ibm-research/duorc huggingface dataset:
Angel's Egg

The film begins with a hands rubbing together, and cracking knuckles.The next scene is similar to one near the end, where a large mechanistic- apparently steam-powered, half-lidded eye, covered in inert statues of what appear to be saints, hovers over the surface of a sea, facing a Christ-like figure, who stands on a checkered surface. The mechanism emits a steam whistle, which appears to wake a young girl.The next section of the film follows the young girl through what appears to be an abandoned, gothic world. She cradles an egg under her dress as if pregnant. Before entering a city, she imagines herself to be fully immeresed in water. She collects food and clear glass bulbs from abandoned houses, which she fills with water from a bizarre fountain. Statues of spearmen soon appear and frighten her, but do not animate until later.
At some point, she is attracted to the sound of a large procession of what appear to be living tanks. Here enters our Christ-like figure, crucifix in tow, bandaged hands, who appears to have been hitching a ride. This section is characterized by interaction between these 2 characters, as the man follows the girl, inquiring about her egg, while she inquires who he is.While the 2 are becoming fast companions(the girl is unwilling and shy at 1st), the spearmen animate in order to track down shadows of sarcoptergy fish, a nearly extinct genera. This is the most action packed sequence in the film. The couple takes shelter in what appears to be a church, where the girl glows in the presence of a very colorful stained-glass fish, distinctly different from what attracts the spearmen.The 2 find thier way into what appears to be a giant ark, which is full of water bulbs and giant fossils, where the man relates a modified version of the flood story from Genesis 8. Of interest is an etching on the wall of what appears to be a phylogenetic tree, or tree of life. The girl connects the dove from the story to the egg she bears, and shows the man, who questions his identity and memory, the fossil of the dove, which appears to have anthropoligical characters.By now, the girl seems to be quite comfortable with her companion, so she falls asleep in his presence. He uses the opportunity to brake open her egg with his crucifix tool. She wakes in anguish, and sets after him desperately. As he comes into sight, she plunges into a chasm, and as she strikes the resevoir at the bottom, is transmogrified into her older, mature self, whose exhalation of bubbles surfaces as eggs.After the breaking of the egg, the landscape is covered with giant roots which cradle unborn chicks. The man is then seen as before, facing the mechanistic eye as it emerges from the waters, but with our girl numbered amongst its saints-skin. The film ends as the entire landscape is slowly revealed to be part of an ark.

Question: What do the couple shelter in?
Answer: A church
Angel's Egg

The film begins with a hands rubbing together, and cracking knuckles.The next scene is similar to one near the end, where a large mechanistic- apparently steam-powered, half-lidded eye, covered in inert statues of what appear to be saints, hovers over the surface of a sea, facing a Christ-like figure, who stands on a checkered surface. The mechanism emits a steam whistle, which appears to wake a young girl.The next section of the film follows the young girl through what appears to be an abandoned, gothic world. She cradles an egg under her dress as if pregnant. Before entering a city, she imagines herself to be fully immeresed in water. She collects food and clear glass bulbs from abandoned houses, which she fills with water from a bizarre fountain. Statues of spearmen soon appear and frighten her, but do not animate until later.
At some point, she is attracted to the sound of a large procession of what appear to be living tanks. Here enters our Christ-like figure, crucifix in tow, bandaged hands, who appears to have been hitching a ride. This section is characterized by interaction between these 2 characters, as the man follows the girl, inquiring about her egg, while she inquires who he is.While the 2 are becoming fast companions(the girl is unwilling and shy at 1st), the spearmen animate in order to track down shadows of sarcoptergy fish, a nearly extinct genera. This is the most action packed sequence in the film. The couple takes shelter in what appears to be a church, where the girl glows in the presence of a very colorful stained-glass fish, distinctly different from what attracts the spearmen.The 2 find thier way into what appears to be a giant ark, which is full of water bulbs and giant fossils, where the man relates a modified version of the flood story from Genesis 8. Of interest is an etching on the wall of what appears to be a phylogenetic tree, or tree of life. The girl connects the dove from the story to the egg she bears, and shows the man, who questions his identity and memory, the fossil of the dove, which appears to have anthropoligical characters.By now, the girl seems to be quite comfortable with her companion, so she falls asleep in his presence. He uses the opportunity to brake open her egg with his crucifix tool. She wakes in anguish, and sets after him desperately. As he comes into sight, she plunges into a chasm, and as she strikes the resevoir at the bottom, is transmogrified into her older, mature self, whose exhalation of bubbles surfaces as eggs.After the breaking of the egg, the landscape is covered with giant roots which cradle unborn chicks. The man is then seen as before, facing the mechanistic eye as it emerges from the waters, but with our girl numbered amongst its saints-skin. The film ends as the entire landscape is slowly revealed to be part of an ark.

Question: What does the girl cradle under her dress?
Answer: an egg
Angel's Egg

The film begins with a hands rubbing together, and cracking knuckles.The next scene is similar to one near the end, where a large mechanistic- apparently steam-powered, half-lidded eye, covered in inert statues of what appear to be saints, hovers over the surface of a sea, facing a Christ-like figure, who stands on a checkered surface. The mechanism emits a steam whistle, which appears to wake a young girl.The next section of the film follows the young girl through what appears to be an abandoned, gothic world. She cradles an egg under her dress as if pregnant. Before entering a city, she imagines herself to be fully immeresed in water. She collects food and clear glass bulbs from abandoned houses, which she fills with water from a bizarre fountain. Statues of spearmen soon appear and frighten her, but do not animate until later.
At some point, she is attracted to the sound of a large procession of what appear to be living tanks. Here enters our Christ-like figure, crucifix in tow, bandaged hands, who appears to have been hitching a ride. This section is characterized by interaction between these 2 characters, as the man follows the girl, inquiring about her egg, while she inquires who he is.While the 2 are becoming fast companions(the girl is unwilling and shy at 1st), the spearmen animate in order to track down shadows of sarcoptergy fish, a nearly extinct genera. This is the most action packed sequence in the film. The couple takes shelter in what appears to be a church, where the girl glows in the presence of a very colorful stained-glass fish, distinctly different from what attracts the spearmen.The 2 find thier way into what appears to be a giant ark, which is full of water bulbs and giant fossils, where the man relates a modified version of the flood story from Genesis 8. Of interest is an etching on the wall of what appears to be a phylogenetic tree, or tree of life. The girl connects the dove from the story to the egg she bears, and shows the man, who questions his identity and memory, the fossil of the dove, which appears to have anthropoligical characters.By now, the girl seems to be quite comfortable with her companion, so she falls asleep in his presence. He uses the opportunity to brake open her egg with his crucifix tool. She wakes in anguish, and sets after him desperately. As he comes into sight, she plunges into a chasm, and as she strikes the resevoir at the bottom, is transmogrified into her older, mature self, whose exhalation of bubbles surfaces as eggs.After the breaking of the egg, the landscape is covered with giant roots which cradle unborn chicks. The man is then seen as before, facing the mechanistic eye as it emerges from the waters, but with our girl numbered amongst its saints-skin. The film ends as the entire landscape is slowly revealed to be part of an ark.

Question: What sound awakens the young girl?
Answer: steam whistle
Angel's Egg

The film begins with a hands rubbing together, and cracking knuckles.The next scene is similar to one near the end, where a large mechanistic- apparently steam-powered, half-lidded eye, covered in inert statues of what appear to be saints, hovers over the surface of a sea, facing a Christ-like figure, who stands on a checkered surface. The mechanism emits a steam whistle, which appears to wake a young girl.The next section of the film follows the young girl through what appears to be an abandoned, gothic world. She cradles an egg under her dress as if pregnant. Before entering a city, she imagines herself to be fully immeresed in water. She collects food and clear glass bulbs from abandoned houses, which she fills with water from a bizarre fountain. Statues of spearmen soon appear and frighten her, but do not animate until later.
At some point, she is attracted to the sound of a large procession of what appear to be living tanks. Here enters our Christ-like figure, crucifix in tow, bandaged hands, who appears to have been hitching a ride. This section is characterized by interaction between these 2 characters, as the man follows the girl, inquiring about her egg, while she inquires who he is.While the 2 are becoming fast companions(the girl is unwilling and shy at 1st), the spearmen animate in order to track down shadows of sarcoptergy fish, a nearly extinct genera. This is the most action packed sequence in the film. The couple takes shelter in what appears to be a church, where the girl glows in the presence of a very colorful stained-glass fish, distinctly different from what attracts the spearmen.The 2 find thier way into what appears to be a giant ark, which is full of water bulbs and giant fossils, where the man relates a modified version of the flood story from Genesis 8. Of interest is an etching on the wall of what appears to be a phylogenetic tree, or tree of life. The girl connects the dove from the story to the egg she bears, and shows the man, who questions his identity and memory, the fossil of the dove, which appears to have anthropoligical characters.By now, the girl seems to be quite comfortable with her companion, so she falls asleep in his presence. He uses the opportunity to brake open her egg with his crucifix tool. She wakes in anguish, and sets after him desperately. As he comes into sight, she plunges into a chasm, and as she strikes the resevoir at the bottom, is transmogrified into her older, mature self, whose exhalation of bubbles surfaces as eggs.After the breaking of the egg, the landscape is covered with giant roots which cradle unborn chicks. The man is then seen as before, facing the mechanistic eye as it emerges from the waters, but with our girl numbered amongst its saints-skin. The film ends as the entire landscape is slowly revealed to be part of an ark.

Question: Who breaks open the egg
Answer: The man
Angel's Egg

The film begins with a hands rubbing together, and cracking knuckles.The next scene is similar to one near the end, where a large mechanistic- apparently steam-powered, half-lidded eye, covered in inert statues of what appear to be saints, hovers over the surface of a sea, facing a Christ-like figure, who stands on a checkered surface. The mechanism emits a steam whistle, which appears to wake a young girl.The next section of the film follows the young girl through what appears to be an abandoned, gothic world. She cradles an egg under her dress as if pregnant. Before entering a city, she imagines herself to be fully immeresed in water. She collects food and clear glass bulbs from abandoned houses, which she fills with water from a bizarre fountain. Statues of spearmen soon appear and frighten her, but do not animate until later.
At some point, she is attracted to the sound of a large procession of what appear to be living tanks. Here enters our Christ-like figure, crucifix in tow, bandaged hands, who appears to have been hitching a ride. This section is characterized by interaction between these 2 characters, as the man follows the girl, inquiring about her egg, while she inquires who he is.While the 2 are becoming fast companions(the girl is unwilling and shy at 1st), the spearmen animate in order to track down shadows of sarcoptergy fish, a nearly extinct genera. This is the most action packed sequence in the film. The couple takes shelter in what appears to be a church, where the girl glows in the presence of a very colorful stained-glass fish, distinctly different from what attracts the spearmen.The 2 find thier way into what appears to be a giant ark, which is full of water bulbs and giant fossils, where the man relates a modified version of the flood story from Genesis 8. Of interest is an etching on the wall of what appears to be a phylogenetic tree, or tree of life. The girl connects the dove from the story to the egg she bears, and shows the man, who questions his identity and memory, the fossil of the dove, which appears to have anthropoligical characters.By now, the girl seems to be quite comfortable with her companion, so she falls asleep in his presence. He uses the opportunity to brake open her egg with his crucifix tool. She wakes in anguish, and sets after him desperately. As he comes into sight, she plunges into a chasm, and as she strikes the resevoir at the bottom, is transmogrified into her older, mature self, whose exhalation of bubbles surfaces as eggs.After the breaking of the egg, the landscape is covered with giant roots which cradle unborn chicks. The man is then seen as before, facing the mechanistic eye as it emerges from the waters, but with our girl numbered amongst its saints-skin. The film ends as the entire landscape is slowly revealed to be part of an ark.

Question: What bird is in the fossil?
Answer: Dove
Jangan Pandang Belakang

Darma (Pierre Andre) is traumatised by the mysterious death of his fiancee, Rose (Intan Ladyana) who had killed herself. Unknown to him, Rose had been haunted by a malicious spirit which they had brought to her home after picking up a small jar found washed up at the beach. Apparently, the spirit had been imprisoned and was inadvertently released by the couple.
At her home, after her death, before leaving Darma had taken the small jar with him, and with it, the malignant spirit.
Not satisfied with why Rose had suddenly killed herself, Darma decides to investigate the case with the help of Rose's twin sister, Seri, (also played by Intan Ladyana). As they probe into the death, a series of strange occurrences start to unravel, leaving Darma in a disturbed state of mind that affects his life and career. When he is advised to take a week's break from work, he returns to his village to rest. Unknown to him, he is only getting closer to solving his fiancee's death and the truth behind the strange happenings.
It was Darma's senile grandmother who could see the ghost and had unwittingly invited the spirit into the house. In Malay belief, certain spirits cannot enter the house unless invited in. This is similar to the vampire mythology in the West. The ghost in this movie is called Saka. Saka was a ghost that has been kept by the elder for some uncertified reason. Mostly, Saka starts to give problems when its owner die and Saka needs to be feed. Mostly, Saka will haunt the next generation of the owner.

Question: What is the name of Rose's twin sister?
Answer: Seri
Jangan Pandang Belakang

Darma (Pierre Andre) is traumatised by the mysterious death of his fiancee, Rose (Intan Ladyana) who had killed herself. Unknown to him, Rose had been haunted by a malicious spirit which they had brought to her home after picking up a small jar found washed up at the beach. Apparently, the spirit had been imprisoned and was inadvertently released by the couple.
At her home, after her death, before leaving Darma had taken the small jar with him, and with it, the malignant spirit.
Not satisfied with why Rose had suddenly killed herself, Darma decides to investigate the case with the help of Rose's twin sister, Seri, (also played by Intan Ladyana). As they probe into the death, a series of strange occurrences start to unravel, leaving Darma in a disturbed state of mind that affects his life and career. When he is advised to take a week's break from work, he returns to his village to rest. Unknown to him, he is only getting closer to solving his fiancee's death and the truth behind the strange happenings.
It was Darma's senile grandmother who could see the ghost and had unwittingly invited the spirit into the house. In Malay belief, certain spirits cannot enter the house unless invited in. This is similar to the vampire mythology in the West. The ghost in this movie is called Saka. Saka was a ghost that has been kept by the elder for some uncertified reason. Mostly, Saka starts to give problems when its owner die and Saka needs to be feed. Mostly, Saka will haunt the next generation of the owner.

Question: What state of mind is Rose's Grandmother in?
Answer: Senile
Jangan Pandang Belakang

Darma (Pierre Andre) is traumatised by the mysterious death of his fiancee, Rose (Intan Ladyana) who had killed herself. Unknown to him, Rose had been haunted by a malicious spirit which they had brought to her home after picking up a small jar found washed up at the beach. Apparently, the spirit had been imprisoned and was inadvertently released by the couple.
At her home, after her death, before leaving Darma had taken the small jar with him, and with it, the malignant spirit.
Not satisfied with why Rose had suddenly killed herself, Darma decides to investigate the case with the help of Rose's twin sister, Seri, (also played by Intan Ladyana). As they probe into the death, a series of strange occurrences start to unravel, leaving Darma in a disturbed state of mind that affects his life and career. When he is advised to take a week's break from work, he returns to his village to rest. Unknown to him, he is only getting closer to solving his fiancee's death and the truth behind the strange happenings.
It was Darma's senile grandmother who could see the ghost and had unwittingly invited the spirit into the house. In Malay belief, certain spirits cannot enter the house unless invited in. This is similar to the vampire mythology in the West. The ghost in this movie is called Saka. Saka was a ghost that has been kept by the elder for some uncertified reason. Mostly, Saka starts to give problems when its owner die and Saka needs to be feed. Mostly, Saka will haunt the next generation of the owner.

Question: What is Darma advised to take from work?
Answer: A week's break.
Jangan Pandang Belakang

Darma (Pierre Andre) is traumatised by the mysterious death of his fiancee, Rose (Intan Ladyana) who had killed herself. Unknown to him, Rose had been haunted by a malicious spirit which they had brought to her home after picking up a small jar found washed up at the beach. Apparently, the spirit had been imprisoned and was inadvertently released by the couple.
At her home, after her death, before leaving Darma had taken the small jar with him, and with it, the malignant spirit.
Not satisfied with why Rose had suddenly killed herself, Darma decides to investigate the case with the help of Rose's twin sister, Seri, (also played by Intan Ladyana). As they probe into the death, a series of strange occurrences start to unravel, leaving Darma in a disturbed state of mind that affects his life and career. When he is advised to take a week's break from work, he returns to his village to rest. Unknown to him, he is only getting closer to solving his fiancee's death and the truth behind the strange happenings.
It was Darma's senile grandmother who could see the ghost and had unwittingly invited the spirit into the house. In Malay belief, certain spirits cannot enter the house unless invited in. This is similar to the vampire mythology in the West. The ghost in this movie is called Saka. Saka was a ghost that has been kept by the elder for some uncertified reason. Mostly, Saka starts to give problems when its owner die and Saka needs to be feed. Mostly, Saka will haunt the next generation of the owner.

Question: Who is traumatised by the mysterious death of his fiancee, Rose
Answer: Darma; Darma
Jangan Pandang Belakang

Darma (Pierre Andre) is traumatised by the mysterious death of his fiancee, Rose (Intan Ladyana) who had killed herself. Unknown to him, Rose had been haunted by a malicious spirit which they had brought to her home after picking up a small jar found washed up at the beach. Apparently, the spirit had been imprisoned and was inadvertently released by the couple.
At her home, after her death, before leaving Darma had taken the small jar with him, and with it, the malignant spirit.
Not satisfied with why Rose had suddenly killed herself, Darma decides to investigate the case with the help of Rose's twin sister, Seri, (also played by Intan Ladyana). As they probe into the death, a series of strange occurrences start to unravel, leaving Darma in a disturbed state of mind that affects his life and career. When he is advised to take a week's break from work, he returns to his village to rest. Unknown to him, he is only getting closer to solving his fiancee's death and the truth behind the strange happenings.
It was Darma's senile grandmother who could see the ghost and had unwittingly invited the spirit into the house. In Malay belief, certain spirits cannot enter the house unless invited in. This is similar to the vampire mythology in the West. The ghost in this movie is called Saka. Saka was a ghost that has been kept by the elder for some uncertified reason. Mostly, Saka starts to give problems when its owner die and Saka needs to be feed. Mostly, Saka will haunt the next generation of the owner.

Question: Who haunted Rose?
Answer: A malicious spirit; A malicious spirit
Jangan Pandang Belakang

Darma (Pierre Andre) is traumatised by the mysterious death of his fiancee, Rose (Intan Ladyana) who had killed herself. Unknown to him, Rose had been haunted by a malicious spirit which they had brought to her home after picking up a small jar found washed up at the beach. Apparently, the spirit had been imprisoned and was inadvertently released by the couple.
At her home, after her death, before leaving Darma had taken the small jar with him, and with it, the malignant spirit.
Not satisfied with why Rose had suddenly killed herself, Darma decides to investigate the case with the help of Rose's twin sister, Seri, (also played by Intan Ladyana). As they probe into the death, a series of strange occurrences start to unravel, leaving Darma in a disturbed state of mind that affects his life and career. When he is advised to take a week's break from work, he returns to his village to rest. Unknown to him, he is only getting closer to solving his fiancee's death and the truth behind the strange happenings.
It was Darma's senile grandmother who could see the ghost and had unwittingly invited the spirit into the house. In Malay belief, certain spirits cannot enter the house unless invited in. This is similar to the vampire mythology in the West. The ghost in this movie is called Saka. Saka was a ghost that has been kept by the elder for some uncertified reason. Mostly, Saka starts to give problems when its owner die and Saka needs to be feed. Mostly, Saka will haunt the next generation of the owner.

Question: How do they bring the spirit home?
Answer: After picking up a small jar found washed up at the beach.; After picking up a small jar found washed up at the beach.