Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Q: CONTEXT: Her ability to levitate herself comes out of nowhere in the movie, I assume to enhance her dramatic entrance in the final scene. So there's no real explanation for why she doesn't ever try to do it earlier. In particular, there were times when levitating herself would have been very useful, such as when she needed Vision to fly her out of the train car as Slokovia fell. However, Wanda's major character development during the course of the movie is that she starts out, under Ultron's guidance, as a misguided villain, until her time spend with the rest of the Avengers eventually redeems her. You will notice that, during the first half of the movie, she almost exclusively uses her mental manipulation power. It's only after she starts spending time with people like Captain America and Hawkeye that she starts to embrace her other powers, like stopping the train, or using hex-bolts on Ultron clones. It seems likely that the Avengers have been helping her explore her abilities, and become better at using them. It may be as simple as her not knowing she could levitate until someone else convinced her to try.  <sep>  Q: Hello, if Scarlet Witch of MCU has the ability to fly, why didn't she attempt to fly earlier?

A: Yes
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Q: CONTEXT: I think it is done not because he can't reach us through the story, but because he wants to amplify the moment, emotion and feeling you get as a viewer. As you said story itself is good enough to make you feel those emotions but he wants you to feel them with higher intensity so he's using that music and buzz to make those moments and feelings even stronger.  <sep>  Q: Why does Nolan fill his recent hits with permanent noise/music? A: I think it is done not because he can't reach us through the story, but because he wants to amplify the moment, emotion and feeling you get as a viewer  Q: Why would he not be able to reach us just through the story alone? A: he wants you to feel them with higher intensity so he's using that music and buzz to make those moments and feelings even stronger  <sep> FOLLOWUP_Q: Can you tell me anything else about Dunkirk?

A: No
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Q: CONTEXT: She doesn't want to torture Sherlock, she wants to play with him. Specifically, she wants him to play with her. At least, that's what the childhood version of herself wants and it manifests in modern day as the torturous puzzling she sets up for Sherlock. Eurus lacks human emotion and, thus, doesn't see what she does as torturing her brother.  <sep>  Q: What is Eurus's motive in the final problem

A:
Yes
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