Given a document, generate a short title of the document. The title should convey the main idea/event/topic about which the document is being written. Note that URLs in the text have been replaced with [Link].

Q: Cait Earnest  28   met Chris Brandt on a dating app in 2015  and was asked to join his already existing relationship with husband Matthew.
âI had never been with two people at the same time before. Itâs different strokes for different folks but I would say itâs a pretty fun sex life â  Earnest  said.
âIn regards bed placing  it does complicate things. Matthew and I used to sleep on opposite sides and then  Cait  came long â Chris said. âIf I wanted to stay on the same side   Cait  would have to be in the middle and we found quickly  she  didnât like that.â
Both  Cait  and Matthew experienced bouts of jealousy at the start of their relationship experiment but said thatâs now all in the past.
âIt was a struggle even for me. The insecure part of me was like  âChris loves me more because heâs been with me longer â but then he told me  âI love you just as much as I love  Cait  â so I was like  âI need to come to terms with that ââ Matthew said.
 Cait  said  she  isnât shy about sharing  her  relationship status.
âWhen we meet somebody at a bar  I will usually say  âHi  Iâm Cait and these are my two boyfriends.â People often ask if Iâm joking â  she  said  adding that even  her  grandpa is on board and asking when  she âs planning on getting pregnant.

A: This married âthroupleâ has a âpretty fun sex lifeâ
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Q: Senate Intelligence Committee Chairman Richard Burr (R-S.C.)  said "we have not come to any final conclusions" about the Russia investigation on Oct. 4  but that they are still looking into the Mayflower meeting  former president Barack Obama's response to Russian hacking  the Intelligence Community Assessment and the drafting of the RNC's platform.  (Reuters)
Senate Intelligence Committee Chairman Richard Burr (R-S.C.)  said "we have not come to any final conclusions" about the Russia investigation on Oct. 4  but that they are still looking into the Mayflower meeting  former president Barack Obama's response to Russian hacking  the Intelligence Community Assessment and the drafting of the RNC's platform. (Reuters)
âThere is consensus among members and staff that we trust the conclusions of the ICA â Sen. Richard Burr (R-N.C.)  the committeeâs chairman  said at Wednesday news conference  referring to the intelligence communityâs assessment that Russia was behind hackings of the Democratic National Committee and Hillary Clinton campaign director John Podestaâs email account and had attempted to exploit public opinion by sowing false information  much of it through fake social media accounts.
âBut we donât close our consideration of it â  he  added.
 Burr  also said that âthe issue of collusion is still openâ and would not be resolved until the committeeâs work was done.  He  said that a deadline for the committee was the looming start of the 2018 primary season.
âWeâve got to make our facts  as it related to Russiaâs involvement in our election  before the primaries getting started in 2018 â  Burr  said.
 Senate Intelligence Committee Chairman Richard Burr (R-S.C.)  said that the committee's focus on FBI Director James Comey's firing has come to its "logical end as it relates to the Russia investigation " but that it is still looking into possible collusion on Oct. 4. (Reuters)
 Burr  and Sen. Mark R. Warner (D-Va.)  the committeeâs vice chairman  said the committee has interviewed more than 100 people and reviewed more than 100 000 documents  many of them from the intelligence community  President Trumpâs inner circle and former members of the Obama administration. In some areas of the investigation   Burr  added  investigators had âexhausted every individualâ they could speak with in several areas of the probe â such as an April 2016 meeting at the Mayflower Hotel in Washington.
 Burr  said the committee had interviewed seven people about that meeting and that âthe testimony of all seven were consistent.â
 He  said the committee had also âinterviewed every personâ that was involved in drafting the Republican campaign platform  suggesting that investigators had found no evidence of nefarious activity by Trump campaign officials in fashioning that platform to support a âstrong ally in Ukraine  but also leave the door open for better relations with Russia.â
 Burr  also told reporters that the committee had âhit a wallâ in attempting to verify the details of a salacious dossier about Trumpâs alleged exploits in Russia  mostly because its author  former British spy Christopher Steele  had rebuffed the committeeâs efforts to speak with him about his sources and about who paid for the compilation of the report.
âI can compel you to come â  Burr  said  as a warning to any potential witnesses who might not want to comply with the committeeâs investigation. But  Burr  later said that  he  had no such leverage over Steele  a British citizen  and could only threaten that the committeeâs report âwonât be flatteringâ as it relates to  him  if  he  refuses to cooperate.
The committee has also scheduled an additional 25 interviews for this month   Burr  added. Google executives  who have also been invited to testify publicly before the committee on Nov. 1  are expected to be among those asked to attend the closed-door interviews that have been scheduled in October.
 Senate Intelligence Committee Chairman Richard Burr (R-N.C.)   left  and Vice Chairman Mark R. Warner (D-Va.)  hold a news conference Wednesday on Capitol Hill. (Jim Watson/AFP/Getty Images)
 Burr  added that the committee would not release the content of those ads  though  he  added that the committee would be âfineâ with any of the social media companies choosing to release the content of documents and other information they had turned over to the committee themselves.

A: Senate Intelligence Committee leaders: Russia did interfere in 2016 elections
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Q: After 50 prolific years spent producing masterful black-and-white photographs   Roger Ballen  is ready to take  his  place as a master of the medium.
The past few years have seen major moves from the American-born  South African–based artist.  He  earned  his  own wing of Cape Town's Zeitz Museum of Contemporary African Art  after the Roger Ballen Foundation contributed the largest financial donation from a foundation the brand-new institution has seen yet. Outside of photography   he 's gone from directing Die Antwoord music videos to  his  own short films. With a new retrospective monograph  Ballenesque  out October 10 from Thames & Hudson  Ballen declares for all the world to hear that  he  is an icon.
Ballenesque opens with an essay by historian and cultural critic Robert J.C. Young. In it  Young begins to define the mesmerizing  "instantly recognizable" quality of Ballen's images  which he variously calls "prehensile portraits " "aleatory assemblages " "windowless walls " and "dark junctures of disjunction." When Young introduces these cornerstones of  Ballen 's style  he writes  "We isolate four; you  the viewer of the photograph  may add a fifth to complete the secret."
The rest of the book is a guided tour through  Ballen 's work  complemented by 50 pages of the artist's own anecdotes  autobiography  thoughts on technique  and philosophy. It all starts with blurry family portraits  Ballen  shot with a Mamiya camera  he  bought at 13 years old.  He  shares the first photo  his  that  he  really liked  a picture of a dead cat on the side of the road.
As  he  got older   he  became a documentarian of 60s and 70s counterculture  from grimacing Vietnam War protesters to carefree nudists at Woodstock. Many photos from this period in  his  career are shown for the first time within the pages of Ballenesque. By 1979   Ballen  had begun to travel the world  collecting snapshots of kids from New York to Indonesia that would be collected into a series called Boyhood.
When he moved to South Africa   Ballen  became fixated on the human toll of apartheid.  He  traveled the impoverished South African countryside as a geologist  but photographed the people and places  he  saw along the way.  He  collected these images into the two series that made  him  famous  Platteland and Outland.
Also debuting in the new monograph are Ballen's paintings from the 1970s  which informed  his  abstract photography in Asylum of the Birds and The Theater of Apparitions. "It was exciting to put those paintings in the book "  he  said. Many of the paintings were lost when  his  father cleaned them out of their childhood home  but the ones that survive have been documented for Ballenesque. "I didn't paint for 30 years  but in a way these set the foundation for my later work."
By the end of the text   Ballen 's work seems to exist  like one of his paintings  largely within his own mind. "From about 2002 onward  you rarely see a human face in the photos "  Ballen  said.  His  current project  teased in the final pages  is called Ah Rats. Now the vermin that have infested the edges of  his  work for years are at its center. In January   Ballen  art directed Die Antwoord's video for "Tommy Can't Sleep " which is full of the rats that are on his brain.
 Ballen  still walks Johannesburg looking for places to take pictures for around five hours a day.  He  spends the rest of  his  time with  his  family  administrating the Roger Ballen Foundation  and tending  his  collection of more than 100 pets. "There's rats  snakes  chickens  ducks  lizards  rabbits  spiders  doves  pigeons  crows  mice "  he  rattles off. Around 10 percent have names  including a bird named Icarus and a rat named Stoffel.
Icarus  Stoffel  and  Ballen 's Johannesburg home are far from the roiling American political scene  but  Ballen  has some advice for young artists trying to distinguish themselves in a photographic era he describes as "amorphous" compared to when he cut his teeth.
Ballen is quick to clarify that he doesn't mean photographers should risk physical harm by "jumping the White House fence" to get a unique photograph. "It's years and years and hours and hours later that you're developing an approach. My pictures are powerful because they access the subconscious mind. 'On the line' can mean psychological  as well as physical." Years spent paying attention to places and people others would rather ignore are how  Ballen  put  himself  on the line. As a result   his  photographs of outsiders help the rest of us look inward.

A:
Unearthed Photos from Roger Ballen's Nightmarish Archive
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