Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Ex Input:
CONTEXT: There was no movie rating system in place back in the 1940's, and movies were greatly censored by the US government. In the 1920's the Supreme Court ruled that free speech did not apply to movies, and a control board was arranged where by all film studios had to submit their scripts for censorship. Movie studios were given guide lines by which they had to follow. So it's not so much that profanity is now widespread, as much as it was strictly forbidden back in the 1940's. This system of governed film making slowly started to collapse over the years and gave birth to the Motion Picture film rating system. Where the film ratings and censorship is controlled by the film industry and not by a single controlling person or government. Now that we have the rating system, films can be classified by their rating. Today's ratings are, at least by idea, implemented by our peers. So as society changes so do those who review and rate films. That is why we see more profanity in PG rated films, as parents who rate the films accept the fact that children in this age group use these profane words or acknowledge that the film works the way the script was written. New ratings were introduced including PG-13. To address the need for films that target a segment of the population that are pre-adult but seek adult style films. Still, I have to wonder who these people are that rate these films.  <sep>  Q: Era of profanity in movie scripts? A: There was no movie rating system in place back in the 1940's, and movies were greatly censored by the US government  Q: How did that start? A: In the 1920's the Supreme Court ruled that free speech did not apply to movies, and a control board was arranged where by all film studios had to submit their scripts for censorship  <sep> FOLLOWUP_Q: The quote "Frankly , my dear I don't give a damn" from Gone with the Wind was famous largely because of early use of profanity in the script

Ex Output:
Yes


Ex Input:
CONTEXT: David was of great historical interest to the future A.I.s, since he had actual memories of human beings, who are apparently long extinct by their time. Beyond that, he was actually built by humans, where they are undoubtedly built by other A.I.s. Studying him would help them understand their own past. They wanted to preserve him, and although they are not organic, seem to have a morality which prevents them from simply taking him apart or locking him in a cage.  <sep>  Q: Why was David's happiness so important to the Mecha descendants? A: he had actual memories of human beings, who are apparently long extinct by their time  <sep> FOLLOWUP_Q: What movie was this event in?

Ex Output:
No


Ex Input:
CONTEXT: The film depends heavily on the events of X-Men 3: The Last Stand. In that film, Wolverine does something he regrets heavily, and it is the basis for his character arc in The Wolverine. So to fully appreciate this film, you should watch X-Men 3. But to fully appreciate X-Men 3, you should see X-Men and X-Men 2, since it's a sequel to those, and a continuation of those stories. You can skip X-Men: First Class, as it has no bearing on The Wolverine. And you should skip X-Men Origins: Wolverine for the many reasons critics described back when it was released (it also doesn't have much bearing on The Wolverine). Alternatively, if you're familiar with the X-Men from the comics, and are aware of some of the key storylines that occurred there, you can read this spoiler to get up to speed: In X-Men 3, Jean Grey is taken over by the Phoenix. She goes on a rampage, allies with Magneto and begins a mutant vs. human war. Wolverine is forced to kill her because she's completely out of control.  <sep>  Q: Can The Wolverine be viewed as a stand-alone film? A: to fully appreciate X-Men 3, you should see X-Men and X-Men 2, since it's a sequel to those, and a continuation of those stories  Q: Will I miss anything if I skip the first movie? A: you should see X-Men and X-Men 2, since it's a sequel to those, and a continuation of those stories  <sep> FOLLOWUP_Q: What is the duration time of the film?

Ex Output:

No