instruction:
In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
question:
a friend invites you to a movie .
this film would evade the explosions and special effects of standard summer fare , and be grounded in reality .
the plot is as follows : after a terrifying incident , a mother and her independent daughter separate from the father and move away from the city .
they need fresh air to get some perspective , maybe to start over .
romance begins to brew , however , as one of the locals , played by an international superstar in rugged clothing , sparks things up , ( especially at a country - western slow dance ) .
it stars a rising young starlet , helms a good cast , and is directed by one of the better actor - turned - directors in hollywood .
you accept .
you jump at the opportunity to see , what you believe to be ,
_ the horse whisperer _ .
but , poor moviegoer , you have been conned
. alas , you find yourself watching , incredulously , _ hope floats _ .
oh , woe .
your hope has sunk .
why was this movie made ?
why was it released ?
it is a travesty on nearly every level , and has the authority to sink the careers of nearly everyone involved .
at the hands of a better script , the film could have been a gem .
but it is clueless as to what it is about , and only succeeds in transferring same cluelessness to us poor viewers .
_ hope floats _ stars sandra bullock as birdy , who , after discovering her husband has been cheating on her with her best friend ( on national television no less ) , takes her daughter and drives back to her home , helmed by a countryish bumpkin eccentric played by gena rowlands , ( she decorates with stuffed wildlife ) .
birdy 's nephew , travis ( played by _ leave it to beaver _ 's cameron finley ) , is under her custody , and in one of the film 's many failed in - jokes , is always seen wearing a different halloween costume .
what is the point of this ?
does it make any sense ?
is it supposed to be funny ?
the point of the film is to show that the family is eccentric , but i was convinced that the grandma should have been locked up for endangering the mental welfare of a child .
all of this undercuts the plot , of which there is none .
there are only many scenes that are supposed to register emotion .
there 's the scene where birdy , who used to be the prom queen , is humbled by approaching a peer she once mocked , for a job .
there 's the scene where birdy dances with her father , in the hospital for alzheimer 's .
and then there 's the sentimental scenes with justin , played by harry connick jr .
, who is taking a liking to her again , showing her a beautiful pad that he built from scratch .
and during each of these scenes , i was sidetracked by my earlier question .
what sort of eccentric grandmother go through such great pains as to provide a dog costume , a kermit costume , a cowboy costume ( with whip ) , and a full furred barney costume for her grandson to wear during dinner ?
what sort of warped ramifications would this lead for the rest of his life ?
outside of this , there are other sure signs of screenwriters block .
when the daughter stands up to the bully at school .
when birdy almost loses her job .
when the family pulls in a goofy lip - synch to cheer someone up .
when someone dies .
when the daughter cries , ( no , wails ) in exasperation that her father is not coming back .
in a movie like this , you notice the strings being pushed , and you sit there , comatose , hoping it will end . who can survive such a debacle ?
i worry for bullock 's career , which has been running on auto - pilot for the last few years .
she has an attitude , a solid perkiness , and can drive a bus -- but she ca n't handle the emotional scenes , much less hold a southern accent .
harry connick , jr .
is worse -- stick with singing , or get some acting lessons , please !
gena rowlands is the best part of the film .
but she 's such a good actress , that it staggers the mind that she 's weighed down by such lukewarm material here
.
it would be a severe tragedy if the recurring star of john cassavettes ' great films is known for this film .
two notes to forest whittaker : ( 1 ) cut the slow - motion sequences .
there are twelve times where you undercut your own direction by such a failed trick .
have you done so
, you could have shaved off ten - minutes of this almost unbearable debacle .
( 2 ) you 've had to know something was wrong if your cinematographer 's filter makes the candlelight appear like little " x " s .
you 're not a bad director , but you ca n't change a terrible script
.
there 's a recurring scene where birdy , working at the neighborhood fotomat , finds the machine go wrong , and image after destroyed , warped , dark image appear .
think about it .
a succession of destroyed images may have been more entertaining than this movie .
answer:
N


question:
a cop with a troubled personal life .
a ruthless villain .
a friend of the cop .
a _ dead _ friend of the cop .
a quest for vengeance .
a new partner .
a romantic interest .
a chase scene .
a chase scene
_ in san francisco _ .
a woman in peril .
a confrontation .
an explosion .
the end . yawn .
yawn .
yawn .
the preceding has been the plot of approximately twelve thousand and six action films ; this one just happens to be called metro .
i have learned to expect little from films like metro , and consequently i am bored by them more often than i am genuinely disappointed . with eddie murphy on board , however , you hope for something extra , some kind of spark .
when a film makes watching eddie murphy a tedious experience , you know it is doing something terribly wrong .
murphy stars as scott roper , a hostage negotiator for the san francisco police department who is exceedingly good at his job .
with his personal life , he is considerably less successful , facing an unhappy ex - girlfriend named veronica ( carmen ejogo ) , a gambling problem and a mountain of debt .
then his professional life gets a jolt as well when a friend and colleague ( art evans ) is murdered while investigating suspected jewel thief michael korda ( michael wincott ) .
finding korda becomes very personal to scott , and he joins with new partner kevin mccall ( michael rappaport ) to foil korda during an attempted heist .
but all is not well even with korda in jail , as scott , veronica and kevin all continue to face life - threatening danger .
metro ( the title , in case you are wondering , means absolutely nothing ) is so badly put together that even the most casual viewer may notice the miserable pacing and stray plot threads .
in the first place , korda 's rage over being discovered before he can make his big score is rendered completely pointless when he proceeds to hit the target anyway ( and , incidentally , to screw it up ) .
a reference to payoffs in the police department , followed by a conspicuous decision to keep scott off the korda case and a couple of pointed glances , is dropped abruptly with no resolution after about forty - five minutes ; even the relationship between scott and new partner kevin is so perfunctory , with kevin disappearing entirely after taking a bullet for scott , that you may yearn for bickering buddies .
worst of all is a plot structure which places the main villain ( the always menacing michael wincott ) behind bars for far too long , leaving a lot of time to kill with the tedious reconciliation of scott and veronica .
you ca n't blame murphy for being unable to muster any enthusiasm for the scenes with his bland leading lady , but he should have known better than to take this role at all .
scott roper exists in an uncomfortable middle ground between the kind of street - wise fast - talker murphy has built a career on and an actual three - dimensional character , and murphy is never able to reconcile the two .
the script seems to have been doctored for him , with a gambling problem turned into a bit of character color and his supposed inability to form relationships turned into a cause for gags rather than actual conflict , yet there is still too little comedy for murphy to work with .
for much of the film , he walks around with an intense frown , and it is over 90 minutes into metro before you hear that trademark laugh for the first time .
murphy is stranded with too few solid punch lines , and nearly all of the ones he does have bounce of ejogo and fall to the ground limply
.
i suppose i should give director thomas carter credit for taking the obligatory san francisco car chase ( how much do you want to bet on the likelihood of seeing a car soar over a hill ? )
and doing a few interesting things with it .
as vehicles are sent flying and passengers sent sprawling by a runaway cable car , it is possible at least for a moment to take some pleasure in a goofy spin on a familiar situation .
carter does an even better job by taking that old suspense stand - by -- the medicine cabinet mirror which will close to reveal a killer standing behind someone -- and using it to defuse tension not once , but
_ twice _ .
the fact that carter was able to demonstrate even that much recognition of cliches , and a willingness to subvert them , makes his involvement in the rest of the disaster
that is metro all the more puzzling .
an action film like this plods so relentlessly and obviously from point a to point b to point c that you might find yourself shouting out " point c ! " while they 're still getting to point b , or getting up with the rest of the audience after the big explosion which signals that nothing else of any consequence is going to happen .
answer:
N


question:
bad movies described as " a swift descent into sinful pleasure , decay , and debauchery " are hard to watch .
bad 2000 's movies that resemble bad 1980s films are even harder to watch .
shadow hours falls into the latter category , a mish - mashed train wreck of b - movie actors ( including michael dorn , aka star trek 's worf ) , an uninteresting plot , vain attempts
at capitalizing on the " underground " scenes of seedy los angeles , and really , really bad directing and horrendous music video - esque ballistic editing that was taught to me in film school right before i decided to drop out .
the film revolves around the life of michael holloway ( balthazar getty ) who is trying to restart his life with his one - dimensional wife chloe ( rebecca gayheart ) after a nasty bout of drug and alcohol addictions .
michael takes a job of working the graveyard shift at the local gas station and is bombarded by the ugliness and weirdness of the nightlife of l . a .
one night , he meets a strange gent named stuart ( mr .
buckaroo banzai , peter weller ) .
he drives a porsche , smokes french cigarettes , and drones on about life , eventually coaxing mike into exploring the " underbelly " of l . a . together , a tour of punk bars , s&m clubs , and bare - knuckle fights .
the film then throws in a murder mystery with a cop played peter greene , acting like he wants to get the chance at a reprisal of his role in the mask 2 .
the film then simply dissolves into a cheap rip - off of dante 's inferno mixed with an old stephen
j . cannell television pilot .
the pace of the film is jarring and utterly without focus .
other horrors include the endless montages of people pumping gas and the charlie sheen , johnny depp , richard grieco - esque acting of balthazar getty .
peter weller clearly knows his career is completely gone and does n't give two shits about it .
and after the cheap exploitation of bondage clubs , dance clubs , and brothels - damn , is n't anyone safe any more from the ugly eye of hollywood ! ?
way back in 1984 , a great but crazy director named abel ferrara made his worse film and called it fear city .
shadow hours reminds me of an almost perfect sequel .
director / writer : isaac eaton producers : peter alevey , andrea mia , shon greenblatt ,
balthazar getty starring : balthazar getty , peter weller , rebecca gayheart , peter greene , frederic forrest , brad douriff , michael dorn
answer:

N