In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Example Input: Claire Denis's movies seem to fall into one of two categories: the violent and bloody or the quiet and intimate. "L'Intrus" definitely falls into the first category, but it's not so awful as "Trouble Every Day" or "J'ai pas sommeil."Now, ever since I saw "Chocolat," I've made it a point to see every new movie Denis makes. And I have always been disappointed. "L'Intrus" was no exception. She has yet to make a movie as personal and as moving as her first one. You get a lot of the Denis regulars: an older but still magnificent Béatrice Dalle who seems to be in the movie only to show off her full lips, the gap between her teeth, her ample cleavage, and a couple of nice coats; the black guy from "Trouble Every Day" and "J'ai pas sommeil," Grégoire Colin, and that Lithuanian or Russian girl. Michel Subor's character was interesting enough, but the camera lingered on him at such length that I got annoyed by that curly forelock of hair hanging over his forehead and was relieved when, somewhere in Korea, I think, he finally got it cut. There was certainly some action--gruesome murders, a man's search for a son--and there may even have been a plot, but one viewing wasn't enough to figure it out, and two viewings are, I fear, out of the question. For one thing, the score was jarring and obtrusive (as in "Beau Travail"). For another, the seasons changed too abruptly, leaving you even more confused about what was going on. Oh, there were a few pretty shots, and if you liked "Friday Evening" with its shots of the folds in heavy drapes and bedsheets, you might appreciate the aesthetics of "L'Intrus." Otherwise, steer clear. I saw this movie in French and it's possible I missed something crucial. But the dialogue in a Denis movie rarely amounts to more than five pages, double spaced and with ample margins. In "Chocolat" the silence is sublime; in "L'Intrus," it's just dull.
Example Output: negative

Example Input: I can just about understand why some people might wish to stress this film's link with the Eighties but I really wouldn't say it's an accurate depiction of most peoples' lives in that era - even on the poorest Bradford estates. It is however typical of the blunt agitprop rubbish the dear old Royal Court Theatre was churning out at that time. Plenty of 'right-on' artistry for small, small audiences but enough well-connected backslapping to ensure future commissions for turgid playrights. IThe simple fact is that if you want to reflect upon truer common experience you'll find millions more nodding in knowing agreement to love and live as depicted in 'Gregory's Girl'. I would be tempted to call this a 'kitchen sink' drama but that would be doing a great disservice to the plumbing industry. However, as far as having a decent script is concerned, this film is indeed all washed up. For some reason it has accrued an odd following amongst Guardian reading film-goers - I can only assume they get a visual frisson out of pretending to slum it. Steer clear my friends. It is a poor film with a poor script that likes to think it is breaking boundaries by adding humorous insights into grim life on the estates. it isn't..but it is grim. Do the washing up instead.
Example Output: negative

Example Input: I had never heard of this one before it turned up on Cable TV. It's very typical of late 50s sci-fi: sober, depressing and not a little paranoid! Despite the equally typical inclusion of a romantic couple, the film is pretty much put across in a documentary style - which is perhaps a cheap way of leaving a lot of the exposition to narration and an excuse to insert as much stock footage as is humanly possibly for what is unmistakably an extremely low-budget venture! While not uninteresting in itself (the-apocalypse-via-renegade-missile angle later utilized, with far greater aplomb, for both DR. STRANGELOVE [1964] and FAIL-SAFE [1964]) and mercifully short, the film's single-minded approach to its subject matter results in a good deal of unintentional laughter - particularly in the scenes involving an imminent childbirth and a gang of clueless juvenile delinquents!
Example Output:
negative