In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Ex Input:
Question: How old was John Sargent the year Vassos moved to Boston? Passage:Vassos moved to Boston, Massachusetts in 1919, where he attended the Fenway Art School at night. He studied alongside American artist John Singer Sargent and worked as an assistant for Joseph Urban. In 1924 he moved to New York, where he attended the Art Students League of New York, studying under George Bridgman, John Sloan, and others. He opened his own studio creating window displays for department stores, like Wanamakers, murals, and advertisements for Saks Fifth Avenue, Bonwit Teller, and Packard Motor Cars in his unique black and white illustrated style. At the same time, he illustrated a series of books by Oscar Wilde for E.P. Dutton followed by others including Phobia on which he based his life-long design focus on psychology, his area of expertise as noted by Fortune Magazine's list of top designers in the country. He entered the emergent field of industrial design and was hired by rapidly-growing RCA Victor, under the leadership of David Sarnoff, who discovered Vassos while painting murals at the WCAU skyscraper in Philadelphia. The company had recently acquired Victor Phonograph, built Radio City, and owned NBC Broadcasting, but needed to amplify and modernize their radio manufacturing business. By hiring Vassos, an up-and-coming industrial designer who created their first Styling department, launched Vassos on a four-decade relationship with the company for whom he designed hundreds of items, while also consulting for numerous other clients like Coca-Cola, Waterman, Universal Artists, Remington, and the United States Government. Vassos's work as an interior designer included the Chrysler Building apartment of photographer Margaret Bourke-White, Nedick's Hot Dog stands, displays for RCA in department stores and the World's Fair,and many others for which he employed modular furniture. He eschewed trendy styles like the extreme-streamlined look, popular in the 1930s, and favored the clean, modern look unadorned with unnecessary elements. He expressed his design philosophy for magazines like Pencil Points and in lectures on modern design and art. Although he was hailed as a top designer in the United States during the 1930s, he slipped away from the spotlight of his industrial design peers like Raymond Loewy, Henry Dreyfuss, and Norman Bel Geddes, largely because he did not open a large firm. Unique among the industrial designers of the 20th century, his work was focused on the intersections between interior decorating, furniture design, and the shapes of phonographs, radios and televisions. His contributions include creating a futuristic living room including television, the slide rule dial on radios, emphasis on the haptic experience of media (knobs and buttons), and the "user experience," years before this term was coined.


Ex Output:
b


Ex Input:
Question: Which of the Beatles who used the Gibson J-160E were older when they died? Passage:Both John Lennon and George Harrison used the Gibson J-160E, an acoustic guitar with an electric pickup at the base of the fretboard. The resonant character of the full acoustic body, combined with the electric pickup, meant that this guitar was susceptible to feedback, employed to great effect on the intro to "I Feel Fine". Lennon also used a Framus Hootenanny twelve-string acoustic, which can be seen in the movie Help! and heard on the title song and "You've Got to Hide Your Love Away". This twelve-string guitar accounted for audibly richer rhythm guitar parts on songs like these, in comparison to the six-string Gibsons. After Sgt. Pepper's Lonely Hearts Club Band, Lennon moved on to a Martin D-28 from C. F. Martin & Company (alternating between the J-160E and the D-28 for The White Album) while Harrison upgraded to a Gibson J-200 Jumbo (which Lennon used on "Two of Us" and other acoustic tracks on Let It Be).


Ex Output:
a


Ex Input:
Question: Did Capra's former Mets manager play for the team that he later coached? Passage:Over his next three games, Capra went 2-0, with a 1.00 ERA. He allowed just three walks, while striking out fifteen, and began a Braves-record streak of 26 innings pitched without allowing an earned run. Over the month of June, Capra went 6-0 with a 1.05 ERA, three shutouts, and another complete game, to set a team record with nine consecutive wins, on his way to earning NL Player of the Month honors, and selection to the NL All-Star team by his former manager with the Mets, Yogi Berra. (He did not make an appearance in the game.) Capra cooled off during July and August (3-5, 4.43 ERA), but reverted to form in September, to end the season with a major league-best 2.28 ERA, 0.10 better than teammate, Phil Niekro (who finished second in the NL), and .21 better than American League (AL) leader, Catfish Hunter of the Oakland A’s. He also held opposing batters to an NL-leading .208 batting average against (BAA).


Ex Output:

b