In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Ex Input:
Question: Of the two artists who influenced Jones, which was the eldest? Passage:Carroll Nathaniel Jones III (July 2, 1944 - June 22, 2017) was an artist in the style of American realism. Carroll grew up in New Providence, New Jersey where his father, an illustrator for Life (magazine), was his first art teacher. He taught Carroll techniques of the Old Masters, who emphasized light, perspective, and composition. Carroll went to school in New York City (NYC) and enrolled in the Phoenix School of Design at age 17. He later attended Hartford Art School and became a commissioned portraitist for 10 years. His work, Church Window was recognized in the New York Times, and he moved away from portraits to recreate scenes that sparked memories of his childhood. He was most influenced by Andrew Wyeth and Edward Hopper. The Coe-Kerr Gallery of NYC and Whistler's Daughter Gallery of New Jersey represented him, as well as contemporaries Wyeth and Hopper. Malcolm Forbes, Frederick R. Koch, Stephen Sondheim, William Schuman, and Jean Shepherd held private collections of his work. He exhibited at Newark Museum and Trenton Art Museum in New Jersey, and in universities, galleries and museums in seven states by his mid-thirties. His work is part of the permanent collections of Seton Hall University and Newark Museum. Art critic Marion Filler considered his work Magic realism, a quiet movement made popular in America beginning in the 1920s by Hopper, and related to Surrealism.


Ex Output:
b


Ex Input:
Question: Where was Schunk's conductor for his 1986 tenor solo performance born? Passage:From 1979 onwards, he worked as a freelance singer, performing internationally. He appeared at both the Hamburg State Opera and the Vienna State Opera in 1981 as the Emperor in Die Frau ohne Schatten by Richard Strauss. In 1983, he appeared as Max in Weber's Der Freischütz at the Bregenz Festival. The same year, he made his U.S. debut as Erik at the Lyric Opera of Chicago. In 1984 he took part in the Hamburg State Opera's tour of Japan. In 1986 he appeared as Florestan in Beethoven's Fidelio at the Metropolitan Opera, opposite Hildegard Behrens in the title role, returning in 1989 as Siegmund and in 1990 as the Emperor, a role which he had also performed for his 1987 debut at the Royal Opera House. In 1996, he appeared as Loge in Wagner's Das Rheingold at the Opéra de Marseille. In addition to his opera activities, Schunk has also performed successfully in concerts. He recorded the tenor solo in Beethoven's Ninth Symphony in 1986, conducted by Georg Solti with the Chicago Symphony Orchestra & Chorus, alongside Jessye Norman, Reinhild Runkel and Hans Sotin.


Ex Output:
b


Ex Input:
Question: Besides the Army of Conde, what were the other emigre field armies during the French Revolutionary War? Passage:The Army of Condé () was a French field army during the French Revolutionary Wars. One of several émigré field armies, it was the only one to survive the War of the First Coalition; others had been formed by the Comte d'Artois (brother of King Louis XVI) and Mirabeau-Tonneau. The émigré armies were formed by aristocrats and nobles who had fled from the violence in France after the August Decrees. The army was commanded by Louis Joseph de Bourbon, Prince de Condé, the cousin of Louis XVI of France. Among its members were Condé's grandson, the Duc d'Enghien and the two sons of Louis XVI's younger brother, the Comte d'Artois, and so the army was sometimes also called the Princes' Army.


Ex Output:

b