Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Example Input: CONTEXT: He's merely being insulting about Xandarian society. Xandar seems to be an advanced, wealthy, industrial civilization, with a strong rule of law. From Rocket's point of view, as an outsider on the edges of the law, Xandarians seem to be busy and hard working, but he thinks their life is boring and meaningless. We also know that Rocket feels like an outsider and falls back on put-downs and sarcasm when talking to friends and foes alike - so him being insulting to Xandarians isn't surprising.  <sep>  Q: Why are Xandarians in a hurry to get to nothing at all? A: Xandarians seem to be busy and hard working  Q: What else can you tell me about the Xandarians? A: Xandar seems to be an advanced, wealthy, industrial civilization, with a strong rule of law  Q: Rocket doesn't seem to like them, why is this? A: he thinks their life is boring and meaningless  Q: Why does he think this? A: Rocket feels like an outsider  Q: What else can you tell me about the plot? A: Rocket feels like an outsider and falls back on put-downs and sarcasm when talking to friends and foes alike - so him being insulting to Xandarians isn't surprising  <sep> FOLLOWUP_Q: Do you have anything else to tell me that I might find interesting?
Example Output: Yes

Example Input: CONTEXT: There are two main "themes" in the book; Sex and Revenge. When you're in prison, those are about the only two things you think about. I was incarcerated for 5 years (well, just short of that, actually), and when you're not busy watching your back you're pretty much daydreaming of those two things. I can't say either of them were the most popular book in the library, but I can see where that dialogue came from.  <sep>  Q: What is the obvious reason "The Other Side of Midnight" is a popular book in prison? A: two main "themes" in the book; Sex and Revenge. When you're in prison, those are about the only two things you think about  <sep> FOLLOWUP_Q: How does it make sense since seemingly the lesson of TOSoM is to not make a plea deal because you can't trust that there actually is a deal
Example Output: No

Example Input: CONTEXT: It's in Parry's mind. At the start of the scene, people in Grand Central Station are just walking, making noise, chaotic. Parry is looking for Lydia, whom he is in love with. When Parry sees Lydia, classical music starts, and the chaotic crowd is now in sync (in Parry's mind). They begin waltzing around him. Parry has a smile on his face. He follows Lydia through the sweetly dancing couples, all the way across Grand Central Station, and the universe is in harmony, for him. When he finally loses sight of Lydia on the other side, the couples go back to being a crowd, and the music stops and is replaced with the dissonant noises of the throng. Here is the scene: EDIT I also found an interview with director Terry Gilliam (below) regarding that particular scene. In the video, at 2:10, he says, "I just love the idea of Perry being so in love that, you know, the world changes to whatever dreams he has."  <sep>  Q: Why people were dancing at the subway? A: When Parry sees Lydia, classical music starts, and the chaotic crowd is now in sync (in Parry's mind). They begin waltzing around him  <sep> FOLLOWUP_Q: What makes the crowd so chaotic?
Example Output:
Yes