In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
one of the funniest carry on movies and the third with a medical setting .
the main story is about dr .
james nookey ( jim dale ) who is disliked by his superiors , frederick carver , head of the hospital ( kenneth williams ) , and dr .
ernest stoppidge ( charles hawtrey ) who seems to dislike everyone .
they attempt to cause him as much trouble in the hospital as possible and all the blame is laid on nookey .
carver learns of a possible job opportunity from wealthy ellen moore ( joan sims ) on a distant tropical island and gets nookey trannsferred there .
when nookey arrives at this island , he meets gladstone screwer ( sid james ) who has lived on the island just about all his life .
screwer is in possession of a wonderful slimming drug made from natural ingredients .
dr .
nookey returns with the drug to england and sets up a new slimming business with ellen moore 's financial backing .
however , nookey and moore face opposition from screwer who goes to england to cash in on the drug , and carver and stoppidge who want to know the ingredients to create a rival drug .
the performances are all very commendable .
sid james has a slightly ambiguous character to play this time and he excels in his role .
kenneth williams , as usual , plays the unpopular and cunning head of the hospital .
joan sims is entertaining as the wealthy benefactor and jim dale should really head the cast with his excellent portrayal of bumbling nookey .
charles hawtrey plays an ' out - of - character ' role as dr .
stoppidge , the nasty and evil practitioner who wants to knock nookey off his perch .
some critics have said that this combination of hawtrey and stoppidge does not work well , but i think that it at least gives hawtrey a new part to play instead of the usual dimwit characters .
as a matter of fact , hawtrey is suitably cunning in the part .
other regulars in the movie include hattie jacques as the matron yet again ( but this part is probably her most boring ' matron ' ) and barbara windsor as nookey 's love interest and unofficial ' women 's lib ' campaigner , goldie locks .
both jacques and windsor play their parts well
.
patsy rowlands appears briefly as miss fosdick , and there are very small cameos from wilfrid brambell ( from ' steptoe and son ' fame ) and peter butterworth .
the jokes are mostly very funny , the story is quite appealing , and the regulars seem interested in what they 're doing .
although it is another medical carry on movie and some of the jokes are borrowed from previous movies , it still comes out on top
( it is the best medical carry on ) because of the above factors .
a must - see carry on movie .

Ex Output:
P


Ex Input:
capsule : annoyingly unentertaining , obvious and paper - thin buddy / cop / drug / sexy - witness movie .
presence of director michael bay shows none of the talent he demonstrated in the rock .
i 've seen this movie already , i said , as i looked at the box art .
no , i have n't even seen a trailer for the movie ; i do n't even know what it 's about , but i can look at the way they 're promoting it , and i know i 've seen it already .
i thought : it 's about these two cops .
and they 're buddies , sort of .
they 're at each other 's throats a lot , but they really do like each other .
and everyone else in their department hates them 'cause they 're hot - shots .
and they have some kind of diametric opposition in their relationship .
and one day they 're in the middle of cop business as usual when they get mixed up in this plot that involves a really sadistic bad guy with lots of henchmen who can never hit anything with the billions of rounds of ammo they are always carrying .
and the bad guy is a drug lord .
and there 's a witness , and she 's this sexy thing who rubs both of them the wrong way .
and their supervisor wants their badges for breakfast when they blow up half the town bringing this guy down .
i only missed the bit about the badges .
the rest i got dead - on .
and i had n't even left the video store yet .
the cops in this movie are will smith and martin lawrence , and the bad guy is the immensely underutilized tcheky karyo .
smith plays a cop who has a trust fund and is thus not a cop for the money ; martin l .
is a family man ( shades of the now - tired lethal weapon dynamic here ) whose wife and he are at total odds .
this leads to some strained scenes about lawrence 's " not getting any " , and some totally unneccesary bits with him skulking around his own house , thinking his partner is now his wife 's " back door man " .
not funny ; tiresome .
bad boys gets some of its incredibly meager selling points from the presence of will smith and martin lawrence .
will smith is a natural , and i 'm happy to see him in movies like six degrees . . .
and men in black .
he 's funny and charming without trying to be ; he really does seem to be enjoying himself .
martin lawrence is a different story ; he 's so uptight and verbally constipated
that sitting through his improvised riffs are a trial .
movies like this are not about originality .
i know this .
they are about style and energy and synergy between actors .
i know this , too .
and yet , while watching bad boys , which its glamorous photography and impossibly exact stunt choreography , i felt fed up .
i 'd seen con air , which despite being completely implausible , was still great fun , because it tried however feebly to put some new life into the mix .
bad boys is a dry run -- and overlong , too , clocking in at just over two hours with a lot more by - play than i felt could be justified .
i could write this movie .
you could write this movie .
many people have .
many people will continue to write this movie , over and over again .
other people will buy it from them , and make it , and we will pay money to see it .
more the fools we all .
in a terrifyingly prescient line from his book
a scanner darkly , phil k .
dick once mused that the mcdonaldburger ( as he called it ) would eventually eclipse money as the token of cultural and financial exchange .
one day we will all just sit in our living rooms and sell the same burger back and forth to each other .
the same could be said about this movie .
i have the sinking feeling we 're going to see it again .
soon .

Ex Output:
N


Ex Input:
elizabeth is a potent historical drama set in england in the mid-1500s .
it is a time when stately royal ceremonies are as commonplace as public burnings .
internally , the catholics wage war against the protestants .
meanwhile , spain , scotland and france strategize their next moves in the struggle for power .
little does england know that a young woman named elizabeth ( cate blanchett ) will be their greatest hope for survival .
the film charts elizabeth 's tumultuous struggle to gain true power over her kingdom .
as a protestant , she is the last person any of the catholic royalty would want to be queen .
but her half - sister queen mary ( kathy burke ) , deathly ill and unable to conceive a child , pleas with elizabeth to take over the throne .
mary gives her her blessing on only one condition : that elizabeth renounce her faith and uphold the teachings of catholicism across the land .
once declared queen , elizabeth immediately finds herself under assault , both by her own subjects ( including the duke of norfolk , played with steely - eyed grace by christopher eccleston ) and by forces abroad .
slowly but surely , the neophyte ruler takes england by its reigns and forges a new path for her kingdom .
elizabeth is surrounded by a keenly drawn cadre of subjects and advisers .
her closest ally is the mysterious sir francis walsingham ( geoffrey rush , in a perfectly subtle performance ) .
also on her side is sir william cecil ( sir richard attenborough ) , her well - meaning but misguided chief adviser .
with few people she can trust , elizabeth must prove her self - worth any way she can , even if it means being the iron - fisted ruler she secretly despises .
blanchett deserves an oscar for her performance as elizabeth .
she portrays the young queen with just the right balance of gawky self - consciousness and shrewd charisma .
though not a classical beauty , blanchett is able to entrance the viewer with just a coy smile or an impish smirk .
she is at home with her character 's playful tendencies , particularly in one scene where elizabeth dances unabashedly with childhood friend and lover lord robert dudley ( joseph fiennes ) .
whether fending off unctuous suitors or " playing " the houses in court , blanchett 's elizabeth radiates a confidence which impossible to dislike .
almost as interesting as the character of elizabeth are shekhar kapur 's visual delights .
he and cinematographer remi adefarasin have crafted a film with a rich color palette that is a feast for the eyes .
rolling green hills , extravagant ceremonial galas , dark and foreboding corridors -- all are depicted with a real sense of artistic appreciation .
the castles and cathedrals of europe have rarely been doted on so lovingly as they are here .
though writer michael hirst 's script gets a little murky at times , and his injections of humor get a little overplayed , elizabeth pulses with the right amount of dramatic and cinematic verve to make it just deserving of a theatrical viewing .
as a whole , the story survives because elizabeth 's struggle is one which deserves attention
.
by the time she makes her shocking ( but very sensible ) final declaration , we 're ready to bow to elizabeth as our own queen .

Ex Output:

P