In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.
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Question: The best of all . I have heard several Bohemes in my time - my favorites being the versions with Pav and Freni; Tebaldi and Bergonzi; and this one. Neither of the first two can match this recording in overall effect. Karajan with Pav/Freni, while firmly in possession of his own wonder, misses by a hair Beecham's sensuous conducting logic. Also Pav is not the best Rodolfo: he sings too opulently to convey a blue, starving poet. The Tebaldi/Bergonzi set is a sure contender, and might have stood right with this one if its sound weren't so bad.         Now as for this set itself - three words say it: Bjoerling with Beecham. These were two of the finest artists of the last century, and it is a blessing to have this record of their collaboration. Jussi, while perhaps not as romantic as Bergonzi, was a Rodolfo for all time. That ringing golden tenor truly could build castles in air. And hell, he was romantic enough for comfort. Add Beecham, and, if you please, you've got glory. His pacing is perfect. Just listen to about midway through "che gelida manina," where Bjoerling soars and Beecham expands the tempo to let Jussi's voice raise the rafters and burn deep. And I tell you what, Jussi could burn. The quantity of air that man had was astonishing at the least, and he didn't waste it: his phrases are easy, well-drawn, and thrilling.        I have no important complaints about anyone else in the cast. I actually prefer de Los Angeles's Mimi, though I think she sometimes doesn't support high notes with enough air. As for the orchestra, there are a few mishaps where accurate entrances with the singers are concerned, but that is hardly surprising - the ensemble was assembled in roughly two days and its memebers had barely played with one another or with Beecham. The sound of the set isn't as good as one might expect from the Great Recordings series, but it is acceptable, and a well-informed ear can fill in any lacking overtones.    Buy it. You'll love it for many years, and then pass down through your family

Answer: POS


Question: The worst CD in History! . The Black Eyed Peas are the WORST group is rap HISTORY! Its hard to believe that anyone could make music worse than the Black Eyed Peas. This group is an embarasment to Rap, Hip-Hop, R&B, and any other type of music ever created. How and why people continue to support these lame, extremely non-talented rejects of the rap world is completely unbelievable. I thought thier last CD was trash, but this has incredibly surpassed the low mark set by Elephunk, which should have been called, "Hey let'sell out and attempt to create the worst music ever known to man". The only good news is that theyll soon be forgotten about as they have just murdered thier musical careers, and will have to resort to doing jingles for commmercials in order to survive. These three unoriginal, talentless, boring, annoying, sellout, fake wanna-bes should stop making ANY kind of music and get completely out of the music business. Tonight I willl pray very hard that these bafoons of the music industry NEVER make another song EVER!!!! To say that they SUCK would be a compliment, they would have to practice constantly for the next 1,000 years THEN make a deal with the devil just to scrape up enough talent to suck! Theyre just that HORRIBLE!!

Answer: NEG


Question: ... BRUTAL PLANET ... seems too forced ... . "BRUTAL PLANET"    REVIEW:     In Alice Cooper's long and successful career (admittedly with ups and downs along the way), he has proved (to me at least) that he is one of the best lyricist in rock and roll history. Albums like "Love It To Death," "Killer," "Billion Dollar Babies," and "Welcome To My Nightmare" are just simply put - BRILLIANT. Alice was at the top of his game in the 70's. However, that is not to suggest that he's never released worthy material since then. In fact the quite opposite. Albums like his 1983 hidden gem "Dada," 1991's "Hey Stoopid" and the brilliant "The Last Temptation" (1994) is amongst some of Alice's best work.    However, in the summer of 2000, Alice unleashed BRUTAL PLANET, which was produced by Bob Marlette (Union - "The Blue Room") and executive produced by the great Bob Ezrin. While there are standout tracks like the title track, "Sanctuary," and "Take It Like A Woman" --- the album just falls flat. The new musical direction (Nu-Metal) seems too forced which is truly unfortunate because the album boasts some of the best lyrics Alice has ever written.     MUSICIANS:    Ryan Roxie ... Guitars  Phil X ... Guitars  China ... Guitars  Bob Marlette ... Bass  Eric Singer ... Drums    INTERESTING FACTS:    1. Released by Spitfire Records, "Brutal" Planet" peaked at #193 on the Billboard Top 200.    2. There was a Japanese/Australian bonus track called "Can't Sleep, Clowns Will Eat Me". That title was actually inspired by dialogue spoken in the hit animated show "The Simpsons".    3. The stage show - which can be seen on the "Brutally Live" DVD - is a post-apocalyptic landscape of wreckage that also features the Frankenstein machine, a Guillotine, two TV`s - and in some cases - three TV's showing weird video footage all through out the show.     PACKAGING:    The album cover - which was created by Kane Roberts' company PlanetFX - is a decent and once again, the booklet does feature  the album's lyrics.    APPROX. RUNNING TIME:    48 min. and 4 sec.    FINAL ANALYSIS:    Musically the album just plods along and is devoid of any real energy. Despite being lyrically well-written, "Brutal Planet" is certainly the most disappointing release from Alice since his 1989 album, "Trash". **1/2 out of 5.

Answer:
NEG