ibm-research/duorc huggingface dataset:
Three Colors: Blue

Julie (Juliette Binoche), wife of the famous composer Patrice de Courcy, must cope with the death of her husband and daughter in an automobile accident she herself survives. While recovering in hospital, Julie attempts suicide by overdose, but cannot swallow the pills. After being released from hospital, Julie, who it is suggested wrote (or helped to write) much of her husband's famous pieces, destroys what is left behind of them. Calling Olivier (BenoÃ®t RÃ©gent), an unmarried collaborator of her husband's who has always admired her, she spends a night with him and says goodbye. Emptying the family house and putting it up for sale, she takes an apartment in Paris without telling anyone, her only memento being a mobile of blue beads that the viewer assumes belonged to her daughter.
Julie disassociates herself from all past memories and distances herself from former friendships, even being no longer recognised by her mother, who suffers from Alzheimer's disease. She also reclaims and destroys the unfinished score for her late husband's last commissioned workâa piece celebrating European unity following the end of the Cold War. Snatches of its music, however, haunt her throughout the film.
Despite her desire to live anonymously and alone, life in Paris forces Julie to confront elements of her past that she would rather not face. A boy who saw the accident seeks her out to give her a Christian cross he found by the car and to repeat her husband's last words, the punchline of an indelicate joke. She reluctantly befriends an exotic dancer named Lucille (Charlotte VÃ©ry) who is having an affair with one of the neighbors and helps her when she needs moral support. Then on TV she sees Olivier in an interview, announcing that he will try to complete Patrice's commission and showing pictures of Patrice with an attractive young woman.
While trying both to stop Olivier from completing the score and to find out who her husband's mistress was, she becomes more engaged in her former life. She tracks down Sandrine (Florence Pernel), Patrice's lover, and finds out that she is carrying his child; Julie arranges for her to have her husband's house, not yet sold, and recognition of his paternity for the child. This provokes her to restart her relationship with Olivier and to collaborate with him after all.
In the final sequence, part of their completed Unity of Europe piece is played (which features chorus and a solo soprano singing in Greek the praise of divine love in Saint Paul's first letter to the Corinthians) and images are seen of all the people Julie has affected by her actions. The final image is of Julie, cryingâthe second time she does so in the film.[4]

Question: What does Julies mother suffer from?
Answer: Alzheimer's  disease
Three Colors: Blue

Julie (Juliette Binoche), wife of the famous composer Patrice de Courcy, must cope with the death of her husband and daughter in an automobile accident she herself survives. While recovering in hospital, Julie attempts suicide by overdose, but cannot swallow the pills. After being released from hospital, Julie, who it is suggested wrote (or helped to write) much of her husband's famous pieces, destroys what is left behind of them. Calling Olivier (BenoÃ®t RÃ©gent), an unmarried collaborator of her husband's who has always admired her, she spends a night with him and says goodbye. Emptying the family house and putting it up for sale, she takes an apartment in Paris without telling anyone, her only memento being a mobile of blue beads that the viewer assumes belonged to her daughter.
Julie disassociates herself from all past memories and distances herself from former friendships, even being no longer recognised by her mother, who suffers from Alzheimer's disease. She also reclaims and destroys the unfinished score for her late husband's last commissioned workâa piece celebrating European unity following the end of the Cold War. Snatches of its music, however, haunt her throughout the film.
Despite her desire to live anonymously and alone, life in Paris forces Julie to confront elements of her past that she would rather not face. A boy who saw the accident seeks her out to give her a Christian cross he found by the car and to repeat her husband's last words, the punchline of an indelicate joke. She reluctantly befriends an exotic dancer named Lucille (Charlotte VÃ©ry) who is having an affair with one of the neighbors and helps her when she needs moral support. Then on TV she sees Olivier in an interview, announcing that he will try to complete Patrice's commission and showing pictures of Patrice with an attractive young woman.
While trying both to stop Olivier from completing the score and to find out who her husband's mistress was, she becomes more engaged in her former life. She tracks down Sandrine (Florence Pernel), Patrice's lover, and finds out that she is carrying his child; Julie arranges for her to have her husband's house, not yet sold, and recognition of his paternity for the child. This provokes her to restart her relationship with Olivier and to collaborate with him after all.
In the final sequence, part of their completed Unity of Europe piece is played (which features chorus and a solo soprano singing in Greek the praise of divine love in Saint Paul's first letter to the Corinthians) and images are seen of all the people Julie has affected by her actions. The final image is of Julie, cryingâthe second time she does so in the film.[4]

Question: Where does she mover after she sells the house?
Answer: Paris
Three Colors: Blue

Julie (Juliette Binoche), wife of the famous composer Patrice de Courcy, must cope with the death of her husband and daughter in an automobile accident she herself survives. While recovering in hospital, Julie attempts suicide by overdose, but cannot swallow the pills. After being released from hospital, Julie, who it is suggested wrote (or helped to write) much of her husband's famous pieces, destroys what is left behind of them. Calling Olivier (BenoÃ®t RÃ©gent), an unmarried collaborator of her husband's who has always admired her, she spends a night with him and says goodbye. Emptying the family house and putting it up for sale, she takes an apartment in Paris without telling anyone, her only memento being a mobile of blue beads that the viewer assumes belonged to her daughter.
Julie disassociates herself from all past memories and distances herself from former friendships, even being no longer recognised by her mother, who suffers from Alzheimer's disease. She also reclaims and destroys the unfinished score for her late husband's last commissioned workâa piece celebrating European unity following the end of the Cold War. Snatches of its music, however, haunt her throughout the film.
Despite her desire to live anonymously and alone, life in Paris forces Julie to confront elements of her past that she would rather not face. A boy who saw the accident seeks her out to give her a Christian cross he found by the car and to repeat her husband's last words, the punchline of an indelicate joke. She reluctantly befriends an exotic dancer named Lucille (Charlotte VÃ©ry) who is having an affair with one of the neighbors and helps her when she needs moral support. Then on TV she sees Olivier in an interview, announcing that he will try to complete Patrice's commission and showing pictures of Patrice with an attractive young woman.
While trying both to stop Olivier from completing the score and to find out who her husband's mistress was, she becomes more engaged in her former life. She tracks down Sandrine (Florence Pernel), Patrice's lover, and finds out that she is carrying his child; Julie arranges for her to have her husband's house, not yet sold, and recognition of his paternity for the child. This provokes her to restart her relationship with Olivier and to collaborate with him after all.
In the final sequence, part of their completed Unity of Europe piece is played (which features chorus and a solo soprano singing in Greek the praise of divine love in Saint Paul's first letter to the Corinthians) and images are seen of all the people Julie has affected by her actions. The final image is of Julie, cryingâthe second time she does so in the film.[4]

Question: How does Julie's husband and daughter die?
Answer: In an automobile accident
Three Colors: Blue

Julie (Juliette Binoche), wife of the famous composer Patrice de Courcy, must cope with the death of her husband and daughter in an automobile accident she herself survives. While recovering in hospital, Julie attempts suicide by overdose, but cannot swallow the pills. After being released from hospital, Julie, who it is suggested wrote (or helped to write) much of her husband's famous pieces, destroys what is left behind of them. Calling Olivier (BenoÃ®t RÃ©gent), an unmarried collaborator of her husband's who has always admired her, she spends a night with him and says goodbye. Emptying the family house and putting it up for sale, she takes an apartment in Paris without telling anyone, her only memento being a mobile of blue beads that the viewer assumes belonged to her daughter.
Julie disassociates herself from all past memories and distances herself from former friendships, even being no longer recognised by her mother, who suffers from Alzheimer's disease. She also reclaims and destroys the unfinished score for her late husband's last commissioned workâa piece celebrating European unity following the end of the Cold War. Snatches of its music, however, haunt her throughout the film.
Despite her desire to live anonymously and alone, life in Paris forces Julie to confront elements of her past that she would rather not face. A boy who saw the accident seeks her out to give her a Christian cross he found by the car and to repeat her husband's last words, the punchline of an indelicate joke. She reluctantly befriends an exotic dancer named Lucille (Charlotte VÃ©ry) who is having an affair with one of the neighbors and helps her when she needs moral support. Then on TV she sees Olivier in an interview, announcing that he will try to complete Patrice's commission and showing pictures of Patrice with an attractive young woman.
While trying both to stop Olivier from completing the score and to find out who her husband's mistress was, she becomes more engaged in her former life. She tracks down Sandrine (Florence Pernel), Patrice's lover, and finds out that she is carrying his child; Julie arranges for her to have her husband's house, not yet sold, and recognition of his paternity for the child. This provokes her to restart her relationship with Olivier and to collaborate with him after all.
In the final sequence, part of their completed Unity of Europe piece is played (which features chorus and a solo soprano singing in Greek the praise of divine love in Saint Paul's first letter to the Corinthians) and images are seen of all the people Julie has affected by her actions. The final image is of Julie, cryingâthe second time she does so in the film.[4]

Question: How did her family die?
Answer: Car accident
Three Colors: Blue

Julie (Juliette Binoche), wife of the famous composer Patrice de Courcy, must cope with the death of her husband and daughter in an automobile accident she herself survives. While recovering in hospital, Julie attempts suicide by overdose, but cannot swallow the pills. After being released from hospital, Julie, who it is suggested wrote (or helped to write) much of her husband's famous pieces, destroys what is left behind of them. Calling Olivier (BenoÃ®t RÃ©gent), an unmarried collaborator of her husband's who has always admired her, she spends a night with him and says goodbye. Emptying the family house and putting it up for sale, she takes an apartment in Paris without telling anyone, her only memento being a mobile of blue beads that the viewer assumes belonged to her daughter.
Julie disassociates herself from all past memories and distances herself from former friendships, even being no longer recognised by her mother, who suffers from Alzheimer's disease. She also reclaims and destroys the unfinished score for her late husband's last commissioned workâa piece celebrating European unity following the end of the Cold War. Snatches of its music, however, haunt her throughout the film.
Despite her desire to live anonymously and alone, life in Paris forces Julie to confront elements of her past that she would rather not face. A boy who saw the accident seeks her out to give her a Christian cross he found by the car and to repeat her husband's last words, the punchline of an indelicate joke. She reluctantly befriends an exotic dancer named Lucille (Charlotte VÃ©ry) who is having an affair with one of the neighbors and helps her when she needs moral support. Then on TV she sees Olivier in an interview, announcing that he will try to complete Patrice's commission and showing pictures of Patrice with an attractive young woman.
While trying both to stop Olivier from completing the score and to find out who her husband's mistress was, she becomes more engaged in her former life. She tracks down Sandrine (Florence Pernel), Patrice's lover, and finds out that she is carrying his child; Julie arranges for her to have her husband's house, not yet sold, and recognition of his paternity for the child. This provokes her to restart her relationship with Olivier and to collaborate with him after all.
In the final sequence, part of their completed Unity of Europe piece is played (which features chorus and a solo soprano singing in Greek the praise of divine love in Saint Paul's first letter to the Corinthians) and images are seen of all the people Julie has affected by her actions. The final image is of Julie, cryingâthe second time she does so in the film.[4]

Question: Who does Julie tell that she is moving to Paris?
Answer: No one
Three Colors: Blue

Julie (Juliette Binoche), wife of the famous composer Patrice de Courcy, must cope with the death of her husband and daughter in an automobile accident she herself survives. While recovering in hospital, Julie attempts suicide by overdose, but cannot swallow the pills. After being released from hospital, Julie, who it is suggested wrote (or helped to write) much of her husband's famous pieces, destroys what is left behind of them. Calling Olivier (BenoÃ®t RÃ©gent), an unmarried collaborator of her husband's who has always admired her, she spends a night with him and says goodbye. Emptying the family house and putting it up for sale, she takes an apartment in Paris without telling anyone, her only memento being a mobile of blue beads that the viewer assumes belonged to her daughter.
Julie disassociates herself from all past memories and distances herself from former friendships, even being no longer recognised by her mother, who suffers from Alzheimer's disease. She also reclaims and destroys the unfinished score for her late husband's last commissioned workâa piece celebrating European unity following the end of the Cold War. Snatches of its music, however, haunt her throughout the film.
Despite her desire to live anonymously and alone, life in Paris forces Julie to confront elements of her past that she would rather not face. A boy who saw the accident seeks her out to give her a Christian cross he found by the car and to repeat her husband's last words, the punchline of an indelicate joke. She reluctantly befriends an exotic dancer named Lucille (Charlotte VÃ©ry) who is having an affair with one of the neighbors and helps her when she needs moral support. Then on TV she sees Olivier in an interview, announcing that he will try to complete Patrice's commission and showing pictures of Patrice with an attractive young woman.
While trying both to stop Olivier from completing the score and to find out who her husband's mistress was, she becomes more engaged in her former life. She tracks down Sandrine (Florence Pernel), Patrice's lover, and finds out that she is carrying his child; Julie arranges for her to have her husband's house, not yet sold, and recognition of his paternity for the child. This provokes her to restart her relationship with Olivier and to collaborate with him after all.
In the final sequence, part of their completed Unity of Europe piece is played (which features chorus and a solo soprano singing in Greek the praise of divine love in Saint Paul's first letter to the Corinthians) and images are seen of all the people Julie has affected by her actions. The final image is of Julie, cryingâthe second time she does so in the film.[4]

Question: With who does Julie restart a relationship with
Answer: Oliver
Three Colors: Blue

Julie (Juliette Binoche), wife of the famous composer Patrice de Courcy, must cope with the death of her husband and daughter in an automobile accident she herself survives. While recovering in hospital, Julie attempts suicide by overdose, but cannot swallow the pills. After being released from hospital, Julie, who it is suggested wrote (or helped to write) much of her husband's famous pieces, destroys what is left behind of them. Calling Olivier (BenoÃ®t RÃ©gent), an unmarried collaborator of her husband's who has always admired her, she spends a night with him and says goodbye. Emptying the family house and putting it up for sale, she takes an apartment in Paris without telling anyone, her only memento being a mobile of blue beads that the viewer assumes belonged to her daughter.
Julie disassociates herself from all past memories and distances herself from former friendships, even being no longer recognised by her mother, who suffers from Alzheimer's disease. She also reclaims and destroys the unfinished score for her late husband's last commissioned workâa piece celebrating European unity following the end of the Cold War. Snatches of its music, however, haunt her throughout the film.
Despite her desire to live anonymously and alone, life in Paris forces Julie to confront elements of her past that she would rather not face. A boy who saw the accident seeks her out to give her a Christian cross he found by the car and to repeat her husband's last words, the punchline of an indelicate joke. She reluctantly befriends an exotic dancer named Lucille (Charlotte VÃ©ry) who is having an affair with one of the neighbors and helps her when she needs moral support. Then on TV she sees Olivier in an interview, announcing that he will try to complete Patrice's commission and showing pictures of Patrice with an attractive young woman.
While trying both to stop Olivier from completing the score and to find out who her husband's mistress was, she becomes more engaged in her former life. She tracks down Sandrine (Florence Pernel), Patrice's lover, and finds out that she is carrying his child; Julie arranges for her to have her husband's house, not yet sold, and recognition of his paternity for the child. This provokes her to restart her relationship with Olivier and to collaborate with him after all.
In the final sequence, part of their completed Unity of Europe piece is played (which features chorus and a solo soprano singing in Greek the praise of divine love in Saint Paul's first letter to the Corinthians) and images are seen of all the people Julie has affected by her actions. The final image is of Julie, cryingâthe second time she does so in the film.[4]

Question: What is Lucille's profession?
Answer: exotic dancer
K-PAX

Claiming to be an extraterrestrial from a planet called 'K-PAX' about one thousand light years away in the Lyra constellation, Prot (rhyming with the word "goat", played by Kevin Spacey) is committed to the Psychiatric Institute of Manhattan where psychiatrist Mark Powell (Jeff Bridges) begins to evaluate him as a delusional. However, Prot's unwavering ability to provide cogent answers to questions about himself, K-PAX, and its civilization leads Dr. Powell to introduce him to a group of astrophysicists, where Prot claims to have journeyed to Earth by means of "light-travel" and goes on to display rare knowledge that resolves a puzzle for them.After Prot explains that his people do not live in families, Dr. Powell invites Prot to his home for a July fourth picnic. Prot translates for the dog, eats, learns about Dr. Powell's family problems, and plays with the children until the sprinkler turns on and he freaks out.Prot exhibits considerable influence over the other patients at the Institute, each of whom believes unquestioningly that he is indeed from K-PAX. Prot has explained that he can take one person with him when he returns; thereafter most of the patients at the institute ask to be taken to K-PAX.Upon learning that many of his patients expect to leave Earth on July 27, Dr. Powell confronts Prot, who explains that it is a predetermined date. However, Powell believes this to be a significant date in Prot's life, a day on which he suffered a severe psychological trauma. Powell then decides to subject Prot to regression hypnosis, which works well. Using information gained from these sessions, Powell figures out that Prot is actually Robert Porter, a man presumed dead since attempting suicide after his wife and daughter were murdered in 1996.On July 27, what is thought to be Prot is found lying catatonic under his bed, and one of the other patients is also missing. The missing patient is never found, and Prot does not return. The other patients do not recognize Robert as he is being wheeled out of the room.

Question: What does Powell subject Prot to?
Answer: Regression hypnosis; Regression hypnosis
K-PAX

Claiming to be an extraterrestrial from a planet called 'K-PAX' about one thousand light years away in the Lyra constellation, Prot (rhyming with the word "goat", played by Kevin Spacey) is committed to the Psychiatric Institute of Manhattan where psychiatrist Mark Powell (Jeff Bridges) begins to evaluate him as a delusional. However, Prot's unwavering ability to provide cogent answers to questions about himself, K-PAX, and its civilization leads Dr. Powell to introduce him to a group of astrophysicists, where Prot claims to have journeyed to Earth by means of "light-travel" and goes on to display rare knowledge that resolves a puzzle for them.After Prot explains that his people do not live in families, Dr. Powell invites Prot to his home for a July fourth picnic. Prot translates for the dog, eats, learns about Dr. Powell's family problems, and plays with the children until the sprinkler turns on and he freaks out.Prot exhibits considerable influence over the other patients at the Institute, each of whom believes unquestioningly that he is indeed from K-PAX. Prot has explained that he can take one person with him when he returns; thereafter most of the patients at the institute ask to be taken to K-PAX.Upon learning that many of his patients expect to leave Earth on July 27, Dr. Powell confronts Prot, who explains that it is a predetermined date. However, Powell believes this to be a significant date in Prot's life, a day on which he suffered a severe psychological trauma. Powell then decides to subject Prot to regression hypnosis, which works well. Using information gained from these sessions, Powell figures out that Prot is actually Robert Porter, a man presumed dead since attempting suicide after his wife and daughter were murdered in 1996.On July 27, what is thought to be Prot is found lying catatonic under his bed, and one of the other patients is also missing. The missing patient is never found, and Prot does not return. The other patients do not recognize Robert as he is being wheeled out of the room.

Question: Why does Dr. Powell invite Prot to his home?
Answer: Fourth of July picnic