In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Input: Consider Input: Question: What century did people start eating the fruit that Tallien bathed in the juice of? Passage 1:Thérésa became one of the leaders of Parisian social life. Her salon was famous and she was one of the originators of the Greek Revival Directoire style women's fashions of the French Directory period. She was a very colorful figure; one story is that she was said to bathe in the juice of strawberries for their healing properties. She once arrived at the Tuileries Palace, then the chief residence of Napoleon Bonaparte, supported by a black page, with eight sapphire rings and six toe rings, a gold bracelet on each ankle and nine bracelets on each arm. To top the look off Theresa had a head band covered in rubies. On another occasion she appeared at the Paris Opera wearing a white silk dress without sleeves and not wearing any underwear. Talleyrand commented: "Il n'est pas possible de s'exposer plus somptueusement!" ("One could not be more sumptuously unclothed!").
 Passage 2:In 1963-1964 Walker was a resident artist at the Oldenburgisches Staatstheater. He then became a resident artist at the Cologne Opera from 1964-1966. Other contracts soon followed with such companies as the Cincinnati Opera, the Houston Grand Opera, the Lyric Opera of Kansas City, the Miami Opera, and the New Orleans Opera among others. In 1971 he created the role of Jonathan Gilourin in the world premiere of Dominick Argento’s Colonel Jonathan the Saint at the Denver Lyric Opera. In 1974 he was handpicked by Sir Georg Solti to sing the role of the Evangelist in Bach's St Matthew Passion with the Chicago Symphony Orchestra (CSO). He returned twice more for performances with Solti and the CSO for performances of the Shepherd in Stravinsky's Oedipus Rex (1976) and Beethoven's Missa Solemnis (1977); the latter of which was recorded for London Records.
 Passage 3:During the French Revolutionary Wars the Royal Navy had exerted dominance at sea over its continental rivals, most immediately the French Navy with its principal fleet based at Brest on the Breton coast of the Bay of Biscay. To contain this fleet the British practiced a close blockade strategy; maintaining a fleet off Brest whenever weather conditions permitted to prevent the French fleet from breaking out into the Atlantic Ocean. This blockade force also limited French trade and maritime communications, attacking merchant ships and individual warships seeking to resupply or reinforce the main French fleet. This made French maritime journeys extremely hazardous even in inshore waters: in June 1795 the main French fleet had suffered a defeat at the hands of the blockade force at the Battle of Groix in the approaches to the port of Lorient, while at the Action of 13 January 1797 the independently sailing 74-gun ship of the line Droits de l'Homme was driven ashore and destroyed in the approaches to Brest by two frigates of the blockade squadron.


Output: 1


Input: Consider Input: Question: Who wrote the first song that Graham Clark learned to sing? Passage 1:Graham Clarke was born in Holy Name Medical Center in Teaneck, New Jersey on July 11, 1970. Clarke's parents, Lorain Maria Clarke (née Meola), a homemaker, and Thomas Michael "Moose" Clarke, a stockbroker were married in 1960 and had three children before Graham: Thomas in 1961, Dennis in 1962, and Martin in 1965. He spent the first seven years of his life in a split-level home in Dumont, New Jersey. He was frequently in the room when his older brother Tommy would have guitar lessons with musician Bob Berger. Bob noted one time when a screaming Graham had scarlet fever "That boy's screaming on key! That's a C note." Such exposure to music had an obvious influence on him and there is an oft-told family story that claims the first song Graham ever learned to sing was "Me and Julio Down by the Schoolyard," a popular song Tommy was learning on the guitar at the time. At the age of seven, his family moved one town over to Oradell, where he attended St. Joseph Grammar School, and later Bergen Catholic High School. Neither school had a music program so Graham taught himself how to play the guitar using his brother's old fake books.
 Passage 2:Adkin made his debut for Sussex in a List A match against the touring Bangladeshis at the County Ground, Hove, in 2010. Batting at number eight, Adkin contributed 30 runs to Sussex's total of 253 all out, before he was dismissed by Mashrafe Mortaza. He took the wicket of Jahurul Islam in the Bangladeshis innings, with Sussex dismissing them for 104 to win the match by 149 runs. Later in that season he made his first-class debut against Surrey at Woodbridge Road, Guildford, in the County Championship. He scored 45 in the match and took figures of 1–38 with the ball. With the need to concentrate on his university studies, Adkin made just four first-class appearances in the 2011 season, playing in against Oxford MCCU in May, as well as making three appearances in the County Championship later in the season. Adkin also made two List A appearances in that seasons Clydesdale Bank 40, against Derbyshire and the Netherlands.
 Passage 3:The Saint Peter's Square and the Piazza Navona sets were built on the same backlot; after completion of scenes at the former, six weeks were spent converting the set, knocking down the Basilica side and excavating of tarmac to build the fountain. As there had been filming at the real Piazza Navona, the transition between it and the replica had to be seamless. To present the Santa Maria del Popolo undergoing renovation, a police station in Rome opposite the real church was used for the exterior; the scaffolding would hide that it was not the church. Cameron built the interior of Santa Maria del Popolo on the same set as the recreated Santa Maria della Vittoria to save money; the scaffolding also disguised this. The film's version of Santa Maria della Vittoria was larger than the real one, so it would accommodate the cranes used to film the scene. To film the Pantheon's interior, two aediculae and the tomb of Raphael were rebuilt to scale at a height of , while the rest was greenscreen. Because of the building's symmetrical layout, the filmmakers were able to shoot the whole scene over two days and redress the real side to pretend it was another. The second unit took photographs of the Large Hadron Collider and pasted these in scenes set at CERN.


Output: 1


Input: Consider Input: Question: How old was Sir Lyell when Carpenter met him? Passage 1:In 2000, Fox made her debut for the Glyndebourne Festival as Karolka (Jenufa), returning in 2002 as Zerlina (Don Giovanni) and in 2003 as Susanna (Le nozze di Figaro). Of her Susanna in Le Nozze di Figaro at the Glyndebourne Festival Barbarina Diana, writing in Il giornale della musica described her performance at Glyndebourne as "a delight for the eye and heart, whose voice, fresh and crystal clear is blessed with a rare beauty accompanied by a strong musicality: 'Deh vieni' interpreted without affectation, directed to her beloved, takes your breath away". With Glyndebourne on tour she has sung Marzelline (Fidelio) and Miss Wordsworth (Albert Herring). In 2004, she made her debut with the Royal Opera Covent Garden as Woglinde (Das Rheingold), returning to the house in 2005 as Waldvogel (Siegfried) and in 2006 as Woglinde (Götterdämmerung). In 2007 she sang Zerlina (Don Giovanni) and Woglinde (Das Rheingold and Götterdämmerung; in 2008, Lucy Lockitt in The Beggars Opera and in 2009, Asteria in Handel's "Tamerlano." Further British engagements include Ann Page (Sir John in Love) with English National Opera, Merab (Saul), Musetta and Mimi (La Bohème) with Opera North, and Servilia (La clemenza di Tito) with Welsh National Opera. At the Edinburgh Festival, her roles have included Iphis (Jephtha) and Cleofide (Poro).
 Passage 2:He went into medical practice at Jackson, East Feliciana Parish, Louisiana and continued to pursue an interest in the natural sciences. In 1838, he published a study of a submerged forest he discovered near Port Hudson, East Baton Rouge Parish, Louisiana. In 1842, he was a professor of "materia medica" at the University of Louisiana, where he was appointed dean in 1845. In 1844, he published a study on the habit of dirt eating among Negro slaves, and he published several other significant studies. He was a leading proponent of research into disease transportability and transmission as related to importation of disease and outbreak of epidemics. He joined the faculty of the Medical College of Louisiana as Professor of Botany and Geology, and from 1845-1846 he was Dean of the Tulane University School of Medicine. From 1846 through 1848, he was editor of the New Orleans Medical and Surgical Journal. In early 1846, he met Sir Charles Lyell, who said of him: "His knowledge of botany and geology, as well as his amiable manners, made him a most useful and agreeable companion". His botanical collections were published posthumously and several plants were named in his honor, including the rare flowering California Bush Anemone, Carpenteria californica, which was "named in honour of Professor William M. Carpenter (1811-48), a physician from Louisiana, by its discoverer, Major General John Charles Fremont, who collected it on one of his four journeys of exploration in the extreme west of the United States between 1842 and 1848." Carpenter's Groundcherry (Physalis carpenteri Riddell, 1853 ex Rydberg, 1896), a plant in the nightshade family indigenous to Louisiana, and Carpenter's Oak, Quercus carpenteri Riddell, 1853, also indigenous to Louisiana, were named in his honor by fellow naturalist John Leonard Riddell.
 Passage 3:The Battle of Chongju (29–30 October 1950) took place during the United Nations Command (UN) offensive towards the Yalu River, which followed the North Korean invasion of South Korea at the start of the Korean War. The battle was fought between Australian forces from 3rd Battalion, Royal Australian Regiment (3 RAR) and the 17th Tank Brigade of the Korean People's Army (KPA) for control of Chongju, North Korea and the surrounding area. After detecting a strong KPA armoured force equipped with T-34 tanks and SU-76 self-propelled guns on a thickly wooded ridgeline astride the line of advance, the Australians launched a series of company attacks with American M4 Sherman tanks and aircraft in support. Despite heavy resistance the KPA were forced to withdraw and the Australians captured their objectives after three hours of fighting.



Output: 2