instruction:
Given a document and an entity the task is to select the author's sentiment towards the entity. Sentiments can be Positive, Neutral and Negative. Select Positive if the article expresses a positive view towards the given entity or praises its quality or skills. Select Neutral if the document expresses no clear view towards the entity or has equal amounts of positive and negative statements or expressing some fact/quote by someone else. Select Negative if the article expresses a negative view towards like harsh remarks, criticizing entities action/decision etc. Note that URLs in the text have been replaced with [Link].
question:
What is the sentiment of the following document towards the entity Ben Zobrist ? Ben Zobrist? Kyle Schwarber? Kris Bryant? Anthony Rizzo? The Cubs donât seem worried  as they scored 822 runs last season despite Schwarberâs struggles  eventually dropping him from that spot. Assuming they donât acquire a leadoff specialist  theyâll likely rely on a combination of players seeking to provide the production Dexter Fowler supplied in 2016.
The Cubs had minus-9 defensive runs saved at that position last year. Without a strikeout-heavy rotation  defense takes on a greater role. Schwarber has slimmed down to help his agility. Ian Happ has been prone to taking curious routes to the ball.  Ben Zobrist  isnât fast  but  he âs dependable.
 Zobrist  turns 37 on May 26  and  he  played in only 128 games in 2017 because of wrist and back injuries. Manager Joe Maddon faces the delicate balance of getting  Zobrist  ready without taxing  him . Happ is lined up to receive more playing time to preserve Zobristâs health.
Cubs' Ben Zobrist swinging for a rebound after injury-plagued season Â»
answer:
Positive


question:
What is the sentiment of the following document towards the entity Graig Kreindler ? Banjo   Batboy Eddie Bennett (2010) ( Graig Kreindler)
Graig Kreindler  sweats  the details   as a researcher no less than as an artist.
‘I believe the lights were on ” wrote Bobby Thomson to Graig Kreindler  who was researching the Shot Heard Round the World  the storied walk-off home run that sent the New York Giants to the World Series five decades earlier.  Kreindler  knew that the sun was low in the sky behind first base and dimmed by dark clouds when Thomson came to bat a few minutes before 4 p.m. on October 3  1951  at the Polo Grounds in Upper Manhattan.
Was it hard to see the ball? Or did the Giants turn the lights on  if only for the primitive TV cameras  there to capture the deciding game of the first baseball series ever broadcast live to a national audience? From the grainy black-and-white film and photos   Kreindler  couldn’t tell  and newspaper accounts were silent on the question. So he asked Thomson  half-expecting either no response or an autographed souvenir from a retired player trained by experience to assume that a personal letter from a stranger must be fan mail.
Even if Thomson hadn’t hedged his answer   Kreindler  would have counted it for what it was: a datum  good to have but not dispositive. He reasoned that the slugger was “in a tight situation”: the tying run on second  the National League pennant on the line  half a city’s hopes pinned on his shoulders. “Does he even notice the lights? I mean  why would he?” After weighing the probabilities  Kreindler  an artist who paints old-time baseball  went ahead and made the banks of rooftop lights glaring  adjusting the shades and shadows on the canvas accordingly.
Ballparks are treated to the same loving scrutiny. Did Bobby Doerr by any chance remember the colors of an ad  for Gem razor blades  on the left-field wall at Fenway Park in 1939  his third of 14 seasons with the Boston Red Sox? He did not  he regretted to report  on the back of a three-by-five-inch index card 70 years later  when he was in his 90s.  Kreindler  realizes that the strangers from whom he seeks information about light or color at the ballpark during a particular hour or season in baseball antiquity are liable to find his questions bizarre. Do they think he’s nuts? A few might; not all reply. He asks anyway.
Peter Fiore  his former teacher and enduring mentor and friend  was taught by an artist who was taught by . . .  Kreindler  traces  his  professional lineage back to the father of American illustration  Howard Pyle (1853–1911). The seriousness of  Kreindler ’s artistry is easy to miss because of  his  subject matter and manifest love for it. Prize committees may have a bias for the brazen or edgy  but to convey warmth and uplift the viewer is no less an achievement  a marriage of vision and discipline.
“Art critics might scoff at what we do and consider it kitschy ”  Kreindler  acknowledges  referring to the small fraternity of baseball artists  several of whom  he  touts and cites as helpful influences  including “obviously Norman Rockwell ” although you won’t always find a conspicuous resemblance between their work and  his . “I like to think I bring something different to this ”  he  says. “I don’t expect my work ever to hang in major museums  but it could  in theory.”
Forty years after his death  Rockwell  mocked and dismissed by the cognoscenti in his lifetime  is revered as an American master by connoisseurs and critics in and out of the academy. The Guggenheim and the Museum of Fine Arts  Boston  have exhibited his work. If the tastemakers ever likewise catch up with  Kreindler   the baseball historians and fans who got there first will rise from their catbird seats behind home plate and make room for them  under the lights.
answer:
Positive


question:
What is the sentiment of the following document towards the entity Wesley Mouch ? You know who Israel reminds me of? He reminds me of  Wesley Mouch   one of the villains in Ayn Randâs novel âAtlas Shrugged â the classic dissection of the big government mindset.  Mouch  is a DC hanger-on who fails upward into the position of chief economic planner  and every time his blundering interventions lead to disaster  he has the same response: âI need wider powers.â Itâs his signature line.
In other news  I occasionally get people who tell me that Randâs novels are not realistic. So why do people in real life keep auditioning for roles in it? Iâm going to start calling Israel  âSheriff Wesley Mouch .â
In practice  it functions like broken windows policing in reverse. The idea behind the broken windows approach is that if you crack down on minor crimes  criminals are deterred from committing bigger ones. They are not emboldened by the âbroken windowsâ of a neighborhood that has been abandoned by the police.  Sheriff Wesley Mouchâs  approach in Broward sent the opposite message  both to juvenile delinquents and to  his  own deputies  that anything goes because the police donât really want to enforce the law.
Sheriff Israel said that he instructed BSO deputies to issue juvenile civil citations  not arrests; The BCSDâs own written policy encouraged handling even criminal activity âoutside the criminal justice systemâ; The BCSDâs own written policy did not actually require arrests  even for felonies and serious threats to school safety;  Cruzâs  behavior included repeated disruptive behavior  violent outbursts  threats  and physical assaults on other students; and Cruz was never expelled or apparently arrested for this behavior.
All of this makes the case for why we need private ownership of firearms so we can defend ourselves. Because we sure donât want to have to depend for our safety entirely on Sheriff Wesley Mouch.
answer:

Positive