In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.

Input: Consider Input: Passage: Former Irish pugilist and Provisional IRA member Danny Flynn returns home to Belfast from a 14-year stint in prison at the age of 32. Weary of the unbroken cycle of violence in Northern Ireland, he attempts to settle down and live in peace. After meeting his drink-sodden old trainer Ike, Danny starts up a non-sectarian boxing club for boys in an old gymnasium. While fixing up the old building, however, he runs across a cache of Semtex hidden underneath the stage. He throws the cache into the river.
Danny's action infuriates Harry, a bitter and ruthless IRA lieutenant. Harry feuds with Danny, assassinating the kindly police officer who donates equipment to the boxing club. The murder causes a riot at one of Danny's boxing matches. During the riot, the gymnasium is burned down by Liam, the young son of Maggie, who thinks Danny and his mother are going to elope.
Danny has been reconnecting with an old flame, Maggie, now married to an imprisoned IRA man and required by IRA code to remain faithful to him. Their relationship dominates much of the film. Harry sees Danny and Maggie's relationship as a way to undermine the authority of her father, Joe Hamill, the grim but war-weary local IRA commander who is working for peace.
Eventually, Harry and some other IRA men kidnap Danny and take him away to be executed. Then, in a last-minute twist, the IRA gunman shoots Harry instead of Danny, thus eliminating a rogue agent. Maggie with Liam her son in the car pick up Danny and they all drive home together. 
Question: What is the first name of the person described as a rogue agent?

Output: Harry.


Input: Consider Input: Passage: Fickle Juliet Marsden breaks off her engagement to Lucius Lorimer for the third time to marry handsome singer and ladykiller Rodney Trask. After the wedding, Juliet's Southern cousin, Laura Anders, calls from South Carolina to apologize for not attending because of appendicitis. Juliet promises to visit Laura on her honeymoon and has Rodney write down the address.
Before the newlyweds can leave, Rodney is visited by a woman named Clara Raymond, who blackmails him over their past relationship. Juliet's friend, Betty Trent, sees them drive away in Rodney's car. Rodney refuses to pay and is hit over the head by Clara's accomplice and develops amnesia. The would-be blackmailers drive the car over a cliff, where it bursts into flames, and although no body is found, Rodney is believed to be dead.
Rodney, not knowing who he is, takes the name "Happy Homes" from an F.H.A. billboard he chances to see, finds Laura's address in his pocket, and travels to her cotton plantation in search of his true identity. Laura has no idea who he is, but Rodney talks her into hiring him to run the nearly bankrupt plantation.
A year passes and love develops between Happy and Laura. They marry, and before leaving on their honeymoon, make a surprise visit to Juliet. Family and friends (including Lucius) immediately recognize "Happy" as Rodney, but are not quite certain if he is really Rodney or just someone who looks like him. Laura and Happy are unaware of the true situation, and when the household concocts a series of delays to prevent the couple from proceeding on their honeymoon, conclude everyone is crazy. They decide to sneak out to Niagara Falls, but Juliet discovers the plan. She diverts fuel oil into the water pipes and drenches both in goo when they take showers. 
Question: What is the full name of the woman who gets drenched with fuel oil?

Output: Laura Anders.


Input: Consider Input: Passage: The one-act opera genre had become increasingly popular in Italy following the 1890 competition sponsored by publisher Edoardo Sonzogno for the best such work, which was won by the young Pietro Mascagni's Cavalleria rusticana. With Tosca essentially completed by November 1899, Puccini sought a new project. Among sources he considered, before proceeding with Madama Butterfly, were three works by French dramatist Alphonse Daudet that Puccini thought might be made into a trilogy of one-act operas.After Butterfly premiered in 1904, Puccini again had difficulty finding a new subject. He further considered the idea of composing three one-act operas to be performed together, but found his publisher, Giulio Ricordi, firmly opposed to such a project, convinced that it would be expensive to cast and produce. The composer then planned to work with his longtime librettist, Giuseppe Giacosa, on an opera about Marie Antoinette, a project frustrated by the librettist's illness. Puccini wrote in November 1905, "Will we go back to it? [Maria Antonietta] If I find three one-act works that suit me, I'll put off M.A."  Puccini pursued neither project, as Giacosa's illness led to his death in September 1906.In March 1907, Puccini wrote to Carlo Clausetti, Ricordi's representative in Naples, proposing three one-act operas based on scenes from stories by Russian novelist Maxim Gorky. By May the composer had set aside this proposal to concentrate on the project which became La fanciulla del West, although he did not wholly abandon the idea of a multiple-opera evening. His next idea in this vein, some years later, was for a two-opera bill, one tragic and one comic; he later expanded this to include a third opera with a mystic or religious tone. By November 1916 Puccini had completed the "tragic" element, which became Il tabarro, but he still lacked ideas for the other two works. He considered staging Il tabarro in combination with his own early work Le Villi, or with other two-act operas which might be used to round out the evening's entertainment. Finally, librettist Giovacchino Forzano presented the composer with two works of his own, which became Suor Angelica and Gianni Schicchi. The latter would be Puccini's first setting of a comic text; although his earlier operas, for example La bohème, contain comic episodes, these are merely ancillary to the drama to provide contrast.Forzano wrote to Tito Ricordi, Giulio's son, on 3 March 1917:
I sent the libretto of Suor Angelica to Maestro Puccini some days ago. He has declared himself – kind as he is – very satisfied ... I have also finished a brief outline of a plot based on Gianni Schicchi. You know the Maestro's opinion of this subject, which is rich in possibilities and whose comic nature is quite out of the ordinary. 
Question: What is the name of the person who considered staging Il tabarro in combination with his own early work Le Villi?


Output: Puccini.