infinite jest: part i with a foreword by dave eggers audible <p>a gargantuan, mind-altering comedy about the pursuit of happiness in america set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, <i>infinite jest</i> explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are.</p> <p> equal parts philosophical quest and screwball comedy, <i>infinite jest</i> bends every rule of fiction without sacrificing for a moment its own entertainment value. it is an exuberant, uniquely american exploration of the passions that make us human - and one of those rare books that renew the idea of what a novel can do. </p> <p><b>please note: when you purchase this title, the accompanying reference material, including endnotes, will be available in your my library section along with the audio.</b> </p> <p><b>a note from hachette audio</b> <br />we are deeply honored to be the audio publisher of david foster wallace's works, and are keenly aware of the great responsibility that attends the privilege. we felt that it was important to make <i>infinite jest</i> accessible in the audio format as soon as we were able, and are gratified to find that there is an audience that has been waiting for just this occasion. </p> <p>some early listeners have been disappointed that the novel's endnotes are currently available only in text form, to be read. choosing to include the endnotes as a downloadable pdf file, rather than as a recording by the narrator, was a difficult decision for all involved, and we debated different options at length before beginning production. the audio format allows us great opportunities to showcase wallace's love of language and grammatical dexterity, to illuminate characters and their relationships, and to bring out some of the unique humor inherent in his work. however, there are also certain limitations to the format, and we needed let go of some of our preconceived notions about the form of <i>infinite jest,</i> as we must when we adapt any complex work to audio. </p> <p>the compromise we ended up with was heavily influenced by practical concerns, especially those regarding the limitations of current technology. because some of the endnotes are pages-long digressions, if we had them read in line with the main narrative, we would have run the risk of making the already complex story unfollowable for listeners. in the end, we decided the audiobook would flow best by having the endnotes indicated by number throughout the narrative by an additional narrator. however, we acknowledge that these choices may not work for all listeners. accordingly, our future plans are to produce the endnotes as an additional, stand-alone audio piece.</p>