Given a document, generate a short title of the document. The title should convey the main idea/event/topic about which the document is being written. Note that URLs in the text have been replaced with [Link].

Q: Maryland Transportation Secretary Pete K. Rahn  dangled a $9 billion carrot Wednesday in front of more than 100 companies potentially interested in adding express toll lanes to the Capital Beltway  Interstate 270 and the Baltimore-Washington Parkway.
“It’s amazing ”  Rahn  quipped to more than 320 highway engineers  designers and builders in a ballroom at the BWI Airport Marriott in Linthicum. “You can get a lot of attention when you put a nine in front of a ‘B.’”
“I don’t want to just do something ”  Rahn  told the crowd. “I want to do something that delivers a ‘wow’” for traffic relief.
One big unknown: the cost of the tolls. After the meeting   Rahn  said  he  was aware variable rates on toll lanes that opened last week on part of Interstate 66 in Northern Virginia had soared to as high as $40.
“Obviously  that caught my attention ”  Rahn  said.
However   he  noted the I-66 toll has since peaked at about $14.  He  said Maryland will know the range of toll rates on its highways just before it chooses a winning proposal. Like Northern Virginia’s toll lanes  there will be no limit on how high tolls could go to keep traffic moving.
The state is not expecting to pay anything on the Beltway or I-270 projects   Rahn  said.
 Rahn  said the state will leave details of the design to bidders in hopes of receiving the most creative ideas. Maryland officials said proposals also will be judged on how the teams plan to build the lanes quickly  keep traffic moving during construction and limit impacts on adjacent homes and businesses.

A: Maryland plan to build toll lanes on Beltway I
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Q: Khalid Skah's former wife  Anne Cecilie Hopstock  a Norwegian  is the mother of the children. She left her husband in 2007 and had been demanding custody of the children who are now in Norway.
Skah's supporters say the children were abducted on July 19 by Norway's ambassador in Rabat Bjorn Olav Blokhus. The Norwegian government has denied any involvement in the events surrounding the children.
"The Norwegian government must return the children to their country " a tearful Skah said at the demonstration as he read a statement to the media. "That's the only solution to this crime."
Khalid Skah's former wife  Anne Cecilie Hopstock  a Norwegian  is the mother of the children. She left her husband in 2007 and had been demanding custody of the children who are now in Norway.

A: Olympic hero Skah accuses Norway over custody battle
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Q: Insecureâs Nuanced Take on Singleness Part of the revolution of modern female characters involves dismantling this idea of âlikability.â Sheâs Gotta Have It succeeds there; at times Darling is definitely not likable. But the show makes it seem as though any criticisms of Darling are due to the fact that she embraces her sexuality and has multiple partnersâand I donât really buy it. Some of the discontinuity in Darlingâs storyline feels like a failure to successfully imagine the inner motivations  ideas  and emotions of a modern young woman. Part of the flaw here is that  Lee âs relying too heavily on the framework  he  created for the character three decades ago. Green: Yes  Gillian! Darling calls the men in her life out for thinking they know the âreal herâ when theyâre only dating their own contrived visions of her. The irony is  Darling ends up coming off like a middle-aged manâs off-pitch interpretation of a millennial black feminist. The way she lists her rules of engagementâonly sex in her âloving bed â seeing each man no more than twice a week and never two in one day  etc.âgives an impression that sheâs playing for sport instead of living in the liberation she tells others about.
She breaks the fourth wall in many uncomfortable monologues throughout the season  which Iâd hoped would be a vehicle to get inside her head; but like most of the women in the show  Darling never becomes fully three-dimensional. Itâs not surprising then  that in a show mainly about juggling three men  the only dialogue that has depth and advances the storyline comes from Darlingâs interactions with the other women in the show: her three girlfriends  a woman that sheâs also seeing (Opal)  and her therapist. David  Lee  / Netflix Mock: I remember the first time I saw the original movie and how it blew my mind. I didnât see it when it first came out in 1986. I saw it in â89 or 1990  after I saw Do the Right Thing  which made me want to find anything else  Lee  had done  besides the Jordan commercials and the Anita Baker video. But  yeah  I think we forget how revolutionary Darlingâs character wasânot as a black character  but just as a character  period. At that age  I had no ideas about the sexual agency of women  or what polyamory was; these terms werenât part of the mainstream lexicon. Remember  misogyny was on the come up during that era of hip hop (â86 to â91) . Many of the guys I grew up with were heavily influenced by rappers like Too Short  Big Daddy Kane  LL Cool J  N.W.A.  and 2 Live Crew  which is to say we were getting a pretty unhealthy education about male-female relationships. I loved how  Lee  flipped that entire dynamic on its head with Sheâs Gotta Have It  and we needed to see that. But to your point  Gillian  Iâm not sure the TV series did much to advance contemporary ideas about the relationships explored in the â86 movie. I think thatâs why  Lee  felt the need to flesh out the narrative with this whole gentrification thread.
White: Definitely. Part of the problem is that what made Darling such an innovative character in the 1980s isnât what makes her so compelling now. And I fully agree with you  Adrienne: The moments where we see Darling undergoing the most growth and becoming most self-aware are all related to women. In addition to Opal  and her therapist  Iâd add her boss  Raqueletta Moss to the mix. Serwer: To go off your points about Insecure  Gillian and Adrienne  one of Spikeâs issues here is that the artists  he  helped influence are actually better at this now than  he  is. Which is whatâs supposed to happen! Even if itâs not something Spike would like to hear. White: I think thatâs exactly right. Serwer: I found myself most roped in when the show was lingering on Darling and her issues in the art world (the satire of which is funny and brutal)  and less so when it was focusing on the love triangle (rectangle?) the original film was centered on. Of her suitors  I found Mars Blackmon the most likable and relatable  in part because he feels like the underdog in a situation that involves a wealthy Wall Street type and a French-speaking model. Also  Anthony Ramos is really good at inhabiting the character. White: I was scared about how the character of Mars (originally played by  Lee ) would translate  but in the end he was one of the highlights of the show and unquestionably the male suitor who was best folded into the present day. Ramos did such a fantastic job of keeping Marsâs spirit of absurdity and geekiness while making him feel fresh and original. As for the other suitors  I found Greer and Jamie difficult to stomachâand not just because theyâre supposed to be obnoxious. Both characters seem to be relics of the 1980s in dress  in attitude  and in their assumptions about their place in society  and Darlingâs.
In a world where talking  hanging out  and hooking up are all far more common in your early 20s (especially in big cities)  the idea that Greer and Jamie would spend so much of their time inquiring about the other men Darling is dating feels a little unbelievable. Also the types of men that Jamie and Greer are meant to portrayâgeneralized archetypes of a desirable guyâdonât even work for the present moment. Jamieâs stuffy  wealthy  older  finance-dad vibe  and certainly Greerâs light-skinned  light-eyed  cultured  model vibe went out of style in the â90s  and they shouldâve been left there. Serwer: Greer and Jamie are really insufferable  and more than Mars  theyâre stereotypes: The first suitor is a project kid-gone-Wall Street who still has ties to the drug game (slash a cheating husband in a midlife crisis). The second is a tragic mulatto who literally has a line about how he doesnât want to choose between one identity or the other. That stuff was played out when I was a teenager. I wonder  Gillian  if the characters simply werenât rescuable from the time and place they were created (and maybe Mars was  in part because if anything  black geeks are more visible in pop culture now than they used to be). Also light-skinned men are definitely not out of style  shout out to my Blewish brother Drake (or is he canceled? Iâm old and canât keep track). Mock: As Adrienne said  it was the scenes shared between the women that were most rich. I honestly could have taken a Sheâs Gotta Have It sans the male characters from the original altogetherâmaybe keep Mars Blackmon  but only because heâs so iconic. It is weird  though  that for a movie/TV show that is supposed to be essentially about a woman  the character itâs most remembered for is a guy  Mars Blackmon. Heâs the only character who has benefited from the marketing of the movie over the past few decades. We didnât even know where Tracy Camilla Johns (the original Nola Darling) disappeared to  until she made that cameo in the new version. David  Lee  / Netflix Of course  thereâs the theory that none of these characters are to be taken as literal people  but rather as the multiple shades of Brooklyn. The male characters could be seen as metaphors for the parts of Brooklyn that aspire toward Manhattan-like wealth and prestige (Jamie)  the parts that are straight blacktops and hip hop (Mars)  and the parts that are that whole metro-self-fellatio-sexual part of NYC that really began blossoming in the â80s (Greer).
White: For sure  but Iâd argue those arenât even representative of Brooklyn in this moment. Brooklyn is not the Brooklyn of the â80s or â90s (so  Lee  keeps reminding us). Mock: On another note  Iâm thankful that they got rid of the rape scene from the movie. I think the transition to dealing with sexual harassment and assault in the streets was the showâs strongest material  especially as it bled into Darlingâs art work  which helped solve some of her financial problems. The personal became political then became personal again. Serwer: I think part of the reason why that subplot is so strong is that itâs based on a work called Stop Telling Women to Smile by the artist Tatyana Fazlalizadeh  who was also a consultant on the show. Fazlalizadeh put up a series of posters around Brooklyn with similar antiâstreet harassment messages she drew from women she interviewed about their experiences. Green: Spikeâs long talked about regretting that rape scene (and as recently as November). I agree  Brentin  that the show did a really good job of making sexual trauma an undercurrent without visually exploiting female charactersâfrom the street-art campaign to Darlingâs art student replacing Lilâ Kim with herself on the Hard Core album cover for a school assignment. With the âfree black female formâ as its thematic throughline  the show subtly deals with sex and trauma  complicating the idea of autonomy and who has access to it.
White: I think that the use of Raqueletta Moss  and her story of abuse as a child and how she overcame it  was a clever way to explicitly deal with the subject without  as Adrienne suggested  having to resort to exploitative rape scenes. Also  Mossâs decision to take Darling on as a mentee  despite having witnessed her immaturity at work  was one of my favorite developments. That relationship  between those two black women  felt organic and important. Serwer: I liked the Moss character in part because I can remember teachers pulling me aside and giving me that kind of blunt real-talk lecture about how bad life can get  in order to keep you from dealing with things they had to deal with or saw other people deal with. The characterâs past isnât what youâd call original  but again itâs rescued by a strong performance by the actress  DeâAdre Aziza. David  Lee  / Netflix White: Before we wrap this  we need to talk about that wild butt-implant narrative involving one of Darlingâs closest friends  Shemekka. This storyline was alternately framed as a comedy and a serious commentary on the way society values women. But ultimately I thought it presented some pretty major problems for the plot and the showâs portrayal of women. Mock: Iâm not quite sure what they were going for with that thread. It felt like something that got cut from Chi-Raq.

A:
Does Netflix's 'She's Gotta Have It' Live Up to Its Promise?
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