In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Ex Input:
Question: How much money did Akira Kurosawa's 1961 film make? Passage:While the first game imitated popular Spaghetti Western film soundtracks, the second game aimed to become more unique. Jackson estimated that he changed the music about four times throughout development, from extreme experimentation to classic Western sounds, ultimately blending to make "something different". Pavlovich felt that in order to find an effective result, they had to "push it almost until you break it, and then you swing back". To avoid imitating the bell used in Spaghetti Western soundtracks, Jackson instead used a mandolin used by the Wrecking Crew. The music team found reference points in Willie Nelson's album Teatro (1998) and the soundtrack for the 1971 film The Hired Hand. Session guitarist Matt Sweeney took inspiration from segments of other music—such as the insistent drums in the work of Ennio Morricone—without being derivative. While researching for the game's score, Jackson found that Morricone's work—particularly on Sergio Leone's Dollars Trilogy—was already a departure from typical Western music of the time, instead featuring sounds popular at the time such as "psychedelic guitars, lots of noises", so Jackson felt that he could also take such creative liberties with Red Dead Redemption 2. Similarly, he was even more influenced by Masaru Sato's score on Akira Kurosawa's film Yojimbo (1961), which he felt focused on emotion rather than trying to replicate the sound of feudal Japan, the film's setting.


Ex Output:
b


Ex Input:
Question: Was Forbes or the Guardian founded first? Passage:"The Lazy Song" has received generally mixed reviews from contemporary music critics. Eric Henderson of Slant Magazine noted that in song Mars "paints a portrait of Al Bundy as a young man" and Andy Gill of The Independent classified the song as a "laidback acoustic groove". Tim Sendra of AllMusic said it was one of the tracks from Doo-Wops & Hooligans that captured the laid-back groove. Scott Mervis of the Pittsburgh Post-Gazette described the song as a "Jason Mraz/Sugar Ray-style reggae." Sean Fennessey, a reviewer of The Washington Post, felt the song was written in a "quality that is both endearing and damning". A mixed review came from Digital Spy reviewer Lewis Corner, who commented that the song is a "summery ditty more head-boppable than a Churchill nodding dog, which, given his current state of mind, is probably about all he could muster", giving it three stars out of five. and from Blues & Soul magazine who called it "reggae tinged" and found it to be "somewhat of a filler but for the likes of Peter Andre" is great. Entertainment Weeklys Leah Greenblatt considered that "other modes suit him less well; The Lazy Song is perhaps better left to Jason Mraz". Alexis Petridis of The Guardian, gave the song a negative review, writing that "The Lazy Song" "gets no further than the second verse before Mars – nothing if not keen to keep his fans abreast of his every activity in a world of 360-degree connectivity – announces that he's planning on having a wank". Nick Messitte writing for Forbes criticized the single for copying the "happy-go-lucky meanderings of Jason Mraz's "I'm Yours", but also using the same pattern as Travie McCoy and Mars' "Billionaire" (2011).


Ex Output:
a


Ex Input:
Question: Which of the musicians that Wright played with in a trio for Jack Berch's NBC show had the longest career? Passage:In 1938, he had his first playing job at a Chinese night club in Oakland, called the New Shanghai Cafe and Terrace Bowl, which boasted a 2-manual, 6-rank Wurlitzer; the show was broadcast nightly by an Oakland radio station. In 1941, he joined San Francisco radio station KFRC and on the Blue Network by 1942. In December, 1942 he started performing at the San Francisco Fox Theater on Saturday nights. In late 1944, he relocated to New York City to work as organist for NBC radio. He began recording at this time, first cutting 78 RPM records for Syd Nathan's King Records and Regent Records, in addition to securing contracts for transcription disks on the Thesaurus, Associated, and Muzak labels. In New York, he was a guest on the Paul Whiteman"Stairway to the Stars" radio program (May 21, 1946) and Percy Faith, as well as on the network shows of Bing Crosby and Perry Como. He also conducted his own orchestra on the Robert Q. Lewis show and began a seven-year stint playing in a trio with Charles Magnante, accordionist, and Tony Mottola, guitarist, for Jack Berch's NBC show sponsored by the Prudential Insurance Company. The trio, with added bassist Bobby Haggart, recorded five "Soundies," as well.


Ex Output:

a