In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[Q]: Question: When was the University that Anne Larigauderie got her Master's Degree in plant molecular biology founded? Passage:Anne Larigauderie received her Master's Degree in plant molecular biology from the Université Paul Sabatier, Toulouse, France, and her PhD in plant ecology, from the Université des Sciences et Techniques du Languedoc and the French National Centre for Scientific Research (CNRS) in Montpellier, France. She then spent several years in the USA, working as a research scientist in several scientific projects. In Alaska, for example, she was involved in the first pilot project performing CO2 enrichment of natural ecosystems in the tundra in open top chambers (with Prof. Walter C. Oechel) to understand and predict impact of climate change on plant physiology and ecology. In California (San Diego State University and the University of California – Davis) she worked on root competition among California grassland species for soil nutrient pockets (with Prof. Jim Richards). A subsequent project focused on responses of various grass species to various scenarios of elevated CO2 and temperature, the aim of which was to predict response of grasses to future climate change (with Prof. Boyd Strain and Prof. Jim Reynolds, Duke University, North Carolina).

[A]: b


[Q]: Question: Of the two artists who influenced Jones, which was the eldest? Passage:Carroll Nathaniel Jones III (July 2, 1944 - June 22, 2017) was an artist in the style of American realism. Carroll grew up in New Providence, New Jersey where his father, an illustrator for Life (magazine), was his first art teacher. He taught Carroll techniques of the Old Masters, who emphasized light, perspective, and composition. Carroll went to school in New York City (NYC) and enrolled in the Phoenix School of Design at age 17. He later attended Hartford Art School and became a commissioned portraitist for 10 years. His work, Church Window was recognized in the New York Times, and he moved away from portraits to recreate scenes that sparked memories of his childhood. He was most influenced by Andrew Wyeth and Edward Hopper. The Coe-Kerr Gallery of NYC and Whistler's Daughter Gallery of New Jersey represented him, as well as contemporaries Wyeth and Hopper. Malcolm Forbes, Frederick R. Koch, Stephen Sondheim, William Schuman, and Jean Shepherd held private collections of his work. He exhibited at Newark Museum and Trenton Art Museum in New Jersey, and in universities, galleries and museums in seven states by his mid-thirties. His work is part of the permanent collections of Seton Hall University and Newark Museum. Art critic Marion Filler considered his work Magic realism, a quiet movement made popular in America beginning in the 1920s by Hopper, and related to Surrealism.

[A]: b


[Q]: Question: What year was the Abbey that Queen Elizabeth was visiting built? Passage:The strains between Southampton's religion and the Elizabethan regime first became apparent when in February 1569 Southampton's brother-in-law, Sussex, wrote to Sir William Cecil urging that Southampton be 'rather charitably won than severely corrected'. That summer Queen Elizabeth was Southampton's guest at Titchfield Abbey, but in November both Southampton and his father-in-law, Viscount Montague, were implicated in the Northern Rebellion. In a letter dated 1 December 1569 the Spanish ambassador, Guerau de Spes, wrote to the Duke of Alba that both Montague and Southampton 'have sent to me for advice as to whether they should take up arms or go over to your Excellency'. According to Akrigg, Montague and Southampton set sail for Flanders, but were driven back by contrary winds. Although they were ordered to come immediately to court to explain their actions, to all appearances things were smoothed over, and neither Southampton nor his father-in-law was punished for his involvement. However matters came to a head in May 1570 when Pope Pius V excommunicated the Queen, and English Catholics were required to choose between loyalty to religion and loyalty to the sovereign. Southampton sought counsel from John Lesley, Bishop of Ross, at a secret meeting in the marshes of Lambeth, where they were intercepted by the watch, and in consequence, on 18 June 1570 the Privy Council ordered Southampton's arrest and confined him to the house of Henry Becher, Sheriff of London. On 15 July he was placed in the custody of Sir William More at Loseley, where More was under instructions to induce Southampton to take part in Protestant devotions in the household. After doing so, Southampton was released in November.

[A]:
b