instruction:
In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.
question:
Question: Which Bristol City F.C. manager that Goodfellow played for had a longer tenure with the club? Passage:He made only a handful of appearances at the Britannia Stadium in 2003–04, though he earned a £50,000 move to Bristol City in the January transfer window. He played in the play-off final defeat to Brighton & Hove Albion, replacing defender Tony Butler on 88 minutes as manager Danny Wilson made a late attempt to save the game. He did not feature heavily at Ashton Gate and instead was loaned out to Port Vale in October 2004. The next month Swansea City manager Kenny Jackett was on the lookout for a quality winger, Goodfellow meanwhile was prepared to go out on loan to the League Two club. Jackett managed to persuade City to allow Goodfellow to join the "Swans" on loan. He impressed at the Welsh club and his loan spell was extended the following month. However, he was quickly recalled to Ashton Gate after a spate of injuries at the Bristol club. Soon after Swansea attempted to buy Goodfellow off City, however, City manager Brian Tinnion informed Goodfellow he still had a future at the club. Tinnion was expecting at least what they paid Stoke for him and Swansea were unable to comply. In March 2005 he joined Colchester United on loan until the end of the season and scored once against Peterborough United.

answer:
b


question:
Question: How old was the writer who gave the band a cryptical review in the Village Voice? Passage:While in London performing at The Rainbow Theatre, Dingwall's, and trendy Cabaret Futura, the Bongos recorded their early singles and their well-received debut EP Time and the River for UK-based Fetish Records. Cover designs for their Fetish releases were created by influential graphic artist Neville Brody, who was soon to become the designer of The Face magazine. The group's love of avant-garde performers brought them in touch with artists such as Throbbing Gristle and Clock DVA who performed with them live in London, and on their recordings. Their debut U.S. album, Drums Along the Hudson, compiled from the band's British singles, was released in 1982 to widely favorable reviews on both sides of the Atlantic. While Trouser Press suggested that the group "may trade a certain amount of substance for easy appeal," it added that "there's no better musical equivalent of whipped cream anywhere." Writing in the Village Voice, Robert Christgau dryly commented that "for all their jumpy originality [the songs are] still slight, and Richard Barone's lyrics are so oblique you have to wonder what his angle is." In 2007 however, Jim DeRegotis wrote in the Chicago Sun-Times: "The initial impression of naiveté is offset by deceptively simple lyrics that actually hint at deep, dark mysteries and unfathomed mystical enigmas." The group's cover of T. Rex's "Mambo Sun" reached No. 22 on the Billboard Dance Chart. A thriving Hoboken pop scene emerged, triggered by the Bongos and Maxwell's, which gained national media attention, and drew many bands and fans to the city. An August 1, 1982 article in the New York Times Real Estate section hinted at the scene's popularity as an influence on increasing rents and property values.

answer:
b


question:
Question: Did Murphy ever work with Mackenzie again at the Theatre? Passage:In Tokyo, he met Rev. Gilbert V. Hartke, O.P., who was touring with Players Incorporated (now National Players) which Hartke had established at Catholic University in Washington, D.C. Murphy subsequently earned a Master's Degree in Speech and Drama at C.U. on the G.I. Bill under Hartke. He acted and did technical work with the Players at St. Michael's Summer Theatre in Winooski, Vermont. He later earned a PhD in Theatre and Psychology on a Ford Foundation Fellowship at the University of Wisconsin–Madison. He was Lighting Director at Starlight Theatre in Kansas City, Missouri for two summers, where he worked with Jeanette MacDonald, Gisèle MacKenzie, Penny Singleton and Charles Nelson Reilly. He was an Assistant Director at NBC-TV Channel 4 in Washington for one summer, where he worked with puppeteer Jim Henson, then a college student. He studied Psychodrama under James Enneis at St. Elizabeth's Hospital in Washington, D.C., and with Jacob L. Moreno at Beacon, New York. 

answer:

a