Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Input: Consider Input: CONTEXT: The last scene is to clear up who the killer is. In the end Catherine Tramell tries to pick up the ice pick in the sex scene which is her murder tool from the first kill, which signifies that she was the killer from the start. The killer was never caught, but after the death of Beth and the evidence found at her house, it turned out that she is the killer. But she was all innocent, and it's been all Catherine's revenge plan because Beth was her lesbian partner and left her.  <sep>  Q: What does the ending scene in the movie Basic Instinct actually mean? A: The last scene is to clear up who the killer is  Q: Who caught the killer? A: The killer was never caught, but after the death of Beth and the evidence found at her house, it turned out that she is the killer  Q: Can you explain the the ending scene? A: In the end Catherine Tramell tries to pick up the ice pick in the sex scene which is her murder tool from the first kill, which signifies that she was the killer from the start  <sep> FOLLOWUP_Q: So the real killer is not caught after all?

Output: No


Input: Consider Input: CONTEXT: The source material is essentially a recollection of a life lived by an individual on his death bed. We are seeing these things through the lens of memory, so it is meant to be an almost first person account. There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality. That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story. I won't comment on whether it was successful. The closest thing I can think at this moment that has this sort of movement might be in Wes Anderson movies where suddenly the naturalistic feel is broken in favor of a staged play: the Zissou movie and "Moonrise Kingdom" both take similar but more obvious breaks from naturalism.  <sep>  Q: Why is the audience sliding around in this scene from Le Temps retrouvé? A: We are seeing these things through the lens of memory, so it is meant to be an almost first person account  Q: A first person account of what exactly? A: That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story  Q: Is this why we see the camera panning around a lot? A: There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality  Q: That's interesting, what else can you tell me about the production? A: The source material is essentially a recollection of a life lived by an individual on his death bed  <sep> FOLLOWUP_Q: Can you tell me anything more about the film or the director?

Output: No


Input: Consider Input: CONTEXT: There are two main "themes" in the book; Sex and Revenge. When you're in prison, those are about the only two things you think about. I was incarcerated for 5 years (well, just short of that, actually), and when you're not busy watching your back you're pretty much daydreaming of those two things. I can't say either of them were the most popular book in the library, but I can see where that dialogue came from.  <sep>  Q: What is the obvious reason "The Other Side of Midnight" is a popular book in prison?


Output: Yes