In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: it shows that america remains ambivalent over the nature of its political system .
no major surprise , when j .
s .
mill in his victorian classic on liberty could not make up his mind over liberal democracy either .
the americans are wrought by the archetypal paradox under which they exist , the supreme contradiction between the right of the one and the right of the majority .
small wonder that hollywood 's most compelling movies have oft been on the struggle of the individual - underdog against some larger collective oppressive - witness braveheart , born on the fourth of july , rocky , first blood , clear and present danger , jfk
, the list goes on .
there 's little of that in singapore - we are barred access to playboy and penthouse both on and off line , though the government 's been long worried about the younger people getting " americanised " and advocating individual rights and parliamentary opposition .
the people vs .
larry flynt locates the political debate within the greatest social taboo in america - sex .
does pornography have a right to exist and circulate ?
larry flynt , the publisher of hustler magazine , thinks so , and obviously so too the u . s . congress which last month threw out a bill to curb pornography on the net .
but even with such actions , americans remain undecided .
the oscars apparently shunned the movie because it was an embarrassing and sensitive livewire .
what they have ignored is actually a great picture .
woody harrelson as the lead character reprises his role as a to - hell - with - morality , to - hell - with - the - law , and to - hell - with - the - system anti - christ that we last saw in natural born killers .
and he is outrageous and convincing as a nihilistic atheist who nonetheless loves his ex - stripper wife dearly .
the latter is played with abandon , conviction and sensitivity all at once by courtney love , who is the real star of the show and really snubbed of an academy award best actress nomination , if not of the award itself
.
edward norton plays their jerky lawyer .
the relationship between harrelson and love brings out another great paradox - superficially they are immoral outcasts who 've had it coming ; woody gets shot and becomes paralysed from the waist down , and courtney dies of aids .
god 's damnation .
but in the powerful love they have for each other , each standing by the other in turn , the two leads highlight the question how much is the nihilist still a moralist and ( in the american context ) a christian , if they can love and care , and feel just like anyone else on a personal level .
friedrich nietzsche once talked about how the atheist must uncover for himself the full consequences of atheism by ridding himself of all moral - christian influences .
to go beyond good and evil .
this is a great picture , no doubt , and i love it personally .
because it is moving , funny
, ends with open american optimism blah blah .
but i like it and admire it because it comes from a fine american tradition that dares to raise difficult questions , and call into doubt ideas and doctrines that otherwise are used as catchphrases .
there are times when movies go beyond the story they tell and reflect something of hidden realities .
this movie is not so much about larry flynt , but about americans and american society .
Example Output: P

Example Input: linda fiorentino disappeared off the radar after a deservedly heralded turn in the cable pic the last seduction , and her being cast as dogma 's lead is nothing short of inexplicable .
she 's still in fine form
as bethany , an abortion clinic worker who 's lost her faith .
one night , a visitor from heaven makes a fiery entrance in bethany 's bedroom .
he is metatron ( alan rickman ) , the voice of god , and he needs her help : she must stop two fallen angels from entering a new jersey church - the fate of the universe depends on it .
god would do it him / herself , but he /
she is . . .
missing , having taken up human form somewhere on earth never to be heard from again .
bethany is joined on her road trip to the garden state by the " prophets " jay ( jason mewes ) and silent bob ( kevin smith , doing double - duty ) , the slacker minstrels who have appeared in all of smith 's films thus far .
at some point , rock drops naked out of the sky as rufus , the undocumented ( and very black ) " thirteenth apostle " , and offers his assistance , as does divine stripper serendipity ( salma hayek ) .
it 's a wild ride .
they 're in pursuit of loki and bartleby ( damon and affleck , respectively - this is probably the sharpest either has ever been ) , who were banished from heaven to wisconsin and have discovered a dogmatic loophole that will enable their return .
loki decides to wreak havoc along the way with the knowledge that his sins will be absolved at the pearly gates .
at one point , he terrorizes a boardroom full of suits with an angry combination of words and bullets .
it 's a nasty , guiltily enjoyable little scene that asks , " how corrupt are you ? " .
wings of desire
this ai n't .
since debuting with clerks , smith has grown as a director , particularly in terms of working with actors .
( chris rock is this film 's only weak link - between jokes , he 's wooden . )
his no - frills visual style has n't changed much over the years , though ( dogma 's widescreen compositions at least have blockbuster affectations ) , nor has his writing - his characters still sit around delivering one caustic , hilarious speech after another .
dogma chips away at big religious issues - namely , the hypocrisy that accompanies any organized system of beliefs - eloquently and articulately , but a few of the monologues sound too much like blatant exposition .
as well , the verbal introduction of each new person seems to take forever .
any movie with this much weighty talk would have a hard time maintaining momentum ( hurlyburly , anyone ? ) , and eventually dogma 's pacing goes slack .
a long diatribe from bartleby late in the game , in which he laments the destiny of celestial beings , comes at a point when we 've heard enough .
because his change of heart ( bartleby is initially the good cop to loki 's bad ) drives the climax , said rant is given a great deal of screen time .
sure , affleck deserved a big moment ( damon steals their scenes together prior ) , but it ultimately makes the film and us feel bloated .
like tarantino , smith was a video - age sponge who became a sample - mad indie filmmaker .
dogma pays welcome homage to an eclectic batch of movies , including indiana jones and the last crusade , with silent bob doing his best harrison ford , and weird science - a shit demon attacks our heroes !
smith also has a kitchen sink brand of humour : his dexterous maneuvering between the satirical ( a cardinal played by george carlin attempts to mount a publicity campaign with the slogan " catholicism
wow ! " )
and the scatalogical ensures that no lover of comedy will leave
dogma feeling malnourished .
i bust
( ed ? )
a gut on several occasions .
proceedings also get off on the right foot with the opening with
the funniest disclaimer ever .
it 's a disclaimer unlikely to put protestors at ease , for to read it , one actually has to see dogma .
the prerelease ballyhoo is in the tradition of the last temptation of christ 's , martin scorsese 's 1988 adaptation of nikos kazantzakis ' controversial novel , in that it is not directly linked to the picture 's content but to rumours and heresy .
there 's a famous anecdote about fletch director michael ritchie inviting picketers of the last temptation of christ into a screening on his dime , just so they could know for certain what they were rallying against .
( not one of them had watched it . )
every single person refused .
smith and scorsese have a lot in common , and so do the two films in question , because both smith 's bethany and scorsese 's jesus are hollow shells without their faith .
in fact , dogma 's denouement ( which follows a thrilling showdown that 's worth the wait ) is a catholic love - in , a veritable recruitment poster .
( i felt sentimental about a religion i do n't belong to .
now that 's powerful filmmaking . )
smith is nothing if not sincere about his own devotion to god , and that spirituality shines through
.
it 's enough to make me forgive dogma for its editorial sins .
my religion is movies .
when the catholic league beats on dogma for imaginary crimes against a doctrine , in a roundabout way they 're attacking what i live for : freedom of expression through celluloid .
i therefore feel that , although i 'm no bible - thumper , i 'm at least as qualified to criticize dogma as william donohue and his followers .
Example Output: P

Example Input: " a bug 's life " may not be " toy story , " but it 's more close than " antz " was .
i really liked " antz , " basically because , yes , it is clever and witty and intelligent ( and it has the temerity to take a chance and put woody allen in the lead , perhaps the year 's most inspired casting ) , but there was , in fact , something missing from it , and i 'm the first to admit that .
maybe it 's that it never totally lets go and takes off into real innocent fun
-
it 's too obsessed with its orwellian message to become totally engaging , and if it were n't for woody allen , it would have been just a really clever good - not - great flick .
" a bug 's life " has a similar premise , and it also has disney to insure that it 's g - rated and not totally over kids ' heads like " antz " was ( not a bad thing , believe me ) , but what it also has is a tone that 's completely innocent even when it 's also remaining perpetually clever .
" antz " is still the more witty film , and i love it for it , and " a bug 's life " is more for general consumption , but it 's also more entertaining .
it broadens its horizons , and when it really moves from the ant colony , it really shows us a whole new world we 've never seen before , and
it 's take on the evolution of bugs is a lot better than the one in " antz .
"
it 's also light and clever .
the visuals are , instead of earth tones , bright worldly colors , and still gives the amazing visual technology of " antz " at least a worthy contender .
the characters are also nicely realized - though watered - down for broad consumption , they still carry more wit
than the contemporary disney animated films .
the lead character , flik ( voiced by dave foley ) , is nothing more than a slightly - less neurotic z from " antz , " but foley makes him nearly as engaging as allen
made z .
instead of gene hackman playing the villain , we get the much more menacing kevin spacey as the lead grasshopper , the nicely - titled hopper .
and for the romantic lead , we do n't get spacey sharon stone , but intelligent and hard - to - get julia - louis dreyfuss , who does n't even come around until the very final frames .
not that the plot 's really any better than the one in " antz " -
it 's basically yet another redux of " the seven samurai , " with an ant colony under the control of giant grasshoppers forcing them to produce a product for them or else .
when flik , a bone fide inventor , creates a time - conserving apparatus that accidentally destroys the season 's donation , he puts them all in risk , and is sent away so that he wo n't screw anything up with the pretense that he is searching for help to fight the grasshoppers .
he runs into a group of " warrirors " who are , unbeknownst to him , a group of carnival bugs , and they agree to help under similar false pretenses .
these bugs are an equally wonderful assortment to anything in " toy story " : foppish walking stick slim ( david hyde - pierce ) , german caterpillar heimlich ( joe ranft ) , quick - tempered and insecure male ladybug francis ( denis leary ) , pretentious praying mantis manny ( jonathan harris ) , his assistant butterfly hypsy ( madeliene kahn ) , spider rosie ( bonnie hunt ) , and two fleas , tuck and roll ( michael mcshane ) , who speak in undiscernable jibberish .
the writers lightly touch on each bug 's place in bug society and the malleability thereof while making a wisecracks at everything they can , and blowing the audience away with wild visual treats .
grasshoppers jumping in unison seems like a menacing earthquake .
a small bird becomes an ominous mortal threat , whose usual mild - mannered squeal is a scream of death .
the bug city is a modern - day metropolis , complete with fireflies temping as traffic lights and a fly sitting on the curb , holding out a cup , with a sign lying next to him that says " kid tore off wings .
"
and a rainstorm is like a giant flood , with each drop acting like a small bomb dropped at millions of miles per hour .
around this , the pixar animators stage several large set pieces , like a resuce mission halfway through that is as wild and entertaining as anything this year , and a wonderfully exciting action piece at the end , a chase scene at night through the labyrinthine branches of a small thicket .
meanwhile , each character gets the spotlight to be completely idisyncratic and interesting , something " antz " could n't do , and by the end , over the end credits , " a bug 's life " pulls it 's final punch , out clever - ing " antz " with a series of incessantly hilarious faux - bloopers that come just at the right time , when those who leave immeadiately after the final frame of a film have left , and you can brag that you were one of the elite who stayed and got the full money 's worth of entertainment .
still , it 's no " toy story .
" that film , maybe above any animated film i 've ever seen , encompassed almost true perfection in story , character , and wit .
it proved that it did n't need to brag about it 's cutting edge technology to really soar ( it 's the least visually striking of the three computer animated films thus far , but is still the most satisfying ) , and created a perfect world of idiosyncratic delights and innocent fun .
yet " a bug 's life , " as well as " antz ,
" are still amazing films , and prove without doubt , that if you 're gon na make a computer animated film , send it to the guys who created these three flicks , evne if they 're not working under the same roof .
Example Output:
P