Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Q: CONTEXT: Apparently what happened is that Gere got too into character during the filming and repeatedly irritated Stallone. This came to a head when Gere, carrying a sandwich, got into a crowded car with Stallone despite Stallone's objections. Gere then proceeded to spill mustard out of the sandwich onto Stallone while eating and that was it for Stallone. He elbowed Gere out of the car and made an ultimatum to the director which resulted in Gere being fired.  <sep>  Q: What caused Sylvester Stallone to get into a fight with Richard Gere? A: Apparently what happened is that Gere got too into character during the filming and repeatedly irritated Stallone  <sep> FOLLOWUP_Q: Why was Gere fired intead of Stallone?

A: Yes
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Q: CONTEXT: Recall how Marcelle does the final preparations for setting the theater on fire - he blocks the auditorium doors with a crowbar and then proceeds to behind the screen and starts waiting for Shoshanna's "message" to appear on the screen. Before he does so the two men from the Basterds leave the auditorium and proceed to some side corridors to get to the side balcony and attack Hitler. Some time after they leave the auditorium Marcelle comes to the doors and blocks them. The balcony where Hitler sits with Himmler has a separate door guarded by two German soldiers. The two Basterds kill the guards, rush into the balcony and shoot Hitler. Right after that the "message" appears and Marcelle sets the pile of films behind the screen on fire. So the balcony doors are not blocked - Hitler likely can escape the theater or at least gain some time and space and have better chances to have been resqued. He definitely has much better chances than those people who are in the auditorium - those are blocked between the locked doors and bursting flames - but he is at least not in the auditorium and so less exposed to the dangers and has a chance to use the side corridors to escape. The two Basterds shooting him on the balcony make that totally impossible.  <sep>  Q: Would Hitler have died in the fire anyway if the Basterds hadn't shot him? A: the balcony doors are not blocked - Hitler likely can escape the theater or at least gain some time and space and have better chances to have been resqued  <sep> FOLLOWUP_Q: What did the basterds do?

A: Yes
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Q: CONTEXT: Ada buys back the piano one key at a time by playing for him. Making love to him counts for ten times playing for him. At this point the relation between Ada and Baine is highly asymmetric: Baine desires Ada, Ada desires her piano. Only later does Ada fall in love with Baine.  <sep>  Q: What is the meaning of this conversation before making love? A: Baine desires Ada, Ada desires her piano. Only later does Ada fall in love with Baine  Q: What is The Piano? A: Ada buys back the piano one key at a time by playing for him  Q: What is making love? A: Making love to him counts for ten times playing for him  <sep> FOLLOWUP_Q: What happens when two people make love?

A:
No
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