TASK DEFINITION: In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.
PROBLEM: Marc Bolan is Dead . Everybody seems to think this band is innovative or something. They sound exactly like 'Beard of Stars' era T-rex. Well, almost, because AC does a lot more layering with tons of effects. What are they hiding? The lyrics?    Anyway, if you're going to rip people off, you should give props. Shame on Animal Collective

SOLUTION: NEG

PROBLEM: Another Williams masterpiece . If you watch--and listen to--enough movies, you can almost name the composer of certain scores, they're so similar.  John Barry's scores to &quot;Dances with Wolves,&quot; &quot;Out of Africa,&quot; and  &quot;Somewhere in Time&quot; (except for the Rachmaninoff), are like that.   James Horner's scores are a little better differentiated.  But the two  best, able to write evocative scores that capture the essence of the film's  story and make us FEEL it--without leaving us thinking we've heard this  before--are Jerry Goldsmith (e.g., &quot;The Sandpebbles&quot;) and John  Williams.  Here, like Goldsmith's score to &quot;The Wind and the  Lion,&quot; Williams is able to take a truly exotic motif--the musical  forms of West Africa--and mix it with truly American, if a little  Copland-esqe-sounding, music.  And that's the whole idea.  People were  violently ripped from their homes and transported to, for them, a place no  less alien and bizarre than Africa was to white Europeans and Americans.   And yet the United States was a place that declared &quot;All men are  created equal.&quot;  The contemplative, high-principle-sounding music to  &quot;Mr. Adams Takes the Case,&quot; is as stirring as the exotic  &quot;Dry Your Tears, Afrika,&quot; but in a completely different way. That  John Williams is able to do that in score after score is what makes him one  of the all-time greatest in a genre that hasn't been around all that long.   My only wish is that film score composers would more often produce true,  symphonic suites from their film scores that can be played by orchestras as  stand-alone, concert pieces.  I hope this music becomes such a suite.  Like  the subject matter of the movie--the eternal human quest for freedom and  equality--it would become timeless

SOLUTION: POS

PROBLEM: I LOVE THIS ALBUM! . That's right, I said it.  I love this album, and yet I still give it two stars.  Let me explain why.      I am rating this album as I would rate any legitimate album.  I do this because I understand that Shatner was being completely serious about this album, and the dramatic interpretations of the two songs/poems/monologues fused together are supposed to symbolize the duality of man, and blah, blah, blah.  I get all of that.    But still, the album is horrendous.  As you listen to it, you cannot help but firmly believe that Shatner thinks he's pulling off some great artistic feat with this album. However, he is wrong.  Horribly wrong.  The arrangement of each "song" is sub-par, the backing band of studio musicians on the album has no life, and then there's Shatner himself.  With his trademark delivery, Shatner leaves his indelible mark all over every track, and that's really not such a good thing.    This album would be utterly forgettable, if not for the fact that it is such a train wreck that it is an absolute must-have.  Let me write that again in bold for the folks that may have skipped over this review:  THIS ALBUM WOULD BE UTTERLY FORGETTABLE, IF NOT FOR THE FACT THAT IT IS SUCH A TRAIN WRECK THAT IT IS AN ABSOLUTE MUST-HAVE.   I actually bought this CD as a British import twelve years ago for twenty bucks, long before it was in print on CD in the States, and even now, when I could have bought it for half the price, it is still worth every penny I paid for it all those years ago.    You see, whenever I'm feeling blue, I pop The Shatner into my CD player, and everything gets a little bit better.  It never fails to bring a smile to my face, especially Mr. Tambourine Man and A Very Good Year.      Honestly, this CD is glorious in it's sheer awfulness.  It is so good on such a low level that it has forced me to create a new word to fully describe it: Shatnerrific.  You cannot go wrong buying this CD.  Trust me on this one.  It's my favorite music purchase ever.  No, seriously.  *Ever*..

SOLUTION:
NEG