In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: the swooping shots across darkened rooftops suggest a very tim burton movie , but , alas , no caped crusader descends to save * this * film
.
instead , it 's a skeletal housemaid ( julia roberts ) who must bear witness to this unfortunate retelling of " dr .
jekyll and mr .
hyde .
" for a few , fleeting , maddening moments , director stephen frears ( dangerous liaisons ) gets everything
just right-- the tone , the colors , the characters ; all the ingredients to make a most - powerful potion out of valerie martin 's best - selling novel .
yet it fizzles too quickly ; the volatile mixture losing potency from the very first scene .
casting is a large part of the problem .
the story all but collap- ses around ms .
roberts--
she does n't have the range for this kind of drama .
her accent also comes and goes , though it 's nowhere near as glaring as the total lack of chemistry between her and co - star john malkovich .
( he looks the same in both of his roles-- an incredible fact that 's missed by everyone in the story ! )
the very british supporting cast-- including michael gambon and george cole-- gives credibility to the smaller parts .
glenn close also appears as a madam that the good doctor calls upon .
her performance is as close to intentional camp as the movie ever gets and-- as a bonus-- offers a likely peek at her upcoming cruella de ville in the live - action 101 dalmantions .
the biggest botch in mary reilly is suspense : there is none .
no terror , no tension ; nothing .
without any weight , wit , or wonder to propel the story , the viewer is left with little more to do than pay attention to the period detail , a few buckets of blood , and stuart craig 's fabulously dreary production design .
all of which gets old after about an hour , at which point i recommend leaving .
( the pacing in the second - half is especially abominable .
if you * do * stick it through , your sole reward is a half - hokey special effect depicting the infamous transformation . )
mr .
frears reportedly recut his film several times , missing several release dates in the process .
( obviously , no one advised him to throw up his hands and just turn the whole damned thing over to mel brooks .
blucher ! )
mary reilly is the second robert louis stevenson story of the month , after muppet treasure island .
perhaps mr .
frears should consult with brian henson on future projects .
i daresay that
even ms .
piggy is a better choice for a certain roles than julia roberts .
and she does have a great chop !

Output: N


Input: Consider Input: susan granger 's review of " the musketeer " ( universal pictures ) hollywood launches another assault on classic literature with this $ 50 million adaptation of alexandre dumas 's novel
that 's strong on action
but weak on drama , fusing hong kong martial arts with 17th century swordplay .
the story chronicles the adventures of the dashing d'artagnan ( justin chambers ) as he leaves his village of gascogne , headed for paris , to join king louis xiii 's elite guard , the royal musketeers , and to search for the man who killed his parents 14 years earlier .
this puts him in conflict with the formidable febre ( tim roth ) , vicious henchman for conniving cardinal richelieu ( stephen rea ) .
the traditional musketeer trio - aramis ( nick moran ) , athos ( jan gregor kremp ) and porthos ( steve speirs ) - do n't offer much help
so he turns to the feisty francesca ( mena suvari ) , chambermaid to the queen of france ( catherine deneuve ) .
scripter gene quintano and director - cinematographer peter hyams are primarily interested in the derring - do , as evidenced by choreographer xin - xin xiong 's elaborate - but not original - stunts , including a fast - paced stagecoach chase , a tavern brawl on rolling barrels , high - wire acrobatics with the combatants dangling from ropes , and a ladder - fight sequence . filmed in southern france , the scenery , sets and costumes are spectacular , but the lighting is too dark and editing is filled with choppy , restless mtv'ish cuts .
as the swashbuckling d'artagnan , bland calvin klein model justin chambers buckles where he should be swashing , totally lacking on - screen charisma , not to mention acting skill .
mena suvari , so impressive in " american beauty , " seems like a contemporary interloper in the royal court .
on the granger movie gauge of 1 to 10 , " the musketeer " is a cinematic but shallow 3 .
" all for one and one for all " ?
not this time ' round .

Output: N


Input: Consider Input: if anyone had been able in 1983 to forsee a late - night cable show hosted by gilbert gottfried showcasing some of the worst films of the 80 's , they 'd agree d .
c .
cab is the quintessential " usa up all nite " movie .
it 's one of those childish r - rated movies that kids would love but ca n't see until it 's edited for tv .
it 's also one of those pointless , almost plotless movies with hardly any laughs .
and , strike three , it pairs mr .
t with gary busey .
i heard gilbert say d .
c .
cab had " an all - star cast , " but
i 'm still hoping there was some degree of facetiousness in that statement .
when third - billing goes to a two - minute appearance by famed flashdancer irene cara " as herself , " you ca n't say a damn thing about all - star casts .
likewise for token appearances by marsha " roz " warfield , paul rodriguez and
" politically incorrect " host bill maher , before he was somebody .
appearing in d .
c .
cab pretty much had the opposite effect on everyone else , especially irene
" i 'm gon na live forever " cara .
d .
c .
cab is an ensemble comedy from joel schumacher ( who would go on to direct batman forever ) about a bunch of misfits who drive cabs .
you get the feeling if the police academy cadets had made a different career choice , this would be the result , except here you have such interesting characters as the " token white guy " ( busey ) who wants to get in tight with the blacks now before they take over the world , the token jive talker named tyrone ( charlie barnett ) who wears his hair in rollers and uses the word " honkey " as much as possible , the tough guy with the mohawk and gold chains ( mr .
t -- a real stretch for him )
, the aspiring musician waiting for his big break ( maher ) , the mexican gigolo ( rodriguez ) , the woman who actually wants to drive cabs for a living ( warfield ) and the guy who wants to own a cab company for a living ( adam baldwin ) .
we 've all seen dozens of bad comedies from the 80 's .
some are fun to watch and some are actually funny .
this one is more or less neither .
you 'd think plenty of comedic sparks would fly from the assemblage of talent ( whatever ) , but d .
c .
cab more or less
falls flat on a continual basis , culminating in the usual contrived hollywood finale as baldwin is kidnapped and the other cabbies have to go to rescue him .
it 's a shame
no one was able to rescue this movie from the depths of stale jokes and unoriginality .
d .
c .
cab has rightly earned its position on " usa up all nite . "


Output: N