Given a document, an entity and its sentiment towards the entity, verify if it is the correct sentiment towards the entity. Answer should be yes or no. Note that URLs in the text have been replaced with [Link].
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Question: Verify if the sentiment of the following document towards the entity Tony Zimlich is Neutral . On a recent sunny afternoon at a solar farm outside Philadelphia   Pa.  commercial drone pilots Tony Zimlich and Gunner Goldie  are preparing for flight.
Dressed in hard hats and matching yellow vests   they  run through a series of safety and equipment checks  and survey the surrounding terrain and airspace  before picking up what looks like a pair of oversized video game controllers. Then  with a streak of beeps and whirs   their  drone â about the size of a milk crate â rises steadily into the sky above.
 Their  mission: to carefully sweep the skyline above the solar farm  taking photographs and gathering data to help  their  client identify defective solar panels and guide repairs.
Enlarge this image toggle caption Courtesy of  Tony Zimlich /Tony Zimlich Courtesy of  Tony Zimlich /Tony Zimlich
Tony Zimlich didn't expect to be a part of that transition. Unlike many of his younger colleagues  who got their start playing video games and flying remote control aircraft  Zimlich cut his teeth in the cockpit of a U.S. Army Black Hawk helicopter. Part of his military tenure was spent flying medical evacuation missions above the deserts and valleys of Afghanistan.

Answer: no


Question: Verify if the sentiment of the following document towards the entity Joanne is Positive . But Gaga has spent the past three years deconstructing her previous project  which is its own kind of performance. Elaborate dance pop ceded ground to jazz standards  showtunes  and country rock. Tentacle gowns went into the closet; jeans and a pink cowboy hat came out. The director Chris Moukarbel shot Five Foot Two largely on handheld—maybe even smartphone—cameras. You see Gaga cooking  recording  planning  crying  bonding. In one scene  she’s topless as she chats with her team by the poolside. The implication: This is Gaga  au naturel. Yet she never seems to forget the camera. Five Foot Two documents last year’s release of her album Joanne  and makes clear how much Gaga’s public reboot relied on demonstrating that she  like everyone else  suffers. Gaga has increasingly mined the traumas of her own life  with songs and philanthropic efforts growing out of her rape at age 19. The dissolution of her engagement to the actor Taylor Kinney  mournfully referenced a few times in the documentary  seemed to inform the breakup-themed Joanne singles “Perfect Illusion” and “Million Reasons.” But there was a deeper source of anguish on  Joanne   too. The album is named for  her  aunt  an aspiring artist who died of lupus at age 19 in 1974. “Seeing what that did to [my father] and my family was the most powerful thing I experienced growing up ” Gaga tells the journalist Darryl Pinckney in the film. “I am Joanne. I am my father’s daughter. That is what this record is about.”
The most memorable scene of the documentary comes when she first plays the album’s delicate  acoustic title track for her grandmother   Joanne’s  mom. The moment verges on uncomfortable  and not only because Gaga’s father   Joanne’s  brother  gets up and leaves the room in apparent distress midway through. Gaga herself seems hungry to have her telling of an ordeal she did not personally experience validated by those who did. “Did I get it right?” she asks her grandmother  mid-hug. “Yes you did ” her grandmother responds. But she has a warning for Gaga  too: “Don’t become maudlin over all this.” For now  Gaga is asking not for applause but understanding. It’s never explicitly stated  but Gaga seems to connect to  Joanne ’s story in part because of  her  own medical situation. Iconography about hospitals and crutches and wheelchairs over the years hinted that the seemingly bionic pop star faced problems of the flesh off-stage. In 2010   she  told Larry King  she  tested “borderline positive” for lupus.  She ’s still feeling the effects of the injury  she  sustained in 2013  as seen in a Five Foot Two moment when  she  pauses rehearsals for  her  Super Bowl halftime show because of hip tightness.  Fibromyalgia  appears to make that problem worse  and being a pop star in chronic pain certainly doesn’t seem easy. One scene shows  her  having  her  makeup done for a performance while sitting in a doctor’s examination room.
Gaga’s particular ailment is an almost-literal rendering of Jamison’s “pain without a cause”—which is  as  she  notes  “pain which can’t be trusted.” A poorly understood but widespread disorder that seems to inordinately affect women  fibromyalgia is sometimes assumed to be psychosomatic. “Drug Approved. Is Disease Real?” read a 2008 New York Times headline about the first FDA-sanctioned drug to treat it. Gaga has said that she wants to help raise awareness and research dollars. During one excruciating flare-up shown in Five Foot Two  she sympathizes with less-privileged sufferers of the disorder: “Like  I don’t know what I’d fuckin’ do if I didn’t have everybody here to help me.” A few moments later  she’s looking straight into the camera. “Do I look pathetic?” she asks  tear-streaked  lying on a couch  a therapist massaging her. “I’m so embarrassed.” It’s a powerful moment because the stigma of pain is clearly part of the pain itself. But it’s also aesthetically striking. To answer Gaga’s question  she actually looks like she did in parts of the “Bad Romance” video—crying  stripped down  and oddly luminous. It’s a sign of fame’s power on the viewer: Whatever lengths she might go to put person over persona  the persona remains. * * * Pop music has firmly moved on from the phase of gleeful  Technicolor artifice that Gaga stood for at her peak. Contemporaries in wildness like Kesha and Miley Cyrus have done much what Gaga has done and traded Alexander McQueen creations for cowboy boots. They have also made a diaristic turn  harmonizing their music with their angsty  tabloid sagas.
Usually this means trading on the spectacle of suffering to sell pop’s ultimate commodity—inspiration. Beyoncé’s Lemonade is the signal example  taking the sting of infidelity to spin a tale of hurt and overcoming. Kesha’s alleged abuse by her mentor and producer Dr. Luke was addressed and transcended on this year’s Rainbow. Katy Perry marketed her latest album with an on-camera therapy session in which she cried about her “real” self wanting to be known. Taylor Swift seems on the verge of unveiling a more acidic survival story. “Victim to victory” songs are always in fashion  but the latest boom relies  more than pop usually does  on the feeling of authenticity. Adult listeners of drive-time radio typically know they’re in the realm of fantasy and commerce  yet fully enjoying the confessional-pop performance means buying into the non-musical narratives surrounding them. Beyoncé rolled her own child and husband into the Lemonade visual experience. “I write this shit  baby ” Kesha insisted on a recent single. You’re explicitly asked to believe that the gap between performer and person is negligible.  Joanne  already fit into this triumphant-confessional class  with Gaga singing about family members and friends by name and roaring  “I might not be flawless but you know I’ve got a diamond heart.” The meta-text  all along  was Gaga’s own career arc—a sense that  she ’d come down from the heights  she ’d reached from 2008 to 2013  stumbled with  her  third album  and might never recover. Glimmers of past traumas and family tragedy contributed to the pathos.  Her  medical troubles would seem to retroactively add in a new layer  though it’s unclear when  she  received  her  fibromyalgia diagnosis  and little on the album can be heard as an explicit reference to illness. Certainly the lyrics about healing through love on  her  post- Joanne  single  “The Cure ” now seem a lot less generic.

Answer: yes


Question: Verify if the sentiment of the following document towards the entity Sarah Huckabee Sanders is Positive . Sarah Huckabee Sanders  works in  her  office at the White House in Washington. (Evan Vucci/AP)
This is the world as seen through the eyes of  White House press secretary Sarah Huckabee Sanders :
 Sanders  described this perpetual interloper experience from her other world: an elegant  well-appointed office at the White House  where reporters from places such as the New York Times and CNN metaphorically prostrate themselves at her door day in and out  and from where she can receive guidance on the phone every day from her father  long a political darling of conservative Christians  a TV celebrity now worth millions.
As the public face of the U.S. president   Sanders  is a fitting symbol for her fellow religious conservatives  who are both insider and outsider  powerful and powerless.
 Sandersâs  podium persona is all business  even a bit short at times. She so often says she doesnât know the answer to a question or will have to get back to the questioner that it has become a criticsâ meme. âSaturday Night Liveâ featured a spoof of her on its season opener the weekend before last  with faux  Sanders  telling President Trump that her success lies in the fact that âIâm no-nonsense  but Iâm all nonsense.â
White House press secretary Sarah Huckabee Sanders said on Sept. 13 ESPN anchor Jemele Hill's comments calling President Trump a white supremacist were a "fireable offense." ESPN said Hillâs comments do not represent their position. (Reuters)
Facing judgment is part of being Sarah Huckabee Sanders  perhaps the most visible evangelical in U.S. political life (aside from Mike Pence  but Sanders is on the news every day). But unlike her father  Sanders never intended to be the face of anything; until a few months ago  she was known as a behind-the-scenes talented political organizer.
âIn terms of political power  [Christian conservatives] donât have any. I think  Sarah  gets that â said Tyler  long an outspoken Trump critic. âThe ethical challenges of  her  job are amazing. . . . The consistent falsehoods  lies [from Trump] are unbelievable.â
Brian Kaylor  a Baptist pastor with a PhD in political communications who has written several books about religion and politics  thinks  Sanders  holds this view of a divine plan and it gives her confidence at the podium.
 Sanders  doesnât talk about God publicly often â not nearly as much as Trump does these days. People who worked with her on campaigns say sheâd say a pre-event prayer but otherwise was focused on things such as voter strategy. Her faith life mirrors younger evangelicals with their move away from denominations.
A family friend describes  Sanders  and her husband  Bryan Sanders  as âprogressive Christians.â In a compromise  they go to evangelical and Catholic churches every Sunday.
To many religious conservatives   Sanders  is a source of enormous pride. The presence of someone from her background representing the president every day â not to mention the multiple other conservative Christians in Trumpâs Cabinet â has huge symbolic weight  whether or not she has influence or even much contact with  him  and seems to often learn of  his  controversial tweets at the same time the public does.
David Brody  chief political correspondent for the Christian network CBN  said that when  Sanders  comes on the networkâs pro-Trump talk show  âthe social media director said he has never seen so many emoji hearts. . . . She has a charm about her. Sheâs feisty but in a bless-your-heart sort of way.â
Brody said his viewers were wowed by a briefing over the summer  when  Sanders  was asked whether Trump brought low the office of the president by tweeting a crack about television host Mika Brzezinski  whom he called âlow IQ  crazyâ and whom he said he saw âbleeding badly from a face lift.â
Some religious conservatives say one of  Sandersâs  best attributes is that she isnât Sean Spicer. They just want someone at the podium who can defend Trump somewhat effectively without becoming the story.
 Sanders  has a leg up perhaps  as politics is her family business.

Answer:
yes