ibm-research/duorc huggingface dataset:
I'll Never Heil Again

At the estate of King Herman the 6â (Don Brodie) (a parody of Kaiser Wilhelm II), the deposed king of Moronica, war profiteers Ixnay (Vernon Dent), Amscray (Lynton Brent) and Umpchay (previously Onay) (Bud Jamison) have decided that they have had enough of Moe Hailstone, the fascist dictator they put in power, and want to help Herman retake the throne. To this end, his daughter, the princess Gilda (Mary Ainslee), threatens to try and assassinate Hailstone using an explosive Number 13 pool ball strategically positioned in Hailstone's billiard table. The fictitious country of Moronica seems to be familiar with a pool game in which the 13 ball is placed at the head of the rack during set up.[1]
Dictator Moe Hailstone of Moronica enjoys a shave, and fights Field Marshal Herring (Curly) and Minister of Propaganda (Larry) for a turkey (a parody of Hitler possibly wanting control in Turkey. Larry parodies the attempts to control Greece by saying, "I'll wipe out grease"). The winner of that battle is a portrait of Napoleon who grabs the bird from the bewildered Stooges, before running out of his frame. At a loss, Hailstone starts crying.
Gilda enters, and shows the Stooges a glimpse through a telescope of all three of them on a spit roasting in Hell and starts to place in Hailstone's mind the idea that his allies, the "Axel" partners, are plotting against him. After doing this, she replaces the 13 ball on Hailstone's pool table with the explosive 13 ball and flees as Hailstone begins a pool game with his partners. Throughout the rest of the game, the cue ball inexplicably defies the laws of physics, thereby avoiding the explosive ball by swerving around it and finally jumping over it, colliding with Herring's head.
Later, the Axel partners arrive for a meeting. The partners consist of Chiselini (Cy Schindell; a parody of Italian dictator Benito Mussolini), the Bey of Rum (Jack "Tiny" Lipson); an unnamed Japanese delegate (Nick Arno; a parody of Japanese emperor Hirohito (è£ä»?)); and an unnamed Russian delegate (Charles Dorety). As the meeting breaks into chaos following Hailstone's declaration that the world belongs to him, the Stooges go into action on the other delegates and each other. Finally, with all the other Axels delegates defeated, Hailstone orders Herring to surrender the globe they had fought over. Herring, however, refuses to comply and furiously smashes the globe over Hailstone's head, sending him into a temper tantrum. Herring, finally having enough of Hailstone's patronizing antics, yells at Hailstone as he grabs the explosive Number 13 ball and throws it against the floor in frustration, blowing up the meeting room upon impact. Herman regains his throne and the trio's taxidermied heads are used as three mounted hunting trophies.

Question: Is the Russian delegate named?
Answer: no
I'll Never Heil Again

At the estate of King Herman the 6â (Don Brodie) (a parody of Kaiser Wilhelm II), the deposed king of Moronica, war profiteers Ixnay (Vernon Dent), Amscray (Lynton Brent) and Umpchay (previously Onay) (Bud Jamison) have decided that they have had enough of Moe Hailstone, the fascist dictator they put in power, and want to help Herman retake the throne. To this end, his daughter, the princess Gilda (Mary Ainslee), threatens to try and assassinate Hailstone using an explosive Number 13 pool ball strategically positioned in Hailstone's billiard table. The fictitious country of Moronica seems to be familiar with a pool game in which the 13 ball is placed at the head of the rack during set up.[1]
Dictator Moe Hailstone of Moronica enjoys a shave, and fights Field Marshal Herring (Curly) and Minister of Propaganda (Larry) for a turkey (a parody of Hitler possibly wanting control in Turkey. Larry parodies the attempts to control Greece by saying, "I'll wipe out grease"). The winner of that battle is a portrait of Napoleon who grabs the bird from the bewildered Stooges, before running out of his frame. At a loss, Hailstone starts crying.
Gilda enters, and shows the Stooges a glimpse through a telescope of all three of them on a spit roasting in Hell and starts to place in Hailstone's mind the idea that his allies, the "Axel" partners, are plotting against him. After doing this, she replaces the 13 ball on Hailstone's pool table with the explosive 13 ball and flees as Hailstone begins a pool game with his partners. Throughout the rest of the game, the cue ball inexplicably defies the laws of physics, thereby avoiding the explosive ball by swerving around it and finally jumping over it, colliding with Herring's head.
Later, the Axel partners arrive for a meeting. The partners consist of Chiselini (Cy Schindell; a parody of Italian dictator Benito Mussolini), the Bey of Rum (Jack "Tiny" Lipson); an unnamed Japanese delegate (Nick Arno; a parody of Japanese emperor Hirohito (è£ä»?)); and an unnamed Russian delegate (Charles Dorety). As the meeting breaks into chaos following Hailstone's declaration that the world belongs to him, the Stooges go into action on the other delegates and each other. Finally, with all the other Axels delegates defeated, Hailstone orders Herring to surrender the globe they had fought over. Herring, however, refuses to comply and furiously smashes the globe over Hailstone's head, sending him into a temper tantrum. Herring, finally having enough of Hailstone's patronizing antics, yells at Hailstone as he grabs the explosive Number 13 ball and throws it against the floor in frustration, blowing up the meeting room upon impact. Herman regains his throne and the trio's taxidermied heads are used as three mounted hunting trophies.

Question: Who declares that the world belongs to him?
Answer: Hailstone
I'll Never Heil Again

At the estate of King Herman the 6â (Don Brodie) (a parody of Kaiser Wilhelm II), the deposed king of Moronica, war profiteers Ixnay (Vernon Dent), Amscray (Lynton Brent) and Umpchay (previously Onay) (Bud Jamison) have decided that they have had enough of Moe Hailstone, the fascist dictator they put in power, and want to help Herman retake the throne. To this end, his daughter, the princess Gilda (Mary Ainslee), threatens to try and assassinate Hailstone using an explosive Number 13 pool ball strategically positioned in Hailstone's billiard table. The fictitious country of Moronica seems to be familiar with a pool game in which the 13 ball is placed at the head of the rack during set up.[1]
Dictator Moe Hailstone of Moronica enjoys a shave, and fights Field Marshal Herring (Curly) and Minister of Propaganda (Larry) for a turkey (a parody of Hitler possibly wanting control in Turkey. Larry parodies the attempts to control Greece by saying, "I'll wipe out grease"). The winner of that battle is a portrait of Napoleon who grabs the bird from the bewildered Stooges, before running out of his frame. At a loss, Hailstone starts crying.
Gilda enters, and shows the Stooges a glimpse through a telescope of all three of them on a spit roasting in Hell and starts to place in Hailstone's mind the idea that his allies, the "Axel" partners, are plotting against him. After doing this, she replaces the 13 ball on Hailstone's pool table with the explosive 13 ball and flees as Hailstone begins a pool game with his partners. Throughout the rest of the game, the cue ball inexplicably defies the laws of physics, thereby avoiding the explosive ball by swerving around it and finally jumping over it, colliding with Herring's head.
Later, the Axel partners arrive for a meeting. The partners consist of Chiselini (Cy Schindell; a parody of Italian dictator Benito Mussolini), the Bey of Rum (Jack "Tiny" Lipson); an unnamed Japanese delegate (Nick Arno; a parody of Japanese emperor Hirohito (è£ä»?)); and an unnamed Russian delegate (Charles Dorety). As the meeting breaks into chaos following Hailstone's declaration that the world belongs to him, the Stooges go into action on the other delegates and each other. Finally, with all the other Axels delegates defeated, Hailstone orders Herring to surrender the globe they had fought over. Herring, however, refuses to comply and furiously smashes the globe over Hailstone's head, sending him into a temper tantrum. Herring, finally having enough of Hailstone's patronizing antics, yells at Hailstone as he grabs the explosive Number 13 ball and throws it against the floor in frustration, blowing up the meeting room upon impact. Herman regains his throne and the trio's taxidermied heads are used as three mounted hunting trophies.

Question: Who plays King Herman?
Answer: Don Brodie
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Sitting in a room that looks like a bunker, Ruppert briefly recounts his life including his parents' ties to U.S. intelligence agencies and Ruppertâs own career as an LAPD beat cop and detective. Ruppert then summarizes current energy and economic issues, focusing mainly around the core concepts of peak oil and sustainable development. He also criticizes fiat money, fractional reserve banking, compound interest, and leveraging, and discusses CIA drug trafficking.
The bulk of the film presents Ruppert making an array of predictions including social unrest, violence, population dislocation and governmental collapses in the United States and throughout the world. He draws on news reports and data available via the Internet, but he applies a unique interpretation which he calls âconnecting the dotsâ.
Smith periodically stops Ruppert to question his assumptions and provide a note of skepticism.

Question: Who was Ruppert?
Answer: LAPD beat cop and detective
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Sitting in a room that looks like a bunker, Ruppert briefly recounts his life including his parents' ties to U.S. intelligence agencies and Ruppertâs own career as an LAPD beat cop and detective. Ruppert then summarizes current energy and economic issues, focusing mainly around the core concepts of peak oil and sustainable development. He also criticizes fiat money, fractional reserve banking, compound interest, and leveraging, and discusses CIA drug trafficking.
The bulk of the film presents Ruppert making an array of predictions including social unrest, violence, population dislocation and governmental collapses in the United States and throughout the world. He draws on news reports and data available via the Internet, but he applies a unique interpretation which he calls âconnecting the dotsâ.
Smith periodically stops Ruppert to question his assumptions and provide a note of skepticism.

Question: What does Ruppert call his unique interpretation of the facts?
Answer: connecting the dots
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Sitting in a room that looks like a bunker, Ruppert briefly recounts his life including his parents' ties to U.S. intelligence agencies and Ruppertâs own career as an LAPD beat cop and detective. Ruppert then summarizes current energy and economic issues, focusing mainly around the core concepts of peak oil and sustainable development. He also criticizes fiat money, fractional reserve banking, compound interest, and leveraging, and discusses CIA drug trafficking.
The bulk of the film presents Ruppert making an array of predictions including social unrest, violence, population dislocation and governmental collapses in the United States and throughout the world. He draws on news reports and data available via the Internet, but he applies a unique interpretation which he calls âconnecting the dotsâ.
Smith periodically stops Ruppert to question his assumptions and provide a note of skepticism.

Question: Who is the main character?
Answer: Ruppert
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Sitting in a room that looks like a bunker, Ruppert briefly recounts his life including his parents' ties to U.S. intelligence agencies and Ruppertâs own career as an LAPD beat cop and detective. Ruppert then summarizes current energy and economic issues, focusing mainly around the core concepts of peak oil and sustainable development. He also criticizes fiat money, fractional reserve banking, compound interest, and leveraging, and discusses CIA drug trafficking.
The bulk of the film presents Ruppert making an array of predictions including social unrest, violence, population dislocation and governmental collapses in the United States and throughout the world. He draws on news reports and data available via the Internet, but he applies a unique interpretation which he calls âconnecting the dotsâ.
Smith periodically stops Ruppert to question his assumptions and provide a note of skepticism.

Question: Who periodically stops Ruppert?
Answer: Smith.
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Sitting in a room that looks like a bunker, Ruppert briefly recounts his life including his parents' ties to U.S. intelligence agencies and Ruppertâs own career as an LAPD beat cop and detective. Ruppert then summarizes current energy and economic issues, focusing mainly around the core concepts of peak oil and sustainable development. He also criticizes fiat money, fractional reserve banking, compound interest, and leveraging, and discusses CIA drug trafficking.
The bulk of the film presents Ruppert making an array of predictions including social unrest, violence, population dislocation and governmental collapses in the United States and throughout the world. He draws on news reports and data available via the Internet, but he applies a unique interpretation which he calls âconnecting the dotsâ.
Smith periodically stops Ruppert to question his assumptions and provide a note of skepticism.

Question: who does he think is  dealing  drugs ?
Answer: He  assumes the  cia .
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Sitting in a room that looks like a bunker, Ruppert briefly recounts his life including his parents' ties to U.S. intelligence agencies and Ruppertâs own career as an LAPD beat cop and detective. Ruppert then summarizes current energy and economic issues, focusing mainly around the core concepts of peak oil and sustainable development. He also criticizes fiat money, fractional reserve banking, compound interest, and leveraging, and discusses CIA drug trafficking.
The bulk of the film presents Ruppert making an array of predictions including social unrest, violence, population dislocation and governmental collapses in the United States and throughout the world. He draws on news reports and data available via the Internet, but he applies a unique interpretation which he calls âconnecting the dotsâ.
Smith periodically stops Ruppert to question his assumptions and provide a note of skepticism.

Question: Who questions Ruppert's assumptions
Answer: Smith.
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Sitting in a room that looks like a bunker, Ruppert briefly recounts his life including his parents' ties to U.S. intelligence agencies and Ruppertâs own career as an LAPD beat cop and detective. Ruppert then summarizes current energy and economic issues, focusing mainly around the core concepts of peak oil and sustainable development. He also criticizes fiat money, fractional reserve banking, compound interest, and leveraging, and discusses CIA drug trafficking.
The bulk of the film presents Ruppert making an array of predictions including social unrest, violence, population dislocation and governmental collapses in the United States and throughout the world. He draws on news reports and data available via the Internet, but he applies a unique interpretation which he calls âconnecting the dotsâ.
Smith periodically stops Ruppert to question his assumptions and provide a note of skepticism.

Question: What did Rupert discuss?
Answer: drug trafficking
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Sitting in a room that looks like a bunker, Ruppert briefly recounts his life including his parents' ties to U.S. intelligence agencies and Ruppertâs own career as an LAPD beat cop and detective. Ruppert then summarizes current energy and economic issues, focusing mainly around the core concepts of peak oil and sustainable development. He also criticizes fiat money, fractional reserve banking, compound interest, and leveraging, and discusses CIA drug trafficking.
The bulk of the film presents Ruppert making an array of predictions including social unrest, violence, population dislocation and governmental collapses in the United States and throughout the world. He draws on news reports and data available via the Internet, but he applies a unique interpretation which he calls âconnecting the dotsâ.
Smith periodically stops Ruppert to question his assumptions and provide a note of skepticism.

Question: What did Ruppert do for  a living  ?
Answer: He  was a  detective
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Sitting in a room that looks like a bunker, Ruppert briefly recounts his life including his parents' ties to U.S. intelligence agencies and Ruppertâs own career as an LAPD beat cop and detective. Ruppert then summarizes current energy and economic issues, focusing mainly around the core concepts of peak oil and sustainable development. He also criticizes fiat money, fractional reserve banking, compound interest, and leveraging, and discusses CIA drug trafficking.
The bulk of the film presents Ruppert making an array of predictions including social unrest, violence, population dislocation and governmental collapses in the United States and throughout the world. He draws on news reports and data available via the Internet, but he applies a unique interpretation which he calls âconnecting the dotsâ.
Smith periodically stops Ruppert to question his assumptions and provide a note of skepticism.

Question: Who does Smith stop peridoically?
Answer: Ruppert
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Sitting in a room that looks like a bunker, Ruppert briefly recounts his life including his parents' ties to U.S. intelligence agencies and Ruppertâs own career as an LAPD beat cop and detective. Ruppert then summarizes current energy and economic issues, focusing mainly around the core concepts of peak oil and sustainable development. He also criticizes fiat money, fractional reserve banking, compound interest, and leveraging, and discusses CIA drug trafficking.
The bulk of the film presents Ruppert making an array of predictions including social unrest, violence, population dislocation and governmental collapses in the United States and throughout the world. He draws on news reports and data available via the Internet, but he applies a unique interpretation which he calls âconnecting the dotsâ.
Smith periodically stops Ruppert to question his assumptions and provide a note of skepticism.

Question: Where does Ruppert get his news reports and data?
Answer: the internet
Collapse

Sitting in a room that looks like a bunker, Ruppert briefly recounts his life including his parents' ties to U.S. intelligence agencies and Ruppertâs own career as an LAPD beat cop and detective. Ruppert then summarizes current energy and economic issues, focusing mainly around the core concepts of peak oil and sustainable development. He also criticizes fiat money, fractional reserve banking, compound interest, and leveraging, and discusses CIA drug trafficking.
The bulk of the film presents Ruppert making an array of predictions including social unrest, violence, population dislocation and governmental collapses in the United States and throughout the world. He draws on news reports and data available via the Internet, but he applies a unique interpretation which he calls âconnecting the dotsâ.
Smith periodically stops Ruppert to question his assumptions and provide a note of skepticism.

Question: What does Ruppert call his unique interpretation?
Answer: “connecting the dots”
The Milky Way

Two vagabonds Jean (Laurent Terzieff) and Pierre (Paul Frankeur) are hitching a ride from Paris to Spain as a pilgrimage to Santiago de Compostels to pray over the remains of Saint James. As the two travel by whatever methods they can get and depending on the locals for food, they seem to shift their existence in time, flashing back to biblical times, medieval times, and renaissance times to scenes confronting and examining theological texts and arguments surrounding heresy. Along the way Jean and Pierre meet up with Jesus (Bernard Verley) showing off his abilities, and the Marquis de Sade (Michel Piccoli) begins a new relationship with a young girl in chains, and also Satan (Pierre Clementi) who appears during a car crash to establish some interesting points about religion. In the end our two beggars realize some interesting new ideas about the world they inhabit.

Question: What supernatural character appears during the car crash?
Answer: Satan
The Milky Way

Two vagabonds Jean (Laurent Terzieff) and Pierre (Paul Frankeur) are hitching a ride from Paris to Spain as a pilgrimage to Santiago de Compostels to pray over the remains of Saint James. As the two travel by whatever methods they can get and depending on the locals for food, they seem to shift their existence in time, flashing back to biblical times, medieval times, and renaissance times to scenes confronting and examining theological texts and arguments surrounding heresy. Along the way Jean and Pierre meet up with Jesus (Bernard Verley) showing off his abilities, and the Marquis de Sade (Michel Piccoli) begins a new relationship with a young girl in chains, and also Satan (Pierre Clementi) who appears during a car crash to establish some interesting points about religion. In the end our two beggars realize some interesting new ideas about the world they inhabit.

Question: Jean and Paul want to pray over what Saint's remains?
Answer: James
The Milky Way

Two vagabonds Jean (Laurent Terzieff) and Pierre (Paul Frankeur) are hitching a ride from Paris to Spain as a pilgrimage to Santiago de Compostels to pray over the remains of Saint James. As the two travel by whatever methods they can get and depending on the locals for food, they seem to shift their existence in time, flashing back to biblical times, medieval times, and renaissance times to scenes confronting and examining theological texts and arguments surrounding heresy. Along the way Jean and Pierre meet up with Jesus (Bernard Verley) showing off his abilities, and the Marquis de Sade (Michel Piccoli) begins a new relationship with a young girl in chains, and also Satan (Pierre Clementi) who appears during a car crash to establish some interesting points about religion. In the end our two beggars realize some interesting new ideas about the world they inhabit.

Question: Jean and Paul are on a pilgrimage to what Spanish city?
Answer: Santiago de Compostels
The World is Big and Salvation Lurks Around the Corner

In a small Bulgarian provincial town during the 1980s, factory worker Vasil 'Vasko' Georgiev (Hristo Mutafchiev) has problems with the local Communist Party agent (Nikolai Urumov) who wants Vasko to monitor and report on the activities of his father-in-law, Bai Dan (Miki ManojloviÄ). Bai Dan is the local "King of Backgammon" and is accused by the local authorities of conducting an illegal workshop in which he repairs bicycles and manufactures backgammon sets. Facing a moral dilemma, Vasko decides to emigrate beyond the Iron Curtain to Western Europe with his wife Yana (Ana Papadopulu) and his son Aleksander 'Sashko' (played as a child by Blagovest Mutafchiev). The family succeeds in crossing the border to Italy but face the prospect of lengthy detention in a bleak refugee camp until Vasko is able to pay for them to be smuggled into Germany.
The opening sequences jump abruptly from the birth of Sashko to the 2007 autobahn car accident in which his parents are killed on their way back to Bulgaria for the first time since their emigration. Sashko (played as an adult by Carlo Ljubek) is taken to a hospital with amnesia. His grandfather Bai Dan decides to go to Germany and try to help Sashko restore his past. He starts teaching him to play backgammon. After refusing to play, Sashko is forced by his grandfather to leave the hospital and to start a journey with him on a tandem bicycleâa journey back to Bulgaria, to Sashko's past, and to romance and prospects of a happier future.

Question: Who does the the Communist Party Agent want Vasko to monitor?
Answer: Bai Dan