In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: Who was the lead design person for the German Type IXC submarines? Passage 1:Rafael Casanova i Comes () (Moià, 1660 – Sant Boi de Llobregat, 2 May 1743) was a Catalan jurist, and supporter of Charles VI, Holy Roman Emperor as a claimant to the Crown of Spain during the War of the Spanish succession. He became mayor of Barcelona and commander in chief of Catalonia during the Siege of Barcelona until he was wounded in combat while commanding La Coronela during the counterattack on the Saint Peter front on the last day of the siege, September 11, 1714. After the war he received a royal pardon for having supported the Habsburg claim to the Spanish throne. He recovered from his wounds, and continued his fight against absolute monarchy as a lawyer. It has been claimed that he is the author of the book Record de l'Aliança fet el Sereníssim Jordi Augusto Rey de la Gran Bretanya (Remembrance of the Alliance to George I of Great Britain) in which Catalonia reminds England of the Treaty of Genoa and their obligation to Catalonia.
 Passage 2:After the fourth single release "Willy Use a Billy... Boy", released in 1995 and peaked #5 in Austria, later in June 1996, both members left the band, due to a disagreement between Leigh and producer Brandes, who were quickly replaced by artists Jeane (Jeanette Macchi-Meier) and briefly Terence D'Arby (not to be confused with Terence Trent D'Arby), who himself again was replaced by Ché Jouaner. Thus it has been later revealed, that Brandes was the rapper on all E-Rotic releases, except on the first album, where he shared raps with Raz-Ma-Taz, such on "Take My Love", and Leigh still had to continue to provide vocal work for E-Rotic's four follow up studio albums The Power of Sex, Sexual Madness, the Abba cover album Thank You for the Music until 1999 to the Kiss Me studio album due to her contract. Also, raps on their first single "Max Don't Have Sex With Your Ex" were not done by Smith or Brandes, but instead were done by Marcus Thomas (aka Deon Blue) who would later join Pharao. Meanwhile, Leigh, alongside Raz-Ma-Taz, formed her own band S.E.X. Appeal in 1996. "He promised me a lot of things during my E-Rotic time, but never was willing to keep his promises. One of these promises was to produce a mixed video, with both cartoon and real people. We were never shown in the videos and so we had problems with our concerts, cause no-one really knew us as persons," Leigh revealed. On 27 June 1996, the group's second studio album The Power of Sex was released, preceded by the latter mentioned lead single "Willy Use a Billy... Boy" and followed by the singles "Help Me Dr. Dick", "Fritz Love My Tits" and "Gimme Good Sex", all becoming moderate chart hits, peaking at #18, #16 and #3 in Austria respectively. In 1996, E-Rotic were featured in the supergroup, called "Love Message", on the same titled, Masterboy-produced charity single "Love Message". They also appeared on the Queen tribute compilation album Queen Dance Traxx, with the song "Who Wants to Live Forever", which also saw a promotional release. The tribute album also featured another Queen song "We Are The Champions", recorded with all artists, who participated on Queen Dance Traxx as a supergroup labeled as "Acts United". In 1997, the studio albums "Sexual Madness" and the Abba cover CD Thank You for the Music was released with its single releases "Turn Me On", which peaked at #7 in Finland, "Thank You for the Music" and "The Winner Takes It All". The album Thank You for the Music was released under the artist name "Jenn and C." in France. Ironically the music video for "Gimme Good Sex" was also the first one, not being a comic video, but still it never aired and was banned from music channels because of being too controversial for its sexual content, thus Leigh, alongside Raz-Ma-Taz, left the band earlier, because she wanted to be shown in music videos.
 Passage 3:German Type IXC submarines were slightly larger than the original Type IXBs. U-131 had a displacement of when at the surface and while submerged. The U-boat had a total length of , a pressure hull length of , a beam of , a height of , and a draught of . The submarine was powered by two MAN M 9 V 40/46 supercharged four-stroke, nine-cylinder diesel engines producing a total of for use while surfaced, two Siemens-Schuckert 2 GU 345/34 double-acting electric motors producing a total of for use while submerged. She had two shafts and two propellers. The boat was capable of operating at depths of up to .

3

Question: Did the movie where Patricia Clarkson made her feature film debut win any awards? Passage 1:By making an analogy with words like bilingual and bilateral containing the Latin prefix "bi-" (meaning "two" in Latin), the word bikini was first back-derived as consisting of two parts, [bi + kini] by Rudi Gernreich, who introduced the monokini in 1964. Later swimsuit designs like the tankini and trikini further cemented this derivation. Over time the "–kini family" (as dubbed by author William Safire), including the "–ini sisters" (as dubbed by designer Anne Cole), expanded into a variety of swimwear including the monokini (also known as a numokini or unikini), seekini, tankini, camikini, hikini (also hipkini), minikini, face-kini, burkini, and microkini. The Language Report, compiled by lexicographer Susie Dent and published by the Oxford University Press (OUP) in 2003, considers lexicographic inventions like bandeaukini and camkini, two variants of the tankini, important to observe. Although "bikini" was originally a registered trademark of Réard, it has since become genericized.
 Passage 2:After graduating from the Yale School of Drama, Clarkson was cast in a 1986 Broadway production of The House of Blue Leaves as a replacement in the role of Corrinna Stroller. The following year, she made her feature film debut in Brian De Palma's The Untouchables (1987), portraying Catherine Ness, the wife of US Treasury Prohibition agent Elliott Ness (Kevin Costner). Clarkson stated she was financially struggling during this time and was paying student loans, and that De Palma expanded her role in the film as she originally only had several days' worth of shooting. The next year, she was cast in Clint Eastwood's The Dead Pool (1988), the fifth installment in the Dirty Harry film series. In 1989, she returned to Broadway portraying a Wall Street investment counselor whose brother (played by Kevin Conroy) is diagnosed with AIDS; the play ran from January to March of that year. Clarkson has stated that beginning in the early 1990s, she went through a turbulent period in her career and was unable to find significant work. She had a small role in Jumanji (1995) before being cast in the independent drama High Art (1998), portraying a drug-addicted German actress in New York City. Her performance earned her an Independent Spirit Award nomination for Best Supporting Actress.
 Passage 3:Joss Whedon and Brian K. Vaughan collaborated in breaking down the story, before Vaughan penned the four-part story individually. Vaughan had previously pitched the broad strokes of the story at a dinner with Whedon, Tim Minear and Drew Goddard as a direct-to-DVD Faith movie. There were some presumptions that Vaughan would have difficulty writing the characters' dialogue, given that he wasn't a member of the TV series' writing staff. Despite so, Vaughan proved otherwise. Whedon himself was compelled to tell Vaughan what great lines he had written to Faith specifically. His writing, like the series', featured numerous pop-culture references. The title itself refers to a verse from the song "God Save the Queen" by the Sex Pistols. Other rock song lyrics are mentioned by characters as well: Faith tells Giles she's "the go-to girl for dirty deeds done dirt cheap," whereas Roden paraphrases Pink Floyd's song "Another Brick in the Wall" with the phrase "as a wise man once said, you can't have any pudding if you don't eat your meat." Giles, sporting a jumper with a Yellow Submarine design, refers to "the great bearded wizard of Northampton": a nod to legendary comic book writer and magician Alan Moore. Buffy refers to Lady Genevieve and her accomplices as Faith's 'droogs', a term used in Anthony Burgess' A Clockwork Orange to define friend or associate. Finally, whilst training, Xander makes reference to Snake Plissken, the eye-patch wearing anti-hero of Escape from New York.

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Question: How old was the man who created a Baronet in 1625? Passage 1:The present, stone church, was built from 1741 to 1749 by the neimars (builders) Teodor Kosta and Nikola Krapić. It was built in the Morava architectural school style of Serbo-Byzantine architecture and patterned after Manasija and Ravanica. In 1758, Empress Maria Theresa issued a document which set the monastery's estate. By the imperial privilege, the land was strictly divided between the monastery and the nearby settlement of Koviljski Šanac. The establishment of the Šajkaš Battalion in 1763, Serbian settlements surrounding the monastery were repopulated and preserved, which also influenced the prosperity of the monastery. Forerunner of the modern Serbian historiography, Jovan Rajić, became a priest in Kovilj and was appointed the archimandrite of the monastery in 1772, where he died in 1801. During the Hungarian Revolution of 1848, the rebels used the monastery as their base in 1849 which forced the monks to move across the Danube, into the Syrmia region. When they returned after the collapse of the rebellion, the monastery was looted and burned, and many historical treasures have been lost. The new church damaged inside while the old one was almost completely ruined, so it was demolished in 1850. Since 1850, the monks began to collect funds for the restoration. Some of it was secured by the Austrian state, some by the donations of the population and some was help from Russia. Young painter Aksentije Marodić has painted the new iconostas in the 1880s, including the scenes from the life of Christ and replicas of the most famous paintings from that period which Marodić copied from the galleries in Vienna, Munich, Paris, Rome, Venice, and Naples. The walls themselves are not painted. Woodworks and carvings are work of Jovan Kisner, while the gold plating and marble work were done by Ludvig Tauš. The work on the interior turned out to be quite lengthy, as it lasted until 1891/92.
 Passage 2:John Wemyss was knighted in 1618 and created a Baronet of Nova Scotia in 1625. This included a charter to the barony of New Wemyss in that province of Canada. He was later advanced to the title of Earl of Wemyss and the patent was presented to him at Dunfermline personally by Charles I of England. John Wemyss was also a Privy Councillor, High Commissioner to the General Assembly of the Church of Scotland, and one of the Committee of the Estates. John Wemyss died in 1649 and was succeeded by his only son, David Wemyss, 2nd Earl of Wemyss. David Wemyss, the second earl spent a lifetime nurturing the resources of his estate, in particular his salt and coal mines. He also built a large harbour at Methil, Fife and greatly extended Wemyss Castle where he entertained Charles II of England in 1650 and 1651. He died in 1679 and was predeceased by his son so the estates fell to his daughter, Margaret Wemyss, 3rd Countess of Wemyss. Margaret married her cousin, James Wemyss, Lord Burntisland. Their son was David Wemyss, 4th Earl of Wemyss who succeeded his mother in 1705.
 Passage 3:Before the ceremony began, King Edward VIII, present in his capacity as king of Canada, inspected the guard of honour, was introduced to the honoured guests, and spent approximately half an hour speaking with veterans in the crowd. Two Royal Air Force and two French Air Force squadrons flew over the monument and dipped their wings in salute. The ceremony itself began with prayers from chaplains representing the Church of England, the United Church of Canada, and the Roman Catholic Church. Ernest Lapointe, Canadian Minister of Justice, spoke first, followed by Edward VIII who, in both French and English, thanked France for its generosity and assured those assembled that Canada would never forget its war missing and dead. The King then pulled the Royal Union Flag from the central figure of Canada Bereft and the military band played the Last Post. The ceremony was one of the King's few official duties before he abdicated the throne. The pilgrimage continued, and most participants toured Ypres before being taken to London to be hosted by the British Legion. One-third of the pilgrims left from London for Canada on 1 August, while the majority returned to France as guests of the government for another week of touring before going home.


2