In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

[EX Q]: The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: What is the name of Nikki's co-star?
[EX A]: Answer: Devon Berk

[EX Q]: In a prologue, the audience is introduced to young Max Skinner, who spends his summer holidays learning to appreciate the finer things in life from his Uncle Henry at his vineyard estate in Provence in southeastern France. As an adult, Max is an aggressive, hard-working London-based trader whose schemes to make money come dangerously close to criminal activity. Upon word of his uncle's death, he learns he is the sole beneficiary of the property and travels to Provence to prepare it for a quick sale. Shortly after his arrival, he discovers that his latest financial stunt has landed him in hot water with the government and with his firm's management, necessitating his return to London later in the day. Before heading back to the airport, in order to assist his realtor with the sale, he hurriedly snaps photos of the estate, and in doing so, falls into an empty swimming pool. (He is unable to escape until Fanny Chenal, whose bicycle he ran off the road with his careless driving, turns on the water supply in retaliation.) The resulting delay causes him to miss his flight, and because he fails to report in person to management, he is suspended from work and trading activities for one week.The week affords Max the time to ready the property for sale. But he must deal with the gruff yet dedicated winemaker, Francis Duflot, who fears that the sale of the estate will separate him from his precious vines. Duflot pays the vineyard inspector to tell Max that the soil is bad and the vines are worthless. They are surprised by the unexpected arrival of young Napa Valley oenophile Christie Roberts, who is backpacking through Europe and presents herself as Henry's previously unknown illegitimate daughter looking for her long-lost father. Max fears that she might also lay claim to the estate and tries to keep her happy until she decides to leave. Worried about being usurped by his second-in-command in London (through whom Max continues to direct trades but who takes all the credit) Max intentionally gives the ambitious trader bad advice which gets him fired. Max is also enamored of the very beautiful yet entirely feisty local café owner Fanny Chenal, who is rumored to have sworn off men. He successfully woos Fanny, who leaves Max the next morning expecting him to return to his life in London. Christie, having learned that Max intends to betray Henry's passion, leaves Provence, and Max sells the estate and returns to his life in London.Back in London, management offers Max a choice: "money or your life" either a discharge settlement which includes "a lot of zeros" or partnership in the trading firm in which he would be "made for life". Max chooses the money and cleverly negates the sale of the estate by orchestrating through a forged letter from Henry that Christie has a valid claim on the property. He puts up his London residence for sale and returns to Provence, entering into a relationship with Fanny, while Christie and Francis must reconcile their vastly different philosophies of wine production and jointly run the vineyard., Question: What did Duflot do to stop Max from selling the estate?
[EX A]: Answer: <No Answer>

[EX Q]: This is the summer when young Lucy, a 19-year-old American, has decided to lose her virginity. For the summer holidays, she arrives in a beautiful place in Tuscany, a villa on a hilltop owned by an English artist, where she discovers different interesting people of different age at different stages of life, of different commitment, understanding, and sexuality.Her dead mother left Lucy her diary which points out she was conceived on this very hilltop, but doesnt say who her father is; Lucy has to find out.Lucy also wants to give herself to the young Italian, Nicolo, who kissed her four years ago, but she discovers that life is not always what you have decided, especialy when love is concerned, it is not that simple, but it is beautiful. She takes in all this beauty. We all steal beauty from the world. We need it as we live, as we create (the object of the artist, or creating life), as we comply to life, as one's loses one's virginity.Life feeds on stealing beauty, before becoming beauty itself. Lucy has grown up., Question: How old is Lucy?
[EX A]:
Answer: 19