Given a document, find the main entity about whom the author is writing. Write the full name if mentioned in the text. Note that URLs in the text have been replaced with [Link].

[EX Q]: Lately  weâve been seeing a boom in TV dystopias. Two of the most successful premieres in the past few years have been HBOâs Westworld and Huluâs The Handmaidâs Tale: the former a solemn  plodding update of Michael Crichtonâs 1973 film  in which subjugated androids revolt and take over a theme park; the latter a stylish and compelling adaptation of Margaret Atwoodâs 1985 novel  in which the United States becomes a patriarchal theocracy. Other recent examples include Amazonâs The Man in the High Castle (based on Philip K. Dickâs 1962 novel about an alternate reality in which the Axis powers have won World War II)  HBOâs The Leftovers (about a world in which 2 percent of the population has mysteriously disappeared)  and Netflixâs new Altered Carbon (a cyberpunk gorefest based on a 2002 novel by Richard K. Morgan). Stretching the criteria a bit  one could perhaps include the long-running zombie odyssey The Walking Dead and its spin-off  Fear the Walking Dead  and sitcoms that play with dystopic elements  like The Good Place and The Last Man on Earth.
The success of Black Mirror is the proximate cause for the existence of  Philip K. Dickâs  Electric Dreams  also produced by Channel 4 and available here on Amazon. Dick  of course  is one of the past masters of the dystopia genre: His 1968 novel Do Androids Dream of Electric Sheep? was the basis for the seminal Ridley Scott film Blade Runner  and his work has been mined by Hollywood countless times ever since.  Electric Dreams  adapts 10 of  Dickâs  short stories  including âThe Hood Makerâ (which imagines a class war between telepaths and normal citizens  who resent their mindsâ being invaded) and âThe Father Thingâ (in which a childâs father is replaced by a sinister alien doppelgÃ¤nger).
 Electric Dreams  is slickly made and intermittently effective  but despite some half-hearted attempts to reimagine or update the material (the boy in âThe Father Thing â upon uncovering the alien conspiracy  posts a video on the Internet with the hashtag â#RESISTâ)  it doesnât really feel of our moment. Part of the problem is that Dickâs work has been adapted for film so many times already that itâs hard to watch a given episode of Electric Dreams  however well executed  and not compare it unfavorably  if unfairly  with Blade Runner  or Paul Verhoevenâs Total Recall  or Steven Spielberg âs  Minority Report.  Dickâs  sensibility is idiosyncratic and sui generis  but at this point it feels more like a piece of intellectual property than the amphetamine-fueled gnostic vision it once was. Is anybody âs  mind really blown by the is-our-world-real-or-just-a-simulation conundrum posed by âReal Life â for example  after weâve seen not only Total Recall but The Matrix and Westworld and a hundred other iterations of it?
The problem  however  isnât just overfamiliarity. Dystopias draw their power from an analysis of the present  and  Dick âs once-radical vision of the future is now as far in the past as H.G. Wellsâs was for  Dick  when  he  began writing. This is what Black Mirror  for all its flaws  has over Electric Dreams: The series feels like itâs about things that Brooker is genuinely worried about  not a dutiful tribute to what someone was worried about in the 1960s; itâs the future as seen from the 21st century  not the 20th. This problem is endemic to many of the recent dystopian shows. The fact that Westworld is based on a movie from 1973  and The Handmaidâs Tale on a novel from 1985  doesnât invalidate their value as entertainments or as cultural commentaries. But it does introduce concerns alien to the dystopiaâs imperative to take the worst of the present day and amplify it.
[EX A]: Philip K. Dick

[EX Q]: Image copyright Getty Images Image caption  Lili Fini  Zanuck has directed a new documentary about rock legend Eric Clapton
 Lili Fini  Zanuck  who was only the second woman to ever win a best picture Oscar when  she  took the award for Driving Miss Daisy in 1990  also produced Cocoon and directed 1991's Rush.
"No  we haven't turned a corner "  she  says when asked whether the tumultuous events of 2017 meant the climate was changing for women in the entertainment industry.
Image copyright Getty Images Image caption  Zanuck  won a Critics' Choice TV Award for Bessie  starring Queen Latifah (second left)  in 2015
 Zanuck  also warns of "tokenism" rather than real change following the allegations of sexual assault and harassment made against prominent Hollywood figures in 2017  including producer Harvey Weinstein.
For part of her career   Lili Fini  Zanuck made films with  her  husband Richard D Zanuck  a producer on the original Jaws movie  who died in 2012. While he co-produced Driving Miss Daisy   she  was the force behind it.
The story of an elderly woman and  her  African American chauffeur  played by Morgan Freeman  started as an independent film and went on to win four Oscars  including for Miss Daisy  herself   Jessica Tandy. It was nominated for another five.
 Zanuck  says she didn't necessarily think she'd come back to directing  but her decades-long friendship with Clapton ( he  did the score for her movie Rush) meant that  he  approached her to make Life in 12 Bars.
" He  was asked to do the film and  he  said  he  would only participate if I directed it " she says. She wasn't surprised  she adds  that the 18-time Grammy winner hadn't been willing to put  his  name to a film about  his  career before now.
 Zanuck  says the "luxury" of directing only came after Driving Miss Daisy  adding that she used the Oscar "to grab my chance  but one doesn't necessarily lead into the other".
Eric Clapton: Life in 12 Bars is released in the UK on 12 January. A Q&A with Clapton and  Zanuck  will be broadcast live to cinemas around the UK with a preview screening of the film on 10 January.
[EX A]: Lili Fini Zanuck

[EX Q]: TOKYO (Reuters) -  Japanese Prime Minister Shinzo Abeâs ruling bloc  scored a big win in Sundayâs election  bolstering  his  chance of becoming the nationâs longest-serving premier and re-energizing  his  push to revise the pacifist constitution.
âAnd as we saw in the U.K. ... a referendum could be tricky. So while  Abe  is likely to be prime minister for the time being  it is too early to say whether  he  can stay in power until 2021.â  Abe  declined to say if  he  would run for a third term.
 Abe  had said  he  needed a new mandate to tackle a "national crisis" from North Korea's missile and nuclear threats and a fast-aging population  and to approve  his  idea of diverting revenue from a planned sales tax hike to education and child care from public debt repayment [reut.rs/2yC0pma].
 He  called the poll amid confusion in the opposition camp and an uptick in  his  ratings  dented earlier in the year by scandals over suspected cronyism and a perception  he  had grown arrogant after nearly five years in office.
[EX A]:
Shinzo Abe