In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Passage: The NSWCA appealed to Lord Harris, and in reply he said he did not blame them or the cricketers of Sydney in any way, but said that "it [the riot] was an occurrence it was impossible he could forget".
On 11 February, one day after the conclusion of the match and three days after the riot, Harris wrote a letter to one of his friends about the disturbance. It was clear that he intended the letter to be printed in the press, and it appeared in full in The Daily Telegraph on 1 April, among other London newspapers, reigniting the furore. Wisden Cricketers' Almanack considered the incident of such significance that it reprinted the whole correspondence. The letter gives a detailed contemporary account of what Lord Harris thought about the riot.Lord Harris referred to the crowd as a "howling mob" and said "I have seen no reason as yet to change my opinion of Coulthard's qualities, or to regret his engagement, in which opinion I am joined by the whole team". He further added that "Beyond slyly kicking me once or twice the mob behaved very well, their one cry being, 'Change your umpire'. And now for the cause of this disturbance, not unexpected, I may say, by us, for we have heard accounts of former matches played by English teams." Harris further accused a New South Wales parliamentarian of assisting the gamblers in the inciting the unrest, although he did not name the accusee. He said
I blame the NSW Eleven for not objecting to Coulthard before the match began, if they had reason to suppose him incompetent to fulfil his duties. I blame the members of the association (many, of course, must be excepted) for their discourtesy and uncricket like behaviour to their guests; and I blame the committee and others of the association for ever permitting betting, but this last does not, of course, apply to our match only. I am bound to say they did all in their power to quell the disturbance. I don't think anything would have happened if A. Bannerman had been run out instead of Murdoch, but the latter, besides being a great favourite, deservedly I think, was the popular idol of the moment through having carried his bat out in the first innings.
He further accused the Australian public of being bad losers, claiming that they were sparing in their applause upon his team's victory, and were unable to appreciate skills shown by an opposing team. He summed up his feelings
To conclude, I cannot describe to you the horror we felt that such an insult should have been passed on us, and that the game we love so well, and wish to see honoured, supported, and played in an honest and manly way everywhere, should receive such desecration. I can use no milder word.
What is the full name of the person who wrote to his friend about the disturbance?

Passage: Following the seven performances on the Joshua Tree Tour, U2 did not perform "Mothers of the Disappeared" until 1998, on the fourth leg of the PopMart Tour. It was played at three concerts in Argentina and once in Chile, concluding all four shows. Bono sang "el pueblo vencerá" at the end of each performance. The first rendition was on 5 February 1998 in Buenos Aires, where it was performed with the Madres accompanying them onstage. The song was played by just Bono and the Edge and was set against footage of the Madres on the video screen. At the conclusion of the song, the band members faced the Madres and applauded, an act in which the rest of the audience joined. Part of the performance was later included on the television documentary Classic Albums: The Joshua Tree.The cost of the tickets was too high for many fans in South America, so the band broadcast the 11 February concert in Chile live on television. Knowing that many people in the country would be watching, they played "Mothers of the Disappeared" in place of "Wake Up Dead Man". The stadium in which the concert was held had been used as a prison camp by Pinochet's regime following the coup d'état. Again it was performed solely by Bono and the Edge against footage of the Madres, and they invited the women to join them onstage a second time. The Madres held up photographs of their children and spoke about them briefly during the performance, an act which received a mixed reception from the audience. Bono made a plea to Pinochet, asking him to "tell these women where are the bones of their children.""Mothers of the Disappeared" was performed again on the fourth leg of the Vertigo Tour, on 26 February 2006 in Santiago and 2 March in Buenos Aires. Although it was rehearsed by the full band, it was played only by Bono and the Edge in an arrangement similar to the one from the PopMart Tour. The Edge performed the song on a charango that Chilean President Ricardo Lagos had given to Bono earlier that day. It was played at three concerts on the third leg of the U2 360° Tour in place of "MLK". One performance in Istanbul, Turkey was dedicated to Fehmi Tosun, an ethnic Kurd who was kidnapped in October 1995 and subsequently disappeared. The abduction was witnessed by his wife and daughter; no information regarding his disappearance has ever been released.
For the first time in 30 years, a full band arrangement of "Mothers of the Disappeared" returned to U2's live set for the Joshua Tree Tour 2017, on which the group played The Joshua Tree in sequence in its entirety for each show. Eddie Vedder and Mumford & Sons accompanied U2 on-stage in a performance of the song during a 14 May 2017 show in Seattle.
What had "el pueblo vencerá" sung after each performance?

Passage: Father Michael is a New York priest with close ties to the Mafia crime syndicate — his father is a don.  The priest's brother-in-law Gino, a mafia boss, is murdered while having sex with Angela, a mistress. She narrowly escapes by hiding in a bathroom and locking the door.
Pursued by hitmen, the mistress comes to the priest for confession. She is afraid to go to the police so Father Mike agrees to meet her at her choice of location. A cab driver transports him to a loft apartment, telling him a sorrowful tale of how Angela has helped him and his wife with the grief over losing a young son. Father Mike confronts her about knowing his relationship to Gino. She denies knowing the connection. When the two encounter the hitmen, the priest is wounded and one of the hitmen recognizes Father Mike.
Angela hides in his church. She tells him it was Gino's wife who shot him. Gino is buried, and Father Mike glares across the casket at his sister Zena, having seen her with the hitmen when he was shot. He speaks to his father, who says he expects to lose at his racketeering trial and be sent to prison. The Don tells the priest that his sister wants to run the business, but he has said no since she's a woman. As they leave the cemetery, the hitman tells the Don and Zena that he recognized Michael.
Zena comes to confession and tells Father Mike that she knows of him helping the girl. The priest begins to fall in love with Angela. He meets best friend Nuzo, a detective and godson of his father. Nuzo tells him not to trust her. He tells Mike that Gino gave evidence to a rival crime syndicate, which sealed the Don's fate, in return for 5 million dollars. Nuzo tells him to sit tight while he makes an arrest, but Nuzo is gunned down, dying in Mike's arms.

What's the name of the person who goes to a priest who knew her lover?