In this task, you will be presented with a text and a pronoun. You should write the name that the pronoun refers to. Position of the pronoun in the text is showed within two "_"s.

Input: Consider Input: From 1916-1920 she was committed to the Chicago Opera Association (COA) where she performed Aline in Xavier Leroux 's Le chemineau , Clotilde in Vincenzo Bellini 's Norma Ermyntrude in Pietro Mascagni 's Isabeau , Marguerite in Charles Gounod 's Faust Mica*la in Bizet's Carmen, Meg Page in Giuseppe Verdi 's Falstaff, Sophie in Jules Massenet 's Werther, and Urbain in Giacomo Meyerbeer 's Les Huguenots. In January 1916 she created the role of Sylvia in the world premiere of Simon Bucharoff 's The Lover's Knot for the COA. In 1919 Sharlow was heard at Ravinia Park with the Chicago Symphony Orchestra as all four soprano heroines in The Tales of Hoffmann and as Musetta to the Mimi of Florence Easton. After a three year absence from the Chicago stage, _she_ performed the roles of Brang*ne in Richard Wagner 's Tristan und Isolde and Brunnhilde in Wagner's Siegfried with the Chicago Civic Opera in 1923. <sep>, Pronoun: she

Output: Sharlow


Input: Consider Input: They find a pack of cigarettes in Becca's purse and a receipt for the purchase - she bought them at the Trip Wire Bar, which is where Frost saw her and followed her home. Sara delivers the news of Cammie's death to Corey, who tells Sara about Finn, the daughter _he_had with Cammie, whom they had given up for adoption. <sep>, Pronoun: he

Output: Corey


Input: Consider Input: Dalton noted flaws in the film but said that beside them, A Field in England is a rich, strange, hauntingly intense work from a highly original writer-director team.'' Peter Debruge of Variety called A Field in England ``a defiantly unclassifiable cross-genre experiment... that simultaneously reinvents and regurgitates low-budget British cinema as it goes''. Debruge said of the director's approach, ``Clearly, Wheatley is bored with the paint-by-numbers approach of _his_ horror contemporaries, but has swung so far in the opposite direction here, the result feels almost amateurishly avant garde at times, guilty of the sort of indulgences one barely tolerates in student films.'' <sep>, Pronoun: his


Output: Wheatley