You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

[Q]:  Set in a small town in Edwardian England, Regiment of Women is about the relationship between two teachers at a private (and elitist) girls' school. One of them, Clare Hartill, is in her mid-thirties and runs the school in all but name, the ageing and sickly headmistress depending on her whenever a decision has to be taken concerning the school or any of its pupils. Most of the girls are devoted to Hartill and gladly suffer under her strict but charismatic rule and the loads of homework she sets them, mainly to prove to her and to themselves that they are more academically advanced than she told them they were. Hartill lives alone near the school in a small, old-fashioned flat full of books but without gas or electricity.
The other teacher is Alwynne Durand, an attractive nineteen-year-old woman without any formal training who lives with Elsbeth Loveday, her unmarried aunt and guardian. When Durand starts teaching at the school she is immediately popular with her students but also excites Hartill's attention   not just because the young mistress is as enthusiastic about teaching as herself, but also because Hartill is always on the lookout for companionship. The two women become close friends, and Durand spends more and more of her spare time in Hartill's flat, occasionally not returning to her aunt's for days. The couple also travel abroad together during the summer holidays. Although Loveday and Hartill hardly ever meet, a strange kind of antagonism develops between them, each woman fighting to spend more time than they do with Alwynne Durand and to be the dominant person in Alwynne's life.
In the course of the schoolyear one of Hartill's prot g es, an unfortunate fourteen-year-old called Louise who has disappointed Hartill by failing an important exam, commits suicide by jumping from an upper floor window of the school building. The suicide is successfully hushed up, pronounced a case of accidental death, and quickly forgotten. What Hartill deliberately fails to mention, however, is that Louise's death, which happened on the night of the school play, was apparently triggered by her harsh criticism of Louise's excellent performance in the play. In the months that follow, Hartill even manages to shift the burden of guilt onto Durand's shoulders, persuading the young mistress that she ought to have detected any suicidal tendencies in Louise while giving her extra lessons.
Hartill's increasingly bizarre and offensive behaviour and her naive niece's growing dependence on her older friend call Elsbeth Loveday to action. When, on top of her shattered nerves, Alwynne Durand comes down with the flu, Loveday insists on her not returning to school for the rest of the term and on recuperating from her illness in the country instead. Alwynne agrees, if reluctantly at first, to spend some time with distant relatives she has never met before. The idyllic spring landscape she encounters after leaving town actually soothes her nerves, and Alwynne grows more and more fond of country life and the people she meets in her new surroundings.
But Elsbeth Loveday's scheme includes more than her niece's mere convalescence. As planned by her aunt, Alwynne Durand finds a confidant, and secret admirer, in thirty-year-old Roger Lumsden, a good-hearted, intelligent and handsome man who runs his own gardening business. Completely inexperienced with men except for what she has read in novels, Alwynne does not recognise her feelings for Lumsden as love, and she still looks forward to her reunion with Hartill. When she eventually returns to her home town, Lumsden follows her, proposes to her, and, naturally, is rejected. Only when Hartill, too sure of her seemingly inseparable bond with Alwynne, continues treating her badly does Alwynne wake up to reality. She sends Hartill a telegram telling her she has taken the train to the country in order to get married.
[A]: Why does Hartill immediately want to connect with Durand?


[Q]:  After a stirring opening on the eve of the coup d' tat, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon-Macquart cycle, committing himself to what would become the next twenty-two years of his life's work. The fictional town of Plassans (loosely based on the real city of Aix-en-Provence, where Zola grew up) is established as the setting for the novel and described in intimate detail, and then we are introduced to the eccentric heroine Adelaide Fouque, later known as "Tante Dide", who becomes the common ancestor for both the Rougon and Macquart families. Her legitimate son from her short marriage to her late husband, a labourer named Rougon who worked on Dide's land, is forced to grow up alongside two illegitimate children   a boy and a girl   from Dide's later romance with the smuggler, poacher and alcoholic Macquart, while the ageing Dide slides further and further into a state of mental illness and borderline senile dementia. From this premise, the next nineteen novels all get their central protagonists and to a certain extent their themes.
The narrative continues along double lines, following both "branches" of the family. We see Pierre Rougon (the legitimate son) in his attempts to disinherit his Macquart half-siblings, his marriage to Felicit  Puech, the voraciously ambitious daughter of a local merchant, and their continued failure to establish the fortune, fame and renown they seek, despite their greed and relatively comfortable lifestyles. Approaching old age, the Rougon couple finally admit defeat and settle, crushed, into their lower middle class destinies, until by a remarkable stroke of luck their eldest son Eug ne reports from Paris that he has some news that they might find interesting. Eug ne has become one of the closest allies of the future Emperor Napoleon III and informs his parents that a coup is imminent. Having been effectively given insider information about which side to back in the coming revolution, the Rougons then make a series of seemingly bold moves to show their loyal and steadfast support for Napoleon III, winning the admiration of the most influential people in the town, mostly royalists who are themselves afraid of showing too much commitment for fear of backing the "wrong horse" and losing their standing and fortune.
The narrative then switches over to the Macquart side of the family, whose grim working-class struggles to survive are juxtaposed keenly with the Rougons' seemingly trivial quest for greater wealth and influence in genteel drawing-room society. Descended from a drunken ne'er-do-well and a madwoman, Zola effectively predestines the Macquarts to lives of toil and misery. Zola's theories of heredity, laid out in the original preface to this novel, were a cornerstone of his entire philosophy and a major reason for his embarking on the mammoth Rougon-Macquart project in the first place in order to illustrate them. Largely discredited nowadays, the theories are largely "present but unseen" in most of the novels in the Rougon-Macquart cycle, allowing those books to be enjoyed without the overshadowing effect of Zola's somewhat suspect scientific ideas. Due to the original story nature of La Fortune des Rougon, the theories are placed much more to the fore, and can appear somewhat heavy-handed as a result.
A third branch of the family, the Mourets, descended from Macquart and Dide's daughter, are then introduced before the novel's focus is brought back to the "present", the night of the coup, via a quite brilliantly told love story. The idealistic but na ve Silv re Mouret falls madly in love with the innocent Miette Chantegreil, and after a long courtship they decide to join up with the republicans to fight the coup. The rest of the novel then picks up from where the opening chapter left off, and from then on is basically a dual narrative telling the story of the old Rougon couple and their increasingly Machiavellian machinations to get themselves into a position of fortune and respect in Plassans, juxtaposed with Silv re and Miette's continuing love story and the doomed republican militia's disastrous attempt to take the town back. Eventually, the Rougons exploit their half-brother Antoine Macquart into inadvertently helping crush the republican threat, and they achieve their life's ambition, fortune and favour. For Silv re and Miette, who committed themselves so completely to a doomed cause, there can be no such happy ending and Zola wisely leaves their half of the story at a bleak dead end..
[A]: What happens to Silvere and Miette?


[Q]:  In 1815, French prisoner Jean Valjean is released on parole from Toulon prison after serving nineteen years for stealing a loaf of bread and trying to escape multiple times. On the outside, Valjean s paroled status prevents him from getting work. He is offered shelter by the kindly Bishop of Digne, but Valjean steals his silverware. Captured by police and taken to the Bishop, Valjean is shocked when the Bishop says he gave him the silver, telling him to use it to do something worthwhile with his life. Valjean breaks his parole to start a new life.
Eight years later, Valjean is factory owner and mayor of Montreuil, Pas-de-Calais. He is shocked when a Toulon prison guard Javert arrives as his new chief of police. Javert suspects Valjean s identity when he rescues an injured worker trapped under a heavy cart. One of Valjean s workers, Fantine, is dismissed by the factory foreman upon learning she is sending her earnings to her illegitimate daughter Cosette, who lives with the greedy innkeepers, the Th nardiers. To support her daughter, Fantine becomes a prostitute but is arrested by Javert when she attacks an abusive customer. Valjean, learning who she is, has her hospitalised.
Valjean learns a man has been wrongly identified as him, and reveals his true identity to a court before returning to the dying Fantine, promising to care for Cosette. Javert arrives but Valjean escapes, finding Cosette and pays Fantine s debts to the Th nardiers. Valjean and Cosette flee Javert, hiding in a convent, aided by the worker Valjean rescued before. Nine years later, Valjean has become a philanthropist and helps the poor in Paris. General Lamarque, the only government official sympathetic to the poor, dies, and a group of revolutionists called the Friends of the ABC plot to rebel against the monarchy. Marius Pontmercy, a member of the Friends, encounters Cosette and they fall in love, asking  ponine, the Th nardiers  daughter to help find her.
After Marius and Cosette meet and confess their love,  ponine prevents her father from robbing Valjean s house. Valjean, believing Javert is near, makes plans to flee to England with Cosette. Cosette writes a letter for Marius, but  ponine hides it, intending on dying with Marius during the rebellion. During Lamarque s funeral procession, the revolt begins and barricades are built across Paris. Javert pretends to be an ally to spy on the rebels but the street urchin Gavroche exposes him as a policeman. During the first skirmish against the soldiers,  ponine takes a bullet for Marius and dies in his arms, giving him Cosette s letter and confesses to him beforehand. Gavroche takes Marius  reply to Valjean, who joins the revolution to guard Marius.
Valjean offers to execute Javert but actually releases him, faking his death. By dawn, the soldiers are close to ending the revolution, storming the students  barricade and killing everyone save Marius and Valjean, who escape into the sewers. Th nardier comes across Valjean and the unconscious Marius, stealing the latter s ring, before pointing a way out. Valjean finds Javert waiting for him, ignoring his nemesis  threats. Javert, morally confused by the mercy of Valjean, commits suicide by throwing himself in the Seine. Marius recovers but is traumatised by the death of his friends.
Marius and Cosette plan to marry but Valjean, concerned his presence would threaten their happiness, makes plans to leave and reveals his identity to Marius, who promises to remain silent. Cosette and Marius marry but the Th nardiers crash the wedding to try and blackmail Marius, Th nardier saying he witnessed Valjean carrying a murdered corpse and produces the stolen ring. Marius assaults Th nardier who reveals Valjean is at the convent. The dying Valjean reunites with Cosette and Marius, giving them letters of confession, before peacefully dying, guided away by Fantine and the Bishop s spirits.
[A]:
Which year was Jean Valjean released on parole?