In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

senseless is a prime example of what can happen when you try to push a one - joke concept a bit too far
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director penelope spheeris is no stranger to this , having subjected audiences before to such tortures as the beverly hillbillies .
marlon wayans stars as darryl witherspoon , a college senior vying for a lucrative job at a prominent brokerage .
however , he lacks the advantages of his chief opposition , scott thorpe ( david spade , in the smarmy sort of role he can deliver in his sleep ) : an athletic record , sponsorship by a fraternity , and , most of all , a wealthy family to back him up .
in fact , darryl has to work at four jobs simply to make ends meet .
but there may be a light at the end of that tunnel .
he signs up as a human guinea pig in a neurological experiment run by the university 's dr .
wheedon ( brad dourif ) .
as a result , his senses are magnified tenfold .
using his newfound abilities , he sets himself in complete pursuit of the job ( unaware that there may be some disadvantageous side - effects to having super senses ) .
naturally , marlon wayans plays this comedy at full throttle , giving jim carrey - ish amounts of physical humor .
the problem is , aside from a few genuinely inspired bits , there 's not much that 's funny here
.
the film has it 's one central gag , and pads out the rest of its length with rather obvious lowbrow humor .
there obviously was n't much thought put into the plot .
the entire job selection process is completely ridiculous .
i mean , why the emphasis on extra - curricular activities if the entire job is going to come down to a single - elimination quiz anyhow ?
and is this the only job being offered to economics majors this semester ?
to give it credit , senseless does try to create a secondary joke with darryl 's roommate , tim laflour ( matthew lillard ) .
apparently , he is supposed to be faddish , but the film never does anything with him , leaving him in a piercing phase throughout the movie .
his " intervention " scenes with darryl , however , do provide a rare , and welcome , laugh .
and then there 's the love interest which is always pathetically tacked onto comedies like this one .
in this case , the object of darryl 's amor is janice ( tamara taylor ) , a fellow student who wo n't have anything to do with darryl until he gains his super - senses .
needless to say , the romance is completely extraneous , and adds little to the film .
this is a film that desperately needed something else .
be that a good plot , more jokes ( or simply funnier ones ) , or a strong character or two , anything would have helped senseless get off the ground
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as it is , all the manic exuberant mugging in the world ca n't help marlon wayans get this one off the ground .
N

in double jeopardy , the stakes are high .
think of the plot as a rehash of sleeping with the enemy , and then rearrange the details and the gender of the stalker .
the finished product , although able to maintain the viewer 's attention , is
a predictable and unexciting thriller with an idiotic script .
` alex , i 'll take homicide for $ 400 . . . '
libby parsons ( ashley judd ) is a happily married mom leading a normal life .
one night , her husband nick ( bruce greenwood ) takes her out for a romantic escape on a sailboat .
libby awakens in the middle of the night to find she is covered in blood and nick has strangely disappeared .
she follows a trail of bloody footprints up to the deck , where she handles a fallen knife ( like any stupid character ) and is spotted by the coast guard , who are responding to a distress signal sent earlier in the evening .
nick is presumed dead , and although she pleads her innocence , libby is tried and convicted for the murder of her husband .
now , please do n't think i 'm spoiling any vital plot details , because the informative trailer has already spilled most of the beans . if you have n't seen this preview , do n't read any further .
but seriously , the inane screenplay by douglas
weisberg and douglas s
.
cook is so elementary that the average viewer will be two or three steps ahead of the characters .
during the most vital scenes in the movie , i was anticipating every twist or ` surprise ' that eventually popped up on the screen .
i imagine the writers presume their core audience for double jeopardy is a very naive group of individuals .
most , unfortunately , will be too distracted by the moronic plot to appreciate the few positive aspects of the production .
one is tommy lee jones , who plays travis lehman , a parole officer given the tedious task of watching over libby after she serves her sentence in prison .
jones is always wonderful as an authority figure , and he 's certainly familiar with this sort of role ( as he played so well in the fugitive and us marshals ) .
judd , as a likable heroin with gusto , also has a chance to flex her acting abilities .
while emotionally unconvincing , the actress is tremendously fun in her juvenile role , perking up the movie like an injection of anti - depressant .
the actors , and their relationship together , present the one - two punch that prevents double jeopardy from derailing itself entirely .
and now , back to the plot .
while behind bars , libby learns an interesting little bit of information : a person ca n't be convicted of the same crime twice .
this law , called ` double jeopardy ' , could be her motive for hunting down her husband .
.
. who may still be alive .
yes , you heard right .
the movie degenerates into a cross - country chase , where everything you expect to happen . . .
does .
the final scenes , which could have redeemed the film , are poorly handled by director bruce beresford - whose previous work centers highly around drama ( driving miss daisy , paradise road ) .
ironically , it is those elements - like the driving force of libby to reunite with her son - that do n't quite work here .
at least double jeopardy is paced well enough to satisfy diehard fans of the two stars .
unfortunately , jones lacks some of the edge that he had as sam gerard in the fugitive , and the real depth of his character is only skin deep .
but he and ashley judd are more than welcome considering the material , and both have some memorable comic moments .
judd , in particular , has a hilarious scene in which she wards off an oncoming male by explaining she has to check in with her ` parole officer ' .
hmmm .
. .
perhaps this would have made a good comedy .
it is disappointing , because there are the makings of a competent action film here .
it 's nicely shot and choreographed in downtown vancouver , and will entertain those who are n't turned off by the woeful story - line .
?
tis a shame that double jeopardy is an adult thriller that would n't fool most children .
N

one of the 90s ' most unwelcome thriller trends returns from the grave : it 's the " _ _ _ from hell " movie !
starting in the early nineties , we were subjected to nearly every conceivable combination of relationships - from - hell !
there were boyfriends from hell , friendly neighborhood cops from hell , nannies from hell , and even secretaries from hell .
but hush has found an old standby that somehow was forgotten in the rush : the mother - in - law from hell ! ! ! ! !
the mother - in - law in question is martha , played by jessica lange .
she has been single - handedly running the family horse farm , kilronan .
her son , jackson ( johnathon schaech ) and his girlfriend , helen ( gwyneth paltrow ) , live in new york , and have no intention to move back down south to the rural kilronan .
but those intentions are about to change .
you see , martha lives by manipulation .
she has used it in years past to breed many championship horses .
now , she believes she can use it to breed herself a grandson .
though at first , helen finds martha charming , soon she is caught in the domineering martha 's web of deception .
it 's hard to understand why nobody ever wises up to martha ' schemes .
as written , most of the characters in the film must be very slow witted .
but then , the film even treats the audience like idiots .
it tries to get away with things ( like leaving a critical piece of evidence in a rather unlikely place ) without even batting an eye .
then again an audience which accepts characters as shallow as these is n't one that 's likely to question details .
jessica lange 's martha is the only semi - developed character in the film , and she applies her talents to redeem it as much as she can .
a character that could have been simply awful is merely groan - worthy .
gwyneth paltrow does n't have much to build upon , as helen 's only character trait seems to be " daughter - in - law " .
still , she fares better than johnathon schaech , whose character is so nonexistent , he 's inexplicably missing for much of the film .
still , there have been much worse
" _ _ _
_ from hell " films .
even with its paper - thin characters and ludicrous setups , hush manages to create a few thrills in a color - by - numbers fashion .
you know what 's coming , but occasionally the film will deliver a shock or two .
the old formulas are around for a reason , but that does n't mean they taste fresh .

N