ibm-research/duorc huggingface dataset:
Russian Ark

Despite the almost inevitable longueurs, not to mention mumbling melancholy offscreen comments that sometimes verge on the self-parodic, this is certainly a superior Sokurov feature, and not only for its extraordinarily virtuoso mise-en-scène. Digitally shot in a single continuous take, it wanders around St Petersburg's State Hermitage, taking in the building, its furnishings and objets d'art, and a host of characters, historical and contemporary, both named (Peter the Great, Catherine the Great, Nicholas, Alexandra, Anastasia) and anonymous, while pondering the Russian soul and its ambivalent relationship with Europe. As the unseen film-maker and a 19th century French diplomat guide us on our journey through space and time, it's hard not to be distracted by thoughts of how it was all choreographed, but a magnificent ball scene and the final poignant departure manage to work their magic.

Question: One of the narrators is a 19th-century diplomat from what nation?
Answer: France
Bordertown

The film is based upon a true story surrounding the multiple murders of young women in Juárez, Chihuahua. Two men brutally rape a young woman, Eva Jimenez (Maya Zapata) and leave her for dead. She wakes up in and crawls out of her own grave. An American journalist, Lauren Adrian (Jennifer Lopez), is assigned to cover the story of the murders in Juárez. Lauren -- haunted by terrible memories of her own -- finds Eva, the only surviving victim and is determined to catch Eva's rapist. Then, with the help of Eva and Mexican newspaper editor Alfonso Diaz (Antonio Banderas), Lauren disguises herself as a Mexican worker to identify and trap the rapists. They catch one but the other escapes. Then, only days before Eva is to testify against the rapist, Lauren is forced to leave Juárez to try to have her story published. With Lauren gone, Eva flees to the United States but is caught by the border police and returned to Juárez. Meanwhile, newspaper editor Alfonso Diaz is the victim of a drive-by shooting and, by the time Lauren returns to Juárez, he has died. Lauren goes looking for Eva, but encounters the rapist instead, and he attacks her.

Question: Who plays Alfonso Diaz ?
Answer: Antonio Banderas.
Bordertown

The film is based upon a true story surrounding the multiple murders of young women in Juárez, Chihuahua. Two men brutally rape a young woman, Eva Jimenez (Maya Zapata) and leave her for dead. She wakes up in and crawls out of her own grave. An American journalist, Lauren Adrian (Jennifer Lopez), is assigned to cover the story of the murders in Juárez. Lauren -- haunted by terrible memories of her own -- finds Eva, the only surviving victim and is determined to catch Eva's rapist. Then, with the help of Eva and Mexican newspaper editor Alfonso Diaz (Antonio Banderas), Lauren disguises herself as a Mexican worker to identify and trap the rapists. They catch one but the other escapes. Then, only days before Eva is to testify against the rapist, Lauren is forced to leave Juárez to try to have her story published. With Lauren gone, Eva flees to the United States but is caught by the border police and returned to Juárez. Meanwhile, newspaper editor Alfonso Diaz is the victim of a drive-by shooting and, by the time Lauren returns to Juárez, he has died. Lauren goes looking for Eva, but encounters the rapist instead, and he attacks her.

Question: Who plays Lauren Adrian ?
Answer: Jennifer Lopez.
Bordertown

The film is based upon a true story surrounding the multiple murders of young women in Juárez, Chihuahua. Two men brutally rape a young woman, Eva Jimenez (Maya Zapata) and leave her for dead. She wakes up in and crawls out of her own grave. An American journalist, Lauren Adrian (Jennifer Lopez), is assigned to cover the story of the murders in Juárez. Lauren -- haunted by terrible memories of her own -- finds Eva, the only surviving victim and is determined to catch Eva's rapist. Then, with the help of Eva and Mexican newspaper editor Alfonso Diaz (Antonio Banderas), Lauren disguises herself as a Mexican worker to identify and trap the rapists. They catch one but the other escapes. Then, only days before Eva is to testify against the rapist, Lauren is forced to leave Juárez to try to have her story published. With Lauren gone, Eva flees to the United States but is caught by the border police and returned to Juárez. Meanwhile, newspaper editor Alfonso Diaz is the victim of a drive-by shooting and, by the time Lauren returns to Juárez, he has died. Lauren goes looking for Eva, but encounters the rapist instead, and he attacks her.

Question: Who plays Eva Jimenez ?
Answer: Maya Zapata.
Two Half Times in Hell

On Hitlers birthday, the Germans decide to organize a soccer match between prisoners of war and Germans. They assign the task of organizing the team to a well known Olympics football player who demands for his team food and a chance to train. Although the organizer believes that soccer is sacred and does his best to train the team, he is tempted to escape along with the others, when they find an opportunity. They get caught, but the game takes place anyway. They play, hoping that they might get pardoned and not get executed in the end. However, they play too well and the enraged Germans execute them before the game ends.

Question: Who organizes the soccer match?
Answer: Olympic football player
Two Half Times in Hell

On Hitlers birthday, the Germans decide to organize a soccer match between prisoners of war and Germans. They assign the task of organizing the team to a well known Olympics football player who demands for his team food and a chance to train. Although the organizer believes that soccer is sacred and does his best to train the team, he is tempted to escape along with the others, when they find an opportunity. They get caught, but the game takes place anyway. They play, hoping that they might get pardoned and not get executed in the end. However, they play too well and the enraged Germans execute them before the game ends.

Question: On what occasion is there a soccer match?
Answer: Hitler's birthday
Two Half Times in Hell

On Hitlers birthday, the Germans decide to organize a soccer match between prisoners of war and Germans. They assign the task of organizing the team to a well known Olympics football player who demands for his team food and a chance to train. Although the organizer believes that soccer is sacred and does his best to train the team, he is tempted to escape along with the others, when they find an opportunity. They get caught, but the game takes place anyway. They play, hoping that they might get pardoned and not get executed in the end. However, they play too well and the enraged Germans execute them before the game ends.

Question: What do the prisoners do when they find the opportunity?
Answer: try to escape
Don't Move

This preposterous bit of nonsense has the gall to present us with a hero(?) who starts his courtship of a young woman that he first meets when he RAPES her! Pure garbage! Of course he IS a medical doctor and his manly rape technique is so appealing to this unsophisticated young naive twit that she falls in love with him and his suave Italian approach to courtship immediately. Obviously this is a movie made by a very sophisticated movie maker and one that is much too deep for the likes of me..Clearly the maker of this fine movie is intimately familiar with the rape approach to lasting love,one that perhaps might be employed by we naive Americans.

Question: What is the main character's profession?
Answer: Doctor
Don't Move

This preposterous bit of nonsense has the gall to present us with a hero(?) who starts his courtship of a young woman that he first meets when he RAPES her! Pure garbage! Of course he IS a medical doctor and his manly rape technique is so appealing to this unsophisticated young naive twit that she falls in love with him and his suave Italian approach to courtship immediately. Obviously this is a movie made by a very sophisticated movie maker and one that is much too deep for the likes of me..Clearly the maker of this fine movie is intimately familiar with the rape approach to lasting love,one that perhaps might be employed by we naive Americans.

Question: What does the main character do to his love interest the first time he meats her?
Answer: Rapes her
Don't Move

This preposterous bit of nonsense has the gall to present us with a hero(?) who starts his courtship of a young woman that he first meets when he RAPES her! Pure garbage! Of course he IS a medical doctor and his manly rape technique is so appealing to this unsophisticated young naive twit that she falls in love with him and his suave Italian approach to courtship immediately. Obviously this is a movie made by a very sophisticated movie maker and one that is much too deep for the likes of me..Clearly the maker of this fine movie is intimately familiar with the rape approach to lasting love,one that perhaps might be employed by we naive Americans.

Question: How does the woman react to the doctor's rape of her?
Answer: Falls in love with him
K-20: Legend of the Mask

The story takes place in an alternate history in 1948â49, in an imaginary alternative Tokyo which has taken a different history and in which World War II never happened. In this fictional capital Teito, aristocrats continue to thrive as they have since the 19th century. There is a wide gap between rich and the poor with aristocrats owning 90% of the wealth. The right-wing military industrial complex have in fact developed a Tesla-style energy beam with the ability to cause Tunguska-style devastation. However, in the city there are rumors about a mysterious thief, who only steals from the rich, a part Robin Hood, part Spider-Man, part the Shadow character with magical powers, Nicknamed K-20 (short for "Kaijin NijÅ«-MensÅ" - the Phantom Thief with 20 faces.
Endo Heikichi (Kaneshiro Takeshi) is a circus acrobat. One day, he is deceived by a mysterious old man, and arrested as K-20. In fact the old man turns out to be K-20 himself. Heikichi escapes from jail, and decides to hunt down the real K-20 to prove his innocence.
Meanwhile, K-20 sets his eyes on a rich lady, Hashiba Yoko (Matsu Takako), whose fiancÃ© is Akechi Kogoro (Nakamura Toru), who is a famous detective and once arrested Heikichi. Heikichi happens to help Yoko, who is chased by K-20. He somehow convinces Yoko and Kogoro that he is not the real K-20. He begins to fight against K-20 with Yoko and Kogoro, with his courageousness and incredible physical dexterity.

Question: Who is Yoko chased by?
Answer: K-20
K-20: Legend of the Mask

The story takes place in an alternate history in 1948â49, in an imaginary alternative Tokyo which has taken a different history and in which World War II never happened. In this fictional capital Teito, aristocrats continue to thrive as they have since the 19th century. There is a wide gap between rich and the poor with aristocrats owning 90% of the wealth. The right-wing military industrial complex have in fact developed a Tesla-style energy beam with the ability to cause Tunguska-style devastation. However, in the city there are rumors about a mysterious thief, who only steals from the rich, a part Robin Hood, part Spider-Man, part the Shadow character with magical powers, Nicknamed K-20 (short for "Kaijin NijÅ«-MensÅ" - the Phantom Thief with 20 faces.
Endo Heikichi (Kaneshiro Takeshi) is a circus acrobat. One day, he is deceived by a mysterious old man, and arrested as K-20. In fact the old man turns out to be K-20 himself. Heikichi escapes from jail, and decides to hunt down the real K-20 to prove his innocence.
Meanwhile, K-20 sets his eyes on a rich lady, Hashiba Yoko (Matsu Takako), whose fiancÃ© is Akechi Kogoro (Nakamura Toru), who is a famous detective and once arrested Heikichi. Heikichi happens to help Yoko, who is chased by K-20. He somehow convinces Yoko and Kogoro that he is not the real K-20. He begins to fight against K-20 with Yoko and Kogoro, with his courageousness and incredible physical dexterity.

Question: Who is Hashiba Yoko's fiance?
Answer: Akechi Kogoro
K-20: Legend of the Mask

The story takes place in an alternate history in 1948â49, in an imaginary alternative Tokyo which has taken a different history and in which World War II never happened. In this fictional capital Teito, aristocrats continue to thrive as they have since the 19th century. There is a wide gap between rich and the poor with aristocrats owning 90% of the wealth. The right-wing military industrial complex have in fact developed a Tesla-style energy beam with the ability to cause Tunguska-style devastation. However, in the city there are rumors about a mysterious thief, who only steals from the rich, a part Robin Hood, part Spider-Man, part the Shadow character with magical powers, Nicknamed K-20 (short for "Kaijin NijÅ«-MensÅ" - the Phantom Thief with 20 faces.
Endo Heikichi (Kaneshiro Takeshi) is a circus acrobat. One day, he is deceived by a mysterious old man, and arrested as K-20. In fact the old man turns out to be K-20 himself. Heikichi escapes from jail, and decides to hunt down the real K-20 to prove his innocence.
Meanwhile, K-20 sets his eyes on a rich lady, Hashiba Yoko (Matsu Takako), whose fiancÃ© is Akechi Kogoro (Nakamura Toru), who is a famous detective and once arrested Heikichi. Heikichi happens to help Yoko, who is chased by K-20. He somehow convinces Yoko and Kogoro that he is not the real K-20. He begins to fight against K-20 with Yoko and Kogoro, with his courageousness and incredible physical dexterity.

Question: When does the movie take place?
Answer: 1948-49
K-20: Legend of the Mask

The story takes place in an alternate history in 1948â49, in an imaginary alternative Tokyo which has taken a different history and in which World War II never happened. In this fictional capital Teito, aristocrats continue to thrive as they have since the 19th century. There is a wide gap between rich and the poor with aristocrats owning 90% of the wealth. The right-wing military industrial complex have in fact developed a Tesla-style energy beam with the ability to cause Tunguska-style devastation. However, in the city there are rumors about a mysterious thief, who only steals from the rich, a part Robin Hood, part Spider-Man, part the Shadow character with magical powers, Nicknamed K-20 (short for "Kaijin NijÅ«-MensÅ" - the Phantom Thief with 20 faces.
Endo Heikichi (Kaneshiro Takeshi) is a circus acrobat. One day, he is deceived by a mysterious old man, and arrested as K-20. In fact the old man turns out to be K-20 himself. Heikichi escapes from jail, and decides to hunt down the real K-20 to prove his innocence.
Meanwhile, K-20 sets his eyes on a rich lady, Hashiba Yoko (Matsu Takako), whose fiancÃ© is Akechi Kogoro (Nakamura Toru), who is a famous detective and once arrested Heikichi. Heikichi happens to help Yoko, who is chased by K-20. He somehow convinces Yoko and Kogoro that he is not the real K-20. He begins to fight against K-20 with Yoko and Kogoro, with his courageousness and incredible physical dexterity.

Question: What is the fictional capital?
Answer: Teito
K-20: Legend of the Mask

The story takes place in an alternate history in 1948â49, in an imaginary alternative Tokyo which has taken a different history and in which World War II never happened. In this fictional capital Teito, aristocrats continue to thrive as they have since the 19th century. There is a wide gap between rich and the poor with aristocrats owning 90% of the wealth. The right-wing military industrial complex have in fact developed a Tesla-style energy beam with the ability to cause Tunguska-style devastation. However, in the city there are rumors about a mysterious thief, who only steals from the rich, a part Robin Hood, part Spider-Man, part the Shadow character with magical powers, Nicknamed K-20 (short for "Kaijin NijÅ«-MensÅ" - the Phantom Thief with 20 faces.
Endo Heikichi (Kaneshiro Takeshi) is a circus acrobat. One day, he is deceived by a mysterious old man, and arrested as K-20. In fact the old man turns out to be K-20 himself. Heikichi escapes from jail, and decides to hunt down the real K-20 to prove his innocence.
Meanwhile, K-20 sets his eyes on a rich lady, Hashiba Yoko (Matsu Takako), whose fiancÃ© is Akechi Kogoro (Nakamura Toru), who is a famous detective and once arrested Heikichi. Heikichi happens to help Yoko, who is chased by K-20. He somehow convinces Yoko and Kogoro that he is not the real K-20. He begins to fight against K-20 with Yoko and Kogoro, with his courageousness and incredible physical dexterity.

Question: What is Endo's job?
Answer: circus acrobat
K-20: Legend of the Mask

The story takes place in an alternate history in 1948â49, in an imaginary alternative Tokyo which has taken a different history and in which World War II never happened. In this fictional capital Teito, aristocrats continue to thrive as they have since the 19th century. There is a wide gap between rich and the poor with aristocrats owning 90% of the wealth. The right-wing military industrial complex have in fact developed a Tesla-style energy beam with the ability to cause Tunguska-style devastation. However, in the city there are rumors about a mysterious thief, who only steals from the rich, a part Robin Hood, part Spider-Man, part the Shadow character with magical powers, Nicknamed K-20 (short for "Kaijin NijÅ«-MensÅ" - the Phantom Thief with 20 faces.
Endo Heikichi (Kaneshiro Takeshi) is a circus acrobat. One day, he is deceived by a mysterious old man, and arrested as K-20. In fact the old man turns out to be K-20 himself. Heikichi escapes from jail, and decides to hunt down the real K-20 to prove his innocence.
Meanwhile, K-20 sets his eyes on a rich lady, Hashiba Yoko (Matsu Takako), whose fiancÃ© is Akechi Kogoro (Nakamura Toru), who is a famous detective and once arrested Heikichi. Heikichi happens to help Yoko, who is chased by K-20. He somehow convinces Yoko and Kogoro that he is not the real K-20. He begins to fight against K-20 with Yoko and Kogoro, with his courageousness and incredible physical dexterity.

Question: What war never happened?
Answer: World War II
The Crime of Father Amaro

El Crimen Del Padre Amaro is a film based off the 19th century Portuguese novel O Crime do Padre Amaro, recreated with a modern touch. Although critics have scolded this movie for not precisely recreating the novel, director Carlos Carrera does a great job at bringing the novel into a modern context and highlighting issues to which current audiences around the world can relate. Carrera created a film that reaches international audiences by establishing a Hollywood texture with continuity editing and a smooth, polished finish. Yet by focusing the film on sociopolitical corruption and prevalent issues in Mexico, Carrera also catches the attention of the national audience. In a primarily Catholic country, the clear themes of corruption and hypocrisy within the Church resounded and created undisputable tensions throughout the nation, which even inspired the Church to advocate against viewing of the film. Padre Amaro serves as a symbol of hypocrisy in the context of Catholicism and the issues of the class system in Mexico. He begins as young priest inspired to do right under the laws of the Church; however, throughout the film he is continuously challenged by pressures of money, society, and issues of celibacy. This film consists of most indoor scenes creating a sense of discretion throughout the film, highlighting the theme of scandals, secrets, and hypocrisy. The film creates an impactful sense of realism of the difference in lifestyles and class systems. Poverty in rural towns is contrasted with the wealth of the church through the mise-en-scene as portrayed in costumes, barren houses in poor conditions, shots of the underdeveloped town in the country side, and amongst all of these there lies a beautiful and ornate church. While in most Latin American films the country side is portrayed as fostering a happy, rooted, soul-fulfilling lifestyle, Carlos Carrera shows the audience a realistic view of how rural life can contain the same corruption and scandals that are normally seen to take place in urban environments.
All in all, this film does a terrific job at leaving the viewer with a clear message. Many distinct concepts can be pulled from this film, from corruption and injustice of politics and religious bodies, to personal struggles with human passions and the effects of society on a persons life.

Question: Does the film do a bad job at leaving the viewer with a message?
Answer: no
The Crime of Father Amaro

El Crimen Del Padre Amaro is a film based off the 19th century Portuguese novel O Crime do Padre Amaro, recreated with a modern touch. Although critics have scolded this movie for not precisely recreating the novel, director Carlos Carrera does a great job at bringing the novel into a modern context and highlighting issues to which current audiences around the world can relate. Carrera created a film that reaches international audiences by establishing a Hollywood texture with continuity editing and a smooth, polished finish. Yet by focusing the film on sociopolitical corruption and prevalent issues in Mexico, Carrera also catches the attention of the national audience. In a primarily Catholic country, the clear themes of corruption and hypocrisy within the Church resounded and created undisputable tensions throughout the nation, which even inspired the Church to advocate against viewing of the film. Padre Amaro serves as a symbol of hypocrisy in the context of Catholicism and the issues of the class system in Mexico. He begins as young priest inspired to do right under the laws of the Church; however, throughout the film he is continuously challenged by pressures of money, society, and issues of celibacy. This film consists of most indoor scenes creating a sense of discretion throughout the film, highlighting the theme of scandals, secrets, and hypocrisy. The film creates an impactful sense of realism of the difference in lifestyles and class systems. Poverty in rural towns is contrasted with the wealth of the church through the mise-en-scene as portrayed in costumes, barren houses in poor conditions, shots of the underdeveloped town in the country side, and amongst all of these there lies a beautiful and ornate church. While in most Latin American films the country side is portrayed as fostering a happy, rooted, soul-fulfilling lifestyle, Carlos Carrera shows the audience a realistic view of how rural life can contain the same corruption and scandals that are normally seen to take place in urban environments.
All in all, this film does a terrific job at leaving the viewer with a clear message. Many distinct concepts can be pulled from this film, from corruption and injustice of politics and religious bodies, to personal struggles with human passions and the effects of society on a persons life.

Question: What was the movie based on?
Answer: Novel; Novel