In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.

Passage: During the following off-season in 2015, UBC Athletics would draw the Dinos head coach, Blake Nill away from the Calgary Dinos in what was the most high profile coaching change that year. Nill's impact was immediate as he was able to recruit quarterback Michael O'Connor, who was the ranked the sixth best quarterback by ESPN among the 2014 recruiting class. The Thunderbirds achieved a turnaround in Nill's debut season at the UBC helm to finish the 2015 regular season with a 6–2 record, placing second in the CWUAA standings. During the ensuing post-season drive of three straight single-elimination playoff games on the road, UBC upset the heavily favoured Calgary Dinos in the Hardy Cup game at Calgary; then defeated the St. Francis Xavier X-Men to earn its historical first Uteck Bowl victory at Antigonish, to advance to the national title game. In the 51st Vanier Cup championship, the Thunderbirds narrowly defeated the defending CIS champion Montreal Carabins, by scoring the game's last possession field goal to end the fourth quarter. The victory was UBC's fourth Vanier Cup overall, tying the Calgary Dinos for the all-time record among CWUAA member universities.
 Link Information: he was drafted in the third round, 20th overall Answer: third round, 20th overall
In what round was Michael O'Connor drafted in 2015?

Passage: Vincent Canby of The New York Times wrote, "As an attempt to elevate pornography ... into art, it is often witty and funny but it fails for several reasons, including Ginsberg's self-imposed limitations on form (to which he's not completely faithful)." He elaborated that "the screenplay, like the film, eventually drifts in a horizontal direction into a kind of foggy confusion." Variety stated, "The problem with 'Coming Apart' is that while it suggests some interesting ideas, it can't deliver any of them in cogent form. If Torn is supposed to be some form of saint in the 20th Century religion of psychiatry, prepared to accept the truth of his perceptions with detached irony, this only adds to the deadness of the film as public entertainment." Gene Siskel of the Chicago Tribune gave the film 3.5 stars out of 4 and praised Rip Torn for "a brilliantly controlled performance. He never appears to be acting." Kevin Thomas of the Los Angeles Times wrote, "In this dreary study of the disintegration of a New York psychologist (Rip Torn), Ginsberg made the mistake of placing professional actors in improvised Warhol-like situations ... What we're left with, consequently, is scarcely more than some mild but mainly tedious pornography for intellectuals." Gary Arnold of The Washington Post wrote, "Compared to the erotic satire, the film's serious pretensions seem so uninspired and derivative that it's only natural to find that your interest dwindles once the characters start sorting out their souls ... the breakdowns turn morbidly sentimental and theatrically pat." Life reviewer Richard Schickel praised Torn's performance, Ginsberg's inventive use of camera and sound, and the "illuminating" portrayal of a schizophrenic breakdown. Andrew Sarris of The Village Voice gave it a less favorable review, however, and the film was a commercial failure.
 Link Information: 

Vincent Canby (July 27, 1924 – October 15, 2000) was an American film and theatre critic who served as the chief film critic for The New York Times from 1969 until the early 1990s Answer: 1969 
When did Canby begin working for the New York Times?

Passage: Dudow was born in Zaribrod, Bulgaria (today Dimitrovgrad, Serbia). In 1922, he emigrated to Berlin with the intention of becoming an architect. He gave up this plan and began studying theatre in 1923, first under Emmanuel Reicher, and then, from 1925 to 1926, as a theatre studies student under Max Herrmann at the university. He worked with Leopold Jessner and Jürgen Fehling, served as a chorus member under Erwin Piscator, and was a director's assistant to Fritz Lang on the production of Metropolis. During this time, Dudow also ran a bookstore with his wife and worked as a foreign correspondent for a Bulgarian newspaper. In 1929, he visited the Soviet Union, where he met Vladimir Mayakovsky and Sergei Eisenstein in Moscow and eventually, Bertolt Brecht. After his return from the USSR, Dudow directed Brecht's theatrical piece, The Decision (Die Massnahme), and began his film directing career. He was commissioned by the left-wing, Soviet-German production company Prometheus-Film to direct a short film, Wie der Berliner Arbeiter wohnt (1929), as part of the documentary series Wie lebt der Berliner Arbeiter? Dudow's first feature, Kuhle Wampe (To Whom Does the World Belong?, 1932) was a collaboration with Brecht (who provided the script and helped finance the project), Hanns Eisler, and Ernst Ottwalt. It was banned because it was perceived as being politically subversive. 
 Link Information: none Answer: none

How many features did Brecht and Dudow work on together?