In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Input: Consider Input: Christine Clay (Pamela Carme), a successful actress, argues passionately with her jealous ex-husband Guy (George Curzon), who makes particular reference to Robert Tisdall, a young man staying near her at her retreat on the English coast. Christine slaps him several times across the face, but he hardly reacts, choosing instead to depart without a word.The next morning, Robert Tisdall (Derrick De Marney) happens to be walking along the seaside cliffs when Christine's body washes ashore. He runs to get help and call the police, but two young swimmers arrive just in time to see him racing away from the corpse. A belt from his raincoat, which had just recently gone missing, is found next to the body, further implicating him in her strangling. He is subsequently arrested and becomes the main suspect, partly because of a large sum of money Christine left to him in her will, a gift he was unaware of.Tisdall is grilled all night by Scotland Yard detectives until he faints. He is brought round by the aid of Erica Burgoyne (Nova Pilbeam), daughter of the local police Chief Constable and who was one of the women who witnessed him running away from Christine's dead body. Tisdall from there is taken directly into court for his formal arraignment. Saddled with a completely incompetent barrister, Tisdall doubts if his innocence will ever be established. He elects to take advantage of a crowded courthouse and make his escape, wearing the barrister's eyeglasses as a disguise.After his escape, Tisdall finds Erica Burgoyne on the road pushing her car, which has run out of gas, and convinces her to give him a ride in her Morris car. Though she is initially fearful and unsure about her passenger, Burgoyne eventually becomes convinced of his innocence and elects to help him in any way that she can. They are eventually spotted together, forcing both to stay on the run from the police. Tisdall tries to prove his innocence by tracking down the stolen coat to show that it still has its belt.The duo succeed in tracking down Old Will (Edward Rigby), a sociable china-mender and homeless bum that was known to have received Tisdall's coat. He agrees to help them find the man who gave him the coat; unfortunately, all that Old Will can remember about the man is his distinctive eye twitch.Upon searching the pockets of the coat, Erica finds a clue, a box of matches from the Grand Hotel, a place Tisdall has never been to. She is separated from the group, however, and taken in by the police. Upon realising that his daughter has fully allied herself with the murder suspect, her father chooses to resign his position as Chief Constable rather than arrest her for assisting Tisdall. Nonetheless, Erica and Old Will go to the Grand Hotel together, hoping to find the true murderer. In a memorably long, continuous sequence, the camera pans right from Erica and Old Will's entrance to the hotel and then moves forward from the very back of the hotel ballroom, finally focusing in extreme close up on the drummer in a dance band performing in blackface. Recognizing Old Will in the audience, and seeing policemen nearby (unaware that they have followed Old Will in the hopes of finding Tisdall), the man performs poorly due to fear and a drug he has been taking to try to control the twitching, and is berated by the musical conductor. Eventually the drummer faints in the middle of a performance, drawing the attention of Erica and the policemen. Immediately after being revived and confronted, he confesses his crime and begins laughing hysterically.

Output: What is the clue Erica finds while searching the pockets of the coat?


Input: Consider Input: "Darr" is fear. And fear beats in every lover's heart. Fear that your love may not be reciprocated, fear that you lose the one you love, fear that your beloved could have a change of heart. In short, fear is the villain in every love story. But in "Darr" fear is the ultimate expression of passion, of obsession and of sacrifice. "Darr" is Rahul's story whose love and obsession for Kiran frees him from all fears of life and death. "Darr" is Sunil's story, whose enduring love and passion for Kiran gives him the courage to face the fear of death.And finally "Darr" is Kiran's story, one who is caught between one man's love and another man's obsession. She fears one and fears for the other. One stands for love and the other for life.In this battle between love and life, the supreme victor is Love, because Love always wins, in Life and in Death.

Output: Who is also in love with Kiran?


Input: Consider Input: A 1970s New York City setting finds Indian-born immigrant Ram Patel trying to establish himself in the turbulent city-life where he encounters various hurdles that prevent him from obtaining his goals of becoming successful and wealthy. The pursuit of the American dream becomes littered with pot-holes for the earnest protagonist Ram Patel. Arriving from the airport to stay with a family friend, he finds himself instantly disliked by an African-American landlord (Floyd) that attempts to make Ram miserable.Pounding the pavement for a job, Ram is taken-on by a CPA firm run by a strict, former military crew-cut martinet who hires other Indian men like Ram to do countless hours of accounting grunt-work in a hot-box dingy office. With no money to save, he begins to borrow heavily and digs himself into insurmountable debt. In the midst of this self-inducedmisery, he sends for his wife and daughter from India and continues his âfaÃ§adeâ of a successful appearance to his newly arrived wife by going into even further debt on more newly printed credit cards and âlatched-ontoâ friends.These friends and co-workers begin to get irritated by his lack of commitment to payback, and this leads the protagonist being pressed into self-doubt and constant searching for both âa way outâ and purposeful meaning in his life. Proclaiming to push ahead through his frustration and predicament is based more on stubbornness than enlightenment, where a âdonÊ¼t quitâ mind-set becomes âfuel- to-the-fireâ for his out-of-control situation. Ram has his car stolen, and he becomes enslaved to his increasing debt status, which makes his wife question his responsibility as a husband, father and a man. RAMÊ¼s wife RANI becomes pregnant again, and he must reluctantly send her back to India to deliver their new child due to a lack of medical insurance in the USA. Rani protests, but Ram mentions âfinancial suicideâ as to their status, and Rani goes back to India for the birth of their second daughter.Into the life of Ram Patel comes an eccentric array of characters who swirl his life into confusion. A colleagueÊ¼s mother offers her connection to a spiritual Holy-man known as âDADA BHAGWAN,â whose followers revere him as mentor and benevolent wise master, professing the release of ego for enlightenment. Ram passes up this spiritual growth opportunity, instead trying to make his way on a fortune-seeking venture in a new business with a puffed-up, egotistical entrepreneur named âADESH.âRam continues âspinning-his-wheelsâ and finally tries an introductory session with the eminent Dada Bhagwan. Confronting himself is an intensely difficult proposition, but awareness comes suddenly like lightning and Ram turns over a ânew leafâ as the situation begins to eventually swing in Ram PatelÊ¼s favor. This compelling story addresses the overall-immigrant experience of the midâtolate 20th Century, where âculture-clashâ and âmaking it in Americaâ are the pillars under which many lives are built, or crushed by. The filmÊ¼s ultimate message and Ram PatelÊ¼s plight and subsequent transformation by Dada Bhagwan become the hook whereby any individual can absorb the bracing impact of undeniable fate that results in a firmly entrenched ânever-give-upâ attitude.


Output: Whose car get stolen?