In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Review: I thought that My Favorite Martian was very boring and drawn out!! It was not funny at all. The audience just sat through the whole movie and didn't laugh at all!!! Not even the kids laughed!! That is sad for a Disney movie!! I thought they could have found somebody better to play the martian rather than Christopher Lloyd!! He was really stupid!! And he was not funny!! I thought the talking suit was really dumb!!! In the original television series the suit doesn't talk and move around!! In my opinion they should not have wasted their time on this movie!! I give it two thumbes down!! Really a waste of time and I would not recommend the movie to anybody!!! Thank You!! Question: is it a negative review?
yes

Review: (David H. Steinberg)'s script seemed initially having some real smart points that could've made good romantic comedy, BUT BUT BUT, oh dear ! What did ever happen in the way ???!!!! I'll tell you what happened. Originally it's (Animal House - 1978) and (Porky's - 1982). Although that was long time ago, but those are the pioneers, the godfathers of the new genre : the crude teen comedy. Then the 1990s came. After important instances that became smash hits (repulsive ones am I add) such as (Problem Child - 1990), (Dumb and Dumber - 1994), (The Nutty Professor - 1996), and (There's Something About Mary - 1998) which I think slackers is affected by, there was the top of the era and the prophet of the next era, the one and only : (American Pie - 1999) which's undoubtedly and incomparably a genre's icon. After that I think every comedy of that kind got to be that highly filthy, cum laude nasty, to be admired by the youth otherwise it might be out of fashion !I believe that (Slackers) had a smart plot first as a script, then its makers got to add some real big amount of : rudeness, filthiness, strangely shameless sex to be made - at those days - as easy as pie ! Like they had to fill every scene with freely elements such as : masturbation, oral sex, urination.. etc just to look a la' mode. They're wholly unnecessary elements to the story but surely THEY ARE so necessary to make the profits, and to catch the latest vogue in making teen comedies. The problem is in how all of that has replaced already any possible comedy in it.Some of its moments looked literally horrible, and that as you see is the point. It's all in (Jason Schwartzman)'s looks and performance; memorably disgusting to the utmost. So the ambition transformed from being that romantic comedy into making what wasn't done before of pure skinning images. To be more like a horror where you're asking all the time; what nastier would happen ? (vomiting, farting,.. etc); these are the easiest combination to create a comedy nowadays.Though even if you hated it you've got to love something (mostly for being bold), for me it was only Gina Gershon cameo's scene. Anyhow they designed it as a whole to achieve being outrages-for-outrageousness, like an adolescent's naughty dream. Though the majority of it was near to anybody's nightmare.What made me sad is that this one at its core was a real potential work, and not another cheap, another stupid comedy as it eventually managed to be. Remember well the details of stealing the exam (the first 2 minutes), so the movie's main plot (weirdo trying to reach a girl by blackmailing cool guys) through the pattern of (boy loves girl, and girl loves another boy) because save that, it's nothing but a candidly schlock. It dealt with its material the tacky way bunch of dirty college boys, who got nothing to do but making mawkish quip out of anything, would do. It ended up as being, and I'm sorry to say it, a smiling sh*t !At its end it said something (can you imagine !) about how it's the time and the place too for the impostor or the slack to win, totally like this comedy itself. It sounds good ending yet for totally another better movie; which could assure my opinion about this one as smart one.. Once ! And it doesn't need much to understand that this movie's makers were the real slackers ! Maybe being stupid is a way to be smart in Hollywood, but even if.. The final result here wasn't at least witty by any sense of the word. P.S : Its scriptwriter (David H. Steinberg), who wrote the story of (American Pie 2) as well, has a main page at the IMDb where you'll find under the "Additional Details" his usual "Plot Keywords" which are : Sex / Vulgarity / Crude Humor /... They just forgot to write Urineing while Showering or Baring 70 Year Old Women ! Question: is it a positive review?
no

Review: At the height of the 'Celebrity Big Brother' racism row in 2007 ( involving Shilpa Shetty and the late Jade Goody ), I condemned on an internet forum those 'C.B.B.' fans who praised the show, after years of bashing 'racist' '70's sitcoms such as 'Curry & Chips' & 'Love Thy Neighbour'. I thought they were being hypocritical, and said so. 'It Ain't Half Hot Mum' was then thrown into the argument, with some pointing out it had starred an English actor blacked-up. Well, yes, but Michael Bates had lived in India as a boy, and spoke Urdu fluently. The show's detractors overlook the reality he brought to his performance as bearer 'Rangi Ram'. The noted Indian character actor, Renu Setna, said in a 1995 documentary 'Perry & Croft: The Sitcoms' that he was upset when he heard Bates had landed the role, but added: "No Indian actor could have played that role as well as Bates.". Indeed.'Mum' was Perry and Croft's companion show to 'Dad's Army'; also set in wartime, the sedate English town of Walmington-On-Sea had been replaced by the hot, steamy jungles of India, in particularly a place called Deolali, where an army concert party puts on shows for the troops, among them Bombadier Solomons ( George Layton, his first sitcom role since 'Doctor In Charge' ), camp Gunner 'Gloria' Beaumont ( Melvyn Hayes ), diminutive Gunner 'Lofty' Sugden, 'Lah de-dah' Gunner Graham ( John Clegg ), and Gunner Parkins ( the late Christopher Mitchell ). Presiding over this gang of misfits was the bellicose Sergeant-Major Williams ( the brilliant Windsor Davies ), who regarded them all as 'poofs'. His frustration at not being able to lead his men up the jungle to engage the enemy in combat made him bitter and bullying ( though he was nice to Parkins, whom he thought was his illegitimate son! ). Then there was ever-so English Colonel Reynolds ( Donald Hewlett ) and dimwitted Captain Ashwood ( Michael Knowles ). Rangi was like a wise old sage, beginning each show by talking to the camera and closing them by quoting obscure Hindu proverbs. He loved being bearer so much he came to regard himself as practically British. His friends were the tea-making Char Wallah ( the late Dino Shafeek, who went on to 'Mind Your Language' ) and the rope pulling Punka Wallah ( Babar Bhatti ). So real Indians featured in the show - another point its detractors ignore. Shafeek also provided what was described on the credits as 'vocal interruptions' ( similar to the '40's songs used as incidental music on 'Dad's Army' ). Each edition closed with him warbling 'Land Of Hope & Glory' only to be silenced by a 'Shut Up!' from Williams. The excellent opening theme was penned by Jimmy Perry and Derek Taverner.Though never quite equalling 'Dad's Army' in the public's affections, 'Mum' nevertheless was popular enough to run for a total of eight seasons. In 1975, Davies and Estelle topped the charts with a cover version of that old chestnut 'Whispering Grass'. They then recorded an entire album of old chestnuts, entitled ( what else? ) 'Sing Lofty!'.The show hit crisis point three years later when Bates died of cancer. Rather than recast the role of 'Rangi', the writers just let him be quietly forgotten. When George Layton left, the character of 'Gloria' took his place as 'Bombadier', providing another source of comedy.The last edition in 1981 saw the soldiers leave India by boat for Blighty, the Char Wallah watching them go with great sadness ( as did viewers ).Repeats have been few and far between ( mainly on U.K. Gold ) all because of its so-called 'dodgy' reputation. This is strange. For one thing, the show was not specifically about racism. If a white man blacked-up is so wrong, why does David Lean's 1984 film 'A Passage to India' still get shown on television? ( it featured Alec Guinness as an Indian, and won two Oscars! ). It was derived from Jimmy Perry's own experiences. Some characters were based on real people ( the Sergeant-Major really did refer to his men as 'poofs' ). I take the view that if you are going to put history on television, get it right. Sanitizing the past, no matter how unsavoury it might seem to modern audiences, is fundamentally dishonest. 'Mum' was both funny and truthful, and viewers saw this. Thank heavens for D.V.D.'s I say. Time to stop this review. As Williams would say: "I'll have no gossiping in this jungle!" Question: is it a positive review?

yes