In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

[EX Q]: Much overrated . When I first bought this cd I really liked it, but unlike most other cd's it sounded worse with time. After 2-3 months it was just sitting in my drawer and I found myself skipping stations on the radio when they played the Killers. After seeing them live at the Virgin Festival this weekend I know they are totally phony, not only is their cd bland but they are the worst live band ever. Do yourself a favor save your money on this one
[EX A]: NEG

[EX Q]: Uninspired . This record is not Robben Ford at his best, uninspired playing and singing and the lyrics are really at a low level, not a good record at all.
[EX A]: NEG

[EX Q]: NICE TRY! . The restoration of a Vivaldi opera must be a commendable effort specially if filling in big voids and rebuilding major missing parts of the masterpiece. Motezuma is such an example where ample musical and artistic license was taken to bring it to life. Like restoring a canvas where not only the colors and forms had faded but also sizeable parts were ripped off and lost, reconstructing Motezuma presents the challenge for the restorer of thinking and dreaming, and becoming as inspired as Vivaldi. In listening to Motezuma, one can pick up the original Vivaldian compositions from the reconstructed material as clear as looking at a combination painting part Picasso part Michelangelo. As much as such painting can be taxing to the eye, portions of this opera can be as disappointing to the ear. Except for several arias and the two sinfonias, the music has a touch and taste of the 1800's, but not of the baroque settecento. The juxtaposition of the restorative style is also distractive, and just does not work. It makes at times the orchestration devoid of the Vivaldi unf , charm, and texture.     Nonetheless, Motezuma's musical beauty can be found in great arias such as D'ira e Furor Armato, La Figlia Lo Sposo, Gl'otraggi della Sorte, D'ove La Figlia?, S'impugni La Spada, and performances by Vito Priante, Inga Kalna, and Marijana Mijanovic. Bravo for Vito Priante and his interpretation of GI'otraggi della Sorte, and D'ove la Figlia. He does a great ornamentation in the da capos, and turns up the volume in all the right notes. Just like "Terribile lo Sento", and "Orribile lo Scempio", "GI'otraggi" shares the same musicalization. Somehow, this version of the score is especially more dramatic and  subtlely more melodic.
[EX A]:
NEG