You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Input: Consider Input:  The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep-stealing couple. Once they have discovered and punished the thieves, the storyline switches to the familiar one of the three shepherds being told of the birth of Christ by an angel, and going to Bethlehem to offer the true Child gifts.
At the start of the play, Coll, the first shepherd ("primus pastor") arrives in a field, invoking God in anachronistic terms (referring, as the shepherds will do throughout the play, to the life and death of Christ even though at this point of the play Christ has not yet been born) complaining about the (typically English) cold weather and about his poverty and the arrogance of local gentry. He begins by saying, "Lord, what these weders are cold! And I am ill happyed" which translates as "God, the weather is cold and I am ill prepared/clothed." Gib, the second shepherd, arrives without seeing Coll and complains first about the weather and then about the plight of married men, himself included, with bawdy speculation about the lives of men with more than one wife and advice to "young men of wooing" to "Be well war of weding" (wary of marriage). He paints a portrait of his wife as a loud, heavy-drinking, alternately abusive and sentimentally pious, whale-sized woman. "By him that died for us all, I would I had run til I had lost her!" at which point he is startled by Coll. They confer about where Daw, a third, young, lazy and mischievous, shepherd, has gotten to, at which point Daw arrives complaining about employers, hunger, and about recent floods which he compares to Noah's flood.
Mak, a local good-for-nothing and well-known thief, arrives and pretends to be a yeoman from a lord. Although they recognize him from the start, he insults and threatens them by saying that he will have them flogged. When they threaten him, he pretends not to have known who they were. Mak tries to gain sympathy from the shepherds by explaining how his wife is a lazy drunk who gives birth to too many children. Invoking Christ and Pontius Pilate, Mak agrees to camp with the shepherds, and feigns to lie down among them. However, once they have fallen asleep he casts a spell to make sure they will not wake up and then sneaks off to steal one of their sheep. He heads back to his cottage and trades insults with Gill, his wife, who firmly believes that Mak will be hanged for the theft and comes up with a plan for hiding the sheep - she will put it in an empty cradle and pretend that it is her newborn child, and that she is loudly, painfully in labor with its twin, so that the shepherds will quickly give up any search.
Mak sneaks back among the shepherds and pretends to awaken along with them. They head off to take account of their sheep while Mak heads home to prepare. With despair at their catastrophic ill fortune, the shepherds realize a sheep is missing and go to search Mak's house. They are initially fooled by Mak and Gill's ruse despite Gill going so far as to say that if she's lying she'll eat the child in her cradle (as she indeed plans to). The shepherds leave defeated, but realize that they have failed to bring any gifts to the "baby", and go back. When they remove the swaddling clothes they recognize their sheep, but decide not to kill Mak but instead roll him in canvas and throw him up and down, punishing him until they are exhausted.
When they have left Mak's cottage, the biblical story proper begins - the Angel appears and tells them to go to "Bedlam" (Bethlehem) to see the Christ child. They wonder at the event, chastising each other for their collective delay, and then go to the manger where Mary (Mother of Jesus) welcomes them and receives their praise for her mildness. They each address the Child in turn, beginning by praising His authority and His creation of all things in tones of reverence and awe, but each comically shifting mid-speech to cooing, gushing baby talk, since they are addressing an adorable baby, who Coll, Gib, and Daw respectively give "a bob of cherries," a bird, and a ball ("Have and play thee withal, and go to the tennis!") The shepherds rejoice at their salvation, all thoughts of hardship and complaint vanished, and leave singing in unison.

Output: What does the spell do that Mak puts on the shepherds?


Input: Consider Input:  Ed Saxon (Jeff Daniels), a college professor, wakes up to find his wife has not returned home. He takes some mysterious pills, then calls one of his wife's friends, Susie (Molly Price), confusedly asking whether he should be worried. Susie suggests that he call the local hospital, but they have no record of his wife being admitted. After further consulting Susie, he decides to call the police. When Detective Derm (Gil Bellows) arrives, Derm takes pills similar to Saxon's. They check her workplace and listen to some messages on the answering machine. George Simian (Julian McMahon) has left a message, inquiring about his wife, and Derm remarks that her abandoned car was found near Simian's house. Saxon also has to deal with the college, annoyed that he didn't show up to teach his class, which leads one of his students, Sadie (Emily Bergl), to also leave a message.
Saxon suffers a series of hallucinations and blackouts, advancing time quickly. In short time, he receives increasingly irritated calls from work, which he blows off; an abusive phone call from George Simian, followed by a physical altercation; and a visit by Sadie, concerned about his unexplained absences. Saxon declines to tell Sadie about his missing wife, instead telling her that his wife is visiting her mother. Sadie collapses in the bathroom, bloodying her nose, and complains of having heard a woman scream. Saxon explains that the neighbors, who fight often, can sometimes be heard from his house, and he gives her a change of clothes. After she leaves, Derm returns, wanting to search the house for clues. Sadie's bloody shirt is discovered by Derm, who seems satisfied with Saxon's explanation. Derm also finds a diary, which Saxon didn't know his wife kept. In it, Saxon's wife expresses mixed emotions for her husband, including pity, contempt, and fear. Despite his promise to give the diary to Derm, Saxon burns the diary.
Geoffrey Costas (Zach Grenier), a psychiatrist who leads a victim support group, visits Saxon, offering him comfort. Saxon initially declines, before soliciting stronger medication, to fight off long-term insomnia. Despite the strong medication, Saxon does not seem to fall asleep, though he suffers more blackouts and apparent hallucinations. Sadie returns to his house, concerned that he has missed more classes, but Susie interrupts them. Saxon angrily brushes aside Susie's concerns and explains that Sadie is just a student. After he gets rid of Susie, Sadie expresses her feelings of loneliness and isolation, as well as admiration for Saxon's poetry. This leads to an abortive tryst, which Saxon abruptly calls off. Humiliated and confused, Sadie leaves.
Derm calls Saxon to reveal that they've discovered his wife's body. Depressed, Saxon welcomes the chance to talk to Costas again. They discuss how traumatic events can lead to inappropriate guilt, and Costas convinces Saxon to allow him to speak to the police, on his behalf. However, the police reveal that they have not discovered the wife's body, after all, leading both Costas and Derm to suspect Saxon. Saxon has further hallucinations, leading him to suspect himself, as well. Simian, who had been arrested previously for assaulting Saxon, returns to Saxon's house again, enraged and seeking to kill Saxon. Saxon instead kills Simian, and, consumed with guilt, swallows every pill that he can find. Derm, arriving at the house afterward, kneels down, in front of Saxon, while Saxon denies killing anyone. The bathtub then overflows with blood, and Saxon sees his wife playing the piano.

Output: What does Saxon do with the diary that detective Derm finds?


Input: Consider Input:  David (Maguire) and his twin sister Jennifer (Witherspoon) lead different high-school social lives. Jennifer is shallow and extroverted; David is introverted and spends most of his time watching television. One evening while their mother, Sherry (Jane Kaczmarek), is away, they fight over the TV. Jennifer wants to watch a concert on MTV, but David wants to watch a marathon of Pleasantville, a black and white 1950s sitcom about the idyllic Parker family, who live in the squeaky-clean suburb of Pleasantville, Iowa. During the fight, the remote control breaks, and the TV cannot be turned on manually.
A mysterious TV repairman (Knotts) shows up, quizzes David about Pleasantville, then gives him a strange remote control. The repairman leaves, and David and Jennifer resume fighting. However, they are then transported by the remote into the Parkers' black and white Pleasantville living room in 1958. David tries to reason with the repairman (with whom he communicates through the Parkers' television), but he succeeds only in chasing him away. With the remote no longer functioning, David and Jennifer must now pretend they are Bud and Mary Sue Parker, the son and daughter on the show.
David and Jennifer witness the wholesome nature of the town, such as a group of firemen who only rescue cats stuck in trees, as there are no fires to fight. David tells Jennifer they must stay in character and not disrupt the lives of the town's citizens, who do not notice any difference between Bud and Mary Sue, and David and Jennifer. To keep the show's plot Jennifer dates a boy from high school, but, due to her impatience, Jennifer skips all forms of storybook romance and has sex with him a concept unknown to him and everyone else in town.
Slowly, Pleasantville begins changing from black and white to color, including flowers and the faces of people who have experienced bursts of emotion and personal transformation (usually through sex). Though against Jennifer's disruption at first, David eventually joins in when he begins to see the shows characters as real people and not just avatars. David introduces Mr. Johnson (Daniels), owner of the cheeseburger joint/soda shop where Bud works, to colorful modern art via a book from the library, sparking in him an interest in painting. Johnson and Betty Parker (Allen) fall in love, causing her to leave home, throwing George Parker (Macy), Bud and Mary Sue's father, into confusion. The only people who remain unchanged are the town's fathers, led by the mayor, Big Bob (Walsh in his final performance), who sees the changes eating at the values of Pleasantville. They resolve to do something about their increasingly independent wives and rebellious children.
As the townsfolk become more colorful, a ban on "colored" people is initiated in public venues. Eventually, a riot is touched off by a nude painting of Betty (painted by Johnson) on the window of Mr. Johnson's soda shop. The soda shop is destroyed, books are burned, and people who are "colored" are harassed in the street. As a reaction, the town fathers announce rules preventing people from visiting the library, playing loud music, or using paint other than black, white, or gray. In protest, David and Mr. Johnson paint a colorful mural on a brick wall, depicting their world, prompting their arrest. Brought to trial in front of the town, David and Mr. Johnson defend their actions, and their passion begins to influence the non-colored members of the population into becoming colored. David also eventually arouses enough anger and indignation in Big Bob that the mayor becomes colored as well. The mayor runs off, effectively ending the segregation.
With Pleasantville and its populace now in full color, Jennifer and David both reflect on how their actions in changing Pleasantville have changed their own views on how they perceive the real world and their place in it, noting that it had been far more difficult for them to become colorful as opposed to the other townsfolk, and the circumstances that eventually allowed them to. Jennifer stays to finish her education, citing that her poor academic record in the real world would not allow for college. David uses the remote control, now working again, to return to the real world, and surprises his mother with his newfound maturity. The mysterious TV repairman, who had been outside the house in his truck the whole time, smiles as he drives away.


Output: What does Mr. Johnson become interested in after he and David visit the library?