In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Q: Review: Many critics have felt offended that R.W. Fassbinder has portrayed both protagonist Wilkie and the Nazis in this movie in a human-like manner. Connoisseurs of other Fassbinder films, however, will realize that "Lili Marleen" (1981) belongs to Fassbinder's "women movies" like "The Marriage of Maria Braun" (1979) and "Lola" (1981). Fassbinder was convinced that "stories can be told much better with women than with men", because, according to Fassbinder, while men usually fulfill their determined roles in society, "women are capable of thinking in a dialectic manner". Dialectics, however, means that there is not only a thesis and its antithesis like usually in our black-and-white world, but a synthesis where the oppositions coincide. Moreover, dialectic means that because of the third instance of synthesis the absolute opposition of the difference between thesis and antithesis is abolished. Concretely speaking: Starting from a dialect point of view and portraying the fascist state, the underground fighters must necessarily use the basic means like the rulers do, and between offenders and victims there is thus a chiastic relation, so that every offender is also victim and every victim is also offender. Fassbinder has illustrated this abstract scheme, that transcends classical logic, in his play "The City, the Garbage and the Death" (1975) which was filmed by Daniel Schmid under the title "Shadow of Angels" (1976).Therefore, approaching an a priori controversial topic like Nazi Germany, in a dialectic manner, the depiction of this time in the form of a movie gets even more controversial, especially for people who cannot or do not want to see that our recognition of the world is by far not exhausted with a primitive light-switch schema, but needs the third instance of synthesis as controlling instance of its opposite members thesis and antithesis. The mutual relationship between offenders and victims has to scrutinized, since it is simply not true that the offenders are the bad ones and the victims the good ones. In a synthetic viewpoint, the bad ones participate on the goodness as the good ones participate on the badness. They are mutually related. In a world-view based on classical logic, a relation between good and bad cannot even been established, and in an ethics based on this insufficient system of logic, the bad conscience of the survivors of Nazi Germany, feeling (illogically enough) responsible for the deeds of their ancestors, exclude the possibility of a relationship between the two extremes and thus a synthesis in the form a new evaluation based on this relationship as well. From Fassbinder's dialectic viewpoint, it follows that neither Lili Marleen nor Lola nor Maria Braun can be condemned for their "misuse" of the ruling system for their private purposes, because they don't misuse them, they just use them. In the opposite, since victims must repeat the actions of the offenders as the offenders must repeat the actions of the victims, because "good" and "bad" are no longer simple mirror images of one another like in two-valued logic, their strategies are legitimated by the chiastic structure of a logic that describes our world, that is not black and white at all, much better than a black-and-white logic. Question: is it a positive review?

A: yes
****
Q: Review: There are people claiming this is another "bad language" ultra violence Mexican movie. They are right, but more than that this film is a call to create awareness of what we have become. The awful truth hurts, or bores when you already have accepted the paradigm of living the third world as the only possible goal. One of the most important things of "Cero y van cuatro" is the open invitation to profound reflexion over our current identity. Is that what we all are? Is that all that we want to be? I am abroad and I realized how spoiled is the Mexican society when the Tlahuac Incident came to light. I still cannot understand viewers witnessing a mass broadcasted murder. I nearly puked when I saw some of the images. It was not Irak or Rwanda, just a tiny village near Mexico City when rampage was carried out with the indulgence of media and government. The recreation of a similar situation in this film shocked me deeply. The other stories were good portraying other situations of corruption, dishonesty, betrayal and violence, but I consider "Tamales de Chivo" the best one.The movie is deeper than some "cabrón" and "pendejo" screams. Those are meaningless compared with the actions of the people. With a few exceptions they are all perfect examples of human rubbish. Just like in real life honesty is becoming more the exception than the rule in our country. Moreover, honesty is only rewarded miraculously. Question: is it a positive review?

A: yes
****
Q: Review: Saw this movie in an early preview, and I cannot stress enough how bad I thought this film was. From the very beginning, the audience was groaning over Pacino's awful southern accent. Poor Al looked really, really haggard, and I can't decide whether this was purposely part of his role as a drug addicted publicist, or perhaps he just didn't get any sleep before coming to the set. Much worse than Pacino's close ups, however, is the wretched excuse for a plot. Early in the film we are given indications that Pacino's character is gay, and I suspect that is what the screenwriter had originally intended. Later, however, we are supposed to suspend our incredulity and believe that both Tea Leoni and Kim Basinger (both of whom are sleepwalking through lame roles) lust after this elderly, half dead looking, effeminate man with the ridiculous accent. The worst part overall was the main plot thread, which had to do with some corporate espionage that is never fully explained and we never, ever care about in the slightest. Because this was a preview I will reserve my final judgment, because of the possibility of re-shoots and editing, but you can bet I will not pay a cent to see this in theaters. Question: is it a negative review?

A:
yes
****