In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.

[Q]: Passage: "Halo" was composed by Ryan Tedder, lead vocalist of OneRepublic, together with Evan "Kidd" Bogart and Beyoncé. In an interview for HitQuarters, Kidd narrated the events that led to writing the song. OneRepublic canceled their tour after Tedder had broken his Achilles tendon and had undergone surgery. The following day, the band sent Tedder to Los Angeles. There, he and Kidd were socializing when Tedder expressed his desire to write a song. Kidd was initially opposed to the idea because Tedder was supposed to be recuperating, but the pair went to Tedder's studio. During the writing sessions, singer Ray LaMontagne was the primary inspiration for "Halo". Kidd suggested they create a song in the style of LaMontagne's "Shelter" for Beyoncé and her husband Jay-Z, and proposed the title "Halo" after hearing Tedder play "angelic" chords. They wrote the song in three hours.According to Simon Cowell, owner of the music production company Syco Entertainment, Bogart and Tedder intended "Halo" for his client, singer Leona Lewis, who could not record the song because of her tight schedule. Cowell was upset that Beyoncé chose to record the song. David Balls, editor of the British media website Digital Spy, asked Tedder during an interview whether "Halo" had initially been written for Lewis. Tedder answered that he had only tentatively offered the track to Lewis, after Beyoncé waited a long time before recording it. He commented:
There was this huge scandal that originally "Halo" was meant to go to Leona. That was never the case ... That song was written for Beyoncé. What happened was that Beyoncé waited long enough to record that song ... I thought this would be a brilliant first single for Leona, which it would have ... What I did was foolishly say to Leona's camp, "I have it on hold for another A-list artist and I'm pretty sure they'll take it, but if they don't, I just want to know if you like it enough to consider it". I sent it to them and they flipped on it. They loved it and instantly said they wanted to do it. I was like, "Wait, wait, wait, no, it's not free yet!". 
Question: What is the first name of the person who broke his Achilles tendon?
[A]: Ryan.


[Q]: Passage: The Tang dynasty was largely a period of progress and stability in the first half of the dynasty's rule, until the devastating An Lushan Rebellion (755-763) and the decline of central authority in the later half of the dynasty. Like the previous Sui dynasty, the Tang dynasty maintained a civil-service system by recruiting scholar-officials through standardized examinations and recommendations to office.  The rise of regional military governors known as jiedushi during the 9th century undermined this civil order.  Chinese culture flourished and further matured during the Tang era; it is traditionally considered the greatest age for Chinese poetry.  Two of China's most famous poets, Li Bai and Du Fu, belonged to this age, as did many famous painters such as Han Gan, Zhang Xuan, and Zhou Fang.  Scholars of this period compiled a rich variety of historical literature, as well as encyclopedias and geographical works. The adoption of the title Tängri Qaghan by the Tang Emperor Taizong in addition to his title as emperor was eastern Asia's first "simultaneous kingship".Many notable innovations occurred under the Tang, including the development of woodblock printing.  Buddhism became a major influence in Chinese culture, with native Chinese sects gaining prominence.  However, in the 840s the Emperor Wuzong of Tang enacted policies to persecute Buddhism, which subsequently declined in influence. Although the dynasty and central government had gone into decline by the 9th century, art and culture continued to flourish. The weakened central government largely withdrew from managing the economy, but the country's mercantile affairs stayed intact and commercial trade continued to thrive regardless. However, agrarian rebellions in the latter half of the 9th century resulted in damaging atrocities such as the Guangzhou massacre of 878–879. 
Question: Under what dynasty were the jiedushi created?
[A]: Tang dynasty.


[Q]: Passage: A composer may also respond to a text by expanding a choral symphony beyond the normal bounds of the symphonic genre. This is evident in the unusual orchestration and stage directions Berlioz prepared for his Roméo et Juliette. This piece is actually in seven movements, and calls for an intermission after the fourth movement – the "Queen Mab Scherzo" – to remove the harps from the stage and bring on the chorus of Capulets for the funeral march that follows. Berlioz biographer D. Kern Holoman observed that, "as Berlioz saw it, the work is simply Beethovenian in design, with the narrative elements overlain. Its core approaches a five-movement symphony with the choral finale and, as in the [Symphonie] Fantastique, both a scherzo and a march.... The 'extra' movements are thus the introduction with its potpourri of subsections and the descriptive tomb scene [at the end of the work]."Mahler expanded the Beethovenian model for programmatic as well as symphonic reasons in his Second Symphony, the "Resurrection", the vocal fourth movement, "Urlicht", bridging the childlike faith of the third movement with the ideological tension Mahler seeks to resolve in the finale. He then abandoned this pattern for his Third Symphony, as two movements for voices and orchestra follow three purely instrumental ones before the finale returns to instruments alone. Like Mahler, Havergal Brian expanded the Beethovenian model, but on a much larger scale and with far larger orchestral and choral forces, in his Symphony No. 1 "The Gothic". Written between 1919 and 1927, the symphony was inspired by Goethe's Faust and Gothic cathedral architecture. The Brian First is in two parts. The first consists of three instrumental movements; the second, also in three movements and over an hour in length, is a Latin setting of the Te Deum. 
Question: What is the name of that which Berlioz saw as Beethovenian in design?
[A]:
Roméo et Juliette.