instruction:
In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
question:
Question: How many artists had won the gold medal from the Royal British Society of Sculptors before Montford did? Passage 1:Montford was president of the Victorian Artists Society 1930–32. His generally good work as president was occasionally marred by a certain lack of tact. Some of Montford's best work about this period included the bronzes, "Water Nymph" and "Peter Pan", now in the Queen Victoria Gardens, Melbourne, and "The Court Favourite" in the Flagstaff Gardens, Melbourne. Other work includes relief portraits of eight Australian statesmen in the King's Hall, Parliament House, Canberra, and the war memorial for the Australian Club, Sydney. He was greatly encouraged and pleased on learning in 1934, that his statue of Adam Lindsay Gordon at Melbourne had been awarded the gold medal of the Royal British Society of Sculptors for the best piece of sculpture of the year. Another excellent piece of work is his vigorous statue of John Wesley in front of Wesley Church, Melbourne. His George Higinbotham near the treasury is less successful. Other examples of Montford's work are the memorials to Carlo Catani (St Kilda), William Benjamin Chaffey (Mildura), Sir Ross Macpherson Smith (Adelaide), and 'Pioneer Women' (Sydney). Montford is represented in the National Gallery of Victoria in Melbourne by "Atalanta", the "Spirit of Anzac", and two busts, and he is also represented in the Art Gallery of South Australia in Adelaide. He provided a model from which a portrait bust of Socrates was carved for the University of Western Australia by Victor Wager in 1932.
 Passage 2:After military service in the Imperial Russian Army in World War I, where he reached the rank of a colonel, he joined the 1st Polish Corps of General Józef Dowbor-Muśnicki in western Russia from December 1917 until the Germans forced its dissolution in July 1918. He helped Walerian Czuma organise 1st Kosciuszko regiment at Samara in August 1918 which later formed the 5th Rifle Division in Siberia (sometimes known as the Polish Legion or the Siberian Division) which fought alongside the Czech Legion and the White movement in the Russian Civil War. When the White government of Admiral Aleksandr Kolchak collapsed in December 1919, the Polish Legion joined the general retreat along the Trans-Siberian Railway, until it was surrounded by the Red Army east of Krasnoyarsk in early January 1920. Refusing to surrender, Rumsza led 900 officers and men on an ice march through the taiga slipping through Bolshevik forces until they reached Irkutsk. From there they managed to escape to Harbin in White-controlled Manchuria, and thence to Vladivostok. Rumsza’s force arrived at Gdańsk (Danzig) in Poland in June 1920 and volunteered to fight in the Polish-Soviet War which had just broken out. 
 Passage 3:George W. Bush used "I Won't Back Down" at campaign events during the 2000 presidential campaign but was compelled to stop using the song after receiving a cease and desist letter from Petty's publisher. Petty then went on to perform the song at Al Gore's home after Gore conceded the election to President Bush. Jim Webb used the song for his successful bid for one of Virginia's U.S. Senate seats in 2006, as did Hillary Clinton during the 2008 Democratic presidential primary campaign. The song was also used at campaign events for Congressman Ron Paul of Texas during the 2008 Republican presidential primary campaign, as well as for events for his Campaign for Liberty. The song was also played at an event for Republican Connecticut gubernatorial nominee, Tom Foley. The song was also played at the 2012 Democratic National Convention after speech delivered by President Bill Clinton, in which President Barack Obama came out on stage to salute him.

answer:
1


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Question: How long had the band Gary joined in 1964 been in existence when he did join it? Passage 1:Gary Pickford-Hopkins began his musical career at the age of 16 with a local Neath group called The Smokestacks in 1964. He soon joined Eyes Of Blue, who in 1966 won the Melody Maker's Battle of the Bands, they have recorded two albums, John Weathers was on drums and he would later follow Pickford-Hopkins to Wild Turkey and then join Gentle Giant. In 1970, he briefly joined Big Sleep, and a year later he went to play with Glenn Cornick's Wild Turkey which recorded three albums from 1971 to June 1974, when he joined Rick Wakeman's English Rock Ensemble to produce the live album Journey to the Centre of the Earth in 1974 which reached number one on the UK Albums Chart and peaked at number 3 on the Billboard 200 in the United States. It was certified gold in the United States and United Kingdom. He later sang on Wakeman's third solo album The Myths and Legends of King Arthur and the Knights of the Round Table. In 1976, he sang on an album from a band called The Good Times Roll Band with The Faces' bass player Tetsu Yamauchi, the album simply titled Tetsu & The Good Times Roll Band was recorded in 1976 but was published in 2009.
 Passage 2:Nikhil and Vinay are both trained in classical music. Singer Anuradha Paudwal discovered the duo and recommended them to Gulshan Kumar, owner of T-Series music company, and director Chandra Barot, who signed them for the 1991 romantic film Pyar Bhara Dil. The song "Banke Kitab Teri" from the film became popular. The duo then went on to compose music for over 20 films. Their initial successes included Bewafa Sanam (1995), a film which was breakthrough for playback singer Sonu Nigam, English Babu Desi Mem (1996), Uff Yeh Mohabbat (1997) and Papa The Great (2000). The duo composed music for two of Sonu Nigam's successful music albums, Jaan (1999) and Yaad (2001). They went on to score music for Anubhav Sinha's box office success Tum Bin which included hit songs such as "Koi Fariyaad", "Chhoti Choti Raatein" and "Tumhare Siva". Some of their other successful ventures include Hum Tumhare Hain Sanam, Aapko Pehle Bhi Kahin Dekha Hai, Muskaan and Kuch Dil Ne Kaha. The duo have also been accused of plagiarism by Pakistani singer Faisal Latif.
 Passage 3:Albany–Sumner Avenues was a station on the demolished BMT Fulton Street Line. It had 2 tracks and 2 side platforms. It was served by trains of the BMT Fulton Street Line. The station was opened on May 30, 1888, and had connections to the Sumner Avenue Line streetcars. Eastbound trains stopped at Albany Avenue, while westbound trains stopped at Sumner Avenue (now Marcus Garvey Boulevard). The next stop to the east was Troy Avenue. The next stop to the west was Tompkins Avenue. During 1912 and 1924, the Dual Contracts program installed a third track on the Fulton El between Nostrand Avenue and the new Hinsdale Street station. Albany-Sumner Avenues stations were closed during that time. In 1936 the Independent Subway System built an underground Fulton Street Subway station at Kingston–Throop Avenues between here and the nearby Brooklyn–Tompkins Avenues Station. The el station became obsolete.

answer:
1


question:
Question: What year did the regiment's title change? Passage 1:Davis won Emmys in 1990 for Beauty and the Beast and 1995 for SeaQuest DSV. He wrote scores mostly for television series up until 1995, in which he wrote a few of the cues for the animated Disney motion picture A Goofy Movie. He continued to score television series until the two then young directors, the Wachowskis, hired him to score their neo-noir film Bound. It was reasonably successful at the box office. Bound was the film which led Davis into becoming the composer for the entire Matrix trilogy. Subsequently, Davis has composed scores for films such as Jurassic Park III (recommended to the filmmakers by John Williams, the composer of the scores for the first two films in the series), House on Haunted Hill, Behind Enemy Lines, and The Unsaid. In 2004, he produced the music score for the BBC science fiction documentary series Space Odyssey: Voyage to the Planets, released as Voyage to the Planets and Beyond in the United States.
 Passage 2:The King's Royal Rifle Corps was an infantry rifle regiment of the British Army that was originally raised in British North America as the Royal American Regiment during the phase of the Seven Years' War in North America known as 'The French and Indian War.' Subsequently numbered the 60th Regiment of Foot, the regiment served for more than 200 years throughout the British Empire. In 1958, the regiment joined the Oxfordshire and Buckinghamshire Light Infantry and the Rifle Brigade in the Green Jackets Brigade and in 1966 the three regiments were formally amalgamated to become the Royal Green Jackets. The KRRC became the 2nd Battalion, Royal Green Jackets. On the disbandment of the 1st Battalion, Royal Green Jackets in 1992, the RGJ's KRRC battalion was redesignated as the 1st Battalion, Royal Green Jackets, eventually becoming 2nd Battalion, The Rifles in 2007.
 Passage 3:Roger Ebert of the Chicago Sun-Times gave the film three stars out of four and wrote that "the musical scenes are the best rock coverage since 'Woodstock.' The sound is first rate, for one thing, and director Pierre Adidge has some idea of why Cocker electrifies a crowd." Vincent Canby of The New York Times called the film a "most satisfying, record-album of a movie" which "patronizes neither its audience nor its stars ... It is uncluttered, one of the best concert films so far." A review in Variety said, "Considerable technical expertise has gone into this production, and though the objective may be clear, it just hasn't turned out to be another 'Woodstock,' possibly because Joe Cocker's personality isn't all that endearing." Gene Siskel of the Chicago Tribune rated the film three stars out of four and wrote, "'Mad Dogs' is distinguishable from other 'rockumentaries' because it deals almost exclusively with the musician and his music. There are few side trips to cultural comments." Robert Hilburn of the Los Angeles Times stated, "As a film, 'Mad Dogs and Englishmen' is a good concert. For much of the picture's 114 minutes, the camera is on Joe Cocker, by most standards the best and most exciting singer in rock music ... But 'Mad Dogs and Englishmen,' unfortunately, fails in the end to rise above this interesting, but clearly limited historical summary of the Cocker tour. As a film, it doesn't establish its own importance." A negative review by Tom Zito of The Washington Post advised readers to "Forget the film and try the record," explaining, "What emerges from all this is roughly two hours of footage that looks terrible on the screen and sounds almost as bad. The film is projected in an annoying square format, except for the moments when the screen area is broken up into some poorly coordinated split-screen effects. The camerawork is often sloppy ... the whole thing winds up looking and sounding like a cheap, imitation (indoor) 'Woodstock.'" James D. White of The Monthly Film Bulletin declared that "The music itself is excellent," but "The film's information content is minimal; and one's heart sinks as the screen is split into a double image for the first number and as the mandatory shots—of excited fans, of joint-rolling in a hotel bedroom, of an interview with a vacuous groupie—are inevitably wheeled out."

answer:

2