In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: poster boy for co - dependency needs patching patch adams a film review by michael redman copyright 1999 by michael redman mediocrity is a pox on civilization .
in our heavily consumer oriented society , there is an enormous demand to churn out " stuff .
"
what would happen to our economy if we did n't feel the need to have more things ?
to make us buy more , businesses need to produce a ton of product .
the sheer volume of items necessitates that most of them are of dubious quality .
the film industry is like any other .
in order for studios to survive , they have to make money .
the prevailing attitude is that more films equal more profit .
some movies obviously exist only to put wares on the screen and to do that , less talented people are used .
there are n't enough great directors and actors to create the number of films necessary .
for some reason , it 's never crossed anyone 's mind that the real equation is quality films = more profit .
often , mediocre films are more of a pain for the audience than the horrendous ones .
at you can have a good time making fun of bad movies .
i 'm not suggesting that " patch adams " was tossed out just to rake in the bucks .
my guess is that someone was asleep at the wheel .
it features an accomplished actor and a potentially engrossing story , but it 's as dull as could be . hunter " patch " adams ' ( robin williams ) desire to become a doctor
has an unusual genesis .
checking himself into a mental institute after a suicide attempt , he discovers that he can help the other patients by clowning around .
patch could be a poster boy for co - dependency .
he explains that he likes devoting himself to others because then he does n't focus on his own problems .
he decides that he wants to be a physician , leaves the place and a couple of years
later enrolls in the medical college of virginia .
as a med student , patch 's antics at the school 's hospital catch the attention of his soon to be arch - enemy , straight - laced dean walcott ( bob gunton ) .
the dean is so opposed to the goofiness that he wants patch kicked out of school although he 's one of the top students .
he writes in patch 's academic file that he shows " excessive happiness .
"
i walked into the film knowing little about its history and wondered about its odd mechanical pacing .
there also seemed to be no reason that it is set in the early seventies .
then it struck me .
it must be based on a true story .
the movie is an adaptation of a book by hunter adams who founded the gesundheit institute , a free clinic .
robin williams is an amazing actor . while he is adept at dramatic roles , his forte is over - the - top free spirits .
that 's what makes his failure here so remarkable .
patch is exactly the character he should be best at , yet
even the scene where he and another mental patient are battling fierce imaginary squirrels falls flat .
something holds him back .
most of the rest of the cast is two - dimensional . for a film that champions seeing patients as human beings , it 's curious that the ones here are cardboard characters
.
peter coyote as a man dying of cancer is refreshing because he seems like a real person .
unfortunately he 's in the film for only about two minutes .
the audience is blatantly lead by a ring in its nose from scene to scene .
we 're not left to our own emotional decisions : we 're hit over the head with them . shaved - headed children with cancer , an elderly woman whom patch makes laugh , a beautiful woman who ca n't love because of her abusive history .
when a group of students fix up an old house to use as a clinic in the andy hardy " hey , let 's put on a play !
we can use the barn and my mom can make the curtains !
" mode , they laugh and roll around while painting each other .
there might as well be giant signs flashing : " feel good now ! "
" feel bad now ! "
" patch " is a good title for the film .
it is a patchwork of every manipulative scene you can think of .
the full - of - life student fights stodgy establishment types .
there 's a touching death .
then there 's another .
the film does n't trust us to get it the first time .
the dean tries to kick patch out and later he tries again .
worst of all is the final courtroom bit .
scary - looking old men sit in judgment of a man who only wants to help people .
the room is packed with patch 's supporters .
williams makes a supposedly impassioned speech about the humanity of all .
it has as much emotion as his earlier statement " humans are the only animal that kills members of its own species
" contains truth .
most of the blame must be placed with the director tom shadyac and screenwriter steve oedekerk .
shadyac also directed the first " ace ventura " movie .
oedekerk directed the second one .
need i say more ?
the real adams is to be admired for his devotion to treating patients as people rather than diseases .
the film has a number of worthy messages about the state of the modern medical business with hmos and managed care .
the " doctors are not gods " theme will resonate with a number of people , but it 's so poorly produced that no one will care .
Example Output: N

Example Input: plot summary : the year is 2024 .
the ozone layer has long since gone and the earth is now protected from radiation by a shield invented by connor mccleod .
the shield , although saving lives , has made the atmosphere hot and humid .
connor is a mortal and a tired old man who has given up hope .
on returning from the opera one night connor is accosted by the leader of a " terrorist " organisation .
they have tried to find out what the company that now runs the shield unit are covering up .
connor is then attacked by two assassins sent by katana from the planet zeist ( like zeit -- get it ? ) .
they fail and connor becomes immortal again by chopping their heads off .
he then brings ramirez back to life in glencoe in scotland .
both ramirez and connor are rebel leaders back on zeist and have been sent to earth as punishment .
connor now has the option to return being the last one but opts to stay with his new found immortality and fight to find out about the company and the shield .
katana meanwhile , fearing connor would return , sets out himself to kill the highlander .
if you have never seen it . being a fan of highlander and mr .
connery , i was in the cinema as soon as i could to see highlander ii :
the quickening .
i wish it had been quicker .
i feel whatever else you can say about a film ( bad script bad music , etc . ) if you sit just plain bored through most of it then nothing much else needs to be said .
the film was short but in my opinion only twelve minutes or so
( the time mr .
connery is on the screen for ) is worth watching .
the plot sounds a little ridiculous but i was willing to give it a chance .
maybe they could pull it off .
instead , i find that the characters have completely changed from those in the first film .
it 's as if they are different people with the same names .
witness connor jumping into bed with the leader of the resistance -- where is the attitude of " who wants to live forever , when love must die " gone to ?
the love sub - plot
* must * have had footage cut out .
the highlander and ramirez both seemed aware of powers they had never mentioned before .
putting our heroes in deadly situations and then having them walk away because of some new power is very annoying .
i still want to know why connor 's coat becomes flame proof when he is immortal !
we are not given enough time on zeist to believe in it , nor are we told why advanced aliens still use swords to kill .
why not dynamite or laser saws or just plain bullets followed by a quick chop to the neck ?
i know the head needs to come off
but you could at least immobilise your opponent with laser rifles first .
to be fair one assassin tried this
but he must be the world 's worst shot .
meanwhile connor develops luke - skywalker - like powers of laser beam deflection .
as for " bad guys , " we see a rebellion on zeist , crushed easier than a grape and then the rest of the plot depends on katana being obsessed with killing mccleod in case he returns to zeist .
two assassins are sent , presumably they are meant to be good at killing but an aged connor kills them both with no problems .
no more assassins are sent .
katana , supposedly a very powerful man goes himself to kill connor .
has he no more assassins ?
has he no better ?
why was the rebellion crushed so easily then ?
michael ironside is totally unconvincing
( bring back the kurgan ) .
he seems like a cartoon character and really is n't that evil , just stupid and violent .
we see the hollywood trick of the chief nasty threatening a child again and killing lots of innocents .
yet he still seems like no threat -- perhaps because he seems too stupid to threaten connor , or maybe because his two best assassins would n't have been amiss with larry , curly and mo .
so much for plot and characters .
the music is atrocious .
it is at best intrusive and at worst annoying . bring back queen .
there was an audible sigh ( of relief ? )
when connor played a queen track in a juke box .
i believe this at least is to be corrected for the american release .
the acting is at best flat , except for mr .
connery .
lambert is uninteresting and when he delivered " there can be only one " this time around it
just made me wish there had only been one -- highlander .
michael ironside is unconvincing
; sorry , michael , i usually like you and everyone else was incredibly forgetable .
so why 2/10 ?
visually the film is interesting at all times .
it has a blade runner feel to it and some of the special effects are quite stunning .
add to this an irrepressible sean connery who smiles throughout the whole film -- or is he smirking to himself ?
his lines and delivery might make the film worthwhile
had it not been so obvious that he can not take the whole thing seriously at all
but hey
--
*
i 'd * have done it for 12 million .
oh , and i agree with a previous reviewer
, she * does * look like sharon stone but i believe it is her first film .
incidentally there is a line producer credited and i hear rumours of highlander iii : the wizard .
Example Output: N

Example Input: capsule : earthy , experimental , difficult , shockingly frank ( even for 1997 ! ) , and ultimately refreshing story of a black man on the run from the cops .
the first few minutes of sweet sweetback 's baad asssss song ( yes , i checked --
that 's the correct number of ss )
are without dialogue , just eerie montages of sounds .
a young boy , obviously malnourished , is taken in and fed up by several loving mother - surrogate figures .
then one of them takes the boy to bed for a sexual initation ( underneath the title credits ) that 's far more confrontatory and shocking than any ten basic instincts -- probably because it has the directness and clumsiness of real life , something we 're not used to seeing on screen .
this is one tough movie to swallow , no matter who you are , but that probably reflects more on how pallid and unchallenging movies have gotten lately .
( i suspect the sex scenes in movies like el topo and salo would probably melt the synapses of most modern audiences . )
the plot is simple but not simpleminded .
sweetback , hassled by two white cops who are apparently just looking for an excuse to beat up on a black man , breaks his bonds and runs like hell .
along the way he moves through a good many of the kinds of environments that we are only just now being seen in a more serious light in the movies -- or at all , for that matter : the slums , the missions , the ghetto .
in other , lesser , movies , sweetback would be machine - gunning everything in sight and the end credits would roll over a pile of bodies ; in this one , we get taken on a kind of a tour of the depressing and anarchic world that sweetback takes for granted .
ssbas first appeared in 1971 and was promptly rated x ( " by an all - white jury " , as director melvin van peebles crowed in his legendary ad campaigns ) , and it 's hardly surprising why .
there 's a good deal of sex in the movie , but it 's handled in a way that 's unsettlingly frank -- a frankness that spills over into the rest of the movie .
in one scene , sweetback visits a friend 's house in the hope of getting sanctuary there , and the other man chats him up while on the toilet .
we 're not used to coming this close to people in real life , let alone in the movies -- especially not people who are not made out to be glamorous .
the movie is also full of experimental stylistics that are relatively unused today , but probably because of that seem curiously fresh and new in van peebles ' hands .
one scene , in which a man is interrogated by the cops , is loaded full of menacing energy as they fire off a gun inches from his ears , and suggest his deafness through a cleverly edited soundtrack .
another note : ssbas is not so much anti - white ( that would be too easy ) as anti - authority , and as the movie goes on to demonstrate , authority exists in many forms -- governments , churches , and even the paranoid inside of one 's own mind .
ssbas is ultimately about thirsting for freedom -- and it looks like we could use a little more of that in our movie diet , god knows .
Example Output:
P