In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: susan granger 's review of " mulholland drive " ( universal focus )
whatever david lynch is selling ,
i 'm not buying .
from the writer / director of " blue velvet " and " twin peaks " comes another dark , mysterious thriller that opens with an automobile accident on mulholland drive , the serpentine street that twists high in the hollywood hills .
dazed , a beautiful brunette ( laura elena harring ) emerges and stumbles down a hill , slipping unobserved into a ' 30s - style apartment as the tenant leaves for a trip .
the next morning , a dewy blonde ( naomi watts ) from deep river , ontario , arrives in la with dreams of stardom in her suitcase .
her aunt owns the apartment and the two women meet .
the brunette has amnesia so the blonde tries to help her discover her identity along with her latent lesbian lust .
meanwhile , a hotshot director ( justin theroux ) , whose wife is in bed with the poolman , is forced to cast a certain actress in his new film and there 's an assassin ( mark pellegrino ) roaming the city .
the tortuous paths of these various characters - and others named cookie , coco and cowboy - intersect at various points but the plot remains elusive because , midway through the story , lynch has the brunette and blonde play two different women in an alternate reality , leaving a huge wad of cash , a blue metallic key , a paralyzed mogul and a lot of questions that go unanswered
.
elena harring and particularly naomi watts are gifted actresses , effectively making the subtle switch .
the same can not be said for former m .
g .
m .
dancer ann
miller who 's stiff and self - conscious , speaking - like most lynch players - in staccato tones .
on the granger movie gauge of 1 to 10 , " mulholland drive " is a frenzied , frustrating
4 . originally designed as an episodic tv pilot , this surreal triumph of suspenseful style over substance is packaged as a puzzle with several of the key pieces left out .

Output: N


Input: Consider Input: moviemaking is a lot like being the general manager of an nfl team in the post - salary cap era -- you 've got to know how to allocate your resources .
every dollar spent on a free - agent defensive tackle is one less dollar than you can spend on linebackers or safeties or centers .
in the nfl , this leads to teams like the detroit lions , who boast a superstar running back with a huge contract , but can only field five guys named herb to block for him .
in the movies , you end up with films like " spawn " , with a huge special - effects budget but not enough money to hire any recognizable actors .
jackie chan is the barry sanders of moviemaking .
he spins and darts across the screen like sanders cutting back through the defensive line .
watching jackie in operation condor as he drives his motorcycle through the crowded streets of madrid , fleeing an armada of pursuers in identical black compact cars , is reminiscent of sanders running for daylight with the chicago bears in hot pursuit , except that sanders does n't have to worry about rescuing runaway baby carriages .
but like the lions star , jackie does n't have anybody to block for him .
almost every cent that 's invested in a jackie chan movie goes for stunts , and as chan does his own stunts , the rest of the money goes to pay his hospital bills .
this leaves about 75 cents to pay for things like directors ( chan directs ) , scripts and dubbing and supporting characters , not to mention the hideous title sequence .
this also explains why the movie was shot in odd places like morocco and spain .
( chan 's first release in this country , " rumble in the bronx " , was supposedly set in new york , but was filmed in vancouver , and in the chase scenes the canadian rockies are clearly visible . )
heck , jackie does n't even have enough money for a haircut , looks like , much less a personal hairstylist .
in condor , chan plays the same character he 's always played , himself ,
a mixture of bruce lee and tim allen , a master of both kung - fu and slapstick - fu .
jackie is sent by the un to retrieve a cache of lost nazi gold in the north african desert , and is chased by a horde of neo - nazi sympathizers and two stereotypical arabs ( one of the things i like about jackie chan movies : no political correctness ) .
he is joined by three women , who have little to do except scream , " jackie , save us ! " , and misuse firearms .
the villain is an old nazi whose legs were broken in the secret base so that he has to be carried everywhere , and he 's more pathetic than evil .
en route , we have an extended motorcycle chase scene , a hilarious fight in the moroccan version of motel 6 with the neo - nazis , and two confrontations with savage natives .
once at the secret desert base , there is a long chop - socky sequence , followed by the film 's centerpiece , a wind - tunnel fight that 's even better than the one in face / off .
this is where the money was spent , on well - choreographed kung - fu sequences , on giant kevlar hamster balls , on smashed - up crates of bananas , and on scorpions .
ignore the gaping holes in the plot ( how , exactly , if the villain 's legs were broken , did he escape from the secret nazi base , and why did n't he take the key with him ? ) .
do n't worry about the production values , or what , exactly , the japanese girl was doing hitchhiking across the sahara .
just go see the movie .
operation condor has pretentions of being a " raiders of the lost ark " knockoff , but one wonders what jackie could do with the raiders franchise blocking for him -- with a lawrence kazdan screenplay , a john williams score , spielberg directing and george lucas producing , condor might be an a+ movie .
however , you 've got to go with what you 've got , and what you 've got in jackie chan is something special -- a talent that mainstream hollywood should , could , and ought to utilize .

Output: P


Input: Consider Input: after having heard so many critics describe " return to me " as an old - fashioned hollywood romance , i kept asking myself going into this movie : what exactly is an old - fashioned hollywood romance ?
what made " return to me " old - fashioned and old - hollywood ? was it the tunes from sinatra , etc . , legendary singers the senior citizens in the film constantly harp on ?
was it the glamorous , sophisticated feel
? the charisma of the two leads ?
even now i ca n't say that i have gotten any closer to the real answer , because i have n't see that many old - fashioned hollywood romances .
i do n't think any of the romances i 've seen have been classified as such . which leaves me the option of vaguely agreeing with my fellow critics -- " return to me " was old - fashioned in the sense that it reminded me of the way the younger generation perceive venerated old hollywood magic , the way
i perceive cinnamon spice and apple cider .
it was traditional , magical .
we knew it could n't be too daring , or have any surprising plot twists that many cynical modern romances are apt to throw in .
it was a romance told with such endearing simplicity , tenderness , and love ( from director bonnie hunt ) that it could n't help but sparkle with charm despite its shortcomings .
the film owes a lot of what it has to bonnie hunt 's direction .
from the very first bird 's eye view of chicago , zooming in slowly toward the insignificant bob rueland ( david duchovny ) , accompanied by the " return to me " ballad ( by whom ? ) , we can tell we 're in for something sweet .
the scenes between the characters are endearing , truthful , with just a hint of fantasy .
real people do n't act that way ; real people are n't that nice .
we know all this , and yet we want to believe in these folks ' existence .
the premise itself seems to have sprung out of a fairytale , but hunt 's rooting the fairytale in common chicago folk simultaneously lends credit to the scenario and tinges everyday urban life with a hint of the ethereal .
everything is ordinary -- yet beautiful -- in this film .
> from the festive little family restaurant to grace ( minnie driver ) and bob 's wardrobes .
from the eloquent , not - in - a - hurry to progress storyline to the dainty watercolors that grace paints .
from the animal stars to the way all the characters interact on screen -- the most beautiful part .
" return to me " has done an excellent job of assembling together a group of actors who blend in effortlessly as a family : the audience has no trouble at all believing that this rambunctious family actually does exist .
we care for them , laugh with them , cry with them ; we 're concerned that the little boy will pick up cursing from his father .
whatever hunt did , she brought out the naturalism in all of the actors .
disappointingly , david alan grier 's charlie , however much i like him , was the most flatly - written .
duchovny here does a laudable job of shaking off his fox mulder persona -- with the help of his fellow co - stars rarely do we see any hint of special agent fox mulder .
instead we have a normal guy who when he falls in love shows more delight than fox mulder will show over the span of an entire season of " the x - files .
" duchovny , who is excellent at understatement and self - deprecation as an actor showcases his considerable comedic talent on screen .
minnie driver is engaging as always
as the sweet , innocent grace with nothing but a good heart to offer .
though an unlikely pair , duchovny and driver gradually warm up to each other as the movie progresses .
while " return to me " functions remarkably as a laugh - out - loud comedy , a romantic scenic tour through chicago , and a tearjerker , the story is set up so the film ends up having nowhere to develop .
the entire climax of the film hinges on when and how grace is going to tell bob that she actually was the recipient of his wife 's heart .
we already know that there 's going to be a happy ending ; we feel like we spend the entire film , however enjoyably , in a straight line going towards that point .
as a result bob and grace click almost too quickly -- yes , i know she 's supposed to have his ex - wife 's heart and everything -- it seems too effortless .
the main subject is a love story , and the family scenes i love so much unfortunately are overused and distract from the turmoil of the two main characters ( whose story might not have that much meat after all ) .
however , in the spirit of " return to me , " it wo n't do to be too picky about how " old " hollywood tells its stories .
i loved knowing that this was a labor of love for bonnie hunt .
it shows .
the bottom line : " return to me " is nothing remarkable , and yet its sweetness , sincerity , and charm might touch your heart in ways that you had n't imagined .


Output: P