In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Q: Question: Who appeared with Alan Napier in the film that was released in 1943? Passage:He made his American stage debut as the romantic lead opposite Gladys George in Lady in Waiting. Though his film career had begun in Britain in the 1930s, he had very little success before the cameras until he joined the British expatriate community in Hollywood in 1941. There he spent time with such people as James Whale, a fellow ex-Oxford Player. He appeared in such films as Random Harvest (1942), Cat People (1942), and The Uninvited (1944). In The Song of Bernadette (1943), he played the ethically questionable psychiatrist who is hired to declare Bernadette mentally ill. He also played the vicious Earl of Warwick in Joan of Arc (1948). He performed in two Shakespearean films: the Orson Welles Macbeth (1948), in which he played a priest that Welles added to the story, who spoke lines originally uttered by other characters, and MGM's Julius Caesar (1953), as Cicero. He appeared as Mr. Rutland in the Hitchcock movie Marnie (1964).


A: b
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Q: Question: Were the teams that Romano split a season between both from the same country? Passage:Romano was signed by the Chicago White Sox as an amateur free agent in 1954. In , while playing for the Waterloo White Hawks, Romano hit 9 home runs in nine consecutive games. He accumulated 38 home runs with a .321 batting average and led the Illinois–Indiana–Iowa League with 108 runs scored and 124 runs batted in. His 38 home runs in 1955 set a league record. Romano split the season between the Vancouver Mounties and the Memphis Chickasaws. In , Romano played for the Indianapolis Indians of the American Association. The Indians' manager was former major league All-Star catcher Walker Cooper, who tutored Romano and helped to greatly improve his catching skills. Romano was called up late in the 1958 season, making his major league debut with the Chicago White Sox on September 12, at the age of 23.


A: a
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Q: Question: How many universities did Boston have the year Vassos moved there? Passage:Vassos moved to Boston, Massachusetts in 1919, where he attended the Fenway Art School at night. He studied alongside American artist John Singer Sargent and worked as an assistant for Joseph Urban. In 1924 he moved to New York, where he attended the Art Students League of New York, studying under George Bridgman, John Sloan, and others. He opened his own studio creating window displays for department stores, like Wanamakers, murals, and advertisements for Saks Fifth Avenue, Bonwit Teller, and Packard Motor Cars in his unique black and white illustrated style. At the same time, he illustrated a series of books by Oscar Wilde for E.P. Dutton followed by others including Phobia on which he based his life-long design focus on psychology, his area of expertise as noted by Fortune Magazine's list of top designers in the country. He entered the emergent field of industrial design and was hired by rapidly-growing RCA Victor, under the leadership of David Sarnoff, who discovered Vassos while painting murals at the WCAU skyscraper in Philadelphia. The company had recently acquired Victor Phonograph, built Radio City, and owned NBC Broadcasting, but needed to amplify and modernize their radio manufacturing business. By hiring Vassos, an up-and-coming industrial designer who created their first Styling department, launched Vassos on a four-decade relationship with the company for whom he designed hundreds of items, while also consulting for numerous other clients like Coca-Cola, Waterman, Universal Artists, Remington, and the United States Government. Vassos's work as an interior designer included the Chrysler Building apartment of photographer Margaret Bourke-White, Nedick's Hot Dog stands, displays for RCA in department stores and the World's Fair,and many others for which he employed modular furniture. He eschewed trendy styles like the extreme-streamlined look, popular in the 1930s, and favored the clean, modern look unadorned with unnecessary elements. He expressed his design philosophy for magazines like Pencil Points and in lectures on modern design and art. Although he was hailed as a top designer in the United States during the 1930s, he slipped away from the spotlight of his industrial design peers like Raymond Loewy, Henry Dreyfuss, and Norman Bel Geddes, largely because he did not open a large firm. Unique among the industrial designers of the 20th century, his work was focused on the intersections between interior decorating, furniture design, and the shapes of phonographs, radios and televisions. His contributions include creating a futuristic living room including television, the slide rule dial on radios, emphasis on the haptic experience of media (knobs and buttons), and the "user experience," years before this term was coined.


A:
b
****