instruction:
In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.
question:
Question: What is the age difference between the author of the novel Witnesses and the person who adapted it for the screen? Passage:After the political changes in 2000, Croatian cinema proved it could work in a completely free environment for the first time. As a result, at the beginning of this decade Croatian cinema flourishes again, and many critics write about "third golden era" (after the 1950s and 1960s). One of the most popular authors in the contemporary Croatian cinema is Vinko Brešan whose comedies Kako je počeo rat na mom otoku (How the War Started on My Island, 1997), and Maršal (Marshal Tito's Spirit, 1999) mix grotesque humor and political provocation. Brešan's war drama Svjedoci (Witnesses, based on a novel by Jurica Pavičić) was the first feature film from countries of former Yugoslavia which discussed the war crimes committed by "our guys", not the enemy. Film was screened in competition at the Berlin Film Festival in 2003. A Wonderful Night in Split (Ta divna splitska noć, 2004) by Arsen A. Ostojić received a nomination for the European Discovery EFA award, and Tu (Here, 2003) by Zrinko Ogresta was awarded at the Karlovy Vary Film Festival. Among other distinguished contemporary directors, internationally most recognized is Ognjen Sviličić, whose two films premiered at the Berlin Film Festival - Oprosti za kung fu (Sorry about Kung Fu, 2004) and Armin (2006). Armin was also Croatia's submission for the 2008 Academy Award, and although it didn't earn a nomination in the Best Foreign Language Film category, it did nevertheless receive the prestigious Best Foreign Film of 2007 Award given by the International Federation of Film Critics.

answer:
b


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Question: What is the location of the headquarters for the company Bremer Broadcasting sold its station to in 1957? Passage:On October 6, 1957, Bremer Broadcasting announced it had sold its stations for $3.5 million to National Telefilm Associates (NTA), an early distributor of motion pictures for television, joining its NTA Film Network. On May 7, 1958, channel 13's call sign was changed to WNTA-TV to reflect the new ownership; the radio stations also adopted these call letters. NTA's cash resources enabled WNTA-TV to produce a schedule of programming with greater emphasis on the people and events of New Jersey, compared to the other commercial television stations. NTA also sought to make channel 13 the center of a new commercial network, though during its run the NTA Film Network offered only one night of "in-pattern" network programming, Friday nights in 1957–58, and for most purposes WNTA served as the New York showcase for nationally syndicated programming and produced several such entries, notably the anthology drama series Play of the Week; the talk show Open End, hosted by David Susskind; children's show The Magic Clown; and a popular dance program emceed by Clay Cole. The station continued to lag behind New York's other independent stations—WNEW-TV (channel 5), WOR-TV (channel 9) and WPIX (channel 11)—in terms of audience size, and NTA incurred a large debt load. National Telefilm Associates put the WNTA stations up for sale in February 1961.

answer:
b


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Question: What party or parties did the Labour Party beat in the 1918 election? Passage:The United Kingdom's Representation of the People Act 1918 gave near-universal suffrage to men, and suffrage to women over 30. The Representation of the People Act 1928 extended equal suffrage to both men and women. It also shifted the socioeconomic makeup of the electorate towards the working class, favouring the Labour Party, which was more sympathetic to women's issues. The 1918 election gave Labour the most seats in the house to date. The electoral reforms also allowed women to run for Parliament. Specifically, the Parliament (Qualification of Women) Act 1918 gave women over 21 the right to stand for election as an MP. Christabel Pankhurst narrowly failed to win a seat in 1918, but in 1919 and 1920, both Lady Astor and Margaret Wintringham won seats for the Conservatives and Liberals respectively by succeeding their husband's seats. Labour swept to power in 1924. Constance Markievicz (Sinn Féin) was the first woman elected in Ireland in 1918, but as an Irish nationalist, refused to take her seat. Astor's proposal to form a women's party in 1929 was unsuccessful. Women gained considerable electoral experience over the next few years as a series of minority governments ensured almost annual elections, but there were 12 women in Parliament by 1940. Close affiliation with Labour also proved to be a problem for the National Union of Societies for Equal Citizenship (NUSEC), which had little support in the Conservative party. However, their persistence with Conservative Prime Minister Stanley Baldwin was rewarded with the passage of the Representation of the People (Equal Franchise) Act 1928.

answer:

b