You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Example Input:  John Whitney, an anthropologist for the Museum of Natural History in Chicago, studies a tribe in South America and drinks a soup made by the tribesmen. Shortly after, Whitney accosts a merchant ship captain, asking him to remove the cargo he had intended to send to Chicago off the ship. Unwilling to delay the ship's departure, the captain refuses and Whitney sneaks aboard. Not finding his cargo, he cries out. Six weeks later, the ship arrives on the Illinois River with its crew missing. Chicago PD homicide detective Lieutenant Vincent D'Agosta and his partner, Sgt. Hollingsworth, investigate the ship and find dozens of bodies and severed heads in the bilge.
Dr. Margo Green, an evolutionary biologist, arrives at work at the museum. She and her mentor, Dr. Frock, examine Whitney's crates. The crates are empty, except for a bed of leaves and a stone statue of the "Kothoga", a mythical forest monster. Margo notices a fungus on the leaves and sends it to be analyzed. That night, Fred Ford, a security guard, is murdered like the ship's crew. D'Agosta suspects a connection. Believing the killer is still inside the museum, he orders it closed until the police have finished searching. Dr. Cuthbert, the museum director, protests and mentions an important upcoming exhibition.
Margo discovers the fungus contains concentrated hormones found in several animal species. In the container of leaves, she finds a mutated beetle that possesses both insect and reptilian DNA. Ford's autopsy reveals that his hypothalamus was extracted from his brain, like the bodies from the ship. In the museum's basement, the police are startled by a mentally-ill, homeless ex-convict and kill him. Finding Ford's wallet on him, everyone except D'Agosta considers the case closed, though the mayor forces D'Agosta to let the exhibition proceed.
On the opening night, D'Agosta orders a lock-down of all museum areas except the main exhibition hall. Dr. Frock and Margo, trapped in the laboratory wing, continue working and discover Ford's killer is after the hormones on the leaves. D'Agosta and several officers search the basement tunnels once again. They are attacked by an unseen creature. D'Agosta tells Hollingsworth to evacuate the museum, but he is too late. In the main hall, the headless body of a murdered policeman falls into the crowd, causing a panic. During the hysteria, the museum's alarms are tripped and their security system goes haywire, trapping a small group of people inside. Two security guards try to restore the power but are killed by an unseen creature.
D'Agosta meets Margo and Dr. Frock in the lab, where a Kothoga, an enormous chimeric beast, attacks them; they close a steel door to stop it. Margo theorizes the fungus mutated a smaller creature, and Dr. Frock says that without the leaves to eat, the Kothoga instinctively seeks the closest substitute, human hypothalami, until it runs out of targets and dies. D'Agosta finds a radio and tells Hollingsworth to lead the museum guests out via an old coal tunnel. Several guests refuse to go; the Kothoga returns to the main hall and murders them and the S.W.A.T. officers who enter through the skylights.
Margo suggests using liquid nitrogen to kill the Kothoga, as it is part-reptilian and likely cold-blooded. While collecting the remaining leaves in the lab, Margo and D'Agosta discover Dr. Frock has been killed. In the sewers, D'Agosta uses the leaves to lure the Kothoga away from the coal tunnel, allowing the guests to escape. However, liquid nitrogen has no effect on the creature. Margo and D'Agosta flee. In the lab, her computer completes the analysis of the creature's human DNA, revealing Whitney is the Kothoga, mutated after drinking the tribesmen's soup.
The Kothoga smashes into the lab through the ceiling, while D'Agosta is locked outside. The creature chases Margo, corners her, and suddenly pauses, seemingly recognizing her. Margo starts an explosive fire that destroys the Kothoga, surviving by hiding inside a maceration tank. As dawn comes, D'Agosta and a team of police break into the lab, see the charred remains of the Kothoga, and rescue Margo from the tank.
Example Output: What does Margo suggest to kill the Kothoga?

Example Input:  Loss and Gain describes the religious climate of Oxford University during the 1840s, a time of great contention between various factions within the Church of England. Some factions advocated Protestant doctrines, renouncing the development of doctrine through tradition and instead emphasising private interpretation of scripture. Against these and other liberal religious factions, the Oxford Movement, of which Newman was a leading member, advocated a Catholic interpretation of the Church of England, claiming that the Church and its traditions were authoritative. Amongst all of these thinkers, however, the Roman Catholic Church was despised as having abdicated its claim to doctrinal authority by introducing superstition into its practice. Accordingly, when Newman converted to Roman Catholicism in 1845, he met with vehement criticism. In Loss and Gain, Newman's first publication after his conversion, he expressed the intellectual and emotional development that led him to Roman Catholicism and the response his conversion elicited. Newman was in his 40s and was an esteemed theologian at the time of his conversion, but in the novel he displaces his experience onto Charles Reding, a young student entering Oxford and experiencing its intellectual climate for the first time. Although Charles attempts to follow a conventional path and avoid being influenced by "parties" (i.e. cliques advocating trendy sectarian views), he soon discovers that he is inclined towards Roman Catholicism. He struggles against this inclination but eventually decides he must convert, a decision that causes great consternation to his family and friends but leads to personal fulfilment.Charles Reding arrives at Oxford University planning to follow the advice and example of his father, and to submit to the teachings of the Church of England without becoming involved in any factious parties. Reding is inclined towards a form of Latitudinarianism, following the maxim "Measure people by what they are, and not by what they are not." His conversations with his friend Sheffield convince him, however, that there must be right and wrong answers in doctrinal matters. To follow the right views, Reding seeks a source of Church authority, and is disappointed to find only party dissension and the Protestant doctrine of Private Judgment, which locates interpretive authority in the individual and thereby leads (in Newman's view) to the espousal of contradictory views. Furthermore, Reding begins to have doubts about the Thirty-nine Articles, to which he must subscribe to take his degree. His doubts are briefly dispelled following the death of his father, but return soon afterward. In particular, several brief encounters with Willis, a former Oxford peer who converted to Roman Catholicism, greatly excite and trouble him. Suspicious of his speculations, Jennings forces Reding to live away from Oxford while studying for his exams, so as not to corrupt other students. Reding confesses his doubts to his sister Mary, who does not understand them and loses trust in her brother. When Reding finally decides he must convert, Mary, his mother, and several family friends express resentment and anger. He travels to London, on the way receiving encouragement from a Catholic priest (perhaps Newman himself), the first he has ever met. While in London Reding is confronted by emissaries from various religious and philosophical sects who, hearing about his departure from the Anglican Church, want to recruit him for their own causes. Ultimately, however, Reding arrives at the Passionists Convent, where he joins the Roman Catholic Church.
Example Output: When were the religious tensions occurring at Oxford University?

Example Input:  The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits  all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde  (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo s palace, Diana s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the  counterfete  gods saying,  For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete  (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos  name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to  determyne that doute  (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
Example Output:
Where does the battle between Virtue and Vice take place?