In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Example Input: It's difficult to know where this adaptation starts going wrong, because I think the problem begins with the books themselves. Alexander McCall Smith has worked out that you read them not for the detective stories, but for his deeply condescending and completely spurious vision of an Africa that does not exist. He's done for Botswana what Borat did for Kazakhstan - not as successfully, but based in as much fact.Once I realised this, it ceased to gall me that Jill Scott, an American singer/actress, is cast as Mma Ramotswe. If she is to represent a land that is not Africa, how appropriate that she is a black woman who is not African? She's not the only American on the cast; Mma Makutsi is played by Anika Noni Rose. Both women are far, far too young for the roles they're playing, and far too glamorous. Both brutally murder the local accents, and both focus so entirely on this brutality that they fail to offer much in the way of acting. Scott's Mma Ramotswe is bouncy, cute and soft. Rose's Mma Makutsi is an annoying motor-mouthed bitch.The result is almost unwatchable. The principal cast is redeemed only by the presence of Lucian Msamati, who turns in a decent performance as Mr JLB Matekoni. Hes comes off smarter and more intense than in the books, but I find myself unable to blame Msamati for this - he's a shining light in an ocean of suckage. The contradictions between his performance and the books are clearly laid at the feet of whichever committee of butchers wrote the script.To me, McCall Smith's writing has always been highly entertaining yet notoriously bad. He refuses to be edited. As a result, his books contain experiments in grammar that border on the scientific, and characters that change name mid-sentence. It is therefore something of an achievement that the writing team on this project actually made it worse.The dialogue is now largely Anglicised. Characters speak of "opening up" and "sensitivity to needs". Mma Ramotswe and Mr JLB Matekoni flirt openly. Mma Makutsi moans about not having a computer, but given her constantly restyled hair, makeup and jewellery, I'm surprised she doesn't have a MacBook in her handbag along with her Visa card.So what are we left with here? It's difficult to be upset with this crappy adaptation because honestly, most of the things I like about the original books are apocryphal anyway. McCall Smith paints a fictional Botswana populated with cute, non-threatening black people who are full of amusing and palatable wisdom-nuggets. It reads well despite linguistic travesty, but it is a vision of how a certain type of white person wishes black people were. It just isn't true.Given that, it's hardly surprising that this show sucks as much as it does. It remains to be seen whether European and American audiences will even notice, however.
Example Output: negative

Example Input: This is one movie that will take time to get out of your head once you have seen it. The dialogs are close to perfect, which was to be expected as it has been adapted from a play. The actors are simply giving their best, the story is simple and attractive. 88 minutes of pure bliss!Yvan Attal is totally credible in his role, Sandrine Kiberlain is still the beautiful blonde (but not so dumb) providing as much pleasure to the eyes as to the ears, Jean-Paul Rouve is providing an excellent approximation of the total jerk (and proud to be such), and Marina Fois is the dumb friend who is always blundering when you expect it least.Thumbs up to Bernard Rapp and associates for adapting this excellent play, and all the best for future productions!I wish there were more of these in nowadays production. If you liked it, you will also probably enjoy: "Un air de famille", and "Cuisine et dependances". Both were written and played by the couple Bacri/Jaoui.
Example Output: positive

Example Input: I always have a bit of distrust before watching the British period films because I usually find on them insipid and boring screenplays (such as the ones of, for example, Vanity Fair or The Other Boleyn Girl), but with a magnificent production design, European landscapes and those thick British accents which make the movies to suggest artistic value which they do not really have.Fortunately, the excellent film The Young Victoria does not fall on that situation, and it deserves an enthusiastic recommendation because of its fascinating story, the excellent performances from Emily Blunt, Paul Bettany and Jim Broadbent, and the costumes and locations which unexpectedly make the movie pretty rich to the view.And I say "unexpectedly" because I usually do not pay too much attention to those details."Victorian era" was (in my humble opinion) one of the key points in contemporary civilization, and not only on the social aspect, but also in the scientific, artistic and cultural ones.But I honestly did not know about the origins from that era very much, and maybe because of that I enjoyed this simplification of the political and economic events which prepared the landing of modern era so much.I also liked the way in which Queen Victoria is portrayed, which is as a young and intelligent monarch whose decisions were not always good, but they were at least inspired by good intentions.I also found the depiction of the romance between Victoria and Prince Albert very interesting because it is equally interested in the combination of intellects as well as in the emotions it evokes.The only fail I found on this movie is that screenwriter Julian Fellowes used some clichés of the romantic cinema on the love story, something which feels a bit out of place on his screenplay.I liked The Young Victoria very much, and I really took a very nice surprise with it.I hope more period films follow the example of this movie: the costumes and the landscapes should work as the support of an interesting story, and not as the replacement of it.
Example Output:
positive