In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: gothic murder - mystery yarns are not a new conceit .
in fact , they 've been around in books and on film for many , many years .
without the proper handling , they come off as old - fashioned , bland , and outdated .
"
the gift , " directed by sam raimi , is a tried - and - true effort that surprises very little , and includes everything from a wide array of suspects and red herrings , to mansions in the deep south with moss trees out front , to the eventual discovery of a waterlogged corpse found in a nearby pond .
it 's fairly obvious who the killer is ;
in fact , i predicted who it would be before the movie began and was correct in my preliminary suspicions .
the film ultimately should n't work , but it does , thanks to a sparkling cast that fills each character with so many memorable nuances , the most fun to be had is in simply watching the people interact with each other
.
annie wilson ( cate blanchett ) is a recently widowed mother of three sons who makes her living giving psychic readings to the residents of her backwater southern hometown .
some of her mainstay clients include valerie barksdale ( hilary swank ) , who is severely abused by her husband donnie ( keanu reeves ) , and buddy cole ( giovanni ribisi ) , an unstable mechanic who is confused by the nightmares he 's been having about a mysterious blue diamond that is somehow linked to his father .
for annie , she does not give the readings merely for money , but uses it as a way of seeking solace in finding the good in everyone 's future .
her late grandmother ( rosemary harris ) told her as a child that it was a gift she was given , and she should always remember that .
when annie 's eldest son is involved in a fight at school , she meets the nice - guy school principal , wayne collins ( greg kinnear ) , whom she finds herself attracted to .
but wayne is engaged to the wealthy jessica king ( katie holmes ) , whom annie immediately gets a negative vibe about .
at a party with her best friend linda ( kim dickens ) , annie stumbles upon jessica in a compromising position with lawyer david duncan ( gary cole ) .
soon after , jessica has disappeared , leaving everyone in a frenzy over what could have possibly happened to her , and annie starts to have nightmares and apparitions linking jessica with the vicious redneck donnie barksdale , and the pond behind his home .
"
the gift " may be cliched on a sheer storytelling level , but the performances and tight direction from raimi ( who has redeemed himself for his embarrassing last film , 1999 's " for love of the game " ) lift the picture up several notches .
slowly enveloping the viewer into the many intriguing characters and their individual plights , the disappearance of jessica at the 30-minute mark divulges the movie 's true intentions and transforms the proceedings into a taut , at times frightening , horror - mystery .
at the center of the film is the exceptional cate blanchett ( 1999 's " the talented mr .
ripley " ) , who turns annie wilson from what could have been little more than a run - of - the - mill protagonist into a very exact , down - to - earth , realistic person with valid troubles and a caring attitude towards those around her .
blanchett takes the unextraordinary material and runs with it , giving the entire film a truly classy aura that it otherwise might not have had .
we follow her at every turn because she is so mesmerizing , both as a character and an actress .
blanchett is n't the only bright performer , as she is ably supported by one of the best casts of the year .
in her first role following her oscar win for 1999 's " boys do n't cry , " hilary swank is excellent as the confused valerie , who seeks guidance from annie , but is too scared to take her biggest advice of all : to leave the grossly abusive donnie .
as donnie , keanu reeves ( 2000 's " the watcher " ) makes an utterly convincing backwoods meanie , so much so that it is difficult to believe he is an actor at all
.
for the often - criticized reeves , whose acting abilities have never been the best , this is the biggest compliment he could possibly get , and it is also one of the better performances he has given .
giovanni ribisi ( 2000 's " the boiler room " ) is heartbreaking as a mentally slow young man who sees annie as his only friend , and wants her to do nothing but help him understand why he is being plagued by bad dreams about his dad .
in the small , but pivotal role of the sleazy jessica king , katie holmes ( 2000 's " wonder boys " ) has turned in yet another stunning supporting turn .
her promiscuous role of jessica is one she has never played before , and
she is radiant in her few scenes .
finally , kim dickens ( 2000 's " hollow man " ) makes her usual strong impression as annie 's spicy best friend , linda .
the other notable aspect of " the gift " is its moody atmosphere that lays such a thickly foreboding air over every scene it 's almost suffocating .
thanks to cleverly construed editing by arthur coburn and bob murawski , and the successful use of different eerie sounds effects and a very good music score by christopher young , the movie not only achieves a scary undercurrent , but one that is filled with dread . helped along by a strong screenplay by billy bob thornton and tom epperson , which makes the most of its setting and delightful cast , " the gift " is
that rarest of thrillers that actually thrills , and offers up a fair share of chills , too .
it may not be groundbreakingly original , but it sure is an entertaining ride for the duration of its running time .
Example Output: P

Example Input: studio 54 attracted so many weird and bizarre people to its gates that it 's a wonder why the film about the life and death of the studio centers itself on one very boring , cliched individual , not to mention an ensemble of people who would n't be at all fascinating unless they worked at the studio , which they did according to this film .
are we supposed to believe that out of all the strange folk who populated the studio nightly , that a character who is a bland ripoff of tony manero would really make a good protagonist for the film about it ?
" 54 " belongs in the elite group of films known as " the big disappointments " : the films that attain so much hype and/or so much potential in its creation that they come off worse than they are when they are finally finished .
i was heavily awaiting " 54 , " not the least because i 've become fascinated with the infamous club , which has been the subject of an engrossing documentary that 's been running all summer on vh1 , which is , weirdly enough , much more intriguing and engrossing than this " edgy " film .
perhaps more importantly , " 54 " is part of the blossoming subgenre , " the 70s nostalgia film , " which has been picking up mighty steam , what with " boogie nights " and " the last days of disco " coming out within the year , and both being such damn good movies that not only captured the feel of a certain time period ( the late 70s party and the early 80s wakeup period ) , but brought us interesting and real characters , like scotty , the tragically gay boom mike operator from " boogie nights , " and charlotte , the ironically clueless and bitchy co - protagonist from " the last days of disco , " not to mention several others .
"
54 " deals not so much with the timeline of the studio ( how it began , how it was run , how it ended ) - that 's all dealt with in the narrated opening and finale - but more interested in the characters who populated it .
this is a definite plus .
here 's a film that could have been a fascinating 2 hour plus film about the tragic people who went there to party , and had to wakeup in the 80s when things like diseases , economy problems , and perhaps worst of all , reagan , all hit and forced everyone into a rude awakening .
the story of the studio is tragedy in itself : let 's look at how it all affected the people .
but this film does n't let that happen .
it gives us a half - assed protagonist named shane o'shea ( ryan phillippe , from " i know what you did last summer " ) , who 's
chief character trait is the fact that he 's from new jersey , which also happens to be his chief character flaw ( i guess ) .
he 's dim - witted , into being part of " the scene , " and soon finds he 's become a bit of a rave amongst the studio regulars .
. .
a bit like " saturday night fever , " ' cept no travolta and no real interest put into him .
poor , poor phillippe struggles to make him interesting , but
all he is a half - assed character and not at all our ticket to the glimpse of the decadence going on inside the club that he could have been .
shane begins to hang out with some other denizens of the club , like anita ( salma hayek ) , a wannabe donna sommers , and her young hubby , greg randanzo ( breckin meyer , from " clueless " ) , who helps shane become a bartender and rise to a bit of fame .
although he begins to get somewhere when he sleeps with the foxy billie auster ( sela ward ) , an exec of sorts , he falls in lust with a soap star named julie black ( neve campbell ) , and thus the boring romance subplot that 's all too not necessarily important to anything else in the film and never really becomes interesting at any point in the film
.
the film 's sole point of interest and one major strongpoint is the all - too necesary personage of steve rubell , played by mike myers ( you heard me ) .
rubell , the famous head of the studio acted as if he never stopped partying ever , and is an easy metaphor for the life and times of his creation , but the film , thanks to a surprisingly strong performance by myers , makes him out to be more than that .
notice the scenes sole shocking scene , where he tries to get felatio from one of his male employees in turn for a promotion : myers brings the humanity to rubell in this scene , and a couple others , that some of us who 've only seen him on tv never saw , and proves to be perhaps the one aspect of studio 54 that this film actually nails .
first time feature director mark christopher proves that he 's a better director than a writer , though not too terribly much .
his story is trite and shallow , as are his characters , and his direction is shockingly flat , especially for a film about this subject .
it 's as if he had a great story to tell , but instead opted for the easier route .
the studio 's recreation is amazingly accurate , though , and very impressive , but his direction is never captivating enough .
some people say that a film does its job if it makes you want to visit the locale it takes place in ( despite the film 's tone , i still want to go to rome and its many nightclubs after i saw fellini 's " la dolce vita " ) , and when i watched " 54 , " i did n't particularly want to stay .
Example Output: N

Example Input: i 've never been a member of the robin williams fan club .
a little bit of his improvisationaly schtick goes a long way , and i sometimes feel as though i 'm watching a 40-year - old class clown .
in his films , williams has often tried to balance his mania with touchy - feely emotion , leading to wildly uneven performances .
mrs .
doubtfire seemed ready - made for the same problems , but instead it proves to be williams ' best comic screen project yet .
while it still contains some characteristic self - indulgence , mrs .
doubtfire is nonetheless an engaging belly - laugh comedy served up with high energy .
williams stars as daniel hillard , a cartoon voiceover artist with a penchant for irresponsible behavior .
one such incident proves one too many for wife miranda ( sally field ) , and she files for a divorce .
unemployed , living in a disastrously unkempt apartment and faced with limited time with his three beloved children , daniel decides to respond to miranda 's ad for an afternoon housekeeper .
he turns to his brother frank ( harvey fierstein ) , a theatrical makeup artist , and emerges as euphegenia doubtfire , a matronly 65-year - old englishwoman .
daniel uses his access to the house to keep an eye on miranda 's flirtation with a wealthy client ( pierce brosnan ) , to spend time with the children , and to learn something about responsible parenting , all the while trying to keep his identity hidden from the people who know him best .
mrs .
doubtfire has to overcome a mountain of implausibilities to work , and basically it does so .
the most crucial is that no one in the family recognizes daniel , and thanks to the fantastic special makeup that 's instantly believable .
it may be one of the most convincing transformations ever committed to film , making dustin hoffman 's dorothy michaels look like milton berle .
more problematic was a series of calls daniel makes to miranda posing as nannies from hell ; it 's a bit hard to swallow that she does n't recognize any of the voices as her husband 's .
perhaps the biggest contrivance we 're asked to swallow is that daniel could make a quick change into mrs .
doubtfire in a few minutes .
there 's more to realistic makeup than slapping on a latex mask .
fortunately , these are inconsistencies which only attract attention as the credits roll .
during the film , i was generally too busy laughing .
after getting off to a slow start involving too much of williams ' riffing , mrs .
doubtfire kicks into high gear once the wig and pads are in place .
daniel 's frantic attempt to fool a court officer is wonderful , as is the climactic restaurant sequence , even though i saw the resolutions coming a mile away .
clearly , most of the credit for doubtfire 's success goes to robin williams .
it took putting him in drag , but for once he plays a comic character that is n't just robin williams with a different name .
he thoroughly inhabits euphegenia doubtfire , and seems to relish the scenes in which he gets to play her as blunt and foul - mouthed .
wisely , he never aims for saintly .
his responses to the intrusion of new suitor stu are often petty , but the kind of thing most of us might do with the benefit of anonymity .
it 's one of mrs .
doubtfire 's charms that neither daniel nor miranda is perfect , just people trying to be better .
as miranda , sally field is solid in a background role , and pierce brosnan is nicely understated as stu .
the children are also good , although mara wilson is almost oppressively cute as the youngest .
the supporting players merely step aside and allow williams to do his thing .
it 's easy to see mrs .
doubtfire as little more than tootsie warmed over , and it 's true that there are both broad themes and specific details in common .
but mrs .
doubtfire manages to carve out its own space , particularly through the surprisingly honest moments involving a judge 's decision and the ultimate status of daniel and miranda 's relationship .
there 's nothing dazzlingly new in mrs .
doubtfire , but
there are plenty of laughs , and good comedies are always in short supply .
and it 's nice to see
robin williams just act for a change .
Example Output:
P