You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Input: Consider Input:  The bulk of Our Southern Highlanders is based on observations Kephart made while at Hazel Creek (1904 1907), although several chapters added in 1922 were based on events that occurred later when Kephart lived in Bryson City. Chapters 9 ("The Snake-Stick Man") and 10 ("A Raid into the Sugarlands") were based on events that occurred in 1919. Chapter 11 ("The Killing of Hol Rose") was based on events that occurred in late 1920.
Chapter I, "Something Hidden; Go and Find It," discusses the remoteness and ruggedness of the Southern Appalachian Mountains, the lack of realistic literature regarding its inhabitants, and gives a brief history of the region.
Chapter II, "The Back of Beyond," gives a description of Medlin and discusses how the mountaineers have adapted to their environment, the difficulties in farming the rugged terrain, and grazing in the highland meadows.
Chapter III, "The Great Smoky Mountains," discusses the topography, geology, wildlife and plant life of the Great Smokies range. Kephart also relates a story by a "Mr. and Mrs. Ferris" who ventured across the nearly-impassable crest of the central and eastern Smokies to Mount Guyot in search of plant specimens. He also discusses the harshness of the highland meadows, and recounts a story of 17 cattle freezing to death at Silers Meadow.
Chapter IV, "A Bear Hunt in the Smokies," recounts a bear hunt undertaken by Kephart and several Hazel Creek natives. The party includes Granville Calhoun, a Bone Valley resident named Bill Cope ("the hunchback"), John Baker "Little John" Cable, Jr. (1855 1939), Matt Hyde, and Andrew Jackson "Doc" Jones (1851 1935). The chapter begins at Hall cabin amidst a windstorm and ends with the successful killing of a bear. This chapter contains one of the earliest references to the Appalachian folk song Cumberland Gap.
Chapter V, "Moonshine Land," discusses Kephart's initial curiosity about moonshining, and recounts one mountaineer's justification for the practice.
Chapter VI, "Ways That Are Dark," continues Kephart's discussion of moonshining, particularly how it is made in Southern Appalachia, the typical size and settings of stills, etc.
Chapter VII, "A Leaf from the Past," traces the roots of moonshining to the British Isles, and explains how the practice made its way to Southern Appalachia.
Chapter VIII, "Blockaders and the Revenue," discusses the ongoing conflict between moonshiners and federal revenue agents.
Chapter IX, "The Snake-Stick Man," tells the story of a federal revenue agent whom Kephart calls "Mr. Quick" (an alias). Quick, who has a hobby of carving sticks into the form of snakes, has a polymathic expertise that Kephart finds most impressive. He is in the area to investigate illegal liquor sales at the nearby Cherokee Reservation.
Chapter X, "A Raid into the Sugarlands," recounts a manhunt led by "Mr. Quick" into the Sugarlands, a remote valley south of Gatlinburg on the Tennessee side of the Smokies. The chapter includes an anachronistic story about a mountaineer named "Jasper Fenn" (based on a real-life Sugarlander named Davis Bracken, who lived near what is now the Chimneys Campground) who claimed to have read a copy of Our Southern Highlanders given to him by the Pi Beta Phi settlement school in Gatlinburg.
Chapter XI, "The Killing of Hol Rose," recounts the killing of revenuer James Holland "Hol" Rose by J.E. "Babe" Burnett and Burnett's subsequent trial.
Chapter XII, "The Outlander and the Native," discusses the mountaineers' attitudes toward outsiders.
Chapter XIII, "The People of the Hills," describes the mountaineers' typical physical traits, work ethic, their ability to endure harsh conditions, and their general preference for mountain life over urban life.
Chapter XIV, "The Land of Do Without," discusses the mountaineers' homelife, their manner of dress, the prevalence of poverty and the mountaineers' scorn of charity.
Chapter XV, "Home Folks and Neighbor People," discusses gender and family roles, religion and funerary rights, music and dancing, and Christmas and New Years Day customs among the mountain people.
Chapter XVI, "The Mountain Dialect," discusses mountain speech. Kephart's observations in this chapter mark one of the first serious analyses of the Southern Appalachian dialect, and one of the first to label it a distinct dialect rather than merely the speech habits of the uneducated. While Kephart overemphasizes archaic "Elizabethan" traits in the dialect, linguists acknowledge his keen observations and painstaking scholarship in this analysis.
Chapter XVII, "The Law of the Wilderness," discusses the mountaineers' penchant for self-reliance and individualism, the importance of family bonds, and attitudes toward government.
Chapter XVIII, "The Blood-Feud," discusses Appalachian clan feuding, its typical causes, and how it compares to other cultural clan feuds, such as Corsican vendettas.
Chapter XIV, "Who Are the Mountaineers?", traces the Scotch-Irish roots and migration patterns of the Southern Appalachian mountaineers, and emphasizes that the Appalachian culture is a distinct culture spread across the highlands of several states.
Chapter XX, "When the Sleeper Awakes," discusses how encroaching commercialism and modernity, brought to the region by logging firms and other corporations, threatened to erode the mountain culture.

Output: Who primarily settled in the Appalachian Mountains?


Input: Consider Input:  In an unnamed American city, soon-to-be-retiring detective William Somerset (Freeman) is partnered with short-tempered but idealistic David Mills (Pitt), who recently transferred to the department, moving to the city with his wife Tracy (Paltrow). Mills introduces Somerset to Tracy, after which Somerset becomes her confidant. Tracy is unhappy with the city and feels it is no place to raise a child. She discloses to Somerset that she is pregnant and has yet to inform her husband. Somerset sympathizes with her, having a similar situation with his ex-girlfriend many years earlier, and advises her to tell Mills only if she plans on keeping the child.
Somerset and Mills investigate a pair of murders. The first victim is an obese man forced to eat until his stomach ruptured. The second was a wealthy defense attorney who died from both fatal bloodletting and the removal of a pound of flesh. At each crime scene, the murderer leaves behind clues for the detectives, including a single word: gluttony at the obese man's home and greed at the attorney's office. Somerset recognizes them as part of the seven deadly sins and realizes the murders are related. Other clues lead them to a possible perpetrator's apartment. There, they find another victim, a known drug dealer and child molester, strapped to a bed, barely alive and emaciated, with a series of pictures indicating he had been tied to the bed for an entire year. The word sloth is scrawled on the wall. The photos also indicate the killer has been planning these deaths for some time.
Somerset and Mills identify a man named John Doe (Spacey), who has checked out several library books on the deadly sins. Doe flees when they go to his apartment, and Mills gives chase. Doe eventually corners Mills and holds him at gunpoint, but after a few moments, turns and escapes. At Doe's apartment, they find hundreds of handwritten journals showing Doe's apparent psychopathy, and clues leading to a fourth victim. They arrive too late to prevent the death of the victim, a prostitute killed by an unwilling man forced by Doe to wear a bladed S&M phallic device on his genitals and to rape and kill her while severely traumatizing him. They find lust written on the door. They are alerted to their next victim, an attractive young woman, presumably a model, whose face has been mutilated by Doe; she was given the option to call for help and be disfigured, or to commit suicide by taking pills. She chooses suicide. The word pride is written on her wall.
Shortly after, as Somerset and Mills return to the police station, they are approached by a man covered in blood, surrendering himself. Mills recognizes him as Doe and arrests him. They discover Doe has been removing the skin on his fingers to avoid leaving behind prints; the blood on him is from a yet-to-be-identified victim. Doe, through his lawyer, advises there are two more victims and offers to take the detectives to them and confess to all the murders, but only under very specific terms, or he will otherwise plead insanity. Somerset is wary, but Mills agrees.
The two detectives, following Doe's directions, drive him to a remote desert location. Within minutes, a delivery van approaches them. Mills holds Doe at gunpoint while Somerset goes to intercept the driver, who had been instructed to bring a box to them. As Somerset recovers the box and sends the driver away, Doe begins telling Mills about how jealous he is of Mills' life and marriage to Tracy, antagonizing Mills. Somerset opens the box, and in horror, tells Mills to stay back and not listen to Doe. Doe continues to taunt Mills as Mills frantically asks what is in the box. Doe reveals that he was so jealous of Mills, he killed Tracy, her death being a result of his envy, and that her head is in the box. Doe tries to goad Mills into vengeance, to become wrath and shoot him. Somerset desperately tries to convince Mills not to shoot Doe, but then Doe reveals that Tracy was pregnant. The revelation is too much for Mills and he shoots Doe, six times. Doe's death completes the seven sins. Police converge and take a devastated Mills away. The police captain reassures Somerset that Mills will be taken care of. When asked by the Police Captain where he will be, Somerset hints that he will not retire.

Output: What does Doe reveal to Mills about Tracy?


Input: Consider Input:  During a train ride, Pozdnyshev overhears a conversation concerning marriage, divorce and love. When a woman argues that marriage should not be arranged but based on true love, he asks "what is love?" and points out that, if understood as an exclusive preference for one person, it often passes quickly. Convention dictates that two married people stay together, and initial love can quickly turn into hatred. He then relates how he used to visit prostitutes when he was young, and complains that women's dresses are designed to arouse men's desires. He further states that women will never enjoy equal rights to men as long as men view them as objects of desire, yet describes their situation as a form of power over men, mentioning how much of society is geared towards their pleasure and well-being and how much sway they have over men's actions.
After he meets and marries his wife, periods of passionate love and vicious fights alternate. She bears five children, and then receives contraceptives: "The last excuse for our swinish life -- children -- was then taken away, and life became viler than ever." His wife takes a liking to a violinist, Troukhatchevsky, and the two perform Beethoven's Kreutzer Sonata (Sonata No. 9 in A Major for piano and violin, Op. 47) together. Pozdnyshev complains that some music is powerful enough to change one's internal state to a foreign one. He hides his raging jealousy and goes on a trip, returns early, finds Troukhatchevsky and his wife together and kills his wife with a dagger. The violinist escapes: "I wanted to run after him, but remembered that it is ridiculous to run after one's wife's lover in one's socks; and I did not wish to be ridiculous but terrible."
Later acquitted of murder in light of his wife's apparent adultery, Pozdnyshev rides the trains seeking forgiveness from fellow passengers.


Output: How many children did the main character and his wife have?