In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: any remake of an alfred hitchcock film is at best an uncertain project , as a perfect murder illustrates .
frankly , dial m for murder is not one of the master director 's greatest efforts , so there is ample room for improvement .
unfortunately , instead of updating the script , ironing out some of the faults , and speeding up the pace a little , a perfect murder has inexplicably managed to eliminate almost everything that was worthwhile about dial m for murder , leaving behind the nearly- unwatchable wreckage of a would - be ' 90s thriller .
almost all suspense films are loaded with plot implausibilities .
the best thrillers keep viewers involved enough in what 's going on so that these flaws in logic do n't become apparent until long after the final credits have rolled .
unfortunately , in a perfect murder , the faults are often so overt that we become aware of them as they 're happening .
this is a very bad sign .
not only do such occurrences shatter any suspension of disbelief , but they have the astute viewer looking for the next such blunder .
of course , in the case of a perfect murder , at least that gives an audience member something to do besides concentrating on the inane plot and the lifeless , cardboard characters .
a perfect murder is n't a strict remake of dial m for murder , but it does borrow heavily from frederick knott 's play ( which was also the source material for hitchcock 's version , as well as a 1981 made - for - tv retelling ) .
emily hayes ( gwyneth paltrow ) is the wealthy wife of powerful wall street mover - and - shaker steven hayes ( michael douglas ) .
their marriage is n't going well -- emily resents steven 's controlling instincts , and , as a form of rebellion , she is having an affair with a penniless painter , david shaw ( viggo mortensen ) .
when steven learns of the relationship , he decides to confront david , but his approach is n't that of a typical cuckolded husband .
instead of yelling or threatening , steven offers david a proposal that 's too good to resist : for $ 500 , 000 in cash ( $ 100 , 000 before , the rest after ) , he is to break into steven 's new york apartment and kill emily .
( of course , after getting the first payment , david never bothers to ask how he 's supposed to get the rest . )
ultimately , i 'm not sure which of the three main characters we 're supposed to be sympathetic to : the cold - hearted husband , who wants his wife dead so he can get his hands on her fortune ; her mercenary lover , who is willing to do the deed for half - a - million ; or the woman , who is happily carrying on an extramarital affair .
not only are these individuals all profoundly dislikable , but they 're not interesting .
( it 's possible to make a good movie with detestable characters -- see reservoir dogs -- but there has to be something compelling about them , which , in this case , there is n't . )
steven , emily , and david are all lifted directly from the screenwriting 101 text book on stereotypes .
the actors in this film are obviously just on hand to get their paychecks .
michael douglas is playing the kind of heartless tycoon that he can do in his sleep -- he 's gordon gekko with an unfaithful wife .
gwyneth paltrow , who was recently delightful and appealing in sliding doors , is simply awful here .
she now has the dubious distinction of have starred in two of 1998 's worst thrillers ( the other being hush ) .
at least viggo mortensen ( g .
i .
jane ) has a little fun with his part , but then he usually does interesting things even in bad movies .
the thin supporting cast includes david suchet , the star of " poirot , " as a police inspector , and sarita choudhury ( kama sutra ) as emily 's best friend .
a perfect murder is a plodding production that generates almost no suspense from beginning to end .
there are n't many twists and turns in the unexpectedly linear script , which makes the ending inevitable almost from the start .
it 's surprising to see director andrew davis , the man behind the fugitive , involved in this mess
, but , like his stars , he too needs to earn a living .
it 's just that remaking hitchcock , and doing it so badly
, hardly seems to be an honorable way to go about getting the dough .

Output: N


Input: Consider Input: toward the bottom of the ' 80s action movie barrel lies action jackson , the only movie in hollywood history to show sharon stone and vanity topless within a span of ten minutes .
this carl " apollo creed
" weathers vehicle features the traditional cop vs .
evil establishment crook , and relies on all the ' 80s trappings , from the token heroin addict who needs a fix to the shouting superior officer .
somewhere in between come the explosions and boobs , although there is a curious lack of exploding boobs .
weathers is action jackson , a detroit cop known for all sorts of crazy vigilante techniques .
speaking of one past criminal apprehension , jackson 's superior yells , " you tore his arm off !
" jackson replies , " he had a spare .
"
jackson has been busted down to a desk job because of past problems with auto manufacturer dellaplane ( craig t . nelson ) and now has to act as department liaison to a dinner honoring nelson .
after hearing what jackson thinks of him , stone says , " i take it
you 're not one of dellaplane 's friends . "
" not unless they changed the definition , " jackson glowers .
and of course it turns out stone is mrs .
dellaplane .
faux pas , jackson . .
.
not everything is happy in motown ; people are being killed and dellaplane has evil plans for the awa .
it 's all up to jackson to stop it , and his only lead lies in vanity ( not his own ) .
wherever she left off with prince in terms of exchanging sexual favors for career advancement she picks up in action jackson .
she plays the heroin addict and chanteuse in dellaplane 's nightclub .
after singing one particularly sultry number for him , she saunters over and complains , " i expected a standing ovation .
"
he responds , " you 're getting one , " and it 's damn clever because he 's sitting down at the time .
prince would n't even let out an innuendo that lame
and he 's the king of the horndogs .
. .
or at least the prince .
it 's a testament to the ' 80s that sharon stone is killed off within the first 30 minutes but vanity survives the whole movie .
action jackson is another variation on the " unlikely partners " buddy action flick , with jackson lugging junkie vanity around .
this leads to some of the worst paired acting of the me decade , and with the dialogue they 're given , there 's not much room for improvement .
my favorite is when vanity , feeling the effects of drug withdrawal , says , " i feel like my teeth are hollow , my gums are made of dry rubber and someone 's trying to start a bonfire in the back of my bloody head .
"
jackson 's response is , " i think i felt that way once .
they called it love .
"
you 'll understand when i say watch this at your own risk . serving the world for nearly 1/25th of a century !

Output: N


Input: Consider Input: you 've got mail is a timely romance for this impersonal , computer - driven decade .
two people who 've never met confide in each other via e - mail without revealing their true identities .
nora ephron 's contemporary update of the shop around the corner retains the basic plot : two people who despise each other unwittingly become enamored with each other through their anonymous correspondence .
ephron , who co - wrote the film with her sister , delia , as well as directed it , knew what she was doing by reteaming tom hanks and meg ryan as the at - odds couple .
ryan is kathleen kelly , owner of a small children 's bookstore , while hanks is joe fox , who heads up a chain of mega bookstores ( think barnes & noble ) .
their charm and chemistry are the glue that binds this film , even through some of the script 's rough spots .
for the ephrons invested so much effort in their protagonists that they give short shrift to the talented supporting cast , including parker posey , greg kinnear , jean stapleton and steve zahn .
yet no one is really going to complain because the ephrons know their audience - and what the paying public wants is hanks and ryan .
and the two are kept busy .
one , the other or both are in nearly every scene .
hanks has his decent guy routine down pat , yet each time he does it ,
it seems effortless , spontaneous and fresh .
ryan
smoothly moves between spunky and vulnerable , with a sexy touch of winsomeness added to the brew .
their scenes together sparkle , even though they lack the nostalgic romanticism of sleepless in seattle .
and the shadow of that earlier hit hangs over you 've got mail like dried - up mistletoe .
the sparks created by the earlier movie are , by necessity , not evident here .
true , these are two people seeking true love , but you 've got mail is more comic and less poignant than its predecessor .
the ephrons ' script is witty and sharp .
however , as a director nora ephron is a bit uneven .
some scenes drag , while others , especially when hanks and ryan are revealing their souls via e - mail , are crisp and tidy .
also , the script gets sloppy toward the end with characters merely disappearing from the story .
a nice , romantic soundtrack adds to this date - night special .
overall , you 've got mail is a lush and cute outing , taking advantage of the star appeal of its two leads .
it 's a nice holiday movie , one for holding hands and snuggling . committed to lifelong learning through effective communication


Output: P