In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.
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Question: In an aircraft hangar, against a gleaming plane, Catherine Ballard is seen having sex with a swarthy guy who takes her from behind. At the same time in a film set camera room, producer James Ballard is having sex with a camera girl over a table. Later that evening in the Ballards' high-rise apartment, they calmly discuss the respective trysts as part of their open marriage. When he tells her that he didn't come, she distantly replies, "Poor darling. Maybe next one, maybe next one...." Ballard takes Catherine and has rough sex with her from behind as she leans over the balcony of their apartment, set against the tiny Toronto freeway traffic below.Another evening later, as Ballard drives and riffles through papers, he loses control of his car, which jumps carriageways and smashes into another car head-on. The driver of the other car is killed as he plunges through his car's windshield and through Ballard's windshield; his hand bears the imprint of the bonnet insignia. The female passenger of the car fumbles with her seat belt, exposing her left breast. She and Ballard stare at each other in shock.Ballard is seen shuffling along a hospital corridor, his broken leg encased in steel pins and scaffolding. The female passenger, Dr. Helen Remington, gives him a withering look as she walks stiffly by with her own injuries. A man in white overalls, holding photographs of auto crash wounds, examines Ballard's injuries with great interest. In the isolated ward, Ballard and Catherine indulge in a spot of mutual masturbation as she describes the shattered wreck of his car.After going home, he scans traffic through his binoculars. Ballard says that there seems to be more traffic since the accident. Getting behind the wheel again of a rental car, Ballard drives to examine his car at a local impound lot. Helen Remington is also there. Ballard drives her to the airport, where she tells him her name and that she works in immigration. They almost get into another car accident when a car cuts in front of them. She suggests going to the airport garage, where they have frantic sex against a plane. After going home, Ballard then has sex with Catherine, which is getting more urgent as he takes her from behind again.Another few nights later, Helen meets with Ballard again where she takes him to an event staged by the enigmatic Vaughan: a reconstruction of James Dean's fatal 1955 crash in his racing Porsche, Little Bastard. Ballard recognizes Vaughan as the man from the hospital several weeks ago. The accident is restaged without safety gear for Vaughan or his two stunt drivers, Seagrave and Trask. Watched by a small crowd, the two cars impact head on at speed. Trask is okay. Vaughan struggles painfully from the wrecked Porsche, but Seagrave, who was driving him, is only semi-conscious. Over the PA speakers, Vaughan announces, "James Dean died of a broken neck and became immortal." Just then, police sirens are heard as the crowd scatters in all directions. Ballard and Helen run with Vaughan through the nearby woods, where they reach Vaughan's battered black Lincoln convertible. As he drives away from the scene, Vaughan fingers Helen while Ballard watches with curiosity.A short time later, Vaughan, Helen, and Ballard arrive at an unkempt communal house. Vera Seagrave attends to her husband's injuries while callipered crash victim Gabrielle offers everyone joints to smoke. Everyone is soon wasted on the pot. Vaughan talks to the concussed Seagrave about recreating Jane Mansfield's fatal crash. Producing an album of crashed photographs, he describes his project about re-enacting fatal auto crashes as the reshaping of the human body by modern technology.Another day later, Ballard and Catherine drive in separate cars. At an intersection, Vaughan draws up behind Catherine's silver sports car and follows aggressively before she pulls off the road. When Ballard takes her from the rear once more, she incorporates Vaughan into the act, asking if Ballard would like to sodomize him in his big car. Ballard backs away with slight disgust.At the airport garage, Ballard and Helen meet where they again have sex. Discussing her sexual exploits in cars, Helen admits to a fantasy of Vaughan photographing them as if they were in traffic accidents. Later, back at the commune house, Vaughan and his group smoke more joints and watch crash-test videos. They are all sexually turned on by the violence of the crashes on the screen.Driving around airport perimeter roads, Ballard connects Vaughan's Lincoln convertible with the 1963 JFK assassination. Vaughan tells him, "The car crash is a fertilizing rather than a destructive event--a liberation of sexual energy of those who have died, with an intensity that is impossible in any other form." It is clear that this Vaughan's real desire: the ultimate existential experience. He picks up an airport hooker and has sex with her in the back seat while Ballard drives and watches in the mirror.As Catherine and Ballard leave the studio for the day as he tells her more about Vaughan's underground sub-culture of crash victims, Vaughan arrives to pick them up when he is questioned by the police about the death of a pedestrian near the airport. He is shaken as Ballard drives his car.On the local freeway, Vaughan, Ballard, and Catherine encounter a multi-vehicle accident. Vaughan takes crash photographs, then stages more using Catherine as a model. The EMTs working on the wrecks are too busy to care. In the front wreck, Vaughan finds the dead Seagrave, dressed as Jayne Mansfield, complete with a scalped blond wig and a dead dog in the back seat. Vaughan is amazed that Seagrave went through and reenacted the fatal crash on his own.After Ballard finds blood on Vaughan's car, they go to a car wash. In the back seat, Vaughan has brutal sex with Catherine in the back seat under the gaze of an entranced Ballard, who later examines his bruises and scars on his healed leg in silence.In an auto showroom at a local car dealership, Gabrielle is helped into a Mercedes by an embarrassed salesman as Ballard looks on, amused by Gabrielle fondling the car, and saying how it turns her on. A little later at the airport garage, Ballard arranges Gabrielle's broken and scared body in order to access a healed crash-wound in her rear thigh.Vaughan phones Ballard to meet with him to witness his prophetic medical tattoo: a steering-column indentation on his torso. He encourages Ballard to have a small insignia on his thigh. Later, in a junkyard, Ballard and Vaughan finally have gay sex in the back seat of the Lincoln. Afterward, as Ballard sits behind the wheel of a wrecked car, Vaughan slams into it. The next day, Catherine's silver sports car has also been rammed.As Ballard drives around the airport perimeter, Vaughan's car launches out of nowhere; he is in a delirium as he toys with Ballard's sports car, ramming into it playfully before he accidentally swerves over a parapet and landing on a coach below. Ballard stops and surveys the carnage as Vaughan lies dead among the wreck.The next morning in the impound lot, Gabrielle and Helen arrive to look at Vaughan's wrecked Lincoln, where they begin making out with each other and they have lesbian sex in the back seat of the late Vaughan's car.Ballard decides to go to the pound to reclaim Vaughan's car. On the open road, he drives the Lincoln as recklessly as Vaughan, overtaking several vehicles in pursuit of Catherine whom is driving her car on the road ahead. He rams into her car, running it off the road and down an embankment. Ballard stumbles out of the Lincoln and painfully stumbles down the embankment. Catherine is lying on the ground, having been thrown from her car, alive but seriously wounded, with her skirt around her waist. Ballard lies down next to her, caresses her bloodied body, and when she says she's all right, he takes her from behind again, having sex with her on the grass embankment. He tells the semi-conscious Catherine as he climaxes: "Maybe the next one...."

Answer: Question: Who is Hansen?, Answer: One of the police officers


Question: Uxbal lives in a shabby apartment in Barcelona with his two young children, Ana and Mateo. He is separated from their mother Marambra, a woman suffering from alcoholism and bipolar disorder. Having grown up an orphan, Uxbal has no family other than his brother Tito, who works in the construction business. Uxbal earns a living by procuring work for illegal immigrants and managing a group of Chinese women producing forged designer goods along with the African street vendors who are selling them. He is able to talk to the dead and is sometimes paid to pass on messages from the recently deceased at wakes and funerals. When he is diagnosed with terminal prostate cancer leaving him with only a few months to live, his world progressively falls apart.Uxbal initially begins chemotherapy, but he later ends the treatment at the advice of his friend and traditional healer Bea. She also gives him two black stones which she asks him to give his children before he dies. The group of Africans are brutally arrested by the police despite Uxbal's regular bribes because of their involvement with drugs. When his friend Ekweme faces deportation to Senegal, Uxbal offers Ekweme's wife Ige and their baby son a room in his apartment. Meanwhile, an attempt at reconciliation with Marambra fails when Uxbal realizes she cannot be trusted to raise his children. Tito brokers a deal to put the Chinese to work at a construction site. However, almost all of them die while asleep in the basement of their sweatshop due to malfunctioning gas heaters installed by Uxbal. An attempt by a human trafficker to dump the bodies into the sea fails when they are washed up on the shore shortly after.As Uxbal's health continues to deteriorate, he is plagued with guilt that he is responsible for the death of the immigrants. As his death draws nearer, he realizes that there will be nobody to take care of Ana and Mateo once he is gone. He entrusts the remainder of his savings to Ige, asking her to stay with the children after his death. She accepts his request but later decides to use the money to pay for her return to Africa. She changes her mind at the last minute, however, and returns to the apartment. Knowing that Ige will take care of his children, Uxbal lies down next to Ana and dies after having passed on to her a diamond ring which his father had once given to his mother. He is then reunited in a snowy winter landscape with his father, who had died before Uxbal's birth shortly after having fled Spain for Mexico during the Franco regime.

Answer: Question: Where did Uxbal's father flee to?, Answer: Mexico


Question: Soft Landing[edit]The film's title sequence story opens with a space shuttle flying in orbit over Earth. The bay doors open, releasing a Corvette.[6] An astronaut seated in the Corvette then begins descending through Earth's atmosphere, landing in a desert canyon (both car and occupant miraculously unscathed by re-entry friction heat).CrewJimmy T. Murakami and John Bruno - DirectorsJohn Coates - ProducerDan O'Bannon - WriterThomas Warkentin - Art directionMusic"Radar Rider" by RiggsGrimaldi[edit]Leading directly from the title sequence, the film's framing story has the astronaut, Grimaldi, arriving at home where he is greeted by his daughter. He shows her something he brought back: a crystalline green sphere. When he opens the case, the orb rises out and melts the astronaut. It introduces itself to the terrified girl as "the sum of all evils". Looking into the orb, known as the Loc-Nar, the girl sees how it has influenced societies through time and spaceCastPercy Rodriguez (uncredited) as voice of the Loc-NarDon Francks as GrimaldiCaroline Semple as GirlCrewHarold Whitaker â DirectorJohn Halas â ProducerHarry Canyon[edit]In a dystopian New York City in the year 2031, cynical taxicab driver Harry Canyon narrates his day in film noir style, grumbling about his fares and occasional robbery attempts, which he thwarts with a disintegrator installed behind his seat. He stumbles into an incident where he rescues a girl from a gangster named Rudnick, who had murdered the girl's father. She tells him about her father's discovery: the Loc-Nar, an artifact over which people are killing each other. Harry takes the girl back to his apartment, where she climbs into his bed and has sex with him. The next day, one of his fares is Rudnick, who threatens Harry if he does not cooperate. The girl decides to sell the Loc-Nar to Rudnick and split the proceeds with Harry. He agrees to take her to the exchange, where Rudnick takes the Loc-Nar out of its isolation case and disintegrates. Meanwhile, the girl informs Harry that she's keeping the money for herself and pulls a gun on him. Harry is forced to use his disintegrator on her. He keeps the money and writes it up as a "two-day ride with one hell of a tip."CastPercy Rodriguez (uncredited) as voice of the Loc-NarJohn Candy as Desk SergeantMarilyn Lightstone as WhoreSusan Roman as Girl / SatelliteRichard Romanus as Harry CanyonAl Waxman as RudnickHarvey Atkin as Alien / HenchmanCrewPino Van Lamsweerde â DirectorW.H. Stevens Jr. â ProducerVic Atkinson â ProducerDaniel Goldberg â WriterLen Blum â WriterMusic"Veteran of the Psychic Wars" by Blue Ãyster Cult"True Companion" by Donald Fagen"Heartbeat" by Riggs"Blue Lamp" by Stevie Nicks"Open Arms" by JourneyDen[edit]A nerdy teenager finds a "green meteorite" and puts it in his rock collection. During a lightning experiment, the orb hurls the boy into the world of Neverwhere, where he transforms into a naked, bald muscle man called "Den", an acronym for his earth name, David Ellis Norman. He witnesses a strange ritual, rescuing a nubile young woman who was about to be sacrificed to Uhluhtc (H.P. Lovecraft's monster Cthulhu spelled backwards). Reaching safety, she introduces herself as Katherine Wells from the British colony of Gibraltar. While she demonstrates her gratitude with sexual favors, they are interrupted by the minions of Ard, an immortal man who wants to obtain the Loc-Nar for himself. He orders Den to get the Loc-Nar from the Queen, who performed the ritual. Den agrees, and infiltrates the palace, but is promptly caught by the Queen, who offers leniency if he has sex with her. He complies, distracting the Queen while the raiding party steals the Loc-Nar. Den escapes and races back to rescue Katherine from Ard. Recreating the lightning incident that drew him to Neverwhere, he is able to banish Ard and the Queen. Refusing the opportunity to take the Loc-Nar for himself, Den rides with Katherine into the sunset, content to remain in Neverwhere.CastPercy Rodriguez (uncredited) as voice of the Loc-NarJohn Candy as DenJackie Burroughs as KatherineMartin Lavut as ArdMarilyn Lightstone as QueenAugust Schellenberg as NorlCrewJack Stokes â DirectorJerry Hibbert â ProducerRichard Corben â WriterCaptain Sternn[edit]On a space station, space captain Lincoln F. Sternn is on trial for numerous serious charges (and one moving violation) presented by the prosecutor. Pleading "not guilty" against the advice of his lawyer, Sternn explains that he expects to be acquitted because he bribed a witness, Hanover Fiste. Fiste takes the stand, but his perjury is subverted when the Loc-Nar, now the size of a marble, causes him to blurt out the truth about Sternn's evil deeds. Fiste rants with such fury that he changes into a muscled giant and chases Sternn throughout the station, breaking through bulkheads and wreaking havoc. Eventually, he corners Sternn, receives his promised payoff, and promptly shrinks back to his gangly original form. Sternn opens a trapdoor under Fiste, ejecting him into space. The Loc-Nar enters Earth's atmosphere with Fiste's flaming hand still clinging to it.CastPercy Rodriguez (uncredited) as voice of the Loc-NarRodger Bumpass as Hanover FisteJoe Flaherty as LawyerEugene Levy as Captain Lincoln F. SternnJohn Vernon as ProsecutorDouglas Kenney as RegolianCrewJulian Harris â DirectorPaul Sebella â DirectorBernie Wrightson â WriterMusic"Reach Out" by Cheap TrickNeverwhere Land[edit]Because of time constraints, a segment called "Neverwhere Land" was cut; in the film, it would have connected "Captain Sternn" to "B-17".The story follows the influence of the Loc-Nar upon the evolution of a planet, from the Loc-Nar landing in a body of water, influencing the rise of the industrial age, and a world war. This original story was created by Cornelius Cole III.The original rough animatics are set to a loop of the beginning of Pink Floyd's "Time". The 1996 VHS release included this segment at the beginning of the tape. On the DVD release, this segment is included as a bonus feature. In both released versions, the sequence is set to the music of "Passacaglia" (from Magnificat), composed and conducted by Krzysztof Penderecki.B-17[edit]A World War II B-17 bomber nicknamed the "Pacific Pearl" makes a difficult bombing run with heavy damage and casualties. As the bomber limps home, the co-pilot goes back to check on the crew. Finding nothing but dead bodies, he notices the Loc-Nar trailing the plane. Informing the pilot, he heads back to the cockpit, when the Loc-Nar rams itself into the plane and reanimates the dead crew members as zombies. The co-pilot is killed, while the pilot parachutes away in time. He lands on an island where he finds a graveyard of airplanes from various times, along with the wrecked airplanes' zombified airmen.CastPercy Rodriguez (uncredited) as voice of the Loc-NarDon Francks as Co-Pilot (Holden)Zal Yanovsky as NavigatorGeorge Touliatos as Pilot (Skip)CrewBarrie Nelson â DirectorW.H. Stevens Jr. â ProducerDan O'Bannon â WriterMusic"Heavy Metal (Takin' a Ride)" by Don FelderSo Beautiful and So Dangerous[edit]Dr. Anrak, a prominent scientist, arrives at the Pentagon for a meeting regarding mysterious mutations that are plaguing the United States. At the meeting, the doctor tries to dismiss the occurrences, but when he sees the Loc-Nar in the locket of Gloria, a beautiful buxom stenographer, he behaves erratically and attempts to sexually assault her. A colossal starship bursts through the roof and abducts the doctor and, by accident, Gloria. The ship's robot is irritated at Anrak, who is actually a malfunctioning android, but its mood changes when it sees Gloria. With the help of the ship's alien pilot and co-pilot, the robot convinces Gloria to stay on board and have "robot sex". Meanwhile, the pilots snort a massive amount of plutonian nyborg (a powdered substance resembling cocaine) before flying home, zoning out on the cosmos. Too intoxicated to fly straight, they crashland unharmed into a huge space station.CastPercy Rodriguez (uncredited) as voice of the Loc-NarRodger Bumpass as Dr. AnrakJohn Candy as RobotJoe Flaherty as GeneralEugene Levy as Male Reporter / EdselAlice Playten as GloriaHarold Ramis as ZekePatty Dworkin as Woman ReporterWarren Munson as SenatorCrewJohn Halas â DirectorAngus McKie â WriterMusic"I Must Be Dreamin'" by Cheap Trick"Queen Bee" by Grand Funk Railroad"Crazy? (A Suitable Case for Treatment)" by Nazareth"All of You" by Don Felder"Heavy Metal" by Sammy Hagar"Prefabricated" by TrustTaarna[edit]Original story by Daniel Goldberg and Len Blum; inspired by Moebius' Arzach stories.The Loc-Nar, now the size of a giant meteor, crashes into a volcano, changing a tribe of human outcasts into mutated barbarians who ravage a peaceful city. The elders desperately try to summon the last of a warrior race, the Taarakians. Taarna, a strong, beautiful, Taarakian warrior maiden, arrives too late to stop the massacre and resolves to avenge the city. Her search leads to the barbarians' stronghold, where she is captured, tortured, and left for dead. With the help of her Taarakian mount, she escapes and confronts the barbarian leader. Though wounded, she defeats him. With Taarna readying her final attack on the Loc-Nar, it tells her not to sacrifice herself, as she cannot destroy it. She does not relent, and her self-sacrifice destroys the Loc-Nar.CastPercy Rodriguez (uncredited) as voice of the Loc-NarDon Francks as BarbarianAugust Schellenberg as TaarakZal Yanovsky as BarbarianGeorge Touliatos as BarbarianVlasta VrÃ¡na as Barbarian leaderMavor Moore as ElderThor Bishopric as BoyLen Doncheff as BarbarianCedric Smith as BartenderJoseph Golland as CouncilmanCharles Joliffe as CouncilmanNed Conlon as CouncilmanMusic"The Mob Rules" by Black Sabbath"Through Being Cool" by Devo"Working in the Coal Mine" by Devo"E5150" by Black Sabbath is played at the beginning of the sequence. While it sounds like background, the track and "The Mob Rules" are played in the order they appear on the Mob Rules LP."Vengeance (The Pact)" by Blue Ãyster Cult is a retelling of "Taarna", and describes the pact that a Defender makes.Epilogue[edit]As the final story ends, the Loc-Nar terrorizing the girl is similarly destroyed, blowing the mansion to pieces. Taarna's mount, reborn, appears outside and the girl happily flies away on it. It is then revealed that Taarna's soul has been reincarnated in the girl. The girl's hair color changes to that of Taarna, and she reveals a Taarakian mark on her neck.CastPercy Rodriguez (uncredited) as voice of the Loc-Nar

Answer:
Question: What does Taarna destroy?, Answer: the loc-nar