You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

[Q]:  In the beginning of this mock-epic, Pope declares that a "dire offence" (Canto 1 line 1) has been committed. A lord has assaulted a "gentle belle" (line 8), causing her to reject him. He then proceeds to tell the story of this offence.
While Belinda is still asleep, her guardian Sylph Ariel forewarns her that "some dread event impends". Belinda then awakes and gets ready for the day with the help of her maid, Betty. The Sylphs, though unseen, also contribute: "These set the head, and those divide the hair, some fold the sleeve, whilst others plait the gown" (146 147). Here Pope also describes Belinda's two locks of hair "which graceful hung behind". The Baron, one of Belinda's suitors, greatly admires these locks and conspires to steal one. Building an altar, he places on it "all the trophies of his former loves" (line 40), sets them on fire and fervently prays "soon to obtain, and long possess" (line 44) the lock.
Ariel, disturbed by the impending event although not knowing what it will be, summons many sylphs to him and instructs them to guard Belinda from anything that may befall her, whether she "forget her prayers, or miss a masquerade, Or lost her heart, or necklace, at a ball" (line 108 109). So protected, Belinda arrives at Hampton Court and is invited to play a game of ombre.
The conspiring Baron acquires a pair of scissors and tries to snip off one of her locks but is prevented by the watchful Sylphs. This happens three times, but in the end the Baron succeeds (also cutting a Sylph in two although Pope reassures us, parodying a passage in Paradise Lost, that "airy substance soon unites again" [line 152]). When Belinda discovers her lock is gone, she falls into a tantrum, while the Baron celebrates his victory.
A gnome named Umbriel now journeys to the Cave of Spleen and from the Queen receives a bag of "sighs, sobs, and passions, and the war of tongues" (canto 4 line 84) and a vial filled "with fainting fears, soft sorrows, melting griefs, and flowing tears" (line 85 86) and brings them to Belinda. Finding her dejected in the arms of the woman Thalestris, he pours the contents over them both.
Many people, moved by Belinda's grief, demand the lock back, but the Baron is unrepentant and refuses. Clarissa admonishes them to keep their good humour, but they will not listen and instead a court battle ensues between the nobles, with glares, songs and wits as weapons. Belinda fights with the Baron and throws snuff up his nose to subdue him. When she demands that he restore the lock, however, it is nowhere to be found. It has been made a constellation and is destined to outlast the contestants.
[A]: What is inside the bag that the queen gives Umbriel?


[Q]:  After breaking out of jail in a small Mexican town, a ruthless criminal, nicknamed Azul, ventures off with a guitar case full of weapons and vows revenge on the local drug lord, Moco, who had had him arrested in the first place. Meanwhile, a young musician arrives in town carrying his own guitar case which contains his signature guitar. He hopes to find work in the town in order to pursue his dream of becoming a mariachi like his father.
From the confines of his heavily guarded villa on the outskirts of town, Moco sends a large group of hitmen to kill Azul. They are told to look for a man who is wearing black and carrying a guitar case, but because the Mariachi also matches this description, the hitmen mistake him for Azul and begin to pursue him. Only Moco, however, knows Azul's actual face. The Mariachi is then forced to kill four of the attackers in self-defense after being chased through the streets. As the Mariachi seeks refuge in a bar owned by a beautiful woman named Domin , he quickly falls in love with her. Unfortunately, Moco is not only financing the bar, but also has his own romantic interest in Domin .
When Azul visits the bar for a beer and information about Moco, he accidentally leaves with the Mariachi's guitar case. Moco's thugs capture Azul on the street but let him go when they learn that the case he is carrying contains only a guitar. A short time later, the Mariachi is captured and taken to Moco, who identifies him as the wrong man and sets him free.
Meanwhile, Azul, who has no directions to Moco's home, takes Domin  with him and orders her to take him to Moco's, or Moco will kill the mariachi. Domin  agrees in order to save the Mariachi's life. When they arrive at Moco's gated compound, Azul pretends to take Domin  hostage in order to gain entry. Moco soon realizes that Domin  has fallen for the Mariachi and, in a rage, shoots both her and Azul. Suddenly, the Mariachi arrives to find the woman he loves gunned down. Moco then shoots the Mariachi's left hand, rendering him useless as a guitar player, and proceeds to taunt and laugh at the Mariachi. Overcome with grief and rage, the Mariachi picks up Azul's gun with his right hand and kills Moco, taking revenge for Domin 's death. Moco's surviving henchmen, seeing their leader dead, walk off and leave Moco's body and the wounded Mariachi behind.
The Mariachi leaves the town on Domin 's motorbike, taking her pit bull and her letter-opener by which to remember her. His dreams to become a mariachi have been shattered, and his only protection for his future are Azul's former weapons which he takes along in the guitar case.
[A]: Why did Moco's thugs let Azul go after they captured him?


[Q]:  The Frogs tells the story of the god Dionysus, who, despairing of the state of Athens' tragedians, travels to Hades (the underworld) to bring the playwright Euripides back from the dead. (Euripides had died the year before, in 406 BC). He brings along his slave Xanthias, who is smarter and braver than Dionysus. As the play opens, Xanthias and Dionysus argue over what kind of jokes Xanthias can use to open the play. For the first half of the play, Dionysus routinely makes critical errors, forcing Xanthias to improvise in order to protect his master and prevent Dionysus from looking incompetent but this only allows Dionysus to continue to make mistakes with no consequence.
To find a reliable path to Hades, Dionysus seeks advice from his half-brother Heracles, who had been there before in order to retrieve the hell hound Cerberus. Dionysus shows up at his doorstep dressed in a lion-hide and carrying a club. Heracles, upon seeing the effeminate Dionysus dressed up like himself, can't help laughing. When asked which road is the quickest to get to Hades, Heracles replies that you can hang yourself, drink poison, or jump off a tower. Dionysus opts for the longer journey, which Heracles himself had taken, across a lake (possibly Lake Acheron).
When Dionysus arrives at the lake, Charon ferries him across. Xanthias, being a slave, is not allowed in the boat, and has to walk around it, while Dionysus is made to help row the boat.
This is the point of the first choral interlude (parodos), sung by the eponymous chorus of frogs (the only scene in which frogs feature in the play). Their croaking refrain   Brekekek x-ko x-ko x (Greek:      )   greatly annoys Dionysus, who engages in a mocking debate (agon) with the frogs. When he arrives at the shore, Dionysus meets up with Xanthias, who teases him by claiming to see the frightening monster Empusa. A second chorus composed of spirits of Dionysian Mystics soon appear.
The next encounter is with Aeacus, who mistakes Dionysus for Heracles due to his attire. Still angry over Heracles' theft of Cerberus, Aeacus threatens to unleash several monsters on him in revenge. Frightened, Dionysus trades clothes with Xanthias. A maid then arrives and is happy to see Heracles. She invites him to a feast with virgin dancing girls, and Xanthias is more than happy to oblige. But Dionysus quickly wants to trade back the clothes. Dionysus, back in the Heracles lion-skin, encounters more people angry at Heracles, and so he makes Xanthias trade a third time.
When Aeacus returns to confront the alleged Heracles (i.e., Xanthias), Xanthias offers him his "slave" (Dionysus) for torturing, to obtain the truth as to whether or not he is really a thief. The terrified Dionysus tells the truth that he is a god. After each is whipped, Dionysus is brought before Aeacus' masters, and the truth is verified. The maid then catches Xanthias and chats him up, interrupted by preparations for the contest scene.
The maid describes the Euripides-Aeschylus conflict. Euripides, who had only just recently died, is challenging the great Aeschylus for the seat of "Best Tragic Poet" at the dinner table of Pluto, the ruler of the underworld. A contest is held with Dionysus as judge. The two playwrights take turns quoting verses from their plays and making fun of the other. Euripides argues the characters in his plays are better because they are more true to life and logical, whereas Aeschylus believes his idealized characters are better as they are heroic and models for virtue. Aeschylus mocks Euripides' verse as predictable and formulaic by having Euripides quote lines from many of his prologues, each time interrupting the declamation with the same phrase "   " ("... lost his little flask of oil"). (The passage has given rise to the term lekythion, literally 'oil-flask', for this type of rhythmic group in poetry.) Euripides counters by demonstrating the alleged monotony of Aeschylus' choral songs, parodying excerpts from his works and having each citation end in the same refrain            ; ("oh, what a stroke, won't you come to the rescue?", from Aeschylus' lost play Myrmidons). Aeschylus retorts to this by mocking Euripides' choral meters and lyric monodies with castanets.
During the contest, Dionysus redeems himself for his earlier role as the butt of every joke. He now rules the stage, adjudicating the contestants' squabbles fairly, breaking up their prolonged rants, and applying a deep understanding of Greek tragedy.
To end the debate, a balance is brought in and each are told to tell a few lines into it. Whoever's lines have the most "weight" will cause the balance to tip in their favor. Euripides produces verses of his that mention, in turn, the ship Argo, Persuasion, and a mace. Aeschylus responds with the river Spercheios, Death, and two crashed chariots and two dead charioteers. Since the latter verses refer to "heavier" objects, Aeschylus wins, but Dionysus is still unable to decide whom he will revive. He finally decides to take the poet who gives the best advice about how to save the city. Euripides gives cleverly worded but essentially meaningless answers while Aeschylus provides more practical advice, and Dionysus decides to take Aeschylus back instead of Euripides. Pluto allows Aeschylus to return to life so that Athens may be succoured in her hour of need, and invites everyone to a round of farewell drinks. Before leaving, Aeschylus proclaims that Sophocles should have his chair while he is gone, not Euripides.
[A]:
Who does Aeschylus choose as the new "Best Tragic Poet" at Pluto's table?