In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
every once in a while , when an exceptional family film comes along , i will attempt to champion it by challenging parents to put their money where their mouths have been ; with all the hubbub over the lack of films suitable for children , it is remarkable how many non - disney films disappear in a couple of weeks .
now i see that in so doing , i have unfairly ghettoized these films .
so i am issuing my challenge not just to parents , but to anyone who wants to support smart , funny , energetic film - making : see matilda .
see it in a theater , rather than shrugging and waiting for it on video .
see
the best film i have seen in 1996 .
not the best children 's film .
. .
the best film . period .
based on a story by roald dahl , it tells of young matilda wormwood ( mara wilson ) , an extraordinarily bright girl whose great misfortune it is to have a pair of deeply stupid parents : harry ( danny devito ) , a crooked used car salesman ; and zinnia ( rhea perlman ) , a simple - minded bingo addict .
the wormwoods barely notice matilda exists , and when they do , it is only to scold her for spending too much time reading books .
when they finally do send her to school , it is to crunchem hall , a bleak place run by cruel , child - hating miss agatha trunchbull ( pam ferris ) .
but things begin to look up for matilda when she discovers a sympathetic teacher , miss honey ( embeth davidtz ) , who nurtures her natural inquisitiveness .
matilda also discovers another special talent -- the ability to move things with her mind -- which allows her to help herself and miss honey to overcome miss trunchbull 's cruelty .
it was this spring 's james and the giant peach which inspired me to note that the best and most lasting tales for children tended to have more than a hint of darkness to them , and you can bet that the roald dahl responsible for the gleeful ghoulishness of james and willy wonka and the chocolate factory has more of the same in store with matilda .
and just as james benefited from the dark sensibilities of henry selick and tim burton , matilda soars on the cock - eyed direction of danny devito .
devito made black humor a key element in throw momma from the train and the war of the roses , and he contributes some memorable images .
in one scene , an unfortunate girl is made an example of by miss trunchbull when she is picked up by her pig - tails and flung through the air like a throwing hammer ; later , an overweight boy is forced to eat an entire massive cake after he is caught stealing a dessert .
matilda is just twisted enough to be a perfect fairy tale .
it is also characteristic of the best children 's tales that they manage to teach lessons in such a way that children almost do n't realize that they are learning them .
there is a hilarious moment when matilda 's television - addicted father snatches away the book she is reading ( in a wicked joke , he thinks _
moby dick _ is pornographic ) and forces her to watch an inane game show ( hosted by jon lovitz ) in which contestants are smeared with adhesive and placed in a booth filled with cash blowing around .
matilda is a story which promotes the value of intellectual curiosity over passive entertainment , and it does so while poking holes in that most frustrating of notions for a child -- that because " i 'm big and you 're little
, i 'm right and you 're wrong .
"
more specifically , it has as
its heroine an intelligent , self - confident girl who struggles successfully against other people 's notions of how she should behave .
it is no coincidence that matilda was co - written by robin swicord , who contributed the superb recent adaptation of little women .
finally , matilda has that quality i find rarest and most treasured in family entertainment : it is family entertainment in the truest sense of the word .
devito knows enough to make matilda fast - paced and appealing to children , taking a deliciously nasty performance by pam ferris as miss trunchbull and making it the focal point of some priceless physical comedy , including a great chase through her dark house .
the child actors are winning but never obnoxiously adorable , with mara wilson making matilda a clever and extremely likeable character .
but there are also many , many delights for adults , including my favorite scene in which matilda uses her powers to frighten miss trunchbull by having chalk write on a chalkboard by itself while matilda 's classmates recite in sing - song fashion ; there is also a deadpan cameo by paul reubens as an fbi agent staking out matilda 's father .
i ca n't imagine anyone of any age leaving matilda feeling as though his or her intelligence had been insulted .
matilda is a film which left me glowing with good feeling .
i will see it again , and years from now i will watch it with my children .
and now i will stop , because somewhere near you matilda is about to begin , and there is a seat in that theater you should be in , if you have a child or ever were a child .

Ex Output:
P


Ex Input:
wyatt earp has a lot to tell and little to say .
this story of the legendary lawman runs three hours and nine minutes and that 's too long for this epic - wannabe that plays more like a tv mini - series than a movie .
the story opens on the earp family farm , with young wyatt ready to run away from home .
he wants to fight in the civil war , but his dad ( hackman ) has different ideas and wants his son to study law .
time passes and wyatt heads west , returns home to marry , and , after a spell , begins his career in law enforcement .
by the time he ( costner ) and his brothers ( madsen , david andrews , and linden ashby ) arrive in tombstone , wyatt has tried his hand at everything from hunting buffalo to dealing cards .
wyatt earp is very appealing in places-- such as cast , costumes , and cinematography-- but an overstated story and overpowered score deaden most of the emotional impact .
who can be moved by scene after scene after scene of swelling strings and suffocating speeches ?
somber is
fine-- just ask clint eastwood-- but
this film that boasts not one , not two , but three , count 'em three , hammy death scenes !
still , a little bit of earp goes a long way and the life and times of the legendary lawman are from uninteresting stuff .
his , uh , unusual relations with women , for example , are an intriguing contrast to his character 's credo of
" nothing counts as much as blood .
" equally amusing is a buffalo - hunting ( and skinning ! )
sequence that is decidedly non - pc .
director lawrence kasdan takes a refreshingly realistic approach to the gunplay .
the infamous gunfight at the ok corral is both brutal and brief , devoid of almost any theatrics .
do n't look for much glorified violence here .
despite some large exclamation points in the story , the characters * do * come to life .
the diverse cast includes everyone from betty buckley ( ! ) to mackenzie astin ( ! ! ) .
kevin costner is very good in the title role .
dances with whitney nevers get as steely as the role requires , though , but his transformation from lighthearted law student to stoic sheriff is fun to watch .
he was tougher in a perfect world .
his foil is dennis quaid , who pulled a deniro by losing 40 + pounds to play the tubercular terror doc holliday .
gaunt * and * gamely ,
he 's a scene stealer who 's seen too little .
other familiar faces include tom sizemore ( looking like bruce mcgill ) , bill pullman ( looking like jeff daniels ) , and lea thompson ( looking like someone other than lea thompson ) .
both gene hackman and isabella rosselini appear and disappear like magic , while late entries catherine o'hara and jobeth williams are surprisingly solid .
though the story and score should 've tried " less is more , " all other credits are technical tops .
production designer ida random , art director gary wissner , and costume designer colleen atwood are some of the vips who helped spend what must 've been an enormous budget .
clearly no expense was spared .

Ex Output:
P


Ex Input:
an affluent horse breeder 's past comes up to haunt him ; an ages old cover - up and blackmail comes back to haunt him at the hands of one of his accomplices .
that 's pretty much the essence of the movie and i have to say that it becomes quite boring at times and is very slow
.
that aside the story was well presented and probably quite close and representative of its source .
the acting in particular i found very good , the character development was also quite interesting but
alas the story simply did not hold my interest enough for me to get into the movie .
a few things about the story did n't sit very well with me for example the original scam and cover - up heavily involved the character played by sharon stone , yet in the end her character played a relatively small role and it seems she should have been utilized more to further the story along better .
on the flip side the character played by catherine keener i found to be very interesting and i thought that it was developed very well and helped the story a lot .
the character 's aside this movie had some interesting merits but in the end it lacked in story and pacing . as far as the acting and casting for this movie is concerned i have to say that the choices of nick nolte and jeff bridges were great as well as that of catherine keener .
all these people acted their parts admirably , as for the part that sharon stone played , she played it well but the part was not utilized enough .
the directing for this movie is something that i have to comment on because for once in a long while you see a director actually add a very distinctive flavor to a movie , this is one of those occasions .
matthew warchus in my opinion added an interesting touch and spin to the movie and i think he tackled a touch subject ( i myself would n't be able to look at horseracing and make a movie out of it ) .
there is a certain flavor about this movie and i think that the direction of the movie is the reason for this .
the one flaw that i do have to comment on is the pacing , the subject matter in my opinion was n't interesting enough on its own to have this kind of flavoring and directorial touch about it .
i certainly hope that the director makes more movies as this does show promise even if i myself do n't like it .
all in all i found this movie boring and very slow
, the acting was good but the story just did n't evolve enough and was n't captivating enough to make simpatico an enjoyable movie to watch .
although there is much going for the movie
i did n't find it good
even though i see the merits and style used and can compliment the movie on them .
i would n't recommend this movie to anyone
but if you are a horse fanatic or a racing fanatic then you will most likely enjoy this movie .

Ex Output:

N