instruction:
In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
question:
Review: In Iran, women are not admitted to soccer games. Officially it's because they are to be spared from the vulgar language and behavior of the male audience. But of course it is about sexism. Women are lower forms of human beings.Some brave girls oppose this and try to get into the stadium by using different tricks. They are caught by soldiers and hold in a kind of cage, until the police will come and pick them up.Despite the insane situation, this is a film with lots of humor. It's also encouraging to see how people always find different ways of fighting oppression. You'll get touched at the same time as you have lots of laughs. Good job by director Jafar Panahi. This is in many ways a heroic comedy. Question: is it a negative review?
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no


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Review: Having seen CUBE, I've been a fan of Vincenzo Natali's work. Natali seems to have this inept ability to take a storyline, and hardly wring it our like a wet towel for all the storyline he can muster. Instead, he lets the stories themselves unfold in natural ways, so much in fact, that you may in fact believe there is this Cube were people try to escape, or in the case of NOTHING, a large empty expanse where there is... nothing! The advert had me hooked instantly. It seemed so simple! Take two characters who no one likes, and send them to a world where there is nothing. Natali does this so simply that you forget the logic that a place where there is nothing cannot exist. In fact, the world of nothing becomes something of an irony within the film. There's nothing there, but also 'something' there.It might be a good time to point out that the trailer is highly misleading. I was fortunate enough to actually understand that the film leaned to a more comedic side than the trailer otherwise told so. Therefore upon watching the film, i laughed every now and again, whereas someone who the advert mislead may find themselves utterly confused.If i may take a minute to give the film some praise, where the film excels on is the concept. It is a genius concept to have a world of nothing, and to put two characters there, NOT two brilliant minded characters, who will philosophise and work out their surroundings, but two idiots who have absolutely no clue as to where the hell they are! Another strong point is the film's cinematography, though at first this may not seem it! Where each wall, north, earth, south, west, up and down is just a white plane, a perception of depth becomes faulty. It is hard to determine where things are placed in the Mis-En-Scene. The cinematography has many moments where this actually happens, but for the most part, the camera is placed so that two characters, or an object and a character are placed in the foreground and background, allowing a sense of depth to be realised.However, this film does lack in certain areas. The film is relatively short, but even so, after a while the novelty of this world of nothing becomes rather dull, and you wish to find some form of resolution within the plot. We can also argue that the acting is once again, questionable. These two characters are in a sense, unlikeable, therefore we feel no sympathy at any point for these characters. However, on a flip side of that, the chemistry and friendship between the two characters seems real enough, but there is something lacking.Even so, i do rank this as a thoroughly enjoyable film! Do not let the trailer fool you into thinking this is another science-fiction horror film. It is much more of a comedy than that! It is indeed worth watching though, purely for the concept itself! Question: is it a negative review?
answer:
no


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Review: The dehumanising effect of war is a much-studied subject in the movies; as is the equally dehumanising, but potentially life-saving, dehumanising effect of military training. Joel Schumacher's 'Tigerland' follows the standard template, we see men treated like dirt but emerging as soldiers, with a degree of mutual respect for their commanding officers, and judgement is reserved on whether such an extreme process can be considered justified; as is judgement of the merits of the war for which they are being trained (typically, as here, Vietnam). But 'Tigerland' has an interesting take, by centring its account on a cocky dissident named Bozz (played outstandingly well by Colin Farrell), who understands that all power governs ultimately by consent, and the lack of awareness among the powerless of their own complicity. Around this character, a taught, gripping plot has been constructed, and it's also a plus that the action never leaves America (whereas Stanley Kubrick's 'Full Metal Jacket', to name just one other film of a similar type, lost focus once the action shifted to Asia). Although this is not a film of staggering originality, it's supremely well done and captivating viewing throughout: the best film from this director that I've seen, and among the very best of its genre. Question: is it a positive review?
answer:

yes