In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.

Passage: The film tells a fictionalized version of the Pilgrims' voyage across the Atlantic Ocean to North America aboard the Mayflower. During the long sea voyage, Capt. Christopher Jones falls in love with Dorothy Bradford, the wife of William Bradford. The love triangle is resolved in a tragic way at the film's conclusion.  Ship's carpenter John Alden -- said to be the first person to set foot on Plymouth Rock in 1620—catches the eye of Priscilla Mullins, one of the young Pilgrims following William Bradford.  Alden ultimately wins Priscilla in another, if subtler, triangle with Miles Standish.   Lloyd Bridges provides comic relief as the first-mate Coppin, and child star Tommy Ivo gives a touching performance as young William Button, the only passenger to die on the actual voyage across the storm-swept Atlantic, who, according to this film, wanted to be the first to sight land and to become a king in the New World. "I'm going to be the first to see land. Keep me eye peeled, I will. Then I'll be the first. It'll be like the Garden of Eden and I'm going to be the first to see it". 
Question: Whose husband does the girl that notices the first person to set foot on Plymouth Rock follow?
Dorothy Bradford.

Passage: Franklin Bean is shown in flashback with his father, a postal worker at his high school. His poor performance is attributed to a lack of discipline which a school officials assures the elder Bean can be fixed with a stint in the Army. Then, in present day, PFC Bean is attending his father's funeral before returning to his duty station in Germany. In his state of grief he gets drunk, punches an MP and breaks through a plate-glass window in a local bar. Bean's army lawyer secures a plea deal, struck by his attorney Captain Ramon Garcia, in lieu of a court martial which involves him removing unauthorized tattoos from his hands (obtained during his drunken rampage), paying for a broken window and serving 90 days in the camp stockade. He is met at the gates by a decorated Korean War veteran Master Sergeant named Otis McKinney. 
McKinney explains that the stockade is fairly small and, as a result, he is in complete charge of the compound while being supported by two guards; Corporals Harold Lamar and Gerald Gessner. Bean finds a sympathetic ear in stockade guard Corporal Lamar after learning he is just as afraid of McKinney and only "serving his own time." Gessner is a somewhat spineless lackey to McKinney whom he clearly admires and respects. 
Question: What is the last name of the person whose poor performance is attributed to a lack of discipline?
Bean.

Passage: Stefan Lochner (the Dombild Master or Master Stefan; c. 1410 – late 1451) was a German painter working in the late "soft style" of the International Gothic. His paintings combine that era's tendency toward long flowing lines and brilliant colours with the realism, virtuoso surface textures and innovative iconography of the early Northern Renaissance. Based in Cologne, a commercial and artistic hub of northern Europe, Lochner was one of the most important German painters before Albrecht Dürer. Extant works include single-panel oil paintings, devotional polyptychs and illuminated manuscripts, which often feature fanciful and blue-winged angels. Today some thirty-seven individual panels are attributed to him with confidence.
Less is known of his life. Art historians associating the Dombild Master with the historical Stefan Lochner believe he was born in Meersburg in south-west Germany around 1410, and that he spent some of his apprenticeship in the Low Countries. Records further indicate that his career developed quickly but was cut short by an early death. We know that he was commissioned around 1442 by the Cologne council to provide decorations for the visit of Emperor Frederick III, a major occasion for the city. Records from the following years indicate growing wealth and the purchase of a number of properties around the city. Thereafter he seems to have over-extended his finances and fallen into debt. Plague hit Cologne in 1451 and there, apart from the records of creditors, mention of Stephan Lochner ends; it is presumed he died that year, aged around 40.
Lochner's identity and reputation were lost until a revival of 15th-century art during the early 19th-century romantic period. Despite extensive historical research, attribution remains difficult; for centuries a number of associated works were grouped and loosely attributed to the Dombild Master, a notname taken from the Dombild Altarpiece (in English cathedral picture, also known as the Altarpiece of the City's Patron Saints) still in Cologne Cathedral. One of Dürer's diary entries became key, 400 years later, in the 20th-century establishment of Lochner's identity. Only two attributed works are dated, and none are signed. His influence on successive generations of northern artists was substantial. Apart from the many direct copies made in the later 15th century, echoes of his panels can be seen in works by Rogier van der Weyden and Hans Memling. Lochner's work was praised by Friedrich Schlegel and Goethe for its qualities, especially the "sweetness and grace" of his Madonnas. 
Question: What is the full name of the person whose influence on successive generations of northern artists was substantial?

Stefan Lochner.