In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: "
i 've been told by several people , ' you 're old fashioned .
you want to do everything by hand , ' " topiary gardener george mendonca complains , defending his continued resort to hand shears in trimming his intricately privet - sculpted animal creations .
"
this is the only way you can do it and do it right . " snip , snip .
"
some people believe that we are gon na replace ourselves by building these machines , and that may be , " muses mit robot scientist rodney brooks , who builds robots that run on instinct .
"
there may not be a place for humans in the future , if we 're really successful . "
" you feel that there 's a and looking directly into errol morris 's camera .
"
i know you are .
you know i am .
" in some ways the slickest film yet from nonfiction auteur morris ( the thin blue line , a brief history of time ) , fast , cheap & out of control is reportage of the highest order .
journalism students should dream of making connections like these .
cross - cutting among interviews and filmed segments , morris traces the lives of four disparate professionals who seem to share nothing but an immersion in their work , and then threads them around one another in an intricate quadruple helix .
the fun is settling into your theater seat and wondering just what the hell one story can possibly have to do with the other .
what morris manages is something akin to an intellectual magic trick , an interrogative sleight of hand .
one of the things that feels different about an errol morris documentary -- besides the always - striking visuals -- is the interview style , where subjects seem to look directly at the viewer .
weary of pressing his cheek against the camera lens to get this effect during conversations , morris developed an elaborate double - camera gadget he calls , half - jokingly , the interrotron . through a rig that uses a pair of teleprompters to project video images of the interviewer for the subject and vice versa , these folks talk , startlingly , right to the camera -- to the video image of morris , and by extension to the audience .
the gardener wonders whether , after his death , anyone will be interested in maintaining the garden that he 's devoted half his life to tending .
the robot scientist is more than a little pleased to note that his creations may be primal examples of what an insect or even an animal is -- a complicated set of sensory receptors .
the mole rat specialist is delighted to catalog the ways in which these vermin animals behave like insects , and notes that they may be more suited to long - term survival than people .
and the circus trainer pines for a long - lost ideal that was exemplified by world - renowned trainer and showman clyde beatty , who starred in such serials as zombies of the stratosphere ( excerpted at some length here , with affection ) .
starting to detect the patterns ?
fast , cheap & out of control contains a multitude of parallels and tiny intersections , culminating in what feels like an elegy ( the film is dedicated to morris 's late mother and stepfather ) .
the film is balanced on that airy precipice dividing the already musty past from the alternately exhilarating and terrifying space that is the future .
( the title is taken from brooks ' wish that nasa would send a payload of hundreds of expendable robots to scurry about the martian surface , creating a sort of road map for the terrain -- fast , cheap , and out of control . ) with able assists from editors karen schmeer and shondra merrill and cinematographer robert richardson ( oliver stone 's longtime collaborator ) , this becomes a cinematic contraption that 's a wonder of narrative divergence and coherence .
( further enhancing the picture 's wacky intellectual mood is the playful score by alloy orchestra founder caleb sampson . )
different story threads inform and comment on one another with the serene inscrutability of a kieslowski film , or a surrealist dream .
by cobbling together out of these motley musings a thesis on the nature of craftsmanship , invention , and existence itself , morris reveals the presence of cosmic themes -- creation , evolution , death -- in earthbound lives .
at the same time , and just as significantly , he pays tribute to a consuming passion for one 's work .
this breakdown of the dichotomy between the everyday and the extraordinary is likely as profound as anything you 'll encounter in pop culture this year , and the visuals cry out for the big screen .
do n't miss it .
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directed by errol morris edited by karen schmeer and shondra merrill cinematography by robert richardson music by caleb sampson u
. s . , 1997 --------------------------------------------------------------
[EX A]: P

[EX Q]: carry on at your convenience is all about the goings - on in the factory of a toilet manufacturer , wc boggs ( kenneth williams ) .
once they have won an order to manufacture 1000 bidets in two months and charles coote ( charles hawtrey ) has designed a suitable model , the factory employees set to work but are interrupted by union representative vic spanner ( kenneth cope ) and friend bernie hulke ( bernard bresslaw ) who call them out on strikes on the slightest pretext .
meanwhile , chief foreman sid plummer ( sid james ) is growing tired of his wife beattie ( hattie jacques ) and her budgie .
he would much rather live next door with fellow boggs worker chloe moore ( joan sims )
but once he discovers that the budgie can predict the winners of horse races , he is over the moon and flush with money .
his daughter , myrtle plummer ( jacki piper ) , is going out with wc 's son lewis boggs ( richard o'callaghan ) and this causes conflict on the staff day out to the seaside when vic spanner vies for her attentions .
in the end , if the strike does not cease , boggs will have to close down his factory , but the support of a group of women led by coote 's wife - to - be and spanner 's mother , agatha spanner ( renee houston ) , try to resolve the situation .
also , sid realises that his budgie has caused him nothing but trouble since it started predicting horse race winners .
there are some good performances , as usual , from sid james and kenneth williams in their standard roles .
charles hawtrey is third billing but only appears in a few scenes .
his part is mildly amusing .
richard o'callaghan is appealing as bogg 's stuck - up son , patsy rowlands is funny as miss withering , bogg 's assistant , and renee houston is terrific in her small part as agatha .
however , sole acting honours go to hattie jacques as beattie plummer .
although her character is not directly involved with the main storyline , she manages to input a great deal of pathos and feeling into her character .
a marvellous performance from a marvellous actress .
the film suffers from annoying performances by bernard bresslaw and especially kenneth cope .
in his carry on debut , cope
overdoes his role as spanner making him so annoying as to be unfunny .
joan sims returns as the love interest ( instead of barbara windsor ) .
sims ' ' usual ' part as the downtrodden wife was taken by hattie jacques .
additionally , bill maynard as fred moore is very poor .
this carry on movie tries it best to entertain the viewer : - the locations and wealth of characters are appealing . however ,
the toilet humour becomes tiresome very quickly and some of the performances leave a lot to be desired .
this movie does not know where it is going .
it was made in 1971 and talbot rothwell the scriptwriter seems to be in two minds whether to go for ' bluer ' jokes or to maintain the ' innocent ' jokes success of most of its predecessors .
that is why this film suffers .
a minor carry on film whose major asset is the performance by hattie jacques .
the new ' minor - regulars ' such as o'callaghan and piper are not able to enliven the movie and the toilet humour becomes humourless after a while .
[EX A]: N

[EX Q]: whenever studio executives try to combine the successful formula of two blockbuster films , the end result is always a mess of a script , acting , directing , and generally a waste of time for any audience with an average iq above 40 .
the latest movie morass from hollywood , the crew , appeared equally destined to fail , a strange combination of grumpy old men and goodfellas tossed together with the likes of richard dreyfuss and burt reynolds helming the ship .
the scary thing is that it 's actually entertaining and a breath of fresh air in this otherwise stale month .
the crew works for several reasons .
the clever script is reminiscent of an old billy wilder movie , following four " past their prime " wiseguys from jersey who now live in the raj mahal apartment house in miami beach .
the wiseguys find themselves being evicted from their " golden paradise " by greedy landlords bent on raising rents for new beach bunnies and boys looking for beachfront property .
the four mobsters , bobby bartellemeo ( richard dreyfuss ) , joey " bats " pistella ( burt reynolds ) , mike " the brick " donatelli ( dan hedaya ) , and tony " mouth " donato ( seymour cassel ) decide to hatch a scheme to plant there a dead body heisted from the morgue in order to drive out the new tenants and keep their home .
this " simple plan " suddenly goes screwy , of course , and the boys become involved with a stripper named ferris ( jennifer tilly ) who wants her stepmother killed , a paranoid latin drug lord who 's convinced a mysterious rival is out to get him , and a rat with its tail on fire .
the crew works as a strong comedic vehicle driven by a great ensemble cast of talented character actors and subtle leading men .
instead of concentrating on bobby 's search for his daughter , the film gives equal screen time to all four wiseguys , balancing the production .
the acting talents of such screen veterans as dan hedaya , seymour cassel , and the great , great burt reynolds are brought out by each character 's uniqueness and synergy within the wiseguy circle .
a strong supporting cast including jeremy piven as a philandering boyfriend / cop / partner and miguel sandoval as the paranoid drug lord provide the most laughs .
the film was produced by barry sonnenfeld and carries a hint get shorty with its energetic camera work by michael dinner , emmy award - winning director of the wonder years .
the quick script written by barry fanaro , screenwriter of kingpin , is carried by plenty of subtly dry humor and wit .
the crew is a prime example of how simple and dry - witted a comedy can get these days .
the great thing is that this comedy does not need to be punctuated by bodily fluids , phallus symbols in the head , or grandmothers giving head in a spa .
in the steady flow of " extreme " comedy these days flowing from hollywood like a broken water main , it 's the elder statesmen like dreyfuss , reynolds , and hedaya that can carry a comic arc with only a few weapons of choice - a decent script and good acting .
[EX A]:
P