Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Ex Input:
CONTEXT: She doesn't want to torture Sherlock, she wants to play with him. Specifically, she wants him to play with her. At least, that's what the childhood version of herself wants and it manifests in modern day as the torturous puzzling she sets up for Sherlock. Eurus lacks human emotion and, thus, doesn't see what she does as torturing her brother.  <sep>  Q: What is Eurus's motive in the final problem A: She doesn't want to torture Sherlock, she wants to play with him. Specifically, she wants him to play with her  Q: Were they friends as children? A: that's what the childhood version of herself wants and it manifests in modern day as the torturous puzzling she sets up for Sherlock  Q: Does she kill redbeard? A: Eurus lacks human emotion and, thus, doesn't see what she does as torturing her brother  Q: Why does she want to torture him after 20+ years. A: Eurus lacks human emotion and, thus, doesn't see what she does as torturing her brother  Q: What season of Sherlock does all of this take place? A: s him to play with her. At least, that's what the childhood version of herself wants and it manifests in modern day as the torturous puzzling she sets up for Sherlock. Eurus lacks human e  <sep> FOLLOWUP_Q: What does she want to be a part of?

Ex Output:
No


Ex Input:
CONTEXT: Abaddon was a Knight Of Hell, thus a "Hired Gun" for Lucifer, since Lucifer was locked in "the Cage" in Hell, unable to walk the earth until the 2000s, when Sam was coerced into unlocking the seals. So in 1958 Abaddon was working for Lucifer and killed all the "Men of Letters".  <sep>  Q: Who hired Abaddon? A: Abaddon was a Knight Of Hell, thus a "Hired Gun" for Lucifer  Q: Why did Lucifer hire Abbadon in the first place? A: Lucifer was locked in "the Cage" in Hell, unable to walk the earth until the 2000s  Q: What happened in the 2000s? A: Sam was coerced into unlocking the seals  Q: What else can you tell me about the series or Abbadon in general? A: in 1958 Abaddon was working for Lucifer and killed all the "Men of Letters  <sep> FOLLOWUP_Q: What was Lucifer's plan?

Ex Output:
No


Ex Input:
CONTEXT: Science fiction appeals because of the mind-expanding quality, bizarre and unexpected scenarios in plausible ways. This often includes disorientation re: space and time, for example, in Planet of the Apes the planet turns out to be Earth, after the title implies some other world. Babylon A.D. also has a stop-short quality: if it doesn't quite make sense, that's the point. "Babylon" usually refers to the distant past or, as you say, the generic sense. "A.D." is both final and futuristic, not what we expect, this is neither the historical Babylon nor a generic reference. (If "C.E." is gradually being adopted, that adds to the effect.) Playfully bewildering titles aren't uncommon in fantastic films. One I've found intriguing is the U.S. title for Quatermass and the Pit (1967): Five Million Years to Earth. A few years later came Dracula A.D. 1972, and The X-Files did "Hollywood A.D." Thus, "Babylon A.D." seems less a plot reference (I haven't seen it) than an appeal to the tastes and cultural memory of s.f. viewers.  <sep>  Q: Why is the movie titled "Babylon A.D."?

Ex Output:

Yes