In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

[Q]: Gil (Owen Wilson), a successful but distracted Hollywood screenwriter, and his fiancée, Inez (Rachel McAdams), are in Paris, vacationing with Inez's wealthy, conservative parents (Mimi Kennedy, Kurt Fuller). Gil is struggling to finish his first novel, which is about a man who works in a nostalgia shop, but Inez and her parents are critical and dismissive of Gil's desire to give up his lucrative Hollywood career to write it. While Gil is considering moving to the city, Inez is intent on living in Malibu. By chance, they are joined by Inez's friend Paul (Michael Sheen), a pseudo-intellectual who speaks with great authority but little actual accuracy on the history and art of the city. Inez idolizes him, but Gil, who is an ardent admirer of the Lost Generation, finds him insufferable.Paul and his wife Carol (Nina Arianda) invite Inez and Gil to go dancing. Inez accepts but Gil declines and chooses to return to the hotel through the streets of Paris, eventually becoming lost. As he stops, bells chime midnight and an antique car pulls up, and the passengers dressed in 1920s clothingurge Gil to join them. They go to a bar, where Gil comes to realize that he has been transported to the 1920s, an era he admires and idolizes in the novel he is writing. He encounters Cole Porter (Yves Heck), Josephine Baker (Sonia Rolland), and Zelda and F. Scott Fitzgerald (Alison Pill and Tom Hiddleston), who take him to meet Ernest Hemingway (Corey Stoll). Hemingway agrees to show Gil's novel to Gertrude Stein (Kathy Bates), and Gil goes to fetch his manuscript from his hotel. However, as soon as he leaves the bar, he finds he has returned to 2010.Gil attempts to bring Inez to the past with him the following night, but while they wait, she gets bored, and peevishly returns to the hotel. Just after she leaves, the clock strikes midnight and the car pulls up again, this time with Hemingway inside it. He takes Gil to meet Gertrude Stein, who agrees to read his novel and introduces him to Pablo Picasso (Marcial Di Fonzo Bo) and Picasso's mistress Adriana (Marion Cotillard), a beautiful student of couture to whom Gil is instantly attracted. The next day, back in 2010, Gil encounters Picasso's painting of Adriana at a museum, and recites much information about its creation, which annoys Paul (because it contradicts much of what he had been saying) and Inez becomes embarrassed, because she cannot appreciate what he is saying and believes Paul.Over the next few days, Gil spends each night in the past. His late-night wanderings frustrate Inez, who cannot understand his interest in Paris or his desire to write a novel, and arouse the suspicion of her father, who hires a detective (Gad Elmaleh) to follow Gil. This proves unsuccessful, as the detective attempts to follow the car and winds up lost in Versailles during the era of Louis XIV.Gil spends increasing amounts of time with Adriana, who leaves Picasso and has a brief dalliance with Hemingway. Gil realizes that he is falling in love with her, leaving him conflicted and confused. He confides his predicament to Salvador Dalí (Adrien Brody), Man Ray (Tom Cordier) and Luis Buñuel (Adrien de Van), but being surrealists they consider his position to be totally normal and see nothing strange about his coming from the future.While Inez shops for furniture in the Marché aux puces (flea market) on the outskirts of Paris, Gil meets Gabrielle (Léa Seydoux), an antiques dealer who shares his fondness for the twenties and the music of Cole Porter. Gil later discovers Adriana's diary from the 1920s in a book stall on the Seine and finds out that she was in love with him. Reading that she dreamt of receiving a gift of earrings from him and then making love to him, Gil attempts to steal a pair of earrings from Inez to give to Adriana but is thwarted by Inez's early return from a trip.Gil purchases earrings for Adriana and, returning to the past, confesses his love for her. As they kiss, a horse and carriage appears. They are invited inside by a richly-dressed couple and are transported back to the Belle Époque, an era Adriana considers Paris's Golden Age. They are taken to the famous Maxim's Paris restaurant, and meet Henri de Toulouse-Lautrec (Vincent Menjou Cortes), Paul Gauguin (Olivier Rabourdin) and Edgar Degas (François Rostain). When Gil asks what they thought the best era was, the three determine that the greatest era was the Renaissance. The enthralled Adriana is offered a job designing ballet costumes, and proposes to Gil that they stay, but Gil realizes that despite the allure of nostalgia, it is better to accept the present for what it is. Adriana elects to stay in the past, and they sadly part ways.Gil retrieves his novel from Gertrude Stein, who praises his progress as a writer but questions why the main character has not realized that his fiancée (based on Inez) is having an affair with a pedantic character based on Paul. Gil returns to the present and confronts Inez. She admits to sleeping with Paul but claims that it can be forgotten when they return to California. Gil breaks up with Inez and decides to remain in Paris. Taking a walk at midnight, he unexpectedly meets Gabrielle, and offers to walk her home.
[A]: What gift does Gil dreamt of receiving?


[Q]: Erik Ponti is a sixteen-year-old boy who faces a lot of violence in his life. At school, he and his gang lend money to other students at high interest, resulting in a beating if they don't pay the money back in time; several teachers maltreat students that don't behave (in the book; in the movie it is not explained so widely). At home he lives with his sadistic stepfather and his mother.When Erik and his gang are caught stealing records from stores, Erik gets the entire blame because of the loose kind of loyalty in the gang, resulting in his expulsion from school (again, in the book; in the movie he's just shown fighting with other students). But circumstances allow him to matriculate into a private boarding school, Stjärnsberg, where he gets a new chance to continue his studies. Erik decides to try and break away from his earlier violent lifestyle.But Stjärnsberg isn't as nice and friendly as it seems initially. Erik has to face new kinds of violence in this school; from upperclassmen and members of the school council instead of teachers. At the school, a system called "kamratuppfostran" ("schoolmate upbringing") is in place; a codename for a violent kind of bullying directed especially at nonconforming students, ostensibly to keep discipline and order in school. Erik, being the kind of person who won't accept injustices, quickly becomes the main target.In the movie, ondskan ("the evil") may be perceived as Erik himself (as bullying other students prior to his departure to Stjärnsberg), as his stepfather (who beats Erik on every occasion), as the indifference of the teachers at Stjärnsberg or as "kamratuppfostran", which are represented by Otto Silverhielm and Gustaf Dahlén.
[A]: What is kamratuppfostran?


[Q]: It is the year 1935 and Waxahachie, Texas is a small, segregated town in the midst of a depression. One evening the local sheriff, Royce Spalding, leaves the family dinner table to investigate trouble at the rail yards. He dies after being accidentally shot by a young black boy, Wylie. Local white vigilantes tie Wylie to a truck and drag his body through town, for all the community to see, before hanging him from a tree.The sheriff's widow, Edna Spalding, is left to raise her children alone and maintain the family farm. The bank has a note on the farm and money is scarce; the price for cotton is plummeting and many farms are going under. The local banker, Mr. Denby, pays her a visit. He begins to pressure her to sell the farm as he doesn't see how she can afford to make the loan payments on her own let alone run the farm.A drifter and handyman, a black man by the name of Moses, appears at her door one night, asking for work. He offers to plant cotton on all her acres and cites his experience. Edna declines to hire him but offers him a meal instead and sends him on his way. In desperation, Moses steals some of her silver spoons before he leaves. Similarly desperate, Edna finally resolves to keep her family together on the farm no matter what. When the police capture Moseswith her stolen silver, and bring him back to confirm the theft, Edna seizes the opportunity. She lies to the police and says he is her hired man. She sees there is more to gain from the situation because of what he knows about growing and marketing cotton, so she chooses not to prosecute him but to hire him instead.The next day, Edna visits the banker, Mr. Denby, to relay her decision not to sell the farm but to work the land and raise cotton. He is frustrated by Edna and her decision but ultimately manipulates the situation when he unloads his blind brother-in-law, Will, on Edna, compelling her to take him in as a lodger. Will lost his sight in the war, but has remained fiercely independent and somewhat marginalized since. He begins to soften, however, as he and the others living at the farm become more and more like family while they weather life's storms together.Edna visits Mr. Denby once more to negotiate and save her farm from foreclosure. She realizes she cannot make the next payment in full even if she sells all her cotton. The bank declines Edna's request for relief, but during her visit she learns of the Ellis County contest; a $100 cash prize is awarded to the farmer who produces the first bale of cotton for market each season. Edna realizes the prize money plus the proceeds from the sale of her cotton would be enough to allow her to pay the bank and keep the farm. Edna knows she will need more pickers though and despite his initial protests, Moses agrees to help her find the help so they can harvest the cotton on time. Soon the farm is teeming with people and everyone has an important job to doâeven Will who prepares the meals and feeds all the workers. Everyone is busy with the business of survival.Their efforts pay off as Edna and Moses eventually find themselves first in line at the wholesaler with the season's very first bale of cotton. Moses carefully coaches Edna on how to negotiate with the buyer and as a result he is unable to cheat her on a price for her cotton. She lets the buyer know that if he does not pay her a fair price, she will go to another wholesaler who will. The buyer does not want to lose the distinction of purchasing the first crop of the season to a competitor, so he agrees to pay Edna's asking price. It becomes clear to the buyer that Moses is Edna's partner and has helped her throughout. That night Moses is accosted by Ku Klux Klan members and savagely beaten. Will, who recognizes all the assailant's voices as local white men, confronts and identifies them one by one; they all run off and Moses' life is saved. Moses realizes he will have to leave the farm permanently, however, under threat of future attacks.The story ends, as it began, with community and in the midst of prayer. In a highly symbolic and imaginary scene, communion is passed among the assembled congregants at the church, hand to hand and mouth to mouth, between both the living and the deceased. The last line of the film is spoken by Wylie to Royce Spalding, "Peace of Godâ. The film closes with all the characters gathered together in church singing in unison.
[A]:
Why does Moses leave the farm?