Read the passage and find the corresponding pronoun for the given name. The word between ** ** is the target name. The pronoun should be one of 'her', 'him', 'he', 'she' and 'his' with proper casing based on the position in the passage.

Q: She goes on to acknowledge that in Finch's work, ``Now and again words issue of pure poetry...It was a thousand pities that the woman who could write like that, whose mind was turned to nature, and reflection, should have been forced to anger and bitterness.'' Woolf goes on in defence of her as a gifted but sometimes understandably misguided example of women's writing. It is evident that **Woolf** sympathises deeply with Finch's plight as a female poet, and though she takes issue with some of the content in Finch's writing, she expresses grief that Finch is so unknown: ``...when one comes to seek out the facts about Lady Winchilsea, one finds, as usual, that almost nothing is known about her.''

A: she
****
Q: The story takes place in a mysterious underworld of swanky nightclubs where armed criminals listen to Rat Pack music and hold shootouts from a seated position, behind desks. Mickey Holliday is the top enforcer for Vic, the mob boss, who is about to be released from a psychiatric facility. In his absence, Ben London has been running **Vic**'s nightclub while Mickey has been romancing both Rita and Grace Everly, which is doubly dangerous inasmuch as they are sisters and Grace was previously Vic's girl.

A: his
****
Q: During her time at UMass Amherst, she has taught numerous students who would become notable linguists including Gennaro Chierchia and Irene Heim. Through her interactions with the philosopher and logician Richard Montague at UCLA in the 1970s she played an important role in bringing together the research traditions of generative linguistics, formal logic, and analytic philosophy, pursuing an agenda pioneered by **David Lewis** in his 1970 article General Semantics.

A:
his
****