Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

CONTEXT: By this point in the narrative, Jules had already decided that he was going to change his life - he no longer wanted to be a killer for hire. The affair with the bullets missing him in Marvin's apartment had convinced him that God had a higher purpose for him, and by allowing Ringo to take what he needed, Jules was ensuring that he wouldn't have to kill him for attempting to rob him. This was the first step towards Jules' new life. He was not only buying/saving Ringo's life, but also his own.  <sep>  Q: What should I know about the scene?
Yes

CONTEXT: If Jon is to be put on the throne the only option for Daenerys is to kill her, because she's too dangerous with her dragons and people who would continue to support her, which could well include Jon. So the insinuation and what Tyrion is pleading against is that Varys would try to assassinate her.  <sep>  Q: Why does Varys conspire against Daenery? A: If Jon is to be put on the throne the only option for Daenerys is to kill her, because she's too dangerous with her dragons and people who would continue to support her  <sep> FOLLOWUP_Q: Why do millions stand to die?
No

CONTEXT: From reading the article that @Richard has linked in the comments, it is clear that there certainly is a subtext of a homoerotic nature between the two characters Mr. Orange and Mr. White. That's almost indisputable. However I never interpreted it that way when I watched it, I just assumed it was simply the building of a mutual respect, and a mentor/mentee relationship. However, as the article goes on to say that their relationship is similar to “wakashudo”, and knowing Tarantino's affinity with samurai culture (which he made 2 films about) it is very possible that this is the relationship dynamic he intended to portray. Of course, like most movies, it is open to interpretation. Therefore whilst the subtext is certainly there, and it was almost certainly intended that way by the writer/director, it is also subtle enough so that it doesn't necessarily force the audience to interpret the movie that way.  <sep>  Q: Relationship between “Mr. Orange” and “Mr. White” in "Reservoir Dogs"?

Yes