Given a context passage, generate a question from the passage such that its answer is shortest continous span from the passage.

Q: Electronic book publishing has many of the same risks and opportunities as electronic music publishing. By delivering text direct to the user's computer screen, the e-book could cut down costs, and allow creators to deal directly with their audience, bypassing traditional publishers and readers. But it also raises the possibility of mass piracy . Phil Rance, founder and managing director of Online Originals, a London-based e-book publisher, sums it up. "No one wants Napster to happen to books." Indeed, the most popular MP3 have put the frighteners on an industry that generally operates some way behind the "bleeding edge". The Mata Group, a leading US-based market researcher, says publishers are far too concerned about protecting their rights, "We believe all the recent legal control over Napster is like putting a finger in a river that is already overflowing. Publishers need to deal with reality and come up with new ways to develop wide electronic distribution , asking the question: 'How can we use the certainty of wide distribution to our advantage?'" At the moment, most publishers would like to limit the use of e-books to the person who bought them, or to the computer used to download them. If that can be done, e-books become just an extra income stream in a publishing industry that would continue to operate the way it does today, according to Terry Robinson, business manager for Adobe's e-paper group. "If you've cracked digital rights aspect, you've cracked the market," he says. Robert Nichols, Books Director at BOL agrees, "Rights management is absolutely important. Publishers just say that 'until copyright is secure, we're not going to talk'."

A: What do publishers care most about e-books?
****
Q: The movie opens with James Reece (Jonathan Rhys Meyers) driving through the streets of Paris in a black SUV to work. Reece works in the American Embassy as an aide to Ambassador Bennington (Richard Durden), the U.S. Ambassador to France. Taking a delivery of some forms from the Ambassador's secretary, he goes over Bennington's itinerary for the next few days, centering around a major summit in which the U.S., France, and several other nations are preparing foreign aid to the African continent. Bennington shows that he is more absorbed right now in a chess game he's playing with Reece during all this time. Despite paying less attention to the board and the game than Bennington is, Reece quickly checkmates him to win.Reece receives a call from an unknown source (voiced by David Gasman) directing him to a silver BMW in the parking lot, excusing himself with a cover story to Bennington that he has to review the Summit's planned seating arrangement. Going to the parking lot, Reece opens a code-locked security compartment in the trunk of his SUV to reveal a firearm and several French license plates. He removes the license plate from the silver BMW and replaces it with one of the plates he has stowed away in his SUV. He then moves his SUV to another parking space and waits there, watching the silver BMW. He watches several men get into the vehicle, put a briefcase into its trunk, and drive away.Arriving home, Reece gets another call from the same source. Reece is in fact a CIA operative working in the Embassy as a cover. He does minor jobs for his superiors, and is eager to move up into Special Ops. His superior assures him he'll get his chance, but for right now he is needed to secure a hidden transmission chip in the French Foreign Minister's office during a meeting with Ambassador Bennington. Reece doesn't believe he was given a chip, but is told it's in his left jacket pocket. Checking his jacket, he finds the chip there.Sitting in his apartment, Reece examines the chip. He is interrupted by a knock on his door. It's his girlfriend, Caroline (Kasia Smutnak) (pronounced Cah-roll-een, the 'ine' being pronounced like in the word 'magazine'). Caroline kisses Reece and tells him she has a surprise. She sits him in a chair and makes him keep his back to her. He can hear her undressing and changing into a different outfit. When she tells him to look, his jaw drops at the sight of her wearing a sexy strapless dress. He thinks he recognizes the fabric, and Caroline tells him she made it out of their bedroom curtains-- Caroline is a clothing designer. The two of them quickly start to undress as they head into the bedroom to make out.Reece arrives the next day at the conference site to give Bennington a summary of what is intended to be discussed at the meeting. Bennington invites Reece to attend the meeting with him.During the meeting, Reece discreetly takes the chip (disguising it by putting a piece of gum in his mouth and offering another piece to the Minister's secretary) and tries to put it under the lampstand beside his seat, using his chewing gum as an adhesive. However, the gum fails to hold and twice it falls back to the floor in plain sight. Frustrated, and barely managing to keep the chip hidden, as a diversion Reece finally questions the Foreign Minister (Eric Godon) about his having several Goyas in his office. The Minister says he does, and offers to show them to Bennington, who is very interested in Goya art. As Bennington accompanies the Minister and secretary to see the Goyas, leaving Reece alone in the meeting room, Reece takes the stapler from the Minister's desk and staples the chip to the underside of the desk... but accidentally leaves the stapler open as he exits.Arriving home that evening, Reece is disquieted as the lights in the hallway go out. He finds what looks like a trail of blood leading to a door out onto the roof of the building. Grabbing a broom left in

A: What are the terrorists targeting?
****
Q: _ (from How Do Animals Move?) Many animals scurry up tree trunks to escape enemies or find food. Some live in the treetops. Many of these animals are not only expert climbers, but they also have found interesting ways to get from tree to tree. How Do Animals Adapt?andHow Do Animals Move? are comprehensive explorations of animal adaptations and movement for young readers. Both are part of a 21 book series,The Science of Living Things. InHow Do Animals Adapt?readers learn how animals adapt to survive with respect not only to climate, darkness, food and defenses but also to offspring and people. These adaptations are well explained in double page spreads with examples clearly depicted in photographs and diagrams and developed through their accompanying captions . As the title suggests, movement is the focus ofHow Do Animals Move?Beginning with a description of the explanation of movement, the reader is exposed to the many different ways of animals movement in the air, on land, under ground and in the water. Several unconventional variations (e.g. looping of inchworms, the rectilinear motion of snakes) are included. Once again, the photographs and diagrams plainly support the double page spread discussions of animal movement. The language of both titles is simple enough for young readers without talking down to them. In both books, terminology is featured in . Some of these words are explained in the basic glossary while the majority are explained clearly in the text. Many of these terms provide readers with some fascinating, uncommon words (e.g. brachiation, potassium, skein, and estimate). As do many of Kalman's book, both of these titles have a table of contents, glossary and index which are all enough to introduce young readers to the nature of these tools. Both titles would make excellent additions to any science collection for young readers.

A:
What help to understand the articles in the books?
****