In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: it 's probably inevitable that the popular virtual reality genre ( " the matrix , " " existenz " ) would collide with the even more popular serial - killer genre ( " kiss the girls , " " se7en " ) .
the result should have been more interesting than " the cell .
"
as the movie opens , therapist catharine deane ( jennifer lopez ) treats a catatonic boy ( colton james ) by entering his mind through some sort of virtual reality technique that 's never fully explained .
after months of therapy sessions in a surreal desert , catharine has no success to report .
meanwhile , killer carl stargher ( vincent d'onofrio ) has claimed another victim .
his particular hobby is to kidnap young women , keep them in a glass cell overnight , and drown them .
he takes the corpse and soaks it in bleach , then suspends himself over the body and jerks off while watching a video tape of the drowning .
although carl 's been doing this for awhile , he 's recently become sloppy , and fbi agent peter novak ( vince vaughn ) is closing in fast .
not fast enough , though , to keep carl from sticking another woman ( tara subkoff ) in the cell or to catch him before he suffers a schizophrenic attack that leaves him in a coma .
from the videos in carl 's house , peter can see that the drowning cell is automated and will fill with water forty hours after the abduction .
to save the kidnapped girl , peter has to find the cell before the end of the day , and comatose carl 's not talking .
so off they go to catharine in the hope that she can go inside carl 's mind and find out where the cell is in time .
the focus of " the cell " in on the ornate interior of carl 's mind , but the universe director tarsem singh creates seems more an exercise in computer - generated spectacle than an exploration of the psychotic personality .
for the most part , it 's style without substance .
in his own mind , carl is a decadent emperor in flowing robes , ming the merciless , as well as a frightened boy ( jake thomas ) abused by his father .
all in all , the mind of a psycho killer turns out to be a strangely dull place , and i kept wishing i could fast - forward to the next development .
singh is best known for directing music videos , particularly rem 's " losing my religion , " and " the cell " seems very much like a really long , really slow mtv video with the sound deleted .
singer lopez seems to think she 's in a video as well ; she devotes more time to posing in elaborate costumes than she does to acting .
the premise had great promise .
the computer - generated world within carl 's mind could have been a bizarre , surreal universe governed by insanity and symbolism rather than logic .
the first room catharine enters in carl 's head shows this promise .
she finds a horse standing in center of the room ; suddenly , sheets of sharp - edged glass fall into the horse , dividing it into segments .
the panes of glass separate , pulling apart the pieces of the still - living horse .
this scene is twisted , disturbing , and thought - provoking , because the psychological importance of the horse and its fate is left to the viewer to ponder .
another element that should have been developed is the effect on catharine of merging with the mind of a psychopath .
their minds begin to bleed together at one point in the movie , and this should have provided an opportunity to discover the dark corners of catharine 's own psyche .
like sidney lumet 's " the offence " or michael mann 's " manhunter , " " the cell " could have explored how the madness of the killer brings out a repressed darkness in the investigator .
however , catharine 's character is hardly developed at all , and lopez has no depth to offer the role .
bottom line : do n't get trapped in this one .
[EX A]: N

[EX Q]: "
some houses are born bad , " goes the haunting 's tag line , to which i must add , " some movies , too .
"
nothing short of hiring a new cast , a more literate screenwriter , and a new director could have saved this tragically misguided adaptation of jackson 's meritorious novel .
the haunting is late entry summer dreck too slick to be creepy , and its seemingly endless stream of digital trickery and spooky ooky sound effects do n't frighten so much as numb the audience into submission
- the film is like a rube goldberg contraption rigged to shout " boo .
" fragile nell ( taylor ) , bisexual theo ( zeta - jones ) , and smiley luke ( wilson ) are three insomniacs who gather at the reputedly possessed hill house for an extended study on sleep disorders , hosted by professor marrow ( neeson ) .
marrow 's secretly gathering data on their respective paranoid responses to his recount of hill house 's bleak history .
he 's not prepared for the very real apparitions that terrorize the crew , nell especially , who has some ancestral connection to the manor 's previous inhabitants .
taylor is thoroughly insufferable in her first big - budget lead .
for starters , her consistently dour expression sucks the life out of even the early scenes , when we 're introduced to the mansion and all its fun - house trappings .
her character is supposed to be depressed , having tended to an unloving mother for too many years , but taylor plays nell as supernaturally lame , alternately grouchy , mopey , wiggy and pathetic , and i kept wondering why the other characters did n't just ditch this bitch
.
as for the obscenely photogenic zeta - jones , she breezes through her scenes with a wink and a smile and takes the scenery with her .
unfortunately , she 's saddled with some of the most unlikely dialogue the screenplay has to offer .
theo 's assessment of the house ?
"
i love it !
sort of charles foster kane meets the munsters .
" who on earth would say that in place of " citizen kane meets the munsters " ?
( furthermore , would you gladly spend a single night in a house befitting that description ? )
both actresses fare better than neeson , who looks embarrassed to be a part of this ensemble ( and for good reason ) , and his character is the most bland .
as luke puts it , dr .
marrow pulls the old " academic bait and switch " on his subjects , but he breaks down and confesses to this the second he 's accused .
later , he risks his life by climbing a crumbling stairwell to save nell ( it 's amusing to hear neeson shout " nell " repeatedly , given his starring role in the 1994 jodie foster vehicle of the same name ) .
why was this nice , helpful , and redemptive researcher so absent of ethics at the start ?
the haunting was well designed by eugenio zanetti .
his sets are obsessively detailed , and even before the cgi kicks in , they seem alive , never quite still .
i do have one beef with this aspect of the production :
the real life mansion used in exterior shots , nottinghamshire 's harlaxton manor , is so vast that one has trouble believing that nell and company , no matter how much running away they do from ghosts and goblins , always finish up in locations that were established in act one , as if all the action has been confined to one wing of hill house .
eighty million dollars was spent on the haunting , and despite a powerhouse box office debut ,
i doubt it will recoup its costs ( including marketing ) domestically .
thank jan de bont for that : proving for the third time that speed was a fluke , in that it was actually enjoyable , de bont has served up another ride , sans thrill .
his images , well - lit though they are , have an unmistakable been there - done that quality
; in fact , whole sequences , not to mention the cloaked , airy ghoul who owns the climax , feel lifted from a much smarter and infinitely more enjoyable spectacle from three summers back , peter jackson 's the frighteners .
i do n't mean to suggest de bont is a plagiarist , i mean to suggest that he 's a hack , having found no new ways to give us chills .
[EX A]: N

[EX Q]: for those interested in the true spirit of moviemaking - or what 's left of it in mainstream hollywood - movie which are star vehicles are terrible things .
as a rule , the ignore general principles of cinema because they are not made to advance the media but rather to advance the career of a particular actor .
an actor might be chosen on the up - and - up , to give him exposure ; or he might be chosen on the way down to hand him a paycheck .
generally , though , the actor does n't matter , and soldier , the latest from the beleaguered warner brothers , exemplifies this : the picture lacks pizazz .
the star for the vehicle in this case is kurt russell , otherwise known as the man of thirty words or less .
russell plays todd , a human trained from birth in the ways of waging war and becoming emotionally distanced from the carnage he has wrought .
the movie lets us see this degenerate process , but by the time the real plot starts , we 're into todd 's later years .
he 's about to be replaced by a new breed of soldiers , ones who , instead of being trained * from * birth , are genetically selected * before * birth .
the pride of this class - caine 607 ( jason scott lee ) - will be our villain , and you know he 's the villain because he has a staring contest with our hero
near the movie 's start .
between the two leads , less than a full typed page of dialogue is spoken , and it 's possible to imagine a script which is ninety percent stage direction .
director paul anderson , who helmed last year 's icy thriller , event horizon , does n't show any inventiveness here and instead is content to let the actions play out on screen ad nauseam .
todd , upon being replaced , is left to die on a garbage planet ; but in order to stretch the running time out , the villains return to the garbage planet on a " routine patrol " and set the stage for the final firefight .
events are predictable from the time that the setups are made , and neither anderson nor scriptwriter david peoples attempts to show any creativeness here .
the most annoying plot facet is the reason that the whole of the movie comes to be : todd fails to show physical superiority against caine - in fact , not even todd and two of his companions can best the baddie - but near the end of the movie he shows remarkable prowess with automatic weaponry .
it 's not as though todd undergoes any significant character changes throughout the plot of the story , and so the plot has a very canned feeling about it .
the best route through this disaster is to take it lighthearted in spirit , and treat it as a parody of typical action fare , like universal soldier .
a strict interpretation , however , reveals an unmistakeable and unforgiveable lack of style , class , or substance ; and by next year , a large percentage of the people who have seen this will have taped it off of network television .
[EX A]:
N