In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[Q]: i can imagine how good krippendorf 's tribe must have looked on paper .
it does not surprise me in the least that a group of extremely talented actors , led by the great richard dreyfuss and a good director ( todd holland ) , all wanted to make this film .
in fact , it is only the expertise by which this excruciatingly bad script has been executed that keeps me from suggesting that you stay as far away from krippendorf 's tribe as possible .
in retrospect , i can imagine how bad this film could have been .
i shudder at the possibilities of awfulness
had it starred an actor less able than dreyfuss .
dreyfuss plays james krippendorf , an anthropologist who is granted $ 100 , 000 by his university to find an undiscovered tribe in new guinea .
halfway into his two - year expedition , his wife ( apparently ) dies .
i say apparently because when or how she dies is never truly established .
later , we find out that much of the grant money was spent on big - screen tvs and other such pleasures .
so , when krippendorf finds out what happens to professors who do not use their grant money wisely , he decides to construct an elaborate lie .
he makes his own tribe , using his three children as actors in a video .
he simply makes up certain incredible facts about this tribe ( which he calls the shelmickedmu ) .
audiences at krippendorf 's lectures are amazed by his findings that the shelmickedmu practice circumcision .
and proof that the typical family unit is led by a single father is truly amazing to the anthropological community .
like all films like this , the lie becomes more and more complex , and the suspense is generated with us wondering at what point it is all going to fall out from under our hero .
dreyfuss is a funny , talented man , and he is funny in this film .
he has lots of positive energy and , unlike most comical actors , really manages to play people like this realistically .
this film also requires a lot of physical humor that i 've never seen dreyfuss perform , and he does a great job .
jenna elfman , who plays veronica mecilli , a scientist who wants in on krippendorf 's work , is also very funny and appealing here .
and the kid actors are great , as well .
but we 're talking about the script from hell .
this is one of those stories that requires such extreme suspension of disbelief that they might as well have established that the story just takes place in an alternate universe where things like this can happen .
but the ridiculousness of the story is not really
what is so bad about it .
all the cliches and the irritating plot devices could have easily been overcome by dreyfuss and crew .
no , the script is plagued with so many clueless stereotypes and mean - spirited characters that i was in disbelief as i watched .
furthermore , the manor in which all of this material is covered up is truly shameless .
take , for instance , the scene in which krippendorf gets veronica drunk so he can tape them having sex .
they get all decked out in the tribe getup , complete with paint to darken their skin .
krippendorf does this because he needs footage of the mating rituals of his tribe .
now , i saw this scene coming from a mile away , but i said to myself , " no , that would be far too tasteless .
there 's no way they 'll do that . . .
oh god !
"
they did do it .
it 's there .
i was almost more appalled by the fact that this did n't bother the other audience members with whom i saw this film .
i found it deplorable .
and when krippendorf is forced to admit that he did it , he simply apologizes without the slightest hint of conviction in his voice .
the film is filled with scenes like these .
they not only insult the audience , but they insult the types of people that the film portrays .
it would take some truly professional work to create videos convincing enough to fool an entire community of scientists , yet krippendorf
does it easily in an afternoon .
and watching dreyfuss stumble over a completely unprepared speech is funny and entertaining , but i think that most members of the on - screen audience would be able to see that he is making everything up as he goes .
if i were an anthropologist , this film would insult me immensely .
moving right along , the film plays off every stereotype our culture has ever learned regarding african tribes .
sure , dreyfuss dressing up like a chief is really funny , and it allows for some entertaining scenes , but the heart of this material is deeply clueless as to the themes and thoughts that it provokes .
it is because of dreyfuss as an actor that i was able to watch this film .
his character here is not a good subject for a film because he is a shameless liar , and never once does he show any kind of penance for what he does .
i suppose it was interesting to see the formula defied in this case , but for the purposes of good taste , i would have expected something .
no , this man sets a terrible example for his kids and colleagues , and the writer of the film ( charlie peters ) did n't include a single scene in which krippendorf takes his kids aside and tells them that what he is doing is very bad .
in fact , it 's his eldest daughter that frequently tells him that he is doing the wrong thing , and he continually shrugs off her warnings .
i suppose it 's important to admit that this is a funny film .
dreyfuss and elfman , and many of the contrived and insulting scenes , add up to a picture that is anything but boring .
and if you 're less serious than i , you probably will enjoy it .
i , however , ca n't get past these elements .
krippendorf 's tribe is being marketed as a family comedy , but this is the kind of film that teaches the kids of our society faulty lessons that they should n't be learning .
with a little more insight into its story and themes , this could have been a good movie .
[A]: N


[Q]: a common complaint amongst film critics is " why are n't there more literate scripts available ?
" quiz show gives signs of hope that the art of writing is n't dead in hollywood and that we need not only look to independent films for thoughtful content .
paul attanasio 's script takes what could have been a tepid thriller ( the quiz show scandals of the late 50s ) and delivers a telling parable about the emptiness of the post war american dream and the golden bubble that surrounds and protects tv networks and their sponsors .
the film is riddled with telling symbols
( e . g .
a ' 58 chrysler , a radio announcement of sputnik ) but is never heavy handed . deft direction by robert redford and keen performances by ralph fiennes , john turturro and rob morrow
dovetail perfectly with the carefully honed script .
redford departs from the usually overlight , " cable tv quality " sets and camera work so common in recent 20th century period pieces .
quiz show
perfectly captures the colors and textures of the eisenhower years .
although i was only 4 years old when the " twenty one " scandal broke , enough of the 50s icons survived throughout my childhood for me to recognize the authenticity of redford 's almost tangible palette .
from plastic covered furniture to carefully coifed contestants , the images ring true from that era of rampant consumerism , of a generation that had gone through 15 years of depression and world war without " disposable income , " before the manifestation of its american dream .
the film deftly weaves several themes together , from assimilation and exclusion of jews from " the good life , " to the lengths that a scion of a literary family will go to to match his father 's fame .
though the 50s audience that is " rocked " by this scandal may initially seem naive to us , they should appear all too familiar , with our current national passion for the rise and fall of icons like michael jackson or tonya harding .
charles van doren and herbie stemple were the overnight mega celebrities of their day .
the tv audience is almost a fourth main character , always at the center of the decisions being made on their behalf .
at the film 's end , the credits roll past slow motion footage of that same 50s tv audience , mindlessly laughing at some piece of fluff .
like the distorted mirror that captured a blurred swastika at the end of cabaret , this " mirror " may reflect an image we 're not all that comfortable with .
[A]: P


[Q]: capsule : a rock and roll fable , indeed .
like a hubert selby , jr .
novel filtered through equal parts damon runyan and bruce springsteen , and a ton of fun .
streets of fire bills itself as " a rock and roll fable " , and the description is perfect .
this is a stylish , great - looking , and breezily enjoyable movie that feels like a hubert selby , jr .
, novel with a damon runyan rewrite , irected by bruce springsteen .
noir is one of the few truly american movie genres , aside from the hollywood musical and the western .
this is post - wwii brooklyn noir , for lack of a better label , with a generous injection of rock ' n roll and an all - around confrontational attitude .
it all works .
the plot is simplicity itself : rocker ellen aim ( diane lane ) is kidnapped by a vicious street gang , led by a bloodthirsty fellow named raven ( willem dafoe , very nasty ) .
her old soldier flame ( played by michael pare ) comes back into town to save her , but does n't count on a whole bunch of things going askew .
that 's about the entire plot , save for the spats with ellen 's manager ( a hilarious rick moranis ) , an encounter with a doo - wop group that winds up becoming ellen 's supporting act , and a whole gang of other fun little touches .
but in movies like this , when is the plot important ?
the movie is all style , all visuals and attitudes , quotable lines and posturing -- and it delivers all those things consistently and with great brio and pacing .
no surprise that it was directed by walter hill ( 48 hrs . ) , who understands this kind of macho romanticism perfectly , and has put together a movie that 's a mixture of times and sensibilities , but
perfectly unified in tone .
when was the last time you could say something like that about a movie , especially a movie where it seems like someone gets decked on the jaw (
* and * passes out )
every 2 .
63 minutes on cue ?
streets of fire is n't the greatest movie ever made , but it occupies a totally unique little niche , and enjoys the position it has .
anyone with a weakness for doo - wop , neon , motorcycles , rainy streets , the el , studebakers , gang pictures , lonely heroes , and a great - looking gal giving the microphone both lungs will eat this movie up .
i did .
[A]:
P