In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
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Question: Review: I'd never seen an independent movie and I was really impressed by the writing, acting and cinematography of Jake's Closet. The emotions were very real and intense showing, through a child's eyes, the harsh impact of divorce.A definite see!I'd never seen an independent movie and I was really impressed by the writing, acting and cinematography of Jake's Closet. The emotions were very real and intense showing, through a child's eyes, the harsh impact of divorce.A definite see! Question: is it a positive review?

Answer: yes


Question: Review: Let me start by stating that I usually do like Renny Harlin's directing style, for the most part, and that the cinematographer should be commended for some the shots. Unlike Harlin's "Elm Street 4", and "Die Hard 2" which I really liked, there is something that is missing from this movie. That, my friends, is a script. The dialogue in movies like this is always pretty awful, but this one takes the gold medal for stupidity. There are so many awful lines in this movie, I don't even want to have to remember any of them. Not just that but the execution of the lines is pathetic and seems more suited toward a bad porn movie than an action adventure. It's almost like Harlin thought that if they slowed down the words being said, they could improve the script. Wrong again.The sad part is that there is some talented actors thrown into bad roles with worse dialogue. Stallone has never been a favorite of mine, but when he is acting circles around Lithgow, Turner, and the worst of the bunch Rooker, there is something wrong with this picture. Lithgow played one of the best villains in "Ricochet", yet comes across as someone who can't act to save his life here. How is that possible? I've always been a huge fan of his and he gets schooled in acting by Stallone, who himself still phoned-in his performance. Turner's part is so small and pointless, but she still manages to appear lost on screen. Michael Rooker CAN act. I know this because I have witnessed it in "Days of Thunder", but he seems like he is READING his lines from cue cards. Has it come to this? When Rooker and Lithgow have scenes together where they are speaking, I just wanted the movie to end right there, or have them both amazingly find their acting ability. Unfortunately, neither of those things occurred.Which brings me back to Harlin, who can be the only one to really blame for this mess other than the screenwriters. It's his fault that I was never drawn into this movie at all, because he should have made the people actually act. The script is not very good, but still the actors' performances are what destroys this movie and that has to lie with the director. I don't care how much was paid for the special effects, which for the most part are good, you still can't just sacrifice the movie with terrible acting. Plus, the pacing of this movie seems to be off. The opening sequence was good and the plane scene was very well done, but how are you supposed to care about the outcome of the heist at all. I mean I understand that they were trying to create tension with all of the bells and whistles of the plane scene, but I really didn't care if they got the money or not in that scene. If the bad guy's would have won early, maybe I wouldn't have had to witness one of the worst movies ever! Question: is it a positive review?

Answer: no


Question: Review: RKO had a reputation for making folksy, homespun pieces of Americana.Anne Shirley (as Dawn O'Day) had been in films since she was a toddler. By 1933 she was in limbo - having played Ann Dvorak as a child in "Three on a Match" (1932) and a "flower girl" in both "This Side of Heaven" and "The Key" both in 1934. George Nicholls Jnr remembered Anne's work from a previous film and that's how she got this part. She also adopted Anne Shirley as her stage name. The memorable stories are there - Lady of Shallot in a leaky boat, the "stolen" brooch, the "red hair" incident. Anne was so right for the role of the chatty, heartwarming orphan. She was heartbreaking in her intensity, her eagerness to please and also her fiery temper. O.P. Heggie was wonderful as the understanding Matthew Cuthbert and Helen Westley was fine as the firm Marilla. Tom Brown was an excellent Gilbert Blythe. Gertrude Messinger, who had also been in films as a small child was fine as Diana Barry. Sara Haden proved she could play someone other than Aunt Millie in the Andy Hardy series, was Mrs. Barry. Question: is it a negative review?

Answer:
no