In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: if you 're into watching near on two hours of bored , foul - mouthed florida teens having sex , doing drugs , having sex , listening to eminem , having sex , playing video games , having sex , and killing one of their peers , then " bully " 's for you .
based on jim schutze 's novelization of a true - life event , " bully " charts the story of a handful of disenchanted teenagers who , in 1993 , murdered their high school bully in cold , calculated blood .
the film could have provided fascinating insights into what turned these aimless kids into premeditated killers .
in the hands of controversial director larry clark ( " kids " ) , however , it has less to say about its subject matter and more to say about the filmmaker 's pornographic proclivities .
in terms of the incident and what provoked it , " bully " stirs up nothing new .
the high schoolers are presented as a uniformly screwed up lot -- bored with life , not much ambition , promiscuous , profane .
the bully in question , bobby kent ( nick stahl ) , is certainly an unpleasant piece of work
but he does n't exactly tower over his colleagues in the pathological department .
he hounds and harries and humiliates his " best friend " marty ( played by brad renfro ) and marty 's girlfriend lisa ( rachel miner ) does n't care for it at all and comes up with the idea of killing bobby .
simply remove him from the equation .
marty and lisa and a handful of their promiscuous , profane , and stoner friends , plus a recruited hit man ( ? ) , lure bobby to a swamp one night , stab him , beat him over the head with a baseball bat , and dump him into the canal where the sand crabs and the gators , presumably , finish him off .
there 's no remorse --
the next day they 're talking about it as openly as a homework assignment .
they did it because they wanted to , and because they could .
what 's most troubling about the film , however , is n't the unsettling subject matter and the matter - of - fact way these young people go about eliminating one of their own but the way in which clark is constantly distracted by his own material
.
not only is the nudity plentiful and graphic in " bully
" but there 's also an uneasy , exploitative feel to it .
gratuitous crotch shots abound ( one of which makes the zipper cut - away in " there 's something about
mary " look like the height of subtlety ! ) .
clark is so pre - occupied with his female ( predominantly ) leads that
you forget , at times , what this movie is supposed to be about .
the stripping bare , literally and figuratively , of these actors ( who are , after all , playing underage teenagers ) becomes harder to watch over time , as you begin to feel for them and question the motives of the man behind the camera .
the conclusion of " bully " offers up literal snapshots of information about the sentences imposed on each of the protagonists for their involvement in the crime .
it 's a short sequence of stills -- heather : 7 years ; ali : 40 years ; lisa : life imprisonment , for example -- but it 's infinitely more telling than the 110 minutes of rampant unpleasantness that precedes it .
"
bully " aims for truth , exploits it shamelessly , then bludgeons it to death .

Output: N


Input: Consider Input: capsule : earthy , experimental , difficult , shockingly frank ( even for 1997 ! ) , and ultimately refreshing story of a black man on the run from the cops .
the first few minutes of sweet sweetback 's baad asssss song ( yes , i checked --
that 's the correct number of ss )
are without dialogue , just eerie montages of sounds .
a young boy , obviously malnourished , is taken in and fed up by several loving mother - surrogate figures .
then one of them takes the boy to bed for a sexual initation ( underneath the title credits ) that 's far more confrontatory and shocking than any ten basic instincts -- probably because it has the directness and clumsiness of real life , something we 're not used to seeing on screen .
this is one tough movie to swallow , no matter who you are , but that probably reflects more on how pallid and unchallenging movies have gotten lately .
( i suspect the sex scenes in movies like el topo and salo would probably melt the synapses of most modern audiences . )
the plot is simple but not simpleminded .
sweetback , hassled by two white cops who are apparently just looking for an excuse to beat up on a black man , breaks his bonds and runs like hell .
along the way he moves through a good many of the kinds of environments that we are only just now being seen in a more serious light in the movies -- or at all , for that matter : the slums , the missions , the ghetto .
in other , lesser , movies , sweetback would be machine - gunning everything in sight and the end credits would roll over a pile of bodies ; in this one , we get taken on a kind of a tour of the depressing and anarchic world that sweetback takes for granted .
ssbas first appeared in 1971 and was promptly rated x ( " by an all - white jury " , as director melvin van peebles crowed in his legendary ad campaigns ) , and it 's hardly surprising why .
there 's a good deal of sex in the movie , but it 's handled in a way that 's unsettlingly frank -- a frankness that spills over into the rest of the movie .
in one scene , sweetback visits a friend 's house in the hope of getting sanctuary there , and the other man chats him up while on the toilet .
we 're not used to coming this close to people in real life , let alone in the movies -- especially not people who are not made out to be glamorous .
the movie is also full of experimental stylistics that are relatively unused today , but probably because of that seem curiously fresh and new in van peebles ' hands .
one scene , in which a man is interrogated by the cops , is loaded full of menacing energy as they fire off a gun inches from his ears , and suggest his deafness through a cleverly edited soundtrack .
another note : ssbas is not so much anti - white ( that would be too easy ) as anti - authority , and as the movie goes on to demonstrate , authority exists in many forms -- governments , churches , and even the paranoid inside of one 's own mind .
ssbas is ultimately about thirsting for freedom -- and it looks like we could use a little more of that in our movie diet , god knows .

Output: P


Input: Consider Input: starring shawnee smith ; donovan leitch ; ricky paull goldin ; kevin dillon & billy beck the blob is the remake of the 1960 's classic ( a term that i use very loosely to define the original ) about a really mean glob of goop that takes out anything that gets in its way .
now the original version has the virtue of cheesy special effects which give it a kind of nostalgic campy feel .
the fact that steve mcqueen was the star of the film does n't exactly hurt it either .
fast forward to the late ' 80 's .
steve mcqueen is n't in the remake ( this might have something to do with the fact that he had been pushing up daisies for years ) .
nor is there any hollywood heavy hitters in the lead role .
that is unless you count matt dillon 's brother kevin as a hollywood heavy hitter .
the other thing that works against this new blob is that special effects technology has improved dramatically since the original .
the only things you need now to have great special effects in a movie are deep pockets .
it looks as if the produces of the new blob had a couple of holes in their pockets .
the special effects in this movie are cheesy , like the original 's .
unlike the original , they do n't look campy , they just look cheap .
one bright spot in the movie from a purely sexist point of view is shawnee smith .
she is very attractive and can actually act , which is more than i can say about some of her costars .
in terms of plot , a little ball of pink goop falls from the sky .
seems this goop was an experiment that was being housed up on a satellite .
anyway , the pink stuff has a taste for humans .
the more people it absorbs , the bigger it gets .
and it is n't the friendliest goop on the block either .
anyway , it attacks this little town and it 's up to the attractive local teenage population to stop it .
not really , but that is how it seems .
this version attempts to recapture the camp of the original .
as i 've already said , this new version of the blob comes off more as cheap , badly acted , and badly written than campy .
in the years since this film was made none of the cast have gone on to greatness .
although , star shawnee smith had a very tiny role in armageddon .
the reason that we have never heard of any of them again is quite simple --
they all stunk out loud .
although some of the film 's smaller roles are filled with some actors that , while not big stars , are doubtless people that you will recognize from their supporting roles in other movies and tv shows .
it also appears that the producers of the blob tried to compensate for the lack of a special effects budget by making the scenes in which the blob makes meals of the townsfolk as gory as possible .
sadly , it does n't work very well . if you want to see a big ball of goop terrorize a town , then i would say that you should skip the remake and rent the original .
( although that is n't so hot either . ) this newest version is seriously lacking in any redeeming qualities .


Output: N