Given a document, an entity and its sentiment towards the entity, verify if it is the correct sentiment towards the entity. Answer should be yes or no. Note that URLs in the text have been replaced with [Link].

Verify if the sentiment of the following document towards the entity Eminem is Negative . Eminem  "Revival" (Interscope)
The A-List collaborators on  Eminem 's new album scream "I want a radio hit " with Beyonce  Ed Sheeran  Pink and Alicia Keys co-starring on the songs.
It wouldn't be hard to believe  especially since  Eminem 's last major hits have relied heavily on Rihanna  from "Love the Way You Lie" to "The Monster." But thankfully on " Revival " Eminem  returns as the star of  his  show.
Beyonce sounds beautiful on opener "Walk On Water " but Em's words are even better  as  he  delivers honest lyrics that sound  and feel  true to  him .
"Every album song I was spazzin' the (eff) out on/And now I'm gettin' clowned and frowned on "  he  raps.
 Eminem  is no longer hip-hop's most prized wordsmith and the adjustment is tough for any performer once known as one of music's most celebrated acts.
But on "Revival "  his  ninth studio album   Eminem  makes  himself  relevant with  his  smart rhymes  which is refreshing in the age of "mumble rap." The album artwork is of the American flag  with race and President Donald Trump recurring topics throughout the 19 tracks.
"So  hands in the air  let's hear it for the start of a brand new America without him  and be proud of where we're from " Eminem raps on "Like Home " featuring a stellar-sounding Keys.
Eminem co-produced some of the songs  also getting help from Rick Rubin  Dr. Dre  Alex Da Kid  Mr. Porter and Skylar Grey  the singer  songwriter and originator of "Love the Way You Lie."
no

Verify if the sentiment of the following document towards the entity Ed Gillespie is Positive . A television ad depicting minority children running from a pickup truck sporting a bumper sticker for Virginia Republican Ed Gillespie  is designed to criticize the gubernatorial candidate’s ties to President Trump — and to address concerns that Democratic candidate Ralph Northam is struggling to connect with minority voters  according to people familiar with the strategy.
 The ad  was removed late Tuesday after a terrorism attack in New York City involved a pickup truck running down people on a bike path.
But before  it  was removed   it  was designed to appeal to Latino voters. Public polling shows Northam easily beating Gillespie among black and Latino voters  but a recent private poll shared widely among minority advocacy groups sparked worry about the Democrat’s appeal. Northam’s campaign urged the groups not to release the poll’s findings  according to multiple people familiar with the matter — a point not disputed by his campaign.
In the weeks since the poll was conducted  progressive groups have worked to tie  Gillespie  to Trump  whose approval rating among Latinos nationwide hovers in the teens. They worry that if  Gillespie  wins   his  campaign ads — which raised concerns about illegal immigration and “sanctuary cities” and voiced support for Confederate-era monuments — could be replicated nationwide next year by GOP candidates eager to turn out conservative voters.
Seeking to shore up support among younger and Latino voteres  Sen. Marco Rubio (R-Fla.) campaigned for Virginia GOP gubernatorial candidate Ed Gillespie  spotted to Rubio’s right in the background  on Oct. 30  2017  in Sterling Va. (Jahi Chikwendiu/The Washington Post)
Alex’s group produced the new ad  “American Nightmare ” which features four young children — two Latino boys  an African American child and a Muslim girl wearing a headscarf — running from a white man driving a pickup truck adorned with the  Gillespie  sticker and a Confederate flag. The truck chases the children through a suburban neighborhood into a dead-end alley — at which point the children awake from a bad dream.
[Ad features minority kids chased by truck adorned with  Gillespie  sticker  Confederate flag]
[How Ed Gillespie went from ‘big tent’ Republican to culture warrior]
A Washington Post-Schar School poll released Tuesday did not poll enough Latino voters to generate a measurable sample. But among nonwhite voters overall  Northam leads  Gillespie  73 percent to 17 percent — similar to Clinton’s margins in Virginia last year. Other statewide polls conducted last month by the Wason Center and Fox News showed Northam trouncing  Gillespie  among nonwhite voters.
[ Gillespie  appears with Sen. Rubio as protesters accuse him of racism]
“Ed Gillespie talks about us  he demonizes us with divisive and racist language  calling us criminals ” an announcer says in Spanish. “Let’s not allow Trump’s policies in Virginia.”
[Obama rips into  Gillespie ’s MS-13 ads  calls them “as cynical as politics gets”]
yes

Verify if the sentiment of the following document towards the entity Sam Smith is Positive . Sam Smith’s “The Thrill of It All”
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Sam Smith  follows up  his  2014 debut  “In the Lonely Hour ” with  his  sophomore effort  “The Thrill of it All.” Much like its predecessor  this album finds its core in soft ballads.  Smith’s  emotive voice can be a real asset  somewhat flexibly conveying feeling.
The hit “Too Good at Goodbyes” and the second track “Say it First” seem to indicate that  Smith  is setting out to be a male counterpart to Adele.  His  voice is dynamic in the way it bends. While  his  singing is not as boomingly confident as Adele’s   his  voice is able to zig and zag  even as it maneuvers into an occasionally whisper-y falsetto.
In addition to aiming for Adele’s turf   Smith  is going for a classic R&B and gospel vibe. That can be heard on both “One Last Song” and “Midnight Train ” the latter of which sounds like a soulful answer to Radiohead’s “Creep.”
 Smith  gets more righteous on “HIM” and gets softly groovy on “Baby  You Make Me Crazy.” Sometimes  Smith ’s higher register can be a tad grating. However   he  can somehow slightly irritate and entertain simultaneously.  He  duets successfully with up-and-coming singer Yebba on “No Peace ” and hits a sweet spot with the slow-burning “Palace.”
This record feels more lived-in and fully realized than  his  debut. Each of the songs on its own is decent  but you get the feeling once you finish with the closer (and second single) “Pray ” that  Smith  is taking the easy route.  He  should stretch beyond the ballads  as  he 's capable of more. This feels like a sequel to  his  first record almost in a retreading kind of way.
“The Thrill of it All ” while a fitting showcase for  Smith’s  skill  lacks an extra spark. It’s good  but it could be better.
“Too Good at Goodbyes”  Smith ’s songs often seem at first a tad innocuous but on repeat listens they begin to pack power. This one is a real winner.
“Midnight Train” Radiohead comparisons aside  this song has some real momentum  showcasing  Smith  at  his  most vocally butter-soaked. The doo-wop style backing vocals are also a nice touch.
“Baby You Make Me Crazy” This has some potent swagger. This song’s little boost makes you wonder what  Smith  would do if  he  was pushed a notch or two further.

yes