instruction:
Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.
question:
CONTEXT: They get affected by lightning just like anyone else would be - they're still human (ok, metahuman). The lightning strike PLUS the dark matter released by the particle accelerator explosion is what turned Barry into the Flash and gave him access to the Speed Force. As we've seen before with other metas who harness electrical powers, Barry can still take an electrical hit and be hurt by it, and lightning is just a large electrical charge. So in summary, yes - if he's hit by lightning it's perfectly understandable that his heart might be stopped by it.  <sep>  Q: Why does lightning hit affects speedsters? A: As we've seen before with other metas who harness electrical powers, Barry can still take an electrical hit and be hurt by it, and lightning is just a large electrical charge  Q: How would an injured Flash be resuscitated if they were struck by lightening ? A: They get affected by lightning just like anyone else would be - they're still human (ok, metahuman  <sep> FOLLOWUP_Q: Are Flash and Barry Allen the same person?
answer:
No


question:
CONTEXT: Carol had no problem understanding the guard. And the guard had no problem understanding her. The issue that Carol thought she had, was caused by pure confusion on the guards side, as the guard just witnessed some pretty freaky stuff and was still shocked by it. The guard simply didn't respond in a timely manner (actually not really at all), which made Carol think that the guard didn't understand her.  <sep>  Q: Why is Carol unable to understand English? A: Carol had no problem understanding  Q: Is her "universal translator" working? A: The guard simply didn't respond in a timely manner (actually not really at all), which made Carol think that the guard didn't understand her  <sep> FOLLOWUP_Q: Did she understand the security guard?
answer:
Yes


question:
CONTEXT: I'm sure scenes like this have been shot differently in different movies, but I have noticed that mostly the shots are faked. One option is to have the helicopter on the ground, with the engine off and the propellers stationary. The actors are inside. The camera operator moves around outside the helicopter to make it look like it's up in the air. Often, the camera is tilted upwards, shooting the actors slightly from underneath, to give a sensation of them being above the camera / viewer. The grounded helicopter may also be mounted on a moving platform to tip, raise and lower the helicopter to give the actors inside the actual sensation of movement, so their bodies shift believably. This can be shot outdoors, with actual sky in the background, or in front of a green screen, where fake sky and terrain is put in afterwards, along with a CGI propeller and reflections on the glass windshield. Another approach would be to shoot the helicopter actually in flight, and overdub the actors' dialog afterwards. In most cases, this would be more difficult and expensive.  <sep>  Q: How are helicopter scenes shot in TV/Film? A: One option is to have the helicopter on the ground, with the engine off and the propellers stationary  Q: How are scenes wherein the characters have a dialogue inside a helicopter as well as interact with the environment outside it, shot? A: The actors are inside. The camera operator moves around outside the helicopter to make it look like it's up in the air  Q: Do they use drones for this? A: Often, the camera is tilted upwards, shooting the actors slightly from underneath, to give a sensation of them being above the camera / viewer  Q: Does it show the ground? A: The grounded helicopter may also be mounted on a moving platform to tip, raise and lower the helicopter to give the actors inside the actual sensation of movement  Q: Is the dialogue shot separately on the ground and the rest of it shot midair with overhanging cameras? A: Another approach would be to shoot the helicopter actually in flight, and overdub the actors' dialog afterwards  <sep> FOLLOWUP_Q: What is overdub?
answer:

No