Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

[Q]: CONTEXT: To a strong movie fan, no, it cannot hurt - ever. An alternate (possibly revisionist) version of a movie cannot detract from the original viewing experience, it can only add an additional positive (or negative) experience. In the case of Ridley and Blade Runner, I have every version, and his “Final Cut” is my favorite, and I am pleased-giddy that he was able to get yet another version released. It is my opinion that, given 4+ versions, you have the luxury of choosing the one you enjoy most. You have nothing but upside! Any downside is for pessimists, or people who have undue hatred for capitalist who play their little games – while we are still free to play ours. In the case of his refusal to agree to a Director's Cut of Prometheus – that is cool too. I enjoy the fact that as an artist Ridley Scott wraps his arms fully around the meta concept of additional releases, and indeed incorporates that into the overall art – like Claude Monet's Water Lilies, or Haystacks – as long as HE is making the decisions. (You might argue the opposite for 99% of all other director/studio combos.)  <sep>  Q: Does Ridley Scott's Director's Cut releases hurt his movies? A: To a strong movie fan, no, it cannot hurt - ever  <sep> FOLLOWUP_Q: What was his first director's cut?
[A]: No


[Q]: CONTEXT: I think it is done not because he can't reach us through the story, but because he wants to amplify the moment, emotion and feeling you get as a viewer. As you said story itself is good enough to make you feel those emotions but he wants you to feel them with higher intensity so he's using that music and buzz to make those moments and feelings even stronger.  <sep>  Q: Why does Nolan fill his recent hits with permanent noise/music? A: I think it is done not because he can't reach us through the story, but because he wants to amplify the moment, emotion and feeling you get as a viewer  <sep> FOLLOWUP_Q: Why would he not be able to reach us just through the story alone?
[A]: Yes


[Q]: CONTEXT: I just did a bit of digging on your behalf regarding this line, and there seems to be no concrete definition of it from any official source. That said, I found several interpretations along the way, including: 1) "You cannot wash away your sins."; 2) The blood is worn as a badge of merit on the blade; 3) The blood remains on the blade and not on your hands (meaning you are relatively guilt-free). Personally, considering the overtly religious themes within the film, I would side with option 1, especially since Priest Vallon is saying the line.  <sep>  Q: What's the meaning behind the phrase "The blood stays on the blade"? A: there seems to be no concrete definition of it from any official source  Q: In Gangs of New York, a character is told not to wipe blood off a razor when he cuts himself cause the blood stays on the blade. What could that mean? A: The blood remains on the blade and not on your hands (meaning you are relatively guilt-free  Q: What about another meaning? A: You cannot wash away your sins  <sep> FOLLOWUP_Q: Are there any others?
[A]:
Yes