In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: " . . . because i 'm a scientist . that 's what we do ! " --- dr .
alexander mccabe ( bob gunton ) , in response to why he created evil bats .
alright folks , stop me if you 've heard this one : genetically altered animals wreak havoc on a town and a small band of locals , assisted by a specialist in the particular animal 's field , must team up to stop the mutant creatures before they can multiply and spread across the earth .
oh yeah , the military is on their way to bomb the town as well , so they are running short on time .
sound familiar ?
such is the plot of the destination films release of bats .
dina meyer stars as the " bat specialist " sheila , who is pulled from her research ( along with her annoying sidekick , played with irritating deftness by leon ) in order to help a small texas town figure out why some local citizens and animals have been chewed to death recently .
with the help of the local sheriff ( lou diamond phillips ) , a cdc official ( carlos jacott ) , and a scientist ( bob gunton ) , sheila discovers it is indeed bats ( who have been genetically altered by gunton 's character to be more aggressive and omnivorous , in order to be used as a military weapon ! ) .
i have to say here
that i knew exactly what i was getting into going into this film .
there 's not a frame of promotional footage i have seen for the film that would have led me to believe it was going to be any good .
in this respect , the film never disappointed me .
this film reaches a level that transcends the " so bad
it 's good " level and borders on the downright insane .
the effects are awful , the script is contrived , and for most of the feature i was laughing at things that were supposed to be taken seriously ( i think ) .
i challenge anyone to sit through the scene , where a bat stalks a baby in a crib while another bat terrorizes a patron eating at a diner , with a straight face .
thankfully , the performances are as good as they can be considering the material the actors had to perform with .
dina meyer has always been the highlight of any of the films she has been in ( johnny mnemonic , dragonheart , and starship troopers . . .
the latter being the only film out of that batch with any actual merit ) , and this one is no exception .
while one never really gets the impression that meyer 's character could be a bat expert in reality , one never really cares to doubt it either .
she gives as good a performance as could be expected , plus she 's nice to look at for an hour and a half .
lou diamond phillips is also serviceable here , as the small town sheriff turned eventual hero .
although when we first meet his character he knows bats are the reason for what 's going on in town , for some reason later on he suddenly becomes amazed to learn that the actual cause of the deaths in town are because of bats .
the only bad performance in the film is that of leon 's .
he is relegated to the " i 'm not sticking around here !
" character and proceeds to repeat variations of that line for the majority of the film even though he stays .
anyone who ca n't immediately tell that bob gunton ( the bad guy in patch adams and countless other films ) is going to eventually turn on the gang and side with his creations before his eminent death will probably be surprised , but i highly doubt it .
even if he had n't been the villain in just about every film he 's ever been in , so many obvious hints are given to indicate the devious act that it holds no shock whatsoever .
in fact , his death is welcome , because it finally starts moving the plot towards the finale .
if the plot does n't sound ridiculous to you yet , then check out these little tidbits : a multitude of bats inexplicably disperses when a police officer cocks his pistol .
an entire town disregards the sheriff and doctor 's orders to stay indoors after a curfew is instigated , causing mass hysteria when the bats come out in full force , killing several townsfolk .
a government official blows off shelia 's instructions ( to wait until dawn to install a cooling unit in the bats ' cave that will kill all of them off ) by pulling a night job , resulting in the death of an entire military unit .
a cavern full of bat feces never ignites when a phosphorus flare is lit right in the middle of it .
finally , to top it all off , this little texas town is showing nosferatu in it 's single screen theater ( for reference , our town has over a million people in it with nearly 150 movie screens , and we 're lucky to even get kevin smith 's dogma ) .
the most laughable part of the movie though comes from the ill - conceived bat puppets .
while the actual bat attack scenes are shot with rapid fire editing ( making the scenes nearly impossible to comprehend what 's going on ) , the scenes where a bat is called upon to interact with a live actor are usually shot more low - key .
therefore we the audience get loving close - ups of the most unrealistic , rubbery bat puppets ever committed to film
.
being able to see the puppeteer 's arms would be the only things that could have made these creations worse .
after all of this , if you still decide bats might be the movie for you ,
do n't say you have n't been warned .
trust me when i say that it 's a lot more fun to trash than it is to sit through .
i just wish that dina meyer would be cast in more roles or at least choose better films to appear in .
she 's definitely a talent that is going to waste in films like these .

Output: N


Input: Consider Input: best remembered for his understated performance as dr .
hannibal lecter in michael mann 's forensics thriller , manhunter , scottish character actor brian cox brings something special to every movie he works on .
usually playing a bit role in some studio schlock ( he dies halfway through the long kiss goodnight ) , he 's only occasionally given something meaty and substantial to do .
if you want to see some brilliant acting , check out his work as a dogged police inspector opposite frances mcdormand in ken loach 's hidden agenda .
cox plays the role of big john harrigan in the disturbing new indie flick l .
i .
e . , which lot 47 picked up at sundance when other distributors were scared to budge .
big john feels the love that dares not speak its name , but he expresses it through seeking out adolescents and bringing them back to his pad .
what bothered some audience members was the presentation of big john in an oddly empathetic light .
he 's an even - tempered , funny , robust old man who actually listens to the kids ' problems ( as opposed to their parents and friends , both caught up in the high - wire act of their own confused lives . )
he 'll have sex - for - pay with them only after an elaborate courtship , charming them with temptations from the grown - up world .
l .
i .
e . stands for long island expressway , which slices through the strip malls and middle - class homes of suburbia .
filmmaker michael cuesta uses it as a ( pretty transparent ) metaphor of dangerous escape for his 15-year old protagonist , howie ( paul franklin dano ) .
in his opening voice - over , howie reveals a morbid preoccupation with death on the road , citing the l .
i .
e .
highway deaths of filmmaker alan
j .
pakula , songwriter harry chapin , and his own mother on exit 52 .
he 's both fascinated and disturbed by the l .
i .
e . , and those feelings are projected onto big john ( who follows howie around in his bright red car , but never makes a move to force the boy to do something he does n't want to do .
this makes him much more complex than the usual child molesters seen in movies -- he 's a beast , but ashamed of it . )
l .
i .
e . would have worked best as a half - hour short film about howie 's ill - advised foray into big john 's haven .
there is unnecessary padding with howie 's miserable dad ( bruce altman ) in the hot seat for a white - collar crime , degenerate youngsters who get their kicks from robbing middle - class houses , and some homoerotic shenanigans with wise - ass gary terrio ( billy kay ) , a handsome artful dodger . rather than add to the themes of suburban ennui ( not that we needed another movie on that subject ) , these awkward subplots pad out the running time to adequate feature length .
concurrently , the relationship between howie and big john is evenly paced and exceptionally well acted .
cox , sporting a baseball cap and a faded marine tattoo , is all bluff and bluster .
dano is quiet and at first glance seems so withdrawn as to be transparent .
we 're so used to child actors whose dramatic choices are broad and obvious ( calling haley joel ! ) , it 's surprising to see one who actually listens throughout any given scene .
the restraint is admirable .
but l . i .
e . 's
screenplay does n't always give them the best material .
when howie reads big john a walt whitman poem , the moment feels a bit too precious .
director michael cuesta lingers on an ecstatic reaction shot of big john , who may as well be hearing glenn gould performing bach 's goldberg variations .
it 's too much .
there are also some obvious dramatic contrivances involving big john 's other boy toy ( walter masterson ) , jealous over the newbie .
this plot thread predictably leads to violence .
not content to be a haunting , observational portrait of teen alienation in a royally screwed up world ( like terry zwigoff 's superb ghost world ) , cuesta lacks the confidence in his own work to end on an ambivalent note .
it 's typical of unimaginative cinema to wrap things up with a bullet , sparing the writers from actually having to come up with a complex , philosophical note .
in this regard
, l . i .
e .
( and countless other indie films ) share something in common with blockbuster action films : problems are solved when the obstacle is removed .
how often does real life work this way ? to extend the question : if a movie is striving for realism , do dramatic contrivances destroy the illusion ?

Output: N


Input: Consider Input: " footloose " has only one goal in mind : to reel in an audience with cheesy sentiment and feel - good antics .
and i hate to admit it ; i fell for it .
the movie is about a teenager ( bacon ) who moves to a small town from the big city , and discovers that dancing has been banned by the local reverend ( lithgow ) .
he ends up falling for the preacher 's daughter ( singer ) and showing the whole town what the magic of dance can do .
as mentioned at the beginning of this review , " footloose " is an extremely hokey and predictable teen drama .
there are virtually no surprises , and the writing is second - rate .
so
why did i enjoy it so much ? for one thing ,
the cast is great .
kevin bacon oozes charisma in an early role .
we 're rooting for him right from the start , and , unlike most films of this genre , bacon does n't play him as the " rebel without a clue " sort .
yes , he does rebel , but he 's also polite when he needs to be .
and he never broods .
the rest of the cast is equally impressive .
john lithgow , seen here playing a normal guy for a change , is playing a man who would normally be a flat out villian .
but lithgow plays him as a concerned father who is trying to do what he feels is best for his daughter .
by the end of the film , we feel a genuine sense of love and understanding between him and the lori singer character .
another nice touch is the music .
we see the parents of the kids complaining that the music they listen to is filled with " sexual innuendos " , but that 's not true at all .
the title track , performed by kenny loggins , is upbeat and fun .
during the final sequence , i was overcome with the urge to get off the couch and start dancing
.
of course , i soon realized that would be a little pathetic .
anyway , " footloose " is a charming little surprise .
do n't let the premise prevent you from watching it .
it sucked me in , and it 'll do the same to you .


Output: P