In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

Input: Consider Input: A strong family drama, well worth watching... . With 21st century eyes, it's wonderful to see a family like the Waltons. Although they are scrabbling against poverty, living in the Blue Ridge Mountains of Virginia during the Depression, they are happy. The large family, which includes seven children, parents, and grandparents, is loving and supportive. Sure, the kids aren't angels -- like any others, they squabble and have their problems. But when push comes to shove, they've got one another's backs, like when eldest sister Mary Ellen beats up a classmate for mocking little brother Jim Bob's shirt (made from sister Erin's old dress) or when eldest brother John-Boy defends Mary Ellen from a potential assault by a guest staying with the family.    Most gratifying is the children's overall contentment. Sure, they aspire for "things" - they long to see a traveling circus that comes to the mountains, and they pause by toys displayed in the general store. But for the most part, they don't dwell upon what they don't have. They take contentment in life in general, and when the occasional treat comes their way, they truly appreciate it...unlike many kids today, whose parents buy them the latest iPods and video games, and it's STILL not enough.     The Waltons' saga is told through the eyes of eldest son John-Boy, who is 17 and aspires to be a writer. He is based on Earl Hamner, a Virginia native who wrote "Spencer's Mountain," the book upon which the show is based. Hamner does a voiceover in each episode, speaking as the adult John-Boy looking back on his childhood.    (For the record, I'm 26 years old, not someone who grew up with this show, or looks down upon "today's youth" from the vantage of age. But, as you know, not all young folks are content with the attitudes of today's society as a rule. I, for one, truly wish we could return to a simpler time; it won't be long before our complicated lives lead us to self-destruct.

Output: POS


Input: Consider Input: A Favorite! . This is one of my all-time favorite movies!  The atmosphere is dreamlike - expressed in the boy's sleepwalking and the unrepressable subconscious - a thing that communism disavows.  Thus, the boy's very being becomes an expression of natural defiance toward the coming communist regime under Tito and its spirit-crushing regime. A classic flic.  Highly recommended

Output: POS


Input: Consider Input: The fine line between the actor's stage and reality is murder.... . Here's a memorable Oscar-winning performance from one of Hollywood's finest actor's, Ronald Colman, in a story of jealousy, madness and revenge.  In a role that was originally intended for Cary Grant, Colman is excellent as Anthony John, a celebrated off-Broadway actor who blurs the line between his character, Othello, and reality when he starts acting on the murderous impulses of his character.  As a psychological melodrama, "A Double Life" undoubtedly stands out as a success.     George Kukor's direction is exemplary as he successfully juxtaposes Tony John's real jealousy over his ex-wife's relationship with Edmond O'Brien, while mirroring the wracked emotions and madness of Shakespeare's protagonist.     Colman convincingly protrays Tony John's progressive dementia from the get-go the minute he is offered the part soon after the opening credits roll. For an actor used to playing debonair and  swashbuckling heroes in the 30's this role must have been a challenge for Colman, but a welcome one.  He brings a nervous intensity to the character of Tony John that is never melodramatic but is realistically portrayed.     Co-written by the talented actress, Ruth Gordon (Harold & Maude), "A Double Life" showcases an impressive cast including Shelley Winters (in her first professional role), Ray Collins, and Signe Hasso.     The score by Miklos Rozsa, as well as the screenplay by Ruth Gordon and Garson Kanin, are both as memorable as the performances in this remarkable film. This DVD's transfer is markedly clean and lovingly restored from the original film negative and presented in the original 1.33:1 format in which the the film was initially shot.


Output: POS