ibm-research/duorc huggingface dataset:
Le lieu du crime

While collecting flowers for his mother, unmotivated student Thomas (Nicolas Giraudi) is accosted by escaped prisoner Martin (Wadeck Stanczak) who threatens Thomas with bodily harm if he does not return with enough money for the man to buy a train ticket. Thomas goes to several people in his immediate family for the money. His mother Lili (Catherine Deneuve) is a free-spirited single mother who has recently set up ownership and management of a dance bar, and whose separation from Thomas father Maurice (Victor Lanoux) causes confusion and rebellion in the boy. This being the eve of his first communion Thomas is bombarded on all sides by smothering well-wishing sentiments from his grandfather (Jean Bousquet) and his grandmother (Danielle Darrieux) and most particularly from Father Sorbier (Jacques Nolot) who wants the young boy taken out of the private school he attends because of his attitude. Thomas returns later in the day to give Martin some money but is accosted and nearly strangled by Martins partner. Later that evening as Lili closes up the bar she discovers an injured Martin lying in the grass. She takes the younger man to a friends hotel and negotiates for him to stay the night to get better, but discovers that he has indeed escaped from a prison nearby but is oddly fascinated and attracted to he younger mans purity. As Lili and Martin draw closer Martin returns to school but sneaks out late at night to return to Lilis side accidentally confronting Martin who has been followed by yet a third accomplice bent on revenge.

Question: Where does Father Sorbier want Thomas to be taken out of ?
Le lieu du crime

While collecting flowers for his mother, unmotivated student Thomas (Nicolas Giraudi) is accosted by escaped prisoner Martin (Wadeck Stanczak) who threatens Thomas with bodily harm if he does not return with enough money for the man to buy a train ticket. Thomas goes to several people in his immediate family for the money. His mother Lili (Catherine Deneuve) is a free-spirited single mother who has recently set up ownership and management of a dance bar, and whose separation from Thomas father Maurice (Victor Lanoux) causes confusion and rebellion in the boy. This being the eve of his first communion Thomas is bombarded on all sides by smothering well-wishing sentiments from his grandfather (Jean Bousquet) and his grandmother (Danielle Darrieux) and most particularly from Father Sorbier (Jacques Nolot) who wants the young boy taken out of the private school he attends because of his attitude. Thomas returns later in the day to give Martin some money but is accosted and nearly strangled by Martins partner. Later that evening as Lili closes up the bar she discovers an injured Martin lying in the grass. She takes the younger man to a friends hotel and negotiates for him to stay the night to get better, but discovers that he has indeed escaped from a prison nearby but is oddly fascinated and attracted to he younger mans purity. As Lili and Martin draw closer Martin returns to school but sneaks out late at night to return to Lilis side accidentally confronting Martin who has been followed by yet a third accomplice bent on revenge.

Question: What does Martin threaten Thomas with ?
Sanjuro

The story begins with nine young samurai, who are worried about corruption in the leadership of their clan. Although they know of two elders who are "bad," the youths misjudge who the real mastermind behind these two is, and end up asking that wrong one for help. As the nine meet secretly at a temple and discuss their problem, a ronin (Mifune) suddenly appears from another room. The ronin explains the stupidity and naiveté of their conclusions and decides to help them.The plot then unfolds as he tries to outwit the three evil elders and their minions, with the young samurai constantly ruining his plans. Despite evidence to the contrary, some of them continue to regard the ronin as a problem figure: he has bad manners, behaviour unbecoming of a samurai, weird ways to express his thoughts, and bizarre attitude to violence. He insults his companions directly, and prefers to sleep around rather than accompany them on missions. He obviously has no compunction killing people, often unnecessarily.A key objective is the rescue of Mutsuta, an honest official, and his family. Mutsuta's wife (played by Takao Irie) is rescued early on, but remains strangely oblivious to the danger around her, and maintains a cheery civility in comic contrast to the tension of the young samurai. She asks the ronin's name; looking out the window at tsubaki (camellia) trees, he invents the name Tsubaki Sanjr (from sanj 'thirty', because he always aks for thirty ryo). The lady insists as if advising him on table manners that Mr Tsubaki refrain from unnecessary killing. The lady shows insight when she compares Sanjuro to a "glittering sword" and remarks that "the best sword stays in its scabbard."The nine young samurai begin as innocent idealistic greenhorns who judge on appearances, are easily duped by a more experienced elder, and are quick to stumble into danger without even knowing what they are doing. They end wiser: they have learned the virtues of patience.The famous final scene of his duel with Hanbei, the henchman of the corrupt superintendent, is poignant. Throughout the story, Sanjuro poses as a bad ronin who is after making a quick score. He is so convincing that Hanbei (Tatsuya Nakadai) swallows his line and becomes the unwitting accomplice of his own demise. He cannot stand being made a fool and challenges Sanjuro to a duel. Sanjuro is reluctant to fight and tries to dissuade Hanbei saying that if they do fight, one of them would die and there is nothing to be gained from that.Hanbei insists and the two face each other. And then, in a flash, it's over: a fountain of blood gushes from Hanbei and he slumps to the ground, lifeless. When the young samurai cheer his victory, Sanjuro becomes extremely agitated and angry at their naive insensitivity . In the most revealing remark, he states that dead adversary was exactly like him, so that at least he now has an understanding of what he really represents. Sanjuro then leaves towards an unspecified direction

Question: What does the lady compare Sanjuro to?
Answer: glittering sword
Sanjuro

The story begins with nine young samurai, who are worried about corruption in the leadership of their clan. Although they know of two elders who are "bad," the youths misjudge who the real mastermind behind these two is, and end up asking that wrong one for help. As the nine meet secretly at a temple and discuss their problem, a ronin (Mifune) suddenly appears from another room. The ronin explains the stupidity and naiveté of their conclusions and decides to help them.The plot then unfolds as he tries to outwit the three evil elders and their minions, with the young samurai constantly ruining his plans. Despite evidence to the contrary, some of them continue to regard the ronin as a problem figure: he has bad manners, behaviour unbecoming of a samurai, weird ways to express his thoughts, and bizarre attitude to violence. He insults his companions directly, and prefers to sleep around rather than accompany them on missions. He obviously has no compunction killing people, often unnecessarily.A key objective is the rescue of Mutsuta, an honest official, and his family. Mutsuta's wife (played by Takao Irie) is rescued early on, but remains strangely oblivious to the danger around her, and maintains a cheery civility in comic contrast to the tension of the young samurai. She asks the ronin's name; looking out the window at tsubaki (camellia) trees, he invents the name Tsubaki Sanjr (from sanj 'thirty', because he always aks for thirty ryo). The lady insists as if advising him on table manners that Mr Tsubaki refrain from unnecessary killing. The lady shows insight when she compares Sanjuro to a "glittering sword" and remarks that "the best sword stays in its scabbard."The nine young samurai begin as innocent idealistic greenhorns who judge on appearances, are easily duped by a more experienced elder, and are quick to stumble into danger without even knowing what they are doing. They end wiser: they have learned the virtues of patience.The famous final scene of his duel with Hanbei, the henchman of the corrupt superintendent, is poignant. Throughout the story, Sanjuro poses as a bad ronin who is after making a quick score. He is so convincing that Hanbei (Tatsuya Nakadai) swallows his line and becomes the unwitting accomplice of his own demise. He cannot stand being made a fool and challenges Sanjuro to a duel. Sanjuro is reluctant to fight and tries to dissuade Hanbei saying that if they do fight, one of them would die and there is nothing to be gained from that.Hanbei insists and the two face each other. And then, in a flash, it's over: a fountain of blood gushes from Hanbei and he slumps to the ground, lifeless. When the young samurai cheer his victory, Sanjuro becomes extremely agitated and angry at their naive insensitivity . In the most revealing remark, he states that dead adversary was exactly like him, so that at least he now has an understanding of what he really represents. Sanjuro then leaves towards an unspecified direction

Question: What does Sanjuro become agitated and angry about?
Answer: the samurai' naieve insensitivity
Sanjuro

The story begins with nine young samurai, who are worried about corruption in the leadership of their clan. Although they know of two elders who are "bad," the youths misjudge who the real mastermind behind these two is, and end up asking that wrong one for help. As the nine meet secretly at a temple and discuss their problem, a ronin (Mifune) suddenly appears from another room. The ronin explains the stupidity and naiveté of their conclusions and decides to help them.The plot then unfolds as he tries to outwit the three evil elders and their minions, with the young samurai constantly ruining his plans. Despite evidence to the contrary, some of them continue to regard the ronin as a problem figure: he has bad manners, behaviour unbecoming of a samurai, weird ways to express his thoughts, and bizarre attitude to violence. He insults his companions directly, and prefers to sleep around rather than accompany them on missions. He obviously has no compunction killing people, often unnecessarily.A key objective is the rescue of Mutsuta, an honest official, and his family. Mutsuta's wife (played by Takao Irie) is rescued early on, but remains strangely oblivious to the danger around her, and maintains a cheery civility in comic contrast to the tension of the young samurai. She asks the ronin's name; looking out the window at tsubaki (camellia) trees, he invents the name Tsubaki Sanjr (from sanj 'thirty', because he always aks for thirty ryo). The lady insists as if advising him on table manners that Mr Tsubaki refrain from unnecessary killing. The lady shows insight when she compares Sanjuro to a "glittering sword" and remarks that "the best sword stays in its scabbard."The nine young samurai begin as innocent idealistic greenhorns who judge on appearances, are easily duped by a more experienced elder, and are quick to stumble into danger without even knowing what they are doing. They end wiser: they have learned the virtues of patience.The famous final scene of his duel with Hanbei, the henchman of the corrupt superintendent, is poignant. Throughout the story, Sanjuro poses as a bad ronin who is after making a quick score. He is so convincing that Hanbei (Tatsuya Nakadai) swallows his line and becomes the unwitting accomplice of his own demise. He cannot stand being made a fool and challenges Sanjuro to a duel. Sanjuro is reluctant to fight and tries to dissuade Hanbei saying that if they do fight, one of them would die and there is nothing to be gained from that.Hanbei insists and the two face each other. And then, in a flash, it's over: a fountain of blood gushes from Hanbei and he slumps to the ground, lifeless. When the young samurai cheer his victory, Sanjuro becomes extremely agitated and angry at their naive insensitivity . In the most revealing remark, he states that dead adversary was exactly like him, so that at least he now has an understanding of what he really represents. Sanjuro then leaves towards an unspecified direction

Question: Who is rescued early on?
Answer: Mutsuta's wife
Sanjuro

The story begins with nine young samurai, who are worried about corruption in the leadership of their clan. Although they know of two elders who are "bad," the youths misjudge who the real mastermind behind these two is, and end up asking that wrong one for help. As the nine meet secretly at a temple and discuss their problem, a ronin (Mifune) suddenly appears from another room. The ronin explains the stupidity and naiveté of their conclusions and decides to help them.The plot then unfolds as he tries to outwit the three evil elders and their minions, with the young samurai constantly ruining his plans. Despite evidence to the contrary, some of them continue to regard the ronin as a problem figure: he has bad manners, behaviour unbecoming of a samurai, weird ways to express his thoughts, and bizarre attitude to violence. He insults his companions directly, and prefers to sleep around rather than accompany them on missions. He obviously has no compunction killing people, often unnecessarily.A key objective is the rescue of Mutsuta, an honest official, and his family. Mutsuta's wife (played by Takao Irie) is rescued early on, but remains strangely oblivious to the danger around her, and maintains a cheery civility in comic contrast to the tension of the young samurai. She asks the ronin's name; looking out the window at tsubaki (camellia) trees, he invents the name Tsubaki Sanjr (from sanj 'thirty', because he always aks for thirty ryo). The lady insists as if advising him on table manners that Mr Tsubaki refrain from unnecessary killing. The lady shows insight when she compares Sanjuro to a "glittering sword" and remarks that "the best sword stays in its scabbard."The nine young samurai begin as innocent idealistic greenhorns who judge on appearances, are easily duped by a more experienced elder, and are quick to stumble into danger without even knowing what they are doing. They end wiser: they have learned the virtues of patience.The famous final scene of his duel with Hanbei, the henchman of the corrupt superintendent, is poignant. Throughout the story, Sanjuro poses as a bad ronin who is after making a quick score. He is so convincing that Hanbei (Tatsuya Nakadai) swallows his line and becomes the unwitting accomplice of his own demise. He cannot stand being made a fool and challenges Sanjuro to a duel. Sanjuro is reluctant to fight and tries to dissuade Hanbei saying that if they do fight, one of them would die and there is nothing to be gained from that.Hanbei insists and the two face each other. And then, in a flash, it's over: a fountain of blood gushes from Hanbei and he slumps to the ground, lifeless. When the young samurai cheer his victory, Sanjuro becomes extremely agitated and angry at their naive insensitivity . In the most revealing remark, he states that dead adversary was exactly like him, so that at least he now has an understanding of what he really represents. Sanjuro then leaves towards an unspecified direction

Question: What are the nine young samurai worried about?
Answer: corruption in the leadership of the clan
Sanjuro

The story begins with nine young samurai, who are worried about corruption in the leadership of their clan. Although they know of two elders who are "bad," the youths misjudge who the real mastermind behind these two is, and end up asking that wrong one for help. As the nine meet secretly at a temple and discuss their problem, a ronin (Mifune) suddenly appears from another room. The ronin explains the stupidity and naiveté of their conclusions and decides to help them.The plot then unfolds as he tries to outwit the three evil elders and their minions, with the young samurai constantly ruining his plans. Despite evidence to the contrary, some of them continue to regard the ronin as a problem figure: he has bad manners, behaviour unbecoming of a samurai, weird ways to express his thoughts, and bizarre attitude to violence. He insults his companions directly, and prefers to sleep around rather than accompany them on missions. He obviously has no compunction killing people, often unnecessarily.A key objective is the rescue of Mutsuta, an honest official, and his family. Mutsuta's wife (played by Takao Irie) is rescued early on, but remains strangely oblivious to the danger around her, and maintains a cheery civility in comic contrast to the tension of the young samurai. She asks the ronin's name; looking out the window at tsubaki (camellia) trees, he invents the name Tsubaki Sanjr (from sanj 'thirty', because he always aks for thirty ryo). The lady insists as if advising him on table manners that Mr Tsubaki refrain from unnecessary killing. The lady shows insight when she compares Sanjuro to a "glittering sword" and remarks that "the best sword stays in its scabbard."The nine young samurai begin as innocent idealistic greenhorns who judge on appearances, are easily duped by a more experienced elder, and are quick to stumble into danger without even knowing what they are doing. They end wiser: they have learned the virtues of patience.The famous final scene of his duel with Hanbei, the henchman of the corrupt superintendent, is poignant. Throughout the story, Sanjuro poses as a bad ronin who is after making a quick score. He is so convincing that Hanbei (Tatsuya Nakadai) swallows his line and becomes the unwitting accomplice of his own demise. He cannot stand being made a fool and challenges Sanjuro to a duel. Sanjuro is reluctant to fight and tries to dissuade Hanbei saying that if they do fight, one of them would die and there is nothing to be gained from that.Hanbei insists and the two face each other. And then, in a flash, it's over: a fountain of blood gushes from Hanbei and he slumps to the ground, lifeless. When the young samurai cheer his victory, Sanjuro becomes extremely agitated and angry at their naive insensitivity . In the most revealing remark, he states that dead adversary was exactly like him, so that at least he now has an understanding of what he really represents. Sanjuro then leaves towards an unspecified direction

Question: What does the ronin have no compunction doing?
Answer: killing people
Sanjuro

The story begins with nine young samurai, who are worried about corruption in the leadership of their clan. Although they know of two elders who are "bad," the youths misjudge who the real mastermind behind these two is, and end up asking that wrong one for help. As the nine meet secretly at a temple and discuss their problem, a ronin (Mifune) suddenly appears from another room. The ronin explains the stupidity and naiveté of their conclusions and decides to help them.The plot then unfolds as he tries to outwit the three evil elders and their minions, with the young samurai constantly ruining his plans. Despite evidence to the contrary, some of them continue to regard the ronin as a problem figure: he has bad manners, behaviour unbecoming of a samurai, weird ways to express his thoughts, and bizarre attitude to violence. He insults his companions directly, and prefers to sleep around rather than accompany them on missions. He obviously has no compunction killing people, often unnecessarily.A key objective is the rescue of Mutsuta, an honest official, and his family. Mutsuta's wife (played by Takao Irie) is rescued early on, but remains strangely oblivious to the danger around her, and maintains a cheery civility in comic contrast to the tension of the young samurai. She asks the ronin's name; looking out the window at tsubaki (camellia) trees, he invents the name Tsubaki Sanjr (from sanj 'thirty', because he always aks for thirty ryo). The lady insists as if advising him on table manners that Mr Tsubaki refrain from unnecessary killing. The lady shows insight when she compares Sanjuro to a "glittering sword" and remarks that "the best sword stays in its scabbard."The nine young samurai begin as innocent idealistic greenhorns who judge on appearances, are easily duped by a more experienced elder, and are quick to stumble into danger without even knowing what they are doing. They end wiser: they have learned the virtues of patience.The famous final scene of his duel with Hanbei, the henchman of the corrupt superintendent, is poignant. Throughout the story, Sanjuro poses as a bad ronin who is after making a quick score. He is so convincing that Hanbei (Tatsuya Nakadai) swallows his line and becomes the unwitting accomplice of his own demise. He cannot stand being made a fool and challenges Sanjuro to a duel. Sanjuro is reluctant to fight and tries to dissuade Hanbei saying that if they do fight, one of them would die and there is nothing to be gained from that.Hanbei insists and the two face each other. And then, in a flash, it's over: a fountain of blood gushes from Hanbei and he slumps to the ground, lifeless. When the young samurai cheer his victory, Sanjuro becomes extremely agitated and angry at their naive insensitivity . In the most revealing remark, he states that dead adversary was exactly like him, so that at least he now has an understanding of what he really represents. Sanjuro then leaves towards an unspecified direction

Question: Who was Sanjuro's dead adversary exactly like?
Answer: himself
High Life

High Life is a comedic heist story from the flip-side of the 80s consumer dream. Its 1983 and Dick and his pals have been botching jobs and racking up prison time for years, but this time Dick has the perfect plan for the perfect heist and enough dough to buy he and his posse some self-respect. With the arrival of his slightly unhinged cell-mate, Bug, on the scene its going to take all Dick has just to keep his crew from killing each other, let alone pulling off the heist. Ripe with humour and manic, high-wire tension, High Lifes lovable losers will stop at nothing as they bungle their way through their pipe dream of easy money and easy street.

Question: What is the story the flip-side of?
Answer: 80s consumer dream
High Life

High Life is a comedic heist story from the flip-side of the 80s consumer dream. Its 1983 and Dick and his pals have been botching jobs and racking up prison time for years, but this time Dick has the perfect plan for the perfect heist and enough dough to buy he and his posse some self-respect. With the arrival of his slightly unhinged cell-mate, Bug, on the scene its going to take all Dick has just to keep his crew from killing each other, let alone pulling off the heist. Ripe with humour and manic, high-wire tension, High Lifes lovable losers will stop at nothing as they bungle their way through their pipe dream of easy money and easy street.

Question: Where did Bug and Dick meet?
Answer: Prison
High Life

High Life is a comedic heist story from the flip-side of the 80s consumer dream. Its 1983 and Dick and his pals have been botching jobs and racking up prison time for years, but this time Dick has the perfect plan for the perfect heist and enough dough to buy he and his posse some self-respect. With the arrival of his slightly unhinged cell-mate, Bug, on the scene its going to take all Dick has just to keep his crew from killing each other, let alone pulling off the heist. Ripe with humour and manic, high-wire tension, High Lifes lovable losers will stop at nothing as they bungle their way through their pipe dream of easy money and easy street.

Question: What is Dick's cell-mate's name?
Answer: Bug