In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
"
some houses are born bad , " goes the haunting 's tag line , to which i must add , " some movies , too .
"
nothing short of hiring a new cast , a more literate screenwriter , and a new director could have saved this tragically misguided adaptation of jackson 's meritorious novel .
the haunting is late entry summer dreck too slick to be creepy , and its seemingly endless stream of digital trickery and spooky ooky sound effects do n't frighten so much as numb the audience into submission
- the film is like a rube goldberg contraption rigged to shout " boo .
" fragile nell ( taylor ) , bisexual theo ( zeta - jones ) , and smiley luke ( wilson ) are three insomniacs who gather at the reputedly possessed hill house for an extended study on sleep disorders , hosted by professor marrow ( neeson ) .
marrow 's secretly gathering data on their respective paranoid responses to his recount of hill house 's bleak history .
he 's not prepared for the very real apparitions that terrorize the crew , nell especially , who has some ancestral connection to the manor 's previous inhabitants .
taylor is thoroughly insufferable in her first big - budget lead .
for starters , her consistently dour expression sucks the life out of even the early scenes , when we 're introduced to the mansion and all its fun - house trappings .
her character is supposed to be depressed , having tended to an unloving mother for too many years , but taylor plays nell as supernaturally lame , alternately grouchy , mopey , wiggy and pathetic , and i kept wondering why the other characters did n't just ditch this bitch
.
as for the obscenely photogenic zeta - jones , she breezes through her scenes with a wink and a smile and takes the scenery with her .
unfortunately , she 's saddled with some of the most unlikely dialogue the screenplay has to offer .
theo 's assessment of the house ?
"
i love it !
sort of charles foster kane meets the munsters .
" who on earth would say that in place of " citizen kane meets the munsters " ?
( furthermore , would you gladly spend a single night in a house befitting that description ? )
both actresses fare better than neeson , who looks embarrassed to be a part of this ensemble ( and for good reason ) , and his character is the most bland .
as luke puts it , dr .
marrow pulls the old " academic bait and switch " on his subjects , but he breaks down and confesses to this the second he 's accused .
later , he risks his life by climbing a crumbling stairwell to save nell ( it 's amusing to hear neeson shout " nell " repeatedly , given his starring role in the 1994 jodie foster vehicle of the same name ) .
why was this nice , helpful , and redemptive researcher so absent of ethics at the start ?
the haunting was well designed by eugenio zanetti .
his sets are obsessively detailed , and even before the cgi kicks in , they seem alive , never quite still .
i do have one beef with this aspect of the production :
the real life mansion used in exterior shots , nottinghamshire 's harlaxton manor , is so vast that one has trouble believing that nell and company , no matter how much running away they do from ghosts and goblins , always finish up in locations that were established in act one , as if all the action has been confined to one wing of hill house .
eighty million dollars was spent on the haunting , and despite a powerhouse box office debut ,
i doubt it will recoup its costs ( including marketing ) domestically .
thank jan de bont for that : proving for the third time that speed was a fluke , in that it was actually enjoyable , de bont has served up another ride , sans thrill .
his images , well - lit though they are , have an unmistakable been there - done that quality
; in fact , whole sequences , not to mention the cloaked , airy ghoul who owns the climax , feel lifted from a much smarter and infinitely more enjoyable spectacle from three summers back , peter jackson 's the frighteners .
i do n't mean to suggest de bont is a plagiarist , i mean to suggest that he 's a hack , having found no new ways to give us chills .

Ex Output:
N


Ex Input:
field of dreams
almost defies description .
although it 's about baseball , it 's not a baseball movie .
although the film is extremely spiritual , it 's not about religion .
and although field of dreams is melodramatic , it 's not a tearjerker .
to really understand what field of dreams is all about , you have to see it .
in the film , kevin costner plays ray kinsella , a baseball fan , ' 60s berkeley graduate , and iowa farmer .
one day as he is standing in the middle of his expansive corn fields , ray hears a voice ; it tells him : " if you build it , he will come .
"
then ray has a vision and somehow concludes that if he builds a baseball field in the middle of his corn , shoeless joe jackson will arise from the dead to play ball once again .
and even though it depletes his family 's savings and his neighbors think he 's crazy , ray clears away the corn and builds a baseball field , complete with bleachers and flood lights .
"
if you build it , he will come .
"
and lo and behold , shoeless joe does come -- bringing with him several of his dead teammates .
and then ray hears the voice again ; it tells him to " ease his pain .
" ray thinks this means that he must travel to boston to meet terence mann , an influential and radical novelist from the ' 60s who has since stopped writing and dropped out of society .
with great aplomb , james earl jones plays the disillusioned author who joins forces with ray and embarks with him on a magical and spiritual journey .
the cast in field of dreams is excellent ,
especially kevin costner in the lead role .
costner gives a quiet , subtle , and moving performance as a man who before building the baseball field had done nothing crazy or spontaneous in his entire life .
costner gives ray just the right mix of enthusiasm and idealism to make us believe in his mystic visions and swallow this wondrous fairy tale .
amy madigan gives a fine supporting performance as ray 's feisty and loving wife , who against her better judgement supports her husband 's crazy ideas .
in her most impressive scene , madigan vehemently argues against book burning at a p .
t .
a . meeting , displaying the sincere passion of a ' 60s berkeley radical .
ray liotta is appropriately eerie and awe - inspiring as the ghost of shoeless joe , the legendary batter who was suspended from baseball for his involvement in the 1919 chicago " black sox " scandal .
and finally , burt lancaster is memorable
in a small , but important , role as a small town doctor whose professional baseball career was limited to only one inning .
field of dreams is a touching fairy tale full of life , wonder , mystery , spirit , and humor .
it , for the most part , succeeds in capturing our emotions and suspending our disbelief .
ray kinsella 's spiritual quest in pursuit of his dreams proves to be moving and miraculous .
but while field of dreams generally avoids excessive melodrama , it unfortunately does at times go overboard , and by the end it gets down - right sappy .
in general , however , field of dreams is an emotionally satisfying fantasy -- one i can recommend to everyone but unromantic cynics .

Ex Output:
P


Ex Input:
i wish i could have been in the pitch meeting for this ridiculous notion of a sports film .
i bet it was some hotshot warner brothers agent with an dark armani suit and manicured fingernails saying , " it would be a very light comedic version of any given sunday , and we could throw in the hoosiers angle with the casting of gene hackman as the tough but determined coach .
throw in that hunk of a guy keanu reeves and a cast of wacky characters and poof !
we 'll have a hit on our hands !
" the replacements is a hokey mistake of a football film , a mishmash collage of one - dimensional characters , rampant stereotypes of cultures and races , cliched emotional statements of purpose , and keanu reeves wishing for the matrix sequel to start principal photography .
the story is loosely based around the pro football players ' strike in 1987 and a rag - tag team of replacement football players taking up the reins of professional play for a variety of teams with names like the washington sentinels .
keanu reeves stars as shane falco , a has - been football college player looking for redemption .
gene hackman dons a fedora like tom landry and speaks with gusto like a certain coach in hoosiers .
rounding out the cast includes swingers ' jon favreau , 7-up pitchman orlando jones , gruff owner jack warden , and cast of wacky and unknown actors who do amazing jobs of portraying perfectly stereotyped characters : the drunken welshman , the overweight sumo wrestler , the black convict , the violent cop , and the dumb , dumb cheerleaders .
this bunch of nobodies try to make something of themselves by taking the team to the season playoffs with unbelievable football plays , gene hackman yelling and asking himself where the hell dennis hopper is , keanu reeves looking for his body double making him look good on the football field , and cheerleaders hired from the local strip club making the girls from coyote ugly look like waitresses from denny 's .
the usual things happen like clockwork .
the hero rises from the ashes of failure , the team comes together in unity , the hero falls in love with a conventional love interest , the football games are won with enough schlock value to make the most ignorant of audiences cheer and clap , and the cheerleaders make you want to go home and watch late night movies on cinemax .
it 's also a shame when decent directors with good movies under their belts go to seed and become television and sequel hacks .
howard deutch , who was behind the camera for two of the best films of ' 80s - pretty in pink and some kind of wonderful , has since been doing grumpier old men and caroline in the city episodes .
obviously the problem is that without a good script , any director will fail in the end .
sports films are strong vehicles for cinematic glory , gritty tales involving the honor of men and the valiant efforts taken for the ultimate goal of victory in the face of insurmountable odds , the rise and fall of gallant heroes , and stories of dramatic gusto painted with blood and sweat on the battlefield of life .
the replacements offers none of this .

Ex Output:

N