In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

[EX Q]: Passage: The Annunciation draws heavily on van der Weyden's 1430s Louvre Annunciation, his c. 1455  Saint Columba altarpiece, and the Clugny Annunciation (c. 1465–75), which is attributed to either van der Weyden or Memling. Memling almost certainly was apprenticed to van der Weyden in Brussels until setting up his own workshop in Bruges sometime after 1465. Memling's Annunciation is more innovative, with motifs such as the attendant angels that were absent in the earlier paintings. According to Till-Holger Borchert, not only was Memling familiar with van der Weyden's motifs and compositions, but he might have assisted with the underdrawing in van der Weyden's workshop. The shutters on the right are copied from the Louvre panel, the knotted curtain appears in the Columba triptych's "Annunciation".A sense of movement is conveyed throughout. The trailing edges of Gabriel's garment fall outside the pictorial space, indicating his arrival. The Virgin's "serpentine" pose, with attendant angels supporting her, adds to the sense of flow. Memling's use of color achieves a startling effect. The traditional rays of light are replaced with light color indicators; the white clothes rendered in "icy" blue, the angel to the right in yellow patches seems "bleached by light", the left-hand angel appears to be steeped in shadow, dressed in clothes of lavender and bearing deep green wings. The effect is iridescent, according to Blum, who writes, "this shimmering surface gives [the figures] an unearthly quality, separating them from the more believable world of the bedchamber." The effect deviates from the pure naturalism and realism which typifies Early Netherlandish art, causing a "startling" juxtaposition, an effect that is "unsteadying" and contradictory.
[EX A]: What is the name of the person who might have assisted with the underdrawing in Van der Weyden's workshop?

[EX Q]: Passage: "Missing My Baby" is a mid-tempo R&B ballad with influences of urban and soul music. It is in the key of D major, at 144 beats per minute in common time. The recording incorporates melisma, with sung poetry during the downtempo part of the song. The melody is accompanied by backing vocals, and instrumentation is provided by an electric piano, drums, a keyboard, a synthesizer and strings. Contemporary music critics praised Selena's emotive enunciation, which emphasized the song's title and central theme. R&B duo Full Force were the backing vocalists for the original and remix versions of "Missing My Baby".J.R. Reynolds, formerly of Billboard, called "Missing My Baby" a "dreamy ballad" with an "R&B-styled melody under Selena's pop vocals". Ramiro Burr of the Austin American-Statesman described it as a soul ballad. Jerry Johnston of the Deseret News thought that Selena displayed a "Leslie Gore [sic] baby-voice" in "Missing My Baby" and that she "displays a wonderful suppleness in her voice". The Virginian-Pilot said that the song was built on hooks that recall Diana Ross's "Missing You", which is a tribute to Marvin Gaye, and the Beach Boys' "Good to My Baby".The song begins with a drum solo before the other instruments enter to form the musical foundation. Selena sings to her absent lover about how much she misses him, saying that he is "always on [her] mind" and that she feels lonely when he is not with her. Three times she sings, "I often think of the happy times we spent together / And I just can't wait to tell you that I love you". In the chorus, she sings of wanting to hold him tight and feel his heartbeat.
[EX A]: About whom is Selena singing of wanting to hold him tight and feel his heartbeat?

[EX Q]: Passage: Art critic and curator Jenny McFarlane considered Fuller's work to be complex, drawing not only on European modernist academic traditions and Australian subjects, but also at times, incorporating "radical stylistic innovations" that drew on Indian artistic tradition and theosophy's ideas.Reviewing the Western Australian Art Society's exhibition in 1906, the critic for Perth's Western Mail considered Fuller's works to be the finest on show, and that "the occasion provides another triumph for Miss Fuller". In 1914, it was reported that Fuller was represented in four public galleries—three in Australia and one in South Africa—a record for an Australian woman painter at that time. Yet although she experienced considerable success during her early life, Fuller subsequently became almost invisible. No obituaries appeared in the newspapers in 1946. She is not mentioned at all in Janine Burke's Australian Women Artists 1840–1940, Max Germaine's Dictionary of Women Artists in Australia, nor Caroline Ambrus's Australian Women Artists. However her work toured with the Completing the picture: women artists and the Heidelberg era exhibition in 1992-1993 and also was discussed in detail and illustrated in Janda Gooding's "Western Australian art and artists, 1900-1950" exhibition and publication. In 2013, Ann Gray described Fuller as "an important Australian woman artist and arguably Western Australia's most significant artist from the Federation period". Works by Fuller are held by the Art Gallery of South Australia, the Art Gallery of Western Australia, the National Gallery of Australia, the City of Perth, the National Gallery of Victoria, Australia's National Portrait Gallery, the Art Gallery of New South Wales and the State Library of Victoria. Internationally, her work is held by the Newport Museum and Art Gallery in South Wales.
[EX A]:
What is the last name of the person who is not mentioned at all in Australian Women Artists 1840–1940?