In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

[Q]: Question: Comparing the places Naipaul visited while writing his book, what is the difference in population between the two? Passage:Black & White is a non-fiction book written by Shiva Naipaul and published by Hamish Hamilton in the U.K. in 1980. It was published with the title Journey to Nowhere: A New World Tragedy in the U.S. The book is based on Naipaul's trip to Guyana in the aftermath of the Jonestown Massacre, and his subsequent trip to the United States, in which he explored links between the People's Temple and other groups and individuals. Naipaul attempted to connect Rev. Jim Jones, founder of the People's Temple, with disparate parts of California's counterculture, and Guyanese and other Third World governments and the revolutionary ideologies which supported them. Naipaul was highly critical of these and other movements, including black theology, the nascent New Age movement and EST, in as much as they helped, in his analysis, to create fertile ground for the People's Temple to flourish on the two continents. The book's US paperback cover tagline reads "How American ideas and ideologies led to the mass suicide of 900 people in Jonestown, Guyana."
 Links: a. Guyana b. Jonestown c. Liberation movement d. Shiva Naipaul
[A]: a


[Q]: Question: Which movie did Indrajith Sukumaran act in immediately preceding his role in Amen? Passage:It took another two years before he came up with his third movie, Amen, in 2013, which had Indrajith Sukumaran, Fahad Fasil, Swathi Reddy and Kalabhavan Mani in the lead roles and the movie succeeded at the box office while drawing good critical response. After a gap of almost two years, Pellissery released his fourth film, Double Barrel, a comic thriller, with Prithviraj Sukumaran, Indrajith Sukumaran, Arya, Sunny Wayne and Asif Ali in the lead roles. However, the film did not succeed critically or commercially. The next project, Angamaly Diaries, a black comedy cloaked in a gangster plot that revolves around the locale of Angamaly, was scripted by popular actor, Chemban Vinod Jose. The film, made on a small budget of million, was received well at the box office and drew critical acclaim; Anurag Kashyap opined that Angamaly Diaries was his film of the year. Ee.Ma.Yau, his next film based on a satire written by P. F. Mathews and with his regular composer, Prashant Pillai, scoring the music, was premiered on November 30, 2017 but the release was delayed due to undisclosed reasons. Before it was released on May 4, 2018, the film received the Kerala State Film Award for Best Director at the 48th Kerala State Film Awards. The film also won him the Silver Peacock Award for the best director at the 49th International Film Festival of India (IFFI), 2018, which was held in Goa in November 2018 (Chemban Vinod Jose, the protagonist of the film, also received the Silver Peacock Award for the best actor.) followed by the Sinema Zetu International Film Festival Award for Best Direction.
 Links: a. Indrajith Sukumaran b. Arya (actor) c. P. F. Mathews d. Chemban Vinod Jose
[A]: a


[Q]: Question: What was the rope made from that the use of running rigging has evolved from? Passage:Running rigging is the cordage used to control the shape and position of the sails. Materials have evolved from the use of Manilla rope to synthetic fibers, which include dacron, nylon and kevlar. Running rigging varies between fore-and-aft rigged vessels and square-rigged vessels. They have common functions between them for supporting, shaping and orienting sails, which employ different mechanisms. For supporting sails, halyards (sometimes haulyards), are used to raise sails and control luff tension. On gaff-rigged vessels, topping lifts hold the yards across the top of the sail aloft. Sail shape is usually controlled by lines that pull at the corners of the sail, including the outhaul at the clew and the downhaul at the tack on fore-and-aft rigs. The orientation of sails to the wind is controlled primarily by sheets, but also by braces, which position the yard arms with respect to the wind on square-rigged vessels.
 Links: a. Topping lift b. Nylon c. Outhaul d. Manila rope
[A]:
d