hakansabunis/tr-academic-research-agent-index huggingface dataset:
The "Morally Ideal Woman" in Middlemarch
The "Morally Ideal Woman" in Middlemarch
Yazar: Demir, Yağmur; , Editörden
Dergi: Cankaya University Journal of Humanities and Social Sciences, Vol. 9 No. 2, 2014
Anahtar kelimeler: ANAHTAR KELİMELERMiddlemarch, ahlaki değerler, sosyal sınıflar

Viktorya Dönemi yazarı olarak Eliot, Middlemarch adlı romanında 19. yüzyıl İngiliz toplumunu ve bu toplumun değerler sistemini, sınıf yapısını göz önünde tutarak, anlatır. İngiliz toplumunun üç ana sos- yal sınıfı olan aristokrasi, orta sınıf ve işçi sınıfı, üç kadın karakterin yardımıyla detaylı olarak betimlenir. Eliot okuyucunun olaylarla ve karakterlerle ilgili sonuçlara ulaşmasına, toplumla ilgili gerçekçi tasvirleriy- le yardım eder. Okuyucu, toplumsal sınıfların değer yargılarıyla bir tanışırken, aynı zamanda Eliot’ın üstü kapalı etik öğretilerine de ulaşır. Bu çerçevede, Dorothea, Rosamond ve Mary kendi sınıflarının (sırasıyla aristokrasi, orta sınıf ve işçi sınıfı) ahlaki değerlerinin ürünü olarak resmedilmiştir

Viktorya Dönemi yazarı olarak Eliot, Middlemarch adlı romanında 19. yüzyıl İngiliz toplumunu ve bu toplumun değerler sistemini, sınıf yapısını göz önünde tutarak, anlatır. İngiliz toplumunun üç ana sos- yal sınıfı olan aristokrasi, orta sınıf ve işçi sınıfı, üç kadın karakterin yardımıyla detaylı olarak betimlenir. Eliot okuyucunun olaylarla ve karakterlerle ilgili sonuçlara ulaşmasına, toplumla ilgili gerçekçi tasvirleriy- le yardım eder. Okuyucu, toplumsal sınıfların değer yargılarıyla bir tanışırken, aynı zamanda Eliot’ın üstü kapalı etik öğretilerine de ulaşır. Bu çerçevede, Dorothea, Rosamond ve Mary kendi sınıflarının (sırasıyla aristokrasi, orta sınıf ve işçi sınıfı) ahlaki değerlerinin ürünü olarak resmedilmiştir
The Study of Mourning in Female Elegy
The Study of Mourning in Female Elegy
Yazar: Düzgün, Şebnem; , Editörden
Dergi: Cankaya University Journal of Humanities and Social Sciences, Vol. 9 No. 2, 2014
Anahtar kelimeler: elegy,Emily Brontë,Remembrance,Elizabeth Bishop,North Haven,individuality,melancholia,mourning ; ağıt, Emily Brontë, Remembrance, Elizabeth Bishop, North Haven, özgünlük, melankoli, matem.

Ağıt, tarihi boyunca erkek şairler tarafından ortaya konulan kuralların etkisi altında kalmış bir tür- dür. Bu nedenle, benzersizliklerini açığa vurmak isteyen kadın şairler için çok az bir alan bırakılmıştır. Fa- kat, kadın ağıt yazarlarının bu türe olan katkıları inkar edilemez; çünkü yerleşmiş kurallara karşı gelme ça- baları muazzam farklılıklar sunmuştur. Kadın şairler, erkek şairlerin aksine, bir kişi öldüğünde düşüncele- rin değil, bedenin yok olduğuna inandıklarından ölen kişiden ayrılma düşüncesine karşı çıkarlar. Bu ne- denle, matemleri süreklidir ve bu gerçek, üzüntüden üzüntüye doğru hareket eden dairesel bir yapıyla gös- terilir. Öte yandan kadın ağıt yazarlarının ölünün yerini dolduracak bir şey bulamamaları, Freud’un “Mo- urning and Melancholia” (1917) adlı makalesindeki ifadelerinden esinlenen bazı eleştirmenler tarafından melankolinin belirgin bir göstergesi olarak yorumlanır. Bir diğer ayrım da kadın ağıt yazarlarının ağıtı ken- dilerini ölünün varisi olarak iddia etmek için kullanabilecekleri bir araç olarak görmemeleridir. Bu çalış- ma, kadın şairler tarafından yazılan ağıtlarda görülen matemin bir incelemesidir. Mevcut çalışma, İngiliz yazar Emily Brontë’nin “Remembrance” başlıklı şiiri ile ve Amerikalı yazar Elizabeth Bishop’un “North Haven” başlıklı şiirini inceleyerek Anglo-Amerikan kadın şairlerin şiirlerindeki matem temsilleri hakkın- daki tartışmalara katkıda bulunmayı amaçlamaktadır

Elegy is a genre which has been under the influence of the rules imposed by male poets throughoutits history. Therefore, only a little space is left for the female poets who desire to express their individuality.However, female elegists’ contributions to the development of the genre cannot be denied because theirstruggles to defy the established rules have offered tremendous varieties. Female poets, contrary to traditionalmale poets, are against the idea of separation from the dead as they believe it is the corpse, not the thoughts,which disappears when a person dies. Therefore, their mourning is continuous, which is demonstrated bya circular structure moving from sorrow to sorrow. On the other hand, the fact that female elegists cannotfind a substitute for the deceased is interpreted as a distinct sign of melancholia by some critics inspiredby Freud’s statements in his essay “Mourning and Melancholia” (1917). Another distinction is that femaleelegists do not regard elegy as a tool to claim themselves as the inheritors of the deceased. This study is anexamination of mourning in female elegies. In examining “Remembrance” and “North Haven”, the presentstudy aims to contribute to the discussions about the representation of female mourning in Anglo-Americanwomen’s poetry
The Process of Reconstruction in Margaret Atwood’s The Handmaid’s Tale
The Process of Reconstruction in Margaret Atwood's The Handmaid's Tale
Yazar: Çokay, Rahime
Dergi: Cankaya University Journal of Humanities and Social Sciences, Vol. 9 No. 2, 2014
Anahtar kelimeler: Process,Reconstruction,Margaret

History is under the control of people who understand and manipulate its construction, which enables those in power to shape, invert and redirect it in accordance with their own wills. As those in power have always been males, history has always been the history of “the male sex”, “written by and about males” and, as such, tends to either marginalize or co-opt women’s versions of history.’1 This tendency originates from the otherness of woman: “She is defined and differentiated with reference to man and not with reference to her, she is incidental, the inessential as opposed to the essential. He is the subject, he is the Absolute –she is the Other.”2 Through her otherness, woman has been oppressed and reduced to an object by the subject himself. The woman’s side, which has, thus, been the other side, is either ignored or constructed in the male-dominated society. Since she is deprived of written language and has to play the silent role, she is not able to write her story, the story of the other side, and exists only in the gaps of history.

History is under the control of people who understand and manipulate its construction, which enables those in power to shape, invert and redirect it in accordance with their own wills. As those in power have always been males, history has always been the history of “the male sex”, “written by and about males” and, as such, tends to either marginalize or co-opt women’s versions of history.’1 This tendency originates from the otherness of woman: “She is defined and differentiated with reference to man and not with reference to her, she is incidental, the inessential as opposed to the essential. He is the subject, he is the Absolute –she is the Other.”2 Through her otherness, woman has been oppressed and reduced to an object by the subject himself. The woman’s side, which has, thus, been the other side, is either ignored or constructed in the male-dominated society. Since she is deprived of written language and has to play the silent role, she is not able to write her story, the story of the other side, and exists only in the gaps of history.
Bartleby, the Epitome of Passitivity: an Elegy for Humankind
Bartleby, The Epitome of Passivity: An Elegy For Humandkind
Yazar: Özilhan, Esra
Dergi: Cankaya University Journal of Humanities and Social Sciences, Vol. 9 No. 2, 2014
Anahtar kelimeler: Bartleby,Epitome,Passitivity

In The Writing of the Disaster, Maurice Blanchot discusses the concepts of disaster, the Other, passivity, and responsibility. His aphorisms can help us to analyse the relationship between Bartleby and the narrator-attorney in Herman Melville’s “Bartleby, The Scrivener: A Story of Wall-Street”. This story presents significant insights into the relationship with the Other, and how the Other is a burden that each person involuntarily experiences. In this paper, I will discuss the reasons for, and the effects of, passive resistance, in addition to the inextricable feeling of responsibility that is experienced in the face of the Other.

In The Writing of the Disaster, Maurice Blanchot discusses the concepts of disaster, the Other, passivity, and responsibility. His aphorisms can help us to analyse the relationship between Bartleby and the narrator-attorney in Herman Melville’s “Bartleby, The Scrivener: A Story of Wall-Street”. This story presents significant insights into the relationship with the Other, and how the Other is a burden that each person involuntarily experiences. In this paper, I will discuss the reasons for, and the effects of, passive resistance, in addition to the inextricable feeling of responsibility that is experienced in the face of the Other.
Speech and Silence within Limits: Conversation in Henry Jame’s “Brooksmith”
Speech and Silence within Limits:Conversation in Henry James's "Brooksmith"
Yazar: Çiftçi, Ömer
Dergi: Cankaya University Journal of Humanities and Social Sciences, Vol. 9 No. 2, 2014
Anahtar kelimeler: Speech,Silence,Limits

Reciprocity of speech is a central theme in Henry James’s short story “Brooksmith,” and related to other prominent elements and themes such as dialogue, loss of space, extinction of voice and speech/silence dichotomy. The fact that dialogue in the story appears more as a subject than as a form, more talked about than actualized in writing, makes it the main concern of the narrative, which depends on it whether it is present or lacking. Obviously the idea of conversation itself is more prominent than any specific subject of conversation, and it is more valued due to merits like interestingness and coherence as an element of social life. Reciprocity of speech is essential as a subject to the continuity of narration; and it is important to the characters in relation to their concern about securing their habitual states and feeling situated, which becomes the focus of narration. Its significance is generally apparent in the celebration of its presence and the lamentation and longing in its absence, and more closely demonstrated in the experiences of the three main characters.

Reciprocity of speech is a central theme in Henry James’s short story “Brooksmith,” and related to other prominent elements and themes such as dialogue, loss of space, extinction of voice and speech/silence dichotomy. The fact that dialogue in the story appears more as a subject than as a form, more talked about than actualized in writing, makes it the main concern of the narrative, which depends on it whether it is present or lacking. Obviously the idea of conversation itself is more prominent than any specific subject of conversation, and it is more valued due to merits like interestingness and coherence as an element of social life. Reciprocity of speech is essential as a subject to the continuity of narration; and it is important to the characters in relation to their concern about securing their habitual states and feeling situated, which becomes the focus of narration. Its significance is generally apparent in the celebration of its presence and the lamentation and longing in its absence, and more closely demonstrated in the experiences of the three main characters.
The Stoic Mothers, Violence and Human Condition in Union Street
The Stoic Mothers, Violence and Human Condition in Union Street
Yazar: Çağlar, Bircan
Dergi: Cankaya University Journal of Humanities and Social Sciences, Vol. 9 No. 2, 2014
Anahtar kelimeler: Stoic,Mothers,Violence

Pat Barker with her first novel, Union Street, provides a realistic social panorama of her time and offers a significant vantage point to class and gender issues by focusing on overall characteristics of working class environment with the emphasis on women in such an environment. She draws attention to the problems that exist in working class houses and sees corruption and violence as outcomes of economic inequalities. In women’s case this situation is doubled as they both have to carry the role of the woman as a housewife and as a worker. “Among the working class family there has always been a tight-knit institution, a place where the gender roles have their fixed place, but in the post-war period when women started to work, the role of the woman as housewife seemed to exist alongside her role as a worker. Yet still the socially expected gender performances were to be fulfilled at home.

Pat Barker with her first novel, Union Street, provides a realistic social panorama of her time and offers a significant vantage point to class and gender issues by focusing on overall characteristics of working class environment with the emphasis on women in such an environment. She draws attention to the problems that exist in working class houses and sees corruption and violence as outcomes of economic inequalities. In women’s case this situation is doubled as they both have to carry the role of the woman as a housewife and as a worker. “Among the working class family there has always been a tight-knit institution, a place where the gender roles have their fixed place, but in the post-war period when women started to work, the role of the woman as housewife seemed to exist alongside her role as a worker. Yet still the socially expected gender performances were to be fulfilled at home.
A Chronotopic Analysis: Bakhtinian Review of Women in Love by D. H. Lawrance
A Chronotopic Analysis: Bakhtinian Review of Women in Love by D.H. Lawrence
Yazar: Çal, Mete
Dergi: Cankaya University Journal of Humanities and Social Sciences, Vol. 9 No. 2, 2014
Anahtar kelimeler: Chronotopic,Analysis,Bakhtinian

In this paper the aim is to interpret the Bakhtinian elements in terms of chronotopes and analyze Women in Love by D.H. Lawrence. Bakhtin in his work Dialogic Imagination opens a new path for analyzing the texts through which the comprehension of analysis is extended. He introduces the term “chronotope” that can enable the reader to understand a text, an event, a character or a philosophy. He has given no specific explanation to the term; rather it is left blank for the reader. However, he names the theory as follows: “We will give the name chronotope to intrinsic connectedness of temporal and spatial relationships that are artistically expressed.

In this paper the aim is to interpret the Bakhtinian elements in terms of chronotopes and analyze Women in Love by D.H. Lawrence. Bakhtin in his work Dialogic Imagination opens a new path for analyzing the texts through which the comprehension of analysis is extended. He introduces the term “chronotope” that can enable the reader to understand a text, an event, a character or a philosophy. He has given no specific explanation to the term; rather it is left blank for the reader. However, he names the theory as follows: “We will give the name chronotope to intrinsic connectedness of temporal and spatial relationships that are artistically expressed.
Who Ignores Women: Not Only Man
Who Ignores Women: Not Only Man
Yazar: Mersin, Yeşim
Dergi: Cankaya University Journal of Humanities and Social Sciences, Vol. 9 No. 2, 2014
Anahtar kelimeler: Ignores,Women,Only

Throughout the history, as it can be clearly understood from the word his-story,1 women cannot have their own identity or social roles; rather they are forced to take on a lot of gender roles imposed upon them by the patriarchy and carry them as their identity. They have had two labels: either “angel in the house” or “mad women in nowhere”. Unfortunately, they cannot put a stop to this situation since they are not able to found a real, powerful sisterhood which would provide them with the world where they can realize their own selves. On the contrary, they make them fall into a bottomless hole as Charlotte Brontë does in her novel Jane Eyre by leading her character Jane ignore Bertha, “the mad creature in the attic” and call her “it,” meaning that she has lost all her humanity in the eyes of others who transformed her into mad, alienated and lonely “other”.

Throughout the history, as it can be clearly understood from the word his-story,1 women cannot have their own identity or social roles; rather they are forced to take on a lot of gender roles imposed upon them by the patriarchy and carry them as their identity. They have had two labels: either “angel in the house” or “mad women in nowhere”. Unfortunately, they cannot put a stop to this situation since they are not able to found a real, powerful sisterhood which would provide them with the world where they can realize their own selves. On the contrary, they make them fall into a bottomless hole as Charlotte Brontë does in her novel Jane Eyre by leading her character Jane ignore Bertha, “the mad creature in the attic” and call her “it,” meaning that she has lost all her humanity in the eyes of others who transformed her into mad, alienated and lonely “other”.
TEMMUZ-ARALIK 2011 Türkiye\'de Yayınlanan Yeni Kitaplar
TEMMUZ-ARALIK 2011 Türkiye\'de Yayınlanan Yeni Kitaplar
Yazar: , Editörden
Dergi: Cankaya University Journal of Humanities and Social Sciences, Vol. 9 No. 2, 2014

anlamda yeniden ele alınıyor. Bu yeni çalışmaların ortak yönünün dönemi Doğu - Batı ikilemine daya- lı bilgi rejimlerinin dışına çıkarak okumak olduğu ileri sürülebilir. Göksun Akyürek de elinizdeki çalış- masında, mimarlık tarihi anlatılarında bir tür karanlık çağ olarak görüldüğünü ileri sürdüğü bu dönemi, doğru bilginin kuruluşuna ilişkin bir süreç olarak ele alıyor. Akyürek, bir yandan öznesi çoğunlukla mer- kezi yönetim olan bu dönemin mimari pratiklerini incelerken, diğer yandan bu mimari pratiklere para- lel olarak geliştirilen söylemsel deneyimi aktarıyor. Böylece bilginin ve onu işleyen zihniyetin değişimi de bazı ilginç mimari durumlar eşliğinde gözler önüne seriliyor. Akyürek, ilk Osmanlı üniversitesi ol- duğu iddia edilen Darülfünunun inşaat sürecini, 1863 yılında İstanbul’da hızla inşa edilerek açılışı yapı- lan Sergi-i Umûmî-i Osmâni binalarını ve kentin yeniden inşa sürecinin bir parçası olarak bu eşikte keş- fedilen İstanbul’un Bizans mirasına yönelik sınırlı restorasyon çalışmalarını incelerken, yeni bir bilgi alanının kuruluşunu özneler, söylem ve mimari pratikler bağlamında değerlendiriyor. Kitaba yazdığı Önsözde Uğur Tanyeli’nin de belirttiği gibi Akyürek’in kitabı vaatleri de olan bir metin. Tüm iyi metin- ler gibi, kapsadıkları kadar, dolayımla akla getirdikleriyle ve harekete geçirdiği düşünme imkânlarıyla da önemli

anlamda yeniden ele alınıyor. Bu yeni çalışmaların ortak yönünün dönemi Doğu - Batı ikilemine daya- lı bilgi rejimlerinin dışına çıkarak okumak olduğu ileri sürülebilir. Göksun Akyürek de elinizdeki çalış- masında, mimarlık tarihi anlatılarında bir tür karanlık çağ olarak görüldüğünü ileri sürdüğü bu dönemi, doğru bilginin kuruluşuna ilişkin bir süreç olarak ele alıyor. Akyürek, bir yandan öznesi çoğunlukla mer- kezi yönetim olan bu dönemin mimari pratiklerini incelerken, diğer yandan bu mimari pratiklere para- lel olarak geliştirilen söylemsel deneyimi aktarıyor. Böylece bilginin ve onu işleyen zihniyetin değişimi de bazı ilginç mimari durumlar eşliğinde gözler önüne seriliyor. Akyürek, ilk Osmanlı üniversitesi ol- duğu iddia edilen Darülfünunun inşaat sürecini, 1863 yılında İstanbul’da hızla inşa edilerek açılışı yapı- lan Sergi-i Umûmî-i Osmâni binalarını ve kentin yeniden inşa sürecinin bir parçası olarak bu eşikte keş- fedilen İstanbul’un Bizans mirasına yönelik sınırlı restorasyon çalışmalarını incelerken, yeni bir bilgi alanının kuruluşunu özneler, söylem ve mimari pratikler bağlamında değerlendiriyor. Kitaba yazdığı Önsözde Uğur Tanyeli’nin de belirttiği gibi Akyürek’in kitabı vaatleri de olan bir metin. Tüm iyi metin- ler gibi, kapsadıkları kadar, dolayımla akla getirdikleriyle ve harekete geçirdiği düşünme imkânlarıyla da önemli
Prejudice against Homosexuality and Locus of Control
Prejudice against Homosexuality and Locus of Control
Yazar: Uğurlu, Ozanser; , Editörden
Dergi: Cankaya University Journal of Humanities and Social Sciences, Vol. 10 No. 1, 2014
Anahtar kelimeler: homosexuality, prejudice, internal-external locus of control, social contact, and sex differences ; ANAHTAR KEL‹MELEReﬂcinsellik, önyargı, iç-dıﬂ kontrol oda¤ı, sosyal temas ve cinsiyet farkları

Bu çalıﬂmanın amacı eﬂcinselli¤e iliﬂkin önyargılı tutumlar ile içsel-dıﬂsal kontrol oda¤ı, cinsiyet far- kı ve sosyal temas arasındaki iliﬂkiyi araﬂtırmaktır. Türkiye’deki çeﬂitli üniversitelerden 198 ö¤renci bu ça- lıﬂmaya katılmıﬂtır. Katılımcıların yaﬂ ortalaması 21.14 (SS = 2.38) de¤erindedir. Katılımcılar Hudson ve Ricketts’ın 25 maddelik Eﬂcinselli¤e iliﬂkin Tutumlar Ölçe¤i, ‹ç-dıﬂ Kontrol Oda¤ı Ölçe¤i ve cinsiyet, sos- yal temas ve yaﬂı içeren demografik bilgi fromunu doldurmuﬂlardır. Eﬂcinselli¤e iliﬂkin önyargılı tutumlar sadece dıﬂ kontrol oda¤ının kadere inanç, çabanın anlamsızlı¤ı ve ﬂansa inanç alt faktörleri ile korelayon göstermiﬂtir. ANOVA sonucuna göre, dıﬂ kontrol oda¤ı, cinsiyet farkı ve sosyal temas ana etkileri istatis- tiksel olarak anlamlı bulunmuﬂtur. Ancak, bu de¤iﬂkenler arası etkileﬂim bulunamamıﬂtır. Ayrıca, yapılan regresyon analizi sonucuna göre eﬂcinselli¤e iliﬂkin önyargıyı kader inanç alt unsuru anlamlı bir ﬂekilde yordamıﬂtır

The purpose of the study was to explore the relationship between prejudice against homosexuality,internal-external locus of control, sex differences and social contact. A total of 198 university studentsfrom various Turkish universities participated in this study. The mean age of the participants was 21.14(SD = 2.38). The participants filled Hudson and Ricketts’ 25-item Attitudes toward Homosexuality Scale,Internal-External Locus of Control Scale, and demographic variables including sex differences, socialcontact and age. The prejudice against homosexuality were only correlated with the sub-factors of externallocus of control namely belief in fate, meaninglessness of effortfulness, and belief in chance. The performedANOVA presented that the main effects of the level of external locus of control, sex differences, and socialcontact were only statistically significant, but there were no interactions between them. Regression analysisshowed that belief in fate was the only significant predictor of the prejudice against homosexuality