In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

[EX Q]: Question: Which team has more NFC Championship wins, the Green Bay Packers or the Minnesota Vikings? Passage:In his first season in 1997, the 49ers went during the regular season, earning home-field advantage in the playoffs in the National Football Conference (NFC). After defeating the Minnesota Vikings in the divisional round, San Francisco hosted the Green Bay Packers in the NFC Championship Game, but in a muddy, rainy contest at Candlestick Park. The defeat was the 49ers' fourth NFC title loss of the 1990s, following losses to the New York Giants in 1990 and the Dallas Cowboys in 1992 and 1993, and it was their third playoff loss to the Packers in as many seasons. In 1998, the 49ers posted a 12–4 record and returned to the playoffs as a wild-card team, but to the eventual NFC champion Atlanta Falcons. Two losing seasons followed, but in 2001, the 49ers returned to the playoffs after season, once again to be eliminated by the Packers.

[EX A]: After defeating the Minnesota Vikings in the divisional round, San Francisco hosted the Green Bay Packers in the NFC Championship Game, but in a muddy, rainy contest at Candlestick Park

[EX Q]: Question: Who was the head coach for the Edmonton Oilers when the team joined the NHL? Passage:Matheson was born on April 7, 1949 in Winnipeg, Manitoba to Jack and Peggy Matheson. Matheson had an intention to follow the footsteps of his father, Jack, a long-time sports editor for the Winnipeg Tribune. He graduated from the University of Manitoba with a degree in political science, and while in school, worked a part-time night shift with the Tribune. He got his first job upon completing school with the Regina Leader-Post, but moved west to Edmonton, Alberta six months later. Upon moving to Edmonton, Matheson got a job with the Edmonton Journal in 1970. He initially covered local curling and university sports, but quickly switched to hockey, when, in 1973, Edmonton was granted a WHA franchise, the Edmonton Oilers. Matheson became the beat writer for the Oilers then, and continued when the Oilers joined the NHL in 1979. He spent countless hours covering the team and its five Stanley Cups, and completed more than 300 stories per winter. In addition to writing, Matheson also was a part of the CFRN radio broadcasting team that covered the Oilers. After 24 years, he completed his tenure as beat writer for the Oilers in 1997. He now continues to write for the Edmonton Journal covering the NHL and the Oilers.

[EX A]: Matheson became the beat writer for the Oilers then, and continued when the Oilers joined the NHL in 1979

[EX Q]: Question: Did the organization that Hal Hinson worked for begin printing newspapers before the one that Vincent Canby was an employee of did? Passage:Film critic Roger Ebert wrote that the film was "kind of sweet and kind of goofy, and works because its heart is in the right place". Hal Hinson of The Washington Post said that the film "is hopelessly syrupy, preposterous and more than a little bit lame, but, still, somehow it got to me". Vincent Canby of The New York Times, said that the film "is to the mind what freshly discarded chewing gum is to the sole of a shoe: an irritant that slows movement without any real danger of stopping it". Entertainment Weekly gave the film a "B−" rating and Owen Gleiberman praised Tomei's performance: "With her flashing dark eyes and libidinous overbite, Tomei is adorable — she looks like a flirtatious bunny rabbit — but what's astonishing is the range of expression that passes over those delectable features". Rolling Stone magazine's Peter Travers wrote, "The Rain Man-Dying Young elements in Tom Sierchio's script are pitfalls that Slater dodges with a wonderfully appealing performance. His love scenes with the dazzling Tomei have an uncommon delicacy". In his review for The New Yorker, Anthony Lane praised Tomei for bringing "startling high spirits to a dullish role. She snatches moments of happiness out of the air and shares them out to anyone who’s around". Mike Clark, in his review for USA Today, wrote, "Director Tony Bill (My Bodyguard) is adept both in the yarn's meticulous buildup and in his handling of the actors".

[EX A]:
Hal Hinson of The Washington Post said that the film "is hopelessly syrupy, preposterous and more than a little bit lame, but, still, somehow it got to me"