In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[Q]: Question: Who was the founder of the railroad? Passage:The original train track through Irwindale were built by the Los Angeles and San Gabriel Valley Railroad. The Gold line uses the old right of way of the Los Angeles and San Gabriel Valley Railroad who built the first train tracks through Irwindale in 1887. The Los Angeles and San Gabriel Valley Railroad was founded in 1883, by James F. Crank with the goal of bringing a rail line to San Gabriel Valley from downtown Los Angeles. Los Angeles and San Gabriel Valley Railroad was sold on May 20, 1887 into the California Central Railway. In 1889 the rail line was consolidated into Southern California Railway Company. On Jan. 17, 1906 Southern California Railway was sold to the Atchison, Topeka and Santa Fe Railway and called the Pasadena Subdivision. Amtrak-Santa Fe ran the Southwest Chief and Desert Wind over this line through Irwindale, but relocated the Desert Wind to the Fullerton Line in 1986. The Santa Fe line served the San Gabriel Valley until 1994, when the 1994 Northridge earthquake weakened the bridge in Arcadia and the track was closed till the Gold line was built. The rail line crosses the San Gabriel River on a long girder bridge, then passes through the Santa Fe Dam Recreation Area (how it received its name). The rail line intersected the north end of the former SP Azusa Industrial Track at Irwindale (MP 118.2). Irwindale had a 6,165 foot rail siding that passed the Miller Brewing Company's Irwindale brewery. From there the tracks continued and crossed beneath Irwindale Avenue.

[A]: b


[Q]: Question: Where was Schunk's conductor for his 1986 tenor solo performance born? Passage:From 1979 onwards, he worked as a freelance singer, performing internationally. He appeared at both the Hamburg State Opera and the Vienna State Opera in 1981 as the Emperor in Die Frau ohne Schatten by Richard Strauss. In 1983, he appeared as Max in Weber's Der Freischütz at the Bregenz Festival. The same year, he made his U.S. debut as Erik at the Lyric Opera of Chicago. In 1984 he took part in the Hamburg State Opera's tour of Japan. In 1986 he appeared as Florestan in Beethoven's Fidelio at the Metropolitan Opera, opposite Hildegard Behrens in the title role, returning in 1989 as Siegmund and in 1990 as the Emperor, a role which he had also performed for his 1987 debut at the Royal Opera House. In 1996, he appeared as Loge in Wagner's Das Rheingold at the Opéra de Marseille. In addition to his opera activities, Schunk has also performed successfully in concerts. He recorded the tenor solo in Beethoven's Ninth Symphony in 1986, conducted by Georg Solti with the Chicago Symphony Orchestra & Chorus, alongside Jessye Norman, Reinhild Runkel and Hans Sotin.

[A]: b


[Q]: Question: How many tracks other than Kitty Kat were included on the album that it was on? Passage:"Kitty Kat" received generally favorable reviews from critics. Eb Haynes of AllHipHop described "Kitty Kat" as a seductive track. Norman Mayers of Prefix Magazine wrote that B'Day is packed with standouts such as "the Rich Harrison-produced 'Freakum Dress' and the Neptunes-helmed 'Kitty Kat'." Picking out "Kitty Kat" as one of the four top tracks of the album, Spence D of IGN Music added that the song slows things down, allowing for Knowles' "crystal clear vocals to take some down time and relinquish up a dreamy, creamy sound that is playfully sensuous." Andy Kellman of Allmusic described "Kitty Kat" as "a deceptively sweet, rainbow-colored track" where purrs - that are sound made by all species of felids and are a part of cat communication - are more like "claws-out dismissals." Jon Pareles of The New York Times called the song a "cooing [and] sighing" one. Sal Cinquemani of Slant Magazine noted that "Kitty Kat" was "the only mid-tempo break" until the very end of the album. Darryl Sterdan, writing for the Canadian website Jam!, said that the song is just about what you think. Thomas Inskeep of Stylus Magazine commented that "Kitty Kat" seems to be an obvious tracks produced by The Neptunes. He went on complimenting "the squishy R&B keyboard which works well with the song’s 'I’m not feelin[g] it' vibe." A writer of the Seattle Post-Intelligencer commented, "Beyoncé is better at being sexy than sarcastic, and 'Kitty Kat' doesn't make any bones about what her absentee lover is missing." Michael Roberts of New Times Broward-Palm Beach commented that Knowles "purrs at lower speed" in the song.

[A]:
b