You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

[EX Q]:  The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. The only exception is that Kitty's husband, Chris Baldry, is a British soldier fighting in France. While Kitty laments in the nursery, Margaret Grey arrives at the estate wishing to bear news to the two women. When Jenny and Kitty meet her, they are surprised to find a drab middle-aged woman. And even more to their shock, Margaret tells them that the War Office sent her, not Kitty and Jenny, notification of Chris's injury and return home. Kitty dismisses Margaret from the estate trying to deny that she could have been the recipient of such information.
Soon after, another cousin of Jenny notifies the two women that he in fact has visited Chris and he is obsessing over Margaret, whom he had had a summer fling with fifteen years before. Soon after, Chris returns shell-shocked to the estate thinking he is still twenty years old, but finding himself in a strange world which had aged fifteen years beyond his memory. Trying to understand what is real for Chris, Jenny asks Chris to explain what he is feeling to be true. Chris tells her the story of a romantic summer on Monkey Island, where Chris at the age of twenty fell in love with Margaret, the daughter of the innkeeper on the island. The summer ends with a rash departure by Chris caused by a fit of jealousy.
After Chris tells this story, Jenny travels to nearby Wealdstone to bring Margaret back to Chris and help him understand the difference between his remembered past and reality. She arrives at Margaret's dilapidated row-house to find her disheveled and taking care of her husband. After some conversation, Jenny convinces Margaret to return with her to the estate in order to help Chris. Upon Margaret's return, Chris recognizes her and becomes excited. Before returning to her home, Margaret explains that fifteen years have passed since their Monkey Island summer and that Chris is now married to Kitty. Chris acknowledges this passage of time intellectually but cannot retrieve his memories and still pines for Margaret.
Margaret continues to visit, and Kitty and Jenny despair about Chris's loss of memory. Jenny and Kitty decide to consult Dr Gilbert Anderson, a psychoanalyst. Dr. Anderson arrives during one of Margaret's visits and questions the women, and with the help of Margaret decides on a course of treatment: Margaret must confront Chris with proof of his dead child. Margaret retrieves toys and some of the child's clothing, and confronts Chris with the truth. Finally, Chris regains his memory, Margaret departs and Kitty rejoices in the Chris's return to a state fit to be a soldier.
[EX A]: What age does Chris think he is?

[EX Q]:  Pierre Delacroix (whose real name is Peerless Dothan), is an uptight, Harvard University-educated black man, working for the television network CNS. At work, he has to endure torment from his boss Thomas Dunwitty, a tactless, boorish white man. Not only does Dunwitty use AAVE, and use the word "nigger" repeatedly in conversations, he also proudly proclaims that he is more black than Delacroix and that he can use nigger since he is married to a black woman and has two mixed-race children. Dunwitty frequently rejects Delacroix's scripts for television series that portray black people in positive, intelligent scenarios, dismissing them as "Cosby clones".
In an effort to escape his contract through being fired, Delacroix develops a minstrel show with the help of his personal assistant Sloane Hopkins. Mantan: The New Millennium Minstrel Show features black actors in blackface, extremely racist jokes and puns, and offensively stereotyped CGI-animated cartoons that caricature the leading stars of the new show. Delacroix and Hopkins recruit two impoverished street performers   Manray, named after American artist Man Ray, and Womack   to star in the show. While Womack is horrified when Delacroix tells him details about the show, Manray sees it as his big chance to become rich and famous for his tap-dancing skills.
To Delacroix's horror, not only does Dunwitty enthusiastically endorse the show, it also becomes hugely successful. As soon as the show premieres, Manray and Womack become big stars, while Delacroix, contrary to his original stated intent, defends the show as being satirical. Delacroix quickly embraces the show, his newfound fame and awards while Hopkins becomes horrified at the racist nightmare she has helped to unleash. Meanwhile, an underground, militant rap group called the Mau Maus, led by Hopkins' older brother Julius, becomes increasingly angry at the content of the show. Though they had earlier unsuccessfully auditioned for the program's live band position, the group plans to bring the show down using violence.
Eventually, Womack quits, fed up with the show and Manray's increasing ego. Manray and Hopkins grow closer, which angers Delacroix. When he attempts to sabotage their relationship, they only grow closer. Delacroix confronts Hopkins, and when she lashes back at him, he fires her. Then she shows him a videotape she created of racist footage culled from assorted media to shame Delacroix into stopping production of the show, but he refuses to watch it. After an argument with Delacroix, Manray realizes he is being exploited and defiantly announces that he will no longer wear blackface. He appears in front of the studio audience, who are all in blackface, during a TV taping and does his dance number in his regular clothing. The network executives immediately turn against Manray, and Dunwitty (who is also wearing blackface) fires him.
The Mau Maus kidnap Manray and announce his public execution via live webcast. The authorities work feverishly to track down the source of the internet feed, but Manray is nevertheless assassinated while doing his famous tap dancing. At his office, Delacroix (now in blackface make-up himself, mourning Manray's death) fantasizes that the various coon-themed antique collectibles in his office are staring him down and coming to life; in a rage, he destroys many of the racist collectibles. The police kill all the members of The Mau Maus except for a white member known as "One-Sixteenth Black", who tearfully proclaims that he is "black" and demands to die with the rest of his group.
Furious, Hopkins confronts Delacroix at gunpoint with her brother's revolver and demands that he play her tape. As the tape plays, Hopkins reminds him of the lives that were ruined because of his actions. Then Delacroix tries to get the gun from her, but is shot in the stomach. Hopkins, horrified, flees while proclaiming that it was Delacroix's own fault that he got shot. Delacroix, holding the gun in his hands to make his gunshot wound appear self-inflicted, watches the tape as he lies dying on the floor. The film concludes with a long montage of racially insensitive and demeaning clips of black characters from Hollywood films of the first half of the 20th century. After the montage, as the cameras point to Delacroix's dead body on the floor, the camera then shows Manray doing his last Mantan sequence on stage.
[EX A]: Why does Manray refuse to wear blackface?

[EX Q]:  Near the completion of his sentence in Sing Sing prison, Paul Vitti's life is threatened by assassins and corrupt guards while incarcerated. He starts singing showtunes from West Side Story to get the attention of Ben Sobel, who previously hung up on him while attending his father's funeral. The FBI calls in Ben to see if Vitti is really insane. This appears to be the case, and the FBI approves Ben taking Vitti out of prison, into his own custody, for further therapy. On their way out in Sobel's car, Vitti reveals that he faked it. Needing some therapy himself after his father's death, a grieving Sobel talks Vitti into finding a regular job (as requested by the FBI). Vitti attempts to find a legitimate job (he tries a car dealer, a restaurant, and a jewelry store), but his rude manners and paranoia only complicate things further (which end up in him getting fired each time).
At the same time, Vitti is told by de facto boss Patti LoPresti that the Rigazzi family wants him dead. He responds to this by telling the Rigazzis that he is "out" and seeking a new line of employment. He eventually finds employment working as a technical advisor on the set of a Sopranos-like mafia TV series. Meanwhile, FBI agents inform Sobel that Vitti has his former crew back together, and may be planning something major. This rouses Sobel's suspicion, and he visits Vitti. Both get caught up in a car chase with Rigazzi hitmen, which ends up with Vitti escaping. The FBI blames Sobel, and gives him 24 hours to locate Vitti.
After locating Vitti (through Sobel's son Michael, who is now working as Vitti's chauffeur), Sobel discovers Vitti is planning a big armored car heist with LoPresti as a partner. He attempts to intervene and talk Vitti out of it but Vitti proceeds and Sobel is forced to go along as well. The crew ambushes the armored car with smoke grenades, and lifts it over a fence in the midst of the confusion. They extract $20M worth of gold bullion, but LoPresti's thugs take over, revealing themselves to actually have been working for Rigazzi. Sobel, in a fit of anger, beats one of them and Vitti's men take care of the rest. They use the gold bullion to frame the Rigazzi family, leaving three Rigazzi goons locked in the armored truck suspended from the crane. This leads to the arrest of the entire Rigazzi family, and in turn, prevents a mob war.
Sobel meets with Vitti and Jelly near bridges on the New York waterfront, and they part ways again as friends, singing another West Side Story showtune together.
[EX A]:
How much money the crew got of with?