You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Input: Consider Input:  Miss Jane Hathaway is an astute pillar of a quaint coastal community, where her house sets atop a hill. She has long overcome the scandal created by her elder sister s elopement, though the sister died without her forgiveness. She s also aware of a child, although she s never met her niece. When she receives a letter from Ruth Thorne, her 34-year-old niece, suggesting an invitation to visit, she accepts, but leaves before Ruth arrives.
At Miss Hathaway s house, Ruth is given a mysterious letter. The letter, from Aunt Jane, does not explain her sudden trip abroad, but instructs Ruth to light an oil lamp in the attic each night.
In the attic, Ruth stumbles upon some mementos and keepsakes in an old trunk. Among the items is her aunt s wedding dress, made long ago and never worn. There s also some newspaper clippings; an announcement of marriage between Mr. Charles G. Winfield, captain of the schooner Mary, and Miss Abigail Weatherby. Ruth imagines that perhaps he was the man to whom her aunt s wedding dress was intended. Later, she finds a death notice of Mrs. Abigail Winfield, aged 22. Ruth feels ashamed and puts everything back, forcing it from her mind.
In the village, Ruth notices a young man, but does not make his acquaintance. Instead, she visits her aunt s childhood friend, Mary Ainslie, whom the locals call "peculiar", because she never leaves her house. Ruth is immediately taken with Miss Ainslie s saintly demeanor and quickly forms a friendship with her.
Ruth, who has resisted the urge to pillage her aunt s love letters, unwittingly stumbles onto a partial letter, which states, "At Gibraltar for some time, keeping a shop, but will probably be found now in some small town on the coast of Italy. Very truly yours". The signature has been torn.
Ruth's solitude is broken by Carl Winfield, a fellow journalist, who is staying in town at the suggestion of their mutual boss. She recognizes him as the young man she noticed earlier and finds him roguishly young and handsome; a great match for her.
Mr. Winfield suffers from an ocular ailment and must abstain from reading and writing. He's lodging at the Pendletons', and confides to Ruth that Joseph Pendleton and Hepsey, her aunt s maid, are courting. He asks Ruth to read the newspapers to him, and she agrees. Their time is well spent and on one of their many walks, they fall in love.
Mr. Winfield is also curious about Miss Ainslie, though Ruth is uncertain to introduce them. She inquires first and, out of curiosity for his surname, Miss Ainslie agrees to meet him.
Carl Winfield is transformed by Miss Ainslie and confides that his own mother died when he was young. Although he does not remember her, he s been told awful stories about her vices, mainly alcoholism. Despite that Miss Ainslie is unmarried and has no children, he believes she s the vision of a perfect mother.
Mr. Winfield proposes to Ruth, and she accepts, although no date is set, then Joseph Pendleton proposes to Hepsey, and she accepts. With this much excitement, it's difficult to imagine the surprise when Aunt Jane returns, a married woman! Not trusting the "heathen laws" with which she was married, Aunt Jane rushes to put forth a Christian union with one priest and two witnesses, Ruth and Carl. The bridegroom, James Ball, is anything but thrilled. He has lived a long sailor s life and enjoyed his bachelor days no end. He also fancies younger women   like Ruth and Hepsey! To his credit, he is there upon his word, having proposed to Miss Hathaway 30 years ago! It turns out that he was the purpose of her trip to Italy.
When Aunt Jane, now Mrs. Ball, discovers her husband s roving eye, she fires Hepsey and sends Ruth away, using her honeymoon as an excuse. Hepsey's and Joe's wedding is immediately put forth. Ruth, on the other hand, isn t ready to rush into marriage. She heads for Miss Ainslie s house instead. There, she knows, she will be comfortable for the duration of her holiday. Linens, china, and furniture make up the wedding gifts.
While Ruth is staying with Miss Ainslie, the woman makes changes to her will, leaving everything to Ruth and Carl. Both insist they would rather have her, Carl especially. Strangely, Miss Ainslie and Carl share a dream about Carl's father. They confide it to Ruth, but she is unwilling to believe it is anything more than a coincidence. Nonetheless, it has changed Miss Ainslie and she has lost her will to live.
In the end, Ruth and Carl discover the truth: that Mary Ainslie was engaged to Charles G. Winfield, captain of the schooner Mary, but that he married Carl's mother, Abigail Weatherby, instead. After his wife died, he was too proud to come forward with his son, so he stayed away all those years. And all those years, Miss Ainslie was waiting for him. Her friend, Jane, knew this, but hadn't the heart to tell her. Instead, she lit the lamp in her attic for hers and Miss Ainslie's sailors to make their way back to them.

Output: What happened to Carl Winfield's mother? 


Input: Consider Input:  In 1976, Jackie Moon is a singer who used the profits from his one-hit wonder, "Love Me Sexy," to buy a basketball team in the American Basketball Association, the Flint Tropics, becoming the owner, head Coach, and starting power forward. The ABA Commissioner announces a plan to merge the league with the National Basketball Association, but only four teams will move to the more established league. The Tropics, the worst team in the league, are in danger of dissolving. Jackie argues that the teams with the four best records should be merged and the Commissioner accepts.
Jackie trades the team's washing machine to the Kentucky Colonels for Ed Monix, former backup point guard for the Boston Celtics. The Commissioner reveals that the Tropics will also need at least 2,000 fans at every remaining home game.
Jackie begins to stage extremely desperate stunts, like wrestling a bear named Dewie. The Tropics begin playing better with Monix, as well as the increased intensity of Clarence Withers. Monix takes over as offensive and defensive coordinator and starting point guard, leaving Jackie as the head coach. Monix trains the team rigorously with a play he calls the "Puke" as the players are to run it, until they throw up.
From Monix's training, the Tropics go on a winning run, moving from last to fifth. Jackie gets a visit from the Commissioner. The NBA does not think that Flint has a large enough media market and will not allow the Tropics into the league even if they beat the first place San Antonio Spurs. Jackie admits that he stole "Love Me Sexy" from a napkin his mother wrote on three weeks before she died. Realizing that all his assets are basically stolen, Jackie trades Withers to the Spurs so that he may realize his dream in the NBA. Monix inspires the team to leave everything on the court, while they may not be able to continue the franchise after this season, they have come very far and still have a lot to prove.
Going into the Spurs game, which Moon declares the "MegaBowl", the Tropics are in fifth place and with a win they would make it into fourth, although they have no chance in making it into the NBA. The game begins and the Tropics fall behind quickly. In the closing seconds of the first half, Jackie gets fouled hard by Petrelli while going up for a shot and is injured. Withers decides he has seen enough and rushes in to the Tropics locker rooms with the rest of the team, which angers the Spurs.
During halftime, an unconscious Jackie imagines that he is in heaven with his mother. He apologizes for stealing her song and she gives him a weapon in order to win. On the court, the Tropics reveal their new weapon: the alley-oop. With the return of Withers, it is very effective and he leads the charge. The referee calls the play a foul, but after some persuasion by Jackie and Monix, is soon convinced that it is a legitimate score. The Tropics take advantage of this new strategy and begin coming back. After the Spurs start defending against the Alley-Oop, Monix calls a time-out and calls for them to run the "Puke" with 12 seconds left and down by two points, 115 117. The play gives Jackie the ball, but he gets fouled hard again with two seconds left. Shooting granny style, Moon sinks the first basket. The second rebounds off and Monix tips it in right at the buzzer for two points to win.
The Spurs' coach offers Withers his position back. The now-former ABA Commissioner offers Jackie a position on the staff of the NBA Assistant Commissioner, as a marketing director. As Jackie is about to accept, the Commissioner is mauled by the Dewie the bear.

Output: Why does Jackie wrestle a bear?


Input: Consider Input:  The work has a recognizable structure, for the most part indicated by the author himself, which can be summarized as follows:The Prince starts by describing the subject matter it will handle. In the first sentence Machiavelli uses the word "state" (Italian stato which could also mean "status") in order to neutrally cover "all forms of organization of supreme political power, whether republican or princely". The way in which the word state came to acquire this modern type of meaning during the Renaissance has been the subject of many academic discussions, with this sentence and similar ones in the works of Machiavelli being considered particularly important.
Machiavelli said that The Prince would be about princedoms, mentioning that he has written about republics elsewhere (possibly referring to the Discourses on Livy although this is debated), but in fact he mixes discussion of republics into this in many places, effectively treating republics as a type of princedom also, and one with many strengths. More importantly, and less traditionally, he distinguishes new princedoms from hereditary established princedoms. He deals with hereditary princedoms quickly in Chapter 2, saying that they are much easier to rule. For such a prince, "unless extraordinary vices cause him to be hated, it is reasonable to expect that his subjects will be naturally well disposed towards him". Gilbert (1938:19 23), comparing to traditional presentations of advice for princes, stated that the novelty in chapters 1 and 2 is the "deliberate purpose of dealing with a new ruler who will need to establish himself in defiance of custom". Normally, these types of works were addressed only to hereditary princes. He thinks Machiavelli may have been influenced by Tacitus as well as his own experience, but finds no clear predecessor for this.
This categorization of regime types is also "un-Aristotelian" and apparently simpler than the traditional one found for example in Aristotle's Politics, which divides regimes into those ruled by a single monarch, an oligarchy, or by the people, in a democracy. He also ignores the classical distinctions between the good and corrupt forms, for example between monarchy and tyranny.
Xenophon, on the other hand, made exactly the same distinction between types of rulers in the beginning of his Education of Cyrus where he says that, concerning the knowledge of how to rule human beings, Cyrus the Great, his exemplary prince, was very different "from all other kings, both those who have inherited their thrones from their fathers and those who have gained their crowns by their own efforts".
Machiavelli divides the subject of new states into two types, "mixed" cases and purely new states.


Output: What type of prince will a population most easily accept?