In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

Input: Consider Input: I just didn't get it . This movie seemed to vacillate between funny ha ha office bullsh*t and then really freaky stuff that made me cringe and want to retch. I don't like that; going back and forth and not knowing what they "want" from me. And I REALLY didn't 'get' the ending. I didn't buy the romance. The only thing I enjoyed about this whole movie was Kevin Spacey; that's it. Just skip through the rest of the crap

Output: NEG


Input: Consider Input: Welcome Back To Horrible Hall! . The episodes always began in the same fashion: On a stormy night, a disembodied voice welcomes us to an obviously haunted yet strangely colorful castle called Horrible Hall.  A vampire bat flies across a full moon and attempts to enter a window, which inexplicably moves, causing the bat to crash into the stone wall, revert to vampire form, and fall to the ground.  The vampire looks at the viewer and gripes, "This place is driving me BATTY!"    The vampire, of course, was Count Drac, one of the hosts of Filmation's GROOVIE GOOLIES, a 1970's favorite which is the latest new release under BCI's Ink & Paint brand.  This cartoon, a spin-off of the then-popular THE ARCHIE SHOW and originally paired with the adventures of SABRINA THE TEENAGE WITCH, is a long-awaited release that has finally come to DVD in a package featuring the complete series on 3 discs.    An exponent of the classic Universal Monsters craze that began in the 1960's (and was still going strong in the '70's), GROOVIE GOOLIES was a gang of friendly, rock-and-roll-playing monsters whose adventures acted as a sort of monsterized kids' version of ROWAN AND MARTIN'S LAUGH-IN, following almost the same format right down to the wall of windows (here christened "Weird Window Time") where the characters told jokes and one-liners.  In addition to Drac, the other Goolies were Frankie (the friendly, sweetly goofy Frankenstein's Monster), Wolfie (a hip, surfing, hot-rod-driving, practical-joking Werewolf), Mummy, Boneapart (a skeleton who fell apart as often as not), the sexy Vampira-inspired Bella LaGhostley, wacky witch-cook Hagatha, and a host of others.  Sabrina makes appearances as well, along with some of the other characters from her show (which deserves its own release as a companion to this set, as the Goolies originated on SABRINA).  The pacing of each episode is frenetic, which helps with some of the humor; many of the jokes are enormously corny, but the delivery and speed with which they are told makes them funny, and the character voices are top-notch talent, featuring Howard Morris and Larry Storch doing most of the characters.    Each episode also featured fun, cute and funky soft-rock songs that were usually somehow related to the show (two per episode), and the Goolies actually scored a Top Ten hit during the '70's with "Chick-A-Boom," which is also here.  The episodes have been well restored, with vibrant color, and the artwork, which Filmation has usually excelled at, really stands out.    Extras include commentary for two episodes, featuring Lou Schemier (head of Filmation during its run),historian Darrel McNeil, monster expert Bob Burns and GOOLIES head writer Jack Mendelsohn, hosted by voice-over artist Wally Wingert.  Wingert also appears as one of the stars of a "docu-comedy" called GOOLIANS, which combines documentary material with a sitcom format.  In this feature (which runs almost like a GOOLIES episode) Wingert and fellow Goolian Daniel Roebuck (of LOST), both self-confessed monster freaks, are sent on a mission to gather information about the Groovie Goolies to cure their classic monster fixation.  From my point of view, there isn't anything wrong with a classic monster fixation, but along the way we hear from Mendelsohn, Schemier, Alice Cooper (who originated the monsters/rock music connection), Ron Chaney (grandson of Lon Jr.), Forrest J. Ackerman (ex-FAMOUS MONSTERS OF FILMLAND publisher) and more, so maybe it's a good thing.    If you're looking for a way to introduce your kids to the idea that sometimes scary can be fun, grab this set; it's a great Halloween treat and a wonderful return visit from some old fiends.  To quote Frankie, "We NEEDED that!

Output: POS


Input: Consider Input: Bleak and despairing.... . This is a great film, but it is very depressing and probably the bleakest film of Eastwood's career.  Many have said that Clint's film, Million Dollar Baby, was depressing.  That film was sad, but there was a sort of transendence at the end of it.  This film has nothing like that.  The 3 boyhood friends, played by Penn, Robbins, and Bacon, have all gone their seperate ways in life when they are reunited when Penn's daughter is murdered.  After an inital meeting where they all share their grief, the tensions between the friends increase as the mystery unfolds.  Robbins is especially good (and deserving of his Academy award) as the man who was molested as a young man, and who is permanently scarred because of it.  While at first you feel sympathy for Penn's character, you realise slowly that Penn is really a cruel, brutal man.  Bacon is very good as the detective, the only character of the three who really seems to be balanced, even though his wife has left recently, and he is a typically cynical detective.  The film ends brilliantly on an ambiguous, dark note, with Kevin Bacon giving Penn a "I know what kind of person you really are" at the end of the film.  This is a disturbing, brooding film, one of Eastwood's darkest (even darker than Unforgiven), but it's definitely worth all the accolades that it has received.  It has the marks of a great tragedy, because like all tragedies, things never worked out for the best, they seemed to have worked out for the worst, but we're really not sure.  Great film....


Output: POS