In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: What age was the cartoonist and painter that White met in 2002? Passage 1:The Mets went on to sweep the Atlanta Braves in the 1969 National League Championship Series, but were heavy underdogs heading into the 1969 World Series against the Baltimore Orioles. Following a 4-1 loss in the series opener with Cy Young award winner Seaver on the mound, it seemed as if the Mets had little chance against the Orioles. However, the Mets bounced back, winning the next four games to capture their first world championship. Besides catching every inning in the post-season, Grote contributed offensively with a single in Game Two to keep a ninth inning rally alive and Al Weis followed with the game-winning hit. With Game Four tied, Grote doubled to start the tenth inning, then pinch runner Rod Gaspar scored the winning run when an errant throw hit J.C. Martin on the wrist. With Grote calling the pitches, the Mets pitching staff held the Orioles hitters to a .146 batting average during the series.
 Passage 2:In 2002, White met the cartoonist and painter Gary Panter, better known as the designer of The Pee-wee Herman Show. They began collaborating on light shows, beginning the third incarnation of the Joshua Light Show, which continues to perform. Beginning with a series of performances at the Anthology Film Archives in 2004, the Joshua Light Show performs at festivals, museums and venues such as the Skirball Center, Abrons Art Center, the Museum of Contemporary Art Detroit, the Hayden Planetarium, the Barbican Centre, UC Davis, and the San Francisco Exploratorium. In 2007, the light show formed a relationship with composer and curator Nick Hallett. The Joshua Light Show has also been featured in museum exhibitions such as "Visual Music" at the Hirshhorn Museum in Washington DC and "The Summer of Love", originating at the Tate Liverpool, then travelling to Frankfurt, Vienna and the Whitney Museum in 2008. The Joshua Light Show's "Liquid Loops" was recently included in the exhibition "60-'69” at the Museum of Modern Art and was acquired by the museum for their permanent collection. In 2014 White collaborated with the artist Guy Richards Smit to create the video/installation/performance project "The Grossmalerman Show."
 Passage 3:Born in Brescia, Italy, he began music lessons at the age of three, initially with the violin, but quickly switched to the piano. At eleven he entered the Milan Conservatory, graduating three years later at fourteen. In 1938, at the age of eighteen, he began his international career by entering the Ysaÿe International Festival in Brussels, Belgium, where he was placed seventh. A brief account of this competition, at which Emil Gilels took first prize and Moura Lympany second, is given by Arthur Rubinstein, who was one of the judges. According to Rubinstein, Benedetti Michelangeli gave "an unsatisfactory performance, but already showed his impeccable technique." A year later he earned first prize in the Geneva International Competition, where he was acclaimed as "a new Liszt" by pianist Alfred Cortot, a member of the judging panel, which was presided over by Ignacy Jan Paderewski.

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Question: When was the university founded that Van Houwelingen applied to in June 1962? Passage 1:Helped by his association with The Guardian, Cannon was able to contribute more substantial articles to the Los Angeles Times and the Chicago Sun-Times, and to underground magazines such as Creem. He wrote the 1970 documentary film London Rock, focusing on the UK's counterculture movement. He recalls that, together with Rolling Stone journalists David Dalton and Jonathan Cott, he joined Granada Television documentary-makers such as Jo Durden-Smith, John Sheppard and Michael Darlow in devising "prime-time networked shows designed as anthems of the revolution". Among these late-1960s projects, he says that the Johnny Cash at San Quentin TV special was his idea, and he "share[s] credit" for the ideas behind the concert films The Doors Are Open and The Stones in the Park. He also directed the film of Frank Zappa's performance at the 1970 Palermo Pop Festival, for RAI, Italy's national public broadcaster.
 Passage 2:Van Houwelingen applied at the Utrecht University in June 1962 majoring in Chemistry and obtaining an Bachelor of Science degree in July 1964. Van Houwelingen served in the Royal Netherlands Army as a second lieutenant from November 1964 until November 1966. Van Houwelingen worked as a chemist and researcher in the private sector from November 1962 until March 1973. Van Houwelingen served on the Municipal Council of Leerdam from April 1968 until June 1974 and served on the Provincial-Council of Utrecht from June 1970 until June 1974. Van Houwelingen became a Member of the House of Representatives after the resignation of Barend Biesheuvel, taking office on 7 March 1973. After the election of 1977 the Christian Democratic Appeal and the People's Party for Freedom and Democracy (VVD) formed the Cabinet Van Agt-Wiegel, Van Houwelingen and several Christian Democratic Appeal Members of the House of Representatives were critical on the coalition agreement and formed an informal caucus in their own parliamentary group called the  that followed the cabinet critically throughout the entire period. After the election of 1981 Van Houwelingen was appointed as State Secretary for Defence in the Cabinet Van Agt II, taking office on 14 September 1981. The Cabinet Van Agt II fell just seven months into its term on 12 May 1982 and continued to serve in a demissionary capacity until it was replaced by the caretaker Cabinet Van Agt III with Van Houwelingen continuing as State Secretary for Defence, taking office on 29 May 1982. After the election of 1982 Van Houwelingen returned as a Member of the House of Representatives, taking office on 16 September 1982. Following the cabinet formation of 1982 Van Houwelingen continued as State Secretary for Defence in the Cabinet Lubbers I, taking office on 4 November 1982. After the election of 1986 Van Houwelingen again returned as a Member of the House of Representatives, taking office on 3 June 1986. Following the cabinet formation of 1986 Van Houwelingen remained as State Secretary for Defence in the Cabinet Lubbers II, taking office on 14 July 1986. After the election of 1989 Van Houwelingen once again returned as a Member of the House of Representatives, taking office on 14 September 1989. Following the cabinet formation of 1989 Van Houwelingen was not giving a cabinet post in the new cabinet, the Cabinet Lubbers II was replaced by the Cabinet Lubbers III on 7 November 1989 and he continued to serve in the House of Representatives as a frontbencher chairing several . In December 1993 Van Houwelingen announced that he wouldn't not stand for the election of 1994 and continued to serve until the end of the parliamentary term on 17 May 1994. In May 1994 Van Houwelingen was nominated as Mayor of Haarlemmermeer, serving from 1 June 1994 until 1 January 2003.
 Passage 3:Filmed in technicolor format, the music video for "Nobody's Perfect" was shot at Nu Boyana Film studios in Sofia, Bulgaria, on 24 March 2011 and was directed by Emil Nava. The music video premiered on 14 April 2011 in the United Kingdom through Jessie's Vevo channel. The music video is inspired by Lewis Carroll classic tale Alice's Adventures in Wonderland, Jessie J sits in a banquet table similar to the Mad Hatters' tea party. Jessie J is shown in a hall of doors that gives a resemblance to the curious hall in the first chapter of Alice in Wonderland. Jessie J also rolls in tar and appears dressed as the Roman goddess Libertas, who is better known as the robed female figure of the Statue of Liberty, what could be interpreted as Black-and-white dualism. After completing the filming sessions, Jessie J described the video as her favorite done so far.

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Question: I what city was Ward an assistant professor of Creative Writing? Passage 1:In 1933, Ottwalt and his wife, Waltraut, left Germany and went into exile in Denmark, then, by way of Czechoslovakia, ended up in the Soviet Union. Living in Moscow, Ottwalt wrote for the German exile magazine Internationale Literatur (published by Johannes R. Becher) and was an editor at Vegaar Bibliothek. He also wrote for the Deutsche Zentral Zeitung. In 1936, he and his wife were ensnared in the Stalinist purges and arrested by the Soviet secret police, the NKVD. He was charged with suspicion of espionage, sentenced to forced labor and deported to a gulag near Archangelsk. His wife was sentenced to forced labor in Kotlas. She was deported back to Germany in January 1941 and didn't learn about his death until January 1958, when the Soviet Red Cross informed her that her husband had died on 24 August 1943.
 Passage 2:Jesmyn Ward (born April 1, 1977) is an American novelist and an associate professor of English at Tulane University. She won the 2011 National Book Award for Fiction for her second novel Salvage the Bones. She also received a 2012 Alex Award for the story about familial love and community covering the 10 days preceding Hurricane Katrina, the day of the cyclone, and the day after. Prior to her appointment at Tulane, Ward was an assistant professor of Creative Writing at the University of South Alabama. From 2008 to 2010, Ward had a Stegner Fellowship at Stanford University. She was the John and Renée Grisham Writer in Residence at the University of Mississippi for the 2010–2011 academic year. Ward joined the faculty at Tulane in the fall of 2014. In 2013, she released her memoir Men We Reaped. In 2017, she was the recipient of a MacArthur "genius grant" from the John D. and Catherine T. MacArthur Foundation. That same year, she received a second National Book Award for her third novel, Sing, Unburied, Sing", which made her the first woman to win two National Book Awards for Fiction. The novel also won an Anisfield-Wolf Book Award.
 Passage 3:The earliest surviving written criticisms of Islam are to be found in the writings of Christians who came under the early dominion of the Islamic Caliphate. One such Christian was John of Damascus (c. 676–749 AD), who was familiar with Islam and Arabic. The second chapter of his book, The Fount of Wisdom, titled "Concerning Heresies", presents a series of discussions between Christians and Muslims. John claimed an Arian monk (whom he did not know was Bahira) influenced Muhammad and viewed the Islamic doctrines as nothing more than a hodgepodge culled from the Bible. Writing on Islam's claim of Abrahamic ancestry, John explained that the Arabs were called "Saracens" (Greek Σαρακενοί, Sarakenoi) because they were "empty" (κενός, kenos, in Greek) "of Sarah". They were called "Hagarenes" because they were "the descendants of the slave-girl Hagar".


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