In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

when i first heard that disney 's next animated feature was going to be tarzan , i was almost horrified .
i was worried that disney was going to make another hercules ( sorry , jerk - ules ) .
that effort was too overloaded with comedy ( and the hero was too boastful and pompous to be considered a sympathetic hero ) , and , after viewing it to this day , i find it a disgrace for disney animation .
when i saw the trailers , i was thinking " hmm . . .
this is n't bad at all .
this just might have potential .
"
when i bought the soundtrack , i was really quite surprised at how different it sounded from most disney features .
i have never really heard of phil collins , nor have i heard of mark mancina , so i was wondering , how would these two make this disney flick spin ?
i was pleasantly surprised : the music is top - notch .
phil collins ' songs are terrific , percussion - heavy pieces of work that seem to break the formula for typical disney songs .
the score from mark mancina was also neat
; it reminded me a bit of the lion king , but it was more original .
so , the soundtrack was n't bad at all , considering it was by two people i am not familiar with .
this film could be good . . .
but will it be ?
when i finally went to see it ( on opening day , as i tend to do with most disney animated features ) , my question was answered , in a complete turnabout of expectations for me : disney 's tarzan is surprisingly decent .
the story starts out with tarzan 's parents surviving a shipwreck and finding a home on an island where apes live in peace .
however , one day , a vicious leopard , sabor , attacks and kills tarzan 's parents , leaving him ( at this time , a baby ) alone - until kala of the apes rescues him .
kala wants to raise the child as her own ( she lost hers previously to sabor ) , but her mate , kerchak is not too sure .
"
it 's not our kind , " he says .
he agrees , though , to let her take care of little tarzan , but " that does n't make him my son .
" tarzan grows up , vowing to be " the best ape ever " , but no matter how hard he tries or what he does ( at the guidance of his hilarious ape friend , terk ) , he just ca n't convince kerchak that he is one of the apes , even when he defeats sabor in a battle .
one day , a new animal shows up : humans .
this is where jane comes into the picture .
she is on an expedition with her father ( professor porter ) , and a despicable hunter ( clayton ) searching for gorillas .
tarzan rescues her when she is chased by baboons , and soon they get to know each other .
even though tarzan falls in love with jane , this causes things to go wrong .
clayton tricks tarzan into taking him , jane , and porter to see the apes , who are convinced that he has betrayed them .
worse , clayton has plotted to send the gorillas to london for money .
will tarzan find out which family he belongs to and save the apes ?
i 'm not gon na tell you , sorry .
you 're gon na have to see for yourself .
and see it you should ; the animation is , as always ,
top notch , particularly when tarzan goes soaring through the trees
( read that , skateboarding ) .
the deep canvas computer generated effect adds an authentic feeling to the jungle which tarzan lives in .
in fact , it seems similar to the computer imagery / cel animation combination in rival disney animted films , such as fox 's anastasia and dreamworks ' prince of egypt .
could it be that disney was actually taking ideas from their rivals ?
the casting is fairly good .
tony goldwyn is emotionally believeable as tarzan ( and to my relief , the animators have succeeded in not making him another hercules .
nicely done ) , and glenn close is wonderful as kala ( she has a beautiful singing voice , too , by the way ) .
lance henrikson as kerchak somewhat reminds me of robby benson 's beast voice , which makes him all the more ferocious and gripping .
minnie driver had me a little worried at first as the voice of jane .
i thought she had the most annoying voice in the whole film ( when i first saw the trailers ) , but when i saw the film , i did n't have a problem with her .
i take back my insult on driver .
it 's nice to hear nigel hawthorne do another voice for a disney animated feature
( he was fflewdurr flamm in disney 's most underrated classic , the black cauldron ) ; he is funny and delightful as professor porter .
on the villiany side of the voices , brian blessed ( the guy who did boss nass in star wars : episode i - the phantom menace ) brings a pompous , and later on vicious , voice to the sinister clayton .
he might not be the strongest character in the film
( he 's just a plain bad guy , nothing else ) , but blessed 's vocal work contributes greatly .
but if there is any voice that i think steals the whole show , it should be rosie o'donnell , who is hilariously funny as terk .
she also has a fiesty attitude
( " i 'm gon na kill ya !
"
she says , more than once ) .
i almost sung along with her during one of the film 's best moments , where the apes make a mess of the human 's camp , via song , er , scatting " shoo - be - doo , da - be - dah " .
i can see why she wanted to have a rock song for the film
, she 's a good singer .
not that she was the only funny character in the film , though .
wayne knight ( who played stan in space jam ) gives a whimsically funny style to tantor , an elephant who is especially worried about stepping into " un - sanitary " water .
( thankfully , there is no real sound of flatuence -
that would have killed the picture ) .
the songs , as i said before , are decent , mostly sung by collins .
this sets a new standard for disney animated films because for the first time , the characters do not sing .
i tolerate musical numbers from characters a lot more than some other guys would , but i found this to be a nice change of pace .
the story does have elements of comedy in it , but they also load it with strong dramatic touches , which makes this film far better than the unbelieveably uninspired hercules .
if there is anything disappointing about tarzan , it might be the omission of the ' n sync version of " trashing the camp " from the film .
i heard it on the soundtrack , and wondered where it was going to be .
i was upset that it was n't , because i had thought of taking a few friends of mine who like ' n sync to see tarzan .
oh , well . . .
overall , i was enthralled with tarzan .
i would n't hold it high the way i do with mulan or the hunchback of notre dame ( my all - time favorite disney classics ) , but this film deserves a high place among disney 's greatest achievements .
i give a nod to disney for following up their spectacular
*
*
*
* * masterpiece , mulan , with this great animated adaption of egar rice burrough 's tarzan .
P

" idle hands " is distasteful , crass and derivative .
if an original thought found its way into this horror - comedy it would die of loneliness .
plus , you have to question the judgment and sensitivity of studio executives who would green light the release of a movie dealing with the slaughter of innocent teen - agers the week after the tragedy in littleton , colo .
the movie is insulting to horror film fans and teen - agers .
the plot , what little there is , deals with anton ( devon sawa ) , a high - school slacker who 's hand goes on a murderous rampage after becoming possessed .
along the way the hand kills anton 's parents and his two best friends .
the friends , also slackers , are so lazy that they return from the dead because the walk into the light was too far for them .
that is the level of this 's atrocity 's humor .
the movie treats death as a joke .
" idle hands " is gruesome and morbid .
the performances are stereotypical and cartoonish .
i realize this is supposed to pass for comedy , but recent events have surpassed what is on the screen .
it is not the fault of the filmmakers that real life has overtaken reel life .
and i can only presume that the writers of " idle hands , " terri hughes and ron milbauer , were trying to make some statement about today 's young people and their values in a satiric vein .
however , it 's hard to laugh at death these days , especially ones involving young people .
with the real horrors of the world put before us on television ,
a stale pastry such as " idle hands " should be held from release for a few weeks or months to give us time to catch our collective breaths .
" idle hands " is bad , no matter the circumstances in the world outside .
but the context of recent events only heightens its shortcomings .
the time is not right for this type of movie .
and as far as " idle hands " goes , the time may never be right .
this is a movie that shoud be consigned to the trash bin of cinema .
N

when i first heard that kevin costner was making a movie called " the postman ,
" i thought , " an american version of ' il postino ? '
starring costner ?
god help us !
" when i found out that it was not a remake of " postino " but an postapocalyptic epic , i thought ,
" ' landworld ? '
please , god , make him stop !
" as it turns out ,
"
the postman " is a much better film than i had expected .
despite being set in 2013 , the movie is , at heart , a western : a band of thugs terrorizes peaceful villagers ; a wandering hero opposes the bandits and inspires others to fight back .
the setting , however , allows that familiar plot to take on greater significance : american society has collapsed due to plagues and wars , and survivors live behind barracades in isolated villages .
the struggle of a dead society to be reborn has a grand quality and deserves the epic scale costner grants it .
costner 's nameless character , a wandering actor , rides in from the vast wasteland and is soon shanghaied into the service of general bethlehem ( will patton ) , a former copy - machine salesman turned bandit king .
our hero escapes and discovers the body of a dead postman .
taking the uniform and bag of mail , he passes himself off as a representative of " the restored united states .
"
he is shocked at the hope that he inspires in the people he meets .
one young disciple , ford lincoln mercury ( larenz tate ) , organizes a full - scale postal service .
ford spreads the postman 's message of hope until bethlehem finds that the once - meek villagers are beginning to resist his rule .
as war breaks out between bethlehem 's army and the postal workers , costner 's character steps into the legend he created and goes from self - centered loner to leader of the revolution .
his lie of the restored united states becomes a self - fulfilling prophecy .
" postman " is an odd blend of a bleak setting and a message of wide - eyed optimism ( sort of " sergio leone meets frank capra " ) , but its treatment of hope and renewal is compelling .
what could have been another knock - off of " the road warrior " ( like " waterworld " was ) surprises the viewer with a sensitively told story of nobility emerging from rubble .
tate is the stand - out in the movie 's large cast .
ford lincoln mercury ( self - named ) is the polar opposite of o - dog , tate 's character in his debut film , " menace ii society " ( 1993 ) , and tate makes ford 's innocent belief in hope as convincing as o - dog 's cynicism and brutality .
his performance sells the movie .
interestingly , as tate moves from his usual street - smart roles to youthful optimism , the soft - eyed patton , who usually plays nice guys , proves a disarming villain .
olivia williams makes her film debut as the postman 's love interest , abby .
when they first meet , abby asks him to father her child because her husband is sterile .
predictably , the husband is soon eliminated by the bandits , and abby is thrown back into the company of the hero .
however , their relationship develops slowly as the emotional conflicts of both characters are explored
( she , torn by grief , guilt , and anger ; he , resisting his destiny ) .
"
the postman " is costner 's best work thus far .
perhaps that alone gives us hope for the future . . .

P