ibm-research/duorc huggingface dataset:
Nowhere to Run

This article needs an improved plot summary. (May 2015)
Sam Gillen (Jean-Claude Van Damme) is a QuÃ©bÃ©cois convict in the United States who escapes from Federal custody with the aid of his bank-robbing partner. In their last heist, Sam's partner killed a bank guard, a crime for which Sam was ultimately convicted. Sam's partner is killed in the break, forcing Sam to continue on alone. He sets up camp on a piece of farmland owned by Clydie Anderson (Rosanna Arquette), the widowed mother of two kids, Mike (nicknamed "Mookie") (Kieran Culkin) and Bree (Tiffany Taubman).
While sneaking into Clydie's house to "borrow" some salt, Sam catches sight of Clydie taking a shower. The next morning, Sam is spotted bathing outdoors by Mookie. After saving Clydie, Mookie, and Bree from a trio of intruding thugs, Sam learns that Clydie is holding out from selling her land to property developer Franklin Hale (Joss Ackland), who will be put out of business if he does not get Clydie's land so that he can put a tract house development on it.
Sam stays in Clydie's barn while repairing her late husband's Triumph motorcycle. Meanwhile Hale has one of his men, Mr. Dunston (Ted Levine), try to force Clydie into selling her land. Secretly on Hale's payroll is the corrupt Sheriff Lonnie Poole (Edward Blatchford), who harbors feelings for Clydie.
A jealous Lonnie discovers Sam's true identity and strongly urges him to leave. Sam complies, only to find the state police chasing him. Sam returns to save Clydie from Dunston and Hale, who have forced her to sign a sale agreement in his absence and are about to burn down her house.
Sam decides to turn himself in to the authorities after he realizes that running away was never the right thing to do. He promises Clydie that he will come back someday.

Question: Who turned himself in?
Answer: Sam
Nowhere to Run

This article needs an improved plot summary. (May 2015)
Sam Gillen (Jean-Claude Van Damme) is a QuÃ©bÃ©cois convict in the United States who escapes from Federal custody with the aid of his bank-robbing partner. In their last heist, Sam's partner killed a bank guard, a crime for which Sam was ultimately convicted. Sam's partner is killed in the break, forcing Sam to continue on alone. He sets up camp on a piece of farmland owned by Clydie Anderson (Rosanna Arquette), the widowed mother of two kids, Mike (nicknamed "Mookie") (Kieran Culkin) and Bree (Tiffany Taubman).
While sneaking into Clydie's house to "borrow" some salt, Sam catches sight of Clydie taking a shower. The next morning, Sam is spotted bathing outdoors by Mookie. After saving Clydie, Mookie, and Bree from a trio of intruding thugs, Sam learns that Clydie is holding out from selling her land to property developer Franklin Hale (Joss Ackland), who will be put out of business if he does not get Clydie's land so that he can put a tract house development on it.
Sam stays in Clydie's barn while repairing her late husband's Triumph motorcycle. Meanwhile Hale has one of his men, Mr. Dunston (Ted Levine), try to force Clydie into selling her land. Secretly on Hale's payroll is the corrupt Sheriff Lonnie Poole (Edward Blatchford), who harbors feelings for Clydie.
A jealous Lonnie discovers Sam's true identity and strongly urges him to leave. Sam complies, only to find the state police chasing him. Sam returns to save Clydie from Dunston and Hale, who have forced her to sign a sale agreement in his absence and are about to burn down her house.
Sam decides to turn himself in to the authorities after he realizes that running away was never the right thing to do. He promises Clydie that he will come back someday.

Question: Who discover's Sam's true identity?
Answer: Lonnie
Nowhere to Run

This article needs an improved plot summary. (May 2015)
Sam Gillen (Jean-Claude Van Damme) is a QuÃ©bÃ©cois convict in the United States who escapes from Federal custody with the aid of his bank-robbing partner. In their last heist, Sam's partner killed a bank guard, a crime for which Sam was ultimately convicted. Sam's partner is killed in the break, forcing Sam to continue on alone. He sets up camp on a piece of farmland owned by Clydie Anderson (Rosanna Arquette), the widowed mother of two kids, Mike (nicknamed "Mookie") (Kieran Culkin) and Bree (Tiffany Taubman).
While sneaking into Clydie's house to "borrow" some salt, Sam catches sight of Clydie taking a shower. The next morning, Sam is spotted bathing outdoors by Mookie. After saving Clydie, Mookie, and Bree from a trio of intruding thugs, Sam learns that Clydie is holding out from selling her land to property developer Franklin Hale (Joss Ackland), who will be put out of business if he does not get Clydie's land so that he can put a tract house development on it.
Sam stays in Clydie's barn while repairing her late husband's Triumph motorcycle. Meanwhile Hale has one of his men, Mr. Dunston (Ted Levine), try to force Clydie into selling her land. Secretly on Hale's payroll is the corrupt Sheriff Lonnie Poole (Edward Blatchford), who harbors feelings for Clydie.
A jealous Lonnie discovers Sam's true identity and strongly urges him to leave. Sam complies, only to find the state police chasing him. Sam returns to save Clydie from Dunston and Hale, who have forced her to sign a sale agreement in his absence and are about to burn down her house.
Sam decides to turn himself in to the authorities after he realizes that running away was never the right thing to do. He promises Clydie that he will come back someday.

Question: Where does Sam stay?
Answer: in Clydie's barn
A Prophet

When it comes to hard-bitten crime cinema, Jacques Audiard has few equals in Europe, and his violent, gripping prison drama A Prophet shows him extending his range with unimpeachable command. The story of a gauche young inmate who rises through the criminal ranks to become a formidable player, A Prophet works both as hard-edged, painstaking detailed social realism and as a compelling genre entertainment.The only thing that might hamper commercial prospects is a labyrinthine, sometimes perplexing narrative, but otherwise the film to be released in France in August - should have the same international appeal as last years Cannes crime hit Gomorrah. Its unapologetically testosterone-laden tenor will give the film a resonance way beyond the international art-house constituency that embraced Audiards last film, The Beat That My Heart Skipped. Expect this stimulating film also to be much discussed in the French media in terms of its topical backgrounds, the national prison system and Frances Islamic population.Set largely within prison walls and featuring an almost exclusively male and non-professional cast, the film details the prison career of Malik el Djebena (newcomer Rahim), a 19-year-old man of North African origin but estranged from the Muslim community. Sentenced to six years on an unspecified charge, Malik is chosen by Cesar Luciani (Arestrup), feared kingpin of the prisons reigning Corsican gang, to kill a prisoner named Reyeb (Yacoubi) who initially offers Malik drugs in exchange for sex. Malik commits the bloody murder, and thanks to Lucianis near-total control of the prisons internal workings - gets off scot-free. This makes him a lieutenant in the prisons Corsican gang, initially entrusted only with menial duties and disparaged as an Arab outsider.Haunted by visions of a ghostly Reyeb, and determined to get on, the illiterate Malik not only learns to read, but teaches himself Corsican, surreptitiously learning the ins and outs of Lucianis business. Another inmate, Ryad (Bencherif), becomes Maliks friend, later his ally on the outside. When Luciani arranges periods of leave for Malik, entrusting him with various criminal missions, Malik takes the opportunity to do some business of his own, setting up a drugs trade with Ryads aid. Life gets increasingly dangerous for Malik, both inside and outside prison walls, but he seems partly through Reyebs benign, unearthly influence - to lead a charmed life. Powers of prophecy are attributed to him after surviving a bizarre car crash an incident presaged in an enigmatic fantasy sequence.Immensely detailed both in its accounts of prison life and of the politics of organized crime, A Prophet comes across as both a realistic film and a deeply cynical one: it is extremely matter-of-fact in depicting a dog-eat-dog world. [D-Man2010]

Question: Where is Malik el Djebena from?
Answer: North Africa
A Prophet

When it comes to hard-bitten crime cinema, Jacques Audiard has few equals in Europe, and his violent, gripping prison drama A Prophet shows him extending his range with unimpeachable command. The story of a gauche young inmate who rises through the criminal ranks to become a formidable player, A Prophet works both as hard-edged, painstaking detailed social realism and as a compelling genre entertainment.The only thing that might hamper commercial prospects is a labyrinthine, sometimes perplexing narrative, but otherwise the film to be released in France in August - should have the same international appeal as last years Cannes crime hit Gomorrah. Its unapologetically testosterone-laden tenor will give the film a resonance way beyond the international art-house constituency that embraced Audiards last film, The Beat That My Heart Skipped. Expect this stimulating film also to be much discussed in the French media in terms of its topical backgrounds, the national prison system and Frances Islamic population.Set largely within prison walls and featuring an almost exclusively male and non-professional cast, the film details the prison career of Malik el Djebena (newcomer Rahim), a 19-year-old man of North African origin but estranged from the Muslim community. Sentenced to six years on an unspecified charge, Malik is chosen by Cesar Luciani (Arestrup), feared kingpin of the prisons reigning Corsican gang, to kill a prisoner named Reyeb (Yacoubi) who initially offers Malik drugs in exchange for sex. Malik commits the bloody murder, and thanks to Lucianis near-total control of the prisons internal workings - gets off scot-free. This makes him a lieutenant in the prisons Corsican gang, initially entrusted only with menial duties and disparaged as an Arab outsider.Haunted by visions of a ghostly Reyeb, and determined to get on, the illiterate Malik not only learns to read, but teaches himself Corsican, surreptitiously learning the ins and outs of Lucianis business. Another inmate, Ryad (Bencherif), becomes Maliks friend, later his ally on the outside. When Luciani arranges periods of leave for Malik, entrusting him with various criminal missions, Malik takes the opportunity to do some business of his own, setting up a drugs trade with Ryads aid. Life gets increasingly dangerous for Malik, both inside and outside prison walls, but he seems partly through Reyebs benign, unearthly influence - to lead a charmed life. Powers of prophecy are attributed to him after surviving a bizarre car crash an incident presaged in an enigmatic fantasy sequence.Immensely detailed both in its accounts of prison life and of the politics of organized crime, A Prophet comes across as both a realistic film and a deeply cynical one: it is extremely matter-of-fact in depicting a dog-eat-dog world. [D-Man2010]

Question: Who did Cesar Luciani want killed?
Answer: Reyeb
A Prophet

When it comes to hard-bitten crime cinema, Jacques Audiard has few equals in Europe, and his violent, gripping prison drama A Prophet shows him extending his range with unimpeachable command. The story of a gauche young inmate who rises through the criminal ranks to become a formidable player, A Prophet works both as hard-edged, painstaking detailed social realism and as a compelling genre entertainment.The only thing that might hamper commercial prospects is a labyrinthine, sometimes perplexing narrative, but otherwise the film to be released in France in August - should have the same international appeal as last years Cannes crime hit Gomorrah. Its unapologetically testosterone-laden tenor will give the film a resonance way beyond the international art-house constituency that embraced Audiards last film, The Beat That My Heart Skipped. Expect this stimulating film also to be much discussed in the French media in terms of its topical backgrounds, the national prison system and Frances Islamic population.Set largely within prison walls and featuring an almost exclusively male and non-professional cast, the film details the prison career of Malik el Djebena (newcomer Rahim), a 19-year-old man of North African origin but estranged from the Muslim community. Sentenced to six years on an unspecified charge, Malik is chosen by Cesar Luciani (Arestrup), feared kingpin of the prisons reigning Corsican gang, to kill a prisoner named Reyeb (Yacoubi) who initially offers Malik drugs in exchange for sex. Malik commits the bloody murder, and thanks to Lucianis near-total control of the prisons internal workings - gets off scot-free. This makes him a lieutenant in the prisons Corsican gang, initially entrusted only with menial duties and disparaged as an Arab outsider.Haunted by visions of a ghostly Reyeb, and determined to get on, the illiterate Malik not only learns to read, but teaches himself Corsican, surreptitiously learning the ins and outs of Lucianis business. Another inmate, Ryad (Bencherif), becomes Maliks friend, later his ally on the outside. When Luciani arranges periods of leave for Malik, entrusting him with various criminal missions, Malik takes the opportunity to do some business of his own, setting up a drugs trade with Ryads aid. Life gets increasingly dangerous for Malik, both inside and outside prison walls, but he seems partly through Reyebs benign, unearthly influence - to lead a charmed life. Powers of prophecy are attributed to him after surviving a bizarre car crash an incident presaged in an enigmatic fantasy sequence.Immensely detailed both in its accounts of prison life and of the politics of organized crime, A Prophet comes across as both a realistic film and a deeply cynical one: it is extremely matter-of-fact in depicting a dog-eat-dog world. [D-Man2010]

Question: How old is Malik el Djebena?
Answer: 19
A Prophet

When it comes to hard-bitten crime cinema, Jacques Audiard has few equals in Europe, and his violent, gripping prison drama A Prophet shows him extending his range with unimpeachable command. The story of a gauche young inmate who rises through the criminal ranks to become a formidable player, A Prophet works both as hard-edged, painstaking detailed social realism and as a compelling genre entertainment.The only thing that might hamper commercial prospects is a labyrinthine, sometimes perplexing narrative, but otherwise the film to be released in France in August - should have the same international appeal as last years Cannes crime hit Gomorrah. Its unapologetically testosterone-laden tenor will give the film a resonance way beyond the international art-house constituency that embraced Audiards last film, The Beat That My Heart Skipped. Expect this stimulating film also to be much discussed in the French media in terms of its topical backgrounds, the national prison system and Frances Islamic population.Set largely within prison walls and featuring an almost exclusively male and non-professional cast, the film details the prison career of Malik el Djebena (newcomer Rahim), a 19-year-old man of North African origin but estranged from the Muslim community. Sentenced to six years on an unspecified charge, Malik is chosen by Cesar Luciani (Arestrup), feared kingpin of the prisons reigning Corsican gang, to kill a prisoner named Reyeb (Yacoubi) who initially offers Malik drugs in exchange for sex. Malik commits the bloody murder, and thanks to Lucianis near-total control of the prisons internal workings - gets off scot-free. This makes him a lieutenant in the prisons Corsican gang, initially entrusted only with menial duties and disparaged as an Arab outsider.Haunted by visions of a ghostly Reyeb, and determined to get on, the illiterate Malik not only learns to read, but teaches himself Corsican, surreptitiously learning the ins and outs of Lucianis business. Another inmate, Ryad (Bencherif), becomes Maliks friend, later his ally on the outside. When Luciani arranges periods of leave for Malik, entrusting him with various criminal missions, Malik takes the opportunity to do some business of his own, setting up a drugs trade with Ryads aid. Life gets increasingly dangerous for Malik, both inside and outside prison walls, but he seems partly through Reyebs benign, unearthly influence - to lead a charmed life. Powers of prophecy are attributed to him after surviving a bizarre car crash an incident presaged in an enigmatic fantasy sequence.Immensely detailed both in its accounts of prison life and of the politics of organized crime, A Prophet comes across as both a realistic film and a deeply cynical one: it is extremely matter-of-fact in depicting a dog-eat-dog world. [D-Man2010]

Question: When is the movie, A Prophet, set to be released?
Answer: August
A Prophet

When it comes to hard-bitten crime cinema, Jacques Audiard has few equals in Europe, and his violent, gripping prison drama A Prophet shows him extending his range with unimpeachable command. The story of a gauche young inmate who rises through the criminal ranks to become a formidable player, A Prophet works both as hard-edged, painstaking detailed social realism and as a compelling genre entertainment.The only thing that might hamper commercial prospects is a labyrinthine, sometimes perplexing narrative, but otherwise the film to be released in France in August - should have the same international appeal as last years Cannes crime hit Gomorrah. Its unapologetically testosterone-laden tenor will give the film a resonance way beyond the international art-house constituency that embraced Audiards last film, The Beat That My Heart Skipped. Expect this stimulating film also to be much discussed in the French media in terms of its topical backgrounds, the national prison system and Frances Islamic population.Set largely within prison walls and featuring an almost exclusively male and non-professional cast, the film details the prison career of Malik el Djebena (newcomer Rahim), a 19-year-old man of North African origin but estranged from the Muslim community. Sentenced to six years on an unspecified charge, Malik is chosen by Cesar Luciani (Arestrup), feared kingpin of the prisons reigning Corsican gang, to kill a prisoner named Reyeb (Yacoubi) who initially offers Malik drugs in exchange for sex. Malik commits the bloody murder, and thanks to Lucianis near-total control of the prisons internal workings - gets off scot-free. This makes him a lieutenant in the prisons Corsican gang, initially entrusted only with menial duties and disparaged as an Arab outsider.Haunted by visions of a ghostly Reyeb, and determined to get on, the illiterate Malik not only learns to read, but teaches himself Corsican, surreptitiously learning the ins and outs of Lucianis business. Another inmate, Ryad (Bencherif), becomes Maliks friend, later his ally on the outside. When Luciani arranges periods of leave for Malik, entrusting him with various criminal missions, Malik takes the opportunity to do some business of his own, setting up a drugs trade with Ryads aid. Life gets increasingly dangerous for Malik, both inside and outside prison walls, but he seems partly through Reyebs benign, unearthly influence - to lead a charmed life. Powers of prophecy are attributed to him after surviving a bizarre car crash an incident presaged in an enigmatic fantasy sequence.Immensely detailed both in its accounts of prison life and of the politics of organized crime, A Prophet comes across as both a realistic film and a deeply cynical one: it is extremely matter-of-fact in depicting a dog-eat-dog world. [D-Man2010]

Question: How many years was Malik sentenced to prison?
Answer: 6
A Prophet

When it comes to hard-bitten crime cinema, Jacques Audiard has few equals in Europe, and his violent, gripping prison drama A Prophet shows him extending his range with unimpeachable command. The story of a gauche young inmate who rises through the criminal ranks to become a formidable player, A Prophet works both as hard-edged, painstaking detailed social realism and as a compelling genre entertainment.The only thing that might hamper commercial prospects is a labyrinthine, sometimes perplexing narrative, but otherwise the film to be released in France in August - should have the same international appeal as last years Cannes crime hit Gomorrah. Its unapologetically testosterone-laden tenor will give the film a resonance way beyond the international art-house constituency that embraced Audiards last film, The Beat That My Heart Skipped. Expect this stimulating film also to be much discussed in the French media in terms of its topical backgrounds, the national prison system and Frances Islamic population.Set largely within prison walls and featuring an almost exclusively male and non-professional cast, the film details the prison career of Malik el Djebena (newcomer Rahim), a 19-year-old man of North African origin but estranged from the Muslim community. Sentenced to six years on an unspecified charge, Malik is chosen by Cesar Luciani (Arestrup), feared kingpin of the prisons reigning Corsican gang, to kill a prisoner named Reyeb (Yacoubi) who initially offers Malik drugs in exchange for sex. Malik commits the bloody murder, and thanks to Lucianis near-total control of the prisons internal workings - gets off scot-free. This makes him a lieutenant in the prisons Corsican gang, initially entrusted only with menial duties and disparaged as an Arab outsider.Haunted by visions of a ghostly Reyeb, and determined to get on, the illiterate Malik not only learns to read, but teaches himself Corsican, surreptitiously learning the ins and outs of Lucianis business. Another inmate, Ryad (Bencherif), becomes Maliks friend, later his ally on the outside. When Luciani arranges periods of leave for Malik, entrusting him with various criminal missions, Malik takes the opportunity to do some business of his own, setting up a drugs trade with Ryads aid. Life gets increasingly dangerous for Malik, both inside and outside prison walls, but he seems partly through Reyebs benign, unearthly influence - to lead a charmed life. Powers of prophecy are attributed to him after surviving a bizarre car crash an incident presaged in an enigmatic fantasy sequence.Immensely detailed both in its accounts of prison life and of the politics of organized crime, A Prophet comes across as both a realistic film and a deeply cynical one: it is extremely matter-of-fact in depicting a dog-eat-dog world. [D-Man2010]

Question: In what country is it set to be released in?
Answer: France
Meet the Browns

A single mother living in inner city Chicago, Brenda has been struggling for years to make ends meet and keep her three kids off the street.But when she's laid off with no warning, she starts losing hope for the first time - until a letter arrives announcing the death of a father she's never met.Desperate for any kind of help, Brenda takes her family to Georgia for the funeral. But nothing could have prepared her for the Browns, her father's fun-loving, crass Southern clan. In a small-town world full of long afternoons and country fairs, Brenda struggles to get to know the family she never knew existed...and finds a brand new romance that just might change her life.The story is adapted by Tyler Perry from his stage play "Meet the Browns." Perry will portray Madea and Uncle Joe in the film.

Question: What does the letter announce?
Answer: Death of Brenda's father