In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
--------
Question: Review: This is definitely one of the best kung fu movies ever, and may be one of the best movies ever... It's got a great plot that functions like a puzzle, with lots of intrigue and suspense. This film is full of cat and mouse games and deceptions, with people hiding their identities and their natures. The characters in this film live and breath much more than your average kung fu movie characters. They are all interesting and compelling and the movie does a good job at giving them scenes to show their personality's and desires.The fight scenes play out like little stories and many of them are very original and exciting. It has cool training sequences and martial arts skills that are so awesome they enter the realm of fantasy. There are 5 members of the poison clan each one with his own style that mimics the special skill of a venomous animal. The styles of each of these characters are fun to watch and you can see the techniques they use in training applied during the film... When this happens, The director uses quick cutting back to the training scene to draw a parallel. These cuts are accompanied by music changes and sound effects and the whole thing really works nicely.One thing about this movie that is very original is the way it treats death. The director Chang Cheh was obviously very concerned that the film not trivialize death. This makes some of the scenes in the movie much more effective. We actually care when people are killed in this film. This is because the camera lingers on the horror of death even when the bad guys are killed. Some of the sequences in this movie are truly gut wrenching. When characters go in search of vengeance you really feel their anger and pain.At the same time, this is also a fun movie. It has all the typical things you expect from a traditional kung fu film. There is bad dubbing, The characters are willing to fight at the drop of a hat. Some of the sound effects are hilarious and at times the behavior of the characters is incredibly unrealistic... all this just adds to the greatness of the film.And lets not forget that this director was a visual stylist much more gifted than most of his contemporaries. If you watch this movie closely you will notice that the technical prowess on display is virtuostic. Everything goes by so fast (because of the quick cutting style and the rapid camera movements of the genre) that it is easy to overlook how beautiful the movie really is. The lighting and composition are spectacular at times. The camera work and movement is extremely sophisticated along with very interesting fast paced editing... In the scenes that portray suspense and intrigue for example, imagine Hitchcock moving at about twice the speed. Chang Cheh was truly a master craftsman and artist who knew his genre and was able to produce important material while working within it's confines. He doesn't rattle the boat of the kung fu genre film, but in a subtle way his skills permeate every scene and every shot and they add greatly to the quality of the work. He is an important filmmaker who continues to influence many people.This is the real package A kung fu movie that delivers on every level. It's art, it's trash, it's emotionally moving, and it's fun, it has a true sense of morality, but doesn't allow that morality to get in the way of delivering good action. I recommend it to everybody whether you are a fan of this genre or not. Question: is it a positive review?

Answer: yes


Question: Review: Finally, the uncut version of "Baby Face" surfaces and from what source? The Library of Congress. The restored four minutes, snippets here and there, make for a much better film. We now know that Baby Face was pimped by her old man from the time she was at least fourteen years of age. Another reason d'tat for her behavior and cold, calculating exterior.Barbara Stanwyck is indeed amazing in the role of Lily Powers (notice the moniker), a part that called for just the right amount of sexuality coated with power, cunning, and revenge, yet tinged with virginal pretense when called for, a very difficult portrayal to make convincing. Barbara Stanwyck conveys the necessary nuances to show that though she sleeps her way to the top (literally), she still has good in her heart--note the way she treats those few who have been kind to her such as Chico (the marvelous actress Theresa Harris) and the old philosopher. And though she exploits her sexuality to make mush of men who are rich and powerful, those same men are attempting to exploit her for their carnal desires with no intention of permanent ties until they fall in love with her.Lily Powers fails to understand, at first, that emotions are difficult to ride, that it's easy to lose control. One possible result is death. Hitching a wagon to a star of course materialism can take one to a destination where nothing else exists but the ephemeral, and it's a cold lonely location.A word should be said about the philosophy of Friedrich Nietzsche whose will to power is stressed in "Baby Face" by the elderly philosopher who befriends Lilly when she is still turning tricks for her old man. "Baby Face" was released the same year Adolf Hitler came to power in Germany. Though it's highly unlikely that the semi-literate Hitler understood much about Nietzsche, he considered himself a Nietzschean to the nth degree and touted it along side his other rantings. "Baby Face" serves as an indictment of the popular interpretation of Nietzsche's will to power concept, especially in the final scenes.Although "You've got the cutest little baby face." is apropos as a theme for "Baby Face," an even more telling and applicable melody is W. C. Handy's "St. Louis Blues" played throughout the film, especially at times when the camera has to drift away from what would otherwise be sexually explicit scenes. "St. Louis Blues" is also used wisely toward the end as Lily begins to see beyond materialism to eternal values. Chico is singing a raw, salacious version of "St. Louis Blues" when Lily, now disagreeing with the lyrics, orders her to stop.The restored version of "Baby Face" makes the film more modern in its approach and attitude toward sex as power than many a new Hollywood release. By all means watch this gem from the distant past and enjoy. Question: is it a negative review?

Answer: no


Question: Review: Mean-spirited, ugly, nasty retro-action thriller, about a bodyguard who is determined to find (and destroy!), the killers of the girl he was supposed to protect. This film is almost an anachronism in today's politically correct atmosphere. Director Scott doesn't have any desire to apologize for the inherently immorality behind the film's dramatic structure. Scott is either not aware or doesn't care for 30 years of social advances. I really don't think we will see a more violent film any time soon, so you better go and see this one while you can. Despite its relentless grimness, I think the movie is a powerful example of cinema at its most sinister, exploitative, and effective. Scott has a tough thing to sell, but I think I'm a buyer. The extraordinary technical aspects of this film are just too effective for me to ignore. Scott's directorial choices are simply astonishing, and he pulls a great performance out of Denzel Washington. Sensitive souls need to stay away from this one, but I recommended it to those viewers looking for a great, action-filled movie. Question: is it a negative review?

Answer:
no