TASK DEFINITION: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.
PROBLEM: Passage: Like Green, who made particular mention of Beiderbecke's "amount of teaching," the jazz historian Ted Gioia also has emphasized Beiderbecke's lack of formal instruction, suggesting that it caused him to adopt "an unusual, dry embouchure" and "unconventional fingerings," which he retained for the rest of his life. Gioia points to "a characteristic streak of obstinacy" in Beiderbecke that provokes "this chronic disregard of the tried-and-true." He argues that this stubbornness was behind Beiderbecke's decision not to switch from cornet to trumpet when many other musicians, including Armstrong, did so. In addition, Gioia highlights Beiderbecke's precise timing, relaxed delivery, and pure tone, which contrasted with "the dirty, rough-edged sound" of King Oliver and his protégé Armstrong, whose playing was often more energetic and whose style held more sway early in the 1920s than Beiderbecke's.
Beiderbecke's playing - both as a cornetist and a pianist - had a profound effect on a number of his contemporaries. Eddie Condon, for instance, described Beiderbecke's cornet playing as "like a girl saying yes" and also wrote of being amazed by Beiderbecke's piano playing: "All my life I had been listening to music […] But I had never heard anything remotely like what Beiderbecke played. For the first time I realized music isn't all the same, it had become an entirely new set of sounds" "I tried to explain Bix to the gang," Hoagy Carmichael wrote, but "[i]t was no good, like the telling of a vivid, personal dream […] the emotion couldn't be transmitted."Mezz Mezzrow described Beiderbecke's tone as being "pickled in alcohol […] I have never heard a tone like he got before or since. He played mostly open horn, every note full, big, rich and round, standing out like a pearl, loud but never irritating or jangling, with a powerful drive that few white musicians had in those days."Some critics have highlighted "Jazz Me Blues", recorded with the Wolverines on February 18, 1924, as being particularly important to understanding Beiderbecke's style. Although it was one of his earliest recordings, the hallmarks of his playing are evident. "The overall impression we get from this solo, as in all of Bix at his best," writes the trumpeter Randy Sandke, "is that every note is spontaneous yet inevitable." Richard Hadlock describes Beiderbecke's contribution to "Jazz Me Blues" as "an ordered solo that seems more inspired by clarinetists Larry Shields of the ODJB and Leon Roppolo of the NORK than by other trumpet players." He goes on to suggest that clarinetists, by virtue of their not being tied to the melody as much as cornetists and trumpet players, could explore harmonies.

SOLUTION: What is the first name of the person who highlights Beiderbecke's precise timing, relaxed delivery, and pure tone?

PROBLEM: Passage: In the forest near the small isolated town of Maiden Woods a team of loggers goes inexplicably missing. Unable to contact them the Foreman goes searching for them, finding only a logger's severed arm. He is then violently killed in his truck by an unseen creature.
Later in town Sheriff Paul Shields and his new deputy Donny Saunders from New York speak to farmer Ron who insists one of his valuable horses has been stolen, though without evidence of theft it is assumed the horse merely escaped through an open gate. Paul then leaves to pick up his son Adam from his wife Susan who no longer lives with him after the accidental death of their other son, Tim. That night Adam sees a creature in the back yard and when Paul investigates he hears but does not see a large creature in the trees.
The next morning Paul finds large footprints in the snow around his house that appear to come from an animal with hooves that walks on two legs. Donny informs him the footprints are around everybody's houses in the entire town. Paul and Donny follow the footprints into the woods where they also find large claw marks on the trees where the footprints disappear. After hearing from Park rangers that no known animal with hooves could walk such a distance on two legs Paul assumes the whole thing is a prank. Paul later hears from the town priest that his dog and a lot of other animals have gone missing. Paul then goes to a local store where Ron's daughter Clair and several hunters confront him with their fears about old Indian stories of creatures living in the woods, though Paul dismisses this. Earl, another hunter informs Paul that even though it is hunting season all the deer and other forest animals have all disappeared, meaning a large new predator may be in the area.

SOLUTION: What are the first names of Tim's parents?

PROBLEM: Passage: The Skelmanthorpe Flag is believed to have been made in Skelmanthorpe, in the West Riding of Yorkshire, in 1819. It was in part made to honour the victims of the Peterloo Massacre.
The Free Trade Hall, home of the Anti-Corn Law League, was built partly as a "cenotaph raised on the shades of the victims" of Peterloo. Until 2007 the massacre was commemorated by a blue plaque on the wall of the present building, the third to occupy the site, now the Radisson Hotel. It was regarded as a less than appropriate memorial because it under reported the incident as a dispersal, and the deaths were omitted completely. In a 2006 survey conducted by The Guardian, Peterloo came second to St. Mary's Church, Putney, the venue for the Putney Debates, as the event from radical British history that most deserved a proper monument. A Peterloo Massacre Memorial Campaign was set up to lobby for a more appropriate monument to an event that has been described as Manchester's Tiananmen Square.In 2007, Manchester City Council replaced the original blue plaque with a red one, giving a fuller account of the events of 1819. It was unveiled on 10 December 2007 by the Lord Mayor of Manchester, Councillor Glynn Evans. Under the heading "St. Peter's Fields: The Peterloo Massacre", the new plaque reads:
On 16 August 1819 a peaceful rally of 60,000 pro-democracy reformers, men, women and children, was attacked by armed cavalry resulting in 15 deaths and over 600 injuries.
In 1968, in celebration of its centenary, the Trades Union Congress commissioned British composer Sir Malcolm Arnold to write the Peterloo Overture. Other musical commemorations include "Ned Ludd Part 5" on British folk rock group Steeleye Span's 2006 album Bloody Men, and Rochdale rock band Tractor's suite of five songs written and recorded in 1973, later included on their 1992 release Worst Enemies.
The events are depicted in the 1947 film Fame Is the Spur, based on the Howard Spring novel of the same name and in the 2018 Mike Leigh film Peterloo.

SOLUTION:
What is the name of the 1947 film that depicted the massacre that commemorated by a blue plaque until 2007?