In this task, five ordered key facts are given. All the given facts are expressed in natural language. Your job is to generate a story 100 to 1000 words long, that includes all the facts given as input in their order of appearance while expanding upon them to produce a broader, yet coherent, narrative.

Q: Fact1: Gautham and Kannan are close friends from childhood days, Fact2: Kannan is in love with Maha, Fact3: Sandhya is not interested in marriage proposal, Fact4: Maha ’s father realizes mistake, Fact5: Laila was in love with Gautham

A: Gautham Suriya and Kannan Nandha are close friends from childhood days. Gautham owns a restaurant while Kannan works as a sales executive in a firm. Kannan is in love with Maha Neha Pendse while Gautham has no interest towards girls and prefers to be single despite his family members trying to get him married. Sandhya Trisha is the relative of Kannan and their family members plan to get them married. Kannan is scared of his father and he is unable to inform about his love. So he requests Gautham to meet Sandhya and inform about the love between Kannan and Maha. Gautham agrees and informs Sandhya about Kannan’s love with Maha. Sandhya also says that even she is not interested in the marriage proposal and instead she prefers to get married to someone like Gautham. Hearing this, Gautham is shocked and also confused. Kannan and Sandhya’s parents understand that neither Kannan nor Sandhya are interested in marriage and cancels the wedding plans between them. Meanwhile, Gautham develops affection towards Sandhya. Gautham receives frequent phone calls and he believes it to be from Sandhya. Gautham also gets gifts which he also believes to be sent by Sandhya. Maha’s father gets angry knowing about her love and engages a few thugs to beat up Kannan. Kannan is injured which angers Gautham. He smashes all those thugs and scolds Maha’s father for involving in such activities. Maha’s father realizes his mistake and apologizes. Kannan and Maha’s wedding is fixed. One day, Sandhya calls Gautham to a restaurant. Gautham believes that she has called to convey her love but is shocked when she introduces Aravind as her lover. She also says that even Aravind is like Gautham who was not interested in girls but somehow is convinced by Sandhya. Gautham starts worrying and is confused about the happenings as he believed the phone calls and gifts were from Sandhya. On the day of Kannan and Maha’s wedding, Gautham walks alone in the street thinking about his love failure. Suddenly a car comes in front of him and it is Laila. She walks towards Gautham and proposes her love. A small flashback is shown where Laila and Gautham were college mates and Laila was in love with Gautham. But Gautham did not reciprocate and avoided her during college. On the last of college, Laila told Gautham that she will keep following him always and will never forget him. As she told, she kept following Gautham and it was her who kept calling Gautham and sent him frequent gifts which Gautham misunderstood to be from Sandhya. Gautham realizes Laila’s true love and accepts it. The movie ends with both leaving together in the car.
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Q: Fact1: Rachel With has violated final rule in San Francisco home of Lily latest car crash, Fact2: Lily With nowhere else to take hauls daughter impulsive and rambunctious girl, Fact3: Georgia arranges job for Rachel as office girl of Dr. Simon Ward, Fact4: Simon does not show interest in Rachel or other women, Fact5: death of wife and son were killed in car collision

A: Rebellious and uncontrollable, 17yearold Rachel is promiscuous, does drugs, and drinks. With her latest car crash, Rachel has violated the final rule in the San Francisco home of her mother, Lily. With nowhere else to take the impulsive and rambunctious girl, Lily hauls her daughter to the one place she swore she would never return to: her own mothers house in Idaho. Matriarch Georgia lives her life by a number of unbreakable rules—God comes first, and hard work comes a very close second—and she wants that whoever shares her home to do the same. Now saddled with raising the young woman, it requires each patient breath she takes to understand Rachels fury. Georgia arranges a job for Rachel as the office girl of Dr. Simon Ward, the local veterinarian, who also unofficially treats people. His two nephews, Sam and Ethan, are often at Georgias house. Simon does not show interest in Rachel or other women; so, she thinks he is gay. However, Simons sister Paula reveals that he is still mourning the death of his wife and son who were killed in a car collision three years earlier. He refuses to have sex with Rachel even when she tries to seduce him, but retains some feelings for her mother Lily, whom he has dated in the past. Rachel performs oral sex on Harlan Wilson, who was not yet married and still a virgin because of his LDS Mormon religion. He confesses to his LDS girlfriend who is shocked. A team of LDS girls spy on Harlan to make sure he does not have sex again. After almost running them over with Harlans truck, Rachel explains to them that what happened was over and that they can go back to having their summer fun. They agree to do so, but they tell Rachel to go home leading Rachel to threaten them by saying if they have anything to do with her and Harlan again, she will find all of their boyfriends and fuck them stupid, and that is the point when they stop insulting her and end their spying on Harlan. While trying to make a point to Simon about survival, Rachel bluntly says that her stepfather, Arnold, sexually molested her from the time she was 12 until she turned 14. Seeing the effect of her revelation, Rachel tries to convince him she lied. However, Simon tells Georgia about the abuse, and Georgia tells Lily who thinks Rachel is lying. Heartbroken, Lily comes to believe her daughter, and begins to drink heavily and asks Arnold for a divorce. When Arnold arrives, Georgia tells him to leave, and refuses to let him in the house. Finally, she forces him to leave by hitting him with a baseball bat; when he still refuses to leave the property, she threatens to vandalize his new red Ferrari. Rachel sees that Lily cannot accept the truth, and lies to her about being molested. At the motel where Arnold is staying Rachel tells him that she has a video tape of them having sex when she was 14, and Arnold seems worried. Rachel demands 10 million if he does not keep Lily happy. She admits to him that she told Lily lies because she does not want her to be upset anymore. On the way back to San Francisco, Arnold tells Lily that he is giving Rachel his Ferrari, and Lily realizes that he is guilty. Lily starts a raging argumentattack and Arnold finally admits to having molested Rachel numerous times, using the excuse that Rachel seduced him, Lilys alcoholism drove him to it and that Rachel enjoyed it. So, Arnold drives off and leaves Lily to walk home. Georgia, Simon, Rachel and Harlan catch up with Lily in Harlans pickup truck, and a tearful Rachel apologizes for her behavior. Harlan tells Georgia that he is in love with Rachel and plans to marry her when he returns from his twoyear mission.
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Q: Fact1: viewer follows through eyes of Karen 's mother, Fact2: Haynes detailed Karen 's worsening anorexia by subtly whittling away at face and arms of Karen, Fact3: tone of film was sympathetic especially in regards to anorexia, Fact4: Karen 's parents were portrayed as controlling attempting to keep Karen living at home, Fact5: Agnes was portrayed as unaware of extent of Karen 's problem with anorexia

A:
The film follows Karen Carpenter from the time of her discovery in 1966, her quick rise to stardom, to her untimely death by cardiac arrest secondary to anorexia nervosa in 1983. It begins in Karens parents home in Downey, California on February 4, 1983, and the viewer follows through the eyes of Karens mother, Agnes Carpenter, as she discovers her body in a closet. The film then returns by flashback to 1966, and touches on major points in Karens life including: An unusual facet of the film was that, instead of actors, almost all of the parts were played by modified Barbie dolls. In particular, Haynes detailed Karens worsening anorexia by subtly whittling away at the face and arms of the Karen Barbie doll. Sets were created properly scaled to the dolls, including locales such as the Carpenter home in Downey, Karens apartment in Century City, restaurants, and recording studios. Details such as labels on wine bottles and ExLax boxes were shrunk in proportion. Interspersed with the story were documentarystyle segments detailing both the times in which Karen Carpenter lived and anorexia. These segments were seen as melodramatic parodies of the documentary genre. The underlying and unauthorized soundtrack included many popular hits of the day, including duets such as Elton John and Kiki Dee and Captain  Tennille, and songs by Gilbert OSullivan, Leon Russell, as well as the bulk of The Carpenters hits themselves. The tone of the film was sympathetic to Karen, especially in regards to her anorexia, but much of that sympathy was gained by making the other characters unsympathetic. Karens parents, Harold and Agnes, were portrayed as overly controlling, attempting to keep Karen living at home even after she turned twentyfive. Agnes was portrayed as unaware of the extent of Karens problem with anorexia. The duos initial meeting with AM Records owner Herb Alpert was intercut with stock footage of Vietnam War scenes. Richard Carpenter was portrayed as a rampant perfectionist who frequently sided with his parents against Karen, and he was also depicted as being more concerned with his and Karens careers than with Karens health. This culminated in a scene where Richard berates a fatigued and obviously ill Karen for not meeting business demands, yelling at her, What are you trying to do? Ruin both of our careers?, causing her to break down in tears. Haynes then insinuated, during a fight between Richard and Karen over her renewed use of ExLax, that Richard had a secret that he didnt want his parents to know about. Haynes dark treatment of the film included using black captions which often blend in with the scene, rendering them unreadable. Haynes also worked spanking, a common theme in his works, into the film with a repeated segment featuring a blackandwhite overhead view of someone administering an overtheknee spanking to the barebottomed adult Barbie Karen. The meaning of this segment is never discussed, leaving it to the viewers imagination.
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