Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.
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Question: CONTEXT: You're probably after Pomysłowy Dobromir from the 70s, a dialogue-free Polish cartoon about a boy who lives with his grandfather and a pet bird and always comes up with inventions. I think the episode you're describing is this one, only it's a hand pump, not a faucet:  <sep>  Q: Russian/East-European/Soviet Cartoon show with 3 main characters A: Pomysłowy Dobromir  Q: I used to watch it in 1984. The show is in color. no dialogue, only music and sound effects A: Pomysłowy Dobromir from the 70s 

Answer: The characters are: a boy, his grandfather and a bird. And both the boy and his grandfather live in a house with no other member of the family.


Question: CONTEXT: For a perfect clone, down to the quantum level, both would be the real Angier. That is the essence of his fear. The real Angier will be killed every time. When you download a movie what you are doing is actually making a perfect copy of the movie. Which is the real movie? They all are. This is very different from making copies of film reels where only the original have the quality of the original (each copy adds a little imperfection). Now, the question The Prestige asks is what if you can make a perfect clone of a person the way you can perfectly copy digital data? In one sense, if we don't want to get too uncomfortable we can always say the remaining copy is now the real data and the deleted copy is not real anymore. But if you really think about it and get out of your comfort zone you will realize that both people are real and what you have done is murdered yourself. In The Prestige this point is much more clearly made as the old copied Angier becomes the one who is killed. Not the newly created clone. Every time the clone will have only the memory of the surviving Angier. But every time Angier experiences death, only the Angier that experienced death has no way of passing that memory to the surviving Angier so the survivor can never know what dying feels like.  <sep>  Q: How does it work that the clones are sentient paradox? A: For a perfect clone, down to the quantum level, both would be the real Angier 

Answer: Is the consciousness split among the various clones?


Question: CONTEXT: As we later discover in the movie, you can alter the laws of nature because the world we are living is not exactly real. So the ones communicating with Neo know how to do this. I think that's what the filmmakers are trying to say here. Someone who does not obey to the physical laws is trying to communicate with Neo. So I guess this was not them being cheap rather than trying to stress this 'supernatural' element of the one behind the messages.  <sep>  Q: Why wasn't Neo's monitor connected to anything? A: As we later discover in the movie, you can alter the laws of nature because the world we are living is not exactly real 

Answer:
Is there any symbolism involved here?