instruction:
In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
question:
Review: While originally reluctant to jump on the bandwagon of watching "Lost", I accidentally caught one episode at the beginning of season 1the one with the polar-bearand it has had my undivided attention ever since. The show, that is. Not the polar bear. So bear (heh) with me while I throw out as much rambling, semi-coherent praise as I can muster."Lost" takes a simple idea of a passenger flight full of people crashing onto a desert island, and gradually adds extraordinary depth to its premise by exploring each character deeply and unflinchinglywhat drives them, who are they? Where did they come from? It soon becomes clear that the island upon which they are stranded acts as a common denominator for many things in their lives, whether they're running away from something (Sawyer and Kate among others) or getting in touch with spirituality (Locke, Claire). But "Lost" also zooms in on the island itself and the mysterious horrors that it houses... and they all seem to be strangely connected.While television actors are not exactly known for their subtlety or dazzling acting abilities, most of the cast of "Lost" are, in truth, spectacular actors for their respective parts, projecting heart and humour in their performances. There's also a multitude of eyecandy, but not generally of the plastic Hollywood kind as most TV shows. The characters all feel very real and they are extremely compelling to watch. Their interactions rarely fall prey to predictable sappiness, petty arguments or cheesy melodrama (although they are annoyingly secretive)  these people are first and foremost trying to survive and whatever relationship appears is treated secondary to action. The realism of these characters facilitate an already well-sculptured plot. About this plot... Imagine a tree as the template plot, then the branches as subplots (in this case, one branch for every character)  well, Lost adds twigs to each branch and then tiny twigs to those twigs as other story lines. If you're a brother/sister to one of the main characters in the flashbacks, you will get your own storyline. If you're a DOG you will have your own storyline. Unless the writers manage to weave them all together into some glorious culmination in the end, they are setting themselves up. I am more than a little worried there will be some disappointing cop-out to this show, as I'm sure most people are.But assuming the writers do pull this off, "Lost" is possibly the best show ever to hit television.9/10 Question: is it a positive review?
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yes


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Review: The second alternate Gundam universe tale (G-Gundam being the first), Gundam Wing is yet another different view into the Gundam verse. The familiar elements are found but Gundam Wing is actually different then its counterparts. The biggest being the Gundams are nothing more than terrorists combating one lone organization. In truth, the series doesn't really become a show about war until episode 7 but in truth the real conflict, the Eve Wars, don't happen until the later episodes. The greatest positives of this series are it's characters. All the main characters are fleshed out throughout the 49 episode run and you can really sympathize with each of the roles their put in. Another great plus is the fantastic character and mecha design of the series. The designs put some of it's other Gundam counterparts to shame. One of the biggest criticism of this series is how many die hard UC fans claim rip off of the original UC saga. Why Gundam Wing gets this rap when the more apparent UC clone of Gundam Seed is out there is beyond me. True there are many moments lifted but their told in new ways and there are distinct differences as well.Take for example, the usual comparison of Zechs Merquise and UC Icon Char Aznable. Throughout the series, Zechs is more the outcast in the Alliance and in ways OZ as well, while the Red Comet was shining symbol of Zeon. Another big difference is the fact Zechs loses a lot soldiers under his command hence the other nickname he's given in the early episodes: "Killer of his own men." Char isn't given this label. The problems with this series isn't the philosophy mumbo jumbo but two problems. The first is the reused animation footage of the Gundams attacks. Sure it's fun seeing Heavy Arms attack tanks, MS, and planes the first time. But on it's fourth re-use scenes like this do get old. The second problem is that the entire series is supposed to take place during an entire year. If you really think about all the events springing in the series, a lot happens in just one lone year. But I guess you can easily dismiss this fact when ignoring the intro's first lines every so often. As it ranks, this is probably the best of the Alternate universe Gundam tales and a great introduction into the Gundam world. After all, this was the very first Gundam anime to air in the US television. Question: is it a positive review?
answer:
yes


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Review: Sometimes it takes a film-making master like Kubrick to bring that extra little something, that unique, untractable and elusive ingredient that transforms a great movie or a great script into a masterpiece, one for the ages.It's not just that Stephen King's story has enough meat and potatoes making it difficult for even the most workmanlike of directors to miss. Heck, even King himself didn't fare so bad. It's how Kubrick perceives King's universe, how he transforms the page into screen time, that renders THE SHINING both a visual feast and a compacted masterclass in directing.Kubrick's miss-en-scene is, as usually, terrific. The movie progresses with a brisk, sharp, lively pace, even though it's neither fast nor heavily edited and it clocks at no less than 160 minutes. The camera prowls through the lavish corridors of the Overlook Hotel like it is some kind of mystic labyrinth rife for exploration, linear tracking shots exposing the impeccably decorated interiors in all their grandeur. There's a symmetry and geometrical approach in how Kubrick perceives space that reminds me very much of how Japanese directors worked in the sixties. As if what is depicted is inconsequential to how all the different elements are balanced inside the frame.Certain images definitely stand out. The first shot of Jack's typewriter, accompanied off screen from the thumps of a ball, like drums of doom coming from some other floor or produced by the typewriter itself as though it is an instrument of doom all by itself, later on proving to be nothing short of just that. A red river flowing through the hotel's elevators in slow motion. Jack hitting the door with the axe, the camera moving along with him, tracking the action as it happens instead of remaining static, as though it's the camera piercing through the door and not the axe. The ultra fast zoom in the kid's face thrusting us inside his head before we see the two dead girls from his POV. And of course, the bathroom scene.Much has been said of Jack Nicholson's obtrusive overacting. His mad is not entirely successful, because, well, he's Jack Nicholson. The guy looks half-mad anyway. Playing mad turns him into an exaggerated caricature of himself. Shelley Duvall on the other hand is one of the most inspired casting choices Kubrick ever had. Coming from a streak of fantastic performances for Robert Altman in the seventies (3 WOMEN, THIEVES LIKE US, NASHVILLE), she brings to her character the right amounts of fragility and emotional distress. A terrific and very underrated actress. Question: is it a positive review?
answer:

yes