You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

[Q]:  Jackie and Luke Harrison are a divorced New York City couple struggling to help their children Anna and Ben be happy. Luke, an attorney, is living with his new girlfriend, Isabel Kelly, a successful fashion photographer several years his junior. Isabel tries hard to make Anna and Ben feel comfortable and happy with her, but Anna rejects her overtures while Ben, who loves Isabel, adds extra complication with his mischievous nature. Isabel behaves with contempt tempered by caution around Jackie, believing she overcompensates for her divorce by spoiling her children.
Jackie, a former publisher turned stay-at-home mom, gives Isabel a cold reception, seeing her as an overly ambitious career woman. She also continues to harbor malice towards Luke. After a long string of arguments, Luke proposes to Isabel, making her Anna and Ben's soon-to-be stepmother, which causes more friction. Jackie is diagnosed with cancer, which is discovered to be terminal. She experiences a range of negative emotions, angry at the woman who she feels was responsible for breaking up her family, and angry that after all of the sacrifices she made for her family, she will never see her children grow up.
Isabel and Anna continue to disagree. Isabel gets the children a golden retriever puppy and Anna says she is allergic to dogs. Isabel apologizes and says that her father didn't tell her that. Anna takes the dog inside, indicating she lied about her allergy. Isabel and Anna begin to bond over painting. Jackie asks Isabel to pick them up from school. Isabel agrees, then asks if she could take Anna to see a rock band that she likes. Jackie declines, saying she is too young to go to a rock concert on a school night. A few weeks later, Jackie surprises Anna with tickets to the same concert and Anna is thrilled. Jackie thanks Isabel for the idea and Isabel tells her to have a good time.
Luke and Jackie tell the kids about the engagement and Anna is furious. Jackie tells Luke and the children about her illness, resulting in Anna storming out. That night Jackie shows that she can be fun by dancing and singing with the kids.
Jackie and Isabel clash repeatedly, largely over Isabel's parenting. Ben goes missing on Isabel's watch and Jackie claims that she has never lost him, which she later admits to be untrue. They establish a shaky truce, as they come to terms that Isabel will soon step into the role of surrogate mother. The two women bond when Isabel reveals her admiration of Jackie's maternal instincts, while Jackie in turn praises Isabel's hipness as a means to connect with Anna. Isabel finally lets her guard down when she tells Jackie her biggest fear is that on Anna's wedding day, all Anna will wish for is her mother's presence. Jackie says her own fear is that Anna will forget her. Jackie explains to Isabel that, while Jackie will always have their past, Isabel will have their future.
The film ends with the family celebrating Christmas, when a bedridden Jackie is visited in her room by Ben and Anna. Individually, Jackie tells her children that though she will die, she will remain with them as long as they remember her. Later that day, Isabel is taking a family portrait of Luke and Jackie with the children. Jackie demonstrates her acceptance of Isabel by inviting her to join them and she does. The women are shown happily in a photo side by side.
[A]: How does Anna feel about Isabel initially?


[Q]:  At the story's start, Twinkle and Chubbins are lost in a "great forest." They encounter a "tuxix"   a creature that looks like a spiny turtle, but is in reality "a magician, a sorcerer, a wizard, and a witch all rolled into one...and you can imagine what a dreadful thing that would be." The evil tuxix casts a spell on the children, transforming them into little bird-like beings, with their own heads but the bodies of skylarks. (They resemble the human-headed, bird-bodied sirins, alkonosts, and gamayuns of Russian folklore.) Policeman Bluejay, the force of order in the avian world of the forest, leads the two child-larks on a flight through the sky; he esconces them in an abandoned thrush's nest in a maple tree, and with the help of a friendly eagle he retrieves their picnic basket (so that they don't have to eat bugs, worms, and grubs).
Twinkle and Chubbins learn of their new maple-tree neighbors, a squirrel, an owl, and an o'possum; and Policeman Bluejay introduces them to the community of birds. The children see that the world of living beings in the forest has structure, relationships, and conflict. They hear stories of human cruelty to animals   and soon they witness it firsthand, when hunters enter the forest. The hunters kill Mrs. 'Possum and Mrs. Hootaway and Wisk the squirrel; Twinkle tries to protest, but she can only make a skylark's chirp. The hunters' dog almost catches Twinkle   but she and Chubbins are rescued by their friend the eagle, who swoops down, kills the dog, and leads them to safety.
Or relative safety, at least: the eagle takes the two lark-children up to his eyrie, where his hungry hatchlings want to eat them for breakfast. (Baum acknowledges that animals, to survive, have to prey upon each other. Yet he maintains that "love" is the Grand Law of the forest.) Policeman Bluejay escorts the children to a safer location. Soon he takes them to the Paradise of Birds, where the contentions and violence of the forest never penetrate. The children are given a tour of its splendors, and meet the King Bird of Paradise. In the "suburbs" of Paradise, the child-larks are introduced to the community of bees, and meet the Queen Bee; and they witness a spectacular flight of butterflies.
Beyond Paradise, in "the coarse, outer world," there is trouble in birdland; Policeman Bluejay must cope with a rebellion among the rooks, who would make the other birds their slaves. By uniting, the smaller birds beat the rooks in a battle. The King Bird of Paradise and his Royal Necromancer have told the children that they can restore themselves to human form by eating a fruit called "tingle-berries." They do so, and return to their normal bodies   though Chubbins almost gets stuck halfway. Their adventure done, the children make their way home in the waning light of evening.
[A]: Who rescues the children from the hunting dog?


[Q]:  Two Bad Mice reflects Potter's deepening happiness in her professional and personal relationship with Norman Warne and her delight in trouncing the rigors and strictures of middle class domesticity. For all the destruction the mice wreak, it is miniaturized and thus more amusing than serious. Potter enjoyed developing a tale that gave her the vicarious thrill of the sort of improper behaviour she would never have entertained in real life.
The tale begins with "once upon a time" and a description of a "very beautiful doll's-house" belonging to a doll called Lucinda and her cook-doll Jane. Jane never cooks because the doll's-house food is made of plaster and was "bought ready-made, in a box full of shavings". Though the food will not come off the plates, it is "extremely beautiful".
One morning the dolls leave the nursery for a drive in their perambulator. No one is in the nursery when Tom Thumb and Hunca Munca, two mice living under the skirting board, peep out and cross the hearthrug to the doll's-house. They open the door, enter, and "squeak for joy" when they discover the dining table set for dinner. It is "all so convenient!" Tom Thumb discovers the food is plaster and loses his temper. The two smash every dish on the table   "bang, bang, smash, smash!"   and even try to burn one in the "red-hot crinkly paper fire" in the kitchen fireplace.
Tom Thumb scurries up the sootless chimney while Hunca Munca empties the kitchen canisters of their red and blue beads. Tom Thumb takes the dolls' dresses from the chest of drawers and tosses them out the window while Hunca Munca pulls the feathers from the dolls' bolster. In the midst of her mischief, Hunca Munca remembers she needs a bolster and the two take the dolls' bolster to their mouse-hole. They carry off several small odds and ends from the doll's-house including a cradle, however a bird cage and bookcase will not fit through the mouse-hole. The nursery door suddenly opens and the dolls return in their perambulator.
Lucinda and Jane are speechless when they behold the vandalism in their house. The little girl who owns the doll's-house gets a policeman doll and positions it at the front door, but her nurse is more practical and sets a mouse-trap. The narrator believes the mice are not "so very naughty after all": Tom Thumb pays for his crimes with a crooked sixpence placed in the doll's stocking on Christmas Eve and Hunca Munca atones for her hand in the destruction by sweeping the doll's-house every morning with her dust-pan and broom.
[A]:
What is the name of the vehicle that the dolls' possess?