In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[Q]: Review: I drove from Sacramento to San Francisco (and back) to see this movie premiere--and really glad I did. As a big movie fan and a life-long Northern Californian, I was surprised how many Oscar-winning films have been made in the Bay Area. As a fashion designer who really wants to stay in the Bay Area as opposed to going to LA, George Lucas' comments about persistence, community and having a vision really resonated with me. Hey, if he and all the other filmmakers can make it in SF, so can other artists. Would recommend this film Question: is it a negative review?
[A]: no


[Q]: Review: Anyone who knows me even remotely can tell you that I love bad movies almost as much as I love great ones, and I can honestly say that I have finally seen one of the all-time legendary bad movies: the almost indescribable mess that is MYRA BRECKINRIDGE. An adaptation of Gore Vidal's best-selling book (he later disowned this film version), the star-studded MYRA BRECKINRIDGE is truly a movie so bad that it remains bizarrely entertaining from beginning to end. The X-rated movie about sex change operations and Hollywood was an absolute catastrophe at the box office and was literally booed off the screen by both critics and audiences at the time of it's release. Not surprisingly, the film went on to gain a near-legendary cult status among lovers of bad cinema, and I was actually quite excited to finally see for the first time.Director Michael Sarne (who only had two other previous directing credits to his name at the time), took a lot of flack for the finished film, and, in honesty, it really does not look like he had a clue about what he was trying to achieve. The film is often incoherent, with entire sequences edited together in such a half-hazzard manner that many scenes become nearly incomprehensible. Also irritating is the gimmick of using archival footage from the Fox film vaults and splicing it into the picture at regular intervals. This means that there is archival footage of past film stars such as Judy Garland and Shirley Temple laced into newly-film scenes of often lewd sexual acts, and the process just doesn't work as intended (this also caused a minor uproar, as actors such as Temple and Loretta Young sued the studio for using their image without permission).Perhaps Sarne is not the only one to blame, however, as the film's screenplay and casting will also make many viewers shake their heads in disbelief. For instance, this film will ask you to believe that the scrawny film critic Rex Reed (in his first and last major film role) could have a sex change operation and emerge as the gorgeous sex goddess Raquel Welch?! The film becomes further hard to follow when Welch as Myra attempts to take over a film school from her sleazy uncle (played by legendary film director John Huston), seduce a nubile female film student (Farrah Fawcett), and teach the school's resident bad boy (Roger Herren) a lesson by raping him with a strap-on dildo. Did everyone follow that? And it gets even better (or worse, depending upon your perspective)! I have yet to mention the film's top-billed star: the legendary screen sex symbol of the nineteen-thirties, Mae West! Ms. West was 77 year old when she appeared in this film (she had been retired for 26 years), and apparently she still considered herself to be a formidable sex symbol as she plays an upscale talent agent who has hunky men (including a young Tom Selleck) throwing themselves at her. As if this weren't bad enough, the tone-deaf West actually performs two newly-written songs about halfway through the film, and I think that I might have endured permanent brain damage from listening to them! Naturally, none of this even closely resembles anything that any person of reasonable taste would describe as "good," but I would give MYRA BRECKINRIDGE a 4 out of 10 because it was always morbidly entertaining even when I had no idea what in the hell was supposed to be going on. Also, most of the cast tries really hard. Raquel, in particular, appears so hell-bent in turning her poorly-written part into something meaningful that she single-handedly succeeds in making the movie worth watching. If she had only been working with a decent screenplay and capable director then she might have finally received some respect form critics.The rest of the cast is also fine. The endearingly over-the-top John Huston (who really should have been directing the picture) has some funny moments, Rex Reed isn't bad for a non-actor, and Farrah Fawcett is pleasantly fresh-faced and likable. Roger Herren is also fine, but he never appeared in another movie again after this (I guess he just couldn't live down being the guy who was rapped by Raquel Welch). And as anyone could guess from the description above, Mae West was totally out of her mind when she agreed to do this movie - but that's part of what makes it fun for those of us who love bad cinema. Question: is it a positive review?
[A]: no


[Q]: Review: Watched this as a late TV movie last night purely by chance. The blurb for the film said something to the effect of mother stays with daughter and goes on romantic journey, as I tuned in there's the carpenter hard at work on a new conservatory - played by Daniel Craig no less - so the plot was immediately apparent.It turns out that eponymous mother's carpenter love interest is also the daughter's boyfriend, so there's trouble brewing and not too many surprises. But I'd been caught by Anne Reid's compelling performance and I was hooked. The direction allows her plenty of space for staring into mirrors and adjusting scarves, when she exudes sadness.The sex scenes were fascinating and taboo-breaking. Shouldn't older women's bodies remain covered up? Not here and we're treated to a delicious reawakening in the Mother's sexuality. Even more startling are the drawings she's made that (SPOILER!) once discovered confirm her daughter's suspicion that something's going on here.Cathryn Bradshaw as the daughter didn't convince me quite as much as the rest of the cast, but that could be me. With her waves of pre-Raph locks I kept expecting to see Julia Sawahla, whose more intense face would have suited the confrontations better to my mind. Bradshaw has a rounder happier face that didn't carry the anger that emerges as the film progresses.The ending is weak. If the goodbyes for Mother as she leaves in disgrace are so indifferent then perhaps we could see some close-ups of those waving goodbye and see something of their individual reasons. Whatever she's done, she's a recently bereaved widow leaving for the lonely home she shared with her husband for 30 years, and I found the lack of sympathy jarring. For a film so full of emotion (and be warned it's like opening champagne, you'll never get the lid back on) the ending is a cold contradiction. Question: is it a negative review?
[A]:
no