In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

[Q]: Context_1 : Master of Study (; lit. "God of Study", "Lord of Study") is a South Korean television series that aired on KBS2 from January 4 to February 23, 2010 on Mondays and Tuesdays at 21:55 for 16 episodes. It starred Kim Su-ro, Bae Doona, Oh Yoon-ah, Yoo Seung-ho, Go Ah-sung, Lee Hyun-woo, Park Ji-yeon, Context_2 : Thomas Emmet "Tom" Hayden (December 11, 1939 – October 23, 2016) was an American social and political activist, author and politician, who was director of the Peace and Justice Resource Center in Los Angeles County, California. Known best for his major role as an anti-war, civil rights, and radical intellectual counterculture activist, Hayden was for a time the husband of actress Jane Fonda, and was the father of actor Troy Garity. Context_3 : Sally Miller Gearhart (born April 15, 1931) is an American teacher, feminist, science fiction writer, and political activist. In 1973 she became the first open lesbian to obtain a tenure-track faculty position when she was hired by San Francisco State University, where she helped establish one of the first women and gender study programs in the country. She later became a nationally known gay rights activist. She has been controversial for her statement that "The proportion of men must be reduced to and maintained at approximately 10% of the human race", made in her essay "The Future-If There is One-Is Female". Context_4 : Sarah Ellen Polley {'1': ", '2': ", '3': ", '4': "} (born January 8, 1979) is a Canadian actress, writer, director and political activist. Polley first garnered attention as a child actress for her role as Sara Stanley in the Canadian television series "Road to Avonlea" (1990–1996). She has starred in many feature films, including "Exotica" (1994), "The Sweet Hereafter" (1997), "Guinevere" (1999), "Go" (1999), "The Weight of Water" (2000), "My Life Without Me" (2003), "Dawn of the Dead" (2004), "Splice" (2009), and "Mr. Nobody" (2009). Context_5 : Evelyn Lee Marie Sampi (born 6 October 1988, Derby, Western Australia), known professionally as Everlyn Sampi, is an Australian actress. She is of Bardi Australian Aboriginal and Scottish descent. She starred in the 2002 film "Rabbit-Proof Fence", and won the 4th Annual Lexus Inside Film Awards for Best Actress on 6 November 2002. Context_6 : Bae Doo-na (; ] ; born October 11, 1979) is a South Korean actress and photographer. She first became known outside Korea for her roles as a political activist in Park Chan-wook's "Sympathy for Mr. Vengeance" (2002), archer Park Nam-joo in Bong Joon-ho's "The Host" (2006), and as an inflatable sex doll-come-to-life in Hirokazu Koreeda's "Air Doll" (2009). She has had English-speaking roles in the Wachowski films "Cloud Atlas" (2012) and "Jupiter Ascending" (2015), and the TV series "Sense8" (2015-present). Context_7 : Chance is a 2002 film, the directing debut of actress Amber Benson (best known from her role as Tara Maclay on "Buffy the Vampire Slayer"). Benson directed, wrote, produced and starred in this film. Many of Benson's co-stars from "Buffy", including co-star James Marsters (Spike), appeared in the film. It was estimated to cost $25,000. Context_8 : Fedir Parfenovych Bohatyrchuk (also "Bogatirchuk", "Bohatirchuk", "Bogatyrtschuk") (in Ukrainian : Федір Парфенович Богатирчук, Fedir Parfenovych Bohatyrchuk; in Russian : Фёдор Парфеньевич Богатырчук, "Fyodor Parfenyevich Bogatyrchuk") (14 November 1892 – 4 September 1984) was a Ukrainian-Canadian International Master of chess, and an International Master of correspondence chess. He also was a doctor of medicine (radiologist), a political activist, and a chess writer. Context_9 : Piotr Paweł Morta (born June 19, 1959 in Wieluń) is a Polish political activist, dissident, economist, co-inventor, activist in underground "Solidarity", Krajowy Mistrz Racjonalizacji 1983 (Polish master of rationalization in 1983), and vice-chairman of European Works Council Pfleiderer AG. Context_10 : Richard. C. Kagan (born June 24, 1938 in North Hollywood California of Jewish immigrant parents from the Ukraine and Poland) is an American professor of East Asian history and a political activist. His undergraduate and master's degrees were awarded from the University of California Berkeley. He received his PhD from the University of Pennsylvania in 1969. For over three decades (1973-2005) he taught East Asian history at Hamline University in St. Paul, Minnesota, and currently holds the rank of Professor Emeritus. Kagan was also a founding member of the Committee of Concerned Asian Scholars (CCAS) and sat on the editorial board of its peer-reviewed quarterly journal, the Bulletin of Concerned Asian Scholars (BCAS), with Noam Chomsky, Herbert Bix, Mark Selden, John W. Dower, and other noted scholars. A provocative study of the origin of the CCAS appears in a study by Fabio Lanza (2016) entitled America’s Asia? Revolution, Scholarship, and Asian Studies. In 2001, the BCAS changed its name to Critical Asian Studies. fact_1 :  It starred Kim Su-ro, Bae Doona, Oh Yoon-ah, Yoo Seung-ho, Go Ah-sung, Lee Hyun-woo, Park Ji-yeon, fact_2 :  She first became known outside Korea for her roles as a political activist in Park Chan-wook's "Sympathy for Mr. Vengeance" (2002), archer Park Nam-joo in Bong Joon-ho's "The Host" (2006), and as an inflatable sex doll-come-to-life in Hirokazu Koreeda's "Air Doll" (2009). Answer: Sympathy for Mr. Vengeance
[A]: Master of Study starred the actress who had a role as a political activist in what 2002 film?


[Q]: Context_1 : 100 Years Later is a 2016 British documentary film directed, written, and produced by John Lubbock. The film follows the work of historian Ara Sarafian, executive director of the Gomidas Institute in London, in his efforts to create dialogue in Turkey among Armenians, Kurds, and Turks on the occasion of the 100th anniversary of the Armenian Genocide on 24 April 2015. The film includes appearances by Selahattin Demirtaş and İsmail Beşikçi. Context_2 : The abduction of Shin Sang-ok and Choi Eun-hee was an abduction which occurred in North Korea between 1978 and 1986. Shin Sang-ok was a famous South Korean film director married to actress Choi Eun-hee. Together, they established Shin Film and made many films through the 1960s which garnered recognition for South Korea at various film festivals. In 1978 Choi was abducted and taken to North Korea to meet North Korea's soon-to-be dictator Kim Jong-il. Six months later, Shin was abducted. Context_3 : One More Time with Feeling is a 2016 British documentary film directed by Andrew Dominik. It documents the recording of Nick Cave and the Bad Seeds' sixteenth studio album, "Skeleton Tree", in the aftermath of the death of Nick Cave's 15-year-old son Arthur. Context_4 : Tae Hyun-sil (born November 11, 1941) is a South Korean actress. Tae was born in Songjin, North Hamgyong province, Korea in 1941. While studying Film at Dongguk University, she was selected as a TV actress in a public recruit held by KBS. While preparing to star for a drama series, Tae was offered to be an exclusive actress of Shin Film established by Shin Sang-ok. Tae's debut film is "Beautiful Shroud" directed by Lee Hyeong-pyo in 1962. With the film, she won New Actress from the 1963 Buil Awards. Since her debut as an actress, Tae has starred in about 300 films. 250 films were shot during 7 years, and were mostly roles in depicting a cheerful university student or cute daughter characters. Tae married businessman Kim Cheol-hwan in 1968. Context_5 : Notes on Blindness is a 2016 British documentary film directed by Peter Middleton and James Spinney. The film profiles writer and theologian John M. Hull, who became totally blind after decades of steadily deteriorating vision. To help him make sense of the upheaval in his life, Hull began documenting his experiences on audio cassette and wrote his autobiography "Touching the Rock: An Experience of Blindness" in 1990. Context_6 : The Contract (previously known as "Squat" is a 2016 British crime thriller feature film directed by Nic Auerbach. The Contract is a nascent love story of two people from polar opposite worlds, thrown together by circumstance. The film stars Robert Fucilla, Sarah Armstrong, Danny Webb, Patrick Ryecart, Antonio Aakeel, and Jack Brady. The Film was released on DVD and online January 18, 2016. Context_7 : The Lovers and the Despot is a 2016 British documentary film written and directed by Robert Cannan and Ross Adam, about the 1978 abduction of South Korean actor Choi Eun-hee, and film director Shin Sang-ok, by Kim Jong-il of North Korea. It was pitched at Sheffield Doc/Fest's 2014 MeetMarket. Context_8 : McLibel (also known as McLibel: Two People Who Wouldn't Say Sorry) is a British documentary film directed by Franny Armstrong and Ken Loach for Spanner Films about the McLibel case. The film was first completed in 1997 as a 52-minute television version after the conclusion of the original McLibel trial. It was then extended with new footage to 85-minute feature length in 2005, after the McLibel defendants took their case to the European Court of Human Rights. Context_9 : Waterwalker is a 1984 documentary film by Bill Mason, a Canadian outdoorsman, painter, canoeist and environmentalist, who made many films on the art of canoeing and on the appreciation of nature. Released theatrically in Canada in 1984, it was nominated for a Genie Award for "Best Documentary Feature." Context_10 : Brexit: The Movie is a crowdfunded 2016 British documentary film written and directed by Martin Durkin, advocating for the withdrawal of the United Kingdom from the European Union, commonly called "Brexit" (a portmanteau of "British" and "exit"). fact_1 : The Lovers and the Despot is a 2016 British documentary film written and directed by Robert Cannan and Ross Adam, about the 1978 abduction of South Korean actor Choi Eun-hee, and film director Shin Sang-ok, by Kim Jong-il of North Korea. fact_2 :  Together, they established Shin Film and made many films through the 1960s which garnered recognition for South Korea at various film festivals. Answer: The Lovers and the Despot
[A]: Which 2016 British documentary film featured a story about the two people who had established Shin Film and made many films through the 1960s?


[Q]: Context_1 : Marie (Nick) Arnaq Meade (born 1947) is a Yup'ik professor in the humanities and also a Yup'ik tradition bearer. Meade's Yup'ik name is Arnaq which means "woman." She also works and travels with the International Council of Thirteen Indigenous Grandmothers. Meade is also part of the Nunamta Yup'ik Dance Group. Meade has been documenting the cultural knowledge of Yup'ik elders, including the values, language and beliefs of the Yup'ik people for over twenty years. She is currently an instructor at the University of Alaska Anchorage. Context_2 : Yup'ik masks (Yup'ik "kegginaquq" "kegginaquk" "kegginaqut" and "nepcetaq" "nepcetat" ; in the Lower Yukon dialects "avangcaq" "avangcak" "avangcat" ; in Nunivak Cup'ig dialect "agayu") are expressive shamanic ritual masks made by the Yup'ik people of southwestern Alaska. Also known as Cup'ik masks for the Chevak Cup'ik dialect speaking Eskimos of Chevak and Cup'ig masks for the Nunivak Cup'ig dialect speaking Eskimos of Nunivak Island. One of their most popular forms of the Alaska Native art are masks. The Yup'ik masks vary enormously but are characterised by great invention. They are typically made of wood, and painted with few colors. The Yup'ik masks were carved by men or women, but mainly were carved by the men. The shamans ("angalkuq") were the ones that told the carvers how to make the masks. Yup'ik masks could be small three-inch finger masks or maskettes (or "dance fans", in the Lower Yukon Yup'ik dialects "tegumiaq" "tegumiak" "tegumiat" ), but also ten-kilo masks hung from the ceiling or carried by several people. These masks are used to bring the person wearing it luck and good fortune in hunts. Over the long winter darkness dances and storytelling took place in the qasgiq using these masks. They most often create masks for ceremonies but the masks are traditionally destroyed after being used. After Christian contact in the late nineteenth century, masked dancing was suppressed, and today it is not practiced as it was before in the Yup'ik villages. Context_3 : The Yup'ik or Yupiaq (sg & pl) and Yupiit or Yupiat (pl), also Central Alaskan Yup'ik, Central Yup'ik, Alaskan Yup'ik (own name "Yup'ik" "Yupiik" "Yupiit" ), are an Eskimo people of western and southwestern Alaska ranging from southern Norton Sound southwards along the coast of the Bering Sea on the Yukon-Kuskokwim Delta (including living on Nelson and Nunivak Islands) and along the northern coast of Bristol Bay as far east as Nushagak Bay and the northern Alaska Peninsula at Naknek River and Egegik Bay. They are also known as Cup'ik by the Chevak Cup'ik dialect-speaking Eskimos of Chevak and Cup'ig for the Nunivak Cup'ig dialect-speaking Eskimo of Nunivak Island. Context_4 : This is a list of visual artists who are Indigenous peoples of the Americas, categorized by primary media. Mestizo and Métis artists whose indigenous descent is integral to their art are included, as are Siberian Yup'ik artists due to their cultural commonalities with Alaskan Yup'ik people. This list includes notable visual artists who are Inuit people, Alaskan Natives, Siberian Yup'ik, American Indians, First Nations, Métis, Mestizos, and indigenous peoples of Mexico, the Caribbean, Central America, and South America. Indigenous identity is a complex and contested issue and differs from country to country in the Americas. Inclusion to this list is based on legal membership to an indigenous community, when applicable, or recognition by the relevant indigenous community/communities of the individual as a member of that community. Context_5 : The Yupiit Piciryarait Cultural Center (YPCC), also known as "Yupiit Piciryarait Cultural Center and Museum", formerly known as the "Yup'ik Museum, Library, and Multipurpose Cultural Center" (or "Facility"), is a non-profit cultural center of the Yup'ik (and sometimes Alaskan Athabaskan of the region) culture centrally located in Bethel, Alaska near the University of Alaska Fairbanks' Kuskokwim Campus and city offices. The center is a unique facility that combines a museum, a library, and multi-purpose cultural activity center including performing arts space, for cultural gatherings, feasts, celebrations, meetings and classes. and that celebrates the Yup'ik culture and serves as a regional cultural center for Southwest Alaska. The name of "Yupiit Piciryarait" means "Yup'iks' customs" in Yup'ik language and derived from "piciryaraq" meaning "manner; custom; habit; tradition; way of life" Construction of this cultural facility was completed in 1995, funded through a State appropriation of federal funds. Total cost for construction was $6.15 million. The center was jointly sponsored by the Association of Village Council Presidents (AVCP) and the University of Alaska Fairbanks (UAF) and at the present the center operated by the UAF's Kuskokwim Campus, AVCP and City of Bethel. The building houses three community resources: the Consortium Library, the Yup'ik Museum, and the Multi-purpose room or auditorium. The mission of the center is promote, preserve and develop the traditions of the Yup'ik through traditional and non-traditional art forms of the Alaska Native art, including arts and crafts, performance arts, education, and Yup'ik language. The center also supports local artists and entrepreneurs. Context_6 : Uksuum Cauyai: Drums of Winter, also referred to only as "Drums of Winter," is an 1988 ethnographic documentary on the culture of the Yup'ik people in Emmonak, a village on the shore of the Bering Sea. The film follows the Yup'ik people in an attempt to capture what remains of their traditional dances and the potlatchceremony.  There is an atmosphere of a people losing touch with it's traditions after many years of religious and government intervention. The film was produced through a "community-collaborative process" in which the subjects of the documentary had significant input as to the film's content and presentation. As a result, the film features conversations with individual Yup'ik in place of "the voice-over commentary by an unseen narrator that destroys the cinematic integrity of so many so-called ethnographic films". Context_7 : Yup'ik cuisine ("Yupiit neqait" in Yup'ik language, literally "Yup'iks' foods" or "Yup'iks' fishes") refers to the Eskimo style traditional subsistence food and cuisine of the Yup'ik people from the western and southwestern Alaska. Also known as Cup'ik cuisine for the Chevak Cup'ik dialect speaking Eskimos of Chevak and Cup'ig cuisine for the Nunivak Cup'ig dialect speaking Eskimos of Nunivak Island. This cuisine is traditionally based on meat from fish, birds, sea and land mammals, and normally contains high levels of protein. Subsistence foods are generally considered by many to be nutritionally superior superfoods. Yup’ik diet is different from Alaskan Inupiat, Canadian Inuit, and Greenlandic diets. Fish as food (especially Salmonidae species, such as salmon and whitefish) are primary food for Yup'ik Eskimos. Both food and fish called "neqa" in Yup'ik. Food preparation techniques are fermentation and cooking, also uncooked raw. Cooking methods are baking, roasting, barbecuing, frying, smoking, boiling, and steaming. Food preservation methods are mostly drying and less often frozen. Dried fish is usually eaten with seal oil. The ulu or fan-shaped knife used for cutting up fish, meat, food, and such. Context_8 : Yup'ik doll (Yup'ik "yugaq" "yugak" "yugat" or "yuguaq", "irniaruaq", "irnianguaq", "inuguaq"; also, "yunguaq" in Unaliq-Pastuliq dialect, "sugaq", "sugaruaq", "suguaq" in Bristol Bay dialect, "cugaq", "cugaruaq" in Hooper Bay-Chevak dialect, "cuucunguar" in Nunivak dialect) is a traditional Eskimo style doll and figurine form made in the southwestern Alaska by Yup'ik people. Also known as Cup'ik doll for the Chevak Cup'ik dialect speaking Eskimos of Chevak and Cup'ig doll for the Nunivak Cup'ig dialect speaking Eskimos of Nunivak Island. Typically, Yup'ik dolls are dressed in traditional Eskimo style Yup'ik clothing (as "irniaruam atkua" "doll parka"), intended to protect the wearer from cold weather, and are often made from traditional materials obtained through food gathering. Play dolls from the Yup'ik area were made of wood, bone, or walrus ivory and measured from one to twelve inches in height or more. Male and female dolls were often distinguished anatomically and can be told apart by the addition of ivory labrets for males and chin tattooing for females. The information about play dolls within Alaska Native cultures is sporadic. As is so often the case in early museum collections, it is difficult to distinguish dolls made for play from those made for ritual. There were always five dolls making up a family: a father, a mother, a son, a daughter, and a baby. Some human figurines were used by shamans. Context_9 : Yup'ik dancing (or dance) or Yuraq, also Yuraqing (Yup'ik "yuraq" /juʁaq/ "yurak" "yurat" ) is a traditional Eskimo style dancing form usually performed to songs in Yup'ik, with dances choreographed for specific songs which the Yup'ik people of southwestern Alaska. Also known as Cup'ik dance for the Chevak Cup'ik dialect speaking Eskimos of Chevak and Cup'ig dance for the Nunivak Cup'ig dialect speaking Eskimos of Nunivak Island. Yup'ik dancing is set up in a very specific and cultural format. Typically, the men are in the front, kneeling and the women stand in the back. The drummers are in the very back of the dance group. Dance is the heart of Yup’ik spiritual and social life. Every song has a story behind it and some songs is either about hunting or berry picking. Some songs could be about sports or other things that don't really relate to hunting. Traditional dancing in the qasgiq is a communal activity in Yup’ik tradition. The mask ("kegginaquq") was a central element in Yup'ik ceremonial dancing. Context_10 : The November 2011 Bering Sea cyclone was one of the most powerful extratropical cyclones to affect Alaska on record. On November 8, the National Weather Service (NWS) began issuing severe weather warnings, saying that this was a near-record (or record) storm in the Bering Sea. It rapidly deepened from 973 mb to 948 mb in just 24 hours before bottoming out at 943 mbar (hPa; 27.85 inHg), roughly comparable to a Category 3 or 4 hurricane. The storm had been deemed life-threatening by many people. The storm had a forward speed of at least 60 mph before it had reached Alaska. The storm began affecting Alaska in the late hours of November 8, 2011. The highest gust recorded was 93 mph on Little Diomede Island. One person has been reported missing after being swept into the Bering Sea. fact_1 : Uksuum Cauyai: Drums of Winter, also referred to only as "Drums of Winter," is an 1988 ethnographic documentary on the culture of the Yup'ik people in Emmonak, a village on the shore of the Bering Sea. fact_2 : The Yup'ik or Yupiaq (sg & pl) and Yupiit or Yupiat (pl), also Central Alaskan Yup'ik, Central Yup'ik, Alaskan Yup'ik (own name "Yup'ik" "Yupiik" "Yupiit" ), are an Eskimo people of western and southwestern Alaska ranging from southern Norton Sound southwards along the coast of the Bering Sea on the Yukon-Kuskokwim Delta (including living on Nelson and Nunivak Islands) and along the northern coast of Bristol Bay as far east as Nushagak Bay and the northern Alaska Peninsula at Naknek River and Egegik Bay. Answer: 1988
[A]:
Uksuum Cauyai: Drums of Winter, also referred to only as Drums of Winter, released in which year, is an ethnographic documentary on the culture of the Yupik people in Emmonak, a village on the shore of the Bering Sea?