In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: at first glance , three kings looks to be just another war movie , the 90s version of all those favourite war movies with names i can not remember .
the 90s version , it definitely is , just another war movie ? not in your dreams !
imagine pulp fiction approach to saving private ryan , tha 's three kings for you .
believe it or not , it bears the cool of the former and the stark humane meaning of the latter .
the story brings us to the twilight of the gulf war , with the allied troops victorious .
majpr archie gates ( clooney ) leads an enterprising bunch of grunts to a rather unorthodox post - war looting spree ; the millions in gold bars secretly stowed away by saddam in a desolate village in the desert .
as the rest of the troops are celebrating their victory and getting ready to be shipped home , this ' wild bunch ' goes awol on an armed hum - vee ( the vehicle of choice of the us army ) .
they soon find out that they have much resistance , as they get tangled with the local rebellion against saddam 's forces .
frequently switching their modes between looters and robin hood 's merry men , they become consciously attacked by their own morals .
as the film begins to roll , it seemed to have a rather ' light ' mood to it . ' special ' effects such as when gates describes to his men how a bullet can kill simply paves the way for a light - hearted funny action movie .
three kings is much smarter than that .
as the conflict becomes more and more complex , the audience will be trapped in a limbo , trying to stay focussed on that light - mood / serious - mood that the film seem to portray .
i personally found this analogous to the same feelings of the main characters involved in the film ; trapped between their initial plan paved by greed and their own sense of humanity .
this simply made the entire experience of watching three kings
truly brilliant .
action sequences are not shot as your old - fashioned war films nor anything like steven spielberg 's in - your - face war violence .
they are carefully built to generate tension with just the right tight close - ups and pauses , right before the action starts .
not john woo for sure but more of sergio leone 's spaghetti western style ( tons of them starring clint eastwood ) . great performances by clooney and wahlberg but
the brilliance have to lie in the conception of this film ;
the screenwriter and the director .
three kings ranks among the best films of the year ,
well , for me at least . highly recommended .
Example Output: P

Example Input: in the opening shot of midnight cowboy , we see a close - up of a blank movie screen at a drive - in .
we hear in the soundtrack human cries and the stomping of horses ' hooves .
without an image projected onto the screen , the audience unerringly identifies the familiar sound of cowboys chasing indians and can spontaneously fill in the blank screen with images of old westerns in our mind 's eye .
even without having seen a cowboys and indians movie , somehow the cliched images of them seem to have found their way into our mental schema .
but do cowboys really exist , or
are they merely hollywood images personified by john wayne and gary cooper ?
exploring this theme , director john schlesinger uses the idea of the cowboy as a metaphor for the american dream , an equally cliched yet ambiguous concept .
is the ease at which salvation and success can be attained in america a hallmark of its experience or an urban legend ?
midnight cowboy suggests that the american dream , like image of the cowboy , is merely a myth .
as joe buck migrates from place to place , he finds neither redemption nor reward in his attempt to create a life for himself , only further degeneration .
during the opening credits , joe walks past an abandoned theater whose decrepit marquee reads ` john wayne : the alamo . '
as joe is on the bus listening to a radio talk show , a lady on the air describes her ideal man as ` gary cooper ?
but he 's dead . '
a troubled expression comes across joe 's face , as he wonders where have all the cowboys gone .
having adopted the image of a cowboy since youth , joe now finds himself deserted by the persona he tried to embody .
joe 's persistence in playing the act of the cowboy serves as an analogue to his american dream .
he romanticizes about making it in the big city , but his dreams will desert him as he is forced to compromise his ideals for sustenance .
by the end of midnight cowboy , joe buck loses everything and gains nothing .
just as the audience can picture cowboys chasing indians on a blank screen , we can also conjure up scenes from pretty woman as paradigms of american redemption and success .
but how realistic are these ideals ?
joe had raped and been raped in texas .
the scars of his troubled past prompt him to migrate to new york , but he does not know that his aspirations to be a cowboy hero will fail him there just as they had in texas .
alongside the dream of success is the dream of salvation .
the ability to pack up one 's belongings and start anew seems to be an exclusive american convention .
schlesinger provides us with strong hints as to joe 's abusive and abused past with flashbacks of improper relationships with crazy anne and granny .
we understand that joe adopts the fa ?
ade of a cowboy , a symbol of virility and gallantry , as an attempt to neutralize his shame .
he runs from his past only to be sexually defiled this time by his homosexual experiences in new york .
in the scene at the diner which foreshadows joe 's encounter with the gay student , joe buck spills ketchup on himself .
standing up , we see the ketchup has made a red stain running from the crotch of his pants down his thigh .
schlesinger visually depicts the degeneration of joe 's virility by eliciting an image of bleeding genitals , signifying emasculation .
beyond the symbol of castration , the scene may also connote the bleeding of a virgin 's first sexual encounter , a reference to joe 's first homosexual liaison .
the fact that the idea of a bleeding virgin is relegated only to females furthers the imagery of joe 's emasculation .
it is ironic that joe has trouble prospecting for female clients , but effortlessly attracts men .
joe believes his broncobuster getup is emblematic of his masculinity ; new yorkers see his ensemble as camp and ` faggot stuff . '
there are two predominant images of new york .
the first is that new york is the rich , cosmopolitan city where hope and opportunity are symbolized by the tall skyscrapers and the statue of liberty .
the other new york is travis bickle 's new york , a seedy , corruptive hell on earth .
joe envisions new york as the former , but is presented with the latter .
mirroring the irony in which joe envisions his cowboy attire as masculine , he mistakenly buys into the fable that new york is filled with lonely women neglected by gay men .
joe thinks he is performing a great service for new york , but the city rapes him of his pride and possessions .
the people steal joe 's money , the landlord confiscates his luggage , and the homosexuals rob him of his dignity .
what has become of joe 's american dream ?
schlesinger responds to this question with the scene at the party .
joe gets invited to a shindig of sorts and at the gathering is exposed to a dizzying array of food , drugs , and sex .
at the party , all of joe and ratzo 's desires are made flesh ; joe flirts successfully with women and ratzo loads up on free salami .
contrasting joe 's daily struggles , shots of warhol 's crew display wanton indulgence .
there is an irreverence in the partygoers ' attitude ; we see a shot of a woman kowtowing to nothing in particular , orgies breaking out in the periphery , and drugs passed around like party favors .
the party makes a mockery of joe ' s ideals .
joe believed that hard work and persistence were the elements for success in america ; scenes of the party and his rendezvous with shirley suggest that it is the idle who profit from joe 's toils .
the american dream , schlesinger suggests , is merely a proletarian fantasy , for those who are content no longer dream , but become indolent .
as joe heads to miami , all that was significant of the cowboy image has left him .
his masculinity is compromised and his morality is relinquished .
for joe , nothing is left of the cowboy hero and commensurately , he surrenders the identity .
tossing his boots into the garbage , he returns to the bus for the last leg of his journey to miami .
the final shot of midnight cowboy shows joe inside the bus , more introspective , taking only a few glances outside the window .
instead of the frequent pov shots of joe excitedly looking out of the bus on his way to new york , schlesinger sets up this final shot from the exterior of the bus looking in through the window at joe .
reflections of the palm trees ratzo so raved about run across the bus ' window with joe hardly taking notice .
the scenery of miami no longer exacts the same excitement from joe as before .
the world seems smaller to joe now ; the termination of his journey coincides with the termination of his american dream .
no longer does joe aspire to be the enterprising gigolo ; he resolves to return to a normal job and resign to basic means .
midnight cowboy presents two familiar incarnations of the american dream .
there is the frontier fantasy that if you are brave enough to repel a few indians , you can set up a ranch out west and raise a beautiful family .
then there is the jay gatsby dream that a man of humble stock , with perseverance , can make a fortune in the big city .
joe 's attempt to realize these dreams robs him of his innocence in texas and morality in new york .
during his search for an intangible paradise , joe ends up raping a girl and killing a man .
an allegory of chasing the promise of the american dream , joe
buck 's progressive
moral atrophy is a warning against the pursuit of illusory icons .
Example Output: P

Example Input: i was fortunate enough to attend an advance screening for the upcoming thriller conspiracy theory .
this was , of course , a big deal for me because reviewing movies is basically just a hobby for me
and i never get a chance at something like this .
not only did i get to see an advance screening , i was able to see an advance screening of a * very good * movie .
the very fast - paced film stars mel gibson as jerry fletcher , a fast - talking , witty , comical taxi driver in new york city .
gibson 's performance is terrific , and his character is similar to that of martin riggs in the lethal weapon films .
gibson again teams up with richard donner , as he did in the lethal weapon films and maverick , and this time around , the combination works even better .
the character of jerry fletcher is indeed unique . try to imagine a toned - downed version of travis bickle who , this time around , is a jittery guy with knowledge of government conspiracy cover - ups . if you can imagine that , then you 've basically got jerry fletcher .
in many ways , i was surprised by this movie .
to begin with , i was surprised at how good it was
.
do n't get me wrong , it 's not going to be accepting any gold trophies next spring , but it was a very enjoyable movie .
secondly , i was surprised at mel gibson 's performance .
he provided a fantastic performance .
the previews of this film led me to believe it was an all - out action flick , which after viewing , it was almost the opposite in a certain sense .
gibson 's character has an almost uncountable number of one - liners , hilarious situations , and his character is one that the audience tends to side with throughout the film .
for instance , jerry 's apartment ( and especially his security ) is memorable .
and last , i was surprised at how good the plot is .
writer brian helgeland has created a terrific story , and when watching this film , you are left to wonder if all of jerry fletcher 's far - fetched ( or so they seem at first )
conspiracy theories are helgeland 's own opinions .
mel gibson is n't the only stand - out in the film .
julia roberts is very good in her performance as alice sutton , the department of justice employee who ca n't seem to stay away from jerry fletcher , who continually visits alice in hopes that she will do something about his theories .
he also seems obsessed and in love with her .
but whenever he approaches her with another one of his theories , she shrugs him and his beliefs off , continually noting that one day she is going to slap a restraining order on him .
jerry , obviously determined to continually seek out the truth , continues to research information for his next conspiracy theory , which will be printed in his newsletter ( same title as the movie ) .
although he only has five subscribers , he puts a large amount of time and effort into his work , and publishes his next edition .
very soon after he does so , he is abducted and tortured by a sinister man who refers to himself as dr .
jonas ( patrick stewart ) .
after barely escaping alive , jerry is forced to turn to the only person he can trust : alice sutton .
the remainder of the film is almost always fast - paced and full of action and suspense , with jerry 's life being constantly put into jeopardy .
and more along the way , the audience ( and alice ) learn more and more about jerry 's life .
many things are explained throughout this film , both to the characters and to the audience .
for instance , the meaning of the book " the catcher in the rye " and its ties to assassins , the reason lone gunmen have three names ( e . g .
lee
harvey oswald and james earl ray ) , and the real truth behind the grateful dead .
make sure listen closely throughout the film , as jerry is constantly throwing out interesting tidbits such as the above .
definitely , when conspiracy theory hits theaters august 8th
, make sure you are standing in line to see it .
i am nearly positive everyone should enjoy this film , especially if you are into an action - thriller with witty dialogue and numerous suspenseful situations .
and even if you are n't , you should still like this film .
Example Output:
P