In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Ex Input:
This is a film that takes some digesting. On the one hand, we are offered a tough outward shell, a story that does not only derive the Catholic Church, but does so foolishly, and uninformed. On an inner layer, we are offered a story of orthodoxy over orthopraxis, and what happens when people follow blindly a faith that they must not understand.At first glance, it appeared this was supposed to be a comedy. If so, then Mr. Durang needs to open a dictionary, because he clearly does not know the meaning of the word. The jokes are pale; the humor is awkward and poorly delivered. In particular, Ms. Keaton's performance is flighty and over the top, well below the quality of her Annie Hall and Sleeper days. Jennifer Tilly is again the model of stridence, with her hi-pitched voice and whining style. All of this could be forgiven if it weren't for the last 20 minutes of this movie, that evidently was a controversial play made in 1981.***Careful, spoilers ahead***It all starts with the appearance of four former students of Sister Mary Ignatius (Ignatius, by the way, is a male name, and a nun would not adopt it after her vows under any circumstance simply due to that fact, just to show you how much tireless research went into the project to begin with.) When they all admit that they don't live up to the church's teachings, the sister proceeds to become irrational and abuse them in a manner the audience is to believe she did way back when in the corny, all-too-cliché sepia-tone flashbacks. When one of them admits to having two abortions, the nun becomes even more abusive, until the pupil pulls out a gun. After wrestling it away from her, the nun kills the pupil, presumably in self-defense. She then goes on a screaming rampage, killing a gay former student because of his sins. The last shot is of the dead female pupil lying in a Christ-like pose as a shadow of a cross hangs over her. Can you say `heavy handed?' I knew you could!I know there have been abusive nuns in the past, and I know many people have been emotionally harmed as a result, but this imagery is fed down our throats in almost every other shot in this train wreck of a movie. I have heard from the writer and the director that this is a film about hysteria and why one should not follow the orthodoxy so religiously, no pun intended. This explanation is hard to swallow, though, simply because we are never given an authoritative viewpoint that is not biased against the catholic faith in one way or another. This film is simply anti-Catholic tripe, which in the name of fairness and equality, is mean spirited and hateful.This is a film I would recommend for a catholic, namely to awaken him or her to the realities of what cynicism and ignorance they face today. If it were `Rabbi Ray explains it all' or `Imam Muhammad explains it all', there would be rioting in the streets and Showtime would lose all of its subscription. But, sadly, because this is a film that strikes out against what is perceived to be the majority, it is accepted and even applauded by those who share the same spiteful point of view.I certainly hope every member of that cast was a practicing catholic, so it wasn't just ignorance that brought them to make this film.I give it 1.5 stars out of 5, not because of its offensive nature, but because it was poorly written, poorly directed and just a bad movie in general. Don't even waste your time.

Ex Output:
negative


Ex Input:
The Color Purple is about the struggles of life and the love that helps those people strongly affected by the struggles of life. Every character had an element of the color purple in them. The movie touches on love, lost, hope, hate, and triumph. whether it be Celie having lived through hell and losing her sister, and Shug coming into her life to show her love again, Albert not being man righting his wrong toward Celie, Shug shunned by her father and confesses to him in the end, Sofia and her stubborness good and bad, and even Nettie, they had their emptiness and hardship through the film but was overcome in the end and that's the sign of a good movie. Good Job to all the cast and crew.

Ex Output:
positive


Ex Input:
Going down as the most expensive film in Finnish history, to date, "Dark Floors" is a horror film with an extremely Lynchian narrative that recounts an ever increasingly decrepit series of "Floors" (ironically enough) in an abandoned hospital, in which our protagonists are trapped. Lead by an autistic daughter and her father, himself disenchanted with the hospitals apparent lack of medical progress with his daughter, make their way into an elevator debating the issue with one of the hospitals nurses. Accompanied by a security guard, a businessman and a seemingly intoxicated tramp the collective soon find the complex abandoned, but they are not alone. Directed by Finnish- born Pete Riski, more known for his television work, "Dark Floors" is filmed in English, using mainly English actors but has the notable inclusion of Finland's arguably most famous group "Lordi" (2006 Eurovision song contest winners) as themselves, i.e. in their on stage monstrous costumes, as the films antagonists, yet for all this razzmatazz the production fails where it is needed most, in convincing the audience.Any film that has their lead character use the phrase "it's too quiet" is already headed down a dubious path, and this Lordi influenced horror does not break that convention. For all the good ideas that are thrown into the mix there are a handful of ripe clichés alongside and worst of all, anything that is interestingly original isn't fleshed out enough for it to resonate. The concept of the degrading floors is initially highly ominous and does provide a sense of inevitable doom as the audience is aware those trapped in the hospital must progress ever further down in the mire. However, there isn't enough atmosphere created to scare and intimidate the audiences into the unknowing fear, the viewer is aware the journey will become ever more dangerous, as the levels degenerate from shiny white through to hellish black, but I don't think the characters are aware enough of this fact for it to be threatening. Also, the entire film taking place in what is essentially its own time bubble is again a very nice touch, a concept not often used in the horror genre, but the characters don't confront the situation with enough fear and trepidation when they stumble across this fact, they continue about their business far too readily and without enough genuine concern for the idea to mean anything to the audience. These initially good ideas are just left to go to waste, as if the director and/or Mr Lordi (who had many of the ideas used within the film) had these thoughts, but couldn't agree or decide on how to best use them and as such lose their purpose and point. Yet for all the frustration there are large quantities of comedy, yet not for the reasons the creators would have hoped for. Too much is clichéd, too much is recycled and too much is just simply ridiculous. While the lead is amicably acted by Noah Huntley, the characters are mere cardboard cut outs that have been pasted into the story from other films. We have a lead man doing everything possible to protect his daughter alongside a clunkily developed love interest. Accompanying the "couple" we have the traditional token black man as a hard-nosed security guard, with the nigh on infinite clip for his sidearm, and a weasely disbelieving businessman only on the look out for himself. Worst of all though, unfortunately, is the introduction of the cast of Lordi as the creatures of the night that torment our wandering band of misfits, but not for them appearing as themselves. What makes a horror film scary to the viewing audience is contextualising the fear. "The Shining" is scary because it's a member of your own family hounding you, in "Dawn Of The Dead" it's our fear of each other and the primordial cannibalism and irrational thought patterns the zombies possess, in "Alien" the fear is explained, the creature is rationalised and in "Dark Floors" there is none of that. Perhaps it's unfair to compare this production to these monoliths of the genre but when you do it shows it pales significantly and that it's aggressors feel like nothing more than demented Klingons where you can almost see the zip on the costumes they wear, without a build up of any atmosphere "Lordi" just aren't scary.It's infuriating because we all cheer for the underdog and hope they do well, you want the smaller productions to say that they can create the same quality of film as "Hollywood" churns out, much in the similar way that George A Romero started out, but it doesn't always materialise. I enjoyed the film and didn't feel as if I had wasted the ninety minutes I had just sat through, but I felt enjoyment on a completely hollow level as if nothing that had occurred mattered or affected me subconsciously, emotionally or critically. I felt the almost Lynchian narrative was a standout plus point, but it fades out into nothingness. Why did it happen? What does it mean? Will they go through this all again? Without even the slightest insight into what will happen the film is simply puzzling for the sake of trying to be arty. Was the entire sequence of events real or was it merely a dream sequence? Had the autistic girl watched the Eurovision Song Contest of 2006 and simply had a highly bizarre nightmare given the stress she was under? Who knows? And unfortunately I fail to work up the energy to even care. "Dark Floors" is an infuriating experience that while ultimately shallow hallmarks potential and at the very least shows a plethora of creative energies from Mr Lordi, who perhaps should look into working solo to fully develop his ideas. It's one that fans of the group or the genre should perhaps pursue but will leave you feeling left in the lurch for not having enough light shed on the situation.

Ex Output:

negative