In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

I'm just glad I didn't actually PAY to watch this! . We checked this out from the library a couple of years ago.  It really was torture to watch.  The acting was terrible, the costumes were even worse.  I don't know whether to say it was really funny or really sad, because all in all it was a pretty pathetic production.  Not one of BBC's better efforts
NEG

Aaron Kwok gives a great performance in this silly cop movie. . Kwok is on fire in this movie with maybe his best physical performance ever. He looks like a pop star but his acting is actually very good. Unfortunately, his performance is completely wasted in a movie this bad. I won't explain the story, it is cops vs. drug dealers. There is a beautiful fighting female, good car chases, big name stars, and good fights. How did this movie go wrong? Well, Stanley Tong is a decent director, but he is a stuntman, screen fighter, and martial arts choreographer at heart. He tries to make this an American movie but he disregards everything that gives feeling to movies. I cracked a smile more than a few times but this is the most mindless modern day film I have seen in a long time. Usually, I am able to get past all of this since I am a sucker for good fight scenes, and this movie does have a few. Highlights to watch for are Ken Lo vs. Marc Dacoscos and Dacoscos vs. everyone in the final fight. The thing that ruins this movie is that the real final fight never finishes, but instead it moves on to a totally ridiculous fight to finish off the movie. 'Cradle to the Grave' has a better end fight! Stanley Tong must have been out of his mind because in the finale, Coolio ends up as the main opponent. Not Ken Lo who is the leg fighter that faces Jackie Chan at the end of 'Drunken Master 2', and not Marc Dacoscos who is one of the very best modern day martial arts actors, but Coolio.     I honestly thought this was a good cheesy movie, but the final fight sequence is just horrible. Stanley Tong comes up with a great idea having the actors fighting on a huge piece of glass hundreds of feet in the air and they have to keep their balance while they fight. It is just too bad Coolio had to ruin it. 2.5/5     DVD from Dimension Home Video has good sound and picture quality. No special features except the outtakes in the credits which was a much more satisfying end to the movie.
NEG

Day of the Suck . Francisco was right, this film is about as well-conceived as buttcrust.    The review on the back of the dvd says "jaw dropping, " but the full quote probably reads "jaw dropping (because i was lulled to sleep like a baby)". There is about 30 seconds of truly jaw dropping footage, in the zombie attack scenes, but these scenes only account for maybe 5 minutes of the movie. The rest of this film consists of the ear-bleeding whines and yawn-inducing infighting of the human characters, ill-conceived and extremely unlikable caricatures of a pseudo-cynical and extremely redundant "evil side of human nature" message that would be better left to Jean Renoir (or even Adam Sandler considering the results here). I don't watch zombie movies for the characters, especially characters so vapid and unengaging. It seemed like the script writer read a novice's How To pamphlet and said "yeah, it needs some CONFLICT". If these characters weren't so constipated and bloated I'd give them a chance. One Amazon reviewer tries to justify all of the one-dimensional absurdity by crowning it with the weighty title of "social commentary," but that's just a mindless knee-jerk observation that fails to ascertain whether it was carried out sucessfully. It wasn't.  You'd get more insight watching a kid frying ants with a magnifying glass. The critical ambitions of this movie are ill-fitting and embarassing, and ultimately just plain disappointing since they allot almost no time to showcase the director's real talent, which is (you guessed it) the lovely undead. The rest is monotonous dreck.   I don't know why horror directors have so much insecurity about the worth of their strengths that they feel they need to shroud them in a poor man's dramatic rags.     All that aside, the ending is the worst anticlimatic cop-out in the history of horror movies. A horror movie that sucks for 3/4 of its duration needs a cool climax to redeem itself, but the cut-away at the end makes you wanna kick the director in the gonads. Sorry, but anyone who calls this a classic is a friggin soundbite-repeating moron.

NEG