In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
jay and silent bob strike back can rightfully be subtitled
" kevin smith 's greatest hits " for the film is comprised of numerous references and characters from smith 's earlier works including , clerks , mall rats .
chasing amy and dogma .
so , be advised : bone up on that cinematic quartet in order to achieve the maximum enjoyment from smith 's latest outing .
kevin smith must be a very likable person because several good sports took a ton of kidding in this feature , most notably miramax , the studio whose subsidiary , dimension films , is jay and silent bob 's distributor .
others deserving accolades include ben affleck , matt damon , directors gus van zant and wes craven and the mighty george lucas .
this is a laugh - filled , foul - mouthed road film with jay ( jason mewes ) and silent bob ( smith ) hitching to hollywood to sabotage miramax 's production of bluntman and chronic , comic book characters based on the two jersey slackers .
jay 's convoluted reasoning is that if the film is shut down , people on the internet will stop insulting him and bob , even though it is not him and bob the people are dissing , but rather their comic book counterparts .
no matter , the duo begin their long trek hitching rides across the country .
but first they get some tips from a veteran hitchhiker , played by george carlin , who tells them to follow " the book " - the rules of the road .
of course jay 's interpretation immediately gets the duo in trouble with a friendly nun ( carrie fisher ) who offers them a ride .
jay and silent bob contains enough laughs that the movie 's weaker aspects - which include a lame subplot about a girl gang of diamond thieves as well as a buffoonish federal park ranger played by will ferrell - can be easily tolerated .
really , how can you not laugh at a film in which our heroes are picked up by the mystery van , and jay has a pot - induced hallucination concerning velma and daphne .
the movie 's highlight , though , is near the finale .
in hollywood , jay and silent bob sneak onto the miramax lot where they crash the set and are mistaken for extras of the latest affleck - damon picture , good will hunting 2 : hunting season . here
we are privy to a hilarious conversation between affleck and damon in which the two put down each other 's careers and film choices .
and the laughs continue to grow .
next up is jason
( american pie ) biggs and james ( dawson 's creek ) van der beek , the actors chosen to portray bluntman and chronic .
the pair mistake jay and silent bob for their stunt doubles .
finally , comes a star wars homage featuring one of the stars of that legendary feature .
this bit will leave you howling .
smith 's obvious affection for pop culture icons is evident in the way he shoots these scenes and handles his performers .
he allows them to play it all tongue - in - cheek .
their fun comes through the screen to the audience .
it is too bad that this is jay and silent bob 's swan song .
the characters have grown since their supporting role debuts in clerks .
but smith realizes that times have changed , and he does n't want his creations to overstay their welcome .
so smith has provided them with just the right kind of exit , saving the best for last .
goodbye jay and silent bob .
at least you 're going out with a blast .

Ex Output:
P


Ex Input:
known as the most successful , highest - grossing romantic comedy in history , director garry marshall apparently struck gold with " pretty woman , " which opened quietly during the summer of 1990 but , thanks to positive word - of - mouth , was able to reach upwards of $ 175-million in theaters alone .
the question of why it worked so well lies directly with the film 's two charismatic stars , richard gere and julia roberts , since the story itself is none too original or even believable .
the other winning element that makes " pretty woman
" so entertaining is its genuine sweetness and innocence , which is rarely as palpable in today 's films as it is here .
edward lewis ( richard gere ) is a suave , extremely wealthy business mogul who , at the start of the picture , breaks up with his girlfriend over the phone after a nasty argument , and abruptly takes his friend 's car and gets lost on hollywood boulevard while trying to find his hotel .
stopping the car along the street , he asks a woman , obviously a prostitute , for directions .
agreeing to get in his car and show him for ten bucks , edward ultimately accepts , they strike up a conversation , and before long she has been asked up to his penthouse room on the top floor .
this meeting does not lead to sex , however , as edward confides that he 'd rather just have someone to talk to , and offers her $ 300 to spend the night .
just as well , since the hooker , named vivian , is a beautiful , generally upbeat young woman who is the type of person that can lend an understanding ear .
the meeting between these two completely opposite people does not end the next morning as planned , when edward finally offers to pay vivian three - thousand dollars if she will stay with him for six days and nights while he is in the area , keeping him company and acting as his companion to business dinners and get - togethers .
since vivian firmly tells edward at the beginning that she will do anything with him except kiss him on the lips , which always leads to unwanted intimacy when dealing with her customers , the obligatory rule of the genre says that by the third act , edward and vivian will finally , truly , kiss .
allegedly planned as a grim , downbeat drama until garry marshall came on board as director , " pretty woman " has been transformed in all senses of the word into a classic fairy tale , a la " cinderella .
"
the premise is hardly believable and its portrait of prostitutes hanging out on the streets of hollywood boulevard is just about the most idealized portrayal that there could have possibly been .
you honestly do n't need a high - iq ( or any iq , for that matter ) to guess how the film will end , and the story is as old as my great great grandma bertha .
the supporting characters are almost all sketchily written and less - than - gratifying , and the screenplay is no award winner .
and yet , amidst all of these qualms and flaws , " pretty woman " is an astoundingly charming motion picture , and it is definately easy to see why it became such an overnight sensation with moviegoers .
you 'd actually be amazed how far bemusement can go , and there are a few select moments ( not even whole scenes , mind you ) that are as romantic as anything i 've seen on film in the 1990 's .
additionally , the film belongs , and its success can be attributed , to two people and two people only , and they are richard gere and julia roberts .
playing sex symbols throughout the ' 80s with such pictures as " american gigolo " and " an officer and a gentleman , " gere branches out here to play a more quiet , almost shy , but still alluring , character that believably could sweep julia roberts off her feet , and vice versa .
julia roberts , in her breakthrough role after 1988 's well - received " mistic pizza " and 1989 's " steel magnolia , " for which she was nominated for an academy award , is radiant and funny as the wordly vivian , who surprisingly could be a role model for impressionistic viewers , not for her line of work , but more for her sheer intelligence .
it would have probably been easy to have written vivian as merely a flake , but screenwriter j .
f .
lawton clearly cared too much about his central characters to do such a thing .
after " pretty woman , " roberts , along with meg ryan , became the reigning queen of romantic comedies ( with her latest being the just - released " runaway bride , " which repairs gere and roberts together once again ) , and no wonder .
roberts has continually proven to not only be a strong actress with a flare for comedy , but also one who can efficiently do drama , and in almost every film she appears in , it is difficult not to fall in love with her along with her male co - star .
an especially strong scene that gere and roberts do together takes place after edward foolishly tells one of his co - workers that vivian is actually a prostitute , and he then approaches her , making sexual advances .
no only does this make vivian feel cheap , especially since she had previously been posing as a more professional , eloquent young lady , but it also maddens her that edward would demean and betray her in such a way , and ultimately causes her to question where exactly her life is leading , and if she likes this particular path .
on the more dreamy side , the film is filled with romantic scenes that are simply effervescent to behold , especially one in which edward enters into the hotel 's lounge to see vivian turn around and not only reveal her marvelous cocktail dress , but also her inner ( and outer ) glowing beauty .
another subtle moment has vivian lovingly blowing a kiss to edward , who is asleep , and placing it on his lips , since she still is unsure if she should be getting attached to this man who may very well be out of her life forever in a short couple of days .
" pretty woman " does not blatantly step wrong until the very last scene , which is a happy ending ( as you 'd expect , and would n't have it any other way ) that somehow does not work , perhaps because of its undeniable contrivances .
this one misstep does not put a damper on the rest of the film , though , because there is just far too much magic at work here to disaffirm such a petty problem . helped along by a warm , memorable supporting performance from laura san giacomo , as vivian 's best friend and roommate , and a fabulously catchy soundtrack , in which all of the songs prominently aid in the movie 's overall fulfillment , " pretty woman " is a sparkler of a motion picture , and has what it takes to act as a blueprint on how to make the quintessential romantic comedy .

Ex Output:
P


Ex Input:
after the average mouse hunt , the silly small soldiers and the entertaining antz , dreamworks try again with the children 's film market with this stunning adaptation of the moses story .
as the film warns us at the beginning , it 's not the full story , and some liberties have been taken , but generally this the bible story we all know and love , featuring burning bushes , the plagues and the parting of the red sea .
the only thing missing is charlton heston .
instead , we get val kilmer voicing moses , an hebrew who is placed in a river by his mother and rescued by the queen of egypt ( helen mirren . )
we flash forward several years to see moses and brother rameses ( fiennes )
all grown up .
moses soon finds out from brother and sister miriam and aaron ( sandra bullock and jeff goldblum ) that he is n't really the son of the pharaoh seti ( patrick stewart ) and that it his destiny to free the hebrews from the egyptians tyrannical rule .
he soon sets about this , along with his wife tzipporah ( michelle pfeiffer . ) rameses and his two wizard friends ( voiced by steve martin and martin short ) try to stop moses completing his task .
while the plot is familiar and somewhat exciting for adults , for children reared on aladdin and hercules , this film could be the most godawful thing they 've ever seen .
gone is the quick fire humour and standard , easy to follow plot .
but , spectacularly , and to dreamworks credit , nearly every child in the audience was captivated by the story and events happening on screen .
jeffrey katzenberg , who produced this film , certainly knows how to keep a child interested .
he 's included some songs in the film , plus some comedy , and a exciting chariot chase , to keep the children interested .
and somehow , himself and the directors still manage to get all the drama and intensity of the story across , without ever being boring .
it 's a remarkable achievement .
also remarkable is the animation , which puts hercules , an almost ' slap dash ' effort , to shame .
relying on hand drawn and computer animation , the backgrounds and characters are amazingly detailed .
the film seems a little caught up with it 's amazing visuals by showing a lot of sweeping visuals and ' moving ' shots , but they _ do _ look incredible .
the final ' plague ' where god kills every first born child , and the parting of the red sea have to be seen to be believed .
kudos to the animators .
the vocal talent is also very good .
val kilmer
does a fine job as moses ( although he does n't sing ) and ralph fiennes is superb as rameses ( and he _ does _ sing . )
sandra bullock and jeff goldblum are great , and steve martin and martin short are very good , but not in the film long enough .
finally , michelle pfeiffer does excellent work as moses wife .
kudos also goes to the voice of god , who instead of booming and bombastic is quiet and subdued .
sadly , he is uncredited , and i could n't quite work out who the voice was .
( but e - mail if you do . )
the songs are good , ranging from the usual love sonnets to the traditional big production number .
they do n't disturb the movie , and while not particularly memorable , they are nice to listen to
( they 're well sung aswell . )
the musical score is suitably epic , with some beautiful tunes .
coupled with the superb visuals , the prince of egypt is a visual and aural treat , backed up with a great story .
entertaining both for kids and adults , this film is a must see .
a david wilcock review ?
1998
"
you know , for kids
" - norville barnes

Ex Output:

P