You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.
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Question:  Prologue: An unnamed narrator tells how he befriended an old "Hispano-American" gentleman who never spoke of his past. His interest piqued, the narrator finally elicits the story.
Venezuela, c. 1875. Abel, a young man of wealth, fails at a revolution and flees Caracas into the uncharted forests of Guayana. Surviving fever, failing at journal-keeping and gold hunting, he settles in an Indian village to waste away his life: playing guitar for old Cla-Cla, hunting badly with Kua-k , telling stories to the children. After some exploring, Abel discovers an enchanting forest where he hears a strange bird-like singing. His Indian friends avoid the forest because of its evil spirit-protector, "the Daughter of the Didi." Persisting in the search, Abel finally finds Rima the Bird Girl. She has dark hair, a smock of spider webs, and can communicate with birds in an unknown tongue. When she shields a coral snake, Abel is bitten and falls unconscious.
Abel awakens in the hut of Nuflo, an old man who protects his "granddaughter" Rima, and won't reveal her origin. As Abel recovers, Rima leads him through the forest, and Abel wonders about her identity and place of origin. Abel returns to the Indians, but relations become icy, because they would kill Rima, if they could. Rima often speaks of her dead mother, who was always depressed. Abel falls in love with Rima, but she (17 and a stranger to white men) is confused by "odd feelings". This relationship is further strained because Abel cannot speak her unknown language.
Atop Ytaiao Mountain, Rima questions Abel about "the world" known and unknown, asking him if she was unique and alone. Abel sadly reveals that it is true. However, when he mentions the storied mountains of Riolama, Rima perks up. It turns out that "Riolama" is her real name. Nuflo must know where Riolama is, so a wroth Rima demands Nuflo to guide her to Riolama under threats of eternal damnation from her sainted mother. Old, guilty and religious, Nuflo caves in to the pressure. Abel pays a last visit to the Indians, but they capture him as a prisoner, suspecting that he is a spy for an enemy tribe or consorts with demons. Abel manages to escape and return to Rima and Nuflo. The three then trek to distant Riolama. Along the way, Nuflo reveals his past, and Rima's origin.
Seventeen years ago, Nuflo led bandits who preyed on Christians and Indians. Eventually, forced to flee to the mountains, they found a cave to live in. Hiding in the cave was a strange woman speaking a bird-like language. She was to be Rima's mother (never named). Nuflo assumed the woman was a saint sent to save his soul. Nuflo left the bandits and carried Rima's mother, now crippled for life, to Voa, a Christian community, to deliver Rima. Rima and her mother talked in their magical language for seven years, until Mother wasted away in the dampness and died. As contrition, Nuflo brought Rima to the drier mountains. The local Indians found her queer, and resented how she chased off game animals, and therefore tried to kill her. A mis-shot dart killed an Indian, and they fled Rima's "magic".
In the cave, Rima is eager to enter Riolama valley. Abel reveals sad news: her mother left because nothing remained. She belonged to a gentle, vegetarian people without weapons, who were wiped out by Indians, plague and other causes. Rima is indeed unique and alone. Rima is saddened but suspected it: her mother was always depressed. Now she decides to return to the forest and prepare a life for herself and Abel. She flits away, leaving Abel to fret as he and Nuflo walk home, delayed by rain and hunger. They return to find the forest silent, Nuflo's hut burned down, and Indians hunting game. Abel, exhausted, is again taken prisoner, but isn't killed, as he quickly makes a vow to go to war against the enemy tribe. On the war trail, he drops hints about Rima and her whereabouts. Kua-Ko explains how, thanks to Abel's "bravery", the Indians dared enter the forbidden forest. They caught Rima in the open, chased her up the giant tree. They heaped brush underneath it and burned Rima.
Abel kills Kua-k  and runs to the enemy tribe, sounding the alarm. Days later he returns. All his Indian friends are dead. He finds the giant tree burned, and collects Rima's ashes in a pot. Trekking homeward, despondent and hallucinating, Abel is helped by Indians and Christians until he reaches the sea, sane and healthy again. Now an old man, his only ambition is to be buried with Rima's ashes. Reflecting back, he believes neither God nor man can forgive his sins, but that gentle Rima would, provided he has forgiven himself.

Answer: Which character is taken prisoner?


Question:  Maurya has lost her husband, and five of her sons to the sea. As the play begins Nora and Cathleen receive word from the priest that a body, that may be their brother Michael, has washed up on shore in Donegal, the island farthest north of their home island of Inishmaan. Bartley is planning to sail to Connemara to sell a horse, and ignores Maurya's pleas to stay. He leaves gracefully. Maurya predicts that by nightfall she will have no living sons, and her daughters chide her for sending Bartley off with an ill word. Maurya goes after Bartley to bless his voyage, and Nora and Cathleen receive clothing from the drowned corpse that confirms it is their brother. Maurya returns home claiming to have seen the ghost of Michael riding behind Bartley and begins lamenting the loss of the men in her family to the sea, after which some villagers bring in the corpse of Bartley, who has fallen off his horse into the sea and drowned.
This speech of Maurya's is famous in Irish drama:
(raising her head and speaking as if she did not see the people around her) They're all gone now, and there isn't anything more the sea can do to me.... I'll have no call now to be up crying and praying when the wind breaks from the south, and you can hear the surf is in the east, and the surf is in the west, making a great stir with the two noises, and they hitting one on the other. I'll have no call now to be going down and getting Holy Water in the dark nights after Samhain, and I won't care what way the sea is when the other women will be keening. (To Nora) Give me the Holy Water, Nora; there's a small sup still on the dresser.

Answer: What does Maurya ask Nora to fetch from the dresser?


Question:  An unnamed narrator listens to Douglas, a friend, read a manuscript written by a former governess whom Douglas claims to have known and who is now dead. The manuscript tells the story of how the young governess is hired by a man who has become responsible for his young nephew and niece after the deaths of their parents. He lives mainly in London and is uninterested in raising the children himself.
The boy, Miles, is attending a boarding school, while his younger sister, Flora, is living at a summer country house in Essex. She is currently being cared for by the housekeeper, Mrs. Grose. The governess' new employer, Miles and Flora's uncle, gives her full charge of the children and explicitly states that she is not to bother him with communications of any sort. The governess travels to her new employer's country house, Bly, and begins her duties.
Miles soon returns from school for the summer just after a letter arrives from the headmaster stating that he has been expelled. Miles never speaks of the matter, and the governess is hesitant to raise the issue. She fears there is some horrible secret behind the expulsion but is too charmed by the adorable young boy to want to press the issue. Soon thereafter, the governess begins to see around the grounds of the estate the figures of a man and woman whom she does not recognize. These figures come and go at will without ever being seen or challenged by other members of the household, and they seem to the governess to be supernatural. She learns from Mrs. Grose that her predecessor, Miss Jessel, and another employee, Peter Quint, had had a sexual relationship. Prior to their deaths, Jessel and Quint spent much of their time with Flora and Miles, and this fact has grim significance for the governess when she becomes convinced that the two children are secretly aware of the ghosts' presence.
Later, without permission, Flora leaves the house while Miles is playing music for the governess. The governess notices Flora's absence and goes with Mrs. Grose in search of her. They find her in a clearing in the wood, and the governess is convinced that Flora has been talking to the ghost of Miss Jessel. When the governess finally confronts Flora, the girl denies seeing Miss Jessel and demands never to see the governess again. At the governess' suggestion Mrs. Grose takes Flora away to her uncle, leaving the governess with Miles, who that night at last talks to her about his expulsion; the ghost of Quint appears to the governess at the window. The governess shields Miles, who attempts to see the ghost. The governess tells Miles he is no longer controlled by the ghost and then finds that Miles has died in her arms, and the ghost has gone.

Answer:
What did the Governess fear in regards to the letter that Miles received?