ibm-research/duorc huggingface dataset:
If...

Set in a British public school (a fee-paying boarding school) in the late 1960s, the film opens as the pupils return for a new term. Mick Travis (Malcolm McDowell), Wallace (Richard Warwick), and Johnny (David Wood) are three non-conformist boys in the lower sixth form (the penultimate year). They are watched and persecuted by the "Whips", upper sixth formers given authority as prefects over the other boys, while the younger boys, the juniors, (whom the prefects degradingly call "Scum") are made to "fag" (act as personal servants) for the Whips. The Whips also make the juniors the subject of homosexual flirtatiousness.
Early scenes show the school's customs and traditions. The headmaster (Peter Jeffrey) is somewhat remote from the boys and the housemasters. Mick's housemaster, Mr Kemp (Arthur Lowe), is easily manipulated by the Whips into giving them a free hand in enforcing discipline. Some members of the staff are shown behaving cruelly or bizarrely.
One day, Mick and Johnny sneak off campus and steal a motorbike from a showroom. They ride to a cafe staffed by The Girl, and Mick has a fantasy nude wrestling encounter with her. Meanwhile, Wallace flirts with a younger boy Bobby Philips.
The three boys drink vodka in their study and consider how "one man can change the world with a bullet in the right place." Their clashes with school authorities become increasingly contentious. Eventually, a brutal caning by the Whips spurs them to action.
In a surreal sequence, they discover a cache of automatic weapons while cleaning out a storeroom. The Girl appears and together they commit to revolt against the establishment. On Founders' Day, when parents are visiting the school, they start a fire under the hall, smoke everyone out of the building, and open fire on them from the rooftop. Led by the visiting General who was giving a speech, the staff, boys, and parents break open the Combined Cadet Force armoury and fire back.
The headmaster tries to stop the firefight and calls for peace. The Girl produces a gun from her belt and shoots the headmaster through the forehead. The battle continues, and the camera closes in on Mick's face as he keeps firing. The screen fades to black, gunfire is heard, and "if...." is seen in red letters.

Question: When are the parents visiting the school?
Answer: Founders' Day
If...

Set in a British public school (a fee-paying boarding school) in the late 1960s, the film opens as the pupils return for a new term. Mick Travis (Malcolm McDowell), Wallace (Richard Warwick), and Johnny (David Wood) are three non-conformist boys in the lower sixth form (the penultimate year). They are watched and persecuted by the "Whips", upper sixth formers given authority as prefects over the other boys, while the younger boys, the juniors, (whom the prefects degradingly call "Scum") are made to "fag" (act as personal servants) for the Whips. The Whips also make the juniors the subject of homosexual flirtatiousness.
Early scenes show the school's customs and traditions. The headmaster (Peter Jeffrey) is somewhat remote from the boys and the housemasters. Mick's housemaster, Mr Kemp (Arthur Lowe), is easily manipulated by the Whips into giving them a free hand in enforcing discipline. Some members of the staff are shown behaving cruelly or bizarrely.
One day, Mick and Johnny sneak off campus and steal a motorbike from a showroom. They ride to a cafe staffed by The Girl, and Mick has a fantasy nude wrestling encounter with her. Meanwhile, Wallace flirts with a younger boy Bobby Philips.
The three boys drink vodka in their study and consider how "one man can change the world with a bullet in the right place." Their clashes with school authorities become increasingly contentious. Eventually, a brutal caning by the Whips spurs them to action.
In a surreal sequence, they discover a cache of automatic weapons while cleaning out a storeroom. The Girl appears and together they commit to revolt against the establishment. On Founders' Day, when parents are visiting the school, they start a fire under the hall, smoke everyone out of the building, and open fire on them from the rooftop. Led by the visiting General who was giving a speech, the staff, boys, and parents break open the Combined Cadet Force armoury and fire back.
The headmaster tries to stop the firefight and calls for peace. The Girl produces a gun from her belt and shoots the headmaster through the forehead. The battle continues, and the camera closes in on Mick's face as he keeps firing. The screen fades to black, gunfire is heard, and "if...." is seen in red letters.

Question: Who was headmaster?
Answer: Peter Jeffrey
The Flesh Eaters

A group of young adults are stranded on an island, surrounded by a sea of peril and death. The glowing dots in the water are voracious flesh-eaters, waiting to devour any unfortunate victim. These unfortunate people happen to be stranded with a mad scientist. He collects a few of these flesh-eaters, and begins to experiment on them. Some of the castaways meet with untimely, and often viciously ugly, deaths as the scientist continues to poke at the organisms. Finally, his experiments go awry and the flesh-eaters become a large, gelatinous mass of mutation, hell-bent on devouring every living thing in sight. Our brave surviving castaways discover that blood will kill these organisms, so they inject blood into the center of the gelatinous mass and allow nature to eliminate the fiend.

Question: What happens to some of the castaways?
Answer: They die
The Flesh Eaters

A group of young adults are stranded on an island, surrounded by a sea of peril and death. The glowing dots in the water are voracious flesh-eaters, waiting to devour any unfortunate victim. These unfortunate people happen to be stranded with a mad scientist. He collects a few of these flesh-eaters, and begins to experiment on them. Some of the castaways meet with untimely, and often viciously ugly, deaths as the scientist continues to poke at the organisms. Finally, his experiments go awry and the flesh-eaters become a large, gelatinous mass of mutation, hell-bent on devouring every living thing in sight. Our brave surviving castaways discover that blood will kill these organisms, so they inject blood into the center of the gelatinous mass and allow nature to eliminate the fiend.

Question: What do the castaways discover that kills the flesh eating organisms?
Answer: Bloood
The Flesh Eaters

A group of young adults are stranded on an island, surrounded by a sea of peril and death. The glowing dots in the water are voracious flesh-eaters, waiting to devour any unfortunate victim. These unfortunate people happen to be stranded with a mad scientist. He collects a few of these flesh-eaters, and begins to experiment on them. Some of the castaways meet with untimely, and often viciously ugly, deaths as the scientist continues to poke at the organisms. Finally, his experiments go awry and the flesh-eaters become a large, gelatinous mass of mutation, hell-bent on devouring every living thing in sight. Our brave surviving castaways discover that blood will kill these organisms, so they inject blood into the center of the gelatinous mass and allow nature to eliminate the fiend.

Question: Who are the castaways stranded with?
Answer: A mad scientist
Twisted

Police officer Jessica Shepard (Ashley Judd) has just been transferred to homicide and promoted to detective inspector. Her first big case is a murder investigation of a man she has dated. The next day, another man shows up dead with the same cigarette burn on his hand, and he had also dated Jessica. The police are now looking for a serial killer who has the propensity to kill men Jessica has dated. Jessica begins to have dreams about her past, and she opens a box that belonged to her father. Jessica's father was a police officer who went crazy and killed his wife and her lovers, and then himself. His partner and later police commissioner John (Samuel L. Jackson) raised Jessica, and taught her everything about police work. When a third murder occurs, her partner, Mike Delmarco (Andy Garcia) begins to watch and protect Jessica. Jessica goes to jail after the fourth victim ends up in her bed. She has no memory of any of the murders, because she blacks out before each murder. The killer is eventually revealed to be John.

Question: After which victim does Jessica go to jail?
Answer: Fourth
Twisted

Police officer Jessica Shepard (Ashley Judd) has just been transferred to homicide and promoted to detective inspector. Her first big case is a murder investigation of a man she has dated. The next day, another man shows up dead with the same cigarette burn on his hand, and he had also dated Jessica. The police are now looking for a serial killer who has the propensity to kill men Jessica has dated. Jessica begins to have dreams about her past, and she opens a box that belonged to her father. Jessica's father was a police officer who went crazy and killed his wife and her lovers, and then himself. His partner and later police commissioner John (Samuel L. Jackson) raised Jessica, and taught her everything about police work. When a third murder occurs, her partner, Mike Delmarco (Andy Garcia) begins to watch and protect Jessica. Jessica goes to jail after the fourth victim ends up in her bed. She has no memory of any of the murders, because she blacks out before each murder. The killer is eventually revealed to be John.

Question: Who raised Jessica after her mother's and father's deaths?
Answer: John
Twisted

Police officer Jessica Shepard (Ashley Judd) has just been transferred to homicide and promoted to detective inspector. Her first big case is a murder investigation of a man she has dated. The next day, another man shows up dead with the same cigarette burn on his hand, and he had also dated Jessica. The police are now looking for a serial killer who has the propensity to kill men Jessica has dated. Jessica begins to have dreams about her past, and she opens a box that belonged to her father. Jessica's father was a police officer who went crazy and killed his wife and her lovers, and then himself. His partner and later police commissioner John (Samuel L. Jackson) raised Jessica, and taught her everything about police work. When a third murder occurs, her partner, Mike Delmarco (Andy Garcia) begins to watch and protect Jessica. Jessica goes to jail after the fourth victim ends up in her bed. She has no memory of any of the murders, because she blacks out before each murder. The killer is eventually revealed to be John.

Question: What position has Jessica Shepard been promoted to?
Answer: Detective inspector
The Age of Stupid

The film begins in the year 2055, in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps, and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archival footage from back "when we could have saved ourselves", trying to discern where it all went wrong.
Amid news reports of the gathering effects of climate change and global civilization teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people around the year 2008 and switch the film's narrative form from fiction to fact. In addition to the framing narrative in 2055, the news clips and the documentary footage of the six personal stories, the films includes animated segments and brief interviews with Mark Lynas and George Monbiot, created for the film.[citation needed]

Question: Who plays the role of the archivist?
Answer: Pete Postlethwaite
The Age of Stupid

The film begins in the year 2055, in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps, and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archival footage from back "when we could have saved ourselves", trying to discern where it all went wrong.
Amid news reports of the gathering effects of climate change and global civilization teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people around the year 2008 and switch the film's narrative form from fiction to fact. In addition to the framing narrative in 2055, the news clips and the documentary footage of the six personal stories, the films includes animated segments and brief interviews with Mark Lynas and George Monbiot, created for the film.[citation needed]

Question: Off of what coast is the archivist's repository located?
Answer: Arctic
The Age of Stupid

The film begins in the year 2055, in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps, and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archival footage from back "when we could have saved ourselves", trying to discern where it all went wrong.
Amid news reports of the gathering effects of climate change and global civilization teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people around the year 2008 and switch the film's narrative form from fiction to fact. In addition to the framing narrative in 2055, the news clips and the documentary footage of the six personal stories, the films includes animated segments and brief interviews with Mark Lynas and George Monbiot, created for the film.[citation needed]

Question: What are the reports about ?
Answer: Climate change and global civilization's destruction.
The Age of Stupid

The film begins in the year 2055, in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps, and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archival footage from back "when we could have saved ourselves", trying to discern where it all went wrong.
Amid news reports of the gathering effects of climate change and global civilization teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people around the year 2008 and switch the film's narrative form from fiction to fact. In addition to the framing narrative in 2055, the news clips and the documentary footage of the six personal stories, the films includes animated segments and brief interviews with Mark Lynas and George Monbiot, created for the film.[citation needed]

Question: What city is burning?
Answer: Sydney
The Age of Stupid

The film begins in the year 2055, in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps, and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archival footage from back "when we could have saved ourselves", trying to discern where it all went wrong.
Amid news reports of the gathering effects of climate change and global civilization teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people around the year 2008 and switch the film's narrative form from fiction to fact. In addition to the framing narrative in 2055, the news clips and the documentary footage of the six personal stories, the films includes animated segments and brief interviews with Mark Lynas and George Monbiot, created for the film.[citation needed]

Question: What country has nuclear war destroyed?
Answer: India
The Age of Stupid

The film begins in the year 2055, in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps, and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archival footage from back "when we could have saved ourselves", trying to discern where it all went wrong.
Amid news reports of the gathering effects of climate change and global civilization teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people around the year 2008 and switch the film's narrative form from fiction to fact. In addition to the framing narrative in 2055, the news clips and the documentary footage of the six personal stories, the films includes animated segments and brief interviews with Mark Lynas and George Monbiot, created for the film.[citation needed]

Question: What form do the six stories take the form of ?
Answer: Interweaving documentary segments.
The Age of Stupid

The film begins in the year 2055, in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps, and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archival footage from back "when we could have saved ourselves", trying to discern where it all went wrong.
Amid news reports of the gathering effects of climate change and global civilization teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people around the year 2008 and switch the film's narrative form from fiction to fact. In addition to the framing narrative in 2055, the news clips and the documentary footage of the six personal stories, the films includes animated segments and brief interviews with Mark Lynas and George Monbiot, created for the film.[citation needed]

Question: What was wrong with the Arctic?
Answer: It was ice-free; It was ice-free
The Age of Stupid

The film begins in the year 2055, in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps, and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archival footage from back "when we could have saved ourselves", trying to discern where it all went wrong.
Amid news reports of the gathering effects of climate change and global civilization teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people around the year 2008 and switch the film's narrative form from fiction to fact. In addition to the framing narrative in 2055, the news clips and the documentary footage of the six personal stories, the films includes animated segments and brief interviews with Mark Lynas and George Monbiot, created for the film.[citation needed]

Question: What city is flooded?
Answer: London
The Age of Stupid

The film begins in the year 2055, in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps, and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archival footage from back "when we could have saved ourselves", trying to discern where it all went wrong.
Amid news reports of the gathering effects of climate change and global civilization teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people around the year 2008 and switch the film's narrative form from fiction to fact. In addition to the framing narrative in 2055, the news clips and the documentary footage of the six personal stories, the films includes animated segments and brief interviews with Mark Lynas and George Monbiot, created for the film.[citation needed]

Question: What year does the film begin?
Answer: 2055; 2055