ibm-research/duorc huggingface dataset:
The Navy vs. the Night Monsters

A group of scientists with Operation Deep Freeze discover frozen prehistoric trees and other specimens in the Antarctic dating back to the first Ice Age. They collect samples of each for further study and load them aboard their C-47 military transport.
The dull, workaday life at the Navy weather station base on Gow Island in the South Pacific is interrupted by that very same C-47 transport aircraft. On a routine approach for refueling, the transport experiences unusual trouble and suddenly crash lands on the island's single airstrip, destroying its control tower and the island's only two-way radio. The stricken aircraft also blocks the runway, preventing its further use. Lieutenant Charles Brown (Eisley) is in command of Gow's weather station. He, Navy nurse Nora Hall (Van Doren), and biologist Arthur Beecham (Walter Sande) reach the wreck only to find that seven scientists and crew aboard the cargo aircraft when it left Antarctica are now mysteriously missing. The only one found aboard is the transport's pilot, who is traumatized and in a state of shock, unable to speak.
Unloading the prehistoric cargo from the crashed C-47, Dr. Beecham recommends planting the trees to ensure their survival in the island's tropical conditions. Somewhat later, Gow Island's bird population becomes disturbed by something unknown. At the same time, the weather station's scientists try to figure out a connection between this event and a corrosive residue that begins turning up at various island locations.
It slowly becomes clear that the planted prehistoric trees have quickly grown into acid-secreting, carnivorous monsters that move about Gow Island at night, at will. They reproduce fast and eventually cut off the island with their growing numbers and nocturnal assaults on Gow's native islanders. Brown has to hold together his dwindling Navy personnel and the coterie of scientists and civilians while figuing out a way to stop this prehistoric menace. The Navy personnel's only available weapons prove largely ineffective against the tree monsters.
Eventually, the weather station is able to restore radio contact with the mainland and ask for help. In response, the military sends in multiple aircraft strikes from their nearest base. Fighter jets drop both napalm and fire air-to-ground missiles at the slow-moving night monsters, blowing then up or setting them ablaze. As a result, the prehistoric threat to Gow Island's surviving personnel is quickly eliminated.

Question: What does the military sends from their nearest base?
Answer: Multiple aircraft; Multiple aircraft
The Sun Also Rises

The movie details four interconnected stories.
In the first story, madness and mischief as a single mother (Zhou Yun) drives her devoted son (Jaycee Chan) to distraction with her daredevil antics in pursuit of tranquility. The agile mom climbs tall trees and stands perilously astride a small earthen raft on the river. She treasures a beautiful pair of slippers that she is forever losing, and the son fears that, one day, the footwear will remain while his mother disappears.
In the second story, on a college campus, two old friends find their friendship tested by rivalry over a woman. Doctor Lin (Joan Chen) is the mistress of Old Tang (Jiang Wen), but she finds herself drawn to teacher Liang (Anthony Wong), who is catnip to beautiful women. When Liang is accused of groping women at a campus gathering, Lin offers her rear end behind a curtain to determine whose was the guilty hand.
Old Tang, who is a hunter, has a young wife (Kong Wei) who begins a relationship with the madwoman's son. One day, Tang overhears their noises of passion and his wife whispering that her husband says her belly is like velvet. He determines to shoot the young man but is given pause when the boy asks him, "What is velvet?"
The final episode involves all the characters in a dreamlike sequence that brings their lives full circle.

Question: In the final episode what kind of state are the characters in?
Answer: Dreamlike
Irma Vep

Cheung is employed to play the film-within-the-film's heroine, Irma Vep (an anagram for vampire), a burglar, who spends most of the film dressed in a tight, black, latex rubber catsuit, defending her director's odd choices to hostile crew members and journalists. As the film progresses, the plot mirrors the disorientation felt by the film's director. Cheung the character is in many ways seen by other characters as an exotic sex object dressed in a latex catsuit; both the director and Cheung's costume designer Zoe (Nathalie Richard) have crushes on her.
The film makes reference to iconic figures in French film history: Louis Feuillade, Musidora, Arletty, FranÃ§ois Truffaut, the Groupe SLON, Alain Delon, and Catherine Deneuve. Thematically, the film questions the place of French cinema today. It is not a âmourning for cinema with the romantic nostalgiaâ but âmore like the Mexican Day of the Dead: remembrance as an act of celebration,â[3] so that âIt is less a film about re-presenting the past, than it is a film about addressing the present, specifically the place of France within the global economy.â[4]

Question: The film addresses the place of France in what?
Answer: global economy
Irma Vep

Cheung is employed to play the film-within-the-film's heroine, Irma Vep (an anagram for vampire), a burglar, who spends most of the film dressed in a tight, black, latex rubber catsuit, defending her director's odd choices to hostile crew members and journalists. As the film progresses, the plot mirrors the disorientation felt by the film's director. Cheung the character is in many ways seen by other characters as an exotic sex object dressed in a latex catsuit; both the director and Cheung's costume designer Zoe (Nathalie Richard) have crushes on her.
The film makes reference to iconic figures in French film history: Louis Feuillade, Musidora, Arletty, FranÃ§ois Truffaut, the Groupe SLON, Alain Delon, and Catherine Deneuve. Thematically, the film questions the place of French cinema today. It is not a âmourning for cinema with the romantic nostalgiaâ but âmore like the Mexican Day of the Dead: remembrance as an act of celebration,â[3] so that âIt is less a film about re-presenting the past, than it is a film about addressing the present, specifically the place of France within the global economy.â[4]

Question: What is the main character dressed in?
Answer: Latex cat suit
Irma Vep

Cheung is employed to play the film-within-the-film's heroine, Irma Vep (an anagram for vampire), a burglar, who spends most of the film dressed in a tight, black, latex rubber catsuit, defending her director's odd choices to hostile crew members and journalists. As the film progresses, the plot mirrors the disorientation felt by the film's director. Cheung the character is in many ways seen by other characters as an exotic sex object dressed in a latex catsuit; both the director and Cheung's costume designer Zoe (Nathalie Richard) have crushes on her.
The film makes reference to iconic figures in French film history: Louis Feuillade, Musidora, Arletty, FranÃ§ois Truffaut, the Groupe SLON, Alain Delon, and Catherine Deneuve. Thematically, the film questions the place of French cinema today. It is not a âmourning for cinema with the romantic nostalgiaâ but âmore like the Mexican Day of the Dead: remembrance as an act of celebration,â[3] so that âIt is less a film about re-presenting the past, than it is a film about addressing the present, specifically the place of France within the global economy.â[4]

Question: What is Irma Vep profession in the movie?
Answer: Burglar
Irma Vep

Cheung is employed to play the film-within-the-film's heroine, Irma Vep (an anagram for vampire), a burglar, who spends most of the film dressed in a tight, black, latex rubber catsuit, defending her director's odd choices to hostile crew members and journalists. As the film progresses, the plot mirrors the disorientation felt by the film's director. Cheung the character is in many ways seen by other characters as an exotic sex object dressed in a latex catsuit; both the director and Cheung's costume designer Zoe (Nathalie Richard) have crushes on her.
The film makes reference to iconic figures in French film history: Louis Feuillade, Musidora, Arletty, FranÃ§ois Truffaut, the Groupe SLON, Alain Delon, and Catherine Deneuve. Thematically, the film questions the place of French cinema today. It is not a âmourning for cinema with the romantic nostalgiaâ but âmore like the Mexican Day of the Dead: remembrance as an act of celebration,â[3] so that âIt is less a film about re-presenting the past, than it is a film about addressing the present, specifically the place of France within the global economy.â[4]

Question: The Mexican Day of the Dead is remembrance as an act of what?
Answer: celebration
Star Trek III: The Search for Spock

The Federation Starship Enterprise returns to Earth following a battle with the superhuman Khan Noonien Singh, who tried to destroy the Enterprise by detonating an experimental terraforming device known as Genesis. The casualties of the fight include Admiral James T. Kirk's Vulcan friend, Spock, whose casket was launched into space and eventually landed on the planet created by the Genesis Device. On arriving at Earth Spacedock, Doctor Leonard McCoy begins to act strangely and is detained. Starfleet Admiral Morrow visits the Enterprise and informs the crew the ship is to be decommissioned; the crew is ordered not to speak about Genesis due to political fallout over the device.
David Marcus (Merritt Butrick)âKirk's son, a key scientist in Genesis's developmentâand Lieutenant Saavik (Robin Curtis) are investigating the Genesis planet on board the science vessel Grissom. Discovering an unexpected life form on the surface, Marcus and Saavik transport to the planet. They find that the Genesis Device has resurrected Spock in the form of a child, although his mind is not present. Marcus admits that he used unstable "protomatter" in the development of the Genesis Device, causing Spock to age rapidly and meaning the planet will be destroyed within hours. Meanwhile, Kruge (Christopher Lloyd), the commander of a Klingon vessel, intercepts information about Genesis. Believing the device to be potentially useful as a weapon, he takes his cloaked ship to the Genesis planet, destroys the Grissom, and takes hostage Marcus, Saavik, and Spock.
Spock's father, Sarek (Mark Lenard), confronts Kirk about his son's death. The pair learn that before he died, Spock transferred his katra, or living spirit, to McCoy. Spock's katra and body are needed to lay him to rest on his homeworld, Vulcan, and without help, McCoy will die from carrying the katra. Disobeying orders, Kirk and his officers spring McCoy from detention, disable the USS Excelsior, and steal the Enterprise from Spacedock to return to the Genesis planet to retrieve Spock's body.
In orbit, the undermanned Enterprise is attacked and disabled by Kruge. In the standoff that follows, Kruge orders that one of the hostages on the surface be executed. David is killed defending Saavik and Spock. Kirk and company feign surrender and activate the Enterprise's self-destruct sequence, killing the Klingon boarding party while the Enterprise crew transports to the planet's surface. Promising the secret of Genesis, Kirk lures Kruge to the planet and has him beam his crew to the Klingon vessel. As the Genesis planet disintegrates, Kirk and Kruge engage in a fistfight; Kirk emerges victorious after kicking Kruge off a cliff into a lava flow. Kirk and his officers take control of the Klingon ship and head to Vulcan.
There, Spock's katra is reunited with his body in a dangerous procedure called fal-tor-pan. The ceremony is successful and Spock is resurrected, alive and well, though his memories are fragmented. At Kirk's prompting, Spock remembers he called Kirk "Jim" and recognizes the crew.[3]

Question: Who does Kruge take as hostages?
Answer: Marcus, Saavik, and Spock.
Star Trek III: The Search for Spock

The Federation Starship Enterprise returns to Earth following a battle with the superhuman Khan Noonien Singh, who tried to destroy the Enterprise by detonating an experimental terraforming device known as Genesis. The casualties of the fight include Admiral James T. Kirk's Vulcan friend, Spock, whose casket was launched into space and eventually landed on the planet created by the Genesis Device. On arriving at Earth Spacedock, Doctor Leonard McCoy begins to act strangely and is detained. Starfleet Admiral Morrow visits the Enterprise and informs the crew the ship is to be decommissioned; the crew is ordered not to speak about Genesis due to political fallout over the device.
David Marcus (Merritt Butrick)âKirk's son, a key scientist in Genesis's developmentâand Lieutenant Saavik (Robin Curtis) are investigating the Genesis planet on board the science vessel Grissom. Discovering an unexpected life form on the surface, Marcus and Saavik transport to the planet. They find that the Genesis Device has resurrected Spock in the form of a child, although his mind is not present. Marcus admits that he used unstable "protomatter" in the development of the Genesis Device, causing Spock to age rapidly and meaning the planet will be destroyed within hours. Meanwhile, Kruge (Christopher Lloyd), the commander of a Klingon vessel, intercepts information about Genesis. Believing the device to be potentially useful as a weapon, he takes his cloaked ship to the Genesis planet, destroys the Grissom, and takes hostage Marcus, Saavik, and Spock.
Spock's father, Sarek (Mark Lenard), confronts Kirk about his son's death. The pair learn that before he died, Spock transferred his katra, or living spirit, to McCoy. Spock's katra and body are needed to lay him to rest on his homeworld, Vulcan, and without help, McCoy will die from carrying the katra. Disobeying orders, Kirk and his officers spring McCoy from detention, disable the USS Excelsior, and steal the Enterprise from Spacedock to return to the Genesis planet to retrieve Spock's body.
In orbit, the undermanned Enterprise is attacked and disabled by Kruge. In the standoff that follows, Kruge orders that one of the hostages on the surface be executed. David is killed defending Saavik and Spock. Kirk and company feign surrender and activate the Enterprise's self-destruct sequence, killing the Klingon boarding party while the Enterprise crew transports to the planet's surface. Promising the secret of Genesis, Kirk lures Kruge to the planet and has him beam his crew to the Klingon vessel. As the Genesis planet disintegrates, Kirk and Kruge engage in a fistfight; Kirk emerges victorious after kicking Kruge off a cliff into a lava flow. Kirk and his officers take control of the Klingon ship and head to Vulcan.
There, Spock's katra is reunited with his body in a dangerous procedure called fal-tor-pan. The ceremony is successful and Spock is resurrected, alive and well, though his memories are fragmented. At Kirk's prompting, Spock remembers he called Kirk "Jim" and recognizes the crew.[3]

Question: What device does Khan detonate?
Answer: Genesis
Star Trek III: The Search for Spock

The Federation Starship Enterprise returns to Earth following a battle with the superhuman Khan Noonien Singh, who tried to destroy the Enterprise by detonating an experimental terraforming device known as Genesis. The casualties of the fight include Admiral James T. Kirk's Vulcan friend, Spock, whose casket was launched into space and eventually landed on the planet created by the Genesis Device. On arriving at Earth Spacedock, Doctor Leonard McCoy begins to act strangely and is detained. Starfleet Admiral Morrow visits the Enterprise and informs the crew the ship is to be decommissioned; the crew is ordered not to speak about Genesis due to political fallout over the device.
David Marcus (Merritt Butrick)âKirk's son, a key scientist in Genesis's developmentâand Lieutenant Saavik (Robin Curtis) are investigating the Genesis planet on board the science vessel Grissom. Discovering an unexpected life form on the surface, Marcus and Saavik transport to the planet. They find that the Genesis Device has resurrected Spock in the form of a child, although his mind is not present. Marcus admits that he used unstable "protomatter" in the development of the Genesis Device, causing Spock to age rapidly and meaning the planet will be destroyed within hours. Meanwhile, Kruge (Christopher Lloyd), the commander of a Klingon vessel, intercepts information about Genesis. Believing the device to be potentially useful as a weapon, he takes his cloaked ship to the Genesis planet, destroys the Grissom, and takes hostage Marcus, Saavik, and Spock.
Spock's father, Sarek (Mark Lenard), confronts Kirk about his son's death. The pair learn that before he died, Spock transferred his katra, or living spirit, to McCoy. Spock's katra and body are needed to lay him to rest on his homeworld, Vulcan, and without help, McCoy will die from carrying the katra. Disobeying orders, Kirk and his officers spring McCoy from detention, disable the USS Excelsior, and steal the Enterprise from Spacedock to return to the Genesis planet to retrieve Spock's body.
In orbit, the undermanned Enterprise is attacked and disabled by Kruge. In the standoff that follows, Kruge orders that one of the hostages on the surface be executed. David is killed defending Saavik and Spock. Kirk and company feign surrender and activate the Enterprise's self-destruct sequence, killing the Klingon boarding party while the Enterprise crew transports to the planet's surface. Promising the secret of Genesis, Kirk lures Kruge to the planet and has him beam his crew to the Klingon vessel. As the Genesis planet disintegrates, Kirk and Kruge engage in a fistfight; Kirk emerges victorious after kicking Kruge off a cliff into a lava flow. Kirk and his officers take control of the Klingon ship and head to Vulcan.
There, Spock's katra is reunited with his body in a dangerous procedure called fal-tor-pan. The ceremony is successful and Spock is resurrected, alive and well, though his memories are fragmented. At Kirk's prompting, Spock remembers he called Kirk "Jim" and recognizes the crew.[3]

Question: who take control of the Klingon ship?
Answer: Kirk and his officers
Star Trek III: The Search for Spock

The Federation Starship Enterprise returns to Earth following a battle with the superhuman Khan Noonien Singh, who tried to destroy the Enterprise by detonating an experimental terraforming device known as Genesis. The casualties of the fight include Admiral James T. Kirk's Vulcan friend, Spock, whose casket was launched into space and eventually landed on the planet created by the Genesis Device. On arriving at Earth Spacedock, Doctor Leonard McCoy begins to act strangely and is detained. Starfleet Admiral Morrow visits the Enterprise and informs the crew the ship is to be decommissioned; the crew is ordered not to speak about Genesis due to political fallout over the device.
David Marcus (Merritt Butrick)âKirk's son, a key scientist in Genesis's developmentâand Lieutenant Saavik (Robin Curtis) are investigating the Genesis planet on board the science vessel Grissom. Discovering an unexpected life form on the surface, Marcus and Saavik transport to the planet. They find that the Genesis Device has resurrected Spock in the form of a child, although his mind is not present. Marcus admits that he used unstable "protomatter" in the development of the Genesis Device, causing Spock to age rapidly and meaning the planet will be destroyed within hours. Meanwhile, Kruge (Christopher Lloyd), the commander of a Klingon vessel, intercepts information about Genesis. Believing the device to be potentially useful as a weapon, he takes his cloaked ship to the Genesis planet, destroys the Grissom, and takes hostage Marcus, Saavik, and Spock.
Spock's father, Sarek (Mark Lenard), confronts Kirk about his son's death. The pair learn that before he died, Spock transferred his katra, or living spirit, to McCoy. Spock's katra and body are needed to lay him to rest on his homeworld, Vulcan, and without help, McCoy will die from carrying the katra. Disobeying orders, Kirk and his officers spring McCoy from detention, disable the USS Excelsior, and steal the Enterprise from Spacedock to return to the Genesis planet to retrieve Spock's body.
In orbit, the undermanned Enterprise is attacked and disabled by Kruge. In the standoff that follows, Kruge orders that one of the hostages on the surface be executed. David is killed defending Saavik and Spock. Kirk and company feign surrender and activate the Enterprise's self-destruct sequence, killing the Klingon boarding party while the Enterprise crew transports to the planet's surface. Promising the secret of Genesis, Kirk lures Kruge to the planet and has him beam his crew to the Klingon vessel. As the Genesis planet disintegrates, Kirk and Kruge engage in a fistfight; Kirk emerges victorious after kicking Kruge off a cliff into a lava flow. Kirk and his officers take control of the Klingon ship and head to Vulcan.
There, Spock's katra is reunited with his body in a dangerous procedure called fal-tor-pan. The ceremony is successful and Spock is resurrected, alive and well, though his memories are fragmented. At Kirk's prompting, Spock remembers he called Kirk "Jim" and recognizes the crew.[3]

Question: Who plays Kruge?
Answer: Christopher Lloyd.