In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Q: Question: What year was the monument that commemorated French victory at the Battle of Grand Port completed?  Passage:During the Napoleonic wars, Île de France became a base from which the French navy, including squadrons under Rear Admiral Linois or Commodore Jacques Hamelin, and corsairs such as Robert Surcouf, organised raids on British merchant ships. The raids (see Battle of Pulo Aura and Mauritius campaign of 1809–1811) continued until 1810 when the British sent a strong expedition to capture the island. The first British attempt, in August 1810, to attack Grand Port resulted in a French victory, one celebrated on the Arc de Triomphe in Paris. A subsequent and much larger attack launched in December of the same year from Rodrigues, which had been captured a year earlier, was successful. The British landed in large numbers in the north of the island and rapidly overpowered the French, who capitulated (see Invasion of Isle de France). In the Treaty of Paris (1814), the French ceded Île de France together with its territories including Rodrigues and Seychelles to Great Britain. The island then reverted to its former name, 'Mauritius'.


A: b
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Q: Question: Of the two artists who influenced Jones, which was the eldest? Passage:Carroll Nathaniel Jones III (July 2, 1944 - June 22, 2017) was an artist in the style of American realism. Carroll grew up in New Providence, New Jersey where his father, an illustrator for Life (magazine), was his first art teacher. He taught Carroll techniques of the Old Masters, who emphasized light, perspective, and composition. Carroll went to school in New York City (NYC) and enrolled in the Phoenix School of Design at age 17. He later attended Hartford Art School and became a commissioned portraitist for 10 years. His work, Church Window was recognized in the New York Times, and he moved away from portraits to recreate scenes that sparked memories of his childhood. He was most influenced by Andrew Wyeth and Edward Hopper. The Coe-Kerr Gallery of NYC and Whistler's Daughter Gallery of New Jersey represented him, as well as contemporaries Wyeth and Hopper. Malcolm Forbes, Frederick R. Koch, Stephen Sondheim, William Schuman, and Jean Shepherd held private collections of his work. He exhibited at Newark Museum and Trenton Art Museum in New Jersey, and in universities, galleries and museums in seven states by his mid-thirties. His work is part of the permanent collections of Seton Hall University and Newark Museum. Art critic Marion Filler considered his work Magic realism, a quiet movement made popular in America beginning in the 1920s by Hopper, and related to Surrealism.


A: b
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Q: Question: Did Ralph DePalma qualify for the 1914 Indianapolis 500? Passage:There were 45 entrants for the race, but only the quickest 30 drivers during the elimination trials would qualify for the race. The first day of trials was completed on the Monday before the race, 25 May. Caleb Bragg set the fastest official time on the first day, recording 1:36.8, though it was reckoned that Howdy Wilcox went quicker, but his time was not officially recorded. Ralph DePalma, a crowd favourite, struggled in his Mercedes and could only manage a quickest time of 1:47.4, slower than the 1:45 that it was predicted drivers would have to beat in order to qualify. Only fifteen of the drivers ran on the first day, and they continued with two session on the Tuesday. On the second day, three drivers set record times around the Speedway: first the 1912 winner, Joe Dawson, set an unofficial lap time of 1:34.8. Later in the day Teddy Tetzlaff completed a lap in 1:33.4, while Jules Goux finished the day as the fastest driver, with a time of 1:31.7. Tetzlaff's lap was completed in a Maxwell which was fuelled with a 50:50 mix of gasoline and kerosene; the other Maxwell, driven by Billy Carlson, set a time of 1:36.6 fuelled by a combination of kerosene and lucubrating oil, with no gasoline. Ray Harroun, who had won the inaugural Indianapolis 500 in 1911, designed the Maxwell car, and was given $10,000 () by the company's president as a reward for the cars qualifying with sub-1:37 times.


A:
b
****