In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

[Q]: Question: How many copies did "My Generation" sell the year it was released? Passage:A deliberate use of acoustic feedback was pioneered by Blues and Rock'n'Roll guitarists such as Willie Johnson, Johnny Watson and Link Wray. According to AllMusic's Richie Unterberger, the very first use of feedback on a commercial rock record is the introduction of the song "I Feel Fine" by the Beatles, recorded in 1964. Jay Hodgson agrees that it was the first chart-topper to showcase feedback distortion, created by John Lennon leaning a semi-acoustic guitar against an amplifier. The Who's 1965 hits "Anyway, Anyhow, Anywhere" and "My Generation" featured feedback manipulation by Pete Townshend, with an extended solo in the former and the shaking of his guitar in front of the amplifier to create a throbbing noise in the latter. Canned Heat's "Fried Hockey Boogie" (off of their 1968 album Boogie with Canned Heat) also featured guitar feedback produced by Henry Vestine during his solo to create a highly amplified distorted boogie style of feedback. In 1963, the teenage Brian May and his father custom-built his signature guitar Red Special, which was purposely designed to feed back.
 Links: a. Anyway, Anyhow, Anywhere b. My Generation c. Boogie with Canned Heat d. Johnny "Guitar" Watson
[A]: b


[Q]: Question: How old was Stephen Fry when "Me and My Girl" was revised for production at the Leicester Haymarket Theatre? Passage:The musical was revived in 1941, 1945 and 1949 on the West End. Lupino Lane starred and directed each of these productions, with choreography by Fred Leslie. In 1984, a revised production opened at the Leicester Haymarket Theatre with a revised script by Stephen Fry and contributions by director Mike Ockrent. It transferred to the Adelphi Theatre on 12 February 1985 and closed on 16 January 1993 after an eight-year run and 3,303 performances. It starred Robert Lindsay as Bill Snibson, Emma Thompson and Frank Thornton. The production won two Olivier Awards: Musical of the Year and Outstanding Performance by an Actor in a Musical (Robert Lindsay). Cast changes included Enn Reitel as Bill and Su Pollard as Sally in 1986; Gary Wilmot as Bill and Jessica Martin as Sally in 1989. Thornton was succeeded by Nicholas Smith. The production subsequently toured throughout Britain.
 Links: a. Gary Wilmot b. Su Pollard c. Su Pollard d. Stephen Fry
[A]: d


[Q]: Question: What bands had the drummer and bassist that were asked to join Opeth played with before? Passage:Åkerfeldt and Lindgren, the two remaining members of the band, asked drummer Martin Lopez and bassist Martín Méndez to join the band, both of whom accepted. In 1999, they released the concept album Still Life. Steven Wilson joined Opeth in the studio for their fifth album, 2001's Blackwater Park, producing and providing extra backing vocals and instruments. The band supported the album with their first worldwide tour. After promoting the album, Opeth entered the studio again, recording two albums. The first album, Deliverance that was released in 2002, debuted at number 19 on the Top Heatseekers in the United States. The second album, Damnation was released a year later, and peaked at number 192 on the Billboard 200. Per Wiberg joined the band as a keyboardist and recorded Ghost Reveries, which peaked at number 64 on the Billboard 200. Lopez and Lindgren both left Opeth and were replaced by Martin Axenrot and Fredrik Åkesson. In 2008, the band released their ninth studio album Watershed, which debuted at number 23 on the Billboard 200 and peaked at the top of the Finnish charts. Their tenth studio album Heritage which released in 2011, debuted at number 19 on the Billboard 200, at number 2 on the US Hard Rock Albums and at number 6 on the Rock Albums charts, making it highest charting record to date. The album also peaked at number 22 on the UK Albums chart.
 Links: a. Concept album b. Billboard 200 c. Billboard 200 d. Martin Lopez
[A]:
d