In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.
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Question: In an aircraft hangar, against a gleaming plane, Catherine Ballard is seen having sex with a swarthy guy who takes her from behind. At the same time in a film set camera room, producer James Ballard is having sex with a camera girl over a table. Later that evening in the Ballards' high-rise apartment, they calmly discuss the respective trysts as part of their open marriage. When he tells her that he didn't come, she distantly replies, "Poor darling. Maybe next one, maybe next one...." Ballard takes Catherine and has rough sex with her from behind as she leans over the balcony of their apartment, set against the tiny Toronto freeway traffic below.Another evening later, as Ballard drives and riffles through papers, he loses control of his car, which jumps carriageways and smashes into another car head-on. The driver of the other car is killed as he plunges through his car's windshield and through Ballard's windshield; his hand bears the imprint of the bonnet insignia. The female passenger of the car fumbles with her seat belt, exposing her left breast. She and Ballard stare at each other in shock.Ballard is seen shuffling along a hospital corridor, his broken leg encased in steel pins and scaffolding. The female passenger, Dr. Helen Remington, gives him a withering look as she walks stiffly by with her own injuries. A man in white overalls, holding photographs of auto crash wounds, examines Ballard's injuries with great interest. In the isolated ward, Ballard and Catherine indulge in a spot of mutual masturbation as she describes the shattered wreck of his car.After going home, he scans traffic through his binoculars. Ballard says that there seems to be more traffic since the accident. Getting behind the wheel again of a rental car, Ballard drives to examine his car at a local impound lot. Helen Remington is also there. Ballard drives her to the airport, where she tells him her name and that she works in immigration. They almost get into another car accident when a car cuts in front of them. She suggests going to the airport garage, where they have frantic sex against a plane. After going home, Ballard then has sex with Catherine, which is getting more urgent as he takes her from behind again.Another few nights later, Helen meets with Ballard again where she takes him to an event staged by the enigmatic Vaughan: a reconstruction of James Dean's fatal 1955 crash in his racing Porsche, Little Bastard. Ballard recognizes Vaughan as the man from the hospital several weeks ago. The accident is restaged without safety gear for Vaughan or his two stunt drivers, Seagrave and Trask. Watched by a small crowd, the two cars impact head on at speed. Trask is okay. Vaughan struggles painfully from the wrecked Porsche, but Seagrave, who was driving him, is only semi-conscious. Over the PA speakers, Vaughan announces, "James Dean died of a broken neck and became immortal." Just then, police sirens are heard as the crowd scatters in all directions. Ballard and Helen run with Vaughan through the nearby woods, where they reach Vaughan's battered black Lincoln convertible. As he drives away from the scene, Vaughan fingers Helen while Ballard watches with curiosity.A short time later, Vaughan, Helen, and Ballard arrive at an unkempt communal house. Vera Seagrave attends to her husband's injuries while callipered crash victim Gabrielle offers everyone joints to smoke. Everyone is soon wasted on the pot. Vaughan talks to the concussed Seagrave about recreating Jane Mansfield's fatal crash. Producing an album of crashed photographs, he describes his project about re-enacting fatal auto crashes as the reshaping of the human body by modern technology.Another day later, Ballard and Catherine drive in separate cars. At an intersection, Vaughan draws up behind Catherine's silver sports car and follows aggressively before she pulls off the road. When Ballard takes her from the rear once more, she incorporates Vaughan into the act, asking if Ballard would like to sodomize him in his big car. Ballard backs away with slight disgust.At the airport garage, Ballard and Helen meet where they again have sex. Discussing her sexual exploits in cars, Helen admits to a fantasy of Vaughan photographing them as if they were in traffic accidents. Later, back at the commune house, Vaughan and his group smoke more joints and watch crash-test videos. They are all sexually turned on by the violence of the crashes on the screen.Driving around airport perimeter roads, Ballard connects Vaughan's Lincoln convertible with the 1963 JFK assassination. Vaughan tells him, "The car crash is a fertilizing rather than a destructive event--a liberation of sexual energy of those who have died, with an intensity that is impossible in any other form." It is clear that this Vaughan's real desire: the ultimate existential experience. He picks up an airport hooker and has sex with her in the back seat while Ballard drives and watches in the mirror.As Catherine and Ballard leave the studio for the day as he tells her more about Vaughan's underground sub-culture of crash victims, Vaughan arrives to pick them up when he is questioned by the police about the death of a pedestrian near the airport. He is shaken as Ballard drives his car.On the local freeway, Vaughan, Ballard, and Catherine encounter a multi-vehicle accident. Vaughan takes crash photographs, then stages more using Catherine as a model. The EMTs working on the wrecks are too busy to care. In the front wreck, Vaughan finds the dead Seagrave, dressed as Jayne Mansfield, complete with a scalped blond wig and a dead dog in the back seat. Vaughan is amazed that Seagrave went through and reenacted the fatal crash on his own.After Ballard finds blood on Vaughan's car, they go to a car wash. In the back seat, Vaughan has brutal sex with Catherine in the back seat under the gaze of an entranced Ballard, who later examines his bruises and scars on his healed leg in silence.In an auto showroom at a local car dealership, Gabrielle is helped into a Mercedes by an embarrassed salesman as Ballard looks on, amused by Gabrielle fondling the car, and saying how it turns her on. A little later at the airport garage, Ballard arranges Gabrielle's broken and scared body in order to access a healed crash-wound in her rear thigh.Vaughan phones Ballard to meet with him to witness his prophetic medical tattoo: a steering-column indentation on his torso. He encourages Ballard to have a small insignia on his thigh. Later, in a junkyard, Ballard and Vaughan finally have gay sex in the back seat of the Lincoln. Afterward, as Ballard sits behind the wheel of a wrecked car, Vaughan slams into it. The next day, Catherine's silver sports car has also been rammed.As Ballard drives around the airport perimeter, Vaughan's car launches out of nowhere; he is in a delirium as he toys with Ballard's sports car, ramming into it playfully before he accidentally swerves over a parapet and landing on a coach below. Ballard stops and surveys the carnage as Vaughan lies dead among the wreck.The next morning in the impound lot, Gabrielle and Helen arrive to look at Vaughan's wrecked Lincoln, where they begin making out with each other and they have lesbian sex in the back seat of the late Vaughan's car.Ballard decides to go to the pound to reclaim Vaughan's car. On the open road, he drives the Lincoln as recklessly as Vaughan, overtaking several vehicles in pursuit of Catherine whom is driving her car on the road ahead. He rams into her car, running it off the road and down an embankment. Ballard stumbles out of the Lincoln and painfully stumbles down the embankment. Catherine is lying on the ground, having been thrown from her car, alive but seriously wounded, with her skirt around her waist. Ballard lies down next to her, caresses her bloodied body, and when she says she's all right, he takes her from behind again, having sex with her on the grass embankment. He tells the semi-conscious Catherine as he climaxes: "Maybe the next one...."

Answer: Question: Who is Hansen?, Answer: One of the police officers


Question: Sinbad and the Eye of the TigerPrince Kassim (Damien Thomas) is transformed during his coronation as Caliph of the city and kingdom of Charak (1) into a baboon by his stepmother, the witch Queen Zenobia (Margaret Whiting), who wants the throne for her own son, Rafi (Kurt Christian). The Prince's sister, Princess Farah (Jane Seymour), seeks the help of her betrothed, Sinbad (Patrick Wayne), whilst Rafi, disguised as a merchant, tries to kill Sinbad and his crew (one, Aboo Seer (David Sterne) is poisoned) with the aid of three weapon-wielding ghouls (2) (created as stop-motion models, like most of the non-human cast, by Ray Harryhausen) brought from the depths of the earth by his mother's magic: Sinbad crushingly destroys these using falling logs.A discussion the following morning on Sinbads ship between the Princess, her uncle Balsora (Bruno Barnaby), Sinbad and his crew members Hassan (Nadim Sawalha) and Maroof (Salami Coker) discovers that the only possible saviour of Prince Kassim is the Greek sage Melanthius (Patrick Troughton), who lives on the rock-and-reef-ringed fog-bound island of Cascar (3). Zenobia however, having followed Balsora to confront him, learns of their plans. Sinbad and the Princess set sail for Cascar with the enchanted Prince, who astounds the crew by being able to write and play chess. Zenobia, fearing Melanthius may well be able to cure Kassim, decides to follow on a compact bronze boat with Rafi, rowed by their servant, the Minaton (4) (stand-in Peter Mayhew), a colossal bronze minotaur-automaton made by Rafi and animated by Zenobias magic. Balsora's guard on Zenobia, Zabid (Bernard Kay), is capsized and then skewered by the Minaton during their escape.On Cascar, after a brief encounter with rock-tossing inhabitants, Sinbad persuades Melanthius and his daughter Dione (Taryn Power) of the reality of Prince Kassim's condition, and to help: Melanthius reveals that the only cure will be to journey to the land of the former Arimaspi (5) at Hyperborea, a green valley in the polar regions maintained by the Arimaspi's powers, captured in the pyramidal Shrine of the Four Elements there to which he fortunately has the key, map and sailing directions. Speed is of the essence, as not only must Prince Kassim be crowned before seven moons have passed or renounce the Caliphate, but he will also gradually lose his remaining human abilities. However Kassim is befriended by Dione, who brings him fruit and practices writing with him.Zenobia, having been delayed by her boat being damaged when approaching Cascar, transforms herself by means of a magic potion into a seagull to fly to Sinbads ship, and there resumes her human form in miniature to spy out Melanthius plans. Spotted by Kassim, and caught by Melanthius, she learns of the trip to the lands of the Arimaspi, and is able to memorize the map, but when Melanthius uses some of the magic potion on a wasp (6), which grows to a giant size and attacks him, she is able to reclaim the potion vial, escape in seagull form, and return to her own boat. However there is now insufficient potion to effect the reverse transformation, and she retains a seagull's foot. The giant wasp is killed by Sinbad using a thrown dagger.Approaching the icebound polar regions, Sinbad passes by the ice-tunnel to the Arimaspi valley as being too small for his ship, and instead conducts his team on a journey by foot across the ice-pack (with Kassim in his cage on a sled), interrupted by a fight with a giant walrus, in which one crew member falls through the ice and another is stomped flat, to reach the outer part of the warm lands of Hyperborea, where they all relax. By this time Kassim has reverted almost wholly to animal nature, and only responds to Dione. Here the group encounters a giant Troglodyte, who shows them the way to the valley of the Arimaspi pyramid-shrine, and opens the valleys great gates for them. Meanwhile Zenobia, Rafi and the Minaton with their smaller boat have been able to take the ice-tunnel via a ruined temple directly to the shrine, where Zenobia forces an entrance using magic: however a falling stone block destroys the Minaton.Sinbad's party arrives at the now-failing shrine, where giant icicles crash down, and in a fight the baboon Kassim kills Rafi by rolling him down stairs to break his neck. Melanthius successfully restores Prince Kassim to human form by passing him in a gold cage through the fall of light from the Aurora Borealis, "the gift of the winter Apollo", within the shrine. However Zenobia vaporizes herself and possesses the body of a sabre-toothed tiger (smilodon), the guardian of the shrine, which mauls and kills the Troglodyte and Maroof before it is slain by Sinbad, firstly transfixing it with a gaff-spear originally used by the Minaton, and then using a scimitar for the coup de grace. The party escapes the collapsing shrine, which, with the whole of Hyperborea, now becomes covered in snow, and returns to Charak, where Kassim is duly installed as Caliph: he becomes enamoured of Dione, and gives his blessing to Sinbad and Princess Farah. The appearance of Zenobia's eyes at the end may mean all is not yet overNotes(1) This spelling is used on the original storyboard reproduced p185 in 'The Art of Ray Harryhausen', by Ray Harryhausen and Tony Dalton, 2006, Billboard Books, New York(2) Ibid. In the storyboard these are called 'nightmare figures' and 'zomboids' (and numbered as four, and illustrated as five, even though three eventually appear): Ray Harryhausen however refers to them consistently as 'ghouls' thereafter(3) Spelling uncertain: however, historically, 'Cascar' is the name given by Marco Polo to Kashgar, a city on the Silk Road(4) This spelling is that used by Ray Harryhausen: the original model is illustrated also p185 in 'The Art of Ray Harryhausen'(5) Historically, the Arimaspi were a legendary people of northern Scythia. The tales of their struggles with the gold-guarding griffins in the Hyperborean lands near the cave of Boreas, the North Wind, originate in a lost work by Aristeas. (6) That the insect is a wasp is confirmed by the survival of the original model: 'The Art of Ray Harryhausen' p 208

Answer: Question: Is is a lion or a tiger that guards the shrine?, Answer: Tiger


Question: The movie takes place against the backdrop of the political radicalization of Europe during the 1930s, more specifically the demise of the golden era of the First Czechoslovak Republic and the establishment of the Protectorate of Bohemia and Moravia under Nazi Germany. Spiritually, the movie takes place in the aftermath of the death of Thubten Gyatso, the 13th Dalai Lama in 1933.Karl Kopfrkingl works at a crematorium in Prague. Obsessed with his duties, he believes he is not just cremating the dead, but liberating the souls of the departed. With Nazi forces gathering at the Czech border, he descends into a mania that allows him to enact his disturbed beliefs.

Answer:
Question: Where does Karl Kopfrkingl work?, Answer: At a crematorium in Prague