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In this task, you're given a passage, further information available on a particular linked term from the statement, and a question. Your job is to generate the answer to the question by using the information provided. If there is no clear answer obtainable, output 'none'.
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Passage: The NASL first staged an indoor tournament in 1971 at the St. Louis Arena with a $2,800 purse. After a couple of years of experimenting, including a three-city tour by the Red Army team from Moscow in 1974, the league again staged tournaments in 1975 and 1976. For many years Tampa Bay owner George W. Strawbridge, Jr. lobbied his fellow owners to start up a winter indoor season, but was always stone-walled. For several years, his Rowdies and several other teams used winter indoor "friendlies" as part of their training and build-up to the outdoor season. In the meantime, pressed by the rival Major Indoor Soccer League (MISL), which inaugurated play in 1978, two-day mini-tournaments like the Skelly Invitational and the NASL Budweiser Invitational were held with varying degrees of success. The NASL finally started a full indoor league schedule, a 12-game season with 10 teams, in 1979–80. For the 1980–81 season, the number of teams playing indoor soccer increased to 19 and the schedule grew to 18 games. The schedule remained at 18 games, but the teams participating decreased to 13 for the 1981–82 season. The league canceled the 1982–83 indoor season and three teams (Chicago, Golden Bay, and San Diego) played in the MISL for that season. Four other teams (Fort Lauderdale, Montreal, Tampa Bay and Tulsa) competed in a short NASL Grand Prix of Indoor Soccer Tournament in early 1983. The NASL indoor season returned for 1983–84 with only seven teams but a 32-game schedule.
 Link Information: the Dallas Tornado were crowned the NASL's professional hoc-soc champions. Question: Who won the $2,800 at the 1971 NASL tournament?
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Answer: Dallas and Rochester


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Passage: The first obelisks may start to appear in the later 16th century and it is suggested that the obelisk on Compton Pike is Elizabethan in date. More securely dated is a series of obelisks which start to appear in the 18th century. The first of these was the Wakeman obelisk of 1702 by Nicholas Hawksmoor, which is set in the square at Richmond, Yorkshire. Probably several hundred obelisks exist in the British Isles dating from 18th and early 19th centuries. Most of these obelisks, which are often landmarks commemorate famous people and their achievements. At Stowe in Buckinghamshire an obelisk was erected in memory of Wolfe's victory at Quebec in 1752, while at the death of the Duke of Cumberland in 1765 was noted by an obelisk at Englefield Green in Surrey. Thomas Coke, Earl of Leicester, Coke of Norfolk the farming pioneer has a particularly fine obelisk, set up in the park he created at Holkham in Norfolk. Sometimes an obelisk was used to mark the site of a battle such as the obelisk on the site of English Civil War battlefield at Naseby in Leicestershire. Occasionally obelisks are used as mile markers, as on the Great North Road at a mile from Westminster. In Lincoln an elaborate obelisk was set up on the High Bridge in 1762–63 as a conduit for dispensing water, while Anthony Salvin used obelisks as water fountains on the Belton House estates in Lincolnshire.
 Link Information: Nicholas Hawksmoor (probably 1661 – 25 March 1736 Question: What was architect's  age when the Wakeman obelisk was set in the square at Richmond, Yorkshire?
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Answer: 41


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Passage: Dark Heresy is considered a progressive death metal band. Dark Heresy's 1993 demo Diabolus in Musica was praised for amalgamating "well-chosen sprinklings of classic Morbid Angel with a UK death [metal] flair", and for mixing thrash "with classy chunks of unapologetic metal." Although dismissed by rock music magazine Kerrang! as "a widdly Carcass", their 1995 album Abstract Principles Taken to Their Logical Extremes was praised by extreme music magazine Terrorizer, who wrote that "Dark Heresy's music is not about mind-numbing brutality and dazzling speed, but is about complex and reflective musical structures supporting complex ideas ... while the vocals swing from gruff grunts to choral chants", and described Diabolus In Musica as "one of the most inventive works from an occultist band." Writing in Isten magazine in 1996, Endre Begby described Dark Heresy as "speak[ing] a tonal language very uncommon in death metal" and "break[ing] out of the fifth and major/minor third patterns." He similarly compared part of Abstract Principles Taken to Their Logical Extremes to Morbid Angel's 1989 debut album Altars of Madness, while noting that other parts are "totally flipped out, finding no comparison in modern metal", and summing up that Dark Heresy "fuck with the very foundation of death metal as we know it". Heavy metal and hard rock website Worshipmetal.com agreed with these assessments when revisiting Abstract Principles Taken to Their Logical Extremes in 2017, noting the complex compositions, and adding that Dark Heresy "seemed to throw every single idea into the mix, culminating in a bewildering experience that managed to be both beautiful and brutal in the same breath", and finding similarities between Dark Heresy's music and that of Carcass, Pestilence, and the Mahavishnu Orchestra, and describing their approach to songwriting as "difficult to pin down but ... utterly unique nonetheless."
 Link Information: none Question: Who produced Dark Heresy's 1995 album?
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Answer: none