In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Q: Genghis Cohn is a (very) mildly entertaining British movie about a German police commissioner in the late 1950's who is haunted by the ghost of a Jewish comedian that he killed 15 years earlier while serving under Hitler in the SS. The ghost comes back and wants his killer to live as a Jew to atone for the murders he committed.Otto, the German policeman actually knows this ghost's name because, the last thing he did before he died was said, in Yiddish, `Kiss my ass'. The policeman didn't speak Yiddish, so he asked around until he found the meaning. The `kiss my ass' left such an impression that everybody involved with that killing learned and remembered the comedian's name, Genghis Cohn.There are a bunch of men who are murdered in the jurisdiction of the police commissioner, and there are no helpful clues. The men are murdered with a set of knives that are missing from the local butcher. The butcher announces that his knives are missing while the commissioner is in the store to get a liver and onion sandwich, so the commissioner is a suspect. The first man is killed while making love to the butcher's wife, so the butcher is a suspect. But the butcher maintains that he would be very busy if he killed every man that slept with his wife. All the men are killed immediately after the climax of lovemaking.I think I might be a bit angrier than the ghost of Genghis Cohn if I was killed like he was. He seems to be very good-natured about it, as if he was just in a mild car accident. I can only guess that it is because it is a British movie and they are known for being a very polite people. He uses some of his material from his stand-up routing, and I just didn't find it very funny.I gave this movie a 4 because it was just kind of goofy. I thought it should have been a little more serious than it was. The movie turns out to be a murder mystery (where did this come from?), and it seemed that Genghis should have been more helpful than he was. The movie gave me a tiny look into Jewish culture, but was only skin-deep. Do all Jews love liver and onion sandwiches? Do they all say `shtoop' and `meshuganah' in their daily vocabulary? Isn't there more important stuff that we should know about the culture?I saw this movie at a Jewish community center in Berkeley, CA, and I was the only person in the room whose hair was not fully gray or white. (I have no gray or white hair.) There were 18 of us, and after the movie they stayed for about 20 minutes to discuss the movie. There were 2 main concerns expressed there: 1. The movie was way too light-hearted and future generations might not understand the gravity of what happened and 2. As the Holocaust survivors are dying off, future generations will not know what really happened. I thought that this second concern was ridiculous and I told them I thought they didn't need to worry because there is tons of literature out there and there will always be people who like to watch movies, like myself. The murder of 6,000,000 people by a very bad man will not ever be forgotten. I write this last paragraph because they charged me with telling others about my experience that day.

A: negative
****
Q: Brand Hauser (John Cusack) is an assassin for the CIA. He is ordered to go to the country of Turaquistan, a nation that the United States has "liberated", and kill a businessman named Omar Shariff. This is because the American conglomerate, Tamerlane, that is putting the country "back together" will not stand for Shariff, an oil man from a neighboring state, laying down his own pipeline through war-torn Turquistan. But, once there, Brand runs into difficulties. One, he meets a determined journalist, Natalie (Marisa Tomei) who wants to tell the American public the "true" story of the region's conflict...and of Tamerlane. But, Brand is aghast to realize that Natalie's pretty face and sharp mind instantly and unconsciously compels him to lose focus on his mission. Also, his cover as a trade show host forces him to meet the country's pop-singing princess, Yonica (Hillary Duff), who will be getting married at the convention center. She is a young diva whose wedding arrangements also turn Brand's attention away from the coming assassination. With other inept underlings and complications, will Brand be able to carry out his mission, for the satisfaction of Tamerlane's BIG boss, the former vice-president (Dan Ackroyd)? Good for you, John Cusack, to make this film, even though it doesn't quite hold together. Shot in Serbia, it is a worthy look at what present-day Iraq must be like, a country turned upside-down. In a stroke a brilliance, the green zone here is called "The Emerald City" and aptly so, for this Oz-like neighborhood attempts to keep out the ravages of war going on elsewhere in the metropolis. The cast is very fine, with Cusack doing a nice job and Tomei, Joan Cusack, Ben Kingsley, Ackroyd and others backing him up in style. Duff, especially, does a great turn as the heavily-accented, heavily made-up, potty-mouthed singer. The recreation of war-riddled Baghdad is so real that it hurts while the costumes and other production values are top-notch. As for the script, it isn't always cohesive but it certainly has some tremendous dialogue and scenes. For example, a young Turaqui boy offers to show Brand an enemy hideout, in exchange for money and candy. Brand produces the cash but, because he has no candy, the boy burns his vehicle anyway. Brilliant! Then, also, the direction is not a total success but doesn't lag very often. No, if you have conservative leanings, you probably won't like this film one bit. But, if you have an open mind and want to see a satirical view of the "war on terrorism", this is quite a good show. Therefore, do make an effort to view it, as you will be supporting those filmmakers who choose to make movies far away from those old studio "formulas".

A: positive
****
Q: Lorne Michaels once again proves that he has absolutely no business producing movies.You'd think that after such dismal flicks "Superstar", "Night at the Roxbury", and "Coneheads", he'd start to get the notion that maybe he doesn't know what he's doing when it comes to movies (and many would argue that he doesn't know what he's doing when it comes to television, as well). Trying to make feature films out of skits that wore out their welcome the third time the were done on SNL makes no sense.I personally like Tim Meadows, and think that he would be great in the right movie. It's a shame to see a talented guy wasted in a film that features unfunny after unfunny situation, and caps it all with a dreadfully bad song and dance scene. Any laughs here will be because the movie is so bad, not because it's funny.Oh well, at least we can be thankful that there are many other tired SNL characters who will never have films done about them. It's just too bad that this one made it to the big screen.

A:
negative
****