This task is about reading the given passage and construct a question about the information present in the passage. Construct a question in such a way that (i) it is unambiguous, (ii) it is answerable from the passage, (iii) its answer is unique (iv) its answer is a continuous text span from the paragraph. Avoid creating questions that (i) can be answered correctly without actually understanding the paragraph and (ii) uses same words or phrases given in the passage.

Q: By about 1910,[note 1] bound collections of empty sleeves with a paperboard or leather cover, similar to a photograph album, were sold as record albums that customers could use to store their records (the term "record album" was printed on some covers). These albums came in both 10-inch and 12-inch sizes. The covers of these bound books were wider and taller than the records inside, allowing the record album to be placed on a shelf upright, like a book, suspending the fragile records above the shelf and protecting them.

A: When could record album covers first be found?
****
Q: The city remained in the hands of Christian troops until 1102, when the Almoravids retook the city and restored the Muslim religion. Although the self-styled 'Emperor of All Spain', Alfonso VI of León and Castile, drove them from the city, he was not strong enough to hold it. The Christians set it afire before abandoning it, and the Almoravid Masdali took possession on 5 May 1109. The event was commemorated in a poem by Ibn Khafaja in which he thanked Yusuf ibn Tashfin for the city's liberation.The declining power of the Almoravids coincided with the rise of a new dynasty in North Africa, the Almohads, who seized control of the peninsula from the year 1145, although their entry into Valencia was deterred by Ibn Mardanis, King of Valencia and Murcia until 1171, at which time the city finally fell to the North Africans. The two Muslim dynasties would rule Valencia for more than a century.

A: In what year did Christian troops lose control of Valencia?
****
Q: Some of the later writers about the show were more positive, Michael Slezak, again of Entertainment Weekly, thought that "for all its bloated, synthetic, product-shilling, money-making trappings, Idol provides a once-a-year chance for the average American to combat the evils of today's music business." Singer Sheryl Crow, who was later to act as a mentor on the show, however took the view that the show "undermines art in every way and promotes commercialism". Pop music critic Ann Powers nevertheless suggested that Idol has "reshaped the American songbook", "led us toward a new way of viewing ourselves in relationship to mainstream popular culture", and connects "the classic Hollywood dream to the multicentered popular culture of the future." Others focused on the personalities in the show; Ramin Setoodeh of Newsweek accused judge Simon Cowell's cruel critiques in the show of helping to establish in the wider world a culture of meanness, that "Simon Cowell has dragged the rest of us in the mud with him." Some such as singer John Mayer disparaged the contestants, suggesting that those who appeared on Idol are not real artists with self-respect.

A:
What publication does Michael Slezak write for?
****