instruction:
Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.
question:
CONTEXT: The wiki states that the smaller portals were inter-dimensional "wounds" that would close/collapse quickly after forming, and that only the Demogorgon could make them because they took a lot of energy to create. Presumably the "demo dogs" are too weak to make portals like this, which is why they dig the tunnels instead.  <sep>  Q: Why is the portal so hard to close in Stranger Things 2, when the monster opened many in the first season? A: the smaller portals were inter-dimensional "wounds  Q: So what makes them easier to close? A: would close/collapse quickly after forming  Q: Who made these portals? A: only the Demogorgon could make them because they took a lot of energy to create  Q: Is there anything else you can tell me about these portals? A: Presumably the "demo dogs" are too weak to make portals like this  <sep> FOLLOWUP_Q: What do the demo dogs do in stranger things?
answer:
Yes


question:
CONTEXT: The rights issue is still fairly murky. If a program or film is deemed 'newsworthy' (ie documentary) then less rights need to be secured (although privacy copyrights are still in effect and do need to cleared before presentation). Biopics like Ed Wood, despite being based on a real person, are considered 'fictional entertainment' and thus do not require clearance from the family unless real photos/sounds are used. In some cases, biopics can be halted - for example, the Amy Winehouse project that has been stalled because her father has refused to release the rights to her music.  <sep>  Q: Do the biopic-ized people get paid for being represented in their respective biopic movies?
answer:
No


question:
CONTEXT: You're kind of focusing on the wrong end of the sentiment. It's not so much that they did what Freddie wanted, it's that they never stood up to him or offered any critiques. What Freddie's trying to concede here is that he did his best work when Brian, Roger, and John were giving their input. The Munich guys were either unable or unwilling to stand up to Freddie's creativity, and so his work wasn't as good. In short, Freddie found out he is not the perfect musical force he believed he was before he went to Munich, he recognizes that he needs the rest of the band, and he's explaining why he was wrong in abandoning Queen.  <sep>  Q: Why is it a problem for Freddie if the guys from Munich did what he wanted?
answer:

Yes