In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Question: How tall is the player that was brought back to Boston in a February 24, 2005 trade that involved Payton? Passage:Prior to the 2004–05 season, the Lakers traded Payton and Rick Fox to the Boston Celtics for center Chris Mihm, small forward Jumaine Jones and point guard Chucky Atkins. While Payton expressed displeasure with the trade, he ultimately did report to Boston and began the 2004–05 season as the Celtics' starting point guard. On February 24, 2005 Payton was traded to the Atlanta Hawks in a deal that brought former Celtic Antoine Walker back to Boston. The Hawks then waived Payton immediately following the trade, and he returned a week later to Boston as a free agent. Payton started all 77 games he played for Boston and averaged 11.3 points per game and 6.1 assists as the Celtics won the Atlantic Division before losing in the first round to the Indiana Pacers.

a

Question: Did the trade affect the Aleut people negatively? Passage:The maritime fur trade brought the Pacific Northwest coast into a vast, new international trade network, centered on the north Pacific Ocean, global in scope, and based on capitalism, but not, for the most part, on colonialism. A triangular trade network emerged linking the Pacific Northwest coast, China, the Hawaiian Islands (only recently discovered by the Western world), Britain, and the United States (especially New England). The trade had a major effect on the indigenous people of the Pacific Northwest coast, especially the Aleut, Sugpiaq, Tlingit, Haida, Nuu-chah-nulth, and Chinook peoples. A rapid increase of wealth occurred among the Northwest Coast natives, along with increased warfare, potlatching, slaving, and depopulation due to epidemic disease. However, the indigenous culture was not overwhelmed by rapid change, but actually flourished. For instance, the importance of totems and traditional nobility crests increased, and the Chinook Jargon, which remains a distinctive aspect of Pacific Northwest culture, was developed during this era. Native Hawaiian society was similarly affected by the sudden influx of Western wealth and technology, as well as epidemic diseases. The trade's effect on China and Europe was minimal, but for New England, the maritime fur trade and the significant profits it made helped revitalize the region, contributing to its transformation from an agrarian to an industrial society. The wealth generated by the maritime fur trade was invested in industrial development, especially textile manufacturing. 

b

Question: What was Montana's population the year that Thom Ross completed his work "Custer's Last Stand"? Passage:Ross' first plywood installation was a 1976 cutout of Clint Eastwood, which he and a friend placed as a prank above a railroad trestle to recreate a scene from Dirty Harry in the location where the scene had been filmed five years earlier. In 1983 Ross created "154 Nevermore", an installation of 154 plywood ravens on a highway in Jackson, Wyoming (recreated in steel in 2000). In 1984, Ross created "the Catch", a diorama for the Baseball Hall of Fame illustrating a legendary catch with the same nickname, by Willie Mays in the 1954 World Series. He created a new version of the work in 2004, and displayed it in various locations in New York City. In 1998 Ross created "The Defining Moment" for SAFECO Field, a tableau of 11 steel cutouts of a Ken Griffey, Junior play in the 1995 baseball playoffs. Ross' 2005 work, "Custer's Last Stand", was a recreation of life-sized warriors riding life-sized horses the Battle of Little Bighorn at the original site at Medicine Tail Coulee in Montana. That exhibit toured Cody, Wyoming, Jackson, Wyoming, and Sun Valley, Idaho. In September, 2008 Ross recreated a 1902 photograph of Buffalo Bill Cody and his "Wild West Show", his traveling troupe of Native Americans, in front of the Cliff House at Ocean Beach.


b