In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Input: Consider Input: Context_1 : "You're Gonna Need Me" is a 1973 soul song recorded by Dionne Warwick on her album, "Just Being Myself". It was released as the b-side to the title track, which peaked at #62 on the R&B singles chart in 1973. Released during the post-Bacharach and David period of Warwick's career, the song was written and produced by Holland–Dozier–Holland, who were six years into recording their post-Motown period. The song would be revived as a hip hop sample, most notably by J Dilla on the track "Stop" on the last album he finished, "Donuts", and Just Blaze, who sampled Warwick's vocals from the song for Usher's 2004 single, "Throwback", off the multi-platinum album, "Confessions". Context_2 : Dean Tuftin (born November 28, 1970 Drayton Valley, Alberta) is a Canadian country music singer. His debut album was released in 2003, producing the singles "Talk Is Cheap," "I'm Not So Little Anymore," "You Can't" and "In Her Eyes." His 2004 single "Wide Open Highway" reached the Top 10 on the "Radio & Records" Canadian country singles chart and was nominated for Independent Song of the Year at the 2005 Canadian Country Music Association awards, but a second album was never released. Context_3 : Kevin Fowler (born in Amarillo, Texas) is an American singer-songwriter. He has released five studio albums, and has charted four singles on the "Billboard" Hot Country Songs charts, including the top 40 hit "Pound Sign (#?*!)". In addition, he wrote Sammy Kershaw's 2003 single "Beer, Bait & Ammo", Mark Chesnutt's 2004 single "The Lord Loves the Drinkin' Man" and Montgomery Gentry's 2009 single "Long Line of Losers". Context_4 : "B.Y.O.B." ("Bring Your Own Bombs") is a song by Armenian-American alternative metal band System of a Down. It was released in March 2005 as the lead single from their fourth album "Mezmerize". Like their earlier song "Boom!", it was written in protest against the Iraq War. The song reached number 27 on the US "Billboard" Hot 100, the band's highest peak to date on the chart. Context_5 : "Hero" is a 2004 single released by the Swedish heavy metal band Europe. It was released on September 20, 2004, as the second single from the band's album "Start from the Dark". The song was written by vocalist Joey Tempest as a tribute to Phil Lynott, the frontman of the Irish hard rock band Thin Lizzy, and was inspired by a meeting between Tempest and Lynott. Context_6 : "Boom, Like That" is a 2004 single by Mark Knopfler, from his album "Shangri-La". It is – with "Darling Pretty" – one of only two Mark Knopfler solo singles to reach the UK Top 40, hitting no. 34. Context_7 : Justuss is Canadian reggae musician Snow's third album. Like his second album Murder Love, Justuss is primarily a reggae album performed in Jamaican Patois and featured fellow reggae stars such as Yami Bolo, Nadine Sutherland, Buju Banton, Beenie Man, and Terror Fabulous. Because of his criminal record, Snow was unable to obtain a visa to promote "Justuss" in the United States. Despite being banned from Japan as well in 1996, the single “Boom Boom Boogie” reached number 29 in Japan. Context_8 : "Gone" is a 2004 single by TobyMac from his album "Welcome to Diverse City". It stayed at number 1 on "R&R" magazine's Christian CHR chart for 10 weeks. A remix is found on McKeehan's album "Renovating Diverse City". The song is also featured in "WOW Hits 2005". Context_9 : "Toxic" is a song recorded by American singer Britney Spears for her fourth studio album "In the Zone" (2003). It was written and produced by Christian Karlsson and Pontus Winnberg (known collectively as Bloodshy & Avant), with additional writing from Cathy Dennis and Henrik Jonback. The song released on January 13, 2004, by Jive Records, as the second single from "In the Zone". The song was originally offered to Kylie Minogue for her ninth studio album "Body Language" (2003), but she rejected it. After trying to choose between "(I Got That) Boom Boom" and "Outrageous" to be the second single from "In the Zone", Spears selected "Toxic" instead. A dance song with elements of bhangra music, "Toxic" features varied instrumentation, such as drums, synthesizers and surf guitar. It is accompanied by high-pitched Bollywood strings, sampled from Lata Mangeshkar and S. P. Balasubrahmanyam's "Tere Mere Beech Mein" (1981), and breathy vocals. Its lyrics draw an extended metaphor of a lover as a dangerous yet addictive drug. The song has received acclaim from music critics, deeming it the strongest track of "In the Zone", and praised its hook and chorus. "Toxic" won Spears her first and only Grammy Award at the 2005 ceremony in the category of Best Dance Recording. Context_10 : Mark Freuder Knopfler, {'1': ", '2': ", '3': ", '4': "} (born 12 August 1949) is a British singer-songwriter, guitarist, record producer and film score composer. He was born in Glasgow but raised near Newcastle upon Tyne, England. He is best known for having been the lead guitarist, lead singer and songwriter for the rock band Dire Straits, which he co-founded with his younger brother, David Knopfler, in 1977. fact_1 : "Boom, Like That" is a 2004 single by Mark Knopfler, from his album "Shangri-La". fact_2 :  He was born in Glasgow but raised near Newcastle upon Tyne, England. Answer: Glasgow

Output: The 2004 single Boom, Like That was written by a man who was born in what city?


Input: Consider Input: Context_1 : The Dark Knight Rises: Original Motion Picture Soundtrack is the soundtrack to the film of the same name, the sequel to Christopher Nolan's 2008 film "The Dark Knight". The soundtrack was released on July 17, 2012. The CD edition of the album contains an exclusive code to unlock three bonus tracks, titled "Bombers Over Ibiza (Junkie XL Remix)", "No Stone Unturned", and "Risen from Darkness". Two additional bonus tracks, "The Shadows Betray You" and "The End", are digital-download exclusive tracks. The soundtrack was officially released online for streaming purposes on July 10, 2012. Context_2 : Batman v Superman: Dawn of Justice is the soundtrack to the composed by Hans Zimmer and Junkie XL. It was released on March 18, 2016 by WaterTower Music. The exclusive deluxe edition of the album contains five bonus tracks, entitled "Blood of My Blood", "Vigilante", "May I Help You, Mr. Wayne?", "They Were Hunters" and "Fight Night". The soundtrack also features the Eric Whitacre Singers. Context_3 : Booming Back at You is the fifth studio album by Dutch electronic musician, remixer and producer Tom Holkenborg, better known as Junkie XL. It was released on 11 March 2008 by Artwerk, the joint venture of video game developer Electronic Arts and music company Nettwerk. The album was moderately successful in the charts, reaching number eleven in the "Billboard" Top Electronic Albums and becoming Junkie's first album to chart in the United States. The song "More" has been featured in the soundtrack of video game "", "Mad Pursuit" was featured in the film "21" and the video game "UEFA Euro 2008", and "Cities in Dust" was featured in the episode "Woman On the Verge" of the television series "Gossip Girl" and the video game "Burnout Paradise". Context_4 : Deadpool (Original Motion Picture Soundtrack) is the soundtrack to the 2016 film "Deadpool", composed by Junkie XL, under his legal name Tom Holkenborg. Context_5 : Dutch DJ Junkie XL has released six studio albums and multiple soundtrack albums. Context_6 : The Amazing Spider-Man 2 - The Original Motion Picture Soundtrack is the official soundtrack from the 2014 film of the same name composed by Hans Zimmer and a supergroup called The Magnificent Six, consisting of Pharrell Williams, Mike Einziger, Junkie XL, Johnny Marr, Andrew Kawczynski and Steve Mazzaro. It was released on April 22, 2014, through Columbia Records and Madison Gate Records. Context_7 : Quantum Redshift is a futuristic racing game for the Xbox console, developed by Curly Monsters and published by Microsoft Game Studios in 2002. Created by "Wipeout" designer Nick Burcombe, the game puts the player in the shoes of 16 different characters, paired off in rivalries, whose stories unfold as tournaments are completed. The game has five different speed limits, which act as the difficulty levels for the game. Points earned after races allow players to upgrade their hovercraft's offensive and defensive capabilities. The game featured a soundtrack by Dutch musician Junkie XL. Context_8 : Patrick "Rudeboy" Tilon (born 1964, Suriname) (also Rudeboy Remmington, Silver Surfering Rudeboy, Microphone Nazi, Sir Antagonist) is a Dutch musician, best known as the singer of the crossover band Urban Dance Squad, which he led from 1988 to 2000, and first 2 albums of Junkie XL (1997-2000). After the Squad disintegrated in 2000, he left Junkie XL and made a few records with short-lived bands and projects: The League Of XO Gentlemen ("Smiling At The Claptrap Circuses", 2003) and Club Of High Eyebrows ("Older Now", 2007). Tilon also worked in the catering industry during this period. Since 2011 he is singing under a new moniker, The Arquido, with the Amsterdam surf band The Phantom Four, which released the album "Sounds From the Obscure" in 2012. Context_9 : Antonius Tom Holkenborg (born 8 December 1967), known by his stage name Junkie XL and occasionally JXL, is a Dutch multi-instrumentalist, composer, DJ, producer, and engineer. He uses the name JXL in cases where the term "Junkie" might cause offense. Holkenborg says of his name: "I called myself Junkie XL from the point of view that once you're completely overworked, you never want to go there again. The 'XL' stands for expanding limits; broadening up your vision." Context_10 : Mad Max: Fury Road: Original Motion Picture Soundtrack is a soundtrack album for the 2015 film, "", composed by Tom Holkenborg a.k.a. Junkie XL. It was released on 12 May 2015 through WaterTower Music. fact_1 : Quantum Redshift is a futuristic racing game for the Xbox console, developed by Curly Monsters and published by Microsoft Game Studios in 2002. fact_2 :  Holkenborg says of his name: "I called myself Junkie XL from the point of view that once you're completely overworked, you never want to go there again. Answer: futuristic racing game

Output: What is  Quantum Redshift ,it features a soundtrack by a guy who says I called myself Junkie XL from the point of view that once youre completely overworked, you never want to go there again,


Input: Consider Input: Context_1 : The Nutcracker Suite is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1960 featuring jazz interpretations of "The Nutcracker" by Tchaikovsky, arranged by Ellington and Billy Strayhorn. The album was rereleased on CD in 1990 as part of "Three Suites" along with Ellington's reworking of Grieg's "Peer Gynt Suite" and "Suite Thursday," his tribute to John Steinbeck. The original 1960 cover is notable for the inclusion of Strayhorn's name and picture along with Ellington's. Context_2 : The Blanton–Webster Band is a compilation album that combines the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942, involving bassist Jimmy Blanton and tenor saxophonist Ben Webster. The recordings were originally made for RCA Victor during what many critics regard as the Ellington orchestra's golden period. The three CDs contain many numbers which were to become classics, and the arrangements (by Ellington and Billy Strayhorn) were frequently inventive and innovative. Context_3 : William Thomas "Billy" Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, best known for his successful collaboration with bandleader and composer Duke Ellington, lasting nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and "Lush Life". Context_4 : "Something to Live For" is a 1939 jazz composition by Billy Strayhorn. It was the first collaboration between Strayhorn and Duke Ellington and became the first of many Strayhorn compositions to be recorded by Ellington's orchestra. The song was based on a poem Strayhorn had written as a teenager. According to an all-day tribute to Strayhorn on KCSM radio on 29 November 2008—Strayhorn's birthday—Strayhorn began working on this tune in 1933 when he was 18. Context_5 : "Blood Count" is a 1967 jazz composition by Billy Strayhorn. It was originally meant for a three-piece work Strayhorn was writing for Duke Ellington and initially titled "Blue Cloud". However, Strayhorn was hospitalized in 1967 due to cancer and finished the composition while in the hospital. He died on 31 May and "Blood Count" was his last finished composition. The Ellington orchestra debuted "Blood Count" at a Carnegie Hall concert in March, this was later released as "The Greatest Jazz Concert in the World". In August 1967 Ellington recorded the tune on his tribute album for Strayhorn, "...And His Mother Called Him Bill". Although Ellington never played the tune again after the recording session, many other artists have since recorded it, including Stan Getz, Jimmy Rowles, Joe Henderson and Bobby Watson. "Blood Count" will be a part of the repertoire for the 2013 Essentially Ellington competition. Context_6 : "Isfahan" is a jazz piece credited to Billy Strayhorn and Duke Ellington and released on Ellington's 1967 album "The Far East Suite"; Isfahan is a city in Iran. It features long-time Ellington soloist Johnny Hodges on alto saxophone. It was originally called "Elf" when Strayhorn composed it, months before the 1963 Ellington orchestra world tour during which the group traveled to Iran. Context_7 : "Diminuendo and Crescendo in Blue" is a big band jazz composition written in 1937 by Duke Ellington and recorded for the first time on May 15, 1937 by the Duke Ellington Orchestra, whose personnel were: Wallace Jones, Cootie Williams (trumpet), Rex Stewart (cornet), Barney Bigard (clarniet) Johnny Hodges, Otto Hardwick (alto saxophone), Laurence Brown, Joe Nanton (trombone), Harry Carney (clarinet, bass saxophone), Sonny Greer (drums), Wellmann Braud, Freddie Guy (guitar), and Duke Ellington (piano). No tenor saxophone was present in this recording section, nor in "Crescendo in Blue," which was recorded the same day. In its early form, the two individual pieces, "Diminuendo in Blue" and "Crescendo in Blue," were recorded on opposite sides of a 78 rpm record. The composition's 1956 performance at the Newport Jazz Festival revitalized Ellington's career, making newspaper headlines when seated audience members chaotically began rising to dance and stand on their chairs during Paul Gonsalves' famous tenor saxophone solo. Context_8 : "Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra. It is arguably the most famous of the many compositions to emerge from the collaboration of Ellington and Strayhorn. Context_9 : Cue for Saxophone is an album by pianist and composer Billy Strayhorn's Sextet comprising members of the Duke Ellington Orchestra recorded in 1959 and originally released on the Felsted label in 1959, then reissued by Vocalion in 1962. Context_10 : "Lush Life" is a jazz standard with lyrics and music written by Billy Strayhorn from 1933 to 1938. However, the song was only performed privately by Strayhorn until he and vocalist Kay Davis performed it on November 13, 1948, with the Duke Ellington Orchestra at Carnegie Hall. It is usually performed in the key of D-flat major. fact_1 : Cue for Saxophone is an album by pianist and composer Billy Strayhorn's Sextet comprising members of the Duke Ellington Orchestra recorded in 1959 and originally released on the Felsted label in 1959, then reissued by Vocalion in 1962. fact_2 : William Thomas "Billy" Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, best known for his successful collaboration with bandleader and composer Duke Ellington, lasting nearly three decades. Answer: 1959


Output: Cue for Saxophone is an album by pianist and composer Billy Strayhorns Sextet comprising members of the Duke Ellington Orchestra recorded in which year?