In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: deep rising is one of " those " movies .
the kind of movie which serves no purpose except to entertain us .
it does not ask us to think about important questions like life on other planets or the possibility that there is no god . . .
screw that , it says boldly , let 's see some computer generated monsters rip into , decapitate and generally cause irreparable booboos to a bunch of little known actors .
heh !
them wacky monsters , got ta love 'em .
of course , since we can rent about a thousand b movies with the same kind of story , hollywood must give that little extra " oumph " to get people in theaters .
that is where deep rising fails , which is a good thing
.
confused ? let me explain : despite all them flashy effects and big explosions , deep rising is still , at heart , a good ' ol b movie .
luckily , it 's a very good b movie .
the worst cliches in movie history are a b movie 's bread and butter .
therefore , things that would destroy a serious movie actually help us have a good time while watching a movie of lower calibre .
of course we know there 's a big slimy creature behind that door , that one person will wander off to be picked off by said monster and we always know which persons or person will make it out alive .
we just do n't know when or how horrible it will be .
i went to see deep rising with my expections low and my tolerance for bad dialogue high .
imagine my surprise when i discover that deep rising is actually , well ,
pretty darn funny at times .
a funny b movie ?
well , that 's new .
these flicks are not supposed to make us laugh .
( except for a few unintended laughs once a while . ) and before you know it , treat williams , wes studi and famke jansen appear on the big screen .
hey !
i know them guys ( and gal ) from a couple of other movies .
cool .
familiar faces .
so far so good .
our man treat is the hero , he 'll live .
wes is a staple of b movies , he is the token victim .
we know he 'll buy the farm
but he will take a few creeps with him on the way out .
famke is the babe , 'nuff said .
there is also a guy with glasses ( the guy with glasses always dies ) a black person ( b movie buffs know that the black guy always dies , never fails ) and a very funny , nerdy guy .
( ah ! comic relief .
how can we possibly explain having to kill him . . .
let him live . )
after the first fifteen minutes i felt right at home .
i know who to root for and who i need to boo too and a gum to chew .
( please kill me . )
suffice it to say that for the next hour and a half i jumped out of my seat a few times , went " ewwww " about a dozen times and nearly had an orgasm over all the explosions and firepower our heroes were packing .
i 'm a man , we nottice these things .
all in all , i 'd recommend deep rising if you are looking for a good time and care to leave your brain at the door . . . but bring your sense of humor and excitement in with you .
the acting is decent , the effects top rate . how to best describe it ?
put together the jet ski scene from hard rain , the bug attacks from starship troopers , a couple of james bond like stunts and all those scenes from friday the thirteenth and freddy where you keep screaming " do n't go there , he 's behind you " and you end up with deep rising .
for creepy crawly goodness , tight t - shirts , major firepower and the need to go to the bathroom every fifteen minutes from seing all that water .
[EX A]: P

[EX Q]: late in down to you , the lead female character ( julia stiles ) states her greatest fear is having an " artificial conversation " with her boyfriend ( freddie prinze jr . ) .
the irony of this statement will not be lost on audience members who have not yet walked out , fallen asleep , or otherwise given up on this pathetic attempt at romantic comedy .
the film is a multi - million dollar testament to everything artificial .
filled with characters , motivation , plot and dialogue that ring fake and shallow at every step
this is an unquestionable disaster .
prinze plays a college student intent on playing the field until he falls for stiles ' freshman co - ed .
at first the movie seems to be an attempt to string along scenes with the sole purpose of out - doing the previous in how " cute " it can be .
the happy couple " psychoanalyze " each other ; they pick out a song because , as prinze 's dj mother ( lucie arnez ) explains , every couple needs a song ; he smells her shampoo ; she scratches his chest in the morning to let him know she wants to make love .
then , in standard romantic comedy style , things fall apart .
why ?
well , because they have to .
otherwise the couple ca n't make up and live ( presumably ) happily ever after .
down to you exists outside the realm of normal logic .
scenes do not connect to each other and it often seems to be attempting some sort of surrealism , but this is handled so poorly that everything comes off random and stupid instead .
a picnic scene involving the six key characters is just bizarre , not only for the stretched logic of these people hanging out together , or even knowing each other , but mostly because an unusual amount of screen time is dedicated to a goat .
the supporting characters are remarkably flat , and insultingly ridiculous as well .
stiles ' best friend ( rosario dawson ) is a pot head , prinze 's roommate ( shawn hatosy ) is a girl crazy fool who ca n't meet women , and then there are the porn stars ( zak orth and selma blair ) .
he is one of those famous porn stars who is frequently interviewed on television , does the college lecture circuit , and stars in high budget costume epic porns that are shot on film .
you know , the average porn star .
the costume epic idea gives him a reason to appear in a different ridiculous outfit everytime he 's on screen , the porn angle exists just so there can be a couple of stupid sex jokes .
she is a porn star mostly
so we know
she 's slutty , so
her very existence will make stiles jealous and prinze tempted .
attempts at drama ( which means julia is going to cry ) include a pregnancy scare and the big break up .
these characters are so insipid only the most forgiving viewer would be manipulated by these weak scenes .
what happened here ?
the cast is full of likable , promising , young actors ( stiles especially seems to be going places ) .
writer / director kris isacsson has simply given them material so weak not even seasoned pros could pull it off .
in fact the whole film feels like a reworking of last year 's extremely unpleasant the story of us , for teen audiences .
the direction is film - school - grad obvious .
it 's stylish in a hugely self conscious way which throws in split screen , a pointless parody of " cops , " characters walking into the flashbacks of other characters , and a hilariously cheesy airport meeting between prinze and stiles where all the extras move in fast motion while the couple moves in extreme slow motion .
plus , the whole story is told flashback style , narrated by prinze and stiles directly addressing the camera .
this is the second film in a row ( following wing commander ) starring freddie prinze jr . which should have premiered on the aisles of the local blockbuster but was likely saved from that fate due to the fluke success of she 's all that .
if he does n't start making better choices fast his future films wo n't be so lucky .
[EX A]: N

[EX Q]: call " hush " " stop or my mom will kill .
"
or " mommy fearest .
"
or " the hand that robs the cradle .
" call it whatever you want , but certainly do n't see it unless you 're in desperate need of a bad movie - induced chuckle -- " hush " scores
so many unintentional guffaws that it almost qualifies as a guilty pleasure .
chalk its losses up to frequent stupidity lapses and apparent post - production tinkering ( it was supposed to open about a year ago ) , the latter of which appears to have given " hush " a send - off that 's downright infuriating .
it 's too bad that " hush " is so laughable , because the on - screen talent -- including the pairing of gwyneth paltrow and jessica lange -- is nothing to laugh at .
paltrow and johnathon schaech play helen and jackson , a photogenic new york couple on their way to spend christmas vacation at his wealthy , well - to - do family 's horse farm / estate kilronan .
jackson 's mother martha ( lange ) runs kilronan all by herself , and her genteel southern hospitality makes helen feel welcome immediately -- even if her first meeting with martha takes place while helen is in the altogether , caught red - handed after a bedroom romp with her husband - to - be .
but it seems that martha 's friendly smile masks a much more threatening demeanor ; she 's what you 'd call someone who loves too much .
martha eagerly , deviously wants a grandchild , and then helen will be expendable , as far as she 's concerned .
if there 's one reason to catch " hush , " it 's lange .
she treats the pedestrian screenplay better than it deserves to be treated , injecting martha ( poorly written though she may be ) with a little empathy to level out the psycho - playing field .
when she delves into martha 's dark side ,
predictable cliches
-- chain - smoking , staring in mirrors , praying in a confessional to a priest who is n't there , poking a hole in helen 's diaphragm so she 'll become pregnant ( and she does ) -- abound , but
it 's moderately entertaining junk
because lange is such an interesting actress to watch .
veteran performer nina foch is smart and tart as jackson 's wheelchair - bound paternal grandmother .
the rest of the cast looks ill and uncomfortable , especially paltrow .
but can you really blame them ?
the character relationships in " hush " hold a certain amount of promise , at least until their psychological impact is blown out of the water by sheer stupidity .
idiotic situations
( martha yells at a nearby horse so it will bolt up and knock helen over ) compliment idiotic dialogue
( " why did you yell ?
" helen yells back at martha ) , and the film takes the form of one of the shoddier fill in the blank - from - hell flicks ever made .
you can see through a great deal of martha 's actions and lies from their conception ; why do people who have known this woman for years longer than we have never figure things out ? does nobody communicate or read the newspaper in this town ?
if any of her potential victims thought , acted or behaved like normal people , " hush " would be a really short movie .
and then there 's the climax and ending , which abruptly come when helen starts having contractions after eating some pound cake spiked with a labor - inducing drug normally used on horses .
after a really weird chase scene , martha calmly knits in a rocking chair while forcing helen to give birth in a bed all by herself .
i wo n't spoil what happens next except to say that it 's contradictory , illogical and ( probably , since i 'm no doctor ) medically impossible .
the final scene offers no closure , no resolution , no confrontation whatsoever .
it 's just there , dangling amidst silent displeasure .
no one should like this ending , regardless of their feelings on the preceding material .
perhaps " hush " 's title is a plea to silence its audience 's likely bitter word of mouth while exiting the theater .
[EX A]:
N