In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[Q]: Question: Did North Texas State have more total tins in the Southland Conference Men's Basketball Tournament or in the 1988 NCAA Tournament? Passage 1:Born in Medicine Lodge, Kansas, Duryea grew up in Denton, Texas and graduated from Denton High School. Duryea played college basketball first at Pan American University (now the University of Texas Rio Grande Valley) with the Broncs in the 1984–85 season, then transferred to North Texas State University (now the University of North Texas) and played for the Mean Green from 1986 to 1988. A guard at both schools, Duryea was a team captain as a senior and helped North Texas State win the Southland Conference Men's Basketball Tournament, which qualified the team for the 1988 NCAA Tournament. Duryea graduated from North Texas State in 1988 with a degree in business administration.
 Passage 2:Born in Blackburn, Lancashire, Bell started his career with hometown club Blackburn Rovers at the age of 10 and signed a professional contract in February 2001 after nearly a decade in the youth system. He had a trial at Wycombe Wanderers in April 2003 and after being released by Blackburn in the summer he signed for Wycombe on a month-to-month contract in September, making his debut and scoring both goals in a 5–2 defeat to Oldham Athletic. His contract was extended until 29 February in January, before being released and joining York City on trial. He signed for York on non-contract terms on 1 March and made his debut in a 0–0 draw at Oxford United. His only goal for York came in a 3–1 defeat to Scunthorpe United, after he scored into an empty goal from a Stuart Wise long ball. He finished the 2003–04 season with 10 appearances and one goal for York as they were relegated to the Conference National.
 Passage 3:For his previous album, Irthes, Rouvas collaborated almost exclusively with Dimitris Kontopoulos, who was also commissioned to write all three of Rouvas' candidate songs for his participation in the Eurovision Song Contest 2009, as well as the composer and producer of his album, with the exception of one track. Working namely with one main composer is something that Rouvas had not done since Kati Apo Mena (1998) and not completely exclusively since Tora Arhizoun Ta Dyskola (1996). For Parafora, Rouvas reverted to using several songwriters and producers. The majority of the songwriters and producers are new collaborators and recent hit makers relatively new to the music industry. Kontopoulos, who first collaborated with Rouvas for To Hrono Stamatao (2003), resumed his role as a composer, producer, arranger, programmer, and instrumentalist, with eight contributions to the album, including the singles "Spase To Hrono" and the title track. Others who have never previously collaborated with Rouvas include Playmen, Beetkraft, Antonis Skokos, Greek-German Leonidas "Freakchild" Chantzaras, who composed "Nekros Okeanos" and produced "Emena Thes", and Dimitris Fakos who wrote both its music and lyrics. Songwriters who exclusively contributed lyrics to the album include Natalia Germanou, who first collaborated with Rouvas on Min Andistekese (1992), Pigi Konstantinou and Giannis Rentoumis who first collaborated with the artist on Irthes, and new collaborators Sunny Baltzi, Vagia Kalantzi, and Nikos Kostidakis, who wrote "Parafora".

[A]: 1


[Q]: Question: What types of programming does the New Hellenic Television station provide other than documentaries? Passage 1:The Giants opened the series with Jake Peavy on the mound to counter Nationals starter Stephen Strasburg. Joe Panik put the Giants on the board in the 3rd inning with an RBI single and Brandon Belt followed suit in the 4th to support Peavy, who didn't allow a hit until the bottom of the 5th inning. The first signs of trouble for the Giants came in the bottom of the 6th when, after a leadoff double from former Giant Nate Schierholtz and a two-out walk to Jayson Werth, Peavy was taken out of the game. Javier López came into the game only to surrender a walk to Adam LaRoche. With the bases loaded, Hunter Strickland came on to make just his tenth overall Major League appearance and struck out Ian Desmond to end the threat. The Giants added a 3rd run when Panik tripled to lead off the 7th, and Buster Posey singled to knock him in. This run was to prove crucial, as when Strickland came out in the bottom half of the inning, he allowed home runs to both Bryce Harper and Asdrúbal Cabrera to make it a one-run game. Jeremy Affeldt finished off the Nationals in the 7th and Sergio Romo pitched a scoreless 8th, before Santiago Casilla retired the side in order for the save, as the Giants held on to win by a score of 3-2.
 Passage 2:He was born in Athens in 1961. He studied Law at the National and Kapodistrian University of Athens. He started his journalistic career in 1986 writing for the newspaper I PROTI until 1989. He has been a Germany correspondent for the daily Greek newspaper Kathimerini from 1990 to 1997 and for the Mega Channel from 1993 to 2000. For two years from 1998, Tasos Telloglou along with the journalists Alexis Papahelas and Pavlos Tsimas, presented the program "Mavro Kouti" ("The Black Box") in Mega Channel. In 2001 he started writing for the newspaper To Vima. In 2001 he worked with Pavlos Tsimas and Yorgos Kouvaras for the news program "Kokkino Pani" ("Red Flag") on ANTENNA TV. From June 2002 to July 2004, he worked for the New Hellenic Television presenting the monthly documentary series "Monitor" and "Striptease". In October 2004, he presented his first report in the program "Oi Fakeloi " ("The Folders") in Mega Channel and was editor in chief until 2007. From October 2007, he co-hosts the newsprogram "Oi Neoi Fakeloi" ("The New Folders "), the continuation of the program "Oi Fakeloi ", along with Alexis Papahelas and Sofia Papaioannou in Skai TV.
 Passage 3:In the women's singles, WTA No. 49, twenty-two-year-old Estonian Kaia Kanepi defeated unseeded Petra Kvitová 6–3, 3–6, 6–1, to advance to the quarterfinals, her best result thus far in a Grand Slam tournament. World No. 4 Svetlana Kuznetsova matched her 2007 Roland-Garros performance by advancing to the quarterfinals, easily defeating sixteenth-seeded Victoria Azarenka (who had showed some good form in winning her first three matches for the loss of only six games) 6–2, 6–3. The first quarterfinal saw the highest seed remaining, Ana Ivanovic, beat tenth seed Patty Schnyder 6–3, 6–2, to reach her second consecutive semifinal at the French Open. She was joined in the afternoon by another 2007 French Open semifinalist, World No. 3 and Serbian No. 2 Jelena Janković, who dispatched nineteen-year-old Spanish qualifier Carla Suárez Navarro 6–3, 6–2, in little more than an hour.

[A]: 2


[Q]: Question: How many time had England been a World Cup champion when Duncan Edwards died as a result of the Munich air disaster? Passage 1:The most famous former resident of the Priory Estate is Duncan Edwards, who was born two miles away at Holly Hall but moved to 31 Elm Road as a small child and went on to play 18 times for England as well as winning two Football League championships with Manchester United before he died in 1958 at the age of 21 from injuries sustained in the Munich air disaster. As a child, he had attended Priory Primary School and then Wolverhampton Street School. The school is most famous for being the former school (1941 to 1948) of the late Duncan Edwards, the former Manchester United and England footballer. He died aged 21 as a result of the Munich air disaster in 1958. After his death, a stained glass window was dedicated to Edwards at St Francis parish church at the junction of Laurel Road and Poplar Crescent. The church was founded during 1931 and originally based at Priory Hall before the church building on the newly developed housing estate was opened on 10 May 1932.
 Passage 2:Critic Janet Maslin, writing in The New York Times, said of director Kasdan, "he creates the film's most satisfying moments by communicating his own sheer enjoyment in revitalizing scenes and images that are so well-loved." Impressed, she exclaimed, "Silverado is a sweeping, glorious-looking western that's at least a full generation removed from the classic films it brings to mind." Roger Ebert in the Chicago Sun-Times called it "sophisticated" while remarking, "This is a story, you will agree, that has been told before. What distinguishes Kasdan's telling of it is the style and energy he brings to the project." In the San Francisco Chronicle, Peter Stack wrote that the film "delivers elaborate gun-fighting scenes, legions of galloping horses, stampeding cattle, a box canyon, covered wagons, tons of creaking leather and even a High Noonish duel." He openly mused, "How it manages to run the gamut of cowboy movie elements without getting smart-alecky is intriguing." In a mixed review, Gene Siskel of the Chicago Tribune, said the film was "a completely successful physical attempt at reviving the western, but its script would need a complete rewrite for it to become more than just a small step in a full-scale western revival." Another ambivalent review came from Jay Carr of The Boston Globe. He noted that Silverado "plays like a big-budget regurgitation of old Westerns. What keeps it going is the generosity that flows between Kasdan and his actors. It's got benevolent energies, but not the more primal kind needed to renew the standard Western images and archetypes." In an entirely negative critique, film critic Jay Scott of The Globe and Mail said the all too familiar "manipulative Star Wars-style score is the only novelty on tap in Silverado, which has a plot too drearily complicated and arid to summarize". Left equally unimpressed was Dave Kehr of the Chicago Reader. Commenting on director Kasdan's style, he said his "considerable skills as a plot carpenter seem to desert him as soon as the story moves to the town of the title." As far as the supporting cast was concerned, he dryly noted, "none of them assumes enough authority to carry the moral and dramatic center of the film." Giving Silverado 4 out of 5 stars, author Ian Freer of Empire, thought the film was the "kind of picture that makes you want to play cowboys the moment it is over." He exclaimed, "Whereas many of the westerns from the ‘70s try a revisionist take on the genre, Silverado offers a wholehearted embracing of western traditions."
 Passage 3:The Yasui procedure is a pediatric heart operation used to bypass the left ventricular outflow tract (LVOT) that combines the aortic repair of the Norwood procedure and a shunt similar to that used in the Rastelli procedure in a single operation. It is used to repair defects that result in the physiology of hypoplastic left heart syndrome even though both ventricles are functioning normally. These defects are common in DiGeorge syndrome and include interrupted aortic arch and LVOT obstruction (IAA/LVOTO); aortic atresia-severe stenosis with ventricular septal defect (AA/VSD); and aortic atresia with interrupted aortic arch and aortopulmonary window. This procedure allows the surgeon to keep the left ventricle connected to the systemic circulation while using the pulmonary valve as its outflow valve, by connecting them through the ventricular septal defect. The Yasui procedure includes a modified Damus–Kaye–Stansel procedure to connect the aortic and pulmonary roots, allowing the coronary arteries to remain perfused. It was first described in 1987.

[A]:
1