In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

[Q]: Question: What city was the game held where Beccacece's team beat O'Higgins 8-1? Passage:On 24 January, in his second league game since his debut for this competition at the bench (a 1–1 away draw with Deportes Antofagasta), Beccacece impressed following the team’s 8–1 home thrash over O'Higgins at the Estadio Nacional. After of that great victory nevertheless the team reaped three draws and one loss against Palestino (2–1). During February’s first days, the team was eliminated of the Copa Libertadores first stage by Uruguay’s River Plate F.C., which was his first failure and it meant being the target of criticism from the press and the team’s supporters. On 28 February, the 4–1 away victory over Cobresal would be a balm of the team’s moment. Following a 0–0 draw with Unión Española and two losses (3–1 with Universidad de Concepción as local and 5–4 against Santiago Wanderers as visitors), he back to draw, now in the Chilean football derby with Colo-Colo, which was again a goalless where both teams were criticized for its game level. Finally, Beccacece would end in the tenth place with three wins, seven draws and five losses and his continuity was heavily questioned during the Copa América Centenario break.
 Links: a. Estadio Nacional Julio Martínez Prádanos b. 2016 Copa Libertadores first stage c. C.D. Antofagasta d. 2016 Torneo Clausura (Chile)
[A]: a


[Q]: Question: How long had Fenway Art School been operating the year Vassos moved to Boston? Passage:Vassos moved to Boston, Massachusetts in 1919, where he attended the Fenway Art School at night. He studied alongside American artist John Singer Sargent and worked as an assistant for Joseph Urban. In 1924 he moved to New York, where he attended the Art Students League of New York, studying under George Bridgman, John Sloan, and others. He opened his own studio creating window displays for department stores, like Wanamakers, murals, and advertisements for Saks Fifth Avenue, Bonwit Teller, and Packard Motor Cars in his unique black and white illustrated style. At the same time, he illustrated a series of books by Oscar Wilde for E.P. Dutton followed by others including Phobia on which he based his life-long design focus on psychology, his area of expertise as noted by Fortune Magazine's list of top designers in the country. He entered the emergent field of industrial design and was hired by rapidly-growing RCA Victor, under the leadership of David Sarnoff, who discovered Vassos while painting murals at the WCAU skyscraper in Philadelphia. The company had recently acquired Victor Phonograph, built Radio City, and owned NBC Broadcasting, but needed to amplify and modernize their radio manufacturing business. By hiring Vassos, an up-and-coming industrial designer who created their first Styling department, launched Vassos on a four-decade relationship with the company for whom he designed hundreds of items, while also consulting for numerous other clients like Coca-Cola, Waterman, Universal Artists, Remington, and the United States Government. Vassos's work as an interior designer included the Chrysler Building apartment of photographer Margaret Bourke-White, Nedick's Hot Dog stands, displays for RCA in department stores and the World's Fair,and many others for which he employed modular furniture. He eschewed trendy styles like the extreme-streamlined look, popular in the 1930s, and favored the clean, modern look unadorned with unnecessary elements. He expressed his design philosophy for magazines like Pencil Points and in lectures on modern design and art. Although he was hailed as a top designer in the United States during the 1930s, he slipped away from the spotlight of his industrial design peers like Raymond Loewy, Henry Dreyfuss, and Norman Bel Geddes, largely because he did not open a large firm. Unique among the industrial designers of the 20th century, his work was focused on the intersections between interior decorating, furniture design, and the shapes of phonographs, radios and televisions. His contributions include creating a futuristic living room including television, the slide rule dial on radios, emphasis on the haptic experience of media (knobs and buttons), and the "user experience," years before this term was coined.
 Links: a. Art Students League of New York b. Colleges of the Fenway c. Norman Bel Geddes d. Bonwit Teller
[A]: b


[Q]: Question: Did any of the productions that Courau was in out-gross the film she won a European Film Award for Best Actress for?  Passage:In 1991, Courau was nominated for a César, for Most Promising Actress (Meilleur espoir féminin), and won a European Film Award for Best Actress, both for the film Le petit criminel (1990). She then appeared in Dusty Hughes' A Slip of the Tongue opposite John Malkovich on the stage, and in Vincent Ward's Map of the Human Heart. In 1995, she won the Prix Suzanne Bianchetti at the SACD Awards. She was nominated again for a César twice in 1996 for Best Supporting Actress (Meilleur second rôle féminin) and Most Promising Actress (Meilleur espoir féminin) both for the film Élisa. In 1998 she was named as one of European cinema's "Shooting Stars" by European Film Promotion and in 2000 she won the Prix Romy Schneider. She was also created a Dame of the Ordre des Arts et des Lettres of France on 7 February 2007.
 Links: a. Map of the Human Heart b. Prix Romy Schneider c. The Little Gangster d. The Little Gangster
[A]:
c