In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

If You Enjoyed "Ju-On: The Grudge" . . . . . . . then this film may be for you!    Like "Ju-On: The Grudge," "Ju-On 2" presents a series of interconnected vignettes. Though the non-linear presentation can sometimes confuse the viewer, it takes only a moment to realize the correlation between the last portrait and the next. So, be patient;)    This film has a bit of a postmodern spin (which many horror-film scholars may enjoy).  One of the main characters, Kyoko Harase, plays an actress known as "The Queen of Horror." She is taken to the infamous Saeki home to give a television interview about her own experience as a horror actress. It is there that she is marked with the curse (in a fairly unpredictable way!!) And, there that true horror enters her own life.    To the joy of many viewers, Toshio figures prominently into "Ju-On 2." Though the make-up on Toshio is a little flat (unlike "Ju-On The Grudge") his acting is still pitch-perfect. Nonetheless, it is interesting to note that Yuya Ozeki (who play Toshio Saeki) did not understand the part he was playing in earlier films (simply as a result of his tender age). He has now refused to watch his own films and his parents go to the premieres alone:) (You can discover this information on the American version of "The Grudge" in Takashi Shimizu's commentary).      Some reviewers seem hyper-critical of this work. Yes, the film has some missteps, but they are easily overlooked. If you watched and enjoyed "Ju-On: The Grudge" then try "Ju-on 2" . . . you might be pleasantly surprised!
POS

Ted Wass is NO Closeau . Curse of the Pink Panther is weakest entry in Panther genre.    One, Peter Sellers as  Chief Inspector Closeau seem to take the spirit of the Panther films to the grave with him    Two, This was the last Film of David Niven. The rumor of Rich Little dubbing his voice rings true, if you watch Niven's lips and what is coming out of them.Niven who was very ill with MS just did a lot of sitting and limited movement.     Three, Ted Wass tries to bumble and stumble like Sellers's trademark character-however He is NO CLOSEAU. The more he pratfalls, the most we miss and wish Sellers were still alive    Four, the supporting cast (Robert Loggia, Herbert Lom, Leslie Ash, Robert Wagner, Joanna Lumley, Capucine, David Niven, Harvey Korman) are given almost nothing to do in this film, other than to be a foil to Wass's pratfalls or straight men to Wass's so called craziness. Burt Kwouk  as Cato is given more to do in his small scene with Wass and you wonder why he isnt in more of the film. And Roger Moore's cameo as a remade Closeau is poor preformance, playing on Seller's trademark accent and his James Bond Character    Five, Blake Edwards's script seem a weak closure to the Genre. And to make matters worse, he even did another Pink Panther (Son of the Pink Panther)after this,  which was WORSE than this film     AND THOSE ARE THE GOOD POINTS    I give it two stars for the stellar supporting cast alone, that makes this film worth it    Bennet Pomerantz, AUDIOWORL
NEG

Room 101 Revisited . After expecting "The English Patient, Part VI" We were pleasantly surprised to see Ralph Fiennes head off into uncharted waters.  A dark blend of "Nineteen Eighty-Four" and "Brazil" emerges in a fully-formed recreation of the Stalinist revolutionary state, with subreferences to practically every dictator who graced the Twentieth Century.    Donald Sutherland has a chance to shine in a fabulous Castro-esque (the early years) beard, and We were also highly impressed with Lara Flynn Boyle, and Tom Hollander as the son-turned-heir, an unfortunate dictatorial truth still being played out in North Korea.  Mr. Hollander was suitably portrayed as a short man next to the leggy Boyle, and the 1950s Peronist costumes set an appropriate tone.    Draw whatever conclusions you will from the film's final scenes- they are the results of torture and re-education camps- but many Russian, Cuban, Argentinian, North Korean, Chinese, Afghani, Italian, Cambodian, George Orwellian dissidents would agree that "Land of the Blind" is a superbly accurate and ironic piece of work.

POS