In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Ex Input:
Starting from a relationship marked by taboos of incest and homosexuality, this film presents a manifesto for freedom in a world full of prejudice and oppression.This is a story of possible unconditional love set in a violent and intolerant world.Julieta (Julia Lemmertz) is a physician and mother of Francisco (played by Lucas Cotrim as a child and by João Gabriel Vasconcellos as an adult), the result of her relationship with the Argentine Pedro (Jean-Pierre Noher). After the separation, she knows the architect Alexandre (Fábio Assunção), with whom she has another son, Thomás (Gabriel Kaufman / Rafael Cardoso). By creating the boys together, Julieta is the first one to realize that the affection shown by the two brothers is characterized by a strong passion.In its very first scene, 'From Beginning to End' already reveals its intentions: sitting on a bench in a maternity hospital, the six year-old boy, Francisco, is led by a nurse to a nursery where, through a window glass, he sees by the first time his brother Thomás. Until then, the baby had kept her eyes closed and finally opens them up to gaze at Francisco, exactly the man that is going to mark the rest of his life.Pedro is the first one to notice the special relationship between the two brothers, when the two kids go to Buenos Aires to spend Christmas together with the Argentinian. Pedro tells Julieta about the great intimacy between the kids, but the mother was not alarmed : she already knew the affection that binds the children and is not dismayed.Built gradually, through small events, the relationship between the brothers is only possible thanks to Julieta, which becomes the mainstay of the relationship. Rosa (Louise Cardoso) is the friend, housekeeper and the nanny of the two boys therefore she shares the family routine.Milestones in the life of the brothers end up consolidating their relationship. The death of Pedro, for example, when Francisco and Thomás are still boys, fact which leads them back to Buenos Aires. And, most crucial, when the movie takes a leap of 15 years until the death of Julieta, when they are already adults. The pain of their loss makes them closer and at this moment the audience becomes witness to the love relationship between them.One of the major trials that they must face is when Thomás, expert swimmer, receives an invitation to train for three years in Russia, in preparation to compete in the Olympics. Initially reticent, he is eventually convinced by his brother to invest in his future.The separation is painful, and while Thomás applies himself in training, Francisco undergoes a period of trials and tribulations. He meets a girl at a club and tries to start a relationship with her, but love for his brother prevails. At the end of the movie, he flies to Russia to meet with his beloved brother.

Ex Output:
Question: What year is Thoms born?, Answer: 1986


Ex Input:
In Strasbourg in 1800, fervent Bonapartist and obsessive duellist Lieutenant Gabriel Feraud (Harvey Keitel) of the French 7th Hussars, nearly kills the nephew of the city's mayor in a sword duel. Under pressure from the mayor, Brigadier-General Treillard (Robert Stephens) sends a member of his staff, Lieutenant Armand d'Hubert (Keith Carradine) of the 3rd Hussars, to put Feraud under house arrest. As the arrest takes place in the house of Madame de Lionne (Jenny Runacre), a prominent local lady, Feraud takes it as a personal insult from d'Hubert. Matters are made worse when Feraud asks d'Hubert if he would "let them spit on Napoleon" and d'Hubert doesn't immediately reply. Upon reaching his quarters, Feraud challenges d'Hubert to a duel. The duel is inconclusive; d'Hubert slashes Feraud's forearm but is unable to finish him off, because he is attacked by Feraud's mistress. As a result of his part in the duel, d'Hubert is dismissed from the General's staff and returned to active duty with his unit.The war interrupts the men's quarrel and they do not meet again until six months later in Augsburg in 1801. Feraud immediately challenges d'Hubert to another duel and seriously wounds him. Recovering, d'Hubert takes lessons from a fencing master and in the next duel (held in a cellar with heavy sabres), the two men fight each other to a bloody standstill. Soon afterwards, d'Hubert is relieved to learn he has been promoted to captain. Military discipline forbids officers of different ranks from duelling.The action moves to 1806 when d'Hubert is serving in LÃ¼beck. He is shocked to hear that the 7th Hussars have arrived in the city and that Feraud is now also a captain. Aware that in two weeks time he is to be promoted to major, d'Hubert attempts to slip away but is spotted by Feraud's perpetual second. Feraud challenges him to another duel, which is to be fought on horseback with sabres. D'Hubert slashes his opponent across the forehead; Feraud, blinded because the cut bleeds heavily into his eyes, cannot continue the fight. D'Hubert considers himself the victor and leaves the field ebullient.Soon afterwards, Feraud's regiment is posted to Spain. The pair chance upon each other, during the French Army's disastrous retreat from Moscow in 1812. Before they can resume the duel, Cossacks attack forcing d'Hubert and Feraud to fight together, rather than each other.Two years later, after Napoleon's exile to Elba, d'Hubert is a brigadier-general recovering from a leg wound, at the home of his sister Leonie (Meg Wynn Owen) in Tours. She introduces him to Adele (Cristina Raines), niece of her neighbour (Alan Webb). The couple fall in love and are married. A Bonapartist agent (Edward Fox) attempts to recruit d'Hubert, as rumours of Napoleon's imminent return from exile abound. D'Hubert refuses to command a brigade if the Emperor returns from Elba. When Feraud, also a brigadier-general and a leading Bonapartist, hears this he declares d'Hubert is a traitor to the Emperor. He claims that he always suspected d'Hubert's loyalty, which is why he challenged him to a duel in the first place.After Napoleon is defeated at Waterloo, d'Hubert joins the army of Louis XVIII. Feraud is arrested and is expected to be executed for his part in the Hundred Days. D'Hubert approaches the Minister of Police Joseph FouchÃ© (Albert Finney) and persuades him to release Feraud (without revealing d'Hubert's part in his reprieve). Feraud is paroled to live in a certain province under police supervision.After Feraud learns of d'Hubert's promotion in the new French Army, he sends two former officers to seek out d'Hubert, so he can challenge him to a duel with pistols. Eventually the two men meet in a ruined chÃ¢teau on a wooded hill. Feraud rapidly discharges both his pistols, before being caught at point blank range by d'Hubert, who refuses to shoot him because tradition dictates he now owns Feraud's life. He tells Feraud he must submit to his decision, that in all future dealings Feraud shall conduct himself "as a dead man".The duel ends and d'Hubert returns to his life and happy marriage, while Feraud returns to his provincial exile. The closing image of the film depicts Feraud in silent contemplation, gazing at the horizon in utter solitude unable to pursue the obsession that has consumed him for so many years.

Ex Output:
Question: Where does Feraud return to ?, Answer: Feraud returns to his provincial exile


Ex Input:
A film by Ajay Devgan"Oh, how we danced on the night we were wedWe vowed our true love though a word wasn't saidThe world was in bloom, there were stars in the skiesExcept for the few that were there in your eyes.The night seemed to fade into blossoming dawnThe sun shone anew but the dance lingered onCould we but relive that sweet moment sublimeWe'd find that our love is unaltered by time."-lyrics to "The Anniversary Waltz," composed by Dublin/FranklThe first time Ajay saw Pia, she served him drinks. She affected him more than the alcohol, and he found true love. He was a leading psychiatrist, but she messed up his mind.The first time Pia saw Ajay, he had too much to drink. She watched him make a fool of himself, and was relieved when he passed out. She was a woman who followed her heart, but despite his claims of true love, she had made up her mind.Thus began the story of Ajay and Pia.A love story, that begins at sea. Ajay is on a cruise with his friends Nikhil and Reena, unhappily married, and Vicky and Natasha, happily unmarried. Ajay is having a wonderful time dealing with martial strife, lots of bad language and huge hangovers, when he finds Pia, and time stands still.After a disastrous first meeting, Ajay tries everything to woo her. He wants her, by hook, crook or even her little private notebook. She's not an easy catch at all, but finally, by sheer perseverance, he dances his way into her heart.Ajay and Pia develop a strong and special bond. In each other, they find an anchor. But the tide goes against them. Weighted down by lies and deceit, their boat is rocked, and their relationship drowns.But even oceans cannot keep true love apart. Against better sense, Ajay waits for Pia. In Pia's case, better case prevails, and she comes back to him. With no doubt in their minds about the way they feel for each other, they rush into marriage, despite the advice and failing relationships of their friends.Happy marriages begin when we marry the ones we love, and they blossom when we love the ones we marry. And Ajay Pia, love each other dearly, and their marriage flourishes, setting an example for their friends.But no marriages can be complete without problems, and Ajay and Pia have also have to face hurdles, some of which seem insurmountable. We are taught in school how to do sums, how to read and write, and how to conduct scientific experiments, but what do we really know about the greatest social experiment of all, namely our ability to keep the love alive in our marriage, especially in the face of crises?But even as things get much worse, and sometimes unsolvable, Ajay and Pia don't give up. They realize that marriage is not a ritual or an end. It is a long, intricate, intimate dance together and nothing matters more than your own sense of balance and your choice of partner. And Ajay and Pia are used to dancing together.So they battle all odds, and dance, and sometimes they fall. But every time they fall, they fall in love. And that's what a successful marriage requires. Falling in love many times, always with the same person.This is the special love story of Ajay and Pia. There may be no monuments dedicated to them and perhaps their names will soon be forgotten. But in one respect they succeed as gloriously as anyone who's ever lived: They've loved each other with all their heart and soul; and in life and marriage, this has always been enough.

Ex Output:

Question: What exacerbates Piya's Alzheimer's?, Answer: No mention of Alzheimer's.