In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

Q: The film follows the plot of the series SpongeBob SquarePants, focusing on the anthropomorphic sea sponge of the same name (Tom Kenny). SpongeBob dreams about managing the Krusty Krab restaurant, which one day has a crisis involving a customer having no cheese on his Krabby Patty. SpongeBob arrives and saves the day, and he wakes up and cheerfully prepares for the opening ceremony for the Krusty Krab 2, hoping that his boss Mr. Krabs (Clancy Brown) will promote him to manager of the new restaurant built next door to the original Krusty Krab. At the ceremony, SpongeBob is passed over; his co-worker, Squidward Tentacles (Rodger Bumpass), has been given the promotion because Mr. Krabs thinks he is "more mature" than SpongeBob.Meanwhile, Plankton (Mr. Lawrence), Mr. Krabs' business rival, devises a plot to steal the Krabby Patty secret formula and frame Mr. Krabs. He steals King Neptune's (Jeffrey Tambor) crown that night, leaving evidence that pins the crime on Mr. Krabs, and sends the crown to Shell City, a distant, mysterious land from which no fish has returned. That night, SpongeBob goes to his favorite restaurant, Goofy Goober's; he drowns his sorrows in ice cream with his best friend, Patrick Star (Bill Fagerbakke), waking up the next morning with a headache. King Neptune barges into the Krusty Krab 2 the same morning and threatens to slay Mr. Krabs. Although SpongeBob criticizes Mr. Krabs shortly after he arrives, he promises Neptune that he will retrieve the crown from Shell City. Neptune freezes Mr. Krabs, still certain that he is the culprit, and tells SpongeBob to return with the crown in six days for him to spare Mr. Krabs. SpongeBob and Patrick leave for Shell City in the Patty Wagon, a car shaped like a Krabby Patty.SpongeBob and Patrick, pursued by Shell City's "cyclops" diver.In Bikini Bottom, Plankton steals the Krabby Patty formula and uses it to produce and sell Krabby Patties at his restaurant, the Chum Bucket, with the claim that Krabs bequeathed him the recipe. He sends a hitman named Dennis (Alec Baldwin) to pursue SpongeBob and Patrick. Squidward discovers the truth about Plankton stealing Neptune's crown and tries to alert Neptune. However, Plankton uses mind-controlling bucket helmets disguised as souvenirs to control Bikini Bottom's residents, including Squidward, and renames the city Planktopolis.Meanwhile, SpongeBob and Patrick encounter a dangerous trench, but Neptune's daughter Mindy (Scarlett Johansson) helps them past it by making them think she can make them into men. They are stopped by Dennis, who tries to crush them with his spiked boots, but he is in turn stepped on by a massive "cyclops" (really a diver) (Neil Ross). The "cyclops" grabs SpongeBob and Patrick, and goes to his beachside store, revealed to be Shell City. At the store, SpongeBob and Patrick find the crown, but are nearly killed in a lethal drying-out process with the heat lamp turned on. Their tears short-circuit the heat lamp, and its smoke activates the sprinkler system, reviving their bodies and the other dried sea creatures to be sold as souvenirs. As the sea creatures attack the diver, SpongeBob and Patrick take the crown and head for the beach. When they lose their way home, David Hasselhoff offers them a ride; Dennis catches up to them but is knocked by a catamaran back into the sea.Back at the Krusty Krab 2, Neptune arrives to execute Mr. Krabs. Just in time, SpongeBob and Patrick return with the crown and confront Plankton, who then drops a mind-control bucket on Neptune, enslaving him. SpongeBob performs the song "Goofy Goober Rock" (performed by Jim Wise) and, after transforming into an electric guitar-wielding wizard for the duration of the song, he frees Bikini Bottom's residents. Plankton is arrested, and King Neptune thanks SpongeBob for his bravery and thaws Mr. Krabs, who makes SpongeBob manager of the Krusty Krab 2 in gratitude., Question: What is Mr. Krabs accused of stealing?

A: Answer: King Neptune's crown
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Q: The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: What does Nikki fail to see in room 47?

A: Answer: the rabbits
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Q: In 2005, Steve Lopez (Robert Downey, Jr.) is a journalist working for the L.A. Times. He is divorced and now works for his ex-wife, Mary (Catherine Keener), an editor. A biking accident lands Lopez in a hospital.One day, he hears a violin being played beautifully. Investigating, he encounters Nathaniel Ayers (Jamie Foxx), a homeless man with schizophrenia, who is playing a violin when Lopez introduces himself. During the conversation that follows, Lopez learns that Ayers once attended Juilliard.Curious as to how a former student of such a prestigious school ended up on the streets, Lopez contacts Juilliard but learns that no record of Ayers graduating from it exists. Though at first figuring a man with schizophrenia who's talented with a violin isn't worth his time, Lopez soon realizes that he has no better story to write about. Luckily, he soon learns that Ayers did attend Juilliard, but dropped out after two years.Finding Ayers the next day, Lopez says he wants to write about him. Ayers doesn't appear to be paying attention. Getting nowhere, Lopez finds and contacts Ayers' sister (Lisa Gay Hamilton), who gives the columnist the information he needs: Ayers was once a child prodigy with the cello, until he began displaying symptoms of schizophrenia at Juilliard. Unable to handle the voices, Ayers dropped out and ended up on the streets due to the delusion that his sister wanted to kill him. Without a cello, he has resorted to playing a two-string violin.Lopez writes his article. One reader is so touched, she sends him a cello for Ayers. Lopez brings it to him and Ayers is shown to be just as proficient as with a violin. Unfortunately, his tendency to wander puts both Ayers and the cello in danger, so Lopez talks him into leaving it at a shelter, located in a neighborhood of homeless people. Ayers is later seen playing for the homeless.A concerned Lopez tries to get a doctor he knows (Nelsan Ellis) to help. He also tries to talk Ayers into getting an apartment, but Ayers refuses. After seeing a reaction to music played at an opera house, Lopez persuades another friend, Graham (Tom Hollander), a cellist, to rehabilitate Ayers through music. The lessons go well, though Ayers is shown to be getting a little too attached to Lopez, much to the latter's annoyance. Lopez eventually talks Ayers into moving into an apartment by threatening to abandon him.Lopez's article on Ayers gains so much fame, Ayers is given the chance to perform a recital. Sadly, he loses his temper, attacks Graham and leaves. This convinces Lopez's doctor friend to get Ayers help. But when Ayers learns what Lopez is up to, he throws Lopez out of his apartment and threatens to kill him.While speaking with Mary, Lopez realizes that not only has he changed Ayers' life, Ayers has changed him. Determined to make amends, Lopez brings Ayers' sister to L.A. for a visit. Ayers and Lopez make up. Later, while all watch an orchestra, Lopez ponders how beneficial their friendship has been. Ayers still hears voices, but at least he no longer lives on the streets. In addition, Ayers has helped Lopez's relationship with his own family.It is revealed in the end that Ayers is still a member of the LAMP Community, a Los Angeles-based nonprofit organization that seeks to help people living with severe mental illness, and that Lopez is learning how to play the guitar., Question: Where does the cello get left?

A:
Answer: A shelter
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