In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

[Q]: Canadian filmmaker Mary Harron is a cultural gadfly whose previous films laid bare some the artistic excess of the Sixties and the hollow avaricious Eighties. With "The Notorious Bettie Page" she points her unswerving eye at Fifties America, an era cloaked in the moral righteousness of Joe McCarthy, while experiencing the beginnings of a sexual awakening that would result in the free love of the next decade. Harron and her co-writer Guinevere Turner, are clearly not interested in the standard biopic of a sex symbol. This is a film about the underground icon of an era and how her pure unashamed sexuality revealed both the predatory instincts and impure thoughts of a culture untouched by the beauty of a nude body. If the details of Bettie's life were all the film was concerned about, then why end it before her most tragic period was about to begin. Clearly, Harron is more interested in America's attitudes towards sexual imagery then and now. Together with a fearless lead performance by Gretchen Mol and the stunningly atmospheric cinematography of W.Mott Hupfel III, she accomplishes this goal admirably, holding up a mirror to the past while making the audience examine their own "enlightened" 21st Century attitudes towards so-called pornography. As America suffocates under a new conservatism, this is a film needed more than ever.
[A]: positive


[Q]: Despite much style, flash, and glitter, this French musical fails to speak. The tunes are repetitive, predictable, and tedious. The story is uninteresting, as are the many characters. People break into song and dance, without motivation or reason. Most of the cast wears phony looking wigs and hairpieces, and the sets look hopelessly studio bound.To be honest, this video of the restored version was stopped before the end, so negative an effect it had on me. Certainly a shame, to have such a multi-talented cast in so feeble a final effort. Goes to show, I guess, where followups (in this case, to the great classic, "Umbrellas") often do go awry. One cannot recapture, only recreate.
[A]: negative


[Q]: "Happenstance" is the most New York-feeling Parisian film I've seen since "When the Cat's Away (Chacun cherche son chat). "A film from last year released now to capitalize on the attention Audrey Tatou is getting for "Amelie," its French title is more apt: "Le Battement d'ailes du papillon (The Beating of the Butterfly's Wings)" as in summarizing chaos theory as a controlling element in our lives.Tatou's gamine-ness is less annoying here because she only occasionally flashes that dazzling smile amidst her hapless adventures, and because she's part of a large, multi-ethnic ensemble, so large that it took me a long time to sort out the characters, especially as some of the cute guys and older women looked alike to me, and some of the characters fantasize what they should do such that I wasn't sure if they were doing that or not. But I loved how urban the coincidences were, from immigrants to love nests to crowded subway cars to hanging around cafés.The subtitles quite annoyingly gave both parts of a dialog at once.(originally written 12/8/2001)
[A]:
positive