Given a document, generate a short title of the document. The title should convey the main idea/event/topic about which the document is being written. Note that URLs in the text have been replaced with [Link].

Input: Consider Input: For some Alabama voters  supporting abortion rights may be a sin worse than some of the sexual misdeeds  Alabama GOP Senate nominee Roy Moore  has been accused of — allegations  Moore  has denied.
That's the conundrum facing the state's conservative  deeply religious electorate: Embrace Democrat Doug Jones despite his liberal stance on abortion and other social issues or vote for  Moore  anyway even if they believe there is some truth to the sexual assault allegations against him.
"The abortion issue alone is enough to buy [ Moore ] a win " predicted Brent Buchanan  an Alabama GOP pollster and consultant. "That's the one nonnegotiable for social conservatives. You're not as hardcore on taxes. 'I can give up on that ' some voters might think. But when you're talking about somebody else's life  that's a whole different ballgame. And I think that's the big difference."
 Moore  has underscored that major divide frequently at  his  campaign events  where  he 's continued to deny the accusations against  him  but also refused to answer questions from the media about the swirling scandals. Multiple women have accused the former Alabama Supreme Court chief justice of pursuing them romantically decades ago when they were teenagers and  he  was in  his  30s  and one woman has said  he  initiated sexual contact with her when she was just 14.
 Moore 's allies have also doubled down on the abortion issue in the race's final stretch. America First PAC  a pro-President Trump superPAC that's supporting  Moore  in the race  released an ad this week calling Jones's position on abortion "unforgivable " showing an ultrasound and a heartbeat that then flatlines.
 Moore  spokeswoman Jane Porter was even less subtle when she appeared on CNN Tuesday  talking to pregnant anchor Poppy Harlow and congratulating her on her "unborn child."
But  Moore  has seized upon the initial comments to MSNBC  with  his  wife  Kayla  claiming that Jones supports "full-term abortion." PolitiFact rated that claim as false  since there is no such thing as "full-term abortion."
Steven Taylor  a political science professor at Alabama's Troy University  agreed that social issues may be a sticking point that many conservative voters aren't able to overcome in voting for Jones. In addition to abortion   Moore  has hammered home  his  opposition to same-sex marriage and transgender rights.
"I think that  without a doubt  the social issues will motivate voters even if they are skeptical of the allegations against  Moore  " Taylor said. "Quite clearly  abortion is probably the most salient issue in the race  and more generally  social issues."
The fact that  Moore  is seen as a champion on social issues is nothing new. It's what propelled  him  to national political stardom — and into plenty of controversy. In 2003  he  was first removed from the state bench when  he  erected a statue of the Ten Commandments in the Alabama Judicial Building and refused to remove it even when ordered to do so by a federal court.  He  was elected again in 2012  but then subsequently suspended when  he  ordered state judges to defy the U.S. Supreme Court decision that legalized gay marriage nationwide under the federal Constitution.
To Moore and  his  supporters  that defiance is a badge of honor. And it's a big reason why many voters are likely reluctant to believe the sexual misconduct and sexual assault allegations against him too  given the Christian nationalist positions he's wholeheartedly embraced in the past. And  at the crux of that is a stringent opposition to abortion.

Output: Abortion Could Be Deal


Input: Consider Input: During the war  no one was more emblematic of the changing power dynamics than  Farah Baker   a 16-year old Palestinian girl who came to international attention for  her  social media updates about life in Gaza.  Baker  was not tied to any political group and  her  perspective on the war was a personal one. Yet  her  social media presence catapulted  her  to global attention and told the Palestinian story to the world in a way that resonated emotionally. It also empowered  Baker  as a political actor  something that  she  had never expected and that could never have occurred in any previous conflict.
During the war  no one was more emblematic of the changing power dynamics than  Farah Baker   a 16-year old Palestinian girl who came to international attention for  her  social media updates about life in Gaza.
Normally  a young teenage girl living under aerial bombardment would have been considered a bystander  at best  or a victim  at worst. But thanks to  her  Twitter feed  where  she  shared both  her  fears as well as  her  attempts to maintain normal life amid the war   Farah  became an important part of the Palestinian effort to sway global opinion on the conflict.
“At only sixteen   Farah  understood  even if only instinctively  the importance of social media in wartime  especially to a perpetual underdog like the Palestinians ” Patrikarikos wrote. “She understood the power that it gave to a single individual and to networks of individuals  power that previously would have been impossible.”
In her own small way  with her tweets and updates during the war   Farah Baker  had played a role in shifting the narrative and forcing the world to grapple with the Palestinian narrative of the conflict.
“I don’t have the ability to carry a weapon and I would never kill anyone  so my only weapon was to broadcast the truth and to let people know what was happening here ”  Baker  told Patrikarakos in an interview at  her  Gaza home. “I was more effective than I ever imagined  because of the amount of followers I got and because so many people told me I had changed their minds [about the war] and opened their eyes.”

Output: How Social Media Is Leveling the Playing Field Between Governments Militants and Ordinary People


Input: Consider Input: In July 2016  the R&B duo Dvsn found themselves in an exciting but precarious position. During only their second set of live dates  the pair were already opening for Drake and Future on the triumphant Summer Sixteen tour  which went on to become the highest grossing hip-hop jaunt of all time. But how would a crowd primed for deliriously exultant Drake/Future collaborations like "Jumpman" respond to  Dvsn   whose best moments are more in line with emotive Nineties R&B than the music on today's airwaves?
"That [experience] allowed us to do two things " says  Dvsn  vocalist Daniel Daley. "To go out there and have to win the attention  appreciation and adoration of a bunch of people that were there to turn up  and to learn that they all have a spot in them that's OK staying in that night."
So it's been for Dvsn â the name is often styled "dvsn" â who have accumulated more than 150 million streams in the U.S. since debuting in November of 2015.  Daley 's partner in the group is Paul Jefferies  better known as Nineteen85  co-producer of mammoth Drake hits like "Hotline Bling." After releasing their debut  Sept 5th  last year with little warning  Dvsn return on Friday with Morning After. "Sept 5th in a way works like a mixtape; it's an introductory piece "  Daley  says. "This time around  we definitely have some records that we think have a bigger space to occupy."
This is hard-won confidence â initially  Daley  and Jefferies primarily kept their interest in R&B secret and focused on making rap. "Hanging out with crews of guys  it's not the coolest thing to say  'Yo  I sing â have you heard that Boyz II Men record  that new Usher or Ginuwine?'"  Daley  explains. "And a lot of the stuff that we loved in R&B was way older than we were " Jefferies adds. "Most of the people we were hanging with weren't actually listening to that R&B."
" Dvsn  is a part of music that has been missing for a long time " Shebib tells Rolling Stone. "[Their] shit is just good R&B music."
Drake's success meant 40 spent more and more time away from Toronto  but the producer maintained contact with  Dvsn  as the duo honed their songwriting  penning tracks for Jessie Ware and Jennifer Hudson. There were other placements  too  but "none that we're bragging about " according to Daley â in fact  most of the Daley/Jefferies cuts were rejected. "When we were sending songs to people  the A&R or the manager would respond back and be like  'This sounds done â whose song did you send me? I was hoping for demos '" Jefferies explains.
Daley credits Jefferies with deciding that the two should step out on their own as  Dvsn . "As a producer  I was now known as the guy who made these huge pop hits  but as a songwriter pitching to R&B artists  there was a lot of second-guessing " Jefferies says. "I was like  I think I've proven I know what's going to be the next thing. Why keep putting it in someone else's hands and hope they're gonna do our song as good as we could?"
In 2015   Dvsn  posted two luxurious ballads on SoundCloud: "With Me " a 6:58-long come-on swaddled in harmonies  and "The Line " which harked back to early-2000s D'Angelo. "[Those two tracks] didn't sound like anything [out at the time] " Jefferies says. "Without naming any names  some artists are making good R&B but they're not necessarily vocalists " explains Carl Chery  Head of Artist Curation for Apple Music  which has been a major supporter of  Dvsn . "I liked Daniel's tone  his voice  his writing ability. It was like  this is what the groups I loved in the Nineties would come up with now."
Though  Dvsn  owe much to the Drake/40 hive mind  one of the most refreshing things about  them  was that  they  didn't sound like Drake at a time when there were already more than enough R&B acts attempting to build on his blueprint. As a result  not long after releasing their first two songs  "the phones were ringing  the emails were blowing up  and 40 was looking at us like a proud dad " Daley recalls. But the group initially kept Daley's identity a secret  hinting only that  Dvsn  was a Nineteen85 side project  a tried and true strategy for heightening listeners' curiosity at a time when all information is just a Google search away.
But the group is still happy to set a deliberate pace when necessary  matching Daley's direct expressions of desire with Jefferies' uncluttered production. New track "Body Smile" continues in the tradition of "The Line " leaving Daley to carry a melody across the empty spaces between each drum thunk  while "POV" samples the 1999 Maxwell ballad "Fortunate." (Maxwell calls Dvsn "my favorite band " commending them for "making a Nineties backdrop for the woke ones of the future.") "My job is always to let Daniel shine " Jefferies notes. "It's not for the production to be another singer. It's not having those things compete."
"We're separating from the pack " he adds  before reiterating the  Dvsn  mantra: "When they're all in the club  we might just stay in."


Output: Drake Affiliates Dvsn on Throwback R&B 'Morning After'