Given a document, find the main entity about whom the author is writing. Write the full name if mentioned in the text. Note that URLs in the text have been replaced with [Link].

Example Input: CBS News has suspended  veteran journalist Charlie Rose  after eight women accused  him  of sexual misconduct in interviews with The Washington Post. Three additional unnamed women came forward in a story published by Business Insider later on Monday.
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" Charlie Rose  is suspended immediately while we look into this matter. These allegations are extremely disturbing and we take them very seriously " CBS News said in a statement.
Five women told The Washington Post that Rose  an anchor for "CBS This Morning " groped them; two said that he walked naked in front of them; and one accused  Rose  of firing her after he allegedly touched her inappropriately and made sexually charged remarks to her.
The newspaper reported that  Rose 's accusers either worked with or aspired to work with him on his PBS show  "Charlie Rose " from the late 1990s to 2011. At the time of the alleged incidents  the women ranged in age from 21 to 37  according to the newspaper.
 Rose  issued an apology to the Post and later  he shared it on Twitter.
My statement in full. pic.twitter.com/3kvFrqF2dT — Charlie Rose (@charlierose) November 20  2017
Kyle Godfrey-Ryan  a former assistant to  Rose  in the mid-2000s and one of the three accusers who spoke to the Post on the record  claimed that  Rose  walked nude in front of  her  at one of his homes in New York City and called  her  in the wee hours to describe fantasies of watching  her  swim naked.  She  said that  she  reported his calls to  Rose 's longtime executive producer  Yvette Vega  who apparently told  her   "That's just Charlie being Charlie."  Vega  told the Post and later confirmed to ABC News that  she  regretted not doing more for Godfrey-Ryan and others who mounted similar complaints.
“I should have stood up for them ”  she  said. “I failed. It is crushing. I deeply regret not helping them.”
Godfrey-Ryan said that ultimately  Rose fired  her   and  she  later left journalism.
“He took me out to lunch and told me how embarrassed he was  how he didn’t treat me like that ”  she  said. “It was really about how I got it wrong  and  obviously  I couldn’t work there anymore.”
Reah Bravo  who worked alongside Rose beginning in 2007  claimed to the Post that  she  was groped -- sometimes forcefully -- by  Rose  on more than one occasion. In 2008   she  said that as  she  prepared to accept a new job   Rose  offered  her  a position in Washington  D.C.  and the opportunity to live in his Georgetown residence.  She  declined.
“I was leaving because I was getting away ”  she  said. “I would never want to live someplace where he had keys.”
Megan Creydt  the third woman who spoke to the Post on the record  overlapped with Godfrey-Ryan when  she  worked as a coordinator on  Rose 's show from 2005 to 2006. Creydt claimed that  Rose  put his hand on  her  thigh  which alarmed  her .
"I don’t think I said anything ”  she  said. “I tensed up. I didn’t move his hand off  but I pulled my legs to the other side of the car. I tried not to get in a car with him ever again. I think he was testing me out.”
In a statement to ABC News  Yvette Vega  executive producer on “ Charlie Rose  ” said: “I should have stood up for them. I failed. It is crushing. I deeply regret not helping them.”
Example Output: Charlie Rose

Example Input: What is known for sure about  American military scientist Frank Olson  is that on November 28  1953  the bacteriologist and father of three plunged to  his  death from the thirteenth floor of the Statler hotel in New York City  not long after  he  was secretly drugged with LSD on the orders of  his  CIA superior. Whether  Olson  was pushed  or jumped  or was nudged into committing suicide remains unclear. But indeterminacy with a generous side of conspiracy is catnip to director Errol Morris  who has made either a 241-minute film or a six-part television series depending on where and how you plan to watch it  about the tragedy's long reach into  Olson 's family and America's secretive political culture.
 Olson 's death  and the murk surrounding its cause  cast a defining shadow over the life of his son Eric  whose endless quest to find out what happened that night has pre-empted all other endeavors. The blight spread around his family. His mother became an alcoholic with  the film implies  the active encouragement of one of her husband's colleagues. But Eric  now in his sixties  has arguably been completely derailed by the tragedy. He is the central focus of Wormwood  a hybrid blend of documentary and Cold War thriller that makes The B-Side  Morris's loving portrait of radical photographer Elsa Dorfman earlier this year  look almost straightforward.
Moving back and forth between the 1953 events and 1975  when a Rockefeller commission confirmed that an army scientist had been purposefully drugged with hallucinogens   Wormwood carries us from secret meetings at Deer Lake through the long tail of misery and obfuscation left by  Frank 's death  to Eric's pursuit of the truth all the way to the corridors of power.
In hushed and menacing re-enactments  Peter Sarsgaard  whose mild manner lends itself to all kinds of tonal nuance  charts the decline and fall of  Olson   a patriotic team player whose growing unease about his agency's secretive involvement in biological warfare overseas first worries his boss (a reptilian Tim Blake Nelson) and then moves him to seize the day and use his hapless employee as a guinea pig. By the time  Frank  arrives at the hotel flanked by ambiguously supportive colleagues  he's rapidly unraveling into a gibbering wreck.
Wormwood's breathless  hopped-up style harks back to Morris's 1988 The Thin Blue Line  which called into question a murder verdict and resulted in the release of a wrongly convicted suspect from Death Row. Here the noir markers are writ so large as to verge now and then on self-parody. Morris keeps returning the action to the hotel to act out different angles and competing versions of what happened to  Olson  that night. The hypothetical range between possible perps â  Frank 's boss  his friends  two wordless thugs in fedoras  a CIA allergist played by a sinister Bob Balaban â is narrow enough to make these scenes a touch repetitive if you're watching in one sitting. Certainly they underscore Morris's standing as a lifelong participant observer of American paranoia. For which  it must be said  there is undeniable fodder in the manner of Olsen's going  the secrecy surrounding his death  the ambivalent admissions the Rockefeller Commission along with a dwindling financial settlement that looks suspiciously like hush money to  Olson  and to Morris  and the merrily chuckling presence in old footage of two well-known knowns  Donald Rumsfeld and Dick Cheney.
For all the formal beauty of the re-enactments  the most compelling scenes in Wormwood are the unembellished interviews that Morris â ordinarily an off-screen interlocutor with an appetite for the subtly leading question â is seen conducting across a table with Eric Olson  who waves his arms around with the befuddled intensity of a superannuated schoolboy as he tells his story. Articulate and charming  Eric is a talented collage artist who seems to have sacrificed career and significant relationships to his endless search for justice and truth  even after the case was officially closed and after he contacts investigative reporter Seymour Hersh  who first reported the drugging of  Olson  in The New York Times. Grandiose as always  Hersh insists that  he knows who murdered Frank Olson   but won't say for fear of compromising an anonymous source. We can't tell whether  he 's fibbing either.
A romantic view â and I wouldn't entirely put this past Morris â is that  Olson  is  like  his  interlocutor  an artist with a magnificent obsession that sustains  him  even when it's doomed to failure. But in Wormwood  he  emerges with enormous poignancy as a tragic figure  perpetually stuck in limbo like the father we see tumbling  over and over  to  his  fate.
Example Output: Frank Olson

Example Input: But both Spinelli and Liman understood that , as with the Bush family , they could n't tell Seal 's story and not at least tip their hats to the cottage industry of fringe Clinton conspiracies involving him . 
The most eyebrow-raising moments in American Made , however , come when Seal crosses paths with two other major historical figures : Bill Clinton and George W. Bush . 
Seal was murdered in 1986 , by Colombian nationals allegedly carrying out a contract on his life -- a fact that , coupled with the fuzzy details surrounding his possible collusion with federal intelligence officials , makes him terrific fodder for a different kind of storytelling , and is ultimately what led the filmmakers to include Clinton and Bush in American Made . 
For example , Spinelli said , "one of the big conspiracy theories around Barry is that he was -LSB- George -RSB- H.W. Bush 's personal pilot , and when Barry was killed , he had Bush 's phone number in his back pocket ." 
Which is how American Made , which opens Sept. 29 , ended up with a scene in which Seal is waiting for a meeting at the White House while sitting next to a young George W. Bush -LRB- Connor Trinneer -RRB- as they exchange small talk about piloting planes . 
"I just wanted to put a little fun thing between Barry and George W. Bush to just sort of say , ` We 're not ignorant of those allegations , '" said Liman ." 
Spinelli said that since Seal reportedly did visit the Reagan White House , he was OK with placing him next to Bush , who also regularly visited the White House when his father was vice president . 
"You know , there 's dramatic license there , but both -LSB- Seal and Bush -RSB- were pilots , and I just thought it would be a cool moment to have -LSB- H.W. Bush 's -RSB- son meet Barry in the hallway ," he said . 
-LRB- Representatives for George W. Bush did not respond to a request to comment . -RRB-
Example Output:
George W Bush