In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Ex Input:
Question: How much money did Mario Bava's 1965 horror/sci-fi film make? Passage 1:His work has proved very influential. Bava directed what is now regarded as the earliest of the Italian giallo films, The Girl Who Knew Too Much (1963) and Blood and Black Lace (1964). His 1965 sci-fi/ horror film Planet of the Vampires was a thematic precursor to Alien (1979). Although comic books had served as the basis for countless serials and children's films in Hollywood, Bava's  (1968) brought an adult perspective to the genre with its' Pop art influence of Andy Warhol and Roy Lichenstein. Many elements of his 1966 film Kill, Baby... Kill!, regarded by Martin Scorsese as Bava's masterpiece, also appear in the Asian strain of terror film known as J-horror. 1971's A Bay of Blood is considered one of the earliest slasher films, and was explicitly imitated in Friday the 13th Part 2.
 Passage 2:Chillag emigrated to Australia after the war, having found no surviving family back in Hungary and being unable to remake the family business following the arrival of communism. Marrying a British-born expatriate in 1950, he worked for the Australian Atomic Energy Commission between 1957 and 1963, living in Sydney. He moved to Leeds, England in 1962, to work in Boston Spa until retirement, whereupon he became a European Information Officer for Leeds Metropolitan University. His daughter, diagnosed with Down syndrome, prompted him to work voluntarily with Mencap, and he continued to give lectures on his experiences at the Imperial War Museum. In 2004, he published his memoirs, The Odyssey of John Chillag, a Hungarian Jew Born in Vienna 2006: From Győr in Hungary to Australia and England Via Auschwitz and Buchenwald.
 Passage 3:A member of the Aspietes family, of noble Armenian origin, Constantine was probably a close relative of his contemporary Michael Aspietes, a distinguished general killed in 1176. Like his relative, Constantine too had earned distinction during Manuel I Komnenos' campaign against the Hungarians in 1167. The historian John Kinnamos records that he held the rank of sebastos. He is next recorded as being active in 1190/1, during the Byzantine efforts to suppress the Bulgarian–Vlach rebellion of the brothers Peter and Ivan Asen. The historian Niketas Choniates records that, in an effort to sustain the troops and bolster their morale, Aspietes decided to distribute to them their delayed annual salaries. This act, however, enraged Emperor Isaac II Angelos, who saw in it almost an attempt to bribe the army to support Aspietes in overthrowing him. The emperor had Aspietes arrested and blinded, after which nothing further is known of him. He possibly died in the early years of the 13th century.


Ex Output:
1


Ex Input:
Question: Which ruler died first? Passage 1:Finn's first commission was as project manager for the Rice Hotel, under contract with the firm of Mauran, Russell & Crowell. The owner of the new hotel, Jesse H. Jones, soon after established a collaboration with Finn which would change the face of Downtown Houston. Finn designed two buildings for Jones across the way from the Rice Hotel: the Foster Building, aka the Houston Chronicle Building, in 1914, and the Rusk Building in 1916. The corner of Texas and Travis was dominated by buildings built by Finn and Jones. In 1926, Finn designed a new seventeen-story wing for the Rice Hotel on behalf of Jones. Finn did architectural work for other commercial clients in the 1920s. He completed State National Bank Building (NHRP-listed) at 412 Main Street in 1923. Jones contracted with Finn to build the Lamar Hotel, where Jones established his new residence. The Jones apartment consumed the whole top floor, though he hired John F. Staub for the interior design. Jones also promised a venue for the 1928 Democratic National Convention without consulting the city of Houston, pledging $200,000 of his own capital. He engaged Finn and Kenneth Franzheim to design and erect the Sam Houston Hall in just four months. The Sam Houston Hall, ostensibly built to be a temporary structure, was larger than Madison Square Garden, and equipped with heavy-duty fans and apertures between the roof and the walls to facilitate air flow. Jones contracted with Finn on another project in downtown Houston, this time with in collaboration with Franzheim and J.E.R. Carpenter, to finish the 37-story, art deco Gulf Building in 1929 at that time the tallest building in Texas.
 Passage 2:In the spring of 1902, Bulgaria, an Ottoman vassal state which was interested in acquiring Macedonia, signed a military convention with Russia. Late in the fall, Russia, supported by the United Kingdom and France, proposed to the Ottomans political reforms for the Macedonian vilayets. On 8 December, the Ottoman sultan, Abdul Hamid II, signed a decree implementing most of the reforms. In February 1903, the new Russian foreign minister, Vladimir Lamsdorf, visited Vienna and signed the so-called "Vienna Program" on Macedonian reforms. The program was substantially the same as the Ottoman decree of December. The immediate provocation of a new agreement at Mürzsteg was the Ilinden–Preobrazhenie Uprising that broke out on 2 August. With its quick suppression, the Vienna Program lay dead. In September Tsar Nicholas II of Russia visited the Emperor Francis Joseph of Austria-Hungary at the latter's castle in Mürzsteg, Austria. The two rulers put their signatures to a new memorandum, substantially identical to the Vienna Program, which called for the appointment of one Russian and one Austro-Hungarian civil agent to oversee the reform of the administration, judiciary and local gendarmerie in the Macedonian vilayets. In all these institutions Christians were to take part. After Abdul Hamid accepted the proposal in November, Russia appointed one N. Demerik as its agent, and Austria chose one G. Müller. They began their work under Hüseyin Hilmi Pasha, the Inspector-General of Macedonia, in early 1904. Under the Mürzsteg program, each Great Power appointed an advisory official to the Ottoman official in charge of reforming the gendarmerie in each province. Austria-Hungary appointed an advisor to the sanjak of Üsküp, Russia to the sanjak of Thessaloniki, France to the sanjak of Siroz and Britain to the sanjak of Drama.
 Passage 3:Crimea: The Last Crusade is a panoramic history of the Crimean War of 1853–56. Drawing extensively from Russian, French and Ottoman as well as British archives, it combines military, diplomatic, political and cultural history, examining how the war left a lasting mark on the national consciousness of Britain, France, Russia and Turkey. Figes sets the war in the context of the Eastern Question, the diplomatic and political problems caused by the decay of the Ottoman Empire. In particular, he emphasises the importance of the religious struggle between Russia as the defender of the Orthodox and France as the protector of the Catholics in the Ottoman Empire. He frames the war within a longer history of religious conflict between Christians and Muslims in the Balkans, southern Russia and the Caucasus that continues to this day. Figes stresses the religious motive of the Tsar Nicholas I in his bold decision to go to war, arguing that Nicholas was swayed by the ideas of the Pan-Slavs to invade Moldavia and Wallachia and encourage Slav revolts against the Ottomans, despite his earlier adherence to the Legitimist principles of the Holy Alliance. He also shows how France and Britain were drawn into the war by popular ideas of Russophobia that swept across Europe in the wake of the Revolutions of 1830 and 1848. As one reviewer wrote, Figes shows "how the cold war of the Soviet era froze over fundamental fault lines that had opened up in the 19th century."


Ex Output:
2


Ex Input:
Question: How many years had the Astor Hotel been in business the year that Ciampa scaled the exterior of it? Passage 1:Edwin Bergstrom studied architecture at the Massachusetts Institute of Technology and at Yale University. He began his architectural practice in New York City in 1899 and then moved to Los Angeles in 1903. He partnered with John Parkinson soon after arriving in Los Angeles. After leaving the partnership with Parkinson, Bergstrom oversaw a successful solo practice. In the 1920s and 1930s, Bergstrom was associated with the Pasadena architectural firm of Bennett and Haskell. He won a design competition in 1923 to design the City of Pasadena Civic Auditorium, which anchors the south end of the city's civic center. In the late 1920s, Bergstrom was one of five prominent Los Angeles architects, organized as the Allied Architects of Los Angeles, involved in designing the Los Angeles County/USC Medical Center General Hospital (1933), an architectural monument in East Los Angeles. Bergstrom was commissioned as the chief consulting architect for the United States War Department in 1941. In this capacity, he served as the chief architect for the Pentagon in Washington, D.C. (1941–43). Bergstrom was also actively involved in the American Institute of Architects (AIA), serving as the national organization's treasurer for over 40 years and as president in 1939 and 1940. During their partnership, Parkinson & Bergstrom became the dominant architectural firm hired to design major buildings in Los Angeles. This prominent partnership designed over 25 buildings in the 10 years of their collaboration, with the majority located in the city's burgeoning downtown. Besides the Metropolitan Building, there are four other Parkinson & Bergstrom buildings located within the boundaries of the Broadway Commercial and Entertainment Historic District. As is evidenced in the Metropolitan Building, Parkinson & Bergstrom commercial buildings typically reflect influences of the Beaux Arts or Classical Revival styles popular at the turn of the century with exterior use of glazed terra cotta, decorative spandrel panels, low relief sculptural ornamentation, and large projecting cornices.
 Passage 2:On October 1, 2016, U.S. Customs and Border Protection officers detained and questioned Ou for more six hours in the Vancouver International Airport on his way to cover the Dakota Access Pipeline protests for the Canadian Broadcasting Corporation (CBC) as part of a project on Native American healthcare in North America. Ou's intended destination was Bismarck, North Dakota but, after passing through the initial security line at the airport, he was flagged by custom agents for secondary screening and pulled aside. They questioned his purpose for traveling to the United States and when he last visited Iraq, a routine experience for him as a journalist reporting in dangerous regions. He explained that he was on assignment as a photographer to cover the pipeline protests at Standing Rock for the CBC and that he had not been to Iraq in more than a year. He was then detained in a room where he was asked to provide details of his trips to every country he had visited in the last five years and all extremist groups he had come in contact with. Officials then requested that he unlock his three encrypted cell phones to search for images of him "posing with a dead body". After he refused to comply to protect his sources, they denied him entry into the United States, confiscated his phones and other materials, searched his checked baggage, and made photocopies of his reporter's notebook and personal diaries against his wishes. When his phones were returned to him, there was evidence of tampering with the SIM cards suggesting that copies of them may have been made. A border official later stated that his name matched a "person of interest" on an unspecified U.S. federal law enforcement watch list, however, no official reason was provided for his detention aside from it being "classified". Ou's travel rights into the United States have been revoked.
 Passage 3:A bricklayer by profession, Ciampa also worked in the entertainment business throughout the late 1940s and early 1950s, starring in Larry Sunbrock's Rodeo and Thrill Circus in New York City and then traveling with the circus to various U.S. and Canadian cities. Notably, his act did not include the typical, tightly choreographed feats of circus acrobatics such as trapeze swinging or trampolining, but rather improvised climbing and leaping stunts making use of scaffolding and circus rigging. Spectators were frequently alarmed by the apparently ad libbed and obviously dangerous nature of his performances. In 1947 Ciampa was arrested for having scaled the exterior of the Astor Hotel as a publicity stunt for the Sunbrock Circus, concerning onlookers who feared that he might have been attempting suicide. 


Ex Output:

3