In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Example Input: Context_1 : Devil is the fourth and final studio album by Michigan post-hardcore band Chiodos, released on April 1st, 2014. The album takes its name from the band's definition of the word "Devil." Returning vocalist Craig Owens explains: Context_2 : Craigery "Craig" Owens (born August 26, 1984) is an American musician best known as the former lead vocalist of Chiodos. He has also had an involvement in various side projects such as Cinematic Sunrise and badXchannels; and the supergroups The Sound of Animals Fighting, Isles & Glaciers, and Destroy Rebuild Until God Shows. A founding member, Owens is as of March 2017 not active anymore with Chiodos, following a separation from the band in November 2016. He has recorded as a solo artist and appeared in the 2012 film "K-11". Context_3 : Wires...and the Concept of Breathing is the first full-length album by American post-hardcore band A Skylit Drive. The album was released on May 21, 2008, on Tragic Hero Records. The album is noted for frequently referencing the popular video game series "Final Fantasy". The band released videos for five of the tracks: "Wires...and the Concept of Breathing", "This Isn't the End", "Knights of the Round", "All It Takes for Your Dreams to Come True" and "I'm Not a Thief, I'm a Treasure Hunter". This is the first album to feature vocalist, Michael Jagmin, who joined the band in 2008. Context_4 : Rarity is a Canadian post-hardcore band from Hamilton, Ontario, Canada, formed in 2014. The band consists of lead vocalist Loeden Learn, guitarists Adam Clarke and Zachary Pasquale, and drummer Evan Woods. They signed with Rise Records and released their debut EP, "Alive In Your Eyes" in 2015. The band released their debut studio album, "I Couldn't Be Weaker", in April 2016. The group has toured with multiple musical groups such as Silverstein, Vanna, Being As An Ocean, Emarosa, Coldrain, Seaway and State Champs. Context_5 : Through Art We Are All Equals is the debut album by American post-hardcore band Slaves released June 24, 2014 through Artery Recordings. The lead single "The Fire Down Below" was released on April 22, 2014 on YouTube. On May 14, the band released "The Upgrade, Pt. II" as the second single from the album. The third single "Starving for Friends", featuring Vic Fuentes of Pierce the Veil was released on May 26. The album was produced by Kris Crummett. It's the only album to feature bassist Jason Mays who left the band on May 30 prior to the album's release. Context_6 : Get Scared is an American post-hardcore band from Layton, Utah. Formed in 2008, they released their first EP, "Cheap Tricks and Theatrics", in 2009. Another EP, "Get Scared", was released in 2010. The band's debut studio album, "Best Kind of Mess", was released on July 12, 2011. Nicholas Matthews left the band to join Blacklisted Me, and the band released "Cheap Tricks and Theatrics B-Sides" on December 19, 2011 without any previous announcements. Nicholas was replaced by Joel Faviere in 2011. The band's third EP, "Built for Blame, Laced With Shame" was released in 2012 with Faviere. Faviere was kicked out a few months after the EP's release when Matthews rejoined the band. Following Matthews' comeback, the band signed with Fearless Records and released their second full-length album, "Everyone's Out To Get Me" on November 11, 2013. The band's third studio album, "Demons", was released on October 30, 2015, and marked a departure from the band's post-hardcore sound featured on "Built for Blame" and "Everyone's Out to Get Me" in favor of a more metalcore-like sound. Context_7 : Michael "Jag" Jagmin is an American vocalist, notable for being the former lead vocalist of post-hardcore band A Skylit Drive and former lead vocalist of metal band Odd Project. Jagmin is well known for the idiosyncratic quality of his voice and possesses a wide vocal range spanning over three octaves, and the ability of making high pitched screams. Context_8 : Chiodos ( , ] ) was an American post-hardcore band from Davison, Michigan. Formed in 2001, the group was originally known as "The Chiodos Bros," the band's name was a tribute to filmmakers Stephen, Charles, and Edward Chiodo, responsible for the film "Killer Klowns from Outer Space". Chiodos released their first full-length album, titled "All's Well That Ends Well", on July 26, 2005. Their second album, "Bone Palace Ballet", was released in North America on September 4, 2007 and debuted at number 5 on the "Billboard" 200 and number 1 on the Independent Albums. Warner Bros. Records released "Bone Palace Ballet" on January 26, 2009, as part of a new distribution deal in the UK. They released their third studio album, "Illuminaudio" in 2010, and it was the only studio album to feature Brandon Bolmer as lead vocalist and Tanner Wayne as drummer. The band released their fourth and final album, "Devil" on April 1, 2014, which marked the return of original vocalist Craig Owens and fan favorite drummer Derrick Frost. Context_9 : Conduit is the sixth studio album by Welsh post-hardcore band Funeral for a Friend. It was released on 28 January 2013 through Distiller Records in the UK and 5 February 2013 through The End Records in the United States. This is the band's first release with former Rise to Remain drummer Pat Lundy, who replaced long-term drummer and vocalist Ryan Richards after the material was written but before recording, except for "High Castles", which is inherited from the earlier EP "See You All in Hell". Throughout the recording of the album the band released several teaser videos that showed the recording of individual instruments. Context_10 : Jon Bunch (October 25, 1970 – January 31, 2016) was an American rock singer and songwriter, known for fronting the post-hardcore band Sense Field and rock band Further Seems Forever. He went to on to form the post-hardcore band War Generation, and, at the time of his death, he was the lead vocalist known as "Johnny Scars" for the band Lucky Scars. fact_1 : Devil is the fourth and final studio album by Michigan post-hardcore band Chiodos, released on April 1st, 2014. fact_2 :  The album takes its name from the band's definition of the word "Devil." fact_3 : Craigery "Craig" Owens (born August 26, 1984) is an American musician best known as the former lead vocalist of Chiodos. fact_4 :  He has recorded as a solo artist and appeared in the 2012 film "K-11". Question: Which Michigan post-hardcore band released their album with the name being the band's definition of the word "Devil" and has a lead american vocalist that appeared in the film "k-11?"
Example Output: Chiodos

Example Input: Context_1 : Tim Whelan (November 2, 1893 – August 12, 1957) was an American film director, writer, producer and actor best remembered for "The Thief of Bagdad" (1940). At the time of his death, Whelan he was survived by widow, former silent film actress Miriam Seegar, and had two sons, Michael and Tim Jr. The widow Seegar went on to live another 53 years, dying January 2, 2011 at age 103. Context_2 : Marie Epstein (born Marie-Antonine Epstein; 14 August 1899, Warsaw - 24 April 1995, Paris) was an actress, scenarist, film director, and film preservationist. Her career is distinguished by three important collaborations. Throughout the 1920s, she acted in and wrote scenarios for films directed by her brother, Jean Epstein. From the 1920s through the early 1950s, she collaborated with the director Jean Benoît-Lévy on sixteen films, serving variously as a writer, assistant director, and co-director. From the early 1950s to her retirement in 1977, Epstein served as a film preservationist at the Cinémathèque française. Context_3 : The Beauty from Nivernais (French: "La belle Nivernaise" ) is a 1924 French silent drama film directed by Jean Epstein. Context_4 : Gloria Jean Epstein is a supernumerary judge of the Court of Appeal for Ontario. She had also previously been appointed to the Court of Ontario. On January 1, 2015, Epstein retired to become a supernumerary judge, and was replaced as a full time judge by Bradley Miller. Context_5 : The Fall of the House of Usher (French: La Chute de la maison Usher ) is a 1928 French horror film directed by Jean Epstein, one of multiple films based on the Gothic short story "The Fall of the House of Usher" by Edgar Allan Poe. Future director Luis Buñuel co-wrote the screenplay with Epstein, his second film credit, having previously worked as assistant director on Epstein's film "Mauprat" from 1926. Context_6 : René Ferté (1903–1958) was a Swiss actor who worked principally in the French cinema, from 1923 onwards. He is mostly known for performances in a series of silent films directed by Jean Epstein. His roles in sound films were generally less notable, though he appeared in Fritz Lang's "Le Testament du docteur Mabuse" (French version), and he took the title role in the 1934 sound remake of "Judex". After the outbreak of the Second World War he ceased working in films. Context_7 : La Châtelaine du Liban is a 1934 French thriller film directed by Jean Epstein, starring Spinelly and Jean Murat. The narrative is set in Lebanon and follows a web of espionage with clashes between the French and British secret services, with a beautiful young woman at the centre. The film is based on the 1924 novel "The Lady of Lebanon" by Pierre Benoit. Filming took place between July and December 1933 in Lebanon, France, Egypt, Palestine and Syria. It premiered on 2 February 1934. Context_8 : Gina Manès (7 April 1893 — 6 September 1989) was a French film actress and a major star of French silent cinema. After an early appearance in a film of Louis Feuillade, she had significant roles in films of Jean Epstein, including "Cœur fidèle", and of Germaine Dulac. In Abel Gance's "Napoléon", she took the part of Joséphine de Beauharnais, and then played the title role in Jacques Feyder's "Thérèse Raquin" (now lost). She made the transition to sound films but during the 1930s her roles diminished in importance, and periods of residence in Morocco took her further from the public eye. She continued to take small roles in films, and also worked in the circus and in the theatre. In total Manès appeared in over 90 films between 1916 and 1966. Context_9 : Jean Epstein (] ; March 25, 1897 – April 2, 1953) was a French filmmaker, film theorist, literary critic, and novelist. Although he is remembered today primarily for his adaptation of Edgar Allan Poe's "The Fall of the House of Usher", Epstein directed three dozen films and was an influential critic of literature and film from the early 1920s through the late 1940s. He is often associated with French Impressionist Cinema and the concept of "photogénie". Context_10 : Finis Terræ is a 1929 French silent drama film written and directed by Jean Epstein. The story centres on a small group of men harvesting seaweed off the coast of Brittany, and the problems which arise when one of them gets an infected thumb. The film's title is the old Latin name of the region Finistère, where the story is set, and means "End of the Earth". The film is shot in a documentary-like style, with local non-actors in all roles, and frequent handheld camerawork. Also, Epstein often inserts slow motion footage. fact_1 : Jean Epstein (] ; March 25, 1897 – April 2, 1953) was a French filmmaker, film theorist, literary critic, and novelist. fact_2 : Tim Whelan (November 2, 1893 – August 12, 1957) was an American film director, writer, producer and actor best remembered for "The Thief of Bagdad" (1940). Question: Jean Epstein and Tim Whelan, are French?
Example Output: no

Example Input: Context_1 : Samson was an opera by the French composer Jean-Philippe Rameau with a libretto by Voltaire. The work was never staged due to censorship, although Voltaire later printed his text. Rameau intended the opera on the theme of Samson and Delilah as the successor to his debut "Hippolyte et Aricie", which premiered in October 1733. Like "Hippolyte", "Samson" was a "tragédie en musique" in five acts and a prologue. Voltaire had become a great admirer of Rameau's music after seeing "Hippolyte" and suggested a collaboration with the composer in November 1733. The opera was complete by late summer 1734 and went into rehearsal. However, a work on a religious subject with a libretto by such a notorious critic of the Church was bound to run into controversy and "Samson" was banned. An attempt to revive the project in a new version in 1736 also failed. The score is lost, although Rameau recycled some of the music from "Samson" in his later operas. Context_2 : Lisis et Délie (or Lysis et Délie) was a one-act pastoral opera with music by Jean-Philippe Rameau and a libretto by Jean-François Marmontel. The musical score is now lost. It was scheduled to appear at Fontainebleau on 6 November 1753 as part of the celebrations for the birth of the royal prince Xavier, Duke of Aquitaine. It was due to form a double bill with the "comédie-ballet" "Les hommes" (words by Germain-François Poullain de Saint-Foix, music by François-Joseph Giraud). However, it was withdrawn from performance and "La danse", the third "entrée" of Rameau's "Les fêtes d'Hébé", was performed in its place. The reason given for the work's cancellation was that it was too similar to Rameau's "Daphnis et Eglé", premiered at Fontainebleau on 30 October. The libretto was published but the music does not survive. Rameau may have reused some of it in his later operas. Context_3 : Modest Petrovich Mussorgsky (Russian: Моде́ст Петро́вич Му́соргский ; ] ; 21 March [O.S. 9 March] 1839 – 28 March [O.S. 16 March] 1881 ) was a Russian composer, one of the group known as "The Five". He was an innovator of Russian music in the romantic period. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music. Context_4 : Nélée et Myrthis (or Mirthis) is a one-act opera by Jean-Philippe Rameau in the form of an "acte de ballet". Little is known about its background: the score may be incomplete and it was never staged in Rameau's lifetime. The first known performance took place at the Victoria State Opera, Melbourne, Australia on 22 November 1974. "Nélée et Myrthis" may have been intended to form part of a larger "opéra-ballet" to be called "Les beaux jours de l'Amour". The name of the librettist is unknown but it was probably Rameau's frequent collaborator Louis de Cahusac. Context_5 : Jean-Philippe Rameau (] ; (1683--)25 1683 – (1764--)12 1764 ) was one of the most important French composers and music theorists of the Baroque era. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside François Couperin. Context_6 : Anacréon is an opera by Jean-Philippe Rameau which was first performed at Fontainebleau on 23 October 1754. Its libretto is by Louis de Cahusac. It takes the form of an "acte de ballet" in one act. Rameau also composed another "Anacréon" in 1757. The latter was an act added to a revival of the "opéra-ballet" "Les surprises de l'Amour" and has sometimes been performed and recorded as a stand-alone opera. It too features the Ancient Greek poet Anacreon as its hero, but the libretto (by Pierre-Joseph-Justin Bernard) and its plot are totally different. Context_7 : The musical scores to several operas by the French composer Jean-Philippe Rameau have been lost. They include two major "tragédies en musique", "Samson" and "Linus", and a one-act pastoral opera "Lisis et Délie". The music to these pieces was substantially complete and was performed in rehearsal but for various reasons - including censorship in the case of "Samson" - they were never publicly staged. Rameau also wrote a "divertissement" for Alexis Piron's play "Les courses de Tempé", which did appear at the theatre in 1734. The music to all these works has been almost completely lost, although there is evidence Rameau reused some of it in his later operas. Rameau also began other operatic projects, which were either abandoned at an early stage ("Pandore") or broken up to form shorter works ("Les beaux jours de l'Amour"). Context_8 : Louis de Cahusac (6 April 1706 – 22 June 1759) was an 18th-century French playwright and librettist, and Freemason, most famous for his work with the composer Jean-Philippe Rameau. He provided the libretti for several of Rameau's operas, namely "Les fêtes de l'Hymen et de l'Amour" (1747), "Zaïs" (1748), "Naïs" (1749), "Zoroastre" (1749; revised 1756), "La naissance d'Osiris" (1754), and "Anacréon" (the first of Rameau's operas by that name, 1754). He is also credited with writing the libretto of Rameau's final work, "Les Boréades" (c. 1763). Cahusac contributed to the Encyclopédie and was the lover of Marie Fel. Context_9 : La naissance d'Osiris, ou La fête Pamilie ("The Birth of Osiris, or The Festival of Pamylia") is a one-act opera by Jean-Philippe Rameau, first performed on 12 October 1754 at Fontainebleau to celebrate the birth of the future King Louis XVI. The libretto is by Rameau's frequent collaborator Louis de Cahusac. Cahusac styled the work a "ballet allégorique" ("allegorical ballet"), but it is usually categorised as an "acte de ballet". Its slender plot tells of Jupiter's announcement to a group of Egyptian shepherds of the birth of the god Osiris, who symbolises the baby prince. The piece may have started life as part of a larger work, "Les beaux jours de l'Amour", an "opéra-ballet" Rameau and Cahusac planned but never completed for reasons which are still uncertain. Context_10 : Naïs is an opera by Jean-Philippe Rameau first performed on 22 April 1749 at the Opéra in Paris. It takes the form of a "pastorale héroïque" in three acts and a prologue. The librettist was Louis de Cahusac, in the fourth collaboration between him and Rameau. The work bears the subtitle "Opéra pour La Paix", which refers to the fact that Rameau composed the opera on the occasion of the Treaty of Aix-la-Chapelle, at the conclusion of the War of the Austrian Succession. Its original title was "Le triomphe de la paix", but criticism of the terms of the treaty led to a change in the title. fact_1 : Jean-Philippe Rameau (] ; (1683--)25 1683 – (1764--)12 1764 ) was one of the most important French composers and music theorists of the Baroque era. fact_2 : Modest Petrovich Mussorgsky (Russian: Моде́ст Петро́вич Му́соргский ; ] ; 21 March [O.S. 9 March] 1839 – 28 March [O.S. 16 March] 1881 ) was a Russian composer, one of the group known as "The Five". Question: Who was born first out of Jean-Philippe Rameau and Modest Mussorgsky?
Example Output:
JeanPhilippe Rameau