In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Ex Input:
Beautiful voice, catchy songs. . Though I am not a fan of pop music, the beauty of Ofra Haza's voice lured me in.  This album has wonderful songs in an almost 80s-style pop music with "middle eastern" influence.  The lyrics are moving and deeper than typical pop music, complete with a voice that is unique to just about any genre

Ex Output:
POS


Ex Input:
Poor beyond poor beyond poor beyond poor beyond poor... . I remember Christmas a couple years back, when I saw a CD wrapped under the tree. Hoping it would either be by the Beatles or a computer game, I eagerly unwrapped it. I thought, oh no not pop music, but gave it a chance anyway.  I'm sorry I did. The first three songs are all raps, and you know my feelings toward rap (If you don't, I hate it.) Hot In Herre is on my list of overrated songs, although Weird Al's parody, Trash, is hilarious. A bunch of boring songs, then Landslide, which is okay...more boring songs...No Doubt? Dear God, don't let them hurt me! More boring songs...hey, Hero, that's good, Don't Know Why is too. More boring songs...In My Place, that one's good...more boring songs...ONE LAST BREATH? MAKE IT STOP!!!!!!!!  Don't buy this.

Ex Output:
NEG


Ex Input:
A gem that shines brighter with each listen . Carbon Leaf's sound continues to evolve, and the results are outstanding. The band says it has given up trying to "define" its style of music, since it's a shifting blend of so many influences and original ideas. In the past, Carbon Leaf has played variations of rootsy folk-rock with Celtic, bluegrass, and alt-pop flourishes. This new album is focused more on a clean but no less impressive, straightforward pop-rock sound that's catchy without being cloying, radio-friendly without being superficial. Even with this focus, there's excellent variety: "Block of Wood" has a gorgeous country-rock lilt, for example, while "International Airport" flirts with jazz. All in all, this is a polished gem that deserves to be the band's breakout album.    The songs range from engaging ("Bright Lights," "Love Loss Hope Repeat") to anthemic ("Learn to Fly," "Comfort") to heartbreaking ("Block of Wood") to humorous ("A Girl and Her Horse") to profound ("The War Was in Color"). If you enjoy infectious melodies, stunning harmonies, thought-provoking and often bittersweet lyrics, beautiful instrumentation, and pristine, finely crafted production, you will love this album.     There are acoustic rhythm guitars aplenty, neatly embellished with subtle electric guitar riffs and fills (Terry Clark and Carter Gravatt), anchored by a killer rhythm section (Jordan Medas on bass and Scott Milstead on drums) and some touches of mandolin (Gravatt again). This album also has a bit more keyboard work than some of Carbon Leaf's earlier releases, courtesy of guest musician Tim Lauer. Soaring above it all is the clear, resonant and at times hypnotic voice of lead singer Barry Privett, who also writes all of the band's lyrics.    This is my favorite release of 2006 so far, along with "Ganging Up on the Sun" by Guster. Both new and longtime fans of Carbon Leaf have much to celebrate with "Love, Loss, Hope, Repeat.

Ex Output:

POS