In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Example Input: Review: The tenuous connection between this film and the first Grease is established right at the beginning of the film when Didi Conn one of four cast members repeating their roles approaches young Maxwell Caulfield who is a British exchange student. Although in the previous film Olivia Newton St. John's foreign speech pattern is not explained, it's explained here Caulfield is her cousin. What's Conn still doing in school, I guess she just likes hanging around Rydell High even though now she's a beautician.Caulfield's a smart kid, so of course the hood types led by Adrian Zmed have him labeled as a nerd. And that's especially bad when Zmed's girl friend decides she likes Caulfield. But being a nerd just isn't going to cut it.That's when Caulfield decides to put on a modern day Zorro act. He gets a junked bicycle and puts it back together and teaches himself to ride. He gets himself a leather biker outfit with a set of goggles to hide his face. If getting Michelle Pheiffer is not in the cards, Caulfield won't have any trouble making friends at any gay male leather bar the way he's outfitted.Grease 2 introduced Michelle Pheiffer and Maxwell Caulfield and started them on the successful career paths both have enjoyed. If you saw the first Grease film, a much better film, than you definitely have an idea how this film will turn out.In addition to Conn, Eve Arden, Sid Caesar, and Dody Goodman, all faculty members from the original Grease return in their roles. The music score isn't remotely as good as the songs that come from the original.It's not that Grease 2 is bad, it's just not all that great. Question: is it a positive review?
Example Output: no

Example Input: Review: Cradle of FearThis isn't a movie where intricate delicate little narrative nuances occupy our attention. This is not a film where the special effects are supposed to leave us slack-jacked uttering that sense of whoa. What it is though is a slice of lo-fi goth horror which leaves little to the imagination, created in the eyes of the director, Alex Chandon, as "a throwback to sleazy '70s and '80s horror".This is a very visceral experience for 2 hours, where four plot lines are connected through lots of watery blood, reams of dismembered body parts and innards, tied by an intestinal thread of revenge. The purveyor of such horrific violence is Dani Filth, lead-singer of the metal band Cradle of Filth, executing a role he was destined to play. As other's have said, there is nothing new about wanting to carryout occultist revenge. In this particular context a convicted sexual predator and murderer, Kemper, the father of our devilish avenging-angel, compels his son to exact retribution on those who are some how connected to convicting him to purgatory within an insane asylum.What this provides for the Chandon, who should be congratulated on also penning and editing this piece, is the opportunity to let his sick mind run free. He seems to take delight in the idea of splattering blood into the orifices of those on screen, and into every nook and cranny that can be reached. We are also treated to close-ups of skull's being crushed, demonic rape, and other assorted imagery to engage those who relish getting up close and personal to their horror. And for some of those who closely follow these type of films, there is the odd sequence which may have you thinking, "Did I just see what I thought I did", because of course Pretty Woman this 'aint. It reminds me of some of the gore-fests created out of Italian horror some 20 to 30 years ago, and a number of other works where disgusting images have left their mark but not the context in which they were viewed.Story 4 of the set is particularly intriguing where the idea of ones obsession can ultimately lead to death in the pursuit of internet violence through the "Sick Room", where the user is in control of how a life can be snuffed out. Further acknowledgements should also go out to a pounding soundtrack that allows Filth to exercise his daytime talent, and an effective use of drum and bass, often overlooked in film-making as a viable form of supporting visuals. Using the city of London as a backdrop with real people as opposed to movie stand-ins also adds support to the commando feel of the film. OK, classic it may not be, but blood, guts, intestines, occult and demons in a slightly perverse unproblematic way it is. Question: is it a negative review?
Example Output: yes

Example Input: Review: This film is awful. The screenplay is bad, the is script mediocre, and even the sex scenes are worthless. The thrill and intrigue of the original film are completely lacking. This movie was shot in a dark, shadowy and monochromatic style (a la "War of the Worlds"), which is so disappointing after the beauty of the original film. Greg Morrisey's brooding character displays one facial expression throughout the film. The twists and turns of the original plot are woefully lacking here; the few that do exist are simply anticlimactic. The only highlight is Sharon Stone's performance as Catherine Tramell, faithfully continued in this sequel, but it isn't enough to make up for the other shortcomings. The only circumstance under which a "Basic Instinct 3" should be made would be if Michael Douglas agrees to join the cast. Question: is it a negative review?
Example Output:
yes