In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Q: brian de palma 's snake eyes stars nicolas cage 's evil twin , who confusingly uses the same stage name as his talented brother .
like a foreign tourist who screams his lines in english to ensure that he will be understood , cage yells with the ferocity of a man with a bad case of caffeine overload . de palma , whose last great film , the untouchables , was crafted over a decade ago seems to have lost his magic .
in snake eyes , he manages to elicit some of the worst performances possible out of a skilled cast .
only gary sinise rises slightly above the hackneyed material .
the rest of the actors become caricatures in this by - the - numbers thriller .
ryuichi sakamoto 's atmospheric and melodramatic music dominates almost every scene .
heavy on the long violin notes , its rhythm is punctuated by thunder .
( the script by de palma and lost world 's david koepp sets the action during a hurricane in an attempt to pump up the adrenaline level and the noise .
only the latter is achieved . )
cage plays rick santoro ,
a corrupt atlantic city cop who shakes down criminals to get betting money .
the movie takes place over a single evening when a world championship fight is being held .
with a flashy , bad wardrobe and a gold cell phone , rick is an obnoxious cop who does n't know when to shut up . spouting cliched and ridiculous dialog
, he screams such lines as , " i was made for the sewer , baby ! "
actually the line is more apropos for the movie as a whole .
sinise plays kevin dunne , a naval officer who is in charge of the security for the secretary of the navy , who has come to watch the fight .
but most people in the film are not who they seem to be , and the thin script makes all of them easy to guess .
the plot , which is told in endless flashbacks , concerns the assassination of the secretary through a scheme set up by some malevolent businessmen ?
that adjective is , of course , redundant in hollywood thrillers .
the flashbacks become repetitious with the same scene shown again and again , sometimes from a different perspective and sometimes not .
although a brian de palma film requires a certain amount of gratuitous violence , this one is remarkably tame for the man who became famous when he made carrie .
the movie 's outline has some promise , but the movie itself is leaden .
the film takes itself all too seriously .
at best , it is a 1940s - style b movie .
a little humor would have helped the script some , but a complete rewrite would have been better .
and , although i hate to say it , a different director would have been the biggest improvement .
snake eyes runs 1 : 39 .
it is rated r for violence and would be acceptable for teenagers .

A: N
****
Q: in my opinion , a movie reviewer 's most important task is to offer an explanation for his opinion .
but with soul survivors , i 'm so full of critical rage that this review is liable to turn into a venomous , uncontrollable rant , obligations damned .
however , protocol forces me to do otherwise .
soul survivors tells the story of four college - bound friends : cassandra ( melissa sagemiller ) is sweet and innocent .
party girl annabel ( eliza dushku of bring it on ) is dating world - weary harvard student matt ( wes bentley ) .
matt still has feelings for cassie , who is now dating sean ( casey affleck ) .
driving back from a creepy , gothic party , the quartet gets into a horrific car crash .
sean dies , leaving cassie crestfallen and guilty , made worse because sean saw matt kiss cassie just minutes after sean revealed his love for her . as cassie mopes through her classes , she sees the ghost of sean all over the place , urging her to follow him .
along with being plagued by other ghastly visions , cassie is also followed by thugs from that strange party .
annabel and matt try calming her down , but no one shares cass 's visions .
she has to figure out this purgatory all by herself .
rarely have i seen a director
so thoroughly mishandle material .
in his directorial debut , steve carpenter does nothing to provoke the audience into feeling any emotion .
when the movie 's camerawork is n't pedestrian , it 's clich ?
d .
carpenter 's need for close - ups , his camera following sagemiller from behind , drain the movie of any anticipation .
we already know what to look for , so why should we be surprised ? and the sense of scary atmosphere , which was recently done so well in the others , is nowhere to be found here .
carpenter 's script relies on random twists and turns with a minimum of logic and loads of laziness .
this is a movie where the ending features one character providing an explanation about the plot to another character , which is one of the lamest screenwriting devices around .
the second lamest device , of course , is the , " oh , it was all a dream " resolution . and guess what ?
this movie has both ! not that the main body of the film , which has sagemiller constantly running in fear or having a nervous breakdown , is anything worthwhile .
since there 's no captivating dialogue , no character chemistry exists anywhere .
that 's a huge problem , since the four main characters are supposed to be couples .
carpenter ca n't even get the smutty scenes right , which are becoming more prevalent in pg-13 movies like bring it on and get over it .
[ the film was recently re - cut from an r rating to get more kids in the seats .
-ed . ]
when sagemiller and dushku dance together at a club , he rarely shows them in a full shot and he never keeps the camera on them for longer than a second before relating to some michael bay - style quick cuts .
and when sagemiller and dushku take a shower together after getting covered in paint , they 're fully clothed . regardless ,
any sexiness in that scene is undercut by its stupidity .
why would n't they wash the clothes in the sink or in the washing machine ?
why would they shower in their clothes ?
what if they were n't covered in latex paint ?
the cast , which will see better material in the future , would be wise to leave this one off their resumes .
i felt sorry for affleck , who i 've liked in other movies , and bentley , who was great in american beauty .
dushku , who possesses an alluring femme fetale quality , has got to stop taking roles belonging to rose mcgowan .
as for sagemiller ( star of the aforementioned get over it ) , i want to see her in a movie where she plays a person , and not an object for gawking .
and i 'm not even getting into luke wilson 's role as a priest .
at least he 's friends with wes anderson .
bottom line : soul survivors is so awful i feel compelled to knock on doors and warn people about it .

A: N
****
Q: i had lost all faith in pg-13 movies that are intended for teenagers and adults .
the last dozen or so that i have seen have all felt incomplete , as if the most crucial scene was deleted in order to obtain a more lucrative rating .
however , after seeing the creative frequency last week and now the exciting u-571 , my bias is beginning to go away .
both films are as innocuous for younger viewers as they are intellectual for older viewers .
even better , i did n't think either one of these films would be any good from first instincts .
everyone loves surprises .
u-571 looked like another action film using an actual war as an excuse to shoot torpedoes and bullets .
this may be true , but the action is so extraordinary that it is clear director / co - writer jonathan mostow completed his ultimate goal ; to blow the audience 's socks off .
set during the early stages of world war 2 when the united states struggled to break the codes of the technologically advanced german u - boats , u-571 follows a small crew of american men who swipe the typewriter necessary to solve the enigma from an enemy ship .
there 's only one problem : the american ship they came from and hoped to return to has been shot down stranding the men on a german submarine known as ( you guessed it )
u-571 .
it is now up to the mostly young and inexperienced sailors , led by an interim captain named tyler ( matthew mcconaughey ) , to return the typewriter to america without getting sunk by far superior german ships .
the film starts off very slowly with a somewhat weak opening action sequence and another uneventful half an hour to introduce several of the sailors ( most of whom die when the mission goes awry or just inexplicably disappear ) .
once the crew gets on the u - boat , the movie shifts to another level and never leaves this high energy level until the ending credits roll down .
as soon as the action starts , it does not stop and luckily , because it is so exciting , i did n't want it to stop .
this is not a movie for those wanting to avoid loud noises , from the wonderful , heart - pounding score to the constant yelling of panicking men , make sure you see this at a theater with surround - sound ?
otherwise , do not see it all .
the best parts of u-571 are when tyler is forced to make impromptu decisions on how to escape seemingly impossible situations .
throughout the movie , several morals or characters are introduced to make tyler 's job as stressful as possible .
germans gun down their own men , tyler 's mentor captain dahlgren warns him that a captain has to be prepared to sacrifice even the most beloved soldiers for a victory , another sailor ( erik palladino ) threatens mutiny .
all of these examples , and several others , increase the chaotic atmosphere and the importance of tyler 's every move .
they also make u-571 one of the most exhilarating movies i have seen in a while .

A:
P
****