In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Passage: Maiden Castle is an Iron Age hill fort 1.6 miles (2.6 km) south west of Dorchester, in the English county of Dorset. Hill forts were fortified hill-top settlements constructed across Britain during the Iron Age.
The earliest archaeological evidence of human activity on the site consists of a Neolithic causewayed enclosure and bank barrow. In about 1800 BC, during the Bronze Age, the site was used for growing crops before being abandoned. Maiden Castle itself was built in about 600 BC; the early phase was a simple and unremarkable site, similar to many other hill forts in Britain and covering 6.4 hectares (16 acres). Around 450 BC it was greatly expanded and the enclosed area nearly tripled in size to 19 ha (47 acres), making it the largest hill fort in Britain and, by some definitions, the largest in Europe. At the same time, Maiden Castle's defences were made more complex with the addition of further ramparts and ditches. Around 100 BC, habitation at the hill fort went into decline and became concentrated at the eastern end of the site. It was occupied until at least the Roman period, by which time it was in the territory of the Durotriges, a Celtic tribe.
After the Roman conquest of Britain in the 1st century AD, Maiden Castle appears to have been abandoned, although the Romans may have had a military presence on the site. In the late 4th century AD, a temple and ancillary buildings were constructed. In the 6th century AD the hill top was entirely abandoned and was used only for agriculture during the medieval period.
Maiden Castle has provided inspiration for composer John Ireland and authors Thomas Hardy and John Cowper Powys. The study of hill forts was popularised in the 19th century by archaeologist Augustus Pitt Rivers. In the 1930s, archaeologist Mortimer Wheeler and Tessa Verney Wheeler undertook the first archaeological excavations at Maiden Castle, raising its profile among the public. Further excavations were carried out under Niall Sharples, which added to an understanding of the site and repaired damage caused in part by the large number of visitors. Today the site is protected as a Scheduled Ancient Monument and is maintained by English Heritage.
Who currently maintains Maiden Castle?

Passage: To design and build his ship Nansen chose Colin Archer, Norway's leading shipbuilder and naval architect. Archer was well known for a particular hull design that combined seaworthiness with a shallow draught, and had pioneered the design of "double-ended" craft in which the conventional stern was replaced by a point, increasing manoeuvrability.  Nansen records that Archer made "plan after plan of the projected ship; one model after another was prepared and abandoned". Finally, agreement was reached on a design, and on 9 June 1891 the two men signed the contract.Nansen wanted the ship in one year; he was eager to get away before anyone else could adopt his ideas and forestall him.  The ship's most significant external feature was the roundness of the hull, designed so that there was nothing upon which the ice could get a grip. Bow, stern and keel were rounded off, and the sides smoothed so that, in Nansen's words, the vessel would "slip like an eel out of the embraces of the ice".  To give exceptional strength the hull was sheathed in South American greenheart, the hardest timber available. The three layers of wood forming the hull provided a combined thickness of between 24 and 28 inches (60–70 cm), increasing to around 48 inches (1.25 metres) at the bow, which was further protected by a protruding iron stem. Added strength was provided by crossbeams and braces throughout the length of the hull.
The ship was rigged as a three-masted schooner, with a total sail area of 6,000 square feet (560 m2). Its auxiliary engine of 220 horse-power was capable of speeds up to 7 knots (13 km/h; 8.1 mph). However, speed and sailing qualities were secondary to the requirement of providing a safe and warm stronghold for Nansen and his crew during a drift that might extend for several years, so particular attention was paid to the insulation of the living quarters. At around 400 gross register tonnage, the ship was considerably larger than Nansen had first anticipated, with an overall length of 128 feet (39 m) and a breadth of 36 feet (11 m), a ratio of just over three to one, giving her an unusually stubby appearance. This odd shape was explained by Archer: "A ship that is built with exclusive regard to its suitability for [Nansen's] object must differ essentially from any known vessel." On 6 October 1892, at Archer's yard at Larvik, the ship was launched by Nansen's wife Eva after a brief ceremony. The ship was named Fram, meaning "Forward".
What is the name of the ship that Nansen chose Colin Archer to build?

Passage: Because of shared characteristics, including common use of horror vacui, similar spatial approaches and use of depth, as well as similar hinges and methods of construction, Leeuwenberg has suggested that production of a number of the miniatures was overseen by a single master named Adam Dircksz, Dircksz was first identified through a signature on a prayer nut now in the Statens Museum Copenhagen, reading "Adam Theodrici me fecit" (Adam Dircksz has made me). The Latin name "Adam Theodrici" may be translated into English as "Adam of Theodoric", but art historians usually use the Dutch version of his name, Adam Dircksz. Although it was rare in the 16th century for artists to sign a work, when done, it usually took the "me fecit" (made me) form, in effect of making the object speak.Almost nothing is known about Dircksz except that the works were produced c. 1500–30. The signature may indicate that he was a woodcutter, sculptor, medallist, or just simply the patron. Dircksz is thought to have been active between 1500 and 1530, and responsible for some sixty of the surviving examples. He may have led a workshop in the southern Netherlands, given that Flemish inscriptions appear on some of the carvings. Alternatively, it was located more northerly, possibly in the north of Brabant or at Delft in Holland. In any case, apart from Henry VIII and Catherine, all of the original owners come from the Netherlands.Regardless of the number of works that Dircksz or his workshop can be attributed with, art historians often debate what the artistic and technical precedents for the miniatures might be. Scholten observes how, to a large extent, it seems "as if this exquisite sculpture was born ex nihilo around 1500", but points out that "giant strides are rarely made in art history", pointing to affinities with silversmith's art, especially the miniature architectural elements often found in ecclesiastical silver and ornaments.

In what country did Adam Dircksz lead a workshop?