instruction:
Given a document, an entity and its sentiment towards the entity, verify if it is the correct sentiment towards the entity. Answer should be yes or no. Note that URLs in the text have been replaced with [Link].
question:
Verify if the sentiment of the following document towards the entity Travis Kalanick is Neutral . SAN FRANCISCO (Reuters) - Uber Technologies Incâs [UBER.UL] fractured board declared peace on Tuesday  attempting to put months of strife behind it by unanimously passing a series of measures to shore up corporate governance  bring in major investor SoftBank and diminish the power of former Chief Executive Travis Kalanick.
 Kalanick  described Tuesdayâs actions as âa major step forward in Uberâs journey to becoming a world class public company.â He added that the governance changes should serve Uber well under Dara Khosrowshahi  who is a month into the chief executive officer job since leaving the same post at Expedia Inc (EXPE.O).
Governance policies adopted by the board would make it difficult for  Kalanick  to return as CEO. He resigned in June under pressure from the Benchmark-led investor group over employee sexual harassment investigations  a trade-secrets misappropriation lawsuit by Waymo and efforts to interfere with government probes.
Uberâs board will expand from 11 directors  including a pair of  Kalanick  appointees seated on Monday  to 17 directors  the person and another source said.
 Kalanick  and other early shareholders also are sacrificing voting power  as Uber adopts a one vote per share policy  the sources said.
answer:
yes


question:
Verify if the sentiment of the following document towards the entity Joanne is Positive . But Gaga has spent the past three years deconstructing her previous project  which is its own kind of performance. Elaborate dance pop ceded ground to jazz standards  showtunes  and country rock. Tentacle gowns went into the closet; jeans and a pink cowboy hat came out. The director Chris Moukarbel shot Five Foot Two largely on handheld—maybe even smartphone—cameras. You see Gaga cooking  recording  planning  crying  bonding. In one scene  she’s topless as she chats with her team by the poolside. The implication: This is Gaga  au naturel. Yet she never seems to forget the camera. Five Foot Two documents last year’s release of her album Joanne  and makes clear how much Gaga’s public reboot relied on demonstrating that she  like everyone else  suffers. Gaga has increasingly mined the traumas of her own life  with songs and philanthropic efforts growing out of her rape at age 19. The dissolution of her engagement to the actor Taylor Kinney  mournfully referenced a few times in the documentary  seemed to inform the breakup-themed Joanne singles “Perfect Illusion” and “Million Reasons.” But there was a deeper source of anguish on  Joanne   too. The album is named for  her  aunt  an aspiring artist who died of lupus at age 19 in 1974. “Seeing what that did to [my father] and my family was the most powerful thing I experienced growing up ” Gaga tells the journalist Darryl Pinckney in the film. “I am Joanne. I am my father’s daughter. That is what this record is about.”
The most memorable scene of the documentary comes when she first plays the album’s delicate  acoustic title track for her grandmother   Joanne’s  mom. The moment verges on uncomfortable  and not only because Gaga’s father   Joanne’s  brother  gets up and leaves the room in apparent distress midway through. Gaga herself seems hungry to have her telling of an ordeal she did not personally experience validated by those who did. “Did I get it right?” she asks her grandmother  mid-hug. “Yes you did ” her grandmother responds. But she has a warning for Gaga  too: “Don’t become maudlin over all this.” For now  Gaga is asking not for applause but understanding. It’s never explicitly stated  but Gaga seems to connect to  Joanne ’s story in part because of  her  own medical situation. Iconography about hospitals and crutches and wheelchairs over the years hinted that the seemingly bionic pop star faced problems of the flesh off-stage. In 2010   she  told Larry King  she  tested “borderline positive” for lupus.  She ’s still feeling the effects of the injury  she  sustained in 2013  as seen in a Five Foot Two moment when  she  pauses rehearsals for  her  Super Bowl halftime show because of hip tightness.  Fibromyalgia  appears to make that problem worse  and being a pop star in chronic pain certainly doesn’t seem easy. One scene shows  her  having  her  makeup done for a performance while sitting in a doctor’s examination room.
Gaga’s particular ailment is an almost-literal rendering of Jamison’s “pain without a cause”—which is  as  she  notes  “pain which can’t be trusted.” A poorly understood but widespread disorder that seems to inordinately affect women  fibromyalgia is sometimes assumed to be psychosomatic. “Drug Approved. Is Disease Real?” read a 2008 New York Times headline about the first FDA-sanctioned drug to treat it. Gaga has said that she wants to help raise awareness and research dollars. During one excruciating flare-up shown in Five Foot Two  she sympathizes with less-privileged sufferers of the disorder: “Like  I don’t know what I’d fuckin’ do if I didn’t have everybody here to help me.” A few moments later  she’s looking straight into the camera. “Do I look pathetic?” she asks  tear-streaked  lying on a couch  a therapist massaging her. “I’m so embarrassed.” It’s a powerful moment because the stigma of pain is clearly part of the pain itself. But it’s also aesthetically striking. To answer Gaga’s question  she actually looks like she did in parts of the “Bad Romance” video—crying  stripped down  and oddly luminous. It’s a sign of fame’s power on the viewer: Whatever lengths she might go to put person over persona  the persona remains. * * * Pop music has firmly moved on from the phase of gleeful  Technicolor artifice that Gaga stood for at her peak. Contemporaries in wildness like Kesha and Miley Cyrus have done much what Gaga has done and traded Alexander McQueen creations for cowboy boots. They have also made a diaristic turn  harmonizing their music with their angsty  tabloid sagas.
Usually this means trading on the spectacle of suffering to sell pop’s ultimate commodity—inspiration. Beyoncé’s Lemonade is the signal example  taking the sting of infidelity to spin a tale of hurt and overcoming. Kesha’s alleged abuse by her mentor and producer Dr. Luke was addressed and transcended on this year’s Rainbow. Katy Perry marketed her latest album with an on-camera therapy session in which she cried about her “real” self wanting to be known. Taylor Swift seems on the verge of unveiling a more acidic survival story. “Victim to victory” songs are always in fashion  but the latest boom relies  more than pop usually does  on the feeling of authenticity. Adult listeners of drive-time radio typically know they’re in the realm of fantasy and commerce  yet fully enjoying the confessional-pop performance means buying into the non-musical narratives surrounding them. Beyoncé rolled her own child and husband into the Lemonade visual experience. “I write this shit  baby ” Kesha insisted on a recent single. You’re explicitly asked to believe that the gap between performer and person is negligible.  Joanne  already fit into this triumphant-confessional class  with Gaga singing about family members and friends by name and roaring  “I might not be flawless but you know I’ve got a diamond heart.” The meta-text  all along  was Gaga’s own career arc—a sense that  she ’d come down from the heights  she ’d reached from 2008 to 2013  stumbled with  her  third album  and might never recover. Glimmers of past traumas and family tragedy contributed to the pathos.  Her  medical troubles would seem to retroactively add in a new layer  though it’s unclear when  she  received  her  fibromyalgia diagnosis  and little on the album can be heard as an explicit reference to illness. Certainly the lyrics about healing through love on  her  post- Joanne  single  “The Cure ” now seem a lot less generic.
answer:
yes


question:
Verify if the sentiment of the following document towards the entity Lindsey Vonn is Neutral . And  Shiffrin  might one day pass them both.
A month shy of her 23rd birthday   Shiffrin  already has 41 World Cup wins. But most of those have been in the tech events  meaning she and Vonn rarely crossed paths on the World Cup circuit. That changed this season  as  Shiffrin  began adding speed events to her schedule.
With  Shiffrin  hoping to do all five events in Pyeongchang  the idea of seeing  her  and Vonn  33  go head-to-head with Olympic gold on the line was one of the most tantalizing storylines of the Games. But the fireworks keep fizzling.
First was Saturday’s Super-G  which  Shiffrin  dropped after racing the giant slalom and slalom the two previous days. (And taking gold in the GS  for those keeping track.) Now it’s the downhill  which  Shiffrin  is skipping to focus on the Alpine combined that was moved from Friday to Thursday.
Then again  it feels right that  Vonn  gets the spotlight to  herself  in the race that's defined  her .
For all that  she ’s achieved  Vonn's luck at the Olympics has been stunningly bad.  She  was eighth in the downhill in Turin  two days after  she  had to be airlifted to a hospital following a scary crash in training.  She  missed Sochi after reinjuring  her  knee about six weeks before the Games.
Even in Vancouver  where  she  won gold in the downhill and bronze in the Super-G   she  was skiing with a badly bruised shin.
With one last chance to have the Olympics  she  wants   Vonn  has poured every bit of  herself  into these Games. The death of  her  beloved grandfather  Don Kildow  on Nov. 1 only hardened  her  resolve.
“This time I have a more important mission; win for my late Grandpa  ” Vonn  said in an Instagram post the night before the Super-G. “He will be watching from the best seat in the house  hopefully looking out for me and guiding me down the mountain.”
 Vonn  didn’t win the Super-G  tying for sixth after making a mistake in the last turn. But  she  was upbeat afterward  knowing  her  best race was still in front of  her .
“In general  this season  I feel like I’ve been much better in downhill than Super-G ”  Vonn  said Saturday. “And this hill  it suits me really well for downhill."
 She ’s backed that up so far.  She  had the fastest time in Sunday’s training run. Despite backing off a bit Monday   she  still finished third  .35 seconds behind Austria’s Stephanie Venier.
“I’m not looking to do anything special here in the training runs ”  Vonn  said Monday. “I just want to get a feeling for the line. I’m trying some different skis every day to seeing what’s running. But  in general  I’m really happy.”
It is only a matter of days before  Vonn ’s Olympic career is over  and  she  can see the finish line ahead. But as  she ’s done for the better part of two decades now   she  will not let up until  she ’s crossed it  pushing hard until the very end.
“You can’t get too sentimental right now because I still have to race  I still have to be focused ”  she  said. “Afterwards I’ll do some reflecting.”
And savor that one last race that belonged all to  her .
answer:

no