Generate an explanation for the given claim using the provided supporting material from the paragraph. Please consider the following points while generating an output. 1) The claim will always have supporting proof in the paragraph, and the paragraph will have a clear point of view supporting the claim. 2) There can be instances where direct correlation to the claim is not available. Make use of the sentences in the paragraph to provide a corresponding output supporting the claim. 3) The explanation should be at least one and at most twelve sentences long.

Paragraph: The Miami-based hurricane center issued a tropical storm warning for islands including hurricane-hit Abacos and Grand Bahama, saying the system could become a tropical depression or storm before making landfall as early as Friday. Hurricane Dorian slammed into the Bahamas on Sept. 1 as a Category 5 storm, one of the strongest Atlantic hurricanes on record to hit land, packing top sustained winds of 185 miles per hour (298 km per hour). The tropical cyclone was not expected to bring anywhere near that level of devastation, but was capable of winds of 30 miles per hour and 2 to 4 inches of rain through Sunday, according to the hurricane center. Aid groups rushed shelter material to residents living in the shells of former homes or whose homes had been stripped of their roofs. “We’re seeing plastic tarps go out all over the islands, and that’s extremely important because now you’ve got another tropical storm coming,” said Ken Isaacs, vice president of programs for U.S. relief organization Samaritan’s Purse. The prime minister of the Bahamas, Hubert Minnis, on Wednesday said the official death toll was 50 but was expected to rise. Former Prime Minister Hubert Ingraham said he believed “hundreds” were dead on Abaco “and significant numbers on Grand Bahama,” the Nassau Guardian newspaper reported on Thursday. Minnis said there were problems coordinating aid due to the level of devastation and he was trying to remove “bureaucratic roadblocks.”  With 1,300 people still missing, according to the Bahamian government, relief services are focused on search and rescue as well as providing life-sustaining food, water and shelter. Officials have erected large tents in Nassau to house those made homeless by Dorian and plan to erect tent cities on Abaco capable of sheltering up to 4,000 people. A flood of aid has caused bottlenecks at docks and airports, creating “a lot of delays” in relief supplies, said Nat Abu-Bonsrah of the Adventist Development and Relief Agency, the global humanitarian organization of the Seventh-day Adventist Church. Due to a shortage of functioning vehicles and facilities on Grand Bahama, the group turned to church members to lend their cars and kitchens for its program providing hot meals to over 400 people a day in Freeport. “We’ve not been able to reach them as much as we want,” he said of efforts to get hundreds of hygiene kits to survivors. Groups like Samaritan’s Purse, with their own aircraft or logistics chains, said they had not encountered issues with coordination or government red tape. “I think we’re accomplishing our mission, any roadblocks we have right now are our own,” said Dennis Clancey, a field operations manager for relief group Team Rubicon, which has deployed mobile medical units to treat patients. Claim: Tropical storm warning issued for Bahamas; 1,300 still missing.
A tropical cyclone was forecast to move across the northwestern Bahamas in the coming days, potentially bringing more rain and wind to islands already devastated by Hurricane Dorian, the U.S. National Hurricane Center warned on Thursday.

Paragraph: The unveiling of former President Barack Obama’s official portrait on 12 February 2018 also introduced many Americans to artist Kehinde Wiley for the first time as well, as opening the door to late-breaking controversy over some of Wiley’s earlier work. Wiley, who has described his own visual style as “bombastic, syrupy, and garish,” is celebrated in the contemporary art world for his large-scale portraits of black and brown men and women striking heroic poses modeled on those of aristocrats in classic European paintings. Two portraits in particular, both of them modern takes on the biblical story of Judith beheading Holofernes and featuring elegantly-dressed black women brandishing the severed heads of white women, suddenly turned controversial in the context of Wiley’s new role as a presidential portraitist. Images of the paintings were shared on social media with comments stating or implying that their content is racist: This what is confusing to me … you can’t have Confederate flags … you take down historical statues because they are racist but the 44th POTUS picks the guy who painted these pictures to paint his presidential portrait and that’s just fine? Maybe I’m missing something? #tcot pic.twitter.com/9RhYCGPQK7 — Jeannie-ology (@jeanniology) February 12, 2018  So a racist ex-President selects a racist artist to paint his picture. Anyone surprised? Artist Who Painted Obama’s Official Portrait Known For Painting Blacks Beheading Whites https://t.co/JarXVYUQ27 — American Real News (@USArealnews) February 13, 2018  In a post on right-wing blog TheGatewayPundit.com, Kehinde Wiley was described as being “known for” and “having a great fondness for” painting black people beheading white people: Both beheading pieces are titled “Judith beheading Holofernes”, referencing a story in the Book of Judith, which involves a beautiful woman who seduces an invading general before he is able to destroy their land, gets him drunk, and then decapitates him. Typical artists from the Rennaissance [sic] era have placed Judith in the role of a scriptural savior, “a type of the praying Virgin or the church or as a figure who tramples Satan and harrows Hell.” Given the historical context and how Wiley recreated it in his works, is hard to interpret his use of this theme as anything other than a blatant statement of racism; black women are the powerful angels of the earth, conquering the white devils. Can you imagine for a second if George W. Bush, or any other former president, decided on a painter who was famous for depicting white people killing black people to paint his official portrait? It’s hard to imagine, right? Yea, that’s because it’s disgusting and backward. It is not the case, however, that Wiley was “famous for depicting black people killing white people” before politically motivated commentators chose to make it so. Far from it. Of the scores of paintings the artist has produced, only the two based on the biblical beheading story depict such a scene. They generated very little controversy before Wiley’s portrait of Obama was publicly unveiled. That the strong, couture-clad black females in the paintings are depicted in the immediate aftermath of decapitating white women is not incidental. As with many works of art, this was meant to be provocative (“I think at its best what art is doing is setting up a set of provocations,” Wiley said in a 2015 interview). A 2012 article on the web site of the North Carolina Museum of Art (NCMA) supplies some needed context: Known for his monumental portraits of young black men, placed in historical poses and settings appropriated from Old Master paintings, Kehinde Wiley critiques the racism of art history while also commenting on contemporary street culture and masculine identity. Reinventing classical portraiture and questioning who is represented in the portraits found in museums worldwide, Wiley states, “The whole conversation of my work has to do with power and who has it.” Judith and Holofernes is from Wiley’s most recent body of work and his first series of paintings to feature female subjects. Wiley uses “street casting” to find his models — walking city streets and asking ordinary people if they would pose for a portrait. He met the model for this painting, Treisha Lowe, at Fulton Mall, a pedestrian shopping street in downtown Brooklyn. This painting references a specific art-historical work, a 17th-century painting by Giovanni Baglione, Judith and the Head of Holofernes (1608). The subject is taken from the apocryphal Old Testament Book of Judith, in which a Jewish town is under attack by the Assyrian army led by the general Holofernes. Judith, a widow from the town, goes to Holofernes under the pretense of helping him defeat the Jews. After he falls asleep, she cuts his head off with his own sword, and the town defeats the army. Wiley translates this image of a courageous, powerful woman into a contemporary version that resonates with fury and righteousness. “It’s sort of a play on the ‘kill whitey’ thing,” Wiley said in a 2012 interview with New York Magazine. The operative word is “play.”  What is all too easy to miss on a cursory glance is the deeply conceptual nature of these works. We turn again to the NCMA’s commentary: Wiley takes obvious artistic license with the story — Holofernes is represented by a woman’s head, and Judith wears a gown designed by Riccardo Tisci of Givenchy. This new rendition can be interpreted on many different levels, including racial and gender identity and inequity, the representation of women throughout art history, and society’s ideals for beauty. In Wiley’s words, “I am painting women in order to come to terms with the depictions of gender within the context of art history. One has to broaden the conversation . . . This series of works attempts to reconcile the presence of black female stereotypes that surrounds their presence and/or absence in art history, and the notions of beauty, spectacle, and the ‘grand’ in painting.” In contrast to the blunt literalism of those who prefer to interpret these paintings as a celebration of racial violence, art critic Walter Robinson writes that Wiley’s take on Judith and Holofernes “suggests, with a jovial brutality, that Judith would prefer to be done with white standards of beauty.” If, as Wiley has said, his intent as an artist is to be provocative, he can consider himself successful. Claim: Kehinde Wiley, the artist who painted former President Barack Obama's official portrait, also produced a pair of paintings depicting black women decapitating white people.
We reached out to Mr. Wiley for comment, but did not receive a reply.

Paragraph: A general view shows the headquarters of the drug making company Novartis in Basel January 17, 2008. REUTERS/Christian Hartmann The lawsuit, filed on Tuesday in U.S. District Court in Los Angeles, said several studies have shown deaths and serious injuries linked to over-the-counter children’s cold remedies. As a result, Novartis “either knew ... or reasonably should have known that their cough and cold products were ineffective and dangerous when used by children under the age of six,” the lawsuit said. A Novartis spokeswoman said the company had not seen the lawsuit and had no comment on it. The company, which recalled Triaminic oral infant cough and cold medicines late last year, said it believed the lawsuit is the first to bring claims involving the drugs. The lawsuit was brought by Kelly Carter, who dosed her 4-year-old son with Triaminic Daytime Cough & Cold in 2007. It was not immediately clear from the lawsuit whether or how the drug harmed Carter’s son. Her attorney could not be reached for comment. Novartis sells a number of products under the Triaminic brand. The lawsuit alleges that Americans spend more than $2 billion annually on over-the counter cough and cold remedies for children. In October, the Consumer Healthcare Products Association, a trade group representing makers of over-the-counter medicines, said overdoses of oral infant cough and cold medicines have led to death and serious injury in rare instances. The group stressed that the medications are safe when used as directed. U.S. Food and Drug Administration reviewers have recommended that over-the-counter cough and cold medicines that contain decongestants and antihistamines should come with new instructions saying they are not for very young children. According to a recent report by the Centers for Disease Control and Prevention, over-the-counter cough and cold drugs send an estimated 7,000 U.S. children under the age of 12 to emergency rooms every year, mostly for overdoses. Claim: Novartis sued in Calif. over kids' cough medicine.

A California mother has sued drug maker Novartis AG in what the company believes to be the first proposed class action involving its Triaminic children’s cough and cold medicines since overdose fears prompted a recall of the drugs.