Given a document and an entity the task is to select the author's sentiment towards the entity. Sentiments can be Positive, Neutral and Negative. Select Positive if the article expresses a positive view towards the given entity or praises its quality or skills. Select Neutral if the document expresses no clear view towards the entity or has equal amounts of positive and negative statements or expressing some fact/quote by someone else. Select Negative if the article expresses a negative view towards like harsh remarks, criticizing entities action/decision etc. Note that URLs in the text have been replaced with [Link].
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Question: What is the sentiment of the following document towards the entity Tonya Harding ? A quirky little Brooklyn museum focused on the saga of Tonya Harding and Nancy Kerrigan has won the “gold” that eluded the Winter Games hopefuls — as it has grown so popular in recent weeks that it has been forced to move into an Olympic-sized new space.
The pair debuted the gallery after watching ESPN’s 2014 “30 for 30” documentary “The Price of Gold” — which chronicles the clash between Kerrigan  sweetheart of the skating scene  and  Harding    her  troubled  working-class rival.
 Harding  became a tabloid fixture when  her  ex-husband hired someone to bash in Kerrigan’s right knee ahead of the 1994 US Figure Skating Championships.
Kerrigan recovered in time to compete while  Harding   despite not being charged with a crime  saw  her  career and reputation destroyed.
“What we both ended up taking from [the documentary] was this shock that there hasn’t already been a movie made showing what  Tonya Harding  had to go through. This was the first time we were seeing it and we thought  well   she ’s still alive. It’s time for people to rethink this ” said Harkins.
“ Tonya  said  she ’s heard of [the museum]   she  thinks it’s cool  but  she ’s not coming  which is totally fine ” Harkins said. “And then somebody from Nancy’s agency came and said they thought it was absurd but fun.”

Answer: Positive


Question: What is the sentiment of the following document towards the entity Carolyn Goodman ? Las Vegas Mayor Carolyn Goodman  did not mince any words when discussing Las Vegas massacre gunman Stephen Paddockâs actions  branding him a âmadman â a âscumbag â and more.
What did  she  say?
 Goodman   speaking with Fox News host Brian Kilmeade on Monday night  hurled insults at Paddock  who âso selfishlyâ took nearly 60 lives in the Las Vegas deadly mass shooting.
 She  added that âitâs been a very  very difficult time.â
 Goodman  lauded the efforts of local law enforcement  first responders  and health care providers for their brave actions in the aftermath of the incident.
âThey have done their utmost to save as many lives as possible  but the tragedy remains for all the people who donât know where their loved ones are â  Goodman  said.
 Goodman  later praised the Las Vegas community for donating blood  money  free rooms and more to the devastated community.
âThis has just been a tremendous bonding for us all as we come together â  Goodman  said. âAnd we just know that the sadness is that there probably a beautiful number of 59 new stars in the heavens and we are just tragically stricken by this.â

Answer: Positive


Question: What is the sentiment of the following document towards the entity Roger Ballen's ? After 50 prolific years spent producing masterful black-and-white photographs   Roger Ballen  is ready to take  his  place as a master of the medium.
The past few years have seen major moves from the American-born  South African–based artist.  He  earned  his  own wing of Cape Town's Zeitz Museum of Contemporary African Art  after the Roger Ballen Foundation contributed the largest financial donation from a foundation the brand-new institution has seen yet. Outside of photography   he 's gone from directing Die Antwoord music videos to  his  own short films. With a new retrospective monograph  Ballenesque  out October 10 from Thames & Hudson  Ballen declares for all the world to hear that  he  is an icon.
Ballenesque opens with an essay by historian and cultural critic Robert J.C. Young. In it  Young begins to define the mesmerizing  "instantly recognizable" quality of Ballen's images  which he variously calls "prehensile portraits " "aleatory assemblages " "windowless walls " and "dark junctures of disjunction." When Young introduces these cornerstones of  Ballen 's style  he writes  "We isolate four; you  the viewer of the photograph  may add a fifth to complete the secret."
The rest of the book is a guided tour through  Ballen 's work  complemented by 50 pages of the artist's own anecdotes  autobiography  thoughts on technique  and philosophy. It all starts with blurry family portraits  Ballen  shot with a Mamiya camera  he  bought at 13 years old.  He  shares the first photo  his  that  he  really liked  a picture of a dead cat on the side of the road.
As  he  got older   he  became a documentarian of 60s and 70s counterculture  from grimacing Vietnam War protesters to carefree nudists at Woodstock. Many photos from this period in  his  career are shown for the first time within the pages of Ballenesque. By 1979   Ballen  had begun to travel the world  collecting snapshots of kids from New York to Indonesia that would be collected into a series called Boyhood.
When he moved to South Africa   Ballen  became fixated on the human toll of apartheid.  He  traveled the impoverished South African countryside as a geologist  but photographed the people and places  he  saw along the way.  He  collected these images into the two series that made  him  famous  Platteland and Outland.
Also debuting in the new monograph are Ballen's paintings from the 1970s  which informed  his  abstract photography in Asylum of the Birds and The Theater of Apparitions. "It was exciting to put those paintings in the book "  he  said. Many of the paintings were lost when  his  father cleaned them out of their childhood home  but the ones that survive have been documented for Ballenesque. "I didn't paint for 30 years  but in a way these set the foundation for my later work."
By the end of the text   Ballen 's work seems to exist  like one of his paintings  largely within his own mind. "From about 2002 onward  you rarely see a human face in the photos "  Ballen  said.  His  current project  teased in the final pages  is called Ah Rats. Now the vermin that have infested the edges of  his  work for years are at its center. In January   Ballen  art directed Die Antwoord's video for "Tommy Can't Sleep " which is full of the rats that are on his brain.
 Ballen  still walks Johannesburg looking for places to take pictures for around five hours a day.  He  spends the rest of  his  time with  his  family  administrating the Roger Ballen Foundation  and tending  his  collection of more than 100 pets. "There's rats  snakes  chickens  ducks  lizards  rabbits  spiders  doves  pigeons  crows  mice "  he  rattles off. Around 10 percent have names  including a bird named Icarus and a rat named Stoffel.
Icarus  Stoffel  and  Ballen 's Johannesburg home are far from the roiling American political scene  but  Ballen  has some advice for young artists trying to distinguish themselves in a photographic era he describes as "amorphous" compared to when he cut his teeth.
Ballen is quick to clarify that he doesn't mean photographers should risk physical harm by "jumping the White House fence" to get a unique photograph. "It's years and years and hours and hours later that you're developing an approach. My pictures are powerful because they access the subconscious mind. 'On the line' can mean psychological  as well as physical." Years spent paying attention to places and people others would rather ignore are how  Ballen  put  himself  on the line. As a result   his  photographs of outsiders help the rest of us look inward.

Answer:
Neutral