TASK DEFINITION: In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers.  A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.
PROBLEM: Thomas Dagget, a Catholic seminary student, loses his faith when he sees disturbing visions of a war between angels. Years later, Thomas is a detective with the Los Angeles Police Department. Two angels fall to Earth: one, Simon, enters Thomas' home and warns him of coming events, before disappearing. The second, Uziel, a lieutenant of the angel Gabriel, is killed in an altercation with Simon. Investigating the disturbance, Thomas finds in Simon's apartment the obituary of a recently deceased Korean War veteran named Colonel Arnold Hawthorne and the theology thesis about angels which Thomas himself wrote in seminary. Meanwhile, in Chimney Rock, Arizona, Simon finds the dead veteran awaiting burial and sucks the evil soul out of the body.The medical examiner informs Thomas that Uziel's body is like nothing he has seen before: it has no eyes, no signs of bone growth, hermaphroditism, and the same blood chemistry as an aborted fetus. Among the personal effects found on the body is an ancient, hand-written Bible, which includes an extra chapter of the Book of Revelation that describes a second war in heaven and prophecy that a "dark soul" will be found on Earth and used as a weapon.Unknown to Thomas, Gabriel arrives on Earth. Needing a human helper, Gabriel catches Jerry, a suicide, in the moment of his death and keeps him in a state of limbo. Unhappily dominated by Gabriel, Jerry retrieves Uziel's belongings from the police station while Gabriel destroys Uziel's body in the morgue. After finding Hawthorne's obituary, Gabriel and Jerry head for Chimney Rock. Before Gabriel arrives, at the local reservation school Simon hides Hawthorne's soul in a little Native American girl, Mary, who immediately falls ill and is taken care of by her teacher, Katherine.After finding Uziel's burnt body, all evidence of its oddity now lost, Thomas hurries to Chimney Rock. When Gabriel realizes Hawthorne's soul is missing, he confronts Simon. Gabriel says Hawthorne's soul will tip the balance to whichever side possesses it. Should the rebellious angels win, Heaven will become like Hell with earth in its thrall. Simon refuses to reveal its location, and Gabriel kills him, ripping out his heart. Mary shows signs of possession by the evil soul; she suddenly recounts an incident from Hawthorne's harrowing war experiences in first-person perspective. Meanwhile, Thomas examines Simon's remains and questions Katherine. In Hawthorne's home, he finds evidence of war crimes. Thomas visits a church to reflect and is shaken by a verbal confrontation with Gabriel. He is beginning to understand the nature of the jealous angels who hate humans because God loves them most.At school, Katherine finds Gabriel questioning the children. After he leaves, she rushes to Mary's home and finds Thomas there. As Mary's condition worsens, Katherine takes Thomas to an abandoned mine where she had seen Gabriel. Inside, they find angelic script and experience together a terrible vision of the angelic war. They rush back to Mary's home, only to find Gabriel and Jerry there. Thomas kills Jerry, who thanks him for the release. Katherine stops Gabriel temporarily when her wild gunshot misses him and blows up Mary's trailer home. The three protagonists flee to a Native American site where Mary can be exorcised. In a hospital ICU ward, Gabriel recruits a new unwilling assistant, Rachel, just as she dies of a terminal illness. He needs her because he doesn't know how to drive.That night, Lucifer confronts Katherine and tells her that "other angels" have taken up this war against mankind, and since then, no human souls have been able to enter Heaven. He knows of Gabriel's plot to use Hawthorne's soul to overthrow the obedient angels, and he knows that if Gabriel wins, under his influence Heaven will ultimately devolve into another Hell. That's unwanted competition. The next day, Lucifer appears to Thomas and advises him to use Gabriel's lack of faith against him. Gabriel arrives and attempts to disrupt the exorcism ritual. Thomas kills Rachel, and he and Katherine fight Gabriel.Lucifer appears first encouraging the tribe to complete the exorcism. Then he confronts Gabriel telling him that his war is based upon arrogance, which is evil, making it Lucifer's territory. Gabriel taunts Lucifer about his past when he fell from grace; Lucifer tells Gabriel he needs to go home and rips out his heart. Simultaneously Mary expels out Hawthorne's soul, a rancid cloud of evil. The "enemy ghost" starts to attack the people but a bright light from Heaven immediately destroys it. With the threat to his evil kingdom eliminated, Lucifer tells Thomas and Katherine to "come home" with him. They staunchly refuse. "I have my soul...and my faith," declares Thomas. Lucifer drags Gabriel to Hell. As morning comes, Thomas comments on the nature of faith and what it means to truly be human.

SOLUTION: Question: Who shows signs of possession?, Answer: Mary shows signs of being possessed.

PROBLEM: Ali (Salem), is a Moroccan Gastarbeiter (guest worker) in his late thirties, and Emmi (Mira), is a 60-year-old widowed cleaning woman. They meet when Emmi ducks inside a bar, driven by the rain and drawn by the exotic Arabic music (Al Asfouryeh by Sabah) she says she has heard so often on her walk home from work. A woman in the bar (Katharina Herberg) who is part of Ali's Arabic-speaking cohort tauntingly suggests Ali ask Emmi ("the old woman") to dance, and Emmi accepts. A strange and unlikely friendship develops, then a romance and soon they are living together in Emmi's flat. Out of a professed sense of responsibility but also hopefulness, Emmi first confides in her newfound love when she goes to visit her daughter Krista (Irm Hermann) and her tyrannical son-in-law Eugen (Fassbinder himself) and announces that she is in love with Ali; Eugen thinks she is screwy and Krista as well can only think that her mother - who has been a widow for years - is fantasizing.The first real threat to their relationship comes with a visit by the landlord's son, who has been sent on the assumption that Emmi has taken in a lodger to point out to her that sub-letting is against Emmi's tenancy agreement, and that Ali must leave within a day. Impulsively, and fearful of losing this new joy in her life, Emmi claims that she and Ali are planning to marry to alleviate this little difficulty. This changes everything for the landlord's son, the only character in the film who consistently accepts their relationship as unproblematic. After he has apologized for the misapprehension and departed, Emmi speaks to Ali with embarrassment of her having invented the idea of their marrying but, to her surprise and delight, Ali concurs that it is an excellent idea, and we next see them emerging from the civil court, married.What follows is a bitter and noxious reaction over their relationship, revealing every character in their lives, especially every German in Emmi's former life, as being mired in prejudice against foreign workers as dirty and now castigating Emmi as a "whore." Gossipy neighbors and shop vendors treat them with contempt, fellow tenants complaining that their (already noticeably dilapidated) tenement building has now become filthy. Emmi is shunned by her coworkers, and Ali faces discrimination at every turn. When Emmi, whose first husband was a Polish worker whom she married against her Hitler-loving father's wishes, invites her three grown children and son-in-law to meet her husband, they openly reject him. One of her sons smashes in her TV set in anger, her other son declares she must have lost her sanity, and her daughter and son-in-law follow them in making a rude and hasty exit, Emmi's daughter now calling her mother's apartment a "pigsty" and her mother a "whore."Emmi's tearful despair at this ultimate rejection washes away as her bright optimist resurfaces and concludes that she and Ali should take a long vacation together to escape the discrimination, convinced that upon return, they will have been missed and will be welcomed back. After their return, they suddenly face the prospect of social acceptance but, as we quickly see, only because neighboring tenants and shopkeepers see the utility for them in keeping Emmi in their good graces, not because they have changed their prejudices, thus we witness them hypocritically masking the latter out of self-interest.Out of longing to hang on to this resumption of her old friends' apparent renewed respect, Emmi begins to neglect Ali or to adopt some of their attitudes toward him. She becomes very "German" - more readily ordering him to do things. When co-workers visit and remark on how surprisingly clean he is and comment on his muscles, she shows him off as if he were an object. This is the trigger for Ali to exit, with our sympathy as viewers, and to seek comfort in the arms of the female bartender Barbara (Barbara Valentin), with whom he has apparently had dalliances prior to meeting Emmi. When he leaves Emmi to her friends, she attributes it to his "mood swings," and notes that it must be his "foreigner mentality", adopting the xenophobic attitudes of her friends in order to fit in. Some days later, Emmi would not cook Ali couscous or go out with him to eat couscous somewhere either, symbolizing her re-Germanification and her own new wall built up against the sensitivity to foreigners she displayed at the outset, she insists she wants him to eat German food, and generally become more German so they would fit in. We see Ali not stand up to Emmi because of the insecurities he faces as a hybrid. He has accepted the German society's mentality that he is the "lesser" man. He then turns back to the bartender, who used to cook for him, and spends the night with her. Emmi grows desperate at his being out all night and visits him at work, where he pretends he doesn't know her as his workmates make fun of her age, calling her Ali's "Moroccan grandmother."Just when it seems as if the relationship is beyond repair, Emmi goes back to the bar to meet with Ali and has the bartender put the same song on the jukebox that led to their first-ever dance. He responds to the implicit call for reconciliation from Emmi and asks her to dance again. While dancing, Emmi emphasizes that she knows she is old and that he is free to come and go, but urges him to see that the only thing thatâs important is that when they are together, they must be nice to each other. He agrees and they declare their love for each other. In this moment, Ali collapses in Emmi's arms from what turns out to be a burst stomach ulcer. We last see Emmi with Ali in the hospital, where the doctor tells her the illness is common among foreign workers because of the stress they face in everyday life; the doctor adds that Ali will have surgery to remove the ulcer, but will probably be back in 6 months with another ulcer. Emmi declares that she will do everything in her power to prevent this and, as the film ends, she is at his bedside, holding Ali's hand.

SOLUTION: Question: Who is the female bartender?, Answer: Barbara

PROBLEM: This story covers the overlapping stories of a group of French Parisiens who discover the reality of the Aids epidemic through their complex relations with a young man; Manu.The story unfolds through the complex interactions arranged as scenes as they interact with the character Manu as Sister, Lover, Friend, confidante and even rival as their already difficult relationships become crystallised by his premature diagnosis and inevitably demise.Each character has their life priorities questioned and they are forced into re-evaluation of the very basic tenets to which they had hitherto held self evident. The Doctor calls Manu his "Eros" and this self deprecating and lonely man is infused with vicarious energy at the simple prescence of this charasmatic individual who with devastating simplicity wins over the cynical underworld of sexplotation and their even harder protagonists in the shape of the Chief of Police.He is inviolate,kind, demonstrative and unafraid and takes joy in the simple pleasures of life until he must deal with the horror of his prognosis.Numerous sub stories link the individual struggles of characters to exist, to create, to advance their careers and even to crusade with Manu the keystone enabling these stories to provide context for this thoughtful retrospective of the reality of the mindset at the beginning of this "war" against AIDS.

SOLUTION:
Question: What is the name of the man the Parisiens have in common.?, Answer: Manu.