In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Input: Consider Input: This is what happens when you ditch Steve Earle . Your music goes back to sucking.     Steve Earle didn't talk much about Car Wheels in his autobiography other than to say working with Lucinda was a real drag. Well, whatever. Obviously it produced incredible results and no matter how difficult she is they should look into working together again. Because frankly, w/o Earle, Lucinda Williams writes fairly boring songs and puts them to even more boring arrangements. And without Lucinda, Steve Earle does fairly generic country that is rarely worth a second listen. Together, they're awe inspiring.    Anyway, on to Essence: boring songs+boring arrangments+drugged-out singing=bad album. Trying to pimp the tracks up with production pixie dust doesn't fix the fundamental problem here: the songs are lame. In place of insight we get shopping lists, in place of hooks we get verse, verse, verse. And in place of emotion we get slurred vocals.     Such ingredients do not make for a good record.      as a side note, if you filter by "most helpful" you get reviewers who aren't 5-star fanboy clones and write intelligent reviews. Most of them were not fooled by this album, no matter how big a fan of Lucinda they are.    RstJ

Output: NEG


Input: Consider Input: Mr. Mrs. Smith . When this CD came out, I ordered it immediately, without watching the movie first. Since I live in Holland and the movie wasn't out here yet. I'm a huge fan of John Powell's scores and I'm glad (again) I bought this score.     The score sounds a little bit like 'The Italian Job' with a spanish flavour to it, because of the percussion and the accoustic guitars. Although the tracks are new and refreshing, I found out that small pieces of music in the film are not on the cd. Like: the 'house fight' part with al the percussion instruments. It's on the cd ('Kiss and Make Up - I believe), and it's a brilliant piece of percussion, but it's not the same as in the movie (that sounded better to me).     Second: the cd is a little on the short side. The total play length of the soundtrack is only 44 minutes. A lot of tracks (20) all relatively short, but... different. So you'll get a lot of different tracks swinged at your ears without to much repeating melody's. Something to get used to after listening to the more monotone Bourne Identity soundtrack.    Nevertheless a brilliant soundtrack, a must have for the John Powell score fans!    (sorry for the dutch-english)  grtz, from Holland

Output: POS


Input: Consider Input: Disappointed. . I was expecting (er, hoping for) something closer to "Hounds of Love," but this was spacey and unspooled. I appreciate change and I appreciate disjointed ethereal songwriting, but this was a bit much for me. Some songs seem to just spin off into nothingness, others drag on and on. A few songs have much triter lyrics than I expected from her, and on most her voice seems to be rambling while disregarding the music behind it. I liked one or two tracks, but overall I cannot get into this


Output: NEG