In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
godzilla is the ultimate culmination of the " who cares about plot " summer movie .
a loose remake of the 1954 " classic " japanese monster movie , godzilla , king of the monsters ( which is itself pretty thin in the story department ) , roland emmerich and dean devlin 's big - budget lizard - stomps - manhattan disaster flick has been written with the brain dead in mind .
the script is n't just " dumbed down , " it 's lobotomized .
godzilla lives and dies on special effects alone .
presumably , the primary target group for this film is teenage boys , the demographic most likely to shell out $ 7 repeatedly to see the same images of monster - instigated carnage .
that 's not to say that females and other age groups are immune to the special effects seduction ; they 're just not as readily susceptible .
this is the third straight movie in a row where emmerich and devlin have demonstrated that a mastery of computer - generated visuals is far more important for making money than the ability to write and direct for actors .
stargate was a financial success .
independence day was a runaway hit .
and , with godzilla already drowning in hype and merchandising tie - ins before it even opens , it 's virtually guaranteed at least $ 100 million .
nice numbers for a film that could have been penned by a not - too - precocious grade school kid .
godzilla is n't completely without merit , although it is close .
there 's a certain visceral thrill inherent in watching the giant lizard rip his way through manhattan ,
but it wears off quickly .
frankly
, while the special effects are competent , they 're not all that stunning .
there 's nothing new here
; it 's jurassic park meets aliens , with a little independence day thrown in for bad measure .
maybe it will require george lucas and his new star wars movie to take computer - generated visuals to the next level .
godzilla never really pushes the envelope , preferring to remain within a comfort zone .
the imagination of monster movies like king kong has been replaced by a crass , formulaic approach which disallows creativity .
( how disturbing is it to know that godzilla has been chosen to close the 51st cannes film festival ? ) worst of all , godzilla is n't even exciting .
with the possible exception of a mildly enjoyable car chase near the end , there is n't a sequence in this film that raises the pulse .
even the scenes with dozens of aircraft attacking the monster are so devoid of tension and suspense that they are yawn - provoking .
independence day may have been dumb , but it was full of " adrenaline moments " capable of getting the audience involved in the action .
in this aspect of its production , as in so many others , godzilla is lacking .
actually , part of the problem is that we 're never sure who we 're supposed to be rooting for : the green monster with an attitude or the paper - thin humans trying to stop him .
the plot , such as it is , can be summed up rather simply .
after sinking a few ships and leaving some footprints on tropical islands , godzilla shows up in the big apple .
he does some of the usual tourist things :
stops by madison square garden , visits the chrysler building , goes on a walk through central park , and takes the subway .
in the process , he knocks over a few buildings and steps on countless cabs , but he never has trouble with traffic jams .
on hand to stop him is an elite u.
s. army unit , led by a slightly less - arrogant - than - usual military man ( kevin dunn ) and a biologist named nick tatopoulos , who has a theory about godzilla .
in his opinion , the big guy is actually a lizard grown to enormous proportions as a result of the radiation given off by french atomic bomb tests in the south pacific .
in nick 's words , godzilla is " a mutated aberration ?
an incipient creature ?
the first of its kind .
"
as luck would have it , nick 's old girlfriend , audrey ( maria pitillo ) , is a reporter based at a new york tv station .
along with her cameraman friend , animal ( hank azaria ) , she decides to follow nick around as he trails godzilla .
then , just when the military has rejected nick 's theory about why godzilla is in new york , a member of the french secret service ( jean reno ) recruits him for a special assignment .
instead of stomping around tokyo this time , godzilla has chosen new york city .
unfortunately , manhattan has been destroyed so many times in recent disaster movies ( independence day , deep impact , armageddon ) that it 's becoming boring .
the whole tradition of monsters roaming around the city started with king kong , but the big ape was only about 30 feet tall .
he could climb the empire state building .
at ten times that height , godzilla would be more likely to knock it over .
godzilla contains a few lame attempts at humor .
there 's an ongoing feud between animal and his wife that plays like sit - com material , an unfunny and repetitive gag about how no one can pronounce nick 's last name properly , and a rather tame attack on film critics roger ebert and gene siskel .
both of the popular personalities have alter egos in the film : " ebert , " the mayor of new york , is played by michael lerner , and " gene " ( lorry goldman ) is his campaign manager .
ebert 's re - election slogan is , not surprisingly , " thumbs up for new york .
" the siskel / ebert stuff is amusing the first time it 's used , but , after a while , it grows tiresome .
and , although the " characters " do n't serve any real purpose , they keep popping up .
godzilla is saddled with an unimpressive cast .
this is largely because emmerich does n't want to risk a human performance upstaging his lizard .
that 's not to say that matthew broderick and jean reno are n't capable of good performances ( both have done their share of solid acting in the past ) , but they are n't a - list names .
then again , considering the quality of the writing , even pacino and deniro would have been hard- pressed to shine .
maria
pitillo ( dear god ) plays the love interest and hank azaria ( great expectations ) is on hand to present what is supposed to be comic relief .
ultimately , it does n't really matter what i ( or any other critic , for that matter ) have to say about the movie .
tristar has assumed that godzilla , like all self - proclaimed summer event motion pictures , is pretty much critic - proof .
it may also be word - of - mouth - proof .
those who want to see the movie will see it no matter what i write or their friends say .
so , when i go on record to assert that godzilla is one of the most idiotic blockbuster movies of all time , it 's like spitting into the wind .
emmerich and devlin are master illusionists , waving their wands and mesmerizing audiences with their smoke and mirrors .
it 's probably too much to hope that some day , movie - goers will wake up and realize that they 've been had .

Ex Output:
N


Ex Input:
studio expectations must not have been high for " great expectations " -- the film 's release date was pushed from late december to late january at what appeared to be the last minute , therefore putting any academy awards chances it has off until this time in 1999 .
it 's actually a smart move , because while this updated take on the charles dickens tale is n't quite oscar fodder , it * is * strong enough to be distinguished from the cinematic dumping ground that usually makes up the first five or six weeks of any given year .
" great expectations " also demonstrates how to modernize a classic story right , especially after the excruciatingly wretched excesses of baz luhrmann 's " william shakespeare 's romeo + juliet .
" " great expectations " opens somewhere in 1970s florida ( the original story is set in 19th - century england ) , as eight - year - old finn ( jeremy james kissner ) meets a trio of people who will have a profound effect on his life in the future .
there 's icy , 11-year - old estella ( raquel beaudene ) , a pseudo - playmate of finn 's ; ms .
dinsmoor ( anne bancroft ) , estella 's auntie who 's quite off - kilter over a past romance that never took off ; and a mysterious prisoner ( robert de niro ) whom finn saves the life of .
finn , who lives with his sister 's affable boyfriend ( lone star 's chris cooper ) , fancies himself an aspiring artist , and proves his prowess by whipping up an unusual portrait of estella using only ms .
dinsmoor 's lipstick , eyebrow pencil and the wallpaper from her dilapidating mansion .
flash forward into
the ' 90s ( after a brief stop in the ' 80s ) , and finn ( now played by ethan hawke ) , despondent over a strange hot - and - cold relationship with the elusive estella ( gwyneth paltrow ) , receives quite a bit of money from an unknown benefactor ; it 's enough cash to send him to new york to focus on a career in art .
there , finn seems to gain everything he could ever want -- wealth , prestige and a high place in the glamorous art world .
when estella resurfaces -- albeit with an aloof fianc ?
( hank azaria ) --
finn also sees the chance to renew their mutual attraction .
but she 's not the only ghost from finn 's past that 's going to be paying him a visit .
comparisons with the afore - mentioned " romeo + juliet " seem inevitable since these films are the only ones in recent memory to plop classic drama into a current setting .
" great expectations " is a much better venture , though , because it treats its source with even - handed respect , where " romeo " was never quite sure whether to be a spoof , a homage or both .
the movie is a visual banquet thanks to emmanuel lubezki 's sexy cinematography ; notably , he captures a revisited fountain kiss between the two leads with a luscious , erotic charge that 's steamier than the film 's ( surprisingly muted ) love scenes .
the eclectic rock soundtrack compliments the on - screen action beautifully , especially new songs by tori amos , mono and duncan sheik .
acting credits are first - rate , often hiding the screenplay 's occasional slip - ups .
hawke is sincere and solid as a leading man ( something we also learned from " gattaca " ) , and his finn is quite a likeable guy .
paltrow 's estella , on the other hand , is rather underdeveloped .
while the actress is at her icily seductive best , we 're not told very much about her character , and as a result , it 's often hard to understand why finn would appreciate her beyond a physical level ( but , oh , * what * a physical level ) ; sometimes , we root for finn although we do n't quite understand why she 's fueling his fire .
robert de niro is nice and sophisticated in the benevolent kind of role he rarely gets to play ; on the other end of the acting spectrum is bancroft , a macabre , throaty delight who mambos and sucks down cigarettes with an eerie enthusiasm that would make norma desmond jealous .
alfonso cuaron 's visually elegant direction helps to distract from the dry moments that pop up more frequently around the movie 's climax .
another problem is predictability ; you can guess your way through the plot even if you are n't familiar with the story .
despite its script flaws , though , " great expectations " is undeniably romantic without being corny or gloppy .
and frankly , it 's nice to see a film that embraces softened sensuality other than explicit sexuality .
perhaps that renovated release date , awfully close to valentine 's day , will end up helping " great expectations " ' seemingly average box office chances after all .

Ex Output:
P


Ex Input:
one of the most blatantly obvious signs that often - acclaimed director sidney lumet 's " gloria , " a remake of the 1980 john cassavetes film , had absolutely no effect on me occurred when i was driving home from the theatre .
suddenly , i realized that since i had stood up from my theatre seat five minutes before , i had not thought once about the film i had just invested nearly two hours of my life in
.
when a movie is over , are n't we supposed to think about it for a while , and have a conversation about it with the acquaintances we have just watched it with ?
i thought so , but , for one , i saw this particular picture by myself , and # 2 , even if i had been with someone there would n't have been anything to talk about in the first place .
to be sure , " gloria " begins with a stirring , rather poignant prologue in which a seven - year - old boy 's family is brutally gunned down by mobsters , in search of a disc his father had with incriminating evidence on it .
right before the men broke in , of course , his father gave him the disc to escape with .
eventually , the boy , named nicky nunez ( jean - luke figueroa ) , is caught by the mobsters , and taken back to their apartment .
meanwhile , gloria ( sharon stone ) has just gotten out of prison for a crime she did n't commit and returns to her ex - boyfriend ( jeremy northam ) to recieve the money he promised her for covering up his crime .
when he refuses to give it to her , and then hears the group of men talking about killing nicky , she leaves with him in order to save his life , but not before holding the men at gunpoint , stealing all of their money , and forcing them to strip nude .
gloria is the type of fast - talking , smart - mouthed new yorker who always seems to get involved with the wrong people , and she never expected to be stuck with a kid , but she has a heart of gold ( do n't they always in this type of movie ) and is only trying to protect the boy , whom she quickly begins to form a close bond with .
the previous incarnation of " gloria " by cassavetes and starring the luminous gena rowlands , remains unseen by me , but was no doubt superior , even though
i ca n't really imagine how this considerably dull story could be transformed into an entertaining one , regardless of the director or stars .
there is no doubt in my mind that director lumet has stuck closely to the original , but the film itself is simply lifeless , with only an occasional laugh popping up here and there so that it is n't completely unbearable to watch .
i liked , for example , a very funny climactic sequence where gloria is deciding whether to leave the school she has left the boy at , and keeps turning the car around , then driving a little ways , then slamming on the brakes and turning around again .
these bright moments , however , appear long and far between , and the majority of the film deals with the budding relationship between nicky and gloria , which is both painfully predictable and by - the - numbers .
throughout , my mind was repeatedly asking the question , " who really cares ?
" as gloria , sharon stone has adopted an over - the - top brooklyn accent that honestly does n't sound realistic at all .
in the beginning , in fact , i was amazed at how amateurish stone 's performance was , but as the film progressed she got better .
although not one of her better turns , stone does have a comic flare that refuses to be ignored .
jean - luke figeroa was fine as nicky and a little more natural than the usual child actors who are so precocious they make you want to gag .
all other actors who appeared were considerably wasted , none more than cathy moriarty , an entertaining actress in her own right , who is billed fourth and has all of one scene , as gloria 's friend whom she turns to for help .
sony , the studio that released " gloria , " obviously does not have any faith in the film , and i do n't blame them .
they declined to screen the picture for critics , which is never a good sign , particularly with the high - profile people involved .
although how much money a movie makes does not determine how good it is ( just look at the spectacular " in dreams , " which failed to even make the top 10 last week ) , i have a suspicion " gloria " is going to vanish from theaters faster than " ishtar , " judging from the opening night 7 : 00 p .
m .
showing i saw it at , where there were about ten to fifteen people present , counting myself .
although stone can be an impressive actress ( just watch her in 1995 's " casino " or 1996 's " last dance " if you do n't believe me ) and sidney lumet can be a respectable director , there is no reasoning for why they thought the cliched story of " gloria " was worth remaking or , for that matter , why columbia pictures agreed to finance it when they could have been making a picture that actually looked like it might have an inkling of a chance to be successful .

Ex Output:

N