In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
are we victims of fate in life or can we create our own destiny ?
director / writer brad anderson seems to be saying yes to both questions in his witty film
"
next stop wonderland " .
the two main characters , alan and erin , spend the entire movie in each other 's orbit , catching glimpses of one another , yet not quite connecting until the inevitable conclusion .
is it fate that keeps them near each other and ultimately puts them together ?
does this predestination carry over to all aspects of life ?
as the film starts , erin castleton ( hope davis ) , a melancholy 29- year old late shift nurse , is ending her live - in relationship with her boyfriend ( hoffman ) .
rather , he is ending it with her . arriving home from work , erin finds her boyfriend parked in front of their apartment , car packed with his belongings .
in a fumbling , amusing and self deluding ramble , he instructs erin to watch a videotape he 's made detailing why their relationship is doomed to fail and why he 's leaving .
it 's obvious he lacks the courage to confront her directly as he rails on about accomplishing something with his life and taking a stand , all the while backpedaling his way out of their relationship .
he then flees the scene with the grace of an inept thief .
erin 's mother ( holland taylor , in a surprisingly effective , small role ) , fearing that her daughter will be without a man in her life , takes out a personal ad for erin .
to erin 's embarrassed horror , the ad describes her as a " frisky , cultured , carefree professional with a zest for life " .
eventually , erin responds to the tidal wave of responses , which makes for some of the most humorous , telling moments of the movie as she meets prospective suitors and " poseurs " .
alan , a plumber and aspiring marine biologist , first spots erin as he 's cleaning the inside glass of a fish tank at the boston aquarium .
wearing a wet suit and goggles , he follows erin from window to window , separated by the glass as erin , oblivious to his gaze , enjoys the fish .
later , we see him on a train as she sits on a platform outside , mere feet away .
the movie spends it 's entirety having their paths circle each other without crossing .
there are several subplots involving alan .
one concerns his attempts to get on the job track at the boston aquarium , thereby escaping his apparent fate to carry on the family plumbing business .
another subplot involves his father 's desperate attempts to force fate 's hand by gambling away his life at the dog track .
a distracting focus is put on alan 's debt to a loan shark and the manner in which he pays it off .
the movie tries too hard to make alan a likable guy .
thankfully , his dream- guy persona is counterbalanced by erin 's distant , yet fundamentally hopeful , personality .
the film moves along at an unhurried pace , albeit too much so in the latter third , as we wait for the two to meet .
co - writers anderson and lyn vaus throw a couple of possible red herrings into the mix as the two find other possible relationships .
the films shifts into a much slower gear as we wait for these romances to blow over .
when alan and erin eventually do meet , we see that perhaps they both were destined for each other as they share a lingering , almost subliminally knowing , gaze .
it 's a sweet , measured moment .
the disappointment comes in the fact that we 've come to know the pair , yet we do n't get to view their impending romance .
the film 's inherent belief in the subtle persistence of fate and the wonder it can bring to one 's life makes " next stop wonderland " a quiet pleasure in a cinematic landscape littered with explosions , shallow characters and overdone special effects .

Ex Output:
P


Ex Input:
available for rental - october 12 , 1999 10 things i hate about you is an update of the classic play , the taming of the shrew .
that said , drop any pre - conceived notions of what shakespeare 's work is supposed to be like and welcome yourself to padua high school , home of a student counselor ( allison janney ) who obsesses over the male penis ; a slightly too hip and racist african - american english teacher ( daryl mitchell ) ;
a new kid named cameron ( joseph gordon - levitt ) ; a model named joey ( andrew keegan ) , the subject of cameron and joey 's crushes ; bianca ( larisa oleynik ) ; and bianca 's sister - the shrew ( julia stiles in a marvelous performance ) - whose name is katarina , kat for short .
with movies about high schools similar to these running through projectors like water down the nile , it would be quite easy to write off 10 things i hate about you as just another doltish comedic - romance .
yet , you must realize that the story is timeless , and a few hundred years later it is equally as witty and comical
as when elizabeth gleefully looked on , groundlings below and stuffed brassieres on stage .
the first reminder of the original scribe can be found in katarina and bianca 's last name : stratford .
their family is run by walter stratford ( pretty woman 's larry miller ) , a doctor who is all too familiar with teenage pregnancy and guards his children accordingly .
in what he thinks to be a moment of ironic humor , the family " no dating " policy is amended to " bianca can date .
. .
when [ katarina ] does .
" with prom just ahead , bianca 's fate is grim ; unless , of course , she can tame the shrew .
do n't think this mission to be a simple one , as bianca kindly points out , her sister " .
.
. is a particularly hideous breed of loser .
" getting katarina to date is complex and oftentimes confusing .
when cameron , who likes bianca , learns of her father 's new rule , he is quick to consult a friend for advice .
the scheme they dream up is to fully exploit " someone with money .
" in this case , that is joey - the other guy with a crush on bianca .
cameron 's friend , a loser by teenage verdict , convinces joey to pay someone who has enough guts to take the shrew out .
the solution lies no farther away than the second blatant reminder of the master scribe : patrick verona ( heath ledger ) .
this verona is far from fair ; rumor has it that he previously laid his scene in prison .
moreover , katarina openly opined to the aforementioned english teacher that " hemingway was an alcoholic who hung around picasso , hoping to nail his leftovers .
"
the laws of high school cinema inexorably turn patrick and katarina into romeo and juliet .
providing a constant reminder of the fact that this is n't exactly what shakespeare had in mind are the elements obligatory to a high school comedy :
a party polluted with liquor , a best friend 's betrayal , and prom .
it is the latter that has become infamous for closing films like drive me crazy , american pie , never been kissed , carrie , she 's all that , and ca n't hardly wait .
yet surely even these practices have roots in shakespeare ; falstaff was a drunk , romeo and juliet met at a party , and caesar learned about loyalty the hard way .

Ex Output:
P


Ex Input:
wesley snipes is a master of selecting bad action roles .
murder at 1600 , u . s .
marshals , money train , drop zone , boiling point , and the ultimate camp film - passenger 57 .
the art of war is another entry in this very ugly and unique category .
ultimately , it is little more than a ridiculous action film with a plot as believable as the warren report , ugly violence that would have made peckinpah cringe , and terrible acting by b - list actors like michael biehn and anne archer .
oddly , it feels like the undiscovered sequel to another snipes " masterpiece , " rising sun .
the movie revolves around the convenient story of a special un operative caught up in a secret murder conspiracy involving a chinese ambassador , the chinese triad brotherhood , a rich chinese businessman ( played by ?
that bad guy from rising sun , cary - hiroyuki tagawa )
a chinese un interpreter , and , inexplicably , donald sutherland .
the film ends with more confusion than a boatload of chinese immigrants trying to register at ellis island .
or should i say the film ends with the most blatant ripoff of both the matrix and all of john woo 's hong kong films combined .
i am really at a loss to figure out why wesley snipes had the gumption to not only star in this action dud but also act as one of the producers of the film .
i usually enjoy snipes ' movies - though his dramatic roles better show off his creativity as an actor than the flashiness of his action films .
simply , i am amazed by the how inane the script was , filled with terrible cliches and extremely violent action sequences .
director christian duguay ( screamers ) has a strange attraction to the viciousness of violent acts -- showing splattering brains , people impaled with broken shards of glass , and lots of gargling and gagging as blood sprays everywhere .
it also sickens me to know that oliver stone , one of the greatest directors working today , had his hand in producing this monstrosity .
i guess snipes sold stone on the conspiracy angle and stone chose not to read the script , watch the dailies , be involved in casting , or anything else -- or else
he 'd be filing a court order to remove his name from the credits .
it 's also seems evident that with the russkies as our new bosom buddies and the middle eastern terrorist angle being beaten to death in the last couple of years that the new international enemies in hollywood are the communist chinese .
i 'm sure over the next couple of months
, even more " chinese conspiracy / martial - arts action flicks " are going to be popping up in your local multiplex .
hopefully they wo n't include wesley snipes .

Ex Output:

N