In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: fact that charles bronson represents one of the most important movie icons of the 1980s represents one of the biggest and almost tragic ironies of that decade .
tragedy lies in the fact that the icon status was earned less by quality of his work in movies , but the quantity .
most of those movies were produced by cannon group , company led by israeli producers menahem golan and yoram globus .
those two men probably thought that they could be the next roger corman ,
b-
movie mentors of future hollywood legends .
unfortunately , that did n't happened , and when cannon finally went bankrupt at the end of the decade , behind it stood the huge pile of cinematic garbage , that would require at least few centuries before it reaches the camp appeal .
sadly for bronson , that garbage also contained numerous movies in which that capable character actor and action hero of the 1970s tried to raise their worth simply by being the main lead , and lowering his own reputation in process .
on the other hand , bronson could take comfort in a fact that those movies were extremely popular , especially among the audience 3 or 4 times younger than bronson himself .
one of such movies that seriously marred bronson 's reputation is death wish 3 , third sequel in the series which began with death wish in 1974 .
in the original movie , bronson played paul kersey , mild - mannered new york architect who turns into deadly street vigilante after his family fell victim to urban violence .
that movie was far from masterpiece ; yet , in it the director michael winner was skillfully offering the cinematic remedy for very real disease of growing crime rates of the time ( on the same lines like siegel in dirty harry ) .
unfortunately , six years later cannon group got rights to the character of paul kersey and
began destroying it by pumping out sequels ; even the presence of its original director did n't stop the rapid decline of the quality .
death wish 3 begins when kersey comes to visit an old friend , living in the urban wasteland of east new york , populated by young criminals and people too old or too poor to move out .
before the reunion , kersey 's friend falls victim to the street gang led by evil fraker ( played by gavan o'herlihy , probably the only noteworthy role in the film ) .
kersey decides to avenge his death and slowly prepares for his crusade , while the police inspector shriker ( ed lauter ) , ants to use him as a secret weapon in his losing war against the urban crime .
bronson , the main asset in this movie , plays the character who is nothing more than an efficient killing machine .
although bronson 's charisma does help in overcoming some implausibilities
( single man in his 60s and armed with a single pistol manages to wipe out dozens of opponents with superior firepower ) , the lack of emotions or bronson 's own commitment could be seen in a very few lines spoken in a film .
the movie authors were somewhat aware of that emotional shallowness , so they added romantic interest for their hero - public defender played by deborah raffin and conveniently terminated in order to give some more motives for kersey 's crusade .
on the other hand , emotions are much better played by confronting law - abiding , yet ethnically stereotyped citizens with their daily nemesis of street punks - ruthless enough to exercise their reign of terror on the entire city blocks , and stupid enough to be killed in droves by kersey .
unfortunately , michael winner does n't know how to work out the plot , and after torturing the viewers with mostly uninteresting characters and cliched and formulaic situations , ends this movie with a bang .
the big showdown at the end - that turns east new york into the sarajevo - like battle zone - is probably the worst part of the movie , because of the poor editing and the cheap sets and props that give away the low budget .
in short , this movie could be recommended only to the most fanatical charles bronson fans or for the people who are already desperate for 1980s nostalgia .
( special note for trekkies : marina sirtis , the actress who played counsellor deanna troi in star trek : the next generation could be spotted in a small role of portorican wife ) .
Example Output: N

Example Input: synopsis :
in this cultural exploration , a chinese american computer engineer named fang ( peter wang ) decides to take a month - long vacation to visit his sister mrs .
chao ( shen guanglan ) , her husband mr .
chao ( hy xiaoguang ) , and their teenage daughter lili ( li qinqin ) in beijing after 30 years of separation .
fang brings his asian american wife grace ( sharon iwai ) and his college - aged son paul ( kelvin han yee ) along , both of whom do n't speak chinese .
the encounter between the two families allows the audience to compare the eastern and western cultures as well as the ambitions of individual characters .
opinion : sometimes a film is plot driven .
sometimes it 's a character sketch .
a great wall ( 1986 ) can be called a culture sketch , as opposed to a character sketch because it gently compares a chinese american family to a beijing family .
fang 's family is thoroughly americanized .
fang is an upper middle class professional who enjoys jogging and argues with his boss .
his wife ca n't cook chinese .
his son has a white girlfriend and complains of racism when fang encourages him to befriend an asian girl .
meanwhile fang 's beijing sister advocates absolute loyalty to the ' work unit . '
her husband is a retired official who has heard rumors of american depravity ( homosexuals running the streets ) , and her daughter lili longs for american freedoms in a youth culture where studying for college entrance exams is the most important thing in life .
the two families spend a month slowly learning about each other .
there is no ultimate ' answer ' or final comprehensive understanding after the month - long vacation .
the film is neither here nor there ; it 's a neutral , meandering , gentle , portrait of life on both sides .
Example Output: P

Example Input: the sweet hereafter could serve as a textbook example of the difference between television movies and " real " movies .
consider for a moment what a television producer would do with a book that features a fatal school bus accident and a lawyer out to sign up the bereaved -- lots of hot sensationalism interrupted with breaks to sell beer and toothpaste .
top - flight writer and director atom egoyan delivers instead a film with tremendous power
whose most notable trait is its touching subtlety .
based on a respected book of the same name by author russell banks , the movie represents a rethinking of the story 's structure , not merely a literal adaptation of the novel .
told in linear form by four narrators in the book , egoyan 's version happens instead in overlapping time sequences and without a narrator .
the author is even on record as applauding egoyan 's changes .
in the press notes the book 's author describes the story as " a parable of lost children .
"
he says it asks what a town does in the absence of its children .
picking up on this , egoyan has a flashback in which a sitter , nicole burnell , played with grace by sarah polley , reads parts of " the pied piper " from an old , illustrated book to her two charges .
periodically throughout the picture , nicole 's readings are heard in voice - over .
you have never heard this moving poem read so sweetly or in such an appropriate moment .
they and the rest of the town 's children come into harm 's way --
some live and others are seriously injured .
and the entire small canadian town where the accident occurs is never the same again .
although the physical damage is inflicted mainly on the children , the adults bear the emotional scars of the loss .
ian holm , in arguably the best performance of his distinguished career , plays mitchell stephens , an intense man of quiet misery .
mitchell is the outsider in the story set in a small , snow - encrusted community in the british columbian wilderness .
his mission there is a singular one , to sign up the parents so that he can sue someone , anyone , on their behalf .
if this seems crass , well it is , but mitchell approaches his job with the dedication of a religious zealot .
the story unfolds slowly and always believably .
each little aspect has its own fascination .
as mitchell interviews wendell and rita walker , played with quiet realism by maury chaykin and alberta watson , he has a simple task .
he wants them to suggest some model couple in the village who has a lost a child so that he can use that couple to form the basis of the suit .
wendell ticks off one town member after another and then , as one can in a small town , enumerates each person 's numerous faults .
although the town is no peyton place , people there do have their foibles .
one of the best parents in the town appears to be billy ansell ( bruce greenwood ) , who rides his pickup behind the school bus everyday just so he can wave good - bye to his kids .
well , single parent billy 's fault is that he has regularly scheduled trysts with the married rita .
his confessions to rita about his feelings of loss are one of the many heartfelt outpourings in the story .
the accident itself , a simple one of a bus hitting a patch of ice , is n't shown until the middle of the picture , but , nevertheless , the mystery about it builds throughout the film .
although the picture is no detective story , finding out exactly what happened is a subtheme in a movie that is primarily a character study of a town gripped by tragedy .
as the injured bus driver , gabrielle rose , dolores driscoll plays the role of a dedicated individual who loves kids with a passion and for whom the tragedy takes on special meaning .
to round out the story , mitchell has his own private tragedy to bear .
his daughter zoe ( caerthan banks ) is a drug addict who has bounced in and out of one half - way house and recovery center after another .
fond of calling her dad on his cell phone so she can ask for money or help , she interrupts him at many emotionally charged moments as he attempts to sign up the townsfolk .
( " i can help you , " mitchell tries to reassure billy .
" not unless you can raise the dead , " billy snaps back .
mitchell 's pitch is never an easy one and worrying about zoe only makes it harder . )
mychael danna 's haunting music sets the stage for tragedy .
the cinematography by paul sarossy is sweeping in its outdoor grandeur , but it is in the warm , shadowy , intimate moments indoors where it works best .
the show , which is ripe for emotional manipulation , never plays with its audience .
still , when the house lights go up , you may feel as i did .
i could barely breathe ; i was so overcome by the sum total of what i had witnessed .
more than anything , the film is like a master painting .
each cinematic brush stroke is carefully laid down by egoyan with the beauty building with each dollop of paint .
with the final color in place , the masterpiece is complete , and the ending credits roll .
the sweet hereafter runs 1 : 50 .
it is rated r for mature themes , sexuality and some profanity and would be fine teenagers .
Example Output:
P