In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

Ex Input:
Question: How many slaves lived in Montpelier, Jamaica the year Rodin created his bust of Lord Howard de Walden? Passage:After succeeding to his family titles in 1899 he inherited further estates in 1901, including property in Marylebone, London and earned the title of 'Britain's wealthiest bachelor'. His family's wealth was initially derived from slavery and sugar estates in Jamaica, primarily Montpelier, Jamaica. He took a lease on Audley End House, Essex which had once belonged to his ancestors, in 1904 but reportedly never felt settled there. The artist Auguste Rodin created a bust of Lord Howard de Walden in 1906 which is held in the collection kept at the Rodin Museum in Philadelphia. In 1911, in preparation for his marriage, he leased Chirk Castle, Denbighshire, which became his main residence after WWI until 1946, and where he learned the Welsh language; he later served as president of the Campaign for the Protection of Rural Wales from 1931 to 1945.
 Links: a. Montpelier, Jamaica b. Audley End House c. Audley End House d. Welsh language

Ex Output:
a


Ex Input:
Question: How long had the Chicago Cubs been a team when Mahaffey set a strikeouts record for his club? Passage:Mahaffey set a club record with 17 strikeouts in a game against the Chicago Cubs on April 23, 1961. Though he ended the season with an ERA of 4.10, and a record of 11–19 (leading the NL in losses), in 36 games, he was selected to represent the Phillies on the NL All-Star team. Mahaffey ended the season with a record of 19–14, and a 3.94 ERA, with a career high 177 strikeouts, in 41 games. He was selected again in 1962 for the NL All-Star team, finishing 26th in balloting for NL Most Valuable Player (MVP), despite leading the league in home runs allowed with 36, and earned runs allowed with 120. Mahaffey had a 7–10 record in 26 games with the Phillies, to go along with a 3.99 ERA. In , he finished the season with a record of 12–9, with an ERA of 4.52, in 34 games. The ill-fated 1964 team was in first place in the NL, with a 6-game lead, with just 12 games remaining in the season, before starting a 10-game losing streak that cost the team the pennant. Mahaffey pitched in two of the games in that infamous skid, losing a 1–0 game (the first of that losing streak) on a steal of home by Chico Ruiz of the Cincinnati Reds, and was taken out while winning 4-3 in a game against the Milwaukee Braves, in which Rico Carty hit a ninth-inning bases-loaded triple, plating all 3 runners, off of reliever Bobby Shantz, to win the game for the Braves, 6-4. was his last season in Philadelphia, which saw him finish with a 2–5 record, and an ERA of 6.21, in 22 games, mostly in relief.
 Links: a. Chicago Cubs b. 1964 Philadelphia Phillies season c. Atlanta Braves d. Chico Ruiz

Ex Output:
a


Ex Input:
Question: Which of the three artists that Maxim Bugzester worked with created the work that sold for the highest price? Passage:Bugzester grew up in Vienna, studied at the Academy in Vienna, and then at age fourteen studied with the German Expressionist Karl Schmidt-Rutloff (1884–1976). He moved to France and worked with Pierre Bonnard (1867–1947) and later, for over two years, with Georges Braque (1882–1963). In 1935, he moved to the United States, and served in the United States Army during World War II. His work is generally known for its innovative brushwork, vibrant colours, and sometimes stark manner of representation; his art ranges from displaying existential topics (his many faceless figures with uncertain purpose) and bold landscapes to more classical (nude bathers) and everyday subjects (park settings, still lifes). His work is often overlooked in its connection to its mid and early twentieth-century European origins; his relationship with Braque (both personal and artistic) is subtle though clear in some of his work (revealing some moments of Cubist influence), but the legacy in much of his art most strongly reveals its roots in Fauvism and, in a larger context, Expressionism.
 Links: a. Karl Schmidt-Rottluff b. Vienna c. Fauvism d. Karl Schmidt-Rottluff

Ex Output:

a