In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Q: Question: What year was Tevaram published? Passage 1:For the lead roles, Christopher Meloni was cast as Detective Elliot Stabler and Mariska Hargitay was cast as Detective Olivia Benson after they auditioned together. Hargitay, who had to move from Los Angeles to New York when she got the role, said she was able to do this on short notice because she was already planning on moving to New York to pursue a Broadway career. The squad commander role was filled by Dann Florek, who had portrayed Captain Don Cragen for the first three seasons on the original Law & Order and later reprised his role in . He joined the cast on the condition that he not be asked to audition. Richard Belzer was cast as Detective John Munch, continuing his role from the series . In Belzer's words, he was cast because "Dick Wolf and Tom Fontana got drunk at a party". Halfway through the season, Richard Belzer reprised his role of Munch in , which briefly shows his character out on a case in his SVU context in New York. At Belzer's insistence, his character was partnered with Brian Cassidy, who was portrayed by Dean Winters. However, Winters' contractual obligation to the HBO series Oz forced him to leave halfway through the season. Michelle Hurd, who portrayed Detective Monique Jeffries, filled Winters' void for the remainder of the season, and was at that point added to the main credits.
 Passage 2:The old name forms of Waldböckelheim (now a neighbouring municipality), Schloßböckelheim and Talböckelheim (now an outlying centre), can be traced back to an 824 document that names . The name Schloßböckelheim first cropped up only in the 17th century. In the 19th century, the name Thalböckelheim first came to light. On 1 November 1910, municipal council agreed to introduce Schloßböckelheim as the municipality's name. The name Talböckelheim seems to have had its spelling changed in line with the spelling reforms over the years; it is now written without the first H, but the name Schloßböckelheim itself has not been changed in the wake of the German orthography reform of 1996; the ß has not been changed to SS. The three prefixes that serve to distinguish the three centres whose names are otherwise the same are all standard German words with well understood meanings: Wald (“forest”); Schloß (or Schloss in up-to-date spelling; “castle/palace”); Tal (“dale/valley”). The village chronicle has this to say about the village's name:Until the beginning of the last century (meant here is the 19th century) the village was named after the castle Schloßböckelheim, which still existed in the 17th century. The castle was destroyed by the French in 1688. The village of Thalböckelheim consists of the two constituent centres of Thalböckelheim and Schloßböckelheim: Schloßböckelheim with the ruin of Castle Böckelheim lies on the mountainside and the constituent centre of Thalböckelheim lies 0.5 km away down in the dale. Both constituent centres have roughly the same population figure. The village’s name was changed in quite a peculiar way. In the early part of the last century, in response to an inquiry by the authorities as to what the village was called, because it consisted of two constituent centres, the name Thalböckelheim was given by the then Schöffe (roughly “lay jurist”). The Schöffe lived in the constituent centre of Thalböckelheim and a certain selfishness on his part made him want to call the village Thalböckelheim, without regard to the historical importance of the constituent centre of Schloßböckelheim. None of the locally customary rural cadastral names had to do with the name Thalböckelheim, but rather they were named after Schloßböckelheim, like Schloßböckelheimer Mühlberg, Schloßböckelheimer Felsenberg, Schloßböckelheimer Kupfergrube and so on. Wines had earned quite an important reputation as Schloßböckelheimer in the wine trade, whereas Thalböckelheim never cropped up in the wine trade. Municipal council asked on these grounds to have the historical name Schloßböckelheim reinstated, as it was already well known throughout Germany for Emperor Heinrich IV’s imprisonment at Castle Böckelheim (1105).Also given as grounds for the reversion to the older name was the name's recognizability in winegrowing and the wine trade. A decree made on 22 April 1911 approved the municipality's application. Since this time, the two constituent centres of Thalböckelheim and Schloßböckelheim have been united under the collective name “Schloßböckelheim”. Among the places in the middle Naheraum (regions flanking the Nahe), Schloßböckelheim belongs among those places that were already often being mentioned in the Middle Ages. Castle Böckelheim, built on what was to become Schloßböckelheim's municipal area, was among the oldest in the region. Generally regarded as the village's first documentary mention is a document from 16 February 824. Late in 1105, Emperor Heinrich V, the last of the Salian dynasty, had his father, Emperor Heinrich IV taken prisoner in Ingelheim and then brought to Castle Böckelheim to be held prisoner there. In 1688, the Nine Years' War (known in Germany as the Pfälzischer Erbfolgekrieg, or War of the Palatine Succession) broke out. That year, the castle was destroyed on French orders.
 Passage 3:The 7th century Nayanar saints Sambandar and Appar wrote of the temple in their poetic work, Tevaram. The original masonry and towers date back to the 9th century CE, as seen from an inscription in the structure made by Chola kings. The Chola kings ruled over the region for more than four centuries, from 850 CE to 1280 CE, and were temple patrons. The temple complex dates from the time of the 10th century AD Medieval Chola king Uttama Chola whose inscriptions are found in its walls. An inscription dated to the fifteenth year of Raja Raja Chola makes a reference to "Panchavanmahadevi chaturvedimanagalam", which is another name for Nallur. There are also inscription by Later Chola kings and by Hoysala monarchs. The inscriptions from the Chola kings record various gifts like land, sheep, cow and oil to the temple commemorating various victories of the dynasty. There are lot of inscriptions from the Sangama Dynasty (1336–1485 CE), Saluva Dynasty, and Tuluva Dynasty (1491–1570 CE) of the Vijayanagara Empire, reflecting gifts to the temple from their rulers. The majority of the gift related inscriptions are for land endownments, followed by goods, cash endowments, cows and oil for lighting lamps. The temple has been maintained by the Thiruvaduthurai Adheenam from the early part of the 13th century.


A: 3
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Q: Question: How many teams were in Ligue 1 when Lucau made his first team debut with Paris Saint-Germain FC? Passage 1:"Look Out Cleveland" is the title of the Robbie Robertson-written song on The Band's self-titled album, also known as The Brown Album. The song begins with a boogie-woogie blues riff by pianist Richard Manuel followed by lead singer Rick Danko warning -- "Look out Cleveland, storm is coming through, And it’s runnin’ right up on you". However the Cleveland referenced in the song is not Cleveland, Ohio but likely Cleveland, Texas, a suburb of Houston which is also mentioned in the chorus -- "Look out, Houston, there’ll be thunder on the hill...". "Look Out Cleveland" differs from most of the songs on The Band's first two albums in that is more influenced by urban blues music than by rural music. According to music critic Nick DeRiso, Elton John's early song "Take Me to the Pilot" appears to be influenced by this song.
 Passage 2:Ferrell's biography follows the course of Truman's life from his birth in 1884 in Lamar, Missouri to his 1972 death and burial at the Truman Library in Independence. The first five chapters examine his service as a captain in World War I, his pre-politics careers in banking, farming, and a failed run as a haberdasher which ended in bankruptcy, and marriage to Bess Truman in 1919. Chapters six to eight look at his early political career, launched by Kansas City boss Tom Pendergast, beginning with his election as a county judge in 1922, then senator in 1934, and in 1944, vice president to Franklin Roosevelt, in a behind-the-scenes compromise Ferrell calls "the most extraordinary political arrangement of the present century"—Democratic Party leaders could see that the extremely ill Roosevelt was unlikely to survive his fourth term in office, and had to convince him to drop then-VP Henry Wallace in favor of Truman, who was felt to be a more "reliable" man. Truman ascended to the presidency upon Roosevelt's death in 1945, and this period in Truman's life is covered in chapters nine to 17—the majority of the book—including Truman's decision to detonate atomic weapons on Hiroshima and Nagasaki to force an end to World War Two, his unexpectedly successful reelection in 1948, his civil-rights initiatives, and his administration's handling of foreign-policy issues, most prominently the Korean War.
 Passage 3:He began his 1997 career with Levallois SC and joined in summer 1999 to PSG. In January 2003 was promoted to Paris Saint-Germain and played in his first professional season 3 games in the Ligue 1. After his first senior year with PSG left Lucau his club and signed for Le Mans. He played for Le Mans Union Club 72 64 games in the Ligue 1 and Ligue 2 before signed for CS Sedan Ardennes in summer 2007. Lucau joined than on 1 January 2009 on a six month loan from his club CS Sedan to LB Châteauroux. He played in the second half of the 2008/2009 season only four games for LB Châteauroux in the Ligue 2 and returned to CS Sedan Ardennes. After his return played for his club CS Sedan Ardennes just 3 games and was in summer 2010 released from his club. On 28 October 2010 after three months as Free agent signed a one year contract with SR Colmar.


A: 3
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Q: Question: When was the society di Pietro joined in 1845 founded? Passage 1:It was first studied by Lorraine Copeland and Peter Wescombe in 1965–1966. A wide variety of materials were recovered from the site and its immediate area that are now held in the Saint Joseph University in Beirut. Stone tools from the surface included numerous short, wide, sickle blades with fine denticulation or nibbling along with tanged arrowheads, scrapers, chisels, axes, burins, obsidian and a small green stone axe. Pottery resembled middle periods at Byblos and coloured similar to at Ard Tlaili with red or black washes. Both fine and coarse shards were found of jars with a variety of collared and flared necks and flat bases along with bow rims such as those found at Jericho. Vessels were decorated with stabbed and incised designs, finger pressed around the rim and smoothed by hand or with straw. A painted lattice pattern was detected on at least one piece. Comparisons were made with middle and late Neolithic periods at Byblos showing inhabitation from several phases. The site was also used in Bronze Age and Classical times and material from these phases has been found over a wide area around the site.
 Passage 2:Salvatore di Pietro was born in Palermo, Italy, on 15 June 1830. He entered the Society of Jesus (Jesuits) in October 1845 and was ordained a priest on 2 June 1859. He arrived in British Honduras (now known as "Belize") on 22 March 1869. On May 12 he suffered an attack of yellow fever. His superiors transferred him to Guatemala, where he preached missions to the Garifuna. He was appointed head of the missions in northern Guatemala, but along with 80 other Jesuits fled the country in September 1871 when the Liberals gained control and persecuted the Catholic Church. In 1872 president Jose Maria Medina invited him to Spanish Honduras to found a college in the capital Comayagua. He began by preaching missions in Omoa and San Pedro Sula. However, the Liberals took control of Spanish Honduras also and he returned to Belize.
 Passage 3:Vassos moved to Boston, Massachusetts in 1919, where he attended the Fenway Art School at night. He studied alongside American artist John Singer Sargent and worked as an assistant for Joseph Urban. In 1924 he moved to New York, where he attended the Art Students League of New York, studying under George Bridgman, John Sloan, and others. He opened his own studio creating window displays for department stores, like Wanamakers, murals, and advertisements for Saks Fifth Avenue, Bonwit Teller, and Packard Motor Cars in his unique black and white illustrated style. At the same time, he illustrated a series of books by Oscar Wilde for E.P. Dutton followed by others including Phobia on which he based his life-long design focus on psychology, his area of expertise as noted by Fortune Magazine's list of top designers in the country. He entered the emergent field of industrial design and was hired by rapidly-growing RCA Victor, under the leadership of David Sarnoff, who discovered Vassos while painting murals at the WCAU skyscraper in Philadelphia. The company had recently acquired Victor Phonograph, built Radio City, and owned NBC Broadcasting, but needed to amplify and modernize their radio manufacturing business. By hiring Vassos, an up-and-coming industrial designer who created their first Styling department, launched Vassos on a four-decade relationship with the company for whom he designed hundreds of items, while also consulting for numerous other clients like Coca-Cola, Waterman, Universal Artists, Remington, and the United States Government. Vassos's work as an interior designer included the Chrysler Building apartment of photographer Margaret Bourke-White, Nedick's Hot Dog stands, displays for RCA in department stores and the World's Fair,and many others for which he employed modular furniture. He eschewed trendy styles like the extreme-streamlined look, popular in the 1930s, and favored the clean, modern look unadorned with unnecessary elements. He expressed his design philosophy for magazines like Pencil Points and in lectures on modern design and art. Although he was hailed as a top designer in the United States during the 1930s, he slipped away from the spotlight of his industrial design peers like Raymond Loewy, Henry Dreyfuss, and Norman Bel Geddes, largely because he did not open a large firm. Unique among the industrial designers of the 20th century, his work was focused on the intersections between interior decorating, furniture design, and the shapes of phonographs, radios and televisions. His contributions include creating a futuristic living room including television, the slide rule dial on radios, emphasis on the haptic experience of media (knobs and buttons), and the "user experience," years before this term was coined.


A:
2
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