In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Example Input: Question: How old was the writer who gave the band a cryptical review in the Village Voice? Passage:While in London performing at The Rainbow Theatre, Dingwall's, and trendy Cabaret Futura, the Bongos recorded their early singles and their well-received debut EP Time and the River for UK-based Fetish Records. Cover designs for their Fetish releases were created by influential graphic artist Neville Brody, who was soon to become the designer of The Face magazine. The group's love of avant-garde performers brought them in touch with artists such as Throbbing Gristle and Clock DVA who performed with them live in London, and on their recordings. Their debut U.S. album, Drums Along the Hudson, compiled from the band's British singles, was released in 1982 to widely favorable reviews on both sides of the Atlantic. While Trouser Press suggested that the group "may trade a certain amount of substance for easy appeal," it added that "there's no better musical equivalent of whipped cream anywhere." Writing in the Village Voice, Robert Christgau dryly commented that "for all their jumpy originality [the songs are] still slight, and Richard Barone's lyrics are so oblique you have to wonder what his angle is." In 2007 however, Jim DeRegotis wrote in the Chicago Sun-Times: "The initial impression of naiveté is offset by deceptively simple lyrics that actually hint at deep, dark mysteries and unfathomed mystical enigmas." The group's cover of T. Rex's "Mambo Sun" reached No. 22 on the Billboard Dance Chart. A thriving Hoboken pop scene emerged, triggered by the Bongos and Maxwell's, which gained national media attention, and drew many bands and fans to the city. An August 1, 1982 article in the New York Times Real Estate section hinted at the scene's popularity as an influence on increasing rents and property values.

Example Output: b

Example Input: Question: In what city is the university located from which Marjorie Grene gave another account of the philosophy of biology? Passage:While the overwhelming majority of English-speaking scholars operating under the banner of "philosophy of biology" work within the Anglo-American tradition of analytical philosophy, there is a stream of philosophic work in continental philosophy which seeks to deal with issues deriving from biological science. The communication difficulties involved between these two traditions are well known, not helped by differences in language. Gerhard Vollmer is often thought of as a bridge but, despite his education and residence in Germany, he largely works in the Anglo-American tradition, particularly pragmatism, and is famous for his development of Konrad Lorenz's and Willard Van Orman Quine's idea of evolutionary epistemology. On the other hand, one scholar who has attempted to give a more continental account of the philosophy of biology is Hans Jonas. His "The Phenomenon of Life" (New York, 1966) sets out boldly to offer an "existential interpretation of biological facts", starting with the organism's response to stimulus and ending with man confronting the Universe, and drawing upon a detailed reading of phenomenology. This is unlikely to have much influence on mainstream philosophy of biology, but indicates, as does Vollmer's work, the current powerful influence of biological thought on philosophy. Another account is given by the late Virginia Tech philosopher Marjorie Grene.

Example Output: b

Example Input: Question: Were the scenes for the Elysium station shot entirely in North America? Passage:Elysium was produced by Bill Block, Neill Blomkamp, and Simon Kinberg, and written and directed by Neill Blomkamp, the director and co-writer of District 9 (2009). It reunites Blomkamp with some of his District 9 crew, such as editor Julian Clarke, production designer Philip Ivey, cinematographer Trent Opaloch, and actor Sharlto Copley, playing one of the film's antagonists. Elysium is a co-production of TriStar Pictures and MRC. Although the film's story is set in 2154, Blomkamp has stated that it is a comment on the contemporary human condition. "Everybody wants to ask me lately about my predictions for the future," the director has said, "No, no, no. This isn't science fiction. This is today. This is now." In January 2011, independent studio Media Rights Capital met with major studios to distribute Elysium, and Blomkamp shared art designs of his proposed science fiction film. The art designs won over the executives at Sony Pictures, who bought the film after making a more attractive offer than the other studios. With a production budget of , production began in July 2011. The film's Earth-bound scenes were shot in a dump in the poor Iztapalapa district on the outskirts of Mexico City, while the scenes for Elysium were shot in Vancouver and the wealthy Huixquilucan-Interlomas suburbs of Mexico City. Matt Damon shaved his head for the role of Max. The main role was first offered to Watkin Tudor Jones (aka Ninja), a South African rapper, who despite being a fan of District 9 (he has a D9 tattoo on his inner lip) did not take the role. The role was then offered to rapper Eminem, but he wanted the film to be shot in Detroit. That was not an option for the two studios, so Blomkamp moved on to Damon as his next choice. Futuristic designs were executed by Philip Ivey after long periods of researching and studying older science fiction films. Ivey has continuously cited Syd Mead as a substantial influence for the film. Weta Workshop created the exosuits for Damon and Copley's characters, while the complicated visual effects were handled primarily by Image Engine (who also collaborated on District 9) with additional work by Whiskytree, MPC, The Embassy and Industrial Light and Magic. Re-shoots took place through October 2012. The film's music score was composed by newcomer Ryan Amon and recorded at Abbey Road Studios with the Philharmonia Orchestra. The soundtrack was released on August 6, 2013.

Example Output:
b