You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

[EX Q]:  The film opens with newsreel footage, including the farewell address in 1961 of outgoing President Dwight D. Eisenhower, warning about the build-up of the "military-industrial complex". This is followed by a summary of John F. Kennedy's years as president, emphasizing the events that, in Stone's thesis, would lead to his assassination. This builds to a reconstruction of the assassination on November 22, 1963. New Orleans District Attorney Jim Garrison subsequently learns about potential links to the assassination in New Orleans. Garrison and his team investigate several possible conspirators, including private pilot David Ferrie (Joe Pesci), but are forced to let them go after their investigation is publicly rebuked by the federal government. Kennedy's suspected assassin Lee Harvey Oswald is killed by Jack Ruby, and Garrison closes the investigation.
The investigation is reopened in 1966 after Garrison reads the Warren Report and notices what he believes to be multiple inaccuracies. Garrison and his staff interrogate several witnesses to the Kennedy assassination, and others involved with Oswald, Ruby, and Ferrie. One such witness is Willie O'Keefe (Kevin Bacon), a male prostitute serving five years in prison for soliciting, who reveals he witnessed Ferrie discussing a coup d' tat. As well as briefly meeting Oswald, O'Keefe was romantically involved with a man called "Clay Bertrand". Jean Hill (Ellen McElduff), a teacher who says she witnessed shots fired from the grassy knoll, tells the investigators that Secret Service threatened her into saying three shots came from the book depository, revealing changes that were made to her testimony by the Warren Commission. Garrison's staff also test the single bullet theory by aiming an empty rifle from the window through which Oswald was alleged to have shot Kennedy. They conclude that Oswald was too poor a marksman to make the shots, indicating someone else, or multiple marksmen, were involved.
Garrison meets a high-level figure in Washington D.C. who identifies himself as "X" (Donald Sutherland). He suggests a conspiracy at the highest levels of government, implicating members of the CIA, the Mafia, the military-industrial complex, Secret Service, FBI, and Kennedy's vice-president & then president Lyndon Baines Johnson as either co-conspirators or as having motives to cover up the truth of the assassination. X explains that the President was killed because he wanted to pull the United States out of the Vietnam War and dismantle the CIA. X encourages Garrison to keep digging and prosecute New Orleans-based international businessman Clay Shaw for his alleged involvement. Upon interrogating Shaw, the businessman denies any knowledge of meeting Ferrie, O'Keefe or Oswald, but he is soon charged with conspiring to murder the President.
Some of Garrison's staff begin to doubt his motives and disagree with his methods, and leave the investigation. Garrison's marriage is strained when his wife Liz (Sissy Spacek) complains that he is spending more time on the case than with his own family. After a sinister phone call is made to their daughter, Liz accuses Garrison of being selfish and attacking Shaw only because of his homosexuality. In addition, the media launches attacks on television and in newspapers attacking Garrison's character and criticizing the way his office is spending taxpayers' money. Some key witnesses become scared and refuse to testify while others, such as Ferrie, are killed in suspicious circumstances. Before his death, Ferrie tells Garrison that he believes people are after him, and reveals there was a conspiracy around Kennedy's death.
The trial of Clay Shaw takes place in 1969. Garrison presents the court with further evidence of multiple killers and dismissing the single bullet theory, and proposes a Dealey Plaza shots scenario involving three assassins who fired six total shots and framing Oswald for the murders of Kennedy and officer J. D. Tippit but the jury acquits Shaw after less than one hour of deliberation. The film reflects that members of that jury stated publicly that they believed there was a conspiracy behind the assassination, but not enough evidence to link Shaw to that conspiracy. Shaw died of lung cancer in 1974, but in 1979 Richard Helms testified that Clay Shaw had been a part-time contact of the Domestic Contacts Division of the CIA. The end credits claim that records related to the assassination will be released to the public in 2029.
[EX A]: Who was charged with conspiring to murder the President?

[EX Q]:  Dorian Gray is the subject of a full-length portrait in oil by Basil Hallward, an artist who is impressed and infatuated by Dorian's beauty; he believes that Dorian s beauty is responsible for the new mode in his art as a painter. Through Basil, Dorian meets Lord Henry Wotton, and he soon is enthralled by the aristocrat's hedonistic worldview: that beauty and sensual fulfilment are the only things worth pursuing in life.
Newly understanding that his beauty will fade, Dorian expresses the desire to sell his soul, to ensure that the picture, rather than he, will age and fade. The wish is granted, and Dorian pursues a libertine life of varied and amoral experiences, while staying young and beautiful; all the while his portrait ages and records every bad sin.The Picture of Dorian Gray begins on a beautiful summer day in Victorian era England, where Lord Henry Wotton, an opinionated man, is observing the sensitive artist Basil Hallward painting the portrait of Dorian Gray, a handsome young man who is Basil's ultimate muse. While sitting for the painting, Dorian listens to Lord Henry espousing his hedonistic world view, and begins to think that beauty is the only aspect of life worth pursuing. This prompts Dorian to wish that the painted image of himself would age instead of himself .
Under the hedonist influence of Lord Henry, Dorian fully explores his sensuality. He discovers the actress Sibyl Vane, who performs Shakespeare plays in a dingy, working-class theatre. Dorian approaches and courts her, and soon proposes marriage. The enamoured Sibyl calls him "Prince Charming", and swoons with the happiness of being loved, but her protective brother, James warns that if "Prince Charming" harms her, he will murder Dorian Gray.
Dorian invites Basil and Lord Henry to see Sibyl perform in Romeo and Juliet. Sibyl, too enamoured with Dorian to act, performs poorly, which makes both Basil and Lord Henry think Dorian has fallen in love with Sibyl because of her beauty instead of her acting talent. Embarrassed, Dorian rejects Sibyl, telling her that acting was her beauty; without that, she no longer interests him. On returning home, Dorian notices that the portrait has changed; his wish has come true, and the man in the portrait bears a subtle sneer of cruelty.
Conscience-stricken and lonely, Dorian decides to reconcile with Sibyl, but he is too late, as Lord Henry informs him that Sibyl killed herself by swallowing prussic acid. Dorian then understands that, where his life is headed, lust and good looks shall suffice. Dorian locks the portrait up, and over the following eighteen years, he experiments with every vice, influenced by a morally poisonous French novel that Lord Henry Wotton gave him.
[The narrative does not reveal the title of the French novel, but, at trial, Wilde said that the novel Dorian Gray read was   Rebours ('Against Nature', 1884), by Joris-Karl Huysmans.]
One night, before leaving for Paris, Basil goes to Dorian's house to ask him about rumours of his self-indulgent sensualism. Dorian does not deny his debauchery, and takes Basil to see the portrait. The portrait has become so hideous that Basil is only able to identify it as his work by the signature he affixes to all his portraits. Basil is horrified, and beseeches Dorian to pray for salvation. In anger, Dorian blames his fate on Basil, and stabs him dead. Dorian then calmly blackmails an old friend, the scientist Alan Campbell, into using his knowledge of chemistry to destroy the body of Basil Hallward. Alan later kills himself over the deed.
To escape the guilt of his crime, Dorian goes to an opium den, where James Vane is unknowingly present. James had been seeking vengeance upon Dorian ever since Sibyl killed herself, but had no leads to pursue: the only thing he knew about Dorian was the name Sibyl called him by, "Prince Charming". In the opium den however he hears someone refer to Dorian as "Prince Charming", and he accosts Dorian. Dorian deceives James into believing that he is too young to have known Sibyl, who killed herself eighteen years earlier, as his face is still that of a young man. James relents and releases Dorian, but is then approached by a woman from the opium den who reproaches James for not killing Dorian. She confirms that the man was Dorian Gray and explains that he has not aged in eighteen years. James runs after Dorian, but he has gone.
James then begins to stalk Dorian, causing Dorian to fear for his life. However during a shooting party, one of the hunters accidentally kills James Vane who was lurking in a thicket. On returning to London, Dorian tells Lord Henry that he will be good from then on; his new probity begins with not breaking the heart of the na ve Hetty Merton, his current romantic interest. Dorian wonders if his new-found goodness has reverted the corruption in the picture, but when he looks he sees only an even uglier image of himself. From that, Dorian understands that his true motives for the self-sacrifice of moral reformation were the vanity and curiosity of his quest for new experiences.
Deciding that only full confession will absolve him of wrongdoing, Dorian decides to destroy the last vestige of his conscience, and the only piece of evidence remaining of his crimes the picture. In a rage, he takes the knife with which he murdered Basil Hallward, and stabs the picture. The servants of the house awaken on hearing a cry from the locked room; on the street, passers-by who also heard the cry fetch the police. On entering the locked room, the servants find an unknown old man, stabbed in the heart, his face and figure withered and decrepit. The servants identify the disfigured corpse by the rings on his fingers to belong to their master; beside him is the picture of Dorian Gray, restored to its original beauty.
[EX A]: How is James related to Sibyl?

[EX Q]:  Boon opens with an introduction by Wells, calling it "an indiscreet, ill-advised book." Wells pretends to repudiate any public identification with the work: "Bliss is Bliss and Wells is Wells. And Bliss can write all sorts of things that Wells could not do."
As he was to do in The Research Magnificent, Wells creates a literary character (Reginald Bliss) who is making a book out of the literary remains of an author who has recently died (George Boon, a popular author of books and plays). Bliss attributes Boon's death to depression on account of the war. Bliss expresses disappointment that among Boon's papers (kept in "barrels in the attic") he has found "nothing but fragments" and "a curious abundance of queer little drawings," many of which are reproduced'.
The principal text by Boon that he presents is titled The Mind of the Race, which is "the singularly vivid and detailed and happily quite imaginary account of the murder of that eminent litt rateur, Dr. Tomlinson Keyhole." Bliss also recounts conversations about the themes of this work which he has had with Boon and with Edwin Dodd, "a leading member of the Rationalist Press Association, a militant agnostic," and later with an author named Wilkins.
The principal philosophical theme engaged in Boon is whether such a thing as "the Mind of Humanity" can be said to exist, or whether, as Dodd believes, such a notion is "mysticism."
In the unfinished work Boon was planning, a character named Hallery is "fanatically obsessed by this idea of the Mind of the Race," as indeed Wells was himself. He is imagined lecturing unsuccessfully on the subject at a conference on the subject at a seaside villa that Henry James attends. Chapter 4 of Boon is largely a frontal assault on Henry James's late manner, and contains long pastiches of his style. James's belief that a novel should have unity is vigorously attacked, as are his characters ("eviscerated people he has invented" who "never make lusty love, never go to angry war, never shout at an election or perspire at poker," but only "nose out suspicions, hint by hint, link by link"). Chapter 5 mocks other writers, especially George Bernard Shaw, and includes an outline of a paper on "The Natural History of Greatness, with especial reference to Literary Reputations" that shows that some of Wells's critical notions were far ahead of his time. Wells's stand-in Hallery argues for an expansion of the concept of literature that anticipates future critical developments. Chapter 6 analyses the resistance Hallery's quasi-religious concept of the institution of literature inspires, even in Hallery himself. Chapter 7 criticises the thought of Friedrich Nietzsche and lambastes Houston Stewart Chamberlain's pro-German work The Foundations of the Nineteenth Century.
Boon concludes with two humorous symbolic tales entitled "The Wild Asses of the Devil" and "The Last Trump." The latter tale engages theological themes that Wells would soon be developing in a serious vein in God the Invisible King (1917).
[EX A]:
What does a Henry James character never do at an election?