You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

[Q]:  The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally  cracks  when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough  sympathy Whuffie  to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom   low enough that others take his possessions with impunity and elevators don t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe.
[A]: What measured Dan's reputation, determining him to be on of the most popular people in the country at one point?


[Q]:  After a stirring opening on the eve of the coup d' tat, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon-Macquart cycle, committing himself to what would become the next twenty-two years of his life's work. The fictional town of Plassans (loosely based on the real city of Aix-en-Provence, where Zola grew up) is established as the setting for the novel and described in intimate detail, and then we are introduced to the eccentric heroine Adelaide Fouque, later known as "Tante Dide", who becomes the common ancestor for both the Rougon and Macquart families. Her legitimate son from her short marriage to her late husband, a labourer named Rougon who worked on Dide's land, is forced to grow up alongside two illegitimate children   a boy and a girl   from Dide's later romance with the smuggler, poacher and alcoholic Macquart, while the ageing Dide slides further and further into a state of mental illness and borderline senile dementia. From this premise, the next nineteen novels all get their central protagonists and to a certain extent their themes.
The narrative continues along double lines, following both "branches" of the family. We see Pierre Rougon (the legitimate son) in his attempts to disinherit his Macquart half-siblings, his marriage to Felicit  Puech, the voraciously ambitious daughter of a local merchant, and their continued failure to establish the fortune, fame and renown they seek, despite their greed and relatively comfortable lifestyles. Approaching old age, the Rougon couple finally admit defeat and settle, crushed, into their lower middle class destinies, until by a remarkable stroke of luck their eldest son Eug ne reports from Paris that he has some news that they might find interesting. Eug ne has become one of the closest allies of the future Emperor Napoleon III and informs his parents that a coup is imminent. Having been effectively given insider information about which side to back in the coming revolution, the Rougons then make a series of seemingly bold moves to show their loyal and steadfast support for Napoleon III, winning the admiration of the most influential people in the town, mostly royalists who are themselves afraid of showing too much commitment for fear of backing the "wrong horse" and losing their standing and fortune.
The narrative then switches over to the Macquart side of the family, whose grim working-class struggles to survive are juxtaposed keenly with the Rougons' seemingly trivial quest for greater wealth and influence in genteel drawing-room society. Descended from a drunken ne'er-do-well and a madwoman, Zola effectively predestines the Macquarts to lives of toil and misery. Zola's theories of heredity, laid out in the original preface to this novel, were a cornerstone of his entire philosophy and a major reason for his embarking on the mammoth Rougon-Macquart project in the first place in order to illustrate them. Largely discredited nowadays, the theories are largely "present but unseen" in most of the novels in the Rougon-Macquart cycle, allowing those books to be enjoyed without the overshadowing effect of Zola's somewhat suspect scientific ideas. Due to the original story nature of La Fortune des Rougon, the theories are placed much more to the fore, and can appear somewhat heavy-handed as a result.
A third branch of the family, the Mourets, descended from Macquart and Dide's daughter, are then introduced before the novel's focus is brought back to the "present", the night of the coup, via a quite brilliantly told love story. The idealistic but na ve Silv re Mouret falls madly in love with the innocent Miette Chantegreil, and after a long courtship they decide to join up with the republicans to fight the coup. The rest of the novel then picks up from where the opening chapter left off, and from then on is basically a dual narrative telling the story of the old Rougon couple and their increasingly Machiavellian machinations to get themselves into a position of fortune and respect in Plassans, juxtaposed with Silv re and Miette's continuing love story and the doomed republican militia's disastrous attempt to take the town back. Eventually, the Rougons exploit their half-brother Antoine Macquart into inadvertently helping crush the republican threat, and they achieve their life's ambition, fortune and favour. For Silv re and Miette, who committed themselves so completely to a doomed cause, there can be no such happy ending and Zola wisely leaves their half of the story at a bleak dead end..
[A]: What happens to Silvere and Miette?


[Q]:  The novel follows the life and career of Henry Coningsby, the orphan grandson of a wealthy marquess, Lord Monmouth. Lord Monmouth initially disapproved of Coningsby's parents' marriage, but on their death he relents and sends the boy to be educated at Eton College. At Eton Coningsby meets and befriends Oswald Millbank, the son of a rich cotton manufacturer who is a bitter enemy of Lord Monmouth. The two older men represent old and new wealth in society.
As Coningsby grows up he begins to develop his own liberal political views, and falls in love with Oswald's sister Edith. When Lord Monmouth discovers these developments he is furious and secretly disinherits his grandson. On his death, Coningsby is left penniless, and is forced to work for his living. He decides to study law and become a barrister. This proof of his character impresses Edith's father (who had previously also been hostile) and he consents to their marriage at last. By the end of the novel Coningsby is elected to Parliament for his new father-in-law's constituency and his fortune is restored.
The character of Coningsby is based on George Smythe. The themes, and some of the characters, reappear in Disraeli's later novels Sybil, and Tancred.
[A]:
What role does Henry get elected to in the end?