In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
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Question: Review: I'm a pretty old dude, old enough to remember the taste of Oreos and Coke as they were 50-55 years ago, when every taste for a kid was fresh. I wish I have somehow set some aside then is some magical suspended locker, so that I could taste those things today. This magical locker might even have adjusted the fabric of the food to account for how I've drifted, physically and otherwise, a sort of dynamic chemistry of expectations. Over the half century, they would have had to adjust quite a bit, because you see I would have known that I set them aside. Eating one now would be a celebration of self and past, and story, and sense that would almost make the intervening years an anticipated reward.I didn't have enough sense to do that with original Coke. And I couldn't have invented one of those magical psychic lockers  not then. But I did something almost as good. In the seventies, I really tuned into Roman Polanski. He was a strange and exotic pleasure  you know, movies smuggled out of the Soviet block. Movies so sensitive to beauty that you cry for weeks afterward. Movies that make you want to live with Polish women, one, and then deciding that they would be the last to get it.Here's what I did. I took what I knew would be my favorite Polanski movie and set it aside. I did not watch it. I deferred until I thought I would be big enough to deserve it. Over the years, I would test myself, my ability to surround beauty and delineate it without occupying it. There probably are few Poles who have worked at this, practicing to deserve Chopin. Working to deserve womanness when I see it. Trying to get the inners from the edges.Recently, I achieved something like assurance that it was time to pull this out. I already knew that I was already past the time when this would work optimally, because I had already seen and understood "9th Gate."If you do not know this, it is about a man who innocently rents a room in which the previous tenant (about whom the story is named) jumped out the window, to die later after this man (played by Polanski) visits. What happens is that time folds and he becomes this woman. We are fooled into believing that he is merely mad. But the way we follow him, he is not. He merely has flashes that the world is normal, and that the surrounding people are not part of a coven warping his reality.The story hardly matters. What matters is how Polanksi shapes this thing, both in the way he inhabits the eye that only makes edges and in inhabiting the body that only consists of confused flesh. The two never meet. There is a dissonance that may haunt me for the next 30 years. Its the idea about and inside and an outside with no edges at all  at all except a redhead wig.I know of no one else that could do this, this sketch that remains a sketch, this horror that remains natural.To understand the genius of this, you have to know one of the greatest films ever made; "Rear Window." The genius of that film is the post-noir notion that the camera shapes the world; that the viewer creates the story. What Roman does is take this movie and turn it inside out. In Rear Window, the idea was that the on-screen viewer (Jimmy Stewart) was the anchor and everything else was fiction, woven as we watched. Here, the on screen apartment dweller is the filmmaker. We know this. We know that everything we see is true because he is the narrator. We know it is true that bodies shift identity, that times shift, that causality is plastic. We know that the narrator will kill us. We know that the narrator will leave us in a perpetual horror, on that edge that he imputes but never shows us and lets us imagine. Ted's Evaluation -- 4 of 3: Every cineliterate person should experience this. Question: is it a positive review?

Answer: yes


Question: Review: This "movie" is such a bad work! Nothing seems to even try and be realistic. Plot is weak, acting - miserable, actors wondering around like in a 1st year production, trying very hard to act with no chance at all from the beginning. What a flop! What a waste of time, money and effort to all concerned including the audience. Well, as in any thriller, here too are murders, corpses and blood. Just imagine someone who 5 minutes ago, committed a murder with a knife, and came out calm and smiling, not to mention clean as a whistle, as if slashing one's throat is done by a virtual agent. Also, this murder was supposed to be done by a tiny fragile woman on a high strong male, and she cut his throat!!! Did she ask him, politely, to bend down for her? Much more stupidity of that same kind is going on and on leaving the audience wondering if this meant to be a joke which just turned out to be a bad one. Continuity is another huge problem as for instance: The eager-hungry groom is lying in bed, waiting for his virgin-bride to get out of the bathroom and after a long while, falls asleep(!?!). Next scene opens with the young couple entering the reception-area, asking for guidance to scenery spots! NOT A WORD ABOUT LAST NIGHT??? Such a waste of time even to try and write about this low-low supposed-to-be "movie". Question: is it a positive review?

Answer: no


Question: Review: WOW. One of the greatest movies I have EVER - EVER seen.Absolutely LOVED it! Before the opening credits were done I was glued to the screen.It's a Sci-Fi thriller - AND edge of your seat Whodunnit. Incredible.I wish'd it would never end.Lucy Liu is a throwaway role. Anyone could have played it. The lead actor, Jeremy Northram was the perfect geeky guy. This movie appeals to me who loved War Games, Sneakers, and Track Down.Incredible!8-22-06. Walt D in LV Question: is it a positive review?

Answer:
yes