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Skip in Skip x Embed x Share CLOSE  Jack  the 30-pound cat needs a new home â and a diet.  Animalkind
Jack  is a 2-year-old domestic shorthair cat that is up for adoption in Maricopa County  Ariz.  He  weighs 30 pounds and needs to lose weight because there are health concerns. (Photo: Lurissa Carbajal  The Arizona Republic)
 Jack   a 2-year-old domestic shorthair  weighs 30 pounds.
Maricopa County Animal Care and Control said  Jack  is "friendly  sweet and just a cool cat."
In the cage   Jack  showed a constant need for petting and got excited when a new person entered the room.
More: Animal advocacy groups press on to save pets affected by  Harvey
Jack  would look up with green eyes that appeared to be pleading for affection. There was a bowl of food near him  but he wasn't spotted eating. When he wasn't receiving enough attention   Jack  wandered back to his bed to sleep.
Jose Santiago  a spokesman for Animal Care and Control  said the cat's owner died unexpectedly.  Jack  was brought in with another cat by a relative of the owner  Santiago said.
 Jack  needs a weight-loss plan ASAP
Despite  Jack 's friendly demeanor  there are health concerns with  his  current weight.
Big cat: Jack needs new home and a diet

Skip in Skip x Embed x Share CLOSE Hurricane Nate blasted onto the Gulf Coast and lashed much of the Southeast with heavy rains and winds Sunday. USA TODAY
A gazebo is blown over the Mississippi Gulf Coast welcome sign near the intersection of Hewes Avenue and U.S. 90 in Gulfport  Miss.  on Oct. 8  2017  after  Hurricane Nate  made landfall on the Gulf Coast. (Photo: Justin Sellers  The Clarion-Ledger  via USA TODAY NETWORK)
 The remnants of Hurricane Nate  are delivering heavy but much-needed rain to portions of the Mid-Atlantic and Northeast on Monday.
"For some areas   Nate  will bring the biggest rainfall in six to eight weeks or longer â AccuWeather meteorologist Alex Sosnowski said. Nearly half of the northeastern U.S. was described as "abnormally dry" in the most recent U.S. Drought Monitor  so the rain will help ease the near-drought conditions.
 Nate  was downgraded from a hurricane to a tropical storm and finally a tropical depression on Sunday as it raced north after making landfall along the Gulf Coast.
 Nate  crashed into the Gulf Coast as a Category 1 hurricane Saturday near the mouth of the Mississippi River before making landfall again early Sunday near Biloxi  Miss. The hurricane was the first to make landfall in the state since Katrina devastated much of the Gulf Coast in 2005.
Overall   Nate  spared the region the kind of catastrophic damage left by a series of hurricanes that hit the southern U.S. and Caribbean in recent weeks. No storm-related deaths or injuries were immediately reported.
 Nate  was the fourth hurricane to hit the U.S. and its territories in 2017  following Harvey  Irma and Maria. That's most U.S. hurricane strikes since 2005  when five hurricanes hit land.
Although  Nate  knocked out power to more than 100 000 residents in Mississippi  Alabama  Louisiana and Florida  crews restored much of the power grid within 24 hours.
The Mississippi coast "took a hard hit from  Nate  " the Mississippi Emergency Management Agency tweeted on Sunday. "The lack of major damage is a testament to the strong and smart rebuilding since Katrina."
Hurricane Nate remnants bring heavy rain possible floods to Northeast

Tom Petty  middle-aged and mid-career in the middle of the grunge decade   released Wildflowers   one of  his  best albums  turning radios loud.
In 1993  shortly after the Smashing Pumpkins’ Siamese Dream and Nirvana’s In Utero dropped  a lot of kids in the ‘90s got their first taste of next-era Tom Petty with the single “Mary Jane’s Last Dance” from the Heartbreakers’ Greatest Hits set. But many of those new fans probably didn't have a full-length introduction to  Petty  until  his  1994 solo album Wildflowers. They might’ve even ordered it through the mail-order BMG Music Service (12 CDs for $.01!) like I did. Two decades after  his  and the Heartbreakers’ first Top 40 record  there was Petty  mid-career  singing about middle age and slamming onto the charts with “You Don’t Know How It Feels.” The album's biggest single  with its literally head-spinning music video  lured young stans who  at the time  didn’t know their Damn the Torpedoes from their Full Moon Fever  but certainly knew how to groove to its harmonious chorus: “Let’s get to the point / Let’s ro-o-oll another joint.”
By the early '90s  Petty’s brand of rock ‘n’ roll had garnered enough superlatives to fill a tour bus. His middle-American  “heartland” rock packed venues on the coasts as much as he was the medium markets where there are no airports. Pre-legacy  classic  AOR  accessible radio rock. And “It’s Good to Be King” was the epitome of the 15-song Wildflowers album  Petty's first of three with producer Rick Rubin. Like so many great Tom Petty songs  it had a guitar solo you can sing (bir-nirnir-niiiiiir)  with the added bonus of a Rubin-esque sparkle of strings (bah-dah-nah-nah-nah-nah-daaaaah). Petty had jacked in this pop-rock ballad somewhere between the jaunty minimalism of the album’s opener and its piano-led waltz  closer “Wake Up Time.”
The music video for “It’s Good to Be King ” which was released in 1995  was directed by Peter Care  who’d recently finished up the visuals on R.E.M.’s “What’s the Frequency  Kenneth?” For Petty's video  Care filmed couples  the middle-class and funky outsiders throughout the world  in portraits  cryptically wearing backstories on their costume sleeves. A trailer park lord plucked toys from floodwater and a pretty lady writhed awkwardly in a quirkily decorated bedroom. They were royals and royal-wannabes   Petty  chief among them in  his  jean jacket with a collar that couldn’t decide if it wanted to point up or down. “It’s good to be king / Of your own little town … Can I help it if I / Still dream time to time ” he cynically sang of self-delusion. It was a public reflection on feeling like the master of a private fantastic dominion  an addendum to the refrain “You don’t know how it feels / To be meeee” still ringing in the ears. And if Petty’s sincere voice fooled you out of thinking he lacked adequate sarcasm  you could skip to two tracks later on Wildflowers  to “Honey Bee ” a blues-schlocker where Petty’s basic-ass genius afforded him to rhyme “trance” with “pants.” He called back to this whole master concept: "She LIKE to call me King BEE " he yawped  and you could practically imagine the shit-eating smirk on his face and those big teeth bracing over murmuring M's and hard E's — "Mah little honey bee..."
That was some of Petty’s magic  hiding something exotic and distinctive in plain sight  as personal as he was populist. He gathered a lot from his Traveling Wilburys contemporaries  like the mystical George Harrison and the cheeky Bob Dylan. But with the eclectic Wildflowers  one of the best albums of his career  he managed to carve out his own cool little lane for his next 23 years. That same year  in 1994  Johnny Cash also entered into Rick Rubin’s atmosphere with American Recordings; two years later Tom Petty and the Heartbreakers were the backing band on Cash's follow-up American II: Unchained  and the group sounded fucking awesome. As the Man in Black was initializing his descent into his final decade — the wits and hurt of age setting into his vocals — the Heartbreakers were arguably peak Heartbreakers. I like to think each artist paid witness to the other’s evolution  passing through and yet part of the other’s tradition for always.
That’s how it is with big artists like Cash and Petty  who had just finished his 40th-anniversary tour with the Heartbreakers when he died. For many fans  that was 40 years of traditions  of entry and re-entry through the band’s low-barrier-for-entry entry  whether through a benign drug reference or familiar riffs — American  Flirtin’  Draggin’  Wreckin’  Savin’  Breakin’. As the man clearly had no problem with things being too on-the-nose — he literally performed the “Learning to Fly” music video on the wings of an airplane — it wouldn’t be too dubious to say  Tom Petty  might have actually been a king. And  he  was good.

Long Live Tom Petty  The Good King Of The Mid