Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

[Q]: CONTEXT: It could be that their accents are meant as indicators to their personality and class. In the examples you give: Thénardier adopts a 'fake' french accent, to attempt to pass himself off as more sophisticated than he is. The fact the accent is French is unimportant, it's the act of pretense by Thénardier that is being portrayed. Gavroche is an urchin, perhaps the bottom rung of the lowest class in society. His accent is thick cockney, which is analogous to being common and uneducated in British culture. In disparity to this: Jean Valjean (whilst imitating someone of nobler birth) has correct enunciation and a statesmanlike presence. This is indicative of education, and a higher class citizen.  <sep>  Q: Why are there accents in Les Misérables? A: their accents are meant as indicators to their personality and class  <sep> FOLLOWUP_Q: How is this expressed in the film?
[A]: Yes


[Q]: CONTEXT: The film depends heavily on the events of X-Men 3: The Last Stand. In that film, Wolverine does something he regrets heavily, and it is the basis for his character arc in The Wolverine. So to fully appreciate this film, you should watch X-Men 3. But to fully appreciate X-Men 3, you should see X-Men and X-Men 2, since it's a sequel to those, and a continuation of those stories. You can skip X-Men: First Class, as it has no bearing on The Wolverine. And you should skip X-Men Origins: Wolverine for the many reasons critics described back when it was released (it also doesn't have much bearing on The Wolverine). Alternatively, if you're familiar with the X-Men from the comics, and are aware of some of the key storylines that occurred there, you can read this spoiler to get up to speed: In X-Men 3, Jean Grey is taken over by the Phoenix. She goes on a rampage, allies with Magneto and begins a mutant vs. human war. Wolverine is forced to kill her because she's completely out of control.  <sep>  Q: Can The Wolverine be viewed as a stand-alone film? A: to fully appreciate X-Men 3, you should see X-Men and X-Men 2, since it's a sequel to those, and a continuation of those stories  Q: Will I miss anything if I skip the first movie? A: you should see X-Men and X-Men 2, since it's a sequel to those, and a continuation of those stories  Q: Who are the main actors in this film? A: Wolverine  Q: What should I look for in the second movie? A: a continuation of those stories  <sep> FOLLOWUP_Q: Are there any sequels?
[A]: Yes


[Q]: CONTEXT: In the cab, the joke is that the car is so old and/or cheaply built that Bob expected the radio to be AM only. With Tina, the joke is not about the availability of FM but about the content. FM is dominated by recently-recorded popular music, and AM stations are more likely to play oldies and news and call-in advice programs - the kind of stuff kids don't want to listen to, execpt maybe Tina because she's weird. Zeke's comment means he's bored by the entertainment being provided by Tina, and wants something more exciting.  <sep>  Q: Is that some kind of inside joke to the show or the area the show is supposed to take place in? A: In the cab, the joke is that the car is so old and/or cheaply built that Bob expected the radio to be AM only  <sep> FOLLOWUP_Q: Is there anything else you can tell me?
[A]:
Yes