In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Review: The Last of the Blond Bombshells is an entertaining bit of fluff. Judy Dench plays Elizabeth, a newly widowed woman at loose ends. She has spent most of her life being the dutiful wife and mother but has never been truly happy.Shortly after her husband's funeral, Elizabeth is having her regular lunch date with her stick-in-the-mud children when she spots a street performer. This sparks memories of when she was a member of an all girl swing band in London during World War II. We soon learn that the band was not exactly all girl as the drummer was a man dressing as a woman ala Some Like It Hot.Elizabeth pulls out her sax (which she has been secretly practicing throughout her marriage) and joins forces with the guitar-playing street musician. Elizabeth is far more talented than the guitarist, and the money begins to flow in. She doesn't take any money as she is wealthy and doesn't need it. Her playing is strictly for artistic fulfillment.Elizabeth is seen one day by Patrick (Ian Holm) who was the drummer-in-drag of the band. It seems that Patrick was - and still is - quite the ladies' man, and Elizabeth - being only fifteen at the time - was the only band member who did not experience Patrick's "talents" other than drumming.Elizabeth is inspired by her granddaughter to get the old group together once again to play for the granddaughter's school dance. Thus begins a delightful trip down memory lane combined with aspects of a humorous road trip movie - all topped off with some really good swing and blues.I guess I'm at the age in which I really enjoy older actresses doing their stuff, and this film is a treasure trove as it not only stars Judi Dench, but she is supported by none less than Olympia Dukakis, Leslie Caron, and a host of seasoned British character actresses. This is all topped off by the extraordinary voice of Cleo Laine.Yes, it is fluff, but totally delightful and exceedingly entertaining fluff. Question: is it a positive review?
yes

Review: Sure, 65 years have passed since Thalberg's last production was filmed. But fellow IMDB members, come on, this movie is surely one of the masterpieces of the 30's! It is a 10.This was the first movie I saw at New York's Museum of Modern Art, around 1970 (I was a teenager). Expensive looking yet with scenes of such poverty, masterfully photographed, often thrilling, and always engaging, to me it was MGM movie-making at its best. What did audiences feel when they glimpsed a locust attack, the person by person destruction of a mansion, the horrific poverty and then the splendor of wealth.Last week, those watching the Academy Awards had a glimpse of the "senior" Oscar winner in attendance, Luise Rainer. How grand to see an actress who arguably delivered one of the most masterful, haunting performances in history electing to return for a celebration.Ok, so she should not have won the year before (Great Ziegfeld), but don't blame Luise. Talkies were only a decade old when this was released, and her dialogue limited. But as Olan, her use of visual and vocal is memorable.Large scale and touching, what more could a movie lover want! Question: is it a positive review?
yes

Review: A trio of buddies, sergeants all in the British Army, carouse & brawl their way across Imperial India. Intensely loyal to each other, they meet their greatest & most deadly challenge when they encounter the resurgence of a hideous cult & its demented, implacable guru. Now they must rely on the lowliest servant of the regiment, the water carrier GUNGA DIN, to save scores of the Queen's soldiers from certain massacre.Based more on The Three Musketeers than Kipling's classic poem, this is a wonderful adventure epic - a worthy entry in Hollywood's Golden Year of 1939. Filled with suspense & humor, while keeping the romantic interludes to the barest minimum, it grips the interest of the viewer and holds it right up to the (sentimental) conclusion.It is practically fruitless to discuss the performance nuances of the three stars, Cary Grant, Victor McLaglen & Douglas Fairbanks Jr., as they are really all thirds of a single organism - inseparable and, to all intents & purposes, indistinguishable. However, this diminishes nothing of the great fun in simply watching them have a glorious time.(It's interesting to note, parenthetically, that McLaglen boasted of a distinguished World War One military career; Fairbanks would have a sterling record in World War Two - mostly in clandestine affairs & earning himself no fewer than 4 honorary knighthoods after the conflict; while Grant reportedly worked undercover for British Intelligence, keeping an eye on Hollywood Nazi sympathizers.)The real acting laurels here should go to Sam Jaffe, heartbreaking in the title role. He infuses the humble man with radiant dignity & enormous courage, making the last line of Kipling's poem ring true. He is unforgettable.Montague Love is properly stalwart as the regimental major, whilst Eduardo Ciannelli is Evil Incarnate as the Thuggee guru. The rest of the cast, Joan Fontaine, Robert Coote, Lumsden Hare, are effective but have little to do. Movie mavens will recognize Cecil Kellaway in the tiny role of Miss Fontaine's father.The film picks its villains well. The demonic Thuggee cult, worshipers of the hideous, blood-soaked Kali, Hindu goddess of destruction, was the bane of Indian life for 6 centuries, ritualistically strangling up to 30,000 victims a year. In 1840 the British military, in cooperation with a number of princely states, succeeded in ultimately suppressing the religion. Henceforth it would remain the stuff of novels & nightmares. Question: is it a negative review?

no