In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Review: (SPOILERS included) This film surely is the best Amicus production I've seen so far (even though I still have quite a few to check out). The House that Dripped Blood is a horror-omnibusan anthology that contains four uncanny stories involving the tenants of a vicious, hellish house in the British countryside. A common mistake in productions like this is wasting too much energy on the wraparound story that connects the separate talesPeter Duffel's film wisely doesn't pay too much attention to that. It simply handles about a Scotland Yard inspector who comes to the house to investigate the disappearance of the last tenant and like that, he learns about the bizarre events that took place there before. All four stories in this film are of high quality-level and together, they make a perfect wholesome. High expectations are allowed for this film, since it was entirely written by Robert Bloch! Yes, the same Bloch who wrote the novel that resulted in the brilliant horror milestone `Psycho' We're also marking Peter Duffel's solid and very professional debut as a director. The four stories  chapters if you will  in the House that Dripped Blood contain a good diversity in topics, but they're (almost) equally chilling and eerie. Number one handles about a horror-author who comes to the house, along with his wife, in order to find inspiration for his new book. This starts out real well, but after a short while, his haunted and stalked by the villain of his own imagination. The idea in this tale isn't exactly originalbut it's very suspenseful and the climax is rather surprising. The second story stars (Hammer) horror-legend Peter Cushing as a retired stockbroker. Still haunted by the image of an unreachable and long-lost love, he bumps into a wax statue that looks exactly like her. Cushing is a joy to observe as always and  even though the topic of Wax Museums isn't new  this story looks overall fresh and innovating. This chapter also contains a couple of delightful shock-moments and there's a constant tense atmosphere. It's a terrific warm-up for what is arguably the BEST story: number 3. Another legendary actor in this one, as Christopher Lee gives away a flawless portrayal of a terrified father. He's very severe and strict regarding his young daughter and he keeps her in isolation for the outside world. Not without reason, since the little girl shows a bizarre fascination for witchcraft and voodoo. Besides great acting by Lee and the remarkable performance of Chloe Franks as the spooky kid, this story also has a terrific gothic atmosphere! The devilish undertones in this story, along with the creepy sound effects of thunder, make this story a must for fans of authentic horror. The fourth and final story, in which a vain horror actor gets controlled by the vampire-cloak he wears, is slightly weaker then the others when it comes to tension and credibility, but that the overload of subtle humor more or less compensates that. There's even a little room for parody in this story as the protagonist refers to co-star Christopher Lee in the Dracula series! Most memorable element in this last chapter is the presence of the gorgeous Ingrid Pitt! The cult-queen from `The Vampire Lovers' certainly is one of the many highlights in the filmher cleavage in particular. No doubt about itThe House that Dripped Blood will be greatly appreciated by classic horror fans. I truly believe that, with a bit of mood-settling preparations, this could actually be one of the few movies that'll terrify you and leave a big impression. Intelligent and compelling horror like it should be! Highly recommended. One extra little remark, though: this film may notrepeat MAY NOT under any circumstances be confused with `The Dorm that Dripped Blood'. This latter one is a very irritating and lousy underground 80's slasher that has got nothing in common with this film, except for the title it stole. Question: is it a negative review?
no

Review: After reading the previous comments, I'm just glad that I wasn't the only person left confused, especially by the last 20 minutes. John Carradine is shown twice walking down into a grave and pulling the lid shut after him. I anxiously awaited some kind of explanation for this odd behavior...naturally I assumed he had something to do with the evil goings-on at the house, but since he got killed off by the first rising corpse (hereafter referred to as Zombie #1), these scenes made absolutely no sense. Please, if someone out there knows why Carradine kept climbing down into graves -- let the rest of us in on it!! All the action is confined to the last 20 minutes so I'll attempt a synopsis. John Carradine comes out to the cemetery to investigate, and is throttled by Zombie #1. So far, so good. But then we get the confusing scene where John Ireland and Jerry Strickler, out for a little moonlight filming in the graveyard, discover Carradine's dead body. Strickler repeatedly tries to push Ireland into the open grave from whence Zombie #1 had emerged, but Ireland succeeds in flipping him into the open grave instead, and PRESTO! Strickler comes out as Zombie #2! Yeah, I guess we can infer that Strickler was dead all-along (a witch?), but why he changed from normal appearance into rotting-flesh version by flying into Zombie #1's grave is never explained. (Considering how excruciatingly slow-moving these zombies are, I'd of thought he would have preferred to stay in his "normal" form until his business was concluded). This scene also brings a question to mind -- just who the heck IS Zombie #1 ??? We can only assume Zombie #1 is one of the original murder victims shown during the movie's opening credits, but who knows which one, nor why he has a particular grudge against the film crew.Anyway, after Ireland sees this transformation and runs away, we see the EXACT SAME SHOT of Zombie #2 shambling through the trees as we saw for Zombie #1. (This leads to momentary confusion over just how MANY zombies there really are). Then in best 1950's horror-movie fashion Ireland manages to trip while fleeing. He conveniently knocks his head on the small headstone of Faith Domergue's dead cat (wasn't that nice of John Carradine to chisel a tombstone for a cat that he barely knew?)Meanwhile, Zombie #1 has been wrecking havoc up at the house. He easily dispatches three film-crew members, then starts up the stairs. Faith Domergue hears him, and thinking it's lover John Ireland back from his night-shoot, goes out. Upon seeing it's only Zombie #1, she lets out a scream and retreats into a bedroom where she retrieves Ireland's revolver. While starlet Carole Wells is showering at this point and can't hear the scream, her co-star Charles Macauley (who's boozing and hamming it up at a mirror in his bedroom) does. Taking his sweet time (and only after some more swigs from his hip-flask) he finally decides to investigate. (One thing that strikes the viewer during the last quarter of this movie is how SLOW TO REACT the stars are to screams and gunshots). Domergue comes back out into the hallway armed and ready, but mistakes Macauley for Zombie #1 and shoots him six times! He does a nice acrobatic flip over the railing, then a horrified Domergue backs up, right into the waiting arms of Zombie #1.Carole Wells is by now out of her shower and drying off when she hears gunshots and Domergue's screams; she too feels no great urgency in running out to investigate. So during this time Zombie #1 has time to string Domergue up from the neck with a rope. Wells sees Domergue's hanging corpse and faints dead-away. The next time we see her is in a stream outside the house (???) -- but more on that later. Meantime, Ireland has recovered his senses and stumbles into the house where he discovers Zombie #1's bloody carnage. Though Ireland has just stumbled upon 3 murdered people he's more concerned that his film has been exposed and ruined! Mercifully for him (and the audience), Zombie #1 throws some movie equipment down on his head from the 2nd floor. That's the last we see of Zombie #1. At this point the audience is treated to a montage of all the deaths, showing that the new ones "mirror" the old ones. How profound.Zombie #2, meanwhile, has gotten near the house (remember, these zombies move as slow as molasses in January) where he happens to see Carole Wells floating by in a stream, and fishes her out. How did she get there? Did Zombie #1 carry her down, throw her in, then zoom back upstairs just in time to crush John Ireland? Apparently one of the original victims was drowned in the tub, so Wells has to drown too (but why outside in a stream, instead of in the tub, is never explained). Zombie #2 never makes it into the house himself (everyone's dead by now, anyways, thanks to Zombie #1) but instead he carries Carol Wells back to the graveyard. As the end credits flash on screen, we see Zombie #2 with his dead love still in his arms, descending into the open grave.The viewer is left wondering: Yes, but wasn't this Zombie #1's grave? Why is Zombie #2 taking up residence? And what if Zombie #1 comes along and wants to climb back in -- is Zombie #2 gonna let him, or will there be a zombie fight? Will the zombies share both the grave and the newly deceased Carole Wells? And what about now-dead John Carradine -- where's he gonna stay? After all, from the earlier scenes we know he's clearly at home in the grave... If this plot synopsis of the finale has left you confused, don't worry cause you're not alone. Question: is it a positive review?
no

Review: `Castle of Blood' (aka `Castle of Terror') is a well-crafted, surprisingly spooky entry from Italian director Anthony Dawson. Exquisite black and white cinematography, flawless dubbing, superb casting, fairly logical scripting, deliberate pacing and a surprise (though totally appropriate) ending set this one apart. Only the films sometimes hokey music and the rather abrupt `love at first sight' between Elizabeth (Barbara Steele) and Alan (Georges Rivière) mar an otherwise surprisingly entertaining movie.While visiting England, Edgar Allan Poe sits in a pub, telling one of his ghostly stories to Count Blackwood. Recognizing the great writer, Alan, a young news reporter, requests an interview with Poe. During the course of the conversation, Poe reveals that all of his stories are true. Incredulous, Alan expresses his skepticism about life after death. Count Blackwood offers to bet Alan 100 pounds that he cannot survive this night in Blackwood's castle, a night following Halloween when the dead walk. Alan cannot afford the bet, so he bets his life for a 10 pound wager.Unlike Mario Bava's overpraised `Black Sunday,' (aka `The Mask of Satan'), `Castle of Blood' is fairly restrained, making the few moments of violence even more dreadful, especially surprising from a director usually associated with those terrible Italian space movies from the 60s.It's a pity the only version of this film I've found is badly deteriorated (and recorded) pan and scan version. Even so, it is well worth seeing, and cries out for a modern remake, perhaps with Christina Ricci or Jennifer Love Hewitt in the role of Elizabeth. Watch it and enjoy a film that compares well with Robert Wise's `The Haunting'. Question: is it a positive review?

yes