In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.
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Question: So incredible underated... . People snicker when I mention skee-lo b/c they don't understand what an incredible complete and great album this is.  This is one of the best albums I have ever bought

Answer: POS


Question: "Bill" is The Man I Knew-Smokey Robinson, R&B at it's Best . The old timers like me back in the inner cities where Smokey and the Miracles orginally put their stake down in Motown and R&B royalty, used to call him Bill Smokey Robinson. Whenever I meet someone who recalls the days back in the early to mid sixties when the black transistor made in Japan radios were blaring down the New York City school hallways playing The Tracks of my Tears, Shop Around, OOO Baby Baby (which brings back memories of my first interacial slow dance in the Junior High School gym) and the Tears of a Clown, all selections being on The Ultimate Collection~Smokey Robinson and the Miracles, I know that my buddy remembers Smokey's spindly aura on the stage and his silky smoooth and relaxed delivery. I apologize to my readers for run on sentences but Smokey requires such detailed explanation as a legendary contributor to soul, R&B and the Motown wall of sound (they had one too) that my effusive and continuing acclamation of this cherished and enormously loved performer is understated. I heard that Smokey recently brought his performance to Flint, Michigan or maybe some other backyard town in auto country. I really wish that I could have been there to see Smokey put out before a hometown crowd. That must have been nothing short of a miracle. I am going to hit the click button now myself, I need to hear again the sounds that captivated all of us when we walked down the hallways in Junior High with the made in Japans, fingerpopping all the way. Please note, I meant to push 5 stars on this CD and cannot figure out how to correct the above. I apoligize for any misunderstanding however everybody who has ever been touched by Smokey's music probably realized this faux pas.    Jay Adler,    Massapequa, New Yor

Answer: NEG


Question: Even for ALW, this is pretty bad . I'm going to start this off by saying that I am NOT the biggest Andrew Lloyd Webber fan.  Some of his works are amazing, like Joseph and various songs from each of his musicals, yet overall he tries to incorporate a very fake sounding pop opera into most of his shows.  Unfortunately, The Woman in White, his first try at gothic opera, is even worse.  Webber obviously tried to pretend that the score for the musical was quality, thought-provoking work by jam-packing it with dissonant chords and loud orchestrations, but they only show how little he truly knows about music.  Half of the show's score is little short of random notes that seem to have no connection (almost as if he tried to imitate the genius of Sondheim).  The tunes are bland, the book is boring and confusing, and many of the performances are sub-par.  For instance, the actrees portraying the Woman in White simply shrieks throughout the entire CD.  Even when she sings, her screaming din hurts one's ears.  It seems as if she decided to cover the underdevelopment of her character with noise.  The other actors are generally adequite, yet they have so little to work with that their portrayals seem dull.  Admittedly, there are some highlights to this CD, such as Crawford's amazing portrayal of Count Fosco (especially the live version of You Can Get Away With Anything...it is HILARIOUS!), but overall, the CD is hard to take in.  Some songs are quite beautiful, yet the track on which they resign are also full of shrieking, dull dialogue, and loud music.  I think it is a tell-tale sign of a flop when on a live-version CD of a musical, only one song is accompanied by reaction from the audience

Answer:
NEG