ibm-research/duorc huggingface dataset:
Head

'Head' begins at the dedication of a bridge. As a local politician struggles with his microphone during the dedication speech, the "wacky, fun-loving" Monkees (Micky Dolenz, Davy Jones, Peter Tork, and Michael Nesmith), suddenly interrupt the ceremony by running through the assembled officials, to the sound of various horns and sirens. The rest of the film shows the events leading up to this.
Earlier, the four have just all kissed the same groupie, who tells them that they were indistinguishable. Throughout the film, they make their way both together and seperately through a series of unrelated vignettes, each being a different type of movie (a mystery, a war movie, a western, a desert adventure, etc.).
In each one segment, the Monkees try to deal with the fact that they're four real people in a real band that makes records for real people, but are also scripted characters in a fake TV band doing nothing except exactly what the director wants them to.
They continually try to prove to themselves that they're free and can make any choice they want. But no matter what they try deliberately flubbing their lines in scenes from their TV show, pointing out to other characters that they're really just actors making a movie, complaining to producers Jack Nicholson and Bob Rafelson who are on the set but not part of the film, smashing through the painted paper walls, walking off the set and into the street, physically attacking other actors for no reason, and making everyone they encounter mad at them they discover that their every word and deed was predetermined to the finest detail by the script of the movie they're in and the director directing it.
While being chased by everyone they've encountered (and disrupted) in the various vignettes, they run onto a bridge, shoving people out of the way. It's revealed that they weren't being "wacky" at the beginning of the film; they were desperately trying to escape being mere scripted puppets. They jump off the edge and commit suicide, falling a very long way and slamming into the water far below.
However, this, too, was scripted. The film's director hauls their soaked bodies away in a huge aquarium while the four stare blankly through the glass, struggling under the water. Laughing, he rolls the aquarium into a slot at the studio warehouse, to be taken out when he wants to use them again in another movie.

Question: who hauls the soaked bodies?
Answer: The film's director.
Head

'Head' begins at the dedication of a bridge. As a local politician struggles with his microphone during the dedication speech, the "wacky, fun-loving" Monkees (Micky Dolenz, Davy Jones, Peter Tork, and Michael Nesmith), suddenly interrupt the ceremony by running through the assembled officials, to the sound of various horns and sirens. The rest of the film shows the events leading up to this.
Earlier, the four have just all kissed the same groupie, who tells them that they were indistinguishable. Throughout the film, they make their way both together and seperately through a series of unrelated vignettes, each being a different type of movie (a mystery, a war movie, a western, a desert adventure, etc.).
In each one segment, the Monkees try to deal with the fact that they're four real people in a real band that makes records for real people, but are also scripted characters in a fake TV band doing nothing except exactly what the director wants them to.
They continually try to prove to themselves that they're free and can make any choice they want. But no matter what they try deliberately flubbing their lines in scenes from their TV show, pointing out to other characters that they're really just actors making a movie, complaining to producers Jack Nicholson and Bob Rafelson who are on the set but not part of the film, smashing through the painted paper walls, walking off the set and into the street, physically attacking other actors for no reason, and making everyone they encounter mad at them they discover that their every word and deed was predetermined to the finest detail by the script of the movie they're in and the director directing it.
While being chased by everyone they've encountered (and disrupted) in the various vignettes, they run onto a bridge, shoving people out of the way. It's revealed that they weren't being "wacky" at the beginning of the film; they were desperately trying to escape being mere scripted puppets. They jump off the edge and commit suicide, falling a very long way and slamming into the water far below.
However, this, too, was scripted. The film's director hauls their soaked bodies away in a huge aquarium while the four stare blankly through the glass, struggling under the water. Laughing, he rolls the aquarium into a slot at the studio warehouse, to be taken out when he wants to use them again in another movie.

Question: where does the  The film's director hauls the soaked bodies?
Answer: In a huge aquarium.
Head

'Head' begins at the dedication of a bridge. As a local politician struggles with his microphone during the dedication speech, the "wacky, fun-loving" Monkees (Micky Dolenz, Davy Jones, Peter Tork, and Michael Nesmith), suddenly interrupt the ceremony by running through the assembled officials, to the sound of various horns and sirens. The rest of the film shows the events leading up to this.
Earlier, the four have just all kissed the same groupie, who tells them that they were indistinguishable. Throughout the film, they make their way both together and seperately through a series of unrelated vignettes, each being a different type of movie (a mystery, a war movie, a western, a desert adventure, etc.).
In each one segment, the Monkees try to deal with the fact that they're four real people in a real band that makes records for real people, but are also scripted characters in a fake TV band doing nothing except exactly what the director wants them to.
They continually try to prove to themselves that they're free and can make any choice they want. But no matter what they try deliberately flubbing their lines in scenes from their TV show, pointing out to other characters that they're really just actors making a movie, complaining to producers Jack Nicholson and Bob Rafelson who are on the set but not part of the film, smashing through the painted paper walls, walking off the set and into the street, physically attacking other actors for no reason, and making everyone they encounter mad at them they discover that their every word and deed was predetermined to the finest detail by the script of the movie they're in and the director directing it.
While being chased by everyone they've encountered (and disrupted) in the various vignettes, they run onto a bridge, shoving people out of the way. It's revealed that they weren't being "wacky" at the beginning of the film; they were desperately trying to escape being mere scripted puppets. They jump off the edge and commit suicide, falling a very long way and slamming into the water far below.
However, this, too, was scripted. The film's director hauls their soaked bodies away in a huge aquarium while the four stare blankly through the glass, struggling under the water. Laughing, he rolls the aquarium into a slot at the studio warehouse, to be taken out when he wants to use them again in another movie.

Question: What were they trying to escape from?
Answer: They were trying to escape from being mere scripted puppets.
Head

'Head' begins at the dedication of a bridge. As a local politician struggles with his microphone during the dedication speech, the "wacky, fun-loving" Monkees (Micky Dolenz, Davy Jones, Peter Tork, and Michael Nesmith), suddenly interrupt the ceremony by running through the assembled officials, to the sound of various horns and sirens. The rest of the film shows the events leading up to this.
Earlier, the four have just all kissed the same groupie, who tells them that they were indistinguishable. Throughout the film, they make their way both together and seperately through a series of unrelated vignettes, each being a different type of movie (a mystery, a war movie, a western, a desert adventure, etc.).
In each one segment, the Monkees try to deal with the fact that they're four real people in a real band that makes records for real people, but are also scripted characters in a fake TV band doing nothing except exactly what the director wants them to.
They continually try to prove to themselves that they're free and can make any choice they want. But no matter what they try deliberately flubbing their lines in scenes from their TV show, pointing out to other characters that they're really just actors making a movie, complaining to producers Jack Nicholson and Bob Rafelson who are on the set but not part of the film, smashing through the painted paper walls, walking off the set and into the street, physically attacking other actors for no reason, and making everyone they encounter mad at them they discover that their every word and deed was predetermined to the finest detail by the script of the movie they're in and the director directing it.
While being chased by everyone they've encountered (and disrupted) in the various vignettes, they run onto a bridge, shoving people out of the way. It's revealed that they weren't being "wacky" at the beginning of the film; they were desperately trying to escape being mere scripted puppets. They jump off the edge and commit suicide, falling a very long way and slamming into the water far below.
However, this, too, was scripted. The film's director hauls their soaked bodies away in a huge aquarium while the four stare blankly through the glass, struggling under the water. Laughing, he rolls the aquarium into a slot at the studio warehouse, to be taken out when he wants to use them again in another movie.

Question: How do their lives end?
Answer: They jump off an edge and commit suicide.
Head

'Head' begins at the dedication of a bridge. As a local politician struggles with his microphone during the dedication speech, the "wacky, fun-loving" Monkees (Micky Dolenz, Davy Jones, Peter Tork, and Michael Nesmith), suddenly interrupt the ceremony by running through the assembled officials, to the sound of various horns and sirens. The rest of the film shows the events leading up to this.
Earlier, the four have just all kissed the same groupie, who tells them that they were indistinguishable. Throughout the film, they make their way both together and seperately through a series of unrelated vignettes, each being a different type of movie (a mystery, a war movie, a western, a desert adventure, etc.).
In each one segment, the Monkees try to deal with the fact that they're four real people in a real band that makes records for real people, but are also scripted characters in a fake TV band doing nothing except exactly what the director wants them to.
They continually try to prove to themselves that they're free and can make any choice they want. But no matter what they try deliberately flubbing their lines in scenes from their TV show, pointing out to other characters that they're really just actors making a movie, complaining to producers Jack Nicholson and Bob Rafelson who are on the set but not part of the film, smashing through the painted paper walls, walking off the set and into the street, physically attacking other actors for no reason, and making everyone they encounter mad at them they discover that their every word and deed was predetermined to the finest detail by the script of the movie they're in and the director directing it.
While being chased by everyone they've encountered (and disrupted) in the various vignettes, they run onto a bridge, shoving people out of the way. It's revealed that they weren't being "wacky" at the beginning of the film; they were desperately trying to escape being mere scripted puppets. They jump off the edge and commit suicide, falling a very long way and slamming into the water far below.
However, this, too, was scripted. The film's director hauls their soaked bodies away in a huge aquarium while the four stare blankly through the glass, struggling under the water. Laughing, he rolls the aquarium into a slot at the studio warehouse, to be taken out when he wants to use them again in another movie.

Question: who begins at the dedication of a bridge?
Answer: Head.
Head

'Head' begins at the dedication of a bridge. As a local politician struggles with his microphone during the dedication speech, the "wacky, fun-loving" Monkees (Micky Dolenz, Davy Jones, Peter Tork, and Michael Nesmith), suddenly interrupt the ceremony by running through the assembled officials, to the sound of various horns and sirens. The rest of the film shows the events leading up to this.
Earlier, the four have just all kissed the same groupie, who tells them that they were indistinguishable. Throughout the film, they make their way both together and seperately through a series of unrelated vignettes, each being a different type of movie (a mystery, a war movie, a western, a desert adventure, etc.).
In each one segment, the Monkees try to deal with the fact that they're four real people in a real band that makes records for real people, but are also scripted characters in a fake TV band doing nothing except exactly what the director wants them to.
They continually try to prove to themselves that they're free and can make any choice they want. But no matter what they try deliberately flubbing their lines in scenes from their TV show, pointing out to other characters that they're really just actors making a movie, complaining to producers Jack Nicholson and Bob Rafelson who are on the set but not part of the film, smashing through the painted paper walls, walking off the set and into the street, physically attacking other actors for no reason, and making everyone they encounter mad at them they discover that their every word and deed was predetermined to the finest detail by the script of the movie they're in and the director directing it.
While being chased by everyone they've encountered (and disrupted) in the various vignettes, they run onto a bridge, shoving people out of the way. It's revealed that they weren't being "wacky" at the beginning of the film; they were desperately trying to escape being mere scripted puppets. They jump off the edge and commit suicide, falling a very long way and slamming into the water far below.
However, this, too, was scripted. The film's director hauls their soaked bodies away in a huge aquarium while the four stare blankly through the glass, struggling under the water. Laughing, he rolls the aquarium into a slot at the studio warehouse, to be taken out when he wants to use them again in another movie.

Question: Were the Monkees a real band?
Answer: Yes
Head

'Head' begins at the dedication of a bridge. As a local politician struggles with his microphone during the dedication speech, the "wacky, fun-loving" Monkees (Micky Dolenz, Davy Jones, Peter Tork, and Michael Nesmith), suddenly interrupt the ceremony by running through the assembled officials, to the sound of various horns and sirens. The rest of the film shows the events leading up to this.
Earlier, the four have just all kissed the same groupie, who tells them that they were indistinguishable. Throughout the film, they make their way both together and seperately through a series of unrelated vignettes, each being a different type of movie (a mystery, a war movie, a western, a desert adventure, etc.).
In each one segment, the Monkees try to deal with the fact that they're four real people in a real band that makes records for real people, but are also scripted characters in a fake TV band doing nothing except exactly what the director wants them to.
They continually try to prove to themselves that they're free and can make any choice they want. But no matter what they try deliberately flubbing their lines in scenes from their TV show, pointing out to other characters that they're really just actors making a movie, complaining to producers Jack Nicholson and Bob Rafelson who are on the set but not part of the film, smashing through the painted paper walls, walking off the set and into the street, physically attacking other actors for no reason, and making everyone they encounter mad at them they discover that their every word and deed was predetermined to the finest detail by the script of the movie they're in and the director directing it.
While being chased by everyone they've encountered (and disrupted) in the various vignettes, they run onto a bridge, shoving people out of the way. It's revealed that they weren't being "wacky" at the beginning of the film; they were desperately trying to escape being mere scripted puppets. They jump off the edge and commit suicide, falling a very long way and slamming into the water far below.
However, this, too, was scripted. The film's director hauls their soaked bodies away in a huge aquarium while the four stare blankly through the glass, struggling under the water. Laughing, he rolls the aquarium into a slot at the studio warehouse, to be taken out when he wants to use them again in another movie.

Question: The four all kissed the same what?
Answer: Groupie
Win a Date with Tad Hamilton!

Rosalee Futch (Kate Bosworth), a Piggly Wiggly supermarket checkout girl in a small West Virginia town, wins a contest for a date with Tad Hamilton (Josh Duhamel), a Hollywood movie star. Tad's agents came up with this contest to change Tad's bad-boy image and help his career in getting another big movie part. A date with the sweet and innocent Rosalee is just the ticket that Tad needs, when he falls in love with her. Tad moves to the small town so he can be near Rosalee, and this drives Tad's agents crazy. Rosalee's best friend, Pete (Topher Grace) finally tells Rosalee that he has loved her his whole life. Rosalee must choose between her lifetime friend Pete or Tad, the rich and famous movie star. Douglas Young (the-movie-guy)

Question: Who is Tad Hamilton?
Answer: a Hollywood movie star
Win a Date with Tad Hamilton!

Rosalee Futch (Kate Bosworth), a Piggly Wiggly supermarket checkout girl in a small West Virginia town, wins a contest for a date with Tad Hamilton (Josh Duhamel), a Hollywood movie star. Tad's agents came up with this contest to change Tad's bad-boy image and help his career in getting another big movie part. A date with the sweet and innocent Rosalee is just the ticket that Tad needs, when he falls in love with her. Tad moves to the small town so he can be near Rosalee, and this drives Tad's agents crazy. Rosalee's best friend, Pete (Topher Grace) finally tells Rosalee that he has loved her his whole life. Rosalee must choose between her lifetime friend Pete or Tad, the rich and famous movie star. Douglas Young (the-movie-guy)

Question: Where does Rosalee Futch work?
Answer: Piggly Wiggly
Win a Date with Tad Hamilton!

Rosalee Futch (Kate Bosworth), a Piggly Wiggly supermarket checkout girl in a small West Virginia town, wins a contest for a date with Tad Hamilton (Josh Duhamel), a Hollywood movie star. Tad's agents came up with this contest to change Tad's bad-boy image and help his career in getting another big movie part. A date with the sweet and innocent Rosalee is just the ticket that Tad needs, when he falls in love with her. Tad moves to the small town so he can be near Rosalee, and this drives Tad's agents crazy. Rosalee's best friend, Pete (Topher Grace) finally tells Rosalee that he has loved her his whole life. Rosalee must choose between her lifetime friend Pete or Tad, the rich and famous movie star. Douglas Young (the-movie-guy)

Question: What is the name of Rosalee's lifetime family friend?
Answer: Pete
London

Syd (Chris Evans) is a stressed out coke-head who goes to a going away party for his ex-girlfriend, London (Jessica Biel) without being invited. Before the party, he meets up with Bateman (Jason Statham), a banker who brings cocaine to the party. Bateman is an impotent man who has had his share of life troubles. The movie consists of Syd, who locks himself in the bathroom, and remembers his life while dating London for over two years. At the end of the party, Syd finally confronts London and they leave together, to have sex for one last time. They wake up barely in time to make the airport the next morning. Just when one believes they will get back together, London walks to her gate. Syd is seen driving away, though London does promise she will see him again.

Question: Whose going away party does Syd to, without being invited?
Answer: London's
London

Syd (Chris Evans) is a stressed out coke-head who goes to a going away party for his ex-girlfriend, London (Jessica Biel) without being invited. Before the party, he meets up with Bateman (Jason Statham), a banker who brings cocaine to the party. Bateman is an impotent man who has had his share of life troubles. The movie consists of Syd, who locks himself in the bathroom, and remembers his life while dating London for over two years. At the end of the party, Syd finally confronts London and they leave together, to have sex for one last time. They wake up barely in time to make the airport the next morning. Just when one believes they will get back together, London walks to her gate. Syd is seen driving away, though London does promise she will see him again.

Question: Where does Syd lock himself?
Answer: Bathroom
London

Syd (Chris Evans) is a stressed out coke-head who goes to a going away party for his ex-girlfriend, London (Jessica Biel) without being invited. Before the party, he meets up with Bateman (Jason Statham), a banker who brings cocaine to the party. Bateman is an impotent man who has had his share of life troubles. The movie consists of Syd, who locks himself in the bathroom, and remembers his life while dating London for over two years. At the end of the party, Syd finally confronts London and they leave together, to have sex for one last time. They wake up barely in time to make the airport the next morning. Just when one believes they will get back together, London walks to her gate. Syd is seen driving away, though London does promise she will see him again.

Question: What does Bateman bring to the party?
Answer: Cocaine
Island of Mutations

It is the year 1891 and a military doctor, Lieutenant Claude de Ross (Claudio Cassinelli) a survivor of not one, but two shipwrecks, washes ashore on a mysterious, uncharted Caribbean island along with a handful of convicts. When several of these convicts meet unfortunate ends at the hands of the titular fishmen, Claude and the other survivors flee into the jungle, only to encounter the sadistic Edmond Rackham (Richard Johnson) and his beautiful captive Amanda Marvin (Barbara Bach).
Amanda's father, Professor Ernest Marvin (Joseph Cotten), a once-famed biologist, has discovered a way to transform humans into amphibious creatures and controls their every move. Rackham manipulates Marvin into performing the procedure upon both willing and unwilling participants by assuring him that his work is undertaken for purely scientific and humanitarian motives (Marvin hopes to reduce strain on the world food supply by creating a race of people who can live in the resource-untapped ocean). Having discovered the lost city of Atlantis beneath the waters surrounding the island however, Rackham is in actuality using the half-human monsters to plunder the lost city of its treasures.
Shakira (Beryl Cunningham), a voodoo priestess in the employ of Rackham foretells death and destruction descending upon the island.
The priestess' prophecy is fulfilled as the film ends with Claude and Amanda attempting an escape from a gun-wielding Rackham, a crazed Shakira, uncontrolled fishmen and the very volcano that doomed Atlantis which awakens and threatens to send what unsubmerged landmass remains to oblivion.




The backstage on the set in the Neptune's Grotto

Question: What was the year?
Answer: 1891