In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

MOST INCREDIBLE . Now I do not pretend to know everything there is to know about Tears for Fears...but....I LOVE THIS CD! From START TO FINISH! IT is truely a conceptual masterpiece!  I was fortunate enough to see this performed LIVE in Detroit at St. Andrews Music Hall....incredible band incredible musicians...but ROLAND wrote it all!    He is truely a master...and minus CURT too he is still as good as ever! ITS A DARN SHAME that this did not get airplay and the concert only showed up as a small tiny ad in the corner of the local jam rag...but THE SHOW WAS INCREDIBLE the ALBUM has given to many a spin in my car CD player...it was in rotation there for about an entire year and often times repeated!  References to LENNON and MCCARTNEY are made and i think they are RIGHT ON CUE!    Roland is a true pop genius!  WHO CAN REALLY ROCK OUT TOO! Who ever said POP SONGS had to be boring eh? Just see this band perform one time if you are lucky enough!  Somewhere i see he appologized to Radiohead for playing the song CREEP but i saw him perform it with complete perfection!  The stage was extended with speakers galore and sound equipment to fill a HUGE VENUE in a small tiny club!  The lights and music and show were incredible and this cd is a GREAT one to own! CONCEPTUAL and PERFECTION in a POP RECORD!  GIVE THIS BAND MORE CREDIT!  THE poor website for this album set desolate for more than several years no activity!     Shame ITS A LOW DOWN DIRTY CRYING SHAME .....music has no support for the fine artists such as Tears For Fears...however ROLAND and CURT you have my FOREVER SUPPORT You are BOTH TRUE GENIUS's
POS

Welcome back, Sonny. . In 1962, it had been three years since Sonny Rollins had released a record.  Frustrated with what he felt was his own limitations, he took sabbatical to work on his form, practicing at the Williamsburg Bridge.  This odd habit led to his comeback album being named "The Bridge".  A quartet record featuring guitarist Jim Hall, bassist Bob Cranshaw, and drummer Ben Riley, invariably this album and it's story is the stuff of legends, and deservedly so.    Rollins is on fire throughout-- playing mostly standards (with only two originals), it sounds as if he was itching to get in the studio again, his playing is powerful, focused ("Without a Song"), lyrical (one of the definitive readings of "God Bless the Child") and emotive ("Where Are You?").  Rollins' support is generous and sympathetic, particularly on "God Bless the Child", where Cranshaw in particular feels like he's breathing in time with Rollins.    All in all, a worthwhile effort, and an essential point in Rollins' catalog.  It also may be the best place (either this or "Saxophone Collosus") to begin exploring Rollins' catalog.  Highly recommended
POS

Hip hop is a live and well!!!!! . This is one of my favorite releases from Common. This chi town warrior crafted an underground release that will bring a vibrant smile to the hardcore hip hop head and even awaken the minds of some of the fake commercial rap artist lovers. Songs like I used to love h.e.r and ressurection start the classic album and take you on the road to classic chicago hip hop. Not only the lyrics are dope but also the beats and the hooks. This is a pivotal album that needs to be in everyone's collectio

POS