You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Ex Input:
 The screenplay of Gandhi is available as a published book. The film opens with a statement from the filmmakers explaining their approach to the problem of filming Gandhi's complex life story:
No man's life can be encompassed in one telling. There is no way to give each year its allotted weight, to include each event, each person who helped to shape a lifetime. What can be done is to be faithful in spirit to the record and to try to find one's way to the heart of the man...
The film begins on the day of Gandhi's assassination on 30 January 1948. After an evening prayer, an elderly Gandhi is helped out for his evening walk to meet a large number of greeters and admirers. One of these visitors, Nathuram Godse, shoots him point blank in the chest. Gandhi exclaims, "Oh, God!" ("H  Ram!" historically), and then falls dead. The film then cuts to a huge procession at his funeral, which is attended by dignitaries from around the world.
The early life of Gandhi is not depicted in the film. Instead, the story flashes back 55 years to a life-changing event: in 1893, the 23-year-old Gandhi is thrown off a South African train for being an Indian sitting in a first-class compartment despite having a first-class ticket. Realising the laws are biased against Indians, he then decides to start a nonviolent protest campaign for the rights of all Indians in South Africa. After numerous arrests and unwelcome international attention, the government finally relents by recognising some rights for Indians.
After this victory, Gandhi is invited back to India, where he is now considered something of a national hero. He is urged to take up the fight for India's independence, (Swaraj, Quit India) from the British Empire. Gandhi agrees, and mounts a nonviolent non-cooperation campaign of unprecedented scale, coordinating millions of Indians nationwide. There are some setbacks, such as violence against the protesters and Gandhi's occasional imprisonment. The Jallianwala Bagh massacre is also depicted in the film.
Nevertheless, the campaign generates great attention, and Britain faces intense public pressure. After World War II, Britain finally grants Indian independence. Indians celebrate this victory, but their troubles are far from over. The country is subsequently divided by religion. It is decided that the northwest area and the eastern part of India (current-day Bangladesh), both places where Muslims are in the majority, will become a new country called Pakistan. It is hoped that by encouraging the Muslims to live in a separate country, violence will abate. Gandhi is opposed to the idea, and is even willing to allow Muhammad Ali Jinnah to become the first prime minister of India, but the Partition of India is carried out nevertheless. Religious tensions between Hindus and Muslims erupt into nationwide violence. Horrified, Gandhi declares a hunger strike, saying he will not eat until the fighting stops. The fighting does stop eventually.
Gandhi spends his last days trying to bring about peace between both nations. He thereby angers many dissidents on both sides, one of whom (Godse) is involved in a conspiracy to assassinate him.
As Godse shoots Gandhi in a scene recalling the opening, the film cuts to black and Gandhi is heard in a voiceover, saying "Oh, God!" The audience then sees Gandhi's cremation; the film ending with a scene of Gandhi's ashes being scattered on the holy Ganga. As this happens, viewers hear Gandhi in another voiceover from earlier in the film:
 When I despair, I remember that all through history the way of truth and love has always won. There have been tyrants, and murderers, and for a time they can seem invincible, but in the end they always fall. Think of it. Always. 
As the list of actors is seen at the end, the hymns "Vaishnava Jana To" and "Raghupati Raghava Raja Ram" are heard.

Ex Output:
Who is disparaging Indian's in India?


Ex Input:
 Set in a small town in Edwardian England, Regiment of Women is about the relationship between two teachers at a private (and elitist) girls' school. One of them, Clare Hartill, is in her mid-thirties and runs the school in all but name, the ageing and sickly headmistress depending on her whenever a decision has to be taken concerning the school or any of its pupils. Most of the girls are devoted to Hartill and gladly suffer under her strict but charismatic rule and the loads of homework she sets them, mainly to prove to her and to themselves that they are more academically advanced than she told them they were. Hartill lives alone near the school in a small, old-fashioned flat full of books but without gas or electricity.
The other teacher is Alwynne Durand, an attractive nineteen-year-old woman without any formal training who lives with Elsbeth Loveday, her unmarried aunt and guardian. When Durand starts teaching at the school she is immediately popular with her students but also excites Hartill's attention   not just because the young mistress is as enthusiastic about teaching as herself, but also because Hartill is always on the lookout for companionship. The two women become close friends, and Durand spends more and more of her spare time in Hartill's flat, occasionally not returning to her aunt's for days. The couple also travel abroad together during the summer holidays. Although Loveday and Hartill hardly ever meet, a strange kind of antagonism develops between them, each woman fighting to spend more time than they do with Alwynne Durand and to be the dominant person in Alwynne's life.
In the course of the schoolyear one of Hartill's prot g es, an unfortunate fourteen-year-old called Louise who has disappointed Hartill by failing an important exam, commits suicide by jumping from an upper floor window of the school building. The suicide is successfully hushed up, pronounced a case of accidental death, and quickly forgotten. What Hartill deliberately fails to mention, however, is that Louise's death, which happened on the night of the school play, was apparently triggered by her harsh criticism of Louise's excellent performance in the play. In the months that follow, Hartill even manages to shift the burden of guilt onto Durand's shoulders, persuading the young mistress that she ought to have detected any suicidal tendencies in Louise while giving her extra lessons.
Hartill's increasingly bizarre and offensive behaviour and her naive niece's growing dependence on her older friend call Elsbeth Loveday to action. When, on top of her shattered nerves, Alwynne Durand comes down with the flu, Loveday insists on her not returning to school for the rest of the term and on recuperating from her illness in the country instead. Alwynne agrees, if reluctantly at first, to spend some time with distant relatives she has never met before. The idyllic spring landscape she encounters after leaving town actually soothes her nerves, and Alwynne grows more and more fond of country life and the people she meets in her new surroundings.
But Elsbeth Loveday's scheme includes more than her niece's mere convalescence. As planned by her aunt, Alwynne Durand finds a confidant, and secret admirer, in thirty-year-old Roger Lumsden, a good-hearted, intelligent and handsome man who runs his own gardening business. Completely inexperienced with men except for what she has read in novels, Alwynne does not recognise her feelings for Lumsden as love, and she still looks forward to her reunion with Hartill. When she eventually returns to her home town, Lumsden follows her, proposes to her, and, naturally, is rejected. Only when Hartill, too sure of her seemingly inseparable bond with Alwynne, continues treating her badly does Alwynne wake up to reality. She sends Hartill a telegram telling her she has taken the train to the country in order to get married.

Ex Output:
Why does Hartill immediately want to connect with Durand?


Ex Input:
 In 1941, Barton Fink's first Broadway play, Bare Ruined Choirs, has achieved critical and popular success. His agent informs him that Capitol Pictures in Hollywood has offered him a thousand dollars per week to write film scripts. Barton hesitates, worried that moving to California would separate him from "the common man", his focus as a writer. He accepts the offer, however, and checks into the Hotel Earle, a large and unusually deserted building. His room is sparse and draped in subdued colors; its only decoration is a small painting of a woman on the beach, arm raised to block the sun.
In his first meeting with Capitol Pictures boss Jack Lipnick, Barton explains that he chose the Earle because he wants lodging that is (as Lipnick says) "less Hollywood". Lipnick promises that his only concern is Barton's writing ability and assigns his new employee to a wrestling film. Back in his room, however, Barton is unable to write. He is distracted by sounds coming from the room next door, and he phones the front desk to complain. His neighbor, Charlie Meadows, is the source of the noise and visits Barton to apologize, insisting on sharing some alcohol from a hip flask to make amends. As they talk, Barton proclaims his affection for "the common man", and Charlie describes his life as an insurance salesman. Later, Barton falls asleep, but is awakened by the incessant whine of a mosquito.
Still unable to proceed beyond the first lines of his script, Barton consults producer Ben Geisler for advice. Irritated, the frenetic Geisler takes him to lunch and orders him to consult another writer for assistance. While in the men's room, Barton meets the novelist William Preston (W.P.) "Bill" Mayhew, who is vomiting in the next stall. They briefly discuss movie writing and arrange a second meeting later in the day. When Barton arrives, Mayhew is drunk and yelling wildly. His secretary, Audrey Taylor, reschedules the meeting and confesses to Barton that she and Mayhew are in love. When they finally meet for lunch, Mayhew, Audrey, and Barton discuss writing and drinking. Before long, Mayhew argues with Audrey, slaps her, and wanders off, drunk. Rejecting Barton's offer of consolation, Audrey explains that she feels sorry for Mayhew since he is married to another woman who is "disturbed".
With one day left before his meeting with Lipnick to discuss the movie, Barton phones Audrey and begs her for assistance. She visits him at the Earle, and after she admits that she wrote most of Mayhew's scripts, they apparently have sex; Barton later confesses to Charlie they did so. When Barton awakens the next morning, he, again, hears the sound of the mosquito, finds it on Audrey's back, and slaps it dead. When Audrey does not respond, Barton turns her onto her side only to find that she has been violently murdered. He has no memory of the night's events. Horrified, he summons Charlie and asks for help. Charlie is repulsed but disposes of the body and orders Barton to avoid contacting the police. After a meeting with an unusually supportive Lipnick, Barton tries writing again and is interrupted by Charlie, who announces he is going to New York for several days. Charlie leaves a package with Barton and asks him to watch it.
Soon afterward, Barton is visited by two police detectives, who inform him that Charlie's real name is Karl "Madman" Mundt. Mundt is a serial killer wanted for several murders; after shooting his victims, they explain, he decapitates them and keeps the heads. Stunned, Barton returns to his room and examines the box. Placing it on his desk without opening it, he begins writing and produces the entire script in one sitting. After a night of celebratory dancing, Barton returns to find the detectives in his room, who, after handcuffing Barton to the bed, then reveal they've found evidence of Mundt's latest murders. Each of the men notes how hot it is, and Charlie appears, and does the same; soon the source of heat is revealed: the hotel has become engulfed in flames. Running through the hallway, screaming, Charlie shoots the policemen with a shotgun. As the hallway burns, Charlie speaks with Barton about their lives and the hotel, breaks the bed frame to which Barton is handcuffed (thus freeing him), then retires to his own room, saying as he goes that he paid a visit to Barton's parents and uncle in New York. Barton leaves the (still-burning) hotel, carrying the box and his script. Shortly thereafter he attempts to telephone his family, but there is no answer.
In a final meeting, a disappointed Lipnick, in uniform (as he attempts to secure an Army Reserve commission), angrily chastises Barton for writing "a fruity movie about suffering" then informs him that he is to remain in Los Angeles; although Barton will remain under contract, Capitol Pictures will not produce anything he writes so he can be ridiculed as a loser around the studio while Lipnick is in the war. Dazed, Barton wanders onto a beach, still carrying the package. He meets a woman who looks just like the one in the picture on his wall at the Earle, and she asks about the box. He tells her he does not know what it contains nor who owns it. She then assumes the pose from the picture.

Ex Output:

What is given to Barton by Charlie?