ibm-research/duorc huggingface dataset:
Brothers

Sam Cahill (Tobey Maguire) and Tommy Cahill (Jake Gyllenhaal) are brothers. A Marine captain about to embark on his fourth tour of duty, Sam is a steadfast family man married to his high school sweetheart, Grace (Natalie Portman), with whom he has two young daughters, Isabelle and Maggie (Bailee Madison, Taylor Grace Geare). The film opens with Tommy being released from jail for armed robbery, not long before Sam departs for Afghanistan in October, 2007.
Soon news comes that Sam's helicopter has crashed over the water, killing all of the Marines aboard. In reality, he and a hometown friend, Private Joe Willis (Patrick Flueger), have been taken prisoner in a mountain village. With Sam "gone", Tommy attempts to redeem himself in the eyes of his family by wrangling old friends to help with kitchen repairs for Grace and the kids. Grace slowly sheds her previous resentment towards her brother-in-law.
As months pass, Grace and Tommy bond over their mutual mourning, culminating in a passionate fireside kiss. They regret it afterward, and do not take this attraction any further, though Tommy continues to win the favor of his nieces. Meanwhile, Sam and Joe are abused and tortured by terrorists, forced to make videotaped dismissals of the military and their mission, though only Joe cracks. The captors eventually deem him useless and force Sam, at gunpoint, to beat Joe to death with a lead pipe. He does so and reacts angrily. Sometime later, Sam is rescued.
Sam returns home, clearly traumatized by his experience. He drifts through encounters in a cold, paranoid daze, refuses to explain to his family what happened while he was in Afghanistan, and lies to Joe's widow that he does not know how Joe died. He also believes Tommy and Grace had a sexual relationship in his absence. During Maggie's birthday party, a resentful and jealous Isabelle claims that Sam's paranoid assumptions are true: that Tommy and Grace slept together. Sam becomes enraged, destroying the newly remodeled kitchen with a crow bar and pulling a pistol on Tommy who arrives and tries to calm his brother's violent tantrum. The police arrive, and after a frantic confrontation in which Sam holds the gun up against his head and nearly commits suicide, Sam surrenders.
Sam is admitted to a mental hospital. Grace visits him and tells him that if he does not tell her what is tormenting him, he will lose her forever. Faced with this decision, Sam finally opens up about the source of his pain, confiding in her that he killed Joe and they embrace. A letter between husband and wife is read in voice over, with Sam wondering if he will be able to continue living a normal life.

Question: Who is also a prisoner with Joe Willis?
Answer: Sam
Cast a Dark Shadow

Married to an older woman Edward "Teddy" Bare (Dirk Bogarde) is a little too slick in how he tends to his wife, plying her with plenty of drink and soothing her with fairy tales. When wifey Monica Bare (Mona Washbourne) calls in the family attorney to make changes to her will Teddy believe she intends to cut up her estate to include her family and leaving him out so he arranges for Mona to fall asleep for good. When family lawyer Phillip Mortimer (Robert Flemyng) tells Teddy that all Mona left him is the house, the sly manipulator finds himself out of funds so he sets his sights on recently widowed barkeeper Freda Jeffries (Margaret Lockwood) who agrees to marry the young man only if they share everything pound for pound thus insuring her money is safe. Deciding he needs another wife he sets his eyes on Charlotte Young (Kay Walsh) and begins charming her, but Freda gets involved, and Teddy realizing that Charlotte is not what she seems and in a dramatic climax the hard truth comes out.

Question: What does Monica leave to Teddy?
Answer: House
Cast a Dark Shadow

Married to an older woman Edward "Teddy" Bare (Dirk Bogarde) is a little too slick in how he tends to his wife, plying her with plenty of drink and soothing her with fairy tales. When wifey Monica Bare (Mona Washbourne) calls in the family attorney to make changes to her will Teddy believe she intends to cut up her estate to include her family and leaving him out so he arranges for Mona to fall asleep for good. When family lawyer Phillip Mortimer (Robert Flemyng) tells Teddy that all Mona left him is the house, the sly manipulator finds himself out of funds so he sets his sights on recently widowed barkeeper Freda Jeffries (Margaret Lockwood) who agrees to marry the young man only if they share everything pound for pound thus insuring her money is safe. Deciding he needs another wife he sets his eyes on Charlotte Young (Kay Walsh) and begins charming her, but Freda gets involved, and Teddy realizing that Charlotte is not what she seems and in a dramatic climax the hard truth comes out.

Question: Who is Teddy married to?
Answer: Monica Bare
Cast a Dark Shadow

Married to an older woman Edward "Teddy" Bare (Dirk Bogarde) is a little too slick in how he tends to his wife, plying her with plenty of drink and soothing her with fairy tales. When wifey Monica Bare (Mona Washbourne) calls in the family attorney to make changes to her will Teddy believe she intends to cut up her estate to include her family and leaving him out so he arranges for Mona to fall asleep for good. When family lawyer Phillip Mortimer (Robert Flemyng) tells Teddy that all Mona left him is the house, the sly manipulator finds himself out of funds so he sets his sights on recently widowed barkeeper Freda Jeffries (Margaret Lockwood) who agrees to marry the young man only if they share everything pound for pound thus insuring her money is safe. Deciding he needs another wife he sets his eyes on Charlotte Young (Kay Walsh) and begins charming her, but Freda gets involved, and Teddy realizing that Charlotte is not what she seems and in a dramatic climax the hard truth comes out.

Question: What is Freda Jeffries's job?
Answer: Barkeeper
Black Water

Based on a true story, Black Water is a thriller thats sounds a now familiar warning that Australia can be dangerous place for a holiday.Its DNA goes back to the taut, tight thrills of Spielberg s Duel, then traces a line through the classics of Jaws and Alien, past the guerrilla film making of Robert Rodriguez and mutates into the same gene pool as quasi-real horrorsurvival such as the Blair Witch Project and Open WaterBlack Water is based in realism. It stalks the line between horror and psychological thriller, a tale or true survival, that begs the question what would you do? How would you get out alive?

Question: IS THIS BASED ON A TRUE STORY?
Answer: YES
Black Water

Based on a true story, Black Water is a thriller thats sounds a now familiar warning that Australia can be dangerous place for a holiday.Its DNA goes back to the taut, tight thrills of Spielberg s Duel, then traces a line through the classics of Jaws and Alien, past the guerrilla film making of Robert Rodriguez and mutates into the same gene pool as quasi-real horrorsurvival such as the Blair Witch Project and Open WaterBlack Water is based in realism. It stalks the line between horror and psychological thriller, a tale or true survival, that begs the question what would you do? How would you get out alive?

Question: WHAT COUNTRY DOES THE MOVIE TAKE PLACE?
Answer: AUSTRALIA
Black Water

Based on a true story, Black Water is a thriller thats sounds a now familiar warning that Australia can be dangerous place for a holiday.Its DNA goes back to the taut, tight thrills of Spielberg s Duel, then traces a line through the classics of Jaws and Alien, past the guerrilla film making of Robert Rodriguez and mutates into the same gene pool as quasi-real horrorsurvival such as the Blair Witch Project and Open WaterBlack Water is based in realism. It stalks the line between horror and psychological thriller, a tale or true survival, that begs the question what would you do? How would you get out alive?

Question: WHAT TIME OF YEAR DOES IT TAKE PLACE?
Answer: HOLIDAY
Performance

Here it is for anyone who has often thought about what this movie is about. The first half hour or so is violence and general London villainy, until Chas arrives at the hippy house of Turner in Notting Hill Gate. Chas settles into his basement accommodation and participates in the magic mushroom fests that Turner provides.The movie begins its real plot at the the clip in the bedroom: 'Turner has been waiting for you for a long time' (immediately before Turner goes down the channel of Jorge Luis Borges into transformation as the Chairman of the Board where he says 'I like that, turn it up' and then sings the famous Performance song 'Memo from Turner'.)'Poor White Hound Dog' is sung here by Merry Clayton. Turner has lost his demon. OK, so far so good. And he's trying to decide whether he wants to get it back again. OK. Chas has Turner's demon and Turner knows this - that's the bottom line in this movie - and the plot is about the psychological morphing of Turner to become Chas - there is a further, secondary transformation of Turner in the bedroom, just before the end of the movie, where Turner says 'I want to come with you' and Chas says 'You don't know where I'm going, Pal' to which Turner replies 'I do'. He then realises the significance of what he has said and hides his face beneath the bedspread, saying 'No I don't' before Chas confirms the transaction with a 'Yeah you do', cocks his automatic and shoots Turner. The camera follows the bullet's path through Turner's head, ending with a brief portrait of Borges before exiting with an exterior shot of Chas/Turner being walked to Harry Flowers's Rolls Royce in a stunning transition.This is the point where Turner BECOMES Chas and that's why Jagger is in the Rolls Royce at the end of the movie - that is to say - the morphing transformation is complete - the demon has been found, identified and appropriated. Borges couldn't have written this story any better than the author of the book (William Hughes) and you may have noticed the book 'A Personal Anthology' by Jorge Luis Borges, twice in this movie, once when Rosie (the gangster) is reading it in the boardroom and the second time when Turner is reading from it ('The South') when he quotes 'They would not have allowed such things to happen to me in the sanitarium' before the book flies across the room onto the floor. Mm, well quite, mate.

Question: Who arrives a the hippy house Turner?
Answer: Chas
Performance

Here it is for anyone who has often thought about what this movie is about. The first half hour or so is violence and general London villainy, until Chas arrives at the hippy house of Turner in Notting Hill Gate. Chas settles into his basement accommodation and participates in the magic mushroom fests that Turner provides.The movie begins its real plot at the the clip in the bedroom: 'Turner has been waiting for you for a long time' (immediately before Turner goes down the channel of Jorge Luis Borges into transformation as the Chairman of the Board where he says 'I like that, turn it up' and then sings the famous Performance song 'Memo from Turner'.)'Poor White Hound Dog' is sung here by Merry Clayton. Turner has lost his demon. OK, so far so good. And he's trying to decide whether he wants to get it back again. OK. Chas has Turner's demon and Turner knows this - that's the bottom line in this movie - and the plot is about the psychological morphing of Turner to become Chas - there is a further, secondary transformation of Turner in the bedroom, just before the end of the movie, where Turner says 'I want to come with you' and Chas says 'You don't know where I'm going, Pal' to which Turner replies 'I do'. He then realises the significance of what he has said and hides his face beneath the bedspread, saying 'No I don't' before Chas confirms the transaction with a 'Yeah you do', cocks his automatic and shoots Turner. The camera follows the bullet's path through Turner's head, ending with a brief portrait of Borges before exiting with an exterior shot of Chas/Turner being walked to Harry Flowers's Rolls Royce in a stunning transition.This is the point where Turner BECOMES Chas and that's why Jagger is in the Rolls Royce at the end of the movie - that is to say - the morphing transformation is complete - the demon has been found, identified and appropriated. Borges couldn't have written this story any better than the author of the book (William Hughes) and you may have noticed the book 'A Personal Anthology' by Jorge Luis Borges, twice in this movie, once when Rosie (the gangster) is reading it in the boardroom and the second time when Turner is reading from it ('The South') when he quotes 'They would not have allowed such things to happen to me in the sanitarium' before the book flies across the room onto the floor. Mm, well quite, mate.

Question: What kind of fests does Turner provide?
Answer: magic mushroom fests
Performance

Here it is for anyone who has often thought about what this movie is about. The first half hour or so is violence and general London villainy, until Chas arrives at the hippy house of Turner in Notting Hill Gate. Chas settles into his basement accommodation and participates in the magic mushroom fests that Turner provides.The movie begins its real plot at the the clip in the bedroom: 'Turner has been waiting for you for a long time' (immediately before Turner goes down the channel of Jorge Luis Borges into transformation as the Chairman of the Board where he says 'I like that, turn it up' and then sings the famous Performance song 'Memo from Turner'.)'Poor White Hound Dog' is sung here by Merry Clayton. Turner has lost his demon. OK, so far so good. And he's trying to decide whether he wants to get it back again. OK. Chas has Turner's demon and Turner knows this - that's the bottom line in this movie - and the plot is about the psychological morphing of Turner to become Chas - there is a further, secondary transformation of Turner in the bedroom, just before the end of the movie, where Turner says 'I want to come with you' and Chas says 'You don't know where I'm going, Pal' to which Turner replies 'I do'. He then realises the significance of what he has said and hides his face beneath the bedspread, saying 'No I don't' before Chas confirms the transaction with a 'Yeah you do', cocks his automatic and shoots Turner. The camera follows the bullet's path through Turner's head, ending with a brief portrait of Borges before exiting with an exterior shot of Chas/Turner being walked to Harry Flowers's Rolls Royce in a stunning transition.This is the point where Turner BECOMES Chas and that's why Jagger is in the Rolls Royce at the end of the movie - that is to say - the morphing transformation is complete - the demon has been found, identified and appropriated. Borges couldn't have written this story any better than the author of the book (William Hughes) and you may have noticed the book 'A Personal Anthology' by Jorge Luis Borges, twice in this movie, once when Rosie (the gangster) is reading it in the boardroom and the second time when Turner is reading from it ('The South') when he quotes 'They would not have allowed such things to happen to me in the sanitarium' before the book flies across the room onto the floor. Mm, well quite, mate.

Question: Where is Turner shot at?
Answer: Head
Performance

Here it is for anyone who has often thought about what this movie is about. The first half hour or so is violence and general London villainy, until Chas arrives at the hippy house of Turner in Notting Hill Gate. Chas settles into his basement accommodation and participates in the magic mushroom fests that Turner provides.The movie begins its real plot at the the clip in the bedroom: 'Turner has been waiting for you for a long time' (immediately before Turner goes down the channel of Jorge Luis Borges into transformation as the Chairman of the Board where he says 'I like that, turn it up' and then sings the famous Performance song 'Memo from Turner'.)'Poor White Hound Dog' is sung here by Merry Clayton. Turner has lost his demon. OK, so far so good. And he's trying to decide whether he wants to get it back again. OK. Chas has Turner's demon and Turner knows this - that's the bottom line in this movie - and the plot is about the psychological morphing of Turner to become Chas - there is a further, secondary transformation of Turner in the bedroom, just before the end of the movie, where Turner says 'I want to come with you' and Chas says 'You don't know where I'm going, Pal' to which Turner replies 'I do'. He then realises the significance of what he has said and hides his face beneath the bedspread, saying 'No I don't' before Chas confirms the transaction with a 'Yeah you do', cocks his automatic and shoots Turner. The camera follows the bullet's path through Turner's head, ending with a brief portrait of Borges before exiting with an exterior shot of Chas/Turner being walked to Harry Flowers's Rolls Royce in a stunning transition.This is the point where Turner BECOMES Chas and that's why Jagger is in the Rolls Royce at the end of the movie - that is to say - the morphing transformation is complete - the demon has been found, identified and appropriated. Borges couldn't have written this story any better than the author of the book (William Hughes) and you may have noticed the book 'A Personal Anthology' by Jorge Luis Borges, twice in this movie, once when Rosie (the gangster) is reading it in the boardroom and the second time when Turner is reading from it ('The South') when he quotes 'They would not have allowed such things to happen to me in the sanitarium' before the book flies across the room onto the floor. Mm, well quite, mate.

Question: Who has Turner's demon?
Answer: Chas
Performance

Here it is for anyone who has often thought about what this movie is about. The first half hour or so is violence and general London villainy, until Chas arrives at the hippy house of Turner in Notting Hill Gate. Chas settles into his basement accommodation and participates in the magic mushroom fests that Turner provides.The movie begins its real plot at the the clip in the bedroom: 'Turner has been waiting for you for a long time' (immediately before Turner goes down the channel of Jorge Luis Borges into transformation as the Chairman of the Board where he says 'I like that, turn it up' and then sings the famous Performance song 'Memo from Turner'.)'Poor White Hound Dog' is sung here by Merry Clayton. Turner has lost his demon. OK, so far so good. And he's trying to decide whether he wants to get it back again. OK. Chas has Turner's demon and Turner knows this - that's the bottom line in this movie - and the plot is about the psychological morphing of Turner to become Chas - there is a further, secondary transformation of Turner in the bedroom, just before the end of the movie, where Turner says 'I want to come with you' and Chas says 'You don't know where I'm going, Pal' to which Turner replies 'I do'. He then realises the significance of what he has said and hides his face beneath the bedspread, saying 'No I don't' before Chas confirms the transaction with a 'Yeah you do', cocks his automatic and shoots Turner. The camera follows the bullet's path through Turner's head, ending with a brief portrait of Borges before exiting with an exterior shot of Chas/Turner being walked to Harry Flowers's Rolls Royce in a stunning transition.This is the point where Turner BECOMES Chas and that's why Jagger is in the Rolls Royce at the end of the movie - that is to say - the morphing transformation is complete - the demon has been found, identified and appropriated. Borges couldn't have written this story any better than the author of the book (William Hughes) and you may have noticed the book 'A Personal Anthology' by Jorge Luis Borges, twice in this movie, once when Rosie (the gangster) is reading it in the boardroom and the second time when Turner is reading from it ('The South') when he quotes 'They would not have allowed such things to happen to me in the sanitarium' before the book flies across the room onto the floor. Mm, well quite, mate.

Question: What song does Merry Clayton sing?
Answer: Poor white Hound Dog
Performance

Here it is for anyone who has often thought about what this movie is about. The first half hour or so is violence and general London villainy, until Chas arrives at the hippy house of Turner in Notting Hill Gate. Chas settles into his basement accommodation and participates in the magic mushroom fests that Turner provides.The movie begins its real plot at the the clip in the bedroom: 'Turner has been waiting for you for a long time' (immediately before Turner goes down the channel of Jorge Luis Borges into transformation as the Chairman of the Board where he says 'I like that, turn it up' and then sings the famous Performance song 'Memo from Turner'.)'Poor White Hound Dog' is sung here by Merry Clayton. Turner has lost his demon. OK, so far so good. And he's trying to decide whether he wants to get it back again. OK. Chas has Turner's demon and Turner knows this - that's the bottom line in this movie - and the plot is about the psychological morphing of Turner to become Chas - there is a further, secondary transformation of Turner in the bedroom, just before the end of the movie, where Turner says 'I want to come with you' and Chas says 'You don't know where I'm going, Pal' to which Turner replies 'I do'. He then realises the significance of what he has said and hides his face beneath the bedspread, saying 'No I don't' before Chas confirms the transaction with a 'Yeah you do', cocks his automatic and shoots Turner. The camera follows the bullet's path through Turner's head, ending with a brief portrait of Borges before exiting with an exterior shot of Chas/Turner being walked to Harry Flowers's Rolls Royce in a stunning transition.This is the point where Turner BECOMES Chas and that's why Jagger is in the Rolls Royce at the end of the movie - that is to say - the morphing transformation is complete - the demon has been found, identified and appropriated. Borges couldn't have written this story any better than the author of the book (William Hughes) and you may have noticed the book 'A Personal Anthology' by Jorge Luis Borges, twice in this movie, once when Rosie (the gangster) is reading it in the boardroom and the second time when Turner is reading from it ('The South') when he quotes 'They would not have allowed such things to happen to me in the sanitarium' before the book flies across the room onto the floor. Mm, well quite, mate.

Question: Where is Chas' accomodation?
Answer: basement