In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: long ago , films were constructed of strong dialogue , original characters , memorable plot points , and solid acting .
one of the best examples that hollywood now completely ignore these qualities is found in the new film where the heart is .
this opus about the power of love and the redemption of family follows the tragic , and i mean tragic , life of novalee nation ( natalie portman ) .
hitting the road with her hick , guitar - playing boyfriend in a rusted - out gm , novalee dreams of the blue skies of bakersfield and sipping chocolate milk beneath a plastic umbrella with her unborn baby , due in a month .
stopping off at a nearby wal - mart for a quick rest , novalee 's boyfriend decides to take off and leaves her there .
novalee then decides to secretly hole up in the wal - mart ( because she 's not the brightest bulb in the stagelights ) .
a wacky librarian ( keith david ) comes to her rescue when she goes into labor one night while she is camped in the outdoors section of the store .
then the she moves in with a family , befriends everyone in town -- including ashley judd 's character ( who has five kids and still can work part - time as a nurse )
-- fights off religious freaks , survives a tornado , breaks the heart of the wacky librarian that saved her , receives an inheritance , builds a martha stewart - esque house , becomes an award - winning photographer , and manages to always look like she stepped out of a cosmo shoot , all while not once doing anything with her kid .
this film is terrible .
the directing is awful : it seems director matt williams had an index card with six angles written on it and used every one of them , over and over and over again .
we get pathetic and ugly acting by natalie portman , who can do good work .
a disjointed pacing of key scenes and a time structure so confusing that it would throw steve prefontaine off .
a subplot that actually validates the actions of the boyfriend who abandoned novalee in the wal - mart parking lot .
an embarrassing display of emotions by the characters , making the audience ill .
taking two great comedic screenwriters , babaloo mandel and lowell ganz , and forcing them to write drama on par with oprah 's book club .
altogether , it has the feeling of being trapped at home , watching a very bad television mini - series and wishing it to end , only the remote is broken .
however , the main problem with the film is that it never answers the most poignant question brought up : where is the heart ?
no one ever seems to find it in this piece of junk .
[EX A]: N

[EX Q]: on the basis of this film alone , i never would have predicted that , in two years , quentin tarantino would become the country 's biggest hotshot director .
reservoir dogs
has hints of the tarantino brilliance that emerged in pulp fiction , but is a much less substantive , more conventional crime story than the big pf .
here 's what the two movies do have in common . . .
--scenes of intelligent , amusing dialogue with no relevance to the plot --a story that jumps back and forth in time rather than going in a logical , chronological sequence --graphic yet necessary violence
--an engaging crime story --dialogue liberally spiced with swear words and racial / gender slurs --three of the same actors ( harvey keitel , tim roth and steve buscemi )
--a mexican standoff ending , although this one is considerably less optimistic than pf reservoir dogs is an entire hour shorter than pulp fiction because it 's only got one story to tell rather than three .
crime lord joe cabot ( veteran actor lawrence tierney ) has assembled five criminals who have never even met each other to pull a diamond store heist .
the five are instructed not to reveal their real names or personal details or anything the cops could use if one of them was captured and interrogated .
instead , they are all given code names off the color chart -- mr .
white ( keitel ) , mr .
pink ( buscemi ) , mr .
orange ( roth ) , mr .
blonde ( michael madsen ) , mr .
brown ( tarantino ) and mr .
peach ( tarantino 's chin ) .
most of the movie 's running time is spent with mr .
white and pink waiting at a warehouse for the others to arrive .
mr .
orange , meanwhile , is on the floor , dying from a gunshot wound .
the police had arrived at the scene of the crime way too soon , leading white to believe one of the five was an informant .
the story 's background unfolds through a series of flashbacks , of the crime itself and the meetings between joe and the criminals prior to the crime .
eventually , blonde arrives with a police officer hostage , and what follows is a truly brutal , uncomfortable torture scene .
let 's just say picasso would be inspired by what blonde does to the cop 's ear .
a lot of the time , reservoir dogs seems like your typical gangster heist - gone - wrong movie , but there are a few sequences that are uniquely tarantino .
the opening scene in the coffee shop starts the movie off on a high note the rest of it does n't live up to , as the criminals plus joe have a conversation on , among other things , tipping philosophies and their interpretations of madonna 's " like a virgin .
"
another scene involves roth 's lengthy manufactured story about running into a group of cops and a police dog in a bus station bathroom while carrying a giant bag of marijuana .
neither of these have much plot relevance but are given ample time to develop , like the captain koons gold watch speech in pulp fiction , only here these sequences are more enjoyable than the rest of the movie .
reservoir dogs is good
but it 's no pulp fiction .
[EX A]: P

[EX Q]: when i was growing up in 1970s , boys in my school used to divide into two groups , based on their action movies preferences .
the first one , myself included , liked movies that featured spectacular car chases , lots of machinegun fire and huge explosions .
the latter one preferred hong kong martial arts flicks , probably because they could ( or , to be more precise , thought they could ) imitate its stunts in the real life .
decades later , while refining my own cinematic taste , i began to appreciate and actually like those movies , probably because of overexposure to shoot - em - up idiocy of 1980s ramboids .
yes , most of the kung fu and other " martial arts " flicks were cheap , they had predictable and formulaic plot , and asked very little of production values aside from martial arts skills .
but , in the same time , those movies had their own rules and in the hands of capable director could become a terrific guilty pleasure and source of relaxation .
the best of those movies , one that passed the test of time and managed to keep its own cult status after quarter of century was enter the dragon .
made in 1973 in a joint hong kong - hollywood venture , it was intended to bring bruce lee 's skills and kung fu philosophy to the western audience .
it succeeded , but it is still debatable whether by its own merit or by the unfortunate and mysterious death of bruce lee that immortalised the myth about that actor .
lee plays a quiet shaolin monk who is a martial arts expert .
he is approached by interpol official who asks him to join tri - annual martial arts tournament that is held on a remote island , owned and controlled by han , renegade shaolin monk .
interpol suspects that the martial arts business is just cover for narcotics , gun - running and prostitution operations and lee must find the evidence necessary for authorities to intervene .
lee accepts the mission because of personal reasons - o'harra , han 's brutal bodyguard was responsible for the tragic death of lee 's sister years ago .
the island is also destination of two colourful martial arts experts from us - williams ( played by jim kelly ) is black activist running from the racist police , and his friend roper wants to make money in order to pay gambling debts .
the plot of enter the dragon was in many ways influenced by james bond ( the 007 franchise itself would return favour by using kung fu elements in the man with the golden gun two years later ) .
the main hero was faced against a power - hungry megalomaniac on a remote island , alone against whole army of bad guys .
on the other hand , lee was more believable hero than bond ; deprived of guns and super - tech gadgets , he had to rely only on his personal skills in order to survive .
in the same time , the plot , although extremely thin , allowed him even some internal battles - between the natural instinct to avenge his sister and his own anti - violent philosophy .
the latter provided some opportunities to evaluate lee 's acting skills and some new elements to his impressive screen presence .
although two other main actors - john saxon being the obligatory good white guy and jim kelly being the obligatory black good guy - were intended to share top spot with lee , they served as nothing more than a comic relief .
it is a real shame to see kelly , definitely the worse actor than saxon , to steal the scenes from him only because his lines , being the worst possible blaxploitation cliches , sound so damn over the top .
other actors , not including shih kien who turns han into typical , although not very convincing bondian villain , are nothing more than fist fodder for bruce lee ( among them is young jackie chan ) .
fighting scenes are still impressive today as they were 25 years ago , although they mostly lack gore associated with that genre .
in many way they are also more realistic ( they were personally staged by lee himself ) , demanding only a blow or two to incapacitate or kill the opponent .
i 'm not a martial arts expert nor the martial arts fan , but comparing those scenes with typical scenes today i simply ca n't avoid to appreciate the difference from today 's movie fights when masses of bloody pulp manage to get up from the floor and win in the end .
so , despite all the obvious flaws that preclude this movie of being top 100 of all times , enter the dragon
is a incredibly entertaining piece of cinema and the martial arts flick that can be enjoyed even by those who do n't like that particular genre .
[EX A]:
P