In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: " . . . because i 'm a scientist . that 's what we do ! " --- dr .
alexander mccabe ( bob gunton ) , in response to why he created evil bats .
alright folks , stop me if you 've heard this one : genetically altered animals wreak havoc on a town and a small band of locals , assisted by a specialist in the particular animal 's field , must team up to stop the mutant creatures before they can multiply and spread across the earth .
oh yeah , the military is on their way to bomb the town as well , so they are running short on time .
sound familiar ?
such is the plot of the destination films release of bats .
dina meyer stars as the " bat specialist " sheila , who is pulled from her research ( along with her annoying sidekick , played with irritating deftness by leon ) in order to help a small texas town figure out why some local citizens and animals have been chewed to death recently .
with the help of the local sheriff ( lou diamond phillips ) , a cdc official ( carlos jacott ) , and a scientist ( bob gunton ) , sheila discovers it is indeed bats ( who have been genetically altered by gunton 's character to be more aggressive and omnivorous , in order to be used as a military weapon ! ) .
i have to say here
that i knew exactly what i was getting into going into this film .
there 's not a frame of promotional footage i have seen for the film that would have led me to believe it was going to be any good .
in this respect , the film never disappointed me .
this film reaches a level that transcends the " so bad
it 's good " level and borders on the downright insane .
the effects are awful , the script is contrived , and for most of the feature i was laughing at things that were supposed to be taken seriously ( i think ) .
i challenge anyone to sit through the scene , where a bat stalks a baby in a crib while another bat terrorizes a patron eating at a diner , with a straight face .
thankfully , the performances are as good as they can be considering the material the actors had to perform with .
dina meyer has always been the highlight of any of the films she has been in ( johnny mnemonic , dragonheart , and starship troopers . . .
the latter being the only film out of that batch with any actual merit ) , and this one is no exception .
while one never really gets the impression that meyer 's character could be a bat expert in reality , one never really cares to doubt it either .
she gives as good a performance as could be expected , plus she 's nice to look at for an hour and a half .
lou diamond phillips is also serviceable here , as the small town sheriff turned eventual hero .
although when we first meet his character he knows bats are the reason for what 's going on in town , for some reason later on he suddenly becomes amazed to learn that the actual cause of the deaths in town are because of bats .
the only bad performance in the film is that of leon 's .
he is relegated to the " i 'm not sticking around here !
" character and proceeds to repeat variations of that line for the majority of the film even though he stays .
anyone who ca n't immediately tell that bob gunton ( the bad guy in patch adams and countless other films ) is going to eventually turn on the gang and side with his creations before his eminent death will probably be surprised , but i highly doubt it .
even if he had n't been the villain in just about every film he 's ever been in , so many obvious hints are given to indicate the devious act that it holds no shock whatsoever .
in fact , his death is welcome , because it finally starts moving the plot towards the finale .
if the plot does n't sound ridiculous to you yet , then check out these little tidbits : a multitude of bats inexplicably disperses when a police officer cocks his pistol .
an entire town disregards the sheriff and doctor 's orders to stay indoors after a curfew is instigated , causing mass hysteria when the bats come out in full force , killing several townsfolk .
a government official blows off shelia 's instructions ( to wait until dawn to install a cooling unit in the bats ' cave that will kill all of them off ) by pulling a night job , resulting in the death of an entire military unit .
a cavern full of bat feces never ignites when a phosphorus flare is lit right in the middle of it .
finally , to top it all off , this little texas town is showing nosferatu in it 's single screen theater ( for reference , our town has over a million people in it with nearly 150 movie screens , and we 're lucky to even get kevin smith 's dogma ) .
the most laughable part of the movie though comes from the ill - conceived bat puppets .
while the actual bat attack scenes are shot with rapid fire editing ( making the scenes nearly impossible to comprehend what 's going on ) , the scenes where a bat is called upon to interact with a live actor are usually shot more low - key .
therefore we the audience get loving close - ups of the most unrealistic , rubbery bat puppets ever committed to film
.
being able to see the puppeteer 's arms would be the only things that could have made these creations worse .
after all of this , if you still decide bats might be the movie for you ,
do n't say you have n't been warned .
trust me when i say that it 's a lot more fun to trash than it is to sit through .
i just wish that dina meyer would be cast in more roles or at least choose better films to appear in .
she 's definitely a talent that is going to waste in films like these .
Example Output: N

Example Input: phew , what a mess ! for his fifth collaboration with director
rich- ard donner ( lethal weapon i - iii , maverick )
, mel gibson plays a motormouth , maybe mentally ill new york city cabbie , jerry , whose wild conspiracy theories are all but ignored by alice ( julia roberts , acting all serious ) , the justice department employee that he has a crush on .
she not interested , but another person is : a cia psychiatrist ( patrick stewart ) who promptly kidnaps him .
is one of jerry 's conjectures correct ?
* is * the metal strip in the new $ 100 bill being used to track your movements ?
is oliver stone still alive , because he cut a deal with george bush to spread * dis * information ?
is this movie really about
* any * of the crazed cabbie 's theories ?
no , no ,
and no . as it turns out
, there 's some other nonsense going on here , involving and revolving around jerry 's background .
( hint : pay attention to an early scene where jerry blacks out and flashes back , in quick succession , to images of an interrogation room , hypodermic needles , and ms .
roberts herself . )
the * initial * premise is pretty good and is played , for a while , at a delightfully dizzying clip .
mel is wider - open that we 've ever seen him and , if his character 's relationship with roberts ' initially strains credibility , their combined star power is blissfully intoxicating .
( the highest wattage of the summer , perhaps ? )
even when the plot contrivances begin to intrude , the two remain a randy dandy screen pair .
there 's a great scene in jerry 's fortress , er , apartment , with alice trying to act casual as her hyperactive host tries to remember the combination to a locked coffee bean container .
( which he stores in another locked con- tainer , his fridge . )
other hilarious moments , of which there are many , include a trio of memorable convention - breakers , where alice ditches a tail , jerry cold - cocks someone , and , later , eludes a foot pursuit , each in a uproariously unexpected fashion .
( that 's donner 's own ladyhawke playing in the theater , btw . )
let 's see , other pleasures include .
. .
a brilliant title sequence , a jazzy score from carter burwell , and the worth - paying - to - see sight of roberts pumping lead into one bad guy and slamming another 's head into a wall .
oh , pretty woman !
getting to the latter , however , requires slogging through an increasingly overburdened and ultimately unappealing story .
the last hour of conspiracy theory devolves from tolerable to torturous to almost unwatchable .
more stuff happens of the stupid shit variety than is worth mentioning here , except , perhaps , for a late sequence that has alice locating jerry in an abandoned wing of a mental hospital by hearing his voice carrying through the air ducts .
and here i thought it was wabbit season .
good god , who rewrites these movies ? and
do they arrive in nondescript black vehicles ?
Example Output: N

Example Input: you 've probably heard the one about the priest and the rabbi , but never with the same dosage of featherweight charm that is sprinkled over ` keeping the faith ' .
it 's a fluffy comedy , thoroughly glazed with a sense of innocuous innocence and good cheer , regarding two moral topics -- love and religion -- and how a romantic triangle causes the two to collide head - on .
as youngsters , brian finn , jacob schramm and anna reilly were an inseparable trio .
while their friendship progressed , anna always had the compassion to shower them both with the same love and support , so neither would feel excluded . but tragedy soon struck , as anna was forced to move away .
now adults , brian ( edward norton ) and jacob ( ben stiller ) hold similar but contrastive jobs .
the likable and kind - hearted father brian is a catholic priest , while the spry and outgoing jacob acts as a jewish rabbi .
on the basketball court , they refer to themselves as ` the god squad ' .
in the relationship field , brian abides by his catholic principle of celibacy , but jacob has reached the point where finding a jewish bride is practically mandatory .
everything changes when anna ( jenna elfman ) returns to new york to visit her childhood chums .
now a workaholic , she devotes endless hours per week to her business , but does find spare time to reminisce with brian and jacob - both ecstatic about seeing their elementary school sweetheart once again .
with these oddball ingredients tossed into one cocktail , there 's bound to be some awkward romance between our three central characters .
predicting the outcome is not entirely difficult , but ` keeping the faith ' is open , entertaining and refreshingly relaxed as it travels en route from point a
to point b .
edward norton has emerged as one of the finest , most flexibly versatile actors in hollywood - a success story sparked by his critically lauded debut in the 1996 thriller ` primal fear ' . after shockingly bitter roles in ` american history x ' and , most recently , david fincher 's vicious ` fight club ' , a quaint romantic comedy might seem like a peculiar choice .
not in the least .
norton slips into the director 's chair for the first time with ` keeping the faith ' , and here his incisive , resourceful approach helps add additional craft to a surprisingly perceptive screenplay by stuart blumberg .
weighing every aspect , it is unanimously an impressive directorial debut
.
in addition , norton pushes all the right buttons
with the sheepish sweetheart brian , generating a thoroughly likable screen presence .
stiller ( the zipper guy from ` there 's something about mary ' ) is firm and funny , boasting a fully - ripened comic maturity .
elfman 's perky repetition can grow tiresome ( such is occasionally the case on tv 's ` dharma and greg ' ) , but she seems perfectly rambunctious here .
the remaining cast members offer fine support , from anne bancroft as jacob 's animated jewish mom to milos forman as an elderly priest quick to contribute intelligent advice .
` keeping the faith ' is the perfect date flick
.
.
.
though perfection is not a word to associate with the film in general .
there is turbulence during the process of lift - off , as numerous failed attempts at establishing the situation cloud the projected comedy ahead .
once the film does settle in , it is often funny and always cheerful
.
stiller , norton and elfman have created three enormously lovable personalities .
we enjoy their interaction , understand their various dilemmas and feel humbled to realize everything rings perfectly true .
this is excluding the ending , which is acceptable and all , but seems to lack the charm and spontaneity of the preceding romantic entanglements .
nonetheless , a narrowly mishandled finale certainly wo n't wipe the smile off your face , nor anyone else 's in the audience .
` keeping the faith ' is a highly enjoyable romantic comedy , although one that is more observant while surveying the questions of love rather than religion .
aww , what the hell .
the quality is not quite heaven - sent , but this little charmer could revive our ` faith ' in a potentially tired filmmaking genre .
Example Output:
P