In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: stendhal 's syndrome : a condition where , in the presence of art , a person becomes engulfed in a painting and hallucinates and may afterwards suffer symptoms such as depression , suicidal behaviour and personality disorder .
grim stuff , to be sure , but the subject of a remarkable film from italy 's master of the horror thriller dario argento . boasting an unforgettable soundtrack from the grandfather of film music ennio morricone
, the stendhal syndrome is a quite magnificent return to form for argento .
it follows his disappointing american debut trauma ( 1992 ) , the patchy opera ( 1987 ) and several mediocre films he produced for young italian director michele soavi in the late 1980 's .
based on the novel by graziella magherini , the film stars argento 's daughter asia as young roman police inspector anna manni in pursuit of a brutal rapist - killer .
visiting florence to follow up several leads , she is lured by the killer alfredo ( thomas kretschmann ) to an art gallery , a favourite haunt where he hopes to identify exactly who is on his tail .
at the gallery anna is overwhelmed by a painting and faints .
posing as a bystander , alfredo briefly comes to her aid and having now identified his pursuer , a strange game of cat and mouse begins .
a gripping story evolves , and a coherent one , too , which may surprise those familiar with argento 's often lumpy narratives .
the stendhal syndrome is not a simple cop - hunting - killer scenario .
it is a disturbing and often compelling study of the central character 's psychological disintegration .
the script explores its psycho - sexual themes with intelligence and candour , perhaps too much so for more sensitive viewers .
but as dark as its themes are , the stendhal syndrome emerges as one of the most artful and effective european thrillers of the last ten years .
argento is once again working in his native italy , and he fully exploits the opportunities to use art and architecture for both symbolic statements and as departure points for several brilliant hallucinogenic sequences . effects whiz sergio stivaletti serves his director well here , and the cinematography by giuseppe rotunno is consistently excellent .
the film 's opening 20 minutes segues between hallucination , flashback and real - time with tremendous style .
proof that , at his most inspired , argento remains one of the world 's most exhilarating filmmakers .
the cast is generally good , though marred at times by dubbing into english that renders speech all but emotionless .
asia argento 's performance is by turns risky , awkward and fascinating .
it 's a difficult role , and given her relative inexperience on screen
she deserves applause for her efforts .
thomas kretschmann is chillingly effective as alfredo , and marco leonardi ( of cinema paradiso , and possibly the most gorgeous looking man in italy ) does okay as anna 's work colleague and increasingly confused love interest .
but perhaps the stendhal syndrome 's single most striking element is ennio morricone 's soundtrack .
active since the 1960 's
, morricone has scored over 100 films in his career and this must rate as one of his finest efforts .
it 's mostly a variation on the one theme : a slow circular melody for strings and wordless female vocal possessed with an extraordinary , haunting beauty that lingers long afterwards .
it 's been three decades since argento and morricone worked together .
this is a long welcome reunion .
if the film has a fault , it is that the last half hour drags a little and the film does n't quite reach a completely satisfying climax .
but by the closing scenes , the stendhal syndrome has already offered us enough to qualify as one of the very best films of dario argento 's career .
* note : see the uncut print from japanese laserdisc if you can .
dubs of this version are available from various video dealers on the world wide web .
[EX A]: P

[EX Q]: _ soldier _ is hands down one of the worst movies a person could ever have to sit through that does n't have jean claude van damme in it .
i could liken it to
the sci - fi cheese that was the hollywood product - of - choice back in the early 80s , but that would be too much of a compliment .
if there is a movie theater in hell , this film is playing there 24 hours a day .
the story , such that there is , revolves around todd ( kurt russell ) , an automaton of a man who has been raised from birth to be a merciless soldier in a not - too - distant ultra - conservative future ( is there any other kind ? )
after years of desensitization at a military academy full of other boys just like him , todd becomes a ground fighter in a series of wars all over the galaxy . who the enemies in these wars are is never revealed , but the few glimpses of todd in battle show that it does n't matter , because innocent hostages are wiped out as indifferently as the bad guys .
after ten minutes of this nihilistic trash --
yes folks , there 's more
-- we see todd as a buff , scarred adult , now so accustomed to the carnage that no confrontation at all causes him to break a sweat .
there 's a new wrinkle , though .
todd and his brethren are declared obsolete , and a new batch of soldiers takes their place .
after losing a sanctioned battle with _ dragon _ 's jason scott lee , the seemingly dead todd is dumped by a flying ice - cube tray
( well , that 's what is looked like ) on a remote garbage planet .
if you predict that todd meets a bunch of outcast settlers on this planet , and that they band together to fight a bunch of bad guys coming to destroy them , you 're way ahead of the game .
the renegade society on this trash heap is so clich you half - expect tina turner and master blaster to come strolling into frame any minute .
it 's surprising that _ soldier _ is the brain - child of _ blade runner _ co - writer david webb peoples .
unlike that mind - twisting classic , this film contains just barely enough dialogue to fill about three double - spaced pages .
add into the mix the _ mortal kombat _ 's paul anderson inept direction , and
it 's easy to see how _ soldier _ turned out so bad . and the special effects !
remember the flying steam irons in hardware wars ?
gary busey is in this movie .
'nuff said .
_
soldier _ is proof that hollywood still has plenty of bad ideas sitting in its script vaults .
that this sad film made it to the silver screen should encourage plenty of aspiring screenwriters out there that there is hope after all .
now if you 'll excuse me , i have to go weep for the future .
[EX A]: N

[EX Q]: the only two really good things that i can say about tarzan and the lost city are as follows : jane march was very cute as jane , and the movie was thankfully under 90 minutes in length .
if you have n't already figured it out , i did n't like this movie very much .
the plot was boring and contrived to the extreme .
tarzan ( casper van dien ) has now left the jungle and living in civilized society .
he is just days away from his impending marriage to jane , played by the aptly named jane march .
back in his former home of africa , a group of looters has found the key to locating a lost city .
( mind you
i never really figured out why they actually wanted to find this city . )
anyway , tarzan 's old jungle friend appears to him in a vision .
tarzan realizes that he must return to africa to help stop the bad guys from finding the lost city .
he leaves jane ( his first mistake , in my opinion ) and travels to africa .
of course , jane is hot on her ape man 's heals .
the two of them are reunited in africa where they do battle with the bad guys .
sound like a dumb explanation of the plot ?
it 's actually an improvement over the real thing .
the acting is just plain awful .
i 'm not quite sure what casper van dien was doing in this film , but it was n't acting .
jane march was n't a heck of a lot better , but at least she is easy on the eyes .
compounding the bad acting was the fact that in many places the dialogue had obviously been re - recorded , and i 've seen better dubbing in some old bruce lee movies . added to the sound problems was the cinematography .
this film was filled with beautiful african scenery .
but the panoramic scenery shots looked overexposed to me .
quite frankly , i think you could probably do a better job capturing the beauty of africa with a camcorder than this bunch did with professional film equipment .
then we have the special effects .
" special effects in a tarzan movie ?
"
you are no doubt asking yourself ?
yes friends , the writers injected some very out of place supernatural elements into the story .
probably for the sake of using cgi , since it did nothing but hurt the story .
in most parts , they were n't bad , just nothing special .
but , they were more than a little on the hokey side .
except of course , when we got to the ridiculous climax of this movie .
the grand finale 's special effects went right into the toilet at that point .
it almost looked like they had run out of money .
these effects were of noticeably lower quality than those in the rest of the film and looked like something in an amateur video production .
i took one lesson away from watching tarzan and the lost city -- ape men and bones that morph into skeletal warriors do n't mix . stay far away from this version of tarzan .
[EX A]:
N