In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: "
an intimate , character - driven drama about a troubled youth at a crossroads in his life , " read the press notes for _
reach_the_rock
_ .
i 'm not really sure what film that statement is describing because those words bear little resemblance to the slow , completely uninvolving bore i saw --
at least , it certainly does not describe what goes on for most of the film .
alessandro nivola plays robin fleming , a troubled , directionless 21-year - old who has a penchant for breaking storefront windows in a small town .
police sergeant phil quinn ( william sadler ) takes him in , and what ensues for the first 70 minutes is a tedious series of sneak - outs and sneak - ins where robin slips out of his jail cell , breaks a window , then returns , all without quinn ever noticing .
also added to the pointless proceedings is some would - be humorous shenanigans involving quinn 's dimwitted deputy ernie attempting to engage in clandestine patrol car sex with his girlfriend donna ( karen sillas ) .
with a half hour ( if even that long ) remaining , director william ryan and writer john hughes ( yes , john hughes of ' 80s youth films
and _ home_alone _ ) finally approach something close to a point .
turns out robin still pines for his high school sweetheart lise ( brooke langton ) , who has long gone on with her life , and hughes 's main concern at long last reveals itself as a tired " live in the present and for the future " message .
most moviegoers , however , will likely be asleep by that time .
wide awake , however , is the cast , who individually tackle their showcase dramatic scenes with energy and skill -- thus revealing the _ real _ purpose behind
this listless enterprise : to serve as a series of acting exercises .
such a glorified workshop may have its rewards for the actors , but it leaves audiences with a booby prize .
( opens october 16 )

Output: N


Input: Consider Input: nicolas cage comes up with an ingenious survival mechanism for his role in the wink - and - a - concussive - nudge bombast - o - rama con air .
the opening credits sequence introduces us to cage as cameron poe , a gulf war veteran convicted of manslaughter and serving eight years in prison after an ill - fated bar - room brawl .
the prison scenes are accompanied by voice - overs in which poe , in a languid southern drawl , describes prison life to his wife back home and offers simple homilies for the daughter he has never met .
if the scene gives you a tickle of familiarity , it probably should .
cage appears to realize that con air is going to be utterly dim - witted and ridiculous , and that he 's going to have to do something to keep himself entertained .
and thus he slips into a familiar , surreal role as his own commentary on the proceedings -- cage plays cameron poe as a buffed - up version of raising arizona 's h .
i .
mcdonnough .
cage should have known what he was getting himself into .
he got a paycheck from jerry bruckheimer last year for the rock , and if there 's one thing you can count on from a bruckheimer production ( even without his late partner don simpson ) , it 's that you can count on seeing everything you saw in the _ last _ bruckheimer production .
the critical difference between the rock and con air is cage 's performance .
in the rock , cage appeared to be having the time of his life jumping into the action fray for the first time .
that sense of discovery has been replaced by a wry self - awareness .
while the plot of con air finds poe a parolee on board a hijacked prison transport plane whose goal is just to get home , cage 's goal is different but just as simple : to get out of the film with some measure of dignity intact .
audiences , too , should know what they 're getting themselves into with a bruckheimer production .
in fact , the marketing people are counting on it .
no one who loathed the rock for its swear - grunt - blast repetitiveness will be converted by con air ; no one who loved the rock for exactly the same reasons will be dissuaded .
director simon west ( yet another tv commercial auteur plucked by bruckheimer from the advertising equivalent of the schwab 's soda fountain )
delivers exactly the kind of adrenaline / testosterone cocktail which could launch an endocrinology lecture
( it 's perversely appropriate that one sympathetic con spends most of the flight nearing a diabetic coma ; like insulin , con air does the work of a gland ) .
what he does n't deliver is a moment of suspense .
a bruckheimer film has no use for hitchcock 's notion that showing you the bomb under the desk creates a more interesting scene than just blowing up the desk ; a really , _ really _ big desk and a really , _ really _ big bomb will serve the purpose nicely .
if either west or bruckheimer were interested in genuine tension , they might have done something with con air 's creepiest set - up .
at a desert stop for the plane - load of convicts , serial killer garland greene ( steve buscemi )
wanders of into a trailer park where he meets a little girl having a tea party in a drained swimming pool .
their tete - a - tete is eerie and menacing , providing a welcome shift in tone and giving buscemi a chance to stand out in a cast with too many villains ( danny trejo , ving rhames and a characteristically reptilian john malkovich among them ) .
in fact , con air usually opts for too much of something when the tiniest measure of restraint would have been an improvement -- too many characters , too much editing , too many dopey punch lines , too much of the cheap , ugly appeals to machismo which characterize too many bruckheimer efforts .
it is that kind of exhausting excess to which cage is responding with his detached performance .
while malkovich goes for the outrageous and john cusack ( as a u . s . marshal )
goes for
earnest , cage looks like he just wants to go to sleep .
his recycled raising arizona performance is a means of escape , his chase after a stuffed bunny a continuation of his pursuit of that big box of huggies .
it does n't bode well for cage 's appearance in face / off later this month ; perhaps he already realizes that all he can do in action films is more of the same over and over .
there 's a word for people like you , nicolas .
that word is called recidivist . . .
repeat offender .

Output: N


Input: Consider Input: in tim burton 's ` sleepy hollow ' , there is a mysterious headless horseman who decapitates residents of the small town of the same name .
he rides a beautiful black steed and carries an imposing sword that cauterizes the wound of his victims with an immediate swipe .
burton 's update on washington irving 's classic tale of ` the legend of sleepy hollow ' offers us the mystery of the horseman , when the screenplay should have merely settled on the aspect of the horror .
writer andrew kevin walker ( ` seven ' )
throws in perhaps too healthy a dosage of sherlock holmes , but the visual treatment of the film is absolutely entrancing , as burton offers foggy locales and detailed costumes that are gorgeous and stirring to examine
.
as ` sleepy hollow ' opens , we 're greeted with a juicy cameo from martin landau , who won an oscar in burton 's ` ed wood ' .
landau plays a prominent citizen of sleepy hollow , who , on a fateful carriage ride through the forest , is decapitated by an unseen horseback rider .
after two more murders haunt the residents of the quaint little town , constable ichabod crane ( johnny depp ) is sent in to investigate .
landlord baltus von tassel ( michael gambon ) explains to crane that the heads have been severed from the carcass and mysteriously taken in each separate case , and that they believe the murderer is a dead hessian trooper ( played briefly by a wonderfully jarring christopher walken ) who has risen from the grave after being decapitated in the western woods .
crane is not a man of great superstition , and is determined to root out the human culprit with his assortment of gizmos and gadgets ( things i was not surprised to find in a tim burton movie ) .
first and foremost , ` sleepy hollow ' is a fun horror film .
as with virtually all burton movies , we are treated to a wonderful score by composer danny elfman , who has once again poured excitement and imagination into an atmospheric soundtrack that accentuates the gothic mood perfectly .
the horseman f / x are stylish and impressive , particularly in perfectly blended battle sequences involving actual actors .
but why did i enjoy ` sleepy hollow ' as much as i did ?
although enjoyable , it was not the numerous beheadings and the plentiful gore that spurted
left and right . .
it was the light comic touch that burton applied .
the film has the sweetness of a candy apple , usually channeled through depp 's wonderful performance as the lovable geek ichabod crane , who is no longer a mild - mannered school teacher but still attains his cowardly qualities .
this is certainly not the only alteration that 's been made .
as the film progresses , it becomes apparent that walker is more concerned with the mystery of the murders than the murders themselves .
the momentum is slowed considerably once crane begins piecing the mystery together , because for the audience , it 's not an issue we particularly wish to be solved .
it 's more effective for the headless horseman to be an elusive demon than an elusive demon with an ulterior motive .
still , we are still captivated by the breathtaking technical detail and burton 's keen eye to capture our attention .
the costuming is exceptional , and the dialogue is crisp and effective throughout
( it 's recognizable that the script was refined by award - winning playwright tom stoppard ) .
the supporting cast exhibits more color and playfulness than many . a blonde christina ricci is in fine form as von tassel 's daughter katrina , and an unlikely romance between she and ichabod is surprisingly consistent .
walken , michael gough ( who appeared in burton 's ` batman ' films ) and miranda richardson are all enjoyable in tackling their separate roles .
i suppose the strengths behind ` sleepy hollow ' lie within the central trio : director burton , constable depp and the headless horseman who hunts him down with ruthless accuracy .
all of this is not to be taken seriously , of course .
` sleepy hollow ' is a lavish , frightening and altogether amusing reworking of a classic tale that many people cherished as children .
if you 've got a decent head on your shoulders , you 'll have the good sense to gallop off to the theater and enjoy it one last time .


Output: P