In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

In 1997, Los Angeles is suffering from both a heat wave and a turf war between heavily armed Colombian and Jamaican drug cartels. A Predator watches a shootout between the police and Colombians, observing as Lieutenant Michael R. Harrigan charges into the firefight to rescue two wounded officers and drive the Colombians back into their hideout.While the police wait for a federal task force, the Predator crashes through a skylight and assaults the Colombians. Against orders, Harrigan and his police detectives Leona Cantrell and Danny Archuleta enter the hideout. They find the Colombians have been slaughtered. Harrigan pursues the crazed gang leader onto the roof and shoots him. He catches a glimpse of the camouflaged Predator but dismisses it as an effect of the heat and his acrophobia.At the station, Harrigan is reprimanded by his superiors for his disobedience. He is introduced to Special Agent Peter Keyes, leader of the task force investigating the cartels, and Detective Jerry Lambert, the newest member of Harrigan's team.Later that evening, several Jamaican cartel members enter the Colombian drug lord's penthouse. After they ritualistically murder him, the Predator kills them all. Harrigan's team enter the penthouse where they find the Jamaicans' skinned corpses suspended from the rafters, noting the similarity to the earlier Colombian massacre. Keyes arrives and kicks Harrigan's team out. Archuleta later returns to continue investigating. After he finds one of the Predator's speartip weapons in an air conditioning vent, the Predator kills him. Harrigan vows to bring down Danny's killer, believing they are dealing with an assassin.Forensic scientist Dr. Irene Edwards finds the speartip does not correspond to any known element on the periodic table. Seeking answers, Harrigan meets with Jamaican drug lord King Willie, a voodoo practitioner, in an alley. King Willie tells Harrigan that the killer is supernatural, and that he should prepare himself for battle against him. Harrigan, even more puzzled, leaves the alley, and the Predator kills King Willie, whose head is made into a trophy; from thereon the creature begins to trail Harrigan.Harrigan and his team hear about King Willie's death. Dr. Edwards tells them that she found some blood that came from the slaughter house where Keyes was last seen. Harrigan tells his team to meet him at the slaughter house to investigate. Cantrell and Lambert take the subway to rendezvous with Harrigan but get involved in a mugging on the subway until the Predator attacks them and the other armed passengers. Cantrell herds the passengers to safety while Lambert faces off against the Predator and is killed. The Predator prepares to kill Cantrell but releases her after a quick visual scan of her body reveals that she is pregnant.Arriving on the scene, Harrigan chases the Predator but is stopped by Keyes' men. Keyes reveals that the killer is an extraterrestrial hunter with infrared vision that uses active camouflage and has been hunting humans for sport throughout armed conflicts, the recent one referring to previous events in Central America. Keyes and his team have set a trap in a nearby slaughterhouse, using thermally insulated suits and cryogenic weapons to capture him for study.When the Predator arrives, the trap is sprung. However, the Predator uses his mask to scan through various electromagnetic wavelengths, locates and slaughters the team. Keyes is wounded, but Harrigan attacks the Predator, wounds him, and removes his mask. The Predator kills Keyes with a throwing disc and chases Harrigan to a roof. Harrigan knocks him over the side and finds himself on a narrow ledge with the Predator hanging below. The Predator activates the self-destruct device on his forearm. Harrigan grabs the throwing disc and severs the forearm, rendering the device harmless. The Predator falls through an apartment window, treats his wounds and flees through the building.Harrigan follows him down an elevator shaft and finds a spacecraft in an underground chamber. Inside the ship, the two face off in a final duel, and Harrigan finally kills the Predator with the throwing disc. Several other Predators appear, collecting their dead comrade, and one of them presents Harrigan with an antique flintlock pistol as a trophy. Harrigan escapes from the ship as it takes off and reaches the surface just as the remainder of Keyes' team arrives. Harrigan knows that the creatures will return and continue to hunt on Earth as they have done for centuries.
Where does Harrigan want to meet his team ?

In the year 1900, a depressed writer named Christian begins writing on his typewriter ("Nature Boy"). One year earlier, Christian moved to the Montmartre district of Paris to become a writer among members of the area's Bohemian movement. He encounters performers led by Toulouse-Lautrec; his writing skills allow them to finish their proposed show, "Spectacular Spectacular", that they wish to sell to Harold Zidler, owner of the Moulin Rouge. The group arrives at the Moulin Rouge as Zidler and his "Diamond Dog Dancers" perform for the audience ("Lady Marmalade/Zidler's Rap (Can Can)/Smells Like Teen Spirit"). Toulouse arranges for Christian to see Satine, the star courtesan, in her private quarters to present the work, unaware that Zidler is promising Satine to the wealthy and unscrupulous Duke of Monroth, a potential investor in the cabaret ("Sparkling Diamonds" medley).Satine mistakes Christian for the Duke, and dances with him before retiring to her private chamber with him to discuss things privately ("Rhythm of the Night), but soon learns he is just a writer; by this time Christian has fallen in love with her ("Your Song"). The Duke interrupts them; Christian and Satine claim they were practicing lines for "Spectacular Spectacular". With Zidler's help, Toulouse and the rest of the troupe pitch the show to the Duke with an improvised plot about an evil maharajah attempting to woo an Indian courtesan who loves a poor sitar player ("The Pitch (Spectacular Spectacular)"). The Duke backs the show on the condition that only he may see Satine. Satine contemplates on Christian and her longing to leave the Moulin Rouge to become "a real actress" ("One Day I'll Fly Away"). Christian goes back to Satine to convince her that she loves him ("Elephant Love Medley"). As the cabaret is converted to a theater, Christian and Satine continue seeing each other under the pretense of rehearsing Satine's lines. The Duke becomes jealous and warns Zidler that he may stop financing the show; Zidler arranges for Satine to dine with the Duke that evening, but she falls ill from tuberculosis ("Górecki"). Zidler makes excuses to the Duke, claiming that Satine has gone to confession ("Like a Virgin"). Zidler learns that Satine does not have long to live. Satine tells Christian that their relationship endangers the show, but he counters by writing a secret love song to affirm their love ("Come What May").As the Duke watches Christian rehearsing with Satine, Nini, a jealous performer, points out that the play is a metaphor for Christian, Satine and the Duke. Enraged, the Duke demands the ending be changed so that the courtesan ends up with the maharajah; Satine offers to spend the night with the Duke to keep the original ending. At the Duke's quarters, Satine sees Christian on the streets below, and realizes she cannot go through with this ("El Tango de Roxanne: "Roxanne/Tanguera"). The Duke tries to rape her, but she is saved by Le Chocolat, one of the cabaret dancers, and reunited with Christian, who urges her to run away with him. The Duke tells Zidler he will have Christian killed if Satine is not his. Zidler reiterates this warning to Satine, but when she refuses to return, he finally informs her she is dying ("A Fool to Believe"). Satine tells Christian they can no longer see each other as she will be staying with the Duke ("The Show Must Go On"). Christian tries following her, but is denied entry to the Moulin Rouge, and becomes depressed, even though Toulouse insists that Satine loves him.The night of the show, Christian sneaks into the Moulin Rouge, intending to pay Satine to return his love just as the Duke paid for her ("Hindi Sad Diamonds"). He catches Satine before she steps on stage and demands she tell him she does not love him. Suddenly they find themselves in the spotlight; Zidler convinces the audience that Christian is the disguised sitar player. Christian denounces Satine and walks off the stage. From the rafters, Toulouse cries out, "The greatest thing you'll ever learn is just to love and be loved in return", spurring Satine to sing the song Christian wrote to express their love. Christian returns to the stage, joining her in the song. The Duke's bodyguard tries to kill Christian, but is thwarted, while the Duke's own attempt is stopped by Zidler. The Duke storms out of the cabaret as Christian and Satine complete their song ("Come What May (Reprise)", "Coup d'État (Finale)").After the curtain closes, Satine succumbs to tuberculosis. She and Christian affirm their love before she dies. A year later the Moulin Rouge has closed down, and Christian is writing the tale of his love for Satine, a "love that will live forever" ("Nature Boy (Reprise)").
Who does Toulouse arranges for Christian to see?

It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.

Who runs away?