ibm-research/duorc huggingface dataset:
Sleeper

Miles Monroe, a jazz musician and owner of the Happy Carrot Health-Food store living in Greenwich Village in Manhattan, NY in 1973, is cryogenically frozen without his consent, and not revived for 200 years. The scientists who revive him are members of an underground movement: 22nd-century America seems to be a police state ruled by a dictator, about to implement a secret plan known as the "Aires Project" (sic). The underground movement hopes to use Miles as a spy to infiltrate the Aires Project, because he is the only member of this society without a known biometric identity.The authorities catch onto the scientists' project, and arrest them; Miles escapes by disguising himself as a robot. He goes to work as a butler in the house of socialite Luna Schlosser (Diane Keaton). When Luna decides to have her "robot"'s head replaced with something more "aesthetically pleasing," Miles has no choice but to reveal his true identity to her. Luna is shocked, frightened, and threatens to turn Miles in to the authorities. In response, he kidnaps her and goes on the run, searching for the Aires Project.Miles and Luna start to fall in love, but Miles is captured and forced to undergo brainwashing. He forgets that he comes from 1973, and becomes a complacent member of futuristic society. Meanwhile, Luna finds a group of commando-rebels and joins the underground movement. The rebels kidnap Miles and force him to undergo reverse-brainwashing, whereupon he remembers his past and joins their efforts.Miles and Luna successfully infiltrate the Aires Project: they learn that the Leader was killed by a rebel bomb ten months previously, and all that survives is his nose. The nose has been kept alive, and the members of the Aires Project, mistaking Miles and Luna for doctors, want them to clone the leader from this single remaining part. Instead, Miles steals the nose and "assassinates" it by squashing it under a steamroller.(Source: Wikipedia)

Question: What is the name of Miles' store?
Answer: Happy Carrot Health-Food
Sleeper

Miles Monroe, a jazz musician and owner of the Happy Carrot Health-Food store living in Greenwich Village in Manhattan, NY in 1973, is cryogenically frozen without his consent, and not revived for 200 years. The scientists who revive him are members of an underground movement: 22nd-century America seems to be a police state ruled by a dictator, about to implement a secret plan known as the "Aires Project" (sic). The underground movement hopes to use Miles as a spy to infiltrate the Aires Project, because he is the only member of this society without a known biometric identity.The authorities catch onto the scientists' project, and arrest them; Miles escapes by disguising himself as a robot. He goes to work as a butler in the house of socialite Luna Schlosser (Diane Keaton). When Luna decides to have her "robot"'s head replaced with something more "aesthetically pleasing," Miles has no choice but to reveal his true identity to her. Luna is shocked, frightened, and threatens to turn Miles in to the authorities. In response, he kidnaps her and goes on the run, searching for the Aires Project.Miles and Luna start to fall in love, but Miles is captured and forced to undergo brainwashing. He forgets that he comes from 1973, and becomes a complacent member of futuristic society. Meanwhile, Luna finds a group of commando-rebels and joins the underground movement. The rebels kidnap Miles and force him to undergo reverse-brainwashing, whereupon he remembers his past and joins their efforts.Miles and Luna successfully infiltrate the Aires Project: they learn that the Leader was killed by a rebel bomb ten months previously, and all that survives is his nose. The nose has been kept alive, and the members of the Aires Project, mistaking Miles and Luna for doctors, want them to clone the leader from this single remaining part. Instead, Miles steals the nose and "assassinates" it by squashing it under a steamroller.(Source: Wikipedia)

Question: What kind of music does Miles play?
Answer: Jazz
Sleeper

Miles Monroe, a jazz musician and owner of the Happy Carrot Health-Food store living in Greenwich Village in Manhattan, NY in 1973, is cryogenically frozen without his consent, and not revived for 200 years. The scientists who revive him are members of an underground movement: 22nd-century America seems to be a police state ruled by a dictator, about to implement a secret plan known as the "Aires Project" (sic). The underground movement hopes to use Miles as a spy to infiltrate the Aires Project, because he is the only member of this society without a known biometric identity.The authorities catch onto the scientists' project, and arrest them; Miles escapes by disguising himself as a robot. He goes to work as a butler in the house of socialite Luna Schlosser (Diane Keaton). When Luna decides to have her "robot"'s head replaced with something more "aesthetically pleasing," Miles has no choice but to reveal his true identity to her. Luna is shocked, frightened, and threatens to turn Miles in to the authorities. In response, he kidnaps her and goes on the run, searching for the Aires Project.Miles and Luna start to fall in love, but Miles is captured and forced to undergo brainwashing. He forgets that he comes from 1973, and becomes a complacent member of futuristic society. Meanwhile, Luna finds a group of commando-rebels and joins the underground movement. The rebels kidnap Miles and force him to undergo reverse-brainwashing, whereupon he remembers his past and joins their efforts.Miles and Luna successfully infiltrate the Aires Project: they learn that the Leader was killed by a rebel bomb ten months previously, and all that survives is his nose. The nose has been kept alive, and the members of the Aires Project, mistaking Miles and Luna for doctors, want them to clone the leader from this single remaining part. Instead, Miles steals the nose and "assassinates" it by squashing it under a steamroller.(Source: Wikipedia)

Question: Who is a jazz musician?
Answer: Miles Monroe; Miles Monroe
Fitzcarraldo

Brian Sweeney Fitzgerald (Klaus Kinski), called Fitzcarraldo by the local natives in the South American rubber capital where he lives, has a dream to create an exotic opera house so that the music of Caruso, and Pucinni, and Wagner can be brought to the wilderness. As he and his girlfriend Molly (Claudia Cardinale), the madam of the top brothel in the city, run to see a local opera performance, Fitzcarraldo manages to get the attention of a local financier Don Aquilino (José Lewgoy) and gets to create a plan to finance his dream. Using Molly's money Fitzcarraldo buys a boat and goes up the Amazon River to a jungle inhabited by Indians intent on killing any white men who enter. Becoming awed and subdued by Fitzcarraldo in his white suit and the music of Caruso, the Indians accept the blond entrepreneur as a god and do his bidding. At this juncture of the Amazon the river is separated from another of its legs by a few miles of mountains so the Indians are enlisted to drag the 180-ton ship from the river and over the mountains to the other leg in order to facilitate rubber transportation. During the task Indians are used as slaves, with the ultimate goal of building the opera house. As trees are felled and mountains are dynamited Fitzcarraldo struggles to realize his obsessive dream to bring opera music to the jungle.

Question: Who were used as slaves with the ultimate goal of building the opera house?
Answer: Indians
Fitzcarraldo

Brian Sweeney Fitzgerald (Klaus Kinski), called Fitzcarraldo by the local natives in the South American rubber capital where he lives, has a dream to create an exotic opera house so that the music of Caruso, and Pucinni, and Wagner can be brought to the wilderness. As he and his girlfriend Molly (Claudia Cardinale), the madam of the top brothel in the city, run to see a local opera performance, Fitzcarraldo manages to get the attention of a local financier Don Aquilino (José Lewgoy) and gets to create a plan to finance his dream. Using Molly's money Fitzcarraldo buys a boat and goes up the Amazon River to a jungle inhabited by Indians intent on killing any white men who enter. Becoming awed and subdued by Fitzcarraldo in his white suit and the music of Caruso, the Indians accept the blond entrepreneur as a god and do his bidding. At this juncture of the Amazon the river is separated from another of its legs by a few miles of mountains so the Indians are enlisted to drag the 180-ton ship from the river and over the mountains to the other leg in order to facilitate rubber transportation. During the task Indians are used as slaves, with the ultimate goal of building the opera house. As trees are felled and mountains are dynamited Fitzcarraldo struggles to realize his obsessive dream to bring opera music to the jungle.

Question: Whose attention Fitzcarraldo manages to get?
Answer: Financier Don Aquilino
Fitzcarraldo

Brian Sweeney Fitzgerald (Klaus Kinski), called Fitzcarraldo by the local natives in the South American rubber capital where he lives, has a dream to create an exotic opera house so that the music of Caruso, and Pucinni, and Wagner can be brought to the wilderness. As he and his girlfriend Molly (Claudia Cardinale), the madam of the top brothel in the city, run to see a local opera performance, Fitzcarraldo manages to get the attention of a local financier Don Aquilino (José Lewgoy) and gets to create a plan to finance his dream. Using Molly's money Fitzcarraldo buys a boat and goes up the Amazon River to a jungle inhabited by Indians intent on killing any white men who enter. Becoming awed and subdued by Fitzcarraldo in his white suit and the music of Caruso, the Indians accept the blond entrepreneur as a god and do his bidding. At this juncture of the Amazon the river is separated from another of its legs by a few miles of mountains so the Indians are enlisted to drag the 180-ton ship from the river and over the mountains to the other leg in order to facilitate rubber transportation. During the task Indians are used as slaves, with the ultimate goal of building the opera house. As trees are felled and mountains are dynamited Fitzcarraldo struggles to realize his obsessive dream to bring opera music to the jungle.

Question: What is Brian Sweeney Fitzgerald called by local natives?
Answer: Fitzcarraldo
Miss Firecracker

Carnelle (Hunter), an oversexed hellion who was orphaned as a young child, has always played second fiddle to her beautiful, older, Southern belle cousin -- a past Miss Firecracker contest winner. But Carnelle is ready to turn the tables. After all, she wants that crown. And by golly, she is going to succeed. Her aspirations are further turned when a long-lost brother-cousin, Delmont, recently released from psych ward, returns home, adding to the fiery comic. Hunter originated this role -- by tuns fiery and comical -- in the off-Broadway version of the movie, which was an important stepping -stone to her eventual film debut.

Question: Who is Carnelle's long-lost brother-cousin?
Answer: Delmont
Miss Firecracker

Carnelle (Hunter), an oversexed hellion who was orphaned as a young child, has always played second fiddle to her beautiful, older, Southern belle cousin -- a past Miss Firecracker contest winner. But Carnelle is ready to turn the tables. After all, she wants that crown. And by golly, she is going to succeed. Her aspirations are further turned when a long-lost brother-cousin, Delmont, recently released from psych ward, returns home, adding to the fiery comic. Hunter originated this role -- by tuns fiery and comical -- in the off-Broadway version of the movie, which was an important stepping -stone to her eventual film debut.

Question: Carnelle's beautiful cousin is a former winner of what title?
Answer: Miss Firecracker
Miss Firecracker

Carnelle (Hunter), an oversexed hellion who was orphaned as a young child, has always played second fiddle to her beautiful, older, Southern belle cousin -- a past Miss Firecracker contest winner. But Carnelle is ready to turn the tables. After all, she wants that crown. And by golly, she is going to succeed. Her aspirations are further turned when a long-lost brother-cousin, Delmont, recently released from psych ward, returns home, adding to the fiery comic. Hunter originated this role -- by tuns fiery and comical -- in the off-Broadway version of the movie, which was an important stepping -stone to her eventual film debut.

Question: Does Carnelle aspire to be Miss Firecracker?
Answer: Yes
Angel's Egg

The film begins with a hands rubbing together, and cracking knuckles.The next scene is similar to one near the end, where a large mechanistic- apparently steam-powered, half-lidded eye, covered in inert statues of what appear to be saints, hovers over the surface of a sea, facing a Christ-like figure, who stands on a checkered surface. The mechanism emits a steam whistle, which appears to wake a young girl.The next section of the film follows the young girl through what appears to be an abandoned, gothic world. She cradles an egg under her dress as if pregnant. Before entering a city, she imagines herself to be fully immeresed in water. She collects food and clear glass bulbs from abandoned houses, which she fills with water from a bizarre fountain. Statues of spearmen soon appear and frighten her, but do not animate until later.
At some point, she is attracted to the sound of a large procession of what appear to be living tanks. Here enters our Christ-like figure, crucifix in tow, bandaged hands, who appears to have been hitching a ride. This section is characterized by interaction between these 2 characters, as the man follows the girl, inquiring about her egg, while she inquires who he is.While the 2 are becoming fast companions(the girl is unwilling and shy at 1st), the spearmen animate in order to track down shadows of sarcoptergy fish, a nearly extinct genera. This is the most action packed sequence in the film. The couple takes shelter in what appears to be a church, where the girl glows in the presence of a very colorful stained-glass fish, distinctly different from what attracts the spearmen.The 2 find thier way into what appears to be a giant ark, which is full of water bulbs and giant fossils, where the man relates a modified version of the flood story from Genesis 8. Of interest is an etching on the wall of what appears to be a phylogenetic tree, or tree of life. The girl connects the dove from the story to the egg she bears, and shows the man, who questions his identity and memory, the fossil of the dove, which appears to have anthropoligical characters.By now, the girl seems to be quite comfortable with her companion, so she falls asleep in his presence. He uses the opportunity to brake open her egg with his crucifix tool. She wakes in anguish, and sets after him desperately. As he comes into sight, she plunges into a chasm, and as she strikes the resevoir at the bottom, is transmogrified into her older, mature self, whose exhalation of bubbles surfaces as eggs.After the breaking of the egg, the landscape is covered with giant roots which cradle unborn chicks. The man is then seen as before, facing the mechanistic eye as it emerges from the waters, but with our girl numbered amongst its saints-skin. The film ends as the entire landscape is slowly revealed to be part of an ark.

Question: What part of the bible is the Flood Story from?
Answer: Genesis 8
Angel's Egg

The film begins with a hands rubbing together, and cracking knuckles.The next scene is similar to one near the end, where a large mechanistic- apparently steam-powered, half-lidded eye, covered in inert statues of what appear to be saints, hovers over the surface of a sea, facing a Christ-like figure, who stands on a checkered surface. The mechanism emits a steam whistle, which appears to wake a young girl.The next section of the film follows the young girl through what appears to be an abandoned, gothic world. She cradles an egg under her dress as if pregnant. Before entering a city, she imagines herself to be fully immeresed in water. She collects food and clear glass bulbs from abandoned houses, which she fills with water from a bizarre fountain. Statues of spearmen soon appear and frighten her, but do not animate until later.
At some point, she is attracted to the sound of a large procession of what appear to be living tanks. Here enters our Christ-like figure, crucifix in tow, bandaged hands, who appears to have been hitching a ride. This section is characterized by interaction between these 2 characters, as the man follows the girl, inquiring about her egg, while she inquires who he is.While the 2 are becoming fast companions(the girl is unwilling and shy at 1st), the spearmen animate in order to track down shadows of sarcoptergy fish, a nearly extinct genera. This is the most action packed sequence in the film. The couple takes shelter in what appears to be a church, where the girl glows in the presence of a very colorful stained-glass fish, distinctly different from what attracts the spearmen.The 2 find thier way into what appears to be a giant ark, which is full of water bulbs and giant fossils, where the man relates a modified version of the flood story from Genesis 8. Of interest is an etching on the wall of what appears to be a phylogenetic tree, or tree of life. The girl connects the dove from the story to the egg she bears, and shows the man, who questions his identity and memory, the fossil of the dove, which appears to have anthropoligical characters.By now, the girl seems to be quite comfortable with her companion, so she falls asleep in his presence. He uses the opportunity to brake open her egg with his crucifix tool. She wakes in anguish, and sets after him desperately. As he comes into sight, she plunges into a chasm, and as she strikes the resevoir at the bottom, is transmogrified into her older, mature self, whose exhalation of bubbles surfaces as eggs.After the breaking of the egg, the landscape is covered with giant roots which cradle unborn chicks. The man is then seen as before, facing the mechanistic eye as it emerges from the waters, but with our girl numbered amongst its saints-skin. The film ends as the entire landscape is slowly revealed to be part of an ark.

Question: What type of pattern does the surface that the Christ-like figure stands on have?
Answer: checkered
Angel's Egg

The film begins with a hands rubbing together, and cracking knuckles.The next scene is similar to one near the end, where a large mechanistic- apparently steam-powered, half-lidded eye, covered in inert statues of what appear to be saints, hovers over the surface of a sea, facing a Christ-like figure, who stands on a checkered surface. The mechanism emits a steam whistle, which appears to wake a young girl.The next section of the film follows the young girl through what appears to be an abandoned, gothic world. She cradles an egg under her dress as if pregnant. Before entering a city, she imagines herself to be fully immeresed in water. She collects food and clear glass bulbs from abandoned houses, which she fills with water from a bizarre fountain. Statues of spearmen soon appear and frighten her, but do not animate until later.
At some point, she is attracted to the sound of a large procession of what appear to be living tanks. Here enters our Christ-like figure, crucifix in tow, bandaged hands, who appears to have been hitching a ride. This section is characterized by interaction between these 2 characters, as the man follows the girl, inquiring about her egg, while she inquires who he is.While the 2 are becoming fast companions(the girl is unwilling and shy at 1st), the spearmen animate in order to track down shadows of sarcoptergy fish, a nearly extinct genera. This is the most action packed sequence in the film. The couple takes shelter in what appears to be a church, where the girl glows in the presence of a very colorful stained-glass fish, distinctly different from what attracts the spearmen.The 2 find thier way into what appears to be a giant ark, which is full of water bulbs and giant fossils, where the man relates a modified version of the flood story from Genesis 8. Of interest is an etching on the wall of what appears to be a phylogenetic tree, or tree of life. The girl connects the dove from the story to the egg she bears, and shows the man, who questions his identity and memory, the fossil of the dove, which appears to have anthropoligical characters.By now, the girl seems to be quite comfortable with her companion, so she falls asleep in his presence. He uses the opportunity to brake open her egg with his crucifix tool. She wakes in anguish, and sets after him desperately. As he comes into sight, she plunges into a chasm, and as she strikes the resevoir at the bottom, is transmogrified into her older, mature self, whose exhalation of bubbles surfaces as eggs.After the breaking of the egg, the landscape is covered with giant roots which cradle unborn chicks. The man is then seen as before, facing the mechanistic eye as it emerges from the waters, but with our girl numbered amongst its saints-skin. The film ends as the entire landscape is slowly revealed to be part of an ark.

Question: What animal is in the stained glass?
Answer: Fish
Angel's Egg

The film begins with a hands rubbing together, and cracking knuckles.The next scene is similar to one near the end, where a large mechanistic- apparently steam-powered, half-lidded eye, covered in inert statues of what appear to be saints, hovers over the surface of a sea, facing a Christ-like figure, who stands on a checkered surface. The mechanism emits a steam whistle, which appears to wake a young girl.The next section of the film follows the young girl through what appears to be an abandoned, gothic world. She cradles an egg under her dress as if pregnant. Before entering a city, she imagines herself to be fully immeresed in water. She collects food and clear glass bulbs from abandoned houses, which she fills with water from a bizarre fountain. Statues of spearmen soon appear and frighten her, but do not animate until later.
At some point, she is attracted to the sound of a large procession of what appear to be living tanks. Here enters our Christ-like figure, crucifix in tow, bandaged hands, who appears to have been hitching a ride. This section is characterized by interaction between these 2 characters, as the man follows the girl, inquiring about her egg, while she inquires who he is.While the 2 are becoming fast companions(the girl is unwilling and shy at 1st), the spearmen animate in order to track down shadows of sarcoptergy fish, a nearly extinct genera. This is the most action packed sequence in the film. The couple takes shelter in what appears to be a church, where the girl glows in the presence of a very colorful stained-glass fish, distinctly different from what attracts the spearmen.The 2 find thier way into what appears to be a giant ark, which is full of water bulbs and giant fossils, where the man relates a modified version of the flood story from Genesis 8. Of interest is an etching on the wall of what appears to be a phylogenetic tree, or tree of life. The girl connects the dove from the story to the egg she bears, and shows the man, who questions his identity and memory, the fossil of the dove, which appears to have anthropoligical characters.By now, the girl seems to be quite comfortable with her companion, so she falls asleep in his presence. He uses the opportunity to brake open her egg with his crucifix tool. She wakes in anguish, and sets after him desperately. As he comes into sight, she plunges into a chasm, and as she strikes the resevoir at the bottom, is transmogrified into her older, mature self, whose exhalation of bubbles surfaces as eggs.After the breaking of the egg, the landscape is covered with giant roots which cradle unborn chicks. The man is then seen as before, facing the mechanistic eye as it emerges from the waters, but with our girl numbered amongst its saints-skin. The film ends as the entire landscape is slowly revealed to be part of an ark.

Question: What does the man ask the girl about?
Answer: Her egg