In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

[Q]: number one female vocalist . I saw her in concert and the next night I drove to another state to see her again. Wow, she does sound better than her recordings. Her voice is so sweet it brought tears to my eyes. Genre? I love jazz, folk, blues... Hey, its roots. She's beautifully and purely Lizz. I can't wait till she gets back to the states. You can't hold a moon beam in your hand
[A]: POS


[Q]: 7.5/10 . _In the Fishtank_ is an ongoing venture of an independent record company that allows the free exchange of musical ideas between (usually) two bands. Ultimately, the _Fishtank_ delivers exactly what it promises: a veritable fusion of the bands in question to create a sound that in itself is unique, but could also realistically (though far-fetched perhaps) fit in with any of the individual artists' other recordings. The bands involved with this volume of _Fishtank_ are Isis and Aereogramme, two bands that have some overlapping qualities, but aren't exactly the same by any means. This is the first and only _Fishtank_ volume I have heard as of yet, but it is apparently a great success on more than one level.    "Low Tide" starts with a tender, echoing melody that sprouts like an elaborately blooming plant. The reverberating music seems to lean more towards the style of Isis, but the singer of Aereogramme handles the vocals. My first impression was that the vocals sounded a bit like Maynard James Keenan's quivering falsetto. Just a bit. Well maybe a bit more than a bit. Either way, they sounded good. The track builds up with a pulsing bass line and industrial rhythm then calmly dissipates into the vast void of the sea. "Delial" gets off to a heavier start, and the hollow vocals of Isis' Turner become shrouded in a driving rhythm that evolves into an abrasive screech.  The third track, "Stolen" is more relaxed, with an extremely peaceful orchestration forming the bulk of the song, which trails off into an ambient mix of synths and natural sound effects.    The _Fishtank_ concept is a good idea, and it provides a bridge of discovery for fans of both bands involved. For having only two days to produce the songs, I'd say both bands did a great job. I would also say that both fanbases will enjoy this, and for the price, it is another good impulse buy if you're looking for something new. Actually, I recommend getting all three albums in the Isis/Aereogramme trilogy that I have reviewed, along with _In the Absense of Truth_ and _Seclusion_, and listening to them in succession with the _Fishtank_ in their midst. All else aside, this volume has prompted me to seek out the others
[A]: POS


[Q]: I'm Sick Of It All... . Ok, so KS has a similar voice to Conor Oberst. So what? What's the big deal? Blink-182, Good Charlotte, and Simple Plan all sound exactly the same, and they're getting five star reviews! Just lay off of it. And, even though their voices are similar, their music is much different, they sound different. They even use orchestras and accordions and brass and woodwinds and... well, that's it. But this is not your ordinary rip off folk/indie band. And, maybe his voice naturally sounds like Conor Oberst's. You can't help that. An Angle are very talented and experiment with different sounds. I pop this CD in from time to time, not my favorite, but it's very good! So, just give this a chance without thinking it as a Bright Eyes rip-off, because that's just what it's not
[A]:
POS