In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: " be gentle , " urges natasha henstridge to matthew perry in " the whole nine yards .
"
" i have n't made love in five years .
"
" neither have i , " rebuts perry .
"
i 'm married !
"
if jonathan lynn 's latest comedy relied simply on jokes of that caliber -- and it certainly tries -- then it 'd be an innocuous if rather obvious little film . instead , its failings go much deeper .
first off , who has n't had enough of the tough wiseguy intimidates the timid wise guy genre ?
if you want to make a pretty penny or two in hollywood nowadays simply write a " comedy " which pairs a robert de niro / james caan / bruce willis type with a billy crystal / hugh grant / matthew perry type and wait for the royalties to roll in .
who 's next ?
jack nicholson and martin short ?
it certainly does n't have to be funny .
"
the whole nine yards " is not a particularly funny film , but it is borderline offensive
.
offensive in the way it continues a trend of poking fun at career criminals who would n't think twice about pushing your mother - in - law off the brooklyn bridge with her feet encased in concrete .
that might sound like a funny sight gag , but the problem is these films have long since lost sight of the fact that taking a human life is n't all that funny to begin with .
when the corpse is placed in a car , doused with gasoline , set ablaze and referred to as " barbecue , " it makes you wonder when all this playing killing for laughs is going to end .
"
the whole nine yards " is also offensive in so much as its three central female characters are portrayed as nothing more than sex objects .
rosanna arquette plays a slutty , chain - smoking french canadian who 's married to matthew perry 's none - too - successful dentist .
it 's an unflattering role made all the more so by the unflattering outfits -- and unflattering situations -- into which arquette is thrust .
then there 's natasha henstridge ( " species " i and ii ) who plays the well - to - do wife of contract killer bruce willis .
she gets involved with perry 's character when he comes to chicago hoping to negotiate a finder 's fee with mob boss
yanni gogolack ( kevin pollack , transposing his vs with his ws ) after willis ' jimmy the tulip tudeski moves in next door .
henstridge and perry 's characters hitting it off is about as likely as bruce and demi getting back together .
perry might have the charm but he does n't have the physical attributes of a traditional leading man , especially in close - up .
most objectified of the bunch is amanda peet , who turns in a sexually - ripe performance as perry 's dental assistant with , it transpires , questionable career goals .
peet 's gratuitous nude scene proves how low this movie will stoop to keep its audience from dropping off .
when " my cousin vinny " is the highpoint of a directorial career including such forgettable films as " clue , " " greedy , " and " sgt . bilko , " you have to wonder if lynn chose the wrong career path .
perry 's pratfalling goofiness coupled with willis ' likable hardness could have had some potential but with no script to work with , and a director who seems to be watching from the wings , their characters run out of gas quickly .

Output: N


Input: Consider Input: before even seeing a single frame of the film , it would be easy to snicker at deep impact , in which a comet on a collision course with earth threatens the existence of all life on the planet .
it is the latest entry in this decade 's dubious revival of the ' 70s disaster film , and the first of two " the sky is falling " flicks to hit screens this year ( the other being this coming july 's armageddon , in which a meteor is the threat ) .
its tagline , " oceans rise .
cities fall .
hope survives " is not as cornball as that of the utterly ridiculous collapsing tunnel thriller daylight ( " they came in alone . . .
the only way out .
.
. is together " ) , but it 's every bit as treacly .
the opening moments of deep impact offer more to snicker at .
the cheesiness is not confined to the disaster movie conventions , such as the usual opening " roll call , " in which all the major characters and their personal problems are introduced .
the most prominent of the " personal " stories is that of ambitious tv news reporter jenny lerner ( tea leoni ) , who is distraught that her father ( maximilian schell ) left her mother ( vanessa redgrave ) for a younger woman ( rya kihlstedt ) .
what is just as snicker - worthy is how this co - venture between paramount and dreamworks skg aggressively pushes another high - profile corporate collaboration , microsoft and nbc 's cable news network msnbc , which employs jenny , who is the film 's ostensible main character .
in the vision of america presented here , msnbc is the television news source of choice in every home , when in reality it only reaches a fraction of the country .
the initial signs point toward something along the lines of a volcano or dante 's peak , but there 's one thing about deep impact i underestimated : the skills of director mimi leder .
she won an emmy for her helming work on nbc 's smash er , which is essentially a weekly disaster movie , each episode featuring a new set of guest stars with their own personal and medical crises .
the challenge presented by this format to the director is twofold : ( 1 ) to make the audience care for these guest characters , regardless of how briefly seen or thinly written they are , and ( 2 ) powerfully tug at the emotions without being heavy - handed or overly melodramatic .
having passed the " er challenge " in numerous episodes and showed a flair for creating suspense in the peacemaker , leder could not be a better fit to bring michael tolkin and bruce joel rubin 's rather formulaic disaster screenplay to screen .
as the countdown to impact progresses , the ominous feeling of doom is palpable , leading the final act to take on a surprisingly convincing and affecting emotional dimension .
there 's nothing here that will profoundly move anyone , but the fact that anything manages to touch the heart is high achievement in a genre generally more concerned with effects .
situations that initially feel contrived , such as jenny 's familial crisis and the teenage romance between sarah hotchner ( leelee sobieski ) and comet discoverer leo biederman ( elijah wood ) , achieve some poignance ; and even the more vaguely drawn characters , including u . s .
president tom beck ( morgan freeman ) , astronaut spurgeon " fish " tanner ( robert duvall ) , and his rather faceless crew ( ron eldard , jon favreau , mary mccormack , blair underwood , and alexander baluyev ) aboard the comet - bombing spacecraft messiah , have their share of touching moments .
the latter fact owes a debt to the actors , who all do a solid job and are well - cast , with the possible exception of leoni ; she delivers a decent performance , but her trademark unconventional speech rhythms and line delivery make her somewhat hard to buy as a star news broadcaster .
although its catastrophic theme and impressive special effects work
( the giant ocean waves are particularly spectacular ) place deep impact in the same category as the likes of twister , it is the first of the ' 90s disaster films to successfully marry the advanced film technology with emotions that ring true -- a film that makes a genuine impact , even if it is n't as deep as hoped .

Output: P


Input: Consider Input: one of the indicator of badness in film is the hype being remembered more than film itself .
such was the case with boxing helena , 1993 directorial debut of jennifer chambers lynch , daughter of the great david lynch .
made in the dying years of post - twin peaks lynch craze among movie snobs , it was hyped as another , " warped , twisted masterpiece " of lynch clan .
kim basinger also provided extra publicity by quitting the lead role and being sued for the breech of contract .
but , the result was extremely disappointing film , which quickly sank into well - deserved oblivion .
the movie protagonist is nick cavanaugh ( played by julian sands ) , talented surgeon who is getting obsessed by helena ( sherilyn fenn ) , beautiful woman who ditched him after brief affair .
cavanaugh stalks her and uses every opportunity for the pathetic attempts to re - establish the relationship .
during one of such occasions , helena is hit by a car , and nick quickly takes the role of her personal physician in order to have his way with her . after she wakes up , helena discovers not only that she is prisoner in cavanaugh 's stylish residence , but also that cavanaugh amputated her legs in order to prevent her from escaping .
she is still trying to escape , so cavanaugh takes off her arms .
apart from casting sherilyn fenn ( audrey horne in twin peaks and small cameo in wild at heart ) and the use of twisted characters and their perverse fantasies , this film by ms .
lynch has n't got anything in common with the works of director 's more talented father .
despite rather bizarre subject , the style of this film is conventional and setting is light , characters are beautiful - but
the result at the end is quite sterile and the film in the end looks too artificial for dark sexual fantasy it was supposed to portray .
jennifer lynch obviously lacks talents in directing and it becomes painfully obvious in the scenes that are supposed to erotic - its banal artificiality is even bellow the standards of playboy videos .
the actors are n't good either .
julian sands is terribly miscast as emotionally disturbed man - this actors is best either when he plays charismatic protagonists or villains ; being neurotic does n't suit him .
bill paxton was better for this role , but his presence was wasted in forgettable and unnecessary subplot dealing with helena 's boyfriend .
sherilyn fenn contributed to this film mostly by her looks , but even the her greater effort in acting could n't help this film .
the screenplay , on the other hand , is awful , at least for someone who had made best - seller with laura palmer 's diary
- the events in this movie are implausible , characters come and go without purpose and many unnecessary subplots only slow down the film and add to the total confusion .
one of those subplots involves character of cavanaugh 's " regular " girlfriend , played by betsy clarke .
the twist at the end , although unpredictable , is unbelievable and the viewers , who had the stomach to endure entire film , would feel cheated .
all in all , boxing helena is disorganised quasi - artistic mess of a movie that should be remembered as nothing more than one of the wiser decisions in kim basinger 's career .


Output: N