In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Input: Consider Input: For thousands of years, the creeper has come back to life every 23 years to feast on humans for 23 days. It is now day 22 and with only two days left of feasting, the creeper must find new victims before his time is up. The bat-like creeper has greater strength with his ability to fly. The story begins with the creeper as a scarecrow in a cornfield waiting to snatch the child of Jack Taggart (Ray Wise) who ends up wanting revenge on the creeper after he flies away with his son. This leads to the 23rd and last day of the creeper. A busload of high school basketball players, cheerleaders, and coaches are returning home after a Championship game on East 9 Highway. The creeper throws a spike made from the body parts of other victims and blows out one of the bus tires. As night falls, the creeper swoops down and takes the coaches away, and then he begins to feast on the terrified teenagers. This is the creeper's last night and he loves the smell of fear on his victims. One girl fights back and puts a javelin stick through the creeper's eye and head, but it doesn't kill him. Douglas Young (the-movie-guy)(spoiler alert)The very end, after the sheriff supposedly destroys the Creeper. Then a scene is shown 3 kids visiting a roadside stand advertising the "Bat from Hell" and they're told that the man's dad killed it. They pay their money and see the Creeper mounted on the wall. The Creeper's arm is shown as being sewn back on (he loses it right before he is killed). The sheriff appears as an older man; the kids ask him what he is armed for. He tells them that it's been almost 23 years and he knows that the evil thing will be back to feed again for 23 years. Thus setting us up for Jeepers Creepers 3!! And please remember folks, 23 years isn't a very long time!

Output: Question: What is mounted on the wall at the roadside stand?, Answer: Creeper


Input: Consider Input: Ex-con and expert safe-cracker Gary "Gal" Dove has served his time behind bars and blissfully retired to a Spanish villa with his beloved wife Deedee. He also has the company of longtime friend Aitch and his wife Jackie. Their idyll is shattered, however, by the arrival of an old criminal associate, the sociopathic Don Logan, who is intent on enlisting Gal in a bank heist back in London.Dove politely but firmly refuses Logan's many requests to join the heist, but Logan will not back down. After revealing a lingering infatuation with Jackie, he makes several unwelcome attempts at reconnecting with her. Logan eventually grows violent, hurling torrents of abuse at the group while at the same time spitefully painting himself as a victim of their infidelity. After finally storming away in a rage, Logan is kicked off his plane and returns to Dove's home with the intention of murdering him. Instead, Deedee surprises him with a shotgun. The entire group combines their efforts, first beating and shooting him, and finally crushing his skull.With Logan dead, Dove is forced to return to London to perform the job as if nothing has happened. Teddy Bass, a powerful crime lord, has organised the heist after learning about the bank from Harry, a banker who had sex with him at an orgy. Dove feigns ignorance over Logan's whereabouts, but Bass is immediately suspicious. Dove now fears both getting arrested by the police and being murdered by Bass. Since Logan's arrival, Dove's anxiety has manifested in strange dreams where he is menaced by a humanoid rabbit, which echoes a disastrous hunting trip earlier in the film.During the heist, Bass' gangsters use surface-supplied diving gear and drill into Harry's bank vault from a pool in a neighboring bath house. The water from the pool floods the vault and shorts its security system. While helping to empty the vault's safe deposit boxes, Dove secretly pockets a pair of large ruby with diamond earrings. After the job is successfully completed, Bass forces Dove, who is unaware of Bass's intentions, to accompany him to kill Harry at Harry's house, potentially framing Dove for the murder in the process by tricking Dove into leaving his fingerprints in the house. Though Bass has realised the truth about Logan's murder, he does not care enough to retaliate by killing Dove. Instead, he forces Dove to forfeit his share of the loot and banishes him from London.Dove returns safely home and his paradise is restored. Deedee wears the diamond earrings that he stole, and it is revealed that Logan is buried under the double-heart insignia at the bottom of their pool, which had been damaged by a falling boulder just prior to his arrival.

Output: Question: Who is Teddy Bass?, Answer: Crime lord


Input: Consider Input: Ali (Salem), is a Moroccan Gastarbeiter (guest worker) in his late thirties, and Emmi (Mira), is a 60-year-old widowed cleaning woman. They meet when Emmi ducks inside a bar, driven by the rain and drawn by the exotic Arabic music (Al Asfouryeh by Sabah) she says she has heard so often on her walk home from work. A woman in the bar (Katharina Herberg) who is part of Ali's Arabic-speaking cohort tauntingly suggests Ali ask Emmi ("the old woman") to dance, and Emmi accepts. A strange and unlikely friendship develops, then a romance and soon they are living together in Emmi's flat. Out of a professed sense of responsibility but also hopefulness, Emmi first confides in her newfound love when she goes to visit her daughter Krista (Irm Hermann) and her tyrannical son-in-law Eugen (Fassbinder himself) and announces that she is in love with Ali; Eugen thinks she is screwy and Krista as well can only think that her mother - who has been a widow for years - is fantasizing.The first real threat to their relationship comes with a visit by the landlord's son, who has been sent on the assumption that Emmi has taken in a lodger to point out to her that sub-letting is against Emmi's tenancy agreement, and that Ali must leave within a day. Impulsively, and fearful of losing this new joy in her life, Emmi claims that she and Ali are planning to marry to alleviate this little difficulty. This changes everything for the landlord's son, the only character in the film who consistently accepts their relationship as unproblematic. After he has apologized for the misapprehension and departed, Emmi speaks to Ali with embarrassment of her having invented the idea of their marrying but, to her surprise and delight, Ali concurs that it is an excellent idea, and we next see them emerging from the civil court, married.What follows is a bitter and noxious reaction over their relationship, revealing every character in their lives, especially every German in Emmi's former life, as being mired in prejudice against foreign workers as dirty and now castigating Emmi as a "whore." Gossipy neighbors and shop vendors treat them with contempt, fellow tenants complaining that their (already noticeably dilapidated) tenement building has now become filthy. Emmi is shunned by her coworkers, and Ali faces discrimination at every turn. When Emmi, whose first husband was a Polish worker whom she married against her Hitler-loving father's wishes, invites her three grown children and son-in-law to meet her husband, they openly reject him. One of her sons smashes in her TV set in anger, her other son declares she must have lost her sanity, and her daughter and son-in-law follow them in making a rude and hasty exit, Emmi's daughter now calling her mother's apartment a "pigsty" and her mother a "whore."Emmi's tearful despair at this ultimate rejection washes away as her bright optimist resurfaces and concludes that she and Ali should take a long vacation together to escape the discrimination, convinced that upon return, they will have been missed and will be welcomed back. After their return, they suddenly face the prospect of social acceptance but, as we quickly see, only because neighboring tenants and shopkeepers see the utility for them in keeping Emmi in their good graces, not because they have changed their prejudices, thus we witness them hypocritically masking the latter out of self-interest.Out of longing to hang on to this resumption of her old friends' apparent renewed respect, Emmi begins to neglect Ali or to adopt some of their attitudes toward him. She becomes very "German" - more readily ordering him to do things. When co-workers visit and remark on how surprisingly clean he is and comment on his muscles, she shows him off as if he were an object. This is the trigger for Ali to exit, with our sympathy as viewers, and to seek comfort in the arms of the female bartender Barbara (Barbara Valentin), with whom he has apparently had dalliances prior to meeting Emmi. When he leaves Emmi to her friends, she attributes it to his "mood swings," and notes that it must be his "foreigner mentality", adopting the xenophobic attitudes of her friends in order to fit in. Some days later, Emmi would not cook Ali couscous or go out with him to eat couscous somewhere either, symbolizing her re-Germanification and her own new wall built up against the sensitivity to foreigners she displayed at the outset, she insists she wants him to eat German food, and generally become more German so they would fit in. We see Ali not stand up to Emmi because of the insecurities he faces as a hybrid. He has accepted the German society's mentality that he is the "lesser" man. He then turns back to the bartender, who used to cook for him, and spends the night with her. Emmi grows desperate at his being out all night and visits him at work, where he pretends he doesn't know her as his workmates make fun of her age, calling her Ali's "Moroccan grandmother."Just when it seems as if the relationship is beyond repair, Emmi goes back to the bar to meet with Ali and has the bartender put the same song on the jukebox that led to their first-ever dance. He responds to the implicit call for reconciliation from Emmi and asks her to dance again. While dancing, Emmi emphasizes that she knows she is old and that he is free to come and go, but urges him to see that the only thing thatâs important is that when they are together, they must be nice to each other. He agrees and they declare their love for each other. In this moment, Ali collapses in Emmi's arms from what turns out to be a burst stomach ulcer. We last see Emmi with Ali in the hospital, where the doctor tells her the illness is common among foreign workers because of the stress they face in everyday life; the doctor adds that Ali will have surgery to remove the ulcer, but will probably be back in 6 months with another ulcer. Emmi declares that she will do everything in her power to prevent this and, as the film ends, she is at his bedside, holding Ali's hand.


Output: Question: Who is the female bartender?, Answer: Barbara