In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
senseless is a prime example of what can happen when you try to push a one - joke concept a bit too far
.
director penelope spheeris is no stranger to this , having subjected audiences before to such tortures as the beverly hillbillies .
marlon wayans stars as darryl witherspoon , a college senior vying for a lucrative job at a prominent brokerage .
however , he lacks the advantages of his chief opposition , scott thorpe ( david spade , in the smarmy sort of role he can deliver in his sleep ) : an athletic record , sponsorship by a fraternity , and , most of all , a wealthy family to back him up .
in fact , darryl has to work at four jobs simply to make ends meet .
but there may be a light at the end of that tunnel .
he signs up as a human guinea pig in a neurological experiment run by the university 's dr .
wheedon ( brad dourif ) .
as a result , his senses are magnified tenfold .
using his newfound abilities , he sets himself in complete pursuit of the job ( unaware that there may be some disadvantageous side - effects to having super senses ) .
naturally , marlon wayans plays this comedy at full throttle , giving jim carrey - ish amounts of physical humor .
the problem is , aside from a few genuinely inspired bits , there 's not much that 's funny here
.
the film has it 's one central gag , and pads out the rest of its length with rather obvious lowbrow humor .
there obviously was n't much thought put into the plot .
the entire job selection process is completely ridiculous .
i mean , why the emphasis on extra - curricular activities if the entire job is going to come down to a single - elimination quiz anyhow ?
and is this the only job being offered to economics majors this semester ?
to give it credit , senseless does try to create a secondary joke with darryl 's roommate , tim laflour ( matthew lillard ) .
apparently , he is supposed to be faddish , but the film never does anything with him , leaving him in a piercing phase throughout the movie .
his " intervention " scenes with darryl , however , do provide a rare , and welcome , laugh .
and then there 's the love interest which is always pathetically tacked onto comedies like this one .
in this case , the object of darryl 's amor is janice ( tamara taylor ) , a fellow student who wo n't have anything to do with darryl until he gains his super - senses .
needless to say , the romance is completely extraneous , and adds little to the film .
this is a film that desperately needed something else .
be that a good plot , more jokes ( or simply funnier ones ) , or a strong character or two , anything would have helped senseless get off the ground
.
as it is , all the manic exuberant mugging in the world ca n't help marlon wayans get this one off the ground .

Ex Output:
N


Ex Input:
the long kiss goodnight ( r ) meryl streep tried it and failed .
even pamela anderson lee made an attempt but fell flat on her well - bared assets .
however , geena davis could very well become the first bankable american female action star
with the long kiss goodnight ,
a preposterous but incredibly fun action thriller directed by her husband , renny harlin .
davis plays samantha caine , a mousy suburban school teacher and mother whose memories only go back eight years .
with the help of ethically questionable private detective mitch hennessey ( samuel l . jackson ) , she slowly remembers -- and reclaims -- her past as charly baltimore , tough - as - nails cia operative .
needless to say , with the reappearance of samantha / charly comes the appearance of an assortment of no - goodniks out to erase more than her memory .
shane black netted a cool $ 4 mil for his script ; i 'm not so sure if his prose is truly deserving of such a hefty price tag , but for what it 's worth ,
it delivers the goods .
like black 's previous work , such as lethal weapon and the last boy scout ,
the script juggles some impressive action scenes with funny , quirky dialogue .
the humor especially works well in this case , for the story is so preposterous that the laughs help to keep things from taking things too seriously .
but there 's no argument that the more unbelievable sequences are original and entertaining as hell : who can resist the sight of davis tossing her daughter from a hole in her house into the nearby treehouse or chasing after a car .
. .
while ice skating ? jackson and davis make a good team
.
jackson is funny as ever as ever
; in fact , his spirited line deliveries , especially when he first appears , are more than reminiscent of his work as jules in pulp fiction .
as good as he is , the one who should benefit the most from this project is davis , who shows much promise as an action heroine .
what makes her so effective and why she should succeed where streep and lee failed is that she does n't take herself too seriously .
she is obviously in on the joke , slyly taking jabs at herself and at the situation .
this is not to say that she does n't need work -- sometimes she lays on the " toughness " a bit too thick and comes off too much as a caricature .
but should the public embrace the film and , in turn , the notion of a kick - ass female , davis could have found her special niche .
it seems as if davis and harlin 's first collaboration , the middling pirate epic cutthroat island , was just a dress rehearsal ( albeit a very costly one ) for long kiss , in which the wife - husband team hit their action stride .
anyone simply looking for a fun , escapist entertainment that requires little - to - no thinking will find this film to be a more - than - welcome kiss .

Ex Output:
P


Ex Input:
truman ( " true - man " ) burbank is the perfect name for jim carrey 's character in this film .
president truman was an unassuming man who became known worldwide , in spite of ( or was it because of ) his stature .
" truman " also recalls an era of plenty following a grim war , an era when planned communities built by government scientists promised an idyllic life for americans .
and burbank , california , brings to mind the tonight show and the home of nbc .
if hollywood is the center of the film world , burbank is , or was ,
the center of tv 's world , the world where our protagonist lives .
combine all these names and concepts into " truman burbank ,
" and you get something that well describes him and his artificial world .
truman leads the perfect life .
his town , his car , and his wife are picture perfect .
his idea of reality comes under attack one day when a studio light falls from the sky .
the radio explains that an overflying airplane started coming apart .
..
but then why would an airplane be carrying a studio light ?
the next day during the drive to work , the radio jams and he starts picking up a voice that exactly describes his movements .
he is so distracted that he nearly hits a pedestrian .
when the radio comes back to normal , the announcer warns listeners to drive carefully .
his suspicion aroused , he wanders around the town square looking for other oddities .
the world appears to be functioning properly until he enters an office building and tries to take the elevator .
the elevator doors open up on a small lounge with people on coffee breaks .
a grip sees truman him and quickly moves a paneled door , made to look like the back of an elevator , into place .
two security guards grab him and throw him out .
truman is really suspicious now .
it gets even worse the next day when his wife , a nurse , describes an elevator accident in the building where he saw the lounge .
"
it 's best not to think about it , " she says , trying vainly to change truman 's memory .
truman becomes determined to see who or what is behind this apparently elaborate hoax at his expense .
at
every turn he is stopped by an amazing coincidence that just happens to keep him in his own little town .
his last hope is to quell his fear of the ocean and sail to the edge of the world .
you know by now that truman 's life is the subject of a television program .
his actions are " real " but everything else is carefully scripted , from the death of his father to the choice of his wife .
truman is determined to find out what the big hoax is .
meanwhile , christof , the all - seeing creator of truman 's world does his best to keep him unaware and happy .
it 's sort of like westworld told from the robots ' point of view , or jurassic park from the dinosaurs ' point of view .
we root for the captive of the cage - world .
our protagonist is counting on " chaos theory " to help him escape his elaborate trap .
the story , written by andrew niccol ( writer / director of gattaca ) , introduces some interesting questions , such as the ethics of subjecting a person to this type of life , or the psychological impact of learning that your entire life has all been fake .
although these questions came to mind , i do n't think the film itself asked them .
it certainly did n't address them or try to answer them .
i was particularly disappointed that the film did n't deal more with the trauma of learning one 's life
is a tv show .
carrey 's performance at the end showed a smidgen of truman 's pain , but i almost felt that he got over it too easily for the sake of the film 's pacing .
earlier in the movie i found myself wondering if it would be better for truman to find out the truth or whether i should root for him to be well .
the two seemed exclusive of one another , but weir and niccol did n't see it that way .
perhaps it 's not fair to criticize a movie for what it is n't , but it seems like there were some missed opportunities here .
but on its own terms , the movie is well made .
sight , sound and pacing are all handled competently .
much of the first part of the movie is the truman show .
the scenes are all apparently shot from hidden cameras , with snoots and obstructions covering the corners of the screen .
one hidden camera is apparently in his car radio , the green led numbers obscuring the lower part of the screen .
the music is well - chosen and scored .
the film opens with what sounds like family drama theme music , when truman 's world is still beautiful and perfect .
when the movie ends , the score sounds more like a frantic , driven , tangerine dream opus , while still keeping the same timbre .
philip glass ' epic music ( from powaqqatsi ) permeates truman 's scenes of suspicion and awakening .
( glass has a small cameo as a keyboardist for the show . )
and the pacing of the story was brisk .
there was no unnecessarily long setup explaining the concept behind the truman show , just a few quick title cards , a few interviews , and then right into the show , and the movie .
one of the first scenes is of the studio light falling ; there was no token scene of truman 's idyllic life before it falls apart , because it was n't necessary , we pick up the story at the first sign of trouble , and no sooner .
there 's also no point in the movie where the plot slows down .
it 's a quick , straight shot to the movie 's end .
in terms of overall quality , i would compare the truman show to niccol 's gattaca .
both films are well made with interesting stories set in interesting worlds .
but neither film really felt like it capitalized on all the great ideas ; neither film " clicked " and became an instant classic .
nevertheless , i look forward to niccol 's next film , whatever it may be .

Ex Output:

P