Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

CONTEXT: Carol had no problem understanding the guard. And the guard had no problem understanding her. The issue that Carol thought she had, was caused by pure confusion on the guards side, as the guard just witnessed some pretty freaky stuff and was still shocked by it. The guard simply didn't respond in a timely manner (actually not really at all), which made Carol think that the guard didn't understand her.  <sep>  Q: Why is Carol unable to understand English? A: Carol had no problem understanding  Q: Is her "universal translator" working? A: The guard simply didn't respond in a timely manner (actually not really at all), which made Carol think that the guard didn't understand her  Q: Did she understand the security guard? A: Carol had no problem understanding the guard. And the guard had no problem understanding her  <sep> FOLLOWUP_Q: How was her ability to understand English erased?
Yes

CONTEXT: Different question: Why shouldn't it be the case, i.e. have the same timespan per incarnation? Don't forget that all these three regenerations weren't triggered due to any natural/inherent reason (like dieing of old age). The ninth Doctor absorbed the vortex energy from Rose and the tenth Doctor absorbed the radiation from that completely weird and odd failsafe containment thingy. Neither of them regenerated by choice. Also keep in mind that timespans are hardly constant when comparing single episodes. While this is especially true for time travelling stuff, it's also true for pretty much any other TV series or movie (maybe except 24). For example, take episodes such as Rose or Aliens of London. The story happening in those essentially covers a day or two each. Compare this to episodes with far longer timespans, e.g. The Impossible Astronaut and the sequel: Those cover several months. Or, if you want it even more time bending: Blink happens on a single day for the audience as well as for the characters depicted in the present. However, for the Doctor (and Martha) obviously months pass.  <sep>  Q: Why did the 11th doctor live so long compared with his predecessors?
Yes

CONTEXT: This is one aspect of what is called the Anti-Hero. In Juno, he's just a "normal guy" and, potentially chosen because he is not someone people expect a fictional teenage girl in a movie would fantasize about. Also, they were going for a semblance of reality here rather than some weird hyper-perfect version we often see in a teenage movie. In action movies the anti-hero is quickly relatable, makes the danger seem even more dangerous. The anti-hero has a potential for growth, which is crucial for building a character. It is tiresome to see the perfect person become even more perfectly perfecter. As far as identifying with them etc. that's in the casting, writing and delivery. I am certain you can find more examples of failure in this regard.  <sep>  Q: What makes the nervous and anxious character model of Michael Cera, Jesse Eisenerg etc... so successful? A: This is one aspect of what is called the Anti-Hero  Q: Why do we view these characters as non-masculine? A: he is not someone people expect a fictional teenage girl in a movie would fantasize about  <sep> FOLLOWUP_Q: Why do we relate so well to the characters they play?

Yes