Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Q: CONTEXT: The source material is essentially a recollection of a life lived by an individual on his death bed. We are seeing these things through the lens of memory, so it is meant to be an almost first person account. There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality. That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story. I won't comment on whether it was successful. The closest thing I can think at this moment that has this sort of movement might be in Wes Anderson movies where suddenly the naturalistic feel is broken in favor of a staged play: the Zissou movie and "Moonrise Kingdom" both take similar but more obvious breaks from naturalism.  <sep>  Q: Why is the audience sliding around in this scene from Le Temps retrouvé? A: We are seeing these things through the lens of memory, so it is meant to be an almost first person account  Q: A first person account of what exactly? A: That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story  <sep> FOLLOWUP_Q: Is this why we see the camera panning around a lot?

A: Yes
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Q: CONTEXT: No, it does not mean that all dialog is sung, have a look at Phantom of the Opera, Wicked, West Side Story, etc. The reason that the movie has all dialog rhyming etc. (known as 'sung through') is because the West End musical that it is based on is sung through (although there are versions where Valjean speaks a normal line to Javert when he gives him his address but this is less usual). How much of the musical is sung and how much is spoken is down to the taste of the director and his colleagues. Usually the main scenes and emotive moments are conveyed via song (like in Rock of Ages or the Phantom of the Opera) but sometimes everything is in song (like in Les Mis).  <sep>  Q: Why is the whole movie Les Miserables sung?

A: Yes
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Q: CONTEXT: They get affected by lightning just like anyone else would be - they're still human (ok, metahuman). The lightning strike PLUS the dark matter released by the particle accelerator explosion is what turned Barry into the Flash and gave him access to the Speed Force. As we've seen before with other metas who harness electrical powers, Barry can still take an electrical hit and be hurt by it, and lightning is just a large electrical charge. So in summary, yes - if he's hit by lightning it's perfectly understandable that his heart might be stopped by it.  <sep>  Q: Why does lightning hit affects speedsters? A: As we've seen before with other metas who harness electrical powers, Barry can still take an electrical hit and be hurt by it, and lightning is just a large electrical charge  Q: How would an injured Flash be resuscitated if they were struck by lightening ? A: They get affected by lightning just like anyone else would be - they're still human (ok, metahuman  <sep> FOLLOWUP_Q: Are Flash and Barry Allen the same person?

A:
No
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