In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Q: We need musiq like this now . Every track on da CD is hott. Itz a good CD to ride to at night & make love to.  The girlz can sing their ass off. I really didnt know anything about these girls until 1 of my girls put me on to them & i have had their CD play-n ever since.  Like i said all the trackz are hott but my personal favorites are Get up on It, Surrender,& Keep On. If you are think-n about get-n it-get it...you'll love it & if u dont something wrong wit your earz. Not like-n this is like say-n 12 Play is wack & u know everybody love 12 PLa

A: POS
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Q: Worst Band Album . Unless one considers "Planet Waves," Dylan's 1974 studio album with the Band playing backup, to be a Band album, "Cahoots" has no competition for the title of the worst Band album ever. Yes, the first two tracks are good ("Life is a Carnival" - great rhythms, great horns, OK lyrics; and Dylan's "Masterpiece" -- does nothing for me, but I understand many people love it), but they are available on other compilations, so the reason to shell out for "Cahoots" has to reside in the remaining tracks if anywhere, and they are AWFUL. The songs, that is, not the performances. The boys sing and play as well as ever, but their efforts -- particularly some fine Danko vocals and Hudson horn playing -- are wasted on songs that are utterly tuneless, charmless and brainless. There is not a single memorable musical phrase on tracks 3-11. Nor do the bonus tracks on this reissue rescue the enterprise: all are either available elsewhere in equivalent or superior versions or are unworthy of inclusion on anything (a RADIO COMMERCIAL?!). Save your money for any of the worthier products of this wonderful group of musicians

A: NEG
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Q: More than just an excitable boy... . Zevon become famous with "Werewolves of London," a satirical critique of the world's womanizers (past and present), but as true Zevon fans know, there was much more to this man than "aaaaaoooo, werewolves of London" and a three-chord progression that is as infectious as it is cutesy.  The true Warren Zevon was a poet of sorts, a man who tackled difficult subjects ("Excitable Boy," for example, with a final verse that still gives me shivers), but still remained a sensitive man at heart ("Accidentally Like a Martyr," for example; don't deny, it moves you).    From the you-know-what hitting the fan in "Lawyers Guns and Money," to the purely delightful recitation of "I Need a Truck," to the heart-wrenching "Tule's Blues," to the rockin' romp of "Nighttime in the Switching Yard," to the world's most famous undead Thompson-gun toting anti-hero in "Roland the Headless Thompson Gunner," EXCITABLE BOY remains a rock 'n roll classic.  In fact, I'd go so far as to say it's a staple rock album.  It is by far wittier and more creative than most rock albums ever produced; sure, there aren't too many screaming electric guitars (oh my God, is that guy playing a PIANO???), but EXCITABLE BOY is quite simply one of the best rock albums ever made.  Warren Zevon was a folk/rock artist like none before him...and, it's safe to say, like none we will ever see again

A:
POS
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