In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
razor blade smile running as part of the vancouver international film festival played october 2nd and 4th , 1998 .
official release : halloween reviewed by vince yim
` you think you know all about vampires . . .
believe me . . .
you know f
* ck all . '
with these words , we are brought into the world of a sultry vampire seductress by the name of lilith silver ( played by eileen daly ) .
made into an immortal a century and a half ago by the sinister ethan blake , she continues to alleviate boredom with her state of being .
so , what 's an undead girl to do , except squeeze into the tightest fitting clothes possible , get out her guns , seduce a few guys , and kill a few people for money and blood ?
with that out of the way , let me say this .
this film is bad .
this film is really , really bad .
yet somehow , it is strangely enjoyable .
with all the elements of a direct to video horror flick ?
buxom babes , gore , cheesy dialogue , and bad acting ?
any casual film viewer would be more inclined to spend their money on renting innocent blood or going to see blade .
still , it is considered to be one of the finest british vampire film .
agreed , it might be , but is far from being the best vampire flick ever . period .
razor blade smile has some rather high production values , shown by the nice overall tone to the film .
the film is also a bit of a departure from popular vampire lore , with a vampire that can go out in broad daylight without disintegrating , does n't sleep in a coffin ( but leaves one next to her computer ) , and sees religion as the ` opium of the peoples ' ( hence , immunity to crosses ) .
but aside from that , it does n't stray too far away from horror film conventions .
that is , unless that is intentional .
razor blade smile literally goes for the throat , then pumps the wound full of processed cheese .
you ca n't help but laugh when a female vampire gets decapitated and her severed head goes flying into a puddle .
you 'll laugh even harder at the hideously contrived situations ( to distract two female guards , lilith tosses a cellular phone towards them and dials the number ) .
you 'll laugh the hardest when a murder witness recants the tale and suddenly starts sobbing uncontrollably .
and then , there 's the sudden twist ending ( i have enough heart not to give it away ) .
the film refuses to take itself seriously , which is a good thing , as by the time lilith zips up her skin - tight body suit and then unzips it just to show the right amount of cleavage , you 've most likely forgotten the main point of the story .
but in case you really care , she 's been assigned to kill a bunch of people who belong to the so - called illuminati , and she 's leaving a huge mess behind for the police to find . as much as my criticisms , this movie works best as a guilty pleasure or as a film that you watch with your friends and within groups .
almost destined for cult - status , the film 's campy , cheesy overtones
actually work towards the film .
while this may not necessarily be the film you 'd want to be seen watching by yourself , it makes for a fun time at the movies .

Ex Output:
P


Ex Input:
chris tucker is one of those guys you immediately get a reaction from -- you either find his helium voice , crazy eyes and jerky mannerisms funny or annoying .
i think i fall into the former category ( i 'm one of the few who thought his turn in " the fifth element " as a prancing , prince - like deejay was complete inspired lunacy and not the least bit aggravating ) , but his new vehicle " money talks " just does n't do him service
.
tucker is good in the movie -- and this is the kind of film that , if people see it , could make him a big star -- but he 's also really the only thing good about the movie .
in fact , if you see " money talks , " it should shock you beyond recognition that two of " toy story " 's writers penned the sloppy script .
tucker 's role here is that of franklin hatchett , a petty los angeles con artist whose carwash scams get him dogged by investigative reporter james russell ( charlie sheen ) .
after being busted on the job for some illegal business involving counterfeit passports , franklin finds himself on a bus to the county jail and handcuffed to slick international jewel smuggler raymond villard ( gerard ismael ) .
but villard 's thugs blow up the bus in an attempt to free their leader ( never mind that the explosion could have instead killed him ) , and because he and franklin are joined at the wrist , franklin is allowed to escape as well , but not before overhearing some important information regarding a diamond stash that -- for some reason or another -- is being hidden in a vintage roadster waiting to be auctioned off at an upcoming auto expo .
the local media mistakenly puts the prison break - out blame on franklin , which is where james comes back into the picture .
he makes a deal to protect franklin if , in turn , franklin gives him an exclusive interview .
this means james must present his new " friend " in the stickiest of situations -- a formal dinner party for he and fiancee grace ( heather locklear ) , also attended by her uber - rich parents ( veronica cartwright and nicely game paul sorvino ) .
and of course the bad guys track franklin down and try to knock him off , all the while he spars and forms an unlikely bond with james .
"
this ai n't no buddy movie , " claim the print ads .
yeah ,
right .
actually , for the better part of , oh , 20 minutes , it appears " money talks " has the momentum to cover entertaining ground , and this is mostly due to the presence of spastic motormouth tucker .
this is tucker 's first leading role , and if you imagine a slightly lankier , african - american jim carrey with a reliance on wild r - rated raunch rather than pg-13 physical comedy , you have a good idea of the conviction with which he assaults the role .
but you realize all too quickly that tucker 's overstated liveliness is the only thing " money talks " has going for it .
and a lively actor alone does not a successful movie make .
it 's all too easy to pick out everything wrong with " money talks .
" the plot is recycled buddy - buddy comedy - thriller tripe that seemed overused even when " nothing to lose " employed it last month .
everything is paint - by - numbers , especially the los angeles coliseum finale , which finds not one , not two , but three separate enemy factions firing at franklin as they pursue him through the bleachers .
the villains , as many as there are , are dull .
certain story elements are too coincidental .
and too much of the film 's dramatic agenda is played too straight .
a scene where grace confronts james after learning franklin 's true identity ( " you brought a killer into my parents ' house ! " ) is extremely silly .
you get the picture .
obviously , i did not have a pleasant experience at " money talks .
"
but the people around me appeared to be having a rip - roaring good time ( one gentleman several rows behind me chortled with such expressive conviction
i began fearing for his health ) .
but tucker , at least for me , is a pretty funny guy , and aces the movie 's best scene , where franklin passes himself off as vic damone 's son at james and grace 's engagement bash and toasts the couple with barry white lyrics .
tucker 's audience -- and he does have one -- will probably like " money talks .
"
those who he irritates , however , will have a more productive day staying home and scraping the gook out from under their toenails .

Ex Output:
N


Ex Input:
dead - bang , an action thriller starring don johnson , lives up to its dumb title , or at least to half of it .
although dead - bang is definitely dead , it is anything but a bang ; in fact , they should have called this one " dead bore .
" in the film , johnson plays .
. .
you guessed it . . .
a cop .
the role must have been really challenging for johnson since his character , jerry beck , is a gritty los angeles homicide detective , a real stretch from the slick vice detective johnson portrayed on " miami vice .
" a la mel gibson in lethal weapon , beck is an emotional wreck , complete with violent outbursts , unscrupulous police methods , and a bleak outlook on life .
beck 's wife has just divorced him , and she is cutting him off from their children .
she will not even allow him to wish them " merry christmas " by telephone .
but beck 's family and emotional problems take a back seat to the action and thrills in dead - bang .
beck is investigating the brutal murders of a shopkeeper and a cop .
his investigation starts in l . a . and finally culminates and climaxes in oklahoma , where he has a violent showdown with the killers at a white supremacist camp .
virtually every aspect of dead - bang is inept and ineffective .
the plot is incoherent and full of holes .
the movie depicts beck 's investigation so clumsily that you never see the connections between his clues and his conclusions .
the action sequences in dead - bang are strictly third - rate , and the movie has absolutely no momentum or suspense .
i certainly expected more from long - time director john frankenheimer who directed the classic political thriller , the manchurian candidate -- as well as black sunday , seven days in may , and the french connection ii .
in all fairness to frankenheimer , however , i should note that most of dead - bang 's shortcomings seem to stem from its shabby script rather than from the direction .
dead - bang tries to don a mask of social relevance by incorporating themes of racism and white supremacy , but its efforts are nothing more than token gestures and nothing less than insulting .
according to the movie 's production notes , dead - bang is based on the real - life experiences of still - active detective jerry beck .
you would never guess this from watching dead - bang , however , since the film totally lacks credibility ; it is utterly unconvincing and unbelievable .
most of the characters in dead - bang are either atrociously acted , underdeveloped , superfluous , or all of the above .
william forsythe , for example , is painfully bad as arthur kressler , a wholesome by - the - book fbi agent who 's offended by beck 's foul language and unorthodox methods .
forsythe 's lame performance and corny dialogue makes his character unbearable
.
dead - bang marks the motion picture debut of tim reid ( " wkrp in cincinnati " and " frank 's place " ) , but his talents are completely wasted in a cliched and contrived role ; he plays the chief officer of a squadron of black cops who help beck to nail the villains .
the sole function of penelope ann miller 's character is to give dead - bang an excuse to include a gratuitous love scene between characters about whom you could not care less .
i guess the film 's title refers to this love scene since
it 's definitely a dead bang .
the only real virtue of dead - bang , believe it or not , is don johnson , who tries to overcome the limitations of the movie 's pitiful script .
johnson succeeds in giving his character a sarcastic sense of humor and a hint of depth , and his pessimistic wisecracks occasionally bring the film to life .
and i must admit that dead - bang does have one or two amusing moments .
the funniest scene has johnson throwing - up all over a criminal as he interrogates him .
but when barf is the highlight of a movie , you know the movie 's in trouble .
the other amusing scene involves a psychological examination of beck , in which he ca n't keep a straight face because the psychiatrist resembles woody allen .
but two funny scenes and a couple good wisecracks do not a movie make .

Ex Output:

N