In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
jackie brown entered theaters with little fanfare and a lot of expectation .
even though advance publicity on this one was fairly limited , the audiences waited for the showings with heightened anticipation .
this is , after all , the first movie quentin tarantino has directed since the highly touted pulp fiction .
to say he has been inactive in between would be to tell a falsehood , since he has been involved in such projects as destiny turns on the radio , desperado , four rooms , and from dusk ' til dawn .
he was also called in at the last minute to help punch up the screenplay for crimson tide .
( i 'm willing to wager the debate over which silver surfer is the only true silver surfer was penned by him . )
tarantino contributed on and off screen to these films , but never took the director 's helm .
nearly four years since gaining notoriety on the hollywood scene and making john travolta a star once more , tarantino returns with a film he can call his own .
the film opens up with an homage to the graduate , with jackie brown ( pam grier ) on one of those airport people movers as the credits are displayed in front of her .
jackie is a flight attendant for air cabo , which flies back and fourth between los angeles and cabo san lucas .
this makes jackie a convenient cash courier for gun dealer ordell robbi
( samuel l . jackson ) who is currently keeping his money stashed in mexico .
however , while bringing fifty thousand dollars back into the u . s .
for ordell , jackie is apprehended by fbi agent mark dargus ( michael bowen ) and atf agent ray nicolet ( michael keaton ) , who catch her not only with the money , but with a bonus of a couple of ounces of illicit drugs .
jackie did n't know they were in the package with the cash , but that 's of no consequence to the authorities , who threaten jackie with a couple of years hard time if convicted .
of course , dargus and nicolet are just using the sentence to get jackie to turn over the big fish , ordell .
ordell uses honest bail bondsman max cherry ( robert forster ) to get jackie out of jail , but while max is immediately attracted to her , jackie is more concerned about her immediate safety , since ordell killed the last one of his operatives who got picked up by the police .
sure enough , ordell shows up at jackie 's apartment that evening and tries to silence jackie for good , but she " borrows " max 's pistol and manages to turn the tables on ordell .
instead of closing the irony circle and relocating a bullet from the pistol 's chamber to ordell 's head , jackie proposes a deal .
since ordell wants to get his money out of mexico , jackie will get back up to her old tricks and be a courier for him once more , but this time for a more substantial fee : fifteen percent of ordell 's half million dollars .
with a gun in his face , how can ordell not agree ?
by itself , this premise might have been interesting enough to carry the film .
however , we are also introduced to a number of double crosses which make us pay attention and think .
jackie claims to be bringing the money in for ordell , but she 's also making a deal with the feds as well as with max .
the film throws us off every once in a while by leading us to believe the deal we thought was authentic is actually a sham , but it is in no way done to the extent that we feel jerked around .
instead , it 's actually a nice departure from the predictability which is prevalent in so many of today 's movies .
at least this film has a little imagination .
most of the performances in jackie brown are above par .
pam grier , of whom i had never taken notice before , plays jackie with a mix of confidence and vulnerability which makes her character believable .
samuel l .
jackson has a kind of mesmerizing quality about him as he handles himself in situations where you know he is in total control .
robert forster is thoroughly likable because he comes across as such an honest guy , trying to do his best . .
never mind that he belongs to a profession where sneaking into a guy 's apartment to zap him with a stun gun is simply a matter of course .
he 's just so down - to - earth , the nature of his job really does n't occur to us , even when we 're shown him bringing a handcuffed woman to prison , or when we see the tools of his trade .
in supporting roles are robert de niro as louis gara , a recently paroled friend of ordell 's , and bridget fonda as melanie , one of the girls ordell keeps around town .
unfortunately , de niro is basically wasted as his lines are few and far between , and then they are mostly clipped sentences .
in this film , he 's not really de niro , but stereotypical de niro , uttering things like , " little bit , " and " pretty much .
"
fonda , on the other hand , plays the slightly spaced - out melanie with satisfactory relish and cuteness , such that even when she is annoying louis , we are taking her side .
as is characteristic of any film in which tarantino has had a hand ,
the dialog is quick and snappy .
it grabs our attention and is actually interesting , and in many respects , this makes jackie brown a film which needs few visuals ; the lines are a form of art in and amongst themselves .
do n't count tarantino out when it comes to using the camera , however .
there 's a scene where max is unwittingly watching a dry run of a money exchange , and he 's not really sure what 's happening , but by composing the scene just so , his realization of what 's going on is felt simultaneously by the audience .
we look at the screen and think , " gee , that 's clever , " and then think the same thing about how the film induced us into that wonderful feeling of catching on .
although tarantino is n't afraid to drag out a shot for dramatic effect , it unfortunately works to varying degrees in this film .
there are shots where a character is simply driving , and we watch this person and somehow get an idea of what is going on in his or her head .
this is a tribute to both direction and acting .
however , there is at least one other scene where we follow jackie through a mall , and she is looking for something ; desperately looking for something .
we get the idea of the frantic nature of her search , but we follow her for so long that we end up not really caring about what she 's looking for , but instead hoping she 'll just stop .
overall , viewing jackie brown is time spent well .
some flap has already been made about the language used in the film , but it 's really not much worse than many of the other movies out there today .
in fact , one might even be able to say that the way in which these " offensive " words are employed almost cause them to parody themselves and therefore transcend their own offensiveness .
go see the film and see what i mean .

Ex Output:
P


Ex Input:
i have no real tangible proof of this , but i swear that there are a lot of producers in hollywood who adamantly believe that if you take a bad script , written by a bad writer and give the project it to an equally bad director , then it is actually possible to make a good movie . using their logic , all that really needs be done to change the bad movie into a good movie is cast a bunch of super - famous actors and provide an almost unlimited production budget .
this is the only way i can fathom how 20th century fox hired jon amiel in order to direct this eighty million dollar waste of my time
( not counting the time it took me to get to and from the theatre ) .
now , before i continue to ferociously attack what 's wrong with this film , i just want to point out that one of the reasons it fails so miserably is because it does have the potential to be an exciting thriller .
catherine zeta - jones plays virginia baker , an insurance investigator tracking down an infamous art thief named robert macdougal ( sean connery ) .
if you 've ever seen any hollywood blockbuster before , i really do n't have to spend too much time on frivolous plot details : the two team up for various jobs , stealing various things for various purposes .
the problem we come to is that we 've all seen this a few billion times before and this film does n't break any new ground in the big - budget / hollywood / action genre .
the result is that the entire production feels contrived
.
i 'm going to be completely honest here : pretty much the only thing keeping me awake throughout the run - time was looking at catherine zeta - jones .
now while this may be a compliment for ms .
zeta - jones , it certainly is n't for either the writers or the director , who are not nearly as clever as they think they are .
just about the most profound thought they can inject into this film is when they have macdougal lecture baker on the semantic difference between " entrapment " and " blackmail " .
with an eighty million dollar budget , you 'd think that entrapment would at least feature edge - of - your seat action scenes or breathtaking special f
/ x . well , you 'd be wrong .
the action that is present in this film takes place in a huge skyscraper and is relatively unspectacular .
unfortunately for all those involved with entrapment , die hard narrowly beat it to the screen by ? 11 years .
the reality is that after 15 minutes of watching this picture , you know exactly what 's going to happen , despite rather pathetic attempts in the screenplay to throw in plot twists .
many scenes seem to exist merely as a reason to outfit zeta - jones in extremely tight - fitting clothing .
one particular scene features baker crawling around trying to avoid laser - beams while she tries to steal an ancient chinese mask .
nothing wrong with that , but she entered the room from the floor and knew exactly where the mask was -
so why did n't she and macdougal tunnel in directly under the mask instead of the other side of the room ?
i 'll tell you why : because it 's a great excuse to photograph zeta - jones ' posterior as it slides underneath those beams ( and it also allows a second scene of the exact same thing - the rehearsal ) .
ving rhames also makes an appearance in this movie , and though he has great screen presence ( although so do connery and zeta - jones ) and the most interesting character in the film , not even he can rescue this film from the depths of the boring film abyss
( a concept i invented just to describe this picture ) .
one last complaint : entrapment is littered of instances where macdougal will just slip into a shadow or behind a building , or he becomes obstructed by a moving vehicle and then in the next shot , he 'll spontaneously disappear in ninja - like fashion .
i can picture amiel patting himself on the back , thinking to himself " it 'll leave the audience wondering for days
: how did he do that ?
"
we know jon , it 's called editing .

Ex Output:
N


Ex Input:
susan granger 's review of " bread and tulips " ( first look pictures ) in this delightfully frothy italian romantic comedy , after accidentally being left behind by a tour bus while on a family vacation with her cranky husband and two cynical teenagers , rosalba ( licia maglietta ) , an unhappy housewife from pescara , finds herself - and love - in venice .
for the first time in years , rosalba 's on her own when she 's abandoned at a highway rest area .
although her philandering husband ( antonio catania ) , a plumbing - supply dealer , orders her to stay there until she 's picked up , she impulsively accepts a ride to venice , a bohemian paradise which she 's never visited .
rosalba finds refuge and romance with fernando ( bruno ganz ) , a gruff icelandic waiter who offers her a spare room in his modest apartment and prepares breakfast for her each morning .
to support herself , she gets a job working with a florist ( antonio catania ) .
film - maker silvio soldini
gently explores the blossoming of this bored , middle - aged , middle - class woman with warmth and affection , savoring special moments such as when rosalba starts playing the accordion again and abandons her maroon stretch pants , silver jacket and orange sneakers for a simple , new red - and - white dress with platform - soled espadrilles .
the superb actors slip into their roles seamlessly , particularly luminous licia maglietta and low - key bruno ganz , along with marina massironi as her nosy massage - therapist neighbor and giuseppe massironi as the inept plumber - turned - private eye who 's sent to retrieve her on orders from her frantic husband - who 's discovered that his mistress has no interest in doing his laundry or cleaning the house .
on the granger movie gauge of 1 to 10 , " bread and tulips " is a beguiling , escapist 8 .
as the summer ends , it 's a magical getaway for mature audiences . .

Ex Output:

P