ibm-research/duorc huggingface dataset:
I.Q.

Is everything random "or is there a Grand Design?" muses Albert Einstein at the opening of the film. And we are left with the ultimate conclusion that where true love is concerned at least, the answer is a resounding "Yes" to a Grand Design.
An easy-going garage mechanic, Ed Walters (Tim Robbins), meets Catherine Boyd (Meg Ryan), a successful Princeton University mathematics doctoral candidate, as she comes into the garage, accompanied by her resistant and critical English fiancÃ©, acerbic experimental psychology professor James Moreland (Stephen Fry). There is an immediate "electric" connection which Ed recognizes, but she is not yet aware.
Ed sees his future, briefly, and Catherine is a major part of it; they are married, and have children together. "How long will all of this take?" asks Catherine, referring to the car repair, and Ed, thinking about their future life together, replies, "That's up to you". His life purpose has suddenly been decided by a force of nature greater than himself.
Finding a watch she left at the garage, Ed travels to her address and finds himself face to face with Albert Einstein (Walter Matthau), who is Catherine's uncle.[1]
Albertâportrayed as a fun-loving geniusâand his mischievous friends, fellow scientists Nathan Liebknecht (Joseph Maher), Kurt GÃ¶del (Lou Jacobi), and Boris Podolsky (Gene Saks), see Ed as someone who would be better suited for Catherine. The four of them try to help Ed look and sound like a scientist (i.e., a "wunderkind" in physics) temporarily, in order to garner Catherine's attention for Ed, while at the same time trying to convince Catherine that life is not all about the mind, but is also about the heart. James's heart is virtually non-existent, while Ed's heart is virtually limitless.
Einstein sees bringing Ed and Catherine together as his most enduring legacy to his niece, because she was of the mistaken opinion that her only contribution to the world was to be through her children, and that she therefore must marry a total intellectual because then she will produce genius children, like himself. Einstein realizes that Ed loves Catherine for herself, and will help her blossom into her full potential as a person full of life and spirit; a fellow world traveler with mutual interests as varied as the Boyd's Comet and the Seven Sacred Pools on Maui, which James belittled.
Catherine eventually sees through the "intellectual Ed" ruse Einstein and his cohorts had temporarily created in order to get her to give Ed some attention, and falls for Ed anyway, just as Einstein had hoped. A smiling Albert Einstein uses a small telescope to spy happily on the two young moonstruck lovers as they take delight in the return of Boyd's Comet and in each other's company. The film ends with both Catherine and Albert saying "Wahoo!", just as Einstein had earlier in the film while riding on Ed's motorcycle.

Question: Who uses a small telescope to spy happily?
Answer: Albert Einstein
I.Q.

Is everything random "or is there a Grand Design?" muses Albert Einstein at the opening of the film. And we are left with the ultimate conclusion that where true love is concerned at least, the answer is a resounding "Yes" to a Grand Design.
An easy-going garage mechanic, Ed Walters (Tim Robbins), meets Catherine Boyd (Meg Ryan), a successful Princeton University mathematics doctoral candidate, as she comes into the garage, accompanied by her resistant and critical English fiancÃ©, acerbic experimental psychology professor James Moreland (Stephen Fry). There is an immediate "electric" connection which Ed recognizes, but she is not yet aware.
Ed sees his future, briefly, and Catherine is a major part of it; they are married, and have children together. "How long will all of this take?" asks Catherine, referring to the car repair, and Ed, thinking about their future life together, replies, "That's up to you". His life purpose has suddenly been decided by a force of nature greater than himself.
Finding a watch she left at the garage, Ed travels to her address and finds himself face to face with Albert Einstein (Walter Matthau), who is Catherine's uncle.[1]
Albertâportrayed as a fun-loving geniusâand his mischievous friends, fellow scientists Nathan Liebknecht (Joseph Maher), Kurt GÃ¶del (Lou Jacobi), and Boris Podolsky (Gene Saks), see Ed as someone who would be better suited for Catherine. The four of them try to help Ed look and sound like a scientist (i.e., a "wunderkind" in physics) temporarily, in order to garner Catherine's attention for Ed, while at the same time trying to convince Catherine that life is not all about the mind, but is also about the heart. James's heart is virtually non-existent, while Ed's heart is virtually limitless.
Einstein sees bringing Ed and Catherine together as his most enduring legacy to his niece, because she was of the mistaken opinion that her only contribution to the world was to be through her children, and that she therefore must marry a total intellectual because then she will produce genius children, like himself. Einstein realizes that Ed loves Catherine for herself, and will help her blossom into her full potential as a person full of life and spirit; a fellow world traveler with mutual interests as varied as the Boyd's Comet and the Seven Sacred Pools on Maui, which James belittled.
Catherine eventually sees through the "intellectual Ed" ruse Einstein and his cohorts had temporarily created in order to get her to give Ed some attention, and falls for Ed anyway, just as Einstein had hoped. A smiling Albert Einstein uses a small telescope to spy happily on the two young moonstruck lovers as they take delight in the return of Boyd's Comet and in each other's company. The film ends with both Catherine and Albert saying "Wahoo!", just as Einstein had earlier in the film while riding on Ed's motorcycle.

Question: Who is Catherine's uncle?
Answer: Albert Einstein
I.Q.

Is everything random "or is there a Grand Design?" muses Albert Einstein at the opening of the film. And we are left with the ultimate conclusion that where true love is concerned at least, the answer is a resounding "Yes" to a Grand Design.
An easy-going garage mechanic, Ed Walters (Tim Robbins), meets Catherine Boyd (Meg Ryan), a successful Princeton University mathematics doctoral candidate, as she comes into the garage, accompanied by her resistant and critical English fiancÃ©, acerbic experimental psychology professor James Moreland (Stephen Fry). There is an immediate "electric" connection which Ed recognizes, but she is not yet aware.
Ed sees his future, briefly, and Catherine is a major part of it; they are married, and have children together. "How long will all of this take?" asks Catherine, referring to the car repair, and Ed, thinking about their future life together, replies, "That's up to you". His life purpose has suddenly been decided by a force of nature greater than himself.
Finding a watch she left at the garage, Ed travels to her address and finds himself face to face with Albert Einstein (Walter Matthau), who is Catherine's uncle.[1]
Albertâportrayed as a fun-loving geniusâand his mischievous friends, fellow scientists Nathan Liebknecht (Joseph Maher), Kurt GÃ¶del (Lou Jacobi), and Boris Podolsky (Gene Saks), see Ed as someone who would be better suited for Catherine. The four of them try to help Ed look and sound like a scientist (i.e., a "wunderkind" in physics) temporarily, in order to garner Catherine's attention for Ed, while at the same time trying to convince Catherine that life is not all about the mind, but is also about the heart. James's heart is virtually non-existent, while Ed's heart is virtually limitless.
Einstein sees bringing Ed and Catherine together as his most enduring legacy to his niece, because she was of the mistaken opinion that her only contribution to the world was to be through her children, and that she therefore must marry a total intellectual because then she will produce genius children, like himself. Einstein realizes that Ed loves Catherine for herself, and will help her blossom into her full potential as a person full of life and spirit; a fellow world traveler with mutual interests as varied as the Boyd's Comet and the Seven Sacred Pools on Maui, which James belittled.
Catherine eventually sees through the "intellectual Ed" ruse Einstein and his cohorts had temporarily created in order to get her to give Ed some attention, and falls for Ed anyway, just as Einstein had hoped. A smiling Albert Einstein uses a small telescope to spy happily on the two young moonstruck lovers as they take delight in the return of Boyd's Comet and in each other's company. The film ends with both Catherine and Albert saying "Wahoo!", just as Einstein had earlier in the film while riding on Ed's motorcycle.

Question: Who does Ed see his future with?
Answer: He sees Catherine in his future
Megamind: The Button of Doom

The film opens with Megamind starting his first day as a hero. He builds himself new devices that provide him with superpowers, and to wipe the slate clean and make a fresh start he sells away all his old evil devices, to customers who can use it for non-evil purposes... except for two, the Death Ray from the film and a button. The Death Ray understandably had no takers (considering it took out Metro City's hero Metro Man in the first place), and when Megamind and Minion press the button, it unleashes Megamind's most evil creation ever: the Mega-Megamind, a giant robot programmed with Megamind's evil personality. The Mega-Megamind takes his creator to be Metro Man, and starts his attack, programmed never to stop until his target is dead!Megamind puts his new power-giving devices to the test, but they prove to be useless against the robot. Megamind and Minion are quickly forced into hiding; Megamind is disappointed at his failure as a hero, but Minion advises him to stop copying Metro Man and tackle the problem as himself. Megamind discovers the Spider-Bot, an invention Minion couldn't bear to sell away, and uses it to draw the Mega-Megamind's attention while Minion activates the Death Ray. Although there's a hurdle when Minion has to look for the remote to activate the ray, he manages to find it in time. The Ray blows up the Mega-Megamind, and Megamind has successfully proven himself as a hero.The film ends with Megamind taking back all his devices, deciding to instead use them heroically. He and Minion see that Metro City has created a distress signal, showing to their great joy that they are now legitimate heroes to call in a crisis. And off they go on a new adventure...

Question: Which invention is used to draw the attention of Mega-Megamind?
Answer: Spider-Bot.
Megamind: The Button of Doom

The film opens with Megamind starting his first day as a hero. He builds himself new devices that provide him with superpowers, and to wipe the slate clean and make a fresh start he sells away all his old evil devices, to customers who can use it for non-evil purposes... except for two, the Death Ray from the film and a button. The Death Ray understandably had no takers (considering it took out Metro City's hero Metro Man in the first place), and when Megamind and Minion press the button, it unleashes Megamind's most evil creation ever: the Mega-Megamind, a giant robot programmed with Megamind's evil personality. The Mega-Megamind takes his creator to be Metro Man, and starts his attack, programmed never to stop until his target is dead!Megamind puts his new power-giving devices to the test, but they prove to be useless against the robot. Megamind and Minion are quickly forced into hiding; Megamind is disappointed at his failure as a hero, but Minion advises him to stop copying Metro Man and tackle the problem as himself. Megamind discovers the Spider-Bot, an invention Minion couldn't bear to sell away, and uses it to draw the Mega-Megamind's attention while Minion activates the Death Ray. Although there's a hurdle when Minion has to look for the remote to activate the ray, he manages to find it in time. The Ray blows up the Mega-Megamind, and Megamind has successfully proven himself as a hero.The film ends with Megamind taking back all his devices, deciding to instead use them heroically. He and Minion see that Metro City has created a distress signal, showing to their great joy that they are now legitimate heroes to call in a crisis. And off they go on a new adventure...

Question: Megamind sells away all his old evil devices except for two.What are they?
Answer: The Death Ray from the film and a button.
Megamind: The Button of Doom

The film opens with Megamind starting his first day as a hero. He builds himself new devices that provide him with superpowers, and to wipe the slate clean and make a fresh start he sells away all his old evil devices, to customers who can use it for non-evil purposes... except for two, the Death Ray from the film and a button. The Death Ray understandably had no takers (considering it took out Metro City's hero Metro Man in the first place), and when Megamind and Minion press the button, it unleashes Megamind's most evil creation ever: the Mega-Megamind, a giant robot programmed with Megamind's evil personality. The Mega-Megamind takes his creator to be Metro Man, and starts his attack, programmed never to stop until his target is dead!Megamind puts his new power-giving devices to the test, but they prove to be useless against the robot. Megamind and Minion are quickly forced into hiding; Megamind is disappointed at his failure as a hero, but Minion advises him to stop copying Metro Man and tackle the problem as himself. Megamind discovers the Spider-Bot, an invention Minion couldn't bear to sell away, and uses it to draw the Mega-Megamind's attention while Minion activates the Death Ray. Although there's a hurdle when Minion has to look for the remote to activate the ray, he manages to find it in time. The Ray blows up the Mega-Megamind, and Megamind has successfully proven himself as a hero.The film ends with Megamind taking back all his devices, deciding to instead use them heroically. He and Minion see that Metro City has created a distress signal, showing to their great joy that they are now legitimate heroes to call in a crisis. And off they go on a new adventure...

Question: What does Mega-Megamind take his creator to be?
Answer: Metro Man.
Megamind: The Button of Doom

The film opens with Megamind starting his first day as a hero. He builds himself new devices that provide him with superpowers, and to wipe the slate clean and make a fresh start he sells away all his old evil devices, to customers who can use it for non-evil purposes... except for two, the Death Ray from the film and a button. The Death Ray understandably had no takers (considering it took out Metro City's hero Metro Man in the first place), and when Megamind and Minion press the button, it unleashes Megamind's most evil creation ever: the Mega-Megamind, a giant robot programmed with Megamind's evil personality. The Mega-Megamind takes his creator to be Metro Man, and starts his attack, programmed never to stop until his target is dead!Megamind puts his new power-giving devices to the test, but they prove to be useless against the robot. Megamind and Minion are quickly forced into hiding; Megamind is disappointed at his failure as a hero, but Minion advises him to stop copying Metro Man and tackle the problem as himself. Megamind discovers the Spider-Bot, an invention Minion couldn't bear to sell away, and uses it to draw the Mega-Megamind's attention while Minion activates the Death Ray. Although there's a hurdle when Minion has to look for the remote to activate the ray, he manages to find it in time. The Ray blows up the Mega-Megamind, and Megamind has successfully proven himself as a hero.The film ends with Megamind taking back all his devices, deciding to instead use them heroically. He and Minion see that Metro City has created a distress signal, showing to their great joy that they are now legitimate heroes to call in a crisis. And off they go on a new adventure...

Question: Who is the creator of Mega-Megamind?
Answer: Megamind.
Megamind: The Button of Doom

The film opens with Megamind starting his first day as a hero. He builds himself new devices that provide him with superpowers, and to wipe the slate clean and make a fresh start he sells away all his old evil devices, to customers who can use it for non-evil purposes... except for two, the Death Ray from the film and a button. The Death Ray understandably had no takers (considering it took out Metro City's hero Metro Man in the first place), and when Megamind and Minion press the button, it unleashes Megamind's most evil creation ever: the Mega-Megamind, a giant robot programmed with Megamind's evil personality. The Mega-Megamind takes his creator to be Metro Man, and starts his attack, programmed never to stop until his target is dead!Megamind puts his new power-giving devices to the test, but they prove to be useless against the robot. Megamind and Minion are quickly forced into hiding; Megamind is disappointed at his failure as a hero, but Minion advises him to stop copying Metro Man and tackle the problem as himself. Megamind discovers the Spider-Bot, an invention Minion couldn't bear to sell away, and uses it to draw the Mega-Megamind's attention while Minion activates the Death Ray. Although there's a hurdle when Minion has to look for the remote to activate the ray, he manages to find it in time. The Ray blows up the Mega-Megamind, and Megamind has successfully proven himself as a hero.The film ends with Megamind taking back all his devices, deciding to instead use them heroically. He and Minion see that Metro City has created a distress signal, showing to their great joy that they are now legitimate heroes to call in a crisis. And off they go on a new adventure...

Question: What does Megamind sell away to wipe the slate clean and make a fresh start?
Answer: His old evil devices.
Megamind: The Button of Doom

The film opens with Megamind starting his first day as a hero. He builds himself new devices that provide him with superpowers, and to wipe the slate clean and make a fresh start he sells away all his old evil devices, to customers who can use it for non-evil purposes... except for two, the Death Ray from the film and a button. The Death Ray understandably had no takers (considering it took out Metro City's hero Metro Man in the first place), and when Megamind and Minion press the button, it unleashes Megamind's most evil creation ever: the Mega-Megamind, a giant robot programmed with Megamind's evil personality. The Mega-Megamind takes his creator to be Metro Man, and starts his attack, programmed never to stop until his target is dead!Megamind puts his new power-giving devices to the test, but they prove to be useless against the robot. Megamind and Minion are quickly forced into hiding; Megamind is disappointed at his failure as a hero, but Minion advises him to stop copying Metro Man and tackle the problem as himself. Megamind discovers the Spider-Bot, an invention Minion couldn't bear to sell away, and uses it to draw the Mega-Megamind's attention while Minion activates the Death Ray. Although there's a hurdle when Minion has to look for the remote to activate the ray, he manages to find it in time. The Ray blows up the Mega-Megamind, and Megamind has successfully proven himself as a hero.The film ends with Megamind taking back all his devices, deciding to instead use them heroically. He and Minion see that Metro City has created a distress signal, showing to their great joy that they are now legitimate heroes to call in a crisis. And off they go on a new adventure...

Question: Which is Megamind's most evil creation?
Answer: Mega-Megamind.
The Emperor's New Groove

Vain, pampered and spoiled rich Emperor Kuzco (David Spade) goes about another day in which he is bowed and scraped to by myriad servants.After being unable to find a suitable bride from the regiment chosen by one of his staff, Kuzco finds his advisor Yzma (Eartha Kitt) sitting in his throne. Even though this upsets him, Kuzco decides to fire her from her position due to her age, causing Yzma to storm off in a rage with her assistant Kronk (Patrick Warburton) following close behind.Kuzco then meets up with Pacha (John Goodman), who is the head of a nearby village. Pacha is shown a model of his village, and asks to know where the most sun is. When Pacha gives his opinion, Kuzco horrifies the man when he places a large structure on top of the model that he dubs "Kuzcotopia." Kuzco then explains that the next day at his Birthday celebration, the entire village will be destroyed for his new summer home. Upset at such a thing, Pacha tries to interject, but is taken away.Meanwhile, Yzma is still upset over being fired by Kuzco, and decides to do away with him. As there's no apparent heir to the throne, she figures she can easily take over, and going to her secret lab, finds a potion she intends to poison Kuzco with at dinner.However, at dinner, Kronk picks the wrong potion, and instead uses 'Extract of Llama,' which turns Kuzco into one. Yzma sends Kronk out to kill Kuzco, but unable to bring himself to do so, the bag containing the Emperor ends up falling onto the back of a cart belonging to Pacha.Pacha returns to his village, but is unable to tell his family what Kuzco said about the destruction of their home. Eventually finding the bag containing Kuzco as a llama, Kuzco then demands that Pacha take him back to the palace. However, Pacha refuses to do so unless Kuzco moves his summer home to another place.Kuzco refuses, and wanders off into the nearby jungle. He is almost attacked by a gang of panthers, until Pacha comes to his rescue.Back at the palace, Yzma has taken control of the kingdom, but grows irate when Kronk lets slip that he did not actually kill Kuzco. Yzma then accompanies Kronk to find Kuzco.

Question: What did the wrong potion, turn Kuzco into?
Answer: A llama.
The Emperor's New Groove

Vain, pampered and spoiled rich Emperor Kuzco (David Spade) goes about another day in which he is bowed and scraped to by myriad servants.After being unable to find a suitable bride from the regiment chosen by one of his staff, Kuzco finds his advisor Yzma (Eartha Kitt) sitting in his throne. Even though this upsets him, Kuzco decides to fire her from her position due to her age, causing Yzma to storm off in a rage with her assistant Kronk (Patrick Warburton) following close behind.Kuzco then meets up with Pacha (John Goodman), who is the head of a nearby village. Pacha is shown a model of his village, and asks to know where the most sun is. When Pacha gives his opinion, Kuzco horrifies the man when he places a large structure on top of the model that he dubs "Kuzcotopia." Kuzco then explains that the next day at his Birthday celebration, the entire village will be destroyed for his new summer home. Upset at such a thing, Pacha tries to interject, but is taken away.Meanwhile, Yzma is still upset over being fired by Kuzco, and decides to do away with him. As there's no apparent heir to the throne, she figures she can easily take over, and going to her secret lab, finds a potion she intends to poison Kuzco with at dinner.However, at dinner, Kronk picks the wrong potion, and instead uses 'Extract of Llama,' which turns Kuzco into one. Yzma sends Kronk out to kill Kuzco, but unable to bring himself to do so, the bag containing the Emperor ends up falling onto the back of a cart belonging to Pacha.Pacha returns to his village, but is unable to tell his family what Kuzco said about the destruction of their home. Eventually finding the bag containing Kuzco as a llama, Kuzco then demands that Pacha take him back to the palace. However, Pacha refuses to do so unless Kuzco moves his summer home to another place.Kuzco refuses, and wanders off into the nearby jungle. He is almost attacked by a gang of panthers, until Pacha comes to his rescue.Back at the palace, Yzma has taken control of the kingdom, but grows irate when Kronk lets slip that he did not actually kill Kuzco. Yzma then accompanies Kronk to find Kuzco.

Question: What is Kronk unable to bring himself to do?
Answer: To kill Kuzco.