In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Q: GREAT RINGSIDE SEAT FOR BEST CD OF 2005 !! . my favorite songs are "she really wants you", "video", and   "little bombs". excellent album.  her 2nd best beside bachelor no.2

A: POS
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Q: The Best singer you've never heard of..... . I first heard Joe Carson back in the early -70's while going through some of my folks' 78's.  At first, I thought it was Webb Pierce (on one of his best days);  then I distinctly heard Hank;  on the other hand, there was the sound of Ray Price (his Cherokee Cowboy Days).  All of these sounds came from a young kid (16 when he started performing) who should have, by every right, been the most heralded Country/Hillbilly/Honky Tonkin' singer ever; and yes, that includes even the great Hank Williams.  But, Joe Carson's life was cut short just as he was hitting his stride.  If there was a way to rate this collection higher than 5 stars, I would not hesitate to do so.  As with all of the Bear Family Records releases, this one is an outstanding collection, beautifully recorded and mixed, and a thorough set of liner notes/booklet.  Not only does this album showcase the stellar voice of Joe, the backing band (all legendary members of the Hank Thompson era) will knock your socks off.  While there are 33 songs here (3X more than most current releases), there are a few real standouts:  "I Gotta Get Drunk", "The Last Song I'll Ever Sing", and "Shoot The Buffalo" all showcase his voice.  And, there are a few old favorites here as well, inlcuding "Fraulein" and "Who'll buy the Wine".  This is one of those albums you have to own;  and I can assure you, you'll be shaking your head in amazement at Joe Carson's talent. A+++

A: POS
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Q: Welcome back, Sonny. . In 1962, it had been three years since Sonny Rollins had released a record.  Frustrated with what he felt was his own limitations, he took sabbatical to work on his form, practicing at the Williamsburg Bridge.  This odd habit led to his comeback album being named "The Bridge".  A quartet record featuring guitarist Jim Hall, bassist Bob Cranshaw, and drummer Ben Riley, invariably this album and it's story is the stuff of legends, and deservedly so.    Rollins is on fire throughout-- playing mostly standards (with only two originals), it sounds as if he was itching to get in the studio again, his playing is powerful, focused ("Without a Song"), lyrical (one of the definitive readings of "God Bless the Child") and emotive ("Where Are You?").  Rollins' support is generous and sympathetic, particularly on "God Bless the Child", where Cranshaw in particular feels like he's breathing in time with Rollins.    All in all, a worthwhile effort, and an essential point in Rollins' catalog.  It also may be the best place (either this or "Saxophone Collosus") to begin exploring Rollins' catalog.  Highly recommended

A:
POS
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