In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

[Q]: In the year 1900, a depressed writer named Christian begins writing on his typewriter ("Nature Boy"). One year earlier, Christian moved to the Montmartre district of Paris to become a writer among members of the area's Bohemian movement. He encounters performers led by Toulouse-Lautrec; his writing skills allow them to finish their proposed show, "Spectacular Spectacular", that they wish to sell to Harold Zidler, owner of the Moulin Rouge. The group arrives at the Moulin Rouge as Zidler and his "Diamond Dog Dancers" perform for the audience ("Lady Marmalade/Zidler's Rap (Can Can)/Smells Like Teen Spirit"). Toulouse arranges for Christian to see Satine, the star courtesan, in her private quarters to present the work, unaware that Zidler is promising Satine to the wealthy and unscrupulous Duke of Monroth, a potential investor in the cabaret ("Sparkling Diamonds" medley).Satine mistakes Christian for the Duke, and dances with him before retiring to her private chamber with him to discuss things privately ("Rhythm of the Night), but soon learns he is just a writer; by this time Christian has fallen in love with her ("Your Song"). The Duke interrupts them; Christian and Satine claim they were practicing lines for "Spectacular Spectacular". With Zidler's help, Toulouse and the rest of the troupe pitch the show to the Duke with an improvised plot about an evil maharajah attempting to woo an Indian courtesan who loves a poor sitar player ("The Pitch (Spectacular Spectacular)"). The Duke backs the show on the condition that only he may see Satine. Satine contemplates on Christian and her longing to leave the Moulin Rouge to become "a real actress" ("One Day I'll Fly Away"). Christian goes back to Satine to convince her that she loves him ("Elephant Love Medley"). As the cabaret is converted to a theater, Christian and Satine continue seeing each other under the pretense of rehearsing Satine's lines. The Duke becomes jealous and warns Zidler that he may stop financing the show; Zidler arranges for Satine to dine with the Duke that evening, but she falls ill from tuberculosis ("Górecki"). Zidler makes excuses to the Duke, claiming that Satine has gone to confession ("Like a Virgin"). Zidler learns that Satine does not have long to live. Satine tells Christian that their relationship endangers the show, but he counters by writing a secret love song to affirm their love ("Come What May").As the Duke watches Christian rehearsing with Satine, Nini, a jealous performer, points out that the play is a metaphor for Christian, Satine and the Duke. Enraged, the Duke demands the ending be changed so that the courtesan ends up with the maharajah; Satine offers to spend the night with the Duke to keep the original ending. At the Duke's quarters, Satine sees Christian on the streets below, and realizes she cannot go through with this ("El Tango de Roxanne: "Roxanne/Tanguera"). The Duke tries to rape her, but she is saved by Le Chocolat, one of the cabaret dancers, and reunited with Christian, who urges her to run away with him. The Duke tells Zidler he will have Christian killed if Satine is not his. Zidler reiterates this warning to Satine, but when she refuses to return, he finally informs her she is dying ("A Fool to Believe"). Satine tells Christian they can no longer see each other as she will be staying with the Duke ("The Show Must Go On"). Christian tries following her, but is denied entry to the Moulin Rouge, and becomes depressed, even though Toulouse insists that Satine loves him.The night of the show, Christian sneaks into the Moulin Rouge, intending to pay Satine to return his love just as the Duke paid for her ("Hindi Sad Diamonds"). He catches Satine before she steps on stage and demands she tell him she does not love him. Suddenly they find themselves in the spotlight; Zidler convinces the audience that Christian is the disguised sitar player. Christian denounces Satine and walks off the stage. From the rafters, Toulouse cries out, "The greatest thing you'll ever learn is just to love and be loved in return", spurring Satine to sing the song Christian wrote to express their love. Christian returns to the stage, joining her in the song. The Duke's bodyguard tries to kill Christian, but is thwarted, while the Duke's own attempt is stopped by Zidler. The Duke storms out of the cabaret as Christian and Satine complete their song ("Come What May (Reprise)", "Coup d'État (Finale)").After the curtain closes, Satine succumbs to tuberculosis. She and Christian affirm their love before she dies. A year later the Moulin Rouge has closed down, and Christian is writing the tale of his love for Satine, a "love that will live forever" ("Nature Boy (Reprise)").
[A]: Who does Toulouse arranges for Christian to see?


[Q]: A Russian organized crime group takes possession of an advanced bio-chemical weapon from Korea with the help of a corrupt Korean scientist, and two special agents are the world's only hope to stop them. One is a veteran domestic secret agent named Ahn Soo-ji (Kim Ha-neul) who is a master martial artist and fencer. The other is a rookie international agent named Lee Jae-joon (Kang Ji-hwan) who's foundation in analytical work, rather than field work, gets him into trouble when he consistently goofs up on the job. The two agents have an ill-fated relationship, when coincidentally they are dating and donât know each other's secret identities. Ironically, the passion between them turns to madness, as the lies and secrets between them build until they nearly kill each other. They only thing they can trust is the fact they love and hate each other. The tension builds as they attempt to work out their relationship, while working behind each other's backs, unknowingly on the same mission to save the world.
[A]: What is Ahn Soo-ji's job?


[Q]: While told in the prospective of a Nisei (2nd generation Japanese-American), this film does not fall to maudlin. The historical prospectiveis the facts leading up to the internment of West Coast Japanese nationals and Japanese-Americans just after the Pearl Harbor attack. In addition to telling about the internment camps, it also provides some insight into pre-war union efforts to organize It is told in flawless flashbacks. To a large extent the film is a narrative of people whose ability to lead their own lives were constrained by illegal activities of others.Jack McGurn (Quaid) moves to Los Angeles from New Jersey in 1936 to escape from troubles that fall on him as a labor organizer. He takes a job as a projectionist in a Little Tokyo movie theater run by a Japanese-American family. He falls in love with his Japanese boss's daughter. Forbidden by the father to see one another and barred from marrying by California law, the couple elope to Seattle, Washington. (The law there permitted inter-racial marriage.) They have a little girl they name Mini, who looks more like an Asian-American than a European-American. McGurn gets a job working as a "fish smasher." He is unjustly jailed for interfering when a peaceful legal protest of working conditions where he works is violently broken up by management goons and police. He is paroled just as the Japanese nation attacks America. McGurn's wife and daughter, and her family, are sent to Manzanar. McGurn parole is suspended but he then has to joins the United States Army without time to return to his wife before she is sent to the internment camp. He goes AWOL to visit his family in the camp.The movie has reconstructed scenes of the forced sale by Little Tokyo residents and scenes in the camp intended to show injustices that occur as a result of the order to intern west coast Japanese-Americans. 1944 Supreme Court rulings about the camps constitutionality allow American members of the family who had signed loyalty oaths to leave the camp. They go to live with an aunt, since they have no home in Little Tokyo anymore.The story is told in flashback as the mother tells Mini about Jack, whom Mini barely remembers, as the two of them are walking towards a railroad station where they are to meet Jack coming back from the war after the atomic bomb on Hiroshima.
[A]:
The story is told in what prospective?