In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.
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Question: Composed, elegant Carol (marvelously played by the beautiful Rebecca Brooke), her nice husband Eddie (likable David Houseman), Carol's wacky, constantly eating best gal pal Anna (delightfully essayed with infectious comic zeal by the adorable Chris Jordan), and Anna's hunky, amorous husband Pete (a typically fine Eric Edwards) are a quartet of liberated swingers who enjoy having frequent group sex with each other. Their usual routine gets disrupted when Carol's lonely, repressed, but still alluring widow mother Jennifer (a superbly moving performance by the lovely Jennifer Welles) drops by for a visit. Pretty soon Jennifer loosens up and becomes a willing participant in the swingers' blithely pleasurable and uninhibited carnal lifestyle, with everyone except Carol eager to seduce her. Writer/director Joe Sarno concocts a sharp, engrossing and perceptive examination of suburban angst and the limitations of the whole wild'n'easy 70's sexual revolution; Sarno turns traditional middle class mores on their heads and further spices things up with a bold and provocative mother/daughter incest subplot. Moreover, Sarno elicits uniformly first-rate acting from the bang-up cast: Welles and Brooke are both exceptional, with excellent support from Edwards, Jordan, Houseman, Arlana Blue as flaky New Age sex therapist Shandara, and Erica Eaton as saucy neighbor Mrs. Fields. Better still, all the women are extremely hot and enticing; Welles in particular seriously steams up the screen with her exquisitely voluptuous figure and smoldering erotic presence. The sex scenes are really sizzling and fairly explicit, but never raunchy or tedious. Stephen Colwell's bright, polished cinematography and Jack Justis' bouncy, melodic acoustic folk score are both on the money solid and effective. Recommended viewing for Sarno fans.

Answer: positive


Question: Well. Astronaut Steve West sits in a plastic space capsule, commenting that "you haven't lived until you've seen the sun through the rings of Saturn", all the while the obvious mid-day sunlight is streaming through the window, when suddenly he has a nose bleed. Next, West is back home in some secret hospital, a melting gelatinous mass who goes berserk and causes a chunky nurse to run through a fake glass door. Apparently, West "gets stronger as he melts", which makes about as much sense as anything in this hopelessly purile, adle-brained moovie. Then this dopey "Army Brass", who looks kind of like Coleman Francis (director of many bad moovies) tries to cover the info up, but goo man runs around killing everyone he sees because he is melting. He attacks a bickering old couple because he is melting. He makes one terrible actress scream and moan helplessly for about 10 minutes because he is melting. He is melting because he is melting. The fx by the slumming Rick Baker are supposed to be the star here, but they just look hokey. The film is poorly shot and everything looks so dark and muddled that it's very difficult making out what's what - not that it would help any. MooCow says who cut the cheese with this one?? :=8P ps - "Didn't you get any crackers?"

Answer: negative


Question: CitizenX(1995) is the developing world's answer to Silence of the Lambs. Where `Silence' terrorized our peace of mind, `Citizen' exhausts and saddens us instead. This dramatization of the Chikatilo case translates rather well, thanks to a Westernized friendship between two Rostov cops who become equals.CitizenX may also argue against(!) the death penalty far better than Kevin Spacey's The Life of David Gayle(2002).Humans are Machiavellian mammals, under which lie limbic brains (lizard-logic). Why did two kids, who knew better, stone to death a toddler they kidnapped? Why do bloodthirsty women yell `li-lilililililii' at acts of OBSCENE terrorism? -My own term for this is `limbic domination', the lizard-logic urge to dominate an `enemy'. If you have the words `enemy'/`vengeance' in your vocabulary, you're easily capable of `limbic domination'.In WWII-devastated 1980s Rostov (located at the mouth of the Don river near the Black Sea), nothing suppressed Andrei Chikatilo's urge for `limbic domination' from overpowering his layers of civilization. Chikatilo(Jeffrey DeMunn)'s easy victims were paupers, usually children, who rode the interurban train for fun, since they couldn't afford anything else.CitizenX reminds us that the denials of a rampant Soviet bureaucracy cost the lives of 52 such `lambs'. Rostov's serial killer roamed free for almost 7 years AFTER the police arrested and let him go.The politicization of crimefighting is harmful to police forces everywhere. Although policing routinely suffers from corruption all over the world, in the west, vote-grabbing by politicians can set up chronic inter-agency rivalries, stymieing a more coordinated response to crime. In the Soviet Union of CitizenX, however, Viktor Burakov(Stephen Rea)'s Killer Department was suffering from a repressive bureaucracy.Geoffrey DeMunn plays the psychosexually inadequate Chikatilo with faultless but understated authority--to the point of complete obscurity. In real life, too, Chikatilo had a lifetime's experience blending in and evading capture.His pursuer, on the other hand, sticks out as a strange bird, given to unheralded, naive outbursts. Perhaps by design, Stephen Rea gives a very strange performance as forensics chief Burakov. Rea's Russian accent is impenetrable; and his Burakov is humourless and sullen, at odds with everyone.So it's Donald Sutherland who walks away with the picture. Sutherland's Col.Fetisov, Burakov's boss, and at first his only supporter, is an overly restrained, patient Militiaman whose dignified carriage bears testimony to decades of bureaucratic machinations. His reawakening as a logic-driven yet still passionate cop becomes the film's cornerstone idealism.Joss Ackland does another turn as a vicious apparatchik, Secretary of Communist Ideology Bondarchuk, overseeing the investigation. Naturally, he quashed the arrest of the most likely suspect, a Communist, in 1984, a man carrying rope and a knife in his bag, supposedly going home: Andrei Chikatilo.Soon, he replaced Burakov with another Moscow apparatchik, Detective Gorbunov(John Wood), insisting that the investigation now focus on `known homosexuals'. The funniest scene of this sad, sad film comes during Bondarchuk's & Gorbunov's institutionalized harassment: one stupid cop earnestly reports, `As I suspected, comrade, it's fornication. I've made some drawings'--cue howling laughter.5yrs after the bodies began piling up, in 1987, the police finally tried soliciting criminal profiles. The only cooperating Soviet psychiatrist was Dr Aleksandr Bukhanovsky(Max Von Sydow), who termed the UNSUB `CitizenX'. He later also observed to Fetisov & Burakov that `...together you make a wonderful person'. We concur.The drawn-out pace, spread over a decade, perfectly captures the institutional inertia of Glasnost--`openness'--that wasn't. The contrast with Perestroika--`restructuring'--couldn't've been greater for the case. Although Chikatilo was still prowling railway stations, police plans were about to bear fruit.In 1990, Col.Fetisov was expeditiously promoted to General. His nemesis Bondarchuk disappeared off the scene, allowing the investigation to finally proceed without political interference. Staff, communications, publicity--suddenly all were available. In just one night of telephoning around, Fetisov got his depressed forensics chief access to the FBI's Serial Murder Task Force at Quantico, where, Fetisov discovered, staff are regularly rotated off serial murder cases to stave off just such psychological damage to investigators.Fetisov advises his newly promoted forensics chief, now `Colonel' Burakov, of all these changes in an avalanche of confession that becomes the movie's powerhouse watershed scene. Fetisov's is the most tender apology I've ever seen on film: `Privately, I offer my deepest apologies to you and your wife. I hope that someday you can forgive me my ignorance', he almost whispers.A HBO production, CitizenX is a film of the highest caliber. Not only do the exteriors look authentically bleak (shot exclusively in the most run-down parts of otherwise spectacular Budapest), but Randy Edelman's soaring soundtrack is entirely overwhelming--and frequently our only respite from the bleak brutality. Those who speak Hungarian will recognize the many Hungarian accents and credits.Chikatilo's actual murders are depicted as bleak, aberrant behaviour born of character flaws and ignorance in an equally bleak world. This makes the murders seem not-entirely-out-of-place--but of course they were. As President Kennedy reminded us, `we all cherish the futures of our children'.CitizenX communicates perfectly that killing is far more grisly and obscene than any vengeance fantasy might imply. Serial rapists rape to dominate; serial killers kill to dominate. So do some soldiers. Such `limbic dominators' make poor humans.WARNING-SPOILER:----------------------------------------------- The real Andrei Chikatilo WAS the world's most prolific known serial killer. Convicted, he was executed in 1992 in the manner of all Soviet Union death sentences: one shot, in the back of the head. Foolishly, such methods destroy any possibility of studying a deviant brain after death.Conclusion:------------------------------------------------------------ The best outcome is always the prevention of killings, not their prosecution. Executions merely guarantee society's failure to learn from the complex reality of victims' deaths when we dispatch even anecdotal evidence of HOW/WHY they died. Nor do killers learn regret if they're dead.Vengeance doesn't unkill victims. Baying for the killer's blood constitutes nothing better than counter-domination--once it's too late.Vengeance on behalf of the grieving isn't justice for the deceased--it's appeasement of the living.(10/10)

Answer:
positive