In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
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Question: i am starting to write this review before going to see strawberry and chocolate , cuba 's oscar nominee for best foreign film , directed by tomas gutierrez alea ( who also directed the sometimes and in some circles critically acclaimed memorias del subdesarrollo-- " memories of underdevelopment " .
i saw memorias as part of a cuban cinema class back in the late ' 70s ; it merged the politics of the cuban revolution with mundane elements of the human condition .
i knew then that memorias was probably a state - sanctioned political missive , and now expect strawberry will follow suit .
fellow internetters , primarily in the newsgroup dedicated to cuba ( soc . culture .
cuba ) , have mentioned that strawberry is a harsh criticism of the revolution and its current state of affairs .
i have jumped to the conclusion that strawberry is nothing more than a veiled attempt at espousing the party line -- it probably looks like political criticism , but it ai n't so .
having some first hand and extensive anecdotal knowledge of castro 's repressiveness , i ca n't conceive of his tolerating honest and adversarial criticism of the revolution , and i ca n't imagine his letting anyone even suggest his failure as a leader of a failed movement .
as kids say these days , duh ! , the revolution 's current state needs no criticism ; its physical and spiritual crumbling is self evident .
the proper questions to put relate to castro 's legitimacy .
i bet the film takes castro 's power for granted , and that this or any other movie , produced under cuba 's state control , can not question his right to run cuba 's political show ( ongoing now for more than 36 years ) .
that 's why i just ca n't believe strawberry is an honest criticism of the regime .
let 's see what happens after the room goes dark and the screen lights up .
i saw the film -- twice .
i was right ; castro remained intact .
strawberry negotiates the relationship between a young " dialectic materialist , " as he describes himself , and a homosexual photographer ( diego ) in 1979 cuba .
the young man ( david ) is the son of peasants ; a symbol of the revolution 's reason for being .
grateful to the revolution for the opportunity to receive a university education , he studies political science instead of literature , his avocation , because he perceives it is his duty .
therein lies a likely unintended irony , since cuba has no need for political theoreticians .
cuba 's government is castro .
diego 's lifestyle is the antithesis of revolutionary life .
he enjoys the finer things -- tea , opera , art .
he does not do " voluntary work " for the revolution .
his small apartment is a sensual oasis .
the moniker " bourgeois " figuratively hangs over his head during the early parts of the movie .
however , he is a " revolucionario " in his own way .
the supporting roles are filled by : an aging busybody with a heart of gold and a troubled psyche ; david 's roommate , who rally takes the communist party line to its expected extreme ;
david 's ex - girlfriend , who dumped him for another guy , yet wants to bed him before she leaves for italy with her husband ; german , a gay sculptor whose work diego is attempting to exhibit , and who strikes a faustian pact with the government .
gutierrez alea and co - director
juan carlos tabio
do a fine job at almost showing that homosexuals can be revolutionaries too .
heck , towards the end of the film you begin to think the guy deserves a medal for his patriotic fervor .
he really loves the revolution ( as supposedly does everybody else in cuba ) and wants to make it better by exposing and correcting some of its flaws .
real criticism is missing though .
this movie is political window dressing .
luis aguilar leon 's op .
ed .
piece on fresa in the miami herald ( 10 march 1995 , at 21a ) did not color my judgment ; it presaged my intuition .
aguilar leon expressed my sentiment about this film 's political angle best : like many artistic manifestations in cuba , strawberry and chocolate sprang from a totally manipulated environment .
as art critic ivan de la nuez well states in the latest issue of the magazine postmodern notes , the silenced artists are those who refuse to accept " the charade in which artists can provoke up to a point , while the institutions legitimize themselves by forbidding them to go beyond that point .
" although terrible propaganda , this is otherwise a fine film .

Answer: P


Question: there 's more to a quilt than fabric and thread -- each patchwork design has its own unique story ( or stories ) to tell .
in how to make an american quilt , the first hollywood release from australian director jocelyn moorhouse ( proof ) , we come to understand how the tales of the seven makers imbue their creation with passion and vitality .
all the sorrows , joys , longings , sufferings , and loves of these women are sewn into their quilt and , as their bittersweet memories are given expression , one young woman applies these lessons of the past to her own uncertain future .
motion pictures are filled with male bonding rituals ; how to make an american quilt presents a distinctly feminine alternative .
the " quilting bee " consists of seven members : sisters gladys ( ann bancroft ) and hy ( ellen burstyn ) ; sophia ( lois smith ) , a woman known for frightening children ; emma ( jean simmons ) , the timid wife of a perpetually unfaithful man ; constance ( kate nelligan ) , who has been having an affair with emma 's husband ; anna ( maya angelou ) , the leader of the group ; and marianna ( alfre woodard ) , anna 's daughter .
the project they 're busy with is the wedding quilt for hy 's granddaughter , finn ( winona ryder ) , who has just become engaged .
she 's spending the summer with hy and gladys , and away from her fiance , to decide whether a lifelong commitment is really what she wants , and whether it 's better to marry a friend or a lover .
one of the greatest pleasures of how to make an american quilt comes from watching an array of fine performances by an impressive ensemble cast .
from winona ryder , ann bancroft , ellen burstyn , and maya angelou to minor players like rip torn , claire danes , and kate capshaw , this film is overflowing with realized talent .
the performances are good enough , in fact , to cover up many of the script 's weaknesses .
how to make an american quilt is basically an unremarkable , if affecting , tale of love across the generations -- a sort of truncated american version of the joy luck club , with a dash of fried green tomatoes added .
there are probably too many characters .
so , instead of really getting to know a few of them , we are presented with quick glimpses into a single defining event in each of their lives .
we learn about the root of the smoldering resentment between gladys and hy , and are told the reasons why emma stays with her husband and sophia is so irascible .
there are other episodes as well : the love of anna 's life , marianna 's soul mate , and a look at the reasons why constance entered into an affair with her friend 's husband .
the sum total of these tales is meant to provide the framework for finn 's story : whether to go forward with her marriage or dally with a hunky stranger .
there is no emotional epiphany in how to make an american quilt .
the stories are all well - told , but it 's difficult to really connect with the characters -- their moments pass so quickly .
while we certainly feel something for each of the eight principals , our emotional investment is tenuous .
there is n't enough depth to pull the viewer in all the way , and many of the personalities and relationships feel half- formed , like a quilt with patches missing .
to put it bluntly , while i enjoyed watching this film , it did n't " do much " for me .
on the whole , how to make an american quilt is a nicely - understated drama that has a lot to say about love , passion , and monogamy in relationships .
finn 's segment is by far the most compelling , because she 's the focal point : her actions are shaped by everyone else 's experiences .
the other patches of this american quilt are successful only to varying degrees .
if there 's a disappointment here , it 's that the script does n't have more resonance , but the privilege of seeing such a fine cast in top form allows a viewer to enjoy this picture even if the story is somewhat conventional .

Answer: P


Question: frank detorri 's ( bill murray )
a single dad who lives on beer and junk food with no apparent understanding of sanitation or hygiene , much to the dismay of his preteen daughter shane ( elena franklin ) .
when he uses the ' 10 second rule ' to retrieve a hard boiled egg from a chimp 's cage at the zoo and downs it , he introduces a lethal bacteria into his system .
inside his skin , the city of frank is in turmoil thanks to the vote - pandering of mayor phlegmming ( voice of william shatner ) , so it 's up to one frank pd white blood cell ( voice of chris rock ) to save the day in peter and bobby farrelly 's " osmosis jones .
" the city of frank is a brightly animated ( animation directed by piet kroon and tom sito ) cellular municipality where osmosis jones is a typical rogue cop looking for another chance .
he 's inadvertently teamed up with drix ( voice of david hyde pierce , tv 's " frasier " ) , a cold capsule with 12 hours worth of painkillers to dispense .
this quarrelling duo are about to go on a " fantastic voyage " in order to hunt down thrax
( voice of laurence fishburne ) , the virus intent on shutting down frank .
while the animation is certainly colorful to look at , osmosis jones ' story is a hackneyed one .
the story cries out for puny puns , but we only get occasional sprinklings of wit or bodily humor ( drix graduated phi beta capsule
, he departs on a bus headed for bladder ) .
neither the hero or villain is particularly interesting ( thrax looks like an animated " predator " ) , although hyde pierce is a delightful sidekick .
adults can desperately keep their eyes peeled for small amusements the animators dot along the landscape .
meanwhile , back in live action land , bill murray is reduced to nothing more than a walking gross - out joke .
there 's no particular enjoyment to be found watching
him vomit on molly shannon ( she plays shane 's teacher , mrs .
boyd ) or hoisting his ingrown toenail onto a restaurant table .
one must wonder how the climatic flatlining of a child 's father will play to the family audience as well .
rest assured , the whole enchilada is wrapped up with a fart joke .
while far less offensive than the farrelly 's last effort " me , myself and irene , " that film at least spiked some comic highs with jim carrey 's hijinx .
"
osmosis jones " will probably be ok for the kids , but the farrellys playing for the family audience is like watching marilyn manson croon a phil collins tune .

Answer:
N