instruction:
Given a document and an entity the task is to select the author's sentiment towards the entity. Sentiments can be Positive, Neutral and Negative. Select Positive if the article expresses a positive view towards the given entity or praises its quality or skills. Select Neutral if the document expresses no clear view towards the entity or has equal amounts of positive and negative statements or expressing some fact/quote by someone else. Select Negative if the article expresses a negative view towards like harsh remarks, criticizing entities action/decision etc. Note that URLs in the text have been replaced with [Link].
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What is the sentiment of the following document towards the entity Kate Steinle ? The disturbing verdict in the killing of  Kate Steinle  â finding a criminal illegal alien not guilty of the most serious charges for  her  death â illustrates the need to find a way to end the âsanctuary citiesâ movement that has spread around the nation.
 Steinle  was only 32 when  she  was shot and killed in July 2015 by a bullet fired by illegal alien Jose Ines Garcia Garcia Zarate  who had a record of seven felony convictions and five previous deportations. Garcia Zarate did not deny shooting  Steinle   but said  it  was an accident.
Garcia Zarate had been freed by San Francisco authorities three months before he shot  Steinle   despite a federal immigration detention request to hold him so federal officials could take him into custody.
 Steinle  had none of those protections as  she  stood over the San Francisco Bay with  her  father  who would know  her  pleas for help as the last thing  he âd ever hear  her  utter in a too-short life.
The sanctuary jurisdictions create opportunities for further harm  just like that posed by  Steinle âs killer. Their claim is that sanctuary cities are actually as safe as or safer than others  with illegal residents less likely to break the law and more likely to cooperate with law enforcement when real crimes occur.
Kate  Steinle âs tragic case is but one in a sea of unnecessary tears.
 The stories of Kate Steinle and Veronica Cabrera Ramirez  will fade with the passage of time. But  theirs  will simply be replaced by the stories of future victims of heinous and predictable crimes committed by criminal illegal aliens who take advantage of American kindness and weakness.
answer:
Neutral


question:
What is the sentiment of the following document towards the entity George W Bush ? After his reelection in 2004 , Bush sought major changes to Social Security , arguing a partial privatization plan could insure its solvency . 
The legacy of George W. Bush remains , much like his 2000 election , a subject of profound controversy , and any truly objective evaluation will likely be years in the future . 
The election of 2000 and the Supreme Court case of Bush v. Gore remain two of the most controversial political developments in the last half-century . 
Some thought that President Bush should begin his term by trying to find common ground and avoid controversy to take some of the edge off the nation 's polarized politics coming out of the 2000 election . 
Instead , as one of his first actions , President Bush issued an executive order creating the Office of Faith-Based and Community Initiatives , which further alienated some who thought government money should not go to organizations affiliated with churches . 
The Bush presidency transformed American politics , its economy , and its place in the world , but not in ways that could have been predicted when the governor of Texas declared his candidacy for America 's highest office . 
Within nine months of taking office , President Bush was afforded the chance to unite the nation after the terrorist attacks of September 11 , 2001 . 
By most accounts , Bush did a masterful job of speaking for and to the American people . 
As President , Bush became a lightning rod for controversy . 
Following an authorization from Congress to eliminate those who perpetrated the attacks of 911 , Bush ordered an invasion of Afghanistan . 
Those early successes , however , turned into the longest war in American history , and the President never was able to achieve the greatest symbolic goal of the effort , the killing or capturing of the mastermind of the attacks , Osama bin Laden ; U.S. special forces achieved that goal in 2011 under Bush 's successor , President Barack Obama . 
Following the 911 attacks , President Bush also presided over a restructuring of the American national security apparatus and the passage of the Patriot Act , which gave the government vast new powers in the effort to combat future acts of terror . 
Both efforts , especially the Patriot Act , sparked strong divisions within the American people throughout the Bush presidency . 
In 2002 and into 2003 , Bush used the fear of further terrorist attacks to argue for a preemptive war on Saddam Hussein 's Iraq under the rationale that Iraq had weapons of mass destruction . 
The last few months of the Bush presidency were marked by a major crash of the stock market , a controversial bail out of financial institutions and car companies , and a recession that would wipe out millions of jobs and impact the U.S. economy for many years . 
President Bush 's place in U.S. history will be debated and reconsidered for many years to come . 
On the domestic front , the Bush presidency scored early successes in gaining passage of large tax reductions and a major reform of the American educational system with the No Child Left Behind Act .
answer:
Positive


question:
What is the sentiment of the following document towards the entity Sally Canzoneri ? Adrienne Gaither ’ s “ Tribulations  ” acrylic on canvas . On view through Feb . 24 in “ How I Got Over ” at Transformer . ( Adrienne Gaither / Transformer ) Adrienne Gaither ’ s abstract color paintings are meticulously constructed   their bright hues divided by straight   hard - edge lines . Yet there ’ s a sense of disorder and even menace in some of them   which is reflected in the title of the D . C . artist ’ s Transformer show : “ How I Got Over .” The tension between neat patterns and haphazard disruptions reveals “ Gaither ’ s personal recovery from traumatic events in her life  ” a gallery note explains . The upsets aren ’ t specified directly   and the titles of the six large canvasses offer few clues . The picture that aims the sharpest point of a neon - orange triangle toward the bottom left of a field of shards is named “ Not Just Knee Deep  ” probably after the Funkadelic song . Other titles are more commonplace   although one small collage is dubbed “ Tribulation .” That color - field painting could be narrative   or at least psychological   would once have been heretical . In the 1960s   theorists of the genre insisted that the only proper concerns of such “ post - painterly ” art were its own forms and materials . Gaither has flouted such dogma previously with color - block grids of hues derived from skin tones . In this show ’ s “ Kill Shots  ” she flirts with representation by jagging a yellow spike across the canvas   suggesting lightning or some other sudden   violent blast . Despite such dynamic gestures   Gaither ’ s work shares much with mid - 20th - century color painting . The artist has a knack for composition and keeps things interesting by juxtaposing both contrary and complementary hues . Yellows and maroons energize one picture   but so do its abutting areas of two slightly different shades of deep blue . These pictures may have been born out of upheaval   but they ’ re immaculately controlled . Adrienne Gaither : How I Got Over Through Feb . 24 at Transformer   1404 P St . NW . 202 - 483 - 1102 . transformerdc . org . Sally Canzoneri ’ s “ Women Marchers : 1913 & 2017  ” on view at Art League Gallery .  ( Sally Canzoneri / Art League Gallery )   Sally Canzoneri  How can you be in two eras at once ?  Sally Canzoneri  simulates time travel with lenticular photographs — matched images of the same place   made years apart and cut into an accordion - fold pattern . From the front   strips of both scenes are visible ; from the sides   only one can be seen . That ’ s why  the artist  calls  her  Art League Gallery show “ Double Takes .”  Canzoneri  lives in Washington   and most of  her  two - timing pictures show D . C . sites   decades or more apart . Here   she has included two Alexandria doublings   including one that contrasts the show ’ s venue   the Torpedo Factory   in 1921 and 2017 . The largest gap   chronologically if not thematically   is between the former slave traders ’ building at 1315 Duke St . in 1861 and 2017 . The older of those pictures is by Mathew Brady   the D . C . Civil War photographer . Most often   though   the earlier image ’ s maker cannot be identified .  Canzoneri  works with unknown predecessors   first by framing  her  shot of the scene in imitation of the original   and then by fusing the two . Think of this not as appropriation   but collaboration . Canzoneri ’ s lenticulars are made of paper rather than marble   but they ’ re a kind of civic art . Sally Canzoneri : Double Takes Through Feb . 5 at the Art League Gallery   Torpedo Factory   105 N . Union St .  Alexandria . 703 - 683 - 1780 . theartleague . org . Anika Cartterfield ’ s show “ The Wild  ” at VisArts . ( Anika Cartterfield / VisArts ) Anika Cartterfield & Alex Braden At the National Gallery of Art currently stand a grove of columns   sleek and pure   by the late D . C . artist Anne Truitt . Anika Cartterfield also makes columns   but they ’ re not so pristine . The most vivid piece in “ The Wild  ” her show at VisArts Common Ground Gallery   slams a tree ’ s root ball through a hollow pillar . The ragged end that erupts from one side is painted white to match the surface it breaches ; the other end is smoother and varnished like a piece of furniture . Cartterfield   who lives in Upstate New York   formerly worked for Vermont ’ s forest service . When working with wood   she ’ s concerned more with the quality of the raw material than with what it might be made into . She subverts the look of white - walled art spaces and neatly sanded sculptures with pieces that are unfinished and partly open to reveal their structure . This show ’ s tidiest pieces are three columns topped with photos of art installations in forests . The woods   it appears   are Cartterfield ’ s favorite gallery . Alex Braden ’ s sound installation “ A Lesser Light .” ( Alex Braden / VisArts ) Downstairs at VisArts   Gibbs Street Gallery has become a listening room for Alex Braden ’ s electronic music . The D . C . composer ’ s “ A Lesser Light ” is an “ automated improvisation ” that randomly emits bits of music in a theoretically infinite arrangement . The sounds include drones   whooshes and clipped notes ; they recall Balinese gamelan and the music of Steve Reich and Brian Eno . In previous installations   Braden has employed near - obsolete and sometimes unreliable technology   including rotary telephones and cassette players . But this piece ’ s physical presence consists only of the speakers that broadcast the eight different audio channels . The result is a room and a composition that are clean and clear   with just enough capriciousness to keep listeners looking over their shoulders . Anika Cartterfield : The Wild and Alex Braden : A Lesser Light Through Feb . 11 at VisArts at Rockville   155 Gibbs St .  Rockville . 301 - 315 - 8200 . visartscenter . org . Antonio McAfee & Rachel Guardiola In the epilogue to “ Invisible Man  ” author Ralph Ellison refers to aspects of African American history as “ Old Bad Air .” Antonio McAfee borrows that phrase for the title of his Hamiltonian Gallery show of manipulated vintage photos . The Baltimore artist distorts 19th - century portraits of people of color to suggest how their subjects ’ lives were warped by racism and oppression . Included are several large photos that display various degrees of digital abuse ; one nearly abstract image appears in both negative and positive versions . There ’ s also a full wall of small   deformed pictures   printed on thin acrylic so they curl partly off the wall . This multitude   dignified yet precarious   is the most powerful chapter in McAfee ’ s history lesson . Also at Hamiltonian is Rachel Guardiola ’ s “ A Hand Without Horizon Is Taller Than Its Other  ” which includes altered video as well as photos . Mostly derived from the artist ’ s performances   the images illustrate the actions of a fictional “ time - traveling surveyor and a horticultural pirate ” as they travel “ an earth - like planet  ” according to the gallery . In the photos   hot colors and overlapping   close - up images seem to turn Guardiola ’ s hands into a sort of flora . In this miniature universe   the artist is both the explorer and the explored . Antonio McAfee : Old Bad Air and Rachel Guardiola : A Hand Without Horizon Is Taller Than Its Other Through Feb . 17 at Hamiltonian Gallery   1353 U St . NW   Suite 101 . 202 - 332 - 1116 . hamiltoniangallery . com .
answer:

Positive