TASK DEFINITION: In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.
PROBLEM: Question: What army did the 13th Iowa Infantry Regiment fight for during the Civil War? Passage:At the beginning of the Civil War, he became a lieutenant and adjutant of the 13th Iowa Infantry Regiment. He fought at the battle of Shiloh and Corinth. He served as assistant adjutant general in the XVII Corps during the siege of Vicksburg and assistant adjutant general to the Army of the Tennessee during the Atlanta Campaign. He was made a brevet brigadier general for service in the Atlanta Campaign and was assigned to an infantry brigade in the XV Corps during the Carolinas Campaign, but was only lightly engaged in fighting. He rose to the full rank of brigadier general of volunteers (1865), and was made a brevet major general at the close of the same year for gallant and meritorious services during the war.


SOLUTION: b

PROBLEM: Question: How old was John Sargent the year Vassos moved to Boston? Passage:Vassos moved to Boston, Massachusetts in 1919, where he attended the Fenway Art School at night. He studied alongside American artist John Singer Sargent and worked as an assistant for Joseph Urban. In 1924 he moved to New York, where he attended the Art Students League of New York, studying under George Bridgman, John Sloan, and others. He opened his own studio creating window displays for department stores, like Wanamakers, murals, and advertisements for Saks Fifth Avenue, Bonwit Teller, and Packard Motor Cars in his unique black and white illustrated style. At the same time, he illustrated a series of books by Oscar Wilde for E.P. Dutton followed by others including Phobia on which he based his life-long design focus on psychology, his area of expertise as noted by Fortune Magazine's list of top designers in the country. He entered the emergent field of industrial design and was hired by rapidly-growing RCA Victor, under the leadership of David Sarnoff, who discovered Vassos while painting murals at the WCAU skyscraper in Philadelphia. The company had recently acquired Victor Phonograph, built Radio City, and owned NBC Broadcasting, but needed to amplify and modernize their radio manufacturing business. By hiring Vassos, an up-and-coming industrial designer who created their first Styling department, launched Vassos on a four-decade relationship with the company for whom he designed hundreds of items, while also consulting for numerous other clients like Coca-Cola, Waterman, Universal Artists, Remington, and the United States Government. Vassos's work as an interior designer included the Chrysler Building apartment of photographer Margaret Bourke-White, Nedick's Hot Dog stands, displays for RCA in department stores and the World's Fair,and many others for which he employed modular furniture. He eschewed trendy styles like the extreme-streamlined look, popular in the 1930s, and favored the clean, modern look unadorned with unnecessary elements. He expressed his design philosophy for magazines like Pencil Points and in lectures on modern design and art. Although he was hailed as a top designer in the United States during the 1930s, he slipped away from the spotlight of his industrial design peers like Raymond Loewy, Henry Dreyfuss, and Norman Bel Geddes, largely because he did not open a large firm. Unique among the industrial designers of the 20th century, his work was focused on the intersections between interior decorating, furniture design, and the shapes of phonographs, radios and televisions. His contributions include creating a futuristic living room including television, the slide rule dial on radios, emphasis on the haptic experience of media (knobs and buttons), and the "user experience," years before this term was coined.


SOLUTION: b

PROBLEM: Question: Which of the conflicts that occured between 1918 and 1921 occured first? Passage:A large portion of the Vilnius area was controlled by the Second Polish Republic during the interwar period, particularly the area of the Republic of Central Lithuania, which had a significant Polish speaking population. For example, the Wilno Voivodeship (25% of it is a part of modern Lithuania and 75% - modern Belarus) in 1931 contained 59.7% Polish speakers and only 5.2% Lithuanian speakers; see Ethnic history of the region of Vilnius for details. From 1918 to 1921 there were several conflicts, such as the activity of the Polish Military Organization, Sejny uprising (that was met with massive outrage in Lithuania) and a discovered attempt at a Polish coup on the Lithuanian government. From the documents stolen from Polish Military Organization headquarters safe in Vilnius and given to Prime Minister of Lithuania Augustinas Voldemaras, it is clear that this plot was directed by Józef Piłsudski himself. The Polish-Lithuanian War and Żeligowski's Mutiny contributed to a worsening of Polish-Lithuanian relations; increasingly Polish people were viewed with suspicion in Lithuania. The loss of Vilnius was a stunning blow to Lithuanian aspirations and identity, and the unrelenting irredentist demand for its return became one of the most important elements of Lithuanian political and social life in the interwar period. The irredentist campaign resulted in the emergence of feelings of hatred and revenge directed against the Poles in the Lithuanian society. In fact, the largest social organization in interwar Lithuania was the League for the Liberation of Vilnius, which propagated irredentist views in its magazine Mūsų Vilnius (Our Vilnius).


SOLUTION:
a