In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: How long had Manchester United been a club when Duncan Edwards died? Passage 1:Critic Janet Maslin, writing in The New York Times, said of director Kasdan, "he creates the film's most satisfying moments by communicating his own sheer enjoyment in revitalizing scenes and images that are so well-loved." Impressed, she exclaimed, "Silverado is a sweeping, glorious-looking western that's at least a full generation removed from the classic films it brings to mind." Roger Ebert in the Chicago Sun-Times called it "sophisticated" while remarking, "This is a story, you will agree, that has been told before. What distinguishes Kasdan's telling of it is the style and energy he brings to the project." In the San Francisco Chronicle, Peter Stack wrote that the film "delivers elaborate gun-fighting scenes, legions of galloping horses, stampeding cattle, a box canyon, covered wagons, tons of creaking leather and even a High Noonish duel." He openly mused, "How it manages to run the gamut of cowboy movie elements without getting smart-alecky is intriguing." In a mixed review, Gene Siskel of the Chicago Tribune, said the film was "a completely successful physical attempt at reviving the western, but its script would need a complete rewrite for it to become more than just a small step in a full-scale western revival." Another ambivalent review came from Jay Carr of The Boston Globe. He noted that Silverado "plays like a big-budget regurgitation of old Westerns. What keeps it going is the generosity that flows between Kasdan and his actors. It's got benevolent energies, but not the more primal kind needed to renew the standard Western images and archetypes." In an entirely negative critique, film critic Jay Scott of The Globe and Mail said the all too familiar "manipulative Star Wars-style score is the only novelty on tap in Silverado, which has a plot too drearily complicated and arid to summarize". Left equally unimpressed was Dave Kehr of the Chicago Reader. Commenting on director Kasdan's style, he said his "considerable skills as a plot carpenter seem to desert him as soon as the story moves to the town of the title." As far as the supporting cast was concerned, he dryly noted, "none of them assumes enough authority to carry the moral and dramatic center of the film." Giving Silverado 4 out of 5 stars, author Ian Freer of Empire, thought the film was the "kind of picture that makes you want to play cowboys the moment it is over." He exclaimed, "Whereas many of the westerns from the ‘70s try a revisionist take on the genre, Silverado offers a wholehearted embracing of western traditions."
 Passage 2:The most famous former resident of the Priory Estate is Duncan Edwards, who was born two miles away at Holly Hall but moved to 31 Elm Road as a small child and went on to play 18 times for England as well as winning two Football League championships with Manchester United before he died in 1958 at the age of 21 from injuries sustained in the Munich air disaster. As a child, he had attended Priory Primary School and then Wolverhampton Street School. The school is most famous for being the former school (1941 to 1948) of the late Duncan Edwards, the former Manchester United and England footballer. He died aged 21 as a result of the Munich air disaster in 1958. After his death, a stained glass window was dedicated to Edwards at St Francis parish church at the junction of Laurel Road and Poplar Crescent. The church was founded during 1931 and originally based at Priory Hall before the church building on the newly developed housing estate was opened on 10 May 1932.
 Passage 3:The Yasui procedure is a pediatric heart operation used to bypass the left ventricular outflow tract (LVOT) that combines the aortic repair of the Norwood procedure and a shunt similar to that used in the Rastelli procedure in a single operation. It is used to repair defects that result in the physiology of hypoplastic left heart syndrome even though both ventricles are functioning normally. These defects are common in DiGeorge syndrome and include interrupted aortic arch and LVOT obstruction (IAA/LVOTO); aortic atresia-severe stenosis with ventricular septal defect (AA/VSD); and aortic atresia with interrupted aortic arch and aortopulmonary window. This procedure allows the surgeon to keep the left ventricle connected to the systemic circulation while using the pulmonary valve as its outflow valve, by connecting them through the ventricular septal defect. The Yasui procedure includes a modified Damus–Kaye–Stansel procedure to connect the aortic and pulmonary roots, allowing the coronary arteries to remain perfused. It was first described in 1987.

2

Question: Where did Dudow work with Leopold Jessner? Passage 1:Dudow was born in Zaribrod, Bulgaria (today Dimitrovgrad, Serbia). In 1922, he emigrated to Berlin with the intention of becoming an architect. He gave up this plan and began studying theatre in 1923, first under Emmanuel Reicher, and then, from 1925 to 1926, as a theatre studies student under Max Herrmann at the university. He worked with Leopold Jessner and Jürgen Fehling, served as a chorus member under Erwin Piscator, and was a director's assistant to Fritz Lang on the production of Metropolis. During this time, Dudow also ran a bookstore with his wife and worked as a foreign correspondent for a Bulgarian newspaper. In 1929, he visited the Soviet Union, where he met Vladimir Mayakovsky and Sergei Eisenstein in Moscow and eventually, Bertolt Brecht. After his return from the USSR, Dudow directed Brecht's theatrical piece, The Decision (Die Massnahme), and began his film directing career. He was commissioned by the left-wing, Soviet-German production company Prometheus-Film to direct a short film, Wie der Berliner Arbeiter wohnt (1929), as part of the documentary series Wie lebt der Berliner Arbeiter? Dudow's first feature, Kuhle Wampe (To Whom Does the World Belong?, 1932) was a collaboration with Brecht (who provided the script and helped finance the project), Hanns Eisler, and Ernst Ottwalt. It was banned because it was perceived as being politically subversive. 
 Passage 2:Boulding maintained his links with football and trained with Doncaster Rovers, and in 1998 he joined non-league Hallam near his home in Sheffield. His form at Hallam attracted the interest of a number of league clubs, and Boulding was offered a trial by Mansfield Town. He was given a contract by the Division Three side and turned professional in 1999, which brought an end to his tennis career. He made his debut with Mansfield in a League Cup game against Nottingham Forest on 11 August 1999 as a late substitute for Gary Tallon, before his first league game came three days later against Cheltenham Town. He had to wait until his 12th game as a professional to register his first goal when he scored in a 2–1 victory over Shrewsbury Town on 23 October. He eventually finished his first season with six goals with Mansfield coming 17th but 17 points above Carlisle United, the only side to be relegated out of The Football League.
 Passage 3:Jones was selected by the Dallas Cowboys in the first round (24th overall) of the 1992 NFL Draft, becoming the first player from East Carolina University to be drafted that high. The team moved Ken Norton Jr. to outside linebacker, allowing him to become the second rookie (Eugene Lockhart) in Cowboys history to start at middle linebacker, and the second rookie (Lee Roy Jordan) linebacker in franchise history to start in a season-opener. He helped the Cowboys establish the top defense in the league in 1992, was named NFC rookie of the year and was selected to the NFL All-rookie team. He started 13 out of 15 games, posting 108 tackles (second on the team), one sack, 2 tackles for loss, 4 quarterback pressures, one pass defensed and one fumble recovery. He had 16 tackles against both the Philadelphia Eagles and Kansas City Chiefs.

1

Question: During which years did Charles III of Spain support the American revolutionaries despite his misgivings about the example it would set for the Spanish Colonies? Passage 1:The popularisation of television broadcasting in the UK during the 1950s brought with it both new avenues for animation production and a shift in the demographic orientation of animation to the realms of children's programming. The year 1950 saw the premier of the long-running children's TV series Watch with Mother (1950–74) which would not include animation per se, but would feature several puppet-based segments (such as "Andy Pandy" and "Flower Pot Men") that would later become staples of British children's popular imagery and animation. Such is the case as well with the children's book character Noddy, who has appeared in various iterations and with different means of animation ranging from stop-motion to CGI to this day. The BBC's investment in resources and personnel oriented to children's media during this time would also provide avenues for the service's eventual inclusion of animation—particularly stop-motion animation, which could be derived from some of the same resources and skill-sets as live action puppetry. Puppeteer Gordon Murray for example, would branch off from his work on the "Watch with Mother" segment "The Woodentops" and other live action puppet shows to create several stop motion animated children's series in the 1960s, including "Camberwick Green" (1966), "Trumpton" (1967) and "Chigley" (1969). Modelmaker Peter Firmin and writer Oliver Postgate similarly created several stop-motion animated works for children during this period, including "Pingwings" (1961–1964), "Pogles' Wood" (1966–1967) and "Clangers" (1969–1972). It is during this period that ties between the UK's children's animation and several other British media and literary tendencies consolidated, with shows of this period providing a blueprint for future children's TV focussing on rural communities and day-to-day interpersonal relationships. Within this tendency, strong ties can be seen within children's TV and much older pastoral children's literature, social realist cinema and documentary, and the theatrical comedy of manners. This transition from puppetry to stop-motion also demonstrates the influence of Eastern European animation (such as that of Czech animator Jiří Trnka and his followers), with its own proclivity for wood and felt animation puppets and often static facial features. Trnka's work helped to inspire British production companies, including Pete Bryden and Ed Cookson's BBC-commissioned stop-frame animated children's series Summerton Mill (2005).
 Passage 2:After the D-Day invasion, was reassigned to IX Tactical Air Command (IX TAC) and directed to provide ground support for advancing United States First Army forces in France, attacking enemy targets initially in the Cotentin Peninsula, then supported Operation Cobra, the breakout of Normandy and attacked enemy forces in the Falaise-Argentan Gap. Wing headquarters and subordinate units operated primarily from liberated airfields and newly built temporary Advanced Landing Grounds in France, moved into north-central France, its groups attacking enemy targets near Paris then north-west into Belgium and the southern Netherlands. In December 1944/January 1945, engaged enemy targets on the north side of the Battle of the Bulge, then moved eastward into the Northern Rhineland as part of the Western Allied invasion of Germany.
 Passage 3:The rivalry with Britain also led him to support the American revolutionaries in their War of Independence despite his misgivings about the example it would set for the Spanish Colonies. During the war, Spain recovered Menorca and British West Florida in military campaigns, but failed to regain Gibraltar. Spanish military operations in West Florida and on the Mississippi River helped the Thirteen Colonies secure their southern and western frontiers from British attack. The capture of Nassau in the Bahamas enabled Spain to also recover East Florida during peace negotiations. The Treaty of Paris of 1783 confirmed the recovery of the Floridas and Menorca, and restricted the actions of British commercial interests in Central America.


3