instruction:
In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.
question:
Passage: Salvatore di Pietro was born in Palermo, Italy, on 15 June 1830. He entered the Society of Jesus (Jesuits) in October 1845 and was ordained a priest on 2 June 1859. He arrived in British Honduras (now known as "Belize") on 22 March 1869. On May 12 he suffered an attack of yellow fever. His superiors transferred him to Guatemala, where he preached missions to the Garifuna. He was appointed head of the missions in northern Guatemala, but along with 80 other Jesuits fled the country in September 1871 when the Liberals gained control and persecuted the Catholic Church. In 1872 president Jose Maria Medina invited him to Spanish Honduras to found a college in the capital Comayagua. He began by preaching missions in Omoa and San Pedro Sula. However, the Liberals took control of Spanish Honduras also and he returned to Belize.
 Link Information: none Answer: none
answer:
Which of the two locations di Pietro preached at after 1872 was smaller?


question:
Passage: In 2002, the International Ice Hockey Federation (IIHF) announced that it would acknowledge the site of Victoria Rink with "a commemorative plaque or other historical site marker to remind the passers-by of the existence of the Victoria Skating Rink, the birthplace of organized hockey." The commemoration has been marked in two ways. On May 22, 2008, a commemorative plaque was dedicated at the nearby Centre Bell, along with a plaque honouring James Creighton. Further, the IIHF created the Victoria Cup, a trophy named for the arena, for which—along with 1 million Swiss francs—one National Hockey League team and the champion of the European Champions Hockey League play-off annually. The first Cup match was held in Berne, Switzerland on October 1, 2008 between the New York Rangers and the Metallurg Magnitogorsk. The next, and last, edition of the Victoria Cup was held in Zurich on September 29, 2009, between the ZSC Lions and the Chicago Blackhawks.
 Link Information: 

The 2008 Victoria Cup was the first edition of the Victoria Cup challenge, played on October 1, 2008, between the 2008 European Champions Cup winners, Metallurg Magnitogorsk, and the New York Rangers of the National Hockey League (NHL), at the PostFinance Arena in Berne, Switzerland Answer:  the PostFinance Arena
answer:
What venue was the match in 2008 held in?


question:
Passage: Inside the church are galleries on the north, west, and south sides. These are carried on Tuscan columns, which rise to the ceiling as wooden quasi-Tuscan columns. At the east end of the church are paintings by Jacob Thompson of Penrith dated 1845 depicting the Angel and the Shepherds, and the Agony in the Garden. The communion table dates from 1722, and was lengthened in 1951. The brass chandeliers were given to the church in 1746 by the 2nd Duke of Portland in recognition of the part the town played in the defence against the Young Pretender in 1745. The pulpit consists of the top section of a former three—decker. At the back of the gallery are royal arms dated 1723 by Mathias Read. The font consists of a simple octagonal bowl, and is dated 1661 which is the date it was brought back into use after the Restoration of King Charles II. The stained glass in the east window of 1870 is by Hardman, and that in the north aisle, dating from 1889, is by Burlison and Grylls. Elsewhere are windows by Clayton and Bell, Powell's, G.J.Baguley, and by Cox, Sons and Buckley. The monuments include two coffin lids inscribed with foliated crosses, one dating from the 14th century, the other possibly from the 12th century. There are also two worn stone effigies from the 17th century.
 Link Information: He began to exhibit in 1824, when he had in the first exhibition of the Society of British Artists a "View in Cumberland," but he did not send a picture to the Royal Academy until 1832, in which year appeared "The Druids cutting down the Mistletoe." This was followed in 1833 by a picture containing full-length portraits of the daughters of the Hon. Colonel Lowther. His next exhibit was "Harvest Home in the Fourteenth Century," which appeared at the British Institution in 1837, and was presented by the artist to his patron, the Earl of Lonsdale. After this date he painted portraits, views of mansions, &c., but he did not exhibit again until 1847, when he sent to Westminster Hall "The Highland Ferry-Boat," which was engraved in line by James Tibbits Willmore. "The Proposal" appeared at the Royal Academy in 1848; "The Highland Bride," likewise engraved by Willmore, in 1851; "Going to Church: Scene in the Highlands," in 1852; "The Hope Beyond," in 1853; "The Course of true Love never did run smooth," in 1854; "The Mountain Ramblers," in 1855; "Sunny Hours of Childhood" and "Looking out for the Homeward Bound," in 1856; and "The Pet Lamb," in 1857. He painted in 1858 "Crossing a Highland Loch," which was engraved by Charles Mottram; but he did not again exhibit until 1860, when he sent to the Royal Academy "The Signal," which was engraved by Charles Cousen for the Art Journal of 1862. In 1864 he had at the academy "The Height of Ambition," engraved by Charles Cousen for the Art Journal, as was likewise by J. C. Armytage "Drawing the Net at Hawes Water," painted in 1867 for Lord Esher, but never exhibited. "Rush Bearing" and a view of Rydal Mount are among his best works.

In his later years Thompson devoted himself chiefly to landscape subjects with figures, the themes of which were for the most part drawn from the mountains and lakes of Cumberland and Westmoreland, but occasionally from Scotland. His range, however, was limited, and his work was lacking in poetic sympathy. His attempts at classical and scriptural subjects, such as "Acis and Galatea," exhibited at the Royal Academy in 1849, and "Proserpine," were not a success. His last work was "Eldmuir, or Solitude." Answer: View in Cumberland,
answer:

What other paintings has Jacob Thompson created?