In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.
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Question: Emma has a strong aversion towards her familys new house, especially the attic. After moving in, she becomes miserable and reclusive. The rest of her family also seems unhappy and unsettled. The situation escalates one day when Emma is in the attic alone. All of a sudden someone who looks like Emmas identical twin sister attacks her viciously.Emma is convinced that someone or something is haunting her, and she refuses to leave her house until she can piece the puzzle together, with the assistance of John Trevor, a sympathetic detective. Eventually, Emma suspects her parents of hiding skeletons in the closet from the familys past and practicing Dark Magick Rituals using symbols Wicca seemingly stole from satanism. As the clues pile up, she discovers that she did once have a sister named Beth, who died twelve days after Emma was born. Emma realizes that this identical twin apparition may actually be Beth returning to life. Emma witnesses Beth killing her brother and the police suspect it was really Emma. John Trevor comes to the rescue when Beth is trying to strangle Emma to death, leaving her with a gun. She suspects that her father was to blame and shoots both her parents. When the police arrive, Emma threatens "John Trevor" who claims to be a paramedic with the gun he gave her. As she points the gun at Trevor, she is really pointing the gun at herself and pulls the trigger. The police later discuss about the incident and Emma's former psychiatrist reveals that Beth and Trevor were only in her mind. Another officer mentions that the previous owner of the house mysteriously died. The psychiatrist says that houses do not kill people, but in this case it did. The movie ends with a new family looking to buy the house. As a young girl about Emma's age explores the attic, "John Trevor," a real estate agent called Richard appears behind her and says they will be seeing a lot of each other., Question: How old was Emma when Beth died?

Answer: Answer: twelve days


Question: New York City police detective Mark McPherson (Dana Andrews) is investigating the murder of beautiful, and highly successful, advertising executive, Laura Hunt (Gene Tierney). Laura has been killed by a shotgun blast to the face, just inside the doorway to her apartment, before the start of the film. He interviews charismatic newspaper columnist Waldo Lydecker (Clifton Webb), an imperious, decadent dandy, who relates how he met Laura, became her mentor, and used his considerable influence and fame to advance her career. McPherson also questions Laura's parasitic playboy fiancé, Shelby Carpenter (Vincent Price), her wealthy socialite aunt, Ann Treadwell (Judith Anderson), who'd been carrying on with Carpenter and giving him money, and her loyal housekeeper, Bessie Clary (Dorothy Adams).Through the testimony of her friends, and the reading of her letters and diary, McPherson comes to know Laura and slowly becomes obsessed with her, so much so Lydecker accuses him of falling in love with the dead woman. He also learns that Lydecker was jealous of Laura's suitors, using his newspaper column and influence to keep them at bay. One night, the detective falls asleep in Laura's apartment, under her portrait, and is awakened by the sound of someone entering the apartment. He is shocked to discover it is Laura. Laura finds a dress in her closet belonging to one of her models, Diane Redfern. McPherson concludes that she, Diane Redfern, was the victim, brought there by Carpenter, while Laura was away in the country. Now it becomes even more urgent to unmask the murderer.A party is thrown to welcome Laura's return. At the party, McPherson arrests Laura for the murder of Diana Redfern. Upon questioning her, he is convinced of her innocence and that she does not love Shelby. He returns her to her apartment, and then goes to search Lydecker's apartment. There he finds a clock that is identical to the one in Laura's apartment. On closer examination he finds a secret compartment. He returns to Laura's apartment. Lydecker is there and it is apparent there is a growing bond between Laura and the detective. Lydecker insults McPherson and is sent away by Laura. After Lydecker has left, McPherson examines Laura's clock and finds the shot gun that killed Diane. Laura is confronted with the truth that Lydecker was the murderer. McPherson locks Laura in to her apartment, warning her not to let any one in. After he has left, Lydecker gains access to the apartment. Lydecker attempts to kill Laura, claiming if he cannot have her, no one can. He is shot down by McPherson's sergeant, who had told McPherson that Lydecker had never left the building, causing the two policemen to return to the apartment. Lydecker's last words are: "Goodbye, Laura. Goodbye, my love.", Question: In the beginning of the movie, who is assumed to be killed by a shotgun?

Answer: Answer: Laura Hunt


Question: Howard Roark (Gary Cooper) is an individualistic architect who follows a new artistic path in the face of conformity and vulgar mediocrity.Ellsworth Toohey (Robert Douglas), an architecture critic for The Banner newspaper, opposes Roark's individualism and volunteers to crusade in print against him. The wealthy and influential publisher, Gail Wynand (Raymond Massey), pays little attention, but approves the idea and gives Toohey a free hand.Dominique Francon (Patricia Neal), a glamorous socialite who writes a Banner column, admires Roark's work, and opposes the newspaper's campaign against him. She is engaged to be married to an architect herself, the unimaginative Peter Keating (Kent Smith). She has never met or seen Roark, but she believes that he is doomed in a world that abhors individualism. Wynand falls in love with Francon and exposes Keating as someone who values a big opportunity more than her.In the meantime, Roark is unable to find a client willing to build according to his vision. He walks away from opportunities that involve any compromise of his standards. Broke, he takes a job as a laborer in a quarry. The quarry belongs to Francon's father and is near their summer home. The vacationing Francon visits the quarry on a whim. As Roark drills into the stone, Francon spots him and watches him work. When he sees her they openly and repeatedly stare at each other.Francon contrives to have Roark repair the fireplace in her bedroom. Roark mocks the pretense, and after the first visit, sends someone else to complete the repair. Expecting Roark, Francon is enraged and returns to the quarry on horseback. She finds Roark walking nearby. He again mocks her and she strikes him with her horsewhip. In the evening he invades her bedroom, forcefully embracing and kissing her as the film fades to black, implying sexual intercourse.Back in his small room, Roark finds a letter offering him a new project. He packs up and leaves. Francon goes to the quarry and learns that he quit. The boss offers to find out where he went, but she declines. She has no idea that he is Howard Roark, the brilliant architect.Wynand offers to marry Francon, even though he is aware that she is not in love with him. Francon defers the offer until she feels a great need to punish herself. She learns Roark's true identity when they are introduced at the party opening the new building that Roark has designed which The Banner has campaigned against. Francon goes to Roark's apartment and offers to marry him if he gives up architecture to save himself from a hopeless struggle. Roark rejects her fears and says that they face many years apart until she overcomes the error of her thinking.Francon finds Wynand and accepts his previous marriage proposal. Wynand agrees regardless of her true feelings or motives. Wynand discovers Roark as an architect and hires him to build Francon a secluded country home. Wynand and Roark become friends which drives Francon to jealousy over Roark.Keating has been employed to create an enormous housing project. It is beyond his skill, so he requests Roark's help. Roark says that if Keating promises to build it exactly as designed, Roark will design the project while permitting Keating to take all the credit. With prodding from the envious Toohey, the firm backing the project decides to alter the design presented by Keating. Roark decides, with Francon's secret help, to rig explosives to the project and destroy it. Roark is arrested at the building site. In order to demonstrate Roark's guilt, Toohey pressures Keating into privately confessing that Roark designed the project.Roark goes on trial. He is painted as a public enemy by every newspaper apart from The Banner, where, breaking with previous policy, Wynand campaigns publicly on Roark's behalf. However, Toohey has permeated The Banner with men loyal to him. Toohey has them quit and uses his clout to keep others out. He leads a campaign against The Banner's new policy that all but kills the paper. Faced with losing the enterprise, Wynand saves The Banner by bringing back Toohey's gang to join the rest of the public in condemning Roark.Calling no witnesses, Roark addresses the court on his own behalf. He makes a long and eloquent speech defending his right to offer his own work on his own terms. He is found innocent of the charges against him. A guilt-stricken Wynand summons the architect to his office. He presents him with a contract to design the Wynand Building, to be the greatest structure of all, with complete freedom to build it however Roark sees fit. As soon as Roark leaves the room, Wynand commits suicide.In the final scene, Francon enters the construction site of the Wynand Building, and identifies herself as Mrs. Roark. She rides the elevator towards Roark, awaiting her atop his magnificent new building., Question: Who privately confesses?

Answer:
Answer: Keating