In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

[Q]: I am a big fan of the original book and this adaption is simply bad. First of all, it had trouble deciding if it is a kiddie toon or an adult one, that caused a strange mix of an adult story and some pretty violent scenes with a silly little duck that keeps giving "funny" moments in the beginning.But that's hardly important, the film is simply boring, unmoving and not true to the original story. It simply fails to transfer to the picture all the points Orwell tried to make to his book.{SPOILER}Second revolution?!! Haven't they guys learned anything?? Who be the next Napoleon then? Benjamin?!!
[A]: negative


[Q]: In the mid-1930s Hollywood was regaining its confidence after the difficulties of the talkie transition. Although all the technical problems of sound had been solved very quickly, it took longer to resolve the questions of how talking pictures should look, how they should be structured and how they should be acted. The Informer is a key picture in that it shows the extent to which wordless moments can convey story, asserting the power images without ignoring the necessities of sound and dialogue.This is not to say the Informer is truly a throwback to the golden days of the silents. For one thing, many silent pictures were not so purely visual in their narrative, and were overburdened with title cards. But what the Informer has is the self-assuredness to extend moments between dialogues, to focus on reactions more than speeches, and to let shots play out simply for atmosphere.Director John Ford, for all his capability, was a filmmaker who appears to have put in effort in proportion to how interested he was in the material. If he thought a story was silly, he just did it half-arsed. Luckily the Informer, with its depiction of community, honour, working class life and most importantly Irish setting, was everything Ford loved, and the result is one of his finest works. In it, Ford only really employs too kinds of shot. The first is of places  the Dublin streets shrouded in mist and darkness so their furthest depths cannot be seen; dingy interiors where the walls and ceilings seem to press in on us. The second is of faces, striking close-ups against plain backgrounds, usually without dialogue, focusing us upon the inner conflicts of these people.Lead man Victor McLaglen fits perfectly within this character and this manner of filming him. McLaglen's performance does not look like much, being as it is about 90% drunk act. But the other 10% is heartfelt emoting, as here and there his Gypo Nolan has what alcoholics refer to as a moment of clarity. With such performances are Oscars won. McLaglen is backed by a spot-on supporting cast, among whom there are no weak links. In particular it is nice to have Donald Meek and Una O'Connor, usually only seen in comic relief roles, playing straight dramatic parts for once (although Meek's appearance does contain one or two jokes, the tone of the scene and much of his manner is serious). Not only do these two deliver incredibly deep performances, their familiarity to most viewers as comedy players gives an added note of poignancy to their part in this tragedy.RKO, who produced the Informer, were perhaps the most adventurous and willing to take risks of all the major studios. Thanks to this, we are able to see a dismal story with a despicable anti-hero at its centre, which could easily have been a clunky, over-earnest mess, instead filled with a moody atmosphere and depth of character which keeps us watching and draws us into its world.
[A]: positive


[Q]: College student Alex Gardner (Nicholas Celozzi) is plagued by nightmares of a cellar-dwelling ghoul at Alcatraz. He dreams of cutting off his own hand, spitting up a worm, a ghoul ripping open his chest and being roasted over an open fire. After his friends see him levitating "6 feet" over his bed, a helpful, occult-obsessed teacher (Donna Denton) suggests that they sneak into Alcatraz to face his fears. Of course they go in the middle of the night when no one is around to help when things get out of hand!The group become stranded, Alex's brother Richard (Tom Reilly) becomes possessed and starts killing everyone. Toni Basil of "Mickey" fame shows up as the helpful ghost of Sammy Mitchell, lead singer of the group "Bodybag". She teaches Alex how to levitate out of his body and does a rock music dance intercut with repeat nightmare footage to pad out the running time. All of the victims show up as wisecracking ghosts a la the Griffin Dunne character in AN AMERICAN WEREWOLF IN LONDON. The script is full of plot holes, cheesy dialogue and lame attempts at comedy. Good FX work and cool opening credits (both by Ernest D. Farino) are the only things gaining any merit. Basil and Devo ("Whip It") do some songs on the soundtrack.Score: 2 out of 10
[A]:
negative