ibm-research/duorc huggingface dataset:
Hannah Free

Set mostly in a nursing home, 70-something Hannah is kept separate from her lifelong friend and lover Rachel, who is not expected to emerge from her coma. The nurses follow the orders of Rachel's daughter Marge, who claims her mother would be upset by a visit from Hannah.
While Hannah's heart is breaking at the thought of not being able to say goodbye, her mind is full of memories of their life together, and she is frequently visited by a younger, spirit Rachel. Hannah sees, hears, and experiences her, but to anyone else, Hannah appears to be talking to herself. Frustrated by feeling like a prisoner, Hannah grumbles, pleads to see Rachel, and writes in her journal. The backstory gradually emerges.
Hannah transitioned easily from tomboy to openly gay while Rachel gave in to societal expectations, married, raised twins, and kept one foot in the closet most of her life, even though everyone knew about her and Hannah. Having Hannah around was like flying a rainbow flag. Hannah was born to wander. Rachel never left Michigan, but Hannah spent time in Alaska, South America, and during WWII, stationed in New Mexico as a WAC. She had affairs with other women in her travels and they remained good friends, but Rachel always was her true love. There are many flashbacks that show Hannah and Rachel in many aspects of their relationship: being in love, making love, and arguing.
In the nursing home, Hannah deals with the annoying but well-meaning staff members, a bewildered resident, a nasty evangelist, and an equally nasty Marge. The arrival of 21-year-old Greta serves as a catalyst to get Hannah out of bed and into Rachel's room. Greta poses as a random student doing an interview for class, but turns out to be Rachel's biological great-granddaughter, whom Hannah had only met as a young child. Greta has a complicated relationship with her grandmother, Marge, who has never truly accepted Hannah as any sort of important mother figure. Greta, a young lesbian, is fully committed to the rights of Hannah and Rachel, and schemes to bring the family together.
In an emotional final scene, Rachel lays comatose, while Hannah, Marge and Greta hash out their differences. Together, they say goodbye to Rachel, and lovingly set her free.

Question: What is the name of Greta's grandmother in the movie?
Answer: Marge
Hannah Free

Set mostly in a nursing home, 70-something Hannah is kept separate from her lifelong friend and lover Rachel, who is not expected to emerge from her coma. The nurses follow the orders of Rachel's daughter Marge, who claims her mother would be upset by a visit from Hannah.
While Hannah's heart is breaking at the thought of not being able to say goodbye, her mind is full of memories of their life together, and she is frequently visited by a younger, spirit Rachel. Hannah sees, hears, and experiences her, but to anyone else, Hannah appears to be talking to herself. Frustrated by feeling like a prisoner, Hannah grumbles, pleads to see Rachel, and writes in her journal. The backstory gradually emerges.
Hannah transitioned easily from tomboy to openly gay while Rachel gave in to societal expectations, married, raised twins, and kept one foot in the closet most of her life, even though everyone knew about her and Hannah. Having Hannah around was like flying a rainbow flag. Hannah was born to wander. Rachel never left Michigan, but Hannah spent time in Alaska, South America, and during WWII, stationed in New Mexico as a WAC. She had affairs with other women in her travels and they remained good friends, but Rachel always was her true love. There are many flashbacks that show Hannah and Rachel in many aspects of their relationship: being in love, making love, and arguing.
In the nursing home, Hannah deals with the annoying but well-meaning staff members, a bewildered resident, a nasty evangelist, and an equally nasty Marge. The arrival of 21-year-old Greta serves as a catalyst to get Hannah out of bed and into Rachel's room. Greta poses as a random student doing an interview for class, but turns out to be Rachel's biological great-granddaughter, whom Hannah had only met as a young child. Greta has a complicated relationship with her grandmother, Marge, who has never truly accepted Hannah as any sort of important mother figure. Greta, a young lesbian, is fully committed to the rights of Hannah and Rachel, and schemes to bring the family together.
In an emotional final scene, Rachel lays comatose, while Hannah, Marge and Greta hash out their differences. Together, they say goodbye to Rachel, and lovingly set her free.

Question: Who do they say goodbye to?
Answer: Rachel
Hannah Free

Set mostly in a nursing home, 70-something Hannah is kept separate from her lifelong friend and lover Rachel, who is not expected to emerge from her coma. The nurses follow the orders of Rachel's daughter Marge, who claims her mother would be upset by a visit from Hannah.
While Hannah's heart is breaking at the thought of not being able to say goodbye, her mind is full of memories of their life together, and she is frequently visited by a younger, spirit Rachel. Hannah sees, hears, and experiences her, but to anyone else, Hannah appears to be talking to herself. Frustrated by feeling like a prisoner, Hannah grumbles, pleads to see Rachel, and writes in her journal. The backstory gradually emerges.
Hannah transitioned easily from tomboy to openly gay while Rachel gave in to societal expectations, married, raised twins, and kept one foot in the closet most of her life, even though everyone knew about her and Hannah. Having Hannah around was like flying a rainbow flag. Hannah was born to wander. Rachel never left Michigan, but Hannah spent time in Alaska, South America, and during WWII, stationed in New Mexico as a WAC. She had affairs with other women in her travels and they remained good friends, but Rachel always was her true love. There are many flashbacks that show Hannah and Rachel in many aspects of their relationship: being in love, making love, and arguing.
In the nursing home, Hannah deals with the annoying but well-meaning staff members, a bewildered resident, a nasty evangelist, and an equally nasty Marge. The arrival of 21-year-old Greta serves as a catalyst to get Hannah out of bed and into Rachel's room. Greta poses as a random student doing an interview for class, but turns out to be Rachel's biological great-granddaughter, whom Hannah had only met as a young child. Greta has a complicated relationship with her grandmother, Marge, who has never truly accepted Hannah as any sort of important mother figure. Greta, a young lesbian, is fully committed to the rights of Hannah and Rachel, and schemes to bring the family together.
In an emotional final scene, Rachel lays comatose, while Hannah, Marge and Greta hash out their differences. Together, they say goodbye to Rachel, and lovingly set her free.

Question: Who is Hannah visited by?
Answer: Rachel; Rachel
Night on Earth

Los Angeles[edit]
As evening falls, tomboy cabby Corky (Winona Ryder) picks up Hollywood executive Victoria Snelling (Gena Rowlands) from the airport, and as Corky drives, Victoria tries to conduct business over the phone. Despite their extreme differences socially, the two develop a certain connection. Sometime during the ride Victoria, who is evidently a talent scout or casting director, discovers that Corky would be ideal for a part in a movie she is casting, but Corky rejects the offer, as she has plans to become a mechanic.
New York[edit]
Helmut Grokenberger (Armin Mueller-Stahl), an East German immigrant who was once a clown in his home country, now works in New York as a taxi driver. He picks up a passenger named YoYo (Giancarlo Esposito), a streetwise young man, and attempts to drive him to Brooklyn. Helmut does not really know how to drive with an automatic transmission so he allows YoYo to drive. On their way, they pick up YoYo's sister-in-law Angela (Rosie Perez). The story revolves around Helmut's attempts to understand and become a part of the culture of New York.
Paris[edit]
A blind woman (BÃ©atrice Dalle) goes for a ride at night with a driver (Isaach De BankolÃ©) from the Ivory Coast. They both take some verbal jabs at each other during the ride. The driver asks his passenger what it's like to be blind and she attempts to explain to him, but their cultural differences and differences of life experience make things difficult. After he drops off his blind passenger, he feels fascinated by her and gazes in her direction. This inattention to driving causes him to crash into another car, whose driver angrily accuses him of being blind. An ironic twist at the end of the segment turns upon a French pun near the beginning of it: When the driver states his nationality as "Ivoirien," some other Africans mock him with the punning phrase "Il voit rien" (he can't see anything).
Rome[edit]
In the early morning hours, an eccentric cabbie (Roberto Benigni) picks up a priest (Paolo Bonacelli). As he drives, he starts to confess his sins. Much to the priest's discomfort, he goes into great detail about how he discovered his sexuality first with a pumpkin and then with a sheep, then details a love affair he had with his brother's wife. The already-ailing priest is shocked by the confession, and has a fatal heart attack.
Helsinki[edit]
After an evening spent drinking heavily, three workers (Kari VÃ¤Ã¤nÃ¤nen, Sakari Kuosmanen, and Tomi Salmela), one of whom has just been fired from his job, climb into a cab to return home. On the way, the workers talk about the terrible situation their now-unconscious friend is in, by being out of work and having to face a divorce and a pregnant daughter. The driver, Mika (Matti PellonpÃ¤Ã¤), then tells them all the saddest story they have ever heard. The workers are terribly moved and depressed by the story, and even become unsympathetic toward their drunken, laid-off companion. As they arrive home, the sun is beginning to rise.

Question: What is Helmut's job in New York?
Answer: Taxi driver
Night on Earth

Los Angeles[edit]
As evening falls, tomboy cabby Corky (Winona Ryder) picks up Hollywood executive Victoria Snelling (Gena Rowlands) from the airport, and as Corky drives, Victoria tries to conduct business over the phone. Despite their extreme differences socially, the two develop a certain connection. Sometime during the ride Victoria, who is evidently a talent scout or casting director, discovers that Corky would be ideal for a part in a movie she is casting, but Corky rejects the offer, as she has plans to become a mechanic.
New York[edit]
Helmut Grokenberger (Armin Mueller-Stahl), an East German immigrant who was once a clown in his home country, now works in New York as a taxi driver. He picks up a passenger named YoYo (Giancarlo Esposito), a streetwise young man, and attempts to drive him to Brooklyn. Helmut does not really know how to drive with an automatic transmission so he allows YoYo to drive. On their way, they pick up YoYo's sister-in-law Angela (Rosie Perez). The story revolves around Helmut's attempts to understand and become a part of the culture of New York.
Paris[edit]
A blind woman (BÃ©atrice Dalle) goes for a ride at night with a driver (Isaach De BankolÃ©) from the Ivory Coast. They both take some verbal jabs at each other during the ride. The driver asks his passenger what it's like to be blind and she attempts to explain to him, but their cultural differences and differences of life experience make things difficult. After he drops off his blind passenger, he feels fascinated by her and gazes in her direction. This inattention to driving causes him to crash into another car, whose driver angrily accuses him of being blind. An ironic twist at the end of the segment turns upon a French pun near the beginning of it: When the driver states his nationality as "Ivoirien," some other Africans mock him with the punning phrase "Il voit rien" (he can't see anything).
Rome[edit]
In the early morning hours, an eccentric cabbie (Roberto Benigni) picks up a priest (Paolo Bonacelli). As he drives, he starts to confess his sins. Much to the priest's discomfort, he goes into great detail about how he discovered his sexuality first with a pumpkin and then with a sheep, then details a love affair he had with his brother's wife. The already-ailing priest is shocked by the confession, and has a fatal heart attack.
Helsinki[edit]
After an evening spent drinking heavily, three workers (Kari VÃ¤Ã¤nÃ¤nen, Sakari Kuosmanen, and Tomi Salmela), one of whom has just been fired from his job, climb into a cab to return home. On the way, the workers talk about the terrible situation their now-unconscious friend is in, by being out of work and having to face a divorce and a pregnant daughter. The driver, Mika (Matti PellonpÃ¤Ã¤), then tells them all the saddest story they have ever heard. The workers are terribly moved and depressed by the story, and even become unsympathetic toward their drunken, laid-off companion. As they arrive home, the sun is beginning to rise.

Question: Where are the three workers going in a cab to?
Answer: Home
Night on Earth

Los Angeles[edit]
As evening falls, tomboy cabby Corky (Winona Ryder) picks up Hollywood executive Victoria Snelling (Gena Rowlands) from the airport, and as Corky drives, Victoria tries to conduct business over the phone. Despite their extreme differences socially, the two develop a certain connection. Sometime during the ride Victoria, who is evidently a talent scout or casting director, discovers that Corky would be ideal for a part in a movie she is casting, but Corky rejects the offer, as she has plans to become a mechanic.
New York[edit]
Helmut Grokenberger (Armin Mueller-Stahl), an East German immigrant who was once a clown in his home country, now works in New York as a taxi driver. He picks up a passenger named YoYo (Giancarlo Esposito), a streetwise young man, and attempts to drive him to Brooklyn. Helmut does not really know how to drive with an automatic transmission so he allows YoYo to drive. On their way, they pick up YoYo's sister-in-law Angela (Rosie Perez). The story revolves around Helmut's attempts to understand and become a part of the culture of New York.
Paris[edit]
A blind woman (BÃ©atrice Dalle) goes for a ride at night with a driver (Isaach De BankolÃ©) from the Ivory Coast. They both take some verbal jabs at each other during the ride. The driver asks his passenger what it's like to be blind and she attempts to explain to him, but their cultural differences and differences of life experience make things difficult. After he drops off his blind passenger, he feels fascinated by her and gazes in her direction. This inattention to driving causes him to crash into another car, whose driver angrily accuses him of being blind. An ironic twist at the end of the segment turns upon a French pun near the beginning of it: When the driver states his nationality as "Ivoirien," some other Africans mock him with the punning phrase "Il voit rien" (he can't see anything).
Rome[edit]
In the early morning hours, an eccentric cabbie (Roberto Benigni) picks up a priest (Paolo Bonacelli). As he drives, he starts to confess his sins. Much to the priest's discomfort, he goes into great detail about how he discovered his sexuality first with a pumpkin and then with a sheep, then details a love affair he had with his brother's wife. The already-ailing priest is shocked by the confession, and has a fatal heart attack.
Helsinki[edit]
After an evening spent drinking heavily, three workers (Kari VÃ¤Ã¤nÃ¤nen, Sakari Kuosmanen, and Tomi Salmela), one of whom has just been fired from his job, climb into a cab to return home. On the way, the workers talk about the terrible situation their now-unconscious friend is in, by being out of work and having to face a divorce and a pregnant daughter. The driver, Mika (Matti PellonpÃ¤Ã¤), then tells them all the saddest story they have ever heard. The workers are terribly moved and depressed by the story, and even become unsympathetic toward their drunken, laid-off companion. As they arrive home, the sun is beginning to rise.

Question: Who all are fired from their job?
Answer: Only one
Night on Earth

Los Angeles[edit]
As evening falls, tomboy cabby Corky (Winona Ryder) picks up Hollywood executive Victoria Snelling (Gena Rowlands) from the airport, and as Corky drives, Victoria tries to conduct business over the phone. Despite their extreme differences socially, the two develop a certain connection. Sometime during the ride Victoria, who is evidently a talent scout or casting director, discovers that Corky would be ideal for a part in a movie she is casting, but Corky rejects the offer, as she has plans to become a mechanic.
New York[edit]
Helmut Grokenberger (Armin Mueller-Stahl), an East German immigrant who was once a clown in his home country, now works in New York as a taxi driver. He picks up a passenger named YoYo (Giancarlo Esposito), a streetwise young man, and attempts to drive him to Brooklyn. Helmut does not really know how to drive with an automatic transmission so he allows YoYo to drive. On their way, they pick up YoYo's sister-in-law Angela (Rosie Perez). The story revolves around Helmut's attempts to understand and become a part of the culture of New York.
Paris[edit]
A blind woman (BÃ©atrice Dalle) goes for a ride at night with a driver (Isaach De BankolÃ©) from the Ivory Coast. They both take some verbal jabs at each other during the ride. The driver asks his passenger what it's like to be blind and she attempts to explain to him, but their cultural differences and differences of life experience make things difficult. After he drops off his blind passenger, he feels fascinated by her and gazes in her direction. This inattention to driving causes him to crash into another car, whose driver angrily accuses him of being blind. An ironic twist at the end of the segment turns upon a French pun near the beginning of it: When the driver states his nationality as "Ivoirien," some other Africans mock him with the punning phrase "Il voit rien" (he can't see anything).
Rome[edit]
In the early morning hours, an eccentric cabbie (Roberto Benigni) picks up a priest (Paolo Bonacelli). As he drives, he starts to confess his sins. Much to the priest's discomfort, he goes into great detail about how he discovered his sexuality first with a pumpkin and then with a sheep, then details a love affair he had with his brother's wife. The already-ailing priest is shocked by the confession, and has a fatal heart attack.
Helsinki[edit]
After an evening spent drinking heavily, three workers (Kari VÃ¤Ã¤nÃ¤nen, Sakari Kuosmanen, and Tomi Salmela), one of whom has just been fired from his job, climb into a cab to return home. On the way, the workers talk about the terrible situation their now-unconscious friend is in, by being out of work and having to face a divorce and a pregnant daughter. The driver, Mika (Matti PellonpÃ¤Ã¤), then tells them all the saddest story they have ever heard. The workers are terribly moved and depressed by the story, and even become unsympathetic toward their drunken, laid-off companion. As they arrive home, the sun is beginning to rise.

Question: Where does Helmut attempt to drive YoYou to?
Answer: Brooklyn
Night on Earth

Los Angeles[edit]
As evening falls, tomboy cabby Corky (Winona Ryder) picks up Hollywood executive Victoria Snelling (Gena Rowlands) from the airport, and as Corky drives, Victoria tries to conduct business over the phone. Despite their extreme differences socially, the two develop a certain connection. Sometime during the ride Victoria, who is evidently a talent scout or casting director, discovers that Corky would be ideal for a part in a movie she is casting, but Corky rejects the offer, as she has plans to become a mechanic.
New York[edit]
Helmut Grokenberger (Armin Mueller-Stahl), an East German immigrant who was once a clown in his home country, now works in New York as a taxi driver. He picks up a passenger named YoYo (Giancarlo Esposito), a streetwise young man, and attempts to drive him to Brooklyn. Helmut does not really know how to drive with an automatic transmission so he allows YoYo to drive. On their way, they pick up YoYo's sister-in-law Angela (Rosie Perez). The story revolves around Helmut's attempts to understand and become a part of the culture of New York.
Paris[edit]
A blind woman (BÃ©atrice Dalle) goes for a ride at night with a driver (Isaach De BankolÃ©) from the Ivory Coast. They both take some verbal jabs at each other during the ride. The driver asks his passenger what it's like to be blind and she attempts to explain to him, but their cultural differences and differences of life experience make things difficult. After he drops off his blind passenger, he feels fascinated by her and gazes in her direction. This inattention to driving causes him to crash into another car, whose driver angrily accuses him of being blind. An ironic twist at the end of the segment turns upon a French pun near the beginning of it: When the driver states his nationality as "Ivoirien," some other Africans mock him with the punning phrase "Il voit rien" (he can't see anything).
Rome[edit]
In the early morning hours, an eccentric cabbie (Roberto Benigni) picks up a priest (Paolo Bonacelli). As he drives, he starts to confess his sins. Much to the priest's discomfort, he goes into great detail about how he discovered his sexuality first with a pumpkin and then with a sheep, then details a love affair he had with his brother's wife. The already-ailing priest is shocked by the confession, and has a fatal heart attack.
Helsinki[edit]
After an evening spent drinking heavily, three workers (Kari VÃ¤Ã¤nÃ¤nen, Sakari Kuosmanen, and Tomi Salmela), one of whom has just been fired from his job, climb into a cab to return home. On the way, the workers talk about the terrible situation their now-unconscious friend is in, by being out of work and having to face a divorce and a pregnant daughter. The driver, Mika (Matti PellonpÃ¤Ã¤), then tells them all the saddest story they have ever heard. The workers are terribly moved and depressed by the story, and even become unsympathetic toward their drunken, laid-off companion. As they arrive home, the sun is beginning to rise.

Question: From what country is the driver?
Answer: Ivory Coast