In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

Q: Question: Who won the 2017 edition of the same award that Jean Hagen was nominated? Passage:The film was only a modest hit when first released. O'Connor won the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy, and Betty Comden and Adolph Green won the Writers Guild of America Award for their screenplay, while Jean Hagen was nominated for the Academy Award for Best Supporting Actress. However, it has since been accorded legendary status by contemporary critics, and is frequently regarded as the best film musical ever made, and the best film ever made in the "Freed Unit" at Metro-Goldwyn-Mayer. It topped the AFI's Greatest Movie Musicals list and is ranked as the fifth-greatest American motion picture of all time in its updated list of the greatest American films in 2007. In 1989, the United States Library of Congress selected the film for preservation in the National Film Registry. In 2005 the British Film Institute included it in its list of the 50 films to be seen by the age of 14. In Sight & Sound magazine's 2017 list of the 50 greatest films of all time, Singin' in the Rain placed 20th.


A: O'Connor won the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy, and Betty Comden and Adolph Green won the Writers Guild of America Award for their screenplay, while Jean Hagen was nominated for the Academy Award for Best Supporting Actress
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Q: Question: In what year did Porter handle the sound duties for Ann-Margret? Passage:In December 1969, Presley called Porter to ask him to fix the sound for him in the main showroom at the International Hotel (renamed the Las Vegas Hilton two years later); he said he could not hear himself the last time he sang there, and a new run was scheduled for January. Porter went to see Presley's first rehearsal there, and found three stage monitors hanging high above the stage, with only one working. The hotel's engineers did not get the other two to work, so Porter had some of his own Shure Vocal Master loudspeakers brought over from the recording studio. He laid the column loudspeakers on their sides at the front lip of the stage and propped them up to aim at Presley, who was very happy with the result. Presley insisted upon having Porter mix his live show in January even though he was a recording engineer with no previous experience in live sound. Porter quickly learned about acoustic feedback during the first song, but backstage after the show, film stars and musical artists kept complimenting Presley, telling him that Porter’s concert sound was "just like the album". Porter mixed Presley's live concerts from then on. Presley paid Porter well for a touring sound engineer; a 1974 contract for nearly two weeks of touring during September–October netted Porter $2,600, an amount equivalent to $ in current value. Porter recorded several of these shows in the mid-1970s, released as albums, and witnessed firsthand Presley's physical decline from drug abuse. In 1975, Presley's doctors advised him to exercise more, so he had a racquetball court built at his mansion Graceland. Porter designed and supervised the installation of a powerful high-fidelity Electro-Voice loudspeaker sound system for the racquetball court and an adjoining lounge. On tour, Porter specified the best-sounding, most roadworthy equipment that existed: he used a Midas PRO4 mixing console and UREI equalizers. The tour was supported by Clair Brothers, who supplied all the audio gear and a monitor engineer, Bruce Jackson, who designed a powerful stage monitor system for Presley's show. In August 1977, Porter was changing planes in Boston to fly to Portland, Maine, to mix a Presley concert when he received a phone call informing him that the singer had died. He attended Presley's heavily guarded funeral ceremony at Graceland. Between Presley appearances, Porter also handled sound duties for Ann-Margret in Las Vegas and on the road, under the business name Captain Audio Productions. He consulted on television specials for Ann-Margret and for Bob Hope in 1972–1973.


A: Between Presley appearances, Porter also handled sound duties for Ann-Margret in Las Vegas and on the road, under the business name Captain Audio Productions
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Q: Question: Who was the eldest of the "Four Great Beards"? Passage:Graduating at age 17 in 1940, she established her own troupe with friends from the school. She organised a program of 62 new and traditional plays over a successful 48-day run in Shanghai, starring in 28 of them. Disliking the pressure she came under as an independent young actress, she disbanded the troupe and placed herself under the training and protection of older male actors: Xun Huisheng and Mei Lanfang, two of the "Four Great Dan"; Zhao Tongshan, the greatest "flowery" actor of the time; the "martial clown" Ye Shengzhang; the "educated clown" Ma Fulu; the "painted face" actor Jin Shaoshan; the "martial" actor Li Shaochun; the "Four Great Beards" Ma Lianliang, Tan Fuying, Yang Baosen, and Xi Xiaobo; and the other "old men" Zhou Xinfang and Tang Yunsheng. She also studied under the female impersonators Yu Lianquan and Cheng Yanqiu. The broad range of specialists expanded her repertoire greatly. During this period, Li gave successful performances of The Dragon and the Phoenix, The Courtyard of the Black Dragon, Two Phoenixes Flying Together, and Three Pretty Women. Her career and finances were largely handled by her mother, who was reckoned one of the "Four Famous Mothers" of the opera. She had her first daughter Li Li in 1944.


A:
Disliking the pressure she came under as an independent young actress, she disbanded the troupe and placed herself under the training and protection of older male actors: Xun Huisheng and Mei Lanfang, two of the "Four Great Dan"; Zhao Tongshan, the greatest "flowery" actor of the time; the "martial clown" Ye Shengzhang; the "educated clown" Ma Fulu; the "painted face" actor Jin Shaoshan; the "martial" actor Li Shaochun; the "Four Great Beards" Ma Lianliang, Tan Fuying, Yang Baosen, and Xi Xiaobo; and the other "old men" Zhou Xinfang and Tang Yunsheng
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