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In this task, you're given a passage, further information available on a particular linked term from the statement, and a question. Your job is to generate the answer to the question by using the information provided. If there is no clear answer obtainable, output 'none'.
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Passage: Chibnall suggested including a "bonkers" gang of characters picked from around time and space. He felt that Doctor Who could have "collisions of characters that no other show in the world can do", and that it was about finding a "disparate" group of characters who would "bounce" off each other. Nefertiti's decision not to return to her own time fits in with the historical record, as the date and cause of her death are unknown. Chibnall asked to introduce Rory's father, as Amy and Rory would be leaving in four episodes and Rory's family life had not been explored yet. Mark Williams who played Rory's father previously appeared in the Fifth Doctor audio adventure The Eternal Summer. Rupert Graves, who played an Edwardian hunter in this episode, previously worked with Moffat on the BBC series Sherlock. David Bradley's character, Solomon, was modelled on a "well-known nightclub owner with long hair". Chibnall described him as "half businessman, half Somali pirate". Bradley and Williams had previously worked together on the Harry Potter film franchise. Bradley was later cast as the First Doctor William Hartnell for the 50th anniversary documentary drama An Adventure in Space and Time. Comedy duo Mitchell and Webb provided the voices of Solomon's two robots; executive producer Caroline Skinner called the casting choice "perfect". Richard Hope, who played the Silurian Bleytal, previously appeared as Malohkeh in the episodes "The Hungry Earth", "Cold Blood" and "The Wedding of River Song".
 Link Information: An Adventure in Space and Time is a 2013 British biographical television film Question: What year did the 50th anniversary documentary come out?
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Answer: 2013


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Passage: Andrew Sluyter is an American social scientist who currently teaches as a professor in the Geography and Anthropology Department of the Louisiana State University in Baton Rouge. His interests are the environmental history and historical, cultural, and political ecology of the colonization of the Americas. He has made various contributions to the theorization of colonialism and landscape, the critique of neo-environmental determinism, to understanding pre-colonial and colonial agriculture and environmental change in Mexico, to revealing African contributions to establishing cattle ranching in the Americas, and to the historical geographies of Hispanics and Latinos in New Orleans. With the publication of Black Ranching Frontiers: African Cattle Herders of the Atlantic World, 1500–1900 (Yale University Press, 2012) and a 2012–13 Digital Innovation Fellowship from the American Council of Learned Societies, he has joined a growing number of scholars from multiple disciplines working from the perspective of Atlantic History and using the tools of the Digital Humanities. His latest book, Hispanic and Latino New Orleans: Immigration and Identity since the Eighteenth Century (LSU Press, 2015), co-authored with Case Watkins, James Chaney, and Annie M. Gibson, was awarded the 2015 John Brinckerhoff Jackson Book Prize by the American Association of Geographers.
 Link Information: Baton Rouge was incorporated in 1817.  Question: When was the city founded that houses the university Sluyter teaches in?
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Answer: 1817


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Passage: Remix culture, sometimes read-write culture, is a society that allows and encourages derivative works by combining or editing existing materials to produce a new creative work or product. A remix culture would be, by default, permissive of efforts to improve upon, change, integrate, or otherwise remix the work of copyright holders. While a common practice of artists of all domains throughout human history, the growth of exclusive copyright restrictions in the last several decades limits this practice more and more by the legal chilling effect. In reaction, Harvard law professor Lawrence Lessig who considers remixing a desirable concept for human creativity has worked since the early 2000s on a transfer of the remixing concept into the digital age. Lessig founded the Creative Commons in 2001 which released Licenses as tools to enable remix culture again, as remixing is legally prevented by the default exclusive copyright regime applied currently on intellectual property. The remix culture for cultural works is related to and inspired by the earlier Free and open-source software for software movement, which encourages the reuse and remixing of software works.
 Link Information: In reaction, Harvard law professor Lawrence Lessig  Question: What year was the university Lawrence Lessig taught at founded?
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Answer: 1817