Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Ex Input:
CONTEXT: In addition to Faizan's answer of giving them as sacrifices to be spared by the White Walkers, you also have to consider that Craster was sleeping with his own daughters, likely for his enjoyment (and less for theirs) and they were also doing all their work for him. So new daughters simply mean more workers and more "company", while a son is not really of use to him. And it is clear that Craster isn't really a man to shed tears for his dying kin. Rather on the contrary, a son could actually be a danger to him if he grows up and decides to revolt against his father's cruelty to his sisters. Craster has conditioned his daughters into obedience to him (and even more so in a medieval world where women were even less likely to revolt against their patriarch, even if they actually would have been able to do so in unison). A son might be harder to keep "under control" and as said, wouldn't have any use for Craster, since he doesn't really need a fighter, due to his arrangement with the Crows. It would merely mean a disruptance to the nice little life he's built himself there. So I think even without the White Walkers a son probably wouldn't have a long life at Craster's Keep.  <sep>  Q: Why does Craster give those sacrifices to the White Walkers? A: you also have to consider that Craster was sleeping with his own daughters  <sep> FOLLOWUP_Q: Why are the newborn babies needed?

Ex Output:
Yes


Ex Input:
CONTEXT: Ada buys back the piano one key at a time by playing for him. Making love to him counts for ten times playing for him. At this point the relation between Ada and Baine is highly asymmetric: Baine desires Ada, Ada desires her piano. Only later does Ada fall in love with Baine.  <sep>  Q: What is the meaning of this conversation before making love? A: Baine desires Ada, Ada desires her piano. Only later does Ada fall in love with Baine  <sep> FOLLOWUP_Q: What is The Piano?

Ex Output:
Yes


Ex Input:
CONTEXT: So, we can now easily check to see if Dr. Strange said anything to Maw when he arrived and the answer is no, he doesn't ask if he's Thanos. Maw makes it clear that it is the children of Thanos that have come to take the stone. This is further clarified in the ship when Strange is held by the surgical needles. Therefore, the answer that he thought Maw was Thanos at any point in time is definitely not correct. The correct answer could be that he thought the GOTG were somehow Thanos initially, but Strange is a smart guy and none of those people are even remotely Thanos, plus Thanos had already sent Maw after him who proclaimed as mentioned above that the children of Thanos essentially do all his work for him, so he probably thought that they were WITH Thanos. This makes more sense anyway as the general conversation goes when Spidey is caught by Starlord at gunpoint; i.e. "we're the Avengers man!" Therefore, this answer is also likely not correct (although closer to correct than the top answer). The only answer I can come up with is that Strange is breaking the 4th wall, something that a master of the mystic arts could possibly do, and is referring to Cable. This would be well-within the realm of the self-deprecating humor of Deadpool and acceptable to Marvel, because they would want to maintain that Brolin was always Thanos and not Cable.  <sep>  Q: Why did Dr. Strange make the comment "You look more like a Thanos"? A: The correct answer could be that he thought the GOTG were somehow Thanos initially, but Strange is a smart guy and none of those people are even remotely Thanos  <sep> FOLLOWUP_Q: did he see Thanos for the first time at Titan?

Ex Output:

No