instruction:
Given a document, find the main entity about whom the author is writing. Write the full name if mentioned in the text. Note that URLs in the text have been replaced with [Link].
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Image copyright Getty Images Image caption  Lili Fini  Zanuck has directed a new documentary about rock legend Eric Clapton
 Lili Fini  Zanuck  who was only the second woman to ever win a best picture Oscar when  she  took the award for Driving Miss Daisy in 1990  also produced Cocoon and directed 1991's Rush.
"No  we haven't turned a corner "  she  says when asked whether the tumultuous events of 2017 meant the climate was changing for women in the entertainment industry.
Image copyright Getty Images Image caption  Zanuck  won a Critics' Choice TV Award for Bessie  starring Queen Latifah (second left)  in 2015
 Zanuck  also warns of "tokenism" rather than real change following the allegations of sexual assault and harassment made against prominent Hollywood figures in 2017  including producer Harvey Weinstein.
For part of her career   Lili Fini  Zanuck made films with  her  husband Richard D Zanuck  a producer on the original Jaws movie  who died in 2012. While he co-produced Driving Miss Daisy   she  was the force behind it.
The story of an elderly woman and  her  African American chauffeur  played by Morgan Freeman  started as an independent film and went on to win four Oscars  including for Miss Daisy  herself   Jessica Tandy. It was nominated for another five.
 Zanuck  says she didn't necessarily think she'd come back to directing  but her decades-long friendship with Clapton ( he  did the score for her movie Rush) meant that  he  approached her to make Life in 12 Bars.
" He  was asked to do the film and  he  said  he  would only participate if I directed it " she says. She wasn't surprised  she adds  that the 18-time Grammy winner hadn't been willing to put  his  name to a film about  his  career before now.
 Zanuck  says the "luxury" of directing only came after Driving Miss Daisy  adding that she used the Oscar "to grab my chance  but one doesn't necessarily lead into the other".
Eric Clapton: Life in 12 Bars is released in the UK on 12 January. A Q&A with Clapton and  Zanuck  will be broadcast live to cinemas around the UK with a preview screening of the film on 10 January.
answer:
Lili Fini Zanuck


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Watch CBN News' Heather Sells interview with  Sadie Robertson  about  her  latest book and what's next for  her .
 Sadie Robertson  is well known for  her  captivating smile and role in the reality TV series "Duck Dynasty"
The show ended last year but the 20 year-old continues to make a name for  herself .  She  has acted in God's Not Dead 2  danced  her  way to first runner up on Dancing with the Stars  and continues to inspire fans and share  her  faith on YouTube.
Now  she 's traveling the world and sharing how  she  learned how to conquer fear in  her  new book  "Live Fearless."
"I used to live in a lot of fear. I had a lot of anxiety and really dealt with panic attacks - the whole nine yards. Anything fear  I was totally living in it. It was actually in the season of my life when I was very  very public  " Robertson  told CBN News. " I don't feel like people were really seeing the fullness of who I was because I was so afraid."
Despite  Robertson 's life being so public   she  was engaged in a very private war against fear for years until  she  learned how to beat it.
"Finally  I found freedom through my faith and totally over fear. All of a sudden  I become a totally different person. I start speaking all of a sudden. I'm a lot more confident in what I'm saying. I have a lot more life  more joy-filled  and people started to see the change in me "  she  said.
 Robertson  says one of the biggest ways to fight anxiety is to take every fearful thought into captivity.
"You can be in like  literally  a room where there's no fear around you but because your mind is so consumed with fearful thoughts. It's really a mind thing. And so  really finding freedom and captivating the thoughts of your mind is a huge way out of it "  she  shared.
 Robertson  wrote this book for anyone who struggles with fear like  she  did.
 Robertson 's life hasn't shown any signs of slowing down since  she  wrote  her  book.  She  recently completed  her  "Live Original Tour" which brings thousands of young people together to worship God and learn how to live as He created them to be.
answer:
Sadie Robertson


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Insecureâs Nuanced Take on Singleness Part of the revolution of modern female characters involves dismantling this idea of âlikability.â Sheâs Gotta Have It succeeds there; at times Darling is definitely not likable. But the show makes it seem as though any criticisms of Darling are due to the fact that she embraces her sexuality and has multiple partnersâand I donât really buy it. Some of the discontinuity in Darlingâs storyline feels like a failure to successfully imagine the inner motivations  ideas  and emotions of a modern young woman. Part of the flaw here is that  Lee âs relying too heavily on the framework  he  created for the character three decades ago. Green: Yes  Gillian! Darling calls the men in her life out for thinking they know the âreal herâ when theyâre only dating their own contrived visions of her. The irony is  Darling ends up coming off like a middle-aged manâs off-pitch interpretation of a millennial black feminist. The way she lists her rules of engagementâonly sex in her âloving bed â seeing each man no more than twice a week and never two in one day  etc.âgives an impression that sheâs playing for sport instead of living in the liberation she tells others about.
She breaks the fourth wall in many uncomfortable monologues throughout the season  which Iâd hoped would be a vehicle to get inside her head; but like most of the women in the show  Darling never becomes fully three-dimensional. Itâs not surprising then  that in a show mainly about juggling three men  the only dialogue that has depth and advances the storyline comes from Darlingâs interactions with the other women in the show: her three girlfriends  a woman that sheâs also seeing (Opal)  and her therapist. David  Lee  / Netflix Mock: I remember the first time I saw the original movie and how it blew my mind. I didnât see it when it first came out in 1986. I saw it in â89 or 1990  after I saw Do the Right Thing  which made me want to find anything else  Lee  had done  besides the Jordan commercials and the Anita Baker video. But  yeah  I think we forget how revolutionary Darlingâs character wasânot as a black character  but just as a character  period. At that age  I had no ideas about the sexual agency of women  or what polyamory was; these terms werenât part of the mainstream lexicon. Remember  misogyny was on the come up during that era of hip hop (â86 to â91) . Many of the guys I grew up with were heavily influenced by rappers like Too Short  Big Daddy Kane  LL Cool J  N.W.A.  and 2 Live Crew  which is to say we were getting a pretty unhealthy education about male-female relationships. I loved how  Lee  flipped that entire dynamic on its head with Sheâs Gotta Have It  and we needed to see that. But to your point  Gillian  Iâm not sure the TV series did much to advance contemporary ideas about the relationships explored in the â86 movie. I think thatâs why  Lee  felt the need to flesh out the narrative with this whole gentrification thread.
White: Definitely. Part of the problem is that what made Darling such an innovative character in the 1980s isnât what makes her so compelling now. And I fully agree with you  Adrienne: The moments where we see Darling undergoing the most growth and becoming most self-aware are all related to women. In addition to Opal  and her therapist  Iâd add her boss  Raqueletta Moss to the mix. Serwer: To go off your points about Insecure  Gillian and Adrienne  one of Spikeâs issues here is that the artists  he  helped influence are actually better at this now than  he  is. Which is whatâs supposed to happen! Even if itâs not something Spike would like to hear. White: I think thatâs exactly right. Serwer: I found myself most roped in when the show was lingering on Darling and her issues in the art world (the satire of which is funny and brutal)  and less so when it was focusing on the love triangle (rectangle?) the original film was centered on. Of her suitors  I found Mars Blackmon the most likable and relatable  in part because he feels like the underdog in a situation that involves a wealthy Wall Street type and a French-speaking model. Also  Anthony Ramos is really good at inhabiting the character. White: I was scared about how the character of Mars (originally played by  Lee ) would translate  but in the end he was one of the highlights of the show and unquestionably the male suitor who was best folded into the present day. Ramos did such a fantastic job of keeping Marsâs spirit of absurdity and geekiness while making him feel fresh and original. As for the other suitors  I found Greer and Jamie difficult to stomachâand not just because theyâre supposed to be obnoxious. Both characters seem to be relics of the 1980s in dress  in attitude  and in their assumptions about their place in society  and Darlingâs.
In a world where talking  hanging out  and hooking up are all far more common in your early 20s (especially in big cities)  the idea that Greer and Jamie would spend so much of their time inquiring about the other men Darling is dating feels a little unbelievable. Also the types of men that Jamie and Greer are meant to portrayâgeneralized archetypes of a desirable guyâdonât even work for the present moment. Jamieâs stuffy  wealthy  older  finance-dad vibe  and certainly Greerâs light-skinned  light-eyed  cultured  model vibe went out of style in the â90s  and they shouldâve been left there. Serwer: Greer and Jamie are really insufferable  and more than Mars  theyâre stereotypes: The first suitor is a project kid-gone-Wall Street who still has ties to the drug game (slash a cheating husband in a midlife crisis). The second is a tragic mulatto who literally has a line about how he doesnât want to choose between one identity or the other. That stuff was played out when I was a teenager. I wonder  Gillian  if the characters simply werenât rescuable from the time and place they were created (and maybe Mars was  in part because if anything  black geeks are more visible in pop culture now than they used to be). Also light-skinned men are definitely not out of style  shout out to my Blewish brother Drake (or is he canceled? Iâm old and canât keep track). Mock: As Adrienne said  it was the scenes shared between the women that were most rich. I honestly could have taken a Sheâs Gotta Have It sans the male characters from the original altogetherâmaybe keep Mars Blackmon  but only because heâs so iconic. It is weird  though  that for a movie/TV show that is supposed to be essentially about a woman  the character itâs most remembered for is a guy  Mars Blackmon. Heâs the only character who has benefited from the marketing of the movie over the past few decades. We didnât even know where Tracy Camilla Johns (the original Nola Darling) disappeared to  until she made that cameo in the new version. David  Lee  / Netflix Of course  thereâs the theory that none of these characters are to be taken as literal people  but rather as the multiple shades of Brooklyn. The male characters could be seen as metaphors for the parts of Brooklyn that aspire toward Manhattan-like wealth and prestige (Jamie)  the parts that are straight blacktops and hip hop (Mars)  and the parts that are that whole metro-self-fellatio-sexual part of NYC that really began blossoming in the â80s (Greer).
White: For sure  but Iâd argue those arenât even representative of Brooklyn in this moment. Brooklyn is not the Brooklyn of the â80s or â90s (so  Lee  keeps reminding us). Mock: On another note  Iâm thankful that they got rid of the rape scene from the movie. I think the transition to dealing with sexual harassment and assault in the streets was the showâs strongest material  especially as it bled into Darlingâs art work  which helped solve some of her financial problems. The personal became political then became personal again. Serwer: I think part of the reason why that subplot is so strong is that itâs based on a work called Stop Telling Women to Smile by the artist Tatyana Fazlalizadeh  who was also a consultant on the show. Fazlalizadeh put up a series of posters around Brooklyn with similar antiâstreet harassment messages she drew from women she interviewed about their experiences. Green: Spikeâs long talked about regretting that rape scene (and as recently as November). I agree  Brentin  that the show did a really good job of making sexual trauma an undercurrent without visually exploiting female charactersâfrom the street-art campaign to Darlingâs art student replacing Lilâ Kim with herself on the Hard Core album cover for a school assignment. With the âfree black female formâ as its thematic throughline  the show subtly deals with sex and trauma  complicating the idea of autonomy and who has access to it.
White: I think that the use of Raqueletta Moss  and her story of abuse as a child and how she overcame it  was a clever way to explicitly deal with the subject without  as Adrienne suggested  having to resort to exploitative rape scenes. Also  Mossâs decision to take Darling on as a mentee  despite having witnessed her immaturity at work  was one of my favorite developments. That relationship  between those two black women  felt organic and important. Serwer: I liked the Moss character in part because I can remember teachers pulling me aside and giving me that kind of blunt real-talk lecture about how bad life can get  in order to keep you from dealing with things they had to deal with or saw other people deal with. The characterâs past isnât what youâd call original  but again itâs rescued by a strong performance by the actress  DeâAdre Aziza. David  Lee  / Netflix White: Before we wrap this  we need to talk about that wild butt-implant narrative involving one of Darlingâs closest friends  Shemekka. This storyline was alternately framed as a comedy and a serious commentary on the way society values women. But ultimately I thought it presented some pretty major problems for the plot and the showâs portrayal of women. Mock: Iâm not quite sure what they were going for with that thread. It felt like something that got cut from Chi-Raq.
answer:

David Lee