You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Ex Input:
 In this novel, the characters of Plantagenet Palliser, his wife Lady Glencora and their uncle the ailing Duke of Omnium are in the background. The plot centres on Lizzie Greystock, a fortune-hunter who ensnares the sickly, dissipated Sir Florian Eustace and is soon left a very wealthy widow and mother. While clever and beautiful, Lizzie has several character flaws; the greatest of these is an almost pathological delight in lying, even when it cannot benefit her. (Trollope comments that Lizzie sees lies as "more beautiful than the truth.") Before he dies, the disillusioned Sir Florian discovers all this, but does not think to change the generous terms of his will.
The diamonds of the book's title are a necklace, a family heirloom that Sir Florian gave to Lizzie to wear. Though they belong to her husband's estate (and thus eventually will be the property of her son), Lizzie refuses to relinquish them. She lies about the terms under which they were given to her, leaving their ownership unclear. The indignant Eustace family lawyer, Mr Camperdown, strives to retrieve the necklace, putting the Eustaces in an awkward position. On the one hand, the diamonds are valuable and Lizzie may not have a legal claim to them, but on the other, they do not want to antagonise the mother of the heir to the family estate (Lizzie having only a life interest).
Meanwhile, after a respectable period of mourning, Lizzie searches for another husband, a dashing "Corsair" more in keeping with her extravagantly romantic fantasies. She becomes engaged to a dull, but honourable politician, Lord Fawn, but they have a falling out when her character becomes better known, especially her determination to keep the diamonds. She then considers her cousin, Frank Greystock, even though he is already engaged to Lucy Morris, a poor but much beloved governess of the Fawn daughters. Greystock is a successful lawyer and Member of Parliament, but his income is inadequate to his position and spendthrift lifestyle. Lizzie believes he can shield her from the legal proceedings being initiated by Mr Camperdown. Another more Corsair-like possibility is one of the guests at her Scottish home, the older Lord George de Bruce Carruthers, a man who supports himself in a somewhat mysterious manner.
Among the other guests is a young woman named Lucinda Roanoke, whose financially straitened aunt, Mrs Carbuncle, is desperate to marry her off. Despite Lucinda's deep detestation of the brutish Sir Griffin Tewett, the aunt has her way and the mismatched couple become engaged.
Things take a dramatic turn on a trip to London. Lizzie, out of fear of Mr Camperdown, keeps her diamonds with her in a conspicuous strongbox. One night, at an inn, the strongbox is stolen and everybody assumes the jewellery is lost. As it turns out, Lizzie had taken the gems out and put them under her pillow, but acting on her first instincts, she perjures herself when she has to report the theft to the magistrate, thinking that she can sell the diamonds and let the robbers take the blame. Suspicion falls on both Lizzie and Lord George, acting either together or separately. In any case, the thieves, aided by Lizzie's disloyal maid, Patience Crabstick, try again and succeed in their second attempt. Lizzie feigns illness and takes to her bed. Lady Glencora Palliser pays Lizzie a visit to offer her sympathy.
The police begin to unravel the mystery, putting Lizzie in a very uncomfortable position. In the end, the diamonds are lost, the police discover the truth, and Lizzie is forced to confess her lies, though she escapes legal retribution since her testimony is needed to convict the criminals. Both Frank Greystock and Lord George become disgusted by her conduct and desert her. Lucinda Roanoke grows to loathe Sir Griffin more and more intensely until, on what would have been the day of their wedding, she loses her sanity. Frank Greystock returns to Fawn Court to marry Lucy Morris. Mr Emilius, a foreign crypto-Jewish clergyman, woos Lizzie while she is in a vulnerable state and succeeds in marrying her (though it is hinted earlier in the book and is later confirmed in Phineas Redux that he is already married).

Ex Output:
What legally happens to Lizzie when she reports the theft to the magistrates?


Ex Input:
 Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo ...
His father told him that story: his father looked at him through a glass: he had a hairy face.
He was baby tuckoo. The moocow came down the road where Betty Byrne lived: she sold lemon platt.
 James Joyce, Opening to A Portrait of the Artist as a Young Man
The childhood of Stephen Dedalus is recounted using vocabulary that changes as he grows, in a voice not his own but sensitive to his feelings. The reader experiences Stephen's fears and bewilderment as he comes to terms with the world in a series of disjointed episodes. Stephen attends the Jesuit-run Clongowes Wood College, where the apprehensive, intellectually gifted boy suffers the ridicule of his classmates while he learns the schoolboy codes of behaviour. While he cannot grasp their significance, at a Christmas dinner he is witness to the social, political and religious tensions in Ireland involving Charles Stewart Parnell, which drive wedges between members of his family, leaving Stephen with doubts over which social institutions he can place his faith in. Back at Clongowes, word spreads that a number of older boys have been caught "smugging"; discipline is tightened, and the Jesuits increase use of corporal punishment. Stephen is strapped when one of his instructors believes he has broken his glasses to avoid studying, but, prodded by his classmates, Stephen works up the courage to complain to the rector, Father Conmee, who assures him there will be no such recurrence, leaving Stephen with a sense of triumph.
Stephen's father gets into debt and the family leaves its pleasant suburban home to live in Dublin. Stephen realises that he will not return to Clongowes. However, thanks to a scholarship obtained for him by Father Conmee, Stephen is able to attend Belvedere College, where he excels academically and becomes a class leader. Stephen squanders a large cash prize from school, and begins to see prostitutes, as distance grows between him and his drunken father.
As Stephen abandons himself to sensual pleasures, his class is taken on a religious retreat, where the boys sit through sermons. Stephen pays special attention to those on pride, guilt, punishment and the Four Last Things (death, judgement, Hell, and Heaven). He feels that the words of the sermon, describing horrific eternal punishment in hell, are directed at himself and, overwhelmed, comes to desire forgiveness. Overjoyed at his return to the Church, he devotes himself to acts of ascetic repentance, though they soon devolve to mere acts of routine, as his thoughts turn elsewhere. His devotion comes to the attention of the Jesuits, and they encourage him to consider entering the priesthood. Stephen takes time to consider, but has a crisis of faith because of the conflict between his spiritual beliefs and his aesthetic ambitions. Along Dollymount Strand he spots a girl wading, and has an epiphany in which he is overcome with the desire to find a way to express her beauty in his writing.
As a student at University College, Dublin, Stephen grows increasingly wary of the institutions around him: Church, school, politics and family. In the midst of the disintegration of his family's fortunes his father berates him and his mother urges him to return to the Church. An increasingly dry, humourless Stephen explains his alienation from the Church and the aesthetic theory he has developed to his friends, who find that they cannot accept either of them. Stephen concludes that Ireland is too restricted to allow him to express himself fully as an artist, so he decides that he will have to leave. He sets his mind on self-imposed exile, but not without declaring in his diary his ties to his homeland:
... I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.

Ex Output:
Where is Stephen's class taken?


Ex Input:
 On January 5, 1900 in London, four friends arrive for a dinner at the house of their friend H. George Wells (Rod Taylor), an inventor. Bedraggled and exhausted, George arrives and begins to describe the strange experiences he has had since the group last met.
At their earlier dinner, on December 31, 1899, George describes time as "the fourth dimension" to David Filby (Alan Young), Dr. Philip Hillyer (Sebastian Cabot), Anthony Bridewell (Tom Helmore), and Walter Kemp (Whit Bissell). He shows them a small model of his time machine and asks a guest to press a tiny lever. The device disappears, validating his claim, but his friends remain unconvinced; their reactions vary from curiosity to frank dismissal.
George bids his guests a good evening, then heads downstairs where his full-size time machine awaits. He presses a lever and moves forward through time 17 years into the future. He meets Filby's son, James, who tells him of Filby's death in the Great War. Saddened, he resumes his journey, stopping in 1940 during The Blitz, finding himself in the midst of "a new war"; George resumes his journey and stops in 1966, finding his neighbourhood now part of a futuristic metropolis. People are hurrying into a nearby fallout shelter amid the blare of air raid sirens. An elderly James Filby urges George to immediately take cover, but he does not understand the danger. A nuclear explosion causes a sudden volcanic eruption around him. George continues his journey forward as the lava rapidly cools and hardens, trapping him inside. He travels far into the future until the topography changes. Hundreds of thousands of years later, the rock erodes away to reveal that London is now gone, and has been replaced by a lush, green and unspoilt landscape.
George stops in AD 802,701 near the base of a towering sphinx. He goes exploring and finds a group of delicate young men and women wearing simple clothing gathered at a stream. One woman, carried off by the current, screams for help but none of her companions show any concern. George rescues her and is surprised when, revived, she walks away without a word; later, she seeks him out, giving him a flower. She says her name is Weena (Yvette Mimieux) and tells George her people are called the Eloi. He soon learns the Eloi do not operate machines, work, read, and know virtually nothing of history; they do not even understand fire.
George decides to leave but discovers his machine has been dragged into the sphinx. Weena tells him "Morlocks", who only come out at night, have moved it. A Morlock jumps out from behind bushes and tries to drag her away, but the creature's light-sensitive eyes are blinded by George's fire torch; he easily rescues her.
The next day, Weena shows George domed, well-like structures that dot the landscape; they are air shafts that double as access to the Morlock underworld. She takes him to an ancient museum where "talking rings" tell of a centuries-long nuclear war in the distant past. A reduced population fought for survival in the poisoned landscape; many decided to live underground in permanent settlements, while some decided to return to the surface. George realises this marked the beginning of speciation for the Morlocks and the Eloi. He starts to climb down a shaft but turns back when sirens blare from atop the sphinx. He emerges to find Weena gone and crowds of Eloi in a trance-like state, entering open doors at its base. The sirens stop and the doors close, trapping Weena inside.
George enters the Morlocks' subterranean caverns and is horrified to discover that the Eloi are the free range livestock for the cannibalistic Morlocks. After finding Weena, he begins fighting the creatures. His efforts inspire other Eloi, who begin to defend themselves. George sets a fire and urges the Eloi to clamber out of the caverns to the surface, where he directs them to gather dry tree branches and drop them down the shafts. Smoke billows out of the shafts, and the subterranean cavern later collapses.
The next morning, George finds the sphinx in charred ruins and its doors open. His time machine sits just inside, a trap set by the Morlocks. He enters, the doors close, and he is attacked in the dark. George sends his time machine hurtling into the past, returning to 1900. It comes to rest on the lawn outside his house, where his story ends.
George's friends are again skeptical. He produces Weena's flower and Filby, an amateur botanist, says the species is completely unknown in the 19th century. George bids his guests a good evening. Filby steps out but returns to find George and his machine gone. He notices drag marks where it would be positioned outside the sphinx after returning to the Eloi. Filby and Wells' housekeeper notice three books are missing. Filby asks her, "Which three would you have taken"? She wonders if George will ever return. He observes that George has "all the time in the world".

Ex Output:

How do George and the Eloi destroy the sphinx?