TASK DEFINITION: In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
PROBLEM: Review: The premise is amazing and the some of the acting, notably Sally Kellerman and Anthony Rapp, is charming... but this film is near unwatchable. The music sounds as if it comes from some sort of the royalty free online site and the lyrics as if they were written with a rhyming dictionary open on the lap. Most of the singing is off-key. I think they may have filmed with the singing accapella and put in the music under it... The dialogue is really stupid and trite. The movie works best when it is actually talking about the real estate but unfortunately it strays to often into stupid farcical sub-plots. I found myself checking my watch after ther first twenty minutes and after 40 wondering 'when is it ever going to end.' Question: is it a positive review?

SOLUTION: no

PROBLEM: Review: In this little film we have some great characters but a very shallow plot. It is actually nice to watch because Singleton does a great job at presenting the esoteric conflicts and the interpersonal relationships. This makes the viewer forget the nonexistent realism that this movie supposedly is for. In fact what we have here is all the possible cliches and stereotypes put on celluloid in a rate higher than that of a soap. Definitely not a deep movie (even if it wants to be), but better than an average college movie. Question: is it a positive review?

SOLUTION: yes

PROBLEM: Review: This is a film which had eluded me thus far but, now that I've watched it, emerges as one of the major entries in the noir style. As usual with the DivX format, the viewing was far from ideal  marred by the occasional video and (mostly) audio glitches  but, given that the film is still unavailable on R1 DVD, this will have to do for the moment. Since the film's reputation is quite high within the genre itself, I assume that the reason behind this oversight is because it does not have a well-known actor in the lead.Anyway, the belated entrance of the film's nominal star  Franchot Tone  packs quite a wallop (especially as he is shown to be the villain from the first)! Tone was a underrated actor  he was rarely given meaty roles, and this may well be his best (making his paranoiac both fascinating and believably dangerous). The female lead  Ella Raines, who would later feature in BRUTE FORCE (1947) as well as Siodmak's own THE SUSPECT (1944) and THE STRANGE AFFAIR OF UNCLE HARRY (1945)  is quite lovely and capably takes on the role of the distraught secretary out to prove her convicted boss (Alan Baxter) innocent of his wife's brutal murder. Other key supporting parts are essayed by Thomas Gomez as the initially bullying but ultimately sympathetic police investigator, and Elisha Cook Jr.  the genre's quintessential fall guy  as an ill-fated "ladies' man" of a percussionist.Like BRUTE FORCE's Jules Dassin, Siodmak was on a noir roll at this point in his career and this film definitely benefits from his superb direction  all tilted angles and terrific set-pieces, including the justly celebrated jazz sequence in which Cook manically beats on his drums in a sexual frenzy brought on by the sluttishly-attired Raines (who is putting on an act to get his attention and eventually drive him to confess that he withheld evidence at the inquest which could spring her resigned lover from jail). Another great, lengthy sequence is the one in which Raines follows a bartender (another uncooperative witness) around the streets of New York  which results in his being mowed down by a car! Notable, too, is the trial sequence  which is entirely depicted through the audience's reaction so that judge, jury, witnesses and D.A. are never actually seen (although the judge's voice is recognizably that of veteran character actor Samuel S. Hinds). The centerpiece of the film is the scene in which Gomez and Tone discuss the nature of the criminal involved, with the inspector's put down of the latter as mentally insane giving the initially smug Tone "dizzy spells". The suspenseful climax finds Raines alone with Tone in his apartment, where she discovers evidence of his guilt  and he confesses to having had an affair with Baxter's wife, but killed her when she wouldn't desert her husband for him.By the way, I hit upon a little goof in the film: while the story is clearly set in 1943, I noticed that during the taxi cab ride towards the beginning of the film  in which Alan Curtis escorts the titular lady to the theater  the establishing shot of New York (comprising clearly of stock footage) features a marquee promoting Laurel and Hardy's 1938 musical comedy, SWISS MISS! Incidentally, famed mystery writer Cornell Woolrich wrote the original novel on which this was based using a pseudonym. Question: is it a positive review?

SOLUTION:
yes