ibm-research/duorc huggingface dataset:
Nosotros los pobres

Third world hero, 'Pepe el Toro' ('Pepe the Bull') is an honest man trying to get by every day working in his little carpentry shop. Taking care of her paralytic mother and her teen daughter, whom he keeps from knowing the truth about her missing mother, he struggles in a ultra-poor neighborhood where he can't keep up with miseries and personal losses. He ends up, unjustly, in jail from which he escapes to go to see his dying mother. He is recaptured and brought back into the penitentiary where he finds and manages to get a dramatic confession from the perpetrator of the murder he was accused with. Once free he goes back to his daughter and to his faithful girlfriend, whom he marries and has a baby with and retakes on his noble occupation and his poor but happy life.

Question: Who does Pepe go see when he escapes from jail?
Answer: His dying mother
Nosotros los pobres

Third world hero, 'Pepe el Toro' ('Pepe the Bull') is an honest man trying to get by every day working in his little carpentry shop. Taking care of her paralytic mother and her teen daughter, whom he keeps from knowing the truth about her missing mother, he struggles in a ultra-poor neighborhood where he can't keep up with miseries and personal losses. He ends up, unjustly, in jail from which he escapes to go to see his dying mother. He is recaptured and brought back into the penitentiary where he finds and manages to get a dramatic confession from the perpetrator of the murder he was accused with. Once free he goes back to his daughter and to his faithful girlfriend, whom he marries and has a baby with and retakes on his noble occupation and his poor but happy life.

Question: What crime is Pepe accused of?
Answer: Murder
Stay Tuned

The film's primary protagonists are Roy Knable (John Ritter), a couch potato, struggling Seattle plumbing salesman, and former fencing athlete, and his neglected wife Helen (Pam Dawber), a vitamin product senior manager. After a fight (which involved Helen smashing the family television screen with one of Roy's fencing trophies as a wake-up call to reality), Mr. Spike (Jeffrey Jones) appears at the couples' door, offering him a new high-tech satellite dish system filled with 666 channels of programs one cannot view on the four big networks (CBS, NBC, ABC, and Fox). What Roy does not know is that Spike (later referred to as "Mephistopheles of the Cathode Ray") is an emissary from hell who wants to boost the influx of souls by arranging for TV junkies to be killed in the most gruesome and ironic situations imaginable. The 'candidates' are sucked into a hellish television world, called Hell Vision, and put through a gauntlet where they must survive a number of satirical versions of sitcoms and movies. If they can survive for 24 hours, they are free to go, but if they get killed, then their souls will become the property of Satan (the latter usually happens).
The dish eventually sucks Roy and Helen into this warped world. They are pursued by Spike, who enters some shows, along with the Knables, to halt their advance. Roy and Spike continue to fight throughout several shows, even in a cloak-and-dagger scenario where Roy displays his long-buried talent as a fencer. Through tenacity and sheer luck, the Knables keep surviving, and their young son Darryl (David Tom) recognizes his parents fighting for their lives on the TV set. His older sister Diane (Heather McComb) and he are able to provide important assistance from the real world. This infuriates Spike to the point that he makes good on Roy's contract, releasing him, but not Helen, as she was not in the system under contract.
Roy re-enters the system to save Helen, bringing his own remote control with him, allowing them to control their journey. After being pursued by Spike through several more channels, Roy finally confronts his enemy in a Salt-N-Pepa music video, manages to get a hold of Spike's remote, and uses it to save Helen from being run over by a train in a Western movie. By pressing the "off" button on the remote, they are evicted from the TV set moments before it sucks their neighbor's abusive Rottweiler into the TV and it destroys itself. In the end, Spike gets eliminated by the Rottweiler on the command of Crowley (Eugene Levy), a vengeful employee he banished to the system earlier, and is then succeeded in his executive position by Pierce (Erik King), a younger upstart employee. Roy, who has learned a valuable lesson after his adventure, has dramatically cut back on his TV viewing, quit his job as a plumbing salesman, and opened his own fencing school and advised one of his students that watching too much TV can get you into trouble.

Question: Who gets sucked into the TV
Answer: An abusive Rottweiler gets sucked into the TV.
Stay Tuned

The film's primary protagonists are Roy Knable (John Ritter), a couch potato, struggling Seattle plumbing salesman, and former fencing athlete, and his neglected wife Helen (Pam Dawber), a vitamin product senior manager. After a fight (which involved Helen smashing the family television screen with one of Roy's fencing trophies as a wake-up call to reality), Mr. Spike (Jeffrey Jones) appears at the couples' door, offering him a new high-tech satellite dish system filled with 666 channels of programs one cannot view on the four big networks (CBS, NBC, ABC, and Fox). What Roy does not know is that Spike (later referred to as "Mephistopheles of the Cathode Ray") is an emissary from hell who wants to boost the influx of souls by arranging for TV junkies to be killed in the most gruesome and ironic situations imaginable. The 'candidates' are sucked into a hellish television world, called Hell Vision, and put through a gauntlet where they must survive a number of satirical versions of sitcoms and movies. If they can survive for 24 hours, they are free to go, but if they get killed, then their souls will become the property of Satan (the latter usually happens).
The dish eventually sucks Roy and Helen into this warped world. They are pursued by Spike, who enters some shows, along with the Knables, to halt their advance. Roy and Spike continue to fight throughout several shows, even in a cloak-and-dagger scenario where Roy displays his long-buried talent as a fencer. Through tenacity and sheer luck, the Knables keep surviving, and their young son Darryl (David Tom) recognizes his parents fighting for their lives on the TV set. His older sister Diane (Heather McComb) and he are able to provide important assistance from the real world. This infuriates Spike to the point that he makes good on Roy's contract, releasing him, but not Helen, as she was not in the system under contract.
Roy re-enters the system to save Helen, bringing his own remote control with him, allowing them to control their journey. After being pursued by Spike through several more channels, Roy finally confronts his enemy in a Salt-N-Pepa music video, manages to get a hold of Spike's remote, and uses it to save Helen from being run over by a train in a Western movie. By pressing the "off" button on the remote, they are evicted from the TV set moments before it sucks their neighbor's abusive Rottweiler into the TV and it destroys itself. In the end, Spike gets eliminated by the Rottweiler on the command of Crowley (Eugene Levy), a vengeful employee he banished to the system earlier, and is then succeeded in his executive position by Pierce (Erik King), a younger upstart employee. Roy, who has learned a valuable lesson after his adventure, has dramatically cut back on his TV viewing, quit his job as a plumbing salesman, and opened his own fencing school and advised one of his students that watching too much TV can get you into trouble.

Question: Why does Roy re enter the system ?
Answer: Roy re enters the system to save Helen.
Stay Tuned

The film's primary protagonists are Roy Knable (John Ritter), a couch potato, struggling Seattle plumbing salesman, and former fencing athlete, and his neglected wife Helen (Pam Dawber), a vitamin product senior manager. After a fight (which involved Helen smashing the family television screen with one of Roy's fencing trophies as a wake-up call to reality), Mr. Spike (Jeffrey Jones) appears at the couples' door, offering him a new high-tech satellite dish system filled with 666 channels of programs one cannot view on the four big networks (CBS, NBC, ABC, and Fox). What Roy does not know is that Spike (later referred to as "Mephistopheles of the Cathode Ray") is an emissary from hell who wants to boost the influx of souls by arranging for TV junkies to be killed in the most gruesome and ironic situations imaginable. The 'candidates' are sucked into a hellish television world, called Hell Vision, and put through a gauntlet where they must survive a number of satirical versions of sitcoms and movies. If they can survive for 24 hours, they are free to go, but if they get killed, then their souls will become the property of Satan (the latter usually happens).
The dish eventually sucks Roy and Helen into this warped world. They are pursued by Spike, who enters some shows, along with the Knables, to halt their advance. Roy and Spike continue to fight throughout several shows, even in a cloak-and-dagger scenario where Roy displays his long-buried talent as a fencer. Through tenacity and sheer luck, the Knables keep surviving, and their young son Darryl (David Tom) recognizes his parents fighting for their lives on the TV set. His older sister Diane (Heather McComb) and he are able to provide important assistance from the real world. This infuriates Spike to the point that he makes good on Roy's contract, releasing him, but not Helen, as she was not in the system under contract.
Roy re-enters the system to save Helen, bringing his own remote control with him, allowing them to control their journey. After being pursued by Spike through several more channels, Roy finally confronts his enemy in a Salt-N-Pepa music video, manages to get a hold of Spike's remote, and uses it to save Helen from being run over by a train in a Western movie. By pressing the "off" button on the remote, they are evicted from the TV set moments before it sucks their neighbor's abusive Rottweiler into the TV and it destroys itself. In the end, Spike gets eliminated by the Rottweiler on the command of Crowley (Eugene Levy), a vengeful employee he banished to the system earlier, and is then succeeded in his executive position by Pierce (Erik King), a younger upstart employee. Roy, who has learned a valuable lesson after his adventure, has dramatically cut back on his TV viewing, quit his job as a plumbing salesman, and opened his own fencing school and advised one of his students that watching too much TV can get you into trouble.

Question: What has Roy opened ?
Answer: Roy has opened a fencing school
Cheri

A sumptuous dramatic comedy set in late 19th Century France, during the Belle Epoque, a period of social and cultural excess in European upper classes which ended only as the First World War erupted. (It is NOT set in 1920s as the IMDb synopsis says. After the war the social environment was quite, quite different.) Costumes, set pieces, cinematography all embrace the delicious and beautiful in this story of courtesans of a certain age whose lives, now more concerned with grown children and investments in oil rather than in men, live in great luxury and wealth. When (still ravishing) Pfeiffer becomes reacquainted with her erstwhile friend's 19 year son, (also incredibly ravishing), the two begin an often haunting, life long journey steeped in love, lust, jealousy and desire. They are soul mates and their story bites deep into the tragic and the hilarious.
Direction, script and acting, by all major players and even the minor ones, are all first rate. Tastefully sexy and sensual, sad and lovely and funny all at once, a film to capture awards and hearts worldwide.It is turn of the century in Belle Epoque Paris and a scandalous romp is underfoot. The tale begins as the ravishing Lea contemplates retirement from her renowned stature as Paris's most envied seductress to the rich and famous. Her plans are cut short when she is approached by a former courtesan and arch rival, the barb-throwing gossip Charlotte Peloux, who encourages Lea to teach her disaffected 19 year-old son a thing or two about women. The resulting escapades involve power struggles over sex, money, age and society -- and unexpectedly, love itself -- as a boy who refuses to grow up collides with a woman who realizes she cannot stay young forever. [D-Man2010]

Question: What is Lea to the rich and famous?
Answer: Most envied seductress
Cheri

A sumptuous dramatic comedy set in late 19th Century France, during the Belle Epoque, a period of social and cultural excess in European upper classes which ended only as the First World War erupted. (It is NOT set in 1920s as the IMDb synopsis says. After the war the social environment was quite, quite different.) Costumes, set pieces, cinematography all embrace the delicious and beautiful in this story of courtesans of a certain age whose lives, now more concerned with grown children and investments in oil rather than in men, live in great luxury and wealth. When (still ravishing) Pfeiffer becomes reacquainted with her erstwhile friend's 19 year son, (also incredibly ravishing), the two begin an often haunting, life long journey steeped in love, lust, jealousy and desire. They are soul mates and their story bites deep into the tragic and the hilarious.
Direction, script and acting, by all major players and even the minor ones, are all first rate. Tastefully sexy and sensual, sad and lovely and funny all at once, a film to capture awards and hearts worldwide.It is turn of the century in Belle Epoque Paris and a scandalous romp is underfoot. The tale begins as the ravishing Lea contemplates retirement from her renowned stature as Paris's most envied seductress to the rich and famous. Her plans are cut short when she is approached by a former courtesan and arch rival, the barb-throwing gossip Charlotte Peloux, who encourages Lea to teach her disaffected 19 year-old son a thing or two about women. The resulting escapades involve power struggles over sex, money, age and society -- and unexpectedly, love itself -- as a boy who refuses to grow up collides with a woman who realizes she cannot stay young forever. [D-Man2010]

Question: In what country did the movie take place?
Answer: France
Cheri

A sumptuous dramatic comedy set in late 19th Century France, during the Belle Epoque, a period of social and cultural excess in European upper classes which ended only as the First World War erupted. (It is NOT set in 1920s as the IMDb synopsis says. After the war the social environment was quite, quite different.) Costumes, set pieces, cinematography all embrace the delicious and beautiful in this story of courtesans of a certain age whose lives, now more concerned with grown children and investments in oil rather than in men, live in great luxury and wealth. When (still ravishing) Pfeiffer becomes reacquainted with her erstwhile friend's 19 year son, (also incredibly ravishing), the two begin an often haunting, life long journey steeped in love, lust, jealousy and desire. They are soul mates and their story bites deep into the tragic and the hilarious.
Direction, script and acting, by all major players and even the minor ones, are all first rate. Tastefully sexy and sensual, sad and lovely and funny all at once, a film to capture awards and hearts worldwide.It is turn of the century in Belle Epoque Paris and a scandalous romp is underfoot. The tale begins as the ravishing Lea contemplates retirement from her renowned stature as Paris's most envied seductress to the rich and famous. Her plans are cut short when she is approached by a former courtesan and arch rival, the barb-throwing gossip Charlotte Peloux, who encourages Lea to teach her disaffected 19 year-old son a thing or two about women. The resulting escapades involve power struggles over sex, money, age and society -- and unexpectedly, love itself -- as a boy who refuses to grow up collides with a woman who realizes she cannot stay young forever. [D-Man2010]

Question: Who is Lea's arch rival?
Answer: Charlotte Peloux
Cheri

A sumptuous dramatic comedy set in late 19th Century France, during the Belle Epoque, a period of social and cultural excess in European upper classes which ended only as the First World War erupted. (It is NOT set in 1920s as the IMDb synopsis says. After the war the social environment was quite, quite different.) Costumes, set pieces, cinematography all embrace the delicious and beautiful in this story of courtesans of a certain age whose lives, now more concerned with grown children and investments in oil rather than in men, live in great luxury and wealth. When (still ravishing) Pfeiffer becomes reacquainted with her erstwhile friend's 19 year son, (also incredibly ravishing), the two begin an often haunting, life long journey steeped in love, lust, jealousy and desire. They are soul mates and their story bites deep into the tragic and the hilarious.
Direction, script and acting, by all major players and even the minor ones, are all first rate. Tastefully sexy and sensual, sad and lovely and funny all at once, a film to capture awards and hearts worldwide.It is turn of the century in Belle Epoque Paris and a scandalous romp is underfoot. The tale begins as the ravishing Lea contemplates retirement from her renowned stature as Paris's most envied seductress to the rich and famous. Her plans are cut short when she is approached by a former courtesan and arch rival, the barb-throwing gossip Charlotte Peloux, who encourages Lea to teach her disaffected 19 year-old son a thing or two about women. The resulting escapades involve power struggles over sex, money, age and society -- and unexpectedly, love itself -- as a boy who refuses to grow up collides with a woman who realizes she cannot stay young forever. [D-Man2010]

Question: How old is the Pfeiffer's lover?
Answer: Nineteen years
Cheri

A sumptuous dramatic comedy set in late 19th Century France, during the Belle Epoque, a period of social and cultural excess in European upper classes which ended only as the First World War erupted. (It is NOT set in 1920s as the IMDb synopsis says. After the war the social environment was quite, quite different.) Costumes, set pieces, cinematography all embrace the delicious and beautiful in this story of courtesans of a certain age whose lives, now more concerned with grown children and investments in oil rather than in men, live in great luxury and wealth. When (still ravishing) Pfeiffer becomes reacquainted with her erstwhile friend's 19 year son, (also incredibly ravishing), the two begin an often haunting, life long journey steeped in love, lust, jealousy and desire. They are soul mates and their story bites deep into the tragic and the hilarious.
Direction, script and acting, by all major players and even the minor ones, are all first rate. Tastefully sexy and sensual, sad and lovely and funny all at once, a film to capture awards and hearts worldwide.It is turn of the century in Belle Epoque Paris and a scandalous romp is underfoot. The tale begins as the ravishing Lea contemplates retirement from her renowned stature as Paris's most envied seductress to the rich and famous. Her plans are cut short when she is approached by a former courtesan and arch rival, the barb-throwing gossip Charlotte Peloux, who encourages Lea to teach her disaffected 19 year-old son a thing or two about women. The resulting escapades involve power struggles over sex, money, age and society -- and unexpectedly, love itself -- as a boy who refuses to grow up collides with a woman who realizes she cannot stay young forever. [D-Man2010]

Question: How old is Charlotte's son?
Answer: 19
Cheri

A sumptuous dramatic comedy set in late 19th Century France, during the Belle Epoque, a period of social and cultural excess in European upper classes which ended only as the First World War erupted. (It is NOT set in 1920s as the IMDb synopsis says. After the war the social environment was quite, quite different.) Costumes, set pieces, cinematography all embrace the delicious and beautiful in this story of courtesans of a certain age whose lives, now more concerned with grown children and investments in oil rather than in men, live in great luxury and wealth. When (still ravishing) Pfeiffer becomes reacquainted with her erstwhile friend's 19 year son, (also incredibly ravishing), the two begin an often haunting, life long journey steeped in love, lust, jealousy and desire. They are soul mates and their story bites deep into the tragic and the hilarious.
Direction, script and acting, by all major players and even the minor ones, are all first rate. Tastefully sexy and sensual, sad and lovely and funny all at once, a film to capture awards and hearts worldwide.It is turn of the century in Belle Epoque Paris and a scandalous romp is underfoot. The tale begins as the ravishing Lea contemplates retirement from her renowned stature as Paris's most envied seductress to the rich and famous. Her plans are cut short when she is approached by a former courtesan and arch rival, the barb-throwing gossip Charlotte Peloux, who encourages Lea to teach her disaffected 19 year-old son a thing or two about women. The resulting escapades involve power struggles over sex, money, age and society -- and unexpectedly, love itself -- as a boy who refuses to grow up collides with a woman who realizes she cannot stay young forever. [D-Man2010]

Question: What are the courtesans in the movie uninterested in?
Answer: Men
El Greco

An epic tale of an uncompromising artist and fighter for freedom, Domenicos Theotokopoulos, known to the world as «El Greco». Set in the 16th century, El Grecos search for freedom, and love, ranges from the courts of Crete and Venice to Toledo in Spain. Here he is confronted by his greatest adversary the Holy Inquisition. Never backing down in his fight with the establishments of his day El Grecos story is one of unusual heroism, betrayal, love, and the power of one man and his creative consciousness to stand out and overcome barbarity and ignorance. An inspiration which lives on to this day.-

Question: When did EL Greco have his epic journey?
Answer: 16th century
El Greco

An epic tale of an uncompromising artist and fighter for freedom, Domenicos Theotokopoulos, known to the world as «El Greco». Set in the 16th century, El Grecos search for freedom, and love, ranges from the courts of Crete and Venice to Toledo in Spain. Here he is confronted by his greatest adversary the Holy Inquisition. Never backing down in his fight with the establishments of his day El Grecos story is one of unusual heroism, betrayal, love, and the power of one man and his creative consciousness to stand out and overcome barbarity and ignorance. An inspiration which lives on to this day.-

Question: Who is known as "El Greco"?
Answer: Domenicos Theotokopoulos
El Greco

An epic tale of an uncompromising artist and fighter for freedom, Domenicos Theotokopoulos, known to the world as «El Greco». Set in the 16th century, El Grecos search for freedom, and love, ranges from the courts of Crete and Venice to Toledo in Spain. Here he is confronted by his greatest adversary the Holy Inquisition. Never backing down in his fight with the establishments of his day El Grecos story is one of unusual heroism, betrayal, love, and the power of one man and his creative consciousness to stand out and overcome barbarity and ignorance. An inspiration which lives on to this day.-

Question: What is El Greco's largest adversary?
Answer: Holy inquisition