instruction:
In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.
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Question: Did the vocalist for Suffocation ever get married? Passage:Suffocation was formed in 1988 on Long Island, New York, by vocalist Frank Mullen, guitarists Guy Marchais and Todd German, bassist Josh Barohn, and an unknown drummer. By 1990, the band had hired guitarists Terrance Hobbs and Doug Cerrito along with drummer Mike Smith, who were members of a local band called Mortuary, which had already disbanded. The quintet was mainly influenced by fellow American death metal bands as well as the British band Napalm Death and Brazilian Sepultura. Smith commented on meeting Hobbs for the first time: "That's where I first noticed, 'Wow, theres another black guy playing this kind of stuff'". The band's first EP, Human Waste, was released through Relapse Records in 1991. The full-length debut album, Effigy of the Forgotten, recorded by producer Scott Burns at Tampa's Morrisound Studios and released by Roadrunner Records the same year. In July 1991, Barohn was replaced by Chris Richards, as the album became substantially influential in extreme metal music.

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Suffocation was formed in 1988 on Long Island, New York, by vocalist Frank Mullen, guitarists Guy Marchais and Todd German, bassist Josh Barohn, and an unknown drummer


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Question: What state was the school run by Reverend Gayley located in? Passage:Waller was born on July 17, 1846. His parents were David Jewett Waller Sr. and Julia Ellmaker Waller. He was their fifth child. When young he was educated at Bloomsburg. After that he went to a classical school in a local Primitive Methodist Episcopal Church. When Waller was fourteen he was sent to a school run by Revered Gayley in the community of Media. In 1861, at the age of 15, he went to Williams College's preparatory department. However, due to sickness his education ceased for three years. In 1867, he was among the first people to graduate from the Bloomsburg Literary Institute. Waller went to Lafayette College in the autumn of 1867. He did well there and graduated from there with a Bachelor of Arts degree in 1870 and a Master of Arts degree in 1873. From 1870 to 1871 he trained to be and served as a tutor in Latin and Greek. While at Lafayette College he also won the Fowler Prize, a prize of $30 granted for excellence in English philology. Waller attended the Princeton Theological Seminary from 1871 to 1872, then switched to the Union Theological Seminary and graduated from that in 1874. He received an honorary Ph.D from Lafayette College in 1880 and received a Doctor of Divinity degree from Ursinus College in 1892. Juniata College granted Waller an honorary Doctor of Laws degree in 1934.

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When Waller was fourteen he was sent to a school run by Revered Gayley in the community of Media


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Question: When was the periodical that hailed Phrenology as a "masterpiece" first published? Passage:Phrenology received widespread acclaim from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 87, based on 23 reviews. Mojo magazine hailed it as a "masterpiece", while Rolling Stone writer Pat Blashill said it has "a startling array of hip-hop reinventions". Dave Heaton from PopMatters called Phrenology "an impressive, ambitious work" that shows the Roots "filling their sound out and pushing it in a variety of directions", with a form of "tight soul/funk" that "sounds even more exact, funkier and edgier" than on Things Fall Apart. In the Chicago Sun-Times, critic Jim DeRogatis gave the record four out of four stars and called it "a near-classic right out of the gate, an urgent, raucous and thought-provoking 70 minutes that mine the musical territory between hard hip-hop and smoother Philly soul". Blenders RJ Smith called it "a celebration of self-determination, a nonstop joyride through some very complicated brains". Jeremy Gladstone from Kludge felt the Roots had combined "complicated beats" with "complex lyrics" to produce a "shockingly honest sound". In The Guardian, Alexis Petridis found the group "exclusively capable of absorbing other genres", while the "more straightforward hip-hop" is "idiosyncratic and hugely enjoyable". Slant Magazines Sal Cinquemani called the album "subtly progressive" and felt the lyrics "challenge the commodification and subsequent destruction of hip-hop culture".

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Mojo magazine hailed it as a "masterpiece", while Rolling Stone writer Pat Blashill said it has "a startling array of hip-hop reinventions"