In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
suicide is pointless , everyone should know that .
so what 's this movie like ?
you guessed it . .
. pointless .
the virgin suicides focuses on the lives of the five lisbon sisters , from the perspective of the teenage boys who are fascinated by them .
when the youngest lisbon sister commits suicide , it sets in motion a series of events that will change the lives of many people forever .
that 's what the press materials for the film probably say .
now here 's what i say : the virgin suicides is a huge waste of time . boring , arty , pretentious junk
that is about as entertaining as .
. .
well as committing suicide .
the movie lost me early on , immediately following the scene where the younger daughter jumps to her death from her bedroom window .
the girl 's father ( james woods ) holds her lifeless body in his arms as their horrified family looks on .
then , as the scene ends , the lawn sprinklers come on .
is that a joke ?
is that supposed to be amusing in some way ?
from then on , the movie failed to draw me back in .
performances are the only saving grace of the virgin suicides .
woods plays the only character who would actually interest me when he came onscreen , but the performance of kirsten dunst as the next youngest daughter lux is worth mentioning as well .
dunst has the potential to be a big star , if she chooses her projects well .
and while
this film is awful , she manages to come away from it virtually unscathed .
there are also a few cameos in the film here and there , which only frustrate the audience as they leave you wanting more . as a result , they all seem rather pointless
( although there 's a brief role given to michael pare from eddie and the cruisers which turns out to be his best role since . . . well since eddie and the cruisers ) . perhaps the virgin suicides would have worked had the story not been told from the point of view of people who had very little access to the main characters .
we never get any significant insight into the girls and why they might be feeling what they 're feeling .
all we really know is that mrs .
lisbon ( kathleen turner ) is strict and keeps them on a short leash .
what mother does n't ?
it 's certainly no reason to commit suicide .
with the godfather part iii , sofia coppola proved that she had no business being in front of the camera .
with the virgin suicides ,
she proves she has no business behind it either .
having family connections does n't entitle you to be allowed to make movies .
so attention film directors . .
. stop letting your daughters pout their way into the industry .
just because they share your dna does n't mean they share your talent .
[ r ]

Ex Output:
N


Ex Input:
historical epic as a genre was almost banished from hollywood in early 1990s .
for many critics , scholars and , most importantly , film producers , it was a thing of the past - something that could have attracted crowds only in the era of black - and - white television and non - cgi special effects .
but in 1995 , same as in the case of dances with wolves five years ago , there came the man who decided to use of all his energy and talents of actor , producer and director in order to revitalise that particular genre .
and , same as in the case of dances with wolves , he was awarded for his effort with " oscars " .
the name of the film was braveheart , and the name of its director and main actor was mel gibson .
the plot chronicles the life of scottish warlord and folk hero william wallace ( 1272 - 1305 ) .
in his time , english king edward i " longshanks " (
played by patrick mcgoohan ) has almost completely subdued entire british isles , including scotland , whose proud inhabitants are now subjected by " ius primae noctis " and various other forms of humiliation and oppression by english knights .
although english had killed his father many years ago , young scottish commoner william wallace ( played by mel gibson ) does n't care about politics and wants only to have peaceful life with his new bride murron ( played by catherine maccormack ) .
murron 's death changes that and wallace takes arms and , together with small but dedicated band of followers , begins guerrilla campaign that would systematically destroy almost every english garrison in the country .
through time , more and more people join his ranks and in 1298 wallace 's rag - tag army scores surprising victory against english knights in the battle of stirling bridge .
but the newly won freedom is endangered by the internal squabbles between scots themselves , especially nobles under pretender robert the bruce ( played by angus macfadyen ) , who would n't like to have a simple commoner as a national leader .
braveheart was only the second film in the directorial career by mel gibson , so it would n't be fair to compare it to the better known genre classics directed by david lean or anthony mann .
however , even when we apply such criteria braveheart is more than decent historical epic that takes new and refreshing approach to the genre .
the most noticeable element of this approach is naturalism .
while older hollywood films set in medieval europe used to give fairytale - like vision of picturesque castles , splendid costumes and knights in shining armour , gibson shows us the extremely unpleasant world of poverty and feudal injustice where might made right and life was hard , short and brutish .
this general unpleasantness is especially underlined in the scenes of battle , where hand - to - hand combat is naturalistically displayed in all its gory details , never seen since verhoeven 's ultra - naturalistic flesh & blood .
compared with this naturalistic approach , most of old hollywood epics look like stage plays .
braveheart also employs humour at the right places , not only to make bloody realities of medieval british isles more bearable to sensitive audiences , but also to underline its down - to - earth atmosphere , so different from previous historical epics .
what makes braveheart " larger than life " is his protagonist .
mel gibson obviously invested plenty of his energy and talent in bringing the mythical figure of william wallace and , as a result , character of 15th century poems is transformed into superhuman being that resembles late 20th century comic book hero .
wallace is more than superior to his enemies , both physically and mentally , yet he is able to show his sensitive , more vulnerable side .
naturally , when the character is based on epic poems , most of historical accuracy is going down the drain ( which was the case with almost every historical epic from hollywood in 1990s ) .
however , even those who do n't particularly care about history or are willing to give poetic license to scriptwriter randall wallace might think that he went over the top in idolising wallace , especially in the second part of film when scottish superhero manages to seduce princess isabel ( played by sophie marceau ) and make her a child .
because of that the disbelief is hardly suspended , and final scenes are n't as effective as they should be .
mel gibson as an actor is truly wonderful , and he is also helped by small army of very good british and irish actors .
most memorable of them all is patrick mcgoohan , whose cold , calculated and evil medieval monarch is one of the most effective villains seen in contemporary cinema .
brendan gleeson ( who would later become famous for his role in boorman 's general ) is also very good
as wallace 's trusted companion , as well as ian bannen is effective as leprosy - stricken king john balliol .
david o'harra is very entertaining as wallace 's irish ally , and angus macfadyen brings a lot of anxiety into his conscience - stricken character of robert the bruce .
women in this film have rather thankless roles , especially marceau as one - dimensional french princess .
catherine mccormack as wallace 's wife was more interesting , but she was eliminated from the picture early on .
from the technical point of view , the film is also very good .
photography by john toll brings a lot of scottish natural beauty to the screen .
on the other hand , the musical score by james horner employs too much of modern - day instruments for period piece set in medieval times .
although mostly welcomed by critics and audiences alike , braveheart was often criticised for homophobia and other forms of extreme conservatism .
the main reason for that was the fact that gibson , among many historical facts , chose to be faithful only to those related to sexual orientation of " longshank " 's son prince edward ( played by peter hanly ) .
he is not only presented as a villain , but also as one of the less competent in villain 's camp - and portraying of homosexuals as villains or inferior to heterosexuals is almost unforgivable sin in " politically correct " hollywood . to make things even more obvious , good guys in this film are the total opposite of effeminate and incompetent edward - rugged macho men of mountains who are more practical and efficient because they tend to employ conservatives ' common sense instead of fashionable theories of ivory tower liberals .
however , although the message of this film might look right - wing , it owes more to leftist ideology of various national liberation movements in 20th century .
according to that ideology , oppressed classes ( workers , peasants ) are better suited to fight for national freedom because their members has less to lose in that struggle and , as such , they are more radical , less willing to make compromises and more efficient ; on the other hand , privileged classes ( aristocracy , bourgeoisie ) are more likely to betray the cause of freedom and be in cahoots with foreign oppressors in order to keep their privileges .
this marxist worldview is presented in braveheart without any subtlety .
in the end , whether the audience is patient enough to discover hidden meanings or simply wants to enjoy entertaining historical epic , braveheart is more than adequate choice for all fans of this recently resurrected genre .

Ex Output:
P


Ex Input:
susan granger 's review of " big eden " ( jour de fete )
it 's utopia , this tiny town tucked away in the timberland of northwestern montana , where old codgers lounge on the porch of the general store to pass the time away and the local matchmakers ( nan martin , louise fletcher ) eagerly pair off the young people , regardless of sexual preference .
there 's nary a homophobe or bigot around , much to the surprise of henry hart ( arye gross ) , a successful but lonely manhattan artist who returns home to care for sam ( george coe ) , the ailing grandfather who raised him .
and with the simultaneous re - appearance of his best - friend from high - school and object of his unrequited love ( tim dekay ) , now divorced with two young sons , the fact of his homosexuality must be faced .
to complete the triangle , there 's
the tall , taciturn native american ( eric schweig ) who owns the general store and lovingly yet secretly prepares gourmet meals for henry and sam .
this fable about home and family is a major debut for first - time film - maker thomas bezucha ( a former designer for coach and polo / ralph lauren ) who is meticulous about minding details , using ballads like " welcome to my world " and " achin ' , breakin ' heart " to set up the concept of our universal longing to find a place in which we can love and be loved .
in the paradise of big eden , what you are does n't matter as much as generosity of spirit , respect and kindness .
sure , the plot 's implausible but it 's a good - natured fantasy
so allowances should be made .
and rob sweeney 's photography of glacier national park is spectacular !
on the granger movie gauge of 1 to 10 , " big eden " is a charming , quirky , off - beat
7 .
it 's a heart - warming romantic comedy about a gay man who does n't die of aids or wind up alone at the end .

Ex Output:

P