ibm-research/duorc huggingface dataset:
Coklat Stroberi

The film tells the story of two young female university students, Key and Citra, who share a house in a plush Jakarta suburb. Due to difficulties in paying their rent, their landlady forces two new male tenants on them, Nesta and Aldi. Key and Citra, despite their beauty, are for some unexplained reason very unlucky in love and fear that they will end up as spinsters. They immediately fall for their handsome housemates. Unbeknown to them, the two young men are actually lovers, though various visual clues ensure that the audience is let in on the secret. While Nesta has a very masculine and straight-acting look, Aldi is feminine and moody. Nesta explains to Aldi â and to the audience â the theory of chocolate strawberry. Basically, strawberry equates to feminine and gay, and so in order not to be found out it is important to act chocolate â that is, to act masculine and straight. As well as more innocent ways of showing that one is straight, such as doing weight training, spending hours on the PlayStation, and not cooking, Nesta decides it would be a good ploy to start flirting with and eventually dating Key. Aldi becomes increasingly jealous as he sees his love of the last two years devoting far too much attention to Key.
Meanwhile, Citra starts flirting with Aldi, although he notices none of her various manoeuvres. Aldi decides he will lie no longer, and when his parents come to dinner, he comes out to them. His father has an asthma attack, such is his shock and disgust, and his mother leaves with his father, urging Aldi to revert to how he used to be. Things further come to a head when Citra and Key walk in on the two men as they are kissing. But instead of admitting it was all a deception, Nesta states that he really is in love with Key. Nesta has turned truly chocolate (or straight). Key initially rejects Nesta for lying to her, but returns to him after having run through the Jakarta night to stop him before he leaves forever. So it seems we have the conclusion: Nesta is turned straight by the charms of the pretty Key; Citra is still alone due to her distrust of men; Aldi is also to spend his life alone as a sad but out homosexual. However, in the final scene, as is demanded by romantic comedies, everyone is provided with a partner: Citra wins the attention of a cool rocker at a pop concert, and then Aldi appears hand in hand with Citraâs boss, Dani. Incidentally, the punk-looking Dani is played by Fauzi Baadila, one of Indonesiaâs most in-demand young actors, someone generally associated with far more macho roles.[1]

Question: Who plays the role of Dani?
Answer: Fauzi Baadila
Coklat Stroberi

The film tells the story of two young female university students, Key and Citra, who share a house in a plush Jakarta suburb. Due to difficulties in paying their rent, their landlady forces two new male tenants on them, Nesta and Aldi. Key and Citra, despite their beauty, are for some unexplained reason very unlucky in love and fear that they will end up as spinsters. They immediately fall for their handsome housemates. Unbeknown to them, the two young men are actually lovers, though various visual clues ensure that the audience is let in on the secret. While Nesta has a very masculine and straight-acting look, Aldi is feminine and moody. Nesta explains to Aldi â and to the audience â the theory of chocolate strawberry. Basically, strawberry equates to feminine and gay, and so in order not to be found out it is important to act chocolate â that is, to act masculine and straight. As well as more innocent ways of showing that one is straight, such as doing weight training, spending hours on the PlayStation, and not cooking, Nesta decides it would be a good ploy to start flirting with and eventually dating Key. Aldi becomes increasingly jealous as he sees his love of the last two years devoting far too much attention to Key.
Meanwhile, Citra starts flirting with Aldi, although he notices none of her various manoeuvres. Aldi decides he will lie no longer, and when his parents come to dinner, he comes out to them. His father has an asthma attack, such is his shock and disgust, and his mother leaves with his father, urging Aldi to revert to how he used to be. Things further come to a head when Citra and Key walk in on the two men as they are kissing. But instead of admitting it was all a deception, Nesta states that he really is in love with Key. Nesta has turned truly chocolate (or straight). Key initially rejects Nesta for lying to her, but returns to him after having run through the Jakarta night to stop him before he leaves forever. So it seems we have the conclusion: Nesta is turned straight by the charms of the pretty Key; Citra is still alone due to her distrust of men; Aldi is also to spend his life alone as a sad but out homosexual. However, in the final scene, as is demanded by romantic comedies, everyone is provided with a partner: Citra wins the attention of a cool rocker at a pop concert, and then Aldi appears hand in hand with Citraâs boss, Dani. Incidentally, the punk-looking Dani is played by Fauzi Baadila, one of Indonesiaâs most in-demand young actors, someone generally associated with far more macho roles.[1]

Question: Who becomes jealous of his lover giving attention to Key?
Answer: Aldi
Coklat Stroberi

The film tells the story of two young female university students, Key and Citra, who share a house in a plush Jakarta suburb. Due to difficulties in paying their rent, their landlady forces two new male tenants on them, Nesta and Aldi. Key and Citra, despite their beauty, are for some unexplained reason very unlucky in love and fear that they will end up as spinsters. They immediately fall for their handsome housemates. Unbeknown to them, the two young men are actually lovers, though various visual clues ensure that the audience is let in on the secret. While Nesta has a very masculine and straight-acting look, Aldi is feminine and moody. Nesta explains to Aldi â and to the audience â the theory of chocolate strawberry. Basically, strawberry equates to feminine and gay, and so in order not to be found out it is important to act chocolate â that is, to act masculine and straight. As well as more innocent ways of showing that one is straight, such as doing weight training, spending hours on the PlayStation, and not cooking, Nesta decides it would be a good ploy to start flirting with and eventually dating Key. Aldi becomes increasingly jealous as he sees his love of the last two years devoting far too much attention to Key.
Meanwhile, Citra starts flirting with Aldi, although he notices none of her various manoeuvres. Aldi decides he will lie no longer, and when his parents come to dinner, he comes out to them. His father has an asthma attack, such is his shock and disgust, and his mother leaves with his father, urging Aldi to revert to how he used to be. Things further come to a head when Citra and Key walk in on the two men as they are kissing. But instead of admitting it was all a deception, Nesta states that he really is in love with Key. Nesta has turned truly chocolate (or straight). Key initially rejects Nesta for lying to her, but returns to him after having run through the Jakarta night to stop him before he leaves forever. So it seems we have the conclusion: Nesta is turned straight by the charms of the pretty Key; Citra is still alone due to her distrust of men; Aldi is also to spend his life alone as a sad but out homosexual. However, in the final scene, as is demanded by romantic comedies, everyone is provided with a partner: Citra wins the attention of a cool rocker at a pop concert, and then Aldi appears hand in hand with Citraâs boss, Dani. Incidentally, the punk-looking Dani is played by Fauzi Baadila, one of Indonesiaâs most in-demand young actors, someone generally associated with far more macho roles.[1]

Question: What are the men's names?
Answer: Nesta and Aldi
Coklat Stroberi

The film tells the story of two young female university students, Key and Citra, who share a house in a plush Jakarta suburb. Due to difficulties in paying their rent, their landlady forces two new male tenants on them, Nesta and Aldi. Key and Citra, despite their beauty, are for some unexplained reason very unlucky in love and fear that they will end up as spinsters. They immediately fall for their handsome housemates. Unbeknown to them, the two young men are actually lovers, though various visual clues ensure that the audience is let in on the secret. While Nesta has a very masculine and straight-acting look, Aldi is feminine and moody. Nesta explains to Aldi â and to the audience â the theory of chocolate strawberry. Basically, strawberry equates to feminine and gay, and so in order not to be found out it is important to act chocolate â that is, to act masculine and straight. As well as more innocent ways of showing that one is straight, such as doing weight training, spending hours on the PlayStation, and not cooking, Nesta decides it would be a good ploy to start flirting with and eventually dating Key. Aldi becomes increasingly jealous as he sees his love of the last two years devoting far too much attention to Key.
Meanwhile, Citra starts flirting with Aldi, although he notices none of her various manoeuvres. Aldi decides he will lie no longer, and when his parents come to dinner, he comes out to them. His father has an asthma attack, such is his shock and disgust, and his mother leaves with his father, urging Aldi to revert to how he used to be. Things further come to a head when Citra and Key walk in on the two men as they are kissing. But instead of admitting it was all a deception, Nesta states that he really is in love with Key. Nesta has turned truly chocolate (or straight). Key initially rejects Nesta for lying to her, but returns to him after having run through the Jakarta night to stop him before he leaves forever. So it seems we have the conclusion: Nesta is turned straight by the charms of the pretty Key; Citra is still alone due to her distrust of men; Aldi is also to spend his life alone as a sad but out homosexual. However, in the final scene, as is demanded by romantic comedies, everyone is provided with a partner: Citra wins the attention of a cool rocker at a pop concert, and then Aldi appears hand in hand with Citraâs boss, Dani. Incidentally, the punk-looking Dani is played by Fauzi Baadila, one of Indonesiaâs most in-demand young actors, someone generally associated with far more macho roles.[1]

Question: Who has an asthma attack at dinner?
Answer: Aldi's father
Coklat Stroberi

The film tells the story of two young female university students, Key and Citra, who share a house in a plush Jakarta suburb. Due to difficulties in paying their rent, their landlady forces two new male tenants on them, Nesta and Aldi. Key and Citra, despite their beauty, are for some unexplained reason very unlucky in love and fear that they will end up as spinsters. They immediately fall for their handsome housemates. Unbeknown to them, the two young men are actually lovers, though various visual clues ensure that the audience is let in on the secret. While Nesta has a very masculine and straight-acting look, Aldi is feminine and moody. Nesta explains to Aldi â and to the audience â the theory of chocolate strawberry. Basically, strawberry equates to feminine and gay, and so in order not to be found out it is important to act chocolate â that is, to act masculine and straight. As well as more innocent ways of showing that one is straight, such as doing weight training, spending hours on the PlayStation, and not cooking, Nesta decides it would be a good ploy to start flirting with and eventually dating Key. Aldi becomes increasingly jealous as he sees his love of the last two years devoting far too much attention to Key.
Meanwhile, Citra starts flirting with Aldi, although he notices none of her various manoeuvres. Aldi decides he will lie no longer, and when his parents come to dinner, he comes out to them. His father has an asthma attack, such is his shock and disgust, and his mother leaves with his father, urging Aldi to revert to how he used to be. Things further come to a head when Citra and Key walk in on the two men as they are kissing. But instead of admitting it was all a deception, Nesta states that he really is in love with Key. Nesta has turned truly chocolate (or straight). Key initially rejects Nesta for lying to her, but returns to him after having run through the Jakarta night to stop him before he leaves forever. So it seems we have the conclusion: Nesta is turned straight by the charms of the pretty Key; Citra is still alone due to her distrust of men; Aldi is also to spend his life alone as a sad but out homosexual. However, in the final scene, as is demanded by romantic comedies, everyone is provided with a partner: Citra wins the attention of a cool rocker at a pop concert, and then Aldi appears hand in hand with Citraâs boss, Dani. Incidentally, the punk-looking Dani is played by Fauzi Baadila, one of Indonesiaâs most in-demand young actors, someone generally associated with far more macho roles.[1]

Question: What did Key and Citra have difficulty paying?
Answer: their rent
Coklat Stroberi

The film tells the story of two young female university students, Key and Citra, who share a house in a plush Jakarta suburb. Due to difficulties in paying their rent, their landlady forces two new male tenants on them, Nesta and Aldi. Key and Citra, despite their beauty, are for some unexplained reason very unlucky in love and fear that they will end up as spinsters. They immediately fall for their handsome housemates. Unbeknown to them, the two young men are actually lovers, though various visual clues ensure that the audience is let in on the secret. While Nesta has a very masculine and straight-acting look, Aldi is feminine and moody. Nesta explains to Aldi â and to the audience â the theory of chocolate strawberry. Basically, strawberry equates to feminine and gay, and so in order not to be found out it is important to act chocolate â that is, to act masculine and straight. As well as more innocent ways of showing that one is straight, such as doing weight training, spending hours on the PlayStation, and not cooking, Nesta decides it would be a good ploy to start flirting with and eventually dating Key. Aldi becomes increasingly jealous as he sees his love of the last two years devoting far too much attention to Key.
Meanwhile, Citra starts flirting with Aldi, although he notices none of her various manoeuvres. Aldi decides he will lie no longer, and when his parents come to dinner, he comes out to them. His father has an asthma attack, such is his shock and disgust, and his mother leaves with his father, urging Aldi to revert to how he used to be. Things further come to a head when Citra and Key walk in on the two men as they are kissing. But instead of admitting it was all a deception, Nesta states that he really is in love with Key. Nesta has turned truly chocolate (or straight). Key initially rejects Nesta for lying to her, but returns to him after having run through the Jakarta night to stop him before he leaves forever. So it seems we have the conclusion: Nesta is turned straight by the charms of the pretty Key; Citra is still alone due to her distrust of men; Aldi is also to spend his life alone as a sad but out homosexual. However, in the final scene, as is demanded by romantic comedies, everyone is provided with a partner: Citra wins the attention of a cool rocker at a pop concert, and then Aldi appears hand in hand with Citraâs boss, Dani. Incidentally, the punk-looking Dani is played by Fauzi Baadila, one of Indonesiaâs most in-demand young actors, someone generally associated with far more macho roles.[1]

Question: How is Aldi to spend his life ?
Answer: Aldi is also to spend his life alone as a sad but out homosexual
On Golden Pond

An aging couple, Ethel and Norman Thayer, continue the long tradition of spending each summer at their cottage on a lake called Golden Pond, in the far reaches of northern New England. When they first arrive, Ethel notices the loons calling on the lake "welcoming them home". As they resettle into their summer home, Norman's memory problems arise when he is unable to recognize several family photographs, which he copes with by frequently talking about death and growing old. They are visited by their only child, a daughter, Chelsea, who is somewhat estranged from her curmudgeon of a father. She introduces her parents to her fiance Bill and his thirteen-year-old son Billy. Norman tries to play mind games with Bill, an apparent pastime of his, but Bill won't hear of it, saying he can only take so much. In another conversation, Chelsea discusses with Ethel her frustration over her relationship with her overbearing father, feeling that even though she lives thousands of miles away in Los Angeles, she still feels like she's answering to him. Before they depart for a European vacation, Chelsea and Bill ask the Thayers to permit Billy to stay with them while they have some time to themselves. Norman, seeming more senile and cynical than usual due to his 80th birthday and heart palpitations, agrees to Billy's staying. Ethel tells him that he's the sweetest man in the world, but she is the only one who knows it.
Billy is at first annoyed by being left with elderly strangers with no friends nearby and nothing to do. He resents Norman's brusque manner, but eventually comes to enjoy their Golden Pond fishing adventures together. Billy and Norman soon grow obsessed with catching Norman's fish rival, named "Walter", which leads to the accidental destruction of the Thayers' motorboat. Chelsea returns to find out her father has made good friends with her fiance's, now husband's, son. But when she sees the change in her father's demeanor, Chelsea attempts something Billy accomplished that she never could: a backflip. Chelsea successfully executes the dive in front of a cheering Norman, Billy, and Ethel. Chelsea and Norman finally fully embrace before she departs with Billy back home.
The final day on Golden Pond comes and the Thayers are loading the last of the boxes. Norman tries to move a heavy box, but starts having heart pain and collapses onto the floor of the porch. Ethel tries unsuccessfully to get the operator to phone the hospital. Norman then says the pain is gone and attempts to stand to say a final farewell to the lake. Ethel tells him she has always known about death but for the first time it felt real, thinking Norman was going to die on the spot. Ethel helps Norman to the edge of the lake where they see the loons and Norman notes how they are just like him and Ethel, that their offspring is grown and gone off on her own, and now it is just the two of them.

Question: What did Chelsea do that she had never been able to do before?
Answer: backflip
On Golden Pond

An aging couple, Ethel and Norman Thayer, continue the long tradition of spending each summer at their cottage on a lake called Golden Pond, in the far reaches of northern New England. When they first arrive, Ethel notices the loons calling on the lake "welcoming them home". As they resettle into their summer home, Norman's memory problems arise when he is unable to recognize several family photographs, which he copes with by frequently talking about death and growing old. They are visited by their only child, a daughter, Chelsea, who is somewhat estranged from her curmudgeon of a father. She introduces her parents to her fiance Bill and his thirteen-year-old son Billy. Norman tries to play mind games with Bill, an apparent pastime of his, but Bill won't hear of it, saying he can only take so much. In another conversation, Chelsea discusses with Ethel her frustration over her relationship with her overbearing father, feeling that even though she lives thousands of miles away in Los Angeles, she still feels like she's answering to him. Before they depart for a European vacation, Chelsea and Bill ask the Thayers to permit Billy to stay with them while they have some time to themselves. Norman, seeming more senile and cynical than usual due to his 80th birthday and heart palpitations, agrees to Billy's staying. Ethel tells him that he's the sweetest man in the world, but she is the only one who knows it.
Billy is at first annoyed by being left with elderly strangers with no friends nearby and nothing to do. He resents Norman's brusque manner, but eventually comes to enjoy their Golden Pond fishing adventures together. Billy and Norman soon grow obsessed with catching Norman's fish rival, named "Walter", which leads to the accidental destruction of the Thayers' motorboat. Chelsea returns to find out her father has made good friends with her fiance's, now husband's, son. But when she sees the change in her father's demeanor, Chelsea attempts something Billy accomplished that she never could: a backflip. Chelsea successfully executes the dive in front of a cheering Norman, Billy, and Ethel. Chelsea and Norman finally fully embrace before she departs with Billy back home.
The final day on Golden Pond comes and the Thayers are loading the last of the boxes. Norman tries to move a heavy box, but starts having heart pain and collapses onto the floor of the porch. Ethel tries unsuccessfully to get the operator to phone the hospital. Norman then says the pain is gone and attempts to stand to say a final farewell to the lake. Ethel tells him she has always known about death but for the first time it felt real, thinking Norman was going to die on the spot. Ethel helps Norman to the edge of the lake where they see the loons and Norman notes how they are just like him and Ethel, that their offspring is grown and gone off on her own, and now it is just the two of them.

Question: Who is Norman's wife?
Answer: Ethel