ibm-research/duorc huggingface dataset:
Callas Forever

The year is 1977, and we find opera legend Maria Callas (Fanny Ardant) in virtual reclusion, haunted by the ghosts of her career. Longtime friend and music promoter Larry Kelly (Jeremy Irons) is in town -Paris- promoting a punk rock band, and decides to call on Callas. She, however, will not see him due to a disastrous Japanese tour set up for her by Kelly, and on which Callas was very disappointed with her performances. But after some rather aggressive persuasion, he gets in to see her. After chatting a bit, Kelly reveals his primary purpose for the visit: a new project for the aging diva. He proposes that she appear in a series of film versions of her greatest opera roles, but her voice would be dubbed from her best previous recordings. Initially resistant, citing her inability to bring anything new and fresh to roles she has played hundreds of times, she finally consents to doing a film version of Bizet's Carmen, as she has never performed that role live on stage, only in recordings. Carmen goes into production, and with the help of Kelly, another longtime friend and journalist Sarah Keller (Joan Plowright), her director and costars, Callas rediscovers the thrill of artistic creation that she thought she had lost, and the love and adoration that millions of fans still have for the diva and her iconic voice.

Question: What film does Callas consent to?
Answer: Bizet's Carmen
Callas Forever

The year is 1977, and we find opera legend Maria Callas (Fanny Ardant) in virtual reclusion, haunted by the ghosts of her career. Longtime friend and music promoter Larry Kelly (Jeremy Irons) is in town -Paris- promoting a punk rock band, and decides to call on Callas. She, however, will not see him due to a disastrous Japanese tour set up for her by Kelly, and on which Callas was very disappointed with her performances. But after some rather aggressive persuasion, he gets in to see her. After chatting a bit, Kelly reveals his primary purpose for the visit: a new project for the aging diva. He proposes that she appear in a series of film versions of her greatest opera roles, but her voice would be dubbed from her best previous recordings. Initially resistant, citing her inability to bring anything new and fresh to roles she has played hundreds of times, she finally consents to doing a film version of Bizet's Carmen, as she has never performed that role live on stage, only in recordings. Carmen goes into production, and with the help of Kelly, another longtime friend and journalist Sarah Keller (Joan Plowright), her director and costars, Callas rediscovers the thrill of artistic creation that she thought she had lost, and the love and adoration that millions of fans still have for the diva and her iconic voice.

Question: Did Larry decide against calling on Maria Callas while in Paris?
Answer: no
Callas Forever

The year is 1977, and we find opera legend Maria Callas (Fanny Ardant) in virtual reclusion, haunted by the ghosts of her career. Longtime friend and music promoter Larry Kelly (Jeremy Irons) is in town -Paris- promoting a punk rock band, and decides to call on Callas. She, however, will not see him due to a disastrous Japanese tour set up for her by Kelly, and on which Callas was very disappointed with her performances. But after some rather aggressive persuasion, he gets in to see her. After chatting a bit, Kelly reveals his primary purpose for the visit: a new project for the aging diva. He proposes that she appear in a series of film versions of her greatest opera roles, but her voice would be dubbed from her best previous recordings. Initially resistant, citing her inability to bring anything new and fresh to roles she has played hundreds of times, she finally consents to doing a film version of Bizet's Carmen, as she has never performed that role live on stage, only in recordings. Carmen goes into production, and with the help of Kelly, another longtime friend and journalist Sarah Keller (Joan Plowright), her director and costars, Callas rediscovers the thrill of artistic creation that she thought she had lost, and the love and adoration that millions of fans still have for the diva and her iconic voice.

Question: Why does she consent to doing Bizet's Carmen?
Answer: She never performed the role live.
Callas Forever

The year is 1977, and we find opera legend Maria Callas (Fanny Ardant) in virtual reclusion, haunted by the ghosts of her career. Longtime friend and music promoter Larry Kelly (Jeremy Irons) is in town -Paris- promoting a punk rock band, and decides to call on Callas. She, however, will not see him due to a disastrous Japanese tour set up for her by Kelly, and on which Callas was very disappointed with her performances. But after some rather aggressive persuasion, he gets in to see her. After chatting a bit, Kelly reveals his primary purpose for the visit: a new project for the aging diva. He proposes that she appear in a series of film versions of her greatest opera roles, but her voice would be dubbed from her best previous recordings. Initially resistant, citing her inability to bring anything new and fresh to roles she has played hundreds of times, she finally consents to doing a film version of Bizet's Carmen, as she has never performed that role live on stage, only in recordings. Carmen goes into production, and with the help of Kelly, another longtime friend and journalist Sarah Keller (Joan Plowright), her director and costars, Callas rediscovers the thrill of artistic creation that she thought she had lost, and the love and adoration that millions of fans still have for the diva and her iconic voice.

Question: Is Maria Callas a legend in opera, or is she not very well known?
Answer: a legend
Callas Forever

The year is 1977, and we find opera legend Maria Callas (Fanny Ardant) in virtual reclusion, haunted by the ghosts of her career. Longtime friend and music promoter Larry Kelly (Jeremy Irons) is in town -Paris- promoting a punk rock band, and decides to call on Callas. She, however, will not see him due to a disastrous Japanese tour set up for her by Kelly, and on which Callas was very disappointed with her performances. But after some rather aggressive persuasion, he gets in to see her. After chatting a bit, Kelly reveals his primary purpose for the visit: a new project for the aging diva. He proposes that she appear in a series of film versions of her greatest opera roles, but her voice would be dubbed from her best previous recordings. Initially resistant, citing her inability to bring anything new and fresh to roles she has played hundreds of times, she finally consents to doing a film version of Bizet's Carmen, as she has never performed that role live on stage, only in recordings. Carmen goes into production, and with the help of Kelly, another longtime friend and journalist Sarah Keller (Joan Plowright), her director and costars, Callas rediscovers the thrill of artistic creation that she thought she had lost, and the love and adoration that millions of fans still have for the diva and her iconic voice.

Question: What year is it?
Answer: 1977
Callas Forever

The year is 1977, and we find opera legend Maria Callas (Fanny Ardant) in virtual reclusion, haunted by the ghosts of her career. Longtime friend and music promoter Larry Kelly (Jeremy Irons) is in town -Paris- promoting a punk rock band, and decides to call on Callas. She, however, will not see him due to a disastrous Japanese tour set up for her by Kelly, and on which Callas was very disappointed with her performances. But after some rather aggressive persuasion, he gets in to see her. After chatting a bit, Kelly reveals his primary purpose for the visit: a new project for the aging diva. He proposes that she appear in a series of film versions of her greatest opera roles, but her voice would be dubbed from her best previous recordings. Initially resistant, citing her inability to bring anything new and fresh to roles she has played hundreds of times, she finally consents to doing a film version of Bizet's Carmen, as she has never performed that role live on stage, only in recordings. Carmen goes into production, and with the help of Kelly, another longtime friend and journalist Sarah Keller (Joan Plowright), her director and costars, Callas rediscovers the thrill of artistic creation that she thought she had lost, and the love and adoration that millions of fans still have for the diva and her iconic voice.

Question: What is Larry Kelly doing in Paris?
Answer: promoting a punk rock band
Callas Forever

The year is 1977, and we find opera legend Maria Callas (Fanny Ardant) in virtual reclusion, haunted by the ghosts of her career. Longtime friend and music promoter Larry Kelly (Jeremy Irons) is in town -Paris- promoting a punk rock band, and decides to call on Callas. She, however, will not see him due to a disastrous Japanese tour set up for her by Kelly, and on which Callas was very disappointed with her performances. But after some rather aggressive persuasion, he gets in to see her. After chatting a bit, Kelly reveals his primary purpose for the visit: a new project for the aging diva. He proposes that she appear in a series of film versions of her greatest opera roles, but her voice would be dubbed from her best previous recordings. Initially resistant, citing her inability to bring anything new and fresh to roles she has played hundreds of times, she finally consents to doing a film version of Bizet's Carmen, as she has never performed that role live on stage, only in recordings. Carmen goes into production, and with the help of Kelly, another longtime friend and journalist Sarah Keller (Joan Plowright), her director and costars, Callas rediscovers the thrill of artistic creation that she thought she had lost, and the love and adoration that millions of fans still have for the diva and her iconic voice.

Question: Has Maria Callas been friends with Larry Kelly for a long time?
Answer: yes
Callas Forever

The year is 1977, and we find opera legend Maria Callas (Fanny Ardant) in virtual reclusion, haunted by the ghosts of her career. Longtime friend and music promoter Larry Kelly (Jeremy Irons) is in town -Paris- promoting a punk rock band, and decides to call on Callas. She, however, will not see him due to a disastrous Japanese tour set up for her by Kelly, and on which Callas was very disappointed with her performances. But after some rather aggressive persuasion, he gets in to see her. After chatting a bit, Kelly reveals his primary purpose for the visit: a new project for the aging diva. He proposes that she appear in a series of film versions of her greatest opera roles, but her voice would be dubbed from her best previous recordings. Initially resistant, citing her inability to bring anything new and fresh to roles she has played hundreds of times, she finally consents to doing a film version of Bizet's Carmen, as she has never performed that role live on stage, only in recordings. Carmen goes into production, and with the help of Kelly, another longtime friend and journalist Sarah Keller (Joan Plowright), her director and costars, Callas rediscovers the thrill of artistic creation that she thought she had lost, and the love and adoration that millions of fans still have for the diva and her iconic voice.

Question: What project does Kelly have for Callas?
Answer: Film versions of her greatest opera roles
Callas Forever

The year is 1977, and we find opera legend Maria Callas (Fanny Ardant) in virtual reclusion, haunted by the ghosts of her career. Longtime friend and music promoter Larry Kelly (Jeremy Irons) is in town -Paris- promoting a punk rock band, and decides to call on Callas. She, however, will not see him due to a disastrous Japanese tour set up for her by Kelly, and on which Callas was very disappointed with her performances. But after some rather aggressive persuasion, he gets in to see her. After chatting a bit, Kelly reveals his primary purpose for the visit: a new project for the aging diva. He proposes that she appear in a series of film versions of her greatest opera roles, but her voice would be dubbed from her best previous recordings. Initially resistant, citing her inability to bring anything new and fresh to roles she has played hundreds of times, she finally consents to doing a film version of Bizet's Carmen, as she has never performed that role live on stage, only in recordings. Carmen goes into production, and with the help of Kelly, another longtime friend and journalist Sarah Keller (Joan Plowright), her director and costars, Callas rediscovers the thrill of artistic creation that she thought she had lost, and the love and adoration that millions of fans still have for the diva and her iconic voice.

Question: What is Larry Kelly's occupation?
Answer: music promoter
The Dukes of Hazzard

Cousins Bo (Seann William Scott), Luke (Johnny Knoxville), and Daisy Duke (Jessica Simpson) have returned with the General Lee (1969 Dodge Charger) to the big screen. Uncle Jesse (Willie Nelson) is still making the best moonshine in Hazzard County, Georgia, with Bo and Luke making deliveries. Sheriff Roscoe P. Coltrane (M.C. Gainey) is still trying to catch Bo and Luke running moonshine in the General Lee. Bo and Luke discover that the crooked county commissioner, Boss Hogg (Burt Reynolds) has illegally been taking their neighbors land, and the Dukes family farm is next. The Dukes have a plan to save their farm and the town of Hazzard from becoming a coal strip-mine. Douglas Young (the-movie-guy)

Question: What is the name of the 1969 orange hot rod?
Answer: The General Lee
The Dukes of Hazzard

Cousins Bo (Seann William Scott), Luke (Johnny Knoxville), and Daisy Duke (Jessica Simpson) have returned with the General Lee (1969 Dodge Charger) to the big screen. Uncle Jesse (Willie Nelson) is still making the best moonshine in Hazzard County, Georgia, with Bo and Luke making deliveries. Sheriff Roscoe P. Coltrane (M.C. Gainey) is still trying to catch Bo and Luke running moonshine in the General Lee. Bo and Luke discover that the crooked county commissioner, Boss Hogg (Burt Reynolds) has illegally been taking their neighbors land, and the Dukes family farm is next. The Dukes have a plan to save their farm and the town of Hazzard from becoming a coal strip-mine. Douglas Young (the-movie-guy)

Question: Who are the three cousins?
Answer: Bo, Luke, Daisy
The Dukes of Hazzard

Cousins Bo (Seann William Scott), Luke (Johnny Knoxville), and Daisy Duke (Jessica Simpson) have returned with the General Lee (1969 Dodge Charger) to the big screen. Uncle Jesse (Willie Nelson) is still making the best moonshine in Hazzard County, Georgia, with Bo and Luke making deliveries. Sheriff Roscoe P. Coltrane (M.C. Gainey) is still trying to catch Bo and Luke running moonshine in the General Lee. Bo and Luke discover that the crooked county commissioner, Boss Hogg (Burt Reynolds) has illegally been taking their neighbors land, and the Dukes family farm is next. The Dukes have a plan to save their farm and the town of Hazzard from becoming a coal strip-mine. Douglas Young (the-movie-guy)

Question: What does Roscoe think the two cousins are illegally making and running in the General Lee?
Answer: Moonshine
Daag: A Poem of Love

A young man, Sunil Kohli (Rajesh Khanna), falls for beautiful Sonia (Sharmila Tagore). Soon, they get married and leave for their honeymoon. On the way, owing to bad weather, they decide to spend a night at a bungalow owned by Sunil's boss. The boss's son, Dheeraj Kapoor (Prem Chopra), tries to rape Sonia when she is alone. But Sunil arrives in time, and a fight ensues, resulting in the death of Dheeraj. Sunil is arrested and, later, sentenced to death by the court. But, on the way to prison, the police van carrying him meets with an accident. All occupants are killed. Years later, Sonia, working as a school teacher and bringing up Sunil's and her son, finds out that her husband is still alive. He is living with a new identity as Sudhir, and is married to a rich woman named Chandni (Raakhee). After escaping from the police van, Sunil met Chandni, whose lover had ditched her on learning of her pregnancy. Sunil married her to provide legitimacy to her child, in return for her help in establishing his new identity. Now, after so many years, the law is once again at his door step. This time, however, there is an added crime to his name: bigamy.

Question: who falls for beautiful Sonia
Answer: Sunil Kohli
Daag: A Poem of Love

A young man, Sunil Kohli (Rajesh Khanna), falls for beautiful Sonia (Sharmila Tagore). Soon, they get married and leave for their honeymoon. On the way, owing to bad weather, they decide to spend a night at a bungalow owned by Sunil's boss. The boss's son, Dheeraj Kapoor (Prem Chopra), tries to rape Sonia when she is alone. But Sunil arrives in time, and a fight ensues, resulting in the death of Dheeraj. Sunil is arrested and, later, sentenced to death by the court. But, on the way to prison, the police van carrying him meets with an accident. All occupants are killed. Years later, Sonia, working as a school teacher and bringing up Sunil's and her son, finds out that her husband is still alive. He is living with a new identity as Sudhir, and is married to a rich woman named Chandni (Raakhee). After escaping from the police van, Sunil met Chandni, whose lover had ditched her on learning of her pregnancy. Sunil married her to provide legitimacy to her child, in return for her help in establishing his new identity. Now, after so many years, the law is once again at his door step. This time, however, there is an added crime to his name: bigamy.

Question: who is arrested and, later, sentenced to death by the court.
Answer: Sunil
Daag: A Poem of Love

A young man, Sunil Kohli (Rajesh Khanna), falls for beautiful Sonia (Sharmila Tagore). Soon, they get married and leave for their honeymoon. On the way, owing to bad weather, they decide to spend a night at a bungalow owned by Sunil's boss. The boss's son, Dheeraj Kapoor (Prem Chopra), tries to rape Sonia when she is alone. But Sunil arrives in time, and a fight ensues, resulting in the death of Dheeraj. Sunil is arrested and, later, sentenced to death by the court. But, on the way to prison, the police van carrying him meets with an accident. All occupants are killed. Years later, Sonia, working as a school teacher and bringing up Sunil's and her son, finds out that her husband is still alive. He is living with a new identity as Sudhir, and is married to a rich woman named Chandni (Raakhee). After escaping from the police van, Sunil met Chandni, whose lover had ditched her on learning of her pregnancy. Sunil married her to provide legitimacy to her child, in return for her help in establishing his new identity. Now, after so many years, the law is once again at his door step. This time, however, there is an added crime to his name: bigamy.

Question: who tries to rape Sonia when she is alone.
Answer: Dheeraj Kapoor
Waterhole #3

A shipment of gold bullion is stolen by three men in Arizona and buried near Waterhole No. 3. One of them is killed by Lewton Cole, who discovers a map to the buried treasure scrawled on a $20 bill.
The other two thieves, U.S. Army Sgt. Henry Foggers and his accomplice Hilb, set out to find Cole and the gold. Cole, meanwhile, gets a headstart on the local law enforcement after the killing by locking up Sheriff John Copperud and his deputy in their own jail.
Cole rides to the sheriff's ranch, steals his horse and forces himself on Billie, the sheriff's daughter. Copperud returns to the ranch and infuriates Billie by being more upset over losing his horse than about Cole's treatment of her.
An honest man is hard to find in these parts, except for a U.S. Cavalry captain named Shipley. It all ends with a long, wild gunfight as Cole and the outlaws go for the gold.

Question: What were Cole and the outlaws going for?
Answer: Gold
Waterhole #3

A shipment of gold bullion is stolen by three men in Arizona and buried near Waterhole No. 3. One of them is killed by Lewton Cole, who discovers a map to the buried treasure scrawled on a $20 bill.
The other two thieves, U.S. Army Sgt. Henry Foggers and his accomplice Hilb, set out to find Cole and the gold. Cole, meanwhile, gets a headstart on the local law enforcement after the killing by locking up Sheriff John Copperud and his deputy in their own jail.
Cole rides to the sheriff's ranch, steals his horse and forces himself on Billie, the sheriff's daughter. Copperud returns to the ranch and infuriates Billie by being more upset over losing his horse than about Cole's treatment of her.
An honest man is hard to find in these parts, except for a U.S. Cavalry captain named Shipley. It all ends with a long, wild gunfight as Cole and the outlaws go for the gold.

Question: Who discovers the map after killing one of the robbers?
Answer: Lawton Cole
Waterhole #3

A shipment of gold bullion is stolen by three men in Arizona and buried near Waterhole No. 3. One of them is killed by Lewton Cole, who discovers a map to the buried treasure scrawled on a $20 bill.
The other two thieves, U.S. Army Sgt. Henry Foggers and his accomplice Hilb, set out to find Cole and the gold. Cole, meanwhile, gets a headstart on the local law enforcement after the killing by locking up Sheriff John Copperud and his deputy in their own jail.
Cole rides to the sheriff's ranch, steals his horse and forces himself on Billie, the sheriff's daughter. Copperud returns to the ranch and infuriates Billie by being more upset over losing his horse than about Cole's treatment of her.
An honest man is hard to find in these parts, except for a U.S. Cavalry captain named Shipley. It all ends with a long, wild gunfight as Cole and the outlaws go for the gold.

Question: Who does Cole lock up in jail?
Answer: Sheriff John Copperud
Waterhole #3

A shipment of gold bullion is stolen by three men in Arizona and buried near Waterhole No. 3. One of them is killed by Lewton Cole, who discovers a map to the buried treasure scrawled on a $20 bill.
The other two thieves, U.S. Army Sgt. Henry Foggers and his accomplice Hilb, set out to find Cole and the gold. Cole, meanwhile, gets a headstart on the local law enforcement after the killing by locking up Sheriff John Copperud and his deputy in their own jail.
Cole rides to the sheriff's ranch, steals his horse and forces himself on Billie, the sheriff's daughter. Copperud returns to the ranch and infuriates Billie by being more upset over losing his horse than about Cole's treatment of her.
An honest man is hard to find in these parts, except for a U.S. Cavalry captain named Shipley. It all ends with a long, wild gunfight as Cole and the outlaws go for the gold.

Question: Who is Billie?
Answer: The sheriff's daughter.