In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.
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Question: In a hyperreal, hyper-saturated, hyper-driven dystopia, guns are banned upon pain of death and the sword is now king.Nicola the Woodcutter is the most powerful man east of the Atlantic, a shadowy crime boss who rules with an iron fist with the help of his lady Alexandra, a femme fatale with a secret past, and nine diverse assassins and the Red Gang, a force not to be trifled with. His right-hand man is Killer #2, a cold-hearted, smooth-talking, toe-tapping murderer dressed in red and wielding a deadly blade without remorse. The citizens live in fear of this pack of wolves, and wait for the hero who can overthrow the tyrant.One night, a mysterious drifter walks into the Horseless Horseman Saloon of the local insurgent bartender and desires two things: a shot of whisky and to kill Nicola. Soon, another stranger enters the bar, a samurai named Yoshi. Yoshi wants to avenge his father by taking back a talisman that Nicola stole from his clan. Armed with crossed destinies and incredible fighting skills and guided by the wisdom of the bartender, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola and set out on a journey, breaking bones and cracking heads in search for Nicola.In an amalgam of samurai film, spaghetti western and chop socky and using a stylish blend of neo-noir, German expressionism and Russian futurism, characters in the world of Bunraku spin and ricochet against a backdrop that resembles a pop-up-book made of origami, ever-changing and whirring like a steam driven Victorian theatre set. It is a universe driven by pugilistic force, delivered in a brash style of amazing physical combat sequences.

Answer: Question: Who desires to kill Nicola?, Answer: A mysterious drifter


Question: In the Victorian period, David (Willie Aames) and Sarah (Phoebe Cates), two teenagers, travel with a caravan from Baghdad to Damascus. At an oasis, the white slave agent known as the 'Jackal' raids them, mainly to add the beautiful young Sarah to his harem of mistresses. David and Sarah and her manservant, Geoffrey narrowly escape, but all the others are slain in the massacre including David's American missionary parents. However, Geoffrey doesn't survive long, as he accidentally runs into and is killed by the Jackal as the trio takes a rest on their westerly direction toward civilization.Sarah and David's flight leads them to a beautiful oasis in the middle of the arid desert their peaceful place in paradise, where they discover natural love and their sexuality. However, the Jackal has not given up on Sarah yet, and David must lure him to his death, or be killed by him.Eventually, David confronts the Jackal and is able to kill him. Sarah reveals to David that she is pregnant and the two young lovers have finally reached civilization, the Syrian city of Damascus.

Answer: Question: What's the name of the the white slave agent in the movie?, Answer: the Jackal


Question: Kirkbride Mental Health Hospital, built in 1871 is being reclaimed as a town hall and renovated after being closed down nearly fifteen years earlier in 1985. Hazmat Elimination Company, an asbestos removal company run by Gordon Fleming (played by Peter Mullan) and his associate Phil (played by David Carusoe), are the first to start on the renovation of the building. The film opens with a lightly humoured tour through the asylum led by Bill Griggs (a cameo by Paul Guilfoyle) as Gordon and Phil get their first glimpse of the aforementioned mad house. Distracted by ghastly rooms and one hallway in particular, Gordon hears a voice call out to him but is snapped back to reality by partner Phil. After the heebie-jeebies have been established cut to a scene of Gordon sitting alone in his truck as he fawns over pictures of his newborn and watches her and his wife as they play out front of their home. This scene is cut short by terrible screams and a haunting feeling that perhaps all is not well in the Fleming household.Now cue Gordon's employees: Hank (played by Josh Lucas), Gordon's nephew Jeff (Brandon Sexton III), and Mike (Stephen Gevedon) a former lawschool student who's father was the district attorney who indirectly led to the closing of Kirkbride through a patient's lawsuit in 1984.As the film glides along with horror stories of old, employee banter, and Gordon's increasingly distant behaviour, Mike finds some old recorded sessions (labeled 1-9) in an office while checking a generator and Hank stumbles upon coins from the 1800's in another part of the building. Mike begins stealing time away from the job to sneak downstairs and listen to the recorded sessions which are centered around patient #444 Mary Hobbes, a patient with multiple personalities. As the week continues Gordon becomes more irritable, Mike continues deeper into the sessions and Hank heads back late at night, for the silver dollar payload, and mysteriously disappears.After Hank's disappearance the rest of the crew becomes more and more edgy as the week continues. Gordon's history with his distant wife comes to light, Phil's anger and impatience with Gordon becomes a factor and all the while Mike gets closer and closer to the end of the sessions with Mary Hobbes. You begin to see the number 444 show more often in the film on rooms and tombstones, and Gordon reveals to Phil that he hit his wife by accident that night after their tour of the asylum. Phil goes to Mike with this news recommending that Gordon could use some time off, all the while unbeknownst to them Gordon listens from around the corner. Just then Hank is found wandering the halls by Jeff.As Jeff runs to tell the others Hank disappears again and the manhunt is on. With flaring tension between Phil and Gordon, Mike and Jeff swimming in a sea of apprehensive paranoia and the manhunt for the missing Hank, the story reaches its climax with a shot of each character alone against the unseen villian. The film is tied together as a replacement employee for Hank arrives for work and searches the seemingly abandoned Hospital for Gordon and the others. Come to the room where Hank lies on the floor still breathing, Phil telling Gordon to wake up , and the arrival of the new employee. It is revealed through flashbacks that Gordon has now killed each one of his employees, nephew, wife and child. The stress of life had caught up with Gordon and after killing the man who had just arrived and realized his deadly misgivings; the film ends with Gordon apologizing to his dead wife on a broken phone and the voice who has been calling to him throughout the film is revealed as Simon, Mary Hobbes' third personality. Simon caps the movies finish as he speaks on the the final recorded session as the one who "live(s) in the weak, and the wounded."

Answer:
Question: What does Hank srumble upon?, Answer: Coins from the 1800s