You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

[Q]:  Larry Lipton (Woody Allen) and his wife Carol (Diane Keaton) meet their older neighbors Paul (Jerry Adler) and Lilian (Lynn Cohen) House in the elevator in a pleasant encounter. But the next night, Lilian is found to have died of a heart attack. The Liptons are surprised by the death because Lilian seemed so healthy.
The Liptons are also surprised by Paul's cheerfulness so soon after his wife's death. Carol becomes suspicious and starts to investigate, even inventing an excuse to visit him. An urn she finds in Paul's apartment contradicts Paul's story that Lilian had been buried. Larry becomes frustrated with Carol, telling her she's "inventing a mystery".
Carol sneaks into Paul's apartment while he's away and finds more telling signs. Helen's urn is missing, there are two tickets to Paris and hotel reservations with a woman named Helen Moss. Carol calls Ted (Alan Alda), a close friend who agrees with Carol's suspicions and urges her to keep snooping. When Paul returns unexpectedly, Carol hides under the bed and overhears Paul's conversation with a woman whom she suspects is Helen Moss.
Later, Ted tracks down where Helen Moss lives, and with Carol and Larry, they follow her to a theater owned by Paul. They discover that Helen (Melanie Norris) is a young actress. The three eavesdrop on Paul and Helen talking about money.
A few days later, Carol spots a woman who's a dead ringer for the supposedly dead Lilian House on a passing bus. Upon Larry's suggestion that Lilian has a twin, Ted investigates but finds Lilian has none. Larry and Carol trace this mystery "Lilian" to a hotel and, under the pretense of delivering a personal gift, they enter her hotel room, but find her lying dead on the bedroom floor. They call the police, who subsequently find no trace of the dead body.
The Liptons search the room for clues. While leaving, they get trapped in the lift and accidentally stumble across Lilian's body inside the emergency exit panel. Upon exiting to the street, they spot Mr. House putting the body in the trunk of his car. The Liptons follow him to a junk yard, where they see him dumping the body on a pile of scrap metal that's dropped into a melting furnace.
With the help of Larry's friend and client Marcia Fox (Anjelica Huston), they hatch a plan to bring Paul to justice by telling him they retrieved Lilian's body from the furnace. They will also trick Helen into a fake audition where her voice would be recorded, edited, and later used to harass Paul, by demanding he give Larry and Carol $200,000 or kill them if he wanted everything covered up. They knew he'd go for the latter, and hoped the police would catch him in the act.
The plan backfires as Paul kidnaps Carol and calls Larry, demanding Lilian's body, in exchange for Carol. Paul and Larry meet in the theater and get into a scuffle. Larry breaks free and searches for Carol, with Paul in pursuit. An array of mirrors and glass behind the theater reflect the movie being screened (Orson Welles' The Lady from Shanghai) and mislead Paul several times. Suddenly, Paul's loyal assistant Mrs. Dalton, an older paramour earlier brushed aside by Paul in favor of Helen, shoots him in an exchange of gunfire. Larry rescues Carol and they call the police.
After the cops arrive, Marcia explains that the dead body in the apartment was actually Lilian's rich sister, who bore a passing resemblance to Lilian but was not her twin. The sister had suffered a heart attack while visiting them, and the Houses decided to take advantage of the situation by claiming that it was Lilian who had died. Lilian would then assume the identity of her sister (a recluse living at the hotel) in order to manipulate her sister's will naming Lilian and Paul as sole beneficiaries. But Paul then double-crossed and killed Lilian, too, so he could run off with Helen.
[A]: How did the Liptons come across Lilian's body?


[Q]:  Allison "Allie" Jones (Bridget Fonda) is a software designer in New York City, engaged to Sam Rawson (Steven Weber). In the middle of the night, Sam's ex-wife calls, and it is revealed that he slept with her recently. A hurt and angry Allie throws Sam out, breaking off their engagement, and is comforted by neighbor Graham Knox (Peter Friedman), an aspiring actor. The next morning she attends a business lunch with Mitchell Myerson (Stephen Tobolowsky), a fashion house owner who is looking to buy Allie's revolutionary new program. He manipulates her into significantly reducing the cost, on the basis that his recommendations within the industry will be her future business. As he is her first and only client, she accepts.
Allie advertises for a new roommate to share her apartment in the Ansonia. She eventually settles on Hedra Carlson (Jennifer Jason Leigh), whom she nicknames "Hedy", and they become friends. Hedy tells of how she was supposed to be a twin but her twin was stillborn, leaving her with a constant feeling of loneliness. After a few weeks, however, Hedy becomes overly protective of Allie by erasing Sam's voice-mail asking Allie for a reconciliation. Later she buys a puppy that she names Buddy to bond with Allie. Hedy soon becomes jealous and upset when Sam is able to win Allie back.
Allie and Sam seek a new apartment for themselves. On their way back to Allie and Hedy's apartment, Allie is horrified to see that Buddy has fallen to his death from the balcony. Angry and upset, she accuses Hedy of leaving the window open resulting in the puppy's death. However that night while comforting a distraught Hedy, Sam tells her that "if anyone's to blame, it's my fault."
Myerson attempts to rape Allie on completion of their deal, insinuating that if she does not submit to him, he will warn off future clients and not pay her. She fights back and escapes.
To help Allie feel better, Hedy takes her to the salon for a haircut. When Allie is done, Hedy appears on the stairs dressed exactly like her including her haircut, which unnerves Allie. Later that night, Allie follows Hedy to an underground nightclub and witnesses Hedy passing herself off as Allie. Later while Hedy is taking a shower, Allie finds a shoebox containing letters addressed to Ellen Besch (Hedy's real name) as well as Sam's letter and a newspaper clipping on the accidental drowning of Hedy's twin sister when she was nine.
That night while Allie tells Graham the truth about Hedy, they are unaware that Hedy is listening back in their apartment. When Allie leaves, Hedy goes up to the apartment and attacks Graham.
When Sam returns the following night, Hedy again impersonates Allie and performs oral sex on him. After the act, Hedy begs Sam to leave Allie alone, but Sam refuses and insists on telling Allie the truth. Furious, Hedy kills him, gouging his eye with her stiletto heel.
The next day Hedy tells Allie she is about to leave. Later Allie sees a news report on Sam's death, realizes what has happened and tries to leave. Hedy takes Allie hostage at gunpoint. She states that everyone will assume Allie killed Sam since both Hedy and Allie resemble each other. In order to "protect" Allie, Hedy convinces her that they must run away. When Hedy leaves, Allie attempts to send a distress message, but Hedy catches her and angrily confronts her.
Myerson in the meantime notices his files being erased and rushes off to find Allie. He finds her tied up on the floor, but is attacked and killed by Hedy. Hedy attempts to persuade Allie to commit suicide, but Allie instead smashes the water glass in Hedy's face. The women struggle for the gun which Hedy points at Allie as she tries to run, begging Allie not to leave her. Allie coldly tells her, "I'm not like your sister, Hedy. Not anymore. I'm like you now." Graham regains consciousness and tries to assist Allie but the enraged Hedy refuses to give up. Allie drags Hedy off her friend, flees and is shot in the shoulder by Hedy.
A chase ensues from Graham's apartment to the elevator where Hedy chokes Allie unconscious and drags her towards the furnace. When Hedy finds Allie missing, she grabs a hook from a closet and screams for Allie to come out. Lured into thinking Allie is hiding in another closet, Hedy lashes out at a mirror inside. She is then stabbed in the back by Allie and they struggle briefly before Allie strikes one last blow. She then watches in horror and sadness as Hedy dies.
In an epilogue, Allie narrates that she has finally moved on. She forgives Hedy for killing Sam, and keeps trying to forgive herself for Hedy. She states that Hedy's survivor's guilt was her downfall. Allie states that she knows what happens to those people. The final shot is a photo of her and Hedy's faces superimposed as one.
[A]: What did Mitchell Meyerson attempt after his business transaction with Allie was completed?


[Q]:  The first book of the History, after a brief review of early Greek history and some programmatic historiographical commentary, seeks to explain why the Peloponnesian War broke out when it did and what its causes were. Except for a few short excursuses (notably 6.54-58 on the Tyrant Slayers), the remainder of the History (books 2 through 8) rigidly maintains its focus on the Peloponnesian War to the exclusion of other topics.
While the History concentrates on the military aspects of the Peloponnesian War, it uses these events as a medium to suggest several other themes closely related to the war. It specifically discusses in several passages the socially and culturally degenerative effects of war on humanity itself. The History is especially concerned with the lawlessness and atrocities committed by Greek citizens to each other in the name of one side or another in the war. Some events depicted in the History, such as the Melian dialogue, describe early instances of realpolitik or power politics.
The History is preoccupied with the interplay of justice and power in political and military decision-making. Thucydides' presentation is decidedly ambivalent on this theme. While the History seems to suggest that considerations of justice are artificial and necessarily capitulate to power, it sometimes also shows a significant degree of empathy with those who suffer from the exigencies of the war.
For the most part, the History does not discuss topics such as the art and architecture of Greece.
[A]:
What two forces does the history investigate when examining the evolution of political and military decisions?