In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

Superb value package . If Bette Davis is not remembered as the best actress to come out of Hollywood in the Golden Era, she certainly was thought so at the time and this package easily demonstrates the range of her talent. This set, compared to Volume One, which contains obvious Davis hits, covers a wider period of her career from 1937 to 1962. Two favourite Davis films, "The Man Who Came to Dinner" and "Marked Woman" are included.      More detailed reviews of each of these films can be viewed under their individual titles so by way of a quick summary:    - "Marked Woman" is a sensational 1937 film about prostitutes who go to court to get their gangster pimp incriminated.  This was the first film Davis made after she walked out of Warner Brothers and was sued for breach of contract.  She lost and returned to the studio but with a new found respect. She gives an intense performance and the film is very exciting with a great downbeat ending.  - "Jezebel" is the 1938 film for which Davis won her second Oscar, a precursor to "Gone with the Wind" and directed superbly by William Wyler.  The film is a soap opera about a willful Southern girl and would fall into trivia without Davis's subtle performance and Wyler's attention to detail.  - "Dark Victory" from 1939 was possibly Davis's favourite role about a Long Island socialite with a brain tumour. The film is a tour de force for Davis who might have won another Oscar if the film had been released in a different year.  - "The Man Who Came to Dinner" is an ensemble piece, an excellent version of the 1941 Kaufman and Hart Broadway Hit.  Davis supports Monty Woolley, a character based on Alexander Woolcott, who hilariously dominates the film.  - "Old Acquaintance" from 1943 maybe the quintessential woman's picture with Davis starring with rival Miriam Hopkins.  It is a picture which resonated with "woman's issues" in 1943 and was remade in the 80's as "Rich and Famous".  - "Whatever Happened to Baby Jane" is the famous teaming with Joan Crawford in a baroque tragedy which has become a cult (and camp) classic. The film was shot on a small budget and in 3 weeks and it shows.    The extras alone make up hours of additional viewing which enhance the films immeasurably, although some of the commentaries are poor with far too much gossip about Davis's overanalysed relationship with Joan Crawford. Best of all, the excellent documentary "Stardust: The Bette Davis Story" has been included.  The Collection is great value
POS

The can be written for a Democrat, or Republican . For that matter it can be written for any party candidate that wants the truth of his/her dirty secrets covered up. I feel that it's the most insulting film to be released. It hides the fact that we as citizens, and our government don't really care about who we stick in office. If the party lines up with what we believe in screw the fact he had to cover something up. I can't fathom why we continue to fall for this all the time, and believe me I don't feel it's right to air it all over the news either. I feel that it comes down to the man, and if he does have the values his/her party believes in then he will do the honorable thing, and own up to his/her mistake. This movie is just another nail to drive into the justification that it's alright to cover things up, and there are no absolutes, or rights or wrongs. Wht happens when we tick off the wrong person who's rich? Do we wait until then to change the moral? That's Pathetic, and so is this movie
NEG

A History of Violence: The Best Film (2005) . David Cronenberg's "A History of Violence" is the type of film that you may not know how will wind up in the end, or what will happen next, but from the chilling starting sequence featuring what is the most violent image of the whole film, you know it's a film that's ready to raise your hairs, maybe for sheer pleasure or maybe because it's an exciting experience. The film probably shouln't be qualified as a thriller, even if it is a thriller and it is full of non cheap thrills and emotions, but as the modernization of westerns. It is, after all, a western. The character portrayed brilliantly by Viggo Mortensen is Tom Stall, and as the movie unravels we see that's he's no different to the Man with No Name or to Will Kane, for he is just the "good" cowboy, the man that we route for, the man that we want shoots the other men. As the movie advances, the plot doesn't thicken or gets more complex. As a matter of fact it's tough finding a plot so simple, yet so compelling and fun. The movie is quite fun, specially for those who like their movies to be charged with mordant black humor, and violence served in both spectacular showdowns and straight shots of blown away faces and blood splattered frames.     The acting is another thing. It is the best acted movie of the year, featuring a sexy and absolutely spectacular Maria Bello, a spooky Ed Harris, who under some makeup seems like a man you don't want to mess with, and William Hurt, in a part no longer than ten minutes, but ten minutes that opaque any other film on the silverscreen. Add to that Cronenberg's direction, which filles every scene with dinamite, and every shot with visual flair and delight.    As the final credits are rolling we get the sensation that this is a flawless film, and as our eyes rehearse it over and over again, we get to the conclusion that this is a flawless film. Some may say that it has no sense and that it is ridiculous, but if you think about it Munich and Syriana, and L'Enfant and Red Eye and Casablanca and almost every other movie made had the same purpose: Just to entertain. That is after all the final purpose of films, and this one succeeds high above the ground. It is also the best thriller, western, comedy and drama that has passed on the screens on a very long time.

POS