Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

[Q]: CONTEXT: As shown throughout the film, the Predator has only killed armed opponents. At this point in the film Arnold has put up a great fight against the Predator and is currently unarmed. The Predator looks him over much like a hunter might take time looking at a prize kill before firing a shot. The Predator disarms himself and then fights Arnold hand-to-hand, a "fair" fight instead of just killing defenseless prey. (It's been a long time since I've seen the film, so can't remember exactly when/how the Predator stops using weapons).  <sep>  Q: Why did the Predator not kill Arnold immediately as it killed everybody else? A: As shown throughout the film, the Predator has only killed armed opponents. At this point in the film Arnold has put up a great fight against the Predator and is currently unarmed  <sep> FOLLOWUP_Q: What happened to the Predator after checking arnold's head?
[A]: Yes


[Q]: CONTEXT: He first sends the message of STAY. Remember the scene in the beginning of the movie just before Cooper visits the teachers of his children. We are shown that Murph has some thick lines on her book. In the end we are shown that she is actually figuring out the morse code behind the falling books represented by the thick lines. Thus she was indeed receiving the messages of STAY before getting the co-ordinates. Now in the teseract Cooper initially wants Murph to stay in the room, so he sends the message of STAY. When he realises that what has happened in the past cannot be changed, then he wants to save the future of mankind. That is why he sends the location of NASA to his past self.  <sep>  Q: If Cooper wanted to stay, why did he send the NASA Coordinates?
[A]: Yes


[Q]: CONTEXT: When Bloom and Penelope got attracted and talked aboard the Fidele, Bloom told about his brother and his dreams. While it may be part of the con at that point it sounds real. He tells about his brother's dream to do the perfect con, about making the made-up story true, and how he thinks Stephen might have even liked it to have died at midnight on a beach during a trip to Jakarta as that would be something "real". Bloom then tells Penelope that it is a trap to try to make your own story true. Dying for his brother, to complete the story, does fit into this pattern. Stephen says that it was always only about Bloom, and it is certainly not a coincidence that Bloom is the one who is called by the Family name; he is the main person of the movie. Stephen is the creator of a story for his brother; his job is done at the end of the movie. Of course that is an explanation that only works in movies; in reality stories and lives rarely have fixed and clear starts and ends. The death of a character in a movie is a clear symbol that his part is completed. The character in this movie served a single purpose, to care for the happiness of his brother; by making the story real he spares the couple to start their relationship on a lie.  <sep>  Q: Did Stephen really get what he wanted?
[A]:
Yes