In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Review: Bertrand Blier is indeed l'enfant terrible of French cinema and in the seventies he always could shock the public. Filmed with his fave duo (Depardieu and Dewaere) and the usual dose of sex (Miou-Miou plays her typical role, at least the one from the seventies as little could we know that a decade later she would be the best French actress ever). In first "Les Valseuses" is also one of the first roadmovies as the viewer is just taken to some journeys of two little criminals. Those who only are satisfied with family life, or simply know nothing more, the movie would be quite a shocker but this movie is more than just that, it just let you think of all the usual things in life (working for the car, being bounded at work etc.). It's a sort of critic towards the hypocrite society we're living in. Great job and it just makes you wish two things : Dewaere died just too young as he was a topactor and of course Depardieu, he'd better should have stuck with French movies as he proves here that no one can beat him. Timeless classic and 20 years later it will still shock some... Question: is it a positive review?
yes

Review: Emory is a Cincinatti steel worker like his father before him and for most of the 20th century the twin pillars of his family's existence have been the steel mill and the union. The mill, which once employed 45,000, has seen its numbers dwindle to 5,000 recently and now 1, as the plant just shut its doors, leaving a single security guard. At first, newly-unemployed Emory and his pals enjoy their independence, hanging out around town and carousing at their favorite bar, where they down "depth charges" with reckless abandon. They think the mill will reopen after listening to their union rep's optimistic spiel, but reality starts to sink in when they find themselves selling their personal vehicles in a struggle to put food on the table and stave off foreclosure of their homes. Emory's father - a dedicated union man - is sure the plant will reopen and recalls for his son all the short-lived closures during his own 35 years at the mill. Meanwhile, some of the unemployed men take demeaning make-work jobs or hop in their trucks and take off in a desperate search for employment. Finally the union admits its helplessness, as Emory explains to his stubborn father that times have changed and that the mill won't ever open again. Emory tearfully asks "What did I do wrong?" as a lifetime of hard work and devotion to job, union, church and family have left him with nothing and nowhere to turn. He hits rock bottom when in a drunken rage he manhandles his young sons and knocks his wife to the floor. Tossed out of his own home and stinging from the plant manager's comments that he and his men didn't work hard enough to justify their substantial paychecks, Emory recruits the steel workers still left in town to do something that will demonstrate to all what they are capable of. Early in the morning they break into the mill, fire up the furnaces and work harder than they ever have in their lives, producing in one shift enough high-quality steel pipes to fill the loading docks from wall to wall, top to bottom - something the plant manager thought was impossible. Arriving at the suddenly-reopened plant, the stupefied manager looks around him at the tremendous output that came from a single day's work, realizing that production like this could make the plant profitable again. The manager asks Emory: "Can you do this every day?" Emory is forced to nod "No" and the manager asks: "Then what were you trying to prove?" Emory explains that the workers' decades of hard work, honesty and devotion to their jobs had meaning and that by showing how much they could produce in one day "We just spit in your eye." Emory bids a tearful farewell to his wife and kids as he takes off with his buddies to look for work down south, promising to relocate the family when he finds it. This is a powerful and honest treatment of the plight of American workers displaced by foreign competition and gives a realistic view of the costs they bear for the short-sightedness of concession-demanding unions and greedy plant owners who extracted every penny they could from their factories but never gave back by modernizing them. Peter Strauss as Emory, John Goodman as his best friend, Gary Cole as his college-boy brother, Pamela Reed as Emory's sympathetic wife and John Doucette as his dying father all turn in excellent performances in this fine picture. Question: is it a positive review?
yes

Review: Obvious attack on Microsoft made by people who don't appear to understand intellectual property or market economies generally.Loony liberal tim robbins plays a painfully obvious caricature of bill gates, and is a cartoonish corporate villain ordering murders right and left.While microsoft may engage in some anticompetitive activity at times, it's unlikely they actually murder people. Therefore, the film is over the top and ridiculous from the beginning.The "deeper" point is apparently that major tech innovations should be free to the public, and not subject to intellectual property laws. However, this ignores the fact that most major innovations would never have been developed if not for the market incentives (and rewards) provided by intellectual property.It's one thing to be opposed to anti-competitive conduct -- that's common sense. It's quite another to be opposed to market competition in the first place, which is what the film's mantra ("knowledge belongs to mankind") represents.Yet another example of Hollywood being completely out of touch with reality. Question: is it a negative review?

yes