ibm-research/duorc huggingface dataset:
The Shape of Things

When Adam Sorenson (Paul Rudd), an English Literature major at Mercy, a fictitious Midwestern college, meets Evelyn Ann Thompson (Rachel Weisz), an attractive graduate art student, at the local museum where he works, his life takes an unexpected turn. Never having the best success with women, he is flattered when Evelyn shows an interest in him and, at Evelyn's suggestion, begins a regular exercise regimen, eats healthier foods, dresses more stylishly, acts more confident and dominant, and purchases contact lenses. These initial changes regarding Adam's physical appearance are well received by Adam's friend, Phillip (Frederick Weller), and Phillip's fiancee, Jenny (Gretchen Mol). Jenny takes such a liking to Adam's new physique that she makes a move on Adam and the two share a passionate kiss. It is left ambiguous as to whether or not Adam and Jenny have sex. Later, Evelyn cajoles Adam into undergoing plastic surgery and succeeds in persuading him to cut himself off from Phillip and Jenny, whose relationship she ruins.
Eventually, Adam learns that he has been part of Evelyn's MFA thesis project, a topic often mentioned in conversation but never fully explained. Evelyn presents Adam to an audience of students and faculty as her creation, announcing that she had been instructed to "change the world" by her graduate adviser, but that she had chosen to "change someone's world" instead. Her work consisted of "sculpting" Adam into a more attractive human being. Accordingly, none of the feelings she has shown him throughout the film are genuine; at no stage in their "relationship" has she fallen in love with him; her videotapes of their lovemaking are simply part of the project's documentation. She also announces that she is not going to marry him and the engagement ring he offers her is simply one of the exhibits of her art installation, the "capper to my time at Mercy."
Publicly humiliated and devastated, Adam confronts Evelyn in the gallery (no one showed up to the Q&amp;A afterwards), demanding an explanation for her actions. She responds by saying that he should in fact be grateful to her, claiming that, objectively speaking, she has been a positive influence on his life, making him a more attractive and interesting person in the eyes of society. He calls it a heartless joke, not art, and asks for the ring back, as it was his grandmother's. Evelyn agrees.
Finally, Adam stands alone in the gallery, crying, surrounded by the remnants of his life before and after Evelyn.

Question: Who instructs Evelyn to change the world?
Answer: Graduate adviser
The Shape of Things

When Adam Sorenson (Paul Rudd), an English Literature major at Mercy, a fictitious Midwestern college, meets Evelyn Ann Thompson (Rachel Weisz), an attractive graduate art student, at the local museum where he works, his life takes an unexpected turn. Never having the best success with women, he is flattered when Evelyn shows an interest in him and, at Evelyn's suggestion, begins a regular exercise regimen, eats healthier foods, dresses more stylishly, acts more confident and dominant, and purchases contact lenses. These initial changes regarding Adam's physical appearance are well received by Adam's friend, Phillip (Frederick Weller), and Phillip's fiancee, Jenny (Gretchen Mol). Jenny takes such a liking to Adam's new physique that she makes a move on Adam and the two share a passionate kiss. It is left ambiguous as to whether or not Adam and Jenny have sex. Later, Evelyn cajoles Adam into undergoing plastic surgery and succeeds in persuading him to cut himself off from Phillip and Jenny, whose relationship she ruins.
Eventually, Adam learns that he has been part of Evelyn's MFA thesis project, a topic often mentioned in conversation but never fully explained. Evelyn presents Adam to an audience of students and faculty as her creation, announcing that she had been instructed to "change the world" by her graduate adviser, but that she had chosen to "change someone's world" instead. Her work consisted of "sculpting" Adam into a more attractive human being. Accordingly, none of the feelings she has shown him throughout the film are genuine; at no stage in their "relationship" has she fallen in love with him; her videotapes of their lovemaking are simply part of the project's documentation. She also announces that she is not going to marry him and the engagement ring he offers her is simply one of the exhibits of her art installation, the "capper to my time at Mercy."
Publicly humiliated and devastated, Adam confronts Evelyn in the gallery (no one showed up to the Q&amp;A afterwards), demanding an explanation for her actions. She responds by saying that he should in fact be grateful to her, claiming that, objectively speaking, she has been a positive influence on his life, making him a more attractive and interesting person in the eyes of society. He calls it a heartless joke, not art, and asks for the ring back, as it was his grandmother's. Evelyn agrees.
Finally, Adam stands alone in the gallery, crying, surrounded by the remnants of his life before and after Evelyn.

Question: Who plays Adam Sorenson?
Answer: Paul Rudd
The Shape of Things

When Adam Sorenson (Paul Rudd), an English Literature major at Mercy, a fictitious Midwestern college, meets Evelyn Ann Thompson (Rachel Weisz), an attractive graduate art student, at the local museum where he works, his life takes an unexpected turn. Never having the best success with women, he is flattered when Evelyn shows an interest in him and, at Evelyn's suggestion, begins a regular exercise regimen, eats healthier foods, dresses more stylishly, acts more confident and dominant, and purchases contact lenses. These initial changes regarding Adam's physical appearance are well received by Adam's friend, Phillip (Frederick Weller), and Phillip's fiancee, Jenny (Gretchen Mol). Jenny takes such a liking to Adam's new physique that she makes a move on Adam and the two share a passionate kiss. It is left ambiguous as to whether or not Adam and Jenny have sex. Later, Evelyn cajoles Adam into undergoing plastic surgery and succeeds in persuading him to cut himself off from Phillip and Jenny, whose relationship she ruins.
Eventually, Adam learns that he has been part of Evelyn's MFA thesis project, a topic often mentioned in conversation but never fully explained. Evelyn presents Adam to an audience of students and faculty as her creation, announcing that she had been instructed to "change the world" by her graduate adviser, but that she had chosen to "change someone's world" instead. Her work consisted of "sculpting" Adam into a more attractive human being. Accordingly, none of the feelings she has shown him throughout the film are genuine; at no stage in their "relationship" has she fallen in love with him; her videotapes of their lovemaking are simply part of the project's documentation. She also announces that she is not going to marry him and the engagement ring he offers her is simply one of the exhibits of her art installation, the "capper to my time at Mercy."
Publicly humiliated and devastated, Adam confronts Evelyn in the gallery (no one showed up to the Q&amp;A afterwards), demanding an explanation for her actions. She responds by saying that he should in fact be grateful to her, claiming that, objectively speaking, she has been a positive influence on his life, making him a more attractive and interesting person in the eyes of society. He calls it a heartless joke, not art, and asks for the ring back, as it was his grandmother's. Evelyn agrees.
Finally, Adam stands alone in the gallery, crying, surrounded by the remnants of his life before and after Evelyn.

Question: Who learns he is a part of Evelyn's MFA thesis project?
Answer: Adam
The Shape of Things

When Adam Sorenson (Paul Rudd), an English Literature major at Mercy, a fictitious Midwestern college, meets Evelyn Ann Thompson (Rachel Weisz), an attractive graduate art student, at the local museum where he works, his life takes an unexpected turn. Never having the best success with women, he is flattered when Evelyn shows an interest in him and, at Evelyn's suggestion, begins a regular exercise regimen, eats healthier foods, dresses more stylishly, acts more confident and dominant, and purchases contact lenses. These initial changes regarding Adam's physical appearance are well received by Adam's friend, Phillip (Frederick Weller), and Phillip's fiancee, Jenny (Gretchen Mol). Jenny takes such a liking to Adam's new physique that she makes a move on Adam and the two share a passionate kiss. It is left ambiguous as to whether or not Adam and Jenny have sex. Later, Evelyn cajoles Adam into undergoing plastic surgery and succeeds in persuading him to cut himself off from Phillip and Jenny, whose relationship she ruins.
Eventually, Adam learns that he has been part of Evelyn's MFA thesis project, a topic often mentioned in conversation but never fully explained. Evelyn presents Adam to an audience of students and faculty as her creation, announcing that she had been instructed to "change the world" by her graduate adviser, but that she had chosen to "change someone's world" instead. Her work consisted of "sculpting" Adam into a more attractive human being. Accordingly, none of the feelings she has shown him throughout the film are genuine; at no stage in their "relationship" has she fallen in love with him; her videotapes of their lovemaking are simply part of the project's documentation. She also announces that she is not going to marry him and the engagement ring he offers her is simply one of the exhibits of her art installation, the "capper to my time at Mercy."
Publicly humiliated and devastated, Adam confronts Evelyn in the gallery (no one showed up to the Q&amp;A afterwards), demanding an explanation for her actions. She responds by saying that he should in fact be grateful to her, claiming that, objectively speaking, she has been a positive influence on his life, making him a more attractive and interesting person in the eyes of society. He calls it a heartless joke, not art, and asks for the ring back, as it was his grandmother's. Evelyn agrees.
Finally, Adam stands alone in the gallery, crying, surrounded by the remnants of his life before and after Evelyn.

Question: Who has been a positive influence on Adam's life?
Answer: Evelyn
The Shape of Things

When Adam Sorenson (Paul Rudd), an English Literature major at Mercy, a fictitious Midwestern college, meets Evelyn Ann Thompson (Rachel Weisz), an attractive graduate art student, at the local museum where he works, his life takes an unexpected turn. Never having the best success with women, he is flattered when Evelyn shows an interest in him and, at Evelyn's suggestion, begins a regular exercise regimen, eats healthier foods, dresses more stylishly, acts more confident and dominant, and purchases contact lenses. These initial changes regarding Adam's physical appearance are well received by Adam's friend, Phillip (Frederick Weller), and Phillip's fiancee, Jenny (Gretchen Mol). Jenny takes such a liking to Adam's new physique that she makes a move on Adam and the two share a passionate kiss. It is left ambiguous as to whether or not Adam and Jenny have sex. Later, Evelyn cajoles Adam into undergoing plastic surgery and succeeds in persuading him to cut himself off from Phillip and Jenny, whose relationship she ruins.
Eventually, Adam learns that he has been part of Evelyn's MFA thesis project, a topic often mentioned in conversation but never fully explained. Evelyn presents Adam to an audience of students and faculty as her creation, announcing that she had been instructed to "change the world" by her graduate adviser, but that she had chosen to "change someone's world" instead. Her work consisted of "sculpting" Adam into a more attractive human being. Accordingly, none of the feelings she has shown him throughout the film are genuine; at no stage in their "relationship" has she fallen in love with him; her videotapes of their lovemaking are simply part of the project's documentation. She also announces that she is not going to marry him and the engagement ring he offers her is simply one of the exhibits of her art installation, the "capper to my time at Mercy."
Publicly humiliated and devastated, Adam confronts Evelyn in the gallery (no one showed up to the Q&amp;A afterwards), demanding an explanation for her actions. She responds by saying that he should in fact be grateful to her, claiming that, objectively speaking, she has been a positive influence on his life, making him a more attractive and interesting person in the eyes of society. He calls it a heartless joke, not art, and asks for the ring back, as it was his grandmother's. Evelyn agrees.
Finally, Adam stands alone in the gallery, crying, surrounded by the remnants of his life before and after Evelyn.

Question: Who confronts Evelyn in the gallery?
Answer: Adam
The Final Cut

In this futuristic tale, Alan Hakman (Robin Williams) witnesses the death of his childhood friend who had fallen off a plank of wood in the abandoned building in which they were playing. Flash to the present, and chips called "Zoe" are inserted into the brain at birth and record a person's entire life; when the person dies, the video is edited and shown at the funeral. Video editor ("cutter") Alan Hakman edits the recordings of people's lives according to the wishes of the subject's family, interviewing the person's family members to get an idea of what to look for in the recordings. Of course, in the case of some unscrupulous people, the bad parts are left out, but the entire recording of a person's life is therefore subject to scrutiny. So, in some cases, Hakman was knowingly burying the bad and highlighting the good. As a result, Alan is turned into a cold megalomaniac, but things change when he stumbles across a subject's memory of his friend, who he thought was dead. In searching for a record of his friend's Zoe chip, he finds none, as only 20% of all people have the implants. What he does find is a record of his own implant, of which he was unaware. He goes about accessing the memory, which shows that Alan's friend was still breathing, and the "blood" Alan thought he remembered stepping in as he was leaving the building turned out to be paint. Meantime, the Zoe chip of his subject is destroyed during a confrontation in his office. Confronted by activists who want his subject's life opened to all, Alan attempts to flee because his memory chip recorded what he saw of the subject's life, but is shot and killed by the activist, who justifies his actions, hence Alan was not killed in vain. Mira Sorvino and James Caviezel also star.

Question: How did Alan's friend die?
Answer: He fell off a plank of wood in an abandoned building.
The Final Cut

In this futuristic tale, Alan Hakman (Robin Williams) witnesses the death of his childhood friend who had fallen off a plank of wood in the abandoned building in which they were playing. Flash to the present, and chips called "Zoe" are inserted into the brain at birth and record a person's entire life; when the person dies, the video is edited and shown at the funeral. Video editor ("cutter") Alan Hakman edits the recordings of people's lives according to the wishes of the subject's family, interviewing the person's family members to get an idea of what to look for in the recordings. Of course, in the case of some unscrupulous people, the bad parts are left out, but the entire recording of a person's life is therefore subject to scrutiny. So, in some cases, Hakman was knowingly burying the bad and highlighting the good. As a result, Alan is turned into a cold megalomaniac, but things change when he stumbles across a subject's memory of his friend, who he thought was dead. In searching for a record of his friend's Zoe chip, he finds none, as only 20% of all people have the implants. What he does find is a record of his own implant, of which he was unaware. He goes about accessing the memory, which shows that Alan's friend was still breathing, and the "blood" Alan thought he remembered stepping in as he was leaving the building turned out to be paint. Meantime, the Zoe chip of his subject is destroyed during a confrontation in his office. Confronted by activists who want his subject's life opened to all, Alan attempts to flee because his memory chip recorded what he saw of the subject's life, but is shot and killed by the activist, who justifies his actions, hence Alan was not killed in vain. Mira Sorvino and James Caviezel also star.

Question: What happened to Alan?
Answer: He was killed by activists.
The Final Cut

In this futuristic tale, Alan Hakman (Robin Williams) witnesses the death of his childhood friend who had fallen off a plank of wood in the abandoned building in which they were playing. Flash to the present, and chips called "Zoe" are inserted into the brain at birth and record a person's entire life; when the person dies, the video is edited and shown at the funeral. Video editor ("cutter") Alan Hakman edits the recordings of people's lives according to the wishes of the subject's family, interviewing the person's family members to get an idea of what to look for in the recordings. Of course, in the case of some unscrupulous people, the bad parts are left out, but the entire recording of a person's life is therefore subject to scrutiny. So, in some cases, Hakman was knowingly burying the bad and highlighting the good. As a result, Alan is turned into a cold megalomaniac, but things change when he stumbles across a subject's memory of his friend, who he thought was dead. In searching for a record of his friend's Zoe chip, he finds none, as only 20% of all people have the implants. What he does find is a record of his own implant, of which he was unaware. He goes about accessing the memory, which shows that Alan's friend was still breathing, and the "blood" Alan thought he remembered stepping in as he was leaving the building turned out to be paint. Meantime, the Zoe chip of his subject is destroyed during a confrontation in his office. Confronted by activists who want his subject's life opened to all, Alan attempts to flee because his memory chip recorded what he saw of the subject's life, but is shot and killed by the activist, who justifies his actions, hence Alan was not killed in vain. Mira Sorvino and James Caviezel also star.

Question: What is Alan's job?
Answer: Alan edits recordings of people's lives according to the wishes.
The Final Cut

In this futuristic tale, Alan Hakman (Robin Williams) witnesses the death of his childhood friend who had fallen off a plank of wood in the abandoned building in which they were playing. Flash to the present, and chips called "Zoe" are inserted into the brain at birth and record a person's entire life; when the person dies, the video is edited and shown at the funeral. Video editor ("cutter") Alan Hakman edits the recordings of people's lives according to the wishes of the subject's family, interviewing the person's family members to get an idea of what to look for in the recordings. Of course, in the case of some unscrupulous people, the bad parts are left out, but the entire recording of a person's life is therefore subject to scrutiny. So, in some cases, Hakman was knowingly burying the bad and highlighting the good. As a result, Alan is turned into a cold megalomaniac, but things change when he stumbles across a subject's memory of his friend, who he thought was dead. In searching for a record of his friend's Zoe chip, he finds none, as only 20% of all people have the implants. What he does find is a record of his own implant, of which he was unaware. He goes about accessing the memory, which shows that Alan's friend was still breathing, and the "blood" Alan thought he remembered stepping in as he was leaving the building turned out to be paint. Meantime, the Zoe chip of his subject is destroyed during a confrontation in his office. Confronted by activists who want his subject's life opened to all, Alan attempts to flee because his memory chip recorded what he saw of the subject's life, but is shot and killed by the activist, who justifies his actions, hence Alan was not killed in vain. Mira Sorvino and James Caviezel also star.

Question: What did Alan actually set in when leaving the building?
Answer: Paint.
The Final Cut

In this futuristic tale, Alan Hakman (Robin Williams) witnesses the death of his childhood friend who had fallen off a plank of wood in the abandoned building in which they were playing. Flash to the present, and chips called "Zoe" are inserted into the brain at birth and record a person's entire life; when the person dies, the video is edited and shown at the funeral. Video editor ("cutter") Alan Hakman edits the recordings of people's lives according to the wishes of the subject's family, interviewing the person's family members to get an idea of what to look for in the recordings. Of course, in the case of some unscrupulous people, the bad parts are left out, but the entire recording of a person's life is therefore subject to scrutiny. So, in some cases, Hakman was knowingly burying the bad and highlighting the good. As a result, Alan is turned into a cold megalomaniac, but things change when he stumbles across a subject's memory of his friend, who he thought was dead. In searching for a record of his friend's Zoe chip, he finds none, as only 20% of all people have the implants. What he does find is a record of his own implant, of which he was unaware. He goes about accessing the memory, which shows that Alan's friend was still breathing, and the "blood" Alan thought he remembered stepping in as he was leaving the building turned out to be paint. Meantime, the Zoe chip of his subject is destroyed during a confrontation in his office. Confronted by activists who want his subject's life opened to all, Alan attempts to flee because his memory chip recorded what he saw of the subject's life, but is shot and killed by the activist, who justifies his actions, hence Alan was not killed in vain. Mira Sorvino and James Caviezel also star.

Question: What are the brain chips called?
Answer: Zoey.
The Final Cut

In this futuristic tale, Alan Hakman (Robin Williams) witnesses the death of his childhood friend who had fallen off a plank of wood in the abandoned building in which they were playing. Flash to the present, and chips called "Zoe" are inserted into the brain at birth and record a person's entire life; when the person dies, the video is edited and shown at the funeral. Video editor ("cutter") Alan Hakman edits the recordings of people's lives according to the wishes of the subject's family, interviewing the person's family members to get an idea of what to look for in the recordings. Of course, in the case of some unscrupulous people, the bad parts are left out, but the entire recording of a person's life is therefore subject to scrutiny. So, in some cases, Hakman was knowingly burying the bad and highlighting the good. As a result, Alan is turned into a cold megalomaniac, but things change when he stumbles across a subject's memory of his friend, who he thought was dead. In searching for a record of his friend's Zoe chip, he finds none, as only 20% of all people have the implants. What he does find is a record of his own implant, of which he was unaware. He goes about accessing the memory, which shows that Alan's friend was still breathing, and the "blood" Alan thought he remembered stepping in as he was leaving the building turned out to be paint. Meantime, the Zoe chip of his subject is destroyed during a confrontation in his office. Confronted by activists who want his subject's life opened to all, Alan attempts to flee because his memory chip recorded what he saw of the subject's life, but is shot and killed by the activist, who justifies his actions, hence Alan was not killed in vain. Mira Sorvino and James Caviezel also star.

Question: Who's chip does Alan look for?
Answer: His childhood friend's.