In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: one of these days , i 'll make good on my promise never to rent another abel ferrara movie .
king of new york and body snatchers notwithstanding ( and
bad lieutenant is only fit for a single , emotive viewing ) ,
his exploitation flicks have fallen into a rut of hoary art - house trappings .
it 's a perfume - drenched , coke - addled visit to the seedy pornography shop , where beautiful models ( no , hookers -- no , courtesans ) usher you through the silk curtains .
ferrara 's only consistently smart move has been casting
christopher walken over and over again , since walken can make a good movie great and a loathsome movie durable whenever he 's onscreen .
his 8-minute scene in the addiction is the saving grace of that otherwise abysmal , unwatchable , and pretentious failure .
when he starts talking about his vampiric bowel movements , or questions whether lili taylor has ever read naked lunch , there 's a much - needed dose of humor in an otherwise terminally unfunny affair .
you know those gothic club kids who are too cool to smile and let you know they 're actually having fun ?
the addiction is that movie .
walken , sadly , does not appear in the blackout .
the central role of matty , a junkie film star whose lightning paced hollywood life among the beautiful people is inevitably leading to his destruction , is played by matthew modine ( who takes what he can get after cutthroat island ) .
much like the protagonists of michelangelo antonioni 's terminally bored cultural elite , matty is involved in a bitter pill " relationship " with high fashioned model annie ( at least i think she 's a model . )
matty 's lady is played by french actress b ? atrice dalle , arrested twice for cocaine possession during filming of the blackout -- not that you needed to know that , but it lends credence to the idea that ferrara 's entire oeuvre has been filmed in a fucking blackout .
no kidding .
requiem for a dream has nothing on the junkie presentations seen in ferrara 's movies and his controversial urban lifestyle .
matty and annie struggle over her decision to have an abortion without consulting him .
no doubt , he was off chasing the dragon .
in his despair , matty indulges in a chemical induced weekend of debauchery , tooling around the streets of miami with video filmmaker mickey wayne ( dennis hopper , in full " dirty ol' man " mold smacking models on the ass and telling them to spread their legs .
wider ! )
toward the end of the night , they pick up a teenage waitress also named annie ( sarah lassez ) , start shooting a hastily improvised sexual scene , then matty thankfully blacks out .
something happened that night which haunts him throughout the rest of the movie , and it 's exactly what you think it was .
suffice to say , there 's some confusion over whether he killed annie one or annie two , or anyone at all .
the blackout is typical ferrara :
no plot to speak of , plenty of raunch , and horribly vogue images of matthew modine downing a bottle of jack daniels and a beer while wrapping himself in a see - through curtain in his hotel room by the sea , by the sea , by the beautiful sea .
cinematographer ken kelsch finds inconsistent glory in alternating gorgeous painterly sunsets with docu - style sleaze ( and we 're back to dennis hopper leering at girls in bathing suits .
"
yeah ! ! !
yeah ! ! !
arrrghhh ! " says mr .
hopper .
dirty old sod . )
it 's compulsive viewing in a tacky sort of way , leading to a ridiculous climax where modine seizes control of his destiny .
how 's that for cryptic ?
never fear -- ferrara finds time for some female full frontal nudity to remind us what he 's all about .
i can picture it now .
" take off yer clothes , kid -- it 's essential to depict the inner maelstrom of my central protagonist , and you 're his visual
i
d .
you 're the soul , the heart , the bloodstream of the picture .
take it off !
take it all off ! ! !
ha ha ha !
" friggin ' vampire .
yeah , you , ferrara .
a final word about matthew modine : he 's actually a fine actor when properly cast , but there 's something too squeaky - clean in his demeanor .
he 's ideally suited for sarcastic men in tightly controlled situations , such as his private joker in full metal jacket or the time - bomb nebbish in short cuts ( who is every bit as superb as julianne moore in that famous scene , though no one seems to notice him ) .
[ he was in that scene ?
-ed . ]
here , he 's asked to let it all hang out , sporting a three - day stubble and oily bangs .
he throws around furniture like stanley kowalski , but it 's somehow lacking .
modine lacks the feral intensity of brando , entirely miscast in ferrara 's flesh fair .
better luck next time
, matt .
someday , you 'll be forgiven for cutthroat island , which was n't really your fault in the first place .
maybe atom egoyan will find a place for you somewhere , and all will once again be well in your world .
Example Output: N

Example Input: known as the most successful , highest - grossing romantic comedy in history , director garry marshall apparently struck gold with " pretty woman , " which opened quietly during the summer of 1990 but , thanks to positive word - of - mouth , was able to reach upwards of $ 175-million in theaters alone .
the question of why it worked so well lies directly with the film 's two charismatic stars , richard gere and julia roberts , since the story itself is none too original or even believable .
the other winning element that makes " pretty woman
" so entertaining is its genuine sweetness and innocence , which is rarely as palpable in today 's films as it is here .
edward lewis ( richard gere ) is a suave , extremely wealthy business mogul who , at the start of the picture , breaks up with his girlfriend over the phone after a nasty argument , and abruptly takes his friend 's car and gets lost on hollywood boulevard while trying to find his hotel .
stopping the car along the street , he asks a woman , obviously a prostitute , for directions .
agreeing to get in his car and show him for ten bucks , edward ultimately accepts , they strike up a conversation , and before long she has been asked up to his penthouse room on the top floor .
this meeting does not lead to sex , however , as edward confides that he 'd rather just have someone to talk to , and offers her $ 300 to spend the night .
just as well , since the hooker , named vivian , is a beautiful , generally upbeat young woman who is the type of person that can lend an understanding ear .
the meeting between these two completely opposite people does not end the next morning as planned , when edward finally offers to pay vivian three - thousand dollars if she will stay with him for six days and nights while he is in the area , keeping him company and acting as his companion to business dinners and get - togethers .
since vivian firmly tells edward at the beginning that she will do anything with him except kiss him on the lips , which always leads to unwanted intimacy when dealing with her customers , the obligatory rule of the genre says that by the third act , edward and vivian will finally , truly , kiss .
allegedly planned as a grim , downbeat drama until garry marshall came on board as director , " pretty woman " has been transformed in all senses of the word into a classic fairy tale , a la " cinderella .
"
the premise is hardly believable and its portrait of prostitutes hanging out on the streets of hollywood boulevard is just about the most idealized portrayal that there could have possibly been .
you honestly do n't need a high - iq ( or any iq , for that matter ) to guess how the film will end , and the story is as old as my great great grandma bertha .
the supporting characters are almost all sketchily written and less - than - gratifying , and the screenplay is no award winner .
and yet , amidst all of these qualms and flaws , " pretty woman " is an astoundingly charming motion picture , and it is definately easy to see why it became such an overnight sensation with moviegoers .
you 'd actually be amazed how far bemusement can go , and there are a few select moments ( not even whole scenes , mind you ) that are as romantic as anything i 've seen on film in the 1990 's .
additionally , the film belongs , and its success can be attributed , to two people and two people only , and they are richard gere and julia roberts .
playing sex symbols throughout the ' 80s with such pictures as " american gigolo " and " an officer and a gentleman , " gere branches out here to play a more quiet , almost shy , but still alluring , character that believably could sweep julia roberts off her feet , and vice versa .
julia roberts , in her breakthrough role after 1988 's well - received " mistic pizza " and 1989 's " steel magnolia , " for which she was nominated for an academy award , is radiant and funny as the wordly vivian , who surprisingly could be a role model for impressionistic viewers , not for her line of work , but more for her sheer intelligence .
it would have probably been easy to have written vivian as merely a flake , but screenwriter j .
f .
lawton clearly cared too much about his central characters to do such a thing .
after " pretty woman , " roberts , along with meg ryan , became the reigning queen of romantic comedies ( with her latest being the just - released " runaway bride , " which repairs gere and roberts together once again ) , and no wonder .
roberts has continually proven to not only be a strong actress with a flare for comedy , but also one who can efficiently do drama , and in almost every film she appears in , it is difficult not to fall in love with her along with her male co - star .
an especially strong scene that gere and roberts do together takes place after edward foolishly tells one of his co - workers that vivian is actually a prostitute , and he then approaches her , making sexual advances .
no only does this make vivian feel cheap , especially since she had previously been posing as a more professional , eloquent young lady , but it also maddens her that edward would demean and betray her in such a way , and ultimately causes her to question where exactly her life is leading , and if she likes this particular path .
on the more dreamy side , the film is filled with romantic scenes that are simply effervescent to behold , especially one in which edward enters into the hotel 's lounge to see vivian turn around and not only reveal her marvelous cocktail dress , but also her inner ( and outer ) glowing beauty .
another subtle moment has vivian lovingly blowing a kiss to edward , who is asleep , and placing it on his lips , since she still is unsure if she should be getting attached to this man who may very well be out of her life forever in a short couple of days .
" pretty woman " does not blatantly step wrong until the very last scene , which is a happy ending ( as you 'd expect , and would n't have it any other way ) that somehow does not work , perhaps because of its undeniable contrivances .
this one misstep does not put a damper on the rest of the film , though , because there is just far too much magic at work here to disaffirm such a petty problem . helped along by a warm , memorable supporting performance from laura san giacomo , as vivian 's best friend and roommate , and a fabulously catchy soundtrack , in which all of the songs prominently aid in the movie 's overall fulfillment , " pretty woman " is a sparkler of a motion picture , and has what it takes to act as a blueprint on how to make the quintessential romantic comedy .
Example Output: P

Example Input: edward zwick 's " the siege " raises more questions than it can convincingly answer or even clearly articulate .
its subject is the rising threat of terrorism in american cities .
denzel washington is anthony " hub " hubbard , who runs the fbi 's anti - terrorism task force in new york .
his investigation into arab terrorist cells intensifies when suicide bombers take out a busload of people .
hub focuses on a mysterious cia operative ( annette bening ) , whose goes by both " elise " and " sharon .
"
as the terrorist attacks continue and the body count rises , the question of martial law is raised .
enter general devereaux ( bruce willis ) , who opposes martial law at first but who , as soon as the president decides to send in the army , begins herding arab immigrants into a prison camp and attacking every link that hub uncovers in the terrorist chain .
hub listens as devereaux tortures and murders a suspect .
the future zwick and screenwriter lawrence wright offer is all too possible .
what would happen , they ask , if terrorism became as much a fact of daily life in new york as it is in cities like beirut and belfast ?
what would happen to our civil liberties if soldiers patrol our streets with machine guns ?
these questions " the siege
" answers in realistic detail .
it implies tougher ones , though : what can be done to combat terrorism without sacrificing justice and freedom ? if we encourage terrorism abroad ( from bening 's character we discover that the cia trained the bombers ) , will it inevitably come back to us ?
" siege " avoids the tougher questions by endowing its hero , hub , with a uncompromising sense of clear right and wrong .
this comforting fantasy of sir galahad confronting the evils of the modern world is an escape from the thought - provoking issues the movie raises .
still , zwick deserves credit for at least addressing the issue with as much realism as he does where so many movies ( willis ' " die hard " series , for example ) offer only a comic - book view on terrorism .
Example Output:
P