In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
it seemed like the perfect concept .
what better for the farrelly brothers , famous for writing and directing comedies with offensive subject matter , than to make a movie about a guy with a split personality ?
it 's exactly the sort of thing the brothers relish : poking fun at something serious ( in this case mental illness ) , throwing all care to the wind to get a laugh .
jim carrey 's signed on too ?
even better .
the national alliance for the mentally ill even helped out by levying complaints against the brothers ' new film before its opening , claiming it was misrepresenting the condition of split personality , labeling it incorrectly as " schizophrenia , " and so forth .
such a protest seemed like just the sort of thing that would , of course , only add more fuel to the farrelly brothers ' fire , proving that some people just could n't take a joke , and that the farrellys would be helping the more enlightened viewers to yet another dose of their brilliantly subversive comedy .
yes , it all seemed perfect , but one thing went wrong : their movie is n't funny .
it 's not for lack of trying .
the farrellys utilize in " me , myself & irene " their most high - concept premise ever : carrey plays charlie baileygaites , a man who after being dumped by his wife for a midget limo driver , decides to bury all his aggressive feelings deep down inside and never release them .
this , of course , means all his neighbors exploit his entirely too - forgiving nature , making his job as a rhode island state trooper increasingly difficult .
soon enough , charlie 's repressed aggression manifests itself into a second , independent personality named hank , a deep - voiced , boorish ogre unafraid of taking the assertive actions his predecessor had been unable to muster .
this guy is n't above crashing a car through the wall of the barber shop in which he 's been insulted , or holding a little girl 's head underwater because she refused to stop jump - roping in the street .
then things start getting lost in the most complicated plot the farrellys have ever attempted , and the film runs off its tracks .
some have suggested that this is n't a problem , because the farrelly brothers ' brand of humor does n't require plot to work .
they 're wrong , of course : plot was greatly instrumental in building up the kind of rollicking comic energy that infused the farrellys ' last effort , 1996 's " there 's something about mary .
"
( 1999 's " outside providence " was technically an earlier project . )
the brothers ' earlier film was n't funny merely because it contained outrageous gags ( despite what some newsmagazine articles would have you believe ) , but rather because its most outrageous gags were entirely unexpected .
in " mary , " the farrellys managed several times to pull off a neat sleight - of - hand trick : they 'd have you thinking the story was going one way , then reveal its real direction in delightfully surprising fashion .
" me , myself & irene , " by contrast , seems to have been made by folks who looked at " mary " and saw only the surface grossness , missing all of the subtle machinations that really made it work . having been produced by the same guys who made " mary , " " irene " seems like an even bigger disappointment .
the brothers pile on the offensive humor , taking shots at race , midgets , albinos , mental illness , and all manner of bathroom jokes .
but they have n't come up with a way to make any of it fresh most of " me , myself & irene " comes off as rote , by - the - numbers , adolescent comedy .
the plot , with carrey forced to drive alleged fugitive irene p . waters ( renee zellweger ) , who 's in more trouble than anyone knows , back to new york , has an ending that 's entirely predictable from the get - go .
( think charlie and irene will fall in love ?
yeah , me too . )
the farrellys then introduce scores of different characters , and none of them ever manage to do anything you have n't already expected them to do , no matter how outrageous their actions might be .
compared to the curveballs the farrellys are used to throwing , this stuff is almost entirely soft - tossed , presenting an obvious problem : when gross - out humor loses its shock value ,
it 's no longer funny , merely gross .
the jokes that do work are milked over and over until their effectiveness runs dry .
take , for example , the subplot involving charlie 's three black sons ( anthony anderson , mongo brownlee , jerod mixon ) .
the incongruity of it all is funny for a while , with three burly black men discussing higher math in ghetto language and white - bread carrey mouthing said language with an entirely too - pleasant smile on his face .
but by the end of the film , they 're still doing the same schitck it has n't been elevated to another , funnier level , and it has n't been dropped either .
that 's too bad , because it ceases to be amusing about halfway through .
" me , myself & irene " reeks of wasted opportunities .
there ought to be more focus on how other people react to charlie 's new personality , and on how charlie deals with the consequences of hank 's actions .
this does n't really happen nearly every supporting character learns about charlie 's condition early on , so they do n't have any opportunity to be surprised by it .
the film throws what looks like a patented farrelly curve in a scene towards the midway point ( involving an albino companion charlie and irene pick up called , appropriately , " whitey " ) , but the script does n't go anywhere with it , instead leaving the thread twisting in the wind before awkwardly tying it up during the climax .
jim carrey is a gifted comedian , both physically and vocally , but
he 's left with nothing much to do here
except contort himself in a manner similar to steve martin in " all of me .
"
it 's a great showcase of flexibility and split - second role - shifting , but none of it is terribly funny .
carrey does n't pull any stunts we do n't expect him to pull , and the farrellys ' script does n't give him anything else to pull : the situations in which he must perform the role - shifting are n't set up in any meaningful way .
perhaps carrey can take solace in the fact that his supporting actors fare no better .
zellweger 's irene is not a strong female lead mary in " mary " may have been part adolescent fantasy , but she was also intelligent and strong - willed .
irene is nothing in particular , as the film never makes clear whether she 's ditzy , clever , or neither . as such ,
she gives us nothing to latch onto as the only " sane " person in the film .
chris cooper is stuck playing exactly one note as a corrupt fbi agent , and his character is entirely too straight - laced for a movie like this .
he , like the others , does absolutely nothing unexpected .
after viewing the shapeless mess that " me , myself & irene " eventually dissolved into , i was stuck wondering whether or not the farrellys had outsmarted themselves .
maybe their kind of comedy can only work for so long until audiences get wise to it and stop being shocked .
but i do n't believe it -- good filmmakers find ways of surprising their audiences even after people have grown attuned to their style .
if the farrellys are indeed good , smart filmmakers ( and i still think they are ) , they 'll rebound just fine .
even after that happens , though , i 'll still consider " me , myself & irene " to be a high - caliber misfire .

Ex Output:
N


Ex Input:
one would think that david duchovny , star of the cult favorite " x - files " would be very careful in choosing his leading man cinema roles .
at least one would hope so .
one would be seriously incorrect .
eugene sands ( duchovny ) is a surgeon so dedicated to his craft that he becomes addicted to amphetamines to stay awake and work more .
it turns out to be a bad plan when he loses a patient and his license while under the influence .
ten months later , in a seedy bar to score synthetic heroin , the doctor gets a chance to ply his trade when assassins gun down a customer . using a plastic water bottle and bar tubing , sands operates and saves his life .
smalltime hoodlum raymond blossom ( timothy hutton ) is impressed with the cutlery skills on his associate .
he kidnaps and then offers down - and - out eugene a position in his organization .
blossom needs a doctor to patch up gunshot victims that would be problematic at a hospital .
sand 's temptation is that this will give him a chance to practice medicine again albeit illegally , big chunks of cash to fuel his habit and close proximity to the gangster 's womanfriend claire ( angelina jolie ) , this film 's babe factor .
the would - be big time operator is desperately in need of help .
on the run from russian mobsters ( the bad guys that seem to be all the rage in this year 's films ) and trying to cut a pirate software deal with the chinese mafia , blossom is surrounded by blood .
after a few medical misadventures , the physician grows disenchanted with his employment .
an encounter with a couple of psycho surfer dudes who threaten to blow him away unless he " fixes " their dead buddy cements his feeling that he is in the wrong line of work .
when the fbi visits and forces him to become an informant , there is no question that he needs to be somewhere else .
oddly enough , these seem like they could be exciting scenes .
the film disproves that assumption .
then a bunch of other uninteresting things happen .
writing this only two days after seeing the film , its a struggle to remember the events .
you can take that as a solid lack of recommendation .
for all the coolness that duchovny exhibits in " x - files " , it 's a surprise that his big screen presence is
so lacking in charisma .
the doctor is particularly bland and dull .
even the cold turkey bit which is rife with dramatic possibilities come across as banal .
a little chocolate and minor sweats get him through heroin withdrawal .
like virtually everything else in the film , it 's a missed opportunity .
the fox mulder detachment does n't work here .
oscar - winner hutton 's manic mobster is much more difficult to get a handle on .
played partially for comedy and partially as crazed killer , blossom almost becomes real , but then sinks into goofiness .
most of the time hutton looks as if he 's searching for his character and coming up empty .
jolie also makes a few false moves towards creating a three - dimensional human being before giving up and turning into scenery .
the most interesting aspect of her performance is watching her pouty lips threaten to take over the screen .
the rest are n't any better .
michael massee 's eccentric fbi agent never revs up .
one of blossom 's henchmen steals a few moments of the show as a quirky gunman reminiscent of val kilmer 's doc holliday in " tombstone " .
his two - gunned blasting as he does a bizarre dance is the high point of the film .
but that 15 seconds is n't worth sitting through the other 90 minutes .
first time film director andy wilson ( known for his work on the british television series " cracker " ) appears to be attempting to jump on the " pulp fiction " bandwagon .
the best of these movies combine a sense of style and flash with significant substance .
the second - rate ones concentrate on just one of these aspects .
" playing god " does neither well .
the basic idea of the film is solid .
and then it goes nowhere .
even worse , it plods back and forth , up and down a long and winding road before
it ends up nowhere .
fox fails yet again in his search for intelligent life .

Ex Output:
N


Ex Input:
the law of crowd pleasing romantic movies states that the two leads must end up together by film 's end .
if you 're not familiar with this law , then maybe you 've seen the trailer for this film which shows that the two leads are together by film 's end .
now if you 're a regular reader of mine , you 've heard me say this countless times : you know how drive me crazy is going to end , but is the journey to get to that ending worth it ?
no , it definitely is not .
melissa joan hart ( from abc 's " sabrina , the teenage witch " ) likes a hunky stud on the basketball team .
adrien grenier is her grungy neighbor who 's just broken up with his activist girlfriend .
apparently he wants to make his ex - girlfriend jealous enough to take him back , and she wants someone to take her to the big year end dance .
so the two pretend to date for some reason , but only after hart gives grenier a bath to turn him into a hunky stud .
will grenier like his new popularity and turn on his friends ?
will this crazy scheme work ?
do i care ?
the teen comedy resurgence of late has been surprisingly good in terms of comedy .
what makes movies like ca n't hardly wait and 10 things i hate about you work ( and to a lesser extent , she 's all that and never been kissed ) is because the writers of those films seem to realize that high school is a joke and write their scripts accordingly .
i do n't know what the writer 's intention was with drive me crazy .
there was some smart comedy in those films to make the obvious endings worth getting to .
here there 's nothing . . .
just teens whining
about who 's going to take them to the big dance .
do me a favor kids , go get a job or something . . .
just shut the hell up .
in all honesty , the best part of this film is the end credits .
now normally when i say that it 's followed with the joke " . . .
because the movie is finally over .
" in this case though the end credits really are the most entertaining part of the film .
after the obligatory second playing of britney spears ' titular song , there 's a quick commercial jingle for a burger joint the kids in the film hang out in and a brief rendition of the school song for their high school .
nothing great , but more entertaining than anything in the 90 minutes which preceded them .
sci - fi fans take note : there are brief appearances from stephen collins ( star trek : the motion picture ) and faye grant ( the tv miniseries " v " and " v : the final battle " ) .
[ pg-13 ]

Ex Output:

N