Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Q: CONTEXT: It's hard to say because we really don't know what he's been doing exactly or why. He could be waiting for winter as he needs a way around/through the wall and waiting for the ocean near Eastwatch to freeze would allow him to walk around the wall. Or now that he "marked" Bran he is going to be able to break the magic barrier of the wall the same way he broke the barrier around the 3 eyed raven's cave. But a likely explanation is that him and his army simply move at the speed of plot. So he hasn't made it there because it's not time for that in the story and it's just a plot hole.  <sep>  Q: How is the night king not at the wall yet? A: It's hard to say because we really don't know what he's been doing exactly or why  <sep> FOLLOWUP_Q: True. It takes a long time for any background information to really come to light.

A: Yes
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Q: CONTEXT: For a perfect clone, down to the quantum level, both would be the real Angier. That is the essence of his fear. The real Angier will be killed every time. When you download a movie what you are doing is actually making a perfect copy of the movie. Which is the real movie? They all are. This is very different from making copies of film reels where only the original have the quality of the original (each copy adds a little imperfection). Now, the question The Prestige asks is what if you can make a perfect clone of a person the way you can perfectly copy digital data? In one sense, if we don't want to get too uncomfortable we can always say the remaining copy is now the real data and the deleted copy is not real anymore. But if you really think about it and get out of your comfort zone you will realize that both people are real and what you have done is murdered yourself. In The Prestige this point is much more clearly made as the old copied Angier becomes the one who is killed. Not the newly created clone. Every time the clone will have only the memory of the surviving Angier. But every time Angier experiences death, only the Angier that experienced death has no way of passing that memory to the surviving Angier so the survivor can never know what dying feels like.  <sep>  Q: How does it work that the clones are sentient paradox?

A: Yes
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Q: CONTEXT: I have Walter Mitty on vudu, and it does not have the first ending you mention, only the second happier ending. Interestingly, I can think of a movie that has the exact ending you mentioned, starring Brendan Fraser, called Bedazzled. In it, the protagonist is in love with a woman from work, he is granted several wishes by Elizabeth Hurley as the Devil and all of them are based around this woman but go disastrously wrong, and in the end asks out his co-worker who politely declines as she is in a relationship. The movie ends with him meeting a new neighbor that he begins dating.  <sep>  Q: Does "Secret Life of Walter Mitty" have two endings?

A:
Yes
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