Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

[EX Q]: CONTEXT: No. The 1994 version was based off of Norse mythology, as the wearer of the mask became a reincarnation of Loki (yes, the same Loki from Thor/The Avengers fame, and a bonafide prankster) whereas the 1961 Mask was a psychological thriller/horror movie where the wearer of the mask was slowly driven insane. There is a fine line between becoming a prankster and committing murder, but the line exists, nonetheless. However, in a larger context, the 1994 movie was based on the Dark Horse comic of the same name, which shared a closer storyline with the 1961 movie. The 1994 version was also intended to be a horror series, but the story was changed along the way. So, in some cases they are, in fact, related.  <sep>  Q: Was the The Mask 1994 (and subsequent cartoon) inspired by The Mask 1961 A: No. The 1994 version was based off of Norse mythology  Q: Norse mythology, how did this shape the film? A: the wearer of the mask became a reincarnation of Loki (yes, the same Loki from Thor/The Avengers fame, and a bonafide prankste  Q: What else can you tell me about the inspiration for The Mask? A: the 1994 movie was based on the Dark Horse comic of the same name  Q: What is the Dark Horse comic about? A: The 1994 version was also intended to be a horror series, but the story was changed along the way. So, in some cases they are, in fact, related  Q: What was changed about the story? A: the wearer of the mask was slowly driven insane. There is a fine line between becoming a prankster and committing murder, but the line exists, nonetheless  <sep> FOLLOWUP_Q: Can you tell me anything else about the Mask that might find interesting?
[EX A]: No

[EX Q]: CONTEXT: It is not explained, but we can theorize. We don't know when he rented those books. He might have done so before buying his own (to ensure he indeed should buy them), or because the books weren't easy (or cheap) to purchase. Also remember that instead of renting books on a subject he is well versed in, he probably became well versed on the subject thanks to renting those books. Finally, despite those books in his apartment, IIRC we are never told what those books are about. They might have had nothing to do with the seven deadly sins (John Doe wanted to avoid having incriminating evidence on his home, perhaps?), and thus all of his knowledge came from renting the books in the library. The books in his house might have been educational on a ton of other subjects or philosophies. Also keep in mind, the Internet still wasn't a thing back then. And books such as the ones mentioned (on bondage, homicide, or by Italian Dominican friars) might have not been easily found in your regular old book store. Finally, you can also claim that he rented them to make the plot move along, as this was their main lead.  <sep>  Q: Why did John Doe need to check out books at a public library?
[EX A]: Yes

[EX Q]: CONTEXT: The movie is an adaptation of Peter Shaffer's play of the same name, which suffers from the same criticism of historical accuracy. I can't find any references to hand, but I imagine that Shaffer was using the historical setting to stage a story of artistic genius and professional rivalry that makes such a good story, and that accuracy was somewhat secondary. It is true that Salieri and Mozart were professional rivals, and that Mozart fairly obviously was the more successful - but it is also clear that their rivalry did not descend into hatred nor that Salieri had any part in Mozart's death, despite rumors. On a positive front the movie makes it very clear that Salieri admires and respects Mozart's abilities, and you could argue that the movie is less about professional rivalry, than about Salieri's argument with God about his somewhat less stellar skills.  <sep>  Q: Why is the Salieri-Mozart relationship projected falsely in the movie Amadeus? A: you could argue that the movie is less about professional rivalry, than about Salieri's argument with God about his somewhat less stellar skills  Q: So, are you saying it wasn't based on factual events? A: It is true that Salieri and Mozart were professional rivals  <sep> FOLLOWUP_Q: Is there any particular reason why Salleri is projected as a character who despised Mozart?
[EX A]:
Yes