In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Ex Input:
Review: What's Good About It: Some inventive and genuinely creepy little effects that will get under the skin of even the most seasoned horror fan. Doesn't rely on the hackneyed soundtrack stabs for its "gotcha" moments. Even if you've seen everything, there's still a few things in this film that will make your jaw drop.What Could Have Been Better About It: The acting was, at times, flat and unconvincing. It had a "shot-on-video" quality in some places (though,it mostly achieved the atmosphere it was striving for), and the camera work is full of needless close-ups of meaningless actions. Though the effects are genuinely creepy, I think they may have gone to the well a few too many times with some of them. The ending seemed rushed, and glossed over what could have been more impactful moments. The viewer is left to figure out a lot of things for themselves, not as a challenge by the filmmakers, but because they just missed it.Still, a good little indie horror film that is easily several steps above the average. Well worth the rental. Question: is it a negative review?

Ex Output:
no


Ex Input:
Review: Alan (Anthony Steffen), an English multi-millionaire with a few screws loose (thanks to his first wife's infidelity and untimely death during childbirth), entices sexy, red-headed women to his castle, offering them bundles of cash to stay the weekend. Once back at his ancestral pile, he gets them nekkid, proceeds to flog them with a bull-whip, and then kills them.But when he meets blonde hottie Gladys (Marina Malfatti) and falls for her ample charms, he decides to give up his murderous ways and get married. Their wedded bliss is short-lived, however, thanks to Alan's iffy mental state, which becomes increasingly fragile when his dead wife Evelyn starts to appear outside his window and a spate of gruesome murders occur within the castle grounds.So let's recap: a groovy 70s Euro-horror with loads of tasty women in various states of undress; spooky Gothic retreats and misty graveyards; a sadistic rich psycho with a penchant for drop-dead gorgeous babes with cracking bods; several vicious murders (including a great bit where one victim has her head bashed in with a rock and her entrails eaten by foxes). Normally, a checklist like that would guarantee me a good timeso why did I find 'The Night Evelyn Came Out Of Her Grave' so dull? Well, for starters, the plot is way too convoluted: there are red herrings, crazy plot developments, and suspects galore, and it all becomes a bit too much. By the ridiculous endingin which we discover that, all along, several people have been plotting to get their greedy paws on Alan's wealth, and that our red-head killing nut-job is actually supposed to be the hero of the moviemy head was hurting too much to care! Secondly, Emilio Maraglia's direction is pretty torpid. Stylish, yes; but as slow as molasses at times.And then there's the bits that are just too damn silly, possibly even for a giallo: the death by poisonous snake bite (surely one of the most bizarre choices of weapon ever); Alan's Aunt Agatha, an old crippled relative who is played by a pretty young woman; the hiring of a group of identical curly headed blondes as maids; the poor attempt at convincing the audience that the film is set in England (mentioning 'pounds' and hiring a crap police uniform for one of the extras is not enough); and then, of course, there is the unlikelihood of finding a bag of sulphuric acid laying next to a swimming pool...'The Night Evelyn Came Out Of Her Grave' isn't a total waste of time (how could it be, with so much female flesh on show?), but there are much better giallo's out there. Watch this one if you're a fan of the genre and you've already seen the bestbut don't expect too much. Question: is it a positive review?

Ex Output:
no


Ex Input:
Review: This remake of the 1962 orginal film'o the book has some very good parts to commend it and some fine performances by some fine actors - however Scorsese opts toward the end for the most formulaic of plot twists and an embarrassingly overacted shakespearean demise that had me looking at my watch.DeNiro is a superb actor, dedicated to giving his all in the work he does, however he needs direction to focus his talent, and this is sorely lacking in the last five minutes of the film.Gregory Peck's cameo is serviceable but nothing more whilst Robert Michum is always fun to watch, even with as few lines as this.Nick Nolte turns in a better performance than Lorenzo's Oil but is not on the same form as "Weeds". Joe Don Baker has some great lines while Juliette Lewis proves yet again that talent sometimes skips a generation.Some good points? The start credits(!), the first view of Cody's back when doing dips in the prison, the scene where Cody is attacked with baseball bats, Sam Bowden's decent into full-fledged panic, Cody's outwardly calm but unnerving prescence.The worst? The "Cleaning woman - BUT NOT REALLY!!!" part. Clinging bare-handed to the underside of a car for a hundred miles at high speed. (Are there no speed bumps in the US?) The "He's dead - BUT NOT REALLY!!!" partS and the aforementioned rambling ending.I may watch the original again, but I've yet to be tempted to watch the remake in four years since seeing it. Question: is it a negative review?

Ex Output:

yes