In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
i am starting to write this review before going to see strawberry and chocolate , cuba 's oscar nominee for best foreign film , directed by tomas gutierrez alea ( who also directed the sometimes and in some circles critically acclaimed memorias del subdesarrollo-- " memories of underdevelopment " .
i saw memorias as part of a cuban cinema class back in the late ' 70s ; it merged the politics of the cuban revolution with mundane elements of the human condition .
i knew then that memorias was probably a state - sanctioned political missive , and now expect strawberry will follow suit .
fellow internetters , primarily in the newsgroup dedicated to cuba ( soc . culture .
cuba ) , have mentioned that strawberry is a harsh criticism of the revolution and its current state of affairs .
i have jumped to the conclusion that strawberry is nothing more than a veiled attempt at espousing the party line -- it probably looks like political criticism , but it ai n't so .
having some first hand and extensive anecdotal knowledge of castro 's repressiveness , i ca n't conceive of his tolerating honest and adversarial criticism of the revolution , and i ca n't imagine his letting anyone even suggest his failure as a leader of a failed movement .
as kids say these days , duh ! , the revolution 's current state needs no criticism ; its physical and spiritual crumbling is self evident .
the proper questions to put relate to castro 's legitimacy .
i bet the film takes castro 's power for granted , and that this or any other movie , produced under cuba 's state control , can not question his right to run cuba 's political show ( ongoing now for more than 36 years ) .
that 's why i just ca n't believe strawberry is an honest criticism of the regime .
let 's see what happens after the room goes dark and the screen lights up .
i saw the film -- twice .
i was right ; castro remained intact .
strawberry negotiates the relationship between a young " dialectic materialist , " as he describes himself , and a homosexual photographer ( diego ) in 1979 cuba .
the young man ( david ) is the son of peasants ; a symbol of the revolution 's reason for being .
grateful to the revolution for the opportunity to receive a university education , he studies political science instead of literature , his avocation , because he perceives it is his duty .
therein lies a likely unintended irony , since cuba has no need for political theoreticians .
cuba 's government is castro .
diego 's lifestyle is the antithesis of revolutionary life .
he enjoys the finer things -- tea , opera , art .
he does not do " voluntary work " for the revolution .
his small apartment is a sensual oasis .
the moniker " bourgeois " figuratively hangs over his head during the early parts of the movie .
however , he is a " revolucionario " in his own way .
the supporting roles are filled by : an aging busybody with a heart of gold and a troubled psyche ; david 's roommate , who rally takes the communist party line to its expected extreme ;
david 's ex - girlfriend , who dumped him for another guy , yet wants to bed him before she leaves for italy with her husband ; german , a gay sculptor whose work diego is attempting to exhibit , and who strikes a faustian pact with the government .
gutierrez alea and co - director
juan carlos tabio
do a fine job at almost showing that homosexuals can be revolutionaries too .
heck , towards the end of the film you begin to think the guy deserves a medal for his patriotic fervor .
he really loves the revolution ( as supposedly does everybody else in cuba ) and wants to make it better by exposing and correcting some of its flaws .
real criticism is missing though .
this movie is political window dressing .
luis aguilar leon 's op .
ed .
piece on fresa in the miami herald ( 10 march 1995 , at 21a ) did not color my judgment ; it presaged my intuition .
aguilar leon expressed my sentiment about this film 's political angle best : like many artistic manifestations in cuba , strawberry and chocolate sprang from a totally manipulated environment .
as art critic ivan de la nuez well states in the latest issue of the magazine postmodern notes , the silenced artists are those who refuse to accept " the charade in which artists can provoke up to a point , while the institutions legitimize themselves by forbidding them to go beyond that point .
" although terrible propaganda , this is otherwise a fine film .

Ex Output:
P


Ex Input:
when i ponder childhood memories past , one of the things that always springs immediately to mind is watching the " inspector gadget " tv show with my older brother .
truth be told , we were rabid fanatics ; our version of cowboys and indians was chasing each other around our coffee table to the theme tune , alternating who would get to be gadget and who would be stuck playing the part of dr .
claw , the inspector 's arch nemesis .
i was never a biggie on nostalgia , but you just ca n't help but have fond memories of something like that .
sometimes i even find myself up at 4 am watching re - runs of my favorite episodes , trying to recapture some of that sense of wonder i felt as a kid .
at the very least , i was expecting the new film version of the classic television series to have at least some kind of similar effect on me .
despite how horrid a film may be , the simple task of rekindling even a slight feeling of nostalgia is pretty tough to screw up .
so back i sat , with minimum expectations of what the movie would deliver ( let 's face it ; exactly how good can a live - action disney film really be ? ) .
i was wise enough to steer clear from the likes of mr .
magoo and george of the jungle ( two previous disney adaptations ) ,
and i wish to god that i had been sharp enough to skip gadget as well
.
rarely has a movie left me with such an utter feeling of emptiness .
as everyone else was getting up to exit the screening room after the movie had completed its assault on mankind , i was left sitting there , absolutely speechless and totally dumbfounded at what i had just seen
.
can something this awful
truly exist in such an evolved world ?
right from the beginning , i knew i was in trouble .
in the opening scenes , each character is introduced as if their sole purpose is to just be , to simply serve as real - life duplicates of their cartoon clones .
when referring to them , people almost yell in fear that the audience will not catch on as to who a certain character is supposed to be ( " oh , hi penny !
is brain with you ? " ) . creating one - dimensional replicas is one thing ; having mere names take the place of them is quite another .
the " plot " , shall we call it , stays fairly in tune with the original series .
matthew broderick stars as john brown ( how creative is that ? ) , a security guard who is horribly injured by a pack of ruthless businessmen headed by scolex ( why , rupert everett ,
for the love of god
why ? ? ? ! ! !
) , who himself is transformed into claw by an unfortunate chain of events .
brown is then rescued and used as a prototype for a new law - enforcement technology wherein he 's joined with various machine parts and some nifty gadgets to form ( drumroll , please ) . . .
inspector gadget !
> from here on out
, the movie becomes a hodgepodge of stupid dialog and confusing situations
( although , to be fair , my confusion could have been caused by the virtual concussion the film was inflicting upon my fragile mind ) .
there 's something about an evil gadget taking over the city ( his first crime must have been swiping matt dillon 's dentures from there 's something about mary ) and it all ends with ( what else ? )
a bunch of post - credit nonsense and a cameo by don adams himself .
to be honest , i was n't much paying attention to these " treats " .
i was just glad that it was over .

Ex Output:
N


Ex Input:
there have been bad films in recent years : ' mr .
magoo ' was by far the worst ever made , the spectacularly bad ' blue in the face ' , the horrible ' baby genuises ' and now ' i woke up early the day i died ' .
it may not however be the worst movie made but it certainly ranks as one bad movie .
the film 's acting ( if that 's what you want to call it ) is
well mediocre to me .
loaded with a sensational cast you would think that the cast would at least save the film a bit , boy was i wrong .
after escaping from a mental institution ' the thief ' played by billy zane goes out in the real world and finds that it is pretty harsh and gritty .
he turns to burglary to survive , robs a loan back , kills the loan officer and runs with thousands .
a country - wide man hunt is on for him to catch him and bring him down .
he ends up in a cemetery where he puts his money in a coffin to keep it for later , comes back and realizes that someone took it and put it somewhere .
now he is determined to kill all the visitors at the funeral earlier that day until he gets his money back , ultimately leading to a finale that is less that satisfying .
a film which was based on a ' long - lost ' script by ed wood , i have only one question : no dialogue , only music and movement
where exactly is the point ?
the film moves along at a rather slow pace , but does have one advantage : the soundtrack which is catchy and vibrant except the first song which can be offensive to some .
it opens with a fun , innovative opening credits sequence and quickly goes downhill after that .
some of the low points are when ' the thief ' steals a woman 's purse , and then she faints , sandra bernhard as a dancer and tippi hendren as a deaf woman whom ' the thief ' kills to the music of ' psycho ' . come on people get some new ideas already !
what 's even worse is that the film has no plot at all .
well to a certain extent it does , but who cares by the time the middle of the film arrives
we 're bored out of our mind and ready for something fun and exciting to happen . '
i woke up early the day i died ' is a perfectly bad film .
it shows us how low filmmakers get sometimes just when desperate to make a movie .
even with the huge cast talent , the film is a waste of my time and certainly a waste of yours .

Ex Output:

N