In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Q: Passage: The most significant early research of Early Netherlandish art occurred in the 1920s, in German art historian Max Jakob Friedländer's pioneering Meisterwerke der Niederländischen Malerei des 15. und 16. Jahrhunderts. Friedländer focused on the biographical details of the painters, establishing attribution, and examining their major works. The undertaking proved extremely difficult, given the scant historical record of even the most significant artists. Fellow-German Erwin Panofsky's analysis in the 1950s and 1960s followed and in many ways challenged Friedländer's work. Writing in the United States, Panofsky made the work of the German art historians accessible to the English-speaking world for the first time. He effectively legitimized Netherlandish art as a field of study, and raised its status to something similar to the early Italian renaissance.
Panofsky was one of the first art historians to abandon formalism. He built on Friedländer's attempts at attribution, but focused more on social history and religious iconography. Panofsky developed the terminology with which the Netherlandish paintings are usually described, and made significant advances identifying the rich religious symbolism especially of the major altarpieces. Panofsky was the first scholar to connect the work of Netherlandish painters and illuminators, noticing the considerable overlap. He considered the study of manuscripts to be integral to the study of panels, though in the end came to view illumination as less significant than panel painting – as a prelude to the truly significant work of the northern artists of the 15th and 16th centuries.Otto Pächt and Friedrich Winkler continued and developed on Panofsky's work. They were key in identifying sources of iconography and ascribing attribution, or at least differentiating anonymous masters under names of convenience. The paucity of surviving documentation has made attribution especially difficult, a problem compounded by the workshop system. It was not until the late 1950s, after the research of Friedländer, Panofsky and Meyer Schapiro, that the attributions generally accepted today were established.

A: What is the full name of the person who effectively legitimized Netherlandish art as a field of study?
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Q: Passage: In early 1900s Cincinnati, young and beautiful Ray Schmidt works in her father's shop by day and stays out late drinking beer and dancing with various men by night, although her stepmother disapproves. Ray dates for fun, mostly going out with traveling salesmen passing through town, and neither she nor her dates are interested in any permanent attachment. An exception is Kurt Shendler, who owns a bicycle shop near Mr. Schmidt's shop and aspires to get into the automobile business. Kurt is in love with Ray and asks her to marry him, but she refuses because while she likes Kurt, she doesn't return his romantic feelings.
While visiting the train station with Kurt, Ray meets Walter Saxel and the two fall for each other at first sight. Walter soon confesses to Ray that he is actually engaged to another woman in town, Corinne, who comes from a wealthy background and whose mother is friends with his own mother. Nevertheless he has fallen in love with Ray, and asks her to meet him at a local band concert that he will be attending with his mother. Walter hopes to introduce Ray to his mother and perhaps get her approval of the relationship. On the day of the concert, Ray is late arriving because her younger half-sister Freda is suicidal over her boyfriend, Hugo, leaving town. Freda begs Ray to go after Hugo and stop him, threatening to throw herself out a window if Ray does not help. By the time Ray has dealt with Freda's situation and gotten to the concert, it is over, and Ray cannot find Walter or his mother in the departing crowds. Walter, thinking she stood him up, writes her an angry letter and marries Corinne.

A: What is the first name of the person who tends to her suicidal sister after her sister's boyfriend leaves town?
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Q: Passage: Sabrina Fairchild is the young daughter of the Larrabee family's chauffeur, Thomas, and has been in love with David Larrabee all her life. David is a playboy, constantly falling in love, yet he has never noticed Sabrina, much to her dismay.
Sabrina travels to Paris for a fashion internship at Vogue and returns as an attractive, sophisticated woman. David, after initially not recognizing her, is quickly drawn to her despite being newly engaged to Elizabeth Tyson, a doctor.
David's workaholic older brother Linus fears that David's imminent wedding to the very suitable Elizabeth might be endangered. If the wedding were to be canceled, so would a lucrative merger with the bride's family business, Tyson Electronics, run by her father Patrick. This could cost the Larrabee Corporation, run by Linus and his mother Maude, in the neighborhood of a billion dollars.
Linus tries to redirect Sabrina's affections to himself and it works. Sabrina falls in love with him, even though she quotes others as calling Linus "the world's only living heart donor" and someone who "thinks that morals are paintings on walls and scruples are money in Russia."
In the process, Linus also falls in love with her.  Unwilling to admit his feelings, Linus confesses his scheme to Sabrina at the last minute and sends her back to Paris. Before she gets on the plane to Paris, her father informs her that over the years of chauffeuring the father of David and Linus, he listened. When Mr. Larrabee sold, he sold and when Mr. Larrabee bought, he bought. Sabrina jokingly says "So you are telling me that you have a million dollars?" Her father says no, he has a little over two million and that her mother would want her to have it.

A:
What is the first name of the person that the workaholic is worried might cancel the marriage?
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