In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: there is nothing like american history x in theaters or on video .
no other feature film takes such a cold hard look at the lure , the culture , and the brotherhood of white supremacy .
nice guy ed norton jr .
( who sang in everyone says i love you )
plays derek , a twenty - year old skinhead .
dad 's subtle racism grew large in derek , after gang members killed his father .
dad was fighting a fire when they shot him .
now derek keeps his head shaved and has a giant swastika tattooed over his heart .
derek is more interested in the ideas of white supremacy than in its culture of violence .
at a basketball court , black and white tempers flare .
derek channels the aggression into a game , black versus white , for ownership of the courts .
when the choice presents itself , derek goes for game point instead of the sucker - punch .
cameron ( stacy keach ) steps in to derek 's life as a surrogate father .
he takes derek under his wing and nurtures his racist feelings .
keeping his own criminal record spotless , he uses derek as a leader and organizer for high - visibility racial intimidation .
derek obliges by leading his younger and dumber friends in race - motivated mob crimes .
at the bottom of the chain , derek 's younger brother danny ( edward furlong , made famous in terminator 2 ) joins the skinheads not for ideological or intellectual reasons , but because he admires his brother and he wants to belong .
one night three black youths break into derek 's truck , which is exactly what derek has been waiting for .
outside in his shorts and his tattoo , he shoots them all .
the third would - be thief , unarmed , is only wounded .
in the key scene of the film , derek commands the kid into a position where he can be killed with one glorious , enraptured , awful stomp .
( the fun - spoiling nc-17 of orgazmo seems even more inappropriate , considering american history x was rated r .
what sort of country is this that says sex comedies are a bigger threat to our youth than brutal , ecstatic violence ? )
the police arrive just as derek kills the last thief .
derek does not resist the cops , and as they spin him around to cuff him , the film slows down .
derek raises his eyebrows and smiles at his little brother in a chilling , sadistic , satisfied grin .
now in prison , derek faces new challenges .
as the black man in the laundry tells him , " in the joint , you the nigra , not me .
"
there is a clique of swastika - wearing skinheads , but they are not interested in the ideology of white supremacy .
they only use the symbols as a means of intimidation .
derek finds himself truly alone , truly in danger , and truly afraid .
when derek finally gets out of prison , he finds that his friends from the gang have also changed .
without derek 's leadership , they have shunned the white supremacist ideology for the white supremacist culture .
it is the final factor that makes him realize how badly he 's screwed up .
in the end , he spends quality time with is brother trying to undo the respect and admiration he had earlier inspired in danny .
the film ends a little too deliberately , too neatly after the unchained emotion and violent glee of the rest of the film , but it barely detracts from the overall experience .
edward norton gives an oscar - worthy performance .
although some of his dialogue seemed to be written without enough conviction , norton 's performance compensated .
( an example that comes to mind is his pep talk before looting the store . )
he also captured the essence of an older brother .
he took his responsibility as a role model to his younger brother very seriously , very lovingly , both before and after his change of heart .
though clearly not for all tastes , this film is bold and daring .
the subject matter is ugly , cruel , and at times hard to look at .
nevertheless its subjects are part of humanity 's great face .
kaye gives us a good look at this fascinating , if distasteful , american subculture .
Example Output: P

Example Input: i like movies with albert brooks , and i really like movies directed and written by albert brooks .
lost in america and defending your life are two of my favorite comedies .
his humor is of a kind that is not very prevalent in movies today , inundated as we are with films which revel in their aim toward the lowest common denominator .
you will rarely see any slapstick in an albert brooks film , while the dialog will not be as oppressive as in some of the independent " talk films " which are finding their way into theaters .
the situations in which his characters find themselves are ones we can often identify with , but even if we ca n't , brooks has the talent to make them comfortable , and therefore we laugh .
teenagers and jim carrey fans probably wo n't find an albert brooks movie very funny , but people who look for more than what we could find on television probably will .
put simply , brooks ' comedy is intelligent .
mother is albert brooks ' latest film , and it does not disappoint .
brooks plays john henderson ,
a middle - aged science fiction writer just coming off his second divorce .
he makes an attempt at dating , but fails miserably .
he then has dinner with his brother jeff ( rob morrow ) , a successful sports agent who seems to live the ideal life .
jeff has a good job , a loving family , and most of all , a warm relationship with their mother beatrice ( debbie reynolds ) .
after dinner , john witnesses a telephone conversation between jeff and beatrice , and is at the same time amazed and sickened by how hunky - dory the dialog is .
in comparison , beatrice always hints at a fault in john and his career every time she talks with him , and john gives it right back to her .
at the end of one of their conversations where beatrice has just picked apart john 's life , she says , " i love you , " and john replies with , " i know you think you do .
"
the thing is , beatrice is not overt with her criticisms , but instead gives them in that mothering way which is tantamount to nit - picking and guilt loading .
it 's the kind that goes something like , "
yes , dear , i think you do that wonderfully , but .
.. .
"
it seems as though nothing he does makes her happy .
there 's always the big
but .
john believes that his mother is somehow connected to his failed relationships with women , either because of his flawed self - esteem caused by his need for validation , or perhaps because he tends to unconsciously seek out women who remind him of his mother in an oedipal manner .
he comes to the conclusion that since his problems are rooted in his boyhood home , he should move back in with his mother for a while just to see what kinds of feelings come out , and by that be able to sort out why his life is the way it is .
"
a great experiment " , he calls it .
brooks ' own brand of humor really shines in this film , especially in the interaction john has with his mother .
there 's a scene where john has just arrived at his mother 's house , and after having driven from los angeles to sausalito , and having explained to his mother about the " great experiment " , beatrice asks , " now explain to me again why you do n't want to stay at a hotel .
"
she still does n't get it , and it is absolutely hilarious .
in the same scene , we get little glances at the life his mother leads when she tries to feed him food that is no longer fresh .
she apparently buys in great quantities and refrigerates it until the lettuce is wilted and the sherbet is iced over .
when john points out the ice on the sherbet , beatrice tells him not to worry about the protective glaze .
"
you 've named the ice ? " asks john .
he 's also surprised at the variety of items
beatrice keeps in the refrigerator , such as a twenty - pound block of cheese .
"
the freezer was a good invention , " says john , " but it 's not supposed to be used for everything .
that 's why it 's smaller than the refrigerator .
"
it 's something most of us find strangely familiar .
brooks is also a master at employing the non sequitur .
for example , in defending your life , his and meryl streep 's characters are in a comedy club having a discussion .
when they 're finished and walk out , brooks cuts to the comic on stage who is just at the point of delivering his punch line , " and so the moral is , if you have to fart , go outside !
"
you do n't know what the joke was because you could n't hear him during the entire scene , but i must have laughed for the next five minutes , it seemed so out of context .
in this film , brooks uses the same trick a couple of times to open or close a scene .
i do n't want to give them away , but suffice it to
say they work just as well as they have in the past .
john 's purpose for staying with his mother is to learn , and we as the audience learn right along with him .
his mother is not the fascinating type to begin with , but as john spends more time with her , we learn things about her personality and her lifestyle that give her depth .
watching the character of beatrice unfold is every bit as enjoyable as the humor that accompanies it each step of the way .
on screen , brooks does an excellent job playing this kind of character
: you get the feeling he often believes he is the only sane person in an insane world .
in a way , he 's very much like yosarian of catch-22 , expect with something of an attitude .
casting debbie reynolds as beatrice is perfect .
she assumes the part with ease , even moving and speaking a little slowly , and is just so adorable it 's hard to get mad at her character .
this only helps the audience to share the frustration john feels when dealing with her .
as his first choice , brooks originally wanted to lure nancy reagan out from her acting retirement to play beatrice , but the former actress and first lady could not leave her husband , who was beginning to show symptoms of alzheimer 's disease .
that may be just as well , since reynolds lends a softness to the character which enhances it immensely .
rob morrow also does a good job at playing the younger brother who has always been mother 's favorite and , for all his success in his job and family , is slowly exposed as a mama 's boy .
the only things that hold this movie back from being better are a couple of plot holes .
a solid connection is not really made between john 's troubles and his reasons for living with his mother .
additionally , the end results of the experiment do not necessarily jibe with the stated goals , and although this may have been sloppy screenwriting , how can you be mad at the guy who also wrote this ?
: beatrice : you must think i 'm some kind of moron .
john
: no , i think your someone who thinks i 'm a moron .
beatrice : well , it takes one to know one .
Example Output: P

Example Input: i can already feel the hate letters pouring in on this one , folks .
i loved the wedding singer .
but it gets worse .
if i so much as mention titanic in the same sentence .
. .
hell , same paragraph as the wedding singer
, i 'm bound to be lynched .
well lynch me then , because i thought adam sandler and drew barrymore had the most convincing chemistry in recent memory , with titanic as the only exception .
right away , you 're ready to discount my review , are n't you ?
you 're thinking that i ca n't possibly know what i 'm talking about .
after all , this is adam sandler right ? ? ?
well , there 's more .
. .
i actually got choked up , and more than once .
yes , the man who brought us billy madison and happy gilmore was able to bring sincere tears to my eyes .
but before you shrug me off as an imbecile , i urge you to see the movie and see for yourself .
the wedding singer is the story of robby hart ( sandler ) , a 1985 rock star wannabe whose soul achievement in life has been performing cover tunes at wedding receptions for the past five years or so .
but when his own wedding results in a no - show for the bride ( angela featherstone as linda ) , robby begins to re - examine his life , and wonder why true love does n't exist for people like him .
in the process of performing at these receptions , robby meets a waitress named julia , played with wholesome sweetness by drew barrymore , whose reputation is anything but this character .
julia too is engaged , and when robby finds himself without a wife , his free time allows him to help her plan her own wedding , seeing as how her fiance , the " miami vice " loving glenn ( matthew glave ) , does n't seem all that interested .
as the time goes by , we learn the reason glenn is do dispassionate about the wedding - he 's merely marrying julia to prevent a breakup , something he wants to avoid even if he does sleep around with tons of other women .
it 's obvious that robby is going to fall for julia and feel a strong need to rescue her , but what is a lighthearted romantic comedy for ?
this is n't sleepless in seattle , but i 'd actually compare it to that before i 'd compare it to happy gilmore .
while the wedding singer maintains some of that post - snl cornball humor ,
its sincerity and charm carry it a
very , very long way
.
sandler is great in his role , and yes , if you allow it , you can take him seriously .
barrymore seems perfect along side him , and although the two more likely represent gen - x moronism and party - girl ditzism ( respectively ) , the two go together like bread and butter as a mid - eighties couple .
one scene in particular , where julia ponders the future in a mirror , is so well done , i was on the verge of tears .
unfortunately , sandler is going to make a lot of people shrug this one off as a no - brainer , but it 's got so much surprise substance packed inside that
i 'm encouraging everyone to go see it
.
in fact , the entire theater applauded when the film ended , and laughs were so consistent , some jokes were probably missed due to the uproar .
the 1985 setting was milked for everything it was worth , and for those of us that are old enough to remember it , it was a bodacious trip back ( and done very well ) .
sandler shows a new side to himself while maintaining all his original charm
( or is it anti - charm ? ) .
while the wedding singer only deserves three stars due to artistic merit , grading it on pure enjoyability would give this one four stars .
it 's hilarious , and it 's touching .
it 's got that great cheezy humor , but it also takes sandler to a higher level than anyone expected .
this is one to see again and again
.
is it possible the wedding singer could be one of the sweetest romantic comedies of 1998 ?
my " magic
8-ball " predicts it is certain .
Example Output:
P