ibm-research/duorc huggingface dataset:
Paprika

In this Japanese anime epic, humanity's last bastion of privacy has finally been infiltrated by technology, the world of our dreams. The story centers on a new invention called the DC-Mini. With this revolutionary device, psychiatrists are now able to enter a patient's dreams in a therapeutic setting. But when an unknown assailant steals all of the devices, using them to enter peoples minds enacting mind control, chaos ensues as dreams begin to bleed into reality, and the thin line between the conscious and the unconscious begins to blur. Enter a young female researcher named Chiba, who takes it upon herself to delve into the newly anarchic dream world in order to set things straight. In this surreal realm her name is Paprika, and she's out to save the world. Bursting with fantastic imagery and breathtakingly innovative animation.

Question: What is the new invention that the story centers around?
Answer: DC-Mini
Paprika

In this Japanese anime epic, humanity's last bastion of privacy has finally been infiltrated by technology, the world of our dreams. The story centers on a new invention called the DC-Mini. With this revolutionary device, psychiatrists are now able to enter a patient's dreams in a therapeutic setting. But when an unknown assailant steals all of the devices, using them to enter peoples minds enacting mind control, chaos ensues as dreams begin to bleed into reality, and the thin line between the conscious and the unconscious begins to blur. Enter a young female researcher named Chiba, who takes it upon herself to delve into the newly anarchic dream world in order to set things straight. In this surreal realm her name is Paprika, and she's out to save the world. Bursting with fantastic imagery and breathtakingly innovative animation.

Question: What is humanity's last bastion of privacy?
Answer: the world of our dreams
Paprika

In this Japanese anime epic, humanity's last bastion of privacy has finally been infiltrated by technology, the world of our dreams. The story centers on a new invention called the DC-Mini. With this revolutionary device, psychiatrists are now able to enter a patient's dreams in a therapeutic setting. But when an unknown assailant steals all of the devices, using them to enter peoples minds enacting mind control, chaos ensues as dreams begin to bleed into reality, and the thin line between the conscious and the unconscious begins to blur. Enter a young female researcher named Chiba, who takes it upon herself to delve into the newly anarchic dream world in order to set things straight. In this surreal realm her name is Paprika, and she's out to save the world. Bursting with fantastic imagery and breathtakingly innovative animation.

Question: What is Chiba's name in the surreal realm?
Answer: Paprika
Second to Die

When Sara Morgan marries her wealthy fiancé, she soon realizes that there's no truth in the old saying that money can buy happiness. Despite her newfound riches, she's still miserable and finds herself going to the most unthinkable measures to satisfy her desires. You won't believe the lines that she crosses to get what she wants. She tries to pull off the classic murderous crime but finds that cashing in isn't going to be easy. Tired of her middle-class life and boring husband, Sara decides to pull off the perfect crime: murder her spouse and cash in on his life insurance policy. The plot goes off without a hitch, but the insurance company balks at paying out. Adultery, greed, and double-crosses galore make life even more difficult than when Sara's husband was alive...

Question: What does Sara Morgan realize soon after getting married?
Answer: that there's no truth to to old saying that money can buy happiness
Second to Die

When Sara Morgan marries her wealthy fiancé, she soon realizes that there's no truth in the old saying that money can buy happiness. Despite her newfound riches, she's still miserable and finds herself going to the most unthinkable measures to satisfy her desires. You won't believe the lines that she crosses to get what she wants. She tries to pull off the classic murderous crime but finds that cashing in isn't going to be easy. Tired of her middle-class life and boring husband, Sara decides to pull off the perfect crime: murder her spouse and cash in on his life insurance policy. The plot goes off without a hitch, but the insurance company balks at paying out. Adultery, greed, and double-crosses galore make life even more difficult than when Sara's husband was alive...

Question: What does Sara hope to cash in on?
Answer: A life insurance policy.
Second to Die

When Sara Morgan marries her wealthy fiancé, she soon realizes that there's no truth in the old saying that money can buy happiness. Despite her newfound riches, she's still miserable and finds herself going to the most unthinkable measures to satisfy her desires. You won't believe the lines that she crosses to get what she wants. She tries to pull off the classic murderous crime but finds that cashing in isn't going to be easy. Tired of her middle-class life and boring husband, Sara decides to pull off the perfect crime: murder her spouse and cash in on his life insurance policy. The plot goes off without a hitch, but the insurance company balks at paying out. Adultery, greed, and double-crosses galore make life even more difficult than when Sara's husband was alive...

Question: Why does Sara want to murder her husband?
Answer: to cash in on his life insurance policy
Second to Die

When Sara Morgan marries her wealthy fiancé, she soon realizes that there's no truth in the old saying that money can buy happiness. Despite her newfound riches, she's still miserable and finds herself going to the most unthinkable measures to satisfy her desires. You won't believe the lines that she crosses to get what she wants. She tries to pull off the classic murderous crime but finds that cashing in isn't going to be easy. Tired of her middle-class life and boring husband, Sara decides to pull off the perfect crime: murder her spouse and cash in on his life insurance policy. The plot goes off without a hitch, but the insurance company balks at paying out. Adultery, greed, and double-crosses galore make life even more difficult than when Sara's husband was alive...

Question: What does Sara plan to do to her husband?
Answer: murder him
Second to Die

When Sara Morgan marries her wealthy fiancé, she soon realizes that there's no truth in the old saying that money can buy happiness. Despite her newfound riches, she's still miserable and finds herself going to the most unthinkable measures to satisfy her desires. You won't believe the lines that she crosses to get what she wants. She tries to pull off the classic murderous crime but finds that cashing in isn't going to be easy. Tired of her middle-class life and boring husband, Sara decides to pull off the perfect crime: murder her spouse and cash in on his life insurance policy. The plot goes off without a hitch, but the insurance company balks at paying out. Adultery, greed, and double-crosses galore make life even more difficult than when Sara's husband was alive...

Question: Who does Sara Morgan murder?
Answer: Her husband.
Second to Die

When Sara Morgan marries her wealthy fiancé, she soon realizes that there's no truth in the old saying that money can buy happiness. Despite her newfound riches, she's still miserable and finds herself going to the most unthinkable measures to satisfy her desires. You won't believe the lines that she crosses to get what she wants. She tries to pull off the classic murderous crime but finds that cashing in isn't going to be easy. Tired of her middle-class life and boring husband, Sara decides to pull off the perfect crime: murder her spouse and cash in on his life insurance policy. The plot goes off without a hitch, but the insurance company balks at paying out. Adultery, greed, and double-crosses galore make life even more difficult than when Sara's husband was alive...

Question: What does Sara do despite her newfound riches?
Answer: she goes to the most unthinkable measures to satisfy her desires
Second to Die

When Sara Morgan marries her wealthy fiancé, she soon realizes that there's no truth in the old saying that money can buy happiness. Despite her newfound riches, she's still miserable and finds herself going to the most unthinkable measures to satisfy her desires. You won't believe the lines that she crosses to get what she wants. She tries to pull off the classic murderous crime but finds that cashing in isn't going to be easy. Tired of her middle-class life and boring husband, Sara decides to pull off the perfect crime: murder her spouse and cash in on his life insurance policy. The plot goes off without a hitch, but the insurance company balks at paying out. Adultery, greed, and double-crosses galore make life even more difficult than when Sara's husband was alive...

Question: What crime does Sara commit?
Answer: murder
Second to Die

When Sara Morgan marries her wealthy fiancé, she soon realizes that there's no truth in the old saying that money can buy happiness. Despite her newfound riches, she's still miserable and finds herself going to the most unthinkable measures to satisfy her desires. You won't believe the lines that she crosses to get what she wants. She tries to pull off the classic murderous crime but finds that cashing in isn't going to be easy. Tired of her middle-class life and boring husband, Sara decides to pull off the perfect crime: murder her spouse and cash in on his life insurance policy. The plot goes off without a hitch, but the insurance company balks at paying out. Adultery, greed, and double-crosses galore make life even more difficult than when Sara's husband was alive...

Question: What does the insurance company do?
Answer: balks at paying out
Second to Die

When Sara Morgan marries her wealthy fiancé, she soon realizes that there's no truth in the old saying that money can buy happiness. Despite her newfound riches, she's still miserable and finds herself going to the most unthinkable measures to satisfy her desires. You won't believe the lines that she crosses to get what she wants. She tries to pull off the classic murderous crime but finds that cashing in isn't going to be easy. Tired of her middle-class life and boring husband, Sara decides to pull off the perfect crime: murder her spouse and cash in on his life insurance policy. The plot goes off without a hitch, but the insurance company balks at paying out. Adultery, greed, and double-crosses galore make life even more difficult than when Sara's husband was alive...

Question: What does Sara hope money can buy?
Answer: Happiness.
Walkabout

A white, teenage schoolgirl (Jenny Agutter) and her much younger brother (Luc Roeg) become stranded in the wilderness after their father (John Meillon) goes berserk. After driving them far into the Australian outback for a picnic, the father suddenly begins shooting at the children. They run behind rocks for cover, whereupon he sets the car on fire and shoots himself in the head. The girl conceals what has happened from her brother and, after grabbing some food and supplies, the pair head out into the desert.
By the middle of the next day, they are weak and the boy can barely walk. Discovering a small water hole with a fruiting tree, they spend the day playing, bathing, and resting. By the next morning, the water has dried up. They are then discovered by an Aboriginal boy (David Gulpilil). Although the girl cannot communicate with him, her brother mimes their need for water and the newcomer cheerfully shows them how to draw it from the drying bed of the oasis. The three travel together, with the Aboriginal boy sharing food he has caught hunting. The boys learn to communicate slightly using words and sign language.
While in the vicinity of a plantation, a white woman walks past the boy, who simply ignores her when she speaks to him. She appears to see the other children, but they do not see her, and they continue on their journey. The children also discover a weather balloon belonging to a nearby research team working in the desert.
After drawing markings of a modern-style house, the Aboriginal boy eventually leads them to an abandoned farm, showing the other boy a paved road nearby. The Aboriginal boy hunts down a water buffalo and is wrestling it to the ground when two white hunters appear in a truck and nearly run him over. He watches as they shoot several buffalo with a rifle, shocking him. The boy then returns to the farm, but passes by without speaking.
Later, catching the undressing girl by surprise, he initiates a mating ritual by painting markings on himself and performing a courtship dance in front of her. Although he dances outside all day and into the night until he becomes exhausted, she ignores him and tells her brother they will leave him the next day. In the morning, after they dress in their school uniforms, the brother takes her to the Aboriginal boy's body, hanging in a tree. Before leaving, the girl wipes ants from the dead boy's chest. Hiking up the road, the siblings find a nearly deserted mining town. A surly white man who directs them towards a nearby hotel.
Years later, a businessman arrives home as the now grown-up girl prepares dinner; while he embraces her and relates office gossip, she imagines a scene in which she, her brother, and the Aboriginal boy are playing and swimming naked in a deep pool in the outback.

Question: WHO  can barely walk?
Answer: THE BOY
Walkabout

A white, teenage schoolgirl (Jenny Agutter) and her much younger brother (Luc Roeg) become stranded in the wilderness after their father (John Meillon) goes berserk. After driving them far into the Australian outback for a picnic, the father suddenly begins shooting at the children. They run behind rocks for cover, whereupon he sets the car on fire and shoots himself in the head. The girl conceals what has happened from her brother and, after grabbing some food and supplies, the pair head out into the desert.
By the middle of the next day, they are weak and the boy can barely walk. Discovering a small water hole with a fruiting tree, they spend the day playing, bathing, and resting. By the next morning, the water has dried up. They are then discovered by an Aboriginal boy (David Gulpilil). Although the girl cannot communicate with him, her brother mimes their need for water and the newcomer cheerfully shows them how to draw it from the drying bed of the oasis. The three travel together, with the Aboriginal boy sharing food he has caught hunting. The boys learn to communicate slightly using words and sign language.
While in the vicinity of a plantation, a white woman walks past the boy, who simply ignores her when she speaks to him. She appears to see the other children, but they do not see her, and they continue on their journey. The children also discover a weather balloon belonging to a nearby research team working in the desert.
After drawing markings of a modern-style house, the Aboriginal boy eventually leads them to an abandoned farm, showing the other boy a paved road nearby. The Aboriginal boy hunts down a water buffalo and is wrestling it to the ground when two white hunters appear in a truck and nearly run him over. He watches as they shoot several buffalo with a rifle, shocking him. The boy then returns to the farm, but passes by without speaking.
Later, catching the undressing girl by surprise, he initiates a mating ritual by painting markings on himself and performing a courtship dance in front of her. Although he dances outside all day and into the night until he becomes exhausted, she ignores him and tells her brother they will leave him the next day. In the morning, after they dress in their school uniforms, the brother takes her to the Aboriginal boy's body, hanging in a tree. Before leaving, the girl wipes ants from the dead boy's chest. Hiking up the road, the siblings find a nearly deserted mining town. A surly white man who directs them towards a nearby hotel.
Years later, a businessman arrives home as the now grown-up girl prepares dinner; while he embraces her and relates office gossip, she imagines a scene in which she, her brother, and the Aboriginal boy are playing and swimming naked in a deep pool in the outback.

Question: How does she respond as he is dancing outside all day and night?
Answer: She ignores him and tells her brother they will leave him the next day.
Walkabout

A white, teenage schoolgirl (Jenny Agutter) and her much younger brother (Luc Roeg) become stranded in the wilderness after their father (John Meillon) goes berserk. After driving them far into the Australian outback for a picnic, the father suddenly begins shooting at the children. They run behind rocks for cover, whereupon he sets the car on fire and shoots himself in the head. The girl conceals what has happened from her brother and, after grabbing some food and supplies, the pair head out into the desert.
By the middle of the next day, they are weak and the boy can barely walk. Discovering a small water hole with a fruiting tree, they spend the day playing, bathing, and resting. By the next morning, the water has dried up. They are then discovered by an Aboriginal boy (David Gulpilil). Although the girl cannot communicate with him, her brother mimes their need for water and the newcomer cheerfully shows them how to draw it from the drying bed of the oasis. The three travel together, with the Aboriginal boy sharing food he has caught hunting. The boys learn to communicate slightly using words and sign language.
While in the vicinity of a plantation, a white woman walks past the boy, who simply ignores her when she speaks to him. She appears to see the other children, but they do not see her, and they continue on their journey. The children also discover a weather balloon belonging to a nearby research team working in the desert.
After drawing markings of a modern-style house, the Aboriginal boy eventually leads them to an abandoned farm, showing the other boy a paved road nearby. The Aboriginal boy hunts down a water buffalo and is wrestling it to the ground when two white hunters appear in a truck and nearly run him over. He watches as they shoot several buffalo with a rifle, shocking him. The boy then returns to the farm, but passes by without speaking.
Later, catching the undressing girl by surprise, he initiates a mating ritual by painting markings on himself and performing a courtship dance in front of her. Although he dances outside all day and into the night until he becomes exhausted, she ignores him and tells her brother they will leave him the next day. In the morning, after they dress in their school uniforms, the brother takes her to the Aboriginal boy's body, hanging in a tree. Before leaving, the girl wipes ants from the dead boy's chest. Hiking up the road, the siblings find a nearly deserted mining town. A surly white man who directs them towards a nearby hotel.
Years later, a businessman arrives home as the now grown-up girl prepares dinner; while he embraces her and relates office gossip, she imagines a scene in which she, her brother, and the Aboriginal boy are playing and swimming naked in a deep pool in the outback.

Question: Who was caught by surprise undressing in the movie?
Answer: The girl
Walkabout

A white, teenage schoolgirl (Jenny Agutter) and her much younger brother (Luc Roeg) become stranded in the wilderness after their father (John Meillon) goes berserk. After driving them far into the Australian outback for a picnic, the father suddenly begins shooting at the children. They run behind rocks for cover, whereupon he sets the car on fire and shoots himself in the head. The girl conceals what has happened from her brother and, after grabbing some food and supplies, the pair head out into the desert.
By the middle of the next day, they are weak and the boy can barely walk. Discovering a small water hole with a fruiting tree, they spend the day playing, bathing, and resting. By the next morning, the water has dried up. They are then discovered by an Aboriginal boy (David Gulpilil). Although the girl cannot communicate with him, her brother mimes their need for water and the newcomer cheerfully shows them how to draw it from the drying bed of the oasis. The three travel together, with the Aboriginal boy sharing food he has caught hunting. The boys learn to communicate slightly using words and sign language.
While in the vicinity of a plantation, a white woman walks past the boy, who simply ignores her when she speaks to him. She appears to see the other children, but they do not see her, and they continue on their journey. The children also discover a weather balloon belonging to a nearby research team working in the desert.
After drawing markings of a modern-style house, the Aboriginal boy eventually leads them to an abandoned farm, showing the other boy a paved road nearby. The Aboriginal boy hunts down a water buffalo and is wrestling it to the ground when two white hunters appear in a truck and nearly run him over. He watches as they shoot several buffalo with a rifle, shocking him. The boy then returns to the farm, but passes by without speaking.
Later, catching the undressing girl by surprise, he initiates a mating ritual by painting markings on himself and performing a courtship dance in front of her. Although he dances outside all day and into the night until he becomes exhausted, she ignores him and tells her brother they will leave him the next day. In the morning, after they dress in their school uniforms, the brother takes her to the Aboriginal boy's body, hanging in a tree. Before leaving, the girl wipes ants from the dead boy's chest. Hiking up the road, the siblings find a nearly deserted mining town. A surly white man who directs them towards a nearby hotel.
Years later, a businessman arrives home as the now grown-up girl prepares dinner; while he embraces her and relates office gossip, she imagines a scene in which she, her brother, and the Aboriginal boy are playing and swimming naked in a deep pool in the outback.

Question: What happens to the car?
Answer: It is set on fire.; It is set on fire.