This task is about creating an unanswerable question based on a given passage. Construct a question that looks relevant to the given context but is unanswerable. Following are a few suggestions about how to create unanswerable questions:
(i) create questions which require satisfying a constraint that is not mentioned in the passage
(ii) create questions which require information beyond what is provided in the passage in order to answer
(iii) replace an existing entity, number, date mentioned in the passage with other entity, number, date and use it in the question
(iv) create a question which is answerable from the passage and then replace one or two words by their antonyms or insert/remove negation words to make it unanswerable.

[EX Q]: Passage: At the 1912 Salon d'Automne an architectural installation was exhibited that quickly became known as Maison Cubiste (Cubist House), signed Raymond Duchamp-Villon and André Mare along with a group of collaborators. Metzinger and Gleizes in Du "Cubisme", written during the assemblage of the "Maison Cubiste", wrote about the autonomous nature of art, stressing the point that decorative considerations should not govern the spirit of art. Decorative work, to them, was the "antithesis of the picture". "The true picture" wrote Metzinger and Gleizes, "bears its raison d'être within itself. It can be moved from a church to a drawing-room, from a museum to a study. Essentially independent, necessarily complete, it need not immediately satisfy the mind: on the contrary, it should lead it, little by little, towards the fictitious depths in which the coordinative light resides. It does not harmonize with this or that ensemble; it harmonizes with things in general, with the universe: it is an organism...". "Mare's ensembles were accepted as frames for Cubist works because they allowed paintings and sculptures their independence", writes Christopher Green, "creating a play of contrasts, hence the involvement not only of Gleizes and Metzinger themselves, but of Marie Laurencin, the Duchamp brothers (Raymond Duchamp-Villon designed the facade) and Mare's old friends Léger and Roger La Fresnaye". La Maison Cubiste was a fully furnished house, with a staircase, wrought iron banisters, a living room—the Salon Bourgeois, where paintings by Marcel Duchamp, Metzinger (Woman with a Fan), Gleizes, Laurencin and Léger were hung—and a bedroom. It was an example of L'art décoratif, a home within which Cubist art could be displayed in the comfort and style of modern, bourgeois life. Spectators at the Salon d'Automne passed through the full-scale 10-by-3-meter plaster model of the ground floor of the facade, designed by Duchamp-Villon. This architectural installation was subsequently exhibited at the 1913 Armory Show, New York, Chicago and Boston, listed in the catalogue of the New York exhibit as Raymond Duchamp-Villon, number 609, and entitled "Facade architectural, plaster" (Façade architecturale).
[EX A]: What type of boat was La Maison Cubist?

[EX Q]: Passage: The 5th Dalai Lama is known for unifying the Tibetan heartland under the control of the Gelug school of Tibetan Buddhism, after defeating the rival Kagyu and Jonang sects and the secular ruler, the Tsangpa prince, in a prolonged civil war. His efforts were successful in part because of aid from Güshi Khan, the Oirat leader of the Khoshut Khanate. With Güshi Khan as a largely uninvolved overlord, the 5th Dalai Lama and his intimates established a civil administration which is referred to by historians as the Lhasa state. This Tibetan regime or government is also referred to as the Ganden Phodrang.
[EX A]: Who is known for unifying the Tibetan heartland under the control of Kagyu?

[EX Q]: Passage: The Daily Northwestern is the main student newspaper. Established in 1881, and published on weekdays during the academic year, it is directed entirely by undergraduates. Although it serves the Northwestern community, the Daily has no business ties to the university, being supported wholly by advertisers. It is owned by the Students Publishing Company. North by Northwestern is an online undergraduate magazine, having been established in September 2006 by students at the Medill School of Journalism. Published on weekdays, it consists of updates on news stories and special events inserted throughout the day and on weekends. North by Northwestern also publishes a quarterly print magazine. Syllabus is the undergraduate yearbook. First published in 1885, the yearbook is an epitome of that year's events at Northwestern. Published by Students Publishing Company and edited by Northwestern students, it is distributed in late May. Northwestern Flipside is an undergraduate satirical magazine. Founded in 2009, The Flipside publishes a weekly issue both in print and online. Helicon is the university's undergraduate literary magazine. Started in 1979, it is published twice a year, a web issue in the Winter, and a print issue with a web complement in the Spring. The Protest is Northwestern's quarterly social justice magazine. The Northwestern division of Student Multicultural Affairs also supports publications such as NUAsian, a magazine and blog about Asian and Asian-American culture and the issues facing Asians and Asian-Americans, Ahora, a magazine about Hispanic and Latino/a culture and campus life, BlackBoard Magazine about African-American life, and Al Bayan published by the Northwestern Muslim-cultural Student Association.
[EX A]:
 What is the name of Southwestern's main student newspaper?