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In this task, you're given a passage, further information available on a particular linked term from the statement, and a question. Your job is to generate the answer to the question by using the information provided. If there is no clear answer obtainable, output 'none'.
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Passage: In 1975 his orchestral Fourth Sonata (written 1974–75) won the Scottish National Orchestra's Ian Whyte Award. Subsequent orchestral works include the widely performed Night Music (1976), Sonata No. 5: Landscape (1977–81), and a First Cello Concerto, commissioned by the BBC for the 1984 Proms: these last two have been recorded by Unicorn-Kanchana. In 1989 Cortège was given its first performance by the Orchestra of the Royal Opera House under Bernard Haitink, and Quatrain by the London Symphony Orchestra and Michael Tilson Thomas. This was the first of a series of LSO commissions, followed by Machines and Dreams for their 1991 Childhood Festival, Memorial in 1993 with Mstislav Rostropovich as conductor, and a Second Cello Concerto for Rostropovich in 1996. In 1990 he made a setting of three comic poems by Wendy Cope, Strugnell's Haiku. Matthews was Associate Composer with the LSO from 1992 until 1999. The orchestral version of Hidden Variables was a joint commission for the LSO and the New World Symphony Orchestra, who gave the American première in Miami under Michael Tilson Thomas in 1992; in the same year the Cleveland Orchestra gave the American première of Machines and Dreams. Collins Classics released a CD of Matthews' LSO commissions in 1996 to celebrate his 50th birthday.
 Link Information: The London Symphony Orchestra (LSO), founded in 1904, Question: How long had the London Symphony Orchestra been playing for the year Matthews won the Ian Whyte Award?
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Answer: 71


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Passage: A large portion of the Vilnius area was controlled by the Second Polish Republic during the interwar period, particularly the area of the Republic of Central Lithuania, which had a significant Polish speaking population. For example, the Wilno Voivodeship (25% of it is a part of modern Lithuania and 75% - modern Belarus) in 1931 contained 59.7% Polish speakers and only 5.2% Lithuanian speakers; see Ethnic history of the region of Vilnius for details. From 1918 to 1921 there were several conflicts, such as the activity of the Polish Military Organization, Sejny uprising (that was met with massive outrage in Lithuania) and a discovered attempt at a Polish coup on the Lithuanian government. From the documents stolen from Polish Military Organization headquarters safe in Vilnius and given to Prime Minister of Lithuania Augustinas Voldemaras, it is clear that this plot was directed by Józef Piłsudski himself. The Polish-Lithuanian War and Żeligowski's Mutiny contributed to a worsening of Polish-Lithuanian relations; increasingly Polish people were viewed with suspicion in Lithuania. The loss of Vilnius was a stunning blow to Lithuanian aspirations and identity, and the unrelenting irredentist demand for its return became one of the most important elements of Lithuanian political and social life in the interwar period. The irredentist campaign resulted in the emergence of feelings of hatred and revenge directed against the Poles in the Lithuanian society. In fact, the largest social organization in interwar Lithuania was the League for the Liberation of Vilnius, which propagated irredentist views in its magazine Mūsų Vilnius (Our Vilnius).
 Link Information: refers to a Polish uprising against the Lithuanian authorities in August 1919 Question: Which of the conflicts that occured between 1918 and 1921 occured first?
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Answer: activity of the Polish Military Organization


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Passage: Antonio Denzio (23 September 1689 – after 1763) was an Italian impresario, tenor, and librettist. Born in Venice to a family of musicians and operatic personnel, he pursued a career mainly as a singer until 1724, when he traveled to Bohemia as a member of the opera company of Antonio Maria Peruzzi, probably his uncle. Peruzzi had the idea of bringing an Italian opera company to central Europe to perform first in Prague, then Dresden and Leipzig. The company was first brought to Bohemia under the patronage of Count Franz Anton von Sporck, who had it play at his palace at Kuks in northwest Bohemia in the summer of 1724. The performances were so successful that he permitted the company to perform free of charge in his palace in Prague. After disagreements with Peruzzi, Denzio was able to supplant him as impresario before the end of the year 1724 and continued productions in the Sporck palace until 1735. Peruzzi left with some of the Peruzzi-Denzio players to found the Breslau Opera. Denzio's opera theater at Sporck's palace was the first standing opera theater in the city. His productions were popular with the Bohemian nobility until about 1729, after which Denzio's finances deteriorated. Count Sporck provided no financial assistance to the company except the free use of his theater, and he allowed it to fail. The company went bankrupt and Denzio was forced to spend time in debtors' prison. During its heyday, Denzio was able to attract at least one of the principal singing stars in Italy to Prague each season. The most prominent of all was Margherita Gualandi, who was forced to come to Prague after being blackballed in Italy for bad behavior. Denzio sought the assistance of Antonio Vivaldi in engaging singers for his company, and the composer sent music. In the early 1730s, Vivaldi came himself to Prague. Some of the music for one of his operas composed for Prague, Argippo, has only recently been re-discovered.
 Link Information: none Question: What was the GDP of Bohemia the year Denzio travelled to that  region?
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Answer: none