Pare Lorentz went to which school from 1920 to 1922?
Pare Lorentz Pare Lorentz ( December 11 , 1905 – March 4 , 1992 ) was an American filmmaker known for his film work about the New Deal . Born Leonard MacTaggart Lorentz in Clarksburg , West Virginia he was educated at Buckhannon High School , West Virginia Wesleyan College , and West Virginia University . As a young film critic in both New York City and Hollywood , Lorentz spoke out against censorship in the film industry . As the most influential documentary filmmaker of the Great Depression , Lorentz was the leading American advocate for government-sponsored documentary films . His service as a filmmaker for the U.S . Army Air Corps during World War II was formidable , including technical films , documentation of bombing raids , and synthesizing raw footage of Nazi atrocities for an educational film on the Nuremberg Trials . Nonetheless , Lorentz perennially will be known best as FDR′s filmmaker . New Deal documentary films . Lorentz left West Virginia University , in 1925 , to begin a career as a writer and film critic in New York City . He contributed articles to leading magazines such as Scribners , Vanity Fair , McCalls , and Town and Country . Lorentz also co-authored a 1929 book , Censored : the private life of the movie . His work as a film critic led him to Hollywood , where he wrote several articles on censorship and The Roosevelt Year : 1933 , a pictorial review of the first year of Franklin D . Roosevelt′s presidency . Roosevelt was impressed with the articles and the book , and in 1936 , as president of the United States , invited Lorentz to make a government-sponsored film about the Oklahoma Dust Bowl . Despite not having any film credits , Lorentz was appointed to the Resettlement Administration as a film consultant . He was given to make a film , which became The Plow That Broke the Plains , a film that showed the natural and man–made devastation caused by the Dust Bowl . Though the tight budget and his inexperience occasionally showed through in the film , Lorentzs script , combined with Thomas Hardie Chalmers′s narration and Virgil Thomson′s score , made the 30-minute movie powerful and moving . The film , which had its first public showing on May 10 , 1936 at Washington , D.C′s Mayflower Hotel , had a preview screening in March at the White House . Roosevelt was impressed and , after his re-election in 1936 , gave Lorentz the opportunity to make a film about one of the presidents favorite subjects : conservation . Lorentz made The River , a film celebrating the exploits of the Tennessee Valley Authority . The TVA mitigated flooding but , more importantly to Lorentz and to Roosevelt , it put a stop to the prodigious pillaging of the forests by providing cheap , readily available hydro–electric power to a wide area . This film won the Best Documentary at the Venice International Film Festival . The text of The River appeared in book form , and was nominated for the Pulitzer Prize in poetry the same year . It generally is considered his most masterful work . When Republicans gained seats in Congress in 1938 , and the congressional balance of power shifted in a more conservative direction , the pipeline of federal commissions for projects like Lorentzs were halted along with the short-lived existence of the US Film Service , which Lorentz headed . In 1940 , he produced Power and the Land promoting the Rural Electric Administration . The REA took over its own production , and the film was directed by Joris Ivens , the prolific Dutch filmmaker best known for his anti–fascist documentaries . Before the U.S . involvement in World War II , Lorentz made The Fight for Life ( 1940 ) , a semi-documentary on the struggle to provide adequate natal ( obstetric ) care at the Chicago Maternity Center , based on a book by Paul de Kruif . John Steinbeck worked on the project with Lorentz . U.S . Army Air Corps World War II films . Lorentz served in the U.S . Army Air Corps , more specifically the Air Transport Command ( ATC ) , accompanied by Floyd Crosby , who became an outstanding cinematographer during World War II . He was promoted to the rank of colonel . While serving , he made 275 pilot navigational films and minor documentaries for the U.S . Office of War Information ( OWI ) and the U.S . Information Agency ( USIA ) , and filmed over 2,500 hours of bombing raids . ( Note : Lorentzs name is not associated with any OWI or USIA films ; his son Pare Lorentz , Jr. , may have worked on a USIA film though most of his work was for USAID. ) In 1946 , Lorentz made a federally funded movie about the Nuremberg trials , intended to help educate the German people as to what had happened during the war . In the process of compiling material , Lorentz reviewed over 1 million hours of footage about the Nazis and their atrocities . Nuremberg , the film that resulted , played to capacity audiences in Germany for two years . However , it was not released in the United States until 1979 . This film was produced for the Civil Affairs Division of the Government of Military Occupation ( OMGUS ) . Lorentzs role and contributions to this production are not entirely clear because he prematurely resigned and the Hollywood director Budd Schulberg is given credit for completing it . Later life and legacy . In the prosperity of the post–War period , there was no revival of partnerships with the federal government . He had ambitious plans to make documentaries about the New Deal and the United Nations , but funding was not available from government or private sources . His final film was Rural Co-op , which he wrote and directed in 1947 . Lorentz lived a quiet life among the country gentry north of New York City in the upscale town of Armonk , New York until his death in 1992 . The International Documentary Association named its Pare Lorentz Documentary Fund , as well as the Pare Lorentz Film Festival and its grand prize in honor of Lorentz , granted to individuals whose work best represents the democratic sensibility , activist spirit and lyrical vision of Lorentz . Selected filmography . - The Roosevelt Year ( 1933 ) - The Plow That Broke the Plains ( 1936 ) - The River ( 1938 ) - The Fight for Life ( 1940 ) - Nuremberg ( 1946 ) - Rural Co-op ( 1947 ) The Library of Congress has made available on its website a full-length version of The River , open for public viewing at the prints digital ID of hdl.loc.gov/loc.mbrsmi/ntscrm.00101008 . This is a theatrical projection print acquired as part of the librarys preservation program for films which were honored by being selected for listing on the National Film Registry . The following XML page contains the prints metadata as a Dublin Core record : lccn.loc.gov/2007640253/dc . The Pare Lorentz Center , located at the Franklin D . Roosevelt Presidential Library in Hyde Park , New York , but with its separate online presence , has links on its website to three films which were posted to YouTube by the FDR Librarys account : - The aforementioned film ( but a different print ) The River – part of the FDR Librarys description reads , The script for the film was nominated for a Pulitzer Prize for poetry and was also described by author James Joyce as ‘the most beautiful prose I have heard in ten years’.” - The Plow That Broke the Plains - The Fight for Life Part 1 – a historical recording from the National Archives at College Park