Rafael Banquells
Who was Silvia Pinal 's spouse from 1947 to 1952?
Silvia Pinal Silvia Verónica Pinal Hidalgo ( born 12 September 1931 ) is a Mexican film , theater and television actress . Pinal began her career in the theater , venturing into cinema in 1949 . Pinal reached popularity during the Golden Age of Mexican cinema . Her film work and popularity in her native country led her to work in Europe ( Spain and Italy ) . Pinal achieved international recognition by starring in a famous film trilogy by director Luis Buñuel : Viridiana ( 1961 ) , El ángel exterminador ( 1962 ) and Simón del desierto ( 1965 ) . In addition to her outstanding career in film , Pinal has also excelled in other areas . She was a pioneer of the Musical theatre in Mexico in addition to venturing into television , as an actress and producer . At one point in her life , Pinal also ventured into politics and held some public office in her native country . Early life . Silvia Pinal Hidalgo was born in Guaymas , Sonora , Mexico , on 12 September 1931 . Her parents were María Luisa Hidalgo Aguilar and Moisés Pasquel . Pasquel was an orchestra conductor at the Mexican radio station XEW . Silvias mother became pregnant with Pasquel when she was only 15 years old . Her father did not recognize her and Silvia did not knew him until she was 11 years old . On the part of her biological father , Silvia had three more brothers : Eugenio , Moisés and Virginia . however , Pinal never spent time with the Pasquel family . Pinal spent her first years behind the counter of a seafood restaurant located near the XEW where her mother worked . When Pinal was five years old , her mother married Luis G . Pinal , whom they called El Caballero Pinal , a journalist , military man and politician twenty years older than her . Pinal recognized Silvia as his daughter . Mr . Pinal had three more daughters from a previous marriage : Mercedes , Beatriz and Eugenia . Her adoptive father held several public positions in Mexico . He was municipal president of Tequisquiapan , Querétaro . The family lived in several cities of Mexico as Querétaro , Acapulco , Monterrey , Chilpancingo , Cuernavaca and Puebla , finally settled in Mexico City . Pinal was fascinated by show business since she was a child . In addition to film and music , she liked to write and recite poems . She studied first at Pestalozzi College in Cuernavaca , and then at the Washington Institute in Mexico City . Despite her artistic aspirations , her father conditioned her to study something useful and therefore she learned typing . At age 14 she started working at Kodak as a secretary . Silvia wanted to study opera . She began to prepare taking classes with a private teacher and then with Professor Reyes Retana . Her first step towards fame occurred when she was invited to participate in a beauty pageant . In this contest Silvia obtained the title of Student Princess of Mexico . In her coronation she met the actors Rubén Rojo and Manolo Fábregas , with whom she became close friends . While studying bel canto , Silvia went to work as a secretary in the pharmaceutical laboratories Carlos Stein . At the music academy , Silvia auditioned for a role in the opera La Traviata . However , this hearing was a failure . Then her teacher encouraged her to take acting courses in the Instituto Nacional de Bellas Artes . In that academy , she was a classmate of figures such as Carlos Pellicer , Salvador Novo and Xavier Villaurrutia . She debuted as an extra in a performance of A Midsummer Nights Dream by William Shakespeare . Career . Beginning . Silvia continued working in the pharmaceutical products firm , in her advertising department . Her boss , knowing that she was studying acting , gave her the opportunity to participate in the recording of some radio comedies in the XEQ . She debuted in the comedy Dos pesos la dejada . At the radio station , she met some publicists , who invited her to be part of an experimental company . She made her debut in that company with a role in the play Los Caprichos de Goya . The director of this work was the Mexican actor and director , of Cuban origin Rafael Banquells , with whom Silvia began an employment relationship and a close friendship that led to romance . Rafael Banquells got the master Carlos Laverne to allow them to use the Ideal Theater of Mexico City for their productions . Laverne chose Silvia to participate in a montage with the company of the Ideal Theater , directed by the Spanish actress Isabelita Blanch . The work was called Nuestra Natacha . Silvia acted in numerous works for this company . Her first star work was Un sueño de cristal . Film . Just fifteen days after she debuted in the theater , Pinal made her debut in the cinema with a brief role in the film Bamba ( 1949 ) , starring Carmen Montejo and directed by Miguel Contreras Torres . Contreras Torres had seen her work at the Ideal Theatre and invited her to take part in the project . Contreras Torres was a tough and strict director who made Pinal suffer for her inexperience . Eventually , in that same year , she performed in the film El pecado de Laura , directed by Julián Soler and starring Meche Barba . In that film she worked for the first time in cinema with Rafael Banquells , who at that time was already her husband . Immediately she made another small role in the film Escuela para casadas , by Miguel Zacarías . Silvia met and worked for the first time with the popular actor and singer Pedro Infante in the film La mujer que yo perdí . The actor and comedian Cantinflas ( her wedding godfather ) , chose Pinal as his co-star in the film The Doorman ( 1949 ) , which was a very big step for the young and new actress . But her first solid step towards popularity was her participation in the comedy El rey del barrio ( 1949 ) , where she formed a great comedic pair with Germán Valdés Tin-Tán , directed by Gilberto Martínez Solares . Pinal and Tin Tán acted together in two more films : La marca del zorrillo ( 1950 ) and Me traes de un ala ( 1952 ) . Pinal participated in small roles in several more films . Pinal received her first major recognition , her first Silver Ariel Award as a co-starring actress , for her performance in the film Un rincón cerca del cielo ( 1952 ) , where she worked again with Pedro Infante . In 1952 , she performed with Joaquín Pardavé in the comedies Doña Mariquita de mi corazón ] and El casto Susano . In 1953 , Pinal signed a contract with the FILMEX studios of Gregorio Walerstein , who gave her first stellar works in the films Reventa de esclavas ( 1953 ) and Yo soy muy macho ( 1953 ) . In that same year , she made her first musical work with the film Mis tres viudas alegres , where she shared credits with Lilia del Valle and the Cuban rumbera Amalia Aguilar . The success of the film led the three actresses to star , that same year , in the comedy Las cariñosas . In that same year ,she acted with Libertad Lamarque in Si volvieras a mí Pinal achieved success and recognition in 1954 , after participating in the film Un extraño en la escalera , directed by Tulio Demicheli , and starring opposite Arturo de Córdova . De Córdova wanted as his co-stars the Italian actress Gina Lollobrigida or the Cuban rumbera Rosa Carmina , because he distrusted Pinal due to her youth . With the support of the producer Gregorio Walerstein , Silvia made a change of image , highlighting her sex appeal , which helped her to be approved by De Cordova for the film . The film was filmed in Havana , Cuba and it was a remarkable blockbuster , which consecrates Pinal as the first figure in the cinema . Another director who knew how to make the most of Silvias histrionic abilities was Alberto Gout . Under the baton of Gout , Silvia made the film La sospechosa ( 1954 ) . Another outstanding movie in which Pinal participates is Historia de un abrigo de mink ( 1954 ) ,an episodic film that Pinal co-stars with the actresses María Elena Marqués , Columba Domínguez and Irasema Dilián . With Tito Davison as director , Pinal also filmed the Mexican-Spanish-Chilean co-production Cabo de Hornos ( 1955 ) , along with the actor Jorge Mistral . Pinal worked again with Pedro Infante , this time as his co-star in the famous comedy El inocente ( 1955 ) . Pinal starred in several films by Tulio Demicheli . Among the most outstanding is Locura pasional ( 1955 ) , which would bring her first Silver Ariel award as best actress . The second was thanks to her role in the film La dulce enemiga ( 1957 ) , directed by Tito Davison . In 1956 , Pinal starred in the film Una cita de amor ( 1956 ) , where she worked for the first and only time under the direction of the director Emilio Fernández . The popularity and success of Pinal in Mexico opened the doors for her to work in Europe following the advice of Tulio Demicheli . Her first work in the Old Continent is in the Spanish-Mexican co-production Las locuras de Bárbara ( 1958 ) , directed by Demicheli . From the hand of Demicheli Silvia starred in Spain the musical film Charleston . Given the success of her films in Europe , Silvia was invited to work in Italy , where she also served as producer of the film Men and Noblemen ( 1959 ) , which she starred next to Vittorio de Sica and Elke Sommer . Under the direction of José María Forqué , Silvia starred in Spain in the film Maribel y la extraña familia ( 1960 ) . In 1961 she filmed the Spanish musical film Adiós , Mimí Pompom , next to Fernando Fernán Gómez . Pinal achieved international acclaim through a trilogy of films that marked the end of the Mexican era of the Spanish filmmaker Luis Buñuel . Pinal had her first contact with Buñuel through Mexican actor Ernesto Alonso , with the firm intention of starring in the film version of the novel Tristana . However , the little commercial success of Buñuels films prevented the producers from financing the project , which ended up collapsing ( Buñuel filmed the film years later in Spain with Catherine Deneuve ) . Years later , Pinal , with the help of her second husband , producer Gustavo Alatriste , looked for Buñuel in Spain and convinced him to film Viridiana ( 1961 ) . This , without a doubt , is her most famous film . She was co-starred by Francisco Rabal and Fernando Rey , and was the winner of the Palme dOr at the prestigious Cannes Film Festival . Despite the success and prestige enjoyed by the film , it was at the time , rejected by the Spanish censorship and the Vatican , accusing it of blasphemy . The Spanish government ordered its destruction . Through the intervention of Pinal , who fled with a copy to Mexico , the film was saved . In Mexico , Vatican censorship had also resonated . However , with the help of Salvador Novo , the film premiered in some rooms . Her second film with Buñuel was El ángel exterminador ( 1962 ) , which Pinal starred in with a choral cast . The film also received critical acclaim worldwide . In 2004 , the New York Times recognized it among the best films of all time . Her third and last project with Buñuel was Simón del desierto ( 1964 ) . The film , misrepresented as a medium-length film , was originally conceived to be an episodic film . Pinal and Gustavo Alatriste looked for Federico Fellini to direct a second episode , but Fellini accepted with the condition that his wife , Giulietta Masina , starred in it . Jules Dassin was then sought , who likewise accepted on the condition that it was starred by his wife Melina Mercouri . Pinal also rejected this request . The idea was that Pinal starred in all the episodes of the film , so the project ended up filming only with Buñuel . In the film Pinal also made the first nude appearance of her career , something still rare in Mexican cinema and also the first naked scenes of Buñuels cinema . Pinal was also on the verge of starring with Buñuel in the film Diary of a Chambermaid , in France . Pinal learned French and was willing to charge nothing for her participation . However , the French producer Serge Silberman ended up choosing Jeanne Moreau . Even so , Silvia Pinal ( along with Lilia Prado ) , who is the actress with whom Buñuel worked with the most , made a total of three classic films . Pinal was also going to shoot with Buñuel in Spain on Divinas palabras , but there were problems with copyrights . Years later , Pinal was finally able to do it in Mexico with another director . After her work with Buñuel , Pinal returned to the cinema with the comedy Buenas noches , Año Nuevo ( 1965 ) , where she alternated with Ricardo Montalbán . In 1966 she made the mythical film La soldadera , directed by José Bolaños and inspired by the events of the Mexican Revolution . In that same year she participated in the Mexican-Brazilian co-production Juego peligroso , directed by Luis Alcoriza and based on a script by Gabriel García Márquez . She also appeared in the Franco-Italian-Mexican co-production La bataille de san sebastian , along with Anthony Quinn and Charles Bronson . In 1967 Pinal films Shark! , together Burt Reynolds and directed by Samuel Fuller . This is the only Hollywood production in which Pinal has appeared . Pinal achieved a huge blockbuster with the film María Isabel ( 1968 ) , based on a popular cartoon by Yolanda Vargas Dulché . Between the late 1960s and early 1970s , Pinal mainly made comic films directed by the filmmaker René Cardona Jr. . In 1976 , Pinal starred in Las mariposas disecadas , a thriller of psychological suspense . In 1977 she finally starred in the controversial film Divinas palabras ( 1977 ) , directed by Juan Ibáñez , a film where she made an integral nude scene . At the end of the seventies and the beginning of the eighties , Silvia filmed some films in Spain , Italy and Argentina as part of a project by Televisa to unify the Spanish and Latin American markets . After ten years of absence in the cinema , Silvia returned in 1992 with the tape Modelo antiguo , directed by Raúl Araiza . The decline of Mexican cinema and the activity of Silvia on television and other media ( such as politics ) , made her practically withdraw from the big screen . In recent years , her film appearances are limited to films Ya no los hacen como antes ( 2002 ) , and a brief special appearance on the movie Tercera llamada ( 2013 ) . Stage . Pinal made her debut at the theater in the Instituto Nacional de Bellas Artes . Eventually she did experimental plays , to then work at the Ideal Theater in Mexico City , in the company of the Spanish actress Isabelita Blanch , where she was directed in numerous productions by Rafael Banquells . Outside of this company , in 1950 participates in the playCelos del aire , with Manolo Fábregas and Carmen Montejo . In that same year she represented Doña Inés in Don Juan Tenorio , next to Jorge Mistral . Of her most outstanding plays from the beginning of her career stand out The Madwoman of Chaillot , next to Prudencia Griffel and El cuadrante de la soledad , by José Revueltas , with sets by the artist Diego Rivera . In 1954 , Pinal participates in the play La Sed , with Ernesto Alonso and the Argentinean actor Pedro López Lagar . In 1955 she obtained the recognition in the theater scene in the assembly Anna Christie , along with Wolf Ruvinskis . In 1957 Silvia staged the play Desnúdate , Lucrecia , in Chile , next to Jorge Mistral , who eventually starred in the cinema in Mexico . In 1958 , Pinal was responsible for producing in Mexico the first Musical comedy Bells Are Ringing , directed by Luis de Llano Palmer . For this work , Pinal had an offer to work on Broadway with the manager of Judy Holliday , but Pinal refused to cut her career in Mexico . In 1964 she made the Mexican version of the musical Irma La Douce , alongside Julio Alemán and directed by Enrique Rambal . José Luis Ibáñez will end up becoming her head theater director . Under the baton of Ibañez , Pinal starred in the work Vidas privadas . One of her most memorable works in musical comedy , was the Mexican version of Mame , successful Broadway musical , which thanks to her success , Pinal rode three times ( 1972 , 1985 and 1989 ) . In 1976 he also starred in the musical Annie Get Your Gun . In 1977 , to commemorate her twenty-five year career , Pinal set up her own cabaret show entitled ¡Felicidades Silvia! . The show was presented with great success , first at the nightclub El Patio , and then at the Teatro de la Ciudad in Mexico City . In 1978 , she starred in the musical Plaza Suite . The death of her daughter Viridiana , truncated the theatrical project Agnes of God , which starred together in 1982 . In 1983 , Pinal starred in and produced the Mexican montage of the work La señorita de Tacna , based on the work of Mario Vargas Llosa . In 1985 , while serving as First Lady of the state of Tlaxcala , Pinal remodeled the Xicohténcatl Theater , which reopened with the assembly The memories of the Divine Sarah . In 1986 , Pinal starred in the work Anna Karenina , which despite the success obtained , was not to the liking of the actress , and the assembly only reached 100 performances . In 1988 , in association with Margarita López Portillo , Pinal acquired the Cine Estadio , located in Colonia Roma in Mexico City , transforming it into its own theatrical venue , the Silvia Pinal Theater , a space dedicated mainly to musical comedy . which Pinal was free to set up her own productions . The Silvia Pinal Theater was inaugurated in 1989 with the third representation of the musical Mame , with Pinal at the head of the cast . In 1992 , Pinal acquired the former Cine Versalles , located in Colonia Juárez in Mexico City and turned it into his second theater , the Diego Rivera Theater . The Diego Rivera Theater was inaugurated in 1991 with the assembly Lettice and Lovage . In 1996 , Silvia returned to the musical theater with the second Mexican version of Hello , Dolly! , opposite Ignacio López Tarso . The last work that Pinal starred in her previous theater was Gypsy ( 1998 ) , starring alongside her daughter , the singer Alejandra Guzmán . As a producer , she was responsible for making the Mexican versions of the musicals A Chorus Line ( 1989 ) , Cats ( 1991 ) and La Cage aux Folles ( 1992 ) . Unfortunately , several problems caused Pinal to close the Silvia Pinal Theater , which stopped functioning in 2000 to become a religious temple . Pinal returned to the theater in 2002 with the play Debiera haber obispas . In recent dates she has also participated in productions such as Adorables enemigas ( 2008 ) and Amor , dolor y lo que puesto ( 2012 ) . In 2014 , the Diego Rivera Theater changed its name to become the new Silvia Pinal Theatre . Television . Pinal dabbled in television since its appearance in Mexico in the early 1950s . In 1952 , she participated in her television show titled Con los brazos abiertos . Eventually she participates in numerous telecasts , produced by Luis de Llano Palmer . Thats where Pinal first introduced the use of playback on Mexican television . In the mid-sixties , Silvia staged her own comic-musical show on Televisa entitled Los especiales de Silvia Pinal . When Silvia married the actor and singer Enrique Guzmán , both produced and starred in the variety show Silvia y Enrique ( a comedy-musical program in the style of The Sonny & Cher Comedy Hour ) , which presented during four years ( 1968–1972 ) with a great success . Once separated from Guzmán , Silvia continued with her variety show titled ¡Ahora Silvia!! . In 1985 , she became a producer and presenter of the TV show Mujer , casos de la vida real . Initially , the show was created to respond to cases and needs of the public focused on locating victims of the 1985 earthquake in Mexico City . With the passage of time , the show evolved to present current issues and daily life that included from domestic violence to legal issues and public health . This production was a success and lasted more than 20 years transmitting in Mexico , Spain , Italy and several countries in Latin America . The program was canceled in 2007 . In 2009 Silvia also participated in a chapter of the series Mujeres asesinas . In 1968 , Pinal makes his debut in telenovelas with the historical telenovela Los caudillos , inspired by the events of the War of Independence of Mexico . The telenovela was produced by Ernesto Alonso . Her second foray into the genre was with the telenovela ¿Quién ? ( 1973 ) , produced by Guillermo Diazayas and based on a cartoon by Yolanda Vargas Dulché . Eventually , Silvia decided to produce her own telenovelas , her first hit being Mañana es primavera ( 1982 ) , the last acting work of her daughter Viridiana , before dying . In 1985 he also produced and starred in Eclipse . Her last works in television have been in special participations in various telenovelas and television series . The most relevant ones are Carita de ángel ( 2000 ) , in which she went on to replace the actress Libertad Lamarque , who at the time of her death left her character unfinished in this childhood melodrama ) , Fuego en la sangre ( 2008 ) , Soy tu dueña ( 2010 ) and Mi marido tiene familia ( 2017 ) . In addition to the aforementioned telenovelas that she starred , Pinal also produced the melodramas Cuando los hijos van ( 1983 ) and Tiempo de amar ( 1987 ) . Politics . Pinal dabbled in the world of politics as a result of her fourth marriage , with the politician Tulio Hernández Gómez , who was governor of the State of Tlaxcala . Between 1981 and 1987 , Pinal was the First Lady of that state . Eventually she became a member of the Institutional Revolutionary Party and was elected to federal deputy in 1991 . Later , she became a senator and member of the Asamblea de Representantes del Federal District . In these positions , Pinal had some achievements . Among the most outstanding are to achieve that the Cinematographic Law contemplate the right of interpreter , worked on the Law of Condominiums and the Law of Tourism , did tasks in favor of ecology , promoted the dissemination of theater books and fought for the Ministry of Finance to lower taxes on the theater . Since the fifties , Pinal actively participated in trade union movements of the actors of his country . She was part of the group Rosa Mexicano , founded by Dolores del Río . Between 1988 and 1995 , Pinal became a leader of the National Association of Interpreters ( A.N.D.I. ) of Mexico . Pinal had problems with justice in the year 2000 due to problems in her management as leader of the Association of Theater Producers ( Protea ) in the early 1990s . For this reason the actress lived some time in Miami , United States . After eleven months , the actress was declared innocent and returned to her country . Between 2010 and 2014 , Pinal also served as General Secretary of the Screen Actors Guild of México ( ANDA ) of Mexico . In an attempt to protect the mature actors , she became the founder of the Asociación Rafael Banquells , in charge of providing non-profit help to the interpreters . As president of the association , Pinal is in charge of the delivery of the Bravo Awards to the highlights in music , film , theater , radio , television , dubbing and commercial realization during the year . The awards are given annually since 1991 . Personal life . Pinal has been married four times . Her first marriage was with the actor and director Rafael Banquells , who was her first formal boyfriend . Pinal married Banquells in 1947 . Pinal acknowledges that her marriage at such an early age was partly due to escape from her fathers repression : I changed my father for a softer one that stimulated me in my career . The couple divorced in 1952 , a year after the birth of their daughter , Sylvia Pasquel , who later consolidated an outstanding career as an actress . Her second marriage was with the businessman and film producer Gustavo Alatriste . Pinal has revealed on numerous occasions that Alatriste was the love of her life , a husband with whom she could have stayed forever . Silvia met Alatriste at a meeting at Ernesto Alonsos house when he was about to divorce the actress Ariadne Welter . It was thanks to Alatriste that Pinal was able to make her film projects with Luis Buñuel . The marriage ended in 1967 due to Alatristes infidelities and business problems between the couple . Of her relationship with Alatriste was born a daughter , also actress Viridiana Alatriste ( born in 1963 ) . Unfortunately , Viridiana died tragically in a car accident in Mexico City in 1982 , only 19 years old . Her third marriage was with the popular singer and idol of Rock and roll Enrique Guzmán . Pinal and Guzmán met when he came as a guest on the Pinals television show ¡Ahora Silvia! . Pinal and Guzmán were married in 1967 despite some resistance from Pinal being 11 years older than her husband . Their marriage lasted nine years . They worked together and procreated two children : the popular singer Alejandra Guzmán ( born in 1968 ) and the musician and composer Luis Enrique Guzmán ( born in 1970 ) . Her last marriage was with the politician , and then governor of the state of Tlaxcala , Tulio Hernández Gómez . The couple married in 1982 . It was through Hernández that Pinal entered the world of politics . Pinal and Hernandez divorced in 1995 . In addition to her marriages , at various times in her life , Pinal held various romances . In 1954 , when filming Un extraño en la escalera , Pinal fell in love with her co-star , the actor Arturo de Córdova . Others of her romances were with the Mexican businessman Emilio Azcárraga Milmo , the Egyptian actor Omar Sharif and with the American businessman Conrad Nicholson Hilton , Jr. . With the passage of time , Silvia Pinal has become the head of one of the most famous artistic dynasties in Latin America . Her daughters Sylvia and Viridiana followed in her footsteps as an actress . The youngest of her daughters , Alejandra , is one of the most popular singers in Mexico . Alejandra’s daughter Frida Sofia is also a model , currently living in Miami Fl . In addition , her granddaughter Stephanie Salas ( daughter of Sylvia ) has also forged a career as an actress and singer . Stephanies daughters , Michelle Salas and Camila Valero , are both models and actresses . Awards and honors . - In 1954 , the beer Corona , sent an advertisement that included a song in which they mentioned to Silvia next to the Italian divas Gina Lollobrigida , Silvana Mangano and Silvana Pampanini . - In 1955 , Pinal was immortalized in a portrait by the famous painter Diego Rivera , who occupies a special place in the Pinal residence in Mexico City . - In addition to Rivera , Silvia has also been painted by other artists such as Oswaldo Guayasamín , Mario Chávez Marión , Sylvia Pardo and General Ignacio Beteta Quintana . - In 1978 , Silvia posed naked in a photo shoot of the Spanish magazine Interviú . - Silvia is represented as one of the Seven Muses of Art in a stained glass window of Xicohténcatl Theatre in Tlaxcala . - When her daughter Alejandra Guzmán launched as a singer in 1989 , she dedicated a controversial song to her mother titled Bye Mama and included in her debut album . - In 2002 , Pinal was recognized when a statue in her honor in Mexico City . The work was done by renowned sculptor Ricardo Ponzanelli . - In 2006 , Pinal was awarded in Spain with the Orden de Isabel la Católica in the grade of Commander for her cultural contribution to the world of cinema . - In 2013 , Silvia Pinal was honored by the Wax Museum of Mexico City to unveil a figure in her honor . - In 2015 , Silvia Pinal published her autobiographical book entitled Esta soy yo . - In 2016 , Academy of Motion Picture Arts and Sciences of Hollywood chose Pinal as one of its members in recognition of her long career and contribution to the international film industry . - At some point , Matt Casella , a headhunter for DreamWorks , looked for Pinal to make a biographical series about her life . However , the project did not materialize . - In 2019 , Televisa produces a television series based on the Pinals life . The series is titled Silvia Pinal , frente a ti , and Pinal is portrayed by Mexican actress Itatí Cantoral . Filmography . Television . - Relatos macabrones ( 2020 ) as Doña Teresa - Juntos el corazón nunca se equivoca ( 2019 ) as Doña Imelda Sierra Vda . de Corcega - Silvia Pinal , frente a ti ( 2019 ) as Herself - Mi marido tiene familia ( 2017–2019 ) as Doña Imelda Sierra Vda . de Córcega - Un refugio para el amor ( 2012 ) as Herself - Una familia con suerte ( 2011 ) as Herself - Soy tu dueña ( 2010 ) as Isabel Rangel Vda . de Dorantes - Mañana es para siempre ( 2009 ) as Herself - Fuego en la sangre ( 2008 ) as Santa Margarita Lorenza Vda . de Gómez - Una familia de diez ( 2007-2019 ) as Herself - Amor sin maquillaje ( 2007 ) as Herself - Aventuras en el tiempo ( 2001 ) as Silvia - Carita de ángel ( 2000-2001 ) as Mother Lucía - El privilegio de amar ( 1998 ) - Lazos de amor ( 1995 ) as Herself - Mujer , casos de la vida real ( 1986-2007 ) as Host - Eclipse ( 1984 ) - Mañana es primavera ( 1983 ) as Amanda González de Serrano - Y ahora , ¿qué ? ( 1980 ) - ¿Quién ? ( 1973 ) - Los caudillos ( 1968 ) as Jimena - Al rojo vivo Stage ( producer ) . - A Chorus Line ( 1989 ) - Cats ( 1991 ) - La Cage aux Folles ( 1993 ) External links . - Silvia Pinal at the telenovela database - Silvia Pinal at the cinema of Mexico site of the ITESM - Silvia Pinal at the Mexican Academy of Film