In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: renee zellweger stars as sonia , a young jewish wife and mother frustrated by the constraints of her hasidic community in brooklyn .
her husband ( glenn fitzgerald ) is a religious scholar whose all - in - a - day's - work attitude on sex fails to tame the " fire " she feels within , as so she confesses to the rebbe ( after hearing her fiery confession , the rebbe suddenly gets frisky with his pleasantly surprised wife -- and dies the next morning ) .
sensing her frustration , her husband 's brother ( christopher eccleston ) gives her a job in his jewelry brokering business in exchange for raw , passionless sex that just fans sonia 's still - burning flame .
on the job , sonia befriends ramon ( allen payne ) , a cool blast of hunky puerto rican water who does his own jewelry designs when not working as a grunt in an upscale jewelry store .
can fire - taming be far be that far behind for the ever - smoldering sonia ?
just about everything in writer - director boaz yakin 's rings false , starting with the improbably cast zellweger , who does an adequate enough acting job but simply looks too waspy for the role .
a better fit would have been julianna margulies , who outshines zellweger as sonia 's take - no - crap sister - in - law .
some of sonia 's baby steps toward liberation , such as indulging in a non - kosher egg roll in chinatown , come off as silly .
yakin attempts to spice up the proceedings with a touch of magical realism -- in the form of the recurring presence of sonia 's long - dead brother 's ghost -- make the story feel even more trite than it already is .
"
i did n't know what to expect .
it 's like something you chase for so long , but then you do n't know how to react when you get it .
i still do n't know how to react .
"
--michael
jordan , on winning his first nba championship in 1991 .
..
or , my thoughts after meeting him on november 21 , 1997

Output: N


Input: Consider Input: after the press screening of " moulin rouge , " i stood in the lobby of the theater listening to the reactions of my friends and colleagues .
everyone seemed a bit numb , understandable after sitting through a barrage of often - incongruous sounds and images .
a pal of mine simply said that he loved the film and could hardly wait to take his wife to see it .
another enthusiast immediately began to analyze the production , while a woman who flat - out hated the movie gave him the skunk eye .
when one fellow quietly stated " i 've never really been a fan of musicals , " the statement surprised me because ,
even though the story is told almost completely through song , i did n't think of it as a musical .
there is so much going on in " moulin rouge " that " musical " seems too small a term to cover it .
"
moulin rouge " is the kind of creation that sends critics scurrying off to the big tub o ' adjectives in search of proper words to describe the experience .
australian director baz luhrmann , the man behind " strictly ballroom " and " romeo + juliet , " fills the heads of viewers with unique camerawork , opulent imagery and songs ranging from " the sound of music " to " smells like teen spirit .
" sumptuous and beautiful , vulgar and overdone , " moulin rogue " travels through the looking glass while an ethereal stereo loaded with 50 years worth of catchy tunes
operates on the " random " setting .
oh , and it has a story as well .
"
it was 1899 , the summer of love . . .
"
christian ( ewan mcgregor ) is a penniless young writer newly arrived in paris , " to write about truth , beauty , freedom and love , " where he encounters a group of bohemians , led by henri de toulouse - lautrec ( john leguizamo ) .
christian meets satine ( nicole kidman ) , a courtesan from the legendary moulin rogue , and his world transforms from black and white to technicolor .
at once fragile and vivacious , the dazzling red - haired woman sweeps him off his feet without even trying .
christian instantly falls in love with her and satine finds herself smitten with him as well , which is quite a hindrance for someone in her profession .
working with the bohemians and moulin rogue impresario harold zidler ( jim broadbent ) , christian writes an opus modestly named " spectacular spectacular .
" zidler quickly finds a backer , the wealthy duke of monroth ( richard roxburgh ) , but there 's a catch ?
the duke also wants the hand of the fair satine .
as if all that is n't enough , satine has a cough , and while a cough in the real world probably indicates a cold , it rarely turns out to be anything that simple in movie land .
like a teeter - totter , " moulin rogue " moves up and down between the ridiculous and the sublime .
one of the loveliest moments comes as christine and satine commune outdoors at night , becoming part of a defiantly unrealistic parisian cityscape straight from a book of fairy tales .
together they dance , while serenaded by the man in the moon ( alessandro safina provides the vocals ) , apparently transported from the classic georges
m ? li ?
s
silent film to guard the nocturnal sky .
other scenes merely traffic in everything - and - the - kitchen - sink overload .
the cavorting of toulouse - lautrec and his comrades gets strained at times and some of their overt comedy , accompanied by cartoon sound effects , is overly reminiscent of the frenzied farce that sitcoms like " bewitched " beat into the ground .
of course , sensory overload was exactly what baz luhrmann had in mind .
"
we never heard from baz to turn it down , " one of the actors told the los angeles times .
"
it was always , ' more !
more ! '
" the director even sent a note to his cast reading , " i dare you to make me say you 've gone too far .
"
the musical numbers reflect his attitude .
one knockout piece , the " elephant love medley , " incorporates the beatles ' " all you need is love , " u2 's " in the name of love , " dolly parton 's " i will always love you " and elton john and bernie taupin 's " your song .
" need more ?
how about " diamonds are a girl 's best friend " spiced with portions of " material girl ? "
luhrmann 's cast offers a wide variety of approaches that , together , add up to something messy , but often wonderful .
ewan mcgregor is extremely likable as christian , emphasizing the sincerity of the love - struck poet .
mcgregor 's singing voice is robust and adds vigor at just the right moments .
once labeled the " ice queen , " nicole kidman melts that characterization with a sizzling , yet tender , performance .
she handles the songs adroitly , although her voice sounds a bit thin in the upper range .
veteran character actor jim broadbent is suitably larger than life as ringmaster zidler ?
wait until you see him perform " like a virgin .
" as the buffoonish duke , richard roxburgh proves to be the film 's weakest link , although i 'm sure he was simply following instructions .
i suspect " moulin rogue " will be one of those love - it - or - hate - it films .
while i did n't completely love it ,
i most certainly liked it a lot .
over the course of a year , i see well over 300 movies , and most of them look like xeroxes of each other .
" moulin rogue " is an original , and an original , even a flawed one , is a thing to be cherished .

Output: P


Input: Consider Input: 1992 's alien3 marked not only the death ( by suicide ) of its popular protagonist , ellen ripley ( sigourney weaver ) , but , in many ways , the alien franchise itself -- box office receipts were anemic , thanks to poor audience word of mouth ; and the critics who rallied around the first two installments , 1979 's alien and 1986 's aliens , savaged david fincher 's slog of a sendoff ( myself included ) .
hence , weaver , director jean - pierre jeunet , and the others behind alien resurrection faced a two - fold challenge -- not only somehow resurrect ripley , but also rescue this once - profitable series from the scrap heap .
despite the odds , they have succeeded , even if the entertaining new installment does not measure up to the excellent first two .
writer joss whedon devises
a quick , easy , and painless answer to the dead ripley problem -- clone her , which is what shady military scientists do using some blood left behind on fiorina 161 , the prison planet of the third film .
that done , the _ real _ challenge presents itself -- what do with her .
alien introduced ripley as smart and resourceful
; aliens simultaneously toughened her up and made her more vulnerable , exploring her maternal side ; alien3 saw her undergoing the seven stages of death .
what could be next ?
whedon comes up with a clever spin : since the original ripley died while impregnated with an alien queen , the blood used for the clone is also " infected " with alien dna .
so the new ripley is , indeed , new -- a human / alien hybrid blessed with heightened instincts and strength ,
a psychic bond with the deadly species , and a more predatory attitude .
unfortunately , that is where alien resurrection 's clever streak in writing stops .
the alien series is known for having stronger stories than most creature features .
but the story in resurrection is more of an afterthought .
the movie begins with a plot involving some military types attempting to train aliens to do their bidding , but once the creatures break free , it is once again ripley and a ragtag crew (
this time a bunch of interstellar smugglers , including tough waif call , played by a game winona ryder ) trying to exterminate them .
and the alien ripley scenario is ultimately not exploited to its full potential ; i would have liked deeper exploration into the quandary of becoming one of the species she has spent her entire life trying to destroy .
while the settling into tried - and - true formula is a little disconcerting ,
the formula is tried - and - true for a reason , and jeunet tackles the proceedings with giddy abandon .
the alien , after all these years , is still terrifying , and a new breed that is introduced is no less so .
the violence is appropriately grisly and extreme , and the action set pieces are suspenseful and exciting , most notably an extended underwater sequence .
the film is absolutely mesmerizing visually , thanks to the solid work done by production designer nigel phelps and cinematographer darius khondji .
as technically adept as jeunet 's direction is , perhaps his ( and , for that matter , whedon 's )
greatest contribution is the infusion of humor into this notably downbeat and serious series .
a sense of humor may seem to go against everything this horror show stands for , but the self - awareness of the excess
just adds to the fun .
no , alien resurrection is not the great film that ridley scott 's alien or the even greater film that james cameron 's aliens was .
but after the dauntingly slow gloom and doom of fincher 's alien3 , jeunet 's resurrection is a welcome return to its roots as a wild , reckless thrill ride .
that is what made the alien series so popular in the first place , and that is what will keep the series popular in any future installments .


Output: P