In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

Q: Question: How long had Francis I been king when Gramont was sent by the queen regent to secure his release in Spain? Passage:He was maître des suppliques under Francis I of France. He was promoted to the metropolitan see of Bordeaux. In 1525, the queen regent, Louise of Savoy sent Bishop Gramont to Spain to secure the freedom of Francis I. In 1526, he was imprisoned by Charles V, Holy Roman Emperor, who was angry at his role in founding the League of Cognac; when England and France arrested the imperial ambassadors, the emperor ordered Bishop Gramont released. Returning to the Kingdom of France, he was despatched to the Kingdom of England in an attempt to encourage Henry VIII of England to divorce Catherine of Aragon and form a French alliance by marrying Marguerite de Navarre, the widow of the king's brother Charles IV, Duke of Alençon. He was then sent as French ambassador to the Holy See.
 Links: a. Kingdom of France b. Louise of Savoy c. Charles IV, Duke of Alençon d. Francis I of France

A: d
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Q: Question: How old was Yoshinaka when Enichi-ji's general was killed? Passage:Enichi-ji was opened in 807 by the Hossō sect scholar-monk Tokuitsu, who had come from Nara to spread the faith in the Aizu region. He overcame the followers of the Tendai and Shingon sects to become preeminent in Aizu, and by the time of his death in 842, the temples was a complete Shichidō garan with 300 monks in residence, several thousand sōhei and more than 3500 sub-temples. By the late Heian period, the temple had extended its holdings into eastern Echigo province and had established close ties with the Taira clan. During the Genpei War, the temple sent troops in support of the Heike in Shinano Province against Kiso Yoshinaka. However, the temple's leading general, Jōtan-bō, was killed at the 1181 Battle of Yokotagawa by Yoshinaka's forces, and the temple's forces withdrew and the temple went into decline.
 Links: a. Heian period b. Shinano Province c. East Asian Yogācāra d. Minamoto no Yoshinaka

A: d
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Q: Question: Of the two filmakers whose works are compared with Perestroika, who began their career at a younger age? Passage:Perhaps the reason for the appeal of Turner’s work outside the art world is that it pushes the boundaries of both film and politics. Perestroika has been noted by academics and critical thinkers for both its artistic form and commentary on environmental and social issues, most notably featuring in the essay volumes Performing Authorship: Self inscription and corporeality in the cinema and Screening Nature: Cinema Beyond the Human. For Cecilia Sayad, the film’s importance lies in its structures: its function in highlighting the act of authorship as performance, and how the film’s structural devices serve to emphasise the fictionality of narration, how the retelling, even of truth or fact, always and necessarily involves an element of creation and thus fiction. Sayad comments that whilst Perestroika ostensibly interweaves footage of a 2007–08 reconstruction of a train journey across Siberia that Turner took in 1987–88 with that from the original journey in what was then the USSR, it is as much about the workings of memory and filmmaking itself. But Sophie Mayer has commented on how the work uses the idea of pollution as a function of retention, and weaves it through both the social/cultural and natural worlds. Mayer goes further in exploring the contextual importance of the work, comparing Perestroika with works of the filmmakers Lucrecia Martel and Apichatpong Weerasethakul, commenting that each offers a ‘utopian possibility of a post-capitalist, post-industrial, postcolonial moment’. In a booklet of essays written to accompany the publication of Perestroika and perestroika:reconstructed in 2014, another academic, Paul Newland writes ‘the artist explores the nature of representation and its problematical relationship to our experience of reality. By doing this the film travels the branch lines between cinematography, photography, and everyday life.’ 
 Links: a. Apichatpong Weerasethakul b. Photography c. Narration d. Lucrecia Martel

A:
d
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