In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: i remember making a pact , right after ` patch adams ' , to not be easily be suckered by movies dripping with sentimentality .
but darn it , ` music of the heart ' is just layered with feel - good material and bright characterizations .
it 's hard to dislike a movie that uses such skill with it 's manipulation .
in addition , it 's also a terrific family film .
this is the true story of violin teacher
roberta guaspari , who fought the school board to keep the musical program active in a handful of inner city harlem schools .
it could also be described as ` mrs .
streep 's opus ' .
yes , meryl streep brings her dramatic clout to the demanding role of guaspari , and that brings both good news and bad .
out of the gate , possibly because of her distracting star power and the rushed writing , it is relatively difficult to identify with roberta 's character and grasp her academic point - of - view .
she is very strict with her students , but what insight does that create into the story ?
slowly but surely , we begin to recognize the intentions of the character , and show admiration for the thoughtfulness and human feeling that streep has once again applied .
one thoroughly interesting fact about ` music of the heart ' lies with the unlikely presence in the director 's chair : horror veteran wes craven .
after leaving an impression with the ` scream ' films and the original ` nightmare on elm street ' , craven has attempted a precarious cross - over to drama .
at first , his inexperience with the genre is fairly obvious , but as the film progresses craven finds a surprisingly comfortable niche with directing this material .
it does n't carry the heart - warming courage of ` mr .
holland 's opus ' , but ` music of the heart ' is casually assured and filled with little morsels of dramatic truth .
the tag team of streep and craven works better than you would anticipate .
yes , oscar could come calling once again for meryl streep , but it 's the solid ensemble cast that makes ` music of the heart ' work .
angela bassett displays her usual forceful stamina as janet williams , the principal at an inner city school who initially does n't hire roberta because of her lack of experience .
blue - eyed adian quinn is endearing , as always , playing a new love interest .
gloria estefan also delivers in the tiny role of a supportive second - grade teacher , and the three lead actresses together produce a flaming fireball of estrogenic force .
it 's like a schoolteacher 's version of ` thelma and louise ' , in a restrained but effective manner .
the movie tackles more issues than just guaspari 's teaching of violin .
there 's some powerful moments between roberta and her two sons , who must cope when their father leaves them for another woman .
in it 's dramatic build - up
, the movie manages to produce some authentic moments of feeling and warmth .
it 's a good movie for anyone to see , although missing out on the experience would not be a life - altering decision .
it 's commendable of wes craven to be attempting such a difficult cross - over , and also for achieving his intricate goal .
watching this heartfelt chick flick about morals and musical instruments , who may ask yourself : this is the guy who directed ` scream ' ?
of course , when the third installment of that series comes around in february 2000 ( with craven directing ) , you may find yourself wondering : this is the guy who directed ` music of the heart ' ?
mission accomplished , wes .
thankfully , there is no layer of artificial sentiment covering the film .
in it 's entirety , it 's a wholesome and agreeable movie for the whole family , despite the periodic flaws that surface every once in awhile .
the child actors are cute and perform up to par , even if some of their problems are clich ?
d and predictable in the extreme .
the mother who does n't want her son to be learning ` white man 's music ' , the unexpected casuality .
. .
basically everything is there .
it does n't strike the perfect chord , but ` music of the heart ' is highly convincing .
the uplifting true story of roberta guaspari could have been told better , but ` music of the heart ' is still edifying enough to properly divulge her morals .

Output: P


Input: Consider Input: the only historical figure that has been written about more than william shakespeare is jesus christ , which explains why the bard 's materials are such a popular source for remakes , revisions , rewrites , inspiration , subtlety , credit , and dispute .
indeed , in recent years , american contemporary cinema has been swamped with a wash of shakespearean products . including this year 's upcoming a midsummer night 's dream , shakespeare 's material has been the cause for twenty - six big screen productions since 1990 .
but for a change of pace , mrs .
brown director john madden gives us a story of the bard himself in the wonderfully vibrant shakespeare in love .
marc norman and tom stoppard 's story is largely fantasy , although as the viewer soon learns , shakespeare in love is not a movie that takes itself seriously .
( will shakespeare of the 1590 's would 've been married to anne hathaway , and he would 've had a teenage daughter and two young sons ; here he is a bachelor played by joseph fiennes . )
will is a writer struggling to come up with a great play , and his current comedy in the works -- " romeo and ethel , the pirate 's daughter " -- just does n't quite seem right .
with the help of the great writer christopher marlowe ( rupert everett ) , and the inspiration of true love with noblewoman viola de lesseps ( gwyneth paltrow ) , he changes things around and writes one of his greatest tragedies , " romeo and juliet .
"
the love story between will and viola loosely parallels the story of romeo and juliet , to great effect .
fiennes and paltrow develop a sexy chemistry as the two lovers which gives the movie much momentum ; this momentum smoothes out the bumps in the unfinished and largely unsuccessful comedy .
the supporting roles are well filled out , from geoffrey rush as will 's worrisome agent , philip , to tom wilkinson as the producer hugh fennyman .
even ben affleck , leading the troupe of actors , manages to make a favorable impression ; and judi dench lends some brief moments of screen time as queen elizabeth i .
gwyneth paltrow is by far , however ,
the standout of the lot , creating a large percentage of the forementioned vibrance .
the story is well - crafted if nothing else , although it has dangerous moments where it flirts with the " let 's make a movie " -genre .
the dialogue is breezy and lighthearted , and certainly accessible by the audience 's lowest common denominator .
there 's something for everyone in this romantic comedy , making it prime date flick material .
although certainly not inspiring in any regard , it revels in a wholesome , well - rounded atmosphere that has been absent in many of 1998 's pictures ; the true - love story is one of the best around .
certainly recommendable when the traditional slew of indifferent year's - open releases is just around the corner .

Output: P


Input: Consider Input: way of the gun is brimming with surprises , some good , most bad .
one of the good ones is ryan phillippe 's surprisingly halfway decent performance .
after the actor gained much attention by posing and preening through teen swill like i know what you did last summer , he hinted at a bit growth in last year 's cruel intentions with his amusingly contemptuous john malkovich meets james spader performance , though his acting in that film faltered around the third act mark , precisely when the screenplay made his character grow a heart ( presumably to appeal to his training bra wearing fans ) and start bellyaching about how he 'd fallen for his " target " .
it was a dramatic shift that neither phillippe nor the film 's director could negotiate .
but he seems to be trying and that should n't be overlooked ( or probably over praised ) seeing as how , at this point , he really is n't required to do much but look pretty .
here , phillippe has procured a five day growth of beard , his hair askew and his affect altered to sound something like james cagney in all his " look here , see " glory .
it 's tough to believe a pretty boy like phillippe as a hard ass , but his performance actually helps with the illusion .
unlike ben affleck 's puppy dog approach in reindeer games , phillippe is believable and not too bad at that .
as for the plot , well , that 's one of the bad surprises ; phillippe and the great benicio del torro play two moronic ( and not even remotely likeable ) criminals ( introduced to us in the parking lot of a rave where they stupidly pick a fight with about twenty people ) who hatch a scheme to kidnap a surrogate mother ( juliette lewis ) after overhearing that she 's carrying the baby of painter ( scott wilson ) , a very well connected wealthy man .
the kidnapping devolves into a laborious shoot out where much damage is done and many are killed .
but the anti - heroes escape with the woman while an aging hit man ( james caan ) and two scheming bodyguards ( taye diggs and nicky katt ) remain in pursuit .
directed by christopher mcquarrie , the screenwriter who won an oscar for his work on usual suspects , an overrated piece of crime noir in many circles ( this one included ) , way of the gun is a hodgepodge of crime thriller motifs that just oozes eye rolling familiarity .
unlike phillipe , mcquarrie does n't seem to be growing at all ; he fills his flick with a sprawling labyrinth of plot all snatched from movies
i know i 've seen before and worse , it feels like it .
the film lacks even a fresh approach ( like what soderbergh did out of sight or the limey ) to its clich ?
s , all of which are spewed before us in a picture that tries so desperately to be hip and gritty without bothering to notice how common it is
.
it features characters living by a code they seemed to have picked up in sam peckinpah 101 rather than any thing resembling life .
even attempts at emotional weight feel strained like in preposterous scene where enemies james caan and benicio del torro stop in their tracks to have a cup of coffee and pontificate on life , philosophy , etc .
i did n't like the bit much when it first appeared in heat ,
here , it 's even more self consciously " dramatic " .
usual suspects , which also featured a bunch of low lives that seemed to live by a code they learned from the movies , worked to some degree because of that astonishing twist ending .
nowadays an astonishing twist per ending is de rigeur , never mind if it deems all that transpired before it completely inconsequential .
thus , nearly every character in way comes with at least one dirty little secret ( most amateurishly projected before they appear ) and it too has an ironic little twist at the end ( nothing earth shattering , like in the usual suspects ) but i admit , i did n't see it coming , and i smiled .
however most of the movie feels exactly like the interrogation scenes between palminteri and spacey in usual suspects : a lot of faux huffing and puffing with no rhythm or reason .
or substance .
it 's just as overplotted as suspects , and often dull as any overplotted movie without interesting characters , a distinctive style , or a good script would be .
even the good stuff , most of which involves james caan ( doing a fine job ) , feels odd and out of place in a movie that thinks lines like " karma is only justice with out the satisfaction " are clever .
at one point caan laments " need is the ultimate monkey " a line so inexplicable he might as well have said " love is like hippo ass " .
i 've seen porno with better dialogue .
and some with better plot lines too .
but rarely has porn offered up such a talented cast ( i mean , can you even compare james caan to ron jeremy ) .
caan slips into this role with seeming ease , he could do this kind of soft - spoken tough guy in a coma , but he manages to give his character depth and weariness .
benicio del torro is always welcome , though here he plays it fairly straight ( rather than another oddball character creation like the ones the actor gave us in usual suspects and excess baggage ) , adopting a brad pitt - esque quizzical pout to go along with his heavy swaggering .
speaking of pitt , his ex , juliette lewis , is a weak link , either shouting her lines with ear shattering shrillness , or waddling about like a silly goose .
nicky katt was brilliant in a brief role in the limey , here his role is just as brief only
he seems wasted ; he 's only kept around for his cold presence .
taye diggs has a similar function , cool as ever , but never a character , though the guy has one helluva death scene .
for the most part way is incessantly talky with no reason to give a hippo 's ass about any thing that transpires since its characters are never more than simplistic pawns .
it 's vaguely tarantino - ish , but in a bad truth and consequences nm way , with phillippe , in one scene , leaping into a stupid rant about " faggots " migrating to los angeles .
you know the routine .
the final shoot out is pure bargain basement john woo ( who himself seems to be doing bargain basement john woo ) with interchangeable bad guys lining up to be shot at .
but those gun shots sure crack like thunder .
just the other day i was watching an old dirty harry movie on cable and was stunned to hear the weak elephant grunt - like sound that emanated from harry 's fetishized smith and wesson .
oh how far we 've come .


Output: N