In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Q: Review: I get to the cinema every week or so, and regularly check out this site, but never before have I felt compelled to comment on a film.To my all time list of shockingly bad films - Last Man Standing, Spawn, The Bone Collector - I can now add the drivel that was 'Hollow Man'.From the awful opening titles - a ridiculously over-long run through of cast and crew put together with alphabetti spaghetti - through to the insulting finale - a world record number of cliches and some of the most absurd dialogue and acting to have ever made it to cinema - this film is dismal, and only the impressive computer graphics keep you from walking out long before the end.This isn't just my opinion - it was that of my friends, and everyone around us. When large sections of an audience are laughing and groaning during and after a serious thriller, its clear that the film is hopeless.Not only that, it was sick too. The director took the action beyond the bounds of realistic fare for a violent film, and into the realms of an over the top blood soaked B-movie. It's difficult not to imagine the director as some sort of dirty old man, because the extent of the invisible man's forays out of the lab and into the outside world extended only to two attempts at having a feel of some breasts. Perhaps sex could well be the first thing on a bloke's mind if made invisible, but aside from the aesthetic pleasures of the ladies involved, it hardly makes entertaining cinema.[spoilers follow]Get past the films sick exterior, and things are even worse. Whilst Kevin Bacon does a good job of acting increasingly twisted as 'hollow man', the rest of them - perhaps handicapped by a dire script - do an even better job of being hollow cast. One long time member of the team is found strangled in a locker by the invisible man, "He's finally snapped" shrugs one colleague without a hint of emotion. This is par for the course, and the lab team swing between sheer terror and complete indifference with such speed that you wonder how they got into acting. They pad their way through the lab corridors terrified, guns poised, but then seconds later one of the crew skips happily off back down the corridor to get blood for a hurt colleague. The lead female treats the invisible man with courtesy and good humour even after he's insulted and abused her, and there seems to be little reaction to his breakouts, even after he drowns the Pentagon chief, "He drowned in his pool last night" reports the same female, spectacularly failing to put two and two together.The script is littered with this kind of badly acted pedestrian dialogue, and the rest is just an A-Z of film cliches, which get laid on thicker and faster as the film progresses to the point of complete disbelief and amusement at the end.The 'eureka' moment at the computer, the female undressing at the window, the looped security video - the list really is endless - the predictable disregard for strength in numbers, the decision not to kill the two main stars but just put them in a place of probable impending death and leave them to their own devices, the almost-dead good guy appearing out of nothing to save the woman, the bomb and ubiquitous countdown timer, the fireball explosion which just burns up before reaching the heroes, the falling lift which just stops before hitting them, and more than anything else, the immortality of the bad guy.The invisible man is burnt to a shred with a makeshift flame-thrower, electrocuted, whacked round the head with a bar which had just sliced straight through one of the lesser actors, and then having apparently survived the explosion, fireball and total destruction of the labs, has more than enough life left to climb up through the fireball for one last pop at the films heroes - by which stage the disbelieving audience are cringing and looking at their watches.That this exceptionally bad film actually made it to the cinema is astounding. Even the name of the film is as hopeless as the movie itself, and not even impressive special effects come anywhere near saving this one, which should be avoided at all costs. Question: is it a positive review?

A: no
****
Q: Review: A number of brides are mysteriously murdered while at the altar, and later their bodies are stolen en route to the morgue. Newspaper writer Patricia Hunter decides to investigate these mysterious killings. She discovers that right before each ceremony, the bride was given a rare orchid (supposedly from the groom) which contained a powerful drug that succumbed them. Patricia is told that the orchid was first grown by a Dr. Lorenz, who lives in a secluded estate, with his wife. In reality, Dr. Lorenz is responsible for the crimes, by putting the brides in a suspended state, and using their gland fluid to keep his wife eternally young. Patricia, along with Dr. Foster (who is working with Dr. Lorenz on the medical mystery surrounding his wife) try to force Dr. Lorenz's hand by setting up a phony wedding, which eventually leads Patricia into the mad doctor's clutches. This movie had a very good opening reel, but basically ended up with too many establishing shots and other weak scenes. The cast is decent, Walters and Coffin deserved better, but that's life. Russell steals the show (even out hamming Lugosi- who does not give one of his more memorable performances, even considering his Monograms) as Countess Lorenz playing the role with the qualities of many of the stereotypical characteristics of many of today's Hollywood prima donnas. Weak and contrived ending as well. Rating, based on B movies, 4. Question: is it a positive review?

A: no
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Q: Review: I saw this film a while back and it's still at the top of my 'favorite movies' list. It is amazingly put together and what really makes the film are the detailed tid bits (such as the 'Cafe Bustelo' coffee crate being reused as a cup to wash her grandsons hair) that people aren't seeing because YOU WILL NOT UNDERSTAND THIS MOVIE UNLESS YOU ARE HISPANIC. This is just one of those films that is very culturally specific and particular. Please do not bash this film if you have no prior knowledge of what foundation it's being built upon. I completely see what the writer/director was going for, and he hit the target perfectly! This film is highly deserving of a better rating. Question: is it a negative review?

A:
no
****