Given a document, find the main entity about whom the author is writing. Write the full name if mentioned in the text. Note that URLs in the text have been replaced with [Link].

[EX Q]: âThis action involves the usurpation of money and property rights from  Plaintiff William J. Drayton   known as âFlavor Flav.â  Drayton  is recognized as one of the two key members of groundbreaking Hip Hop group Public Enemy. Public Enemy have been inducted into the Rock ânâ Roll Hall of Fame and have sold tens of millions of records â the suit states. âDespite  Drayton âs position in Public Enemy  the groupâs management and related companies have for years attempted to minimize his role in the Public Enemy business  while continuing to rely upon  Drayton âs fame and persona to market the brand."
In the lawsuit   Flavor Flav (real name William J. Drayton)  claims that  he  and Chuck D (real name Carlton Ridenhour) had a long-established agreement that profits from their music  merchandise and concerts would be split between them. Despite that alleged arrangement   Flavor Flav  claims that Public Enemy's business management firm Eastlink has not been sending the earnings he is owed  which have "diminished to almost nothing  and  Drayton  has been refused accountings  even on the items bearing his likeness " according to the lawsuit.
The suit also alleges that  Flavor Flav's  voice and image were used without his consent on Public Enemy's recent LP  Nothing is Quick in the Desert  which they released as a free download in June. The suit claims  Flavor Flav  requested $75 000 to record the album  of which he only received $7 500.
Beyond claiming Flavor Flav is owed the aforementioned royalties and fees  the suit also alleges that several merchandise deals  including one brokered by producer Gary G-Wiz to make action figures of the members  were made without  Flavor Flav's  consent or any compensation. Gary G-Wiz is also named in the lawsuit  as TMZ notes.
[EX A]: William J. Drayton

[EX Q]: DC Entertainment on Saturday announced the company is investigating  group editor Eddie Berganza  after Buzzfeed reported on his alleged history of predatory behavior.
Former writer Liz Marsham said  Berganza  kissed her during a party and groped her at a company gathering at a bar in 2006.
Another DC Comics employee reported a similar encounter. Joan Hilty  who is openly gay  said  Berganza  tried grabbing her at the same bar during a separate incident  according to Buzzfeed.
At least five women confronted DC Comicsâ HR with their objections after learning  Berganza  was being considered for an executive editor promotion. He was promoted anyway  the site said.
 Berganza  was demoted to group editor in 2012 after a similar allegation that he forcibly kissed a married freelance writer during the WonderCon convention.
Despite the demotion   Berganza  went on to oversee projects related to Superman and Wonder Woman.
[EX A]: Eddie Berganza

[EX Q]: Related Magic Leap: Founder of Secretive Start-Up Unveils Mixed-Reality Goggles Rony Abovitz talks with Glixel about the tech and ambitions behind new MR Goggles
 Rony Abovitz  seems at home in  his  office  a sizable cube made up of three glass walls and one constructed of an array of oddly-shaped shelving seemingly custom designed to hold  its  collection of models  toys  books and other pop culture jetsam. There are two others in the room with us  but after I ask  Abovitz  about  his  inspiration   he  drops into a monolog that lasts  with few interruptions  about an hour. In it   he  tells me a bit of  his  childhood   his  college days  the growth and sale of  his  first company and finally the technology that empowers everything they do at Magic Leap.
What started  Abovitz  down  his  unique path was a love of the creator - of the science fiction  authors and painters who would later have a tremendous impact on  his  life. Those creations   he  says  put an idea in your head  those ideas become dreams and those dreams inspire a strong desire to figure out how to turn them into reality. âAt least  for me â  he  says. âI think I grew up watching a lot of cartoons  a lot of science fiction  also reading a lot of great novels from Elie Wiesel and all kinds of people.â
âI think a lot of people who want to do those things  they write books; they do art  they write music â  he  says. âThat's where you can do everything you want  you can imagine  it  and  it  can happen over there. But I was like  âWhat if that stuff could happen in the world?ââ
That early love of science fiction and of things that may one day possibly be is what likely drove  Abovitz  to study biomedical engineering in college. After working on his Masters  a project that involved the creation of shape-memory aortic implants   Abovitz â interested shifted to orthopedic surgery and neurosurgery.
âI was imagining this very high-tech thing going on  where there are people in space suits and like infrared stuff. You just wave something over and you automatically have this miniaturized healing process with tiny little droids â  he  says. âBut it was the opposite of that; it was like Texas Chainsaw Massacre. I literally had blood and bone sprayed all over me. I was in a hip surgery and it was just horrifying.
So he and a team of like-minded friends and colleagues set about building an operating system for the operating room and a robotic arm to help improve surgeries. That first company later became Mako Surgical Corp. While the introduction of robotic arms into orthopedic surgery was a breakthrough  it brought along with it a number of other key inventions and gave  Abovitz   his  first taste of being bringing science fiction into the real world.
[EX A]:
Rony Abovitz