In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: depending on who you ask , the original sin was either the eating of the apple , the act of disobedience against god , or the act of betrayal .
but in case you did n't know this , do n't bother remembering it . . .
the words " original sin " never come up in the movie of the same name , let alone the concept of it .
the closest the film even gets to catholicism is in its narrative ( the story is told by angelina jolie to her priest while on death row in cuba , circa 1900 ) .
regardless of its senseless title , original sin does actually have a plot ( albeit
one of the most mangled acts of screenwriting
since the art of war , based on the book waltz across darkness ) .
boy ( antionio banderas ) places personal ad sometime around 1900 , searching for a wife .
since this is a century ago , we narrowly dodge a remake of green card , only to find that the girl ( jolie ) faked her photo and is actually beautiful .
skipping a few moderately useless sex scenes ( getting the question out of the way , yes , we get to see angelina jolie 's breasts again ) , the girl turns out to be a con artist , swindles boy for his money , and heads for the hills .
original sin then briefly tries to be a thriller .
we see boy go whore - chasing , saying he wants to find girl and kill her .
but as soon as boy actually finds girl , instead of following what might have been
a promising ( or at least not completely fucking boring ) thriller , the film degenerates into the worst dissection of the virgin / whore complex since milk money .
girl toys with the idea of reforming her con - girl past , all the while avoiding the " other man , " a lover that keeps making her start these scams in the first place . add insult to injury with some of the worst stylistic choices in cinematic history ( literally half of the film is either in slow motion or uses a strobe effect ) , and acting roughly the caliber of a b . b . gun , and original sin is one of the most torturous films of the summer , definitely front running to make my bottom ten of the year .
do n't even bother with original sin , but if you do go , be honest with yourself and admit its pure sex appeal .
just keep in mind that although this film may not be the most original on the block , it 's much worse than a sin .
this is sacrilege .

Output: N


Input: Consider Input: call " hush " " stop or my mom will kill .
"
or " mommy fearest .
"
or " the hand that robs the cradle .
" call it whatever you want , but certainly do n't see it unless you 're in desperate need of a bad movie - induced chuckle -- " hush " scores
so many unintentional guffaws that it almost qualifies as a guilty pleasure .
chalk its losses up to frequent stupidity lapses and apparent post - production tinkering ( it was supposed to open about a year ago ) , the latter of which appears to have given " hush " a send - off that 's downright infuriating .
it 's too bad that " hush " is so laughable , because the on - screen talent -- including the pairing of gwyneth paltrow and jessica lange -- is nothing to laugh at .
paltrow and johnathon schaech play helen and jackson , a photogenic new york couple on their way to spend christmas vacation at his wealthy , well - to - do family 's horse farm / estate kilronan .
jackson 's mother martha ( lange ) runs kilronan all by herself , and her genteel southern hospitality makes helen feel welcome immediately -- even if her first meeting with martha takes place while helen is in the altogether , caught red - handed after a bedroom romp with her husband - to - be .
but it seems that martha 's friendly smile masks a much more threatening demeanor ; she 's what you 'd call someone who loves too much .
martha eagerly , deviously wants a grandchild , and then helen will be expendable , as far as she 's concerned .
if there 's one reason to catch " hush , " it 's lange .
she treats the pedestrian screenplay better than it deserves to be treated , injecting martha ( poorly written though she may be ) with a little empathy to level out the psycho - playing field .
when she delves into martha 's dark side ,
predictable cliches
-- chain - smoking , staring in mirrors , praying in a confessional to a priest who is n't there , poking a hole in helen 's diaphragm so she 'll become pregnant ( and she does ) -- abound , but
it 's moderately entertaining junk
because lange is such an interesting actress to watch .
veteran performer nina foch is smart and tart as jackson 's wheelchair - bound paternal grandmother .
the rest of the cast looks ill and uncomfortable , especially paltrow .
but can you really blame them ?
the character relationships in " hush " hold a certain amount of promise , at least until their psychological impact is blown out of the water by sheer stupidity .
idiotic situations
( martha yells at a nearby horse so it will bolt up and knock helen over ) compliment idiotic dialogue
( " why did you yell ?
" helen yells back at martha ) , and the film takes the form of one of the shoddier fill in the blank - from - hell flicks ever made .
you can see through a great deal of martha 's actions and lies from their conception ; why do people who have known this woman for years longer than we have never figure things out ? does nobody communicate or read the newspaper in this town ?
if any of her potential victims thought , acted or behaved like normal people , " hush " would be a really short movie .
and then there 's the climax and ending , which abruptly come when helen starts having contractions after eating some pound cake spiked with a labor - inducing drug normally used on horses .
after a really weird chase scene , martha calmly knits in a rocking chair while forcing helen to give birth in a bed all by herself .
i wo n't spoil what happens next except to say that it 's contradictory , illogical and ( probably , since i 'm no doctor ) medically impossible .
the final scene offers no closure , no resolution , no confrontation whatsoever .
it 's just there , dangling amidst silent displeasure .
no one should like this ending , regardless of their feelings on the preceding material .
perhaps " hush " 's title is a plea to silence its audience 's likely bitter word of mouth while exiting the theater .

Output: N


Input: Consider Input: an energetic , visually stunning , but intellectually hollow recreation of the mysterious life of jeanne d'arc .
in history jeanne d'arc is lost in an ocean of mystery and controversy , which creates the perfect launching pad for talented and creative directors , who can basically alter the story as they wish .
she came in a time where people desperately needed a saint .
a hero that could rescue them for misery and deliver peace and happiness .
director / writer luc besson ( ' nikita ' , ' leon ' ) portrays his version of the peasant girl who commanded the armies of france and was burned at the stake for witchcraft .
besson tries to recreate the person behind the legend .
he tries not to show her as a saint or a villain .
he shows her as a human being .
in a time where blood was almost pouring from the sky , and the air smelled of rotten flesh , it is hard to keep your sanity .
the only support and hope is in god .
at the age of 13 , jeanne ( milla jovovich ) watches her own sister murdered and raped by the english soldiers .
this terrible event makes a lasting impact on jeanne 's mind .
god is no longer her support .
he has become her obsession .
she starts seeing visions and signs that command her to raise an army and free france from the siege of the english tyranny .
with the help of the wise yolande d'aragon ( faye dunaway ) and charles vii ( john malcovich ) , whose grand royal ambitions and life are at stake , jeanne raises an army and marches towards the english walls .
after this the film stays mostly on the battlefield , where besson demonstrates his ability to direct amazing action sequences , only occasionally resorting to a calmer tempo .
the movie is filled with dreamy , symbolic images of pure artistic craftsmanship , that create a surreal and occasionally paranoiac atmosphere .
the film is lost in time and space , hysterically jumping back and forth in jeanne 's thoughts , imagination and conscience .
besson 's visual style permits the audience to enter the medieval age , feel the smell of fresh blood and the adrenaline pumping in your body in the heat of battle .
but the film is far from being flawless .
the script needs a lot of polishing .
except for jeanne , there are no real characters .
and although
a grand star cast is assembled , their characters are nothing more than props , not more alive than the costumes that they are wearing .
as for the maiden of lorraine herself , she is portrayed as a simple girl , too small for her divine task .
in the latter part of the film , we see her as hysterical , confused and on the brink of madness , with her past purity and innocence for ever lost .
jovovich handles the part with more panache than one might expect .
but though her screen time is incredible excessive , both malcovich ( ' being john malcovich ' ) and dunaway ( ' titus ' ) surpass her rather overacted and simply unprofessional performance . and even hoffman manages to breathe some life into his dreadfully small part .
besides casting jovovich , besson 's only mistake is his extreme sense of patriotism that in the end ruins his so gloriously crafted painting .
there are some viscously evil englishmen that murder , pillage and betray with a smile on their faces .
and some incredibly brave and noble frenchmen , represented by the " three musketeers " of this story -- the brave gilles de rais ( vincent cassel ) , the wise aulon ( desmond harrington ) and the strong la hire ( richard ridings ) .
though all those actor perform well , their characters are nothing more than symbols -- banners that proclaim the glory of france .
and thus , there is no sense of realism in this film . '
the messenger ' has muscles instead of brains .
there is some relief in the end , where besson lays down his armor and starts thinking .
dustin hoffman 's appearance helps and the film ends elegantly and surprisingly effective with a climax worthy of praise .
jeanne 's character is unlocked , but whether god was in the picture or not , is never quite explained .
was she a confused peasant girl driven by her own hunger for revenge ?
or was she truly a messenger of god ?
the film poses as many questions as answers and nothing is completely obvious .
bess o messenger ' is nothing more than a fairly good film .
it is not much that you remember of it after you leave the theater .
maybe the sound , the dreamy sequences , but certainly not the dialogue .
it is an elegant and adrenaline pumping history lesson for the mtv - generation , that although presents some interesting material , works better when it 's on the battlefield .


Output: P