In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[Q]: Question: Did Sargis Tmogveli survive the capture of the city of Kars? Passage:Shalva was one of the most notable military commanders during a series of expansionist wars waged by the Kingdom of Georgia under Queen Tamar (r. 1184–1213). He consecutively held top posts of mechurchletukhutsesi (Lord High Treasurer) and mandaturtukhutsesi (Lord High Mandator) at Tamar’s court. Together with his brother Ivane, Shalva was in command of vanguard traditionally composed of the Meschian troops from south Georgia. In the battle of Shamkor against the Ildenizid atabeg of Azerbaijan in 1195, he captured a war banner sent by the Caliph to the Muslim army which was then donated to the revered icon of Our Lady of Khakhuli. In 1206/1207, Shalva, together with Sargis Tmogveli, took hold of the city of Kars from the Seljuqs and was appointed as the governor of the Kars county.

[A]: b


[Q]: Question: When was the creator of Conan the Barbarian born? Passage:"The Ivory Goddess" is a short story by American writers L. Sprague de Camp and Lin Carter, featuring the fictional sword and sorcery hero Conan the Barbarian created by Robert E. Howard. According to Morgan Holmes, citing de Camp friend Loay Hall, Carter did none of the writing, and the story was written by de Camp in collaboration with his wife Catherine Crook de Camp. The story was first published by Bantam Books in the paperback anthology Conan the Swordsman in August 1978. Later paperback editions of the collection were issued by Ace Books (1987 and 1991). The first hardcover edition was published by Tor Books in 2002. The book has also been translated into Italian. It was later gathered together with Conan the Liberator and Conan and the Spider God into the omnibus collection Sagas of Conan (Tor Books, 2004). The story has been translated into Italian.

[A]: b


[Q]: Question: How many subscribers does the publication that called Kate's music "slightly precious" have? Passage:In the USA, reaction to the record was mixed. Awarding the record the title of "platter du jour" (i.e. album of the month), Spin observed that "with traces of classical, operatic, tribal and twisted pop styles, Kate creates music that observes no boundaries of musical structure or inner expression". The review noted "while her eclecticism is welcomed and rewarded in her homeland her genius is still ignored here – a situation that is truly a shame for an artist so adventurous and naturally theatrical", and hoped that "this album might gain her some well-deserved recognition from the American mainstream". However, Rolling Stone, in their first ever review of a Kate Bush record, was unimpressed: "The Mistress of Mysticism has woven another album that both dazzles and bores. Like the Beatles on their later albums, Bush is not concerned about having to perform the music live, and her orchestrations swell to the limits of technology. But unlike the Beatles, Bush often overdecorates her songs with exotica ... There's no arguing that Bush is extraordinarily talented, but as with Jonathan Richman, rock's other eternal kid, her vision will seem silly to those who believe children should be seen and not heard." The New York Times characterized the album's music as "slightly precious, calculated female art rock" and called Bush "a real master of instrumental textures", while The Independent called Hounds "a prog-pop masque of an album." Pitchfork Media gave the album a perfect score, noting that the album draws from synth-pop and progressive rock whilst remaining wholly distinct from either style. Spin called it an "art-pop classic."

[A]:
b