Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

[Q]: CONTEXT: Because Sam was their top earner and with the change in casinos after their trial, they kept him around to keep earning. He had already proven himself during his previous trials about his license and not only that, he survived the bombing. This had two implications, first is that he wasn't like Nicky and the second, he had far too much press after he survived the bombing as he was the center of attention with the gaming board. They really couldn't kill him without proving they (the bosses) were involved.  <sep>  Q: Why was Sam "Ace" Rothstein spared by the bosses? A: Because Sam was their top earner and with the change in casinos after their trial, they kept him around to keep earning  Q: The bosses decide to eliminate anyone involved or with knowledge of the skim A: He had already proven himself during his previous trials about his license and not only that, he survived the bombing  <sep> FOLLOWUP_Q: The car bombing wasnt authorized and Nikky was the one responsible for that, so why was Sam spared by the bosses?
[A]: Yes


[Q]: CONTEXT: The Animatrix has both prequel stories, as well as concurrent stories to the Matrix. One of the stories even becomes explicitly canon when the protagonist of it becomes a minor but important character in Revolutions. Kid from Kid's Story shows up in Reloaded, but becomes important in Revolutions, when he helps save people during the Battle of Zion. The story itself takes place between The Matrix and Reloaded. There is no spoilers for Reloaded or Revolutions in any of the 9 short films.  <sep>  Q: How does Animatrix fit into the Matrix movies world? A: The Animatrix has both prequel stories, as well as concurrent stories to the Matrix  Q: What else does it add to the main storyline? A: One of the stories even becomes explicitly canon when the protagonist of it becomes a minor but important character in Revolutions  Q: Do they cover parts of the main storyline too or is it all new plot content? A: There is no spoilers for Reloaded or Revolutions in any of the 9 short films  Q: Ok so can you tell me anything else about the animatrix? A: Kid from Kid's Story shows up in Reloaded, but becomes important in Revolutions, when he helps save people during the Battle of Zion  <sep> FOLLOWUP_Q: Ok great. Any final comments to make make?
[A]: Yes


[Q]: CONTEXT: I'm sure scenes like this have been shot differently in different movies, but I have noticed that mostly the shots are faked. One option is to have the helicopter on the ground, with the engine off and the propellers stationary. The actors are inside. The camera operator moves around outside the helicopter to make it look like it's up in the air. Often, the camera is tilted upwards, shooting the actors slightly from underneath, to give a sensation of them being above the camera / viewer. The grounded helicopter may also be mounted on a moving platform to tip, raise and lower the helicopter to give the actors inside the actual sensation of movement, so their bodies shift believably. This can be shot outdoors, with actual sky in the background, or in front of a green screen, where fake sky and terrain is put in afterwards, along with a CGI propeller and reflections on the glass windshield. Another approach would be to shoot the helicopter actually in flight, and overdub the actors' dialog afterwards. In most cases, this would be more difficult and expensive.  <sep>  Q: How are helicopter scenes shot in TV/Film? A: One option is to have the helicopter on the ground, with the engine off and the propellers stationary  Q: How are scenes wherein the characters have a dialogue inside a helicopter as well as interact with the environment outside it, shot? A: The actors are inside. The camera operator moves around outside the helicopter to make it look like it's up in the air  Q: Do they use drones for this? A: Often, the camera is tilted upwards, shooting the actors slightly from underneath, to give a sensation of them being above the camera / viewer  <sep> FOLLOWUP_Q: Does it show the ground?
[A]:
Yes