In this task, you are given the abstract of a research paper. Your task is to generate a summary of this abstract. Your summary should not be very short, but it's better if it's not more than 30 words.

Ex Input:
We present Line-Storm, an interactive computer system for creative performance. The context we investigated was writing on paper using Line-Storm. We used self-report questionnaires as part of research involving human participants, to evaluate Line-Storm. Line-Storm consisted of a writing stylus and writing pad, augmented with electronics. The writing pad was connected to a contact microphone, and the writing stylus had a small micro-controller board and peripherals attached to it. The signals from these electronic augmentations were fed into the audio-synthesis environment Max/MSP to produce an interactive soundscape. We attempted to discover whether Line-Storm enhanced a self-reported sense of being present and engaged during a writing task, and we compared Line-Storm to a non-interactive control condition. After performing statistical analysis in SPSS, we were unable to support our research hypothesis, that presence and engagement were enhanced by Line-Storm. Participants reported they were, on average, no more present and engaged during the experimental condition than during the control condition. As creativity is subtle, and varies with person, time, context,  space and so many other factors, this result was somewhat expected by us. A statistically significant result of our study is that some participants responded to Line-Storm more positively than others. These Preservers of Line-Storm were a group, distinct from other participants, who reported greater presence and engagement and who wrote more words with Line-Storm and during the control condition. We discuss the results of our research and place Line-Storm in an artistic-technological context, drawing upon writings by Martin Heidegger when considering the nature of Line-Storm. Future work includes modifying interactive components, improving aesthetics and using more miniaturized electronics, experimenting with a drawing task instead of a writing task, and collaborating with a composer of electronic music to make a more interesting, immersive, and engaging interactive soundscape for writing or drawing performance.

Ex Output:
Interactive stylus based sound incorporating writing system


Ex Input:
In this work, we focus on the problem of grounding language by training an agent
 to follow a set of natural language instructions and navigate to a target object
 in a 2D grid environment. The agent receives visual information through raw
 pixels and a natural language instruction telling what task needs to be achieved.
 Other than these two sources of information, our model does not have any prior
 information of both the visual and textual modalities and is end-to-end trainable.
 We develop an attention mechanism for multi-modal fusion of visual and textual
 modalities that allows the agent to learn to complete the navigation tasks and also
 achieve language grounding. Our experimental results show that our attention
 mechanism outperforms the existing multi-modal fusion mechanisms proposed in
 order to solve the above mentioned navigation task. We demonstrate through the
 visualization of attention weights that our model learns to correlate attributes of
 the object referred in the instruction with visual representations and also show
 that the learnt textual representations are semantically meaningful as they follow
 vector arithmetic and are also consistent enough to induce translation between instructions
 in different natural languages. We also show that our model generalizes
 effectively to unseen scenarios and exhibit zero-shot generalization capabilities.
 In order to simulate the above described challenges, we introduce a new 2D environment
 for an agent to jointly learn visual and textual modalities

Ex Output:
Attention based architecture for language grounding via reinforcement learning in a new customizable 2D grid environment  


Ex Input:
Coalition operations are essential for responding to the increasing number of world-wide incidents that require large-scale humanitarian assistance. Many nations and non-governmental organizations regularly coordinate to address such problems but their cooperation is often impeded by limits on what information they are able to share. In this paper, we consider the     use of an advanced cryptographic technique called secure multi-party computation to enable coalition members to achieve joint objectives while still meeting privacy requirements . Our particular focus is on a multi-nation aid delivery scheduling task that involves coordinating when and where various aid provider nations will deliver relief materials after the occurrence of a natural disaster . Even with the use of secure multi-party computation technology, information about private data can leak .  We describe how the emerging field of  quantitative information flow can be used to help data owners understand the extent to which private data might become vulnerable as the result of possible or actual scheduling operations, and to enable automated adjustments of the scheduling process to ensure privacy requirements

Ex Output:

Privacy can be thought about in the same way as other resources in planning