TASK DEFINITION: Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.
PROBLEM: CONTEXT: We aren't really meant to know how Jack's men managed to get into their home, specifically into the baby's room, and the scene is supposed to show how skilled Jack's men are at getting to people, even if they're under police surveillance. We're supposed to feel the same dread and confusion Skyler feels by not fully understanding how they were able to get in, simply knowing that they can and will.  <sep>  Q: In Breaking Bad how did the masked men break into Skyler's home? A: We aren't really meant to know how Jack's men managed to get into their home  Q: One night masked men managed to break into Skyler's home and threaten her. I believe Marie's house was protected by armed-guards at the time A: We're supposed to feel the same dread and confusion Skyler feels 

SOLUTION: why did the police not protect Skyler's home?

PROBLEM: CONTEXT: Regardless of whether Sully is the only one that has a real nose, Pixar did minimize noses for a reason, as discussed in the question comments. The monsters are meant to look inhuman and unfamiliar. Taking off noses makes them distinctly non-mammalian, and makes the world monstrous instead of just populated with animals. Sully, however, has to walk the line between a teddy bear and a blue Sasquatch so that Boo can both be terrified of him and grow to love him. The nose and the shaggy fur make him look approachable to both Boo and little kids in the audience.  <sep>  Q: Why is Sulley the only monster in the Monsters Inc films to have a nose? A: Pixar did minimize noses for a reason, as discussed in the question comments. The monsters are meant to look inhuman and unfamiliar 

SOLUTION: Did they do anything else to make them look less human?

PROBLEM: CONTEXT: A properly executed plot twist often causes opposite reactions of what you've just described. People want to watch the movie again because the ending was so unexpected that they need to review the whole thing to get all the puzzle pieces together. "Fight Club" is a great example, in my opinion. There's a lot of dialogue (especially the lines from Helena Bonham Carter) that doesn't make any sense if you don't know the ending. You will enjoy and understand Fight Club much better after a second view. There are many ingredients that define the quality and longevity of a movie. Directors should not be afraid to use a plot twist, but relying only on this trick - especially if it is predictable - may ruin the whole experience.  <sep>  Q: Is there any evidence of "Big Twist" movies having poor post-cinema sales? A: Directors should not be afraid to use a plot twist, but relying only on this trick - especially if it is predictable - may ruin the whole experience  Q: Do you think this is a common reaction though? A: A properly executed plot twist often causes opposite reactions of what you've just described 

SOLUTION:
So, for up ad coming directors, is this the type of movie to stay away from