In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Example Input: Stanton Carlisle (Tyrone Power) raised in an orphanage and reform school is a drifter who works as a barker in a carnival. He is fascinated by the Geek side show in which a crazy man performs by biting heads off of live chickens and is paid off with a bottle of rotgut and a cot to sleep. Charming and good-looking, Stanton spends much of his time casually romancing Zeena (Joan Blondell) the second half of a mentalist act she works with her husband, alcoholic Pete (Ian Keith). Most of Stantons other affections are directed toward Molly (Coleen Gray) whose boyfriend Bruno (Mike Mazurki) jealously tries to interrupt whenever Stanton is nearby. When Stanton learns of a former mind-reading act that Zeena and Pete had before they joined the carnival he approaches them with the idea of reviving it but is rebuffed with the excuse from Zeena that the couple are saving the act to sell as money for their retirement, and also Pete is too drunk to perform it. One night Stanton accidentally gives Pete wood alcohol to drink killing the older man leaving the younger man with a lingering sense of guilt. Needing to find a new act Stanton convinces Zeena to start up the old act and they do so at great success. Stanton and Molly fall in love and are reviled by Bruno and Zeena and kicked out of the Carnival so Stanton takes the mind-reading act on the road with Molly with even greater success than before. Once in the limelight Stanton realizes something that Pete had told him years earlier that the audience wants to be duped because it gives them a sense of hope, and this small truth empowers Stanton to develop his performance skills to even greater heights. With the aid of a beautiful society psychiatrist Dr. Lilith Ritter (Helen Walker) Stanton starts up an act in which he channels the dead relatives of high-class socialites. When one of his scams backfires Stanton finds that his alliances have fled so he sends Molly away to the carnival and he leaves alone, soon becoming a hobo with many other forgotten men and then an anonymous bum, who wanders into a carnival taking the only job offered him, that of a Geek, which he gladly accepts.
Example Output: Question: Who is raised in an orphanage and reform school?, Answer: Stanton Carlisle

Example Input: It is December 31, 1982, and the Saturn Theater is preparing for its big New Year's Eve concert under the direction of owner and master showman Max Wolfe (Allen Garfield, credited as Allen Goorwitz), who has operated the Saturn since 1968. Assisting Max are stage manager Neil Allen (Daniel Stern), and visiting former stage manager Willy Loman (Gail Edwards). Also caught up in the wild activity is beleaguered stagehand Joey (Dan Frischman), temperamental lighting director Violetta (Mary Woronov), and Neil's younger sister Susie (Stacey Nelkin).Max Wolfe holds a 30-year lease to the theater, but reptilian concert promoter Colin Beverly (Ed Begley, Jr.) has other ideas. Beverly offers to buy Max out of his lease with what seems to be a generous deal at Beverly's concert auditorium and stadium, but Max refuses, ultimately becoming so incensed that he collapses of an apparent heart attack. Outside, Max's ingratiating nephew Sammy (Miles Chapin) informs Beverly that he stands to inherit the theater from his uncle, and Beverly offers Sammy the same deal he offered Maxâif Sammy can get Max's signature on an agreement to transfer the Saturn's lease before midnight.The various performers for the show are introduced:Captain Cloud (the Turtles' Howard Kaylan) and the Rainbow Telegraph--Max Wolfe's favorite band and a spoof of Strawberry Alarm Clock--arriving in an aging bus that is painted Ã  la the Merry Pranksters' Further (which also inspired the Partridge Family's vehicle).Nada (Lori Eastside from Kid Creole and the Coconuts) and her 15-member band (a spoof of such girl groups as the Bangles and the Go-Gos) playing an amalgam of many disparate styles of music that appeared on MTV in the early 1980sâpart bubble-gum pop, part New Wave, part garage rock. They are joined by "Special Guest Star" Piggy (Lee Ving of the L.A. punk band Fear).King Blues, the King of the Blues (Bill Henderson), a spoof of Muddy Waters (and, to a lesser extent, Bo Diddly and B.B. King).Auden (Lou Reed), "metaphysical folk singer, event of the '70s, [and] antisocial recluse", a spoof of Bob Dylan. Auden, who initially complains of writer's block, is coaxed to appear thinking Max is close to death, but after blithely asking a taxi driver to take the "scenic route," he spends the majority of the movie on his cab ride, improvising lyrics for the song he intends to perform.Reggie Wanker (Malcolm McDowell), "20 years of rock and roll and still on top", a spoof of Mick Jagger; featuring his drummer Toad played by John Densmore of The Doors. Wanker is beset by a general malaise, unable to fully enjoy his lavish situation of easily available women and drugs.King Blues opens the show, performing two of his "own" hit songs, "The Blues Had a Baby and They Named it Rock and Roll" (by Muddy Waters) and "Hoochie Coochie Man" (by Willie Dixon). Next the Nada Band take the stage and perform "I'm Not Going to Take It No More." Piggy leads the band in a viciously punk-rock version of "Hoochie Coochie Man," complete with stage dives and slam dancing. Reggie sings a celebration of egotism, "Hot Shot," then moves on to his own version of "Hoochie Coochie Man".As the show proceeds, Sammy tries to find ways to sabotage the theater, including fueling a fire in the basement and cutting the fire hose. Colin Beverly's henchmen, Mark and Marv (former teen heartthrobs Bobby Sherman and Fabian), give Sammy a bomb, which he plants in the rocket ship that Max will ride during the final countdown to midnight.Willy overhears Mark and Marv talking about the bomb, and is captured by them and locked in the trunk of Colin Beverly's limousine. She escapes when the limo collides with Auden's taxicab, and runs back toward the theater. Only moments before midnight, Willy reaches the theater and tells Neil about the bomb. As the seconds tick away, the bomb is thrown from person to person out of the building, landing in Colin Beverly's limo just as it pulls up to the curb. The last second ticks away, the bomb explodes, everyone shouts "happy new year", and Captain Cloud leads the crowd in "Auld Lang Syne".Quickly after, the crowd and bands exit the theater, just as Auden finally walks in. Max gives Neil the lease to the theater, saying he intends to retire. Neil offers partnership to Willy. The end credits roll while Auden sings "Little Sister" to the sole remaining patron, Susie. The final caption reads, "Thanks for the memories to the entire staff of the Fillmore East 1968â71."
Example Output: Question: what deal Beverly offers to max?, Answer: generous deal at Beverly's concert auditorium and stadium

Example Input: The year is 1977, and we find opera legend Maria Callas (Fanny Ardant) in virtual reclusion, haunted by the ghosts of her career. Longtime friend and music promoter Larry Kelly (Jeremy Irons) is in town -Paris- promoting a punk rock band, and decides to call on Callas. She, however, will not see him due to a disastrous Japanese tour set up for her by Kelly, and on which Callas was very disappointed with her performances. But after some rather aggressive persuasion, he gets in to see her. After chatting a bit, Kelly reveals his primary purpose for the visit: a new project for the aging diva. He proposes that she appear in a series of film versions of her greatest opera roles, but her voice would be dubbed from her best previous recordings. Initially resistant, citing her inability to bring anything new and fresh to roles she has played hundreds of times, she finally consents to doing a film version of Bizet's Carmen, as she has never performed that role live on stage, only in recordings. Carmen goes into production, and with the help of Kelly, another longtime friend and journalist Sarah Keller (Joan Plowright), her director and costars, Callas rediscovers the thrill of artistic creation that she thought she had lost, and the love and adoration that millions of fans still have for the diva and her iconic voice.
Example Output:
Question: What film does Callas consent to?, Answer: Bizet's Carmen