In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Review: I suppose that today this film has relevance because it was an early Sofia Loren film. She was 19 years old when the film was made in 1953.I viewed this film because I wanted to see some of Sofia Loren's early work. I was surprised when she came on camera having had her skin bronzed over in brown makeup to resemble an Ethiopian princess. Surely, today, this would have been viewed as a slur and to be avoided in movie making. It actually became annoying watching Ms. Loren in skin color paint throughout the film.Yes, this film would have been better made if the real opera singers had made this movie. Then, the singing and the actual facial gestures of the real artists would have been apparent. I discount the comments by others about whether the real opera singers are older and heavier in weight.As beautiful as Ms. Loren was at age 19 and still is today, the film would have been better received as though it were being performed on the stage. After all, we don't see beautiful young people on stage with "old opera singers" back stage singing from behind the curtain! Do not discount the success of using heavy-weight opera singers. One only has to refer to the most artistically produced television commercial for the J. G. Wentworth Company with the opera singers on stage singing so professionally the praises of the company's product. This is one of the best and entertaining TV commercials produced to date.The quality of the movie print also makes this production of a somewhat lesser quality. The color ink has faded much and that can not be helped.To improve this film on DVD the production company should add English language subtitles so that we, who do not speak Italian, can know what the lyrics are saying. It would help the story and teach it more than the narrator giving 30 seconds of introduction to the scenes.Watch this film not because of the story of Aida nor the fact that this is an opera. Aside from Ms. Sofia Loren none of her co-actors are known nor remembered by this writer. Instead, watch this movie if you are a fan of Ms. Loren and wish to see her at age 19 -- no matter what the production is.Larry from Illinois Question: is it a positive review?
no

Review: Initially, I would have thought that Secret Sunshine had something critical to say of religion (and here being Christianity), and wondered if it would be something of a rant against the ills of blind faith, or the manipulative power of those who are supposedly holier than thou. Surprisingly, it was none of the sort and was largely non-judgemental, putting in place events as a matter of fact, and allowing the audience to draw their own judgement and conclusion.And I can't help but to chuckle at the role of Song Kang-ho, a man who's taken a liking for widower Shin-ae (Jeong Do-yeon), and starts going to church when she does. The reasons for church going are many I suppose, either to find inner peace, to seek help, being afraid of eternal damnation in the fires of Hell, to reaffirm faith, or even things like wanting to get married in a church, or to skirt chase (I kid you not). But to each his own reasons for turning up in church every Sunday and participating in prayer groups for fellowship, what is indeed dangerous, is when the underlying ulterior motives, do not get satisfied, and that's when frustration sets in. Or when you discover how hypocritical man can be, portraying one face inside the house of God, and displaying yet another outside.Shin-ae and her son Jun moves to the town of Miryang, which is the birthplace of her deceased husband. Wanting to start life anew, she opens up a piano shop to give lessons, though in discovering her new found freedom and in a moment's lack of good judgement, has another tragedy befall her. And that takes one hour to get to. Secret Sunshine really took its time to get to this point, where things then begin to get slightly more interesting with Shin-ae now taking to embracing religion to deal with and accept her current state, reveling in the comfort that religion, and fellow believers, can offer.What began as crying out for sympathy turns into acceptance and belief that religion offers that silver bullet to solve the ills of all mankind, and sometimes you wonder if it's because of your personal myopic view of what the almighty is doing for you, that you begin to adopt a somewhat selfish opinion that everything's good going your way, and in Shin-ae's case, her magnanimous attitude in wanting to forgive others who had trespassed against her, forgetting something very fundamental that it the feeling can cut both ways too.The last act is probably the most fun of the lot as it says plenty, where most of us can identify with - why me, and why not someone else, as we rage against our faith and start questioning, unfortunately, with no hard and fast answers available. It is then either we fall by the wayside, or continue with destructive deeds so rebelliously. But somehow the plug gets carefully pulled in Secret Sunshine so as not to offend, and what could have been an ugly character mouthpiece, got muted.If you bite into the hype this movie is generating, then perhaps you'll realize only Jeong Do- yeon's excellent portrayal is worth mentioning, as she totally owns her role as the widow Shin-ae who is probably the most unluckiest person on Earth in having to deal with that many tragedies over a short period of time, and if you look at it carefully, most of which are of her own doing. Watching her transformation, is worth the ticket price, and despite having my personal favourite Korean actor Song Kang-ho in the movie, this is something he just breezed right through. Question: is it a positive review?
yes

Review: Anyone who knows me even remotely can tell you that I love bad movies almost as much as I love great ones, and I can honestly say that I have finally seen one of the all-time legendary bad movies: the almost indescribable mess that is MYRA BRECKINRIDGE. An adaptation of Gore Vidal's best-selling book (he later disowned this film version), the star-studded MYRA BRECKINRIDGE is truly a movie so bad that it remains bizarrely entertaining from beginning to end. The X-rated movie about sex change operations and Hollywood was an absolute catastrophe at the box office and was literally booed off the screen by both critics and audiences at the time of it's release. Not surprisingly, the film went on to gain a near-legendary cult status among lovers of bad cinema, and I was actually quite excited to finally see for the first time.Director Michael Sarne (who only had two other previous directing credits to his name at the time), took a lot of flack for the finished film, and, in honesty, it really does not look like he had a clue about what he was trying to achieve. The film is often incoherent, with entire sequences edited together in such a half-hazzard manner that many scenes become nearly incomprehensible. Also irritating is the gimmick of using archival footage from the Fox film vaults and splicing it into the picture at regular intervals. This means that there is archival footage of past film stars such as Judy Garland and Shirley Temple laced into newly-film scenes of often lewd sexual acts, and the process just doesn't work as intended (this also caused a minor uproar, as actors such as Temple and Loretta Young sued the studio for using their image without permission).Perhaps Sarne is not the only one to blame, however, as the film's screenplay and casting will also make many viewers shake their heads in disbelief. For instance, this film will ask you to believe that the scrawny film critic Rex Reed (in his first and last major film role) could have a sex change operation and emerge as the gorgeous sex goddess Raquel Welch?! The film becomes further hard to follow when Welch as Myra attempts to take over a film school from her sleazy uncle (played by legendary film director John Huston), seduce a nubile female film student (Farrah Fawcett), and teach the school's resident bad boy (Roger Herren) a lesson by raping him with a strap-on dildo. Did everyone follow that? And it gets even better (or worse, depending upon your perspective)! I have yet to mention the film's top-billed star: the legendary screen sex symbol of the nineteen-thirties, Mae West! Ms. West was 77 year old when she appeared in this film (she had been retired for 26 years), and apparently she still considered herself to be a formidable sex symbol as she plays an upscale talent agent who has hunky men (including a young Tom Selleck) throwing themselves at her. As if this weren't bad enough, the tone-deaf West actually performs two newly-written songs about halfway through the film, and I think that I might have endured permanent brain damage from listening to them! Naturally, none of this even closely resembles anything that any person of reasonable taste would describe as "good," but I would give MYRA BRECKINRIDGE a 4 out of 10 because it was always morbidly entertaining even when I had no idea what in the hell was supposed to be going on. Also, most of the cast tries really hard. Raquel, in particular, appears so hell-bent in turning her poorly-written part into something meaningful that she single-handedly succeeds in making the movie worth watching. If she had only been working with a decent screenplay and capable director then she might have finally received some respect form critics.The rest of the cast is also fine. The endearingly over-the-top John Huston (who really should have been directing the picture) has some funny moments, Rex Reed isn't bad for a non-actor, and Farrah Fawcett is pleasantly fresh-faced and likable. Roger Herren is also fine, but he never appeared in another movie again after this (I guess he just couldn't live down being the guy who was rapped by Raquel Welch). And as anyone could guess from the description above, Mae West was totally out of her mind when she agreed to do this movie - but that's part of what makes it fun for those of us who love bad cinema. Question: is it a negative review?

yes