In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Input: Consider Input: Question: What else of importance happened the year someone broke King's record? Passage:In April 1914 he joined Arsenal for a £1,000 fee, returning to League football. Arsenal had just missed out on promotion on goal average to the First Division, and in 1914–15 King spearheaded their attack, scoring 26 goals in the League and another three in the FA Cup. These included the first hat trick scored at their new Highbury stadium (against Grimsby Town on 14 November 1914), and two four-goal hauls against Wolverhampton Wanderers and Nottingham Forest. King's 29 goals that season were an all-time club record at the time, remaining so until Jimmy Brain broke it in 1925–26. However, Arsenal's defence let them down and they only finished fifth, outside of the promotion places; eventually, they were re-elected back to the First Division when football resumed after the end of the First World War.


Output: b


Input: Consider Input: Question: Was Pete Townshend younger than Brian May the year "My Generation" was released? Passage:A deliberate use of acoustic feedback was pioneered by Blues and Rock'n'Roll guitarists such as Willie Johnson, Johnny Watson and Link Wray. According to AllMusic's Richie Unterberger, the very first use of feedback on a commercial rock record is the introduction of the song "I Feel Fine" by the Beatles, recorded in 1964. Jay Hodgson agrees that it was the first chart-topper to showcase feedback distortion, created by John Lennon leaning a semi-acoustic guitar against an amplifier. The Who's 1965 hits "Anyway, Anyhow, Anywhere" and "My Generation" featured feedback manipulation by Pete Townshend, with an extended solo in the former and the shaking of his guitar in front of the amplifier to create a throbbing noise in the latter. Canned Heat's "Fried Hockey Boogie" (off of their 1968 album Boogie with Canned Heat) also featured guitar feedback produced by Henry Vestine during his solo to create a highly amplified distorted boogie style of feedback. In 1963, the teenage Brian May and his father custom-built his signature guitar Red Special, which was purposely designed to feed back.


Output: a


Input: Consider Input: Question: Which of the two film scores released in the 1990s had better sales? Passage:In 1985, he founded his own recording studio—the wonder station. Their collaboration has invited comparisons to the collaborations of Steven Spielberg and John Williams. This big break led to Hisaishi's overwhelming success as a composer of film scores. In 1986, , would be the first feature to appear under the Studio Ghibli banner, and its gentle, faintly melancholic tone would become a familiar trademark of much of the studio's later output. And later, in the 1990s, Porco Rosso and Princess Mononoke were released. As Hisaishi strengthened his reputation as one of the budding anime industry's top musical contributors, his compositions (including eight theatrical films and one OAV) would proceed to become some of the very hallmarks of early anime in the 1980s and 1990s. Hisaishi also composed for such TV and movie hits as Sasuga no Sarutobi, Two Down Full Base, Tonde Mon Pe and the anime Tekuno porisu 21C (all 1982), Sasuraiger (1983), Futari Taka (1984), (1985) and Oz no mahôtsukai (1986). He also scored the sci-fi adventure series Mospeada (1983), which was later reworked (without his music) into the third segment of Carl Macek's compilation, Robotech. Other films he scored included Mobile Suit Gundam Movie II: Soldiers of Sorrow (1981), Mobile Suit Gundam Movie III: Encounters in Space, (1982), Birth (Bâsu) (1984), Arion (1986), Robot Carnival (1987), Totoro (1988), Crest of the Royal Family and Maison Ikkoku – Apartment Fantasy (both 1988), Venus Wars (1989), Kiki's Delivery Service (1989), Porco Rosso (1992) and Ocean Heaven (2010). He also did theme song arrangements and composed other anime opening, closing, and insert title theme songs such as Mahō Shōjo Lalabel (1980), Hello! Sandybell (1981), Meiken Jolie (1981), Voltron (1981), Ai Shite Knight (1983), Creamy Mami, the Magic Angel: Curtain Call (1986), and  (1988).



Output: a