In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.

[Q]: Passage: In 1760 the French zoologist Mathurin Jacques Brisson included a description of the hook-billed vanga in his Ornithologie based on a specimen collected on the island of Madagascar. He used the French name L'écorcheur de Madagascar and the Latin Collurio Madagascariensis. Although Brisson coined Latin names, these do not conform to the binomial system and are not recognised by the International Commission on Zoological Nomenclature. When in 1766 the Swedish naturalist Carl Linnaeus updated his Systema Naturae for the twelfth edition, he added 240 species that had been previously described by Brisson. One of these was the hook-billed vanga. Linnaeus included a brief description, coined the binomial name Lanius curvirostris and cited Brisson's work. It is now the only species placed in the genus Vanga that was introduced by the French ornithologist Louis Jean Pierre Vieillot in 1816. The specific name curvirostris is from Latin curvus "curved" and -rostrum "billed". The word "vanga" is the Malagasy name for the species. Two subspecies are recognised.
 Link Information: none Answer: none
[A]: What year saw the publication of the eleventh edition of the zoological book published by a Swedish naturalist who included the hook-billed vanga in the twelfth edition of the book?


[Q]: Passage: A temporary closure during World War II was followed by a period in which the theatre was managed on Seebold's behalf by a group associated with the J. Arthur Rank Organisation, who pursued a policy of employing young actors who later became important figures in film, television and theatre. Glenda Jackson, Susannah York, Charles Morgan, Maria Charles and several others appeared at the theatre during this period. In the 1950s, Alan Ayckbourn appeared in several plays at the Connaught. In 1956, Winston Churchill visited the theatre to see his daughter Sarah perform in Terence Rattigan's play Variation on a Theme. Harold Pinter acted at the Connaught under the stage name David Baron, moving to a house just a few yards from the theatre in Ambrose Place in the 1960s. Pinter's first wife, actress Vivien Merchant acted at the Connaught during this period. Giles Cooper worked with Pinter at the Connaught. Robin Maugham wrote several plays which he directed and premiered at the Connaught, including The Claimant (1962) and Winter in Ischia (1964). Actress Marina Sirtis, perhaps best known for her role on , began her career in repertory at the Connaught in 1976. Actor Robert Blythe has also worked in repertory theatre at the Connaught.
 Link Information: A temporary closure during World War II was followed by a period in which the theatre was managed on Seebold's behalf by a group associated with the J. Arthur Rank Organisation, who pursued a policy of employing young actors who later became important figures in film, television and theatre. Answer: J. Arthur Rank 
[A]: Who founded the organisation that managed the  Connaught Theatre during World War II? 


[Q]: Passage: Ibrahim was born in Cape Town on 9 October 1934, and was baptized Adolph Johannes Brand. He attended Trafalgar High School in Cape Town's District Six, and began piano lessons at the age of seven, making his professional debut at 15. He is of mixed-race heritage, making him a Coloured person according to the South African government. His mother played piano in a church, the musical style of which would remain an influence; in addition, he learned to play several genres of music during his youth in Cape Town, including marabi, mbaqanga, and American jazz. He became well known in jazz circles in Cape Town and Johannesburg. In 1959 and 1960, Ibrahim played with the Jazz Epistles group in Sophiatown, alongside saxophonist Kippie Moeketsi, trumpeter Hugh Masekela, trombonist Jonas Gwangwa (who were all in the orchestra of the musical King Kong that opened in Johannesburg in February 1959), bassist Johnny Gertze and drummer Makaya Ntshoko; in January 1960, the six musicians went into the Gallo studio and recorded the first full-length jazz LP by Black South African musicians, Jazz Epistle Verse One, with 500 copies being produced. Although the group avoided explicitly political activity, the apartheid government was suspicious of it and other jazz groups, and targeted them heavily during the increase in state repression following the Sharpeville massacre, and eventually, the Jazz Epistles broke up.
 Link Information: According to the South African National Census of 2011, the population of the City of Cape Town metropolitan municipalityan area that includes suburbs and exurbs not always considered as part of Cape Townis 3,740,026 people Answer: Johannesburg
[A]:
Which South African city that Ibrahim became a well known Jazz player has the highest population?