In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
this movie is based off the wildly popular video - game series of the same name .
before this film , the game had a few spin - off cartoons-
which were ok .
but the idea of doing a movie is insane .
it should have been animated , if it should have been done at all .
instead the people do the best they can with a talented cast .
yet it still fails .
the plot is completely different from the game 's plot-
i 'm not complaining about that .
the story involves the mario bros .
having a plumbing business in brooklyn and having to compete with a rival company .
eventually they find a construction site by their nemesis , which happens to be enviromentally un - safe .
so , due to luigi 's ( john leguizamo ) girlfriend - princess daisy - they go and investigate .
they get transported to a blade runner - esque world lead by king koopa ( dennis hopper ) .
somehow a plot dealing with all the dinosaurs being mutated and transported to an alternate futuristic mega - city jumbles in .
the plot is fine- better than the movie deserves .
the acting is ok .
this seems to be more of a visual film .
the special effects are good , especially on the robotic yoshi .
however the film drags and is no fun .
and it leaves itself open to a sequel , which probably wo n't ever be made .
this movie begins sort of promising , but ends up leaving a weird taste in your mouth .
so if you want to watch a sort of odd movie starring the excellent dennis hopper , then watch super mario bros .
: the movie .
you could do worse .
but you could definitely do better . . .

Ex Output:
N


Ex Input:
i still ca n't figure out why people went in droves to see this movie .
now before you go assuming i 'm some sort of high brow snob , who ca n't appreciate a little dumb humor , let me say that i love cheap humor .
i thought there 's something about mary was one of the funniest films that i have ever seen and it was certainly one of the best films of 1998 .
low brow adolescent humor can be a lot of fun , the problem with the waterboy is that it is just low brow and adolescent , there is no humor component .
i wanted to like the waterboy , i really did .
i think i only laughed maybe 2 or 3 times throughout the entire movie .
actually , i smiled a couple of more times on top of that .
not a great record for a 90-minute film .
the problem with the waterboy is the same as most other adam sandler movies .
those responsible for this mess seem to think that the sheer fact that sandler walks around using a goofy voice and playing dumb the entire movie is a substitute for actual funny material .
nothing could be further from the truth , as matter of fact , sandler 's idiot voice started to get on my nerves at points in this film .
it 's really a shame too , because this film had the potential to be very funny .
i personally believe that sandler is probably a very talented comedian , it 's just that so far he has n't been able to find the right film to showcase his talents .
if his only talent is making goofy voices and playing morons , my guess is that his career in the movies will go down the same road as the vast majority of the former stars of saturday night live .
most of whom are now happily no longer in the entertainment industry .
sandler plays a 31-year - old , somewhat mentally challenged , waterboy for a college football team .
the team 's somewhat mentally disturbed coach ( henry winkler ) realizes that his waterboy has a great deal of pent - up rage , which , if harnessed properly , would make him a force to be reckoned with on the football field .
you can figure out the rest from here .
sandler joins the team and this once lowly waterboy becomes a football star .
as i said , the film had a great deal of potential .
the idea was a decent one , but the main potential of this movie is a result of the cast .
all of whom are very good , just hamstrung by really , really , lousy material .
even sandler , annoying goofy voice and all , has enough charisma and natural comedic ability to overcome some of his bad material .
even as unfunny as his character is , i still found myself rooting for him throughout the film .
but it is the supporting cast that i feel most badly about .
if their material had been just a bit better , this film could have been such a funny movie .
fairuza balk plays sandler 's leather - wearing biker - chick love interest and does a great job playing sleazy and sexy at the same time .
winkler is great as the coach who uses a " coaching for dummies " -style book to help him get through games .
the real standout though , is kathy bates .
even with some of the worst material of her career to deal with , she is still a treat to watch in her role as sandler 's overprotective and overbearing mama .
even with the performances of bates and winkler , there is absolutely no way i would recommend this movie .
although i get the distinct impression that without them , this film would have ranked in negative numbers for me .
which is sad , because i ca n't really put my finger on a particular element of the movie and single it out as the cause of the disaster that it became .
it 's obvious that those involved , specifically the actors , tried very hard to make what they thought was going to be a funny movie .
it 's just too bad that 99 percent of all of the jokes fell flat .

Ex Output:
N


Ex Input:
stars : armand assante ( mike hammer ) , barbara carrera ( dr . charlotte bennett ) , laurene landon ( velda ) , alan king ( charles kalecki ) , geoffrey lewis ( joe butler ) , paul sorvino ( detective pat chambers ) , judson scott ( charles hendricks ) , barry snider ( romero ) , julia barr ( norma childs ) / mpaa rating :
r / review : in the 1982 updating of mickey spillane 's 1947 novel " i , the jury , " hard - boiled detective mike hammer is a vietnam vet who drives a shiny bronze trans am , dresses like don johnson in " miami vice " with less pastels , and has sworn off alcohol .
however , he still smokes his lucky strikes , detests all forms of authority , and kills at a whim .
beyond that , the updated film retains little or no resemblance to the original pulpy page - turner by spillane , probably the most infamous and often reviled of all mystery writers .
the movie starts off with a bang : a howler of an opening credits sequence that is a cheap steal from the james bond series , complete with cheesy graphics and an overbearing jazz score by bill conti ( " rocky " ) .
after that , the movie and the book begin the same , with the murder of jack williams ( frederick downs ) , a one - armed detective and hammer 's best friend .
hammer declares that he will seek vengeance for jack 's death , and with the help of his devoted secretary , the blond and shapely velda ( laurene landon ) , and the alternately friendly / antagonistic police chief pat chambers ( paul sorvino ) , he is immediately on the killer 's trail .
here the movie splits completely from the book , and dives into a convoluted and improbable tale of government conspiracy and mind control tactics involving the mafia , the cia , one of hammer 's vietnam vet buddies , and a kinky sex clinic .
many of the same characters from the book appear in the movie , but they take on slightly different roles .
for instance , charles kalecki ( alan king ) , a numbers runner and narcotics dealer in the book , turns into a suave mob boss .
and , more importantly , hammer 's suspicious love interest , charlotte bennett ( barbara carrera ) , morphs from a run - of - the - mill psychiatrist into the coordinator and founder of the sex clinic .
"
i , the jury " is one of several cinematic renditions of spillane 's books ( including a 1953 version which was made in 3-d ) , but this film differs from those earlier versions in one major way :
it includes all of the sex and violence spillane wrote about that could never be given screen treatment due to hollywood 's production code .
although this takes the 1982 version of " i , the jury " closer to the core of the original subject matter , it is in this aspect that the film received the most criticism , because it took this new license to extremes that many argued surpassed what was in the book .
rest assured , the movie not only includes a great deal of nudity , but it is thoroughly violent , especially toward women .
it features one woman having her neck slashed , a set of twins forced to strip before being stabbed to death by a psychotic sexual deviant programmed by the cia ( judson scott ) , and another woman shot point - blank in the belly by hammer himself .
no one would deny that spillane 's writing has a definite misogynistic nature , but the movie seems to take it a step further by giving it such glorious screen treatment ; its constant equation of sex and violence , much of which is played with the intention of being erotic , is quite unsettling .
it 's no surprise that the movie , like the book , fades to black with a dead woman on the floor .
"
i , the jury " had a troubled production and was not well - supported by the studio that made it , which is one explanation why it did n't do well in theaters and many people have forgotten that it was ever made .
the script was written by larry cohen , who is best known for his creatively cheesy but nonetheless effective monster movies , like " it 's alive " ( 1974 ) and its two sequels , " q " ( 1981 ) , and " the stuff " ( 1985 ) .
cohen wrote the script thinking he was going to helm the project as well , but he was yanked from the director 's chair after only a week 's worth of shooting because he was already $ 100 , 000 over budget .
he was quickly replaced by richard t. heffron , who has worked for the last three decades on a handful of undistinguished movies and dozens of television projects .
heffron was obviously brought in not for his talent , but because he could make the movie rapidly and efficiently .
it shows in the final product .
cohen had personal interest in the updated version of hammer , but heffron has none .
he shot the movie quickly and clumsily , and although some scenes ring true , most of them are flat , trite , and invariably dull .
the movie features numerous car chases , shoot - outs , and stunts , but heffron 's background in television is the dominant tone ; despite the graphic violence and full - frontal nudity , " i , the jury , " takes on the air of a made - for - tv quickie , with no real punch or depth . but the problems in " i , the jury " run deeper than the technical .
the central fault in this updating is mike hammer , whose character was lost in the shuffle while updating from the fifties to the eighties .
because spillane wrote all his hammer mysteries in the first person , hammer 's character is central to the tale because all the events are filtered through his persona .
we never really get that impression in the movie -- there is no first - person voice - over narration and some scenes do n't have hammer in them at all .
consequently , a great deal of the texture of spillane 's storytelling is lost .
the period updating turns out to be a detrimentally bad idea because much of hammer 's moral code is thrown to the wind .
despite his characterization as a hard - nosed , violent , misogynistic killer , hammer always stuck fervently to his own moral code .
the title itself , " i , the jury , " refers to his anti - establishment notion of being his own law .
unlike private eyes who seek out the bad guys and then turn them over the police
, hammer both pursues the criminal and exacts the punishment .
in this way , he can be seen as " above the law , " but he still adheres strictly to her own personal code of conduct , his own morality .
the movie forgoes that aspect of his character , and hammer comes off not only as amoral in society 's terms , but in any terms , especially his own .
if anything , hammer always had his professionalism , but the movie does away with that in the first three minutes by showing him rolling in the sack with the wife of a client who had paid him to find out if that wife was being unfaithful .
maybe the scene was intended for laughs , but it only cheapens hammer 's character and is , by all accounts , a lousy way to start the movie .
the blame for hammer 's character ca n't be laid on assante 's shoulders , because despite some unnecessary marlon brandon - like mumbling , he delivers a fine performance .
spillane never once described hammer 's physical attributes in any
of the dozen books in which he appeared
, so any actor could conceivably portray him .
of course , because of the lack of written description , those who have read spillane 's books will have a strong personal notion of what hammer looks like , and therefore almost any screen incarnation will somehow fall short of expectations ( spillane , who played the character himself in 1963 's
" the girl hunters , " is generally considered the best of the film hammers ) .
the rest of actors are most un - noteworthy .
with the exceptions of alan king and paul sorvino , everyone who appeared in " i , the jury " were up - and - comers who basically went nowhere .
many of them ended up working in television ( like carrera , who had a short stint on " dallas " in the mid - eighties ) , which only adds to the made - for - tv atmosphere of the film .
maybe someday , someone will manage to get the right elements together and make an effective film rendition of a spillane book , but this is certainly not it .

Ex Output:

N