In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Q: Ho hum . Keller Williams is a fine FINE acoustic guitar player.  I can't deny him that.  However, after seeing him live, I can't say I will ever see him again.  Too much looping, too much cheese and not enough grit.  Light and fluffy.  Maybe you could call it bubble gum music.    I'm not turned off to the jamband scene.  That's not it at all.  I was a Phish fan for many years...going back to the late eighties.  I really enjoy improvisation.  My musical life revolves around it, whether I'm playing or listening, whether its jazz, free or jamming.  I love it all.  I just find Keller Williams and a lot of the bands (not that he's a band really) that are in the "jam" scene to be pretty boring.  At least Keller doesn't go on twenty minute quasi-bluegrass noodle jams

A: NEG
****
Q: Excellent Symphonic Christmas Album . I was looking for arrangements of many traditional Christmas carols done by orchestras.  This album hits the spot.  It is not uniquely orchestra carols, the Canadian Brass is mixed in as welll.  The highlight of the album for me is the back to back track of &quot;Sleigh Ride&quot; pieces.  It begins with W.A. Mozart's &quot;Sleigh Ride,&quot; followed by Leopold Mozart's piece of the same name, and then finnished with the ever popular arangement of &quot;Sleigh Ride&quot; by Anderson.  It is a really good mix of carols, and can be listened to for hours

A: POS
****
Q: My favorite Bob Dylan album . When Green Day changed up their sound around the mid-90's and came through with a more slickly produced, commercial sound, a lot of their loyal fans didn't like it. But what they seemingly forgot to look at amidst their curious anger is that Green Day's new stuff sounded really good ('Warning' especially), even though, yeah, it sounded quite a bit different.    When it comes to Bob Dylan, die-hard fans compare an album like Empire Burlesque  (and probably a couple before it) with the likes of Highway 61 Revisited and Bringing It All Back Home, and a lot of them not only don't like the change but are agitated with their sneaky hero, though his status as 'constantly-looked-up-to'  remains in tact.    Granted, as much as I like Empire Burlesque, it has to be careful with itself because as it goes from one song to the next you almost feel like you're going to hear this as a soundtrack for a really syrupy Cameron Crowe movie, and that's no good.  But Dylan's sensibilty doesn't go quite that far down the wimpy direction as he remains hard-hearted and overly introspective, even if fairly non-sensical at times.    I love songs like 'Tight Connection to My Heart'   'I'll Remember You'    'Emotionally Yours'   and 'Never Gonna Be The Same Again.' Though the disk sounds slicker than usual, it's a mistake to think the authenticity level dropped at all. If anything, he seems to be connecting with these songs at a higher degree than what is usual with him.    Another great thing about this album is that it's pretty consistent. A couple of the tunes are slighter but none of them are bad and they're all at least a litte above mediocre, with a high portion of it ranging from good to excellent. And that's saying a lot for someone like Dylan, who is so terribly inconsistent. Not long ago I listend to Planet Waves and there are 2-3 outrageously listenable songs there but so much of it is so mediocre.     I've always thought Dylan likes being disliked and that's why he puts out such terrible songs intermingled with all the stuff that's good.  He doesn't want people coming too close and that desire of his seems to draw his fans near all the more.    I saw Dylan in concert last year and he was on keyboards due to some kind of arthritis, or something. There was a guitar planted on the center of the stage and after every song Dylan walked over, with his back hunched over and his shoulders sulking, his white warm-up suit and cowboy hat making him look like a modern-day Texas circus hand. Once there he would walk around the vicinity of the guitar and oftentimes the crowd's screaming would peak, but every time Dylan did not pick up the guitar and instead slowly meandered over to his keyboards. Not once did he pick up the guitar that night but he led the audience to believe he would about 15-20 times. What a tease.     On Empire Burlesque he seems to have softened up and not minded creating something nice all the way through. And those strange actions of his which somehow draw his worshipers ever nigher are absent here, and I'm thankful for that

A:
POS
****