In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

[Q]: Context_1 : The genus "Tacca", which includes the batflowers and arrowroot, consists of flowering plants in the order Dioscoreales, native to tropical regions of South America, Africa, Australia, Southeast Asia, and various oceanic islands. In older texts, the genus was treated in its own family Taccaceae, but the 2003 APG II system incorporates it into the family Dioscoreaceae. The APG III and APG IV systems continue to include "Tacca" in Dioscoreaceae. Context_2 : Sparassodonta is an extinct order of carnivorous metatherian mammals native to South America. They were once considered to be true marsupials, but are now thought to be either a sister taxon to them, or considerably distantly related, part of a separate clade of Gondwanan metatherians. A number of these mammalian predators closely resemble placental predators that evolved separately on other continents, and are cited frequently as examples of convergent evolution. They were first described by Florentino Ameghino, from fossils found in the Santa Cruz beds of Patagonia. Sparassodonts were present throughout South America's long period of "splendid isolation" during the Cenozoic; during this time they shared the niches for large warm-blooded predators with the flightless terror birds. Previously, it was thought that these mammals died out in the face of competition from "more competitive" placental carnivorans during the Pliocene Great American Interchange, but more recent research has showed that sparassodonts died out long before eutherian carnivores arrived in South America (aside from procyonids). Context_3 : A grison, also known as a South American wolverine, is any mustelid in the genus Galictis. Native to Central and South America, the genus contains two extant species: the greater grison ("Galictis vittata"), which is found widely in South America, through Central America to southern Mexico; and the lesser grison ("Galictis cuja"), which is restricted to the southern half of South America. In Spanish it is referred to as a "huroncito" (literally "little ferret") or "grisón" and in Portuguese as a "furão". Context_4 : This is a list of the native wild mammal species recorded in South America. South America's terrestrial mammals fall into three distinct groups. The marsupials and xenarthrans are 'old-timers', their ancestors having been present on the continent since at least the very early Cenozoic Era. During the early Cenozoic, South America's only land connection was to Antarctica, so it was effectively cut off from most of the world; as the fragments of Gondwana continued to separate, this connection was lost, leaving South America an island continent. Caviomorph rodents and monkeys arrived as 'waif dispersers' by rafting across the Atlantic from Africa in the Eocene epoch, 35 million or more years ago. All the remaining nonflying mammals of South America are recent arrivals, having migrated from North America via Central America during the past seven million years as part of the Great American Interchange; this invasion, which peaked around three million years ago, was made possible when the formation of the volcanic Isthmus of Panama bridged North and South America. The newcomers out-competed and drove to extinction many unique mammals that had evolved during South America's long period of isolation, as well as some species from other classes (e.g., terror birds). Context_5 : Invasive species are a serious threat to the native biodiversity of South America and are an ongoing cost to South American agriculture. South America is an important region for the worlds biodiversity, and includes a wide variety of native species, many of which provide . Introduced species in South America, have the potential to pose harm to ecosystems of the region and the aforementioned biodiversity. Although many of these non-native species are invasive, residents of the region often value these species, making it more difficult to organize efforts to get rid of them. Because of the instrumental and cultural value placed on these species, greater awareness, research, and policy are all necessary steps in solving invasive issues in South America. Here is a list of just a few of the species that have invaded South America and where they originate. Context_6 : Alternanthera philoxeroides, commonly referred to as alligator weed, is a native species to the temperate regions of South America, which includes Argentina, Brazil, Paraguay and Uruguay. Argentina alone, hosts around 27 species that fall within the range of the genus Alternanthera. Its geographic range once used to cover only the Parana River region of South America, but it has since expanded to cover over 30 countries, such as the United States, New Zealand, China and many more. This invasive species is believed to have been accidentally introduced to these non-native regions through sediments trapped/attached to tanks and cargo of ships travelling from South America to these various areas. Context_7 : Nops is a genus of medium-sized caponiid spider native to South America, Central America, and the Caribbean islands. The genus currently counts 27 extant species plus one fossil in Dominican amber, but probably the real number of extant species is greater. "Nops" have a great richness on the Caribbean islands (14 species). Even species of Central America (4) and South America (15) are located in high proportion toward the area of the Caribbean Sea. Most species of South America are known only from the coast of Colombia and Venezuela, including the islands of Aruba, Curaçao, Bonaire and Trinidad. The genus is not revised yet, but apparently have a Neotropical distribution. Context_8 : Zenobia, called honeycup, is a North American genus of shrubs in the heath family. Context_9 : The arapaima, pirarucu, or paiche are any large species of bonytongue in the genus Arapaima native to the Amazon and Essequibo basins of South America. Genus "Arapaima" is the type genus of the family Arapaimidae. They are among the world's largest freshwater fish, reaching as much as 3 m . They are an important food fish. They have declined in the native range due to overfishing and habitat loss. In contrast, arapaima have been introduced to several tropical regions outside the native range (within South America and elsewhere) where they are sometimes considered invasive species. Its local name, "pirarucu", derives from the indigenous words for "pira" meaning "fish" and "urucum" meaning "red". Context_10 : Thysania zenobia, the Owl moth, is a species of moth in the Erebidae family. The species was first described by Cramer in 1776, and is native to North and South America and the Caribbean. fact_1 : The genus "Tacca", which includes the batflowers and arrowroot, consists of flowering plants in the order Dioscoreales, native to tropical regions of South America, Africa, Australia, Southeast Asia, and various oceanic islands. fact_2 : Zenobia, called honeycup, is a North American genus of shrubs in the heath family. Question: the Tacca and the Zenobia are both native to South America?
[A]: no


[Q]: Context_1 : Antonín Dvořák's Symphonic Variations on the Theme “I am a fiddler” (Czech: Symfonické variace z písně „Já jsem huslař“ ) for orchestra, Op. 78, B. 70, were written in 1877. They are played fairly commonly, much like Johannes Brahms's "Variations on a Theme by Haydn" and Edward Elgar's "Enigma Variations". They are often recorded in conjunction with his nine symphonies. Context_2 : The Enigma Variations is a compilation album of newer artists (in 1985) that were on Enigma Records or one of its subsidiaries. It was originally released as a double LP and cassette, but was then subsequently also released as a CD with a reduced number of tracks. The album was compiled by Steve Pross and William Hein. The Greek pressing of the album (on Virgin Records) was issued as a single LP. Context_3 : Edward Elgar's Enigma Variations has received more than sixty recordings since the first version, recorded under the baton of the composer in 1924. The first two recordings were made by the old acoustic process. Following the introduction of the microphone and electrical recording in 1925, Elgar re-recorded the work, taking advantage of the greatly increased realism of the new process. New recordings of the Variations were later made following the introduction of the long playing record in the early 1950s, and after the introduction of stereophonic recording towards the end of the decade. Details of the recordings, below, are taken from "The Gramophone" Context_4 : Pageant of Empire is the title given to a set of songs, to words by Alfred Noyes, written by the English composer Sir Edward Elgar and given important positions in the Pageant of Empire at the British Empire Exhibition at Wembley Park. Context_5 : Sir Edward William Elgar, 1st Baronet (2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the "Enigma Variations", the "Pomp and Circumstance Marches", concertos for violin and cello, and two symphonies. He also composed choral works, including "The Dream of Gerontius", chamber music and songs. He was appointed Master of the King's Musick in 1924. Context_6 : Futureperfect is the fourth studio album by futurepop band VNV Nation. It was released in Europe on January 28, 2002 and on March 5, 2002 in the United States. It was the first VNV Nation release to be created/produced entirely using software synthesizers. The opening track 'Foreword' samples the Enigma Variations, part IX (Nimrod). Context_7 : "The Globalist" is a song by English rock band Muse, and the eleventh track from the band's seventh studio album "Drones". An apocalyptic song, it serves as a sequel to "Citizen Erased". Part of this song contains music based on "Nimrod" from "Enigma Variations", composed by Edward Elgar. The song follows "Aftermath", which centers on the album's protagonist discovering love. Matt Bellamy has said that the album's negative stories, "The Globalist" and "Drones", serve as epilogue. At ten minutes and seven seconds, it is the second longest song in Muse's discography, after "". Context_8 : Julius Buths (7 May 185112 March 1920) was a German pianist, conductor and minor composer. He was particularly notable in his early championing of the works of Edward Elgar in Germany. He conducted the continental European premieres of both the "Enigma Variations" and "The Dream of Gerontius". He also had notable associations with Frederick Delius and Gustav Mahler. Context_9 : Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme. Context_10 : Enigma Variations (My Friends Pictured Within) is a one-act ballet by Frederick Ashton, to the music of the Variations on an Original Theme for orchestra ("Enigma"), Op. 36 by Edward Elgar. The work was first given by the Royal Ballet at the Royal Opera House, Covent Garden, London on 25 October 1968. It has been revived in every subsequent decade. fact_1 : Pageant of Empire is the title given to a set of songs, to words by Alfred Noyes, written by the English composer Sir Edward Elgar and given important positions in the Pageant of Empire at the British Empire Exhibition at Wembley Park. fact_2 :  Among his best-known compositions are orchestral works including the "Enigma Variations", the "Pomp and Circumstance Marches", concertos for violin and cello, and two symphonies. Question: What composer wrote the Pageant of Empire and Enigma Variations?
[A]: Edward Elgar


[Q]: Context_1 : Miles Ahead is an album by Miles Davis that was released in 1957 by Columbia Records. It was Davis' first collaboration with arranger Gil Evans following the "Birth of the Cool" sessions. Along with their subsequent collaborations "Porgy and Bess" (1959) and "Sketches of Spain" (1960), "Miles Ahead" is one of the most famous recordings of Third Stream, a fusion of jazz, European classical, and world musics. Davis played flugelhorn throughout. Context_2 : Porgy and Bess is an English-language opera by the American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Heyward's play "Porgy", itself an adaptation of his 1925 novel of the same name. Context_3 : Dorothy Jean Dandridge (November 9, 1922 – September 8, 1965) was an American film and theatre actress, singer, and dancer. She is perhaps best known for being the first African-American actress to be nominated for an Academy Award for Best Actress for her performance in the 1954 film "Carmen Jones". Dandridge performed as a vocalist in venues such as the Cotton Club and the Apollo Theater. During her early career, she performed as a part of The Wonder Children, later The Dandridge Sisters, and appeared in a succession of films, usually in uncredited roles. In 1959 she was nominated for a Golden Globe Award for "Porgy and Bess". She is the subject of the 1999 HBO biographical film, "Introducing Dorothy Dandridge". She has been recognized with a star on the Hollywood Walk of Fame. Dandridge was married and divorced twice, first to dancer Harold Nicholas (the father of her daughter, Harolyn Suzanne) and then to hotel owner Jack Denison. Dandridge died under mysterious circumstances at age 42. Context_4 : Edouard Lippé (May 24, 1884 in Pennsylvania – 1956) also frequently spelt Eduardo Lippe. American composer, baritone and singing teacher. His major title to fame nowadays rests on the fact that he was baritone Nelson Eddy's first and principal teacher, apparently even financing his pupil's finishing studies in Paris and Dresden. Lippé followed Eddy to Hollywood, where he appeared in the small role of the Landlord in the 1935 film version of Victor Herbert's "Naughty Marietta". He was also the singing teacher of Todd Duncan, George Gershwin's personal choice for Porgy at the world première of "Porgy and Bess", and one of the first African-American opera singers of renown. Dr. Lippe, as he was also known, also gave lessons to another lesser known but gifted young singer by the name of Victor Marchese who went on to record with MGM records - see Flamingo. Lippé wrote many songs, including a particularly graceful setting of Elizabeth Barrett Browning's "How Do I Love Thee?" included by Arleen Augér in a 1986 recital of love songs. Context_5 : Edgar "Buddy" Freitag (1932 – May 30, 2012) was an American Broadway theatre producer, especially from 2007 to 2012. Freitag produced numerous Broadway musicals and shows in partnership with his wife, producer Barbara Freitag. His most recent credits included the 2011 Broadway revival of "Porgy and Bess", "Nice Work If You Can Get It" in 2012, "End of the Rainbow" in 2012, and Memphis in 2009. Context_6 : Robert Mosley (1927 – April 30, 2002) was an American operatic bass-baritone. Part of the first generation of African-American opera singers to achieve wide success, he performed in numerous opera productions, recitals, and in concerts from the 1950s through the 1990s. In 1957 he won the Metropolitan Opera National Council Auditions. He drew particular acclaim for his portrayal of Porgy in George Gershwin's "Porgy and Bess", a role which he portrayed in the landmark 1976 Houston Grand Opera production, on Broadway, and at the Metropolitan Opera among other opera companies both in the United States and in Europe. Context_7 : Porgy and Bess (2006), first studio cast recording directly based on the original 1935 production of George Gershwin's opera Porgy and Bess. This studio recording originated as several semi-staged performances which took place on February 24 and 25, 2006 at the Tennessee Performing Arts Center in Nashville, with Alvy Powell as Porgy, Marquita Lister as Bess, Nicole Cabell as Clara and Robert Mack as Sportin' Life. The Nashville Symphony Orchestra was conducted by John Mauceri. The recording incorporates changes Gershwin made to his original score after its first publication, which were not discovered until 1987. Context_8 : Hope Clarke (born March 23, 1941) is an American actress, dancer, vocalist, choreographer, and director. Clarke performed as principal dancer with the Katherine Dunham Company and the Alvin Ailey American Dance Theater, 1960s; actress on stage, film, and television, 1970s–1980s; choreographer and director, 1980s--. Clarke served on the Tony Awards Nominating Committee for the 2011–12 Broadway season. Clarke made history in 1995 when she became the first African American, as well as the first African-American woman, to direct and choreograph a major staging of the opera-musical "Porgy and Bess". Clarke's production of the George Gershwin classic was staged in celebration of the work's 60h anniversary, and it toured not only major American cities but Japan and Europe as well. Clarke drew critical acclaim for her commitment to staging the show as a monument to African-American community and pride, giving a more hopeful, positive aura to a story that has been criticized for its stereotypes. As for the director herself, the success of "Porgy and Bess" is just the latest accolade in a long career devoted to dance and drama. Context_9 : Arranged by Gershwin's good friend and sometimes assistant Robert Russell Bennett in 1942, Porgy and Bess: A Symphonic Picture includes most of the best-known songs from the Gershwin opera "Porgy and Bess", although not exactly in the order of their appearance. Though the Symphonic Picture is sometimes dismissed as a sequence of the opera's "greatest hits," the first well-known melody, "Summertime," is not heard until nearly seven minutes into the work. While some of the more esoteric parts of the opera are absent, much of the catchier tunes can be heard only in this suite and not in others, as Gershwin neglected to include them in his "Catfish Row Suite", which tended to highlight the more cerebral elements of the work. Context_10 : Norma (] ) is a "tragedia lirica" or opera in two acts by Vincenzo Bellini with libretto by Felice Romani after "Norma, ou L'infanticide" ("Norma, or The Infanticide") by Alexandre Soumet. It was first produced at La Scala in Milan on 26 December 1831. fact_1 :  It was adapted from Heyward's play "Porgy", itself an adaptation of his 1925 novel of the same name. fact_2 : Norma (] ) is a "tragedia lirica" or opera in two acts by Vincenzo Bellini with libretto by Felice Romani after "Norma, ou L'infanticide" ("Norma, or The Infanticide") by Alexandre Soumet. fact_3 :  It was first produced at La Scala in Milan on 26 December 1831. Question: Of "Porgy and Bess" and "Norma", which was produced first?
[A]:
Norma