In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Q: Question: Who was the head monk at Alvastra Abbey when Stephen lived there? Passage 1:Shortly after he returned to England in bad health. From 1777 to 1779 he commanded , as flag captain to his father at Newfoundland. On his return he was appointed to the 32-gun frigate HMS Pearl, which when cruising near the Azores on 14 September 1779, captured the Spanish frigate Santa Monica of equal force. In December Pearl sailed with the fleet under Sir George Rodney, and assisted in the capture of the Caracas convoy; but having sprung her foremast, was ordered home with the prizes. She was afterwards sent out to North America, and on 30 September 1780, while on a cruise off the Bermudas, captured the Espérance, a frigate-built privateer of 32 guns. In the battle of Cape Henry, on 16 March 1781, she acted as repeating frigate. She was not with the fleet during the battle of the Chesapeake on 5 September, but joined it, still off Cape Henry, on the 14th, and was left to keep watch on the movements of the French till the 25th, when she sailed for New York. On 19 October she sailed again with the fleet, and on the 23rd was stationed ahead as a look-out (Pearl's Log). She returned to England in 1782.
 Passage 2:The first Archbishop of Uppsala was Stephen, a Cistercian monk from the celebrated Alvastra Abbey. Cardinal William of Sabina came as papal legate to Sweden during the archiepiscopate of Jarler, a Dominican friar (1235–55). The legate had been commissioned, among other things, to establish cathedral chapters wherever such were lacking, and to grant them the exclusive right of electing the bishops. Another important matter which the legate had been ordered to carry out was the enforcement of the law of clerical celibacy. At a provincial synod held at Skänninge in 1248 under the presidency of the cardinal, the rules as to celibacy were made more severe. The pious and energetic Archbishop Jarler and his successor Laurentius (1257–67), a Franciscan, constantly strove to elevate the clergy and to enforce the law of celibacy. A century later Saint Bridget (d. 1373), laboured zealously for the enforcement of the same law.
 Passage 3:Held against the backdrop of the 2008 Serbian presidential elections — contested between incumbent Boris Tadić from the ruling center-left Democratic Party (DS) and challenger Tomislav Nikolić from the opposition right-wing Serbian Radical Party (SRS) — as well as speculation that Albanians from Serbia's province of Kosovo were in the final stages of coordination with the United States to unilaterally declare independence, the festival received plenty of attention both in the Serbian and foreign press. Political angles and overtones dominated foreign press reports such as the one by in center-left Libération who, after giving praise to the festival for celebrating auteur cinema, wondered if the fact that festival's jury is headed by Peter Handke — whom she described as someone "who still smelled of sulfur after being at Milošević's funeral and who wrote about Serbs in panegyric form due to seeing them unjustly accused of all evils" — also mean that Kusturica adheres to these ideas. She answers her own question by saying that, like Handke, Kusturica also believes western Europeans have demonized Serbs and Serbia, but that the Serbian director supports center-left candidate Tadić at the presidential elections.


A: 2
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Q: Question: How many sales did What's New make? Passage 1:After three months at the Fleet Airborne Electronics Training School in San Diego, California, Carpenter went to a Lockheed P-2 Neptune transitional training unit at Whidbey Island, Washington, after which he was assigned to Patrol Squadron 6 (VP-6), based at Naval Air Station Barbers Point, Hawaii, in November 1951. On his first deployment, Carpenter flew on reconnaissance and anti-submarine warfare missions from Naval Air Station Atsugi in Japan during the Korean War. On his second deployment, forward-based at Naval Air Facility Adak, Alaska, he flew surveillance missions along the Russian and Chinese coasts. For his third and final deployment, he was based on Guam, flying missions off the coast of China. He was designated as patrol plane commander, the only one in VP-6 with the rank of lieutenant (junior grade)—all the rest held higher rank. 
 Passage 2:In 1983 Linda Ronstadt took a break from recording contemporary music in order to make an album of standards with conductor Nelson Riddle, and their collaboration, What's New went triple Platinum. Barbra Streisand's 1985 release The Broadway Album reached number one and went on to quadruple Platinum certification, so a renewed interest in what came to be known as traditional pop was evident. Mathis had not tried a studio album without current hits or new songs since the ill-fated Broadway project in 1965, so his choice to collaborate with Henry Mancini in 1986 for The Hollywood Musicals, which had a lineup of classics that were mostly from the 1940s, was quite a change of pace. And while he has done some albums of contemporary pop songs since then, the category in which he has received four Grammy nominations since 1992 has been Best Traditional Pop Vocal Album, and the industry has recognized his past work as well. Three of his recordings have been inducted into the Grammy Hall of Fame ("Chances Are" in 1998, "Misty" in 2002, and "It's Not for Me to Say" in 2008), and in 2003 he was given the Grammy Lifetime Achievement Award.
 Passage 3:Zaïre was soon translated into English by Aaron Hill as Zara: A Tragedy. Following its successful run at London's Drury Lane Theatre in 1736, Zara became the most frequently staged English adaptation of a Voltaire play. Famous English actresses who have played the title role include Susannah Maria Cibber, who made her stage debut in the 1736 Drury Lane production, Sarah Siddons, and Elizabeth Younge. The first known professional performance of the play in the American Colonies was in Philadelphia on 26 December 1768, performed by the Hallam Company using the Aaron Hill version. The company took the play to New York City in 1769 and after the end of the Revolutionary War sporadically revived it there and in Philadelphia. The first professional performances after the hostilities ended were given in Baltimore in April 1782 by the Thomas Wall Company. Although the professional theatres were closed during the War, the play proved popular with the British Army. General Burgoyne, himself a playwright, produced Zara with military actors in British-occupied Boston in 1775 and four times in occupied New York between 1780 and 1781.


A: 2
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Q: Question: What was the size of the audience for the televised broadcast of Trouble in Tahiti? Passage 1:While studying at Juilliard, Atkinson made his professional opera debut using his birth name 'David Burke' with the Opera Guild of Montreal (OGM) in January 1948 as Monterone in Giuseppe Verdi's Rigoletto. The following May he performed the role of the High Priest of Dagon in Camille Saint-Saëns's Samson and Delilah with the OGM. In September 1948 he made his Broadway debut under the name "John Atkinson" (Atkinson being his mother's maiden name) succeeding John Tyers as Franz Liszt in the musical revue Inside U.S.A. He remained with the production for the musical's first national tour after it closed in New York in February 1949. In 1951 he performed in several productions at the Paper Mill Playhouse, including the roles of Prince Franz in Victor Herbert's Sweethearts, Edvard Grieg in Robert Wright and George Forrest's Song of Norway, and Pierre Birabeau in Sigmund Romberg's The Desert Song. In June 1952 he portrayed Sam in the world premiere of Bernstein's Trouble in Tahiti at Berstein's Festival of the Creative Arts on the campus of Brandeis University to an audience of nearly 3,000 people. The following November he reprised the role of Sam in a nationally televised broadcast of Trouble in Tahiti presented by the NBC Opera Theatre (NBCOT). He would later sing the role of Sam again at the New York City Opera (NYCO) in 1958. In 1953 he performed the role of Don Jose in Georges Bizet's Carmen with Vera Bryner in the title role for NBCOT.
 Passage 2:In May 2018, The CW president Mark Pedowitz and Arrow lead Stephen Amell announced at The CW's upfront presentation that Batwoman, fighting alongside the other Arrowverse heroes, would be introduced in the upcoming crossover. The fictional Gotham City would also appear. Despite the inclusion of the character and city, the crossover would not include the television series Gotham that airs on Fox. That July, the CW was planning a potential standalone Batwoman series after her appearance in the crossover; Caroline Dries, who was creating and writing the potential Batwoman series, was expected to consult on the crossover. It was confirmed that Legends of Tomorrow would not feature in the crossover. Legends of Tomorrow co-showrunner Phil Klemmer said because the crossover was being used to launch the Batwoman-led series, "it just became over capacity", and that because Legends of Tomorrow would have a 16-episode season, the crossover would have been "a tonal speed-bump, or a departure, and we just don't have time to step away from our story this year". Despite not being part of the official crossover, Legends of Tomorrow co-showrunner Keto Shimizu revealed "Legends of To-Meow-Meow", the show's episode airing the week of the crossover, would be "crossing over with ourselves" through the use of alternate time periods, and Adam Tsekhman guest stars as Gary Green in the Supergirl episode.
 Passage 3:Giunta was born in Ottawa to Colleen Wrighte and Michael Giunta. She has a brother, Macallan, and a sister, Marley. Giunta sang in the Ottawa Central Children's Choir from age 9 to 15, and began voice training with Charlotte Stewart in Ottawa at age 13. She attended Lisgar Collegiate Institute, and graduated high school from Glebe Collegiate Institute. At 17, she began her post-secondary studies in voice at The University of Ottawa, completing freshman and sophomore years. She then transferred to The Glenn Gould School of The Royal Conservatory of Music in Toronto in her junior year, receiving her Performance Diploma (Voice) at age 21 and her Artist Diploma (Voice) at age 23. While a student, she achieved first place in the Royal Conservatory Orchestra Concerto Competition. She attended training programs at the Aspen Music Festival and School, the Ravinia Festival, the Internationale Meistersinger Akademie, the Georg Solti Accademia and the Banff Centre. She graduated from the Canadian Opera Company Ensemble Studio in 2011, and both the Metropolitan Opera Lindemann Young Artist Development Program and The Juilliard School Artist Diploma in Opera Studies in 2013. She has studied extensively with both Jean MacPhail in Toronto, and Edith Wiens in New York.


A:
1
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