In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

[EX Q]: On a late evening, Allan Gray arrives at an inn close to the village of Courtempierre and he rents a room to sleep. Gray is awakened suddenly by an old man, who enters the room and leaves a square packet on Gray's table; "To be opened upon my death" is written on the wrapping paper. Gray takes the package and walks outside. Shadows guide him to an old castle, where he sees the shadows dancing and wandering on their own. Gray also sees an elderly woman and encounters another old man. Gray leaves the castle and walks to a manor. Looking through one of the windows, Gray sees the man who gave him the package earlier. The man is suddenly murdered by gunshot. Gray is let into the house by servants, who rush to the aid of the fallen man but it is too late to save him. The servants ask Gray to stay the night. GisÃ¨le, the youngest daughter of the Lord of the manor, takes Gray to the library and tells him that her sister, LÃ©one, is gravely ill. Just then they see LÃ©one walking outside. They follow her, and find her unconscious on the ground with fresh bite wounds. They have her carried inside. Gray remembers the parcel and opens it. Inside is a book about horrific demons called Vampyrs.By reading the book, Gray learns that LÃ©one is a victim of a Vampyr. Vampyrs can force humans into submission. The village doctor visits LÃ©one at the manor, and Gray recognizes him as the old man he saw in the castle. The doctor tells Gray that a blood transfusion is needed and Gray offers his blood to save LÃ©one. Exhausted from blood loss, Gray sleeps. He wakes sensing danger and rushes to LÃ©one, where he surprises the doctor as he is attempting to poison the girl. The doctor flees the manor, and Gray finds that GisÃ¨le is gone. Gray follows the doctor back to the castle, where Gray has a vision of himself being buried alive. After the vision subsides, he rescues GisÃ¨le but the doctor escapes. The old servant of the manor finds Gray's Vampyr book and discovers that a Vampyr can be defeated by driving an iron bar through its heart. The servant meets Allan Gray at Marguerite Chopin's grave behind the village Chapel. They open the grave and find the old woman perfectly preserved. They hammer a large metal bar through her heart, killing her. The village doctor is hiding in an old mill, but finds himself locked in a chamber where flour sacks are filled. The old servant arrives and activates the mill's machinery, filling the chamber with flour and suffocating the doctor. The curse of the Vampyr is lifted and LÃ©one recovers. GisÃ¨le and Gray cross a foggy river by boat and find themselves in a bright clearing.[7], Question: Whose grave is behind the village Chapel?
[EX A]: Answer: Marguerite Chopin's

[EX Q]: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (February 2012) (Learn how and when to remove this template message)The film opens at a meeting of the Board of Chosen Freeholders of Ocean County, New Jersey. Ocean County resident and New Jersey police officer Lieutenant Laurel Hester has been diagnosed with terminal lung cancer, and expected to live only another year, she wishes to pass on her pension to her domestic partner of five years, Stacie Andree. Although New Jersey counties have the option to extend pension benefits to domestic partners, Ocean County Freeholders will not do this. In protest, the state's LGBT civil rights organization, Garden State Equality, organizes hundreds of people to speak out at each of the Freeholders' meetings. The crowds Garden State Equality organizes get bigger and more vociferous at each meeting.Among those speaking out are Laurel's police colleagues and Ocean County residents, describing Laurel's 25 years of exemplary work for the police department, and petitioning the Freeholders to allow her to pass on her pension to Stacie. Laurel's first police partner, Dane Wells, speaks about her and compares the situation to separate drinking fountains and seats at the back of the bus. Freeholder Joseph Vicari says that although they are "anguished" by Laurel's case, they are unable to change things because of the state legislature and moves for an adjournment. The members of the public present are unhappy with this decision and some begin to chant "It's in your power".Outside the administration building, news reporter Ida Siegal explains the background to the case. In 2004 New Jersey passed the Domestic Partnership Benefits and Obligations Act which allows all gay and lesbian state employees to pass on their benefits, including the pension, to their domestic partners. According to Siegal, all New Jersey counties can choose whether or not to allow their employees to pass on benefits to their partners. Ocean County Freeholders have decided against this.Don Bennett, a reporter for the Ocean County Observer says that every time he talked to the Freeholders, they had a different excuse for not moving forward. Margaret Bonafide of the Asbury Park Press says that while Freeholder John Bartlett had said that such a benefit would have had to have been negotiated in union contract, Freeholder John Kelly had said that giving pension benefits to domestic partners would violate the sanctity of marriage.Stacie says that the home she and Laurel have made together is more than just a house to them, and that she would like to keep it following Laurel's death. As an auto mechanic, Stacie does not earn much money and would be unlikely to be able to afford to keep the house without the pension. Laurel and Stacie are also struggling to pay doctors' bills for Laurel's treatment. Laurel says that if they were a heterosexual couple there would be no problem with Stacie receiving the pension. With not long to live, Laurel says that her only priority is spending time with Stacie and obtaining justice for her.Dane Wells and former police chief Dick Chinery recall Laurel's work as a police officer, remembering her as an excellent marksman and a courageous officer. Wells describes her as the best partner he ever had. Describing himself as conservative, who votes for the Republican Party, Wells says that he had never paid particular attention to social issues or gay rights. Now he was working as hard as he could to help Laurel obtain justice before her death. When she first joined the police, Laurel's police chief and prosecutor knew that she was gay, but made it clear that she should keep that fact to herself. She was happy with that, wanting simply to focus on being the best detective she could be.The day after the Freeholders' meeting, Laurel goes to hospital, and as a result of an MRI scan is told that the cancer has spread to her brain.[5] Stacie spends time arranging payment plans for the medical bills, and praying for Laurel. As a result of chemotherapy, Laurel's hair begins to fall out. Stacie shaves Laurel's head for her and Laurel returns the favor, saying that Stacie now looks more like she did when the couple first met.Six New Jersey counties make the decision to extend pension benefits to domestic partners. Don Bennett says that the Ocean County Freeholders are now under increasing pressure from the press and cannot come up with a good reason for their refusal to do likewise. Although the Freeholders attribute their decision to financial reasons, Dane Wells believes that one or two of the board oppose change, and that the other board members are backing them up. He says that John Kelly has said that his personal belief is that the change would violate the sanctity of marriage, but that this is not the official position of the Freeholders.Laurel grows increasingly sick, losing all of her hair and finding it more difficult to breathe. She speaks of the difficulty of experiencing the physical changes of her illness and knowing that she will only ever get worse. When another Freeholder meeting is held, she is too sick too attend, so she videotapes a message instead. In the tape, she asks the Freeholders to sign the resolution and make a change "for good and righteousness". At the meeting the Freeholder's say that although Laurel has been a valuable employee, they will not allow her to pass on her pension. They say that although they have the money to do so, they will not pay pensions in the absence of a negotiated contract. John Kelly says that he has been misquoted in the press and that although it is a moral issue, he believes that Laurel is a moral person. When Dane Wells ask if they intend to change their minds before Laurel dies, the Freeholders decline to answer the question.Laurel is visited at home by a hospice worker. She says that her symptoms have gotten worse, that they scare her and that she is very concerned with when she will die. When the hospice worker asks her what is most important, Laurel answers "Stacie".Under mounting pressure, and following a telephone call from Governor Jon Corzine at the urging of Garden State Equality, the Freeholders call an emergency meeting. Stacie and Laurel, now in a wheelchair, attend the meeting. Freeholder Bartlett says that it is time to change the situation. The Freeholder of the county makes a motion to pass a resolution to expand pension benefits to county employees under the provisions of the law. The four Freeholders present agree. John Kelly does not attend the meeting. Laurel speaks briefly to news reporters and receives a standing ovation from the people present, including the Freeholders.Laurel goes home to die and the final scene of the film shows her memorial service, attended by Stacie, Dane and her police colleagues. Nine months after her death, the New Jersey Supreme Court rules that same sex couples must have the same rights as heterosexual couples, forcing the state legislature to legalise civil unions in New Jersey., Question: Who made the telephone call?
[EX A]: Answer: Governor Jon Corzine

[EX Q]: The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: Who wanders to the projection room.?
[EX A]:
Answer: Nikki.