In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: jake kasdan , son of one of the best screenwriters around , breaks into filmmaking by writing and directing this hard - to - categorize detective story : part mystery , part comedy , part character study and part romance .
for the most part , kasdan manages to combine the genres successfully and create a captivating film .
daryl zero ( bill pullman ) is a modern day sherlock holmes .
the parallel is present down to his love of music ( though zero plays the guitar rather than the violin ) , and his addiction to drugs ( amphetamines , rather than morphine ) .
he even titles his cases with such sherlockian epigrams as the case of the mismatched shoelaces , the case about the man who lied about his age , or the case of the hired gun who made way way too many mistakes .
however zero 's observance of the fine art of detachment , though it makes him a brilliant private investigator , makes him somewhat of a self - imposed outcast in society .
he could do nothing without the legwork of his trusty assistant dr .
watson
, i mean steve arlo
( ben stiller ) .
arlo is not happy with his job .
he is thrilled to be around zero 's brilliance , but his bizarre behavior , and strange requests , are frustrating to the former lawyer .
and they 're even more so to his girlfriend , jess ( angela featherstone ) , who is fed up that her boyfriend 's boss means more to arlo than her .
this is the situation when a new case comes knocking .
gregory stark ( ryan o'neill ) hires zero to find his lost keys .
it seems that he kept a safety deposit box key on the ring , and the box apparently contains some incriminating evidence .
now , stark is being blackmailed , and needs to reclaim his key before the nightmare can end .
to solve this case , zero reluctantly crawls out of his shell .
however , this is when he is vulnerable . . .
and this time he falls for charms of a wily paramedic , gloria sullivan ( kim dickens ) , who may be involved in the blackmail scheme .
for the first time , zero has to question his own objectivity , as he finds his client less and less sympathetic .
zero effect is weakest in its obviously " wacky " scenes depicting daryl zero 's odd behavior .
such scenes might be appropriate in an out - and - out satire , making zero an ace ventura - ish character . however ,
there 's a much meatier movie in here . . .
it just takes a while to get out .
that 's not to say that there 's not a place for humor in this film .
in fact , some of the best scenes are ben stiller 's wonderfully underplayed comic moments of absolute disgust and frustration with his employer .
however , the over - the - top scenes never quite gel with the rest of the film , and they are n't funny enough to stand on their own .
once the investigation is underway , however ,
zero 's brilliance really begins to shine .
his lightning quick inferences are as fascinating as many of sherlock 's own .
as the mystery begins to unfold , zero 's deductions lead the plot in interesting directions , but never lose the viewer .
zero effect works well during its romantic scenes as well .
zero 's relationship with gloria is low - key , but it hits all the right notes .
however , we are always kept distant from gloria 's character .
she 's given plenty of development , but we never understand what she is thinking .
perhaps that may be intentional : to place the audience in zero 's zone of detachment .
but , on the whole , it is frustrating .
bill pullman , when he 's not spacing out , creates a vibrant character in daryl zero .
there 's one moment when zero briefly connects to the world which he has managed to detach from for many years ,
and it is shockingly moving . . . expressing a seriousness that heretofore was unassociated with the character , but one which fits in well .
and , although it is sometimes hard to take a detective called " zero " seriously , it is at this moment that the viewer understands the meaning behind the name .
although zero effect is a bit awkward in places , it is a strong debut for kasdan , and shows great promise .
Example Output: P

Example Input: is evil dead ii a bad movie ?
it 's full of terrible acting , pointless violence , and plot holes
yet it remains a cult classic nearly fifteen years after its release .
explaining why this movie stands out from others with similar plots ( including the original evil dead ) is extremely difficult .
` well what 's it about ? '
` five people stranded in a log cabin in the middle of nowhere struggling to survive vicious attacks from a variety of ugly , hairy , wart covered monsters . '
` come on i saw a movie just like that on monster vision last week .
why should i see it again ? '
` no evil dead ii is different , it 's funny . '
` it 's funny to see people die ?
are you sick or something ? '
maybe i am and maybe director sam raimi is as well to create such an enigma of a movie .
his unique execution is as sarcastic as subtle , as disturbing as it is hilarious .
an example of raimi 's odd approach : a monster ( formerly protagonist ash 's girlfriend of all people ) is cut in half by a chainsaw and a tidal wave of blood comes from the open wound .
sure it 's over - the - top , but it is so over - the - top that it is laugh out loud funny ; just try watching ash with a straight face as he unexpectedly is showered with ten gallons of blood , staining his face and knocking him back a few feet .
the whole movie is like this , watch ash get beat up , watch ash defeat the monster , watch ash get beat up again by another even zanier monster .
the more repetitive and unrealistic the movie gets , the more amusing it becomes .
no matter how sick it may sound , it is funny to watch
bruce ampbell 's ash get his butt kicked every five minutes .
and raimi takes advantage , he has ash tormented by the head of his girlfriend , by the body of an old lady , even by his own right hand .
like the less superior idle hands , we watch ash uncontrollably hit himself over and over again until he is forced to cut off his own body part .
but it does n't end , ash now has to fight his severed hand which now moves with the same celerity as thing from the addams family .
all of these events , thrown at you from minute one with roller coaster- like camera movements , at first become shocking , then inexplicably funny .
raimi expects the audience to laugh and as the film progresses , he seems to be enjoying himself even more by borrowing the classic mirror scene from the marx brothers ' duck soup , then bringing more characters into the picture to comically kill them off .
with a running time of less than an hour and a half , raimi gets away with the impossible , making a horror film with more gore than plot and intentionally more laughs than scares . ending evil dead ii with an opening for the third film in the series , raimi obviously had a lot of fun making this movie and could n't wait to make it 's sequel .
Example Output: P

Example Input: look back at all the times in your life when there was a fork in the path to the future .
some sort of decision had to be made , and , for better or worse , it irrevocably altered the course of your existence .
> from time - to - time , everyone thinks about the roads not taken , and how things might have turned out if the choice had been different .
perhaps even more dizzying to contemplate is how a seemingly minor action -- catching the 10 am train , for example -- could have an equally profound , yet less obvious , impact .
maybe that 's where you met your significant other , and , had you reached the platform just a few seconds later ?
film makers are no less fascinated by issues of destiny than anyone else , and that 's why there 's no shortage of movies about this subject .
the best of the bunch were probably made by the late polish director krzysztof kieslowski , who was obsessed with questions of fate and chance .
these themes weave their way through many of his movies , including decalogue , the double life of veronique , and the triptych of blue , white , and red .
however , they are most explicitly examined in a 1981 film called blind chance , where kieslowski presents the three different fates of one man after a minor action ( missing or catching a train )
changes the course of his life .
in his autobiography , kieslowski on kieslowski , the director describes his attraction to the concept this way : " [ the idea is ] rich and interesting ?
that every day we 're faced with a choice which could end our entire life yet of which we 're completely unaware .
"
while this approach has been the fodder for several notable dramatic films ( including , in a way , frank capra 's it 's a wonderful life ) , sliding doors is the first romantic comedy to plumb its depths .
the " road not taken " approach is n't just a plot device , either .
writer / director peter howitt expands upon both possible fates of a character after she just misses / catches a train .
the audience watches , with ever - growing fascination , how this one event impacts upon every aspect of her life : her future career , where she lives , whom she loves , and whether she has a family .
as her separate destinies diverge and then re - converge , she becomes two completely different individuals .
that woman is helen , played by gwyneth paltrow as a long , dark- haired brit .
one day , after losing her job as an advertising executive , she decides to return home in the middle of the day .
the scene of the pivotal moment is a train platform .
in scenario # 1
, she just slips through the sliding doors before the train pulls out of the station .
on board , she meets the cheerful , talkative james ( john hannah ) , a monty python fan who is taken with her beauty .
minutes later , in her flat , she walks in on her lover , gerry ( john lynch ) , in bed with another woman ( jeanne tripplehorn ) .
in scenario # 2
, she misses the train and , shortly thereafter , is the victim of an attempted mugging .
she does n't meet james and fails to make it home in time to discover gerry 's infidelity .
juxtaposed one against the other , while sharing many places , cues , and characters , the two stories proceed in parallel from there .
on one level , for viewers who enjoy pondering the workings of fate , sliding doors can be viewed as a deep and wonderful experience .
but , for those who just appreciate a romantic comedy characterized by solid acting , a script with a few twists , and a great deal of genuinely funny material , sliding doors still fits the bill .
one of its most obvious strengths is that it can satisfy many different types of audiences -- those who demand something substantial from their motion pictures , and those who could care less .
it should n't come as any surprise that the acting , at least from three of the four leads , is solid .
paltrow , who does double duty as two helens who are initially the same , yet gradually become much different , is the standout .
she plays both of her roles effectively and believably -- the shy , insecure woman who stays with gerry and the liberated , platinum - blond who severs the ties to her old life and embarks on a new career with a new man .
john hannah , known to most american viewers as the younger gay character in four weddings and a funeral , is instantly likable .
john lynch , taking a break from movies about ireland 's troubles , does a good job presenting gerry as a inept , selfish philanderer .
only jeanne tripplehorn , who plays an over - the - top vixen , seems out of place .
her attempts at broad comedy are occasionally jarring , and it 's occasionally difficult to see her lydia as anything more than a plot element .
one member of the supporting cast deserves special notice .
douglas mcferran , who plays gerry 's best friend , russell , is an absolute delight , stealing every scene that he 's in .
part of this is surely because he is given the best lines in the movie .
on one occasion , he has a marvelous monologue bemoaning how advances in the telecommunications industry have trapped men into a life of monogamy .
on another occasion , while laughing at gerry 's plight with the women in his life , he comments , " being with you makes the wait for the next episode of seinfeld more bearable .
"
but it 's not all in the dialogue .
mcferran tears into this part with relish ; his performance becomes one of the most memorable aspects of a top - notch comedy .
this is the first feature film for peter howitt , and he approaches the task with unimpeachable aplomb .
the script is shrewd and inventive , combining wit , romance , and intelligent melodrama into a crowd - pleasing whole .
sliding doors grants more than just a good time at the movies , however .
for those who are so inclined , its central theme offers an opportunity to ponder some of the more philosophical questions about the workings of the universe -- all while having a good time .
Example Output:
P