Given a document, an entity and its sentiment towards the entity, verify if it is the correct sentiment towards the entity. Answer should be yes or no. Note that URLs in the text have been replaced with [Link].

[Q]: Verify if the sentiment of the following document towards the entity George W Bush is Positive . After his reelection in 2004 , Bush sought major changes to Social Security , arguing a partial privatization plan could insure its solvency . 
The legacy of George W. Bush remains , much like his 2000 election , a subject of profound controversy , and any truly objective evaluation will likely be years in the future . 
The election of 2000 and the Supreme Court case of Bush v. Gore remain two of the most controversial political developments in the last half-century . 
Some thought that President Bush should begin his term by trying to find common ground and avoid controversy to take some of the edge off the nation 's polarized politics coming out of the 2000 election . 
Instead , as one of his first actions , President Bush issued an executive order creating the Office of Faith-Based and Community Initiatives , which further alienated some who thought government money should not go to organizations affiliated with churches . 
The Bush presidency transformed American politics , its economy , and its place in the world , but not in ways that could have been predicted when the governor of Texas declared his candidacy for America 's highest office . 
Within nine months of taking office , President Bush was afforded the chance to unite the nation after the terrorist attacks of September 11 , 2001 . 
By most accounts , Bush did a masterful job of speaking for and to the American people . 
As President , Bush became a lightning rod for controversy . 
Following an authorization from Congress to eliminate those who perpetrated the attacks of 911 , Bush ordered an invasion of Afghanistan . 
Those early successes , however , turned into the longest war in American history , and the President never was able to achieve the greatest symbolic goal of the effort , the killing or capturing of the mastermind of the attacks , Osama bin Laden ; U.S. special forces achieved that goal in 2011 under Bush 's successor , President Barack Obama . 
Following the 911 attacks , President Bush also presided over a restructuring of the American national security apparatus and the passage of the Patriot Act , which gave the government vast new powers in the effort to combat future acts of terror . 
Both efforts , especially the Patriot Act , sparked strong divisions within the American people throughout the Bush presidency . 
In 2002 and into 2003 , Bush used the fear of further terrorist attacks to argue for a preemptive war on Saddam Hussein 's Iraq under the rationale that Iraq had weapons of mass destruction . 
The last few months of the Bush presidency were marked by a major crash of the stock market , a controversial bail out of financial institutions and car companies , and a recession that would wipe out millions of jobs and impact the U.S. economy for many years . 
President Bush 's place in U.S. history will be debated and reconsidered for many years to come . 
On the domestic front , the Bush presidency scored early successes in gaining passage of large tax reductions and a major reform of the American educational system with the No Child Left Behind Act .
[A]: yes


[Q]: Verify if the sentiment of the following document towards the entity Joanne is Positive . But Gaga has spent the past three years deconstructing her previous project  which is its own kind of performance. Elaborate dance pop ceded ground to jazz standards  showtunes  and country rock. Tentacle gowns went into the closet; jeans and a pink cowboy hat came out. The director Chris Moukarbel shot Five Foot Two largely on handheld—maybe even smartphone—cameras. You see Gaga cooking  recording  planning  crying  bonding. In one scene  she’s topless as she chats with her team by the poolside. The implication: This is Gaga  au naturel. Yet she never seems to forget the camera. Five Foot Two documents last year’s release of her album Joanne  and makes clear how much Gaga’s public reboot relied on demonstrating that she  like everyone else  suffers. Gaga has increasingly mined the traumas of her own life  with songs and philanthropic efforts growing out of her rape at age 19. The dissolution of her engagement to the actor Taylor Kinney  mournfully referenced a few times in the documentary  seemed to inform the breakup-themed Joanne singles “Perfect Illusion” and “Million Reasons.” But there was a deeper source of anguish on  Joanne   too. The album is named for  her  aunt  an aspiring artist who died of lupus at age 19 in 1974. “Seeing what that did to [my father] and my family was the most powerful thing I experienced growing up ” Gaga tells the journalist Darryl Pinckney in the film. “I am Joanne. I am my father’s daughter. That is what this record is about.”
The most memorable scene of the documentary comes when she first plays the album’s delicate  acoustic title track for her grandmother   Joanne’s  mom. The moment verges on uncomfortable  and not only because Gaga’s father   Joanne’s  brother  gets up and leaves the room in apparent distress midway through. Gaga herself seems hungry to have her telling of an ordeal she did not personally experience validated by those who did. “Did I get it right?” she asks her grandmother  mid-hug. “Yes you did ” her grandmother responds. But she has a warning for Gaga  too: “Don’t become maudlin over all this.” For now  Gaga is asking not for applause but understanding. It’s never explicitly stated  but Gaga seems to connect to  Joanne ’s story in part because of  her  own medical situation. Iconography about hospitals and crutches and wheelchairs over the years hinted that the seemingly bionic pop star faced problems of the flesh off-stage. In 2010   she  told Larry King  she  tested “borderline positive” for lupus.  She ’s still feeling the effects of the injury  she  sustained in 2013  as seen in a Five Foot Two moment when  she  pauses rehearsals for  her  Super Bowl halftime show because of hip tightness.  Fibromyalgia  appears to make that problem worse  and being a pop star in chronic pain certainly doesn’t seem easy. One scene shows  her  having  her  makeup done for a performance while sitting in a doctor’s examination room.
Gaga’s particular ailment is an almost-literal rendering of Jamison’s “pain without a cause”—which is  as  she  notes  “pain which can’t be trusted.” A poorly understood but widespread disorder that seems to inordinately affect women  fibromyalgia is sometimes assumed to be psychosomatic. “Drug Approved. Is Disease Real?” read a 2008 New York Times headline about the first FDA-sanctioned drug to treat it. Gaga has said that she wants to help raise awareness and research dollars. During one excruciating flare-up shown in Five Foot Two  she sympathizes with less-privileged sufferers of the disorder: “Like  I don’t know what I’d fuckin’ do if I didn’t have everybody here to help me.” A few moments later  she’s looking straight into the camera. “Do I look pathetic?” she asks  tear-streaked  lying on a couch  a therapist massaging her. “I’m so embarrassed.” It’s a powerful moment because the stigma of pain is clearly part of the pain itself. But it’s also aesthetically striking. To answer Gaga’s question  she actually looks like she did in parts of the “Bad Romance” video—crying  stripped down  and oddly luminous. It’s a sign of fame’s power on the viewer: Whatever lengths she might go to put person over persona  the persona remains. * * * Pop music has firmly moved on from the phase of gleeful  Technicolor artifice that Gaga stood for at her peak. Contemporaries in wildness like Kesha and Miley Cyrus have done much what Gaga has done and traded Alexander McQueen creations for cowboy boots. They have also made a diaristic turn  harmonizing their music with their angsty  tabloid sagas.
Usually this means trading on the spectacle of suffering to sell pop’s ultimate commodity—inspiration. Beyoncé’s Lemonade is the signal example  taking the sting of infidelity to spin a tale of hurt and overcoming. Kesha’s alleged abuse by her mentor and producer Dr. Luke was addressed and transcended on this year’s Rainbow. Katy Perry marketed her latest album with an on-camera therapy session in which she cried about her “real” self wanting to be known. Taylor Swift seems on the verge of unveiling a more acidic survival story. “Victim to victory” songs are always in fashion  but the latest boom relies  more than pop usually does  on the feeling of authenticity. Adult listeners of drive-time radio typically know they’re in the realm of fantasy and commerce  yet fully enjoying the confessional-pop performance means buying into the non-musical narratives surrounding them. Beyoncé rolled her own child and husband into the Lemonade visual experience. “I write this shit  baby ” Kesha insisted on a recent single. You’re explicitly asked to believe that the gap between performer and person is negligible.  Joanne  already fit into this triumphant-confessional class  with Gaga singing about family members and friends by name and roaring  “I might not be flawless but you know I’ve got a diamond heart.” The meta-text  all along  was Gaga’s own career arc—a sense that  she ’d come down from the heights  she ’d reached from 2008 to 2013  stumbled with  her  third album  and might never recover. Glimmers of past traumas and family tragedy contributed to the pathos.  Her  medical troubles would seem to retroactively add in a new layer  though it’s unclear when  she  received  her  fibromyalgia diagnosis  and little on the album can be heard as an explicit reference to illness. Certainly the lyrics about healing through love on  her  post- Joanne  single  “The Cure ” now seem a lot less generic.
[A]: yes


[Q]: Verify if the sentiment of the following document towards the entity Tom Petty is Negative . Tom Petty  wrote dozens of classic songs (âFree Fallin â âAmerican Girl â âRefugee â and on and on). Here are a few deeper cuts that endure:
âFooled Again (I Donât Like It) â from â Tom Petty  and the Heartbreakersâ (1976): The eeriest  nastiest track on the bandâs debut.
 Watch Tom Petty  and the Heartbreakers rip through "Fooled Again (I Don't Like It)."  Watch Tom Petty and the Heartbreakers  rip through "Fooled Again (I Don't Like It)." SEE MORE VIDEOS
âI Need to Know â from âYouâre Gonna Get Itâ (1978):  Petty  was initially pegged as a new-wave artist by tastemakers who didnât know what to make of  him   and this song embodies the fast  terse  almost slapdash urgency of the form with the guitar interplay of Petty and Mike Campbell.
 Watch Tom Petty  and the Heartbreakers tear up "I Need to Know" in 1978.  Watch Tom Petty and the Heartbreakers  tear up "I Need to Know" in 1978. SEE MORE VIDEOS
âLouisiana Rain â from âDamn the Torpedoesâ (1979): This sounds like a battered  bruised  bluesy outtake from the Rolling Stonesâ âBeggars Banquetâ with  Petty  channeling Keith Richards.
Listen to  "Louisiana Rain" from Tom Petty and the Heartbreakers . Listen to  "Louisiana Rain" from Tom Petty and the Heartbreakers . SEE MORE VIDEOS
Watch the original 1981 video for "A Woman in Love (But It's Not Me) " from Tom Petty and the Heartbreakers . Watch the original 1981 video for "A Woman in Love (But It's Not Me) " from Tom Petty and the Heartbreakers . SEE MORE VIDEOS
Listen to  "The Best of Everything" from Tom Petty and the Heartbreakers . Listen to  "The Best of Everything" from Tom Petty and the Heartbreakers . SEE MORE VIDEOS
Watch  Tom Petty  and the Heartbreakers perform "Love is a Long Road" from a 2003 episode of "Soundstage." Watch  Tom Petty  and the Heartbreakers perform "Love is a Long Road" from a 2003 episode of "Soundstage." SEE MORE VIDEOS
âDonât Fade on Me â from âWildflowersâ (1994): One of Pettyâs best and most underrated albums with Rick Rubin production  coming off recent work with Johnny Cash  focused on intimacy and stripped-down production.  Petty  has never sounded more vulnerable than  he  does on this acoustic track.
Listen to "Don't Fade on Me" from  Tom Petty 's 1994 solo album  "Wildflowers." Listen to "Don't Fade on Me" from  Tom Petty 's 1994 solo album  "Wildflowers." SEE MORE VIDEOS
Listen to "Come on Down to My House " from Tom Petty and the Heartbreakers . Listen to "Come on Down to My House " from Tom Petty and the Heartbreakers . SEE MORE VIDEOS
âWays to Be Wicked â from âPlaybackâ boxed set (1995): An outtake handed to Maria McKee and Lone Justice for the bandâs stellar 1985 country-punk debut album.  Pettyâs  caustic version brims with sex  wickedness and hurt.
Listen to  "Ways to be Wicked" from Tom Petty and the Heartbreakers . Listen to  "Ways to be Wicked" from Tom Petty and the Heartbreakers . SEE MORE VIDEOS
Watch  the official music video for "Swingin'" from Tom Petty and the Heartbreakers . Watch  the official music video for "Swingin'" from Tom Petty and the Heartbreakers . SEE MORE VIDEOS
[A]:
no