In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: you may not have heard of lucas , or if you have , you might not think much of it .
probably because it stars corey haim , or maybe because it 's about a little geek who collects insects , or maybe because it does n't feature slick one - liners or the chart topping soundtrack albums that were almost a requirement for teen films in the 80 's . however , you have been missing out on a true masterpeice , the best film of 1986 , and the best film about adolescent life ever made .
corey haim stars as lucas bligh , a tiny 14 year old with scruffy hair , thick glasses , and an interest in insects and other outdoor life .
one day he stops by the tennis courts and sees what must be an angel to him .
her name is maggie , a 16 year old who certainly is a beauty , with lovely red hair and a sweet , innocent complexion .
maggie seems to be a little disturbed by this little kid watching her , but somehow he interests her , and soon they are talking and getting to know one another .
they gradually become good friends , and spend the summer together doing various things , such as studying insects ( namely locusts , who come out of hiding once every 17 years ) , playing tennis , and listening to a symphony orchestra through a manhole cover .
lucas is obviously in love with maggie , and while she is charmed by him , it 's clear that she would never consider him anything more than a very good friend .
this is not clear to lucas , however .
he still beleives that maggie is his soulmate , and he dreads the impending start of school because he knows what 's about to happen .
we soon find out why in a painful scene where lucas is humiliated by the jocks during a pep rally .
they throw him on stage , right in front of his beloved maggie .
surprisingly , he turns the tables on the jocks with some clowning around , but he takes it too far , and is embarassed in front of the entire school .
the next scene is brilliant .
maggie follows lucas outside of the pep rally .
she tries to talk to him as if nothing happened .
he rails back against her , in a cruel unfair fashion .
in lesser movies this would 've turned into a confrontation between the two characters .
but maggie is written smarter than that .
she understands what lucas is feeling and knows exactly what to say to console him .
next we are introduced to another great character named cappie ( charlie sheen ) .
he is a jock with a typical cheerleader girlfriend .
what 's interesting about him is that he sticks up for lucas and protects him from the other jocks .
of course anyone with a brain can tell what 's gon na happen next .
cappie will cause conflict in maggie and lucas ' relationship .
this begins in classic scene in the school laundry room when cappie and maggie are alone .
she 's been assigned to show him how to operate the washer / dryer so he can clean his shirt .
maggie is charmed by cappie 's tender undertsanding demeanor , not to mention his shirtless body .
this scene is so delicate and sweet , but cappie still has a girlfriend , preventing either one from acting on their desires .
desperately trying to puncture the tension , cappie begins to kick basketballs around the room .
it 's not long before cappie does break up with his girlfriend ( in the films only subpar scene ) .
lucas finally figures out what 's going on when he tries to pick maggie up for the dance .
this causes him to take severe actions to prove himself to maggie and himself , such as try out for the football team .
the last third of the film revolves around this attempt .
while the idea seems cliched , the way it is executed is not .
there are many surprises
during the last half hour which lead to an ending so emotionally involving it should make the most heartless of cynics get choked up .
dave grusin 's memorable score , played at the perfect moments , certainly helps .
lucas is filled with great performances .
forget everything you know about corey haim .
back in 1986
he had talent , and that is proven here as he delivers a perfect fully 3-dimensional performance filled with anger , humor , and pain .
kerri green is very appealing
as maggie , showing us why she cares about lucas so much and why he is so attracted to her .
sheen 's cappie is almost too good to be true , but sheen makes him beleivable , especially when he explains the reason why he protects lucas .
there are other wonderful minor characters such as ciro popitti 's ben , a friend of lucas , whose diminutive stature does not mean he will take crap from the jocks .
also turning up in a few key scenes is winona ryder as rina , the girl who admires lucas from afar .
when people talk about the great teen angst films of the 80s , you hear john hughes this and john
hughes that .
lucas seems to be lost among the crowd of his so - called classics .
but hopefully , like with heathers and say anything , lucas can begin to find it 's own loyal following and help people realize there were more to the 80s than anthony michael hall and molly ringwald .
it deserves more than that , but i do n't want to be greedy .

Output: P


Input: Consider Input: the coen brothers are back again , this time with homer 's " odyssey " as the backdrop in their tale of three fugitives from a mississippi chain gang who trek across the south to find a secret treasure in " o brother , where art thou ?
" right for the beginning of " o brother " the coens grab your attention with a chain gang of prison inmates breaking rocks along the road in unison to a work song .
the camera flows around the hard toiling men , giving a visually exciting symmetry to the scene that ends with our three heroes - ulysses everett mcgill ( george clooney ) , delmar ( tim blake nelson ) and pete ( john turturro ) - escaping across a cotton field .
it is the beginning of a journey that takes on different meanings and urgencies to each member of the trio .
a strong suite , as always with the coen brothers , is the depth of character of the folks they create in their films .
their characters are goofy and comical , like nicolas cage in " raising arizona " ; or , dramatic , as albert finney and john turturro in " miller 's crossing " ; and , even a mix of the two with frances mcdormand in " fargo .
" in all cases , and in " o brother , " too , the characters populating their films are three - dimensional people .
ulysses everett is a handsome , hair - obsessed petty criminal with a silver tongue and not a lot in the brains department .
but , he seems like a genius when compared to the simple , sweet delmar and the maladjusted pete , who follow their self appointed leader to a promised treasure of $ 1 . 2 million .
their odyssey takes on the mystical proportions of homer 's original material as they meet all manner of people along the way , including those dangerous sirens who beckon them onto symbolically rocky shoals and a cyclops who beats them and takes all their money .
there is magic , too , when delmar believes that pete was turned into a horny toad by the sirens .
the story meanders through the different vignettes of the boys ' adventures , giving the flick a choppy , episodic feel that disrupts the overall flow .
some of the interludes are an epiphany , though .
the trio becomes a quartet when they pick up guitar - playing tommy johnson ( chris thomas king ) and visit a radio station in the middle of nowhere , run by its blind owner ( stephen root ) .
they become the soggy bottom boys for the sightless radio station man and , without their knowledge , are recorded as they sing the traditional tune , " i am a man of constant sorrow .
"
it is a wonderful moment of moviemaking and gives us , in my mind , the best movie song of the year
.
contrasting this and other wonderful moments
( the sexy seduction by the sirens comes to mind ) are some pretentious bits that detract from the overall quality of " o brother .
" in particular , near the end , is a scene where ulysses , delmar and pete crash a ku klux klan rally to save tommy from being lynched .
the scene is overblown and flashy and reeks of " the wizard of oz .
"
they do n't say " lions and tigers and bears , oh my !
" and there 's no dorothy , but it is the land of oz we 're seeing here .
the highs and lows of the story flow are tempered by fine acting on several levels .
george clooney is funny , charming , a little dumb and one of the handsomest actors in the business today .
he has the charm of a 30 's movie idol and is able to put himself into silly situations with dignity .
ulysses has an ongoing obsession with his hair , risking life and limb to get a particular brand of pomade and a supply of hairnets .
his vanity will come to plague him as it would any mystical hero - wanderer .
while clooney is the name draw for " o brother , " the show stealer is tim blake nelson as delmar .
the heretofore unknown nelson is terrific as the simple convict who , at one point , hears the word of the lord and joins members of a church congregation in their mass baptism .
delmar is saved and dedicates his life to doing good and provides a richness to his simple character that makes him shine .
the taciturn pete , as played by longtime coen collaborator turturro , is the sullen member of the trio and gives them the necessary angst .
all together , the tuneful triumvirate is a mix of the three stooges and the three musketeers as they prove to be buffoons , albeit brave ones .
the colorful supporting cast is rampant with homerian characters to meet and get to know along the way of the boys ' odyssey .
charles durning appears as incumbent governor pappy o'daniel , who keeps crossing paths with them in his bid for re - election .
john goodman is wicked as the one - eyed bible salesman and con artist , big dan teague .
michael badalucco is manic and outrageous as outlaw and bank robber extraordinary
, george " babyface " nelson .
stephen root is amusing as the blind dj , rep'ing one of the many references to the sightless that abound in the film in mystical ways .
holly hunter is wasted in the small role as ulysses ' estranged wife , penny ( and the real reason for this adventure , not secret treasure ) .
techs are , as expected in a coen brothers venture ,
first class .
cinematographer roger deakins , who has worked on five previous coen films , captures the sultry atmosphere of the south .
the photography complements the lush period production and costume provided by dennis gassner and mary zophres , respectively .
once again , roderick jaynes - the alter ego of ethan and joel coen - is on board as editor .
the high points outweigh the low through most of " o brother , where art thou ?
" with particular praise for the wonderful selection of period and traditional music .
i give it a b .

Output: P


Input: Consider Input: do you want to know the truth about cats and dogs ?
do you ?
well , as this movie shows us , they make good companions but pale in comparison to the joy and fulfillment romantic relationships can bring .
unfortunately , there 's a giant roadblock set up in our culture that only certain people can get through while the rest of us mill around outside , feeling sorry for ourselves .
a checkpoint beautiful kind of thing , and janeane garafolo 's character abby relates to it well .
like a certain oversized teenage movie critic , she is intelligent and has a great sense of humor but strikes out with the opposite sex because she sees herself as physically unattractive , and the men seem to be backing her up on that .
meanwhile , her gorgeous neighbor nora ( uma thurman . . .
uma being the only woman 's name worse than nora ) attracts men like flies .
as abby tells her , " you burp and they think it 's cute .
you barf and they line up to hold your hair back .
"
but nora 's down on herself for being too shallow and superficial .
we all have our prwhen a man calls in to veterinarian abby 's talk radio show wanting to know how to get the roller skates off his basset hound .
( oh come on , any idiot knows how to handle that problem ! )
he likes her personality and professional demeanor and asks to meet her in person .
abby , though , knows her body does n't match her personality and that she probably wo n't have a chance with him once he sees her .
so she gives him nora 's body description and stands him up .
nora happens to be in the studio the next day when the dog man comes by and abby asks her for a big favor .
she goes along with the masquerade and the three of them head out for a night of fun , abby assuming the role of a goat cheese farmer named donna .
the dog man finds out even though this girl is beautiful , she 's not quite as intellectual or confident about herself in person , but he does n't suspect anything , realizing he 's not living in a " three 's company " episode .
the charade continues , with abby furthering the relationship over the phone ( including a decidedly unnecessary phone sex / masturbation sequence ) and nora furthering it in person , while eventually finding herself attracted to the dog man .
like sleepless in seattle , this comedy / romance is predictable all the way through , but we care enough about the characters that we root them on and will the romance to blossom .
the truth about cats and dogs is n't quite as entertaining as i was expecting it to be , but it handles well a theme
i could identify with .
the thing is , i find janeane garafolo rather attractive .
she 's no uma
but i 'm sure in real life
she 'd have no problems attracting men .
i , on the other hand , could n't attract a man to save my life . . . and am rather proud of that fact .


Output: P