ibm-research/duorc huggingface dataset:
That Night in Rio

Larry Martin (Don Ameche) is an American entertainer in the Casino Samba in Rio de Janeiro. He has a skit in his show, making fun of the womanizing Baron Manuel Duarte (also Ameche). On one particular evening, the Baron and his wife, Baroness Cecilia Duarte (Alice Faye) come to see Larry's impersonation. To the surprise of the couple, the act is amazingly realistic. Backstage, the Baron meets Larry's girlfriend, Carmen (Carmen Miranda), and invites her to a party he is going to hold. Carmen declines.
Later in the evening, Larry meets Cecilia and is attracted to her singing and her beauty. He does an impersonation of the Baron for her. But the real Baron receives a telegram that his airline is in danger because a contract is not being renewed and he has already purchased 51% of the stock. Needing money to repay the bank he borrowed it from, he flies down to Buenos Aires.
Larry is hired to play the Baron to confuse his rival, Machado (J. Carrol Naish), but at the stock market, he buys the remainder of the airline stock. That evening, at the party, Larry is hired again to play the Baron. He does not want the Baroness to know, but Cecilia is informed without his knowing. He sweeps her off her feet and they stay close to each other for the remainder of the evening.
Meanwhile, Carmen is furious to discover that Larry is at the party and decides to go there as well, where she discovers that he is impersonating the Baron. To make matter worse, the real Baron returns to his house, confusing all involved. Machado corners Larry instead and talks to him in French, which Larry can't understand. After the party, the Baron discovers that Cecilia was flirting with Larry for the evening and tries to play the joke on her. She, however, inadvertently turns the tables on him.
To get back at his wife, the next morning, the Baron calls and tells Cecilia that his plane has just landed. Cecilia is scared that she has been unfaithful to Manuel but Larry later tells her the truth. At the office, Machado gives the Baron a payment of $32 million for his airline, the topic of his conversation with Larry. The Baron heads home but Cecilia tries one more time to get back at him by pretending to make violent love to Larry. It turns out to be the Baron and all is soon resolved in the end.

Question: Where does Larry Martin live?
Answer: Rio de Janeiro.
That Night in Rio

Larry Martin (Don Ameche) is an American entertainer in the Casino Samba in Rio de Janeiro. He has a skit in his show, making fun of the womanizing Baron Manuel Duarte (also Ameche). On one particular evening, the Baron and his wife, Baroness Cecilia Duarte (Alice Faye) come to see Larry's impersonation. To the surprise of the couple, the act is amazingly realistic. Backstage, the Baron meets Larry's girlfriend, Carmen (Carmen Miranda), and invites her to a party he is going to hold. Carmen declines.
Later in the evening, Larry meets Cecilia and is attracted to her singing and her beauty. He does an impersonation of the Baron for her. But the real Baron receives a telegram that his airline is in danger because a contract is not being renewed and he has already purchased 51% of the stock. Needing money to repay the bank he borrowed it from, he flies down to Buenos Aires.
Larry is hired to play the Baron to confuse his rival, Machado (J. Carrol Naish), but at the stock market, he buys the remainder of the airline stock. That evening, at the party, Larry is hired again to play the Baron. He does not want the Baroness to know, but Cecilia is informed without his knowing. He sweeps her off her feet and they stay close to each other for the remainder of the evening.
Meanwhile, Carmen is furious to discover that Larry is at the party and decides to go there as well, where she discovers that he is impersonating the Baron. To make matter worse, the real Baron returns to his house, confusing all involved. Machado corners Larry instead and talks to him in French, which Larry can't understand. After the party, the Baron discovers that Cecilia was flirting with Larry for the evening and tries to play the joke on her. She, however, inadvertently turns the tables on him.
To get back at his wife, the next morning, the Baron calls and tells Cecilia that his plane has just landed. Cecilia is scared that she has been unfaithful to Manuel but Larry later tells her the truth. At the office, Machado gives the Baron a payment of $32 million for his airline, the topic of his conversation with Larry. The Baron heads home but Cecilia tries one more time to get back at him by pretending to make violent love to Larry. It turns out to be the Baron and all is soon resolved in the end.

Question: Who did Larry do an impression of?
Answer: the baron
That Night in Rio

Larry Martin (Don Ameche) is an American entertainer in the Casino Samba in Rio de Janeiro. He has a skit in his show, making fun of the womanizing Baron Manuel Duarte (also Ameche). On one particular evening, the Baron and his wife, Baroness Cecilia Duarte (Alice Faye) come to see Larry's impersonation. To the surprise of the couple, the act is amazingly realistic. Backstage, the Baron meets Larry's girlfriend, Carmen (Carmen Miranda), and invites her to a party he is going to hold. Carmen declines.
Later in the evening, Larry meets Cecilia and is attracted to her singing and her beauty. He does an impersonation of the Baron for her. But the real Baron receives a telegram that his airline is in danger because a contract is not being renewed and he has already purchased 51% of the stock. Needing money to repay the bank he borrowed it from, he flies down to Buenos Aires.
Larry is hired to play the Baron to confuse his rival, Machado (J. Carrol Naish), but at the stock market, he buys the remainder of the airline stock. That evening, at the party, Larry is hired again to play the Baron. He does not want the Baroness to know, but Cecilia is informed without his knowing. He sweeps her off her feet and they stay close to each other for the remainder of the evening.
Meanwhile, Carmen is furious to discover that Larry is at the party and decides to go there as well, where she discovers that he is impersonating the Baron. To make matter worse, the real Baron returns to his house, confusing all involved. Machado corners Larry instead and talks to him in French, which Larry can't understand. After the party, the Baron discovers that Cecilia was flirting with Larry for the evening and tries to play the joke on her. She, however, inadvertently turns the tables on him.
To get back at his wife, the next morning, the Baron calls and tells Cecilia that his plane has just landed. Cecilia is scared that she has been unfaithful to Manuel but Larry later tells her the truth. At the office, Machado gives the Baron a payment of $32 million for his airline, the topic of his conversation with Larry. The Baron heads home but Cecilia tries one more time to get back at him by pretending to make violent love to Larry. It turns out to be the Baron and all is soon resolved in the end.

Question: Whom does Machado corner?
Answer: Larry
That Night in Rio

Larry Martin (Don Ameche) is an American entertainer in the Casino Samba in Rio de Janeiro. He has a skit in his show, making fun of the womanizing Baron Manuel Duarte (also Ameche). On one particular evening, the Baron and his wife, Baroness Cecilia Duarte (Alice Faye) come to see Larry's impersonation. To the surprise of the couple, the act is amazingly realistic. Backstage, the Baron meets Larry's girlfriend, Carmen (Carmen Miranda), and invites her to a party he is going to hold. Carmen declines.
Later in the evening, Larry meets Cecilia and is attracted to her singing and her beauty. He does an impersonation of the Baron for her. But the real Baron receives a telegram that his airline is in danger because a contract is not being renewed and he has already purchased 51% of the stock. Needing money to repay the bank he borrowed it from, he flies down to Buenos Aires.
Larry is hired to play the Baron to confuse his rival, Machado (J. Carrol Naish), but at the stock market, he buys the remainder of the airline stock. That evening, at the party, Larry is hired again to play the Baron. He does not want the Baroness to know, but Cecilia is informed without his knowing. He sweeps her off her feet and they stay close to each other for the remainder of the evening.
Meanwhile, Carmen is furious to discover that Larry is at the party and decides to go there as well, where she discovers that he is impersonating the Baron. To make matter worse, the real Baron returns to his house, confusing all involved. Machado corners Larry instead and talks to him in French, which Larry can't understand. After the party, the Baron discovers that Cecilia was flirting with Larry for the evening and tries to play the joke on her. She, however, inadvertently turns the tables on him.
To get back at his wife, the next morning, the Baron calls and tells Cecilia that his plane has just landed. Cecilia is scared that she has been unfaithful to Manuel but Larry later tells her the truth. At the office, Machado gives the Baron a payment of $32 million for his airline, the topic of his conversation with Larry. The Baron heads home but Cecilia tries one more time to get back at him by pretending to make violent love to Larry. It turns out to be the Baron and all is soon resolved in the end.

Question: What part does Larry play?
Answer: The Baron
That Night in Rio

Larry Martin (Don Ameche) is an American entertainer in the Casino Samba in Rio de Janeiro. He has a skit in his show, making fun of the womanizing Baron Manuel Duarte (also Ameche). On one particular evening, the Baron and his wife, Baroness Cecilia Duarte (Alice Faye) come to see Larry's impersonation. To the surprise of the couple, the act is amazingly realistic. Backstage, the Baron meets Larry's girlfriend, Carmen (Carmen Miranda), and invites her to a party he is going to hold. Carmen declines.
Later in the evening, Larry meets Cecilia and is attracted to her singing and her beauty. He does an impersonation of the Baron for her. But the real Baron receives a telegram that his airline is in danger because a contract is not being renewed and he has already purchased 51% of the stock. Needing money to repay the bank he borrowed it from, he flies down to Buenos Aires.
Larry is hired to play the Baron to confuse his rival, Machado (J. Carrol Naish), but at the stock market, he buys the remainder of the airline stock. That evening, at the party, Larry is hired again to play the Baron. He does not want the Baroness to know, but Cecilia is informed without his knowing. He sweeps her off her feet and they stay close to each other for the remainder of the evening.
Meanwhile, Carmen is furious to discover that Larry is at the party and decides to go there as well, where she discovers that he is impersonating the Baron. To make matter worse, the real Baron returns to his house, confusing all involved. Machado corners Larry instead and talks to him in French, which Larry can't understand. After the party, the Baron discovers that Cecilia was flirting with Larry for the evening and tries to play the joke on her. She, however, inadvertently turns the tables on him.
To get back at his wife, the next morning, the Baron calls and tells Cecilia that his plane has just landed. Cecilia is scared that she has been unfaithful to Manuel but Larry later tells her the truth. At the office, Machado gives the Baron a payment of $32 million for his airline, the topic of his conversation with Larry. The Baron heads home but Cecilia tries one more time to get back at him by pretending to make violent love to Larry. It turns out to be the Baron and all is soon resolved in the end.

Question: Who is Larry's girlfriend?
Answer: Carmen.
That Night in Rio

Larry Martin (Don Ameche) is an American entertainer in the Casino Samba in Rio de Janeiro. He has a skit in his show, making fun of the womanizing Baron Manuel Duarte (also Ameche). On one particular evening, the Baron and his wife, Baroness Cecilia Duarte (Alice Faye) come to see Larry's impersonation. To the surprise of the couple, the act is amazingly realistic. Backstage, the Baron meets Larry's girlfriend, Carmen (Carmen Miranda), and invites her to a party he is going to hold. Carmen declines.
Later in the evening, Larry meets Cecilia and is attracted to her singing and her beauty. He does an impersonation of the Baron for her. But the real Baron receives a telegram that his airline is in danger because a contract is not being renewed and he has already purchased 51% of the stock. Needing money to repay the bank he borrowed it from, he flies down to Buenos Aires.
Larry is hired to play the Baron to confuse his rival, Machado (J. Carrol Naish), but at the stock market, he buys the remainder of the airline stock. That evening, at the party, Larry is hired again to play the Baron. He does not want the Baroness to know, but Cecilia is informed without his knowing. He sweeps her off her feet and they stay close to each other for the remainder of the evening.
Meanwhile, Carmen is furious to discover that Larry is at the party and decides to go there as well, where she discovers that he is impersonating the Baron. To make matter worse, the real Baron returns to his house, confusing all involved. Machado corners Larry instead and talks to him in French, which Larry can't understand. After the party, the Baron discovers that Cecilia was flirting with Larry for the evening and tries to play the joke on her. She, however, inadvertently turns the tables on him.
To get back at his wife, the next morning, the Baron calls and tells Cecilia that his plane has just landed. Cecilia is scared that she has been unfaithful to Manuel but Larry later tells her the truth. At the office, Machado gives the Baron a payment of $32 million for his airline, the topic of his conversation with Larry. The Baron heads home but Cecilia tries one more time to get back at him by pretending to make violent love to Larry. It turns out to be the Baron and all is soon resolved in the end.

Question: Who is furious?
Answer: Carmen
I Wonder Who's Kissing Her Now

I first saw this film when I was 7 years old. I've remembered the title and the feeling of the movie ever since. I just saw it again tonight courtesy of Fox Movie Channel. And what an extraordinary piece of work it is. Fox was well known for its vaudeville backstage musicals which hewed to a comfortable and expected pattern - act starts with kids, act grows, act breaks up and then act reunites gloriously/ I love this formula. But " I Wonder Who's Kissing Her Now" is something different. The focus is on Joe Edwards, songwriter, the acts- the female singers who work with him are front and center but oddly uncompelling. The songs, "Hello, My Baby", Goodbye, My Lady Love ", and the title song are used so powerfully that they transcend the performers. The songs themselves and the guy behind them are the point of the film. While there is an abrupt ending with Joe suddenly giving up a trip to Alaska for matrimony with June Haver, it just doesn't make sense. None of the female leads have any chemistry with Mark Stevens who seems to be passionate only about his music and his freedom to wander.
The vaudeville milieu is as authentic as any in any film of the periond, but the characters and their behavior break the pattern and give this film an edge that no other musicals of the time seem to have. The title song, strangely enough, seems to be completely contemporary and could be recorded today by some adventurous artist. " I wonder who's teaching her how." Hmmm.

Question: What is Joe Edwards's job?
Answer: Songwriter
I Wonder Who's Kissing Her Now

I first saw this film when I was 7 years old. I've remembered the title and the feeling of the movie ever since. I just saw it again tonight courtesy of Fox Movie Channel. And what an extraordinary piece of work it is. Fox was well known for its vaudeville backstage musicals which hewed to a comfortable and expected pattern - act starts with kids, act grows, act breaks up and then act reunites gloriously/ I love this formula. But " I Wonder Who's Kissing Her Now" is something different. The focus is on Joe Edwards, songwriter, the acts- the female singers who work with him are front and center but oddly uncompelling. The songs, "Hello, My Baby", Goodbye, My Lady Love ", and the title song are used so powerfully that they transcend the performers. The songs themselves and the guy behind them are the point of the film. While there is an abrupt ending with Joe suddenly giving up a trip to Alaska for matrimony with June Haver, it just doesn't make sense. None of the female leads have any chemistry with Mark Stevens who seems to be passionate only about his music and his freedom to wander.
The vaudeville milieu is as authentic as any in any film of the periond, but the characters and their behavior break the pattern and give this film an edge that no other musicals of the time seem to have. The title song, strangely enough, seems to be completely contemporary and could be recorded today by some adventurous artist. " I wonder who's teaching her how." Hmmm.

Question: Who is Joe marrying with?
Answer: June Haver
I Wonder Who's Kissing Her Now

I first saw this film when I was 7 years old. I've remembered the title and the feeling of the movie ever since. I just saw it again tonight courtesy of Fox Movie Channel. And what an extraordinary piece of work it is. Fox was well known for its vaudeville backstage musicals which hewed to a comfortable and expected pattern - act starts with kids, act grows, act breaks up and then act reunites gloriously/ I love this formula. But " I Wonder Who's Kissing Her Now" is something different. The focus is on Joe Edwards, songwriter, the acts- the female singers who work with him are front and center but oddly uncompelling. The songs, "Hello, My Baby", Goodbye, My Lady Love ", and the title song are used so powerfully that they transcend the performers. The songs themselves and the guy behind them are the point of the film. While there is an abrupt ending with Joe suddenly giving up a trip to Alaska for matrimony with June Haver, it just doesn't make sense. None of the female leads have any chemistry with Mark Stevens who seems to be passionate only about his music and his freedom to wander.
The vaudeville milieu is as authentic as any in any film of the periond, but the characters and their behavior break the pattern and give this film an edge that no other musicals of the time seem to have. The title song, strangely enough, seems to be completely contemporary and could be recorded today by some adventurous artist. " I wonder who's teaching her how." Hmmm.

Question: What does Joe give up a trip to Alaska for?
Answer: matrimony
I Wonder Who's Kissing Her Now

I first saw this film when I was 7 years old. I've remembered the title and the feeling of the movie ever since. I just saw it again tonight courtesy of Fox Movie Channel. And what an extraordinary piece of work it is. Fox was well known for its vaudeville backstage musicals which hewed to a comfortable and expected pattern - act starts with kids, act grows, act breaks up and then act reunites gloriously/ I love this formula. But " I Wonder Who's Kissing Her Now" is something different. The focus is on Joe Edwards, songwriter, the acts- the female singers who work with him are front and center but oddly uncompelling. The songs, "Hello, My Baby", Goodbye, My Lady Love ", and the title song are used so powerfully that they transcend the performers. The songs themselves and the guy behind them are the point of the film. While there is an abrupt ending with Joe suddenly giving up a trip to Alaska for matrimony with June Haver, it just doesn't make sense. None of the female leads have any chemistry with Mark Stevens who seems to be passionate only about his music and his freedom to wander.
The vaudeville milieu is as authentic as any in any film of the periond, but the characters and their behavior break the pattern and give this film an edge that no other musicals of the time seem to have. The title song, strangely enough, seems to be completely contemporary and could be recorded today by some adventurous artist. " I wonder who's teaching her how." Hmmm.

Question: What does Mark Stevens seem passionate about?
Answer: his music and freedom to wander
I Wonder Who's Kissing Her Now

I first saw this film when I was 7 years old. I've remembered the title and the feeling of the movie ever since. I just saw it again tonight courtesy of Fox Movie Channel. And what an extraordinary piece of work it is. Fox was well known for its vaudeville backstage musicals which hewed to a comfortable and expected pattern - act starts with kids, act grows, act breaks up and then act reunites gloriously/ I love this formula. But " I Wonder Who's Kissing Her Now" is something different. The focus is on Joe Edwards, songwriter, the acts- the female singers who work with him are front and center but oddly uncompelling. The songs, "Hello, My Baby", Goodbye, My Lady Love ", and the title song are used so powerfully that they transcend the performers. The songs themselves and the guy behind them are the point of the film. While there is an abrupt ending with Joe suddenly giving up a trip to Alaska for matrimony with June Haver, it just doesn't make sense. None of the female leads have any chemistry with Mark Stevens who seems to be passionate only about his music and his freedom to wander.
The vaudeville milieu is as authentic as any in any film of the periond, but the characters and their behavior break the pattern and give this film an edge that no other musicals of the time seem to have. The title song, strangely enough, seems to be completely contemporary and could be recorded today by some adventurous artist. " I wonder who's teaching her how." Hmmm.

Question: Where does the teller saw the film again?
Answer: Fox Movie Channel
I Wonder Who's Kissing Her Now

I first saw this film when I was 7 years old. I've remembered the title and the feeling of the movie ever since. I just saw it again tonight courtesy of Fox Movie Channel. And what an extraordinary piece of work it is. Fox was well known for its vaudeville backstage musicals which hewed to a comfortable and expected pattern - act starts with kids, act grows, act breaks up and then act reunites gloriously/ I love this formula. But " I Wonder Who's Kissing Her Now" is something different. The focus is on Joe Edwards, songwriter, the acts- the female singers who work with him are front and center but oddly uncompelling. The songs, "Hello, My Baby", Goodbye, My Lady Love ", and the title song are used so powerfully that they transcend the performers. The songs themselves and the guy behind them are the point of the film. While there is an abrupt ending with Joe suddenly giving up a trip to Alaska for matrimony with June Haver, it just doesn't make sense. None of the female leads have any chemistry with Mark Stevens who seems to be passionate only about his music and his freedom to wander.
The vaudeville milieu is as authentic as any in any film of the periond, but the characters and their behavior break the pattern and give this film an edge that no other musicals of the time seem to have. The title song, strangely enough, seems to be completely contemporary and could be recorded today by some adventurous artist. " I wonder who's teaching her how." Hmmm.

Question: Where is Joe going to a trip to?
Answer: Alaska