In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

susan granger 's review of " the watcher " ( universal ) just what we need : another lurid , trashy serial killer saga .
this time , keanu reeves plays an elusive homicidal maniac who engages in a gruesome ticking - clock cat - and - mouse game with james spader , a burnt - out fbi agent who has suffered a traumatic nervous breakdown after too many years on the job with the lapd .
to taunt spader , who has relocated to chicago , reeves packs up his trusty piano wire and moves too .
before long , he starts mailing photographs of the lonely , unsuspecting young women who are his intended windy city victims , challenging spader , along with the chicago police department , to stop him within 24 hours before he strikes again .
in the midst of this murderous frenzy , there 's spader 's psychologist , played by marisa tomei , who is even less convincing as a medical professional than jennifer lopez in " the cell .
"
writers david elliot , clay ayers and darcy meyers , along with first - time director joe charbanic ( helmer of music videos for reeves ' band dogstar ) , dwell on the warped thrill of the methodology and the chase , revealing , early on , exactly whodunit since the killer says he and the cop " need each other to give meaning to our lives .
"
plus , as reeves explains , " we 're all stacked right on top of each other , but we do n't notice each other any more .
" after that , it 's all sound effects and tricky camera - work , along with a muddled , discordant soundtrack .
james spader 's acting technique can be described as ' wooden deadpan ' while keanu reeves maintains his perpetually monotone ' dude ' persona which sometimes works , sometimes does n't .
chris ellis , as spader 's self - important colleague , is the only cast member who manages to be convincing .
on the granger movie gauge of 1 to 10 , " the watcher " is an appallingly awful , amateurish 2 .
the real torture is watching it .
N

seen august 8 , 1998 at 6 p .
m .
at rotterdam square cinemas ( rotterdam , ny ) , theater # 6 , by myself for free using my sony / loews critic 's pass .
[ theater rating :
*
*
* : good seats , sound , and picture ] war is a topic that ca n't help but be glorified any way it is portrayed by the media .
movies , documentaries , and even history books have a way of making the darker side of humanity exciting since the most general aspects are focused on , such as strategy , politics , and victory .
it 's easy to forget war , in its most basic form , is a battle of armies out to slaughter each other .
forgotten more easily is the fact that each soldier , no matter what his rank or importance , is a real flesh - and - blood person and not just a number . " saving private ryan " is one of the few films that dares play up this aspect , especially in its unapologetic , realistic delivery .
it proves there 's a huge difference between battling and killing .
the film opens with one of the most graphic , disturbing scenes in recent memory .
it 's world war
ii , d - day to be exact , and the u . s .
military is invading omaha beach where the nazis are more than ready for them .
spielberg uses many techniques to create for a total sense of reality . instead of positioned cameras , the footage here seems to have been shot by camera operators running alongside soldiers as if they were just as scared .
there is no sense of stability , but of constant , anxious , and confusing motion , giving us the feeling of being in the middle of the battle , and just a vulnerable as the poor troops .
" poor " is a proper word to describe how pathetic and yet innocent the men fighting are .
there is little to no dialogue throughout the loud battle and no prologue to define any characters .
we do n't get the feeling these are handsome actors playing heroic roles , but that these are men about to kill and be killed for reasons beyond their understanding .
the nazis are not portrayed as enemies to be hated , but as people that must be destroyed because they 're there .
in the movies , the good guys can run through a firestorm of bullets and bombs and not get a scratch , but in reality that would n't happen .
the men have nothing to shield or protect them besides some metal flanks and dead bodies .
they are sitting ducks and we realize this through the perspective of the well - secured germans who can actually see who , what , and where they 're shooting , unlike the americans who must fire in a general direction to avoid getting their heads blown off .
perhaps the film is flawed by not providing any backstory on the war itself and who the men really are , but that seems to be part of the theme .
the film seems to rely on the audience 's sense of patriotism , that the american military is " right " and good and that the nazis are " inherently evil .
"
the battle scene eventually focuses on a group of men who have miraculously survived and made their way close to the enemy stronghold ( a whole 50-foot progression ) , and begin to inflict some damage .
i have to admit that once the first glimpse of victory over the nazis sprang up , i could n't help but feel some sense of joy and relief .
to triumph against all odds is a cliche to be sure , but there 's nothing cliche about the graphic , detailed , atmosphere here because it really happened .
one of the most surprising aspects of the film is how little story construction there is , and yet the events that take place make sense and are interesting
.
the plot is practically irrelevant since the film is more concerned with the reality of the war and the soldiers we meet .
tom hanks stars as captain miller , a relatively average man who happens to be the leader of a platoon .
he 's never obsessive or any such generic , cartoonish characteristic that might dominate a character like this .
he does n't want to be there any more than his men , but when he is given a mission he intends to carry it out .
the mission the film is concerned with is , as the title states , saving private ryan .
through a series of command started by an ordinary clerical worker , it is brought to a general 's attention that three brothers from iowa have been killed in action and their mother will receive notices of each 's death simultaneously .
when they learn a fourth brother is stationed somewhere in europe , they make it a top priority to have him returned safely to his mother .
it 's easy to sympathize with this situation , after all , no one should have to lose all their children at once .
but finding one man in this war is , as miller puts it , " like trying to find a needle in a stack of needles .
"
the saving of private ryan is n't just a dramatic device , but a thematic one .
his salvation represents the sense of innocence the country , the world even , was trying to convince itself it still had .
when miller 's company hears of the mission , they scoff at the idea assuming he is dead , but miller is n't so quick to shrug it off .
he knows the only thing that can really save soldiers from death is hope , and now he has the opportunity to make someone 's sense of hope a reality .
the mission to find ryan gives miller 's group a destination , but not direction .
along the way many things happen to them , both good and bad .
a few battles are fought , not to be major accomplishments for the war , but because they encounter german soldiers and have no other choice .
the act of killing itself becomes one of the film 's major philosophical metaphors .
the soldiers do n't mind killing other soldiers in blind battle , but when they come across a lone survivor who begs them to let him go , they can barely stop themselves from killing him in cold blood as some kind of vengeance for their losses .
unfortunately , death is a fact of war , and most films try to avoid it when it comes to the main characters , but here spielberg does n't want us to think these men are invincible .
in fact , only a small amount of color and personality is sketched into each man , and the performances are good enough to make this method work .
although the characters are somewhat typical , the actors maintain control over the material at all time . whether they 're arguing with each other , telling stories of back home , or fighting the germans ,
they never go overboard and always seem believable
.
sure , there 's a zinger here and there , but war does n't change the fact boys will be boys .
if and when one dies we too can feel the loss , even though we hardly knew them .
the final act brings the story full circle with another tremendous , violent battle sequence .
private ryan has been found , but facing four to one odds , can the americans defeat the germans and keep ryan alive ?
that 's not a premise for thrills , it 's symbolic of everything the film has worked for .
it would be wrong to say the film has either a happy or sad ending , it ends the way it must end .
i remember reading a " calvin & hobbes " comic strip where calvin asked his dad something like , " dad , how do armies of men killing each other solve problems ? "
" saving private ryan " is the adult version of that question .
P

"
the animal " is a marginally inspired comedy that only manages to lumber along , generating just enough momentum to keep it from stalling .
it 's clunky and slow , like watching an 18-wheeler trying to accelerate up a hill .
there are certainly better things you can do with your time .
actually , if you 've seen the trailer , then you already know the plot and have seen its funniest moments .
the story centers on bland marvin ( rob schneider ) , who is an evidence clerk at the local police department that yearns to be a real officer .
but he 's afflicted with loser - itis .
dogs attack him
, neighbors torment him , children bully him , and his co - workers ignore him .
truthfully , with his bad haircut ( seemingly modeled after weird al yankovic , little richard , and giant poodles ) and his unenthusiastic demeanor , we 'd probably throw tomatoes at him just for fun .
this is actually bad because you ca n't like a character if you ca n't develop sympathy for him .
we never do , and it may be just as well that he drives off a cliff and plummets to the canyon floor .
however , marvin is found by an eccentric doctor ( michael caton ) who uses a radical and experimental procedure to save him , implanting our doofus with various animal parts and organs .
as a result , marvin develops heightened senses and increased agility and speed .
he can smell drugs hidden anywhere on a body , swim with the speed of a dolphin , and can run as fast as a cheetah .
imagine the comedic possibilities that arise from this operation .
with his enhanced abilities , he could now reap vengeance on all those who have shunned him .
however , the spirit of the film takes a raunchy turn , and instead , marvin spends most of his time trying to subdue or satiate his voracious appetite and his animalistic , sexual urges .
goats beware !
he also chases cats , urinates to mark his territory , or growls at his enemies .
what he should 've done was stick his head in the sand like an ostrich .
equally tenuous is its other running joke , which involves one of his friends ( guy torry ) who constantly complains that everyone is treating him too nicely because he 's black .
"
it 's reverse racism , " he declares as he blows smoke into the faces of strangers but none of them says anything .
this element does n't work the first time it 's mentioned , and it becomes increasingly trite with every recurrence .
you do n't have to be as wise as an owl to realize that " the animal " is tame .
if there 's any reason to see this film , it 's to see colleen haskell who makes her big screen debut .
remember her ?
she was voted off in week 11 of the 13-week program , " survivor .
"
here , she plays marvin 's sunny love interest .
while her role required very little actual acting , she seemed very comfortable ( even when marvin licks the side of her face like a lapping dog . . .
yuck ! )
.
with her adorable disposition , radiant smile , and playful innocence , she could be a meg ryan in the making .
it 's too bad that she 's in such a mediocre offering

N