In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

Q: Question: Where was the person born who directed Aeon Flux? Passage:The screenplay was written by Phil Hay and Matt Manfredi, and directed by Karyn Kusama. It was based on the animated TV series by Peter Chung, who had a minor role in this film version of his work. In the early stages of production, actress Michelle Rodriguez was considered for the part of Æon. She had previously worked with Kusama in Girlfight. Kusama had originally suggested filming in Brasília, the capital of Brazil, because the 20th-century modern architecture of that city fit with her vision of Bregna. The producers rejected the idea because Brasília lacked the infrastructure and technical expertise to support a major film production. After several cities were scouted, Berlin and Potsdam in Germany were chosen for filming. Berlin had several locations that fit into the organic yet structured world of Æon Flux. The crew gained permission to film in several locations that had never allowed such access before, including the Treptow Crematorium, the Adlershof Trudelturm and Windkanal wind tunnel facility, and the Haus der Kulturen der Welt ("House of the World's Cultures"). Additional locations included the Bauhaus Archive and a dissection theatre built in 1790 to train veterinarians, part of the Berlin animal shelter. It was used as the Handler space. Filming was temporarily suspended for a month during September 2004 while Theron recovered from a neck injury she sustained during stunt-work on the tenth day of shooting. She was hospitalized in Berlin for five days and required about six weeks of physiotherapy to recover.
 Links: a. Wind tunnel b. Matt Manfredi c. Bauhaus Archive d. Karyn Kusama

A: d
****
Q: Question: What current countries were part of the Ottoman Empire? Passage:Crimea: The Last Crusade is a panoramic history of the Crimean War of 1853–56. Drawing extensively from Russian, French and Ottoman as well as British archives, it combines military, diplomatic, political and cultural history, examining how the war left a lasting mark on the national consciousness of Britain, France, Russia and Turkey. Figes sets the war in the context of the Eastern Question, the diplomatic and political problems caused by the decay of the Ottoman Empire. In particular, he emphasises the importance of the religious struggle between Russia as the defender of the Orthodox and France as the protector of the Catholics in the Ottoman Empire. He frames the war within a longer history of religious conflict between Christians and Muslims in the Balkans, southern Russia and the Caucasus that continues to this day. Figes stresses the religious motive of the Tsar Nicholas I in his bold decision to go to war, arguing that Nicholas was swayed by the ideas of the Pan-Slavs to invade Moldavia and Wallachia and encourage Slav revolts against the Ottomans, despite his earlier adherence to the Legitimist principles of the Holy Alliance. He also shows how France and Britain were drawn into the war by popular ideas of Russophobia that swept across Europe in the wake of the Revolutions of 1830 and 1848. As one reviewer wrote, Figes shows "how the cold war of the Soviet era froze over fundamental fault lines that had opened up in the 19th century."
 Links: a. Crimean War b. Ottoman Empire c. Catholic Church d. Pan-Slavism

A: b
****
Q: Question: Where was the man who called the manuscript "comparatively modern" born? Passage:The Chronicon Angliae Petriburgense is a 14th-century chronicle written in Medieval Latin at Peterborough Abbey, England, covering events from 604 to 1368, although the original manuscript ends with an entry for 868, and the remainder was added in the 17th century. It survives as part of a composite manuscript volume held at the British Library with the mark Cotton Claudius A.v, in which it appears on folios 2–45. An edition of the Chronicon was published in 1723 by Joseph Sparke, in a collection of English histories by various writers. According to John Allen Giles, in the preface to his own edition published by the Caxton Society in 1845, the Chronicon was attributed by both Simon Patrick and Henry Wharton to John of Caleto (or "Caux"), who was an abbot of Peterborough (1250–1262). Giles reported a marginal note in the manuscript making a similar attribution, besides a similar note at the beginning of the manuscript stating that it belonged to Peterborough Abbey. However, Giles observed that this manuscript attribution was "comparatively modern", and regarded the chronicle's author as unknown. In Giles's view, the Chronicon is "extremely valuable both on account of the numerous facts which it contains, and for the [700 years] which it embraces."
 Links: a. Chronicle b. Medieval Latin c. Simon Patrick d. John Allen Giles

A:
d
****