BORIS VIAN'IN KIRMIZI OT ROMANINDA NESNEL TASARIMLAR / THE REPRESENTATIONS OF OBJECTS IN THE BORIS VIAN'S NOVEL RED GRASS
BORIS VIAN'IN KIRMIZI OT ROMANINDA NESNEL TASARIMLAR / THE REPRESENTATIONS OF OBJECTS IN THE BORIS VIAN'S NOVEL RED GRASS
Yazar: Kızılçim, Dr. Yavuz
Dergi: Atatürk Üniversitesi Kazım Karabekir Eğitim Fakültesi Dergisi, Vol. 0 No. 22, 2013

Boris Vian 'zn Kmnm Ot romanznda nesneye aynlan alan ayncalzklzdzr ve nesnel tasanmlar onemli bir yer tutar. Romancz tumuyle kendine ozgiJ bu tuhaf uzamda kurdugu imgelerle canlz varlzklara, nesneleri    ekleyerek    t;e0itli    egretilemeler    yapar.    Bu    imgeleticiegretilemelerin   en   belirgin   ozellifji   ise   alz0zlmamz   baglantzlar!a aktanlmaszdzr. Nesneler  insansal degerler kazanarak hayvanlann  oyunarkada z  olur; romanda aniden yatakta  beliren yavru  kostebek bu !Ur gosterimlerdendir.  Yalanluzak  t;agrz:;zmlar  saglayan  nesnelere  vurgu yapzlarak  ve  bunlar  bilint;li  bir :;ektlde bir arada  kullanzlarak  set;ili nesneyi butun gornnilmleri altznda gosterme yolu set;ilmi:;tir. $a:;zrtzcz nesnelerle gosterme eylemi, onun oykilleme arat;larzndan one t;zkan bit;em ozelliklerinden biridir. 0, romanz daha t;ok bir goruntu olarak gornr ve imgenin soyutlamaya uygun yapzsz, okurun dil:; giJcilnu eyleme get;irerek romano   geni   bir   betimsel   alan   kazandzrzr.   Romanda   bir  zaman maktnesine binen Wolf, bu :;ektlde get;mi:;indekt kotu izleri silme firsatznzyakalar,   yani   iiykillenenler   ef;retileme   sznzrlannz   a&sect;arak   nesnel   birtasarzma donu&sect;Ur.Anahtar Siizciikler: Nesne, Tasarzm, Kzrmzzz, jnce Alay, ay/arzlzk, uyumsuzluk, reli&sect;ki.In this work we try to indicate the representations of objects in the novel Boris Vian's Red  Grass. That is he tries hard to show the object under all its aspects. It requires impersonality and objectivity. He transcribes most faithfully possible the object. In the novel Boris Vian's "Red Grass "smooth a particular atmosphere. The novel opens a totally closed internal space where the characters are condemned to live. So, the space retrace and the solitude threatening from the outside invade more and more the intrigue. This article wonders the surrealistic optics of Boris Vian who is distinguished by the employment of the object and the red with metamorphosis, the use of a singular language as well as by a strange atmosphere, often reflection of the unusual.Key words: Object, representation, red, inconsistent, absurd, opposition, to humor.

Boris Vian 'zn Kmnm Ot romanznda nesneye aynlan alan ayncalzklzdzr ve nesnel tasanmlar onemli bir yer tutar. Romancz tumuyle kendine ozgiJ bu tuhaf uzamda kurdugu imgelerle canlz varlzklara, nesneleri    ekleyerek    t;e0itli    egretilemeler    yapar.    Bu    imgeleticiegretilemelerin   en   belirgin   ozellifji   ise   alz0zlmamz   baglantzlar!a aktanlmaszdzr. Nesneler  insansal degerler kazanarak hayvanlann  oyunarkada z  olur; romanda aniden yatakta  beliren yavru  kostebek bu !Ur gosterimlerdendir.  Yalanluzak  t;agrz:;zmlar  saglayan  nesnelere  vurgu yapzlarak  ve  bunlar  bilint;li  bir :;ektlde bir arada  kullanzlarak  set;ili nesneyi butun gornnilmleri altznda gosterme yolu set;ilmi:;tir. $a:;zrtzcz nesnelerle gosterme eylemi, onun oykilleme arat;larzndan one t;zkan bit;em ozelliklerinden biridir. 0, romanz daha t;ok bir goruntu olarak gornr ve imgenin soyutlamaya uygun yapzsz, okurun dil:; giJcilnu eyleme get;irerek romano   geni   bir   betimsel   alan   kazandzrzr.   Romanda   bir  zaman maktnesine binen Wolf, bu :;ektlde get;mi:;indekt kotu izleri silme firsatznzyakalar,   yani   iiykillenenler   ef;retileme   sznzrlannz   a&sect;arak   nesnel   birtasarzma donu&sect;Ur.Anahtar Siizciikler: Nesne, Tasarzm, Kzrmzzz, jnce Alay, ay/arzlzk, uyumsuzluk, reli&sect;ki.In this work we try to indicate the representations of objects in the novel Boris Vian's Red  Grass. That is he tries hard to show the object under all its aspects. It requires impersonality and objectivity. He transcribes most faithfully possible the object. In the novel Boris Vian's "Red Grass "smooth a particular atmosphere. The novel opens a totally closed internal space where the characters are condemned to live. So, the space retrace and the solitude threatening from the outside invade more and more the intrigue. This article wonders the surrealistic optics of Boris Vian who is distinguished by the employment of the object and the red with metamorphosis, the use of a singular language as well as by a strange atmosphere, often reflection of the unusual.Key words: Object, representation, red, inconsistent, absurd, opposition, to humor.