Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Example Input: CONTEXT: In fact it wasn't Silva who hacked into the MI6 system but Q, when he plugged in the hard drive they obtained from Silva. Silva planned all this in advance. When causing an explosion right inside the MI6 headquarters, he forced them to move to this old bunker (since he knew their security protocols). And he also knew they would try to access the hard drive, so he made the password easy enough to guess. This is also explained in the movie, when Silva escaped and they realize that all of this (including his capture, of course) was planned out perfectly by him.  <sep>  Q: What kind of cage is he isolated in? A: When causing an explosion right inside the MI6 headquarters, he forced them to move to this old bunker (since he knew their security protocols  <sep> FOLLOWUP_Q: What is the prosthesis hiding?
Example Output: Yes

Example Input: CONTEXT: Of course this changes from country to country, but generally speaking it's not illegal to film on the streets, since it's a public area. Most car scenes are recorded with chroma just for pratical reasons. In a professional production you look for "quality" and you can achieve it only if you have control. It's all about control. With a studio setting you get full control of the lights, the movements, etc. in one word, the scene. And of course, you minimize the hitches that can occurs in the real world (also safety concers). However you should film outdoor shots to enrich and give credibility to your scene.  <sep>  Q: Why are most scenes in a car recorded with chroma? A: Most car scenes are recorded with chroma just for pratical reasons  Q: What reasons are those? A: In a professional production you look for "quality" and you can achieve it only if you have control. It's all about control  Q: Is it illegal to film while driving in a public place? A: Of course this changes from country to country, but generally speaking it's not illegal to film on the streets, since it's a public area  Q: Are there any safety concerns when filming? A: you minimize the hitches that can occurs in the real world (also safety concers  <sep> FOLLOWUP_Q: Is there anything else you can tell me on this subject?
Example Output: Yes

Example Input: CONTEXT: The comment prior to the conversation with the astronauts´ wives (in the control center) clearly states that Capricorn 1 is just close enough to Earth to allow the fluent conversation. Only at the most distant point of the mission the conversation gaps reach 21 minutes. Thus, there seems to be no blooper nor plothole. (I am much more worried about the Apollo mission technology used for a journey of at least a year. Could three astronauts just sit in the command module most of the time? I guess even the strongest personalities would have gone mad. There might have been a strong extended/additional stage of a modified Saturn rocket for the outward and return journey. If this stage was equipped with extra rooms, stores etc. it would appear more realistic than what we see in the movie.)  <sep>  Q: How is the fluent conversation with spacecraft possible in Capricorn One?
Example Output:
Yes