In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Input: Consider Input: Review: Coming shortly before the imposition of a morality code darkened the spirits of writers, directors and actors, the first film adaptation of W. Somerset Maugham's "Of Human Bondage" titillated countless moviegoers. It has no shock value today, just fine acting.While the cast is excellent, this is Bette Davis's first great role and one of Leslie Howard's best performances. Howard is English wannabe Parisian artist Philip Carey who is gently and firmly told that he lacks any talent and that his dedication is no substitute for true genius. Taking the lesson to heart he returns to London and enrolls in a medical college (one, by the way, that seems to have no female students-at that time there would have been at least a few. Perhaps author/physician Maugham didn't care for distaff medicos).Having tea one day Carey is entranced by a waitress, Mildred Rogers, Bette Davis in a role as a morally loose and basically wicked farrago. Her Cockney accent is as sharp as Eliza Doolittle's. His repeated attempts to date her are greeted with the less than enthusiastic reply, "I don't mind," a sure sign for any man with his head screwed on straight that he's plumbing the depths. Maugham's Mildred supplemented her waitress tips with a bit of old fashioned street-walking, something not clearly brought out here.Carey's besotted prostration serves Rogers' avaricious need for support of the financial kind. He is desperately in love with her-she plays him as a Sunday church organist effortlessly plies her instrument. No sex here. Recognizing that he is getting nowhere, he begins a chaste relationship with Norah, a woman who adores him. Re-enter Mildred, replete with a baby, and in her usual need of being taken care of. Exit heartbroken Norah. Another separation from Mildred and Carey begins a long-term friendship with Sally, abetted enthusiastically by her dad who seems to view eventual marriage as both a good thing for the two young people and a chance to be relieved of one of his nine offspring.The movie reasonably but not entirely follows Maugham's excellent novel. Howard's Carey is naive and vulnerable and for much of the movie his sad eyes remind one of a doe facing a double-barreled shotgun. Mildred is unrestrainedly wicked, a user of the worst kind, her sole preoccupation with her own needs barely disguised when she tries to wheedle Carey with a thin patina of affectionate words (and offers-at one point she promises she'll do "anything [he] wants," a daring statement for the times and one I'm sure audiences fully understood.Pre-Code it may be but Mildred's quick-march dissolution would have satisfied the League of Catholic Decency. The ending is conventional-sin loses, principled behavior triumphs.Director John Cromwell wrought excellent performances from his two main stars, one well-established, the other established largely because of this film. The atmosphere is 1930s London and the trip back in time is worth taking.Available on DVD.9/10 (for Davis's and Howard's performances) Question: is it a positive review?

Output: yes


Input: Consider Input: Review: ****MINOR SPOILERS*** As a bad movie connoisseur I must have viewed hundreds of bad movies and yet "Hobgoblins" stands apart from all others in it's own unique way. Classic baddies such as "The Creeping Terror," "The Mighty Gorga" and "Manos" are uniformly bad from start to finish. "Hobgoblins" on the other hand, starts off bad and gets progressively worse as it goes. During my first viewing of the infamous rake fight scene I thought to myself that this was a truly bad film. I was blissfully unaware that I had just seen the best that this movie had to offer. The movie takes its most massive nosedive into celluloid hell during the painfully inept "Club Scum" sequence which is a continuous string of one unfunny joke after another. With just this one film, director Rick Sloane proves that he deserves mention alongside the likes of Coleman Francis and Bill Rebane as one of the worst directors of all time. How bad can a bad movie be? Watch "Hobgoblins" and wonder no longer. Question: is it a positive review?

Output: no


Input: Consider Input: Review: This UK psychological thriller is known in the United States as CLOSURE. Exploitation of X-Files' Gillian Anderson, who plays an attractive middle aged businesswoman of substance named Alice. She must attend a business party and invites Adam(Danny Dyer), who just installed a security system for her, to be her escort. On the way home, speeding through the woods on a narrow lane, Alice's auto collides with a deer. After pulling the wounded animal off the road, the couple is savagely attacked by a drunken gang of thugs. Adam is beat to a pulp; Alice is gang raped and both are emotionally and physically devastated by the ruthless attack. When the identities of their attackers are discovered, Alice and Adam set out to exact revenge...brutal revenge. The couple at times find themselves at odds on how to deal with the ruthless attackers. Their final decision is to avenge with no mercy. Let there be no mistake, payback IS hell. Also in the cast: Anthony Calf, Ralph Brown, Francesca Fowler and Antony Byrne. Brutal violence, disturbing images, nudity and graphic rape. Question: is it a positive review?


Output: no