Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

CONTEXT: I haven't seen the film so I don't really know the context for the scene: But it sounds like he's talking about how uncomfortable dating is and how awkward sex can be. As a woman with long hair, it hurts a lot when someone pulls your hair and, when in the bedroom, it will happen occasionally, which takes a lot of the fun out of it... assuming it's not intentional... A guy can easily trap the girl's hair between his body and the mattress, preventing the girl from moving her head and yanking the hair if she's not aware it's trapped, causing pain.  <sep>  Q: What does you're on my hair signifies in Wedding Crashers? A: A guy can easily trap the girl's hair between his body and the mattress, preventing the girl from moving her head and yanking the hair  <sep> FOLLOWUP_Q: Any idea what it means in Chinese?
No

CONTEXT: To a strong movie fan, no, it cannot hurt - ever. An alternate (possibly revisionist) version of a movie cannot detract from the original viewing experience, it can only add an additional positive (or negative) experience. In the case of Ridley and Blade Runner, I have every version, and his “Final Cut” is my favorite, and I am pleased-giddy that he was able to get yet another version released. It is my opinion that, given 4+ versions, you have the luxury of choosing the one you enjoy most. You have nothing but upside! Any downside is for pessimists, or people who have undue hatred for capitalist who play their little games – while we are still free to play ours. In the case of his refusal to agree to a Director's Cut of Prometheus – that is cool too. I enjoy the fact that as an artist Ridley Scott wraps his arms fully around the meta concept of additional releases, and indeed incorporates that into the overall art – like Claude Monet's Water Lilies, or Haystacks – as long as HE is making the decisions. (You might argue the opposite for 99% of all other director/studio combos.)  <sep>  Q: Does Ridley Scott's Director's Cut releases hurt his movies? A: To a strong movie fan, no, it cannot hurt - ever  <sep> FOLLOWUP_Q: What was his first director's cut?
No

CONTEXT: You've misunderstood what's happening. The potion T'Challa drinks strips him of the Black Panther powers and reverts him to normal human levels. This is to allow the combat to be fair. If T'Challa had the Black Panther powers odds are good that he'd have won the fight. As it was, Killmonger won due to what appeared to be purely superior skill and strength.  <sep>  Q: How does Killmonger so easily defeat T'Challa in ritual combat? A: Killmonger won due to what appeared to be purely superior skill and strength  Q: How can a regular human soldier so easily overpower a hero with superhuman strength? A: The potion T'Challa drinks strips him of the Black Panther powers and reverts him to normal human levels  Q: So, the potion didn't give him the same powers as the Black Panther? A: If T'Challa had the Black Panther powers odds are good that he'd have won the fight  <sep> FOLLOWUP_Q: Is there anything else you can tell me about superhuman strength, agility and resilience?

No