TASK DEFINITION: In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.
PROBLEM: The film starts in the Long Island Kennel Club where is murdered a dog,later is appeared dead as a case of committing suicide a collector millionaire called Arched,but sleuth debonair Philo Vance(William Powell)to be aware of actually killing.There are many suspects : the secretary(Ralph Morgan),the butler,the Chinese cooker,the contender(Paul Cavanagh) in kennel championship for revenge killing dog ,the nephew(Mary Astor) facing off her tyrant uncle,the Italian man(Jack La Rue),the brother,the attractive neighbour..Stylish Vance tries to find out who murdered tycoon,appearing many clues ,as a book titled:Unsolved murders. The police Inspector(Eugene Palette)and a coroner are helped by Vance to investigate the mysterious death.The sympathetic forensic medic examines boring the continuous body-count .Who's the killer?.The public enjoys immensely about guess the murder. The picture is an interesting and deliberate whodunit,it's a laborious and intriguing suspense tale.The personages are similar to Agatha Christie stories, all they are various suspects.They are developed on a whole gallery of familiar actors well characterized from the period represented by a glittering casting to choose from their acting range from great to worst. Powell is in his habitual elegant and smart form as Philo.He's protagonist of two famed detectives cinema,this one, and elegant Nick Charles along with Nora(Mirna Loy)make the greatest marriage detectives. Special mention to Mary Astor as the niece enamored of suspect Sir Thomas,she was a noted actress of noir cinema(Maltese falcon). The movie is magnificently directed by Hollywood classic director Michael Curtiz.He directs utilizing modern techniques as the image of dead through a lock-door,a split image while are speaking for phone and curtain-image.The tale is remade as ¨Calling Philo Vance¨(1940).The film is a good production Warner Bros, by Vitagraph Corp.

SOLUTION: positive

PROBLEM: This is a good adaptation of Austen's novel. Good, but not brilliant.The cinematography is inventive, crossing at times the border to gimmickry, but it certainly avoids the trap of making this look like a boring TV soap in costumes, given that the entire story is dialogue-driven.The acting is competent. Ms Paltrow is aloof, as her character requires, but the required distance from the other characters is accompanied by a much less appropriate detachment from her own actions. In other words, she does not seem to care enough of the results of her match-making endeavours. Some of the supporting cast is guilty of over-acting - very much in the style that is appreciated on stage but out of place in motion pictures. Personally, I had problems accepting Alan Cumming as Mr Elton - to no fault of his own, except for having left such an impression as a gay trolley-dolly in "The High Life" that it is now difficult to accept him playing any serious part. Acting honours go to Toni Collette who manages to radiate warmth, and Jeremy Northam who pitches his character at just the right level.

SOLUTION: positive

PROBLEM: Here's one you can watch with a straight face, with a script so bad, even Will Ferrell wouldn't be in it.There are two laughs in HOT ROD.1. The Punch-Dance. Rod "needs to go to his quiet place" and before anyone can say Kevin Bacon, he is footloosing a passionate, overwrought bodyswerve to the strains of a band who wishes they had the big-hair faux-metal chops of Europe.2. John Farnham's You're The Voice. In one of those epic sequences where the star and his cohorts do The Slomo Walk down Main Street and the townfolk follow on their heels in support, the soundtrack is the gag. How did the film-makers even come across this Aussie recording artist? A major Australian vocalist (and a genuine talent) who shot to fame in the early '70s covering Raindrops Keep Fallin' On My Head, then disappeared until 1986 for The Big Comeback with You're The Voice, John Farnham's anthem is so bewitchingly cheesy, it leveled mountains in Switzerland.Besides these two high points in the film - both ruined anyway with the slipshod writing - the rest of the film is like choking on someone else's vomit.Andy Samberg is Rod, a failed stunt jumper who has never made a jump. Maybe it's got something to do with the fact he's driving a moped into the heart of darkness. Or his fake mustache. Yeh, someone actually thought that was funny.Without one jump under his starry belt, he plans for a 15-bus extravaganza - which would surely kill a lesser bad comedian, like Jason Biggs or Rob Schneider - to win the day and save his stepfather and simultaneously wipe out cancer and whatever... who watches these movies for plot anyway? Along the way (as usual for moronic leads in these comedies), he scores a salubrious chick (Isla Fisher), who must surely be retarded to consider swapping chromosomes with this loser.Sissy Spacek (CARRIE, 1976) has so little to do she almost phoned in her performance - then changed her mind and just hung up. Ian McShane must've lost a bet to be here.

SOLUTION:
negative