In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.

Q: Passage: It opens with two club-driven tracks: an interlude titled "Bridge to the Sky", and the promotional titular song. "Disco-munication" is the second interlude on the album, blending "sophisticated" electric guitars with electronic music. "Energize" is another electronic track, and is one of the only numbers on the album that include English phases ("Put your hands up together, keep your heads up forever, let me sing forever,"). The fifth track "Sparkle" was noted as a club song with an electronic arrangement, similar to the follow-up song "Rollin'". Both tracks feature autotune and vocoder pro-tools, a first for Hamasaki. The album's sixth track, "Green", shows a departure from the album's earlier electronic style; it focuses more on older traditional Japanese sound, alongside instrumentation of electric guitars and drums. The album's third interlude, "Load of the Shugyo", was described as an "atmospheric" number with heavy rock instruments in its composition. Rock music is then influenced on the following tracks "Identity"—a song that discusses about self-confidence—the single "Rule", and the tune "Love 'n' Hate", which talks about the effects of lust. The album's fourth and final interlude "Pieces of Seven" was noted for its "atmospheric" sounds of an ocean, until the second half of the track diverges into a harder rock style. "Days" is the album's first pop ballad, and is described as a love song. It closes with the ballad "Curtain Call", which features a choir and piano riffs throughout its composition.
 Link Information: traditional Japanese sound, Answer: bamboo flute

A: What's an instrument strongly associated with the traditional music found in the album's sixth track?
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Q: Passage: Corals, including some major extinct groups Rugosa and Tabulata, have been important reef builders through much of the Phanerozoic since the Ordovician Period. However, other organism groups, such as calcifying algae, especially members of the red algae Rhodophyta, and molluscs (especially the rudist bivalves during the Cretaceous Period) have created massive structures at various times. During the Cambrian Period, the conical or tubular skeletons of Archaeocyatha, an extinct group of uncertain affinities (possibly sponges), built reefs. Other groups, such as the Bryozoa have been important interstitial organisms, living between the framework builders. The corals which build reefs today, the Scleractinia, arose after the Permian–Triassic extinction event that wiped out the earlier rugose corals (as well as many other groups), and became increasingly important reef builders throughout the Mesozoic Era. They may have arisen from a rugose coral ancestor. Rugose corals built their skeletons of calcite and have a different symmetry from that of the scleractinian corals, whose skeletons are aragonite. However, there are some unusual examples of well-preserved aragonitic rugose corals in the Late Permian. In addition, calcite has been reported in the initial post-larval calcification in a few scleractinian corals. Nevertheless, scleractinian corals (which arose in the middle Triassic) may have arisen from a non-calcifying ancestor independent of the rugosan corals (which disappeared in the late Permian).
 Link Information: none Answer: none

A: Which major coral reef group went extinct first during the Phanerozoic period?
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Q: Passage: The Uí Briúin Seóla was one of the major branches of the powerful Uí Briúin dynasty, which had become the dominant force in Connacht by the 8th century. The genealogies list two sons of Murchadh mac Maenach: Urchadh and Urumhain. Urchadh mac Murchadh, King of Maigh Seóla (also listed as king of Iarthair Connacht, died 945, in the 14th century Book of Ballymote) was father of Bé Binn inion Urchadh, Princess of the Uí Briúin Seóla and Queen of Thomond (fl. early 10th century). Bé Binn married Cennétig mac Lorcáin of Thomond to produce a son who would become the High King of Ireland (Irish: Ard-Rí na hÉireann): Brian Bóruma mac Cennétig, known in English as Brian Boru (c. 941–23 April 1014). Brian broke the near monopoly of the Uí Néill over the High Kingship of Ireland and fought to unite Ireland as a people under one, native king. His father, Cennétig mac Lorcáin of Thomond, was one of the principal leaders of the resistance to the Danish Viking incursions. Cennétig had several wives and children but positively assigned Bé Binn as the mother of Brian Bóruma.
 Link Information: 

In 1002, the high kingship of Ireland was wrested from Mael Sechnaill II of the southern Uí Neill by Brian "Boruma" mac Cennédig of the Kingdom of Munster.  Answer: 1002

A:
What year was Brian named the High King?
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