Given a document and an entity the task is to select the author's sentiment towards the entity. Sentiments can be Positive, Neutral and Negative. Select Positive if the article expresses a positive view towards the given entity or praises its quality or skills. Select Neutral if the document expresses no clear view towards the entity or has equal amounts of positive and negative statements or expressing some fact/quote by someone else. Select Negative if the article expresses a negative view towards like harsh remarks, criticizing entities action/decision etc. Note that URLs in the text have been replaced with [Link].

[Q]: What is the sentiment of the following document towards the entity Theresa May ? "I believe that we have now made the breakthrough that we needed " EU Commission President Jean-Claude Juncker told reporters during a news conference with British Prime Minister Theresa May.
British Prime Minister Theresa May and European Commission President Jean-Claude Juncker address a media conference at EU headquarters in Brussels on Friday  Dec. 8  2017. British Prime Minister Theresa May  met with European Commission President Jean-Claude Juncker early Friday morning following crucial overnight talks on the issue of the Irish border.(AP Photo/Virginia Mayo)
Nigel Farage  who led the drive to leave the EU as chairman of the U.K. Independence Party  said  May  had caved on critical points. Farage tweeted that the deal was "good news for  Mrs. May  as we can now move on to the next stage of humiliation."
British Prime Minister Theresa May  left  walks with European Council President Donald Tusk prior to a meeting at the Europa building in Brussels on Friday  Dec. 8  2017. British Prime Minister Theresa May  met with EU officials early Friday morning following crucial overnight talks on the issue of the Irish border. (AP Photo/Geert Vanden Wijngaert)
[A]: Neutral


[Q]: What is the sentiment of the following document towards the entity Lloyd Blankfein ? Goldman Sachs CEO Lloyd Blankfein  has bitcoin on  his  mind  a day after reports broke that  his  firm was considering setting up a bitcoin trading operation.
The billionaire banker tweeted on Tuesday that  he  wasn't completely sure about  his  stance on the red-hot cryptocurrency.
 Blankfein  said  he 's "still thinking about bitcoin" and that  he  was not flat out endorsing or denouncing the digital currency. Here's the full tweet:
Still thinking about #Bitcoin. No conclusion - not endorsing/rejecting. Know that folks also were skeptical when paper money displaced gold. â Lloyd Blankfein (@lloydblankfein) October 3  2017
[A]: Positive


[Q]: What is the sentiment of the following document towards the entity HergÃ© ? When the Belgian cartoonist HergÃ© died in 1983 at the age of 75  The New York Times saw fit to run only a brief  182-word obituary  picked up from Reuters. But in the Francophone world  HergÃ©âs death was front-page news  inspiring the kind of orgylike coverage reserved in America for fallen statesmen and overdosed pop stars. Belgian politicians asserted HergÃ©âs greatness  while the French philosopher Michel Serres went so far as to declare that the cartoonist was the author who has had the âmost impact on contemporary French life.â
Granted  many people on this side of the Atlantic are also fans of HergÃ©âs best-loved creation  the tuft-haired boy reporter Tintin  who  along with his trusty dog  Snowy  foiled serial bands of smugglers  gangsters  kidnappers  spies and crude ethnic caricatures across the pages of 24 book-length  Saturday-morning-serial-style adventures. But even Tintinâs most passionate American devotees may choke on the French author Pierre Assoulineâs observation  in his scrupulous but stolid biography  HERGÃ: The Man Who Created Tintin (Oxford  $24.95)  translated by Charles Ruas  that âtoday  some speak with some justification of a âTintin century â signifying the 20th.â American exceptionalist that I am  I had presumed the 1900s belonged to Mickey Mouse or Batman â or maybe to that relative latecomer Bart Simpson. Though I like Tintin too  I wouldnât even give him a decade. A year or two seems about right  alongside other not-quite-epochal worthies like Zonker Harris and the Fantastic Four.
And perhaps that year is the one now ending  which marked the 80th anniversary of Tintinâs inauspicious birth in the childrenâs pages of Le VingtiÃ¨me SiÃ¨cle  an anti-Semitic and pro-Fascist Catholic newspaper. Publishers have taken note: in addition to Assoulineâs biography  originally published in France in 1996  we have an academic study  âThe Metamorphosis of Tintin: Or Tintin for Adults â by Jean-Marie ApostolidÃ¨s  translated by Jocelyn Hoy (Stanford University)  as well as âThe Art of  HergÃ©  â a planned three-volume anthology from Last Gasp press devoted not just to the cartoons but also to  HergÃ© âs impressive  sometimes glorious work as an illustrator and graphic designer. (The second volume will be out in March.) Back in Belgium  a MusÃ©e HergÃ© opened this past June in Louvain-la-Neuve (which should have been the name of a 1920s screen siren)  while in Hollywood Steven Spielberg has been busy directing âThe Adventures of Tintin: The Secret of the Unicorn â set for release in 2011 and the first of a projected series.
Aside from earnestness  an interest in world affairs and a slapstick sense of humor  one doesnât glean much sense of authorial presence in the Tintin books  for all their lively charm.  HergÃ©  is a somewhat remote presence even in Assoulineâs biography â the author himself concedes he is âelusiveâ â though to be fair  the cartoonist seems to have been a tough nut to crack. Like Tintin   HergÃ©  rarely revealed much of  himself  beyond a public facade of wholesome  cheerful industriousness. Of course Tintin  the relentless do-gooder  didnât possess any private life at all  a perpetual adolescent with no family of origin and no hint of angst or hormones â even the Hardy Boys had girlfriends â or anything else that makes real adolescents interesting (if impossible). We donât even know why  he  insists on having  his  hair cut like a blue jayâs.  HergÃ©   born in 1907 as Georges Remi ( his  pen name derives from the French pronunciation of  his  reversed initials â AIR-zhay)  was a darker and more conflicted character: a workhorse who suffered from depression and periodically chucked  his  responsibilities for months at time; a moralist who was also a philanderer; a staunch Catholic who in later life embraced Taoism; an entertainer of children who didnât particularly like them or have any of  his  own  except for an adopted 7- or 8-year-old orphan  he  forced  his  first wife to return after a couple of weeks  which is just about the cruelest thing I can imagine.
Tintinâs adventures began in 1929 with a trip to the Soviet Union  where our hero blew the lid off Bolshevik perfidy. Next up was a jaunt to the Congo  where he instructed childlike natives about the wise and benevolent glories of Belgiumâs colonial system. Full of inner-tube lips and appalling dialogue (âWhite master  you come quick! Lion him get mad!â)  âTintin in the Congoâ has in recent years been quarantined by libraries and purged from the canon by HergÃ©âs American publisher  Little  Brown. It is often cited as a stain on his legacy  as it should be  though I would point out that many other beloved cartoon characters â Bugs Bunny and Popeye come to mind â have similar skeletons in their closets. Years later   HergÃ©  would dismiss his early books by saying  âThey are not very intelligent  I know  and do me no honor: they are âBelgianâ booksâ â meaning  in Assoulineâs explication  that they were âself-satisfied and narrow.â Fortunately  HergÃ©âs skills as an artist and storyÂ­teller waxed as his taste for bourgeois agitprop waned.
But then there is âThe Shooting Star â begun in 1941 under Nazi occupation when  HergÃ©  was working for the collaborationist newspaper Le Soir  in which Tintin faces off against Blumenstein  a greedy  hook-nosed Jewish-American financier. In later years  an apologetic but defensive HergÃ© â he would tone down Blumensteinâs nose in postwar editions and change his name to Bohlwinkel â shrugged off accusations of anti-Semitism by saying âThat was the style thenâ (well  yes)  or comparing his Jewish caricatures to ethnic jokes about âpeople from Marseille  or the Scotch.â As Assouline plainly points out  âHergÃ©âs equations seem willfully obtuse.â Not that he suffered for them or his other wartime sins: he avoided retribution following liberation  and Tintinâs popularity only grew.
[A]:
Positive