In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
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Question: if i were one of those arrogant critics who thinks his review has some great impact on the success or failure of certain films , i might say that i review movies that do n't look particularly good because i 'm doing a service to my readers by warning them against seeing it .
if that were true , i could put a banner at the top of my site that reads : " shay casey : seeing bad movies so you do n't have to .
"
but i know that 's bunk
- you're going to see whatever movies you want to no matter what i say .
so i have to tell the truth : every once in a while
i get a nasty , masochistic urge to see a bad movie .
you know the feeling , when you 're sick of seeing all these damn academy award contenders and you want to see something you can have a ball trashing mercilessly .
sometimes i think that 's why anyone goes to see pauly shore movies , ever .
admit it : sometimes you like seeing bad movies .
so do i .
so i saw " supernova .
"
truth be told , " supernova " was n't quite as bad as i thought it might be .
maybe i just felt sorry for the actors , or maybe i thought it could have been decent if the studio had n't started tinkering with the director 's ( walter hill ) final cut , causing him to want his name removed .
maybe i 'm becoming a softy .
in any case , i did n't find " supernova " as bad as the advance buzz would have me believe .
but it 's still bad .
the film takes place aboard the medical space vessel " nightingale .
"
the crew includes captain a .
j . marley ( robert forster ) , his new second officer nick vanzant ( james spader ) , head medical officer kaela evers ( angela bassett ) , medical technicians yerzy penalosa ( lou diamond phillips ) and danika lund ( robin tunney ) , and computer technician benj sotomejor ( wilson cruz ) .
there are some attempts at " characterization , " but all that means is that nick has a shady past involving a drug addiction , which puts kaela on edge , yerzy and danika have a relationship that requires them to make kissy - faces at each other every five minutes , and benj ( apparently gay ) is in love with the computer ( apparently female ) .
do n't expect any more explanation , because you wo n't get it .
anyway , the crew gets a distress call from a location deep in space to which a failed mining operation had been sent .
during the dimension jump ( i think that 's what it 's called , but do n't hold me to it )
, the captain is killed and the man who sent the distress signal ( peter facinelli ) is brought on board .
he calls himself troy larson , making him the supposed son of a man kaela once had a relationship with .
then a bunch of really predictable stuff starts happening .
have you seen " alien ?
" have you seen " event horizon " ( a lame movie in its own right ) ?
good .
then you 've seen " supernova .
" post - production cuts or not ,
there is nothing original about this screenplay , and nothing unpredictable either . after all , no one 's going to think for a second that troy wo n't turn out to be a villain .
but the bigger problem with " supernova " is that it can ' t just stick to the simple plot it 's afforded .
numerous re - writes ( the script may be credited to three people , but it 's a gross underestimate ) have crammed this lean 90-minute film with tons of extraneous plot threads that all remain underdeveloped
.
was there something about a limping robot shaped like a fighter pilot ?
did the ship 's computer learn something about humanity ?
what was that glowing lava lamp artifact troy brought on board with him ?
and just what does the film 's title signify , if anything ?
as far as i can tell , it refers to a very small plot detail that is n't developed , just like the rest of these unnecessary story elements .
character relationships in this film also make very little sense .
for some reason , every person in this film keeps having sex .
we get an unusually early sex scene between phillips and tunney within the first 10 minutes .
bassett and spader 's characters start off hating each other .
fifteen minutes and one bottle of pear brandy later , they 're engaging in some hanky - panky .
when troy the creepy stranger shows up on the ship , of course both female crew members will fall in love with him .
every single shift in character interaction happens extremely suddenly , which is only one of the many obvious clues to how much this film has been cut .
the most prominent example , however , may be the fact that when the film starts , there are no opening credits !
furthermore , the end of the film looks like they took what were originally intended to be the opening credits and spliced them in right before the real end credits .
maybe that 's why the film 's title is mentioned twice during the end credits , right between james spader and robert forster .
right after you get over the shock of not being told what movie you 're seeing ( lest you decide to walk out upon making that discovery ) , you might notice that the movie seems to have dropped you right in the middle of a scene , with little - to - no introduction to any of the characters or situations .
the rest of the movie feels like they skipped over the middle stuff in the character changes ( you know , where they explain things ) and just went from point
a to point b . point
a : danika is thoroughly enamored of yerzy and is ready to have his baby .
point b : tunney is now shagging troy and yerzy is unusually obsessed with the lava lamp thing .
does n't make sense .
since i did n't understand anything about these characters ' motivations , did i care when troy abruptly starts murdering them one - by - one ( and he does , knocking off three of them in about 10 minutes ) ? not a whit .
it 's a shame , because this cast contains a lot of talented actors looking for something to do .
they do n't find it .
bassett and spader
say every line in the same monotone voice with the same blank expressions on their faces . sexual tension ? more like constipation .
maybe they 're just embarrassed at having to utter such howlers as " this thing was made by someone more powerful than god and a whole lot less nice .
" not that we ever find out who that is , mind you .
the climax of their relationship ( taking place in a transport pod ) is probably the film 's biggest forehead - slapper .
as troy , peter facinelli inhabits the most obvious villain in history that no one ever suspected .
he 's awfully one - note , but it 's not as if he 's given any more notes to work with .
the rest of the cast does even less .
tunney stands around looking cute , then scared .
phillips broods .
cruz flirts with the computer .
then they all die and a star blows up or something , but i really was n't paying much attention by then .
" supernova " is pretty awful , but i 'm cutting it a little slack merely because i expected less than what i got .
that 's it .
if you expect it to be good ( for whatever reasons you may have ) , you 'll probably hate it more than i will .
even the special effects are fairly unimpressive , nothing you have n't seen before , and suffice to say the script is n't going to save the film
.
honestly , though , what do you expect from a film with about a dozen writers and a director who had his name removed and replaced with a pseudonym ?
it usually results in a bad movie , and that 's what " supernova " is .

Answer: N


Question: phew , what a mess ! for his fifth collaboration with director
rich- ard donner ( lethal weapon i - iii , maverick )
, mel gibson plays a motormouth , maybe mentally ill new york city cabbie , jerry , whose wild conspiracy theories are all but ignored by alice ( julia roberts , acting all serious ) , the justice department employee that he has a crush on .
she not interested , but another person is : a cia psychiatrist ( patrick stewart ) who promptly kidnaps him .
is one of jerry 's conjectures correct ?
* is * the metal strip in the new $ 100 bill being used to track your movements ?
is oliver stone still alive , because he cut a deal with george bush to spread * dis * information ?
is this movie really about
* any * of the crazed cabbie 's theories ?
no , no ,
and no . as it turns out
, there 's some other nonsense going on here , involving and revolving around jerry 's background .
( hint : pay attention to an early scene where jerry blacks out and flashes back , in quick succession , to images of an interrogation room , hypodermic needles , and ms .
roberts herself . )
the * initial * premise is pretty good and is played , for a while , at a delightfully dizzying clip .
mel is wider - open that we 've ever seen him and , if his character 's relationship with roberts ' initially strains credibility , their combined star power is blissfully intoxicating .
( the highest wattage of the summer , perhaps ? )
even when the plot contrivances begin to intrude , the two remain a randy dandy screen pair .
there 's a great scene in jerry 's fortress , er , apartment , with alice trying to act casual as her hyperactive host tries to remember the combination to a locked coffee bean container .
( which he stores in another locked con- tainer , his fridge . )
other hilarious moments , of which there are many , include a trio of memorable convention - breakers , where alice ditches a tail , jerry cold - cocks someone , and , later , eludes a foot pursuit , each in a uproariously unexpected fashion .
( that 's donner 's own ladyhawke playing in the theater , btw . )
let 's see , other pleasures include .
. .
a brilliant title sequence , a jazzy score from carter burwell , and the worth - paying - to - see sight of roberts pumping lead into one bad guy and slamming another 's head into a wall .
oh , pretty woman !
getting to the latter , however , requires slogging through an increasingly overburdened and ultimately unappealing story .
the last hour of conspiracy theory devolves from tolerable to torturous to almost unwatchable .
more stuff happens of the stupid shit variety than is worth mentioning here , except , perhaps , for a late sequence that has alice locating jerry in an abandoned wing of a mental hospital by hearing his voice carrying through the air ducts .
and here i thought it was wabbit season .
good god , who rewrites these movies ? and
do they arrive in nondescript black vehicles ?

Answer: N


Question: susan granger 's review of " hearts in atlantis " ( castle rock / warner bros . )
timing is everything , and the timing just seems right for this poignant psychological drama that combines the coming - of - age nostalgia of " stand by me " with the mystical power of " the green mile .
"
based on stephen king stories adapted by screenwriter william goldman and directed by scott hicks , it 's set in 1960 in harwich , connecticut , where fatherless 11 year - old bobby garfield ( anton yelchin ) lives in a boarding house with his resentful , self - centered mother ( hope davis ) .
he 's devoted to his neighborhood friends ( mika boorem , will rothhaar ) but his pivotal relationship is with a strange , new tenant , ted brautigan ( anthony hopkins ) who opens the world of literature to him after his selfish mother refuses to buy him a birthday gift and hands him , instead , a library card .
knowing he 's longing for a schwinn bike , ted offers to pay him $ 1 a week to read him the local newspaper and keep his eyes peeled for signs of the malevolent , ominous low men who are chasing him to exploit his special powers .
the story structure consists of one long flashback , framed by the present , featuring the adult bobby ( david morse ) , minimizing the supernatural elements while emphasizing the human drama hopkins ' mysterious character is genteel , sensitive and benignly seductive .
the only explanation is that he 's a psychic who is wanted by the fbi to aid in their hunt for communists and even that seems appropriate , given the inexplicable state of the world right now .
the production values and performances are solid , particularly hopkins - arguably the finest , most versatile actor of our era - and the children with whom he forges a firm bond .
on the granger movie gauge of 1 to 10 , " hearts in atlantis " is a wistful , enigmatic 8 , evolving with subtle power to an emotionally effective catharsis .

Answer:
P