In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[EX Q]: Question: How old was Wight when Smith died? Passage:Lyman Wight (May 9, 1796 – March 31, 1858) was an early leader in the Latter Day Saint movement. He was the leader of the Latter Day Saints in Daviess County, Missouri, in 1838. In 1841, he was ordained a member of the Quorum of the Twelve Apostles. After the death of Joseph Smith resulted in a succession crisis, Wight led his own break-off group of Latter Day Saints to Texas, where they created a settlement. While in Texas, Wight broke with the main body of the group led by Brigham Young. Wight was ordained president of his own church, but he later sided with the claims of William Smith, and eventually of Joseph Smith III. After his death, most of the "Wightites" (as members of this church were called) joined with the Reorganized Church of Jesus Christ of Latter Day Saints.

[EX A]: b

[EX Q]: Question: What was the population of Spoleto the first year that Raffaello de Banfield was Director of the ("Festival of the two worlds")? Passage:Raffaello de Banfield attended the Swiss International "Lyceum Alpinum Zuoz", the "Dante Alighieri" Lyceum in Trieste, the University of Bologna and the Benedetto Marcello Conservatory in Venice led by Gian Francesco Malipiero. He studied composition from 1946 to 1949 at the National Conservatory (under the direction of Henri Busser) with Nadia Boulanger in Paris. In these years he met Herbert von Karajan with whom he had a lifelong friendship, and also with artists such as Pablo Picasso, Jean Cocteau and Francis Poulenc. In the United States he belonged to the intellectual circle surrounding the writer and composer Paul Bowles, through which he met Tennessee Williams and Leonard Bernstein. In 1949 through the painter Leonor Fini he was introduced to the choreographer and ballet dancer Roland Petit; out of this grew the ballet Le combat ("The Duel"), which had its first original production in London in 1949. This piece, based upon the Tancred and Clorinda episode in Torquato Tasso's poem Gerusalemme liberata, was performed 39 times at the Vienna State Opera in the choreography of Dimitrije Parlic between 1959 and 1973. Until 1958 he spent time between Paris and New York and maintained a friendship also with Maria Callas. After years abroad in Italy, France, England and the United States, where he lived for more than ten years, he was from 1972 to 1996 Director of the Giuseppe Verdi Theatre in Trieste and he comprehensively renovated and modernised the Opera House. From 1978 to 1986 he was Director of the "" ("Festival of the two worlds") in Spoleto, Italy.

[EX A]: a

[EX Q]: Question: Which metropolitan city that had a thriving Latin club scenes during 1980s has a larger population? Passage:Latin pop became the most popular form of Latin music in the United States during the 1980s and 1990s, with acts such as Puerto Rican boyband Menudo, even achieving massive crossover success among non-Latino listeners during the late 1990s. While not restricted to America by any means, Latin pop was profoundly affected by production techniques and other styles of music — both Latin and otherwise — that originated primarily in the United States. Tejano music, centered in Texas and the U.S./Mexico border region, had begun to introduce synthesizers, slicker production, and a more urban sensibility to formerly root styles like norteño and conjunto. Moreover, New York and Miami were home to thriving Latin club scenes, which during the 1980s led to the rise of Latin freestyle, a club-oriented dance music that was rooted in Latin rhythms but relied on synthesizers and drum machines for most of its arrangements. Both of these sounds influenced the rise of Latin pop, which retained Latin rhythms in its uptempo numbers but relied more on mainstream pop for its melodic sense.

[EX A]:
b