In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: my first press screening of 1998 and already
i 've gotten a prime candidate for my worst ten of the year list .
what an auspicious beginning !
welcome to the dog days of winter when the only film openings of merit are those oscar contenders that the studios opened in late december in new york and l . a . and which are just now beginning to appear elsewhere .
firestorm , the directorial debut of dances with wolves 's academy award winning cinematographer dean semler , is the first of the new year 's crop of movies .
as our story opens , the movie pretentiously informs us that of the tens of thousands of firefighters only 400 are " smokejumpers .
"
we then cut to a plane load of smoke jumping cowboys and one cowgirl , where one of the gung - ho guys is taking a romance quiz from " cosmopolitan .
" having the time of their lives , they then jump into the middle of a burning forest .
when , even in the beginning , the director ca n't get the small parts right , you can sense the movie is in trouble .
with the noisy fire roaring all about them and with the trapped people huddled near their gasoline - filled cars , smokejumper monica ( christianne hirt ) tells them to get away from their soon - to - explode vehicles .
not bothering to shout nor even get close to them , she announces her warning without raising her voice much or approaching the people .
miraculously , they manage to hear her and move away .
in a movie that specializes in cheap shots , the camera locates the proverbial young girl trapped in a nearby burning building .
as it does throughout
, overly dramatic cinematographer stephen f .
windon from the postman uses extremely fast zooms right down to the endangered girl 's face .
our show 's two heroes , the crew 's chief , wynt perkins , played laconically by scott glenn , and his second - in - command , jesse graves , played by howie long in a weak attempt to be the next steven seagal , enter the burning house looking for the little girl .
in a panic they have difficulty in locating her before they are engulfed in flames .
the manipulative script has her hidden in her own dollhouse .
this mawkish show cuts back to monica , who has a life - or - death decision to make .
the chopper with the fire - retardant chemicals has only enough to save one group .
will it be the large group near the cars or the helpless little girl and monica 's two firefighting buddies ?
she has only seconds to decide who will be saved .
yes , she goes for the majority , but , miracle of miracles , the other three come out alive anyway .
not content with a traditional firefighting story , chris soth 's screenplay attempts to jazz it up by having william forsythe from palookaville play a vicious killer named randy earl shaye who sets a forest fire so that he can join the crew to put it out and then escape .
( " hoods in the woods , " is what the " ground - pounders " yell out when the convicts are bused in to help them fight the fire . ) along the way , shaye picks up an ornithologist hostage played by suzy amis , who turns out to have been trained in warrior ways by her father , who was a marine drill instructor .
most of the highly predictable movie is a long chase in which poor howie long is
given one ridiculous stunt after another to look silly performing .
he flings a chain saw backwards over his head while riding a speeding motorcycle so that the saw can hit the windshield of the pursuing truck .
arguably
the low point is when he escapes from a locked burning building by riding a motorcycle conveniently parked inside .
using a ramp , he shoots straight out of the top of the building 's attic , and when he hits the ground , he just rides off in a cloud of dust .
when the film is n't using some stock footage of actual forest fires , the simulated ones look hokey .
editor jack hofstra cheapens the action even more by his use of burning flames in scene transitions .
the ending , with its sick twists , manages to be even worse than the rest of the movie .
perhaps the best that can be said for the picture is the faint praise i heard afterwards in the lobby , " it 's not as bad as some of the television sitcoms .
" firestorm runs mercifully just 1 : 29 .
it is rated r for violence and language and would be acceptable for teenagers .

Output: N


Input: Consider Input: the " fab 4 " of ronald reagan high are four stuck - up girls , played by rose mcgowan , rebecca gayheart , julie benz and charlotte roldan , who overdress like 4 posh spice wannabes .
their daily ritual is to parade up and down the school halls like royalty , and their constant reflex action is to grab their compacts so they can check their make - up and powder their cheeks .
under no circumstances will they ever let themselves be seen eating in public .
in writer and director darren stein 's jawbreaker , it is n't as funny as it sounds .
in fact , it is n't funny at all .
stein has taken the black comedy of a teen movie like heathers and stripped it of any intelligence , wit or charm .
his actresses toss off their lines so fast that they do n't have time to add any emotion .
and all of his female characters have considerably more lipstick than brains .
the setup for the movie has one of the fab 4 , liz , who is referred to as " the princess di of reagan high , " be killed when a prank by the other 3 goes wrong .
the princess di reference is in bad taste , as is much of the movie .
granted , bad taste can sometimes be funny , but the mere presence of bad taste does n't guarantee it .
liz 's girlfriends stick a jawbreaker that is literally larger than a golf ball in her mouth , tape her mouth shut , and stick her bound body in the trunk of a car .
when they open the trunk later , liz is dead .
they eventually put her blue and bruised body into a sexual position and make it look like liz was the victim of a brutal rape .
these realistic and disgusting scenes of a dead , seminude teen have a pornographic feeling that is hard to forget and will likely turn the stomach of many a viewer .
the film 's dialog
not only is n't funny , it 's trite .
one nerdy young girl introduces herself with " my name is fern mayo , as in hold the mayo .
"
when fern discovers what has happened , the fab 3 make her an offer she ca n't refuse -- make - up !
they cake it on her and welcome her to the clan .
the parents in the movie brag about learning parenting skills from watching oprah .
the teachers fare no better , especially in the ridiculous lines they are given .
" miss shayne , please cover your bosom , " one young teacher , who has been made up to look old and ugly , says without any conviction .
"
this is a learning institution , not a brothel .
" besides the obvious question of why this movie was ever made , there is one other question that i 'd like to ask the director .
why do you have a phone number start with 555 if you going to cover the rest of the number anyway ?
in a cameo , pam grier plays detective vera cruz , who investigates liz 's murder .
as she interrogates the other people , she stares at them like they are all idiots , proving that she is the only one that gets it .
i am sure that if the hard nosed detective cruz were to see this movie , she 'd walk out after about 5 minutes , and you 'd be well advised to do the same if you should happen to find yourself in a theater showing it .
jawbreaker runs 1 : 27 .
it is rated r for violence , gore , profanity and sex .
i would advise everyone to avoid it , but if teenagers go they should be older and mature .

Output: N


Input: Consider Input: with many big - budget science fiction films , great ideas are often wasted by bad scripts , cheesy plot twists , and , terrible acting .
the fifth element , the abyss , and godzilla had great concepts squandered by bad acting , writing , or both .
at first glance , the matrix , larry & andy wachowski 's sci - fi / kung - fu / shoot - em - up spectacular , looks like a prime candidate to join the list of high - concept bad movies , especially with dopey keanu reeves in the leading role .
but despite high levels of cheese and gaudy dialogue , the matrix works .
it 's an uncanny blend of action and surreal fantasy that borrows from dozens of other films ( most obviously the terminator films , star wars , and total recall ) , but remains refreshingly original and interesting throughout
.
reeves plays neo , a computer hacker who stumbles into an initially bewildering set of encounters with " trinity " ( carrie - anne moss ) , a rival hacker who has supernatural powers and stunning good looks , a unseen , omniscient cult figure known as " morpheus " ( lawrence fishburne ) , and a trio of creepy men in dark suits who act like irs agents from hell .
neo quickly learns that the world he has known all his life is not what it seems .
moreover , he discovers that the grim , bleak world he is introduced to has been waiting for him to save it .
neo is reluctant to assume the role of messiah , with grave doubts that he is actually " the one " prophesized to come and save the world .
reluctant or not , what follows is a mix of hong kong - style slow - motion shootouts , surreal dream sequences , high speed chases , and comic book kung - fu fights .
the film also raises interesting philosophical questions about reality .
how exactly do you know what is real and what is in your mind ?
and if the real world were much harsher and grim than a fantasy one you were living in , would you want to face the true world or continue to live in a more comfortable illusion ?
unfortunately , the matrix does n't provide many answers to the questions it raises , but at least it puts some ideas behind all the explosions , shoot - outs , and flying roundhouse kicks . perhaps stealing the entire show in the matrix is australian actor hugo weaving , who plays agent smith , the leader of the creepy agents in sunglasses and suits who seem capable of being anywhere and doing anything to stop neo and friends from destabilizing the matrix .
weaving 's stony appearance , deadpan voice , and chilling comments put a grim human face on the haunting , evil technological force that controls the matrix .
like robert patrick as the shapeshifting t-1000 terminator in terminator 2 : judgement day , weaving is more frightening than any monstrous alien or homicidal robot because , despite his power and seeming invincibility , he looks ordinary , even scrawny .
weaving embodies his role with a memorably chilling presence .
the film features some truly breathtaking special effects and stylish cinematography .
it seems to be deliberately kitchy , with stylized fight sequences directed by hong kong stunt specialist wo ping that reportedly required months of martial arts training by the actors .
in a few scenes , the posing and posturing is unintentionally funny .
just seeing keanu reeves engaging in serious kung fu is a bit jarring .
however , with the comic - book style and tone of the film , you can sustain willing disbelief long enough to enjoy the ride without losing patience .
the matrix is n't a classic .
its open - ended and confusing conclusion raises more questions than it answers .
it fails to resolve many of its own plot twists and philosophical questions .
it also relies on some conventional sentimentality to save the hero - the kind of shmaltzy feel - good goo that most of the film avoids .
reportedly , the producers have high hopes for the film being the first in a trilogy and have already begun work on the story for the sequel .
unfortunately , audiences deserve a little more than a vague sense that the story will continue in the future .
the matrix is an fun , enjoyable diversion , like a big puff of cotton candy at a carnival .
just do n't be surprised half an hour later when you still feel a little hungry .


Output: P