Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Input: Consider Input: CONTEXT: The Michael Bay Spin I'm joking, but as far as I can tell the technique doesn't really have a name. All that's happening is that the camera is moving around subjects in the foreground, and the background appears to move quicker thanks to the simple fact that it's further away. The reason I refer to it as the Michael Bay Spin is that director Michael Bay has used this exact shot (with different actors/locations, of course) in a lot of his films. In fact, the inclusion of that shot in Hot Fuzz is a direct reference to Michael Bay - Bad Boys II (directed by Bay) is bought up earlier on in the film, and if I remember correctly, the shot in question is actually shown to the audience while Nicholas Angel and Danny watch the film at Danny's house.  <sep>  Q: What is this camera effect used in Hot Fuzz? A: The Michael Bay Spin I'm joking, but as far as I can tell the technique doesn't really have a name. All that's happening is that the camera is moving around subjects in the foreground  <sep> FOLLOWUP_Q: Have you seen this used before?

Output: Yes


Input: Consider Input: CONTEXT: She doesn't want to torture Sherlock, she wants to play with him. Specifically, she wants him to play with her. At least, that's what the childhood version of herself wants and it manifests in modern day as the torturous puzzling she sets up for Sherlock. Eurus lacks human emotion and, thus, doesn't see what she does as torturing her brother.  <sep>  Q: What is Eurus's motive in the final problem A: She doesn't want to torture Sherlock, she wants to play with him. Specifically, she wants him to play with her  Q: Were they friends as children? A: that's what the childhood version of herself wants and it manifests in modern day as the torturous puzzling she sets up for Sherlock  <sep> FOLLOWUP_Q: Does she kill redbeard?

Output: Yes


Input: Consider Input: CONTEXT: There were multiple Smiths that had assimilated on the other entities inside the matrix, both software and human. The primary difference in the end was that Neo was hardwired to the source and not jacked in from a regular pod or an illegal back door entry. When Smith assimilated on Neo, the machines get a hold of Smith's replication programming. This enables them to target and destroy the Smith program which causes the replication to be undone across the Matrix. In short, Smith had turned into a replicating worm which the machines couldn't get a lock on until the replication occurred on an entity (Neo) connected directly from the source.  <sep>  Q: How did they kill Agent Smith?


Output: Yes