In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: ingredients :
neophyte lawyer , legal situations , corrupt insurance company , synopsis : rudy baylor ( matt damon ) is an ethical kid fresh out of law school who must juggle three legal situations at the same time .
rudy 's girlfriend is attacked by her violent husband ; rudy 's elderly landlady wants to arrange her will so that her children are excluded , and ; the family of rudy 's friend with leukemia is suing the corrupt insurance company that would n't pay for a bone marrow transplant .
rudy is new to being a lawyer and is thoroughly outgunned , but luckily he is aided by a sleazy ambulance chaser ( danny devito ) who has failed the bar exam six times as well as by the kindly presiding judge ( danny glover ) .
jon voight plays leo
f .
drummond , the intimidating and arrogant leader of the all - powerful insurance company 's team of lawyers who will do anything to oppose justice .
will rudy defeat leo ?
will he enjoy being a lawyer ?
opinion :
the good news is that this movie has a happy ending , and it features a guy trying to do the right thing .
director francis ford coppola does this film a little differently than the stereotypical law movie .
in the typical lawyer movie there 's one big case and the movie focuses on solving it , and somewhere along the line surprise witnesses and motives turn up before the good guy wins ( after lots of gripping courtroom drama ) .
however , coppola 's movie is deliberately more low key . ' the rainmaker ' plays out like a personality sketch of young rudy as he gets emotionally involved with and tries to save various little quirky side characters .
in the background rudy 's voice narrates his feelings and makes half - cynical jokes about the legal profession in general .
two factors combine to make this movie less heavy than it can be .
first , rudy 's time is split juggling three cases , rather than concentrating on a single high - stakes case .
also , rudy 's use of voice narration in place of acting makes the film lose some of its dramatic edge .
the end result is an entertaining low key law movie where the good guys win , and rudy narrates his way into coming of age .
Example Output: P

Example Input: moviemaking is a lot like being the general manager of an nfl team in the post - salary cap era -- you 've got to know how to allocate your resources .
every dollar spent on a free - agent defensive tackle is one less dollar than you can spend on linebackers or safeties or centers .
in the nfl , this leads to teams like the detroit lions , who boast a superstar running back with a huge contract , but can only field five guys named herb to block for him .
in the movies , you end up with films like " spawn " , with a huge special - effects budget but not enough money to hire any recognizable actors .
jackie chan is the barry sanders of moviemaking .
he spins and darts across the screen like sanders cutting back through the defensive line .
watching jackie in operation condor as he drives his motorcycle through the crowded streets of madrid , fleeing an armada of pursuers in identical black compact cars , is reminiscent of sanders running for daylight with the chicago bears in hot pursuit , except that sanders does n't have to worry about rescuing runaway baby carriages .
but like the lions star , jackie does n't have anybody to block for him .
almost every cent that 's invested in a jackie chan movie goes for stunts , and as chan does his own stunts , the rest of the money goes to pay his hospital bills .
this leaves about 75 cents to pay for things like directors ( chan directs ) , scripts and dubbing and supporting characters , not to mention the hideous title sequence .
this also explains why the movie was shot in odd places like morocco and spain .
( chan 's first release in this country , " rumble in the bronx " , was supposedly set in new york , but was filmed in vancouver , and in the chase scenes the canadian rockies are clearly visible . )
heck , jackie does n't even have enough money for a haircut , looks like , much less a personal hairstylist .
in condor , chan plays the same character he 's always played , himself ,
a mixture of bruce lee and tim allen , a master of both kung - fu and slapstick - fu .
jackie is sent by the un to retrieve a cache of lost nazi gold in the north african desert , and is chased by a horde of neo - nazi sympathizers and two stereotypical arabs ( one of the things i like about jackie chan movies : no political correctness ) .
he is joined by three women , who have little to do except scream , " jackie , save us ! " , and misuse firearms .
the villain is an old nazi whose legs were broken in the secret base so that he has to be carried everywhere , and he 's more pathetic than evil .
en route , we have an extended motorcycle chase scene , a hilarious fight in the moroccan version of motel 6 with the neo - nazis , and two confrontations with savage natives .
once at the secret desert base , there is a long chop - socky sequence , followed by the film 's centerpiece , a wind - tunnel fight that 's even better than the one in face / off .
this is where the money was spent , on well - choreographed kung - fu sequences , on giant kevlar hamster balls , on smashed - up crates of bananas , and on scorpions .
ignore the gaping holes in the plot ( how , exactly , if the villain 's legs were broken , did he escape from the secret nazi base , and why did n't he take the key with him ? ) .
do n't worry about the production values , or what , exactly , the japanese girl was doing hitchhiking across the sahara .
just go see the movie .
operation condor has pretentions of being a " raiders of the lost ark " knockoff , but one wonders what jackie could do with the raiders franchise blocking for him -- with a lawrence kazdan screenplay , a john williams score , spielberg directing and george lucas producing , condor might be an a+ movie .
however , you 've got to go with what you 've got , and what you 've got in jackie chan is something special -- a talent that mainstream hollywood should , could , and ought to utilize .
Example Output: P

Example Input: weighed down by tired plot lines and spielberg 's reliance on formulas ,
_ saving private ryan _ is a mediocre film which nods in the direction of realism before descending into an abyss of cliches .
there ought to be a law against steven spielberg making movies about truly serious topics .
spielberg 's greatest strength as a director is the polished , formulaic way in which every aspect of the film falls carefully into place to make a perfect story .
but for a topic of such weight as combat in the second world war ( or the holocaust ) this technique backfires , for it creates coherent , comprehensible and redemptive narratives out of events whose size , complexity and evil are utterly beyond the reach of human ken .
in this way spielberg trivializes the awesome evil of the stories he films .
_ saving private ryan _ tells the story of eight men who have been detailed on a " pr mission " to pull a young man , ryan ( whose three other brothers were just killed in fighting elsewhere ) out of combat on the normandy front just after d - day .
ryan is a paratrooper who dropped behind enemy lines the night before the landings and became separated from his fellow soldiers .
the search for him takes the eight soldiers across the hellish terrain of world war ii combat in france .
there 's no denying spielberg came within shouting distance of making a great war movie .
the equipment , uniforms and weapons are superbly done .
the opening sequence , in which captain miller ( tom hanks ) leads his men onto omaha beach , is quite possibly the closest anyone has come to actually capturing the unendurably savage intensity of modern infantry combat .
another pleasing aspect of the film is spielberg 's brave depiction of scenes largely unknown to american audiences , such as the shooting of prisoners by allied soldiers , the banality of death in combat , the routine foul - ups in the execution of the war , and the cynicism of the troops .
the technical side of the film is peerless , as always .
the camera work is magnificent , the pacing perfect , the sets convincing , the directing without flaw .
hanks will no doubt be nominated for an oscar for his performance , which was utterly convincing , and the supporting cast was excellent , though ted danson seems a mite out of place as a paratroop colonel .
yet the attempt at a realistic depiction of combat falls flat on its face because realism is not something which can be represented by single instances or events .
it has to thoroughly permeate the context at every level of the film , or the story fails to convince .
throughout the movie spielberg repeatedly showed only single examples of the grotesque wounds produced by modern mechanized devices ( exception : men are shown burning to death with relative frequency ) .
for example , we see only one man with guts spilled out on the ground .
here and there men lose limbs ; in one scene miller is pulling a man to safety , there 's an explosion , and miller looks back to see he is only pulling half a man .
but the rest of the corpses are remarkably intact .
there are no shoes with only feet in them , no limbs scattered everywhere , no torsos without limbs , no charred corpses , and most importantly , all corpses have heads ( in fairness there are a smattering of wicked head wounds ) .
the relentless dehumanization of the war , in which even corpses failed to retain any indentity , is soft - pedaled in the film .
ultimately , _ saving private ryan _ bows to both hollywood convention and the unwritten rules of wartime photography in its portrayal of wounds and death in war .
rather than saying _ saving private ryan _ is " realistic , " it would be better to describe it as " having realistic moments .
" another aspect of the " hollywoodization " of the war is the lack of realistic dialogue and in particular , the lack of swearing .
anyone familiar with the literature on the behavior of the men during the war , such as fussell 's superb _ wartime : understanding and behavior in the second world war _ ( which has an extensive discussion on swearing ) , knows that the troops swore fluently and without letup .
" who is this private ryan that we have to die for him ?
" asks one infantrymen in the group of eight . rendered in wartime demotic , that should have been expressed as " who is this little pecker that we have to get our dicks shot off for him ?
"
or some variant thereof .
conversations should have been literally sprinkled with the " f " word , and largely about ( the search for ) food and sex .
this is all the more inexplicable because the movie already had an " r " rating due to violence , so swearing could not possibly have been eliminated to make it a family film . however ,
the most troubling aspect of the film is the spielbergization of the topic .
the most intense hell humans have ever created for themselves is not emotionally wrenching enough for steven spielberg .
he can not just cede control to the material ; he has to be bigger than it .
as if afraid to let the viewer find their own ( perhaps unsettled and not entirely clear ) emotional foothold in the material , spielberg has to package it in hallmark moments to give the war a meaning and coherence it never had : the opening and closing scenes of ryan and his family in the war cemetary ( reminscent of the closing scene from _ schindler 's list ) , the saccharine exchange between ryan and his wife at the close ( every bit as bad as schindler 's monologue about how his car , tiepin or ring could have saved another jew ) , quotes from abraham lincoln and emerson , captain miller 's last words to private ryan , and an unbelievable storyline in which a prisoner whom they free earlier in the movie comes back to kill the captain .
that particular subplot is so hokey , so predictable , it nigh on ruins the film .
nowhere in the film is there a resolute depiction of the meaninglessness , stupidity and waste which characterized the experience of war to the men who actually fought in combat ( imagine if miller had been killed by friendly fire or collateral damage ) .
because of its failure to mine deeply into the terrible realities of world war ii , _ saving private ryan _ can only pan for small truths in the shallows . .
Example Output:
N