ibm-research/duorc huggingface dataset:
Me and You and Everyone We Know

The structure of the film consists of several subplots which all revolve around an intertwined cast of characters.The film begins by introducing Richard (John Hawkes), a shoe salesman and recently separated father of two. After being thrown out by his wife Pam (JoNell Kennedy), he gets an apartment of his own to share with his children, Peter (Miles Thompson) and Robby (Brandon Ratcliff). He meets Christine (Miranda July), a senior-cab driver and amateur video artist, while she takes her client to shop for shoes, and the two develop a fledgling romantic relationship.Robby, six years old, and his 14 year old brother, Peter, have a joint online chat which he later depicts in another chat session as "))<>((", an emoticon that means "pooping back and forth". This piques the interest of the woman at the other end and she suggests a real-life meeting.Two of Richard's neighbors, 15-year-olds Heather (Natasha Slayton) and Rebecca (Najarra Townsend), develop a playful relationship with a much older neighbor Andrew (Brad William Henke). He doesn't say much, but he keeps leaving signs on his window about what he would do to each of them. As a result of this relationship, Heather and Rebecca ask 14-year-old Peter, Robby's older brother, if they can practice oral sex on him, so that he can tell them which of the two does it better; so they do. He says both were exactly the same. The daughter of a neighbor peeks in the window and sees what happens at the time, and quickly leaves. They later come to the neighbor's house intending to have sex with him, as practice, which shocks him, and he pretends not to be home.Meanwhile, Christine's work is rejected by a contemporary art museum, but then later accepted by the curator, who turns out to be the woman who was instant messaging with the brothers.The plots come together in the end, with Peter developing a friendship with the daughter of a neighbor, having been introduced to the hope chest that she has, Christine and Richard displaying a show of mutual acceptance of their attraction to each other, and, as a final plot device, Robby finding that the noise he'd been awoken to every morning very early was that of an early rising businessman tapping a quarter on a street sign pole. When asked why he's doing it, he stops and turns around, saying "just passing the time", and gives Robby the quarter. When his bus drives away and Robby tries it out himself, the sun heightens with each tap, time literally passing as he does it.

Question: What are the names of Richard's children?
Answer: Peter and Robby.
Me and You and Everyone We Know

The structure of the film consists of several subplots which all revolve around an intertwined cast of characters.The film begins by introducing Richard (John Hawkes), a shoe salesman and recently separated father of two. After being thrown out by his wife Pam (JoNell Kennedy), he gets an apartment of his own to share with his children, Peter (Miles Thompson) and Robby (Brandon Ratcliff). He meets Christine (Miranda July), a senior-cab driver and amateur video artist, while she takes her client to shop for shoes, and the two develop a fledgling romantic relationship.Robby, six years old, and his 14 year old brother, Peter, have a joint online chat which he later depicts in another chat session as "))<>((", an emoticon that means "pooping back and forth". This piques the interest of the woman at the other end and she suggests a real-life meeting.Two of Richard's neighbors, 15-year-olds Heather (Natasha Slayton) and Rebecca (Najarra Townsend), develop a playful relationship with a much older neighbor Andrew (Brad William Henke). He doesn't say much, but he keeps leaving signs on his window about what he would do to each of them. As a result of this relationship, Heather and Rebecca ask 14-year-old Peter, Robby's older brother, if they can practice oral sex on him, so that he can tell them which of the two does it better; so they do. He says both were exactly the same. The daughter of a neighbor peeks in the window and sees what happens at the time, and quickly leaves. They later come to the neighbor's house intending to have sex with him, as practice, which shocks him, and he pretends not to be home.Meanwhile, Christine's work is rejected by a contemporary art museum, but then later accepted by the curator, who turns out to be the woman who was instant messaging with the brothers.The plots come together in the end, with Peter developing a friendship with the daughter of a neighbor, having been introduced to the hope chest that she has, Christine and Richard displaying a show of mutual acceptance of their attraction to each other, and, as a final plot device, Robby finding that the noise he'd been awoken to every morning very early was that of an early rising businessman tapping a quarter on a street sign pole. When asked why he's doing it, he stops and turns around, saying "just passing the time", and gives Robby the quarter. When his bus drives away and Robby tries it out himself, the sun heightens with each tap, time literally passing as he does it.

Question: What does Richard sell?
Answer: shoes
Me and You and Everyone We Know

The structure of the film consists of several subplots which all revolve around an intertwined cast of characters.The film begins by introducing Richard (John Hawkes), a shoe salesman and recently separated father of two. After being thrown out by his wife Pam (JoNell Kennedy), he gets an apartment of his own to share with his children, Peter (Miles Thompson) and Robby (Brandon Ratcliff). He meets Christine (Miranda July), a senior-cab driver and amateur video artist, while she takes her client to shop for shoes, and the two develop a fledgling romantic relationship.Robby, six years old, and his 14 year old brother, Peter, have a joint online chat which he later depicts in another chat session as "))<>((", an emoticon that means "pooping back and forth". This piques the interest of the woman at the other end and she suggests a real-life meeting.Two of Richard's neighbors, 15-year-olds Heather (Natasha Slayton) and Rebecca (Najarra Townsend), develop a playful relationship with a much older neighbor Andrew (Brad William Henke). He doesn't say much, but he keeps leaving signs on his window about what he would do to each of them. As a result of this relationship, Heather and Rebecca ask 14-year-old Peter, Robby's older brother, if they can practice oral sex on him, so that he can tell them which of the two does it better; so they do. He says both were exactly the same. The daughter of a neighbor peeks in the window and sees what happens at the time, and quickly leaves. They later come to the neighbor's house intending to have sex with him, as practice, which shocks him, and he pretends not to be home.Meanwhile, Christine's work is rejected by a contemporary art museum, but then later accepted by the curator, who turns out to be the woman who was instant messaging with the brothers.The plots come together in the end, with Peter developing a friendship with the daughter of a neighbor, having been introduced to the hope chest that she has, Christine and Richard displaying a show of mutual acceptance of their attraction to each other, and, as a final plot device, Robby finding that the noise he'd been awoken to every morning very early was that of an early rising businessman tapping a quarter on a street sign pole. When asked why he's doing it, he stops and turns around, saying "just passing the time", and gives Robby the quarter. When his bus drives away and Robby tries it out himself, the sun heightens with each tap, time literally passing as he does it.

Question: What is Richards profession in the film?
Answer: Shoe salesman.
Me and You and Everyone We Know

The structure of the film consists of several subplots which all revolve around an intertwined cast of characters.The film begins by introducing Richard (John Hawkes), a shoe salesman and recently separated father of two. After being thrown out by his wife Pam (JoNell Kennedy), he gets an apartment of his own to share with his children, Peter (Miles Thompson) and Robby (Brandon Ratcliff). He meets Christine (Miranda July), a senior-cab driver and amateur video artist, while she takes her client to shop for shoes, and the two develop a fledgling romantic relationship.Robby, six years old, and his 14 year old brother, Peter, have a joint online chat which he later depicts in another chat session as "))<>((", an emoticon that means "pooping back and forth". This piques the interest of the woman at the other end and she suggests a real-life meeting.Two of Richard's neighbors, 15-year-olds Heather (Natasha Slayton) and Rebecca (Najarra Townsend), develop a playful relationship with a much older neighbor Andrew (Brad William Henke). He doesn't say much, but he keeps leaving signs on his window about what he would do to each of them. As a result of this relationship, Heather and Rebecca ask 14-year-old Peter, Robby's older brother, if they can practice oral sex on him, so that he can tell them which of the two does it better; so they do. He says both were exactly the same. The daughter of a neighbor peeks in the window and sees what happens at the time, and quickly leaves. They later come to the neighbor's house intending to have sex with him, as practice, which shocks him, and he pretends not to be home.Meanwhile, Christine's work is rejected by a contemporary art museum, but then later accepted by the curator, who turns out to be the woman who was instant messaging with the brothers.The plots come together in the end, with Peter developing a friendship with the daughter of a neighbor, having been introduced to the hope chest that she has, Christine and Richard displaying a show of mutual acceptance of their attraction to each other, and, as a final plot device, Robby finding that the noise he'd been awoken to every morning very early was that of an early rising businessman tapping a quarter on a street sign pole. When asked why he's doing it, he stops and turns around, saying "just passing the time", and gives Robby the quarter. When his bus drives away and Robby tries it out himself, the sun heightens with each tap, time literally passing as he does it.

Question: what's Christine's job
Answer: taxi driver
Henry V

The following story takes place during the 100 years' war between France and England. Henry V is debating whether he has the right to claim french territories under a property contract, presumably advocated by the clergy, between France and England at some prior date (citation needed).Prologue: Bear with us as we attempt to retell the story of Henry V at Agincourt, though our stage is an unworthy scaffold (a shallow representation) of the events which transpired before, during, and after.As the play unfolds, we see the clergy in a meeting about the king's seeming indifference of its claim --on technicality--to the french kingdom. There is a gathering of the king's subjects to hear details from the clergy as to why England has the right to claim the lands of the French. According to the clergy, by contract from previous encounters, the french must have a male heir, but at present have a female one, which effectually nullifies French royalty's claim to the french kingdom.The king warns the clergy to state the facts -- any other entreaty would lead to "much fall of blood," which is expected due to the two contending kingdom's property. To be certain he is within his rights to claim french territories, he orders the clergyman to be blunt...does England have the right to make a claim of France?The clergyman says yes, and that if it is a sin, let it be on his head.Furthermore, the clergyman states that the winning back of such land would bring vast sums of money to the clergy. and King of England. This information is what makes Henry finally decide to go to war, if the French renege on the contract.The king has already made a claim to France upon this advisement, and the herald of France is brought before the king with France's answer to this claim. The dauphin of France says the king "savors too much of his youth," and offers in return a gift of tennis balls.Henry at first calmly thanks the herald for his time and message, but then proceeds to admonish the sender for his childish joke, and states they will "play a set" of tennis which will strike the dauphin's father's "crown in to the hazard."Throughout, Henry's subjects are present and are surprised to see the king take up his mantle with a gusto not seen previously. The king apparently was not very studious as a youth, and pursued "courses vain", such as sport and partying. Thus they see an apparent change in their king which is suitable to his station.After meeting with the herald and dismissing him back to France with his message, Henry says he will be no king of England unless he is king of France, and France being his will be bent to his "oar, or broken all to pieces.""Then it begins."

Question: During what war does the story take place?
Answer: Hundred years' war
Henry V

The following story takes place during the 100 years' war between France and England. Henry V is debating whether he has the right to claim french territories under a property contract, presumably advocated by the clergy, between France and England at some prior date (citation needed).Prologue: Bear with us as we attempt to retell the story of Henry V at Agincourt, though our stage is an unworthy scaffold (a shallow representation) of the events which transpired before, during, and after.As the play unfolds, we see the clergy in a meeting about the king's seeming indifference of its claim --on technicality--to the french kingdom. There is a gathering of the king's subjects to hear details from the clergy as to why England has the right to claim the lands of the French. According to the clergy, by contract from previous encounters, the french must have a male heir, but at present have a female one, which effectually nullifies French royalty's claim to the french kingdom.The king warns the clergy to state the facts -- any other entreaty would lead to "much fall of blood," which is expected due to the two contending kingdom's property. To be certain he is within his rights to claim french territories, he orders the clergyman to be blunt...does England have the right to make a claim of France?The clergyman says yes, and that if it is a sin, let it be on his head.Furthermore, the clergyman states that the winning back of such land would bring vast sums of money to the clergy. and King of England. This information is what makes Henry finally decide to go to war, if the French renege on the contract.The king has already made a claim to France upon this advisement, and the herald of France is brought before the king with France's answer to this claim. The dauphin of France says the king "savors too much of his youth," and offers in return a gift of tennis balls.Henry at first calmly thanks the herald for his time and message, but then proceeds to admonish the sender for his childish joke, and states they will "play a set" of tennis which will strike the dauphin's father's "crown in to the hazard."Throughout, Henry's subjects are present and are surprised to see the king take up his mantle with a gusto not seen previously. The king apparently was not very studious as a youth, and pursued "courses vain", such as sport and partying. Thus they see an apparent change in their king which is suitable to his station.After meeting with the herald and dismissing him back to France with his message, Henry says he will be no king of England unless he is king of France, and France being his will be bent to his "oar, or broken all to pieces.""Then it begins."

Question: What does the dauphin of France give to the king of England?
Answer: The dauphin of France offers a gift of tennis balls.
Henry V

The following story takes place during the 100 years' war between France and England. Henry V is debating whether he has the right to claim french territories under a property contract, presumably advocated by the clergy, between France and England at some prior date (citation needed).Prologue: Bear with us as we attempt to retell the story of Henry V at Agincourt, though our stage is an unworthy scaffold (a shallow representation) of the events which transpired before, during, and after.As the play unfolds, we see the clergy in a meeting about the king's seeming indifference of its claim --on technicality--to the french kingdom. There is a gathering of the king's subjects to hear details from the clergy as to why England has the right to claim the lands of the French. According to the clergy, by contract from previous encounters, the french must have a male heir, but at present have a female one, which effectually nullifies French royalty's claim to the french kingdom.The king warns the clergy to state the facts -- any other entreaty would lead to "much fall of blood," which is expected due to the two contending kingdom's property. To be certain he is within his rights to claim french territories, he orders the clergyman to be blunt...does England have the right to make a claim of France?The clergyman says yes, and that if it is a sin, let it be on his head.Furthermore, the clergyman states that the winning back of such land would bring vast sums of money to the clergy. and King of England. This information is what makes Henry finally decide to go to war, if the French renege on the contract.The king has already made a claim to France upon this advisement, and the herald of France is brought before the king with France's answer to this claim. The dauphin of France says the king "savors too much of his youth," and offers in return a gift of tennis balls.Henry at first calmly thanks the herald for his time and message, but then proceeds to admonish the sender for his childish joke, and states they will "play a set" of tennis which will strike the dauphin's father's "crown in to the hazard."Throughout, Henry's subjects are present and are surprised to see the king take up his mantle with a gusto not seen previously. The king apparently was not very studious as a youth, and pursued "courses vain", such as sport and partying. Thus they see an apparent change in their king which is suitable to his station.After meeting with the herald and dismissing him back to France with his message, Henry says he will be no king of England unless he is king of France, and France being his will be bent to his "oar, or broken all to pieces.""Then it begins."

Question: Which King is the story about?
Answer: Henry V of Agincourt
Henry V

The following story takes place during the 100 years' war between France and England. Henry V is debating whether he has the right to claim french territories under a property contract, presumably advocated by the clergy, between France and England at some prior date (citation needed).Prologue: Bear with us as we attempt to retell the story of Henry V at Agincourt, though our stage is an unworthy scaffold (a shallow representation) of the events which transpired before, during, and after.As the play unfolds, we see the clergy in a meeting about the king's seeming indifference of its claim --on technicality--to the french kingdom. There is a gathering of the king's subjects to hear details from the clergy as to why England has the right to claim the lands of the French. According to the clergy, by contract from previous encounters, the french must have a male heir, but at present have a female one, which effectually nullifies French royalty's claim to the french kingdom.The king warns the clergy to state the facts -- any other entreaty would lead to "much fall of blood," which is expected due to the two contending kingdom's property. To be certain he is within his rights to claim french territories, he orders the clergyman to be blunt...does England have the right to make a claim of France?The clergyman says yes, and that if it is a sin, let it be on his head.Furthermore, the clergyman states that the winning back of such land would bring vast sums of money to the clergy. and King of England. This information is what makes Henry finally decide to go to war, if the French renege on the contract.The king has already made a claim to France upon this advisement, and the herald of France is brought before the king with France's answer to this claim. The dauphin of France says the king "savors too much of his youth," and offers in return a gift of tennis balls.Henry at first calmly thanks the herald for his time and message, but then proceeds to admonish the sender for his childish joke, and states they will "play a set" of tennis which will strike the dauphin's father's "crown in to the hazard."Throughout, Henry's subjects are present and are surprised to see the king take up his mantle with a gusto not seen previously. The king apparently was not very studious as a youth, and pursued "courses vain", such as sport and partying. Thus they see an apparent change in their king which is suitable to his station.After meeting with the herald and dismissing him back to France with his message, Henry says he will be no king of England unless he is king of France, and France being his will be bent to his "oar, or broken all to pieces.""Then it begins."

Question: What does Henry V order the clergyman to do?
Answer: To be blunt.
Henry V

The following story takes place during the 100 years' war between France and England. Henry V is debating whether he has the right to claim french territories under a property contract, presumably advocated by the clergy, between France and England at some prior date (citation needed).Prologue: Bear with us as we attempt to retell the story of Henry V at Agincourt, though our stage is an unworthy scaffold (a shallow representation) of the events which transpired before, during, and after.As the play unfolds, we see the clergy in a meeting about the king's seeming indifference of its claim --on technicality--to the french kingdom. There is a gathering of the king's subjects to hear details from the clergy as to why England has the right to claim the lands of the French. According to the clergy, by contract from previous encounters, the french must have a male heir, but at present have a female one, which effectually nullifies French royalty's claim to the french kingdom.The king warns the clergy to state the facts -- any other entreaty would lead to "much fall of blood," which is expected due to the two contending kingdom's property. To be certain he is within his rights to claim french territories, he orders the clergyman to be blunt...does England have the right to make a claim of France?The clergyman says yes, and that if it is a sin, let it be on his head.Furthermore, the clergyman states that the winning back of such land would bring vast sums of money to the clergy. and King of England. This information is what makes Henry finally decide to go to war, if the French renege on the contract.The king has already made a claim to France upon this advisement, and the herald of France is brought before the king with France's answer to this claim. The dauphin of France says the king "savors too much of his youth," and offers in return a gift of tennis balls.Henry at first calmly thanks the herald for his time and message, but then proceeds to admonish the sender for his childish joke, and states they will "play a set" of tennis which will strike the dauphin's father's "crown in to the hazard."Throughout, Henry's subjects are present and are surprised to see the king take up his mantle with a gusto not seen previously. The king apparently was not very studious as a youth, and pursued "courses vain", such as sport and partying. Thus they see an apparent change in their king which is suitable to his station.After meeting with the herald and dismissing him back to France with his message, Henry says he will be no king of England unless he is king of France, and France being his will be bent to his "oar, or broken all to pieces.""Then it begins."

Question: What gift does the Dauphin of France send to King Henry?
Answer: Tennis balls