In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Q: In the year 1985 (my birth year) Steven Spielberg directed an emotionally strong and unforgettable story of a young African-American girl Celie (Debut role for Whoopi Goldberg) whose life is followed through rough times. The story begins from the year 1909 when Celie is only 14 years old. She has given birth two children for her father. Celie has a younger sister Nettie with whom she is inseparable. A widower lays his eyes on Nettie but their father gives Celie to him. It is the beginning of an era of horrible abuse and constant controlling. Women are inferior of men and especially being an African-American woman their rights are less than a zero. Celie's story is a true survival story."The Color Purple" is a master-piece and underestimated film of Spielberg. He should make more drama which "The Color Purple" and "Schindler's List" are good notion.The cast is amazing. Whoopi Goldberg is known better as a ravingly funny comedienne but the introducing role as Celie is a remarkable word that she really can pull of heavy drama. Danny Glover was surprisingly nasty "Mister". I have never seen him in a such an evil role. The talk-show icon Oprah Winfrey is brilliant as a strong-willed Sofia.Warning! Prepare to have a number of tissues with you when watching this film. You can really connect to the story of the strong sisterhood. Especially if you have as close relationship with your siblings like I have with my sister.Big applauds to Mr. Spielberg!

A: positive
****
Q: "A Mouse in the House" is a very classic cartoon by Tom & Jerry, faithful to their tradition but with jokes of its own. It is hysterical, hilarious, very entertaining and quite amusing. Artwork is of good quality either.This short isn't just about Tom trying to catch Jerry. Butch lives in the same house and he's trying to catch the mouse too, because «there's only going to be one cat in this house in the morning -- and that's the cat that catches the mouse».If you ask me, there are lots of funny gags in this cartoon. The funniest for me are, for example, when Mammy Two Shoes sees the two lazy cats sleeping and says sarcastically «I'm glad you're enjoying the siesta» and that she hopes they're satisfied because she ain't, making the two cats gasp. Another funny gag is when Tom disguises himself as Mammy Two Shoes and slams Butch with a frying pan and then Butch does the same trick to Tom. Of course that, even funnier than this, is when the real Mammy Two Shoes appears and both (dumb!) cats think they are seeing each other disguised as Mammy and then they both attack her on the "rear" - lol. Naturally that she gets mad and once she gets mad, she isn't someone to mess with. But even Jerry doesn't win this time, because he is expelled by her too.

A: positive
****
Q: Neither the total disaster the UK critics claimed nor the misunderstood masterpiece its few fanboys insist, Revolver is at the very least an admirable attempt by Guy Ritchie to add a little substance to his conman capers. But then, nothing is more despised than an ambitious film that bites off more than it can chew, especially one using the gangster/con-artist movie framework. As might be expected from Luc Besson's name on the credits as producer, there's a definite element of 'Cinema de look' about it: set in a kind of realistic fantasy world where America and Britain overlap, it looks great, has a couple of superbly edited and conceived action sequences and oozes style, all of which mark it up as a disposable entertainment. But Ritchie clearly wants to do more than simply rehash his own movies for a fast buck, and he's spent a lot of time thinking and reading about life, the universe and everything. If anything its problem is that he's trying to throw in too many influences (a bit of Machiavelli, a dash of Godard, a lot of the Principles of Chess), motifs and techniques, littering the screen with quotes: the film was originally intended to end with three minutes of epigrams over photos of corpses of mob victims, and at times it feels as if he never read a fortune cookie he didn't want to turn into a movie. Rather than a commercial for Kabbalism, it's really more a mixture of the overlapping principles of commerce, chess and confidence trickery that for the most part pulls off the difficult trick of making the theosophy accessible while hiding the film's central (somewhat metaphysical) con.The last third is where most of the problems can be found as Jason Statham takes on the enemy (literally) within with lots of ambitious but not always entirely successful crosscutting within the frame to contrast people's exterior bravado with their inner fear and anger, but it's got a lot going for it all the same. Not worth starting a new religion over, but I'm surprised it didn't get a US distributor. Maybe they found Ray Liotta's intentionally fake tan just too damn scary?

A:
positive
****