In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Example Input: Question: What types of planes did the Australian Flying Corps use the year Holden volunteered for them? Passage 1:"Where the Dream Takes You" is a "tender" pop power ballad with contemporary R&B, soul and lite rock influences, performed in an urban contemporary style. According to the song's official sheet music, published by Walt Disney Music Publishing on Musicnotes.com, "Where the Dream Takes You" is set in signature common time and performed at a moderate tempo of 88 beats per minute in the key of C major. The Disney Song Encyclopedia author Thomas S. Hischak believes that the song's lyrics are "about following your heart to find your true self", which begin "They'll try to hold you back, they will say you're wrong, but they will never understand, no, the journey that you're on." A writer for Barnes & Noble agreed that, thematically, the single "correlates to the film's tale of an inexperienced young adventurer", Milo Thatch, and its diverse cast of supporting characters, all of whom long to follow various dreams of their own as they search for Atlantis. One of its verses reads, "There's something in your soul/That won't be denied/It's the faith to dream that keeps the dream alive/So you still believe and you know you must go", encouraging listeners to follow their dreams despite others' opinions. Lasting a duration of four minutes, AllMusic cites the song's mood as both "earnest" and "mellow"; Mýa performs it using a "sweet vocal", which spans two octaves from G3 to D♭5. Based on a melody heard only briefly during the film, "Where the Dream Takes You" encompasses "soft, contemporary beats" combined with the singer's "dulcet tones" that recall music played in a piano lounge, contrasting with the time period in which the film itself is set. Its production, which has been described as "polished", was handled by Jay Selvester, Robbie Buchanan and Ron Fair.
 Passage 2:The ruins of the Norman Canterbury Castle and St Augustine's Abbey are both open to the public. The medieval St Margaret's Church now houses "The Canterbury Tales", in which life-sized character models reconstruct Geoffrey Chaucer's stories. The Westgate is now a museum relating to its history as a jail. The medieval church of St Alphege became redundant in 1982 but had a new lease of life as the Canterbury Urban Studies Centre, later renamed the Canterbury Environment Centre; the building is used by the King's School. The Old Synagogue, now the King's School Music Room, is one of only two Egyptian Revival synagogues still standing. The city centre contains many timber-framed 16th and 17th century houses, however there are far fewer than there were before the Second World War, as many were damaged during the Baedeker Blitz. Many are still standing, including the "Old Weaver's House" used by the Huguenots. St Martin's Mill is the only surviving mill out of the six known to have stood in Canterbury. It was built in 1817 and worked until 1890; it is now a house conversion. St Thomas of Canterbury Church is the only Roman Catholic church in the city and contains relics of Thomas Becket.
 Passage 3:Holden enlisted in the Australian Imperial Force on 26 May 1915, and was posted to the 4th Light Horse Brigade as a private. He departed for Egypt aboard the transport A29 Suevic on 13 June. Serving as a driver first in the Middle East and then on the Western Front, his mechanical ability and sense of adventure led him to volunteer for the Australian Flying Corps (AFC) in December 1916. After qualifying as a pilot in England, he was commissioned a lieutenant and posted to No. 2 Squadron. Commanded by Major Oswald Watt, No. 2 Squadron's personnel included many former Lighthorsemen, as well as mechanics from the AFC's first combat formation, the Mesopotamian Half Flight. The force trained extensively in England commencing in January 1917, before deploying to the Western Front that September. Holden was involved in the AFC's first day of combat in France; just after noon on 2 October, in the vicinity of Saint-Quentin, he and his wingman engaged a German two-seater that managed to escape.

Example Output: 3

Example Input: Question: What other dongs had won the Ivor Novello Award before the Beatles "Something" won it? Passage 1:From the mid-1970s, DJs in early discothèques were performing similar tricks with disco songs (using loops and tape edits) to get dancers on the floor and keep them there. One noteworthy figure was Tom Moulton who invented the dance remix as we now know it. Though not a DJ (a popular misconception), Moulton had begun his career by making a homemade mix tape for a Fire Island dance club in the late 1960s. His tapes eventually became popular and he came to the attention of the music industry in New York City. At first Moulton was simply called upon to improve the aesthetics of dance-oriented recordings before release ("I didn't do the remix, I did the mix"—Tom Moulton). Eventually, he moved from being a "fix it" man on pop records to specializing in remixes for the dance floor. Along the way, he invented the breakdown section and the 12-inch single vinyl format. Walter Gibbons provided the dance version of the first commercial 12-inch single ("Ten Percent", by Double Exposure). Contrary to popular belief, Gibbons did not mix the record. In fact his version was a re-edit of the original mix. Moulton, Gibbons and their contemporaries (Jim Burgess, Tee Scott, and later Larry Levan and Shep Pettibone) at Salsoul Records proved to be the most influential group of remixers for the disco era. The Salsoul catalog is seen (especially in the UK and Europe) as being the "canon" for the disco mixer's art form. Pettibone is among a very small number of remixers whose work successfully transitioned from the disco to the House era. (He is certainly the most high-profile remixer to do so.) His contemporaries included Arthur Baker and François Kevorkian.
 Passage 2:"Something" received the Ivor Novello Award for the "Best Song Musically and Lyrically" of 1969. Harrison subsequently performed the song at his Concert for Bangladesh shows in 1971 and throughout the two tours he made as a solo artist. Up to the late 1970s, it had been covered by over 150 artists, making it the second-most covered Beatles composition after "Yesterday". Shirley Bassey had a top-five UK hit with her 1970 recording, while Frank Sinatra regularly performed the song. Other artists who have covered "Something" include Elvis Presley, Ray Charles, Peggy Lee, James Brown, Tony Bennett, Andy Williams, Smokey Robinson and Ike & Tina Turner. In 1999, Broadcast Music Incorporated named "Something" as the 17th-most performed song of the twentieth century, with 5 million performances. In 2004, it was ranked at number 278 on Rolling Stones list of "The 500 Greatest Songs of All Time", while two years later, Mojo placed it at number 7 in the magazine's list of the Beatles' best songs. A year after Harrison's death in November 2001, McCartney and Eric Clapton performed it at the Concert for George tribute at London's Royal Albert Hall.
 Passage 3:The USS Essex had been constructed in 1856. She was a 1000-ton river gunboat, converted from her original role as a timberclad ferry named New Era. She was armed with one 32-pounder cannon, three Dahlgren smooth bores, one Dahlgren smoothbore and a 12-pounder howitzer. The USS St Louis was a City class ironclad built in 1861 at Carondelet, Missouri. She was armed with three 8-inch smoothbores, four 42-pounder rifles, six 32-pounder rifles and one 12-pounder rifle at the time of her service at Lucas Bend. Both ships were sent to Cairo, Illinois, early in the Civil War as part of troop transports moving the army into Tennessee. Illinois, a Union state which contributed 250,000 men to the Union Army, a figure surpassed by only New York, Pennsylvania, and Ohio, was a key theater. Cairo, at the confluence between the Mississippi and Ohio rivers, was a key supply point and headquarters for Flag Officer Andrew Hull Foote and General Ulysses S. Grant. It was defended by Fort Defiance. The complex river network provided routes for the Union gunboats into the heart of the Confederate forces; however the water levels – particularly in the Tennessee River – were often not sufficient for gunboats to pass.

Example Output: 2

Example Input: Question: How old was Stephen Geary when the cemetary was opened? Passage 1:The original catalyst for development was the ill-fated vanity project by Lord Kensington (died 1852) which consisted of the two-mile conversion of the insanitary Counter's Creek into the Kensington Canal (1826 onwards), followed by its eventual replacement first by "Mr Punch's railway", opened in 1844 and next, by the Metropolitan District Railway in 1865–69, which eventually became London Underground's District Line and was joined after 1907 by the Piccadilly line. Meanwhile, the congestion apparent in London and Middlesex for burials at the start of the century was causing public concern not least on health grounds. In 1837 a decision was made to lay out a new burial ground on the edge of Earl's Court in an outlying area of Brompton. The moving spirit behind the project was the engineer, Stephen Geary. It was necessary to form a company in order to get parliamentary permission to raise capital for the proposal. Securing the land – some 40 acres – from local landowner, Lord Kensington and the Equitable Gas Light Company, as well as raising the money proved an extended challenge. After two years the cemetery was duly established by Act of Parliament and laid out in 1839, it opened in 1840, originally as the West of London and Westminster Cemetery. It was consecrated by Charles James Blomfield, Bishop of London in June 1840, and is now one of Britain's oldest and most distinguished garden cemeteries, served by the adjacent West Brompton station.
 Passage 2:Bonko first sought political office in the 1995 municipal election, when he was elected to the Board of Edmonton Public Schools as trustee for Ward A. He was re-elected in the 1998 and 2001 elections. He did not seek re-election at the conclusion of his third term. Instead, he ran for the Legislative Assembly of Alberta in Edmonton Decore in the 2004 provincial election as a Liberal. He won 44.63% of the vote and defeated his opponents, who included former MLA Walter Szwender who was running for the Progressive Conservatives and Gary Masyk, an incumbent MLA whose riding had been abolished and who had crossed the floor to become the Alberta Alliance's first MLA after being elected as PC. He did not sponsor any bills during his time in the legislature, and was defeated by Progressive Conservative candidate Janice Sarich in the 2008 election.
 Passage 3:With the outbreak of the Civil War, Weed was promoted captain of the newly formed Battery I, 5th U.S. Artillery in May 1861. He remained at Camp Curtin in Harrisburg, Pennsylvania, training his crews until the spring of 1862, when they served in the Peninsula Campaign and at Second Bull Run. He commanded his battery during the fierce artillery duel at Antietam. Promoted to command of all the artillery of the V Corps, his guns were in action at the Battle of Fredericksburg. From December 1862 through January 1863, he was stationed at Falmouth, Virginia. After a short leave of absence, he took part in the Battle of Chancellorsville, commanding the artillery of the 2nd Division, V Corps. On June 6, 1863, Weed left the regular army artillery to accept a commission as a brigadier general in the volunteer army. He was assigned command of 3rd Brigade in the 2nd Division, V Corps.

Example Output:
1