In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

Input: Consider Input: The film opens at St. Anne's Academy, a California Catholic school in 1968, where a young girl named Deloris Wilson is scolded for wisecracking and disobeying rules. The setting then changes to the present day, where Deloris Van Cartier is a lounge singer working in a casino called The Moonlight Lounge, located in Reno, Nevada run by her boyfriend, Vince LaRocca, a mobster. After Deloris witnesses Vince executing a chauffeur, Vince orders his men Joey and Willy to kill her too. Deloris flees Vince's casino to the local police station where Lieutenant Eddie Souther suggests she testify against Vince if he can be arrested and tried, but for now, she should go into witness protection until the time comes.Deloris is taken to St. Katherine's Roman Catholic Church in a seedy run down neighborhood of San Francisco, where Souther suggests she disguise herself as a nun. Both Deloris and the Reverend Mother object, but are convinced by Souther and Monsignor O'Hara to go ahead with it. Deloris becomes a nun and is given the name "Sister Mary Clarence". Mary Clarence objects to following the simple lives of the nunnery, but comes to befriend several of the nuns, including the forever jolly Sister Mary Patrick, quiet and meek Sister Mary Robert, and the elderly deadpan Sister Mary Lazarus. After sneaking into a nearby bar, Mary Clarence is punished by Reverend Mother and put into the choir, which she has seen to be dreadful. The choir nuns, having heard "Sister Mary Clarence" has a background in music, elect her to take over as choir director, which she accepts, and she rearranges them to make them better singers. At the Sunday Mass, the choir sings perfectly before going into a gospel and rock and roll-infused performance of "Hail Holy Queen".The Reverend Mother is infuriated, but Monsignor O'Hara is thrilled as the music brought people in off the streets. The choir cleans up the neighborhood and wows church-goers with their music, with Souther eventually attending a performance of "My Guy" (appropriately rewritten as "My God"). Eventually, O'Hara announces to the choir that Pope John Paul II is to visit the church to see the choir himself. Reverend Mother decides to hand in her resignation since her authority has been unintentionally undermined, but Mary Clarence offers to leave in her stead, to which the Reverend Mother disagrees. Detective Tate, a police officer on Vince's payroll, finds out where Deloris is and contacts Vince, who sends Joey and Willy out to grab her. Souther realizes Tate's betrayal, has him arrested, and flies to San Francisco to warn Mary Clarence, but she is kidnapped by Vince's men.The nuns, led by the Reverend Mother risk their lives by going to Reno to save Mary Clarence. Meanwhile, she escapes Vince and his men, leading to a chase around the casino until the nuns find her and try to sneak out. Vince, Joey and Willy confront the nuns, but are unable to bring themselves to shoot Deloris while she is in a nun's habit, and Souther bursts in, shoots Vince in the arm, and has the men arrested. The film ends with the choir, led by Deloris, singing before the Pope "I Will Follow Him", earning a round of applause that is led by the Pope and Reverend Mother. The end credits reveals Deloris' secret life as a nun was sold to the media and has become a sensation., Question: Where is the Moonlight Lounge located?

Output: Answer: Reno


Input: Consider Input: The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: A parallel plotline involves circus artists of which nationality?

Output: Answer: Polish


Input: Consider Input: Luca Di Angelo (Fabio Testi) is a smuggler, one member of an organized team trafficking cigarettes and booze up and down the coast off Naples, Italy. After a run-in with the police in which the smugglers manage to get away by faking a boat explosion resulting in the police motorboats responding to the false emergency allowing the smugglers to get away, Luca and his brother Mickey suspect Scherino (Ferdinand Murolo), the head of a rival gang of smugglers, of passing on their actives. Lucia and Mickey take their accusations to their boss Perlante (Saverio Marconi) a sleazy playboy withy numerous Mafia connections, who agrees to look into it. After a nighttime fire at Mickey's racing stables kills a valued racehorse, he and Luca drive over to inspect the damage. But on the way, they are stopped at a fake police roadblock where the assassins dressed as policemen trick Mickey into getting out of the car and machine-gun him to death over and over again (a homage to Sonny Corelone's death scene in The Godfather), while Luca barely escapes injury by hiding on the floor of the car.Afterwards, Perlante suggests that Luca leave town for a few days, but he refuses. After his brother's funeral, conducted on the gang's speedboats in the Bay of Naples, with the police surveying them, Luca vows revenge. Despite his wife Adele's (Ivana Monti) pleas, Luca goes after the prime suspect: Scherino. That night, Luca breaks into Scherino's house, but gets spotted and severely beaten up by Scherino's henchmen. However, Scherino spares Luca's life. He tells Luca that he had no part in Mickey's killing.After Luca recovers from his injuries thanks to a local doctor named Charlie (Giordano Falzoni) who treats injuries for large bribes of cash, Luca meets with an informant who gives him a tip to who ordered the hit on Mickey. Traveling to a derelict fishing boat in the marina where a hood is making a drug pick-up, Luca tortures him for information about his boss, whom Luca learns is a Frenchman called Francois Jacios, aka: The Marsigliese. Luca calls Perlante, who tells him more about the vicious gangster, and who is muscling into Italian organized crime to deal in hard drugs. At his hideout in Naples, the Marsigliese (Marcel Bozzufi) is meeting Ingrid, a German drug courier from Frankfurt wanting to sell him some heroin. When the Marsigliese sees that the heroin is 'cut', he has her face horribly burned by a blowtorch while he watches with sadistic satisfaction.Over the course of one day, the Marsigliese orders a series of shootings of all the rival Mafia Dons all over Naples as part of his plan to become the sole kingpin of Naples. Perlante barely escapes an attempt on his life when his right-hand man Alfredo (Giulio Farnese) triggers a bomb which has been hidden under Perlante's bed, killing Alfredo and Perlante's mistress. Perlante calls Luca and tells him about the series of hits. He sets up a meeting between them and the Marsigliese at the local soccer stadium where the Frenchman discusses merging their criminal concerns. Afterwards, Luca meets with his fellow smugglers and persuades them not to accept the Marsigliese demands for the inflow of drugs into their community would only escalate the number of addicts and drug-overdoses, plus they would not receive any profits since the Marsigliese would keep most of the money for himself and his close associates.In response to the Mafia killings, the Naples police chief (Fabio Jovine) orders Captain Tarantino (Venantino Verantini) to conduct a massive sweep of the Neapolitan bay area to clean it up of crime. The dragnet has many smugglers arrested. Luca is saved from a police raid on his house by, of all people, Scherino, who suggests they form an alliance to defeat the Marsiglise. They meet that night at Perlante's house to discuss their plans with him. But Luca soon smells the tell-tale odor of the Marsiglieses personal parfum in the room. Luca realizes that Perlante is in league with the Marsgliese just as the gangster and his henchmen burst into the room and kill all of Scherino's henchmen as well as mortally wound Scherino himself. Luca's split-second reflexes of diving out a glass window and running away from the house ensures his escape. The mortally wounded Scherino manages to shoot off one shot from his gun at the treaterous Perlante, hitting him in the neck, before he drops dead himself.The Marsigliese abducts Luca's wife, Adale, and again insists that Luca should turn over the smuggling network over to his drug operation. To help Luca make up his mind, the sound of Adale being beaten and gang-raped are relayed to Luca over the phone. Luca agrees to the Marsigliese demands. In desperation, Luca calls upon the elderly Don Morrone (Guido Alberti), the leader of the old-guard Italian Mafia who has been reading the news throughout the movie of the numerous killings. Morrone is happy to come out of semi-retirement to deal with the French sadist. Morrone relays his plans to his various middle-aged associates who swing back into action for their cause.The following morning, a meeting between Luca and the Marsigliese in a local open square where the handover to Adele is taking place. Luca sees that it is indeed a set up to have him killed. Don Morrone and his men, using a series of hit-and-run attacks, appear and blast away all of the Marsigliese's henchmen. Luca then chases the crazed Marsigliese through the deserted streets and allyways where after the Frenchman runs down an alley which is a dead end, Luca catches up to him and shoots the Marsigliese dead who lands on a pile of garbage bags. Across down, the police raid the Marsigliese hideout where they find the tramatized Adele and a large stash of cocaine and heroin, while the rest of the Marsigliese henchmen surrender.The final scene has Captain Tarantino meeting with Don Morrone and his housekeeper at a wharf marketplace where the policeman thanks the elderly Mafia don for his tip leading to the discovery of the Marsigliese hideout and drug shipment seizure. But when Tarantino asks Morrone about the murder of the Marsigliese and his men, Morrone claims to know nothing about it, and also not to know Luca Di Angelo. From Tarantino's sarcastic tone of voice, he knows that Morrone is lying. But out of sympathy, the policeman lets Morrone go without arresting him., Question: How did Luca escape from the house?


Output: Answer: diving out a glass window