Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Example Input: CONTEXT: The source material is essentially a recollection of a life lived by an individual on his death bed. We are seeing these things through the lens of memory, so it is meant to be an almost first person account. There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality. That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story. I won't comment on whether it was successful. The closest thing I can think at this moment that has this sort of movement might be in Wes Anderson movies where suddenly the naturalistic feel is broken in favor of a staged play: the Zissou movie and "Moonrise Kingdom" both take similar but more obvious breaks from naturalism.  <sep>  Q: Why is the audience sliding around in this scene from Le Temps retrouvé? A: We are seeing these things through the lens of memory, so it is meant to be an almost first person account  Q: A first person account of what exactly? A: That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story  Q: Is this why we see the camera panning around a lot? A: There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality  Q: That's interesting, what else can you tell me about the production? A: The source material is essentially a recollection of a life lived by an individual on his death bed  <sep> FOLLOWUP_Q: When was this film made?
Example Output: No

Example Input: CONTEXT: The message of American History X is quite simple: violence begets violence. The whole film is a series of escalations based on revenge; Derek and Danny lose their father and hate consumes them. They win a basketball game against the black gang (and their turf in the process) and the gang try and steal their fathers' truck as revenge, Derek kills them over it. But then Derek's arrest interrupts this pattern, he goes off to prison and with the help of Dr. Sweeney he realises the pattern of behaviour and does what he can to prevent it from going any further. Derek has his catharsis and becomes a different person, and tries to help Danny do the same. But the problem is the same hasn't happened to those that he's wronged; there are still people out there from the black gang who have lost friends and blame them both for it, and in the end Danny pays the price. It is much more poignant and reflective of real life in this way, after years of fighting it's not so simple to drop everything and get the happy ending Hollywood has taught us is waiting.  <sep>  Q: Why did American History X end so unexpectedly? A: The message of American History X is quite simple: violence begets violence  Q: But why did the movie end in such an unexpected way? A: there are still people out there from the black gang who have lost friends and blame them both for it  Q: What was the central theme of the movie? A: The whole film is a series of escalations based on revenge  Q: Does the movie portray revenge as a justified action? A: Derek's arrest interrupts this pattern, he goes off to prison and with the help of Dr. Sweeney he realises  Q: What does he realize? A: the pattern of behaviour and does what he can to prevent it from going any further  Q: Is he successful at preventing it given the younger brother's death? A: Derek has his catharsis and becomes a different person, and tries to help Danny do the same  <sep> FOLLOWUP_Q: Why doesn't Edward Norton do something about the Neo-Nazi group he established?
Example Output: Yes

Example Input: CONTEXT: The aliens never said exactly what they needed humanity's help for, only that they WOULD need it, in 3000 years' time. They didn't even specify if the crisis was combative or political, ecological or technological. It could really be anything. I haven't read the short story that the movie is based on, so I can't speak to that point.  <sep>  Q: Hello
Example Output:
No