instruction:
In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.
question:
Great Southern Hard Melodic Rock . This band is a great pick-up, especially if you like bands like Shinedown or Tantric.  At times, I wish there was more guitar parts on the album, but its a very solid, safe, and well produced release.    nothing ground breaking, but a great listen that will be in my changer for weeks to come
answer:
POS


question:
Welcome back, Sonny. . In 1962, it had been three years since Sonny Rollins had released a record.  Frustrated with what he felt was his own limitations, he took sabbatical to work on his form, practicing at the Williamsburg Bridge.  This odd habit led to his comeback album being named "The Bridge".  A quartet record featuring guitarist Jim Hall, bassist Bob Cranshaw, and drummer Ben Riley, invariably this album and it's story is the stuff of legends, and deservedly so.    Rollins is on fire throughout-- playing mostly standards (with only two originals), it sounds as if he was itching to get in the studio again, his playing is powerful, focused ("Without a Song"), lyrical (one of the definitive readings of "God Bless the Child") and emotive ("Where Are You?").  Rollins' support is generous and sympathetic, particularly on "God Bless the Child", where Cranshaw in particular feels like he's breathing in time with Rollins.    All in all, a worthwhile effort, and an essential point in Rollins' catalog.  It also may be the best place (either this or "Saxophone Collosus") to begin exploring Rollins' catalog.  Highly recommended
answer:
POS


question:
Shhhh. Listen . Miles always let the music do the talking, so my advice is just listen to this album. Nevertheless, I will bang on about it a bit, just like the others.  This is a CD I put on after I come back from the pub, or club at night when I've had a few drinks or whatever. Somehow it just calls out to me "Luke... Luke... PLAY ME" and I do. It never fails to move me (and sometimes physically). It is a strange, dark brew of textured piano and electric piano riffs and some minimal rythmical work by Williams and Holland, with Miles gliding over it like only he can and John McLaughlin creating great atmosphere with some wonderful guitar work. It is raw, like most Miles Davis stuff, but also very smooth and peaceful - with a kind of dark streak running through the middle. Quite unlike any music you will hear these days, bar perhaps Aphex Twin.  When I first got this album I thought it was incredible and powerful and was even quite scared of it for a while - it seemed to possess some kind of quiet voodoo power. There is magic in this music, definitely. But, over the years I have listened to it regularly and it continues to give me warm pleasures. Every listen becomes a rich, rewarding experience. It is a real grower, and calmer than most of Miles' other fusion work. It is a good companion to "A Tribute To Jack Johnson" (Mainly because of the presence of McLaughlin on guitar), although this album is far less aggressive, and more gentle and mysterious. The album will take you on a pleasant little journey down a bubbling creek, in the middle of the night...
answer:

POS