In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.

[Q]: Passage: The film tells a fictionalized version of the Pilgrims' voyage across the Atlantic Ocean to North America aboard the Mayflower. During the long sea voyage, Capt. Christopher Jones falls in love with Dorothy Bradford, the wife of William Bradford. The love triangle is resolved in a tragic way at the film's conclusion.  Ship's carpenter John Alden -- said to be the first person to set foot on Plymouth Rock in 1620—catches the eye of Priscilla Mullins, one of the young Pilgrims following William Bradford.  Alden ultimately wins Priscilla in another, if subtler, triangle with Miles Standish.   Lloyd Bridges provides comic relief as the first-mate Coppin, and child star Tommy Ivo gives a touching performance as young William Button, the only passenger to die on the actual voyage across the storm-swept Atlantic, who, according to this film, wanted to be the first to sight land and to become a king in the New World. "I'm going to be the first to see land. Keep me eye peeled, I will. Then I'll be the first. It'll be like the Garden of Eden and I'm going to be the first to see it". 
Question: Whose husband does the girl that notices the first person to set foot on Plymouth Rock follow?
[A]: Dorothy Bradford.


[Q]: Passage: While Stafford was still working for Dorsey, Johnny Mercer told her, "Some day I'm going to have my own record company, and you're going to record for me." She subsequently became the first solo artist signed to Capitol after leaving the Pied Pipers in 1944. A key figure in helping Stafford to develop her solo career was Mike Nidorf, an agent who first heard her as a member of the Pied Pipers while he was serving as a Captain with the United States Army. Having previously discovered artists such as Glenn Miller, Artie Shaw, and Woody Herman, Nidorf was impressed by Stafford's voice, and contacted her when he was demobilized in 1944. After she agreed to let him represent her, he encouraged her to reduce her weight and arranged a string of engagements that raised her profile, and confidence.The success of Stafford's solo career led to a demand for personal appearances, and from February 1945 she embarked on a six-month residency at New York's La Martinique nightclub. Her performance was well-received—an article in the July 1945 edition of Band Leaders magazine described it as "sensational"—but Stafford did not enjoy singing before live audiences, and it was the only nightclub venue she ever played. Speaking about her discomfort with live performances, Stafford told a 1996 interview with The New Yorker's Nancy Franklin, "I'm basically a singer, period, and I think I'm really lousy up in front of an audience—it's just not me."Stafford's tenure with the United Service Organizations (USO) during World War II—which often saw her perform for soldiers stationed in the U.S.—led to her acquiring the nickname "G.I. Jo". On returning from the Pacific theater, a veteran told Stafford that the Japanese would play her records on loudspeakers in an attempt to make the U.S. troops homesick enough to surrender. She replied personally to all the letters she received from servicemen. Stafford was a favorite of many servicemen during both World War II and the Korean War; her recordings received extensive airplay on the American Forces radio and in some military hospitals at lights-out. Stafford's involvement with servicemen led to an interest in military history and a sound knowledge of it. Years after World War II, Stafford was a guest at a dinner party with a retired naval officer. When the discussion turned to a wartime action off Mindanao, the officer tried to correct Stafford, who held to her point. He countered her by saying, "Madame, I was there". A few days after the party, Stafford received a note of apology from him, saying he had re-read his logs and that she was correct. 
Question: What two wars was Stafford a favorite of many of the servicemen?
[A]: World War II.


[Q]: Passage: Sister Mary Bonaventure is in charge of the hospital ward of a convent in the county of Norfolk, England. She is troubled by her own sister's suicide, which she confides to her Mother Superior.
A torrential rain closes nearby roads, causing Sergeant Melling of the police to bring condemned murderer Valerie Carns there. She is being taken to prison.
Valerie was convicted of poisoning her brother Jason, a pianist. Jason's physician, Dr. Jeffreys, is head of the hospital where Sister Mary now works. Valerie still proclaims her innocence, but Jeffreys insists that she gave Jason a fatal overdose of his medicine.
A photograph of Jason clearly disturbs Isabel Jeffreys, the doctor's wife. He gives her a sedative. Valerie appeals to Sister Mary to bring her fiance, Sidney Kingham, to the convent to see her. A servant tells Sister Mary about the sadistic behavior of Jason Carns and produces a love letter to him, clearly written by Isabel.
Mother Superior is upset by Sister Mary's meddling. She burns the letter. The nun still intends to tell Melling the police sergeant what she knows.
Dr. Jeffreys is the one who gave Jason the fatal dose, and he might be slowly poisoning Isabel as well. He lures Sister Mary to a bell tower, where he attacks her. She rings the bell. Sidney hears it, rushes to her aid and overpowers Jeffreys, who is arrested by Melling.
Sister Mary's faith is restored, believing the rain that delivered Valerie to her to be divine intervention. 
Question: Who saves Sister Mary Bonaventure from Dr. Jeffreys?
[A]:
Sidney Kingham.