Given a document and an entity the task is to select the author's sentiment towards the entity. Sentiments can be Positive, Neutral and Negative. Select Positive if the article expresses a positive view towards the given entity or praises its quality or skills. Select Neutral if the document expresses no clear view towards the entity or has equal amounts of positive and negative statements or expressing some fact/quote by someone else. Select Negative if the article expresses a negative view towards like harsh remarks, criticizing entities action/decision etc. Note that URLs in the text have been replaced with [Link].

What is the sentiment of the following document towards the entity Obamacare ? Almost a third of Americans believe President Trump has kept his promise of repealing Obamacare  according to a recent The Economist â YouGov poll.
Thirty-one percent of those surveyed said that Trump kept his campaign promise to repeal Obamacare  49 percent said he hasn't repealed  Obamacare   and 21 percent were unsure.
More Republicans  44 percent  believe Trump has repealed  Obamacare   compared to just 27 percent of Democrats and 27 percent of independents.
However  about 40 percent of the Republicans surveyed do not believe Trump has repealed  Obamacare   along with 60 percent of Democrats and 45 percent of independents.
In a White House Cabinet meeting  President Trump claimed that  Obamacare  was essentially repealed in the Republican tax plan which repealed Obamacare's individual mandate.
He said that âwhen the individual mandate is being repealed  that means  Obamacare  is being repealed because  they  get  their  money from the individual mandate. "
âWe have essentially repealed  Obamacare  and we will come up with something much better â  he  concluded.
An Associated Press fact check found that while the repeal of the individual mandate was a âmajor change â core parts of  Obamacare  remained in place and were still funded through means other than the individual mandate fines.
The efforts by Republicans in Congress to repeal  Obamacare  fell short in the Senate earlier this year after the House passed a repeal bill in May. Senate Majority Leader Mitch McConnell (R-KY) told NPR last week that the Senate will likely "move on to other issues" next year.
Positive

What is the sentiment of the following document towards the entity Mark Levin Unloads ? NATIONAL HARBOR  MD â Nationally syndicated radio superstar  Mark Levin  joined SiriusXM hosts Matt Boyle and Amanda House at CPAC on Breitbart News Saturday  praising President Donald Trumpâs actions for advancing conservatism  and making explosive statements about the Left  Obama and his administration  the media  guns  and Democratsâ plans to impeach the president.
 Levin  was speaking to thousands of conservatives who gathered just outside of the nationâs capital at the annual pilgrimage for the conservative movement. Boyle and House were broadcasting live from CPAC  as the âGreat Oneâ sat down with them to reflect on President Trumpâs speech to the conference on Friday  and examining the first year of the Trump administration.
âThis president is so different â  Levin  began. â He  threw out the written speech and  he  said  âLet me talk to you.ââ
â He  connects with you individually â the former Reagan administration senior aide continued  making the observation of the president that  â he  talks like a regular person â as opposed to a polished politician with a team of handlers.
Boyle and Houseâwho respectively are the political editor and deputy political editor of Breitbart Newsâinvited  Levin  to unpack  his  thoughts on how the presidentâs actions stack up with conservative priorities  given  Levin âs pedigree and well-earned reputation as one of the foremost champions of constitutional conservatism. Levin dedicates much of the time on  his  wildly successful radio show holding accountable public officials who stray from conservative priorities.
âWhich is fine by me â  Levin  commented to Boyle and House  âbecause itâs the end result that matters.â
It is no secret that  Levin  does not agree with President Trump on everything. âBut I didnât agree with Reagan on everything â either   Levin  noted  a comparison noteworthy because of the tremendous respect  Levin  has for the nationâs 40th president  under whom  he  served.
 Levin   Boyle  and House then turned to the red-hot issues that are currently dominating the headlines  and explaining what is behind those narratives.
âIf the Democrats take the House  theyâre going to move to impeach this president  to reverse the results of the election â  Levin  claimed. âTheyâve been into this silent coup since the day he was elected. They are furious that he is president of the United States.â
 Levin  called Special Counsel Robert Mueller a âhit manâ and compared Muellerâs investigation to a âmob operation.â
âThis is a grotesque miscarriage of justice â  Levin  insists. âSomething about this stinks to high heaven.â
 Levin  said that  he  noticed a pattern  relying upon  his  experience as a top Justice Department official.  He  recalled the moment during the 2016 election when  he  concluded  âweâve got domestic surveillance of Trump World.â
 Levin  insists that this was âpolitical domestic surveillance â and that a host of characters  from the Obama White House  to top officials in the Obama-Lynch Justice Department  to leaders at the FBI  must have known about it when it was happening.
There are âhardcore anti-constitutional progressive leftistsâ who are out to get President Trump  and the entire conservative agenda would be endangered if the presidentâs enemies succeed   Levin  warned.
Neutral

What is the sentiment of the following document towards the entity Kehinde Wiley ? When does an artist become a phenomenon? Itâs a rare moment on the scale of seeing a new star emerge in the night sky. Already  a rising art world star  American artist Kehinde Wiley  seems poised now at the age of 35 and after just a little over a decade of work to take the next step and really heat things up. With not one but two big New York City exhibitions  a featured appearance on a hot new album cover  and the kind of retrospective  lavishly illustrated  critically evaluative monograph that seals the deal   Kehinde Wiley  has the whole world in the palm of  his  hand  and thatâs exactly what  he  wants.
Born in 1977 as the youngest of six children to a single mother   Wiley  grew up facing hard economic times but also enjoying the intellectual stimulation of having a mother in academia. Looking for a way to keep Kehinde occupied   his  mother enrolled  him  in art classes  including some at the Huntington Library  where  he  could study portraits such as Thomas Gainsboroughâs famous Blue Boy. After graduating with an MFA from Yale in 2001   Wiley  became artist-in-residence at the Studio Museum in Harlem  where  he  witnessed a steady stream of young African-American men walk past in full hip hop regalia. Joining the old school world of portraiture with this new school of personal style   Wiley  developed the unique subject matter and approach that has been a popular and critical success since.
In Kehinde Wiley  the first monograph dedicated to Wileyâs career as a whole (published by Rizzoli USA)  Thelma Golden  chief curator and director of the Studio Museum in Harlem  introduces the volume by remarking that she âwas in conversation with  Wiley  before I ever spoke to  him .â Wileyâs work touches on âthe politics of representation; the power of art history; the veracity of images; notions of authorship  identity  and culture; the critical nexus of race and gender in contemporary art â Golden listsâall things that she and nearly all contemporary art critics think deeply about. This combination of Wileyâs thought provoking practice and stunningly beautiful paintings makes him irresistible to both the high brows and those simply wanting to enjoy the show.
In addition to capturing visually  Wiley âs bravura brushwork and vast range of visual inventiveness in 275 color illustrations (including some gatefolds)   the contributors Kehinde Wiley  dig  their  critical teeth deep into Wileyâs art and come away with a mouthful. Art historian Robert Hobbs provides a detailed biography not just of Wileyâs life but of his thought  mapping mental landmarks ranging from W.E.B. DuBois and Henry Louis Gates  Jr.  to Michel Foucault and Jacques Lacan. Hobbs sees a kind of âconceptual realismâ at the heart of Wileyâs portraiture that is âcoercive rather than simply mimetic.â More than just capturing a likeness  Wileyâs portraits capture your mind and make you think about the power relations embedded in imagery of all kinds throughout history.
 Wiley âs standard procedure has been to âstreet castâ individuals who catch his eye  invite them to his studio  allow them to browse art history books and pick a pose  and then photograph the subjects in full regalia to use for painting later. Wileyâs 2008 painting The Virgin Martyr St. Cecilia (shown above) riffs on Renaissance sculptor Stefano Madernoâs The Virgin Martyr St. Cecilia from 1600. From one perspective  the prone African-American male seems as powerless as the martyred saint. From another  the young man takes on the gravitas of Cecilia as a modern victim of thoughtless violence. From yet another  knowing that the young man chose this pose for himself  he takes on the role of provocateur  consciously drawing all those associations and moreâparadoxically in control even when prone. This alchemical approach to art history is at the center of the âconceptual realismâ Hobbs suggests.
The Jewish Museum  New York is currently showing the latest installment of The World Stage paintingsâKehinde Wiley/The World Stage: Israel. The exhibition features 14 large-scale portraits of young Israeli men of different ethnic backgrounds and religions. A video on the museumâs website shows Wiley in Tel Aviv âstreet castingâ and finding individuals such as Ethopian Jewish hip hop performer Kalkidan. Wiley finds hip hop in the unlikeliest places in Israel  proving the global reach of the art form that began in the Bronx as a means of âblackâ expression.
The title of Sean Kelly Galleryâs current Wiley exhibition  Kehinde Wiley: An Economy of Grace  could be an emblem for everything Wileyâs been doing for the past decade both locally and globally. âThe phrase âan economy of graceâ speaks directly to the ways in which we manufacture and value grace and honor  the people that we choose to bestow that honor upon  and the ways in which grace is at once an ideal that we strive for and something that is considered to be a natural human right â Wiley explains. Wileyâs trying to turn his personal economy of grace into a global economy  with his portraits as the new gold standard. As technology brings us closer and closer  the friction between individuals  countries  ideologies  religions  and everything else heats up faster than ever. Grace may be the only currency that can pull us out of the global spiritual debt crisis. If Kehinde Wiley seems to have the world in his hands right now  itâs because he wants to save it one image at a time by showing us the grace and beauty of black men and  by extension  the grace and beauty of us all.
[Image: Kehinde Wiley. The Virgin Martyr St. Cecilia  2008. Oil on canvas. 101.5 x 226.5 in. Â© Kehinde Wiley.]
[Many thanks to Rizzoli USA for providing me with the image above and a review copy of the monograph Kehinde Wiley  by Thelma Golden  Sarah Lewis  Robert Hobbs  and Brian Keith Jackson. Many thanks also to Sean Kelly Gallery (whose exhibition Kehinde Wiley: An Economy of Grace runs through June 16  2012) and to The Jewish Museum  New York (whose exhibition Kehinde Wiley/The World Stage: Israel runs through July 29  2012) for press materials.]

Positive