instruction:
Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.
question:
CONTEXT: She states in the movie that after she received a blood transfusion she could feel the ability had left her. Cage also notes this when he wakes up in a military hospital after a botched attempt to retrieve the transponder prototype, as the result of a blood transfusion. As such, it would seem the ability is something you can feel, and thus you can tell when you've lost it.  <sep>  Q: How does Rita Vrataski find out that she lost her power to "reset" her day without killing herself? A: she could feel the ability had left her  Q: Why would should lose her power after a blood transfusion? A: botched attempt  Q: How was she able to find out for sure without killing herself? A: it would seem the ability is something you can feel, and thus you can tell when you've lost it  <sep> FOLLOWUP_Q: How did she lose so much blood to need a transfustion?
answer:
Yes


question:
CONTEXT: I haven't seen the film so I don't really know the context for the scene: But it sounds like he's talking about how uncomfortable dating is and how awkward sex can be. As a woman with long hair, it hurts a lot when someone pulls your hair and, when in the bedroom, it will happen occasionally, which takes a lot of the fun out of it... assuming it's not intentional... A guy can easily trap the girl's hair between his body and the mattress, preventing the girl from moving her head and yanking the hair if she's not aware it's trapped, causing pain.  <sep>  Q: What does you're on my hair signifies in Wedding Crashers? A: A guy can easily trap the girl's hair between his body and the mattress, preventing the girl from moving her head and yanking the hair  Q: It means stop touching my hair. Do you have anything else to tell me? A: As a woman with long hair, it hurts a lot when someone pulls your hair and, when in the bedroom, i  <sep> FOLLOWUP_Q: Why not just put it in pigtails?
answer:
No


question:
CONTEXT: There's no overarching right answer to this. I think there are a few reasons for it: For starters, it's fun. You've mentioned lots of directors in your question who have done it and it's likely they all got a pretty good kick out of it. Think Hitchcock's many roles or Tarantino in Reservoir Dogs, or Pulp Fiction. There's also a tradition argument. Stan Lee, for example, has done it for so long now that it's expected and many fans get enjoyment out of spotting him in each of his roles. The same applies to Hitchcock. After the fun and tradition reasons, it's certainly plausible to suggest because they can. Many directors don't have the fame or recognition for a cameo role to be significant. But if someone like Tarantino, Scorcese or Peter Jackson does it, it's instantly recognisable given their fame. This can be compared to other, less famous, directors who wouldn't be recognised. Therefore, it certainly carries that making cameos gives them airtime and keeps them recognisable in the public eye. These are just a few of the reasons. I'm sure other arguments could be made, such as the fact it saves money (such as in the case of a longer role, e.g. Tarantino in Django), but it seems to be mostly about a mixture of fun and tradition.  <sep>  Q: Why do directors make cameo appearances in their movies? A: There's no overarching right answer to this. I think there are a few reasons for it: For starters, it's fun  Q: What other reason would their be? A: There's also a tradition argument. Stan Lee, for example, has done it for so long now that it's expected and many fans get enjoyment out of spotting him in each of his roles  <sep> FOLLOWUP_Q: Is there another reason why?
answer:

Yes