In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[EX Q]: Question: When was the series of Episode 420 started? Passage:"Episode 420" is the 12th episode in the seventh season of the American animated television series Family Guy. It premiered on Fox in the United States on April 19, 2009. The title of the episode is a reference to the term "420" used in cannabis culture; "Episode 420" premiered on bicycle day, April, 19th, the day before April 20 (4/20), on which a counterculture holiday is celebrated centering on the consumption of cannabis. "420" focuses on the character Brian after he is arrested for drug possession, which prompts him to launch a campaign to legalize cannabis with help from Stewie; the liveliness of their campaign convinces Mayor West to legalize the drug, and most of Quahog's population begins using it.

[EX A]: b

[EX Q]: Question: Who appeared with Alan Napier in the film that was released in 1943? Passage:He made his American stage debut as the romantic lead opposite Gladys George in Lady in Waiting. Though his film career had begun in Britain in the 1930s, he had very little success before the cameras until he joined the British expatriate community in Hollywood in 1941. There he spent time with such people as James Whale, a fellow ex-Oxford Player. He appeared in such films as Random Harvest (1942), Cat People (1942), and The Uninvited (1944). In The Song of Bernadette (1943), he played the ethically questionable psychiatrist who is hired to declare Bernadette mentally ill. He also played the vicious Earl of Warwick in Joan of Arc (1948). He performed in two Shakespearean films: the Orson Welles Macbeth (1948), in which he played a priest that Welles added to the story, who spoke lines originally uttered by other characters, and MGM's Julius Caesar (1953), as Cicero. He appeared as Mr. Rutland in the Hitchcock movie Marnie (1964).

[EX A]: b

[EX Q]: Question: What country is Senta a part of? Passage:Jovan Đorđević was born in Senta, a town on the bank of the Tisa river in the region which eventually became Serbian Vojvodina, on 13 November 1826 (Julian Calendar) to merchant Filip and Ana (née Malešević) Đorđević. Jovan was baptized on 17 November of that year in the Serbian Orthodox Church of Archangel Michael, officiated by Very Reverend Georgije-Đuka Popović, one of the most erudite clerics of his day in that region of Potisje, and author of Put u raj (The Road to Heaven), a book in praise of moral principles. The acting bug bit hard when he first appeared as a teenager in Hungarian and Serbian amateur theatricals in his hometown of Senta. He started his schooling in Senta, Novi Sad, Szeged, Temisvar, and Pest, where he was a Tekelijanum scholar (having received a stipend from the Sava Tekelija Endowment). Throughout high school (gymnasium) and university he pursued his chosen career as a professional actor and manager, appearing in hundreds of plays he himself organized in which he received a reputation of high versatility and originality. The 1848 Revolution interrupted his university education and he left Pest for Sombor where Grand Zupan Isidor Nikolić Dzaver (1806–1862) of Bačka first appointed him secretary of the town's municipal court house, and then a position of judicial clerk at Lugos. In 1852 he was appointed professor of a high school in Novi Sad. There Đorđević came to loggerheads with the school's administrators, who were against Vuk Karadžić's language reforms, and left his teaching post to become secretary of the Matica Srpska and editor of the learned society's magazine Letopis Matice Srpske in 1857. Two years later (1859), Danilo Medaković appointed Đorđević to position of co-editor (with Đorđe Popović) of Srpski Dnevnik. He eventually relinquished his position to Svetozar Miletić in 1861 and joined Dr. Jovan Andrejević Joles on their long, overdue project – the construction of the Serbian National Theatre in Novi Sad. With the new theatre Đorđević showed his interest in Serbian drama through the productions of plays by Đorđe Maletić, Jovan Sterija Popović, Matija Ban, Joakim Vujić, and others. In 1868 he founded the Serbian National Theatre in Belgrade, where he offered increasingly elaborate contemporary productions of Serbian and foreign playwrights and dramatists, like Stevan Sremac, Milorad Popović Šapčanin, Milovan Glišić, Svetislav Vulović, Kosta Trifković, Branislav Nušić, Imre Madách, József Katona, György Bessenyei, Schiller, Henrik Ibsen, Oscar Wilde, Émile Augier, Jules Sandeau, Eugène Marin Labiche, Victorien Sardou, Ivan Turgenev, Gogol, Maksim Gorky and other.

[EX A]:
b