ibm-research/duorc huggingface dataset:
Sometimes They Come Back

Jim Norman, 36, a high school history teacher, moves back to his old hometown after accepting a teaching job there. He moved from the town after he witnessed his brother, Wayne, murdered by a gang of greasers in 1963. The murderers themselves were killed shortly afterward by an oncoming train, having parked on the tracks. Jim has nightmares about his brother's murder as he starts teaching in the town. Students that are close to him start to be involved in various accidents that look like suicides. One by one, students are slain so the greasers, disguised as living teens, can return to class.
The greasers plan to kill Jim the same way they murdered Wayne to keep themselves out of Hell. They intend to have a child witness the event, leading them to try to kidnap Jim's son Scott. Jim finds out that there is a way to let his own brother return. The gang also needs the remaining living member of their gang, Carl Mueller, who left before the train struck. Jim finds Carl, who panics, thinking Jim wants revenge. He runs back to town, fulfilling the gang's plan for a reunion.
The gang harasses Jim's family to ensure Jim's compliance in reenacting the murder. After the gang releases the family, Jim hides them inside a church, which the demonic gang cannot enter. Jim tries to bring his brother back in the church's graveyard as the gang lures his wife and son outside and hold them hostage. Jim finds that something is blocking Wayne's return, and must cooperate with the thugs in reenacting the murder. It also reveals that when Jim was a boy, Jim took the murderers' car keys that lead to their deaths. Jim recovered the keys. He returns to the train tunnel in which the first murder took place, though both he and Carl change their dialogue and actions from those taken 27 years before. Frustrated, the gang leader stabs Carl, which allows Wayne to come back. Wayne distracts the gang while Jim gets his family out of the gang's car. Jim gave the gang back their car keys. The gang tries to escape in their car, only to have it struck by a ghost train that resembles much like the one that killed them years ago, which sends them back to Hell.
Wayne offers to have Jim come with him to the afterlife, which Jim refuses. Wayne says he can move on to heaven and see his parents because the greasers are no longer a threat. Wayne goes back to the afterlife as Jim's family heads home.

Question: How old are Jim Norman?
Answer: 36 year old
Look

The Post-9/11 world has forever changed our notion of privacy. There are now approximately 30 million surveillance cameras generating more than 4 billion hours of footage every week in the United States. And the numbers are only growing. The average American is captured over 200 times a day - in department stores, gas stations, changing rooms, and even public bathrooms. No one is spared from the relentless, unblinking eye of cameras hidden in every nook and cranny of day-to-day life.Shot entirely from the point of view of the security cameras. Adam Rifkin's "Look" follows several interweaving, storylines over the course of a random week in a random city.A high school English teacher tries his best to be a decent husband; a department store floor manager uses the warehouse for more than just storage; a Mini-Mart clerk has big dreams; a lawyer struggles with a sexual dilemma; and two sociopaths thrive on ruining the lives of random strangers. "Look" tells five private stories which unfold before the prying eye of the covert camera to chilling effect.We all choose to hide aspects our lives from those around us, whether it is as benign as picking our noses in an empty elevator or something much darker. "Look" poses the pivotal question: Are we always alone when we think we are?"Look" around you and wonder... who is watching? [D-Man2010]

Question: How many times an average American is captured in a day?
Answer: Over 200
Look

The Post-9/11 world has forever changed our notion of privacy. There are now approximately 30 million surveillance cameras generating more than 4 billion hours of footage every week in the United States. And the numbers are only growing. The average American is captured over 200 times a day - in department stores, gas stations, changing rooms, and even public bathrooms. No one is spared from the relentless, unblinking eye of cameras hidden in every nook and cranny of day-to-day life.Shot entirely from the point of view of the security cameras. Adam Rifkin's "Look" follows several interweaving, storylines over the course of a random week in a random city.A high school English teacher tries his best to be a decent husband; a department store floor manager uses the warehouse for more than just storage; a Mini-Mart clerk has big dreams; a lawyer struggles with a sexual dilemma; and two sociopaths thrive on ruining the lives of random strangers. "Look" tells five private stories which unfold before the prying eye of the covert camera to chilling effect.We all choose to hide aspects our lives from those around us, whether it is as benign as picking our noses in an empty elevator or something much darker. "Look" poses the pivotal question: Are we always alone when we think we are?"Look" around you and wonder... who is watching? [D-Man2010]

Question: How many private stories "Look" tells which unfold before the prying eye of the covert camera to chilling effect?
Answer: Five
Look

The Post-9/11 world has forever changed our notion of privacy. There are now approximately 30 million surveillance cameras generating more than 4 billion hours of footage every week in the United States. And the numbers are only growing. The average American is captured over 200 times a day - in department stores, gas stations, changing rooms, and even public bathrooms. No one is spared from the relentless, unblinking eye of cameras hidden in every nook and cranny of day-to-day life.Shot entirely from the point of view of the security cameras. Adam Rifkin's "Look" follows several interweaving, storylines over the course of a random week in a random city.A high school English teacher tries his best to be a decent husband; a department store floor manager uses the warehouse for more than just storage; a Mini-Mart clerk has big dreams; a lawyer struggles with a sexual dilemma; and two sociopaths thrive on ruining the lives of random strangers. "Look" tells five private stories which unfold before the prying eye of the covert camera to chilling effect.We all choose to hide aspects our lives from those around us, whether it is as benign as picking our noses in an empty elevator or something much darker. "Look" poses the pivotal question: Are we always alone when we think we are?"Look" around you and wonder... who is watching? [D-Man2010]

Question: There are how many surveillance cameras generating more than 4 billion hours of footage every week in the United States?
Answer: Approximately 30 million
Immortal Beloved

When Ludwig van Beethoven dies, his assistant and close friend Schindler deals with his last will and testament. It reads that his estate, music and affairs will be left to his "immortal beloved", but there remains a question as to who Beethoven's "immortal beloved", an unnamed woman mentioned in one of his letters, may be. Schindler embarks on a quest to find out who this woman is. He meets the women who played a part in Ludwig's life; through their stories, retrospective footage of Beethoven from his younger years until his death is featured as the film progresses. The conclusion ultimately is that the individual is Johanna Reiss, the daughter of Anton Van Reiss, a prosperous Viennese upholsterer. In the film, she becomes pregnant by Beethoven; when by an accidental turn of events he does not marry her in time, she marries his brother, Kaspar. The love turns to hate, worsened by the long legal battle over custody over their son, Karl van Beethoven (whom everyone believes is Beethoven's nephew). Finally, Ludwig gets custody over his 'nephew', but the strict upbringing and promotion of the boy as another child prodigy -which Karl himself knows all too well he is not,- leads to him attempting suicide. Beethoven is blamed and his reputation is ruined.
Schindler finally speaks to Johanna, who says she has made her peace with him. She met him at his deathbed, where he gave her a signed letter, giving her custody over Karl. She tells Schindler about their intentions to elope, but Beethoven never showed up, and she felt betrayed. Schindler realizes what happened and gives her the letter to the "Immortal Beloved" in which she finally reads what happened that night they were supposed to meet. Shocked to find out how an unfortunate event and misunderstanding has kept them apart, she visits the grave of Beethoven in the closing scene.

Question: Who finally speaks to Johanna?
Answer: Schindler
Immortal Beloved

When Ludwig van Beethoven dies, his assistant and close friend Schindler deals with his last will and testament. It reads that his estate, music and affairs will be left to his "immortal beloved", but there remains a question as to who Beethoven's "immortal beloved", an unnamed woman mentioned in one of his letters, may be. Schindler embarks on a quest to find out who this woman is. He meets the women who played a part in Ludwig's life; through their stories, retrospective footage of Beethoven from his younger years until his death is featured as the film progresses. The conclusion ultimately is that the individual is Johanna Reiss, the daughter of Anton Van Reiss, a prosperous Viennese upholsterer. In the film, she becomes pregnant by Beethoven; when by an accidental turn of events he does not marry her in time, she marries his brother, Kaspar. The love turns to hate, worsened by the long legal battle over custody over their son, Karl van Beethoven (whom everyone believes is Beethoven's nephew). Finally, Ludwig gets custody over his 'nephew', but the strict upbringing and promotion of the boy as another child prodigy -which Karl himself knows all too well he is not,- leads to him attempting suicide. Beethoven is blamed and his reputation is ruined.
Schindler finally speaks to Johanna, who says she has made her peace with him. She met him at his deathbed, where he gave her a signed letter, giving her custody over Karl. She tells Schindler about their intentions to elope, but Beethoven never showed up, and she felt betrayed. Schindler realizes what happened and gives her the letter to the "Immortal Beloved" in which she finally reads what happened that night they were supposed to meet. Shocked to find out how an unfortunate event and misunderstanding has kept them apart, she visits the grave of Beethoven in the closing scene.

Question: Who does Johanna meet at their deathbed?
Answer: Schindler
Immortal Beloved

When Ludwig van Beethoven dies, his assistant and close friend Schindler deals with his last will and testament. It reads that his estate, music and affairs will be left to his "immortal beloved", but there remains a question as to who Beethoven's "immortal beloved", an unnamed woman mentioned in one of his letters, may be. Schindler embarks on a quest to find out who this woman is. He meets the women who played a part in Ludwig's life; through their stories, retrospective footage of Beethoven from his younger years until his death is featured as the film progresses. The conclusion ultimately is that the individual is Johanna Reiss, the daughter of Anton Van Reiss, a prosperous Viennese upholsterer. In the film, she becomes pregnant by Beethoven; when by an accidental turn of events he does not marry her in time, she marries his brother, Kaspar. The love turns to hate, worsened by the long legal battle over custody over their son, Karl van Beethoven (whom everyone believes is Beethoven's nephew). Finally, Ludwig gets custody over his 'nephew', but the strict upbringing and promotion of the boy as another child prodigy -which Karl himself knows all too well he is not,- leads to him attempting suicide. Beethoven is blamed and his reputation is ruined.
Schindler finally speaks to Johanna, who says she has made her peace with him. She met him at his deathbed, where he gave her a signed letter, giving her custody over Karl. She tells Schindler about their intentions to elope, but Beethoven never showed up, and she felt betrayed. Schindler realizes what happened and gives her the letter to the "Immortal Beloved" in which she finally reads what happened that night they were supposed to meet. Shocked to find out how an unfortunate event and misunderstanding has kept them apart, she visits the grave of Beethoven in the closing scene.

Question: Who gives Johanna the letter?
Answer: Schindler
Immortal Beloved

When Ludwig van Beethoven dies, his assistant and close friend Schindler deals with his last will and testament. It reads that his estate, music and affairs will be left to his "immortal beloved", but there remains a question as to who Beethoven's "immortal beloved", an unnamed woman mentioned in one of his letters, may be. Schindler embarks on a quest to find out who this woman is. He meets the women who played a part in Ludwig's life; through their stories, retrospective footage of Beethoven from his younger years until his death is featured as the film progresses. The conclusion ultimately is that the individual is Johanna Reiss, the daughter of Anton Van Reiss, a prosperous Viennese upholsterer. In the film, she becomes pregnant by Beethoven; when by an accidental turn of events he does not marry her in time, she marries his brother, Kaspar. The love turns to hate, worsened by the long legal battle over custody over their son, Karl van Beethoven (whom everyone believes is Beethoven's nephew). Finally, Ludwig gets custody over his 'nephew', but the strict upbringing and promotion of the boy as another child prodigy -which Karl himself knows all too well he is not,- leads to him attempting suicide. Beethoven is blamed and his reputation is ruined.
Schindler finally speaks to Johanna, who says she has made her peace with him. She met him at his deathbed, where he gave her a signed letter, giving her custody over Karl. She tells Schindler about their intentions to elope, but Beethoven never showed up, and she felt betrayed. Schindler realizes what happened and gives her the letter to the "Immortal Beloved" in which she finally reads what happened that night they were supposed to meet. Shocked to find out how an unfortunate event and misunderstanding has kept them apart, she visits the grave of Beethoven in the closing scene.

Question: Whose grave does Johanna visit?
Answer: Beethoven
Immortal Beloved

When Ludwig van Beethoven dies, his assistant and close friend Schindler deals with his last will and testament. It reads that his estate, music and affairs will be left to his "immortal beloved", but there remains a question as to who Beethoven's "immortal beloved", an unnamed woman mentioned in one of his letters, may be. Schindler embarks on a quest to find out who this woman is. He meets the women who played a part in Ludwig's life; through their stories, retrospective footage of Beethoven from his younger years until his death is featured as the film progresses. The conclusion ultimately is that the individual is Johanna Reiss, the daughter of Anton Van Reiss, a prosperous Viennese upholsterer. In the film, she becomes pregnant by Beethoven; when by an accidental turn of events he does not marry her in time, she marries his brother, Kaspar. The love turns to hate, worsened by the long legal battle over custody over their son, Karl van Beethoven (whom everyone believes is Beethoven's nephew). Finally, Ludwig gets custody over his 'nephew', but the strict upbringing and promotion of the boy as another child prodigy -which Karl himself knows all too well he is not,- leads to him attempting suicide. Beethoven is blamed and his reputation is ruined.
Schindler finally speaks to Johanna, who says she has made her peace with him. She met him at his deathbed, where he gave her a signed letter, giving her custody over Karl. She tells Schindler about their intentions to elope, but Beethoven never showed up, and she felt betrayed. Schindler realizes what happened and gives her the letter to the "Immortal Beloved" in which she finally reads what happened that night they were supposed to meet. Shocked to find out how an unfortunate event and misunderstanding has kept them apart, she visits the grave of Beethoven in the closing scene.

Question: Who never showed up?
Answer: Beethoven
Immortal Beloved

When Ludwig van Beethoven dies, his assistant and close friend Schindler deals with his last will and testament. It reads that his estate, music and affairs will be left to his "immortal beloved", but there remains a question as to who Beethoven's "immortal beloved", an unnamed woman mentioned in one of his letters, may be. Schindler embarks on a quest to find out who this woman is. He meets the women who played a part in Ludwig's life; through their stories, retrospective footage of Beethoven from his younger years until his death is featured as the film progresses. The conclusion ultimately is that the individual is Johanna Reiss, the daughter of Anton Van Reiss, a prosperous Viennese upholsterer. In the film, she becomes pregnant by Beethoven; when by an accidental turn of events he does not marry her in time, she marries his brother, Kaspar. The love turns to hate, worsened by the long legal battle over custody over their son, Karl van Beethoven (whom everyone believes is Beethoven's nephew). Finally, Ludwig gets custody over his 'nephew', but the strict upbringing and promotion of the boy as another child prodigy -which Karl himself knows all too well he is not,- leads to him attempting suicide. Beethoven is blamed and his reputation is ruined.
Schindler finally speaks to Johanna, who says she has made her peace with him. She met him at his deathbed, where he gave her a signed letter, giving her custody over Karl. She tells Schindler about their intentions to elope, but Beethoven never showed up, and she felt betrayed. Schindler realizes what happened and gives her the letter to the "Immortal Beloved" in which she finally reads what happened that night they were supposed to meet. Shocked to find out how an unfortunate event and misunderstanding has kept them apart, she visits the grave of Beethoven in the closing scene.

Question: Who did Beethoven leaves his estate, music and affairs with?
Answer: Immortal beloved
Immortal Beloved

When Ludwig van Beethoven dies, his assistant and close friend Schindler deals with his last will and testament. It reads that his estate, music and affairs will be left to his "immortal beloved", but there remains a question as to who Beethoven's "immortal beloved", an unnamed woman mentioned in one of his letters, may be. Schindler embarks on a quest to find out who this woman is. He meets the women who played a part in Ludwig's life; through their stories, retrospective footage of Beethoven from his younger years until his death is featured as the film progresses. The conclusion ultimately is that the individual is Johanna Reiss, the daughter of Anton Van Reiss, a prosperous Viennese upholsterer. In the film, she becomes pregnant by Beethoven; when by an accidental turn of events he does not marry her in time, she marries his brother, Kaspar. The love turns to hate, worsened by the long legal battle over custody over their son, Karl van Beethoven (whom everyone believes is Beethoven's nephew). Finally, Ludwig gets custody over his 'nephew', but the strict upbringing and promotion of the boy as another child prodigy -which Karl himself knows all too well he is not,- leads to him attempting suicide. Beethoven is blamed and his reputation is ruined.
Schindler finally speaks to Johanna, who says she has made her peace with him. She met him at his deathbed, where he gave her a signed letter, giving her custody over Karl. She tells Schindler about their intentions to elope, but Beethoven never showed up, and she felt betrayed. Schindler realizes what happened and gives her the letter to the "Immortal Beloved" in which she finally reads what happened that night they were supposed to meet. Shocked to find out how an unfortunate event and misunderstanding has kept them apart, she visits the grave of Beethoven in the closing scene.

Question: Who becomes pregnant by Beethoven?
Answer: Johanna Reiss
Immortal Beloved

When Ludwig van Beethoven dies, his assistant and close friend Schindler deals with his last will and testament. It reads that his estate, music and affairs will be left to his "immortal beloved", but there remains a question as to who Beethoven's "immortal beloved", an unnamed woman mentioned in one of his letters, may be. Schindler embarks on a quest to find out who this woman is. He meets the women who played a part in Ludwig's life; through their stories, retrospective footage of Beethoven from his younger years until his death is featured as the film progresses. The conclusion ultimately is that the individual is Johanna Reiss, the daughter of Anton Van Reiss, a prosperous Viennese upholsterer. In the film, she becomes pregnant by Beethoven; when by an accidental turn of events he does not marry her in time, she marries his brother, Kaspar. The love turns to hate, worsened by the long legal battle over custody over their son, Karl van Beethoven (whom everyone believes is Beethoven's nephew). Finally, Ludwig gets custody over his 'nephew', but the strict upbringing and promotion of the boy as another child prodigy -which Karl himself knows all too well he is not,- leads to him attempting suicide. Beethoven is blamed and his reputation is ruined.
Schindler finally speaks to Johanna, who says she has made her peace with him. She met him at his deathbed, where he gave her a signed letter, giving her custody over Karl. She tells Schindler about their intentions to elope, but Beethoven never showed up, and she felt betrayed. Schindler realizes what happened and gives her the letter to the "Immortal Beloved" in which she finally reads what happened that night they were supposed to meet. Shocked to find out how an unfortunate event and misunderstanding has kept them apart, she visits the grave of Beethoven in the closing scene.

Question: What does Johanna tell Schindler about her intentions to do?
Answer: elope
Immortal Beloved

When Ludwig van Beethoven dies, his assistant and close friend Schindler deals with his last will and testament. It reads that his estate, music and affairs will be left to his "immortal beloved", but there remains a question as to who Beethoven's "immortal beloved", an unnamed woman mentioned in one of his letters, may be. Schindler embarks on a quest to find out who this woman is. He meets the women who played a part in Ludwig's life; through their stories, retrospective footage of Beethoven from his younger years until his death is featured as the film progresses. The conclusion ultimately is that the individual is Johanna Reiss, the daughter of Anton Van Reiss, a prosperous Viennese upholsterer. In the film, she becomes pregnant by Beethoven; when by an accidental turn of events he does not marry her in time, she marries his brother, Kaspar. The love turns to hate, worsened by the long legal battle over custody over their son, Karl van Beethoven (whom everyone believes is Beethoven's nephew). Finally, Ludwig gets custody over his 'nephew', but the strict upbringing and promotion of the boy as another child prodigy -which Karl himself knows all too well he is not,- leads to him attempting suicide. Beethoven is blamed and his reputation is ruined.
Schindler finally speaks to Johanna, who says she has made her peace with him. She met him at his deathbed, where he gave her a signed letter, giving her custody over Karl. She tells Schindler about their intentions to elope, but Beethoven never showed up, and she felt betrayed. Schindler realizes what happened and gives her the letter to the "Immortal Beloved" in which she finally reads what happened that night they were supposed to meet. Shocked to find out how an unfortunate event and misunderstanding has kept them apart, she visits the grave of Beethoven in the closing scene.

Question: Who deals with Ludwig van Beethoven's last will and testament?
Answer: Schindler