In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: porter stoddard ( warren beatty ) is a successful architect married to successful fabric designer ellie ( diane keaton ) for twenty - five years .
they and best friends mona ( goldie hawn ) and griffin ( garry shandling ) are about to face marital crises in a film most well known for its torturous path to the screen , " town and country .
" " town and country " has a pedigree befitting it 's title with an all star cast photographed by oscar nominated cinematographer william fraker and mouthing the words of screenwriter buck henry ( " the graduate " ) under the direction of peter chelsom ( " funny bones " ) .
after years of reports of budget overruns and reshoots and the racking up twelve different release dates , the media has been prepped for beatty 's next " ishtar .
"
so , is it that bad ?
the answer is no .
but it 's not very good either .
the major problem with " town and country " is that it 's unstructured and random .
stoddard is immediately established as a philanderer , having just bedded a flaky cellist ( nastassja kinski ) .
next scene finds him and ellie celebrating their anniversary in paris with mona and griffin .
then mona spies griffin hustling a redhead into a motel and begins divorce proceedings ( buck henry cameos as both couples ' divorce lawyer ) .
ellie thinks she 's overeacting , but sends porter to support mona on a trip to check out her family 's mississippi manse .
the two childhood friends end up in bed together , making us wonder why they 'd never become a couple to begin with . back home , their second coupling is interrupted by ellie bursting in to tell mona
she thinks porter 's cheating on her .
porter goes off on a trip with griffin to sun valley , idaho to have more comic misadventures with wacky women as griffin attempts to tell him that he 's gay .
the four friends , along with every woman porter 's dallied with , all end up back in new york city somewhat happily ever after .
although the film begins promisingly , resembling a woody allen take on new york city wasps , too many strands drift off into nowhere .
the stoddard household is huge , containing two adult children ( josh hartnett , " the virgin suicides " and tricia vessey , " kiss the girls " ) , their colorful bedmates and a maid who 's just imported her shirtless boyfriend from the rainforest back home .
after an amusing early scene that has porter overhearing three bouts of lovemaking while in search of a nocturnal snack , the six supporting players are dropped except for an out - of - nowhere appearance by the formerly forgotten son .
porter 's romantic misadventures with women ( other than mona ) are equally mishandled .
once the marital discord begins , the film seems as if it was editted with a machete , stopping and starting , never regaining its rhythm .
while beatty gets off a few tart observations , his character is mostly passive and bemused .
maybe we 're supposed to feel sympathy for an adulterer who does n't initiate his own sex romps ?
keaton 's ellie has a trusting nature that 's a result of her own self involvement resulting in an unlikeable character .
hawn smartly recycles her mature sex kitten wives of " the out of towners " and " the first wives ' club " while shandling 's relegated to true second banana status .
kinski is bland and unmotivated .
andie macdowell takes a weirdly unappealing role and does what she can with the screenplay 's most bizarre subplot , which finds charlton heston as her rifle toting , billionaire daddy and marian seldes as her alcoholic , wheelchair - bound , foul - mouthed mother .
heston and seldes are fun , as is jenna elfman as a sun valley bait and tackle salesgirl who brings porter and griffin to a halloween party .
oscar nominatored cinematographer william fraker gives the film a nice look , but director chelsom shows none of the quirkily and blackly humorous depth
he brought to films like " hear my song " and " funny bones .
"
the script is this film 's weakest link - it 's telling that most of the ( few ) laughs come from old - fashioned physical slapstick and the sight of beatty in a bear suit .
while " town and country " is n't exactly painful to sit through , it mostly just lays there .
[EX A]: N

[EX Q]: with his last two films - shine and snow falling on cedars - australian director scott hicks has proven his cinematic flashbacks to be some of the best out there , and his latest , hearts in atlantis , is no different .
its structure - beginning and ending in present day with one long flashback in the middle - is similar to the green mile , which is a bit ironic considering both were based on stephen king books .
the parallels do n't end there , either .
atlantis was adapted by william goldman , who had previously penned the big - screen version of misery and is in the process of working on the script for king 's dreamcatcher .
even the film 's content is a bit reminiscent of mile .
in fact , it 's the perfect blend of the feel - good ' 60s nostalgia of stand by me ( also by king ) and mystical power hokum of mile .
king 's atlantis is a book comprised of five related short stories , but the main focus here is on the first ( and longest ) tale , called low men in yellow coats ( the film 's title comes from the second chapter ) .
it 's set in 1960 harwich , connecticut , where 11-year - old bobby garfield ( anton yelchin )
lives in a boarding house run by his cold , self - centered mother elizabeth ( hope davis , joe gould 's secret ) , who seems to care more about her wardrobe than her son .
bobby spends his time with his two closest friends , john sullivan ( will rothhaar ) and tomboy carol gerber ( mika boorem ) , who become something like the kevin , paul and winnie of harwich .
when a new tenant moves into the vacant room , the fatherless bobby finds a male role model in ted brautigan ( anthony hopkins , hannibal ) , a mysterious stranger who is vague enough about his past to make bobby 's mom suspicious enough to at least momentarily turn her head away from the mirror .
ted teaches his young neighbor about the wonders of literature ( after his cheapskate mother gives him a library card for his birthday ) , dispenses prophetic words of wisdom and even pays bobby one dollar a week to read him the local newspaper and keep his eyes peeled for the low men , a group of people chasing ted to exploit his special powers .
i wo n't go into what these powers are , but they 're considerably toned down from the book ( and do n't involve black stuff flying out of ted 's mouth , a la mile ) .
atlantis ' present - day setting which bookends the film is based on the novel 's final chapter , titled heavenly shades of night are falling , and features david morse ( in yet another connection to the green mile ) as a married , middle - aged bobby who learns of the death of both of his childhood friends and returns to the dilapidated boarding house in which he spent his formative years .
atlantis is nowhere near as flashy as hicks ' cedars , which is disappointing but understandable considering the switch from the completely amazing robert richardson to the occasionally amazing piotr sobocinski , the oscar - nominated cinematographer behind krzysztof kieslowski 's red .
the acting is solid from everyone , including hopkins , who never once makes you think of dr .
lecter .
most impressive are youngsters yelchin and boorem , who both had tiny parts in along came a spider .
while i did n't really have much of a problem with goldman 's screenplay , i do need to point out at least one inconsistency .
goldman , for those of you who do n't read premiere , writes what seems like an annual criticism of everybody else 's films , carefully explaining why they all suck , make no sense and insult their audiences , while somehow failing to mention the crap that he 's penned ( like the general 's daughter ) .
it 's mean - spirited but fun to read , mostly on account of nobody else in hollywood having the balls to say anything remotely negative about anybody else in the business ( including michael jackson , o .
j . and robert blake ) .
in atlantis , which is supposed to be told through the eyes of young bobby , one would assume he would have to be in each scene in order to have the memory to which to flash back .
well , he 's not , and it does n't make sense .
1
: 41 - pg-13 for violence and thematic elements
[EX A]: P

[EX Q]: this three hour movie opens up with a view of singer / guitar player / musician / composer frank zappa rehearsing with his fellow band members .
all the rest displays a compilation of footage , mostly from the concert at the palladium in new york city , halloween 1979 .
other footage shows backstage foolishness , and amazing clay animation by bruce bickford .
the performance of " titties and beer " played in this movie is very entertaining , with drummer terry bozzio supplying the voice of the devil .
frank 's guitar solos outdo any van halen or hendrix
i 've ever heard .
bruce bickford 's outlandish clay animation is that beyond belief with zooms , morphings , etc .
and actually , it does n't even look like clay , it looks like meat .
[EX A]:
P