You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Ex Input:
 Born in 1930 to a recently widowed Englishwoman on a homestead in rural Natal, little Peter Philip (Guy Witcher) is schooled in the ways of England by his mother and the ways of Africa by a Zulu nanny (Nomadlozi Kubheka), whose son Tonderai is also his best friend. Their easy life is forever shattered, however, when the farm's cattle are claimed by rinderpest. PK's mother succumbs to a nervous breakdown, and he is sent away to a conservative Afrikaans boarding school while she recovers.
Being the only English speaker, PK soon earns almost universal contempt from his scathing Afrikaner fellows particularly an older student, Jaapie Botha. Botha's abuse and the inferiority complex which results strikes PK with a severe case of nocturnal enuresis, a habit which he eventually overcomes with local sangoma Dabula Manzi. In conquering his nightmares, PK is given a chicken (Mother Courage), which becomes his closest companion. Botha subsequently captures PK and Mother Courage and has them tried before a mock court while elaborating on the depth of his hatred for the British a people he holds responsible for atrocities committed during the Second Boer War. The Afrikaans boys hang Mother Courage and kill her with a rock, but their attempts to kill PK in a similar manner are interrupted by a teacher who later oversees Botha's expulsion.
With his mother dead, PK finds himself living with his grandfather in Barberton. He eventually seeks a mentor in Karl "Doc" von Vollensteen (Armin Mueller-Stahl), a lonely German musician who lost his family in Europe. Doc warms to PK and under his guidance the latter soon becomes an excellent pianist. He is interned as an enemy alien at the onset of World War II, but PK continues to visit him regularly in prison. Doc introduces the boy to Geel Piet, a Cape Coloured inmate who takes von Vollensteen's place as PK's mentor, training him to be an excellent boxer. Piet also impresses on PK his mantra: "first with the head, then with the heart", a phrase that will see the young man through even greater hard times ahead.
A maturing PK (Simon Fenton) begins to express sympathy towards black prisoners, who are detained under appalling conditions. He works with Doc to distribute contraband among the Africans, writing their letters to home, and sharing their many sufferings. The war does not end happily for PK, as Doc is repatriated and Piet seriously injured by a white warder fails to survive his sentence. PK is sent away again, this time to study at the prestigious Prince of Wales School in Johannesburg. While attending a boxing championship, he is enamoured by Maria Marais, daughter of a leading National Party official. Since her strict father will not permit them to see each other openly, they begin dating in secret. On one such outing they are introduced to Gideon Duma, a prominent boxer in Alexandra, a notorious black township. Duma's passion for resisting apartheid inspires PK, and he begins teaching English at a rural African school.
Maria's father, incensed by the couple's ongoing relationship and PK's ties to a multiracial gym, leads him to request a formal investigation by one of his South African Police contacts, Colonel Breyten. Breyten and his sergeant, an embittered Jaapie Botha, place PK under surveillance for subversion. His clashes with the SAP finally come to a head when Maria is killed during a raid on a biracial church by the security forces. Maddened by grief, PK considers fleeing to England, but is consoled by his former boxing partner, who reminds him of all the good he can still do in Africa.
Botha leads a violent raid on Alexandra the following night. He threatens to shoot Elias Mlungisi, the local boxing promoter, only to be confronted by PK. They spar; PK easily bests his childhood enemy. Botha is still bent on executing the erstwhile victor, but an arriving Gideon Duma despatches the policeman with a cricket bat before he can fire. Now fugitives from the apartheid government, PK and Duma vow to continue a campaign against racial injustice. Peter's closing narration identifies meaningful voices during his life; from mother and nanny, to Doc and Dabula Manzi, Geel Piet and, finally, Maria Marais.

Ex Output:
What is Karl "Doc" von Vollensteen's nationality?


Ex Input:
 The plot of The Witch of Atlas revolves around the travels and adventures of a mysterious and mythical Witch who lives in a cave on Atlas' mountain by a secret fountain and who creates a hermaphrodite "by strange art" kneading together fire and snow, a creature, Hermaphroditus, "a sexless thing", with both male and female characteristics, with pinions, or wings. A "fair Shape out of her hands did flow" because "all things together grow/ Through which the harmony of love can pass." In Greek mythology, Hermaphrodite was the offspring of Hermes and Aphrodite. The hermaphrodite is androgynous and synthesises the opposing and contradictory aspects of the creative mind. The hermaphrodite is both the companion and the servant to the Witch. The journeys consist of sailing in the air on an airship and in water on a boat, or pinnace. They travel from the Atlas Mountains to the Austral Lake to the Nile Valley. Nature is explored as are fire and electrical energy. The Witch begins her sojourn from the ancient northern Ethiopian city of Axume. Lake Moeris, an ancient lake southwest of Cairo, Egypt, is visited, as are the Mareotid lakes south of Alexandria. King Amasis of Egypt, Memphis, and the bull god Apis are invoked. The forces of creation and destruction are resolved. The objective is a synthesis or union of contradictions.
The Witch is the daughter of the Atlantides, who in Greek mythology are called the Pleiades, the seven daughters of Atlas and Pleione. Her home, the Atlas Mountains, are a range that stretches across north Africa, from Morocco and Algeria to Tunisia. Her "choice sport" was to "glide adown" the Nile River into Egypt and Aethiopia with "tame water-snakes" and "ghastly alligators". She observed mankind at sleep. Injustice and inequality were noted: "And pale imaginings of visioned wrong;/ And all the code of Custom's lawless law/ Written upon the brows of old and young." It is this oppression and exploitation that trouble mankind's existence: "'This ... is the strife/ Which stirs the liquid surface of man's life.'"
The "visionary rhyme" recounts the pranks the Witch plays on mankind. Like Shelley himself, the Witch was able to perceive the fears and desires of mankind: "In mine own heart I saw as in a glass/ The hearts of others." She is able to see the "naked beauty" of the human soul. The Witch gave a "strange panacea in a crystal bowl" to those who were the most beautiful and imparted "strange dreams" to those who were less beautiful. The Witch sought to change man's perception of death. Death was not to be feared. The Witch took a coffin and "threw it with contempt into a ditch." The grave was "as a green and overarching bower/ Lit by the gems of many a starry flower." She sought to make the world more just and fair by making "more vain" all those purposes which were "harsh and crooked". The "miser" would place "all his evil gain" on a "beggar's lap". The "scribe" would reveal his own lies. Priests would reject dogma and "old cant". The king would place an ape on his throne and dress him up in his vestments while a "mock-bird" repeated the "chatterings of the monkey". War would be practised no more as soldiers turned their swords into ploughshares on "red anvils". Finally, "timid lovers" would see the "fulfilment of their inmost thought." These are the pranks the Witch "played among the cities of mortal men." The Witch was able to envision and foresee a future Utopia for all mankind.

Ex Output:
What did the witch give to people who were not beautiful?


Ex Input:
 In 1927, silent film star George Valentin is posing for pictures outside the premiere of his latest hit film when a young woman, Peppy Miller, accidentally bumps into him. Valentin reacts with humor to the accident and shows off with Peppy for the cameras. The next day, Peppy finds herself on the front page of Variety with the headline "Who's That Girl?" Later, Peppy auditions as a dancer and is spotted by Valentin, who insists that she have a part in Kinograph Studios' next production, despite objections from the studio boss, Al Zimmer. While performing a scene in which they dance together, Valentin and Peppy show great chemistry, despite her being merely an extra. With a little guidance from Valentin (he draws a beauty spot on her, which will eventually be her trademark, after finding her in his dressing room), Peppy slowly rises through the industry, earning more prominent starring roles.
Two years later, Zimmer announces the end of production of silent films at Kinograph Studios, but Valentin is dismissive, insisting that sound is just a fad. In a dream, Valentin begins hearing sounds from his environment (as does the audience), but cannot speak himself, then wakes up in a sweat. He decides to produce and direct his own silent film, financing it himself. The film opens on the same day as Peppy's new sound film as well as the 1929 Stock Market Crash. Now Valentin's only chance of avoiding bankruptcy is for his film to be a hit. Unfortunately audiences flock to Peppy's film instead and Valentin is ruined. His wife, Doris, kicks him out, and he moves into an apartment with his valet/chauffeur, Clifton, and his dog. Peppy goes on to become a major Hollywood star.
Later, the bankrupt Valentin is forced to auction off all of his personal effects, and after realizing he has not paid loyal Clifton in over a year, gives him the car and fires him, telling him to get another job. Depressed and drunk, Valentin angrily sets a match to his private collection of his earlier films. As the nitrate film quickly blazes out of control he is overwhelmed by the smoke and passes out inside the burning house, still clutching a single film canister. However, Valentin's dog attracts the help of a nearby policeman, and after being rescued Valentin is hospitalized for injuries suffered in the fire. Peppy visits the hospital and discovers that the film he rescued is the one with them dancing together. She asks for him to be moved to her house to recuperate. Valentin awakens in a bed at her house, to find that Clifton is now working for Peppy. Valentin seems to remain dismissive of Peppy having taken him in, prompting Clifton to sternly remind Valentin of his changing luck.
Peppy insists to Zimmer that Valentin co-star in her next film, threatening to quit Kinograph if Zimmer does not agree to her terms. After Valentin learns to his dismay that it had been Peppy who had purchased all his auctioned effects, he returns in despair to his burnt-out apartment. Peppy arrives, panicked, and finds that Valentin is about to attempt suicide with a handgun. Peppy tells him she only wanted to help him. They embrace and Valentin tells her it's no use; no one wants to hear him speak. Remembering Valentin's superb dancing ability, Peppy persuades Zimmer to let them make a musical together.
Now the audience hears sound for the second time, as the film starts rolling for a dance scene with Peppy and Valentin and their tap-dancing can be heard. Once the choreography is complete, the two dancers are heard panting. The director of the musical calls out audibly, "Cut!" to which Zimmer adds: "Perfect. Beautiful. Could you give me one more?" Valentin, in his only audible line, replies "With pleasure!" revealing his French accent. The camera then pulls back to the sounds of the film crew as they prepare to shoot another take.

Ex Output:

What newspaper publishes a photo of Peppy's meeting with Valentin?