In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: there is nothing like american history x in theaters or on video .
no other feature film takes such a cold hard look at the lure , the culture , and the brotherhood of white supremacy .
nice guy ed norton jr .
( who sang in everyone says i love you )
plays derek , a twenty - year old skinhead .
dad 's subtle racism grew large in derek , after gang members killed his father .
dad was fighting a fire when they shot him .
now derek keeps his head shaved and has a giant swastika tattooed over his heart .
derek is more interested in the ideas of white supremacy than in its culture of violence .
at a basketball court , black and white tempers flare .
derek channels the aggression into a game , black versus white , for ownership of the courts .
when the choice presents itself , derek goes for game point instead of the sucker - punch .
cameron ( stacy keach ) steps in to derek 's life as a surrogate father .
he takes derek under his wing and nurtures his racist feelings .
keeping his own criminal record spotless , he uses derek as a leader and organizer for high - visibility racial intimidation .
derek obliges by leading his younger and dumber friends in race - motivated mob crimes .
at the bottom of the chain , derek 's younger brother danny ( edward furlong , made famous in terminator 2 ) joins the skinheads not for ideological or intellectual reasons , but because he admires his brother and he wants to belong .
one night three black youths break into derek 's truck , which is exactly what derek has been waiting for .
outside in his shorts and his tattoo , he shoots them all .
the third would - be thief , unarmed , is only wounded .
in the key scene of the film , derek commands the kid into a position where he can be killed with one glorious , enraptured , awful stomp .
( the fun - spoiling nc-17 of orgazmo seems even more inappropriate , considering american history x was rated r .
what sort of country is this that says sex comedies are a bigger threat to our youth than brutal , ecstatic violence ? )
the police arrive just as derek kills the last thief .
derek does not resist the cops , and as they spin him around to cuff him , the film slows down .
derek raises his eyebrows and smiles at his little brother in a chilling , sadistic , satisfied grin .
now in prison , derek faces new challenges .
as the black man in the laundry tells him , " in the joint , you the nigra , not me .
"
there is a clique of swastika - wearing skinheads , but they are not interested in the ideology of white supremacy .
they only use the symbols as a means of intimidation .
derek finds himself truly alone , truly in danger , and truly afraid .
when derek finally gets out of prison , he finds that his friends from the gang have also changed .
without derek 's leadership , they have shunned the white supremacist ideology for the white supremacist culture .
it is the final factor that makes him realize how badly he 's screwed up .
in the end , he spends quality time with is brother trying to undo the respect and admiration he had earlier inspired in danny .
the film ends a little too deliberately , too neatly after the unchained emotion and violent glee of the rest of the film , but it barely detracts from the overall experience .
edward norton gives an oscar - worthy performance .
although some of his dialogue seemed to be written without enough conviction , norton 's performance compensated .
( an example that comes to mind is his pep talk before looting the store . )
he also captured the essence of an older brother .
he took his responsibility as a role model to his younger brother very seriously , very lovingly , both before and after his change of heart .
though clearly not for all tastes , this film is bold and daring .
the subject matter is ugly , cruel , and at times hard to look at .
nevertheless its subjects are part of humanity 's great face .
kaye gives us a good look at this fascinating , if distasteful , american subculture .

Output: P


Input: Consider Input: vegas vacation is the fourth film starring chevy chase and beverly d'angelo as the heads of the hapless griswold family .
as with the other three films , their two children , rusty and audrey , are played by a revolving series of actors .
this time ethan embry and marisol nichols fill the roles .
also back , is cousin eddie ( randy quaid ) , the slob relative who seems to bring problems wherever he goes .
in vegas vacation clark griswold ( chase ) decides to take the family on vacation to las vegas so that he and wife ellen ( d'angelo ) can renew their wedding vows .
it is at this point when comedy is supposed to ensue .
apparently the filmmakers thought that putting the griswolds into las vegas would be so funny on its own that they would n't bother to write any jokes into the script .
at least that 's the way it looks when watching this turkey .
about half way through vegas vacation i began to have serious doubts as to whether there would actually be a single laugh in the entire film , since there had been none up to that point .
by the end of the movie i had actually snickered a couple of times , and i had smiled at a couple of gags .
i might add that none of the funny ( and i use the term loosely ) moments came as a result of anything chase , d'angelo or quaid were involved in .
they might as well have stayed home for as much as they contributed to this film .
the two best things in this movie were ethan embry and marisol nichols as the griswold kids , who manage to have a couple of their own adventures .
rusty becomes a vegas high roller , providing most of the film 's best moments .
every time chase and quaid were involved in a gag , it just made it more and more apparent that they should have stopped this series after the third film .
which brings me to the best moment of the film .
the griswolds are driving down the highway and holiday road ( the theme from the original vacation ) begins to play .
christie brinkley and her red ferrari ( also from the first movie ) drive by .
it was a cute moment , but all it really did was remind me just how funny the first film had been , and just how far that this series has fallen . too bad .

Output: N


Input: Consider Input: look !
the new version of " psycho " came out and the world did n't end !
i guess gus van sant really is n't the bringer of the apocalypse !
unfortunately , though , that " psycho " did n't end the world as we know is the best thing that can be said for it .
van sant 's controversial " re - telling " of alfred hitchcock 's classic 1960 film has polarized filmgoers everywhere ( even before it premiered . ) without benefit of an actual viewing , many have said that the film will , at best , suck .
being an ( almost ) good critic , i waited until i actually saw it to decide that the film , at best , sucked ( and that concludes the use of the word " suck " and , hopefully , the thoughts that i am a brain - dead orangutan . )
director gus van sant took the original hitchcock film and refilmed it , shot - for - shot , using the same , exact script ( with a few minor alterations . )
the inherent challenge was in making the film suspenseful and scary , even though a large group of the audience will know exactly what will happen at the exact time .
suspense probably could have been attained if the actors had been able to create something new or different than the original .
sadly , that did not occur .
it is hard to be overshadowed by vera miles and john gavin ( from the original " psycho ) , but that is what exactly happened to julianne moore and viggo mortensen .
in moore 's case , the film would have been helped if " the x- files " gillian anderson had been cast instead ; especially since moore goes through the entire film doing a scully impression !
from the cold demeanor and expressions to her rigid way of forming a sentence , moore is scully !
mortensen ( who i liked in " g .
i .
jane " )
opts to play sam loomis as a cowboy / hick , which would have been nice if he had gone past that starting point .
sam has a twang and a cowboy hat , but that 's about it .
mortensen turns in one of the most uptight performance in recent memory .
anne heche , in the janet leigh role , does a few good things in her brief time on screen .
at least her marion crane has a little life in her , which ca n't be said for most of the rest of the cast .
the best work , though , comes from vince vaughn , as the demented mama 's boy , norman bates .
he 's not going to make anyone forget anthony perkins , but he is effective both in being naughty and nice .
the best part of the film is the dinner scene heche and vaughn , where they simply talk .
there is some solid acting there , something that is not carried through the rest of the film .
van sant has made a boring film .
all the camera tricks that hitchcock so eloquently used in 1960 are n't as eye - catching now .
what passed for brilliance then has been copied so many times by so many directors that they do n't impress or excite .
van sant , in what i assume is a grasp at originality , decided to put some stream - of - consciousness images into a few famous scenes ( was that a lamb in the middle of the road ? )
these images , included with some questionable editing choices , took away from the scenes themselves and caused , at first , bewilderment and , later , laughter .
definitely not hitchcock 's intention !
at least danny elfman had the good sense to not mess with bernard herrmann 's original famous and terrific score .
if a film like " psycho " does not frighten , then what 's the point . aside from norman ,
the characters are thinly drawn people who leave no connection with the audience .
there are things van sant and company could have done to at least make their recreation interesting .
in the end , however , the new " psycho " is a noble attempt , but , alas , a dismal failure .


Output: N