ibm-research/duorc huggingface dataset:
Im Juli

This section is incomplete. (December 2010)
At the beginning of his summer holiday, a somewhat naive trainee teacher Daniel (Moritz Bleibtreu) buys a ring from a stall run by a neighbor, the aspiring artist and street vendor Juli (in German, "Juli" would be not only the month July but also a common nickname for someone named "Julia"; Christiane Paul). The ring bears a Mayan sun symbol, which, according to Juli, has the power to lead him to the woman of his dreams, whom he will recognise by a similar sun symbol. As Juli has the ring's counterpart, and as she is in love with him, she invites Daniel to a party that evening, hoping that they will meet.
Curious, Daniel goes to the party and meets Melek (Ä°dil Ãner), a young Turkish woman who is wearing a T-shirt imprinted with a sun symbol. Convinced that she is the woman of his dreams, Daniel talks to her. Melek is only passing through and looking for a place to spend the night. After spending the evening together seeing the sights of Hamburg, Daniel invites her to spend the night in his apartment.
Daniel and Melek leave the party just as Juli arrives. She sees them leave together. In her disappointment, she decides to leave town. Next day she goes to the Autobahn to hitch a ride, with no predetermined destination.
As fate would have it, Daniel is the first car to stop, on his way back from the airport, where he has just dropped Melek off. He has decided to drive to Istanbul in search of Melek, who, as she told him, will be under the bridge over the Bosporus at a certain time a few days later, although he does not know why. Daniel takes Juli with him in his stoner roommate's rusty old car. And this is the beginning a long and exciting trip across a scorching hot Southeastern Europe.

Question: Who is Melek ?
Answer: A young Turkish woman.
Im Juli

This section is incomplete. (December 2010)
At the beginning of his summer holiday, a somewhat naive trainee teacher Daniel (Moritz Bleibtreu) buys a ring from a stall run by a neighbor, the aspiring artist and street vendor Juli (in German, "Juli" would be not only the month July but also a common nickname for someone named "Julia"; Christiane Paul). The ring bears a Mayan sun symbol, which, according to Juli, has the power to lead him to the woman of his dreams, whom he will recognise by a similar sun symbol. As Juli has the ring's counterpart, and as she is in love with him, she invites Daniel to a party that evening, hoping that they will meet.
Curious, Daniel goes to the party and meets Melek (Ä°dil Ãner), a young Turkish woman who is wearing a T-shirt imprinted with a sun symbol. Convinced that she is the woman of his dreams, Daniel talks to her. Melek is only passing through and looking for a place to spend the night. After spending the evening together seeing the sights of Hamburg, Daniel invites her to spend the night in his apartment.
Daniel and Melek leave the party just as Juli arrives. She sees them leave together. In her disappointment, she decides to leave town. Next day she goes to the Autobahn to hitch a ride, with no predetermined destination.
As fate would have it, Daniel is the first car to stop, on his way back from the airport, where he has just dropped Melek off. He has decided to drive to Istanbul in search of Melek, who, as she told him, will be under the bridge over the Bosporus at a certain time a few days later, although he does not know why. Daniel takes Juli with him in his stoner roommate's rusty old car. And this is the beginning a long and exciting trip across a scorching hot Southeastern Europe.

Question: Where does Daniel drive to?
Answer: Istanbul.
Im Juli

This section is incomplete. (December 2010)
At the beginning of his summer holiday, a somewhat naive trainee teacher Daniel (Moritz Bleibtreu) buys a ring from a stall run by a neighbor, the aspiring artist and street vendor Juli (in German, "Juli" would be not only the month July but also a common nickname for someone named "Julia"; Christiane Paul). The ring bears a Mayan sun symbol, which, according to Juli, has the power to lead him to the woman of his dreams, whom he will recognise by a similar sun symbol. As Juli has the ring's counterpart, and as she is in love with him, she invites Daniel to a party that evening, hoping that they will meet.
Curious, Daniel goes to the party and meets Melek (Ä°dil Ãner), a young Turkish woman who is wearing a T-shirt imprinted with a sun symbol. Convinced that she is the woman of his dreams, Daniel talks to her. Melek is only passing through and looking for a place to spend the night. After spending the evening together seeing the sights of Hamburg, Daniel invites her to spend the night in his apartment.
Daniel and Melek leave the party just as Juli arrives. She sees them leave together. In her disappointment, she decides to leave town. Next day she goes to the Autobahn to hitch a ride, with no predetermined destination.
As fate would have it, Daniel is the first car to stop, on his way back from the airport, where he has just dropped Melek off. He has decided to drive to Istanbul in search of Melek, who, as she told him, will be under the bridge over the Bosporus at a certain time a few days later, although he does not know why. Daniel takes Juli with him in his stoner roommate's rusty old car. And this is the beginning a long and exciting trip across a scorching hot Southeastern Europe.

Question: Where will Melek be?
Answer: Under the bridge.
Im Juli

This section is incomplete. (December 2010)
At the beginning of his summer holiday, a somewhat naive trainee teacher Daniel (Moritz Bleibtreu) buys a ring from a stall run by a neighbor, the aspiring artist and street vendor Juli (in German, "Juli" would be not only the month July but also a common nickname for someone named "Julia"; Christiane Paul). The ring bears a Mayan sun symbol, which, according to Juli, has the power to lead him to the woman of his dreams, whom he will recognise by a similar sun symbol. As Juli has the ring's counterpart, and as she is in love with him, she invites Daniel to a party that evening, hoping that they will meet.
Curious, Daniel goes to the party and meets Melek (Ä°dil Ãner), a young Turkish woman who is wearing a T-shirt imprinted with a sun symbol. Convinced that she is the woman of his dreams, Daniel talks to her. Melek is only passing through and looking for a place to spend the night. After spending the evening together seeing the sights of Hamburg, Daniel invites her to spend the night in his apartment.
Daniel and Melek leave the party just as Juli arrives. She sees them leave together. In her disappointment, she decides to leave town. Next day she goes to the Autobahn to hitch a ride, with no predetermined destination.
As fate would have it, Daniel is the first car to stop, on his way back from the airport, where he has just dropped Melek off. He has decided to drive to Istanbul in search of Melek, who, as she told him, will be under the bridge over the Bosporus at a certain time a few days later, although he does not know why. Daniel takes Juli with him in his stoner roommate's rusty old car. And this is the beginning a long and exciting trip across a scorching hot Southeastern Europe.

Question: What is on the ring that Daniel buys?
Answer: A Mayan sun symbol
Im Juli

This section is incomplete. (December 2010)
At the beginning of his summer holiday, a somewhat naive trainee teacher Daniel (Moritz Bleibtreu) buys a ring from a stall run by a neighbor, the aspiring artist and street vendor Juli (in German, "Juli" would be not only the month July but also a common nickname for someone named "Julia"; Christiane Paul). The ring bears a Mayan sun symbol, which, according to Juli, has the power to lead him to the woman of his dreams, whom he will recognise by a similar sun symbol. As Juli has the ring's counterpart, and as she is in love with him, she invites Daniel to a party that evening, hoping that they will meet.
Curious, Daniel goes to the party and meets Melek (Ä°dil Ãner), a young Turkish woman who is wearing a T-shirt imprinted with a sun symbol. Convinced that she is the woman of his dreams, Daniel talks to her. Melek is only passing through and looking for a place to spend the night. After spending the evening together seeing the sights of Hamburg, Daniel invites her to spend the night in his apartment.
Daniel and Melek leave the party just as Juli arrives. She sees them leave together. In her disappointment, she decides to leave town. Next day she goes to the Autobahn to hitch a ride, with no predetermined destination.
As fate would have it, Daniel is the first car to stop, on his way back from the airport, where he has just dropped Melek off. He has decided to drive to Istanbul in search of Melek, who, as she told him, will be under the bridge over the Bosporus at a certain time a few days later, although he does not know why. Daniel takes Juli with him in his stoner roommate's rusty old car. And this is the beginning a long and exciting trip across a scorching hot Southeastern Europe.

Question: Who does Daniel meet at the party ?
Answer: Melek.
Man Bites Dog

Ben is a witty, charismatic serial killer who holds forth at length about whatever comes to mind, be it the "craft" of murder, the failings of architecture, his own poetry, or classical music, which he plays with his girlfriend. A film crew joins him on his sadistic adventures, recording them for a fly on the wall documentary. Ben takes them to meet his family and friends while boasting of murdering many people at random and dumping their bodies in canals and quarries. The viewer witnesses these grisly killings in graphic detail.
Ben ventures into apartment buildings, explaining how it is more cost-effective to attack old people than young couples because the former have more cash at home and are easier to kill. In a following scene, he screams wildly at an elderly lady, causing her to have a heart attack. As she lies dying, he casually remarks that this method saved him a bullet. Ben continues his candid explanations and appalling rampage, shooting, strangling, and beating to death anyone who comes his way: women (he is profoundly misogynistic), immigrants (he is a racist xenophobe), and postmen (his favorite targets).
The camera crew becomes more and more involved in the murders, first as accomplices but eventually taking an active part in them. When Ben invades a home and kills an entire family, they help him hold down a young boy and smother him. They meet a competing camera crew and take turns shooting the three men. During filming, two of Ben's crew are killed; their deaths are later called "occupational hazards" by a crew member.
When Ben takes a couple hostage in their own home, he holds the man at gunpoint while he and the crew gang-rape the woman. The following morning, the camera dispassionately records the aftermath: the woman has been butchered with a knife, her entrails spilling out, and the man has been shot to death. Ben's violence becomes more and more random until he kills an acquaintance in front of his girlfriend and friends during a birthday dinner. Spattered with blood, they act as though nothing horrible has happened, continuing to offer Ben presents. The film crew disposes of the body for Ben.
After a victim flees before he can be killed, Ben is arrested, but he escapes. At this point someone starts taking revenge on him and his family. Ben discovers that his parents have been killed, along with his girlfriend: a flautist, she has been murdered in a particularly humiliating manner, with her flute inserted into her anus. This prompts Ben to decide that he must leave. He meets the camera crew to say farewell, but in the middle of reciting a poem he is abruptly shot dead by an off-camera gunman. The camera crew is then picked off one by one. After the camera falls, it keeps running, and the film ends with the death of the fleeing sound recordist.

Question: What does Ben do when he invades a home?
Answer: Kills an entire family.
Man Bites Dog

Ben is a witty, charismatic serial killer who holds forth at length about whatever comes to mind, be it the "craft" of murder, the failings of architecture, his own poetry, or classical music, which he plays with his girlfriend. A film crew joins him on his sadistic adventures, recording them for a fly on the wall documentary. Ben takes them to meet his family and friends while boasting of murdering many people at random and dumping their bodies in canals and quarries. The viewer witnesses these grisly killings in graphic detail.
Ben ventures into apartment buildings, explaining how it is more cost-effective to attack old people than young couples because the former have more cash at home and are easier to kill. In a following scene, he screams wildly at an elderly lady, causing her to have a heart attack. As she lies dying, he casually remarks that this method saved him a bullet. Ben continues his candid explanations and appalling rampage, shooting, strangling, and beating to death anyone who comes his way: women (he is profoundly misogynistic), immigrants (he is a racist xenophobe), and postmen (his favorite targets).
The camera crew becomes more and more involved in the murders, first as accomplices but eventually taking an active part in them. When Ben invades a home and kills an entire family, they help him hold down a young boy and smother him. They meet a competing camera crew and take turns shooting the three men. During filming, two of Ben's crew are killed; their deaths are later called "occupational hazards" by a crew member.
When Ben takes a couple hostage in their own home, he holds the man at gunpoint while he and the crew gang-rape the woman. The following morning, the camera dispassionately records the aftermath: the woman has been butchered with a knife, her entrails spilling out, and the man has been shot to death. Ben's violence becomes more and more random until he kills an acquaintance in front of his girlfriend and friends during a birthday dinner. Spattered with blood, they act as though nothing horrible has happened, continuing to offer Ben presents. The film crew disposes of the body for Ben.
After a victim flees before he can be killed, Ben is arrested, but he escapes. At this point someone starts taking revenge on him and his family. Ben discovers that his parents have been killed, along with his girlfriend: a flautist, she has been murdered in a particularly humiliating manner, with her flute inserted into her anus. This prompts Ben to decide that he must leave. He meets the camera crew to say farewell, but in the middle of reciting a poem he is abruptly shot dead by an off-camera gunman. The camera crew is then picked off one by one. After the camera falls, it keeps running, and the film ends with the death of the fleeing sound recordist.

Question: What is Ben doing when he is shot?
Answer: Reciting a poem.
Man Bites Dog

Ben is a witty, charismatic serial killer who holds forth at length about whatever comes to mind, be it the "craft" of murder, the failings of architecture, his own poetry, or classical music, which he plays with his girlfriend. A film crew joins him on his sadistic adventures, recording them for a fly on the wall documentary. Ben takes them to meet his family and friends while boasting of murdering many people at random and dumping their bodies in canals and quarries. The viewer witnesses these grisly killings in graphic detail.
Ben ventures into apartment buildings, explaining how it is more cost-effective to attack old people than young couples because the former have more cash at home and are easier to kill. In a following scene, he screams wildly at an elderly lady, causing her to have a heart attack. As she lies dying, he casually remarks that this method saved him a bullet. Ben continues his candid explanations and appalling rampage, shooting, strangling, and beating to death anyone who comes his way: women (he is profoundly misogynistic), immigrants (he is a racist xenophobe), and postmen (his favorite targets).
The camera crew becomes more and more involved in the murders, first as accomplices but eventually taking an active part in them. When Ben invades a home and kills an entire family, they help him hold down a young boy and smother him. They meet a competing camera crew and take turns shooting the three men. During filming, two of Ben's crew are killed; their deaths are later called "occupational hazards" by a crew member.
When Ben takes a couple hostage in their own home, he holds the man at gunpoint while he and the crew gang-rape the woman. The following morning, the camera dispassionately records the aftermath: the woman has been butchered with a knife, her entrails spilling out, and the man has been shot to death. Ben's violence becomes more and more random until he kills an acquaintance in front of his girlfriend and friends during a birthday dinner. Spattered with blood, they act as though nothing horrible has happened, continuing to offer Ben presents. The film crew disposes of the body for Ben.
After a victim flees before he can be killed, Ben is arrested, but he escapes. At this point someone starts taking revenge on him and his family. Ben discovers that his parents have been killed, along with his girlfriend: a flautist, she has been murdered in a particularly humiliating manner, with her flute inserted into her anus. This prompts Ben to decide that he must leave. He meets the camera crew to say farewell, but in the middle of reciting a poem he is abruptly shot dead by an off-camera gunman. The camera crew is then picked off one by one. After the camera falls, it keeps running, and the film ends with the death of the fleeing sound recordist.

Question: Who ventures into apartment buildings?
Answer: Ben
Man Bites Dog

Ben is a witty, charismatic serial killer who holds forth at length about whatever comes to mind, be it the "craft" of murder, the failings of architecture, his own poetry, or classical music, which he plays with his girlfriend. A film crew joins him on his sadistic adventures, recording them for a fly on the wall documentary. Ben takes them to meet his family and friends while boasting of murdering many people at random and dumping their bodies in canals and quarries. The viewer witnesses these grisly killings in graphic detail.
Ben ventures into apartment buildings, explaining how it is more cost-effective to attack old people than young couples because the former have more cash at home and are easier to kill. In a following scene, he screams wildly at an elderly lady, causing her to have a heart attack. As she lies dying, he casually remarks that this method saved him a bullet. Ben continues his candid explanations and appalling rampage, shooting, strangling, and beating to death anyone who comes his way: women (he is profoundly misogynistic), immigrants (he is a racist xenophobe), and postmen (his favorite targets).
The camera crew becomes more and more involved in the murders, first as accomplices but eventually taking an active part in them. When Ben invades a home and kills an entire family, they help him hold down a young boy and smother him. They meet a competing camera crew and take turns shooting the three men. During filming, two of Ben's crew are killed; their deaths are later called "occupational hazards" by a crew member.
When Ben takes a couple hostage in their own home, he holds the man at gunpoint while he and the crew gang-rape the woman. The following morning, the camera dispassionately records the aftermath: the woman has been butchered with a knife, her entrails spilling out, and the man has been shot to death. Ben's violence becomes more and more random until he kills an acquaintance in front of his girlfriend and friends during a birthday dinner. Spattered with blood, they act as though nothing horrible has happened, continuing to offer Ben presents. The film crew disposes of the body for Ben.
After a victim flees before he can be killed, Ben is arrested, but he escapes. At this point someone starts taking revenge on him and his family. Ben discovers that his parents have been killed, along with his girlfriend: a flautist, she has been murdered in a particularly humiliating manner, with her flute inserted into her anus. This prompts Ben to decide that he must leave. He meets the camera crew to say farewell, but in the middle of reciting a poem he is abruptly shot dead by an off-camera gunman. The camera crew is then picked off one by one. After the camera falls, it keeps running, and the film ends with the death of the fleeing sound recordist.

Question: What happens to Ben?
Answer: He is shot
Man Bites Dog

Ben is a witty, charismatic serial killer who holds forth at length about whatever comes to mind, be it the "craft" of murder, the failings of architecture, his own poetry, or classical music, which he plays with his girlfriend. A film crew joins him on his sadistic adventures, recording them for a fly on the wall documentary. Ben takes them to meet his family and friends while boasting of murdering many people at random and dumping their bodies in canals and quarries. The viewer witnesses these grisly killings in graphic detail.
Ben ventures into apartment buildings, explaining how it is more cost-effective to attack old people than young couples because the former have more cash at home and are easier to kill. In a following scene, he screams wildly at an elderly lady, causing her to have a heart attack. As she lies dying, he casually remarks that this method saved him a bullet. Ben continues his candid explanations and appalling rampage, shooting, strangling, and beating to death anyone who comes his way: women (he is profoundly misogynistic), immigrants (he is a racist xenophobe), and postmen (his favorite targets).
The camera crew becomes more and more involved in the murders, first as accomplices but eventually taking an active part in them. When Ben invades a home and kills an entire family, they help him hold down a young boy and smother him. They meet a competing camera crew and take turns shooting the three men. During filming, two of Ben's crew are killed; their deaths are later called "occupational hazards" by a crew member.
When Ben takes a couple hostage in their own home, he holds the man at gunpoint while he and the crew gang-rape the woman. The following morning, the camera dispassionately records the aftermath: the woman has been butchered with a knife, her entrails spilling out, and the man has been shot to death. Ben's violence becomes more and more random until he kills an acquaintance in front of his girlfriend and friends during a birthday dinner. Spattered with blood, they act as though nothing horrible has happened, continuing to offer Ben presents. The film crew disposes of the body for Ben.
After a victim flees before he can be killed, Ben is arrested, but he escapes. At this point someone starts taking revenge on him and his family. Ben discovers that his parents have been killed, along with his girlfriend: a flautist, she has been murdered in a particularly humiliating manner, with her flute inserted into her anus. This prompts Ben to decide that he must leave. He meets the camera crew to say farewell, but in the middle of reciting a poem he is abruptly shot dead by an off-camera gunman. The camera crew is then picked off one by one. After the camera falls, it keeps running, and the film ends with the death of the fleeing sound recordist.

Question: How is the woman killed?
Answer: with a knife