instruction:
In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
question:
Question: What year did Innocnet Oula participate in the Juba Peace Talks? Passage 1:NY 104 begins at NY 384 just east of the Rainbow Bridge in downtown Niagara Falls and heads north and east across the county on its way toward Rochester. From Niagara Falls, the route travels in north-northeasterly direction along the Niagara Gorge as it heads into Lewiston and connects to the Robert Moses State Parkway and serves the Niagara Power Visitors Center, known as the Power Vista. Just north of the Power Vista, NY 104 meets I-190 at exit 25 via Upper Mountain Road (unsigned NY 954P). Continuing on, the highway has a junction with nearby NY 265 before descending the Niagara Escarpment toward the village of Lewiston. As the road heads down the ridge, it intersects the western terminus of NY 18 by way of an interchange.
 Passage 2:Innocent Oula joined the National Resistance Army in 1986 at the rank of captain. He rose through the ranks and has served as a member of UPDF delegation during the ill-fated Juba Peace Talks, at the rank of lieutenant colonel. At the level of colonel, in 2009, he served at the director of training for the UPDF 2nd Division, based at Mbarara, in Western Uganda. From 2010 until 2011, he served as the Chief of Staff of AMISOM, based in Mogadishu, Somalia. On his return from Somalia, he was posted to the 4th UPDF Division headquarters in Gulu, as the commanding officer. He later was appointed chief of personnel and administration in the UPDF, based at the Mbuya Barracks. In January 2014, he was elected to the Parliament of Uganda, as a UPDF representative. In November 2014, he was promoted to the rank of brigadier, along with more than 1,300 UPDF officers who received promotions at the same time.
 Passage 3:Around this time Gussow, a Princeton graduate and English M.A. student at Columbia University, first saw Magee and his trio performing on the corner of 114th Street and Broadway. (Gussow relates the story in his 1998 blues memoir, Mister Satan's Apprentice.) Gussow, a guitarist and harmonica player whose performing experience had previously been limited to a handful of high school and college bands, was galvanized by the encounter. After dropping out of grad school, Gussow spent several years as a part-time street performer in New York and Europe. Gussow's transformation from an academic to a blues player was facilitated by lessons he took from his mentor, New York harmonica virtuoso Nat Riddles, who had performed and recorded with Larry Johnson, Odetta, and others, and by his acculturation into the jam session life at Dan Lynch, a storied East Village juke joint.

answer:
2


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Question: What other artists collaborated on the soundtrack DJ Quik worked on shortly before his friend Mausberg died? Passage 1:"Hurricane!" (episode: 1616 (308)) is a Nova episode that aired on November 7, 1989 on PBS. The episode describes the fury of a hurricane and the history of hurricane forecasting. The episode features footage of Hurricane Camille of 1969 and Hurricane Gilbert of 1988 and behind the scenes footage at the National Hurricane Center as forecasters tracked Hurricane Gilbert from its formation to its landfall in northern Mexico. Meteorologists Hugh Willoughby, Bob Sheets (then director of the National Hurricane Center) and Jeff Masters were shown in the episode. The episode was released on VHS home video under the same episode title and distributed by WGBH Boston video. In 2004, the Nova episode was released on DVD and featured a different cover picture and title style. In 1997, UAV Corp. also distributed the Nova episode under the title "Deadly Hurricanes" which contains additional footage of Hurricane Andrew and Hurricane Iniki of 1992. The UAV version of the episode has since been discontinued.
 Passage 2:In 1998 Quik released Rhythm-al-ism his fourth studio album on Profile Records. This record was certified Gold in 1999, and contained the singles "Hand in Hand (featuring 2nd II None and El Debarge) and "You'z A Ganxta." It featured guest appearances by Nate Dogg, Snoop Dogg, AMG and Suga Free. That year he went on to produce for The Luniz, Shaquille O'Neal, Deborah Cox and Jermaine Dupri. He also produced on The Kingdom Come by rapper King Tee which ultimately never came out due to label problems. He also faced personal and professional tragedy when his nephew murdered his close friend and protégé Darryl Cortez Reed in 1998. In 1999, there was the release of Classic 220 by 2nd II None, in which Quik played a huge part. Production on Gap Band's Y2K: Funkin' Till 2000 Comz album, Snoop Dogg's No Limit Top Dogg,  and Deep Blue Sea (soundtrack). This was compounded by the death of another friend and rapper Mausberg, subsequently murdered in 2000. That year, saw the release of rapper Mausberg's album, and DJ Quik's Balance & Options. Also production with Whitney Houston, Erick Sermon, 8Ball & MJG, Xzibit and AMG.
 Passage 3:William Briwere was granted the lordship of the Manor of Bridgwater by John of England in 1201, and founded Bridgwater Friary. Through Briwere's influence, King John granted three charters in 1200; for the construction of Bridgwater Castle, for the creation of a borough, and for a market. Bridgwater Castle was a substantial structure built in Old Red Sandstone, covering a site of 8 or 9 acres (32,000 to 36,000 m²). A tidal moat, up to wide in places, flowed about along the line of the modern thoroughfares of Fore Street and Castle Moat, and between Northgate and Chandos Street. The main entrance opposite the Cornhill was built with a pair of adjacent gates and drawbridges. In addition to a keep, located at the south-east corner of what is now King Square, documents show that the complex included a dungeon, chapel, stables and a bell tower. Built on the only raised ground in the town, the castle controlled the crossing of the town bridge. A thick portion of the castle wall and water gate can still be seen on West Quay, and the remains of a wall of a building that was probably built within the castle can be viewed in Queen Street. The foundations of the tower forming the north-east corner of the castle are buried beneath Homecastle House. William Briwere also founded St John's hospital which, by the time of the Dissolution of the Monasteries under Henry VIII, was worth the substantial sum of almost 121 pounds, as well as starting the construction of the town's first stone bridge. William Briwere also went on to found the Franciscan Bridgwater Friary in the town.

answer:
2


question:
Question: What country did the 9th Armored Division land in during September 1944? Passage 1:The rates of Crohn disease and ulcerative colitis are increased when compared with the general population, by a factor of 3.8 and 7.5 respectively. People with psoriasis also have a higher risk of celiac disease. Few studies have evaluated the association of multiple sclerosis with psoriasis, and the relationship has been questioned. Psoriasis has been associated with a 16% increase in overall relative risk for non-skin cancer. People with psoriasis have a 52% increased risk cancers of the lung and bronchus, a 205% increase in the risk of developing cancers of the upper gastrointestinal tract, a 31% increase in the risk of developing cancers of the urinary tract, a 90% increase in the risk of developing liver cancer, and a 46% increase in the risk of developing pancreatic cancer. The risk for development of non-melanoma skin cancers is also increased. Psoriasis increases the risk of developing squamous cell carcinoma of the skin by 431% and increases the risk of basal cell carcinoma by 100%. There is no increased risk of melanoma associated with psoriasis. People with psoriasis have a higher risk of developing cancer.
 Passage 2:Jonathan Widran of AllMusic said "It's too early in her career to know whether this powerhouse singer/songwriter will ever reach the heights of Contemporary Christian Music's other Grant, but a bevy of top producers come on board this sparkling debut to launch Natalie Grant towards this goal. All of these studio wizards (Eric Foster White, Tommy Sims, and Michael Lloyd) are better-known for their secular pop music, and the variety of atmospheres they create poise Grant for crossover pop success. It also helps that the lyrics Grant sings are designed as inspirational, rather than preachy. Torchy tracks like 'I Am Not Alone' and rock-driven anthems like 'I Will Be' could definitely lead both teenagers looking for substance, and adult contemporary audiences, to a deeper examination of important spiritual issues. Grant's wide-ranging pipes (yes, think potential diva) would surely sound great without all the production energy, but nearly every up-tempo tune here is an irresistible mix of pop/rock and modern soul flavors. The title track is all thump and hook, and some of the vocal texturing will remind fans of Point of Grace. Another POG-like tune, 'Days Like These', is driven by jangly alternative pop guitars. A few tracks touch on simple exotica, most notably "Love Without Limits" with its swirling flamenco strings. Amidst the playful spirit is Grant's most heartfelt tune, a lush and teary, almost breathless tribute to her father, 'Always Be Your Baby' This tune alone indicates that we're dealing with a major new talent whose deeper life extends from the spiritual into the musical." Christianity Todays Russ Breimeier stated "In a relatively short time Natalie Grant has earned a reputation for three things rather unique to her five-year career. First, she's released every album on a different record label. Both Benson and Pamplin have since closed their doors—'the curse' will likely end with Curb, which is relatively secure under the wings of Warner Brothers' Christian Music Division. Second, the Seattle-born artist is well-known for her protestations about being labeled a 'pop diva'. There is typically a negative connotation to the 'd'-word that flies in the face of Natalie's humble servant attitude and her desire to focus her music on the goodness of God. Unfortunately for her, the diva label is an apt description of her musical styling, which leads into the third unique trait. Despite her diminutive size, Natalie has an impressively big voice with enough nuance to hold her own among any of the classic pop divas (Mariah Carey, Celine Dion, Whitney Houston, take your pick), earning her multiple Dove nominations for Female Vocalist of the Year. Undeterred by collapsing record labels and pop music stereotypes, Natalie admirably presses on with Deeper Life, her third effort, by stretching her own artistic skills. Her previous album, Stronger (released in 2001), featured her first attempts at songwriting by co-writing a handful of tracks. On Deeper Life, she co-writes nearly every song. Additionally, Natalie steps up as co-producer of this album, joining a slew of A-list pop producers and songwriters: Tommy Simms (CeCe Winans, Anointed), Eric Foster White (Jessica Simpson, Whitney Houston), Bryan Lenox (Michael W. Smith, Ronnie Freeman), Bernie Herms (Plus One), and Rob Graves (songwriter and guitarist on Joy Williams's By Surprise). The approach on this project was to create an album that relied less on programmed pop and more on live musicians, and the results are indeed stunning. I daresay this is Natalie's best-sounding album yet. But we must keep it in perspective. This is still R&B-flavored; adult contemporary pop a la Mariah Carey, Jaci Velasquez, Kelly Clarkson, Jessica Simpson, and many others. It is most certainly not (as suggested by the press bio) the classic rock sound of Sheryl Crow or the modern pop/rock of Avril Lavigne. Christian adult contemporary and inspirational pop speaks for itself—some find it meaningful and poignant, while others find it clichéd and boring. In that spirit, the songs of Deeper Life are best explored for what they are—you'll know by the titles, lyrics, and styles if this music matches or offends your tastes. Nevertheless, there's no getting around Natalie's vocal prowess or the superior production, which means you're bound to be impressed with Deeper Life if you enjoy first-rate pop." Heather Marsden of Cross Rhythms claimed "This is Natalie Grant's third album and is positive proof that her new home at Curb Records is working well for her. The album opens with the upbeat title track 'Deeper Life', a poppy feel good song that's easy to pick up and sing along. 'Days Like These' and 'I Will Be' are in a similar style without being repetitions of the first song. The songs 'That's When I Give Up (On Loving You)', 'Live for Today' and 'I Desire' have a more acoustic rock kind of sound—similar to that of Michelle Branch. The bonus track 'No Sign of It' has been featured in the new Gwyneth Paltrow film View from the Top. Deeper Life contains some of Grant's best work, it's a great record with a good message, sure to please her growing number of fans and draw in some new ones." JesusFreakHideout's Shaun Stevenson remarked "Things haven't always been easy for Natalie Grant. After changing record companies twice, Grant has finally found a home with Curb Records. And now, with the release of Deeper Life, Grant is sure headed in the right direction with a solid third album. Albums are always opening with something upbeat these days, and Deeper Life opens things off in the right direction. With plenty of signature Grant sounds, the song really reflects what this album is all about: seeking the deeper life in Jesus Christ. Natalie Grant sure has something going for her. With this newest album, containing some of her strongest work to date, she's really outdone herself. A solid record, a solid message, and a solid musical base, Deeper Life is sure to please fans of Grant's previous work, and it's also sure to bring in new listeners. Trouble has come to Natalie Grant in the past, but now, there's no sign of it, and her skies are definitely clear today."
 Passage 3:The 9th Armored Division landed in Normandy late in September 1944, and first went into the line, 23 October 1944, on patrol duty in a quiet sector along the Luxembourg-German frontier. When the Germans launched their winter offensive on 16 December 1944, the 9th, with no real combat experience, suddenly found itself engaged in heavy fighting. The Division saw its severest action at St. Vith, Echternach, and Bastogne, its units fighting in widely separated areas. Its stand at Bastogne held off the Germans long enough to enable the 101st Airborne Division to dig in for a defense of the city. After a rest period in January 1945, the Division prepared to drive across the Roer River. The offensive was launched on 28 February 1945 and the 9th crossed the Roer to Rheinbach, sending patrols into Remagen. On 7 March 1945, elements of the 9th Armored found that the Ludendorff Bridge was still standing. When German demolition charges failed to bring the bridge down, they crossed it, disarming and removing the remaining charges, which could have exploded at any time. The Division exploited the bridgehead, moving south and east across the Lahn River toward Limburg, where thousands of Allied prisoners were liberated from Stalag XIIA. The Division drove on to Frankfurt and then turned to assist in the closing of the Ruhr Pocket. In April it continued east, encircling Leipzig and securing a line along the Mulde River. The Division was shifting south to Czechoslovakia when the war in Europe ended on 9 May 1945. All units of CCB/9 AIB of the 9th Armored Division were awarded the Presidential Unit Citation for their actions in taking and defending the Ludendorff Bridge during the Battle of Remagen in World War II.

answer:

3