Given a document, an entity and its sentiment towards the entity, verify if it is the correct sentiment towards the entity. Answer should be yes or no. Note that URLs in the text have been replaced with [Link].

[EX Q]: Verify if the sentiment of the following document towards the entity Cyril Ramaphosa is Positive . JOHANNESBURG (Reuters) - South Africaâs finance ministry is set to spell out âtough decisionsâ in its 2018 budget on Wednesday to plug a revenue gap and narrow the deficit  providing an early look at  how new President Cyril Ramaphosa  plans to repair the ailing economy.
Finance Minister Malusi Gigaba  whose position is uncertain now amid talk of an imminent reshuffle by  Ramaphosa   sent shock waves through financial markets last October when  he  announced the projected revenue shortfall and flagged weak growth estimates and rising government debt.
Though it remained to be seen whether Gigaba would be the one tabling the budget in parliament on Wednesday   his  spokesman indicated there was no stepping back from tough measures which have also been emphasized by  Ramaphosa .
In his maiden state of the nation address on Friday  a day after his election as president by parliament   Ramaphosa  also warned of tough decisions to reduce the fiscal deficit and stabilize debt after years of weak growth.
 Ramaphosa  took over after Zuma stepped down on orders of the ruling African National Congress (ANC) ending nine years of office plagued by corruption allegations and economic mismanagement.
FILE PHOTO: Finance Minister Malusi Gigaba speaks to members of the media at Parliament before the State of the Nation Address by South African president Cyril Ramaphosa in Cape Town  February 16  2018. REUTERS/Sumaya Hisham/File Photo
[EX A]: yes

[EX Q]: Verify if the sentiment of the following document towards the entity Tina Brown is Neutral . Former Vanity Fair editor Tina Brown couldn’t please everyone. In her timely new book  “The Vanity Fair Diaries ” she recalls a run-in with gossip legend Liz Smith  who died over the weekend at 94.
According to  Brown   Smith’s girlfriend Iris Love submitted a story about her trip up the Nile to Vanity Fair in 1985  shortly after  Brown  had started her new job.
“Trouble is  picture’s great  copy not  ” Brown  recalled. According to  Brown   31 at the time  she decided to run the piece anyway  but only after a heavy edit that she knew would not go over well with Smith. As expected  Smith “got on the horn to give me the full Texan bawl-out.”
In her new book  Tina Brown recounts a run-in with the late gossip great Liz Smith  seen here at an event in March. (Gary Gershoff/WireImage)
[EX A]: no

[EX Q]: Verify if the sentiment of the following document towards the entity Vince Staples is Positive . Vince Staples  Believes  He  Deserves All The Grammys  But  He  Isn't Holding  His  Breath
 Vince Staples  is impossible to categorize. A Southern Cali MC who prides himself on his Long Beach bona fides while eschewing the prototypical gangsta rap tag with which he's often mis-labled  he's a natural at bucking the status quo. Yet he also sees clear divisions between art and commerce that lead him to question how institutions choose to define â or fail to distinguish â the two.
So when  Staples  found himself the subject of a recent Grammy campaign â initiated by Uproxx hip-hop editor Aaron Williams  who likened the EDM sonics of  Staples ' 2017 LP Big Fish Theory to "a post-apocalyptic pinball machine" â he was less interested in discussing whether or not his album is Grammy-worthy than he was in questioning the very construct upon which the Recording Academy recognizes and rewards genre-bending artists of color.
But  Staples ' argument is bigger than hip-hop. It's a critique rooted in the racial dynamic that has kept black artists in the industry categorically separate and unequal since the inception of "race music."
In a sense   Staples  is the kind of artist the academy tends to clamor over â a major-label signee who subverts mainstream convention. While his peers chase after collaborations with bankable trap producers  his album credits are filled with left-field collaborators Kilo Kish and Zack Seckoff  a young unknown producer largely responsible for Big Fish Theory's industrial-driven electronics.
No doubt   Staples  prizes his creative idiosyncrasies: "Hitchcock in my modern day / Where the f*** is my VMA? / Where the f*** is my Grammy?" as he raps on Big Fish Theory's "Homage."
The message is the easiest part of this whole thing. The hard part of music is designing the product and marketing the product â figuring out what it looks like  what it sounds like  what it feels like    who to sell it to and how to get  them  to believe that it's more important than  themselves . When you've figured that out  that's when you become a star.
But  yeah  let's really talk about it. If we really want to have a Vince Staples Grammy campaign  someone tell me why I can't be in every genre that my music is kind of reminiscent of? Because the argument within hip-hop is that my music doesn't sound hip-hop enough.
My only request is that it be broadened  because it's no reason I shouldn't be nominated for everything we just spoke about. It's no reason I shouldn't be nominated for a packaging Grammy. It's no reason because the conceptual nature of my cover and the way that it looked is a great idea for a compact disc. Usually people go all out and put 50 pictures and give you a suitcase full of stuff to win a packaging Grammy. But it's not really about the design of it itself. It's no reason I shouldn't be nominated for that. It's no reason I shouldn't be nominated for electronic and alternative and Rap Album of the year  because if we're pushing creativity and we're doing it get to be creative and to create new things  I don't know what's newer than what Vince Staples is doing. And that's my only conversation.
[EX A]:
yes