In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

[Q]: Lennon crafts a thoroughly enjoyable Beatle's sounding record . This has always been my favorite John Lennon album because the production is fantastic and the songwriting is ecclectic and creative...    I also believe that this is probably the most consistent post solo-Beatle release because of all fab four post solo recordings, the album's production is flawless...    In 1973, Lennon told Rolling Stone that he had really enjoyed Paul's Band on the Run because he felt it was conceptual... thus, I've entertained the possibility that this album is in part, a response to Band on the Run because it displays conceptualism  and ecclectisism.     Like Band on the Run, Walls and Bridges displays The Beatles' unique ability to go from beautiful lush ballads to rocking rockers... at times, I feel like I'm listening to the White Album....the pentatonic 'Going Down on Love' tracks to the up-tempo, brisk, jazzy 'Whatever Gets You Thru The Night'... then, there's the soft Harry Nilson assisted number 'Old Dirt Road'... then John immidiately answers this mellow country song with 'What You Got' (which feels kind of like 'Everybody's Got Something To Hide Except For Me and My Monkey') and so on ... it has been suggested that John's '#9 Dream' was a subconscious tribute to George... I love this album because I feel that John is in harmony with his other Beatle compatriots  and that he's no longer bitter with his past like he was on Plastic Ono Band..  'Surprise Surprise' with Elton John even has a quotation from a Beatle's song... see if you can guess what it is...!!!    This is the first post Beatles album that really really sounds like something the Beatles would have been truly worthy of producing (unlike Band on the Run that although was a milestone for Paul only sustained mediocre production!!!)    This is also a fun album and along with All Things Must Pass and Tug of War, it stands as the best produced post Beatles recording.. If you're a Beatle's fan but think that there wasn't any good solo Beatle's album.... sit down on a quiet Sunday evening with a friend or two in front of a fire with some hot cocoa, sit back, and enjoy a great album!!
[A]: POS


[Q]: A review and a question . First my review:    The recorded legacy of MJH falls into roughly five categories.     (1) his early 1928 recordings on the OKEH label which comprise around 20 tracks. Although they are quite listenable and of historical interest and importance they are not the most enjoyable of his recordings. (2) recordings from 1963 that are available on the Rounder label. The sound quality of these recordings is somewhat disappointing. For that reason alone I don't listen to them much except for the fact that they were heavily relied upon by people who transcribed his songs for instructional materials. (3) The Library of Congress recordings (also from 1963). These are perhaps the best. The sound quality is excellent and there is an informality to the sessions which makes it like having MJH as a house guest for the weekend determined to play you every song he knows. (4) The (these) Vanguard Recordings, which I think were recorded between 1967 and 1969. These rival and sometimes surpass the Library of Congress Recordings as far as the material goes. There is also a palpable sadness as you can detect a man near the end of his life aware of the fact that he may very well be making his final recordings. The audio engineers did a terrible job at Vanguard for a good deal of these recordings. How can you screw up recording just one guy with a guitar? If you try hard enough you can set the levels WAY off. That is how. (5) there is also a Live MJH CD from Vanguard. It's sound quality is pretty good and it is endearing to hear MJH talk to an audience, but I find it less compelling material wise than the studio recordings.    Listening to MJH makes you want to piick up the guitar and learn to play like him. The good thing about this is that if you really want to you probably can. Many of his songs have been transcribed and broken down in intructional books and DVDs. After going through a "beginning fingerpicking" DVD by Stefan Grossman you are probably ready to take on MJH.    Go for it!    And now for my question:    It's not obvious to me from the Vanguard website whether the boxed set is actually a newer digital remaster than the original digital re-masters from the mid 80s. As far as digital remasters go those ones were a bit of a disaster. When you put the disc into your player you would have to crank the volume on your stereo. As you might expect, the careless lack of attention to levels setting in the remastering process resulted in a mushy sounding guitar. I seem to remember that was also a problem with the vinyl Vanguard LPs, particularly the first one. Hopefully these CDs really  are *new* remasters because most CDs re-mastered these days are remastered quite well.    My music management software for encoding MP3s has the capability of looking up CDs in an online database. Whenever I present it with copies of the old mid 1980s vanguard CDs it recognizes them as possibly being from the boxed set, so I hesitate to spring for the "new remasters" without really knowing if they are indeed recently remastered. Perhaps someone else could clear this up
[A]: POS


[Q]: One Of The Best Jazz/Country Fusion Ever Done - Not Air Head Pop . Forget about the pop music of Loggins and Messina. This album is different. This happens to be the best Jazz/Country fusion album ever done. There's great musicianship here. There's EXCELLENT instrumental solos that can take up half of the track as in "Move On". This is superb music that never made it to the radio. These tracks are simply too long to have gotten air play back in the 1970s. L&M put together a truly great album with Mother Lode but not too many people have heard it. Sadly, they broke up shortly after this album was released. Afterwards, Kenny made a come-back by going strictly pop.
[A]:
POS