In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Example Input: Review: WAR, INC. (2008) **1/2 John Cusack, Marisa Tomei, Hilary Duff, Joan Cusack, Ben Kingsley, Dan Aykroyd, Sergej Trifunovic, Lyubomir Neikov, Ned Bellamy, (Voice of: Montel Williams)A hit-and-miss-21st Century "STRANGELOVE"John Cusack  who co-wrote the script with Mark Leyner and Jeremy Pikser  stars as a jaded hit-man named Brand Hauser who is burnt out but decides to follow thru on one final assignment by icing a Middle-Eastern oil minister named Omar Sharif (yes, not THAT Omar Sharif but you get the tone here from this misfire for a laugh) commandeered by the ex-Vice President of The USA (Aykroyd, Cusack's old "Grosse Pointe Blank" co-hort, doing a mean Dick Cheney manqué turn here), enlisting Brand to do the deed under the guise of a Trade Show Producer in mythical Turaqistan (read: Iraq/Afghanistan) for the American private corporation Tamerlane (read: Halliburton). While being briefed Brand is faced with a moment of clarity when he comes across intrepid journalist Natalie Hegalhuzen (Tomei) and eventually falls in love with her. Meanwhile Tamerlane is sponsoring the unlikely union of Eastern European teen sensation Yonica Babyyeah (a surprisingly decent Duff aping her own celebrity with tongue- through-cheek) and the idiot son of the country's leader.What follows is a bold attempt for a 21st Century black comedy a la "DR. STRANGELOVE" but for all intense and purposes there are sadly more misses than hits in this broad try for laughs amidst political message (an unjust war being outsourced by American capitalism, check!) While Cusack riffs on his Martin Blank from the aforementioned "Pointe" he does add some nice touches of his man in black (he does shots of Tabasco sauce to take the edge off), the rest of the cast plays catch up (except sister Joan who is a riot as the high-strung aide- de-camp for Hauser and has one of the film's funniest laugh-out lines: "My mass communications skills are finally paying off") for the most part. Cusack visited the Iraq War earlier this year in the 180 degree different "Grace Is Gone" and here he allows his political views wear on his sleeve ; while admirable overall the film's pace and rhythms are off largely no-thanks to first time filmmaker Joshua Seftel making his directorial debut here (and it is noticeable) except for maybe the well-choreographed fight Hauser is involved with Babyyeah's idiotic fiancé's entourage.A nice attempt yet a misguided failure ; maybe next time Cusack won't try so hard and let the idiocy of war speak for itself instead of doing the heavy lifting by himself. Question: is it a negative review?
Example Output: no

Example Input: Review: Alas, poor Hamlet. I knew him, dear reader, and let me tell thee, THIS VERSION SUCKS! I don't know who of all people put up the money for this flotsam, but I hope that they're proud of themselves. They took THE classic play and turned it into the most boring melodrama imaginable. This version is quite literally so bad, that not even the presence of a great thespian like Maximilian Schell in the title role can save it. This movie's only redeeming quality is that it made great fodder for "MST3K"; Mike, Servo and Crow had a lot of fun with this one.But either way, I'm sure that Shakespeare, had he been alive when they made this, would not have wanted his name associated with it. This "Hamlet" is not even so bad that's it good; it's just plain bad. Absolutely dreadful. Question: is it a positive review?
Example Output: no

Example Input: Review: Chris Rock deserves better than he gives himself in "Down To Earth." As directed by brothers Chris & Paul Weitz of "American Pie" fame, this uninspired remake of Warren Beatty's 1978 fantasy "Heaven Can Wait," itself a rehash of 1941's "Here Comes Mr. Jordan," lacks the abrasively profane humor that won Chris Rock an Emmy for his first HBO special. Predictably, he spouts swear words from A to Z, but he consciously avoids the F-word. Anybody who saw this gifted African-American comic in "Lethal Weapon 4," "Dogma," or "Nurse Betty" knows he can elicit more laughter with the F-word than Martin Lawrence and Eddie Murphy put together. Sadly, despite a few witty one-liners, "Down To Earth" hits Rock bottom both as a contrived comedy and an improbable interracial romance."Down to Earth" utterly destroys any good will that the Weitz Brothers generated with their landmark gross-out face "American Pie." This disposable drivel qualifies as a contrived as well as confusing comedy with a thoroughly improbable color-blind interracial romance. Unfortunately, a more than competent castamong them "The Full Monty's" Mark Addy, Chazz Palminteri of "Analyze This," "SCTV's" Eugene Levy, and newcomer Brian Rhodes as Charles Wellington, Jr.are wasted in flat-footed, sketchy roles. Hardcore Rock fans will undoubtedly accuse their favorite comedian with trying to fix something that was never broken. Abysmally written by Lance Crouther, Ali Le Roi, Louis CK, and Rock, "Down To Earth" casts Chris as a messenger who rides a bike by day in the Big Apple and gets booed off the stage at night in Harlem's celebrated Apollo Theatre. Poor Lance Barton (Chris Rock) suffers from severe stage fright. Nevertheless, his charitable manager Whitney Daniels (Frankie Faison of "Hannibal") sticks with him through thick and thin. After Lance learns the Apollo Theatre will hold one final amateur night extravaganza, he implores Whitney to get him in the line-up. Excuse me, but if Lance is such a deadbeat stand-up comic, why does the Apollo keep inviting him back? Meanwhile, fate has something else in store for Lance. While pedaling home on his bike, our protagonist spots a pretty lady, Sontee (Regina King of "Jerry Maguire"), crossing the street, but he doesn't see the bus that collides with him and kills him. Wham! Lance Barton levitates skyward with a halo wreathed around his head. In Heaven, which resembles a cruise ship nightclub, Lance learns that an overzealous angel, Mr. Keyes (Eugene Levy of "Stay Tuned"), timed his death 40 years ahead of schedule.Heavenly honcho Mr. King (Chazz Palminteri of "Analyze This"), God's right-hand guy, apologizes and escorts Lance back to earth. The snag is Lance cannot reclaim his corpse, so he must inhabit another body. The best that Mr. Keyes can come up with is ruthless, white, 60-year old tycoon Charles Wellington. Wellington's adulterous wife Amber (Jennifer Coolidge of "American Pie") and his unscrupulous personal aide Winston (Greg Germann of "Sweet November") have just tried to poison him. Reluctantly, before Wellington's body vanishes, Lance accepts it conditionally as a loaner until Keyes can locate a more appropriate body. Meanwhile, Lance-as-Wellington encounters Sontee again. She is a nurse activist protesting his decision to privatize a Brooklyn community hospital that serves the poor. While Regina King brings a surfeit of charisma to her role as a crusading health care worker, she plays a character who bypasses credible motivation in her affairs with Wellington. Although he is no longer black, Lance not only tries to woo Sontee but also win a gig at the Apollo."Down To Earth" features Rock in his most unfunny role. The comedian's reason for making this movie seems questionable. Reportedly, he ate lunch with Warren Beatty and told Beatty that he loved the original script that scenarist Elaine May had penned for Beatty. Initially, Beatty tried the race-reversal gimmick himself in his own version by trying to cast Muhammad Ali in the title role of "Heaven Can Wait." The deal fell through, and Beatty headlined the movie himself. According to Rock, his longtime co-writers and he thought that they could 'annihilate' this classic. Moreover, he justified his choice of "Heaven Can Wait" based on his philosophy to "Do Something you can only do when you're hot." Earlier, Rock rejected a script about a busload of touring rappers, because he saw little opportunity to stretch his image in such an outing. As a lifeless comedian in "Down to Earth," Rock doesn't so much stretch his image as he inverts it for the worst! This half-baked concert film with an annoying plot does as much to cremate his comic reputation as it does the Weitz Brothers! You know a film about a comedian is in dire straits when a scene at the nightclub is played so you cannot hear the jokes, only the laughter. Similarly, the casting of Mark Addy as Wellington's butler who speaks the Queen's English but is in reality a commoner from Michigan defies logic, too. Addy is an actual Englishman, and he doesn't have to fake an accent; his accent is genuine. The major overriding quandary with "Down to Earth" is the on-again-off-again, look-a-like switcheroo that the characters make so Chris Rock doesn't disappear completely from the sight for more than a few seconds. Although Chris spends half the movie as white guy Wellington, audiences see him largely as Lance, undercutting the comic irony of watching his stocky, bald-headed, Caucasian white, alter-ego perform ghetto humor and chant derogatory hip-hop lyrics. Incredibly, Rock served double-duty as the film's executive producer and one of its four scribes. The mystery is how such a wealth of talent could grind out such an awkward, misguided muddle of a comedy. About the only redeeming feature of "Down to Earth" is Jamshied Sharifi's superb orchestral film score. Question: is it a positive review?
Example Output:
no