In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

[EX Q]: It is Christmas 1911 and Arthur Winslow, a retired London banker, is making final preparations for a dinner to seal the engagement between his daughter Catherine, an outspoken supporter of the controversial cause of women's suffrage, and Captain John Watherstone. The family and guests are toasting the upcoming marriage when Arthur discovers that his youngest son Ronnie, a 13-year old cadet at the Royal Naval College at Osbourne, is unexpectedly home. Ronnie has been accused of the theft of a postal order. An internal enquiry, conducted without notice to his family and without benefit of representation, finds him guilty and Mr. Winslow is "requested to withdraw" his son from the college (the formula of the day for expulsion). Ronnie proclaims his innocence and his father believes himenough so that he demands an apology from the College. When the college refuses to reinstate Ronnie, Arthur decides to take the matter to court. With the help of his daughter and Desmond Curry, a solicitor and friend of the family, Mr. Winslow decides to hire the most highly sought after barrister in England at the time, Sir Robert Morton, known also to be a shrewd opposition Member of Parliament.The government is unwilling to allow the case to proceed. The Naval College is a representative of the Admiralty and the Crown, and as such British law presumes they are infallible and above question; their judgment can be legally questioned only with the permission of the Attorney General. However, after heated debates in the House of Commons, the government yields, and the case does come to court.Catherine had expected Sir Robert to decline the case, or at best to treat it as a political tool; instead, he is coolly matter-of-fact about having been persuaded of Ronnie's innocence by his responses to questioning (in fact, a form of cross-examination, to see how young Ronnie would hold up in court) in the presence of his family. Catherine, left-wing suffragette, is not so enthusiastic towards Morton who she considers too heartless for a case like this. Catherine is also disturbed by Sir Robert's establishment views: he is a conservative opponent of womens suffrage. "He always speaks out against what is right," she complains. However, she admires his legal skills. Morton on his part is obviously quite taken with her from the moment he glimpses her peering down at him from the ladies' gallery at the House of Commons.In the meantime, the case creates media hysteria and puts a heavy toll on the Winslow family their funds are rapidly depleted in order to cover legal expenses. Mr. Winslow's physical health deteriorates under the strain and the happiness of the Winslows' home is destroyed. Arthur's wife, Grace, begins to wonder if the real issue is justice or a father's stubborn and foolish pride. Forced to make economical sacrifices, Grace Winslow is unwilling to take the drastic measure of dismissing, Violet, who has been the familys maid for over twenty years. The eldest son, Dickie Winslow, has to leave Oxford due to the lack of money destroying his chance at a career in the Civil Service. Instead, he is compelled to find employment in his fathers bank. Catherine's marriage settlement is also gone. Her fiancé John Watherstone breaks off the engagement in the face of opposition from his father (an Army Colonel), forcing her to consider a sincere and well-intentioned offer of marriage from Desmond, whom she does not love. Sir Robert has also declined appointment as Lord Chief Justice, rather than drop the case. The least affected is Ronnie, who happily has been transferred to a new school.At trial, Sir Robert (working together with Desmond Curry and his firm) is able to discredit much of the supposed evidence. The Admiralty, certainly embarrassed and presumably no longer confident of Ronnie's guilt, abruptly withdraws all charges against him, proclaiming the boy entirely innocent.When their resounding victory arrives, not a single member of the Winslows family is present at court. It is Violet, the maid, who tells Mr. Winslow and Catherine what had happened at court. Shortly after, Sir Robert appears in the Winslowss home to share the good news. The film ends with a suggestion that romance may yet blossom between Sir Robert and Catherine, who acknowledges that she has misjudged him all along., Question: Who do they engage to assist them ?
[EX A]: Answer: They engage a friend and family solicitor, Desmond Curry to assist them.

[EX Q]: The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: Who tells a policeman that she had been hypnotised to murder someone with a screwdriver?
[EX A]: Answer: Billy's wife

[EX Q]: Travis Henderson (Harry Dean Stanton) is walking alone across a vast South Texas desert landscape. Looking for water, he enters a saloon and collapses. He is treated by a doctor (Bernhard Wicki), but does not speak or respond to questions. The doctor finds a phone number on Travis, calls the Los Angeles number, and reaches his brother, Walt Henderson (Dean Stockwell), who agrees to pick him up. When Walt arrives in Texas, he discovers that Travis is gone. When he finds him wandering alone, Walt tells his silent brother that he will take him back to Los Angeles. They stop at a motel, but Travis wanders off again. Walt finds him, and the two drive to a diner, where Walt begins to question the still silent Travis more forcefully about his disappearance. Walt and his wife, Anne (Aurore ClÃ©ment), have not heard from Travis in four years. After Travis abandoned his son Hunter (Hunter Carson), Walt and Anne took care of him for four years. Travis is visibly moved by the mention of his son, and tears flow from his eyes.Travis finally breaks his silence when he is looking at a map and remarks "Paris," talking about how he'd like to go there, although Walt mistakenly thinks that he is talking about France, telling him that it is a little out of the way. When Travis refuses to fly, Walt rents a car, and the brothers begin a two-day road trip back to Los Angeles. The next day, as the two brothers continue their journey, Travis shows Walt a weathered photograph of a vacant lot. He explains that he purchased the property in Paris, Texas, a town he believes is the place where he was conceived, based on a story told by their mother.When they arrive in Los Angeles, Travis meets Anne and the son whom he abandoned four years earlier. Hunter is uncomfortable around this stranger who is his father. Walt shows some old home movies, hoping to evoke good memories and help break the ice between the father and son. The movies show Travis with his wife, Jane (Nastassja Kinski), and their young son, sharing a day at the beach.In the coming days, the relationship between Travis and his son slowly grows, and a bond of trust between the two starts to develop. Anne tells Travis that although she has not heard from Hunter's mother for a long time, she still deposits money into a bank account for her son on the same day each month. She reveals the name of the bank in Houston, where the deposits are made. Travis becomes determined to find his lost wife, and when he tells his son that he plans to travel to Houston to find his mother, the boy says he will accompany him.Travis and Hunter leave for Texas without telling Walt and Anne. During their journey, Travis and Hunter grow closer, with Hunter sharing things he learned in school, and Travis sharing his memories. When they arrive in Houston on the expected day of deposit, Hunter spots his mother leaving the bank. They follow her to a parking lot of a peep show club. Telling Hunter to wait in the car, Travis enters the club, containing rooms where customers sit behind one-way mirrors and tell the strippers what they want to see via telephone. The women cannot see the customers. Travis is shocked, but ends up in a room opposite Jane. After several minutes of awkward silence, Travis walks out, returns to the car, and drives to a bar, where he begins to drink.The next day, Travis drops Hunter off at the MÃ©ridien Hotel in downtown Houston, and heads back to the club. Travis enters a room with Jane on the other side of the one-way mirror. He picks up the phone, turns his chair away from her, and tells her a story of a man and a young girl who fell in love, married, and had a child, probably before they were ready. At first, Jane is confused by the story, but she soon realizes who is on the other side of the glass, and that the story is that of their relationship. Travis describes how the couple's love turned from being joyful to stifling, explains how the drunken man suffocated the young girl with his jealousy and control, and tells how he came to loathe himself and why he disappeared to a place "without language or streets" â never wanting to see anyone again.When Travis prepares to leave, Jane urges him to stay. She tells how hard it was to leave him, that for years she thought of him often. Travis finally faces the glass, turns a lamp on his face so Jane can see him, and tells her where she can find Hunter, asking her to go there and reunite with her son. Jane agrees and Travis leaves the room. Later that night, Jane enters the hotel room where Hunter is waiting, and they reunite at last. Travis watches from the parking lot and then leaves Houston behind him, driving alone., Question: Where does Travis buy property at?
[EX A]:
Answer: Paris