instruction:
In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
question:
Question: Is the political party Slobe joined in 1942 still exist? Passage 1:Elysium was produced by Bill Block, Neill Blomkamp, and Simon Kinberg, and written and directed by Neill Blomkamp, the director and co-writer of District 9 (2009). It reunites Blomkamp with some of his District 9 crew, such as editor Julian Clarke, production designer Philip Ivey, cinematographer Trent Opaloch, and actor Sharlto Copley, playing one of the film's antagonists. Elysium is a co-production of TriStar Pictures and MRC. Although the film's story is set in 2154, Blomkamp has stated that it is a comment on the contemporary human condition. "Everybody wants to ask me lately about my predictions for the future," the director has said, "No, no, no. This isn't science fiction. This is today. This is now." In January 2011, independent studio Media Rights Capital met with major studios to distribute Elysium, and Blomkamp shared art designs of his proposed science fiction film. The art designs won over the executives at Sony Pictures, who bought the film after making a more attractive offer than the other studios. With a production budget of , production began in July 2011. The film's Earth-bound scenes were shot in a dump in the poor Iztapalapa district on the outskirts of Mexico City, while the scenes for Elysium were shot in Vancouver and the wealthy Huixquilucan-Interlomas suburbs of Mexico City. Matt Damon shaved his head for the role of Max. The main role was first offered to Watkin Tudor Jones (aka Ninja), a South African rapper, who despite being a fan of District 9 (he has a D9 tattoo on his inner lip) did not take the role. The role was then offered to rapper Eminem, but he wanted the film to be shot in Detroit. That was not an option for the two studios, so Blomkamp moved on to Damon as his next choice. Futuristic designs were executed by Philip Ivey after long periods of researching and studying older science fiction films. Ivey has continuously cited Syd Mead as a substantial influence for the film. Weta Workshop created the exosuits for Damon and Copley's characters, while the complicated visual effects were handled primarily by Image Engine (who also collaborated on District 9) with additional work by Whiskytree, MPC, The Embassy and Industrial Light and Magic. Re-shoots took place through October 2012. The film's music score was composed by newcomer Ryan Amon and recorded at Abbey Road Studios with the Philharmonia Orchestra. The soundtrack was released on August 6, 2013.
 Passage 2:Slobe was born in Pittsburgh to a well-to-do Jewish family, and grew up in Chicago, enrolling in the School of the Art Institute of Chicago at 16; by 19 she was exhibiting paintings and winning prizes. She began exhibiting sculpture as well by the late 1930s, and came eventually to be known more as a sculptor than as a painter. In 1939 and 1940 she worked for the Works Progress Administration, creating art and teaching in a number of states, including Oregon. She became acquainted at this point with George Perle, whom she married in 1940; in 1942 the couple joined the Socialist Workers Party, and she took the pseudonym "Laura Gray". She was soon tasked with assisting in the organization of automotive workers, and it was at this time that she began her cartooning career. Encouraged to submit drawings to The Militant, her first appeared in the paper on March 4, 1944; she went on to become the paper's staff artist, submitting at least one cartoon almost weekly for the rest of her life. These drawings, which have been compared to the work of Boardman Robinson, Hugo Gellert, and Robert Minor, would be published in Trotskyist publications around the world. Some of her cartoons on the subject of civil rights would also be published in the African-American press.
 Passage 3:Major Granville O. Haller of the 4th Infantry led an expedition from Fort Dalles into central Washington, and Lieutenant William A. Slaughter also of the 4th Infantry with forty-eight men from Fort Steilacoom crossed Natchez Pass to aid Major Haller when attempts to move the Indians of Puget Sound onto reservations caused trouble between them and some white settlers. Captain Maloney of the 4th Infantry, and Captain Gilmore Hayes of the Washington Volunteers had started for Yakima via Natchez Pass when they were overtaken on 29 October 1855 by the Nisqually tribe under Chief Leschi. Lt. Slaughter and his men plus Captain Hayes' force met the Indians at the crossing of the White River, and on 4 November 1855 fought without decisive results. The following day the troops met hostiles in the difficult country between the White and Green Rivers. The troops fell back into the valleys and on 24 November 1855, Lt. Slaughter, commanding a platoon of the 4th Infantry and a company of volunteers, was attacked in his camp at Puyallup. The lieutenant moved to the present site of Auburn and here again the Indians attacked. Slaughter and two corporals of the volunteer company were killed, four other men were injured, one later dying of his wounds. For years the town, which sprang up on this site, was known as Slaughter in honor of this officer of the 4th Infantry; it was later changed to Auburn.

answer:
2


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Question: How many people live in the place Bill Hastings was born? Passage 1:Kanazawa was born in Iruma on July 9, 1976. After graduating from Kokushikan University, he joined J1 League club Júbilo Iwata in 1999. Although he could not become a regular player, he played many matches as left side midfielder from first season. The club won the champions 1999 and 2002 J1 League. In Asia, the club won the champions 1998–99 Asian Club Championship and the 2nd place 1999–00 and 2000–01 Asian Club Championship. In 2003, he moved to FC Tokyo. He became a regular player as left side back from first season. The club won the champions 2004 J.League Cup. Although he could hardly play in the match for injury in 2006, he came back and became a regular player again in 2007. From 2008, he lost regular position behind newcomer Yuto Nagatomo and he also played as defensive midfielder not only left side back. In August 2009, he moved to Júbilo Iwata for the first time in 7 years. He played as regular left side back in 2009 season. Although he could not play many matches from 2010, the club won the champions 2010 J.League Cup. His opportunity to play decreased from 2011 and he moved to J2 League club Thespakusatsu Gunma in 2014. He retired end of 2014 season at the age of 38.
 Passage 2:Born in Scarborough, Ontario, Canada in 1957, he attended Lord Roberts Public School, graduated from Midland Avenue Collegiate Institute, holds a BA from the University of Trinity College, University of Toronto, law degrees from Osgoode Hall Law School and the London School of Economics, and was a practising barrister. He moved to New Zealand in 1985. Before becoming Chief Censor, he was Deputy and Acting Chief Censor from December 1998 to October 1999, Senior Lecturer in Law (teaching Legal System and International Law), Deputy Dean of Law, and a member of the governing Council, at Victoria University of Wellington. He was also briefly the Video Recordings Authority in 1994, a member of the Indecent Publications Tribunal from 1990 to 1994 and Deputy President of the Film and Literature Board of Review from 1995 to 1998. In 2010 he stood down as Chief Censor when he became a District Court Judge and Chair of the Immigration and Protection Tribunal. He was succeeded by Andrew Jack.
 Passage 3:Most Deep Learning systems rely on training and verification data that is generated and/or annotated by humans. It has been argued in media philosophy that not only low-payed clickwork (e.g. on Amazon Mechanical Turk) is regularly deployed for this purpose, but also implicit forms of human microwork that are often not recognized as such. The philosopher Rainer Mühlhoff distinguishes five types of "machinic capture" of human microwork to generate training data: (1) gamification (the embedding of annotation or computation tasks in the flow of a game), (2) "trapping and tracking" (e.g. CAPTCHAs for image recognition or click-tracking on Google search results pages), (3) exploitation of social motivations (e.g. tagging faces on Facebook to obtain labeled facial images), (4) information mining (e.g. by leveraging quantified-self devices such as activity trackers) and (5) clickwork. Mühlhoff argues that in most commercial end-user applications of Deep Learning such as Facebook's face recognition system, the need for training data does not stop once an ANN is trained. Rather, there is a continued demand for human-generated verification data to constantly calibrate and update the ANN. For this purpose Facebook introduced the feature that once a user is automatically recognized in an image, they receive a notification. They can choose whether of not they like to be publicly labeled on the image, or tell Facebook that it is not them in the picture. This user interface is a mechanism to generate "a constant stream of  verification data" to further train the network in real-time. As Mühlhoff argues, involvement of human users to generate training and verification data is so typical for most commercial end-user applications of Deep Learning that such systems may be referred to as "human-aided artificial intelligence".  

answer:
2


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Question: Which of the big hits by Aventura besides "Mi Corazoncito" charted the highest? Passage 1:The Bachata #1's series is a collection of compilations of various artists centered on the genre of bachata. The first chapter in the series was released in 2007. A third volume, Bachata #1's, Vol. 3 was released in 2010 in the United States. Bachata #1's, Vol. 2 was released on August 12, 2008. "Mi Corazoncito", written by Anthony "Romeo" Santos and performed by Aventura, was released as the third and final single from the group's second live album, K.O.B. Live (2006). The song peaked at number fifteen on the Billboard Latin Pop Songs and number two on the Billboard Latin Songs charts, topping both the Billboard Tropical Songs and Billboard Latin Rhythm Songs charts, while an additional live version peaked at number ten on the Billboard Tropical Songs chart. The bachata-infused-R&B number, has been named one of their biggest hits along with "Los Infieles", "Un Beso", and "El Perdedor" among others. Xtreme's "Mientes" is originally from the duo's second studio album Haciendo Historia (2006), which also featured the gorup's R&B-leaning hit single "Shorty, Shorty". Puerto Rican Latin pop singer Luis Fonsi performs "Con Las Manos Vacías", a track exclusive to this release. "Tengo Un Amor" was written by Toby Love with additional composition by Edwin Perez who also handled production for the song. The song was written with Spanglish lyrics combining crunk hip hop with bachata. David Jefferies, while reviewing the parent album, called the song "an incredibly smooth, lush, and glittery ballad" while listing the song as a selected "Allmusic Pick". According to Billboard, the original version of the song is a "straightforward bachata song" while the remix, which is included on this release, with R.K.M & Ken-Y, known then as Rakim & Ken-Y provides "urban street cred".
 Passage 2:Tony met Deep Purple in the early 1970s, when the last recording of Ashton, Gardner and Dyke was a collaboration with keyboardist Jon Lord on the soundtrack for a b-movie called The Last Rebel. In the meantime, Ashton had appeared on Jon Lord's first solo album Gemini Suite in 1971. In 1973, Ashton joined the group Family for their last album and tour. That same year, he and David Coverdale and Glenn Hughes were guest vocalists on Jon Lord's second album Windows. Tony became close friends with Jon Lord. In the summer of 1974, during a break in Purple's busy touring schedule, Tony Ashton and Jon Lord recorded their album First of the Big Bands. This project was launched with a gig at the London Palladium the same year and the BBC taped a special live appearance at Golders Green Hippodrome in London. The album of this show is a tour-de-force groovy, rhythm and blues, boogie piano and Hammond organ, big band fest. Tony also contributed to Roger Glover's Butterfly Ball project. In these years, Ashton and Lord found a second home in Zermatt, an alpine resort in Switzerland, sometimes to ski, but more often to offer giant and brilliant non-profit gigs in a unique complex (one hotel-two night-clubs-two restaurants and four pubs) called "Hotel Post" which was run by American-born Karl Ivarsson. Ashton managed to come to the place almost until his death, and Jon has been a regular visitor until his death even if the "(in)famous" hotel did not exist anymore.
 Passage 3:Ross married Bertha (Bee) Halley Horecker, a singer-musician and daughter of Ross's Chicago neighbors, in 1931, received a National Research Council Fellowship for 1932, and worked as a National Research Council postdoctoral fellow at California Institute of Technology with Eric Temple Bell until 1933. Ross moved back to Chicago and led the mathematics department at an experimental school started by Ph.D.s during the Great Depression, People's Junior College, where he also taught physics. Ross became an assistant professor at St. Louis University in 1935 and stayed for about 11 years. In an interview, he said he advocated for a student who became the first black woman in the South to receive a master's degree in mathematics. This exception led the university to admit black students despite the idea's widespread unpopularity. During World War II, Ross served as a research mathematician for the U.S. Navy. He befriended Hungarian mathematician Gábor Szegő while in St. Louis, who recommended Ross for a 1941 Brown University summer school that prepared young scientists to assist in the war, a program Ross attended. He occasionally worked on proximity fuzes for Stromberg-Carlson's laboratory from 1941 to 1945 before accepting a position as head of University of Notre Dame's mathematics department in 1946. He set out to change the school's research climate by inviting distinguished mathematicians including Paul Erdős, whom Ross made a full professor.

answer:

1