In this task, you will be presented with a text, a pronoun from the text, and two candidate names. You should determine what the pronoun refers to and classify the answers into A, B, or Neither. A and B here are referring to option A and option B. Position of the pronoun in the text is showed within two "_"s.

Q: Although Bertha financed the development process, and would hold patent rights under modern law, as a married woman she was not allowed to apply for the patent. Together they had five children: Eugen (1873), Richard (1874), Clara (1877), Thilde (1882), and Ellen (1890). In August 1888, without telling _her_ husband and without permission of the authorities, 39-year-old Bertha Benz drove with her sons Richard and Eugen, thirteen and fifteen years old, in the newly constructed Patent Motorwagen automobile--from Mannheim to Pforzheim--becoming the first person to drive an automobile over a real distance. <sep>, Pronoun: her <sep>, A: Ellen <sep>, B: Bertha Benz

A: B
****
Q: She made her formal Metropolitan Opera debut on November 28, 1973, as Nicklausse in Les contes d'Hoffmann (with Pl*cido Domingo in the name part), and later sang Dorabella in Cos* fan tutte (1975-76), Cherubino in Le nozze di Figaro (opposite Justino D*az and Judith Blegen, 1976) and Pars**s in Esclarmonde (opposite Joan Sutherland, 1976). Tourangeau appears in Christopher Nupen 's 1973 film Carmen: the Dream and the Destiny, which documents a production (directed by Regina Resnik) of the opera in which Domingo plays Don Jos* to _her_ Carmen. <sep>, Pronoun: her <sep>, A: Tourangeau <sep>, B: Regina Resnik

A: A
****
Q: Dalton noted flaws in the film but said that beside them, A Field in England is a rich, strange, hauntingly intense work from a highly original writer-director team.'' Peter Debruge of Variety called A Field in England ``a defiantly unclassifiable cross-genre experiment... that simultaneously reinvents and regurgitates low-budget British cinema as it goes''. Debruge said of the director's approach, ``Clearly, Wheatley is bored with the paint-by-numbers approach of _his_ horror contemporaries, but has swung so far in the opposite direction here, the result feels almost amateurishly avant garde at times, guilty of the sort of indulgences one barely tolerates in student films.'' <sep>, Pronoun: his <sep>, A: Debruge <sep>, B: Wheatley

A:
B
****