In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

Question: Who was the number one pick of the 1991 NHL Draft? Passage:Holzinger was drafted in the sixth round, 124th overall, by the Buffalo Sabres in the 1991 NHL Entry Draft. He played High School Hockey at Padua Franciscan High School in Parma, Ohio and four years of college hockey at Bowling Green State University, and was the recipient of the Hobey Baker Award for top men's collegiate hockey player during his senior season. He made his National Hockey League debut with the Sabres during the 1994–95 season, appearing in four regular season games and four playoff games (scoring two goals during the Sabres' playoff series against the Philadelphia Flyers). After four and a half seasons with the Sabres, he was traded at the trade deadline of the 1999–2000 season (along with Cory Sarich and Wayne Primeau) to the Tampa Bay Lightning in exchange for Chris Gratton and a second-round draft pick.
 Links: a. Chris Gratton b. Buffalo Sabres c. 1991 NHL Entry Draft d. 1991 NHL Entry Draft
c

Question: Which major league team is the Columbus Redstixx an affiliate of? Passage:Skinner spent six seasons managing in the Indians minor league system from 1995–2000. Overall, he compiled a record of 448–333 (.574) and took his teams to the playoffs in five of six seasons. In 1995 Skinner managed the Watertown Indians to a record of 46- 27 and a New York–Penn League title, and received Manager of the Year honors. With the Columbus Redstixx (South Atlantic League) in 1996, he managed them to a second half title and a regular season record of 79–63. In 1997Skinner managed the Class A Kinston Indians (Carolina League) as they won titles in both the first and second halves with an 87–53 record overall, earning him Carolina League Manager of the Year honors. From 1998 through 1999 Skinner managed the Akron Aeros and was named USA Today Baseball Weekly's Minor League Manager of the Year in 1998, after guiding the Aeros to an 81–60 record and an Eastern League regular season title. Skinner then managed the Triple-A Buffalo Bisons to the best record in the International League in 2000, including an IL North Division title with a record of 86–59 (.593). His leadership of the Bisons in earned him Minor League Manager of the Year honors from Baseball America and The Sporting News in addition to being given International League Manager of the Year honors. That same season Skinner was a coach for Team USA in the 2000 All-Star Futures Game in Atlanta. 
 Links: a. Lake County Captains b. Lake County Captains c. Lake County Captains d. Buffalo Bisons
a

Question: How many centuries had the region where Turner took a train journey in 1987-88 been part of USSR where the journey originated? Passage:Perhaps the reason for the appeal of Turner’s work outside the art world is that it pushes the boundaries of both film and politics. Perestroika has been noted by academics and critical thinkers for both its artistic form and commentary on environmental and social issues, most notably featuring in the essay volumes Performing Authorship: Self inscription and corporeality in the cinema and Screening Nature: Cinema Beyond the Human. For Cecilia Sayad, the film’s importance lies in its structures: its function in highlighting the act of authorship as performance, and how the film’s structural devices serve to emphasise the fictionality of narration, how the retelling, even of truth or fact, always and necessarily involves an element of creation and thus fiction. Sayad comments that whilst Perestroika ostensibly interweaves footage of a 2007–08 reconstruction of a train journey across Siberia that Turner took in 1987–88 with that from the original journey in what was then the USSR, it is as much about the workings of memory and filmmaking itself. But Sophie Mayer has commented on how the work uses the idea of pollution as a function of retention, and weaves it through both the social/cultural and natural worlds. Mayer goes further in exploring the contextual importance of the work, comparing Perestroika with works of the filmmakers Lucrecia Martel and Apichatpong Weerasethakul, commenting that each offers a ‘utopian possibility of a post-capitalist, post-industrial, postcolonial moment’. In a booklet of essays written to accompany the publication of Perestroika and perestroika:reconstructed in 2014, another academic, Paul Newland writes ‘the artist explores the nature of representation and its problematical relationship to our experience of reality. By doing this the film travels the branch lines between cinematography, photography, and everyday life.’ 
 Links: a. Photography b. Environmental policy c. Soviet Union d. Siberia

d