In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Q: Question: How much money did Mario Bava's 1965 horror/sci-fi film make? Passage 1:His work has proved very influential. Bava directed what is now regarded as the earliest of the Italian giallo films, The Girl Who Knew Too Much (1963) and Blood and Black Lace (1964). His 1965 sci-fi/ horror film Planet of the Vampires was a thematic precursor to Alien (1979). Although comic books had served as the basis for countless serials and children's films in Hollywood, Bava's  (1968) brought an adult perspective to the genre with its' Pop art influence of Andy Warhol and Roy Lichenstein. Many elements of his 1966 film Kill, Baby... Kill!, regarded by Martin Scorsese as Bava's masterpiece, also appear in the Asian strain of terror film known as J-horror. 1971's A Bay of Blood is considered one of the earliest slasher films, and was explicitly imitated in Friday the 13th Part 2.
 Passage 2:Chillag emigrated to Australia after the war, having found no surviving family back in Hungary and being unable to remake the family business following the arrival of communism. Marrying a British-born expatriate in 1950, he worked for the Australian Atomic Energy Commission between 1957 and 1963, living in Sydney. He moved to Leeds, England in 1962, to work in Boston Spa until retirement, whereupon he became a European Information Officer for Leeds Metropolitan University. His daughter, diagnosed with Down syndrome, prompted him to work voluntarily with Mencap, and he continued to give lectures on his experiences at the Imperial War Museum. In 2004, he published his memoirs, The Odyssey of John Chillag, a Hungarian Jew Born in Vienna 2006: From Győr in Hungary to Australia and England Via Auschwitz and Buchenwald.
 Passage 3:A member of the Aspietes family, of noble Armenian origin, Constantine was probably a close relative of his contemporary Michael Aspietes, a distinguished general killed in 1176. Like his relative, Constantine too had earned distinction during Manuel I Komnenos' campaign against the Hungarians in 1167. The historian John Kinnamos records that he held the rank of sebastos. He is next recorded as being active in 1190/1, during the Byzantine efforts to suppress the Bulgarian–Vlach rebellion of the brothers Peter and Ivan Asen. The historian Niketas Choniates records that, in an effort to sustain the troops and bolster their morale, Aspietes decided to distribute to them their delayed annual salaries. This act, however, enraged Emperor Isaac II Angelos, who saw in it almost an attempt to bribe the army to support Aspietes in overthrowing him. The emperor had Aspietes arrested and blinded, after which nothing further is known of him. He possibly died in the early years of the 13th century.


A: 1
****
Q: Question: How many years had the Ballet Russe de Monte Carlo been doing performances the year that Rudenko signed up with them? Passage 1:In 1938 Rudenko was signed up to the Ballet Russe de Monte Carlo, where, at 17, she was their youngest soloist. Her stage name was Lubov Roudenko, and she was also popularly known as "Spitfire Lu-Lu." She had a can-can sequence in the 1938 ballet Gaîté Parisienne choreographed specially for her by Léonide Massine. She would later reprise this role in the 1941 Oscar-nominated short film The Gay Parisian. Whilst with the Ballet Russes, Rudenko was the subject of several drawings by Henri Matisse in 1939. Four of his portrait sketches of her are now in the Fogg Museum. Matisse also made a drawing of Rudenko in the ballet  Rouge et Noir. While on tour with the Ballet Russe, Rudenko performed the role of the Cowgirl in the 1942 ballet Rodeo until the tour reached New York and Agnes de Mille, the original choreographer, reclaimed the role for herself. Disappointed by this, Rudenko quit the Ballet Russes, and took a better-paid job performing in a Broadway production of The Merry Widow. This production launched at the Majestic Theatre on 4 August 1943, with Rudenko and James Starbuck leading the character dances, including a comic polka and a can-can number. After this, Rudenko played Grisette in Nellie Bly, a short-lived 1946 musical based on the life of Nellie Bly, and then became lead dancer for the 1946-49 Broadway production of Annie Get Your Gun, but following a knee injury, decided to pursue a career in fashion design. She continued performing until 1951, appearing in the 1950-51 Olsen and Johnson revue Pardon our French.
 Passage 2:Bhutia has had limited opportunities in playing overseas. On 30 September 1999, he travelled overseas to play for Bury in Greater Manchester, England. He became only the second Indian footballer to play professionally in Europe after Mohammed Salim. By penning a three-year contract he also became the first Indian footballer to sign for a European club. This followed unsuccessful trials for Bhutia with Fulham, West Bromwich Albion and Aston Villa. He had difficulty obtaining a visa and could not make his debut, until 3 October 1999 against Cardiff City. In that match, he came on as a substitute for Ian Lawson and played a part in Bury's second goal, which was scored by Darren Bullock after Bhutia's volley was deflected into his path. On 15 April 2000, he scored his first goal in the English league in the game against Chesterfield. A recurring knee injury limited him to only three games in his final season at Bury, and he was released after the club was placed in administration. His final appearance was a 3–0 defeat to Swindon Town on 27 August 2001.
 Passage 3:Of the 62 flying fox species evaluated by the IUCN as of 2018, 3 are considered critically endangered: the Aru flying fox, Livingstone's fruit bat, and the Vanikoro flying fox. Another 7 species are listed as endangered; 20 are listed as vulnerable, 6 as near threatened, 14 as least concern, and 8 as data deficient. A further 4 are listed as extinct: the dusky flying fox, the large Palau flying fox, the small Mauritian flying fox, and the Guam flying fox. Over half of the species are threatened today with extinction, and in particular in the Pacific, a number of species have died out as a result of hunting, deforestation, and predation by invasive species. Six flying fox species are believed to have gone extinct from 1864 to 2014: the Guam, large Palau, small Mauritian, dusky, large Samoan, and the small Samoan flying foxes.


A: 1
****
Q: Question: What state was the team that signed Romano in 1954 from? Passage 1:Billboard Magazine rated the song one of the best cuts on Don't Look Back. Greil Marcus rated the song as one of three masterpieces on Don't Look Back, along with "A Man I'll Never Be" and "Used to Bad News." Allmusic critic Tim Sendra described its riff as "killer," saying that it was similar to that in "More Than a Feeling." The New Rolling Stone Album Guide critic Paul Evans felt that "Don't Look Back" was the one song on its album that could "hold its own" on Boston's first album. Ultimate Classic Rock critic Eduardo Rivadavia similarly stated that it "met every expectation set by Boston’s nearly perfect debut." Ultimate Classic Rock critic Michael Gallucci rated it the band's 4th all time best song. AXS contributor Bill Craig similarly rated it Boston's 3rd greatest song, describing it as an "arena rock style sonic blast." Philip Booth of the Lakeland Ledger called it one "of the most-played-by-garage-band rockers of the '70s." Pete Prown and Harvey P. Newquist praised the "layers of guitar harmonies" as well as Barry Goudreau's slide guitar playing and rideout guitar solo. Ottawa Journal critic Mike Voslin rated the song as a live performance highlight.
 Passage 2:Ibrahim was born in Cape Town on 9 October 1934, and was baptized Adolph Johannes Brand. He attended Trafalgar High School in Cape Town's District Six, and began piano lessons at the age of seven, making his professional debut at 15. He is of mixed-race heritage, making him a Coloured person according to the South African government. His mother played piano in a church, the musical style of which would remain an influence; in addition, he learned to play several genres of music during his youth in Cape Town, including marabi, mbaqanga, and American jazz. He became well known in jazz circles in Cape Town and Johannesburg. In 1959 and 1960, Ibrahim played with the Jazz Epistles group in Sophiatown, alongside saxophonist Kippie Moeketsi, trumpeter Hugh Masekela, trombonist Jonas Gwangwa (who were all in the orchestra of the musical King Kong that opened in Johannesburg in February 1959), bassist Johnny Gertze and drummer Makaya Ntshoko; in January 1960, the six musicians went into the Gallo studio and recorded the first full-length jazz LP by Black South African musicians, Jazz Epistle Verse One, with 500 copies being produced. Although the group avoided explicitly political activity, the apartheid government was suspicious of it and other jazz groups, and targeted them heavily during the increase in state repression following the Sharpeville massacre, and eventually, the Jazz Epistles broke up.
 Passage 3:Romano was signed by the Chicago White Sox as an amateur free agent in 1954. In , while playing for the Waterloo White Hawks, Romano hit 9 home runs in nine consecutive games. He accumulated 38 home runs with a .321 batting average and led the Illinois–Indiana–Iowa League with 108 runs scored and 124 runs batted in. His 38 home runs in 1955 set a league record. Romano split the season between the Vancouver Mounties and the Memphis Chickasaws. In , Romano played for the Indianapolis Indians of the American Association. The Indians' manager was former major league All-Star catcher Walker Cooper, who tutored Romano and helped to greatly improve his catching skills. Romano was called up late in the 1958 season, making his major league debut with the Chicago White Sox on September 12, at the age of 23.


A:
3
****