In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[Q]: when i watch a movie like mike nichols ' what planet are you from ?
i ca n't help but feel like everyone is looking at me .
it 's as if all the audience is gazing at the back of my head in the darkness , eyes shooting daggers , quietly blaming me for the fact that they paid hard - earned money to spend their time watching this . . .
this .
. .
thing .
i shift uncomfortably in my seat .
i 'm reminded of how i feel when i see a pair of second- or third - rate celebrities engaging in a teleprompted " funny " conversation to introduce the next blockbuster award .
it 's not my fault , i know it 's not my fault , but dammit ,
someone 's got ta be embarrassed , because it does n't look like anyone on the screen is ready to take the blame .
i 'm about to give you a list of names of people who are gon na make a movie together : garry shandling , annette bening , john goodman , greg kinnear , mike nichols .
do any of these names make you instantly shudder ?
the answer i would have come up with before today is no , this is quite a list of talented individuals we 've got here .
granted , john goodman was in the flintstones , and greg kinnear has turned in some less - than - lackluster leading man performances in certified failures like a smile like yours , but even so , they 've got proven power as excellent supporting players .
garry shandling has two television classics under his belt , his ingenious little
it 's garry shandling 's show and the larry sanders show .
and for god 's sake , mike nichols directed the graduate , and annette bening is just walking away from american beauty .
so explain this .
. .
this .
. .
thing .
what planet are you from ?
purports to be a comedy exploring the relationship between men and women satirizing the whole pop - psychology mars / venus phenomenon .
but what this movie winds up being is a collection of unfunny cringe - inducing moments coupled with uninsightful cringe - inducing moments ; the end result is , unsurprisingly , an unfunny , uninsightful , cringe - inducing , thoroughly icky embarrassment .
garry shandling plays an alien from a planet populated by technologically advanced but emotionally vacant males
( they reproduce through cloning , of course ) .
his leaders put a select group of males through a series of tests designed to determine which one is most fit to fly off to earth , find a female of the species , and impregnate her .
they 're taught how to pretend that they 're listening by nodding and saying " uh - huh , " and how to compliment shoes .
imagine my delighted surprise when , oh heavens , all their carefully practiced tactics turn out to fail miserably , producing comedic results !
the lucky winner is fitted with a penis ( since theirs , after generations of disuse have long since shrunk out of existence . . .
i will restrain myself from mentioning the implausibility of such a scenario since the population has stopped evolving due to the fact that they 're all just clones . . .
whoops , too late . )
the penis , when aroused , tends to make a humming noise .
the writers , when frequently strapped for ideas , tend to turn to this as a source of " comedy .
"
it is n't funny the first time .
it is n't funny the eighth time .
it is n't funny the eighteenth time .
if anything , it made me feel vaguely self - conscious .
garry meets up with a coworker at a bank played by greg kinnear , who turns out to be a generic , unlikable scumbag .
he 's meant to fill the part of unfortunate role model for shandling 's alien character , but he 's so flatly drawn that even the writers quickly give up and toss him aside .
kinnear 's scumbagginess is demonstrated by the fact that he claims other peoples ' work as his own to worm his way into a vice presidents ' position and goes to aa meetings to pick up chicks .
wow .
what a magnificent bastard .
nearly every man in the movie , in fact , is played as the same sort of sex - driven slimeball .
when kinnear 's wife walks into the office , there is n't a single guy who does n't trip , bump into a wall , or otherwise pratfall as if they 'd never seen a woman before .
the few guys that are n't particularly slimeballs , such as john goodman 's detective character , are simply uncommunicative workaholics .
shandling meets up with annette bening , who will inevitably prove to be the love he never knew existed , at one of kinnear 's aa meetings .
shandling 's mission is to have a baby , and when he reveals his desires to her , bening instantly falls for him , and the next day . . .
they get married .
yup .
the next day .
cuz ya see , it turns out she wants a baby too !
bening 's character perhaps was the most difficult to watch , especially after seeing her come apart at the seams so effectively in american beauty . . .
if her character here is supposed to be representing the female of the species as a whole , then woe , i say , to the species .
she 's unfathomably insecure , and succumbs so easily to all of shandling 's lines and lies that it borders on tragic .
there 's a point where , after thinking she may not be able to bear children , she learns that she is indeed pregnant .
when garry comes home after nearly cheating on her , she strolls into the kitchen and sings " high hopes " ( you know , the uplifting ant and the rubber tree plant song ) to deliver the news , and then says to him , " now you ca n't leave me .
"
we 're supposed to empathize with shandling 's discovery of the feeling of " guilt , " but instead i wanted to weep for bening that she was placing her entire life and soul firmly in the lap of a great big nothing .
and eventually , shandling falls in love with her . .
.
for real , i suppose , though i 'm not sure exactly what prompted it .
what 's the message i derive from all this ?
men are liars , inherently empty creatures , but if you hang around long enough . .
.
well , maybe something will click .
ha ha .
. .
ha ?
i 'm thankful such broad cynicism is n't frequently allowed to run so rampant .
let 's all join hands and pray that the planet these folks are from is not this one .
there 's also a subplot involving john goodman as an airline incident investigator that wades in the bog of stupidity .
goodman , through a series of astoundingly implausible realizations , puts together the fact that shandling is a being from another world with a magic , vibrating penis .
it has all the makings for a subplot of having shandling be discovered , that , thankfully , never comes to the inevitable hackneyed fruition .
instead , it just dangles limply on the branch for a while , withers , and falls away .
further proof that goodman should just stick to doing coen brothers movies .
but let 's not dwell on this any longer , i 've already wasted plenty of your time and my own .
let 's move on , forget about what we 've seen here , and get on with our lives .
and to help us out , let 's end things on a happy note .
. .
congratuations go out to annette bening , winner of this week 's " title !
" award , for delivering the awkward line of dialog containing the movie 's name .
[A]: N


[Q]: the camera zooms in incredibly close .
it focuses on the closed eyes of a person presumed dead .
all of a sudden , with a thunderous sound effect and an eerie sounding musical pulse , his eyelids open .
the camera zooms in incredibly close .
it focuses on one of the characters desperately running for her life .
then , with a thunderous sound effect and an eerie sounding musical pulse , she bumps into the killer .
the camera zooms in incredibly close .
it focuses on a door from where seemingly strange sounds emanate .
all of a sudden , with a thunderous sound effect and an eerie sounding musical pulse , the doors swing open to reveal what 's inside .
close - up thrill - shots such as these seemed to elicit more laughter from the audience rather than genuine fear , which is a pretty good sign that you 're not watching the thriller that the director had originally envisioned
.
rather , you adopt the opinion that the characters are so goofy and
so unaware of the trouble that they 're in , that you stop caring
about who lives , who dies and where the story goes .
instead , you become more interested in how the characters get killed off .
the four young teenagers who are the potential sacrificial lambs for this movie are helen and barry and julie and ray - two couples and dear friends to one another .
during the summer just after high school graduation , they take a fateful drive down a dark mountain highway .
suddenly , without warning , their car hits someone whom the teens presume was killed as a result of that collision . fearing jail time and possible manslaughter charges if they confess , they instead decide to dump the body into the ocean and make a pact never to discuss the episode again .
a year goes by and things among the four friends begin to change .
relationships fizzle , future dreams crumble , and attitudes change .
but , they can not forget what they did .
and apparently , neither can someone else .
someone begins to send letters to all four of the teens with the frightening message : " i know what you did last summer .
"
the letter - writer ( a figure in a rubber slicker wielding a large metal hook ) soon makes his presence known and begins to hunt down the four teens .
it 's now up to the four of them to try to figure out who the killer is before it 's too late .
while this movie has some nice visually eerie effects , too much of it 's impact had to be generated with extreme close - ups , while the level of suspense was choppy at best .
there is so much more that this movie could have been , but decided to give us nothing but cheap thrills .
it could have been a clever whodunit , but discovering who ultimately was the killer made me just shrug my shoulders .
it could have explored the changed friendships after a year of adulthood , but seemed to only include that aspect to add 15 more minutes to the film .
it could have given us smarter characters who knew that anytime you 're alone and you see shadowy figures moving about , you do n't walk towards them yelling " hello " .
once you yell " hello " , you can expect an extreme close - up , a thunderous sound effect and an eerie sounding musical pulse .
it 's difficult to be in suspense when you know what 's about to happen .
the only redeeming aspect of the movie is that i now have a neat idea for a halloween costume , but i 'm not sure if the local costume store sells rubber slickers and hooks .
the horror that i experienced from this film is realizing that i actually went to see it .
[A]: N


[Q]: this film is extraordinarily horrendous and i 'm not going to waste any more words on it .
[A]:
N