In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Example Input: Question: Was the team that he debuted for Wycombe against founded before 1900? Passage 1:For his previous album, Irthes, Rouvas collaborated almost exclusively with Dimitris Kontopoulos, who was also commissioned to write all three of Rouvas' candidate songs for his participation in the Eurovision Song Contest 2009, as well as the composer and producer of his album, with the exception of one track. Working namely with one main composer is something that Rouvas had not done since Kati Apo Mena (1998) and not completely exclusively since Tora Arhizoun Ta Dyskola (1996). For Parafora, Rouvas reverted to using several songwriters and producers. The majority of the songwriters and producers are new collaborators and recent hit makers relatively new to the music industry. Kontopoulos, who first collaborated with Rouvas for To Hrono Stamatao (2003), resumed his role as a composer, producer, arranger, programmer, and instrumentalist, with eight contributions to the album, including the singles "Spase To Hrono" and the title track. Others who have never previously collaborated with Rouvas include Playmen, Beetkraft, Antonis Skokos, Greek-German Leonidas "Freakchild" Chantzaras, who composed "Nekros Okeanos" and produced "Emena Thes", and Dimitris Fakos who wrote both its music and lyrics. Songwriters who exclusively contributed lyrics to the album include Natalia Germanou, who first collaborated with Rouvas on Min Andistekese (1992), Pigi Konstantinou and Giannis Rentoumis who first collaborated with the artist on Irthes, and new collaborators Sunny Baltzi, Vagia Kalantzi, and Nikos Kostidakis, who wrote "Parafora".
 Passage 2:Born in Blackburn, Lancashire, Bell started his career with hometown club Blackburn Rovers at the age of 10 and signed a professional contract in February 2001 after nearly a decade in the youth system. He had a trial at Wycombe Wanderers in April 2003 and after being released by Blackburn in the summer he signed for Wycombe on a month-to-month contract in September, making his debut and scoring both goals in a 5–2 defeat to Oldham Athletic. His contract was extended until 29 February in January, before being released and joining York City on trial. He signed for York on non-contract terms on 1 March and made his debut in a 0–0 draw at Oxford United. His only goal for York came in a 3–1 defeat to Scunthorpe United, after he scored into an empty goal from a Stuart Wise long ball. He finished the 2003–04 season with 10 appearances and one goal for York as they were relegated to the Conference National.
 Passage 3:Mohen was born in the New York City borough of Queens, the oldest of twelve children of Joseph Conrad Mohen (1935-2017) and Virginia Ann (Kelly) Mohen (born 1935), both descendants of Irish immigrants. His maternal great-grandfather, James Morris, an immigrant from Liverpool, was one of the first full time staff of any motion picture studio, being hired by Adolph Zukor in 1912, at Famous Players, making sets for the silent films at Chelsea Studios in Manhattan; Famous Players was later merged with a competitor and renamed Paramount Pictures. In 1960, when Mohen was four, the family moved to Garden City on Long Island. There he attended a local Catholic School, St. Anne’s, and later an Episcopal Preparatory School, St. Paul’s; while in high school he attended Boys State, and was captain of the Cross Country and Track teams. He was offered a track scholarship to the University of Ohio, which he declined, instead electing to attend Johns Hopkins University in Baltimore where he studied Mathematics and Biochemistry, and Manhattan College in New York City studying Business.

Example Output: 2

Example Input: Question: How old was King James IV during the Battle of Flodden? Passage 1:Federal and state agencies administer approximately , or 35 percent of Montana's land. The U.S. Department of Agriculture Forest Service administers of forest land in ten National Forests. There are approximately of wilderness in 12 separate wilderness areas that are part of the National Wilderness Preservation System established by the Wilderness Act of 1964. The U.S. Department of the Interior Bureau of Land Management controls of federal land. The U.S. Department of the Interior Fish and Wildlife Service administers of 1.1 million acres of National Wildlife Refuges and waterfowl production areas in Montana. The U.S. Department of the Interior Bureau of Reclamation administers approximately of land and water surface in the state. The Montana Department of Fish, Wildlife and Parks operates approximately of state parks and access points on the state's rivers and lakes. The Montana Department of Natural Resources and Conservation manages of School Trust Land ceded by the federal government under the Land Ordinance of 1785 to the state in 1889 when Montana was granted statehood. These lands are managed by the state for the benefit of public schools and institutions in the state.
 Passage 2:Scottish field armies rarely managed to stand up to the usually larger and more professional armies produced by England, but they were used to good effect by Robert I of Scotland at the Battle of Bannockburn in 1314 to secure Scottish independence. He adopted a policy of slighting castles and made use of naval power to support his forces, beginning to develop a royal Scottish naval force. In the Late Middle Ages under the Stewart kings these forces were further augmented by specialist troops, particularly men-at-arms and archers, hired by bonds of manrent, similar to English indentures of the same period. New "livery and maintenance" castles were built to house these troops and castles began to be adapted to accommodate gunpowder weapons. The Stewarts also adopted major innovations in continental warfare, such as longer pikes, the extensive use of artillery, and they built up a formidable navy. However, one of the best armed and largest Scottish armies ever assembled still met with defeat at the hands of an English army at the Battle of Flodden in 1513, which saw the destruction of a large number of ordinary troops, a large section of the nobility and King James IV.
 Passage 3:Edgar E. "Rip" Miller (June 1, 1901 – October 1, 1991) was an American football player, coach, and college athletics administrator. Miller played college football as a tackle at the University of Notre Dame from 1922 to 1924. He was a member of the "Seven Mules" line that blocked for the famous "Four Horsemen" backfield on Knute Rockne's national championship team of 1924. Miller served as the head football coach at the United States Naval Academy from 1931 to 1933, compiling a record of 12–15–2. After stepping down as head coach, he remained at Navy as line coach until 1947 and then was the assistant athletic director there from 1948 until his retirement in 1974. Miller was elected to the College Football Hall of Fame as a player in 1966. Five of his Notre Dame teammates are also enshrined in the Hall of Fame: fellow "Mule", Adam Walsh, and each of the "Four Horsemen", Harry Stuhldreher, Don Miller, Jim Crowley, and Elmer Layden.

Example Output: 2

Example Input: Question: Which of the two people who represented Tipperary and Cork had the longest career? Passage 1:The 1970s began with Tipperary and Cork being respectively represented by Tadhg O'Connor and Paddy Barry. Kilkenny's captain from 1969 and a player regarded as one of the greatest forwards of all time, Eddie Keher, was introduced next. Keher was followed onto the field of play by Wexford's 1968 captain, Dan Quigley, and Kilkenny's 1967 captain, Jim Treacy. At the time Quigley was the last Wexford man to captain his county to the All-Ireland title. Gerald McCarthy was one of the youngest captains to take to the field. He was only twenty years-old when he guided Cork to the All-Ireland title in 1966. He was followed by Mick Murphy, Tipperary's victorious captain of 1964 and Séamus Cleere, Kilkenny's captain of 1963. Jimmy Doyle, regarded by many as one of the greatest players of all time and the All-Ireland winning captain of 1962 and 1965, was followed by Matt Hassett who guided Tipperary to the title in 1961. Frankie Walsh of Waterford, the last man to captain his county to a championship, followed before Tipperary's 1958 All-Ireland-winning captain Tony Wall took to the field.
 Passage 2:In 1798, Lapisse and the 57th were assigned first to the Army of England and later to the Army of Mainz. On 10 June 1799 he was appointed chef de brigade of the 36th Line Infantry Demi-brigade. In mid-September that year, the 36th was part of Jean-de-Dieu Soult's division in André Masséna's army in Switzerland. During the Second Battle of Zurich on 25 September 1799, Soult launched a surprise assault crossing of the Linth River while the French main body under André Masséna attacked the Russians at Zurich. The Austrian commander on the Linth, Friedrich Freiherr von Hotze was killed and his command defeated. Lapisse received a battlefield promotion to general of brigade on 26 September 1799. Subsequently, Lapisse fought with the Army of Italy under Guillaume Brune and Bon-Adrien Jeannot de Moncey. On 12 January 1801 he had his horse killed under him at Castelfranco Veneto while leading the 1st Brigade of the Advance Guard. After the peace he commanded French troops in Liguria from 1801 to 1803. He became a member of the Légion d'Honneur on 11 December 1803.
 Passage 3:Dark Heresy is considered a progressive death metal band. Dark Heresy's 1993 demo Diabolus in Musica was praised for amalgamating "well-chosen sprinklings of classic Morbid Angel with a UK death [metal] flair", and for mixing thrash "with classy chunks of unapologetic metal." Although dismissed by rock music magazine Kerrang! as "a widdly Carcass", their 1995 album Abstract Principles Taken to Their Logical Extremes was praised by extreme music magazine Terrorizer, who wrote that "Dark Heresy's music is not about mind-numbing brutality and dazzling speed, but is about complex and reflective musical structures supporting complex ideas ... while the vocals swing from gruff grunts to choral chants", and described Diabolus In Musica as "one of the most inventive works from an occultist band." Writing in Isten magazine in 1996, Endre Begby described Dark Heresy as "speak[ing] a tonal language very uncommon in death metal" and "break[ing] out of the fifth and major/minor third patterns." He similarly compared part of Abstract Principles Taken to Their Logical Extremes to Morbid Angel's 1989 debut album Altars of Madness, while noting that other parts are "totally flipped out, finding no comparison in modern metal", and summing up that Dark Heresy "fuck with the very foundation of death metal as we know it". Heavy metal and hard rock website Worshipmetal.com agreed with these assessments when revisiting Abstract Principles Taken to Their Logical Extremes in 2017, noting the complex compositions, and adding that Dark Heresy "seemed to throw every single idea into the mix, culminating in a bewildering experience that managed to be both beautiful and brutal in the same breath", and finding similarities between Dark Heresy's music and that of Carcass, Pestilence, and the Mahavishnu Orchestra, and describing their approach to songwriting as "difficult to pin down but ... utterly unique nonetheless."

Example Output:
1