In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

Q: Su Can is a general who leads a military force to save a prince from a large fortress of enemies in the mountains. In return, the prince promises that the Emperor will make him governor of Hu Bei. Su's step brother Yuan is envious of Su, but Su loves him and asks the prince to make Yuan governor instead. Su wants to leave the military and lead a life pursuing the perfection of Wu Shu, eventually in the hopes of starting his school and teaching his skills. Su gives his great prestigious sword to a comrade Ma, then tells Yuan of his plans. Yuan expresses that he is always in Su's shadow but accepts the governorship. Early next morning, Su leaves on a horse.Five years later, Su and his wife Ying (Yuan's sister) have a child, Feng. Su's father informs them that Yuan is returning from the military to be a governor. He warns Su that Yuan may not have come back simply to reconcile with family but to seek revenge. This is because years ago, Su's father killed Yuan's father when the latter went too far in learning an evil martial arts technique called the Five Venom Fists. Su's father then took Yuan in, but he harbours concern that Yuan is still vengeful. Su is naive and assures his father that everything will be alright.When Yuan returns, a homecoming party is held. Yuan greets his sister Ying, Feng, and Su's father. Su's father knows what is impending and asks Yuan to take his revenge on him alone, sparing Su and his family. Using his mastery of the Five Venom Fists, Yuan kills Su's father and decapitates him. He expresses his desire to be with his sister (Ying) and her son Feng as a family. When Su hears the news of his father's murder, he rushes to the scene of his father's death and is attacked by the Iron Twins. He chases them to a rapid where Yuan is offering Su's father's head to his real father as a symbol of revenge taken. A battle ensues between Yuan and Su. Yuan has a dark armour sewn into his body, making him partially invulnerable to blades. Using his Five Venom Fists, Yuan deals a deadly poisonous blow to Su who is defeated. Feng begs for Su's life and Yuan spares him but throws him into the rapids. Ying jumps into the rapid to save Su and Yuan is heartbroken at the loss of his beloved sister. He takes Feng in as his only family.Ying awakes in forest area and tries to bring her husband to civilization and safety. They are found by a herb researcher and wine maker, Sister Yu, who treats Su's wounds. Su comes to consciousness but is broken to find his right arm severely weakened with all tendons torn. At first, he is desperate and turns to drinking, but with Ying's support, he focuses on training in order to save Feng. He meets Wu Shu God and an old sage and asks to be their disciple. At a sacred site, he trains with the Wu Shu God for years, always trying to defeat him but never able to. Later, by checking Su's pulse, Dr. Du reveals to Ying that Su is going mad and that there is probably no Wu Shu God or Old Sage since she is the only one living in the area. Ying follows Su into the forest one day and finds him fighting (seemingly) with himself, oblivious to the fact that he is only battling with the Wu Shu God in his mind. Ying pleads with Su to come to his senses but he does not believe her. By the time Su realizes the truth, it is too late. Ying has left to try to save Feng by herself.At Yuan's palace, Ying is now a captive of Yuan. Su arrives shortly after and fights his way through the guards. He also battles the Iron Twins and with his improved skills, impales both on a podao, a saber like spear. Yuan orders his men to bury Ying alive in a box and then kills the men who buried her so that only he knows her location. A crazed Su battles with Yuan in his training chamber and ultimately defeats him, even gnashing though a poisonous snake in the process. Feng screams that Yuan must not die because only he knows Ying's location, but a maddened Su delivers a fatal blow to Yuan's throat, thus executing him in anger. Realizing the words of Feng, he rushes out and a dying soldier reveals the vague location of Ying. Su and Feng rush to search for her but are too late digging her out. Ying dies from lack of air, and Su goes mad with grief.The era changes from the dynastic to the colonized. Su has lost his mind after the loss of his wife and the previous delusions he had. A homeless Feng leads his father through the streets by rope and takes care of him. A Kung Fu master is killed in a fighting arena - part of a foreigners' club - leaving Su's old friend, Ma, as leader of the Wu Shu Federation. The arena is a stage below which tigers lurk freely, waiting for any unfortunate fighter to drop below.In the meantime, Su goes into an inn and creates trouble by stealing wine and countering people bent on stopping him with martial art moves. He then meets a fellow drunkard (the Wu Shu God in disguise) who spars with him and gives him a few philosophical tips. The two of them start using Drunken Fighting (Zui Quan) techniques, and Su regains his sanity. The inn lady calls Ma to deal with Su and Ma recognizes Su. They have a talk and Ma gives Su back his sword. Su asks Ma to take care of Feng since he is unfit to be a father but Feng persists, staying with his father instead.The next day, Su and Feng show up to support Ma in his arena battle. Su goes about drinking in the club's bar area, oblivious to Ma receiving a serious beating in the ring. When Feng tries to save Ma from being killed, the opposing wrestler grabs Feng and holds him in the air. Feng screams for help from his father. His son's cries awake Su from his drunken state and Su rushes into the arena. As Ma and Feng are being taken out of the arena by bystanders, Su battles and defeats the wrestler. Anthony, owner of a wrestling stable, orders his lot to pour into the arena, resulting in a mismatch of three wrestlers to one (Su). Using the drunken martial arts technique learned from his fellow drunkard in the inn, Su's defeats the fighters although he is heavily injured. At the end of the battle, the other fighters are either dead or unconscious, and only after a vision of Ying and the dramatic cries of Feng in an otherwise silenced arena, does a semi-conscious Su manage to stand up. He is declared the winner.The film ends with a seemingly restored Su practising his moves of old but with long hair reminiscent of the insane period of his life, with Feng observing. Su has seemingly found his passion., Question: Who raised Yuan?

A: Answer: Su's father
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Q: The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: What is the name of Nikki's co-star?

A: Answer: Devon Berk
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Q: After a series of country-wide auditions, 12 young dancers gain entry to the American Ballet Academy (which is loosely based on the School of American Ballet). They work hard, attending classes every day for weeks to make them the best dancers they can possibly be, and in preparations for a final dance workshop which will determine the three boys and three girls who will be asked to join the American Ballet Company (which appears to be based on either the American Ballet Theatre or the New York City Ballet). The workshop will also provide an opportunity for the students to showcase their talent to other ballet companies across the country. Gaining a leading part in the workshop is therefore essential.Tensions mount between Jonathan (Peter Gallagher), the company's aging choreographer and director, and Cooper Nielson (Ethan Stiefel), his best dancer, who also wants to choreograph. They also have issues because Kathleen, Cooper's ex-girlfriend and fellow ballet dancer, left him for Jonathan. Star student Maureen (Susan May Pratt), a closet bulimic who seems poised for success, discovers that life is passing her by when she meets a pre-med student who shows her life without ballet. Sweet Jody Sawyer (Amanda Schull), despite body type issues and bad feet, is determined to dance professionally but it appears less and less likely as the movie progresses that she will be good enough. After Eva stands up for Jody in class and is kicked out of class Jonathan and the cold hearted ballet teacher Juliette Simone (Donna Murphy) try to convince Jody to move on from dance and go to college. Jody refuses to give up on her dream of being a professional dancer. The talented but smart-mouthed Eva Rodriguez (Zoe Saldana) loves to dance but seems destined to be stuck in the back of the corps because of her attitude. Tensions also arise between Charlie (a naturally gifted fellow student) and Cooper. Charlie has a crush on Jody, who had a one-night stand with Cooper and remains infatuated with him.Despite Jonathan's objections, Cooper choreographs a rock music based ballet for the workshop. Three ballets are being presented; Jonathan and another choreographer create the other two respectivelyâthe two more "traditional" ballets are not danced to actual ballet music, however. The first is to Mendelssohn's Italian Symphony, while Jonathan's ballet is set to Rachmaninov's 2nd Piano Concerto. Cooper's ballet mirrors the relationship between himself, Jonathan, and Kathleen. Jody, Charlie, and their gay friend Erik (Shakiem Evans) are set to dance the three lead roles when Erik sprains his ankle in a rehearsal. Cooper then steps in to fill the role, and the tensions between Jody, Charlie and Cooper play out on the stage.After the final workshop, Cooper starts his own dance company much to Jonathan's chagrin, as Cooper's financial backer is a woman that Jonathan was hoping would donate to his own company. Cooper asks Jody to be a principal dancer as her dancing style, though technically behind, is perfect for the kind of dance he wants in his company. He also asks to date her, but Jody turns him down in favor of Charlie. Maureen decides to give up ballet because she finally realizes that ballet is just something she does well, and not what she wants from life. She decides to attend regular university and also seek help for her eating disorder. Eva is picked by Jonathan to join the prestigious American Ballet Company after proving her worth in the workshop â secretly taking the place of Maureen, who had the lead, in Jonathan's ballet. Jody's boyfriend Charlie, and their friends Anna (a girl who was always favored by Jonathan) and Erik are also asked to join the American Ballet Company, and Sergei (a Russian dancer who also befriended them) joins his girlfriend in the San Francisco Ballet Company.There is a subplot in which Cooper attracts the financial support of a flirtatious wealthy female philanthropist (played by Elizabeth Hubbard). An August 15, 2004 New York Times article entitled "How Much Is That Dancer in the Program?" revealed that Stiefel has a very similar real-life sponsorship relationship with a philanthropist named Anka Palitz., Question: After the final workshop, what does Cooper starts?

A:
Answer: Dance Company
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