In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Example Input: It's not quite the timeless masterpiece you would hope it would be based on the acclaim it garnered, but 1969's "Midnight Cowboy" is still a powerhouse showcase for two young actors just bursting into view at the time. Directed by John Schlesinger and written by Waldo Salt, the movie seems to be a product of its time, the late 1960's when American films were especially expressionistic, but it still casts a spell because the story comes down to themes of loneliness and bonding that resonate no matter what period. The film's cinematic influence can still be felt in the unspoken emotionalism found in Ang Lee's "Brokeback Mountain".The meandering plot follows Joe Buck, a naive, young Texan who decides to move to Manhattan to become a stud-for-hire for rich women. Full of energy but lacking any savvy, he fails miserably but is unwilling to concede defeat despite his dwindling finances. He meets a cynical, sickly petty thief named "Ratso" Rizzo, who first sees Joe as an easy pawn. The two become dependent on one another, and Rizzo begins to manage Joe. Things come to a head at a psychedelic, drug-infested party where Joe finally lands a paying client. Meanwhile, Rizzo becomes sicker, and the two set off for Florida to seek a better life. This is not a story that will appeal to everyone, in fact, some may still find it repellent that a hustler and a thief are turned into sympathetic figures, yet their predicaments feel achingly authentic.In his first major role, Jon Voight is ideally cast as he brings out Joe's paper-thin bravado and deepening sexual insecurities. As Rizzo, Dustin Hoffman successfully upends his clean, post-college image from "The Graduate" and immerses himself in the personal degradation and glimmering hope that act as an oddly compatible counterpoint to Joe. The honesty of their portrayals is complemented by Schlesinger's film treatment which vividly captures the squalor of the Times Square district at the time. The director also effectively inserts montages of flashbacks and fantasy sequences to fill in the character's fragile psyches. Credit also needs to go to Salt for not letting the pervasive cynicism overwhelm the pathos of the story. The other performances are merely incidental to the journeys of the main characters, including Brenda Vaccaro as the woman Joe meets at the party, Sylvia Miles as a blowsy matron, John McGiver as a religious zealot and Barnard Hughes as a lonely out-of-towner.The two-disc 2006 DVD package contains a pristine print transfer of the 1994 restoration and informative commentary from producer Jerome Hellman since unfortunately neither Schlesinger nor Salt are still living. There are three terrific featurettes on the second disc - a look-back documentary, "After Midnight: Reflections on a Classic 35 Years Later", which features comments from Hellman, Hoffman, Voight and others, as well as clips and related archive footage such as Voight's screen test; "Controversy and Acclaim", which examines the genesis of the movie's initial 'X' rating and public response to the film; and a tribute to the director, "Celebrating Schlesinger".
Example Output: positive

Example Input: I was really looking forward too seeing this movie as it has been advertised as a must-see movie for people that love movies about nature. The movie shows different climates and the animals associated with them by starting at the North Pole and going down south as the movie progresses. The footage from this movie is often breathtakingly beautiful and I many times wondered how on Earth they could have taken some of the shots under water or in the sky. However beautiful, a large part of the footage I had already seen in the TV series 'Planet Earth', narrated by David Attenborough. I found Attenborough's narration of Planet Earth to be much better than the narration of Earth. 'Earth' is an easier movie. It skips much of the scientific detail that Attenborough covers in his 'Planet Earth' series. For instance, Earth will tell you that a tropical sea is an ideal nursery for a young humpback whale, because there are few predators. Planet Earth will tell you that a tropical sea is a good nursery, because the water is low in oxygen and doesn't contain enough nutrients to support very large animals, like large sharks, etc. To me, that's an important difference. That, together with Attanborough's far superior voice make Planet Earth a far better documentary than Earth. Still, however, I think Earth is worth watching for the beautiful footage and the fact that it's easier to understand makes it interesting for children too.
Example Output: positive

Example Input: A well-made and imaginative production, refreshingly free from cliché, this somewhat picaresque affair recounts a tale of a close friendship that develops between a man and a boy under less than ideal conditions: the man an escaped convict who has kidnapped the youth for his value as a hostage. Expertly directed by Alan Gibson with a fine sense for balanced narrative movement, the film provides freshness in nearly every scene, as felon Martin Steckert (Richard Harris), believing that his rejection for parole was particularly undeserved, contrives a convoluted but ultimately successful escape plan, following which his spontaneous nature comes to the fore as he flees to the lakeside residence of his childhood. Often bursting into song or dancing a few steps, the capricious Steckert gradually gains the trust and affection of his captive and, as police close in for an inevitable showdown, the tethered pair are seen to be a great deal alike in their responses to forms of rejection, as discerned by a psychiatrist (Lindsay Wagner) assigned to aid a zealous police lieutenant (James Coburn) who is in charge of the manhunt for Steckert and his "prisoner". This is an engrossing story, worth telling, a quickly-paced and novel adventure that profits from a capital performance by Harris, fine turns from Wagner, Coburn, and Karen Black, along with Justin Henry as the snatched lad, with an appropriately whimsical score contributed by Wilfred Josephs, and top-notch cinematography by Frank Watts, with all footage shot in a beautiful autumnal Ontario province.
Example Output:
positive