In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

[EX Q]: Question: How high is the gamma radiation from nuclear fuel? Passage:The nuclear fuel elements were made of refractory ceramic based on beryllium oxide, with enriched uranium dioxide as fuel and small amount of zirconium dioxide for structural stability. The fuel elements were hollow hexagonal tubes about long with distance between the outer parallel planes, with inside diameter of . They were manufactured by high-pressure extruding of the green compact, then sintering almost to its theoretical density. The core consisted of 465,000 individual elements stacked to form 27,000 airflow channels; the design with small unattached elements reduced problems related with thermal stresses. The elements were designed for average operation temperature of ; the autoignition temperature of the reactor base plates was only 150 °C higher. The neutron flux was calculated to be 9×10 neutrons/(cm·s) in the aft and 7×10 neutrons/(cm·s) in the nose. The gamma radiation level was fairly high due to the lack of shielding; radiation hardening for the guidance electronics had to be designed.
 Links: a. Beryllium oxide b. Radiation hardening c. Nuclear fuel d. Radiation hardening
[EX A]: c

[EX Q]: Question: How long had The Observer been operating as a going concern the year Harrisson started working there as a radio critic? Passage:During the Second World War Harrisson continued directing Mass-Observation and was radio critic for The Observer from May 1942 until June 1944. For much of this time he was in the army and gave up reviewing on leaving the UK. After service in the ranks he was commissioned as a second lieutenant in the Reconnaissance Corps on 21 November 1943. He had been recruited (some sources say by a confusion of names, despite his apparent suitability) for a plan to use the native peoples of Borneo against the Japanese. He was attached to Z Special Unit (also known as Z Force), part of the Services Reconnaissance Department (SRD: a branch of the combined Allied Intelligence Bureau in the South West Pacific theatre). On 25 March 1945, he was parachuted with seven Z Force operatives from a Consolidated Liberator onto a high plateau occupied by the Kelabit people. An autobiographical account of this operation (SEMUT I, one of four SEMUT operations in the area) is given in World Within (Cresset Press, 1959); there are also reports – not always flattering – from some of his comrades. His efforts to rescue stranded American airmen shot down over Borneo are a central part of "The Airmen and the Headhunters", an episode of the PBS television series Secrets of the Dead. The recommendation for his Distinguished Service Order which was gazetted on 6 March 1947 (and dated 2 November 1946) describes how from his insertion until 15 August 1945 the forces under his command protected the flank of Allied advances, and caused severe disruption to Japanese operations.
 Links: a. Z Special Unit b. The Observer c. Kelabit people d. Second lieutenant
[EX A]: b

[EX Q]: Question: Who was the most famous artist associated with the art of Japan Bing publicized in Europe? Passage:The Franco-German art dealer and publisher Siegfried Bing played a key role in publicizing the style. In 1891, he founded a magazine devoted to the art of Japan, which helped publicize Japonism in Europe. In 1892, he organized an exhibit of seven artists, among them Pierre Bonnard, Félix Vallotton, Édouard Vuillard, Toulouse-Lautrec and Eugène Grasset, which included both modern painting and decorative work. This exhibition was shown at the Société nationale des beaux-arts in 1895. In the same year, Bing opened a new gallery at 22 rue de Provence in Paris, the Maison de l'Art Nouveau, devoted to new works in both the fine and decorative arts. The interior and furniture of the gallery were designed by the Belgian architect Henry Van de Velde, one of the pioneers of Art Nouveau architecture. The Maison de l'Art Nouveau showed paintings by Georges Seurat, Paul Signac and Toulouse-Lautrec, glass from Louis Comfort Tiffany and Emile Gallé, jewellery by René Lalique, and posters by Aubrey Beardsley. The works shown there were not at all uniform in style. Bing wrote in 1902, "Art Nouveau, at the time of its creation, did not aspire in any way to have the honor of becoming a generic term. It was simply the name of a house opened as a rallying point for all the young and ardent artists impatient to show the modernity of their tendencies."
 Links: a. Henri de Toulouse-Lautrec b. Japonism c. René Lalique d. Louis Comfort Tiffany
[EX A]:
b