Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

CONTEXT: The source material is essentially a recollection of a life lived by an individual on his death bed. We are seeing these things through the lens of memory, so it is meant to be an almost first person account. There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality. That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story. I won't comment on whether it was successful. The closest thing I can think at this moment that has this sort of movement might be in Wes Anderson movies where suddenly the naturalistic feel is broken in favor of a staged play: the Zissou movie and "Moonrise Kingdom" both take similar but more obvious breaks from naturalism.  <sep>  Q: Why is the audience sliding around in this scene from Le Temps retrouvé? A: We are seeing these things through the lens of memory, so it is meant to be an almost first person account  Q: A first person account of what exactly? A: That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story  Q: Is this why we see the camera panning around a lot? A: There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality  Q: That's interesting, what else can you tell me about the production? A: The source material is essentially a recollection of a life lived by an individual on his death bed  <sep> FOLLOWUP_Q: Can you tell me anything more about the film or the director?
No

CONTEXT: The Animatrix has both prequel stories, as well as concurrent stories to the Matrix. One of the stories even becomes explicitly canon when the protagonist of it becomes a minor but important character in Revolutions. Kid from Kid's Story shows up in Reloaded, but becomes important in Revolutions, when he helps save people during the Battle of Zion. The story itself takes place between The Matrix and Reloaded. There is no spoilers for Reloaded or Revolutions in any of the 9 short films.  <sep>  Q: How does Animatrix fit into the Matrix movies world? A: The Animatrix has both prequel stories, as well as concurrent stories to the Matrix  <sep> FOLLOWUP_Q: What else does it add to the main storyline?
Yes

CONTEXT: We don't know. All we know is that Chiron assaulted him with the chair. Certainly he was injured but we don't know the severity of the injuries. Given that Chiron is only sent to juvie it's extremely unlikely that Terrel was killed. Thus a charge of the Assault variety would seem likely but that is also unknown. We also don't know how long Chiron was in juvie but most age out of the juvenile system at 18, assuming he was tried as a minor. However, there is a 10 year time jump between the assault and when we see Chiron again so any sentence would have been less than that since Chiron has now relocated to another city, is considerably larger than before and is now established as a drug dealer.  <sep>  Q: What happened to Terrel? A: We don't know  Q: What happened to Chiron after this? A: Given that Chiron is only sent to juvie it's extremely unlikely that Terrel was killed  <sep> FOLLOWUP_Q: what happened to Terrell after the incident as this isn't covered?

Yes