ibm-research/duorc huggingface dataset:
The Trouble with Harry

The quirky but down-to-earth residents of the small hamlet of Highwater, Vermont, are faced with the freshly dead body of Harry Worp (Philip Truex), which has inconveniently appeared on the hillside above the town. The problem of who the person is, who was responsible for his sudden death, and what should be done with the body is "the trouble with Harry".
Three of the main characters in the film each believe that he or she is the person who killed Harry. Captain Wiles (Edmund Gwenn) is sure that he killed the man with a stray shot from his rifle while hunting, until it is shown he actually shot a rabbit. Jennifer Rogers (Shirley MacLaine), Harry's estranged wife, believes she killed Harry because she hit him hard with a milk bottle. Miss Gravely (Mildred Natwick) is certain that the man died after a blow from the heel of her hiking boot when he lunged at her out of the bushes (still reeling from the blow received at the hands of Jennifer). Sam Marlowe (John Forsythe), an attractive and nonconformist artist, is open-minded about the whole event, and is prepared to help his friends and neighbors in any way he can. In any case, nobody is upset at all about Harry's death.
However, the principal characters are hoping that the body will not come to the attention of "the authorities" in the form of cold, humorless Deputy Sheriff Calvin Wiggs (Royal Dano), who earns his living per arrest. The main characters have to bury the body and then dig it up again several times throughout the day. They then hide the body in a bathtub before finally putting back on the hill where it first appeared, in order to make it appear as if it was just discovered.
Finally it is established that Harry died of natural causes; no foul play at all was involved. In the meantime, Sam and Jennifer have fallen in love and wish to marry, and the Captain and Miss Gravely have also become a couple. Sam has been able to sell all his paintings to a passing millionaire, although Sam refuses to accept money, and instead requests a few simple gifts for his friends and himself.

Question: Whose dead body is discovered on the hillside?
Answer: Harry Worp
The Giant Spider Invasion

The central plot of the film revolves around the titular spider invasion, which occurs when what appears to be a meteorite crashes down in rural Wisconsin, and spawns spiders of varying sizes.
Subplots include:

Dan Kester and his hate/hate relationship with his wife, Ev
Dan's adulterous affair with local barmaid Helga
Dave Perkins' attempts to make out with Ev's underaged sister Terry
A fundamentalist preacher leading a revival meeting
Drs. Vance and Langer getting involved in somewhat of a romance (all the more notable as the two lead actors were also in their early-mid 50s when the movie was made)
The eventual panic that results when the townspeople are confronted with the spider
The invasion is deduced (with various scientific-sounding language) to be the result of some sort of interdimensional gateway, and is ultimately thwarted when Drs. Vance and Langer manage to close off the gateway, draining the spiders of their energy and causing them to melt into puddles of disgusting sludge.

Question: Who is Ev's sister?
Answer: Terry
The Giant Spider Invasion

The central plot of the film revolves around the titular spider invasion, which occurs when what appears to be a meteorite crashes down in rural Wisconsin, and spawns spiders of varying sizes.
Subplots include:

Dan Kester and his hate/hate relationship with his wife, Ev
Dan's adulterous affair with local barmaid Helga
Dave Perkins' attempts to make out with Ev's underaged sister Terry
A fundamentalist preacher leading a revival meeting
Drs. Vance and Langer getting involved in somewhat of a romance (all the more notable as the two lead actors were also in their early-mid 50s when the movie was made)
The eventual panic that results when the townspeople are confronted with the spider
The invasion is deduced (with various scientific-sounding language) to be the result of some sort of interdimensional gateway, and is ultimately thwarted when Drs. Vance and Langer manage to close off the gateway, draining the spiders of their energy and causing them to melt into puddles of disgusting sludge.

Question: Who has an affair with Helga?
Answer: Dan
The Giant Spider Invasion

The central plot of the film revolves around the titular spider invasion, which occurs when what appears to be a meteorite crashes down in rural Wisconsin, and spawns spiders of varying sizes.
Subplots include:

Dan Kester and his hate/hate relationship with his wife, Ev
Dan's adulterous affair with local barmaid Helga
Dave Perkins' attempts to make out with Ev's underaged sister Terry
A fundamentalist preacher leading a revival meeting
Drs. Vance and Langer getting involved in somewhat of a romance (all the more notable as the two lead actors were also in their early-mid 50s when the movie was made)
The eventual panic that results when the townspeople are confronted with the spider
The invasion is deduced (with various scientific-sounding language) to be the result of some sort of interdimensional gateway, and is ultimately thwarted when Drs. Vance and Langer manage to close off the gateway, draining the spiders of their energy and causing them to melt into puddles of disgusting sludge.

Question: Where does the spider producing meteor land?
Answer: Wisconsin
The Giant Spider Invasion

The central plot of the film revolves around the titular spider invasion, which occurs when what appears to be a meteorite crashes down in rural Wisconsin, and spawns spiders of varying sizes.
Subplots include:

Dan Kester and his hate/hate relationship with his wife, Ev
Dan's adulterous affair with local barmaid Helga
Dave Perkins' attempts to make out with Ev's underaged sister Terry
A fundamentalist preacher leading a revival meeting
Drs. Vance and Langer getting involved in somewhat of a romance (all the more notable as the two lead actors were also in their early-mid 50s when the movie was made)
The eventual panic that results when the townspeople are confronted with the spider
The invasion is deduced (with various scientific-sounding language) to be the result of some sort of interdimensional gateway, and is ultimately thwarted when Drs. Vance and Langer manage to close off the gateway, draining the spiders of their energy and causing them to melt into puddles of disgusting sludge.

Question: Who closes the gateway that the spiders are drawing power from?
Answer: Drs. Vance and Langer
The Signal

Imagine every cell phone, radio, and television in your city suddenly broadcasting the same mysterious signal over and over. Now imagine these "terminus" transmissions evoking violent, uncontrollable, psychotic chaos from everyone who comes in contact with them.The Signal invades the minds of everyday citizens living their workaday lives and having their sordid affairs. Suddenly struck by the power of the insidious transmissions, they are compelled to kill or be killed. Complicating matters is a zombielike resistance some characters have to the idea of remaining dead. The story violently explodes, blending bloody gore with psychological satire, for a truly original horror experience. The Atlanta filmmaking team of David Bruckner, Dan Bush, and Jacob Gentry tell the eerie tale in three parts (cleverly called "transmissions"), shifting perspectives to draw out a larger story that explores dark secrets and fears as well as jealousy and betrayal.Not for the faint of heart, The Signal will nonetheless satisfy those looking for a smart exploration of the power of media to mutate our minds. It is truly inspired independent filmmaking that will stalk viewers from every dark corner while examining the surprising human madness lying deep within.

Question: Who is the Atlanta filmmaking team?
Answer: David bruckner, Dan bush, Jacob gentry
The Signal

Imagine every cell phone, radio, and television in your city suddenly broadcasting the same mysterious signal over and over. Now imagine these "terminus" transmissions evoking violent, uncontrollable, psychotic chaos from everyone who comes in contact with them.The Signal invades the minds of everyday citizens living their workaday lives and having their sordid affairs. Suddenly struck by the power of the insidious transmissions, they are compelled to kill or be killed. Complicating matters is a zombielike resistance some characters have to the idea of remaining dead. The story violently explodes, blending bloody gore with psychological satire, for a truly original horror experience. The Atlanta filmmaking team of David Bruckner, Dan Bush, and Jacob Gentry tell the eerie tale in three parts (cleverly called "transmissions"), shifting perspectives to draw out a larger story that explores dark secrets and fears as well as jealousy and betrayal.Not for the faint of heart, The Signal will nonetheless satisfy those looking for a smart exploration of the power of media to mutate our minds. It is truly inspired independent filmmaking that will stalk viewers from every dark corner while examining the surprising human madness lying deep within.

Question: What invades the minds of everyday citizens?
Answer: Signal
The Signal

Imagine every cell phone, radio, and television in your city suddenly broadcasting the same mysterious signal over and over. Now imagine these "terminus" transmissions evoking violent, uncontrollable, psychotic chaos from everyone who comes in contact with them.The Signal invades the minds of everyday citizens living their workaday lives and having their sordid affairs. Suddenly struck by the power of the insidious transmissions, they are compelled to kill or be killed. Complicating matters is a zombielike resistance some characters have to the idea of remaining dead. The story violently explodes, blending bloody gore with psychological satire, for a truly original horror experience. The Atlanta filmmaking team of David Bruckner, Dan Bush, and Jacob Gentry tell the eerie tale in three parts (cleverly called "transmissions"), shifting perspectives to draw out a larger story that explores dark secrets and fears as well as jealousy and betrayal.Not for the faint of heart, The Signal will nonetheless satisfy those looking for a smart exploration of the power of media to mutate our minds. It is truly inspired independent filmmaking that will stalk viewers from every dark corner while examining the surprising human madness lying deep within.

Question: What are the three parts of the story called?
Answer: Transmissions
The Blue Max

The film is set in 1957, the present day at the time of shooting. When construction of an irrigation canal to the village is completed, Radha (Nargis), considered to be the "mother" of the village, is asked to inaugurate the canal. She remembers her past, when she was newly married.
The wedding between Radha and Shamu (Raaj Kumar) is paid for by Radha's mother-in-law, who borrows the money from the moneylender Sukhilala. The conditions of the loan are disputed, but the village elders decide in favour of the moneylender, after which Shamu and Radha are forced to pay three quarters of their crop as interest on the loan of â¹500 (valued at about US$105 in 1957).[a][b] While Shamu works to bring more of their rocky land into use, his arms are crushed by a boulder. Ashamed of his helplessness (being without arms) and humiliated by Sukhilala for living on the earnings of his wife, Shamu decides that he is of no use to his family and permanently leaves Radha and their three sons, walking to his own probable death by starvation. Soon after, Radha's youngest son and her mother-in-law die. A severe storm and the resulting flood destroys houses in the village and ruins the harvest. Sukhilala offers to save Radha and her sons if she trades her body to him for food. Radha vehemently refused his offer, but had to also lose her infant (her fourth son) to the atrocities of the storm. Although the villagers begin initially to evacuate the village, they decide to stay and rebuild it, persuaded by Radha.
Several years later, Radha's two surviving children, Birju (Sunil Dutt) and Ramu (Rajendra Kumar), are young men. Birju, embittered since childhood by the demands of Sukhilala, takes out his frustrations by pestering the village girls, especially Sukhilala's daughter, Rupa. Ramu, by contrast, has a calmer temperament and is married soon after. Birju's anger finally becomes dangerous and, after being provoked, he attacks Sukhilala and his daughter and steals Radha's kangan (marriage bracelets) that were pawned with Sukhilala. He is chased out of the village and becomes a bandit. Radha promises Sukhilala that she will not let Birju cause harm to Sukhilala's family. On Rupa's wedding day, Birju returns with his gang of bandits to exact his revenge. He kills Sukhilala and kidnaps Rupa. When he tries to flee the village on his horse, Radha, his mother, shoots him. He dies in her arms. The film returns to 1957; Radha opens the gate of the canal and its reddish water flows into the fields.

Question: What does Rada (Nargis) remember?
Answer: Her past and when she was newly married
The Blue Max

The film is set in 1957, the present day at the time of shooting. When construction of an irrigation canal to the village is completed, Radha (Nargis), considered to be the "mother" of the village, is asked to inaugurate the canal. She remembers her past, when she was newly married.
The wedding between Radha and Shamu (Raaj Kumar) is paid for by Radha's mother-in-law, who borrows the money from the moneylender Sukhilala. The conditions of the loan are disputed, but the village elders decide in favour of the moneylender, after which Shamu and Radha are forced to pay three quarters of their crop as interest on the loan of â¹500 (valued at about US$105 in 1957).[a][b] While Shamu works to bring more of their rocky land into use, his arms are crushed by a boulder. Ashamed of his helplessness (being without arms) and humiliated by Sukhilala for living on the earnings of his wife, Shamu decides that he is of no use to his family and permanently leaves Radha and their three sons, walking to his own probable death by starvation. Soon after, Radha's youngest son and her mother-in-law die. A severe storm and the resulting flood destroys houses in the village and ruins the harvest. Sukhilala offers to save Radha and her sons if she trades her body to him for food. Radha vehemently refused his offer, but had to also lose her infant (her fourth son) to the atrocities of the storm. Although the villagers begin initially to evacuate the village, they decide to stay and rebuild it, persuaded by Radha.
Several years later, Radha's two surviving children, Birju (Sunil Dutt) and Ramu (Rajendra Kumar), are young men. Birju, embittered since childhood by the demands of Sukhilala, takes out his frustrations by pestering the village girls, especially Sukhilala's daughter, Rupa. Ramu, by contrast, has a calmer temperament and is married soon after. Birju's anger finally becomes dangerous and, after being provoked, he attacks Sukhilala and his daughter and steals Radha's kangan (marriage bracelets) that were pawned with Sukhilala. He is chased out of the village and becomes a bandit. Radha promises Sukhilala that she will not let Birju cause harm to Sukhilala's family. On Rupa's wedding day, Birju returns with his gang of bandits to exact his revenge. He kills Sukhilala and kidnaps Rupa. When he tries to flee the village on his horse, Radha, his mother, shoots him. He dies in her arms. The film returns to 1957; Radha opens the gate of the canal and its reddish water flows into the fields.

Question: Was there a shooting in this film?
Answer: Yes
The Blue Max

The film is set in 1957, the present day at the time of shooting. When construction of an irrigation canal to the village is completed, Radha (Nargis), considered to be the "mother" of the village, is asked to inaugurate the canal. She remembers her past, when she was newly married.
The wedding between Radha and Shamu (Raaj Kumar) is paid for by Radha's mother-in-law, who borrows the money from the moneylender Sukhilala. The conditions of the loan are disputed, but the village elders decide in favour of the moneylender, after which Shamu and Radha are forced to pay three quarters of their crop as interest on the loan of â¹500 (valued at about US$105 in 1957).[a][b] While Shamu works to bring more of their rocky land into use, his arms are crushed by a boulder. Ashamed of his helplessness (being without arms) and humiliated by Sukhilala for living on the earnings of his wife, Shamu decides that he is of no use to his family and permanently leaves Radha and their three sons, walking to his own probable death by starvation. Soon after, Radha's youngest son and her mother-in-law die. A severe storm and the resulting flood destroys houses in the village and ruins the harvest. Sukhilala offers to save Radha and her sons if she trades her body to him for food. Radha vehemently refused his offer, but had to also lose her infant (her fourth son) to the atrocities of the storm. Although the villagers begin initially to evacuate the village, they decide to stay and rebuild it, persuaded by Radha.
Several years later, Radha's two surviving children, Birju (Sunil Dutt) and Ramu (Rajendra Kumar), are young men. Birju, embittered since childhood by the demands of Sukhilala, takes out his frustrations by pestering the village girls, especially Sukhilala's daughter, Rupa. Ramu, by contrast, has a calmer temperament and is married soon after. Birju's anger finally becomes dangerous and, after being provoked, he attacks Sukhilala and his daughter and steals Radha's kangan (marriage bracelets) that were pawned with Sukhilala. He is chased out of the village and becomes a bandit. Radha promises Sukhilala that she will not let Birju cause harm to Sukhilala's family. On Rupa's wedding day, Birju returns with his gang of bandits to exact his revenge. He kills Sukhilala and kidnaps Rupa. When he tries to flee the village on his horse, Radha, his mother, shoots him. He dies in her arms. The film returns to 1957; Radha opens the gate of the canal and its reddish water flows into the fields.

Question: Who is asked to inaugurate the canal?
Answer: Rada (Nargis)
The Blue Max

The film is set in 1957, the present day at the time of shooting. When construction of an irrigation canal to the village is completed, Radha (Nargis), considered to be the "mother" of the village, is asked to inaugurate the canal. She remembers her past, when she was newly married.
The wedding between Radha and Shamu (Raaj Kumar) is paid for by Radha's mother-in-law, who borrows the money from the moneylender Sukhilala. The conditions of the loan are disputed, but the village elders decide in favour of the moneylender, after which Shamu and Radha are forced to pay three quarters of their crop as interest on the loan of â¹500 (valued at about US$105 in 1957).[a][b] While Shamu works to bring more of their rocky land into use, his arms are crushed by a boulder. Ashamed of his helplessness (being without arms) and humiliated by Sukhilala for living on the earnings of his wife, Shamu decides that he is of no use to his family and permanently leaves Radha and their three sons, walking to his own probable death by starvation. Soon after, Radha's youngest son and her mother-in-law die. A severe storm and the resulting flood destroys houses in the village and ruins the harvest. Sukhilala offers to save Radha and her sons if she trades her body to him for food. Radha vehemently refused his offer, but had to also lose her infant (her fourth son) to the atrocities of the storm. Although the villagers begin initially to evacuate the village, they decide to stay and rebuild it, persuaded by Radha.
Several years later, Radha's two surviving children, Birju (Sunil Dutt) and Ramu (Rajendra Kumar), are young men. Birju, embittered since childhood by the demands of Sukhilala, takes out his frustrations by pestering the village girls, especially Sukhilala's daughter, Rupa. Ramu, by contrast, has a calmer temperament and is married soon after. Birju's anger finally becomes dangerous and, after being provoked, he attacks Sukhilala and his daughter and steals Radha's kangan (marriage bracelets) that were pawned with Sukhilala. He is chased out of the village and becomes a bandit. Radha promises Sukhilala that she will not let Birju cause harm to Sukhilala's family. On Rupa's wedding day, Birju returns with his gang of bandits to exact his revenge. He kills Sukhilala and kidnaps Rupa. When he tries to flee the village on his horse, Radha, his mother, shoots him. He dies in her arms. The film returns to 1957; Radha opens the gate of the canal and its reddish water flows into the fields.

Question: What crushes Shamu's arms?
Answer: A boulder
The Blue Max

The film is set in 1957, the present day at the time of shooting. When construction of an irrigation canal to the village is completed, Radha (Nargis), considered to be the "mother" of the village, is asked to inaugurate the canal. She remembers her past, when she was newly married.
The wedding between Radha and Shamu (Raaj Kumar) is paid for by Radha's mother-in-law, who borrows the money from the moneylender Sukhilala. The conditions of the loan are disputed, but the village elders decide in favour of the moneylender, after which Shamu and Radha are forced to pay three quarters of their crop as interest on the loan of â¹500 (valued at about US$105 in 1957).[a][b] While Shamu works to bring more of their rocky land into use, his arms are crushed by a boulder. Ashamed of his helplessness (being without arms) and humiliated by Sukhilala for living on the earnings of his wife, Shamu decides that he is of no use to his family and permanently leaves Radha and their three sons, walking to his own probable death by starvation. Soon after, Radha's youngest son and her mother-in-law die. A severe storm and the resulting flood destroys houses in the village and ruins the harvest. Sukhilala offers to save Radha and her sons if she trades her body to him for food. Radha vehemently refused his offer, but had to also lose her infant (her fourth son) to the atrocities of the storm. Although the villagers begin initially to evacuate the village, they decide to stay and rebuild it, persuaded by Radha.
Several years later, Radha's two surviving children, Birju (Sunil Dutt) and Ramu (Rajendra Kumar), are young men. Birju, embittered since childhood by the demands of Sukhilala, takes out his frustrations by pestering the village girls, especially Sukhilala's daughter, Rupa. Ramu, by contrast, has a calmer temperament and is married soon after. Birju's anger finally becomes dangerous and, after being provoked, he attacks Sukhilala and his daughter and steals Radha's kangan (marriage bracelets) that were pawned with Sukhilala. He is chased out of the village and becomes a bandit. Radha promises Sukhilala that she will not let Birju cause harm to Sukhilala's family. On Rupa's wedding day, Birju returns with his gang of bandits to exact his revenge. He kills Sukhilala and kidnaps Rupa. When he tries to flee the village on his horse, Radha, his mother, shoots him. He dies in her arms. The film returns to 1957; Radha opens the gate of the canal and its reddish water flows into the fields.

Question: Who is considered to be the "mother of the village?
Answer: Rada (Nargis)