In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Q: An excellent film with great performances from Zack & Lochley. Much to their displeasure (& mine) Garibaldi arrived on station. (All due respect to Jerry Doyle but in Seasons 4 & 5 I lost sympathy for the character.) It doesn't take him long to start criticizing Zack (who I love best of all on the show)and taking charge. I'm sure Zack could have coped. The Soulhunter plot is fascinating, especially if you believe in heaven as Zack does. The humour supplements it nicely. 10/10

A: positive
****
Q: This is, in my opinion, a very good film, especially for Michael Jackson lovers. It contains a message on drugs, stunning special effects, and an awesome music video.The main film is centered around the song and music video 'Smooth Criminal.' Unlike the four-minute music video, it is normal speed and, in my opinion, much easier to watch.The plot is rather weird, however. Michael Jackson plays a magical 'gangster' that, when he sees a shooting star, he transforms into a piece of machinery. Throughout the film, he transforms into a race car, a giant robot, and a space ship.The robot scene in particular is a bit drawn out and strange. I found it a little out-of-whack compared to the rest of the film.A child is kidnapped, Michael tries to save her, is tortured and beaten, and suddenly turns into a giant robot that blows up all the bad guys. A little weird? Yeah.But besides the bizarre robot scene, it's a very good movie, and any Michael Jackson fan will enjoy both the Smooth Criminal music video and the movie.

A: positive
****
Q: *some spoilers*I was pleasantly surprised to find the harsh criticisms (acting, dated dialogue, unclear storyline) unfounded. Belafonte is great as a Brandoesque, menacing, swearing spirit who must earn his wings but is realistically ill-equipped from his past life to do so. He learns too late how empty his hustling, materialistic life was without love. Mostel is likewise great as an anguished man with his dying wife Fanny. In spite of his prayers for a miracle, his bitterness prevents him from accepting (or believing) in one. The two social worlds the characters represent alternately collide and complement the other, the result being hilarious and touchingly sad.The perplexing ending is actually quite consistent with the rest of the film. After looking everywhere for Belafonte, Mostel looks up to see a falling feather, and he frantically reaches for it as if he's finally willing to believe in angels and miracles. But Belafonte wasn't allowed to finish his miracle (either to restore Fanny's health or Mostel's faith), so he never got his wings. The feather floats tauntingly out of Mostel's grasp, a metaphor for both men's live: it's too late and you don't get a second chance. Like "It's a Wonderful life," this movie is magical, wonderful, funny, but terribly tragic.

A:
positive
****