In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Ex Input:
Review: The Little Mermaid is one of my absolute favorite Disney movies. I'm sorry to say, however, that Disney completely messed up when they made this sequel. I'll admit it has some good points to it. The songs aren't bad, and the animation is clean and clear. There is some humor, I'm sure--I don't remember, because after watching it I immediately banned it from appearing before my eyes again. The worst point of this movie is the plot. In this movie, Ariel becomes her father. She forbids her daughter to go near the sea (yes, out of fear), just as she was forbidden to go near the land. I personally think that, given her past, Ariel would maintain some of her headstrong ways and not treat her daughter like she herself was treated.Besides this fact, Ursula was replaced by a non-scary, pathetic sort of sea witch (the underfed, forgotten sister) who is more comical than scary. She, too, has some little underling to do her bidding--but she's not scarier or worse than Ursula. Ursula spoiled us with her believability for badness. This sea witch is a joke.To make matters worse, Flounder is a fat, deep-voiced father (no longer the cute guppy we all know and love) and Eric's voice is not even done by the same actor (something that always annoys me in a remake/sequel). (His voice difference was very obvious to me, by the way!) I felt that the only reason this movie was made was so that Disney could catch a few fast dollars, something I hate to think about a corporation I actually really do enjoy. I felt that this plot lacked imagination. I know that this act (child following in the footsteps of a parent) happens, but Ariel was different. That was what we loved so much about her. She had a dream, she fell in love, and she made that dream come true. Until she appeared in this movie, that is. Then she became just like the other adults. This isn't the Ariel I know. And I don't like her.I know of some children who have enjoyed this film, and I know some adults who didn't mind it, either. But for me, and for all of you out there who have the utmost love for Ariel, please don't see this movie. The Ariel we know dies within, resurrected only for a song or two and one final scene that actually isn't bad (where she accepts the water back again)--although she takes very little part in the ending, regardless. Question: is it a negative review?

Ex Output:
yes


Ex Input:
Review: 11 Oscar nominations and zero win!!! Am yet to understand why - its not like the actors in the movie did any better thereafter that you can make it by giving them awards for trivial roles like it was done with Halle Berry and Denzel Washington - Whoopi, Oprah, Margaret Avery, Danny Glover etc- were all amazing - i am curious to get scripts of the discussions at the Oscars that year...... it should go into the Shoulda-woulda-coulda category for the judges.... Its an amazing book - but true to Alice Walker's style of writing she has a way of seeming like she is exaggerating her characters - so I am so glad that they screen adaptation took a few things out. The cinematography was amazing - the African scenes live much to be desired - the African part in the book is supposed to be set in Liberia - somewhere in West Africa - BUT oh no! Steven Spielberg thinks the world is so dumb that they cant think of Africa outside of the Safaris - so yes there had to be a complimentary Zebra and wildlife scene when we all know there are none West Africa ---- and most of all why get the people to speak Swahili --- who in West Africa speaks Swahili?? I just had to get that out of the way.......But as a story - amazing, film-making - out of this world - CLASSIC yes!!I own it and I watch it when my soul needs some rejuvenation. Question: is it a positive review?

Ex Output:
yes


Ex Input:
Review: The film "52 Pick Up" simply does not work. See it if you are at all interested in Elmore Leonard or John Frankenheimer, or anyone in the terrific cast, especially John Glover who's admittedly brilliant. But the book--a slow-burning, noir thriller with lots of pulp--should have translated into an Oscar-contending film instead of this dud that couldn't figure out whether it should faithfully portray the hard-boiled, gritty crime story of the book, or opt for a 1980s Schwarzenegger shoot-em-up spree. Shifting the scene from the original locale in the book, Detroit (an area where Leonard has resided for years and knows very well), to Los Angeles makes for a substantial problem that Leonard tries to fix in his script, but ultimately can't. It was, for example, a clever device making Mitchell's wife a City Councilwoman (she had no job in the book), if you think about it: that's the only way you could ever plausibly blackmail someone in a sex-crazed city like 1980s Los Angeles for adultery, or any type of potential sex scandal. Even then, it's more plausible in a more conservative Eastern state like Michigan to believe that a) its tiny porno "industry" is a sleazy, money-grubbing hell where three losers could desperately set up a not-so-stupid upper-middle-class fellow going through a mid-life crisis, and b) adultery alone might be something you could blackmail someone with, if their upstanding careers and old-fashioned wives couldn't handle the shock. As consultant Ron Jeremy will tell you, 1980s Los Angeles was a colorful, stylish porno Mecca, more like the movie "Boogie Nights" than Leonard's dark, shadowy world of hijacked tourist buses, grimy apartments, and drug deals in depressed urban squalor. Then again, Los Angeles could be the backdrop of such a tale if one arranged the scenery more carefully--there are still plenty of dark crannies and psychopaths there. Unfortunately, Roy Scheider's Harry Mitchell comes off in the film as a sexy, handsome Uebermensch dancing through his problems without even working up a sweat. In the book he was fending off a jerk union official while struggling with a business that was failing. He also had a skeleton in the closet during the war involving friendly fire that he was responsible for, but never appeared to come to grips with. Elmore Leonard's stories usually have a central image involving a bizarre civility between criminal and law-abiding citizen. Here, Harry Mitchell sitting in his office with his blackmailer, Alan Raimy, turning over his financial books to him and negotiating a more practical ransom, makes for such a central image. Glover's blackmailer plays the scene with convincing intelligence, but Scheider portrays the victim here as a cocky "good guy," in charge of the situation as if he were more a Rambo with an M-16 than the everyman barely staying afloat as his world crumbles around him. "52 Pick Up" ends with one of the worst throwaway conclusions ever, considering all the thought that went into the original story and then the film. Trapping Raimy inside Mitchell's Jaguar and blowing him up with marching band music blasting out along with a sadistic monologue by Mitchell, plays to an audience wanting the "sweet revenge" conclusion of a Chuck Norris movie, not the intelligent balanced world of Leonard's book, where Mitchell barely escapes in the end and the conflict between good and evil could easily go either way. I left the theater shaking my head and depressed. What a waste of talent. Question: is it a positive review?

Ex Output:

no