In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

In 1956, Gabriella (Veronica Moriconi)âa girl with apparent psychic powersâis brought to the enormous house of Dr. Meyer (Cesare Barbetti) in Chartres, France. Meyer intends to conduct an experiment testing her abilities. He takes her into his basement, where the youngster abruptly falls to her knees and begins digging into the dirt. "This is where you're hiding, isn't it?" Meyer yells. He rushes upstairs for help from his assistants and leaves Gabriella by herself. She is attacked by something unseen and is taken to the hospital. In the basement, further digging reveals a rotted corpse, with a nearby wallet identifying the dead man as Paolo Zeder. Dr. Meyer realizes that the earth in which Zeder was buried was a 'K-Zone'.In present day Bologna, Stefano (Gabriele Lavia), a novelist, is given an old typewriter as a birthday present by his wife Alessandra (Anne Canovas). One night, after Alessandra has gone to bed, he discovers a series of typed letters on the typewriter's ribbon. As he reads the ribbon, he finds it is an essay written by scientist Paolo Zeder discussing the existence of K-Zonesâareas where death ceases to exist. According to Zeder's essay, bodies buried in these zones can return from the dead.Stefano investigates the message left on the typewriter ribbon. He encounters people who make it clear that they do not appreciate any questions relating to Paolo Zeder or K-Zones. However, the resistance he experiences intrigues him even more. He becomes obsessed with getting answers to the mystery and temporarily abandons his wife. His investigation leads him to a huge old property, ostensibly abandoned but protected by electrified fences. A nearby service station attendant tells Stefano that French investors are building a gigantic hotel on the property, but no work is ever seen being done.Stefano sneaks onto the property, and discovers surveillance equipment with numerous monitors showing the dead face of a man buried in a coffin. Stefano watches the monitors. The dead man is Don Luigi Costa, an ex-priest who abandoned his vows after contracting an incurable disease. Continuing Zeder's work, Costa had himself buried on the property, a suspected K-Zone, and his rebirth from the dead is caught on camera. Stefano manages to elude the conspirators involved in the experimental work, but finds his wife has been murdered by them. At night, Stefano buries her in a K-Zone located on the abandoned property. She revives and approaches her husband. In the darkness, Stefano begins screaming horribly.
Question: What happens to bodies buried in the K-Zones?, Answer: They return from the dead

Ten years of turmoil have passed since the teenage Anastasia and her family (parents, sisters and brother) were presumed to have been killed by Bolshevik revolutionaries. Does the refugee Anna who has turned up in Paris have the bearing, speech, and intimate knowledge of the imperial family that the real grand duchess would have? Or is she merely a recovering amnesiac with a striking resemblance who has been cleverly groomed by the Ã©migrÃ© General Bounine (Brynner) to stake a claim to 10 million pounds left by the Tsar in an English bank? In a series of encounters with former familiars and members of the imperial court, Anna begins to display a confidence and style that astonish her skeptical interlocutors, yet retains our sympathy by seeming more interested in recovering her own identity than the imperial bank account. In a climactic meeting with the Empress in Copenhagen, Anna and the Empress take the measure of each other, alternately projecting imperial self-possession and the anguish of family longing. Meanwhile, Bounine has become increasingly jealous of the attentions the fortune-hunting Prince Paul pays to Anna. At a grand ball at which her engagement to Paul is to be announced, the Empress has a private word with Anna/Anastasia, who subsequently elopes with Bounine.
Question: Who does the Empress elope with?, Answer: Bounine.

The story follows YÅ« Honda (Takahiro Nishijima), a young teenage Catholic attempting to live his life in a faithful and orderly manner. His father, Tetsu, has become a devout Catholic priest following the death of YÅ«'s mother, and operates his own church. YÅ«'s father asks YÅ« to confess his sins, but YÅ« believes he is a good person, who has little to confess. At first he makes up sins, but his father sees right through him, and YÅ« sets out to commit real sins. Because of this, he falls in with a questionable crowd.YÅ« is taught by his new friends to steal, fight, and take stealth photographs up women's skirts. YÅ« promptly becomes a skilled "panty shot" photographer. He is perceived as a pervert, but he is never aroused by these photographs.After YÅ« loses a bet with his friends, he agrees to go into the city dressed as a woman and kiss a girl he likes. When they go into the city, YÅ« and his friends come across a young teenage girl named YÅko (Hikari Mitsushima), who is surrounded by a group of thugs. YÅ«, still dressed as a woman, then helps YÅko beat up the gang of thugs. Afterwards he kisses YÅko and runs away. He falls in love with her â the first time he's been in love with a girl - but YÅko falls for his disguise and develops feelings for his alter ego Sasori, or "Miss Scorpion".Meanwhile, YÅ« is being followed by Aya Koike (Sakura Ando), a member of the cult "Zero Church", who has become infatuated with him after she catches him taking a picture of her panties. Aya, who we are shown was sexually abused to the point that she became psychotic and set out on a series of violent sprees, including shooting every student in her class and cutting her father's penis off, devises a plan to bring YÅ«'s entire family into the Zero Church, planning to gain the favour of YÅko by masquerading as Sasori.Aya manipulates those around YÅ«, and YÅko and YÅ«'s family become caught up in the Zero Church. YÅ« desperately tries to free YÅko from the Zero Church by kidnapping her, but fails to persuade her to leave, as she does not trust him and is convinced he is a pervert. Armed with a sword, YÅ« then breaks into the building where the Zero Church are present and once again tries to escape with YÅko. Aya, who is present along with YÅ«'s family, fights back, but resorts to suicide by driving the sword through her stomach when she realizes YÅ«'s love for YÅko.YÅ« is taken to a mental hospital, where he has forgotten all of his past and convinced himself that he is really Sasori. YÅko comes to visit, claiming that she now realises that she loves YÅ«, as he was the one always trying to save her. YÅ« cannot remember who she is, so security escort the hysterical YÅko out of the building. Moments later, YÅ« remembers who Yoko is, and is aroused at the thought of her. He escapes from the hospital and runs after the car that is driving YÅko away. The film concludes as YÅ« smashes open the car window and joins hands with YÅko.

Question: Why did Aya commit suicide?, Answer: She realizes Yū's love for Yōko.