ibm-research/duorc huggingface dataset:
Cheaper by the Dozen

The Baker Family,Is A Happy And Large Family With 12 Children.Who Resides In Midland,Indiana. One Day Tom Baker Gets An Offer For His Dream Job:Become The Coach Of The Stallions. Tom Returns Home With The New Job And Promotion In The Urban Near-North Chicago Suburb Of Evanston,Illinois With Educatiion Advantages And A New Vehicle,Although Kate Approves His Children Overhear And Object To His Proposed Actions In A Family Conference. Even Though The Children Vote About What They Would Rather Do, Tom Decides To Accept The Job And Move To The City, Many Miles Away From Their Current Countryside Home. One Day, Aspiring Author,Kate Baker Receives A Call, Telling Her That Her New Book Is Perfect And She Should Go On A Promotion Tour, So She Makes The Decision To Leave,And Leaves Her Husbanc Alone With The 12 Children.Problems Soon Erupt,But Everything Comes To A Hault When,After Being Grounded,The Baker Kids Sneak Out And Wreck Their Friend's Birthday Party.Kate Ends The Book Tour And Returns Home,Angry At Tom For Not Telling Her That He Could Not Handle It. The State Of The Family's Conditiion Seriously Comes To Light After Kate Discovers A Disturbing Note On Mark's Bed And Mark Has Gone Missing. The Family Begins Searching,But After Calling The Police,Tom Realizes That Mark's Favorite Place Has Always Been The Midland House,And Frantically Makes His Way To The Railway Station. He Soon Finds Mark. On A Train Heading Towards Midland. They Ride The Train Together To Midland And Are Greeted By The Family At The Railway Station The Next Morning. They Apologize To Each Other And Tom Decides To Quit His Football Career To Find A Job Which Would Provide More Time For Him To Spend With His Family. While They Return To The City And Begin To Adjust To Their New Life, Kate's Book Is Published And Stays At Number 1 On The Best Seller's List For 12 Months.

Question: What does Kate aspire to?
Answer: To become a writer
Kill, Baby, Kill

One of the more prominent works of Italy's premier horror stylist Mario Bava, this occult murder mystery interweaves elements of the traditional giallo thriller formula with an unusual Gothic ghost story. In a turn-of-the-century Carpathian village a series of murders are occurring in which the victims are found with silver coins embedded in their hearts. The coins are revealed to be talismans placed on the victims by the town witch (Fabienne Dali), meant to ward off the supernatural powers of the aged Baroness Graps (Giana Vivaldi). The baroness has been performing these duties for the ghost of her murdered daughter, who wants to claim the villagers' souls. In order to free the village from the curse, Dali must find the sequestered baroness and destroy her.

Question: what is  prominent works of Italy?
Answer: One of the more prominent works of Italy's premier horror stylist Mario Bava.
Kill, Baby, Kill

One of the more prominent works of Italy's premier horror stylist Mario Bava, this occult murder mystery interweaves elements of the traditional giallo thriller formula with an unusual Gothic ghost story. In a turn-of-the-century Carpathian village a series of murders are occurring in which the victims are found with silver coins embedded in their hearts. The coins are revealed to be talismans placed on the victims by the town witch (Fabienne Dali), meant to ward off the supernatural powers of the aged Baroness Graps (Giana Vivaldi). The baroness has been performing these duties for the ghost of her murdered daughter, who wants to claim the villagers' souls. In order to free the village from the curse, Dali must find the sequestered baroness and destroy her.

Question: what duties the baroness has been performing?
Answer: The baroness has been performing these duties for the ghost of her murdered daughter.
Kill, Baby, Kill

One of the more prominent works of Italy's premier horror stylist Mario Bava, this occult murder mystery interweaves elements of the traditional giallo thriller formula with an unusual Gothic ghost story. In a turn-of-the-century Carpathian village a series of murders are occurring in which the victims are found with silver coins embedded in their hearts. The coins are revealed to be talismans placed on the victims by the town witch (Fabienne Dali), meant to ward off the supernatural powers of the aged Baroness Graps (Giana Vivaldi). The baroness has been performing these duties for the ghost of her murdered daughter, who wants to claim the villagers' souls. In order to free the village from the curse, Dali must find the sequestered baroness and destroy her.

Question: what is ghost story?
Answer: The traditional giallo thriller formula with an unusual Gothic ghost story.
Emotional Arithmetic

Emotional Arithmetic is a story of redemption, healing, and reconciliation ignited by the re-union of three survivors of Drancy, the WW II internment camp just outside of Paris.In 1945, Jakob Bronski, a young dissident held at Drancy, takes two children, Melanie and Christopher, under his charge. 40 years later Melanie (Susan Sarandon) is grown up and has a family of her own: husband David (Christopher Plummer), son Benjamin (Roy Dupuis), and grandson Timmy (Dakota Goyo). Melanie discovers that a now elderly Jakob (Max von Sydow), whom she believed had been taken from Drancy to Auschwitz and killed, is still alive. She immediately invites him to live with her and her family on their farm in Canada. Jakob arrives with Christopher (Gabriel Byrne) as a surprise for Melanie, and she and Christopher must face the truth of the bond between them. The past explodes into the present (the mid-1980s) in an unexpected and tender love story which is life altering for them and for those around them.

Question: Where does Melanie live 40 years after surviving the internment camp?
Answer: On a farm in Canada
Emotional Arithmetic

Emotional Arithmetic is a story of redemption, healing, and reconciliation ignited by the re-union of three survivors of Drancy, the WW II internment camp just outside of Paris.In 1945, Jakob Bronski, a young dissident held at Drancy, takes two children, Melanie and Christopher, under his charge. 40 years later Melanie (Susan Sarandon) is grown up and has a family of her own: husband David (Christopher Plummer), son Benjamin (Roy Dupuis), and grandson Timmy (Dakota Goyo). Melanie discovers that a now elderly Jakob (Max von Sydow), whom she believed had been taken from Drancy to Auschwitz and killed, is still alive. She immediately invites him to live with her and her family on their farm in Canada. Jakob arrives with Christopher (Gabriel Byrne) as a surprise for Melanie, and she and Christopher must face the truth of the bond between them. The past explodes into the present (the mid-1980s) in an unexpected and tender love story which is life altering for them and for those around them.

Question: Who plays Melanie's husband?
Answer: Christopher Plummer
Emotional Arithmetic

Emotional Arithmetic is a story of redemption, healing, and reconciliation ignited by the re-union of three survivors of Drancy, the WW II internment camp just outside of Paris.In 1945, Jakob Bronski, a young dissident held at Drancy, takes two children, Melanie and Christopher, under his charge. 40 years later Melanie (Susan Sarandon) is grown up and has a family of her own: husband David (Christopher Plummer), son Benjamin (Roy Dupuis), and grandson Timmy (Dakota Goyo). Melanie discovers that a now elderly Jakob (Max von Sydow), whom she believed had been taken from Drancy to Auschwitz and killed, is still alive. She immediately invites him to live with her and her family on their farm in Canada. Jakob arrives with Christopher (Gabriel Byrne) as a surprise for Melanie, and she and Christopher must face the truth of the bond between them. The past explodes into the present (the mid-1980s) in an unexpected and tender love story which is life altering for them and for those around them.

Question: What is the name of the internment camp where Jakob, Melanie and Christopher are incarcerated?
Answer: Drancy
Waking Life

Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.
The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view

Question: How old is Will Hunting in the movie ?
Answer: Twenty years
Waking Life

Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.
The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view

Question: What does the protagonist reach for in the driveway before being taken?
Answer: A car's door handle.
Waking Life

Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.
The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view

Question: Does the main character have a name?
Answer: No.
Waking Life

Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.
The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view

Question: What is living?
Answer: Living is a negation to God's invitation
Waking Life

Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.
The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view

Question: When is the protagonist last seen?
Answer: Entering a driveway
Waking Life

Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.
The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view

Question: What is revealed in the last conversation?
Answer: Reality may be only a single instant that the individual interprets falsely as time.