In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

[EX Q]: Dr. Harvey, a rural physician, breaks the fourth wall to relate an unusual occurrence that happened in his village. The bulk of the story is told in flashback.Bill and Robin are boyhood friends who compete for the affections of Lena, a beautiful girl about their own age. Lena's family moves away, and in adulthood the two men become scientists. They collaborate on the Reproducer, a machine that can exactly duplicate physical objects.Lena returns to the village, and Bill and Robin's forgotten childhood feelings return. In time, they abandon their work on the Reproducer, and Robin leaves the village to learn his family's business. Bill is disappointed to discover that Lena loves Robin and intends to marry him.Hopeless that he can win Lena's affections, Bill convinces her to allow him to use the Reproducer to create a duplicate of her. The experiment succeeds, and Bill names the duplicate "Helen". Because Helen is an exact copy, when she is introduced to Robin she also falls in love with him. Bill believes that electro-shock therapy can be used to erase Helen's knowledge of Robin. Not wishing to compete with Lena for Robin's affections, Helen agrees to the therapy. Bill convinces Lena to help him with the procedure. The process proceeds as planned, but the apparatus overheats, explodes and causes a terrific fire.Robin and Dr. Harvey arrive in time to rescue a woman from the fire. Bill and the other woman perish in the flames. Harvey, having been briefed on the situation by Robin, discovers that the woman has amnesia. The two men wonder whom they have saved. Dr. Harvey recalls that Bill had had to start Helen's heart with a device that he attached to the back of her neck, leaving two scars. Robin is relieved to find that there are no marks on the neck of the woman they rescued: It is Lena.
[EX A]: What causes a terrific fire ?

[EX Q]: The film opens on a woodcutter (æ¨æ¨µã; Kikori, played by Takashi Shimura) and a priest (ææ³å¸«; Tabi HÅshi, Minoru Chiaki) sitting beneath the RajÅmon city gate to stay dry in a downpour. A commoner (Kichijiro Ueda) joins them and they tell him that they have witnessed a disturbing story, which they then begin recounting to him. The woodcutter claims he found the body of a murdered samurai three days earlier while looking for wood in the forest; upon discovering the body, he says, he fled in a panic to notify the authorities. The priest says that he saw the samurai with his wife traveling the same day the murder happened. Both men were then summoned to testify in court, where they met the captured bandit TajÅmaru (å¤è¥ä¸¸), who claimed responsibility for killing the samurai and raping his wife.The bandit's story[edit]TajÅmaru (Toshiro Mifune), a notorious brigand, claims that he tricked the samurai to step off the mountain trail with him and look at a cache of ancient swords he discovered. In the grove he tied the samurai to a tree, then brought the samurai's wife there. She initially tried to defend herself with a dagger, but was eventually "seduced" by the bandit. The woman, filled with shame, then begged him to duel to the death with her husband, to save her from the guilt and shame of having two men know her dishonor. TajÅmaru honorably set the samurai free and dueled with him. In TajÅmaru's recollection they fought skillfully and fiercely, but in the end TajÅmaru was the victor and the woman ran away. At the end of the story to the court, he is asked about an expensive dagger owned by the samurai's wife: he says that, in the confusion, he forgot all about it, and that it was foolish of him to leave behind such a valuable object.The wife's story[edit]The samurai's wife (Machiko KyÅ) tells a different story to the court. She says that TajÅmaru left after raping her. She begged her husband to forgive her, but he simply looked at her coldly. She then freed him and begged him to kill her so that she would be at peace. He continued to stare at her with a look of loathing. His expression disturbed her so much that she fainted with dagger in hand. She awoke to find her husband dead with the dagger in his chest. She attempted to kill herself, but failed in all her efforts.The samurai's story[edit]The court then hears the story of the deceased samurai (Masayuki Mori), told through a medium (å·«å¥³; miko, Noriko Honma). The samurai claims that TajÅmaru, after raping his wife, asked her to travel with him. She accepted and asked TajÅmaru to kill her husband so that she would not feel the guilt of belonging to two men. TajÅmaru, shocked by this request, grabbed her, and gave the samurai a choice of letting the woman go or killing her. "For these words alone," the dead samurai recounted, "I was ready to pardon his crime." The woman fled, and TajÅmaru, after attempting to recapture her, gave up and set the samurai free. The samurai then killed himself with his wife's dagger. Later, somebody removed the dagger from his chest.The woodcutter's story[edit]Back at RashÅmon gate (after the trial), the woodcutter explains to the commoner that all three stories were falsehoods. The woodcutter had actually witnessed the rape and murder, he says, but just did not want to get too involved at the trial. According to the woodcutter's new story, TajÅmaru begged the samurai's wife to marry him, but the woman instead freed her husband. The husband was initially unwilling to fight TajÅmaru, saying he would not risk his life for a spoiled woman, but the woman then criticized both him and TajÅmaru, saying they were not real men and that a real man would fight for a woman's love. She spurred the men to fight one another, but then hid her face in fear once they raised swords; the men, too, were visibly fearful as they began fighting. They began a duel that was much more pitiful than TajÅmaru's account had made it sound, and TajÅmaru ultimately won through a stroke of luck. After some hesitation he killed the samurai, who begged for his life on the ground, and the woman fled in horror. TajÅmaru could not catch her, but took the samurai's sword and left the scene limping.Climax[edit]At the gate, the woodcutter, priest, and commoner are interrupted from their discussion of the woodcutter's account by the sound of a crying baby. They find the baby abandoned in a basket, and the commoner takes a kimono and an amulet that have been left for the baby. The woodcutter reproaches the commoner for stealing from the abandoned baby, but the commoner chastises him. Having deduced that the reason the woodcutter did not speak up at the trial was because he was the one who stole the dagger from the scene of the murder, the commoner mocks him as "a bandit calling another a bandit". The commoner leaves RashÅmon, claiming that all men are motivated only by self-interest.These deceptions and lies shake the priest's faith in humanity. He is brought back to his senses when the woodcutter reaches for the baby in the priest's arms. The priest is suspicious at first, but the woodcutter explains that he intends to take care of the baby along with his own children, of whom he already has six. This simple revelation recasts the woodcutter's story and the subsequent theft of the dagger in a new light. The priest gives the baby to the woodcutter, saying that the woodcutter has given him reason to continue having hope in humanity. The film closes on the woodcutter, walking home with the baby. The rain has stopped and the clouds have opened revealing the sun in contrast to the beginning where it was overcast.
[EX A]: Who was the woodcutter talking to?

[EX Q]: ive started this synposis by cutting the material below from the site I bought the movie DVD on.This is a historical melodrama set against the backdrop of Easter Island's mysterious stone monoliths, directed by Kevin Reynolds and produced by his frequent collaborator, Kevin Costner. Noro (Jason Scott Lee ) is a pre-colonial tribesman living on the remote Pacific island that his people call Rapa Nui. A member of the elite "Long Ears" sect, Noro is to represent his clan in an annual ritual, a dangerous race along rocky cliffs and through shark-infested waters to retrieve the first egg from a sacred bird hatchery that lies offshore. Noro, however, is in love with Ramana (Sandrine Holt), a member of the "Short Ears," a slave class that builds the "Moai," which are giant stone carvings dotting the island. The tribal shaman rules that Noro and Ramana may marry if she spends six months in an isolated cave and he wins the contest. Make (Esai Morales), another Short Ear, is a rival for Ramana and leader of unrest in his exploited caste. Make trains to represent the Short Ears against Noro in the race, but judgment in the contest's result is interrupted by the sudden appearance of an iceberg. Interpreted as an omen, the "white canoe of the gods" leads to a civil war.
[EX A]:
Who is Noro in love with?