In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: as a revolutionary war hero in the patriot , mel gibson provides another macho man performance for hollywood audiences .
you know the type : his shirt is always shredded , his face always scarred , he has a soft spot for his loved ones and a " to kill " list for his enemies .
oscar - hungry director / executive producer roland
emmerich did not intend to , but he made the stereotypical action hero for the 18th century .
as gibson delivers lines like , " before this war is over , i am going to kill you , " schwarzenegger in commando or stallone in cobra immediately come to mind .
oddly enough , the patriot is as much an epic three - hour - tear - fest like gladiator , as
it is a ninety - minute guilty pleasure .
at times absorbing , at others enjoyably insipid , this is good , bloody summer fun .
i probably would have despised this film had it not been released over the july 4th weekend .
some of the images are so zealously americanized ( the flag is used as a lifesaving weapon for example ) , that independence day seems the only appropriate time of year to wholeheartedly accept it .
like emmerich 's id4 , this is obvious propaganda where the americans are the hapless underdogs motivated by freedom for all .
sure it 's predictable and melodramatic , but for a moment after leaving the theater , i was dumbfounded with patriotism .
and is n't that the point of the patriot ?
gibson plays benjamin martin , the lionized french and indian war veteran , who , at the beginning of the film , is emotionally suffering after his loving wife passed away .
he is left to father seven children at his south carolina estate along with black servants ( not slaves ! ) . as the revolutionary war rumbles miles away , martin swears to keep his family close and away from the battlefields .
but when the oldest son enlists anyway and another is murdered by a wicked redcoat colonel ( jason isaacs ) , martin quickly decides to save the day ( or save the fate of america as presented by emmerich ) .
forming a band of aggressive farmers and using guerilla tactics considered unfair in the art of war , martin becomes the number one target of the british army .
the best parts of the patriot are the scenes in which martin and his rugged militia men outsmart the british armies left and right .
every time the farmers attacked the unsuspecting enemy , to see the disbelief on british general cornwallis ' ( tom wilkinson ) face was priceless entertainment .
and as the tension gradually formulates with the running time , a final battle is inevitable .
as for the numerous battle scenes , they are expertly done . clearer and more realistic
than those of gladiator , the gruesome images are what give this film an r rating .
you really get a sense of how warfare was performed during that time period .
everything is performed in an orderly ( but still quite gory ) fashion - one side shoots , then the other side , then the remaining soldiers charge .
it 's organized , strategic and , according to martin , ineffective .
there is a very interesting contrast between the traditional battle style and martin 's take - no - prisoners method .
what drives martin to these supposedly unfair actions , are the originally brutal tactics of colonel tavington . played wonderfully by jason isaacs , tavington is the type who loves to glare down from his horse at civilians , who nervously avoid eye contact .
this character is viciously evil ; he kills women and children and then laughs about it on the way home ; even his eyes are evil .
his portrayal has sparked some controversy in britain , some claim that he falsely represents his countrymen as " cowardly " and " sadistic .
"
i disagree with this accusation .
tavington does not represent his country ; his unnecessary executions shock his own colleagues and even anger his general .
besides tavington , the redcoats remain stick figures that are neither glorified nor patronized . and stick figures make the easiest enemies in these kinds of movies - why give the audience a reason to love the bad guys ?
heck , why not spend the entire film glossing up the good guys ?
the patriot is three hours of fictional fireworks .
with an action hero seeking revenge and a comic book villain ready to take him down , it 's a lethal weapon for the colonial times .
god bless america !
and god bless the patriot !

Output: P


Input: Consider Input: ugh .
that about sums this movie up .
just , ugh .
the original godzilla movies are somewhat of a cult classic , and when reviewing the previous films , each film had a certain degree of intelligence .
and that was the reason they found such an enviable cult following ; in spite of bad special effects , horrible dubbing , and a man in a lizard suit , they maintained a certain degree of . . .
how to put this ? . . .
dignity ?
not quite the word i 'm looking for .
you understand , right ?
and in 50 years , godzilla has maintained that degree of ' whatever ' . leave it to america to screw the whole thing up .
> from the ' geniuses ' that brought us " independece day " , arguably the worst sci - fi movie of all time , to ruin whatever reputation godzilla had .
while they do bring us eye - popping special effects that will amaze you ,
they lost what was at the center of all the original godzilla movies -- a storyline .
summing up the movie is simple .
heck , i can do it in one sentence : giant lizard attacks a giant city and a bunch of nobodies stop it .
simple as that .
matthew broderick
stumbles over his lines , and it 's hard to picture hank azaria in any role besides his classic dog - walking character on the television show " mad about you " .
the dialogue seems to be improvized , almost as if there was no rehearsel done at all .
i can see the scene on the set right now .
"
all right !
we spent all of this money making big special effects , and we 've got ta get this movie out by summer
or it 's going to bomb in our faces .
so , you actors just say what ever comes to the top of your head , all right ?
make up something , m'kay ?
good .
roll film ! !
"
the special effects are enough to keep you interested through one viewing , and some of the cinemtography is well - done ( the scene with the black umbrellas comes to mind ) .
still , an hour into it , you will become antsy , wondering how long they can drag it out . and drag it out they do ! !
i have to laugh .
the slogan for the film is , " size does matter " .
i think they cut this too short .
it should read , " size does matter .
acting does not .
"

Output: N


Input: Consider Input: jarvis cocker of pulp once said that he wrote common people after noticing mike leigh box - sets on the video shelves -- he had a feeling that economic deprivation was becoming a tourist experience for the well - off .
maybe it 's a classic case of displacement : it 's easier to see jarvis ' own lyrics ( obsessed with acrylic and wood chip on the wall ) as a fetishization of lowlife , rather than leigh 's films .
but it 's worth being reminded that drab interiors and a couple of working - class characters do n't make for a guarantee of ' authenticity '
, let alone a good film .
it 's the triumph of secrets & lies , then , that it goes beyond gestures of sympathy for the common people into a probing of just what it means to seek ' authenticity ' and honesty in everyday lives .
following her adopted mother 's funeral , hortense , a young black optometrist , sets out to find her birth mother , and is disturbed to find out that she is white .
it is cynthia , a factory worker who lives in a shabby house with her perpetually moody daughter roxanne .
cynthia 's younger brother maurice is a successful photographer who has not seen his sister for ages , largely because of his wife 's animosity towards her .
hortense calls up cynthia , who initially breaks down in tears and refuses to see her .
but their mutually suspicious meeting gives way to a warm friendship eventually .
cynthia invites hortense to come along to a party , which maurice is hosting . . .
secrets & lies has a simple enough theme at its heart -- as one character puts it , " best to tell the truth , is n't it ?
that way nobody gets hurt .
" .
but if the film delivers much more than a trite message , it 's because we are also shown how hard it can be to face up to ugly truths , even while the evasions and unspoken grievances slowly choke us .
hence , cynthia 's difficulty with acknowledging ( first to herself , then to others ) that hortense is her daughter .
one of her first reactions to seeing hortense is a sincere denial that she has ever " been with a black man " , before a long - suppressed memory seizes her .
at the party , cynthia 's pretense that hortense is her factory co - worker leads her to ever more convoluted lies , as agonizing as they are funny .
little lies seep into every corner , like maurice pretending that he 's " just dropping by " when he visits cynthia after much deliberation .
maurice 's job as a photographer gives the film opportunities for side comments on the main theme - a sad - looking bride that maurice coaxes to smile , a couple who pose awkwardly with a prominent wedding ring and argue about his spectacles .
one of the most startling images is of a beautiful woman with large scars on her face : she says she needs the photo to look " as bad as possible " to collect insurance money , yet the short scene leaves you wondering about what untold story lies behind the scars .
there are occasionally hilarious moments , as when cynthia attempts to give her daughter some unwelcome advice on contraception , " i 've got a dutch cap floating about somewhere upstairs " ; or when cynthia stares at her own rather pedestrian legs and tells roxanne , " if you 've got it , flaunt it , is what i say . " as played by brenda blethyn , cynthia comes close to being a caricature , with her nervous , somewhat disconnected way of talking .
but she 's really just right for the role of someone who inspires sympathy and yet strains the tolerance of those around her , precisely because she 's so needy of love , perhaps .
indeed , the whole cast gives warmly rounded , detailed performances .
the script was developed partly through improvisations , and the fusion of cast , script and director shows best in the party scene - seemingly everyone is talking at the same time , and yet many subtle observations are being made throughout .
in a very different way , but also using a long single shot , the scene of hortense and cynthia 's first meeting in a lonely caf=8a achieves a touching intensity , all the more for their reticence and unspoken feelings .
the film 's climax - with all the secrets and lies finally spilled out in ibsen - esque revelations , and everybody hugging each other - is the one thing that seems false about this film .
however , it 's a film that truly earns its happy ending after the misery and repression of the character 's lives .
when cynthia says near the end , this is the life , innit ?
, you get the sense that , following the cynicism of his last film naked , leigh has rediscovered that life can be sweet after all , without comforting illusions .
the flying inkpot 's rating system :
* wait for the video .
*
* a little creaky , but still better than staying at home with gotcha !
*
* * pretty good , bring a friend .
*
*
* * amazing , potent stuff .
*
*
*
* * perfection . see it twice .


Output: P