In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Example Input: Passage: The frustration at #1 Record's obstructed sales contributed to tension within the band. There was physical fighting between members: Bell, after being punched in the face by Hummel, retaliated by smashing Hummel's new bass guitar to pieces against the wall. Hummel took revenge at a later date: Finding Bell's acoustic guitar in the latter's unattended car, he repeatedly punched it with a screwdriver. In November 1972, Bell quit the band. When work continued on songs for a second album, Bell rejoined, but further conflict soon erupted. A master tape of the new songs inexplicably went missing, and Bell, whose heavy drug intake was affecting his judgment, attacked Fry's parked car. In late 1972, struggling with severe depression, Bell quit the band once more, and by the end of the year Big Star disbanded.
After a few months Chilton, Stephens, and Hummel decided to reform Big Star, and the three resumed work on the second album. The title chosen, Radio City, continued the play on the theme of a big star's popularity and success, expressing what biographer Robert Gordon calls the band's "romantic expectation". As Hummel put it,
This was probably pretty lame, but in those days putting any word in front of the noun "city" to sort of emphasize the totality and pervasiveness of it was just a way of talking people had. If someone suggested going to a store but you had gotten a bad deal there you might say, "Oh no, that place is 'rip off city'." Calling an LP Radio City would be kind of wishful thinking. I mean we hoped it would be played on the radio a lot, making it "radio city". Of course it didn't pan out that way... Stephens recalled: "Radio City, for me, was just an amazing record. Being a three-piece really opened things up for me in terms of playing drums. Drums take on a different role in a three-piece band, so it was a lot of fun. [...] Radio City was really more spontaneous, and the performances were pretty close to live performances."Although uncredited, Bell contributed to the writing of some of the album's songs, including "O My Soul" and "Back of a Car". Shortly before the album's release, Hummel left the band: judging that it would not last, and in his final year at college, he elected to concentrate on his studies and live a more normal life. He was replaced by John Lightman for a short tenure prior to the band dissolving.
Example Output: Who was replaced by John Lightman?

Example Input: Passage: Donald Duck is doing some camouflage painting on a cannon with yellow, green, and red stripes and black dots (based on the colors of the Flag of Lithuania with bullet holes in it). Sergeant Pete sees it and scolds Donald, explaining that it needs to painted so it can't be seen.  Pete then demands that Donald re-paint the cannon to make it "hard to see".  Obliging to the sergeant's orders, Donald walks to the "Experimental Laboratory: Camouflage Corps", disregarding the 'keep out' sign, and walks in. He finds some "invisible paint", which he tests with his finger, and uses it to paint the cannon.
When Pete returns, he is shocked to find the cannon seemingly gone, believing it to be stolen.  But of course it isn't stolen, as the sergeant finds out the hard way by bonking his head on the underside of the cannon and discovering Donald inside.  Angered that Donald painted the cannon too invisible to see, Pete blows hard into one end of the barrel, sending Donald out the other end and into the bucket of invisible paint.  When Donald runs away, Pete finds out Donald has become invisible after seeing Donald's footprints on the ground.  Donald then swims across a lake, but the invisible paint doesn't come off.
Pete continues to chase Donald through a field of flowers, until he accidentally throws some of the flowers on Donald, revealing his outline.  Pete spots Donald and tries to catch him, but he gets away again.  However, this gives Pete an idea to find Donald.  When the General drives up, Pete's antics, including jumping around a tree while singing "Here We Go Round The Mulberry Bush" and throwing flowers, convinces the General that he is acting odd, especially after he asks the General "did you see a little guy that you can't see?"  The invisible Donald then puts a cactus down Pete's pants, making him scream in pain and jump around like a madman, making the General wonder what is going on with Pete.
Example Output: Who hits his head on the cannon?

Example Input: Passage: Francis Jean Marcel Poulenc (French: [fʁɑ̃sis ʒɑ̃ maʁsɛl pulɛ̃k]; 7 January 1899 – 30 January 1963) was a French composer and pianist. His compositions include mélodies, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite Trois mouvements perpétuels (1919), the ballet Les biches (1923), the Concert champêtre (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera Dialogues des Carmélites (1957), and the Gloria (1959) for soprano, choir and orchestra.
As the only son of a prosperous manufacturer Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc soon came under the influence of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as Les Six. In his early works Poulenc became known for his high spirits and irreverence. During the 1930s a much more serious side to his nature emerged, particularly in the religious music he composed from 1936 onwards, which he alternated with his more light-hearted works.
In addition to composing, Poulenc was an accomplished pianist. He was particularly celebrated for his performing partnerships with the baritone Pierre Bernac (who also advised him in vocal writing) and the soprano Denise Duval, touring in Europe and America with each, and making many recordings. He was among the first composers to see the importance of the gramophone, and he recorded extensively from 1928 onwards.
In his later years, and for decades after his death, Poulenc had a reputation, particularly in his native country, as a humorous, lightweight composer, and his religious music was often overlooked. During the 21st century more attention has been given to his serious works, with many new productions of Dialogues des Carmélites and La voix humaine worldwide, and numerous live and recorded performances of his songs and choral music.
Example Output:
What is the first name of the person who became known for his high spirits and irreverence?