In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

Example Input: Question: When did the invasion start of the destination Task Force 38 was going to? Passage:Flint reported to the 3rd Fleet for duty at Ulithi on 27 December 1944, and six days later, sailed with Task Force 38 (TF 38) for a month-long cruise in support of the invasion of Luzon. She screened aircraft carriers as they launched strikes on Luzon, Taiwan, and the China coast, and fired protective anti-aircraft cover during a Japanese kamikaze attack on 21 January 1945. Replenishing at Ulithi from 26 January to 10 February, Flint then sailed with newly designated TF 38 for air strikes on Tokyo preceding the attack on Iwo Jima. Her force arrived off Iwo Jima on 21 February to provide anti-aircraft cover for the Marines who had landed two days previously, and Flint returned to Ulithi 12 March for a brief 2 days of replenishment.
 Links: a. Luzon b. United States Third Fleet c. Kamikaze d. China
Example Output: a

Example Input: Question: How old was Norimasa kaeriyama when he directed The Glow of Life? Passage:Among intellectuals, critiques of Japanese cinema grew in the 1910s and eventually developed into a movement that transformed Japanese film. Film criticism began with early film magazines such as Katsudō shashinkai (begun in 1909) and a full-length book written by Yasunosuke Gonda in 1914, but many early film critics often focused on chastising the work of studios like Nikkatsu and Tenkatsu for being too theatrical (using, for instance, elements from kabuki and shinpa such as onnagata) and for not utilizing what were considered more cinematic techniques to tell stories, instead relying on benshi. In what was later named the Pure Film Movement, writers in magazines such as Kinema Record called for a broader use of such cinematic techniques. Some of these critics, such as Norimasa Kaeriyama, went on to put their ideas into practice by directing such films as The Glow of Life (1918), which was one of the first films to use actresses (in this case, Harumi Hanayagi). There were parallel efforts elsewhere in the film industry. In his 1917 film The Captain's Daughter, Masao Inoue started using techniques new to the silent film era, such as the close-up and cut back. The Pure Film Movement was central in the development of the gendaigeki and scriptwriting.
 Links: a. Pure Film Movement b. Kabuki c. Norimasa Kaeriyama d. The Glow of Life
Example Output: c

Example Input: Question: What state did Majeski begin his professional career in at the age of 18? Passage:Born in Staten Island, New York, Majeski began his professional baseball career as a second baseman in at the age of 18 with the Eau Claire Bears of the Northern League. In his second season at Eau Claire, he posted a .365 batting average to finish as runnerup in the Northern League batting championship. His performance brought him to the attention of the Chicago Cubs who signed him to a contract and sent him to play for their Minor League affiliate, the Moline Plowboys of the Three-I League. Majeski continued to perform well, winning the Three-I League batting championship with a .345 batting average. He was traded to the Birmingham Barons of the Southern Association in where he hit for a .325 average.
 Links: a. Second baseman b. Eau Claire Bears c. Minor League Baseball d. Illinois–Indiana–Iowa League
Example Output:
b