You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Input: Consider Input:  The poem is separated into twelve "books" or sections, the lengths of which vary greatly (the longest is Book IX, with 1,189 lines, and the shortest Book VII, with 640). The Arguments at the head of each book were added in subsequent imprints of the first edition. Originally published in ten books, a fully "Revised and Augmented" edition reorganized into twelve books was issued in 1674, and this is the edition generally used today.
The poem follows the epic tradition of starting in medias res (Latin for in the midst of things), the background story being recounted later.
Milton's story has two narrative arcs, one about Satan (Lucifer) and the other following Adam and Eve. It begins after Satan and the other rebel angels have been defeated and banished to Hell, or, as it is also called in the poem, Tartarus. In Pand monium, Satan employs his rhetorical skill to organise his followers; he is aided by Mammon and Beelzebub. Belial and Moloch are also present. At the end of the debate, Satan volunteers to poison the newly created Earth and God's new and most favoured creation, Mankind. He braves the dangers of the Abyss alone in a manner reminiscent of Odysseus or Aeneas. After an arduous traversal of the Chaos outside Hell, he enters God's new material World, and later the Garden of Eden.
At several points in the poem, an Angelic War over Heaven is recounted from different perspectives. Satan's rebellion follows the epic convention of large-scale warfare. The battles between the faithful angels and Satan's forces take place over three days. At the final battle, the Son of God single-handedly defeats the entire legion of angelic rebels and banishes them from Heaven. Following this purge, God creates the World, culminating in his creation of Adam and Eve. While God gave Adam and Eve total freedom and power to rule over all creation, he gave them one explicit command: not to eat from the tree of the knowledge of good and evil on penalty of death.
The story of Adam and Eve's temptation and fall is a fundamentally different, new kind of epic: a domestic one. Adam and Eve are presented for the first time in Christian literature as having a full relationship while still being without sin. They have passions and distinct personalities. Satan, disguised in the form of a serpent, successfully tempts Eve to eat from the Tree by preying on her vanity and tricking her with rhetoric. Adam, learning that Eve has sinned, knowingly commits the same sin. He declares to Eve that since she was made from his flesh, they are bound to one another   if she dies, he must also die. In this manner, Milton portrays Adam as a heroic figure, but also as a greater sinner than Eve, as he is aware that what he is doing is wrong.
After eating the fruit, Adam and Eve have lustful sex. At first, Adam is convinced that Eve was right in thinking that eating the fruit would be beneficial. However, they soon fall asleep and have terrible nightmares, and after they awake, they experience guilt and shame for the first time. Realizing that they have committed a terrible act against God, they engage in mutual recrimination.
Meanwhile, Satan returns triumphantly to Hell, amidst the praise of his fellow fallen angels. He tells them about how their scheme worked and human kind has fallen, giving them complete dominion over Paradise. As he finishes his speech, however, the fallen angels around him become hideous snakes, and soon enough, Satan himself turned into a snake, deprived of limbs and unable to talk. Thus, they share the same punishment, as they shared the same guilt.
Eve appeals to Adam for reconciliation of their actions. Her encouragement enables them to approach God, and sue for grace, bowing on suppliant knee, to receive forgiveness. In a vision shown to him by the angel Michael, Adam witnesses everything that will happen to mankind until the Great Flood. Adam is very upset by this vision of the future, so Michael also tells him about humankind's potential redemption from original sin through Jesus Christ (whom Michael calls "King Messiah").
Adam and Eve are cast out of Eden, and Michael says that Adam may find "a paradise within thee, happier far". Adam and Eve also now have a more distant relationship with God, who is omnipresent but invisible (unlike the tangible Father in the Garden of Eden).

Output: What is the one thing Adam and Eve are not to do?


Input: Consider Input:  Disillusioned knight Antonius Block (Max von Sydow) and his nihilistic squire J ns (Gunnar Bj rnstrand) return after fighting in the Crusades and find Sweden being ravaged by the plague. On the beach immediately after their arrival, the knight encounters Death (Bengt Ekerot), personified as a pale, black-cowled figure resembling a monk. The knight, in the middle of a chess game he has been playing alone, challenges Death to a chess match, believing that he can forestall his demise as long as the game continues. Death agrees, and they start a new game.
The other characters in the story, except for Jof in the end, do not see Death, and when the chess board comes out at various times in the story, they believe the knight is continuing his habit of playing alone.
The knight with his squire heads for his castle. Along the way, they pass some actors, Jof (Nils Poppe) and his wife Mia (Bibi Andersson), with their infant son, Mikael, and their actor-manager, Skat (Erik Strandmark). Jof is also a juggler and has visions of Jesus and Mary, but Mia is skeptical of them.
The knight and squire enter a church where a fresco of the Dance of Death is being painted. The squire draws a small figure representing himself. The knight goes to the confessional where he is joined by Death in the robe of a priest, to whom he admits that his life has been futile and without meaning, but that he wants to perform "one meaningful deed." Upon revealing the chess strategy that will save his life, the knight discovers that the priest is Death, who promises to remember the tactics. Leaving the church, the knight speaks to a young woman (Maud Hansson) who has been condemned to be burned at the stake for consorting with the devil.
Shortly thereafter, the squire searches an abandoned village for water. He saves a servant girl (Gunnel Lindblom) from being raped by a man robbing a corpse. He recognizes the man as Raval (Bertil Anderberg), a theologian, who 10 years prior had convinced the knight to leave his wife and join a crusade to the Holy Land. The squire promises to brand the theologian on the face if they meet again. The servant girl joins the squire. The trio ride into town, where the actors met earlier are performing. The actor-manager introduces the other actors to the crowd, then is enticed by Lisa (Inga Gill), the blacksmith's wife, away for a tryst. They run off together. The actors performance is interrupted by the arrival of a procession of flagellants.
At a public house, the juggler meets Raval who forces him to dance on the tables like a bear. The squire appears and, true to his word, slices the theologian's face. The knight enjoys a country picnic of milk and wild strawberries gathered by the wife of the juggler. The knight says: "I'll carry this memory between my hands as if it were bowl filled to the brim with fresh milk...And it will be an adequate sign   it will be enough for me." He invites the actors to his castle, where they will be safer from the plague.
Along the way, they come across the actor-manager and the blacksmith's wife in the forest. Dissatisfied with him, she returns to her husband. After the others leave, the actor-manager climbs a tree for the night. Death cuts down the tree, informing the actor that his time is up.
They pass the condemned young woman again. The knight asks the woman again to summon Satan, so he can ask him about God. The girl claims already to have done so, but the knight cannot see him, only her terror. He gives her herbs to take away her pain.
The theologian reappears. Dying of the plague, he pleads for water. The servant girl attempts to bring him some, but the squire stops her. The juggler tells his wife that he can see the knight playing chess with Death, and decides to flee with his family while Death is preoccupied.
After hearing Death state "No one escapes me" the knight knocks the chess pieces over, distracting Death while the family slips away. Death places the pieces back on the board, then wins the game on the next move. He announces that when they meet again, the knight's time and that of all those traveling with him will be up. Before departing, Death asks if the knight has accomplished his one "meaningful deed" yet; The Knight replies that he has.
The knight is reunited with his wife, Karin (Inga Landgr ), the sole occupant of his castle, all the servants having fled. The party shares one "last supper" before Death comes for them. The knight prays to God, "Have mercy on us, because we are small and frightened and ignorant."
Meanwhile, the little family sits out a storm, which the juggler interprets to be "the Angel of Death and he's very big." The next morning, the juggler, with his second sight, sees the knight and his followers being led away over the hills in a solemn dance of death.

Output: What is Jof's relationship to Mia?


Input: Consider Input:  Anne Shirley has now been married to Gilbert Blythe for 15 years, and the couple have six children: Jem, Walter, Nan, Di, Shirley, and Rilla.
After a trip to London, Anne returns to the news that a new minister has arrived in Glen St. Mary. John Meredith is a widower with four young children: Gerald (Jerry), Faith, Una, and Thomas Carlyle (Carl). The children have not been properly brought up since the death of their mother, with only their father (who is easily absorbed by matters of theology) to parent them. The children are considered wild and mischievous by many of the families in the village (who tend only to hear about the Meredith children when they have gotten into some kind of scrape), causing them to question Mr. Meredith's parenting skills and his suitability as a minister.
For most of the book, only the Blythes know of the Meredith children's loyalty and kindness. They rescue an orphaned girl, Mary Vance, from starvation, and Una finds a home for her with Mrs. Marshall Elliott. When the children get into trouble, Faith sometimes tries to explain their behavior to the townsfolk, which generally causes an even bigger scandal.
The Merediths, Blythes, and Mary Vance often play in a hollow called Rainbow Valley, which becomes a gathering place for the children in the book. Jem Blythe tries to help the Merediths behave better by forming the "Good-Conduct Club," in which the Merediths punish themselves for misdeeds. Their self-imposed punishments lead to Carl becoming very ill with pneumonia after spending hours in a graveyard on a wet night, and to Una fainting in church after fasting all day. When this happens, John Meredith is wracked with guilt over his failings as a father.
Mr. Meredith realizes that he should marry again and give the children a mother, though he has always thought he will never love anyone again as he did his late wife. He is surprised to find that he has fallen in love with Rosemary West, a woman in her late thirties who lives with her sister Ellen, who is ten years older. John proposes marriage to Rosemary, but Ellen forbids Rosemary from accepting, as years earlier they had promised each other never to leave the other following the deaths of their parents. However, Ellen eventually reunites with her childhood beau, Norman Douglas, and asks Rosemary to release her from her promise so she can marry Norman. Rosemary agrees, but now thinks that John Meredith hates her.
Una overhears her father expressing feelings for Rosemary and goes to ask Rosemary to marry her father despite her misgivings about stepmothers, who Mary Vance has told her are always mean. Rosemary sets her mind at ease and agrees to speak to John Meredith again. They become engaged, and Rosemary and Ellen plan a double wedding in the fall.


Output: How long have Anne Shirley and Gilbert Blythe been married?