Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Input: Consider Input: CONTEXT: Oskar does not become a vampire in the book. It is Håkan who becomes a vampire in the book. Also in the book, it is disclosed that Eli is a boy who was castrated years ago when he was converted to a vampire. In the movie, neither Håkan becomes a vampire nor is Eli disclosed to be a boy. Oskar and Eli flee. And as atm mentions in the comment, Oskar will grow old just like Håkan.  <sep>  Q: What happened to Eli and Oskar in Let the right one in? A: neither Håkan becomes a vampire nor is Eli disclosed to be a boy. Oskar and Eli flee. And as atm mentions in the comment, Oskar will grow old just like Håkan  Q: Can you tell me anything else about this movie? A: Oskar will grow old just like Håkan  <sep> FOLLOWUP_Q: Is there anything else you can tell me?

Output: Yes


Input: Consider Input: CONTEXT: As a writing device, it's far funnier to let the viewers imagination run away with the wild descriptions that Howard gives. Additionally, by not showing Howards mother, the writers are able to characterize and describe her any way they like, without having to find an actor who lives up to that description. Howard repeatedly describes his mother as having no neck, facial-hair that needs to be removed, and at one point, it was mentioned that she wears a wig. Howards mother is essentially a charicature of an overbearing, overprotective, troubled but caring, single-parent. Now imagine if we were to actually see Mrs. Wolowitz's reactions when Howard yells at her. Perhaps we would start to feel uncomfortable witnessing this coddled, well-off guy in his 20's, yelling at this morbidly obese, lonely woman. By not showing his mother, the audience can separate the charicature of the woman from the far less funny "reality."  <sep>  Q: Why is Howard Wolowitz' mother not shown in The Big Bang Theory? A: As a writing device  Q: What Is a writing device? A: far funnier to let the viewers imagination run away with the wild descriptions that Howard gives  Q: Is that the only reason? A: Additionally, by not showing Howards mother, the writers are able to characterize and describe her any way they like, without having to find an actor who lives up to that description  Q: What does his mother look like? A: Howard repeatedly describes his mother as having no neck, facial-hair that needs to be removed, and at one point, it was mentioned that she wears a wig  Q: Why is she described this way? A: Howards mother is essentially a charicature of an overbearing, overprotective, troubled but caring, single-parent  <sep> FOLLOWUP_Q: Why can't we see her?

Output: Yes


Input: Consider Input: CONTEXT: Because his father taught him not to involve in any (true loving) relationship in their line of work. Nicky knew they both fell truly for each other, so he decide to leave her for the sake of both of them. At the end scene, his father can be seen saying these things, and because of that mistake (losing focus) he took all his earned/stolen money.  <sep>  Q: Why did Nicky do what he did to Jess in New Orleans? A: Nicky knew they both fell truly for each other, so he decide to leave her for the sake of both of them  <sep> FOLLOWUP_Q: I still don't understand why he would do that?


Output: Yes