Given a document, an entity and its sentiment towards the entity, verify if it is the correct sentiment towards the entity. Answer should be yes or no. Note that URLs in the text have been replaced with [Link].

Example Input: Verify if the sentiment of the following document towards the entity Steve Bannon is Neutral . WASHINGTON (Reuters) - Former White House strategist Steve Bannon has struck a deal to be interviewed by U.S. Special Counsel Robert Muellerâs team rather than appearing before a grand jury  CNN reported on Wednesday  citing sources close to  Bannon .
 Bannon  had been subpoenaed to testify before a grand jury in Muellerâs probe of alleged Russian meddling in the 2016 U.S. presidential election and any ties with President Donald Trumpâs campaign  according to a person familiar with the matter.
A spokesman for Mueller declined to comment on the CNN report. A lawyer who represented  Bannon  in an appearance before the House of Representatives Intelligence Committee on Tuesday could not be immediately reached.
An interview with prosecutors would allow  Bannon  to have an attorney present during  his  appearance  as lawyers are not permitted in grand jury rooms.
 Bannon  was a close adviser during Trumpâs campaign and in  his  first months in office  but  he  was fired from  his  White House job in August as the president sought to bring more order to his staff operations.
Earlier this month  Trump attacked  Bannon  for comments  he  made to Michael Wolff  the author of a book highly critical of the president and his family. They included scathing remarks about Donald Trump Jr.  the presidentâs eldest son  for meeting during the campaign with a Russian lawyer who was said to have damaging information on Democratic candidate Hillary Clinton.
 Mueller  is investigating allegations that Russia interfered in the 2016 campaign to try to tip the vote in Trumpâs favor  as well as any potential collusion by Trumpâs campaign with Moscow.
According to a person familiar with the arrangement  the attorney who represented  Bannon  for Tuesdayâs House appearance  William Burck  is not representing him in connection with Muellerâs investigation. The person did not believe  Bannon  had hired a counsel for that yet.
Example Output: yes

Example Input: Verify if the sentiment of the following document towards the entity Jeff Bezos is Positive . Billionaire entrepreneur Mark Cuban and Amazon CEO Jeff Bezos agree: It pays to take risks.
" Jeff Bezos  — and I follow this to a T — I was reading   he  said  'Look  you don't want to be [80] years old and look back and ask yourself ... why didn't I do this? Why didn't I try it?" Cuban says.
While speaking at the Summit Series conference in Los Angeles   Bezos  revealed  he  was indeed thinking something similar when  he  quit  his  good job on Wall Street to found Amazon.
"For me  the best way to think about it was to project  myself  forward to age 80 "  Bezos  says. "When I'm 80 years old  I want to have minimized the number of regrets that I have. I don't want to be 80 years old  in a quiet moment of reflection thinking back over my life  and cataloging a bunch of major regrets.
"I decided I had to give it a shot "  Bezos  says in a 2010 baccalaureate address at Princeton. "I didn't think I'd regret trying and failing. And I suspected I would always be haunted by a decision to not try at all."
Cuban  worth $3.3 billion  agrees that pushing  himself  to experience new things has been worth it.
"Maybe it will come back to haunt me  all the fun I've had  but I've had fun "  he  says.
Don't miss: Mark Cuban says quitting this one common bad habit made  him  more successful
Example Output: yes

Example Input: Verify if the sentiment of the following document towards the entity Kehinde Wiley is Positive . When does an artist become a phenomenon? Itâs a rare moment on the scale of seeing a new star emerge in the night sky. Already  a rising art world star  American artist Kehinde Wiley  seems poised now at the age of 35 and after just a little over a decade of work to take the next step and really heat things up. With not one but two big New York City exhibitions  a featured appearance on a hot new album cover  and the kind of retrospective  lavishly illustrated  critically evaluative monograph that seals the deal   Kehinde Wiley  has the whole world in the palm of  his  hand  and thatâs exactly what  he  wants.
Born in 1977 as the youngest of six children to a single mother   Wiley  grew up facing hard economic times but also enjoying the intellectual stimulation of having a mother in academia. Looking for a way to keep Kehinde occupied   his  mother enrolled  him  in art classes  including some at the Huntington Library  where  he  could study portraits such as Thomas Gainsboroughâs famous Blue Boy. After graduating with an MFA from Yale in 2001   Wiley  became artist-in-residence at the Studio Museum in Harlem  where  he  witnessed a steady stream of young African-American men walk past in full hip hop regalia. Joining the old school world of portraiture with this new school of personal style   Wiley  developed the unique subject matter and approach that has been a popular and critical success since.
In Kehinde Wiley  the first monograph dedicated to Wileyâs career as a whole (published by Rizzoli USA)  Thelma Golden  chief curator and director of the Studio Museum in Harlem  introduces the volume by remarking that she âwas in conversation with  Wiley  before I ever spoke to  him .â Wileyâs work touches on âthe politics of representation; the power of art history; the veracity of images; notions of authorship  identity  and culture; the critical nexus of race and gender in contemporary art â Golden listsâall things that she and nearly all contemporary art critics think deeply about. This combination of Wileyâs thought provoking practice and stunningly beautiful paintings makes him irresistible to both the high brows and those simply wanting to enjoy the show.
In addition to capturing visually  Wiley âs bravura brushwork and vast range of visual inventiveness in 275 color illustrations (including some gatefolds)   the contributors Kehinde Wiley  dig  their  critical teeth deep into Wileyâs art and come away with a mouthful. Art historian Robert Hobbs provides a detailed biography not just of Wileyâs life but of his thought  mapping mental landmarks ranging from W.E.B. DuBois and Henry Louis Gates  Jr.  to Michel Foucault and Jacques Lacan. Hobbs sees a kind of âconceptual realismâ at the heart of Wileyâs portraiture that is âcoercive rather than simply mimetic.â More than just capturing a likeness  Wileyâs portraits capture your mind and make you think about the power relations embedded in imagery of all kinds throughout history.
 Wiley âs standard procedure has been to âstreet castâ individuals who catch his eye  invite them to his studio  allow them to browse art history books and pick a pose  and then photograph the subjects in full regalia to use for painting later. Wileyâs 2008 painting The Virgin Martyr St. Cecilia (shown above) riffs on Renaissance sculptor Stefano Madernoâs The Virgin Martyr St. Cecilia from 1600. From one perspective  the prone African-American male seems as powerless as the martyred saint. From another  the young man takes on the gravitas of Cecilia as a modern victim of thoughtless violence. From yet another  knowing that the young man chose this pose for himself  he takes on the role of provocateur  consciously drawing all those associations and moreâparadoxically in control even when prone. This alchemical approach to art history is at the center of the âconceptual realismâ Hobbs suggests.
The Jewish Museum  New York is currently showing the latest installment of The World Stage paintingsâKehinde Wiley/The World Stage: Israel. The exhibition features 14 large-scale portraits of young Israeli men of different ethnic backgrounds and religions. A video on the museumâs website shows Wiley in Tel Aviv âstreet castingâ and finding individuals such as Ethopian Jewish hip hop performer Kalkidan. Wiley finds hip hop in the unlikeliest places in Israel  proving the global reach of the art form that began in the Bronx as a means of âblackâ expression.
The title of Sean Kelly Galleryâs current Wiley exhibition  Kehinde Wiley: An Economy of Grace  could be an emblem for everything Wileyâs been doing for the past decade both locally and globally. âThe phrase âan economy of graceâ speaks directly to the ways in which we manufacture and value grace and honor  the people that we choose to bestow that honor upon  and the ways in which grace is at once an ideal that we strive for and something that is considered to be a natural human right â Wiley explains. Wileyâs trying to turn his personal economy of grace into a global economy  with his portraits as the new gold standard. As technology brings us closer and closer  the friction between individuals  countries  ideologies  religions  and everything else heats up faster than ever. Grace may be the only currency that can pull us out of the global spiritual debt crisis. If Kehinde Wiley seems to have the world in his hands right now  itâs because he wants to save it one image at a time by showing us the grace and beauty of black men and  by extension  the grace and beauty of us all.
[Image: Kehinde Wiley. The Virgin Martyr St. Cecilia  2008. Oil on canvas. 101.5 x 226.5 in. Â© Kehinde Wiley.]
[Many thanks to Rizzoli USA for providing me with the image above and a review copy of the monograph Kehinde Wiley  by Thelma Golden  Sarah Lewis  Robert Hobbs  and Brian Keith Jackson. Many thanks also to Sean Kelly Gallery (whose exhibition Kehinde Wiley: An Economy of Grace runs through June 16  2012) and to The Jewish Museum  New York (whose exhibition Kehinde Wiley/The World Stage: Israel runs through July 29  2012) for press materials.]
Example Output:
yes