In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

Input: Consider Input: Question: In what year did Cezanna die? Passage:Schneemann began her art career as a painter in the late 1950s. Her painting work began to adopt some of the characteristics of Neo-Dada art, as she used box structures coupled with expressionist brushwork. These constructs share the heavily textural characteristics found in the work of artists such as Robert Rauschenberg. She described the atmosphere in the art community at this time as misogynistic and that female artists of the time were not aware of their bodies. These works integrated influence by artists such as post-impressionist painter Paul Cézanne and the issues in painting brought up by the abstract expressionists. Schneemann chose to focus on expressiveness in her art rather than accessibility or stylishness. She still described herself as a formalist however, unlike other feminist artists who wanted to distance themselves from male-oriented art history. She is considered a "first-generation feminist artist", a group that also includes Mary Beth Edelson, Rachel Rosenthal, and Judy Chicago. They were part of the feminist art movement in Europe and the United States in the early 1970s to develop feminist writing and art. Schneemann became involved with the art movement of happenings when she organized A Journey through a Disrupted Landscape, inviting people to "crawl, climb, negotiate rocks, climb, walk, go through mud". Soon thereafter she met Allan Kaprow, the primary figure of happenings in addition to artists Red Grooms and Jim Dine. Influenced by figures such as Simone de Beauvoir, Antonin Artaud, Maya Deren, Wilhelm Reich, and Kaprow, Schneemann found herself drawn away from painting.


Output: These works integrated influence by artists such as post-impressionist painter Paul Cézanne and the issues in painting brought up by the abstract expressionists


Input: Consider Input: Question: What age was Tony Backhouse the year that he cowrote "Some Day"? Passage:Jenny Morris was born in Tokoroa, New Zealand and grew up in Hamilton with three brothers (Alistair, Rhys and Tam) and four sisters (Maxine, Bronte, Joanne and Shanley). Morris wrote a poem on the Vietnam War when she was 12 and used her sister's guitar to put it to music. Morris has stated that her influences include Aretha Franklin and Dusty Springfield. Her first professional performance was at age fifteen, at Andersons Theatre Restaurant, in Hamilton. In 1976 she became a singer with How's Your Father, who were finalists in the 'National Battle of the Bands'. She began working as a Home Economics teacher for two years at a high school near Wellington. Late in 1978 Morris joined an all-girl group, Wide Mouthed Frogs in Wellington, performing lead vocals. Fellow members were Kate Brockie on lead vocals, Andrea Gilkison on guitar, Tina Matthews on bass guitar, Bronwyn Murray on keyboards and Sally Zwartz on drums. In 1979 they released the track, "Some Day" for the compilation album, Home Grown Volume One; "Some Day" was cowritten with Tony Backhouse, guitarist of fellow Wellington band, The Spats, which also had a track, "Young Ladies in Hot Cars", on the compilation.


Output: In 1979 they released the track, "Some Day" for the compilation album, Home Grown Volume One; "Some Day" was cowritten with Tony Backhouse, guitarist of fellow Wellington band, The Spats, which also had a track, "Young Ladies in Hot Cars", on the compilation


Input: Consider Input: Question: What was the age difference between the person who invited her to write a poem for the new king and the king himself? Passage:Aphra Behn (; bapt. 14 December 1640 – 16 April 1689) was an English playwright, poet, translator and fiction writer from the Restoration era. As one of the first English women to earn her living by her writing, she broke cultural barriers and served as a literary role model for later generations of women authors. Rising from obscurity, she came to the notice of Charles II, who employed her as a spy in Antwerp. Upon her return to London and a probable brief stay in debtors' prison, she began writing for the stage. She belonged to a coterie of poets and famous libertines such as John Wilmot, Lord Rochester. She wrote under the pastoral pseudonym Astrea. During the turbulent political times of the Exclusion Crisis, she wrote an epilogue and prologue that brought her into legal trouble; she thereafter devoted most of her writing to prose genres and translations. A staunch supporter of the Stuart line, she declined an invitation from Bishop Burnet to write a welcoming poem to the new king William III. She died shortly after.



Output: A staunch supporter of the Stuart line, she declined an invitation from Bishop Burnet to write a welcoming poem to the new king William III