Given a paragraph about movies, and a set of conversational question answers about the paragraph, answer a follow-up question from the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

[Q]: CONTEXT: My guess is that Vinay did not know Anjali before their meeting at the jewelry shop. I infer this from analyzing the character of Vinay. He doesn't appear like someone who will use crooked methods. Also, regarding the sog sequence, I think it was a mere coincidence, intentionally plotted by the director to create mystery.  <sep>  Q: Does Vinay know Anjali before meeting her at the jewelry shop? A: My guess is that Vinay did not know Anjali before their meeting at the jewelry shop  Q: Why do you think that he did not know her? A: I infer this from analyzing the character of Vinay  Q: Do yuo think that he was not brazen enough to sek employment knowing the owners daughter was who he was interested in? A: He doesn't appear like someone who will use crooked methods  <sep> FOLLOWUP_Q: Is it possible that he knew her but played like he did not?
[A]: I think it was a mere coincidence, intentionally plotted by the director to create mystery


[Q]: CONTEXT: A properly executed plot twist often causes opposite reactions of what you've just described. People want to watch the movie again because the ending was so unexpected that they need to review the whole thing to get all the puzzle pieces together. "Fight Club" is a great example, in my opinion. There's a lot of dialogue (especially the lines from Helena Bonham Carter) that doesn't make any sense if you don't know the ending. You will enjoy and understand Fight Club much better after a second view. There are many ingredients that define the quality and longevity of a movie. Directors should not be afraid to use a plot twist, but relying only on this trick - especially if it is predictable - may ruin the whole experience.  <sep>  Q: Is there any evidence of "Big Twist" movies having poor post-cinema sales? A: Directors should not be afraid to use a plot twist, but relying only on this trick - especially if it is predictable - may ruin the whole experience  Q: Do you think this is a common reaction though? A: A properly executed plot twist often causes opposite reactions of what you've just described  <sep> FOLLOWUP_Q: So, for up ad coming directors, is this the type of movie to stay away from
[A]: Directors should not be afraid to use a plot twist, but relying only on this trick - especially if it is predictable - may ruin the whole experience


[Q]: CONTEXT: Let's look at the two circumstances that resulted in her move. The Bet Monica and Rachel lose the apartment after a game with Joey and Chandler. When Joey and Chandler are moving in, Rachel seems to think it's a joke. Think about it for a second, if someone told you to get up and move into another apartment, especially one that seems smaller than Monica's would you do it? Her bed room is probably customized the way she likes it, if she were to move, she would have to spend time re-customizing it. Chandler Moves In Remember again, Rachel didn't think she would have to move out, she thought Chandler would move in, and it would be the three of them. However, the circumstances are different, after Las Vegas, Monica and Chandler agree to move in together. She attempts to move in with Ross, but they are still married unknowing to Rachel until the lawyer calls, at which point she furious. She eventually moves in with Phoebe, but the apartment burns down. This leaves Joey which means, Naked Thursdays or Wednesdays ;D. Out of necessity she moves in with Joey. She still lives close to her friends, and she doesn't need to get to know a new roommate.  <sep>  Q: Why does Rachel hate living at the other apartment? A: smaller  <sep> FOLLOWUP_Q: Any other reasons?
[A]:
Her bed room is probably customized the way she likes it