In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Example Input: Review: King's Solomon's Mines brings us Patrick Swayze (playing Allan Quatermain)who has spent a lot of time in Africa, but decides it is time to return to England and be a father to his son. He finds that his wife's parents have taken custody of his son and that he has very little chance of getting custody of him with lots of money for a law suit. In comes Alison Deedy (playing Elizabeth) whose father is in Africa and being held by an African tribe for ransom of the map Elizabeth's father had sent her. Elizabeth seeks out Quatermain to take her back to Africa to find her father.There is a good cast of supporting characters that go along with Quatermain and Elizabeth and of course there are some enemies (Russians) who want the map also.The movie holds your attention until the end. Patrick once again plays a ruggedly handsome honorable man who comes to the rescue of the damsel in distress. Patrick is a great dramatic actor who can easily portray passion, loss and despair, the rugged silent good man, anger and strength; In King Solomon's Minds his character actually smiles a few times. I would really like to see Patrick Swayze in a relaxed live-loving story again, one in which he doesn't have to clench his jaws and be quite so strong. Maybe a little dancing would help. But this is a good movie for the entire family and worth the time to watch it. Question: is it a negative review?
Example Output: no

Example Input: Review: Having seen CUBE, I've been a fan of Vincenzo Natali's work. Natali seems to have this inept ability to take a storyline, and hardly wring it our like a wet towel for all the storyline he can muster. Instead, he lets the stories themselves unfold in natural ways, so much in fact, that you may in fact believe there is this Cube were people try to escape, or in the case of NOTHING, a large empty expanse where there is... nothing! The advert had me hooked instantly. It seemed so simple! Take two characters who no one likes, and send them to a world where there is nothing. Natali does this so simply that you forget the logic that a place where there is nothing cannot exist. In fact, the world of nothing becomes something of an irony within the film. There's nothing there, but also 'something' there.It might be a good time to point out that the trailer is highly misleading. I was fortunate enough to actually understand that the film leaned to a more comedic side than the trailer otherwise told so. Therefore upon watching the film, i laughed every now and again, whereas someone who the advert mislead may find themselves utterly confused.If i may take a minute to give the film some praise, where the film excels on is the concept. It is a genius concept to have a world of nothing, and to put two characters there, NOT two brilliant minded characters, who will philosophise and work out their surroundings, but two idiots who have absolutely no clue as to where the hell they are! Another strong point is the film's cinematography, though at first this may not seem it! Where each wall, north, earth, south, west, up and down is just a white plane, a perception of depth becomes faulty. It is hard to determine where things are placed in the Mis-En-Scene. The cinematography has many moments where this actually happens, but for the most part, the camera is placed so that two characters, or an object and a character are placed in the foreground and background, allowing a sense of depth to be realised.However, this film does lack in certain areas. The film is relatively short, but even so, after a while the novelty of this world of nothing becomes rather dull, and you wish to find some form of resolution within the plot. We can also argue that the acting is once again, questionable. These two characters are in a sense, unlikeable, therefore we feel no sympathy at any point for these characters. However, on a flip side of that, the chemistry and friendship between the two characters seems real enough, but there is something lacking.Even so, i do rank this as a thoroughly enjoyable film! Do not let the trailer fool you into thinking this is another science-fiction horror film. It is much more of a comedy than that! It is indeed worth watching though, purely for the concept itself! Question: is it a positive review?
Example Output: yes

Example Input: Review: It takes a little while to get used to Nick Nolte's Nebraskan locutions before we can easily accept him as a famous intercontinental playwright. Once you get past the bar, it turns into a fascinating story of a man who loses everything while trying to do good.Nolte, an American, moves to Germany, marries a famous actress, and is a satisfied success in every respect until war is about to break out. He's visited by a jovial American, John Goodman, who persuades him to accept a post as an anti-Semitic radio broadcaster for the Nazis. Nolte has no politics but thinks it's a challenge to write a role that's almost impossible and then play it himself. Another American secret agent will modify Nolte's radio scripts -- inserting a cough here, a sneeze there -- that will serve as a code for the transmission of intelligence to the Allies. There's a catch, though. Nobody will know about Nolte's real role as an American agent except Goodman, Donovan, and Roosevelt himself. If he's ever uncovered, he'll be refused recognition by the Americans.Nolte plunges ahead and his vicious broadcasts are wildly popular in Germany. His adored wife, Sheryl Lee, knows nothing of what's going on, nor does she care. Nolte and Lee live in what he repeatedly refers to as "a nation of two." The war ends and the trouble begins. He's captured by Americans who are bitter because of his betrayal. They beat him and leave him in the mud. He's rescued by Goodman, his "fairy godmother", who sends him to an anonymous existence in Greenwich Village and sends him a little cash now and then.By 1960, he manages to cultivate a friendship with his neighbor, the painter Alan Arkin, who has also lost his family and claims the two now belong to a secret brotherhood. But his location and his identity somehow leak out and he is more or less adopted by a group of ancient Aryan racists -- led by a dentist and a priest. His house front and mailbox are painted with swastikas and accusations. He's beaten senseless by an ex-GI. But -- miraculously -- his beloved wife is returned to him by the ancient Aryans. Another catch: it turns out later that it's not his wife, but rather her younger sister who has loved him since adolescence.The ending has him typing his memoirs in an Israeli jail in 1967 before his trial for crimes against humanity. It's not a happy ending.Nolte can talk with, but not see, the occupant of the cell above his in jail. It's Adolf Eichmann. Eichmann seems pleasant enough. He advises Nolte that it's a bad habit to type for fifteen straight hours. "It's important to relax. You must learn to relax." Nolte laughs out loud and shouts, "That's how I GOT here." The film is filled with such ironies. At one point in their relaxed conversations, Arkin tells him that "in spite of everything I still think people are good at heart." I don't know if the movie was a commercial success but if it wasn't, that's the sort of thing that might have torpedoed it for a younger audience of theater-goers who may never have heard of Anne Frank let alone that supposedly final statement in her diary.The fact is that it's a movie for adults, and patient adults at that. The story moves slowly, there's very little violence, no car chases, no shootings, and people don't seem subject to manic speech pressure. A lot of it will probably slip past viewers who don't open themselves to its deliberate approach. Nolte refers to the war-time relationship between him and his wife as "a nation of two." This is a pretty compact phrase. No doubt anyone could come up with a glib definition but it takes a little concentration to grasp its emotional import.It's a story of a man who loses everything -- his ability to write, his identity, his wife (twice), his sole friend, his country, his self respect. At one point he stops walking along a crowded New York street and simply stands there until after dark, when he is moved along by a curious cop. The reason he stopped is that he simply has no place to go. What Vonnegut is describing is far more than depression. I don't mean to sound condescending but it's the sort of feeling that's hard to understand in your youth. Adolescents might like to THINK they know what's holding Nolte in that one spot, but it really requires maturity and the quickened sense of finiteness that only maturity can bring.Remember Robert Frost's line about home being the place that when you go there they have to take you in? Well no place will take Nolte in. Question: is it a positive review?
Example Output:
yes