In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

Dr. Carter Nix (John Lithgow) is a respected child psychologist. His wife, Jenny (Lolita Davidovich), becomes concerned that Carter is obsessively studying their daughter, Amy; he regards her like a scientist tracking the development of his creation. But Carter himself suffers from multiple personality disorder consisting of Cain, a street hustler, Josh, a shy 10-year-old boy, and Margo, a middle-aged nanny. Carter and Cain are killing young mothers to procure their children for his experiments.Jenny is having an affair with Jack Dante (Steven Bauer), the widower of a former patient. She had a relationship with him years ago, but he left her. Now she plans to leave Carter and elope with him. When Carter accidentally discovers their tryst, he descends completely into his madness and begins leaving subtle clues for the police that Jack is the real killer. Next, he attempts to kill Jenny by submerging her car in a lake. She escapes and confronts Carter at home. Unable to find Amy, Jenny demands Carter tell her where she is. Carter replies that she is with his father, whom Jenny knows has been dead for years.Carter is apprehended for attempted murder. The police bring Dr. Lynn Waldheim (Frances Sternhagen) to interrogate him. Waldheim interviews Carter and informs the police that she co-wrote a book with Nix Sr. called Raising Cain, about a boy with multiple personality disorder. Nix Sr. had extensive detailed knowledge of Cain's tortured childhood, including taped recordings of their sessions. However, Waldheim was never allowed to meet Cain. She pieced the situation together: Nix Sr. dispassionately put his own son through years of severe child abuse to gain firsthand accounts of his traumatic psychological development and study the emerging personalities. Horrified, Waldheim quit the project.During interrogation, Margo and Josh act and speak for Carter. Josh recites a rhyme and vanishes, and Margo assumes control. She stonewalls Waldheim from any further questioning. Eventually, Carter and Cain break from their confines. They pounce upon Dr. Waldheim, knocking her unconscious and leaving the building disguised as her. The police soon find Waldheim begging them to arrest Carter before any children are harmed.Nix Sr. (Lithgow) is in fact alive, having faked his own death to elude prosecution for attempting to buy babies. He has established a new identity and a clandestine research facility in Norway. He has been using Carter and his multiples to procure the children so he will have an adequate control group to study the development of MPD. Jenny follows who she thinks is Waldheim to a motel, but it is actually Carter/Cain. She follows Carter/Cain, who is now Margo, into an elevator. When it opens, she sees Nix Sr. with her daughter Amy. While Jenny begs for Nix Sr. to give back her daughter, Carter, Cain and Margo stabs "their" father from behind. Jack arrives with the police, and Carter and his personalities disappear.The movie ends with Jenny and Amy in a park. Amy runs off into the woods calling "Daddy, Daddy". Jenny follows her and finds Amy, who says her father has gone away. When Jenny bends down to pick Amy up, Carter appears behind her in a wig and a dress; Margo is now in control. Jenny holds Amy in her arms, oblivious to who is behind her., Question: Jenny is having affair with whom ?
Answer: Jack Dante.

The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: What is Sue stabbed in the stomach with?
Answer: screwdriver

A priest invites Professor Howard Birack and his students to join him in the basement of an abandoned Los Angeles church. He requires their assistance in investigating a mysterious cylinder containing a swirling green liquid. Among those present is Brian Marsh, a student in theoretical physics.They decipher the text found next to the cylinder which describes the liquid as the corporeal embodiment of Satan. The liquid appears sentient, and broadcasts increasingly complex streams of data. The academics use a computer to analyze the data, and find that it includes differential equations. Over a period of two days, small jets of liquid escape from the cylinder. Members of the group exposed to the liquid become possessed by the entity, which uses them against the others. Attempts to escape from the building are thwarted by a mass of possessed street people who surround it and barricade the doors from the outside. Two members of the research group are killed.Birack and the priest theorize that Satan is actually the offspring of an even more powerful force of evil, the "Anti-God", who is bound to the realm of anti-matter. The survivors find themselves sharing a recurring dream (apparently a tachyon transmission sent as a warning from the future year "one-nine-nine-nine") showing a shadowy figure emerging from the front of the church. The hazy transmission changes slightly with each occurrence of the dream, revealing progressively more detail. The narration of the transmission each time instructs the dreamer that they are witnessing an actual broadcast from the future, and they must prevent this possible outcome.Eventually, the cylinder opens and the remaining liquid is absorbed into the body of student Kelly, who transforms into the physical vessel of Satan: a gruesomely disfigured being, with powers of telekinesis and regeneration. Satan attempts to summon the Anti-God through a dimensional portal using a mirror, but the mirror is too small and the effort fails.While the rest of the team is occupied fighting the possessed, Kelly finds a larger wall mirror and draws the Anti-God's hand through it. Brian's lover and fellow physicist, Catherine Danforth, is the only one free to act: she tackles Kelly, causing both of them to fall through the portal. The priest shatters the mirror, trapping Kelly, the Anti-God, and Catherine in the other realm. Catherine is seen briefly on the other side of the mirror reaching out to the portal before it closes. Immediately, the possessed die, the street people wander away, and the survivors (Brian, Birack, The Priest, and Walter) are rescued.Brian has the recurring dream again, except that now Catherine, apparently possessed, is the figure emerging from the church. Brian awakens and finds Catherine, gruesomely disfigured, lying in bed with him. This is still part of his dream, however, and he awakens screaming. Rising, he approaches his bedroom mirror, hand outstretched., Question: What do the survivors share that shows a shadowy figure walking out of a church?

Answer: recurring dream