In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: contrary to the title , " the boxer " is not another rocky story only this time spliced with some cold hard politics .
it 's actually three movies in one : a political film , a boxing film , and a love story .
all of these work in their own respects and have some pretty decent balancing betwixt the three elements of the story , but somehow it seems kind of cliched and unoriginal .
we 've seen it all before , and we 're just not blown away with it like we should be .
oh well .
it 's
still an excellent irish story .
"
the boxer " of the title is danny flynn ( jim sheridan staple daniel day - lewis ) , an ex - ira member who gets out of a belfast prison after 14 years , and finds out that his troubles are far from over .
first off , the ira is having a small civil war between its leader joe hamill ( brian cox ) , and one of its sub - leaders , harry ( gerard mcsorley ) , both having opposing views on getting many of their members out of jail .
while this is going on , danny and his old drunkard buddie , ike ( ken stott , who played the chief inspector in danny boyle 's " shallow grave " ) , re - open an old gym which allows the two opposing religios sects , protestant and catholics , to work together .
danny not only begins teaching kids how to box , but has stayed in great shape whilst in prison , and is ready to start boxing real people again .
and danny runs into his ex - love , maggie (
" breaking the waves " 's emily watson ) , who has n't seen him since he went in .
they do n't easily start up their romance again because she 's the wife of a prisoner whom she married during danny 's tenure in prison , and also has a son , liam ( ciaran fitzgerald ) , from him , whom liam is hoping will get out soon .
but the two are slowly re - drawn to eachother again , and this begins to complicate things .
the political story is nothing really special but works in itself .
we 've seen it many a time before , but it 's at least interesting , sometimes emotional , and even riveting at times
.
there 's a big riot towards the middle of the film which is frightening in its brutality and honesty .
the boxing story is very minor to the story , but does represent people coming together to fight eachother fairly , and even with good sportsmanship .
there are only a few boxing scenes , but they 're never like " raging bull "
/let's - strip - down - the - sport - to - its - bones brilliant .
they 're more realistic , and instead of bone crunching , we hear the sound of the gloves hitting eachother , which is slightly unerving at times .
and i did n't know daniel day - lewis was in such good shape .
but the backbone of the story is the love one . because these characters are given such horrible circumstances , and since the two leads have such great chemistry together , we really feel for their plight .
as the film goes on , and circumstances get worse and worse , the characters have to make real human decisions , and we can sympathize with them as humans not characters .
this is how you write a love story - take note , hollywood .
these elements are pretty much equally balanced , with each of the parts of the stories working hand - in - hand with eachother .
i loved how each of the different parts of the plot mattered , and sometimes spilled over into the next .
it made sure that we did n't just care for one of them .
i 'm not saying they 're all equally great , because the love story really carries the film , but at least they all work out respectively .
the acting is amazing , with day - lewis and watson giving excellent performances and showing great chemistry .
i 'm not sure if they 're oscar - nominee bound , but
they 're very good .
in the supporting roles , billy cox is greatly sympathetic as the ira leader losing control of his daughter and his workers .
but the film is stolen acting wise by ken stott as ike , who is just a great scene stealer .
the direction and co - writing by jim sheridan ( with the other co - writing credit going to terry george ) is excellent , rounding out the characters well , but not pacing everything greatly .
i noticed that the first half was very leisurely ( yet fascinating ) , but the second half whirls by at a quick pace , and ends much too quickly .
more time could have been spent thinking up the ending , since it does seem quite sloppy .
though " the boxer " is a good film , it never achieves the greatness that it should .
sure , it 's a masterpiece compared to most of the hollywood drivel we usually get , but on it 's own , it just could have been better .
but it still works out , gives us a great love story combined with a political and boxing drama , and features great acting .
even if it could have been better , this'll do .
Example Output: P

Example Input: before even seeing a single frame of the film , it would be easy to snicker at deep impact , in which a comet on a collision course with earth threatens the existence of all life on the planet .
it is the latest entry in this decade 's dubious revival of the ' 70s disaster film , and the first of two " the sky is falling " flicks to hit screens this year ( the other being this coming july 's armageddon , in which a meteor is the threat ) .
its tagline , " oceans rise .
cities fall .
hope survives " is not as cornball as that of the utterly ridiculous collapsing tunnel thriller daylight ( " they came in alone . . .
the only way out .
.
. is together " ) , but it 's every bit as treacly .
the opening moments of deep impact offer more to snicker at .
the cheesiness is not confined to the disaster movie conventions , such as the usual opening " roll call , " in which all the major characters and their personal problems are introduced .
the most prominent of the " personal " stories is that of ambitious tv news reporter jenny lerner ( tea leoni ) , who is distraught that her father ( maximilian schell ) left her mother ( vanessa redgrave ) for a younger woman ( rya kihlstedt ) .
what is just as snicker - worthy is how this co - venture between paramount and dreamworks skg aggressively pushes another high - profile corporate collaboration , microsoft and nbc 's cable news network msnbc , which employs jenny , who is the film 's ostensible main character .
in the vision of america presented here , msnbc is the television news source of choice in every home , when in reality it only reaches a fraction of the country .
the initial signs point toward something along the lines of a volcano or dante 's peak , but there 's one thing about deep impact i underestimated : the skills of director mimi leder .
she won an emmy for her helming work on nbc 's smash er , which is essentially a weekly disaster movie , each episode featuring a new set of guest stars with their own personal and medical crises .
the challenge presented by this format to the director is twofold : ( 1 ) to make the audience care for these guest characters , regardless of how briefly seen or thinly written they are , and ( 2 ) powerfully tug at the emotions without being heavy - handed or overly melodramatic .
having passed the " er challenge " in numerous episodes and showed a flair for creating suspense in the peacemaker , leder could not be a better fit to bring michael tolkin and bruce joel rubin 's rather formulaic disaster screenplay to screen .
as the countdown to impact progresses , the ominous feeling of doom is palpable , leading the final act to take on a surprisingly convincing and affecting emotional dimension .
there 's nothing here that will profoundly move anyone , but the fact that anything manages to touch the heart is high achievement in a genre generally more concerned with effects .
situations that initially feel contrived , such as jenny 's familial crisis and the teenage romance between sarah hotchner ( leelee sobieski ) and comet discoverer leo biederman ( elijah wood ) , achieve some poignance ; and even the more vaguely drawn characters , including u . s .
president tom beck ( morgan freeman ) , astronaut spurgeon " fish " tanner ( robert duvall ) , and his rather faceless crew ( ron eldard , jon favreau , mary mccormack , blair underwood , and alexander baluyev ) aboard the comet - bombing spacecraft messiah , have their share of touching moments .
the latter fact owes a debt to the actors , who all do a solid job and are well - cast , with the possible exception of leoni ; she delivers a decent performance , but her trademark unconventional speech rhythms and line delivery make her somewhat hard to buy as a star news broadcaster .
although its catastrophic theme and impressive special effects work
( the giant ocean waves are particularly spectacular ) place deep impact in the same category as the likes of twister , it is the first of the ' 90s disaster films to successfully marry the advanced film technology with emotions that ring true -- a film that makes a genuine impact , even if it is n't as deep as hoped .
Example Output: P

Example Input: despite its exceedingly well - done visual effects , 1995 's original species was one big hunk of sci - fi cheese , from the writing to the feeble performances .
so , coming from such b - grade roots , its sequel 's stunning ineptitude is not terribly surprising , yet at the same time it is .
it would not have been difficult at all for the people behind species ii to top the hokey original ,
yet they have somehow managed to fabricate something just as bad , if not even worse .
something is clearly amiss
when the back door left open for a sequel in species -- a sewer rat becomes not quite of this earth after eating a body part from the exploded alien / human hybrid sil -- is never entered into ( perhaps that was left for species iii -- though i 'm not giving away anything when i say that this installment has an open back door of its own ) .
the alien fun and games begin this time when a three - person astronaut crew returning from mars inadvertently carries within their soil samples deadly alien dna that eventually infects the mission captain , patrick ross ( justin lazard , late of cbs 's short - lived soap of a few years back , central park west / cpw ) .
this alien dna is not identical to that which created the original film 's sil , but it 's close enough , and upon arrival on earth patrick is mating like crazy , engaging in bloody sex with just about every woman he can find .
meanwhile , scientist dr .
laura baker ( the returning marg helgenberger ) has created a clone of sil named eve ( natasha henstridge again ) for research purposes .
it does n't take long for eve to sense another alien presence , which send her libido into hyperdrive .
it 's up to laura and her former partner , bounty hunter press lennox ( michael madsen , another returnee ) ; and patrick 's uninfected shipmate dennis gamble ( mykelti williamson ) to find patrick before the in - heat eve does .
"
this is n't the x - files , goddammit ! " exclaims one character in the early going .
in terms of quality , he 's absolutely right , but he 's also wrong .
the new alien first appears as an otherworldly oozing sludge that causes patrick 's pupils to dilate once he 's infected .
looks and sounds an awful lot like the x - files 's " black cancer " to me .
but that 's not the only source director peter medak and writer chris brancato steal from .
species was already a ripoff of alien , but medak makes the cribbing much more blatant than the original 's director , roger donaldson , did .
human patrick is given a tongue that also has a tongue within itself , and his alien form more closely resembles the alien than eve 's alien body ( which ironically was designed by alien designer h .
r .
giger ) .
a large alien hive that our heros douse with a substance fired from large guns ?
aliens sans flamethrowers .
the visual effects were by far the best thing about species , and the sequel 's effects crew at steve johnson 's xfx inc .
keeps that high - quality tradition alive ; no cheap - looking lost in space cgi here .
after the effects , the original 's best asset was the fresh presence of henstridge .
however , medak and brancato have no idea what exactly to do with her for this installment .
at one point she 's called on to play alien " empath " ?
la forest whitaker in the original , but for most of the duration she 's holed up in a glass cell .
by the time the big breakout so prominently featured in the trailer actually takes place , the film is well into its home stretch .
so the rest of the time we are treated to patrick , played with little zest by lazard .
one problem with the first film was that the deadly , horny , but innocent - at - heart sil was too sympathetic ; no such problem with patrick , who comes off as a cocky pretty boy before the alien takes control .
the rest of the cast also fails to add much , but the writing can be faulted for that .
helgenberger and madsen go through the motions , but they are already hampered by the clich ?
d development
that somewhere between the two films , the once - linked laura and press stopped getting along .
williamson suffers the worst indignity .
he tries his best to enliven the token african - american role , but how can anyone recite insulting , derivative lines such as " i 'm gon na get african on someone 's ass " and not appear ridiculous ?
but species
ii 's worst crime is being a thoroughly uninteresting piece of work . at least the original featured plenty to laugh at -- unaccountably awful performances by the otherwise fine actors ben kingsley and whitaker , and the sight of helgenberger 's character performing fellatio on madsen 's , for a start .
but the filmmakers do not display any discernable effort at all
, let alone the misguided effort that is required for something to reach the camp level .
for all the blood and gore , nudity , and sex thrown in , species ii is , quite simply , a vapid bore .
Example Output:
N