In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Input: Consider Input: Another light-weight single from "With Teeth" . Only", the second single from "With Teeth", has something in common with its predecessor-- its of limited value. I picked it up and was pretty disappointed.    The single itself, "Only", isn't one of the ones I particularly enjoy on the album-- its got a nice enough funky bass line and drum beat, but Reznor's sing-speak "Down In It" styled vocal grates and the piece doesn't particularly hold my interest. Certainly it lacks the immediacy of "Down In It", and I'm generally inclined to want Reznor to look forward, not backward.    The b-sides aren't much better-- the DFA mix of "The Hand That Feeds" is yet another remix, this one pretty much a full techno mix. It's quite different, replete with an odd panting sample that gets somewhat irritating as the piece never ends (it rambles on for well over seven minutes). The live version of "Love is Not Enough" is the only saving grace on the single-- while its not one of the better songs on the record, its decent enough, and live it got bigger. The arrangement is the same, but its more direct and in your face.    For the casual listener, skip this one. The fan will be buying it regardless of what I say, but it's in line with the recent singles, not the older (and superior) ones

Output: NEG


Input: Consider Input: This is what happens when you ditch Steve Earle . Your music goes back to sucking.     Steve Earle didn't talk much about Car Wheels in his autobiography other than to say working with Lucinda was a real drag. Well, whatever. Obviously it produced incredible results and no matter how difficult she is they should look into working together again. Because frankly, w/o Earle, Lucinda Williams writes fairly boring songs and puts them to even more boring arrangements. And without Lucinda, Steve Earle does fairly generic country that is rarely worth a second listen. Together, they're awe inspiring.    Anyway, on to Essence: boring songs+boring arrangments+drugged-out singing=bad album. Trying to pimp the tracks up with production pixie dust doesn't fix the fundamental problem here: the songs are lame. In place of insight we get shopping lists, in place of hooks we get verse, verse, verse. And in place of emotion we get slurred vocals.     Such ingredients do not make for a good record.      as a side note, if you filter by "most helpful" you get reviewers who aren't 5-star fanboy clones and write intelligent reviews. Most of them were not fooled by this album, no matter how big a fan of Lucinda they are.    RstJ

Output: NEG


Input: Consider Input: Power of Marketing! . The power of marketing behind Mrs. Souza is incredible! Her previous album, Brazilian Duos, was listed among the Best Jazz Albums of 2001 by New York Times - a critic, Mr. Ben Ratliff, had received an advance CD copy and included the album on his list, although the album only would be officially released in April 2002...Strange? Well, the next year the same Mr. Ratliff, in the same NY Times, included the same CD in his Best Jazz Albums of 2002 list...Then, &quot;Brazilian Duos&quot; got a Grammy nomination in March 2003...And now, in a few days, this horrible &quot;North and South&quot; CD will receive a Grammy nomination for Best Jazz Vocal Album...No more comments


Output: NEG