In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Passage: After the war and following several earlier miscarriages, Irina gave birth to their daughter, Mary Moore, in March 1946. The child was named after Moore's mother, who had died two years earlier. Both the loss of his mother and the arrival of a baby focused Moore's mind on the family, which he expressed in his work by producing many "mother-and-child" compositions, although reclining and internal/external figures also remained popular. In the same year, Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. The County Council, however, could not afford Gropius's full design, and scaled back the project when Gropius emigrated to America. Lacking funds, Morris had to cancel Moore's sculpture, which had not progressed beyond the maquette stage.  Moore was able to reuse the design in 1950 for a similar commission outside a secondary school for the new town of Stevenage. This time, the project was completed and Family Group became Moore's first large-scale public bronze.In the 1950s, Moore began to receive increasingly significant commissions.  He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris.  With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth.On the campus of the University of Chicago in December 1967, 25 years to the minute after the team of physicists led by Enrico Fermi achieved the first controlled, self-sustaining nuclear chain reaction, Moore's Nuclear Energy was unveiled on the site of what was once the university's football field stands, in the rackets court beneath which the experiments had taken place. This 12-foot-tall piece in the middle of a large, open plaza is often thought to represent a mushroom cloud topped by a massive human skull, but Moore's interpretation was very different. He once told a friend that he hoped viewers would "go around it, looking out through the open spaces, and that they may have a feeling of being in a cathedral."  In Chicago, Illinois, Moore also commemorated science with a large bronze sundial, locally named Man Enters the Cosmos (1980), which was commissioned to recognise the space exploration program.
What was the first name of Moore's mother?

Passage: The populace of the lethargic small town Fate, TX gathers for the grand opening of Consumart, a glossy new one-stop-shopping box store. The enthusiastic patrons merrily dispense into the store as the doors open at sunset.  Before the unsuspecting shoppers have time to question the fact that the store is stocked with coffins, terror erupts and the store explodes into a bloodbath. A few weeks later, three unmindful, egocentric twenty somethings, Carrie, Sam, and Bone, embark on a road trip to Mr. Fire, a festival which shares eerie similarities to Burning Man, and accidentally wander into Fate, unaware of its population's ill-fated transformation... into vampires.  Carrie, a superficial, aggressive scenester is dating Sam's wallet.  Sam is a shrill, immature, hypochondriac, well-to-do young man. Bone, an uncaring badass with a malicious speech pattern, is still nurturing a yearning for Carrie predicated upon a drunken, frolicsome one night stand.
After a confrontation with two blood-thirsty convenience store clerks in which Sam is repeatedly bitten and attacked, Bone is forced to butcher them. Now the protagonists begin to wonder if something strange might be going on in the town.  Luckily, but only in the sense that they didn't get murdered, the three stumble upon the only surviving humans in town: Byron Von Jones, a trigger-happy, conspiracy theorist, militia member; Lynette Von Jones, a worn, white-trash hussy; and Roy Jackson, a spineless, deceitful frat boy in his early 20s. The group is forced to band together and take shelter in Roy's ranch house, surrounded by hundreds of vampires intending to torch the property before sunrise.  The group must now try to last throughout the night with their bloodthirsty pursuers on their tail.
Who begins to wonder if something strange might be going on in the town?

Passage: The sun set over Framheim on 21 April, not to reappear for four months. Amundsen was mindful of the boredom and loss of morale that had blighted the Belgica expedition's winter in the ice, and although there was no possibility of sledging he ensured that the shore party kept busy. One urgent task was to improve the sledges, which had not worked well during the depot journeys. In addition to those chosen specifically for the expedition, Amundsen had brought along several sledges from Sverdrup's 1898–1902 Fram expedition, which he now thought would be better suited to the task ahead.  Bjaaland reduced the weight of these older sledges by almost a third by planing down the timber, and also constructed three sledges of his own from some spare hickory wood. The adapted sledges were to be used to cross the Barrier, while Bjaaland's new set would be used in the final stages of the journey, across the polar plateau itself.  Johansen prepared the sledging rations (42,000 biscuits, 1,320 tins of pemmican and about 220 pounds (100 kg) of chocolate), while other men worked on improving the boots, cooking equipment, goggles, skis and tents. To combat the dangers of scurvy, twice a day the men ate seal meat that had been collected and frozen in quantities before the onset of winter. The cook, Lindstrøm, supplemented the vitamin C intake with bottled cloudberries and blueberries, and provided wholemeal bread made with fresh yeast, rich in B vitamins.While Amundsen was confident in his men and equipment, he was, Hassel recorded, tormented by thoughts of Scott's motor sledges and the fear that these would carry the British party to success. With this in mind Amundsen planned to begin the polar journey as soon as the sun rose in late August, though Johansen warned that it would be too cold on the Barrier so early in the season.  Amundsen overruled him, and at sunrise on 24 August seven sledges were made ready. Johansen's concerns seemed justified, as harsh conditions for the next two weeks—temperatures as low as −58 °C (−72 °F)—prevented the men from leaving. On 8 September 1911, when the temperature rose to −27 °C (−17 °F), Amundsen decided he could wait no longer, and the party of eight set off; Lindstrøm remained alone at Framheim.

Amundsen overruled who?