ibm-research/duorc huggingface dataset:
Performance

Here it is for anyone who has often thought about what this movie is about. The first half hour or so is violence and general London villainy, until Chas arrives at the hippy house of Turner in Notting Hill Gate. Chas settles into his basement accommodation and participates in the magic mushroom fests that Turner provides.The movie begins its real plot at the the clip in the bedroom: 'Turner has been waiting for you for a long time' (immediately before Turner goes down the channel of Jorge Luis Borges into transformation as the Chairman of the Board where he says 'I like that, turn it up' and then sings the famous Performance song 'Memo from Turner'.)'Poor White Hound Dog' is sung here by Merry Clayton. Turner has lost his demon. OK, so far so good. And he's trying to decide whether he wants to get it back again. OK. Chas has Turner's demon and Turner knows this - that's the bottom line in this movie - and the plot is about the psychological morphing of Turner to become Chas - there is a further, secondary transformation of Turner in the bedroom, just before the end of the movie, where Turner says 'I want to come with you' and Chas says 'You don't know where I'm going, Pal' to which Turner replies 'I do'. He then realises the significance of what he has said and hides his face beneath the bedspread, saying 'No I don't' before Chas confirms the transaction with a 'Yeah you do', cocks his automatic and shoots Turner. The camera follows the bullet's path through Turner's head, ending with a brief portrait of Borges before exiting with an exterior shot of Chas/Turner being walked to Harry Flowers's Rolls Royce in a stunning transition.This is the point where Turner BECOMES Chas and that's why Jagger is in the Rolls Royce at the end of the movie - that is to say - the morphing transformation is complete - the demon has been found, identified and appropriated. Borges couldn't have written this story any better than the author of the book (William Hughes) and you may have noticed the book 'A Personal Anthology' by Jorge Luis Borges, twice in this movie, once when Rosie (the gangster) is reading it in the boardroom and the second time when Turner is reading from it ('The South') when he quotes 'They would not have allowed such things to happen to me in the sanitarium' before the book flies across the room onto the floor. Mm, well quite, mate.

Question: Where does the first half hour take place?
Answer: London
Performance

Here it is for anyone who has often thought about what this movie is about. The first half hour or so is violence and general London villainy, until Chas arrives at the hippy house of Turner in Notting Hill Gate. Chas settles into his basement accommodation and participates in the magic mushroom fests that Turner provides.The movie begins its real plot at the the clip in the bedroom: 'Turner has been waiting for you for a long time' (immediately before Turner goes down the channel of Jorge Luis Borges into transformation as the Chairman of the Board where he says 'I like that, turn it up' and then sings the famous Performance song 'Memo from Turner'.)'Poor White Hound Dog' is sung here by Merry Clayton. Turner has lost his demon. OK, so far so good. And he's trying to decide whether he wants to get it back again. OK. Chas has Turner's demon and Turner knows this - that's the bottom line in this movie - and the plot is about the psychological morphing of Turner to become Chas - there is a further, secondary transformation of Turner in the bedroom, just before the end of the movie, where Turner says 'I want to come with you' and Chas says 'You don't know where I'm going, Pal' to which Turner replies 'I do'. He then realises the significance of what he has said and hides his face beneath the bedspread, saying 'No I don't' before Chas confirms the transaction with a 'Yeah you do', cocks his automatic and shoots Turner. The camera follows the bullet's path through Turner's head, ending with a brief portrait of Borges before exiting with an exterior shot of Chas/Turner being walked to Harry Flowers's Rolls Royce in a stunning transition.This is the point where Turner BECOMES Chas and that's why Jagger is in the Rolls Royce at the end of the movie - that is to say - the morphing transformation is complete - the demon has been found, identified and appropriated. Borges couldn't have written this story any better than the author of the book (William Hughes) and you may have noticed the book 'A Personal Anthology' by Jorge Luis Borges, twice in this movie, once when Rosie (the gangster) is reading it in the boardroom and the second time when Turner is reading from it ('The South') when he quotes 'They would not have allowed such things to happen to me in the sanitarium' before the book flies across the room onto the floor. Mm, well quite, mate.

Question: Does the first half hour depict pleasant content?
Answer: no
Performance

Here it is for anyone who has often thought about what this movie is about. The first half hour or so is violence and general London villainy, until Chas arrives at the hippy house of Turner in Notting Hill Gate. Chas settles into his basement accommodation and participates in the magic mushroom fests that Turner provides.The movie begins its real plot at the the clip in the bedroom: 'Turner has been waiting for you for a long time' (immediately before Turner goes down the channel of Jorge Luis Borges into transformation as the Chairman of the Board where he says 'I like that, turn it up' and then sings the famous Performance song 'Memo from Turner'.)'Poor White Hound Dog' is sung here by Merry Clayton. Turner has lost his demon. OK, so far so good. And he's trying to decide whether he wants to get it back again. OK. Chas has Turner's demon and Turner knows this - that's the bottom line in this movie - and the plot is about the psychological morphing of Turner to become Chas - there is a further, secondary transformation of Turner in the bedroom, just before the end of the movie, where Turner says 'I want to come with you' and Chas says 'You don't know where I'm going, Pal' to which Turner replies 'I do'. He then realises the significance of what he has said and hides his face beneath the bedspread, saying 'No I don't' before Chas confirms the transaction with a 'Yeah you do', cocks his automatic and shoots Turner. The camera follows the bullet's path through Turner's head, ending with a brief portrait of Borges before exiting with an exterior shot of Chas/Turner being walked to Harry Flowers's Rolls Royce in a stunning transition.This is the point where Turner BECOMES Chas and that's why Jagger is in the Rolls Royce at the end of the movie - that is to say - the morphing transformation is complete - the demon has been found, identified and appropriated. Borges couldn't have written this story any better than the author of the book (William Hughes) and you may have noticed the book 'A Personal Anthology' by Jorge Luis Borges, twice in this movie, once when Rosie (the gangster) is reading it in the boardroom and the second time when Turner is reading from it ('The South') when he quotes 'They would not have allowed such things to happen to me in the sanitarium' before the book flies across the room onto the floor. Mm, well quite, mate.

Question: Where is the hippy house of Turner?
Answer: Notting Hill Gate
Performance

Here it is for anyone who has often thought about what this movie is about. The first half hour or so is violence and general London villainy, until Chas arrives at the hippy house of Turner in Notting Hill Gate. Chas settles into his basement accommodation and participates in the magic mushroom fests that Turner provides.The movie begins its real plot at the the clip in the bedroom: 'Turner has been waiting for you for a long time' (immediately before Turner goes down the channel of Jorge Luis Borges into transformation as the Chairman of the Board where he says 'I like that, turn it up' and then sings the famous Performance song 'Memo from Turner'.)'Poor White Hound Dog' is sung here by Merry Clayton. Turner has lost his demon. OK, so far so good. And he's trying to decide whether he wants to get it back again. OK. Chas has Turner's demon and Turner knows this - that's the bottom line in this movie - and the plot is about the psychological morphing of Turner to become Chas - there is a further, secondary transformation of Turner in the bedroom, just before the end of the movie, where Turner says 'I want to come with you' and Chas says 'You don't know where I'm going, Pal' to which Turner replies 'I do'. He then realises the significance of what he has said and hides his face beneath the bedspread, saying 'No I don't' before Chas confirms the transaction with a 'Yeah you do', cocks his automatic and shoots Turner. The camera follows the bullet's path through Turner's head, ending with a brief portrait of Borges before exiting with an exterior shot of Chas/Turner being walked to Harry Flowers's Rolls Royce in a stunning transition.This is the point where Turner BECOMES Chas and that's why Jagger is in the Rolls Royce at the end of the movie - that is to say - the morphing transformation is complete - the demon has been found, identified and appropriated. Borges couldn't have written this story any better than the author of the book (William Hughes) and you may have noticed the book 'A Personal Anthology' by Jorge Luis Borges, twice in this movie, once when Rosie (the gangster) is reading it in the boardroom and the second time when Turner is reading from it ('The South') when he quotes 'They would not have allowed such things to happen to me in the sanitarium' before the book flies across the room onto the floor. Mm, well quite, mate.

Question: Who shoots Turner?
Answer: Chas
Haeckel's Tale

Beginning[edit]
The story, set in the late 19th century, begins with a young man named Edward Ralston (Steve Bacic), coming to an old woman, Miz Carnation, who lives in an old cabin deep in the woods of upstate New York. Ralston asks Miz Carnation, a necromancer, to revive his recently deceased wife; she refuses, but then decides to tell him the story of Ernst Haeckel, and says that, if he still wishes to revive his wife afterwards, she will do as he asks.
Main story[edit]
The story mainly concerns Ernst Haeckel (Derek Cecil), who is trying to follow in the footsteps of Victor Frankenstein, but is unsuccessful with his attempts to create life. He learns of Montesquino, a necromancer, but believes that the man is a charlatan. Learning of his father's ill condition, he travels and encounters Walter Wolfram (Tom McBeath) and his wife Elise (Leela Savasta). Haeckel is oddly drawn to Elise and vice versa. Wolfram seems undisturbed by the attraction but when unearthly shrieks echo outside, Elise is drawn to them. Haeckel also notices that Elise is caring for a baby.
Elise finally goes outside and the despondent Wolfram notes that he can't satisfy his wife, although he has sold everything he has to take care of her. Haeckel goes after Elise and follows the shrieks to a nearby necropolis. There he discovers that Elise is having sexual consort with her dead husband and the other resurrected corpses. Wolfram has paid Montesquino to raise the dead so that they can satisfy Elise. When Wolfram tries to take her home, the corpses kill him. Haeckel confronts Montesquino and demands that he make it stop. The necromancer says that he cannot, and an angry Haeckel shoots him as he tries to escape. The dying Montesquino shoves Haeckel into a tombstone, knocking him out.
The next morning, Haeckel wakes up and returns to the cabin, where he finds Elise nursing the baby: a corpse-child, the son of her "true" husband. The baby rips out Haeckel's throat. The next scene takes place again at the necropolis, except it is the dead Haeckel with whom Elise now has sex.
Conclusion[edit]
Miz Carnation concludes her tale and a disgusted Ralston looks on in horror as he realizes that she is the older Elise, as the corpses of her first husband, Wolfram, and Haeckel stagger in and she brings out the zombie baby. Ralston decides against raising his dead wife and flees from the cabin into the night while Miz Carnation and the rest of her undead clan look on.

Question: What is Elise caring for?
Answer: Baby
Haeckel's Tale

Beginning[edit]
The story, set in the late 19th century, begins with a young man named Edward Ralston (Steve Bacic), coming to an old woman, Miz Carnation, who lives in an old cabin deep in the woods of upstate New York. Ralston asks Miz Carnation, a necromancer, to revive his recently deceased wife; she refuses, but then decides to tell him the story of Ernst Haeckel, and says that, if he still wishes to revive his wife afterwards, she will do as he asks.
Main story[edit]
The story mainly concerns Ernst Haeckel (Derek Cecil), who is trying to follow in the footsteps of Victor Frankenstein, but is unsuccessful with his attempts to create life. He learns of Montesquino, a necromancer, but believes that the man is a charlatan. Learning of his father's ill condition, he travels and encounters Walter Wolfram (Tom McBeath) and his wife Elise (Leela Savasta). Haeckel is oddly drawn to Elise and vice versa. Wolfram seems undisturbed by the attraction but when unearthly shrieks echo outside, Elise is drawn to them. Haeckel also notices that Elise is caring for a baby.
Elise finally goes outside and the despondent Wolfram notes that he can't satisfy his wife, although he has sold everything he has to take care of her. Haeckel goes after Elise and follows the shrieks to a nearby necropolis. There he discovers that Elise is having sexual consort with her dead husband and the other resurrected corpses. Wolfram has paid Montesquino to raise the dead so that they can satisfy Elise. When Wolfram tries to take her home, the corpses kill him. Haeckel confronts Montesquino and demands that he make it stop. The necromancer says that he cannot, and an angry Haeckel shoots him as he tries to escape. The dying Montesquino shoves Haeckel into a tombstone, knocking him out.
The next morning, Haeckel wakes up and returns to the cabin, where he finds Elise nursing the baby: a corpse-child, the son of her "true" husband. The baby rips out Haeckel's throat. The next scene takes place again at the necropolis, except it is the dead Haeckel with whom Elise now has sex.
Conclusion[edit]
Miz Carnation concludes her tale and a disgusted Ralston looks on in horror as he realizes that she is the older Elise, as the corpses of her first husband, Wolfram, and Haeckel stagger in and she brings out the zombie baby. Ralston decides against raising his dead wife and flees from the cabin into the night while Miz Carnation and the rest of her undead clan look on.

Question: Who looks on in horror ?
Answer: Ralston.
Haeckel's Tale

Beginning[edit]
The story, set in the late 19th century, begins with a young man named Edward Ralston (Steve Bacic), coming to an old woman, Miz Carnation, who lives in an old cabin deep in the woods of upstate New York. Ralston asks Miz Carnation, a necromancer, to revive his recently deceased wife; she refuses, but then decides to tell him the story of Ernst Haeckel, and says that, if he still wishes to revive his wife afterwards, she will do as he asks.
Main story[edit]
The story mainly concerns Ernst Haeckel (Derek Cecil), who is trying to follow in the footsteps of Victor Frankenstein, but is unsuccessful with his attempts to create life. He learns of Montesquino, a necromancer, but believes that the man is a charlatan. Learning of his father's ill condition, he travels and encounters Walter Wolfram (Tom McBeath) and his wife Elise (Leela Savasta). Haeckel is oddly drawn to Elise and vice versa. Wolfram seems undisturbed by the attraction but when unearthly shrieks echo outside, Elise is drawn to them. Haeckel also notices that Elise is caring for a baby.
Elise finally goes outside and the despondent Wolfram notes that he can't satisfy his wife, although he has sold everything he has to take care of her. Haeckel goes after Elise and follows the shrieks to a nearby necropolis. There he discovers that Elise is having sexual consort with her dead husband and the other resurrected corpses. Wolfram has paid Montesquino to raise the dead so that they can satisfy Elise. When Wolfram tries to take her home, the corpses kill him. Haeckel confronts Montesquino and demands that he make it stop. The necromancer says that he cannot, and an angry Haeckel shoots him as he tries to escape. The dying Montesquino shoves Haeckel into a tombstone, knocking him out.
The next morning, Haeckel wakes up and returns to the cabin, where he finds Elise nursing the baby: a corpse-child, the son of her "true" husband. The baby rips out Haeckel's throat. The next scene takes place again at the necropolis, except it is the dead Haeckel with whom Elise now has sex.
Conclusion[edit]
Miz Carnation concludes her tale and a disgusted Ralston looks on in horror as he realizes that she is the older Elise, as the corpses of her first husband, Wolfram, and Haeckel stagger in and she brings out the zombie baby. Ralston decides against raising his dead wife and flees from the cabin into the night while Miz Carnation and the rest of her undead clan look on.

Question: What is Haeckel unsuccessful in creating?
Answer: Life
Haeckel's Tale

Beginning[edit]
The story, set in the late 19th century, begins with a young man named Edward Ralston (Steve Bacic), coming to an old woman, Miz Carnation, who lives in an old cabin deep in the woods of upstate New York. Ralston asks Miz Carnation, a necromancer, to revive his recently deceased wife; she refuses, but then decides to tell him the story of Ernst Haeckel, and says that, if he still wishes to revive his wife afterwards, she will do as he asks.
Main story[edit]
The story mainly concerns Ernst Haeckel (Derek Cecil), who is trying to follow in the footsteps of Victor Frankenstein, but is unsuccessful with his attempts to create life. He learns of Montesquino, a necromancer, but believes that the man is a charlatan. Learning of his father's ill condition, he travels and encounters Walter Wolfram (Tom McBeath) and his wife Elise (Leela Savasta). Haeckel is oddly drawn to Elise and vice versa. Wolfram seems undisturbed by the attraction but when unearthly shrieks echo outside, Elise is drawn to them. Haeckel also notices that Elise is caring for a baby.
Elise finally goes outside and the despondent Wolfram notes that he can't satisfy his wife, although he has sold everything he has to take care of her. Haeckel goes after Elise and follows the shrieks to a nearby necropolis. There he discovers that Elise is having sexual consort with her dead husband and the other resurrected corpses. Wolfram has paid Montesquino to raise the dead so that they can satisfy Elise. When Wolfram tries to take her home, the corpses kill him. Haeckel confronts Montesquino and demands that he make it stop. The necromancer says that he cannot, and an angry Haeckel shoots him as he tries to escape. The dying Montesquino shoves Haeckel into a tombstone, knocking him out.
The next morning, Haeckel wakes up and returns to the cabin, where he finds Elise nursing the baby: a corpse-child, the son of her "true" husband. The baby rips out Haeckel's throat. The next scene takes place again at the necropolis, except it is the dead Haeckel with whom Elise now has sex.
Conclusion[edit]
Miz Carnation concludes her tale and a disgusted Ralston looks on in horror as he realizes that she is the older Elise, as the corpses of her first husband, Wolfram, and Haeckel stagger in and she brings out the zombie baby. Ralston decides against raising his dead wife and flees from the cabin into the night while Miz Carnation and the rest of her undead clan look on.

Question: Who can't satisfy his wife?
Answer: Wolfram
Haeckel's Tale

Beginning[edit]
The story, set in the late 19th century, begins with a young man named Edward Ralston (Steve Bacic), coming to an old woman, Miz Carnation, who lives in an old cabin deep in the woods of upstate New York. Ralston asks Miz Carnation, a necromancer, to revive his recently deceased wife; she refuses, but then decides to tell him the story of Ernst Haeckel, and says that, if he still wishes to revive his wife afterwards, she will do as he asks.
Main story[edit]
The story mainly concerns Ernst Haeckel (Derek Cecil), who is trying to follow in the footsteps of Victor Frankenstein, but is unsuccessful with his attempts to create life. He learns of Montesquino, a necromancer, but believes that the man is a charlatan. Learning of his father's ill condition, he travels and encounters Walter Wolfram (Tom McBeath) and his wife Elise (Leela Savasta). Haeckel is oddly drawn to Elise and vice versa. Wolfram seems undisturbed by the attraction but when unearthly shrieks echo outside, Elise is drawn to them. Haeckel also notices that Elise is caring for a baby.
Elise finally goes outside and the despondent Wolfram notes that he can't satisfy his wife, although he has sold everything he has to take care of her. Haeckel goes after Elise and follows the shrieks to a nearby necropolis. There he discovers that Elise is having sexual consort with her dead husband and the other resurrected corpses. Wolfram has paid Montesquino to raise the dead so that they can satisfy Elise. When Wolfram tries to take her home, the corpses kill him. Haeckel confronts Montesquino and demands that he make it stop. The necromancer says that he cannot, and an angry Haeckel shoots him as he tries to escape. The dying Montesquino shoves Haeckel into a tombstone, knocking him out.
The next morning, Haeckel wakes up and returns to the cabin, where he finds Elise nursing the baby: a corpse-child, the son of her "true" husband. The baby rips out Haeckel's throat. The next scene takes place again at the necropolis, except it is the dead Haeckel with whom Elise now has sex.
Conclusion[edit]
Miz Carnation concludes her tale and a disgusted Ralston looks on in horror as he realizes that she is the older Elise, as the corpses of her first husband, Wolfram, and Haeckel stagger in and she brings out the zombie baby. Ralston decides against raising his dead wife and flees from the cabin into the night while Miz Carnation and the rest of her undead clan look on.

Question: Who does Wolfram pay to raise the dead?
Answer: Montesquino