In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Q: Question: How many years after Wish You Were Here was released was The Wall released? Passage:Storm Thorgerson, who had done the majority of album covers for Pink Floyd, did the Echoes art which features recursive windows in an infinite regression as a nod to his own cover for 1969's Ummagumma, and the objects on each landscape refer to the Pink Floyd discography. For instance, there's the man on fire from Wish You Were Here, another wearing the Delicate Sound of Thunder lightbulb suit, dolls of the Atom Heart Mother cow and the Animals pig, a bike and both a brick wall and the hammers from The Wall. Eventually Thorgerson opted to make two images, with another used for the back cover. To create the idea on a photograph, various walls - which had varied measurements and angles to ensure that "nothing seemed to fit other than by eye through the lens." - were built and put in a country landscape in Sussex. Actors, props and fittings were set in and between those walls. The original design was one of two sketches submitted for Dream Theater's 1997 album Falling into Infinity, with the original being framed and hanging in the home of former Dream Theater drummer Mike Portnoy and is pointed out by Portnoy in his Hudson Music instructional drum DVD In Constant Motion.


A: b
****
Q: Question: Who was the first recipient of the award Russ was given after his first season with the Maroons? Passage:Blinco began his hockey career with the local Grande-Mere Maroons in 1928-29. In 1929-30, he joined the Brooklyn Crescents of the USAHA. Blinco remained with the Crescents before joining the Windsor Bulldogs of the International Hockey League in 1932-33. Blinco also spent some time in 1932-33 with the Springfield Indians in the Canadian-American Hockey League. In 1933-34, Blinco recorded 11 points in 16 games with the Bulldogs before he was signed on by the Montreal Maroons. In his first season with the Maroons, Blinco recorded 23 points in 34 games, good enough to become the league's second recipient of the Calder Memorial Trophy. In 1934-35, Blinco helped the Maroons reach the Stanley Cup Finals, where they swept the Toronto Maple Leafs in 3 games and won the Stanley Cup. In 1937, he took part in the Howie Morenz Memorial Game where the NHL All-Stars faced off against the Montreal All-Stars. Blinco would remain with the Maroons until 1938-39. He was traded to the Chicago Black Hawks along with teammates Baldy Northcott and Earl Robinson for $30,000 cash. Blinco would play in 48 games with the Black Hawks before retiring. Blinco was the first NHL player to wear spectacles while playing.


A: a
****
Q: Question: In what year was the person born who Lack began learning violin from at age six? Passage:Fredell Lack was born in Tulsa, Oklahoma, the oldest of three children of Jewish Eastern European (Latvian) immigrants, Abram I. Lack and Sarah Stillman Lack (who was a sister of noted painter Ary Stillman). She began violin lessons at age six, studying with Tosca Berger. When Fredell was 10, she moved with her family to Houston, Texas. There she studied with Josephine Boudreaux, the concertmaster of the Houston Symphony. At age 11, she first soloed with orchestra, performing the Wieniawski Concerto No. 2 with the Tulsa Philharmonic. At 12, Lack was accepted into the New York City studio of the legendary violinist and pedagogue Louis Persinger, whose other students included such artists as Yehudi Menuhin, Isaac Stern, and Ruggiero Ricci. She moved to New York and completed her pre-college schooling at the Bentley School while continuing her violin lessons with Persinger. At 17, she made her professional solo debut, playing the Mendelssohn Violin Concerto with the St. Louis Symphony. Subsequently she received a full scholarship to the Juilliard School in New York. She continued studying violin with Persinger there and also was deeply influenced by her study of chamber music with Felix Salmond. She received the Diploma from Juilliard at age 21.


A:
b
****