In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Input: Consider Input: This film has to be the worst I have ever seen. The title of the film deceives the audience into thinking there maybe hope. The story line of the film is laughable at best, with the acting so poor you just have to cringe. The title 'Zombie Nation' implies a hoard of zombies when in fact there are six in total. This cannot be categorised as a horror film due to the introduction of cheesy 80's music when the zombies 'attack'. The zombies actually talk and act like human beings in the film with the only difference being the make up which looks like something out a La Roux video. If you ever get the chance to buy this film then do so, then burn the copy.

Output: negative


Input: Consider Input: Just re-saw this movie after thirty seven years. I was eleven years old and caught this flick on South Beach at the long gone Cinema Theater on Washington Avenue. In 1969, I thought Where it's At! was a very good movie. Now, however, after almost forty years, it's not as good as it was. Times have changed, and this movie is now a tired old re-hash of the war between the generations. It did however, catch a place in time which is just a memory. It's really interesting to see the mod fashions, the old Vegas, a slim Don Rickles, chain smoking, and a hip opening song. The acting was decent, the script somewhat out-dated, but the memories were still fresh. Where it's At, may not be where it's at for you, but for me, it was still a nice and entertaining trip down memory lane.

Output: positive


Input: Consider Input: Warped take on the Pinocchio theme, and set during the Christmas season(..after the previous entry abandoned ties to Christmas) has booby-trapped toys sent to murder a child(..yet through this, other victims are accidentally harmed in the process)perhaps by a toy maker's "son". Screaming Mad George was responsible for the killer toys(..including a larvae which enters a victim's mouth and out his eye, another where soldier toys actually shoot real bullets at a babysitter after her boyfriend was practically strangled by a severed hand toy, operating from a remote control). The little target is a mute child named Derek(William Thorne)whose stepdad was murdered by a red ball with extending arms that ensnare his face, causing him to land on a fireplace poker. Mother Sarah(Jane Higginson)worries about her son's mental state, figuring his reluctance towards opening presents or, more importantly, talking, derives from watching her husband's horrific murder. Derek's real father, Noah(Tracy Fraim)fears for his son't safety, and informs, reluctantly, his ex-girlfriend Sarah that the local toymaker, Joe Petto(Mickey Rooney)once was arrested for setting traps in toys to harm kids due to the loss of an unborn child when his wife was killed in a car crash..kind of a retaliation in saying that if he couldn't have a son, then others shouldn't either. Still quite a heavy drinker(..often seen swigging Jack), Petto seems to have set aside his feelings towards kids, but his creepy son Pino(Brian Bremer)hasn't and Derek he harbors angst towards. Why? You'll soon understand.Pretty disappointing special effects and rather goofy premise. Rooney's name adds an allure to the film, gaining it a notoriety, but his histrionics can only help so much. Attractive lead actress Higginson(Slaughterhouse)and Fraim as the man who re-enters her life aren't so bad, but the lame plot that develops is hard to take seriously. I'm guessing that's the point, but Rooney has no reason to be in such a film as this..he has no room to bring any personality to his toymaker other than rage and desperation, quite volatile, barely holding himself together as he explodes in anger towards Pino, when not downing liquor. Bremer is appropriately weird and "robotic" as Pino, longing to have Sarah as his mama. The practical effects used during the attacks on victims are rather unconvincing..Screaming Mad George's work with Savage Steve Holland was far more effective than what we see in this film. The sex everyone talks about isn't as gratuitous as many would have you believe(..I can't even recall any nudity). Probably the best of the numerous sequels greenlighted, but that's not exactly an endorsement. I'm pretty sure written on paper, this was an entertaining concept, the idea of spoofing Pinocchio using horror elements, but the result doesn't exactly blow you away.


Output: negative