In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[Q]: Review: I've seen my fair share of badly thought-out endings and final twists to films, but I don't recall any film that committed outright suicide like this one did.The film makers were clearly hoping that the great twist would 'surprise' us all.... and it did, but perhaps not in the way the directors had hoped. I was left feeling surprised that Connery, Harris, Fishburn and Capshaw had anything to do with this turkey, individually or collectively.The film up until the final thirty minutes was rather engaging and I like the way the story was unfolding and the nature of the film overall. But once the twist was revealed, the plot holes and inconsistencies were remarkable, the underlying motive for revenge was ill-conceived and the ways things so neatly worked out for Bobby Earl was ridiculously far-fetched. What's worse is that, once the twist was revealed, the remainder of the film became excruciatingly predictable.Harris gave a terrific performance and Connery is like Morgan Freeman in that he never gives a bad performance, even if the movie ain't that great! So all in all, it starts well and the unfolding keeps the viewer interested. The last 30 minutes is one of the most memorable nose dives in the history of cinema. Question: is it a negative review?
[A]: yes


[Q]: Review: Faith and Mortality... viewed through the lens of an elderly Ashkenazi Jewish-American gentleman and a younger, African-American Jewish gentleman who waver between being at odds with each other and having frank talks about how their lives have unfolded over the years..Mostel's character is a tailor with chronic back problems, and a terminally ill wife; Belafonte's character is a career hustler, never settling on a regular job, and a fatal car accident leaves him in an odd Purgatory-- he must convince Mostel to renew his faith, as it has been failing along with his wife's health (and his own).. but Belafonte's Levine has his own problems, still pining for the girlfriend he left behind..Belafonte's character leaves the film before he seemingly should, and so the the ending is cryptic, and the film suffers somewhat from its ambiguous ending..This is not a 'typical' Hollywood movie on ethnic relations or about a person's crisis of faith.. it is worth watching more than once and appreciating the excellent performances of the principal actors.. Question: is it a positive review?
[A]: yes


[Q]: Review: Four words account for why this film was made - "She Done Him Wrong". The huge commercial success of that Mae West vehicle convinced the studio brass that Gay '90s melodramas were a viable proposition. Here we are rewarded with a fast moving, well written romp which neatly targets the personalities of its stars.Wallace Beery and George Raft are excellent as friendly rivals; Jackie Cooper is a little harder to take, but it is Fay Wray who steals the film with her stock-in-trade damsel in distress. With a strong director - as Walsh proves himself to be - Wray could carry a lot of punch, and she is utterly believable as the object of both Raft and Beery's affection.Lots of atmosphere, beautifully designed, this is a forgotten film worthy of revival. Question: is it a negative review?
[A]:
no