You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

[Q]:  Young Ferdinand does not enjoy butting heads with other young bulls, preferring instead to lie under a tree smelling the flowers. His mother worries that he might be lonely and tries to persuade him to play with the other calves, but when she sees that Ferdinand is content as he is, she leaves him alone.
When the calves grow up, Ferdinand turns out to be the largest and strongest of the young bulls. All the other bulls dream of being chosen to compete in the bull fight in Madrid, but Ferdinand still prefers smelling the flowers instead. One day, five men come to the pasture to choose a bull for the fights. Ferdinand is again on his own, sniffing flowers, when he accidentally sits on a bee. Upon getting stung as a result, he runs wildly across the field, snorting and stamping. Mistaking Ferdinand for a mad bull, the men rename him "Ferdinand the Fierce" and take him away to Madrid.
All the beautiful ladies of Madrid turn out to see the handsome matador fight "Ferdinand the Fierce". However, when Ferdinand is led into the ring, he is delighted by the flowers in the ladies' hair and lies down in the middle of the ring to enjoy them, upsetting and disappointing everyone. Ferdinand is then sent back to his pasture, where to this day, he is still smelling flowers.
[A]: What happens when Ferdinand gets distracted by the flowers?


[Q]:  The three-character play is set in the drawing room of a flat located on Cromwell Road in London. Shaw describes Henry Apjohn as "a very beautiful youth, moving as in a dream, walking as on air," while Aurora Bompas has "an air of being a young and beautiful woman but as a matter of hard fact, she is, dress and pretensions apart, a very ordinary South Kensington female of about 37, hopelessly inferior in physical and spiritual distinction to the beautiful youth." The third character is Aurora's husband Teddy, "a robust, thicknecked, well groomed city man, with a strong chin but a blithering eye and credulous mouth."
Aurora is distressed because she has misplaced some poems, in which she is identified by name, written for her with declarations of love by the impetuous Henry. She suspects her sister-in-law Georgina stole them from her workbox and is concerned she will read them to Aurora's husband Teddy.
Henry suggests they confront Teddy with the truth, "quietly, hand in hand" and depart - "without concealment and subterfuge, freely and honestly, in full honor and self-respect" - for their planned evening at the theatre. (Henry has purchased tickets for Candida - the popular Shaw comedy which Henry and Aurora's situation closely resembles - because Lohengrin was sold out.) The two engage in a discussion about the merits of revealing their affair until Teddy arrives and confronts Henry with his poetry.
The young man tries to convince him they were inspired by Aurora, the goddess of dawn, rather than his wife, and assures him he has no interest in the woman Teddy married . . . which the cuckolded man finds so insulting he demands Henry admit how desirable Aurora is. Henry finally confesses his love for Aurora, which pleases Teddy so much he proposes he have the poems published on "the finest paper, sumptuous binding, everything first class" as a tribute to his wife. "What shall we call the volume?," Teddy asks. "To Aurora, or something like that, eh?," to which Henry replies, "I should call it How He Lied to Her Husband."
[A]: Why is Aurora distressed?


[Q]:  Writing as a narrator describing events from his own past, Beerbohm presents himself as a moderately successful young English essayist and writer during the 1890s. He then purports to relate the tragic history of a friend and colleague of his named Enoch Soames. Soames is a contemporary of the younger Beerbohm; a fellow-Englishman of secure but moderate means, living off an inherited annuity, and an utterly obscure, forgettable, miserable, and unknown aspiring poet. Over the course of the story, he is the author and publisher of a succession of unsuccessful books of poems. His appearance is described as "dim" and leaving little impression, except for his persistent habit of always wearing a particular grey waterproof cape and soft black hat.
On the afternoon of 3 June 1897, Soames and Beerbohm are having lunch in the Soho-based "Restaurant du Vingtieme Siecle". Soames is self-obsessed and deeply depressed; consumed with the belief that he is an unrecognised great author of literature and poetry, unhappy about his current obscurity and failure, and keenly curious about his "certain" fate of posthumous fame. Despairing and desperate for assurance of the eventual recognition of his works and talent, Soames agrees to a contract offered by the Devil, who introduces himself from a neighbouring table. In exchange for the future possession of his soul, Soames will be transported exactly 100 years forward in time; to spend one afternoon (from 2:10 PM to 7 PM) in the Reading Room of the British Museum, a world-renowned centre for bibliographic research, to discover what judgement posterity will make on himself and his works. After the allotted time has expired, Soames will be returned to their present date and location, but at the same time of evening as his departure from the future; and the Devil will then collect his payment.
After the agreement is made, Soames vanishes; then reappears in the caf  at the designated hour, where Beerbohm has returned to meet him.
Soames description of the world of future is, like himself, vague and nondescript; while there he had focussed primarily on his own concerns. He tells Beerbohm that the only mention he could find of himself was in a single scholarly article, of which Soames produces a facsimile-copy. It is printed in English, but in a phonetic spelling and with modified pronunciation; both of which had apparently evolved during the intervening century. The article discusses a fictional story written by one Max Beerbohm "in wich e pautraid an immajnari karrakter kauld "Enoch Soames" a thurd-rait poit hoo beleevz imself a grate jeneus an maix a bargin with th Devvl in auder ter no wot posterriti thinx ov im!" ("in which he portrayed an imaginary character called "Enoch Soames" a third-rate poet who believes himself a great genius and makes a bargain with the Devil to know what posterity thinks of him!"). With characteristic delicacy, Beerbohm quotes the author as saying "It is a somewhat labud sattire" and adds "And 'labud' what on earth was that? (To this day I have never made out that word.)" ("labud" here means laboured).
Beerbohm, shocked, denies that he would ever write such a thing. While the two are debating this point, the Devil returns.
Before being taken to Hell, Soames scornfully requests that Beerbohm at least try to make people believe that he, Soames, actually existed. Beerbohm concludes his narrative by calling down the author of the scholarly article in question for shoddy work; he notes that T.K Nupton must not have finished reading Beerbohm's story, otherwise he would have noticed Soames's (through Beerbohm) flawless predictions about the future and realised the story was not fiction.
Beerbohm then notes Soames had mentioned that his presence in the reading room caused a great stir, and writes "I assure you that in no period could Soames be anything but dim. The fact that people are going to stare at him, and follow him around, and seem afraid of him, can be explained only on the hypothesis that they will somehow have been prepared for his ghostly visitation. They will have been awfully waiting to see whether he really would come. And when he does come, the effect will of course be   awful."
[A]:
What does Soames complain to Beerbohm about?