.In the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.[3][4], Question: Who contemplates turning himself in?
[EX A]:
Answer: Miller