ibm-research/duorc huggingface dataset:
Intruder

A supermarket closes and the workers begin restocking the shelves for the next day. Craig, the former boyfriend of cashier Jennifer, appears and the two have an argument. Worried for her friend, Linda presses her panic button. Co-owner Bill appears and a fight ensues. Craig escapes onto the shop floor, and the night crew set out to track him down while Jennifer calls the police. When Craig is found there is another scuffle; he is ejected from the building and disappears into the night.
The owners gather the night crew to announce they are selling the store and the staff will soon be out of a job. The employees are assigned the task of marking down all the stock in preparation for the close. Craig makes telephone calls to the store, unnerving Jennifer. The police arrive but do little to help, and just tell the group to be careful.
Finishing her shift, Linda is stabbed by an unseen assailant. Bill spots someone trying to enter through the back door and goes out to investigate. He finds Craig watching Jennifer through the bathroom window and is rendered unconscious. Back in the store, the murderer begins to stalk and brutally murder the employees, and leaves their severed body parts around in the store. Realizing that everyone seems to have vanished, Jennifer investigates and discovers the several bodies and body parts in the storerooms. Terrified, she is attacked by the murderer but manages to escape back to the shop floor. Hearing someone at the door, she tries to attract their attention, but the person has left by the time she gets there. Craig grabs her, but she incapacitates him with a meat hook.
Bill staggers in and says Craig attacked him outside the store, and proceeds to call the police. Jennifer notices Bill's hands are covered in blood and realizes he was the killer; Bill tells her he could not let his partner sell the store, so he killed him and got carried away killing the others. Bill attacks Jennifer and chases her around the locked building. A delivery man appears outside and is killed by Bill before Jennifer can get his attention. Bill re-enters the building and stalks Jennifer again. Craig tells Jennifer he saw Bill killing Linda, and that he climbed into the building through the bathroom window to save her. Bill appears and bludgeons Craig while Jennifer flees. Crawling out the bathroom window, she tries to escape in her car but she finds Linda's body in it. Bill grabs her legs and pulls Jennifer under the car; she stabs him with a chef knife. She heads to a phone booth to call the police but Bill reappears and starts to smash the booth to get at her. He topples the phone booth over and traps her, but Craig appears and brutally damages him with his own meat cleaver.
When the police arrive Jennifer and Craig are standing in the car park over Bill's body and are arrested. As he lays wounded, Bill shouts to the police that the pair went mad and killed everyone; the police believe him and arrest the two perpetrators. In the end, Bill eyes open up and Jennifer screams.

Question: What does Jennifer use to escape the building?
Answer: window
The Illusionist

The story is set in 1959 and is told with only a few brief snatches of dialogue, much of it in Gaelic. A down-on-his-luck illusionist (known by his stage name, "Tatischeff") watches his popularity and employment in Paris dry up. He packs his meager belongings and props, including an ill-tempered white rabbit, and moves to London. There he finds himself as the irrelevant act following a popular rock band. Despite his wounded pride, he adopts a nothing-to-lose attitude and continues plying his trade at yet smaller gatherings in bars, cafÃ©s, and private parties.
He accepts the invitation of a drunken party patron, taking a long, slow journey to a remote Scottish island (Iona in the Inner Hebrides). The small village's pub has only recently been wired for electricity, and he and his rabbit are appreciated for a time. Living modestly in a room above the pub, the illusionist encounters a young girl named Alice who is captivated by his otherworldly abilities and kind gestures, including a gift of new red shoes. Competition from more modern forms of entertainment follow the illusionist even to this idyll, and he soon moves on.
Alice believes the downtrodden performer possesses genuine supernatural powers, and follows him to Edinburgh, where he performs at a modest, out-of-the-way theater. They book a room in a rundown guest house favored by other fading performers (a trio of acrobats, a clown, and a ventriloquist). The illusionist sleeps on a small couch and the girl keeps busy by cleaning and cooking food that she shares with the neighbors. The girl's affections even tame the rabbit, but the illusionist's increasingly meager wages, lavished on a series of gifts for Alice, lead him to pawn off his magic kit and secretly take on more demeaning jobs. The other traditional performers become similarly depressed and destitute.
Unable to muster the courage to tell his starry-eyed admirer the truth about his fading trade, the illusionist continues giving until he has nothing more to offer. Alice meanwhile discovers the affection of a handsome young man, and once he sees them walking together, the illusionist opts to leave her with money and move on. His final message is a letter that says "Magicians do not exist." Alice subsequently moves in with her new boyfriend. The illusionist releases the rabbit on the verdant hillside of Arthur's Seat, where many other rabbits are seen. He is last seen on a train, where he declines one final opportunity to perform a magic trick for a child by returning a short pencil that the child has dropped, but not replacing it with an identical, but longer, pencil of his own.
The illusionist looks longingly at a photo throughout the film, though it is never revealed to the audience during the film. At the end of the film, a photo appears dedicating the film to author Tati's own daughter. During the final train trip, the illusionist looks at the photo for a last time, and his hand drops down where the photo can be vaguely seen, particularly in the Blu-ray release. It is apparently the same picture of Tati's daughter seen at the end of the film.

Question: What pet did the Illusionist have
Answer: Rabbit
The Illusionist

The story is set in 1959 and is told with only a few brief snatches of dialogue, much of it in Gaelic. A down-on-his-luck illusionist (known by his stage name, "Tatischeff") watches his popularity and employment in Paris dry up. He packs his meager belongings and props, including an ill-tempered white rabbit, and moves to London. There he finds himself as the irrelevant act following a popular rock band. Despite his wounded pride, he adopts a nothing-to-lose attitude and continues plying his trade at yet smaller gatherings in bars, cafÃ©s, and private parties.
He accepts the invitation of a drunken party patron, taking a long, slow journey to a remote Scottish island (Iona in the Inner Hebrides). The small village's pub has only recently been wired for electricity, and he and his rabbit are appreciated for a time. Living modestly in a room above the pub, the illusionist encounters a young girl named Alice who is captivated by his otherworldly abilities and kind gestures, including a gift of new red shoes. Competition from more modern forms of entertainment follow the illusionist even to this idyll, and he soon moves on.
Alice believes the downtrodden performer possesses genuine supernatural powers, and follows him to Edinburgh, where he performs at a modest, out-of-the-way theater. They book a room in a rundown guest house favored by other fading performers (a trio of acrobats, a clown, and a ventriloquist). The illusionist sleeps on a small couch and the girl keeps busy by cleaning and cooking food that she shares with the neighbors. The girl's affections even tame the rabbit, but the illusionist's increasingly meager wages, lavished on a series of gifts for Alice, lead him to pawn off his magic kit and secretly take on more demeaning jobs. The other traditional performers become similarly depressed and destitute.
Unable to muster the courage to tell his starry-eyed admirer the truth about his fading trade, the illusionist continues giving until he has nothing more to offer. Alice meanwhile discovers the affection of a handsome young man, and once he sees them walking together, the illusionist opts to leave her with money and move on. His final message is a letter that says "Magicians do not exist." Alice subsequently moves in with her new boyfriend. The illusionist releases the rabbit on the verdant hillside of Arthur's Seat, where many other rabbits are seen. He is last seen on a train, where he declines one final opportunity to perform a magic trick for a child by returning a short pencil that the child has dropped, but not replacing it with an identical, but longer, pencil of his own.
The illusionist looks longingly at a photo throughout the film, though it is never revealed to the audience during the film. At the end of the film, a photo appears dedicating the film to author Tati's own daughter. During the final train trip, the illusionist looks at the photo for a last time, and his hand drops down where the photo can be vaguely seen, particularly in the Blu-ray release. It is apparently the same picture of Tati's daughter seen at the end of the film.

Question: What is the illusionists stage name?
Answer: Tatischeff
The Illusionist

The story is set in 1959 and is told with only a few brief snatches of dialogue, much of it in Gaelic. A down-on-his-luck illusionist (known by his stage name, "Tatischeff") watches his popularity and employment in Paris dry up. He packs his meager belongings and props, including an ill-tempered white rabbit, and moves to London. There he finds himself as the irrelevant act following a popular rock band. Despite his wounded pride, he adopts a nothing-to-lose attitude and continues plying his trade at yet smaller gatherings in bars, cafÃ©s, and private parties.
He accepts the invitation of a drunken party patron, taking a long, slow journey to a remote Scottish island (Iona in the Inner Hebrides). The small village's pub has only recently been wired for electricity, and he and his rabbit are appreciated for a time. Living modestly in a room above the pub, the illusionist encounters a young girl named Alice who is captivated by his otherworldly abilities and kind gestures, including a gift of new red shoes. Competition from more modern forms of entertainment follow the illusionist even to this idyll, and he soon moves on.
Alice believes the downtrodden performer possesses genuine supernatural powers, and follows him to Edinburgh, where he performs at a modest, out-of-the-way theater. They book a room in a rundown guest house favored by other fading performers (a trio of acrobats, a clown, and a ventriloquist). The illusionist sleeps on a small couch and the girl keeps busy by cleaning and cooking food that she shares with the neighbors. The girl's affections even tame the rabbit, but the illusionist's increasingly meager wages, lavished on a series of gifts for Alice, lead him to pawn off his magic kit and secretly take on more demeaning jobs. The other traditional performers become similarly depressed and destitute.
Unable to muster the courage to tell his starry-eyed admirer the truth about his fading trade, the illusionist continues giving until he has nothing more to offer. Alice meanwhile discovers the affection of a handsome young man, and once he sees them walking together, the illusionist opts to leave her with money and move on. His final message is a letter that says "Magicians do not exist." Alice subsequently moves in with her new boyfriend. The illusionist releases the rabbit on the verdant hillside of Arthur's Seat, where many other rabbits are seen. He is last seen on a train, where he declines one final opportunity to perform a magic trick for a child by returning a short pencil that the child has dropped, but not replacing it with an identical, but longer, pencil of his own.
The illusionist looks longingly at a photo throughout the film, though it is never revealed to the audience during the film. At the end of the film, a photo appears dedicating the film to author Tati's own daughter. During the final train trip, the illusionist looks at the photo for a last time, and his hand drops down where the photo can be vaguely seen, particularly in the Blu-ray release. It is apparently the same picture of Tati's daughter seen at the end of the film.

Question: Where does the illusionist move to?
Answer: London
The Illusionist

The story is set in 1959 and is told with only a few brief snatches of dialogue, much of it in Gaelic. A down-on-his-luck illusionist (known by his stage name, "Tatischeff") watches his popularity and employment in Paris dry up. He packs his meager belongings and props, including an ill-tempered white rabbit, and moves to London. There he finds himself as the irrelevant act following a popular rock band. Despite his wounded pride, he adopts a nothing-to-lose attitude and continues plying his trade at yet smaller gatherings in bars, cafÃ©s, and private parties.
He accepts the invitation of a drunken party patron, taking a long, slow journey to a remote Scottish island (Iona in the Inner Hebrides). The small village's pub has only recently been wired for electricity, and he and his rabbit are appreciated for a time. Living modestly in a room above the pub, the illusionist encounters a young girl named Alice who is captivated by his otherworldly abilities and kind gestures, including a gift of new red shoes. Competition from more modern forms of entertainment follow the illusionist even to this idyll, and he soon moves on.
Alice believes the downtrodden performer possesses genuine supernatural powers, and follows him to Edinburgh, where he performs at a modest, out-of-the-way theater. They book a room in a rundown guest house favored by other fading performers (a trio of acrobats, a clown, and a ventriloquist). The illusionist sleeps on a small couch and the girl keeps busy by cleaning and cooking food that she shares with the neighbors. The girl's affections even tame the rabbit, but the illusionist's increasingly meager wages, lavished on a series of gifts for Alice, lead him to pawn off his magic kit and secretly take on more demeaning jobs. The other traditional performers become similarly depressed and destitute.
Unable to muster the courage to tell his starry-eyed admirer the truth about his fading trade, the illusionist continues giving until he has nothing more to offer. Alice meanwhile discovers the affection of a handsome young man, and once he sees them walking together, the illusionist opts to leave her with money and move on. His final message is a letter that says "Magicians do not exist." Alice subsequently moves in with her new boyfriend. The illusionist releases the rabbit on the verdant hillside of Arthur's Seat, where many other rabbits are seen. He is last seen on a train, where he declines one final opportunity to perform a magic trick for a child by returning a short pencil that the child has dropped, but not replacing it with an identical, but longer, pencil of his own.
The illusionist looks longingly at a photo throughout the film, though it is never revealed to the audience during the film. At the end of the film, a photo appears dedicating the film to author Tati's own daughter. During the final train trip, the illusionist looks at the photo for a last time, and his hand drops down where the photo can be vaguely seen, particularly in the Blu-ray release. It is apparently the same picture of Tati's daughter seen at the end of the film.

Question: Where was the Illusionist last seen?
Answer: On a train
The Illusionist

The story is set in 1959 and is told with only a few brief snatches of dialogue, much of it in Gaelic. A down-on-his-luck illusionist (known by his stage name, "Tatischeff") watches his popularity and employment in Paris dry up. He packs his meager belongings and props, including an ill-tempered white rabbit, and moves to London. There he finds himself as the irrelevant act following a popular rock band. Despite his wounded pride, he adopts a nothing-to-lose attitude and continues plying his trade at yet smaller gatherings in bars, cafÃ©s, and private parties.
He accepts the invitation of a drunken party patron, taking a long, slow journey to a remote Scottish island (Iona in the Inner Hebrides). The small village's pub has only recently been wired for electricity, and he and his rabbit are appreciated for a time. Living modestly in a room above the pub, the illusionist encounters a young girl named Alice who is captivated by his otherworldly abilities and kind gestures, including a gift of new red shoes. Competition from more modern forms of entertainment follow the illusionist even to this idyll, and he soon moves on.
Alice believes the downtrodden performer possesses genuine supernatural powers, and follows him to Edinburgh, where he performs at a modest, out-of-the-way theater. They book a room in a rundown guest house favored by other fading performers (a trio of acrobats, a clown, and a ventriloquist). The illusionist sleeps on a small couch and the girl keeps busy by cleaning and cooking food that she shares with the neighbors. The girl's affections even tame the rabbit, but the illusionist's increasingly meager wages, lavished on a series of gifts for Alice, lead him to pawn off his magic kit and secretly take on more demeaning jobs. The other traditional performers become similarly depressed and destitute.
Unable to muster the courage to tell his starry-eyed admirer the truth about his fading trade, the illusionist continues giving until he has nothing more to offer. Alice meanwhile discovers the affection of a handsome young man, and once he sees them walking together, the illusionist opts to leave her with money and move on. His final message is a letter that says "Magicians do not exist." Alice subsequently moves in with her new boyfriend. The illusionist releases the rabbit on the verdant hillside of Arthur's Seat, where many other rabbits are seen. He is last seen on a train, where he declines one final opportunity to perform a magic trick for a child by returning a short pencil that the child has dropped, but not replacing it with an identical, but longer, pencil of his own.
The illusionist looks longingly at a photo throughout the film, though it is never revealed to the audience during the film. At the end of the film, a photo appears dedicating the film to author Tati's own daughter. During the final train trip, the illusionist looks at the photo for a last time, and his hand drops down where the photo can be vaguely seen, particularly in the Blu-ray release. It is apparently the same picture of Tati's daughter seen at the end of the film.

Question: How does Alice keep busy?
Answer: cooking and cleaning
The Illusionist

The story is set in 1959 and is told with only a few brief snatches of dialogue, much of it in Gaelic. A down-on-his-luck illusionist (known by his stage name, "Tatischeff") watches his popularity and employment in Paris dry up. He packs his meager belongings and props, including an ill-tempered white rabbit, and moves to London. There he finds himself as the irrelevant act following a popular rock band. Despite his wounded pride, he adopts a nothing-to-lose attitude and continues plying his trade at yet smaller gatherings in bars, cafÃ©s, and private parties.
He accepts the invitation of a drunken party patron, taking a long, slow journey to a remote Scottish island (Iona in the Inner Hebrides). The small village's pub has only recently been wired for electricity, and he and his rabbit are appreciated for a time. Living modestly in a room above the pub, the illusionist encounters a young girl named Alice who is captivated by his otherworldly abilities and kind gestures, including a gift of new red shoes. Competition from more modern forms of entertainment follow the illusionist even to this idyll, and he soon moves on.
Alice believes the downtrodden performer possesses genuine supernatural powers, and follows him to Edinburgh, where he performs at a modest, out-of-the-way theater. They book a room in a rundown guest house favored by other fading performers (a trio of acrobats, a clown, and a ventriloquist). The illusionist sleeps on a small couch and the girl keeps busy by cleaning and cooking food that she shares with the neighbors. The girl's affections even tame the rabbit, but the illusionist's increasingly meager wages, lavished on a series of gifts for Alice, lead him to pawn off his magic kit and secretly take on more demeaning jobs. The other traditional performers become similarly depressed and destitute.
Unable to muster the courage to tell his starry-eyed admirer the truth about his fading trade, the illusionist continues giving until he has nothing more to offer. Alice meanwhile discovers the affection of a handsome young man, and once he sees them walking together, the illusionist opts to leave her with money and move on. His final message is a letter that says "Magicians do not exist." Alice subsequently moves in with her new boyfriend. The illusionist releases the rabbit on the verdant hillside of Arthur's Seat, where many other rabbits are seen. He is last seen on a train, where he declines one final opportunity to perform a magic trick for a child by returning a short pencil that the child has dropped, but not replacing it with an identical, but longer, pencil of his own.
The illusionist looks longingly at a photo throughout the film, though it is never revealed to the audience during the film. At the end of the film, a photo appears dedicating the film to author Tati's own daughter. During the final train trip, the illusionist looks at the photo for a last time, and his hand drops down where the photo can be vaguely seen, particularly in the Blu-ray release. It is apparently the same picture of Tati's daughter seen at the end of the film.

Question: Where was the illusionist last seen?
Answer: On the train