TASK DEFINITION: In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).
PROBLEM: hahaha . Once again in fantasyland we go with fake "gangstas".P diddo or diddity, pifily poof what ever his name is this week.This movie is not worth the price of the plastic used to make it.the established italian mobsters would not put a black or puerto rican on equel footing.these guys would not share the same area in the joint.ridiculous!!!when it comes to TRUE GANGSTERS there are serious racial/ethnic barriers.That is just the facts.As much as the mass media tries to rewrite history it still doesnt change it

SOLUTION: NEG

PROBLEM: If You Enjoyed "Ju-On: The Grudge" . . . . . . . then this film may be for you!    Like "Ju-On: The Grudge," "Ju-On 2" presents a series of interconnected vignettes. Though the non-linear presentation can sometimes confuse the viewer, it takes only a moment to realize the correlation between the last portrait and the next. So, be patient;)    This film has a bit of a postmodern spin (which many horror-film scholars may enjoy).  One of the main characters, Kyoko Harase, plays an actress known as "The Queen of Horror." She is taken to the infamous Saeki home to give a television interview about her own experience as a horror actress. It is there that she is marked with the curse (in a fairly unpredictable way!!) And, there that true horror enters her own life.    To the joy of many viewers, Toshio figures prominently into "Ju-On 2." Though the make-up on Toshio is a little flat (unlike "Ju-On The Grudge") his acting is still pitch-perfect. Nonetheless, it is interesting to note that Yuya Ozeki (who play Toshio Saeki) did not understand the part he was playing in earlier films (simply as a result of his tender age). He has now refused to watch his own films and his parents go to the premieres alone:) (You can discover this information on the American version of "The Grudge" in Takashi Shimizu's commentary).      Some reviewers seem hyper-critical of this work. Yes, the film has some missteps, but they are easily overlooked. If you watched and enjoyed "Ju-On: The Grudge" then try "Ju-on 2" . . . you might be pleasantly surprised!

SOLUTION: POS

PROBLEM: Children Should Beware of Strangers Approaching in Cinema . Because some of them are repeat motion picture pedophiles, of a sort; or they exhibit repeat youth stalking and posturing behaviors indicating a suggestive or manipulative inducement scam of industrially applied psychological warfare to goad uninformed youth imprinting boobytraps.  That is the subject of this semiotic critical study.  You know where the exit is if you're not up for it.  Voting buttons are for political circuses, state your own case and leave others unmolested.  The First Amendment is ratified; it is not up for repeal.  Enter:     There is no more need for obsequiously flattering supplications to a menace lurking in our communities, nor the hundredth re-written version of a content synopsis--those forms of reviewing anything are passï¿½ mental laziness playing right into a trap.  There is no such thing as an American idol or icon or celebrity worship.  There is commerce, enticement, inducement and stupidity; and absolutely no curriculum allowed in the schools dealing with the subject of Anti-commercial Thinking Skills for Intellectual Self Preservation and Defense.      If Leni Rifle'nall, subsequent to the destruction of European fascism and its motion picture cameras, had to work under cover still trying to cast the ideological mold for society in the socialistic-fascist agenda, she'd probably be pushed into film projects that use stories and situations in juxtaposition to target children and other sore nerves like mother's and kidnapping... `The Forgotten.'  And she'd probably be in a position of unannounced executive, overriding film directorate to even suggest such crypto-fascists titles; or what would convert into having the ear of those controlling the pool of her pre-selected film scripts and directors in whatever kulture of mass entertainment media manufacture.    Poor animation, bereft of ideas and recycling a lunatic zoo escapade from earlier motion picture non-greatness; for the purpose of Catholic bashing and youth corruption.    Ecstatic performances are actually religion related catharsis, for motion picture redundancy it only amounts to acting out the most, screaming, shouting the most, being the most behaviorally intimating of instability or violence--that whole center of attention, infant terrible prestige and again, involving a `childish fascination with aircraft', motorcycles, airlines like in `The Forgotten', childhood affectations of wealth, intellect and power.  What about this latest ripoff of the movie 'Dog Day Afternoon', also having to import limes and posture a sublime disrespect for Black law enforcement as being at no recognizable `pay grade'?  That's an awfully irritating display of arrogance too, and saying that robbing banks and shooting people is determined solely by the ripe attitude `because I can'.  The public only sees another rotten lime, (TV's "Hell's Kitchen"), in a marvelous artistic achievement for public good, peace and civility--let's give her a hand, to retirement.  Bait unrest, bait contempt, weaken morale, trigger something, anything.  It can still get them while they're young and dumb; ain't that right Columbine?     After school special animation fantasy?  What is the correct genre for this film?  Because it didn't work and whatever interesting acting (at least) there might've been, it's probably a tool for creating the next cipher army of cybernetic John Hinkleys.  Was it on the Larry King interview there was rumor of a film titled `Amanda Plummer'?  Or was that a decidedly misleading invention to hide the Catholic bash in `The secret lives of altar boys?'    Well, we've heard about the scandal surrounding the secret lives of alter boys, but maybe we don't really appreciate how secret their associations can be.  I guess a substantial career in propaganda speaks for itself and only provides test cases for subversion analysis in hazardous media, appliances of mass population psychological operations.  And that is actually more entertaining that viewing any movie completely prone to its presumptive spin-aplomb.  It isn't a big, important celebrity; it isn't a big exciting new picture release; it isn't even a story or film making, it is a method of conditioned response inducement...for statistical confidence interval estimator...neurolinguistic, demographic psychometric programming--exotically scientific and childishly deviant.  That's probably all that the Master Kulture Ultra section of Military Intelligence, or "MI" ever amounted to--the hubris of hitler's photography harlot, and no doubt whole schools of socialistic engineering, just like that childish fascination with aircraft raid on the national budget, absolutely every infernal contraption to stroke the ego of super-genius design engineers with all sorts of Flight Plan(s).    What next, with tens of thousands of high school students failing their graduation exams in every state, not just California; won't the White ethnic esteem have but few historic priding tokens to defend its `superiority'?  Won't the College Republicans at Utah State University toy with students of international and family origins due to their non-Anglo ethnic and language attributes, by inviting them to write an essay justifying scholarship monies set aside for them?  Of course this is happening in America.  It appears the trustees of the edifice have abandoned their little writing-contest darlings at USU, and then encourage them to slander and humiliate people of color in lily White Logan Utah.    Sociologically, the roots of cinematic agitation for White aggression can always be traced back to the weakness to not examine the fault that lies within the self, and not others; to spurn the so called `immigrants' and question the need to recognize their languages, or to complain about the provisions they have made for their children's education.      Motion pictures plied to a chronic genre of population demoralization are an indicator of national subversion for political agendas.  When they manipulate a context of youth development, they are also trying to strike at more susceptible, programmable victims.  Glamorization of violence, mayhem, crime-spree destruction is no more acceptable in video gaming entertainment that they are at the movies, (it's been done till it's being overdone sticks out like the sore thumb it is).  Boycott such movies, burn your copy of them instead of the flag for the evening news cameras; be more critically selective of the means to protest so that it doesn't ring hollow.  Procure movie bills, big and fancy, and symbolically destroy them, even make movies of those effigies and put them on the web.  Fight back.  Evict the deliriously self infatuated, patrician media cast and all its pseudo sophisticated, mundane messages of inhumanity.  They are destroying America, any way they can.

SOLUTION:
NEG