In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
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Question: Review: The Sopranos is arguably the greatest show in Dramatic Television history.Its hard to think of another series that boasts so much intelligence, sublime writing or first rate performances.Across its epic scope it produces fresh and iconic characters and a constant level of high quality. Centering around the life of one Tony Soprano, a man who lives in two families. One is the conventional wife and two kids nuclear family the other a huge New Jersey Mafia group, of which he is the boss of both. Played by James Gandolfini, of True Romance and The Mexican fame, Tony is a fascinating, scary but also likable guy. Full praise must be given to Gandolfini for making a womanising and horrifically aggressive brute a genuinely identifiable and perfect leading man. Contemporay American drama has never had such an arresting and iconic figure as Tony.The cast of hundreds never boasts a flat performance and such stand out characters like Paulie Walnuts and Ralph Cifaretto will stick in your memory for ever.The true genius of this tale however, is the creator and writers bravery and revolutionary take on a conventional drama series. Twenty minute long dream sequences, powerful and original use of symbolism and metaphorical imagery and truly shocking scenes of violence. Yet all this style is met by truly touching themes of love, honour and respect for family. The series never becomes cold hearted or gratuitous.With TV now competitive and often poor The Sopranos stands tall above the rest as America's most original and compelling drama. Forget Family Redifined. This is Television Redifined. Question: is it a positive review?

Answer: yes


Question: Review: Coming shortly before the imposition of a morality code darkened the spirits of writers, directors and actors, the first film adaptation of W. Somerset Maugham's "Of Human Bondage" titillated countless moviegoers. It has no shock value today, just fine acting.While the cast is excellent, this is Bette Davis's first great role and one of Leslie Howard's best performances. Howard is English wannabe Parisian artist Philip Carey who is gently and firmly told that he lacks any talent and that his dedication is no substitute for true genius. Taking the lesson to heart he returns to London and enrolls in a medical college (one, by the way, that seems to have no female students-at that time there would have been at least a few. Perhaps author/physician Maugham didn't care for distaff medicos).Having tea one day Carey is entranced by a waitress, Mildred Rogers, Bette Davis in a role as a morally loose and basically wicked farrago. Her Cockney accent is as sharp as Eliza Doolittle's. His repeated attempts to date her are greeted with the less than enthusiastic reply, "I don't mind," a sure sign for any man with his head screwed on straight that he's plumbing the depths. Maugham's Mildred supplemented her waitress tips with a bit of old fashioned street-walking, something not clearly brought out here.Carey's besotted prostration serves Rogers' avaricious need for support of the financial kind. He is desperately in love with her-she plays him as a Sunday church organist effortlessly plies her instrument. No sex here. Recognizing that he is getting nowhere, he begins a chaste relationship with Norah, a woman who adores him. Re-enter Mildred, replete with a baby, and in her usual need of being taken care of. Exit heartbroken Norah. Another separation from Mildred and Carey begins a long-term friendship with Sally, abetted enthusiastically by her dad who seems to view eventual marriage as both a good thing for the two young people and a chance to be relieved of one of his nine offspring.The movie reasonably but not entirely follows Maugham's excellent novel. Howard's Carey is naive and vulnerable and for much of the movie his sad eyes remind one of a doe facing a double-barreled shotgun. Mildred is unrestrainedly wicked, a user of the worst kind, her sole preoccupation with her own needs barely disguised when she tries to wheedle Carey with a thin patina of affectionate words (and offers-at one point she promises she'll do "anything [he] wants," a daring statement for the times and one I'm sure audiences fully understood.Pre-Code it may be but Mildred's quick-march dissolution would have satisfied the League of Catholic Decency. The ending is conventional-sin loses, principled behavior triumphs.Director John Cromwell wrought excellent performances from his two main stars, one well-established, the other established largely because of this film. The atmosphere is 1930s London and the trip back in time is worth taking.Available on DVD.9/10 (for Davis's and Howard's performances) Question: is it a positive review?

Answer: yes


Question: Review: The Rookie suffers from so much. There are the random musical songs interspersed through the movie, the long pointless script and enough grating slapstick to make Jerry Lewis blush. Noonan and Leavitt just don't know when to quit. It takes a full hour before the story finally gets to the main plot and the characters are shipwrecked. Then the guys start playing Japanese sailors with the standard racist caricature of the day. It is a shame the funniest parts of the movie are when Noonan and Leavitt are playing the stupid, stereotyped Japanese guys. But, it gets pretty tiring after switching back and forth between two sets of characters. Then it just abruptly ends. Even a naked Julie Newmar in a towel can't save this one.There is really little charm in the movie and it is over a half hour too long. The story just flounders along trying to set up funny situations and failing. Stick to Martin & Lewis. At least Deano had charm and Jerry had that animated face. Question: is it a positive review?

Answer:
no