In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
america 's favorite homicidal plaything takes a wicked wife in " bride of chucky , " and their unholy matrimony is something old , nothing new .
the burning question on the minds of most moviegoers , however , has nothing to do with nuptial specifics or even how the movie stacks up , but rather whether or not the duo gets down and dirty on their blood - soaked honeymoon .
the answer is a sick - and - twisted yes - and viewers are treated to a shadowy glimpse of some hot - enough - to - melt - rubber ( or at least singe it )
lovin' .
guess they 're anatomically correct .
chucky ( again voiced by brad dourif )
, of course , is the star of the " child 's play " series , a my buddy - type doll possessed by the spirit of a slain serial killer .
in " bride , " the plot ( heh )
picks up with his girlfriend tiffany ( jennifer tilly ) resurrecting chucky 's remains ( he was blown up at the end of " child 's play 3 " ) with the help of a black arts manual called " voodoo for dummies . " silly mortal .
before long , she 's also been reduced to shin - high figurine status , and the plastic incarnations of these one - time lunatic lovebirds hit the road to scope out some potential new human bodies .
the rest of this rocky horror puppet show plays out as tiff and the chuckster stalk a young couple ( nick stabile and katherine heigl ) with conjugal plans of their own , leading them towards a new jersey grave where a magical , soul - transferring amulet allegedly lies in wait . along the way , our murderous barbie and ken go through post - marriage motions similar to any given pair of newlyweds - bicker , argue , kiss and make up .
but when they squabble over who 's going to do the dishes , watch out .
hey , even faux people have got to work through their problems .
director ronny yu keeps the mayhem flashy and stages an inventive scene or two , but not even visual flair can make up for the fact that these creepy kewpies are neither scary nor menacing .
when one of them charges , it 's nothing a good forward punt could n't take care of .
and when a climactic chase scene is needed , one of the dim - bulb protagonists must _ pick_chucky_up _
so the demonic toy can force his hostage to run at gunpoint .
throw in some silly casualties and a ridiculous ending
( will " son of chucky " be next ? ) and this is a bizarrely bad 89-minutes at the movies .
as is the thing to do in post- " scream
" slasher cinema , don mancini 's screenplay slathers on the in - jokes and genre - parody . but
little of the humor succeeds , proving self - reference can be completely worthless when it lacks bite . to be fair , though , most of " bride of chucky " is on auto - pilot , so it 's not quite right to single out one misfired aspect of the film .
similarly shaky , the acting ranges from screeching camp to boring bland , the effects are n't that special and
the story is one big groaner .
here 's hoping chucky and his entire clan - past , present and future - rest in peace .

Ex Output:
N


Ex Input:
while watching " shallow grave , " i found myself periodically noticing thematic similarities to the coens ' " blood simple .
"
both are good films in which several characters , none of whom are the most conscientious to have walked the earth but still are not really evil , indulge in an act of deception that soon necessitates more serious crimes .
the body count rises , and before long seemingly normal people have blood on their hands .
both films are also flawed , but for different reasons .
"
blood simple " is unrelentingly dark and moody , but its characterizations were a little hollow .
" shallow grave , " on the other hand , is nearly flawless for an hour and twenty minutes , and then the filmmakers throw away much of what they 'd accomplished for a more standard , audience - pleasing ending .
the events of the film were sufficiently intense and disturbing that i honestly felt quite troubled by what i was witnessing on screen most of the time , yet there was a slight grin on my face at the end .
as the film begins , we are introduced to alex ( ewan mcgregor ) , juliet ( kerry fox ) , and david ( christopher eccleston ) , a scottish trio living in an apartment in glasgow .
they are all sarcastic and occasionally obnoxious , but other than that they seem like a fairly normal bunch .
a man named hugo moves into the apartment 's remaining vacancy , and the next morning he is found dead of a drug overdose .
juliet is about to call the police when alex discovers that hugo had brought with him a suitcase filled to the brim with cash ( presumably from criminal activities ) .
the three eventually decide to keep the money and cover up the death ; after a drawing of straws , the particularly unenviable task of mutilating the body so as to make it unidentifiable and burying it falls to david , who had been the most reluctant to partake in the scheme from the beginning .
all of this transpires in the first twenty minutes or so of the film , and part of what makes " shallow grave " so brilliant for a while is that i honestly had no idea what was coming next .
other than the obvious question of why they do n't report the death and simply hide the cash , which is not addressed , the plotting and characterization , while sometimes predictable , worked in a way that kept my attention and , on more than one occasion , gave me chills .
i will , therefore , attempt to continue this review in a way that does n't give away too much of the plot .
broadly , the trio are in danger due to hugo 's underworld connections , as two goons search for the money and kill several people in the process .
a police inspector ( ken stott ) is clearly suspicious and visits the apartment , asking pointed questions and trying to unnerve the three suspects by exchanging banal and weirdly humorous bits of dialogue with a junior detective .
david , meanwhile , becomes increasingly paranoid , moves into the attic , and develops an affinity for sharp objects .
director danny boyle effectively creates an atmosphere of mounting tension and suspicion in the apartment , and finally the three seem ready to turn against each other .
while i do not consider myself the " happy endings are automatically stupid " type , i thought that " shallow grave " really should have ended in tragedy - a realistic analysis of the story up to the last ten minutes of the film would indicate that all three characters were probably about to end up in prison , in the mental hospital , or in the morgue .
this could have been accomplished , quite credibly , but then boyle and screenwriter john hodge seem to flinch and opt for a more conventional " caper " ending in which we get a kick out of seeing who outsmarted whom , and nothing more .
granted , this is n't really a " happy " ending , but it 's still pretty light - hearted compared to what preceded it .
i really should n't say anything more about the ending as far as details go , but let me add that it seemed not only shallow and lazy but also inconsistent with the rest of the film and not very believable .
yes , this ending made me crack a smile for a couple of minutes , but ultimately it left me feeling as if i 'd been cheated .
still , " shallow grave " was brilliant
most of the way through , and it does at least meet the minimum requirements for an entertaining thriller , and i am therefore awarding it three stars .
i guess i just ca n't help but think about that fourth star that boyle and hodge let slip away .

Ex Output:
P


Ex Input:
come on hollywood , surprise me . stop giving us these poorly written thrillers with banal dialogue , sketchy characters and plots as predictable as the sunset .
the always watchable morgan freeman plays a detective who becomes personally involved in a case involving missing girls .
personal , because his niece is one of the victims .
it 's a slobbering psychopath , of course , but this time there 's a twist .
freeman notes that each of the young women who 've disappeared are all strong willed , assertive , and more successful in their careers than the average girl .
we soon learn that the guy calls himself casanova , whose aim is to " dominate " these modern gals by imprisoning them in some dungeon and keeping them as his personal harem .
anyway , one of the women manages to escape ( ashly judd ) and teams up with freeman to . . .
well , you know the rest .
a brief glance at the plot to silence of the lambs , with which this film is constantly being compared to by the hype merchants , may suggest lambs also has a fairly predictable story .
perhaps , but that film also has superbly drawn characters and smart dialogue .
so lets not insult a great movie by taking the comparisons any further ,
okay ?
and as for comparisons to seven . . .
oh please ! kiss the girls is based on the novel by james patterson and written for the screen by one david klass .
maybe the novel was a stinker to start with , but
whatever the case , it 's the writing that 's clearly at fault here .
one , these characters have very little to say that 's engaging or interesting .
two , the script has no sense of humour .
three ,
while the notion of a psycho 's victims being smart , successful women is an interesting twist , the execution is n't even half as good as the idea .
thus , ashly judd comes across all out of focus , instead of being the heart of the story .
we ca n't feel her rage .
some atrociously written casual exchanges between her and several male characters are supposed to remind us that she 's the no - bullshit 90 's type , but these conversations barely register .
and as for freeman , kiss the girls is his second dog in a year : first chain reaction , now this .
for an actor of his calibre , this is most worrying .
young director gary fleder scored a hit a few years back with his quirky pulp fiction - esque things to do in denver when your dead .
but what can he do with material as resolutely mediocre as this ?
not much , and you can hardly blame him .
there 's a few well - staged chase scenes through the forest where the camera whirls , dives and jumps , and the effect is startling .
but the script is beyond rescue .
what hurts most is that hollywood continues to get away with serving up this tripe , safe in the knowledge that jaded audiences will lap it up .
complacency rules
: it 's been so long since we saw a mainstream american thriller that delivered juicy characters , real surprises and consistently sharp dialogue .
the only consolation for this viewer is that my ticket to the movie was a freebie , positive proof that the best things in life are n't free . . . . .

Ex Output:

N