In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.

Q: Passage: A mixture of songs that inspired his own musical development, together with some of his own compositions, allied to a backing band and orchestra (The Caledonia Soul Orchestra) and several performances (as noted in the album's liner notes) that were recorded in concerts at The Troubadour in Los Angeles, California (24–27 May 1973), the Santa Monica Civic Auditorium (29 June 1973) and The Rainbow (23–24 July 1973) in London. These performance result in what Myles Palmer of the Times reviewed as demolishing "all barriers between the soul, blues, jazz and rock genres". The songs chosen went back to his days with Them with versions of "Gloria" and "Here Comes the Night". His first solo hit "Brown Eyed Girl" was performed but not included on the album until the reissue in 2008. M. Mark called the album "an intelligent selection of songs that draws on six of Morrison's records and five of the musicians he learned from." These musicians were Bobby Bland ("Ain't Nothing You Can Do"), Ray Charles ("I Believe to My Soul"), Sam Cooke ("Bring It On Home to Me"), two songs by Sonny Boy Williamson II ("Help Me" and "Take Your Hands Out of My Pocket") and a cover of a Willie Dixon song, "I Just Want to Make Love to You", which was popularized by Muddy Waters.
 Link Information: recorded in concerts Answer: The Rainbow

A: Which of the venues that he recorded live shows in, during 1973, was built first?
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Q: Passage: Vincent Canby of The New York Times wrote, "As an attempt to elevate pornography ... into art, it is often witty and funny but it fails for several reasons, including Ginsberg's self-imposed limitations on form (to which he's not completely faithful)." He elaborated that "the screenplay, like the film, eventually drifts in a horizontal direction into a kind of foggy confusion." Variety stated, "The problem with 'Coming Apart' is that while it suggests some interesting ideas, it can't deliver any of them in cogent form. If Torn is supposed to be some form of saint in the 20th Century religion of psychiatry, prepared to accept the truth of his perceptions with detached irony, this only adds to the deadness of the film as public entertainment." Gene Siskel of the Chicago Tribune gave the film 3.5 stars out of 4 and praised Rip Torn for "a brilliantly controlled performance. He never appears to be acting." Kevin Thomas of the Los Angeles Times wrote, "In this dreary study of the disintegration of a New York psychologist (Rip Torn), Ginsberg made the mistake of placing professional actors in improvised Warhol-like situations ... What we're left with, consequently, is scarcely more than some mild but mainly tedious pornography for intellectuals." Gary Arnold of The Washington Post wrote, "Compared to the erotic satire, the film's serious pretensions seem so uninspired and derivative that it's only natural to find that your interest dwindles once the characters start sorting out their souls ... the breakdowns turn morbidly sentimental and theatrically pat." Life reviewer Richard Schickel praised Torn's performance, Ginsberg's inventive use of camera and sound, and the "illuminating" portrayal of a schizophrenic breakdown. Andrew Sarris of The Village Voice gave it a less favorable review, however, and the film was a commercial failure.
 Link Information: 

Vincent Canby (July 27, 1924 – October 15, 2000) was an American film and theatre critic who served as the chief film critic for The New York Times from 1969 until the early 1990s Answer: 1969 

A: When did Canby begin working for the New York Times?
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Q: Passage: Paul Roessler was born on August 27, 1958, in New Haven, Connecticut. In 1974, he moved to West Los Angeles where he met and befriended future Germs band members Darby Crash and Pat Smear at University High. After graduating from high school, Roessler went on to study classical music at California State University, Northridge, for a few semesters before leaving in early 1978 to join innovative electropunk band, The Screamers. After two successful years, The Screamers found themselves rapidly disintegrating as a band, causing Roessler to leave in January 1980, and would then go on to play in Nervous Gender with former Germs drummer Don Bolles as well as in Geza X and the Mommymen. After a few months of going between bands, he was recruited by Nina Hagen to join her for an upcoming European tour. After touring Europe and America with Hagen, they recorded Nunsexmonkrock. Before Roessler's second tour with Hagen, Pat Smear from the Germs joined the band. Later, when Smear left the band, Roessler left also. In 1981, he formed the band Twisted Roots with Smear and sister Kira Roessler. During this time, he was playing with 45 Grave, Josie Cotton, DC3 (with Dez Cadena of Black Flag) and Crimony (with Mike Watt) as well. Roessler was also doing sessions with many other bands such as the Dead Kennedys and Saccharine Trust. Roessler has continued to work with Nina Hagen and Josie Cotton. From 1998 to 2011, Roessler worked as the in-house producer at Satellite Park Studio with Geza X. In 2006, Roessler released an autobiographical poetry book entitled Eight Years (Brass Tacks Press, 2006). He continues to write his own music and is currently recording a new album. In 2010, Roessler produced and played keyboards on Nina Hagen's gospel album Personal Jesus (Universal). He has been a member of the Fancy Space People with Don Bolles and Nora Keyes since 2009. In October 2011, they joined the Smashing Pumpkins on their "Other Side of the Kaleidyscope" tour.
 Link Information: before leaving in early 1978 to join innovative electropunk band, The Screamers Answer: 3

A:
How many years were The Screamers together before Roessler joined the band?
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