In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Example Input: Review: This is to the Zatoichi movies as the "Star Trek" movies were to "Star Trek"--except that in this case every one of the originals was more entertaining and interesting than this big, shiny re-do, and also better made, if substance is more important than surface. Had I never seen them, I would have thought this good-looking but empty; since I had, I thought its style inappropriate and its content insufficient. The idea of reviving the character in a bigger, slicker production must have sounded good, but there was no point in it, other than the hope of making money; it's just a show, which mostly fails to capture the atmosphere of the character's world and wholly fails to take the character anywhere he hasn't been already (also, the actor wasn't at his best). I'd been hoping to see Ichi at a late stage of life, in a story that would see him out gracefully and draw some conclusion from his experience overall; this just rehashes bits and pieces from the other movies, seasoned with more sex and sfx violence. Not the same experience at all. Question: is it a negative review?
Example Output: yes

Example Input: Review: Many critics have felt offended that R.W. Fassbinder has portrayed both protagonist Wilkie and the Nazis in this movie in a human-like manner. Connoisseurs of other Fassbinder films, however, will realize that "Lili Marleen" (1981) belongs to Fassbinder's "women movies" like "The Marriage of Maria Braun" (1979) and "Lola" (1981). Fassbinder was convinced that "stories can be told much better with women than with men", because, according to Fassbinder, while men usually fulfill their determined roles in society, "women are capable of thinking in a dialectic manner". Dialectics, however, means that there is not only a thesis and its antithesis like usually in our black-and-white world, but a synthesis where the oppositions coincide. Moreover, dialectic means that because of the third instance of synthesis the absolute opposition of the difference between thesis and antithesis is abolished. Concretely speaking: Starting from a dialect point of view and portraying the fascist state, the underground fighters must necessarily use the basic means like the rulers do, and between offenders and victims there is thus a chiastic relation, so that every offender is also victim and every victim is also offender. Fassbinder has illustrated this abstract scheme, that transcends classical logic, in his play "The City, the Garbage and the Death" (1975) which was filmed by Daniel Schmid under the title "Shadow of Angels" (1976).Therefore, approaching an a priori controversial topic like Nazi Germany, in a dialectic manner, the depiction of this time in the form of a movie gets even more controversial, especially for people who cannot or do not want to see that our recognition of the world is by far not exhausted with a primitive light-switch schema, but needs the third instance of synthesis as controlling instance of its opposite members thesis and antithesis. The mutual relationship between offenders and victims has to scrutinized, since it is simply not true that the offenders are the bad ones and the victims the good ones. In a synthetic viewpoint, the bad ones participate on the goodness as the good ones participate on the badness. They are mutually related. In a world-view based on classical logic, a relation between good and bad cannot even been established, and in an ethics based on this insufficient system of logic, the bad conscience of the survivors of Nazi Germany, feeling (illogically enough) responsible for the deeds of their ancestors, exclude the possibility of a relationship between the two extremes and thus a synthesis in the form a new evaluation based on this relationship as well. From Fassbinder's dialectic viewpoint, it follows that neither Lili Marleen nor Lola nor Maria Braun can be condemned for their "misuse" of the ruling system for their private purposes, because they don't misuse them, they just use them. In the opposite, since victims must repeat the actions of the offenders as the offenders must repeat the actions of the victims, because "good" and "bad" are no longer simple mirror images of one another like in two-valued logic, their strategies are legitimated by the chiastic structure of a logic that describes our world, that is not black and white at all, much better than a black-and-white logic. Question: is it a positive review?
Example Output: yes

Example Input: Review: It does come out of left field, and REALLY isn't what you're expecting. But I love that. The most memorable movie experiences come from being surprised, if you ask me. If you haven't been tipped off about the mysterious "thing" that makes these brothers so odd...you're in for a treat.The cast is fantastic, but not stretching so much that it's palpable. The special effects come out of nowhere (seriously, it's like an oddly dark romantic comedy until they do -- then WOW) and they're great. The overall cinematography is easy on the eyes, the editing and sound are very good quality, and the twisted story unfolds without clichés. While none of these aspects individually make it a blockbuster, the "what the hell?" factor ALONE makes it a film treasure.The people who bash this movie make no sense. It's one of those often-overlooked flicks of the 90's that you've either never heard of, or love so much you jump at the mention of its title.I'm in the latter group. Question: is it a negative review?
Example Output:
no