ibm-research/duorc huggingface dataset:
On Hostile Ground

Corbett stars as Matt Andrews, a geologist who is asked to investigate why there have been two large sinkholes affecting the city of New Orleans. Jessica Steen plays his girlfriend Allison Beauchamp, assistant to the Mayor, who has to decide whether the problems with the sinkholes will spread far enough to require that the remainder of Mardi Gras be cancelled, which would be an economic disaster to the city.Matt has a number of personal issues because of a disaster which happened at a mine he was advising on its operations. Although cleared of responsibility for the accident, he still blames himself, which may be causing him to be overcautious. Matt admits the potential problem of the sinkholes becoming so serious as to endanger the city could occur next week, or not for three hundred years. Based on the lack of real evidence of immediate danger, and because some evidence that she should have received has been destroyed by the mayor's political flack, Allison has decided not to close the festival, only to have the disaster metastasize, like a cancer devouring the city's underground.The only answer is to obtain a binary liquid which when combined produces a foam that will fill the huge sinkhole cavern. The foam will expand to hundreds of times its size, and becomes as hard as concrete. Due to an emergency, while Matt is underground inspecting the caverns, he becomes partially trapped, and has to ask to have the foam started (which will kill him if he can't find an escape) because if they don't start the flow of the liquid immediately, the ground underneath downtown New Orleans will collapse similar to the effects of soil liquefaction and thousands to tens of thousands of people will be injured or killed. The last few minutes of the film become a race against time as Matt attempts to find an exit before the foam overwhelms him.The film points to an event that would happen five years after the movie was made. Matt points out the sinkholes, if they do fail and open up, could be as serious a disaster to the city as if its levees collapsed, an event that did happen as a result of Hurricane Katrina in 2005.

Question: In what city are the sinkholes located?
Answer: New Orleans
Martyrs

The film begins with a young girl, Lucie Jurin, as she escapes from a disused abattoir where she has been imprisoned and physically abused for a long time. The perpetrators and their motivations remain a mystery. Lucie is placed in an orphanage, where she is befriended by a young girl named Anna Assaoui. Anna discovers that Lucie believes that she is constantly being terrorized by a ghoulish creature; a disfigured emaciated woman.
Fifteen years later, Lucie (MylÃ¨ne JampanoÃ¯) bursts into the home of an apparently normal family with a shotgun, the BelfondsâGabrielle, her husband, and their children Antoine and Marieâand kills them all. Elsewhere, Anna (Morjana Alaoui) waits for Lucie. Although Anna knows that Lucie believes the Belfonds are the people responsible for her childhood abuse, she is horrified when Lucie tells her that she has killed them. She discovers that Gabrielle is still alive and tries to help her escape. Unfortunately, Lucie bludgeons Gabrielle to death. Lucie is again attacked by the scarred creature, but Anna only sees Lucie hurting herself; the 'creature' is nothing more than a psychological manifestation of Lucie's guilt for leaving behind another girl who was also tortured with her as a child. Lucie, realizing that her insanity will never leave her, commits suicide.[4]
The next day, Anna, still at the family's house, telephones her mother, from whom she has been estranged; their conversation implies that Anna suffered abuse from her parents as a child. Anna discovers a secret underground chamber. Imprisoned within is a horribly tortured young girl, Sarah, proving that Lucie was right about the family. Anna helps Sarah but a group of strangers arrive and shoot Sarah dead. Captured, Anna meets their leader, an elderly lady referred to as Mademoiselle. Mademoiselle explains that she belongs to a secret philosophical society seeking to discover the secrets of the afterlife through the creation of "martyrs". Their experiments inflict systematic acts of torture upon young women in the belief that their suffering will result in a transcendental insight into the world beyond this one.
As a result of her selfless actions of helping Lucie and Sarah, Anna becomes the group's latest subject. After a period of being beaten and degraded, Anna hallucinates a conversation with Lucie, and is later told she has progressed further than any other test subject, and has reached the "final stage." She is flayed alive and survives the procedure, entering a state that is "euphoric" and likened to achieving transcendence. Mademoiselle arrives eagerly and Anna whispers into her ear.
Mademoiselle's assistant asks her if what Anna said was clear. Mademoiselle confirms that there is no room for interpretation, places a revolver in her mouth and shoots herself, implying that what Anna told her was too terrible for her to live with.
The film ends with a shot of Anna on the table, in a catatonic state.

Question: Who is catatonic at the end of the film?
Answer: Anna
Martyrs

The film begins with a young girl, Lucie Jurin, as she escapes from a disused abattoir where she has been imprisoned and physically abused for a long time. The perpetrators and their motivations remain a mystery. Lucie is placed in an orphanage, where she is befriended by a young girl named Anna Assaoui. Anna discovers that Lucie believes that she is constantly being terrorized by a ghoulish creature; a disfigured emaciated woman.
Fifteen years later, Lucie (MylÃ¨ne JampanoÃ¯) bursts into the home of an apparently normal family with a shotgun, the BelfondsâGabrielle, her husband, and their children Antoine and Marieâand kills them all. Elsewhere, Anna (Morjana Alaoui) waits for Lucie. Although Anna knows that Lucie believes the Belfonds are the people responsible for her childhood abuse, she is horrified when Lucie tells her that she has killed them. She discovers that Gabrielle is still alive and tries to help her escape. Unfortunately, Lucie bludgeons Gabrielle to death. Lucie is again attacked by the scarred creature, but Anna only sees Lucie hurting herself; the 'creature' is nothing more than a psychological manifestation of Lucie's guilt for leaving behind another girl who was also tortured with her as a child. Lucie, realizing that her insanity will never leave her, commits suicide.[4]
The next day, Anna, still at the family's house, telephones her mother, from whom she has been estranged; their conversation implies that Anna suffered abuse from her parents as a child. Anna discovers a secret underground chamber. Imprisoned within is a horribly tortured young girl, Sarah, proving that Lucie was right about the family. Anna helps Sarah but a group of strangers arrive and shoot Sarah dead. Captured, Anna meets their leader, an elderly lady referred to as Mademoiselle. Mademoiselle explains that she belongs to a secret philosophical society seeking to discover the secrets of the afterlife through the creation of "martyrs". Their experiments inflict systematic acts of torture upon young women in the belief that their suffering will result in a transcendental insight into the world beyond this one.
As a result of her selfless actions of helping Lucie and Sarah, Anna becomes the group's latest subject. After a period of being beaten and degraded, Anna hallucinates a conversation with Lucie, and is later told she has progressed further than any other test subject, and has reached the "final stage." She is flayed alive and survives the procedure, entering a state that is "euphoric" and likened to achieving transcendence. Mademoiselle arrives eagerly and Anna whispers into her ear.
Mademoiselle's assistant asks her if what Anna said was clear. Mademoiselle confirms that there is no room for interpretation, places a revolver in her mouth and shoots herself, implying that what Anna told her was too terrible for her to live with.
The film ends with a shot of Anna on the table, in a catatonic state.

Question: Who is the group's latest subject after helping Lucie and Sarah?
Answer: Anna
Martyrs

The film begins with a young girl, Lucie Jurin, as she escapes from a disused abattoir where she has been imprisoned and physically abused for a long time. The perpetrators and their motivations remain a mystery. Lucie is placed in an orphanage, where she is befriended by a young girl named Anna Assaoui. Anna discovers that Lucie believes that she is constantly being terrorized by a ghoulish creature; a disfigured emaciated woman.
Fifteen years later, Lucie (MylÃ¨ne JampanoÃ¯) bursts into the home of an apparently normal family with a shotgun, the BelfondsâGabrielle, her husband, and their children Antoine and Marieâand kills them all. Elsewhere, Anna (Morjana Alaoui) waits for Lucie. Although Anna knows that Lucie believes the Belfonds are the people responsible for her childhood abuse, she is horrified when Lucie tells her that she has killed them. She discovers that Gabrielle is still alive and tries to help her escape. Unfortunately, Lucie bludgeons Gabrielle to death. Lucie is again attacked by the scarred creature, but Anna only sees Lucie hurting herself; the 'creature' is nothing more than a psychological manifestation of Lucie's guilt for leaving behind another girl who was also tortured with her as a child. Lucie, realizing that her insanity will never leave her, commits suicide.[4]
The next day, Anna, still at the family's house, telephones her mother, from whom she has been estranged; their conversation implies that Anna suffered abuse from her parents as a child. Anna discovers a secret underground chamber. Imprisoned within is a horribly tortured young girl, Sarah, proving that Lucie was right about the family. Anna helps Sarah but a group of strangers arrive and shoot Sarah dead. Captured, Anna meets their leader, an elderly lady referred to as Mademoiselle. Mademoiselle explains that she belongs to a secret philosophical society seeking to discover the secrets of the afterlife through the creation of "martyrs". Their experiments inflict systematic acts of torture upon young women in the belief that their suffering will result in a transcendental insight into the world beyond this one.
As a result of her selfless actions of helping Lucie and Sarah, Anna becomes the group's latest subject. After a period of being beaten and degraded, Anna hallucinates a conversation with Lucie, and is later told she has progressed further than any other test subject, and has reached the "final stage." She is flayed alive and survives the procedure, entering a state that is "euphoric" and likened to achieving transcendence. Mademoiselle arrives eagerly and Anna whispers into her ear.
Mademoiselle's assistant asks her if what Anna said was clear. Mademoiselle confirms that there is no room for interpretation, places a revolver in her mouth and shoots herself, implying that what Anna told her was too terrible for her to live with.
The film ends with a shot of Anna on the table, in a catatonic state.

Question: What is the state Anna entered compared to?
Answer: achieving transcendence
Martyrs

The film begins with a young girl, Lucie Jurin, as she escapes from a disused abattoir where she has been imprisoned and physically abused for a long time. The perpetrators and their motivations remain a mystery. Lucie is placed in an orphanage, where she is befriended by a young girl named Anna Assaoui. Anna discovers that Lucie believes that she is constantly being terrorized by a ghoulish creature; a disfigured emaciated woman.
Fifteen years later, Lucie (MylÃ¨ne JampanoÃ¯) bursts into the home of an apparently normal family with a shotgun, the BelfondsâGabrielle, her husband, and their children Antoine and Marieâand kills them all. Elsewhere, Anna (Morjana Alaoui) waits for Lucie. Although Anna knows that Lucie believes the Belfonds are the people responsible for her childhood abuse, she is horrified when Lucie tells her that she has killed them. She discovers that Gabrielle is still alive and tries to help her escape. Unfortunately, Lucie bludgeons Gabrielle to death. Lucie is again attacked by the scarred creature, but Anna only sees Lucie hurting herself; the 'creature' is nothing more than a psychological manifestation of Lucie's guilt for leaving behind another girl who was also tortured with her as a child. Lucie, realizing that her insanity will never leave her, commits suicide.[4]
The next day, Anna, still at the family's house, telephones her mother, from whom she has been estranged; their conversation implies that Anna suffered abuse from her parents as a child. Anna discovers a secret underground chamber. Imprisoned within is a horribly tortured young girl, Sarah, proving that Lucie was right about the family. Anna helps Sarah but a group of strangers arrive and shoot Sarah dead. Captured, Anna meets their leader, an elderly lady referred to as Mademoiselle. Mademoiselle explains that she belongs to a secret philosophical society seeking to discover the secrets of the afterlife through the creation of "martyrs". Their experiments inflict systematic acts of torture upon young women in the belief that their suffering will result in a transcendental insight into the world beyond this one.
As a result of her selfless actions of helping Lucie and Sarah, Anna becomes the group's latest subject. After a period of being beaten and degraded, Anna hallucinates a conversation with Lucie, and is later told she has progressed further than any other test subject, and has reached the "final stage." She is flayed alive and survives the procedure, entering a state that is "euphoric" and likened to achieving transcendence. Mademoiselle arrives eagerly and Anna whispers into her ear.
Mademoiselle's assistant asks her if what Anna said was clear. Mademoiselle confirms that there is no room for interpretation, places a revolver in her mouth and shoots herself, implying that what Anna told her was too terrible for her to live with.
The film ends with a shot of Anna on the table, in a catatonic state.

Question: Who waits for Lucie?
Answer: Anna
Martyrs

The film begins with a young girl, Lucie Jurin, as she escapes from a disused abattoir where she has been imprisoned and physically abused for a long time. The perpetrators and their motivations remain a mystery. Lucie is placed in an orphanage, where she is befriended by a young girl named Anna Assaoui. Anna discovers that Lucie believes that she is constantly being terrorized by a ghoulish creature; a disfigured emaciated woman.
Fifteen years later, Lucie (MylÃ¨ne JampanoÃ¯) bursts into the home of an apparently normal family with a shotgun, the BelfondsâGabrielle, her husband, and their children Antoine and Marieâand kills them all. Elsewhere, Anna (Morjana Alaoui) waits for Lucie. Although Anna knows that Lucie believes the Belfonds are the people responsible for her childhood abuse, she is horrified when Lucie tells her that she has killed them. She discovers that Gabrielle is still alive and tries to help her escape. Unfortunately, Lucie bludgeons Gabrielle to death. Lucie is again attacked by the scarred creature, but Anna only sees Lucie hurting herself; the 'creature' is nothing more than a psychological manifestation of Lucie's guilt for leaving behind another girl who was also tortured with her as a child. Lucie, realizing that her insanity will never leave her, commits suicide.[4]
The next day, Anna, still at the family's house, telephones her mother, from whom she has been estranged; their conversation implies that Anna suffered abuse from her parents as a child. Anna discovers a secret underground chamber. Imprisoned within is a horribly tortured young girl, Sarah, proving that Lucie was right about the family. Anna helps Sarah but a group of strangers arrive and shoot Sarah dead. Captured, Anna meets their leader, an elderly lady referred to as Mademoiselle. Mademoiselle explains that she belongs to a secret philosophical society seeking to discover the secrets of the afterlife through the creation of "martyrs". Their experiments inflict systematic acts of torture upon young women in the belief that their suffering will result in a transcendental insight into the world beyond this one.
As a result of her selfless actions of helping Lucie and Sarah, Anna becomes the group's latest subject. After a period of being beaten and degraded, Anna hallucinates a conversation with Lucie, and is later told she has progressed further than any other test subject, and has reached the "final stage." She is flayed alive and survives the procedure, entering a state that is "euphoric" and likened to achieving transcendence. Mademoiselle arrives eagerly and Anna whispers into her ear.
Mademoiselle's assistant asks her if what Anna said was clear. Mademoiselle confirms that there is no room for interpretation, places a revolver in her mouth and shoots herself, implying that what Anna told her was too terrible for her to live with.
The film ends with a shot of Anna on the table, in a catatonic state.

Question: Who knows that Lucie believes the Belfonds are the people responsible for her childhood abuse?
Answer: Anna
Martyrs

The film begins with a young girl, Lucie Jurin, as she escapes from a disused abattoir where she has been imprisoned and physically abused for a long time. The perpetrators and their motivations remain a mystery. Lucie is placed in an orphanage, where she is befriended by a young girl named Anna Assaoui. Anna discovers that Lucie believes that she is constantly being terrorized by a ghoulish creature; a disfigured emaciated woman.
Fifteen years later, Lucie (MylÃ¨ne JampanoÃ¯) bursts into the home of an apparently normal family with a shotgun, the BelfondsâGabrielle, her husband, and their children Antoine and Marieâand kills them all. Elsewhere, Anna (Morjana Alaoui) waits for Lucie. Although Anna knows that Lucie believes the Belfonds are the people responsible for her childhood abuse, she is horrified when Lucie tells her that she has killed them. She discovers that Gabrielle is still alive and tries to help her escape. Unfortunately, Lucie bludgeons Gabrielle to death. Lucie is again attacked by the scarred creature, but Anna only sees Lucie hurting herself; the 'creature' is nothing more than a psychological manifestation of Lucie's guilt for leaving behind another girl who was also tortured with her as a child. Lucie, realizing that her insanity will never leave her, commits suicide.[4]
The next day, Anna, still at the family's house, telephones her mother, from whom she has been estranged; their conversation implies that Anna suffered abuse from her parents as a child. Anna discovers a secret underground chamber. Imprisoned within is a horribly tortured young girl, Sarah, proving that Lucie was right about the family. Anna helps Sarah but a group of strangers arrive and shoot Sarah dead. Captured, Anna meets their leader, an elderly lady referred to as Mademoiselle. Mademoiselle explains that she belongs to a secret philosophical society seeking to discover the secrets of the afterlife through the creation of "martyrs". Their experiments inflict systematic acts of torture upon young women in the belief that their suffering will result in a transcendental insight into the world beyond this one.
As a result of her selfless actions of helping Lucie and Sarah, Anna becomes the group's latest subject. After a period of being beaten and degraded, Anna hallucinates a conversation with Lucie, and is later told she has progressed further than any other test subject, and has reached the "final stage." She is flayed alive and survives the procedure, entering a state that is "euphoric" and likened to achieving transcendence. Mademoiselle arrives eagerly and Anna whispers into her ear.
Mademoiselle's assistant asks her if what Anna said was clear. Mademoiselle confirms that there is no room for interpretation, places a revolver in her mouth and shoots herself, implying that what Anna told her was too terrible for her to live with.
The film ends with a shot of Anna on the table, in a catatonic state.

Question: Where is Lucie placed after she escapes?
Answer: Orphanage
Martyrs

The film begins with a young girl, Lucie Jurin, as she escapes from a disused abattoir where she has been imprisoned and physically abused for a long time. The perpetrators and their motivations remain a mystery. Lucie is placed in an orphanage, where she is befriended by a young girl named Anna Assaoui. Anna discovers that Lucie believes that she is constantly being terrorized by a ghoulish creature; a disfigured emaciated woman.
Fifteen years later, Lucie (MylÃ¨ne JampanoÃ¯) bursts into the home of an apparently normal family with a shotgun, the BelfondsâGabrielle, her husband, and their children Antoine and Marieâand kills them all. Elsewhere, Anna (Morjana Alaoui) waits for Lucie. Although Anna knows that Lucie believes the Belfonds are the people responsible for her childhood abuse, she is horrified when Lucie tells her that she has killed them. She discovers that Gabrielle is still alive and tries to help her escape. Unfortunately, Lucie bludgeons Gabrielle to death. Lucie is again attacked by the scarred creature, but Anna only sees Lucie hurting herself; the 'creature' is nothing more than a psychological manifestation of Lucie's guilt for leaving behind another girl who was also tortured with her as a child. Lucie, realizing that her insanity will never leave her, commits suicide.[4]
The next day, Anna, still at the family's house, telephones her mother, from whom she has been estranged; their conversation implies that Anna suffered abuse from her parents as a child. Anna discovers a secret underground chamber. Imprisoned within is a horribly tortured young girl, Sarah, proving that Lucie was right about the family. Anna helps Sarah but a group of strangers arrive and shoot Sarah dead. Captured, Anna meets their leader, an elderly lady referred to as Mademoiselle. Mademoiselle explains that she belongs to a secret philosophical society seeking to discover the secrets of the afterlife through the creation of "martyrs". Their experiments inflict systematic acts of torture upon young women in the belief that their suffering will result in a transcendental insight into the world beyond this one.
As a result of her selfless actions of helping Lucie and Sarah, Anna becomes the group's latest subject. After a period of being beaten and degraded, Anna hallucinates a conversation with Lucie, and is later told she has progressed further than any other test subject, and has reached the "final stage." She is flayed alive and survives the procedure, entering a state that is "euphoric" and likened to achieving transcendence. Mademoiselle arrives eagerly and Anna whispers into her ear.
Mademoiselle's assistant asks her if what Anna said was clear. Mademoiselle confirms that there is no room for interpretation, places a revolver in her mouth and shoots herself, implying that what Anna told her was too terrible for her to live with.
The film ends with a shot of Anna on the table, in a catatonic state.

Question: What is the relationship between Lucie and Anna?
Answer: Friends