In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[EX Q]: Review: WAR, INC. (2008) **1/2 John Cusack, Marisa Tomei, Hilary Duff, Joan Cusack, Ben Kingsley, Dan Aykroyd, Sergej Trifunovic, Lyubomir Neikov, Ned Bellamy, (Voice of: Montel Williams)A hit-and-miss-21st Century "STRANGELOVE"John Cusack  who co-wrote the script with Mark Leyner and Jeremy Pikser  stars as a jaded hit-man named Brand Hauser who is burnt out but decides to follow thru on one final assignment by icing a Middle-Eastern oil minister named Omar Sharif (yes, not THAT Omar Sharif but you get the tone here from this misfire for a laugh) commandeered by the ex-Vice President of The USA (Aykroyd, Cusack's old "Grosse Pointe Blank" co-hort, doing a mean Dick Cheney manqué turn here), enlisting Brand to do the deed under the guise of a Trade Show Producer in mythical Turaqistan (read: Iraq/Afghanistan) for the American private corporation Tamerlane (read: Halliburton). While being briefed Brand is faced with a moment of clarity when he comes across intrepid journalist Natalie Hegalhuzen (Tomei) and eventually falls in love with her. Meanwhile Tamerlane is sponsoring the unlikely union of Eastern European teen sensation Yonica Babyyeah (a surprisingly decent Duff aping her own celebrity with tongue- through-cheek) and the idiot son of the country's leader.What follows is a bold attempt for a 21st Century black comedy a la "DR. STRANGELOVE" but for all intense and purposes there are sadly more misses than hits in this broad try for laughs amidst political message (an unjust war being outsourced by American capitalism, check!) While Cusack riffs on his Martin Blank from the aforementioned "Pointe" he does add some nice touches of his man in black (he does shots of Tabasco sauce to take the edge off), the rest of the cast plays catch up (except sister Joan who is a riot as the high-strung aide- de-camp for Hauser and has one of the film's funniest laugh-out lines: "My mass communications skills are finally paying off") for the most part. Cusack visited the Iraq War earlier this year in the 180 degree different "Grace Is Gone" and here he allows his political views wear on his sleeve ; while admirable overall the film's pace and rhythms are off largely no-thanks to first time filmmaker Joshua Seftel making his directorial debut here (and it is noticeable) except for maybe the well-choreographed fight Hauser is involved with Babyyeah's idiotic fiancé's entourage.A nice attempt yet a misguided failure ; maybe next time Cusack won't try so hard and let the idiocy of war speak for itself instead of doing the heavy lifting by himself. Question: is it a negative review?
[EX A]: no

[EX Q]: Review: Master director Ching Siu Tung's perhaps most popular achievement is this series, A Chinese Ghost Story 1-3. Chinese Ghost Story stars Leslie Cheung in some distant past in China as a tax collector who is forced to spend a night during his "collecting trip" in a mysterious castle in which some strange old warriors fight and meet him. Beautiful actress Joey Wang/Wong is the ghost who lives in that castle and is under a domination of one powerful demon, a wood devil who collects human souls for herself/itself with the help of her beautiful ghosts. Leslie and Joey fall in love, and even though ghosts are not allowed to live with humans, they decide to break that rule and live happily together for the rest of their lives. This is not what the wood devil thinks and our protagonists have to fight for their lives and their happiness.This film is no less full of magic than other films by Ching Siu Tung. His masterpieces include Duel to the Death (1983) and the Swordsman series, which all have incredible visuals and kinetic power in their action scenes. Ghost Story is full of brilliant lightning and dark atmosphere, which is lightened by the strong presence of the beautiful and good willing ghost. The effects are simply breath taking and would work at their greatest power in the big screen. The camera is moving and twisted all the time and it adds to the fairy tale atmosphere this film has. There's plenty of wire'fu stunts, too, and even though some think they are and look gratuitous or stupid when used in films, I cannot agree and think they give motion pictures the kind of magic, freedom and creativeness any other tool could not give. When people fly in these films, it means the films are not just about our world, and they usually depict things larger than life with the power of this larger than life art form.The story about the power of love is pretty touching and warm, but the problem is (again) that the characters are little too shallow and act unexplainably occasionally. Leslie and Joey should have been written with greater care and their characters should be even more warm, deep and genuine in order to give the story a greater power and thus make the film even more noteworthy and important achievement. Also, the message about love and power of it is underlined little too much at one point and it should have been left just to the viewer's mind to be interpreted and found. Another negative point about the dialogue is that it's too plenty and people talk in this film without a reason. That is very irritating and sadly shows the flaws many scriptwriters tend to do when they write their movies. People just talk and talk and it's all there just to make everything as easy to understand as possible and so the film is not too challenging or believable as it has this gratuitous element. Just think about the films of the Japanese film maker Takeshi Kitano; his films have very little dialogue and all there is is all the necessary as he tells his things by other tools of cinema and never talks, or makes other characters talk too much in his movies. This is just the talent the writers should have in order to write greater scripts.Otherwise, Chinese Ghost Story is very beautiful and visually breath taking piece of Eastern cinema, and also the song that is played in the film is very beautiful and hopefully earned some award in the Hong Kong film awards back then. I give Chinese Ghost Story 7/10 and without the flaws mentioned above, this would without a doubt be almost perfect masterpiece of the fantasy genre. Question: is it a negative review?
[EX A]: no

[EX Q]: Review: Watched this as a late TV movie last night purely by chance. The blurb for the film said something to the effect of mother stays with daughter and goes on romantic journey, as I tuned in there's the carpenter hard at work on a new conservatory - played by Daniel Craig no less - so the plot was immediately apparent.It turns out that eponymous mother's carpenter love interest is also the daughter's boyfriend, so there's trouble brewing and not too many surprises. But I'd been caught by Anne Reid's compelling performance and I was hooked. The direction allows her plenty of space for staring into mirrors and adjusting scarves, when she exudes sadness.The sex scenes were fascinating and taboo-breaking. Shouldn't older women's bodies remain covered up? Not here and we're treated to a delicious reawakening in the Mother's sexuality. Even more startling are the drawings she's made that (SPOILER!) once discovered confirm her daughter's suspicion that something's going on here.Cathryn Bradshaw as the daughter didn't convince me quite as much as the rest of the cast, but that could be me. With her waves of pre-Raph locks I kept expecting to see Julia Sawahla, whose more intense face would have suited the confrontations better to my mind. Bradshaw has a rounder happier face that didn't carry the anger that emerges as the film progresses.The ending is weak. If the goodbyes for Mother as she leaves in disgrace are so indifferent then perhaps we could see some close-ups of those waving goodbye and see something of their individual reasons. Whatever she's done, she's a recently bereaved widow leaving for the lonely home she shared with her husband for 30 years, and I found the lack of sympathy jarring. For a film so full of emotion (and be warned it's like opening champagne, you'll never get the lid back on) the ending is a cold contradiction. Question: is it a positive review?
[EX A]:
yes