In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Input: Consider Input: Question: Was Forbes or the Guardian founded first? Passage 1:"The Lazy Song" has received generally mixed reviews from contemporary music critics. Eric Henderson of Slant Magazine noted that in song Mars "paints a portrait of Al Bundy as a young man" and Andy Gill of The Independent classified the song as a "laidback acoustic groove". Tim Sendra of AllMusic said it was one of the tracks from Doo-Wops & Hooligans that captured the laid-back groove. Scott Mervis of the Pittsburgh Post-Gazette described the song as a "Jason Mraz/Sugar Ray-style reggae." Sean Fennessey, a reviewer of The Washington Post, felt the song was written in a "quality that is both endearing and damning". A mixed review came from Digital Spy reviewer Lewis Corner, who commented that the song is a "summery ditty more head-boppable than a Churchill nodding dog, which, given his current state of mind, is probably about all he could muster", giving it three stars out of five. and from Blues & Soul magazine who called it "reggae tinged" and found it to be "somewhat of a filler but for the likes of Peter Andre" is great. Entertainment Weeklys Leah Greenblatt considered that "other modes suit him less well; The Lazy Song is perhaps better left to Jason Mraz". Alexis Petridis of The Guardian, gave the song a negative review, writing that "The Lazy Song" "gets no further than the second verse before Mars – nothing if not keen to keep his fans abreast of his every activity in a world of 360-degree connectivity – announces that he's planning on having a wank". Nick Messitte writing for Forbes criticized the single for copying the "happy-go-lucky meanderings of Jason Mraz's "I'm Yours", but also using the same pattern as Travie McCoy and Mars' "Billionaire" (2011).
 Passage 2:At a meeting between the council of Zaporozhian Cossacks and Vasiliy Buturlin, representative of Tsar Alexey I of the Tsardom of Russia, during the Khmelnytsky Uprising. The "Pereyaslav Council" (Pereyaslavs'ka Rada in Ukrainian) of Ukrainians took place on January 18; it was meant to act as the supreme Cossack council and demonstrate the unity and determination of the "Rus' nation". Military leaders and representatives of regiments, nobles and townspeople listened to the speech by the Cossack hetman Bohdan Khmelnytsky, who expounded the necessity of seeking the Russian protection. The audience responded with applause and consent. The treaty, initiated with Buturlin later on the same day, invoked only protection of the Cossack state by the Tsar and was intended as an act of official separation of Ukraine from the Polish–Lithuanian Commonwealth (Ukrainian independence had been informally declared earlier in the course of the Uprising by Khmelnytsky). Participants in the preparation of the treaty at Pereyaslav included, besides Khmelnytsky, Chief Scribe Ivan Vyhovsky and numerous other Cossack elders, as well as a large visiting contingent from Russia.
 Passage 3:In 1760 the French zoologist Mathurin Jacques Brisson included a description of the purple-throated sunbird in his Ornithologie based on a specimen collected in the Philippines. He used the French name Le grimpereau pourpré des Philippines and the Latin Certhia Philippensis Purpurea. Although Brisson coined Latin names, these do not conform to the binomial system and are not recognised by the International Commission on Zoological Nomenclature. When in 1766 the Swedish naturalist Carl Linnaeus updated his Systema Naturae for the twelfth edition, he added 240 species that had been previously described by Brisson. One of these was the purple-throated sunbird. Linnaeus included a brief description, coined the binomial name Certhia sperata and cited Brisson's work. Linnaeus specified the type location as the Philippines but this was subsequently restricted to Manila. The specific name sperata is Latin for "bride" or "betrothed". The species is now placed in the genus Leptocoma that was introduced by the German ornithologist Jean Cabanis in 1850.


Output: 1


Input: Consider Input: Question: Was the replacement bassist who worked on Talaash born before his predecessor?  Passage 1:Pioneers of Sufi rock with an original sound, they achieved success during the early 1990s. Its members were signed to major record label EMI Records and afterwards released their self-titled debut album Junoon in 1991. After two years, the band recorded their second album Talaash (1993) with their new bassist Brian O'Connell after Nusrat Hussain left the band. The release of their second album began to create a cult following for the band. In 1996, Junoon released their third album Inquilaab, and it was only then that Junoon developed a nationwide fan following, with blending rock guitars and bluesy vocals with Eastern elements like the use of tablas, raga-inspired melodies, traditional Pakistani folk music, and Eastern-inspired poetry. The following year, the band recorded the critically acclaimed Azadi (1997), being the band's first international record deal, and making it Junoon's debut album in neighbouring India. The band went on to record and release Parvaaz in 1999. The band found renewed success and popularity starting with 2001's Andaz and through 2003's Dewaar and their supporting tours. Junoon celebrated their 25th anniversary by releasing their eighth studio album titled Door in 2016.
 Passage 2:Also in 1764, while Uthman was leading the annual Hajj pilgrimage, he had a violent confrontation with Ali Bey al-Kabir, an influential mamluk from Egypt. When Ali Bey was exiled by the governor of Egypt to Gaza (part of Damascus Eyalet) in 1766, Uthman attempted to drive him out. Uthman managed to have his son, Darwish Pasha, appointed as the governor of Sidon in November 1770 and sometime prior to that, had his other son, Muhammad Pasha, appointed as governor of Tripoli. In 1771, Ali Bey, by now the rebellious governor of Egypt, had dispatched an army under commanders Abu al-Dahab and Ismail Bey to subdue Damascus. Together with Zahir, the combined armies of Egypt and Palestine defeated Uthman's army outside of Damascus and Uthman fled north to the city of Homs. The city fell shortly thereafter, although they did not capture the Citadel of Damascus, which was subsequently besieged. However, Abu al-Dahab suddenly withdrew from the area, citing his fears of violating Islamic principles since seizing an Ottoman province was in effect a direct challenge to the authority of the Ottoman sultan, who held the highest religious honor as the caliph of Islam.
 Passage 3:John Michael Drew (17 October 1865 – 17 July 1947) was an Australian politician who served as a member of the Western Australian Legislative Council for 41 years in two separate terms between 1900 and his death in 1947. Born at Wanerenooka, Northampton, Western Australia, Drew established and edited several newspapers circulating in the Geraldton region before entering politics. A strong opponent of federation, he was elected to the Legislative Council in 1900. Nominally independent, Drew aligned himself with the Labor Party, and served in several Labor ministries during the early 1900s, in positions such as Minister for Agriculture, Minister for Lands, and Colonial Secretary. He officially joined the party in 1911, having been admitted to caucus sittings the previous year. During World War I, Drew supported conscription, but this issue, coupled with the ineffectual Scaddan Ministry, led to him losing his seat at the 1918 election. He regained his seat at the 1924 election, and subsequently served as chief secretary of the party, as well as Minister for Education, Health, and the North-West. Drew died of cancer in 1947, and was buried at Karrakatta Cemetery.


Output: 1


Input: Consider Input: Question: How many tracks other than Kitty Kat were included on the album that it was on? Passage 1:During a vocal tracking session in which Manson was singing over music already written for "Push It", the band felt that one of the lines in "Push It" would benefit from having a vocal chorus answering the words back to her. Inspired by Manson's spontaneous ad-lib of the phrase "don't worry baby" over the music, guitarist Steve Marker sampled the Beach Boys song "Don't Worry Baby" and used it as a backing vocal. The sample didn't work with what the band had already recorded so Manson re-sang the lines to fit the key and tempo of the song. Aware of the potential for incurring copyright legalities, the band debated whether or not to keep the line. Garbage and Brian Wilson coincidentally shared the same publishing company (Irving Music), and figuring that they had nothing to lose, contacted him through their company representative, sent him a copy of "Push It", and asked him for permission to use the interpolation. Wilson gave his blessing, and reportedly kept the tape. Both Wilson and Roger Christian, the deceased co-writer of "Don't Worry Baby", received a writing credit. A simpler interpolation credit was given to Herbie Azor, as the band's lawyers felt that there was a possible similarity of the line "Push it!" to his own "Push It", which had been a hit single for New York hip hop trio Salt-N-Pepa.
 Passage 2:On June 6, 1861, he was promoted major of the 6th US Infantry, and on Aug. 22 of that year he received the colonelcy of the 8th Kansas Infantry. After serving on the Missouri border he resumed his commission in the regular army Feb. 15, 1862, and in March was transferred to the Army of the Potomac. He was made a brigadier-general of volunteers April 25 and served in the Peninsula, receiving the regular army brevet of lieutenant- colonel for gallantry at the Battle of Fair Oaks, where he was wounded. In Gen. George B. McClellan's change of base he commanded the rear-guard, and then engaged in the defense of Suffolk, Va., afterward serving in North Carolina. After serving at Kinston, Goldsboro, and New Berne, he was placed over the sub-district of the Albemarle, taking command May 3, 1863. On April 17, 1864, he was attacked at Plymouth, North Carolina, where he had a garrison of about 3,000 men, by Gen. Robert F. Hoke with about 15,000 Confederate troops and the iron-clad CSS Albemarle After a gallant defense which lasted three days Gen. Wessells surrendered the town. He was taken to Libby Prison, whence he was transferred successively to Danville, Macon and Charleston. At the last-named place he was one of the officers that were placed under the fire of the Union batteries on Morris island. On Aug. 3, 1864, he was exchanged, and on Nov. 11 he became commissary of prisoners, which post he held until the close of the war. He was also placed in charge of a conscription center in New York. He was promoted lieutenant-colonel Feb. 16, 1865, and brevetted colonel to date from April 20, 1864, "for gallant and meritorious services during the rebel attack on Plymouth, N. C." On March 13 he was given the regular army brevet of brigadier general.
 Passage 3:"Kitty Kat" received generally favorable reviews from critics. Eb Haynes of AllHipHop described "Kitty Kat" as a seductive track. Norman Mayers of Prefix Magazine wrote that B'Day is packed with standouts such as "the Rich Harrison-produced 'Freakum Dress' and the Neptunes-helmed 'Kitty Kat'." Picking out "Kitty Kat" as one of the four top tracks of the album, Spence D of IGN Music added that the song slows things down, allowing for Knowles' "crystal clear vocals to take some down time and relinquish up a dreamy, creamy sound that is playfully sensuous." Andy Kellman of Allmusic described "Kitty Kat" as "a deceptively sweet, rainbow-colored track" where purrs - that are sound made by all species of felids and are a part of cat communication - are more like "claws-out dismissals." Jon Pareles of The New York Times called the song a "cooing [and] sighing" one. Sal Cinquemani of Slant Magazine noted that "Kitty Kat" was "the only mid-tempo break" until the very end of the album. Darryl Sterdan, writing for the Canadian website Jam!, said that the song is just about what you think. Thomas Inskeep of Stylus Magazine commented that "Kitty Kat" seems to be an obvious tracks produced by The Neptunes. He went on complimenting "the squishy R&B keyboard which works well with the song’s 'I’m not feelin[g] it' vibe." A writer of the Seattle Post-Intelligencer commented, "Beyoncé is better at being sexy than sarcastic, and 'Kitty Kat' doesn't make any bones about what her absentee lover is missing." Michael Roberts of New Times Broward-Palm Beach commented that Knowles "purrs at lower speed" in the song.



Output: 3