In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[Q]: Question: How many wins did Felda United achieve the year Ferns debuted with them? Passage:Ferns made his debut for Felda United F.C. in the Malaysia Super League with a 2-1 win against Pahang FA in July 2017. Under the guidance of head coach B. Sathianathan, Ferns made a successful contribution, helping the team reach 3rd place in the Malaysia Super League and semi-final of the Malaysia Cup. Unfortunately, in the off-season of 2017 the club was notified it was being relegated to the Malaysia Premier League for the 2018 season after failing the Football Association of Malaysia club licence financial audit. Despite this setback, Ferns and the majority of the squad stayed at the club to help Felda United F.C win the title and secure promotion back to the Malaysia Super League for 2019. 

[A]: b


[Q]: Question: What is the full name of the network that hosted the amateur film competition that was won by Rose? Passage:Rose was born in London, the son of a Jewish father and a mother who had converted to Judaism. He began making super 8 films when he was 9. By 1975, he won an amateur film competition hosted by BBC which led to the broadcasting of his works. He worked for Jim Henson on the last season of The Muppet Show and then again on The Dark Crystal in 1981. He attended National Film and Television School and graduated in 1982 with a Master's in Filmmaking. After this, he moved on to directing music videos for MTV, one of which was the uncensored version of Frankie Goes To Hollywood's hit "Relax".

[A]: b


[Q]: Question: What year was Miletic born? Passage:Jovan Đorđević was born in Senta, a town on the bank of the Tisa river in the region which eventually became Serbian Vojvodina, on 13 November 1826 (Julian Calendar) to merchant Filip and Ana (née Malešević) Đorđević. Jovan was baptized on 17 November of that year in the Serbian Orthodox Church of Archangel Michael, officiated by Very Reverend Georgije-Đuka Popović, one of the most erudite clerics of his day in that region of Potisje, and author of Put u raj (The Road to Heaven), a book in praise of moral principles. The acting bug bit hard when he first appeared as a teenager in Hungarian and Serbian amateur theatricals in his hometown of Senta. He started his schooling in Senta, Novi Sad, Szeged, Temisvar, and Pest, where he was a Tekelijanum scholar (having received a stipend from the Sava Tekelija Endowment). Throughout high school (gymnasium) and university he pursued his chosen career as a professional actor and manager, appearing in hundreds of plays he himself organized in which he received a reputation of high versatility and originality. The 1848 Revolution interrupted his university education and he left Pest for Sombor where Grand Zupan Isidor Nikolić Dzaver (1806–1862) of Bačka first appointed him secretary of the town's municipal court house, and then a position of judicial clerk at Lugos. In 1852 he was appointed professor of a high school in Novi Sad. There Đorđević came to loggerheads with the school's administrators, who were against Vuk Karadžić's language reforms, and left his teaching post to become secretary of the Matica Srpska and editor of the learned society's magazine Letopis Matice Srpske in 1857. Two years later (1859), Danilo Medaković appointed Đorđević to position of co-editor (with Đorđe Popović) of Srpski Dnevnik. He eventually relinquished his position to Svetozar Miletić in 1861 and joined Dr. Jovan Andrejević Joles on their long, overdue project – the construction of the Serbian National Theatre in Novi Sad. With the new theatre Đorđević showed his interest in Serbian drama through the productions of plays by Đorđe Maletić, Jovan Sterija Popović, Matija Ban, Joakim Vujić, and others. In 1868 he founded the Serbian National Theatre in Belgrade, where he offered increasingly elaborate contemporary productions of Serbian and foreign playwrights and dramatists, like Stevan Sremac, Milorad Popović Šapčanin, Milovan Glišić, Svetislav Vulović, Kosta Trifković, Branislav Nušić, Imre Madách, József Katona, György Bessenyei, Schiller, Henrik Ibsen, Oscar Wilde, Émile Augier, Jules Sandeau, Eugène Marin Labiche, Victorien Sardou, Ivan Turgenev, Gogol, Maksim Gorky and other.

[A]:
b