In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
godzilla is the ultimate culmination of the " who cares about plot " summer movie .
a loose remake of the 1954 " classic " japanese monster movie , godzilla , king of the monsters ( which is itself pretty thin in the story department ) , roland emmerich and dean devlin 's big - budget lizard - stomps - manhattan disaster flick has been written with the brain dead in mind .
the script is n't just " dumbed down , " it 's lobotomized .
godzilla lives and dies on special effects alone .
presumably , the primary target group for this film is teenage boys , the demographic most likely to shell out $ 7 repeatedly to see the same images of monster - instigated carnage .
that 's not to say that females and other age groups are immune to the special effects seduction ; they 're just not as readily susceptible .
this is the third straight movie in a row where emmerich and devlin have demonstrated that a mastery of computer - generated visuals is far more important for making money than the ability to write and direct for actors .
stargate was a financial success .
independence day was a runaway hit .
and , with godzilla already drowning in hype and merchandising tie - ins before it even opens , it 's virtually guaranteed at least $ 100 million .
nice numbers for a film that could have been penned by a not - too - precocious grade school kid .
godzilla is n't completely without merit , although it is close .
there 's a certain visceral thrill inherent in watching the giant lizard rip his way through manhattan ,
but it wears off quickly .
frankly
, while the special effects are competent , they 're not all that stunning .
there 's nothing new here
; it 's jurassic park meets aliens , with a little independence day thrown in for bad measure .
maybe it will require george lucas and his new star wars movie to take computer - generated visuals to the next level .
godzilla never really pushes the envelope , preferring to remain within a comfort zone .
the imagination of monster movies like king kong has been replaced by a crass , formulaic approach which disallows creativity .
( how disturbing is it to know that godzilla has been chosen to close the 51st cannes film festival ? ) worst of all , godzilla is n't even exciting .
with the possible exception of a mildly enjoyable car chase near the end , there is n't a sequence in this film that raises the pulse .
even the scenes with dozens of aircraft attacking the monster are so devoid of tension and suspense that they are yawn - provoking .
independence day may have been dumb , but it was full of " adrenaline moments " capable of getting the audience involved in the action .
in this aspect of its production , as in so many others , godzilla is lacking .
actually , part of the problem is that we 're never sure who we 're supposed to be rooting for : the green monster with an attitude or the paper - thin humans trying to stop him .
the plot , such as it is , can be summed up rather simply .
after sinking a few ships and leaving some footprints on tropical islands , godzilla shows up in the big apple .
he does some of the usual tourist things :
stops by madison square garden , visits the chrysler building , goes on a walk through central park , and takes the subway .
in the process , he knocks over a few buildings and steps on countless cabs , but he never has trouble with traffic jams .
on hand to stop him is an elite u.
s. army unit , led by a slightly less - arrogant - than - usual military man ( kevin dunn ) and a biologist named nick tatopoulos , who has a theory about godzilla .
in his opinion , the big guy is actually a lizard grown to enormous proportions as a result of the radiation given off by french atomic bomb tests in the south pacific .
in nick 's words , godzilla is " a mutated aberration ?
an incipient creature ?
the first of its kind .
"
as luck would have it , nick 's old girlfriend , audrey ( maria pitillo ) , is a reporter based at a new york tv station .
along with her cameraman friend , animal ( hank azaria ) , she decides to follow nick around as he trails godzilla .
then , just when the military has rejected nick 's theory about why godzilla is in new york , a member of the french secret service ( jean reno ) recruits him for a special assignment .
instead of stomping around tokyo this time , godzilla has chosen new york city .
unfortunately , manhattan has been destroyed so many times in recent disaster movies ( independence day , deep impact , armageddon ) that it 's becoming boring .
the whole tradition of monsters roaming around the city started with king kong , but the big ape was only about 30 feet tall .
he could climb the empire state building .
at ten times that height , godzilla would be more likely to knock it over .
godzilla contains a few lame attempts at humor .
there 's an ongoing feud between animal and his wife that plays like sit - com material , an unfunny and repetitive gag about how no one can pronounce nick 's last name properly , and a rather tame attack on film critics roger ebert and gene siskel .
both of the popular personalities have alter egos in the film : " ebert , " the mayor of new york , is played by michael lerner , and " gene " ( lorry goldman ) is his campaign manager .
ebert 's re - election slogan is , not surprisingly , " thumbs up for new york .
" the siskel / ebert stuff is amusing the first time it 's used , but , after a while , it grows tiresome .
and , although the " characters " do n't serve any real purpose , they keep popping up .
godzilla is saddled with an unimpressive cast .
this is largely because emmerich does n't want to risk a human performance upstaging his lizard .
that 's not to say that matthew broderick and jean reno are n't capable of good performances ( both have done their share of solid acting in the past ) , but they are n't a - list names .
then again , considering the quality of the writing , even pacino and deniro would have been hard- pressed to shine .
maria
pitillo ( dear god ) plays the love interest and hank azaria ( great expectations ) is on hand to present what is supposed to be comic relief .
ultimately , it does n't really matter what i ( or any other critic , for that matter ) have to say about the movie .
tristar has assumed that godzilla , like all self - proclaimed summer event motion pictures , is pretty much critic - proof .
it may also be word - of - mouth - proof .
those who want to see the movie will see it no matter what i write or their friends say .
so , when i go on record to assert that godzilla is one of the most idiotic blockbuster movies of all time , it 's like spitting into the wind .
emmerich and devlin are master illusionists , waving their wands and mesmerizing audiences with their smoke and mirrors .
it 's probably too much to hope that some day , movie - goers will wake up and realize that they 've been had .

Ex Output:
N


Ex Input:
for many people , procrastination is n't a problem to overcome , it 's a high art .
we 'll do just about anything to put off a task .
when the deadline for this column nears , it 's the only time during the week dishes get washed and the bed made and laundry done and
plants watered and . . .
eventually , hopefully , sometimes , there 's a breakthrough
and we actually get down to work .
amazingly it 's almost always easier than we dreaded and
after finishing , that sense of oppressive apprehension melts away .
and then , the next time , we do it all again .
english professor grady tripp ( michael douglas ) is a master .
seven years ago , his first book was a hit .
he 's been working on his second -- a short 200-page piece -- since then .
fearful that he ca n't live up to the first , he ca n't bring himself to finish it .
no writer 's block , he 's nearing 3 , 000 pages with no end in sight .
now he 's having a particularly difficult day .
the college 's annual writers conference is bringing in accomplished novelists reminding tripp that other people are finishing _ their _ books .
during the first day , his wife has left him , his married girlfriend informs him
she 's pregnant and his agent is in town with a six - foot transvestite in tow .
by the evening , our besieged writer is driving though the snow - covered streets of pittsburgh with a suicidal student beside him , a stolen jacket that marilyn monroe wore on her wedding day in the back seat and a murdered blind dog stuffed in the trunk .
this could be a pivotal point in his mid - life crisis .
and then there 's the next morning .
there 's a lot to like about this movie .
there are no huge explosions , shattering glass or computer - generated dinosaurs to distract from the very real human issues .
grady is caught up in the curse of people who accomplish great things early in their career .
in the world of " what have you done for me lately ?
" , he knows his second book has to be better than his first . instead of finding out , he drifts , comfortable in the insular cocoon of academic peter panhood .
he does n't have much of a life and neither does his star pupil james leer ( tobey maguire ) .
james may be suicidal and psychotic .
certainly everything that comes out of his mouth is a lie .
he makes up a past of working clash anguish because the truth of wealth and comfort just is n't interesting enough .
as the weekend progresses , they are both forced to fully engage life .
that 's the question they must face : comfort or real experiences ?
the film takes some interesting chances .
non - traditional relationships are presented as matter - of - fact .
extra - marital , gay , interracial , professor - student : here they are n't judged , merely choices .
the actors are all first - rate .
douglas triumphs , playing against type as he spends most of his time disheveled , unshaven and clad in a pink women 's house robe .
maguire 's disengaged alienation works perfectly here .
robert downey jr .
as grady 's agent livens up his scenes .
director curtis hanson (
" l . a . confidential " ) makes a few missteps .
the women are underused .
frances mcdormand does a good job of her limited role of sara , grady 's married lover
but we never understand much of who she is .
the chemistry between the two of them is non - existent which makes some of the ending unconvincing .
katie holmes is a student with a major crush on the professor , but her character goes nowhere .
we never even see grady 's exiting wife .
this is very much a guy 's film .
the varied relationships between the men are much more convincing than any of the others .
grady 's alternating mentoring and rejection of james is the centerpoint of the film , not him and sara .
as the boomers age , expect to see more mid - life crisis films to catch the attention of that demographic .
eventually it 'll probably become cliche , but right now
we 've got a winner .
i 'll finish this in a second .
right now i have to grab some paint .
i noticed some trim in the other room that needs a little touch - up .
( michael redman has written this column for so long that he 's made mid - life crisis a career choice . )

Ex Output:
P


Ex Input:
jay and silent bob strike back , kevin smith 's swan song to his two most famous characters , is the best received comedy that i 've seen since there 's something about mary , which is a tea party in comparison to the foul - mouthed humor in jay and silent bob strike back .
the audience did n't just laugh ; they went wild with boisterous laughter and heavy applause throughout .
in short , if you like really raunchy humor , you may find it , as i did , to be the funniest movie of the year .
( on the other hand , if you are one of those who walked out in disgust with smith 's dogma , then jay and silent bob strike back is not the movie for you . ) in one of the fastest paced movies of the year
, the story has jay and silent bob ( jason mewes and kevin smith ) , a pair of card carrying drug dealers , traveling from their new jersey convenience store home to hollywood so that they can stop a movie .
it seems their comic book alter egos , bluntman and chronic , are being used in a movie without jay and silent bob 's consent .
jason biggs and james van der beek are slated to star in it .
jay and silent bob strike back has more and better used cameos than just about any movie that i 've ever seen .
among others , they include carrie fisher as a bible - toting nun , mark hamill as a comic book version of his famous alter ego and gus van sant as a director too busy counting his money to yell , " action !
" best of all are ben affleck and matt damon who mock themselves and their movies .
the film stops several times to make fun of itself and of the audience who was " stupid " enough to buy tickets to this movie .
( actually , purchasing tickets to this film is extremely smart given that it delivers more laughter per dollar than anything in recent memory . )
the film even skewers people who write about movies on the internet .
guilty .
although it 's filled with inside jokes , you 'll still be laughing even if you only get some of them .
it 's easy to understand enough so that they are still funny .
jay is a motor mouth who has n't met a subject that he could n't vulgarize .
his favorite topic is oral sex , but , being an equal opportunity profaner , he 's willing to make crude jokes about absolutely anything .
but it is his buddy , the aptly named silent bob , who is responsible for most of the movie 's success .
his reaction shots , with his wildly exaggerated eye movements , are comedic gems .
the story 's main subplot concerns four animal rights activists , justice ( shannon elizabeth ) and her three sexy buddies , sissy ( eliza dushku ) , missy ( jennifer schwalbach smith ) and chrissy ( ali larter ) .
these charlie 's angels types give a ride to our heroes on their trek to lalaland to stop the picture .
jay tries to put the moves on justice , but he does n't stay in command of the situation for long .
one of the funnier sight gags has the women using a pink , clam - shaped , birth control case that contains high tech gadgetry .
granted , it 's not the movie for everyone , but , if you like kevin smith 's brand of humor , you 'll find that this is his best .
and , as i said earlier , it 's the funniest movie of the year thus far .
no , wait .
forget , ` thus far . '
it 's bound to be the funniest movie of the year
.
in a time when almost every movie feels obligated to come in at pg-13 so that they can rake in the maximum cash , it 's great to see a filmmaker with the guts to target only a mature audience .
jay and silent bob strike back runs a lightening fast 1 : 35 .
it is rated r and contains pervasive crude humor and language and sexual situations .
it would be acceptable for high school seniors and older .
the film opens nationwide in the united states on wednesday , august 22 , 2001 .
in the silicon valley , it will be showing at the amc and the century theaters .

Ex Output:

P