TASK DEFINITION: In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.
PROBLEM: Meet MAHMUD NASIR (Omid Djalili), loving husband, doting father and something of a relaxed Muslim.Does the F word occasionally pass his lips? Its hardly worth mentioning. Does he say his prayers five times a day? Of course! Well, usually Does he fast every day of Ramadan? Whos counting anyway?He may not be the most observant, but in his heart he is as Muslim as it gets. But after his mothers death a discovery turns Mahmuds world upside down. He finds his birth certificate which reveals that not only was he adopted at birthbut hes Jewish, and his real name is Solly Shimshillewitz!As Mahmud tumbles headlong into a full scale identity crisis, the only person he can turn to is LENNY (Richard Schiff), a drunken Jewish cabbie who agrees to give him lessons in Jewishness, which start with how to dance like Topol. Oy vey., Question: What starts the lessons in jewishness?

SOLUTION: Answer: Dance like topol

PROBLEM: Omar Ali is a young man living in Battersea in the Wandsworth area of South London, right by the railway station[4] during the mid-1980s. His father, Hussein (known to the rest of the family as Papa), once a famous left-wing British Pakistani journalist in Bombay, lives in London but hates Britain's society and its international politics. His dissatisfaction with the world and a family tragedy have led him to sink into alcoholism, so that Omar has to be his carer. By contrast, Omar's paternal uncle Nasser is a successful entrepreneur and an active member of the London Pakistani community. Papa asks Nasser to give Omar a job and, after working for a brief time as a car washer in one of his uncle's garages, he is assigned the task of managing a run-down laundrette and turning it into a profitable business.At Nasser's, Omar meets a few other members of the Pakistani community: Tania, Nasser's daughter and possibly a future bride; and Salim, who trafficks drugs and hires him to deliver them from the airport. While driving Salim and his wife home that night, the three of them get attacked by a group of right-wing extremist street punks. Their apparent leader turns out to be Johnny, Omar's childhood friend. Omar tries to reestablish their past friendship, offering Johnny a job and the opportunity to adopt a better life by working to fix up the laundrette with him. Johnny decides to help with the laundrette and they resume a romantic relationship that (it is implied) had been interrupted after school. Running out of money, Omar and Johnny sell one of Salim's drug deliveries to make cash for the laundrette's substantial renovation.On the opening day of the laundrette, Omar confronts Johnny on his fascist past. Johnny, feeling guilty, tells him that though he cannot make it up to him, he is with him now. Nasser visits the laundrette with his mistress, Rachel. As they dance together in the laundrette, Omar and Johnny make love in the back room, narrowly escaping discovery. At the inauguration, Tania confronts Rachel about having an affair with her father. Rachel accuses Nasser of having invited Tania on purpose to have her insulted, and storms off despite his protests. Later that night, a drunk Omar proposes to Tania, who accepts on the condition that he raise money to get away. Soon after, Salim reveals to Omar that he is on to them, and demands his money back. Omar's father stops by late in the night and appeals to Johnny to persuade Omar to go to college because he is unhappy with his son running a laundrette.Offering Salim a chance to invest in his businesses as a much needed 'clean outlet' for his money, Omar decides to take over two laundrettes owned by a friend of Nasser. Salim drives Johnny and Omar to view one of the properties, and he expresses his dislike of the British non-working punks in Johnny's gang. He attempts to run them over and injures one of them. Meanwhile, Rachel falls ill with a skin rash apparently caused by a ritual curse from Nasser's wife, and decides it is best for all that she and Nasser part ways. The next day Tania drops by the laundrette and tells Johnny she is leaving, asking him to come along. He refuses, implicitly revealing the truth about himself and Omar and she departs wordlessly. After Salim arrives and enters the laundrette, the punks, who had been lying in wait, trash his car. When he runs out on noticing them, he is ambushed and viciously attacked. Johnny decides to interrupt and defend him, despite their mutual dislike, and the punks turn their attention to him instead. As he refuses to fight back, they beat him savagely until Omar returns and intervenes, protecting Johnny as the punks trash the laundrette and flee the scene.Nasser visits Papa, and the two discuss their respective failures, agreeing between them that only Omar's future matters now. Nasser sees Tania at the train platform while she is running away, and he shouts to her but she disappears. Meanwhile, at the laundrette, Omar nurses Johnny, and the two bond. The film ends with a scene of them shirtless, playfully splashing each other with water from a sink, implying that they are continuing their relationship together., Question: Whose drug delivery does Omar and Johnny sell?

SOLUTION: Answer: Salim's

PROBLEM: The American Ruling Class, the worlds first dramatic-documentary-musical, explores our countrys most taboo topic: class, power and privilege in our nominally democratic republic. This feature-length satire stars Lewis Lapham, the renowned essayist and author, and a heavy-weight ensemble cast that includes former cabinet secretaries, corporate mandarins, media magnates, and at least one journalist working as a waitress. The film follows Lapham and two recent Yale graduates as they make the rounds of Pentagon briefings, the World Economic Forum, philanthropic foundations, law firms, corporations banks, and New York society dinners as they attempt to answer the question, Who rules America?The narrative portion of the film, interwoven throughout, tells the story of two representative graduates, one rich and one poor as they seek direction in their lives. Does America have a ruling class? If so, of what is it made, and how does it co-exist with our democracy? How does one join it: should one even want to? The real life luminaries become characters in a story about power and its responsibilities, and by the films end, the young men must decide: do they wish to rule the worldor save it?Appearing in the film are a range of leaders from across the political spectrum, among them: Robert B. Altman, James A. Baker III, Bill Bradley, Harold Brown, Hodding Carter III, William T. Coleman, Jr., Walter Cronkite, Barbara Ehrenreich, Martin Garbus, Vartan Gregorian, Mike Medavoy, Joseph S. Nye, Jr., Samuel Peabody, Peter G. Peterson, Pete Seeger, Lawrence H. Summers, Arthur O. Sulzberger, Jr., William Howard Taft IV and Kurt Vonnegut.As we watch these two real-life graduates wend their way through what is only a slight fictionalizing of their actual lives and choices, as we meet former Secretaries of State and Defense, directors of the Trilateral Commission and the Council on Foreign Relations, the publisher of The New York Times, and a host of others, we must ask (along with Mr. Lapham): "To what end, the genius of the Wall Street banks and the force of the Pentagon's colossal weapons? Where does America discover the wisdom to play with its wonderful toys?" The possible answers move beyond the hollow category of party affiliation and into the heart of American Oligarchy itself., Question: What is The American Ruling Class the first in the world to be?

SOLUTION:
Answer: The worlds first dramatic-documentary-musical.