Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Q: CONTEXT: I'd guess the movie's motive for not introducing the McKee subplot is because that was only a minor subplot of the book. And re-telling a book story in movie form, when you've got to get all the key details on screen in just 2 or 3 hours, means you have to omit many minor details. The core story of The Great Gatsby is about Gatsby and the world he lived in, not about Nick or Nick's potential attraction to Gatsby. In book form, there is plenty of room for the subplot suggestion that Nick is gay -- and the author Fitzgerald introduced the suggestion so subtly that most readers miss it. In the movie, however, throwing "Nick might be gay" at viewers along with everything else, in just 2 or 3 hours, could overwhelm them and/or distract from the core story -- and I'm not sure how it could be done as subtly on-screen as Fitzgerald pulled it off in the prose.  <sep>  Q: Why did the Great Gasby (2013) movie erase the hints of Nick Carraway's homosexuality?

A: Yes
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Q: CONTEXT: I've re-watched the scene and noticed that I missed an important detail. As I mentioned in my question, Tata seems to be emotionless during the short interaction itself, but when it ends we can see her coming back to her sit. After sitting, she gives Murphy (now heading to the toilet) a long, angry look. This clearly proves that she knew who she was talking to and that she sarcastically commented the fact that Murphy spent all his time in Germany in the airport.  <sep>  Q: What did Tata mean when they said "I hope you enjoy germany"

A: Yes
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Q: CONTEXT: Because appearing dead is not the same as being dead. Firstly, we do not know the extent of the shape-shifting abilities of the Faceless Men but these appear to be based on appearing as something other than what you are. The Dead are targeting the living and there is no indication that the abilities of the Faceless Men can make you be sensed as "unliving" to the Dead. Essentially, if Arya is alive, she's targeted by the Dead, regardless of what she looks like.  <sep>  Q: Why didn't Arya use the powers of The Faceless Men to get past the dead in the library? A: Because appearing dead is not the same as being dead  Q: How would the dead know if each other were dead? A: The Dead are targeting the living and there is no indication that the abilities of the Faceless Men can make you be sensed as "unliving" to the Dead  <sep> FOLLOWUP_Q: Was her being terrified part of the problem as well?

A:
No
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