instruction:
Given a document, find the main entity about whom the author is writing. Write the full name if mentioned in the text. Note that URLs in the text have been replaced with [Link].
question:
Jessie Ware  "Glasshouse" (Interscope Records)
No doubt about it   Jessie Ware  can sing. The London-born singer-songwriter has a versatile voice that can whisper and soar against a musical palette drawing from soul  R&B  jazz and pop.
The 12 songs in the collection effectively showcase  Ware 's range. She can go from a murmur to a scream against a disco bassline in lead single "Midnight." She can croon soulfully on "Thinking About You." She can bathe the listener in a soothing balm on the lush "Stay Awake for Me."
In lyrics partly inspired by the birth of her first child last year   Ware  reflects on love and loss. It's not exactly Amy Winehouse-level soul baring but it delivers on the seductive  bossa nova-tinged "Selfish Love" ("Why do I do these things/I break you down just to get my way?")
 Ware  is clearly an artist with personality  but at times seems overwhelmed by the album's busy production. "Alone" is a catchy ballad honed to within an inch of its life. There's more freedom on "Your Domino " an appealing slice of Eurodisco fun.
The album is most effective when it slows down â as it does on the aptly named "Slow Me Down" and on "Hearts " which lets the emotion in  Ware 's voice shine through.
answer:
Jessie Ware


question:
âThe point is Iâm suddenly popular AF.â  â George W. Bush  #SNL pic.twitter.com/azu3DzCzsP â Saturday Night Live â SNL (@nbcsnl) January 28  2018
You get the point: SNL knows its audience is all stressed out about Trump  but hey  letâs have some fun calling  Bush  stupid again.
And they also blame  him  for creating ISIS.
After Ferrellâs Bush character mentions that âwe are still in two different wars that I started â  he  then poses the question  âWhat has two thumbs and created ISIS? This guy.â
answer:
George Bush


question:
Taylor Swift  performs in Houston. (John Salangsang/Invision/AP)
In Washington  an army of UPS trucks is swarming the city plastered with signs promising a #TaylorSwiftDelivery: the pop singerâs sixth album  âReputation â out Nov. 10. Four already released tracks tease a darker tone where the âold  Taylor â is âdeadâ and a reinvention of one of the most successful artists in the world. Itâs not enough to appease feminist critics  however.
Itâs been quite a year for  Swift   who has matured in public in a way few female stars have the courage to    staging a dispute between  her  different public âselvesâ in a video for  her  song âLook What You Made Me Doâ earlier this year. Meanwhile   she  pursued a lawsuit against a former radio host whom  she  accused of groping  her  in 2013  a move heralded by the Guardian as a âuniversal feminist statementâ long before #MeToo.  Swift  has openly embraced feminism since 2014 and tweeted in support of the Womenâs March in January  so you might think  given our current focus on womenâs rights and dignity  that âReputationâ would land with a girl-power splash.
But youâd be wrong. Very wrong. In fact   Swift  is already under fire from feminist critics. And their attacks reveal something very ugly about modern feminism: While todayâs feminists claim to champion the rights of all women  they speak only for women who agree with them â vocally  frequently and on demand.
[Sorry   Taylor Swift . Being a feminist is about more than supporting your girlfriends.]
Anticipating âReputation â Bustle editor Rachel Simon insisted that the 27-year-old Swift âcanât just say that the media has painted her as a fake feminist or a manipulative liar; she needs to say âI deserved it.â â Even after her sexual assault lawsuit  feminists pounced on  Swift . Salon writer Rachel Leah retorted that  Swift  is âknown to wave the feminist banner only when it directly benefits her.â Bustle agreed  decrying  Swift âs feminism as a âdeeply flawed â âself-servingâ âwhite feminism.â
As proof of her feminist failures  editor Kadeen Griffiths listed  Swift âs many faults: not criticizing President Trump  not âpublicly support[ing] organizationsâ like Planned Parenthood and not attending the Womenâs March (her tweet apparently wasnât enough.) Outlet after outlet has pressured  Swift  to condemn the president in the name of feminism. In January  the Daily Beast went so far as to accuse her of âSpineless Feminism.â  Swift  may be the highest-paid artist in the world   but her decision to speak out on issues as she pleases rather than as others call on her to means she gets little credit for the space sheâs made for female artists.
[The ACLU slams Taylor Swift for trying to protect her reputation]
We have no idea what  Taylor Swift  thinks about any number of specific political issues: how  she  feels about Trump  what  she  thinks the goals of feminism ought to be  where  she  comes down on abortion or anything else. But the ongoing denouncement of  Swift  proves that you donât even have to have convictions as firm as antiabortion feminists to be counted out of todayâs movement. All it takes to get exiled is to not affirm the party line loudly enough. And for any movement seeking to advance the cause of women as a whole  thatâs a problem.
The test of a feministâs commitment should be how  she  treats women who are different from  her . It shouldnât matter if  Swift  agrees or disagrees  if  she  speaks or remains silent. We should applaud  her  ability as a person  independent  with  her  own heart and mind  to be who  she  wishes. The same should go for any number of women who hold different political views but agree that womenâs voices should be a part of the national conversation. Their feminism is real  their perspectives matter  and they should be welcome to contribute to a movement that promotes womenâs welfare and status. That should be feminismâs reputation.
answer:

Taylor Swift