instruction:
In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.
question:
Passage: By the late 1950s, Covent Garden was gradually abandoning its policy of productions in the vernacular; such singers as Maria Callas would not relearn their roles in English. This made it easier for Tucker to point up the difference between the two London opera companies. While Covent Garden engaged international stars, Sadler's Wells focused on young British and Commonwealth performers. Colin Davis was appointed musical director in succession to Gibson in 1961. The repertoire continued to mix familiar and unfamiliar operas. Novelties in Davis's time included Pizzetti's Murder in the Cathedral, Stravinsky's Oedipus rex, Richard Rodney Bennett's The Mines of Sulphur and more Janáček. Sadler's Wells's traditional policy of giving all operas in English continued, with only two exceptions: Oedipus rex, which was sung in Latin, and Monteverdi's L'Orfeo, sung in Italian, for reasons not clear to the press. In January 1962, the company gave its first Gilbert and Sullivan opera, Iolanthe, on the day on which the Savoy operas came out of copyright and the D'Oyly Carte monopoly ended.  The production was well received (it was successfully revived for many seasons until 1978) and was followed by a production of The Mikado in May of the same year.The Islington theatre was by now clearly too small to allow the company to achieve any further growth. A study conducted for the Arts Council reported that in the late 1960s the two Sadler's Wells companies comprised 278 salaried performers and 62 guest singers. The company had experience of playing in a large West End theatre, such as its 1958 sell-out production of The Merry Widow that had transferred to the 2,351-seat London Coliseum for a summer season. Ten years later, the lease of the Coliseum became available.  Stephen Arlen, who had succeeded Tucker as managing director, was the primary advocate for moving the company. After intense negotiations and fund-raising, a ten-year lease was signed in 1968.  One of the company's last productions at the Islington theatre was Wagner's The Mastersingers, conducted by Goodall in 1968, which 40 years later was described by Gramophone magazine as "legendary". The company left Sadler's Wells with a revival of the work with which it had re-opened the theatre in 1945, Peter Grimes. Its last performance at the Rosebery Avenue theatre was on 15 June 1968. 
Question: What are the names of the people that wrote the opera The Mikado?
answer:
Gilbert.


question:
Passage: Colour lies at the heart of Messiaen's music. He believed that terms such as "tonal", "modal" and "serial" are misleading analytical conveniences. For him there were no modal, tonal or serial compositions, only music with or without colour. He said that Claudio Monteverdi, Mozart, Chopin, Richard Wagner, Mussorgsky and Stravinsky all wrote strongly coloured music.In some of Messiaen's scores, he notated the colours in the music (notably in Couleurs de la cité céleste and Des canyons aux étoiles...)—the purpose being to aid the conductor in interpretation rather than to specify which colours the listener should experience. The importance of colour is linked to Messiaen's synaesthesia, which he said caused him to experience colours when he heard or imagined music (he said that he did not perceive the colours visually). In his multi-volume music theory treatise Traité de rythme, de couleur, et d'ornithologie ("Treatise of Rhythm, Colour and Birdsong"), Messiaen wrote descriptions of the colours of certain chords. His descriptions range from the simple ("gold and brown") to the highly detailed ("blue-violet rocks, speckled with little grey cubes, cobalt blue, deep Prussian blue, highlighted by a bit of violet-purple, gold, red, ruby, and stars of mauve, black and white. Blue-violet is dominant").When asked what Messiaen's main influence had been on composers, George Benjamin said, "I think the sheer ... colour has been so influential, ... rather than being a decorative element, [Messiaen showed that colour] could be a structural, a fundamental element, ... the fundamental material of the music itself.". 
Question: What is the name of the person who said Monteverdi, Mozart, Chopin, Wagner, Mussorgsky, and Stravinsky all wrote strongly coloured music?
answer:
Messiaen.


question:
Passage: In the 19th century, a Grande Dame summons The Brothers Grimm to her palace. The brothers discuss their interpretation of the Cinderella story. She then shows them a slipper and tells them the story of Danielle de Barbarac.
In 16th-century France, Auguste de Barbarac is a widower and the father of eight-year-old Danielle. Auguste marries Rodmilla de Ghent, a haughty baroness with two daughters, Marguerite and Jacqueline. Auguste gives Danielle a copy of Sir Thomas More's Utopia. Later, when leaving for a trip, Auguste dies of a heart attack. By the time Danielle is eighteen, the estate has fallen into decline and Danielle is forced to be a servant to Rodmilla and her daughters. Jacqueline is the only one out of her family to show Danielle any kindness.
One day, Danielle stops a man from stealing her father's horse and in the process realizes he is Prince Henry. He buys her silence with gold, as he is fleeing an arranged marriage to the Spanish Princess Gabriella. He is caught, however, after he recovers and returns the Mona Lisa to Leonardo da Vinci, which had been stolen by gypsies. Meanwhile, Danielle uses the gold Henry gave her to buy back the servant Maurice, who Rodmilla sold into slavery to pay off her debts. To do this, she dresses as a noblewoman and is warned that she will be severely punished if discovered. Henry overhears Danielle arguing with the Cargomaster and orders Maurice's release. Henry insistently begs for Danielle's name until she finally gives him the name of her deceased mother, Nicole de Lancret, with the added title of comtesse (countess). King Francis tells Henry that he is throwing a masquerade ball, where he must choose a bride or wed Gabriella. Meanwhile, Rodmilla schemes to marry Marguerite to Henry. 
Question: Who does the person dressed as a noblewoman want to save?
answer:

Maurice.