In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: Who was the lead design person for the German Type IXC submarines? Passage 1:Rafael Casanova i Comes () (Moià, 1660 – Sant Boi de Llobregat, 2 May 1743) was a Catalan jurist, and supporter of Charles VI, Holy Roman Emperor as a claimant to the Crown of Spain during the War of the Spanish succession. He became mayor of Barcelona and commander in chief of Catalonia during the Siege of Barcelona until he was wounded in combat while commanding La Coronela during the counterattack on the Saint Peter front on the last day of the siege, September 11, 1714. After the war he received a royal pardon for having supported the Habsburg claim to the Spanish throne. He recovered from his wounds, and continued his fight against absolute monarchy as a lawyer. It has been claimed that he is the author of the book Record de l'Aliança fet el Sereníssim Jordi Augusto Rey de la Gran Bretanya (Remembrance of the Alliance to George I of Great Britain) in which Catalonia reminds England of the Treaty of Genoa and their obligation to Catalonia.
 Passage 2:After the fourth single release "Willy Use a Billy... Boy", released in 1995 and peaked #5 in Austria, later in June 1996, both members left the band, due to a disagreement between Leigh and producer Brandes, who were quickly replaced by artists Jeane (Jeanette Macchi-Meier) and briefly Terence D'Arby (not to be confused with Terence Trent D'Arby), who himself again was replaced by Ché Jouaner. Thus it has been later revealed, that Brandes was the rapper on all E-Rotic releases, except on the first album, where he shared raps with Raz-Ma-Taz, such on "Take My Love", and Leigh still had to continue to provide vocal work for E-Rotic's four follow up studio albums The Power of Sex, Sexual Madness, the Abba cover album Thank You for the Music until 1999 to the Kiss Me studio album due to her contract. Also, raps on their first single "Max Don't Have Sex With Your Ex" were not done by Smith or Brandes, but instead were done by Marcus Thomas (aka Deon Blue) who would later join Pharao. Meanwhile, Leigh, alongside Raz-Ma-Taz, formed her own band S.E.X. Appeal in 1996. "He promised me a lot of things during my E-Rotic time, but never was willing to keep his promises. One of these promises was to produce a mixed video, with both cartoon and real people. We were never shown in the videos and so we had problems with our concerts, cause no-one really knew us as persons," Leigh revealed. On 27 June 1996, the group's second studio album The Power of Sex was released, preceded by the latter mentioned lead single "Willy Use a Billy... Boy" and followed by the singles "Help Me Dr. Dick", "Fritz Love My Tits" and "Gimme Good Sex", all becoming moderate chart hits, peaking at #18, #16 and #3 in Austria respectively. In 1996, E-Rotic were featured in the supergroup, called "Love Message", on the same titled, Masterboy-produced charity single "Love Message". They also appeared on the Queen tribute compilation album Queen Dance Traxx, with the song "Who Wants to Live Forever", which also saw a promotional release. The tribute album also featured another Queen song "We Are The Champions", recorded with all artists, who participated on Queen Dance Traxx as a supergroup labeled as "Acts United". In 1997, the studio albums "Sexual Madness" and the Abba cover CD Thank You for the Music was released with its single releases "Turn Me On", which peaked at #7 in Finland, "Thank You for the Music" and "The Winner Takes It All". The album Thank You for the Music was released under the artist name "Jenn and C." in France. Ironically the music video for "Gimme Good Sex" was also the first one, not being a comic video, but still it never aired and was banned from music channels because of being too controversial for its sexual content, thus Leigh, alongside Raz-Ma-Taz, left the band earlier, because she wanted to be shown in music videos.
 Passage 3:German Type IXC submarines were slightly larger than the original Type IXBs. U-131 had a displacement of when at the surface and while submerged. The U-boat had a total length of , a pressure hull length of , a beam of , a height of , and a draught of . The submarine was powered by two MAN M 9 V 40/46 supercharged four-stroke, nine-cylinder diesel engines producing a total of for use while surfaced, two Siemens-Schuckert 2 GU 345/34 double-acting electric motors producing a total of for use while submerged. She had two shafts and two propellers. The boat was capable of operating at depths of up to .

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Question: Did North Texas State have more total tins in the Southland Conference Men's Basketball Tournament or in the 1988 NCAA Tournament? Passage 1:Born in Medicine Lodge, Kansas, Duryea grew up in Denton, Texas and graduated from Denton High School. Duryea played college basketball first at Pan American University (now the University of Texas Rio Grande Valley) with the Broncs in the 1984–85 season, then transferred to North Texas State University (now the University of North Texas) and played for the Mean Green from 1986 to 1988. A guard at both schools, Duryea was a team captain as a senior and helped North Texas State win the Southland Conference Men's Basketball Tournament, which qualified the team for the 1988 NCAA Tournament. Duryea graduated from North Texas State in 1988 with a degree in business administration.
 Passage 2:Born in Blackburn, Lancashire, Bell started his career with hometown club Blackburn Rovers at the age of 10 and signed a professional contract in February 2001 after nearly a decade in the youth system. He had a trial at Wycombe Wanderers in April 2003 and after being released by Blackburn in the summer he signed for Wycombe on a month-to-month contract in September, making his debut and scoring both goals in a 5–2 defeat to Oldham Athletic. His contract was extended until 29 February in January, before being released and joining York City on trial. He signed for York on non-contract terms on 1 March and made his debut in a 0–0 draw at Oxford United. His only goal for York came in a 3–1 defeat to Scunthorpe United, after he scored into an empty goal from a Stuart Wise long ball. He finished the 2003–04 season with 10 appearances and one goal for York as they were relegated to the Conference National.
 Passage 3:For his previous album, Irthes, Rouvas collaborated almost exclusively with Dimitris Kontopoulos, who was also commissioned to write all three of Rouvas' candidate songs for his participation in the Eurovision Song Contest 2009, as well as the composer and producer of his album, with the exception of one track. Working namely with one main composer is something that Rouvas had not done since Kati Apo Mena (1998) and not completely exclusively since Tora Arhizoun Ta Dyskola (1996). For Parafora, Rouvas reverted to using several songwriters and producers. The majority of the songwriters and producers are new collaborators and recent hit makers relatively new to the music industry. Kontopoulos, who first collaborated with Rouvas for To Hrono Stamatao (2003), resumed his role as a composer, producer, arranger, programmer, and instrumentalist, with eight contributions to the album, including the singles "Spase To Hrono" and the title track. Others who have never previously collaborated with Rouvas include Playmen, Beetkraft, Antonis Skokos, Greek-German Leonidas "Freakchild" Chantzaras, who composed "Nekros Okeanos" and produced "Emena Thes", and Dimitris Fakos who wrote both its music and lyrics. Songwriters who exclusively contributed lyrics to the album include Natalia Germanou, who first collaborated with Rouvas on Min Andistekese (1992), Pigi Konstantinou and Giannis Rentoumis who first collaborated with the artist on Irthes, and new collaborators Sunny Baltzi, Vagia Kalantzi, and Nikos Kostidakis, who wrote "Parafora".

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Question: What year did Ron Sweed begin his show on WKBF? Passage 1:Other programming on WKBF included a late-night weekend horror movie showcase hosted by Ron Sweed, whose on-air character was named The Ghoul. The Ghoul character was essentially a beatnik vampire, outfitted in a fright wig, goatee, lab coat, and a pair of sunglasses with one lens missing. It was patterned after the Ghoulardi character that was created by Ernie Anderson (with his permission), who was later to become the voice of the ABC network in the 1970s. While Anderson had no interest in doing so, he granted Sweed permission to don the costume. As WJW owned the rights to the name "Ghoulardi", the younger performer adopted the name "The Ghoul." Although WKBF has long since passed into broadcasting history, Sweed continued to make personal appearances on a fee-for-service basis in this guise until very late in life. WKBF also featured sports programming such as game telecasts from the World Football League and Cincinnati Royals NBA basketball, and harness racing.
 Passage 2:Garland has tended to favor deference to regulatory agencies. For example, in In re Aiken County (2013), Garland dissented when the court issued mandamus ordering the Nuclear Regulatory Commission to process the Yucca Mountain nuclear waste repository license. In Americans for Safe Access v. Drug Enforcement Administration (2013), Garland joined a divided court upholding the DEA's classification of marijuana as a Schedule I drug. However, according to Goldstein, in a number of split decisions on environmental law Garland "favored contested EPA regulations and actions when challenged by industry, and in other cases he has accepted challenges brought by environmental groups." In Rancho Viejo, LLC v. Norton (2003), Garland found the arroyo toad was protected by the federal Endangered Species Act. Then-Circuit Judge John Roberts dissented from the denial of rehearing en banc, writing that Congress's interstate commerce power cannot reach "a hapless toad that, for reasons of its own, lives its entire life in California."
 Passage 3:In 1911, Horiguchi left school to accompany his father on overseas postings and during the next 14 years overseas he became fluent in French (assisted by his Belgian stepmother) and interested in French literature, particularly the novels and poetry of the Symbolist movement. He first spent over a year in Mexico, where he was diagnosed with tuberculosis, causing Horiguchi to abandon his father's hope that he become a diplomat, and he devoted his time to writing verse and translation of French works instead. He was in Mexico during the Mexican Revolution, and it was also during this time that he was drawn to Parnassianism as a style of verse. In 1913, the family relocated to Belgium, via Siberia. While in Belgium, he studied the works of Paul Verlaine and the works of the Symbolist movement, including the works of Remy de Gourmont. He subsequently lived for brief periods in Spain, Paris, Brazil and Romania and maintained correspondence with Marie Laurencin and Thomas Mann, whose works he also translated while recuperating at a sanatorium in Switzerland.


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