In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

[Q]: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (August 2014) (Learn how and when to remove this template message)In 1792, Spain reels amid the turmoil and upheaval of the French Revolution. Francisco Goya (Stellan SkarsgÃ¥rd) is a renowned painter, who, among others, does portraits for the royal family as the Official Court Painter to the King and Queen.The Spanish Inquisition is disturbed by part of Goya's work. Brother Lorenzo Casamares (Javier Bardem) is hiring Goya to paint a portrait and defends him, saying that his works are not evil, they just show evil. He recommends the Church step up the fight against anti-Catholic practices. He requests and is put in charge of intensifying the Inquisition.When posing in Goya's studio, Lorenzo asks Goya about a young model he uses, InÃ©s (Natalie Portman), daughter of a rich merchant, TomÃ¡s BilbatÃºa (JosÃ© Luis GÃ³mez) who also has a son named Ãngel (Unax Ugalde). InÃ©s is spotted by Inquisition spies (trained by Lorenzo) declining a dish of pork in a tavern. The Holy Office of the Inquisition orders InÃ©s to come to the office. There she is arrested and accused of "judaizing", i.e. spreading Jewish rituals, because she did not eat pork the other evening. She is stripped naked and tortured by strappado ("put to The Question"), confesses, and is imprisoned. Naturally, the Inquisition's archives had already revealed that one of her father's ancestors had converted from Judaism to Christianity in 1624 upon arrival in Spain from Amsterdam.TomÃ¡s begs Goya for help, who in turn asks Lorenzo to find out about InÃ©s's situation. Lorenzo visits InÃ©s in prison telling her that he is going to help her and will pass a message to her family if she wishes. He offers to pray with InÃ©s, but is clearly struggling with his desire to rape her as she prays in the nude with him at his request. At a dinner in TomÃ¡s's home, where he and Goya are guests, Lorenzo defends "The Question" (and brings up the subject of the father's Jewish ancestor): he argues that if the accused is really innocent, God will give him or her the strength to deny guilt, so a person who confesses must be guilty. TomÃ¡s does not agree: he argues that people will confess to anything under torture, and Goya agrees. To prove this TomÃ¡s draws up a statement which says that Lorenzo confesses to being a monkey, and, with the help of his sons, does not let Lorenzo leave unless he agrees to sign it. Goya pleads for Lorenzo without success, and is escorted away and pushed out of the home. TomÃ¡s, his sons and servants torture with a makeshift strappado (ropes strung on the chandelier), causing Lorenzo to break down and sign. TomÃ¡s promises to destroy the document after InÃ©s is released. He gives Lorenzo a large amount of gold for the Church, hoping it will persuade the Holy Office to consider leniency.Lorenzo pleads for InÃ©s, but the Inquisitor General Father Gregorio, while accepting the money, refuses, since InÃ©s has confessed. Lorenzo again visits InÃ©s in prison and, offering to pray with her, instead he rapes her. TomÃ¡s brings the document to the king, Charles IV (Randy Quaid) who is highly amused at seeing it, and promises to assist InÃ©s. Lorenzo is now an embarrassment to the Spanish Church and they come to arrest him. He flees. Lorenzo's portrait is confiscated by the Church, and is set on fire in public, to burn him in effigy.Fifteen years pass, and Goya is at the height of his creativity, but has grown deaf. The French army under Napoleon invades Spain, abolishes the Inquisition and sets the prisoners free. Lorenzo had fled to France, where he was introduced to the ideas of the French Revolution and became a fanatical adherent of them. He is now Napoleon's chief special prosecutor against his former Spanish colleagues in the Inquisition. (This twist in Lorenzo's allegiance might have been inspired by the career of Juan Antonio Llorente.) A French court presides over the show trial, conviction and sentencing to death of the Inquisitor General. InÃ©s, who was said to be tried, has actually been left to languish in the dungeons until now. She had given birth to a daughter in prison, who was taken away from her immediately after birth. Upon visiting her old home and finding her family killed, InÃ©s turns to Goya for help in finding her child. Lorenzo is the father, which is embarrassing for him, and he sends InÃ©s, whose sanity has suffered in prison, to an insane asylum. Lorenzo questions the condemned Inquisitor General, sparing him for information about what would happen to a child born in the Inquisition prison. The Inquisitor General tells him the child would be placed in an orphanage. Lorenzo tracks it down, and he learns from the nuns who run it that his daughter's name is Alicia. She had run away several years before.In Garden Park, Goya finds a prostitute named Alicia (also played by Natalie Portman) who looks identical to InÃ©s. He goes to Lorenzo asking for InÃ©s in order to reunite her with her daughter. Lorenzo takes the initiative and secretly goes to see Alicia, offering to pay for her passage to America if she will agree to leave Spain. However she refuses the offer and jumps out of his carriage declaring him insane. In the meantime, Goya travels out into the countryside, where InÃ©s has been kept in an asylum. Goya pays the director a bribe to release her, and then tries to bring InÃ©s to see Alicia. Unfortunately, as Goya tries to persuade Alicia to see her mother, a group of soldiers, under orders from Lorenzo, burst into the tavern and forcibly arrest all the prostitutes. Goya discovers Lorenzo's intention to sell the women off to America where they will be treated as slaves. InÃ©s, waiting outside to meet Alicia, wonders off into the tavern and finds the abandoned baby Alicia left under a table when she was seized by the raid. In her delusion InÃ©s thinks the baby, who might be her granddaughter (although Alicia denies it's hers when Goya questions her about the baby), to be her own lost daughter; she is delighted and wanders off with the child.The British invade Spain from Portugal, defeating the French troops with the help of the Spanish population. The wagons in which the prostitutes are being transported are abandoned by the French cavalry guarding them when the British attack, with Alicia catching the eye of a British officer. Lorenzo is arrested as he is fleeing. The Spanish reinstate the Inquisition, which now tries and sentences Lorenzo to death, the Inquisitor General condemning him in much the same words as in Lorenzo's speech at his trial. They are willing to spare him if he repents, and they urge Lorenzo to do so until the last moment at the site of the execution in the city center, to which he is led in the auto da fe wearing a sanbenito with painted flames indicating he is sentenced to die. On the scaffold, Lorenzo spots his daughter Alicia, on the arm of the British officer, scoffing at him. He also notices Goya sitting at a distance sketching the entire ordeal. InÃ©s is also present in the crowd and calls to Lorenzo enthusiastically to show him the baby she believes is their daughter. Refusing to repent, despite pleas from his former colleagues the monks, Lorenzo is garrotted. The film ends with a cart taking Lorenzo's body away, escorted by InÃ©s still carrying the child, as she holds the hand of the dead Lorenzo, children prancing about singing songs, and with Goya following closely behind her calling for her. She merely glances back with a smile, but is content to instead accompany Lorenzo as she kisses his hand.
[A]: What is Lorenzo's daughter's name?


[Q]: The plot alternates between events immediately following the death of Robert (Anthony Hopkins), a brilliant mathematician whose genius was undone by crippling mental illness, and flashbacks revealing the life he shared with his daughter Catherine (Gwyneth Paltrow). Catherine is also a mathematician, but she struggles with living in her father's shadow, with balancing her demanding studies with caring for her father and also with the fear that she may have inherited his mental illness. At home, Robert clings to sanity by constantly bombarding Catherine with complex mathematical problems.In the opening scene Robert startles Catherine while she watches TV in the middle of the night. He gives her a bottle of champagne for her birthday, and they chat for a while about the nature of insanity, ending with the revelation that Robert died last week and his funeral is tomorrow.Awakened from this dream, Catherine realizes that Hal (Jake Gyllenhaal), a former graduate student of Robert's, is still upstairs, reading through Robert's books. Robert filled many notebooks with meaningless notes. Hal believes that Robert's genius may have withstood his illness, and clues to that genius might lie among the gibberish of his notebooks. When Hal comments on the vast amount of work Robert did, a suspicious Catherine searches Hal's backpack. Though Catherine finds nothing in Hal's bag, a notebook falls out of his coat. He explains that he wanted to give the notebook as a birthday present because it "had something written in it about her, not math, her". Hal is forced to leave, giving the notebook as intended, when Catherine calls the police.The next day, for the funeral, Catherine's sister Claire (Hope Davis) arrives in town. A huge contrast to the unkempt Catherine, Claire is an overly put together, neurotic New Yorker. Relations between the sisters are tense, and Catherine cannot stand her sister's constant harping on matters of appearance. Catherine is also upset that Claire didn't care for her father as much as Catherine did in his final years.At the funeral, Catherine expresses her frustration with the many people there. She interrupts the string quartet with an impromptu speech, berating everyone for not being there for her father while he was alive. She describes his descent into insanity, and that at one time he would borrow piles of books believing that aliens were sending him messages encoded in their Dewey Decimal codes. She ends by saying she's glad her father is dead and walks out of the church mid-funeral.Claire decides to sell Robert's house back to the university and wants Catherine to come with her to New York; Catherine is upset that she will be forced to leave the house. It becomes evident that Claire suspects that Catherine may be struggling with mental illnesses, as their father had. A wake held at the house the night after the funeral, is attended by many academic mathematicians. Hal appears and chats up Catherine. Softening up to Hal, Catherine sleeps with him. Afterwards, she gives the student a key to her father's desk.In flashbacks, Robert is shown suddenly invigorated, believing he has seen the beginnings of a new mathematical proof that will prove his triumph over mental illness.In the present, Hal finds a notebook in Robert's desk, which itself contains a lengthy but apparently very important proof. He is very excited and shows the discovery to Catherine and Claire. He asks Catherine how long she knew about this and why she did not tell him about it. She tells him that she wrote it. Catherine claims the work is hers and not her father's despite evidence to the contrary. Neither Hal nor Claire believe Catherine. Hal believes the mathematics of the proof are beyond Catherine, while Claire simply suspects that Catherine is suffering the onset of mental illness. Catherine can't describe the proof without the notebook because it "is not a muffin recipe". Hal decides to take it to the math department the next day to verify the proof's accuracy.He returns as Claire and Catherine are leaving, with news that the math department believes the proof to be valid. Hal tells Claire that he doesn't think that her father wrote the proof because it employs newer mathematics and wants Catherine to explain it to him sometime. Catherine remains stung by his earlier lack of trust, and the sisters leave for the airport; but, Hal sprints after the car and throws the book through the window and onto Catherine's lap.At the airport, Catherine has another flashback. It is revealed that, while living together, her father challenged her to work on math, which she does, ultimately completing a proof, which she describes in one of the many notebooks in the house. Catherine goes to tell her father about the breakthrough, but he insists she read aloud the proof that he is working on. To Catherine's disappointment, Robert's notebook contains not a proof, but a rambling and desperate observation of the passage of the seasons, that the year is divided into months of cold, months of warmth and months of indeterminate temperature, that the future of heat is the future of cold, that the future of cold is infinite, and that he will never be as cold as he will be in the future. Reading her father's work, Catherine realizes that Robert has not overcome his mental illness. A dispirited Catherine leaves her notebook in Robert's desk, where Hal will later find it.Catherine has begun to come to terms with herself, aided by Hal's confidence in her. She decides that she does not need to go with her sister to New York and runs out of the airport. She returns to University of Chicago, and the film ends with her and Hal meeting up on campus and discussing the proof.
[A]: What was Robert ?


[Q]: A young couple Aki and Kazuo are snatched off the street while having their first date as a romantic couple after a few years working in the same office. They wake up shackled in a basement that has plastic-covered walls. With no further explanation, a sadistic madman degrades, tortures and mutilates them. He punctures Kazuo's belly with a screwdriver and slices his tongue, then sexually assaults each in turn, forcing the other to watch. Sometimes, he stops the torture to provide medical assistance and cure the couple's wounds, so they can continue alive for a long period of time. This way, he cuts off all their fingers, makes collars with them, pops out Kazuo's right eye, removes the girl's nipples and cuts off her right arm.As the torture progresses, it is revealed he is simply doing it for sexual stimulation, and tells the couple he wants the two to survive. He finally castrates Kazuo, claiming he has found all the sexual relief he needs, so no longer needs the couple's "services". The couple is moved to a room which resembles a modern and clean hospital room, where the kidnapper takes care of the couple's wounds. It gradually becomes apparent that the man has professional medical training, refined manners, taste for classical music and good wines and dresses in expensive clothes when he is not in surgeon dress. He even mentions he is a wealthy man, which suggests he may be a reputable surgeon, not merely a violent sadist, looking for an extreme way to obtain satisfaction in his lonely life. The couple also notes the doctor has a particular rotting smell always present behind his clean and elegant appearance.After several days healing, the "doctor" simply tells the couple they will be free to go, he will turn himself to authorities and, as apology for all the suffering he inflicted to the couple, he will give them all his fortune which seems to be very large, as compensation. After all the horror, in a moment alone in the hospital room, Aki and Kazuo promise to support each other once they leave and become a couple. It is unclear if the madman is playing with the couple's hopes to survive; immediately after telling them they will be released, the couple is taken back to the basement. After being drugged, they are shackled again, exactly as they were the first time.The "doctor" announces they must participate in one final test of love. He pulls out some of Kazuo's intestines and attaches them to a hook. If Kazuo is able to cross the room to the other side (pulling his entire intestine out of his body in the process), take scissors and cut Aki's ropes to release her, both will be freed. However, Kazuo fails due to blood loss (it is also revealed that the ropes restraining Aki have a metal wire running through them, rendering them impossible to cut with scissors; the task was therefore impossible).Aki begins to insult the doctor and says that despite his classy appearance, he has a skunk odor. Angered, the doctor cuts off Aki's head. The head lands on the doctor's neck; she bites him with her final breath. Kazuo, not dead yet, stabs him in the foot with the scissors as a supreme last action. The couple then dies facing each other. In the epilogue, the madman is revealed to have survived, although he cannot walk properly. He is in a quiet forest where he respectfully buries the couple next to each other in a traditional Japanese way, leaving the scissors on their tombs as a symbol. The next scene shows him in the same car he used to kidnap the couple, covering himself with lots of perfume to hide his skunk stench. A girl walks by, and the screen cuts to black as he goes after his next victim.
[A]:
Who's intestines does the doctor pull out ?