In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Example Input: Claire Denis's movies seem to fall into one of two categories: the violent and bloody or the quiet and intimate. "L'Intrus" definitely falls into the first category, but it's not so awful as "Trouble Every Day" or "J'ai pas sommeil."Now, ever since I saw "Chocolat," I've made it a point to see every new movie Denis makes. And I have always been disappointed. "L'Intrus" was no exception. She has yet to make a movie as personal and as moving as her first one. You get a lot of the Denis regulars: an older but still magnificent Béatrice Dalle who seems to be in the movie only to show off her full lips, the gap between her teeth, her ample cleavage, and a couple of nice coats; the black guy from "Trouble Every Day" and "J'ai pas sommeil," Grégoire Colin, and that Lithuanian or Russian girl. Michel Subor's character was interesting enough, but the camera lingered on him at such length that I got annoyed by that curly forelock of hair hanging over his forehead and was relieved when, somewhere in Korea, I think, he finally got it cut. There was certainly some action--gruesome murders, a man's search for a son--and there may even have been a plot, but one viewing wasn't enough to figure it out, and two viewings are, I fear, out of the question. For one thing, the score was jarring and obtrusive (as in "Beau Travail"). For another, the seasons changed too abruptly, leaving you even more confused about what was going on. Oh, there were a few pretty shots, and if you liked "Friday Evening" with its shots of the folds in heavy drapes and bedsheets, you might appreciate the aesthetics of "L'Intrus." Otherwise, steer clear. I saw this movie in French and it's possible I missed something crucial. But the dialogue in a Denis movie rarely amounts to more than five pages, double spaced and with ample margins. In "Chocolat" the silence is sublime; in "L'Intrus," it's just dull.
Example Output: negative

Example Input: This is one of the very few movies out there which are very erotic without being pornographic, despite there being only a very rudimentary plot. There's not much live sound or dialogue; instead, the actors do voice-overs describing their experience, why they participated, etc.It's a document.It's mind-blowing.I can totally understand why nobody else ever tried to do something like this. There already is something like this. This. :-)NB: The producer doesn't have the rights to distribute a DVD version. I've also never seen it being sold anywhere; one may email Mr. Boerner and order a copy on VHS.
Example Output: positive

Example Input: I can't really condemn the movie because it does work. There is enough film noir elements to consider it a noir movie, but I think it's only just in the category.There's nothing sinister in this piece, and that's where the noir elements fail. Sure, the disease might be considered sinister, but I have a hard time seeing that. The movie hints at a darker side: Blackie may be trafficking human beings, the New Orleans police are only too willing to arrest a reporter, the specter of the plague hangs over all of the people in the movie... but those are really only hints.There's no attempt made to question Reed's motivations, as one with do with Marlowe or Spade, nor is there any attempt to bring a humans side to Blackie, which would make him even more contemptuous if the human trafficking was actually played out.That lack of depth is what fails the movie in the end.The story is decent, the acting is good, the writing and direction are well done... but there is nothing to make this a movie you should return to over and over. Worth watching once, maybe twice if you don't remember it from years ago, and then putting away.
Example Output:
positive