Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Input: Consider Input: CONTEXT: The "Joey room" isn't intended as a permanent residence for Joey. At his own surprised reaction you can already see that there was never a plan to have Joey living with them in their house. That would be a stetch even for Joey's and Chandler's relationship to have him living with Chandler and Monica in their house. Rather than that, the room is likely intended as a guest room dedicated specifically for Joey whenever he visits them and stays at their house. Either that or a kind of "hobby room" for Chandler and Joey to hang out in whenever he visits. The comment is rather tongue-in-cheek to begin with, so it's likely not a room only for Joey. It's a reminiscence to the good times Joey and Chandler had and a reassurance for him that those times, while maybe getting fewer, won't stop just because he got his own house to live in with Monica, a reminder that there will always be someone to play foosball with.  <sep>  Q: Did Joey get to live with Chandler and Monica? A: The "Joey room" isn't intended as a permanent residence for Joey  Q: How long did he stay there? A: At his own surprised reaction you can already see that there was never a plan to have Joey living with them in their house  <sep> FOLLOWUP_Q: How did Joey feel about this?

Output: Yes


Input: Consider Input: CONTEXT: It's unlikely they made any money from the sales of "Man of Constant Sorrow" that happened during the movie. When they recorded the song originally, they were asked to sign papers, and paid $10 each for the work. Most likely they were signing the rights to the recording over to the station owner in exchange for a quick payment. The "band" themselves had no idea they were popular until they sang at Stoke's fund raiser, as evidence by the claim that "no one will believe we're a real band", and the shock at the crowd's reaction to their song. We don't have any idea what happened to them after the end of the movie, but it would be reasonable to expect they eventually got signed to a record contract. The governor would probably have wanted them to keep recording music, if nothing else, so he could continue to ride their popularity. That contract would have covered any future recordings; it's also possible they could negotiate royalties for future sales of their hit song, and the station owner would cave in to keep them happy. But that's just speculation, since the last we know of the boys they're going to go work for the governor.  <sep>  Q: Who is the radio owner? A: Stoke  Q: Did the actual band ever get a contract signed? A: When they recorded the song originally, they were asked to sign papers, and paid $10 each for the work  Q: What was the name of the song? A: Man of Constant Sorrow  <sep> FOLLOWUP_Q: What was the name of the movie?

Output: No


Input: Consider Input: CONTEXT: Maybe it's because with origami you can go from a simple non living material such as a simple sheet of paper and mold it into something that is a representation of a living thing. Although this might never get a true answer I like to think it has something to do with the artificial creation of something representing life or dreams. When thinking further along these lines it strikes me that indeed the origami are all artificial representations of something living, yet a unicorn can never be really alive which can then be some sort of an origami analogy for Deckard = Replicant.  <sep>  Q: What does the origami represent in Blade Runner? A: the origami are all artificial representations of something living  <sep> FOLLOWUP_Q: Who is the main actor in Blade Runner?


Output: No