ibm-research/duorc huggingface dataset:
Half Nelson

Dan Dunne (Ryan Gosling) is a young inner-city high school teacher whose ideals wither and die in the face of reality. Day after day in his shabby Brooklyn classroom, he somehow finds the energy to inspire his 13 and 14-years-old to examine everything from civil rights to the civil war with a new enthusiasm. Rejecting the standard curriculum in favor of an edgier approach, Dan teaches his students how change workson both a historical and personal scaleand how to think for themselves.Though Dan is brilliant, dynamic and in control of the classroom, he spends his time outside school on the edge of consciousness. Early in the film we see Dan smoking crack in a school locker room after he coaches the school's girls basketball team. While there, one of his players, Drey (Shareeka Epps) catches him getting high. As the plot moves forward, we learn little about how or why Dan got involved with drugs. We find that a former girlfriend has successfully gone through drug rehab, and that the Dunne family has fissures of its own. But Fleck primarily sets moods throughout the film, leaving large ellipses for the viewer to fill in, rather than directly illuminate Dan's story.Drey's troubles are more plainly spelled out. Her parents are not together, and her father is irresponsible and seemingly uninvolved in her life. Drey's brother, Mike, is in prison for selling drugs for a neighborhood dealer, Frank (Anthony Mackie). And Drey's mother is constantly working as an EMT to keep the family together. Drey's lack of proper adult supervision make her a target for Frank's operation.The tension in the film comes from Drey's attempts to save Dan from the consequences of his drug habit, and Dan's efforts to keep Drey from following in her brother Mike's footsteps. These two people are better able to save each other than to save themselves.

Question: What illegal drug is Dan seen smoking?
Answer: Crack.
Half Nelson

Dan Dunne (Ryan Gosling) is a young inner-city high school teacher whose ideals wither and die in the face of reality. Day after day in his shabby Brooklyn classroom, he somehow finds the energy to inspire his 13 and 14-years-old to examine everything from civil rights to the civil war with a new enthusiasm. Rejecting the standard curriculum in favor of an edgier approach, Dan teaches his students how change workson both a historical and personal scaleand how to think for themselves.Though Dan is brilliant, dynamic and in control of the classroom, he spends his time outside school on the edge of consciousness. Early in the film we see Dan smoking crack in a school locker room after he coaches the school's girls basketball team. While there, one of his players, Drey (Shareeka Epps) catches him getting high. As the plot moves forward, we learn little about how or why Dan got involved with drugs. We find that a former girlfriend has successfully gone through drug rehab, and that the Dunne family has fissures of its own. But Fleck primarily sets moods throughout the film, leaving large ellipses for the viewer to fill in, rather than directly illuminate Dan's story.Drey's troubles are more plainly spelled out. Her parents are not together, and her father is irresponsible and seemingly uninvolved in her life. Drey's brother, Mike, is in prison for selling drugs for a neighborhood dealer, Frank (Anthony Mackie). And Drey's mother is constantly working as an EMT to keep the family together. Drey's lack of proper adult supervision make her a target for Frank's operation.The tension in the film comes from Drey's attempts to save Dan from the consequences of his drug habit, and Dan's efforts to keep Drey from following in her brother Mike's footsteps. These two people are better able to save each other than to save themselves.

Question: What sport does Dan coach?
Answer: Basketball.
Half Nelson

Dan Dunne (Ryan Gosling) is a young inner-city high school teacher whose ideals wither and die in the face of reality. Day after day in his shabby Brooklyn classroom, he somehow finds the energy to inspire his 13 and 14-years-old to examine everything from civil rights to the civil war with a new enthusiasm. Rejecting the standard curriculum in favor of an edgier approach, Dan teaches his students how change workson both a historical and personal scaleand how to think for themselves.Though Dan is brilliant, dynamic and in control of the classroom, he spends his time outside school on the edge of consciousness. Early in the film we see Dan smoking crack in a school locker room after he coaches the school's girls basketball team. While there, one of his players, Drey (Shareeka Epps) catches him getting high. As the plot moves forward, we learn little about how or why Dan got involved with drugs. We find that a former girlfriend has successfully gone through drug rehab, and that the Dunne family has fissures of its own. But Fleck primarily sets moods throughout the film, leaving large ellipses for the viewer to fill in, rather than directly illuminate Dan's story.Drey's troubles are more plainly spelled out. Her parents are not together, and her father is irresponsible and seemingly uninvolved in her life. Drey's brother, Mike, is in prison for selling drugs for a neighborhood dealer, Frank (Anthony Mackie). And Drey's mother is constantly working as an EMT to keep the family together. Drey's lack of proper adult supervision make her a target for Frank's operation.The tension in the film comes from Drey's attempts to save Dan from the consequences of his drug habit, and Dan's efforts to keep Drey from following in her brother Mike's footsteps. These two people are better able to save each other than to save themselves.

Question: Who is the most instrumental in helping Dan kick his drug habit?
Answer: Drey.
How to Make a Monster

Pete Dumond, Chief Make-up Artist for 25 years at American International Studios, is fired after the studio is purchased by NBN Associates. The new management from the East, Jeffrey Clayton and John Nixon, plan to make musicals and comedies instead of the horror pictures for which Pete has created his remarkable monster make-ups and made the studio famous. In retaliaton, Pete vows to use the very monsters these men have rejected to destroy them. By mixing a numbing ingredient into his foundation cream and persuading the young actors that their careers are through unless they place themselves in his power, he hypnotizes both Larry Drake and Tony Mantell (who are playing the characters Teenage Werewolf and Teenage Frankenstein, respectively, in the picture Werewolf Meets Frankenstein,currently shooting on the lot).
Through hypnosis, Pete urges Larry, in werewolf make-up, to kill Nixon in the studio projection room. Later, he wills the unknowing Tony to wait for Clayton in his garage at night and brutally choke him to death. Studio guard Monahan, a self-styled detective, stops in at the Make-up Room on his rounds one evening. He shows Pete and Rivero, Pete's reluctant assistant and accomplice, his little black book in which he has jotted down many facts, such as the late time Pete and Rivero checked out the night of the first murder. By this show of initiative he plans to get a promotion. Apprehensive, Peteâmade up as a terrifying primitive monster, one of his own creationsâkills Monahan in the studio commissary at a later point on his beat.
Richards, the older guard, sees and hears nothing, until he uncovers Monahan's body. Police investigators uncover two clues: a maid, Millie, describes Frankenstein's Monster (Tony, in make-up), who struck her down as he fled from Clayton's murder; and the Police Laboratory Technician discovers a peculiar ingredient in the make-up left on Clayton's fingers from his death struggle with Tony. The formula matches bits found in Pete's old Make-up Room. The police head for Pete's house. Pete has taken Rivero, Tony and Larry for a grim farewell party to his home, which is a museum of all the monsters that he has created in the 25 years at the studio. (As Pete lights the candles for the party, the movie switches from black-and-white to color). Pete has stabbed Rivero to death secretly in the kitchen and hidden his body. Finding Tony and Larry trying to escape the locked living room, he attacks them with a knife. Larry inadvertently knocks over a candelabra, setting the living room on fire, and Pete is burned to death, trying in vain to save the lifelike heads of his monster "children" mounted on the wall. The police break through the door before the flames reach the boys.

Question: Who does Tony Montell play?
Answer: teenage Frankenstein
How to Make a Monster

Pete Dumond, Chief Make-up Artist for 25 years at American International Studios, is fired after the studio is purchased by NBN Associates. The new management from the East, Jeffrey Clayton and John Nixon, plan to make musicals and comedies instead of the horror pictures for which Pete has created his remarkable monster make-ups and made the studio famous. In retaliaton, Pete vows to use the very monsters these men have rejected to destroy them. By mixing a numbing ingredient into his foundation cream and persuading the young actors that their careers are through unless they place themselves in his power, he hypnotizes both Larry Drake and Tony Mantell (who are playing the characters Teenage Werewolf and Teenage Frankenstein, respectively, in the picture Werewolf Meets Frankenstein,currently shooting on the lot).
Through hypnosis, Pete urges Larry, in werewolf make-up, to kill Nixon in the studio projection room. Later, he wills the unknowing Tony to wait for Clayton in his garage at night and brutally choke him to death. Studio guard Monahan, a self-styled detective, stops in at the Make-up Room on his rounds one evening. He shows Pete and Rivero, Pete's reluctant assistant and accomplice, his little black book in which he has jotted down many facts, such as the late time Pete and Rivero checked out the night of the first murder. By this show of initiative he plans to get a promotion. Apprehensive, Peteâmade up as a terrifying primitive monster, one of his own creationsâkills Monahan in the studio commissary at a later point on his beat.
Richards, the older guard, sees and hears nothing, until he uncovers Monahan's body. Police investigators uncover two clues: a maid, Millie, describes Frankenstein's Monster (Tony, in make-up), who struck her down as he fled from Clayton's murder; and the Police Laboratory Technician discovers a peculiar ingredient in the make-up left on Clayton's fingers from his death struggle with Tony. The formula matches bits found in Pete's old Make-up Room. The police head for Pete's house. Pete has taken Rivero, Tony and Larry for a grim farewell party to his home, which is a museum of all the monsters that he has created in the 25 years at the studio. (As Pete lights the candles for the party, the movie switches from black-and-white to color). Pete has stabbed Rivero to death secretly in the kitchen and hidden his body. Finding Tony and Larry trying to escape the locked living room, he attacks them with a knife. Larry inadvertently knocks over a candelabra, setting the living room on fire, and Pete is burned to death, trying in vain to save the lifelike heads of his monster "children" mounted on the wall. The police break through the door before the flames reach the boys.

Question: What type of movies does the new management want to make?
Answer: musicals and comedies
How to Make a Monster

Pete Dumond, Chief Make-up Artist for 25 years at American International Studios, is fired after the studio is purchased by NBN Associates. The new management from the East, Jeffrey Clayton and John Nixon, plan to make musicals and comedies instead of the horror pictures for which Pete has created his remarkable monster make-ups and made the studio famous. In retaliaton, Pete vows to use the very monsters these men have rejected to destroy them. By mixing a numbing ingredient into his foundation cream and persuading the young actors that their careers are through unless they place themselves in his power, he hypnotizes both Larry Drake and Tony Mantell (who are playing the characters Teenage Werewolf and Teenage Frankenstein, respectively, in the picture Werewolf Meets Frankenstein,currently shooting on the lot).
Through hypnosis, Pete urges Larry, in werewolf make-up, to kill Nixon in the studio projection room. Later, he wills the unknowing Tony to wait for Clayton in his garage at night and brutally choke him to death. Studio guard Monahan, a self-styled detective, stops in at the Make-up Room on his rounds one evening. He shows Pete and Rivero, Pete's reluctant assistant and accomplice, his little black book in which he has jotted down many facts, such as the late time Pete and Rivero checked out the night of the first murder. By this show of initiative he plans to get a promotion. Apprehensive, Peteâmade up as a terrifying primitive monster, one of his own creationsâkills Monahan in the studio commissary at a later point on his beat.
Richards, the older guard, sees and hears nothing, until he uncovers Monahan's body. Police investigators uncover two clues: a maid, Millie, describes Frankenstein's Monster (Tony, in make-up), who struck her down as he fled from Clayton's murder; and the Police Laboratory Technician discovers a peculiar ingredient in the make-up left on Clayton's fingers from his death struggle with Tony. The formula matches bits found in Pete's old Make-up Room. The police head for Pete's house. Pete has taken Rivero, Tony and Larry for a grim farewell party to his home, which is a museum of all the monsters that he has created in the 25 years at the studio. (As Pete lights the candles for the party, the movie switches from black-and-white to color). Pete has stabbed Rivero to death secretly in the kitchen and hidden his body. Finding Tony and Larry trying to escape the locked living room, he attacks them with a knife. Larry inadvertently knocks over a candelabra, setting the living room on fire, and Pete is burned to death, trying in vain to save the lifelike heads of his monster "children" mounted on the wall. The police break through the door before the flames reach the boys.

Question: Who does Larry Drake play?
Answer: teenage werewolf
How to Make a Monster

Pete Dumond, Chief Make-up Artist for 25 years at American International Studios, is fired after the studio is purchased by NBN Associates. The new management from the East, Jeffrey Clayton and John Nixon, plan to make musicals and comedies instead of the horror pictures for which Pete has created his remarkable monster make-ups and made the studio famous. In retaliaton, Pete vows to use the very monsters these men have rejected to destroy them. By mixing a numbing ingredient into his foundation cream and persuading the young actors that their careers are through unless they place themselves in his power, he hypnotizes both Larry Drake and Tony Mantell (who are playing the characters Teenage Werewolf and Teenage Frankenstein, respectively, in the picture Werewolf Meets Frankenstein,currently shooting on the lot).
Through hypnosis, Pete urges Larry, in werewolf make-up, to kill Nixon in the studio projection room. Later, he wills the unknowing Tony to wait for Clayton in his garage at night and brutally choke him to death. Studio guard Monahan, a self-styled detective, stops in at the Make-up Room on his rounds one evening. He shows Pete and Rivero, Pete's reluctant assistant and accomplice, his little black book in which he has jotted down many facts, such as the late time Pete and Rivero checked out the night of the first murder. By this show of initiative he plans to get a promotion. Apprehensive, Peteâmade up as a terrifying primitive monster, one of his own creationsâkills Monahan in the studio commissary at a later point on his beat.
Richards, the older guard, sees and hears nothing, until he uncovers Monahan's body. Police investigators uncover two clues: a maid, Millie, describes Frankenstein's Monster (Tony, in make-up), who struck her down as he fled from Clayton's murder; and the Police Laboratory Technician discovers a peculiar ingredient in the make-up left on Clayton's fingers from his death struggle with Tony. The formula matches bits found in Pete's old Make-up Room. The police head for Pete's house. Pete has taken Rivero, Tony and Larry for a grim farewell party to his home, which is a museum of all the monsters that he has created in the 25 years at the studio. (As Pete lights the candles for the party, the movie switches from black-and-white to color). Pete has stabbed Rivero to death secretly in the kitchen and hidden his body. Finding Tony and Larry trying to escape the locked living room, he attacks them with a knife. Larry inadvertently knocks over a candelabra, setting the living room on fire, and Pete is burned to death, trying in vain to save the lifelike heads of his monster "children" mounted on the wall. The police break through the door before the flames reach the boys.

Question: What is the relationship of Rivero to Peter?
Answer: his assistant
How to Make a Monster

Pete Dumond, Chief Make-up Artist for 25 years at American International Studios, is fired after the studio is purchased by NBN Associates. The new management from the East, Jeffrey Clayton and John Nixon, plan to make musicals and comedies instead of the horror pictures for which Pete has created his remarkable monster make-ups and made the studio famous. In retaliaton, Pete vows to use the very monsters these men have rejected to destroy them. By mixing a numbing ingredient into his foundation cream and persuading the young actors that their careers are through unless they place themselves in his power, he hypnotizes both Larry Drake and Tony Mantell (who are playing the characters Teenage Werewolf and Teenage Frankenstein, respectively, in the picture Werewolf Meets Frankenstein,currently shooting on the lot).
Through hypnosis, Pete urges Larry, in werewolf make-up, to kill Nixon in the studio projection room. Later, he wills the unknowing Tony to wait for Clayton in his garage at night and brutally choke him to death. Studio guard Monahan, a self-styled detective, stops in at the Make-up Room on his rounds one evening. He shows Pete and Rivero, Pete's reluctant assistant and accomplice, his little black book in which he has jotted down many facts, such as the late time Pete and Rivero checked out the night of the first murder. By this show of initiative he plans to get a promotion. Apprehensive, Peteâmade up as a terrifying primitive monster, one of his own creationsâkills Monahan in the studio commissary at a later point on his beat.
Richards, the older guard, sees and hears nothing, until he uncovers Monahan's body. Police investigators uncover two clues: a maid, Millie, describes Frankenstein's Monster (Tony, in make-up), who struck her down as he fled from Clayton's murder; and the Police Laboratory Technician discovers a peculiar ingredient in the make-up left on Clayton's fingers from his death struggle with Tony. The formula matches bits found in Pete's old Make-up Room. The police head for Pete's house. Pete has taken Rivero, Tony and Larry for a grim farewell party to his home, which is a museum of all the monsters that he has created in the 25 years at the studio. (As Pete lights the candles for the party, the movie switches from black-and-white to color). Pete has stabbed Rivero to death secretly in the kitchen and hidden his body. Finding Tony and Larry trying to escape the locked living room, he attacks them with a knife. Larry inadvertently knocks over a candelabra, setting the living room on fire, and Pete is burned to death, trying in vain to save the lifelike heads of his monster "children" mounted on the wall. The police break through the door before the flames reach the boys.

Question: What is Monahan profession?
Answer: a guard
How to Make a Monster

Pete Dumond, Chief Make-up Artist for 25 years at American International Studios, is fired after the studio is purchased by NBN Associates. The new management from the East, Jeffrey Clayton and John Nixon, plan to make musicals and comedies instead of the horror pictures for which Pete has created his remarkable monster make-ups and made the studio famous. In retaliaton, Pete vows to use the very monsters these men have rejected to destroy them. By mixing a numbing ingredient into his foundation cream and persuading the young actors that their careers are through unless they place themselves in his power, he hypnotizes both Larry Drake and Tony Mantell (who are playing the characters Teenage Werewolf and Teenage Frankenstein, respectively, in the picture Werewolf Meets Frankenstein,currently shooting on the lot).
Through hypnosis, Pete urges Larry, in werewolf make-up, to kill Nixon in the studio projection room. Later, he wills the unknowing Tony to wait for Clayton in his garage at night and brutally choke him to death. Studio guard Monahan, a self-styled detective, stops in at the Make-up Room on his rounds one evening. He shows Pete and Rivero, Pete's reluctant assistant and accomplice, his little black book in which he has jotted down many facts, such as the late time Pete and Rivero checked out the night of the first murder. By this show of initiative he plans to get a promotion. Apprehensive, Peteâmade up as a terrifying primitive monster, one of his own creationsâkills Monahan in the studio commissary at a later point on his beat.
Richards, the older guard, sees and hears nothing, until he uncovers Monahan's body. Police investigators uncover two clues: a maid, Millie, describes Frankenstein's Monster (Tony, in make-up), who struck her down as he fled from Clayton's murder; and the Police Laboratory Technician discovers a peculiar ingredient in the make-up left on Clayton's fingers from his death struggle with Tony. The formula matches bits found in Pete's old Make-up Room. The police head for Pete's house. Pete has taken Rivero, Tony and Larry for a grim farewell party to his home, which is a museum of all the monsters that he has created in the 25 years at the studio. (As Pete lights the candles for the party, the movie switches from black-and-white to color). Pete has stabbed Rivero to death secretly in the kitchen and hidden his body. Finding Tony and Larry trying to escape the locked living room, he attacks them with a knife. Larry inadvertently knocks over a candelabra, setting the living room on fire, and Pete is burned to death, trying in vain to save the lifelike heads of his monster "children" mounted on the wall. The police break through the door before the flames reach the boys.

Question: Who describes the murderer as monster?
Answer: Millie