In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Q: Passage: Fuller's time at Adyar was eventful. Leadbeater arrived around the same time as Fuller, and soon afterward he "discovered" the person he believed would become a global teacher and orator, Jiddu Krishnamurti (then in his teens). Leadbetter and others tutored Krishnamurti. Fuller may have taught him photography. She also had a small studio built in the grounds, and painted. Her works from the period include a portrait of Leadbeater and Portrait of the Lord Buddha. McFarlane emphasises the significance of the latter work, pointing out that it is "strikingly modern" in comparison to all of Fuller's other work, and more radical than compositions created by Grace Cossington Smith and Roland Wakelin, half a decade later. The painting owes much to theosophy's emphasis on seeing the subject "through a psychic, visionary experience".
Sources describing Fuller's movements after her time in India sometimes are ambiguous. She arrived in England in June 1911, where she marched with Besant in the suffragette protests associated with the coronation of George V. She continued to paint portraits, but found it difficult to realise the transformation in her art that she had conceptualised in India:I have painted a great many portraits since I have been in England, and have been, I suppose, fairly successful—though I have done nothing in any way remarkable. The hidden inner life has not yet succeeded in expressing itself on canvas, and I can only write myself as one who aspires to a greater art, but who has not yet achieved.

A: What is the last name of the person who was taught photography?
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Q: Passage: Derek Charles works for a finance company and is married to Sharon. While Derek is at work, he greets temporary worker Lisa Sheridan, who, believing Derek was flirting with her, attempts to seduce him. Derek repeatedly rejects her, but Lisa continues to pursue him, making sexual advances on him at the Christmas party. At one point, she follows him to his car and attempts to seduce him again with revealing lingerie and fishnet stockings, but Derek refuses again and forces her out of his car. Derek intends to report Lisa to his firm's human resource management, but learns that she has quit her job. Thinking that Lisa has given up, Derek is annoyed when he receives flirtatious emails from her. Derek and his workmates visit a resort for a conference, where he spots and confronts Lisa, who spikes his drink. Incapacitated, Derek is helpless when Lisa follows him into his hotel room. He confronts Lisa again the following day, and hours later discovers her lying naked in his bed after attempting suicide, and calls for medical help.

A: Whose husband had his drink spiked?
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Q: Passage: The story begins with a farm mother scolding Jack for trading his cow for five seemingly worthless beans. The beans are thrown out a window and land under Sylvester's cat bed while the lazy cat is taking a "catnap". Instantly, the beans sprout into a giant beanstalk that reaches into the heavens, taking the still sleeping Sylvester with it. The puddy tat awakens and is startled at how everything seemingly grew overnight. Eventually, he walks inside a castle and instantly spots a giant birdcage (with a giant Tweety singing inside). Sylvester opens the cage and chases what he says are "acres and acres of Tweety Bird." However, Tweety's master comes into the room; after Sylvester hides, the master puts Tweety back in his cage and hangs it on a high ceiling; that way, he will not get into any mischief while he is gone.
Sylvester makes several attempts to get at Tweety, having to overcome both the cage being on the ceiling and dodging a giant bulldog who is trying to chase the cat away. Each of Sylvester's attempts to get the bird ends unsuccessfully; several times, he is barely able to get away from the bulldog. At one point, he encounters a real giant mouse, only to have both of them get scared of each other and run away in opposite directions.

A:
What is the name of the character who enters a castle and finds a giant birdcage?
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