In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Example Input: The film opens on a woodcutter (æ¨æ¨µã; Kikori, played by Takashi Shimura) and a priest (ææ³å¸«; Tabi HÅshi, Minoru Chiaki) sitting beneath the RajÅmon city gate to stay dry in a downpour. A commoner (Kichijiro Ueda) joins them and they tell him that they have witnessed a disturbing story, which they then begin recounting to him. The woodcutter claims he found the body of a murdered samurai three days earlier while looking for wood in the forest; upon discovering the body, he says, he fled in a panic to notify the authorities. The priest says that he saw the samurai with his wife traveling the same day the murder happened. Both men were then summoned to testify in court, where they met the captured bandit TajÅmaru (å¤è¥ä¸¸), who claimed responsibility for killing the samurai and raping his wife.The bandit's story[edit]TajÅmaru (Toshiro Mifune), a notorious brigand, claims that he tricked the samurai to step off the mountain trail with him and look at a cache of ancient swords he discovered. In the grove he tied the samurai to a tree, then brought the samurai's wife there. She initially tried to defend herself with a dagger, but was eventually "seduced" by the bandit. The woman, filled with shame, then begged him to duel to the death with her husband, to save her from the guilt and shame of having two men know her dishonor. TajÅmaru honorably set the samurai free and dueled with him. In TajÅmaru's recollection they fought skillfully and fiercely, but in the end TajÅmaru was the victor and the woman ran away. At the end of the story to the court, he is asked about an expensive dagger owned by the samurai's wife: he says that, in the confusion, he forgot all about it, and that it was foolish of him to leave behind such a valuable object.The wife's story[edit]The samurai's wife (Machiko KyÅ) tells a different story to the court. She says that TajÅmaru left after raping her. She begged her husband to forgive her, but he simply looked at her coldly. She then freed him and begged him to kill her so that she would be at peace. He continued to stare at her with a look of loathing. His expression disturbed her so much that she fainted with dagger in hand. She awoke to find her husband dead with the dagger in his chest. She attempted to kill herself, but failed in all her efforts.The samurai's story[edit]The court then hears the story of the deceased samurai (Masayuki Mori), told through a medium (å·«å¥³; miko, Noriko Honma). The samurai claims that TajÅmaru, after raping his wife, asked her to travel with him. She accepted and asked TajÅmaru to kill her husband so that she would not feel the guilt of belonging to two men. TajÅmaru, shocked by this request, grabbed her, and gave the samurai a choice of letting the woman go or killing her. "For these words alone," the dead samurai recounted, "I was ready to pardon his crime." The woman fled, and TajÅmaru, after attempting to recapture her, gave up and set the samurai free. The samurai then killed himself with his wife's dagger. Later, somebody removed the dagger from his chest.The woodcutter's story[edit]Back at RashÅmon gate (after the trial), the woodcutter explains to the commoner that all three stories were falsehoods. The woodcutter had actually witnessed the rape and murder, he says, but just did not want to get too involved at the trial. According to the woodcutter's new story, TajÅmaru begged the samurai's wife to marry him, but the woman instead freed her husband. The husband was initially unwilling to fight TajÅmaru, saying he would not risk his life for a spoiled woman, but the woman then criticized both him and TajÅmaru, saying they were not real men and that a real man would fight for a woman's love. She spurred the men to fight one another, but then hid her face in fear once they raised swords; the men, too, were visibly fearful as they began fighting. They began a duel that was much more pitiful than TajÅmaru's account had made it sound, and TajÅmaru ultimately won through a stroke of luck. After some hesitation he killed the samurai, who begged for his life on the ground, and the woman fled in horror. TajÅmaru could not catch her, but took the samurai's sword and left the scene limping.Climax[edit]At the gate, the woodcutter, priest, and commoner are interrupted from their discussion of the woodcutter's account by the sound of a crying baby. They find the baby abandoned in a basket, and the commoner takes a kimono and an amulet that have been left for the baby. The woodcutter reproaches the commoner for stealing from the abandoned baby, but the commoner chastises him. Having deduced that the reason the woodcutter did not speak up at the trial was because he was the one who stole the dagger from the scene of the murder, the commoner mocks him as "a bandit calling another a bandit". The commoner leaves RashÅmon, claiming that all men are motivated only by self-interest.These deceptions and lies shake the priest's faith in humanity. He is brought back to his senses when the woodcutter reaches for the baby in the priest's arms. The priest is suspicious at first, but the woodcutter explains that he intends to take care of the baby along with his own children, of whom he already has six. This simple revelation recasts the woodcutter's story and the subsequent theft of the dagger in a new light. The priest gives the baby to the woodcutter, saying that the woodcutter has given him reason to continue having hope in humanity. The film closes on the woodcutter, walking home with the baby. The rain has stopped and the clouds have opened revealing the sun in contrast to the beginning where it was overcast.
Example Output: Who was the woodcutter talking to?

Example Input: Set in Mexico during the 1850s, the film tells the story of Sara Sandoval (Salma Hayek) and MarÃ­a Ãlvarez (PenÃ©lope Cruz). MarÃ­a is an uneducated, poor farm-girl whose caring father is being forced off his land by a cruel U.S. land baron, named Tyler Jackson (Dwight Yoakam). Sara is the highly educated, wealthy daughter of the arrogant owner of the nearby properties, and has recently returned from Europe where she attended numerous grade schools and colleges in England, Spain, and France for several years. In one fell swoop, both MarÃ­a's and Sara's fathers fall under attack by the baron, (Sara's father is killed, MarÃ­a's is shot but survives) giving him free rein in the nearby territories. As an act of revenge, MarÃ­a and Sara team up to become bank robbers, stealing and giving back to the poor Mexicans who had lost their lands.At first, the two are catty and quick to fight over the smallest matters over their different backgrounds, but under the tutelage of famed bank robber Bill Buck they learn to trust each other. During a training session, the two women are testing their strength by hanging off a cliff over a wide river, and at the last moment MarÃ­a swallows her pride and tells Sara she can't swim. MarÃ­a nearly drowns but is saved by Sara, and it is then that the two women put aside their differences and agree that, while they are not friends yet, they can at least work together as partners. MarÃ­a turns out to be a crack shot and, while Sara can barely hold a gun, she shows that she is an expert with throwing knives.Angered by the recent attacks by the newly infamous 'Bandidas', Jackson brings in a specialist criminal investigator named Quentin Cooke. It doesn't take long for Sara and MarÃ­a to hear of this, and they quickly capture Cooke and seduce him to help them. He has already figured out that Sara's father was murdered and therefore discovers that his employer is actually a criminal.Now there are three robbers, each playing their part in bigger, more ambitious heists. As time goes on, the girls compete for Quentin's affections, which he rebukes because he is engaged. In a move to make the money they have stolen useless, Jackson moves the gold that backs the money on a train up towards U.S. territories. Midway, he decides to steal the gold, betraying the Mexican government. The Bandidas manage to hunt him down, but when they get their chance to kill him, they can't, feeling it would make them no better than him. Jackson manages to draw his gun and almost gets a shot off at MarÃ­a but Sara shoots first, finishing the villain off. In the end Quentin ends up with his fiancÃ©e and MarÃ­a and Sara ride off into the sunset, their eyes set on Europe where the banks are, according to Sara, "bigger".
Example Output: who manages to draw his gun and almost gets a shot off at Maria but Sara shoots first, finishing the villain off?

Example Input: After his release from the war amnesiac and Silver-star awarded Eddie Rice (John Payne) returns to his last address Los Angeles to find out more about his past. No sooner does he hit town he is confronted by Police Lieutenant Joe Williams (Rhys Williams) who tells Eddie he is none other than Eddie Riccardi, a local gangster who disappeared for several years after leaving his old partner Vince Alexander (Sonny Tufts) to take the rap for a big heist. This is news to Eddie who seems anything but a ruthless gangster, and when old flame Nina Martin (Ellen Drew) enters the scene to reconnect with Eddie he is determined to remember all his past history and clear his name if possible. Vince has other ideas and takes steps to implicate Eddie in a killing, and in a final fatal climax the truth is uncovered and Eddie realizes his destiny.
Example Output:
Who does the policeman say Eddie is really?