In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Q: Question: What country was the university Sadeq Tabatabaei got his doctorate from located in? Passage:In 1961, Sadegh Tabatabai went to Aachen to study biochemistry and later received his doctorate from the University of Bochum. While in Aachen, he organized a student group that campaigned against Shah Mohammad Reza Pahlavi. In 1967, he handled Ulrike Meinhof material about Iran, which was used in a famous column in Konkret magazine opposing the Shah's visit to West Germany that year. Tabatabai gave a speech at the grave of Benno Ohnesorg, an unarmed university student who was shot during a demonstration against the Shah's visit to the Deutsche Oper in Berlin by Karl-Heinz Kurras, a police officer later discovered to be an agent of the East German secret police, the Stasi.


A: b
****
Q: Question: What is the faculty size of the school where adjunct professor of playwriting, acting and directing in the Department of Theatre and Dance? Passage:Harold Athol Lanigan Fugard OIS (born 11 June 1932) is a South African playwright, novelist, actor, and director who writes in South African English. He is best known for his political plays opposing the system of apartheid and for the 2005 Academy Award-winning film of his novel Tsotsi, directed by Gavin Hood. Fugard was an adjunct professor of playwriting, acting and directing in the Department of Theatre and Dance at the University of California, San Diego. For the academic year 2000–2001, he was the IU Class of 1963 Wells Scholar Professor at Indiana University, in Bloomington, Indiana. He is the recipient of many awards, honours, and honorary degrees, including the 2005 Order of Ikhamanga in Silver "for his excellent contribution and achievements in the theatre" from the government of South Africa. He is also an Honorary Fellow of the Royal Society of Literature.


A: a
****
Q: Question: How long after the conclusion of the war did the first music meeting take place on Christmas Day? Passage:The music festivals that would thrust Victorian Birmingham to the forefront of European musical life had their roots in the private music societies of the Midlands Enlightenment, and in the economic difficulties faced by the town in the years following the end of the Seven Years' War. The first music meeting to be held in Birmingham for a charitable purpose took place on Christmas Day 1766, when James Kempson organised members of the Birmingham Musical and Amicable Society to hold a one-day festival at St. Bartholemew's Chapel to aid "aged and distressed housekeepers" – a tradition that would continue annually until 1838. The success of this, together with that of a three-day festival of oratorio held by Richard Hobbs and Capel Bond in 1767, led to Kempson's suggestion that large-scale musical performances "upon similar principles to those at St. Bartholemew's" might be used to raise money to support the Birmingham General Hospital, which was then lying half-built for lack of funds. This resulted in the first three-day Birmingham Music Meeting, which was held in September 1768. Oratorios were performed at St Philip's and at the King Street Theatre to a "brilliant and crowded audience" including a "concourse of Nobility and Gentry from this and the neighbouring counties", with an orchestra of 25 conducted by Bond and a chorus of 45 from the Musical and Amicable Society trained by Kempson, raising a total of £200 (the equivalent of £10,000 in late 20th century terms) for the hospital. A second Music Meeting like that of 1768 was held in 1774 to raise money for the building of St. Mary's Chapel in Whittal Street, and with building work on the General Hospital again paused for lack of funds, in 1778 Kempson suggested a similar event be held for the joint benefit of the hospital and St Paul's Church in the Jewellery Quarter, where was newly installed as choirmaster. Further festivals were held in 1780 and 1784, after which the trustees of the General Hospital resolved to establish the event as the regular Birmingham Triennial Music Festival, which would take place every three years with only two interruptions until 1914.


A:
b
****