instruction:
You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.
question:
 The Fifth Queen trilogy has an omniscient narrator. Katharine Howard is introduced in the first book as a devout Roman Catholic, impoverished, young noblewoman escorted by her fiery cousin Thomas Culpeper. By accident, she comes to the attention of the king, in a minor way at first, is helped to a position as a lady in waiting for the then bastard Lady Mary, Henry's eldest daughter, by her old Latin tutor Nicholas Udal. Udal is a spy for Thomas Cromwell, the Lord Privy Seal.
As Katharine becomes involved with the many calculating, competing, and spying members of Henry VIII's Court, she gradually rises, almost against her will, in Court. She is brought more to the attention of the King, becomes involved with him, is used by Cromwell, Bishop Gardiner and Thomas Cranmer as well as the less powerful though more personally attached Nicholas Throckmorton. Her connection to the latter puts her in some peril, as in January 1554 he is suspected of complicity in Wyatt's Rebellion and arrested, during which time Katherine is also briefly implicated.
Katharine's forthrightness, devotion to the Old Faith and learning are what make her attractive to the King, along with her youth and physical beauty. This is in direct contradiction to the way historians view the historical personage herself; that is, as a flighty and flirtatious young woman with few other redeeming qualities.
answer:
Katharine Howard eventually married King Henry the VIII, how many Queens came before her?


question:
 Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.
Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the family s residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.
In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.
She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
answer:
What is Dmitri Gurov's occupation?


question:
 In 1961, the financially strapped author Pamela "P. L." Travers reluctantly travels from her home in London to Los Angeles to work with Walt Disney at the urging of her agent, Diarmuid Russell. Disney has pursued the film rights to her Mary Poppins stories for twenty years, having promised his daughters that he would produce a film based on them. Travers has steadfastly resisted Disney's efforts because she fears what he would do to her character. However, she has not written anything in a while and her book royalties have dwindled to nothing, so she risks losing her house. Still, Russell has to remind her that Disney has agreed to two major stipulations no animation and unprecedented script approval before she agrees to go.
Travers' difficult childhood in Allora, Queensland, Australia, is depicted through flashbacks, and is the inspiration for much of Mary Poppins. Travers idolized her loving, imaginative father, Travers Robert Goff, but his chronic alcoholism resulted in his repeated firings, strained her parents' marriage, and caused her distressed mother to attempt suicide. Goff died at an early age from tuberculosis when Travers was seven years old.
In Los Angeles, Travers is irritated by what she perceives as the city's unreality and the inhabitants' intrusive friendliness, personified by her limousine driver, Ralph. At the Walt Disney Studios in Burbank, Travers meets the creative team that are developing Mary Poppins for the screen: screenwriter Don DaGradi, and music composers Richard and Robert Sherman. She finds their presumptions and casual manners highly improper, a view she also holds of the jocular Disney.
Travers' working relationship with Disney and his team is difficult from the outset, with her insistence that Mary Poppins is the enemy of sentiment and whimsy. Disney and his people are puzzled by Travers' disdain for fantasy, given the nature of the Mary Poppins story, as well as Travers' own rich imagination. She particularly objects to how the character George Banks, the estranged father of the children in Mary Poppins' charge, is depicted, insisting that he is neither cold nor cruel. Gradually, they grasp how deeply personal the Mary Poppins stories are to her and how many of the characters were inspired by her past.
The team realize Travers has valid criticisms and make changes, though she becomes increasingly disengaged as painful childhood memories resurface. Seeking to understand what troubles her, Disney invites Travers to Disneyland, which, along with her developing friendship with Ralph, the creative team's revisions to the George Banks character, and the addition of a new song and a different ending, help dissolve Travers' opposition. Her creativity reawakens, and she begins working with the team; however, when Travers discovers that there is to be an animation sequence, she confronts Disney over his broken promise and returns home.
Disney learns that Travers is actually her pen name, taken from her father's given name. Her real name is Helen Goff, and she's actually Australian, not British. This gives Disney new insight into Travers, and he follows her to London. Arriving unexpectedly at her door, Disney tells her that he also had a less-than-ideal childhood, but stresses the healing value of his art. He urges Travers to not let deeply-rooted past disappointments dictate the present. Travers relents and grants Disney the film rights.
Three years later, in 1964, Mary Poppins is to have its world premiere at Grauman's Chinese Theatre in Hollywood. Disney has not invited Travers, fearing how she might react with the press watching. Prompted by Russell, Travers shows up unannounced at Disney's office; he reluctantly issues her an invitation. Initially, she watches Mary Poppins with a lack of enthusiasm, particularly during the animated sequences. She gradually warms to the rest of the film; however, becoming deeply moved by the depiction of George Banks' personal crisis and redemption.
answer:

What do Walt Disney and Pamela Travers have in common?