In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

First Season and Still the Best . The first season of Seaview was the best and Season 1, Volume 2 has some of the series best episodes.  Mutiny, Doomsday, The Invaders, The Indestructible Man, The Buccaneer, The Human Computer, The Saboteur, Cradle of the Deep, and The Enemies are top-notch.  I've always loved Seaview's incredible monsters and Mutiny's giant jellyfish is a sight to behold.  The threat of nuclear war is realistically portrayed in Doomsday.  I still get shivers up and down my spine when Robert Duvall opens his eyes in The Invaders and when the robot stalks Patterson and Kowalski in The Indestructible Man.  Only Seaview would have an episode about someone bold enough to steal the Mona Lisa.  This story (The Buccaneer) works because the villian is believable (a touch gay by today's standards but that's why the story works) and the relationships between the crew members are emphasized.  In The Human Computer, Seaview is controlled by a computer that's supposed to replace the crew.  Star Trek did a similar story but Seaview's is better because only Crane and an enemy agent are on board and the sight of these 2 men stalking each other on the deserted sub have great impact.  By far the best episode for me is The Enemies.  With it's crazy cold war politics, Crane and Nelson against the bad guys, and that wonderful room where people on one side seem gigantic compared to those on the other side, how could this episode miss.  As always, the special effects, the black and white photography, and Paul Sawtell's wonderful theme make Seaview one old series that's worth visiting over and over again
POS

If You Enjoyed "Ju-On: The Grudge" . . . . . . . then this film may be for you!    Like "Ju-On: The Grudge," "Ju-On 2" presents a series of interconnected vignettes. Though the non-linear presentation can sometimes confuse the viewer, it takes only a moment to realize the correlation between the last portrait and the next. So, be patient;)    This film has a bit of a postmodern spin (which many horror-film scholars may enjoy).  One of the main characters, Kyoko Harase, plays an actress known as "The Queen of Horror." She is taken to the infamous Saeki home to give a television interview about her own experience as a horror actress. It is there that she is marked with the curse (in a fairly unpredictable way!!) And, there that true horror enters her own life.    To the joy of many viewers, Toshio figures prominently into "Ju-On 2." Though the make-up on Toshio is a little flat (unlike "Ju-On The Grudge") his acting is still pitch-perfect. Nonetheless, it is interesting to note that Yuya Ozeki (who play Toshio Saeki) did not understand the part he was playing in earlier films (simply as a result of his tender age). He has now refused to watch his own films and his parents go to the premieres alone:) (You can discover this information on the American version of "The Grudge" in Takashi Shimizu's commentary).      Some reviewers seem hyper-critical of this work. Yes, the film has some missteps, but they are easily overlooked. If you watched and enjoyed "Ju-On: The Grudge" then try "Ju-on 2" . . . you might be pleasantly surprised!
POS

2 Star Dud . After a man is caught cheating in a poker game a lynch party is formed and the man is murdered.  Soon after the murderers begin dying violent and mysterious deaths.     Dean Martin plays a ramblin' gambler in FIVE CARD STUD, a movie that probably didn't, but certainly could have, pounded the fatal nail into the traditional western before handing the franchise over to the Italians.  Although it sells itself as a mystery/western - who's killing all these gambling varmints, anyhow? - a five-second study of the movie's poster will pretty much shuffle out who's the good guy, who's the bad guy, and who's going to ride into the sunset with Inger Stevens.       I watched this movie the first time years and years ago, back in the knee-britches days.  It's possible some of synapses fired and connected and I somehow, after a generation plus, remembered how the plot - and I use that term loosely - ran.  I doubt it, though.  FIVE CARD STUD doesn't bother itself with keeping an edge to the mystery.  Robert Mitchum plays a gun-toting preacher who opens a church soon after the lynching occurs, Roddy McDowell is an angry young man with a chip on his shoulder.  Katherine Justice plays the shapely tomboy sister of McDowell and Inger Stevens is wasted, again, as a hair-cutting floozie.  Both women, of course, have lips puckered for the six-shootin' gambling man Martin.     This one was pretty excruciating, and it's really tempting to blame it all on the bored, and boring, Martin.  That's probably not fair, though.  The script is murky, the dialogue laughable (at the wrong times,) and, like I said, the mystery is never all that much of a mystery.  Martin, like Mitchum, was best in movies that let him play it laid-back and coolly bemused.  He needs manic energy to react to - think Shirley MacLaine, a young Sally Fields, or even Jerry Lewis.  He doesn't have the chops to carry a movie without someone like that, though.  Mitchum could, but the movie doesn't put him at the center.  It wouldn't matter anyway, because the only hope for this trite oater would be razing the story and starting over.  About the only fun this one provides - besides a scene with Mitchum and Yaphet Kotto near the end - is trying to decide who looks more bored, Martin or Mitchum.  My money's on Mitchum, but Martin gives him a go at it.  A waste of a good cast, and, save for a scene or two, a waste of a viewer's time.

NEG