In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Q: synopsis : two con artists find the perfect patsy in harry ( woody harrelson ) - - an inept former journalist who trips and bumps his head into a post , tries to slap a girl and gets poked in the eye , has ill - timed fits of coughing , and fails at everything he does .
the story is told from harry 's point of view .
harry always carries around a shot of whiskey although he swears he does n't drink .
one day harry is approached by the con girl rhea ( elisabeth shue ) , who is similar to harry in that she carries around a cigarette but swears she does n't smoke .
seduced , harry agrees to participate in a money - making scheme involving faking the kidnapping of odette ( chloe sevigny ) , the teenage daughter of a rich man .
turns out , it 's all part of a needless , very puzzling , extremely elaborate and convoluted scheme
( it involves hiring special impersonators ) by two cons in order to fool harry , a hero who barely has the intellectual capacity of a wooden post .
when the ' kidnapped ' odette is found dead , the clues point to harry as the kidnapper / murderer , and the police are hot on harry 's trail .
harry suddenly realizes he has been framed while others have taken the ransom money .
can he get out of this mess ?
opinion : palmetto is a long , uninteresting film with all the wrong feel .
hero harry is an inept bungler who trips up often and consistently overestimates his own intelligence .
this farcical kind of character works best in an entertaining naked gun action comedy or dragnet spoof .
but palmetto is played like a dark , serious , detective noir drama , and watching harry 's bumbling confidence amounts to an irritating distraction .
there 's a lapse in concentration in the middle of the movie as the camera goes wild on breasts , buttocks , short skirts , colored painted nails , and women 's legs .
even when the focus is supposedly on harry and his dilema , you can always notice the side of elizabeth shue 's breast forming a prominent foreground .
towards the end , palmetto re - focuses on plot for the grand finale - - a confusing explanation involving impersonators , with woody harrelson handcuffed and suspended over a tub of acid as he hears the criminals ' confession . if you can imagine ' shemp ' from the three stooges playing the detective hero of an hbo ' lingerie suspense ' thriller , that 's how out of synch this movie feels .

A: N
****
Q: it is with hesitance that i call " apocalypse now " a masterpiece .
certainly , it had the pedigree to be one of the greatest films ever made , with a director known for producing masterpieces with ease , and some of the finest actors of the 1970 's .
the plot , an adaptation of joseph conrad 's " heart of darkness " , was set in vietnam , and the timing of the film was supposed to be brilliant , coming on the heels of the end of the war .
" apocalypse " certainly has its moments , some of which are the finest in film history .
the plot is fairly simple .
captain willard ( sheen ) , is a troubled soldier who came back to hanoi for a 2nd tour of duty .
his mission is simple : take a boat up to cambodian territory , and destroy the command of renegade colonel kurtz ( brando ) " with extreme prejudice " .
along the way , willard runs into a series of adventures , including one with lt .
col .
kilgore ( duvall ) , and a strange encounter with playboy bunnies .
willard ' s four person crew finally make it to kurtz ' compound , where he discovers kurtz has set himself up as a god among the natives .
willard 's experiences with kurtz take up the last half - hour , with a confrontation and eventual ending .
the movie is visually breathtaking .
the battle scenes are exquisitely done , and the score is brilliant , setting a murky mood of darkness that is first - rate .
the collage of disturbing images that coppola presents is at times both astonishing and sickening .
the vast amount of detail poured into every war scene is stunning , and there are many episodes that are deeply powerful which resonate through the entire movie .
the journey to kurtz ' camp is quite a ride , with psychosis setting in on almost every character .
the most interesting one is kilgore , the lt .
col .
who cares more about the surf than about the mission .
it is at times revolting , psychotic , and incredible , and
it is one hell of a movie .
the scenes are bold , inventive , and powerful , and the acting is stunning , especially be sheen , duvall , and fishburne .
the narration is exquisite , as is the mystery of kurtz .
coppola sets about a hallucinatory ride through vietnam , kind of like " saving private ryan " on lsd .
the film is jarring in its implications , and psychotic in its execution .
the problems come when the film slows down .
one of the major scenes in the film , where the boat arrives at the final army checkpoint before they start their search for kurtz , is a colossal mess .
the dialogue is confusing , the lighting is atrocious , and the scene drags on for 10 terrible minutes of film .
the true problems happen after the crew does come into the kurtz compound .
the film slows down to a drag .
sheen seems forever captured by a madman , played by brando is a lazy performance that is not deserving of the accolades it received .
brando is in the film for no more than 15 minutes , but is bathed in shadows the entire time , making the last half hour of the film visually pathetic .
the scenes are poorly done , the dialogue is muffled , and the whole mess is utterly confusing beyond all belief .
sheen seems to adore this man , but why the viewers are never told .
the entire journey is supposed to be a prelude for a stunning entrance of this god - like kurtz , but the scenes fall way short of expectations .
granted , it has its moments , which are brutally horrific , but the general feeling is one of confusion .
brando mumbles his lines in a incoherent stir , and my feeling was that this could never be a great man , this could never be a man who inspires hundreds to follow him , so why do they do it ?
there are moments of brilliance , but the visual confusion dilutes the power of the scene .
there are too many questions left unanswered with the character of kurtz to have a satisfying ending .
the finest scene at the end is sheen 's escape , and his entrace into the temple .
his rise out of the water , with the smoke coming off of his slicked head , is a brilliant 30 seconds of film .
yet , you can not shake the feeling that there is so much more this film could have done .
the psychotic ride is unforgettable at times , and indeed the film on the whole is very good .
it is a stunningly flawed expression of film , for it addresses major issues , such as man 's mental stamina during bouts of war .
but one still can not shake the feeling that this film could have so much more powerful , had the character of kurtz been more explored , and had sheen truly succumbed to the fate that the viewer thought he was destined for .
there is too much good material in here not to be called a masterpiece , but it could have been so much more rewarding .

A: P
****
Q: ok , i admit it -- i find camp amusement with the spice girls .
yes , the same spice girls of the gimmicky individual " identities , " they of the annoyingly infectious bubblegum pop hooks and cheesy unifying mantra of " girl power .
"
but not even their guilty pleasure appeal is n't enough to carry their big screen debut , a junky mess which would be more aptly named shite world than spice world .
the film begins amusingly enough , with a cheeky 007-esque title sequence in which the british quintet-- " scary " ( melanie brown ) , " baby " ( emma bunton ) , " sporty " ( melanie chisolm ) , " ginger " ( geri halliwell ) , and " posh " ( victoria adams )
--are introduced one by one ( to , much to my surprise , excited and only slightly mocking cheers from the press audience ) as they croon the silky ballad " too much " ( a tune that would sound right at home in an actual james bond film ) .
a few minutes and an elton john cameo later comes an introductory tour of the numerous plotlines that run through the film : ( 1 ) the spicy ones go on a european publicity tour leading up to their first live concert at london 's royal albert hall ; ( 2 ) a film producer ( george wendt ) and a screenwriter ( mark mckinney ) pitch various film ideas to the girls ' manager , clifford ( richard e . grant ) ; ( 3 ) a documentary film crew follows the girls ; ( 4 ) a pregnant " mate " ( naoki mori ) of the group rapidly approaches her due date ; and ( 5 ) a tabloid publisher ( barry humphries ) attempts to destroy the group with the help of a sneaky shutterbug ( richard o'brien ) .
capped off by a live rendition of the girls ' bouncy hit " say you 'll be there , " a wealth of laughs and merriment is sure to follow , right ? wrong .
it 's all downhill from there as spice world collapses into a series of misfired comedy sketches .
i must give the girls credit for their refreshing willingness to make fun of themselves , but writer kim fuller and director
bob spiers can barely come up with a funny joke between them , much less a organized framework for all the " wacky " goings - on .
spice world jumps from vignette to vignette , subplot to subplot with no direction and little sense , at one minute having the girls meet with aliens ( no joke ) and at another having them stage a daring rescue of two young fans who fall into the water during a boat ride .
while a decent joke slips through the cracks here and there -- during a " dance bootcamp " scene , the girls sing the lyric
" we know how we got this far / strength and courage and a wonderbra
" --much of the material is not even funny on the chuckle level .
some gags are just plain pointless , such as roger moore 's recurring role as the mysterious chief , who dispenses cryptic , metaphor - heavy advice to clifford .
the only reason why i can think anyone would find that funny is the fact that moore once played james bond .
ha ha .
as weak as the script is , i think there 's one insurmountable problem
with even attempting to make a spice girls movie , and that is the girls themselves .
the point is not that they ca n't act ( and , for the record , they really _ ca n't _ ) but that their individual personas , which works as a gimmick over the span of a four - minute music video , are too thin to survive outside of the truncated , video bite mtv world .
posh ( who garnered the most enthusiastic cheers during the introductions ) comes off best by default because her persona ( rich bitch ) most easily translates into character in a film .
baby 's persona ( young innocent ) , to a lesser extent , also works , but the remaining girls ' identities are a little harder to flesh out .
there really is n't much to do with sporty besides having her exercise every so often ( which is _ exactly _ what fuller and spiers do ) , and , after all , what exactly entails being " ginger " or " scary " ?
apparently , just their wardrobes .
spice world manages to pick up some steam in the late going following a flashback performance of the spices ' signature hit , " wannabe .
" the song is as grating as ever , but the energy of the number gives the proceedings a much - needed shot in the arm , setting the stage for a wave of self - referential humor stemmed from the screenwriters ' film ideas ( the film almost mirrors robert altman 's the player in the way the film snails into itself ) .
this section of the film , involving all manner of derring - do involving a speeding bus , is perhaps its most effective , but it also points up how all the other storylines ( the publisher , the documentary crew ) lack a satisfactory payoff .
spice world is harmless entertainment suitable for the entire family , and it will please the spice faithful .
but this sloppy enterprise surely wo n't win them any new fans , which is what the group sorely needs to bolster its rapidly waning girl power in the states .
once the hype disappears , spice world will likely serve as the the spices ' final hurrah in america .

A:
N
****