In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: susan granger 's review of " the musketeer " ( universal pictures ) hollywood launches another assault on classic literature with this $ 50 million adaptation of alexandre dumas 's novel
that 's strong on action
but weak on drama , fusing hong kong martial arts with 17th century swordplay .
the story chronicles the adventures of the dashing d'artagnan ( justin chambers ) as he leaves his village of gascogne , headed for paris , to join king louis xiii 's elite guard , the royal musketeers , and to search for the man who killed his parents 14 years earlier .
this puts him in conflict with the formidable febre ( tim roth ) , vicious henchman for conniving cardinal richelieu ( stephen rea ) .
the traditional musketeer trio - aramis ( nick moran ) , athos ( jan gregor kremp ) and porthos ( steve speirs ) - do n't offer much help
so he turns to the feisty francesca ( mena suvari ) , chambermaid to the queen of france ( catherine deneuve ) .
scripter gene quintano and director - cinematographer peter hyams are primarily interested in the derring - do , as evidenced by choreographer xin - xin xiong 's elaborate - but not original - stunts , including a fast - paced stagecoach chase , a tavern brawl on rolling barrels , high - wire acrobatics with the combatants dangling from ropes , and a ladder - fight sequence . filmed in southern france , the scenery , sets and costumes are spectacular , but the lighting is too dark and editing is filled with choppy , restless mtv'ish cuts .
as the swashbuckling d'artagnan , bland calvin klein model justin chambers buckles where he should be swashing , totally lacking on - screen charisma , not to mention acting skill .
mena suvari , so impressive in " american beauty , " seems like a contemporary interloper in the royal court .
on the granger movie gauge of 1 to 10 , " the musketeer " is a cinematic but shallow 3 .
" all for one and one for all " ?
not this time ' round .
Example Output: N

Example Input: based on the novel set in 1914 by joseph conrad , victory spins a tale of a pair of lovers , heyst ( william dafoe ) and alma ( irene jacob ) , who seek refuge on heyst 's isolated island .
however , their idyllic world begins to crumble upon the arrival of mr jones ( sam neil ) , martin ricardo ( rufus sewell ) and their servant , pedro ( graziano marcelli ) , who have come to steal heyst 's rumoured plunder .
while the novel is largely complex in characterization , the film sadly transposes conrad 's characters into lacklustre leads , the most disappointing being heyst himself .
conrad 's heyst adheres religiously to his late father 's ways of detachment and isolation .
his ascetic lifestyle is thrown into question when he meets alma , a helpless orchestra girl who charms him with her voice .
the struggle to embrace the arrival of alma into his solitude , however , is lost in mark peploe 's ( director and writer ) diluted version of heyst . without properly establishing the crucial details of heyst 's character , all that is left of conrad 's main character is a very shallow treatment of his internal conflict between detachment and human involvement .
on the one hand , actualizing the subtext is a mammoth task ( though not impossible ) , but on the other hand , dafoe 's flat acting can not be excused as an attempt at stoicism .
in the end , we are supposed to witness heyst renounce his philosophy and finally come to an understanding of what it is to love another .
the final transformation , while perceptible , lacks the cathartic revelation which is undeniable in conrad 's novel .
its absence in the film is unforgivable .
the film seems more concerned about moving the plot along when so much has yet to be said about the relationship between the two complete strangers .
alma is supposed to have overcome great emotional barriers in the relationship , namely heyst 's underlying philosophy of detachment , which heyst himself grapples with .
the struggle against heyst 's ignorance of true human involvement accounts for much of the greatness of alma 's love for him .
jacob , fair - skinned , gentle and yet passionate , handles the role with precision , detailing nuances where possible .
unfortunately , she is let down by a superficial script .
the couple 's relationship develops too hastily , leaving all subtlety effaced and replaced with a blatant show - and - tell approach .
all we know of the characters are mostly explained by their lines alone .
this is unsatisfactory when so much of the turmoil experienced by the two stem from their buried thoughts and emotions .
the sketchy handling of their relationship stands out as sorely as dafoe 's american accent ( an inappropriate one since heyst spent most of his life in london ) .
the other characters such as schomberg ( jean yanne ) , the owner of a hotel , and mr jones ( sam neill ) , also fall short of conrad 's meticulous characterization .
while schomberg should have been more menacing and vindictive , mr jones should have been portrayed as something more of an enigma .
sam neil 's caricature of a slightly stout , effeminate and soft - spoken gentleman - at - large nullifies the effect intended by conrad who describes mr jones as " an insolent spectre on leave from hades , endowed with skin and bones and a subtle power of terror " .
poor characterization aside
, kudos goes to rufus sewell for his excellent portrayal of ricardo , secretary to mr jones , a reckless ruffian capable of murder .
sewell , with his cockney accent and large expressive green eyes , becomes the true terror of the unholy trinity , masterminding deceitful plans behind jones ' back .
at the same time , we are entertained by the foolhardiness of his plans .
despite the authentic setting and marvellous cinematography by bruno de keyzer ,
very few images are left behind for us to savour after the film has ended
. sourabaya and its surrounding islands and volcanoes may have their charm , but mean nothing once the film fails to capture the essence of an epic , which is what victory deserves to be .
the delicately inter - woven complexities in the love story are lost to an inadequate production .
at the end of the film , we are told that perhaps alma 's victory was in teaching heyst how to love .
a hollow victory indeed .
the flying inkpot 's rating system :
* wait for the video .
*
* a little creaky , but still better than staying at home with gotcha !
*
* * pretty good , bring a friend .
*
*
* * amazing , potent stuff .
*
*
*
* * perfection . see it twice .
Example Output: N

Example Input: when i first heard that disney 's next animated feature was going to be tarzan , i was almost horrified .
i was worried that disney was going to make another hercules ( sorry , jerk - ules ) .
that effort was too overloaded with comedy ( and the hero was too boastful and pompous to be considered a sympathetic hero ) , and , after viewing it to this day , i find it a disgrace for disney animation .
when i saw the trailers , i was thinking " hmm . . .
this is n't bad at all .
this just might have potential .
"
when i bought the soundtrack , i was really quite surprised at how different it sounded from most disney features .
i have never really heard of phil collins , nor have i heard of mark mancina , so i was wondering , how would these two make this disney flick spin ?
i was pleasantly surprised : the music is top - notch .
phil collins ' songs are terrific , percussion - heavy pieces of work that seem to break the formula for typical disney songs .
the score from mark mancina was also neat
; it reminded me a bit of the lion king , but it was more original .
so , the soundtrack was n't bad at all , considering it was by two people i am not familiar with .
this film could be good . . .
but will it be ?
when i finally went to see it ( on opening day , as i tend to do with most disney animated features ) , my question was answered , in a complete turnabout of expectations for me : disney 's tarzan is surprisingly decent .
the story starts out with tarzan 's parents surviving a shipwreck and finding a home on an island where apes live in peace .
however , one day , a vicious leopard , sabor , attacks and kills tarzan 's parents , leaving him ( at this time , a baby ) alone - until kala of the apes rescues him .
kala wants to raise the child as her own ( she lost hers previously to sabor ) , but her mate , kerchak is not too sure .
"
it 's not our kind , " he says .
he agrees , though , to let her take care of little tarzan , but " that does n't make him my son .
" tarzan grows up , vowing to be " the best ape ever " , but no matter how hard he tries or what he does ( at the guidance of his hilarious ape friend , terk ) , he just ca n't convince kerchak that he is one of the apes , even when he defeats sabor in a battle .
one day , a new animal shows up : humans .
this is where jane comes into the picture .
she is on an expedition with her father ( professor porter ) , and a despicable hunter ( clayton ) searching for gorillas .
tarzan rescues her when she is chased by baboons , and soon they get to know each other .
even though tarzan falls in love with jane , this causes things to go wrong .
clayton tricks tarzan into taking him , jane , and porter to see the apes , who are convinced that he has betrayed them .
worse , clayton has plotted to send the gorillas to london for money .
will tarzan find out which family he belongs to and save the apes ?
i 'm not gon na tell you , sorry .
you 're gon na have to see for yourself .
and see it you should ; the animation is , as always ,
top notch , particularly when tarzan goes soaring through the trees
( read that , skateboarding ) .
the deep canvas computer generated effect adds an authentic feeling to the jungle which tarzan lives in .
in fact , it seems similar to the computer imagery / cel animation combination in rival disney animted films , such as fox 's anastasia and dreamworks ' prince of egypt .
could it be that disney was actually taking ideas from their rivals ?
the casting is fairly good .
tony goldwyn is emotionally believeable as tarzan ( and to my relief , the animators have succeeded in not making him another hercules .
nicely done ) , and glenn close is wonderful as kala ( she has a beautiful singing voice , too , by the way ) .
lance henrikson as kerchak somewhat reminds me of robby benson 's beast voice , which makes him all the more ferocious and gripping .
minnie driver had me a little worried at first as the voice of jane .
i thought she had the most annoying voice in the whole film ( when i first saw the trailers ) , but when i saw the film , i did n't have a problem with her .
i take back my insult on driver .
it 's nice to hear nigel hawthorne do another voice for a disney animated feature
( he was fflewdurr flamm in disney 's most underrated classic , the black cauldron ) ; he is funny and delightful as professor porter .
on the villiany side of the voices , brian blessed ( the guy who did boss nass in star wars : episode i - the phantom menace ) brings a pompous , and later on vicious , voice to the sinister clayton .
he might not be the strongest character in the film
( he 's just a plain bad guy , nothing else ) , but blessed 's vocal work contributes greatly .
but if there is any voice that i think steals the whole show , it should be rosie o'donnell , who is hilariously funny as terk .
she also has a fiesty attitude
( " i 'm gon na kill ya !
"
she says , more than once ) .
i almost sung along with her during one of the film 's best moments , where the apes make a mess of the human 's camp , via song , er , scatting " shoo - be - doo , da - be - dah " .
i can see why she wanted to have a rock song for the film
, she 's a good singer .
not that she was the only funny character in the film , though .
wayne knight ( who played stan in space jam ) gives a whimsically funny style to tantor , an elephant who is especially worried about stepping into " un - sanitary " water .
( thankfully , there is no real sound of flatuence -
that would have killed the picture ) .
the songs , as i said before , are decent , mostly sung by collins .
this sets a new standard for disney animated films because for the first time , the characters do not sing .
i tolerate musical numbers from characters a lot more than some other guys would , but i found this to be a nice change of pace .
the story does have elements of comedy in it , but they also load it with strong dramatic touches , which makes this film far better than the unbelieveably uninspired hercules .
if there is anything disappointing about tarzan , it might be the omission of the ' n sync version of " trashing the camp " from the film .
i heard it on the soundtrack , and wondered where it was going to be .
i was upset that it was n't , because i had thought of taking a few friends of mine who like ' n sync to see tarzan .
oh , well . . .
overall , i was enthralled with tarzan .
i would n't hold it high the way i do with mulan or the hunchback of notre dame ( my all - time favorite disney classics ) , but this film deserves a high place among disney 's greatest achievements .
i give a nod to disney for following up their spectacular
*
*
*
* * masterpiece , mulan , with this great animated adaption of egar rice burrough 's tarzan .
Example Output:
P