In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: what happens when you put martin lawrence in a fat suit in real life ?
you get martin lawrence in a coma ( the comedian thought he was getting fat , so he put on numerous layers of heavy clothing and went jogging in 100 degree heat , ending up in a coma ) .
so what happens when you put martin lawrence in a fat suit in the movies ?
you get an audience in a coma .
in big momma 's house , lawrence plays a fbi agent who 's a master of disguises .
when a naughty , naughty man escapes from jail and seeks out his former girlfriend ( the very sexy nia long . . .
the only thing worth looking at in this movie ) , she flees to georgia to stay with her rather large southern aunt " big momma " ( ella mitchell ) .
the fbi follows her in order to recover the large sum of money stolen in the bank robbery that sent the naughty man to jail .
however , big momma is called away on an emergency .
sensing that they could lose their only chance to capture the criminal , lawrence goes undercover as big momma .
and let the comedy begin !
big momma 's house is the definition of a " gimmick " movie if there ever was one .
the plot can basically be summed up as " martin lawrence dresses up as a fat woman " . . .
and even that description is too wordy .
you can just see this script plotted out on a chalkboard with martin lawrence / fat woman in the middle of the board with a big circle around it , and
all sorts of clich ?
d , " humorous " situations pointing to it .
fat woman plays basketball !
fat woman takes a dump !
fat woman kung fu !
well they left one off the board .
. .
movie critic slips into coma !
paul giamatti ( private parts , the negotiator ) plays lawrence 's partner and as much as i enjoy his work , even he ca n't inject life into this lifeless comedy .
hell , the greatest performers on the planet could n't make this material work . . .
it 's just that awful .
Example Output: N

Example Input: there 's more to a quilt than fabric and thread -- each patchwork design has its own unique story ( or stories ) to tell .
in how to make an american quilt , the first hollywood release from australian director jocelyn moorhouse ( proof ) , we come to understand how the tales of the seven makers imbue their creation with passion and vitality .
all the sorrows , joys , longings , sufferings , and loves of these women are sewn into their quilt and , as their bittersweet memories are given expression , one young woman applies these lessons of the past to her own uncertain future .
motion pictures are filled with male bonding rituals ; how to make an american quilt presents a distinctly feminine alternative .
the " quilting bee " consists of seven members : sisters gladys ( ann bancroft ) and hy ( ellen burstyn ) ; sophia ( lois smith ) , a woman known for frightening children ; emma ( jean simmons ) , the timid wife of a perpetually unfaithful man ; constance ( kate nelligan ) , who has been having an affair with emma 's husband ; anna ( maya angelou ) , the leader of the group ; and marianna ( alfre woodard ) , anna 's daughter .
the project they 're busy with is the wedding quilt for hy 's granddaughter , finn ( winona ryder ) , who has just become engaged .
she 's spending the summer with hy and gladys , and away from her fiance , to decide whether a lifelong commitment is really what she wants , and whether it 's better to marry a friend or a lover .
one of the greatest pleasures of how to make an american quilt comes from watching an array of fine performances by an impressive ensemble cast .
from winona ryder , ann bancroft , ellen burstyn , and maya angelou to minor players like rip torn , claire danes , and kate capshaw , this film is overflowing with realized talent .
the performances are good enough , in fact , to cover up many of the script 's weaknesses .
how to make an american quilt is basically an unremarkable , if affecting , tale of love across the generations -- a sort of truncated american version of the joy luck club , with a dash of fried green tomatoes added .
there are probably too many characters .
so , instead of really getting to know a few of them , we are presented with quick glimpses into a single defining event in each of their lives .
we learn about the root of the smoldering resentment between gladys and hy , and are told the reasons why emma stays with her husband and sophia is so irascible .
there are other episodes as well : the love of anna 's life , marianna 's soul mate , and a look at the reasons why constance entered into an affair with her friend 's husband .
the sum total of these tales is meant to provide the framework for finn 's story : whether to go forward with her marriage or dally with a hunky stranger .
there is no emotional epiphany in how to make an american quilt .
the stories are all well - told , but it 's difficult to really connect with the characters -- their moments pass so quickly .
while we certainly feel something for each of the eight principals , our emotional investment is tenuous .
there is n't enough depth to pull the viewer in all the way , and many of the personalities and relationships feel half- formed , like a quilt with patches missing .
to put it bluntly , while i enjoyed watching this film , it did n't " do much " for me .
on the whole , how to make an american quilt is a nicely - understated drama that has a lot to say about love , passion , and monogamy in relationships .
finn 's segment is by far the most compelling , because she 's the focal point : her actions are shaped by everyone else 's experiences .
the other patches of this american quilt are successful only to varying degrees .
if there 's a disappointment here , it 's that the script does n't have more resonance , but the privilege of seeing such a fine cast in top form allows a viewer to enjoy this picture even if the story is somewhat conventional .
Example Output: P

Example Input: movie reviewers have an obligation to see the good , the bad , and the despicable .
i originally wrote this review for my college newspaper back in ' 95 , but i wanted to re - write it because not all retro reviews should be about the classics .
we need to be warned about some truly awful films , too .
this picture was so bad
, it inspired the description for my 1/10 rating ( see ratings chart below ) .
the only thing saving it from a 0/10 rating is that being able to rent a movie like this is slightly less embarassing than renting a porno .
so , it does indeed have some plusses . . .
in fairness , elizabeth berkley is certainly worth seeing in the buff .
and her ability to whine and irritate us , even while nude , was appropriate in her role as selfish temptress nomi malone .
this character is not smart , not interesting , and ( deliberately ? ) far too annoying far too often .
like in 1998s " bulworth " , when the movie was over i did n't care one little iota about the main character .
at least warren beatty tried to make a statement with his dreary and overrated film , though .
" showgirls " is too stupid to make a statement .
some people claim that the story is based on the legendary " all about eve " of all things !
if exploitation expert joe eszterhas was half the screenwriter that joseph l . mankiewicz was , he 'd be . . .
well , he 'd be a good screenwriter .
instead , this project may have sunk his career .
he wrote the ( ha ha ! )
script and the usually reliable paul verhoeven directed .
the same team who created a good sex - film in 1992 ( " basic instinct " ) struck out here with their occasional violence , gratuitous x - rated sex scenes , and numerous ( and quite unnecessary )
lesbian overtones .
the predictable storyline revolves around nomi streaking into las vegas to make it big as a dancer .
after the supposed street - smart young " lady " gets conned out of her suitcase by a slack - jawed yokel in the opening sequence , she befriends a tailor of the glamorous stage production at the " stardust hotel " .
nomi does n't take advantage of this contact to break into the big - time of dirty dancing right away .
first , she becomes a lap dancer at a scummy strip club .
she sells her hot little wares at " the cheetah " for a short time , turning on the fictitious customers and the actual theatre audience .
hey , i never said she was n't a hot number .
. .
maybe it 's that , her body , which gets her into the big - time when the star of the " stardust hotel " , crystal connors ( gina gershon ) stops into the strip club ( it certainly is n't her brains or pleasant disposition ! ) .
crystal requests a private lap dance for her boyfriend ( kyle maclachlan ) .
he also happens to be the pleasure - seeking worm who runs the big show .
crystal gets nomi onto the " stardust " team and , after an interminable amount of time , nomi " earns " the role of crystal 's understudy .
the slut then deliberately injures and hospitalizes crystal .
it was almost laughable that nomi had the guts to claim that she 's " not a whore " .
that 's a phrase we hear a few different times and it 's completely ludicrous .
of course she is !
she sells her soul to make it big , but in the end we 're supposed to believe that she 's a better person than that .
we 're supposed to root for her .
no way !
she 's a tramp and a back - stabber who deserved nothing -- least of all vindication in the . . .
ahem .
. .
climax .
she is not a good person and they take over two hours to explain that the audience should think that she is .
the sub - plot with a male dancer ( glenn plummer ) who claims to see talent in nomi is just a gratuitous opportunity to let her dance naked a little bit more .
it sure ai n't character development !
plummer also appeared in " speed " in ' 94 in a smaller , yet better role .
this sub - plot goes absolutely nowhere except maybe to deliver an unsubtle hint that fornicators should practice birth control .
kyle maclachlan must have been promised a big pay - day or his standards have dipped since appearing in " blue velvet " .
that picture was weird , but some critics claim it 's one of the best movies of
the ' 80s .
now ol' kyle can say that he acted in one of the worst of the ' 90s , too .
his sleazy character is important to " showgirls " , but we do n't learn anything about him .
he uses people to get what he wants , but that only means that he fits in well with the other characters in this movie .
is he a villain ? who cares !
ultimately , this movie is as tiresome
as it is explicit .
everyone must know by now about the soft - core acts of copulation , especially the riotous romp between berkley and maclachlan in his pool .
what few reviewers take issue with is how mean - spirited this movie is .
everyone 's either having sex , exacting revenge , or wishing they were having sex or exacting revenge .
it 's just too hard to take ( especially for over two hours ) .
if we must be exposed to the evils of the vegas world , why could n't verhoeven have also made a point of highlighting the whispers , grunts , and other sounds during the dance numbers ?
it 's hard to care about these people if we ca n't even appreciate what they 're capable of doing on - stage .
berkley may have a future in hollywood because she can dance and she has a great body .
after all , the world of porn is still an active , dishonourable profession .
perhaps berkley could join their ranks and leave the real acting to pauly shore and cindy crawford .
oops , they 're bad actors , too .
well , at least , they 're not selfish and contemptable like good ol' slutty nomi malone .
useless trivia -- ironically , elizabeth berkley played virtuous and " holier than thou " jessie on the teeny - bopper tv show , " saved by the bell " , before breaking onto the big screen .
Example Output:
N