In this task, five ordered key facts are given. All the given facts are expressed in natural language. Your job is to generate a story 100 to 1000 words long, that includes all the facts given as input in their order of appearance while expanding upon them to produce a broader, yet coherent, narrative.

Fact1: Sunanda gives false statement in court, Fact2: Gokul With revenge in meets Suraj Singh Rathod mind, Fact3: Suraj After refuses to meet Naina argument, Fact4: Naina decides to go after Gokul, Fact5: film ends on good note
Sonia Sehgal and Naina Sehgal both played by Kajol are twins. The two are completely different from each other, Sonia being the outgoing twin and Naina being the shy one. Meanwhile, the police are hunting for a coldblooded, sadistic killer and rapist, Gokul Pandit Ashutosh Rana. However tragedy strikes when Gokul rapes and brutally kills Sonia. After Police investigation, Gokul is caught, but is declared innocent as Sunanda, one of the main witnesses and Gokuls fiance gives false statement in court. Naina is distraught and vows to hunt down Gokul. Gokul soon goes after Naina and she realizes she needs help to overcome her fear of Gokul. With revenge in her mind she meets Suraj Singh Rathod Sanjay Dutt, a blind military veteran and he helps her physically and mentally to defeat her fear of Gokul. While Suraj trains Naina they develop feelings for each other. After an argument, Suraj refuses to meet Naina and she decides to go after Gokul all by herself. One day Gokul kidnaps Nainas younger sister Dia from school in order to scare and warn Naina with what risk she is playing. That day Nainas mother decides to leave for Naintal immediately as her daughters life is at risk. However Naina cannot control her hatred, and wanted to avenge her sister at any cost. Naina lays a trap for Gokul and tries to kill him but Gokul ties her up and tries to rape her like her sister. Suraj arrives at her house and fights Gokul but ends up being stabbed. Naina gets free and manages to fatally shoot Gokul. Suraj recovers from his injuries and decides to go away from Naina, but she realizes that she loves him and cannot live without Suraj. The film ends on a good note as Suraj and Naina get together and move on with their lives.

Fact1: Stan Ross is franchise player of Milwaukee Brewers baseball team, Fact2: Brewers retire Ross number, Fact3: top Brewers executive citing large attendance at agrees to bring Ross back during September roster expansion Ross number retirement ceremony and fact, Fact4: team 's know of Ross as self-centered player, Fact5: Manager Gus Panas refuses to speak to Ross because of abrupt retirement
Stan Ross is the franchise player of the Milwaukee Brewers baseball team. After recording his 3,000th hit, the selfish, narcissistic Ross immediately retires, leaving the team without one of its star players in the middle of the 1995 playoff race, showing every bit of disregard for his teammates feelings. During the next nine years, Ross uses his nickname as a business tool, owning several profitable properties under the name Mr. 3000 that make him increasingly wealthy. In 2004, the Brewers retire Ross number so they can get rid of Ross for good, and also draw a large crowd. Although many fans come to the ceremony, other players, including teammates and fellow stars Robin Yount, Cecil Cooper, and Paul Molitor, stay away. Only his best friend Anthony Boca Carter and a middle relief pitcher from his early days in the majors named Bill Big Horse Berelli attend, and the expitcher chastises Ross for his arrogant attitude. Ross learns that, due to a clerical error, he retired with 2,997 hits instead of 3,000. The error also partially contributes to Ross not being voted into the Baseball Hall of Fame and makes his Mr. 3000 marketing gimmick inaccurate. Ross seeks to return to the game at the age of 47 to get three more hits, secure his place in the record books, and keep his local postcareer marketing gimmick intact. A top Brewers executive, citing the large attendance at Ross number retirement ceremony and the fact that the Brewers are out of playoff contention, agrees to bring Ross back during the September roster expansion. The teams younger players only know of Ross as a selfcentered player, and team superstar Rex TRex Pennebaker, who is pompous and arrogant like Ross, sees him as unneeded and too old to play. Manager Gus Panas refuses to speak to Ross because of his abrupt retirement, and the sportswriters continually criticize him. Despite his predictions to the contrary Ross struggles to regain his baseball form. He goes hitless in his first 27 atbats. His comeback is reported by television sportscaster Maureen Mo Simmons, who resumes a former romantic relationship with Ross. He gets two hits, including a home run, to increase his career total to 2,999. Ross becomes a mentor to the younger players and urges Pennebaker to learn from his own mistakes as a baseball star and to be a team player, so that Pennebaker will not end up like him – all alone. This inspires the Brewers to a lateseason comeback and a respectable finish. Ross attempts to become serious with Simmons and make her a permanent part of his life, but she is reluctant to believe he is a changed man, particularly after he skips a team practice to go on national television with Jay Leno and begin boasting again. In his last atbat of the season, with a chance to be a hero, Ross has a vision of his earlier years, when he was considered always dependable for the team. It inspires him to sacrifice his last chance with a bunt instead so the team can win a game and finish third in its division. Although Ross never reaches the 3,000 milestone, his newfound generosity and attitude gets him inducted into the Hall of Fame. He renames his businesses Mr. 2,999.

Fact1: rotoscope projected film film covered by glass plate acting as design surface, Fact2: Brother Dave Fleischer was working as clowns at Coney Island, Fact3: Out of Inkwell was started at Bray Productions, Fact4: monthly release at Bray 's Pictorgraph Screen Magazine produced for Paramount Pictures, Fact5: Fleischer brothers In opened studio same year

The series is the result of three experimental short films Max Fleischer produced independently in the period 19141916 to demonstrate his invention, the rotoscope, which was a device made up of a movie projector and a stand used as an aid to obtain realistic movements in cartoons. The rotoscope projected a film film through an opening in the stand, covered by a glass plate acting as a design surface. The image on the projected film was drawn on paper, advancing the film one frame at a time as each drawing was made. Brother Dave Fleischer was working as clowns at Coney Island, and served as a model for what would become their first famous character, Koko the Clown. Out of the Inkwell was started at Bray Productions as a monthly release at The Brays Pictorgraph Screen Magazine produced for Paramount Pictures from 1918 to 1920 and later for Goldwyn Pictures in 1921. In the same year, Fleischer brothers opened their studio, And in 1923 the clown who had previously no name began to be known as KoKo when veteran animator Dick Huemer became the new director of animation. Huemer, who started animating with the Mutt and Jeff series in 1916, brought the influence of that series into Out of the Inkwell and created a small canine partner named Fitz. Huemer also redesigned the clown for animation and brought the Fleischer away from their dependence on the rotoscope. He also defined the design style with its distinctive inking quality for which the series was famous. But it was the integration and interaction of live action sequences featuring Max Fleischer who spun the series. Generally, cartons begin live action by showing Max who begins his day. He begins to draw characters on paper, or open the inkwell and they come out and interact with reality. An image of KoKo at The Chinese Restaurant 1927 of The Inkwell Imps series, with Koko il Clown and Fitz the Dog. The Out of the Inkwell series lasted from 1918 to 1926, the following year was renamed The Inkwell Imps for Paramount and continued until 1929. Fleischer continued in the series, acting as an actor, producer, screenwriter and animator for his studio Out of The Inkwell Films, producing 62 episodes of Out of the Inkwell and 56 by The Inkwell Imps. Although the Inkwell Imps series was replaced by Talkartoons in 1929, Koko il Clown returned in 1931 as a supporting character with Bimbo and Betty Boop. Kokos latest cinematic appearance was in the hilarious Betty Boop Gas cartoon 1934, which was a remake of The Cure 1924 of this series. Koko had a short cameo in his only color film appearance in the episode of Screen Songs Toys will be Toys 1949. In 1955, short films of the Out of the Inkwell series, together with another 2500 Paramount pre1950 shorts, were sold to television, the majority acquired by U.M.  M. TV. Corp. In 1958 Max Fleischer activated a new study in a partnership with Hal Seeger, and in 1960 produced a television series called Out of the Inkwell, consisting of 100 episodes of five minutes each. In the new color series, KoKo had a clown girl named KoKette and an antagonist named Mean Moe. Larry Storch dubbed KoKo and all the supporting characters. Much of the shorts in the original series are now in the public domain.