In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

[Q]: The greatest games of Kasparov or Fischer can be a mess for a total rookie. This is a great movie. There is no special agency involved in the plot. This is the clue! This is a PRIVATE plot, built as a PRIVATE enterprise. This is a self-destructive and a self organized plot. As a conclusion, the scenario described the perfect professional plot: private, self organized, self-destructive, with no trace at the end. Anyone can be behind the plot: a smart "director" with some money. All can be done just by delegation. The "director" must be just trigger. If the normal viewer cannot see the essence of the plot in the explicit sequences of the movie, a real plot has fewer chances to be discovered. All the actors' performances are well done , with some special mention for Gene Hackman and Mickey Rooney.
[A]: positive


[Q]: THE TEMP (1993) didn't do much theatrical business, but here's the direct-to-video rip-off you didn't want, anyway! Ellen Bradford (Mel Harris) is the new woman at Millennium Investments, a high scale brokerage firm, who starts getting helpful hints from wide-eyed secretary Deidre (Sheila Kelley). Deidre turns out to be an ambitious daddy's girl who will stop at nothing to move up the corporate ladder, including screwing a top broker she can't stand and murdering anyone who gets on her bad side. She digs up skeletons in Ellen's closet, tries to cause problems with her husband (Barry Bostwick), kills while making it look like she is responsible, kidnaps her daughter and tries to get her to embezzle money from the company.Harris and Kelley deliver competent performances, the supporting cast is alright and it's reasonably well put-together, but that doesn't fully compensate for a script that travels down a well-worn path and offers few surprises.
[A]: negative


[Q]: I'm not a big fan of slasher flicks as a genre, but even by the standards of low-low-budget exploitation, this one is really lame. Even on a nudity-and-gore level, it's incredibly boring (there is some of both, but it's all sort of...meh). Before the home video revolution, it might not even have been released theatrically (though it might have; after all, *Plan 9 From Outer Space* played in theaters). There is precisely one good (and competently-delivered) line in the entire movie; I assume they stole it from somewhere.The acting is among the worst I have ever seen. I mean, even Ed Wood had a couple of competent actors, and the rest tended to be ludicrously hammy, which can be fun to watch. Anyway, most of his actors could pretty much pass as literate. Here, those who don't read their lines like cigar-store Indians sound like they learned them phonetically. And this film does have one distinction: it manages to be badly underplotted for most of the movie, then laughably overplotted for the ending.(Update: I should have singled out the actress playing the receptionist as an exception. She is by no means wooden. Not that she's good, but she certainly isn't wooden.)Even the worst slasher flicks are generally good for a few Puritan meditations on their grotesque offensiveness, but with this one, there doesn't even seem to be anything there to work up a moral outrage about.And you know the funniest thing? They clearly expected to make a sequel!It's so bad and boring that it actually becomes fascinating in a weird way. I sat enrapt through much of the video wondering why anyone would go to the bother of making it.
[A]:
negative