ibm-research/duorc huggingface dataset:
Herbert

This story is based on the life of one Herbert Sarkar, played by Subhasish Mukhopadhyay.[3] Herbert Sarkar, the protagonist of the story is a forty-year-old crank who thinks that he can talk to the dead. Herbert grew up in North Kolkata, feeding on the charity of relatives, and being the butt of local jokes. He declares one day that he has received a message in a dream that has told him where his long dead cousin Binu's diary remains hidden. People are surprised and amused. But when this prediction proves to be true, Herbert becomes a local sensation. He sets up a roaring business called "Dialogues with the Dead" for three years and for the first time in his life, earns money and the respect of others. However, his luck runs out when the International Rationalist Society declares him a fraud and threatens to turn him over to the law unless he closes shop. This deeply affects Herbert and he commits suicide that very night. However, his celebrity power increases to unprecedented levels the day after his death. After his body is put inside the electric cremation chamber, there is an explosion that rips apart the building, injuring many bystanders. The incident hits the headlines as a posthumous terroristic act, and a high-level police inquiry is launched to find the mystery behind it. The film begins at this point and follows the trajectory of the inquiry, flash-backing into the hidden corners of Herbert's quixotic life into his lonely growing up years as an alienated orphan, his ill-treatment at the hands of his cruel cousin Dhanna, his only tragic-comic love affair, and his unwitting involvement with the underground Maoist Naxalbari movement during the turbulent seventies. It covers several decades not only in the life of its protagonist, but also in the life of Kolkata the city that is at once mysterious, funny, tempestuous, and always full of life.[4]

Question: what did  Herbert tells about his dream?
Herbert

This story is based on the life of one Herbert Sarkar, played by Subhasish Mukhopadhyay.[3] Herbert Sarkar, the protagonist of the story is a forty-year-old crank who thinks that he can talk to the dead. Herbert grew up in North Kolkata, feeding on the charity of relatives, and being the butt of local jokes. He declares one day that he has received a message in a dream that has told him where his long dead cousin Binu's diary remains hidden. People are surprised and amused. But when this prediction proves to be true, Herbert becomes a local sensation. He sets up a roaring business called "Dialogues with the Dead" for three years and for the first time in his life, earns money and the respect of others. However, his luck runs out when the International Rationalist Society declares him a fraud and threatens to turn him over to the law unless he closes shop. This deeply affects Herbert and he commits suicide that very night. However, his celebrity power increases to unprecedented levels the day after his death. After his body is put inside the electric cremation chamber, there is an explosion that rips apart the building, injuring many bystanders. The incident hits the headlines as a posthumous terroristic act, and a high-level police inquiry is launched to find the mystery behind it. The film begins at this point and follows the trajectory of the inquiry, flash-backing into the hidden corners of Herbert's quixotic life into his lonely growing up years as an alienated orphan, his ill-treatment at the hands of his cruel cousin Dhanna, his only tragic-comic love affair, and his unwitting involvement with the underground Maoist Naxalbari movement during the turbulent seventies. It covers several decades not only in the life of its protagonist, but also in the life of Kolkata the city that is at once mysterious, funny, tempestuous, and always full of life.[4]

Question: what did the International Academy declares?
Herbert

This story is based on the life of one Herbert Sarkar, played by Subhasish Mukhopadhyay.[3] Herbert Sarkar, the protagonist of the story is a forty-year-old crank who thinks that he can talk to the dead. Herbert grew up in North Kolkata, feeding on the charity of relatives, and being the butt of local jokes. He declares one day that he has received a message in a dream that has told him where his long dead cousin Binu's diary remains hidden. People are surprised and amused. But when this prediction proves to be true, Herbert becomes a local sensation. He sets up a roaring business called "Dialogues with the Dead" for three years and for the first time in his life, earns money and the respect of others. However, his luck runs out when the International Rationalist Society declares him a fraud and threatens to turn him over to the law unless he closes shop. This deeply affects Herbert and he commits suicide that very night. However, his celebrity power increases to unprecedented levels the day after his death. After his body is put inside the electric cremation chamber, there is an explosion that rips apart the building, injuring many bystanders. The incident hits the headlines as a posthumous terroristic act, and a high-level police inquiry is launched to find the mystery behind it. The film begins at this point and follows the trajectory of the inquiry, flash-backing into the hidden corners of Herbert's quixotic life into his lonely growing up years as an alienated orphan, his ill-treatment at the hands of his cruel cousin Dhanna, his only tragic-comic love affair, and his unwitting involvement with the underground Maoist Naxalbari movement during the turbulent seventies. It covers several decades not only in the life of its protagonist, but also in the life of Kolkata the city that is at once mysterious, funny, tempestuous, and always full of life.[4]

Question: what did Herbert do?
Answer: He commited suicide.
Bigger Than Life

Though ignored at the time of its release, Nicholas Rays Bigger Than Life is now recognized as one of the great American films of the 1950s. When a friendly, successful suburban teacher and father (James Mason, in one of his most indelible roles) is prescribed cortisone for a painful, possibly fatal affliction, he grows dangerously addicted to the experimental drug, resulting in his transformation into a psychotic and ultimately violent household despot. This Eisenhower-era throat-grabber, shot in expressive CinemaScope, is an excoriating take on the nuclear family. That it came in the day of Father Knows Best makes it all the more shockingand wildly entertaining. [http://www.criterion.com/films/1929-bigger-than-life]

Question: What was James Mason prescribed?
Answer: Cortisone
Bigger Than Life

Though ignored at the time of its release, Nicholas Rays Bigger Than Life is now recognized as one of the great American films of the 1950s. When a friendly, successful suburban teacher and father (James Mason, in one of his most indelible roles) is prescribed cortisone for a painful, possibly fatal affliction, he grows dangerously addicted to the experimental drug, resulting in his transformation into a psychotic and ultimately violent household despot. This Eisenhower-era throat-grabber, shot in expressive CinemaScope, is an excoriating take on the nuclear family. That it came in the day of Father Knows Best makes it all the more shockingand wildly entertaining. [http://www.criterion.com/films/1929-bigger-than-life]

Question: What drug does James Mason's character become addicted to?
Answer: Cortisone
Bigger Than Life

Though ignored at the time of its release, Nicholas Rays Bigger Than Life is now recognized as one of the great American films of the 1950s. When a friendly, successful suburban teacher and father (James Mason, in one of his most indelible roles) is prescribed cortisone for a painful, possibly fatal affliction, he grows dangerously addicted to the experimental drug, resulting in his transformation into a psychotic and ultimately violent household despot. This Eisenhower-era throat-grabber, shot in expressive CinemaScope, is an excoriating take on the nuclear family. That it came in the day of Father Knows Best makes it all the more shockingand wildly entertaining. [http://www.criterion.com/films/1929-bigger-than-life]

Question: Who played the father and teacher?
Answer: James Mason
Bigger Than Life

Though ignored at the time of its release, Nicholas Rays Bigger Than Life is now recognized as one of the great American films of the 1950s. When a friendly, successful suburban teacher and father (James Mason, in one of his most indelible roles) is prescribed cortisone for a painful, possibly fatal affliction, he grows dangerously addicted to the experimental drug, resulting in his transformation into a psychotic and ultimately violent household despot. This Eisenhower-era throat-grabber, shot in expressive CinemaScope, is an excoriating take on the nuclear family. That it came in the day of Father Knows Best makes it all the more shockingand wildly entertaining. [http://www.criterion.com/films/1929-bigger-than-life]

Question: What was the film shot in?
Answer: CinemaScope
Bigger Than Life

Though ignored at the time of its release, Nicholas Rays Bigger Than Life is now recognized as one of the great American films of the 1950s. When a friendly, successful suburban teacher and father (James Mason, in one of his most indelible roles) is prescribed cortisone for a painful, possibly fatal affliction, he grows dangerously addicted to the experimental drug, resulting in his transformation into a psychotic and ultimately violent household despot. This Eisenhower-era throat-grabber, shot in expressive CinemaScope, is an excoriating take on the nuclear family. That it came in the day of Father Knows Best makes it all the more shockingand wildly entertaining. [http://www.criterion.com/films/1929-bigger-than-life]

Question: What is now recognized as one of the great American films of the 1950s.
Answer: Bigger Than Life
Bigger Than Life

Though ignored at the time of its release, Nicholas Rays Bigger Than Life is now recognized as one of the great American films of the 1950s. When a friendly, successful suburban teacher and father (James Mason, in one of his most indelible roles) is prescribed cortisone for a painful, possibly fatal affliction, he grows dangerously addicted to the experimental drug, resulting in his transformation into a psychotic and ultimately violent household despot. This Eisenhower-era throat-grabber, shot in expressive CinemaScope, is an excoriating take on the nuclear family. That it came in the day of Father Knows Best makes it all the more shockingand wildly entertaining. [http://www.criterion.com/films/1929-bigger-than-life]

Question: What drug cased his addiction?
Answer: Cortisone
Bigger Than Life

Though ignored at the time of its release, Nicholas Rays Bigger Than Life is now recognized as one of the great American films of the 1950s. When a friendly, successful suburban teacher and father (James Mason, in one of his most indelible roles) is prescribed cortisone for a painful, possibly fatal affliction, he grows dangerously addicted to the experimental drug, resulting in his transformation into a psychotic and ultimately violent household despot. This Eisenhower-era throat-grabber, shot in expressive CinemaScope, is an excoriating take on the nuclear family. That it came in the day of Father Knows Best makes it all the more shockingand wildly entertaining. [http://www.criterion.com/films/1929-bigger-than-life]

Question: Who plays the lead as a friendly, successful suburban teacher in Bigger Than Life?
Answer: James Mason
Bigger Than Life

Though ignored at the time of its release, Nicholas Rays Bigger Than Life is now recognized as one of the great American films of the 1950s. When a friendly, successful suburban teacher and father (James Mason, in one of his most indelible roles) is prescribed cortisone for a painful, possibly fatal affliction, he grows dangerously addicted to the experimental drug, resulting in his transformation into a psychotic and ultimately violent household despot. This Eisenhower-era throat-grabber, shot in expressive CinemaScope, is an excoriating take on the nuclear family. That it came in the day of Father Knows Best makes it all the more shockingand wildly entertaining. [http://www.criterion.com/films/1929-bigger-than-life]

Question: Who was the president when the film was made?
Answer: Eisenhower
Bigger Than Life

Though ignored at the time of its release, Nicholas Rays Bigger Than Life is now recognized as one of the great American films of the 1950s. When a friendly, successful suburban teacher and father (James Mason, in one of his most indelible roles) is prescribed cortisone for a painful, possibly fatal affliction, he grows dangerously addicted to the experimental drug, resulting in his transformation into a psychotic and ultimately violent household despot. This Eisenhower-era throat-grabber, shot in expressive CinemaScope, is an excoriating take on the nuclear family. That it came in the day of Father Knows Best makes it all the more shockingand wildly entertaining. [http://www.criterion.com/films/1929-bigger-than-life]

Question: In what decade was Bigger Than Life released?
Answer: 1950s
The Cry of the Owl

Aeronautical designer Robert has retreated to living outside of the big city at the end of his divorce proceedings from his nasty, mean-spirited artist wife, which came after a severe bout with depression. He has taken to lurking in the dark woods at night to watch the seemingly quaint Jenny in her kitchen washing dishes by her curtainless window. Robert is askew and awkward, both at work and in social situations. His wife baits him with malevolent teasing during their divorce meetings.One night Jenny spots him as she burns some stuff in her yard. Through awkward and stilted conversation, she invites him inside, relating to his statement that he has been depressed. She tells him of her belief that sometimes little things - signs - are indications that things are meant to be, or that death is on its way.Jenny shows up at his place of work and, after a dinner together, she continues to oddly appear throughout his days and frequently, oppresively, calls him continuously. Meanwhile he continues treading through the alienation and strangeness of the people around him. He is patient with her until she declares her love for him and tells him that she broke up with her boyfriend, clearly to be with him. He receives a big promotion at work and tries desperatley to get rid of her only to allow her into his house and his bed. Her ex-boyfriend Greg assaults him, her friends are suspicious of him.One night as he drives home Greg careens him off the road and they get into a fight that tumbles down an embankment to the river. Greg falls into the water and Richard pulls him out, leaving him coughing as he gets the hell away. Police visit him and Jenny, who seems to be living with him, as Greg is now a missing person. Richard asserts his innocence, saying that there was no way he could've fallen back into the river.The story moves on from there with more brutality, Greg reappearing, an unexpected act of kindness from a reticent elderly neighbor that ends in tragedy, and twists and turns typical of a Patricia Highsmith story that further ensnares the endlessly confounded Richard in an irreparable web of deceit, forlorness and irrationality, ending with a reslove that fate lets no one escape unscathed and, as his ex-wife declared to Jenny, the fact that some people in your life inevitably bring nothing but poison.

Question: Who falls into the water?
Answer: Greg; Greg
The Cry of the Owl

Aeronautical designer Robert has retreated to living outside of the big city at the end of his divorce proceedings from his nasty, mean-spirited artist wife, which came after a severe bout with depression. He has taken to lurking in the dark woods at night to watch the seemingly quaint Jenny in her kitchen washing dishes by her curtainless window. Robert is askew and awkward, both at work and in social situations. His wife baits him with malevolent teasing during their divorce meetings.One night Jenny spots him as she burns some stuff in her yard. Through awkward and stilted conversation, she invites him inside, relating to his statement that he has been depressed. She tells him of her belief that sometimes little things - signs - are indications that things are meant to be, or that death is on its way.Jenny shows up at his place of work and, after a dinner together, she continues to oddly appear throughout his days and frequently, oppresively, calls him continuously. Meanwhile he continues treading through the alienation and strangeness of the people around him. He is patient with her until she declares her love for him and tells him that she broke up with her boyfriend, clearly to be with him. He receives a big promotion at work and tries desperatley to get rid of her only to allow her into his house and his bed. Her ex-boyfriend Greg assaults him, her friends are suspicious of him.One night as he drives home Greg careens him off the road and they get into a fight that tumbles down an embankment to the river. Greg falls into the water and Richard pulls him out, leaving him coughing as he gets the hell away. Police visit him and Jenny, who seems to be living with him, as Greg is now a missing person. Richard asserts his innocence, saying that there was no way he could've fallen back into the river.The story moves on from there with more brutality, Greg reappearing, an unexpected act of kindness from a reticent elderly neighbor that ends in tragedy, and twists and turns typical of a Patricia Highsmith story that further ensnares the endlessly confounded Richard in an irreparable web of deceit, forlorness and irrationality, ending with a reslove that fate lets no one escape unscathed and, as his ex-wife declared to Jenny, the fact that some people in your life inevitably bring nothing but poison.

Question: Who runs Robert off the road?
Answer: Greg
The Cry of the Owl

Aeronautical designer Robert has retreated to living outside of the big city at the end of his divorce proceedings from his nasty, mean-spirited artist wife, which came after a severe bout with depression. He has taken to lurking in the dark woods at night to watch the seemingly quaint Jenny in her kitchen washing dishes by her curtainless window. Robert is askew and awkward, both at work and in social situations. His wife baits him with malevolent teasing during their divorce meetings.One night Jenny spots him as she burns some stuff in her yard. Through awkward and stilted conversation, she invites him inside, relating to his statement that he has been depressed. She tells him of her belief that sometimes little things - signs - are indications that things are meant to be, or that death is on its way.Jenny shows up at his place of work and, after a dinner together, she continues to oddly appear throughout his days and frequently, oppresively, calls him continuously. Meanwhile he continues treading through the alienation and strangeness of the people around him. He is patient with her until she declares her love for him and tells him that she broke up with her boyfriend, clearly to be with him. He receives a big promotion at work and tries desperatley to get rid of her only to allow her into his house and his bed. Her ex-boyfriend Greg assaults him, her friends are suspicious of him.One night as he drives home Greg careens him off the road and they get into a fight that tumbles down an embankment to the river. Greg falls into the water and Richard pulls him out, leaving him coughing as he gets the hell away. Police visit him and Jenny, who seems to be living with him, as Greg is now a missing person. Richard asserts his innocence, saying that there was no way he could've fallen back into the river.The story moves on from there with more brutality, Greg reappearing, an unexpected act of kindness from a reticent elderly neighbor that ends in tragedy, and twists and turns typical of a Patricia Highsmith story that further ensnares the endlessly confounded Richard in an irreparable web of deceit, forlorness and irrationality, ending with a reslove that fate lets no one escape unscathed and, as his ex-wife declared to Jenny, the fact that some people in your life inevitably bring nothing but poison.

Question: What is Robert's profession?
Answer: Aeronautical designer
The Cry of the Owl

Aeronautical designer Robert has retreated to living outside of the big city at the end of his divorce proceedings from his nasty, mean-spirited artist wife, which came after a severe bout with depression. He has taken to lurking in the dark woods at night to watch the seemingly quaint Jenny in her kitchen washing dishes by her curtainless window. Robert is askew and awkward, both at work and in social situations. His wife baits him with malevolent teasing during their divorce meetings.One night Jenny spots him as she burns some stuff in her yard. Through awkward and stilted conversation, she invites him inside, relating to his statement that he has been depressed. She tells him of her belief that sometimes little things - signs - are indications that things are meant to be, or that death is on its way.Jenny shows up at his place of work and, after a dinner together, she continues to oddly appear throughout his days and frequently, oppresively, calls him continuously. Meanwhile he continues treading through the alienation and strangeness of the people around him. He is patient with her until she declares her love for him and tells him that she broke up with her boyfriend, clearly to be with him. He receives a big promotion at work and tries desperatley to get rid of her only to allow her into his house and his bed. Her ex-boyfriend Greg assaults him, her friends are suspicious of him.One night as he drives home Greg careens him off the road and they get into a fight that tumbles down an embankment to the river. Greg falls into the water and Richard pulls him out, leaving him coughing as he gets the hell away. Police visit him and Jenny, who seems to be living with him, as Greg is now a missing person. Richard asserts his innocence, saying that there was no way he could've fallen back into the river.The story moves on from there with more brutality, Greg reappearing, an unexpected act of kindness from a reticent elderly neighbor that ends in tragedy, and twists and turns typical of a Patricia Highsmith story that further ensnares the endlessly confounded Richard in an irreparable web of deceit, forlorness and irrationality, ending with a reslove that fate lets no one escape unscathed and, as his ex-wife declared to Jenny, the fact that some people in your life inevitably bring nothing but poison.

Question: What is Robert's ex-wife's profession?
Answer: Artist