In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Q: Passage: Matthew is an American exchange student who has come to Paris to study French. While at the Cinémathèque Française protesting the firing of Henri Langlois, he meets the free-spirited twins Théo and Isabelle. The three bond over a shared love of film.
After dinner with their parents, Théo and Isabelle offer Matthew the chance to stay with them while their parents are on a trip. Matthew accepts, considering them his first French friends.
Matthew becomes suspicious of their relationship after seeing them sleeping nude together; he soon discovers that they accept nudity and sexuality liberally. After Théo loses at a trivia game, Isabelle sentences him to masturbate to a Marlene Dietrich poster in front of them. After Matthew loses at another game, he is seduced to take Isabelle's virginity. The two then become lovers.
Matthew begins to accept Théo and Isabelle's sexuality and his time living with them soon becomes idyllic. The three re-enact a famous scene from Bande à part by "breaking the world record for running through the Louvre", and Matthew and Théo engage in playful arguments about Charlie Chaplin and Buster Keaton, Eric Clapton and Jimi Hendrix, as well as the subject of Maoism, which Théo fervently believes in. 
During this time Matthew begins to pursue a relationship with Isabelle, separate from Théo. Matthew and Isabelle leave the house and go on a regular date, which she has not experienced before. Théo retaliates by inviting a companion up to his room, upsetting Isabelle. She distances herself from both Théo and Matthew, only to find them next to each other on Théo's bed when an argument between the two turns erotic.

A: Who bonds over a shared love of film?
****
Q: Passage: Set in the town of Wetherby in West Yorkshire, the film focuses on Jean Travers, a middle-aged spinster schoolteacher. One evening, she invites married friends for a dinner party, only to have some terrible repressions and past traumas dredged up when guest John Morgan expresses his emotional pain. The strange young man arrives at Jean's cottage the next morning with a gift of pheasants. While sitting at the kitchen table waiting for tea, he puts the barrel of a gun in his mouth and kills himself.
From this point onward, the film's story is told in chronologically discrete, interlocking flashbacks to the recent and distant past, showing actions and events as seen and experienced from various points of view. The central mystery of Morgan's suicide is the fulcrum around which the narrative turns. The narrative construction of the film resembles a jigsaw puzzle and, in keeping with Hare's style of exposition, frequently appears to have key pieces missing.
There are further scenes of the dinner party as well as scenes of the police investigation into the suicide. We learn Morgan had not been an invited guest—he walked in with others who assumed he was an acquaintance of Jean's, and Jean assumed that her friends had brought him with them.

A: Who has past traumas brought up when someone else expresses their own emotional pain?
****
Q: Passage: Fauré was not greatly interested in orchestration, and on occasion asked his former students such as Jean Roger-Ducasse and Charles Koechlin to orchestrate his concert and theatre works. In Nectoux's words, Fauré's generally sober orchestral style reflects "a definite aesthetic attitude ... The idea of timbre was not a determining one in Fauré's musical thinking". He was not attracted by flamboyant combinations of tone-colours, which he thought either self-indulgent or a disguise for lack of real musical invention. He told his students that it should be possible to produce an orchestration without resorting to glockenspiels, celestas, xylophones, bells or electrical instruments. Debussy admired the spareness of Fauré's orchestration, finding in it the transparency he strove for in his own 1913 ballet Jeux; Poulenc, by contrast, described Fauré's orchestration as "a leaden overcoat ... instrumental mud". Fauré's best-known orchestral works are the suites Masques et bergamasques (based on music for a dramatic entertainment, or divertissement comique), which he orchestrated himself, Dolly, orchestrated by Henri Rabaud, and Pelléas et Mélisande which draws on incidental music for Maeterlinck's play; the stage version was orchestrated by Koechlin, but Fauré himself reworked the orchestration for the published suite.
In the chamber repertoire, his two piano quartets, in C minor and G minor, particularly the former, are among Fauré's better-known works. His other chamber music includes two piano quintets, two cello sonatas, two violin sonatas, a piano trio and a string quartet. Copland (writing in 1924 before the string quartet was finished) held the second quintet to be Fauré's masterpiece: "... a pure well of spirituality ... extremely classic, as far removed as possible from the romantic temperament." Other critics have taken a less favourable view: The Record Guide commented, "The ceaseless flow and restricted colour scheme of Fauré's last manner, as exemplified in this Quintet, need very careful management, if they are not to become tedious." Fauré's last work, the String Quartet, has been described by critics in Gramophone magazine as an intimate meditation on the last things, and "an extraordinary work by any standards, ethereal and other-worldly with themes that seem constantly to be drawn skywards.".

A:
Whose other chamber music includes two piano quintets, two cello sonatas, two violin sonatas, a piano trio and a string quartet?
****