In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: miramax " disinvited " on - line media from press screenings of scream 3 .
they ostensibly feared that folks like me would write spoiler - filled reviews and post them prior to the film 's february 4th release date - unsound reasoning .
you see , ' net critics established enough to be on any sort of vip list are
professionals - miramax surely knows the difference between a member of the on - line film critics society ( ofcs ) and the type of fanboy who posts spy reports at ai n't it cool news .
no , the ? mini major ' was afraid we 'd let a bigger cat out of the bag than whodunit , that scream 3 is a dismal conclusion to the beloved ( by this writer , at least ) franchise .
something smells rotten in the state of california right from the get - go
:
cotton weary ( liev schrieber ) , the former lover and would - be killer of maureen prescott , sidney 's mother , is juggling phone calls in his luxury car .
( once considered a danger to society , weary now hosts his own talk show , " 100 % cotton " , a clever , if dated , jab at american pop culture . )
of course , a new ghostface dials him up , and , with memories of scream 's unbearably suspenseful prologue in mind , we immediately wonder , where is the killer ?
the backseat ?
the next car ?
thrilling prospects , to be sure , but actually , ghostface is at the weary residence , waiting for cotton 's girlfriend ( kelly rutheford ) to finishing showering .
what 's missing from this sequence , and indeed scream 3 's remaining frights ( most disappointingly , the moment when an ingenue is forced to hide in a wardrobe room filled with ghostface costumes , one of which might spring to life ) , is an elaborate and attenuated payoff .
our other surviving regulars have become estranged .
sidney ( campbell ) is living a paranoid existence of electronic gates and password - protected locks , while dewey ( arquette ) acts as technical advisor on the second sequel to scream 2 's movie - within - a - movie , " stab 3 " , and gale weathers ( cox arquette ) headlines a gossipy news program .
murder reunites them , as knife - wielding ghostface stalks the set of " stab 3 " , imitating its sadistic screenplay - and his / her / their own personal draft climaxes with sidney 's death .
the appeal of ghostface 's villainy is that he /
she
/ they could be your boyfriend , your classmate , your next door neighbour . . . or a combination of people .
scream was the first of its kind : a slasher mystery , with the guessing game not only entailing who will be next , but also who is /
are the perpetrator ( s ) and
what is / are his / her / their motive .
ironic self - reflection aside
, parts one and two stand out in a crowd that includes umpteen friday the 13th and halloween flicks because there 's at last articulate human beings behind the iconic costume .
with scream 3 , the novelty of ghostface 's ever - mutating identity has worn off some , but the character remains conceptually potent .
conceptually .
the execution of ghostface 's master plan this time around is creaky , because screenwriter ehren kruger has invented a new mythology for the world of sidney prescott far afield from what we 'd come to understand in scream and scream 2 .
the movie gets in the silly habit of saying " all bets are off ! " in reference to the " rules " of a trilogy 's third act , but there 's a difference between rule breaking and cheating .
with the departure of kevin williamson , who authored the previous screams as well as a tidy outline for scream 3 ( that , for reasons incomprehensible to me , was ignored , save the notion of " stab 3 " ) , kruger needed to be reined in tighter , and by wes craven .
craven 's direction of scream 3 is lazy in most respects .
how else to explain the jay and silent bob cameo ( the slacker duo of kevin smith movies ) , akin to seeing mickey mouse pop up in mulan and more distracting than funny .
it pains me to write this , but scream 3 's comedy is generally laughless , with the exception of well - timed performances by josh pais ( as a police detective possessed of the same personality he had as a persnickety teacher in craven 's music of the heart ) , jamie kennedy ( resurrecting film geek randy for the sendoff he was denied in scream 2 ) , and parker posey ( through sheer force of will as a b - actress ) .
the visuals are much weaker in part three , as well - the occasional sweeping gesture of peter deming 's camera is a pale imitation of the stalking steadicam craven gave us twice before .
( aside : in the wake of columbine , craven toned down the violence significantly for scream 3-why the sanctimony , when scream and scream 2 are still readily available on video store shelves ? )
finally , marco beltrami 's music cues the suspense too blatantly
- do you recall the tense chase at the college radio station in scream 2 ?
it 's mostly silent .
sting notes are a whole lot more effective if they spring from nowhere ; here ,
they act as the crescendos of an incessantly nerve - jangling score .
i look at scream 3 as coming from an alternative universe , the same place that birthed the godfather part iii and superman
iii - woefully out of synch with its prequels , scream 3 is a nightmare instead of nightmarish , and will likely put the horror genre back in mothballs .
the film unintentionally follows the unspoken rule of a trilogy to a t : ?
part three must disappoint ' .
Example Output: N

Example Input: robin hood :
men in tights is another mel - brooks - produced film in the classic tradition of movies like blazing saddles and young frankenstein .
mel brooks is well known for his comic look at regular life , his fast paced dialogue and sharp wit .
unfortunately , robin hood :
men in tights has none of the easy going humor of blazing saddles , none of the fun acting of young frankenstein , is devoid of the charm of spaceballs , and is even lacking the good , solid dialogue of history of the world .
it is , in short , one of the worst movies i have seen mel brooks , or anybody else , produce .
the plot borrows heavily from the well - received kevin costner movie of last year , robin hood : prince of thieves .
this is not surprising in and of itself , and could have been used to great comic effect , mainly by parodying scenes from the orginal movie .
mel brooks does not take advantage of this , however , and uses the film to launch several ideas into the air , none of which connect and none of which are explained later on .
the movie 's scenes could be shuffled around in any order and one would be hard pressed to notice .
cary elwes , of princess bride fame , plays robin of loxley , a man who was captured in the crusades , fighting with king richard .
he escapes and , joining with a man named achoo
( i am sure you can see the obvious joke ) , fights in england to reclaim his name and the throne for richard , which has been captured by evil prince john , played by funny comic richard lewis .
he also tries for the love of maid marian and attempts to overthrow the evil " sheriff of rottingham " .
a good adventure plot that is sadly unused .
elwes and lewis are both excellent comics , but the dialogue in the movie is simply excruciating .
neither actor has any good words to work with , and the lines simply are n't funny , nor believable .
perhaps the worst example of this is when the group of merry men encounter a man playing a macaulay culkin clone from the hit movie home alone .
this particular scene is so out of place and so badly acted , and followed by so many other scenes of equal miserable ideas , that i really felt like leaving the theatre .
much of the audience continued to look at their watches throughout , and some left the theatre .
chuckles were few and far between , and they mostly dealt with visual jokes ( such as an old , beaten up horse from " rent - a - wreck " ) then from any dialogue whatsoever .
scenes that could have been classics , such as the archery contest , are ruined by poor acting .
perhaps the largest problem with the movie is that it is simply offensive .
the basic plot , that robin has received a key that will unlock the chastity belt of maid marian , is not witty nor funny .
mel brooks as a circumcision - giving rabbi is also offensive to me and others in the audience ( not all jewish , either ) .
the movie simply tries to hard trying to be funny and by and large fails .
the addition of a blind man who stumbles around , falling off cliffs , walking into ledges and being a general buffoon could have had some humorous potential , but is also made terribly offensive .
the only reason to see this movie is the surprise actor at the end who plays king richard .
he is well worth waiting for , if you can stand an hour and half of unfunny dialogue , excruciating visual humor , old puns , ancient jokes and bad acting .
if you ca n't , do n't even bother watching this miserable film .
Example Output: N

Example Input: while watching wes anderson 's rushmore , it may be surprising to think that the role of max fischer , the film 's anti - hero , was not written with jason schwartzman in mind .
the young actor , making his film debut as a 15 year old student at the exclusive rushmore academy is so perfect in the role that it comes as a shock that anderson auditioned some two thousand other prospective stars before discovering schwarztman .
schwartzman plays max , a student who is more interested in his extra - curricular activities ( such as writing edgy plays like " serpico " and being president of the rushmore beekeepers ) but sees his grades suffer as a result .
on the brink of being thrown out , he lands himself in even more hot water when he falls for first grade teacher rosemary cross ( olivia williams ) and enlists the help of millionaire acquaintance herman blume ( the great bill murray ) to build an aquarium ( on rushmore 's baseball field ) in her honour .
unfortunately for everyone involved , blume finds that he has feelings for miss cross as well , which gets in the way of max 's plans to woo her .
max is one of the best - written characters we 've yet seen in the 90s , and schwartzman plays him to perfection in one of the finest comedy performances ever given by someone of his age .
as everyone else has probably already pointed out , he is reminiscent of a young dustin hoffman ( although i was reminded more of paul from " the wonder years " , from a visual standpoint , at least ) .
hopefully , if he avoids typecasting as weird , quirky loner - types he should earn himself a good career .
bill murray is his equal as blume , displaying a depth we have n't yet seen from him .
while this is n't his best performance ( that honour goes to groundhog day )
he is still terrific here .
williams is n't given much to do except react to schwartzman and murray , but still does fine work .
rushmore seems to go just a little too long but , while it is n't a perfect film ,
it is a definate must - see
for anyone who wants to see that rarity , an american coming - of - age film that actually works well without an excessive amount of sentimentality .
anderson has created a modern classic with a star who should , with any luck , rise to even greater success .
Example Output:
P