Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Ex Input:
CONTEXT: We have an answer in the finale episode: Devoe anticipated most of the events of this season so that Barry decided to enter Devoe's mind to fight him. But, if Barry became trapped in Devoe's mind, the Thinker would have access to past, present and future knowledge through Barry's connection to Speed Force. This, combined with the Enlightenment where people would have mentally regressed, would have made the Thinker a god.  <sep>  Q: Why didn't Devoe take Barry's power? A: We have an answer in the finale episode  Q: What is the answer in the finale episode? A: Barry decided to enter Devoe's mind to fight him  Q: Is there anything else you can share with me? A: f Barry became trapped in Devoe's mind, the Thinker would have access to past, present and future knowledge through Barry's connection to Speed Force  <sep> FOLLOWUP_Q: Did Barry get trapped in Devoe's mind?

Ex Output:
Yes


Ex Input:
CONTEXT: The movie has altered the plot of One Shot in many significant ways. The setting, for example, is a large city not a medium sized town, which makes it more cinematic but less coherent or credible (though this is a common trade-off in movies). The plot is simpler with fewer characters. The overall tone is not too far from the books, but the opportunity for cinematic additions has been taken. The slapstick scene is pure cinema invention (I'm not even sure you can do slapstick like that in prose writing). Some of the humorous dialogue, though, is true to Reacher's character in the book. I recall some inventive insults in the bar scene, for example, which are the sort of things he does say in the books as a result of his unshakeable confidence in dealing with people he has to fight. He really doesn't mind getting physical as he know he will win, so insulting his adversaries and goading them is a typical strategy. Overall the movie captures the spirit of the books reasonably well, but the slapstick scene sticks out as an anomaly.  <sep>  Q: Are the comedic elements in the film Jack Reacher evident in the novels on which it was based? A: The movie has altered the plot of One Shot in many significant ways  Q: How has the movie altered the plot? A: The setting, for example, is a large city not a medium sized town, which makes it more cinematic but less coherent or credible  Q: Why was this done if it makes the movie less credible? A: this is a common trade-off in movies  Q: Why does the film have so much humour? A: The slapstick scene is pure cinema invention (I'm not even sure you can do slapstick like that in prose writing  <sep> FOLLOWUP_Q: Why do films feel like they need to add humorous elements that are not true to the book?

Ex Output:
Yes


Ex Input:
CONTEXT: You're probably after Pomysłowy Dobromir from the 70s, a dialogue-free Polish cartoon about a boy who lives with his grandfather and a pet bird and always comes up with inventions. I think the episode you're describing is this one, only it's a hand pump, not a faucet:  <sep>  Q: Russian/East-European/Soviet Cartoon show with 3 main characters A: Pomysłowy Dobromir  <sep> FOLLOWUP_Q: I used to watch it in 1984. The show is in color. no dialogue, only music and sound effects

Ex Output:

Yes