This task is about reading the given passage and construct a question about the information present in the passage. Construct a question in such a way that (i) it is unambiguous, (ii) it is answerable from the passage, (iii) its answer is unique (iv) its answer is a continuous text span from the paragraph. Avoid creating questions that (i) can be answered correctly without actually understanding the paragraph and (ii) uses same words or phrases given in the passage.

No evidence has yet been found of a Jewish presence in antiquity in Germany beyond its Roman border, nor in Eastern Europe. In Gaul and Germany itself, with the possible exception of Trier and Cologne, the archeological evidence suggests at most a fleeting presence of very few Jews, primarily itinerant traders or artisans. A substantial Jewish population emerged in northern Gaul by the Middle Ages, but Jewish communities existed in 465 CE in Brittany, in 524 CE in Valence, and in 533 CE in Orleans. Throughout this period and into the early Middle Ages, some Jews assimilated into the dominant Greek and Latin cultures, mostly through conversion to Christianity.[better source needed] King Dagobert I of the Franks expelled the Jews from his Merovingian kingdom in 629. Jews in former Roman territories faced new challenges as harsher anti-Jewish Church rulings were enforced.
Who expelled the Jews from his Merovingian kingdom in 629?

Nicholas Lezard described post-punk as "a fusion of art and music". The era saw the robust appropriation of ideas from literature, art, cinema, philosophy, politics and critical theory into musical and pop cultural contexts. Artists sought to refuse the common distinction between high and low culture and returned to the art school tradition found in the work of artists such as Captain Beefheart and David Bowie. Among major influences on a variety of post-punk artists were writers such as William S. Burroughs and J.G. Ballard, avant-garde political scenes such as Situationism and Dada, and intellectual movements such as postmodernism. Many artists viewed their work in explicitly political terms. Additionally, in some locations, the creation of post-punk music was closely linked to the development of efficacious subcultures, which played important roles in the production of art, multimedia performances, fanzines and independent labels related to the music. Many post-punk artists maintained an anti-corporatist approach to recording and instead seized on alternate means of producing and releasing music. Journalists also became an important element of the culture, and popular music magazines and critics became immersed in the movement.
How did Nicholas Lezard describe post-punk?

In 1994, cinematographic production received a boost with the establishment of the Cinema Advisory Committee. As of the year 2000, the annual amount set aside in the national budget stands at Cy Pounds 500,000 (about 850,000 Euros). In addition to government grants, Cypriot co-productions are eligible for funding from the Council of Europe's Eurimages Fund, which finances European film co-productions. To date, four feature-length films in which a Cypriot was executive producer have received funding from Eurimages. The first was I Sphagi tou Kokora (1992), completed in 1996, Hellados (And the Trains Fly to the Sky, 1995), which is currently in post-production, and Costas Demetriou's O Dromos gia tin Ithaki (The Road to Ithaka, 1997) which premiered in March 2000. The theme song to The Road to Ithaka was composed by Costas Cacoyannis and sung by Alexia Vassiliou. In September 1999, To Tama (The Promise) by Andreas Pantzis also received funding from the Eurimages Fund. In 2009 the Greek director, writer and producer Vassilis Mazomenos filmed in Cyprus Guilt. The film was awarded in 2012 with the Best Screenwriting and Best Photography award in London Greek Film Festival (UK) and was official selection in Montreal World Film Festival, Cairo International Film Festival, India International Film Festival, Tallinn Black Nights Film Festival, Fantasporto and opening film in the Panorama of European Cinema in Athens. In 2010 the film was Nominated for the best film from the Hellenic Film Academy.

What is the amount in Euros of money set aside for the Cinema Advisory Committee?