In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

Q: A divorcee, Zoe Jensen (Michael Learned), moves to San Francisco from Omaha in an effort to rebuild her life. She has reluctantly left her young son back home with his grandmother until she is more financially secure. She joins a local church choir which has just gained a new, demanding choirmasterâretired music conductor Ephraim Adams (John Houseman). Adams challenges the choir to dramatically improve, creating discomfort for some of the members, particularly when he sets the high goal of performing Handel's Messiah for a Christmas concert. Meanwhile, the choir overcome personal setbacks as they all deal with personal issues.A teacher by profession, Zoe soon learns no positions are available and that she lacks training to perform more readily available work. Living in an inexpensive flat, she brushes up her typing skills in order to gain employment before her mother wearies of looking after her son, who is growing anxious from his separation from Zoe.Zoe receives her grounding at church, where an assortment of inner-city residents range from a former opera singer to a student seeking to educate himself for a life in a profession. The opera singer falls by the wayside when ego gets in her way, while the student is falsely accused of vandalism simply because of his race, yet is vindicated by those who know and believe in him. Together, they persevere in the church choir. Along the way, Zoe finds an office job and, with the help of a bargain hunter, prepares a pleasant home for her son and herself.Unexpected talent abounds within the choir. The amateurs give their best as ones who perform for the love of the music. This love extends far beyond the choir loft. When vandals damage the pipes to the church organ, the choir band together to make the needed repairs.At a pre-performance holiday dinner the choir sees a different side of Ephraim Adams as he presents gifts to the choir members and joins in the merriment. Weakness suddenly overtakes him and he collapses; at a local hospital it is determined he has had a stroke.The choir performs the Messiah admirably at the Christmas concert, accompanied by the vintage organ, with a wheelchair-bound Adams in attendance. The choir has progressed far beyond an unlikely group of city dwellers. They have become a family., Question: Where does Zoe receive her grounding?

A: Answer: Church
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Q: The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: A parallel plotline involves circus artists of which nationality?

A: Answer: Polish
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Q: The plot focuses on a field trip by Professor Ernst Prell to investigate Yeti sightings, along with four graduate students: Keith Henshaw, Karen Hunter, Tom Nash and Lynn Kelly.The night before the trip, the professor invites Keith to dinner at a restaurant, where he samples an exotic dish named "gin sung." The rest of Dr. Prell's students attend an off-campus party where they encounter a former student, turned alcoholic groundskeeper, named Spencer St. Clair, who is there with his wife April. St. Clair proceeds to tell everyone within earshot the story of Prell's last Yeti-seeking field trip, which only he and the professor survived.After the party, Spencer continues to drink, and upon returning home fights with his wife and cuts her throat with an electric carving knife. Afterwards, he climbs into the bathtub fully clothed. He is killed by his not quite dead wife, who drags a toaster into the bathroom and dumps it into the bath, electrocuting him.In the morning, the professor travels by van with his students to Boot Island, where his friend Dr. Karl Werner lives. Werner has recently seen the Yeti on his island, and conjectures that he was marooned there by melting winter ice. He introduces the others to a mute Native American manservant named Laughing Crow. The group have dinner, which is again "gin sung," then go to sleep after one of the students, Tom, sings a song about the Yeti.The next day, the professor and his students begin their search in the woods of the island. Tom sneaks off to go hunting and is killed by the Yeti, a shaggy creature whose loud heartbeat is clearly audible. The rest of the group look for Tom the next morning. Karen finds only his rifle and his severed leg. Meanwhile, Lynn goes into Dr. Werner's greenhouse and sees something that frightens her; she runs into the woods and is also killed by the Yeti.At the house, the remaining students find that the phone is out of order. The professor decides to use Tom's leg as bait to lure the Yeti into a trap. The plan fails, however, as Prell returns to the house claiming he was knocked down by the monster, who escapes with the leg in its jaws. Prell then decides to try again, using Lynn's body as bait. Karen tries to hide the body in the greenhouse, where she discovers the rest of Tom's body, and passes out. When she awakes, Dr. Prell tells her it must have been a dream as she was asleep for quite some time. Karen doesn't believe him leading them all back to the greenhouse where they uncover Lynn's body. "I guess this proves its not Tom," Prell said.Disgusted that Dr. Prell is going to use their friends body as bait, Karen reluctantly agrees to help out by taking photos, under the condition that they leave Boot Island if they succeed or fail. Both Dr. Prell and Keith agree. Karl wishes them good luck.The professor ties Lynn's body to a tree and the trap is set. The Yeti appears and Keith chases it into the woods. He tracks it by the sound of its heartbeat, but makes the discovery that the sound is actually coming from a speaker attached to a tree. Someone knocks him out with a branch.Back at the house, Laughing Crow is shown listening to an LP record of the Yeti's heartbeat. It turns out that Dr. Prell and Werner are cannibals, using the Yeti scam as a way to lure victims, and that the Yeti is actually Dr. Werner in disguise. While Karen is asleep upstairs, Keith returns to the house and discovers Dr. Prell and Dr. Werner discussing what to do with her. Werner thinks they should just kill her, but Prell says that the code calls for no body bruises and that she must be frightened to death. Keith pulls out a rifle and orders both men to put their hands up. They ignore him. He shoots at them, finding out that the shells are blanks. He is then knocked unconscious by Laughing Crow. Still asleep upstairs, Karen wakes to a growling noise. She looks out the window and finds the Yeti running full speed at the house. Karen flees through the house and ends up trapped in a bathroom. She opens a cabinet to find Laughing Crow holding a knife, and dies of fear. While setting up for their big breakfast, Keith wakes up and manages to sneak away. He tries to escape in the van,but it gets stuck in the mud while trying to hide from the party guests funeral procession. Keith then hoofs it down to the bridge where he manages to flag down a cop who takes him back to the house. At the breakfast, Prell and Werner salute the party guests and hosts, toasting the previous schemes which have provided victims. Keith returns with a local policeman, only to find out that he too is a cannibal. Prell and Werener explain that the "gin sung" Keith has eaten is actually human flesh, and they invite him to join their cannibalistic society. They bring in Karen's body, and Laughing Crow, brandishing an electric carving knife, speaks for the first time, saying "Mr. Henshaw â white meat or dark?" Keith drools. The film ends., Question: Who knocks Keith unconscious?

A:
Answer: Laughing Crow
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