In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

Example Input: hahaha . Once again in fantasyland we go with fake "gangstas".P diddo or diddity, pifily poof what ever his name is this week.This movie is not worth the price of the plastic used to make it.the established italian mobsters would not put a black or puerto rican on equel footing.these guys would not share the same area in the joint.ridiculous!!!when it comes to TRUE GANGSTERS there are serious racial/ethnic barriers.That is just the facts.As much as the mass media tries to rewrite history it still doesnt change it
Example Output: NEG

Example Input: bleh . The movie itself is a snoozer.  There's a good amount of physical comedy, but the story just went nowhere.  However, the running commentary is hilarious!  When the commentary is funnier than the movie, you know the movie is pretty bad
Example Output: NEG

Example Input: Promising Debut . Small town America... only this isn't the pleasant and white-picketed small town America of film noir fame, it's the gray and colorless small town America of neo-noir, and there's the man on the sidewalk looking like a lost bum to prove it.  A bum who's being approached by that famous "Man in a Black Trenchcoat"...    Hard Eight (AKA Sydney, but I've yet to see a version of it anywhere that actually claims that title) is a debut pretty much as promising as Blood Simple to the brothers Coen.  Paul Thomas Anderson immediately sets out to give us only the best, with actors he wants to make famous and a script that has characters doing almost nothing we want (or expect) them to do, but who yet remain completely sympathetic throughout.    Anderson also uses neo-noir color to great effect, allowing red and blue to do what harsh black and white contrast is supposed to do in classical noir.  That said, Anderson still knows where the majority of the talent lies, and despite the long takes and steady-cam shots that would develop into those dizzying long takes from later movies, he focuses most of his time on the characters' faces, and just lets them be.    If he hadn't already done the amazing and always stunning later work of Magnolia, Boogie Nights, and Punch Drunk Love, I'd say that this is a "promising debut that makes me impatient for the next Anderson picture to come out," but since he does now have four classics notched into his belt, I must say, "See this to see Anderson at his roots," and "Man I can't wait for his next feature!"    --PolarisDi
Example Output:
POS