In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[EX Q]: Question: How long had Joseph Hoo Kim been a producer when he collaborated with Trinity? Passage 1:Born in 1954, Brammer was educated at the Alpha Boys School. After initially working under the name Prince Glen, he began working under the stage name Trinity, taken from the spaghetti western character. After working as a deejay on several Kingston sound systems, he made his debut recording in March 1976 with "Set Up Yourself" for producer Joseph Hoo Kim. "Words of The Prophet" followed for Yabby You, who also produced his debut album, Shanty Town Determination. Late in 1976, he joined up with Dillinger for the "Crank Face" single, and the Clash album, produced by UK-based producer Clement Bushay. 1977 saw the deejay in great demand, recording more than 20 singles for a variety of producers, including Winston Riley, Tommy Cowan, Joe Gibbs, and Yabby You, his biggest hit coming with "Three Piece Suit" for Gibbs, featuring Trinity toasting over a new version of Alton Ellis's "I'm Still In Love With You" rhythm, with a lyric that anticipated the move from 'cultural' lyrics to more material/carnal concerns of the dancehall era. This prompted an answer record from Althea & Donna using the same rhythm, in the form of the UK-chart topping "Uptown Top Ranking". Trinity recorded "Slim Thing" in response, but failed to match Althea & Donna's success. 1977 also saw the release of the Uptown Girl album, produced by Bunny Lee, and strong albums in 1978 in the form of Three Piece Chicken and Chips (with Ranking Trevor) and Showcase. In 1978, Trinity also performed at the One Love Peace Concert in Kingston. In the later 1970s, Trinity began producing both himself and other artists, starting his own Flag Man label. In 1979, he recorded the duet "Funny Feeling" with Dennis Brown, and joined up with Barrington Levy for "Lose Respect" and "I Need a Girl" in 1979 and 1980 respectively. Subsequent albums met with diminishing commercial success, and Trinity switched from deejaying to singing, releasing the albums Telephone Line and Hold Your Corner in 1987 under the name Junior Brammer.
 Passage 2:Wilhelm Knöchel was born into a Social Democratic working class family in Offenbach, a short distance upriver from Frankfurt. He qualified and worked as a factory machine operator ("Dreher"). In 1917 he was conscripted into the Imperial Army, shortly after which he was badly wounded. There are also references to his having worked as a mines maintenance engineer ("Grubenschlosser"). In 1919, with Germany affected by acute economic hardship and, especially in the cities, a succession of revolutionary uprisings, Knöchel joined the Social Democratic Party ("Sozialdemokratische Partei Deutschlands" / SPD). By 1920 he had relocated in search of work to the industrially vital and internationally critical Ruhr region. Sources differ over whether it was in 1920 or 1923 that he switched to the recently created Communist Party. Between 1924 and 1930 he was a member of the party leadership team for the Dortmund region ("...des Unterbezirk Dortmund"). In 1930, following the death of his first wife, he returned to Offenbach, where it was arranged that his daughter should be brought up by relatives. Knöchel was now employed as a party official.
 Passage 3:Gerardo Landriani, Bishop of Como (1437–1445), founded a female convent here at the mouth of the Garovo torrent in 1442. A century later Cardinal Tolomeo Gallio demolished the nunnery and commissioned Pellegrino Tibaldi to design a residence for his own use. The Villa del Garovo, together with its luxuriant gardens, was constructed during the years 1565–70 and during the cardinal’s lifetime it became a resort of politicians, intellectuals and ecclesiastics. On Gallio’s death the villa passed to his family who, over the years, allowed it to sink into a state of some decay. From 1749 to 1769 it was a Jesuit centre for spiritual exercises, after which it was acquired first by Count Mario Odescalchi and then in 1778 by a Count Marliani. In 1784 it passed to the Milanese Calderari family who undertook a major restoration project and created a new park all’Italiana with an impressive nymphaeum and a temple displaying a seventeenth-century statue of Hercules hurling Lichas into the sea. After the death of Marquis Calderari his wife Vittoria Peluso, a former ballerina at La Scala and known as la Pelusina, married a Napoleonic general, Count Domenico Pino and a mock fortress was erected in the park in his honour.

[EX A]: 1

[EX Q]: Question: How old is the person who succeeded Hastings? Passage 1:Kanazawa was born in Iruma on July 9, 1976. After graduating from Kokushikan University, he joined J1 League club Júbilo Iwata in 1999. Although he could not become a regular player, he played many matches as left side midfielder from first season. The club won the champions 1999 and 2002 J1 League. In Asia, the club won the champions 1998–99 Asian Club Championship and the 2nd place 1999–00 and 2000–01 Asian Club Championship. In 2003, he moved to FC Tokyo. He became a regular player as left side back from first season. The club won the champions 2004 J.League Cup. Although he could hardly play in the match for injury in 2006, he came back and became a regular player again in 2007. From 2008, he lost regular position behind newcomer Yuto Nagatomo and he also played as defensive midfielder not only left side back. In August 2009, he moved to Júbilo Iwata for the first time in 7 years. He played as regular left side back in 2009 season. Although he could not play many matches from 2010, the club won the champions 2010 J.League Cup. His opportunity to play decreased from 2011 and he moved to J2 League club Thespakusatsu Gunma in 2014. He retired end of 2014 season at the age of 38.
 Passage 2:Born in Scarborough, Ontario, Canada in 1957, he attended Lord Roberts Public School, graduated from Midland Avenue Collegiate Institute, holds a BA from the University of Trinity College, University of Toronto, law degrees from Osgoode Hall Law School and the London School of Economics, and was a practising barrister. He moved to New Zealand in 1985. Before becoming Chief Censor, he was Deputy and Acting Chief Censor from December 1998 to October 1999, Senior Lecturer in Law (teaching Legal System and International Law), Deputy Dean of Law, and a member of the governing Council, at Victoria University of Wellington. He was also briefly the Video Recordings Authority in 1994, a member of the Indecent Publications Tribunal from 1990 to 1994 and Deputy President of the Film and Literature Board of Review from 1995 to 1998. In 2010 he stood down as Chief Censor when he became a District Court Judge and Chair of the Immigration and Protection Tribunal. He was succeeded by Andrew Jack.
 Passage 3:Most Deep Learning systems rely on training and verification data that is generated and/or annotated by humans. It has been argued in media philosophy that not only low-payed clickwork (e.g. on Amazon Mechanical Turk) is regularly deployed for this purpose, but also implicit forms of human microwork that are often not recognized as such. The philosopher Rainer Mühlhoff distinguishes five types of "machinic capture" of human microwork to generate training data: (1) gamification (the embedding of annotation or computation tasks in the flow of a game), (2) "trapping and tracking" (e.g. CAPTCHAs for image recognition or click-tracking on Google search results pages), (3) exploitation of social motivations (e.g. tagging faces on Facebook to obtain labeled facial images), (4) information mining (e.g. by leveraging quantified-self devices such as activity trackers) and (5) clickwork. Mühlhoff argues that in most commercial end-user applications of Deep Learning such as Facebook's face recognition system, the need for training data does not stop once an ANN is trained. Rather, there is a continued demand for human-generated verification data to constantly calibrate and update the ANN. For this purpose Facebook introduced the feature that once a user is automatically recognized in an image, they receive a notification. They can choose whether of not they like to be publicly labeled on the image, or tell Facebook that it is not them in the picture. This user interface is a mechanism to generate "a constant stream of  verification data" to further train the network in real-time. As Mühlhoff argues, involvement of human users to generate training and verification data is so typical for most commercial end-user applications of Deep Learning that such systems may be referred to as "human-aided artificial intelligence".  

[EX A]: 2

[EX Q]: Question: In what year did the reason Simon fled to Portugal take place? Passage 1:Seminal Hindu religious works in Bengali include the many songs of Ramprasad Sen. His works (still sung today) from the 17th century cover an astonishing range of emotional responses to the goddess Kali, detailing complex philosophical statements based on Vedanta teachings and more visceral pronouncements of his love of the goddess. They are known as Shyama Sangeet and were the literary inspiration for Kazi Nazrul Islam's later, famed Shyama Sangeet. There are also the laudatory accounts of the lives and teachings of the Vaishnava saint Chaitanya Mahaprabhu (the Choitanyo Choritāmrit) and Shri Ramakrishna (the Ramakrishna Kathamrita, translated roughly as Gospel of Ramakrishna). There is also a large body of Islamic literature, that can be traced back at least to Noornama by Abdul Hakim. Bishad Sindhu depicting the death of Hussain in Karbala is very popular novel written by Mir Mosharraf Hossain. Later works influenced by Islam include devotional songs written by Nazrul, and popularized by Abbas Uddin, among others.
 Passage 2:Rani Mukerji is an Indian actress who has won several awards and nominations. She made her film debut with a supporting role in the Bengali film Biyer Phool (1996), which was directed by her father Ram Mukherjee. She made her Hindi debut with Raja Ki Aayegi Baraat in 1996, for which she received her first award at the Star Screen Awards for Best Fresh Talent. The following year she was featured in two successful films. For her third movie, Kuch Kuch Hota Hai (1998), she earned the award for Best Supporting Actress at the 44th Filmfare Awards. She also collected the Zee Cine Award for Best Actress in a Supporting Role and the Lux Face of the Year accolades at the Zee Cine Awards. Following this, she was signed on for several movies, some of which were critically and commercially successful films, such as Hey Ram (2000) which was chosen as India's official entry to the Oscars and Badal (2000) which was one of the highest-grossing films of that year.
 Passage 3:To escape the persecution of the Spanish Inquisition, Simon fled to Portugal, and remained for a time at Marialva, and also in the vicinity of Villa-Flor. Not feeling safe in Portugal, he went to Algeria. Miguel went to Italy and dwelt for a time at Nice, France, where his paternal aunt was married to the otherwise unknown Abraham de Torres. He then stayed for a longer time at Livorno, where another sister of his father, the wife of Isaac Cohen de Sosa, prevailed upon him to declare himself publicly a Jew. Soon after this he married Deborah Vaez, a relative of his brother-in-law, Eliahu Vaez, from Algeria, and afterward determined to leave Europe. On 20 July 1660, he, with 152 coreligionists and fellow-sufferers set sail for the West Indies. Soon after his arrival at Tobago his young wife died, and he returned to Europe. He went to Brussels and there entered the military service of Spain.

[EX A]:
3