Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Input: Consider Input: CONTEXT: We have an answer in the finale episode: Devoe anticipated most of the events of this season so that Barry decided to enter Devoe's mind to fight him. But, if Barry became trapped in Devoe's mind, the Thinker would have access to past, present and future knowledge through Barry's connection to Speed Force. This, combined with the Enlightenment where people would have mentally regressed, would have made the Thinker a god.  <sep>  Q: Why didn't Devoe take Barry's power? A: We have an answer in the finale episode  Q: What is the answer in the finale episode? A: Barry decided to enter Devoe's mind to fight him  <sep> FOLLOWUP_Q: How did Barry enter Devoe's mind?

Output: No


Input: Consider Input: CONTEXT: Because his father taught him not to involve in any (true loving) relationship in their line of work. Nicky knew they both fell truly for each other, so he decide to leave her for the sake of both of them. At the end scene, his father can be seen saying these things, and because of that mistake (losing focus) he took all his earned/stolen money.  <sep>  Q: Why did Nicky do what he did to Jess in New Orleans? A: Nicky knew they both fell truly for each other, so he decide to leave her for the sake of both of them  Q: I still don't understand why he would do that? A: Because his father taught him not to involve in any (true loving) relationship in their line of work  <sep> FOLLOWUP_Q: What line of work is that?

Output: No


Input: Consider Input: CONTEXT: The movie has altered the plot of One Shot in many significant ways. The setting, for example, is a large city not a medium sized town, which makes it more cinematic but less coherent or credible (though this is a common trade-off in movies). The plot is simpler with fewer characters. The overall tone is not too far from the books, but the opportunity for cinematic additions has been taken. The slapstick scene is pure cinema invention (I'm not even sure you can do slapstick like that in prose writing). Some of the humorous dialogue, though, is true to Reacher's character in the book. I recall some inventive insults in the bar scene, for example, which are the sort of things he does say in the books as a result of his unshakeable confidence in dealing with people he has to fight. He really doesn't mind getting physical as he know he will win, so insulting his adversaries and goading them is a typical strategy. Overall the movie captures the spirit of the books reasonably well, but the slapstick scene sticks out as an anomaly.  <sep>  Q: Are the comedic elements in the film Jack Reacher evident in the novels on which it was based? A: The movie has altered the plot of One Shot in many significant ways  Q: How has the movie altered the plot? A: The setting, for example, is a large city not a medium sized town, which makes it more cinematic but less coherent or credible  Q: Why was this done if it makes the movie less credible? A: this is a common trade-off in movies  Q: Why does the film have so much humour? A: The slapstick scene is pure cinema invention (I'm not even sure you can do slapstick like that in prose writing  <sep> FOLLOWUP_Q: Why do films feel like they need to add humorous elements that are not true to the book?


Output: Yes