Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.

[Q]: CONTEXT: The movie has altered the plot of One Shot in many significant ways. The setting, for example, is a large city not a medium sized town, which makes it more cinematic but less coherent or credible (though this is a common trade-off in movies). The plot is simpler with fewer characters. The overall tone is not too far from the books, but the opportunity for cinematic additions has been taken. The slapstick scene is pure cinema invention (I'm not even sure you can do slapstick like that in prose writing). Some of the humorous dialogue, though, is true to Reacher's character in the book. I recall some inventive insults in the bar scene, for example, which are the sort of things he does say in the books as a result of his unshakeable confidence in dealing with people he has to fight. He really doesn't mind getting physical as he know he will win, so insulting his adversaries and goading them is a typical strategy. Overall the movie captures the spirit of the books reasonably well, but the slapstick scene sticks out as an anomaly.  <sep>  Q: Are the comedic elements in the film Jack Reacher evident in the novels on which it was based? A: The movie has altered the plot of One Shot in many significant ways  Q: How has the movie altered the plot? A: The setting, for example, is a large city not a medium sized town, which makes it more cinematic but less coherent or credible  Q: Why was this done if it makes the movie less credible? A: this is a common trade-off in movies  Q: Why does the film have so much humour? A: The slapstick scene is pure cinema invention (I'm not even sure you can do slapstick like that in prose writing  Q: Why do films feel like they need to add humorous elements that are not true to the book? A: Some of the humorous dialogue, though, is true to Reacher's character in the book 
[A]: Did the director choose to change anything else about the books?


[Q]: CONTEXT: How Bruce Banner found the Avengers: When Banner was aboard the Hellicarrier, his gamma ray search algorithm had worked out where the Tesseract was (Stark Tower), but before he could tell anyone Loki's machinations kicked in and he turned into the Hulk. After he went back to being Bruce Banner, he just found his way to Stark Tower, where the rest of the Avengers had assembled. How Thor found the Avengers: This one's a bit more problematic. Thor seems to have the ability to track down Loki. Witness how Thor knew Loki was held inside the jet after he was captured by S.H.I.E.L.D.. How he does that isn't known. So I'm assuming that, however he does it, Thor simply tracked down Loki to Stark Tower.  <sep>  Q: How did Thor and Banner know where to go? A: After he went back to being Bruce Banner, he just found his way to Stark Tower, where the rest of the Avengers had assembled  Q: How do Banner and Thor know that they need to go to the tower? A: How he does that isn't known. So I'm assuming that, however he does it, Thor simply tracked down Loki to Stark Tower  Q: What happens after they track down Loki? A: Thor seems to have the ability to track down Loki. Witness how Thor knew Loki was held inside the jet after he was captured by S.H.I.E.L.D 
[A]: So are Thor and Loki connected somehow?


[Q]: CONTEXT: Of course this changes from country to country, but generally speaking it's not illegal to film on the streets, since it's a public area. Most car scenes are recorded with chroma just for pratical reasons. In a professional production you look for "quality" and you can achieve it only if you have control. It's all about control. With a studio setting you get full control of the lights, the movements, etc. in one word, the scene. And of course, you minimize the hitches that can occurs in the real world (also safety concers). However you should film outdoor shots to enrich and give credibility to your scene.  <sep>  Q: Why are most scenes in a car recorded with chroma? A: Most car scenes are recorded with chroma just for pratical reasons  Q: What reasons are those? A: In a professional production you look for "quality" and you can achieve it only if you have control. It's all about control  Q: Is it illegal to film while driving in a public place? A: Of course this changes from country to country, but generally speaking it's not illegal to film on the streets, since it's a public area  Q: Are there any safety concerns when filming? A: you minimize the hitches that can occurs in the real world (also safety concers 
[A]:
Is there anything else you can tell me on this subject?