TASK DEFINITION: In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
PROBLEM: Review: I thought this was a splendid showcase for Mandy's bodacious bod. If you don't expect anything else, such as clever plot twists and believable character development, you won't be disappointed. Consider this a Sports Illustrated shoot whose character goes around killing people, especially those who threaten to come between her and her 'Mommy' (Suzanna Arquette, who obviously doesn't want to play the sex kitten - she leaves that up to her daughter).Mandy's face is a little too perfect, but her body is a complete 5-alarm fire, up there in the ranks of Sophia Loren when it comes to natural bustiness, a perfect 7-to-10 ratio of waist to hips, and splendidly configured legs, right down to her feet. (There has to be some ideal configuration of thighs to knees to calves to ankles that is altogether pleasing to the eye; Mandy certainly is the model for this idealized ratio).And no flat butt to boot, which seems to be the undoing of many a busty babe with curves everywhere except in the 'nether hemispheres'. Mandy might have used a body double in the rear shot of her losing her towel as she descended into the candle-lit hot tub with her blindfolded German-Guy Victim No. 2, but from all I could see from her bikini shots, she had the butt for it and didn't need a double to prove it.Mandy's acting abilities had little to do with her impression of a psychotic 'Mommy's Girl', with the obvious erotic lesbian overtones. Her bisexual nature (allowing herself to be boinked in the hot tub after a long flirtation with German Guy No. 2, who also happened to be her mother's lover) added an additional dimension to an otherwise one-dimensional caricature of adolescent female horniness conflicted with pathological murderous impulses (always by water with the men - the ultimate fate of the Latina housekeeper was edited out in the televised version for some obscure reason).Mandy's Uber-Nordic facial features coupled with her Uber-Voluptuous body could either be a blessing or a curse. If Mandy really wants to further her career as an actress, I'd advise her to immerse herself fully in the Romance Languages, especially Italian and Spanish - and maybe French, although I don't know if they would go for her type. But this would enable her to reconcile her Bo Derek face with her Vida Guerra body - but maybe her face is just a little too Nordic, and she has shown off too much of her extraordinary body in a cheesy movie to enable her to advance to any more fame that was enjoyed by Michelle Johnson of the 1980's whose early fame in Blame it on Rio was followed by a series of skin flicks that failed to make it off the ground.Vambo Drule. Question: is it a positive review?

SOLUTION: yes

PROBLEM: Review: What if a platoon of G.I.'s from the Japanese army were to be send back in time 400 years right in the middle of the feudal wars that led to the formation of the Tokugawa Shogunate? Great pitch right? The movie does exactly what it says on the tin.Thankfully the writers didn't bother to explain the, usually ridiculous in sci-fi movies, scientific mumbo jumbo of time transport. No how's or why's. They just did. However the time transport sequence itself is trippy as hell and quite beautiful, if not a bit dated. Not as silly as one would imagine.The rest of the movie follows the premise to a T. But while it loses a bit of steam with the various subplots that follow the G.I.s arrival to medieval Japan, it picks up with a devastating battle sequence. Undoubtedly it's the main order of the day. The whole concept and by extension the movie itself, was probably originated from this simple pitch: what if G.I.'s equipped with the latest in modern warfare were to fight samurais? And boy does it deliver.The main battle sequence that spans more than half an hour is probably one of THE best of its kind in 70's action/war movies. Not only is it relentless and exhausting in pace and length, it's also a terrific mish-mash of styles and techniques that only unique premises like G.I. Samurai can deliver. I mean, where else would you get the chance to feature tanks, ninjas complete with shuriikens, a helicopter and samurais in the same shot? The G.I. platoon led by lieutenant Iba tears literally through hundreds of extras, gunning them down with machine guns, mortars, grenades and tanks.This mish-mash of styles is with one foot firmly rooted in the sprawling jidai-geki epic of Kurosawa's Kagemusha or Hiroshi Inagaki's Samurai Banners, while the other is in western action and war movies. There are stylistic touches (like the wonderful slow-motion shots and bloody violence) that bring Sam Peckinpah or Enzo G. Castellari circa Keoma to mind. Japanese cinema has always been influenced by westerns and other Hollywood works and vice versa, and G.I. Samurai effortlessly turns this east-meets-west melting pot into an exciting film.The film-makers thankfully take the whole thing seriously and the movie benefits immensely from it. Not that tongue-in-cheek mentality is completely absent, it's just that it doesn't try to pander to so-bad-it's-good audiences that enjoy laughing at their movies. The budget was probably hefty, as it is evident in the hundreds of extras, elaborate costumes (very decent for a production that is not a traditional jidai-geki) and special effects. The camera-work and editing are all top notch, almost better than a movie with no higher artistic ambitions deserves.It's not withouts its flaws either of course. There are many "song" scenes, where all sorts of 70's Japanese rock, disco and country songs play over montages (there's a bonding scene, a love-interest scene, a "war is hell" scene etc). The songs themselves are pretty lame and corny and detract from the whole thing. Although it clocks at a whooping 140 minutes, it flies like a bullet for the most part. Still some scenes, flashbacks and subplots in the first half could have been clipped for a tighter effect.The cast also deserves a mention, featuring such prominent names as Sonny Chiba, Isao Natsuyagi (Goyokin, Samurai Wolf), Tsunehiko Watase (The Yakuza Papers) and Hiroyuki Sanada, all of them hitting the right notes. Question: is it a negative review?

SOLUTION: no

PROBLEM: Review: "Xizao", is the tale about the clash of modern life and ancient traditions, and its effects on a family in China. Da Ming (Quanxiu Pu), is a businessman who returns home when a letter sent by his brother Er Ming (Wu Jiang) makes him believe that his father Liu (Xu Zhu), has died. He founds that his father is still alive, as well as his old neighborhood and his father old business, the public bathroom.The movie centers around Da Ming's family, and how he has to learn the importance of his father's job, something he always had considered an old tradition that had to die soon. Also, the movie explores his relationship with Er Ming, who is mentally challenged, and the problems of the small community and how the bathroom is a place that purifies not only their bodies, but also their souls.The two main themes of the movie, the family and the problems of progress, are incredibly well handled, and the movie never loses the point it is trying to make, both themes are very good developed and we get a glimpse of Chinese society and customs.The director, Yang Zhang, tells his tale in a simple way, letting the characters characters do the job. It is a very simple approach, but it fits the movie perfectly, and I highly doubt that another style would fit the movie this good. Zhang has enormous potential, as he can tell a story without the aid of visual flare or camera tricks.The acting is outstanding in its naturalistic approach, everyone acts in a very natural way and it almost looks as if they were real persons being filmed. The three lead characters give remarkable performances, and Wu Jiang as Er Ming surely steals the show.Even when the movie could had sticked to a patronizing "old days were much better" message, instead it takes an attitude of equilibrium, like saying that progress is good, and we must move on, but we must not forget where we came from, and keep an equilibrium between modern life and the traditions of old.An awesome, and touching film. 8/10 Question: is it a positive review?

SOLUTION:
yes