In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

Question: How large was the endowment at Durham University the year that Mitchell started attending the school? Passage:Mitchell was born in London, and educated at Brightlands Preparatory School and Dulwich College, London. In 1943 he registered as a conscientious objector and his war-time service was spent in the Non-Combatant Corps. After the war, he taught at Oakfield Preparatory School, London and in 1947 founded and edited the journal Music Survey; several issues appeared before he was joined in 1949 by Hans Keller and the journal was re-launched in the Music Survey's so-called 'New Series' (1949–52), whose uncompromising critical standards and pugnaciously pro-Britten and pro-Schoenberg stance brought it renown and notoriety in equal measure. Mitchell studied at Durham University 1949-50. In the 1950s he was a regular contributor to the journals Musical Times and Musical Opinion. In 1958 he became editor of Music Books at Faber and Faber and in the same year was appointed Editor of Boosey & Hawkes's music journal Tempo, until 1962. From 1963 to 1964 he was a special music adviser at Boosey & Hawkes with particular responsibility for contemporary music and the acquisition of contemporary composers. He was responsible for Peter Maxwell Davies and Nicholas Maw joining the publisher's list. In 1965, with the encouragement of Benjamin Britten he founded the music-publishing firm of Faber Music, and was its first Managing Director (vice-chairman, 1976, chairman, 1977, president, 1988–95). In 1972 he became the first Professor of Music at Sussex University (until 1976). Following the death of Benjamin Britten, Mitchell became a senior trustee of the Britten-Pears Foundation; in 1986 he became the Foundation's director and chairman of the Britten Estate Ltd. From 1989 to 1992 he was chairman of the Performing Right Society. He was appointed a CBE in the 2000 New Year Honours, and died on 28 September 2017.
 Links: a. Non-Combatant Corps b. Oakfield Preparatory School c. Nicholas Maw d. Durham University
d

Question: Do fewer than 1000 people inhabit the town where Howells was born in 1962? Passage:Howells was born in 1962 in his grandmother's house in Bapchild, Kent in the South of England. He was raised in nearby Sittingbourne, and attended Minterne County Junior School and Borden Grammar School. In the 1970s, he participated in youth theatre companies including Kent County Youth Theatre and Sittingbourne Youth Theatre. From 1981-84 he attended Bretton Hall College in West Yorkshire, graduating with a bachelor's degree in Drama and English. After working as a jobbing actor and director in provincial productions of plays and pantomimes, in 1990 Howells joined the Citizens Theatre Company in Glasgow, Scotland as an assistant director to Giles Havergal (one of the company's three pioneering directors, alongside Philip Prowse and the late Robert David MacDonald). While working at the Citizens Theatre, Howells met Stewart Laing, and Laing cast Howells alongside the drag performers Leigh Bowery and Ivan Cartwright in a production of Copi's scatological play The Homosexual or the Difficulty of Sexpressing Oneself (1971) -- Laing's first directorial production (co-directed with Gerrard McArthur). The play toured to Glasgow, London and Manchester in 1993-94. Howells recalled that Time Out described it as a hymn to tastelessness. I blacked up and was an Asian transsexual with a Carry on up the Khyber accent.’ Bowery was a profound influence on Howells and the two were close friends until Bowery's premature death in late 1994.
 Links: a. Bapchild b. England c. Robert David MacDonald d. Leigh Bowery
a

Question: Which European director was older, Cocteau or Bergman? Passage:One of the main film genres associated with the Weimar Republic cinema is German Expressionism which was inspired by the expressionist movement in art. Expressionist movies relied heavily on symbolism and artistic imagery rather than stark realism to tell their stories. Given the grim mood in post-WWI, it was not surprising that these films focused heavily on crime and horror. The film usually credited with sparking the popularity of expressionism is Robert Wiene's The Cabinet of Dr. Caligari (1920), produced by Erich Pommer. The film tells the story of a demented hypnotist who is using a sleepwalker to perform a series of murders. The film featured a dark and twisted visual style - the set was unrealistic with geometric images painted on the floor and shapes in light and shadow cast on walls, the acting was exaggerated and the costumes bizarre. These stylistic elements became trademarks of this cinematic movement. Other notable works of Expressionism are Friedrich Wilhelm Murnau's Nosferatu (1922), Carl Boese and Paul Wegener's  (1920) and Metropolis (1927) directed by Fritz Lang. The Expressionist movement began to wane during the mid-1920s, but perhaps the fact that its main creators moved to Hollywood, California, allowed this style to remain influential in world cinema for years to come, particularly in American horror films and film noir and in the works of European directors such as Jean Cocteau and Ingmar Bergman.
 Links: a. Symbolism (arts) b. World War I c. F. W. Murnau d. Ingmar Bergman

d