In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[Q]: Question: In what year was the royal house's name change? Passage:The programme explores the lives of King George V and Queen Mary, and their attempts at modernising the British Monarchy in response to the massive social changes during and following World War I. The first episode recalls how, fearing anti-German sentiment, the royal house name was changed by King George from the House of Saxe-Coburg and Gotha to the House of Windsor. The series also examines the personal lives of the couple, delving into their relationships with their children, and with each other. The marriage between George and Mary was an arranged marriage, occurring only because Prince Albert Victor, George's brother and Mary's original fiancé, died from influenza. George V is presented in the series as a disciplinarian, who strictly punished his children, but was known to be much more loving to his granddaughter, Queen Elizabeth II.

[A]: b


[Q]: Question: Which state where Benoni Stinson was a minister gained statehood first? Passage:Though theologically similar to the General Baptists in England and early America, this body of General Baptists arose in the Midwestern United States in the 19th century through the work of Benoni Stinson (1789-1869), a United Baptist minister first in Kentucky and then in Indiana. Stinson was ordained in Kentucky in 1821, and evidently was already leaning toward or embracing Arminian theology. Shortly after he moved to Indiana, in 1822 the Wabash District Association decided to divide into two bodies, for convenience sake. Stinson's church would be in the new body, and he labored to have a statement that "the preaching that Christ tasted death for every man shall be no bar to fellowship" would be included in the articles of faith. The next fall, in 1823, the Liberty Baptist Church of Howell, Indiana was organized with 33 members, and Elder Stinson was called as pastor. Three other churches were soon organized, all in the Evansville, Indiana area. In October 1824, representatives from these four churches came together and organized the Liberty Association of General Baptists. This appears to be the first time the name "General" was officially associated with this movement. A number of General Baptist local associations were organized from 1824 to 1870. During this period, some attempts were made by the Liberty Association to correspond with the northern Free Will Baptists, but this appears to have eventually proved unsatisfactory to both parties. In 1870, a convention was called to meet with Harmony Church, Gallatin County, Illinois, with the idea of organizing a general association comprising all the annual General Baptist associations. Delegates from Liberty, Mt. Olivet and Ohio associations gathered and formed the General Association of General Baptists. This body has grown and developed until it now embraces about 60 associations, 816 churches and more than 73,000 members. The denominational headquarters are located in Poplar Bluff, Missouri, where they operate Stinson Press. The official denominational publication is The General Baptist Messenger. The General Association oversees publication of Sunday School literature, a home mission board, a foreign mission board, and the Oakland City University in Oakland City, Indiana. The General Association is a member of the National Association of Evangelicals and the Baptist World Alliance.

[A]: b


[Q]: Question: How old was Walt Disney the year Snow White and the Seven Dwarfs was released? Passage:After the success of Walt Disney Productions' first feature-length animated film Snow White and the Seven Dwarfs (1937), filmmaker Walt Disney himself made several attempts to adapt the fairy tale "Beauty and the Beast" by Jeanne-Marie Leprince de Beaumont into one of the studio's earliest animated feature films during the 1930s and 1950s. However, the project was continuously abandoned due to the fairy tale's "static" plot and main characters. The filmmaker was also concerned about the "unnecessary intensity" required to depict Belle's imprisonment. Inspired by the unprecedented success of The Little Mermaid (1989), Walt Disney Studios chairman Jeffrey Katzenberg green-lit another attempt at adapting "Beauty and the Beast" under the direction of Richard Purdum. However, Katzenberg did not approve of Purdum's dark, somber version of the fairy tale, and ultimately ordered that it be restarted from scratch in favor of creating a Broadway-style musical film starring a strong heroine, more similar to The Little Mermaid. Opting instead for a "feminist twist" on the original story, largely in response to critics' negative reception to Ariel regarding her pursuit of Eric being her overall character, Katzenberg hired television writer Linda Woolverton, who had never written an animated film before, to write the film's screenplay.

[A]:
b