instruction:
You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.
question:
 The play loosely follows the life of Joan of Arc. It contains a prologue introducing the important characters, followed by five acts. Each dramatizes a significant event in Joan's life. Down into Act IV the play departs from history in only secondary details (e.g. by making Joan kill people in battle, and by shifting the reconciliation between the Armagnacs and the Burgundians from 1435 to 1430). Thereafter, however, the plot is entirely free. Joan is about to kill an English knight when, on removing his helmet, she at once falls in love with him, and spares him. Blaming herself for what she regards as a betrayal of her mission, then, when at Reims she is publicly accused of sorcery, she refuses to defend herself, is assumed to be guilty, and dismissed from the French court and army. Captured by the English, she witnesses from her prison cell a battle in which the French are being decisively defeated, breaks her bonds, and dashes out to save the day. She dies as victory is won, her honour and her reputation both restored.
The play reflects the new nationalism and militarism of the budding nineteenth century, and also the Kantian ideal of the need to subject emotion to moral principle.
The line "Mit der Dummheit k mpfen G tter selbst vergebens" (III, 6; Talbot) translates into English as "Against stupidity, the gods themselves contend in vain." This provided Isaac Asimov with the title of his novel The Gods Themselves.
This was the most performed (at least in Germany) of all Schiller's plays down to the Great War. In modern post-war Germany, its militarism is an embarrassment, but the dramatic power of the last two acts keeps the play on the stage.
answer:
Who does Joan fall in love with? 


question:
 This memoir tells of a precocious boy who loved the sights and sounds of his childhood but felt reticent about full participation in life. The note is sounded from the first chapters, as James recounts the limitations and rewards of the child he was:
"For there was the very pattern and measure of all he was to demand: just to be somewhere almost anywhere would do and somehow receive an impression or an accession, feel a relation or a vibration. He was to go without many things, ever so many as all people do in whom contemplation takes so much the place of action; but everywhere...he was to enjoy more than anything the so far from showy practice of wondering and dawdling and gaping: he was really, I think, much to profit by it."
James clearly suffered from a sense of his inferiority in the "showy", active parts of life. His older brother William always seemed superior in ability; his classmates scorned his hopelessness at math and science; even at a party he felt too embarrassed to join in the dancing.
But he still observed and fantasized about all his family and his surroundings had to offer. When a cousin of his was told "don't make a scene," he suddenly realized that scenes could be made by telling a story or inventing a play. He went often to the theater and fell forever under its spell. His family met William Thackeray and Charles Dickens on their American tours, and James even remembered Thackeray mock-scolding his sister Alice for her crinoline dress: "Crinoline? I was suspecting it! So young and so depraved!"
In fact, for all his surface diffidence, James harbored almost Napoleonic dreams of glory as an artist. Near the close of A Small Boy and Others he tells how, in much later years, he dreamed of routing a monstrous attacker and chasing him away through the halls of the Louvre, which he had seen as a child. The small boy, as hesitant and uncertain as he might seem, would triumph over his fears and develop his superb aptitude for narrative fiction.
answer:
Who mocked James' sister, Alice?


question:
 MI6 agent James Bond meets a Swiss banker in Bilbao, Spain to retrieve money for Sir Robert King, a British oil tycoon and friend of M. Bond tells the banker that King was buying a report stolen from an MI6 agent who was killed for it, and wants to know who killed him. The banker is killed by his assistant before he can reveal the assassin's name. Bond escapes with the money, but it is revealed to be booby-trapped, and Sir Robert is killed by an explosion inside MI6 headquarters back in London. Bond gives chase to the assistant/assassin on a boat on the Thames to the Millennium Dome, where she attempts to escape via hot air balloon. Bond offers her protection, but she refuses, then causes the balloon to explode, killing herself.
Bond traces the recovered money to Renard, a KGB agent-turned-terrorist. Following an earlier attempt on his life by MI6, Renard was left with a bullet in his brain which is gradually destroying his senses, making him immune to pain. M assigns Bond to protect King's daughter, Elektra; Renard previously abducted and held her for ransom, and MI6 believes that he is targeting her a second time. Bond flies to Azerbaijan, where Elektra is overseeing the construction of an oil pipeline. During a tour of the pipeline's proposed route in the mountains, Bond and Elektra are attacked by a hit squad in armed, paraglider-equipped snowmobiles.
Afterwards Bond visits Valentin Zukovsky at a casino to acquire information about Elektra's attackers; he discovers that Elektra's head of security, Davidov, is secretly in league with Renard. Bond kills Davidov and boards a plane bound for a Russian ICBM base in Kazakhstan. He poses as a Russian nuclear scientist, meets American nuclear physicist Christmas Jones, and enters the silo. Inside, Renard is removing the GPS locator card and weapons-grade plutonium from a nuclear bomb. Before Bond can kill him, Jones blows his cover. Renard drops a hint that he and Elektra are collaborating and flees with the plutonium, while Bond and Jones escape the exploding silo with the locator card.
Back in Azerbaijan, Bond discloses to M that Elektra may not be as innocent as she seems. An alarm sounds while he is handing M the locator card as proof of the theft, which reveals that the stolen bomb from Kazakhstan is attached to an inspection rig heading towards the oil terminal. Bond and Jones enter the pipeline to deactivate the bomb, and Jones discovers that half of the plutonium is missing. They both jump clear of the rig, a large section of pipeline is destroyed, and they are presumed killed. Back at the command centre, Elektra reveals she and Renard are conspirators and that she killed her father as revenge for using her as bait for Renard. She abducts M, whom she resents for advising her father not to pay the ransom money, and imprisons her in the Maiden's Tower.
Bond accosts Zukovsky at his caviar factory in the Caspian Sea, which is then attacked by Elektra's sawing helicopters. Later, Zukovsky reveals his arrangement with Elektra was in exchange for the use of a submarine, currently being captained by Zukovsky's nephew, Nikolai. The group goes to Istanbul, where Jones realises that if Renard were to insert the stolen plutonium into the submarine's nuclear reactor, the resulting nuclear explosion would destroy Istanbul, sabotaging the Russians' oil pipeline in the Bosphorus while dramatically increasing the value of Elektra's oil. Bond then gets a signal from the hacked locator card in the Maiden's Tower just before Zukovsky's underling, Bullion blows up the command centre. Zukovsky is knocked unconscious and Bond and Jones are captured by Elektra's henchmen. Jones is taken aboard the submarine, which was seized by Renard's men. Bond is taken to the tower, where Elektra tortures him with a garrote. Zukovsky and his men seize the tower, but Zukovsky is shot by Elektra, freeing Bond with his cane gun with his last act. Bond frees M and kills Elektra.
Bond dives after the submarine, boards it, and frees Jones. Following a fight, the submarine hits the bottom of the Bosphorus, causing its hull to rupture. Bond catches up with Renard and kills him after a lengthy fight in the submarine's reactor. Bond and Jones escape from the submarine, leaving the flooded reactor to detonate safely underwater.
answer:

How is Sir Robert killed?