In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.

[EX Q]: Passage: Pellicer's first acting role, albeit only her second movie to be released, was the Paramount Pictures production One-Eyed Jacks. In the movie, Pellicer played Louisa, the stepdaughter of Karl Malden and the lover of Marlon Brando. Mexican actress Katy Jurado also appeared as Louisa's mother. The production of the movie was much-delayed, and the original director Stanley Kubrick left along with screenwriter Sam Peckinpah, leaving Brando to finish the movie – the only time Brando was credited with directing a movie. So even though production started in 1958, the movie was not released until 1961. European response was positive, and in July 1961 the movie received the Golden Shell (Concha de Oro) at the San Sebastián International Film Festival. In addition, Pellicer was awarded the prize for best female performer, with reviews comparing her to Audrey Hepburn. In the United States, the response was more mixed and the movie received only one Academy Award nomination, for Charles Lang's cinematography.
 Link Information: Audrey Hepburn (born Audrey Kathleen Ruston; 4 May 1929 Answer: 32
[EX A]: What age was Audrey Hepburn when Pina Pellicer was compared to her after Pellicer won a prize for best female performer at the San Sebastian International Film Festival?

[EX Q]: Passage: Prior to the 2020 Contest, Slovenia had participated in the Eurovision Song Contest twenty-five times since its first entry in . Slovenia's highest placing in the contest, to this point, has been seventh place, which the nation achieved on two occasions: in 1995 with the song "Prisluhni mi" performed by Darja Švajger and in 2001 with the song "Energy" performed by Nuša Derenda. The country's only other top ten result was achieved in 1997 when Tanja Ribič performing "Zbudi se" placed tenth. Since the introduction of semi-finals to the format of the contest in 2004, Slovenia had thus far only managed to qualify to the final on six occasions. In 2018, Slovenia was represented by Lea Sirk and the song "Hvala, ne!", which qualified to the final and placed twenty-second. One year later, in 2019, Slovenia qualified for the final again with Zala Kralj & Gašper Šantl, finishing in fifteenth place with the song "Sebi".
 Link Information: Lea Sirk (born on 1 September 1989 Answer: 29
[EX A]: What was the age of Lea Sirk the year that she placed twenty-second in the Eurovision Song Contest?

[EX Q]: Passage: From the mid-1970s, DJs in early discothèques were performing similar tricks with disco songs (using loops and tape edits) to get dancers on the floor and keep them there. One noteworthy figure was Tom Moulton who invented the dance remix as we now know it. Though not a DJ (a popular misconception), Moulton had begun his career by making a homemade mix tape for a Fire Island dance club in the late 1960s. His tapes eventually became popular and he came to the attention of the music industry in New York City. At first Moulton was simply called upon to improve the aesthetics of dance-oriented recordings before release ("I didn't do the remix, I did the mix"—Tom Moulton). Eventually, he moved from being a "fix it" man on pop records to specializing in remixes for the dance floor. Along the way, he invented the breakdown section and the 12-inch single vinyl format. Walter Gibbons provided the dance version of the first commercial 12-inch single ("Ten Percent", by Double Exposure). Contrary to popular belief, Gibbons did not mix the record. In fact his version was a re-edit of the original mix. Moulton, Gibbons and their contemporaries (Jim Burgess, Tee Scott, and later Larry Levan and Shep Pettibone) at Salsoul Records proved to be the most influential group of remixers for the disco era. The Salsoul catalog is seen (especially in the UK and Europe) as being the "canon" for the disco mixer's art form. Pettibone is among a very small number of remixers whose work successfully transitioned from the disco to the House era. (He is certainly the most high-profile remixer to do so.) His contemporaries included Arthur Baker and François Kevorkian.
 Link Information: April 2, 1954 Answer: 22
[EX A]:
How old was Walter Gibbons when he provided the dance re-edit of the first commercial 12-inch single?