Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

[Q]: CONTEXT: I do not have an authoritative answer, but my impression is this: Budd is not particularly enthused about the entire conversation with Bill or where Bill wants it to go, be it because of his animosity towards Bill, his battle weariness, surrendering his fate to Beatrix, or a combination of these motivations – which are all supported by the rest of the dialogue. Saying that he pawned his Hanzo sword seems like the easiest option to end the conversation and indeed it ends shortly afterwards. Had Budd said that he still had the sword, this would have given Bill leverage to make (or try to make) Budd join his cause. Had Budd said that he sold the sword for an appropriate price, this would obviously contradict Budd's apparent financial situation.  <sep>  Q: Why did Budd lie about him having his sword? A: I do not have an authoritative answer, but my impression is this: Budd is not particularly enthused about the entire conversation with Bill  Q: Why is Budd unhappy with Bill? A: because of his animosity towards Bill  <sep> FOLLOWUP_Q: Does Beatrix get revenge?
[A]: No


[Q]: CONTEXT: The point is that it's not about being smart.. It's about knowing what you are talking about and and having the guts to hold a position. We see, in the scene prior to the elevator sequence, that the other CIA officials are all hedging their bets about the location of Bin Laden, Chastain's character is the only one who will commit to being certain. This is why, even though, all of them are smart... he discounts that as being the deciding factor. Being knowledgeable, and committed to an opinion, even an internally unpopular one, carries more weight with him Which is why, in the very next scene, the Director talks to Chastain's character to weigh her up for himself. He's convinced, not only by her certainty but by the fact that the only thing she's done for the CIA in her 12 years...is hunt Bin Laden.  <sep>  Q: What is the meaning of the elevator scene in Zero Dark Thirty? A: We see, in the scene prior to the elevator sequence, that the other CIA officials are all hedging their bets about the location of Bin Laden  Q: Why is she so certain? A: It's about knowing what you are talking about and and having the guts to hold a position  <sep> FOLLOWUP_Q: Did anyone disagree with her?
[A]: No


[Q]: CONTEXT: You're kind of focusing on the wrong end of the sentiment. It's not so much that they did what Freddie wanted, it's that they never stood up to him or offered any critiques. What Freddie's trying to concede here is that he did his best work when Brian, Roger, and John were giving their input. The Munich guys were either unable or unwilling to stand up to Freddie's creativity, and so his work wasn't as good. In short, Freddie found out he is not the perfect musical force he believed he was before he went to Munich, he recognizes that he needs the rest of the band, and he's explaining why he was wrong in abandoning Queen.  <sep>  Q: Why is it a problem for Freddie if the guys from Munich did what he wanted? A: You're kind of focusing on the wrong end of the sentiment. It's not so much that they did what Freddie wanted  Q: Why is their pushback that it was done? A: it's that they never stood up to him or offered any critiques  <sep> FOLLOWUP_Q: Why is that a problem if it got done?
[A]:
Yes