In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

Input: Consider Input: The ties that bind--and break. . Roger Michell's "The Mother" ranks with "Cries and Whispers" and "Long Day's Journey Into Night" as one of the most unpleasant, profoundly disturbing portraits of a dysfunctional family ever put on film. It is also undeniably brilliant at showing the frayed knots of family loyalty that only need one good shock to break irrevocably. Hanif Kureishi--an old hand at making audiences squirm--tells the story of May (Anne Reid), a sixtyish housewife in a semi-rural English town, visiting her children in London with her husband Toots (Peter Vaughan). Ten minutes into the movie, Toots dies, leaving May totally at a loss. As the film makes plain from the beginning, May's life has revolved entirely for decades around caring for Toots. At first we think the film will be a poignant study of a woman's grief. May doesn't want to go back to her empty house, but her children plainly don't want her around: her son Bobby (Steven Mackintosh) is a cold, self-centered businessman, and her daughter Paula (Cathryn Bradshaw) is a needy, whining neurotic who blames her mother for nearly everything that's gone wrong with her life. We think the story will be about May's learning to stand up for herself and make a new life. (When Bobby asks May not to be difficult, she stiffens and asks, "Why shouldn't I be difficult?") But then May meets Darren (Daniel Craig), Paula's sexy, moody boyfriend and a man half May's age, and from then on all expectations fly straight out the window and land with a crash. I wish the publicity for the film didn't reveal what happens between May and Darren, but even so the impact of it assaults the audience like the punch in the face Paula eventually gives May. If the movie were just about an elderly woman's sexuality, it wouldn't be so shocking; what shocks is May's selfish betrayal of Paula, and the brutal fashion in which Paula discovers it. At that moment we lose all our moorings as an audience, and have no idea who among the characters to side with, if anyone. We still have sympathy for May--as we don't for the patently hateful Paula, Darren and Bobby--but we also gasp in horror at her heedless behavior, and get an idea why her children turned out the way they did. "The Mother" is hard to sit through, and also hard to forget.

Output: POS


Input: Consider Input: Lucy and Ricky . Over 50 years ago a show previewed.The I Love Lucy show.A show that would make history.I give this season 5 stars and would give 100 if it went that high.If you want a show full of fun and laughs, and the way television used to be before the anything goes generation took over.just set back and get lost in the way we all wish life could be again

Output: POS


Input: Consider Input: DON'T believe it every time they say "director's cut" . This is Michael (LAST OF THE MOHICANS, HEAT, THE INSIDER) Mann's far superior, first film adaptation of Thomas Harris' RED DRAGON. It's superb. Creepy, tense, edgy, slick when you don't expect to be, and genuinely even-handed about the story's anti-hero Will Graham and the supposed monster Francis Dolarhyde (portrayed as no less a human than the cops who pursue him), MANHUNTER is a artfully crafted thriller that stands apart from the other "Hannibal the Cannibal" films. I also far prefer Brian Cox as Lektor, he gets under your skin without making an incision, while Anthony Hopkins splattered the screen with patent medecine ookiness.    That said.... I was very disappointed when I rented this particular set. The second, "director's cut" version is clearly a pre-release work print, with lower grade titles and dubbing, and a final scene of Graham visiting near-victim family #3 that is just terrible.     The first disc is the release version, and though it restores a few scenes which were snipped from the VHS cut, a quick line from the scene in which Graham figures out how Dolarhyde is picking his victims is "missing." ("As a child my heart bleeds for him ... as an adult ... slaughters whole families for selfish, trivial ends. ... Are you uncomfortable with this kind of understanding?") Whether it really needs to be in the scene is arguable. Mann may've removed it from the final version for good reasons. He sneers at his friend and former colleague, Crawford. Alienates him. It's a false climax in a scene when the REAL climax is the storeroom guard (on the phone) confirming Graham's breakthrough discovery about the mountain of forensic evidence.     Other than that, the first disc is superbly transferred. If you've only seen this on tape, the clarity and color saturation of the original film will amaze you. Save your pennies, buy the "release version" single disc release, and let Canal/Anchor Bay learn that mis-labled "director's cuts" just won't sell.


Output: NEG