TASK DEFINITION: You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.
PROBLEM:  The poem is separated into twelve "books" or sections, the lengths of which vary greatly (the longest is Book IX, with 1,189 lines, and the shortest Book VII, with 640). The Arguments at the head of each book were added in subsequent imprints of the first edition. Originally published in ten books, a fully "Revised and Augmented" edition reorganized into twelve books was issued in 1674, and this is the edition generally used today.
The poem follows the epic tradition of starting in medias res (Latin for in the midst of things), the background story being recounted later.
Milton's story has two narrative arcs, one about Satan (Lucifer) and the other following Adam and Eve. It begins after Satan and the other rebel angels have been defeated and banished to Hell, or, as it is also called in the poem, Tartarus. In Pand monium, Satan employs his rhetorical skill to organise his followers; he is aided by Mammon and Beelzebub. Belial and Moloch are also present. At the end of the debate, Satan volunteers to poison the newly created Earth and God's new and most favoured creation, Mankind. He braves the dangers of the Abyss alone in a manner reminiscent of Odysseus or Aeneas. After an arduous traversal of the Chaos outside Hell, he enters God's new material World, and later the Garden of Eden.
At several points in the poem, an Angelic War over Heaven is recounted from different perspectives. Satan's rebellion follows the epic convention of large-scale warfare. The battles between the faithful angels and Satan's forces take place over three days. At the final battle, the Son of God single-handedly defeats the entire legion of angelic rebels and banishes them from Heaven. Following this purge, God creates the World, culminating in his creation of Adam and Eve. While God gave Adam and Eve total freedom and power to rule over all creation, he gave them one explicit command: not to eat from the tree of the knowledge of good and evil on penalty of death.
The story of Adam and Eve's temptation and fall is a fundamentally different, new kind of epic: a domestic one. Adam and Eve are presented for the first time in Christian literature as having a full relationship while still being without sin. They have passions and distinct personalities. Satan, disguised in the form of a serpent, successfully tempts Eve to eat from the Tree by preying on her vanity and tricking her with rhetoric. Adam, learning that Eve has sinned, knowingly commits the same sin. He declares to Eve that since she was made from his flesh, they are bound to one another   if she dies, he must also die. In this manner, Milton portrays Adam as a heroic figure, but also as a greater sinner than Eve, as he is aware that what he is doing is wrong.
After eating the fruit, Adam and Eve have lustful sex. At first, Adam is convinced that Eve was right in thinking that eating the fruit would be beneficial. However, they soon fall asleep and have terrible nightmares, and after they awake, they experience guilt and shame for the first time. Realizing that they have committed a terrible act against God, they engage in mutual recrimination.
Meanwhile, Satan returns triumphantly to Hell, amidst the praise of his fellow fallen angels. He tells them about how their scheme worked and human kind has fallen, giving them complete dominion over Paradise. As he finishes his speech, however, the fallen angels around him become hideous snakes, and soon enough, Satan himself turned into a snake, deprived of limbs and unable to talk. Thus, they share the same punishment, as they shared the same guilt.
Eve appeals to Adam for reconciliation of their actions. Her encouragement enables them to approach God, and sue for grace, bowing on suppliant knee, to receive forgiveness. In a vision shown to him by the angel Michael, Adam witnesses everything that will happen to mankind until the Great Flood. Adam is very upset by this vision of the future, so Michael also tells him about humankind's potential redemption from original sin through Jesus Christ (whom Michael calls "King Messiah").
Adam and Eve are cast out of Eden, and Michael says that Adam may find "a paradise within thee, happier far". Adam and Eve also now have a more distant relationship with God, who is omnipresent but invisible (unlike the tangible Father in the Garden of Eden).

SOLUTION: What is the one thing Adam and Eve are not to do?

PROBLEM:  Lord Coombe is considered to be the best-dressed man in London. He is also a man whose public reputation, despite his formidable intellect and observant eye, is one of unmitigated wickedness. During one of his social forays, he meets a selfish young woman named 'Feather' with the face of an angel. Fascinated by her, he slowly drifts into her circle. When her husband dies unexpectedly, leaving her alone and desolate in London, he ends up taking her under his wing.
Feather has a daughter named Robin, of whom she takes little notice. She treats Robin with shocking neglect and once Coombe takes over responsibility for the household's finances, Feather readily abandons poor Robin to the less-than-kindly ministrations of her nurse. In fact, Robin doesn't even know Feather is her mother for her first six years, calling her 'The Lady Downstairs'. Robin also hates Coombe, having heard a conversation that blamed him for the loss of her first friend. This was a little boy named Donal who was in fact Coombe's heir. Donal's mother disapproves both of Coombe and Feather and when she discovers that her son has been playing with Robin, she whisks him away, leaving Robin heartbroken. However, Coombe does not return this dislike and in fact makes a point of serving as her guardian, albeit without Robin's knowledge. As Robin grows, he builds her a set of rooms, engages a loving nurse for her, and eventually secures a reputable governess for her. While her mother continues to behave with the selfish freedom of a wanton child.
As Robin grows, she becomes a lovely and intelligent though innocent, girl. Feather's circle includes some unsavory characters, one of whom, a German nobleman, tries to make Robin into his plaything. This caricature of Imperial German stereotypes uses Robin's desire to support herself to trap her in a house of ill repute. His plan fails mainly through the actions of Coombe, but the after-effects leave Robin crushed.
One of Coombe's few true confidants is a dowager Duchess - a woman of both great intellect and great understanding who has recently lost her long-time lady companion. After Robin's experiences with the German, Coombe suggests Robin as a suitable replacement. The Duchess is the one person who knows the secret of Coombe's determination to watch over Robin and why he is willing to tolerate the activities of her mother. This secret is finally communicated to the reader as well during one of Coombe's talks with the Duchess. The Duchess does indeed take in Robin and befriends her. Robin is introduced to the Duchess' children and their friends and finally sponsors a small dance for Robin. At the dance, Robin meets Donal again as Coombe and the Duchess learn that an Austrian Archduke has just been assassinated in Serbia.

SOLUTION: Who befriends Robin and throws her a small dance?

PROBLEM:  In 1985, Connor MacLeod, also known as the Highlander, is in New York City. In an arena parking garage, Connor is confronted by fellow immortal Iman Fasil, and decapitates him, upon which an energy surge destroys several cars around him. He hides his sword just as police swarm the exit to the garage, and arrest Connor.
The story then goes back in time to the 16th century Scottish Highlands, in the village of Glenfinnan on the shores of Loch Shiel. Connor and his clan, the Clan MacLeod, prepare for battle. Back in 1985, the police release Connor, as they have failed to get any information from him. One of the detectives involved, Brenda Wyatt, is an expert in metallurgy and recognises Fasil's sword as an extremely rare Toledo Salamanca broadsword. Later, Connor returns to the garage to retrieve his own sword but sees Brenda is looking at the crime scene. She finds metal shards embedded in a concrete column and saves them for analysis.
The scene returns to the Highlands, where the Kurgan assists the clan Fraser against the Clan MacLeod in exchange for the sole right to slaying Connor. In the resulting confrontation the Kurgan stabs Connor but is then driven off by the MacLeod clansmen. The wounded Connor is taken back to the village, and everyone assumes he will die. When he makes a remarkable overnight recovery, the village is convinced that it is the work of the devil. The villagers attempt to have Connor executed, but he is instead exiled by the clan leader out of mercy.
In 1985, Connor lives under the alias Russell Nash and is a wealthy antiquities dealer. Meanwhile, the Kurgan takes up residence at a seedy motel. Connor tails Brenda to a bar, but she leaves quickly. She then tails Connor, but the Kurgan attacks them both. The fight is interrupted by a police helicopter, and everybody flees. Brenda analyzes the metal fragments and discovers them to be from a Japanese katana, dated about 600 B.C. but made with advanced technology for the era. She makes a date with Connor in an attempt to entrap him. Connor recognises the ruse, tells her to stop digging, and leaves.
In the past, Connor lives an idyllic life with his wife Heather. One day, the mysterious Juan S nchez Villa-Lobos Ram rez appears and begins training Connor in sword fighting. He explains that they both belong to a group of immortals, who constantly fight one another but can only be killed by complete decapitation. When one immortal decapitates another, the winner receives a transfer of power called "the quickening". Eventually, all the immortals must do battle until there is only one left alive; the last survivor will receive "the Prize". Ramirez tells Connor that the Kurgan, by that time the strongest of the immortals, must not win the Prize, or mankind will enter a dark age. One night, while Connor is away, the Kurgan attacks, decapitating Ramirez and raping Heather.
In Central Park, Connor meets a long-time friend, fellow immortal Sunda Kastagir. They talk about the impending gathering of immortals which precedes the final battle, and they joke about old times. Brenda has by now discovered that Connor has been alive for centuries, living under false identities, faking his death every few decades, signing his assets over to children who had died at birth, and assuming their identities. She confronts Connor, who demonstrates his immortality. After this revelation, Brenda and Connor become lovers, although Connor is reluctant, following a flashback in which Connor's wife, Heather, dies of old age in his arms. Ramirez has earlier explained that immortals cannot have children and should not get romantically involved. Ramirez reveals his Japanese katana was made specifically for him by the father of his third wife.
The Kurgan finds Kastagir, killing him and wounding a man who witnessed his beheading. When the Kurgan finds out about Connor's relationship with Brenda, he kidnaps her to draw Connor out. After a climactic battle at the Silvercup Studios in Queens, Connor defeats and beheads the Kurgan. He receives the Prize, which manifests itself as a massive quickening. Now mortal and capable of having children, Connor returns to Scotland with Brenda. Connor now has awareness of people's thoughts around the world, and promises to use his gift to encourage cooperation and peace in mankind.

SOLUTION:
What is the only way that the immortals can be killed?