In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
" take a number , fill out a form , and wait your turn .
"
starring kati outinen , kari v ? ?
n ?
nen , sakari kuosmanen , elina salo ; written & directed by aki kaurism ?
ki
; cinematography by timo salminen it might be possible to call drifting clouds a satire or a black comedy , but that would imply a sense of anger , of vitriol , of energy ; drifting clouds is what you get when the rage and vitality are gone .
it is the sad , slow story of lauri and ilona , a married couple caught between the wheels of capitalism as it grinds inexorably onward .
he loses his job as a tram driver , because everyone drives cars nowadays .
within a couple of months , she loses her position as a head waiter , when her restaurant is bought out by a chain and the entire staff replaced .
a conversation early in the film reveals a lot about their situation .
lauri has surprised ilona by buying her a tv , which she greets with little enthusiasm .
she notes that they have n't finished paying for the bookshelves or the couch yet .
he says that in four years the payments will be done and then they can buy some books for the shelves .
it would pass as deadpan humour if it was n't spoken with such resigned weariness .
this sets the tone for the rest of the movie .
there is humour and idiosyncracy at the periphery , but at the centre there is frustration and futility , and sorrow for the ways in which the logic of profit reduces people , until their worth is equated solely with their earning capacity .
there is an element of political commentary in this critique of the mechanisms of capitalism and the stultifying social environment it creates , but in drifting clouds the political is subsumed by the personal : the movie is about two people and what happens to them , and nothing else matters .
lauri and ilona live lives starved for friendship , respect , culture , passion .
they go to the movies , and walk out past old posters for l'atalante and l'argent , but the movie they have just seen is a pointless , violent , unfunny comedy .
their house and workplaces are uniformly unpleasant , painted and upholstered in lifeless colours ( ugly greens , dull reds , insipid blues ) , full of inelegantly functional objects and appliances .
the art design is impeccable in its tawdriness , and director aki kaurism ?
ki often matches the colour of characters ' clothes with the background colour and/or lighting , so that it seems as if they are almost physically fading into the environment .
there is no suggestion of sexuality in the relationship ; ilona and lauri sleep in separate beds and their gestures of affection lack the heat of desire ; their lives are now bound by something more complex and desperate than love .
their downward , downsized , downtrodden lives have a momentum that is almost comic , as one setback succeeds another , bottoming out when lauri stakes all their remaining money on the spin of a roulette wheel .
it must have been tempting to play the story for more laughs , more farce , more deadpan wit , but the film 's great strength
is the sober , empathic manner in which it observes lauri and ilona 's misfortunes .
irony would be an injustice .
situations and settings are broad and exaggerated -- this is not realism -- but they are not distorted .
the emotions are authentic .
if it is difficult to laugh at anything that happens , despite the droll performances , the laconic humour , that 's because kaurism ?
ki brings such compassion and understanding to the manifold indignities that are suffered .
he shows us how humiliating it must be for a woman of thirty - eight , who has worked long and hard to win a respectable position , to be forced to accept a job as a dishwasher in a two - bit restaurant ; how humiliating it must be for a man nearing 50 to confront his wife 's former employer , demanding the rest of her wages , only to have the crap beaten out of him , unable to land a single punch , when the employer and his cronies refuse to give him the money .
all this is observed keenly , with great economy : every cut , every line of dialogue , is judicious .
if most films are novelistic in their telling , this one brings the focus and concentration of a short story to bear .
but what is gained in nuance and acumen is rather undermined by the sense that the material barely accommodates the 96-minute running length .
i have seen many movies far less profound , less humane , less necessary than drifting clouds , but they filled me with an urge to watch them again , and this one did not .
it does not need to be seen twice : its every detail and implication can be absorbed in one viewing .
it is not a movie that will be seen by a large audience , because it can not be pitched to one .
there is no selling point .
it is all understatement , restraint , melancholy .
the characters are unremarkable , their best years behind them , their dreams dissipated ; it takes all the effort they can muster just to pay the bills .
this does not make them less fascinating , merely less marketable , which is a shame , because this is a movie which should be seen , precisely because it pays attention to people and emotions that most movies prefer to ignore .
it engages us and touches us and resolves -- surprisingly , and movingly -- into something resembling a happy ending .
the only thing greater than the ill - luck that governs the characters ' lives is their refusal to give in to despair .
their persistence is rewarded with what might be called a " feel - good " ending elsewhere , but not here , because this ending differs in kind from most such endings : this one has truly been earned .

Ex Output:
P


Ex Input:
i want to be involved in show business one day .
and i refuse to do any sequels to any movie i may make because i believe they only get worse .
this movie proves it for me .
i was a little worried about the last batman film ,
as i thought joel schumaccer , taking over from tim burton , would screw it up .
i also assumed val kilmer would screw up as bruce wayne .
they did n't .
kilmer did a good job , and the cast was left to carry the movie , which they did ( even jim carrey as the riddler and i ca n't stand jim carrey ) , because schumaccer messed up the direction with his glitzy gotham and his awkward camera angles .
this film is different .
the cast is still impressive , but here ,
not only does schumaccer mess up with the direction
( he 's one of those directors who 's good with actors , terrible with camera angles ) , but writer akiva goldsmith does n't really give an impressive cast anything to do .
the cast is impressive : clooney is a surprisingly good wayne / batman , o'donnell is a crafty robin as usual , they could 've casted somebody better as batgirl ( my friend likes neve campbell ) , but silverstone is not bad , and thurman is a good poison ivy .
the major problem is schwarzenegger , who is a terrible freeze .
his accent is so heavy , you ca n't understand what he says , and the trouble with action stars like him is they can not act
,
and they know it , but they figure that if they flex their muscles , say a limited amount of stuff , and kill a bunch of guys , then they figure nobody'll notice .
that 's the trouble with me ,
* i * notice .
schwarzenegger does not deserve billing over clooney , or as much money as he got for this , but hollywood thinks he does .
patrick stewart was the person i 'd heard that was considered to play freeze , and he would 've been so much better .
or sean connery , but not arnold
" i 'm not an actor , but i play one in real life " schwarzenegger .
i realize that you must be a star to play a major role in a batman film , but it would 've been nice if they 'd casted a star that had talent for the role .
akiva goldsmith 's screenplay avoids some stuff that happens in a normal batman film .
in a regular batman film , they 'd concentrate on the relationship with the girlfriend a little more , but elle macpherson 's julie madison is so limited here that we never get a real sense of who she is .
there is talk of a fifth batman movie .
my interest to see it is low , but i hope it 's better than this .
if you do n't want to waste your time , rent any of the other batman movies from blockbuster .
any other .

Ex Output:
N


Ex Input:
synopsis : sonny koufax ( adam sandler )
is a rich , childish , angry man who has just been dumped by his girlfriend vanessa ( kristy swanson ) .
in a bid to impress vanessa sonny impersonates his friend kevin ( jon stewart ) and adopts a 5 year old boy named julian ( cole and dylan sprouse ) while kevin is on an overseas trip .
under sonny 's supervision julian soon learns to lie to women , tell people how he " wipes his ass , " throw tantrums , and scream for his " god damned " treats .
self centered , julian breaks a school classmate 's arm without apologizing or even realizing he has done anything wrong .
meanwhile sonny bribes julian with sugary talk , food , toys , and flashy promises in order to get the kid to perform .
not surprisingly the government takes julian away from sonny 's incompetent supervision , and this leads to a custody battle .
opinion : it 's a movie about an embittered creep teaching a little kid to be a jerk , and we all get cheap laughs
because for 90 minutes the innocent kindergartner never finds out what it means when he mimics all the bad boy behavior .
that 's the essence of big daddy .
but there 's a bigger issue
involved :
marketing .
movies that are rated pg and pg-13 are heavily marketed towards children of preteen age and below .
on tv , film clips advertise these movies as family - friendly hit comedies .
then when you go see them they turn out to be either raunchy sex acts like austin powers with characters named fat bastard - - or big daddy where adult characters get their jollies by buddying up to naive five year olds and encouraging them to experiment with drugs and mistreatment .
folks in hollywood are trying to develop a preteen market for raunchy stuff , but i think most american parents would agree that early childhood is a time of mental innocence that should be protected from uncaring media market exploitation .
to many american mothers
there 's probably nothing more pathetic and unsettling than the sight of a theater full of unsupervised little eight year olds laughing raucously as movie character father adam sandler jokes about a woman 's " ice cold tits . "

Ex Output:

N