Given a document, an entity and its sentiment towards the entity, verify if it is the correct sentiment towards the entity. Answer should be yes or no. Note that URLs in the text have been replaced with [Link].

[EX Q]: Verify if the sentiment of the following document towards the entity George W. Bush is Negative . Republicans I spoke with last week are bracing for the latter path and another knock-down  drag-out fight. Obama should surprise them with another direction entirely: declare Bush tax cuts  like the Bush administration itself  over.
 Rarely has a new conversation been so needed. Isn't it time we stopped fighting over Bush's tax policy? Wouldn't it be refreshing to have a fiscal-policy debate without repeating Bush's name?
 In the long history of tax policy  there have been few issues more divisive than the Bush cuts. Since they passed  Democratic presidential candidates have called for their repeal  Republican candidates for their extension -- even John McCain  the 2008 nominee  who had voted against them in 2001 and 2003. The Bush tax cuts are the black hole that swallowed the fiscal- policy debate.
 The fact is  if we extend the Bush tax cuts  it locks in the status quo. Earth to Washington: The status quo stinks. With the economy still limping forward  much more significant fiscal- policy medicine is in order.
[EX A]: yes

[EX Q]: Verify if the sentiment of the following document towards the entity P. Chidambaram is Positive . Indian home minister retracts statement linking crime with migrant population
 Facing the heat  Chidambaram clarified his statement and said that he was withdrawing his entire comment.
 Chidambaram said that he was in fact pointing to the "behavior that is unacceptable."
 "Nevertheless  I think the best way to put an end to any controversy would be to withdraw the whole of my answer to the question  and I do so " Chidambaram said.
 As soon as Chidambaram blamed the migrant population for rising incidents of crime in Delhi  leaders from all the major political parties came down heavily on him.
 They blamed Chidambaram and the Delhi Chief Minister Sheila Dikshit's government of not doing enough to control crime in Delhi.
[EX A]: no

[EX Q]: Verify if the sentiment of the following document towards the entity Amitabh Bachchan is Neutral . Amitabh Bachchan (Credit: STRDEL/AFP/Getty Images)
There are three things that power the nation of India: food  cricket  and cinema. Take away that holy trinity  and no Indian would agree to get out of bed to a country filled with poverty  partisan riots  and corruption. I was born and raised in New Delhi  and my family so besotted with movies that our modest flat boasted three televisions  which lowered the odds of World War III breaking out between those who chose the news broadcast over the 1955 black-and-white Devdas  or the primary colored Hindi musicals of the 1980s  or Wimbledon. Only one man could unite a family:  Hindi film actor Amitabh Bachchan . He's not a politician or a saint  even though there's a temple that prays for him in Calcutta. But he's family to practically everyone I consider family.
For someone so integral to India   Bachchan  struck out with  his  first nine films.  He  scored a major Indian film award for 1970's Anand  but it wasn't  his  breakout role. Depending on who you ask   Bachchan 's rise could be credited to 1972's action comedy Bombay to Goa  or the decade-defining Zanjeer in 1973. Objectively  the latter did spark the nexus of  Bachchan 's fame: the "angry young man" struggling daily in a country rife with despair and unemployment  who isn't afraid to fight back if necessary.
India in the 70s was overflowing with young college graduate males who'd been told their dreams would come true in a country that was just turning 30. Instead  they stared down arch societal expectations. Around this time  there were also unwed mothers who'd been abandoned by the rotten male scoundrels in their lifeâyoung women repulsed by men leering at them on buses and in college corridors. There were dockworkers who dreamed of glamour and intrigue. Ordinary people everywhere wanted to be whisked away for three hours and 30 minutes.  Bachchan  was a handsome young man with  his  back to the wall in movies about surviving while staying true to faith and family; to millions   he  was life itself.
 Bachchan  plays Jai  a common yet wise criminal who  along with  his  partner Veeru  is recruited by an ex-cop who wishes revenge on a famous dacoit. I watched Sholay last week for the first time in almost a decade  and it was such a warm and welcome experience that I wanted to dance in the streets and send everyone to Hindi classes so they could understand the dialogue. Indeed  there are nuances in  Bachchan 's delivery that risk being lost in translation; in Sholay   his  voice moves like oiled leather  and  his  first line of dialogue translated is a hallmark of leftism: "All cops look the same to  me ."
While recently revisiting  Bachchan 's filmography  two films took me by surprise. I hadn't seen Abhimaan from 1973 since I was a teenager and was wary to revisit it; based on the marital troubles of Pandit Ravi Shankar and his first wife  Annapurna Devi  it's an dissection of the jealousy that consumes a famous singer after his new bride turns out to be more talented than him. The film's honest depiction of sexual desire and gratification  and its death in the face of discord  took me by surprise  and that  Bachchan  plays the part of the disgruntled singer opposite his own wife  Jaya Bhaduri  adds layers to the film that I wouldn't have noticed as a child.
On the other hand  I've watched 1975's Chupke Chupke many times and have yet to tire of  Bachchan 's portrayal of Sukumar Sinha  an intelligent English literature professor who's hapless in playing an elaborate practical joke on his friend's brother-in-law.  Bachchan  has comedic potential that directors have often ignored in order to rack up the drama points; he's no less hilarious in Piku from 2015  in which he plays ornery Bengali father Bhashkor Banerjee  consumed by constipation and all discussions thereof.
Bhashkor lives with his adult daughter Piku (Deepika Padukone)  an architect who's nearing her last nerve while taking care of her father; for the first time  I saw myself in  Bachchan  in that I know what it is to be a stubborn Bengali daughter to a stubborn Bengali father. Water pooled in my eyes as I imagined future conversations about the color and consistency of stool with an ailing fatherâwhether from mirth or sorrow  I wasn't sure.
Truffaut called  Bachchan  a "one-man industry"; a nation full of disheartened unemployed youths called him "the angry young man"; mothers called him their son. As for my aunt  she didn't call him anything when she met him once  after a premiere in New Delhi. She was a teenager  and shook his hand. He smiled at her. That night  she slept with that hand cupped neatly against one cheek. I am certain that if I am lucky enough to meet him before he passes  I would do the same.
[EX A]:
no