Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.

Q: CONTEXT: I think it's intentionally left ambiguous whether it was an accident or it was done on purpose. Even in the short story that this incident is based on, My old man and the lascivious special award that heralded the birth of pop art, it's never stated outright if breaking the lamp was intentional. Of course, in both the story and the movie the Mother is glad to see it go, and the Old Man accuses her of breaking it on purpose, but I don't think there's a definite answer.  <sep>  Q: Did the Mother break the Leg Lamp? A: in both the story and the movie the Mother is glad to see it go, and the Old Man accuses her of breaking it on purpose, but I don't think there's a definite answer 

A: Did she ever like it?
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Q: CONTEXT: The movie is an adaptation of Peter Shaffer's play of the same name, which suffers from the same criticism of historical accuracy. I can't find any references to hand, but I imagine that Shaffer was using the historical setting to stage a story of artistic genius and professional rivalry that makes such a good story, and that accuracy was somewhat secondary. It is true that Salieri and Mozart were professional rivals, and that Mozart fairly obviously was the more successful - but it is also clear that their rivalry did not descend into hatred nor that Salieri had any part in Mozart's death, despite rumors. On a positive front the movie makes it very clear that Salieri admires and respects Mozart's abilities, and you could argue that the movie is less about professional rivalry, than about Salieri's argument with God about his somewhat less stellar skills.  <sep>  Q: Why is the Salieri-Mozart relationship projected falsely in the movie Amadeus? A: you could argue that the movie is less about professional rivalry, than about Salieri's argument with God about his somewhat less stellar skills 

A: So, are you saying it wasn't based on factual events?
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Q: CONTEXT: Elgar's Enigma variations - and Nimrod, in particular - have long been a part of the British consciousness. Interestingly, Elgar ended up writing 14 variations (Nimrod being number 9). Zimmer is trying to instil the patriotism that the variations have done for the British over the past century. Calling his own composition Variation 15 implies a continuation of Elgar's original works.  <sep>  Q: What is the significance of Nimrod to Dunkirk's original score? A: Elgar's Enigma variations - and Nimrod, in particular - have long been a part of the British consciousness  Q: What do you mean by part of British conciousness? A: Zimmer is trying to instil the patriotism that the variations have done for the British over the past century  Q: Oh I see, isn't is unusually long for a soundtrack? A: Interestingly, Elgar ended up writing 14 variations (Nimrod being number 9 

A:
That is very interesting...do you know why he'd do so many variations?
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