In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Input: Consider Input: A7X Kicks Ass . Like others have said this cd is much more harder than City of Evil, and a little harder than Waking the Fallen, but still is a good cd. If your a new fan of A7X, I would suggest getting City Of Evil first, but don,t overlook this cd

Output: POS


Input: Consider Input: It's Just a Mess... . I disagree with the spotlight reviewer's assertion that this movie-musical was overproduced; it seems more to suffer from Spartan-like efforts in production.  I did enjoy the fact that part of Oz was in an urban setting (i.e., the subway station), but it looked like they didn't even try to clean it up a little.  But enough about the movie, this is the soundtrack...and as I stated above, it's a mess.  This classification mainly rests on the shoulders our "Diva Supreme" Diana Ross.  Stephanie Mills set the bar high, and Miss Ross did not even come CLOSE to that standard.  She was a visible, vocal and emotional failure.  Her renditions of "Be a Lion" and Home" (my favorite two songs} were dreadful--in the latter she even sang incorrect lyrics.  She just does not have the talent or ability to effectively communicate Dorothy's character, let alone sing her songs right.  I would rate this with ZERO stars if it were at all possible.  However, the two stars are earned by the members of the original cast (especially Mabel King) and one addition: Ms. Lena Calhoune Horne.  She was radiant in voice and appearance and brought the level of inspiration and power up a notch as she belted out "Believe in Yourself".  They alone save this movie and album from just being a total misstep.  Yet, we still have Diana Ross here absolutely slaughtering the vocals and pathos of Dorothy, so all-in-all it's just a mess

Output: NEG


Input: Consider Input: Not A Very Good Debut... . Tony Yayo's "Thoughts of a Predicate Felon" suffers from the fact that Tony Yayo simply doesn't know who he is (or who he is supposed to be) on this album. Before I listened to this album, I expected to hear gritty, descriptive rhymes about Yayo's criminal life. Unfortunately however, I, like many of you, tuned into tracks such as "Tattle Teller," "Curious," and "Project Princess." For an ex-convict, that is not the type of message you want to project to an audience that is expecting something more... hardcore; something better. On tracks such as "Live By The Gun" and "Homicide," Yayo delivers my aforementioned desire for "harder" lyrics, but tracks such as these are few and far between. Hopefully Tony Yayo can focus on doing this for his next album but for now, this debut album is simply a dissapointment


Output: NEG