In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Q: The Wizard (George Carlin) is a man who has a job of keeping the fairytale world balanced and making sure each story has its happy ending. He keeps a close watch of all fairytales by looking at his mystical crystal ball and using his magical staff. When he leaves for his vacation to Scotland he asks Munk and Mambo (Wallace Shawn and Andy Dick) to keep a close eye on all fairytales and keep the balance between good and evil. He also asks him to watch Cinderella (Sarah Michelle Gellar) because her story in progress right now.Cinderella is a young maiden who is desperately in love with the prince (Patrick Warburton) and wants to attend the ball he is having tonight, but her evil step-mother Frieda(Sigourney Weaver) and ugly step sisters won't let her go, until her fairy godmother comes to her rescue. Sounds all familiar right? Well a bored Mambo begins to feel very bored with the same old same fairy tale, So he and Munk begin to argue on if Mambo can change thing up a bit.When Frieda arrives at the ball with the ugly step-sisters she hears the commotion at the tall tower. So she wonders and sees the mystical crystal ball and the magical staff and realizes it is all set up and nothing in their fairytale world is by fate. She then decides to take things into her own hands and changes all the stories to the way she likes them, including Cinderella's story.The evil step-mother begins to round up all the villains in all fairytales to help her with her evil scheme. So Ella decides she needs to find the prince to help save the day. She asks her friend Rick (Freddie Prinze Jr.) the kitchen boy to the prince, to assist her. But Rick is in love with Ella and wants to be with her instead of her being with the prince. When he says no Ella finds help somewhere else and meets up with Mambo and Munk who are glad to help her. Frieda later realizes what Ella is trying to do so she has all of her evil minions to go out and stop her. Ella has to align with dwarfs, fairies and other good mystical creatures to help her save the day.Rick later realizes a good friend doesnt let a friend down. So he goes out to find Ella and when he does Ella begins to feel what Rick feels about her while saving Fairytale land.

A: Who changes Cinderella's story?
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Q: James Hart (Timothy Bottoms) starts his first year at Harvard Law School in a very bad way. In his contract law course with Professor Charles W. Kingsfield Jr. (John Houseman), he assumes the first class will be an outline of the course. When Kingsfield immediately delves into the material using the Socratic method and asks Hart the first question, he is totally unprepared and feels so utterly humiliated that, after class, he throws up in the bathroom.Hart is invited to join a study group with five others:Frank Ford (Graham Beckel), the fifth generation of Fords at Harvard Law SchoolKevin Brooks (James Naughton), a married man with an eidetic memory, but no analytical skillsThomas Anderson (Edward Herrmann)Willis Bell (Craig Richard Nelson), an abrasive individual who is devoted to property lawO'Connor (Robert Lydiard)While out getting pizza, he is asked by a woman, Susan Fields (Lindsay Wagner), to walk her home, due to feeling uncomfortable by a man regarding her in a creepy manner. Hart returns to her house soon after and watches her from the sidewalk before knocking on the door and asking her on a date, after which they begin a relationship. Their relationship is complex; she resents the time he devotes to his studies, while he expects her to provide him with a great deal of attention and wants their relationship to have a firm commitment. When Hart and his classmates are invited to a cocktail party hosted by Kingsfield, he is stunned to discover that Susan is Kingsfield's married daughter. (She is, however, separated from her husband and eventually gets a divorce.) She and Hart break up and get back together several times.Hart divides the class into three groups: those who have given up; those who are trying, but fear being called upon in class to respond to Kingsfield's questions; and the "upper echelon". As time goes on, he moves from the second classification to the third.The mounting pressure, as the course nears its end, gets to everyone. When Hart gives Kingsfield a flippant answer, the professor gives him a dime and tells him to telephone his mother with the news that he is not likely to become a lawyer. Hart calls Kingsfield a "son of a bitch" and starts to walk out. Surprisingly, Kingsfield agrees with his assessment and invites him to sit back down, which he does. Brooks makes an unsuccessful suicide attempt, then drops out. The study group is torn apart by personal bickering. With final exams looming, Hart and Ford take a hotel room and prepare feverishly for three days.The film is a faithful adaptation of the novel, though it adds two things not in the book: Hart's first name and middle initial (James T.), and his grade in contract law (93, an A). In both the novel and the film, Hart makes a paper airplane out of the unopened letter containing his grades and sends it sailing into the Atlantic Ocean.[2]

A: How the film is made?
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Q: The film can be seen as an allegory of post-World War II Eastern European political systems - told as a black-and-white cinematic poem with 39 long, single-camera takes. It examines the brutalization of a society, its political systems and ethics through the metaphor of a decaying circus whale and its star performer. It is set in a desolate, isolated small town in Hungary during Soviet times.The film starts with JÃ¡nos Valuska, a simple person, conducting a poem and dance with drunken bar patrons. The dance is of the total eclipse of the sun, which disturbs, then silences the animals. It finishes with the grand return of the warm sunlight.One of the significant reoccurring characters in this plot is the subtle transitions between light and darkness. The first appearance of this motif is a lamp in the bar, moving to a door into the darkness. The circus arrives like a Trojan Horse in the darkness of night. A window is opened as a glimmer of hope and dressed to shut out the world. The antagonist is only ever seen as a shadow.JÃ¡nos' uncle GyÃ¶rgy is a composer, and therefore one of the intelligentsia. GyÃ¶rgy observes the imperfection and compromise of the musical scale (as defined by Andreas Werckmeister a historical theorist). GyÃ¶rgy proposes changes to the scale to make it more harmonious. This utopian approach to music represents a flawed, naive idealism that never can be achieved; it is not developed any further in the film or the book. It is just a statement indicating that human governance will always be flawed.GyÃ¶rgy's estranged wife tries to leverage her political and social status by giving GyÃ¶rgy a list of names to recruit for the "clean up the town movement" (with the blessing of the police chief).However, a stuffed smelly circus whale and its star performer, Prince, come to town in the silence and darkness of night. This is a metaphor for a bloated political system and the unseen Prince who represents the power of politically inspired, emotive dogma.JÃ¡nos philosophizes about God and the beast.The post office workers are unsettled by the ominous signs of the circus' arrival and are disturbed by the cloud that settles over each town it visits, a reference to the spread of the externally imposed centralised monolithic government system onto all the Soviet buffer nations just after the war.GyÃ¶rgy's struggling cobbler brother gets the list and passes it on to the agitated throbbing masses in the town square who are unhappy at public services failing. GyÃ¶rgy's former wife sleeps with the drunk gun toting police chief.The presence of the whale and the Prince stir up the masses. JÃ¡nos overhears the circus master losing control of his faceless Prince, who is becoming drunk with his own voice of revolutionary dogma. The circus master disowns him. The Prince, now free, inflames the masses, and the people riot.The film is shot as a visual poem, and has been described as both beautiful and haunting. Lengthy single-shot scenes with a hypnotic and rhythmic pace build up to the peaceful observation of the thuggish destruction of the hospital and its patients. The rioters are brutal. Their inhumanity almost seems normal and natural. When the rioters finally come to beat a helpless old naked patient, they see their impotent, sad and powerless selves. The patients they are destroying in the hospital are themselves.After the riot, JÃ¡nos comes across the diary of a rioter. It explains that the rioters did not know what they were angry with; so they were angry at everything. Then it recounts the mobs horrendous rape of two working class post office girls.JÃ¡nos comes across his killed cobbler uncle who got naively involved in the riot. JÃ¡nos is told, by his cobbler uncle's wife, to leave town for his own safety.He is intercepted by a helicopter. He finds himself committed to a mental institution with caged beds (a tool of the time for dealing with political dissidents). JÃ¡nos appears drugged and broken.GyÃ¶rgy, his composer uncle, is evicted from their society house but gets to live in a shed in the garden whilst GyÃ¶rgy's former wife, with her new status as a collaborator, now occupies the big house with the police chief. The intelligentsia is displaced by political opportunism.GyÃ¶rgy tells a vacant JÃ¡nos, in the ward, that if he is released from the mental institution they can live contentedly together in the shed with his piano. GyÃ¶rgy also mentions that he has re-tuned the piano so that is now like any other, a personal capitulation apparently abandoning any present hopes of reform. JÃ¡nos just stares.It finishes with GyÃ¶rgy looking directly into the eye of the whale, then, walking away and looking back at the now sad and disheveled whale, destroyed by the rioters the night before, its rotting carcass slowly enveloped by the fog which gets whiter and brighter. Warm bright sunlight returns.

A:
What does the circus and cloud mean?
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