In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: the first species was a moderately - successful science fiction yarn that diverted audiences with some nifty special effects , a few well- paced action sequences , and frequent views of model - turned - actress natasha henstridge sans clothing .
however , it was definitely not a movie that cried out for a sequel . and , considering the quality of species 2 ,
it 's obvious that mgm should have stopped while they were ahead .
the only thing that distinguishes species 2 is how awful it is .
if you throw away the plot , which is characterized by a blatant disregard for intelligence , logic , coherence , and consistency , species 2 actually has a few things to recommend it to a select audience .
of course , that audience is primarily comprised of teenage boys ( who , at least in theory , should n't be able to get into an " r " -rated film ) and connoisseurs of bad movies .
there 's enough blood , gore , simulated sex , and bare flesh in species 2 to prevent it from ever becoming boring .
this is a grade z exploitation flick that 's ripe for the mystery science theater 3000 treatment .
somewhere , someplace , i recall hearing species 2 described as
" erotic .
"
i would love to know who used with that adjective for this movie , because he ( or she ) has a peculiar notion of eroticism .
sure
, there 's a lot of sex and nudity , but it 's almost always accompanied by the ripping open of a woman 's abdomen as an alien baby
claws
its way free , splattering blood and gore in all directions .
anyone turned on by that is not someone i would care to be sitting next to in a theater .
i suppose the main attraction in species 2 is natasha henstridge ( and , to get the obvious question out of the way -- yes , she does remove her top , but only once , and only briefly ) .
although the character she played in the original species is dead , government scientists still have the dna , and , out of what can only be described as a suicidal impulse , they decide to create another clone .
this creature , dubbed " eve " by its creator , dr .
laura baker ( played by marg helgenberger , reprising her role ) , is genetically engineered to be kinder and more docile .
meanwhile , man has finally set foot on mars .
a team of three , led by patrick ross ( justin lazard ) , has traveled to the red planet , but when they return to earth , they bring something with them .
ross has become a half - human / half - alien hybrid , and he 's soon mating like crazy , collecting the blood - soaked children that are the result of each sex session .
his intention is obviously world domination .
standing in his way is that indomitable soldier of fortune from the first film , preston lennox ( michael madsen ) , and one of patrick 's fellow astronauts , dennis gamble ( mykelti williamson ) .
but when patrick learns about eve , a female of his kind , there 's
no damping his ardor .
i 'm not sure what the budget for species 2 was , but a significant portion of it must have gone into paying handsome salaries to several recognizable actors ( as opposed to being diverted into the special effects ) .
michael madsen and marg helgenberger , both back for a second round ,
are clearly on hand to do as little as they can , grab the money , and run .
ditto for james cromwell , who plays patrick 's father -- " underused " is too kind a word to describe his involvement
( " invisible " would be more like it ) .
george dzundza gets to do a little scenery- chewing as an angry - but - inept general .
meanwhile , justin lazard 's performance as patrick is so flat that he makes natasha henstridge 's limited abilities look good by comparison .
the only one in the whole production with any energy is mykelti williamson , who is cast in the part of the wisecracking black sidekick .
complete with cheesy special effects , bare breasts around every narrative corner
, and dialogue capable of producing howls of laughter , species 2 has been dumped into the marketplace without advance screenings for critics .
director peter medak , a journeyman film maker with a significant list of mediocre movies on his resume , has added another forgettable title , but at least he appears to have had fun doing it , which is more than can be said of anyone trying to take this film with even a scintilla of seriousness .
do i recommend the movie ?
absolutely not
,
but i will admit that species 2 is dopey enough that it did n't try my patience to the degree that some pseudo - intellectual bad movies do .
here 's hoping there 's no species 3 .
Example Output: N

Example Input: capsule : earthy , experimental , difficult , shockingly frank ( even for 1997 ! ) , and ultimately refreshing story of a black man on the run from the cops .
the first few minutes of sweet sweetback 's baad asssss song ( yes , i checked --
that 's the correct number of ss )
are without dialogue , just eerie montages of sounds .
a young boy , obviously malnourished , is taken in and fed up by several loving mother - surrogate figures .
then one of them takes the boy to bed for a sexual initation ( underneath the title credits ) that 's far more confrontatory and shocking than any ten basic instincts -- probably because it has the directness and clumsiness of real life , something we 're not used to seeing on screen .
this is one tough movie to swallow , no matter who you are , but that probably reflects more on how pallid and unchallenging movies have gotten lately .
( i suspect the sex scenes in movies like el topo and salo would probably melt the synapses of most modern audiences . )
the plot is simple but not simpleminded .
sweetback , hassled by two white cops who are apparently just looking for an excuse to beat up on a black man , breaks his bonds and runs like hell .
along the way he moves through a good many of the kinds of environments that we are only just now being seen in a more serious light in the movies -- or at all , for that matter : the slums , the missions , the ghetto .
in other , lesser , movies , sweetback would be machine - gunning everything in sight and the end credits would roll over a pile of bodies ; in this one , we get taken on a kind of a tour of the depressing and anarchic world that sweetback takes for granted .
ssbas first appeared in 1971 and was promptly rated x ( " by an all - white jury " , as director melvin van peebles crowed in his legendary ad campaigns ) , and it 's hardly surprising why .
there 's a good deal of sex in the movie , but it 's handled in a way that 's unsettlingly frank -- a frankness that spills over into the rest of the movie .
in one scene , sweetback visits a friend 's house in the hope of getting sanctuary there , and the other man chats him up while on the toilet .
we 're not used to coming this close to people in real life , let alone in the movies -- especially not people who are not made out to be glamorous .
the movie is also full of experimental stylistics that are relatively unused today , but probably because of that seem curiously fresh and new in van peebles ' hands .
one scene , in which a man is interrogated by the cops , is loaded full of menacing energy as they fire off a gun inches from his ears , and suggest his deafness through a cleverly edited soundtrack .
another note : ssbas is not so much anti - white ( that would be too easy ) as anti - authority , and as the movie goes on to demonstrate , authority exists in many forms -- governments , churches , and even the paranoid inside of one 's own mind .
ssbas is ultimately about thirsting for freedom -- and it looks like we could use a little more of that in our movie diet , god knows .
Example Output: P

Example Input: susan granger 's review of " glitter " ( 20th century - fox )
there 's less here than meets the eye .
or , put it this way , if you thought madonna was awful in " shanghai surprise , " mariah carey 's worse in this reworking of " a star is born .
"
she plays billie frank who , despite being abandoned by her singer / alcoholic mother ( valerie pettiford ) , believes she 's destined for greatness because everyone tells her she is .
"
you 've got this amazing gift , and you got ta use it , " her roommate says .
"
your voice - it 's incredible , " says another singer .
"
i ai n't never met anyone like you , " proclaims julian " dice " black ( max beesley ) , the hot new york dj who becomes her svengali - like producer / lover .
problem is : her signature song , " i did n't mean to turn you on " is wretched .
and when she fumes out of filming her first music video because the director wants to " exploit " her by having her wear a bikini , the audience bursts into laughter .
exploit mariah carey , who chooses to wear as little as the law will allow ?
come on !
writer kate lanier 's script is fatuous and director vondie curtis - hall does n't have a clue how to handle the glitzy pop diva and , as a result of their incompetence , whispery - voice'd
ms .
carey seems to be embarrassed on - screen .
she almost cringes when the camera comes in for a close - up , pursing her lips and averting her glassy eyes .
talented british musician max beesley appears equally inept , and as cinematographer geoffrey simpson pans around the manhattan skyline , there 's an audible audience groan when the twin towers of the world trade center come into view .
perhaps one of the reasons ms .
carey suffered her highly - publicized nervous breakdown this summer
is because she saw a preview of this clunker
.
on the granger movie gauge of 1 to 10 , " glitter " is a pathetic
1 . right now ,
it 's tops on my list of the worst of 2001 .
Example Output:
N