In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

[Q]: This is, in my opinion, a very good film, especially for Michael Jackson lovers. It contains a message on drugs, stunning special effects, and an awesome music video.The main film is centered around the song and music video 'Smooth Criminal.' Unlike the four-minute music video, it is normal speed and, in my opinion, much easier to watch.The plot is rather weird, however. Michael Jackson plays a magical 'gangster' that, when he sees a shooting star, he transforms into a piece of machinery. Throughout the film, he transforms into a race car, a giant robot, and a space ship.The robot scene in particular is a bit drawn out and strange. I found it a little out-of-whack compared to the rest of the film.A child is kidnapped, Michael tries to save her, is tortured and beaten, and suddenly turns into a giant robot that blows up all the bad guys. A little weird? Yeah.But besides the bizarre robot scene, it's a very good movie, and any Michael Jackson fan will enjoy both the Smooth Criminal music video and the movie.
[A]: positive


[Q]: I'm feeling a little protective of this film because it was my introduction to the U.N.C.L.E.-verse. The year was 1972, and I.T.V. ran all eight features in one bumper run ( followed by re-runs of 'The Persuaders' starring Tony Curtis and Roger Moore ) on Saturday evenings. 'The Karate Killers' was chosen to open the season. It commenced with a cool action sequence as Solo and Kuryakin's sports car got attacked by a squadron of THRUSH mini-copters. I was a fan for life from that moment on.After the main credits ( nice to see a special title sequence here instead of the usual practice of slowing down action footage ) we go to the laboratory of Dr.Simon True ( Jim Boles ), inventor of a new formula to extract gold from seawater. True's wife Amanda ( Joan Crawford ) has been having an affair with THRUSH agent Randolph ( Herbert Lom ). A ruthless fellow indeed, he kills both the doctor and his wife, before hunting for the formula. True has prepared for the event - he has divided it into five segments, each written on a photograph of himself, and sent it to his five daughters, all of whom are scattered throughout the world.Solo and Kuryakin set out to get the formula first, leading to a string of episodes in different locations, and cameos from the likes of Telly Savalas ( as a tight-fisted Italian Count ), Terry-Thomas, and Curt Jurgens. One of Dr.True's daughters - Sandy ( Kim Darby ) - accompanies the U.N.C.L.E. boys on their global quest.Having assembled the formula, THRUSH turns up and makes them hand it over, before whisking them off to their secret base at the North Pole...Of all the U.N.C.L.E. feature films, this is the one I feel should have been produced specially for the cinema. It hurts by being a television product, albeit even one more slightly expensive than usual. No location filming was done, and the various segments come across as repetitive, usually culminating in a scrap between U.N.C.L.E. and THRUSH. Of the cast, Joan Crawford is memorably hammy in her small role, and Curt Jurgens badly miscast as a sugar daddy. As a London bobby, Terry-Thomas is as delightful as ever, and Herbert Lom good as the chief villain. Kim Darby grates though as 'Sandy'. She should have been told to stay at home.What is surprising about this is that it manages to be more amusing and entertaining than many official cinema releases of the time, including 'In Like Flint', 'Casino Royale' and 'The Ambushers'. I'd love to know how Solo and company escaped from THRUSH H.Q. after Randolph's death though.
[A]: positive


[Q]: Corean cinema can be quite surprising for an occidental audience, because of the multiplicity of the tones and genres you can find in the same movie. In a Coreen drama such as this "Secret Sunshine", you'll also find some comical parts, thriller scenes and romantic times. "There's not only tragedy in life, there's also tragic-comedy" says at one point of the movie the character interpreted by Song Kang-ho, summing up the mixture of the picture. But don't get me wrong, this heterogeneity of the genres the movie deals with, adds veracity to the experience this rich movie offers to its spectators. That doesn't mean that it lacks unity : on the contrary, it's rare to see such a dense and profound portrait of a woman in pain.Shin-ae, who's in quest for a quiet life with her son in the native town of her late husband, really gives, by all the different faces of suffering she's going through, unity to this movie. It's realistic part is erased by the psychological descriptions of all the phases the poor mother is going through. Denial, lost, anger, faith, pert of reality : the movie fallows all the steps the character crosses, and looks like a psychological catalog of all the suffering phases a woman can experience.The only thing is to accept what may look like a conceptual experience (the woman wears the mask of tragedy, the man represents the comical interludes) and to let the artifices of the movie touch you. I must say that some parts of the movie really did move me (especialy in the beginning), particularly those concerning the unability of Chang Joan to truly help the one he loves, but also that the accumulation of suffering emotionally tired me towards the end. Nevertheless, some cinematographic ideas are really breathtaking and surprising (the scene where a body is discovered in a large shot is for instance amazing). This kind of scenes makes "Secret Sunshine" the melo equivalent of "The Host" for horror movies or "Memories of murder" for thrillers. These movies are indeed surprising, most original, aesthetically incredible, and manage to give another dimension to the genres they deal with. The only thing that "Secret Sunshine" forgets, as "The host" forgot to be scary, is to make its audience cry : bad point for a melodrama, but good point for a good film.
[A]:
positive