In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

Example Input: Question: How many different directors did Prada work with in 1976 and 1977? Passage:When Jaya Prada was a teenager, she performed a dance at her school's annual function. A film director in the audience offered her a three-minute dance number in the Telugu film Bhoomi Kosam. She was hesitant, but her family encouraged her to accept it. She was paid only 10 rupees for her work in the film, but the rushes of those three minutes of film were shown to the major figures of the Telugu film industry. Major filmmakers offered her starring roles in quality films, and she accepted them. She became a huge star in 1976 with major hit films. Director K. Balachander's black-and-white film Anthuleni Katha (1976) showcased her dramatic skills; K. Viswanath's color film Siri Siri Muvva (1976) showed her playing a mute girl with excellent dancing skills; and her title role as Sita in the big-budget mythological film Seetha Kalyanam confirmed her versatility. In 1977, she starred in Adavi Ramudu, which broke box office records and which permanently cemented her star status. The song "Aaresukoboyi Paresukunnanu" performed by Prada and co-star N.T. Rama Rao became a mass hit. Important filmmakers were casting her and repeating her in their films. Filmmaker Vijay introduced her to Kannada cinema in his 1977 super-hit movie Sanadi Appanna alongside Kannada matinee idol Raj Kumar. The movie is also known to be the only movie to feature shehnai rendition by Ustad Bismillah Khan. Jaya Prada repeated her successful pairing with Rajkumar in films such as Huliya Halina Mevu (1979), Kaviratna Kalidasa (1983) and Shabdavedhi (2000). In 1979, K. Balachander repeated her in the Tamil film Ninaithale Inikkum opposite Kamal Haasan and Rajinikanth in which she played a terminally-ill patient. She continued to act in more films in Telugu opposite actors such NTR, ANR, Krishna, Krishnam Raju and Sobhan Babu throughout the 70s and 80s. K. Viswanath remade Siri Siri Muvva (1976) in Hindi as Sargam, introducing Jayaprada to Bollywood in 1979. The film was successful and she became a star there as well. She earned her first Filmfare nomination as Best Actress but couldn't capitalize on her success since she couldn't speak Hindi.
 Links: a. Adavi Ramudu (1977 film) b. Filmfare c. Shehnai d. Anthuleni Katha
Example Output: d

Example Input: Question: What was Hungary's record in the 1958 World Cup? Passage:Budai made his debut for Hungary on 2 May 1949 in a 6-1 win against Austria in the Central European Championship. He subsequently played 39 times for Hungary and scored 10 goals. Four of these goals came in a 12-0 win against Albania on 24 September 1950. As one of the legendary Mighty Magyars, he helped Hungary become Olympic Champions in 1952 and Central European Champions in 1953. He also played in the Hungary side that defeated England 6-3 at Wembley Stadium. During the 1954 FIFA World Cup he played in the group stage in the 9-0 win against South Korea and in the semi-final against Uruguay. However, despite an excellent performance in the latter game, he was dropped for the final to make room for Ferenc Puskás. He also played two games at the 1958 World Cup.
 Links: a. 1958 FIFA World Cup squads b. Central European International Cup c. Uruguay national football team d. Ferenc Puskás
Example Output: a

Example Input: Question: How cold was it in Sarajevo when Baruh was born? Passage:Kalmi Baruh was born in December 1896 in Sarajevo, in one of the oldest Sephardic families in Bosnia and Herzegovina. He attended elementary school in the town of Višegrad (Вишеград), and has graduated from high-school in Sarajevo. Baruh's academic studies and the PhD - Der Lautstand des Judenspanischen in Bosnien (The Sound System of the Judeo-Spanish in Bosnia) were at Vienna University. He worked as a teacher in the First Sarajevan Gymnasium/High-school, and was the only Balkan Peninsula scholarship recipient from the Spanish Government for the post-doctoral studies in the Spanish Center for Historic Studies in Madrid (1928/9). For a long period of years he worked together with several Yugoslav and European magazines in the field of linguistics and literature, such as: Srpski književni glasnik and Misao, both from Belgrade, Revista de filología Española (Madrid)... He collaborated with the Institute for Balkan Studies and the University of Belgrade and the Royal Spanish Academy. He translated from Spanish to Serbian (Enrique Larreta: Slava don Ramira, Jedan život u doba Filipa II, Narodna prosveta, Belgrade, 1933; Jose Eustasio Rivera: Vrtlog, Minerva, Subotica-Belgrade, 1953 ...). Baruh presented some of the less known modern Spanish literature in Yugoslavia and provided reviews for it. He also published linguistic comparative studies, school books and scientific works on philology reviews, especially in Romanic languages. He collected, annotated and explored Judeo-Spanish linguistic forms and romances throughout Bosnia, Priština (Приштина) and Skopje (Скопје). Baruh was one of the pillars of the Sarajevan progressive magazine Pregled, and competent basis for the congregational magazines Jevrejski život and Jevrejski glas, as well as for the cultural-educational society La Benevolencija. He cooperated with Prof. Ernesto Giménez Caballero, Dr. Ivo Andrić, Isidora Sekulić, Žak Konfino, Stanislav Vinaver, Dr. Jovan Kršić, Dr. Moric Levi, Laura Papo Bohoreta... .
 Links: a. Sarajevo b. La Benevolencija c. Ivo Andrić d. Spain
Example Output:
a