Given a document, find the main entity about whom the author is writing. Write the full name if mentioned in the text. Note that URLs in the text have been replaced with [Link].
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Question: âThe point is Iâm suddenly popular AF.â  â George W. Bush  #SNL pic.twitter.com/azu3DzCzsP â Saturday Night Live â SNL (@nbcsnl) January 28  2018
You get the point: SNL knows its audience is all stressed out about Trump  but hey  letâs have some fun calling  Bush  stupid again.
And they also blame  him  for creating ISIS.
After Ferrellâs Bush character mentions that âwe are still in two different wars that I started â  he  then poses the question  âWhat has two thumbs and created ISIS? This guy.â

Answer: George Bush


Question: Eva Schloss   stepsister of Anne Frank and a Holocaust survivor herself  sits for an interview at George Mason University on Feb. 7 in Fairfax  Va.  Schloss  has been the subject of a play and now a âvirtual realityâ hologram program meant to keep up awareness of genocide survivors years after they die. (Jahi Chikwendiu/The Washington Post)
A âdirty Jewâ refugee on the run for two years  a survivor of the Auschwitz concentration camp  and stepsister to Holocaust victim Anne Frank   Eva Schloss  had dramatic  amazing  horrifying stories to tell.  She  kept them locked inside  herself  for decades  but now the 88-year-old British grandmother is on a tear  diving into everything from cutting-edge hologram technology to controversies about Justin Bieber to keep people thinking about the lessons of the Holocaust.
 The well-coiffed  plain-spoken Schloss  has  her  own nightmarish tales from World War II Europe and the camps. And of overcoming postwar suicidal depression. And of  her  famous stepsister. But in  her  books  work with prisoners and public speaking around the world   she  talks just as much about what  she  sees as todayâs horrors: Syrian refugees on the run  ISIS torture of Christians  the immorality of drone and atomic warfare  environmental degradation  a slipping interest in public education. And what  she  calls the enduring need to pay attention.
âI talk about it and tell people  this is what Germany was. Not everybody was â by no means â anti-Semitic or supported Hitler. They had good Jewish friends  but they took the easy way out and looked the other way. It is the danger of the bystander â  Schloss  said in an interview Wednesday before an evening appearance at the Center for the Arts at George Mason University in Fairfax  Va. âThis is what we have to teach young people â not to be indifferent  but take part; if you see injustice being done  speak out.â
 Schloss  is on a U.S. speaking tour  with the first stop at George Mason  where she appeared for more than an hour.  Schloss  spoke in a matter-of-fact tone as she was interviewed by Eli Rosenbaum  a federal prosecutor who has investigated Nazi cases. The crowd of 1 200 filled two levels  and remained rapt and silent â except for a few standing ovations.
 Schloss  is among those outspoken on a controversial  complex topic: What are the best  most appropriate ways to keep the moral lessons of genocide alive? While for many the story of Frank  who died at 15 in a German concentration camp  is still a simple  tragic tale of a talented  precocious writer; the portrait of her life is increasingly becoming more nuanced and real over the decades as additional details come out.
 Schloss  has long spoken bluntly about Frank  a girl she met in an Amsterdam courtyard when both of their families were on the run. They never lived as sisters  and Schlossâs mother married Frankâs father after the war. During the war  many of their family members â and spouses â had been murdered. On Wednesday  in a Post interview and on stage   Schloss  said Frank was a âleader  outgoingâ â her nickname   Schloss  said  was âquack quackâ because she talked so much â but also sometimes ânaughtyâ and âbossy.â  Schloss  told The Post about the challenge and pressure of becoming part of the family of Otto Frank  who  Schloss  said became ânearly obsessedâ with the legacy of his dead youngest child. She later praised him for saving her with his positive perspective.
On Wednesday   Schloss  said itâs important ânot to put her on a pedestalâ and to consider that Frank â had she been a girl today â may well have been a belieber. Frank loved Deanna Durbin  a Canadian American musical film star in the 1930s and 1940s   Schloss  said. Frank âwould have lovedâ Bieber  she said  noting how positive it is that he visited the historic site.
 Schloss  is also part of a new project by the Steven Spielberg-founded Shoah Foundation  which has recorded nearly 52 000 interviews with Nazi-era survivors  and the Institute for Creative Technologies  both at the University of Southern California. Through detailed  prerecorded interviews with survivors â including  Schloss  â the exhibit creates life-size holograms that can âanswerâ questions that some may be afraid to ask in person. At a time when the number of Holocaust survivors is dwindling  the idea is to keep them alive. As time passes  different narratives become accepted until others rise. Some experts warn that the Holocaust not become a âgame â Friedberg said.
 Schloss  has written three books and been the subject of not only the documentary but also a play â much about Frank. But her own story is dramatic.
 Schloss  and her mother never saw the other two again. Her brother  a talented musician  became a painter as a teenager in hiding. After the war  dozens of his paintings and poems were discovered under a floorboard in Amsterdam.

Answer: Eva Schloss


Question: After 50 prolific years spent producing masterful black-and-white photographs   Roger Ballen  is ready to take  his  place as a master of the medium.
The past few years have seen major moves from the American-born  South African–based artist.  He  earned  his  own wing of Cape Town's Zeitz Museum of Contemporary African Art  after the Roger Ballen Foundation contributed the largest financial donation from a foundation the brand-new institution has seen yet. Outside of photography   he 's gone from directing Die Antwoord music videos to  his  own short films. With a new retrospective monograph  Ballenesque  out October 10 from Thames & Hudson  Ballen declares for all the world to hear that  he  is an icon.
Ballenesque opens with an essay by historian and cultural critic Robert J.C. Young. In it  Young begins to define the mesmerizing  "instantly recognizable" quality of Ballen's images  which he variously calls "prehensile portraits " "aleatory assemblages " "windowless walls " and "dark junctures of disjunction." When Young introduces these cornerstones of  Ballen 's style  he writes  "We isolate four; you  the viewer of the photograph  may add a fifth to complete the secret."
The rest of the book is a guided tour through  Ballen 's work  complemented by 50 pages of the artist's own anecdotes  autobiography  thoughts on technique  and philosophy. It all starts with blurry family portraits  Ballen  shot with a Mamiya camera  he  bought at 13 years old.  He  shares the first photo  his  that  he  really liked  a picture of a dead cat on the side of the road.
As  he  got older   he  became a documentarian of 60s and 70s counterculture  from grimacing Vietnam War protesters to carefree nudists at Woodstock. Many photos from this period in  his  career are shown for the first time within the pages of Ballenesque. By 1979   Ballen  had begun to travel the world  collecting snapshots of kids from New York to Indonesia that would be collected into a series called Boyhood.
When he moved to South Africa   Ballen  became fixated on the human toll of apartheid.  He  traveled the impoverished South African countryside as a geologist  but photographed the people and places  he  saw along the way.  He  collected these images into the two series that made  him  famous  Platteland and Outland.
Also debuting in the new monograph are Ballen's paintings from the 1970s  which informed  his  abstract photography in Asylum of the Birds and The Theater of Apparitions. "It was exciting to put those paintings in the book "  he  said. Many of the paintings were lost when  his  father cleaned them out of their childhood home  but the ones that survive have been documented for Ballenesque. "I didn't paint for 30 years  but in a way these set the foundation for my later work."
By the end of the text   Ballen 's work seems to exist  like one of his paintings  largely within his own mind. "From about 2002 onward  you rarely see a human face in the photos "  Ballen  said.  His  current project  teased in the final pages  is called Ah Rats. Now the vermin that have infested the edges of  his  work for years are at its center. In January   Ballen  art directed Die Antwoord's video for "Tommy Can't Sleep " which is full of the rats that are on his brain.
 Ballen  still walks Johannesburg looking for places to take pictures for around five hours a day.  He  spends the rest of  his  time with  his  family  administrating the Roger Ballen Foundation  and tending  his  collection of more than 100 pets. "There's rats  snakes  chickens  ducks  lizards  rabbits  spiders  doves  pigeons  crows  mice "  he  rattles off. Around 10 percent have names  including a bird named Icarus and a rat named Stoffel.
Icarus  Stoffel  and  Ballen 's Johannesburg home are far from the roiling American political scene  but  Ballen  has some advice for young artists trying to distinguish themselves in a photographic era he describes as "amorphous" compared to when he cut his teeth.
Ballen is quick to clarify that he doesn't mean photographers should risk physical harm by "jumping the White House fence" to get a unique photograph. "It's years and years and hours and hours later that you're developing an approach. My pictures are powerful because they access the subconscious mind. 'On the line' can mean psychological  as well as physical." Years spent paying attention to places and people others would rather ignore are how  Ballen  put  himself  on the line. As a result   his  photographs of outsiders help the rest of us look inward.

Answer:
Roger Ballen's