In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Ex Input:
wack . I have always liked R. Kelly's music.  When he produced "Trapped in the Closet", I thought it was a joke.  This is one of the stupidest, corniest, and blandest song I heard.

Ex Output:
NEG


Ex Input:
Shhhh. Listen . Miles always let the music do the talking, so my advice is just listen to this album. Nevertheless, I will bang on about it a bit, just like the others.  This is a CD I put on after I come back from the pub, or club at night when I've had a few drinks or whatever. Somehow it just calls out to me "Luke... Luke... PLAY ME" and I do. It never fails to move me (and sometimes physically). It is a strange, dark brew of textured piano and electric piano riffs and some minimal rythmical work by Williams and Holland, with Miles gliding over it like only he can and John McLaughlin creating great atmosphere with some wonderful guitar work. It is raw, like most Miles Davis stuff, but also very smooth and peaceful - with a kind of dark streak running through the middle. Quite unlike any music you will hear these days, bar perhaps Aphex Twin.  When I first got this album I thought it was incredible and powerful and was even quite scared of it for a while - it seemed to possess some kind of quiet voodoo power. There is magic in this music, definitely. But, over the years I have listened to it regularly and it continues to give me warm pleasures. Every listen becomes a rich, rewarding experience. It is a real grower, and calmer than most of Miles' other fusion work. It is a good companion to "A Tribute To Jack Johnson" (Mainly because of the presence of McLaughlin on guitar), although this album is far less aggressive, and more gentle and mysterious. The album will take you on a pleasant little journey down a bubbling creek, in the middle of the night...

Ex Output:
POS


Ex Input:
Enjoy this tasty acoustic treat... It's HOT!! . When I make a long night drive home after a loud concert,      I like to listen to something quiet and soothing.  THE PIZZA TAPES is one of my favorite quiet and soothing picks, it's a sweet masterpiece of acoustic jamming and inspired playing.  During two days in February of 1993 Garcia, Grisman and Rice got together to fiddle around with some tunes and see how they came out on tape.  As we all know, the recordings were stolen by the infamous "Pizza boy" and soon they became property of the formidable Grateful Dead tape and CD trading community.  Several years later Grisman remastered the recordings and put out the best takes on this album.  This isn't an album of electric jams, it's rather impromptu, quiet and easygoing.  Some people might dismiss it as "background music."  However if you take a closer listen, the trio handles the traditional tunes and Bob Dylan tunes and the Gershwin (!) tunes with such skill, there's hardly an uninspired or false note anywhere to be found.  Garcia screws up here and there but even those mistakes are a pleasure to listen to.  Definitely a classic album and something I received with anticipation.  I still enjoy putting this on and it gets better with successive listenings.    By the way, I love the cover art... the CD case is made to resemble a pizza box.  Open it up and the disc is a pizza pie with all the toppings.  On the back is a menu of all the treats including some spicy items (choice words from Garcia!)   I actually get the craving for pizza when I'm listening to the album.  The PIZZA TAPES sure is one tasty album. Great music and great pizza, what a winning combination!

Ex Output:

POS