In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Input: Consider Input: Author Roger Cobb is a troubled man, having been separated from his wife (Kay Lenz), their only son Jimmy disappeared without a trace, and his aunt has committed suicide by hanging. On top of everything else, he has been pressured by his publisher to write another book. To the chagrin of his fans and publisher, Cobb plans a novel based on his experiences in Vietnam instead of another horror story as a way to purge himself of the horrors that he had experienced while there.After his aunt's funeral, Cobb decides to live inside her house to write, instead of selling it as recommended by the estate attorney. After moving in, Cobb begins to have powerful graphic nightmares, including thoughts about his military ally Big Ben, who died in Vietnam. In addition, strange phenomena spring forth from the house, haunting him in his waking hours as well. He tries communicating his fears to his next door neighbor named Harold, but he thinks that Cobb is crazy.One night while investigating a noise coming from his late aunt's bedroom, Cobb is attacked by a deformed monster inside the closet. Soon, more attacks occur: levitating garden tools attack him, his wife appears and transforms into a hideous hag-like creature to attack him, and gremlin creatures attempt to kidnap a neighbor's child that Cobb is reluctantly babysitting. Eventually, Cobb discovers an entry into a sinister other-world through the bathroom medicine cabinet and is pulled into the darkness, where he fortuitously locates his lost son Jimmy.Cobb manages to escape with Jimmy, but are soon confronted by an undead Big Ben who wants revenge on him; Cobb did not help him during Vietnam and instead was taken prisoner and tortured before dying. He confronts Ben, no longer afraid of his fears anymore, and destroys him with his own explosives as he and his son escape the burning house. In the end, he triumphantly glances back at the house while regaining control of his life and reunites with his wife and child.

Output: Question: WITH WHOM HE SHARED HIS FEARS ?, Answer: HE SHARE IT WITH HIS NEIGHBOUR HAROLD.


Input: Consider Input: The rocket, to a design reminiscent of every pulp comic book, ends up nose down in a field. Creating a wave of interest, the uniforms soon arrive, followed by our interpid hero (Prof Bernard Quartermass, Brian Donlevy) and his helpers in a early model VW people carrier. Also on board is an 'Astronauts Wife', and a man from the ministry (Blake, Lionel Jeffries).After some interplay between the uniforms and the scientists, the door to the rocket (amazingly visible just above ground level) is opened remotely. (Pity the poor fireman who seemed to be suffering a lack of pressure with his hose pipe - screen left at this critical moment). A single Astronaut rolls out of the door, and is greeted by his wife and Quatermass.He is whisked off in an ambulance (classic!) after Quatermass tries to glean some information from him about the rest of the crew, for by now it appears that there is no-one else on board - just two empty space suits.Headlines shown the next day indicate a mystery - and of course this leads to police involvement (they fingerprinted the poor bloke in the ambulance) led by Lomax of the Yard, played by that old stalwart copper, Jack Warner. The running gag here is that he is always trying to shave - watch toward the end of the film when the pressure builds, and he has a 9 o'clock shadow! Anyway, it appears that the Yard feel this is a murder enquiry, and Lomax's mood is not helped by the arrival in his office of Quatermass - a brusque initial exchange leads to an agreement of sorts, as Quatermass leaves full information on the three spacemen.Quatermass visits Victor Caroon (Richard Wordsworth) at the lab, and is disappointed to see that he still is not talking, although there are some strange marks appearing on his shoulder. The Wife arrives, and helps lead him to bed, to be monitored by the Professors able assistant.Inspector Lomax reappears in the Professors office, issuing the classic line "no one wins in a cold war", and shows that the fingerprints taken from the Astronaut in the ambulance are totally different from those provided by the Professor. The Professor indicates that '.... these are not human....!'At this stage, the Professors helper convinces him that he can no longer look after Caroon. He needs to be in a hospital, closely monitored and cared for. The professor concedes this point, so we next see the Wife and a helper outside the hospital in the rain, obviously trying to spring the poor bloke from his hospital bed. At one point, when the helper goes to get the lift, Caroon hits an innocent cactus plant so hard that the pot goes flying over the room - this has a bearing on subsequent events. After some light repartee, the helper, who seems to indicate that he is a PI of sorts, gets Caroon in the lift. All seems well, until the helper wants to know what he is hiding under his coat - and ends his role in the film for his trouble. Caroon leaves with his wife, and the body of the helper is found by a nurse with suitable screams.Caroon is seen with his wife, who thinks nothing of smoking and driving. She is rambling on about how she will look after him, when she also notices his hand under the coat, and pulls the car over. After Caroon shows her (but not the audience) his hand, she screams fit to burst whilst he makes his escape.Meanwhile, back a the hospital, all the main actors have arrived. The helper has had his skull caved in and is drained of blood.The police put out an APB for the missing man, whilst Quatermass tries to figure out what is going on. About now, a film from the space ship is finally processed, and in what is another key point in the film we are able to share with all the main actors some excellent effect work showing the three space men at work and play. It is obvious that something disabled the craft, finished off two of the Astronauts, and left Caroon with the mother of all problems.Caroon then proceeds to stumble around various locations; the chemists shop (with the actor who was to become Sam Pearson in Emmerdale Farm, Toke Townley) being erased; a young Jane Asher missing out on a similar fate whilst Caroon struggles with his metamorphis; and then London Zoo, where as we subsequently discover a number of animals do not manage to escape.As the creature mutates, it starts to leave a trail (evident at the Zoo) like a snail, but it seems that this is too obvious for the Police to follow. At the Zoo they discover a fragment of the creature, and back in the lab this seems to be self sufficient and develops in its own right. The danger is that the 'creature' can self procreate, and that within 24 hours London will be a morass of slithering life draining aliens.A young Thora Hird entertains as bag lady in the police station, but she is coherent enough to ensure that that Police arrive at the latest sighting point. This after mobilisation of the armed forces, all police, and the now disbanded Civil Defence units, who could find no trace. Good old Thora.It then seems that the 'trail' leads to Westminster Abbey, where we see the BBC Outside Broadcasting unit set up and about to give a live broadcast on the restoration work then being undertaken. The producer is played by Gordon Jackson (Upstairs, Downstairs, The Professionals), and eventually the cameras focus on the Thing - how it managed to get onto that scaffolding remains a secret - but its there is all its gruesome glory. No trace of the astronaut remain - just scales, and eye, and thorns from the cactus.Some discussion takes place about the best way to terminate the creature without releasing spores all over London - eventually it is decided to route the entire elctricity grid to the Abbey to a cable that will be attached to the scaffolding. A great shot here of Battersea Power station (I wonder if that was the actual interior?), and when all the lights in old London town are dimmed and go out, the creature meets its maker. Frazzled.Quatermass ends by saying that he will 'start again'; Lomax hopefully gets the shave he has been after all through the film; and we have been wonderfully entertained in a classic of British mid-50's cinema. Enjoy.

Output: Question: Where is Quatermass walking through?, Answer: <No Answer>


Input: Consider Input: Set in early 20th century New England, the screenplay by Mel Dinelli is about a serial killer who is murdering disabled young women in the community. His next victim apparently is Helen, a mute girl who works as a live-in companion for wealthy, bedridden Mrs. Warren, who urges her to leave the house, as does Dr. Parry, who knows the reason for Helen's loss of speech and hopes to help her get her voice back. Rounding out the household are Mrs. Warren's son and stepson, her verbally-abused nurse, a secretary, a handyman and his wife, a housekeeper with a taste for brandy. It contains some glorious black and white cinematography from a forgotten master, Nicholas Musuraca. A stunning example comes early in the film as Helen walks home at night in the rain. She rattles a stick against some railings when a flash of lightning illuminates a gleaming silhouette of her stalker in the trees. It has been copied many times, most notably in I Know What You Did Last Summer. It's worth seeing the film for that shot alone. The gloomy, decaying mansion where most of the action takes place is wonderfully realised by production designer Albert S. D'Agostino , who also designed Welles's The Magnificent Ambersons. Despite its dated, vaguely Freudian themes, it remains a highly atmospheric film and a very enjoyable thriller.


Output: Question: Who is the serial killer's next victim?, Answer: Helen