You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

[Q]:  In the beginning of this mock-epic, Pope declares that a "dire offence" (Canto 1 line 1) has been committed. A lord has assaulted a "gentle belle" (line 8), causing her to reject him. He then proceeds to tell the story of this offence.
While Belinda is still asleep, her guardian Sylph Ariel forewarns her that "some dread event impends". Belinda then awakes and gets ready for the day with the help of her maid, Betty. The Sylphs, though unseen, also contribute: "These set the head, and those divide the hair, some fold the sleeve, whilst others plait the gown" (146 147). Here Pope also describes Belinda's two locks of hair "which graceful hung behind". The Baron, one of Belinda's suitors, greatly admires these locks and conspires to steal one. Building an altar, he places on it "all the trophies of his former loves" (line 40), sets them on fire and fervently prays "soon to obtain, and long possess" (line 44) the lock.
Ariel, disturbed by the impending event although not knowing what it will be, summons many sylphs to him and instructs them to guard Belinda from anything that may befall her, whether she "forget her prayers, or miss a masquerade, Or lost her heart, or necklace, at a ball" (line 108 109). So protected, Belinda arrives at Hampton Court and is invited to play a game of ombre.
The conspiring Baron acquires a pair of scissors and tries to snip off one of her locks but is prevented by the watchful Sylphs. This happens three times, but in the end the Baron succeeds (also cutting a Sylph in two although Pope reassures us, parodying a passage in Paradise Lost, that "airy substance soon unites again" [line 152]). When Belinda discovers her lock is gone, she falls into a tantrum, while the Baron celebrates his victory.
A gnome named Umbriel now journeys to the Cave of Spleen and from the Queen receives a bag of "sighs, sobs, and passions, and the war of tongues" (canto 4 line 84) and a vial filled "with fainting fears, soft sorrows, melting griefs, and flowing tears" (line 85 86) and brings them to Belinda. Finding her dejected in the arms of the woman Thalestris, he pours the contents over them both.
Many people, moved by Belinda's grief, demand the lock back, but the Baron is unrepentant and refuses. Clarissa admonishes them to keep their good humour, but they will not listen and instead a court battle ensues between the nobles, with glares, songs and wits as weapons. Belinda fights with the Baron and throws snuff up his nose to subdue him. When she demands that he restore the lock, however, it is nowhere to be found. It has been made a constellation and is destined to outlast the contestants.
[A]: What is inside the bag that the queen gives Umbriel?


[Q]:  The plot revolves around Hypatia the pagan philosopher; Cyril the Christian patriarch; Orestes the power-hungry prefect of Egypt; and Philammon an Egyptian monk. Philammon travels from his monastic community in the desert to Alexandria, and expresses a desire to attend Hypatia's lectures despite Cyril's dislike of Hypatia. Although Hypatia has a deep-seated hatred of Christianity, Philammon becomes her devoted friend and disciple. Philammon also encounters Pelagia, his long-lost sister, a former singer and dancer who is now married to a Gothic warrior. Philammon naturally desires to convert both women to Christianity. The plot is played out against the backdrop of Orestes' scheming to become emperor of Egypt and Africa; he uses Hypatia as a pawn. A subplot involves Raphael Aben-Ezra, a wealthy Jewish associate of Hypatia who falls in love with a Christian girl called Victoria and converts to win her love. A series of events, some of which are orchestrated by a Jewish woman called Miriam, raise tensions between the prefect and the church. Hypatia undergoes a spiritual crisis and comes close to being converted to Christianity by Raphael. Before this can happen, however, rumours are spread that Hypatia is the cause of unrest in the city and she is murdered by a Christian mob. Philammon, despondent, returns to the desert where he eventually becomes abbot of his monastery, albeit with a more worldly view of Christianity.
[A]: What job does Philammon take after returning to the desert?


[Q]:  In Aix les Bains in the early 20th Century Celia Harland, a beautiful (of course) young English girl down on her luck is befriended by a rich widow, Madame Dauvray, an addict of "spiritualism", and stages seances for her benefactrix, while knowing full well that the supposed manifestations from the spirit world are entirely bogus. This set-up supplies the opportunity for a criminal gang master-minded by Madame Dauvray's maid, with their eyes on the widow's jewellery collection, to engineer an introduction for one of their number, Adele Tac  ("Rossignol") whose taunts of disbelief goad the old lady into allowing a seance to be held which, unsuspected by either Celia or her patron, will be the cover for murder and robbery. The crux of the plot is that Celia, as medium, will be made their innocent victim, on whom suspicion is to be planted. By her professed scepticism, Adele manoeuvres the girl into consenting to be bound hand and foot and secured to a pillar during the performance, such that she is incapable of escaping or preventing Madame Dauvray's being strangled by an intruder in the course of the seance; and is thereafter abducted to Geneva, still trussed, gagged and helpless, with various clues being left behind to incriminate her as accomplice in the murder. Inspector Hanaud of the Paris S ret  (in several of his novels, Mason's equivalent of Christie's Poirot) unravels the conspiracy and rescues Celia when on the brink of being drugged and dumped into Lake Geneva.
[A]:
Who is a widow?