In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Q: what do you get when you rip - off good movies like woody allen 's bananas and martin scorsese 's after hours ?
you 'd think you 'd get the best of both films .
instead you get woo .
falling in somewhere between def jam 's how to be a player ( which was awful ) and booty call ( which was ok ) , woo is yet another in the embarassing genre of showing african - americans to be nothing more than sexual buffoons .
the whole film plays out as a black version of after hours , as wild woman woo ( jada pinkett smith ) goes out on a blind date with straight - laced tim ( tommy davidson ) .
mayhem follows them .
for some unknown reason ( read :
contrived screenplay ) davidson puts up with all of woo 's antics for the entire night , which include her destroying his bathroom mirror , stealing things from his house , violently questioning him ( accusing and belittling him actually ) about previous girlfriends , causing a riot in an elegant restaurant , and other various infuriating things that any normal person would n't tolerate .
but for the sake of this bad movie ?
sure , why not ?
there are a few chuckles in the film , the best being the scene swiped directly from bananas .
in this case , davidson is running from thugs , gets into a subway car as the doors are closing , starts to taunt the thugs , then the doors open back up again .
a good joke , but a stolen one .
another chuckle is provided by billy dee williams ' cameo as himself .
movies like woo are seemingly released every three months or so , and not one of them has ever been a hit .
woo wo n't be one either .
so
why was it made ?
and more importantly , is n't there anyone else besides me who thinks these films are offensive ?
everyone involved should really reconsider their careers at this point .
[ r ]

A: N
****
Q: go 's is a gloriously slick hip machine .
director liman ( who also photographed go ) and screenwriter august celebrate the drug / rave scene in l .
a .
, preferring to take ( comedic ) snapshots of troubled youth rather than critique them .
after more than ninety minutes of pill - popping , tantric sex , car chases , and attempted murder , go even has a happy ending .
this is the sort of film that gives members of the dove foundation splitting headaches ; as go wound down , i anticipated an anti - pill - popping - casual - tantric - sex - car - chase - attempted - murder sermon that ( blessedly ) did n't arrive .
a la tarantino 's pulp fiction , go is comprised of three separate but related stories .
the basics are as follows :
ronna ( polley ) is a bitter grocery store clerk facing eviction who turns to drug dealing for extra dough .
her co - worker , simon ( the improbably named askew ) , is a clubber from britain ecstatic about his first trip to vegas .
zack ( mohr ) and adam ( wolf ) are soap opera stars escaping a career - threatening conviction by assisting a peculiar cop ( fichtner ) in a drug bust .
perhaps because the innovative structure of tarantino 's non - linear masterwork is by now old hat , the id - fueled go delighted me but rarely surprised me ( with the exception of that mind - reading cat ! ) ; pulp fiction zigzagged down roads unforeseen , but we see go 's wheels turning from its first flash frame to the last .
torontonian polley ( of the sweet hereafter ) refused to do publicity for this picture on the basis that she was " not pleased with " her turn as the ill - fated cashier .
in go , she delivers , hands - down , her best performance to date .
here 's an ( overrated ) actress who agreed to appear on the poster , but not support her team at the junket or in interviews ; this sort of arrogance is commonplace for ms .
polley , as anyone who has read of her political agenda in the canadian press will tell you .
if she does n't want to be the ingenue of the moment , she should have said " no , " not go .
but i digress .
go is a fun film , so chipperly depraved one ca n't help but turn off his moral judgment for its duration and enjoy the ride .
in that sense , it 's a departure from liman 's last film , swingers , which at least lectured against self - absorption in the form of vince vaughan 's trent and his subtle comeuppance in the story 's clever epilogue ( which has been aped by mcdonald 's for their latest commercial ) .
i wish i cared more about go 's characters : like the techno music they listen to , the bands of anarchists on display here are at once absorbing and vacuous .
when the lights came up and stung my eyes , it was difficult to recall what about it entertained me . yet
entertain me it did
.
go is light and frothy , featuring compelling if not endearing work by polley , timothy olyphant ( scream 2 ) , and especially fichtner , whose homoerotic behavior is milked for effective laughs .
fichtner is a character actor best known for playing backstabbers ( in heat , armageddon , and others ) ; his previously untapped comic abilities shine in go .
unlike much of the film , fichtner is unpredictable .

A: P
****
Q: disney 's 35th animated feature-- a retooling of the olympian legend crossed with , well , the superman story-- is surprisingly soft at the center .
great wit , great art , and a great villain
( james woods as hades , lord of the underworld and local lounge act ) ca n't quite stifle the yawns induced by a bland hero , his colorfully monotonous sidekick ( danny devito as the satyrical trainer phil ) , and a largely unremarkable soundtrack .
( none of the alan menken / david zippel tunes are
particular- ly noteworthy .
some lack lyrical snap .
others need more memorable melodies .
boring ballads we expect , but boring production numbers , too ? )
so , hercules is a bit of a long sit , but you wo n't stay bored .
the highlights include a nifty round of animated action ( herc battling a cgi hydra ) , a steady stream of anachronisms
( " somebody call ix - i - i " ) and pop references ( " let 's get ready to rumble !
" ) a la aladdin , and several long - overdue jabs at the mouse 's marketing and merchandising depart- ments .
while not as rock - solid as hunchback , it 's a still a new world of improvement over pocohontas .
directed by ron clements and john musker , with voice credits including tate donovan , susan egan , bob goldthwait , matt frewer , samantha eggar , paul shaffer , and , as lighting bolt zeus , rip torn , who 's having a very good summer , also appearing in trial and error and men in black .

A:
P
****