TASK DEFINITION: Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.
PROBLEM: CONTEXT: This break through might look a little vague but still there was a shot in the dark for Sean and Whitey. The only connection they could make from the case was that the shot fired to kill Katie was fired using the gun of 'Just Ray'. So there was a possibility that someone from the Harris household would have committed the crime. However the elder Harris had passed his polygraph with flying colors as mentioned by Sean. When they went to question Katie's boyfriend Brendan for the first time at his house they had met the Harris junior with his friend John O'shea too. After listening to the 911 tape they found out that the boys knew more about the murder. Hence they might have taken a wild guess that mute Harris junior might have access to that gun and he was always with his friend John. Although it looks to be exaggerated but for investigative purpose they went to meet him. One more feasible explanation can be that after listening to the tape Sean and Whitey had gone to question Brendan about those two boys whom Katie might have known or have grudge against. But at the time they entered John had already drawn a gun over Brendan. Once police got them they confessed everything.  <sep>  Q: In Mystic River, How did listening to the 911 tape solve the case? A: After listening to the 911 tape they found out that the boys knew more about the murder  Q: The names weren't mentioned so how did they make the connection to the boys? A: there was a possibility that someone from the Harris household would have committed the crime  <sep> FOLLOWUP_Q: Did the boys ever contact the police?

SOLUTION: No

PROBLEM: CONTEXT: Having seen the movie several times, I don't think anything was "dragging" the girl (Carina, possibly?) towards the Infinity Stone other than her own desire. She had just finished listening to Tanleer explain how powerful the stone is, and earlier in the movie we had seen how he verbally abuses her and forces her to do very menial and back-breaking work. She saw the stone as a possibility to escape. What you're interpreting as her being pulled toward the stone, I think, is actually her being very hesitant to touch it. Her own internal conflict between the need to escape her situation vs. her fear of the stone is what makes her take so long to try and grab it, but obviously, her desire to be free wins out.  <sep>  Q: What dragged the Collector's servant towards the Infinity Stone? A: She saw the stone as a possibility to escape  Q: Why was she in a trance like state? A: Her own internal conflict between the need to escape her situation vs. her fear of the stone is  <sep> FOLLOWUP_Q: Did it maybe have some sort of unnatural attraction emerging from the stone itself?

SOLUTION: Yes

PROBLEM: CONTEXT: A properly executed plot twist often causes opposite reactions of what you've just described. People want to watch the movie again because the ending was so unexpected that they need to review the whole thing to get all the puzzle pieces together. "Fight Club" is a great example, in my opinion. There's a lot of dialogue (especially the lines from Helena Bonham Carter) that doesn't make any sense if you don't know the ending. You will enjoy and understand Fight Club much better after a second view. There are many ingredients that define the quality and longevity of a movie. Directors should not be afraid to use a plot twist, but relying only on this trick - especially if it is predictable - may ruin the whole experience.  <sep>  Q: Is there any evidence of "Big Twist" movies having poor post-cinema sales? A: Directors should not be afraid to use a plot twist, but relying only on this trick - especially if it is predictable - may ruin the whole experience  Q: Do you think this is a common reaction though? A: A properly executed plot twist often causes opposite reactions of what you've just described  Q: So, for up ad coming directors, is this the type of movie to stay away from A: Directors should not be afraid to use a plot twist, but relying only on this trick - especially if it is predictable - may ruin the whole experience  <sep> FOLLOWUP_Q: Is there evidence to suggest that this type of film have relatively poor post-cinema sales?

SOLUTION:
Yes