In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Q: " take a number , fill out a form , and wait your turn .
"
starring kati outinen , kari v ? ?
n ?
nen , sakari kuosmanen , elina salo ; written & directed by aki kaurism ?
ki
; cinematography by timo salminen it might be possible to call drifting clouds a satire or a black comedy , but that would imply a sense of anger , of vitriol , of energy ; drifting clouds is what you get when the rage and vitality are gone .
it is the sad , slow story of lauri and ilona , a married couple caught between the wheels of capitalism as it grinds inexorably onward .
he loses his job as a tram driver , because everyone drives cars nowadays .
within a couple of months , she loses her position as a head waiter , when her restaurant is bought out by a chain and the entire staff replaced .
a conversation early in the film reveals a lot about their situation .
lauri has surprised ilona by buying her a tv , which she greets with little enthusiasm .
she notes that they have n't finished paying for the bookshelves or the couch yet .
he says that in four years the payments will be done and then they can buy some books for the shelves .
it would pass as deadpan humour if it was n't spoken with such resigned weariness .
this sets the tone for the rest of the movie .
there is humour and idiosyncracy at the periphery , but at the centre there is frustration and futility , and sorrow for the ways in which the logic of profit reduces people , until their worth is equated solely with their earning capacity .
there is an element of political commentary in this critique of the mechanisms of capitalism and the stultifying social environment it creates , but in drifting clouds the political is subsumed by the personal : the movie is about two people and what happens to them , and nothing else matters .
lauri and ilona live lives starved for friendship , respect , culture , passion .
they go to the movies , and walk out past old posters for l'atalante and l'argent , but the movie they have just seen is a pointless , violent , unfunny comedy .
their house and workplaces are uniformly unpleasant , painted and upholstered in lifeless colours ( ugly greens , dull reds , insipid blues ) , full of inelegantly functional objects and appliances .
the art design is impeccable in its tawdriness , and director aki kaurism ?
ki often matches the colour of characters ' clothes with the background colour and/or lighting , so that it seems as if they are almost physically fading into the environment .
there is no suggestion of sexuality in the relationship ; ilona and lauri sleep in separate beds and their gestures of affection lack the heat of desire ; their lives are now bound by something more complex and desperate than love .
their downward , downsized , downtrodden lives have a momentum that is almost comic , as one setback succeeds another , bottoming out when lauri stakes all their remaining money on the spin of a roulette wheel .
it must have been tempting to play the story for more laughs , more farce , more deadpan wit , but the film 's great strength
is the sober , empathic manner in which it observes lauri and ilona 's misfortunes .
irony would be an injustice .
situations and settings are broad and exaggerated -- this is not realism -- but they are not distorted .
the emotions are authentic .
if it is difficult to laugh at anything that happens , despite the droll performances , the laconic humour , that 's because kaurism ?
ki brings such compassion and understanding to the manifold indignities that are suffered .
he shows us how humiliating it must be for a woman of thirty - eight , who has worked long and hard to win a respectable position , to be forced to accept a job as a dishwasher in a two - bit restaurant ; how humiliating it must be for a man nearing 50 to confront his wife 's former employer , demanding the rest of her wages , only to have the crap beaten out of him , unable to land a single punch , when the employer and his cronies refuse to give him the money .
all this is observed keenly , with great economy : every cut , every line of dialogue , is judicious .
if most films are novelistic in their telling , this one brings the focus and concentration of a short story to bear .
but what is gained in nuance and acumen is rather undermined by the sense that the material barely accommodates the 96-minute running length .
i have seen many movies far less profound , less humane , less necessary than drifting clouds , but they filled me with an urge to watch them again , and this one did not .
it does not need to be seen twice : its every detail and implication can be absorbed in one viewing .
it is not a movie that will be seen by a large audience , because it can not be pitched to one .
there is no selling point .
it is all understatement , restraint , melancholy .
the characters are unremarkable , their best years behind them , their dreams dissipated ; it takes all the effort they can muster just to pay the bills .
this does not make them less fascinating , merely less marketable , which is a shame , because this is a movie which should be seen , precisely because it pays attention to people and emotions that most movies prefer to ignore .
it engages us and touches us and resolves -- surprisingly , and movingly -- into something resembling a happy ending .
the only thing greater than the ill - luck that governs the characters ' lives is their refusal to give in to despair .
their persistence is rewarded with what might be called a " feel - good " ending elsewhere , but not here , because this ending differs in kind from most such endings : this one has truly been earned .

A: P
****
Q: everything about this ninth trek movie seems on the cheap , from the roger corman - grade special effects to its highly derivative and ugly ad campaign
( the poster is nearly identical to that of star trek
vi : the undiscovered country ) .
but piller 's not - quite - half - baked screenplay should ultimately claim responsibility for insurrection 's failure .
i 'm about to give the same advice to rick berman and co .
as i 've given to the financiers of james bond movies : it 's time to breathe life into this workhorse by hiring solid genre writers and a real director .
( while we 're at it , put that visor back on laforge ! )
for three hundred years , the ba'ku species ( who look just like humans ) have lived on a ringed - planet that might as well be called the fountain of youth .
six hundred of them occupy the briar patch , the area affected by metaphasic radition , a positive energy that reverses the aging process in the elderly .
but evil ru'afo ( this is probably abraham 's last stop before performing " amadeus " at a dinner theatre near you ) , leader of the son'a ( who look just like burn victims after reconstructive surgery ) , wants to relocate the ba'ku and movie his people onto the briar patch in their place , in order to replenish his dying breed .
the federation is all for this , but picard feels this is a direct violation of the prime directive : to not interfere with the development of an alien race .
( never mind that the ba'ku did n't exactly evolve - they went wandering in the universe one day and stumbled upon the magic world . )
every time frakes gives an interview lately , he seems to top whatever ludicrous statement he last gave regarding this installment .
he has called it a comedy , a thinking man 's picture , a throwback to the old series , and , most grievously , he has likened it to a john ford western .
( i presume that 's some john ford
he went to school with , not the director of the searchers . )
he has also gone on record as saying paramount recut the film from his version .
that 's no excuse -
someone generated this footage .
muddy cinematography and sitcom sets are the least of its problems ; star trek : insurrection appears to have been beamed in from the planet plotholia . consider such curiosities . . .
picard 's love interest , anij ( donna murphy ) , can slow things down by staring at them ( such as a waterfall or falling rocks ) -her scientific explanation for this ?
" do n't ask .
"
worf gets a pimple ( he 's re - experiencing klingon puberty thanks to the time - defying atmosphere ) , laforge regains his eyesight ( trust me , levar burton 's real eyes are scarier than those electronic lenses he wore in first contact ) and troi brags about her firm boobs , but picard remains as bald as an android 's butt .
most suspiciously , what exactly is the problem with letting this endangered race have a little fun in the sun ?
the filmmakers cloud the issue with some nonsense about a family feud of sorts , and they also turn ru'afo into a completely power - mad superfreak , just so the characters will have something to do in the climax .
( and if you 've seen return of the jedi , you 've seen the ending of this movie . ) did n't picard himself previously disobey the prime directive when he prevented the borg from assimilating millions ?
frakes lucked out with first contact , and repeat viewings of that film reveal the seeds of what went wrong in his direction of insurrection :
he has no sense of comic timing , and he mines for acting chemistry where none exists .
( take a look at the painful " troi gets drunk " scene in fc and you 'll get the general idea of insurrection 's unsuccessfully jokey and hollow tone . )
even the worst shatner and co .
treks , like the final frontier , maintained a watchability thanks to the effortless ,
charming comaraderie between kirk , spock , and bones .
neither first contact nor insurrection has any idea what to do with crusher ( gates mcfadden , whom i must say maintains a fabulous physique ) , troi , or laforge .
and all three next generation films spend too much time on data , who is the franchise 's answer to urkel .
need a cheap laugh ?
have data say something sexual , or start singing , or lift up a four hundred pound boulder as if it 's the hunk of styrofoam it really is .
here 's my proposed title for number 10 : data star data trek : data data data data data .
in this movie , data will become preoccupied with learning to blow his nose , while crusher and troi watch silently from 500 yards away and laforge points his sinister gaze at the android in doubly robotic observation .
star trek : insurrection had one nice , eerie , silent moment that hints at a better , darker film .
i 'm not saying all of them should be star trek
ii : the wrath of khan , but this one boldly went where no movie should go again .

A: N
****
Q: the happy bastard 's quick movie review the concept of enjoying a stupid comedy is best realized as keeping it stupid , really .
shift gears even once and the audience can be thrown miserably out of control .
sadly , that is the case with kingpin , a film directed by the farrelly brothers , the duo that brought us there 's something about mary and dumb and dumber .
since the duo directed and did n't write the script , i can assume that 's part of the problem .
the story seems good enough : a pro bowler in the 1970 's by the name of roy munson ( woody harrelson ) is sitting on top of the world .
his popularity has gone through the roof and he 's getting his career off the ground .
then , however , he runs into ed mccracken ( bill murray ) , a rival bowler with hardly any real consideration for , well , anything .
these two form an ill - timed relationship that involves risky betting , and , before roy sees it coming , ed 's abandoned him
and he 's about to lose his hand in a bowling ball machine .
forward seventeen years later , where roy has become quite the loser , complete with mechanical hand , torn - up car , and , of course , the occasional knocking up of the ugly - ass landlord to avoid paying rent for a while .
however , he finds a glimmer of a hope upon a visit to a local bowling alley , where he runs into an amish kid named ishmael ( randy quaid ) , who has quite the bowling arm .
with the kid 's help , he figures he can be known again , particularly at the biggest bowling tournament rapidly approaching in reno , nevada .
of course , the amish kid needs some coaxing , particularly when you consider , well , he 's amish .
this leads to some of the best comic scenes in the film , such as roy 's process of removing horseshoes or milking the cow .
finally , the duo get on the road and , along the way , pick up an additional helper- a beautiful hustler ( played by the gorgeous vanessa angel ) .
the main problem i had
with kingpin was n't the fact it was n't funny .
in fact , it does have some rather hilarious scenes in it , such as the aformentioned above and roy 's explanation of not having children ( something involving a cheese grater ? ) .
but that 's just it- scenes .
there 's a couple of really serious scenes that throw off the entire momentum of the movie , like the abuse angel takes from her hustler ex - boyfriend .
i mean , was this really necessary ?
could n't have this been handled just a bit wackier ?
i mean , this is a comedy , why throw ethics in ?
particularly in a farrelly brothers vehicle , where hair gel can be easily mistaken ?
that really ruined it , however , and that 's too bad .
the acting is top notch , especially from angel and murray , and the really funny scenes are worth noting .
still , if you 're going to think dumb , think dumb all the way through , ok ? at least the farrelly brothers got back on track with mary or i 'd still be a little bit irked .

A:
N
****