In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
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Question: Review: Jochen Hick wrote and directed this little thriller of a suspense film based on the concept that the AIDS virus was a sheep virus mutated by the government to rid the world of gays and was apparently tested on convicts in the years before the outbreak of the hideous disease. Were it not for the poignancy of the concept of the film, this would fall into the category of the many films about the ruination of the world by a rampant non-prejudicial infective organism.Stefan (Tom Wlaschiha) journeys from Berlin to San Francisco to investigate his father's scientific suppositions about the induced sheep virus and its effects of the convicts in whom it was infused. He meets with some disdain and resistance to a dead theory, but also encounters some folks who know of the theory and support his investigation. Simultaneously with his visit a series of serial murders takes place, each victim killed in a similar manner and each murder apparently accompanied by strains of music from Puccini's opera 'Turandot' which just happens to be opening at the San Francisco Opera. A police investigator Louise Tolliver (Irit Levi) and her companion cop (Kalene Parker) follow the murders while Stefan makes the rounds of the sex clubs and bars in San Francisco trying to locate men who may have been guinea pigs for his father's theory. He encounters a strange lad Jeffrey (Jim Thalman) with whom he has a cat and mouse attraction and a prominent Doctor Burroughs (Richard Conti) who seems oddly involved in the cast of suspects. How this all come to an end is the play of the film, a story as much about the search for self identity between Stefan and Jeffery as it is a case for investigation of murders.While Tom Wlaschiha, Jim Thalman and Richard Conti do well with their roles (they are the only three who have any prior acting experience in the film!), the quality of the film sags considerably by the less than acceptable minimally talented Irit Levy and Kaylene Parker: when on screen the credibility of the story drops below zero. There are some small cameos by other actors that brighten the screen for the moments they inhabit, but in all the film is drowned by the incessant replay of 'Nessun dorma' as sung by Mario del Monaco from a recording o the opera - and that seems to be the reason for making the film! Good idea for a film and some good characterizations by the actors, but there is no resolution of the initial premise that started the whole thing. Grady Harp, February 06 Question: is it a positive review?

Answer: no


Question: Review: Well...now that I know where Rob Zombie stole the title for his "House of 1,000 Corpses" crapfest, I can now rest in peace. Nothing about the somnambulant performances or trite script would raise the dead in "The House of Seven Corpses," but a groovie ghoulie comes up from his plot (ha!) anyway, to kill the bloody amateurs making a low-rent horror flick in his former abode! In Hell House (sorry, I don't remember the actual name of the residence), a bunch of mysterious, unexplained deaths took place long ago; some, like arthritic Lurch stand-in John Carradine (whose small role provides the film's only worthwhile moments), attribute it to the supernatural; bellowing film director John Ireland dismisses it as superstitious hokum. The result comes across like "Satan's School for Girls" (catchy title; made-for-TV production values; intriguing plot) crossed with "Children Shouldn't Play With Dead Things" (low-rent movie about low-rent movie makers who wake the dead); trouble is, it's nowhere near as entertaining or fun. "The House of Seven Corpses" is dead at frame one, and spends the rest of its 89 minutes going through rigor mortis, dragging us along for every aching second... Question: is it a positive review?

Answer: no


Question: Review: I didn't know the real events when I sat down to watch this, just the fact that this was based upon a true story. After the death of the kid's father, Rhonda tries to help her daughter Desiree(... I did not know anyone actually named their offspring that) cope with the loss. This is really made for children, as is often the case with "family" flicks(with that said, go ahead and get everyone together for a viewing, though I'd keep teenagers out of it, unless you're sure they're gonna buy the concept), but it doesn't downplay the sting that the death of a parent is, and it doesn't really talk down to anyone. The plot is sufficiently interesting, and moves along well enough. Acting varies, with the excellent Burstyn outshining most of her fellow cast, Mathis following that pretty well, and Ferland and her peers(with a few exceptions) being the least convincing of the bunch(and frankly, they're irritating; then again, I'm not really in the intended audience for this thing). The editing and cinematography are standard, and certainly not less than that. While humor is limited to a handful of amusing lines or so, the tone is not an unpleasant one. There is an intense scene or two in this. I recommend this to fans of these types of movies. 7/10 Question: is it a negative review?

Answer:
no