In this task, you are given a passage and a question regarding that passage. You must determine whether or not the question is answerable from the given passage. If a question is answerable, output should be 'True', otherwise 'False'. You must not consider any other information that is not provided in the passage while labelling True or False.

Q: Passage: In the China of the Yuan, or Mongol era, various important developments in the arts occurred or continued in their development, including the areas of painting, mathematics, calligraphy, poetry, and theater, with many great artists and writers being famous today. Due to the coming together of painting, poetry, and calligraphy at this time many of the artists practicing these different pursuits were the same individuals, though perhaps more famed for one area of their achievements than others. Often in terms of the further development of landscape painting as well as the classical joining together of the arts of painting, poetry, and calligraphy, the Song dynasty and the Yuan dynasty are linked together. In the area of Chinese painting during the Yuan dynasty there were many famous painters. In the area of calligraphy many of the great calligraphers were from the Yuan dynasty era. In Yuan poetry, the main development was the qu, which was used among other poetic forms by most of the famous Yuan poets. Many of the poets were also involved in the major developments in the theater during this time, and the other way around, with people important in the theater becoming famous through the development of the sanqu type of qu. One of the key factors in the mix of the zaju variety show was the incorporation of poetry both classical and of the newer qu form. One of the important cultural developments during the Yuan era was the consolidation of poetry, painting, and calligraphy into a unified piece of the type that tends to come to mind when people think of classical Chinese art. Another important aspect of Yuan times is the increasing incorporation of the then current, vernacular Chinese into both the qu form of poetry and the zaju variety show. Another important consideration regarding Yuan dynasty arts and culture is that so much of it has survived in China, relatively to works from the Tang dynasty and Song dynasty, which have often been better preserved in places such as the Shōsōin, in Japan. Question: What type of languages flourished in the Yuan?

A: False
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Q: Passage: Land-based steam engines could exhaust much of their steam, as feed water was usually readily available. Prior to and during World War I, the expansion engine dominated marine applications where high vessel speed was not essential. It was however superseded by the British invention steam turbine where speed was required, for instance in warships, such as the dreadnought battleships, and ocean liners. HMS Dreadnought of 1905 was the first major warship to replace the proven technology of the reciprocating engine with the then-novel steam turbine.[citation needed] Question: In what year was World War I launched?

A: False
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Q: Passage: There were many religions practiced during the Yuan dynasty, such as Buddhism, Islam, and Christianity. The establishment of the Yuan dynasty had dramatically increased the number of Muslims in China. However, unlike the western khanates, the Yuan dynasty never converted to Islam. Instead, Kublai Khan, the founder of the Yuan dynasty, favored Buddhism, especially the Tibetan variants. As a result, Tibetan Buddhism was established as the de facto state religion. The top-level department and government agency known as the Bureau of Buddhist and Tibetan Affairs (Xuanzheng Yuan) was set up in Khanbaliq (modern Beijing) to supervise Buddhist monks throughout the empire. Since Kublai Khan only esteemed the Sakya sect of Tibetan Buddhism, other religions became less important. He and his successors kept a Sakya Imperial Preceptor (Dishi) at court. Before the end of the Yuan dynasty, 14 leaders of the Sakya sect had held the post of Imperial Preceptor, thereby enjoying special power. Furthermore, Mongol patronage of Buddhism resulted in a number of monuments of Buddhist art. Mongolian Buddhist translations, almost all from Tibetan originals, began on a large scale after 1300. Many Mongols of the upper class such as the Jalayir and the Oronar nobles as well as the emperors also patronized Confucian scholars and institutions. A considerable number of Confucian and Chinese historical works were translated into the Mongolian language. Question:  What was Kublai's least favorite sect of Tibetan Buddhism?

A:
False
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