Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Q: CONTEXT: It could be that their accents are meant as indicators to their personality and class. In the examples you give: Thénardier adopts a 'fake' french accent, to attempt to pass himself off as more sophisticated than he is. The fact the accent is French is unimportant, it's the act of pretense by Thénardier that is being portrayed. Gavroche is an urchin, perhaps the bottom rung of the lowest class in society. His accent is thick cockney, which is analogous to being common and uneducated in British culture. In disparity to this: Jean Valjean (whilst imitating someone of nobler birth) has correct enunciation and a statesmanlike presence. This is indicative of education, and a higher class citizen.  <sep>  Q: Why are there accents in Les Misérables? A: their accents are meant as indicators to their personality and class  <sep> FOLLOWUP_Q: How is this expressed in the film?

A: Yes
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Q: CONTEXT: They share the DNA of the irradiated spider, which is why they were pulled from their respective universes. It's the one thing they all have in common and is why Doc Ock (Or Liv, if you are friendlier with her than I am) says that the fact these extra spider people are here proves her theory will work to retrieve Fisk's wife and son from another universe.  <sep>  Q: How was Gwen pulled into Miles's universe? A: They share the DNA of the irradiated spider  Q: We learned that Peter Parker was killed long before, so why did a portal open up near Gwen? A: says that the fact these extra spider people are here proves her theory will work to retrieve Fisk's wife and son from another universe  Q: Okay, I thought I might have missed something...so it's safe to assume there would be other normal people and not just spideys? A: It's the one thing they all have in common and is why Doc Ock  Q: Who is Doc Ock? A: Doc Ock (Or Liv, if you are friendlier with her than I am  <sep> FOLLOWUP_Q: Oh that's good to know...any of neat facts you might know about Spideys?

A: No
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Q: CONTEXT: There's no overarching right answer to this. I think there are a few reasons for it: For starters, it's fun. You've mentioned lots of directors in your question who have done it and it's likely they all got a pretty good kick out of it. Think Hitchcock's many roles or Tarantino in Reservoir Dogs, or Pulp Fiction. There's also a tradition argument. Stan Lee, for example, has done it for so long now that it's expected and many fans get enjoyment out of spotting him in each of his roles. The same applies to Hitchcock. After the fun and tradition reasons, it's certainly plausible to suggest because they can. Many directors don't have the fame or recognition for a cameo role to be significant. But if someone like Tarantino, Scorcese or Peter Jackson does it, it's instantly recognisable given their fame. This can be compared to other, less famous, directors who wouldn't be recognised. Therefore, it certainly carries that making cameos gives them airtime and keeps them recognisable in the public eye. These are just a few of the reasons. I'm sure other arguments could be made, such as the fact it saves money (such as in the case of a longer role, e.g. Tarantino in Django), but it seems to be mostly about a mixture of fun and tradition.  <sep>  Q: Why do directors make cameo appearances in their movies?

A:
Yes
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