In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: well i 'll be damned .
.. the canadians can make a good movie .
the world is coming to an end .
we do n't know why or how , but apparently there is no way to stop it .
the world has had this information for months , as most of the rioting and other assorted chaos has passed and governments have shut down operations .
yet for a handful of toronto citizens , life goes on .
they are n't going crazy or attacking people in the streets .
instead they are simply preparing themselves for the end .
.. some engaging in activities they 've always wanted to do , some gathering with family and friends , and others just seeking to be alone .
these people 's lives however all intersect during their final six hours .
writer - director - star don mckellar has crafted a highly unique and emotional film .
all of the main characters are compelling as they try and do whatever it is they need to do on their last night on earth .
craig ( callum keith rennie ) tries to fulfill all his sexual fantasies , a gas company employee ( david cronenberg ) calls every customer letting them know the gas will be flowing until the very end and thanks them for their business , and patrick ( mckellar ) just wants to be by himself but is n't having much success .
even minor characters keep popping up where you least expect them to , tying everyone even closer .
things seemed a little hokey towards the beginning of the film , but ultimately everything comes together nicely
( although it 's not a happy film .
.. some moments are understandably gut - wrenching ) .
the story is enhanced by some unexpected humor and very realistic performances , particularly from sandra
oh , whose character is just trying to get home to her husband before
the end .
i have absolutely no problem that the reason for the end of the world is never given , nor does it bother me that the world is ending at exactly 12 midnight ( in toronto anyway ) .
but i do wonder why the sun never sets .
come midnight , the sun is still shining brightly .
maybe the sun is crashing into the earth .
.. who knows .
also , it 's comforting to know that in mankind 's final moments on the planet , people will still gang up on the street for the sheer purpose of pushing over a car or a bus ( that 's not a shot at this film mind you .
..
i know people are just stupid and truly would be out in the street tipping over cars ) .
last night is available on dvd from universal home video .
it contains the film in fullscreen format and includes the original theatrical trailer .
[ r ]

Output: P


Input: Consider Input: after the terminally bleak reservoir dogs and the brutally violent pulp fiction , jackie brown seems like something of a light - hearted departure for quentin tarantino .
it 's more of a ho - hum heist story with characters that speak the tarantino language .
luckily , his showcase of actors convert every morsel of possible enjoyment onto the screen , and jackie brown has no trouble entertaining the average viewer .
the story introduces us to a street - wise black woman named jackie brown ( pam grier ) , a flight attendant who smuggles money and drugs from one destination to another .
she works for a bottom - of - the - barrel airline and receives a minimal salary .
but one day , she is picked up by a pair of federal officials ( including michael keaton as the tough - nosed ray nicolet ) , and found with a handsome load of cash and a small bag of smuggled dope .
jackie is working for a weapons dealer named ordell ( samuel l . jackson ) , who pays her bail money but suspects her of tipping off the feds about their operation .
soon jackie and ordell are plotting a way to smuggle $ 500 , 000 through to them under nicolet 's nose , with the help of ordell 's oaf of a partner ( robert de niro ) and drugged - out lady friend ( bridget fonda ) .
also entering the picture is a bail - bondsman named max cherry ( robert forster ) , who takes a liking to jackie and agrees at one point to make the situation even more complicated ( how i wo n't say ) .
the big drop - off is undoubtedly the high point of jackie brown , in which numerous double - crosses take place and many clothing store bags ( filled with cash ) switch hands .
it 's unfortunate that tarantino takes his sweet time getting there , and does n't offer anything extremely compelling while doing so .
there are , as always , amusing exchanges between characters .
the funniest repartee is between de niro and fonda , as he becomes annoyed with her constant bickering while making fun of his iq , or lack thereof .
the most interesting relationship is between max and jackie .
a 56-year old white bail bondsman and a 44-year old black flight attendant with believable chemistry ?
you 've got to commend the acting .
jackie brown is a seriously dragged - out exercise enlivened by such fine acting .
the film clocks in at a lengthy 2 hours , 35 minutes .
tarantino 's talky style manages to hold your attention heavily , but there are more than a few dramatic lapses and crucial lulls in the storyline .
also , fans of the director should be prepared for a lighter side to appear .
jackie brown has four major shootings , and two of those take place mostly off - screen , so do n't be expecting a typical tarantino bloodbath .
you can expect frequent foul language , mostly coming way of ordell , who ( much to the dismay of spike lee ) uses the ` n ' word as part of his regular vocabulary .
the acting is the glue that holds everything together .
grier , making a sudden comeback from her reign in the 1970 's , is more than adequate for the title character .
in fact , she 's flat - out great . another comeback comes from former tv star robert forster , who does a grand job as max cherry , and is perfectly cast in doing so .
michael keaton makes his presence felt , albeit in small but dignified moments , and de niro is ideal in playing the lug - head who goes over the edge .
speaking of that , bridget fonda has relatively little to do as ordell 's bikini - clad beach babe , and yet she manages to look fairly occupied .
there 's not a single sign of misplaced dialogue or snubbed line throughout the entire movie .
which is a life - saver for mr .
tarantino .
the story barely holds together in the meantime , and we merely get a small tremor whenever there should be a defeaning earthquake .
but oh well .
jackie brown manages to be an enjoyable detour from quentin tarantino , even if it is lacking the glaring and original bite of his previous work .
let 's just hope that the director has n't gone soft on us .

Output: P


Input: Consider Input: people who enjoy science fiction are often faced with unpleasant surprises due to the improper labelling of novels , stories , comic books or movies .
often science fiction aficionados find material , previously labelled as science fiction , to be pure fantasy or supernatural horror , or rather simple techno - thriller .
in such cases , mistakes are understandable - genre boundaries are never clearly marked .
but , i believe there are really few cases when a movie labelled as science fiction actually happens to be straight historical epic .
such thing occurred in former yugoslavia some fifteen years ago , when national distributors gave such treatment to the right stuff , 1983 film directed by philip kaufman .
the mistake of the distributors could be explained with the fact that the official poster of the film features men in space suits .
but the right stuff film is n't even fiction .
it was based on the non - fiction book by tom wolfe , covering the early years of american space program .
the plot of the film begins in 1947 when few people heard of edwards air force base , major test site for experimental planes .
the major aim of test flights is to determine ability of manned aircraft to reach 1 mach speed and thus break the sound barrier .
many pilots tried to achieve that goal and many paid with their lives for such bravado .
but one quiet pilot , chuck eager ( played by sam shaped ) succeeds and thus gives example for whole new generation of test pilots , determined to enter history books by breaking new speed records .
ten years later , soviets have launched " sputnik " marking the beginning of the space age .
in order to regain national prestige , us government decides to be the first to send man into space .
best air force , navy and marine pilots are recruited into program , but not yeager , because he lacks college education and desired all - american image .
in one of critics ' polls the right stuff was named as one among top 10 films made in 1980s .
such high position could be explained with the fact that kaufman 's film looks quite atypical for its time .
with more than three hours of length and epic scope it looked more suitable for 1950s and 1960s - age when hollywood used to make films larger than life .
but the real reason lies in the fact that it was made by truly remarkable and talented filmmaker .
philip kaufman created reputation in 1970s by using all the opportunities of that golden age in order to create original , memorable movies .
the right stuff was the last of them , swan song of an era when producers allowed directors to spend big bucks on unusual , risk - taking " artsy " projects .
the right stuff is unusual because it lacks many standard elements of hollywood film .
the plot is almost non - existent and not very coherent ; the story , featuring many interesting incidents and anecdotes , shifts focus from the old generation of test pilots , embodied in yeager , to new generation of the astronauts .
the film also lacks conventional protagonist - yeager ( who also appears in small cameo ) remains the true hero of the film , but equal time and exposure is also given to other astronauts and their wives , making this movie into ensemble piece .
that gave opportunity for kaufman to use multitude of great acting talents , until that specialised only for bit or character roles .
sam shepard is great as yeager , war hero
whose greatest achievement - breech of the sound barrier - remained obscured in history books , probably due to his own modesty .
on the surface , he lacks personality compared with his hyped and more fortunate astronaut colleagues , but shepard gives texture to this character with subtle gestures and phrases .
shepard 's performance is followed with great acting by ed harris as clean - cut marine ( and future politician ) john glenn .
young dennis quaid is more than fine as arrogant fighter jock gordo cooper , and this arrogance is mirrored in his friend and most tragic figure of virgil grissom , superbly played by fred ward . always reliable character actor scott glenn provides some comic relief as navy aviator and ( arguably ) first american man in space alan shepard .
kaufman left room for female talents to excel too - barbara hershey , pamela reed , veronica cartwright and mary jo deschanel are great as pilots ' wives .
royal dano is also impressive as menacing figure of preacher , but the most memorable performances belong to donald moffat as vice - president lyndon b . johnson and jane dornacker as nurse murch .
great acting talent assembled for this film was mirrored with kaufman 's superb direction .
most notable of all is the methods kaufman uses in order to suggest the passage of time .
the beginning of the film shows test pilots living in the middle of desert , as virtual unknowns , far away from strict rules and discipline .
everything seems natural -yeager can indulge himself in horse riding just few yards away from the fastest and most precious aircraft in the world .
in that setting , it 's quite normal for important technical problems to be solved with simple chainsaw and for the test pilots not to report their ribs being broken before most important flights .
but the times are changing ; ww2 alliance with ussr is replaced with cold war , and " natural " pilots like yeager must be replaced with more disciplined , conventional pilots .
their entire lives become focus of media frenzy , and their job is subjected to strict rules , meticulous plans and they must fight the bureaucrats , publicity - seeking politicians and uncaring scientists ( like former nazi rocket expert werner von braun , played by scott beach ) only to preserve their most basic human dignity .
this contrast is underlined with the beautifully edited sequence - while yeager conducts his final and most spectacular test flight in absolute obscurity , " mercury " astronauts receive fame and fortune , although some of them even before going in the space . those contrasts and similar effects are achieved with kaufman 's superb use of poetic movie language .
editing is great , and photography by caleb deschanel provides many memorable scenes like the funeral in the desert or astronauts in their suits walking in slow motion ( the same image would be copied in many latter films ) .
although kaufman enjoyed support of nasa and american military , which provided authentic locations and period equipment , he still had to use special effects in order to simulate space flights .
those effects are excellent and they can still fool the audience accustomed to cgi and real footage of earth from outer space .
another fine contribution of this film is " oscar " -awarded musical score by bill conti ; i still tremble from excitement
every time i hear it .
it is accompanied with the use of holst and debussy .
some of the songs used in the background also provide authentic atmosphere of the historical period .
this film is great , and its cult status is well deserved , but there are some minor flaws .
some of the " mercury " astronauts are n't fleshed out enough ( although being played by fine actors , like lance henriksen ) .
film also lacks proper closure .
on the other hand , most logical conclusion of the film - landing on the moon - would require this film to be more than six hours long .
also , some critics were prone to attack this film as too amerocentric and hard on russians , who were portrayed as evil monsters , just in line with most virulent cold war rhetoric of reagan 's america .
in some of contemporary interviews , kaufman defended that approach by claiming that he wanted to make film as authentic as possible , and in order to do that , he portrayed russians not as they were in real life , but as they were perceived by americans in early 1960s .
time has passed ; now we do n't see astronauts as heroes .
in this age of widespread satellite communications and routine space missions , those men and women in space suits are seen as mere maintenance workers .
few young boys want to be astronauts when they grow up .
but this film , sentimental reminder of the times " when future began " , perhaps could encourage at least some of them to follow " mercury " astronauts ' footsteps seek new frontiers in the sky .
and even if they decide to stay on earth , they could still appreciate the right stuff as an extraordinary piece of cinema .


Output: P