In this task, you're given a context passage, followed by a question that needs to be answered. Based on the paragraph, you must write unambiguous answers to the questions and your answer must refer to a specific phrase from the paragraph. If multiple answers seem to exist, write the answer that is the most plausible.

[Q]: A substantial proportion of Ravel's output was vocal. His early works in that sphere include cantatas written for his unsuccessful attempts at the Prix de Rome. His other vocal music from that period shows Debussy's influence, in what Kelly describes as "a static, recitative-like vocal style", prominent piano parts and rhythmic flexibility. By 1906 Ravel was taking even further than Debussy the natural, sometimes colloquial, setting of the French language in Histoires naturelles. The same technique is highlighted in Trois poèmes de Mallarmé (1913); Debussy set two of the three poems at the same time as Ravel, and the former's word-setting is noticeably more formal than the latter's, in which syllables are often elided. In the cycles Shéhérazade and Chansons madécasses, Ravel gives vent to his taste for the exotic, even the sensual, in both the vocal line and the accompaniment.Ravel's songs often draw on vernacular styles, using elements of many folk traditions in such works as Cinq mélodies populaires grecques, Deux mélodies hébraïques and Chants populaires. Among the poets on whose lyrics he drew were Marot, Léon-Paul Fargue, Leconte de Lisle and Verlaine. For three songs dating from 1914–15, he wrote his own texts.Although Ravel wrote for mixed choirs and male solo voices, he is chiefly associated, in his songs, with the soprano and mezzo-soprano voices. Even when setting lyrics clearly narrated by a man, he often favoured a female voice, and he seems to have preferred his best-known cycle, Shéhérazade, to be sung by a woman, although a tenor voice is a permitted alternative in the score. 
Question: What is the name of the person who drew upon the lyrics of poets that included Marot, Léon-Paul Fargue, Leconte de Lisle, and Verlaine?
[A]: Ravel


[Q]: Robert and Mamie Eunson (Cameron Mitchell and Glynis Johns) are Scots who have just landed in America (the year is 1856), having been invited there by Mamie's uncle. They arrive in the tiny logging village of Eureka, only to be informed that the uncle has died when his cabin has been incinerated in a house fire. The Eunsons are assisted by the friendly locals in reconstructing the house and Robert takes to tipping timber. Mamie is heavily pregnant upon their reaching Eureka; she delivers baby Robbie soon after the cabin is completed. Robert first works for a logging camp as a lumberjack. He eventually wins over Tom Cullen the cruel Irish-American lumber-camp boss. Later Robert starts a successful boat building business and Mamie gives birth to five more children: Jimmy, Kirk, Annabelle, Elizabeth, and Jane.  The Eunsons are prospering and happy until little Kirk is diagnosed with diphtheria. Mamie and Kirk are quarantined while Robert takes the other children away. The boy recovers, but the goodbye kiss Kirk gave his Dadda before his departure proves fatal, and Robert succumbs. Mamie takes to working as a seamstress and Robbie becomes the man of the house. Things stabilize, but only briefly: tired and work-worn, Mamie contracts typhoid. Knowing she will not survive, she charges Robbie, her eldest, with finding good homes for his siblings, with families that have children, so they will not be lonely. 
Question: What is the first name of the person who eventually wins over a cruel Irish-American lumber-camp boss?
[A]: Robert


[Q]: Cameron made the painting perfect so that he could enter it in the contest. 
Question: What does Cameron need to do before this?
[A]:
make sure that the painting was eye-catching