In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.

[Q]: Passage: Yakov Hanecki was born in Warsaw, then in the Russian Empire, the son of Stanislav von Fürstenberg, a beer manufacturer of German descent, who had adopted Poland as his homeland. In 1896 he joined the Social Democracy of the Kingdom of Poland (SDKP - later the Social Democracy of the Kingdom of Poland and Lithuania (SDKPiL)) led by Rosa Luxemburg and her lover, Leo Jogiches. He moved to Germany in 1901 and studied in rapid succession at Berlin, Heidelberg, and Zurich universities. From 1902, he was a professional revolutionary, normally based in Cracow, under Austrian rule, organising the transport of illegal literature across the Russian border. In August 1903, as a member of the Main Administration of the SDKPiL, he was one of two Polish delegates to the Second Congress of the Russian Social Democratic Labour Party (RSDLP) in Brussels. The Congress later adjourned to London, under pressure from the Belgian police, and there the RSDLP split into its Bolshevik and Menshevik factions, but Hanecki and the other Polish delegate, Adolf Warski, did not make the journey to London, having failed to agree terms on which the RSDLP and SDKPiL could collaborate.
 Link Information: The Russian Empire was an empire that extended across Eurasia and North America from 1721, following the end of the Great Northern War, until the Republic was proclaimed by the Provisional Government that took power after the February Revolution of 1917. Answer: 196
[A]: How long did the empire that ruled Warsaw last?


[Q]: Passage: The culture of Estonia combines an indigenous heritage, represented by the country's Finnic national language Estonian, with Nordic cultural aspects. The culture of Estonia is considered to be largely influenced by Germanic culture, having grown out of it. Due to its history and geography, Estonia's culture has also been influenced by the traditions of other Baltic Finns in the adjacent areas, also the Baltic Germans and Slavs, as well as by cultural developments in the former dominant powers, Sweden, Denmark and Russia. Traditionally, Estonia has been seen as an area of rivalry between western and eastern Europe on many levels. An example of this geopolitical legacy is an exceptional combination of multiple nationally recognized Christian traditions: Western Christianity (the Catholic Church and the Estonian Evangelical Lutheran Church) and Eastern Christianity (the Orthodox Church (the Estonian Apostolic Orthodox Church)). The symbolism of the border or meeting of east and west in Estonia was well illustrated on the reverse side of the 5 krooni note. Like the mainstream cultures in the other Nordic countries, Estonian culture can be seen to build upon ascetic environmental realities and traditional livelihoods, a heritage of comparatively widespread egalitarianism arising out of practical reasons (see freedom to roam and universal suffrage), and the ideals of closeness to nature and self-sufficiency.
 Link Information: none Answer: none
[A]: Is the prime minister of the country that combines an indigenous heritage, represented by the country's Finnic national language Estonian, with Nordic cultural aspects a man?


[Q]: Passage: Among intellectuals, critiques of Japanese cinema grew in the 1910s and eventually developed into a movement that transformed Japanese film. Film criticism began with early film magazines such as Katsudō shashinkai (begun in 1909) and a full-length book written by Yasunosuke Gonda in 1914, but many early film critics often focused on chastising the work of studios like Nikkatsu and Tenkatsu for being too theatrical (using, for instance, elements from kabuki and shinpa such as onnagata) and for not utilizing what were considered more cinematic techniques to tell stories, instead relying on benshi. In what was later named the Pure Film Movement, writers in magazines such as Kinema Record called for a broader use of such cinematic techniques. Some of these critics, such as Norimasa Kaeriyama, went on to put their ideas into practice by directing such films as The Glow of Life (1918), which was one of the first films to use actresses (in this case, Harumi Hanayagi). There were parallel efforts elsewhere in the film industry. In his 1917 film The Captain's Daughter, Masao Inoue started using techniques new to the silent film era, such as the close-up and cut back. The Pure Film Movement was central in the development of the gendaigeki and scriptwriting.
 Link Information: none Answer: none
[A]:
How many books did Yasunosuke Gonda write in total?