TASK DEFINITION: In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
PROBLEM: Review: Initially, I would have thought that Secret Sunshine had something critical to say of religion (and here being Christianity), and wondered if it would be something of a rant against the ills of blind faith, or the manipulative power of those who are supposedly holier than thou. Surprisingly, it was none of the sort and was largely non-judgemental, putting in place events as a matter of fact, and allowing the audience to draw their own judgement and conclusion.And I can't help but to chuckle at the role of Song Kang-ho, a man who's taken a liking for widower Shin-ae (Jeong Do-yeon), and starts going to church when she does. The reasons for church going are many I suppose, either to find inner peace, to seek help, being afraid of eternal damnation in the fires of Hell, to reaffirm faith, or even things like wanting to get married in a church, or to skirt chase (I kid you not). But to each his own reasons for turning up in church every Sunday and participating in prayer groups for fellowship, what is indeed dangerous, is when the underlying ulterior motives, do not get satisfied, and that's when frustration sets in. Or when you discover how hypocritical man can be, portraying one face inside the house of God, and displaying yet another outside.Shin-ae and her son Jun moves to the town of Miryang, which is the birthplace of her deceased husband. Wanting to start life anew, she opens up a piano shop to give lessons, though in discovering her new found freedom and in a moment's lack of good judgement, has another tragedy befall her. And that takes one hour to get to. Secret Sunshine really took its time to get to this point, where things then begin to get slightly more interesting with Shin-ae now taking to embracing religion to deal with and accept her current state, reveling in the comfort that religion, and fellow believers, can offer.What began as crying out for sympathy turns into acceptance and belief that religion offers that silver bullet to solve the ills of all mankind, and sometimes you wonder if it's because of your personal myopic view of what the almighty is doing for you, that you begin to adopt a somewhat selfish opinion that everything's good going your way, and in Shin-ae's case, her magnanimous attitude in wanting to forgive others who had trespassed against her, forgetting something very fundamental that it the feeling can cut both ways too.The last act is probably the most fun of the lot as it says plenty, where most of us can identify with - why me, and why not someone else, as we rage against our faith and start questioning, unfortunately, with no hard and fast answers available. It is then either we fall by the wayside, or continue with destructive deeds so rebelliously. But somehow the plug gets carefully pulled in Secret Sunshine so as not to offend, and what could have been an ugly character mouthpiece, got muted.If you bite into the hype this movie is generating, then perhaps you'll realize only Jeong Do- yeon's excellent portrayal is worth mentioning, as she totally owns her role as the widow Shin-ae who is probably the most unluckiest person on Earth in having to deal with that many tragedies over a short period of time, and if you look at it carefully, most of which are of her own doing. Watching her transformation, is worth the ticket price, and despite having my personal favourite Korean actor Song Kang-ho in the movie, this is something he just breezed right through. Question: is it a positive review?

SOLUTION: yes

PROBLEM: Review: Featuring a few of Hammer's all-stars, this highly effective slice of British horror revolves around a house and the fates of it's previous tenants, whose stories are all told to a Scotland yard detective, in search of a missing actor.Story number one, which is probably the least impressive of the four, deals with a writer and his wife who've just moved in the house and plan to stay just for a short time so that he may write one of his horror novels. He creates a demented character named Dominic, who's a very creepy looking strangler, and soon finds himself going mad as he starts to seeing this beastly looking man everywhere he goes. After his wife convinces him to seek psychiatric help, a sub-plot is introduced which frankly, didn't really work for me. I won't spoil it for you.The next story (the best in my opinion) stars the wonderful Peter Cushing as Philip Grayson, a man who's moved into the home for his retirement years and soon makes his way to a nearby wax museum(that deals in the macabre) where he's very startled to find a wax figure that looks exactly like a woman from his past. Soon thereafter, an old friend(who also has a history with this woman) is in town for business and drops by to see him. The two men are in for a rude awakening as they soon discover that there was more to this woman than meets the eye.Story three stars one of my very favorites...Christopher Lee, who plays John Reid. After moving into the home with his peculiar daughter Jane, the nanny that he hires becomes awfully suspicious as to the way Reid suppresses his daughter. Well come to find out...if she knew what Lee did, she would have certainly understood.The final story is a rather light-hearted vampire tale that stars John Pertwee and Ingrid Pitt. After buying a cloak from a mysterious merchant, actor Paul Henderson finds himself turning into the very creature that he's portrayed several times in his career.Overall, the pacing and direction were very good, as was the most of the performances. There were nice Gothic touches here and there and an effective score to complement the ambiance. This one's a keeper, and comes highly recommended. Question: is it a negative review?

SOLUTION: no

PROBLEM: Review: This is a great story of family loyalty which, thankfully, doesn't resort to the usual tricks (or at least the ones I'm used to seeing in American and European films) of supersentimentality or high dramatic tension.It's very watchable and very lovable. It has some beautiful cinematography, but doesn't rely on that alone to entertain. Question: is it a positive review?

SOLUTION:
yes