Given a document, generate a short title of the document. The title should convey the main idea/event/topic about which the document is being written. Note that URLs in the text have been replaced with [Link].

Q: This weekend's bloodshed broke out Sunday in the southern port city of Aden  where forces loyal to the separatist Southern Transitional Council traded gunfire with loyalists of  President Abed Rabbo Mansour Hadi . The scattered fighting has claimed at least 12 lives and injured scores more.
The two sides had shared an uneasy alliance since 2014  when they were united in their opposition to the Houthi rebels who seized cities in the country's northwest  including the capital  Sanaa. Together  the STC and  Hadi 's forces managed to repel the Houthis from Yemen's southern governates and Aden  the large city where Hadi's government had presided since its ouster from the capital.
As Reuters notes  the fighting follows the expiration of a deadline set last week by the southern separatists. Irate at what they call corruption and the deep erosion of public services in the areas still governed by Hadi  the STC had delivered him an ultimatum: shake up the cabinet and sack bin Daghir or face ouster. That deadline came and went without sign that  Hadi  had any intention of complying.
The new fault that has opened between  Hadi  and  his  erstwhile allies in the STC adds another dimension to a war already packed with a dizzying array of players â and a long  tortuous history dating back at least to 1990. That's when South Yemen  a formerly independent state with Aden for its capital  agreed to unification with its northern counterpart. The union has never quite been an easy one  strained by a 1994 civil war and more recently  calls for greater autonomy in the south.
Add to that latent friction the bloodshed of recent years  which has seen Yemen's internal conflicts take on the character of a proxy war among competing powers in the Gulf region. The Houthis  a Shiite group based in the northwest  have been backed by Iran  while Saudi Arabia has led a coalition conducting an air campaign since 2015 supporting  Hadi  and  his  Sunni allies.

A: Bloodshed Roils Yemen's South Further Complicating An Already Complicated War : The Two
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Q: HONG KONG/BEIJING (Reuters) - Chinese e-commerce firm Alibaba Group (BABA.N) has taken control of logistics unit  Cainiao  and pledged to spend 100 billion yuan ($15 billion) over five years to build out a global logistics network  underscoring aggressive expansion plans overseas.
Alibaba will invest 5.3 billion yuan to boost its stake in Cainiao Smart Logistics Network to 51 percent from 47 percent  giving it direct control over the loss-making affiliate  suggesting a rough valuation of  Cainiao  at around $20 billion.
âOur commitment to  Cainiao  and additional investment in logistics demonstrate Alibabaâs commitment to building the most-efficient logistic network in China and around the world â Alibaba CEO Daniel Zhang said in a statement on Tuesday.
 Cainiao  was the focus of an investigation last year by the U.S. Securities and Exchange Commission (SEC) into Alibabaâs accounting practices.
 Alibaba  which will gain an extra seat on Cainiaoâs board giving it four out of a total seven seats   added that more shares were issued in the funding round to other investors.  It  did not give details about the other issuances  which would impact  Cainiaoâs  valuation.
The investment also signals  Alibabaâs  intention to boost control over China âs  domestic warehousing and delivery market  increasingly competitive as firms seek to make use of troves of logistics data about the countryâs Internet-savvy shoppers.
In June major logistics company SF Holding cut ties with  Cainiao  which provides logistics support directly to Alibabaâs top e-commerce platform Taobao . SF Holding claimed Alibaba had requested data unrelated to an existing partnership agreement. Alibaba denied the claims.
A person close to Alibaba  who asked not to be named  said  Cainiao  was not currently considering an IPO.
Alibaba and  Cainiao  declined to comment.
Alibaba co-founded Cainiao in 2013  with partners including department store owner Intime Group  conglomerate Fosun Group and a handful of logistics companies. It oversees roughly 57 million deliveries a day.

A: Alibaba takes control of logistics business pledges $15 billion to expand network
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Q: When does an artist become a phenomenon? Itâs a rare moment on the scale of seeing a new star emerge in the night sky. Already  a rising art world star  American artist Kehinde Wiley  seems poised now at the age of 35 and after just a little over a decade of work to take the next step and really heat things up. With not one but two big New York City exhibitions  a featured appearance on a hot new album cover  and the kind of retrospective  lavishly illustrated  critically evaluative monograph that seals the deal   Kehinde Wiley  has the whole world in the palm of  his  hand  and thatâs exactly what  he  wants.
Born in 1977 as the youngest of six children to a single mother   Wiley  grew up facing hard economic times but also enjoying the intellectual stimulation of having a mother in academia. Looking for a way to keep Kehinde occupied   his  mother enrolled  him  in art classes  including some at the Huntington Library  where  he  could study portraits such as Thomas Gainsboroughâs famous Blue Boy. After graduating with an MFA from Yale in 2001   Wiley  became artist-in-residence at the Studio Museum in Harlem  where  he  witnessed a steady stream of young African-American men walk past in full hip hop regalia. Joining the old school world of portraiture with this new school of personal style   Wiley  developed the unique subject matter and approach that has been a popular and critical success since.
In Kehinde Wiley  the first monograph dedicated to Wileyâs career as a whole (published by Rizzoli USA)  Thelma Golden  chief curator and director of the Studio Museum in Harlem  introduces the volume by remarking that she âwas in conversation with  Wiley  before I ever spoke to  him .â Wileyâs work touches on âthe politics of representation; the power of art history; the veracity of images; notions of authorship  identity  and culture; the critical nexus of race and gender in contemporary art â Golden listsâall things that she and nearly all contemporary art critics think deeply about. This combination of Wileyâs thought provoking practice and stunningly beautiful paintings makes him irresistible to both the high brows and those simply wanting to enjoy the show.
In addition to capturing visually  Wiley âs bravura brushwork and vast range of visual inventiveness in 275 color illustrations (including some gatefolds)   the contributors Kehinde Wiley  dig  their  critical teeth deep into Wileyâs art and come away with a mouthful. Art historian Robert Hobbs provides a detailed biography not just of Wileyâs life but of his thought  mapping mental landmarks ranging from W.E.B. DuBois and Henry Louis Gates  Jr.  to Michel Foucault and Jacques Lacan. Hobbs sees a kind of âconceptual realismâ at the heart of Wileyâs portraiture that is âcoercive rather than simply mimetic.â More than just capturing a likeness  Wileyâs portraits capture your mind and make you think about the power relations embedded in imagery of all kinds throughout history.
 Wiley âs standard procedure has been to âstreet castâ individuals who catch his eye  invite them to his studio  allow them to browse art history books and pick a pose  and then photograph the subjects in full regalia to use for painting later. Wileyâs 2008 painting The Virgin Martyr St. Cecilia (shown above) riffs on Renaissance sculptor Stefano Madernoâs The Virgin Martyr St. Cecilia from 1600. From one perspective  the prone African-American male seems as powerless as the martyred saint. From another  the young man takes on the gravitas of Cecilia as a modern victim of thoughtless violence. From yet another  knowing that the young man chose this pose for himself  he takes on the role of provocateur  consciously drawing all those associations and moreâparadoxically in control even when prone. This alchemical approach to art history is at the center of the âconceptual realismâ Hobbs suggests.
The Jewish Museum  New York is currently showing the latest installment of The World Stage paintingsâKehinde Wiley/The World Stage: Israel. The exhibition features 14 large-scale portraits of young Israeli men of different ethnic backgrounds and religions. A video on the museumâs website shows Wiley in Tel Aviv âstreet castingâ and finding individuals such as Ethopian Jewish hip hop performer Kalkidan. Wiley finds hip hop in the unlikeliest places in Israel  proving the global reach of the art form that began in the Bronx as a means of âblackâ expression.
The title of Sean Kelly Galleryâs current Wiley exhibition  Kehinde Wiley: An Economy of Grace  could be an emblem for everything Wileyâs been doing for the past decade both locally and globally. âThe phrase âan economy of graceâ speaks directly to the ways in which we manufacture and value grace and honor  the people that we choose to bestow that honor upon  and the ways in which grace is at once an ideal that we strive for and something that is considered to be a natural human right â Wiley explains. Wileyâs trying to turn his personal economy of grace into a global economy  with his portraits as the new gold standard. As technology brings us closer and closer  the friction between individuals  countries  ideologies  religions  and everything else heats up faster than ever. Grace may be the only currency that can pull us out of the global spiritual debt crisis. If Kehinde Wiley seems to have the world in his hands right now  itâs because he wants to save it one image at a time by showing us the grace and beauty of black men and  by extension  the grace and beauty of us all.
[Image: Kehinde Wiley. The Virgin Martyr St. Cecilia  2008. Oil on canvas. 101.5 x 226.5 in. Â© Kehinde Wiley.]
[Many thanks to Rizzoli USA for providing me with the image above and a review copy of the monograph Kehinde Wiley  by Thelma Golden  Sarah Lewis  Robert Hobbs  and Brian Keith Jackson. Many thanks also to Sean Kelly Gallery (whose exhibition Kehinde Wiley: An Economy of Grace runs through June 16  2012) and to The Jewish Museum  New York (whose exhibition Kehinde Wiley/The World Stage: Israel runs through July 29  2012) for press materials.]

A:
Why All Kehinde Wiley Wants Is the World
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