In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

the happy bastard 's quick movie review me tarzan . . .
you happy viewer .
for a minute there , i thought i was going to be groaning over the release of disney 's latest , another adaptation of a legend from the past .
( remember the pathetic pocahontas ? yikes ! )
but guess what- disney , a company that 's been on a roll lately with animated films
, strikes again with another wonderful tale that pleases the eyes as well as the inner kid in you .
the story is pretty basic- tarzan is left orphaned and a female gorilla who 's lost her young adopts him into her group . as he matures into a much older man , tarzan still wonders just why he 's so much different from the clan , and then arrives a hunter , a professor , and the professor 's lovely daughter , jane- who meets tarzan rather quickly after getting in trouble with a group of feisty babboons .
from there , tarzan faces tough choices-
should he stay with the ones that he grew up with or go join his own kind in england ?
the voicework here is pretty top - level .
tony goldwyn is very convincing as the ape man ; minnie driver adds a delectable touch to the already - beautiful jane ; nigel hawthorne makes for a pretty nasty hunter voice ; rosie o ' donnell keeps the laughs rolling as tarzan 's best ape friend terk ; and wayne " newman " knight has his moments as a panicky elephant .
the movie is superb throughout , mixing a great script with incredible computer - assisted visuals .
when tarzan tree - surfs ( a twist that was added on top of the same ol' vine swinging- and a great one , i might add ) , the camera twists and turns , allowing the trees all around to come to life vividly .
i could n't believe my eyes- disney has come a long way since starting in a ballroom for beauty and the beast .
and the music 's not half bad , either .
fortunately , there 's no ridiculous singing characters here , just a great set of songs by phil collins that perfectly fit the mood .
there 's some great action sequences here as well , including a wonderfully done chase between tarzan , jane , and the aforementioned babboons .
but , of course , it 's not all action-
there 's a message here as well that has to do with family .
this is easily one of disney 's best animated films of the decade
and it 's one i ca n't wait to put in my home library .
. .
that is , if my vcr still works in the year 2000 .
P

call " hush " " stop or my mom will kill .
"
or " mommy fearest .
"
or " the hand that robs the cradle .
" call it whatever you want , but certainly do n't see it unless you 're in desperate need of a bad movie - induced chuckle -- " hush " scores
so many unintentional guffaws that it almost qualifies as a guilty pleasure .
chalk its losses up to frequent stupidity lapses and apparent post - production tinkering ( it was supposed to open about a year ago ) , the latter of which appears to have given " hush " a send - off that 's downright infuriating .
it 's too bad that " hush " is so laughable , because the on - screen talent -- including the pairing of gwyneth paltrow and jessica lange -- is nothing to laugh at .
paltrow and johnathon schaech play helen and jackson , a photogenic new york couple on their way to spend christmas vacation at his wealthy , well - to - do family 's horse farm / estate kilronan .
jackson 's mother martha ( lange ) runs kilronan all by herself , and her genteel southern hospitality makes helen feel welcome immediately -- even if her first meeting with martha takes place while helen is in the altogether , caught red - handed after a bedroom romp with her husband - to - be .
but it seems that martha 's friendly smile masks a much more threatening demeanor ; she 's what you 'd call someone who loves too much .
martha eagerly , deviously wants a grandchild , and then helen will be expendable , as far as she 's concerned .
if there 's one reason to catch " hush , " it 's lange .
she treats the pedestrian screenplay better than it deserves to be treated , injecting martha ( poorly written though she may be ) with a little empathy to level out the psycho - playing field .
when she delves into martha 's dark side ,
predictable cliches
-- chain - smoking , staring in mirrors , praying in a confessional to a priest who is n't there , poking a hole in helen 's diaphragm so she 'll become pregnant ( and she does ) -- abound , but
it 's moderately entertaining junk
because lange is such an interesting actress to watch .
veteran performer nina foch is smart and tart as jackson 's wheelchair - bound paternal grandmother .
the rest of the cast looks ill and uncomfortable , especially paltrow .
but can you really blame them ?
the character relationships in " hush " hold a certain amount of promise , at least until their psychological impact is blown out of the water by sheer stupidity .
idiotic situations
( martha yells at a nearby horse so it will bolt up and knock helen over ) compliment idiotic dialogue
( " why did you yell ?
" helen yells back at martha ) , and the film takes the form of one of the shoddier fill in the blank - from - hell flicks ever made .
you can see through a great deal of martha 's actions and lies from their conception ; why do people who have known this woman for years longer than we have never figure things out ? does nobody communicate or read the newspaper in this town ?
if any of her potential victims thought , acted or behaved like normal people , " hush " would be a really short movie .
and then there 's the climax and ending , which abruptly come when helen starts having contractions after eating some pound cake spiked with a labor - inducing drug normally used on horses .
after a really weird chase scene , martha calmly knits in a rocking chair while forcing helen to give birth in a bed all by herself .
i wo n't spoil what happens next except to say that it 's contradictory , illogical and ( probably , since i 'm no doctor ) medically impossible .
the final scene offers no closure , no resolution , no confrontation whatsoever .
it 's just there , dangling amidst silent displeasure .
no one should like this ending , regardless of their feelings on the preceding material .
perhaps " hush " 's title is a plea to silence its audience 's likely bitter word of mouth while exiting the theater .
N

*
* * the following review contains spoilers
*
* * "
it 's just . . .
the way .
. .
we are .
"
--- a rapist ( matt frewer ) responds to supergirl 's ( helen slater ) query as to why she 's being attacked , an example of the mind - numbingly bad dialogue in supergirl .
i 'll admit it . . .
i love superman iii .
i know it 's hated amongst the superman faithful who dismiss it as nothing more than a vehicle for richard pryor , but i still think it 's a worthy addition to the man of steel franchise .
supergirl , a spin - off film of sorts from the series ' same producers ( alexander and ilya salkind ) , does n't even rival superman iii in terms of quality , let alone superman or superman ii .
supergirl lost me from the opening scenes and went steadily downhill for the rest of its two hour plus running time .
as the film begins we see the residents of argo city , a commune like place consisting of refugees from krypton which resides in " inner space " , go about their daily lives .
ok .
. .
what ?
so these are exiles from krypton , which blew up right ?
were they living there before krypton exploded ?
how do you get to " inner space " ?
this whole " inner space " notion is never explained , particularly in terms of how these people get information from the outside world .
how do they know where superman went ?
how do they know he took the name clark kent and now works at the daily planet ?
these kinds of things frustrate the hell out of me .
argo city is kept running by a power source called the omegahedron .
one day the founder of argo city , zaltar ( peter o ' toole ) , gives the omegahedron to superman 's cousin , kara ( helen slater ) , for use as inspiration in her art .
kara uses it to create a bug - like thing which immediately crashes through the layer of " whatever " that protects the city .
in the chaos , the omegahedron sails out through the opening , dooming the argonians to death .
. . in three days time , or something . kara then climbs into a pod which zaltar had designed for interdimensional travel and chases after the omegahedron to save her world .
the power source travels directly to earth and lands in the bowl of dip belonging to a minor - league witch named selena ( faye dunaway ) who , immediately before her dip was ruined , announced her desires to rule the world to her
sometimes warlock boyfriend nigel ( peter cook ) .
selena somehow knows that this ball from the sky will help her with her evil plans , and she sets out to achieve world domination .
selena is unaware of course that kara has also arrived on earth , and that she 's arrived as supergirl ( complete with appropriate costume ) .
supergirl emerges from the bottom of a lake when she arrives .
ok . . .
huh ?
why does the omegahedron fall from the sky but supergirl shoots out of the bottom of a lake ?
attention movie : explain yourself !
i 'm sorry
, i can only suspend disbelief so much .
i ca n't buy into any of this nonsense just because the movie wants me to . knowing that she needs a secret identity
, supergirl basically " wills " herself into a school girl outfit ( complete with a different hairstyle ) , picks the alias linda lee and enrolls into school .
she 's given her dorm assignment , and who happens to be her roommate ?
lois lane 's sister , lucy .
ok , coincidence is one thing folks , but we 're getting really contrived now .
what follows are some generic all - girls school hijinks . . .
complete with evil bully girls ( mean for no reason , of course ) and even a shower scene ( ! ) .
best moment though comes when supergirl decides to put a bra on over her school uniform and starts stuffing it with socks .
at this point i 'm rapidly wondering why i 'm bothering with this nonsense .
there is some credit to give to the film however .
one lengthy and elaborate sequence featuring an " evil " bulldozer destroying a small town in search of its " prey " is very well done .
also , its commendable to see genders reversed in the film , whereas the women have all the power and the men are merely objects and tools .
hart bochner ( die hard ) is particularly fun as kara 's love interest , a lovesick landscaper who is under a spell cast by selena ( although he is unfortunately part of one of the film 's more ridiculous moments , when he has to be rescued from being tapped by some " menacing " bumper cars ) .
then there were numerous little things that bothered me .
the flying effects are never convincing for a moment . . .
it 's all too obvious that helen slater is hooked to wires .
instead of having her look like she 's flying , the filmmakers wanted her to be " graceful " , so she poses a lot and does ballet - type maneuvers .
also , who are the first two humans to meet supergirl when she arrives on earth ?
a pair of truck drivers / rapists who immediately attack her and then meet a " wacky " demise .
there is also some rampant product placement in the film , most notably for popeye 's , tylenol , and a&w root beer , with the latter actually putting its logo on the t - shirt of one of the rapists ( ? ! ) .
finally , just one word : monsters .
faye dunaway and peter o'toole ham it up unmercifully , however when o'toole overacts he 's entertaining and when dunaway does it
she 's annoying
( her character actually says the line " seize them ! " at one point ) .
dunaway 's henchmen ( played by peter cook and brenda vaccaro ) fare much better , with vaccaro coming off best as the equivalent of ned beatty 's otis character from the first two superman movies .
helen slater effectively portrays supergirl as the innocent , naive character she 's written to be , as she 's able to gaze at flowers and bunnies with the right amount of genuine wonder to make it believable .
believability aside though ,
it 's still annoying .
now despite all this negativity
( and i 'm not alone here . . .
supergirl is not a well liked nor a well respected movie in many circles ) , leave it to the good people at anchor bay entertainment to actually make people not only interested , but excited about its release on dvd !
they have released two separate editions of the film on dvd , to the delight of many people ( including myself . . .
yet i 'm still unclear as to why , since
this movie is so awful ) .
the first and most widely available dvd release features the international version of the film which runs 10 minutes longer than the print which ran in u . s . theaters .
the movie is presented in its original theatrical aspect ratio of 2 .
35 : 1 , is enhanced for 16x9 televisions , and has been remastered in full thx glory .
extras on the disc include : a full length audio commentary track with director jeannot szwarc and " special project consultant " scott michael bosco , the excellent 50-minute documentary from 1984 called supergirl - the making of a feature ( dig that workout montage ! ) , 5 trailers , 3 tv spots , talent bios , in - depth storyboards ( accompanied by score from the movie ) , and assorted still galleries .
the transfer on this international version is incredible . . .
you 'd think you were watching a new release .
images are sharp , colors jump off the screen , and the picture is free of scratches or artifacts .
only some special effects sequences show the wear of time , and there just is n't much that can be done about that ( unless you 're obsessive like george lucas ) .
the new thx approved audio is loud and clear in all the right places , however you 'll be hearing absurd dialogue and a mediocre jerry goldsmith score
( which is completely unrelated to john williams ' classic superman theme and sounds better suited for a cannon films ' golan - globus production ) .
the commentary track featuring director szwarc and project consultant bosco is a step in the right direction in the evolution of audio commentaries .
bosco seems to be an expert in all things supergirl and is there with szwarc to ensure that there 's no dead air on the track .
bosco probes szwarc for information on virtually everyone and everything that comes onscreen , and we learn a great deal more about the film as a result of his participation .
although , at times you can tell that bosco is looking for a specific response from szwarc , and is surprised when he does n't get that response .
we learn some fascinating tidbits on the track , most notably the " almost " appearance in the film by christopher reeve .
great detail is given about superman 's proposed role in the original script before reeve ( wisely ) dropped out .
as it stands , superman is written off early on in the film when we hear a radio broadcast mention that he is billions of light years away on some sort of peace mission .
for the sake of brevity , i wo n't even get into that one .
szwarc also reveals that is was the conscious decision of the salkinds ( and everyone else agreed ) that supergirl needed to stand on its own , replacing the science fiction of the superman films with cutsy " whimsical fantasy " nonsense .
bosco also points out scenes not in the american release as they come along , claiming that had they been in the original release it would have been a hit at the box office .
again , for the sake of brevity , i wo n't even get into that one .
anchor bay has also released a limited edition ( only 50 , 000 copies pressed ) two - disc set .
disc one contains everything mentioned for the regular release .
disc two features
the never before seen director 's cut of the film , which runs 138 minutes long .
the additions mainly consist of scene extensions which do n't add much of note , except for a few moments which lengthen peter o'toole 's screen time ( particularly during his latter appearances ) .
the print is rough in spots and the sound is only in mono , but fans of the film wo n't care .
one question though . . .
should n't the director 's commentary be on the director 's cut of the film ?
i 'd never seen supergirl before i sat down to watch this dvd .
i was nine when it was released to theaters , and even then
i was smart enough to inform my parents not to take me to see it .
so when i popped the dvd into my player and sat down in my easy chair i had no idea what to expect .
i knew the film was n't beloved
and i never had any interest in it before , but i was willing to give it a shot because of the impressive amount of work put into the disc .
as the disc began to spin i was rather impressed with the opening sequence , which made me sit up and wonder if my assumptions all this time could have been wrong .
come to find out however it was just the chase digital stereo logo . . .
so
i slunk back into my seat as the nightmare started
.
at the end of the film , supergirl flies back into the lake with the omegahedron , and flies back to argo city .
ugh , i give up .
i 'm surprised i even made it to the end of the film not once , not twice , but three times to review these discs .
supergirl is definitely a terrific dvd package , but a very lousy movie .
[ pg ]

N