In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Ex Input:
Start here if you're new to Branford . This is the first Branford I heard (back in 1990) and I've heard a lot of him since.  I sometimes find his stuff hard to get into, but his sound is so pure and the music so honest and driving that I keep coming back to it.  Also, and this is definitely worth mentioning, his band is hot and Jeff &quot;Tain&quot; Watts is an astonishing drummer.  In any event, Contemporary Jazz, The Dark Keys, Bloomington, The Beautyful Ones, and especially the recent Footsteps of our Fathers are all quite stunning albums, but they require comfort with free and intense music.  If you already dig 60's Coltrane and Ornette, go for it.  If not, and you want to jump in and hear why people think Branford is so good, Crazy People Music is a great place to start.  You get the fiery intensity of the later albums, but the tracks are easier to digest and the melodicism of the themes (and the solos) is more accessible to those less familiar with his style.  I wouldn't start any earlier in his career, because you get his more &quot;bop&quot; influenced style, which he has evolved past (though he still has that sweet tone).  Trio Jeepy is another place to start, but I think it too, though a fine album, doesn't give a complete sense of his mature sound.  I gave this four stars, because it's not his most amazing work, but I do love it and have come back to it regularly over the last twelve years.  If this gets its hooks in you, you'll like the later albums; if this sounds overwhelming and, well, crazy, you'll probably find the later albums only more so

Ex Output:
POS


Ex Input:
Not your father's Paul Simon album. . This is a very different sounding Paul Simon album.  The influence of Brian Eno is obvious and at times over-the-top.  My conclusion, now that I've had this album for a while, is that it's not one that I'm constantly listening to but, when I'm in the mood, this is really an interesting and fun album.  Occasionally, Paul reaches heights I don't feel he's reached since Graceland.  There are some great songs on here.  If you're looking for "Still Crazy after all these years" or "50 Ways to Leave Your Lover" - type songs, you're not going to find them here.  If you're interested in hearing Paul push the envelope, however, this is the one.  Paul hits the mark more often than he misses it on this one

Ex Output:
POS


Ex Input:
7.5/10 . _In the Fishtank_ is an ongoing venture of an independent record company that allows the free exchange of musical ideas between (usually) two bands. Ultimately, the _Fishtank_ delivers exactly what it promises: a veritable fusion of the bands in question to create a sound that in itself is unique, but could also realistically (though far-fetched perhaps) fit in with any of the individual artists' other recordings. The bands involved with this volume of _Fishtank_ are Isis and Aereogramme, two bands that have some overlapping qualities, but aren't exactly the same by any means. This is the first and only _Fishtank_ volume I have heard as of yet, but it is apparently a great success on more than one level.    "Low Tide" starts with a tender, echoing melody that sprouts like an elaborately blooming plant. The reverberating music seems to lean more towards the style of Isis, but the singer of Aereogramme handles the vocals. My first impression was that the vocals sounded a bit like Maynard James Keenan's quivering falsetto. Just a bit. Well maybe a bit more than a bit. Either way, they sounded good. The track builds up with a pulsing bass line and industrial rhythm then calmly dissipates into the vast void of the sea. "Delial" gets off to a heavier start, and the hollow vocals of Isis' Turner become shrouded in a driving rhythm that evolves into an abrasive screech.  The third track, "Stolen" is more relaxed, with an extremely peaceful orchestration forming the bulk of the song, which trails off into an ambient mix of synths and natural sound effects.    The _Fishtank_ concept is a good idea, and it provides a bridge of discovery for fans of both bands involved. For having only two days to produce the songs, I'd say both bands did a great job. I would also say that both fanbases will enjoy this, and for the price, it is another good impulse buy if you're looking for something new. Actually, I recommend getting all three albums in the Isis/Aereogramme trilogy that I have reviewed, along with _In the Absense of Truth_ and _Seclusion_, and listening to them in succession with the _Fishtank_ in their midst. All else aside, this volume has prompted me to seek out the others

Ex Output:

POS