You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.
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Question:  Shrek, a green ogre who loves the solitude in his swamp, finds his life interrupted when many fairytale characters are exiled there by order of the fairytale-hating Lord Farquaad. Shrek tells them that he will go ask Farquaad to send them back. He brings along a talking Donkey who is the only fairytale creature who knows the way to Duloc.
Meanwhile, Farquaad tortures the Gingerbread Man into giving the location of the remaining fairytale creatures until his guards rush in with something he has been searching for: the Magic Mirror. He asks The Mirror if his kingdom is the fairest of them all but is told that he is not even a king. To be a king he must marry a princess and is given three options, from which he chooses Princess Fiona, who is locked in a castle tower guarded by lava and a dragon. The Mirror tries to mention "the little thing that happens at night" but is unsuccessful.
Shrek and Donkey arrive at Farquaad's palace in Duloc, where they end up in a tournament. The winner gets the "privilege" of rescuing Fiona so that Farquaad may marry her. Shrek and Donkey easily defeat the other knights in wrestling-match fashion, and Farquaad accepts his offer to move the fairytale creatures from his swamp if Shrek rescues Fiona.
Shrek and Donkey travel to the castle and split up to find Fiona. Donkey encounters the dragon and sweet-talks the beast before learning that it is female. Dragon takes a liking to him and carries him to her chambers. Shrek finds Fiona, who is appalled at his lack of romanticism. As they leave, Shrek saves Donkey, caught in Dragon's tender clutches, and forces her to chase them out of the castle. At first, Fiona is thrilled to be rescued but is quickly disappointed when Shrek reveals he is an ogre.
As the three journey to Duloc, Fiona urges the two to camp out for the night while she sleeps in a cave. Shrek and Donkey stargaze while Shrek tells stories about great ogres and says that he will build a wall around his swamp when he returns. When Donkey persistently asks why, he says that everyone judges him before knowing him; therefore, he feels he is better off alone, despite Donkey's admission that he did not immediately judge him when they met.
Along the way, Shrek and Fiona find they have more in common and fall in love. The trio is almost at Duloc, and that night Fiona shelters in a windmill. When Donkey hears strange noises coming from it, he finds Fiona turned into an ogre. She explains her childhood curse and transforms each night, which is why she was locked away, and that only her true love's kiss will return her to her "love's true form". Shrek, about to confess his feelings for Fiona with a sunflower, partly overhears them, and is heartbroken as he mistakes her disgust with her transformation to an "ugly beast" as disgust with him. Fiona makes Donkey promise not to tell Shrek, vowing to do it herself. The next morning, Shrek has brought Lord Farquaad to Fiona. The couple return to Duloc, while a hurt Shrek angrily leaves his friendship with Donkey and returns to his now-vacated swamp, remembering what Fiona "said" about him.
Despite his privacy, Shrek is devastated and misses Fiona. Furious at Shrek, Donkey comes to the swamp where Shrek says he overheard Donkey and Fiona's conversation. Donkey keeps his promise to Fiona and tells Shrek that she was talking about someone else. He accepts Shrek's apology and tells him that Fiona will be getting married soon, urging Shrek into action to gain Fiona's love. They travel to Duloc quickly, thanks to Dragon, who had escaped her confines and followed Donkey.
Shrek interrupts the wedding before Farquaad can kiss Fiona. He tells her that Farquaad is not her true love and only marrying her to become king. The sun sets, which turns Fiona into an ogre in front of everyone in the church, causing a surprised Shrek to fully understand what he overheard. Outraged by Fiona, Farquaad orders Shrek killed and Fiona detained. Shrek whistles for Dragon who bursts in along with Donkey and devours Farquaad. Shrek and Fiona profess their love and share a kiss; Fiona is bathed in light as her curse is broken but is surprised that she is still an ogre, as she thought she would become beautiful, to which Shrek replies that she is beautiful. They marry in the swamp and leave on their honeymoon while the rest celebrate by singing "I'm a Believer".

Answer: Who carries Donkey into her chambers?


Question:  In 1815, French prisoner Jean Valjean is released on parole from Toulon prison after serving nineteen years for stealing a loaf of bread and trying to escape multiple times. On the outside, Valjean s paroled status prevents him from getting work. He is offered shelter by the kindly Bishop of Digne, but Valjean steals his silverware. Captured by police and taken to the Bishop, Valjean is shocked when the Bishop says he gave him the silver, telling him to use it to do something worthwhile with his life. Valjean breaks his parole to start a new life.
Eight years later, Valjean is factory owner and mayor of Montreuil, Pas-de-Calais. He is shocked when a Toulon prison guard Javert arrives as his new chief of police. Javert suspects Valjean s identity when he rescues an injured worker trapped under a heavy cart. One of Valjean s workers, Fantine, is dismissed by the factory foreman upon learning she is sending her earnings to her illegitimate daughter Cosette, who lives with the greedy innkeepers, the Th nardiers. To support her daughter, Fantine becomes a prostitute but is arrested by Javert when she attacks an abusive customer. Valjean, learning who she is, has her hospitalised.
Valjean learns a man has been wrongly identified as him, and reveals his true identity to a court before returning to the dying Fantine, promising to care for Cosette. Javert arrives but Valjean escapes, finding Cosette and pays Fantine s debts to the Th nardiers. Valjean and Cosette flee Javert, hiding in a convent, aided by the worker Valjean rescued before. Nine years later, Valjean has become a philanthropist and helps the poor in Paris. General Lamarque, the only government official sympathetic to the poor, dies, and a group of revolutionists called the Friends of the ABC plot to rebel against the monarchy. Marius Pontmercy, a member of the Friends, encounters Cosette and they fall in love, asking  ponine, the Th nardiers  daughter to help find her.
After Marius and Cosette meet and confess their love,  ponine prevents her father from robbing Valjean s house. Valjean, believing Javert is near, makes plans to flee to England with Cosette. Cosette writes a letter for Marius, but  ponine hides it, intending on dying with Marius during the rebellion. During Lamarque s funeral procession, the revolt begins and barricades are built across Paris. Javert pretends to be an ally to spy on the rebels but the street urchin Gavroche exposes him as a policeman. During the first skirmish against the soldiers,  ponine takes a bullet for Marius and dies in his arms, giving him Cosette s letter and confesses to him beforehand. Gavroche takes Marius  reply to Valjean, who joins the revolution to guard Marius.
Valjean offers to execute Javert but actually releases him, faking his death. By dawn, the soldiers are close to ending the revolution, storming the students  barricade and killing everyone save Marius and Valjean, who escape into the sewers. Th nardier comes across Valjean and the unconscious Marius, stealing the latter s ring, before pointing a way out. Valjean finds Javert waiting for him, ignoring his nemesis  threats. Javert, morally confused by the mercy of Valjean, commits suicide by throwing himself in the Seine. Marius recovers but is traumatised by the death of his friends.
Marius and Cosette plan to marry but Valjean, concerned his presence would threaten their happiness, makes plans to leave and reveals his identity to Marius, who promises to remain silent. Cosette and Marius marry but the Th nardiers crash the wedding to try and blackmail Marius, Th nardier saying he witnessed Valjean carrying a murdered corpse and produces the stolen ring. Marius assaults Th nardier who reveals Valjean is at the convent. The dying Valjean reunites with Cosette and Marius, giving them letters of confession, before peacefully dying, guided away by Fantine and the Bishop s spirits.

Answer: Which year was Jean Valjean released on parole?


Question:  Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his prot g  John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations.

Answer:
How long has the edition been out of print?