Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

[Q]: CONTEXT: Peter Ward was accused of murdering his family, but thought to be insane. He was sent to Greenhaven. He was eventually released. As Will Atenton he creates the family and story he needs to exist in his old house, while only seeing it as it used to be... thus making his way back to his home. There, he eventually uncovers who he is and who actually did kill his family. The audience learns why his wife shot him at this time. When was Peter in Greenhaven? After his family was killed. Why was he considered nuts? He insisted that he was innocent despite the evidence and lack of other suspects. The death of his family fractured his personality and drove him temporarily insane, to the point where he created his alter-ego of Will Atenton.  <sep>  Q: When did Peter/Will go to Greenhaven?
[A]: Yes


[Q]: CONTEXT: It is not explained, but we can theorize. We don't know when he rented those books. He might have done so before buying his own (to ensure he indeed should buy them), or because the books weren't easy (or cheap) to purchase. Also remember that instead of renting books on a subject he is well versed in, he probably became well versed on the subject thanks to renting those books. Finally, despite those books in his apartment, IIRC we are never told what those books are about. They might have had nothing to do with the seven deadly sins (John Doe wanted to avoid having incriminating evidence on his home, perhaps?), and thus all of his knowledge came from renting the books in the library. The books in his house might have been educational on a ton of other subjects or philosophies. Also keep in mind, the Internet still wasn't a thing back then. And books such as the ones mentioned (on bondage, homicide, or by Italian Dominican friars) might have not been easily found in your regular old book store. Finally, you can also claim that he rented them to make the plot move along, as this was their main lead.  <sep>  Q: Why did John Doe need to check out books at a public library? A: It is not explained, but we can theorize  Q: What is your theory? A: Internet still wasn't a thing back then  Q: John Doe knew a lot about the Seven Deadly Sins already, didn't he? A: IIRC we are never told what those books are about. They might have had nothing to do with the seven deadly sins  <sep> FOLLOWUP_Q: What else can you tell me about the movie?
[A]: Yes


[Q]: CONTEXT: The point is that it's not about being smart.. It's about knowing what you are talking about and and having the guts to hold a position. We see, in the scene prior to the elevator sequence, that the other CIA officials are all hedging their bets about the location of Bin Laden, Chastain's character is the only one who will commit to being certain. This is why, even though, all of them are smart... he discounts that as being the deciding factor. Being knowledgeable, and committed to an opinion, even an internally unpopular one, carries more weight with him Which is why, in the very next scene, the Director talks to Chastain's character to weigh her up for himself. He's convinced, not only by her certainty but by the fact that the only thing she's done for the CIA in her 12 years...is hunt Bin Laden.  <sep>  Q: What is the meaning of the elevator scene in Zero Dark Thirty? A: We see, in the scene prior to the elevator sequence, that the other CIA officials are all hedging their bets about the location of Bin Laden  <sep> FOLLOWUP_Q: Why is she so certain?
[A]:
Yes