In this task, you're given a passage, further information available on a particular linked term from the statement, and a question. Your job is to generate the answer to the question by using the information provided. If there is no clear answer obtainable, output 'none'.

[EX Q]: Passage: Pinza sang once again under the baton of Toscanini in 1935, this time with the New York Philharmonic Orchestra, as the bass soloist in performances of Beethoven's Missa Solemnis. One of these performances was broadcast by CBS and preserved on transcription discs; this recording has been issued on LPs and CDs. He also sang in Toscanini's February 6, 1938, NBC Symphony Orchestra's broadcast performance of Beethoven's Ninth Symphony. These performances both took place in Carnegie Hall. In March 1942, Pinza was arrested at his home and unjustly detained 3 months on Ellis Island with hundreds of other Italian-Americans who were suspected of supporting the Axis. The incident was extremely traumatic for Pinza, and he suffered from severe depression for years afterward. In October 1947, he performed the role of Méphistophélès in Guonod's Faust opposite his daughter, soprano Claudia Pinza Bozzolla, as Marguerite at the San Francisco Opera.
 Link Information: none Question: How many pieces had Beethoven composed before the one Pinza performed in 1935?
[EX A]: Answer: none

[EX Q]: Passage: In 1975 his orchestral Fourth Sonata (written 1974–75) won the Scottish National Orchestra's Ian Whyte Award. Subsequent orchestral works include the widely performed Night Music (1976), Sonata No. 5: Landscape (1977–81), and a First Cello Concerto, commissioned by the BBC for the 1984 Proms: these last two have been recorded by Unicorn-Kanchana. In 1989 Cortège was given its first performance by the Orchestra of the Royal Opera House under Bernard Haitink, and Quatrain by the London Symphony Orchestra and Michael Tilson Thomas. This was the first of a series of LSO commissions, followed by Machines and Dreams for their 1991 Childhood Festival, Memorial in 1993 with Mstislav Rostropovich as conductor, and a Second Cello Concerto for Rostropovich in 1996. In 1990 he made a setting of three comic poems by Wendy Cope, Strugnell's Haiku. Matthews was Associate Composer with the LSO from 1992 until 1999. The orchestral version of Hidden Variables was a joint commission for the LSO and the New World Symphony Orchestra, who gave the American première in Miami under Michael Tilson Thomas in 1992; in the same year the Cleveland Orchestra gave the American première of Machines and Dreams. Collins Classics released a CD of Matthews' LSO commissions in 1996 to celebrate his 50th birthday.
 Link Information: The London Symphony Orchestra (LSO), founded in 1904, Question: How long had the London Symphony Orchestra been playing for the year Matthews won the Ian Whyte Award?
[EX A]: Answer: 71

[EX Q]: Passage: Late in the run of the strip, and following a renewal of Hart's religious faith in 1984, B.C. increasingly incorporated religious, social, and political commentary, continuing until Hart's death in 2007. References to Christianity, anachronistic given the strip's supposed setting and the implications of its title, became increasingly frequent during Hart's later years. In interviews, Hart referred to his strip as a "ministry" intended to mix religious themes with secular humor. Though other strips such as The Family Circus and Peanuts have included Christian themes, B.C. strips were pulled from comics pages on several occasions due to editorial perception of religious favoritism or overt proselytizing. Easter strips in 1996 and 2001, for example, prompted editorial reaction from a handful of U.S. newspapers, chiefly the Los Angeles Times and written and oral responses from Jewish and Muslim groups. The American Jewish Committee termed the Easter 2001 strip, which depicted the last words of Jesus Christ and a menorah transforming into a cross, "religiously offensive" and "shameful." A 2003 strip depicting a character using an outhouse with a crescent symbol on the front, slamming the door shut, and declaring, "Is it just me, or does it stink in here?" was interpreted by some as carrying an anti-Islam message. Hart responded to the controversy, saying "This comic was in no way intended to be a message against Islam — subliminal or otherwise... It would be contradictory to my own faith as a Christian to insult other people’s beliefs." The Los Angeles Times consequently relegated strips which its editorial staff deemed objectionable to the religion pages, instead of the regular comics pages.
 Link Information: The identification of the crescent as an "Islamic symbol" Question: How many people worldwide practice the religion that some think was being criticized in a 2003 strip depicting a character using an outhouse with a crescent symbol? 
[EX A]:
Answer: 1.9