In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[Q]: Question: How many people were employed by NASA the year Kepler was launched? Passage 1:The Kepler spacecraft is a NASA telescope equipped with photometric equipment. Launched in 2009, Kepler continuously watches 156,000 stars in a small area. A team of astronomers, hoping to learn more about hot jupiter planets and brown dwarfs, selected four F-type stars from the Kepler Input Catalog flagged as host to a Kepler Object of Interest (a transiting object that could possibly be a planet). Using three quarters of Kepler's data, the science team conducted a follow-up investigation in using the SOPHIE échelle spectrograph at the Haute-Provence Observatory in southern France, observing stars Kepler-40, Kepler-39, KOI-552 and KOI-410. Of these, conclusive evidence of a planet orbiting KOI-410 could not be found, and KOI-552 was found to be a binary star with an M-type companion. The Hot Jupiter KOI-428b was the first of these four to be confirmed.
 Passage 2:After publishing the plays Weekend (1968) and An Evening With Richard Nixon (1972) and the novel Two Sisters: A Novel in the Form of a Memoir (1970), Vidal concentrated upon the essay and developed two types of fiction. The first type is about American history, novels specifically about the nature of national politics. About those historical novels, the critic Harold Bloom said that "Vidal's imagination of American politics ... is so powerful as to compel awe". The historical novels formed the seven-book series, Narratives of Empire: (i) Burr (1973), (ii) 1876 (1976), (iii) Lincoln (1984), (iv) Empire (1987), (v) Hollywood (1990), (vi) Washington, D.C. (1967) and (vii) The Golden Age (2000). Besides U.S. history, Vidal also explored and analyzed the history of the ancient world, specifically the Axial Age (800–200 B.C.), with the novel Creation (1981). The novel was published without four chapters that were part of the manuscript he submitted to the publisher; years later, Vidal restored the chapters to the text and re-published the novel Creation in 2002.
 Passage 3:Born into the Bhatt family, she is the daughter of filmmaker Mahesh Bhatt and actress Soni Razdan. After making her acting debut as a child in the 1999 thriller Sangharsh, Bhatt played her first leading role in Karan Johar's teen drama Student of the Year (2012). She went on to establish herself with starring roles in several films produced by Johar's studio Dharma Productions, including the romances 2 States (2014), Humpty Sharma Ki Dulhania (2014), and Badrinath Ki Dulhania (2017); and the coming-of-age drama Dear Zindagi (2016). Bhatt won the Filmfare Critics Award for Best Actress for playing a kidnapping victim in the road drama Highway (2014), and two Best Actress awards at the ceremony for playing a Bihari migrant in the crime drama Udta Punjab (2016) and a spy in the thriller Raazi (2018). The latter emerged as one of Hindi cinema's biggest-earning female-led films, and her highest-grossing release came with the musical drama Gully Boy (2019).

[A]: 1


[Q]: Question: Who designed Hans Klemm's first light aircraft? Passage 1:The head of the femur, which articulates with the acetabulum of the pelvic bone, comprises two-thirds of a sphere. It has a small groove, or fovea, connected through the round ligament to the sides of the acetabular notch. The head of the femur is connected to the shaft through the neck or collum. The neck is 4–5 cm. long and the diameter is smallest front to back and compressed at its middle. The collum forms an angle with the shaft in about 130 degrees. This angle is highly variant. In the infant it is about 150 degrees and in old age reduced to 120 degrees on average. An abnormal increase in the angle is known as coxa valga and an abnormal reduction is called coxa vara. Both the head and neck of the femur is vastly embedded in the hip musculature and can not be directly palpated. In skinny people with the thigh laterally rotated, the head of the femur can be felt deep as a resistance profound (deep) for the femoral artery.
 Passage 2:Born in Tel Aviv, Israel, on November 26, 1971, Huberman is the son of Holocaust survivors. He and his family moved to Oak Ridge, Tenn., when his father, a cancer researcher, began working at the Oak Ridge National Laboratory. Huberman attended the University of Wisconsin–Madison, graduating with a Bachelor's Degree in psychology and English in 1994. After graduation, he joined the Chicago Police Department where he initially served as a beat officer. While working full-time as a Chicago police officer, Huberman attended night classes at the University of Chicago and earned two advanced degrees in 2000, a Master of Social Work from the School of Social Service Administration and a Master of Business Administration from the university's Graduate School of Business (now the Booth School of Business). Huberman was a recipient of The Paul & Daisy Soros Fellowships for New Americans and an Albert Schweitzer Fellow while attending the University of Chicago.
 Passage 3:Hans Klemm's first light aircraft was the Daimler L15 and the L20 had much in common with it. Both were cantilever monoplanes with twin open, tandem cockpits and engines of very low power. The L20's low wing distinguished it from its predecessor and had the advantage of providing a low centre of gravity and better view during the landing approach as well as better protection for occupants in case of crash landings. The low-set wing also allowed a shorter undercarriage on the L20, which was otherwise like that of the L15 with the wheels independently mounted on pairs of centrally hinged V-struts and with vertical shock absorbing legs to the wing underside. Wheels were sometimes replaced by floats. Intended from the start for serial production, the L20's structure was simplified, with a pentagonal cross-section fuselage lacking the L15's rounded upper and lower surfaces. The fuselage was wooden framed with canvas covering. The overall strength of the structure, which had a safety factor of 12, was emphasised.

[A]: 3


[Q]: Question: How long had Fenway Art School been operating the year Vassos moved to Boston? Passage 1:Born in what is now Opava in Silesia, Weidt was the daughter of composer and Kapellmeister Heinrich Weidt, who was one of her first teachers, along with Rosa Papier. For most of her career she was on the roster of the Vienna State Opera, beginning in 1903 and continuing until 1926. She first succeeded Sophie Sedlmair, who was retiring, and soon began sharing major Wagner roles with Anna Bahr-Mildenburg. She also became known for her portrayal of Leonore in Fidelio, and she created for Vienna the Marschallin in Der Rosenkavalier. For Milan she was the first Kundry. Between 1908 and 1910 she appeared in Munich. During the 1910–11 season Weidt was on the roster of the Metropolitan Opera, singing Brünnhilde in both Die Walküre and Siegfried and Elisabeth in Tannhäuser. In 1912 she was singing in Buenos Aires. She won praise from Leoš Janáček for her portrayal of Kostelnička in Jenůfa at its Vienna premiere in 1918. The following year she created the role of the Nurse in Die Frau ohne Schatten for the same company. Weidt died in Vienna.
 Passage 2:Vassos moved to Boston, Massachusetts in 1919, where he attended the Fenway Art School at night. He studied alongside American artist John Singer Sargent and worked as an assistant for Joseph Urban. In 1924 he moved to New York, where he attended the Art Students League of New York, studying under George Bridgman, John Sloan, and others. He opened his own studio creating window displays for department stores, like Wanamakers, murals, and advertisements for Saks Fifth Avenue, Bonwit Teller, and Packard Motor Cars in his unique black and white illustrated style. At the same time, he illustrated a series of books by Oscar Wilde for E.P. Dutton followed by others including Phobia on which he based his life-long design focus on psychology, his area of expertise as noted by Fortune Magazine's list of top designers in the country. He entered the emergent field of industrial design and was hired by rapidly-growing RCA Victor, under the leadership of David Sarnoff, who discovered Vassos while painting murals at the WCAU skyscraper in Philadelphia. The company had recently acquired Victor Phonograph, built Radio City, and owned NBC Broadcasting, but needed to amplify and modernize their radio manufacturing business. By hiring Vassos, an up-and-coming industrial designer who created their first Styling department, launched Vassos on a four-decade relationship with the company for whom he designed hundreds of items, while also consulting for numerous other clients like Coca-Cola, Waterman, Universal Artists, Remington, and the United States Government. Vassos's work as an interior designer included the Chrysler Building apartment of photographer Margaret Bourke-White, Nedick's Hot Dog stands, displays for RCA in department stores and the World's Fair,and many others for which he employed modular furniture. He eschewed trendy styles like the extreme-streamlined look, popular in the 1930s, and favored the clean, modern look unadorned with unnecessary elements. He expressed his design philosophy for magazines like Pencil Points and in lectures on modern design and art. Although he was hailed as a top designer in the United States during the 1930s, he slipped away from the spotlight of his industrial design peers like Raymond Loewy, Henry Dreyfuss, and Norman Bel Geddes, largely because he did not open a large firm. Unique among the industrial designers of the 20th century, his work was focused on the intersections between interior decorating, furniture design, and the shapes of phonographs, radios and televisions. His contributions include creating a futuristic living room including television, the slide rule dial on radios, emphasis on the haptic experience of media (knobs and buttons), and the "user experience," years before this term was coined.
 Passage 3:Christine Goodale's official fields of research are ecology and evolutionary biology as well as Soil and Crop Sciences. She has experience in a wide variety of scientific topics, including acid rain, carbon sequestration, climate change, forest ecosystems, nitrogen cycling and retention, and watershed processes. Goodale is an ecosystem ecologist whose research focuses mainly on forest ecosystems, including the role that forests play in important water cycle processes and regulation of atmospheric greenhouse gases, as well as the impacts that afflict forest ecosystems as a result of human activities. Goodale specifically focuses on nutrients like carbon and nitrogen, and her lab is dedicated to understanding the impact that elevated nitrogen levels have on forest ecosystem processes, and the way that these ecosystems manage the excess nitrogen. Goodale and her team examine these impacts across multiple spatial and temporal levels, from plots in a watershed to whole continents, utilizing a combination of field studies, ecosystem modeling, and acquired regional data sets to help answer their main research questions. Her past research has taken place mainly in the forests of the Northeastern United States, primarily forests in the White Mountains of New Hampshire and central New York.

[A]:
2