In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Ex Input:
Review: I get to the cinema every week or so, and regularly check out this site, but never before have I felt compelled to comment on a film.To my all time list of shockingly bad films - Last Man Standing, Spawn, The Bone Collector - I can now add the drivel that was 'Hollow Man'.From the awful opening titles - a ridiculously over-long run through of cast and crew put together with alphabetti spaghetti - through to the insulting finale - a world record number of cliches and some of the most absurd dialogue and acting to have ever made it to cinema - this film is dismal, and only the impressive computer graphics keep you from walking out long before the end.This isn't just my opinion - it was that of my friends, and everyone around us. When large sections of an audience are laughing and groaning during and after a serious thriller, its clear that the film is hopeless.Not only that, it was sick too. The director took the action beyond the bounds of realistic fare for a violent film, and into the realms of an over the top blood soaked B-movie. It's difficult not to imagine the director as some sort of dirty old man, because the extent of the invisible man's forays out of the lab and into the outside world extended only to two attempts at having a feel of some breasts. Perhaps sex could well be the first thing on a bloke's mind if made invisible, but aside from the aesthetic pleasures of the ladies involved, it hardly makes entertaining cinema.[spoilers follow]Get past the films sick exterior, and things are even worse. Whilst Kevin Bacon does a good job of acting increasingly twisted as 'hollow man', the rest of them - perhaps handicapped by a dire script - do an even better job of being hollow cast. One long time member of the team is found strangled in a locker by the invisible man, "He's finally snapped" shrugs one colleague without a hint of emotion. This is par for the course, and the lab team swing between sheer terror and complete indifference with such speed that you wonder how they got into acting. They pad their way through the lab corridors terrified, guns poised, but then seconds later one of the crew skips happily off back down the corridor to get blood for a hurt colleague. The lead female treats the invisible man with courtesy and good humour even after he's insulted and abused her, and there seems to be little reaction to his breakouts, even after he drowns the Pentagon chief, "He drowned in his pool last night" reports the same female, spectacularly failing to put two and two together.The script is littered with this kind of badly acted pedestrian dialogue, and the rest is just an A-Z of film cliches, which get laid on thicker and faster as the film progresses to the point of complete disbelief and amusement at the end.The 'eureka' moment at the computer, the female undressing at the window, the looped security video - the list really is endless - the predictable disregard for strength in numbers, the decision not to kill the two main stars but just put them in a place of probable impending death and leave them to their own devices, the almost-dead good guy appearing out of nothing to save the woman, the bomb and ubiquitous countdown timer, the fireball explosion which just burns up before reaching the heroes, the falling lift which just stops before hitting them, and more than anything else, the immortality of the bad guy.The invisible man is burnt to a shred with a makeshift flame-thrower, electrocuted, whacked round the head with a bar which had just sliced straight through one of the lesser actors, and then having apparently survived the explosion, fireball and total destruction of the labs, has more than enough life left to climb up through the fireball for one last pop at the films heroes - by which stage the disbelieving audience are cringing and looking at their watches.That this exceptionally bad film actually made it to the cinema is astounding. Even the name of the film is as hopeless as the movie itself, and not even impressive special effects come anywhere near saving this one, which should be avoided at all costs. Question: is it a positive review?

Ex Output:
no


Ex Input:
Review: This film really disappointed me. The acting is atrocious. Unbelievable. And it's about actors. The story is incredibly obvious: A group of independent actors stage a Passion Play and, in turn, they start to live out the lives of the characters they play. I've been watching a lot of movies lately, thanks to Netflix, and this is the first one I haven't watched all the way through in a long time. I felt I didn't need to see the end; we all know the end of this story.For some, it seems, this "modernization" of the Gospels is either sacrilegious or enlightening. I cannot speak to any of this as I wasn't raised in the Christian church. That being said, I was raised in the US and I live in an increasingly Christian culture. I'm curious enough about Jesus and about the modernization of the religion, for better or worse. I haven't seen Mel Gibson's version, but I'm guessing that those who liked that one will like this, except for the most conservative. I just wish this was a better film.Lots of these reviews praise Arcand's direction and especially the cinematography. I liked neither. The film itself is rather prudish and preachy. I didn't believe the characters' personae and I was never involved with their on screen lives. The play within the play is very much dated and would not, I think, carry it's own weight in a real time production. But that's beside the point. What I really needed for this to work would have been stronger development of the characters and the plot to support the philosophical and theological questions the film would like to be about. And the musical choices are obvious and unoriginal.There were two examples of this that come easily to mind. Firstly, there is a reenactment of the parable of Jesus driving the money lenders from the temple: the lead actor, who has fallen for the woman who will play Magdalene and who is also a model and dancer, becomes enraged that she must debase herself by auditioning for a commercial (with a wicked producer and plenty of panting men in the audience) with her pants off. He trashes the place and chases them all out. I guess this is the level that the film wishes to reach. The romance between these two is entirely arbitrary and not at all emotionally realized and the scene is played out like a high-school rendering of Death of a Salesman, i.e., not well. Please stop hitting me over the head with this high-handed "significance." The other is the relationship between the other female lead and the priest who has asked them to do the play and who, eventually, turns against them and betrays them to the nowadays-corrupt Church. Why. Why does she sleep with this guy. "It brings him so much pleasure and me so little pain." Ah, the saintly whore and the lovable old coot. It seems to be just enough for Arcand to signify but not worth the trouble to enrich and enliven these characters. They are going through the motions and I'm reaching for the eject button.Feel free to write me off as bored, jaded or just not interested. Feel free to watch this movie and see the Passion, in all its beauty, sadness and inspiration, delivered as an amateurish and gimmicky charade. Feel free to have all your preconceived ideas affirmed and see any shred of artistic integrity forsaken for monotonous drivel. But don't say I didn't warn you. Question: is it a negative review?

Ex Output:
yes


Ex Input:
Review: Can it ever be said that there are some movies that have no redeeming features whatsoever? Answer: Yes, and this is one of them. After helming the appalling 'House of the Dead' director Uwe Boll has now cast his less-than-talented eye towards yet another video game adaptation. Don't these guys get it? To anyone who can't understand, here it is in block capitals for you: VIDEO GAMES DO NOT MAKE FOR GOOD MOVIES! The acting here is, at best, sub-standard. The set design and special effects are poor. Unlike the video game (which did have its scary moments) the movie has no atmosphere of impending doom, no sense of danger or menace. Pacing and plotting is confused and the paper that the script is printed on would have been better used as toilet paper. The main culprit is the director. Uwe Boll uses the camera with the grace and skill of a monkey using a paintbrush. Hackneyed zooms, swoops and pans are spliced into the whole dreary affair at unpredictable moments leaving the audience disorientated and bored. Why this guy was ever let near a movie set in the first place must stand as one of modern cinemas greatest secrets. Avoid at all costs. Question: is it a negative review?

Ex Output:

yes