In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: apparently , when crap calls , jim carrey answers .
here he is , mugging it up in countless unfunny ways for the fifth time , his second go - around in the role of pet detective ace ventura .
that means more talking ass - cracks , penis jokes and cries of " al - l - l - l - l - l - l - l - l - l - lrighty then .
"
it all adds up to a sequel that makes the original resemble schindler 's list in terms of dramatic merit , or lack of .
granted , there are a few laughs amid the constant barrage of pre - school humor , but anyone who appreciates good comedy will bang their head against the wall ten times for every minor chuckle .
it 's a painful experience for anyone with a brain .
ace is distraught after accidentally dropping a racoon into a canyon ( in a parody of the opening scene of sylvester stallone 's cliffhanger , jim carrey being the only person who can make stallone look like a college professor in terms of intellect , or lack of ) and decides to retire to the mountains of tibet to gain a higher level of consciousness ( or , in his case , a level of consciousness ) .
but he is pulled out of retirement to the tune of $ 20 , 000 to retrieve a sacred white bat for an african tribe .
why africa ?
so carrey can disguise himself nude inside a fake rhino and later climb out the rear end as a tourist family watches ( " look , the rhino 's about to give birth ! " ) .
if that seems like hee - haw humor to you , by all means , see the movie .
if not , claim your place in human civilization with the rest of us .
obviously , there are quite a few nonmembers of civilization who made this movie , like the first ace ventura film ( i use the word " film " only because it was filmed ,
not because there 's any level of artistic merit . ) , a huge success .
in fact , carrey only has a career because of the decline of intelligence in our culture .
you may say to me , " but andrew , look at jerry lewis .
he was born with a negative i .
q . and look how popular he was thirty years ago .
"
maybe , but i still say jerry lewis is a notch or two up on the comedic ladder because he never actually did an impression in a movie of a rabid bulldog biting off a man 's testicles . . .
lewis at least had the dignity to save that performance for when company came over .

Output: N


Input: Consider Input: it has been 20 years since a terrence malick film hit theaters .
his new film , the thin red line , is a strange , beautiful , enigmatic mess of a movie .
the first thing that jumps out to one when they see the advertisements for this film is the huge cast .
it is filled with above - the - title stars .
the cast , for the most part , gives great performances .
john travolta , whose role is nothing more than a cameo , seems not to have attacked his performance with that much verve .
george clooney , whose role became a cameo in editing , gives a strange performance .
one wonders if he knew that his performance would become the object of ridicule through a character 's narration .
the rest of the cast , especially nick nolte and elias koteas , are unambiguously fantastic .
these actors ( and they are , with two exceptions , men ) were lured by the name of malick .
terrence malick is a cinematic legend .
he has often been called " the j .
d .
salinger of cinema .
"
his two previous films , badlands and days of heaven , are spectacularly beautiful and obscure motion pictures .
after he made them , he disappeared for 20 years .
this film marks his return .
what he 's made with the thin red line is a film that seems less concerned with plot than with the emotion of the moment .
the narration which fills the film ( and perplexes many ) not only lets us hear the narrators ( the characters themselves ) pontificate , but also lets us hear such of - the - moment thoughts as " i 'm scared .
"
the rather simple plot of the thin red line is used as a canvas on which many stories are painted .
the plot couldly simply be boiled down to an assault on a hill .
a plot synopsis for the thin red line is difficult , because the story is fractured .
many stories are here , from the clash between the lieutenant ( elias koteas ) and the savage colonel ( a voracious nick nolte ) to the private ( ben chaplin ) who uses his love for the woman he left behind to keep him going .
the fracturing of the story is ultimately a fault .
it is as if an artist spent an incredible amount of time artfully sculpting tiny statues and then threw them into a box , shook the box , and poured the results onto a table .
this basically creates a mess , but the stories can be discerned and enjoyed .
i 'm not declaring that the film has no structure .
while saving private ryan used warfare to bookend the plot , malick uses reflection and glorious shots of nature to bookend about 90 minutes of combat .
the battles in the thin red line are astonishing and display a mastery of filmmaking . the astounding cinematography in this film must also be given notice .
this film uses color and light in such a fantastic way , that it will be sad to see it degraded when it has to bee transferred to video .
ultimately , malick has crafted a film that is a movie that enjoys looking through the treetops more than regarding the war that rages below them .
the film is filled with nature photography and the regarding of nature .
while some have said that the anti - war message and pro - nature tubthumping was juvenile , it was done with so much complexity and thought , that it can not ever honestly be called childish .
after seeing the thin red line , i was haunted by it and am quite ready to see it again .

Output: P


Input: Consider Input: making a sequel to a widely beloved film is a weighty proposition indeed , especially when the first film is considered by many to be a masterpiece .
when it comes to living up to expectations , a filmmaker is almost doomed to some degree of failure .
for a sequel to live up to or even surpass the original 's greatness is very rare indeed .
and whereas " babe : pig in the city " misses equaling the greatness of its best picture nominated predecessor babe
, it is a worthy companion piece .
more than that , it is a spectacular work of art that deserves to stand alone in its own right .
"
babe : pig in the city " warrants the classification of being recognized with such classics like " the godfather : part ii " and " the empire strikes back " as being one of the greatest sequels ever produced .
"
babe : pig in the city " picks up precisely where " babe " left off .
having won the sheep herding competition , farmer hoggett ( james cromwell ) and his pig are elevated to fame status .
a series of unfortunate circumstances and hilariously freakish events leads to mrs .
hoggett taking babe from the small country farm into the big city .
in doing so , the film transports us into a wonderfully imaginative world that simultaneously mirrors and exceeds the creative design seen in the original .
"
babe : pig in the city " flourishes where so many sequels fail .
most sequels simply rehash the events of the first film .
not " babe : pig in the city " .
this is a completely original tale that offers up a story drastically different than the first .
also , by not being content to utilize most of the old characters , this film gives us many new ones to enjoy .
in essence , it does n't attempt to copy itself .
instead , it strives to achieve an originality of its own .
and it succeeds .
that 's not to say the familiar is absent .
"
babe : pig in the city " retains some of the best core elements and characters from the first film .
along with babe himself , ferdinand the duck comes along for the ride , as does mrs .
hoggett ( one of this decade 's best and most underappreciated comic characterizations , hilariously performed by magda szubanski ) .
the three singing mice also make the journey , chiming in with their cute high - pitched vocals .
the story structure is also similar as each segment is introduced with title cards read by the aforementioned mice .
from there , we are guided once again by roscoe lee browne 's soothingly deep narrative .
composer nigel westlake also returns with his whimsical music style that is perfect for cinematic fables such as these .
but these elements are simply the frame that surrounds an entirely new painting .
while staying at the flealands hotel , babe encounters a veritable ark - full of new animals .
monkeys , kittens , and dogs of various breeds and sizes are some of the new " urbanites " that babe befriends , as well as some wonderfully comical pelicans that ferdinand the duck happens to encounter .
each character is distinctly unique , some of which are imbued with personal human - like struggles that are endearing and touching .
and while this world focuses largely on these animals , we are introduced to two new human characters as well .
mary stein plays the owner of the flealands hotel , an animal - loving young spinster who harbors these lost creatures much to the dismaying anger of her fellow neighbors .
stein 's landlady is a wonderfully odd caricature .
we also meet fugly floom , an old soft - spoken clown who owns many of the animals in the flealands hotel , utilizing them as a part of the act that he performs at different parties and functions .
not having known who portrayed fugly floom prior to seeing the film
, it came as an unexpected pleasant surprise to see who it was .
so as not to ruin this well - kept secret , i wo n't reveal the actor 's identity here .
it was a treat indeed to see one of cinema 's legends grace the screen again in what was a superbly gentle and heartwarming performance .
the greatest triumph of " babe : pig in the city " is the art direction .
simply put -- it bleeds creativity , taking the look of the original film to a whole new level . restricted primarily to a farm the first time around , this second installment creates an entire city , dazzling us with unique fable - like architecture .
but the stroke of pure genius by production designer roger ford is his use of our world 's architectural landmarks .
designing a skyline that includes the statue of liberty , the sydney opera house , the brooklyn bridge , the hollywood sign and the eiffel tower , ford has created a singular city that encompasses all of our cities ( as seen in the film photo and pre - production drawing to your right ) .
added to that , many of this city 's streets are the twin siblings of venice 's gondola - trekked rivers .
the metropolis that has sprung from ford 's vision is a wondrous sight to behold .
it is a world that you want to walk around in .
norma moriceau 's costume designs belong in this world , vibrant in color and style equal to that of the ford 's landscape .
most of the costumes are imaginatively cartoonish , with the most exotically grand design going to that of fugly floom 's clown outfit .
andrew lesnie 's photography captures these elements with various lighting moods that are beautifully effective in creating the film 's multiple emotional tones .
much press fodder has been made over the weeks leading up to the release of " babe : pig in the city " .
reports stated that its original cut was branded with a pg-13 rating .
these reports were discovered to be false as it was assigned a pg rating .
but even so , to be anything harsher than the original ' s
g rating had many parents and fans up in arms .
by deleting a minimal number of shots , " babe : pig in the city " was eventually given the coveted g rating .
although appeased , many fans were still concerned that it would be too dark , fearing that the film may have come to be possessed by tim burton himself .
well , to coin a phrase , the reports of " babe : pig in the city " 's death at the hands of a dark , scary , felliniesque interpretation have been greatly exaggerated .
granted it has its moments of pseudo - morbidity , but all - in - all " babe : pig in the city " is the funny and charming adventure that everyone was hoping it would be .
whatever " dark " moments it may have can be attributed to director george miller ( the " mad max " trilogy , " the witches of eastwick " , " lorenzo 's oil " ) . having served as a producer and co - writer on the first film , miller moves into the director 's chair for this one , putting his own unique sense of style into this budding franchise .
the story of " babe : pig in the city " is an enchanting yarn , but one that does n't achieve the emotional or character depth of the original .
missing here is the attempt to broach such heady themes as personal identity , an individual 's worth , challenging conformity , and one 's purpose in life .
"
babe " dealt with this weighty subject matter , creating a timeless fable .
"
babe : pig in the city " should not have rehashed these themes , but i do wish it would have attempted to explore new ones .
this film is not bereft of moral or message as it parallels such issues as urban strife , class differences , sacrificial courage , and so on .
but this film 's goals are n't as lofty as the first 's , instead choosing to take a more straightforward approach , allowing its themes to take a back seat to an exciting , sometimes intense , fable adventure that is undeniably clever and inventive .
"
babe : pig in the city " also decides against developing a relationship to the level of which was present in the first film , specifically the one between farmer hoggett and babe .
hoggett 's love for babe , which grew ever so gently , is what gave that film its charming and endearing quality .
best exemplified in hoggett 's dance for babe , this moving relationship was truly unique .
it is something that i wish would have been present again ( and could have through fugly floom ) , but was not .
please understand , these are not negative criticisms , per se ' , but simply statements of what i see as the differences between " babe : pig in the city " being a very good film and the original being a great one .
but having said that , these observations are minor critiques at best .
as an overall piece , " babe : pig in the city " is a thoroughly enchanting and entertaining fable from beginning to end .
sure , it is n't a great film , but it is an excellent one that possesses elements of greatness .
it is a film that is magical with its charm and humor , exciting in its adventurous exploits , funny with its dry wit and cute voices , and breathtaking in its presentation .
"
babe : pig in the city " may not be moviemaking at its absolute best , but it is on level of cinematic quality that is rarely achieved or seen in cinema .
as a result , if you choose to let this film pass you by , you will be missing of the year 's best cinematic treats .


Output: P