instruction:
In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.
question:
Passage: Axelrod's music was also rediscovered and sampled by leading disc jockeys in the 1990s including hip hop producers. When sampling in hip hop peaked during the early and mid-1990s, they searched for archived records with atmospheric beats and strings to sample. Los Angeles-based disc jockey B+ recalled finding a copy of Song of Innocence at a Goodwill in Culver City and said it appealed to him because of its dissonant quality, musical dynamics, and string sound: "This big sound. It was like somehow [Axelrod] was summoning the future, that you can project this environment, this moment into the future." Electronica pioneers such as DJ Cam and DJ Shadow also sampled Song of Innocence. The latter producer sampled the record's choral themes and piano motifs on his influential debut album Endtroducing..... (1996). "The Smile" was sampled by Pete Rock on his 1998 song "Strange Fruit" and by DJ Premier on Royce da 5'9"'s 2009 song "Shake This". "Holy Thursday" was frequently sampled by producers, including The Beatnuts on their 1994 song "Hit Me with That", UNKLE on their 1998 song "Rabbit in Your Headlights", and Swizz Beatz on Lil Wayne's 2008 song "Dr. Carter".The renewed interest in Axelrod's work prompted Stateside Records to reissue Song of Innocence in 2000. Reviewing the re-release, Now wrote that after sounding odd during the 1960s, the songs had become "a sampler's dream come true – who knew?" David Keenan attributed Axelrod's sampling legacy to "the original badass drummer" Palmer. In his appraisal for The Wire, he facetiously critiqued that the songs "may reek of stale joss sticks and patchouli-scented self-actualisation, but in their very datedness they somehow sound very modern." Pitchfork journalist Sean Fennessey later said Axelrod's first two records were "essential if only as a tour guide through early 90s hip-hop", having "literally been a rap producer's delight for years". In a 2013 list for Complex, DJ and production duo Kon and Amir named "Holy Thursday" the greatest hip hop sample of all time. In 2018, Song of Innocence was given another re-release, this time by Now-Again Records. It featured a new remaster by Randi, H. B. Barnum, and Axelrod's widow, Terri; and sleeve notes written by Eothen Alapat, Now-Again's CEO. According to Alapat's notes, Axelrod once told him that Miles Davis played the album before conceiving his own fusion of jazz and rock for Bitches Brew (1970).
answer:
What is the first name of the person who critiqued that the songs "may reek of stale joss sticks and patchouli-scented self-actualisation, but in their very datedness they somehow sound very modern?"?


question:
Passage: The two main requirements of an anti-torque system are that it should prevent rotation of the sonde, and it should allow easy movement of the drill up and down the borehole.  Attempts have been made to design drills with counter-rotating components so that overall torque is minimized, but these have had limited success.  Five kinds of anti-torque systems have been devised for use with cable-suspended EM drills, though not all are in current use, and some drills have used a combination of more than one design.  The first drill to require an anti-torque system was used at Camp Century by CRREL in 1966; the drill incorporated a set of hinged friction blades that swung out from the sonde when the drill motor was started.  These were found to have very weak friction against the borehole wall, and were ineffective; the drill had to be controlled carefully to prevent twisting the cable.  No other drills have attempted to use this approach.For the next deployment of the drill leaf springs were installed, and this has proved to be a more durable design.  These are mounted vertically, with a curve outwards so that they are easily compressed by the borehole wall, and can slide up and down with the movement of the drill.  They pass easily through any areas of irregularity in the borehole, but the edges of the springs cut into the borehole wall and prevent rotation.  Leaf springs are very simple mechanically, with the additional benefit of being easy to adjust by changing the spacing between the end points.  They can be placed anywhere on the drill that does not rotate, so they do not add length to the sonde.  The shape is usually a fourth-order parabola, since this has been determined to provide the most even loading against the borehole wall.  Leaf springs have been found to be so effective that they can prevent rotation even in heavy drills running at full power.Skate antitorque systems have blades attached to vertical bars which are pushed against the borehole wall; the blades dig into the wall and provide the anti-torque.  Skates can be built with springs which allow them to keep the blades pressed against the wall in an irregular borehole, and to prevent problems in narrower parts of the borehole.  Although skates are a popular design for anti-torque and have been used with success, they have difficulty preventing rotation in firn and at boundaries between layers of different densities, and can cause problems when drilling with high torque.  When they fail, they act as reamers, removing chips from the wall which can fall to the drillbit and interfere with drilling.
answer:
What acts as reamers when they fail?


question:
Passage: Hogarth was pleased with the results. European Magazine reported that he commented to a bookseller from Cornhill (a Mr. Sewell):
there is no part of my works of which I am so proud, and in which I now feel so happy, as in the series of The Four Stages of Cruelty because I believe the publication of theme has checked the diabolical spirit of barbarity to the brute creation which, I am sorry to say, was once so prevalent in this country.
In his unfinished Apology for Painters he commented further:
I had rather, if cruelty has been prevented by the four prints, be the maker of them than the [Raphael] cartoons, unless I lived in a Roman Catholic country.
In his 1817 book Shakespeare and His Times, Nathan Drake credits the representation of "throwing at cocks" in the first plate for changing public opinion about the practice, which was common at the time, and prompting magistrates to take a harder line on offenders. In his "Lectures on Ethics" Immanuel Kant refers to the engravings as an example of how cruelty towards animals leads indirectly to failing duties towards humans as Hogarth "brings home to us the terrible rewards of cruelty, and this should be an impressive lesson to children."
Others found the series less to their liking. Charles Lamb dismissed the series as mere caricature, not worthy to be included alongside Hogarth's other work, but rather something produced as the result of a "wayward humour" outside of his normal habits. Art historian Allan Cunningham also had strong feelings about the series:
I wish it had never been painted. There is indeed great skill in the grouping, and profound knowledge of character; but the whole effect is gross, brutal and revolting. A savage boy grows into a savage man, and concludes a career of cruelty and outrage by an atrocious murder, for which he is hanged and dissected.
The Anatomy Act 1832 ended the dissection of murderers, and most of the animal tortures depicted were outlawed by the Cruelty to Animals Act 1835, so by the 1850s The Four Stages of Cruelty had come to be viewed as a somewhat historical series, though still one with the power to shock, a power it retains for a modern audience.
answer:

What was the last name of the person who said that The Four Stages of Cruelty was not worthy to be included alongside Hogarth's other work?