You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

 The Fifth Queen trilogy has an omniscient narrator. Katharine Howard is introduced in the first book as a devout Roman Catholic, impoverished, young noblewoman escorted by her fiery cousin Thomas Culpeper. By accident, she comes to the attention of the king, in a minor way at first, is helped to a position as a lady in waiting for the then bastard Lady Mary, Henry's eldest daughter, by her old Latin tutor Nicholas Udal. Udal is a spy for Thomas Cromwell, the Lord Privy Seal.
As Katharine becomes involved with the many calculating, competing, and spying members of Henry VIII's Court, she gradually rises, almost against her will, in Court. She is brought more to the attention of the King, becomes involved with him, is used by Cromwell, Bishop Gardiner and Thomas Cranmer as well as the less powerful though more personally attached Nicholas Throckmorton. Her connection to the latter puts her in some peril, as in January 1554 he is suspected of complicity in Wyatt's Rebellion and arrested, during which time Katherine is also briefly implicated.
Katharine's forthrightness, devotion to the Old Faith and learning are what make her attractive to the King, along with her youth and physical beauty. This is in direct contradiction to the way historians view the historical personage herself; that is, as a flighty and flirtatious young woman with few other redeeming qualities.
Katharine Howard eventually married King Henry the VIII, how many Queens came before her?

 The Vicar - Dr Charles Primrose - lives an idyllic life in a country parish with his wife Deborah, son George, daughters Olivia and Sophia, and three other children. He is wealthy due to investing an inheritance he received from a deceased relative, and he donates the  34 that his job pays annually to local orphans and war veterans. On the evening of George's wedding to wealthy Arabella Wilmot, the Vicar loses all his money through the bankruptcy of his merchant investor who has left town abruptly.
The wedding is called off by Arabella's father, who is known for his prudence with money. George, who was educated at Oxford and is old enough to be considered an adult, is sent away to town. The rest of the family move to a new and more humble parish on the land of Squire Thornhill, who is known to be a womanizer. On the way, they hear about the dubious reputation of their new landlord. Also, references are made to the squire's uncle Sir William Thornhill, who is known throughout the country for his worthiness and generosity.
A poor and eccentric friend, Mr. Burchell, whom they meet at an inn, rescues Sophia from drowning. She is instantly attracted to him, but her ambitious mother does not encourage her feelings.
Then follows a period of happy family life, interrupted only by regular visits of the dashing Squire Thornhill and Mr. Burchell. Olivia is captivated by Thornhill's hollow charm, but he also encourages the social ambitions of Mrs. Primrose and her daughters to a ludicrous degree.
Finally, Olivia is reported to have fled. First Burchell is suspected, but after a long pursuit Dr. Primrose finds his daughter, who was in reality deceived by Squire Thornhill. He planned to marry her in a mock ceremony and leave her then shortly after, as he had done with several women before.
When Olivia and her father return home, they find their house in flames. Although the family has lost almost all their belongings, the evil Squire Thornhill insists on the payment of the rent. As the vicar cannot pay, he is brought to prison.
Afterwards is a chain of dreadful occurrences. The vicar's daughter, Olivia, is reported dead, Sophia is abducted, and George too is sent to prison in chains and covered with blood, as he had challenged Thornhill to a duel when he had heard about his wickedness.
But then Mr. Burchell arrives and solves all problems. He rescues Sophia, Olivia is not dead, and it emerges that Mr. Burchell is in reality the worthy Sir William Thornhill, who travels through the country in disguise. In the end, there is a double wedding: George marries Arabella, as he originally intended, and Sir William Thornhill marries Sophia. Squire Thornhill's servant turns out to have tricked him, and thus the sham marriage of the Squire and Olivia is real. Finally, even the wealth of the vicar is restored, as the bankrupt merchant is reported to be found.
On whose land is the new Parish the family move to?

 In the German spa town of Wildbad, the Englishman Mr. Neal is asked to transcribe the deathbed confession of Allan Armadale; his story concerns his murder of the man he had disinherited (also called Allan Armadale), who had subsequently married the woman he was betrothed to under false pretensions. Under Allan's instructions, the confession is left to be opened by his son once he comes of age.
Nineteen years later, the son of the murdered man, also Allan Armadale, rescues a man of his own age Ozias Midwinter. The stranger reveals himself to Reverend Decimus Brock, a friend of Allan through his late mother, as another Allan Armadale (the son of the man who committed the murder). Ozias tells Brock of his desperate upbringing, having run away from his mother and stepfather (Mr. Neal). The Reverend promises not to disclose their relation to one another, and the young men become close companions. Ozias remains haunted by a fear that he will harm Allan as a result of their proximity, a fate warned of in his father's letter; this feeling intensifies when the pair spend a night on a shipwreck off the Isle of Man as it turns out, the very ship on which the murder was committed. Also on the vessel, Allan has a mysterious dream involving three characters; Ozias believes that the events are prophesy of the future.
Three members of Allan's family die in mysterious circumstances, one of which was instigated in the rescue of a woman who attempted to commit suicide by drowning. As a result, Allan inherits the estate of Thorpe-Ambrose in Norfolk and relocates there with Ozias, intending to make him steward. Once there he falls in love with Eleanor (Neelie) Milroy, the sixteen-year-old daughter of Major Milroy, to whom he has rented a cottage. During this time, correspondence takes place between Maria Oldershaw and Lydia Gwilt concerning the latter's ambitions to marry Allan as a means of achieving retribution for his family's apparent wrongdoings (she was originally a maid in the service of his mother).
Lydia, who is thirty-five but looks twenty-something, is the villain of the novel and her colourful portrayal takes up much of the rest of the story. Originally Allan's mother's maid, and a contributor to the conflict between Allan's and Ozias's fathers, she is a fortune-hunter and, it turns out, a murderess. Unable to alienate Allan's affections from Miss Milroy, she settles for marrying Midwinter, having discovered his name is the same. She plots to murder Allan or to have him killed by her ex-husband, a Cuban desperado and, since she is now "Mrs. Armadale," to impersonate his widow. Allan escapes the desperado's attempt on his life he is supposed to have drowned in a shipwreck and returns to England. Lydia's plans are thus foiled. Her last shot is to murder Allan herself the weapon being poison gas, the scene being a sanatorium run by a quack called Doctor Downward but she is thwarted by her own conscience. Midwinter and Allan have switched rooms, and she can't bring herself to murder her true husband, for whom she does have genuine feelings of love. After rescuing Midwinter and writing him a farewell note, she goes into the air-poisoned room and kills herself. Allan marries Miss Milroy; Midwinter, still his best friend, becomes a writer.
Some linking passages consist of letters between the various characters, or of extracts from Lydia's journal, but the great majority of the text narrates the events as they occur. The novel is enlivened by many minor characters including Mr Bashwood, an old failure of a clerk who is infatuated with the beautiful Lydia; his son, James Bashwood, a private detective; Mrs Oldershaw, an unscrupulous associate of Lydia's; the Pedgifts (father and son), Allan's sometime lawyers; and the Rev Decimus Brock, a shrewd (but not quite shrewd enough) clergymen who brings Allan up but who is kept out of the way for much of the book.
Is the dream to be interpreted rationally or superstitiously, as Midwinter does? The question is never resolved.
 The distortions of the plot, the violent and irrational reactions of the characters, reflect and dramatise the ways in which his readers  perceptions were distorted by the assumptions and hypocrisies of the society in which they lived," writes Catherine Peters.
In the end, the novel is a story of redemption that teaches that the sins of the fathers are not necessarily visited on the children, and the son of a murderer can turn out good. Collins was to take this up again later in The Legacy of Cain.

Who does Allan marry at the end of the story?