Given a document, an entity and its sentiment towards the entity, verify if it is the correct sentiment towards the entity. Answer should be yes or no. Note that URLs in the text have been replaced with [Link].

Ex Input:
Verify if the sentiment of the following document towards the entity Baker Mayfield is Neutral . JUST SHORT:  Baker  Mayfield unable to lead Oklahoma to victory in final game
But things changed radically in the third quarter. Suddenly  Georgiaâs defense was dominant.  Baker  Mayfield felt pressure â and unlike so many games throughout  his  career  was unable to escape it;  he  was sacked three times in the pivotal third quarter  which the Sooners spent bottled up in their own end of the field  and threw an interception on the first play of the fourth quarter  leading to the Bulldogsâ go-ahead touchdown. Offensively  Georgiaâs running game kicked into high gear  with Nick Chubb and Sony Michel each scoring touchdowns on long runs.
Although  Mayfield  tied  it  with a fantastic drive midway through the fourth quarter â and Oklahoma took the lead on a defensive score â Jake Fromm matched him  leading the Bulldogs to the tying score with 55 seconds left.
Georgiaâs freshman quarterback was overshadowed in the run-up to the game by Baker Mayfield  the Heisman winner. And he didnât touch the ball on the final play; Sony Michel took a direct snap to the house.
Discombobulated by Oklahoma in the first half  Georgia turned things around with a dominant third-quarter performance. Oklahoma led by 14 and got the ball to start the quarter. But Georgia sandwiched a pair of three-and-outs around a 50-yard touchdown run by Nick Chubb  then stopped Oklahoma again.  Baker Mayfield  who was rarely touched  in the first half  spent the third quarter on  his  back â including two sacks on consecutive plays to stall one possession. When  Mayfield âs third-down pass intended for tight end Mark Andrews sailed high  it was an easy interception for safety Dominick Sanders  who returned it to the 4.
The rookie head coachâs well-earned reputation as a strategist and playcaller was on full display from the beginning  when  Baker Mayfield  connected with fullback Dimitri Flowers on consecutive plays for 26 and 16 yards. The Sooners mixed runs and passes â and had especially nice calls on third downs  including screens to beat blitzes and shallow crossing routes that became long gains. The tour de force came at the end of the first half  when on third-and-goal from the 2  Riley dialed up a toss to Flowers going left â¦ that became a reverse to receiver CeeDee Lamb â¦ that finished as a run-pass option for the receiver  who lofted an easy touchdown pass to  Mayfield  in the back corner of the end zone.

Ex Output:
yes


Ex Input:
Verify if the sentiment of the following document towards the entity Jerry Richardson is Neutral . It has been a long time since two teams induced as many sofa spasms as the New England Patriots and Pittsburgh Steelers did  with those three false endings in the last two minutes. You thought  finally  the NFL is all about the game again. But just then  the skin-crawly headline came across the bottom of the screen  turning attention away from Tom Brady and Ben Roethlisberger to an old pot-belly named Jerry Richardson.
[Panthers owner Jerry Richardson announces plan to sell team amid NFL investigation]
Yet the viewer’s head swiveled back and forth between the Patriots-Steelers epic in the icing rain  and the alleged fetishes and racial attitudes of Carolina Panthers owner  Richardson  in  his  owner suite. On Friday  the Panthers announced that Richardson was being investigated for workplace abuses  and by Sunday morning  the story had exploded when Sports Illustrated published a host of sordid specific accusations ranging from sexual harassment to using a racial slur against an employee. These included Richardson supposedly asking to shave the legs of female employees and demanding to examine their backsides in their jeans.
But that wasn’t the end of the NFL day. Not thirty minutes after the final play in Pittsburgh  with fans still filing out of the stadium  came the seismic announcement that  Richardson  will be selling the Panthers  the franchise  he  has owned since it was founded in 1993. No explanation was offered  or needed. You have to assume that the disclosures were going to get uglier.
[Analysis: Forget the catch rule. The league has a replay problem] 
Richardson  is a perfect example of the extent to which the sheer girths of owners’ egos are eclipsing what should be the NFL’s true narrative: the game. Their incessant internecine rivalries and power struggles have become a chronic story line. It was  Richardson  who set the poisonous current tone of management-player relations  when  he  declared during the 2011 collective bargaining that the owners had “a [expletive] deal and we’re going to take back our league and [expletive] do something about it.” It was  Richardson  who  inexplicably grown arrogant on  his  Hardees franchise money  sat across a table and barked at Peyton Manning: “Do I need to help you read a revenue chart  son? Because I don’t know if you know how to read that.”
Richardson  no doubt  is also capable of individual kindness  and other owners will profess sorrow over his decision to sell  and wax nostalgic over the fact that he once caught passes from Johnny Unitas with the 1959-60 Baltimore Colts.  Richardson  is a self-made man  the first player since George Halas to acquire an ownership stake. But  Richardson   sadly  has acted as a toxic hardliner devoted to ensuring that no other player would ever be treated like a partner or equal.

Ex Output:
yes


Ex Input:
Verify if the sentiment of the following document towards the entity Jeff Tweedy is Neutral . Mavis Staples  was just eight years old when  one evening in 1948   her  father  Roebuck "Pops" Staples  sat  her  and  her  siblings down on the floor of their South Side Chicago apartment  and taught them their first-ever song: the country-gospel traditional "Will the Circle Be Unbroken."
Seventy years later  and little more than 10 miles north of that same childhood home  Mavis Staples was in  Jeff Tweedy's  loft recording studio listening to some new songs  he  had written when  Tweedy  began strumming a plaintive folk number called "Peaceful Dream."
As soon as  he  began to play the song  Staples was immediately reminded of her first experience as a singer.
 Tweedy  was overjoyed; that's exactly what  he  had intended.
"Mavis "  he  responded  "I'm even playing a couple of Pops' guitar licks in there."
"Peaceful Dream" forms the backbone of Staples' latest album  If All I Was Was Black  her third collaboration with  Tweedy  since 2010. It is the latest release in an incredibly prolific period of work from Staples  during which she has toured nearly constantly  appeared at several high-profile tribute concerts in her honor  and found time to team up with M. Ward for her rootsy 2016 record Livin' on a High Note.
But unlike her first two cheery  largely apolitical records with  Tweedy   including  their  Grammy-winning 2010 collaborative debut You Are Not Alone  Staples' new album â out November 17th â is a pointed piece of social commentary that directly recalls the social-justice anthems Mavis once sang with the Staple Singers alongside Dr. Martin Luther King in the Sixties.
"Mavis was really surprisingly OK with sounding angry  " Tweedy  says of their new album. "It's the first time since we started working together where there's been a righteous anger that she's been comfortable with."
"Mavis and I talked about how sadly  the time isn't right to put out another happy  feel-good record " Tweedy explains. "It's time to remind people that the songs that she sings from the time with her father and the Staple Singers  back when they were embedded in the civil-rights movement  those songs aren't nostalgic. I think people can sometimes take them that way when she does her shows. I thought it would be great if we could make a record that was all about now and that really hammered home the point that this is not a struggle that's over. In a lot of ways it's not a struggle that  we 've even begun the types of conversations that we need to have."
"I've never taken 'Freedom Highway' out of my set  because I knew  we  weren't finished  my work wasn't finished " says Staples. "But I never thought I'd have to go this far."
"Jeff Tweedy and I knew  we  had to get back together " she continues. "I had to get back to the master  back to the downright poet. Me and Jeff Tweedy   we 've been there  I more so than Tweedy has  and  we  know what  we 're talking about   we  know what needs to be heard."
One song that Staples specifically played a large part in writing was the title track. In its earliest stage   Tweedy  was hesitant about even singing the song himself  asking Staples if  she  thought it was OK for  him  to show  her  an early version of the song. "There's a demo version of me singing 'If All I Was Was Black '"  Tweedy  says with nervous laughter. "I don't know if that should ever see the light of day."
When  her  record label was testing out various ideas for the album cover  Mavis Staples insisted on a stark  side-profile photograph of the singer that covered most of her face in dark shadows.
"They were trying out some different ideas and I said no  'Just put me on the cover  black as I can be '"  she  says. "It's beautiful."
Staples was inspired to record  her  new album  in part  by a recent slew of young singers  she 's seen carry on  her  tradition of socially minded freedom songs. In the past year alone  Rhiannon Giddens named  her  most recent album Freedom Highway (and covered the Staple Singer original)  while artists like Gorillaz and Benjamin Booker have enlisted Staples to sing on 2017 anthems like "Let Me Out" and "Witness."
When Staples first heard the latter  written by Booker   she  thought  "Lord  thank you Jesus  we got some help. Me and  Tweedy  got some help."

Ex Output:

no