In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
adam sandler turns up the charm in his latest romantic comedy , the wedding singer .
unfortunately , that also has the effect of softening his edge .
he 's nowhere near his peak of happy gilmore , not that it was much of one .
he 's certainly not helped here by a rather frail plot .
the year is 1985 , letting the whole film obsess with 80s nostalgia .
adam sandler is nice guy robbie , the titular wedding singer , who entertains at the local reception hall by belting out his interpretations of classic 80s hits .
robbie 's life is thrown into turmoil when his fiancee , linda ( angela featherstone ) , leaves him at the altar .
however , things are looking up when he meets julia ( drew barrymore ) , a waitress at the hall .
she 's the perfect woman , but for one small flaw : she 's engaged to be married to a slick junk bond king , glenn ( matthew glave ) .
so , most of the film deals with the slow realization by robbie that he and julia are in love , and his attempts to stop the wedding .
as far as plots go , it 's a pretty thin and tired one . to fill the gaps , the wedding singer delivers heaping spoonfuls of 1980s nostalgia .
from boy george to michael jackson , from miami vice to dallas , from the first cds to the last rubik 's cubes , this film revels in all the minutiae .
and then there 's the music .
. .
learning a lesson from the successful soundtracks to grosse pointe blank , and romy and michele 's high school reunion , this film packs more 80s songs in the film than the running time will allow .
as a result , most songs get maybe a lyric or a half , but you can almost see the bright gleam in the record executives ' eyes : the wedding singer vols .
2 , 3 , and 4 !
while the nonstop 80s riffs get incredibly tiring , at least they distract you from the plot .
at least last year 's my best friend 's wedding stirred up the standard " keep your true love from marrying someone else " plot by making the rival a nice person .
here , glenn is such a lowly rat of a man that you never see what julia saw in him .
barrymore , on the other hand , is simply charming as julia . which leaves us with adam sandler .
he 's at his best in the film when his nice guy persona fades a little ( such as when he has a breakdown on stage during a wedding reception ) .
when he 's in full nice - guy mode , he 's more pathetic than endearing .
the film boasts several cameos ( most notably by steve buscemi and jon lovitz ) .
but none of them work well at all .
buscemi 's role as a drunken best man simply fails to be humorous .
lovitz , on the other hand , as a rival wedding singer , makes you long for his good old days on saturday night live , where he was actually funny .
the only cameo which has some appeal is a guest appearance by a classic 80s rocker during the film 's finale ( surprisingly , one of the only plot - related scenes which actually works . )
adam sandler still has some work to do before he can become a dependable leading man .
while he attempts to change his image in the wedding singer , the end result is no net gain .

Ex Output:
N


Ex Input:
ironically , one of the themes of 200 cigarettes is that you should try to make the best of every moment in life .
unfortunately i will no longer be able to say that i lived every moment of my life to the fullest , because i spent 95 otherwise perfectly good minutes , watching this sad excuse for a movie .
actually smoking 200 cigarettes in the same 95 minutes could n't be any worse for you than it is to watch the movie .
not only is it a pathetically bad film overall , but 200 cigarettes actually has no redeeming qualities whatsoever .
the plot is scattered , thin and predictable ; the acting is monumentally bad ; and the style of film making resembles a home video .
it is december 31 , 1981 and the big party is at monica 's ( martha plimpton ) house .
but no one has arrived yet .
her 8 invited guests and several people that they have picked throughout the evening are wandering the streets of new york city in various groups .
some of them know each other through their common bond of having slept with monica , and some are total strangers .
but they all are to face their own personal neuroses before night 's end .
those who are invited are the ones that have the issues .
it is up to those who are n't to help them come to terms .
first there is eric ( brian mccardie ) who is a former boyfriend of monica 's and is just getting over the heartbreak of their relationship terminating prematurely because of his sexual performance , or lack thereof .
he is one of the most bland characters , in a film full of dullness , because he is so utterly predictable and stereotypical , a common trait of this poor production .
bridget ( nicole parker ) and caitlyn ( angela featherstone ) who are both extremely sensuous young women looking for someone to handle their desires on new year 's eve and tag along to the party with them .
they stumble across a nameless bartender ( ben affleck ) who is the one truly perfect character in a film of imperfections .
he is nether sexually deprived , nor uncertain about his future , as he is in law school .
his lack of flaws is both boring , unrealistic and painful to watch .
as bridget and caitlyn make passes at him you are neither entertained nor humored by the sub - standard comedy .
moving on , there is val ( christina ricci ) and stephie , ( gabby hoffman ) 2 teenage girls with fake identification and very different thoughts .
val is monica 's cousin and a true fan of the new york scene .
on the other hand , stephie is convinced that she is vulnerable to crime when the two venture out of their usual locations in search of the party that they just ca n't find .
paradoxically , it is 2 punks that they meet at a bar ( actually they attempt to flee from their presence , but are n't successful ) who guide them through their fears and force a level of relaxation upon their warped minds .
of all the insanely dull and uninteresting couples
, only one approaches a level of decency in both acting and plot .
wisely , the movie 's creators have put heavy emphasis on lucy ( courtney love ) and kevin ( paul rudd ) who are best friends and share the common bond of being dateless .
paul has just broken up with long time steady ellie ( janeane garofalo ) and is starting to come to terms with his loss when lucy informs him that ellie had been sleeping around during their relationship .
however , the only complexity to these two characters is that they seem to want to be more than friends , and that is reiterated when they attempt sexual intercourse in a bathroom stall on more than one occasion during this strange evening .
finally , there are the two worst performances and worst sub - plot of the film .
jack ( jay mohr ) and cindy ( kate hudson ) have been going out for a short period of time and jack
just learned that he took cindy 's virginity the night before .
while she attempts to play this down and be her usual self , he is a predictably self loathing male as he attempts to deal with a string of one night stands that includes the recently deflowered cindy .
very often , when a film is as putrid as this production , there will at least be a decent quality of film making to reveal an occasional moment of glory . however ,
this film has neither the quality of cinematography nor the moments of glory to be highlighted .
instead , what you get is a collection of rough and inconsistent cuts , bad continuity and inaccuracies .
first , and most noticeable is that as the film goes from one subplot to another , there is no apparent order that it follows , and it is also weekened by unnecessarily edgy edits from scene to scene and shot to shot .
at other times , objects seem to get up and move and hairstyles and costumes change from shot to shot .
there are also at least 4 scenes in a taxi cab that go from start to finish .
not in a single one of them does anybody pay the driver .
and yet , no matter how miserable this film may be , and no matter how poor the acting is all around , there was a ray of a hope for these many bad plots .
perhaps , if the makers had just decided to concentrate on one or two or , perhaps , even three , there might have been the time and opportunity for some character development , or quality acting , or even a decent plot payoff at the end .
but it did n't happen that way .
the cast of quality name actors was forced into roles that not even one of them could convert into a mediocre performance , and every story line crashed and burned quicker than it takes for the ball to drop at midnight .

Ex Output:
N


Ex Input:
i swear i have seen the edge before .
in fact , it reminded me of the bear , the river wild , and other various films mixed into an entirely different film .
however , the edge has done something that most action films should do , and that is add heart and characters we like to the plot .
in doing so , the edge draws many more suspenseful moments out of cliched scenes than , say , the peacemaker .
unfortunately , because of those overused moments , we can pretty much guess the outcome of the film . but leave it to screenwriter david mamet to
add humor and a few surprises to mess with your head .
one surprise , in particular
, left me smiling just because mamet actually had the guts to add it to his script .
action films are a dime a dozen in hollywood , and while they are somewhat successful at entertaining us , they lack the one thing which would make them a more respected genre : intelligence .
even horror films have learned this , a genre which is probably the least respected of them
all .
the river wild was one of the best action / suspense films i have seen from the 90s .
the intelligence of the screenplay , and
the suspense drawn from the realistic characters is nearly unmatched to this day .
the edge has the intelligence and smart characters , but this time the lack of originality is the downfall .
i must admit that it was very suspenseful , and had an original third half , but the first hour and a half is riddled with cliches and plot holes .
this is an example of the final act saving the film , instead of the other way around ( as in the lost world ) .
if only the screenplay had maintained the final thirty minutes ' intensity , it could have become a great action film
( and i use the term loosely ) .
the edge is pretty much a survival - of - the - fittest film .
but taking scream 's lead , the edge makes fun of the genre 's cliches , and then uses them ( though not quite as effectively ) .
charles morse ( anthony hopkins ) is the main character , a rich and very intelligent man who wonders what the accumulation of all this knowledge has brought to him .
for once , we do n't immediately care for the main character . instead ,
we like bob ( alec baldwin ) , a photographer who is going to take pictures of charles ' wife , mickey ( elle macpherson ) , out in the wilderness .
they board a plane and head to a cabin somewhere in the arctic .
charles ' birthday is the same day , and he receives a gold watch from his wife , and a pocket knife from bob .
as action films go , these items do have importance to the rest of the story , but quite a bit more than we first expect .
soon , however , bob wants to find a native to shoot pictures of because of his " personality .
" charles , bob , bob 's assistant steve ( harold perrineau ) , and the pilot head off to find him , and as shown in the previews , hit a flock of birds flying south for the winter .
down the plane goes , the pilot is killed , and the three are left to survive in the wilderness .
director lee tamahori is aware of the silly plot which is about to follow , and therefore has to create original ways to approach the situations .
he succeeds often enough for us to enjoy the film .
take , for instance , the entire man - hunting bear plot .
this has been done many times in films with different animals , and even bears .
but given the charles ' intelligence , and bob 's uncertainty , many of the cliches are given fresh twists .
even charles himself seems to have seen these action films before .
my favorite line of the film comes from charles : " most people die in the wilderness because they did n't do the one thing that could save their life .
.. thinking .
" despite the predictability of the main plot , a subplot develops late in the film which took me by surprise , and made me smile when i realized that everything is n't as it seems anymore .
i have to write cautiously as to not reveal this surprise
, so instead i will avoid it entirely .
the first two - thirds of the edge have many humorous moments to push it along , and some of charles ' survival techniques seem possible , even making fire from ice .
tamahori is able to create a lot of suspense from the stalking bear , but whenever the bear is present , the characters lose all sensibility .
i have always wondered why characters in films walk over a log to get across water .
why not do what an intelligent person would and crawl across ?
i guess getting chased by a bear makes your thought process turn off for a while . thankfully , we already have begun to care for the characters , and so we let this small detail slide .
but some of the technical details are awkward , such as the nice stitching done on the fur coat that charles and bob make ( where did they get thread and needles ? ) .
the acting of the film is highly above average for a film of this nature , and borders on phenomenal .
anthony hopkins gives a terrific performance , creating his most likeable and layered character since remains of the day .
hopkins usually brings greatness to his roles , but here he exceeds at gaining the audiences ' sympathy , something he definitely did not do in silence of the lambs .
alec baldwin gives one of his best performances i have ever seen ( it sure is better from his fair game ) .
baldwin can be a good or a bad character , and here he succeeds at both in a way .
you can never quite guess if he is a nice or a vllainous character until the end , and baldwin is able to handle the double - natured photographer .
elle macpherson gives a good performance , albeit slight .
she is n't in the film all that much , but for the scenes she does have , she handles as an actress , not as a model .
harold perrineau is a good actor , and his scenes are nice and underplayed .
he is eliminated early , and i reveal nothing by saying this because it is inevitable and predictable .
the edge is rated r for graphic violence , some gore , and language .
some of the violence is a little too disturbing , even for me .
this film is a nice change from the mindless action most of us are used to , but too many cliches bog it down .
director tamahori has created a very smooth and suspenseful action film out of recycled parts .
david mamet 's script , though , has a lot of humor to keep the first hour afloat , and the acting is solid .
the best thing about the script is the ending which does n't end with the normal high - strung action sequence , but with a small detail involving a certain gift .
it 's a nice touch considering what we have had to go through with the bear .
and by the way , most people laughed when the film faded to black due to a large credit to bart the bear .
way to go , bart .

Ex Output:

P