Professional audio (Magyar)

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Ez az oldal az angol
Professional audio
című oldal magyar nyelvre lefordított változata. Utolsó fordítás dátuma: 2025.11.29. Amennyiben a lefordítás időpontja óta az angol nyelvű oldalon történtek újabb
módosítások
, akkor Ön segíthet hozzászinkronizálni az angolhoz ezt a magyar nyelvű fordítást.
További oldalak az adott témakörben
/Development (Magyar)
/Examples (Magyar)
/Hardware (Magyar)
JACK (Magyar)
PipeWire (Magyar)
Sound system (Magyar)
Realtime kernel (Magyar)
envy24control (Magyar)
This article describes how to configure your system for
multitrack recording
, mixing and playing back audio as well as using it to synthesize and generate sounds. Those activities are subsumed under the term
professional audio
(pro audio)
and typically require
low latency
performance.
Most applications do not need as much high-end hardware, compared to video production or gaming. For more information, refer to
The Right Computer System for Digital Audio
.
Tipp
If you are looking for a guide on how to actually make music on
GNU/Linux
, search the
LinuxMusicians
forums.
Getting started
Advanced Linux Sound Architecture
(ALSA) is part of the Linux
kernel
and used for
drivers and low-level interface
on
Arch Linux
as the default
sound system
.
ALSA
should work out of the box with a default Arch Linux installation. If this is not the case, you must solve the problem before going any further.
Have I set up sound properly?
$ speaker-test
See
ALSA
for troubleshooting.
A vanilla Arch Linux kernel is sufficient for low latency operation in most use cases.
#Optimizing system configuration
[
Hibás hivatkozás
: Érvénytelen szekció]
will be necessary only if you are experiencing audio drop-outs (also known as glitches) or if you need (or want) to reach ultra-low latency operations.
To finish with optimizations, these ultra low latency operations may require you to set up a
#Realtime kernel
.
Although some pro audio software can work with ALSA directly, most of the
#Applications
mentioned later are JACK Audio Connection Kit or
JACK
clients. Therefore, you will need to install and setup one of the available
sound servers
which are outlined soon.
Tipp
However, if you are new to Arch Linux, just finished the
Installation guide
and cannot wait to actually start making music,
install
the
pro-audio
package group
as well as
realtime-generic-setup
AUR
and reboot. Refer to the
#PipeWire-only
section for a quick setup and find your
#Applications
for music and sound production.
Choosing a sound server
Sound hardware cannot play back sound from more than one application simultaneously. While
ALSA
can theoretically be configured to
mix applications in software
this is typically left to a
sound server
.
As ALSA alone cannot achieve low latencies easily and cannot synchronise multiple audio applications to play on time, starting all at the same time, at the same tempo, etc., and as it can not share audio flux between applications simply by connecting all its clients together, you need not just any sound server, but professional audio class one:
PipeWire
is a replacement of
JACK
and
PulseAudio
at the same time for the audio part. It also handles video routing, which is not described in this article.
Megjegyzés
It is not clear, if PipeWire should be considered as a good candidate for a daily use only and
not for professional audio
use cases.
JACK Audio Connection Kit
(JACK) has been developed with all the needs of professional audio and has been in use all over the world for many years and is therefore very stable and mature. Most of professional audio applications are written for the JACK API.
The sound server setup strongly depends on the use case as well as on the workflow and capabilities of some application interaction. JACK was designed to share audio between applications and access an audio device simultaneously by providing the synchronous execution of clients while maintaining constant low latency. Its PipeWire replacement provides a sufficient server for most of the use cases.
This layout illustrates a layer model of the sound server setups to be discussed:
#PipeWire-only
#PipeWire-as-JACK-Client
#JACK-only
┌──────────────┐          ┌──────────────┐        ┌──────────────┐
│ Applications │          │ Applications │        │ Applications │
├──────────────┤          ├──────────────┤        ├──────────────┤
│   PipeWire   │          │ PipeWire+JACK│        │     JACK     │
├──────────────┤          ├──────────────┤        ├──────────────┤
│     ALSA     │          │     ALSA     │        │     ALSA     │
└──────────────┘          └──────────────┘        └──────────────┘
PipeWire-only
The newer
PipeWire
framework replaces JACK as well as other sound servers for the sake of simplicity. Thus, it is recommended to first go for a
PipeWire-only
setup implementing support for
JACK clients
by installing
pipewire-jack
and using the vanilla Arch Linux kernel.
For pro audio use, you also have to select the
Pro Audio
profile installing and using
pavucontrol
, PulseAudio's mixer.
PipeWire-as-JACK-Client
PipeWire
can also be used as a JACK client by installing
pipewire-jack-client
. This is explained in
PipeWire#Run PipeWire on top of native JACK
.
JACK-only
The principle of
versatility
allows you to employ JACK and the
#Realtime kernel
with
#Optimizing system configuration
[
Hibás hivatkozás
: Érvénytelen szekció]
to achieve low latencies for advanced use cases known as
JACK-only
setup. Using JACK as the only sound server requires any software, that is intended for interaction and audio device access, to run as a JACK client.
Unfortunately, popular desktop applications such as
Firefox
or most games either dropped JACK support or never implemented it. For that reason this setup should be used for a dedicated pro audio system where non-JACK software can be neglected. If you still need to use software that cannot connect to JACK, refer to
Professional audio/Examples#Advanced sound server setups
after following the setup described here. Before installing and running JACK you should ensure it can access your audio device.
Is PulseAudio or something else grabbing my device?
$ lsof +c 0 /dev/snd/pcm* /dev/dsp*
or
$ fuser -fv /dev/snd/pcm* /dev/dsp*
If your audio device is not listed, it may be used by PulseAudio (which was probably installed as dependency of another application). Remove those alongside PulseAudio, if you are not intending to use
Professional audio/Examples#PulseAudio+JACK
in order to make PulseAudio release your audio device.
As JACK version 1 is planned to be "slowly phased out"
[1]
, does not support
Symmetric Multiprocessing (SMP)
, lacks
D-Bus
and
systemd
integration, you would want to use version 2 which is available as the
jack2
package. If you are going to use a
JACK control GUI
or a
systemd user service
for
starting the audio graph
, also install
jack2-dbus
.
More details in
JACK Audio Connection Kit#Comparison of JACK implementations
The article on JACK describes a
GUI-based
and a
shell-based
example setup as a point of reference for your own scenario. Parameter values of JACK are discussed in detail in the
#JACK parameters
section and may depend on other system factors covered by the
#Optimizing system configuration
[
Hibás hivatkozás
: Érvénytelen szekció]
section below.
JACK parameters
Megjegyzés
The following guidelines should support finding best possible parameter values for running JACK without audio drop-outs (
xruns
) when using the
#JACK-only
or
/Examples#PulseAudio+JACK
sound server setup type. Due to differences depending on the hardware, whether a
#Realtime kernel
is used or not, and if
#Optimizing system configuration
[
Hibás hivatkozás
: Érvénytelen szekció]
is applied, there is no general preset.
The aim here is to find the best possible combination of buffer size and periods, given the hardware you have.
Frames/Period = 256
is a sane starter. For onboard and USB devices, try
Periods/Buffer = 3
before lowering both values. Commonly used values are: 256/3, 256/2, 128/3, 128/2.
Also, the sample rate must match the hardware sample rate. To check what sample and bit rates your device supports:
$ cat /proc/asound/card0/codec#0
Replace
card0
and
codec#0
depending on what you have. You will be looking for
rates
or
VRA
in
Extended ID
. A common sample rate across many of today's devices is
48000 Hz
. Others common rates include 44100 Hz, 96000 Hz and 192000 Hz.
Almost always, when recording or sequencing with external gear is concerned,
realtime
is a must. Also, you may like to set maximum priority (at least 10 lower than system limits defined in
/etc/security/limits.d/99-realtime-privileges.conf
; the highest is for the device itself).
Start jack with the options you just found out:
$ /usr/bin/jackd -R -P89 -dalsa -dhw:0 -r48000 -p128 -n2
qjackctl
,
cadence
AUR
,
patchage
AUR
and
studio-controls-git
AUR
can all be used to as GUIs to monitor JACK's status and simplify its configuration.
Megjegyzés
Once you set up JACK, try different audio applications to test your configuration results. For example, do not spend days trying to troubleshoot JACK xrun issues with
LMMS
if the problem is with the latter.
Further reading:
Linux Magazine article (2006)
for basic understanding on JACK parameter finding
Latency verification
JACK parameters are most significant for controlling the
round-trip delay
(RTD). In the context of this article that is the overall time it takes for an audio signal to be recorded, processed and played back. The next subsection deals with theoretical background on the sources of latency adding up to the RTD. If you are already familiar with that, you can go to
#Measuring latency
to verify your RTD or skip this section completely.
Latency sources
Consider a typical recording situation of a singer performance. The voice is being captured with a microphone as it propagates trough the air with the
speed of sound
. An
analog-to-digital-conversion
enables the electrical signal to be recorded by a computer for
digital signal processing
. Finally, a
digital-to-analog conversion
returns the signal to be played back at the singer's headphones for monitoring similar to
stage monitor system
usage.
In that voice recording situation there are five significant
latency sources
constructing the RTD and occuring in the following order:
Sound propagation through the air from the mouth of the singer
Analog-to-digital conversion
Digital signal processing
Digital-to-analog conversion
Sound propagation through the air to the ear of the singer
The first and last latency source is hard to change as a particular distance is technically necessary to create an intended sound during recording or playback, respectively. Additionally, when using closer miking for capturing and headphones for monitoring both sound propagation latencies are typically within the range of a few microseconds which is not noticeable by humans. Thus, an objective for RTD minimization is to reduce the other sources of latency.
Conversion latency
In theory JACK maintains a constant low latency by using fixed values (frames, periods, sample rate) for
sampling
and
buffering
of audio to be converted analog-to-digital and vice versa. The latency occurring in the capturing process is described by the following equation:
Lc = n / f
Lc
: Capture latency in milliseconds (ms),
n
: Frames or buffer (multiples of 2, starting at 16),
f
: Sample rate in Hertz (Hz).
The playback latency is also employing the periods value:
Lp = n * p / f
Lp
: Playback latency in milliseconds (ms),
n
: Frames or buffer (multiples of 2, starting at 16),
p
: Periods,
f
: Sample rate in Hertz (Hz).
As already stated before, the capabilities of the audio interface define working combinations. You have to trial and error to find a setup. Sure, it is a trade-off between xrun prevention and achieving low latency, but recent audio interfaces can be used at high sample rates (up to 192 kHz) to deal with that requirement. The audio flux of JACK clients in the digital domain is about zero and thus, negligible for latency measurements
[2]
.
See
FramesPeriods
in the ALSA wiki for more information.
Measuring latency
Once you have set up
#JACK parameters
you might want to verify the RTD described above. For example, using a frames or buffer size of
n = 128
, a periods value of
p = 2
, and a sample rate of
f = 48000
results in a capture latency of about
Lc = 2,666... ms
and a playback latency of about
Lp = 5,333... ms
summing up to a total round-trip delay of
RTD = 8 ms
.
Megjegyzés
This latency value is comparable to a typical monitoring situation on stage using speakers with a distance to the performer's ear ranging between 2 m and 3 m according to the equation for the
speed of sound in air
. Performers experienced with on stage monitoring are typically used to such latencies.
The
jack_delay
utility by Fons Adriaensen measures RTD by emitting test tones out a playback channel and capturing them again at a capture channel for measuring the phase differences to estimate the round-trip time the signal has taken through the whole chain. Use an appropriate cable to connect an input and output channel of your audio device or put a speaker close to a microphone as described by
JACK Latency tests
.
For example, running
jack_delay
for a JACK-only setup using a cable connection between the ports
playback_1
and
capture_1
(the description may differ depending on your hardware) to close the loop, as well as the values discussed before yields the following insights:
$ jack_delay -O system:playback_1 -I system:capture_1
capture latency  = 128
playback_latency = 256
Signal below threshold...
Signal below threshold...
Signal below threshold...
  422.507 frames      8.802 ms total roundtrip latency
       extra loopback latency: 38 frames
       use 19 for the backend arguments -I and -O
  422.507 frames      8.802 ms total roundtrip latency
       extra loopback latency: 38 frames
       use 19 for the backend arguments -I and -O
  422.506 frames      8.802 ms total roundtrip latency
       extra loopback latency: 38 frames
       use 19 for the backend arguments -I and -O
  422.507 frames      8.802 ms total roundtrip latency
       extra loopback latency: 38 frames
       use 19 for the backend arguments -I and -O
<output omitted>
As the output indicates further optimization of JACK can be done by using the parameters
-I 19
and
-O 19
to compensate for the reported extra loopback latency in the chain:
$ /usr/bin/jackd -R -P89 -dalsa -dhw:0 -r48000 -p128 -n2 -I19 -O19
More details can be found in the Ardour Manual page about
latency and latency compensation
.
Realtime kernel
This article or section needs expansion.
Reason:
Real-time kernel support was merged into
Linux 6.12
. How does it affect this section? (Discuss in
Talk:Professional audio (Magyar)
)
"
Realtime
" in the context of an operating system is
defined
that the results of a computation are available within a fixed period of time. Only in a broader sense does it mean "time running simultaneously with reality", for example, that a sound is produced immediately in response to musical user input. The latter is called "low latency" and its setup is one of the main goals of this article.
Since a while ago, the stock Linux kernel (with
CONFIG_PREEMPT=y
,
default
in Arch Linux vanilla kernel) has proven to be adequate for low latency operation. Latency in an operating system context is the time between the moment an interrupt occurs in hardware, and the moment the corresponding interrupt-thread gets running. Unfortunately, some device drivers can introduce higher latencies. So depending on your hardware, drivers, and requirements, you might want a kernel with
hard realtime
capabilities.
Pros and cons
The
RT_PREEMPT
patch by Ingo Molnar and Thomas Gleixner is an interesting option for hard and firm realtime applications, reaching from professional audio to industrial control. Most audio-specific Linux distributions ships with this patch applied. A realtime-preemptible kernel will also make it possible to tweak priorities of IRQ handling threads and help ensure smooth audio almost regardless of the load.
Megjegyzés
Currently, there are
known limitations
for using a realtime kernel with other specific applications typically related to
Virtualization
(such as
Xen
and
KVM
). If you also need those capabilities, consider installing the realtime kernel in addition to the vanilla Arch Linux kernel and creating a second
boot loader
entry for booting the appropriate kernel on demand.
Telepítés
Install
either the
linux-rt
or
linux-rt-lts
package.
Forráskód lefordítása
If you are going to
compile your own kernel
as a
realtime kernel
, remember that removing modules/options does not equate to a "leaner and meaner" kernel. It is true that the size of the kernel image is reduced, but in today's systems it is not as much of an issue as it was back in
1995
.
See
HOWTO setup Linux with PREEMPT_RT properly
for further general instructions.
In any way, you should also ensure that:
Timer Frequency
is set to
1000Hz
(
CONFIG_HZ_1000=y
; if you do not do
MIDI
you can ignore this)
APM
is
DISABLED
(
CONFIG_APM=n
; Troublesome with some hardware - default in x86_64)
If you truly want a slim system, we suggest you go your own way and deploy one with
static /devs
. You should, however, set your CPU architecture. Selecting "Core 2 Duo" for appropriate hardware will allow for a good deal of optimisation, but not so much as you go down the scale.
General issue(s) with (realtime) kernels:
Hyperthreading (if you suspect, disable in
UEFI
settings)
Rendszerbeállítás optimalizálása
Megjegyzés
Optimisation is not a silver bullet—the effect hardly depends on your environment: while for some systems and setups a higher level of optimization is necessary, for most users this will not be the case. Try a standard setup with the vanilla Arch Linux kernel first; consider optimization if you are not satisfied with your current results only—e.g. if you believe your latencies or system stability could be improved.
Be creative, try different settings.
Measurement is the only source of trust—
always measure before and after
.
You may want to consider the following system optimizations:
Setting the
CPU frequency scaling
governor to
performance
.
Configuring pam_limits
(e.g. by installing
realtime-privileges
and adding your user to the
realtime
group).
Using the
threadirqs
kernel parameter
(consult
[3]
for reference) - enforced by default by the
realtime kernel
.
Using the
realtime kernel
.
Add
noatime
to
fstab
(see
Improving performance#Mount options
).
Increasing the highest requested RTC interrupt frequency (default is 64 Hz) by
running the following at boot
:
# echo 2048 > /sys/class/rtc/rtc0/max_user_freq
# echo 2048 > /proc/sys/dev/hpet/max-user-freq
Reducing
swappiness
—
swap frequency
, set to
60
by default—to e.g.
10
will make the system wait much longer before trying to swap to disk. More precisely, it makes the kernel to prefer keeping all applications in RAM instead of swapping
background
applications out. This can be done on the fly with
sysctl vm.swappiness=10
—see
sysctl(8)
—or set up permanently using a configuration file—see
sysctl.d(5)
—such as:
/etc/sysctl.d/90-swappiness.conf
vm.swappiness = 10
Increasing the maximum watches on files (defaults to
524288
) to e.g.
600000
, that
inotify
keeps track of for your user, can help with applications, that require many file handles (such as
DAWs
). This again can be done on the fly with
sysctl fs.inotify.max_user_watches=600000
or in a dedicated configuration file:
/etc/sysctl.d/90-max_user_watches.conf
fs.inotify.max_user_watches = 600000
You may also want to maximize the PCI latency timer of the PCI sound card and raise the latency timer of all other PCI peripherals (default is 64).
$ setpci -v -d *:* latency_timer=
b0
# setpci -v -s
$SOUND_CARD_PCI_ID
latency_timer=
ff
E.g.
SOUND_CARD_PCI_ID=03:00.0
.
The SOUND_CARD_PCI_ID can be obtained like so:
$ lspci -nnd ::04xx
03:00.0
Multimedia audio controller [0401]: Creative Labs SB Audigy [1102:0004] (rev 05)
03:01.0
Multimedia audio controller [0401]: VIA Technologies Inc. VT1720/24 [Envy24PT/HT] PCI Multi-Channel Audio Controller [1412:1724] (rev 01)
Tips and tricks
Disable Wi-Fi and close any programs that do not need to be open when recording such as browsers. Many have reported disabling Wi-Fi has led to more reliable JACK performance.
Some USB audio hardware is known not to work properly when plugged into USB 3 ports so try USB 2/1 ports instead.
IRQ issues can occur and cause problems. An example is video hardware reserving the bus, causing needless interrupts in the system I/O path. See discussion at
FFADO IRQ Priorities How-To
. If you have a realtime or a recent kernel, you can use
rtirq
to adjust priorities of IRQ handling threads.
Do not use the
irqbalance
daemon, or do so carefully
[4]
.
If you need to use multiple audio devices with JACK2, the
alsa_in
and
alsa_out
utilities can be used to have extra devices wrapped and show up as outputs in the JACK patchbay.
Some daemons/processes can unexpectedly cause
xruns
. If you do not need it - kill it. No questions asked.
$ ls /var/run/daemons
$ top # or htop, ps aux, whatever you are comfortable with
$ killall -9 $processname
# systemctl stop $daemonname
If you are facing a lot of
xruns
especially with
nvidia
[
Hibás hivatkozás
: package not found]
, disable your GPU throttling. This can be done via the card's control applet and for NVIDIA it is "prefer maximum performance" (thanks to a post in LAU by Frank Kober
[5]
).
Applications
Arch Linux provides the package group
pro-audio
holding all relevant (semi-) professional applications. All applications in the pro-audio package group are JACK clients. Also
lv2-plugins
,
ladspa-plugins
,
dssi-plugins
,
vst-plugins
and
clap-plugins
are subgroups of the pro-audio group.
Tipp
See
Pacman/Tips and tricks#Listing packages
for listing members of and
Pacman#Installing package groups
for installing package groups.
An overview and brief information on some applications is found in
List of applications/Multimedia#Audio
. Especially the categories
Digital audio workstations
,
Audio effects
and
Music trackers
, as well as
Audio synthesis environments
and
Sound generators
provide examples of pro audio software for recording, mixing, mastering, and sound design. Other categories include
Scorewriters
,
Audio editors
,
Audio converters
, and
DJ
software.
Packages not (yet) in the official repositories can be found in
proaudio
. Browse the
list of packages
to find the application you need or request packaging of your desired applications via
GitHub
.
Hardver
The majority of sound cards and audio devices will work with no extra configuration or packages, simply set JACK to use the desired one.
This is not true for all devices, have a look at the
Category:Sound
,
/Hardware (Magyar)
as well as
Envy24control#Supported cards
for those special cases.
Get help
Mailing lists
Arch Linux Pro-audio
Discussion about real-time multimedia, including (semi-)pro audio and video.
Linux Audio User
The Linux pro-audio related mailing list with much traffic and a huge subscriber community of users and developers.
IRC
#archlinux-proaudio
- Arch Linux pro-audio channel
#lau
- General Linux Audio channel for users
#jack
- Development and support related to JACK audio system
#lv2
- Development and support related to the LV2 plugin format
#ardour
- Discussion and support relating to the Ardour DAW
#opensourcemusicians
- Large general OSS musician discussion channel
További olvasnivaló a témában
Professional audio
Comprehensive guide for a pro-audio setup based on Arch Linux
lv2-plugins-aur-meta
AUR
— provides many LV2 plugins
awesome-linuxaudio
A list of software and resources for professional audio/video/live events production on the Linux platform
Multimedia and Games / Arch Linux Forums
Realtime
The Linux Foundation wiki on the PREEMPT_RT patches