Given a paragraph about movies, and a set of conversational question answers about the paragraph, answer a follow-up question from the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Input: Consider Input: CONTEXT: I'm afraid you completely misunderstood a lot of the movie. At the start of the movie, Hal is already dead (killed himself in prison). Those scenes with Hal (mostly in New York) were all flashbacks. The present is with sister in San Francisco. Jasmine meets Dwight at a party in San Francisco. This is long after Hal killed himself. But to your question: "Why did Jasmine arrest Hal?" It was purely a spur of the moment, revenge thing. Hal had just told Jasmine that he was in love with this French girl and was going to leave her. And almost immediately, Jasmine calls the FBI (or rather calls someone to get the FBI's number).  <sep>  Q: Why did Jasmine arrest Hal? A: It was purely a spur of the moment, revenge thing  <sep> FOLLOWUP_Q: Who did Jasmine sleep with?

Output: Dwight


Input: Consider Input: CONTEXT: Firstly, there's a chance Wednesday would sense them coming, and would get away. They couldn't have a decent conversation then, and Mr. World made it very clear they wanted to part on respectful terms, having made their proposal. However, in the room Wednesday and Shadow were kept, Media, World, and Technical Boy were able to enter unobstructed, through the only exit, so it was very much their ground. Secondly, it was a show of power. Wednesday is on the wrong side of the law (after the robbery), but the new gods aren't - or at least, they're useful to the law, with the satellites and all the like. They wanted to show Wednesday that they had the capability to track him if the wanted, and that he had something, namely the whole of law enforcement, to be aware of. Thirdly, I think it's the matter of not getting their hands dirty. Gods, both in the novel and in the series so far, operate through proxies - Wednesday has Shadow, Technical Boy had those dumb henchmen. It's possible (though unlikely) that the New Gods don't want to be on the wrong side of law enforcement as well, and the law enforcement was looking for the bank robber anyway. In this case Mr. World simply used the policy in place of his own men, but disposed of them as they became unnecessary (which could be seen as yet another show of power).  <sep>  Q: Why did Mr.World need to involve the police? A: They couldn't have a decent conversation then, and Mr. World made it very clear they wanted to part on respectful terms, having made their proposal  Q: Why did Mr World have to be so violent? A: Mr. World simply used the policy in place of his own men, but disposed of them as they became unnecessary (which could be seen as yet another show of power  Q: Why not just go to the motel room? A: They wanted to show Wednesday that they had the capability to track him if the wanted, and that he had something, namely the whole of law enforcement  <sep> FOLLOWUP_Q: What did this achieve?

Output: It's possible (though unlikely) that the New Gods don't want to be on the wrong side of law enforcement as well, and the law enforcement was looking for the bank robber anyway


Input: Consider Input: CONTEXT: A properly executed plot twist often causes opposite reactions of what you've just described. People want to watch the movie again because the ending was so unexpected that they need to review the whole thing to get all the puzzle pieces together. "Fight Club" is a great example, in my opinion. There's a lot of dialogue (especially the lines from Helena Bonham Carter) that doesn't make any sense if you don't know the ending. You will enjoy and understand Fight Club much better after a second view. There are many ingredients that define the quality and longevity of a movie. Directors should not be afraid to use a plot twist, but relying only on this trick - especially if it is predictable - may ruin the whole experience.  <sep>  Q: Is there any evidence of "Big Twist" movies having poor post-cinema sales? A: Directors should not be afraid to use a plot twist, but relying only on this trick - especially if it is predictable - may ruin the whole experience  Q: Do you think this is a common reaction though? A: A properly executed plot twist often causes opposite reactions of what you've just described  <sep> FOLLOWUP_Q: So, for up ad coming directors, is this the type of movie to stay away from


Output: Directors should not be afraid to use a plot twist, but relying only on this trick - especially if it is predictable - may ruin the whole experience