Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.
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Question: CONTEXT: No, it is not related. Well.... it is set in the same Universe as the other Marvel movies. But, apart from a couple of brief mentions, nothing that happens in the film relates to the any of the others. The film is a self-contained story, and you will be able to watch it without knowing anything about the other Marvel films or comics. That said, it is part of the story leading up to Avengers: Infinity War, so if you're planning to see Infinity War, include this one.  <sep>  Q: Is the movie 'Doctor Strange' related to any of the Marvel movies? A: it is not related. Well.... it is set in the same Universe as the other Marvel movies. But, apart from a couple of brief mentions, nothing  Q: So I can watch Dr Strange without a background? A: The film is a self-contained story, and you will be able to watch it without knowing anything about the other Marvel films or comics  <sep> FOLLOWUP_Q: What can you tell me about the Marvel series in general?

Answer: Yes


Question: CONTEXT: The Michael Bay Spin I'm joking, but as far as I can tell the technique doesn't really have a name. All that's happening is that the camera is moving around subjects in the foreground, and the background appears to move quicker thanks to the simple fact that it's further away. The reason I refer to it as the Michael Bay Spin is that director Michael Bay has used this exact shot (with different actors/locations, of course) in a lot of his films. In fact, the inclusion of that shot in Hot Fuzz is a direct reference to Michael Bay - Bad Boys II (directed by Bay) is bought up earlier on in the film, and if I remember correctly, the shot in question is actually shown to the audience while Nicholas Angel and Danny watch the film at Danny's house.  <sep>  Q: What is this camera effect used in Hot Fuzz?

Answer: Yes


Question: CONTEXT: I'd guess the movie's motive for not introducing the McKee subplot is because that was only a minor subplot of the book. And re-telling a book story in movie form, when you've got to get all the key details on screen in just 2 or 3 hours, means you have to omit many minor details. The core story of The Great Gatsby is about Gatsby and the world he lived in, not about Nick or Nick's potential attraction to Gatsby. In book form, there is plenty of room for the subplot suggestion that Nick is gay -- and the author Fitzgerald introduced the suggestion so subtly that most readers miss it. In the movie, however, throwing "Nick might be gay" at viewers along with everything else, in just 2 or 3 hours, could overwhelm them and/or distract from the core story -- and I'm not sure how it could be done as subtly on-screen as Fitzgerald pulled it off in the prose.  <sep>  Q: Why did the Great Gasby (2013) movie erase the hints of Nick Carraway's homosexuality? A: I'd guess the movie's motive for not introducing the McKee subplot is because that was only a minor subplot of the book  <sep> FOLLOWUP_Q: Why would the writer include this subplot in the book?

Answer:
Yes