In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
studio expectations must not have been high for " great expectations " -- the film 's release date was pushed from late december to late january at what appeared to be the last minute , therefore putting any academy awards chances it has off until this time in 1999 .
it 's actually a smart move , because while this updated take on the charles dickens tale is n't quite oscar fodder , it * is * strong enough to be distinguished from the cinematic dumping ground that usually makes up the first five or six weeks of any given year .
" great expectations " also demonstrates how to modernize a classic story right , especially after the excruciatingly wretched excesses of baz luhrmann 's " william shakespeare 's romeo + juliet .
" " great expectations " opens somewhere in 1970s florida ( the original story is set in 19th - century england ) , as eight - year - old finn ( jeremy james kissner ) meets a trio of people who will have a profound effect on his life in the future .
there 's icy , 11-year - old estella ( raquel beaudene ) , a pseudo - playmate of finn 's ; ms .
dinsmoor ( anne bancroft ) , estella 's auntie who 's quite off - kilter over a past romance that never took off ; and a mysterious prisoner ( robert de niro ) whom finn saves the life of .
finn , who lives with his sister 's affable boyfriend ( lone star 's chris cooper ) , fancies himself an aspiring artist , and proves his prowess by whipping up an unusual portrait of estella using only ms .
dinsmoor 's lipstick , eyebrow pencil and the wallpaper from her dilapidating mansion .
flash forward into
the ' 90s ( after a brief stop in the ' 80s ) , and finn ( now played by ethan hawke ) , despondent over a strange hot - and - cold relationship with the elusive estella ( gwyneth paltrow ) , receives quite a bit of money from an unknown benefactor ; it 's enough cash to send him to new york to focus on a career in art .
there , finn seems to gain everything he could ever want -- wealth , prestige and a high place in the glamorous art world .
when estella resurfaces -- albeit with an aloof fianc ?
( hank azaria ) --
finn also sees the chance to renew their mutual attraction .
but she 's not the only ghost from finn 's past that 's going to be paying him a visit .
comparisons with the afore - mentioned " romeo + juliet " seem inevitable since these films are the only ones in recent memory to plop classic drama into a current setting .
" great expectations " is a much better venture , though , because it treats its source with even - handed respect , where " romeo " was never quite sure whether to be a spoof , a homage or both .
the movie is a visual banquet thanks to emmanuel lubezki 's sexy cinematography ; notably , he captures a revisited fountain kiss between the two leads with a luscious , erotic charge that 's steamier than the film 's ( surprisingly muted ) love scenes .
the eclectic rock soundtrack compliments the on - screen action beautifully , especially new songs by tori amos , mono and duncan sheik .
acting credits are first - rate , often hiding the screenplay 's occasional slip - ups .
hawke is sincere and solid as a leading man ( something we also learned from " gattaca " ) , and his finn is quite a likeable guy .
paltrow 's estella , on the other hand , is rather underdeveloped .
while the actress is at her icily seductive best , we 're not told very much about her character , and as a result , it 's often hard to understand why finn would appreciate her beyond a physical level ( but , oh , * what * a physical level ) ; sometimes , we root for finn although we do n't quite understand why she 's fueling his fire .
robert de niro is nice and sophisticated in the benevolent kind of role he rarely gets to play ; on the other end of the acting spectrum is bancroft , a macabre , throaty delight who mambos and sucks down cigarettes with an eerie enthusiasm that would make norma desmond jealous .
alfonso cuaron 's visually elegant direction helps to distract from the dry moments that pop up more frequently around the movie 's climax .
another problem is predictability ; you can guess your way through the plot even if you are n't familiar with the story .
despite its script flaws , though , " great expectations " is undeniably romantic without being corny or gloppy .
and frankly , it 's nice to see a film that embraces softened sensuality other than explicit sexuality .
perhaps that renovated release date , awfully close to valentine 's day , will end up helping " great expectations " ' seemingly average box office chances after all .

Ex Output:
P


Ex Input:
close your eyes for a moment , if you will , and imagine the sound of stephen rea 's gaelic brogue , silky smooth and irish like a pint of guinness .
a lackadaisical , naughty little schoolboy voice that flirts and gambols .
an acerbic , sing - song metered voice that evokes the startling imagery and language of anthony burgess '
" a clockwork orange .
"
a voice that deliciously conjures scenes both porcine and puerile , like those out of " delicatessen , " or " the tin drum .
" imagine all of that , and you 'll get a good sense of what you can expect from " the butcher boy .
" imagine that and more .
neil jordan 's latest film " stars " rea in more ways than one .
rea ,
the accomplished irish actor most notable from his star turn in jordan 's " the crying game ,
" contributes a restrained and managed performance as da brady , a small town drunk in an unnamed irish community in the 1960s .
but it 's his wall - to - wall narration as the butcher boy of the title
, da brady 's son , francis , that makes rea 's " performance " worth watching , worth listening to .
and that 's only half the fun .
playing the young francie
brady is newcomer eamonn owens and he is , without a doubt , a revelation
. for as much as rea 's voiceover permeates almost every scene of " the butcher boy , " owens commands virtually every frame .
it 's impossible to take your eyes off him .
with his crop of carrot - colored hair , ruddy complexion , and overall grubby appearance , francie brady is an unlikely hero , refusing to be done in by his alcoholic , trumpet - playing father , his depressive , suicidal mother , or the neighboring , bespectacled monster known as mrs .
nugent ( fiona shaw ) .
in fact , everything was ok until " the nugent " came to town .
now , she poses as much a threat to the safety and security of town bully francie and his best pal joe ( alan boyle ) as the looming commie menace ( " the butcher boy " is set at a time when the fear of nuclear obliteration is first and foremost in the minds of many ) .
" pigs !
" screams mrs .
nugent at the brady menagerie .
"
you 're all pigs !
"
it 's the start of many a related image .
after ma brady is shipped off to the " garage " for psychiatric observation and da brady downs one bottle of whiskey too many , francie finally loses grip of his fantasy world of cowboys and indians , the lone ranger , and other comicbook characters .
squealing like a stuck pig , francie does " the likes o ' that " on the nugent 's living room floor , and is himself whisked away to a very catholic remand home for " boney arsed bogmen , " where his ever fertile imagination -- and clever chicanery -- runneth over .
director jordan 's vivid treatment of pat mccabe 's nightmare novel produces a sometimes disturbing , dark comedy littered with surreal touches ( such as sin ?
ad o'connor playing the virgin mary ) .
it 's not as outlandish as the trailers make out ; instead , this remarkable film focuses on the effects external influences have on the friendship between two boys ( schoolboy chums in real life ) , allowing us to empathize with their plight in the presence of extraordinary behavior .
it 's bleak and it 's black
but it 's fundamentally very funny
.
rea talks us through it , beautifully , and owens drags us though it ,
admirably
, and , in tandem with jordan 's sure hand , theirs are contributions to make " the butcher boy " a film worth savoring .

Ex Output:
P


Ex Input:
whether you like the beatles or not , nobody wants to see the bee gee 's take on some of the fab four 's best known songs .
well , maybe that 's not true .
. .
maybe you 're curious , the way you have to look in your hanky after you blow your nose .
you just have to know how bad bad can be .
if that 's the case , rejoice , because it was twenty years ago today ( or so )
that sgt .
pepper 's lonely hearts club band was released ( unleashed ? ) to the world , and thanks to our modern technological advances , you can find this retched piece of filmmaking on vhs . derived from the lyrics of various beatles ' songs , sgt .
pepper 's tells the story of the fictitious band made popular from the song ( and album ) of the same name , released in 1967 .
of course , the movie was made eleven years later , the gibbs three have become the lonely hearts , peter frampton is the one and only billy shears , and aside from being about a rock band , the story does n't correlate to the song at all .
and oh , what joy -
we 're the lovely audience they 'd like to take home with them .
i do n't think so .
but at least these characters are actually * people * in a beatles ' song , whereas other characters such as strawberry fields ( sandy farina ) gets her name from a song about a * place * called strawberry fields .
the debate over this is really quite futile when it comes down to it , because all the film really has to offer is a feast of horrid cover tunes , embarrassing cameo appearances
( george burns ? !
steve martin ? ! ?
alice cooper ? ! ? ! ) , and uuuuuuggggggglllllllyyyyy 70 's fashion and faces .
check please !
the plot is a bit unclear .
people with bad 70 's hair run around in leisure suits engaging in music video sequences that look like a sick and twisted world of make - believe from an overly demented mr .
rogers .
mean
mr .
mustard ( frankie howerd ) somehow gets hold of all billy & co . 's instruments , calling dr .
maxwell edison ( steve martin with a silver hammer and an out - of - key singing voice ) ,
the sun king , marvin sunk ( alice cooper ! ) , and a couple of creepy robots to his aid .
supposedly this is a horrible thing ?
i guess in heartland , the talent is pretty non - existent .
meanwhile , the lonely hearts are off doing the classic " sex , drugs , and rock n '
roll " thing , leaving poor strawberry fields without her true love , billy .
she sets out to find him , leaving her poor dad and mom ( mrs .
fields !
hey , wanna cookie ? )
all alone to sing a horrible rendition of
" she 's leaving home " , accompanied by those same creepy robots .
but is billy getting it on with lucy ( dianne steinberg ) ?
ya know , the diamond possessing girl who hangs out in the sky ?
well , there 's some crazy chick singing soprano on the roof of a building next to a bus stop , and i assume that 's who it was .
it 's movies like this that make ya sit back and ask the unanswerable question ,
" what the hell were they thinking ? ? ?
" nobody will ever know , but as a novelty , sgt .
pepper 's is one to examine .
carol channing , robert palmer , keith carradine
- they 're all here . but why ? ? ? ?
who knows .
it 's irrelevant .
there 's as much meaning to be found here as there is to be found in your belly - button lint , although the latter may be more interesting .
with the recent onslaught of 70 's nostalgia in the movie world ( the ice storm , boogie nights , reissues of the star wars trilogy , etc . ) , let 's pray this does n't get a special 20th anniversary , second - chance in theaters .
in the words of paul mccartney , live and let die .
in fact , bury this one while you still can .

Ex Output:

N