In this task, you're given a passage, further information available on a particular linked term from the statement, and a question. Your job is to generate the answer to the question by using the information provided. If there is no clear answer obtainable, output 'none'.

Q: Passage: The NASL first staged an indoor tournament in 1971 at the St. Louis Arena with a $2,800 purse. After a couple of years of experimenting, including a three-city tour by the Red Army team from Moscow in 1974, the league again staged tournaments in 1975 and 1976. For many years Tampa Bay owner George W. Strawbridge, Jr. lobbied his fellow owners to start up a winter indoor season, but was always stone-walled. For several years, his Rowdies and several other teams used winter indoor "friendlies" as part of their training and build-up to the outdoor season. In the meantime, pressed by the rival Major Indoor Soccer League (MISL), which inaugurated play in 1978, two-day mini-tournaments like the Skelly Invitational and the NASL Budweiser Invitational were held with varying degrees of success. The NASL finally started a full indoor league schedule, a 12-game season with 10 teams, in 1979–80. For the 1980–81 season, the number of teams playing indoor soccer increased to 19 and the schedule grew to 18 games. The schedule remained at 18 games, but the teams participating decreased to 13 for the 1981–82 season. The league canceled the 1982–83 indoor season and three teams (Chicago, Golden Bay, and San Diego) played in the MISL for that season. Four other teams (Fort Lauderdale, Montreal, Tampa Bay and Tulsa) competed in a short NASL Grand Prix of Indoor Soccer Tournament in early 1983. The NASL indoor season returned for 1983–84 with only seven teams but a 32-game schedule.
 Link Information: the Dallas Tornado were crowned the NASL's professional hoc-soc champions. Question: Who won the $2,800 at the 1971 NASL tournament?

A: Answer: Dallas and Rochester
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Q: Passage: In early 2012, he toured with Rizzle Kicks as their support act. In April 2012, while touring with Emeli Sandé, Osho released his follow-up single "Giants" featuring Childish Gambino. He performed an acoustic version of the song for T4's Freshly Squeezed. In May 2012, after performing "Redemption Days" on Later... with Jools Holland, Osho's music started to become noticed by mainstream media. "Redemption Days" became Record of the Week on BBC Radio 1, BBC Radio 2 and BBC Radio 1Xtra as well as being added to the B List of all three major stations. On 8 June 2012, The Sun reported that Osho was to write a single with Tom Jones after the pair met backstage at the final of The Voice UK. Osho soon confirmed this via Twitter. On 15 June, Osho performed his track "Redemption Days" and a cover of "Too Close" by Alex Clare in Radio 1's Live Lounge. On 22 June Osho performed "Redemption Days" on CBBC programme Friday Download. He played his first headline gig to a sold out Jazz Café, Camden Town on 25 June to coincide with the release day of his album L.I.F.E (Learning Is For Ever). On 1 July 2012, Osho joined Tom Jones on stage at his Hammersmith Apollo gig to perform a surprise duet. On 13 July, Osho supported Jessie J at her Warwick Castle gig. Through summer 2012, Osho played a handful of headline gigs around London before beginning a festival tour including T4 on the Beach, Wireless Festival, T in the Park and V Festival. On 3 September 2012, Osho released an extended play entitled "The John Doe EP". The seven previously unreleased tracks were made available for free, via Soulculture. Later that week, he joined The Script for four dates of their UK Tour, including a night London at O2 Shepherds Bush Empire on 12 September. On 21 September, Osho appeared on the programme 'BBC Four Sessions with Sir Tom Jones', performing a cover the song "Black, Brown & White" by Big Bill Broonzy with Jones and his band. In mid-November 2012, Osho toured with Gabrielle Aplin across England and Wales.
 Link Information: none Question: Is the person who Josh Osho last toured with married?

A: Answer: none
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Q: Passage: Latinos, particularly Puerto Ricans, were at the forefront of the hip hop movement, however; they have often been forgotten in conversation. Nonetheless, we can see the presence and influence of Latinos in hip hop when we think about artist like: Africa Bambaataa & the members of the Zulu Nation (1960s), Latino DJ, DJ Disco Wiz (aka first Latino DJ in hip hop) & DJ Grandmaster Caz came together to form the Mighty Force (1974), DJ Charlie Chase of the Cold Crush Brothers (1975), Lee Quiñones & Lady Pink (1970s), and various others have allowed for Latinos to have a part in hip hop culture and hip hop history. Latina's also had a huge role in hip hop, women who were not on the hip hop stage take part in: the influence and making of music and hip hop performance, dancing of music, and graffiti art. Today we see Latinas like: La Caballota aka Ivy Queen (1995), Ana Bijoux (1995), Angie Martinez: "The Voice of New York" (1996), Hurricane G aka Gloria Rodriguez (1997), Mala Rodríguez (1990s), Lisa M: "The Queen of Spanish Rap" (1988), Nina Dioz (2009), Snow Tha Product aka Claudia Feliciano (2011), Mélony Redondo: MelyMel (2018) have been women who have all taken the stage and made their mark as Latina and Afro-Latina rappers/artist in the hip hop world.
 Link Information: none Question: Which of the Latino hip hop artists of the 1960s released more singles?

A:
Answer: none
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