Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Input: Consider Input: CONTEXT: He starts walking as soon as he pushes her, and he's halfway up the stairs by the time bystanders notice she's under the train. He walks quickly but calmly, he doesn't run away. In unremarkable clothing, it isn't strange that no one stopped him. As for security systems, if you watch more of the series, you'll notice that Frank is always aware of when he is being recorded. I don't believe his action was spur of the moment. He chose to meet her there and do the deed because he had an way out where any recording of him wouldn't be enough to identify him, especially with the hat and glasses. Would that be possible in the real world? Could there actually be a blind spot all the way out of the station? Unclear. Her death was likely ruled an accident because metro police departments are overworked, and there isn't any immediate evidence to the contrary. The fact that they wouldn't find the angle and direction of her fall suspicious bother me too, I don't have an answer for that.  <sep>  Q: How could Frank escape the crime scene without any witnesses? A: He walks quickly but calmly, he doesn't run away. In unremarkable clothing, it isn't strange that no one stopped him  Q: Was the subway station empty? A: bystanders  Q: We're they in a 'blind spot'? A: Unclear  <sep> FOLLOWUP_Q: Are there important details after the first episode?

Output: No


Input: Consider Input: CONTEXT: She doesn't want to torture Sherlock, she wants to play with him. Specifically, she wants him to play with her. At least, that's what the childhood version of herself wants and it manifests in modern day as the torturous puzzling she sets up for Sherlock. Eurus lacks human emotion and, thus, doesn't see what she does as torturing her brother.  <sep>  Q: What is Eurus's motive in the final problem A: She doesn't want to torture Sherlock, she wants to play with him. Specifically, she wants him to play with her  <sep> FOLLOWUP_Q: Were they friends as children?

Output: Yes


Input: Consider Input: CONTEXT: I think he was talking about his dead wife: Parry is saying he remembers everything about what happened and forgives Jack, so Jack can find peace, that's why he was crying (Jack is the wounded, tormented Fisher King and Parry the simple-minded man that helps him, in my interpretation of the movie).  <sep>  Q: Which girl Parry was referring to after waking up? A: I think he was talking about his dead wife  Q: Who was Parry woken up by? A: Parry is saying he remembers everything about what happened and forgives Jack  Q: Did his girlfriend die? A: he was talking about his dead wife  <sep> FOLLOWUP_Q: Did anyone else die in the episode?


Output: No