In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Input: Consider Input: Question: What year was the university Lawrence Lessig taught at founded? Passage 1:Promoted lieutenant-colonel in 1852, and colonel (and commanding officer of the 5th Uhlans) in 1853, Manteuffel was sent on important diplomatic missions to Vienna and St Petersburg. In 1857 he was promoted to major-general and chief of the Prussian Military Cabinet (the King's military advisers). He gave strong support to the Prince Regent's plans for the reorganization of the army. In 1861 he was violently attacked in a pamphlet by Karl Twesten (1820–1870), a Liberal leader, whom he had wounded in a duel, for which Manteuffel insisted on being briefly imprisoned. He was promoted to lieutenant-general for the coronation of William I on 18 October 1861 and saw active service in that rank in the Danish War of 1864, then at its conclusion was appointed civil and military governor of Schleswig. In the Austrian War of 1866 he first occupied Holstein and afterwards commanded a division under Vogel von Falkenstein in the Hanoverian campaign, then in July succeeded Vogel in command of the Army of the Main.
 Passage 2:Remix culture, sometimes read-write culture, is a society that allows and encourages derivative works by combining or editing existing materials to produce a new creative work or product. A remix culture would be, by default, permissive of efforts to improve upon, change, integrate, or otherwise remix the work of copyright holders. While a common practice of artists of all domains throughout human history, the growth of exclusive copyright restrictions in the last several decades limits this practice more and more by the legal chilling effect. In reaction, Harvard law professor Lawrence Lessig who considers remixing a desirable concept for human creativity has worked since the early 2000s on a transfer of the remixing concept into the digital age. Lessig founded the Creative Commons in 2001 which released Licenses as tools to enable remix culture again, as remixing is legally prevented by the default exclusive copyright regime applied currently on intellectual property. The remix culture for cultural works is related to and inspired by the earlier Free and open-source software for software movement, which encourages the reuse and remixing of software works.
 Passage 3:Sabita Devi (1914–1965) was a Hindi film actress in Indian cinema. She is stated to be one of the "prominent" leading ladies of the "pioneering era" of Indian cinema along with Mehtab, Bibbo, Durga Khote, Gohar, Devika Rani and Seeta Devi. A Jewess by birth, she changed her name to find acceptability in Hindi cinema like the other Anglo-Indian and Jewish actresses of her time, Sulochana (Ruby Myers), Seeta Devi (Renee Smith), Madhuri (Beryl Claessen), and Manorama (Erin Daniels). After initially working with British Dominion Films Ltd., Calcutta, she shifted to Bombay and performed mainly in films produced by Sagar Movietone with her co-star in most films being Motilal. Some of the popular films with Motilal were Dr. Madhurika (1935) and Kulvadhu (1937) directed by Sarvottam Badami. Their first film together was Shaher Ka Jadoo (1934), which was also Motilal's debut film, and then Lagna Bandhan (1936) both directed by Kaliprasad Ghosh. She acted in Silver King (1935) with Motilal. It was an action film directed by C. M. Luhar, which became a "huge success".


Output: 2


Input: Consider Input: Question: What is the birthdate of the person who Juan David García Bacca criticized causing him to go into exile? Passage 1:On 26 March 2015, it was announced that Treweek was to become the next Bishop of Gloucester, the diocesan bishop of the Diocese of Gloucester. Though there had been two women appointed bishops previously in the Church of England, she was the first woman to be appointed a diocesan bishop, rather than as a suffragan bishop. She was the first woman to become a bishop in the Province of Canterbury, jointly with Sarah Mullally, Bishop of Crediton. On 15 June 2015, her election was confirmed during a sitting of the Arches Court of Canterbury at St Mary-le-Bow, City of London. At this point, she legally became the Bishop of Gloucester. On 22 July 2015, she was consecrated a bishop by Justin Welby, the Archbishop of Canterbury, during a ceremony at Canterbury Cathedral. She and Sarah Mullally (later Bishop of London) were the first women to be ordained as bishops at Canterbury Cathedral. On 19 September, she was installed at Gloucester Cathedral as the 41st Bishop of Gloucester.
 Passage 2:During the Second World War Hakewill-Smith initially served as Commanding Officer (CO) of the 5th Battalion, Devonshire Regiment, for several months from May 1940 and from September that year, as the CO of the 4th/5th Battalion, Royal Scots Fusiliers, as an acting lieutenant colonel. He was promoted to temporary brigadier on 30 March 1941, and commanded the 157th Infantry Brigade until late March 1942. He then became Director of Organization at the War Office before assuming command of the 155th Infantry Brigade in mid-February 1943. On 26 December 1943, promoted to temporary major general, he assumed command of the mountain warfare-trained 52nd (Lowland) Infantry Division from Major-General Neil Ritchie as its General Officer Commanding (GOC). He commanded the 52nd Division during the campaign in North-West Europe, from October 1944 until May 1945.
 Passage 3:Garcia Bacca studied under the Claretians and became a priest in 1925. He continued his formative studies at the University of Munich, University of Zurich and the University of Paris. Yet he quit the Church during the 1930s and began to study philosophy at the University of Barcelona. In 1936 he went into exile because of his criticism of Francisco Franco, traveling first to Ecuador, where he taught at the Central University of Ecuador (1939–42) where he became a close friend with the writer Alfredo Pareja Diezcanseco, then to México, where he taught at the UNAM (1942–46) and finally establishing in Venezuela in 1946 and becoming a Venezuelan citizen in 1952. He started teaching upon his arrival at the Central University of Venezuela in 1946 until his retirement in 1971. He won the National Prize for Literature in 1978 for his life's work.


Output: 3


Input: Consider Input: Question: Was Marvel or DC comics founded first? Passage 1:After a friend at college complimented his inking, karl Kesel began submitting his portfolio to Marvel Comics and DC Comics. Kesel's first work for DC Comics appeared in New Talent Showcase #4 (April 1984). He soon became the inker on Tales of the Legion of Super-Heroes - so soon, in fact, that he suspected that he was assigned New Talent Showcase #8 as a test run to see how well he gelled with Tales of the Legion penciller Terry Shoemaker. Kesel was discouraged that inks which looked smooth and clear on his original pages appeared clunky in the printed comics, and with some guidance from Dick Giordano he studied how to draw in a way that would appear better on the printed page. Kesel worked on the lighthearted 'Mazing Man series, as well as providing inks over the pencils of George Pérez on History of the DC Universe and John Byrne on Legends and Superman vol. 2. With his then-wife Barbara Kesel, he co-wrote a Hawk and Dove miniseries in 1988 which was drawn by Rob Liefeld. Kesel and artist Tom Grummett are the creators of the modern Superboy character, Kon-El, who debuted in the "Reign of the Supermen" story arc, starting from The Adventures of Superman #500 (June 1993). An ongoing Superboy series was launched by Kesel and Grummett in February 1994. In 1996, Kesel and artist Stuart Immonen produced The Final Night limited series. That same year, Kesel was one of the many creators who contributed to the  one-shot wherein the title character married Lois Lane. Kesel wrote the Batman and Superman: World's Finest ten-issue limited series (April 1999–Jan. 2000) which explored the Post-Crisis history of the two with each of the ten issues taking place one year after the other. He and artist Terry Dodson launched a Harley Quinn ongoing series in December 2000.
 Passage 2:Turkish Cypriot migration to Australia began in the late 1940s; they were the only Muslims acceptable under the White Australia Policy. Prior to 1940, the Australian Census recorded only three settlers from Cyprus that spoke Turkish as their primary language, although many Turkish Cypriot arrivals spoke Greek as their first language. A further 66 Turkish Cypriots arrived in Australia in the late 1940s, marking the beginning of a Turkish Cypriot immigration trend to Australia. By 1947-1956 there were 350 Turkish Cypriot settlers who were living in Australia. Between 1955-1960, the Turkish Cypriots felt vulnerable in Cyprus as they had cause for concern about the political future of the island when the Greek Cypriots attempted to overthrow the British government and unite Cyprus with Greece (known as "enosis"). After a failed attempt by the Greek Cypriots, the right-wing party, EOKA, reformed itself from 1963–1974 and launched a series of attacks. This resulted in the exodus of more Turkish Cypriots to Australia in fear for their lives. Early Turkish Cypriot immigrants to Australia found jobs working in factories, out in the fields, or building national infrastructure. Some Turkish Cypriots also became entrepreneurs and established their own businesses once they had saved enough money. By 1974, an exodus of more Turkish Cypriots to Australia occurred due to fears that the island would unite with Greece when the Greek military junta staged a coup d'état against the Cypriot President, with the help of EOKA B. Immigration to Australia has continued since as a result of an economic embargo which was launched against the Turkish Cypriots by the Greek Cypriot controlled Republic of Cyprus due to the establishment of the Turkish Republic of Northern Cyprus (TRNC) which has remained internationally unrecognised except by Turkey.
 Passage 3:Following Rhodesia's Unilateral Declaration of Independence from the British Empire, the new Rhodesian authorities started to crack down on African liberation movements. One of their considerations was to ban performance of "Ishe Komborera Africa" in African schools and public performance of it often made people liable for arrest by the British South African Police. The District Commissioner for Gutu abolished the Gutu African Council after its leader opened a meeting by singing "Ishe Komborera Africa" in the District Commissioner's presence. The Commissioner also had the leader arrested but he was released without charge. Following the Southern Rhodesian general election, 1980, after Zimbabwe Rhodesia returned to British control as Southern Rhodesia, Robert Mugabe's Zimbabwe African National Union party won to become the first government of an independent Zimbabwe. After this, "Ishe Komborera Africa" was selected to replace the official "God Save the Queen" of Southern Rhodesia and the unofficial "Rise, O Voices of Rhodesia" of Rhodesia as the national anthem of an independent Zimbabwe as it was a symbol of black African struggles and solidarity against apartheid systems in South Africa and Namibia. At the Zimbabwean independence ceremony, the Union Jack was lowered to "God Save the Queen" and the new flag of Zimbabwe was raised to "Ishe Komborera Africa" in Salisbury.



Output: 1