In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[EX Q]: Question: How long had New Utrecht High School been in existence for the year Grumbach completed his internship? Passage 1:The singles discography of Wanda Jackson, an American recording artist, consists of seventy-eight singles, nine international singles, one charting b-side, and three music videos. In 1954 at age sixteen, she signed as a country artist with Decca Records. Her debut single was a duet recording with Billy Gray which reached the eighth spot on the Billboard Hot Country Singles chart, also in 1954. Refusing to tour until completing high school, Jackson's further singles for Decca failed gaining success. She signed with Capitol Records in 1956 and began incorporating rock and roll into her musical style. Jackson's first Capitol single exemplified this format ("I Gotta Know") and became a national top-twenty country hit. Follow-up rock singles between 1957 and 1959 failed gaining enough attention to become hits including, "Hot Dog! That Made Him Mad", "Fujiyama Mama", and "Honey Bop". In 1960 however, the rock and roll-themed, "Let's Have a Party", became Jackson's first Billboard top-forty pop hit after it was picked up by an Iowa disc jockey.
 Passage 2:After graduating from New Utrecht High School in Brooklyn, New York, and then attending Columbia College in New York City, Grumbach went on to earn his medical degree from the College of Physicians and Surgeons, Columbia University in 1948. He completed his internship at Mount Sinai Hospital in 1949 and his residency at Babies Hospital, Columbia Presbyterian Medical Center in pediatrics under the direction of Rustin McIntosh in 1951. During the Korean War he served as a captain in the United States Air Force Medical Corps, with assignments at Oak Ridge Institute of Nuclear Studies in Tennessee and at Fort Detrick Biological Laboratories in Maryland. Following his military service, Grumbach did a fellowship with Lawson Wilkins at Johns Hopkins. He then returned to Babies Hospital and Columbia University in 1955, becoming founding director of the Pediatric Endocrine Division at Babies Hospital. In 1966 Grumbach was recruited to the University of California San Francisco as chairman of the Department of Pediatrics, and in 1983 he was named the first Edward B. Shaw Distinguished Professor of Pediatrics. Grumbach served as chairman of the Department of Pediatrics at University of California San Francisco for over two decades, transforming the department into one of the leading academic centers for pediatrics in the country. Grumbach stepped down as Chairman of Pediatrics in 1986 and retired in 1994, but he remained active in the field until December 2014. 
 Passage 3:Whitman's poem appears in the Broadway musical Street Scene (1946) which was the collaboration of composer Kurt Weill, poet and lyricist Langston Hughes, and playwright Elmer Rice. Rice adapted his 1929 Pulitzer prize-winning play of the same name for the musical. In the play, which premiered in New York City in January 1947, the poem's third stanza is recited, followed by duet, "Don't Forget The Lilac Bush", inspired by Whitman's verse. Weill received the first Tony Award for Best Original Score for this work African-American composer George T. Walker, Jr. (born 1922) set Whitman's poem in his composition Lilacs for voice and orchestra which was awarded the 1996 Pulitzer Prize for Music. The work, described as "passionate, and very American," with "a beautiful and evocative lyrical quality" using Whitman's words, was premiered by the Boston Symphony Orchestra on February 1, 1996. Composer George Crumb (born 1929) set the Death Carol in his 1979 work Apparition (1979), an eight-part song cycle for soprano and amplified piano.

[EX A]: 2

[EX Q]: Question: Is the person Phang was a key influence to moving into record production still alive today? Passage 1:Corona's first single, "The Rhythm of the Night", was released in Italy in November 1993 on Roberto Zanetti’s DWA record label, and became an instant hit. It featured the voice of Italian singer Giovanna Bersola, better known by her stage name Jenny B. It stayed at number 1 on the Italian music chart for eight consecutive weeks. However, the song was not released elsewhere until the following year. A remixed version of the song became a number 2 hit in the United Kingdom in September 1994. Like several early 1990s Eurodance/Hi-NRG songs that eventually became American hits, such as "Get Ready For This", "Twilight Zone" and "Tribal Dance" by 2 Unlimited and "Strike It Up", "I Don't Know Anybody Else" and "Everybody Everybody" by Black Box, "The Rhythm of The Night" did not become popular in the United States until well after its success had peaked in Europe. However, by spring 1995, the song was all over American radio and clubs, eventually reaching #11 on the Billboard Hot 100. The song was later released as a track in the 1995 debut studio album "The Rhythm of the Night". Lead vocals for the remaining songs in the album were provided by Welsh singer Sandy Chambers who would also provide vocals on the group's second album Walking On Music.
 Passage 2:Phang started his reggae label Powerhouse in the early 1980s. His first hits were Little John's "True Confessions" and "Roots Girl", both released in 1983. He followed suit with Sugar Minott's "Buy off the Bar" and Barrington Levy's "Money Move" which were both two major hits that year. In the summer of 1984 he released Michael Palmer's "Lick Shot" which became of the biggest tunes that summer. Many of the most successful dancehall stars of the 1980s recorded for Phang. Half Pint's all-time greatest hit "Greetings" was released on Powerhouse in 1986. Conroy Smith's first song "Indian Lady" was also released on Phang's label. Other artists include Josey Wales, Freddie McGregor, Nitty Gritty, Tenor Saw, Little John, Brigadier Jerry, Barrington Levy, Admiral Bailey, Al Campbell, Charlie Chaplin, Cutty Ranks, Dominic, Echo Minott, Frankie Paul, Gregory Isaacs, John Wayne, Yellowman, Supercat, and General Echo. Phang mostly used riddims produced by Sly & Robbie, this gave him an advantage compared to other producers. His sound is characterized by the abundant use of reverb on the snare drums. However, by the late 1980s he stopped producing music. Phang was a key influence on Philip "Fatis" Burrell's move into record production.
 Passage 3:Jeffrey Scott Horton (born July 13, 1957) is an American football coach. He currently is the offensive coordinator and running backs coach at San Diego State University. He was the interim head coach at the University of Minnesota, having replaced Tim Brewster, who was fired midway through the Golden Gophers' 2010 season. Horton previously served as the head coach at the University of Nevada, Reno in 1993 and at the University of Nevada, Las Vegas from 1994 to 1998. From 2006 to 2008, he a special assistant/offense and assistant offensive line coach for the St. Louis Rams of the National Football League (NFL), where he worked under head coach Scott Linehan. Horton coached the quarterbacks for the NFL's Detroit Lions in 2009.

[EX A]: 2

[EX Q]: Question: When did Gene Siskel start working for the Chicago Tribune? Passage 1:Vincent Canby of The New York Times wrote, "As an attempt to elevate pornography ... into art, it is often witty and funny but it fails for several reasons, including Ginsberg's self-imposed limitations on form (to which he's not completely faithful)." He elaborated that "the screenplay, like the film, eventually drifts in a horizontal direction into a kind of foggy confusion." Variety stated, "The problem with 'Coming Apart' is that while it suggests some interesting ideas, it can't deliver any of them in cogent form. If Torn is supposed to be some form of saint in the 20th Century religion of psychiatry, prepared to accept the truth of his perceptions with detached irony, this only adds to the deadness of the film as public entertainment." Gene Siskel of the Chicago Tribune gave the film 3.5 stars out of 4 and praised Rip Torn for "a brilliantly controlled performance. He never appears to be acting." Kevin Thomas of the Los Angeles Times wrote, "In this dreary study of the disintegration of a New York psychologist (Rip Torn), Ginsberg made the mistake of placing professional actors in improvised Warhol-like situations ... What we're left with, consequently, is scarcely more than some mild but mainly tedious pornography for intellectuals." Gary Arnold of The Washington Post wrote, "Compared to the erotic satire, the film's serious pretensions seem so uninspired and derivative that it's only natural to find that your interest dwindles once the characters start sorting out their souls ... the breakdowns turn morbidly sentimental and theatrically pat." Life reviewer Richard Schickel praised Torn's performance, Ginsberg's inventive use of camera and sound, and the "illuminating" portrayal of a schizophrenic breakdown. Andrew Sarris of The Village Voice gave it a less favorable review, however, and the film was a commercial failure.
 Passage 2:Jenny Morris was born in Tokoroa, New Zealand and grew up in Hamilton with three brothers (Alistair, Rhys and Tam) and four sisters (Maxine, Bronte, Joanne and Shanley). Morris wrote a poem on the Vietnam War when she was 12 and used her sister's guitar to put it to music. Morris has stated that her influences include Aretha Franklin and Dusty Springfield. Her first professional performance was at age fifteen, at Andersons Theatre Restaurant, in Hamilton. In 1976 she became a singer with How's Your Father, who were finalists in the 'National Battle of the Bands'. She began working as a Home Economics teacher for two years at a high school near Wellington. Late in 1978 Morris joined an all-girl group, Wide Mouthed Frogs in Wellington, performing lead vocals. Fellow members were Kate Brockie on lead vocals, Andrea Gilkison on guitar, Tina Matthews on bass guitar, Bronwyn Murray on keyboards and Sally Zwartz on drums. In 1979 they released the track, "Some Day" for the compilation album, Home Grown Volume One; "Some Day" was cowritten with Tony Backhouse, guitarist of fellow Wellington band, The Spats, which also had a track, "Young Ladies in Hot Cars", on the compilation.
 Passage 3:In 1990, Sega president Hayao Nakayama sought a flagship series to compete with Nintendo's Mario franchise along with a character to serve as a company mascot. Several character designs were submitted as part of a contest. Among the designs was an egg-shaped man wearing pajamas who resembled Theodore Roosevelt, drawn by Naoto Ohshima. According to Ohshima, the resemblance to Roosevelt was unintentional, saying he was influenced by a variety of characters. Retrospective sources have indicated Ohshima based the character on Humpty Dumpty and Mario. The Roosevelt lookalike did not win the contest; rather, another Ohshima character, a hedgehog named Mr. Needlemouse—later renamed Sonic—prevailed. As development of the Sega Genesis game Sonic the Hedgehog progressed, however, programmer Yuji Naka and the rest of Sonic Team thought the rejected design was excellent and deserved inclusion in the game. Since the character could not be the protagonist, the team retooled him into the game's main antagonist.

[EX A]:
1