In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Example Input: Before I comment on this movie I just watched on YouTube, I have to admit that the reason I checked this out was to rewatch something I first saw on the TV ads in 1980: Barbara Bach's cleavage. And since the movie received an R rating, I expected to see her nude. Alas, no dice for her or of the other gorgeous actress that appeared here: Stacey Nelkin who's supposed to be a teen but was actually 20 when she made this. Seeing her in a bra and panty and later in a belly dancer outfit was just as arousing as Ms. Bach. They provide some of the scattered laughs this movie provides. In fact, I don't blame Ron Leibman for having his name removed from the credits since his role as the tight-fisted Liceman is pretty embarrassing though I did like the "seduction" scene he did with Ms. Nelkin. This also happens to be the debut of Ralph Macchio who's the loner among the misfits sent to an academy school. The others are a black kid who really loves his stepmother and Ms. Bach, an Arab who worships motor oil, and a politician's son who loves his girlfriend Candy (Nelkin's character) so much, he risks sneaking in the middle of the night see her in the girls academy. Among the supporting cast, Tom Poston plays a swishy character named Sisson who I found partly amusing. With a screenplay by Tom Patchett and Jay Tarses and direction by Robert Downey Sr. (whose son Robert Downey Jr. has a cameo early on in a soccer scene), Up the Academy is uneven with the politically incorrect humor but unless you're really offended at the scatological and sexual content, this is actually a pretty harmless comedy that Mad Magazine and its trademark cover boy-Alfred E. Newman-shouldn't be ashamed of even though they once had their name and character taken off the picture...P.S. Another one of the "misfits" was Harry Teinowitz who was born in my birth town of Chicago, Ill. He played Rodney Ververgaert. He also says one of my favorite lines: "I'm trying to come."
Example Output: negative

Example Input: I found this film to be an utter dissapointment. The talent available to the director- notably Stanley Tucci, Chris Walken, Hank Azaria and Alan Arkin (without even mentioning the four main leads)- have been completely wasted on an unfunny, mediocre story, whose conclusion one couldn't really care about once introduced to the dire, stereo-typed characters. Julia Roberts is feeble, Zeta-Jones is just plain annoying (appearing to reprise her role from high fidelity, minus the humour), Crystal just plays his same old hyper-active, neurotic, annoying alter-ego and Cusack simply walks through his part, apparently bored with the whole project.For what is supposed to be a 'Romantic comedy', there is absolutely no romance between the central characters, let alone chemistry, and as for the comedy- (possible SPOILERS)well, the only moments of mild humour came off the back of Cusack's role in Grosse Pointe and his relationship with Alan Arkin- the scriptwriter obviously unable to show any originality whatsoever. (Spoilers) Azaria was reasonably amusing as the Mexican lover and Walken did quite an amusing turn as a parody of an arthouse-maverick-Dogme type director- but these parts constituted very little screen time and instead (Spoilers) we were treated to Billy Crystal having his groin sniffed by a dog. Pure genius.For a huge fan of the majority of John Cusack's work, not to mention the rest of the fantastic cast, I was completely let down by a film with plenty of good ideas, and at the same time completely unwilling to explore or elaborate on any of them, instead resorting to the same old genre cliches and even lowering itself to the depths of almost 'gross-out, teen-movie' humour at times.A very poor 4/10.
Example Output: negative

Example Input: While thinking of "The Great Escape" I allowed my mind to wander back to this little gem of a movie from my childhood. I had read and re-read the autobiographical novel from 1949 which inspired it, and when it came to the only cinema (we never used that word then , actually) in town that showed "foreign" films, I was first in line to buy my ticket.As someone brought up on wartime newsreels and propaganda films during WWII, I had an avid interest in exploring the realities of that conflict as reflected in the memoirs and stories of men who were there in person. That extended later to a keen willingness over the years to buy any book on the subject, and eventually to read the equally compelling novels of Hans Helmut Kirst and Erich Maria Remarque, which provided an even deeper sensibility. The movie versions, however, were unlike this one in that they rarely delivered the goods.The medium of black-and-white film has never been served so well as it was in those years. I have never seen any technicolor version of war that seems as authentic as do the deep chiaroscuros of films like "The Wooden Horse." If it is true that we are destined always to be captive to the images of our childhood, then I confess it freely.And there will never be another the likes of Leo Genn as the emblematic British war hero on film. Not even Sir Alec.
Example Output:
positive