Given a document, find the main entity about whom the author is writing. Write the full name if mentioned in the text. Note that URLs in the text have been replaced with [Link].

Q: Vince Staples  Believes  He  Deserves All The Grammys  But  He  Isn't Holding  His  Breath
 Vince Staples  is impossible to categorize. A Southern Cali MC who prides himself on his Long Beach bona fides while eschewing the prototypical gangsta rap tag with which he's often mis-labled  he's a natural at bucking the status quo. Yet he also sees clear divisions between art and commerce that lead him to question how institutions choose to define â or fail to distinguish â the two.
So when  Staples  found himself the subject of a recent Grammy campaign â initiated by Uproxx hip-hop editor Aaron Williams  who likened the EDM sonics of  Staples ' 2017 LP Big Fish Theory to "a post-apocalyptic pinball machine" â he was less interested in discussing whether or not his album is Grammy-worthy than he was in questioning the very construct upon which the Recording Academy recognizes and rewards genre-bending artists of color.
But  Staples ' argument is bigger than hip-hop. It's a critique rooted in the racial dynamic that has kept black artists in the industry categorically separate and unequal since the inception of "race music."
In a sense   Staples  is the kind of artist the academy tends to clamor over â a major-label signee who subverts mainstream convention. While his peers chase after collaborations with bankable trap producers  his album credits are filled with left-field collaborators Kilo Kish and Zack Seckoff  a young unknown producer largely responsible for Big Fish Theory's industrial-driven electronics.
No doubt   Staples  prizes his creative idiosyncrasies: "Hitchcock in my modern day / Where the f*** is my VMA? / Where the f*** is my Grammy?" as he raps on Big Fish Theory's "Homage."
The message is the easiest part of this whole thing. The hard part of music is designing the product and marketing the product â figuring out what it looks like  what it sounds like  what it feels like    who to sell it to and how to get  them  to believe that it's more important than  themselves . When you've figured that out  that's when you become a star.
But  yeah  let's really talk about it. If we really want to have a Vince Staples Grammy campaign  someone tell me why I can't be in every genre that my music is kind of reminiscent of? Because the argument within hip-hop is that my music doesn't sound hip-hop enough.
My only request is that it be broadened  because it's no reason I shouldn't be nominated for everything we just spoke about. It's no reason I shouldn't be nominated for a packaging Grammy. It's no reason because the conceptual nature of my cover and the way that it looked is a great idea for a compact disc. Usually people go all out and put 50 pictures and give you a suitcase full of stuff to win a packaging Grammy. But it's not really about the design of it itself. It's no reason I shouldn't be nominated for that. It's no reason I shouldn't be nominated for electronic and alternative and Rap Album of the year  because if we're pushing creativity and we're doing it get to be creative and to create new things  I don't know what's newer than what Vince Staples is doing. And that's my only conversation.

A: Vince Staples
****
Q: Spencer Stone  Anthony Sadler and Alek Skarlatos had been thrilled when Clint Eastwood bought the rights to their book about the events on a Thalys high speed train in northern France in August 2015.
Image copyright  AFP Image caption Spencer Stone  leaves the Lesquin hospital after treatment
Image copyright Warner Bros Image caption Judy Greer (left) plays  Spencer Stone 's mother and Jenna Fischer plays that of Alek Skarlatos
"It was at a ceremony the year after the attack  " Stone  recalls. "And afterwards we all huddled up and decided we needed to say something to  him . So we went back into the greenroom and said we have this book coming out and you should make the movie! So Mr Eastwood said to send  him  the book and gave us  his  address."
 Image copyright Warner Bros Image caption Spencer Stone  opted for an army career as did Alek Skarlatos
After school both  Stone and Skarlatos  opted for military careers - Stone in the US Air Force and Skarlatos in the Oregon Army National Guard. Did that military experience influence their split-second decision to try to take down El-Khazzani when he was intent on carnage?
 Image copyright Warner Bros Image caption Spencer Stone (right)  says  he  was driven by fear for  his  life
Stone  who moments before had been dozing  charged down the train aisle as El-Khazzani levelled an assault rifle at  him .
But the weapon didn't fire  possibly because a bullet was faulty.  Stone  ended up with severe gashes to  his  neck and thumb after El-Khazzani lashed out with a box-cutter as they struggled hand-to-hand. Skarlatos and Sadler came to  Stone 's assistance.
"I wasn't really thinking about everyone else: I was just thinking about  myself  " says  Stone . "I just saw that something had to be done.

A: Spencer Stone
****
Q: I had my white secretary  who typically booked my band and assisted me with my music business  set up a meeting with  the Maryland grand dragon  Roger Kelly   explaining that  her  boss was writing a book on the Klan and would like  his  input. Per my instructions   she  did not reveal the color of my skin.
 Kelly  agreed to participate  and we secured a room at a Frederick  Md.  motel  where my secretary filled an ice bucket with cans of soda so I could offer my guest a drink. Regardless of how and what he felt about me  if he entered my room after seeing the color of my skin  I was going to treat him with hospitality.
Punctual to the minute  there was a knock on the door. The grand nighthawk (the grand dragon’s bodyguard) entered first  and then the dragon himself. “Hello ” I began  “I’m Daryl Davis.” I offered my palm  and  Kelly  shook my hand as  he  and the nighthawk introduced themselves.  He  sat in the chair I had set out  and the nighthawk stood at attention beside  him .
We were both apprehensive of the other  and the interview started haltingly. We discussed what  he  had hoped to achieve by joining the Klan; what  his  thoughts were on blacks  Asians  Jews and Hispanics; and whether  he  thought it would ever be possible for different races to get along. A little while later  we heard an inexplicable crackling noise and we both tensed. The dragon and I stared each other in the eye  silently asking  “What did you just do?” The nighthawk reached for his gun. Nobody spoke. I barely breathed.
Even though  Kelly  had told me  he  knew that white people were superior to blacks  our dialogue continued over the years.  He  would visit me in my home  and I would eventually be a guest in  his . We would share many meals together  even though  he  thought I was inferior. Within a couple of years   he  rose to the rank of imperial wizard  the top national leadership position in the Klan.

A:
Roger Kelly
****