In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[Q]: Question: Do dragons appear in Greek Mythology outside of the chimera? Passage:The chimera of Greek mythology appeared in Marvel Comics. It is depicted as a fire-breathing monster with the heads of a lion and a goat next to each other, the front legs of a lion, the wings of a dragon, the hindquarters of a goat, and a snake-headed tail, while also possessing the power of speech. Its history of being the offspring of Echidna and being slain by Bellerophon is still mentioned. At some point, the Chimera was restored to life by Hera to guard the caverns underneath New Olympus. It was accompanied in this job by a Cyclops and some Skeleton Warriors. The Chimera encountered the Agents of Atlas. When it didn't see that they were Olympians, Chimera breathed fire at them, sparking a fight between the heroes and the minions of Hera. Gorilla-Man forced the chimera to set its second head ablaze, causing it to flail around until it was knocked unconscious.

[A]: a


[Q]: Question: What city that was chosen for filming Aeon Flux has the largest population? Passage:The screenplay was written by Phil Hay and Matt Manfredi, and directed by Karyn Kusama. It was based on the animated TV series by Peter Chung, who had a minor role in this film version of his work. In the early stages of production, actress Michelle Rodriguez was considered for the part of Æon. She had previously worked with Kusama in Girlfight. Kusama had originally suggested filming in Brasília, the capital of Brazil, because the 20th-century modern architecture of that city fit with her vision of Bregna. The producers rejected the idea because Brasília lacked the infrastructure and technical expertise to support a major film production. After several cities were scouted, Berlin and Potsdam in Germany were chosen for filming. Berlin had several locations that fit into the organic yet structured world of Æon Flux. The crew gained permission to film in several locations that had never allowed such access before, including the Treptow Crematorium, the Adlershof Trudelturm and Windkanal wind tunnel facility, and the Haus der Kulturen der Welt ("House of the World's Cultures"). Additional locations included the Bauhaus Archive and a dissection theatre built in 1790 to train veterinarians, part of the Berlin animal shelter. It was used as the Handler space. Filming was temporarily suspended for a month during September 2004 while Theron recovered from a neck injury she sustained during stunt-work on the tenth day of shooting. She was hospitalized in Berlin for five days and required about six weeks of physiotherapy to recover.

[A]: b


[Q]: Question: How many years was Pope John Paul II the pope? Passage:In the 1960s, proportionalism was a consequentialist attempt to develop natural law, a principally Roman Catholic teleological theory most strongly associated with the 13th-century scholastic theologian Thomas Aquinas, but also found in Church Fathers such as Maximus the Confessor and John of Damascus, as well as early pagan schools of philosophy such as Stoicism. The moral guidelines set down by Roman Catholic magisterial teachings of Natural Moral Law are mostly upheld in that intrinsically evil acts are still classified so. In certain situations where there is a balance of ontic goods and ontic evils (ontic evils are those that are not immoral but merely cause pain or suffering, ontic goods are those that alleviate pain or suffering). Proportionalism asserts that one can determine the right course of action by weighing up the good and the necessary evil caused by the action. As a result, proportionalism aims to choose the lesser of evils. Pope John Paul II rules out the 1960s proportionalism in his encyclicals Veritatis Splendor, promulgated in 1993 (cf. section 75), and in Evangelium Vitae, 1995 (cf. article 68). Instead he offers an account of moral action based on the object of the act (finis operis), the intention of the person performing the act (finis operantis), and the circumstances surrounding the action.

[A]:
b