In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Q: 7.5/10 . _In the Fishtank_ is an ongoing venture of an independent record company that allows the free exchange of musical ideas between (usually) two bands. Ultimately, the _Fishtank_ delivers exactly what it promises: a veritable fusion of the bands in question to create a sound that in itself is unique, but could also realistically (though far-fetched perhaps) fit in with any of the individual artists' other recordings. The bands involved with this volume of _Fishtank_ are Isis and Aereogramme, two bands that have some overlapping qualities, but aren't exactly the same by any means. This is the first and only _Fishtank_ volume I have heard as of yet, but it is apparently a great success on more than one level.    "Low Tide" starts with a tender, echoing melody that sprouts like an elaborately blooming plant. The reverberating music seems to lean more towards the style of Isis, but the singer of Aereogramme handles the vocals. My first impression was that the vocals sounded a bit like Maynard James Keenan's quivering falsetto. Just a bit. Well maybe a bit more than a bit. Either way, they sounded good. The track builds up with a pulsing bass line and industrial rhythm then calmly dissipates into the vast void of the sea. "Delial" gets off to a heavier start, and the hollow vocals of Isis' Turner become shrouded in a driving rhythm that evolves into an abrasive screech.  The third track, "Stolen" is more relaxed, with an extremely peaceful orchestration forming the bulk of the song, which trails off into an ambient mix of synths and natural sound effects.    The _Fishtank_ concept is a good idea, and it provides a bridge of discovery for fans of both bands involved. For having only two days to produce the songs, I'd say both bands did a great job. I would also say that both fanbases will enjoy this, and for the price, it is another good impulse buy if you're looking for something new. Actually, I recommend getting all three albums in the Isis/Aereogramme trilogy that I have reviewed, along with _In the Absense of Truth_ and _Seclusion_, and listening to them in succession with the _Fishtank_ in their midst. All else aside, this volume has prompted me to seek out the others

A: POS
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Q: No impact . I'll probably never run out of music to discover. It seems that no matter how many stones I turn, no matter how exhaustive my search is, there will always be atleast a few gems I'd somehow overlooked. For me, XTC are one of those gems. I picked up Black Sea at the local record shop and it completely knocked me out. Maybe it was those huge drums, or the way everything felt like it was pulling apart at the seams. Regardless of what it was, I had to have more. Over the course of the next few weeks I proceeded to buy Drums and Wire followed by English settlement. Again, both were completely stellar albums, especially D & W.    Then there was Skylarking. It was supposed to be THE XTC album, their masterpiece. People compared it to the likes of Pet sounds and proclaimed it one of the best albums of all time. I'm sad to say it didn't live up to the hype for me. In fact, I find it to be downright mediocre. For me this is where they dropped the ball and failed to pick it back up. I'll admit that I miss the more raw, punk like energy that was found in early XTC, but that's not why I dislike this album. I actually enjoy alot of mellow, lavishly produced music, but Skylarking just sounds...bland. None of the songs seem to stand out and the production is borderline soft rock. Every time I listen I hear less of what made me love XTC in the first place and more of why I can't stand Phil Colins. Even the songwriting itself is weak, lacking strong hooks and any sort of weight to help the music rise out of the syrupy muck that Todd Rundgren laid out. I just don't see what all the fuss is about.

A: NEG
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Q: Classic EP from dem Cleveland Boyz . Bone's first official release (not counting the rare and hard to find "B.O.N.E. Enterprise" album from 92 or 93). Classic, not much more to say, even though it's only 5 songs, they're all classics or damn good songs. With all 5 members on here, Flesh was still around, you get the beginning to one of the best groups ever in rap, and in their prime, as what they did was something new and orioginal and everone loved it. Production is insane, like on E.1999, and mostly handled by the great DJ Uneek, who's beats fit them so well, and some help from Yella. A must have album     #3 - 10 (CLASSIC their first big song -- great beat)   #4 - 9 (tight beat)   #5 - 9.5 (tight beat)   #6 - 8.5   #7 - 10 (CLASSIC -- f/ Eazy E)     KRAYZIE -- Anthony Henderson -- b. 6/3/74 -- Cleveland, OH   BIZZY -- Bryon Anthony McCane -- b. 9/12/76 -- b. Columbus, OH; Cleveland, OH   LAYZIE -- Steven Howse -- b. 9/23/75 -- Cleveland, OH   WISH -- Charles Scruggs -- b. 2/17/75 -- Cleveland, OH   FLESH -- Stanley Vernell Howse -- b. 6/10/73 -- Cleveland, OH     BONE THUGS!!!!!   check all my review

A:
POS
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