In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[Q]: Question: How old was the writer who gave the band a cryptical review in the Village Voice? Passage:While in London performing at The Rainbow Theatre, Dingwall's, and trendy Cabaret Futura, the Bongos recorded their early singles and their well-received debut EP Time and the River for UK-based Fetish Records. Cover designs for their Fetish releases were created by influential graphic artist Neville Brody, who was soon to become the designer of The Face magazine. The group's love of avant-garde performers brought them in touch with artists such as Throbbing Gristle and Clock DVA who performed with them live in London, and on their recordings. Their debut U.S. album, Drums Along the Hudson, compiled from the band's British singles, was released in 1982 to widely favorable reviews on both sides of the Atlantic. While Trouser Press suggested that the group "may trade a certain amount of substance for easy appeal," it added that "there's no better musical equivalent of whipped cream anywhere." Writing in the Village Voice, Robert Christgau dryly commented that "for all their jumpy originality [the songs are] still slight, and Richard Barone's lyrics are so oblique you have to wonder what his angle is." In 2007 however, Jim DeRegotis wrote in the Chicago Sun-Times: "The initial impression of naiveté is offset by deceptively simple lyrics that actually hint at deep, dark mysteries and unfathomed mystical enigmas." The group's cover of T. Rex's "Mambo Sun" reached No. 22 on the Billboard Dance Chart. A thriving Hoboken pop scene emerged, triggered by the Bongos and Maxwell's, which gained national media attention, and drew many bands and fans to the city. An August 1, 1982 article in the New York Times Real Estate section hinted at the scene's popularity as an influence on increasing rents and property values.

[A]: b


[Q]: Question: Was the stadium where Swann's most notable performance occurred built before 1990? Passage:For 2003, he signed with the Baltimore Orioles and again spent a few games in the majors. His most notable performance as a major leaguer occurred at Camden Yards on September 18, 2003. An attempt to avoid Hurricane Isabel by changing the game's start time from 7:05 pm (ET) to 12:35 pm proved futile as the contest was played entirely in a downpour. With the score tied at one, Swann opened the bottom of the fifth inning with a double off Mike Mussina. When Brian Roberts hit a one-out single to left field, Orioles third-base coach Tom Trebelhorn had initially waved Swann home. He abruptly put up the stop sign when left fielder Hideki Matsui quickly threw the ball to third baseman Aaron Boone. Swann, who was too far past third base, got caught in a rundown and was tagged out. When the inning ended with the Orioles failing to score a run, the match was suspended and replayed in its entirety eight days later on September 26 as part of a twi-night doubleheader at Yankee Stadium. The Orioles would have had a 2–1 victory had Swann successfully crossed home plate because the game became official upon the completion of the fifth inning.

[A]: b


[Q]: Question: How many leaders run the priestly class? Passage:Traditional African religions like the Serer religion (A ƭat Roog) are adhered to by devout worshippers of Roog – the supreme deity in Serer religion. The Serer ethnic group who adhere to the tenets of Serer religion (including those Senegalese who syncretize) honour the Serer pangool and have ancient rituals and festivals devoted to them. The religious affairs of Serer religion devotees are usually headed by the Saltigue (the Serer priestly class) which in ancient times was the preoccupation of the Serer lamanic class. Some of these religious festivals or ceremonies include the Ndut (rite of passage), Xooy (divination festival once a year in Fatick), and the Raan festival. Senegalese hold several ancient beliefs, such as small efforts of 'thanks' or demands, such as protection from water. They also place great importance on the Baobab tree, which is known as the "House of the Spirits." The baobab tree along with other sacred trees figure prominently in the Serer creation narrative. Among the Jola people, some religious festivals include the Samay, Kumpo and the Niasse.

[A]:
a