In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
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Question: Question: Before the year 2000, which of the films Nikhil–Vinay's had the highest grossing box office sales? Passage 1:Albany–Sumner Avenues was a station on the demolished BMT Fulton Street Line. It had 2 tracks and 2 side platforms. It was served by trains of the BMT Fulton Street Line. The station was opened on May 30, 1888, and had connections to the Sumner Avenue Line streetcars. Eastbound trains stopped at Albany Avenue, while westbound trains stopped at Sumner Avenue (now Marcus Garvey Boulevard). The next stop to the east was Troy Avenue. The next stop to the west was Tompkins Avenue. During 1912 and 1924, the Dual Contracts program installed a third track on the Fulton El between Nostrand Avenue and the new Hinsdale Street station. Albany-Sumner Avenues stations were closed during that time. In 1936 the Independent Subway System built an underground Fulton Street Subway station at Kingston–Throop Avenues between here and the nearby Brooklyn–Tompkins Avenues Station. The el station became obsolete.
 Passage 2:Nikhil and Vinay are both trained in classical music. Singer Anuradha Paudwal discovered the duo and recommended them to Gulshan Kumar, owner of T-Series music company, and director Chandra Barot, who signed them for the 1991 romantic film Pyar Bhara Dil. The song "Banke Kitab Teri" from the film became popular. The duo then went on to compose music for over 20 films. Their initial successes included Bewafa Sanam (1995), a film which was breakthrough for playback singer Sonu Nigam, English Babu Desi Mem (1996), Uff Yeh Mohabbat (1997) and Papa The Great (2000). The duo composed music for two of Sonu Nigam's successful music albums, Jaan (1999) and Yaad (2001). They went on to score music for Anubhav Sinha's box office success Tum Bin which included hit songs such as "Koi Fariyaad", "Chhoti Choti Raatein" and "Tumhare Siva". Some of their other successful ventures include Hum Tumhare Hain Sanam, Aapko Pehle Bhi Kahin Dekha Hai, Muskaan and Kuch Dil Ne Kaha. The duo have also been accused of plagiarism by Pakistani singer Faisal Latif.
 Passage 3:Moore met Kim Gordon in 1980 at the final gig of The Coachmen, the band he was in with J.D. King, Daniel Walworth (replaced by Dave Keay), and Bob Pullin. Moore, with Gordon, Anne Demarinis and Dave Keay formed a band, appearing under names like Male Bonding and Red Milk and the Arcadians, before settling on Moore's choice of Sonic Youth just before June 1981. The band played Noise Fest in June 1981 at New York's White Columns gallery, where Lee Ranaldo was playing as a member of Glenn Branca's electric guitar ensemble as well as in duo with David Linton as Avoidance Behavior. Moore invited Ranaldo, who he had known when The Coachmen shared a CBGB stage with Ranaldo's 1970s band The Flux, to join the band. The new threesome played three songs at the festival later in the week without a drummer. Each band member took turns playing the drums, until they met drummer Richard Edson. The band signed to Neutral Records, then to Homestead Records, and then to SST Records.


Answer: 2


Question: Question: Did the actor who starred in the film Santhoshi debuted in ever write a screenplay during his career? Passage 1:Santhoshi was born to Gopala Krishna Moorthy and television actress Poornima in Chennai, India. She first appeared in a television series, when she was eight years old, acting alongside her mother. She then debuted in the Tamil film Baba (2002), starring Rajinikanth, playing the sister of Manisha Koirala. Subsequently, she played supporting roles in several Tamil films as Aasai Aasaiyai (2002), Bala (2002), Maaran (2002) and Military (2003), before enacting lead female roles and foraying into other South Indian film industries as well. She played the second female lead in Samuthirakani's Unnai Charanadaindhen (2003) and also played a starring role in Kadhal Samrajyam directed by National Film Award-winning director Agathiyan; the latter, however, remains unreleased. She made her debut in the Telugu film industry with the film Jai (2004) opposite Navdeep and debuted in Kannada in 2006 with the film Honeymoon Express. She also appeared in popular Telugu films such as Nuvvostanante Nenoddantana (2005) and Bangaram (2006), enacting supporting roles. Her performance in the former fetched her the Nandi Award for Best Female Comedian. From 2007, she appeared in the popular series Arasi, playing the role of Kalaiarasi, the daughter of series' protagonist Arasi, portrayed by Raadhika. She was crowned "Miss Chinnathirai 2007" at a beauty contest organized for television actresses.
 Passage 2:A Thorn for Every Heart was started in early 2003 by Joel Ryan Holt (guitar) and Aaron Peck (drums). The original line-up of Holt, Peck, Kelvin Cruz (lead vocals), Jeff Harber (guitar, keys, backing vocals), Justin Powell (bass), and Joy Welling (violin) independently released their debut EP, Silence Is Golden, in late 2003. The EP gained them internet exposure and created an underground following, leading to talks of a record deal with Interscope. Due to musical differences, Holt (guitar/band co-founder) and ATFEH parted ways, and long-time friend Phil Nguyen joined the band in Holt's place. In support of the EP, ATFEH embarked on their first nationwide tour in 2004, during which Welling (violin) parted ways with the band due to personal differences. The band never replaced the violinist or added any other full-time instruments to the group's sound. ATFEH recorded their first full-length album, Things Aren't So Beautiful Now, with producer Shawn Sullivan (Bleeding Through, Reel Big Fish) in the summer of 2004. The album, featuring five reworked songs from the EP and five new songs, was released on October 19, 2004, through Interscope's subsidiary, Kickball Records. After recording the album, Peck (drums/band co-founder) also parted ways with the band, leaving the permanent drummer position open for a year afterward.
 Passage 3:He was a member of the Irish Volunteers and on the outbreak of the 1916 Easter Rising he walked the 26 kilometres to Dublin to fight in the Rising. He was imprisoned in the mass arrests and deportations that followed, and released in 1917. Like many Rising survivors, he joined Sinn Féin, a small separatist party that was wrongly blamed by the British government for the Easter Rising. In the aftermath of the Rising, survivors led by Éamon de Valera took over the party in the struggle for the establishment of an Irish republic. Ua Buachalla was elected as a Sinn Féin MP for Kildare North at the 1918 general election. He served in the First Dáil (1918–1921), and was re-elected to the Second Dáil in 1921 as a Teachta Dála (TD) for Kildare–Wicklow. He sided with de Valera and opposed the Anglo-Irish Treaty. He fought in the Four Courts in the Civil War. Imprisoned in Dundalk jail, he was released by the Anti-Treaty troops in August 1922. He lost his seat at the 1922 general election, and was an unsuccessful candidate at the 1923 general election.


Answer: 1


Question: Question: How many years after the European Union was formed was the Dutch cabinet formed? Passage 1:Cayless started his career in the National Rugby League with the Parramatta Eels alongside his older brother, Nathan Cayless, who had already been with the club for three years. In 2001 he made his representative début for New South Wales Country Origin. The following year Cayless moved to the Sydney Roosters and played for them at prop forward in their 2002 NRL Grand Final win over the New Zealand Warriors. Having won the 2002 NRL Premiership, the Roosters traveled to England to play the 2003 World Club Challenge against Super League champions, St. Helens. Cayless played at prop forward in Sydney's victory. He made his international début for New Zealand in 2002 and went on to play in ten Test matches for New Zealand. He played at prop for the Sydney Roosters in the 2003 NRL grand final which was lost to the Penrith Panthers.
 Passage 2:After the Dutch general election of 2006 the Labour Party, Christian Democratic Appeal (CDA) and the ChristianUnion (CU) formed a coalition agreement which resulted in the formation of the Cabinet Balkenende IV. Timmermans became Undersecretary for Foreign Affairs and was responsible for the co-ordination of government policy towards the European Union, and was conferred the diplomatic title of Minister of European Affairs during international visits. A major theme of his time as Undersecretary for European Affairs was to increase support for European integration. This was done both by seeking greater influence of citizens on European policies and by improving communication and public perception; besides citizens the aim was that education should have also be more involved with Europe. The Treaty of Lisbon was signed whilst he was Undersecretary, before which Timmermans and Prime Minister Jan Peter Balkenende successfully lobbied to secure a greater role for national parliaments in European Union decision-making processes. In February 2010, NATO officially requested the Netherlands to extend its military involvement in Task Force Uruzgan. The Labour Party strongly opposed the extension of the mission and on 23 February 2010 the Cabinet Balkenende IV fell after the Labour Party officially withdrew its support with all Labour Party Cabinet members resigning.
 Passage 3:After Antwerp, Albers was engaged as Principal Baritone at the Opéra de Bordeaux and went on to sing at the Royal Opera House in London and the Opéra de Monte-Carlo. He was engaged by the Metropolitan Opera in 1898 and sang with the company both on tour and in New York City. He made his company debut on 8 November 1898 as Mercutio in the Met's touring performance of Roméo et Juliette in Chicago. He remained with the company through 1899, appearing 36 times in eight different operas and tackling his first Wagnerian role, Wolfram in Tannhäuser. On his return to Europe he sang regularly at the Théâtre de la Monnaie in Brussels from 1901 to 1906 and added several more Wagnerian roles to his repertoire: Telramund in Lohengrin; Hans Sachs in Die Meistersinger von Nürnberg; Wotan in Das Rheingold, Siegfried, and Die Walküre; and Kurwenal in Tristan und Isolde. A highly versatile singer, he also appeared in the title roles of La Monnaie's productions of Hamlet, Rigoletto, Hérodiade, and Le roi Arthus, as well as singing Count di Luna in Il trovatore, Iago in Otello, and Baron Scarpia in Tosca.


Answer:
2