Given a document, an entity and its sentiment towards the entity, verify if it is the correct sentiment towards the entity. Answer should be yes or no. Note that URLs in the text have been replaced with [Link].

Q: Verify if the sentiment of the following document towards the entity Clint Eastwood is Negative . In 1992  Clint Eastwoodâs  âUnforgivenâ won four Academy Awards and sent  his  career on an entirely new trajectory.
Yes  it was a Western and  Eastwood  had made plenty of those already but  âUnforgiven â was different. It had some action but mostly it was a bleak character study and was regarded by many as âart.â Whether intending to or  not Eastwood  had become an auteur.
In the wake of this critical and artistic breakthrough  Warner Brothers â  Eastwood âs exclusive distributor for  his  entire output as a director since  his  debut âPlay Misty for Meâ in 1971 â began to position not all but most of  his  future efforts as âOscar bait.â Thirteen of Eastwoodâs next 19 films came out in the fall â the highly-treasured time of year reserved for awards contenders. The six that were not released in autumn were low achievers such as âAbsolute Powerâ and âBlood Workâ and lightweight fluff like the senior citizen buddy comedy âSpace Cowboysâ and the bizarre misfire that was âJersey Boys.â
Warner Brotherâs long term  Eastwood  strategy paid off in spades. Since and including âUnforgiven â Eastwoodâs films have been nominated for 35 Oscars and have won 12 with  Eastwood himself  walking away with four as well as receiving the prestigious Irving G. Thalberg Memorial Award in 1994.
Less than a dozen people have won more Oscars than  Eastwood  and most of those were in technical categories. Not bad for a guy who used to co-star with monkeys.
Beginning in 2006 with âFlags of Our Fathersâ and âLetters from Iwo Jimaâ (shot at the same time but released three months apart)  Eastwoodâs choice of material started to change. The political content began to increase (âJ. Edgar â âInvictus â âGran Torinoâ) and although not overt it confirmed what many had known for a while:  Eastwood  was a conservative. While a moderate on most social issues   Eastwood  considers  himself  a âpragmatic Libertarianâ who eschews political correctness and  his  output in the last dozen years has indicated that  he âs an unabashed patriot.
While not a backer of most American Wars  he âs a staunch and unwavering supporter of armed service personnel  a point made with unmistakable clarity in âAmerican Sniper.â In addition to being the highest-grossing movie of 2014 and Eastwoodâs career  this throttling and unflinching bio-drama about the late Chris Kyle (Bradley Cooper) lit a welcomed fire under red state Middle America.  Eastwood  pulled off a delicate balancing act by crafting an inspirational  crowd-pleasing film that didnât pander while acknowledging the efforts of an American hero without addressing the war itself.
âThe 15:17 to Parisâ â the new movie about the three soldiers that thwarted the 2015 Thlys Train Attack â opens this Friday and it is the first  Eastwood  movie in at least 20 years that was not made available for advance press viewing.
Instead of hiring regular actors to portray the leads   Eastwood  cast the actual soldiers who confronted the terrorist â a bold move indeed and one sure to appeal to fans of âAmerican Sniper.â

A: no
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Q: Verify if the sentiment of the following document towards the entity Boutaris is Negative . But no matter who wins the national election  few believe that Greece can go on without a major overhaul of its government. In Thessaloniki   Mr. Boutaris  has been trying to do that on a local scale for 18 months  bringing  his  experience as a businessman to bear on the bloated work force  the tangled regulations and the huge debt that afflicts the city  much as it does the country.
Many of  his  efforts have prompted city workers to strike and protest. But  he  is undeterred. Nor does  he  have any patience for the shop owners who have ignored  his  efforts to clean up the look of this gracious but somewhat shabby city by enforcing rules about modest signage.
âThere was one guy who said to me  he  wants Thessaloniki to be like Hong Kong â  Mr. Boutaris  said with a shake of  his  head and an expletive. âWell  I said  âI donât want to be like Hong Kong. You think your business will be destroyed because you donât have a sign on the fifth floor? I donât think so.â â
Thessaloniki was about $126 million in debt when  Mr. Boutaris  a successful winemaker   was sworn into office. ( His  predecessor has since been indicted  along with 17 others. They are accused of stealing almost $38 million.) The city was doing a poor job of delivering basic services  most importantly in garbage collection. It was losing manufacturing jobs to Bulgaria. And as far as  Mr. Boutaris  was concerned  Thessaloniki was far from meeting its potential as a tourist attraction and a port city that offers easy access to the Balkans.
 Mr. Boutaris  has hardly solved all the issues. But  he  is already widely credited with increasing tourism  which  he  sees as a way of generating revenues without the need for expensive investment. Brushing aside centuries of tense relations with Turkey   Mr. Boutaris  set off to Istanbul to initiate a campaign to attract tourists.
Shortly afterward  Turkish Airlines resumed flights here  and the number of Turks visiting the city â the birthplace of Turkeyâs first president  Mustafa Kemal Ataturk â doubled last year.  Mr. Boutaris  has also reached out to Israel because the Thessaloniki region  with a population of about one million  once had a large Jewish population. Cruise ships now stop here more frequently.
At the same time   Mr. Boutaris  has taken measures large and small to rein in the budget.  He  hired an auditor to get to the bottom of the cityâs finances  which until recently still involved cash transactions into city pension funds. (Employees were handed stacks of bills and told to make deposits. This is said to have played a large roll in the indictments.)  He  has forced workers to account for their overtime  started a recycling program and traded in  his  limousine for an economy model. So far   Mr. Boutaris  has reduced costs by 30 percent.
âWhat I am trying to do is to open all fronts and create a huge turbulence â  Mr. Boutaris  said. âWhen you propose the slightest change  people say no. If you do it all at once  it is a different thing. Something has to break through.â
âAnd you cannot step back â  he  added. âIf you step back  you lose.â
 Mr. Boutaris  is a rarity in Greece  where most people who seek higher office are career politicians.  He  won election by just 300 votes.  He  is unusually candid  by Greek standards  about  himself .  He  has admitted to being an alcoholic and no longer drinks. And  he  was divorced for seven years and then remarried  his  wife.
Residents here talk about how approachable  he  is compared with the usual politician.  He  rides a bicycle around town and sits in cafes like everyone else  debating the cityâs problems. In fact   Mr. Boutaris  denies  he  is a politician.  He  says running the city is just a project  something to keep  him  busy now that  he  has turned  his  wine business over to  his  three children.
âMy wife said  âYou need to find something else to do â â  Mr. Boutaris  says of  his  decision to go into politics.
 HE  initially joined the Communist Party  but soon resigned.  He  considers  himself  a socialist  but belongs to no party.  His  goal   he  said  is to make Thessaloniki a place where businesses can flourish. But  he  is not happy with the local merchants. The small shopkeepers   he  said  do not want to pay taxes and complain that the malls are undercutting their business.
 Mr. Boutaris  says they must stay open later to compete with the malls  which are open until 9 p.m. But the shop owners are not interested. Another expletive.
Before taking office   Mr. Boutaris  was known for  his  winery and for establishing a preserve to protect bears and wolves.  He  says  his  intent was to preserve the forest  but the bears were an easier selling point. âEverybody likes bears â  he  said. âThe forest would have been harder.â
The garbage trucks are also a problem. More than half are out for repairs at any given time. So  Mr. Boutaris  has decided to contract the maintenance to a private company. City workers promptly went on strike  fearing further privatization. âIt will be settled soon â  he  said. âIâm 70 years old  and I believe I know what I am doing.â

A: no
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Q: Verify if the sentiment of the following document towards the entity Wolfenstein is Positive . The follow-up to developer MachineGames’ masterful 2014 Wolfenstein franchise reboot is as beautiful and brutal as the first but feels noticeably thinner.
Wolfenstein II: The New Colossus is the direct sequel to MachineGames’ blockbuster reboot of the franchise that birthed the first-person shooter genre. It is  in essence  that very same game from three years ago. A few bells and whistles have been added to the blood-soaked fray  but Colossus feels more like an expansion to  Wolfenstein : The New Order than a fully realized sequel.
Once again  we step into the weathered combat boots of one William J. Blazkowicz  a meaty slice of World War II-era Americana wrapped in alternate-history supersoldier technology and laden down with ludicrous lead dispensers of every stripe.  Wolfenstein  is arguably responsible for the existence of the first-person shooter genre  and  it  wears  its  legacy well. The modern incarnation trades mazes and keys for stealth and RPG elements  with varying levels of success. Still  the essential Nazi butcher shop experience is intact: acquire weapons  creatively discharge those weapons into the servants of the monstrous Führer  lather  rinse  repeat.
On the gameplay front  things are much simpler. Gunplay is tight  focused  and as satisfying as any shooter on the market. If there is one thing Wolfenstein knows  it’s how to make a spectacle of its slaughter. Upgradeable weapons and leveling perks mean that Blazkowicz is both actively and passively tuned to your gameplay style  with consistent and satisfying results. It may not be as utterly glorious as 2016’s DOOM revival  but it’s certainly close.
Still  at the end of the day  Wolfenstein II: The New Colossus is fun while it lasts. That’s a target all too many games in the current “games as a service” (to the publisher  courtesy of your wallet) climate have managed to miss. What is there is enjoyable  hampered only by its brevity. I think  given another year or so to expand on the game’s epic premise  we would have had another genre-defining title on our hands. As it stands  it’s merely “pretty good.”

A:
yes
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