In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

[EX Q]: Question: Did "Don't Let Me Down" win any awards? Passage:Hardesty's solo recordings began in 1957; the first two, organized by the guitarist Mickey Baker, were never released are not known to exist. Twelve songs were recorded on January 15, 1958, at Cosimo Matassa's studio in New Orleans for Wing Records, a subsidiary of Mercury Records, but were never released until the 2012 CD The Domino Effect was issued worldwide by Ace Records (United Kingdom). The first time that Hardesty's name appeared on a single was with the Canadian vocal quartet the Diamonds, "Don't Let Me Down" (also known as "Chick-Lets"), which was recorded on March 4, 1958, and released the following month as Mercury 71291. In 1959, Hardesty recorded four tracks in New York City with Hank Jones. Two were released as a single on Paoli, the only release from this label; they were also released shortly after by Mutual, both labels having connections to Philadelphia. The Mutual release was listed on Philadelphia radio station WIBG's Future Forty chart for November 2, 1959, but did not chart elsewhere. The four tracks were purchased by King Records in 1961 and were re-released as two 45s by Federal Records in April and June 1961. Hardesty recorded four more songs in October 1961, which were released in 1962 by Federal; two are not instrumentals and had vocals by the New Orleans guitarist Walter "Papoose" Nelson. Hardesty co-wrote the title track of Fats Domino's 1964 album, Fats on Fire.
 Links: a. Single (music) b. The Diamonds c. The Diamonds d. The Diamonds
[EX A]: b

[EX Q]: Question: How long had Shumilov been in the military when the Soviet invaded Poland? Passage:Colonel (promoted to Major General 4 June 1940) Mikhail Shumilov took command in April 1938. In September 1939, the corps fought in the Soviet invasion of Poland as part of the 10th Army. It included the 6th, 33rd, and the 121st Rifle Divisions at the beginning of the invasion on 17 September. By 2 October, these divisions had transferred to other units, and it included the 29th, 64th, and 145th Rifle Divisions instead. The corps headquarters relocated to Grodno in November and became part of the 11th Army. Between June and July 1940 it was briefly headquartered at Kovno before moving to Šiauliai in August, part of the Baltic Special Military District. The 11th transferred to the 8th Army in October, and included the 11th and 125th Rifle Divisions by the outbreak of the war. It defended a 40-kilometer sector on the left flank of the 8th Army, with its headquarters in the forests northwest of Skaudvilė. The 125th Rifle Division was in the corps' first echelon, holding covering the highway and railroad from Tilsit to Šiauliai. The 48th Rifle Division (part of the adjacent 10th Rifle Corps), after moving forward from Riga, was to take up positions on the left of the 125th. The corps' 73rd Corps Artillery Regiment included four battalions of 107 mm guns.
 Links: a. Mikhail Shumilov b. 11th Rifle Division c. 10th Rifle Corps d. Baltic Military District
[EX A]: a

[EX Q]: Question: Who was the eldest of the "Four Great Beards"? Passage:Graduating at age 17 in 1940, she established her own troupe with friends from the school. She organised a program of 62 new and traditional plays over a successful 48-day run in Shanghai, starring in 28 of them. Disliking the pressure she came under as an independent young actress, she disbanded the troupe and placed herself under the training and protection of older male actors: Xun Huisheng and Mei Lanfang, two of the "Four Great Dan"; Zhao Tongshan, the greatest "flowery" actor of the time; the "martial clown" Ye Shengzhang; the "educated clown" Ma Fulu; the "painted face" actor Jin Shaoshan; the "martial" actor Li Shaochun; the "Four Great Beards" Ma Lianliang, Tan Fuying, Yang Baosen, and Xi Xiaobo; and the other "old men" Zhou Xinfang and Tang Yunsheng. She also studied under the female impersonators Yu Lianquan and Cheng Yanqiu. The broad range of specialists expanded her repertoire greatly. During this period, Li gave successful performances of The Dragon and the Phoenix, The Courtyard of the Black Dragon, Two Phoenixes Flying Together, and Three Pretty Women. Her career and finances were largely handled by her mother, who was reckoned one of the "Four Famous Mothers" of the opera. She had her first daughter Li Li in 1944.
 Links: a. Ma Lianliang b. Li Shaochun c. Cheng Yanqiu d. Dan role
[EX A]:
a