In this task, you are given a question and a context passage. You have to answer the question based on the given passage.

[EX Q]: What did Khan do before Jochi's death in 1226?, Context: Jochi died in 1226, during his father's lifetime. Some scholars, notably Ratchnevsky, have commented on the possibility that Jochi was secretly poisoned by an order from Genghis Khan. Rashid al-Din reports that the great Khan sent for his sons in the spring of 1223, and while his brothers heeded the order, Jochi remained in Khorasan. Juzjani suggests that the disagreement arose from a quarrel between Jochi and his brothers in the siege of Urgench. Jochi had attempted to protect Urgench from destruction, as it belonged to territory allocated to him as a fief. He concludes his story with the clearly apocryphal statement by Jochi: "Genghis Khan is mad to have massacred so many people and laid waste so many lands. I would be doing a service if I killed my father when he is hunting, made an alliance with Sultan Muhammad, brought this land to life and gave assistance and support to the Muslims." Juzjani claims that it was in response to hearing of these plans that Genghis Khan ordered his son secretly poisoned; however, as Sultan Muhammad was already dead in 1223, the accuracy of this story is questionable.
[EX A]: sent for his sons in the spring of 1223

[EX Q]: Which was painted later, Amorpha-Fugue a deux couleurs or Contrasts of Forms?, Context: The most extreme forms of Cubism were not those practiced by Picasso and Braque, who resisted total abstraction. Other Cubists, by contrast, especially František Kupka, and those considered Orphists by Apollinaire (Delaunay, Léger, Picabia and Duchamp), accepted abstraction by removing visible subject matter entirely. Kupka’s two entries at the 1912 Salon d'Automne, Amorpha-Fugue à deux couleurs and Amorpha chromatique chaude, were highly abstract (or nonrepresentational) and metaphysical in orientation. Both Duchamp in 1912 and Picabia from 1912 to 1914 developed an expressive and allusive abstraction dedicated to complex emotional and sexual themes. Beginning in 1912 Delaunay painted a series of paintings entitled Simultaneous Windows, followed by a series entitled Formes Circulaires, in which he combined planar structures with bright prismatic hues; based on the optical characteristics of juxtaposed colors his departure from reality in the depiction of imagery was quasi-complete. In 1913–14 Léger produced a series entitled Contrasts of Forms, giving a similar stress to color, line and form. His Cubism, despite its abstract qualities, was associated with themes of mechanization and modern life. Apollinaire supported these early developments of abstract Cubism in Les Peintres cubistes (1913), writing of a new "pure" painting in which the subject was vacated. But in spite of his use of the term Orphism these works were so different that they defy attempts to place them in a single category.
[EX A]: Contrasts of Forms

[EX Q]: What is Montevideo?, Context: On 3 February 1807, British troops under the command of General Samuel Auchmuty and Admiral Charles Stirling occupied the city during the Battle of Montevideo (1807), but it was recaptured by the Spanish in the same year on 2 September when John Whitelocke was forced to surrender to troops formed by forces of the Banda Oriental—roughly the same area as modern Uruguay—and of Buenos Aires. After this conflict, the governor of Montevideo Francisco Javier de Elío opposed the new viceroy Santiago de Liniers, and created a government Junta when the Peninsular War started in Spain, in defiance of Liniers. Elío disestablished the Junta when Liniers was replaced by Baltasar Hidalgo de Cisneros.
[EX A]:
city