In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: jerry springer has got nothing on " wild things .
"
john mcnaughton 's new thriller tackles more tawdry themes in less than two hours than springer 's notoriously sleazy talk show broadcasts in two weeks -- bisexuality
, threesomes , poolside catfights , slutty rich bimbos , even redneck gator - wrestling , they 're all part of the movie 's raucous , complex storyline .
but even trash
tv topicality ca n't drag " wild things " down -- this crazy campfest
plays like something you 'd find late - night on the usa network , only infinitely more palatable and with a solid ensemble cast .
despite a smattering of needless scenes ( most of them sexual in nature ) , there 's wicked fun to be had here .
" wild things " would be a guilty pleasure , only there 's no guilty feeling involved in having a good time with it .
high school guidance counselor sam lombardo ( matt dillon ) is well - liked in the town of blue bay , especially by pretty , popular kelly van ryan ( denise richards ) , whose family name is among the florida yachting enclave 's most financially prominent .
hoping to take her crush to a physical level , kelly seductively slinks into lombardo 's house after washing his jeep for a fundraiser , but , the very next day , tearfully admits to her trollop mother ( theresa russell ) that she was raped .
before long , blue bay detectives ray duquette ( kevin bacon ) and gloria perez ( daphne rubin - vega ) are listening to similar allegations from kelly 's rebel classmate suzie toller ( neve campbell ) .
lombardo , who maintains his innocence , hires neck brace - sporting , opportunistic lawyer ken
bowden ( bill murray ) to defend him in court .
the previews give away the following revelations , so if you have n't seen any of the movie 's spots on the television or in the theater , you might want to skip to the next paragraph .
while cross - examining suzie on the witness stand , bowden gets her to break down and admit that the alleged rapes never took place -- that kelly had concocted this entire scheme because she was angry that lombardo was sleeping with her mother and not with her .
to pay lombardo for the damages , kelly 's mother breaks her daughter 's trust fund and gives him $ 8 . 5 million .
but lombardo , kelly and suzie are actually all working together , and plan to take the money and run as fast as they can .
duquette and perez , however , begin to suspect that there 's more afoot to the case than just false accusations .
if there 's a major drawback to " wild things , " it 's that it 's oversexed to a fault .
the much - talked - about hotel room menage - a - trois between dillon , campbell and richards is a turn - off .
it 's also cut short ( sorry , guys ) , and should have been cut shorter -- the movie grinds to a halt for pure titillation once too often .
what we do n't see is far more effective than what we do .
another example of this is kevin bacon needlessly going the full monty in a shower scene .
er , no thanks .
also , bacon 's duquette feels simultaneously underdeveloped and overwritten .
daphne rubin - vega , from broadway 's " rent , " tries to compensate for a superfluous character .
theresa russell is just plain wooden .
and when , in the end , all is out in the open , ask yourself if certain scenes involving these three were really necessary .
but what keeps the movie from being
throwaway junk is an engaging chain of surprises
( some predictable , some not ) that never seems to end .
" wild things " has more twists than a crate full of corkscrews , and most are so gleefully , over - the - top nasty that you ca n't help but be charmed by their absurd showmanship .
a great deal of amusement also comes from watching bill murray in a supporting part that appears to have been written for his sly comedic talent ;
murray 's a stitch , especially when pulling up beside the van ryan limo after winning lombardo 's case and flipping them off .
and do n't leave when the closing credits hit the screen , or you 'll miss the film 's best part -- four bonus flashbacks that smooth over plot holes while offering a few more tiny turns , plus a final scene that caps everything off with a great stunner of a bombshell .
speaking of bombshells , denise richards , who plays almost every scene in a blue bikini top , does the teen tease thing with a malicious allure that she was never allowed to flaunt in " starship troopers .
"
matt dillon flexes
his sleepy - voiced sex appeal , and pulls off personality changes with chameleonic precision .
neve campbell ,
lovely as ever except when sporting a blond wig , gives suzie a vengeful vulnerability that makes her the most interesting member of the conspiring trio .
re - edited and toned down a bit , the dynamics between these three actors could have carried the film to greater lengths .
but what we 're given works well enough .
" wild things " is highly entertaining and , indeed , very wild .

Output: P


Input: Consider Input: kevin smith is like a big kid .
his humor is that of a sophisticated juvenile 's .
he grew up idolizing star wars and loves comic books , having also written a few .
he also has a cult following , mostly composed of teenagers , college students , and smith 's own fellow adolescent - minded grownups .
smith is hilarious in person and in writing , but when he tries to be earnest and moralize , that is when he goes wrong .
kevin smith is a better writer than director , and he 'll be the first to tell you that .
that might also be part of the reason why his moralizing comes across as so heavy - handed .
great directors show us their theses instead of having the characters sermonize them .
this was true in the overrated chasing amy , and it is true for dogma as well .
that is not to say smith 's message is a bad one .
in dogma , smith tells us that problems arise when people believe beyond any doubt that their insight into god and god 's desires is superior to anyone else 's .
basically , dogmatism is bad .
changing the minds of the dogmatic is virtually impossible , and since the dogmatic believe that they have special insight , they also know what is best for you , whether you like it or not .
this is not exactly a new message in movies ( see inherit the wind ) , but i have no problems with recycling old ones , particularly since dogma 's protesters are proving smith 's point .
smith 's own problem with delivering this message is that he beats us over the head with it like we are reading a dogma for dummies book .
but this is smith 's personality , and his simplistic views neglect such adult issues as how does one interpret the bible ( or koran , etc . ) correctly ( or if there even is a correctly ) and how one settles disputes of heretofore dogmatic concerns .
the story concerns abortion clinic worker bethany ( linda fiorentino ) being chosen by voice of god , metatron ( alan rickman ) , to prevent the destruction of the universe by two fallen angels , bartleby ( ben affleck ) and angel of death , loki ( matt damon ) .
along the way , forgotten thirteenth apostle , rufus ( chris rock ) , stripper muse serendipity ( salma hayek ) , and slacker duo jay and silent bob ( jason mewes and kevin
smith himself ) come to bethany 's aid .
fallen muse , azrael ( jason lee ) , proves to be the behind - the - scenes manipulator for all the chicanery .
the logical but convoluted plot only exists as an excuse for the jokes and to make smith 's points , and in itself , has little dramatic momentum .
among the supposedly outrageous claims made by the film is that god is a woman , jesus was black , and the bible was written by a bunch of racist , misogynistic white men .
of course , kevin smith does not necessarily subscribe to these ideas himself .
they are a metaphor for the fears and insecurities of the dogmatic .
smith says as much in his amusing disclaimer that precedes the movie .
when harvey weinstein asked smith to put it into the film before cannes , smith thought it might give validation to protesters ' claims that the film was sacrilegious , but then he rethought it and turned the disclaimer into a joke .
the film 's humor is uneven .
some parts are very funny
as when bethany goes for a fire extinguisher when metatron makes a burning - bush kind of entrance .
but many of the film 's jokes just bomb , as in virtually anything involving salma hayek 's serendipity .
also , some of the jokes can be seen coming from a mile away .
still , smith keeps the zingers coming at a sufficiently rapid pace . among the actors , fiorentino and rickman stand out by far .
fiorentino virtually by herself gives the film emotional weight .
damon and affleck are fairly lackluster .
rock and hayek exist in the film pretty much only as comic relief as are mews and smith .
but the latter duo fare much better because jay and silent bob , who recur in all of smith 's movies , are much more in line with smith 's brand of humor .
bud cort , george carlin , janeane garofalo , guinevere turner , and alanis morissette all make cameo appearances .

Output: P


Input: Consider Input: confucius once said , " governing a nation is like cooking a small fish -- do n't overdo it .
"
his maxim might be easily applied to writing a comedy script , for quantity over quality is one of the worst mistakes an amateur scribe can make .
granted , mike judge , writer - director of the workplace satire office space is n't exactly an amateur ( his most infamous work , the mtv series " beavis and butt - head " was pure gold for its network ) .
but unfailingly , judge manages to make some rather inexcusable mistakes in office space by spreading an iffy plot over too much ground .
the iffiness in judge 's plot -- a group of coworkers plan the downfall of their despicable boss -- is not in its appeal .
in fact , based on the popularity of scott adams ' cartoon " dilbert , " which will soon have its own television series , a satirical view of the american workplace is a hot item in hollywood .
unfortunately the concept lends itself to skit - length sequences which would be more at home on the set of " saturday night live " rather than a full - length feature .
the most convincing evidence of this are the trailers for office space , which feature almost all of the movie 's top content ; this leaves the actual picture appearing very deflated . other evidence of office space 's failure to work are its lack of good jokes .
the comedy is marginally funny at best , but not enough to get a packed house of theater - goers to laugh out loud .
the material in the movie is on - key for an older demographic than judge is used to targeting , and this could partially explain his work here .
however , the movie is loaded with too many misfires -- including the token plot -- to allow for any excuse .
the plot centers around three or four cubicled engineers , headed up by peter gibbons ( ron livingston ) , at a company named initech .
after the movie elaborately establishes the miserable working conditions at initech , the movie introduces us to two consultants ( john c . mcginley and paul willson ) which are in charge of " downsizing " the company 's payroll .
when peter and his gang learns of this , as well as the reason behind it -- so their smooth talking boss bill lumbergh ( gary cole ) 's stock will go up -- they set about creating a plan to see his downfall .
the circumstances that follow were obviously intended to be hilarious but they come out as anything
but .
a sympathetic cast and a muddled jennifer aniston - as - love - interest subplot are all that keep this one together , but it 's definitely missable in lieu of something more intelligent .


Output: N