In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Example Input: awsome early JV, and Germs . I met JV, Loki and Germs when they started Gotham Road and 2 yrs ago.  And we have been friends since.  So I wanted to check out their earlier stuff.  I like it, now I gotta check out the rest of their early stuff.  The singer J-sin at times sounds like Iggy!  Check them out!  and if you really want some good stuff then check out Gotham Road - Seasons of the Witch demo
Example Output: POS

Example Input: New Edition minus Bobby,Ralph and Johnny . Technically,this is New Edition minus Bobby Brown,Ralph Tresvant and Johnny Gill. Brown,by 1990 when this album was released,was enjoying a successful solo career,especially from many sales of his second 1988 release DON'T BE CRUEL. Tresvant released his self-titled debut also. So the remaining three NE members Ricky Bell,Michael Bivins and Ronnie DeVoe became Bell Biv Devoe. You can see on the album cover that one member has the official NE logo on his sweatshirt. These guys started their musical careers as typical R&B artists in 1983(Jackson 5 clones,vocally). And now they're "hippin' and hoppin'"! NE released their debut CANDY GIRL in '83,the self-titled album followed the following year,and between then and 1988,released three more albums.
Example Output: POS

Example Input: It's never quite let me go. . At a rather hip friend's insistence, I first heard this album in mid to late high school (circa 1995).  Seeing as that those years were ground zero for teenage angst and all that comes with being hormonal, confused, and lovelorn, I seized onto this band with a fervor (right along with Mineral, Seam, and a few others).  To this day, when I hear the opening bass chords and the swelling drums of the first song, I instinctively grit my teeth, get my rock face on, and prepare to air drum on my steering wheel.  This is a powerful record, one that bends and weaves with a beautiful intensity throughout.  The desperation of hardcore is still very much a presence in TITR's music, but it's bound tight with melody, memorable time signatures, and pop-savvy structures.  Granted, Garrett's voice can drive people away from the band if they aren't willing to give it time (he's more than a tad nasal), but the songs stick with you.  Definitely an album to purchase if you're even momentarily interested in the mid-'90's tail end of the "emo/post hardcore" movement.  As for the guy who suggested that the EP was better than this full-length, don't believe it.  Get this, and dig in
Example Output:
POS