Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Example Input: CONTEXT: My theory is yes, it is so easy to become vice president of Dunder Mifflin. That's most likely why they were bought out by Sabre, its because all of the guys in the New York branch were all idiots and had no clue what they were doing and didn't care, most likely because its a paper company, and who cares about paper!?  <sep>  Q: Was it that easy to become a vice President at Dunder Mifflin?
Example Output: Yes

Example Input: CONTEXT: I don't have official source or script to draw from. However, my read on that scene is that they were waiting for the humans. The whole nest seems to be in a sort of button-up-and-fortify mode. The most the Vikings sniff of a dragon is the tail that gets whisked out of sight. This is more than likely intentional - note that the eerie sound that continues while the Vikings land and fortify continues right up until they punch the hole. It's a very similar sound to the sound the other Alpha dragons make in the second movie, while exerting dominance or control. The Alpha is holding it's nest on tight guard, possibly to pounce once it feels right. That all seems to go out the window when Stoick signals a fireball launched in. Whether that was just an agressive surprise, or read as some kind of direct challenge, I couldn't say for sure. The dragons in the tunnel though, didn't move until that moment, and it mostly seems to be an action of I'm-getting-the-heck-out-of-the-way as that Alpha decides to muscle out and deal with this personally.  <sep>  Q: Why didn't the dragons leave their lair earlier? A: The Alpha is holding it's nest on tight guard  Q: What is the Alpha and how is it different to the other dragons? A: exerting dominance or control  Q: How do the Alpha dragons exert dominance or control? A: The Alpha is holding it's nest on tight guard, possibly to pounce once it feels right  Q: What else can you tell me about the dragons or their lair? A: The dragons in the tunnel though, didn't move until that moment, and it mostly seems to be an action of I'm-getting-the-heck-out-of-the-way  <sep> FOLLOWUP_Q: Can you tell me anything else about the film?
Example Output: No

Example Input: CONTEXT: It's the same for professional as well as amateur actors - I've known some pros that have a hard time reaching the crying point. One technique includes allowing the actor to focus on the saddest memory they have, in solitude, then pull them out for the take. I recall seeing a documentary that showed Gary Oldman looking through a book of photos of his family (he had just split from Uma Thurman) on the set of Dracula that got him to the point of sorrow that Coppola wanted. I have worked with some amazing amateur actors that would work themselves up into a state before filming. One actress imagined something terrible happening to her sister, and she delivered a very powerful performance (that got the crew all choked up). If all else fails, the vapors from an onion can induce tears (but also cause redness), or a few drops of glycerin in the corners of the eyes can be released - but nothing beats real tears. I have also heard of directors bullying/belittling actors to the point of melt-down, just to get the shot they want. But that's a pretty extreme way to go about it.  <sep>  Q: What techniques are used by directors to make an actor cry?
Example Output:
Yes