TASK DEFINITION: In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.
PROBLEM: "The Grudge" is a remake of Shimizu's own series of popular Japanese horror films. Shimizu knows he is not dealing with anything new, so he does what any intelligent person would have done in his place: he forgets logic and concentrates in giving viewers a fun ride. He uses commonly known clichés associated with ghost stories but Shimizu plays with these elements in an imaginative manner. The nonlinear narrative is not a mere gimmick but an interesting way to present sequences from different perspectives. At the end, all I can say is that if the only purpose of a horror film is to scare the audience (the same way a comedy is to make people laugh), this movie succeeded with flying colors. I watched it in a theater with an audience and it was fun to see viewers go wild over this one. It probably doesn't play as well in your living room.

SOLUTION: positive

PROBLEM: WAQT is a perfect example of a chicken soup not exactly for your soul. The broth unfortunately has lost its actual taste thanks to all the excess dilution and garnishing that went into its making.What's surprising and disappointing about WAQT is that it comes from a director who stayed away from the usual clichés of Hindi cinema in his first venture but who in his second outing gives in for all the stereotype film formulas. While Vipul Shah had the conviction to show something as implausible as blind men robbing a bank in AANKHEN, he just fails to induce life in the entire packaging of WAQT that is based on something as conceivable as a father-son relationship. Adopted from a Gujarati play Aavjo Vhala Fari Malishu, WAQT does have a sensible storyline with a social message to back up. A mature look on the father-son relationship, a father's unconditional love towards his son and a son's responsibility towards his family. Ishwar Chand Sharawat (Amitabh Bachchan) who has established his entire empire on his own from the scratch leads an affluent life with his wife Sumitra (Shefali Shah). Their only son Aditya (Akshay Kumar) never had the need to strive for anything since he got everything tailor-made and spoon-fed in life. Ishwar's pampering has only spoil him all the more.Aditya dreams to turning into a superstar but does nothing to make his dreams come true. In the meanwhile he marries his ladylove Mitali (Priyanka Chopra). Ishwar hopes that marriage will make Aditya a more responsible man but he is disappointed. Aditya is still at his blithe best leading a carefree life.The endurance limit finally collapses when Ishwar expels Aditya from his house. The sudden change in the attitude of his affectionate father towards him and his now expecting wife baffles Aditya. He has no option left but to strive for the livelihood of his wife and his unborn kid. He starts turning into an independent man but the rift in the relationship between him and his father grows.The story is simplistic while the uncomplicated screenplay has a very elementary approach. One can easily identify and relate with the credible characters of both the father and the son. If you are not one of the two, you at least might have come across individuals like them somewhere in real life.Add to it director Vipul Shah's easy handling of the screenplay. With a family affair like this, any other director in his place would have added in tons of melodrama in the proceedings as per the cinematic laws of Bollywood family dramas, turning the film into a compulsive tearjerker. However Shah excels in the effortless handling of emotions for most part of the film.Clear-cut example of his unpretentious direction is palpable in the pre-interval scene where the father expels the son from his house in a rather frivolous manner. The purpose of the scene is achieved without blotting a brunt on the audiences' brains. Ditto for the scene in the second half wherein the now separated father son have a flippant conversation. That's what differentiates WAQT from a KABHI KUSHI GHUM or an EK RISHTAA and in fact places it one level high in terms of treatment.But after gaining all the distinction points, one may wonder where does WAQT still fail in? The problem lies in the fact that while WAQT distinguishes itself from the others in it's league in terms of treatment, it gives in to the glitches in the terms of packaging. What with the director forcing in song-n-dance every now and then in the first half. There's a Johar kinda shaadi song, a Chopra kinda Holi song, a father son disco dandia song, a dream song and a dream come true song inducing sufficient yawns in the viewer. Picture this... the father has just ousted the son from his house and the son is dreaming of a song in Moroccan mountains with his wife. Out of place! Out of reason! and the audience Out of seat.The film just drags in the first half and the actual story starts only in the second half. The director has wasted too much WAQT on unnecessary elements. The much talked about dog chase sequence isn't bad but is not redeeming either. However Akshay Kumar's taandav dance is simply ridiculous. Imagine he qualifies for the star hunt in the movie with this (unintentionally) hilarious histrionic. Add to it the climax set at the finals of the star-hunt where the son bursts out with emotions. That's so archetypal! Also the editing pattern could have been reversed to conceal the father's reason for the change in attitude towards his son.Anu Malik's music is fine though unnecessary in the proceedings. Santosh Thundiiayil's camera-work is competent enough though not much demanding. Aatish Kapadia has come up with some good dialogs for dramatic moments.Boman Irani and Rajpal Yadav make up or the light moments in the film very efficiently. While Rajpal Yadav has been going overboard with his comic histrionics in many films off lately, this time he underplays his character and is completely restrained. His deadpan expressions are perfectly complimented with Boman's over-the-top histrionics.Shefali Shah is convincing in the mother's role. Not to be taken as a censure but she is flawless in both playing and 'looking' her character. Priyanka is gorgeous and performs her part well.Of course the major applause deserves are Akshay Kumar and Amitabh Bachchan. Akshay is especially expressive in the scene where his doting father intentionally berates him to make him aware of his responsibilities. Though Bachchan goes a bit dramatic in a couple of scenes, his brilliance strikes throughout the film.To sum up, WAQT is like a soup whose ingredients are both tasty and nutritional but the final recipe somehow isn't as much appetizing.

SOLUTION: positive

PROBLEM: While some performances were good-Victoria Rowell, Adrienne Barbeau, and the two Italian girlfriends come to mind-the story was lame and derivative, the emphasis on the girlfriend's racial background was handled clumsily at best, and the relatives were mostly portrayed as stereotypes, not as real people. I found myself wincing uncomfortably at many moments that were supposed to be funny. I can hardly comprehend why the local paper here in SF said this was a good movie, and wonder WHO posted the glowing review here on IMDb. Very disappointed in this movie, and mad I actually went to a theatre to see it, based on the faulty connection to Garden State, which is a far funnier, more inventive, and touching movie than this one. I must especially mention the emotional climax in the church, which was so wooden and by-the-numbers that I nearly left, and some in the audience actually DID. THAT was followed by a silly climax at the graveyard, which I saw coming 10 minutes before it happened. I really don't like being misled to spend my money so uselessly.

SOLUTION:
negative