Given a document, generate a short title of the document. The title should convey the main idea/event/topic about which the document is being written. Note that URLs in the text have been replaced with [Link].

Ex Input:
"Yes  we've raised a lot of capital but we've had a great use for those funds " said Petrohawk Chairman and CEO Floyd Wilson.
 In that time the company took its acreage in the Haynesville and grew it to become a top producer of natural gas from the tight  cement-like shales that until recent years were considered too expensive to drill. And almost single-handedly Petrohawk made the rest of the world aware of the Eagle Ford Shale in South Texas  becoming the dominant player there.
 to become a top producer of natural gas from the tight  cement-like shales that until recent years were considered too expensive to drill. And almost single-handedly Petrohawk made the rest of the world aware of the Eagle Ford Shale in South Texas  becoming the dominant player there.
 All told  Petrohawk has gone from being a firm with 4 trillion cubic feet equivalent of gas reserves and a $3 billion market capitalization in December 2007 to 34 tcf in reserves and a $7 billion market cap. With the scale also has come greater efficiency: Petrohawk went from 25 000 wells to 5 000 in that same time.
 Kinder Morgan Chairman and CEO Rich Kinder said the Petrohawk deal will let his company benefit from what he sees as a long  steady future of shale gas production.
 Tuesday's deal takes Petrohawk's existing 170-mile natural gas gathering and processing system and turns it into a stand-alone joint venture with its own employees  executive team and board of directors. That transition will happen over the next six months.
 The system will expand to 375 miles by the end of the year anchored by years of production from Petrohawk's wells. It could grow further if other producers hook into it.
 Co. analysts said they liked the higher-than-expected price Petrohawk got for the joint venture. And Tudor Pickering
 Holt analysts were positive on news that Petrohawk would cut $50 million in gas drilling costs because of improved operational efficiencies  while increasing oil production from South Texas holdings.
 Shares of Petrohawk were up 57 cents Tuesday  or 2.5 percent  to close at $23.18. Shares of Kinder Morgan were down about 73 cents  or about 1 percent  to close at $66.50.

Ex Output:
PETROHAWK ENERGY HAS RAISED $1.4 BILLION THIS YEAR SLUG: JUMP HEAD 40PT HERE HEREY XXXXXXX


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âI havenât seen that  no â the stunned Swank told Fox News at an FX event in Pasadena  Calif. of the report released just minutes earlier about  Paul Haggis   who won consecutive Oscars for screenwriting the Swank-starring "Million Dollar Baby" and writing and directing "Crash."
 Haggis  was named in a civil lawsuit on December 15  2017 by publicist Haleigh Breest  who claimed the married  64-year-old filmmaker raped her on Jan. 31  2013 in a New York City apartment.
The lawsuit spurred three more women to claim sexual assault and harassment by  Haggis .
According to the Associated Press  one of the accusers claimed  Haggis  made  her  perform non-consensual oral sex and then raped  her .
Another accuser said  Haggis  told  her  âI need to be inside  you .â  She  said  she  was able to escape.
They all said  Haggis  first tried to kiss them. In two of the cases  they said  when they fought back   Haggis  escalated  his  aggression.
The new rape accuser said she was a 28-year-old publicist working on a television show being produced by  Haggis  in 1996 when he called to ask to review photos from the show that night in her office.
When  Haggis  arrived  she said  everyone else had left the office for the night and  he  insisted they speak in a back office. She said  Haggis  began kissing her as soon as they walked into the room.
"I just pulled away.  He  was just glaring at me and came at me again. I was really resisting.  He  said to me  'Do you really want to continue working?'" the woman said. "And then  he  really forced  himself  on me. I was just numb. I didn't know what to do."
 Haggis â lawyer told the AP his client is denying the new accusations  saying  âHe didnât rape anybody.â
 Haggis  has also denied Breest's initial rape allegation in a counter-complaint to the lawsuit  and said the accuser and her lawyer had demanded a $9 million payment to avoid legal action  which he characterized as extortion.
Fox News reached out to  Haggis  and Breest but did not receive comment.
 Haggis  is also well-known for being an outspoken critic of Scientology  which  he  left in 2009.  He  is listed as currently directing the film "Lead and Copper."

Ex Output:
Hilary Swank stunned that 'Million Dollar Baby' writer Paul Haggis accused by 4 women of sexual assault


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The camera is an instrument of suspense. Given a movie frame  you want to understand what's happening in it â and what will happen next. That balance of wonder and dread is a fundamental draw of film  and a touchstone of the horror genre. The questions Kendall R. Phillips asks in A Place of Darkness: The Rhetoric of Horror in Early American Cinema are: How did we get from the nickelodeon special-effects "cinema of attractions" to understanding horror narratives as their own genre? And what does America's relationship with horror tell us about the idea of being American in the first place?
A Place of Darkness is about as academic as they come; expect discussion of the "paradigm of monstration" and the ways weird films "provided a counternarrative to the emerging American rationalist epistemology." But the book's central arguments make for great reading  as  Phillips  lays out the ways that proto-horror movies contained distinct and disparate rhythms (suspense  surprise  superstition)  how the need for legitimacy led to literary adaptation as a horror standard  how movies developed alongside audiences to bring new immediacy to onscreen dread  and how shifting visions of the Other forced movies to constantly renegotiate what  exactly  people were meant to be afraid of.
 Phillips  draws these elements together under the idea of horror as an exploration of cultural fears within 'acceptable' parameters. When "the pressure to create a homogeneous American culture necessitated securing the popular American movie screen for the purpose of indoctrinating immigrants " the past was an old world fraught with terrors  and the present was a new one full of uncertainty. "Both on the screen and in the discussions surrounding early screen practice  a line of demarcation was drawn between the incredulous  civilized  white American male and the superstitious  uncivilized  gendered  and racialized Other." (Though this book ends with Dracula and Frankenstein  there's a straight line to the cultural conversations modern films are having with their own genre histories â look no further than Get Out for a horror movie that tackles this dynamic head-on and radically redraws that line of demarcation.)
As with many academic texts  this effort to frame a new argument means the book only scrapes the surface of some of its most interesting suggestions. We're duly warned that  Phillips  intended "an exercise in rhetorical criticism  in that  its  focus has been on the way these horrific elements were depicted  discussed  and contested " but that question of American identity and the shifting Other is compelling enough to overwhelm some of the rhetorical specifics. (Several early thrillers that use inheritances  wagers  and other greed as the motive for crime and terror are listed in order to slot them into the 'melodrama' aspect of emerging horror. But was this merely a reason to fill a house with false ghosts? Was there some deeper American unease about money and the wealthy in the late 1920s that spurred so many successful movies in which the unscrupulous rich made life miserable for others? Perhaps the book's designed to prompt such questions from the reader; if there's one thing an academic text will tell you  there's always room for more research.)

Ex Output:

'A Place Of Darkness' Is An Illuminating History Of Horror : NPR