In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

[EX Q]: The story is set in 1959 and is told with only a few brief snatches of dialogue, much of it in Gaelic. A down-on-his-luck illusionist (known by his stage name, "Tatischeff") watches his popularity and employment in Paris dry up. He packs his meager belongings and props, including an ill-tempered white rabbit, and moves to London. There he finds himself as the irrelevant act following a popular rock band. Despite his wounded pride, he adopts a nothing-to-lose attitude and continues plying his trade at yet smaller gatherings in bars, cafÃ©s, and private parties.He accepts the invitation of a drunken party patron, taking a long, slow journey to a remote Scottish island (Iona in the Inner Hebrides). The small village's pub has only recently been wired for electricity, and he and his rabbit are appreciated for a time. Living modestly in a room above the pub, the illusionist encounters a young girl named Alice who is captivated by his otherworldly abilities and kind gestures, including a gift of new red shoes. Competition from more modern forms of entertainment follow the illusionist even to this idyll, and he soon moves on.Alice believes the downtrodden performer possesses genuine supernatural powers, and follows him to Edinburgh, where he performs at a modest, out-of-the-way theater. They book a room in a rundown guest house favored by other fading performers (a trio of acrobats, a clown, and a ventriloquist). The illusionist sleeps on a small couch and the girl keeps busy by cleaning and cooking food that she shares with the neighbors. The girl's affections even tame the rabbit, but the illusionist's increasingly meager wages, lavished on a series of gifts for Alice, lead him to pawn off his magic kit and secretly take on more demeaning jobs. The other traditional performers become similarly depressed and destitute.Unable to muster the courage to tell his starry-eyed admirer the truth about his fading trade, the illusionist continues giving until he has nothing more to offer. Alice meanwhile discovers the affection of a handsome young man, and once he sees them walking together, the illusionist opts to leave her with money and move on. His final message is a letter that says "Magicians do not exist." Alice subsequently moves in with her new boyfriend. The illusionist releases the rabbit on the verdant hillside of Arthur's Seat, where many other rabbits are seen. He is last seen on a train, where he declines one final opportunity to perform a magic trick for a child by returning a short pencil that the child has dropped, but not replacing it with an identical, but longer, pencil of his own.The illusionist looks longingly at a photo throughout the film, though it is never revealed to the audience during the film. At the end of the film, a photo appears dedicating the film to author Tati's own daughter. During the final train trip, the illusionist looks at the photo for a last time, and his hand drops down where the photo can be vaguely seen, particularly in the Blu-ray release. It is apparently the same picture of Tati's daughter seen at the end of the film.
[EX A]: Question: What is the name of the main female protagonist?, Answer: Alice

[EX Q]: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (August 2015) (Learn how and when to remove this template message)Norman Bates (Anthony Perkins) is released from a mental institution after spending 22 years in confinement. Lila Loomis (Vera Miles), sister of Marion Crane, vehemently protests with a petition that she has been circulating with signatures of 743 people, including the relatives of the seven people Norman killed prior to his incarceration, but her plea is dismissed. Norman is taken to his old home behind the Bates Motel by Dr. Bill Raymond (Robert Loggia), who assures him everything will be fine.Norman is introduced to the motel's new manager, Warren Toomey (Dennis Franz). The following day, Norman reports to a prearranged job as a dishwasher and busboy at a nearby diner, run by a kindly old lady named Emma Spool (Claudia Bryar). One of his co-workers there is Mary Samuels (Meg Tilly), a young waitress. After work, Mary claims she has been thrown out of her boyfriend's place and needs a place to stay. Norman offers to let her stay at the motel, then extends the offer to his home when he discovers that Toomey has turned what had been a shabby but respectable motel into a sleazy adult one.Norman's adjustment back into society appears to be going along well until "Mother" begins to make her presence known. Norman gets mysterious notes from "Mother" at the house and diner. Phone calls come from someone claiming to be Norman's mother. The next day, a drunk Toomey picks a fight at the diner after Norman fires him. Later, a figure in a black dress stabs Toomey to death with a kitchen knife as he is packing to leave the motel. As Norman begins to reconstruct his motel, he begins to doubt his sanity when he begins hearing voices in the house. He enters his mother's bedroom to find it looks exactly as it did 22 years ago. A sound lures him to the attic, where he is locked in.At the same time, a teenage couple, believing the house to be abandoned, sneaks in through the cellar window. They notice a female figure pacing in the next room. As they try to climb out, the boy is stabbed to death. The girl escapes and alerts the police. Mary eventually finds Norman in the attic. Minutes later, the sheriff arrives and questions them about the boy's murder. He finds the cellar neat and orderly. Norman is about to admit that something suspicious is going on, but Mary claims that she has cleaned up the basement herself. After the sheriff leaves, Norman asks Mary why she lied. She explains that she had to save him from being arrested. Norman collapses into the chair with his head in his hands and moans, "It's starting again!" Norman is aware that he is slipping into insanity again.That evening, Mary is startled when she discovers someone looking at her through a peephole in the bathroom wall. She calls out to Norman, who is downstairs and out of reach. The two are horrified to find a bloody cloth that has been stuffed down the toilet. Norman appears confused and believes he may have committed another murder. Mary goes down to check the motel. In the parlor she is surprised by Lila, who reveals herself to be Mary's mother. She has been calling Norman, claiming to be his mother, even going so far as to dress up as her and allowing him to see her in the window. Mary has been helping her. She was responsible for restoring Mother's room at the house and locking Norman in the attic. All of this was an attempt to drive Norman insane again and have him recommitted. Mary's growing feelings for Norman, however, have been preying on her conscience leaving her to reconsider her actions. Meanwhile, Dr. Raymond discovers Mary's identity as Lila's daughter and informs Norman. He also orders the corpse of Norma Bates (which was buried in a proper grave after the events of the original film) to be exhumed, to prove that Norman is not being haunted by his mother. Mary admits to Norman that she has been part of Lila's ruse, and that while she now refuses to continue, Lila will not stop. Mary goes to Lila's hotel and their argument is overheard by a desk clerk. Later, Lila drives over to Norman's house, unaware that Dr. Raymond is watching her from the Bates Motel as she sneaks into the cellar.While Lila is removing her "Mother" costume from a loose stone in the floor, another figure dressed as "Mother" steps out of the shadows and murders her. Dr. Raymond runs up to the house. Lila's body is not in the cellar and the "Mother" figure is gone. Meanwhile, Mary discovers that a car has been retrieved from the swamp, with Toomey's body in the trunk. Realizing the police will shortly arrive to arrest Norman, Mary returns to warn him. The phone rings in the house, Norman answers, and starts speaking to his "Mother". Mary listens in and discovers that nobody is on the line with Norman. Terrified that Norman has slipped back into insanity, Mary runs downstairs into the cellar and quickly dresses up as Mother to confront Norman and arms herself with a butcher knife. Someone grabs her from behind as she is on the stairs and plunges the butcher knife into Dr. Raymond's heart, who has sneaked back into the house, killing him instantly. A stunned Mary runs downstairs and is confronted by a completely deranged Norman, who promises to cover up for "Mother." Mary tries to keep him away, but she repeatedly keeps stabbing him in the hands and chest, none of which stop Norman. He backs Mary into the fruit cellar to hide and slips on a pile of coal, which avalanches away from the wall, revealing Lila's dead body hidden behind it. Mary is now convinced that Norman has been committing the murders. Norman denies doing any of the killings and thinks "Mother" committed them. She raises her knife to stab him but is shot dead by the incoming police deputy. The sheriff inaccurately believes Mary committed all the murders.That evening, a woman walks up the steps to the Bates' mansion. Bandaged from his injuries, Norman has set a place for dinner when he hears a knock at the door. It is Emma Spool, the kindly woman from the diner. Norman gives her a cup of tea, brewed from a poisoned batch which was kept in a beaten floral-print tin; this was the tea he used to kill Mrs. Bates, his "Mother," when he was a child. Ms. Spool tells him that she is his real mother, that Mrs. Bates was her sister, who adopted Norman as an infant while Ms. Spool was institutionalized. She further reveals that she was the murderer, having killed anybody who tried to harm her son. As she begins dying after sipping the tea, Norman strikes her with a sudden blow to the head with a shovel, now driven completely insane again. He carries Ms. Spool's body upstairs to Mother's room and we hear Mother's voice warn Norman not to play with "filthy girls" and telling him nobody loves him like his mother. Norman reopens the Bates Motel and stands in front of the house, waiting for new customers as Mother watches from the window upstairs.
[EX A]: Question: What did they find in the toilet?, Answer: A bloody cloth.

[EX Q]: Murli Prasad Sharma (Sanjay Dutt), nicknamed "Munna Bhai" (literally "Brother Munna") is a bhai or gunda: a crime don in the Mumbai underworld. Given that his father had wished him to be a medical doctor, he creates the faux Sri Hari Prasad Sharma Charitable Hospital (named after his father) and pretends to live in accordance with this wish whenever his father (Sunil Dutt) and mother (Rohini Hattangadi) visit him in Mumbai.One year, however, Munna's plan goes awry when Hari meets an old acquaintance, Dr. Asthana (Boman Irani) and the two older men decide to betroth Munna to Asthana's daughter, Dr. Suman "Chinki" (Gracy Singh). At this point the truth about Munna is revealed. Asthana insults Munna's parents and calls them "fools" for being ignorant of Munna's real life. Munna's father and mother, aghast and later heartbroken, leave for their village.Munna, in grief and despair, decides that the only way to redeem himself and to gain revenge for the humiliation suffered by his father at the hands of the spiteful Ashthana is to become a doctor. He decides to go to a medical college to obtain an MBBS degree.With the help of his right-hand man Circuit (Arshad Warsi) and others, Munna "gains admission" to a medical college, where he again encounters Dr. Asthana, who is the dean. His success there becomes dependent upon the (coerced) help of faculty member Dr. Rustam Pavri (Kurush Deboo).While Munna Bhai's skills as a medical doctor are minimal, he transforms those around him with the "Jadoo Ki Jhappi" ("magical hug")Â â a method of comfort taught to Munna by his motherÂ â and the compassion he shows towards those in need. Despite the school's emphasis on mechanical, Cartesian, impersonal, often bureaucratic relationships between doctors and patients, Munna constantly seeks to impose a more empathetic, almost holistic, regimen. To this end, he defies all convention by treating a brain-dead man called "Anand bhai"(Yatin Karyekar) as if the man were able to perceive and understand normally; interacts on familiar but autocratic terms with patients; humiliates school bullies; effusively thanks a hitherto-underappreciated janitor; and encourages the patients themselves to make changes in their lives, so that they do not need drugs or surgery.Dr. Asthana, who perceives all this as symptoms of chaos, is unable to prevent it from expanding and gaining ground at his college. He becomes increasingly irrational, almost to the point of insanity. Repeatedly, this near-dementia is shown when he receives unwelcome tidings and he begins laughing in a way that implies that he has gone mad. This behaviour is explained early on as an attempt to practice "laughter therapy", an attempt that seems to have backfiredÂ â Asthana's laughing serves more to convey his anger than diffuse it. Meanwhile, his daughter becomes increasingly fond of Munna, who in his turn becomes unreservedly infatuated with her. Some comedy appears here, because Munna is unaware that Dr. Suman and his childhood friend "Chinki" are one and the same; an ignorance that Suman hilariously exploits. Asthana tries several times to expel Munna but is often thwarted by Munna's wit or the affection with which the others at the college regard Munna, having gained superior self-esteem by his methods. Asthana keeps a challenge that Munna can stay in college only if he passes the exam under his supervision. Munna and other mates accept it. Meanwhile, cancer patient Zaheer (Jimmy Shergill) is in a dying state seeking help from Munna. But unfortunately he dies in Munna's arms.Eventually, Munna is shamed into leaving the college: His guilt for not being able to help a Zaheer gets the better of him. In the moments immediately following Munna's departure, Anand miraculously awakens from his vegetative state; at this point Suman gives a heartfelt speech wherein she criticises her father for having banished Munna, saying that to do so is to banish hope, compassion, love, and happiness from the college.Asthana eventually realises his folly. Munna later marries Dr. Suman, learning for the first time that she is "Chinki". The medical collegeÂ â under Rustam Pavri's management since Asthana's retirementÂ â begins to imitate Munna's radical methods of treatment. Munna and Suman open a hospital in Munna's home village, where they implement Munna's ideas daily. This, in addition to the birth of their offspring, earns Munna the nickname "MunnabhaiÂ â M.B.B.S. â Miya Biwi Bachhon Samet" (literally "Husband Wife with Children"). Munna's parents reconcile with him. His sidekick Circuit marries and has a son, who is nicknamed "Short Circuit". As the film concludes, Anand, restored to normal mental health, narrates the story to children.
[EX A]:
Question: Who is the cancer patient?, Answer: Zaheer