In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[EX Q]: Question: When was the critic who coined the term "rockumentaries" born? Passage 1:Payton's big break came when she was cast as Harriet Winslow, the elevator operator on the ABC sitcom 'Perfect Strangers in 1987. Her performance was so well received by audiences that she was given her own sitcom, Family Matters, in 1989. Continuing her character Harriette Winslow from Perfect Strangers, she played a mother in an African-American middle-class family living in Chicago, Illinois. Payton left Family Matters partway through its final season, appearing for the last time on December 19, 1997. Payton's character was played by Judyann Elder in the show's remaining eight episodes. In 2002, Payton appeared on the "TV Moms" episode of the Anne Robinson version of The Weakest Link, and was the third one voted off. In 2003, Payton and her daughter appeared on a Mother's Day episode of Lingo, playing against fellow TV mom Meredith Baxter and her daughter. Baxter and her daughter won. In 2005, Jo Marie Payton provided the voice of Suga Mama in The Proud Family Movie. Her other television credits include Desperate Housewives, Reba, Girlfriends, Wanda at Large, Judging Amy, The Parkers, Will & Grace, The Hughleys, 7th Heaven, Moesha, The Jamie Foxx Show, 227, Silver Spoons, Small Wonder and The New Odd Couple. She also appeared in the Canadian TV mini series The Rev as Mama. In 2005, Payton co-hosted the 15th Annual NAACP Theatre Awards with Glynn Turman. In August 2009, Payton appeared on Meet the Browns as Shirley Van Owen. Payton recently hosted her own show on the Hometeam Network, Second Chance with Jomarie Payton. In 2012, Payton was in the GMC TV movie special From This Day Forward.
 Passage 2:In 1543, Europeans reached Japan for the first time when a junk belonging to the Chinese wokou pirate lord Wang Zhi carrying Portuguese traders shipwrecked on Tanegashima. The Portuguese introduced the arquebus to the Japanese during this chance encounter, which gave the Japanese, undergoing the bloody Sengoku period at the time, a powerful weapon with which they conducted their internecine wars. The discovery of Japan was attractive to Portuguese merchants and missionaries alike, for it gave the merchants a new market to trade their goods, and the Jesuit missionaries eyed Japan for new converts into Christianity. The warlords of Kyushu vied to get the Portuguese carrack (called the black ship by the Japanese) into their harbours, since the ship also brought considerable wealth to their fiefdoms in addition to the guns.
 Passage 3:Roger Ebert of the Chicago Sun-Times gave the film three stars out of four and wrote that "the musical scenes are the best rock coverage since 'Woodstock.' The sound is first rate, for one thing, and director Pierre Adidge has some idea of why Cocker electrifies a crowd." Vincent Canby of The New York Times called the film a "most satisfying, record-album of a movie" which "patronizes neither its audience nor its stars ... It is uncluttered, one of the best concert films so far." A review in Variety said, "Considerable technical expertise has gone into this production, and though the objective may be clear, it just hasn't turned out to be another 'Woodstock,' possibly because Joe Cocker's personality isn't all that endearing." Gene Siskel of the Chicago Tribune rated the film three stars out of four and wrote, "'Mad Dogs' is distinguishable from other 'rockumentaries' because it deals almost exclusively with the musician and his music. There are few side trips to cultural comments." Robert Hilburn of the Los Angeles Times stated, "As a film, 'Mad Dogs and Englishmen' is a good concert. For much of the picture's 114 minutes, the camera is on Joe Cocker, by most standards the best and most exciting singer in rock music ... But 'Mad Dogs and Englishmen,' unfortunately, fails in the end to rise above this interesting, but clearly limited historical summary of the Cocker tour. As a film, it doesn't establish its own importance." A negative review by Tom Zito of The Washington Post advised readers to "Forget the film and try the record," explaining, "What emerges from all this is roughly two hours of footage that looks terrible on the screen and sounds almost as bad. The film is projected in an annoying square format, except for the moments when the screen area is broken up into some poorly coordinated split-screen effects. The camerawork is often sloppy ... the whole thing winds up looking and sounding like a cheap, imitation (indoor) 'Woodstock.'" James D. White of The Monthly Film Bulletin declared that "The music itself is excellent," but "The film's information content is minimal; and one's heart sinks as the screen is split into a double image for the first number and as the mandatory shots—of excited fans, of joint-rolling in a hotel bedroom, of an interview with a vacuous groupie—are inevitably wheeled out."

[EX A]: 3

[EX Q]: Question: How many players were selected for the WNBA All-Star Game when Schimmel was named MVP? Passage 1:On April 14, 2014, Schimmel was selected in the first round of the 2014 WNBA draft (eighth pick overall) by the Atlanta Dream. Despite coming off the bench, Schimmel had an impressive rookie season, averaging 8.3 ppg and was voted a WNBA All-Star starter, become just the third reserve in league history to achieve that. In her first career game, Schimmel scored 7 points to go with a franchise-record 11 assists against the San Antonio Stars. In a regular season game win against the Phoenix Mercury, Schimmel scored a career-high 24 points, where she scored 20 of them in the second quarter, becoming one of six players in WNBA history to score 20 or more points in a quarter. She also earned recognition as the 2014 WNBA All-Star Game Most Valuable Player on July 19, 2014 in Phoenix, Arizona as Schimmel out battled Skylar Diggins by scoring a then WNBA All-Star Game record, 29 points (which would be broken by Maya Moore the following year). In 2014, her jersey was the league's best seller. Some of the other WNBA franchises have held events honoring Native Americans when the Dream is the visiting team. With Schimmel's productivity on the court along with a supporting cast of Sancho Lyttle, all-star center Érika de Souza and superstar small forward Angel McCoughtry, the Atlanta Dream were the number one seed in the Eastern Conference, but were upset in the first round of the playoffs, losing 2-1 to the fourth-seeded Chicago Sky.
 Passage 2:In 1994, Green joined his brother Barry's Team Green as team manager, and competed in the 1994 CART IndyCar World Series with driver Jacques Villeneuve, eventually winning both the 1995 Indianapolis 500 and the CART PPG IndyCar World Series Cup that same year. In 1996 Team Green became known as the Brahma Sports Team for a season, with driver Raul Boesel. In 1997 KOOL cigarettes took over as a major sponsor with Parker Johnstone, and the team was renamed Team KOOL Green, before expanding to a two-car effort in 1998 with Paul Tracy and rising youngster Dario Franchitti. In 2001, Michael Andretti joined the team in a separate effort headed by Kim Green, known as Team Motorola. In July 2002, Andretti purchased a controlling stake in the team which became Andretti Green Racing. Shortly thereafter the team moved to the IRL IndyCar Series where it won league championships in 2004, 2005 and 2007 and the Indianapolis 500 in 2005 and 2007. Green and fellow co-owner Kevin Savoree left AGR in September 2009 to run Green Savoree Racing Promotions, an auto race promotion company. Currently, GSRP promote Indycar Series races in St. Petersburg, Florida and Toronto, Ontario, Canada. On March 2, 2011 Green Savoree purchased the Mid-Ohio Sports Car Course and will promote races at that site as well.
 Passage 3:Traditional African religions like the Serer religion (A ƭat Roog) are adhered to by devout worshippers of Roog – the supreme deity in Serer religion. The Serer ethnic group who adhere to the tenets of Serer religion (including those Senegalese who syncretize) honour the Serer pangool and have ancient rituals and festivals devoted to them. The religious affairs of Serer religion devotees are usually headed by the Saltigue (the Serer priestly class) which in ancient times was the preoccupation of the Serer lamanic class. Some of these religious festivals or ceremonies include the Ndut (rite of passage), Xooy (divination festival once a year in Fatick), and the Raan festival. Senegalese hold several ancient beliefs, such as small efforts of 'thanks' or demands, such as protection from water. They also place great importance on the Baobab tree, which is known as the "House of the Spirits." The baobab tree along with other sacred trees figure prominently in the Serer creation narrative. Among the Jola people, some religious festivals include the Samay, Kumpo and the Niasse.

[EX A]: 1

[EX Q]: Question: What age was Bernie Moore the year LSU won their first SEC Championship? Passage 1:Under head coach Bernie Moore, LSU won their first Southeastern Conference (SEC) Championship finishing with a 5–0 conference record and 9–2–0 overall in 1935. LSU played in their first Sugar Bowl game, falling to No. 4 TCU 3–2 at Tulane Stadium. The Tigers and Horned Frogs both took home the Williamson Poll national championship, which is not claimed by LSU. End Gaynell Tinsley was named a consensus All-American in 1935 and 1936, becoming the first All-America selection for LSU. Coach Moore once said, "Tinsley could have made All-American at any position. He was so tough, he made blockers quit. He's the greatest lineman I ever saw." Along with Tinsley in the line were Marvin Stewart, Justin Rukas, and Jeff Barrett. In the backfield were Mickal, Jesse Fatherree, and Pinky Rohm – all members of LSU's "Early Days" team of the century. The team's quarterback was Bill May, awarded the Jacobs Blocking Trophy in 1936.
 Passage 2:The King's Royal Rifle Corps was an infantry rifle regiment of the British Army that was originally raised in British North America as the Royal American Regiment during the phase of the Seven Years' War in North America known as 'The French and Indian War.' Subsequently numbered the 60th Regiment of Foot, the regiment served for more than 200 years throughout the British Empire. In 1958, the regiment joined the Oxfordshire and Buckinghamshire Light Infantry and the Rifle Brigade in the Green Jackets Brigade and in 1966 the three regiments were formally amalgamated to become the Royal Green Jackets. The KRRC became the 2nd Battalion, Royal Green Jackets. On the disbandment of the 1st Battalion, Royal Green Jackets in 1992, the RGJ's KRRC battalion was redesignated as the 1st Battalion, Royal Green Jackets, eventually becoming 2nd Battalion, The Rifles in 2007.
 Passage 3:Davis won Emmys in 1990 for Beauty and the Beast and 1995 for SeaQuest DSV. He wrote scores mostly for television series up until 1995, in which he wrote a few of the cues for the animated Disney motion picture A Goofy Movie. He continued to score television series until the two then young directors, the Wachowskis, hired him to score their neo-noir film Bound. It was reasonably successful at the box office. Bound was the film which led Davis into becoming the composer for the entire Matrix trilogy. Subsequently, Davis has composed scores for films such as Jurassic Park III (recommended to the filmmakers by John Williams, the composer of the scores for the first two films in the series), House on Haunted Hill, Behind Enemy Lines, and The Unsaid. In 2004, he produced the music score for the BBC science fiction documentary series Space Odyssey: Voyage to the Planets, released as Voyage to the Planets and Beyond in the United States.

[EX A]:
1