Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.

Ex Input:
CONTEXT: I don't think it's a Czech-specific quip, actually. I believe the idea is that the lines are crude and not very intelligently written, as if someone were translating actual decent dialogue from a language they have poor command of, making the translation very rudimentary and child-like. Or possibly, if there was not a robust movie industry in that nation in the early 1980s, the quality of the output was considered pretty poor. Or some combination of the two. So, languages that were pretty common in the "western" and US part of the world would not work, even if the country was not really familiar (where the language was Spanish, French, German or Italian) or if there were not examples of any movies from a country. Portuguese? Maybe, but a Slavic or Balkan nation or language would be ideal for that line. Probably not Poland, because there was already a Polish stereotype about intelligence that was commonly used in jokes, so there might be some confusion about intent. "Czech" was merely chosen because it's a country an English speaking audience would be aware of, but there would be almost no movies, as of that time, that anyone could reference, making it an obscure scenario. They could have easily used Romania, Bulgaria, but could not use Latvia, Estonia, Ukraine, etc (nations that were, at that time, considered part of the USSR).  <sep>  Q: What's wrong with subtitles for a Czech movie, as referenced in Tootsie? A: I don't think it's a Czech-specific quip, actually  Q: Why does Julie say my lines sound like subtitles for a Czech movie? A: I believe the idea is that the lines are crude and not very intelligently written, as if someone were translating actual decent dialogue from a language they have poor command of 

Ex Output:
Well, I live in the Czech Republic and was wondering what do our subtitles look like in the US?


Ex Input:
CONTEXT: I don't have official source or script to draw from. However, my read on that scene is that they were waiting for the humans. The whole nest seems to be in a sort of button-up-and-fortify mode. The most the Vikings sniff of a dragon is the tail that gets whisked out of sight. This is more than likely intentional - note that the eerie sound that continues while the Vikings land and fortify continues right up until they punch the hole. It's a very similar sound to the sound the other Alpha dragons make in the second movie, while exerting dominance or control. The Alpha is holding it's nest on tight guard, possibly to pounce once it feels right. That all seems to go out the window when Stoick signals a fireball launched in. Whether that was just an agressive surprise, or read as some kind of direct challenge, I couldn't say for sure. The dragons in the tunnel though, didn't move until that moment, and it mostly seems to be an action of I'm-getting-the-heck-out-of-the-way as that Alpha decides to muscle out and deal with this personally.  <sep>  Q: Why didn't the dragons leave their lair earlier? A: The Alpha is holding it's nest on tight guard  Q: What is the Alpha and how is it different to the other dragons? A: exerting dominance or control 

Ex Output:
Is it true that the queen kept dragons as prisoners?


Ex Input:
CONTEXT: When cooper got pulled in Gargantua and ejected before spacecraft got destroyed, he got stuck in some extra dimension where time is non-linear. It's like a space where he can communicate with her daughter on earth through gravity. That's why Murph thought it was a ghost. So he can communicate with past time Murph because of the non-linear time structure of that extra dimension. This extra dimension space can be treated as parallel plane which can assess multiple time frames of earth.  <sep>  Q: How can Cooper communicate with his daughter before the time he went to space? A: When cooper got pulled in Gargantua and ejected before spacecraft got destroyed, he got stuck in some extra dimension where time is non-linear  Q: So was he still alive or was he a ghost? A: It's like a space where he can communicate with her daughter on earth through gravity. That's why Murph thought it was a ghost 

Ex Output:

Was he able to help Murph when he was communicating via gravity?