In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).
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Question: Ted Wass is NO Closeau . Curse of the Pink Panther is weakest entry in Panther genre.    One, Peter Sellers as  Chief Inspector Closeau seem to take the spirit of the Panther films to the grave with him    Two, This was the last Film of David Niven. The rumor of Rich Little dubbing his voice rings true, if you watch Niven's lips and what is coming out of them.Niven who was very ill with MS just did a lot of sitting and limited movement.     Three, Ted Wass tries to bumble and stumble like Sellers's trademark character-however He is NO CLOSEAU. The more he pratfalls, the most we miss and wish Sellers were still alive    Four, the supporting cast (Robert Loggia, Herbert Lom, Leslie Ash, Robert Wagner, Joanna Lumley, Capucine, David Niven, Harvey Korman) are given almost nothing to do in this film, other than to be a foil to Wass's pratfalls or straight men to Wass's so called craziness. Burt Kwouk  as Cato is given more to do in his small scene with Wass and you wonder why he isnt in more of the film. And Roger Moore's cameo as a remade Closeau is poor preformance, playing on Seller's trademark accent and his James Bond Character    Five, Blake Edwards's script seem a weak closure to the Genre. And to make matters worse, he even did another Pink Panther (Son of the Pink Panther)after this,  which was WORSE than this film     AND THOSE ARE THE GOOD POINTS    I give it two stars for the stellar supporting cast alone, that makes this film worth it    Bennet Pomerantz, AUDIOWORL

Answer: NEG


Question: A magnificent performance of Trane's masterpiece . Branford Marsalis' new recording of Coltrane's masterpiece, A Love Supreme, is superb on many levels.  If you're a fan of Trane, and even just luke-warm on Branford, I'm confident you'll find this to be a very worthwhile purchase.       Competent but lesser musicians playing ALS would try to channel Trane and the classic quartet.  Not Branford.  He is a mature artist with a fully-realized style.  He sometimes lovingly quotes Trane, or puts his own spin on a Trane riff, but he is clearly his own man on this recording of A Love Supreme.      Jeff Tain Watts understands the essence of Elvin and Elvin's contribution to ALS.  But, like Branford, Tain is his own man here.  He's great as a sideman, and plays a great solo at the end of Resolution.      Joey Calderazzo - an outstanding pianist who has done excellent and original work with many of today's top jazz artists - falls into McCoy mode in his first solo, but then plays like himself in his second one.  Both are great solos, but I think it shows a real maturity and confidence to be yourself rather than emulate the masters when playing their great works.     The bassist, Eric Revis, is very good, but I'm partial to Robert Hurst's performance on Branford's earlier recording of ALS.       It's worth comparing that earlier performance to the new one.  Branford first recorded ALS ten years ago for a CD compilation called "Stolen Moments:  Red, Hot & Blue".  That version is much shorter - only about 25 minutes, compared to the full-length version on the new DVD/CD combo.  On the older version, Branford's quartet went into the studio, didn't rehearse much (they were all fine musicians and all knew ALS), and started the tape rolling.  It is a wonderful performance, and well-worth having in your collection.  But it sounds like they are not trying to record anything original, just to have a fun time playing Trane's music.  (Be warned, though, that most of that CD contains acid jazz & hip hop.)     In contrast, the new recording does have a bit more of Branford's personality and interpretation.  For example, the chord changes in Acknowledgement are clearly different than on Trane's original recording - not so different to be annoying or trite - but different enough to let you know that Branford has something new to say.  Plus, in the 10 years since the earlier recording, Branford has grown from a very good but young musician to a true master in his own right, and this is evident on the new recording.        The sound & picture quality are PHENOMENAL.  I have about a dozen concert DVDs covering various genres.  This is easily the best sounding & looking of them all.  My TV/DVD player is plugged into a mere bookshelf stereo (albeit a good one), and the sound was SUPERB.  Then, I took the DVD over to a friend's house who has Dolby 5.1 home theater sound, and my God, I thought I was in the club with the musicians!   The picture quality matches the sound quality.  I viewed this DVD on a high-definition wide screen TV, and it was really quite thrilling.      The DVD includes a bunch of interviews.  First is a 30-minute interview between Branford and Alice Coltrane.  She talks a lot about Trane, his music, his relentless pursuit of perfection, some reminiscing about when he wrote ALS, and she and Branford have interesting exchanges about the nature of jazz and other topics.  Then there are a bunch of shorter interviews on various aspects of ALS, including some with Michael Brecker.  I think the interviews are insightful and add value to an already great disc.      Finally, there's a brief segment called "Branford Casual" that shows Branford walking around town, working out at the gym, practicing some classical music on the soprano, rehearsing with his quartet, and misc backstage tour footage.  Neat, but not essential.     Amazingly, you get all this for the price of a CD.  And the package includes an audio CD of the concert performance as a bonus!

Answer: POS


Question: Too much to cover in too short a time . This DVD functions more or less as an advertisement for the other SNL DVDs that have been and continue to be marketed by NBC. The 25th anniversary special on this DVD lasts 2.5 hours, which sounds like a long time, but it's not long enough to do justice to the talent that appeared on the shows over such a long period of time. As uneven as the show was from week to week and year to year, there was still a lot of great material--far too much to cover in this format in any satisfying way. As a result, the clips that are shown are soundbites of soundbites--often, just enough to cover a famous quote ("wild an crazy guys," etc.) with a touch of lead-in. This may be enough to evoke a smile of nostalgia from someone who's seen the skits, but that's about it. When the skits were originally aired, they usually went on too long, but here the DVD's producers err by going way too far in the opposite direction. I'm not sure how you could do a worthwhile retrospective of 25 years worth of programming that would fit on one DVD, but if it can't be done... maybe one shouldn't do it.     The DVD comes with three "extras": an interview of Lorne Michaels by Tim Russert, which is mildly interesting; the "day-after" coverage of the 25th anniversary show by a heinous TV show I never heard of, "Access Hollywood"; and promotional TV coverage by some other NBC news show, which featured clips that mostly overlapped with the special included on the DVD. Again I ask: Why put this material on a DVD? The so-called extras bring nothing to an already lackluster party.    All in all, disappointing.     By the way, for those who care, the Beastie Boys don't actually perform a number on the DVD. They play a couple of measures of one of their own songs before getting interrupted by Elvis Costello, and then they end up playing back-up for him

Answer:
NEG