In this task, you're given a passage, further information available on a particular linked term from the statement, and a question. Your job is to generate the answer to the question by using the information provided. If there is no clear answer obtainable, output 'none'.

[Q]: Passage: Autechre use many different digital synths and a few analogue synths in their production, as well as analogue and digital drum machines, mixers, effects units and samplers. They have also made extensive use of a variety of computer based sequencers, software synthesisers, and other applications as a means of controlling those synths and processing the synthesised sounds. Much of the hardware and software they use has been customised by the band themselves. Autechre have also experimented in depth with development environments such as Max/MSP, and Kyma, amongst others, from 1997 onwards. From 2005 until 2009, they have used the Elektron Machinedrum and Monomachine, alongside Akai MPC and Nord Modular in their live performances. It has also been rumoured that Autechre have used military equipment in their work. In 2008, Sean Booth reported that if he were locked in a cell for a year with only one piece of software and one piece of hardware, he'd "probably take a copy of Digital Performer and an AKG C 1000 microphone." Other machines that Autechre have repeatedly mentioned in interviews are appreciated for their interface and aesthetics as much as their sound, including the Roland TR-606 and MC-202, and the Nord Lead. According to the 2016 interview to Resident Advisor, both members haven't bought a piece of equipment "in the last 5 years", making MAX/MSP a primary production method, with Sean Booth stating that "in Max I can generally build the thing I need, and if I don't know how to do that it'll generally be worthwhile learning."
 Link Information: The first version of Kyma, which computed digital audio samples on a Macintosh 512K was written in the Smalltalk programming language in 1986 by Carla Scaletti in Champaign, Illinois.  Question: In what year was Kyman first used?
[A]: Answer: 1986 


[Q]: Passage: Kiss Kiss Kill Kill is the third album by the Danish punk trio HorrorPops. The cover and songs convey a cinematic theme (particularly those with repressed female protagonists and escapist themes, the obvious example being the track "Thelma and Louise"). The album art mimics archetypical B-movie posters, promising "Twelve Tales About Love and Murder... Starring HorrorPops". Only "Boot to Boot" doesn't conform to the film formula. Inspired by the rioting in Copenhagen that followed the destruction of the Ungdomshuset(Youth House), an anarcho-punk squat and self-managed social centre, by police forces in 2007. Of the album's sound, lead singer Patricia Day stated in the Hellcat review of the album that the band was started "So that we could play all kinds of music [but]... We really wanted to get back to the classic new wave feel that we love. And I think our excitement about these songs has made a hell of difference."
 Link Information: Band founders Patricia Day and Kim Nekroman first met Question: Who are the original members of the band that recorded Kiss Kiss Kill Kill?
[A]: Answer: Patricia Day


[Q]: Passage: Billboard Magazine rated the song one of the best cuts on Don't Look Back. Greil Marcus rated the song as one of three masterpieces on Don't Look Back, along with "A Man I'll Never Be" and "Used to Bad News." Allmusic critic Tim Sendra described its riff as "killer," saying that it was similar to that in "More Than a Feeling." The New Rolling Stone Album Guide critic Paul Evans felt that "Don't Look Back" was the one song on its album that could "hold its own" on Boston's first album. Ultimate Classic Rock critic Eduardo Rivadavia similarly stated that it "met every expectation set by Boston’s nearly perfect debut." Ultimate Classic Rock critic Michael Gallucci rated it the band's 4th all time best song. AXS contributor Bill Craig similarly rated it Boston's 3rd greatest song, describing it as an "arena rock style sonic blast." Philip Booth of the Lakeland Ledger called it one "of the most-played-by-garage-band rockers of the '70s." Pete Prown and Harvey P. Newquist praised the "layers of guitar harmonies" as well as Barry Goudreau's slide guitar playing and rideout guitar solo. Ottawa Journal critic Mike Voslin rated the song as a live performance highlight.
 Link Information: none Question: When did Allmusic hire the critic that called Don't Look Back's riff "killer"?
[A]:
Answer: none