This task involves creating questions from a given passage that involve some kind of complex reasoning (including numerical reasoning). 
The generated questions must require looking at more than one part of the passage to answer. Try to use a variety of reasoning types in your questions (some of the sample reasoning types are illustrated in the 'positive examples' field) and also have a variety of answer types (spans, numbers, dates). A span is a continuous phrase taken directly from the passage or question. In such questions, the answer spans are recommended to be five words. Questions with answer type "number", are expected to start with "How many". For instance, "How long did an event last?" can be phrased as "How many years did an event last?". To increase diversity, try to create more questions for which the answer will be multiple spans. Please create questions that require AT LEAST 2 arithmetic operations as illustrated in the 'positive examples' field. You are encouraged to try DIFFERENT COMBINATIONS of operations and not just limit to the combinations shown in those examples. The more challenging questions you create, the better it is.

[Q]: Passage: The Seahawks began their season at home for an NFC West rivalry against the San Francisco 49ers. In the first quarter, Seattle trailed early when 49ers kicker Joe Nedney made a 23-yard field goal, which was extended in the second quarter when Nedney made another 23-yard field goal. Then, the Seahawks fought back and took the lead when quarterback Matt Hasselbeck got a 1-yard touchdown run, followed by him making a 13-yard touchdown pass to wide receiver Deon Butler. In the third quarter, Seattle continued to dominate when cornerback Marcus Trufant returned an interception and ran 32 yards for a touchdown. This was followed by Hasselbeck's 3-yard TD pass to wide receiver Deion Branch. In the fourth quarter, the Seahawks scored again when kicker Olindo Mare made a 35-yard field goal.
[A]: How many defensive touchdowns were scored in the game?


[Q]: Passage: In early 1858, Simpson was ordered to join the Army's reinforcements for the Utah War. He and his team resurveyed the trails from Fort Leavenworth to Utah and his photographer, Samuel C. Mills, produced the earliest surviving photographs of features along the trail. Upon his arrival at Camp Floyd, he was directed to open a new road between that post and Fort Bridger. Simpson and his team also surveyed the military reservation at Fort Bridger, at Camp Floyd and in the Rush Valley. In May 1859, he headed an expedition to survey a new route from Camp Floyd  across the Great Salt Lake Desert of Utah and through the Great Basin to Genoa, Nevada near California. The Army contracted Frederick Lander to immediately to develop the more direct route to California for use by wagons, and Simpson's survey was later published in 1876. Simpson's Central Route played a vital role in the transportation of mail, freight, and passengers between the established eastern states and California, especially when hostilities of the Civil War closed the Butterfield Overland Mail stagecoach route that ran along the southern border states. George Chorpenning immediately switched to Simpson's route to run his existing mail and stage line, and the Pony Express used it as well. In 1861 the Transcontinental Telegraph was laid along the route, making the Pony Express obsolete. Afterwards, Wells Fargo & Co. hauled mail, freight, and passengers along Simpson's route until 1869, when transportation and telegraphy were switched to the newly completed Transcontinental Railroad.
[A]: How many persons mentioned in that passage?


[Q]: Passage: The first internal painting of the church began in 1748-1749. Bishop Olsavszky gave the commission to István Vörös, a painter from Kassa. The decorative paintings he made were painted over at the end of the nineteenth century. However, during the renewal under the leadership of József Boksay in 1940, several of its elements were restored, or repainted. The monumental “panneau” depicting the Cult of the in Hungary, which decorated the wall of the Sanctuary, was created at this time by Manó Petrasovszky. In 1748, bishop Olsavszky commissioned a Greek master craftsman, named Constantine, to create the iconostasis of the shrine church. He completed the thirteen meter tall and six meter wide work, richly decorated with carvings, in less than eight months. The painters of the earliest pictures are unknown. In 1785, the basilian painter Mihály Spalinszky was entrusted with the creation of the icons of the iconostasis. Most of the icons he painted were removed by the Spisák brothers, who created the new pictures in 1896, and only five remain. The Saint Icon was placed above the central beautiful gates of the iconostasis. The new holy altar on the left side of the nave was finished with the assistance of the Franciscan masters at Pécs in 1946. The design allows the pilgrims to approach the Saint Icon from the courtyard of the church and without disturbing the services in the church. The new pilgrimage church is able to accommodate much larger numbers of pilgrims. Under the guardianship of the Basilian monks, the Saint Shrine has become the most important pilgrimage site in Eastern Hungary. This made the nineteenth-century expansion possible and necessary. In 1856, the church towers were raised one level, and in 1896 the interior of the church was renewed.
[A]:
How many years after the church towers were raised one level was the interior of the church renewed?