TASK DEFINITION: In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
PROBLEM: Review: Saw a trailer for this on another video, and decided to rent when it came out. Boy, was I disappointed! The story is extremely boring, the acting (aside from Christopher Walken) is bad, and I couldn't care less about the characters, aside from really wanting to see Nora's husband get thrashed. Christopher Walken's role is such a throw-away, what a tease! Question: is it a positive review?

SOLUTION: no

PROBLEM: Review: Mario Lanza, of course, is "The Great Caruso" in this 1951 film also starring Ann Blyth, Dorothy Kirsten, Eduard Franz and Ludwig Donath. This is a highly fictionalized biography of the legendary, world-renowned tenor whose name is known even today.The film is opulently produced, and the music is glorious and beautifully sung by Lanza, Kirsten, Judmila Novotna, Blanche Thebom, and other opera stars who appeared in the film. If you're a purist, seeing people on stage smiling during the Sextet from "Lucia" will strike you as odd - even if Caruso's wife Dorothy just had a baby girl. Also it's highly unlikely that Caruso ever sang Edgardo in Lucia; the role lay too high for him.In taking dramatic license, the script leaves out some very dramatic parts of Caruso's life. What was so remarkable about him is that he actually created roles in operas that are today in the standard repertoire, yet this is never mentioned in the film. These roles include Maurizio in Adriana Lecouvreur and Dick Johnson in "Girl of the Golden West," There is a famous photo of him posing with a sheet wrapped around him like a toga. The reason for that photo? His only shirt was in the laundry. He was one of the pioneers of recorded music and had a long partnership with the Victor Talking-Machine Company (later RCA Victor). He was singing Jose in Carmen in San Francisco the night of the earthquake.Instead, the MGM story basically has him dying on stage during a performance of Martha, which never happened. He had a hemorrhage during "L'Elisir d'amore" at the Met and could not finish the performance; he only sang three more times at the Met, his last role as Eleazar in La Juive. What killed him? The same thing that killed Valentino - peritonitis. His first role at the Met was not Radames in Aida, as indicated in the film, but the Duke in Rigoletto. So when it says on the screen "suggested by Dorothy Caruso's biography of her husband," that's what it was - suggested. What is true is that Dorothy's father disowned her after her marriage, and left her $1 of his massive estate. They also did have a daughter Gloria together (who died at the age of 79 on 10/7/2007). However, Caruso had four other children by a mistress before he married Dorothy.Some people say that Lanza's voice is remarkably like Caruso's, but just listen to Caruso sing in the film "Match Point" -- Caruso's voice is remarkably unlike Lanza's. In fact, from his sound, had he wanted to, Caruso could have sung as a baritone. He is thought to have had some trouble with high notes, further evidence of baritone leanings; and the role he was preparing when he died was Othello, a dramatic tenor role, which Lanza definitely was not. Lanza's voice deserved not to be compared with another. He made a unique contribution to film history, popularizing operatic music. He sings the music in "The Great Caruso" with a robust energy; he is truly here at the peak of what would be a short career. His acting is natural and genuine. Ann Blyth is lovely as Dorothy and gets to sing a little herself.Really a film for opera lovers and Lanza fans, which are probably one and the same. Question: is it a positive review?

SOLUTION: yes

PROBLEM: Review: A thematic staple of cinema since its inception is that genre involving seductive women whose wiles and means entice susceptible men not only into their arms but also into dire circumstances that typically will only result in jeopardy for the male victims, along with incertitude as to whether or not temptresses will be forced to take their medicine, and here Susan Lucci performs as a siren, although her acting chops from a primarily soap opera pedigree are inadequate to make her performance a credible one. Isabelle (Lucci), inconstant wife of venture capitalist Stewart Collins (John O'Hurley), begins a love affair merely for fun with yacht salesman Richard Davis (Philip Casnoff), simply a bagatelle for her but an earnest matter of the heart for Richard, apparently mesmerized by his lover while she takes advantage of his ardour by engaging him in a risky plot that will graduate into a scheme of murderous intent. When Davis becomes convinced that guileful Isabelle is a victim of physical abuse administered by her husband, he desperately attempts to free her from what he feels is a marital trap in order that he may wed her himself, coming to believe that the only clear solution to his plight will be found in a rudimentary essay at hiring a professional assassin who will dispose of the allegedly violent Stewart. In the wake of the hit-man's assault upon Collins, a pair of police detectives, performed by Joe Grifasi and Dean McDermott, become increasingly curious concerning Isabelle's possible involvement in the crime, while at the same time reality dawns upon enraptured Richard who might have to pay a dear price in return for his inamorata's maneuvering. Lucci and Kasnoff are properly cast as a viable pair of conspirators, each giving a reading that makes for a boring rather than charming set of lovebirds, but O'Hurley and McDermott offer strong turns in a film that suffers from a hackneyed scenario as well as uninventive direction and design elements. Released upon a Fremantle DVD, this largely lustreless affair depicting a man 'neath the spell of a seductress does benefit from top-flight visual and sound quality, and although no extra features are provided, the above-average production quality enhances able efforts from cinematographer Robert Primes and composer Stephen Edwards. Question: is it a negative review?

SOLUTION:
yes