In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Example Input: Stick To The Movie, THAT was a treat! . Get's one star in appreciation of the technicians who had to record the cd. What a mess! Never should have been made. Even Julie is way past the point of playing this onstage. She half talks her way through her songs, her voice clearly not what it was when she made the film. Sorry Julie, should have left it alone.    The rest of the cast is not on a par with the film. Tony Roberts in place of Robert Preston...not on his best day. Leslie Ann Warren was riotuosly original in the film, Rachel York trying to copy her, is not. And Michael Nouri? Dismal.  The songs added to the score for the stage.......forget it.  Not even worth mentioning any more. Goes into the WHAT WERE THEY THINKING? file.  As for Julie refusing her Tony nomination because the rest of the show was overlooked? C'mon Julie, there was a reason for that, the show SUCKED!
Example Output: NEG

Example Input: MA-AN!  Too much talent for the spoiled youth to bear... . I have good instincts, folks.  Just like all of you who've already givin' this a glowing review.  I checked this out from the library a few days ago and was immediately FLOORED.  So much so that I'm thinking about not reteurning it; telling them I lost it an' just paying for it.  I'm amazed at the gracefulness that comes across when you put together two so distinct an' so DIFFERENT voices.  Louis' scratchy, gruff, yet likeable an' melodic croon an' Ella's smooth-as-silk, soothing an' intoxicating voice incredibly, to me, go PERFECTLY on these duets here.  From that first opener 'Let's Call the Whole Thing off', done so sly an' flirtatious on both parts, to 'Gee, Baby, Ain't I Good to You' to the ever-engaging 'Autumn in New York' and 'Stars Fell on Alabama' one of the GREATEST standards EVER written ("And in the center just you and me, My heart beat like a hammer, My arms wound around you tight, And stars fell on Alabama last night").  THAT is what romance is, kiddies!  Oh, an' I can't forget 'Summertime'.  Ahhh, yes, 'Summertime', with that opening trumpet that tugs at your heart strings and makes you wish for days of love, happiness, sunlights an' flowers; a world of beauty that should never be taken for granted.  Yeah, I know what you're thinkin'; "there he goes, layin' it on thick again."  Well, I can't help it.  In a time filled with the most repugnant excuses for music I've ever heard in all my soon-to-be twenty-five years, it is a shining gift that this music has been preserved for us who TRULY appreciate talent and genius.  There's no show-boating here, no bone-headed braggadocio, no studio gimmicks.  THIS is what music is.
Example Output: POS

Example Input: replacements soundtrack . I would have ordered this soundtrack except I actually took the time to check out the list of "songs" that were on it and to read a couple of the reviews.  Sure enough, it was exactly as I thought myself....there was only one song that I actually recognized from the movie itself, Gloria Gaynor's "I Will Survive", which is a good song, but not even close to all the other great songs which were in the movie itself, but NOT in the actual "SOUNDTRACK"!  What's up with that???  Great movie, great songs, should have a great soundtrack that is available to the fans, but it does not.  Too bad.  I understand that the person who wrote the actual "musical score" for the movie wants his due, but the fans want "their" music, too.  Do the fans not have a right to what they actually expect on the soundtrack of a movie?
Example Output:
NEG