In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: notting hill 's trailer is awful : a laughless , schmaltzy montage .
the movie was desperately marketed to the anti - phantom menace crowd , the same lovelorn females who ignored the love letter .
and it apparently worked .
perhaps the presence of julia roberts - whose allure beyond those perfect teeth still escapes me - had a lot to do with notting hill 's opening weekend success , but the film 's staying power is based on word of mouth . allow me to spread some more good buzz for notting hill .
grant stars as william thacker , a travel - bookstore owner who works and resides in a tiny english district called notting hill .
into his shop one day wanders famous actress anna scott ( roberts ) .
a common thief , some spilled orange juice , and
some stilted conversation leads to their first , highly impetuous ( or is that improbable ? ) , kiss .
days later , william sneaks into her hotel suite under the guise of a magazine journalist , and so begins a passionate , albeit surreptitious , affair .
( aside : notting hill 's portrayal of press junkets is deadly accurate . )
only anna 's celebrity - or william 's lack thereof - threatens to drive a wedge between them .
richard curtis has tapped into fantasy we all have considered , and for at least its first half - hour the picture 's " beauty and the beast " -like scenario is ( romantic ) escapism of the highest order .
as with groundhog day or pleasantville , while watching the high - concept comedy notting hill one constantly imagines him / herself in the lead ; it 's william 's ordinaryness that entices the spoiled and bored anna .
curtis ( who previously penned four weddings and a funeral ) is also smart enough to know that the unlikely couple 's situation is not enough to fuel two hours ' worth of entertainment , so
some of notting hill 's finest moments revolve around william 's eccentric friends and family .
by now , dear reader , you 've probably heard a lot about rhys ifans ' performance as william 's imbecilic welsh flatmate .
yes , he 's a crowd pleaser , a walking sight gag , but his character is not nearly as involving as the wheelchair - bound ( and appropriately named ) bella ( mckee , the anguished waitress of naked ) or max ( tom mcinnerny ) , her lousy chef of a husband .
in the movie 's best sequence , william , anna , and company sit around bloated from max 's latest concoction and hold a contest : the last brownie on the table goes to the diner with the saddest life .
the scene ends only as a british writer would end it .
if anything , fantastic bits like these dull the main plot 's dramatic impact .
roberts and grant , especially , are appealing , but their relationship is convolutedly interrupted too many times ( four weddings ' suffered similar flaws ) , and william and anna ultimately only have one thing in common
: they 're lonely .
( worth noting in roberts ' and grant 's favour : the ubiquitous " i 'm just a girl , standing across from a boy , asking him to love her " episode is not nearly so syrupy as it appears in clips , and it features some of the best emoting either actor has ever done . )
notting hill is nonetheless enjoyable
; on the visual side of things , i especially appreciated michell 's playful changing - of - the - seasons number . if only ( and this is a surprisinly minor gripe ) he had lopped off the egregious epilogue ; for a story that thrives on what we bring to it , the filmmakers work too hard to tidy things up , leaving our imaginations in the lurch .
Example Output: P

Example Input: plot : lara croft is british , rich and kicks a lot of ass .
she also likes to raid tombs but when the illuminata discover that all nine planets are about to stand in alignment for the first time in 5000 years , and that lara holds the key to time , well , needless to say , they want to nab it from her .
oh yeah , lara also likes to sport a lot of tight shirts .
. .
hummana - hummana - hummana .
. .
critique : angelina jolie was great in this movie .
there were also about three " action scenes " that were pretty cool to look at in this film .
uhhhhhm , unfortunately the rest of the movie sucked
! bad dialogue , generic sidekicks and bad guys ,
a lame mystery , yoda - esque moments with mumbo - jumbo being sprouted about and even
some crappy cgi near the end .
all in all , this movie was n't the horror show that some of the early reviews had warned us about , especially since every other scene does feature jolie 's torpedoes begging to burst out of her lucky shirts , but it was quite the letdown nonetheless , especially when you consider the major opportunity that the filmmakers had here to create a cool , hip woman hero , based on a popular video game .
i do n't know , i guess you have to put most of the blame on director simon west , who did n't really tie the whole movie together all that well .
the film lacked energy , a consistent pace and well . . .
a fun time !
i felt kinda depressed while watching this movie .
all that " father " crap was horrible and the dialogue given to poor john voight to recite was just plain embarrassing
( and i 'm not even gon na mention his moustache . . .
hehehe ) .
why have this shite in the movie at all ? ! ?
i especially hated the scenes in which some ghost - like figure , friend or child would ramble on about lara croft 's father while all the time ,
i 'm not giving one ounce of crap as to what they 're talking about .
i guess that 's called lack of " character development " , right ?
that 's when a movie builds enough background into the characters on the screen , so that we could actually " get into " it and care about them .
i did n't care about anyone in this movie , and was bored during most of its " let 's explain why we 're doing all this gobbledygook " moments . and even though i thought that jolie kicked some mighty ass (
damn , did she look sexy blasting those guns or what ? ! ? ) ,
everybody else around her was so goddamn boring
!
her butler was a throwaway with no personality , her side - kick was supposed to be funny but
just annoyed me
every time he said the word " bugger " ( and he says it a lot , trust me ! )
and all of the so - called bad guys just spewed one - dimension !
they had no spark , no energy amongst them , and even though a few of the action scenes in the movie were cool ( see the trailer
and you 'll know which ones i 'm talking about ) ,
the overall picture was lame and the dialogue and mystical bull - crap just buried it even further .
also , for a movie that 's supposed to be about all of these exotic locations , i was n't necessarily impressed by any of its exterior shots , and even less so with its interiors , which all looked like they were shot in the same room .
mind you
, i wo n't go as far as to say that it 's the " worst movie of the year " ( remember that i actually have to go see freddie prinze jr .
movies also ! ) , but
it 's definitely the worst film that i 've seen during this summer movie season ( of course , it 's still early
and i 'm sure there are a few more garbage heaps coming down the pike ) .
skip this one altogether and rent any of the indiana jones movies instead . . .
trust me , you 'll miss the boobs but end your night with some rock - solid porn
and it 's all good !
where 's joblo coming from ?
raiders of the lost ark ( 10/10 ) - the mummy ( 8/10 ) - lost in space ( 7/10 ) - the mummy returns ( 6/10 ) - the general 's daughter ( 3/10 ) - romancing the stone ( 7/10 ) - wild wild west ( 3/10 ) - mission impossible 2 ( 7/10 )
Example Output: N

Example Input: " when will the devil take me ?
" he asks rhetorically in lulling voice over .
the spoiled title character of _ onegin _ ( pronounced oh - negg - in ) is waiting on death to relieve him after a lifetime of rapacious behaviour .
martha fiennes ' debut feature is ( quite literally ) filmed poetry
( it 's based on an epic russian poem by alexander pushkin ) , a profound study of regret , of how we confuse shame with guilt .
when we first meet eugene onegin ( ralph , acting for his sister ; another brother , magnus , composed the score ) , a philandering aristocrat from st .
petersburg , he has just inherited his uncle 's estate . with plans to sell it , onegin pays a summer visit to the manor , which is located in an underpopulated russian countryside , and not long into the trip he meets a neighbouring family of blue bloods .
smitten with olga larina ( headey ) , he befriends olga 's fianc ? , vladimir lensky ( stephens ) , while olga 's sister , tatyana ( tyler ) , romanticizing his flippant attitude ( he 's a nineteenth bad boy ) , falls for onegin .
in one sweaty , inky torrent of passion , tatyana writes him a love letter .
he is at least intrigued by the note but rejects her affections , it is implied , because he can .
soon after , tragedy strikes , and onegin makes himself scarce .
when we catch up with him , six years later , he has just returned to st .
petersburg , where at a grand ball he discovers that an old friend ( donovan ) has married a more womanly and wordly tatyana .
this time , onegin finds her irresistable .
what is most amazing about ralph fiennes ' performance is his subtle physical transformation from dashing snob to miserly grouch .
overwhelmed by a top hat , the onegin who pines for tatyana seems smaller in stature than the one who brushed her off , an ebeneezer scrooge trapped in christmas past .
the actor has been constricted playing heroes for too long now - there 's room to breathe in a role that 's made up of shades of gray like " onegin " .
petula clark sang of a universal phenomenon in " parking lot
" : " you do n't know what you 've got ?
til it 's gone .
" onegin 's about - face on tatyana speaks for those of us
( read : most of us ) who need confirmation that someone or something is wanted by others before we want it as well .
what the character feels is not jealousy but remorse , embarrassment , even , at having let her go .
out of identification we feel empathy for onegin , a callous bastard .
tatyana 's emotions echo a thousand ditties , but that makes them no less vital .
she changes , too , from a girl in crush to a woman with divided loyalties .
tyler acquits herself surprisingly well among her uk co - stars , filling in sketchy gaps by expressing base sentiments in a series of wanton stares .
they both have faces , mr .
fiennes and ms .
tyler , capable of conveying archetypal russian misery .
_ onegin _ could have added up to little more than a distinguished episode of " masterpiece theater " , even with its current cast of thoroughbreds intact , were martha fiennes not at the helm .
an mtv background ( she cut her teeth directing rock videos for xtc and others ) has positively influenced her sense of pace ( though , thankfully , not her shot lengths - no spasmodic cutting here ) ; at just over 100 minutes , _ onegin _ clicks along like a brisk walk through valleys of despair .
the film has an atypical period look , as well .
absent are the sumptuous tableware and antique furnishings that stand in for plot and character in those drippy merchant ivory productions .
the sets are almost expressionistically bare , echoing the loneliness of the protagonists .
( cinematographer remi adafarasin often allows space to engulf them ; i 'm reminded the climax , which unfolds in a sea of white . )
martha fiennes
has a clear command of cinema , and her spare , often painfully human visual presentation of " yevgeny onegin " is arguably the most lucid translation of pushkin 's difficult text yet .
ms .
fiennes may be the most exciting female presence behind a camera since jane campion .
Example Output:
P