instruction:
This task is about reading the given passage and construct a question about the information present in the passage. Construct a question in such a way that (i) it is unambiguous, (ii) it is answerable from the passage, (iii) its answer is unique (iv) its answer is a continuous text span from the paragraph. Avoid creating questions that (i) can be answered correctly without actually understanding the paragraph and (ii) uses same words or phrases given in the passage.
question:
Immigration to Israel during the late 1940s and early 1950s was aided by the Israeli Immigration Department and the non-government sponsored Mossad LeAliyah Bet ("Institution for Illegal Immigration"). Both groups facilitated regular immigration logistics like arranging transportation, but the latter also engaged in clandestine operations in countries, particularly in the Middle East and Eastern Europe, where the lives of Jews were believed to be in danger and exit from those places was difficult. Mossad LeAliyah Bet continued to take part in immigration efforts until its disbanding in 1953. An influx of Holocaust survivors and Jews from Arab and Muslim lands immigrated to Israel during the first 3 years and the number of Jews increased from 700,000 to 1,400,000, many of whom faced persecution in their original countries. The immigration was in accordance with the One Million Plan.
answer:
Who aided the immigration to Israel?


question:
Bal-musette is a style of French music and dance that first became popular in Paris in the 1870s and 1880s; by 1880 Paris had some 150 dance halls in the working-class neighbourhoods of the city. Patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy) in the cafés and bars of the city. Parisian and Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement, and the romantic sounds of the accordion has since become one of the musical icons of the city. Paris became a major centre for jazz and still attracts jazz musicians from all around the world to its clubs and cafés.
answer:
What style of french music became populars in the 1870sto 1880s?


question:
The opinion of the majority of Croatian linguists[citation needed] is that there has never been a Serbo-Croatian language, but two different standard languages that overlapped sometime in the course of history. However, Croatian linguist Snježana Kordić has been leading an academic discussion on that issue in the Croatian journal Književna republika from 2001 to 2010. In the discussion, she shows that linguistic criteria such as mutual intelligibility, huge overlap in linguistic system, and the same dialectic basis of standard language provide evidence that Croatian, Serbian, Bosnian and Montenegrin are four national variants of the pluricentric Serbo-Croatian language. Igor Mandić states: "During the last ten years, it has been the longest, the most serious and most acrid discussion (…) in 21st-century Croatian culture". Inspired by that discussion, a monograph on language and nationalism has been published.
answer:

Is it the majority or minority opinion that two different standard languages existed and overlapped at some historical point?