Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.

Ex Input:
CONTEXT: The two new scenes are the Giant's dream, and a brief scene between Annie and Dean in the diner, right before Dean hauls away the tractor with the bite taken out of it. The clip that the Giant's hand watches on TV right after Hogarth says "grace" is also different. It was originally a Maypo commercial, but has been replaced with a Tommorowland clip for the Signature Edition.  <sep>  Q: What new scenes were added to The Iron Giant: Signature Edition? A: The two new scenes are the Giant's dream, and a brief scene between Annie and Dean in the diner, right before Dean hauls away the tractor with the bite taken out of it 

Ex Output:
Why were they left out of the original?


Ex Input:
CONTEXT: I think the ending is intentionally ambiguous, so each member of the audience can draw their own conclusion. Even if Ottway kills the Alpha, will the rest of the pack let him survive? If you watched past the credits, you saw that there was a very short (maybe two seconds) scene where we see Ottway and the Alpha wolf after they fight. They're both alive, but badly injured. Ottway's head is resting on top of the wolf's body. Since both are so badly injured, I think it's unlikely that either one of them will survive.  <sep>  Q: What happened at the end of The Grey? A: I think the ending is intentionally ambiguous, so each member of the audience can draw their own conclusion  Q: Oh Well did Ottway fdie or survive A: If you watched past the credits, you saw that there was a very short (maybe two seconds) scene where we see Ottway and the Alpha wolf after they fight. They're both alive, but badly injured 

Ex Output:
Oh Ok so 3whsat happened at ther end?


Ex Input:
CONTEXT: This is one aspect of what is called the Anti-Hero. In Juno, he's just a "normal guy" and, potentially chosen because he is not someone people expect a fictional teenage girl in a movie would fantasize about. Also, they were going for a semblance of reality here rather than some weird hyper-perfect version we often see in a teenage movie. In action movies the anti-hero is quickly relatable, makes the danger seem even more dangerous. The anti-hero has a potential for growth, which is crucial for building a character. It is tiresome to see the perfect person become even more perfectly perfecter. As far as identifying with them etc. that's in the casting, writing and delivery. I am certain you can find more examples of failure in this regard.  <sep>  Q: What makes the nervous and anxious character model of Michael Cera, Jesse Eisenerg etc... so successful? A: This is one aspect of what is called the Anti-Hero  Q: Why do we view these characters as non-masculine? A: he is not someone people expect a fictional teenage girl in a movie would fantasize about 

Ex Output:

Like Eisenberg in Adventureland?