Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.

Input: Consider Input: CONTEXT: Bill had a very bad headache and ask for medicine in prison. He was suspicious about his wife and killed her. After being arrested by police he psycologically transformed to a young good guy with pure heart in prison. The camera man is Bill's instinct. This man is under high pressure within murdering his wife and psychologically transformed.  <sep>  Q: How did Fred Madison change into Pete Dayton in prison? A: he psycologically transformed to a young good guy with pure heart in prison 

Output: how long was he in prison?


Input: Consider Input: CONTEXT: I'd always wondered exactly why we got so much of the little relationship details between Butch and Fabienne. I decided that the subtext of the scenes was that she was pregnant. It explains a lot, including that Butch was getting out of boxing and getting serious about settling down, and why he dreamed of his father's gold watch before the fight. After rewatching the film, I decided that she probably was, and that was part of the point of seeing those scenes. I then decided to look up what the name Fabienne means, because of the theory that all the names in Pulp Fiction mean something, except for Esmarelda the Cab driver, who tells us that all names mean something. Fabienne is a female version of the Roman family name Fabius, which means 'Bean Grower'. Pregnant.  <sep>  Q: Is there a deeper meaning to Fabienne's pot belly talk? A: the subtext of the scenes was that she was pregnant 

Output: Are they happy about being pregnant?


Input: Consider Input: CONTEXT: She was a fighter, giving in and commiting suicide was not in her nature. Have a look at her in Aliens, insisting on being taught how to use the grenade launcher, returning the loader to fight the queen etc. The alien moved around the ship and although it was blocking her way out at the moment it would probably move, it was just a matter of her not getting caught. If nothing else she might be able to hold it off with the flame thrower until she got out, there were several options other than just giving up. I am guessing that at that point she was going to turn off the self destruct, get in the pod and blast off and then just broadcast a warning about the ship's contents.  <sep>  Q: Why did Ripley try to deactivate the self-destruct sequence at the end of Alien? A: I am guessing that at that point she was going to turn off the self destruct, get in the pod and blast off and then just broadcast a warning about the ship's contents 


Output: Why would she want to do that though if he was dead anyway?