instruction:
In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.
question:
A rich, spoiled wife and a poor underclass deckhand drift away from their yacht while on a Mediterranean vacation cruise. They become stranded on a deserted island where their roles become reversed. She becomes dependent upon him for survival. By the time they are rescued, they have fallen in love. The deckhand vows to leave his family for his new love, and they set up a time to reunite. She stands him up. The film asks the question whether sexual politics are consistent between the raw natural environment vs. civilization, and which arrangement is best. These points are made more cogently than by the 2002 Madonna remake of the same title. Dialog mentions Burt Lancaster of "From Here to Eternity" (1953) fame, and a similar promotional image.
answer:
Question: Dialogue mentions what actor from the film "From Here to Eternity"?, Answer: Burt Lancaster


question:
Dr. Frederick Frankenstein (Gene Wilder) is a respected lecturer at an American medical school and is more or less happily (though blandly) engaged to the tightly wound Elizabeth (Madeline Kahn). Frederick becomes exasperated when anyone brings up the subject of his grandfather, the famous mad scientist, to the point of insisting that his name is pronounced "Fronk'-en-steen".A solicitor informs Frederick that he has inherited his family's estate. Traveling to said estate in Transylvania, Frankenstein meets his comely new lab assistant Inga (Teri Garr), along with the household servants Frau Blücher (Cloris Leachman) and Igor (Marty Feldman) (who, after hearing Frederick claim his name is pronounced "Fronkensteen" counter-claims that his is pronounced "Eye'-gor.")Inga assists Frederick in discovering the secret entrance to his grandfather's laboratory. Upon reading his grandfather's private journals the doctor is inspired to resume his grandfather's experiments in re-animating the dead. He and Igor successfully exhume and spirit away the enormous corpse of a recently executed criminal, but Igor's attempt to steal the brain of a revered scientist from the local "brain depositary" goes awry, and he takes one labeled, "Do Not Use This Brain! Abnormal" instead.The doctor and reassembled monster (Peter Boyle) are elevated on a platform to the roof of the laboratory during a lightning storm. The experimenters are first disappointed when the electrically charged creature fails to come to life, but the reassembled monster eventually revives. The doctor assists the monster in walking but, frightened by Igor lighting a match, it attacks Frederick and must be sedated.Meanwhile, the local townspeople are uneasy at the possibility of Frederick continuing his grandfather's work. Most concerned is Inspector Kemp (Kenneth Mars), who visits the doctor and subsequently demands assurance that he will not create another monster. Upon returning to the lab, Frederick discovers that Frau Blücher is setting the creature free. After she reveals the monster's love of music, and her own romantic relationship with Frederick's grandfather, the creature is enraged by sparks from a thrown switch, and escapes from the Frankenstein castle.While roaming the countryside, the Monster has frustrating encounters with a young girl and a blind hermit (cameo by Gene Hackman); these scenes directly parody ones from the original Frankenstein movies. Frederick recaptures the monster, wins him over with flattery, and finally fully acknowledges his heritage.After a period of training, he offers a theater full of illustrious guests the sight of "The Creature" following simple commands. The demonstration continues with Frederick and the Monster launching into the musical number "Puttin' on the Ritz", complete with top hats and tails (and no small amount of clumsiness on the monster's part), which ends disastrously when a stage light explodes and frightens the monster. He becomes enraged and charges into the audience where he is captured and chained by police.After being tormented by a sadistic jailer who smiles, the Monster escapes again, then kidnaps and ravishes the not-unwilling Elizabeth when she arrives unexpectedly for a visit. Elizabeth falls in love with the creature due to his inhuman stamina and his enormous penis.The townspeople, led by Inspector Kemp, hunt for the Monster. Desperate to get the creature back and correct his mistakes, Frederick plays music and lures the Monster back to the castle. Just as the Kemp-led mob storms the laboratory, Dr. Frankenstein transfers some of his stabilizing intellect to the creature who, as a result, is able to reason with and placate the mob.The film ends happily, with Elizabeth married to the now erudite and sophisticated Monster, while Inga joyfully learns what her new husband Frederick got in return from the Monster during the transfer procedure (the Monster's gigantic penis).
answer:
Question: Where does Dr Frederick Frankenstein work ?, Answer: Dr. Frederick Frankenstein is a respected lecturer at an American medical school.


question:
In the film's prologue, a hotelier ushers a child into a bomb shelter during the Liverpool Blitz. We see a brief flashback to a woman leaving her baby in a basement surrounded by flickering candles. Before departing from the house, she quickly drops a string of pearls on the child's pillow, twined around a single rose.Years later, 16-year-old Stella Bradshaw (Georgina Cates) lives in a working class household with her Uncle Vernon (Alun Armstrong) and Aunt Lily (Rita Tushingham) in Liverpool. Lacking an adult in her life that she feels close to, she frequently goes into phone booths to speak with her mother, who never appears in the film. Stella has no interest in schoolwork and her uncle, who sees a theatrical career as being her only alternative to working behind the counter at Woolworths, signs her up for speech lessons and pulls the strings to get her involved at a regional playhouse. After an unsuccessful audition, Stella gets a job gofering for Meredith Potter (Hugh Grant), the troupe's sleazy, eccentric director.The impressionable Stella develops a crush on the worldly, self-absorbed Potter, whose homosexuality completely eludes her. Potter reveals himself to be a cruel, apathetic man who treats Stella and everyone else around him with scorn and condescension and has a long history of exploiting young men. His latest dalliance is with Geoffrey (Alan Cox), another teenage apprentice. Stella is quickly caught up in the backstage intrigue and also becomes the object of passes from several men surrounding the theatre company, among them P.L. O'Hara (Alan Rickman), a brilliant actor who has returned to the troupe for a stint playing Captain Hook in its Christmas production of Peter Pan. In keeping with theatrical tradition, O'Hara also doubles in the role of Mr. Darling.O'Hara carries himself with grace and charisma, but privately is as troubled and disillusioned as the other members of the cast. Haunted by his wartime experiences and a lost love (who, he believes, bore him a son he never knew), O'Hara embarks on an affair with Stella, to whom he feels an inexplicably deep emotional connection. Stella, who still has her mind set on winning Potter's favor, remains emotionally detached but takes advantage of O'Hara's affections, seeing it as an opportunity to gain sexual experience. Disturbed by Stella's pursuance of the abusive Potter, O'Hara visits her aunt and uncle, who fill him in on Stella's history. He soon finds out that Stella's long-missing mother was his lost love, whom he then knew by the nickname Stella Maris, making Stella who he's been sleeping with his child, a daughter rather than the son he had imagined.Keeping his discovery to himself, O'Hara gets on his motorcycle and drives back out to the seaport. Distracted, he slips on the wet gangplank, hits his head and is pitched into the water.Potter takes on the role of Captain Hook for the last performance. Stella is later seen hastening to the phone booth to confide her woes over the phone to "her mother" as has been her habit throughout the film. We are suddenly reminded that the absent Stella Maris had years ago won a nationwide contest to be the voice of the speaking clock. It is her recorded voice that provides the only response to her daughter's confidences.
answer:

Question: Who is Potter O'Hara's long lost love?, Answer: Stella's mother.