In this task, you are given a question and a context passage. You have to answer the question based on the given passage.

[Q]: What do methodist's change from normal communion?, Context: Historically, the Methodist Church has supported the temperance movement. John Wesley warned against the dangers of drinking in his famous sermon, "The Use of Money," and in his letter to an alcoholic. At one time, Methodist ministers had to take a pledge not to drink and encouraged their congregations to do the same. Today the United Methodist Church states that it "affirms our long-standing support of abstinence from alcohol as a faithful witness to God's liberating and redeeming love for persons." In fact, the United Methodist Church uses unfermented grape juice in the sacrament of Holy Communion, thus "expressing pastoral concern for recovering alcoholics, enabling the participation of children and youth, and supporting the church's witness of abstinence." Moreover, in 2011 and 2012, The United Methodist Church's General Board of Church and Society called on all United Methodists to abstain from alcohol for Lent.
[A]: uses unfermented grape juice


[Q]: How was Lithuania effected by the Crusades?, Context: With the onset of the Crusades in 1095, and the expulsions from England (1290), France (1394), and parts of Germany (15th century), Jewish migration pushed eastward into Poland (10th century), Lithuania (10th century), and Russia (12th century). Over this period of several hundred years, some have suggested, Jewish economic activity was focused on trade, business management, and financial services, due to several presumed factors: Christian European prohibitions restricting certain activities by Jews, preventing certain financial activities (such as "usurious" loans) between Christians, high rates of literacy, near universal male education, and ability of merchants to rely upon and trust family members living in different regions and countries.
[A]: Jewish migration


[Q]: What changed in music as time progressed?, Context: The music of the Romantic era, from roughly the first decade of the 19th century to the early 20th century, was characterized by increased attention to an extended melodic line, as well as expressive and emotional elements, paralleling romanticism in other art forms. Musical forms began to break from the Classical era forms (even as those were being codified), with free-form pieces like nocturnes, fantasias, and preludes being written where accepted ideas about the exposition and development of themes were ignored or minimized. The music became more chromatic, dissonant, and tonally colorful, with tensions (with respect to accepted norms of the older forms) about key signatures increasing. The art song (or Lied) came to maturity in this era, as did the epic scales of grand opera, ultimately transcended by Richard Wagner's Ring cycle.
[A]:
Musical forms began to break from the Classical era forms (even as those were being codified), with free-form pieces like nocturnes, fantasias, and preludes being written where accepted ideas about the exposition and development of themes were ignored or minimized