instruction:
In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
question:
Review: Master director Ching Siu Tung's perhaps most popular achievement is this series, A Chinese Ghost Story 1-3. Chinese Ghost Story stars Leslie Cheung in some distant past in China as a tax collector who is forced to spend a night during his "collecting trip" in a mysterious castle in which some strange old warriors fight and meet him. Beautiful actress Joey Wang/Wong is the ghost who lives in that castle and is under a domination of one powerful demon, a wood devil who collects human souls for herself/itself with the help of her beautiful ghosts. Leslie and Joey fall in love, and even though ghosts are not allowed to live with humans, they decide to break that rule and live happily together for the rest of their lives. This is not what the wood devil thinks and our protagonists have to fight for their lives and their happiness.This film is no less full of magic than other films by Ching Siu Tung. His masterpieces include Duel to the Death (1983) and the Swordsman series, which all have incredible visuals and kinetic power in their action scenes. Ghost Story is full of brilliant lightning and dark atmosphere, which is lightened by the strong presence of the beautiful and good willing ghost. The effects are simply breath taking and would work at their greatest power in the big screen. The camera is moving and twisted all the time and it adds to the fairy tale atmosphere this film has. There's plenty of wire'fu stunts, too, and even though some think they are and look gratuitous or stupid when used in films, I cannot agree and think they give motion pictures the kind of magic, freedom and creativeness any other tool could not give. When people fly in these films, it means the films are not just about our world, and they usually depict things larger than life with the power of this larger than life art form.The story about the power of love is pretty touching and warm, but the problem is (again) that the characters are little too shallow and act unexplainably occasionally. Leslie and Joey should have been written with greater care and their characters should be even more warm, deep and genuine in order to give the story a greater power and thus make the film even more noteworthy and important achievement. Also, the message about love and power of it is underlined little too much at one point and it should have been left just to the viewer's mind to be interpreted and found. Another negative point about the dialogue is that it's too plenty and people talk in this film without a reason. That is very irritating and sadly shows the flaws many scriptwriters tend to do when they write their movies. People just talk and talk and it's all there just to make everything as easy to understand as possible and so the film is not too challenging or believable as it has this gratuitous element. Just think about the films of the Japanese film maker Takeshi Kitano; his films have very little dialogue and all there is is all the necessary as he tells his things by other tools of cinema and never talks, or makes other characters talk too much in his movies. This is just the talent the writers should have in order to write greater scripts.Otherwise, Chinese Ghost Story is very beautiful and visually breath taking piece of Eastern cinema, and also the song that is played in the film is very beautiful and hopefully earned some award in the Hong Kong film awards back then. I give Chinese Ghost Story 7/10 and without the flaws mentioned above, this would without a doubt be almost perfect masterpiece of the fantasy genre. Question: is it a positive review?
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yes


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Review: I had never read Gary Paulsen's novel, Hatchet, for which 'A Cry in the Wild' is the adaptation of, so I can't make any comparisons to the book. I will, however, say that as a film on its own, adaptation or no adaptation, it was an underdeveloped adventure that provides no major explanation of its few characters.Think of 'A Cry in the Wild' as a less luxurious, teenage mountaineer (was Quincy, California the only place this was filmed?) version of 'Cast Away.' Jared Rushton is 13-year-old Brian Roebson, a kid headed on a small plane to visit his father, until the craft crashes over some deserted mountain terrain, leaving the kid stranded for quite a while and having to defend himself.There are basically three parts to the film. The obvious being the ten or fifteen minute introduction of the characters, namely Brian and his mom. The next third of the movie (which really consumes nearly all of the film) is that of Brian "roughing it." These scenes contain no particularly amazing action, nothing spectacular other than lots of beautiful cinematography of a beautiful Yukon landscape. Nothing to put you on edge, no real encounters (except a brisk confrontation with a cub), and no major dilemmas to initiate some sort of enjoyment or connection with the character on the screen. You might even feel briefly bored with the passage of time as we witness Brian dealing with his situation through first, primitive means, and then more improved ones (using tools, etc) for his survival. It is more like the ordinary time that passes if you were actually stuck in the situation, and that is pretty much about it. In other words, they put no meat on the Paulsen's words when they translated them into a visual media.And, of course, the third part of the movie is his rescue.There is a subplot that continuously seeks to make itself known during this time, however. Some conflict between Brian and his parents that created a rocky, awkward relationship between them. However, for the most part, it is only explained in brief, intermittent, minimal dialog flashbacks that look more like a back story for a music video. Any minute, the singer from Jefferson Starship, should chime in an start singing 'Sara.' Other than what the viewer can draw from the implications, or guess for his own need to fill the gaps in the narrative, we get a very underdeveloped back story which was probably necessary to enjoy at least part of this film and create a connection to the characters, whether or not it really had anything to do with Brian's survival adventure in the third part of the movie. These are the flaws in the narrative that through the viewer into a stupor as he struggles to find out what the heck those people there on the screen are doing and, for me, almost done to the point of screaming at the television to say something and tell me more! It certainly was not, for me, a good adventure tale. But, for fans of Jared Rushton, it was one of the last few movies he made. So, watch it purely for nostalgia, if nothing else. Question: is it a positive review?
answer:
no


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Review: Four best friends young male chauvinist pigs (with the emphasis on pigs) meet weekly at a NYC diner to recount their dating sexploits in this misanthropic and visceral comedy. Peet is the common denominator who dates the three bachelors in the group which leads to conflict and the inevitable "whipping". Although the film's premise has potential and there are some funny moments to be had, overall the flick doesn't work especially in the end where the girls are made to appear no better than the guys which runs contrary to the crux of the story. One of those one-man band flix with a dozen producers, "Whipped" is likely to be enjoyed only by the kind of young males who think "The Man Show" is Emmy material. Question: is it a positive review?
answer:

no