In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: are we victims of fate in life or can we create our own destiny ?
director / writer brad anderson seems to be saying yes to both questions in his witty film
"
next stop wonderland " .
the two main characters , alan and erin , spend the entire movie in each other 's orbit , catching glimpses of one another , yet not quite connecting until the inevitable conclusion .
is it fate that keeps them near each other and ultimately puts them together ?
does this predestination carry over to all aspects of life ?
as the film starts , erin castleton ( hope davis ) , a melancholy 29- year old late shift nurse , is ending her live - in relationship with her boyfriend ( hoffman ) .
rather , he is ending it with her . arriving home from work , erin finds her boyfriend parked in front of their apartment , car packed with his belongings .
in a fumbling , amusing and self deluding ramble , he instructs erin to watch a videotape he 's made detailing why their relationship is doomed to fail and why he 's leaving .
it 's obvious he lacks the courage to confront her directly as he rails on about accomplishing something with his life and taking a stand , all the while backpedaling his way out of their relationship .
he then flees the scene with the grace of an inept thief .
erin 's mother ( holland taylor , in a surprisingly effective , small role ) , fearing that her daughter will be without a man in her life , takes out a personal ad for erin .
to erin 's embarrassed horror , the ad describes her as a " frisky , cultured , carefree professional with a zest for life " .
eventually , erin responds to the tidal wave of responses , which makes for some of the most humorous , telling moments of the movie as she meets prospective suitors and " poseurs " .
alan , a plumber and aspiring marine biologist , first spots erin as he 's cleaning the inside glass of a fish tank at the boston aquarium .
wearing a wet suit and goggles , he follows erin from window to window , separated by the glass as erin , oblivious to his gaze , enjoys the fish .
later , we see him on a train as she sits on a platform outside , mere feet away .
the movie spends it 's entirety having their paths circle each other without crossing .
there are several subplots involving alan .
one concerns his attempts to get on the job track at the boston aquarium , thereby escaping his apparent fate to carry on the family plumbing business .
another subplot involves his father 's desperate attempts to force fate 's hand by gambling away his life at the dog track .
a distracting focus is put on alan 's debt to a loan shark and the manner in which he pays it off .
the movie tries too hard to make alan a likable guy .
thankfully , his dream- guy persona is counterbalanced by erin 's distant , yet fundamentally hopeful , personality .
the film moves along at an unhurried pace , albeit too much so in the latter third , as we wait for the two to meet .
co - writers anderson and lyn vaus throw a couple of possible red herrings into the mix as the two find other possible relationships .
the films shifts into a much slower gear as we wait for these romances to blow over .
when alan and erin eventually do meet , we see that perhaps they both were destined for each other as they share a lingering , almost subliminally knowing , gaze .
it 's a sweet , measured moment .
the disappointment comes in the fact that we 've come to know the pair , yet we do n't get to view their impending romance .
the film 's inherent belief in the subtle persistence of fate and the wonder it can bring to one 's life makes " next stop wonderland " a quiet pleasure in a cinematic landscape littered with explosions , shallow characters and overdone special effects .

Output: P


Input: Consider Input: one would think that david duchovny , star of the cult favorite " x - files " would be very careful in choosing his leading man cinema roles .
at least one would hope so .
one would be seriously incorrect .
eugene sands ( duchovny ) is a surgeon so dedicated to his craft that he becomes addicted to amphetamines to stay awake and work more .
it turns out to be a bad plan when he loses a patient and his license while under the influence .
ten months later , in a seedy bar to score synthetic heroin , the doctor gets a chance to ply his trade when assassins gun down a customer . using a plastic water bottle and bar tubing , sands operates and saves his life .
smalltime hoodlum raymond blossom ( timothy hutton ) is impressed with the cutlery skills on his associate .
he kidnaps and then offers down - and - out eugene a position in his organization .
blossom needs a doctor to patch up gunshot victims that would be problematic at a hospital .
sand 's temptation is that this will give him a chance to practice medicine again albeit illegally , big chunks of cash to fuel his habit and close proximity to the gangster 's womanfriend claire ( angelina jolie ) , this film 's babe factor .
the would - be big time operator is desperately in need of help .
on the run from russian mobsters ( the bad guys that seem to be all the rage in this year 's films ) and trying to cut a pirate software deal with the chinese mafia , blossom is surrounded by blood .
after a few medical misadventures , the physician grows disenchanted with his employment .
an encounter with a couple of psycho surfer dudes who threaten to blow him away unless he " fixes " their dead buddy cements his feeling that he is in the wrong line of work .
when the fbi visits and forces him to become an informant , there is no question that he needs to be somewhere else .
oddly enough , these seem like they could be exciting scenes .
the film disproves that assumption .
then a bunch of other uninteresting things happen .
writing this only two days after seeing the film , its a struggle to remember the events .
you can take that as a solid lack of recommendation .
for all the coolness that duchovny exhibits in " x - files " , it 's a surprise that his big screen presence is
so lacking in charisma .
the doctor is particularly bland and dull .
even the cold turkey bit which is rife with dramatic possibilities come across as banal .
a little chocolate and minor sweats get him through heroin withdrawal .
like virtually everything else in the film , it 's a missed opportunity .
the fox mulder detachment does n't work here .
oscar - winner hutton 's manic mobster is much more difficult to get a handle on .
played partially for comedy and partially as crazed killer , blossom almost becomes real , but then sinks into goofiness .
most of the time hutton looks as if he 's searching for his character and coming up empty .
jolie also makes a few false moves towards creating a three - dimensional human being before giving up and turning into scenery .
the most interesting aspect of her performance is watching her pouty lips threaten to take over the screen .
the rest are n't any better .
michael massee 's eccentric fbi agent never revs up .
one of blossom 's henchmen steals a few moments of the show as a quirky gunman reminiscent of val kilmer 's doc holliday in " tombstone " .
his two - gunned blasting as he does a bizarre dance is the high point of the film .
but that 15 seconds is n't worth sitting through the other 90 minutes .
first time film director andy wilson ( known for his work on the british television series " cracker " ) appears to be attempting to jump on the " pulp fiction " bandwagon .
the best of these movies combine a sense of style and flash with significant substance .
the second - rate ones concentrate on just one of these aspects .
" playing god " does neither well .
the basic idea of the film is solid .
and then it goes nowhere .
even worse , it plods back and forth , up and down a long and winding road before
it ends up nowhere .
fox fails yet again in his search for intelligent life .

Output: N


Input: Consider Input: there 's a thin line between satire and controversy , and mike nichols ( the birdcage , wolf ) has directed a sharp and very honest look at a us presidential election .
based on the book written by " anonymous " ( actually former " newsweek " writer joe klein ) , john travolta plays governor jack stanton .
but he does n't actually play stanton .
he plays bill clinton ; just the same as emma thompson no doubt plays the first lady and billy bob thorton is the campaign manipulator james carville ( although the credits will of course say otherwise ) .
the film is taken from the perspective of henry burton ( adrian lester ) , a morally correct and somewhat hesitant new advisor to stanton .
he searches for justice and dignity in the ugliest possible situations , and whether it be keeping the history of his boss ' pants under wraps or contemplating digging up dirt on another politician , he approaches his work with a keen desire to skillfully serve his country and his fellow workers .
richard jemmons ( billy bob thorton ) and daisy green ( maura tierney ) team up with henry as the would - be president 's advisors , and hire lesbian veteran libby holden ( kathy bates ) as the campaign 's eccentric " tougher than dirt " incriminator .
together they face all sorts of sexual allegations , the irritatingly discourteous media and other witty politicians in the election race .
in its satire and controversy , primary colors is a similar film to wag the dog : they both are not afraid to wipe their noses in the nitty - gritty and take a bold look at something that will never has honesty as a virtue .
but whereas wag showed us how much affect a few people can have on the media , primary colors is much more concerned with fleshing out it 's characters , letting us understand what they want and why , and making us truly appreciate the humanity and rectitude that they graciously represent .
seeing john travolta play bill clinton
so confidently and justly is enough to make the film more than worth a look . and the rest of the cast also make
superb performances - adrian lester sharply portrays the intellect of henry whilst kathy bates is perfect as the robust and energetic libby holden .
at occasions , you ca n't help but feel that these terrific characters are going to waste .
there are long slabs of time where john travolta ( unquestionably the most interesting to watch ) is missed from the screen ; and since it is awkwardly structured as henry 's story we are often forced to watch scenes that perhaps are not so necessary to the central plot - or even the point of the film .
having said that , make no mistake - primary colors is always enjoyable to watch
.
but frequently we have to ask ourselves - exactly what are we watching ?
most of the first half of its duration is a lightheaded look at melodramatic confrontations that seem so genuine we can not help but laugh , but the way primary colors chooses to finish tackles aspects that are very contrary , and almost unsuitable , to the rest of the film .
but as i mentioned before , there is a thin line between satire and controversy - and for the most part , primary colors delivers an entertaining indulgence of political matters combined with a far - from - overpowering look at winning the public 's opinion .
although at occasions the film may jump around a little too freely , focus is never lost on how important and vulnerable the subject matter really is .
thankfully , it is clear to make the distinction on what is entertaining movie cosmetics and what is a provocative documentation of something
so really it 's scary .


Output: P