In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Ex Input:
Review: This movie was probably the biggest waste of my life ever. The acting was pathetic. Jordan Hinson could not show any upset emotions. At the beginning of the movie, she was supposed to be discouraged. Instead, she bobbed her head with her bottom lip stuck out. She sobbed pitifully without any tears for the crying scene. I was almost angry that out of all girls who wanted to be actresses, they had to pluck out her. Everyone else was suffering from over-acting as well. It was flat out annoying. It was also an insult to figure skaters. Jordan took a month to train, and they cast her as a person who makes the Olympic team. It's practically spitting on the effort real figure skaters put into their work. A pitiful excuse for a movie, and a pitiful attempt to associate hockey and skating. Don't waste your life. It doesn't even deserve one star. Question: is it a negative review?

Ex Output:
yes


Ex Input:
Review: Brokedown Palace is not the kind of movie I would ever like to see. I also did not like the movie when some Aussie man smuggled drugs in Thailand and accused Claire Danes and Kate Beckinsale of drug smuggling. I would not go to that country no matter what after I saw this movie. In fact this movie stinks. I prefer to visit Germany to meet beautiful single women. Germany is the country I tolerate. I also would rather stick to the United States instead. After I saw some of the movie in the theatre including the false accusation of drug smuggling, I left the theatre and had my money refunded because I cannot tolerate this movie. If you are going to to Thailand to meet someone there who could be a drug smuggler, forget this! Question: is it a positive review?

Ex Output:
no


Ex Input:
Review: The film portrays France's unresolved problems with its colonial legacy in Western (Francophone) Africa through the befuddled and complex psychoanalytical prism of a young woman, France (herein symbolically representing her nation). It is an often engaging and challenging portrait of a young woman's desire to come to terms with a traumatic moment in her past, in particular, and a nation's desire to reach out to the 'other' it once 'owned' and moulded. This is reflected in the way in which it centres entirely around the notion of travelling (or being in transit) from the present to the past; remembered realities to undeniable contemporary political and economic actualities.The characters all play a symbolic, albeit a limited and unconvincing role. France, meant to be a visual as well as a totemic representation of contemporary French society, leaves one indifferent to her plight as she seems still to be imbued with the same naiveté she enjoyed as a child-in fact as a child she seems more in possession of her reality. The rest of the rag-tag ensemble is just forgettable. The black Africans are, to say the least, offencive impressionistic portraits of former colonised peoples now colonised by the director's poor handling of her material. They are no more than a dark and moribund backdrop against which the blythe-like France wonders seeking a world she never knew, and hoping for one that can never be found in Cameroon. Question: is it a positive review?

Ex Output:

no