ibm-research/duorc huggingface dataset:
Generation P

"Generation P" follows the strange adventures of Babylen Tatarsky as he evolves from a disillusioned young man in the drab days of post-communist Moscow to the chief âcreativeâ behind the virtual world of Russian politics.
When Babylen was a Young Pioneer, his generation received a gift from the decaying Soviet state in the form of a bottle of Pepsi, of Russian manufacture. Not just a beverage, it was also a symbol of hope that some day a new, magical life would arrive from the other side of the ocean. The arrival of this life, and the way it transformed these ex-Pioneers, is what the film is about. In the early Nineties, Tatarsky, a frustrated poet, takes a job as an advertising copywriter, and discovers a knack for putting a distinctively Russian twist on Western-style ads. But the deeper Tatarsky sinks into the advertising world, the more he wonders if he has sacrificed too much for money. His soaring success leads him into a surreal world of spin doctors, gangsters, drug trips, and the spirit of Che Guevara who, via a Ouija Board, imparts to him the dazzling theory of WOWism, about how television destroys the individual spirit. Though named in honor of Lenin, Babylen opts instead to believe in his âBabylonianâ destiny, and secretly searches for the beautiful goddess Ishtar, who becomes for him a symbol of fortune. Meanwhile, the people around Babylen - clients, colleagues - perish in the violent dog-eat-dog world of new Russian capitalism. In Nineties Moscow, this is taken as the ordinary course of daily affairs. Tatarsky is invited to join an all-powerful PR firm run by a cynically ruthless advertising genius, Leonid Azadovsky, who invites Tatarsky to participate in a secret process of rigged elections and false political advertising. And as a result of his brilliance, Tatarsky achieves the ultimate, as he creates and gets elected a "virtual" president. But like Faust selling his soul to the devil, this ex-humanist gradually descends to the level of a reprobate, finding that he no longer belongs to himself, but is trapped in a virtual world of his own creation. Babylen returns to his Buddhist friend Gireyev and takes hallucinogenic mushrooms, in attempt to re-create his previous experience. In a ritualistic Sumerian initiation, Babylen replaces Azadovsky as head of the Agency and becomes the earthly husband of Goddess Ishtar, the object of his obsession. There, he is offered control of the mechanism that produces âsimple human happinessâ - and can control the world.

Question: What does Babylen replace Azadovsky as ?
Generation P

"Generation P" follows the strange adventures of Babylen Tatarsky as he evolves from a disillusioned young man in the drab days of post-communist Moscow to the chief âcreativeâ behind the virtual world of Russian politics.
When Babylen was a Young Pioneer, his generation received a gift from the decaying Soviet state in the form of a bottle of Pepsi, of Russian manufacture. Not just a beverage, it was also a symbol of hope that some day a new, magical life would arrive from the other side of the ocean. The arrival of this life, and the way it transformed these ex-Pioneers, is what the film is about. In the early Nineties, Tatarsky, a frustrated poet, takes a job as an advertising copywriter, and discovers a knack for putting a distinctively Russian twist on Western-style ads. But the deeper Tatarsky sinks into the advertising world, the more he wonders if he has sacrificed too much for money. His soaring success leads him into a surreal world of spin doctors, gangsters, drug trips, and the spirit of Che Guevara who, via a Ouija Board, imparts to him the dazzling theory of WOWism, about how television destroys the individual spirit. Though named in honor of Lenin, Babylen opts instead to believe in his âBabylonianâ destiny, and secretly searches for the beautiful goddess Ishtar, who becomes for him a symbol of fortune. Meanwhile, the people around Babylen - clients, colleagues - perish in the violent dog-eat-dog world of new Russian capitalism. In Nineties Moscow, this is taken as the ordinary course of daily affairs. Tatarsky is invited to join an all-powerful PR firm run by a cynically ruthless advertising genius, Leonid Azadovsky, who invites Tatarsky to participate in a secret process of rigged elections and false political advertising. And as a result of his brilliance, Tatarsky achieves the ultimate, as he creates and gets elected a "virtual" president. But like Faust selling his soul to the devil, this ex-humanist gradually descends to the level of a reprobate, finding that he no longer belongs to himself, but is trapped in a virtual world of his own creation. Babylen returns to his Buddhist friend Gireyev and takes hallucinogenic mushrooms, in attempt to re-create his previous experience. In a ritualistic Sumerian initiation, Babylen replaces Azadovsky as head of the Agency and becomes the earthly husband of Goddess Ishtar, the object of his obsession. There, he is offered control of the mechanism that produces âsimple human happinessâ - and can control the world.

Question: Where is Tatarsky invited to join ?
Generation P

"Generation P" follows the strange adventures of Babylen Tatarsky as he evolves from a disillusioned young man in the drab days of post-communist Moscow to the chief âcreativeâ behind the virtual world of Russian politics.
When Babylen was a Young Pioneer, his generation received a gift from the decaying Soviet state in the form of a bottle of Pepsi, of Russian manufacture. Not just a beverage, it was also a symbol of hope that some day a new, magical life would arrive from the other side of the ocean. The arrival of this life, and the way it transformed these ex-Pioneers, is what the film is about. In the early Nineties, Tatarsky, a frustrated poet, takes a job as an advertising copywriter, and discovers a knack for putting a distinctively Russian twist on Western-style ads. But the deeper Tatarsky sinks into the advertising world, the more he wonders if he has sacrificed too much for money. His soaring success leads him into a surreal world of spin doctors, gangsters, drug trips, and the spirit of Che Guevara who, via a Ouija Board, imparts to him the dazzling theory of WOWism, about how television destroys the individual spirit. Though named in honor of Lenin, Babylen opts instead to believe in his âBabylonianâ destiny, and secretly searches for the beautiful goddess Ishtar, who becomes for him a symbol of fortune. Meanwhile, the people around Babylen - clients, colleagues - perish in the violent dog-eat-dog world of new Russian capitalism. In Nineties Moscow, this is taken as the ordinary course of daily affairs. Tatarsky is invited to join an all-powerful PR firm run by a cynically ruthless advertising genius, Leonid Azadovsky, who invites Tatarsky to participate in a secret process of rigged elections and false political advertising. And as a result of his brilliance, Tatarsky achieves the ultimate, as he creates and gets elected a "virtual" president. But like Faust selling his soul to the devil, this ex-humanist gradually descends to the level of a reprobate, finding that he no longer belongs to himself, but is trapped in a virtual world of his own creation. Babylen returns to his Buddhist friend Gireyev and takes hallucinogenic mushrooms, in attempt to re-create his previous experience. In a ritualistic Sumerian initiation, Babylen replaces Azadovsky as head of the Agency and becomes the earthly husband of Goddess Ishtar, the object of his obsession. There, he is offered control of the mechanism that produces âsimple human happinessâ - and can control the world.

Question: Who is Babylen's symbol of fortune?
Answer: Ishtar
Generation P

"Generation P" follows the strange adventures of Babylen Tatarsky as he evolves from a disillusioned young man in the drab days of post-communist Moscow to the chief âcreativeâ behind the virtual world of Russian politics.
When Babylen was a Young Pioneer, his generation received a gift from the decaying Soviet state in the form of a bottle of Pepsi, of Russian manufacture. Not just a beverage, it was also a symbol of hope that some day a new, magical life would arrive from the other side of the ocean. The arrival of this life, and the way it transformed these ex-Pioneers, is what the film is about. In the early Nineties, Tatarsky, a frustrated poet, takes a job as an advertising copywriter, and discovers a knack for putting a distinctively Russian twist on Western-style ads. But the deeper Tatarsky sinks into the advertising world, the more he wonders if he has sacrificed too much for money. His soaring success leads him into a surreal world of spin doctors, gangsters, drug trips, and the spirit of Che Guevara who, via a Ouija Board, imparts to him the dazzling theory of WOWism, about how television destroys the individual spirit. Though named in honor of Lenin, Babylen opts instead to believe in his âBabylonianâ destiny, and secretly searches for the beautiful goddess Ishtar, who becomes for him a symbol of fortune. Meanwhile, the people around Babylen - clients, colleagues - perish in the violent dog-eat-dog world of new Russian capitalism. In Nineties Moscow, this is taken as the ordinary course of daily affairs. Tatarsky is invited to join an all-powerful PR firm run by a cynically ruthless advertising genius, Leonid Azadovsky, who invites Tatarsky to participate in a secret process of rigged elections and false political advertising. And as a result of his brilliance, Tatarsky achieves the ultimate, as he creates and gets elected a "virtual" president. But like Faust selling his soul to the devil, this ex-humanist gradually descends to the level of a reprobate, finding that he no longer belongs to himself, but is trapped in a virtual world of his own creation. Babylen returns to his Buddhist friend Gireyev and takes hallucinogenic mushrooms, in attempt to re-create his previous experience. In a ritualistic Sumerian initiation, Babylen replaces Azadovsky as head of the Agency and becomes the earthly husband of Goddess Ishtar, the object of his obsession. There, he is offered control of the mechanism that produces âsimple human happinessâ - and can control the world.

Question: When Babylen was a Young Pioneer, what was the gift his generation received?
Answer: A bottle of Pepsi
Generation P

"Generation P" follows the strange adventures of Babylen Tatarsky as he evolves from a disillusioned young man in the drab days of post-communist Moscow to the chief âcreativeâ behind the virtual world of Russian politics.
When Babylen was a Young Pioneer, his generation received a gift from the decaying Soviet state in the form of a bottle of Pepsi, of Russian manufacture. Not just a beverage, it was also a symbol of hope that some day a new, magical life would arrive from the other side of the ocean. The arrival of this life, and the way it transformed these ex-Pioneers, is what the film is about. In the early Nineties, Tatarsky, a frustrated poet, takes a job as an advertising copywriter, and discovers a knack for putting a distinctively Russian twist on Western-style ads. But the deeper Tatarsky sinks into the advertising world, the more he wonders if he has sacrificed too much for money. His soaring success leads him into a surreal world of spin doctors, gangsters, drug trips, and the spirit of Che Guevara who, via a Ouija Board, imparts to him the dazzling theory of WOWism, about how television destroys the individual spirit. Though named in honor of Lenin, Babylen opts instead to believe in his âBabylonianâ destiny, and secretly searches for the beautiful goddess Ishtar, who becomes for him a symbol of fortune. Meanwhile, the people around Babylen - clients, colleagues - perish in the violent dog-eat-dog world of new Russian capitalism. In Nineties Moscow, this is taken as the ordinary course of daily affairs. Tatarsky is invited to join an all-powerful PR firm run by a cynically ruthless advertising genius, Leonid Azadovsky, who invites Tatarsky to participate in a secret process of rigged elections and false political advertising. And as a result of his brilliance, Tatarsky achieves the ultimate, as he creates and gets elected a "virtual" president. But like Faust selling his soul to the devil, this ex-humanist gradually descends to the level of a reprobate, finding that he no longer belongs to himself, but is trapped in a virtual world of his own creation. Babylen returns to his Buddhist friend Gireyev and takes hallucinogenic mushrooms, in attempt to re-create his previous experience. In a ritualistic Sumerian initiation, Babylen replaces Azadovsky as head of the Agency and becomes the earthly husband of Goddess Ishtar, the object of his obsession. There, he is offered control of the mechanism that produces âsimple human happinessâ - and can control the world.

Question: Who runs the all-powerful PR firm Tatarsky is invited to join?
Answer: Leonid Azadovsky
Generation P

"Generation P" follows the strange adventures of Babylen Tatarsky as he evolves from a disillusioned young man in the drab days of post-communist Moscow to the chief âcreativeâ behind the virtual world of Russian politics.
When Babylen was a Young Pioneer, his generation received a gift from the decaying Soviet state in the form of a bottle of Pepsi, of Russian manufacture. Not just a beverage, it was also a symbol of hope that some day a new, magical life would arrive from the other side of the ocean. The arrival of this life, and the way it transformed these ex-Pioneers, is what the film is about. In the early Nineties, Tatarsky, a frustrated poet, takes a job as an advertising copywriter, and discovers a knack for putting a distinctively Russian twist on Western-style ads. But the deeper Tatarsky sinks into the advertising world, the more he wonders if he has sacrificed too much for money. His soaring success leads him into a surreal world of spin doctors, gangsters, drug trips, and the spirit of Che Guevara who, via a Ouija Board, imparts to him the dazzling theory of WOWism, about how television destroys the individual spirit. Though named in honor of Lenin, Babylen opts instead to believe in his âBabylonianâ destiny, and secretly searches for the beautiful goddess Ishtar, who becomes for him a symbol of fortune. Meanwhile, the people around Babylen - clients, colleagues - perish in the violent dog-eat-dog world of new Russian capitalism. In Nineties Moscow, this is taken as the ordinary course of daily affairs. Tatarsky is invited to join an all-powerful PR firm run by a cynically ruthless advertising genius, Leonid Azadovsky, who invites Tatarsky to participate in a secret process of rigged elections and false political advertising. And as a result of his brilliance, Tatarsky achieves the ultimate, as he creates and gets elected a "virtual" president. But like Faust selling his soul to the devil, this ex-humanist gradually descends to the level of a reprobate, finding that he no longer belongs to himself, but is trapped in a virtual world of his own creation. Babylen returns to his Buddhist friend Gireyev and takes hallucinogenic mushrooms, in attempt to re-create his previous experience. In a ritualistic Sumerian initiation, Babylen replaces Azadovsky as head of the Agency and becomes the earthly husband of Goddess Ishtar, the object of his obsession. There, he is offered control of the mechanism that produces âsimple human happinessâ - and can control the world.

Question: What did Babylen and his generation receive ?
Generation P

"Generation P" follows the strange adventures of Babylen Tatarsky as he evolves from a disillusioned young man in the drab days of post-communist Moscow to the chief âcreativeâ behind the virtual world of Russian politics.
When Babylen was a Young Pioneer, his generation received a gift from the decaying Soviet state in the form of a bottle of Pepsi, of Russian manufacture. Not just a beverage, it was also a symbol of hope that some day a new, magical life would arrive from the other side of the ocean. The arrival of this life, and the way it transformed these ex-Pioneers, is what the film is about. In the early Nineties, Tatarsky, a frustrated poet, takes a job as an advertising copywriter, and discovers a knack for putting a distinctively Russian twist on Western-style ads. But the deeper Tatarsky sinks into the advertising world, the more he wonders if he has sacrificed too much for money. His soaring success leads him into a surreal world of spin doctors, gangsters, drug trips, and the spirit of Che Guevara who, via a Ouija Board, imparts to him the dazzling theory of WOWism, about how television destroys the individual spirit. Though named in honor of Lenin, Babylen opts instead to believe in his âBabylonianâ destiny, and secretly searches for the beautiful goddess Ishtar, who becomes for him a symbol of fortune. Meanwhile, the people around Babylen - clients, colleagues - perish in the violent dog-eat-dog world of new Russian capitalism. In Nineties Moscow, this is taken as the ordinary course of daily affairs. Tatarsky is invited to join an all-powerful PR firm run by a cynically ruthless advertising genius, Leonid Azadovsky, who invites Tatarsky to participate in a secret process of rigged elections and false political advertising. And as a result of his brilliance, Tatarsky achieves the ultimate, as he creates and gets elected a "virtual" president. But like Faust selling his soul to the devil, this ex-humanist gradually descends to the level of a reprobate, finding that he no longer belongs to himself, but is trapped in a virtual world of his own creation. Babylen returns to his Buddhist friend Gireyev and takes hallucinogenic mushrooms, in attempt to re-create his previous experience. In a ritualistic Sumerian initiation, Babylen replaces Azadovsky as head of the Agency and becomes the earthly husband of Goddess Ishtar, the object of his obsession. There, he is offered control of the mechanism that produces âsimple human happinessâ - and can control the world.

Question: What job does Tatarsky take?
Answer: Advertising copywriter
Who's Singin' over There?

This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2015) (Learn how and when to remove this template message)
On Saturday, April 5, 1941, one day before the Nazi invasion of the Kingdom of Yugoslavia, a colourful group of random passengers on a country road deep in the heart of Serbia board a dilapidated KrstiÄ &amp; Son bus, headed for the capital Belgrade: two Gypsy musicians, a World War I veteran, a Germanophile, a budding singer, a sickly looking man, and a hunter with a shotgun. The bus is owned by KrstiÄ Sr., and driven by his impressionable son MiÅ¡ko.
Along the way, they are joined by a priest and a pair of young newlyweds who are on their way to the seaside for their honeymoon, and are faced with numerous difficulties: a flat tire, a shaky bridge, a farmer who's ploughed over the road, a funeral, two feuding families, KrstiÄ Jr.'s recruitment into the army, and a lost wallet. All these slow the bus down and expose rifts among the travelers.
During the early morning of Sunday, April 6, amid rumours of war, they finally reach Belgrade only to be caught in the middle of the Luftwaffe raid (Operation Punishment). The only surviving passengers are the two Gypsy musicians who sing the film's theme song before the end.

Question: Who are the only surviving passengers?
Answer: two Gypsy musicians
Who's Singin' over There?

This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2015) (Learn how and when to remove this template message)
On Saturday, April 5, 1941, one day before the Nazi invasion of the Kingdom of Yugoslavia, a colourful group of random passengers on a country road deep in the heart of Serbia board a dilapidated KrstiÄ &amp; Son bus, headed for the capital Belgrade: two Gypsy musicians, a World War I veteran, a Germanophile, a budding singer, a sickly looking man, and a hunter with a shotgun. The bus is owned by KrstiÄ Sr., and driven by his impressionable son MiÅ¡ko.
Along the way, they are joined by a priest and a pair of young newlyweds who are on their way to the seaside for their honeymoon, and are faced with numerous difficulties: a flat tire, a shaky bridge, a farmer who's ploughed over the road, a funeral, two feuding families, KrstiÄ Jr.'s recruitment into the army, and a lost wallet. All these slow the bus down and expose rifts among the travelers.
During the early morning of Sunday, April 6, amid rumours of war, they finally reach Belgrade only to be caught in the middle of the Luftwaffe raid (Operation Punishment). The only surviving passengers are the two Gypsy musicians who sing the film's theme song before the end.

Question: When does the movie take place ?
Answer: Saturday, April 5, 1941
Who's Singin' over There?

This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2015) (Learn how and when to remove this template message)
On Saturday, April 5, 1941, one day before the Nazi invasion of the Kingdom of Yugoslavia, a colourful group of random passengers on a country road deep in the heart of Serbia board a dilapidated KrstiÄ &amp; Son bus, headed for the capital Belgrade: two Gypsy musicians, a World War I veteran, a Germanophile, a budding singer, a sickly looking man, and a hunter with a shotgun. The bus is owned by KrstiÄ Sr., and driven by his impressionable son MiÅ¡ko.
Along the way, they are joined by a priest and a pair of young newlyweds who are on their way to the seaside for their honeymoon, and are faced with numerous difficulties: a flat tire, a shaky bridge, a farmer who's ploughed over the road, a funeral, two feuding families, KrstiÄ Jr.'s recruitment into the army, and a lost wallet. All these slow the bus down and expose rifts among the travelers.
During the early morning of Sunday, April 6, amid rumours of war, they finally reach Belgrade only to be caught in the middle of the Luftwaffe raid (Operation Punishment). The only surviving passengers are the two Gypsy musicians who sing the film's theme song before the end.

Question: Who is recruited into the army?
Answer: Krstic Jr.
Who's Singin' over There?

This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2015) (Learn how and when to remove this template message)
On Saturday, April 5, 1941, one day before the Nazi invasion of the Kingdom of Yugoslavia, a colourful group of random passengers on a country road deep in the heart of Serbia board a dilapidated KrstiÄ &amp; Son bus, headed for the capital Belgrade: two Gypsy musicians, a World War I veteran, a Germanophile, a budding singer, a sickly looking man, and a hunter with a shotgun. The bus is owned by KrstiÄ Sr., and driven by his impressionable son MiÅ¡ko.
Along the way, they are joined by a priest and a pair of young newlyweds who are on their way to the seaside for their honeymoon, and are faced with numerous difficulties: a flat tire, a shaky bridge, a farmer who's ploughed over the road, a funeral, two feuding families, KrstiÄ Jr.'s recruitment into the army, and a lost wallet. All these slow the bus down and expose rifts among the travelers.
During the early morning of Sunday, April 6, amid rumours of war, they finally reach Belgrade only to be caught in the middle of the Luftwaffe raid (Operation Punishment). The only surviving passengers are the two Gypsy musicians who sing the film's theme song before the end.

Question: Why are the newlyweds going to the seaside?
Answer: Honeymoon.