In this task, five ordered key facts are given. All the given facts are expressed in natural language. Your job is to generate a story 100 to 1000 words long, that includes all the facts given as input in their order of appearance while expanding upon them to produce a broader, yet coherent, narrative.

Q: Fact1: film is set in 11th century, Fact2: Edward wants Leofric to marry Norman woman, Fact3: Godiva proves militant bride, Fact4: unrest between Anglo-Saxon populace and increasingly influential Norman French led to famous ride, Fact5: plot is notable by striking leadership qualities of Maureen O'Hara role

A: The film is set in 11th century England. King Edward the Confessor Eduard Franz wants the Saxon Lord Leofric George Nader, who rules Coventry, to marry a Norman woman, Yolanda. When he refuses, he is sentenced to jail, where he meets Godiva Maureen OHara, the sheriffs sister. The two fall in love and soon they are wed. The times are turbulent and Godiva proves a militant bride; unhistorically, unrest between the AngloSaxon populace and the increasingly influential Norman French led to her famous ride. The plot is quite notable by the striking leadership qualities of the Maureen OHara role. Released in 1955, late in the epoch of this style of historical adventure there are some playful subtleties, a touching opportunity to see the 69yearold McLaglen in a competent action role, and a very striking example of an archery trickshot.
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Q: Fact1: Freddy Ana brushes him off persists in conversation, Fact2: bus is involved in apparent crash, Fact3: loud music draws her to Freddy 's house, Fact4: Ana Remembering recording at shows it to Freddy hospital, Fact5: doctors discuss cutting off life support for real-time conversation Ana

A: In 2012, Ana, a failed writer who works as a nurse, meets Freddy, an aspiring comic book artist, on a bus. Though Ana brushes him off, Freddy persists in conversation. The two are surprised to find that they live on the same street in a small town, but before they can talk any further, the bus is involved in an apparent crash. Ana wakes up in her bed, late for work. When she arrives at the hospital, it seems deserted, though she finds a mysterious, barelyintelligible audio recording. Although the town initially seems empty, loud music draws her to Freddys house. After comparing experiences, the two set off to explore the town. At a police station, they find that all communications channels, including radio transmitters, are down. As they explore the town limits, they discover a dark wall of fog encircles the town and is slowly encroaching. Unwilling to drive through it, they retreat to the center of town, which they discover has suddenly reverted to 1992. As Freddy unsuccessfully attempts to get the attention of passersby, Ana observes a younger version of herself interact with her Aunt Lu. After they suddenly shift back to 2012, Freddy estimates that they have three days until the fog engulfs them. The two discuss theories, including whether they have died in the bus crash. Remembering the recording at the hospital, Ana shows it to Freddy. They are surprised to hear a realtime conversation in which doctors discuss cutting off life support for Ana in three days, as she has been in a coma for two months. Ana explains that after her aunts protracted coma and eventual death, she signed a living will. Freddy suggests that the fog represents Anas impending death, and the two reluctantly enter the fog to find answers. They find a locked door, thousands of keys, and a chain. They flee back to town when they hear monstrous growling, and a chained monster chases them. As they gather supplies, Freddy experiences a memory of his stepfather, who attempts to bond with him after Freddy gets in trouble at school. Ana describes a play she wrote about a monster similar to the one that chased them, and Freddy shows her a comic book that he made that ends with a locked door and thousands of keys. Convinced that their experiences and memories are being brought to life, the two go to a fairground they both visited on the same day in 1992. There, they observe a brief meeting between their younger selves. Convinced that they must face the monster, they set a trap, but it only frees the monster from its chains. Freddy and Ana hole up in a church. When Ana suddenly becomes ill, Freddy leaves to confront the monster by himself. Ana is horrified to see him dragged off, and she retreats to her childhood house. There, she experiences a memory in which she performs her play with Aunt Lu. During the plays climax, Freddys friends coerce him into petty vandalism that results in an accidental fire and Aunt Lus coma. Back in 2012, a bruised and battered Freddy appears and apologizes before sinking into unconsciousness. When the monster appears, Ana kills it and takes the crucial key from its corpse. She drags Freddy to the door inside the fog, and when the key opens it, she pulls him across the threshold so that they escape together. In the hospital, Ana wakes up and rushes to find Freddy, whom she learns has already been released. His caretaker explains that Freddy has partial amnesia and remembers little except the crash itself. Using his sketchbook and an emotional embrace, Ana helps him to remember their shared experiences.
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Q: Fact1: Stephen Glass is reporter at New Republic, Fact2: editor is revered by magazine 's young staff, Fact3: David Keene questions Glass 's description of minibars and drunken antics of Young Republicans at convention, Fact4: magazine publishes entertaining story by Glass titled Hack Heaven about teenage hacker named Ian Restil, Fact5: hotel 's convention room was not open day

A:
Stephen Glass is a reporter at The New Republic, where he has made a name for himself for writing colorful stories. His editor, Michael Kelly, is revered by the magazines young staff. When David Keene at the time Chairman of the American Conservative Union questions Glasss description of minibars and the drunken antics of Young Republicans at a convention, Kelly backs his reporter when Glass admits to one mistake but says the rest is true. Kelly is fired after he stands up to his boss Marty Peretz on an unrelated personnel issue, and fellow writer Charles Chuck Lane is promoted to replace him. The magazine publishes an entertaining story by Glass titled Hack Heaven about a teenage hacker named Ian Restil who was given a lucrative job at software company Jukt Micronics after hacking into its computer system. After the article is published, Adam Penenberg, a reporter at Forbes Digital Tool, begins researching the story in order to discover how Glass scooped everyone else. Penenberg is unable to uncover any corroborating evidence for Glasss story. Questioned by the Forbes reporter, Lane becomes suspicious when Glass cannot provide sources for his article and when the few pieces of concrete evidence are discovered to be an amateurish website representing Jukt Micronics and a Palo Alto phone number where every call goes directly to voicemail. Penenberg and his colleague, Andy Fox, can find no proof Jukt or an Ian Restil even exist. Lane drives Glass to a hotel where the hacker convention supposedly took place. Despite frantic attempts at spin from Glass, Lane discovers that the hotels convention room was not open the day the convention supposedly took place and that the restaurant where they supposedly ate dinner closes in the early afternoon. Glass finally admits to Lane that he wasnt actually at the hacker convention, but relied on sources for information. Lane is outraged, but proceeds cautiously while seeking the truth. He suspends Glass, earning him the enmity of staff reporters, who all are fond of Glass. Caitlin Avey, a writer at the magazine, is so angered by Lanes actions that she considers quitting. When a colleague calls Lane to express concern for Glasss state of mind, he also reveals that Glass has a brother in Palo Alto. Lane realizes the brother must have posed as the president of Jukt Micronics on the day he returned Lanes phone call. Glass pleads for another chance, but Lane orders him out of the office and takes his security access card. Searching through back issues of The New Republic, Lane realizes that much of Glasss previous work was falsified. When an emotional Glass returns, Lane fires him. Caitlin accuses Lane of wanting to get rid of everyone who was loyal to Michael Kelly, but he challenges her to act like the good reporter she is. He reminds her that half of the falsified stories were published on Kellys watch and that the entire staff will have to apologize to their readers for allowing Glass to continue to hand in fictitious stories. The following day, a receptionist wryly remarks to Lane that all this trouble could have been averted if the stories required photographs. Lane discovers the staff has written an apology to their readers. They spontaneously applaud their editor, signifying their unity. At a meeting with Glass and a lawyer, Glass tacitly admits that 27 of the 41 articles he wrote for The New Republic were fabricated in whole or in part. An epilogue reveals that Glass decided to complete law school, and wrote a novel called The Fabulist about a reporter who fabricates his stories.
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