In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Input: Consider Input: Question: What year was the opera Tallien went to in a sleeveless dress established? Passage:Thérésa became one of the leaders of Parisian social life. Her salon was famous and she was one of the originators of the Greek Revival Directoire style women's fashions of the French Directory period. She was a very colorful figure; one story is that she was said to bathe in the juice of strawberries for their healing properties. She once arrived at the Tuileries Palace, then the chief residence of Napoleon Bonaparte, supported by a black page, with eight sapphire rings and six toe rings, a gold bracelet on each ankle and nine bracelets on each arm. To top the look off Theresa had a head band covered in rubies. On another occasion she appeared at the Paris Opera wearing a white silk dress without sleeves and not wearing any underwear. Talleyrand commented: "Il n'est pas possible de s'exposer plus somptueusement!" ("One could not be more sumptuously unclothed!").


Output: b


Input: Consider Input: Question: What concentration camp was Elie Wiesel at during the Holocaust? Passage:Holocaust is a 1978 American four part television miniseries which recounts the trajectory of the Holocaust from the perspectives of the fictional Weiss family of German Jews and that of a rising member of the SS, who gradually becomes a merciless war criminal. Holocaust highlighted numerous events which occurred up to and during World War II, such as Kristallnacht, the creation of Jewish ghettos, and later, the use of gas chambers. Although the miniseries won several awards and received positive reviews, it was criticized by others, such as the Holocaust survivor Elie Wiesel, who wrote in The New York Times that it was: "Untrue, offensive, cheap: as a TV production, the film is an insult to those who perished and to those who survived."


Output: b


Input: Consider Input: Question: Were there any famous performers at the music festival McCollum often performed at? Passage:During the mid-1950s McCollum was highly busy performing as a concert soloist and performed with some frequency in operas with the New England Opera Theatre (NEOT). He sang frequently with the Boston Symphony Orchestra under conductor Charles Munch, often at the Tanglewood Music Festival, performing works like the role of the evangelist in Bach's Johannes Passion (1956). He was also a regular performer with the Dessoff Choirs under conductor Paul Boepple, performing as a tenor soloist in oratorios like Handel's Messiah (1956) and Handel's Israel in Egypt (1957). One work which he performed with frequency during these years was J.S. Bach's Mass in B Minor, which he first performed in February 1955 with the Chicago Symphony Orchestra under conductor Margaret Hillis. He later performed the work with the Boston Symphony Orchestra at Tanglewood in the summer of 1955 and with the Philadelphia Orchestra at the Bethlehem Bach Festival in 1956. In March 1955 he sang Helenus in a lauded production of Berlioz's Les Troyens with the New England Opera Theater opposite Eunice Alberts as Cassandre, Marriquita Moll as Dido, and Arthur Schoep as Aeneas.



Output: b