In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: with more and more television shows having gay characters , and even the infamous " ellen " sitcom being centered on the life of a lesbian , the movie industry too seems to be gaining more and more homosexual based plot lines .
the birdcage was critically acclaimed , as was this years chasing amy .
then along came in & out , and all three of these films are on my top ten list for the years in which they were released .
it 's also noticeable that this " alternative lifestyle " becomes less and less taboo as the years go by , and it seems that using comedy as a medium is proving a worthwhile effort .
while it 's a very serious issue to many , it is the comedies that people are flocking to see and that are gaining notoriety .
but the way we 're using comedy to present homosexuality is also changing quite dramatically .
while the gay community was once very stereotyped and used to laugh * at * , it is more and more becoming something we laugh * with * , and when a movie like in & out comes along , it is something that both heterosexuals and homosexuals should be able to thoroughly enjoy .
it does n't poke fun at the lifestyle , it simply uses it to all
it 's comedic capacity , just as love , sex , marriage , birth , death , and anything else has been .
the idea for in & out was born the day tom hanks won his oscar for portraying an aids - afflicted gay man in philadelphia .
if you remember , during his acceptance speech , hanks gave a highly emotional tribute to the gay community , and even sighted a former gay teacher of his as a major inspiration in his life .
it 's a serious and touchy subject , but producer scott rudin viewed it as the setting for a potentially hilarious comedy , and pitched it to screenwriter paul rudnick .
it 's true that if this same film had been written by a heterosexual , it may have been more controversial , but because it was written by an openly gay writer , the prerogative was set .
kevin kline , who only seems to become more and more acclaimed , stars as howard brackett , a high school english teacher in the small , picturesque town of greenleaf , indiana .
after a three - year engagement to fellow teacher emily montgomery ( joan cusack ) , a wedding date has been set , and the hubbub surrounding it is almost as big as that
surrounding another huge story - greenleaf high graduate cameron drake ( matt dillon ) is up for a best actor oscar .
the small town eagerly awaits both events , and both seem quite astronomical , but little does anyone know how much one will affect the other .
when cameron drake is announced the winner , the excitement is heightened as he pays tribute to his high school english teacher , mr .
brackett .
everyone is cheering back in greenleaf - that is until cameron tacks on those three calamitous words , " and he 's gay .
"
the town becomes silent as the entire population joins in a simultaneous jaw drop .
the thing is , nobody , including howard , can understand how cameron came to that conclusion , and such wild and unexpected news can only wreak havoc in such a conservative american haven such as greenleaf .
naturally the questions pour from howard 's fiancee , parents ( debbie reynolds & wilford brimley ) , students , and the high school 's principal , tom halliwell ( bob newhart ) , and the evidence starts to become more and more obvious : howard is clean , neat , honest , sincere , a romantic , and perhaps the most incriminating fact , he loves barbara streisand .
the frenzy is n't helped any when camera crews from every conceivable news magazine and " entertainment tonight " wannabe show up at greenleaf high the very next morning .
one particular reporter is peter malloy ( tom selleck ) of " inside entertainment " , who unlike the collage of other reporters , wants to spend a whole week in the life of howard brackett , including coverage of his wedding .
the intrusion is all but welcome by howard , who is going more and more out of his mind with each passing minute .
it seems that no matter where he turns , a camera is being shoved in his face and questions regarding homosexuality are being tossed to him like frisbees .
the dominoes begin to tumble as howard 's closest friends begin acting different and principal halliwell hints at a possible termination of employment should howard indeed be gay .
it all sounds very devastating , and it would be if it were n't presented with near - perfection by one of this year 's most delightful ensemble casts
.
kline seems only to improve with age , and he is downright perfect here .
the great thing about this film is that every single character has a moment to shine , and they use it wonderfully .
every single actor turns in one of their best performances ever .
dillon has never been so likeable , cusack
has never seemed so perfect for a role , and brimley , reynolds , and newhart
all provide huge laughs when they 're up to bat .
rudnick 's script is heavily laced with wit and humor , and you 'll likely find yourself laughing out loud for a solid ninety minutes .
while in & out does n't carry enough to give it four stars , it remains one of the best done films of the year , all - around .
the script is exuberant , the actors are absolutely top- notch , and we 're allowed just the perfect blend of heart - tugging so as not to bog down the laughs .
it remains a solid comedy throughout its entirety , yet we 're still allowed a sappily touching ending .
despite it 's subject matter , and one scene that comes almost too close for comfort on explaining gay sex , this is a movie that everyone could , and should , enjoy .
frank oz , best known as a voice talent for muppets
, directs this film quite delightfully , using all the potential rudnick 's script has to offer , which turns out to be quite a bit . check this one out .
you 'll have a gay old time .

Output: P


Input: Consider Input: robin hood :
men in tights is another mel - brooks - produced film in the classic tradition of movies like blazing saddles and young frankenstein .
mel brooks is well known for his comic look at regular life , his fast paced dialogue and sharp wit .
unfortunately , robin hood :
men in tights has none of the easy going humor of blazing saddles , none of the fun acting of young frankenstein , is devoid of the charm of spaceballs , and is even lacking the good , solid dialogue of history of the world .
it is , in short , one of the worst movies i have seen mel brooks , or anybody else , produce .
the plot borrows heavily from the well - received kevin costner movie of last year , robin hood : prince of thieves .
this is not surprising in and of itself , and could have been used to great comic effect , mainly by parodying scenes from the orginal movie .
mel brooks does not take advantage of this , however , and uses the film to launch several ideas into the air , none of which connect and none of which are explained later on .
the movie 's scenes could be shuffled around in any order and one would be hard pressed to notice .
cary elwes , of princess bride fame , plays robin of loxley , a man who was captured in the crusades , fighting with king richard .
he escapes and , joining with a man named achoo
( i am sure you can see the obvious joke ) , fights in england to reclaim his name and the throne for richard , which has been captured by evil prince john , played by funny comic richard lewis .
he also tries for the love of maid marian and attempts to overthrow the evil " sheriff of rottingham " .
a good adventure plot that is sadly unused .
elwes and lewis are both excellent comics , but the dialogue in the movie is simply excruciating .
neither actor has any good words to work with , and the lines simply are n't funny , nor believable .
perhaps the worst example of this is when the group of merry men encounter a man playing a macaulay culkin clone from the hit movie home alone .
this particular scene is so out of place and so badly acted , and followed by so many other scenes of equal miserable ideas , that i really felt like leaving the theatre .
much of the audience continued to look at their watches throughout , and some left the theatre .
chuckles were few and far between , and they mostly dealt with visual jokes ( such as an old , beaten up horse from " rent - a - wreck " ) then from any dialogue whatsoever .
scenes that could have been classics , such as the archery contest , are ruined by poor acting .
perhaps the largest problem with the movie is that it is simply offensive .
the basic plot , that robin has received a key that will unlock the chastity belt of maid marian , is not witty nor funny .
mel brooks as a circumcision - giving rabbi is also offensive to me and others in the audience ( not all jewish , either ) .
the movie simply tries to hard trying to be funny and by and large fails .
the addition of a blind man who stumbles around , falling off cliffs , walking into ledges and being a general buffoon could have had some humorous potential , but is also made terribly offensive .
the only reason to see this movie is the surprise actor at the end who plays king richard .
he is well worth waiting for , if you can stand an hour and half of unfunny dialogue , excruciating visual humor , old puns , ancient jokes and bad acting .
if you ca n't , do n't even bother watching this miserable film .

Output: N


Input: Consider Input: " virus " is a monster movie without a monster .
any movie with a hurdle that large to overcome had better be pretty damn good
otherwise .
sadly , " virus " does not deliver , on any level .
the movie opens with the russian space station mir about to transmit something ( we never find out what ) to a big boat with lots of satellites on it .
sudddenly , a wave of colorful lightning comes flying through space , and winds up destroying mir and using it to transmit itself to the aforementioned big boat .
cut to seven days later , we meet donald sutherland and his band of seafaring vultures .
see , they spend all their time sailing around looking for dead - in - the - water ships to rescue , and then collect the reward money .
at least , i * think
* that 's what they do .
along with many other things in the film , their reason for being out in the middle of the ocean is n't really explained .
so , they stumble upon this big boat with lots of satellites on it , and decide to haul it back to russian waters .
the only problem is , the crew starts disappearing one - by - one and turning into borg .
yes , borg .
complete with the red laser beam in place of an eye .
apparently , this alien lifeform can only survive if inside something electrical .
so , it creates make - shift machines and uses humans for " spare parts " .
blah , blah , blah .
i could go on forever describing the ludicrous so - called plot , but i wo n't .
suffice it to say the most original thing about this movie is having donald sutherland play an irish man ( !
) . everything else in this movie has been taken from other ( better ) movies .
for example , many of the machines resemble those found in the little - seen japanese movie , " tetsuo - the iron man " .
and the plot is right out of " aliens " .
the funny thing is , i was actually expecting to enjoy this movie .
i have a soft spot for cheesy monster movies , like last years under - appreciated " deep rising " .
but " virus " , as i mentioned earlier , does n't even have a monster .
it just has a big pile of circuits and wires and expects the audience to fear this ridiculous looking contraption .
" virus " is the type of movie that really makes you wonder what the screenwriter was thinking about when he wrote it .
besides the lame " monster " , it 's chock full of dialogue that no real person would ever say , and situations that no real person would ever allow themselves to get into .
for example , there is a scene late in the movie in which one of the characters actually attempts to * negotiate * with the alien !
now , i do n't know about you , but if i came upon a lifeform that viewed mankind as a virus to be eliminated , i doubt that i would attempt to reason with it .
that makes about as much sense as a baby squirrel calmly asking a fierce predator to spare his life .
finally , " virus " is n't scary .
the least the filmmakers could have done was to make the movie just a little scary .
as it is , it 's about as frightening as a box of cookies .
skip " virus " .
if it 's a cool monster movie you want , rent the far superior ( and the granddaddy of this genre ) " aliens " .


Output: N