instruction:
In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.
question:
Ralph Meeker plays Mike Hammer, a tough Los Angeles private eye who is almost as brutal as the crooks he chases. Mike and his assistant/secretary/lover, Velda (Maxine Cooper), usually work on "penny-ante divorce cases."One evening on a lonely country road, Hammer gives a ride to Christina (Cloris Leachman), an attractive hitchhiker wearing nothing but a trench coat. She has escaped from a mental institution, most probably the nearby Camarillo State Mental Hospital. Thugs waylay them and Hammer awakens in some unknown location where he hears Christina screaming and being tortured to death. The thugs then push Hammer's car off a cliff with Christina's body and an unconscious Hammer inside. Hammer next awakens in a hospital with Velda by his bedside. He decides to pursue the case, for vengeance, a sense of guilt (as Christina had asked him to "remember me" if she got killed), and because "she (Christina) must be connected with something big" behind it all.The twisting plot takes Hammer to the apartment of Lily Carver (Gaby Rodgers), a sexy, waif-like woman who is posing as Christina's ex-roommate. Lily tells Hammer she has gone into hiding and asks Hammer to protect her. It turns out that she is after a mysterious box that, she believes, has contents worth a fortune."The great whatsit," as Velda calls it, at the center of Hammer's quest is a small, mysterious valise that is hot to the touch and contains a dangerous, glowing substance. It comes to represent the 1950s Cold War fear and paranoia about the atomic bomb that permeated American culture.Later, at an isolated beach house, Hammer finds "Lily," who has been revealed to be an imposter named Gabrielle, with her evil boss, Dr. Soberin (Albert Dekker). Velda is their hostage, tied up in a bedroom. Soberin and Gabrielle are vying for the contents of the box. Gabrielle shoots Soberin, believing that she can keep the mysterious contents for herself. She also shoots and wounds Hammer, who manages to find Velda. As Gabrielle slyly opens the case, it is ultimately revealed to be stolen radionuclide material, which in the final scene apparently reaches explosive criticality when the box is fully opened. Horrifying sounds emanate from the nuclear material as Gabrielle and the house burst into flames just as Hammer and Velda escape.Alternative ending[edit]The original American release of the film shows Hammer and Velda escaping from the burning house at the end, staggering into the ocean as the words "The End" come over them on the screen. Sometime after its first release, the ending was altered on the film's original negative, removing over a minute's worth of shots where Hammer and Velda escape and superimposing the words "The End" over the burning house. This implied that Hammer and Velda perished in the atomic blaze, and was often interpreted to represent the apocalypse. In 1997, the original conclusion was restored, where Velda and Mike survive. The DVD release has the original ending, and offers the truncated ending as an extra.The movie is described as "the definitive, apocalyptic, nihilistic, science-fiction film noir of all time â at the close of the classic noir period."[4], Question: What does the case contain ?
answer:
Answer: The case contains stolen radionuclide material,


question:
The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: A parallel plotline involves circus artists of which nationality?
answer:
Answer: Polish


question:
Georgina Salt (Heather Graham) is a young English contractor living in London who longs to have a baby, which she sees as the one thing missing from her life. In the opening scene, Zach, Georgina's long-time boyfriend, is talking on the phone with his sister, who has just had a baby girl. Georgina is obviously more interested in the baby than Zach. After Zach gets off the phone, the couple goes back into their bedroom where Georgina seduces Zach. Zach, however, uses a condom, much to the dismay of Georgina.The next day, Georgina goes shopping for a present for Zach's sister's baby with her mother. Georgina is taken away by the baby items around her and is saddened by it. When a doctor's ad for his clinic for women who want to get pregnant, but may not be able to conceive for much longer, Georgina's mother mentions her aunt. Presuming that her aunt was a lesbian, Georgina was never surprised that her aunt had no children, however her mother informs her that she was simply unable to have children; she was too late.A frantic Georgina spends Â£150 on a blanket, to the surprise of her mother, before leaving the store. At Zach's sister's house, Georgina is taken by the baby and is allowed to hold her as Zach goofs off with his sister's belly sculpture. After breaking the sculpture, Zach blames it on her three-year-old son and the couple soon leave.In the car, Georgina gets upset with Zach over the statue and she is about to ask him a question before he cuts her off saying, "I do not hate babies." Georgina jumps to the conclusion that he does hate babies and demands that he pull over and lets her out. Zach goes to a friend's house to 'crash' while Georgina heads home.Prior to this event, Georgia had gone to the clinic to see how many eggs she had left; her best friend Clem goes with her and receives the call that the two of them are to return. The doctor informs Georgina that she only has one egg left and that she'd be ovulating for four days. The two women go out on a 'date' with a young man named Justin, who is completely taken aback when Georgina announces that she has one egg left.Clem and Justin help Georgina form a plan to sleep with a random stranger. On day one, Georgina has an "open house" to rent out her apartment in order to lure men inside. The first few are turned away due to their looks or their gender preference. Finally, a man of great quality comes along, however just before he and Georgina kiss, Zach calls.Georgina kicks the man out and talks to Zach, but then hears a woman's voice saying, "Zach, darling, will you zip me up?" An angry Georgina hangs up the phone and Zach isn't too pleased with the woman - Alexandra. Alexandra is the daughter of a rich man who is funding Zach's latest documentary; she is also the reason why Georgina was unable to speak to Zach before he left for a trip.On day two, Georgina goes to a funeral to pick up a man overcome with "emotions" and isn't thinking too well. She takes him back to her apartment, leaves to get wine and as she is in the kitchen he discovers her "PLAN" sheet that has all the details about her seducing him on it. He is disgusted and leaves, as Georgina tries to explain herself.Day three, Georgina finds herself with Clem at a night club. They see a very good looking young man, dancing very seductively and attracting all the girls' attention, and Georgina goes to seduce him. Before successfully seducing the man, she rips her dress in several places to make herself more sultry.At the hotel, Georgina is about to go all the way with him, before she excuses herself to go to the bathroom. While she is taking out her breast pads and washing her mouth out, he steals some of her money and a card before leaving. Georgina comes out to find the lights off and him gone. After cursing her stupidity â and noticing her money and card gone â she goes home.During this time, Zach is seen trying to hurry back to London and has to take the ferry because Alexandra had taken the last ticket going to London. Georgina and Clem purchase sperm from the Internet and go out to buy a turkey baster. At this time, Georgia reveals to Clem that she only wants Zach, before she says that she can't believe that the future father of her child is a turkey baster.Georgina, seeming desperate at this point, turns to one of her employees who reveals that he is infertile just before the two of them can have sex. She then plans to go through with the artificial insemination, reading the directions as the sperm arrives. Her mother arrives with a birthday cake and Georgina accidentally squirts the sperm on the cake. Clem intends Justin, her so-called pet, to impregnate Georgina. A nervous Justin doesn't seem to want to go through with it. They go to a hotel room and Justin can't seem to get off, nor is he comfortable with this idea. Justin can't do it and backs out.She begins to spank him, before she is thrown out of the hotel by the staff. She runs into a friend of Zach's and is comforted by him. While hugging him, Zach walks in and assumes that they are having an affair and slaps his friend before leaving. Georgina runs after him, but loses him. She misses her chance to get pregnant and mopes around because she lost both her chance to have a baby and Zach.Ben, Zach's friend, comes over to check on Georgina and the two begin to talk about how awkward the situation was just as the doorbell rings. Clem gets it and turns out that it's Zach, who is outraged to find Ben and Georgina holding hands. He slaps Ben again, who, in turn, punches Zach. The two have a scuffle, during which Ben tells Zach that while Georgia is OK, she isn't Clem. Clem, hearing this, asks him to repeat that and after establishing that he likes Clem and not Georgina, he gets off Zach and goes to Clem.Georgina asks about Alexandra, who Zach admits is beautiful, but says that isn't all he looks for in a person. She isn't impressed by his reasoning, however Zach continues on trying to explain that he loves her and had never stopped. Zach reveals that he wants children too, however an upset Georgina leaves and Ben has to explain to Zach what had been going on. At work, Georgina's worker reveals that he understands why she left and leaves before Zach comes in with a dozen roses.Four months later, while Georgina is running her breasts and belly feel sore and goes to a clinic for a pregnancy test. She receives a call informing her that she is, in fact, pregnant. At a birthday party for Zach, it is revealed that they are engaged and Georgina tells him that sheâs pregnant. Zach is overjoyed about the news., Question: Who says they "do not hate babies"?
answer:

Answer: Zach