In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: it was a crazy time in france , what with the french revolution right around the corner .
king louis xv would soon die , and his son would become king louis xvi .
such is the setting for beaumarchais : the scoundrel about the controversial playwright , spy and playboy pierre - augustin caron de beaumarchais .
beaumarchais was the author of the plays , " the barber of seville " and " the marriage of figaro .
"
today people think of them as quaint and harmless operas , but , back in 1773 when the movie takes place , they were so scandalous that beaumarchais was thrown into prison more than once .
the movie beaumarchais : the scoundrel takes a light - hearted approach to its subject , resulting in an inviting motion picture .
one of france 's most expensive productions ever , the movie was a huge hit when it opened there last year .
now in theatrical release in the united states , it eschews the seriousness of most art house films with a romping good story .
the secret of the film 's success , other than the lavishness of sylvie de segonzac 's costumes , has to be the performance by fabrice luchini as beaumarchais .
with his glistening eyes and his infectious smile , he mesmerizes the camera and the audience .
his wry little lips seem always to hint at some unspoken deviousness he is planning .
in a land where court intrigue determines one 's destiny , constant scheming was a way of life for the aristocracy .
as our story starts , we learn that beaumarchais has bought himself a judgeship .
into his court comes a member of the nobility demanding an immediate sword fight .
beaumarchais , who has been having an affair with the man 's wife , makes him wait until the current case on the docket is decided .
that over with , the fight is on .
with luchini 's charisma , it is hard to root for anyone other than him .
audiences may remember him from the marvelous colonel chabert , in which he played the attorney .
although he does not have half of the good looks of his assistant gudin , played by manuel blanc , he dazzles the women and the viewers with his grace and style .
michael epp 's
warm and intimate cinematography provides a nice accompaniment to jean - marc kerdelhue 's lush but realistic looking sets .
jean - claude petit 's music , especially the hauntingly lovely flute solos , make for an enchanting time at the movies .
director jean - claude brisville , who wrote the script along with edouard molinaro , fleshed out a play by sacha guitry which , according to the press notes , was just a series of historic vignettes .
the disorganization of the play still comes through at some points in the movie , but the actors smooth it over with their good - hearted style .
typical of the scenes that come out of nowhere is the one in which a rotund benjamin franklin appears in a large pot of hot water , taking his bath .
one episode has beaumarchais working with a renegade spy who may or may not be a man .
another has beaumarchais using his personal fortune to aid the american revolution .
all of this may sound like a dull historical drama , but it is anything
but .
the story plays more like theater of the absurd than a movie based on historical facts .
the radiantly lovely sandrine kiberlain plays marie - therese , the real love of beaumarchais 's life .
but he is so likable that members of the audience may want to compete with her for him .
still , with his beguiling smile , one can never quite be sure if you should trust him .
the movie , on the other hand , can be trusted to deliver a high old time .
beaumarchais : the scoundrel runs 1 : 41 .
it is in french with english subtitles .
the film is not rated but would be an r for some nudity and sex , and should be fine for most teenagers .
Example Output: P

Example Input: susan granger 's review of " mulholland drive " ( universal focus )
whatever david lynch is selling ,
i 'm not buying .
from the writer / director of " blue velvet " and " twin peaks " comes another dark , mysterious thriller that opens with an automobile accident on mulholland drive , the serpentine street that twists high in the hollywood hills .
dazed , a beautiful brunette ( laura elena harring ) emerges and stumbles down a hill , slipping unobserved into a ' 30s - style apartment as the tenant leaves for a trip .
the next morning , a dewy blonde ( naomi watts ) from deep river , ontario , arrives in la with dreams of stardom in her suitcase .
her aunt owns the apartment and the two women meet .
the brunette has amnesia so the blonde tries to help her discover her identity along with her latent lesbian lust .
meanwhile , a hotshot director ( justin theroux ) , whose wife is in bed with the poolman , is forced to cast a certain actress in his new film and there 's an assassin ( mark pellegrino ) roaming the city .
the tortuous paths of these various characters - and others named cookie , coco and cowboy - intersect at various points but the plot remains elusive because , midway through the story , lynch has the brunette and blonde play two different women in an alternate reality , leaving a huge wad of cash , a blue metallic key , a paralyzed mogul and a lot of questions that go unanswered
.
elena harring and particularly naomi watts are gifted actresses , effectively making the subtle switch .
the same can not be said for former m .
g .
m .
dancer ann
miller who 's stiff and self - conscious , speaking - like most lynch players - in staccato tones .
on the granger movie gauge of 1 to 10 , " mulholland drive " is a frenzied , frustrating
4 . originally designed as an episodic tv pilot , this surreal triumph of suspenseful style over substance is packaged as a puzzle with several of the key pieces left out .
Example Output: N

Example Input: i read the new yorker magazine and i enjoy some of their really in - depth articles about some incident .
they will take some incident like the investigation of a mysterious plane crash and tell you what happened in detail .
it becomes a real education in what agencies get involved and how theories are suggested , and what kind of pressure the investigators are under , and just about any other aspect you can think of .
frequently i get the feeling that the article sounded exciting , but i am being told in more detail than i really wanted to know .
often i get to the middle of a story and say , ok , it sounded good
but i now have invested more time than i am willing to spend on this subject .
film is a different medium .
it is a visual medium .
that slows down the telling of stories much more than people realize .
i frequently am surprised to find out how short a film script is and how much of the pages are empty space .
the magazine article and the film script are two very different media .
the insider is a film adaptation of the vanity fair article " the man who knew too much " by marie brenner .
it is too much an adaptation of a magazine article slowed to the pace of a film .
it really verges on being tedious at least at times
.
for years the seven big companies knew that they dealt in an addictive drug that caused a host of unhealthy side - effects .
but they pretended for the public that it was unproven and they did not really believe it .
the business was incredibly profitable and the proceeds translated into the political power to squelch and discredit any political movements against big tobacco .
the tide turned when a former vice - president of one of the companies was convinced by the cbs 60 minutes news team to tell the public how much the tobacco companies really knew about the health effects of smoking .
the resulting pressure to stop the story created a small civil war at cbs .
who were the major people involved , what were their motives , how was the story almost killed , how did it get aired anyway ?
that is the story covered in surprising detail by the insider .
this all could have been enthralling , but it is not the sort of thing that a stylist like michael mann would be likely to do well .
and in the end , he failed .
to make a long story short , the film needed a director who knew how to make a long story short .
the film opens with the cbs 60 minutes team in iran with the assignment to interview a terrorist .
we get a taste for their personal style and how they get the upper hand .
they go from being one newsman blindfolded at the hands of the terrorists to the actual interview with mike wallace ( played by christopher plummer ) .
there the news team under producer lowell bergman ( al pacino ) are ordering around the terrorists and getting away with it .
this seems to have nothing to do with the main line of the story , but later when the tobacco industry is so much harder to manipulate than committed terrorists , we have a wry irony on who really has clout in the world .
terrorists can grab the headlines , but the tobacco companies have the real position of power .
incongruously intercut with the iran interview sequence we see jeffrey wigand ( russell crowe ) dejectedly returning from work to his home .
we discover that he has been fired and his career brought to a complete halt unexpectedly .
he had been a very profitably rewarded vice - president in charge or research and development at brown and williams tobacco ; now he was unemployed and needed money to support his family . rather than support him his wife liane ( diane venora ) demands of him
what are they supposed to do for income .
meanwhile the 60 minutes team trying to do a story on fires started by cigarettes have obtained some data they do not understand .
they offer wigand $ 12 , 000 just to interpret the data .
wigand 's severance agreement swears him to secrecy about anything he knows about tobacco dealings , but he is reluctantly he stretches the severance terms .
he is willing to read some documents from another tobacco company and interpret them for bergman .
in spite of the secrecy , wigand 's former employers seem immediately to know wigand is talking to 60 minutes and he is warned off by former boss thomas sandefur played michael gambon in an all too brief but deliciously sinister role .
and so the game begins .
wigand is irate at his negative treatment for what he still considered continued to be loyalty to his agreement and his former employer .
meanwhile someone is playing very rough with wigand and his family .
the film examines wigand and the pressures placed on his family as they are caught between two powerful giants .
wigand has always wanted to make tobacco safer and has natural sympathies with getting the story out .
he and his family are assaulted psychologically and financially by the giant tobacco industry that had never lost a legal fight .
al pacino is given top billing but the wigand family is the core of the insider .
the story is told slowly and in just a bit too much meticulous detail .
the film is 157 minutes and is an extremely demanding film for the audience .
the musical score by pieter bourke , lisa gerrard , and graeme revell is one of the worst in recent memory .
it puts ominous chords under some scenes and using voice in ways that become a distraction that gets in the way of the storytelling .
also disturbing is the casting of christopher plummer as mike wallace .
plummer and wallace are such different types and wallace is too well - known for even so good an actor as plummer to play him convincingly .
this film might have been a really engaging experience under another director 's control .
michael mann was the wrong person to helm this film and the insider lacks intensity because of his style .
i rate it a 4 on the 0 to 10 scale and a 0 on the -4 to +4 scale .
Example Output:
N